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Speaker 1: Come on Chicago m and I Heart radio station. It's

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Speaker 1: got I'm at. I don't know. Might be one of

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Speaker 1: those days where I gotta like to see the words

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Speaker 1: in my mind, you know, and then like mouth you

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Speaker 1: know what I mean, like wrap my mouth around the words.

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Speaker 1: I do some vocal warm up. I think I need to, like,

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Speaker 1: how do you like? Me? Me? Me? Me, me, me,

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Speaker 1: me me me? And what do they do? What do

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Speaker 1: they say? Like red cat? Yeah, yeah, they say red

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Speaker 1: cat dog, red cat dog. But I don't know. They

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Speaker 1: say some weird stuff like that red leather, yellow leather. Yeah?

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Speaker 1: Is that what they say? I swear to god, I

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Speaker 1: don't know. You think I would do the vocal warm

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Speaker 1: up show before the program started, Shelby Shelly, just hear

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Speaker 1: this morning? Okay, you interrupted me during mine? How do

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Speaker 1: you what is it? It's that red cat yellow banana?

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Speaker 1: What is it? I forgot? I don't know, but I

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Speaker 1: have heard people's Ye, that's what we normally do. It's

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Speaker 1: a bunch of tongue twisters, right, yeah, yeah, I mean

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Speaker 1: we normally out of her red red leather, yellow leather. Yeah,

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Speaker 1: what was that? If I wasn't visible, I was just

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Speaker 1: I'm making sure it was, I would say it was right.

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Speaker 1: He was fake news, unique New York, New York, the

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Speaker 1: kind of stuff I need to be doing the right

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Speaker 1: come in here every day, boat to boat, toy boat,

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Speaker 1: but said in the first five seconds of the show,

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Speaker 1: I just go like I was drinking on a Wednesday.

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Speaker 1: Been drinking on a Wednesday. It makes a proper cup

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Speaker 1: of coffee in a copper coffee cup. I'm going to

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Speaker 1: say to another I'm not supposed to say, did you

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Speaker 1: hear this one? Red leather, yellow leather? No? I wish

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Speaker 1: somebody could told me about it. I wish somebody had

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Speaker 1: told me that it was a red leather, yellow leather

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Speaker 1: in that red banana rain monkey or something. Whenever I

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Speaker 1: was saying that Jason Brown, good Morning, Rufio, did you

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Speaker 1: hear this one? You could do his red leather, yellow leather, Paulina,

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Speaker 1: Why didn't you tell me about that one? He's just

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Speaker 1: so quick fast, it's invisible. It's invisible. I could just

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Speaker 1: watch you in your room. It's the French Show. One

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Speaker 1: three five Kiss FM, Chicago's number one hid music station.

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Speaker 1: Good Morning had a big day yesterday. It was a

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Speaker 1: huge day. I'm not even sure which part of It

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Speaker 1: was the biggest bart. I mean it was just alive.

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Speaker 1: We said, a lot happening all at once for your boy,

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Speaker 1: And to be honest with you, the whole time, I

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Speaker 1: just want to eat my sandwich. That was the whole thing.

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Speaker 1: Look good, it was delicious. Oh it's so good. Isn't

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Speaker 1: pastram What is postraam? What do you mean beef? Right?

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Speaker 1: Are you sure? I hope? So it's not pork. No,

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Speaker 1: it's not pork. Are you sure? No, you can't get

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Speaker 1: turkey pastrama? Okay, but you didn't know. We're gonna hold

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Speaker 1: I say. Pstrami is a deli meat made from a

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Speaker 1: highly seasoned cut of smoked or steamed meat that's generally

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Speaker 1: made from corned beef. Okay, oh no, I thought about it. Yes,

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Speaker 1: you know. I'm not on the I'm not on the

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Speaker 1: pork thing. No, I'm off the pork. Wouldn't that have

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Speaker 1: been something? It's it's just me just chowing down on

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Speaker 1: the It's delicious, just like that's pork. Dude. I don't

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Speaker 1: Ever since I met Little George's the pig, I can't.

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Speaker 1: I just can't do it. Nothing changed, not a thing

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Speaker 1: changed me. And then I had a vegetarian dinner last

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Speaker 1: night means meals vegetarian dinner last night too. So I

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Speaker 1: don't know. Maybe I'm not a vegetarian kick now I'm

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Speaker 1: not sure. Had nice and grilled Greek halloomy cheese over

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Speaker 1: some orzo. Oh yeah, yeah, you boy. That hallumi cheese

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Speaker 1: is a weird It's like, what is hallumi? You can

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Speaker 1: you can cook it basically like it gets like softer,

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Speaker 1: but it doesn't get but it won't melt. Really, it's

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Speaker 1: like it's like a brick and then you slice it up.

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Speaker 1: Yeah it's white, and then but you grill it. Oh yeah,

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Speaker 1: it looks like and it doesn't like melts. No, it's delicious.

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Speaker 1: I took a picture of the cheese you lead on fire.

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Speaker 1: Yeah yeah, oh yeah, look it. I'm over here. Basically

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Speaker 1: a little little spinach and a little tomato. I'll tell

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Speaker 1: you what. They make you look good on their meals.

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Speaker 1: I mean, because I don't know what the hell I'm doing,

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Speaker 1: but it it really is hard to screw up. It's

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Speaker 1: very hard to screw up because the sauce this isn't

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Speaker 1: even supposed to be a commercial, but they the sauce

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Speaker 1: is already made. You just pour everything in warm it up.

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Speaker 1: I mean you could, I guess you could, but you

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Speaker 1: would have to be you'd have to try really hard

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Speaker 1: to screw it up. But one thing I will not

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Speaker 1: do is eat that or Zoe and Halumi in bed.

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Speaker 1: H And people have said in a recent survey that

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Speaker 1: they consider eating in bed to be a dating deal breaker,

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Speaker 1: and I am with them. I am with them. We

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Speaker 1: know you're we know you're eating not Cheetos in bed, apparently,

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Speaker 1: and we know you've done the discovery for the rest

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Speaker 1: of us, so you have wash your hands carefully before you,

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Speaker 1: please do proceed. I eat everything in bed everything. What what?

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Speaker 1: Why can't the bed just be for sleeping? Like the

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Speaker 1: bed my bed is supposed to be, like relatively pristine.

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Speaker 1: I washed the sheets every couple of days. I make

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Speaker 1: the bed, so every time I get in it, I

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Speaker 1: don't like fully make it. I used to fully make

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Speaker 1: it because I saw some video online about um some

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Speaker 1: general in the military talking about how you should always

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Speaker 1: start your daymaking your bed because you then by the

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Speaker 1: time you've left your bedroom, you've completed your first task

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Speaker 1: of the day, and then it just starts this series

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Speaker 1: of completing tasks. I don't get that. I don't get it.

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Speaker 1: I also leave someone in my bed, right, which would

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Speaker 1: be weird to make the around. Yeah, but I try

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Speaker 1: and make the bed while I'm still in it. Do

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Speaker 1: you ever do that? Like I try. I try and

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Speaker 1: straighten everything out. Well, I'm actually still laying man, How

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Speaker 1: do you get out? And then I kind of roll out?

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Speaker 1: Yeah you've never done that. I do that every day.

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Speaker 1: I try and like get all the sheets kind of

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Speaker 1: in order, you know, and then I kind of roll out,

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Speaker 1: and then I like tighten the bottom one once I

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Speaker 1: get out and fluff the pillows. That's as far as

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Speaker 1: I go. Like you roll on the floor like that,

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Speaker 1: I know, Yeah, and I kind of roll out of

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Speaker 1: the bed. Yeah, so that it doesn't mess up the work.

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Speaker 1: I just did that way. I don't have to like

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Speaker 1: run around, you know, in the at four o'clock in

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Speaker 1: the morning, to run around the thing. And that's so funny. Yeah,

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Speaker 1: now you don't do that, no messing both sides up.

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Speaker 1: You sleep in the middle of your bag kind of. Yeah,

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Speaker 1: so both sides get the pillows somehow get thrashed. But

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Speaker 1: I used to do the whole thing, put the pillows

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Speaker 1: on the thing and make it all up like a hotel.

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Speaker 1: But then it's like, then I come home, take it

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Speaker 1: all out. There's too much, That's what I'm saying. And

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Speaker 1: like making a bed, like why make you when it's

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Speaker 1: just gonna get messed up the night and the next night.

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Speaker 1: Most fresh rating part is Mic doesn't make it when

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Speaker 1: he gets up in the morning. So I get home

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Speaker 1: at you know, three four, I have a then I

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Speaker 1: make it and then literally three I'm back in. Um

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Speaker 1: do you I have to if I leave for a

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Speaker 1: vacation or for a weekend. If I'm gone leave the

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Speaker 1: house for a couple of days. Like the bed, I

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Speaker 1: have to fully make the bed for what. I don't

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Speaker 1: know why. I like, dust might get on the bad

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Speaker 1: I don't know what I think is gonna happen. I

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Speaker 1: have no idea. But when I get back, the bed

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Speaker 1: has to be fully made. Like I can't leave the

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Speaker 1: bed undone and then leave town for a week. Couldn't

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Speaker 1: be done. Oh no, I also can't leave. My house

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Speaker 1: has to be clean when I leave it. Yeah, Like

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Speaker 1: everything's got to be right when I leave, Like I

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Speaker 1: only you know I own um uh. Gabrielle, she only

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Speaker 1: comes once a month sometime to make it so that

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Speaker 1: she comes when I'm gone, so when I come back

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Speaker 1: the place is pristine. I don't know, I just it

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Speaker 1: would like in my mind it would bother me the

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Speaker 1: whole time that there was stuff left out of place

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Speaker 1: while I was away. Did your parents make you do

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Speaker 1: that to you before you left a vacation, like clean

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Speaker 1: the house and like come home to a clean home.

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Speaker 1: My mom was also when we got home that we

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Speaker 1: couldn't leave the bags like we had to come home home.

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Speaker 1: We had to unpack our bags, put the laundry in

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Speaker 1: the laundry room, like everything had to be we couldn't

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Speaker 1: like And to this day, I still do that, Like

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Speaker 1: if I come home from a trip, no matter how long,

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Speaker 1: within an hour, my bags are unpacked, the suitcases are

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Speaker 1: put away, there's laundry running, I've taken a shower and

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Speaker 1: changed all within an hour, all right, I don't know,

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Speaker 1: because I was just trained that way there. And I

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Speaker 1: know some people that will go on a trip and

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Speaker 1: their suitcase just sits there for two weeks and I

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Speaker 1: just live out of the suitcase. That's that's how I

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Speaker 1: used to be in a home until you know, until

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Speaker 1: Jess and we took trips together. She's like, you gotta

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Speaker 1: empty this thing I used to put on the bed too.

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Speaker 1: You know they're throwing that thing around the bottom of

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Speaker 1: the plane. You know that thing's down there on a

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Speaker 1: tarmac and O'Hare and you're just putting that right where

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Speaker 1: you sleep. Lessons learned, man. You know now I'm a

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Speaker 1: better person friend because of my wife. Well, yeah, thank god,

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Speaker 1: I still do it right. Okay, I don't have a

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Speaker 1: lot of watch It's the only one pair of underwear.

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Speaker 1: And like, Ray's something I don't have enough close to there,

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Speaker 1: even in his suitcase because he doesn't change his clothes.

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Speaker 1: It's like a full of toys or something. I don't

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Speaker 1: I don't know what it is, No idea. What'sty one

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Speaker 1: year own child? Here's my blanket right, here's my toy tray,

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Speaker 1: all the stuff that I had bought on vacation that

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Speaker 1: I gotta bring back and then let me play with that.

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Speaker 1: Ruby's like, no, it's mine, Yeah, you're gonna bring it.

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Speaker 1: Does he have any toys that you semi covet as

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Speaker 1: your own? Does he have anything that was given to him?

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Speaker 1: And You're like up, no, I mean like this monster

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Speaker 1: truck kick that he's on. I mean when we go shopping,

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Speaker 1: I'm the one looking at monster trucks, you know what

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Speaker 1: I'm saying, and then like, oh, we don't have that

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Speaker 1: one yet. He's just like okay, so some of it

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Speaker 1: you're buying because you want it. Yeah, I mean it's

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Speaker 1: a collection, you know, Like he sees all these monster

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Speaker 1: trucks on TV. When he watches them on YouTube, he

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Speaker 1: knows them all and then he sees them and be

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Speaker 1: like he doesn't have that one. So when we go

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Speaker 1: to the store and it's there, I'm like, oh, man

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Speaker 1: to three dollars, right, yeah, cool, we got this one.

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Speaker 1: And he's just like cool, and then he plays with

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Speaker 1: it and then okay, yeah, well I feel like the

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Speaker 1: collection is building because of me, you know, not because

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Speaker 1: of because he doesn't. There's a certain point where he

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Speaker 1: has enough and doesn't know right well now, It's just

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Speaker 1: like when we go to the store, he's just like, oh,

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Speaker 1: let's go look at the monster trucks and I'm like, yeah,

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Speaker 1: let's like so it's we get excited together, you know

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Speaker 1: what I'm saying, and be like, oh, we don't have

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Speaker 1: that one, and he'll be like I want it and

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Speaker 1: be like yes, you do somethings three bucks. Yeah, I

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Speaker 1: guess the problem is he doesn't necessarily understand how much

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Speaker 1: things cost yet, so you're probably teaching him that every

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Speaker 1: time you go to the story, he's gonna get a toy. Yeah,

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Speaker 1: that's very true. But that's only one of the ways

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Speaker 1: to get him to go to the store for three

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Speaker 1: bucks yet a bribe. Yeah. We have a bit of

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Speaker 1: a my mom's side of the family, we have a

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Speaker 1: bit of a gambling thing. It's it's healthy, you know.

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Speaker 1: But my nana was a big slot machine lady. She

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Speaker 1: loved a slot machine. Everyone kind of liked to gamble

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Speaker 1: a little bits. It's hit in the blood. And that

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Speaker 1: was how I got my mom to take me to

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Speaker 1: McDonald's as a kid almost every day for a while

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Speaker 1: as a little kid, because I got her onto the

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Speaker 1: McDonald's game on the Monopoly She would just get obsessed. Yeah.

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Speaker 1: Like the first time, I'm like, we gotta got McDonald's mom,

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Speaker 1: because I got the Monopoly game. We're gonna play the

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Speaker 1: Monopoly game. And she's like, what this is dumb? What

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Speaker 1: is it? And then the next time it was okay,

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Speaker 1: so what so how do we get pieces? Yeah? Items

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Speaker 1: exactly which items we have to buy, like will fries

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Speaker 1: and a drink? Shit, okay, two drinks. We'll want four fries.

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Speaker 1: And by this point we're buying food for everybody because

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Speaker 1: she just wants the game pieces, big macboxes, the hash

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Speaker 1: brown sleeves and yeah, like I think we're gonna win.

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Speaker 1: We used to go to mcdonaldson play the Monopoly game

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Speaker 1: and it really was had nothing to do with the

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Speaker 1: food or anything. It was a whole scam. Yeah, you

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Speaker 1: learn the whole pieces the whole time. We were never

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Speaker 1: gonna win millions, right, Yeah, the documentary, Yeah that was

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Speaker 1: all inside. Yeah, watching me, so we'll out. Good morning.

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Speaker 1: It's the French Show on one h three five Kiss FM. Um.

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Speaker 1: By the way, we'll follow up Peter, Jason Brown, the

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Speaker 1: Mike and the mechanics talking strike is over. Yeah, we caved.

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Speaker 1: If you've been following this saga for the last few days.

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Speaker 1: Do we have the dramatic music somewhere the Bachelor music?

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Speaker 1: Did we load that up or no, we didn't get

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Speaker 1: that radio. No you sent it to me. Maybe I didn't.

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Speaker 1: I don't know anyway, So not dramatic at all. I

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Speaker 1: remember you saved it. It's somewhere. Now, you see wherever

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Speaker 1: you played it off of last time you saved it?

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Speaker 1: I did, Yeah, it was off. It was on YouTube.

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Speaker 1: That's where I get everything for free, and I have

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Speaker 1: to wait. And it's an amazing skill that I have.

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Speaker 1: A lot of people when they talk about me, they

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Speaker 1: talk about how skilled I am, and um, this is

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Speaker 1: a generous, kind and thoughtful. But I, um, yeah, you

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Speaker 1: don't know how many times I've had to talk for

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Speaker 1: like five seconds to cover the ad that's that's pending

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Speaker 1: on the YouTube video that I'm about to play on

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Speaker 1: the radio. Anyway, So if you've been following the saga,

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Speaker 1: and I want you to fill a word in here

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Speaker 1: because it's when a man loves a man, Yeah, man

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Speaker 1: loves a man. Um, Mike and mechanic had not spoken

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Speaker 1: to you for two weeks because he was upset with you.

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Speaker 1: Then I got upset with him. We're saying something. You're

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Speaker 1: in granting your side of the story. But he said

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Speaker 1: something to you that was not all that nice. Yeah

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Speaker 1: you know it was. It was an argument, and ugly

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Speaker 1: things happened in arguments. Well, no, nice the thing he

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Speaker 1: said to you. So anyway, Um, but I understand some

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Speaker 1: lovemaking took the place and that was the end of

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Speaker 1: that was the end of the same. I don't know.

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Speaker 1: He caved. Let's just go with that. He cave. Pizza.

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Speaker 1: Pizza was the peace offering. Yeah, okay, so you weren't

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Speaker 1: talking for like two weeks. Yeah, and and this was

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Speaker 1: on the show a couple of days ago. Yeah, you

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Speaker 1: went on with your life and you're like, no, forget

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Speaker 1: about it, didn't do anything. And then so he would

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Speaker 1: talk to you like but not really talk to you,

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Speaker 1: like he would say something in passing, but it was

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Speaker 1: all very Kurt. Yeah, it was very sure. It was

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Speaker 1: very to the point. It was something you know about

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Speaker 1: the dogs or something about like very like, you know,

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Speaker 1: we're here in a working partnership. This is how two

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Speaker 1: weeks ago he ordered him pizza Sunday night, and in

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Speaker 1: passing he said to you, Jason's pizza if you want some. Yeah,

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Speaker 1: and that opened the door a little bit, and I

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Speaker 1: cracked the door open. You ate the pizza? And how

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Speaker 1: do we get from there to making? You want to

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Speaker 1: know what and how do we get from that conversation

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Speaker 1: making love? I really wanted to understand how we get

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Speaker 1: from the chatting to you're not gonna understand. Why would

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Speaker 1: I understand? I don't know. It just happened. I don't

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Speaker 1: know what you like. Was there any apology or I'm sorry. No,

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Speaker 1: you just kind of started, you know, things happened. I

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Speaker 1: also think this is the best kind. This explains you.

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Speaker 1: You also talked about your foot hurting. Yeah, and now

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Speaker 1: it's like starting to feel better because you and he

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Speaker 1: gave you an adjustment. No, I feel like he was

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Speaker 1: like sleep, Oh he was sabotaging. If he was trying

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Speaker 1: to sabotage, I just the way that I envisioned, like

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Speaker 1: a relationship makeup scenario, like that happening is in my

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Speaker 1: mind because you know, I don't really know because I

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Speaker 1: really haven't been in those um it, trust me. Two

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Speaker 1: weeks of not talking, we're not together anymore. Like there's

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Speaker 1: no that's not happening in my life, or at least

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Speaker 1: it never has before. Right, But if you have eleven

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Speaker 1: years before that, Oh, I'm just kind of anything. This

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Speaker 1: job for more than eleven years, but no long time.

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Speaker 1: But so the way that I see it in my head,

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Speaker 1: like I'm gonna do a little role play like Klein

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Speaker 1: and I will do a little role play here. Klein

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Speaker 1: and I have been fighting for two weeks. We haven't

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Speaker 1: but for two weeks we're not talking. And then you

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Speaker 1: come in and you go, um, ask me about the Bachelor.

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Speaker 1: What's going on? I'm so confused. Okay, So and then

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Speaker 1: I fill you in and then you go, thank you.

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Speaker 1: I wouldn't say thank you. And then and then I'll say,

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Speaker 1: we're playing. Let us have our role play. We're making

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Speaker 1: up after two weeks of not talking. You know, I've

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Speaker 1: really missed talking to you about the Bachelor. You have, Yeah,

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Speaker 1: let's make love. I don't know it's time between. I'm

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Speaker 1: saying we started because of the Bachelor. There was time

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Speaker 1: in between the Bachelor at and just the way the thing,

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Speaker 1: the way in my mind I hear it playing out,

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Speaker 1: is such that like it opens the door to a

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Speaker 1: conversation where there's some sort of exchange about what has

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Speaker 1: happened over the last two weeks, like oh, hey, sorry

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Speaker 1: about that, me too, And then a kiss, and then

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Speaker 1: a kiss turns into a little heaven and then before long,

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Speaker 1: you know it's important site scene in sight. WHOA, yeah,

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Speaker 1: that's exactly how it happened. Yeah, I don't think it

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Speaker 1: is though, No, it's really not. But I'm trying to understand.

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Speaker 1: I can't describe it on the air. I don't know

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Speaker 1: what to say their relationship, dyamic No, it doesn't sound

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Speaker 1: like he doesn't want to tell me. It sounds like

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Speaker 1: he doesn't want to tell me on the radio, and

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Speaker 1: I don't know why because we share it all here.

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Speaker 1: But that's okay. Maybe on the podcast today you can

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Speaker 1: explain to me. Yeah, I need to understand how you

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Speaker 1: go from a relationship where you don't talk for two

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Speaker 1: weeks to intimacy in a period of like an hour.

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Speaker 1: I need to understand how that happens. It's very interesting. Okay, good,

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Speaker 1: well that's what and test, ok this is how we're

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Speaker 1: gonna win awards. Thank you for having us on. It's

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Speaker 1: one oh three five The Fred Show is here. I

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Speaker 1: meant to tell you, guys, I I I watched what

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Speaker 1: could have been a career ending event take place before

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Speaker 1: my very eyes here yesterday, but it wasn't. Um. A

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Speaker 1: bunch of bunch of heavies are here again this week.

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Speaker 1: It's like two or three weeks in a road. All

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Speaker 1: the heavies are hanging around, big executives walking around this place.

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Speaker 1: It's like, Thank god we have thirteen listeners who listen

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Speaker 1: to us all the time. Otherwise I'd be avoiding. Well,

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Speaker 1: I do avoid them, but i'd be I'd be sweating

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Speaker 1: more than I already do in the underarm area. I

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Speaker 1: haven't seen Leslie tena while. I gotta go over there.

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Speaker 1: But my wife's a singer today. Oh yeah, Oh, I

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Speaker 1: gotta go man this week. Boy, I think it's fun.

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Speaker 1: I don't know what y'all have done. But she puts

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Speaker 1: boat talks in my under arms. So I walk out

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Speaker 1: looking exactly the same, except I get it in my face.

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Speaker 1: Saves my shirt. So that's where Jess. Yeah, my girl

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Speaker 1: need the one thing you need them. I want to

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Speaker 1: be frozen. Guys are fantastic just the way you are.

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Speaker 1: I want to not be able to emote anything. So

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Speaker 1: these heavies are walking around and it's crazy that these anyways,

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Speaker 1: So I don't need boat talks for that. I can.

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Speaker 1: I can so used to me anyways, I can do

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Speaker 1: that naturally, I don't. I just it doesn't phaze me

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Speaker 1: because I can emote no emotion without any sort of Actually,

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Speaker 1: you know what I've been meaning to talk to you? Yeah,

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Speaker 1: can you teach me how to not can have so

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Speaker 1: many emotions? Yeah? Can you? What's funny? It is deep

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Speaker 1: down inside I carry deeply about things that on the

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Speaker 1: exterior you wouldn't necessarily know that I care about. Say,

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Speaker 1: how do I do that? We gotta work on it.

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Speaker 1: It's a lifelong practice. Chin yourself. No, No, it's just

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Speaker 1: it's internal torture, is what it is. Its opposed to

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Speaker 1: external torture. It's internal torture. If you have both, well,

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Speaker 1: how good fire alarms going after? Oh no, it's a

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Speaker 1: new feature of the studio. We have raves, the stair

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Speaker 1: alarm ticket. It's like what we're doing a radio show?

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Speaker 1: So I don't know. I think they would not appreciate it.

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Speaker 1: If we just walked out right now, even if the

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Speaker 1: building were on fire, I think they'd be like, why

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Speaker 1: did you guys leave the mics on? Then just walk off?

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Speaker 1: Let's happens. But um, so the heavies are here and

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Speaker 1: they didn't sound prove these studios, which why would you

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Speaker 1: do that as a radio station? Why would you sound prove?

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Speaker 1: And so one of the heavies I run into him

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Speaker 1: in the hallway, a guy I really like his name

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Speaker 1: with Hartley Atkins I really like Hartley a lot. And

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Speaker 1: we're standing right outside of a studio. I'm leaning up

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Speaker 1: against the studio door actually, and we're just carrying on,

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Speaker 1: having a full on conversation, like ain't nothing happening. And

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Speaker 1: I did kind of glance in to see if anybody

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Speaker 1: was in the room, because we would be disturbing them

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Speaker 1: if we were. I didn't see anybody. The door swings

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Speaker 1: open and there's Brady or afternoon Guy. But you know, Brady,

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Speaker 1: big smile on his face. He's like, Hey, did you

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Speaker 1: need in here? And that's all he was curious about.

403
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Speaker 1: He didn't care that we were disturbing his broadcast, it

404
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Speaker 1: was just did you need in here? It reminds me

405
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Speaker 1: of a story earlier in my career when I was

406
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Speaker 1: in Charlotte, North Carolina. The studio door was behind where

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Speaker 1: I sat, and so we were recording something for our

408
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Speaker 1: program and the door swings open behind me and I

409
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Speaker 1: spin around. I go, what the f because it was

410
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Speaker 1: the third time that had happened that day and I

411
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Speaker 1: couldn't record my thing. And lo and behold who was

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Speaker 1: standing there but the current former CEO owner of an

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Speaker 1: eight hundred and fifty radio station, Mega billion dollar company,

414
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Speaker 1: and he goes, oh, I'm so sorry, I'm so sorry.

415
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Speaker 1: You only wanted to do is come introduce himself to me,

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Speaker 1: and I screamed ff in his face. Right fully, so

417
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Speaker 1: you know the rules of radioIO rightfully, so he knows

418
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Speaker 1: you're guy supposed to walk in when that red light

419
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Speaker 1: is on. I don't even know if the red light

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Speaker 1: was working, but you can bet I ran my eyes

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Speaker 1: down the all sor I'm so sorry, sirrup so sorry.

422
00:21:21,880 --> 00:21:23,600
Speaker 1: So I didn't know who's I'm so sorry. I thought

423
00:21:23,600 --> 00:21:26,040
Speaker 1: there was some media and I'm so sorry. And then

424
00:21:26,080 --> 00:21:28,200
Speaker 1: he actually said something very similar. He's like, I should

425
00:21:28,240 --> 00:21:30,159
Speaker 1: know not to go in there when you're working. I'm like,

426
00:21:30,320 --> 00:21:33,159
Speaker 1: you own it, you own you own it, you know

427
00:21:33,200 --> 00:21:36,560
Speaker 1: what I mean. I am your property, sir. Like you

428
00:21:36,560 --> 00:21:39,160
Speaker 1: can come in or go or leave, you can come talk,

429
00:21:39,280 --> 00:21:41,600
Speaker 1: you can do whatever you want. You own this place.

430
00:21:42,080 --> 00:21:44,280
Speaker 1: But that, you know, that could have happened yesterday. Brady

431
00:21:44,280 --> 00:21:45,600
Speaker 1: could have swung the door open and been like, can

432
00:21:45,680 --> 00:21:48,159
Speaker 1: you guys shut that, you know, And I would not

433
00:21:48,280 --> 00:21:51,200
Speaker 1: have blamed him for that, but he would have told

434
00:21:51,240 --> 00:21:54,760
Speaker 1: this fine man, you know he would anyway the higher

435
00:21:54,800 --> 00:21:58,760
Speaker 1: upper Yeah, crisis of Verden. It's funny though, to watch

436
00:21:58,800 --> 00:22:03,040
Speaker 1: other people in the business world of this business and

437
00:22:03,080 --> 00:22:04,480
Speaker 1: I don't know, I don't know. I'm sure other people

438
00:22:04,480 --> 00:22:06,320
Speaker 1: can relate to this, like when the when the higher

439
00:22:06,359 --> 00:22:08,600
Speaker 1: ups come to town and whatever business you're in, but

440
00:22:08,680 --> 00:22:13,040
Speaker 1: certain people act totally differently, you know, around these people.

441
00:22:13,240 --> 00:22:16,840
Speaker 1: It's just funny. It's almost like I sometimes like it's

442
00:22:16,880 --> 00:22:19,560
Speaker 1: also like for me, it's different because I don't know.

443
00:22:20,160 --> 00:22:22,399
Speaker 1: Like we had them meeting a couple weeks ago with

444
00:22:22,520 --> 00:22:25,640
Speaker 1: the CEO. Yeah, I never knew what I knew his name,

445
00:22:25,640 --> 00:22:27,080
Speaker 1: I never knew what he looked like. Yeah, well you

446
00:22:27,080 --> 00:22:29,320
Speaker 1: managed to tell the guy that you don't need radio.

447
00:22:29,720 --> 00:22:32,879
Speaker 1: That's what I'm saying. Like, it's like, I just be

448
00:22:33,040 --> 00:22:35,000
Speaker 1: my normal stuff. I say hi to everyone at the office.

449
00:22:35,000 --> 00:22:36,360
Speaker 1: I don't care who it is. You know what I'm saying.

450
00:22:36,359 --> 00:22:39,320
Speaker 1: If I say hi to them and I'm pleasant with them,

451
00:22:39,359 --> 00:22:41,040
Speaker 1: but it's not like and then they'll be like, you

452
00:22:41,040 --> 00:22:43,679
Speaker 1: know who that was, I'm like, no, I don't. But

453
00:22:43,720 --> 00:22:45,440
Speaker 1: you know what the thing is about our job though,

454
00:22:45,640 --> 00:22:48,040
Speaker 1: and it's it's maybe it's rare because we have a

455
00:22:48,040 --> 00:22:52,720
Speaker 1: weird job, but they they know that we're weirdos, like

456
00:22:52,800 --> 00:22:57,000
Speaker 1: they know that we're weird and socially inapt and strange,

457
00:22:57,040 --> 00:22:59,080
Speaker 1: and they're used to that, so we can get away

458
00:22:59,160 --> 00:23:02,720
Speaker 1: with me like what it acted like an idiot because

459
00:23:02,720 --> 00:23:05,720
Speaker 1: they would expect nothing less. And I realized other people

460
00:23:05,760 --> 00:23:09,120
Speaker 1: don't have that same you know, leash, because again like oh,

461
00:23:09,240 --> 00:23:11,840
Speaker 1: where the personalities were weird? Like those guys are strains.

462
00:23:11,840 --> 00:23:14,120
Speaker 1: They're all like that, so we can you can just

463
00:23:14,160 --> 00:23:16,920
Speaker 1: say crazy things and it's like, oh, he's just being him,

464
00:23:17,400 --> 00:23:19,480
Speaker 1: when really you just made a major daff in front

465
00:23:19,480 --> 00:23:24,199
Speaker 1: of the CEO Rufio. And the funny thing about that one,

466
00:23:24,200 --> 00:23:26,160
Speaker 1: if you didn't hear that story, is I know exactly

467
00:23:26,240 --> 00:23:28,120
Speaker 1: what you met, Yes, when you said it to our

468
00:23:28,160 --> 00:23:32,400
Speaker 1: ceo that you do not use the iHeartRadio app often, Yes,

469
00:23:32,680 --> 00:23:35,600
Speaker 1: at home, And I know exactly what you met because

470
00:23:35,600 --> 00:23:38,320
Speaker 1: you know, you do not go home after after doing

471
00:23:38,359 --> 00:23:41,800
Speaker 1: the show, editing the show, loading the show to the

472
00:23:41,800 --> 00:23:44,000
Speaker 1: iHeartRadio app. You do not go home and listen to

473
00:23:44,040 --> 00:23:46,560
Speaker 1: it for a fourth time. Yes, I got it. He

474
00:23:46,640 --> 00:23:48,360
Speaker 1: did not come out that way. It did not come

475
00:23:48,400 --> 00:23:51,200
Speaker 1: out that it was funny and he was just like, oh,

476
00:23:51,200 --> 00:23:52,680
Speaker 1: that's a good cover. I don't think thank you, sir.

477
00:23:53,960 --> 00:23:56,600
Speaker 1: Oh yeah, all of a sudden, it was sir. You know,

478
00:23:56,720 --> 00:24:01,000
Speaker 1: he knew who he wanted all this summer. Okay, So

479
00:24:01,040 --> 00:24:04,560
Speaker 1: if Taylor Swift came out with her own AirPods the

480
00:24:04,560 --> 00:24:07,919
Speaker 1: way that Kim Kardashian is with the beat, but you

481
00:24:07,960 --> 00:24:11,040
Speaker 1: could only listen to Taylor music on it on them,

482
00:24:11,160 --> 00:24:15,280
Speaker 1: would you still buy them? Oh? Yeah, but how inconvenient

483
00:24:15,280 --> 00:24:17,640
Speaker 1: with that beat? No? I don't think she would do that. Maybe,

484
00:24:17,800 --> 00:24:21,479
Speaker 1: but like so you'd carry two sets, one around for

485
00:24:21,560 --> 00:24:23,959
Speaker 1: everybody else and then one just to listen to her

486
00:24:24,000 --> 00:24:26,720
Speaker 1: in Yeah, it's like especially these are my tailor headphones.

487
00:24:27,119 --> 00:24:30,040
Speaker 1: You really get into the root, you know, take dive

488
00:24:30,119 --> 00:24:33,960
Speaker 1: deep into the music. Unbelievable. Now I gotta buy four

489
00:24:34,040 --> 00:24:37,240
Speaker 1: vinyls because there's four different covers of the same vinyl.

490
00:24:37,440 --> 00:24:40,440
Speaker 1: It's not even different content on the vinyls. Okay, So

491
00:24:40,480 --> 00:24:42,760
Speaker 1: what happens then? Do you believe this is some kind

492
00:24:42,760 --> 00:24:44,600
Speaker 1: of an investment, Like do you think someday you'll be

493
00:24:44,640 --> 00:24:46,240
Speaker 1: able to sell these? Or is it it just makes

494
00:24:46,280 --> 00:24:47,960
Speaker 1: you happy to have all four? Yeah, it just makes

495
00:24:47,960 --> 00:24:50,760
Speaker 1: me happy. And then how often do you look at them?

496
00:24:50,760 --> 00:24:54,199
Speaker 1: I rotate which one I leave on display? You know,

497
00:24:54,280 --> 00:24:57,199
Speaker 1: well that's better than some Maybe. I love how you

498
00:24:57,240 --> 00:25:00,960
Speaker 1: were skeptical about pulling the trigger on on some headphones

499
00:25:01,000 --> 00:25:03,200
Speaker 1: that you could use every day listen to music every day.

500
00:25:03,520 --> 00:25:06,880
Speaker 1: Taylor puts out four different covers of the same vinyl,

501
00:25:07,200 --> 00:25:12,200
Speaker 1: and you're buying it right away. To do you have

502
00:25:12,240 --> 00:25:18,200
Speaker 1: like a financial threshold where it becomes something you think about,

503
00:25:18,400 --> 00:25:20,840
Speaker 1: like anything over about one hundred dollars. For me, I

504
00:25:20,880 --> 00:25:22,880
Speaker 1: start to really think about it, and I'm with you,

505
00:25:23,000 --> 00:25:26,400
Speaker 1: like I will, I will really think about a purchase

506
00:25:27,560 --> 00:25:30,280
Speaker 1: unless it's clothing or shoes that I can somehow in

507
00:25:30,680 --> 00:25:35,840
Speaker 1: my mind justified that I need slash there. They're deeply discounted.

508
00:25:36,240 --> 00:25:39,800
Speaker 1: If something's deeply discounted, even if it's a sham, even

509
00:25:39,840 --> 00:25:42,000
Speaker 1: if it's like on Zappos or they're like you, if

510
00:25:42,000 --> 00:25:44,200
Speaker 1: you buy this, you'll save sixty dollars. I mean from

511
00:25:44,200 --> 00:25:46,520
Speaker 1: what from what price they're made up price I don't

512
00:25:46,520 --> 00:25:47,960
Speaker 1: even know, and I'm like, oh my god, I just

513
00:25:47,960 --> 00:25:49,560
Speaker 1: say sixty dollars. Of course I have to buy it

514
00:25:49,680 --> 00:25:53,320
Speaker 1: sixty dollars, you know, But like otherwise, if it's over

515
00:25:53,320 --> 00:25:55,560
Speaker 1: a one hundred dollars, I really think about it and

516
00:25:55,600 --> 00:25:58,320
Speaker 1: I'll like leave the browser open on my phone for

517
00:25:58,400 --> 00:26:00,320
Speaker 1: the item, and I'll like see it and go back

518
00:26:00,320 --> 00:26:02,320
Speaker 1: and look and look and look, and then if I

519
00:26:02,280 --> 00:26:04,440
Speaker 1: if my general rule is if after a week I

520
00:26:04,480 --> 00:26:06,199
Speaker 1: don't feel the same way about it as I did

521
00:26:06,280 --> 00:26:09,200
Speaker 1: when I opened the browser, I didn't need it week.

522
00:26:09,640 --> 00:26:11,639
Speaker 1: What would you say, you're your thresholders, So I mean

523
00:26:11,680 --> 00:26:13,360
Speaker 1: you could spend over one hundred dollars in the Taylor

524
00:26:13,400 --> 00:26:15,919
Speaker 1: Swift merch start real quick, so I would probably I

525
00:26:15,960 --> 00:26:19,000
Speaker 1: think I start feeling guilty if it's like over two hundred,

526
00:26:19,240 --> 00:26:20,840
Speaker 1: like then we're like, maybe I need to take some

527
00:26:20,920 --> 00:26:25,120
Speaker 1: things out because the hoodies a loaner like sixty seventy

528
00:26:25,160 --> 00:26:29,040
Speaker 1: dollars sometimes, well, then they charge you separate for each

529
00:26:29,080 --> 00:26:34,040
Speaker 1: item for shipping because ship differently. So so I think

530
00:26:34,040 --> 00:26:36,199
Speaker 1: I have like a good price going on, and then

531
00:26:36,240 --> 00:26:39,040
Speaker 1: I go to check out and each item has its

532
00:26:39,080 --> 00:26:43,119
Speaker 1: own shipping, right, that's kind of messed up. There should

533
00:26:43,119 --> 00:26:46,200
Speaker 1: be a flat shipping fee if you buy a bunch

534
00:26:46,200 --> 00:26:48,680
Speaker 1: of merst what if they should be free. It takes

535
00:26:48,720 --> 00:26:50,800
Speaker 1: like eight or nine months to press the vinyl, so

536
00:26:50,840 --> 00:26:53,880
Speaker 1: I mean you would be waiting how many months get

537
00:26:53,880 --> 00:26:56,000
Speaker 1: the rest of your merch and then by the time

538
00:26:56,040 --> 00:26:59,119
Speaker 1: you get that vinyl, here comes Taylor, I got a

539
00:26:59,160 --> 00:27:03,360
Speaker 1: new album out. Yeah, I'll buy it, and then it's

540
00:27:03,800 --> 00:27:06,640
Speaker 1: you know, she should if that's mona be suffers being

541
00:27:06,640 --> 00:27:08,800
Speaker 1: shipp from a bunch of different places, then I think

542
00:27:08,840 --> 00:27:10,480
Speaker 1: she should just add a dollar or two to the

543
00:27:10,520 --> 00:27:12,440
Speaker 1: price of the item, and shipping should be free. She

544
00:27:12,640 --> 00:27:14,760
Speaker 1: just sneak it in there. That's what she should do.

545
00:27:14,800 --> 00:27:16,240
Speaker 1: As opposed to you having to buy. If you want

546
00:27:16,240 --> 00:27:18,320
Speaker 1: to buy six things, you gotta page six shipping. I

547
00:27:18,320 --> 00:27:21,000
Speaker 1: think she should just say okay. Instead of thirty five dollars,

548
00:27:21,080 --> 00:27:24,040
Speaker 1: it's thirty seven dollars now and then five. What do

549
00:27:24,040 --> 00:27:25,879
Speaker 1: you think is that I don't know, I'm making this

550
00:27:26,040 --> 00:27:30,120
Speaker 1: number of sticks or something? You want some tailor air

551
00:27:31,040 --> 00:27:35,360
Speaker 1: that she may or may not have been near, calf coffee, mug,

552
00:27:35,520 --> 00:27:40,000
Speaker 1: candle and how many dollars worth Kalin of Taylor Swift Merchandise.

553
00:27:40,040 --> 00:27:43,080
Speaker 1: Would you say, you just moved from one apartment to

554
00:27:43,160 --> 00:27:47,119
Speaker 1: the next apartment? Oh my god, five thousand dollars? I

555
00:27:47,200 --> 00:27:53,000
Speaker 1: mean T shirts, hoodies, um bucks. I don't know. Maybe

556
00:27:53,040 --> 00:27:55,080
Speaker 1: I have a whole drawer still at my mom's house.

557
00:27:55,119 --> 00:27:57,760
Speaker 1: That's a tailor drawer because I started when she was

558
00:27:57,800 --> 00:28:01,920
Speaker 1: fifteen buying everything. I have DVD he's in there, CDs, Like,

559
00:28:02,000 --> 00:28:03,800
Speaker 1: do you display any of this? Any of this? These

560
00:28:03,880 --> 00:28:06,600
Speaker 1: vinyls get displayed at I have a framed photo of

561
00:28:06,600 --> 00:28:12,480
Speaker 1: her on my bookshelf. Well just her? It never wu

562
00:28:13,320 --> 00:28:18,640
Speaker 1: literally just her. Yeah, picture of Taylor's framed like she's

563
00:28:18,680 --> 00:28:20,560
Speaker 1: as as if she's one of mine. I put off

564
00:28:20,560 --> 00:28:23,640
Speaker 1: from like seventeen magazine or something like. That's from her

565
00:28:24,040 --> 00:28:25,760
Speaker 1: because I still buy her CD. Yeah, it was a

566
00:28:25,760 --> 00:28:29,280
Speaker 1: beautiful picture in there. Wow, I know. So this wasn't

567
00:28:29,320 --> 00:28:32,840
Speaker 1: like an event where you attended. You didn't take the picture.

568
00:28:32,840 --> 00:28:35,720
Speaker 1: You're not in the picture. It's a glamour shot of

569
00:28:35,760 --> 00:28:41,280
Speaker 1: Taylor Swift framed on your bookshelf. Yeah, okay, cool um

570
00:28:41,320 --> 00:28:43,520
Speaker 1: waiting on the phone. Why didn't somebody get ghosted? Brand New?

571
00:28:43,520 --> 00:28:45,280
Speaker 1: Will do it? Next to edit tamra upport? After that?

572
00:28:45,280 --> 00:28:47,960
Speaker 1: What do you have in there? Kaylin Leah Michelle's very

573
00:28:48,000 --> 00:28:50,600
Speaker 1: interesting reason as to why people think she can't read.

574
00:28:50,720 --> 00:28:53,440
Speaker 1: She thinks she knows why, and I don't think that's it.

575
00:28:53,800 --> 00:28:55,880
Speaker 1: I have a seven foot cat and they had doll

576
00:28:55,920 --> 00:28:57,760
Speaker 1: in my house. Didn't you buy it from me? Repel. Yeah,

577
00:28:57,800 --> 00:29:00,440
Speaker 1: so whatever, I'm in no position to say anything. Come

578
00:29:00,480 --> 00:29:08,400
Speaker 1: on Chicago, Kim an i Heeart radio station. It's a

579
00:29:08,520 --> 00:29:11,360
Speaker 1: French show. I just asked where the intern Benjamine is.

580
00:29:12,720 --> 00:29:17,160
Speaker 1: Apparently he's uh in traffic. Yeah, drove today, stuck in traffic.

581
00:29:18,120 --> 00:29:22,040
Speaker 1: He drove his own roles. Yeah, normably he has the driver. Well,

582
00:29:22,080 --> 00:29:24,160
Speaker 1: oh well, he didn't specify that he might mean that

583
00:29:24,200 --> 00:29:27,320
Speaker 1: somebody might be driving him to Ross. Yeah. Okay, so yeah,

584
00:29:27,320 --> 00:29:30,040
Speaker 1: because okay, because he's in traffic, but he's he doesn't

585
00:29:30,080 --> 00:29:32,840
Speaker 1: drive it intern Benjamine, that Benjamin doesn't drive. I've never

586
00:29:32,840 --> 00:29:36,800
Speaker 1: seen him drive himself. He's always got somebody driving for him.

587
00:29:36,840 --> 00:29:41,320
Speaker 1: That dude, he's in shanely connected. I just can't believe it, right, Like,

588
00:29:41,440 --> 00:29:43,160
Speaker 1: I just I can't believe it. Like yesterday when I

589
00:29:43,200 --> 00:29:45,960
Speaker 1: was talking to Lizzo, She's like, how's he interned Benjamene?

590
00:29:46,000 --> 00:29:49,400
Speaker 1: That Benjamin? I'm like, wait, what you know? She's like,

591
00:29:49,480 --> 00:29:51,120
Speaker 1: one of the reason I'm talking to you is because

592
00:29:51,120 --> 00:29:53,280
Speaker 1: he asked me too. You know, that was the only

593
00:29:53,280 --> 00:29:55,480
Speaker 1: reason we even got it hooked up. Paulina. Yeah, that's

594
00:29:55,480 --> 00:29:57,160
Speaker 1: what I thought, because he couldn't do it. I heard

595
00:29:57,200 --> 00:29:59,640
Speaker 1: that he was taking the PJ thumbwhere Yeah, he was

596
00:29:59,640 --> 00:30:02,000
Speaker 1: just really busy. But that's really cool that Lizzo, you know,

597
00:30:02,080 --> 00:30:03,520
Speaker 1: still wanted to say what's up to him? I know,

598
00:30:03,680 --> 00:30:05,600
Speaker 1: well to him. Yeah maybe she only did it as

599
00:30:05,600 --> 00:30:07,520
Speaker 1: a favor to me. Yeah, but I know you were

600
00:30:07,560 --> 00:30:09,080
Speaker 1: telling me that on the south side of the streets

601
00:30:09,080 --> 00:30:11,960
Speaker 1: are always talking about Benjamin, not Benjamin. Yeah. Yeah, yeah,

602
00:30:11,960 --> 00:30:15,280
Speaker 1: So when the streets are calling, I mean answer, yeah,

603
00:30:15,400 --> 00:30:17,840
Speaker 1: well that's that's how this happens. I would love to

604
00:30:17,880 --> 00:30:24,520
Speaker 1: see that phone call to the streets. I think today

605
00:30:24,560 --> 00:30:27,040
Speaker 1: we're gonna need to post a picture of Benjamine, that Benjamin,

606
00:30:27,080 --> 00:30:28,760
Speaker 1: so you can see who the streets are calling for.

607
00:30:29,600 --> 00:30:32,640
Speaker 1: It's very important that you see the streets are. When

608
00:30:32,680 --> 00:30:34,600
Speaker 1: you see this guy, you'll understand why the streets are

609
00:30:34,600 --> 00:30:37,800
Speaker 1: calling all them. You'll you'll know you don't make perfect sense.

610
00:30:38,040 --> 00:30:40,040
Speaker 1: We almost sent him out to sixty three St. Louis

611
00:30:40,080 --> 00:30:44,840
Speaker 1: to go pick up those Choco tacos. Yea Choco. They

612
00:30:44,880 --> 00:30:48,040
Speaker 1: call him Choco there Choco talks. He It's another thing

613
00:30:48,240 --> 00:30:49,840
Speaker 1: like now, I'm not sure if I'll ever say it

614
00:30:49,920 --> 00:30:52,200
Speaker 1: right because of you. Yeah, there are so many words

615
00:30:52,240 --> 00:30:54,200
Speaker 1: I have to like, really think hard about now because

616
00:30:54,200 --> 00:30:56,320
Speaker 1: of you, dude, I go to I go to now

617
00:30:56,360 --> 00:30:58,040
Speaker 1: we have a Sands club membership, and then we goes

618
00:30:58,040 --> 00:31:00,800
Speaker 1: to cost all the time, and I'm like, look, salary chickens.

619
00:31:00,800 --> 00:31:03,840
Speaker 1: I'm like, oh my god, stop, I see this is

620
00:31:03,840 --> 00:31:06,239
Speaker 1: what I'm talking about. You're gonna start saying stuff all

621
00:31:06,280 --> 00:31:12,640
Speaker 1: crazy because of Paulina. Now this morning, join The Fred

622
00:31:12,720 --> 00:31:14,960
Speaker 1: Show on one oh three five Kiss up them now

623
00:31:15,560 --> 00:31:23,600
Speaker 1: eight five five fair go our commercial free Fred Show. Leslie, Hi, Leslie?

624
00:31:23,600 --> 00:31:27,440
Speaker 1: How are you doing? Tom dude? Okay, how are you good?

625
00:31:28,280 --> 00:31:29,800
Speaker 1: Thank you for doing this? Thanks for hitting us up.

626
00:31:30,000 --> 00:31:32,200
Speaker 1: Fred Show Radio dot Com, Friends or Radio on Instagram,

627
00:31:32,240 --> 00:31:35,480
Speaker 1: Fred on Air, on the Gram as well, Um, you

628
00:31:35,520 --> 00:31:38,959
Speaker 1: can find us all there. So people they hit us up,

629
00:31:39,000 --> 00:31:41,480
Speaker 1: they give us a little info about what's happening in

630
00:31:41,480 --> 00:31:44,000
Speaker 1: their lives and then and then we give you the

631
00:31:44,080 --> 00:31:47,360
Speaker 1: feedback because well, some of us are successful in relationships.

632
00:31:48,040 --> 00:31:51,320
Speaker 1: Others of us are are unsuccessful but excellent and giving advice.

633
00:31:51,360 --> 00:31:55,520
Speaker 1: I speak about myself. I have complete and total clarity

634
00:31:55,520 --> 00:31:58,080
Speaker 1: as it pertains to other people's lives mine. Yeah, you

635
00:31:58,120 --> 00:32:01,640
Speaker 1: just don't listen to your own advice. Well, real, those

636
00:32:01,680 --> 00:32:05,840
Speaker 1: who can do those who can't our fred is the

637
00:32:05,840 --> 00:32:08,040
Speaker 1: old I said, how the old saying goes? Is that

638
00:32:08,120 --> 00:32:13,960
Speaker 1: part of the constitution? Old saying goes? Leslie, what's going

639
00:32:14,000 --> 00:32:16,400
Speaker 1: on in you're in your relationship? But tell us tell

640
00:32:16,480 --> 00:32:20,000
Speaker 1: us everything. I'm here for you. Oh okay, all right,

641
00:32:20,040 --> 00:32:25,520
Speaker 1: Well my huss and jay Um is doing something I

642
00:32:25,520 --> 00:32:29,080
Speaker 1: didn't agree with. So basically, something you know just recently

643
00:32:29,120 --> 00:32:31,560
Speaker 1: came over me and I thought I was gonna go

644
00:32:31,560 --> 00:32:33,920
Speaker 1: ahead and sneak through his phone while he was in

645
00:32:33,920 --> 00:32:37,320
Speaker 1: the shower, which is not like me actually at all.

646
00:32:37,360 --> 00:32:39,600
Speaker 1: I mean, can we just start right there, like, why

647
00:32:39,600 --> 00:32:41,760
Speaker 1: are we going through people's phones? Like, you know, if

648
00:32:41,760 --> 00:32:43,720
Speaker 1: you're looking for something, you're going to find it. That's

649
00:32:43,760 --> 00:32:45,800
Speaker 1: my first I don't even know what you found. But

650
00:32:45,880 --> 00:32:49,000
Speaker 1: if you're looking for something, you're going to find it.

651
00:32:49,000 --> 00:32:51,600
Speaker 1: It could be it could be bad and then you're validated.

652
00:32:51,840 --> 00:32:55,200
Speaker 1: It could be benign, and then you're falsely validated. But anyway,

653
00:32:55,320 --> 00:32:58,840
Speaker 1: you went through the phone, I hear you. It's something

654
00:32:58,880 --> 00:33:02,200
Speaker 1: I've never done before. Honestly, kind of hard to explain. Basically,

655
00:33:02,760 --> 00:33:05,440
Speaker 1: I just have this gut feeling, this saw I guess

656
00:33:05,520 --> 00:33:08,239
Speaker 1: women's intuition, if you will, so I don't know. I

657
00:33:08,280 --> 00:33:12,600
Speaker 1: acted on it and I started going for his Instagram

658
00:33:12,960 --> 00:33:16,800
Speaker 1: dms and there were actually a lot of them, a

659
00:33:16,840 --> 00:33:18,720
Speaker 1: lot of them, and it became pretty apparent to me

660
00:33:18,800 --> 00:33:24,200
Speaker 1: that he enjoys sending the good old fire heart emojis

661
00:33:24,200 --> 00:33:26,120
Speaker 1: to a bunch of women, and he'll even go as

662
00:33:26,120 --> 00:33:28,360
Speaker 1: far as to tell them like how hot and gorgeous

663
00:33:28,360 --> 00:33:31,280
Speaker 1: they are? Oh boy? Oh no, So this is like

664
00:33:31,360 --> 00:33:34,440
Speaker 1: he follows, or at least doesn't even have to follow.

665
00:33:34,480 --> 00:33:36,200
Speaker 1: He's just like, because you can pull up that for you,

666
00:33:36,360 --> 00:33:38,080
Speaker 1: is it like for you or I don't know which

667
00:33:38,120 --> 00:33:40,720
Speaker 1: service is, but there's that one page that just pulls

668
00:33:40,800 --> 00:33:43,000
Speaker 1: up a bunch of people age yeah, Discovery. You don't

669
00:33:43,000 --> 00:33:45,640
Speaker 1: even have to follow them. And so if you've been

670
00:33:45,680 --> 00:33:48,280
Speaker 1: looking at model pictures or you've been looking at plane

671
00:33:48,320 --> 00:33:50,640
Speaker 1: pictures like me or cooking or whatever, it'll pull up

672
00:33:50,640 --> 00:33:53,200
Speaker 1: a bunch of like videos and then you could just

673
00:33:53,240 --> 00:33:55,760
Speaker 1: sit there and double click them, you know, or you

674
00:33:55,760 --> 00:33:58,280
Speaker 1: can leave a heart emoji. You don't even have to

675
00:33:58,320 --> 00:34:00,680
Speaker 1: know these people, but you're giving them a a comment

676
00:34:00,720 --> 00:34:03,040
Speaker 1: that then shows up in their DMS. Right, because I

677
00:34:03,040 --> 00:34:05,600
Speaker 1: don't really probably do this to people I don't follow,

678
00:34:05,640 --> 00:34:07,400
Speaker 1: but you could at least like them if you don't

679
00:34:07,440 --> 00:34:09,719
Speaker 1: follow them. But as far as messaging them, that's it.

680
00:34:09,760 --> 00:34:14,319
Speaker 1: They're commenting on this story, that's a different thing, right right, Yeah,

681
00:34:14,840 --> 00:34:18,040
Speaker 1: exactly what he's doing because none of them are women

682
00:34:18,080 --> 00:34:21,000
Speaker 1: that we actually know personally. They're mostly famous or kind

683
00:34:21,040 --> 00:34:25,520
Speaker 1: of famous sort of thing like okay, a low level blogger,

684
00:34:25,719 --> 00:34:31,160
Speaker 1: so level their swimsuit fings. Yeah, is it DMS or

685
00:34:31,239 --> 00:34:37,000
Speaker 1: is it comments on their photo? It's no, it's mostly

686
00:34:37,040 --> 00:34:39,919
Speaker 1: just like likes. And if you comment on a story,

687
00:34:39,920 --> 00:34:43,040
Speaker 1: it shows up as a DM though correct on a story.

688
00:34:43,120 --> 00:34:45,880
Speaker 1: If you comment on a grid post, it shows up publicly.

689
00:34:45,920 --> 00:34:48,040
Speaker 1: So but that's I will say, that's kind of a

690
00:34:49,040 --> 00:34:51,279
Speaker 1: If he's commenting publicly, that's one thing. But if he's

691
00:34:51,320 --> 00:34:53,840
Speaker 1: writing comments, if he's writing comments that show up in

692
00:34:53,880 --> 00:34:56,120
Speaker 1: the DMS and he's getting I guess he's kind of

693
00:34:56,120 --> 00:35:00,520
Speaker 1: hoping it gets a response. Yeah. Yeah. Is he getting

694
00:35:00,520 --> 00:35:05,040
Speaker 1: any responses from anybody? He's not. There's no actual conversation

695
00:35:05,120 --> 00:35:09,160
Speaker 1: going on. So he's clearly not thinking it to the

696
00:35:09,200 --> 00:35:11,399
Speaker 1: next level and seeing these women in person. But he's

697
00:35:11,520 --> 00:35:14,760
Speaker 1: engaging these people. He's telling other women that they're beautiful

698
00:35:14,800 --> 00:35:18,719
Speaker 1: and hot in their DMS. He's engaging these people. That

699
00:35:18,840 --> 00:35:23,880
Speaker 1: is not appropriate. How embarrassing. I'm sorry, Sis, that is

700
00:35:23,960 --> 00:35:26,319
Speaker 1: not appropriate for a married man. I mean, I don't.

701
00:35:26,320 --> 00:35:28,680
Speaker 1: I don't think it's inappropriate to just because you follow

702
00:35:28,719 --> 00:35:31,440
Speaker 1: hot girls or even if you like their grid publicly.

703
00:35:31,560 --> 00:35:33,799
Speaker 1: I don't necessarily have a problem with that. I do

704
00:35:33,920 --> 00:35:35,960
Speaker 1: have a problem with the idea that he's giving them

705
00:35:36,000 --> 00:35:39,279
Speaker 1: personal compliments that are going into the DMA because he's

706
00:35:39,320 --> 00:35:42,080
Speaker 1: hoping for engagement. Okay, because I've called out men for

707
00:35:42,160 --> 00:35:45,000
Speaker 1: having like their women in their default and like doing

708
00:35:45,040 --> 00:35:47,319
Speaker 1: that to me. And I can't remember which one of you,

709
00:35:47,360 --> 00:35:49,879
Speaker 1: but somebody said that wasn't cheating, so I don't. I mean,

710
00:35:50,239 --> 00:35:54,359
Speaker 1: I don't know if it's cheating. I think it's inappropriate. Well, yes,

711
00:35:54,520 --> 00:35:56,840
Speaker 1: inappropriate some I can't remember who it was, but I

712
00:35:57,040 --> 00:36:00,200
Speaker 1: get very uncomfortable when that happens, Like I think that's wrong.

713
00:36:00,640 --> 00:36:04,880
Speaker 1: I again, if you if you're a married man. This

714
00:36:04,920 --> 00:36:07,160
Speaker 1: whole thing about like I caught him looking at another woman,

715
00:36:07,400 --> 00:36:09,440
Speaker 1: or he follows so and so, or I saw him

716
00:36:09,440 --> 00:36:11,759
Speaker 1: watching this video. That's a that's a feudal argument, Like

717
00:36:12,080 --> 00:36:15,000
Speaker 1: that's that's silly, because the point is if you're gonna

718
00:36:15,000 --> 00:36:18,120
Speaker 1: get mad at your your boyfriend or significant other significant

719
00:36:18,239 --> 00:36:21,439
Speaker 1: other for looking or looking on things and nothing. Maybe,

720
00:36:21,520 --> 00:36:23,839
Speaker 1: come on, you're not with them twenty four seven. They're looking.

721
00:36:23,840 --> 00:36:26,960
Speaker 1: We have eyes, everyone has eyes. You're looking. You know,

722
00:36:26,960 --> 00:36:29,640
Speaker 1: it doesn't mean that they're cheating necessarily, but if they're,

723
00:36:30,160 --> 00:36:32,440
Speaker 1: if they're making comments that show up in the dms,

724
00:36:33,280 --> 00:36:37,319
Speaker 1: they're hoping for someone to write them back, and they're

725
00:36:37,400 --> 00:36:44,280
Speaker 1: complimenting other women, that's that should be reserved for for you, Leslie,

726
00:36:44,320 --> 00:36:46,200
Speaker 1: Like I don't. I don't like it. I don't know

727
00:36:46,239 --> 00:36:51,160
Speaker 1: if it's cheating, but it's certainly a gateway. Oh I

728
00:36:51,239 --> 00:36:53,320
Speaker 1: hate it. To me, it is a form of cheating.

729
00:36:53,840 --> 00:36:57,080
Speaker 1: And I'm apollowed by his behavior. So, you know, I'm

730
00:36:57,120 --> 00:36:59,560
Speaker 1: not one to keep quiet about this kind of stuff

731
00:36:59,719 --> 00:37:03,680
Speaker 1: or so I confronted him pretty quickly after discovering the messages,

732
00:37:03,760 --> 00:37:08,239
Speaker 1: and yeah, he washed onto the fact that you know,

733
00:37:08,360 --> 00:37:11,200
Speaker 1: I'm in the wrong for going through his phone, and

734
00:37:11,400 --> 00:37:13,719
Speaker 1: he made it pretty clear to me. You know, he's

735
00:37:13,719 --> 00:37:16,160
Speaker 1: not having a physical emotional affair. He has no interest

736
00:37:16,200 --> 00:37:19,520
Speaker 1: in doing that since he's in love with me. But

737
00:37:19,600 --> 00:37:22,440
Speaker 1: he basically his stance is that it's not cheating and

738
00:37:22,480 --> 00:37:25,560
Speaker 1: that me looking through his phone is like, I'm just

739
00:37:25,600 --> 00:37:27,640
Speaker 1: trying to find the harmless reason to get upset and

740
00:37:27,680 --> 00:37:29,879
Speaker 1: sort drama with him. I don't like to looking through

741
00:37:29,920 --> 00:37:35,240
Speaker 1: the phone thing. But I also I don't think he's cheating.

742
00:37:35,600 --> 00:37:37,919
Speaker 1: But what does he want to happen? He's just out

743
00:37:37,920 --> 00:37:40,640
Speaker 1: here complimenting a bunch of other women just the goodness

744
00:37:40,680 --> 00:37:42,439
Speaker 1: of his heart because he's just a good human being

745
00:37:42,520 --> 00:37:45,000
Speaker 1: or something, and they just happen to be wearing swimsuits

746
00:37:45,000 --> 00:37:46,920
Speaker 1: and you know, not a lot of clothing. I assume,

747
00:37:47,040 --> 00:37:50,040
Speaker 1: I don't know. I mean, I doubt that he's like, yeah,

748
00:37:50,160 --> 00:37:53,120
Speaker 1: you know, I doubt that he's looking at pictures of

749
00:37:53,200 --> 00:37:55,880
Speaker 1: just normal people standing there. I assume these are like

750
00:37:56,600 --> 00:38:02,080
Speaker 1: of the selacious variety, right, yeah, okay for sure? Yeah,

751
00:38:02,239 --> 00:38:05,560
Speaker 1: And so god, I don't guess. I don't. I don't

752
00:38:05,560 --> 00:38:08,440
Speaker 1: know what he's What else can he hope happens to

753
00:38:08,480 --> 00:38:10,120
Speaker 1: get attention from these people? Why does he want to

754
00:38:10,120 --> 00:38:13,400
Speaker 1: get attention from these people if he's married, what's the purpose?

755
00:38:14,440 --> 00:38:16,360
Speaker 1: I don't, I don't. I don't like. I don't like

756
00:38:16,480 --> 00:38:18,239
Speaker 1: it either, And I feel too, like because I'm in

757
00:38:18,239 --> 00:38:21,240
Speaker 1: a relationship myself, and I feel like if my boyfriend's

758
00:38:21,280 --> 00:38:23,799
Speaker 1: doing that, it's because he is looking for, like you said,

759
00:38:23,800 --> 00:38:28,040
Speaker 1: the attention from someone else, from someone atodation, maybe an opportunity.

760
00:38:28,160 --> 00:38:30,759
Speaker 1: Like Okay, listen, girls are hot. Okay, I love women too.

761
00:38:30,800 --> 00:38:32,560
Speaker 1: But if my man is out here and I'm even

762
00:38:32,600 --> 00:38:35,200
Speaker 1: married to him, but if he's out here liking, um,

763
00:38:35,239 --> 00:38:37,319
Speaker 1: you know, commenting and and this is a hot take.

764
00:38:37,360 --> 00:38:40,400
Speaker 1: But like, if you're following hot girls after I came along,

765
00:38:40,600 --> 00:38:48,080
Speaker 1: like I'm already in the picture, I'm your girlfriend, stick

766
00:38:48,160 --> 00:38:49,840
Speaker 1: to it. I will die on this hill. Who's to

767
00:38:49,920 --> 00:38:52,360
Speaker 1: the side. Who's hot? Though? Also, you know what I mean, Like,

768
00:38:52,440 --> 00:38:56,520
Speaker 1: then that's a girl, see one. I think you can

769
00:38:56,600 --> 00:38:59,600
Speaker 1: kind of tell. You could You could look at somebody's

770
00:38:59,640 --> 00:39:02,000
Speaker 1: following and say, like, this person is not following this

771
00:39:02,040 --> 00:39:04,600
Speaker 1: person for their you know, viewpoint on ro versus way

772
00:39:04,719 --> 00:39:08,200
Speaker 1: like you know, I mean, yeah, hot girls can do

773
00:39:08,200 --> 00:39:11,440
Speaker 1: it all. It's but if he's the nature of the content.

774
00:39:11,520 --> 00:39:13,160
Speaker 1: You know, I'm not saying that hot women don't have

775
00:39:13,239 --> 00:39:17,839
Speaker 1: takes and and opinions and all that. I'm saying when

776
00:39:17,880 --> 00:39:20,520
Speaker 1: I look at someone's Instagram, I can tell instantly what

777
00:39:20,560 --> 00:39:23,799
Speaker 1: the purpose of the content is. It is not necessarily

778
00:39:23,800 --> 00:39:27,600
Speaker 1: to further hunger, you know, to hear hunger and africaites

779
00:39:27,760 --> 00:39:29,719
Speaker 1: to look at my boobs. I mean, come on, you

780
00:39:29,760 --> 00:39:32,239
Speaker 1: know what you're so many people know what they're doing. Yeah,

781
00:39:32,280 --> 00:39:34,680
Speaker 1: but so Paulinus point, there's also the double standard. I mean,

782
00:39:34,920 --> 00:39:38,440
Speaker 1: you like hot dudes on Instagram, you follow I literally

783
00:39:38,480 --> 00:39:41,040
Speaker 1: don't Barney. I don't like his pick. I don't even

784
00:39:41,040 --> 00:39:43,799
Speaker 1: follow him. You guys know, wrong with that? Hey, And

785
00:39:43,800 --> 00:39:45,280
Speaker 1: that's all I'm gonna say. If you if my boyfriend

786
00:39:45,280 --> 00:39:47,920
Speaker 1: follows Kim Kardashian, Okay, he's not getting with Kim King,

787
00:39:48,000 --> 00:39:49,520
Speaker 1: like we all know, it's not gonna happen. But if

788
00:39:49,520 --> 00:39:51,919
Speaker 1: he follows Miss Nikki Baby. We've had this argument before.

789
00:39:51,960 --> 00:39:54,719
Speaker 1: If he follows Miss Niki Baby, who works at Underground

790
00:39:54,800 --> 00:39:56,640
Speaker 1: or works at Treehouse or whatever, these places that you

791
00:39:56,640 --> 00:39:58,080
Speaker 1: think he can't control, why would you want to be

792
00:39:58,239 --> 00:40:01,799
Speaker 1: someone that you think would cheat. I don't think baby.

793
00:40:01,840 --> 00:40:03,160
Speaker 1: I just don't get why you have to follow him.

794
00:40:03,280 --> 00:40:05,120
Speaker 1: He could just go and he could just go to

795
00:40:05,200 --> 00:40:07,920
Speaker 1: Treehouse and walk up to Miss Nikki Baby and and

796
00:40:08,239 --> 00:40:10,120
Speaker 1: bring his tongue in her mouth if he wanted to.

797
00:40:10,320 --> 00:40:12,440
Speaker 1: But he's not. Yeah, I know he's not. But it's like, now,

798
00:40:12,480 --> 00:40:15,000
Speaker 1: why we gotta follow miss Nikki baby exactly? Her photos

799
00:40:15,040 --> 00:40:16,640
Speaker 1: are not for her hot take on you know the

800
00:40:16,680 --> 00:40:19,400
Speaker 1: political You can't station in Ukraine, but you can't prevent

801
00:40:19,520 --> 00:40:25,520
Speaker 1: I don't know. Actually I saw her doing a fundraiser recently, Yeah, exactly,

802
00:40:25,560 --> 00:40:27,839
Speaker 1: and it was every dollar from her, only one dollar

803
00:40:27,920 --> 00:40:30,399
Speaker 1: for me to only fans purchase was going to Ukraine. Woman.

804
00:40:30,719 --> 00:40:33,279
Speaker 1: The woman is a humanitarian. Okay, he's gonna get a

805
00:40:33,320 --> 00:40:37,040
Speaker 1: citation from the United Nations for her contribution to the world.

806
00:40:37,160 --> 00:40:39,799
Speaker 1: So get off Miss Nikki Baby, she's a diplomat. Damn it.

807
00:40:40,320 --> 00:40:41,880
Speaker 1: Lets let me take some phone calls on this. I

808
00:40:41,920 --> 00:40:44,040
Speaker 1: appreciate you calling. I'm sorry this is happening, but let's

809
00:40:44,080 --> 00:40:47,960
Speaker 1: see what people think. Have a good day. You can't

810
00:40:48,040 --> 00:40:50,000
Speaker 1: find out what to do from them. Yeah, I just

811
00:40:50,040 --> 00:40:52,000
Speaker 1: have the radio one and everyone's gonna dictate the rest

812
00:40:52,000 --> 00:40:56,680
Speaker 1: of your life. It'll be great. Thank you and good luck. Okay,

813
00:40:56,239 --> 00:40:58,719
Speaker 1: here's the eight five five, five, nine, one one h

814
00:40:58,800 --> 00:41:04,920
Speaker 1: three five. You commenting and trying to engage in DMS

815
00:41:04,920 --> 00:41:08,640
Speaker 1: to me, feel feels dirty. It feels slimy. If you're

816
00:41:08,640 --> 00:41:12,839
Speaker 1: in a relationship, you're trying to engage on a level

817
00:41:12,840 --> 00:41:16,479
Speaker 1: that we all know. You know he didn't, he didn't

818
00:41:16,520 --> 00:41:19,279
Speaker 1: love her, talk her ted talk, and he's dming her

819
00:41:19,280 --> 00:41:21,160
Speaker 1: to let her know that he was inspired by her

820
00:41:21,200 --> 00:41:26,000
Speaker 1: position on you know, mindfulness. He's engaging with this woman

821
00:41:26,080 --> 00:41:29,319
Speaker 1: because he wants attention from a really pretty girl. That's

822
00:41:29,400 --> 00:41:33,520
Speaker 1: what he's doing. Also, I don't understand how you would

823
00:41:33,520 --> 00:41:35,600
Speaker 1: have an issue with him following these people because he

824
00:41:35,640 --> 00:41:38,000
Speaker 1: has eyes. You guys are doing a little too, Like

825
00:41:38,360 --> 00:41:40,239
Speaker 1: you're not getting worked up enough for me, because here,

826
00:41:40,320 --> 00:41:42,560
Speaker 1: think about it. If you're in a relationship, right, Fred,

827
00:41:42,680 --> 00:41:45,279
Speaker 1: you have a beautiful woman at home, like that's your girl,

828
00:41:45,360 --> 00:41:48,240
Speaker 1: right two years in whatever, you follow Miss Nikki Baby

829
00:41:48,239 --> 00:41:50,920
Speaker 1: who you have access to, right and maybe you like

830
00:41:51,120 --> 00:41:53,120
Speaker 1: may know of her, maybe you've never met her, but

831
00:41:53,160 --> 00:41:55,120
Speaker 1: you know of her, okay, like she works here whatever whatever.

832
00:41:55,239 --> 00:41:56,879
Speaker 1: If you've been listening for a while, you know Miss

833
00:41:56,960 --> 00:42:01,160
Speaker 1: Nikki Babies and it's a fraudulent character made up, a

834
00:42:01,160 --> 00:42:04,000
Speaker 1: bottle made her Yeah, we made her up. She's just

835
00:42:04,040 --> 00:42:06,960
Speaker 1: a bottle girl at any club in Chicago, Miss Nike Baby. Anyway, Yes,

836
00:42:06,960 --> 00:42:09,120
Speaker 1: you give her a follow? Correct? Your miss nick maybe

837
00:42:09,160 --> 00:42:11,040
Speaker 1: have nothing in common. You don't work together like you

838
00:42:11,040 --> 00:42:13,080
Speaker 1: guys aren't like friends. You don't go way back, nothing

839
00:42:13,120 --> 00:42:15,080
Speaker 1: like that. You just think she's really hot and she

840
00:42:15,160 --> 00:42:21,120
Speaker 1: works at treehouse whatever. Following her right, okay you can.

841
00:42:21,200 --> 00:42:23,000
Speaker 1: Guys would back me up like there's a reason you're

842
00:42:23,000 --> 00:42:26,279
Speaker 1: following her, like there's some hope where there's no. I

843
00:42:26,320 --> 00:42:30,360
Speaker 1: can like to look at somebody, but not not betray

844
00:42:30,560 --> 00:42:33,759
Speaker 1: my significant other. For you, A follows a big deal.

845
00:42:33,840 --> 00:42:36,440
Speaker 1: Don't play Oh, I love a big deal. So can

846
00:42:36,480 --> 00:42:38,920
Speaker 1: you not compliment other people if you're in a relationship,

847
00:42:39,200 --> 00:42:41,520
Speaker 1: like you compliment? What do you mean what can he

848
00:42:41,560 --> 00:42:44,640
Speaker 1: tell someone they're beautiful or oh no, no, no, no no, no, no, okay, yeah, yeah,

849
00:42:44,719 --> 00:42:47,080
Speaker 1: just tell another woman, hey, you look beautiful today while

850
00:42:47,080 --> 00:42:51,239
Speaker 1: you're in a relationship. No, I'm on, I'm on. Yeah,

851
00:42:51,320 --> 00:42:54,719
Speaker 1: that's that's because that's a area. But as far as

852
00:42:54,840 --> 00:42:59,319
Speaker 1: who somebody follows again, you have no idea what this

853
00:42:59,360 --> 00:43:01,200
Speaker 1: guy's doing. When he walks out of the house, he

854
00:43:01,239 --> 00:43:03,640
Speaker 1: has eyes. He goes to the grocery store, he goes

855
00:43:03,680 --> 00:43:06,080
Speaker 1: to work as a firefighter, he runs into women he's

856
00:43:06,120 --> 00:43:09,279
Speaker 1: looking at He can't not look at people, and he's

857
00:43:09,320 --> 00:43:12,239
Speaker 1: allowed to look at people and appreciate them. I don't

858
00:43:12,239 --> 00:43:14,040
Speaker 1: think he needs to be commenting on it. I don't

859
00:43:14,080 --> 00:43:15,960
Speaker 1: think he needs to be in the DMS. I don't

860
00:43:15,960 --> 00:43:18,360
Speaker 1: think he needs to be commenting on their stories. I

861
00:43:18,360 --> 00:43:21,200
Speaker 1: don't think he. But but as far as who he follows, Paulina,

862
00:43:21,560 --> 00:43:24,880
Speaker 1: guys gotta back me up someone no, no, because we

863
00:43:24,960 --> 00:43:28,920
Speaker 1: don't usually follow. Method on social media is wild, like

864
00:43:29,200 --> 00:43:30,960
Speaker 1: I won't follow this person. Let's say followed me back.

865
00:43:31,000 --> 00:43:33,080
Speaker 1: There's a wild take, not even a memo like a

866
00:43:33,160 --> 00:43:36,200
Speaker 1: million follow If my man is following a really hot

867
00:43:36,239 --> 00:43:38,520
Speaker 1: girl after I come in the picture and she's accessible,

868
00:43:38,560 --> 00:43:41,000
Speaker 1: I'm not talking Kim Kay, I'm not talking m Rada

869
00:43:41,080 --> 00:43:45,399
Speaker 1: Like every woman's accessible sensibility doesn't equal that he'll cheat, right,

870
00:43:45,480 --> 00:43:47,399
Speaker 1: I don't think he's gonna cheat. I just don't say

871
00:43:47,440 --> 00:43:50,520
Speaker 1: you're giving miss Nikki baby attention. That's all I'm saying.

872
00:43:50,719 --> 00:43:53,080
Speaker 1: She doesn't care. She's got a bunch of followers. For me.

873
00:43:53,440 --> 00:43:55,759
Speaker 1: He's embarrassing me right now thinking she does care. To me,

874
00:43:55,800 --> 00:43:57,879
Speaker 1: it sounds like your man's not good enough to land

875
00:43:57,880 --> 00:44:00,560
Speaker 1: at Kim Kay or to land and yeah saying why

876
00:44:00,640 --> 00:44:13,160
Speaker 1: can't guys kim k like I'm saying I wasn't hold

877
00:44:13,200 --> 00:44:15,360
Speaker 1: on a second, hold on hold on, hold on, Teresa,

878
00:44:15,440 --> 00:44:19,560
Speaker 1: Good morning, Teresa. How do you just just to recap

879
00:44:19,960 --> 00:44:22,400
Speaker 1: holds you love you too? Just to recap here. This

880
00:44:22,440 --> 00:44:27,600
Speaker 1: woman is upset because she's Yeah, I mean that's now.

881
00:44:27,680 --> 00:44:30,359
Speaker 1: First of all, that's I don't like that, and I

882
00:44:30,400 --> 00:44:32,719
Speaker 1: hate it. I hate it when people do that and

883
00:44:32,760 --> 00:44:35,400
Speaker 1: then they find something and then feel validated for violating

884
00:44:35,440 --> 00:44:40,759
Speaker 1: someone's trust. But she did. She found that he's commenting, well,

885
00:44:40,760 --> 00:44:45,200
Speaker 1: he's liking hot women. And and then if you're on

886
00:44:45,239 --> 00:44:48,000
Speaker 1: an Instagram story, if you write in that little box

887
00:44:48,160 --> 00:44:50,920
Speaker 1: that goes in the DMS, right, that goes in someone's

888
00:44:51,000 --> 00:44:55,160
Speaker 1: dam So he's essentially dming beautiful women, telling them they're beautiful.

889
00:44:56,320 --> 00:44:58,560
Speaker 1: And so she finds this out. I mean, do I

890
00:44:58,560 --> 00:45:01,200
Speaker 1: think it's cheating node? I think it's wildly inappropriate when

891
00:45:01,200 --> 00:45:06,120
Speaker 1: you're in a relationship. Yeah, I do. What do you think? Um? So,

892
00:45:06,320 --> 00:45:09,080
Speaker 1: I have like two tastes on this. I believe like

893
00:45:09,239 --> 00:45:12,080
Speaker 1: your social media has an algorithm that you have one

894
00:45:12,160 --> 00:45:15,240
Speaker 1: hundred percent control over, So you have one hundred percent

895
00:45:15,280 --> 00:45:18,520
Speaker 1: control over Do I want to educate myself further? Do

896
00:45:18,560 --> 00:45:20,959
Speaker 1: I want to just look at boobs? You know? Um? Sorry,

897
00:45:20,960 --> 00:45:24,680
Speaker 1: I don't know if I could say that, but yes

898
00:45:24,760 --> 00:45:27,719
Speaker 1: and no no, no, I mean yes and no you

899
00:45:27,719 --> 00:45:30,400
Speaker 1: have control, I mean you you do when you don't.

900
00:45:30,440 --> 00:45:32,040
Speaker 1: But anyway, yeah, okay, but if you want to look

901
00:45:32,040 --> 00:45:33,799
Speaker 1: at boobs, you can look at bobs easily. So that's

902
00:45:33,800 --> 00:45:36,920
Speaker 1: what he was doing, I guess, right. Um, So I

903
00:45:37,040 --> 00:45:40,320
Speaker 1: have no problem with the looking at people, but reaching

904
00:45:40,360 --> 00:45:44,640
Speaker 1: out outside your relationship looking for that um when you

905
00:45:44,680 --> 00:45:47,240
Speaker 1: look for that outside kind of validation of like attention

906
00:45:47,280 --> 00:45:49,239
Speaker 1: of like oh I'm going to go compliment this girl,

907
00:45:49,360 --> 00:45:51,520
Speaker 1: that's where I find like he's a low value man

908
00:45:52,160 --> 00:45:56,640
Speaker 1: that's looking for attention um or just kind of worth

909
00:45:56,680 --> 00:45:58,799
Speaker 1: trying to shoot his shot out there, because to me,

910
00:45:59,000 --> 00:46:03,760
Speaker 1: like it's different liking a celebrity picture versus dming somebody

911
00:46:03,800 --> 00:46:05,920
Speaker 1: telling him how hot they look. What would be interesting

912
00:46:06,000 --> 00:46:08,200
Speaker 1: is to see if he's gotten any responses what he

913
00:46:08,239 --> 00:46:10,759
Speaker 1: would have done with that. But he didn't get any responses,

914
00:46:10,800 --> 00:46:13,239
Speaker 1: So again I don't like it, because again it's just

915
00:46:13,320 --> 00:46:17,600
Speaker 1: it's it's it's it's a stream of communication that doesn't

916
00:46:17,600 --> 00:46:19,560
Speaker 1: need to exist when you're seeing someone, when you're committed

917
00:46:19,600 --> 00:46:22,200
Speaker 1: to someone in a relation, they're married. So thank you, Teresa,

918
00:46:22,280 --> 00:46:26,040
Speaker 1: have a good day. Is it looks like he's seeking

919
00:46:26,120 --> 00:46:28,839
Speaker 1: validation from other people outside of the relationship, and that's

920
00:46:28,920 --> 00:46:34,839
Speaker 1: never a good thing. Jacob, Hi, hey, friends, love you guys. Hey,

921
00:46:35,200 --> 00:46:36,960
Speaker 1: good morning man. What do you want to say? Definitely

922
00:46:37,000 --> 00:46:40,000
Speaker 1: one of the thirteen listeners, thank you, we love you

923
00:46:40,040 --> 00:46:44,960
Speaker 1: for them. However, you're driving me crazy this morning. Okay,

924
00:46:45,160 --> 00:46:53,360
Speaker 1: why okay? Okay? I am hasty married to a beautiful

925
00:46:53,400 --> 00:46:57,080
Speaker 1: fifty nine you're old woman that people arguing phase. She

926
00:46:57,320 --> 00:47:03,040
Speaker 1: looks no older than forty. I love it. Every turn

927
00:47:03,320 --> 00:47:08,759
Speaker 1: I see woman's nails and they're done perfect writing from

928
00:47:08,800 --> 00:47:12,839
Speaker 1: them my wife. I tell them, thank you, they're gorgeous.

929
00:47:12,880 --> 00:47:15,360
Speaker 1: Thank you for taking time off to have we done.

930
00:47:15,560 --> 00:47:20,359
Speaker 1: We appreciate it. They even look beautiful. Huh Okay, they

931
00:47:20,440 --> 00:47:28,120
Speaker 1: leave my wife. Okay, all right, well Jacob, thank you? Yeah? Well, okay,

932
00:47:28,120 --> 00:47:31,120
Speaker 1: all right, I did thank you, Jacob. That's he can

933
00:47:31,160 --> 00:47:32,760
Speaker 1: do that if he wants to thank you for taking

934
00:47:32,800 --> 00:47:35,680
Speaker 1: care of your nails. Wow, you know, I mean, they're

935
00:47:35,719 --> 00:47:39,640
Speaker 1: all your wife's nails. Hold on, Marissa, Hi, Marissa, I

936
00:47:39,680 --> 00:47:43,440
Speaker 1: want to know. I don't want to cry. Yeah, yeah, Marissa,

937
00:47:43,480 --> 00:47:45,840
Speaker 1: how would you feel if your husband or boyfriend was

938
00:47:45,880 --> 00:47:48,200
Speaker 1: telling thanking other women for getting a nail stock all

939
00:47:48,239 --> 00:47:52,160
Speaker 1: the time. How would you feel about them? That would

940
00:47:52,200 --> 00:47:56,360
Speaker 1: have been like, that's not me, so focus on me. No,

941
00:47:56,480 --> 00:47:58,480
Speaker 1: But you know, the man appreciates good hygiene and I

942
00:47:58,880 --> 00:48:01,960
Speaker 1: got it, you know. Okay, Yeah, I really can't justify

943
00:48:02,040 --> 00:48:05,919
Speaker 1: that one. Okay, anyway, So what do you think about

944
00:48:05,920 --> 00:48:10,040
Speaker 1: this situation? So I've been in a relationship, Well, I

945
00:48:10,120 --> 00:48:14,239
Speaker 1: was in a relationship with someone who was very focused

946
00:48:14,320 --> 00:48:19,120
Speaker 1: on the social media aspect of you know, liking women's photos,

947
00:48:19,280 --> 00:48:23,320
Speaker 1: very provocative, you know, Nanny's all out, bottoms, all out.

948
00:48:24,160 --> 00:48:27,360
Speaker 1: And when I was realizing all of this, the way

949
00:48:27,520 --> 00:48:33,120
Speaker 1: I was feeling was very insecure. And I love myself.

950
00:48:33,120 --> 00:48:36,319
Speaker 1: I think I'm a beautiful person insided out. But if

951
00:48:36,320 --> 00:48:38,880
Speaker 1: you're in a relationship with someone and you are starting

952
00:48:38,880 --> 00:48:43,319
Speaker 1: to feel that insecure about yourself, then maybe it's unhealthy

953
00:48:43,400 --> 00:48:46,480
Speaker 1: for you and you need to remove yourself from that situation.

954
00:48:46,880 --> 00:48:49,160
Speaker 1: Whether it's a compliment that they are making to the

955
00:48:49,200 --> 00:48:52,480
Speaker 1: other person on social media, you know, I just think

956
00:48:52,520 --> 00:48:57,400
Speaker 1: it's very disrespectful. Yeah, that's exactly the worship. Now. Yeah,

957
00:48:57,719 --> 00:48:59,880
Speaker 1: I'm in a relationship now and we've been together for

958
00:49:00,080 --> 00:49:02,840
Speaker 1: six years and we respect each other so much. We're

959
00:49:02,960 --> 00:49:06,759
Speaker 1: very you know, sociable on social media. We interact with

960
00:49:06,760 --> 00:49:10,719
Speaker 1: different people, but we never reached that level of disrespect

961
00:49:10,840 --> 00:49:13,920
Speaker 1: on social media. We both don't like each other, you know,

962
00:49:14,400 --> 00:49:17,359
Speaker 1: we both don't like each other's pictures of like male

963
00:49:17,400 --> 00:49:21,080
Speaker 1: and female. So he has not once liked another female picture.

964
00:49:21,640 --> 00:49:24,360
Speaker 1: Um and I truly don't you know him, I respect that.

965
00:49:25,400 --> 00:49:28,440
Speaker 1: Oh I browse through it, my girl. I just I

966
00:49:28,520 --> 00:49:31,560
Speaker 1: just don't. I think there's a line, right I just

967
00:49:31,640 --> 00:49:34,319
Speaker 1: I do think there's a line, like you like what

968
00:49:34,400 --> 00:49:36,759
Speaker 1: you like on social media? Oh I browse through it,

969
00:49:37,520 --> 00:49:40,560
Speaker 1: my girl. I just I just don't. I think there's

970
00:49:40,600 --> 00:49:42,920
Speaker 1: a line, right, I just I do think there's a line,

971
00:49:43,000 --> 00:49:45,680
Speaker 1: like you like what you like on social media. But

972
00:49:45,719 --> 00:49:48,040
Speaker 1: don't be don't don't get in the dms, don't get

973
00:49:48,080 --> 00:49:50,720
Speaker 1: in the comments. I mean I can't. Yeah, you either

974
00:49:50,760 --> 00:49:53,279
Speaker 1: trust the person who you're with to walk out in

975
00:49:53,320 --> 00:49:54,920
Speaker 1: the into the world, because trust me, they can do

976
00:49:54,960 --> 00:49:58,600
Speaker 1: a lot more damage. Um, just as a part as

977
00:49:58,600 --> 00:50:03,080
Speaker 1: a human in the humanity then they are on social media. Yeah,

978
00:50:03,120 --> 00:50:06,160
Speaker 1: if they wanted to totally understand. Yeah, and you know

979
00:50:06,239 --> 00:50:09,000
Speaker 1: he's a DJ, so he has that ability of like, hey,

980
00:50:09,040 --> 00:50:10,920
Speaker 1: you know what after my gig, I'm gonna go hook

981
00:50:11,000 --> 00:50:13,920
Speaker 1: up with this girl, but he's not doing confidence and

982
00:50:14,000 --> 00:50:17,280
Speaker 1: trusted him. Yeah, no, totally not. We both lived together

983
00:50:17,440 --> 00:50:22,319
Speaker 1: where happy level couple were very social. You never had

984
00:50:22,360 --> 00:50:24,719
Speaker 1: that thought, never had that issue. So I just think

985
00:50:24,719 --> 00:50:28,440
Speaker 1: it comes to a level of disrespect. I would definitely

986
00:50:28,520 --> 00:50:30,759
Speaker 1: just be like, I gotta go well, shout out to

987
00:50:30,800 --> 00:50:34,040
Speaker 1: Marissa and Hammond at that she's in Hammond. I drive

988
00:50:34,160 --> 00:50:36,760
Speaker 1: right past the Horseshoe when I going out that direction,

989
00:50:36,800 --> 00:50:38,680
Speaker 1: because basically what I should do if I'm gonna go

990
00:50:38,680 --> 00:50:40,879
Speaker 1: to the horseshoe is just hand them twenty dollars walking

991
00:50:40,920 --> 00:50:42,759
Speaker 1: the door, hand them twenty dollars or a hundred or what,

992
00:50:42,880 --> 00:50:44,799
Speaker 1: and then just walk out because they take the money

993
00:50:44,840 --> 00:50:47,560
Speaker 1: from me anyway, every single time, I never win at

994
00:50:47,560 --> 00:50:50,200
Speaker 1: the horseshoe, So I never win either. I'm serious. It's

995
00:50:50,200 --> 00:50:52,080
Speaker 1: like I just walk in here, you guys go, he's

996
00:50:52,080 --> 00:50:54,279
Speaker 1: one hundred dollars. I just save some money and I'm

997
00:50:54,280 --> 00:50:55,840
Speaker 1: just gonna go ahead and head out. That's what I

998
00:50:55,840 --> 00:50:57,359
Speaker 1: should do when I go, because I just don't win

999
00:50:57,400 --> 00:51:00,600
Speaker 1: at the horseshoe me personally other people. But I don't

1000
00:51:00,640 --> 00:51:04,239
Speaker 1: thank you. Marissa have a good day. Now, you're not

1001
00:51:04,239 --> 00:51:07,120
Speaker 1: gonna win, you know, got had that win? His mentality

1002
00:51:07,160 --> 00:51:09,320
Speaker 1: like you're gonna go in there and you're gonna win. No,

1003
00:51:09,440 --> 00:51:12,000
Speaker 1: I just I don't. I don't for whatever reason. I've

1004
00:51:12,000 --> 00:51:14,040
Speaker 1: just in Vegas is the same thing. There are certain

1005
00:51:14,040 --> 00:51:16,400
Speaker 1: casinos I just don't win. So why why give it

1006
00:51:16,440 --> 00:51:17,880
Speaker 1: to the casino when you can just give it to me.

1007
00:51:18,000 --> 00:51:20,000
Speaker 1: It's the same thing. Well, at least I have a chance,

1008
00:51:21,239 --> 00:51:24,440
Speaker 1: at least of some return. I give it to you.

1009
00:51:24,480 --> 00:51:30,359
Speaker 1: It's just like a mazel Burnett. Karen Hi, Karen Hi,

1010
00:51:30,480 --> 00:51:32,680
Speaker 1: how are you? Karen? Good morning? As there go, this

1011
00:51:32,680 --> 00:51:34,919
Speaker 1: woman's upset because she went through her man's phone, which

1012
00:51:34,920 --> 00:51:37,480
Speaker 1: we don't condone, but she found that he's he's really

1013
00:51:37,520 --> 00:51:40,560
Speaker 1: active on social media with with other women, and it's

1014
00:51:40,560 --> 00:51:42,799
Speaker 1: a lot of likes and and sort of comments on

1015
00:51:42,840 --> 00:51:45,400
Speaker 1: stories that go in the DMS. Not there's no engagement.

1016
00:51:45,440 --> 00:51:48,399
Speaker 1: But that's we don't really know because they're not engaging him,

1017
00:51:48,520 --> 00:51:50,640
Speaker 1: so we don't really know what would happen next. But

1018
00:51:50,719 --> 00:51:54,880
Speaker 1: what do you think, Well, um, I totally agree with you.

1019
00:51:54,920 --> 00:51:57,759
Speaker 1: I think they're the purpose when you are trying to

1020
00:51:57,800 --> 00:52:02,440
Speaker 1: engage with someone done in social media, you're trying to

1021
00:52:02,440 --> 00:52:05,600
Speaker 1: look for some type of conversation, whether or not he

1022
00:52:06,480 --> 00:52:09,880
Speaker 1: is trying to look for something in return, he's trying

1023
00:52:09,920 --> 00:52:14,440
Speaker 1: to engage, and who knows what could happen if he

1024
00:52:14,560 --> 00:52:17,440
Speaker 1: gets a response back, it could go further. So it

1025
00:52:17,520 --> 00:52:20,360
Speaker 1: just makes me kind of feel for her that he

1026
00:52:20,440 --> 00:52:23,960
Speaker 1: could be untrustworthy. I'm in a new relationship and we

1027
00:52:24,080 --> 00:52:29,839
Speaker 1: both had people DMUs before, and we established boundaries that

1028
00:52:30,200 --> 00:52:34,400
Speaker 1: we're going to remove them as followers and just if

1029
00:52:34,440 --> 00:52:37,080
Speaker 1: something happens, we're going to tell each other and not engage.

1030
00:52:37,160 --> 00:52:40,719
Speaker 1: So it's all about boundaries and establishing that that new

1031
00:52:41,800 --> 00:52:44,319
Speaker 1: have being trustworthy with each other. So I don't know,

1032
00:52:44,360 --> 00:52:47,400
Speaker 1: it's it's it's just like you said, why it start

1033
00:52:47,440 --> 00:52:51,120
Speaker 1: to engage in that type of conversation? What is the purpose?

1034
00:52:51,280 --> 00:52:53,120
Speaker 1: Fair enough? Yeah? I agree, Thank you, Karen, have a

1035
00:52:53,120 --> 00:52:56,480
Speaker 1: good day you too, than you do. Ronald McDonald, I

1036
00:52:56,520 --> 00:52:58,200
Speaker 1: was gayl with this weekend. Maybe they were messed with

1037
00:52:58,239 --> 00:52:59,600
Speaker 1: me a little bit. I'm not I kind of gotta

1038
00:52:59,880 --> 00:53:01,840
Speaker 1: the Warren. But these this couple walked over to me.

1039
00:53:01,880 --> 00:53:03,480
Speaker 1: I didn't realize at first they were couples because they

1040
00:53:03,520 --> 00:53:05,520
Speaker 1: were volunteering and there was a woman and a guy.

1041
00:53:05,560 --> 00:53:07,480
Speaker 1: And the guy's like, hey, will you take a picture

1042
00:53:07,480 --> 00:53:11,120
Speaker 1: with this girl? And I'm like, okay, cool, great, you know,

1043
00:53:11,160 --> 00:53:13,640
Speaker 1: so I whatever, we're taking a picture and he goes,

1044
00:53:13,880 --> 00:53:16,759
Speaker 1: ask my girlfriend you DM or a lot. And I

1045
00:53:16,760 --> 00:53:19,120
Speaker 1: looked at him, and he was a nice guy, but

1046
00:53:19,160 --> 00:53:20,880
Speaker 1: it seemed like it was a flex, like he was

1047
00:53:20,920 --> 00:53:23,200
Speaker 1: calling me out. And I looked at her and I'm like,

1048
00:53:23,960 --> 00:53:27,560
Speaker 1: who initiates the DMS? And she looked at me and

1049
00:53:27,600 --> 00:53:30,399
Speaker 1: looked at him and she well, or maybe I asked

1050
00:53:30,480 --> 00:53:33,160
Speaker 1: him and he's like, yeah, who initiates the DMS? And

1051
00:53:33,200 --> 00:53:36,160
Speaker 1: she's like, well me. And then I'm like, cool, have

1052
00:53:36,239 --> 00:53:39,640
Speaker 1: a nice evening, guys, I'm out of here. Like I couldn't.

1053
00:53:39,640 --> 00:53:42,040
Speaker 1: I just couldn't figure out what for him to say,

1054
00:53:42,080 --> 00:53:44,360
Speaker 1: you DM my girlfriend a lot. It was like, you

1055
00:53:44,760 --> 00:53:47,879
Speaker 1: are you saying to me that I hit on your

1056
00:53:47,920 --> 00:53:50,759
Speaker 1: girl inappropriately? Like what are you saying when you say that?

1057
00:53:51,000 --> 00:53:53,000
Speaker 1: Or my girl's good enough to get hit on like

1058
00:53:53,200 --> 00:53:55,239
Speaker 1: DM by friend. I just I didn't understand what the

1059
00:53:55,239 --> 00:53:58,120
Speaker 1: point of that statement was, only to find out that yeah,

1060
00:53:58,120 --> 00:54:00,399
Speaker 1: she's rights mee DMS and I responded and they weren't

1061
00:54:00,560 --> 00:54:02,920
Speaker 1: nothing's inappropriate? But if you write me a DM. I

1062
00:54:03,000 --> 00:54:04,719
Speaker 1: try and respond like that's just what I do it,

1063
00:54:05,239 --> 00:54:06,719
Speaker 1: you know, I don't. I don't go and look and

1064
00:54:06,760 --> 00:54:08,960
Speaker 1: see if you have a boyfriend before I respond to

1065
00:54:09,000 --> 00:54:11,040
Speaker 1: our husband, because it's not like that, you know, as

1066
00:54:11,080 --> 00:54:13,120
Speaker 1: far as I'm concerned. You're somebody reaching out to say

1067
00:54:13,160 --> 00:54:15,680
Speaker 1: something about the show or whatever, and that's our job.

1068
00:54:15,960 --> 00:54:19,439
Speaker 1: But you're a married man, you know, Rufio, Like you're

1069
00:54:19,560 --> 00:54:22,040
Speaker 1: you're you're responding to people who are fans of the show.

1070
00:54:22,080 --> 00:54:25,000
Speaker 1: It's not it's not you know, it's not some sort

1071
00:54:25,000 --> 00:54:27,239
Speaker 1: of You're not flirting with these people. No, it's all

1072
00:54:27,280 --> 00:54:29,239
Speaker 1: it's part of the job and stuff. Yeah, or if

1073
00:54:29,239 --> 00:54:32,160
Speaker 1: they responded to a photo or a story and you

1074
00:54:32,239 --> 00:54:35,359
Speaker 1: know about Ashland or whatever or what everybody, Yeah, right, right,

1075
00:54:35,440 --> 00:54:37,320
Speaker 1: I try to respond to everybody. There's a boundary, but

1076
00:54:37,400 --> 00:54:39,279
Speaker 1: that's also part of our job. Right. So I was

1077
00:54:39,360 --> 00:54:40,800
Speaker 1: like looking at this guy, like, are you are you

1078
00:54:40,880 --> 00:54:42,520
Speaker 1: calling me out? Like what? I don't I don't know

1079
00:54:42,560 --> 00:54:45,480
Speaker 1: why you're saying this to me. Um, Julie, I'm sure

1080
00:54:45,520 --> 00:54:48,799
Speaker 1: I had a great evening after that. Julie, wait, an,

1081
00:54:48,920 --> 00:54:55,120
Speaker 1: you've been all the stories I could tell you about

1082
00:54:55,160 --> 00:54:56,640
Speaker 1: her and there's nothing going on with that. But she's

1083
00:54:56,680 --> 00:54:58,319
Speaker 1: a lovely woman and he seemed like a nice guy

1084
00:54:58,320 --> 00:55:00,440
Speaker 1: and they were volunteering, so they're good humans. But uh,

1085
00:55:00,840 --> 00:55:04,160
Speaker 1: friends like I'll m later by, But I've had I've

1086
00:55:04,200 --> 00:55:06,319
Speaker 1: had some dudes call me up before and it's like, boy,

1087
00:55:06,440 --> 00:55:09,080
Speaker 1: you need to see all the message just guts you,

1088
00:55:09,239 --> 00:55:14,400
Speaker 1: daddy seeing them all dang me. But I'm not. I'm

1089
00:55:14,520 --> 00:55:15,920
Speaker 1: very clean because I don't. I don't do it. I

1090
00:55:15,920 --> 00:55:20,640
Speaker 1: don't get involved. I'm like, all right, my bad, my bad. No. Oh, um, Julie, Hi,

1091
00:55:20,800 --> 00:55:23,320
Speaker 1: what did you want to say? Good morning? Good morning?

1092
00:55:23,560 --> 00:55:27,600
Speaker 1: I want to back Polina up girl, Thank you guy. No,

1093
00:55:27,800 --> 00:55:29,880
Speaker 1: I totally understand what she's saying. I just don't like,

1094
00:55:30,000 --> 00:55:33,400
Speaker 1: what's the point. And it's it's almost embarrassing to be

1095
00:55:33,560 --> 00:55:36,319
Speaker 1: like it is growing and then you see like your

1096
00:55:36,400 --> 00:55:40,200
Speaker 1: man's name and seventeen thousand others like why like the person,

1097
00:55:40,280 --> 00:55:43,279
Speaker 1: the whole photo you're liking. They don't see, Um, there's

1098
00:55:43,360 --> 00:55:46,360
Speaker 1: seventeen thousand people that are liking their first trap Like

1099
00:55:46,440 --> 00:55:49,040
Speaker 1: they don't care that you are liking it, but I care,

1100
00:55:49,120 --> 00:55:51,360
Speaker 1: Like it's embarrassing, right, like your man's out here, like

1101
00:55:51,480 --> 00:55:53,560
Speaker 1: in these girls photos that they are paying no attention

1102
00:55:53,640 --> 00:55:55,319
Speaker 1: to him, and it makes you just feel like, why

1103
00:55:55,840 --> 00:55:57,719
Speaker 1: why are you following her too to see that he's

1104
00:55:57,760 --> 00:56:00,240
Speaker 1: liking it? You don't have to be following her. Why

1105
00:56:00,239 --> 00:56:02,680
Speaker 1: are you spending any time looking at who he likes? Like?

1106
00:56:02,800 --> 00:56:04,759
Speaker 1: Why would you take any time in your day if

1107
00:56:04,800 --> 00:56:06,920
Speaker 1: you're happy in your relationship and you trust him and

1108
00:56:06,960 --> 00:56:09,560
Speaker 1: you feel loved by him, why does it matter you

1109
00:56:09,640 --> 00:56:11,600
Speaker 1: don't know what he's looking at on unless you're looking

1110
00:56:11,640 --> 00:56:14,520
Speaker 1: at his browsing history too. No, to be clear with hobby,

1111
00:56:14,719 --> 00:56:18,640
Speaker 1: He's never done this, Like browsing history is personal, but

1112
00:56:18,760 --> 00:56:21,160
Speaker 1: like for everyone else to see that so embarrassing. But

1113
00:56:21,280 --> 00:56:23,680
Speaker 1: I'm saying like, you, as a person, are spending the

1114
00:56:23,800 --> 00:56:26,720
Speaker 1: extra time. You don't follow this girl, but you're searching

1115
00:56:26,760 --> 00:56:28,759
Speaker 1: her name every time to see if your man likes

1116
00:56:28,800 --> 00:56:31,040
Speaker 1: Where are you embarrassed? The strangers that I liked it?

1117
00:56:31,239 --> 00:56:34,520
Speaker 1: The other seventies thousand people that like they don't care either.

1118
00:56:34,719 --> 00:56:36,520
Speaker 1: I guess I think there are bigger things to argue

1119
00:56:36,520 --> 00:56:39,040
Speaker 1: about and bigger things to worry about. But I mean,

1120
00:56:39,080 --> 00:56:40,880
Speaker 1: I see what you're saying, you know if, but I

1121
00:56:40,960 --> 00:56:43,359
Speaker 1: also don't think. I also don't think that the whole

1122
00:56:43,400 --> 00:56:45,560
Speaker 1: world's out there looking at who your man likes either.

1123
00:56:45,960 --> 00:56:49,680
Speaker 1: You know, I don't think people are going, oh my god.

1124
00:56:49,800 --> 00:56:53,000
Speaker 1: You know, Julie's boyfriend, Hector is he can't stop with

1125
00:56:53,120 --> 00:56:57,759
Speaker 1: these superman But as the only reason why his name

1126
00:56:57,800 --> 00:57:00,360
Speaker 1: comes up is because you follow him. You know what

1127
00:57:00,400 --> 00:57:02,040
Speaker 1: I'm saying. It just shows you that he likes to

1128
00:57:02,120 --> 00:57:04,960
Speaker 1: show the stranger. It's exactly like if if Joe Schmall

1129
00:57:05,080 --> 00:57:07,960
Speaker 1: noted the photo, it's not gonna say Hector liked it. Yeah,

1130
00:57:07,960 --> 00:57:10,200
Speaker 1: I don't, Julie. I thank you for calling. I love

1131
00:57:10,239 --> 00:57:17,120
Speaker 1: you that you have take with my quick friend for

1132
00:57:17,240 --> 00:57:20,080
Speaker 1: like two years, and I haven't blocked on Instagram. But

1133
00:57:20,760 --> 00:57:24,040
Speaker 1: it's because for the exact same reason. I don't want

1134
00:57:24,080 --> 00:57:26,200
Speaker 1: to see what he's liking, because then we don't fight.

1135
00:57:26,360 --> 00:57:30,400
Speaker 1: Like I love not having him on social media. That's smart.

1136
00:57:30,840 --> 00:57:33,760
Speaker 1: I mean, that's if you know it's a trigger and

1137
00:57:33,920 --> 00:57:36,440
Speaker 1: it sounds like you know it might be irrational, then

1138
00:57:36,600 --> 00:57:40,000
Speaker 1: then you're controlling it. I get that, no onion, Julie,

1139
00:57:40,440 --> 00:57:42,480
Speaker 1: so many layers. Sounds like you got it under control,

1140
00:57:42,560 --> 00:57:48,680
Speaker 1: or at least you're aware that it's well. Thank you, Julie,

1141
00:57:48,680 --> 00:57:51,680
Speaker 1: you have a good day. All right, that's a smart strategy.

1142
00:57:52,480 --> 00:57:54,160
Speaker 1: She lost Paulina with that one. Yeah, but she got

1143
00:57:54,280 --> 00:57:57,960
Speaker 1: us back, not even unfollowed. You got him blocked. Yeah yeah,

1144
00:57:57,960 --> 00:58:00,480
Speaker 1: I wouldn't block hobby. But does it cause this problem? Well,

1145
00:58:00,560 --> 00:58:02,000
Speaker 1: you know what, You're right, I respect it. If that's

1146
00:58:02,040 --> 00:58:04,320
Speaker 1: what helps their relationship, then so be it. I just

1147
00:58:04,400 --> 00:58:06,800
Speaker 1: think you gotta you gotta focus, Like, like, if you

1148
00:58:06,880 --> 00:58:09,560
Speaker 1: find out the guy is actually communicating, that is inappropriate.

1149
00:58:09,760 --> 00:58:12,120
Speaker 1: But you got to focus on the You know this man,

1150
00:58:12,560 --> 00:58:14,960
Speaker 1: You sleep next to this man every night. You either

1151
00:58:15,080 --> 00:58:17,520
Speaker 1: trust him or you don't. And that should be the

1152
00:58:17,640 --> 00:58:20,360
Speaker 1: end of it. It should be blind faith because otherwise

1153
00:58:20,520 --> 00:58:23,680
Speaker 1: you're gonna ride every any indication of anything. Now you're

1154
00:58:23,720 --> 00:58:25,560
Speaker 1: gonna oh, I can't believe you like that picture. I

1155
00:58:25,600 --> 00:58:27,560
Speaker 1: can't he looked at her a certain way. Whatever. You

1156
00:58:27,640 --> 00:58:29,840
Speaker 1: can't control that. I have to say, like sometimes I

1157
00:58:29,960 --> 00:58:31,960
Speaker 1: do mute. If I'm talking to a guy and he

1158
00:58:32,040 --> 00:58:34,320
Speaker 1: has like a big following, I'll mute his post and

1159
00:58:34,480 --> 00:58:36,240
Speaker 1: his stories because it's like I don't want to be

1160
00:58:36,400 --> 00:58:39,640
Speaker 1: checking that all the time, Like it is helpful sometimes, yeah,

1161
00:58:39,960 --> 00:58:41,400
Speaker 1: you know what I mean, Like it's like I don't

1162
00:58:41,440 --> 00:58:43,520
Speaker 1: want his story to pop up first because of the algorithm,

1163
00:58:43,600 --> 00:58:45,040
Speaker 1: and then you look at it that second and you're like,

1164
00:58:45,320 --> 00:58:46,920
Speaker 1: what are you doing where? You know? It's like, I

1165
00:58:46,960 --> 00:58:49,560
Speaker 1: feel like social media sometimes is bad for us, So

1166
00:58:49,640 --> 00:58:52,280
Speaker 1: I said, people agree with it because we're like in

1167
00:58:52,360 --> 00:58:56,560
Speaker 1: a world before social media. There's all kinds of things

1168
00:58:56,600 --> 00:58:58,760
Speaker 1: that happen every day that you like, you can't track

1169
00:58:58,800 --> 00:59:02,840
Speaker 1: the man's eyeballs. Guys, I know there's women out there.

1170
00:59:02,920 --> 00:59:05,480
Speaker 1: I know he's looking. We've checked out girls together, but

1171
00:59:05,600 --> 00:59:08,040
Speaker 1: we don't need to follow this Nikki baby, It's all insane.

1172
00:59:08,120 --> 00:59:10,480
Speaker 1: You don't need to follow a local bottle girl. How

1173
00:59:10,520 --> 00:59:15,400
Speaker 1: did it get to you? A discount on three five

1174
00:59:15,480 --> 00:59:18,680
Speaker 1: kids FM, Chicago's number one music station. As you know

1175
00:59:19,080 --> 00:59:21,960
Speaker 1: the Fred Show, we keep you on the right on

1176
00:59:22,040 --> 00:59:27,240
Speaker 1: the pulse of medical advances. You don't know this theme song, Jason,

1177
00:59:29,160 --> 00:59:31,400
Speaker 1: you don't know what this is? Anybody else know what

1178
00:59:31,480 --> 00:59:34,560
Speaker 1: this is? I do well. I've played it like seven times.

1179
00:59:37,000 --> 00:59:40,320
Speaker 1: I expect you to remember everything I've ever done. E

1180
00:59:41,520 --> 00:59:44,320
Speaker 1: Gray's Aunt. Isn't that the Fright? Isn't that their theme song? Is?

1181
00:59:44,920 --> 00:59:47,000
Speaker 1: I don't think the theme is? Or is it no?

1182
00:59:47,480 --> 00:59:52,840
Speaker 1: Or maybe it is? Life think it's just like, okay, okay,

1183
00:59:52,920 --> 00:59:54,760
Speaker 1: I don't know if there is like a real theme.

1184
00:59:54,960 --> 00:59:57,200
Speaker 1: I know that it was in there. What is it here?

1185
00:59:57,320 --> 00:59:59,520
Speaker 1: This is the that's sure. I'm probably gonna get an

1186
00:59:59,520 --> 01:00:02,080
Speaker 1: ad first. Hang on, let me play the ad, Dowey Houser.

1187
01:00:02,200 --> 01:00:04,880
Speaker 1: You played that before. Yeah, yeah, here we go. What

1188
01:00:04,960 --> 01:00:12,920
Speaker 1: do we have? Yeah? This is oh episode? No, like

1189
01:00:13,480 --> 01:00:17,960
Speaker 1: take the shot. I watched old episodes. Old episodes will

1190
01:00:17,960 --> 01:00:20,000
Speaker 1: come on sometimes and I'm like, this is so corny,

1191
01:00:20,360 --> 01:00:23,920
Speaker 1: Like it's so so corny. I just it's like, but

1192
01:00:24,000 --> 01:00:25,960
Speaker 1: it was, you know, I think it's people still do

1193
01:00:26,080 --> 01:00:28,720
Speaker 1: watch You're still on? Yeah, like nineteen seasons later, I'm like,

1194
01:00:28,760 --> 01:00:30,800
Speaker 1: oh my god, this is so bad. It's like, oh,

1195
01:00:31,200 --> 01:00:33,600
Speaker 1: we lost a patient. Like the doctor's like cry, I

1196
01:00:33,600 --> 01:00:35,040
Speaker 1: can't believe we lost the patient. And then it's like,

1197
01:00:35,120 --> 01:00:37,320
Speaker 1: let's have sex on this dead body. And then they

1198
01:00:37,360 --> 01:00:44,080
Speaker 1: do like maybe maybe maybe that's a different version. I

1199
01:00:44,160 --> 01:00:47,680
Speaker 1: don't think that. But no, don't they like getting on

1200
01:00:47,760 --> 01:00:50,280
Speaker 1: with ghosts and stuff in the yard? Like I swear

1201
01:00:50,320 --> 01:00:52,880
Speaker 1: that they gotten like crazier and crazier with the stuff

1202
01:00:52,920 --> 01:00:55,840
Speaker 1: that with the concepts that they have in there, Like

1203
01:00:56,000 --> 01:00:57,320
Speaker 1: you know, I don't know the illness is that just

1204
01:00:57,480 --> 01:01:00,240
Speaker 1: walk into the yard. You have to like the rarest

1205
01:01:00,240 --> 01:01:02,800
Speaker 1: of rare illnesses like just happen to walk into the

1206
01:01:02,880 --> 01:01:05,480
Speaker 1: ear and on that show and George Clooney treats them

1207
01:01:05,520 --> 01:01:09,360
Speaker 1: all or whomever, some good looking people treat them. Um.

1208
01:01:09,440 --> 01:01:12,080
Speaker 1: Well here here we go, um and this is a

1209
01:01:12,160 --> 01:01:17,440
Speaker 1: trend that's back now, guys, videos about which called parendeum sunning. Now,

1210
01:01:17,520 --> 01:01:25,160
Speaker 1: the parendeum is the area between the um, the two

1211
01:01:25,320 --> 01:01:27,760
Speaker 1: parts bottom parts that we each have. You know, we

1212
01:01:27,760 --> 01:01:31,400
Speaker 1: each have different ones, of course, but like the booty

1213
01:01:32,120 --> 01:01:35,680
Speaker 1: and the whatever part you have, the area between it's

1214
01:01:35,680 --> 01:01:43,680
Speaker 1: called the parenium. Oh oh, I was thinking of a

1215
01:01:43,760 --> 01:01:48,840
Speaker 1: t but no, no, I don't know. Never mind, I

1216
01:01:48,920 --> 01:01:51,720
Speaker 1: don't know. This is a conversation we can have. Liter

1217
01:01:51,920 --> 01:01:54,200
Speaker 1: I'm trying to tell the people about a trend right now. Okay,

1218
01:01:55,560 --> 01:01:58,200
Speaker 1: I'm trying to I'm trying to tell the people. I

1219
01:01:58,240 --> 01:01:59,880
Speaker 1: went see hold on, guys, hold on a whole lot

1220
01:01:59,880 --> 01:02:02,800
Speaker 1: of I thought it was the That's what I thought

1221
01:02:02,840 --> 01:02:05,480
Speaker 1: it was. Yeah, I think the slang is gooch. I

1222
01:02:05,520 --> 01:02:10,080
Speaker 1: think I can say that. Well, no, no, no, you're right. Yeah,

1223
01:02:11,320 --> 01:02:13,760
Speaker 1: Well that doesn't start with the sea so anyway, it's

1224
01:02:13,800 --> 01:02:16,160
Speaker 1: the area between the two parts, okay, And so you're

1225
01:02:16,160 --> 01:02:19,960
Speaker 1: supposed to put this area into the air and expose

1226
01:02:20,040 --> 01:02:24,320
Speaker 1: it to direct sunlight to increase a person's vibrations. It's

1227
01:02:24,360 --> 01:02:26,960
Speaker 1: gaining millions of views on TikTok. Experts say there is

1228
01:02:27,000 --> 01:02:29,520
Speaker 1: no evidence though, that this has any benefit, and it

1229
01:02:29,600 --> 01:02:32,760
Speaker 1: could even be harmful. So parenium is the medical term

1230
01:02:32,880 --> 01:02:36,840
Speaker 1: for that part um. Parenium sunning is a controversial wellness

1231
01:02:36,880 --> 01:02:39,480
Speaker 1: practice where a person exposes their genitals to the sun

1232
01:02:39,800 --> 01:02:42,240
Speaker 1: for a short period of time well naked. Some lay

1233
01:02:42,280 --> 01:02:45,080
Speaker 1: on their back with their legs spread wide into the air,

1234
01:02:45,520 --> 01:02:47,800
Speaker 1: or with their feet and hands on the ground. The

1235
01:02:47,920 --> 01:02:50,440
Speaker 1: idea is to expose this aream to vitamin D in

1236
01:02:50,560 --> 01:02:53,080
Speaker 1: order to receive an energy boost that they say can

1237
01:02:53,120 --> 01:02:57,000
Speaker 1: improve sleep, concentration, and creativity. A dermatologist said that he's

1238
01:02:57,000 --> 01:03:00,360
Speaker 1: removed skin cancer from that area though, and the of

1239
01:03:00,440 --> 01:03:03,440
Speaker 1: exposing that area are not worth it. Another doctor said

1240
01:03:03,480 --> 01:03:06,120
Speaker 1: this is a class example of social media medical misinformation,

1241
01:03:06,400 --> 01:03:10,880
Speaker 1: which in some cases can be damaging or dangerous. Those

1242
01:03:10,960 --> 01:03:15,360
Speaker 1: videos are so stupid on TikTok. No, well don't are

1243
01:03:15,360 --> 01:03:16,960
Speaker 1: you not supposed to do it? You're really I don't.

1244
01:03:17,120 --> 01:03:20,640
Speaker 1: Don't do that. It's probably psychosomatic. Right, you convince yourself

1245
01:03:20,680 --> 01:03:23,000
Speaker 1: in your mind that it's working, and then you feel

1246
01:03:23,040 --> 01:03:25,680
Speaker 1: better when you did it. I'm sure vitamin D in general,

1247
01:03:25,800 --> 01:03:29,000
Speaker 1: like getting some healthy amount of sunlight makes you feel better.

1248
01:03:29,040 --> 01:03:31,400
Speaker 1: I don't think it has to be ingested by your Yeah,

1249
01:03:31,680 --> 01:03:34,720
Speaker 1: that area, because you mentioned getting a sunburned. No way,

1250
01:03:35,520 --> 01:03:38,560
Speaker 1: if you're out there, no Now, I will say this

1251
01:03:39,640 --> 01:03:41,760
Speaker 1: if that were an area of my body that we're

1252
01:03:41,920 --> 01:03:47,760
Speaker 1: that we're being viewed at any regular interval, Jason, I

1253
01:03:47,880 --> 01:03:52,160
Speaker 1: might be worried about, you know, if it's like I

1254
01:03:52,240 --> 01:03:54,720
Speaker 1: don't know, if it looks good, you know, like if

1255
01:03:54,760 --> 01:03:57,400
Speaker 1: it has nice skin balance, skin tone balance. I don't know.

1256
01:03:57,440 --> 01:03:59,720
Speaker 1: Does anyone care about that? I know people bleed that area.

1257
01:04:00,360 --> 01:04:03,680
Speaker 1: I guess I'm not picky. Yeah, I don't care. Okay,

1258
01:04:03,800 --> 01:04:07,320
Speaker 1: whatever I was going on, Well, anyway, it could be

1259
01:04:07,440 --> 01:04:08,960
Speaker 1: very bad for you, so you probably don't want to

1260
01:04:08,960 --> 01:04:11,120
Speaker 1: do it. A new poll reveals, and I'm one of

1261
01:04:11,160 --> 01:04:15,920
Speaker 1: these people that the public is lacking in a worrying

1262
01:04:15,960 --> 01:04:18,520
Speaker 1: amount of information about their own personal health. So they

1263
01:04:18,560 --> 01:04:21,600
Speaker 1: has two thousand people, um if they were able to

1264
01:04:21,720 --> 01:04:25,600
Speaker 1: identify key metrics for monitoring their health. For example, Um,

1265
01:04:25,920 --> 01:04:28,320
Speaker 1: they're only thirty seven percent say they're very confident they

1266
01:04:28,360 --> 01:04:30,200
Speaker 1: can name their own blood type. I don't know my

1267
01:04:30,280 --> 01:04:33,800
Speaker 1: own blood type be positive. I don't know what it is.

1268
01:04:34,000 --> 01:04:36,440
Speaker 1: That's um, you guys know you don't know Jayson your

1269
01:04:36,480 --> 01:04:38,760
Speaker 1: blood type? No, no, I'm oh, I don't know which

1270
01:04:38,840 --> 01:04:42,120
Speaker 1: one though universal donor No one of them is universal,

1271
01:04:42,200 --> 01:04:44,400
Speaker 1: So I might not ore twenty four percent know what

1272
01:04:44,440 --> 01:04:46,520
Speaker 1: their BMI is. I know because my doctor tells me

1273
01:04:46,600 --> 01:04:49,240
Speaker 1: every time that I'm obas So that's cool. Um. And

1274
01:04:49,400 --> 01:04:52,120
Speaker 1: then less than one in four know what they're resting

1275
01:04:52,240 --> 01:04:56,520
Speaker 1: heart rate should be. So again, I don't know how

1276
01:04:56,560 --> 01:04:59,360
Speaker 1: I'm even alive. I don't know these basic things about myself.

1277
01:05:00,040 --> 01:05:02,160
Speaker 1: When it comes to identifying organs in the body, just

1278
01:05:02,360 --> 01:05:04,800
Speaker 1: two and three believe they can accurately point out where

1279
01:05:04,800 --> 01:05:08,640
Speaker 1: the heart and brain is located. Only sixty three percent

1280
01:05:08,800 --> 01:05:12,560
Speaker 1: know where your brain heart and brain. They're kidding, where

1281
01:05:12,720 --> 01:05:15,200
Speaker 1: where's your heart? My heart is? Isn't it technically like

1282
01:05:15,320 --> 01:05:17,360
Speaker 1: not even in the middle. It's like to the side,

1283
01:05:17,440 --> 01:05:20,600
Speaker 1: or I just make that up. It's like middle left right, yeah,

1284
01:05:20,640 --> 01:05:24,080
Speaker 1: middle right, yeah, kind of middle left. Yeah, I'm not

1285
01:05:24,160 --> 01:05:26,240
Speaker 1: even gonna. I know you know where your brain is.

1286
01:05:26,600 --> 01:05:30,280
Speaker 1: If I didn't, I mean, I mean you surprise me

1287
01:05:30,360 --> 01:05:32,680
Speaker 1: sometimes with the things that you do and don't know, Paulina.

1288
01:05:32,760 --> 01:05:34,640
Speaker 1: But I know you know where your brain is. Facts.

1289
01:05:34,760 --> 01:05:36,720
Speaker 1: But that's that's to mean the third of people know

1290
01:05:36,720 --> 01:05:39,880
Speaker 1: where their heart and the brain is. That's extremely concerning

1291
01:05:39,920 --> 01:05:43,040
Speaker 1: to me. Um. Only twenty two percent could pinpoint the

1292
01:05:43,160 --> 01:05:45,520
Speaker 1: gall bladder and just one in five know where the

1293
01:05:45,600 --> 01:05:48,360
Speaker 1: spleen is. Now we're getting a little we're getting a

1294
01:05:48,360 --> 01:05:51,360
Speaker 1: little more advanced here gall bladder and spleen. Um. The

1295
01:05:51,440 --> 01:05:53,840
Speaker 1: strevey also found the nineteen percent are completely confident that

1296
01:05:53,880 --> 01:05:56,640
Speaker 1: they manage their health where health well. Rather, that's only

1297
01:05:56,680 --> 01:05:59,600
Speaker 1: twenty percent of people nineteen percent of what a fifth

1298
01:06:00,000 --> 01:06:02,240
Speaker 1: a third are now less likely to call their general

1299
01:06:02,360 --> 01:06:05,240
Speaker 1: practitioner regarding their health since the start of the COVID

1300
01:06:05,320 --> 01:06:08,640
Speaker 1: nineteen pandemic. Women are form far more likely to call

1301
01:06:08,680 --> 01:06:11,400
Speaker 1: their doctors at the spot a sign of a possible

1302
01:06:11,480 --> 01:06:15,000
Speaker 1: health risk. Only fifty percent of men versus sixty three

1303
01:06:15,040 --> 01:06:17,000
Speaker 1: percent of women would call their doctor if they see

1304
01:06:17,000 --> 01:06:21,320
Speaker 1: signs of cancer. That's terrible. Women are more likely to

1305
01:06:21,400 --> 01:06:24,840
Speaker 1: call the doctor unvirtually all health problems including broken bones,

1306
01:06:25,200 --> 01:06:29,680
Speaker 1: lung problems, and mental health issues. But people, this is

1307
01:06:29,760 --> 01:06:35,760
Speaker 1: the order in which people could identify their own organs, heart, brain, lungs, stomach, rectum,

1308
01:06:36,400 --> 01:06:39,760
Speaker 1: really reproductive organs. Only half of the people know where

1309
01:06:39,800 --> 01:06:46,080
Speaker 1: to read what? Yeah? Half kidneys men and women know

1310
01:06:46,240 --> 01:06:51,080
Speaker 1: half of all the people kidneys, bladder, liver in appendix.

1311
01:06:51,800 --> 01:06:54,360
Speaker 1: Now the appendix. They access that through the back, don't

1312
01:06:54,400 --> 01:06:57,400
Speaker 1: they that the appendix is like over here? Yeah, my

1313
01:06:57,480 --> 01:07:00,360
Speaker 1: friend has a scar in the front. Were you see

1314
01:07:00,360 --> 01:07:02,680
Speaker 1: it looks I would be a terrible surgeon. I think

1315
01:07:02,760 --> 01:07:05,720
Speaker 1: I would not be a very effect your kidney in

1316
01:07:05,760 --> 01:07:08,320
Speaker 1: the back. Maybe that's what I'm writing, is that they

1317
01:07:08,360 --> 01:07:11,720
Speaker 1: access the kid Yeah. Well I haven't been the practicing

1318
01:07:11,760 --> 01:07:13,600
Speaker 1: surgeon in many years, so I don't have to remember

1319
01:07:13,640 --> 01:07:16,160
Speaker 1: these things. I forget a lot of stuff. But you

1320
01:07:16,200 --> 01:07:18,560
Speaker 1: don't know where Half of people don't know where they're

1321
01:07:18,600 --> 01:07:22,880
Speaker 1: reproductive organ I mean there's only hello, It's like there's

1322
01:07:22,960 --> 01:07:24,760
Speaker 1: one general area where they're all. We all have the

1323
01:07:24,800 --> 01:07:27,480
Speaker 1: same general What do you think that is? You know?

1324
01:07:28,200 --> 01:07:31,440
Speaker 1: To be fair, I oh no, no, no, to be fair,

1325
01:07:31,520 --> 01:07:33,360
Speaker 1: I didn't know that the uterus was so low. I

1326
01:07:33,400 --> 01:07:34,840
Speaker 1: don't know why I thought this whole time, it was

1327
01:07:34,840 --> 01:07:37,760
Speaker 1: a lot higher like by our belly buttons. But it's

1328
01:07:37,840 --> 01:07:40,880
Speaker 1: really not not ex actually not very big either. For

1329
01:07:40,960 --> 01:07:42,560
Speaker 1: some reason, I saw a picture I saw like a

1330
01:07:42,600 --> 01:07:45,120
Speaker 1: surgery of one, and it's kind of not because it

1331
01:07:45,160 --> 01:07:46,720
Speaker 1: gets bigger. I don't know what it was on TikTok,

1332
01:07:46,800 --> 01:07:50,840
Speaker 1: of course, but like the act like resting, I don't know,

1333
01:07:51,040 --> 01:07:52,520
Speaker 1: I don't know. Okay, you don't worry about it, but

1334
01:07:52,600 --> 01:07:55,440
Speaker 1: like I think, like the normal size is like not

1335
01:07:55,640 --> 01:07:57,720
Speaker 1: that big, and then it gets bigger, right, but obviously,

1336
01:07:57,800 --> 01:08:01,000
Speaker 1: like if there's something like a baby, correct, we sound

1337
01:08:01,040 --> 01:08:03,200
Speaker 1: I total more of we really do, honestly like them.

1338
01:08:03,200 --> 01:08:05,439
Speaker 1: But at least I know where my generally speaking, where

1339
01:08:05,480 --> 01:08:08,640
Speaker 1: my reproductive organs are. Thank god, I know where my

1340
01:08:08,720 --> 01:08:11,360
Speaker 1: heart in my brain, I know where they are. I

1341
01:08:11,480 --> 01:08:13,840
Speaker 1: know where my rectum is, and I'm selling it when

1342
01:08:13,880 --> 01:08:15,480
Speaker 1: I get home today and make sure it's got plenty

1343
01:08:15,520 --> 01:08:17,519
Speaker 1: of about them into I'm gonna make sure it looks

1344
01:08:17,560 --> 01:08:22,280
Speaker 1: good just in case. Yeah, let's get you into see

1345
01:08:22,479 --> 01:08:25,360
Speaker 1: Ed Sheering. That's it, Soldier Field. On July twenty nine,

1346
01:08:25,360 --> 01:08:27,280
Speaker 1: The Good buy tickets to ticketmaster dot com and thanks

1347
01:08:27,320 --> 01:08:30,640
Speaker 1: to Massena Touring Group calling number twenty five ed is

1348
01:08:30,680 --> 01:08:33,040
Speaker 1: shearing tickets on the Fred Show eight five five five

1349
01:08:33,200 --> 01:08:36,559
Speaker 1: nine one one h three five Good luck. Facts about

1350
01:08:36,920 --> 01:08:39,800
Speaker 1: Klin that you may or may not know, Kiki, it's

1351
01:08:39,800 --> 01:08:41,880
Speaker 1: all new to you. Yeah, so you know what, you know,

1352
01:08:41,880 --> 01:08:43,960
Speaker 1: what's the best part about having I mean the problem

1353
01:08:44,040 --> 01:08:45,960
Speaker 1: is that you have been listening for ten years, so

1354
01:08:46,200 --> 01:08:49,160
Speaker 1: you know. Yeah, but like you know, you you worked

1355
01:08:49,200 --> 01:08:52,519
Speaker 1: for the radio station in various capacities and then now

1356
01:08:52,680 --> 01:08:54,680
Speaker 1: you come hang out with us, and you know, you're

1357
01:08:54,720 --> 01:08:57,200
Speaker 1: part of the Fred Show. And I was thinking I

1358
01:08:57,240 --> 01:08:59,719
Speaker 1: could tell all my stories again and all my jokes,

1359
01:08:59,800 --> 01:09:01,960
Speaker 1: and that you would laugh because you were relatively new.

1360
01:09:02,120 --> 01:09:05,080
Speaker 1: Because I only have thirteen stories that I've made my

1361
01:09:05,120 --> 01:09:06,720
Speaker 1: whole career out of. I just tell them over and

1362
01:09:06,800 --> 01:09:08,800
Speaker 1: over again. Yes, and I seem to get away with that,

1363
01:09:09,400 --> 01:09:13,519
Speaker 1: but you heard them all, so yeah, but I'll still laugh, yes, yeah,

1364
01:09:13,600 --> 01:09:18,960
Speaker 1: because I'm new here. Yeah yeah right, yeah yeah. We

1365
01:09:19,080 --> 01:09:22,879
Speaker 1: all still laugh at New Roopy just because it's amazing.

1366
01:09:23,400 --> 01:09:25,120
Speaker 1: But the fact that you may not know is and

1367
01:09:25,560 --> 01:09:27,920
Speaker 1: I'm happy to say that, or I don't know, you

1368
01:09:27,960 --> 01:09:29,960
Speaker 1: should be happy that I'm I'm saying that I feel

1369
01:09:30,040 --> 01:09:31,880
Speaker 1: this way too. We watched in a Boss bar yesterday

1370
01:09:31,920 --> 01:09:34,200
Speaker 1: to take our we're taking some pictures for the show.

1371
01:09:34,280 --> 01:09:36,880
Speaker 1: We thought one of the better place than a bar.

1372
01:09:37,640 --> 01:09:39,160
Speaker 1: A bar would be a great place for us all

1373
01:09:39,200 --> 01:09:42,160
Speaker 1: to take pictures together, because well, we, you know, individualise,

1374
01:09:42,200 --> 01:09:44,519
Speaker 1: have spent many, many years and days at a bar.

1375
01:09:44,600 --> 01:09:46,240
Speaker 1: And there was a big plate of fries that were

1376
01:09:46,240 --> 01:09:48,640
Speaker 1: like half eaten on the bar. They were not for us,

1377
01:09:48,680 --> 01:09:50,320
Speaker 1: they were just there from the existing you know, from

1378
01:09:50,320 --> 01:09:52,479
Speaker 1: a previous customer. And I looked at them and in

1379
01:09:52,560 --> 01:09:54,360
Speaker 1: my head, I thought, I'm going to eat one of those,

1380
01:09:54,560 --> 01:09:57,240
Speaker 1: Oh my god, because I wanted one. And and I'm learning,

1381
01:09:57,360 --> 01:09:59,599
Speaker 1: you know, during the song that several other people thought

1382
01:09:59,640 --> 01:10:02,599
Speaker 1: the same thing. Yeah, But then I was reminded by

1383
01:10:02,760 --> 01:10:06,360
Speaker 1: Kalin of a story of Kalin in Vegas. This is

1384
01:10:06,439 --> 01:10:09,920
Speaker 1: one of the more disgusting things I've ever heard. Really, Yeah,

1385
01:10:10,400 --> 01:10:13,160
Speaker 1: in your entire life. Yes, tell the story why you

1386
01:10:13,240 --> 01:10:16,080
Speaker 1: were just drunk walking down the hallway in Las Vegas. Yeah,

1387
01:10:16,080 --> 01:10:18,080
Speaker 1: So it's very important to know that it was Vegas.

1388
01:10:18,160 --> 01:10:19,919
Speaker 1: It was the end of the night. I was wasted.

1389
01:10:20,120 --> 01:10:23,000
Speaker 1: I was on a girl's trip and I was locked

1390
01:10:23,040 --> 01:10:25,960
Speaker 1: out of my room because I didn't have a key.

1391
01:10:26,240 --> 01:10:29,200
Speaker 1: I somehow found the room, and you know, on my

1392
01:10:29,280 --> 01:10:31,680
Speaker 1: way to the room, there was a little plate of

1393
01:10:32,240 --> 01:10:35,680
Speaker 1: chicken tendees, which some of them were untouched, A lot

1394
01:10:35,720 --> 01:10:37,800
Speaker 1: of them were untouched, and I ate them. I was

1395
01:10:38,160 --> 01:10:40,840
Speaker 1: under any kind of a like there's under the room

1396
01:10:40,920 --> 01:10:42,800
Speaker 1: service little thing. Did you lift it up to see

1397
01:10:42,840 --> 01:10:44,519
Speaker 1: what was under there? Or was it just exposed to

1398
01:10:44,600 --> 01:10:47,200
Speaker 1: the elements? Was to the elements, but they were they

1399
01:10:47,240 --> 01:10:49,200
Speaker 1: were kind of so warm, so I think it was

1400
01:10:49,680 --> 01:10:53,519
Speaker 1: semi so somebody kind but then took your time to

1401
01:10:54,000 --> 01:10:57,360
Speaker 1: put them out in the hallway. Yeah, and then you

1402
01:10:57,560 --> 01:10:59,760
Speaker 1: decide to so you have no idea who it wasn't

1403
01:10:59,880 --> 01:11:01,760
Speaker 1: like they're your friend. They were like all my friends

1404
01:11:01,840 --> 01:11:03,240
Speaker 1: put these out here. They're done with him. So I

1405
01:11:03,360 --> 01:11:05,840
Speaker 1: at least know who, like breathed on them. Listen. I

1406
01:11:05,880 --> 01:11:07,479
Speaker 1: didn't know how long I was going to be out there.

1407
01:11:07,800 --> 01:11:10,920
Speaker 1: My friends are animals. I was hungry. You know you've

1408
01:11:10,920 --> 01:11:13,680
Speaker 1: never done that, friend, I've never eaten off of some

1409
01:11:14,040 --> 01:11:17,920
Speaker 1: random strangers. Room service remains no, right, No, I haven't.

1410
01:11:18,040 --> 01:11:21,120
Speaker 1: I did way worse in Vegas than that. I put

1411
01:11:21,200 --> 01:11:24,560
Speaker 1: my mouth a lot of places, but not there. And

1412
01:11:24,720 --> 01:11:38,280
Speaker 1: for some reason, that really discusses anyway, Chicago Kiss FM

1413
01:11:38,360 --> 01:11:41,200
Speaker 1: and I Heart radio station. It's a friend show in

1414
01:11:41,320 --> 01:11:44,519
Speaker 1: turn Benjamine show up. No, he just looks. It looks

1415
01:11:44,560 --> 01:11:49,080
Speaker 1: like we have an eight thirty ETF Wait a minute,

1416
01:11:49,800 --> 01:11:54,519
Speaker 1: wait what listening to the program? I don't know, but

1417
01:11:54,880 --> 01:11:57,400
Speaker 1: I don't think that he is because thirty, Because if

1418
01:11:57,439 --> 01:11:59,000
Speaker 1: he were, I think I would have heard from him.

1419
01:11:59,439 --> 01:12:01,639
Speaker 1: He would have had some kind of smart little retort

1420
01:12:01,760 --> 01:12:06,400
Speaker 1: that Benhamen, that Benjamin eight. So eight thirty where internship

1421
01:12:06,479 --> 01:12:08,960
Speaker 1: starts at seven thirty, doesn't it which time they leave

1422
01:12:09,040 --> 01:12:10,920
Speaker 1: his house? Two minutes ago he said they had a

1423
01:12:10,960 --> 01:12:12,720
Speaker 1: bad traffic going to get off the highway. So now

1424
01:12:12,760 --> 01:12:17,559
Speaker 1: he's you leave in Chicago, call your connections, bro, dude,

1425
01:12:17,960 --> 01:12:23,440
Speaker 1: get the streets open for you. You guys an internship

1426
01:12:23,520 --> 01:12:27,720
Speaker 1: and you're showing up thirty minutes late. Oh boy, we're

1427
01:12:27,800 --> 01:12:31,720
Speaker 1: gonna I don't know, like the rest of us. It's

1428
01:12:31,760 --> 01:12:33,960
Speaker 1: like it's like that that TikTok trend that was going

1429
01:12:34,000 --> 01:12:35,479
Speaker 1: around for a while where it's like when I leave

1430
01:12:35,520 --> 01:12:37,960
Speaker 1: it eight oh five to get there at eight, you know,

1431
01:12:38,120 --> 01:12:39,600
Speaker 1: like when I leave work at eight o five to

1432
01:12:39,640 --> 01:12:44,600
Speaker 1: get there at eight, it's like the same. You know

1433
01:12:44,720 --> 01:12:47,320
Speaker 1: what you know last time I gave him a hard time,

1434
01:12:47,360 --> 01:12:49,360
Speaker 1: I got I got a hard time for giving him

1435
01:12:49,400 --> 01:12:51,600
Speaker 1: a hard time. I'm like you, guys, we gotta win us.

1436
01:12:51,600 --> 01:12:54,320
Speaker 1: Still some toughness in this kid. You know. We into

1437
01:12:54,400 --> 01:12:58,160
Speaker 1: our job to set him out unto the world prepared

1438
01:12:58,240 --> 01:13:01,560
Speaker 1: for what's to come. You know, I feel responsible for

1439
01:13:01,680 --> 01:13:04,479
Speaker 1: this young man. You have a there's a long legacy

1440
01:13:04,560 --> 01:13:10,559
Speaker 1: of successful interns of the internship program here, long line

1441
01:13:10,600 --> 01:13:13,840
Speaker 1: of successful interns, and I expect you you represent us.

1442
01:13:15,120 --> 01:13:17,080
Speaker 1: We're not doing this a thirty thing and starts at eight.

1443
01:13:17,720 --> 01:13:19,479
Speaker 1: I like how he won't text you back. He want

1444
01:13:19,479 --> 01:13:21,960
Speaker 1: to tell you Fred, he's going to oh no, no.

1445
01:13:22,320 --> 01:13:24,240
Speaker 1: He text me all morning during the show and hit

1446
01:13:24,280 --> 01:13:26,160
Speaker 1: comments about what I'm talking about, but he won't tell

1447
01:13:26,200 --> 01:13:34,040
Speaker 1: me when he's late. Gotta be a penalty for this.

1448
01:13:34,200 --> 01:13:38,200
Speaker 1: I tell you, thank you for having us on Its

1449
01:13:38,240 --> 01:13:42,320
Speaker 1: one h three five to Fred's show. He is here. Hi, Marissa,

1450
01:13:42,479 --> 01:13:48,080
Speaker 1: good morning, Good morning, Marissa. What's going on today? Just

1451
01:13:48,479 --> 01:13:51,240
Speaker 1: another casual Bay teach. Well, we just wanted to check

1452
01:13:51,280 --> 01:13:54,280
Speaker 1: in and say hi. That was it. That was all. Yeah,

1453
01:13:54,280 --> 01:13:58,720
Speaker 1: we were to say what do you teach? Tell us

1454
01:13:58,760 --> 01:14:01,960
Speaker 1: about you before I tell you what we're doing. Okay. Um,

1455
01:14:02,400 --> 01:14:06,040
Speaker 1: so I just high school out in the Julia area. Um,

1456
01:14:06,280 --> 01:14:09,800
Speaker 1: I do kind of a teach, kind of unique population.

1457
01:14:09,880 --> 01:14:13,080
Speaker 1: I work with about fifty to sixty students that were

1458
01:14:13,080 --> 01:14:15,400
Speaker 1: identified because like nah, I'm trying to graduate. So me

1459
01:14:15,439 --> 01:14:17,639
Speaker 1: and my cold teacher work with them to rinking credits,

1460
01:14:18,120 --> 01:14:20,639
Speaker 1: make future plans, goal sending all those things to help

1461
01:14:20,720 --> 01:14:24,639
Speaker 1: them graduate with our sons. That's amazing. That's amazing. All right, Well,

1462
01:14:24,920 --> 01:14:26,519
Speaker 1: that means you're a really good teacher then, I guess,

1463
01:14:26,600 --> 01:14:31,040
Speaker 1: or really patient or both probably for patients. But define.

1464
01:14:31,680 --> 01:14:35,920
Speaker 1: So we got your note, um that you submitted to

1465
01:14:36,000 --> 01:14:38,000
Speaker 1: us for kismas wish. And is it okay if I

1466
01:14:38,080 --> 01:14:41,280
Speaker 1: read this to you your note to everyone else too? Yeah?

1467
01:14:41,439 --> 01:14:44,680
Speaker 1: For sure? Okay, So it says, dear friend, show this year,

1468
01:14:44,720 --> 01:14:46,960
Speaker 1: my kismas wish is to be able to prepare and

1469
01:14:47,160 --> 01:14:49,960
Speaker 1: provide for our miracle baby. My husband Steve and I

1470
01:14:50,200 --> 01:14:52,880
Speaker 1: have been together for fourteen years, married for three. Man,

1471
01:14:52,920 --> 01:14:57,760
Speaker 1: what took him so long? Right? What do you say? Yeah?

1472
01:14:57,840 --> 01:15:03,479
Speaker 1: I don't have the answer. One thing that we both

1473
01:15:03,560 --> 01:15:06,040
Speaker 1: always agreed on is that we wanted to be parents someday,

1474
01:15:06,200 --> 01:15:08,720
Speaker 1: so we wasted no time once we got married soon,

1475
01:15:08,800 --> 01:15:11,400
Speaker 1: though we realized it wouldn't be that simple. We sought

1476
01:15:11,479 --> 01:15:14,840
Speaker 1: outside help from a fertility clinic, and with some testing,

1477
01:15:14,920 --> 01:15:18,599
Speaker 1: I was diagnosed with a diminished ovarian reserve. The doctor

1478
01:15:18,640 --> 01:15:22,400
Speaker 1: recommended that we jumped straight to IVF. Overwhelmed with doctor's appointments,

1479
01:15:22,439 --> 01:15:25,360
Speaker 1: phone calls, countless injections I've heard about that six a day,

1480
01:15:25,479 --> 01:15:29,519
Speaker 1: right or something like that? Yeah a lot, Yeah, and

1481
01:15:29,600 --> 01:15:32,439
Speaker 1: over a dozen procedures, we found ourselves no further than

1482
01:15:32,520 --> 01:15:34,680
Speaker 1: we were when we started. Around us, it felt like

1483
01:15:34,760 --> 01:15:37,840
Speaker 1: the world went on while we stayed still with hope,

1484
01:15:37,920 --> 01:15:40,400
Speaker 1: and at the beginning of this year, we switched clinics

1485
01:15:40,439 --> 01:15:43,600
Speaker 1: to a very highly recommended doctor in Naperville. He was

1486
01:15:43,640 --> 01:15:46,200
Speaker 1: able to help us get a couple of embryos frozen

1487
01:15:46,280 --> 01:15:49,040
Speaker 1: and renew our dream of being parents. Our transfer in

1488
01:15:49,120 --> 01:15:52,799
Speaker 1: October failed and we were left with one last embryo,

1489
01:15:53,000 --> 01:15:56,040
Speaker 1: one last chance. At this point, we knew we wouldn't

1490
01:15:56,040 --> 01:15:58,679
Speaker 1: be able to afford to go forward with more treatments,

1491
01:15:58,880 --> 01:16:01,160
Speaker 1: and we had to put all of our faith in

1492
01:16:01,360 --> 01:16:04,160
Speaker 1: that last embryo. We had no other choice. We transfer

1493
01:16:04,240 --> 01:16:07,280
Speaker 1: that embryo in November and it's stock. We received the

1494
01:16:07,320 --> 01:16:10,840
Speaker 1: news on November eleven that we were officially pregnant, which

1495
01:16:10,960 --> 01:16:14,120
Speaker 1: is amazing. Since then, we've graduated from our clinics care

1496
01:16:14,200 --> 01:16:17,400
Speaker 1: to a traditional ob After three years of trying, six

1497
01:16:17,520 --> 01:16:21,280
Speaker 1: rounds of IVF treatments, three failed transfers, and over twenty

1498
01:16:21,320 --> 01:16:24,320
Speaker 1: thousand dollars in medical bills, We're so happy to be

1499
01:16:24,400 --> 01:16:27,479
Speaker 1: finally expecting our first but that doesn't leave us with

1500
01:16:27,760 --> 01:16:30,320
Speaker 1: much money to furnish our baby's nursery. In addition to

1501
01:16:30,360 --> 01:16:32,599
Speaker 1: a nursery, money is still tight for even the essentials.

1502
01:16:33,040 --> 01:16:36,439
Speaker 1: After years of disappointing phone calls from clinics and feeling

1503
01:16:36,479 --> 01:16:38,960
Speaker 1: like it would never happen for us, We're so excited

1504
01:16:39,000 --> 01:16:40,880
Speaker 1: to be where we are now and we would be

1505
01:16:40,960 --> 01:16:43,920
Speaker 1: so grateful for this blessing from the French show. Thanks

1506
01:16:43,920 --> 01:16:49,240
Speaker 1: for your consideration, Morrisic. Congratulations. Yea, thank you. It's so surreal.

1507
01:16:49,760 --> 01:16:52,240
Speaker 1: It doesn't usually feel real, but then like the nausea

1508
01:16:52,280 --> 01:16:55,040
Speaker 1: kicks down. I'm like, okay, yeah, it's definitely real. Y, yeah,

1509
01:16:55,280 --> 01:16:57,240
Speaker 1: it's real. Do you know boy or girl? I mean,

1510
01:16:57,280 --> 01:17:00,320
Speaker 1: what do we know so far? I guess it's pretty early. Yeah, well,

1511
01:17:00,320 --> 01:17:02,320
Speaker 1: because we did IVF, we do know that it is

1512
01:17:02,360 --> 01:17:07,479
Speaker 1: a boy. Do you have a name yet? Oh? We do. Yeah,

1513
01:17:07,520 --> 01:17:12,120
Speaker 1: we're thinking, oh that's well were you were you also

1514
01:17:12,200 --> 01:17:14,240
Speaker 1: thinking maybe you weren't going to tell anybody until right now?

1515
01:17:14,840 --> 01:17:18,400
Speaker 1: Now you told everybody. Yeah, you know, I was thinking that,

1516
01:17:18,600 --> 01:17:20,320
Speaker 1: like we haven't told our parents. But you know what,

1517
01:17:20,360 --> 01:17:22,000
Speaker 1: I listened to you guys every day. I don't talk

1518
01:17:22,000 --> 01:17:25,120
Speaker 1: to my parents every day, so you know, Okay, Well,

1519
01:17:25,400 --> 01:17:29,120
Speaker 1: I think we're honoring. So look, we are so happy

1520
01:17:29,160 --> 01:17:31,800
Speaker 1: for you and so excited, and I can't imagine what

1521
01:17:32,000 --> 01:17:34,240
Speaker 1: this process has been like for you. And I think

1522
01:17:34,800 --> 01:17:37,479
Speaker 1: that maybe people don't realize how expensive this is too.

1523
01:17:38,240 --> 01:17:41,960
Speaker 1: It is a very expensive process, and so we want

1524
01:17:42,000 --> 01:17:44,840
Speaker 1: to try and help you with with the basics. First

1525
01:17:44,840 --> 01:17:47,640
Speaker 1: of all, we want to furnish this whole nursery, So

1526
01:17:47,760 --> 01:17:49,439
Speaker 1: we're gonna do all that. You got to have the

1527
01:17:49,520 --> 01:17:51,960
Speaker 1: crib and the changing table and the furniture and what

1528
01:17:52,040 --> 01:17:53,400
Speaker 1: I don't know what else you gotta have what I'm

1529
01:17:53,439 --> 01:17:55,519
Speaker 1: talking like, I know, I don't know what I'm talking about.

1530
01:17:55,600 --> 01:17:59,320
Speaker 1: Rubo Dona Rubio would probably know I'm gonna have everything.

1531
01:17:59,439 --> 01:18:03,000
Speaker 1: That's it's a lot of money, I mean from thank you.

1532
01:18:05,560 --> 01:18:08,120
Speaker 1: If you need the stroller, you need the best of that.

1533
01:18:08,320 --> 01:18:11,240
Speaker 1: You need the car seat, let's do that too. Then

1534
01:18:11,320 --> 01:18:14,800
Speaker 1: let's do a stroller, Let's do car seat, Let's do bassinette,

1535
01:18:14,880 --> 01:18:17,599
Speaker 1: let's do I should call my sister, pack in play.

1536
01:18:17,720 --> 01:18:20,519
Speaker 1: I don't know whatever. Let's do a formula, let's do

1537
01:18:20,720 --> 01:18:23,479
Speaker 1: divers Let's do formula. I mean, let's just do all

1538
01:18:23,600 --> 01:18:25,720
Speaker 1: that stuff. Let's get you set up. I mean that's

1539
01:18:25,720 --> 01:18:28,080
Speaker 1: only gonna get you like a month and then I

1540
01:18:28,120 --> 01:18:29,720
Speaker 1: don't know, get do after that. But but we got

1541
01:18:29,800 --> 01:18:31,679
Speaker 1: you set up. We're gonna help you with this nursery

1542
01:18:32,240 --> 01:18:36,360
Speaker 1: because we're so excited for you. What so serious? I

1543
01:18:36,439 --> 01:18:38,559
Speaker 1: wasn't kidding. That would be so mean if I were kidding,

1544
01:18:38,560 --> 01:18:48,320
Speaker 1: wouldn't it I try to fool you. Y, No, we're serious.

1545
01:18:49,800 --> 01:18:57,680
Speaker 1: How mean would that be? If you? Oh? Well you

1546
01:18:59,400 --> 01:19:01,439
Speaker 1: which gets our pleasure. It's just a little something. But

1547
01:19:01,840 --> 01:19:03,760
Speaker 1: we're so excited for you, and I think a lot

1548
01:19:03,800 --> 01:19:06,840
Speaker 1: of people listening can relate to your journey and uh,

1549
01:19:06,960 --> 01:19:09,839
Speaker 1: and we're just so happy that it worked out. It's

1550
01:19:09,840 --> 01:19:11,400
Speaker 1: almost like it was meant to be this way, you know,

1551
01:19:11,520 --> 01:19:15,680
Speaker 1: one one last shot. Yeah, it really, it really has

1552
01:19:15,760 --> 01:19:18,920
Speaker 1: been surreal and I'm just so excited, you know, and

1553
01:19:19,040 --> 01:19:20,960
Speaker 1: I just I can't believe it. My husband like he's

1554
01:19:21,000 --> 01:19:23,200
Speaker 1: gonna be the best father. He's like the best right now.

1555
01:19:24,160 --> 01:19:26,240
Speaker 1: He's always tacking the snacks to work and making sure

1556
01:19:26,280 --> 01:19:29,000
Speaker 1: that I'm gonna feel great during the day and taking anomi.

1557
01:19:29,160 --> 01:19:33,400
Speaker 1: So I just can't wait. His name is Steve. Well,

1558
01:19:33,400 --> 01:19:35,439
Speaker 1: Steve better get ready to put some furniture together, because

1559
01:19:36,600 --> 01:19:39,160
Speaker 1: that doesn't come with this, and we're not that's not included.

1560
01:19:39,479 --> 01:19:45,240
Speaker 1: That's not included. Oh, you guys aren't coming over up

1561
01:19:45,280 --> 01:19:51,720
Speaker 1: to the plate now. Oh well, and you know, I'll

1562
01:19:51,760 --> 01:19:53,360
Speaker 1: probably make it worse if I go over there, so

1563
01:19:53,520 --> 01:19:55,240
Speaker 1: I don't know. We'll send it, We'll send the women

1564
01:19:55,280 --> 01:19:59,320
Speaker 1: over there, We'll send maybe got buds over here. You

1565
01:19:59,439 --> 01:20:01,800
Speaker 1: guys have fine, I'm coming over and I will help

1566
01:20:01,840 --> 01:20:03,960
Speaker 1: you set it up. Yeah, you know what, I got

1567
01:20:04,000 --> 01:20:06,280
Speaker 1: all this wine. I can't dream. Oh, I can help ya.

1568
01:20:08,200 --> 01:20:11,760
Speaker 1: You got calling and Kiki's attention now, Morrissic, congratulations and

1569
01:20:11,880 --> 01:20:13,559
Speaker 1: thank you so much for sharing your story. Now it's

1570
01:20:13,560 --> 01:20:16,200
Speaker 1: a very personal story too to be sharing with the

1571
01:20:16,240 --> 01:20:17,960
Speaker 1: whole world. But we're excited to be able to help

1572
01:20:18,000 --> 01:20:19,960
Speaker 1: out just a little bit and um and we hope

1573
01:20:20,000 --> 01:20:23,280
Speaker 1: it makes things just a little bit easier for the

1574
01:20:23,400 --> 01:20:25,559
Speaker 1: arrival of this little baby boy, which I assume we're

1575
01:20:25,560 --> 01:20:28,360
Speaker 1: looking at what maybe April. Oh no, we're a little

1576
01:20:28,360 --> 01:20:30,920
Speaker 1: bit further out in the summer in July. Okay, well

1577
01:20:30,920 --> 01:20:32,920
Speaker 1: I'm not very good at matthe either, so but um,

1578
01:20:33,160 --> 01:20:37,040
Speaker 1: the congratulations and uh well we'll you know, work out

1579
01:20:37,040 --> 01:20:40,080
Speaker 1: out of the logistics off the air. But congratulations to

1580
01:20:40,160 --> 01:20:42,240
Speaker 1: you guys, and I hope you have an amazing holiday.

1581
01:20:42,520 --> 01:20:46,760
Speaker 1: Thank you too, Thank you so much. It's the Fresh Show.

1582
01:20:46,800 --> 01:20:49,280
Speaker 1: One h three five kiss. I'm Chicago snumber one him

1583
01:20:49,320 --> 01:20:51,760
Speaker 1: Music Station. Good morning. But I don't know how we

1584
01:20:51,840 --> 01:20:54,080
Speaker 1: got to this the other day. This is so indicative

1585
01:20:54,120 --> 01:20:56,640
Speaker 1: of our show, Shelley, as you know that uh that

1586
01:20:57,000 --> 01:20:59,400
Speaker 1: we were we're texting Calin's like, hey, remember we were

1587
01:20:59,439 --> 01:21:03,040
Speaker 1: talking about out um, you know, the silly games that

1588
01:21:03,120 --> 01:21:04,840
Speaker 1: you used to play in school. And it started like

1589
01:21:04,920 --> 01:21:07,519
Speaker 1: people started talking about like with like heads up, butts up,

1590
01:21:08,520 --> 01:21:14,479
Speaker 1: yepanting whatever it was. Yeah, for some reason, who was

1591
01:21:14,520 --> 01:21:16,720
Speaker 1: it was for some people were deep panting Klein all

1592
01:21:16,760 --> 01:21:22,960
Speaker 1: the time and socially apparently just right, it may have

1593
01:21:23,040 --> 01:21:25,519
Speaker 1: been happened socially, but that was a whole different subject better.

1594
01:21:25,760 --> 01:21:27,800
Speaker 1: But um, and so then people started tweeting us. We

1595
01:21:27,800 --> 01:21:29,600
Speaker 1: started talking about you know, just I don't know the

1596
01:21:29,680 --> 01:21:32,160
Speaker 1: random memories of stupid games that we played in school,

1597
01:21:32,479 --> 01:21:35,080
Speaker 1: whether it was grammar school, grade school, whatever it was. Um,

1598
01:21:35,200 --> 01:21:37,960
Speaker 1: apparently Kalin got deep pants all the time. But um.

1599
01:21:38,240 --> 01:21:40,439
Speaker 1: But then I'm like, well, I want to talk about it,

1600
01:21:40,479 --> 01:21:42,160
Speaker 1: and I do, like when I when I say, like,

1601
01:21:42,439 --> 01:21:45,559
Speaker 1: dumb childhood game, and I bet a lot of these

1602
01:21:45,640 --> 01:21:47,800
Speaker 1: you can't even play anymore. Like I don't think you

1603
01:21:47,840 --> 01:21:50,599
Speaker 1: could play Red Rover anymore because I think like kids

1604
01:21:50,600 --> 01:21:52,519
Speaker 1: will get hurt, you know, like you remember it was

1605
01:21:52,520 --> 01:21:55,280
Speaker 1: like Red Rover, Red Red Rover, Like let Rufio come over,

1606
01:21:55,560 --> 01:21:58,640
Speaker 1: and then you had to run and break break like

1607
01:21:58,920 --> 01:22:02,479
Speaker 1: no see the stragg as a young Rufio, you know,

1608
01:22:02,840 --> 01:22:05,760
Speaker 1: the young flirt Rufio. You would run towards the two

1609
01:22:06,240 --> 01:22:08,200
Speaker 1: que girls that were holding arms and you would never

1610
01:22:08,320 --> 01:22:10,479
Speaker 1: break it. So then you would have to hold their hands.

1611
01:22:13,080 --> 01:22:15,840
Speaker 1: I flicking off, you would have to hold their hands

1612
01:22:15,880 --> 01:22:25,479
Speaker 1: because in a different direction, eat, run back up, running, run,

1613
01:22:27,320 --> 01:22:29,680
Speaker 1: that's actually really smart. Yeah, I want to rewind. I

1614
01:22:29,760 --> 01:22:31,720
Speaker 1: don't want to rewind a ten year old Fred again,

1615
01:22:31,760 --> 01:22:33,040
Speaker 1: But I kind of want to think about them, but

1616
01:22:33,160 --> 01:22:35,200
Speaker 1: eight five, five, five, nine, one one three five what

1617
01:22:35,720 --> 01:22:37,840
Speaker 1: what comes to mind when you think about like the

1618
01:22:38,160 --> 01:22:40,840
Speaker 1: stupid games that we played, uh in school? But what

1619
01:22:40,920 --> 01:22:43,000
Speaker 1: I was saying was I had to ask, we had

1620
01:22:43,040 --> 01:22:45,200
Speaker 1: to ask rufio, how the hell did we even get

1621
01:22:45,280 --> 01:22:47,479
Speaker 1: to that topic, because I'm like, wait a minute, I

1622
01:22:47,520 --> 01:22:51,360
Speaker 1: know we talked about that, but like how, what, how

1623
01:22:51,439 --> 01:22:53,720
Speaker 1: the hell and how was it that we got there?

1624
01:22:53,880 --> 01:22:55,840
Speaker 1: So it was Cannon's tease. I think it was on

1625
01:22:56,200 --> 01:22:58,759
Speaker 1: whatever Monday Tuesday about the Hugh heff Ner about crying.

1626
01:22:59,080 --> 01:23:02,679
Speaker 1: We got from Hugh, Yeah, I have been crying for sympathy.

1627
01:23:02,800 --> 01:23:05,000
Speaker 1: It was about crying and then you said you never cry.

1628
01:23:05,160 --> 01:23:06,920
Speaker 1: And then I was just like, well maybe if I

1629
01:23:07,760 --> 01:23:09,120
Speaker 1: even if I kicked you in the crotch for a

1630
01:23:09,160 --> 01:23:12,120
Speaker 1: million dollars, would you cry? And then then then it

1631
01:23:12,200 --> 01:23:14,800
Speaker 1: spialed from that, like I can't believe kids used to

1632
01:23:14,880 --> 01:23:16,559
Speaker 1: kick people in the crotch, And then it turned into

1633
01:23:16,800 --> 01:23:19,160
Speaker 1: I got deep pants in school? And then the girl,

1634
01:23:19,240 --> 01:23:23,360
Speaker 1: the woman called about butt shot whatever it was. What

1635
01:23:23,560 --> 01:23:27,080
Speaker 1: was that about the game that were throwing a ball

1636
01:23:27,120 --> 01:23:28,360
Speaker 1: at your butt or whatever? I don't know what it

1637
01:23:28,439 --> 01:23:30,599
Speaker 1: was called, but Okay, then other people would fall him.

1638
01:23:30,680 --> 01:23:33,439
Speaker 1: Yeah whatever was school. Yeah No, it's just like I

1639
01:23:33,520 --> 01:23:37,400
Speaker 1: don't We're like a radio coach's nightmare. Like there's absolutely

1640
01:23:37,640 --> 01:23:39,160
Speaker 1: I couldn't even tell you how we got. It's like

1641
01:23:39,200 --> 01:23:40,920
Speaker 1: a talent though. I mean, that's like a talent to

1642
01:23:41,040 --> 01:23:42,680
Speaker 1: be able to do that, I feel. I mean that's

1643
01:23:42,720 --> 01:23:45,759
Speaker 1: hence the tangent. Well, that's what this show is. A tangent.

1644
01:23:45,840 --> 01:23:49,200
Speaker 1: There's nothing, there's nothing, there's no argument there. It just is.

1645
01:23:49,280 --> 01:23:51,120
Speaker 1: And and then I can't help you if you don't

1646
01:23:51,160 --> 01:23:54,439
Speaker 1: like it. But I'm like people I remember, like when

1647
01:23:54,439 --> 01:23:56,599
Speaker 1: I first started in morning radio, it was like when

1648
01:23:56,720 --> 01:23:59,040
Speaker 1: you know, when they call this a break when we're talking,

1649
01:23:59,160 --> 01:24:01,760
Speaker 1: it's like when you only one thought per break, you know,

1650
01:24:01,920 --> 01:24:04,840
Speaker 1: don't straight from one topic and the thing one time.

1651
01:24:05,120 --> 01:24:07,200
Speaker 1: If anyone says anything else, you'd redirect them to the

1652
01:24:07,240 --> 01:24:09,320
Speaker 1: one thing. And I don't know, I did that for

1653
01:24:09,360 --> 01:24:11,000
Speaker 1: a while, like a long time, and then I was

1654
01:24:11,120 --> 01:24:13,320
Speaker 1: missing all these funny things that people were calling in

1655
01:24:13,400 --> 01:24:15,800
Speaker 1: and saying and stuff. Finally, I'm like, screw, this is terrible.

1656
01:24:15,840 --> 01:24:17,160
Speaker 1: If I hate this advice, you don't know what the

1657
01:24:17,240 --> 01:24:19,479
Speaker 1: hell you're talking about. You know, when you were when

1658
01:24:19,520 --> 01:24:24,639
Speaker 1: you were the number one morning guy and we grand forks. Yeah,

1659
01:24:24,720 --> 01:24:28,240
Speaker 1: whatever is that? How you did it? Come on man, Samantha,

1660
01:24:28,360 --> 01:24:32,120
Speaker 1: Good morning, Hi, Good morning, Hi Samantha. So will we

1661
01:24:32,280 --> 01:24:35,879
Speaker 1: say stupid game that you played in school? What immediately

1662
01:24:35,960 --> 01:24:39,120
Speaker 1: comes to mind? It wasn't in school, but in my

1663
01:24:39,240 --> 01:24:45,040
Speaker 1: neighborhood we all played Yes what is that? Um? So

1664
01:24:45,320 --> 01:24:47,240
Speaker 1: the way we played it is that like you had

1665
01:24:47,360 --> 01:24:49,800
Speaker 1: something that was like the go to thing, So I

1666
01:24:49,920 --> 01:24:52,719
Speaker 1: was a bush, and then the ghost would run away

1667
01:24:52,840 --> 01:24:55,000
Speaker 1: and they would come to like you know, one minute

1668
01:24:55,120 --> 01:24:57,400
Speaker 1: or something. And then you have like the keepers, So

1669
01:24:57,520 --> 01:24:59,439
Speaker 1: you were trying to run past the keepers as the

1670
01:24:59,520 --> 01:25:01,559
Speaker 1: ghost to get to the like to touch the bush

1671
01:25:02,040 --> 01:25:04,840
Speaker 1: and then we were safe. And these other people would

1672
01:25:04,840 --> 01:25:06,679
Speaker 1: like trying to go around the neighborhood trying to find

1673
01:25:06,760 --> 01:25:09,760
Speaker 1: these kids to like tap them and like get them out. Wow.

1674
01:25:09,840 --> 01:25:12,479
Speaker 1: It's pretty much tagged dark into dark. You know you

1675
01:25:12,520 --> 01:25:15,720
Speaker 1: would play it at night? Okay, yeah, I don't think

1676
01:25:15,760 --> 01:25:19,640
Speaker 1: we ever played that. Thank you, Samantha. Did you ever

1677
01:25:19,720 --> 01:25:21,120
Speaker 1: play thank you? Do you ever play the game when

1678
01:25:21,120 --> 01:25:23,320
Speaker 1: you always sit in a circle and then there would

1679
01:25:23,320 --> 01:25:25,760
Speaker 1: be like them, there'd be like one killer. Somebody would

1680
01:25:25,800 --> 01:25:27,720
Speaker 1: determine who the murderer was that they winked at you,

1681
01:25:28,320 --> 01:25:29,760
Speaker 1: Like if you looked at them and they winked at you,

1682
01:25:29,880 --> 01:25:32,080
Speaker 1: you were dead. And the objective was to figure out

1683
01:25:32,120 --> 01:25:34,439
Speaker 1: who the killer was before they winked at you. No,

1684
01:25:34,840 --> 01:25:36,680
Speaker 1: you never played that game. No, he's sit in a

1685
01:25:36,760 --> 01:25:38,880
Speaker 1: circle and I don't I don't remember. Like somebody was

1686
01:25:38,920 --> 01:25:42,679
Speaker 1: designated to choose who the killer was, and then you'd

1687
01:25:42,720 --> 01:25:44,439
Speaker 1: kind of all look at each other. But the objective

1688
01:25:44,560 --> 01:25:46,360
Speaker 1: was to not get winked at, because if you got

1689
01:25:46,439 --> 01:25:48,720
Speaker 1: winked at, you were dead, right, but then you were

1690
01:25:48,720 --> 01:25:50,519
Speaker 1: so you'd try to observe everybody else. But as they

1691
01:25:50,560 --> 01:25:51,840
Speaker 1: looked at you and winked at you first, then you

1692
01:25:51,880 --> 01:25:54,280
Speaker 1: were dead. You couldn't say anything. And then the point

1693
01:25:54,320 --> 01:25:55,920
Speaker 1: of the game was to figure out who the murderer

1694
01:25:56,080 --> 01:26:00,400
Speaker 1: was without looking, without getting winked Yeah, without getting winked out. Yeah, Peppe,

1695
01:26:00,520 --> 01:26:04,640
Speaker 1: you played this ghost in the Graveyard game too, Yes,

1696
01:26:04,800 --> 01:26:08,040
Speaker 1: I did. We also played Copson Robbers. Wew do you

1697
01:26:08,120 --> 01:26:13,080
Speaker 1: do that? Um? Compson Robbers? I mean, like you have

1698
01:26:13,160 --> 01:26:14,720
Speaker 1: a team of cops and then you have a team

1699
01:26:14,760 --> 01:26:17,040
Speaker 1: of robbers, So it's kind of like ghost in a

1700
01:26:17,080 --> 01:26:19,200
Speaker 1: great gray Bear too, And I just wryting to say,

1701
01:26:19,240 --> 01:26:22,040
Speaker 1: I was kind of slick like Rufio, and I had

1702
01:26:22,040 --> 01:26:24,760
Speaker 1: a little crush on one of my neighbors, so we

1703
01:26:24,800 --> 01:26:28,400
Speaker 1: would hide together in her backyard and we would hold hand.

1704
01:26:32,520 --> 01:26:35,840
Speaker 1: You guys are and I was just not this slick

1705
01:26:36,000 --> 01:26:37,800
Speaker 1: as a young person. Thank you, Pepe, I have a

1706
01:26:37,840 --> 01:26:40,040
Speaker 1: good day. Nice. I wish I had a friend like

1707
01:26:40,120 --> 01:26:42,120
Speaker 1: Peppe or Rufio growing up. You know, they could have

1708
01:26:42,160 --> 01:26:46,439
Speaker 1: taught me these sorts of things. Hey, Dan, Yes, sir Danny,

1709
01:26:46,600 --> 01:26:48,920
Speaker 1: you played a game called Steal the Bacon. Is that

1710
01:26:49,080 --> 01:26:52,800
Speaker 1: the same as or is that a different game? No?

1711
01:26:53,040 --> 01:26:57,280
Speaker 1: I wish what is this game? Steal the Bacon? No?

1712
01:26:57,400 --> 01:27:00,560
Speaker 1: Actually was in our gym, quest would play. It was

1713
01:27:00,600 --> 01:27:02,360
Speaker 1: ten on ten. They would put a ball he thin

1714
01:27:02,400 --> 01:27:04,360
Speaker 1: in the middle of the jam, the battle of speed.

1715
01:27:04,720 --> 01:27:07,040
Speaker 1: They would call out a number and you would ball

1716
01:27:07,080 --> 01:27:08,479
Speaker 1: to have to run to the pin and then get

1717
01:27:08,560 --> 01:27:12,599
Speaker 1: that pin to the other side of the line. Huh okay,

1718
01:27:12,840 --> 01:27:15,720
Speaker 1: all right, yeah, steal the bacon? All right, Dan, thank you,

1719
01:27:17,720 --> 01:27:22,800
Speaker 1: Linda said Linda. Hi, Linda, Oh, we're still playing. Good morning,

1720
01:27:22,800 --> 01:27:26,800
Speaker 1: We're still playing Red Rover. Well, my daughter and I

1721
01:27:26,880 --> 01:27:29,280
Speaker 1: taught her how to play it. Masta played on the playground.

1722
01:27:29,439 --> 01:27:31,519
Speaker 1: So I asked her every day to someone to get

1723
01:27:31,640 --> 01:27:34,519
Speaker 1: hurt today, she said no, yeah, because what don't I

1724
01:27:34,600 --> 01:27:36,519
Speaker 1: hear like they can't play some schools they won't let

1725
01:27:36,520 --> 01:27:39,920
Speaker 1: you play dodgeball anymore. Or what's the other one? Were

1726
01:27:40,000 --> 01:27:44,000
Speaker 1: you ball? What's that? They still allow her to play

1727
01:27:44,080 --> 01:27:46,280
Speaker 1: kickball too at ESA's and she said, it gets pretty

1728
01:27:46,280 --> 01:27:49,640
Speaker 1: intense because the dodgeball, like you could really beam to

1729
01:27:49,720 --> 01:27:51,680
Speaker 1: somebody with those little rubber ball that you could really

1730
01:27:51,720 --> 01:27:55,240
Speaker 1: get somebody. So at the park that we go to

1731
01:27:55,320 --> 01:27:57,880
Speaker 1: that's at the school, they have a thing called gaga ball.

1732
01:27:57,960 --> 01:28:00,599
Speaker 1: It's called Gaga ball. It's like it's like it looks

1733
01:28:00,600 --> 01:28:04,120
Speaker 1: like an octagon ring and then uh you pretty much

1734
01:28:04,200 --> 01:28:08,080
Speaker 1: it's like dodgeball below the knees. So you're you're throwing

1735
01:28:08,120 --> 01:28:10,240
Speaker 1: it at their feet trying to get them out instead

1736
01:28:10,240 --> 01:28:12,920
Speaker 1: of throwing it at their their heads. Right, because like

1737
01:28:13,120 --> 01:28:15,040
Speaker 1: there was always that one kid that was way strong.

1738
01:28:16,240 --> 01:28:18,360
Speaker 1: There was that one kid who matured like years if

1739
01:28:20,120 --> 01:28:22,400
Speaker 1: he had underarm hair and stuff, and he would like

1740
01:28:22,560 --> 01:28:24,560
Speaker 1: just absolutely chuck the hell out of the ball. I

1741
01:28:24,680 --> 01:28:26,880
Speaker 1: at your face, and I'm telling you that it had

1742
01:28:26,960 --> 01:28:28,920
Speaker 1: those those those rubber balls that we all had in

1743
01:28:29,000 --> 01:28:31,160
Speaker 1: gym class. They had like a little texture to us,

1744
01:28:31,800 --> 01:28:34,240
Speaker 1: but it's like sand paper. I don't know why that

1745
01:28:34,360 --> 01:28:39,040
Speaker 1: was Okay, rip exactly, Thank you, Linda. Have a good day. Yeah,

1746
01:28:39,040 --> 01:28:40,439
Speaker 1: I guess it would be for the end, that's why.

1747
01:28:40,520 --> 01:28:44,760
Speaker 1: Hey George, good morning, George, hey man, welcome to the show.

1748
01:28:44,880 --> 01:28:46,439
Speaker 1: Thanks for listening. What was the dumb game that you

1749
01:28:46,479 --> 01:28:50,240
Speaker 1: remember playing in school? Ford grading on meentary school we

1750
01:28:50,320 --> 01:28:52,320
Speaker 1: eds to play tag, but the caveat for the girls

1751
01:28:52,479 --> 01:28:56,920
Speaker 1: was to tack them. You stamped the train, Bros. Sounds

1752
01:28:56,960 --> 01:29:01,040
Speaker 1: like sexual harassment, So we don't know what's going on,

1753
01:29:01,160 --> 01:29:03,679
Speaker 1: but it was a fun time to play. Yeah, okay,

1754
01:29:04,360 --> 01:29:07,320
Speaker 1: thank you, George. Have a good day, Julie. I, Julie,

1755
01:29:07,400 --> 01:29:13,320
Speaker 1: good morning. I don't recommend that game as an adult trading, bro.

1756
01:29:14,400 --> 01:29:16,960
Speaker 1: Stay away from those, Julie. What was the game you

1757
01:29:17,000 --> 01:29:21,320
Speaker 1: remember playing? Um, we used to play in the neighborhood

1758
01:29:21,520 --> 01:29:25,840
Speaker 1: until like the wee hours of the night kick the can. Okay, yes,

1759
01:29:25,920 --> 01:29:27,560
Speaker 1: it as obvious as it sounds like. What was the

1760
01:29:27,680 --> 01:29:30,759
Speaker 1: what was the premise? Yeah? It was. The whole idea

1761
01:29:31,000 --> 01:29:33,040
Speaker 1: was that there was one person that would put their

1762
01:29:33,040 --> 01:29:35,759
Speaker 1: foot on the can and call out people that were hiding.

1763
01:29:36,320 --> 01:29:38,720
Speaker 1: But as you're hiding, your goal is to kick the

1764
01:29:38,840 --> 01:29:42,080
Speaker 1: can when that caller is off the can, to free

1765
01:29:42,160 --> 01:29:46,880
Speaker 1: everyone that's already even found. Okay, okay, okay, all right,

1766
01:29:46,960 --> 01:29:50,120
Speaker 1: I'm having like get very intense and that metal can.

1767
01:29:50,280 --> 01:29:53,400
Speaker 1: You can go through a lot of them in the summer. Okay, wow,

1768
01:29:53,520 --> 01:29:56,400
Speaker 1: kick the can. Thank you, Julie, You're welcome. Have a

1769
01:29:56,439 --> 01:29:58,920
Speaker 1: good day. Did you ever play like baseball on the

1770
01:29:59,000 --> 01:30:01,639
Speaker 1: street and you'd like, because you didn't have basses, you'd

1771
01:30:01,680 --> 01:30:03,920
Speaker 1: put like rocks or something, and then you forget, like

1772
01:30:04,160 --> 01:30:06,439
Speaker 1: what point was each base? You know? It's like so

1773
01:30:06,560 --> 01:30:11,240
Speaker 1: you'd run, think me like you're out, Yeah, exactly, said

1774
01:30:11,280 --> 01:30:15,840
Speaker 1: the fire hy was first base. This is also real, Ferufio,

1775
01:30:16,080 --> 01:30:18,160
Speaker 1: I can totally hear of me, like I'm like, well

1776
01:30:18,240 --> 01:30:20,680
Speaker 1: I'm at first basic Like, no, that's first base. I'm like,

1777
01:30:20,800 --> 01:30:25,280
Speaker 1: oh my god, hey, lindsay, hey, hey, you played kick

1778
01:30:25,320 --> 01:30:26,760
Speaker 1: the Can too. I don't know, I was. I was

1779
01:30:26,840 --> 01:30:30,840
Speaker 1: deprived from a lot of these games. Yeah. I had

1780
01:30:30,920 --> 01:30:35,120
Speaker 1: about like twenty cousins, you know, so they like that

1781
01:30:35,320 --> 01:30:38,400
Speaker 1: Sami Party says to a lot of us, and they

1782
01:30:38,400 --> 01:30:40,960
Speaker 1: would always playing cans especially at night. We also played

1783
01:30:41,000 --> 01:30:45,559
Speaker 1: ghost on the saveyard. Um. Yeah, I don't know. I wouldn't.

1784
01:30:45,600 --> 01:30:47,479
Speaker 1: I didn't play a lot of these games. I feel

1785
01:30:47,520 --> 01:30:49,080
Speaker 1: deprived now. I feel like I was left out. Thank you,

1786
01:30:49,120 --> 01:30:50,920
Speaker 1: lindsay you have a good day. I think it's also

1787
01:30:51,000 --> 01:30:52,760
Speaker 1: like I remember I used to visit my I had,

1788
01:30:52,840 --> 01:30:55,200
Speaker 1: like I don't have any first cousins. I had like

1789
01:30:55,320 --> 01:30:57,519
Speaker 1: third cousins and they lived in Iowa, and we used

1790
01:30:57,520 --> 01:30:59,519
Speaker 1: to go to Fort Madison, Iowa visit these people and

1791
01:30:59,640 --> 01:31:01,960
Speaker 1: then they had cousins, so there was always like kids

1792
01:31:02,040 --> 01:31:04,040
Speaker 1: in the summertime, and it was like traditional neighborhood. I

1793
01:31:04,040 --> 01:31:06,640
Speaker 1: didn't live in a traditional neighborhood and the houses were

1794
01:31:06,680 --> 01:31:08,840
Speaker 1: kind of far apart where I lived, and so I

1795
01:31:08,960 --> 01:31:10,760
Speaker 1: just remember like there were all these games and all

1796
01:31:10,800 --> 01:31:12,400
Speaker 1: these things that they did every night, and all this

1797
01:31:12,479 --> 01:31:14,840
Speaker 1: stuff like neighborhoodie stuff, you know, and I kind of

1798
01:31:15,000 --> 01:31:17,200
Speaker 1: like I regret that I didn't do neighborhood he I

1799
01:31:17,200 --> 01:31:19,160
Speaker 1: didn't grew up in like a neighborhood he place, you

1800
01:31:19,200 --> 01:31:20,800
Speaker 1: know what I mean, Like everybody knows each other on

1801
01:31:20,840 --> 01:31:22,439
Speaker 1: the block and there. I don't know, I think it's

1802
01:31:22,520 --> 01:31:24,640
Speaker 1: like regional kind of because a buddy of mine. He

1803
01:31:25,760 --> 01:31:27,960
Speaker 1: lives in Arizona, where I grew up. He lives in Phoenix,

1804
01:31:28,080 --> 01:31:30,200
Speaker 1: and he wants to move his kid to the Midwest

1805
01:31:30,439 --> 01:31:32,519
Speaker 1: his kids still young, because he wants him because he

1806
01:31:32,560 --> 01:31:35,439
Speaker 1: grew up in Pennsylvania. They had neighborhood, he stuff and so.

1807
01:31:35,600 --> 01:31:38,479
Speaker 1: And I think the summertimes meant more because when you

1808
01:31:38,520 --> 01:31:40,400
Speaker 1: live in places like this, you couldn't go outside a

1809
01:31:40,479 --> 01:31:42,519
Speaker 1: lot of the year. The summertimes were like, you know,

1810
01:31:42,640 --> 01:31:45,519
Speaker 1: we he soaked it up. He did everything outside or whatever. Well, well,

1811
01:31:45,520 --> 01:31:47,639
Speaker 1: where he grew we grew up in Arizona, you're always outside,

1812
01:31:47,680 --> 01:31:49,800
Speaker 1: like it's always nice so or at least it's there's

1813
01:31:49,840 --> 01:31:53,000
Speaker 1: never snowing. Yeah. But he wants to movies kid to

1814
01:31:53,320 --> 01:31:56,560
Speaker 1: like Virginia or Illinois or Indiana or something, because he

1815
01:31:56,560 --> 01:31:58,680
Speaker 1: wants him to get this traditional like were you're up

1816
01:31:58,720 --> 01:32:00,880
Speaker 1: playing in the streets with your friends, riding your bikes

1817
01:32:00,920 --> 01:32:03,280
Speaker 1: and stuff. I feel those these are kind of over though,

1818
01:32:03,320 --> 01:32:04,800
Speaker 1: two am I wrong? Like I feel like I don't

1819
01:32:04,800 --> 01:32:06,640
Speaker 1: see kids doing that anymore. I love it, and I

1820
01:32:06,720 --> 01:32:08,439
Speaker 1: love that we had that. You wouldn't know why all

1821
01:32:08,439 --> 01:32:10,120
Speaker 1: the kids work because the bikes are on the front lawn.

1822
01:32:10,600 --> 01:32:12,160
Speaker 1: You know all of that, But like I feel like,

1823
01:32:12,240 --> 01:32:13,760
Speaker 1: is that a sill a thing? I don't know. I

1824
01:32:13,840 --> 01:32:15,840
Speaker 1: see in my neighborhood there's there's that one house that

1825
01:32:15,920 --> 01:32:17,680
Speaker 1: it's like all the bikes are there. I'm like, oh,

1826
01:32:17,720 --> 01:32:20,200
Speaker 1: that's the cool house. Okay, good, Yeah that still exists.

1827
01:32:20,200 --> 01:32:21,760
Speaker 1: But yeah, I mean the kids always go outside, like

1828
01:32:21,800 --> 01:32:23,720
Speaker 1: the parents will just sit on the front porch or

1829
01:32:23,760 --> 01:32:26,599
Speaker 1: the steps and then and then you know, they're relaxing,

1830
01:32:26,640 --> 01:32:28,000
Speaker 1: and then the kids are just playing in the street

1831
01:32:28,040 --> 01:32:30,080
Speaker 1: of the sidewalk, and now they have all the signs

1832
01:32:30,160 --> 01:32:32,280
Speaker 1: like slow down, there's kids playing here or you know

1833
01:32:32,320 --> 01:32:34,040
Speaker 1: what I'm saying. So well, that's another thing is like

1834
01:32:34,120 --> 01:32:35,680
Speaker 1: I know people who have moved from the city to

1835
01:32:35,760 --> 01:32:38,000
Speaker 1: the suburbs because I saw on the UAI commercial now

1836
01:32:38,280 --> 01:32:41,719
Speaker 1: because they want the thing where it you know, five o'clock,

1837
01:32:41,840 --> 01:32:44,840
Speaker 1: they put the lawn chairs in their driveway and there,

1838
01:32:44,920 --> 01:32:46,880
Speaker 1: you know, everyone kind of teams up and drinks it.

1839
01:32:47,000 --> 01:32:49,600
Speaker 1: Like my grandfather my mom grew up in Peoria and

1840
01:32:49,720 --> 01:32:52,400
Speaker 1: my grandfather had a keg of a kegerator and a

1841
01:32:52,520 --> 01:32:55,879
Speaker 1: keg in his garage and the neighbors had garage door openers,

1842
01:32:56,160 --> 01:32:58,840
Speaker 1: and so whoever got home first after work, would open

1843
01:32:58,920 --> 01:33:02,559
Speaker 1: my grandfather's garage impour themselves a paps blue ribbon out

1844
01:33:02,600 --> 01:33:05,040
Speaker 1: of his cagurator and it was like a neighboring. So

1845
01:33:05,160 --> 01:33:07,400
Speaker 1: he'd come home and there'd be like five neighbors already

1846
01:33:07,400 --> 01:33:09,720
Speaker 1: in his driveway drinking beer and stuff. I know people

1847
01:33:09,760 --> 01:33:11,479
Speaker 1: who are like trying to recreate that, but if you

1848
01:33:11,560 --> 01:33:13,800
Speaker 1: live in the city, it's hard to do. I never

1849
01:33:13,840 --> 01:33:18,080
Speaker 1: seen anything like that. Um let me see here, Adam, hi, Adam,

1850
01:33:18,120 --> 01:33:22,760
Speaker 1: good morning. How are you doing? What's overseas? You played?

1851
01:33:22,800 --> 01:33:27,280
Speaker 1: Overseas are very elaborate games. Yes, so it was almost

1852
01:33:27,320 --> 01:33:30,480
Speaker 1: like cops and robbers, but we had a judge, a prosecutor,

1853
01:33:30,600 --> 01:33:34,760
Speaker 1: a detective and a thief. So you write all that

1854
01:33:34,960 --> 01:33:37,760
Speaker 1: on a piece of paper, scranped or scamper up and

1855
01:33:37,880 --> 01:33:39,680
Speaker 1: throw it and you would just take a paper. So

1856
01:33:39,880 --> 01:33:43,040
Speaker 1: whoever it gets the detective paper would have to guess

1857
01:33:43,080 --> 01:33:45,960
Speaker 1: who the thief is. So say like, I guess you're

1858
01:33:46,040 --> 01:33:49,240
Speaker 1: the thief, and oh, you're the thief, and the judge says, oh,

1859
01:33:49,400 --> 01:33:52,280
Speaker 1: you're right. So now you'll get with like five times

1860
01:33:52,320 --> 01:33:54,400
Speaker 1: on your hand with a wooden spoon or something or

1861
01:33:54,600 --> 01:33:57,160
Speaker 1: something like that. And if you're and if you're wrong,

1862
01:33:57,360 --> 01:34:00,920
Speaker 1: then the detective is the one that actually gets WHOA.

1863
01:34:01,360 --> 01:34:03,280
Speaker 1: That sounds like a very complicated game, but I'm sure

1864
01:34:03,320 --> 01:34:05,880
Speaker 1: it wasn't when you it was, but it took advantage

1865
01:34:05,880 --> 01:34:07,680
Speaker 1: of me because when I first went overseas, I'm going

1866
01:34:07,720 --> 01:34:09,800
Speaker 1: to be therabic and I would be the seat all

1867
01:34:09,840 --> 01:34:14,679
Speaker 1: the time. So I was getting whipslips and right, thank

1868
01:34:14,720 --> 01:34:18,840
Speaker 1: you Adam, having a good day. I love you too. Man.

1869
01:34:18,880 --> 01:34:20,640
Speaker 1: The other thing I remember about growing up is, uh,

1870
01:34:20,960 --> 01:34:23,920
Speaker 1: we grew up. We had those what do they call them,

1871
01:34:23,920 --> 01:34:27,760
Speaker 1: those slides that the wet slides, slipping slide, and I

1872
01:34:27,880 --> 01:34:30,200
Speaker 1: just remember like the things that I put my body

1873
01:34:30,320 --> 01:34:33,840
Speaker 1: through to like get the right the cool slide or whatever,

1874
01:34:33,960 --> 01:34:36,800
Speaker 1: Like i'd have like basically the equivalent of rug burn

1875
01:34:36,880 --> 01:34:39,120
Speaker 1: all over my mind. You know, you'd like run from

1876
01:34:39,160 --> 01:34:41,799
Speaker 1: a mile away and then launch yourself on this small

1877
01:34:41,920 --> 01:34:45,040
Speaker 1: piece of rubber and like I have bruising. And if

1878
01:34:45,080 --> 01:34:46,680
Speaker 1: I did that now, I would hurt myself in a

1879
01:34:46,720 --> 01:34:49,320
Speaker 1: way that I would be like debilitated for six weeks. Yeah,

1880
01:34:49,320 --> 01:34:51,160
Speaker 1: I have to go to the chiropractor one hundred times.

1881
01:34:51,320 --> 01:34:53,080
Speaker 1: That and the things we used to do with fireworks

1882
01:34:53,320 --> 01:34:55,560
Speaker 1: It's like blows my mind that our parents allowed this,

1883
01:34:55,720 --> 01:34:58,479
Speaker 1: like it shouldn't have been legal, but we'd run around

1884
01:34:58,600 --> 01:35:01,080
Speaker 1: like these things like what the I tell her? Why

1885
01:35:01,240 --> 01:35:04,160
Speaker 1: was that allowed to be done? Shelley, Is there anything

1886
01:35:04,200 --> 01:35:07,439
Speaker 1: from your childhood that you hope Olivia gets to experience?

1887
01:35:07,840 --> 01:35:10,920
Speaker 1: I hope because I was thinking like what Paulina said,

1888
01:35:11,000 --> 01:35:12,600
Speaker 1: like I would love for her to be able to

1889
01:35:12,720 --> 01:35:15,400
Speaker 1: like go outside, like I remember, I loved being outside.

1890
01:35:15,439 --> 01:35:17,800
Speaker 1: I loved my swing set, Like we had a swing

1891
01:35:17,880 --> 01:35:20,720
Speaker 1: set growing up that I just when we moved, we

1892
01:35:20,840 --> 01:35:23,040
Speaker 1: moved houses like down the block when I was younger,

1893
01:35:23,200 --> 01:35:25,439
Speaker 1: we took this swing set, like the movers rolled the

1894
01:35:25,520 --> 01:35:28,519
Speaker 1: swing set down the street. Really we loved this swing

1895
01:35:28,600 --> 01:35:30,560
Speaker 1: set so much and they rolled it and put in

1896
01:35:30,600 --> 01:35:33,640
Speaker 1: our new backyard. But I love being outside, and like

1897
01:35:34,520 --> 01:35:37,240
Speaker 1: I just I feel like with all iPads and everything

1898
01:35:37,280 --> 01:35:39,679
Speaker 1: in the tech that I feel like maybe that doesn't

1899
01:35:39,680 --> 01:35:41,519
Speaker 1: happen as much anymore, But I don't know. I would

1900
01:35:41,520 --> 01:35:43,240
Speaker 1: love for her to be outside like a nature girl

1901
01:35:43,360 --> 01:35:47,160
Speaker 1: and just enjoying, you know, like the simple things. I

1902
01:35:47,240 --> 01:35:48,880
Speaker 1: think there's something to be said about, like like we

1903
01:35:48,960 --> 01:35:51,240
Speaker 1: were talking about like community too. Yeah, and it's just

1904
01:35:51,479 --> 01:35:52,640
Speaker 1: like I said, I met I met one of my

1905
01:35:52,680 --> 01:35:54,840
Speaker 1: neighbors yesterday for the first time. He's the only guy

1906
01:35:54,880 --> 01:35:56,760
Speaker 1: on the floor that I know. Congrats, No, I know,

1907
01:35:56,880 --> 01:35:58,800
Speaker 1: but it's like we're even talking about it. He's like,

1908
01:35:58,840 --> 01:36:00,599
Speaker 1: there's eight other people live on this four I don't

1909
01:36:00,600 --> 01:36:02,160
Speaker 1: know any of them, Like, I don't know any of them.

1910
01:36:02,200 --> 01:36:03,519
Speaker 1: It's like, I don't know. You just it's when you

1911
01:36:03,600 --> 01:36:07,559
Speaker 1: live in a more urban environment, you don't necessarily meet everybody.

1912
01:36:07,640 --> 01:36:08,920
Speaker 1: There's not you know, And I know they try and

1913
01:36:09,040 --> 01:36:12,040
Speaker 1: create things like we come to the room and you

1914
01:36:12,120 --> 01:36:14,320
Speaker 1: know this free fs like I don't know, that's like

1915
01:36:14,400 --> 01:36:16,720
Speaker 1: force converse. I don't know. It's different than like when

1916
01:36:17,439 --> 01:36:19,000
Speaker 1: I don't know, like where you live and yeah, and

1917
01:36:19,240 --> 01:36:21,560
Speaker 1: you help each other out and your kids play, and

1918
01:36:21,720 --> 01:36:23,840
Speaker 1: you don't necessarily have to worry as much about it

1919
01:36:23,920 --> 01:36:27,000
Speaker 1: because you know everybody around and everyone's looking out for

1920
01:36:27,080 --> 01:36:28,960
Speaker 1: each other. Yeah, you know, And I don't know. That's

1921
01:36:28,960 --> 01:36:31,840
Speaker 1: just I don't know if it happens anymore. One or three,

1922
01:36:31,920 --> 01:36:34,760
Speaker 1: five kids atm The French Show is on with a

1923
01:36:35,000 --> 01:36:39,200
Speaker 1: Chicago White Sox Holiday six pack. Yeah call a twenty five.

1924
01:36:39,400 --> 01:36:42,200
Speaker 1: You're gonna score this. White Sox baseball holiday pack. You

1925
01:36:42,320 --> 01:36:46,479
Speaker 1: get six ticket vouchers redeemable for more than sixty games

1926
01:36:46,760 --> 01:36:50,080
Speaker 1: during the twenty twenty three season. The ticket gift packs

1927
01:36:50,160 --> 01:36:53,160
Speaker 1: make great holiday gifts and started just forty nine bucks.

1928
01:36:53,320 --> 01:36:55,599
Speaker 1: If you want to buy them, visit White sox dot

1929
01:36:55,680 --> 01:36:58,760
Speaker 1: com slash Holiday Packs, or you can get them for

1930
01:36:58,840 --> 01:37:01,479
Speaker 1: free right now. If you're call it twenty five eight

1931
01:37:01,600 --> 01:37:07,360
Speaker 1: five five five nine one one three five one h

1932
01:37:07,400 --> 01:37:10,240
Speaker 1: three five shiits that time, Chicago's number one hit music station.

1933
01:37:10,320 --> 01:37:13,160
Speaker 1: Good morning, It's the Fred Show. See there's a hard

1934
01:37:13,240 --> 01:37:17,720
Speaker 1: hitting question and people would probably call for hours. But

1935
01:37:18,560 --> 01:37:24,440
Speaker 1: I I don't think I have any like true intolerances,

1936
01:37:24,520 --> 01:37:27,200
Speaker 1: like like bodily intolerances to anything. Like there's something I

1937
01:37:27,800 --> 01:37:30,880
Speaker 1: we were just talking off the air about dairy for example,

1938
01:37:30,960 --> 01:37:34,320
Speaker 1: Like I think I might be lacktose intolerant, like Junior,

1939
01:37:34,920 --> 01:37:37,880
Speaker 1: like Junior Junior, like like I might be like the

1940
01:37:37,960 --> 01:37:42,040
Speaker 1: fourth cousin to lack dose intolerance because it doesn't agree

1941
01:37:42,120 --> 01:37:45,839
Speaker 1: with me. But it's not like, I mean, nothing really happens.

1942
01:37:45,920 --> 01:37:47,439
Speaker 1: It's just like I didn't really need to do that

1943
01:37:47,720 --> 01:37:50,800
Speaker 1: kind of feeling. Same with spicy food, same with beer,

1944
01:37:51,439 --> 01:37:54,000
Speaker 1: Like I love beer, but no part of it makes

1945
01:37:54,040 --> 01:37:55,840
Speaker 1: me feel good after I drank it, like I like

1946
01:37:56,040 --> 01:37:59,080
Speaker 1: drinking it. I can drink a lot of it usually,

1947
01:37:59,360 --> 01:38:01,160
Speaker 1: like before I start to feel any kind of way.

1948
01:38:01,240 --> 01:38:03,000
Speaker 1: So if I'm out with people who are drinking a lot,

1949
01:38:03,160 --> 01:38:06,080
Speaker 1: I'll usually drink beer, you know. But then you know,

1950
01:38:06,240 --> 01:38:07,960
Speaker 1: I don't know a few hours afterwards and the next

1951
01:38:08,040 --> 01:38:10,760
Speaker 1: day I'm like, oh, like, why'd I do that? But

1952
01:38:10,880 --> 01:38:12,680
Speaker 1: I do it anyway. And so I had all of

1953
01:38:12,760 --> 01:38:15,280
Speaker 1: those and spicy food same way. So I had all

1954
01:38:15,360 --> 01:38:17,920
Speaker 1: of that yesterday, all of it at once, like in

1955
01:38:17,960 --> 01:38:20,120
Speaker 1: a three hour period. This plus just have it all

1956
01:38:20,760 --> 01:38:23,360
Speaker 1: And I'm okay, you know, but you're talking about it

1957
01:38:23,400 --> 01:38:26,640
Speaker 1: you have a friend who eats dairy and it's a

1958
01:38:26,680 --> 01:38:29,519
Speaker 1: bad situation, like we got an emergency on our hands.

1959
01:38:29,560 --> 01:38:32,200
Speaker 1: Oh yeah, see now I'm luckily I don't have anything

1960
01:38:32,280 --> 01:38:35,160
Speaker 1: like that. Yeah, but I wonder, you know, what is

1961
01:38:35,200 --> 01:38:37,080
Speaker 1: it in your life that you and you guys can

1962
01:38:37,200 --> 01:38:39,120
Speaker 1: tell me? Because I'm curious, Now, what is it in

1963
01:38:39,160 --> 01:38:42,840
Speaker 1: your life that you know, like I probably this doesn't

1964
01:38:42,920 --> 01:38:45,000
Speaker 1: usually go well, but I do it anyway because I

1965
01:38:45,120 --> 01:38:49,360
Speaker 1: just don't care. Yeah. Yeah, time I'm like I'm reading

1966
01:38:50,640 --> 01:38:54,920
Speaker 1: yeah hurt saying well literally There's a lot of ways

1967
01:38:54,920 --> 01:38:56,560
Speaker 1: I could go with that, but I got you know

1968
01:38:56,720 --> 01:38:59,160
Speaker 1: my rule. No food though, there's no food where you're like,

1969
01:38:59,240 --> 01:39:03,760
Speaker 1: you know, like I don't know because I get it,

1970
01:39:03,840 --> 01:39:05,120
Speaker 1: like it start to interrupt you, but I get it

1971
01:39:05,160 --> 01:39:08,639
Speaker 1: if you like really like I cannot eat cheese because

1972
01:39:08,720 --> 01:39:12,080
Speaker 1: I will like or or milk or maybe you're allergic

1973
01:39:12,200 --> 01:39:14,160
Speaker 1: to it or something you'll get hives or break out,

1974
01:39:14,280 --> 01:39:15,960
Speaker 1: like I get. That's all I'm talking about. It's just

1975
01:39:16,080 --> 01:39:19,760
Speaker 1: like i'll eat something I didn't that a carrot would

1976
01:39:19,760 --> 01:39:22,960
Speaker 1: have been a better choice, you know, just a carrot,

1977
01:39:23,840 --> 01:39:26,080
Speaker 1: would it? Though I don't think so well? I would

1978
01:39:26,120 --> 01:39:29,000
Speaker 1: agree with me better, Like I wouldn't be nearly as satisfied,

1979
01:39:29,640 --> 01:39:32,640
Speaker 1: you know what I would. I wouldn't necessarily feel like

1980
01:39:33,120 --> 01:39:35,519
Speaker 1: I know I did that, you know, no food though,

1981
01:39:35,840 --> 01:39:37,479
Speaker 1: So that's like the one thing that I don't have

1982
01:39:37,680 --> 01:39:39,920
Speaker 1: is issues with food. My tummy problems are tied to

1983
01:39:40,040 --> 01:39:42,160
Speaker 1: like anxiety and stuff like when my grandpa was dying,

1984
01:39:42,200 --> 01:39:43,960
Speaker 1: I poop my pants. I'm not even lying, you know

1985
01:39:43,960 --> 01:39:46,120
Speaker 1: what my sister told me, And she may not be

1986
01:39:46,200 --> 01:39:48,760
Speaker 1: happy that I am sharing the story, but did she's

1987
01:39:48,800 --> 01:39:50,920
Speaker 1: such an She told me like it's kind of an

1988
01:39:50,960 --> 01:39:53,439
Speaker 1: open book thing. But she was telling me that she

1989
01:39:53,720 --> 01:39:58,600
Speaker 1: has damn your IBS symptoms when the baby cries, like

1990
01:39:58,720 --> 01:40:02,479
Speaker 1: if the baby like and she says almost instantly, if

1991
01:40:02,880 --> 01:40:04,439
Speaker 1: in the middle of the night, for example, if if

1992
01:40:04,520 --> 01:40:07,880
Speaker 1: Polly wakes up and she's sad, crying, screaming, upset, she

1993
01:40:08,120 --> 01:40:10,479
Speaker 1: like immediately has like a stomach problem, like she needs

1994
01:40:10,520 --> 01:40:12,960
Speaker 1: to go to the bathroom. And I've never heard of

1995
01:40:13,040 --> 01:40:14,680
Speaker 1: that before. I mean, I know that, like, I think

1996
01:40:14,720 --> 01:40:16,519
Speaker 1: it's an anxiety related thing, but I don't know it

1997
01:40:16,800 --> 01:40:20,360
Speaker 1: has something to do with that particular like the baby

1998
01:40:20,439 --> 01:40:25,400
Speaker 1: in distress, she reacts like with almost negative IBS type symptoms.

1999
01:40:25,400 --> 01:40:27,240
Speaker 1: I've never heard of that before. Yeah, a lot of

2000
01:40:27,320 --> 01:40:29,880
Speaker 1: moms say like they physically cannot bear to hear their

2001
01:40:29,880 --> 01:40:32,519
Speaker 1: baby cry. And then obviously if your stomach hurts when

2002
01:40:32,560 --> 01:40:35,840
Speaker 1: you're stressed, then that makes sense. Or when you're anxious, um,

2003
01:40:36,080 --> 01:40:38,479
Speaker 1: it's like second nature. So if I stress you out,

2004
01:40:38,520 --> 01:40:41,320
Speaker 1: you'll have to poop. Yeah, any of you guys stressed

2005
01:40:41,320 --> 01:40:43,280
Speaker 1: me out and my stomach is real bad. I don't

2006
01:40:43,280 --> 01:40:45,400
Speaker 1: think it was just me. Yeah, I would hate if

2007
01:40:45,439 --> 01:40:49,240
Speaker 1: your reaction to me is you have to pop up.

2008
01:40:49,320 --> 01:40:51,920
Speaker 1: But you know whoa like, yeah, I walk in the

2009
01:40:52,000 --> 01:40:54,280
Speaker 1: room with Fred, I'm like, oh, I'm gonna go like that.

2010
01:40:54,800 --> 01:40:57,280
Speaker 1: That's not good. Yeah, Kiki, what is is there anything

2011
01:40:57,439 --> 01:41:00,360
Speaker 1: it's like, you know, I'm gonna do this, but anything

2012
01:41:00,479 --> 01:41:03,280
Speaker 1: that I'm super excited about. So like my before I

2013
01:41:03,360 --> 01:41:07,160
Speaker 1: came in here the first day, my stomach was like bubbling,

2014
01:41:07,320 --> 01:41:11,559
Speaker 1: like when I was Yes, you were excited to come in. Yeah.

2015
01:41:11,640 --> 01:41:13,759
Speaker 1: So anytime I get ready to like go on stage

2016
01:41:13,880 --> 01:41:15,920
Speaker 1: or do anything that I'm like a little bit nervous

2017
01:41:15,960 --> 01:41:19,479
Speaker 1: about but excited, I just I have to go and

2018
01:41:19,600 --> 01:41:23,880
Speaker 1: it's bad. Yeah wow yeah, Okay, Well, so I'm sorry

2019
01:41:23,880 --> 01:41:27,439
Speaker 1: if you were to be excited. I don't know, Kevin,

2020
01:41:27,800 --> 01:41:30,160
Speaker 1: I feel like you. I feel like you haven't like

2021
01:41:30,280 --> 01:41:33,519
Speaker 1: you're just mulletproof, no affects you. I just eat so

2022
01:41:33,640 --> 01:41:39,400
Speaker 1: much garbage, like I can't really pay pointed, but it's

2023
01:41:39,439 --> 01:41:42,200
Speaker 1: for sure dairy, like um, you know, if I have

2024
01:41:45,240 --> 01:41:48,200
Speaker 1: I really get I get gassy. Yeah, and then it's

2025
01:41:48,240 --> 01:41:50,320
Speaker 1: not like I gotta go you know, number two right away,

2026
01:41:50,400 --> 01:41:54,120
Speaker 1: But I know somewhere in the near future it's gonna happen.

2027
01:41:54,200 --> 01:41:56,479
Speaker 1: But I get really gassy when I uh, you know,

2028
01:41:57,000 --> 01:42:01,760
Speaker 1: pasta or dairy or ice cream. It's gonna happen. Same

2029
01:42:02,040 --> 01:42:06,479
Speaker 1: kind of Nate Burghante. Yeah, he's hilarious. He tells. He

2030
01:42:06,560 --> 01:42:09,280
Speaker 1: tells jokes about, like about like what you're saying, where

2031
01:42:09,320 --> 01:42:13,920
Speaker 1: he eats apparently this toxic garbage like nuclear waste, like

2032
01:42:14,040 --> 01:42:15,800
Speaker 1: he eats it. He's like, if you can think of

2033
01:42:15,880 --> 01:42:17,439
Speaker 1: something that you haven't had in a long time. I

2034
01:42:17,760 --> 01:42:20,520
Speaker 1: just his joke, but it's like I've eaten it, like airheads.

2035
01:42:20,880 --> 01:42:25,240
Speaker 1: How about airheads? Like they're doing great there. I had

2036
01:42:25,320 --> 01:42:27,320
Speaker 1: something the other day, Like, think of something that you

2037
01:42:27,400 --> 01:42:30,920
Speaker 1: don't eat often, and he jokes about having eaten it. Um,

2038
01:42:32,240 --> 01:42:34,320
Speaker 1: it's just really random, you know, because it's the yeah,

2039
01:42:34,320 --> 01:42:36,360
Speaker 1: because no one ever eats It's like, oh, when you

2040
01:42:36,439 --> 01:42:38,160
Speaker 1: say I hadn't had armies in a while, I had

2041
01:42:38,200 --> 01:42:44,040
Speaker 1: it last exactly. They still got them places