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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo yo Charlamagne the God, Peace to

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Speaker 2: the plane.

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Speaker 1: It is Tuesday, Yes, and we have a special guess

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Speaker 1: you know, wilding Out is its twentieth season, So every

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Speaker 1: morning we're gonna have a cast member from wild'n Out

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Speaker 1: joining us.

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Speaker 3: And let the record show that we have a cast

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Speaker 3: member of wild'n Out joining us every morning for his

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Speaker 3: twentieth seasons. But BT did not promote the Breakfast Club,

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Speaker 3: not one time during the BT Awards. But we are

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Speaker 3: helping them promote their show.

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Speaker 2: No, they had no, they didn't. They don't they shutting

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Speaker 2: down there, They didn't. But they had no they didn't shoot.

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Speaker 3: They didn't have one promo air for the Breakfast Club

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Speaker 3: during the BET Awards.

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Speaker 2: But wildern Out is a culture they had signed. No,

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Speaker 2: they didn't.

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Speaker 1: They didn't have that B two I was they had nothing.

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Speaker 1: I was trying to figure out maybe they had nothing. No, okay,

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Speaker 1: nothing but anything.

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Speaker 3: But being that wild'n Out is a cultural institution, right

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Speaker 3: you know when they said to us, you know, hey,

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Speaker 3: you know we want to have people from Whilding out

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Speaker 3: on the show every day this week.

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Speaker 2: You have an issue with that, correct, you know?

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Speaker 4: Right?

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Speaker 1: So hitman Hollands, what's up now? They told us they

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Speaker 1: were going to do something, but they just never did it.

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Speaker 2: That is true. That is true.

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Speaker 3: What's appreciate have nothing to do with you, all to

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Speaker 3: do with us. I'm sure you jumped in a beef

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Speaker 3: for two that had nothing to do exactly, it's not

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Speaker 3: a beef.

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Speaker 2: We're just talking. We're just talking the truth. He's telling

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Speaker 2: the truth. You know who I have beef for.

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Speaker 1: Yesterday I got home and my daughter was was balling

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Speaker 1: or ten year old because she made these bracelets here

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Speaker 1: for for everybody and I didn't wear them, and exactly

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Speaker 1: so she was mad that she made these bracelets for

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Speaker 1: me and she actually made it for everybody up here,

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Speaker 1: and that Dad didn't bring it into work and it

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Speaker 1: was on the side of my bed and she was balling.

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Speaker 1: So Dad is wearing these this bracelet right now that

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Speaker 1: has a pearl in the heart because my.

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Speaker 2: Daughter made it. I got yours too. You have to

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Speaker 2: wear anything that your children give you.

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Speaker 5: Oh.

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Speaker 2: Absolutely.

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Speaker 3: Last week on vacation, my two daughters, my seven year old.

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Speaker 3: My four year old had me swim trunks. It didn't

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Speaker 3: matter how those swim trunks looked. I had to wear

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Speaker 3: those swim trunks. Okay, and I wore the swim trunks.

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Speaker 2: Okay. Well I have the bracelets on this morning.

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Speaker 6: Okay, yes, absolutely, fire, I got one you for you,

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Speaker 6: hit Man.

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Speaker 1: We're selling them right now. I think they're two dollars

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Speaker 1: a pop. I got what I got.

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Speaker 7: One for you?

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Speaker 2: How she just turned ten? Ten? Okay, yeah, so did

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Speaker 2: you can tell you ten? You a makeup bracelet for

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Speaker 2: hit Man? Hollow? Yes, one for hit Man. Yeah. So

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Speaker 2: she was pretty upset about that.

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Speaker 1: But anyway, today on the show, ice Cube will be

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Speaker 1: joining us the Legend. That's right, of course, he has

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Speaker 1: the Big three League that just touched down in New

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Speaker 1: York a couple of days ago, so you know he's

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Speaker 1: going from city to city.

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Speaker 2: He's on TV. I think a CBS or we'll chop

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Speaker 2: it up with him.

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Speaker 3: There was a conversation that's palked on social media yesterday.

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Speaker 3: I think it came from Drink Champs interview about who's

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Speaker 3: the better storyteller ice Cube ordinatorious b I G.

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Speaker 2: But I think that that's parked off after Cube.

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Speaker 3: Was here, right, yeah, yeah, yeah yeah, Biggie and I listen,

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Speaker 3: I have Cube in my top five storytellers of all time.

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Speaker 3: My top storytellers of all time are Biggie, Uh, Slick Rick, Scarface, Cube,

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Speaker 3: Black rob and ghost Face. Those my favorite storytellers of

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Speaker 3: all time. I got big l a storyteller. Story Okay, okay,

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Speaker 3: you a dice games stories dmn X.

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Speaker 6: Okay, prime story, big story. Get this is my order, Tupac,

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Speaker 6: I go pot first. Brinnan got a he got a

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Speaker 6: bunch of stories, big l m X damn three three listen.

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Speaker 6: Everybody you named is a great storyteller. Both is a

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Speaker 6: great storyteller.

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Speaker 7: To tell story he got he got a couple of

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Speaker 7: fire ones though.

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Speaker 2: So you can come up.

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Speaker 7: He got a couple of stories too short. That's my

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Speaker 7: favorite story.

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Speaker 1: Just if we could go even joint with him and Bleak.

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Speaker 1: All of those guys, you name it storyteller, but they

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Speaker 1: got a bunch of stories.

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Speaker 3: Those are good storytellers, but they're not top tier like Biggie, Scarface, Cube,

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Speaker 3: ghost Face, Slick.

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Speaker 2: Rick, and Black Robin. Is very underrated storyteller, very underrated.

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Speaker 6: Cbe probably got the best story top three telling story

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Speaker 6: songs of a model like he probably top three.

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Speaker 3: With I got ah it was a good day, Yeah,

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Speaker 3: good day. But biggie too though, because you can say warning.

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Speaker 1: Warning, storytell story, just saying, just saying, all right, well,

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Speaker 1: let's get the show cracking. When we come back, Tesling

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Speaker 1: Figure will be joining us front Page News and of

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Speaker 1: course if you're just joining us, it's the twentieth season

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Speaker 1: of wild'n Out and every morning we're gonna have a

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Speaker 1: cast member today.

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Speaker 2: Hit Man holands with us.

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Speaker 7: It open.

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Speaker 3: Even though they didn't promote us, not one time during

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Speaker 3: the BT Awards, not once.

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Speaker 7: Not once.

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Speaker 2: I'm gonna keep saying that all morning, not once, not once. Yes,

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Speaker 2: all right, we want to shoutut to the breakfast club

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Speaker 2: on BT.

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Speaker 7: I think.

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Speaker 1: Owning everybody. It's DJ n V Charlamagne the Guy. We

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Speaker 1: are the breakfast Club. We have Hitman Holla here. It's

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Speaker 1: the twentieth season of wild El so every member every morning,

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Speaker 1: we have a cast member here this week.

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Speaker 2: So Hitman Holler is today.

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Speaker 3: And even though BT didn't promote us, not one time

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Speaker 3: during the BET Awards, we're still promoting Wilderno because it

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Speaker 3: is a cultural.

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Speaker 1: Institution that's right, not even signings at the BT Awards one.

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Speaker 1: All right, well, let's get in some front page news, hey, testing,

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Speaker 1: figure out how you feeling.

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Speaker 2: We got to turn you on. Oh lord, God, damn it, Eddie,

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Speaker 2: Let's try this again.

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Speaker 7: Come on in, test and everybody there you go.

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Speaker 2: Let's jump right into it. We ain't got much time.

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Speaker 7: Test.

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Speaker 1: Let's talk about these Greenwood survivors in their council respond

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Speaker 1: to Tussla Toulsa race massacre case dismissal.

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Speaker 4: Yes, And of course the Breakfast Club had a couple

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Speaker 4: of the survivors on not too long ago, so everybody

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Speaker 4: go back and watch that interview. But the Greenwood masker

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Speaker 4: survivor's legal team announced during a press conference yesterday that

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Speaker 4: they will appeal Judge Wall's unfounded order dismissing their case

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Speaker 4: to seek justice for the public nuisance caused by the

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Speaker 4: Tulsa race massacre of nineteen twenty one.

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Speaker 8: In the press conference, they.

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Speaker 4: Noted that last year Judge Wall did give them permission

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Speaker 4: to proceed, and now the judge has backpedaled and dismissed

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Speaker 4: the case. The attorneys are saying that they do not

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Speaker 4: know the reasoning behind it because the public opinion is

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Speaker 4: not available, but Attorney de Mario Solomon Simmons said that

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Speaker 4: to have one hundred and two, one hundred and eight

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Speaker 4: and one hundred and nine year old survivors have their

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Speaker 4: case kicked out is a tragedy and a complete injustice.

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Speaker 4: I want you guys to listen to what to listen

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Speaker 4: to what Attorney Simmons said, and we'll talk about it

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Speaker 4: on the other side.

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Speaker 9: And we're also calling upon once again the federal government,

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Speaker 9: President Joe Biden, who came here two years ago.

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Speaker 2: He stood right across the street.

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Speaker 9: He acknowledged that the massacre was the worst race massacer

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Speaker 9: in the history of this nation. He acknowledged that the pain, destruction,

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Speaker 9: the mayhem of forty blocks being destroyed, planes dropping bombs,

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Speaker 9: twelve thousand people made homeless overnight. He acknowledged that and.

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Speaker 2: Said there needs to be justice.

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Speaker 9: So we're calling on President Joe Biden in the Department

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Speaker 9: of Justice to come in and do a federal investigation

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Speaker 9: of the massacre for sore to the Immertel Acts Cold

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Speaker 9: Case Act of two thousand and seven, reauthorized in twenty sixteen.

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Speaker 2: They've been waiting for over eighty ninety years. Nothing is

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Speaker 2: going to happen.

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Speaker 3: You know, this is why I was so shocked when

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Speaker 3: Uncle Red was here on the Breakfast Club and he

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Speaker 3: said he had faith that this wicked system would do

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Speaker 3: the right thing. Why would they ever admit fault in

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Speaker 3: that active domestic terrorism that we called the Tulsa race massacre.

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Speaker 3: They would have to pay them billions of dollars. Do

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Speaker 3: you think they want to do that? Is it does

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Speaker 3: not do well with atonement, especially when it's of the

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Speaker 3: financial sort, not at all.

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Speaker 4: Thanks well, they should be done well, because a public

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Speaker 4: nuisance is very broad in Oklahoma's actually just an act

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Speaker 4: or a mission that affects an entire community or neighborhood.

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Speaker 4: And again, they did say they could at least fight

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Speaker 4: for it. So right now they're just asking to fight

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Speaker 4: for it. And I just want to point out to everybody,

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Speaker 4: attorney to Mario Simmons, he's been working on this for years.

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Speaker 4: I've watched him work on this for years. He's done,

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Speaker 4: you know, been fighting this case. And they did pay

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Speaker 4: out five hundred and fifty million dollars to those who

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Speaker 4: suffered from the opioid crisis in Oklahoma under this particular statute,

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Speaker 4: so they didn't have a problem with doing public nouisance

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Speaker 4: when it came to you know, survivors or victims of

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Speaker 4: the opio crisis. But when it comes to Tulsa Race,

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Speaker 4: obviously you know they are trying to fight their case.

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Speaker 4: So again we want to call on President Joe Biden.

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Speaker 4: You remember Charlamane, We talked about this when.

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Speaker 8: He came up there.

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Speaker 4: Remember he came up there empty handed, and I said,

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Speaker 4: you know, you're not saying anything about these victims. So

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Speaker 4: I encourage everybody to keep pushing the line and ask

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Speaker 4: if they do a federal investigation, to ask why did

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Speaker 4: they dismiss this case.

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Speaker 3: Yeah, I can't believe or that he brought up with

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Speaker 3: President Joe Biden said when he came to Tousa, because

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Speaker 3: when it comes to issues like the Tulsa Race massacre,

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Speaker 3: it will always be just words in lip service. You

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Speaker 3: mean to tell me a politician and elected officials said

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Speaker 3: they was going to do something but didn't for anything.

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Speaker 2: That's that's that's surprising.

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Speaker 7: Me, not at all.

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Speaker 4: Well, we got to push the line to make it

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Speaker 4: make them at least answer to it.

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Speaker 8: Of nothing new else.

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Speaker 1: So they're still trying to figure out who left the

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Speaker 1: cocaine at the White House.

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Speaker 2: Bro that could be anybody.

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Speaker 3: I keep telling you that might not even be an

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Speaker 3: elected official who knows that. I refuse to believe that

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Speaker 3: the first time the white horse got found at the

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Speaker 3: White House, I don't know.

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Speaker 2: Okay, if there's one player of cocaine.

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Speaker 3: Is getting sniffed this on Capitol Hill, absolutely my White

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Speaker 3: House for a reason.

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Speaker 1: Come on, man, all right, well that is front page

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Speaker 1: news now, Tesla figure out. We'll see you in a couple

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Speaker 1: of minutes. Everybody else, get it off your chest. Eight

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Speaker 1: hundred five eight five one oh five one. If you

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Speaker 1: need the vent phone lines a wide open again. Eight

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Speaker 1: hundred five eight five one oh five one phone lines.

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Speaker 3: I like to vent and say that we're promoting wilding

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Speaker 3: Out all week long, because it is the twentieth season

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Speaker 3: a whiling out here Ryan Hollers, our special guest host today.

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Speaker 3: That's but BT did not promote the Breakfast Club, not

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Speaker 3: one time at the BET Awards. I just like to

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Speaker 3: get that off my chest. Have I said that already

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Speaker 3: this morning?

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Speaker 2: How does that make you feel?

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Speaker 7: That?

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Speaker 3: Don't make me feel the way. I just want to

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Speaker 3: state the facts. That's all, okay, that's all all right, Well,

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Speaker 3: that's it.

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Speaker 1: You can express that next when we come back. I A,

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Speaker 1: it's the Breakfast Club. Good morning the Breakfast Club. Wait,

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Speaker 1: this is your time to get it off your chest.

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Speaker 1: Eight hundred five eighty five one O five one. We

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Speaker 1: want to hear from you on the Breakfast Club.

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Speaker 7: Hello. Who's that?

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Speaker 2: Hey, Calvin whatever? Get it off your chest?

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Speaker 3: Bro?

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Speaker 5: Hey manh yeah, pe king the hit man.

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Speaker 2: Holler to here in it?

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Speaker 5: What's up?

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Speaker 2: Big dog?

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Speaker 5: Too much?

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Speaker 2: Hey? If I wonder if I can get the cars.

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Speaker 5: On the eleventh.

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Speaker 7: What are you?

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Speaker 2: Yeah? How many? How many tickets you knee?

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Speaker 7: Two adults, one kid in the end? All right, I

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Speaker 7: got you.

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Speaker 2: Stay on hold.

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Speaker 1: That's July twenty seventh and Atlant to my car show.

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Speaker 1: There's gonna be rides for the kids. We got calls

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Speaker 1: from young dolphs hopefully.

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Speaker 2: To be joining us.

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Speaker 1: So shout the pr e boosy badass, shout to uptown club.

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Speaker 1: I gotta call Collus Miller, callus Miller, sale, give me

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Speaker 1: some cars. I got a lot of calls coming. So, yeah,

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Speaker 1: I got you. I'm gonna put you on hold.

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Speaker 7: For a second.

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Speaker 3: All right, cool appreciated A bro Low's got a nice

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Speaker 3: fleet there, I know, nice fleet to old School.

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Speaker 1: If you haven't got your tickets, get your tickets. It's

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Speaker 1: gonna be a lot fun. It's gonna be a family

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Speaker 1: fun day.

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Speaker 2: I can't wait to see you guys. Hello, who's this.

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Speaker 5: From Fort Myer?

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Speaker 1: Hey, mamaa get it off your chest?

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Speaker 5: Yes, first, I want to.

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Speaker 10: Take go morning and Charlot may Man, thank God for what.

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Speaker 3: He took it off.

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Speaker 5: I'm still live in good day.

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Speaker 10: But from BT, is there wrong.

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Speaker 6: For not putting y'all the awards?

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Speaker 5: So for that being said, let's just have y'all to

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Speaker 5: Andy being in Charlote Mane. Y'all need to just go ahead.

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Speaker 5: Pleasure means to me because I feel what I got

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Speaker 5: easy saying anything.

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Speaker 2: Let's all just to see that host the awards next

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Speaker 2: year BT Awards. I gotta checked my schedule. That'd be interesting.

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Speaker 2: You gotta check my skin just out with that.

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Speaker 10: You aren't even gonna have to say, you guys, check

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Speaker 10: us schedule.

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Speaker 5: You're gonna pay up and.

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Speaker 2: You want to be the third and you want to

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Speaker 2: come to you all.

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Speaker 3: Right, you know you're gonna have to. You're gonna have

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Speaker 3: to fight Jesse Larrins for that. She could fight, just

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Speaker 3: gonna square up. If just gonna square if we be

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Speaker 3: hosting the BT Awards, but anybody other than her.

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Speaker 11: You ain't gonna have to do me like that.

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Speaker 2: Okay, Okay, we'll have a good one.

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Speaker 5: All right, I have still one.

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Speaker 7: Hello. Who's this?

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Speaker 10: Uh?

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Speaker 7: This is what? Hey? Brink?

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Speaker 2: Good morning?

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Speaker 5: How you going man?

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Speaker 2: How you feeling brother?

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Speaker 5: I'm feeling good. I'm feeling good. I'm glad I got

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Speaker 5: in contact with you guys.

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Speaker 7: What's up?

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Speaker 2: Brother talked to us.

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Speaker 5: Yes, yes, In twenty twenty, I had a show right.

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Speaker 2: All right, way walk again.

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Speaker 5: It was twenty twenty January twenty fifth. I had a show.

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Speaker 5: You talked me I would don't walk again, and I

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Speaker 5: went to shut that, you know. So I just feel

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Speaker 5: like that the doctor should never tell you that you

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Speaker 5: are you know, discriage you and take you a double

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Speaker 5: walk again and all that. Because I walked the high

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Speaker 5: Bridge and have the roads area now and it was

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Speaker 5: on the news and everything.

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Speaker 2: Look at God, people know that.

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Speaker 1: Yeah.

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Speaker 5: I just let people know I never gave up and

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Speaker 5: I never will give up. I go out to the

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Speaker 5: visit hospital and talk to people that's going through this

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Speaker 5: and everything.

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Speaker 3: So look at God, I said, look at God, Man, God,

329
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Speaker 3: is great.

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Speaker 5: Yes he is. Yes, he is God. And I want

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Speaker 5: to put it out of the world, in the world

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Speaker 5: I'm not. I'm not a bathroom god at all. You know,

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Speaker 5: he is the greatest man, absolutely, And like I said,

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Speaker 5: I want to I had a very massive show and

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Speaker 5: now I drive and everything and I let people know.

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Speaker 5: You know what I'm saying that it is out there.

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Speaker 5: If you never give up, you will you will be

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Speaker 5: where you need to be in life.

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Speaker 2: Can I can I ask you a question?

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Speaker 3: What made you keep your faith when the doctor has

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Speaker 3: told you that diagnosis that you would never walk again.

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Speaker 5: Uh, it was just a god thing because many times

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Speaker 5: I felt like I was going to give up, and

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Speaker 5: then I just it just just grabbed you. And I

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Speaker 5: just said I felt like I was fighting for everybody

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Speaker 5: because I felt like I should never give up and

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Speaker 5: I should let people know like for example, and I

348
00:14:10,240 --> 00:14:12,360
Speaker 5: think God never put nothing that you can't be.

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Speaker 2: That's right.

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Speaker 3: One more question, how long how long did it take

351
00:14:16,480 --> 00:14:17,640
Speaker 3: for your penis to start working again?

352
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Speaker 2: Shut up?

353
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Speaker 9: Man?

354
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Speaker 2: Why do you can't about that?

355
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Speaker 6: Man?

356
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Speaker 7: Penis?

357
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Speaker 6: Man?

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Speaker 2: Is a real question.

359
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Speaker 5: Actually it could have went right away. It's about it's

360
00:14:25,160 --> 00:14:27,440
Speaker 5: a confidence then, man, it's about what people you know

361
00:14:27,640 --> 00:14:29,360
Speaker 5: put out. Man, you know what I'm saying, when when

362
00:14:29,360 --> 00:14:31,920
Speaker 5: the stop, it's not just the physical, is the mental aufico.

363
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Speaker 5: So I think you got a lot to do with

364
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Speaker 5: the physical mental also.

365
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Speaker 2: So you're backstroking now.

366
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Speaker 5: I'm not focused on that right now. I'm focused on

367
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Speaker 5: getting out to the world.

368
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Speaker 6: If I ain't show you yet, you know what I'm saying,

369
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Speaker 6: Jesus Christ, thank you, thank you, Charlamage, gonna send you

370
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Speaker 6: a black effect hat.

371
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Speaker 2: Hold on it right, all right, all right, Jesus Christ.

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Speaker 2: Blessing to that brother.

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Speaker 1: Let me let me shout out to Albert. Albert is

374
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Speaker 1: a partner of mine. I'm doing the hbcu uh N

375
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Speaker 1: Y Classic with where we're bringing the classic back to

376
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Speaker 1: New York. I was talking to him the other day

377
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Speaker 1: and sometimes you just listen to people, and he told

378
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Speaker 1: me he had a stroke a couple of years ago,

379
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Speaker 1: and I asked him why, and he said it was stressed.

380
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Speaker 1: He said it's one of the biggest factors. And he

381
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Speaker 1: says because of that, since now, he doesn't let anything

382
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Speaker 1: stress him out. And ever since I had that conversation

383
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Speaker 1: with him, if something was pressure or stressed, I just

384
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Speaker 1: breathe and breathe out and let it go.

385
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Speaker 3: That's why I don't hold on in those scratchs. My

386
00:15:20,960 --> 00:15:22,360
Speaker 3: doctor told me when I was doing all of those

387
00:15:22,360 --> 00:15:25,880
Speaker 3: coordinary artery tests a few months ago. My doctor told me,

388
00:15:26,360 --> 00:15:29,640
Speaker 3: if I can take a vacation at least once a month,

389
00:15:29,640 --> 00:15:31,360
Speaker 3: and a vacation don't have to be like you actually

390
00:15:31,360 --> 00:15:34,280
Speaker 3: go somewhere like you know, sometimes just gathering with friends

391
00:15:34,280 --> 00:15:36,240
Speaker 3: and family, you know what I mean, and just chicking

392
00:15:36,240 --> 00:15:38,360
Speaker 3: it and just relaxing and enjoying life.

393
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Speaker 2: Right.

394
00:15:38,840 --> 00:15:40,760
Speaker 1: So that's that's what I've been doing, and that's what

395
00:15:40,760 --> 00:15:42,320
Speaker 1: I've been doing to it. And I gotta say, I

396
00:15:42,320 --> 00:15:46,720
Speaker 1: gotta say a salute to this brother who has changed.

397
00:15:46,760 --> 00:15:48,960
Speaker 1: And it's surprisingly because you know, I've known the brother

398
00:15:49,000 --> 00:15:52,040
Speaker 1: for a long time. And that's you because usually when

399
00:15:52,080 --> 00:15:54,720
Speaker 1: I'm ready for rah Rod, Charlomagne is ready with me

400
00:15:54,760 --> 00:15:56,600
Speaker 1: with the raw rod. And this is no live like

401
00:15:56,600 --> 00:15:58,720
Speaker 1: I've known this brother for a long time. But now

402
00:15:58,720 --> 00:16:00,560
Speaker 1: when I speak to me, like what are gonna worry

403
00:16:00,560 --> 00:16:00,800
Speaker 1: about it?

404
00:16:00,800 --> 00:16:03,320
Speaker 2: And let it go? Let's don't stress it like you,

405
00:16:03,560 --> 00:16:05,200
Speaker 2: I wouldn't even just like you say it. I'm like,

406
00:16:05,200 --> 00:16:07,240
Speaker 2: who is this gosh? You know, that's on the wall.

407
00:16:07,280 --> 00:16:09,480
Speaker 7: He's like, like, you can do and just relax. That's

408
00:16:09,480 --> 00:16:13,040
Speaker 7: a nig. I've never ever seen that man worry about nothing.

409
00:16:12,840 --> 00:16:15,800
Speaker 3: Because he's always relieving stressing.

410
00:16:16,360 --> 00:16:20,160
Speaker 6: Right, Okay, coming, I come and we come to work

411
00:16:20,280 --> 00:16:20,760
Speaker 6: or something.

412
00:16:21,400 --> 00:16:23,200
Speaker 7: The whole every blog time's a coming.

413
00:16:23,320 --> 00:16:24,560
Speaker 2: Whatever. How can you be stressing?

414
00:16:24,600 --> 00:16:27,400
Speaker 3: You always having sex? You spend seventy five percent of

415
00:16:27,480 --> 00:16:29,480
Speaker 3: the time, naggad. The only time he wears clothes when

416
00:16:29,480 --> 00:16:30,080
Speaker 3: he's doing wild.

417
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Speaker 1: This is the second time he's talking about the guys Peters.

418
00:16:32,360 --> 00:16:35,520
Speaker 3: But anyway, I'm telling you this is why Nick don't

419
00:16:35,560 --> 00:16:37,400
Speaker 3: have stressed five five one oh five.

420
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Speaker 2: We'll get it off your chest at the breakfast club.

421
00:16:39,000 --> 00:16:45,840
Speaker 2: Good morning the breakfast club. Today is your time to

422
00:16:45,840 --> 00:16:47,360
Speaker 2: get it off your chest.

423
00:16:46,880 --> 00:16:50,520
Speaker 7: Wait up, whether you're mad or bless, time to get

424
00:16:50,600 --> 00:16:52,520
Speaker 7: up and get something. Call up now.

425
00:16:52,560 --> 00:16:54,520
Speaker 2: Eight hundred and five eight five one oh five one.

426
00:16:54,640 --> 00:16:56,360
Speaker 2: We want to hear from you on the breakfast club.

427
00:16:56,840 --> 00:16:59,720
Speaker 5: Hello, who's this morning?

428
00:17:00,160 --> 00:17:02,400
Speaker 2: Goes Santos. What I'm getting off your chest?

429
00:17:02,400 --> 00:17:02,560
Speaker 4: Bro?

430
00:17:03,080 --> 00:17:05,000
Speaker 5: I just wanted the same man. God is good man,

431
00:17:05,040 --> 00:17:12,840
Speaker 5: I'm this morning man. God like everything, so God, and

432
00:17:12,920 --> 00:17:15,440
Speaker 5: I'm glad you'll go and no I just wanted the

433
00:17:15,480 --> 00:17:20,560
Speaker 5: same man to get a book from you, and from you, uh,

434
00:17:21,000 --> 00:17:21,840
Speaker 5: I ain't even good.

435
00:17:21,880 --> 00:17:24,160
Speaker 2: Man, man. Our producers be slacking up here.

436
00:17:24,200 --> 00:17:24,320
Speaker 7: Man.

437
00:17:24,320 --> 00:17:25,879
Speaker 3: We've been putting you all on hold and getting you

438
00:17:25,920 --> 00:17:29,760
Speaker 3: all addressed. All the merchandise is so we got today.

439
00:17:29,760 --> 00:17:32,000
Speaker 3: I got, I got black effect hats, I got books.

440
00:17:32,040 --> 00:17:33,399
Speaker 3: We can send you all of that. It's just a

441
00:17:33,440 --> 00:17:35,480
Speaker 3: matter of him doing it. Can somebody actually get his

442
00:17:35,520 --> 00:17:36,359
Speaker 3: address and mail it out.

443
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Speaker 2: We're gonna put your whole broad man, thank you saying

444
00:17:40,840 --> 00:17:42,880
Speaker 2: she's gonna do it. I trust me. We says she's

445
00:17:42,880 --> 00:17:44,639
Speaker 2: gonna do it, all right. Hello, who's this?

446
00:17:45,600 --> 00:17:47,840
Speaker 5: Good morning? Subscribed the Welder.

447
00:17:48,080 --> 00:17:49,240
Speaker 2: Hey, Jordan the Rapper.

448
00:17:49,359 --> 00:17:55,040
Speaker 3: Jordan's Oh, Jordan the welded Jordan Rapper, Jordan, Jordan Welder,

449
00:17:55,160 --> 00:17:57,359
Speaker 3: slut the George about that you battle hit man Holland,

450
00:17:58,400 --> 00:18:00,800
Speaker 3: I'm blessed black and Holly favored Joey Jordan, my people.

451
00:18:00,880 --> 00:18:02,840
Speaker 3: I follow Jordan on on on Instagram.

452
00:18:02,840 --> 00:18:03,520
Speaker 2: What's up, Jordan.

453
00:18:03,520 --> 00:18:05,800
Speaker 3: It's really a welder. By the way, they ain't like

454
00:18:05,840 --> 00:18:08,520
Speaker 3: a Butcher's not like Benny the Butcher. But Bennie's not

455
00:18:08,560 --> 00:18:09,240
Speaker 3: really a butcher.

456
00:18:09,480 --> 00:18:12,560
Speaker 1: She's really a well. Jordan weld What up.

457
00:18:12,920 --> 00:18:15,760
Speaker 5: Yeah, I'm actually going back to my welding draft tomorrow.

458
00:18:15,880 --> 00:18:18,200
Speaker 5: I have to take off for a little bit once

459
00:18:18,240 --> 00:18:19,480
Speaker 5: I got pregnant.

460
00:18:19,720 --> 00:18:22,000
Speaker 2: Yep. Okay, CONGRATU.

461
00:18:23,520 --> 00:18:23,960
Speaker 5: Myself.

462
00:18:24,359 --> 00:18:27,640
Speaker 2: Oh congratulations man, thank you.

463
00:18:27,720 --> 00:18:29,159
Speaker 5: So I just want to give a shout out to

464
00:18:29,200 --> 00:18:30,919
Speaker 5: all the newly part about myself.

465
00:18:31,480 --> 00:18:32,600
Speaker 2: Old Joe, give me your cash.

466
00:18:32,680 --> 00:18:34,119
Speaker 3: I'm gonna send you a little push gift in the

467
00:18:34,119 --> 00:18:36,359
Speaker 3: form of some diaper money.

468
00:18:36,720 --> 00:18:38,760
Speaker 5: I don't want you to. I'm just happy that you

469
00:18:38,880 --> 00:18:39,119
Speaker 5: know me.

470
00:18:39,400 --> 00:18:42,120
Speaker 2: See what I'm saying. That's when a woman learned the trade,

471
00:18:42,160 --> 00:18:44,720
Speaker 2: when a woman got a trade job.

472
00:18:46,520 --> 00:18:52,639
Speaker 1: Money, keep yours right here.

473
00:18:53,520 --> 00:18:58,240
Speaker 2: Out. You're doing the right thing. You married that. What's

474
00:18:58,240 --> 00:18:59,240
Speaker 2: his trade?

475
00:19:00,320 --> 00:19:00,920
Speaker 7: I'll see.

476
00:19:03,600 --> 00:19:08,520
Speaker 2: He didn't want to so what does he do? Okay?

477
00:19:08,240 --> 00:19:12,359
Speaker 7: Okay, John, I love that man.

478
00:19:12,560 --> 00:19:15,320
Speaker 2: Well, Jordan, you have a going where you where from? Jordan, Virginia? Right?

479
00:19:15,720 --> 00:19:18,879
Speaker 1: No, I'm Ohio, Cincinnati, Ohio. All right, Well you have

480
00:19:18,960 --> 00:19:20,600
Speaker 1: a great morning and we'll talk to you.

481
00:19:20,640 --> 00:19:22,640
Speaker 5: So my Instagram, of.

482
00:19:22,600 --> 00:19:25,359
Speaker 10: Course it is Jordan Underscore.

483
00:19:25,520 --> 00:19:26,399
Speaker 5: The Underscore.

484
00:19:26,480 --> 00:19:28,560
Speaker 2: Well, okay, mama, you have a go on.

485
00:19:29,000 --> 00:19:30,680
Speaker 5: You too, by now.

486
00:19:30,880 --> 00:19:31,880
Speaker 2: Get it off your chest.

487
00:19:31,920 --> 00:19:34,440
Speaker 1: Eight hundrenk five eight five one oh five one. Now,

488
00:19:34,480 --> 00:19:36,800
Speaker 1: when we come back, we got your room report. Now,

489
00:19:36,880 --> 00:19:39,600
Speaker 1: hit Many Holly. You heard Charlemagne all morning long. He's

490
00:19:39,600 --> 00:19:41,960
Speaker 1: been talking about penises and men naked. So I'm not

491
00:19:42,119 --> 00:19:44,640
Speaker 1: staying with that. We haven't talked about that at all.

492
00:19:44,720 --> 00:19:47,960
Speaker 1: Elon Musk wants to have a contest with another billionaire

493
00:19:48,000 --> 00:19:50,360
Speaker 1: and they want to measure penis measuring contest.

494
00:19:50,400 --> 00:19:52,400
Speaker 2: I saw that, all right, but you've seen that one.

495
00:19:52,640 --> 00:19:53,680
Speaker 2: But they both need.

496
00:19:53,600 --> 00:19:55,480
Speaker 3: To remember that they're white, and you know, if the

497
00:19:55,520 --> 00:19:57,600
Speaker 3: stereotype is true, that is a pointless contest.

498
00:19:57,600 --> 00:19:58,600
Speaker 2: But wanted them.

499
00:19:58,480 --> 00:20:00,720
Speaker 1: To Jesus Christ. I will talk about it when we

500
00:20:00,760 --> 00:20:01,080
Speaker 1: come back.

501
00:20:01,119 --> 00:20:03,440
Speaker 2: Don't move. It's to the Breakfast Club. Good morning, the

502
00:20:03,520 --> 00:20:09,960
Speaker 2: Breakfast Club. Good morning everybody. It's j n V. Charlamagne

503
00:20:09,960 --> 00:20:11,639
Speaker 2: the God. We are the Breakfast Club.

504
00:20:11,720 --> 00:20:14,520
Speaker 1: You know, it's season twenty of Wilding Out and because

505
00:20:14,520 --> 00:20:16,679
Speaker 1: of that, every morning this week we're going to have

506
00:20:16,720 --> 00:20:18,679
Speaker 1: a cast member for Wilding Out here in this morning.

507
00:20:19,000 --> 00:20:21,760
Speaker 2: Hit Man hollis, yeah, guy, hit Man Holly is here,

508
00:20:22,000 --> 00:20:22,400
Speaker 2: all right.

509
00:20:22,640 --> 00:20:25,720
Speaker 3: Even though e T did not promote the Breakfast Club,

510
00:20:25,760 --> 00:20:27,080
Speaker 3: not once during the BET.

511
00:20:26,920 --> 00:20:31,320
Speaker 1: Awards, No, sure didn't. That's right, all right, But let's

512
00:20:31,320 --> 00:20:34,680
Speaker 1: get to the rumors. Let's talk billionaires beef.

513
00:20:37,000 --> 00:20:39,719
Speaker 2: A name or you've gossip been you chatting?

514
00:20:40,800 --> 00:20:42,119
Speaker 7: This is the rumor report.

515
00:20:42,200 --> 00:20:43,480
Speaker 2: I mean, I guess we're on the breakfast club.

516
00:20:43,480 --> 00:20:44,640
Speaker 8: This is where the tea spells.

517
00:20:44,359 --> 00:20:46,040
Speaker 2: Right, yes, on the breakfast club.

518
00:20:46,600 --> 00:20:49,520
Speaker 1: Now, when the streets beef, usually they want some blood.

519
00:20:50,320 --> 00:20:52,760
Speaker 1: But it seems like when billionaires beef, they want penis.

520
00:20:52,800 --> 00:20:58,879
Speaker 1: All right, So Elon Musk challenges Mark Zuckerberg to a

521
00:20:59,000 --> 00:21:02,359
Speaker 1: deep measuring contest. Now he called, he said, Zuck is

522
00:21:02,359 --> 00:21:06,760
Speaker 1: a cuck and I propose a literal des contest. And

523
00:21:06,800 --> 00:21:10,680
Speaker 1: that's because he feels like Mark Zuckerberg took his idea

524
00:21:10,840 --> 00:21:11,520
Speaker 1: of Twitter.

525
00:21:11,840 --> 00:21:14,000
Speaker 3: Well, what a pointless contest for them to have, because

526
00:21:14,000 --> 00:21:16,320
Speaker 3: the fact that they are having this contest screams little

527
00:21:16,400 --> 00:21:18,960
Speaker 3: d energy. And I guarantee both of them built like

528
00:21:19,000 --> 00:21:21,359
Speaker 3: those old white men you see in the gym, just

529
00:21:21,440 --> 00:21:23,920
Speaker 3: toughs the head down there, you know, the old white

530
00:21:23,920 --> 00:21:25,760
Speaker 3: man when they walking around neked in the gym.

531
00:21:25,920 --> 00:21:29,080
Speaker 1: I never, I never stopped, I never, I never. Everybody's

532
00:21:29,080 --> 00:21:31,920
Speaker 1: seeing it. Why are you gonna sit here and don't.

533
00:21:32,240 --> 00:21:33,480
Speaker 2: I'll tell you what would be interested?

534
00:21:33,640 --> 00:21:38,720
Speaker 3: But Elon and Mark both chose two rappers to represent them,

535
00:21:38,760 --> 00:21:41,320
Speaker 3: and those rappers raped from the perspective of having marking

536
00:21:41,400 --> 00:21:46,560
Speaker 3: Elon's money, power and influence. Imagine Rick Ross representing Mark Zuckenberg.

537
00:21:46,920 --> 00:21:50,360
Speaker 3: Imagine Kanye West representing Elon musk Ar Kodak Black representing

538
00:21:50,359 --> 00:21:53,080
Speaker 3: Mark Zuckenberg, and the NBA Young Boy represent Elon musk

539
00:21:53,200 --> 00:21:55,600
Speaker 3: Imagine Soldier Boy speaking from.

540
00:21:55,400 --> 00:21:58,760
Speaker 1: The perspective of being Mark Zuckerberg. Can you imagine the

541
00:21:58,760 --> 00:21:59,960
Speaker 1: little one soldier boy in myself?

542
00:22:00,280 --> 00:22:03,560
Speaker 3: What can you imagine the levels of battle and entertainment

543
00:22:04,000 --> 00:22:06,119
Speaker 3: we would get with Soldier Boy talking like he got

544
00:22:06,160 --> 00:22:10,520
Speaker 3: two hundred and fifty billion dollars. Imagine Rick Cross rapping

545
00:22:10,560 --> 00:22:13,760
Speaker 3: and talking like he got two hundred and fifty billion dollars.

546
00:22:14,280 --> 00:22:16,760
Speaker 3: That's what Mark and Elon need to do because billionaire

547
00:22:16,840 --> 00:22:18,399
Speaker 3: trash talk is actually trash.

548
00:22:18,440 --> 00:22:19,200
Speaker 2: It's garbage.

549
00:22:19,280 --> 00:22:21,480
Speaker 3: Literally, Okay, let the let the rappers get a hold

550
00:22:21,480 --> 00:22:23,800
Speaker 3: of your lifestyle and money during the duration of this

551
00:22:23,880 --> 00:22:25,800
Speaker 3: Beef paid him like one hundred ms to do it

552
00:22:25,920 --> 00:22:26,760
Speaker 3: and watch them cooking.

553
00:22:26,800 --> 00:22:29,240
Speaker 6: But we're actually gonna do that on wilding out both

554
00:22:29,280 --> 00:22:31,960
Speaker 6: on the screen. Like if it's a battle, just say

555
00:22:31,960 --> 00:22:34,920
Speaker 6: con seeded Mark Elone, then I gotta Wrap.

556
00:22:34,720 --> 00:22:36,520
Speaker 7: Battle him like I'm him. So that's a good idea.

557
00:22:36,560 --> 00:22:38,280
Speaker 7: We're gonna do that.

558
00:22:38,080 --> 00:22:40,520
Speaker 2: Now they're stealing all.

559
00:22:40,640 --> 00:22:43,320
Speaker 3: Not only do they not promote the Breakfast Club at

560
00:22:43,320 --> 00:22:46,440
Speaker 3: the BET Awards, we're promoting wilding Out for the week,

561
00:22:46,520 --> 00:22:47,440
Speaker 3: and they taking our ideas.

562
00:22:47,480 --> 00:22:49,479
Speaker 2: Y'all can have that though, take here, take it now.

563
00:22:49,880 --> 00:22:52,840
Speaker 3: But if they really do it there By the way,

564
00:22:52,960 --> 00:22:54,720
Speaker 3: y'all always do shout us out on wild Out and

565
00:22:54,720 --> 00:22:56,920
Speaker 3: we appreciate it. Do shout out Breakast Club a lot.

566
00:22:57,240 --> 00:22:59,440
Speaker 3: If they really gonna fight, that's how you gotta sell

567
00:22:59,520 --> 00:23:03,080
Speaker 3: the fight. Let the rappers represent them leading up to it.

568
00:23:03,119 --> 00:23:05,240
Speaker 3: Gotta be soldier boy versus who, Like who would you want?

569
00:23:05,240 --> 00:23:05,919
Speaker 3: Like I would pick.

570
00:23:05,800 --> 00:23:09,120
Speaker 2: Soldier boy, soldier boy versus NBA young boy.

571
00:23:10,000 --> 00:23:12,400
Speaker 3: Imagine NBA a young boy talking like he's Mark Zuckerberg

572
00:23:12,440 --> 00:23:14,280
Speaker 3: and Elon Musk like he got that money, that power

573
00:23:14,280 --> 00:23:15,520
Speaker 3: and that crazy.

574
00:23:15,720 --> 00:23:19,080
Speaker 1: Rick Ross would be immaculate, you know, envy and I

575
00:23:19,080 --> 00:23:20,800
Speaker 1: would do ray J ray J two.

576
00:23:22,040 --> 00:23:24,760
Speaker 2: I got it. I got indoor pool outdoor pool in

577
00:23:24,880 --> 00:23:25,320
Speaker 2: doing what.

578
00:23:27,640 --> 00:23:29,720
Speaker 3: Ray J was too turned up for that like ray

579
00:23:29,800 --> 00:23:31,439
Speaker 3: J was high and drunk. That was a different ray

580
00:23:31,520 --> 00:23:34,080
Speaker 3: J at that time. Like Rick Ross does this for

581
00:23:34,160 --> 00:23:34,919
Speaker 3: a living soldier?

582
00:23:34,960 --> 00:23:38,000
Speaker 2: Boy? Does this living Kodak? Oh my god.

583
00:23:38,359 --> 00:23:42,280
Speaker 1: Anyway, Well, let's talk about Jocelyn Hernandez. Well, she called

584
00:23:42,280 --> 00:23:44,600
Speaker 1: a couple of cops white crackers. And this is when

585
00:23:44,600 --> 00:23:45,639
Speaker 1: she was getting arrested.

586
00:23:45,400 --> 00:23:47,640
Speaker 2: Dropping the clue. Bump to Johnson. Shut up, man, don't

587
00:23:47,680 --> 00:23:52,159
Speaker 2: you do it? Take it back. I don't want to know.

588
00:23:54,240 --> 00:24:01,520
Speaker 2: Shut up, you shut up? Get back.

589
00:24:01,960 --> 00:24:05,639
Speaker 3: Hey, Hey, do you want to give me?

590
00:24:06,920 --> 00:24:07,600
Speaker 7: I want to kill me.

591
00:24:08,680 --> 00:24:16,720
Speaker 2: Yeah, I want to kill me. I got it, I

592
00:24:16,720 --> 00:24:23,520
Speaker 2: got I don't hear crackers there? You can, Okay, not

593
00:24:23,600 --> 00:24:23,880
Speaker 2: that one.

594
00:24:23,920 --> 00:24:24,520
Speaker 3: You kill me?

595
00:24:25,000 --> 00:24:25,480
Speaker 2: You all go.

596
00:24:25,840 --> 00:24:26,960
Speaker 7: Dobody wants to.

597
00:24:29,359 --> 00:24:31,720
Speaker 2: Who was there was ever any doubt that Johns on

598
00:24:31,800 --> 00:24:32,080
Speaker 2: her name?

599
00:24:32,119 --> 00:24:35,560
Speaker 3: This was black? You call the white copper cracker? God

600
00:24:35,640 --> 00:24:41,080
Speaker 3: damn yeah, Lord have that's top tier blackness right there.

601
00:24:41,119 --> 00:24:43,400
Speaker 3: Come on, those are some well placed crackers.

602
00:24:43,480 --> 00:24:44,760
Speaker 2: Well that's how she was getting rested.

603
00:24:44,760 --> 00:24:46,680
Speaker 1: Now, she's pretty upset right now because she's trying to

604
00:24:46,680 --> 00:24:48,879
Speaker 1: figure out how that footage came out because that's actual

605
00:24:49,160 --> 00:24:51,840
Speaker 1: police camera footage. That's body can't footage that.

606
00:24:51,800 --> 00:24:54,280
Speaker 2: The police put it out. But I don't thinky're supposed.

607
00:24:53,960 --> 00:24:57,560
Speaker 7: To do that. They do a lot of stuff things.

608
00:24:57,600 --> 00:24:59,399
Speaker 2: It's not it's not on trial yet. She didn't take

609
00:24:59,400 --> 00:24:59,959
Speaker 2: the trial enough.

610
00:25:00,680 --> 00:25:01,919
Speaker 3: Well, I don't know how it works. I thought that

611
00:25:01,960 --> 00:25:03,800
Speaker 3: if the police record you on their body camera for that,

612
00:25:03,880 --> 00:25:04,479
Speaker 3: they can put it out.

613
00:25:04,520 --> 00:25:06,439
Speaker 2: I didn't. I didn't. I didn't know there was a

614
00:25:06,480 --> 00:25:07,920
Speaker 2: time limit on when you could put it out. I

615
00:25:07,920 --> 00:25:08,159
Speaker 2: don't know.

616
00:25:08,280 --> 00:25:09,879
Speaker 1: Well, when she was up here, she talks about the

617
00:25:09,880 --> 00:25:12,439
Speaker 1: incident and said that I asked if she was drinking

618
00:25:12,520 --> 00:25:13,760
Speaker 1: that night, and this is what she.

619
00:25:13,720 --> 00:25:16,800
Speaker 11: Said, I'm not really you know, you know, I just

620
00:25:16,800 --> 00:25:18,760
Speaker 11: got out of jail. Yes, you know, I just got

621
00:25:18,800 --> 00:25:20,720
Speaker 11: out of jail. So there's really not too much that

622
00:25:20,800 --> 00:25:22,880
Speaker 11: I could talk on that. But what I can say

623
00:25:22,960 --> 00:25:28,119
Speaker 11: is that I'm gonna always protect yes me right if

624
00:25:28,160 --> 00:25:30,199
Speaker 11: you see me out here in the streets, when you know,

625
00:25:30,720 --> 00:25:33,560
Speaker 11: you two in the world America, whoever knows me, know

626
00:25:34,119 --> 00:25:35,880
Speaker 11: where I come from and what I've done and how

627
00:25:36,000 --> 00:25:38,680
Speaker 11: I've changed. You know, I'm just making sure that I'm

628
00:25:38,720 --> 00:25:40,399
Speaker 11: straight and no one hurts me.

629
00:25:40,600 --> 00:25:40,760
Speaker 7: Now.

630
00:25:40,960 --> 00:25:43,359
Speaker 2: When you drunk that night, because people asked were you drunk?

631
00:25:43,560 --> 00:25:44,680
Speaker 8: I had, let me tell you.

632
00:25:45,160 --> 00:25:47,480
Speaker 11: I always love to say I wasn't drunk, but I

633
00:25:47,480 --> 00:25:50,240
Speaker 11: would have one or two drinks and for some reason,

634
00:25:50,320 --> 00:25:52,720
Speaker 11: and I think because I'm not chasing it with any drugs,

635
00:25:53,119 --> 00:25:54,560
Speaker 11: it just hits me so much harder.

636
00:25:54,680 --> 00:25:59,359
Speaker 1: Yeah, yeah, So she talks about that. Then lastly, Drake,

637
00:26:00,160 --> 00:26:03,240
Speaker 1: he was fined ten thousand dollars per minute as he

638
00:26:03,280 --> 00:26:05,320
Speaker 1: was performing in Detroit. You know, they give you a

639
00:26:05,320 --> 00:26:07,600
Speaker 1: curfew and if you go over that curfew usually there's

640
00:26:07,640 --> 00:26:10,680
Speaker 1: a hefty fine. And his was ten thousand per minute.

641
00:26:10,720 --> 00:26:13,000
Speaker 1: So he went over twenty three minutes.

642
00:26:13,359 --> 00:26:20,080
Speaker 10: It's ten dollars to say.

643
00:26:23,280 --> 00:26:25,080
Speaker 1: Yeah, so that was him saying that he has to

644
00:26:25,080 --> 00:26:27,120
Speaker 1: pay that twenty three thousand just to make sure that

645
00:26:27,160 --> 00:26:29,400
Speaker 1: he finished his concert in his show the right way.

646
00:26:29,440 --> 00:26:31,280
Speaker 2: And where was he at Detroit? Detroit?

647
00:26:31,440 --> 00:26:33,879
Speaker 3: I mean, I'm sure they clearly have always loved Drake

648
00:26:33,920 --> 00:26:35,280
Speaker 3: because I'm sure that show was sold out.

649
00:26:35,320 --> 00:26:38,320
Speaker 1: Now it was thousand minute. Now you love him even

650
00:26:38,359 --> 00:26:40,800
Speaker 1: more thirty rights, thirt.

651
00:26:40,640 --> 00:26:44,960
Speaker 3: Thousand, mind you, that's not nothing to Drake, right, but

652
00:26:45,440 --> 00:26:47,919
Speaker 3: what he's going to get back from that crowd from

653
00:26:48,000 --> 00:26:50,720
Speaker 3: now on because they're never going to forget the fact

654
00:26:50,840 --> 00:26:53,879
Speaker 3: that Drake Drake paid an extra quarter million dollars to

655
00:26:54,359 --> 00:26:55,560
Speaker 3: entertain minutes.

656
00:26:56,160 --> 00:26:59,040
Speaker 2: They love that man forever. Yeah, very well spent two.

657
00:26:58,840 --> 00:27:02,320
Speaker 1: Thirty on undred thirty thousand dollars. All right, well that

658
00:27:02,520 --> 00:27:04,560
Speaker 1: is your rumor report. Now when we come back, Tesling

659
00:27:04,560 --> 00:27:07,240
Speaker 1: figure Out will be joining us for some front page news.

660
00:27:07,040 --> 00:27:08,600
Speaker 2: And then ice Cube will be here, so don't move.

661
00:27:08,600 --> 00:27:09,720
Speaker 2: It's to Breakfast Club. Good morning.

662
00:27:10,119 --> 00:27:13,720
Speaker 1: Everybody is DJ Envy, Charlmagne to God, we are the

663
00:27:13,760 --> 00:27:14,760
Speaker 1: Breakfast Club.

664
00:27:14,960 --> 00:27:17,959
Speaker 2: Now let's get in some front page news. Testling figures here.

665
00:27:18,000 --> 00:27:18,600
Speaker 7: What up? Tests?

666
00:27:19,000 --> 00:27:22,119
Speaker 4: Good morning, dj NV, Good morning, Charlemagne the God to

667
00:27:22,200 --> 00:27:22,919
Speaker 4: hit Man Hollow.

668
00:27:23,160 --> 00:27:23,600
Speaker 7: That's right.

669
00:27:23,800 --> 00:27:24,800
Speaker 2: If you just joined us.

670
00:27:25,000 --> 00:27:27,399
Speaker 1: This is the twentieth season for a wild'n Out, and

671
00:27:27,720 --> 00:27:29,679
Speaker 1: every morning we're gonna bring a cast me up this

672
00:27:29,760 --> 00:27:31,320
Speaker 1: week and this morning it's hit Man OUTA.

673
00:27:31,440 --> 00:27:31,800
Speaker 2: That's right.

674
00:27:31,800 --> 00:27:34,320
Speaker 3: And even though even though BF he didn't promote the

675
00:27:34,359 --> 00:27:37,080
Speaker 3: Breakfast Club now once during the BT Awards, the still

676
00:27:37,080 --> 00:27:37,520
Speaker 3: are going to.

677
00:27:37,520 --> 00:27:40,080
Speaker 7: Help them promote their I appreciate it. Promote.

678
00:27:40,920 --> 00:27:42,680
Speaker 2: That's right, Luthor, hit Man Hollow.

679
00:27:43,080 --> 00:27:45,240
Speaker 3: Now if you could have came up here too, there's

680
00:27:45,240 --> 00:27:46,720
Speaker 3: a lot of different people I see on the schedule

681
00:27:46,720 --> 00:27:46,960
Speaker 3: this week.

682
00:27:46,960 --> 00:27:48,640
Speaker 2: I don't see Big Cannon on the schedule this week.

683
00:27:48,720 --> 00:27:49,399
Speaker 7: We probably know that.

684
00:27:50,119 --> 00:27:52,680
Speaker 1: No, well, it's Nick and a show though, right, dug

685
00:27:52,840 --> 00:27:53,880
Speaker 1: he don't want to promote the show.

686
00:27:54,400 --> 00:27:56,120
Speaker 2: Maybe not here, I don't know, Jesus.

687
00:27:56,240 --> 00:27:58,320
Speaker 1: All right, let's jump in the front page news. Let's

688
00:27:58,320 --> 00:28:01,200
Speaker 1: talk Larry Nasa. He got stabbed up in jail.

689
00:28:01,640 --> 00:28:05,479
Speaker 4: Yes, yes, stabbed up the disgrace sports doctor Larry Nasser,

690
00:28:05,520 --> 00:28:08,400
Speaker 4: who was convicted of sexually abusing a more than one

691
00:28:08,440 --> 00:28:12,520
Speaker 4: hundred female gymnasts, including Olympic gold medalist Samon Biles.

692
00:28:12,520 --> 00:28:14,080
Speaker 8: A lot of people may remember that story.

693
00:28:14,560 --> 00:28:16,760
Speaker 4: He was stabbed multiple times in the back, twice in

694
00:28:16,800 --> 00:28:19,600
Speaker 4: the neck, six times in the chest, and he suffered

695
00:28:19,600 --> 00:28:22,800
Speaker 4: a collapse long during an altercation with another inmated federal

696
00:28:22,880 --> 00:28:25,480
Speaker 4: prison at a federal prison in Florida. Now, even after

697
00:28:25,560 --> 00:28:28,120
Speaker 4: all of that, he has been listed in stable condition.

698
00:28:28,640 --> 00:28:32,400
Speaker 4: The prison was experienced staffing shortages, so it was only

699
00:28:32,400 --> 00:28:35,119
Speaker 4: about two officers that were assigned to his unit, and

700
00:28:35,160 --> 00:28:38,200
Speaker 4: they were working mandated overtime shifts.

701
00:28:38,680 --> 00:28:40,800
Speaker 2: Well, it's good to see people still holding on the tradition.

702
00:28:41,200 --> 00:28:43,760
Speaker 1: No, I was gonna ask, does anybody feel bad for

703
00:28:43,840 --> 00:28:47,800
Speaker 1: him because he's sexually assaulted the young women and women like,

704
00:28:47,840 --> 00:28:49,360
Speaker 1: do you feel bad for no?

705
00:28:49,720 --> 00:28:51,520
Speaker 2: A hundred of them too. But that's what I say.

706
00:28:51,560 --> 00:28:53,800
Speaker 3: I've been alive forty five years, and I've always heard

707
00:28:53,800 --> 00:28:56,160
Speaker 3: my father and OG's around me say that's what happens

708
00:28:56,200 --> 00:28:58,400
Speaker 3: to people who commit those kinds of crime when they

709
00:28:58,480 --> 00:28:58,920
Speaker 3: go to prison.

710
00:28:59,240 --> 00:29:00,800
Speaker 2: So it's just good to see people still holding on

711
00:29:00,800 --> 00:29:01,840
Speaker 2: the tradition, holding.

712
00:29:01,640 --> 00:29:03,400
Speaker 7: It down to them.

713
00:29:06,480 --> 00:29:08,280
Speaker 4: Only on the Breakfast Club. I wanted to say the

714
00:29:08,280 --> 00:29:12,120
Speaker 4: story is still developing at this time. Authorities have not

715
00:29:12,160 --> 00:29:14,800
Speaker 4: been authorized to publicly discuss who did it, and it

716
00:29:14,840 --> 00:29:17,640
Speaker 4: is an ongoing investigation, but it looks like they're going to.

717
00:29:17,600 --> 00:29:20,080
Speaker 8: Say, hey, we didn't have enough staff.

718
00:29:20,280 --> 00:29:22,880
Speaker 4: What we all know, like you said, tradition is maybe

719
00:29:22,880 --> 00:29:25,440
Speaker 4: the CEOs turn their head and you know, let it,

720
00:29:25,480 --> 00:29:26,120
Speaker 4: make it, do.

721
00:29:26,080 --> 00:29:26,440
Speaker 7: It and do it.

722
00:29:26,440 --> 00:29:28,400
Speaker 3: What the reality is you you know, even if you

723
00:29:28,560 --> 00:29:31,120
Speaker 3: know something like that may happen to a person like

724
00:29:31,160 --> 00:29:34,120
Speaker 3: that in prison, you still can't give them protective custody,

725
00:29:34,360 --> 00:29:35,720
Speaker 3: Like that's just right.

726
00:29:36,080 --> 00:29:37,840
Speaker 2: That was the first time he was in general population.

727
00:29:37,920 --> 00:29:40,040
Speaker 1: So I'm curious if he wanted to go in general

728
00:29:40,080 --> 00:29:41,040
Speaker 1: pop or they pushed him.

729
00:29:40,920 --> 00:29:43,160
Speaker 2: In general pop. Shit. I mean, if I wouldn't want

730
00:29:43,200 --> 00:29:43,840
Speaker 2: to go to general pop.

731
00:29:43,880 --> 00:29:45,640
Speaker 3: But why why is he why should he be protected?

732
00:29:45,680 --> 00:29:46,800
Speaker 3: He should be in general pop.

733
00:29:46,680 --> 00:29:48,920
Speaker 2: Because that's gonna happens. That's the reason why.

734
00:29:48,960 --> 00:29:51,240
Speaker 3: That's why, that's why kids should avoid prison. That's why

735
00:29:51,240 --> 00:29:53,760
Speaker 3: I dote should avoid prison too. That is the dangers

736
00:29:53,960 --> 00:29:57,680
Speaker 3: of prison. Well, let's talk about Logan Poll's energy drink.

737
00:29:57,920 --> 00:30:01,400
Speaker 4: Yeah, an influencer back energy drink that has earned popularity

738
00:30:01,400 --> 00:30:04,600
Speaker 4: among children is facing scrutiny from lawmakers and health experts

739
00:30:04,640 --> 00:30:08,920
Speaker 4: over its potentially dangerous levels of caffeine. Senator Schumer called

740
00:30:08,960 --> 00:30:11,640
Speaker 4: on the Food and Drug Administration to investigate the drink

741
00:30:11,680 --> 00:30:14,520
Speaker 4: called Prime. It is a beverage brand that was founded

742
00:30:14,560 --> 00:30:18,800
Speaker 4: by the YouTube stars Logan Paul and Ksi. It has

743
00:30:18,840 --> 00:30:21,520
Speaker 4: become very popular. They said that a lot of young

744
00:30:21,800 --> 00:30:23,960
Speaker 4: folks are obsessed behind this, and they said that the

745
00:30:24,000 --> 00:30:27,360
Speaker 4: caffeine is just a ridiculous amount and they feel as

746
00:30:27,440 --> 00:30:29,120
Speaker 4: if it should be investigated.

747
00:30:30,120 --> 00:30:32,560
Speaker 2: What is dangerous levels of caffeine? What do they mean

748
00:30:32,600 --> 00:30:34,120
Speaker 2: by that? Because I know people who drink three four

749
00:30:34,160 --> 00:30:35,120
Speaker 2: cups of coffee a day.

750
00:30:35,560 --> 00:30:40,040
Speaker 4: Yeah, it is advertised as zero sugar and vegans. So

751
00:30:40,480 --> 00:30:43,040
Speaker 4: in Prime's case, they have about two hundred milligrams of

752
00:30:43,080 --> 00:30:46,680
Speaker 4: caffeine per twelve ounces, and that is equivalent to have

753
00:30:46,920 --> 00:30:49,920
Speaker 4: a dozen Coke cans or nearly two Red Bulls.

754
00:30:50,360 --> 00:30:52,560
Speaker 8: So they're saying that the.

755
00:30:52,640 --> 00:30:56,719
Speaker 4: High level of caffeine is not good for young folks.

756
00:30:57,240 --> 00:31:02,120
Speaker 4: Pediatricians have warned of possible health impacts such as heart problems, anxiety,

757
00:31:02,200 --> 00:31:05,280
Speaker 4: and digestive issue. So just too much, you know for

758
00:31:05,320 --> 00:31:07,400
Speaker 4: the teams that they're promoting this drink.

759
00:31:08,560 --> 00:31:10,240
Speaker 1: Well, the thing with Prime, and the reason I know

760
00:31:10,360 --> 00:31:12,120
Speaker 1: is because I have a nine year old that follows

761
00:31:12,320 --> 00:31:16,480
Speaker 1: logan pull and actually have me order this drink. There's

762
00:31:16,480 --> 00:31:20,040
Speaker 1: two different types of drinks. There's a regular drink and

763
00:31:20,080 --> 00:31:23,360
Speaker 1: then there's the energy drink. But there's two different types

764
00:31:23,400 --> 00:31:25,800
Speaker 1: of drinks. So the regular drink is supposed to be

765
00:31:25,960 --> 00:31:28,720
Speaker 1: zero everything, vegan and all this other, and then the

766
00:31:28,840 --> 00:31:30,600
Speaker 1: energy drink is the one that's supposed to have a

767
00:31:30,600 --> 00:31:31,680
Speaker 1: lot of caffeine in it.

768
00:31:31,920 --> 00:31:34,800
Speaker 2: So I there's two different ways that they play it.

769
00:31:35,240 --> 00:31:38,480
Speaker 1: And I don't think they actually promote the energy drink

770
00:31:38,520 --> 00:31:41,240
Speaker 1: to kids. I think they promote the regular drink to

771
00:31:41,280 --> 00:31:42,480
Speaker 1: the kids, if I'm right.

772
00:31:42,640 --> 00:31:44,840
Speaker 3: Well, I don't do energy drinks for that reason because

773
00:31:44,840 --> 00:31:46,920
Speaker 3: there's always too much caffeine, and you know, I'd rather

774
00:31:47,040 --> 00:31:50,680
Speaker 3: drink water or drink like actual juice, like press juice.

775
00:31:50,680 --> 00:31:52,960
Speaker 3: But when I do, I drink this right here, this

776
00:31:53,000 --> 00:31:55,720
Speaker 3: is Carviva shameless plug. You know, if you ever want

777
00:31:55,720 --> 00:31:59,200
Speaker 3: to hydrate, replenished and get your energy, Carviva is a

778
00:31:59,200 --> 00:32:03,480
Speaker 3: great drink juice and there's no caffeine or anything in that.

779
00:32:03,720 --> 00:32:03,920
Speaker 7: Yeah.

780
00:32:04,520 --> 00:32:07,360
Speaker 1: I always wonder when when people have drink these energy

781
00:32:07,440 --> 00:32:10,400
Speaker 1: drinks and it's it's so much caffeine in them. What's

782
00:32:10,400 --> 00:32:13,080
Speaker 1: the problem. Because people drink coffee, like you said, you know,

783
00:32:13,480 --> 00:32:15,320
Speaker 1: they'll have coffee in their hand all day long, like

784
00:32:15,400 --> 00:32:17,760
Speaker 1: four or five cups of coffee. I drink Monster and

785
00:32:17,840 --> 00:32:20,000
Speaker 1: I don't have a problem with with falling off or

786
00:32:20,240 --> 00:32:21,800
Speaker 1: or you know, some people have that whole thing where

787
00:32:21,840 --> 00:32:23,280
Speaker 1: you know, after they drink it, they have like a

788
00:32:23,280 --> 00:32:23,920
Speaker 1: big shut down.

789
00:32:23,920 --> 00:32:25,440
Speaker 2: I don't have those issues of problems.

790
00:32:25,880 --> 00:32:27,960
Speaker 4: Well, the issue is, you know, making sure that there

791
00:32:27,960 --> 00:32:30,160
Speaker 4: at least is a warning. I believe there was another

792
00:32:30,840 --> 00:32:33,200
Speaker 4: similar drink that said that they have an FDA warning.

793
00:32:33,360 --> 00:32:35,600
Speaker 4: So it's kind of like, even though you're saying there's

794
00:32:35,600 --> 00:32:38,360
Speaker 4: a distinction between the two, if a teen is ordering

795
00:32:38,600 --> 00:32:40,760
Speaker 4: or if a teen is enticed by they may not

796
00:32:40,920 --> 00:32:42,840
Speaker 4: know the you know, the difference between the two. You know,

797
00:32:42,880 --> 00:32:44,560
Speaker 4: I have a sixtey year old and she likes Starbucks,

798
00:32:44,600 --> 00:32:46,320
Speaker 4: and I try to tell her, you know, certain drinks

799
00:32:46,320 --> 00:32:48,120
Speaker 4: at Starbucks you can't drink because I.

800
00:32:48,080 --> 00:32:49,520
Speaker 8: Don't want you to. I don't want you start getting

801
00:32:49,520 --> 00:32:51,920
Speaker 8: addicted to caffeine. You know that young.

802
00:32:52,080 --> 00:32:54,600
Speaker 4: So the question is more about do these teens know

803
00:32:55,200 --> 00:32:58,600
Speaker 4: what they're you know what they're getting? Do you remember that?

804
00:32:58,640 --> 00:32:59,440
Speaker 8: Do you know ENVV?

805
00:32:59,480 --> 00:33:01,200
Speaker 4: You solve the differ between the two, like or did

806
00:33:01,200 --> 00:33:02,400
Speaker 4: you just pay attention?

807
00:33:02,880 --> 00:33:03,040
Speaker 2: No?

808
00:33:03,200 --> 00:33:05,240
Speaker 1: Actually, my son who's nine years old, told me the

809
00:33:05,240 --> 00:33:07,880
Speaker 1: difference between the two because, like he watched the Logan Pole,

810
00:33:07,960 --> 00:33:09,600
Speaker 1: so he knew about the Prime drink and he knew

811
00:33:09,600 --> 00:33:11,760
Speaker 1: about the Prime Energy and he actually wanted me to

812
00:33:11,800 --> 00:33:14,080
Speaker 1: try it one time. And then I read the levels

813
00:33:14,120 --> 00:33:15,800
Speaker 1: of caffeine and I'm like, this will have me shaking

814
00:33:15,840 --> 00:33:17,720
Speaker 1: all day, like you know they're doing all shakes.

815
00:33:17,760 --> 00:33:19,760
Speaker 2: I didn't try it, but he knew the difference.

816
00:33:19,760 --> 00:33:21,800
Speaker 1: But the problem is when you go to these convenience stores,

817
00:33:21,920 --> 00:33:24,080
Speaker 1: I don't think people even check. They just check out

818
00:33:24,120 --> 00:33:26,360
Speaker 1: the kid from drinking Prime. And like you said, if

819
00:33:26,360 --> 00:33:28,560
Speaker 1: it is high levels of caffeine and it's a younger

820
00:33:28,640 --> 00:33:31,280
Speaker 1: kid drinking it. You know, I don't think they stop them.

821
00:33:31,360 --> 00:33:33,600
Speaker 1: And like you said, if it causes anxiety, if it

822
00:33:33,600 --> 00:33:35,760
Speaker 1: can cause a heart attack or whatever, whatever it cause

823
00:33:36,000 --> 00:33:38,040
Speaker 1: could be a problem because there is nobody. It's not

824
00:33:38,080 --> 00:33:39,920
Speaker 1: like alcohol where they say you can't drink it unless

825
00:33:39,920 --> 00:33:42,200
Speaker 1: you're eighteen. I don't think the convenience stores do that.

826
00:33:42,200 --> 00:33:45,640
Speaker 3: That's why I encourage y'all to drink whole plant fruit juices. Man,

827
00:33:45,760 --> 00:33:49,280
Speaker 3: drink things that have whole plant fruit juice. Once again,

828
00:33:49,320 --> 00:33:51,560
Speaker 3: that's why I drink CARBEV. I'm detoxing right now because

829
00:33:51,560 --> 00:33:53,840
Speaker 3: I was on vacation last week over indulging and everything,

830
00:33:54,200 --> 00:33:57,400
Speaker 3: you know, from alcohol to plant based medicines. You know,

831
00:33:58,440 --> 00:34:00,800
Speaker 3: I did a thirty day fruit dives. Best I ever felt,

832
00:34:00,840 --> 00:34:03,800
Speaker 3: my telling you you got it. Detox man, do that

833
00:34:03,840 --> 00:34:06,320
Speaker 3: with whole plant fruit juices. I'm doing that with That's

834
00:34:06,320 --> 00:34:07,680
Speaker 3: why I'm drinking a lot of car vv with this

835
00:34:07,720 --> 00:34:08,319
Speaker 3: week right now.

836
00:34:08,560 --> 00:34:10,680
Speaker 2: I really do rock with carbeper carvv dot com.

837
00:34:10,719 --> 00:34:13,040
Speaker 3: Y'all should go get some of that whole plant fruit

838
00:34:13,120 --> 00:34:13,960
Speaker 3: juice that they sell.

839
00:34:14,280 --> 00:34:17,799
Speaker 1: All right, well, that is your front page New Steak

840
00:34:17,840 --> 00:34:20,400
Speaker 1: you Teslin, You're welcome, all right now?

841
00:34:20,440 --> 00:34:20,759
Speaker 2: Then, show.

842
00:34:20,800 --> 00:34:23,440
Speaker 3: You subscribe to Teling Figures podcast. It's great shot. No

843
00:34:23,520 --> 00:34:26,440
Speaker 3: chase of podcasts on the Black Effect. iHeartRadio podcast network,

844
00:34:26,480 --> 00:34:28,560
Speaker 3: and make sure you follow her on her Instagram and

845
00:34:28,600 --> 00:34:30,359
Speaker 3: Twitter at Teslin figure out all.

846
00:34:30,320 --> 00:34:32,400
Speaker 1: Right now when we come back ice Cube, but we

847
00:34:32,560 --> 00:34:34,320
Speaker 1: joining us, We're gonna kick it with ice Cube.

848
00:34:34,560 --> 00:34:35,080
Speaker 2: Got a lot to.

849
00:34:35,080 --> 00:34:39,440
Speaker 1: Discuss Big Three and more so, don't exposing gatekeepers.

850
00:34:38,800 --> 00:34:40,840
Speaker 7: Too old fresh roun gonna be that.

851
00:34:41,080 --> 00:34:47,440
Speaker 3: Yeah, exposing gatekeepers from the record industry to Hollywood to sports.

852
00:34:46,760 --> 00:34:50,400
Speaker 1: Sports, Yeah, entertainment. It's the breakfast Club on b E T.

853
00:34:50,719 --> 00:34:57,640
Speaker 1: I think the breakfast Club be the same mourning everybody

854
00:34:57,640 --> 00:35:01,960
Speaker 1: in stj NV charlamagea. We are the breakfast Club. We

855
00:35:02,040 --> 00:35:05,000
Speaker 1: got a special guest in the building, legend ice K.

856
00:35:05,320 --> 00:35:06,000
Speaker 2: Ladies and gentlemen.

857
00:35:06,040 --> 00:35:07,359
Speaker 7: Yeah, yeah, what's happening with y'all?

858
00:35:07,400 --> 00:35:08,600
Speaker 2: Welcome? How are you feeling? First?

859
00:35:09,040 --> 00:35:10,640
Speaker 7: I feel good as a government check.

860
00:35:14,800 --> 00:35:19,000
Speaker 2: Sixth season of the Big Three? Yeah, sixth season, congratulations.

861
00:35:18,239 --> 00:35:21,120
Speaker 12: Thank you man. We had a great time in Brooklyn

862
00:35:21,560 --> 00:35:25,239
Speaker 12: the Barclays. A lot of OG's came out, Melly Mail

863
00:35:25,440 --> 00:35:31,120
Speaker 12: and Grandmaster Flash, Carris One, Eric b Chuck chill out.

864
00:35:31,760 --> 00:35:35,600
Speaker 12: You know it was it was dope, Carl got damn Scarlet,

865
00:35:36,239 --> 00:35:38,799
Speaker 12: you know what I mean. So it was a lot

866
00:35:38,840 --> 00:35:43,000
Speaker 12: of love celebrating the fiftieth anniversary of hip hop. Nice crowd,

867
00:35:43,080 --> 00:35:46,319
Speaker 12: you know, about nine thousand people, so you know, it

868
00:35:46,400 --> 00:35:47,240
Speaker 12: was pretty amazing.

869
00:35:47,360 --> 00:35:49,319
Speaker 2: What did the fiftieth anniversary of hip hop mean? The

870
00:35:49,320 --> 00:35:49,840
Speaker 2: ice cube?

871
00:35:50,320 --> 00:35:53,359
Speaker 12: Man, it means that, you know, we've come a long way.

872
00:35:53,520 --> 00:35:56,600
Speaker 12: I remember the first you know year hip hop or

873
00:35:56,680 --> 00:35:59,800
Speaker 12: you know, really rap. Hip hop is more, is bigger

874
00:35:59,800 --> 00:36:03,440
Speaker 12: than just rap, but I remember, you know, rap particularly

875
00:36:04,239 --> 00:36:07,480
Speaker 12: was you know, the first year it came out, everybody

876
00:36:07,560 --> 00:36:10,840
Speaker 12: was saying it was a fad, you know, it wouldn't last.

877
00:36:10,920 --> 00:36:15,040
Speaker 12: And forty nine years later, it's the biggest music in

878
00:36:15,080 --> 00:36:17,840
Speaker 12: the world. So it's a proud, proud moment.

879
00:36:18,120 --> 00:36:18,319
Speaker 7: You know.

880
00:36:18,440 --> 00:36:20,680
Speaker 1: It's similar to the Big Three when when you started

881
00:36:20,680 --> 00:36:22,319
Speaker 1: with the Big Three, everybody thought it was gonna be

882
00:36:22,360 --> 00:36:25,040
Speaker 1: a fad, and yeah, you're six years later. So let's

883
00:36:25,040 --> 00:36:26,839
Speaker 1: talk about that because you know, we kind of seen

884
00:36:26,840 --> 00:36:29,160
Speaker 1: the inception of the Big Three. How has it been

885
00:36:29,280 --> 00:36:31,880
Speaker 1: since then? Is it is it difficult to get played?

886
00:36:32,000 --> 00:36:35,320
Speaker 2: Is it? We'll talk about some of the difficulties in well.

887
00:36:35,560 --> 00:36:39,279
Speaker 12: First, the first I appreciate you guys always supporting, you know,

888
00:36:39,400 --> 00:36:42,239
Speaker 12: from from year one, before y'all even knew what it was.

889
00:36:42,920 --> 00:36:45,480
Speaker 12: You guys were supporting the league, having us on and

890
00:36:45,680 --> 00:36:49,040
Speaker 12: talk about it. And you know, we put fifteen thousand

891
00:36:49,040 --> 00:36:51,799
Speaker 12: people in the Barclays year year one when we had

892
00:36:51,840 --> 00:36:57,960
Speaker 12: Alan iverson and so, you know, other than than you know,

893
00:36:58,080 --> 00:37:03,880
Speaker 12: really not getting much exposure from mainstream sports media, you know,

894
00:37:03,960 --> 00:37:08,160
Speaker 12: that's really the problem. And and also you know there's

895
00:37:08,200 --> 00:37:10,960
Speaker 12: things that's happening behind the scenes when it comes to

896
00:37:12,960 --> 00:37:17,880
Speaker 12: sponsors and networks and and partners to partner with the

897
00:37:17,880 --> 00:37:20,600
Speaker 12: Big Three. We think we're running to a lot of

898
00:37:20,680 --> 00:37:25,680
Speaker 12: interference from the NBA. A lot of deals you know,

899
00:37:25,960 --> 00:37:28,880
Speaker 12: make it to the eleventh hour and then get shut down,

900
00:37:29,480 --> 00:37:34,840
Speaker 12: you know, and so it's, uh, it's frustrating. It's something

901
00:37:34,840 --> 00:37:40,359
Speaker 12: that we were like suffering in silence because we wanted

902
00:37:40,440 --> 00:37:42,160
Speaker 12: to work it out with the NBA. You know, we

903
00:37:42,200 --> 00:37:46,160
Speaker 12: wanted to figure out, you know, what more could we

904
00:37:46,200 --> 00:37:49,160
Speaker 12: do to show that we're not competition Now. The whole

905
00:37:49,239 --> 00:37:54,840
Speaker 12: problem is there's a bylaw in the in the NBA

906
00:37:55,000 --> 00:38:00,800
Speaker 12: contracts when you're owner, saying you cannot best in a

907
00:38:00,880 --> 00:38:06,719
Speaker 12: competing league, and so they're labeling the Big Three as

908
00:38:06,760 --> 00:38:11,600
Speaker 12: a competing league. Uh, hell no, no, it's not good.

909
00:38:11,840 --> 00:38:15,959
Speaker 12: It's not good because we're not competing. You know, they're

910
00:38:15,680 --> 00:38:20,360
Speaker 12: they make billions every year. You know, we're we're still

911
00:38:20,360 --> 00:38:24,640
Speaker 12: trying to you know, get the league into profitability, you

912
00:38:24,640 --> 00:38:26,560
Speaker 12: know what I mean. Excuse me if I can't pronounce that.

913
00:38:26,600 --> 00:38:30,359
Speaker 12: I'm with the l a unified school district. So so

914
00:38:31,880 --> 00:38:34,720
Speaker 12: we're still trying to get there, and we're just close,

915
00:38:34,800 --> 00:38:38,239
Speaker 12: you know, sponsored to away. But at the end of

916
00:38:38,280 --> 00:38:42,560
Speaker 12: the day, we're not competing. We play in the summer.

917
00:38:43,960 --> 00:38:46,600
Speaker 12: If they work with us, we would avoid all the

918
00:38:46,640 --> 00:38:50,080
Speaker 12: games that they have, you know far as h W,

919
00:38:50,320 --> 00:38:52,800
Speaker 12: n b A or summer league. But they're not working

920
00:38:52,840 --> 00:38:56,520
Speaker 12: with us, so we can't coordinate schedules. So we you know,

921
00:38:56,680 --> 00:39:00,920
Speaker 12: we've tried to do everything to show that we not competing.

922
00:39:01,160 --> 00:39:06,200
Speaker 12: We don't take players under twenty two, so we're not

923
00:39:06,320 --> 00:39:09,880
Speaker 12: going after you know, you're one and done. Guys that

924
00:39:10,080 --> 00:39:12,680
Speaker 12: need to really be in the NBA going to the NBA,

925
00:39:14,680 --> 00:39:18,759
Speaker 12: and you know, we we try not to to interfere

926
00:39:18,800 --> 00:39:22,439
Speaker 12: with the NBA's schedule in any kind of way. So

927
00:39:22,520 --> 00:39:29,200
Speaker 12: we're an alternative summer sport that that. You know, people

928
00:39:29,200 --> 00:39:32,520
Speaker 12: that like hoops, you don't want to see more basketball.

929
00:39:32,680 --> 00:39:36,279
Speaker 12: That's what we provide. They're playing five on five, we're

930
00:39:36,280 --> 00:39:39,520
Speaker 12: playing three on three. It's apples and orange. It's a

931
00:39:39,560 --> 00:39:43,160
Speaker 12: totally different game when you really break it down, they

932
00:39:43,239 --> 00:39:46,759
Speaker 12: don't own basketball. Like I say this over and over,

933
00:39:47,080 --> 00:39:49,040
Speaker 12: I don't hear kids saying, Mama, I want to go

934
00:39:49,080 --> 00:39:52,239
Speaker 12: outside and play NBA. You know, they go and say

935
00:39:52,280 --> 00:39:54,680
Speaker 12: I want to go out and play basketball. So basketball

936
00:39:54,719 --> 00:39:58,120
Speaker 12: is for everybody and anybody, and so we just want

937
00:39:58,160 --> 00:40:00,560
Speaker 12: to say we're not a competing league if they would

938
00:40:01,040 --> 00:40:02,759
Speaker 12: not put us in that category.

939
00:40:02,840 --> 00:40:03,040
Speaker 2: Now.

940
00:40:03,600 --> 00:40:07,000
Speaker 12: They don't do that to TBT, which is the Basketball Tournament.

941
00:40:07,640 --> 00:40:10,319
Speaker 12: They don't do that to slam Ball, which is coming back.

942
00:40:11,440 --> 00:40:13,640
Speaker 12: NBA owners can own a pick a ball league. They

943
00:40:13,680 --> 00:40:17,240
Speaker 12: can own an NFL team, they can own a baseball team,

944
00:40:17,400 --> 00:40:20,879
Speaker 12: they can own anything they want except the Big Three.

945
00:40:21,400 --> 00:40:23,360
Speaker 12: You know, so we're the you know, one of the

946
00:40:23,440 --> 00:40:27,520
Speaker 12: only leagues that are so called competing and we're not.

947
00:40:27,800 --> 00:40:29,440
Speaker 7: So we weren't going to drop I.

948
00:40:29,360 --> 00:40:30,880
Speaker 1: Was gonna ask you that last time you up here,

949
00:40:30,920 --> 00:40:34,080
Speaker 1: you were saying that you didn't sell the franchises as

950
00:40:34,080 --> 00:40:34,439
Speaker 1: of yet.

951
00:40:34,560 --> 00:40:36,160
Speaker 2: Are you starting to sell a franchise.

952
00:40:35,840 --> 00:40:39,040
Speaker 7: Yet, yeah, we're starting to sell teams anybody.

953
00:40:39,600 --> 00:40:42,760
Speaker 12: Well, right now we're talking to a few different people

954
00:40:42,840 --> 00:40:45,759
Speaker 12: in groups about buying teams, and we want to put

955
00:40:45,800 --> 00:40:48,319
Speaker 12: them in cities you know, you would have you know,

956
00:40:48,360 --> 00:40:51,360
Speaker 12: for lack of a better word, you know, New York Trilogy,

957
00:40:51,600 --> 00:40:56,600
Speaker 12: you know, you know, Baltimore ball Hogs, whatever. So that's

958
00:40:56,640 --> 00:41:00,279
Speaker 12: our our next phase. That that, to me, is how

959
00:41:00,320 --> 00:41:03,320
Speaker 12: we grow the league. We've calibrated it to the point.

960
00:41:03,360 --> 00:41:06,400
Speaker 12: You got to remember we were inventing a sport at

961
00:41:06,440 --> 00:41:09,040
Speaker 12: the same time as we were playing the sport, so

962
00:41:09,160 --> 00:41:12,200
Speaker 12: we had to calibrate it over the years and make

963
00:41:12,280 --> 00:41:15,120
Speaker 12: sure that the rules work. There was ways to come

964
00:41:15,200 --> 00:41:19,080
Speaker 12: back from large deficits. We made wrinkles that made the

965
00:41:19,160 --> 00:41:24,080
Speaker 12: game interesting and fun. So we believe that the game

966
00:41:24,160 --> 00:41:26,879
Speaker 12: is in a good place and now it's time to

967
00:41:26,920 --> 00:41:29,600
Speaker 12: sell the teams to owners who have their own vision

968
00:41:29,719 --> 00:41:32,400
Speaker 12: for their three on three team.

969
00:41:32,560 --> 00:41:34,560
Speaker 1: And how did the players work? So you know, two

970
00:41:34,640 --> 00:41:36,680
Speaker 1: questions actually, one do the players reach out to you

971
00:41:36,760 --> 00:41:38,279
Speaker 1: guys or do you reach out to the players? And

972
00:41:38,280 --> 00:41:40,560
Speaker 1: then how do you decide what player goes to watch team?

973
00:41:40,600 --> 00:41:41,960
Speaker 1: Because I've been to a couple of games. Of course

974
00:41:42,000 --> 00:41:44,680
Speaker 1: I went to when Alan Iverson played, and a couple others.

975
00:41:44,680 --> 00:41:46,920
Speaker 1: But how do you decide, Like, so, let's you know,

976
00:41:47,160 --> 00:41:49,040
Speaker 1: play that just retired or or doesn't want to play

977
00:41:49,040 --> 00:41:50,680
Speaker 1: in the NBA, wants to play in your league.

978
00:41:50,840 --> 00:41:52,520
Speaker 2: How do y'all decide what team he goes to?

979
00:41:52,600 --> 00:41:55,839
Speaker 12: And first of all, players contact us, and of course

980
00:41:55,920 --> 00:41:58,839
Speaker 12: we go after players who we think would be great

981
00:41:58,880 --> 00:42:04,040
Speaker 12: for the league. We usually, you know, have a player

982
00:42:04,400 --> 00:42:08,200
Speaker 12: captain spot or co captain spot, and if we only

983
00:42:08,239 --> 00:42:11,400
Speaker 12: have co captain spots, we'll try to pair this player

984
00:42:11,480 --> 00:42:14,640
Speaker 12: up with the captain. Because the captain chooses who's on

985
00:42:14,680 --> 00:42:18,200
Speaker 12: their team. You know, people want guys that they know

986
00:42:18,280 --> 00:42:20,960
Speaker 12: can play, so it's usually not hard to find a

987
00:42:21,000 --> 00:42:25,200
Speaker 12: place for uh, you know, a new player that's coming in.

988
00:42:25,520 --> 00:42:28,840
Speaker 12: But how it works, the player captain, the captain of

989
00:42:28,880 --> 00:42:31,520
Speaker 12: the team gets to pick who he wants to play with.

990
00:42:31,880 --> 00:42:35,000
Speaker 12: So he picks up two co captains so you know,

991
00:42:35,280 --> 00:42:37,400
Speaker 12: guys know how guys play, and it's like, yo, if

992
00:42:37,400 --> 00:42:39,799
Speaker 12: I play with him, I can win. And then they

993
00:42:39,880 --> 00:42:42,880
Speaker 12: draft two more players. So we have a draft pool,

994
00:42:43,360 --> 00:42:47,320
Speaker 12: have a you know, lottery to who picks first, second, third, whatever,

995
00:42:47,800 --> 00:42:50,560
Speaker 12: and then they pick the players they want and those

996
00:42:50,560 --> 00:42:54,960
Speaker 12: players play, and then if anybody get hurt, you just

997
00:42:55,000 --> 00:42:57,520
Speaker 12: return back to the draft pool and they pick another

998
00:42:57,640 --> 00:43:02,279
Speaker 12: player from the draft pool until the injured player comes back.

999
00:43:02,760 --> 00:43:05,839
Speaker 12: So there's always a pool of players waiting to get

1000
00:43:05,840 --> 00:43:07,759
Speaker 12: caught up to playing the Big Three.

1001
00:43:08,680 --> 00:43:10,360
Speaker 1: All right, we got more with ice Cube when we

1002
00:43:10,400 --> 00:43:11,239
Speaker 1: come back, don't move.

1003
00:43:11,239 --> 00:43:12,520
Speaker 2: It's the Breakfast Club. Good morning.

1004
00:43:12,960 --> 00:43:16,360
Speaker 1: Everybody is the MV. Charlamagne, the God. We are the

1005
00:43:16,360 --> 00:43:19,400
Speaker 1: Breakfast Club. We're still kicking it with ice Cube, Charlamagne.

1006
00:43:19,600 --> 00:43:21,640
Speaker 3: And I heard you on Joe Rogan and you said

1007
00:43:21,680 --> 00:43:24,120
Speaker 3: the NBA is encouraging people to not sponsor the Big

1008
00:43:24,160 --> 00:43:26,520
Speaker 3: Three and encouraging networks and I played the Big Three.

1009
00:43:26,800 --> 00:43:29,320
Speaker 2: Isn't that a lawsuit if you can prove it.

1010
00:43:28,880 --> 00:43:32,719
Speaker 12: It is, you know, it's it's it's anti trust that

1011
00:43:32,800 --> 00:43:37,920
Speaker 12: there that they're participating in, you know, when you you know,

1012
00:43:38,000 --> 00:43:42,160
Speaker 12: try to keep the monopoly running by you know, going

1013
00:43:42,200 --> 00:43:46,680
Speaker 12: behind the scenes and scaring either companies that you work

1014
00:43:46,800 --> 00:43:49,839
Speaker 12: with or companies that want to work with you. Yeah,

1015
00:43:49,960 --> 00:43:54,200
Speaker 12: they are very close to if they haven't already crossed

1016
00:43:54,200 --> 00:43:57,640
Speaker 12: the line with that. And I think it should be

1017
00:43:57,680 --> 00:44:00,000
Speaker 12: looked into what they're doing to the Big Three because

1018
00:44:00,480 --> 00:44:04,359
Speaker 12: they've scared off some big companies who who dealing basketball. Now,

1019
00:44:04,400 --> 00:44:09,520
Speaker 12: you got to understand the basketball pool of companies that

1020
00:44:09,760 --> 00:44:12,600
Speaker 12: use basketball to promote is not big.

1021
00:44:13,160 --> 00:44:16,160
Speaker 7: It's a small pool of companies. Even networks.

1022
00:44:16,800 --> 00:44:19,920
Speaker 12: You think about all the networks that play basketball, you

1023
00:44:20,000 --> 00:44:20,960
Speaker 12: start running out of.

1024
00:44:21,280 --> 00:44:22,160
Speaker 7: People to go to.

1025
00:44:23,440 --> 00:44:27,840
Speaker 12: Yeah too, if they're blocking Now we got our games,

1026
00:44:27,880 --> 00:44:30,000
Speaker 12: half of our games on CBS, but we got a

1027
00:44:30,000 --> 00:44:33,080
Speaker 12: whole other half of games right now on Big three

1028
00:44:33,120 --> 00:44:33,800
Speaker 12: dot Com.

1029
00:44:34,239 --> 00:44:36,040
Speaker 7: We're on massing.

1030
00:44:36,640 --> 00:44:39,840
Speaker 12: If you got that at mid Atlantic Sports Network, you know,

1031
00:44:39,880 --> 00:44:42,000
Speaker 12: we should be on another.

1032
00:44:41,719 --> 00:44:44,520
Speaker 7: Network with the second half of our games.

1033
00:44:44,880 --> 00:44:49,200
Speaker 12: And we've known that they've squashed one deal, you know,

1034
00:44:49,400 --> 00:44:52,799
Speaker 12: same thing with a few other major companies that deal

1035
00:44:52,840 --> 00:44:53,600
Speaker 12: in basketball.

1036
00:44:53,680 --> 00:44:55,560
Speaker 7: So we just got to get them to stop that.

1037
00:44:55,640 --> 00:44:56,799
Speaker 2: Part calling them out.

1038
00:44:56,800 --> 00:44:58,920
Speaker 1: Has it made it worse or is it just the

1039
00:44:59,000 --> 00:45:01,600
Speaker 1: same as you see you know, more backlash from it.

1040
00:45:01,600 --> 00:45:03,960
Speaker 12: It's hard to calibrate. You know, hate is hate, So

1041
00:45:04,120 --> 00:45:06,239
Speaker 12: I don't know if it's more hate or less. That

1042
00:45:06,280 --> 00:45:08,960
Speaker 12: part really don't matter to me. At a certain point,

1043
00:45:09,000 --> 00:45:11,000
Speaker 12: you got to go on the offensive, no matter what

1044
00:45:11,040 --> 00:45:13,719
Speaker 12: the consequences are. You can't just sit back and take

1045
00:45:13,760 --> 00:45:17,600
Speaker 12: it and not try to defend yourself and fight for

1046
00:45:17,680 --> 00:45:20,680
Speaker 12: your rights. So I don't really care what they're doing

1047
00:45:20,880 --> 00:45:23,359
Speaker 12: behind the scenes because they haven't been able to kill us.

1048
00:45:23,400 --> 00:45:24,240
Speaker 7: We're still alive.

1049
00:45:24,400 --> 00:45:26,600
Speaker 3: I wonder would the NBA wants from the Big Three, like, like,

1050
00:45:26,920 --> 00:45:29,319
Speaker 3: what would what's their ultimate goal? They just want y'all.

1051
00:45:29,320 --> 00:45:31,560
Speaker 3: They want to shut y'all down, probably, so they would

1052
00:45:31,600 --> 00:45:32,359
Speaker 3: be happy.

1053
00:45:32,360 --> 00:45:35,120
Speaker 1: When we said the NBA isn't the NBA collective of owners,

1054
00:45:35,120 --> 00:45:36,520
Speaker 1: so it's the collective of owners.

1055
00:45:36,600 --> 00:45:40,160
Speaker 12: That's no, because the owners, some owners want to invest

1056
00:45:40,200 --> 00:45:41,000
Speaker 12: in the Big Three.

1057
00:45:41,080 --> 00:45:43,680
Speaker 7: We've heard from them. They're not allowed to have.

1058
00:45:44,120 --> 00:45:47,520
Speaker 1: You had a conversation with Adam at all, several several

1059
00:45:47,560 --> 00:45:50,239
Speaker 1: I've had. How's the conversations went, Well, I haven't had

1060
00:45:50,239 --> 00:45:51,920
Speaker 1: a conversation since we launched the.

1061
00:45:51,920 --> 00:45:54,320
Speaker 2: League, but he was away that you would launch a league.

1062
00:45:54,400 --> 00:45:55,799
Speaker 7: We went to him. We went to him.

1063
00:45:55,800 --> 00:45:59,120
Speaker 12: We actually offered the NBA ten percent of the league

1064
00:45:59,120 --> 00:46:02,120
Speaker 12: for free, because because we're using a lot of their

1065
00:46:02,400 --> 00:46:06,200
Speaker 12: former players, we wanted some kind of working relationship. So

1066
00:46:06,520 --> 00:46:08,560
Speaker 12: they didn't want it, and we just told them we

1067
00:46:08,560 --> 00:46:11,200
Speaker 12: was gonna do it anyway, and that they wasn't gonna

1068
00:46:11,360 --> 00:46:15,240
Speaker 12: stop us because we kind of know how they operate.

1069
00:46:15,320 --> 00:46:19,160
Speaker 12: You know, I would think they're from previous encounters.

1070
00:46:19,400 --> 00:46:22,399
Speaker 3: After six seasons, y'all showing success. I can even see

1071
00:46:22,480 --> 00:46:24,719
Speaker 3: during All Star weekend having a Big three, you know,

1072
00:46:24,760 --> 00:46:27,040
Speaker 3: with the OG players versus players like all of that

1073
00:46:27,080 --> 00:46:28,040
Speaker 3: makes perfect sense to me.

1074
00:46:28,239 --> 00:46:28,879
Speaker 7: Agree me too.

1075
00:46:29,360 --> 00:46:32,120
Speaker 12: What they should be worried about, to be honest, instead

1076
00:46:32,120 --> 00:46:36,600
Speaker 12: of the Big Three is there's some foreign investors talking

1077
00:46:36,640 --> 00:46:40,799
Speaker 12: about starting the ABA again. Now that's true competition because

1078
00:46:40,840 --> 00:46:45,360
Speaker 12: that's five on five professional basketball, and these dudes can pay.

1079
00:46:45,920 --> 00:46:49,279
Speaker 12: They can pay big money, big bigger money than the NBA.

1080
00:46:49,360 --> 00:46:52,000
Speaker 12: So they should stop worrying about the Big Three and

1081
00:46:52,120 --> 00:46:56,000
Speaker 12: doing what they're doing to us. They should work with

1082
00:46:56,080 --> 00:46:58,839
Speaker 12: us so they can have a bigger foot print in basketball,

1083
00:46:59,880 --> 00:47:02,280
Speaker 12: and then they should worry about this ABA that's coming.

1084
00:47:02,520 --> 00:47:04,239
Speaker 2: I love this toy you've been on too, man, because

1085
00:47:04,239 --> 00:47:05,040
Speaker 2: it feels like this.

1086
00:47:05,000 --> 00:47:08,839
Speaker 3: Is authentic ice cube, right, You've always been authentic, but

1087
00:47:08,880 --> 00:47:11,480
Speaker 3: it feels like, you know, I'm railing against the machine.

1088
00:47:11,520 --> 00:47:14,879
Speaker 3: So who out of the gatekeepers are the gatekeepers worse

1089
00:47:14,880 --> 00:47:17,359
Speaker 3: in sports, Hollywood or the music here?

1090
00:47:17,840 --> 00:47:20,719
Speaker 12: I think they all around, you know, I don't think

1091
00:47:20,760 --> 00:47:24,480
Speaker 12: it's I don't think it's worse than any other profession.

1092
00:47:25,040 --> 00:47:25,200
Speaker 7: You know.

1093
00:47:25,239 --> 00:47:28,359
Speaker 12: I think there's people that try to make sure you

1094
00:47:28,400 --> 00:47:32,160
Speaker 12: stay in your lane, and if you look like you're

1095
00:47:32,160 --> 00:47:35,120
Speaker 12: getting out of your lane, you know, sometimes they'll watch you.

1096
00:47:35,200 --> 00:47:38,600
Speaker 12: Sometimes they'll put guardrails up, and sometimes they'll actually put

1097
00:47:38,600 --> 00:47:41,280
Speaker 12: a gate up and make sure you go no further.

1098
00:47:41,520 --> 00:47:41,719
Speaker 2: You know.

1099
00:47:41,760 --> 00:47:43,640
Speaker 12: That's what we have happened to here. And this is

1100
00:47:43,760 --> 00:47:46,520
Speaker 12: just my testimony. But we all got them, and we

1101
00:47:46,640 --> 00:47:49,200
Speaker 12: all got to figure out who they are. They don't

1102
00:47:49,239 --> 00:47:51,000
Speaker 12: have to let them know what we know who they are.

1103
00:47:52,000 --> 00:47:53,960
Speaker 12: We just got to figure out how to get around

1104
00:47:53,960 --> 00:47:56,120
Speaker 12: that gate. You know, I used to hop fences when

1105
00:47:56,120 --> 00:47:59,160
Speaker 12: I was young all the time. A fence or gate

1106
00:47:59,280 --> 00:48:01,319
Speaker 12: never stop me from going where I wanted to go.

1107
00:48:01,520 --> 00:48:03,720
Speaker 1: So which one is more difficult for you? Because you've

1108
00:48:03,760 --> 00:48:06,120
Speaker 1: seen them when you first started n w A, you see,

1109
00:48:07,000 --> 00:48:09,760
Speaker 1: when you first started in the entertainment industry doing films,

1110
00:48:09,760 --> 00:48:10,960
Speaker 1: and now you see them now, which one is the

1111
00:48:10,960 --> 00:48:11,719
Speaker 1: most difficult?

1112
00:48:11,880 --> 00:48:14,400
Speaker 7: None of them? They all easy. You just got to

1113
00:48:14,440 --> 00:48:15,040
Speaker 7: go at them.

1114
00:48:15,200 --> 00:48:18,280
Speaker 12: You can't go you know, you can't try the nice

1115
00:48:18,800 --> 00:48:22,120
Speaker 12: you know, nice guide all the time. All of them

1116
00:48:22,160 --> 00:48:25,279
Speaker 12: fold like a chair and this one will too.

1117
00:48:25,640 --> 00:48:27,239
Speaker 3: I saw you on Bill Barton and you was talking

1118
00:48:27,280 --> 00:48:29,000
Speaker 3: about the record industry and you said that the record

1119
00:48:29,040 --> 00:48:33,400
Speaker 3: industry uses a social engineering and rap to encourage criminal behavior.

1120
00:48:33,719 --> 00:48:35,040
Speaker 2: At what point did you realize it.

1121
00:48:35,680 --> 00:48:38,959
Speaker 12: Oh man, You know, after I got matured in the game,

1122
00:48:39,320 --> 00:48:42,239
Speaker 12: after I knew that. You know, records were made by committee.

1123
00:48:42,880 --> 00:48:44,719
Speaker 12: You know, a lot of a lot of albums, a

1124
00:48:44,760 --> 00:48:47,840
Speaker 12: lot of dope songs people like, are made by a

1125
00:48:47,920 --> 00:48:51,960
Speaker 12: group of people telling rappers what to say or what's dope,

1126
00:48:52,120 --> 00:48:54,640
Speaker 12: or that line ain't good enough, or let's change it.

1127
00:48:54,800 --> 00:48:57,319
Speaker 12: Just get somebody up here that can write and all

1128
00:48:57,360 --> 00:49:01,080
Speaker 12: this kind of hip hop by committee. And yeah, the

1129
00:49:01,120 --> 00:49:04,000
Speaker 12: record companies, it'd be they people in there. You know,

1130
00:49:04,040 --> 00:49:06,520
Speaker 12: I've never had an an r. I've never had a

1131
00:49:06,560 --> 00:49:10,359
Speaker 12: record company guy tell me about my music, about how

1132
00:49:10,400 --> 00:49:12,640
Speaker 12: to make it. You know, some of it they liked,

1133
00:49:12,640 --> 00:49:14,520
Speaker 12: some of it they didn't. Some of it they raised

1134
00:49:14,520 --> 00:49:17,680
Speaker 12: their eyebrow too. But that's what they I turned in.

1135
00:49:17,800 --> 00:49:20,759
Speaker 12: That's what they had to accept. And you know, that's

1136
00:49:20,840 --> 00:49:21,520
Speaker 12: hip hop to me.

1137
00:49:21,840 --> 00:49:23,240
Speaker 2: What gave it? What gave you the business?

1138
00:49:23,239 --> 00:49:27,040
Speaker 12: My so early on watching you know, people I know

1139
00:49:27,320 --> 00:49:30,440
Speaker 12: and like, you know, have to kind of beg for

1140
00:49:30,480 --> 00:49:33,399
Speaker 12: their money, you know, like, and I ain't gonna say

1141
00:49:33,400 --> 00:49:34,960
Speaker 12: no names, but I've seen.

1142
00:49:34,719 --> 00:49:37,680
Speaker 7: People that really, you know, can I get paid? You know?

1143
00:49:38,440 --> 00:49:41,640
Speaker 12: And it was just I saw that at you know,

1144
00:49:41,760 --> 00:49:46,560
Speaker 12: fourteen fifteen years old, hanging around the industry, just had

1145
00:49:46,600 --> 00:49:49,239
Speaker 12: my antennas up, and you know, when it was time

1146
00:49:49,280 --> 00:49:51,239
Speaker 12: for me to do records, you know, I was in

1147
00:49:51,480 --> 00:49:53,120
Speaker 12: a stage where I was happy, you know what I mean,

1148
00:49:53,160 --> 00:49:55,080
Speaker 12: I'm ready to go, you know, I finally get to

1149
00:49:55,120 --> 00:49:58,080
Speaker 12: live my dream and do music on put it on

1150
00:49:58,120 --> 00:50:00,239
Speaker 12: wax and put it out and see if I'm good enough,

1151
00:50:00,320 --> 00:50:03,879
Speaker 12: you know. And so I had a publicist who later

1152
00:50:03,960 --> 00:50:07,239
Speaker 12: became my manager, lady by the name of Pat Sharvin Nay.

1153
00:50:07,400 --> 00:50:09,440
Speaker 12: And if you see the Friday movie, she helped me

1154
00:50:09,800 --> 00:50:13,319
Speaker 12: produce that movie Friday, you'll see her name on it.

1155
00:50:13,480 --> 00:50:18,439
Speaker 12: But she was the publicist for NWA. And I would

1156
00:50:18,480 --> 00:50:20,520
Speaker 12: show up to the interviews early, you know what I mean.

1157
00:50:20,640 --> 00:50:23,040
Speaker 12: I'm like, you know, if you can't be on time,

1158
00:50:23,360 --> 00:50:25,880
Speaker 12: be early. So I would show up to all the

1159
00:50:25,880 --> 00:50:29,880
Speaker 12: interviews early. Sometimes them dudes wouldn't even show up, like

1160
00:50:30,320 --> 00:50:32,960
Speaker 12: easy on his Way, drown his Way, but they never

1161
00:50:33,000 --> 00:50:35,200
Speaker 12: showed up, so I'll be the only one there. So

1162
00:50:35,640 --> 00:50:37,600
Speaker 12: we got it. We got to chop it up. And

1163
00:50:37,920 --> 00:50:40,640
Speaker 12: she was basically like, do you know who Jerry Hller is?

1164
00:50:40,880 --> 00:50:43,080
Speaker 12: I'm like, no, who is that? You need to look

1165
00:50:43,160 --> 00:50:45,000
Speaker 12: him up because you.

1166
00:50:45,040 --> 00:50:46,759
Speaker 7: Just got to watch me. How's your paperwork?

1167
00:50:46,880 --> 00:50:47,040
Speaker 2: You know?

1168
00:50:47,120 --> 00:50:50,239
Speaker 12: She starts, just have you signed a contract with them yet?

1169
00:50:50,280 --> 00:50:53,200
Speaker 12: And I'm like, nah, you know, I ain't signed nothing.

1170
00:50:53,840 --> 00:50:56,200
Speaker 12: And she's like, you need to make sure you get

1171
00:50:56,200 --> 00:50:59,120
Speaker 12: her attorney before you sign anything with them.

1172
00:50:59,320 --> 00:51:01,879
Speaker 3: People talk about how inment of your wife is too

1173
00:51:02,360 --> 00:51:04,799
Speaker 3: in your business? Yeah, what's her role?

1174
00:51:05,200 --> 00:51:06,520
Speaker 7: Everything? You know what I mean?

1175
00:51:06,680 --> 00:51:12,560
Speaker 12: Her role is just being confident, amuse. You know, she's

1176
00:51:12,640 --> 00:51:16,000
Speaker 12: everything to me. She helped me with knowledge and wisdom.

1177
00:51:16,320 --> 00:51:20,279
Speaker 12: You know, she's just a fantastic person. You know, she's

1178
00:51:20,480 --> 00:51:24,480
Speaker 12: very ahead of the curve when it comes to her thinking.

1179
00:51:25,120 --> 00:51:27,640
Speaker 12: So me and her, you know, we go together like

1180
00:51:27,680 --> 00:51:28,680
Speaker 12: macaroni and cheese.

1181
00:51:28,719 --> 00:51:31,279
Speaker 2: You know, you run everything by her, like any.

1182
00:51:30,840 --> 00:51:33,440
Speaker 12: Not everything, but you know when when it's time to

1183
00:51:33,520 --> 00:51:36,680
Speaker 12: Really she's the one who helped me leave.

1184
00:51:36,560 --> 00:51:38,960
Speaker 7: In w A. I don't really have nobody talk to

1185
00:51:39,360 --> 00:51:39,879
Speaker 7: about it.

1186
00:51:40,200 --> 00:51:43,239
Speaker 12: She was just my girlfriend, man, and I was you know,

1187
00:51:43,600 --> 00:51:45,280
Speaker 12: everybody tell me standing group.

1188
00:51:45,280 --> 00:51:47,200
Speaker 7: You're crazy, You're about to leave? What the hell?

1189
00:51:47,560 --> 00:51:50,480
Speaker 12: And she was the only one saying you good. Everybody

1190
00:51:50,560 --> 00:51:53,279
Speaker 12: like you anyway, you know what I mean, like your

1191
00:51:53,320 --> 00:51:55,800
Speaker 12: records anyway. So that was nice to hear at a

1192
00:51:55,920 --> 00:51:59,680
Speaker 12: time when my whole hip hop world kind of faded

1193
00:51:59,719 --> 00:52:02,520
Speaker 12: to I was kind of sitting there figuring out what

1194
00:52:02,560 --> 00:52:03,200
Speaker 12: I'm gonna do.

1195
00:52:03,960 --> 00:52:05,680
Speaker 2: All Right, we got more with ice Cube when we

1196
00:52:05,719 --> 00:52:06,520
Speaker 2: come back, don't move.

1197
00:52:06,560 --> 00:52:08,760
Speaker 1: It's the Breakfast Club. Good morning everybody.

1198
00:52:08,800 --> 00:52:10,160
Speaker 2: It's j n V.

1199
00:52:10,400 --> 00:52:12,680
Speaker 1: Charlamage, the god we are. The Breakfast Club was still

1200
00:52:12,760 --> 00:52:13,960
Speaker 1: kicking it with ice Cube.

1201
00:52:14,160 --> 00:52:14,759
Speaker 2: Charlamagne.

1202
00:52:14,800 --> 00:52:16,040
Speaker 3: And I want to go back to what you were

1203
00:52:16,080 --> 00:52:18,359
Speaker 3: talking about with the record labels, right, because you said

1204
00:52:18,400 --> 00:52:21,239
Speaker 3: it's a it's they make songs by committee.

1205
00:52:21,360 --> 00:52:21,560
Speaker 7: Yes.

1206
00:52:21,680 --> 00:52:24,280
Speaker 3: I always think to myself, well, couldn't the artists change

1207
00:52:24,320 --> 00:52:26,200
Speaker 3: that or they just simply stopped making the rap that

1208
00:52:26,239 --> 00:52:28,759
Speaker 3: has the criminal intention You're saying that they're being pushed up.

1209
00:52:29,160 --> 00:52:32,359
Speaker 12: Yeah, make these kind of record Yeah, a long time ago.

1210
00:52:32,600 --> 00:52:35,480
Speaker 12: It's been happening forever. Some of your some of the

1211
00:52:35,560 --> 00:52:38,799
Speaker 12: songs that you love, some of the MC's love, you know,

1212
00:52:39,360 --> 00:52:42,160
Speaker 12: it was done by committee. It wasn't a man with

1213
00:52:42,200 --> 00:52:43,359
Speaker 12: a pen and a mic.

1214
00:52:43,719 --> 00:52:45,640
Speaker 7: You know what I'm saying. That's me. I'm a man

1215
00:52:45,680 --> 00:52:46,719
Speaker 7: with a pen and a mic.

1216
00:52:46,800 --> 00:52:48,880
Speaker 3: I mean, it's what the NWA ever you think they

1217
00:52:48,960 --> 00:52:50,759
Speaker 3: was ever part of the big corporate agenda to push

1218
00:52:50,840 --> 00:52:51,440
Speaker 3: negative content.

1219
00:52:51,760 --> 00:52:56,799
Speaker 12: Yeah, they were, but not not a willing, knowing participant.

1220
00:52:57,120 --> 00:52:59,479
Speaker 12: We thought our music was gonna be underground. We didn't

1221
00:52:59,480 --> 00:53:02,000
Speaker 12: make our music big. You know, we did not make

1222
00:53:02,040 --> 00:53:03,120
Speaker 12: our music blow up.

1223
00:53:03,360 --> 00:53:06,319
Speaker 7: We just did it. We thought it was gonna be underground,

1224
00:53:06,640 --> 00:53:08,600
Speaker 7: dirty Street records.

1225
00:53:08,840 --> 00:53:10,840
Speaker 12: We thought our records was gonna be sold with the

1226
00:53:10,920 --> 00:53:15,640
Speaker 12: Richard Pryor comedy albums and Red Fox and the you know,

1227
00:53:16,200 --> 00:53:17,920
Speaker 12: dirty Dolomite records.

1228
00:53:18,600 --> 00:53:19,440
Speaker 7: That's what we thought.

1229
00:53:19,880 --> 00:53:22,000
Speaker 12: So, you know, we didn't have a clue that it

1230
00:53:22,080 --> 00:53:24,759
Speaker 12: was gonna blow up until it blew up, you know,

1231
00:53:25,000 --> 00:53:29,240
Speaker 12: I think you know. One was MTV band and straight

1232
00:53:29,280 --> 00:53:34,800
Speaker 12: out of Compton Video. Another was a letter from the FBI.

1233
00:53:35,120 --> 00:53:38,040
Speaker 12: Those are two things that started to just blow the

1234
00:53:38,080 --> 00:53:40,400
Speaker 12: coup up. But we didn't blow ourselves up. You know,

1235
00:53:40,440 --> 00:53:43,200
Speaker 12: everybody blame us, but we didn't. We didn't do it.

1236
00:53:43,320 --> 00:53:48,200
Speaker 12: You know, we was doing music. We actually had stopped

1237
00:53:48,200 --> 00:53:51,520
Speaker 12: worrying about the industry as much. We was basically doing

1238
00:53:51,600 --> 00:53:54,640
Speaker 12: music that people in our neighborhood were like. So we

1239
00:53:54,640 --> 00:53:57,640
Speaker 12: were like, yeah, let's just do what we know is

1240
00:53:57,680 --> 00:54:01,080
Speaker 12: gonna work around here. So we could be neighborhood stars.

1241
00:54:01,080 --> 00:54:03,080
Speaker 12: You know what I'm saying. We can at least, you know,

1242
00:54:03,160 --> 00:54:06,480
Speaker 12: get love in the hoods. So that was our purpose

1243
00:54:07,120 --> 00:54:08,279
Speaker 12: and it blew up.

1244
00:54:08,560 --> 00:54:11,200
Speaker 1: I was gonna ask, you know, even since the writer strike,

1245
00:54:11,360 --> 00:54:12,759
Speaker 1: how's that affected your business?

1246
00:54:13,000 --> 00:54:15,160
Speaker 7: Not at all? Like what writers strike.

1247
00:54:15,800 --> 00:54:18,920
Speaker 12: I mean, I know the writers in the movie industry,

1248
00:54:19,600 --> 00:54:22,279
Speaker 12: but I'm not writing no movies right now, so it's

1249
00:54:22,320 --> 00:54:24,880
Speaker 12: not affecting me. But you know, I want them to

1250
00:54:24,880 --> 00:54:27,160
Speaker 12: get what they think they need. I think it's a

1251
00:54:27,200 --> 00:54:32,160
Speaker 12: situation where they're really worried about AI and ESP.

1252
00:54:32,440 --> 00:54:33,440
Speaker 2: What's your thoughts on AI.

1253
00:54:33,880 --> 00:54:36,919
Speaker 12: I think it's whack. I think it's the worst ever.

1254
00:54:37,200 --> 00:54:39,839
Speaker 12: I think it's gonna put a lot of people out

1255
00:54:39,840 --> 00:54:43,080
Speaker 12: of business and out of work, and everything is gonna

1256
00:54:43,120 --> 00:54:47,920
Speaker 12: be more vanilla. You know, it's not gonna be more creative.

1257
00:54:48,080 --> 00:54:50,279
Speaker 12: It's actually gonna go the other way. People are gonna

1258
00:54:50,280 --> 00:54:55,480
Speaker 12: get lazier, yep. And nobody's gonna work hard, and nobody's

1259
00:54:55,520 --> 00:54:59,280
Speaker 12: gonna attain the knowledge so they can write it down.

1260
00:54:59,400 --> 00:55:02,520
Speaker 12: They're just gonna asks for the knowledge, and you know

1261
00:55:02,680 --> 00:55:04,240
Speaker 12: people are just gonna get stupider.

1262
00:55:04,400 --> 00:55:05,920
Speaker 2: Yeah, I don't see how the writers win this. I'm

1263
00:55:05,960 --> 00:55:06,560
Speaker 2: part of the writers.

1264
00:55:06,560 --> 00:55:07,920
Speaker 3: Good I don't see how they win this one though,

1265
00:55:07,920 --> 00:55:10,600
Speaker 3: because I can see them easily shrinking writers' rooms.

1266
00:55:10,520 --> 00:55:12,760
Speaker 2: From nine to ten people to two people in AI.

1267
00:55:13,280 --> 00:55:16,879
Speaker 12: Yeah, it's a hard one because you know, the studios.

1268
00:55:17,200 --> 00:55:20,080
Speaker 12: I mean, the writers are basically saying, hey, we don't

1269
00:55:20,080 --> 00:55:21,920
Speaker 12: want the studios to use it. We want to go

1270
00:55:21,960 --> 00:55:24,520
Speaker 12: home and use it and charge all up for the script.

1271
00:55:25,280 --> 00:55:26,080
Speaker 7: You know what I'm saying.

1272
00:55:27,040 --> 00:55:29,680
Speaker 12: But it's you know, when they invented the light bulb,

1273
00:55:30,080 --> 00:55:33,320
Speaker 12: the candle maker had to figure out how to make money,

1274
00:55:33,800 --> 00:55:36,640
Speaker 12: so he started making candles that smell like all kinds

1275
00:55:36,640 --> 00:55:39,719
Speaker 12: of stuff to make money. So adapt, you got to

1276
00:55:39,760 --> 00:55:42,920
Speaker 12: adapt to die. You know, That's just it. And a

1277
00:55:43,040 --> 00:55:45,759
Speaker 12: lot of people are comfortable with their careers. It's hard

1278
00:55:45,840 --> 00:55:48,760
Speaker 12: for him to make that transition to something different.

1279
00:55:49,200 --> 00:55:53,000
Speaker 2: Is the illuminati ICEQ? Probably?

1280
00:55:53,040 --> 00:55:56,359
Speaker 12: So you know, I don't know what none of them,

1281
00:55:56,440 --> 00:55:59,840
Speaker 12: none of them tell me, Hey I'm alone what I'm saying.

1282
00:56:00,760 --> 00:56:03,680
Speaker 12: I don't I don't participate in none of that, so

1283
00:56:04,160 --> 00:56:06,360
Speaker 12: I don't know about it. Seem like it's there, but

1284
00:56:06,400 --> 00:56:06,880
Speaker 12: who knows.

1285
00:56:07,560 --> 00:56:09,439
Speaker 3: So how do you beat the gatekeepers? Because I feel

1286
00:56:09,440 --> 00:56:11,360
Speaker 3: like we're in an era where there's no gates. I

1287
00:56:11,360 --> 00:56:13,080
Speaker 3: feel like everybody could just do their own things. So

1288
00:56:13,320 --> 00:56:15,840
Speaker 3: how do you beat the gatekeepers that still exist?

1289
00:56:16,880 --> 00:56:20,960
Speaker 12: I think you you persist, You don't let them stop you.

1290
00:56:20,960 --> 00:56:21,680
Speaker 7: You know they there.

1291
00:56:22,120 --> 00:56:24,799
Speaker 12: Now, everybody that that's in front of the gate ain't

1292
00:56:24,840 --> 00:56:25,880
Speaker 12: always paying attention.

1293
00:56:26,760 --> 00:56:27,000
Speaker 2: You know.

1294
00:56:27,320 --> 00:56:30,480
Speaker 12: I've dug security and hit the fence before and got in,

1295
00:56:31,239 --> 00:56:32,440
Speaker 12: so I'll do it again.

1296
00:56:32,719 --> 00:56:34,760
Speaker 3: Yeah, because it feel like gatekeeping is such a played

1297
00:56:34,760 --> 00:56:37,279
Speaker 3: out thing even them to be doing, because it's like

1298
00:56:37,280 --> 00:56:39,440
Speaker 3: it's like you said, it's so many different ways to

1299
00:56:39,520 --> 00:56:40,480
Speaker 3: keep past these gates.

1300
00:56:40,480 --> 00:56:43,239
Speaker 12: Now, well, it's to keep a construct, it's to keep

1301
00:56:43,360 --> 00:56:46,560
Speaker 12: the keep things working the way they are, to keep

1302
00:56:47,080 --> 00:56:49,920
Speaker 12: certain people relegated to the bottom of the pyramid.

1303
00:56:50,120 --> 00:56:51,680
Speaker 7: That's why the gatekeepers are. Now.

1304
00:56:52,440 --> 00:56:54,680
Speaker 2: You just signed Tony Allen with the Big Three. Yeah,

1305
00:56:54,840 --> 00:56:55,520
Speaker 2: talk about that.

1306
00:56:55,880 --> 00:56:58,160
Speaker 12: Oh, it's great, you know the Grindfather, you know what

1307
00:56:58,200 --> 00:57:00,960
Speaker 12: I mean, We're going back to Memphis. I'm pretty sure

1308
00:57:00,960 --> 00:57:03,080
Speaker 12: people gonna be happy to see him. We also going

1309
00:57:03,120 --> 00:57:05,759
Speaker 12: to Boston too, so people gonna be happy to see him.

1310
00:57:05,760 --> 00:57:09,520
Speaker 12: We gonna be in Miami and Detroit and Charlotte, DC.

1311
00:57:09,960 --> 00:57:12,120
Speaker 12: Were happy to attract. We want more, you know, we're

1312
00:57:12,120 --> 00:57:15,000
Speaker 12: hoping to get you know, Lemon Pepper, Lou up in

1313
00:57:15,080 --> 00:57:16,960
Speaker 12: here too, Lou Williams, Louis.

1314
00:57:17,120 --> 00:57:18,200
Speaker 7: You know, hopefully we get him.

1315
00:57:18,240 --> 00:57:22,360
Speaker 12: We want Isaiah Thomas and Dwight Howard and the people

1316
00:57:22,400 --> 00:57:23,800
Speaker 12: you know playing the game you love.

1317
00:57:24,240 --> 00:57:24,840
Speaker 2: That'd be dope.

1318
00:57:25,000 --> 00:57:26,600
Speaker 1: Last time, you always say you always, you know, talk

1319
00:57:26,640 --> 00:57:29,000
Speaker 1: about the conversation you had with Kobe and you felt

1320
00:57:29,000 --> 00:57:30,640
Speaker 1: that you could have had an opportunity to get Kobe.

1321
00:57:30,680 --> 00:57:32,880
Speaker 1: Is there anybody else that that you feel like you

1322
00:57:33,240 --> 00:57:35,040
Speaker 1: talk to, that you talk to that might be a

1323
00:57:35,080 --> 00:57:35,960
Speaker 1: possibility that.

1324
00:57:37,200 --> 00:57:39,280
Speaker 12: You know, I don't want to say names, because once

1325
00:57:39,320 --> 00:57:42,800
Speaker 12: I do that sometimes it jinks it. You know, A

1326
00:57:42,800 --> 00:57:45,720
Speaker 12: thought Paul Pierce was coming. He told me he was coming.

1327
00:57:46,280 --> 00:57:48,200
Speaker 2: He didn't come, So why didn't he come to It

1328
00:57:48,320 --> 00:57:49,520
Speaker 2: was a reason for he.

1329
00:57:49,520 --> 00:57:52,080
Speaker 12: Never told me why. He never told me why. So

1330
00:57:52,720 --> 00:57:55,919
Speaker 12: mellow Yeah, I would love to get mellow mellow balls.

1331
00:57:56,000 --> 00:57:59,680
Speaker 12: Last year you were age fourteen. He before that, he

1332
00:57:59,720 --> 00:58:01,959
Speaker 12: was man. He would kill the league.

1333
00:58:02,000 --> 00:58:04,440
Speaker 1: He's still practices every day, he still trains.

1334
00:58:04,480 --> 00:58:07,520
Speaker 12: Mellow, come holler at us, man, You'll have fun. You know,

1335
00:58:07,560 --> 00:58:10,640
Speaker 12: I got these dudes eight. We was in Brooklyn last night, man.

1336
00:58:10,760 --> 00:58:14,480
Speaker 12: You know, to see Michael Beasley hanging with Doctor j

1337
00:58:14,880 --> 00:58:19,080
Speaker 12: and see you know, Clyde to glide over here talking

1338
00:58:19,120 --> 00:58:24,520
Speaker 12: to Mario Chalmers and Joe Johnson. It's like Basketball Heaven. Man,

1339
00:58:24,840 --> 00:58:27,400
Speaker 12: It's Basketball Heaven and the Big Three. And we're going

1340
00:58:27,400 --> 00:58:30,920
Speaker 12: from town to town like an All Star game, coming

1341
00:58:30,960 --> 00:58:34,200
Speaker 12: in and having fun and making the city better than

1342
00:58:34,200 --> 00:58:36,720
Speaker 12: it was before we got there. You know, we're doing

1343
00:58:37,280 --> 00:58:40,600
Speaker 12: cool community stuff with the Young Three. So it's a

1344
00:58:40,680 --> 00:58:41,680
Speaker 12: dream come true for me.

1345
00:58:42,600 --> 00:58:45,880
Speaker 3: Ron Riser, he's always with you, you know what I'm saying.

1346
00:58:45,440 --> 00:58:47,880
Speaker 3: And when he walked to everybody, Oh that's Stanley Friday.

1347
00:58:48,440 --> 00:58:50,760
Speaker 3: What role does he play in your service?

1348
00:58:51,200 --> 00:58:51,280
Speaker 2: Uh?

1349
00:58:51,760 --> 00:58:55,040
Speaker 7: Well, we're actually cousins. Oh yeah, yeah, yeah.

1350
00:58:55,440 --> 00:59:01,000
Speaker 12: My father and his mother grew up in Chatham, Usiana together,

1351
00:59:01,480 --> 00:59:04,440
Speaker 12: and so you know, he's been around and he's like

1352
00:59:04,560 --> 00:59:07,040
Speaker 12: been a right hand and left hand man. You know,

1353
00:59:07,120 --> 00:59:13,360
Speaker 12: he's he handles his business. He's very thorough and he's

1354
00:59:13,480 --> 00:59:17,800
Speaker 12: very business minded. So he's my role manager. So he

1355
00:59:18,280 --> 00:59:21,520
Speaker 12: also makes sure everything is right when I when I

1356
00:59:21,600 --> 00:59:22,160
Speaker 12: hit the road.

1357
00:59:22,680 --> 00:59:23,840
Speaker 7: And a very good friend.

1358
00:59:24,040 --> 00:59:26,800
Speaker 12: You know, my cousin, but I don't like all my cousins,

1359
00:59:28,400 --> 00:59:32,040
Speaker 12: so so you know, he's closer.

1360
00:59:31,720 --> 00:59:33,520
Speaker 7: Than a cousin to be honest, like a brother.

1361
00:59:34,280 --> 00:59:34,520
Speaker 2: Yeah.

1362
00:59:34,560 --> 00:59:36,960
Speaker 3: And last question, you know maut Wes Moore, y'all out

1363
00:59:36,960 --> 00:59:38,880
Speaker 3: here cooking with that. But I saw a pick the

1364
00:59:38,880 --> 00:59:42,160
Speaker 3: other day, you and you indub c. Yeah, is there

1365
00:59:42,240 --> 00:59:44,680
Speaker 3: ever a chance we could get a West Side Connection

1366
00:59:44,760 --> 00:59:47,040
Speaker 3: reunion with you Dub and Macton?

1367
00:59:47,320 --> 00:59:51,520
Speaker 7: Probably not? Probably not? Wow, I don't want to do

1368
00:59:51,560 --> 00:59:52,680
Speaker 7: another west Side Connection.

1369
00:59:54,120 --> 00:59:54,320
Speaker 2: Yeah.

1370
00:59:54,640 --> 00:59:58,040
Speaker 3: I saw mactin on on on Black TV, and you know,

1371
00:59:58,160 --> 01:00:01,440
Speaker 3: I always wonder what happened with that relationship.

1372
01:00:00,920 --> 01:00:04,960
Speaker 12: When you're getting of course he do, of course he do.

1373
01:00:05,520 --> 01:00:07,280
Speaker 12: I don't want to talk about it, to be honest,

1374
01:00:07,400 --> 01:00:10,640
Speaker 12: because you know what it is. That's all they need

1375
01:00:10,720 --> 01:00:13,320
Speaker 12: to matter to me. He knows what it is.

1376
01:00:13,840 --> 01:00:14,160
Speaker 7: All right.

1377
01:00:14,280 --> 01:00:16,640
Speaker 1: Well, there you have it, ice Cube ladies, and the

1378
01:00:16,720 --> 01:00:19,240
Speaker 1: sixth season of Big Three makes you go out and

1379
01:00:19,320 --> 01:00:20,000
Speaker 1: support I.

1380
01:00:19,920 --> 01:00:21,560
Speaker 2: Gotta get the don Mega hoodie, man. I hope you're

1381
01:00:21,600 --> 01:00:22,040
Speaker 2: selling those.

1382
01:00:22,160 --> 01:00:23,880
Speaker 12: Yeah, you know we're gonna hit We're gonna hit to

1383
01:00:24,000 --> 01:00:28,800
Speaker 12: drop the collection very soon. Will Well, we'll start publicizing

1384
01:00:28,840 --> 01:00:29,440
Speaker 12: it absolutely.

1385
01:00:29,480 --> 01:00:30,720
Speaker 2: Thanks for the invite. They invited me to.

1386
01:00:31,040 --> 01:00:32,800
Speaker 1: They invite you because you can't play basketball, but they

1387
01:00:32,840 --> 01:00:34,960
Speaker 1: invited me to do the four point contest. But I

1388
01:00:35,040 --> 01:00:37,520
Speaker 1: was stuck in Charlotte last last night. I got back

1389
01:00:37,520 --> 01:00:39,919
Speaker 1: at ten o'clock. But I appreciate you any time.

1390
01:00:40,040 --> 01:00:42,360
Speaker 2: No that I got back last night. They invite you. You too,

1391
01:00:42,400 --> 01:00:43,840
Speaker 2: sure you probably can't even read the rim.

1392
01:00:43,680 --> 01:00:45,960
Speaker 1: From the four point shot. I can shoot, you cannot

1393
01:00:46,200 --> 01:00:48,840
Speaker 1: anybody get shoot? Next city, Me and Charlamagne.

1394
01:00:48,640 --> 01:00:51,800
Speaker 7: Anytime Man and Charlamagne we'll do the no point Let

1395
01:00:51,880 --> 01:00:52,440
Speaker 7: me know which one.

1396
01:00:52,520 --> 01:00:54,080
Speaker 1: Y'all want to come, put some money on it and

1397
01:00:54,080 --> 01:00:55,320
Speaker 1: we'll put the get the money to charity.

1398
01:00:55,640 --> 01:00:56,320
Speaker 7: That'll be nice.

1399
01:00:57,360 --> 01:00:59,640
Speaker 2: You have it. It's ice Cube, It's the Breakfast Club.

1400
01:00:59,640 --> 01:01:02,120
Speaker 2: Good morning everybody. It's d J n V.

1401
01:01:02,360 --> 01:01:04,720
Speaker 1: Charlamagne the God. We are the Breakfast Club. We have

1402
01:01:04,840 --> 01:01:06,960
Speaker 1: hit Man Holler joining us today. You know, it's the

1403
01:01:07,040 --> 01:01:10,360
Speaker 1: twentieth season of While and Now, so every morning, every

1404
01:01:10,400 --> 01:01:12,040
Speaker 1: morning this week we're gonna have a cast member to

1405
01:01:12,120 --> 01:01:12,520
Speaker 1: join us.

1406
01:01:12,760 --> 01:01:14,600
Speaker 2: So this morning is hit Man Hollow what I brought off?

1407
01:01:14,960 --> 01:01:17,040
Speaker 6: You know, Man, I'm excited to be here, feeling good.

1408
01:01:17,360 --> 01:01:20,080
Speaker 6: Breakfast Club. I might send him my application. Man, I

1409
01:01:20,120 --> 01:01:20,919
Speaker 6: kind of like this job.

1410
01:01:21,520 --> 01:01:22,320
Speaker 2: We like having you here.

1411
01:01:22,360 --> 01:01:25,680
Speaker 3: Even though BT did not promote the Breakfast Club, not

1412
01:01:25,800 --> 01:01:29,000
Speaker 3: wanting during the b T. You know, we're doing our

1413
01:01:29,320 --> 01:01:32,160
Speaker 3: Our part is the good partner and helping them promote

1414
01:01:32,160 --> 01:01:32,840
Speaker 3: their programming.

1415
01:01:33,080 --> 01:01:33,920
Speaker 7: That's all that matters.

1416
01:01:34,880 --> 01:01:37,800
Speaker 2: That's not all that's reciprocated.

1417
01:01:39,280 --> 01:01:42,440
Speaker 7: But show me Love said, Yeah, that's all there. We go.

1418
01:01:42,720 --> 01:01:44,840
Speaker 1: All right, well, let's get to the rooms. Let's talk

1419
01:01:44,880 --> 01:01:49,920
Speaker 1: a little Uzzi a name or you gossip?

1420
01:01:50,320 --> 01:01:53,520
Speaker 2: You chatting? God, this is the rumor report. I mean,

1421
01:01:53,560 --> 01:01:54,880
Speaker 2: I guess we're on the breakfast Club. This is where

1422
01:01:54,880 --> 01:01:55,280
Speaker 2: the tea.

1423
01:01:55,120 --> 01:01:58,400
Speaker 1: Spells right on the breakfast Club. We got a salute

1424
01:01:58,400 --> 01:01:59,720
Speaker 1: and drop a bomb for a little Uzi.

1425
01:01:59,840 --> 01:02:00,000
Speaker 5: Verse.

1426
01:02:00,160 --> 01:02:02,880
Speaker 1: Pink Tape is the first rap album to debut at

1427
01:02:02,960 --> 01:02:07,080
Speaker 1: number one on Billboard's two hundred chart in twenty twenty three.

1428
01:02:07,240 --> 01:02:07,680
Speaker 2: I love it.

1429
01:02:07,760 --> 01:02:10,200
Speaker 3: Little Uzi checks off all the boxes. That makes the

1430
01:02:10,200 --> 01:02:12,600
Speaker 3: superstar man. You know what I'm saying. He has the Internet.

1431
01:02:12,960 --> 01:02:15,800
Speaker 3: You know, he has the screaming numbers, he has radio,

1432
01:02:15,840 --> 01:02:17,000
Speaker 3: and he has great visuals.

1433
01:02:17,120 --> 01:02:19,120
Speaker 2: Dropping the clues. Bond for Little Uzi bert Man.

1434
01:02:19,000 --> 01:02:22,120
Speaker 1: One hundred and sixty seven thousand units in its first week,

1435
01:02:22,200 --> 01:02:24,040
Speaker 1: So congratulations.

1436
01:02:24,040 --> 01:02:27,080
Speaker 3: We'll see a couple more. Travis Scott gonna drop. Travis Scott,

1437
01:02:27,520 --> 01:02:29,720
Speaker 3: he should hit number one. I think I would think

1438
01:02:30,560 --> 01:02:34,320
Speaker 3: Drake's dropping. Drake should hit number one. Yep, right, Who

1439
01:02:34,440 --> 01:02:36,800
Speaker 3: was coming out that Nicki Minaja I think is coming

1440
01:02:36,800 --> 01:02:37,320
Speaker 3: out this year?

1441
01:02:37,440 --> 01:02:40,960
Speaker 2: Nikki, Cardi, Cardy. I'm not saying Cardi. We don't know

1442
01:02:41,000 --> 01:02:43,080
Speaker 2: if Cardi dropping this year. Nah.

1443
01:02:43,160 --> 01:02:46,080
Speaker 1: I think Cardy said shut up Carty six years five?

1444
01:02:46,160 --> 01:02:47,680
Speaker 1: Actually nah, but she's been What.

1445
01:02:47,560 --> 01:02:49,600
Speaker 3: Makes y'all think card you're gonna actually drop this year

1446
01:02:49,760 --> 01:02:50,480
Speaker 3: after five years?

1447
01:02:50,480 --> 01:02:51,640
Speaker 2: Shit about four or five? Feetus?

1448
01:02:51,640 --> 01:02:54,760
Speaker 1: We just heard one on Cardigate was a number one

1449
01:02:54,760 --> 01:02:56,880
Speaker 1: record one year with Wapping didn't drop. What are you

1450
01:02:56,920 --> 01:02:59,360
Speaker 1: talking about? I got faith in Cardy, I got faith

1451
01:02:59,400 --> 01:03:01,120
Speaker 1: in Cotton. I got faith and cards don't. I don't

1452
01:03:01,120 --> 01:03:02,520
Speaker 1: think he's gonna drop this year, all right.

1453
01:03:02,520 --> 01:03:04,000
Speaker 2: We also got a slute to burn a Boy.

1454
01:03:04,080 --> 01:03:07,320
Speaker 1: He makes history as the first African artist to sell

1455
01:03:07,360 --> 01:03:08,920
Speaker 1: out a US stadium.

1456
01:03:08,920 --> 01:03:11,080
Speaker 2: I'm on now. Burn a Boy played the City feel

1457
01:03:11,120 --> 01:03:11,680
Speaker 2: in Queen's.

1458
01:03:12,040 --> 01:03:16,400
Speaker 1: He packed out the forty one thousand seat capacity stadium. Uh,

1459
01:03:16,440 --> 01:03:18,560
Speaker 1: and we just got to say congratulations. They were talking

1460
01:03:18,560 --> 01:03:20,560
Speaker 1: about how he started. I think he started like at

1461
01:03:20,560 --> 01:03:24,000
Speaker 1: a small like the Beacon Theater. Then he did Apollo,

1462
01:03:24,160 --> 01:03:27,640
Speaker 1: then he did a Madison Square Garden and now City Field.

1463
01:03:27,360 --> 01:03:28,960
Speaker 2: So he's not even from here.

1464
01:03:29,440 --> 01:03:32,480
Speaker 3: Dropp gonna cluse bond for burn a Boy Man, I said,

1465
01:03:32,520 --> 01:03:34,320
Speaker 3: burn a Boy at some point was gonna have a

1466
01:03:34,360 --> 01:03:35,040
Speaker 3: bad Bunnie type.

1467
01:03:35,120 --> 01:03:36,880
Speaker 2: Yeah, remember that year Bad Bunny had last year?

1468
01:03:37,000 --> 01:03:37,160
Speaker 7: Yep.

1469
01:03:37,360 --> 01:03:39,080
Speaker 2: Correct. I feel like burna Boy gonna have one of

1470
01:03:39,120 --> 01:03:42,640
Speaker 2: those real real soon. He's having it now. This is

1471
01:03:42,680 --> 01:03:43,640
Speaker 2: the start. He's having it now.

1472
01:03:43,680 --> 01:03:45,600
Speaker 1: He just sold out forty one thousand. He's having it now.

1473
01:03:46,040 --> 01:03:48,280
Speaker 1: Next is gonna be met Life Stadium over there that

1474
01:03:48,360 --> 01:03:50,200
Speaker 1: holds what sixty seventy thousand.

1475
01:03:50,960 --> 01:03:53,120
Speaker 3: Now maybe I don't know if he's having it now,

1476
01:03:53,120 --> 01:03:56,320
Speaker 3: it's coming. He's having a moment, though, there's gonna be

1477
01:03:56,360 --> 01:03:57,720
Speaker 3: more than a moment. Burn Boy gonna be around for

1478
01:03:57,720 --> 01:03:58,280
Speaker 3: a long time.

1479
01:03:58,200 --> 01:03:58,640
Speaker 7: I think so.

1480
01:03:59,160 --> 01:04:02,040
Speaker 1: Now the Weekends Tour becomes one of the decades's most

1481
01:04:02,120 --> 01:04:07,320
Speaker 1: successful tours, grossing over three hundred and fifty million dollars.

1482
01:04:07,880 --> 01:04:10,200
Speaker 1: Now the sold out tour has brought in one hundred

1483
01:04:10,200 --> 01:04:13,400
Speaker 1: and forty eight million dollars just in the North America alone.

1484
01:04:14,800 --> 01:04:18,800
Speaker 1: So despite facing some tough competition like Beyonce Bad Bunny

1485
01:04:18,880 --> 01:04:21,720
Speaker 1: like you said, Taylor Swift, the Weekends three hundred and

1486
01:04:21,720 --> 01:04:24,479
Speaker 1: fifty million victory makes after hours to doing the fourth

1487
01:04:24,600 --> 01:04:27,720
Speaker 1: highest grossing tours of twenty twenties so far.

1488
01:04:27,840 --> 01:04:29,320
Speaker 2: So salute to the Weekend as well.

1489
01:04:29,400 --> 01:04:32,160
Speaker 3: Okay, you're living up to your name, man, tough. Everybody

1490
01:04:32,240 --> 01:04:34,080
Speaker 3: looks forward to the Weekends. When he first came out,

1491
01:04:34,080 --> 01:04:36,040
Speaker 3: I was like, maybe you should name himself Tuesday or something.

1492
01:04:36,400 --> 01:04:38,520
Speaker 3: But he's lived up to that name. He's the Weekend.

1493
01:04:38,720 --> 01:04:40,720
Speaker 1: Now he's about to go on the second leg of

1494
01:04:40,800 --> 01:04:42,920
Speaker 1: his tour that which is in Europe and Latin America,

1495
01:04:43,040 --> 01:04:44,880
Speaker 1: so he gonna keep selling some tickets.

1496
01:04:44,920 --> 01:04:48,000
Speaker 2: So saluting congratulations to the Weekend. He was saying his

1497
01:04:48,240 --> 01:04:49,800
Speaker 2: HBO show sucks though I haven't seen it. Have you

1498
01:04:49,880 --> 01:04:50,120
Speaker 2: seen it?

1499
01:04:50,280 --> 01:04:50,320
Speaker 6: No?

1500
01:04:50,400 --> 01:04:50,760
Speaker 4: I have not.

1501
01:04:50,960 --> 01:04:51,360
Speaker 7: You've seen it?

1502
01:04:52,520 --> 01:04:54,600
Speaker 2: Yeah? What's he doing? Was he's performing no Idle? No,

1503
01:04:54,680 --> 01:04:56,320
Speaker 2: it's a TV show. Now, I haven't even watched it.

1504
01:04:56,360 --> 01:04:58,280
Speaker 2: I haven't seen anybody in the room see it. No,

1505
01:04:58,640 --> 01:04:59,000
Speaker 2: you saw it?

1506
01:04:59,240 --> 01:04:59,360
Speaker 3: Oh?

1507
01:04:59,400 --> 01:04:59,720
Speaker 5: You like it?

1508
01:05:00,000 --> 01:05:00,520
Speaker 7: That's so good?

1509
01:05:00,560 --> 01:05:01,920
Speaker 2: Oh, she said, it's good. Said that's good.

1510
01:05:02,000 --> 01:05:04,400
Speaker 1: All right, all right, well that is your room or

1511
01:05:04,400 --> 01:05:06,120
Speaker 1: reports some of your artists and what they're doing out there,

1512
01:05:06,160 --> 01:05:07,360
Speaker 1: and I show them who are giving a donkey?

1513
01:05:07,400 --> 01:05:08,600
Speaker 2: Two man four after the hour.

1514
01:05:08,680 --> 01:05:11,320
Speaker 3: We need a sending to Tommy Tuberville to come to

1515
01:05:11,360 --> 01:05:12,240
Speaker 3: the front of the congregation.

1516
01:05:12,360 --> 01:05:13,440
Speaker 2: We like to have a world with him.

1517
01:05:13,440 --> 01:05:13,520
Speaker 10: Man.

1518
01:05:13,520 --> 01:05:17,240
Speaker 3: There's a lot of rebranding going on, which some things

1519
01:05:17,360 --> 01:05:18,760
Speaker 3: just cannot be rebranded because some.

1520
01:05:18,840 --> 01:05:21,680
Speaker 1: Things are a matter of fact, not a matter of opinion.

1521
01:05:21,760 --> 01:05:23,440
Speaker 1: We'll discuss, all right, we'll get to that next. It

1522
01:05:23,480 --> 01:05:24,520
Speaker 1: don't move, It's to breakfast club.

1523
01:05:24,560 --> 01:05:27,280
Speaker 2: Good morning. Okay, this is a miracle.

1524
01:05:29,720 --> 01:05:32,440
Speaker 5: There is no question that there are problems in this

1525
01:05:32,600 --> 01:05:34,960
Speaker 5: country between police and community.

1526
01:05:35,600 --> 01:05:39,960
Speaker 2: Yes, you are a donkey. The latest on that police

1527
01:05:40,040 --> 01:05:41,880
Speaker 2: killing of a black man. Now the new developments in

1528
01:05:41,920 --> 01:05:44,360
Speaker 2: the definitely spatshooting rampage. Man, it was a really bad

1529
01:05:44,440 --> 01:05:45,960
Speaker 2: day for him and this is what he did, and

1530
01:05:46,080 --> 01:05:49,840
Speaker 2: so we are in a state of emergency. Okay.

1531
01:05:49,880 --> 01:05:53,440
Speaker 3: White supremacist violence is always have been the number one

1532
01:05:53,520 --> 01:05:54,560
Speaker 3: threat to our society.

1533
01:05:54,640 --> 01:05:57,000
Speaker 7: But I'm also very proud that my wife is white.

1534
01:05:58,680 --> 01:06:02,320
Speaker 2: The breakfast club bitch tisnny please tell me why was

1535
01:06:02,400 --> 01:06:04,040
Speaker 2: I your Donkey of the day.

1536
01:06:04,280 --> 01:06:07,080
Speaker 3: Donkey today for Tuesday, July eleventh. Of course, the Alabama

1537
01:06:07,120 --> 01:06:09,400
Speaker 3: Center to Tommy Tuboville. Now I know is a country.

1538
01:06:09,480 --> 01:06:13,120
Speaker 3: We are mentally exhausted and fatigued. Everything, especially coming out

1539
01:06:13,160 --> 01:06:15,560
Speaker 3: of COVID. It's just been so much death, so much grief.

1540
01:06:15,600 --> 01:06:18,280
Speaker 3: The economy is in shambles. Every day, there's some sort

1541
01:06:18,320 --> 01:06:22,880
Speaker 3: of racism, homophobia, sexism, anti semitism. Things are so heavy

1542
01:06:22,960 --> 01:06:24,840
Speaker 3: that all we want to do is escape. So a

1543
01:06:24,880 --> 01:06:26,760
Speaker 3: lot of things we should pay attention to we don't.

1544
01:06:26,920 --> 01:06:28,800
Speaker 3: And there's a group of evil assed people in this

1545
01:06:28,880 --> 01:06:30,560
Speaker 3: country who are trying to take us back to a

1546
01:06:30,640 --> 01:06:32,200
Speaker 3: time before we had basic rights.

1547
01:06:32,240 --> 01:06:34,240
Speaker 2: Okay, it's happening, all right. Look at what the Supreme

1548
01:06:34,280 --> 01:06:35,080
Speaker 2: Court did with Roe v.

1549
01:06:35,200 --> 01:06:37,240
Speaker 3: Wade, Look at what the Supreme Court did with affirmative

1550
01:06:37,280 --> 01:06:39,720
Speaker 3: action in colleges and universities. At this point, we just

1551
01:06:39,800 --> 01:06:42,280
Speaker 3: have to ask ourselves what's next? What basic writer is

1552
01:06:42,320 --> 01:06:44,120
Speaker 3: going to be script from the American people next? But

1553
01:06:44,280 --> 01:06:47,600
Speaker 3: we tie it, Okay, mentally and emotionally exhausted, therefore, we

1554
01:06:47,640 --> 01:06:50,040
Speaker 3: don't have the energy to fight. And people like Tommy

1555
01:06:50,040 --> 01:06:53,400
Speaker 3: Tuberville are banking banking on that, all right, they're banking

1556
01:06:53,440 --> 01:06:55,320
Speaker 3: that we as a collective of too tied to truly

1557
01:06:55,360 --> 01:06:57,080
Speaker 3: get angry, and that is why we can, that is

1558
01:06:57,120 --> 01:06:59,880
Speaker 3: why he can go on national TV like CNN and

1559
01:07:00,280 --> 01:07:03,800
Speaker 3: argue that the definition of white nationalism is just some

1560
01:07:03,920 --> 01:07:04,680
Speaker 3: people's opinion.

1561
01:07:04,800 --> 01:07:06,240
Speaker 2: Let's go to CNN for the report police.

1562
01:07:06,560 --> 01:07:09,720
Speaker 13: I'm totally against any type of racism. Okay, I was

1563
01:07:09,760 --> 01:07:13,080
Speaker 13: a football coach for forty years, and I dealt and

1564
01:07:13,560 --> 01:07:16,960
Speaker 13: had an opportunity to be around more minorities than anybody

1565
01:07:17,080 --> 01:07:21,320
Speaker 13: up here on this hill. But calling people nationalists white nationalists,

1566
01:07:21,320 --> 01:07:23,520
Speaker 13: white nationalists is just another word that they want to

1567
01:07:23,600 --> 01:07:26,840
Speaker 13: use other than racism. I'm totally against anything to do

1568
01:07:26,960 --> 01:07:30,480
Speaker 13: with racism. But the thing about being a white nationalist

1569
01:07:30,560 --> 01:07:33,160
Speaker 13: is just a cover word for the Democrats now where

1570
01:07:33,200 --> 01:07:35,160
Speaker 13: they can use it to try to make people mad

1571
01:07:35,200 --> 01:07:37,200
Speaker 13: across the country identity politics.

1572
01:07:37,480 --> 01:07:38,480
Speaker 2: I'm totally against that.

1573
01:07:39,120 --> 01:07:42,120
Speaker 6: But just to be clear, you agree that white nationalists

1574
01:07:42,120 --> 01:07:43,800
Speaker 6: should not be serving in the US military.

1575
01:07:43,920 --> 01:07:44,640
Speaker 2: Is that what you're saying?

1576
01:07:44,960 --> 01:07:47,120
Speaker 4: I agree that a white nationalist is someone who believes

1577
01:07:47,320 --> 01:07:49,680
Speaker 4: that the white race is superior.

1578
01:07:49,360 --> 01:07:50,120
Speaker 8: To other racists.

1579
01:07:50,240 --> 01:07:54,400
Speaker 13: Well, that's some people's opinion, my opinion of a white nationalist,

1580
01:07:54,440 --> 01:07:55,960
Speaker 13: if somebody wants to call him white nationalist, to me,

1581
01:07:56,160 --> 01:07:56,960
Speaker 13: is an American.

1582
01:07:57,280 --> 01:07:58,000
Speaker 7: It's an American.

1583
01:07:58,120 --> 01:08:01,480
Speaker 13: Now, if that white nationalist is a racist, I'm totally

1584
01:08:01,560 --> 01:08:04,200
Speaker 13: against anything that they want to do because I am

1585
01:08:04,360 --> 01:08:06,440
Speaker 13: one hundred and ten percent against racism.

1586
01:08:08,040 --> 01:08:11,760
Speaker 3: Cy Senator Tubbleville, It's Kaitlin Collins tried to point out

1587
01:08:11,760 --> 01:08:14,920
Speaker 3: to you. The pure definition of white nationalism is racism.

1588
01:08:15,000 --> 01:08:19,120
Speaker 3: Marion Webster, Mariam Western definition of white nationalism is a

1589
01:08:19,200 --> 01:08:22,640
Speaker 3: group of militant white people who espouse white supremacy and

1590
01:08:22,760 --> 01:08:26,799
Speaker 3: advocate enforced racial segregation. Dictionary dot com says the definition

1591
01:08:26,880 --> 01:08:29,840
Speaker 3: of white nationalism is the belief, theory of doctrine that

1592
01:08:29,880 --> 01:08:32,559
Speaker 3: white people are inherently superior to people from all other

1593
01:08:32,680 --> 01:08:35,160
Speaker 3: racial and ethnic groups, and that in order to preserve

1594
01:08:35,200 --> 01:08:38,640
Speaker 3: their white, European and Christian cultural identities, they need or

1595
01:08:38,720 --> 01:08:42,599
Speaker 3: deserve a segregated geographical area of preferential treatment and special

1596
01:08:42,720 --> 01:08:47,240
Speaker 3: legal protections. Senator Tubbleville, the definition of white nationalism is

1597
01:08:47,320 --> 01:08:49,760
Speaker 3: not a matter of opinion, It's a matter of fact.

1598
01:08:50,000 --> 01:08:51,559
Speaker 3: And this is the problem I have with so many

1599
01:08:51,600 --> 01:08:54,760
Speaker 3: of these fascists, these racists, these white nationalists. They are

1600
01:08:54,840 --> 01:08:57,639
Speaker 3: elected officials, there are politicians, there are people in control

1601
01:08:57,720 --> 01:09:01,040
Speaker 3: the legislation, and they literally talk out both sides. They're reptilian. Next,

1602
01:09:01,320 --> 01:09:04,920
Speaker 3: you can't say you're against racism but be for white nationalism.

1603
01:09:05,200 --> 01:09:08,360
Speaker 3: That's like me telling my side chick black men, don't you? Okay,

1604
01:09:08,800 --> 01:09:10,880
Speaker 3: That's like me saying I'm against drug use but also

1605
01:09:10,920 --> 01:09:13,080
Speaker 3: spending a weekend with Hunter Biden in the White House.

1606
01:09:13,760 --> 01:09:17,760
Speaker 3: I like what Hunter likes DJ Khaled voice. That's like

1607
01:09:17,880 --> 01:09:19,559
Speaker 3: Nick cannon Hole in a safe sex seminar.

1608
01:09:19,800 --> 01:09:20,040
Speaker 2: Okay.

1609
01:09:20,479 --> 01:09:22,360
Speaker 3: I was speaking to the president of the Fat Lives

1610
01:09:22,400 --> 01:09:24,560
Speaker 3: Matter Community and he said, this is like ordering a

1611
01:09:24,600 --> 01:09:27,000
Speaker 3: twenty piece chicken mc nugget value meal, two large fries,

1612
01:09:27,080 --> 01:09:29,439
Speaker 3: a quarter pounds the eminem mixflurry, and then when they

1613
01:09:29,479 --> 01:09:30,840
Speaker 3: ask you what you want to drink, you.

1614
01:09:30,960 --> 01:09:34,000
Speaker 2: Say a diet coke. The word of today is contradiction.

1615
01:09:34,160 --> 01:09:34,360
Speaker 7: Kids.

1616
01:09:34,479 --> 01:09:37,479
Speaker 3: Okay, we are all human contradictions. But this is a

1617
01:09:37,560 --> 01:09:40,120
Speaker 3: senator of the United States of America telling us he's

1618
01:09:40,120 --> 01:09:44,120
Speaker 3: against racism while supporting actual racism, because that's what white

1619
01:09:44,200 --> 01:09:48,040
Speaker 3: nationalism is, bottom line, point blank, period. The Senate is

1620
01:09:48,040 --> 01:09:51,360
Speaker 3: already America's most structurally racist institution. And it always will

1621
01:09:51,400 --> 01:09:53,360
Speaker 3: be as long as this country keeps putting open racists

1622
01:09:53,360 --> 01:09:53,800
Speaker 3: in these seats.

1623
01:09:53,800 --> 01:09:54,040
Speaker 2: All right.

1624
01:09:54,120 --> 01:09:57,120
Speaker 3: Telling me white nationalism is not racism is the worst

1625
01:09:57,200 --> 01:10:01,400
Speaker 3: rebrand I heard all week. Well, actually second worst, because

1626
01:10:01,400 --> 01:10:04,720
Speaker 3: accepting white nationalism is not being racism is like this

1627
01:10:04,840 --> 01:10:07,360
Speaker 3: cervical cancer charity trying to tell me that vagina should

1628
01:10:07,360 --> 01:10:11,439
Speaker 3: be called bonus holes to avoid upsetting transgender men. Okay, y'all,

1629
01:10:11,520 --> 01:10:13,760
Speaker 3: one A and one B. When it comes to having

1630
01:10:13,840 --> 01:10:15,839
Speaker 3: the worst rebrand ideas of the week, okay.

1631
01:10:15,760 --> 01:10:16,360
Speaker 2: Bonus hole.

1632
01:10:16,439 --> 01:10:18,960
Speaker 3: Imagine telling a woman, I'm about to eat your bonus hole,

1633
01:10:19,360 --> 01:10:21,679
Speaker 3: all right. Imagine needing the tampon for your bonus hole,

1634
01:10:21,880 --> 01:10:24,080
Speaker 3: all right. I ain't spending no money on no bonus hole.

1635
01:10:24,160 --> 01:10:26,080
Speaker 3: And if that hole is the bonus, what's the main hole?

1636
01:10:26,760 --> 01:10:28,519
Speaker 2: Anyway? Senat to Tommy Tubleville.

1637
01:10:28,560 --> 01:10:30,439
Speaker 3: Since we have hit Man Holly here from Wilding Outsolute

1638
01:10:30,439 --> 01:10:32,280
Speaker 3: to hit Man Holly, and wild'n Out is celebrating their

1639
01:10:32,280 --> 01:10:35,519
Speaker 3: twentieth anniversary, so every day we're gonna have someone from

1640
01:10:35,600 --> 01:10:39,440
Speaker 3: wild'n Out in here co hosting. Even though BT absolutely

1641
01:10:39,600 --> 01:10:42,720
Speaker 3: did not promote the breakfast club, not once during the

1642
01:10:42,800 --> 01:10:46,439
Speaker 3: BT Awards, the partnership should be reciprocal, all right, but

1643
01:10:46,640 --> 01:10:49,120
Speaker 3: we have battle rappers straordingate hit Man Holler from wilding

1644
01:10:49,160 --> 01:10:50,840
Speaker 3: out in here, and he's gonna give us a few

1645
01:10:50,880 --> 01:10:53,719
Speaker 3: bars to Tommy Tuberville, you're acting like you're on the wild'

1646
01:10:53,800 --> 01:10:57,240
Speaker 3: out stage. Hit Man Holler got cenata. Tommy Tuboville is

1647
01:10:57,320 --> 01:10:59,719
Speaker 3: in your face. I'm gonna even provide you ad libs

1648
01:10:59,720 --> 01:11:00,960
Speaker 3: for for each ball.

1649
01:11:01,040 --> 01:11:04,880
Speaker 6: I appreciate, Tommy. See, I'll be trying not to act

1650
01:11:04,960 --> 01:11:08,240
Speaker 6: like a savage and things. But if y'all ain't racist,

1651
01:11:08,280 --> 01:11:10,519
Speaker 6: then why y'all kill a black man for having a dream?

1652
01:11:13,160 --> 01:11:15,760
Speaker 6: Y'all sick for real? Y'all gonna make me get lit

1653
01:11:15,840 --> 01:11:18,840
Speaker 6: for real. If y'all ain't racist, why trade by I

1654
01:11:18,840 --> 01:11:20,880
Speaker 6: can get killed for eating skills or the wicked things

1655
01:11:20,960 --> 01:11:24,759
Speaker 6: y'all did to mmit till. I mean, I'm on a radio,

1656
01:11:25,320 --> 01:11:28,439
Speaker 6: so I can't even cuss. But if y'all wasn't racist,

1657
01:11:28,880 --> 01:11:30,840
Speaker 6: then it wouldn't have been a problem for Rosa to

1658
01:11:30,920 --> 01:11:34,920
Speaker 6: sit in front of that bus. I mean, if y'all

1659
01:11:34,960 --> 01:11:38,240
Speaker 6: ain't racist, have a seat. I might buy you a sofa.

1660
01:11:38,640 --> 01:11:40,840
Speaker 6: If y'all ain't racist, and explain to me the chain

1661
01:11:40,920 --> 01:11:42,320
Speaker 6: of events that happened in TUSA.

1662
01:11:44,360 --> 01:11:46,519
Speaker 7: I'm just saying, I just need some respect.

1663
01:11:47,080 --> 01:11:49,920
Speaker 6: If y'all ain't racist, why I wake up every morning

1664
01:11:50,000 --> 01:11:52,120
Speaker 6: to see another cop with her knee on our neck.

1665
01:11:53,880 --> 01:11:55,719
Speaker 7: Tommy, be real with yourself.

1666
01:11:56,479 --> 01:11:59,080
Speaker 6: That's what the case is. All I'm trying to say,

1667
01:11:59,200 --> 01:12:03,360
Speaker 6: is y'all pretty much racist? Off the top for the

1668
01:12:03,400 --> 01:12:04,920
Speaker 6: breakfast club that's off the top.

1669
01:12:06,880 --> 01:12:09,360
Speaker 2: Please give center the Timmy Tellbleville the biggest.

1670
01:12:09,400 --> 01:12:09,880
Speaker 10: He hull.

1671
01:12:16,080 --> 01:12:17,880
Speaker 2: Says, we hear you might to look Kathy Griffin.

1672
01:12:17,640 --> 01:12:22,519
Speaker 3: Yourself, please give please give this giant jar male look

1673
01:12:22,560 --> 01:12:23,479
Speaker 3: big as he haw.

1674
01:12:25,920 --> 01:12:28,880
Speaker 2: Can Chelsea hand look at something too? He haw he haw.

1675
01:12:29,280 --> 01:12:31,519
Speaker 2: That is way too much. Dan Mannage, I'm looking at

1676
01:12:31,560 --> 01:12:33,680
Speaker 2: the crack the counter. I had three more. I just

1677
01:12:33,680 --> 01:12:36,200
Speaker 2: said it a game, so I got two more? Right,

1678
01:12:37,600 --> 01:12:39,240
Speaker 2: you got one more. You're gonna go over now. I'm

1679
01:12:39,240 --> 01:12:41,080
Speaker 2: gonna go over here, going overhead. I'll paid a fine,

1680
01:12:41,080 --> 01:12:48,160
Speaker 2: go ahead, play as Jesus. All right, Well, thank you

1681
01:12:48,200 --> 01:12:53,120
Speaker 2: for that. Donkey of the day. I love this job.

1682
01:12:54,720 --> 01:12:59,400
Speaker 2: D T see how later maybe peace as possible?

1683
01:13:00,040 --> 01:13:00,360
Speaker 7: All right?

1684
01:13:00,360 --> 01:13:02,639
Speaker 2: Where you wanna go now? I don't know what we're doing.

1685
01:13:02,840 --> 01:13:05,360
Speaker 2: What you want to do? Don't ask me. We didn't

1686
01:13:05,360 --> 01:13:07,680
Speaker 2: have a topic before we started. Don't though to me.

1687
01:13:07,760 --> 01:13:09,759
Speaker 2: Not did my job job.

1688
01:13:11,240 --> 01:13:14,120
Speaker 1: I'm texting people. Nobody hits me back two minutes before

1689
01:13:14,320 --> 01:13:14,840
Speaker 1: we could go here.

1690
01:13:15,000 --> 01:13:18,000
Speaker 3: Okay, Well, we do have hit band HOLLYW. Hill and

1691
01:13:18,080 --> 01:13:21,080
Speaker 3: he's he's a rapper, and you know we were talking earlier.

1692
01:13:21,120 --> 01:13:24,400
Speaker 3: We just had ice Cube. But yesterday after ice Cube left,

1693
01:13:24,439 --> 01:13:26,639
Speaker 3: there was a great conversation that started because of Drink

1694
01:13:26,680 --> 01:13:27,720
Speaker 3: Champs interview.

1695
01:13:28,400 --> 01:13:31,160
Speaker 2: Talking about who's the best storyteller when it comes to

1696
01:13:31,360 --> 01:13:33,439
Speaker 2: rap music? Rap music? All right, we can open up

1697
01:13:33,439 --> 01:13:34,719
Speaker 2: the phone lines and have that discussion.

1698
01:13:34,800 --> 01:13:37,000
Speaker 1: Eight hundred five A five one oh five to one.

1699
01:13:37,840 --> 01:13:41,360
Speaker 1: We're discussing who has the best storytelling? I think it's

1700
01:13:41,439 --> 01:13:41,840
Speaker 1: b I G.

1701
01:13:42,120 --> 01:13:45,920
Speaker 2: Hands down. Can you pull up on the big big

1702
01:13:46,080 --> 01:13:47,439
Speaker 2: joints while we talking about it?

1703
01:13:47,680 --> 01:13:49,680
Speaker 1: And we'll take your calls. Eight hundred five A five

1704
01:13:49,760 --> 01:13:51,519
Speaker 1: one oh five one. Some of the people in around

1705
01:13:51,560 --> 01:13:54,639
Speaker 1: me has been Ice Cube, some of them has been

1706
01:13:55,280 --> 01:14:00,479
Speaker 1: scar Face, Rest in peace, black rock hit man, Holler

1707
01:14:00,560 --> 01:14:03,160
Speaker 1: said big l. So we'll taking calls when we come back.

1708
01:14:03,200 --> 01:14:04,640
Speaker 1: It's the breakfast club. Come on, let us rock for

1709
01:14:04,640 --> 01:14:07,360
Speaker 1: a little bit every day. This morning, Well, every day,

1710
01:14:07,479 --> 01:14:09,240
Speaker 1: well every morning this week, I should say, we have

1711
01:14:09,320 --> 01:14:11,200
Speaker 1: a different person that's gonna be hosted with us and

1712
01:14:11,200 --> 01:14:13,519
Speaker 1: today's hit Me and Hollow. Yes, sir, we were having

1713
01:14:13,560 --> 01:14:16,080
Speaker 1: this conversation behind the scenes talking about who is the

1714
01:14:16,160 --> 01:14:17,920
Speaker 1: best storyteller when it comes to rap.

1715
01:14:18,000 --> 01:14:20,960
Speaker 3: Well, it came from Drink Champs because Tony Yeo and

1716
01:14:21,080 --> 01:14:23,560
Speaker 3: EFN got into a debate about, you know, who was

1717
01:14:23,600 --> 01:14:27,600
Speaker 3: a better storyteller between ice Cube and Biggie Smalls. And

1718
01:14:27,680 --> 01:14:29,599
Speaker 3: then I saw people talking about it on social media.

1719
01:14:29,600 --> 01:14:31,960
Speaker 3: And you know, hit Man, in your battle rap world,

1720
01:14:32,479 --> 01:14:35,280
Speaker 3: you're known as the best storyteller.

1721
01:14:35,040 --> 01:14:36,080
Speaker 7: One of the top for shows.

1722
01:14:36,120 --> 01:14:39,840
Speaker 6: So I actually grew up listening to Big l because

1723
01:14:39,880 --> 01:14:42,960
Speaker 6: of my pops, you know, Tupac, Damn Max. So I

1724
01:14:43,080 --> 01:14:46,160
Speaker 6: kind of grew the love storytelling, all the storytelling. So

1725
01:14:46,240 --> 01:14:49,080
Speaker 6: like big Al got casualties of a dice game, he

1726
01:14:49,240 --> 01:14:51,400
Speaker 6: got heist, you know what I'm saying. Crazy, you know,

1727
01:14:51,560 --> 01:14:54,639
Speaker 6: Tupac ain't man at you. Brandy got a baby, Damn

1728
01:14:54,720 --> 01:14:57,960
Speaker 6: Mass got Damon. You know what I'm saying, He got

1729
01:14:58,080 --> 01:15:00,360
Speaker 6: like soul. Like yeah, So I'm a big fan of

1730
01:15:00,400 --> 01:15:01,360
Speaker 6: storytelling raps.

1731
01:15:02,439 --> 01:15:06,759
Speaker 3: I think storytelling rappers such a such such a lost start,

1732
01:15:07,240 --> 01:15:10,320
Speaker 3: you know. Personally, my favorite storytellers, I do have ice

1733
01:15:10,400 --> 01:15:13,040
Speaker 3: Cube in my top list of storytelling rappers. Mine is

1734
01:15:13,120 --> 01:15:16,120
Speaker 3: ice Cube, Biggie Small, and there's no particular order. Ice Cube,

1735
01:15:16,160 --> 01:15:20,840
Speaker 3: Biggie Small, Scarface, Black, Rob Slick Rick, ghost Face. Those

1736
01:15:20,880 --> 01:15:22,960
Speaker 3: are the greatest storytelling rappers to me, because the people

1737
01:15:23,000 --> 01:15:25,120
Speaker 3: that are the best storytelling rappers are the ones that's

1738
01:15:25,160 --> 01:15:26,519
Speaker 3: rapping and you don't even realize they're.

1739
01:15:26,320 --> 01:15:28,800
Speaker 2: Telling you a story, you know. And Biggie Big does

1740
01:15:28,880 --> 01:15:29,280
Speaker 2: that a lot.

1741
01:15:29,360 --> 01:15:30,920
Speaker 3: There's a lot of records you hear from Big and

1742
01:15:30,960 --> 01:15:33,080
Speaker 3: don't even realize, oh, shoot, this is a whole story,

1743
01:15:33,439 --> 01:15:37,200
Speaker 3: you know. Niggas Lee warning, you know, somebody's got to die.

1744
01:15:37,520 --> 01:15:43,839
Speaker 3: Nobody until somebody kills you, you know, every day Juicy

1745
01:15:44,080 --> 01:15:46,720
Speaker 3: like he's It seemed like every time Biggie touched the mike,

1746
01:15:46,760 --> 01:15:49,080
Speaker 3: he was telling us a story, you know.

1747
01:15:49,280 --> 01:15:51,479
Speaker 2: And I really believe he's rap out for Hitchcock.

1748
01:15:51,520 --> 01:15:54,080
Speaker 3: I don't think for me, it'd be a very close

1749
01:15:54,160 --> 01:15:55,680
Speaker 3: time between Biggie and Scarface.

1750
01:15:56,120 --> 01:15:56,880
Speaker 2: Definitely Biggie.

1751
01:15:56,920 --> 01:15:57,080
Speaker 6: For me.

1752
01:15:57,720 --> 01:16:00,479
Speaker 1: Face face puts you when face does it sometimes I

1753
01:16:00,520 --> 01:16:02,479
Speaker 1: guess it faces voice, It puts you like you're there

1754
01:16:03,080 --> 01:16:04,600
Speaker 1: like even when I remember it can't be life what

1755
01:16:05,000 --> 01:16:07,559
Speaker 1: he's talking about his man's friend, that the man's son

1756
01:16:07,600 --> 01:16:09,519
Speaker 1: had died, Like he put me in it, like I

1757
01:16:09,600 --> 01:16:11,599
Speaker 1: felt like I was there in the studio that night.

1758
01:16:11,640 --> 01:16:13,120
Speaker 3: And see, And that's what you just said to is

1759
01:16:13,240 --> 01:16:16,560
Speaker 3: bring me to a point about there's great storytellers that

1760
01:16:16,680 --> 01:16:20,080
Speaker 3: do whole songs and great storytelling verses, because that verse

1761
01:16:20,120 --> 01:16:21,519
Speaker 3: from this can't be Life is one of the best

1762
01:16:21,560 --> 01:16:24,760
Speaker 3: storytelling verses, yes, but then ghost faces verse on impossible

1763
01:16:25,000 --> 01:16:27,120
Speaker 3: is one of the best storytelling verses. But then you

1764
01:16:27,200 --> 01:16:29,040
Speaker 3: have people like Pa fu make Brenda's got a baby.

1765
01:16:29,080 --> 01:16:31,679
Speaker 3: That's a whole song, or nods when he does rerun,

1766
01:16:31,920 --> 01:16:34,760
Speaker 3: rewind that's a whole song. Oh, I got the whole song,

1767
01:16:34,920 --> 01:16:36,800
Speaker 3: you know what I mean. But then you also got

1768
01:16:37,040 --> 01:16:38,400
Speaker 3: if you got to step to the side a little

1769
01:16:38,400 --> 01:16:38,680
Speaker 3: bit too.

1770
01:16:38,800 --> 01:16:41,080
Speaker 1: Jay has done it a lot with some of Jay's records,

1771
01:16:42,000 --> 01:16:44,800
Speaker 1: especially with him and him and Bleak, going back and

1772
01:16:44,920 --> 01:16:48,120
Speaker 1: forth with what was the other one that Jay did

1773
01:16:48,680 --> 01:16:49,800
Speaker 1: A gun in your mouth and that's so you could

1774
01:16:49,800 --> 01:16:51,880
Speaker 1: come on the phone, Yeah, from the foe, But then

1775
01:16:51,920 --> 01:16:53,879
Speaker 1: you you can't forget mister.

1776
01:16:53,720 --> 01:16:56,240
Speaker 2: Cheeks, are you pointing hit man, call it man, mister cheeks.

1777
01:16:56,240 --> 01:16:58,840
Speaker 2: I said, you can't. I'm just crazy. Buy some balls,

1778
01:16:58,880 --> 01:17:01,960
Speaker 2: hit man. You know point that no man calling mister

1779
01:17:02,040 --> 01:17:05,400
Speaker 2: cheeks unless actually mister cheeks. Bro, that's crazy. Mister Cheeks

1780
01:17:05,439 --> 01:17:08,320
Speaker 2: did renee. But that's a record. That's a story, but

1781
01:17:08,360 --> 01:17:08,920
Speaker 2: it's one record.

1782
01:17:09,120 --> 01:17:12,879
Speaker 3: These people that we're talking about have songs, catalogs of stories.

1783
01:17:13,080 --> 01:17:13,120
Speaker 7: Like.

1784
01:17:13,720 --> 01:17:16,320
Speaker 3: To be considered a great storytelling rapper, you gotta have

1785
01:17:16,800 --> 01:17:18,080
Speaker 3: to me five or more.

1786
01:17:18,120 --> 01:17:21,439
Speaker 2: Storytelling is the biggest was.

1787
01:17:21,520 --> 01:17:24,320
Speaker 7: Jay Z best storytelling song? What's your favorite one from Jay?

1788
01:17:24,439 --> 01:17:27,439
Speaker 7: Just to realize? Song cry story huh song cry we

1789
01:17:27,600 --> 01:17:28,120
Speaker 7: can going.

1790
01:17:28,040 --> 01:17:30,479
Speaker 2: Song, Lucky Me, lucky me for me?

1791
01:17:30,600 --> 01:17:32,920
Speaker 3: If I if I said Jay's oh now, oh Screech

1792
01:17:33,000 --> 01:17:35,800
Speaker 3: is watching Screeches watching the lucky Me, Yeah, that's what

1793
01:17:35,840 --> 01:17:36,200
Speaker 3: I will go.

1794
01:17:36,640 --> 01:17:36,840
Speaker 7: Yeah.

1795
01:17:36,840 --> 01:17:38,719
Speaker 1: But let's let's go to the phone lines eight hundred

1796
01:17:38,760 --> 01:17:40,360
Speaker 1: and five eight five, one oh five to one.

1797
01:17:40,760 --> 01:17:41,400
Speaker 2: Hello, who's this?

1798
01:17:42,400 --> 01:17:42,840
Speaker 5: What's up?

1799
01:17:42,920 --> 01:17:43,120
Speaker 3: Man?

1800
01:17:43,520 --> 01:17:43,640
Speaker 5: Hey?

1801
01:17:43,680 --> 01:17:44,000
Speaker 7: What's up?

1802
01:17:44,000 --> 01:17:44,439
Speaker 2: What's your name?

1803
01:17:44,439 --> 01:17:44,559
Speaker 5: Bro?

1804
01:17:45,800 --> 01:17:45,960
Speaker 8: Mike?

1805
01:17:46,439 --> 01:17:46,599
Speaker 7: Mike?

1806
01:17:46,840 --> 01:17:48,320
Speaker 2: Who's your favorite storyteller rapper?

1807
01:17:48,760 --> 01:17:50,880
Speaker 10: Man, it's gotta it's gotta be drinks man, Because if

1808
01:17:50,880 --> 01:17:53,479
Speaker 10: we're talking about from take Care nothing, what's the same.

1809
01:17:54,479 --> 01:17:57,840
Speaker 10: There's a lot of albums with Drake the storyteller. Picture,

1810
01:17:57,880 --> 01:18:00,639
Speaker 10: if we're talking about all time though I'm talking.

1811
01:18:00,439 --> 01:18:02,800
Speaker 5: About right now the games. Drake is the best storyteller around.

1812
01:18:02,840 --> 01:18:05,920
Speaker 2: But the all times I would really have ice ice Cube.

1813
01:18:05,920 --> 01:18:08,320
Speaker 3: Okay, I'm not mad at anybody that says Cube, but

1814
01:18:08,439 --> 01:18:10,320
Speaker 3: and also I don't think Drake is a better storyteller

1815
01:18:10,360 --> 01:18:11,200
Speaker 3: than Kendrick, Like what.

1816
01:18:11,520 --> 01:18:13,800
Speaker 7: Story has Drake best storytelling?

1817
01:18:14,000 --> 01:18:17,080
Speaker 2: So yeah, what story is Drake told that's better than Duckworth? Right,

1818
01:18:17,200 --> 01:18:21,600
Speaker 2: He's He's off, Hello, who's this good morning mama? What

1819
01:18:21,720 --> 01:18:23,960
Speaker 2: what rapper you think did the best storytelling?

1820
01:18:24,439 --> 01:18:24,639
Speaker 5: Well?

1821
01:18:24,760 --> 01:18:26,360
Speaker 13: Back in the day, I feel like.

1822
01:18:28,080 --> 01:18:31,040
Speaker 5: Ice cubers like they had a hand. But like today,

1823
01:18:31,479 --> 01:18:33,600
Speaker 5: I feel like Jack Cole. He really tells stories in

1824
01:18:33,680 --> 01:18:35,760
Speaker 5: his fall and it's not on a rappers ever do

1825
01:18:35,840 --> 01:18:36,320
Speaker 5: that anymore?

1826
01:18:36,640 --> 01:18:38,680
Speaker 2: Yeah, it is a lost art. It is a lost art.

1827
01:18:38,760 --> 01:18:40,200
Speaker 2: I wonder when people say ice Cube.

1828
01:18:40,360 --> 01:18:42,000
Speaker 3: There's a lot of ice Cube stories out Like when

1829
01:18:42,040 --> 01:18:44,040
Speaker 3: people say ice Cube, like what what? What are they

1830
01:18:44,160 --> 01:18:44,679
Speaker 3: just thinking about?

1831
01:18:44,680 --> 01:18:46,439
Speaker 7: It was a good day I got. I ain't gonna lie.

1832
01:18:46,479 --> 01:18:48,680
Speaker 6: I'm a hip hop I know I'm young, but that's

1833
01:18:48,760 --> 01:18:52,679
Speaker 6: the only one I know from cbe my summer vacation.

1834
01:18:54,800 --> 01:18:56,840
Speaker 7: But I know they gotta be probably just talking about

1835
01:18:56,920 --> 01:18:58,559
Speaker 7: today was a good a good day.

1836
01:18:59,080 --> 01:19:02,680
Speaker 2: Well, well let's get it to uh jay Z and Scarface.

1837
01:19:03,040 --> 01:19:04,600
Speaker 2: You're gonna play that over ice Cube? It was a

1838
01:19:04,600 --> 01:19:04,920
Speaker 2: good day.

1839
01:19:04,920 --> 01:19:07,479
Speaker 3: When everybody calling in about Cube, you to New York

1840
01:19:07,520 --> 01:19:08,800
Speaker 3: for your own good You're not doing that.

1841
01:19:08,920 --> 01:19:09,599
Speaker 2: But this is face.

1842
01:19:10,040 --> 01:19:11,760
Speaker 3: This is fair talking about the face people are calling

1843
01:19:11,800 --> 01:19:13,920
Speaker 3: in for people who have already we had two votes

1844
01:19:13,960 --> 01:19:16,519
Speaker 3: for ice Cube. Bro, stop doing that. You're playing that

1845
01:19:16,720 --> 01:19:19,639
Speaker 3: song because jay Z is on it. Okay, play ice

1846
01:19:19,680 --> 01:19:21,000
Speaker 3: Cuban was a good day, Eddie, No.

1847
01:19:21,400 --> 01:19:24,439
Speaker 2: Jay Z, ice c We're gonna play both.

1848
01:19:24,479 --> 01:19:27,760
Speaker 3: Then we're not even listening to that song. Face play

1849
01:19:27,840 --> 01:19:29,400
Speaker 3: well cut you do it in the mix and play

1850
01:19:29,439 --> 01:19:31,880
Speaker 3: the verse from Faith then okay, I will do that.

1851
01:19:32,080 --> 01:19:35,800
Speaker 3: Jesus Christ, this guy is so crazy, you hater man,

1852
01:19:35,880 --> 01:19:37,280
Speaker 3: you too New York for no reason.

1853
01:19:37,400 --> 01:19:41,240
Speaker 1: So what and for DJ add Charlamagne the God, we

1854
01:19:41,360 --> 01:19:43,400
Speaker 1: are the Breakfast Club. If you just join us, we're

1855
01:19:43,439 --> 01:19:47,919
Speaker 1: talking about some of rap's best storytellers. Now, this conversation

1856
01:19:48,080 --> 01:19:49,200
Speaker 1: came from behind the scenes.

1857
01:19:49,240 --> 01:19:49,800
Speaker 2: Now let me ask you.

1858
01:19:49,880 --> 01:19:51,680
Speaker 1: We talked about a bunch of women, a bunch of men.

1859
01:19:51,760 --> 01:19:54,040
Speaker 1: Any women that we put in this category that tell

1860
01:19:54,080 --> 01:19:57,880
Speaker 1: a great story. I know Queen la Queen Latifa.

1861
01:19:59,680 --> 01:20:02,080
Speaker 2: Yeah, a lot of them. Lauren Hill was a great storyteller.

1862
01:20:02,360 --> 01:20:06,080
Speaker 2: What's on Lost Lost one is the story.

1863
01:20:06,360 --> 01:20:09,880
Speaker 3: It's funny how money changes the situation, if you miscommunication

1864
01:20:09,960 --> 01:20:11,240
Speaker 3: turning on that, that's a.

1865
01:20:11,280 --> 01:20:13,240
Speaker 2: Story, if you really listen to the lyrics.

1866
01:20:13,479 --> 01:20:14,360
Speaker 7: I know, let me say it.

1867
01:20:14,439 --> 01:20:21,080
Speaker 2: Besides quig, what about love is blind?

1868
01:20:21,160 --> 01:20:21,280
Speaker 7: Right?

1869
01:20:24,280 --> 01:20:26,280
Speaker 3: Hey man, everything don't have to be a body quality.

1870
01:20:26,320 --> 01:20:28,720
Speaker 3: I don't even know why you did that, Like, why

1871
01:20:28,760 --> 01:20:30,040
Speaker 3: do you even do that? Like that's just that was

1872
01:20:30,080 --> 01:20:32,280
Speaker 3: just stupid. You just derailed the whole conversation. We were

1873
01:20:32,320 --> 01:20:36,280
Speaker 3: having a conversation just about a bunch of dudes, because

1874
01:20:36,320 --> 01:20:38,880
Speaker 3: don't guys are the greatest rap storyteller.

1875
01:20:38,960 --> 01:20:40,880
Speaker 2: But we name a bunch of them, But we have

1876
01:20:41,000 --> 01:20:42,559
Speaker 2: some women act that a great storytelling.

1877
01:20:42,560 --> 01:20:45,480
Speaker 3: I actually haven't even named ten because the artist storytelling

1878
01:20:45,600 --> 01:20:46,720
Speaker 3: is such a unique art.

1879
01:20:46,880 --> 01:20:49,320
Speaker 2: Everybody can't do it great. I got six of them.

1880
01:20:49,360 --> 01:20:56,040
Speaker 3: I got Biggie, Scarface, ghost Face, Slick Rick, ice Cube,

1881
01:20:56,400 --> 01:20:58,439
Speaker 3: and who was my other person? I said, black Rock.

1882
01:20:58,760 --> 01:21:02,280
Speaker 3: You said, Pop Big Big DMX.

1883
01:21:02,360 --> 01:21:05,000
Speaker 2: That's nine. You said big. So we only said nine

1884
01:21:05,040 --> 01:21:08,519
Speaker 2: people big ghost Face you said yeah, I said six.

1885
01:21:09,080 --> 01:21:11,840
Speaker 2: Hit Man said three, and you said big, So that's nine.

1886
01:21:12,479 --> 01:21:15,800
Speaker 2: You said, Face said that's ten. So we got the

1887
01:21:15,920 --> 01:21:20,320
Speaker 2: ten people. Okay, not talking about everybody I gave you power.

1888
01:21:20,720 --> 01:21:20,920
Speaker 7: Listen.

1889
01:21:21,040 --> 01:21:23,519
Speaker 3: All of those guys are good storytellers. NOAs is a

1890
01:21:23,600 --> 01:21:26,240
Speaker 3: good storyteller. Jay is even a good storyteller. The people

1891
01:21:26,320 --> 01:21:28,599
Speaker 3: that I feel like we're talking about our top tiers,

1892
01:21:28,680 --> 01:21:31,799
Speaker 3: said d m X grade A. DMX is a good storyteller.

1893
01:21:31,840 --> 01:21:33,760
Speaker 3: I don't have DMX up there with Q. I don't

1894
01:21:33,800 --> 01:21:37,960
Speaker 3: have DMX up there with Slipping. I don't have DMX

1895
01:21:38,040 --> 01:21:39,320
Speaker 3: up there with Big. I don't have I don't have

1896
01:21:39,439 --> 01:21:41,519
Speaker 3: J up there with dm up with Big. I don't

1897
01:21:41,520 --> 01:21:42,120
Speaker 3: have I don't have.

1898
01:21:42,520 --> 01:21:44,559
Speaker 2: You know, Eminem.

1899
01:21:45,160 --> 01:21:46,880
Speaker 3: Eminem's good, He's good, but he's not up there with

1900
01:21:46,920 --> 01:21:48,519
Speaker 3: these people I'm talking about. When you talking about guys

1901
01:21:48,560 --> 01:21:49,920
Speaker 3: like ICEQ, you got the name songs like.

1902
01:21:49,880 --> 01:21:54,360
Speaker 6: A Bird and clean out my Closet, Kim Crazy, He

1903
01:21:54,520 --> 01:21:56,200
Speaker 6: got like, now what I think about.

1904
01:21:58,320 --> 01:21:59,360
Speaker 7: Cleaning out my closet?

1905
01:21:59,439 --> 01:22:01,519
Speaker 3: And Kim go listen to these record Listen to cue

1906
01:22:01,880 --> 01:22:03,840
Speaker 3: a Bird in Hand, Listen to It was a good Day.

1907
01:22:03,880 --> 01:22:06,080
Speaker 3: Listen to Once upon a Time in the Projects, Listen

1908
01:22:06,120 --> 01:22:08,439
Speaker 3: to My Summer's Vacation. Listen to a Gangsters Very tape.

1909
01:22:08,720 --> 01:22:11,920
Speaker 3: Go listen to Big Warning, listen to Everything Day.

1910
01:22:11,920 --> 01:22:12,559
Speaker 2: He's better than Big.

1911
01:22:12,600 --> 01:22:16,040
Speaker 1: But I'm saying, Lita category when when you talk about

1912
01:22:16,040 --> 01:22:16,840
Speaker 1: some of the writers.

1913
01:22:16,680 --> 01:22:19,320
Speaker 3: Maybe may Mike's in the top ten, I feel like

1914
01:22:19,320 --> 01:22:21,519
Speaker 3: you gotta have five storytelling records are better to be

1915
01:22:21,600 --> 01:22:23,719
Speaker 3: considered a great storytelling rapper.

1916
01:22:23,800 --> 01:22:25,400
Speaker 2: Well, let's go to the phone line. Hello, who's this?

1917
01:22:26,200 --> 01:22:29,200
Speaker 1: This is this TV from Columbia eight three.

1918
01:22:29,320 --> 01:22:33,679
Speaker 2: What's happening? We're talking, uh storytellers this morning? What's your thoughts? Mama?

1919
01:22:34,120 --> 01:22:38,639
Speaker 7: J Cole's another vocal.

1920
01:22:39,160 --> 01:22:42,080
Speaker 13: Listen to Dreams where he talks about he's feeling a little.

1921
01:22:42,600 --> 01:22:43,599
Speaker 6: That's the best one.

1922
01:22:44,080 --> 01:22:46,120
Speaker 3: Wet Dreams is a great one. Lost Ones is a

1923
01:22:46,160 --> 01:22:48,080
Speaker 3: great one for your eyes only as a great one.

1924
01:22:48,400 --> 01:22:51,120
Speaker 7: Oh my god, that's good too.

1925
01:22:51,200 --> 01:22:51,960
Speaker 3: I forgot about that.

1926
01:22:52,240 --> 01:22:54,920
Speaker 2: Nineteen eighty five, the nineteen eighty five record. That's a

1927
01:22:55,000 --> 01:22:57,720
Speaker 2: good one. Chaining Day is a good one. Hello, who's this?

1928
01:22:58,520 --> 01:22:58,720
Speaker 3: Hey?

1929
01:22:58,840 --> 01:23:02,320
Speaker 5: This is said I'm calling some Detroit but I'm here,

1930
01:23:02,479 --> 01:23:03,280
Speaker 5: first time calling.

1931
01:23:03,439 --> 01:23:06,000
Speaker 2: What up? Doumb talk to us chilling.

1932
01:23:06,280 --> 01:23:09,519
Speaker 5: All right, I feel like, obviously, baby, you know he

1933
01:23:09,640 --> 01:23:11,240
Speaker 5: gets it, he gets a chance for that, but I

1934
01:23:11,280 --> 01:23:16,360
Speaker 5: feel like I can and or what's his name? Too

1935
01:23:16,479 --> 01:23:19,479
Speaker 5: big punt. He had something to say about storytelling as well.

1936
01:23:19,720 --> 01:23:21,120
Speaker 5: The best great artist says.

1937
01:23:21,160 --> 01:23:23,760
Speaker 3: Love big point like you know they love rock, love

1938
01:23:23,800 --> 01:23:25,439
Speaker 3: big point of love rock him still can't put them

1939
01:23:25,439 --> 01:23:27,960
Speaker 3: on the level of the people that you talking about.

1940
01:23:28,040 --> 01:23:34,479
Speaker 1: Click Rick, I said, you know, this is what's up, bro,

1941
01:23:34,560 --> 01:23:37,240
Speaker 1: we're talking the best storytellers as far as rappers are concern.

1942
01:23:37,320 --> 01:23:43,320
Speaker 1: What's your thoughts, y'all forgot one of the great is now.

1943
01:23:42,560 --> 01:23:45,200
Speaker 3: We mentions I mentioned I like no, I think nas

1944
01:23:45,280 --> 01:23:47,479
Speaker 3: is a good storyteller. I don't think he's on the

1945
01:23:47,560 --> 01:23:50,439
Speaker 3: level of scar Face or Slick ricks Face one of.

1946
01:23:50,479 --> 01:23:55,040
Speaker 5: The greatest because he did a whole song and reverse.

1947
01:23:56,160 --> 01:23:58,920
Speaker 1: Yep, we didwan did I Got Your Power? But he

1948
01:23:59,000 --> 01:24:00,880
Speaker 1: was the gun Yeah, definitely that was crazy.

1949
01:24:01,080 --> 01:24:01,639
Speaker 7: That was crazy.

1950
01:24:01,760 --> 01:24:04,080
Speaker 2: Already did one of my favorite, my favorite ones too,

1951
01:24:04,640 --> 01:24:07,240
Speaker 2: Body in the Trunk, Body in the Trunk. You're just

1952
01:24:07,320 --> 01:24:09,320
Speaker 2: saying things. Now, you didn't like Body in the Trump.

1953
01:24:09,360 --> 01:24:10,800
Speaker 3: I did like Body in the Trump, but I told

1954
01:24:10,800 --> 01:24:17,880
Speaker 3: you can't do a song I know a great storytelling song,

1955
01:24:18,160 --> 01:24:20,360
Speaker 3: you gotta have at least five storytelling songs are better

1956
01:24:20,400 --> 01:24:22,640
Speaker 3: to be considered a great storyteller. Rapper Cube got that,

1957
01:24:23,000 --> 01:24:25,880
Speaker 3: Slick Rick got that, Biggie got that, Scarface got that.

1958
01:24:26,840 --> 01:24:28,920
Speaker 2: J Cole and Kendrick even got that. To be honest

1959
01:24:28,920 --> 01:24:31,559
Speaker 2: with you, let's go to one more caller. Hello, who's this.

1960
01:24:33,920 --> 01:24:34,360
Speaker 7: Ag and me?

1961
01:24:34,479 --> 01:24:38,320
Speaker 2: Shi? Good morning, Good morning. We're talking about the best

1962
01:24:38,360 --> 01:24:39,160
Speaker 2: storytellers of.

1963
01:24:39,240 --> 01:24:46,160
Speaker 5: Rap Yes, the best storyteller of rap o Biggie hands down,

1964
01:24:47,439 --> 01:24:47,800
Speaker 5: New York.

1965
01:24:47,960 --> 01:24:49,600
Speaker 7: I'm with you, I'm with you.

1966
01:24:50,800 --> 01:24:53,000
Speaker 2: I think I think Biggie is number one. Biggie might

1967
01:24:53,040 --> 01:24:58,320
Speaker 2: have the most between and I'm not mad at you.

1968
01:24:58,880 --> 01:24:59,080
Speaker 7: Thank you.

1969
01:24:59,160 --> 01:25:00,920
Speaker 3: I want the record show even the women that called

1970
01:25:01,000 --> 01:25:03,200
Speaker 3: up here didn't mention no women. I just want to

1971
01:25:03,240 --> 01:25:03,840
Speaker 3: throw that out there.

1972
01:25:04,280 --> 01:25:07,439
Speaker 6: Crazy thing is my My biggest song on YouTube is

1973
01:25:07,479 --> 01:25:09,639
Speaker 6: a story like both five million views, house Port.

1974
01:25:09,640 --> 01:25:11,240
Speaker 7: I want you to check it out. I got like

1975
01:25:11,240 --> 01:25:13,519
Speaker 7: a bunch of stories like with the visuals. That's what

1976
01:25:13,600 --> 01:25:15,040
Speaker 7: I really want what I do, So I want you

1977
01:25:15,160 --> 01:25:17,240
Speaker 7: to check it out. I'm gonna call y'all. I'mnna let

1978
01:25:17,240 --> 01:25:17,720
Speaker 7: you out right now.

1979
01:25:17,840 --> 01:25:23,840
Speaker 6: House Party, Whitney Mark reminisced story with the visuals.

1980
01:25:24,360 --> 01:25:26,559
Speaker 2: Check it out. You know we're forgetting what's Sunday? Oh man?

1981
01:25:27,400 --> 01:25:30,559
Speaker 2: Some made from Massachusetts. He just did the record, Join

1982
01:25:30,600 --> 01:25:33,040
Speaker 2: the joining. Lucas get busy with story.

1983
01:25:34,120 --> 01:25:36,040
Speaker 7: I think it's te Grizzy though Ti Grizzy got a

1984
01:25:36,080 --> 01:25:39,360
Speaker 7: whole with the visuals. It's crazy.

1985
01:25:39,400 --> 01:25:41,519
Speaker 1: But joy of Lucas is he gets busy when he

1986
01:25:41,560 --> 01:25:43,439
Speaker 1: when he does, he tells the stories and he paints

1987
01:25:43,479 --> 01:25:43,920
Speaker 1: that picture.

1988
01:25:46,240 --> 01:25:47,680
Speaker 6: Don't you paint a picture. If you can paint a

1989
01:25:47,720 --> 01:25:49,760
Speaker 6: picture without me seeing a video, you're a great story.

1990
01:25:49,840 --> 01:25:51,439
Speaker 2: Yeah, that's how And that's what I'm saying.

1991
01:25:51,439 --> 01:25:53,680
Speaker 3: The art, the storytelling is dead because the people that

1992
01:25:53,800 --> 01:25:56,920
Speaker 3: we're talking about operate at such a high level when

1993
01:25:56,960 --> 01:25:58,880
Speaker 3: they when it comes to telling stories. When Bigge Small

1994
01:25:58,960 --> 01:26:00,280
Speaker 3: th he was the rap out for his cock, I

1995
01:26:00,360 --> 01:26:03,599
Speaker 3: believe it. Callface. You know, if you ain't never listening

1996
01:26:03,600 --> 01:26:06,280
Speaker 3: to songs like you know, I seen a man die,

1997
01:26:06,880 --> 01:26:08,840
Speaker 3: you know, a minute to pray in the second to

1998
01:26:08,920 --> 01:26:10,160
Speaker 3: die handed the dead body.

1999
01:26:10,640 --> 01:26:11,640
Speaker 2: Mind playing tricks on.

2000
01:26:11,680 --> 01:26:15,120
Speaker 7: Me, mind playing uld scare me. I was a kid

2001
01:26:15,320 --> 01:26:17,040
Speaker 7: that's video scared. I was so scared of.

2002
01:26:20,640 --> 01:26:22,559
Speaker 2: They wrote and he wrote mcburss.

2003
01:26:22,640 --> 01:26:25,040
Speaker 3: Yeah, he did, you know, So that's why I even

2004
01:26:25,040 --> 01:26:26,639
Speaker 3: give Cube credit to because even though we can name

2005
01:26:26,640 --> 01:26:27,800
Speaker 3: all these songs from Cube, he.

2006
01:26:27,840 --> 01:26:31,559
Speaker 2: Also wrote Boys in the There's another great storytelling.

2007
01:26:31,080 --> 01:26:34,040
Speaker 7: Record, Brus Yeah, yeah, all right.

2008
01:26:34,120 --> 01:26:35,759
Speaker 1: Well when we come back, we got your room report.

2009
01:26:35,800 --> 01:26:37,639
Speaker 1: We got to talk about g Herbo. He was arrested

2010
01:26:37,680 --> 01:26:38,920
Speaker 1: out in Chicago. Will tell you why.

2011
01:26:38,960 --> 01:26:46,400
Speaker 2: It's the Breakfast Sluggle Morning, the Breakfast Club. Warning. Everybody's

2012
01:26:46,800 --> 01:26:50,200
Speaker 2: j n V. Charlamagne the guy. We are the Breakfast Club.

2013
01:26:50,280 --> 01:26:51,280
Speaker 2: And I tell you this, man.

2014
01:26:51,920 --> 01:26:53,720
Speaker 3: I said this behind the scenes, but I have to

2015
01:26:53,760 --> 01:26:55,439
Speaker 3: say it when we on air, because you know, Envy

2016
01:26:55,560 --> 01:26:57,320
Speaker 3: just threw the question out there and I wasn't even

2017
01:26:57,360 --> 01:27:01,160
Speaker 3: thinking when you asked about great female storytellers MC.

2018
01:27:01,160 --> 01:27:03,840
Speaker 2: Light man, I the close bombs from mc light, like

2019
01:27:04,000 --> 01:27:07,640
Speaker 2: I don't even know. God damn, I don't even know

2020
01:27:07,680 --> 01:27:08,800
Speaker 2: how we forgot mc light.

2021
01:27:09,040 --> 01:27:14,519
Speaker 3: Poor Georgie paper thing, theappuccino eyes of the soul winning love.

2022
01:27:15,600 --> 01:27:17,360
Speaker 2: That's what I'm saying. If you got five or.

2023
01:27:17,400 --> 01:27:19,360
Speaker 3: Better, you you gotta be considered one of the greatest

2024
01:27:19,400 --> 01:27:20,479
Speaker 3: storytellers of all time.

2025
01:27:20,760 --> 01:27:27,040
Speaker 1: So will Smith drums please summertime, just the two of

2026
01:27:27,160 --> 01:27:29,840
Speaker 1: us Nightmail on my screen. I wish I could be

2027
01:27:29,880 --> 01:27:31,880
Speaker 1: Mike tytuld be Mike Tyson.

2028
01:27:31,960 --> 01:27:35,720
Speaker 3: Those are good records. He's not elite summertime and just

2029
01:27:36,160 --> 01:27:39,679
Speaker 3: the two of us is they might be great records, classics.

2030
01:27:40,280 --> 01:27:42,360
Speaker 3: He's not elite though, he's not an elite storyteller.

2031
01:27:43,560 --> 01:27:44,080
Speaker 7: He got three.

2032
01:27:44,200 --> 01:27:47,120
Speaker 2: He got three though, actually got more than three. Nightmail

2033
01:27:47,120 --> 01:27:50,639
Speaker 2: on My Street, just two of us. I think Mike

2034
01:27:50,680 --> 01:27:51,840
Speaker 2: Tyson five.

2035
01:27:52,240 --> 01:27:55,040
Speaker 7: Yeah, here it is, well, you got five.

2036
01:27:55,720 --> 01:28:00,639
Speaker 2: That's in discussion in the play around. This is where

2037
01:28:00,640 --> 01:28:02,000
Speaker 2: I spent most of my days.

2038
01:28:03,000 --> 01:28:06,400
Speaker 3: That was one left the record show. Our producer, Eddie

2039
01:28:06,439 --> 01:28:07,200
Speaker 3: is from Philadelphia.

2040
01:28:07,280 --> 01:28:07,880
Speaker 2: That's why he had these.

2041
01:28:08,760 --> 01:28:12,000
Speaker 3: And I'm like, no, nobody got in twenty twenty three,

2042
01:28:12,040 --> 01:28:13,400
Speaker 3: nobody got a Nightmare on My Street?

2043
01:28:13,520 --> 01:28:17,120
Speaker 6: Cued up, cute, ready to go and go? Oh sure

2044
01:28:17,760 --> 01:28:21,679
Speaker 6: nice for me, quick quick from Philly. He's from Philly, Philly.

2045
01:28:21,920 --> 01:28:23,559
Speaker 2: I'm just play dreaming. The nightmare is Eddie?

2046
01:28:23,680 --> 01:28:24,080
Speaker 7: You got it?

2047
01:28:29,640 --> 01:28:31,360
Speaker 2: All right, Well, let's get to the rumors.

2048
01:28:31,400 --> 01:28:31,760
Speaker 7: You got it?

2049
01:28:33,080 --> 01:28:37,920
Speaker 2: Oh no, oh god, yeah, go to rumors man.

2050
01:28:37,800 --> 01:28:39,920
Speaker 7: All right, let's get to the rooms. You read.

2051
01:28:41,880 --> 01:28:45,240
Speaker 2: Who names or you've got been on you chatty god?

2052
01:28:45,680 --> 01:28:47,000
Speaker 7: This is the rumor report.

2053
01:28:47,080 --> 01:28:48,439
Speaker 2: I mean, I guess we're on the breakfast club. This

2054
01:28:48,439 --> 01:28:50,920
Speaker 2: is where the tea spells, right on the breakfast club.

2055
01:28:51,360 --> 01:28:54,960
Speaker 1: Oh man Ge Herbal has been released on bond after

2056
01:28:55,040 --> 01:28:58,479
Speaker 1: being arrested in Chicago for unlawful use of a fire arm.

2057
01:28:58,600 --> 01:28:59,639
Speaker 2: Now, even though we got arrested.

2058
01:29:00,040 --> 01:29:02,719
Speaker 1: He was arrested yesterday at five point forty five pm

2059
01:29:03,520 --> 01:29:05,760
Speaker 1: where cop said he found a gun. Now he was

2060
01:29:05,840 --> 01:29:08,040
Speaker 1: arrested in book for missing me, the unlawful use of

2061
01:29:08,080 --> 01:29:09,599
Speaker 1: a weapon in a public place.

2062
01:29:10,000 --> 01:29:12,439
Speaker 7: How the unlawful use if they just found it?

2063
01:29:12,640 --> 01:29:14,360
Speaker 2: Yeah, I don't know.

2064
01:29:15,240 --> 01:29:17,560
Speaker 1: They said he has to appear in court at a

2065
01:29:17,680 --> 01:29:22,080
Speaker 1: later date. All right, now, Madonna, if you were worried

2066
01:29:22,120 --> 01:29:24,160
Speaker 1: about her, she speaks for the first time. She says,

2067
01:29:24,200 --> 01:29:26,360
Speaker 1: thank you guys for positive energy. You know, she had

2068
01:29:26,439 --> 01:29:29,760
Speaker 1: a bacterial infection that they said, what she had a

2069
01:29:30,000 --> 01:29:31,000
Speaker 1: fever for like a week.

2070
01:29:30,960 --> 01:29:32,639
Speaker 2: Or something like that, or some crazy fever for two weeks.

2071
01:29:32,680 --> 01:29:35,719
Speaker 2: It sounded like a baby. What you mean no babies

2072
01:29:36,960 --> 01:29:37,360
Speaker 2: for weeks?

2073
01:29:37,960 --> 01:29:40,400
Speaker 1: Well, she says, thanks for your positive energy, prayers and

2074
01:29:40,439 --> 01:29:43,080
Speaker 1: words of healing and encouragement. I have felt your love.

2075
01:29:43,120 --> 01:29:45,840
Speaker 1: I'm on the road to recovery and incredible grateful for

2076
01:29:45,960 --> 01:29:47,599
Speaker 1: all the blessings in my life.

2077
01:29:47,760 --> 01:29:49,120
Speaker 2: I wish her nothing but good health.

2078
01:29:49,200 --> 01:29:49,360
Speaker 7: Man.

2079
01:29:49,520 --> 01:29:51,799
Speaker 2: My first thought when I woke up in the hospital

2080
01:29:51,920 --> 01:29:52,959
Speaker 2: was my children.

2081
01:29:53,520 --> 01:29:55,080
Speaker 1: My second thought was that I did not want to

2082
01:29:55,080 --> 01:29:58,040
Speaker 1: disappoint anyone who brought bought tickets to my tour. I

2083
01:29:58,120 --> 01:29:59,880
Speaker 1: also didn't want to let you down to people who

2084
01:30:00,080 --> 01:30:03,200
Speaker 1: work tiresly with me over the fat past few months

2085
01:30:03,240 --> 01:30:04,040
Speaker 1: to create my show.

2086
01:30:04,400 --> 01:30:07,160
Speaker 2: I hate to disappoint anyone, man, Madonna. None of that

2087
01:30:07,240 --> 01:30:09,639
Speaker 2: matters now, Maad, is that you know, you get healthy,

2088
01:30:10,240 --> 01:30:11,800
Speaker 2: you can be here for your kids. You know what

2089
01:30:11,880 --> 01:30:12,160
Speaker 2: I mean.

2090
01:30:12,760 --> 01:30:14,840
Speaker 3: I don't understand people who make jokes about people who

2091
01:30:14,920 --> 01:30:17,679
Speaker 3: be in bad health. Say I don't know about y'all.

2092
01:30:17,680 --> 01:30:18,880
Speaker 3: When I wake up in the morning, I pray for

2093
01:30:18,960 --> 01:30:22,879
Speaker 3: good health. Absolutely, what's the new new culture? Everything's a joke.

2094
01:30:23,200 --> 01:30:24,439
Speaker 2: Man, what she just said.

2095
01:30:24,479 --> 01:30:26,920
Speaker 1: My focus now is my health and getting stronger, and

2096
01:30:26,960 --> 01:30:28,920
Speaker 1: I'll assure you I will be back with you as

2097
01:30:28,960 --> 01:30:31,519
Speaker 1: soon as I can. I couldn't be more grateful for

2098
01:30:31,600 --> 01:30:35,320
Speaker 1: your care and support. Love Madonna's speedy recovery, Madonna, absolutely,

2099
01:30:35,720 --> 01:30:38,040
Speaker 1: and lastly, hit man, holler, you got something that you're

2100
01:30:38,040 --> 01:30:38,559
Speaker 1: working on right?

2101
01:30:38,800 --> 01:30:43,360
Speaker 6: Yeah, man, I got a My next Rap Battle September second,

2102
01:30:43,640 --> 01:30:47,960
Speaker 6: rbe Atlanta, Get your tickets now. Who battling Battle and

2103
01:30:48,040 --> 01:30:52,160
Speaker 6: a guy named it Will It Will go down nice Michigan.

2104
01:30:52,560 --> 01:30:56,400
Speaker 7: He been doing his thing like that's a white white Okay.

2105
01:30:57,080 --> 01:30:59,400
Speaker 6: I got a battle rap TV show on Coach ter

2106
01:30:59,479 --> 01:31:02,280
Speaker 6: Raine TV, Fifteen battle rappers in the house to win

2107
01:31:02,320 --> 01:31:05,160
Speaker 6: and get fifty thousand shooting. And they got a female

2108
01:31:05,240 --> 01:31:08,040
Speaker 6: TV show, fifteen baddies in the house. They doing challenges,

2109
01:31:08,720 --> 01:31:12,240
Speaker 6: you know, pole dancing, cooking, football, battle rapping. What they

2110
01:31:12,280 --> 01:31:14,400
Speaker 6: gotta do with battle rap? Poll on the battle that's

2111
01:31:14,600 --> 01:31:17,200
Speaker 6: just another Now there's just another. I got a battle

2112
01:31:17,240 --> 01:31:19,120
Speaker 6: rap show and I got a female Yeah.

2113
01:31:20,080 --> 01:31:22,920
Speaker 2: Is battle wrapped lucrative for anybody other than like people?

2114
01:31:23,200 --> 01:31:24,160
Speaker 2: That's on the level you on.

2115
01:31:25,720 --> 01:31:29,479
Speaker 6: Yeah, because even if you do just say you do

2116
01:31:29,640 --> 01:31:31,679
Speaker 6: like five six battles of year, some of them guys

2117
01:31:31,720 --> 01:31:37,720
Speaker 6: are getting like fifteen twenty thousand, fifteen thousand battle So

2118
01:31:37,840 --> 01:31:38,360
Speaker 6: that's good.

2119
01:31:38,479 --> 01:31:39,920
Speaker 7: You know what I'm saying. You know what you get

2120
01:31:40,000 --> 01:31:43,880
Speaker 7: hit man, My last three out of got over six

2121
01:31:43,960 --> 01:31:44,840
Speaker 7: figures to show up.

2122
01:31:44,960 --> 01:31:48,479
Speaker 2: Okay, Yeah, you know you say.

2123
01:31:48,400 --> 01:31:50,920
Speaker 6: The numb when you just say, hell over six I

2124
01:31:50,960 --> 01:31:53,240
Speaker 6: get pay per view deals stream deals too.

2125
01:31:53,360 --> 01:31:55,599
Speaker 7: So you know what I'm saying, back, I'm the whole

2126
01:31:55,720 --> 01:31:58,000
Speaker 7: of battle rap. You know what I'm saying.

2127
01:31:58,880 --> 01:32:01,160
Speaker 1: We just know the earth is listening, just so you know,

2128
01:32:01,400 --> 01:32:04,519
Speaker 1: always listening. All right, Well that is your rumor report.

2129
01:32:04,600 --> 01:32:07,520
Speaker 1: Now we got a salute Little Kim. Today's Little Kim's birthday.

2130
01:32:07,760 --> 01:32:11,160
Speaker 2: Little Kimayan. All right, man, let's start the mix off

2131
01:32:11,200 --> 01:32:12,600
Speaker 2: of some little chemists breakfast.

2132
01:32:12,240 --> 01:32:17,080
Speaker 3: Clas one year for a Little Kim's birthday to punch

2133
01:32:17,080 --> 01:32:20,439
Speaker 3: me in the back of the head, the little Ki

2134
01:32:21,040 --> 01:32:22,800
Speaker 3: allegedly allegedly, I.

2135
01:32:22,800 --> 01:32:24,439
Speaker 2: Mean that might be the anniversary of that too. Huh.

2136
01:32:24,520 --> 01:32:25,280
Speaker 2: Let me look and see.

2137
01:32:25,760 --> 01:32:29,200
Speaker 1: Well for people, for people that don't know, Charlamagne got

2138
01:32:29,240 --> 01:32:30,880
Speaker 1: punched in the back of the head, and it was

2139
01:32:31,000 --> 01:32:33,479
Speaker 1: rumored that that was a birthday present Little Kim.

2140
01:32:33,680 --> 01:32:35,880
Speaker 2: Yeah, that's what the screech said. That's the street set.

2141
01:32:36,000 --> 01:32:39,160
Speaker 3: Happy birthday, Little Kim. I hope you get something better

2142
01:32:39,200 --> 01:32:41,720
Speaker 3: than what you got twelve years ago. Oh you know,

2143
01:32:41,800 --> 01:32:43,920
Speaker 3: that probably made you very happy. If it's true, I

2144
01:32:43,960 --> 01:32:45,599
Speaker 3: don't think it's. Well, I don't think it's now think

2145
01:32:45,600 --> 01:32:46,520
Speaker 3: it shout.

2146
01:32:46,120 --> 01:32:46,519
Speaker 7: The Little Kim.

2147
01:32:46,720 --> 01:32:48,720
Speaker 2: Even if it was, I probably deserved it. I'm sure

2148
01:32:48,760 --> 01:32:52,080
Speaker 2: you got. I'm proud. I'm almost positive about this. We've changed.

2149
01:32:53,439 --> 01:32:55,000
Speaker 7: What most stress you'd be chilling out.

2150
01:32:55,280 --> 01:32:56,839
Speaker 2: I'd be cool if I ain't got nothing to distressed

2151
01:32:56,840 --> 01:32:58,439
Speaker 2: about it. I'm good out here like some of your

2152
01:32:58,560 --> 01:32:59,799
Speaker 2: uh what's called.

2153
01:33:02,160 --> 01:33:02,400
Speaker 7: That is?

2154
01:33:02,600 --> 01:33:08,160
Speaker 2: That is a heritage candle. That is amber ood. It's

2155
01:33:08,200 --> 01:33:12,519
Speaker 2: the Breakfast dude, the Breakfast Club.

2156
01:33:12,600 --> 01:33:14,760
Speaker 7: Your mornings will never be the same.

2157
01:33:15,600 --> 01:33:17,880
Speaker 1: When it's time to get with someone special, the best

2158
01:33:17,920 --> 01:33:20,559
Speaker 1: way to do it is with Magnum large size condoms.

2159
01:33:20,840 --> 01:33:23,320
Speaker 1: That gold foil rapper is a badge of honor, and

2160
01:33:23,439 --> 01:33:25,960
Speaker 1: it means you're protected and you take care of things

2161
01:33:26,000 --> 01:33:26,559
Speaker 1: with comfort.

2162
01:33:26,840 --> 01:33:28,000
Speaker 2: Accept no substitutes.

2163
01:33:28,120 --> 01:33:32,919
Speaker 1: Bring the pleasure with the gold standard Magnum large size condoms. Morning, everybody,

2164
01:33:32,960 --> 01:33:35,760
Speaker 1: it's DJ n V Charlamagne to got me on the

2165
01:33:35,840 --> 01:33:36,559
Speaker 1: Breakfast Club.

2166
01:33:36,640 --> 01:33:36,960
Speaker 9: Hit Man.

2167
01:33:38,160 --> 01:33:40,519
Speaker 1: You know, this is the twentieth season of wild' Out,

2168
01:33:40,600 --> 01:33:43,240
Speaker 1: So every morning we're gonna have a different cast member

2169
01:33:43,479 --> 01:33:45,120
Speaker 1: here and hit Man holla is today.

2170
01:33:45,240 --> 01:33:47,880
Speaker 3: Yes, and we appreciate hit Man pulling up even though

2171
01:33:48,000 --> 01:33:50,639
Speaker 3: BT did not promote the Breakfast Club now one time

2172
01:33:50,760 --> 01:33:53,599
Speaker 3: facts during the BET Awards, and this is a partnership

2173
01:33:53,640 --> 01:33:55,840
Speaker 3: that should be reciprocal. So being that we're helping them

2174
01:33:55,880 --> 01:33:58,519
Speaker 3: promote their programming with wilding out, they should be doing

2175
01:33:58,560 --> 01:33:59,400
Speaker 3: the same and promoting.

2176
01:33:59,840 --> 01:34:03,519
Speaker 2: They're programming their only live show, their only live show,

2177
01:34:03,560 --> 01:34:04,559
Speaker 2: which is the Breakfast Club.

2178
01:34:04,640 --> 01:34:06,040
Speaker 7: That's right, No, I agree.

2179
01:34:06,120 --> 01:34:09,680
Speaker 2: Maybe they'll get the message after this we promote. We

2180
01:34:09,720 --> 01:34:11,840
Speaker 2: appreciate that. That's been so all love. We appreciate that

2181
01:34:12,680 --> 01:34:13,360
Speaker 2: for years too.

2182
01:34:13,560 --> 01:34:15,120
Speaker 1: That's right, all right, when we come back, we got

2183
01:34:15,160 --> 01:34:17,479
Speaker 1: the positive notice the Breakfast Club go morning owning everybody.

2184
01:34:17,560 --> 01:34:21,200
Speaker 1: You seej Envy, Charlamagne, the God. We are the Breakfast Club.

2185
01:34:21,240 --> 01:34:22,439
Speaker 1: It's time to get up out of here. You got

2186
01:34:22,520 --> 01:34:23,400
Speaker 1: a positive note.

2187
01:34:23,800 --> 01:34:26,080
Speaker 3: Yes, man, I just want to tell people out there, man,

2188
01:34:27,040 --> 01:34:29,639
Speaker 3: always be humble because what God gives he can also

2189
01:34:29,800 --> 01:34:32,439
Speaker 3: take away. And I want you to remember that humility

2190
01:34:32,520 --> 01:34:35,880
Speaker 3: is not weakness, okay, but strength under control. It's not

2191
01:34:36,000 --> 01:34:40,000
Speaker 3: thinking less of yourself, it's thinking of yourself less. All right,

2192
01:34:41,000 --> 01:34:42,760
Speaker 3: stay humble, Breakfast Club.

2193
01:34:43,520 --> 01:34:44,720
Speaker 7: You don't finish or y'all done.