1 00:00:03,760 --> 00:00:07,760 Speaker 1: Previously on the Princess of South Beach, Maria del Carmen, 2 00:00:07,960 --> 00:00:11,640 Speaker 1: my twin sister, discovered some secret letters hidden in my 3 00:00:11,720 --> 00:00:15,760 Speaker 1: diary written by a man named D'Antonio who claims he's 4 00:00:15,760 --> 00:00:19,320 Speaker 1: our real father. Goes without saying she hasn't been able 5 00:00:19,320 --> 00:00:22,520 Speaker 1: to stop reading, and that's exactly what she's doing now, 6 00:00:29,320 --> 00:00:33,000 Speaker 1: your daughter, I don't know if you've received my letters. 7 00:00:33,240 --> 00:00:35,360 Speaker 1: I'll keep sending them with the hope that one day 8 00:00:35,400 --> 00:00:40,600 Speaker 1: you'll find them. Why can I get through one mysterious letter? 9 00:00:42,920 --> 00:00:45,520 Speaker 1: Aren't you going to come down for no? Thank you? 10 00:00:46,200 --> 00:00:49,559 Speaker 1: I'm not hungry, it's me, are you siguring? Don't want 11 00:00:49,560 --> 00:00:52,480 Speaker 1: to come I miss you. You're the love of my life. 12 00:00:52,520 --> 00:00:55,040 Speaker 1: The nuts in my oat meal, the grantit to my countertop. 13 00:00:55,080 --> 00:00:57,440 Speaker 1: We're like majestic. I don't even know what that means, 14 00:00:57,640 --> 00:01:01,560 Speaker 1: and I don't have time to decipher your metaphors. Thank 15 00:01:01,560 --> 00:01:04,640 Speaker 1: you both for your concern, but I'm not ready to 16 00:01:04,840 --> 00:01:07,560 Speaker 1: deal with all of this glory yet. You can't keep 17 00:01:07,560 --> 00:01:09,920 Speaker 1: yourself locked up forever? Is this because you don't want 18 00:01:09,920 --> 00:01:11,959 Speaker 1: to deal with the press? What you'll have to confront 19 00:01:12,000 --> 00:01:15,640 Speaker 1: the camera sooner than later? Oh way, does this some 20 00:01:15,760 --> 00:01:18,440 Speaker 1: sort of role playing thing. You want me to break 21 00:01:18,440 --> 00:01:20,320 Speaker 1: down the door and rescue you, as if you were 22 00:01:20,319 --> 00:01:25,920 Speaker 1: a captive princess and I your knight and shining Armlet No, raoul, 23 00:01:26,040 --> 00:01:29,200 Speaker 1: and what are you even talking about? What press? Have 24 00:01:29,280 --> 00:01:31,440 Speaker 1: you not looked at the window? No, the paparazzi haven't 25 00:01:31,480 --> 00:01:39,399 Speaker 1: left since the accident. Look. Oh no, no, no, no, no, 26 00:01:39,400 --> 00:01:41,840 Speaker 1: no no, there's too much going on. I need to 27 00:01:41,880 --> 00:01:44,759 Speaker 1: process all of this. Yeah, it's okay, I will leave 28 00:01:44,840 --> 00:01:48,280 Speaker 1: me alone. I need to pray, pray. Since when do 29 00:01:48,360 --> 00:01:51,480 Speaker 1: you pray? Or is this another role play thing where 30 00:01:51,520 --> 00:01:54,520 Speaker 1: you're some kind of a nun and I a natty priest. 31 00:01:55,320 --> 00:01:58,720 Speaker 1: In the name of the front, I'm still here. Look, Oh, 32 00:01:58,760 --> 00:02:02,880 Speaker 1: calm down when I'm ready. Of course, I don't know, Yosano, 33 00:02:03,840 --> 00:02:06,560 Speaker 1: What have I gotten myself into the first day I 34 00:02:06,640 --> 00:02:08,600 Speaker 1: leave the convent, I find out that I have a 35 00:02:08,600 --> 00:02:11,000 Speaker 1: twin sister who immediately dies right in front of me 36 00:02:11,040 --> 00:02:14,160 Speaker 1: in a tragic accident. And as if that isn't enough drama, 37 00:02:14,240 --> 00:02:16,800 Speaker 1: I also find out that I have a super rich family. 38 00:02:16,880 --> 00:02:21,280 Speaker 1: But now these letters say they might be murderers. I'll 39 00:02:21,360 --> 00:02:28,040 Speaker 1: forgive my tongue. Yosano, are you freaking kidding me. Wait 40 00:02:28,080 --> 00:02:31,880 Speaker 1: a minute, maybe these letters aren't even real. I mean, 41 00:02:32,520 --> 00:02:34,880 Speaker 1: anybody could have written these. Maybe it was like, I 42 00:02:34,919 --> 00:02:39,800 Speaker 1: don't know a creative writing assignment. I'm not going to 43 00:02:39,840 --> 00:02:49,040 Speaker 1: read them. I need a distraction. Ever since she crashed 44 00:02:49,080 --> 00:02:53,040 Speaker 1: her boat on Saturday, the model and celebrity Gloria Calderone 45 00:02:53,120 --> 00:02:56,040 Speaker 1: hasn't left her swinky house in South Beach Is There 46 00:02:56,080 --> 00:02:58,840 Speaker 1: no escape? As famous for her hot bud as she 47 00:02:58,960 --> 00:03:01,639 Speaker 1: used for her lot list of X's, the star is 48 00:03:01,680 --> 00:03:05,080 Speaker 1: set to get married next month with her boyfriend Roo Santana, 49 00:03:05,280 --> 00:03:08,799 Speaker 1: son of political advisor Nacho Santana. The couple was last 50 00:03:08,840 --> 00:03:12,560 Speaker 1: seen at the calder Own mansion, also known as Lacasa Rosa, 51 00:03:12,800 --> 00:03:16,560 Speaker 1: last Saturday evening. I can't handle this anymore. I need 52 00:03:16,560 --> 00:03:24,600 Speaker 1: to get out of Hereia. Where are you going? Do 53 00:03:24,680 --> 00:03:28,160 Speaker 1: you need anything? Yes? Yesterday? I need your help. What 54 00:03:28,360 --> 00:03:31,280 Speaker 1: is going on? Oh? Do you need more tea? No? 55 00:03:31,280 --> 00:03:34,040 Speaker 1: No tea? I need I need some air. I need 56 00:03:34,080 --> 00:03:35,640 Speaker 1: to get out of this place for a second without 57 00:03:35,640 --> 00:03:38,120 Speaker 1: anyone noticing. I feel like I'm suffocating. I don't want 58 00:03:38,120 --> 00:03:41,440 Speaker 1: to come. It's okay, it's okay. Damn, I haven't seen 59 00:03:41,440 --> 00:03:43,480 Speaker 1: you this Dressel says, Nicki Minash and Carter B had 60 00:03:43,520 --> 00:03:45,480 Speaker 1: that fight at that fancy party, and you know it 61 00:03:45,520 --> 00:03:47,840 Speaker 1: was Nicki Minaj's fault because she was the one liking 62 00:03:48,000 --> 00:03:50,760 Speaker 1: things on Twitter saying Cardi B should die. You know, 63 00:03:50,920 --> 00:03:54,000 Speaker 1: I'm barti gang. But don't tell how those words even mean. No. 64 00:03:54,120 --> 00:03:57,320 Speaker 1: I need to get out of here. Okay, I have 65 00:03:57,400 --> 00:04:01,640 Speaker 1: an idea. Here, take my apron, grab these glasses and 66 00:04:01,800 --> 00:04:04,760 Speaker 1: um take this card. Hey, you can take my car. 67 00:04:04,800 --> 00:04:07,280 Speaker 1: It's right around the back of the house. No one 68 00:04:07,440 --> 00:04:22,200 Speaker 1: will recognize you. Good as you're the best feels. I 69 00:04:22,200 --> 00:04:24,839 Speaker 1: don't know what to do. What would a man, Claudia, 70 00:04:24,920 --> 00:04:28,080 Speaker 1: do you assure me? What would you do? What would 71 00:04:28,080 --> 00:04:32,200 Speaker 1: I know? I need your help? Excuse me? You are 72 00:04:32,240 --> 00:04:35,600 Speaker 1: sitting on my track. Sorry, how long have you been 73 00:04:35,600 --> 00:04:39,520 Speaker 1: sitting there? About ten minutes or so. You didn't realize 74 00:04:39,640 --> 00:04:41,599 Speaker 1: I was here, but you sat right next to me 75 00:04:41,640 --> 00:04:43,960 Speaker 1: and just started talking to yourself. I didn't want to 76 00:04:44,000 --> 00:04:45,880 Speaker 1: interrupt you, because you know you're allowed to do that. 77 00:04:45,920 --> 00:04:47,680 Speaker 1: But um, I've also learned its best not to talk 78 00:04:47,680 --> 00:04:49,919 Speaker 1: to people who seem a little crazy. Not not not 79 00:04:49,960 --> 00:04:51,600 Speaker 1: that you're crazy. I'm seeing that people who seem a 80 00:04:51,640 --> 00:04:53,680 Speaker 1: little crazy. I'm I mean, look, I don't know you, 81 00:04:53,720 --> 00:04:56,359 Speaker 1: but I'm My point is I am not assuming anything 82 00:04:56,400 --> 00:04:58,680 Speaker 1: about your mental state. You do whatever you want. I 83 00:04:58,680 --> 00:05:00,960 Speaker 1: am an alim. Oh boy, this is not this is 84 00:05:00,960 --> 00:05:04,880 Speaker 1: coming out where you're wrong. It's fine. Here's your jacket. 85 00:05:05,520 --> 00:05:07,760 Speaker 1: I'm really sorry. Oh hey, no, no, no no, no, don't 86 00:05:07,800 --> 00:05:10,719 Speaker 1: worry about it. I sit on stranger's jackets like twice 87 00:05:10,760 --> 00:05:14,200 Speaker 1: a week. It's all good. I also come here to 88 00:05:14,320 --> 00:05:17,920 Speaker 1: clear my head when I'm feeling a little lost. So oh, 89 00:05:17,960 --> 00:05:20,719 Speaker 1: I get it. And and do you ever find the 90 00:05:20,720 --> 00:05:23,440 Speaker 1: answer you're looking for? No? Never have no, no, no, no 91 00:05:23,320 --> 00:05:25,719 Speaker 1: no no. I do it more to remind myself that 92 00:05:25,760 --> 00:05:29,000 Speaker 1: there is no such thing as the right answer. There 93 00:05:29,000 --> 00:05:31,600 Speaker 1: are only options, all of them with their own set 94 00:05:31,640 --> 00:05:35,240 Speaker 1: of pros and cons. And what choice did you make today? 95 00:05:35,480 --> 00:05:37,640 Speaker 1: I haven't made it yet. I came here for some 96 00:05:37,800 --> 00:05:40,119 Speaker 1: quiet and was really kind of getting in the zone, 97 00:05:40,160 --> 00:05:44,440 Speaker 1: and then you showed up. Oh I'm sorry. No no, no no, no, no, 98 00:05:44,760 --> 00:05:47,800 Speaker 1: I'm saying. I I mean like, it's okay. I'm sort 99 00:05:47,839 --> 00:05:49,839 Speaker 1: of trying to make a big life decision. You know, 100 00:05:49,839 --> 00:05:52,600 Speaker 1: on one hand, I can pursue my dream, and then 101 00:05:52,680 --> 00:05:55,039 Speaker 1: on the other hand, I settle with what I have, 102 00:05:55,160 --> 00:05:59,280 Speaker 1: which is comfortable. Well, it seems pretty obvious to me 103 00:06:00,080 --> 00:06:02,880 Speaker 1: you should follow your dream. Yeah, but there's no such 104 00:06:02,880 --> 00:06:08,360 Speaker 1: thing as a dream without consequences, you know. Ever since 105 00:06:08,400 --> 00:06:10,679 Speaker 1: I was a kid, I've always wanted to be a reporter, 106 00:06:10,960 --> 00:06:13,360 Speaker 1: like the ones from the movies that end up catch 107 00:06:13,440 --> 00:06:16,160 Speaker 1: the bad guys and staying up late, chain smoking and 108 00:06:16,400 --> 00:06:19,279 Speaker 1: writing articles that have changed the world. That was going 109 00:06:19,360 --> 00:06:22,760 Speaker 1: to be me without the chain smoking because I have asthma, 110 00:06:22,839 --> 00:06:25,640 Speaker 1: but everything else. But then I grew up and I 111 00:06:25,680 --> 00:06:28,880 Speaker 1: realized journalism isn't as Leonard and Bernstein me as I 112 00:06:28,880 --> 00:06:30,520 Speaker 1: thought it was going to be. It's it's a lot 113 00:06:30,560 --> 00:06:33,039 Speaker 1: of listicals about what kind of sandwich you are, which 114 00:06:33,080 --> 00:06:37,240 Speaker 1: is obviously harmony Kissel, I don't know. I guess we're 115 00:06:37,240 --> 00:06:39,320 Speaker 1: all just trying to get what we want without hurting 116 00:06:39,320 --> 00:06:44,719 Speaker 1: too many people in the process. Right. WHOA? That was deep? 117 00:06:46,800 --> 00:06:51,119 Speaker 1: How do we oh? By the way, I'm Andres Andres Reyes. 118 00:06:51,560 --> 00:06:56,279 Speaker 1: Nice to meet you. Thanks for the advice. I guess 119 00:06:57,600 --> 00:07:00,040 Speaker 1: I should go. I have something I gotta do. I 120 00:07:00,480 --> 00:07:02,799 Speaker 1: hear whenever you want to sit on my jacket, Maria, 121 00:07:03,960 --> 00:07:17,480 Speaker 1: good luck had much better thank you for your help, Astrea. 122 00:07:17,800 --> 00:07:21,200 Speaker 1: I really appreciate it. Of course. Of course, that's why 123 00:07:21,240 --> 00:07:29,000 Speaker 1: I'm here. I'll leave you to rest, all right, Where 124 00:07:29,000 --> 00:07:32,840 Speaker 1: are the letters? I can do this. I can do this. 125 00:07:33,160 --> 00:07:36,840 Speaker 1: I lived in a convent. I can do this. Dear daughter. 126 00:07:37,440 --> 00:07:40,040 Speaker 1: I don't know if you've received my letters. I'll keep 127 00:07:40,160 --> 00:07:42,320 Speaker 1: sending them with the hope that one day you'll find 128 00:07:42,360 --> 00:07:47,400 Speaker 1: out the truth about the Calderons. In my last letter, 129 00:07:47,920 --> 00:07:50,960 Speaker 1: I told you that Estevan and Luisa were incapable of 130 00:07:51,080 --> 00:07:55,320 Speaker 1: getting pregnant, and Luisa was determined to hide that fact 131 00:07:55,360 --> 00:07:59,520 Speaker 1: from her father. Don't seve who was obsessed with having 132 00:07:59,560 --> 00:08:16,040 Speaker 1: an error. In my last letter, I told you that 133 00:08:16,200 --> 00:08:20,520 Speaker 1: Estevan and Luisa were incapable of getting pregnant, and Luisa 134 00:08:20,760 --> 00:08:24,200 Speaker 1: was determined to hide that fact from her father. Don't 135 00:08:24,200 --> 00:08:43,840 Speaker 1: say Vedo, who was obsessed with having an error. Maa, 136 00:08:44,840 --> 00:08:58,400 Speaker 1: what's wrong? MH. I'm glad you finally decided to wake up. 137 00:08:59,080 --> 00:09:02,480 Speaker 1: Were you to be eating bone bones and watching your 138 00:09:02,880 --> 00:09:10,640 Speaker 1: ridiculous I was asleep. It's three in the morning. We 139 00:09:10,840 --> 00:09:13,959 Speaker 1: need to talk. If what you're about to tell me 140 00:09:14,080 --> 00:09:16,800 Speaker 1: is that I need another nose job. I already told 141 00:09:16,840 --> 00:09:18,720 Speaker 1: you the doctor told me if I get another one, 142 00:09:18,760 --> 00:09:23,559 Speaker 1: I'll lose my sense of smell. No, Louisa, the doctors 143 00:09:23,640 --> 00:09:27,160 Speaker 1: have finally given me the test results back, and it 144 00:09:27,360 --> 00:09:38,839 Speaker 1: is exactly as I suspected. I'm right. No, it can't be. Yeah, no, 145 00:09:39,000 --> 00:09:42,959 Speaker 1: maybe it can. There must be something we can do, 146 00:09:43,280 --> 00:09:47,480 Speaker 1: some sort of treatment. It is a peace stuff. You 147 00:09:47,640 --> 00:09:55,000 Speaker 1: know how much I hate emotions. The point is my 148 00:09:55,160 --> 00:10:04,000 Speaker 1: time has come, Louise, Ah, my only daughter. It's no 149 00:10:04,160 --> 00:10:08,600 Speaker 1: secret that I always wanted to have a son, a strong, 150 00:10:09,240 --> 00:10:13,600 Speaker 1: determined son who could have taken the reins of my 151 00:10:13,760 --> 00:10:20,160 Speaker 1: empire and steered this family towards successful. But your mother 152 00:10:20,840 --> 00:10:24,679 Speaker 1: was incapable of giving me a son, and I had 153 00:10:24,720 --> 00:10:31,440 Speaker 1: to settle with a daughter. You know, I always thought 154 00:10:31,520 --> 00:10:33,560 Speaker 1: I might have been a little too rough on you. 155 00:10:34,120 --> 00:10:39,640 Speaker 1: Some would say to me, so joonystick, But I'm not sexist, 156 00:10:40,080 --> 00:10:42,920 Speaker 1: not at all. I just think men are better than women. 157 00:10:43,640 --> 00:10:48,400 Speaker 1: I'll admit I had hoped that in time, even despite 158 00:10:48,480 --> 00:10:53,400 Speaker 1: being a woman, you could have still some harm bring 159 00:10:53,400 --> 00:10:57,640 Speaker 1: honor to our family name. But you have disappointed me 160 00:10:57,720 --> 00:11:01,840 Speaker 1: in more ways than I could have ever imagined. You're irresponsible, cruel, 161 00:11:02,000 --> 00:11:06,280 Speaker 1: and frivolous. You're completely incapable of running my businesses, much 162 00:11:06,360 --> 00:11:10,560 Speaker 1: less our family. And to make matters even worse, you 163 00:11:10,600 --> 00:11:14,960 Speaker 1: are ugly creos but you look like Diego Rivera with 164 00:11:15,120 --> 00:11:19,240 Speaker 1: a wigham. Where are you going with this? Do you 165 00:11:19,280 --> 00:11:23,080 Speaker 1: want me to hate you before you die? Is that 166 00:11:23,160 --> 00:11:28,880 Speaker 1: what this is? No, Louisa, it's not so you hate me. 167 00:11:29,640 --> 00:11:35,960 Speaker 1: It's so you would understand why I'm doing what I 168 00:11:36,000 --> 00:11:40,840 Speaker 1: am about to tell you that I am going to do. 169 00:11:42,480 --> 00:11:47,160 Speaker 1: You will not inherit. I sent from my fortune dead 170 00:11:48,600 --> 00:11:53,839 Speaker 1: when you married that useless excuse of a man. My 171 00:11:53,920 --> 00:11:58,559 Speaker 1: only hope was that you too would have a baby, 172 00:11:59,040 --> 00:12:01,760 Speaker 1: so someone that was worth it dam could take the 173 00:12:01,800 --> 00:12:05,520 Speaker 1: reins of this family. But you've been married for three 174 00:12:05,600 --> 00:12:11,400 Speaker 1: years and you've given me nothing. So when I die, 175 00:12:12,000 --> 00:12:17,720 Speaker 1: I will leave my whole fortune. So I'm pregnant. I 176 00:12:17,760 --> 00:12:22,160 Speaker 1: was waiting for the right time to tell you pregnant, 177 00:12:22,559 --> 00:12:28,320 Speaker 1: fee baba, I'm totally pregnant. That's what I wanted to 178 00:12:28,320 --> 00:12:33,720 Speaker 1: tell you. I'm for sure going to have a baby. 179 00:12:33,920 --> 00:12:39,640 Speaker 1: You've always wanted an air boy. No, if what you 180 00:12:39,720 --> 00:12:43,480 Speaker 1: say is through, then we must discuss the future of 181 00:12:43,559 --> 00:12:50,040 Speaker 1: our family. Of course, it was a lie, Luisa, wasn't pregnant. 182 00:12:50,080 --> 00:12:53,440 Speaker 1: She and a stepent were sterile, but with a little 183 00:12:53,520 --> 00:12:55,040 Speaker 1: fortune on the line, she'd have to come up with 184 00:12:55,080 --> 00:12:58,240 Speaker 1: a way to get a baby. No option was off 185 00:12:58,280 --> 00:13:04,480 Speaker 1: the table. Oh my god, what did they do? What 186 00:13:04,679 --> 00:13:07,319 Speaker 1: did they do? I guess you'll have to keep reading 187 00:13:07,320 --> 00:13:13,480 Speaker 1: to find out, Ermanita. If you're enjoying Princess of South Beach, 188 00:13:13,600 --> 00:13:17,319 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 189 00:13:17,800 --> 00:13:20,160 Speaker 1: The Princess of South Beach is a production of Ihearts, 190 00:13:20,200 --> 00:13:23,880 Speaker 1: Michael Tura Podcast Network, and Sonoro. Created and directed by 191 00:13:23,960 --> 00:13:27,800 Speaker 1: Jasmine Romero, Written by Jasmine Romero and Joanna Housman, with 192 00:13:27,840 --> 00:13:32,280 Speaker 1: help from Daniela Serkis, Monisa Heinris, and Christian Katar. Produced 193 00:13:32,280 --> 00:13:36,800 Speaker 1: by Luis Executive produced by conal Byrne and Gazelle Bances 194 00:13:36,840 --> 00:13:40,200 Speaker 1: for iHeart by Joanna Housman, and by Jasmine Romero and 195 00:13:40,280 --> 00:13:44,920 Speaker 1: Joshua Weinstein for Sonoro. Performances in this episode by Rachel Zegler, 196 00:13:45,160 --> 00:13:50,600 Speaker 1: Gina Torres, Andy Bustillo's X, Mayo, Alan Eisenberg, Alfredo Narciso, 197 00:13:50,840 --> 00:13:55,200 Speaker 1: and David Boyo. Our production manager is Getting Sachitis. Recording 198 00:13:55,240 --> 00:13:59,480 Speaker 1: and engineering by Emiliano Quintaner with sound design by Edwin Irigoyen, 199 00:14:00,000 --> 00:14:05,120 Speaker 1: Andra Tinajo, Andres Biena, Diego Melina and Andres Coronado. Assistant 200 00:14:05,120 --> 00:14:09,360 Speaker 1: sound designed by Eric Sinteno, Casting in coordination by Andres Chaires, 201 00:14:09,720 --> 00:14:13,319 Speaker 1: Folly by Samantha Gonzalez Fong, our theme song and original 202 00:14:13,400 --> 00:14:16,400 Speaker 1: music by Rodrigo Garcia Roles and Charlie Hernandez