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Speaker 1: So it's me.

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Speaker 2: I'm there with Mike Madson and Marshall Mathers and Justin Lynn,

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Speaker 2: and we're of course building a Miss pac Man arcade

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Speaker 2: game from scratch Wow. And as I go to soldier

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Speaker 2: in the logic board, I realized something, which is I

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Speaker 2: am scared of ghosts and I do not want to

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Speaker 2: see them on the machine if we finish it. So

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Speaker 2: I start coming up with a series of excuses for

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Speaker 2: like why the you know, little torchy thing is it working?

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Speaker 2: Or like, oh, let me just go clean the casing

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Speaker 2: again because I don't want any dust to get in.

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Speaker 2: But it's getting more and more obvious that I do

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Speaker 2: not want the machine to be finished, and Marshall starts

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Speaker 2: wrap battling at and roasting me with some of his

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Speaker 2: lyrics that are very aggressive and are using words I

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Speaker 2: don't want to be called.

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Speaker 3: And I he like, just so I can get an idea,

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Speaker 3: is there any like.

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Speaker 1: Like a short piece of it that you can do? Yeah?

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Speaker 1: I mean I would need a beat. Yo.

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Speaker 2: Yeah that wasn't the beat he was that that doesn't like?

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Speaker 1: It was very slow? Very slow?

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Speaker 2: Okay, yeah, okay, trying to build a pack Man machine.

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Speaker 2: But I'm with the slowest soldiering guy I ever seen.

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Speaker 2: He don't want to put in the logic board. And

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Speaker 2: to be honest, I'm getting bored. I'm here with Mike Mattson,

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Speaker 2: Justin Lynn and this dude Sean who stinks like my shin,

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Speaker 2: and I'm going, you're calling me that a sticky shin

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Speaker 2: And he truthfully did this, and it also feels pre

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Speaker 2: written to me. And I turn around with a hammer yeah,

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Speaker 2: and I go, hey, yeah, how do you like to

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Speaker 2: find out what a nail feels like or.

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Speaker 1: Like one of the logic boards that you were smashing together?

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Speaker 2: Yeah, And he goes, I don't want that, and all

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Speaker 2: of a suddenly not rapping any Yeah, all of a sudden, Yeah,

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Speaker 2: forgot how to wrap, you know. So anyway, I pretend

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Speaker 2: to get an emergency phone call from the hospital to

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Speaker 2: go in and perform surgery. And they played the game

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Speaker 2: on night without me. I had, I guess, a really

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Speaker 2: fun slumber party.

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Speaker 3: I'll teach you the wiring. There's a wiring to make

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Speaker 3: the ghosts nice, yes, or to make them look like

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Speaker 3: oh yeah, no, they don't like no, they don't look

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Speaker 3: like ghosts. They look like, you know, like chit like

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Speaker 3: you know, like nice girls and not like scary.

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Speaker 1: If it's not.

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Speaker 2: The bottom's kind of jagged. But if you flatten that

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Speaker 2: out and you put that's a pretty good looking dressop.

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Speaker 1: At the top, then what you've got is like, oh

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Speaker 1: you need a titty.

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Speaker 3: It could be Hey, welcome to Hollywood Handbook, And it's

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Speaker 3: I just gut to kicking the red car.

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Speaker 1: This industry we call show What Up? What Up? So

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Speaker 1: good to do a show and have a guest for

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Speaker 1: a show.

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Speaker 3: It's an honor always to come and do the show

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Speaker 3: and to have a guest and we'll just spend time together.

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Speaker 1: And I hope we do this show forever.

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Speaker 2: I mean, you know, you know this episode, like I

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Speaker 2: wish this episode never had to end.

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Speaker 1: It's our last episode.

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Speaker 2: So we have to talk about how our show doesn't work.

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Speaker 2: We don't know what our show is. The podcast we

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Speaker 2: normally do is so difficult because there's no way in,

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Speaker 2: there's no structure to it, and it's bad.

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Speaker 3: How is it that our show is so bad but

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Speaker 3: still better than every other show? Yeah, And there's this

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Speaker 3: interesting puzzle and I think I've found the answer and

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Speaker 3: it's us. Yeah, it's this chemistry between us and if

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Speaker 3: we could apply that to a show that actually does

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Speaker 3: have a cool hook, good idea, good structure, but now

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Speaker 3: it's being hosted by these two guys who when they're

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Speaker 3: not even doing a show that even works, it's still good. Yes,

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Speaker 3: Now we're onto something good. And we've done that with

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Speaker 3: Spot and Get Up on This and we are still

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Speaker 3: doing those shows in addition to this one.

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Speaker 2: We're executive supervising, producing and hosting and hosting and winning

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Speaker 2: hashtag time win bo. Yeah right, freaking freaking rock.

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Speaker 1: And roll star.

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Speaker 3: And MATC Gurley is here and he has a show

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Speaker 3: called I Was There, Me Too, And that's the one

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Speaker 3: that we are doing today.

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Speaker 1: Hey me too, I was there? Remember? I like that.

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Speaker 1: It's like a kid being a brat is the idea.

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Speaker 1: It's just I was there too, Hey me too? I

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Speaker 1: was there. That's it. And that's some of your guests.

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Speaker 1: Huh so, And it's okay they're not here. You could

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Speaker 1: say it. You know me too, don't forget about me.

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Speaker 4: I'm sorry, I'm confused because I thought I came on

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Speaker 4: to do your show. We're doing I was there too.

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Speaker 2: This is our show. Now we're I was there, me too.

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Speaker 2: That's our show. Now and you are the first guest

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Speaker 2: berner hooray.

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Speaker 4: Okay, all right.

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Speaker 3: So but I don't know if it's just I was

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Speaker 3: there too, who was If that person is responding to nobody,

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Speaker 3: that is like a stupid person who's just saying like, hey,

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Speaker 3: I was there too.

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Speaker 1: Well nobody said anything. Hey, wait, sucking me too?

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Speaker 3: Yes exactly. So if I'm saying like I was there,

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Speaker 3: someone's saying me too. Now this is like a complete thought.

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Speaker 3: Now this makes sense.

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Speaker 4: Because you have two people just because you're bouncing.

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Speaker 1: A full conversation.

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Speaker 3: Yeah yeah, we're actually here to talk and have conversations,

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Speaker 3: not to just respond to something that nobody said.

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Speaker 4: Well, it's implied that there's a two way conversation and

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Speaker 4: I was there too.

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Speaker 2: I don't think you can give you a chip. Maybe

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Speaker 2: call it that I was there too handbook. Okay, now

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Speaker 2: I can picture this, you know what I mean. That's

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Speaker 2: a pretty good idea. But if you just go I

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Speaker 2: was there too, it's like a crazy all your guests insane.

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Speaker 4: Okay, First of all, I have not in anything to

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Speaker 4: be a little oh yeah in this bit my podcast.

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Speaker 1: I mean, you have to earn it. You don't have

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Speaker 1: to be crazy to work here, but it helps.

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Speaker 2: Now Matt, Yeah you were there, you too. We want

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Speaker 2: to talk about uh.

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Speaker 3: You know of your for you like, don't you sit

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Speaker 3: there talking sometimes with all these guys that are like.

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Speaker 1: Then, I like went to the craft services.

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Speaker 2: Yeah, when you go and you're going, hey, wait, don't

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Speaker 2: I've also done a lot of stuff.

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Speaker 1: I like, are none of these people ever gonna ask

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Speaker 1: me if I was there? Me too? Okay?

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Speaker 4: Yeah, I'm up for this.

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Speaker 2: And so what I'm thinking is let us inside. So

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Speaker 2: it's day one.

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Speaker 1: Well should we start, like what do you do? Like,

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Speaker 1: what's the normal?

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Speaker 5: Like?

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Speaker 1: Is there like a song part? Okay? And how's that going?

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Speaker 1: How do we do that?

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Speaker 4: Nay, palm smells best in the evening. It's not worth

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Speaker 4: believing what you heard. Soil and greens really just a

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Speaker 4: trisk get not a people biscuit. Take my word. It's

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Speaker 4: been said you can't handle the truth, but that ain't

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Speaker 4: so how do I know? I was there too? See

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Speaker 4: that's another problem.

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Speaker 1: It should be about movies.

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Speaker 4: It is about movies.

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Speaker 1: I didn't hear anything about movies. Ain't the same movie.

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Speaker 1: There's no popcorn.

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Speaker 4: Apocalypse now swiming, there's no candy no soda, A few good.

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Speaker 2: Men, nobody even having one of those chicken apple sausages

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Speaker 2: with mango relish.

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Speaker 4: All right, let's hear it.

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Speaker 1: Give me that song, that song? Yeah, all right, hold on, heyes,

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Speaker 1: give me a beat.

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Speaker 5: Okay, corn sona sausage man relish. Here we go to

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Speaker 5: the movies because we got our tickets and.

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Speaker 1: It's the Star of Wicked. And then what's Wicked? You know?

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Speaker 4: So you walk or did you Willow?

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Speaker 1: Huh?

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Speaker 2: Because the both Willow first Warwick.

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Speaker 4: You see, this is what I know from doing this show,

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Speaker 4: and I don't feel like you guys even have that

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Speaker 4: wealth of knowledge.

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Speaker 2: Yeah, Warrick Davis, this will I know, but he's not Wicked.

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Speaker 4: Yeah, he's in Willow.

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Speaker 1: The star of Wicked. That's in the saw.

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Speaker 4: He plays Wicket. He's in Willow.

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Speaker 1: Mmmm.

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Speaker 2: Oh you know what would have been good to rhyme

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Speaker 2: with one of those cricket players from million dollars or yeh,

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Speaker 2: Star of cricket, Yeah, star of cricket.

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Speaker 1: If you could get those guys. I mean, I don't

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Speaker 1: know if you could get them.

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Speaker 2: But that could be a Oh you can't make that call.

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Speaker 1: Tell you what you're gonna want to guess the number,

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Speaker 1: country code and stuff complicated, all right, I know numbers

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Speaker 1: are all crazy over there. So they had movies in it.

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Speaker 1: You may have noticed you had the word.

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Speaker 4: Movies in it and a bunch of food.

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Speaker 2: Yeah, and I had my tickets.

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Speaker 1: Do you have ticket? So you know how now we're

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Speaker 1: understanding what the show is. Hey, your show?

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Speaker 2: It almost seems like people are maybe pirrating these movies,

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Speaker 2: which is murdering our industry, Matt, so that I don't

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Speaker 2: really like.

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Speaker 4: I don't want to see no implication. People can rent them,

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Speaker 4: they can buy them at home. Okay, are you covering that?

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Speaker 1: You didn't talk about that either, Because I want to

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Speaker 1: go to the theater. I want to enjoy the majesty

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Speaker 1: of experience.

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Speaker 4: It's not in theaters anymore, like Apocalypse.

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Speaker 2: Now, try the i f C Center in New York.

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Speaker 2: Try the New Beverly, Try Cina Space. I'm sorry, Matt,

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Speaker 2: Do they only play new releases in your town?

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Speaker 1: No break?

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Speaker 4: All right?

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Speaker 1: You should like movies. If you're gonna do this, think

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Speaker 1: about like see them in the original millimeter.

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Speaker 4: This is this is difficult.

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Speaker 2: Uh yeah, well who's making it that? Because Hayes and

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Speaker 2: I are actually really nice guys, now.

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Speaker 1: We have the new song.

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Speaker 3: Great, So now what do you normally do after you're like,

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Speaker 3: hey it's me first.

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Speaker 1: Or oh yeah, do you plug something else you're doing?

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Speaker 2: Not?

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Speaker 4: Typically I'll do a little good I mean, you know,

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Speaker 4: like maybe you can. I mean I probably have, but

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Speaker 4: typically horizontally, yeah, I do an introduction to the guest

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Speaker 4: in the movie if there's anything to listen for, anything

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Speaker 4: that they need to know and information, get them up.

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Speaker 3: To speed before the guest is in there. Not gonna

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Speaker 3: do that, No, No, I think we should do it private.

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Speaker 3: But we should just drop it on him. Oh, we

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Speaker 3: do it privately, well, just like Matt well, I mean

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Speaker 3: just like a little thing like to introduce Matt before

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Speaker 3: like he comes in, so you'll be like, like, what's

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Speaker 3: an exit?

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Speaker 1: You'll be like this, there's this guy.

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Speaker 4: Yeah, Or I might like, for instance, I'll say, uh,

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Speaker 4: these are five people that were on the bus in

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Speaker 4: the movie Speed, and I would talk about who they

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Speaker 4: were so you could remember who they were when you

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Speaker 4: saw the film.

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Speaker 1: And so you're not doing it in front of them.

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Speaker 4: No, I do it later. I do it after the

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Speaker 4: fact or private. Do you want me to leave?

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Speaker 2: I not?

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Speaker 1: I think he can stay. I like him to beat it.

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Speaker 1: You bet Pete real quick?

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Speaker 4: Yeah?

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Speaker 1: Sure, Okay, he's in his car. He kind of a

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Speaker 1: puny horn. Hey guys, welcome to I was are me too.

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Speaker 1: We have a guest today.

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Speaker 2: It's so fun to be here. And if I could

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Speaker 2: just plug real quick. I'm on Twitter under my own

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Speaker 2: name and I'm looking you not get verified. We have

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Speaker 2: a cool guest today. Mech Early is here.

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Speaker 3: He will be approaching this episode with something of a

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Speaker 3: strange vibe, which I think is helpful to explain in advance.

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Speaker 3: He is jealous of the show. Oh yes, he wants

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Speaker 3: going to talk about he wants to see it fail.

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Speaker 3: If he sends any tension coming from Matt, it is

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Speaker 3: insecurity and it's well earned. We're taking this show and

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Speaker 3: that is essentially his child, and his child is calling

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Speaker 3: us daddy now and it's going you're my dad, and

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Speaker 3: it's looking at Matt and going.

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Speaker 1: Who is this?

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Speaker 3: And it's doing him a big favor for us to

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Speaker 3: do this, but he doesn't want it because he's a

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Speaker 3: self sabotager. So that is something to understand as we

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Speaker 3: go through this episode.

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Speaker 1: He's afraid of.

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Speaker 2: Terrified of success. Uh, just doesn't want to have any

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Speaker 2: part of that. So even when people who care about

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Speaker 2: him like me and Hayes try to help him, he

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Speaker 2: kind of spits in our eye a little bit.

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Speaker 3: And we're big enough men to keep nurturing. So let's

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Speaker 3: go into the show. How do we get mad back?

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Speaker 1: Yeah?

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Speaker 2: Oh well, unless I saw him, he was drag racing

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Speaker 2: with a street gang. I think they were so should

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Speaker 2: be making his way to get family of his. They

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Speaker 2: were all popping coronas, and I remember thinking, Wow, even

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Speaker 2: though a lot of them are criminals and live outside

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Speaker 2: the law, there's something beautiful about the community they've managed

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Speaker 2: to build with one another. Anyway, I'll text him.

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Speaker 4: Beep bo boo boo boooo.

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Speaker 1: Beep, it's on its way. The text is on its way.

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Speaker 2: Text okay, on my way up. Okay, And Matt's in

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Speaker 2: the elevator. He must have like jogged.

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Speaker 4: How's it going, Hey, guys, I was down there with

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Speaker 4: me familiar Justin Lynn was down there and he was

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Speaker 4: talking about you. He said you had a stinky shin.

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Speaker 1: Oh no, well that's okay.

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Speaker 2: Well that's better than what Marshall said about me, which

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Speaker 2: was that I smelled like his stinky shin.

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Speaker 1: But it's still not good. Well whatever, man, that rap.

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Speaker 2: Of his, that guy is sutured to the beat. I

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Speaker 2: mean I was just sort of imitating it.

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Speaker 1: But where was his.

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Speaker 2: He had like a little cassio keyboard. Okay, I've seen

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Speaker 2: him use those little like hand casting nuts. Yeah, he

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Speaker 2: definitely uh tosses those on or sometimes he just starts

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Speaker 2: jingling the change in his pockets and he's able to

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Speaker 2: kind of find his sound that way.

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Speaker 1: There's something about organic sound. Matt.

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Speaker 4: Yeah, I agree with.

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Speaker 1: You guys on that hm.

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Speaker 3: Without his hands, I've seen jingle the chain's hands free. Well,

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Speaker 3: he needs them to for his flow.

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Speaker 2: We had tools around, so even when he starts the cassio,

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Speaker 2: it's like it's so infectious that all of a sudden,

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Speaker 2: Mike is kind of punching the staple gun into the

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Speaker 2: wall and like and then like somebody else, maybe Justin

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Speaker 2: is grabbing like uh, you know the school bell that

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Speaker 2: we had signal the beginning of class.

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Speaker 1: Sure he has a program so you can can.

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Speaker 2: And oh yeah, and we're all of a sudden like

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Speaker 2: just in this beautiful sound skate.

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Speaker 1: Yeah, even as you're getting shredded. Oh yeah, no, I

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Speaker 1: could appreciate the positive side of it.

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Speaker 4: Make you want to stay, make you not want to

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Speaker 4: run from it at all.

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Speaker 1: Mm hmm. Yeah, you make me want to be the

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Speaker 1: only news on new places. But but honestly, Matt, it's

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Speaker 1: so great to have you on. I was there me too.

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Speaker 1: Thank you.

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Speaker 2: We did a nice intro for you. Okay, and uh,

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Speaker 2: let's you know, let's drop in day one. Uh?

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Speaker 1: What have we been through? Hair and makeup? Shut up?

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Speaker 1: All right? Okay, I'm fucking asking a question.

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Speaker 4: I would never tell he guts.

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Speaker 1: To shut up, by the way, we would well edit

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Speaker 1: it out.

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Speaker 4: It's better, a bit better.

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Speaker 2: So you've been through hair makeup, You walk out, there's

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Speaker 2: a car spinning on a platform, and you go, I

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Speaker 2: just got a riff, baby, take me there.

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Speaker 1: Did they give you time to look at the car

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Speaker 1: first and think of.

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Speaker 4: The commercials?

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Speaker 2: I do?

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Speaker 4: Yes?

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Speaker 1: Okay, yeah, well either is there another car that you

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Speaker 1: are friends with on something?

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Speaker 6: No?

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Speaker 1: Yeah?

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Speaker 2: Did you like getting a hands on a hard body

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Speaker 2: contest or something we should know about?

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Speaker 4: No, I've never done that. Yeah, there's time to look

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Speaker 4: at the car because they're setting up and I'm out there,

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Speaker 4: usually for the camera test or something.

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Speaker 1: You must be cooking up some monster riffs. Can I

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Speaker 1: hear the stuff that they don't let you do? It's

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Speaker 1: just good.

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Speaker 3: I have hearing this stuff where the director is like,

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Speaker 3: okay that you know, that's good for us, but yeah,

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Speaker 3: all right.

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Speaker 1: We'll never use it. But it's funny. Yeah, Can I

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Speaker 1: have a beat? Yes, pow.

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Speaker 4: Go sitting here standing in the white void singing while

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Speaker 4: I'm zagging selling pizzas like I'm annoyed, but their cars

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Speaker 4: and their volks Wagon keep going. I don't like walking.

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Speaker 4: I sure don't like running. I get in a car

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Speaker 4: and I head on down to the salesperson called bunning.

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Speaker 4: Now Bunnan is an actual car dealership off the one

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Speaker 4: on one. And now this isn't an explanation. This is

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Speaker 4: all in the commercial.

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Speaker 1: Oh yeah, no, that was part of the beat.

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Speaker 4: Yeah, and this still is and and all of this,

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Speaker 4: this dialogue, everything's in there. That was part of the beat,

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Speaker 4: part of the breath, and then then it ends and

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Speaker 4: then they never used that.

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Speaker 1: Is part of the song as well, and here we go,

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Speaker 1: and so this was this was.

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Speaker 4: This is a three minute commercial, yeah that they used

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Speaker 4: more for an industrial like incoming.

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Speaker 1: Yes, yeah, And there's the crew losing it.

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Speaker 4: They're going crazy. They left, they had to leave. A

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00:19:11,520 --> 00:19:13,840
Speaker 4: lot of them were behind a glass partition, a sound

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Speaker 4: baffle because they were going crazy. That part is true.

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Speaker 4: Did they make you do a Toyota than Okay, it's Volkswagen.

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Speaker 1: Okay, well it seems like it could be helpful. Regardless.

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Speaker 4: I don't mean to break character and like give you

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Speaker 4: guys notes on your what is your own podcast?

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00:19:27,680 --> 00:19:27,800
Speaker 1: Now?

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00:19:27,920 --> 00:19:30,080
Speaker 4: But you have to get the title right, I do

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Speaker 4: Volkswagen commercials.

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Speaker 1: Shut up?

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00:19:32,840 --> 00:19:34,960
Speaker 4: Okay, sorry, but it's a.

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00:19:34,960 --> 00:19:37,399
Speaker 1: Little insulting, just like, yes, I know you're giving that.

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00:19:37,520 --> 00:19:38,760
Speaker 1: It's like we should be able to give that too,

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Speaker 1: and it's like, just shut up.

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Speaker 4: Don't tell me to shut up.

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Speaker 1: It's important.

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Speaker 4: Like, for one thing, i can't be hawking Toyota's I'm

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Speaker 4: contractually obligated. Well I'm not anymore. I don't do them anymore.

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Speaker 1: What happened got shit? Canada? Probably running your mouth too much.

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Speaker 4: No, I was very respectful on the set. I don't

377
00:20:05,240 --> 00:20:06,760
Speaker 4: know if you heard of Volkswagen had a bit of

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Speaker 4: a crisis.

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00:20:07,800 --> 00:20:12,080
Speaker 1: Uh, yeah, you did a trick. Yeah he switched again.

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00:20:12,240 --> 00:20:14,600
Speaker 1: Message them with too many knobs and stuff. You're walking

381
00:20:14,600 --> 00:20:16,320
Speaker 1: around you're like, what's this would do? I didn't do

382
00:20:16,400 --> 00:20:18,520
Speaker 1: any well? And this show biz and you can talk

383
00:20:18,600 --> 00:20:20,520
Speaker 1: to speak to this a little bit and to this,

384
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Speaker 1: not to some other shit you're thinking about.

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Speaker 2: It's hurry up and wait. So you got a lot

386
00:20:25,080 --> 00:20:27,480
Speaker 2: of downtime, that's true. You gotta be ready. So you're

387
00:20:27,560 --> 00:20:29,480
Speaker 2: near the car, but they're not ready to film yet.

388
00:20:29,480 --> 00:20:31,800
Speaker 2: And maybe you start popping the hoods of all these cars,

389
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Speaker 2: tinkering around inside, and then all of a sudden when

390
00:20:34,359 --> 00:20:37,199
Speaker 2: people get them, the fuel economy is way different than

391
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Speaker 2: what they said.

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Speaker 4: You're saying the emissions are illegal for all those cars

393
00:20:41,000 --> 00:20:42,639
Speaker 4: with the emission problems, Like I got my hands on

394
00:20:42,680 --> 00:20:43,399
Speaker 4: every single one of.

395
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Speaker 1: Them, okay, and he admitted it. This is ready, you see.

396
00:20:49,680 --> 00:20:51,760
Speaker 1: I was there me too. How fast you admitted it?

397
00:20:51,960 --> 00:20:54,600
Speaker 1: Do any of your guys end up admitting to crimes

398
00:20:54,640 --> 00:20:55,840
Speaker 1: on the on the show?

399
00:20:56,400 --> 00:20:59,680
Speaker 4: No, that's that's never happened because we it's not meant

400
00:20:59,680 --> 00:21:02,159
Speaker 4: to go deep. This isn't you know, like a Barbara

401
00:21:02,200 --> 00:21:04,480
Speaker 4: Walters or a Mark Marin. This is it's just a

402
00:21:04,600 --> 00:21:08,359
Speaker 4: movie show, you know, h Right, Like I would, I would,

403
00:21:08,440 --> 00:21:09,560
Speaker 4: I would advise admit that.

404
00:21:10,240 --> 00:21:11,720
Speaker 1: In the theme song, he was saying it wasn't a

405
00:21:11,800 --> 00:21:15,720
Speaker 1: movie show, but now he's agree that it does. Okay, yeah,

406
00:21:16,119 --> 00:21:21,480
Speaker 1: all right, can't get his story straight. Uh who, like

407
00:21:21,880 --> 00:21:23,359
Speaker 1: who was it exciting to work with?

408
00:21:24,440 --> 00:21:24,480
Speaker 5: In?

409
00:21:26,280 --> 00:21:26,440
Speaker 4: Yes?

410
00:21:27,000 --> 00:21:32,440
Speaker 1: Yes, was Joe Suso there? Max Hendroom?

411
00:21:33,480 --> 00:21:35,800
Speaker 4: Why would Max Hedron be there? That's not even that's

412
00:21:36,240 --> 00:21:38,479
Speaker 4: was that McDonald's or Coca Cola's Captain Cruncher.

413
00:21:41,119 --> 00:21:44,719
Speaker 2: He's sponsoring web videos. Now, what do you mean interesting anything.

414
00:21:44,720 --> 00:21:46,240
Speaker 2: He's putting up a lot of dough for some like,

415
00:21:46,440 --> 00:21:50,680
Speaker 2: uh sort of web stories. So godam's got deep pockets.

416
00:21:50,760 --> 00:21:52,719
Speaker 2: You see him there? Maybe you sort of get involved

417
00:21:52,760 --> 00:21:55,800
Speaker 2: having finance one of your projects that you plug at

418
00:21:55,800 --> 00:21:56,880
Speaker 2: the beginning of your podcast.

419
00:21:57,000 --> 00:22:02,000
Speaker 4: No, I don't typically plug anything, okay, And there wasn't

420
00:22:02,400 --> 00:22:04,680
Speaker 4: there was Its usually just me and the commercial, So

421
00:22:04,760 --> 00:22:06,520
Speaker 4: there was not wasn't like I was working with any

422
00:22:06,560 --> 00:22:07,440
Speaker 4: other Oh you did.

423
00:22:07,359 --> 00:22:10,119
Speaker 1: It all yourself. It's your idea, you filmed it. No,

424
00:22:10,280 --> 00:22:10,480
Speaker 1: I'm not.

425
00:22:11,400 --> 00:22:12,680
Speaker 4: No, I'm not saying that.

426
00:22:13,520 --> 00:22:14,880
Speaker 1: Oh is that how movies get made?

427
00:22:15,080 --> 00:22:17,840
Speaker 3: I just felt when I do projects like these, I'm

428
00:22:17,960 --> 00:22:20,640
Speaker 3: very excited to work with every single member of the crew,

429
00:22:21,119 --> 00:22:22,959
Speaker 3: and like you know, when I like when I say

430
00:22:23,040 --> 00:22:25,119
Speaker 3: like who is exciting to work with, like maybe stories

431
00:22:25,119 --> 00:22:27,000
Speaker 3: of like friends you made, and I actually try to

432
00:22:27,080 --> 00:22:30,080
Speaker 3: learn people's names when i'm there, and I the catch

433
00:22:30,119 --> 00:22:34,240
Speaker 3: all the commercial just me and the commercial to me,

434
00:22:34,359 --> 00:22:38,600
Speaker 3: they are human beings and even the people Ny Kumbots.

435
00:22:38,040 --> 00:22:42,600
Speaker 1: Or whatever, like like yeah friends, Yeah.

436
00:22:42,760 --> 00:22:44,840
Speaker 4: No, I made friends. I thought you were talking about

437
00:22:44,880 --> 00:22:47,159
Speaker 4: other actors. You see. The other thing is you're not

438
00:22:47,240 --> 00:22:49,399
Speaker 4: making it entirely clear. And I think one thing is

439
00:22:49,400 --> 00:22:51,919
Speaker 4: an interview, but what you need to tee it up,

440
00:22:51,960 --> 00:22:57,760
Speaker 4: you need to set up proper setups. I'm sorry, but

441
00:22:57,800 --> 00:23:00,800
Speaker 4: I won't be silenced. I care about this podcast and

442
00:23:00,800 --> 00:23:03,480
Speaker 4: I don't want to see it just thrown together sloppy

443
00:23:03,560 --> 00:23:03,760
Speaker 4: like that.

444
00:23:04,640 --> 00:23:10,359
Speaker 1: Talk about Vinney goon bots and Johnny not and freaking

445
00:23:11,480 --> 00:23:12,480
Speaker 1: uh Sergio.

446
00:23:14,520 --> 00:23:15,560
Speaker 4: There was nobody of those names.

447
00:23:15,640 --> 00:23:18,520
Speaker 1: Got a ghoul or whatever? Fucking dude did.

448
00:23:18,560 --> 00:23:21,000
Speaker 4: Have Johnny roast By from Goodfellow's on I was there too.

449
00:23:23,119 --> 00:23:25,479
Speaker 1: It seems like a stereotype thing thing. And then did

450
00:23:25,600 --> 00:23:27,800
Speaker 1: he oh, like these are like, you know, crew and

451
00:23:27,880 --> 00:23:31,399
Speaker 1: blue collar guys. They're not like mafia, you know.

452
00:23:31,480 --> 00:23:35,680
Speaker 2: Like I I was too clear that he only cares

453
00:23:35,720 --> 00:23:38,560
Speaker 2: about talent, right, because it's like it's like I did

454
00:23:38,600 --> 00:23:41,480
Speaker 2: the commercials myself, and it's like as if I don't

455
00:23:41,560 --> 00:23:44,280
Speaker 2: know that it takes a village to make a commercial.

456
00:23:45,359 --> 00:23:47,680
Speaker 2: I'm sorry, Matt. You could sell that line somewhere else.

457
00:23:47,680 --> 00:23:49,520
Speaker 2: Because I was born at night. But I wasn't born

458
00:23:49,640 --> 00:23:56,960
Speaker 2: last night. Okay, so what I I was born at night, Matt.

459
00:23:58,359 --> 00:23:59,240
Speaker 2: But I'm lucky for you.

460
00:23:59,359 --> 00:24:04,960
Speaker 1: It just so happens it wasn't last night.

461
00:24:05,600 --> 00:24:07,480
Speaker 4: Why don't you just say I wasn't born yesterday?

462
00:24:07,560 --> 00:24:13,800
Speaker 1: See great note? Yeah, that really paints a picture. And

463
00:24:13,960 --> 00:24:15,920
Speaker 1: people don't picture me being born at night?

464
00:24:17,960 --> 00:24:20,240
Speaker 4: What does that get you to have someone picture you be.

465
00:24:20,400 --> 00:24:25,760
Speaker 1: Born at night? The moon? Romantic? Yeah? Are you born outside? Yeah?

466
00:24:26,480 --> 00:24:30,080
Speaker 4: In what context? Like a campfire? See these are questions.

467
00:24:31,200 --> 00:24:34,960
Speaker 2: See now that that's actually interesting? Thank you campfire? And

468
00:24:35,119 --> 00:24:37,840
Speaker 2: maybe I'm like part of the climax of a ghost story.

469
00:24:39,400 --> 00:24:40,760
Speaker 4: I don't I thought you use that? Why you don't

470
00:24:40,800 --> 00:24:41,320
Speaker 4: like and I'm.

471
00:24:41,280 --> 00:24:43,800
Speaker 2: Born and when I'm born, I have like a hook hand,

472
00:24:45,040 --> 00:24:47,320
Speaker 2: you know what I mean? And then it's like and

473
00:24:47,440 --> 00:24:51,400
Speaker 2: the hitchhikers still in these woods, and then and I'm

474
00:24:51,440 --> 00:24:55,680
Speaker 2: just freaking swinging it around. I like that that could

475
00:24:55,760 --> 00:24:57,280
Speaker 2: really scare some campers.

476
00:24:57,000 --> 00:24:57,600
Speaker 1: That does work.

477
00:24:57,720 --> 00:25:00,680
Speaker 3: What's one of the setups that you want? Like, yeah,

478
00:25:00,720 --> 00:25:03,000
Speaker 3: if you have all these great setups that you do

479
00:25:04,000 --> 00:25:05,639
Speaker 3: like for questions.

480
00:25:05,640 --> 00:25:07,800
Speaker 4: Well, I'll typically ask someone like, you know, like.

481
00:25:09,280 --> 00:25:09,720
Speaker 1: It depends.

482
00:25:09,720 --> 00:25:11,760
Speaker 4: I mean, it's unique to every movie, but certain ones.

483
00:25:11,800 --> 00:25:13,760
Speaker 4: I'd be like, what was it like to have squibs on?

484
00:25:13,880 --> 00:25:15,560
Speaker 4: You know, like to get shot in a movie?

485
00:25:16,119 --> 00:25:19,120
Speaker 1: Did that hurt? Yeah? It did? Why would you get

486
00:25:19,200 --> 00:25:23,119
Speaker 1: shot in the commercial? Well? I didn't, right, okay, but.

487
00:25:23,520 --> 00:25:25,280
Speaker 2: They should have shot you tinker them with those cars?

488
00:25:27,520 --> 00:25:28,720
Speaker 2: Looks like I've lost a lot of money.

489
00:25:29,200 --> 00:25:30,879
Speaker 4: I guess what I would ask myself is like, what

490
00:25:31,160 --> 00:25:34,080
Speaker 4: was it like to work on a big white void?

491
00:25:34,080 --> 00:25:36,760
Speaker 4: Because I have a really great story about that.

492
00:25:36,960 --> 00:25:42,000
Speaker 1: They shoot those in heaven. That was my story. Well,

493
00:25:42,080 --> 00:25:42,960
Speaker 1: let's just no go ahead.

494
00:25:43,080 --> 00:25:44,840
Speaker 4: Well, the first time we did it, they were really

495
00:25:45,000 --> 00:25:47,320
Speaker 4: anal about walking on the white because we'd get dirty,

496
00:25:47,359 --> 00:25:49,359
Speaker 4: so they'd make you wear little booties. But by the

497
00:25:49,480 --> 00:25:51,959
Speaker 4: second commercial they realized they had to do everything digitally,

498
00:25:52,040 --> 00:25:53,840
Speaker 4: so they would really let you dirty it up. See

499
00:25:53,880 --> 00:25:54,720
Speaker 4: they're a great story.

500
00:25:55,080 --> 00:25:57,200
Speaker 1: Oh yeah, and so you're rolling around the movie.

501
00:25:57,240 --> 00:26:00,520
Speaker 3: You don't like talking, you know, it's like gross we

502
00:26:00,600 --> 00:26:02,760
Speaker 3: don't get that. We don't want to make this show

503
00:26:02,960 --> 00:26:05,080
Speaker 3: gross like that talking about dirty feet.

504
00:26:05,400 --> 00:26:08,240
Speaker 4: Yeah, I thought that was a great story.

505
00:26:08,119 --> 00:26:11,320
Speaker 1: Disgusting feet. I'm just realizing making everything throw.

506
00:26:11,640 --> 00:26:15,040
Speaker 3: No, that had a payoff, yeah, but the yes, but

507
00:26:15,160 --> 00:26:16,959
Speaker 3: the payoff was making people throw up.

508
00:26:17,080 --> 00:26:19,960
Speaker 2: Are you trying to like get like wrapped back around

509
00:26:20,000 --> 00:26:22,879
Speaker 2: to this stinky shin thing that you know I'm sensitive about?

510
00:26:23,080 --> 00:26:24,960
Speaker 4: It seems like you are pretty sensitive about it.

511
00:26:25,200 --> 00:26:26,840
Speaker 1: I just said I'm sensitive about it.

512
00:26:26,960 --> 00:26:28,840
Speaker 4: No, I know, but I didn't even intend that, and

513
00:26:28,920 --> 00:26:31,520
Speaker 4: you're already bringing it back up. It's like, get over it.

514
00:26:31,960 --> 00:26:33,960
Speaker 2: Yeah, it's just like I said, him sensitive about it,

515
00:26:34,000 --> 00:26:35,640
Speaker 2: and then you're like, it seems like you're sensitive.

516
00:26:35,800 --> 00:26:40,720
Speaker 1: Okay, okay, thanks Matt, Thanks for joining the conversation. Matt

517
00:26:40,880 --> 00:26:44,920
Speaker 1: big contribution. Well hopefully everyone's done throwing up now. Yeah,

518
00:26:45,040 --> 00:26:47,240
Speaker 1: from the friggin stinky dirty feet story.

519
00:26:47,359 --> 00:26:50,159
Speaker 4: What about your stinky shin? That's grosser. It's grosser in here?

520
00:26:50,200 --> 00:26:53,920
Speaker 2: It does it doesn't have sh does Marshall has a

521
00:26:54,000 --> 00:26:54,640
Speaker 2: stinky shin?

522
00:26:55,400 --> 00:27:00,520
Speaker 4: He said, that's not what Justin Lynn said. And he's

523
00:27:00,560 --> 00:27:03,280
Speaker 4: the source of the rhyme, not doing the rhyme.

524
00:27:03,359 --> 00:27:05,399
Speaker 1: But then I guess that's true. His name is in

525
00:27:05,480 --> 00:27:09,280
Speaker 1: the rhyme. He might remember better than me. I was

526
00:27:09,359 --> 00:27:11,600
Speaker 1: crying so hard that I maybe didn't hear some of

527
00:27:11,680 --> 00:27:12,200
Speaker 1: the lyrics.

528
00:27:13,040 --> 00:27:14,520
Speaker 4: Well, I didn't mean to make you feel bad.

529
00:27:15,440 --> 00:27:19,560
Speaker 1: That shouldn't seem like you did. So you know you're

530
00:27:19,640 --> 00:27:23,200
Speaker 1: more than just that Toyota commercial. You've done two others, right,

531
00:27:23,320 --> 00:27:24,000
Speaker 1: or how many do you do?

532
00:27:25,560 --> 00:27:25,760
Speaker 6: Well?

533
00:27:26,119 --> 00:27:31,440
Speaker 4: I did a lot. I did over thirty thirty. Yeah,

534
00:27:31,680 --> 00:27:34,640
Speaker 4: it seems like too many over three years.

535
00:27:35,680 --> 00:27:43,920
Speaker 1: It feels desperate, just like why not one and just

536
00:27:44,040 --> 00:27:46,520
Speaker 1: be like, let's just keep using this one instead.

537
00:27:46,160 --> 00:27:48,000
Speaker 4: Of it's not my call. I don't have any say

538
00:27:48,080 --> 00:27:49,879
Speaker 4: in that. In fact, many of them aren't shown in.

539
00:27:50,119 --> 00:27:51,879
Speaker 1: Instead of being like like, let me do it this

540
00:27:52,040 --> 00:27:55,320
Speaker 1: way now, like begging for like, oh I got another idea,

541
00:27:55,520 --> 00:28:01,119
Speaker 1: you guys are maybe I'm like kissing the car. I

542
00:28:01,240 --> 00:28:01,600
Speaker 1: have to say.

543
00:28:01,840 --> 00:28:04,560
Speaker 4: I feel like I'm one more insult away from just

544
00:28:04,640 --> 00:28:05,320
Speaker 4: walking out of here.

545
00:28:05,480 --> 00:28:07,760
Speaker 2: It's funny, you know, you're saying that we're Dix and

546
00:28:07,880 --> 00:28:10,000
Speaker 2: in the meantime, you haven't asked us about any of

547
00:28:10,080 --> 00:28:10,760
Speaker 2: our projects.

548
00:28:11,440 --> 00:28:14,360
Speaker 1: Oh we've been here for how long has this been going? Sam? Yeah?

549
00:28:14,440 --> 00:28:20,920
Speaker 1: How long? Oh? My God, JESU Christ and I was there,

550
00:28:21,040 --> 00:28:23,040
Speaker 1: me too and some stuff. Did you ever think of that?

551
00:28:23,240 --> 00:28:26,080
Speaker 4: But typically the host doesn't do that.

552
00:28:26,400 --> 00:28:28,119
Speaker 1: I will, yeah, but we we You were just saying

553
00:28:28,160 --> 00:28:30,879
Speaker 1: how rude it was that none of your guests do it. Okay,

554
00:28:31,040 --> 00:28:35,800
Speaker 1: let's do it, and Matt it's anything but typical. Hay's you.

555
00:28:36,000 --> 00:28:38,480
Speaker 4: You wrote on east Bound and down Right. I don't

556
00:28:38,680 --> 00:28:42,120
Speaker 4: like to talk about that. You're writing on ghostage Sean. Yeah,

557
00:28:42,760 --> 00:28:46,120
Speaker 4: and how's that process for you? Any dirt?

558
00:28:46,200 --> 00:28:46,400
Speaker 1: Any?

559
00:28:47,160 --> 00:28:48,600
Speaker 2: I don't know if I'm allowed to talk about it,

560
00:28:48,600 --> 00:28:51,480
Speaker 2: and even if I was, but I certainly wouldn't tell you.

561
00:28:51,680 --> 00:28:53,560
Speaker 4: What do you guys want to talk about? Then give

562
00:28:53,640 --> 00:28:54,360
Speaker 4: me some credits.

563
00:28:54,960 --> 00:28:57,840
Speaker 1: We did Arthur with Russell Brand you did? What'd you

564
00:28:57,920 --> 00:28:58,320
Speaker 1: doing there?

565
00:28:58,800 --> 00:28:59,000
Speaker 2: Yeah?

566
00:28:59,080 --> 00:29:02,800
Speaker 1: We're We were the rocks that his Scotch was on.

567
00:29:03,000 --> 00:29:05,280
Speaker 2: We got in little ice cube costumes, got inside his

568
00:29:05,400 --> 00:29:07,960
Speaker 2: drink and then we'd sort of whisper alt to him.

569
00:29:08,080 --> 00:29:09,880
Speaker 3: The idea some of it was kind of but the

570
00:29:09,960 --> 00:29:13,080
Speaker 3: idea is that like we were giving him his like

571
00:29:13,400 --> 00:29:15,360
Speaker 3: powers of being a scamp.

572
00:29:15,480 --> 00:29:17,680
Speaker 4: Like you were like a like a Syrho diverser at

573
00:29:17,760 --> 00:29:18,520
Speaker 4: kind of thing for him.

574
00:29:18,640 --> 00:29:21,400
Speaker 3: Yeah, like he was drinking little bits of us and

575
00:29:21,600 --> 00:29:23,600
Speaker 3: we were like the sort of scamp.

576
00:29:24,960 --> 00:29:28,080
Speaker 1: We're almost the id. Yes, and what we do is

577
00:29:28,200 --> 00:29:30,720
Speaker 1: inspire his cad like behavior. Yes.

578
00:29:31,760 --> 00:29:36,880
Speaker 2: And it was actually quite clever because when you watch

579
00:29:36,960 --> 00:29:40,480
Speaker 2: the original Arthur, there's no inspiration for any of what

580
00:29:40,600 --> 00:29:44,640
Speaker 2: he's doing. It just seems like he's like hardwired to

581
00:29:44,720 --> 00:29:48,120
Speaker 2: have that personality. But this it's explaining. It's kind of

582
00:29:48,160 --> 00:29:49,920
Speaker 2: like how everybody loves the Meta Chlorans and.

583
00:29:51,760 --> 00:29:53,120
Speaker 1: You know, because.

584
00:29:54,880 --> 00:29:59,440
Speaker 4: The first Arthur is one of my favorite all time movies, but.

585
00:29:59,600 --> 00:30:02,360
Speaker 1: They never really explain why he's doing that.

586
00:30:03,360 --> 00:30:05,920
Speaker 4: Look how they rebooted Halloween and they give him an

587
00:30:05,920 --> 00:30:08,680
Speaker 4: origin story Michael Myers, and it diminishes it, it takes

588
00:30:08,720 --> 00:30:09,080
Speaker 4: it away.

589
00:30:09,520 --> 00:30:11,520
Speaker 3: Now I watched the first one, I'm like, why is

590
00:30:11,520 --> 00:30:17,600
Speaker 3: this guy? This guy's like crazy, Yes, he's crazy, he's evil.

591
00:30:17,840 --> 00:30:19,760
Speaker 2: Now if I saw him take a big sip of

592
00:30:19,880 --> 00:30:22,840
Speaker 2: like a gatorade before, and then they fucking zoom in

593
00:30:23,000 --> 00:30:25,360
Speaker 2: on the gatorade and I'm there going like, hey, maybe

594
00:30:25,400 --> 00:30:29,680
Speaker 2: go dudes freaking stab him with a knife. Then I go, okay, well,

595
00:30:30,560 --> 00:30:33,800
Speaker 2: now I understand his motivation. His gatorade told him this

596
00:30:33,960 --> 00:30:34,480
Speaker 2: good idea.

597
00:30:34,600 --> 00:30:36,840
Speaker 4: How did you guys. Get the roll of these ice

598
00:30:37,080 --> 00:30:39,160
Speaker 4: ice How did we get it?

599
00:30:40,240 --> 00:30:45,360
Speaker 1: Audition? Baby killed it in the room. Tell him we

600
00:30:45,520 --> 00:30:47,960
Speaker 1: did like sort of a lifelong we were sorry. Let

601
00:30:48,000 --> 00:30:48,600
Speaker 1: me give you a beat.

602
00:30:57,480 --> 00:31:00,280
Speaker 3: Roll up to the room, throw out my sides, eat

603
00:31:00,360 --> 00:31:03,880
Speaker 3: my eyes, split their sides. Go to the set, kill

604
00:31:04,080 --> 00:31:08,000
Speaker 3: the job, do another movie, keep doing more going, start

605
00:31:08,040 --> 00:31:12,040
Speaker 3: to keep going, have a huge career with.

606
00:31:12,240 --> 00:31:16,080
Speaker 1: Lots of fans. Get on the billboard, go on the show.

607
00:31:16,400 --> 00:31:22,040
Speaker 1: Bring up me. I was talking about me and my friend.

608
00:31:22,320 --> 00:31:26,120
Speaker 1: His name is Sean. He's a handsome boy. Keep going

609
00:31:26,200 --> 00:31:27,000
Speaker 1: on that part.

610
00:31:29,680 --> 00:31:32,120
Speaker 3: Oh okay, it's kind of like the bong was like

611
00:31:32,240 --> 00:31:34,720
Speaker 3: kind of the end. Said you said, keep going that?

612
00:31:34,800 --> 00:31:35,520
Speaker 3: He said ball.

613
00:31:40,600 --> 00:31:41,960
Speaker 1: Yeah, so you kind of can picture.

614
00:31:42,040 --> 00:31:42,240
Speaker 5: Yeah.

615
00:31:42,440 --> 00:31:43,720
Speaker 3: And we were hanging out with him off set. You

616
00:31:43,720 --> 00:31:45,720
Speaker 3: didn't ask about this, but what Russell Bran would have

617
00:31:45,720 --> 00:31:47,520
Speaker 3: been a good question. Yes, well, I was getting to

618
00:31:47,560 --> 00:31:49,719
Speaker 3: that and we were sort of feeding him a lot

619
00:31:49,760 --> 00:31:51,240
Speaker 3: of that. They were just like talking about some thought

620
00:31:51,280 --> 00:31:53,960
Speaker 3: experiments we had been doing that he has kind of

621
00:31:54,080 --> 00:31:57,560
Speaker 3: adopted now in his life about how voting is a

622
00:31:57,720 --> 00:32:02,160
Speaker 3: nonce and incorporated are blind me and like all these

623
00:32:02,200 --> 00:32:04,440
Speaker 3: things and now he has like really put out there.

624
00:32:05,000 --> 00:32:08,000
Speaker 4: You guys gave him those like these.

625
00:32:07,880 --> 00:32:09,640
Speaker 3: Were just things that we had kind of been talking

626
00:32:09,640 --> 00:32:12,640
Speaker 3: about at the time that like voting is a bit

627
00:32:12,880 --> 00:32:14,640
Speaker 3: of a well if.

628
00:32:14,560 --> 00:32:19,400
Speaker 1: You really, if you really look into it, voting at

629
00:32:19,440 --> 00:32:20,280
Speaker 1: its core.

630
00:32:21,680 --> 00:32:22,120
Speaker 2: Is enough.

631
00:32:22,320 --> 00:32:22,520
Speaker 4: Yeah.

632
00:32:22,720 --> 00:32:23,640
Speaker 1: I do agree with that.

633
00:32:24,120 --> 00:32:26,600
Speaker 2: And some of these big corporations that are like, oh,

634
00:32:26,680 --> 00:32:29,280
Speaker 2: we're helping, you know, like we're making coke for everyone,

635
00:32:29,360 --> 00:32:30,680
Speaker 2: they don't have any coca cola.

636
00:32:31,000 --> 00:32:35,280
Speaker 1: Like what Russell really took to heart that we explained

637
00:32:35,440 --> 00:32:37,040
Speaker 1: was they're kind of blimey.

638
00:32:37,120 --> 00:32:39,000
Speaker 3: Yeah, corporations can be blinding and they could be a

639
00:32:39,120 --> 00:32:40,280
Speaker 3: right cadre sometimes.

640
00:32:40,480 --> 00:32:43,240
Speaker 4: M Yeah, like they don't chuff me.

641
00:32:44,320 --> 00:32:46,920
Speaker 3: See, Yes, this is yes, this is nice. I'm not

642
00:32:47,040 --> 00:32:50,960
Speaker 3: getting yes like you get it. But like this was

643
00:32:51,040 --> 00:32:53,240
Speaker 3: like our sort of thing that we had going of

644
00:32:53,320 --> 00:32:55,000
Speaker 3: the time. And now he's like everywhere with this, which

645
00:32:55,040 --> 00:32:57,200
Speaker 3: I think is great. I'm like super proud of him

646
00:32:57,200 --> 00:32:57,760
Speaker 3: and I love him.

647
00:32:58,360 --> 00:32:59,880
Speaker 1: Yeah, and I love him too.

648
00:33:00,640 --> 00:33:02,440
Speaker 4: Well, So you guys know what it's like to have

649
00:33:02,560 --> 00:33:04,160
Speaker 4: something of yours co opted.

650
00:33:04,360 --> 00:33:05,920
Speaker 1: Yeah, And we were just saying it's good, we love it.

651
00:33:06,000 --> 00:33:08,120
Speaker 4: No, I understand that, I understand, and I'm just saying,

652
00:33:08,160 --> 00:33:10,560
Speaker 4: but not everybody feels that way, especially when I feel

653
00:33:10,600 --> 00:33:13,280
Speaker 4: like the product is maybe tam and like imagine he

654
00:33:13,320 --> 00:33:15,280
Speaker 4: stopped doing Yeah.

655
00:33:15,240 --> 00:33:19,680
Speaker 1: Quit while you're ahead, Sorry, while you're ahead.

656
00:33:19,720 --> 00:33:23,640
Speaker 4: Man, this is just really difficult. I have an ownership

657
00:33:23,720 --> 00:33:24,000
Speaker 4: over this.

658
00:33:24,120 --> 00:33:24,840
Speaker 1: I care about it.

659
00:33:25,000 --> 00:33:28,360
Speaker 4: And like even this version of the podcast, we're only

660
00:33:28,960 --> 00:33:30,960
Speaker 4: one quarter of it is talking about the work we've done.

661
00:33:31,040 --> 00:33:33,280
Speaker 2: Let's take it way back. How'd you get your idea

662
00:33:33,360 --> 00:33:34,160
Speaker 2: for our podcast?

663
00:33:34,720 --> 00:33:37,880
Speaker 4: Well, it was given to me, oh, by Jeff Ulrick.

664
00:33:37,880 --> 00:33:40,600
Speaker 4: Do you guys remember Jeff Ulrick? And I mean yeah,

665
00:33:41,800 --> 00:33:42,880
Speaker 4: head of your wolf.

666
00:33:43,120 --> 00:33:48,800
Speaker 1: H Rich guy sits in like an unusual way. What

667
00:33:48,880 --> 00:33:53,000
Speaker 1: do you mean, It's just his physicality is unique. I

668
00:33:53,040 --> 00:33:55,040
Speaker 1: don't know. He's kind of like sitting and lying down

669
00:33:55,120 --> 00:33:55,800
Speaker 1: at the same time.

670
00:33:56,640 --> 00:33:57,440
Speaker 4: How's that possible.

671
00:33:57,440 --> 00:33:59,520
Speaker 1: He's just as relaxed as you can be while sitting

672
00:33:59,560 --> 00:34:01,040
Speaker 1: in a way where it's like, is this kind of

673
00:34:01,080 --> 00:34:07,800
Speaker 1: a fall asleep? Do you remember him? My question, because

674
00:34:08,040 --> 00:34:11,439
Speaker 1: we're describing him really well, I don't.

675
00:34:11,719 --> 00:34:13,560
Speaker 4: Yeah, I remember, I remember him differently.

676
00:34:14,400 --> 00:34:15,800
Speaker 1: So how do you think he said.

677
00:34:17,120 --> 00:34:17,919
Speaker 4: Just like a human being?

678
00:34:18,560 --> 00:34:20,080
Speaker 1: Yeah, nobody said he wasn't human?

679
00:34:20,200 --> 00:34:23,239
Speaker 3: Oho, And maybe you asked Sam if he remembers him too, Sam,

680
00:34:23,280 --> 00:34:24,880
Speaker 3: do you remember do you ever on your show speaking

681
00:34:24,880 --> 00:34:27,719
Speaker 3: of human beings? Do you ever ask the engineers if

682
00:34:27,719 --> 00:34:28,200
Speaker 3: they were there?

683
00:34:28,360 --> 00:34:30,160
Speaker 1: Me too? I heard some of the cubs were like

684
00:34:30,280 --> 00:34:33,879
Speaker 1: remarking on how he sat during the World Series. Who's

685
00:34:33,920 --> 00:34:38,840
Speaker 1: that guy in the front row? Those are expensive tickets, Sam.

686
00:34:38,719 --> 00:34:39,880
Speaker 4: Do you have any eyes there toos?

687
00:34:41,400 --> 00:34:41,440
Speaker 2: No?

688
00:34:41,600 --> 00:34:45,280
Speaker 6: I don't, but I do know during the World Series

689
00:34:46,120 --> 00:34:49,560
Speaker 6: h Cody emailed Jeff asking to buy one of his tickets,

690
00:34:50,040 --> 00:34:52,560
Speaker 6: and he gave him a quote and then later sold

691
00:34:52,600 --> 00:34:55,000
Speaker 6: it online for half of that amount, which I always

692
00:34:55,000 --> 00:34:58,440
Speaker 6: thought was pretty funny, which always made me happy.

693
00:34:58,400 --> 00:35:00,320
Speaker 1: That I could explain some of what's going on with

694
00:35:00,440 --> 00:35:04,680
Speaker 1: Cody that could really get to the Bible.

695
00:35:04,719 --> 00:35:07,320
Speaker 3: That's about how long we've been having this problem with

696
00:35:07,440 --> 00:35:09,880
Speaker 3: Cody is dating back to the last World Series.

697
00:35:10,000 --> 00:35:14,840
Speaker 2: His personality got I would say thirty five percent worse

698
00:35:14,960 --> 00:35:16,560
Speaker 2: around the last World Series.

699
00:35:16,920 --> 00:35:19,040
Speaker 1: What was the what was the final sale price?

700
00:35:19,640 --> 00:35:22,840
Speaker 6: I think he offered the ticket to Cody for he

701
00:35:22,920 --> 00:35:28,040
Speaker 6: wanted like thirteen thousand and then and then he sold

702
00:35:28,120 --> 00:35:30,520
Speaker 6: it on Facebook. I think for like seven thousand, So

703
00:35:30,680 --> 00:35:33,880
Speaker 6: Cody's like, I totally would have paid seven thousand dollars. No,

704
00:35:36,440 --> 00:35:39,120
Speaker 6: great in a great Cody moment, he wanted Jeff to

705
00:35:39,239 --> 00:35:41,000
Speaker 6: just give him the tickets because he had a lot

706
00:35:41,040 --> 00:35:43,520
Speaker 6: of his logic was he can afford it. He thought

707
00:35:43,560 --> 00:35:45,719
Speaker 6: he would just give him two free tickets. And he

708
00:35:45,800 --> 00:35:49,440
Speaker 6: knows exactly how much money Cody has. Yeah, and he

709
00:35:49,520 --> 00:35:50,719
Speaker 6: knows how much money he has.

710
00:35:50,760 --> 00:35:53,080
Speaker 4: They're both playing three dimensional chess there, that's clear.

711
00:35:53,320 --> 00:35:55,520
Speaker 1: Yeah, boy oh boy.

712
00:35:56,360 --> 00:35:58,520
Speaker 3: See as you get it too, like good stuff. When

713
00:35:58,560 --> 00:36:00,680
Speaker 3: you really like ask people questions, you really learn.

714
00:36:00,960 --> 00:36:02,239
Speaker 4: Yeah, I know, you don't have to tell me that

715
00:36:02,360 --> 00:36:03,560
Speaker 4: I was the one that asked that question.

716
00:36:04,200 --> 00:36:06,520
Speaker 1: Oh yeah, yeah, but I think I was the one

717
00:36:06,560 --> 00:36:10,120
Speaker 1: who was like, right, I better ask it right now? Yeah, right,

718
00:36:10,239 --> 00:36:10,680
Speaker 1: that's right.

719
00:36:10,880 --> 00:36:13,800
Speaker 2: Well, I mean Hayes was the metaphorical ice cube in

720
00:36:13,840 --> 00:36:17,040
Speaker 2: your Scotch class. Yeah, sort of inspiring the good question,

721
00:36:17,560 --> 00:36:18,319
Speaker 2: right right.

722
00:36:19,040 --> 00:36:23,520
Speaker 1: You're a bit of an earther, aren't you? Can you

723
00:36:23,640 --> 00:36:25,040
Speaker 1: be sometimes? Can you admit that?

724
00:36:25,920 --> 00:36:31,200
Speaker 2: Tell us about your most epic Arthur moment? You mean,

725
00:36:31,280 --> 00:36:34,560
Speaker 2: like just when I'm drinking heavily, but like you're like

726
00:36:34,719 --> 00:36:39,360
Speaker 2: doing minimize, You're like pinching bombs. Yeah, maybe it's a

727
00:36:39,480 --> 00:36:43,759
Speaker 2: freaking maid's freaking bum is like sticking.

728
00:36:43,520 --> 00:36:45,839
Speaker 1: Out of her little skirt. You've got like a leaf

729
00:36:45,920 --> 00:36:47,760
Speaker 1: blower and you're blowing up the maid's skirt.

730
00:36:48,040 --> 00:36:49,960
Speaker 4: One time, there was a bird up the apples and

731
00:36:50,040 --> 00:36:52,320
Speaker 4: Paris and I asked her out for some bubble and

732
00:36:52,360 --> 00:36:55,840
Speaker 4: squeak all while drinking. So I guess that would be

733
00:36:56,000 --> 00:36:57,720
Speaker 4: my most Arthurian moment.

734
00:36:59,440 --> 00:37:02,239
Speaker 1: And see now I'm I'm right shoveed. See do you

735
00:37:02,360 --> 00:37:04,279
Speaker 1: see how do good shown be?

736
00:37:04,719 --> 00:37:06,480
Speaker 4: That did seem to click for the first time in

737
00:37:06,560 --> 00:37:08,560
Speaker 4: forty five minutes? Like we had a nice moment there.

738
00:37:08,680 --> 00:37:09,640
Speaker 1: How long is your show?

739
00:37:09,760 --> 00:37:11,879
Speaker 4: Normally about forty five minutes to an hour.

740
00:37:12,239 --> 00:37:16,919
Speaker 1: Okay, so we're like in the we're almost finished, which

741
00:37:17,000 --> 00:37:17,680
Speaker 1: is great for us.

742
00:37:19,640 --> 00:37:21,400
Speaker 4: But you said at the top of the show you

743
00:37:21,520 --> 00:37:22,759
Speaker 4: didn't want this show to end.

744
00:37:23,400 --> 00:37:28,360
Speaker 1: Well, I was being a little cheeky. I've got some

745
00:37:28,560 --> 00:37:29,200
Speaker 1: Arthur and me too.

746
00:37:29,280 --> 00:37:34,360
Speaker 2: Yeah, and uh, I was saying that, you know, this episode,

747
00:37:34,520 --> 00:37:36,719
Speaker 2: I wish it could last forever, only because it is

748
00:37:36,760 --> 00:37:37,759
Speaker 2: the last episode.

749
00:37:37,440 --> 00:37:39,359
Speaker 1: Of the show off.

750
00:37:39,600 --> 00:37:42,920
Speaker 2: I was there, me too, or no, that shows going

751
00:37:43,000 --> 00:37:44,120
Speaker 2: to be Yeah, we're doing that.

752
00:37:44,560 --> 00:37:45,840
Speaker 1: We're now going to be doing.

753
00:37:45,719 --> 00:37:50,080
Speaker 2: Three other podcasts at least because we got freaking get

754
00:37:50,160 --> 00:37:51,880
Speaker 2: up on this. We're getting everyone up on all the

755
00:37:51,920 --> 00:37:53,960
Speaker 2: hot new stuff. What are you getting people up on

756
00:37:54,080 --> 00:37:54,439
Speaker 2: this week?

757
00:37:55,440 --> 00:37:55,560
Speaker 1: Uh?

758
00:37:55,719 --> 00:37:59,040
Speaker 3: This week, I'm getting people up on the beach for summer.

759
00:38:00,719 --> 00:38:04,000
Speaker 3: This is a place where people can hang out and

760
00:38:04,880 --> 00:38:07,040
Speaker 3: bring you can bring food, like bring whatever food.

761
00:38:07,080 --> 00:38:11,960
Speaker 1: Do you want one hot tip towel? Yes, because it's hot? Yeah,

762
00:38:12,280 --> 00:38:13,839
Speaker 1: the floor, the beach floor.

763
00:38:14,800 --> 00:38:20,200
Speaker 3: I am getting people up on music, listening to like

764
00:38:20,400 --> 00:38:24,040
Speaker 3: a like a nice arrangement of notes for summer, like

765
00:38:24,480 --> 00:38:26,000
Speaker 3: like you know the idea of summer music.

766
00:38:27,000 --> 00:38:28,719
Speaker 1: What about you? What are some of your get up on?

767
00:38:29,000 --> 00:38:32,160
Speaker 2: Well, they're making macaroni in a wheel shape now and

768
00:38:33,320 --> 00:38:37,320
Speaker 2: for people who like me, can't swallow the traditional tubes,

769
00:38:38,239 --> 00:38:41,480
Speaker 2: this wheel can be really nice. It's easier to separate

770
00:38:41,719 --> 00:38:44,439
Speaker 2: if you've only got I mean, I have one main

771
00:38:44,560 --> 00:38:46,840
Speaker 2: tooth and then the other teeth are sort of just

772
00:38:46,920 --> 00:38:49,279
Speaker 2: supporting that, so I can only put pressure on that one,

773
00:38:49,960 --> 00:38:52,760
Speaker 2: and I'm able to slice each spoke of the wheel

774
00:38:52,920 --> 00:38:54,640
Speaker 2: these things and kind of flatten it out.

775
00:38:54,960 --> 00:38:57,080
Speaker 4: Is see, you've done the same thing to his podcast.

776
00:38:57,160 --> 00:39:02,080
Speaker 4: You need you need something new and hip, like Iomega

777
00:39:02,160 --> 00:39:03,960
Speaker 4: has a three terror by our drive out now, So

778
00:39:04,120 --> 00:39:05,919
Speaker 4: that's that's really cool.

779
00:39:10,600 --> 00:39:18,160
Speaker 1: What shut out nothing, do a real one. That's one deal.

780
00:39:18,280 --> 00:39:22,000
Speaker 3: Real Like, don't like try to ruin the show on purpose.

781
00:39:22,040 --> 00:39:24,799
Speaker 3: Do something that like people people would want to get out. Okay,

782
00:39:24,920 --> 00:39:26,640
Speaker 3: for instance our space or whatever.

783
00:39:26,800 --> 00:39:30,880
Speaker 4: Earwolf has these new text stickers for Apple that you

784
00:39:30,960 --> 00:39:33,799
Speaker 4: can text all three of us. I think are one

785
00:39:34,320 --> 00:39:38,000
Speaker 4: Sammy too, I think right? Yeah, so you could text

786
00:39:38,280 --> 00:39:41,920
Speaker 4: likenesses little drawings of us because we're hosts.

787
00:39:42,040 --> 00:39:43,520
Speaker 1: Is the worse than the ile made.

788
00:39:43,360 --> 00:39:47,439
Speaker 3: People get Wait wait wait wait, people can text me yeah,

789
00:39:47,520 --> 00:39:50,000
Speaker 3: and they can have me saying whatever they want a

790
00:39:50,040 --> 00:39:50,800
Speaker 3: little picture of you.

791
00:39:51,120 --> 00:39:54,160
Speaker 1: Yeah, and then it's me and the phone.

792
00:39:54,640 --> 00:39:56,400
Speaker 4: Yeah, it's a drawing of you.

793
00:39:56,520 --> 00:39:59,880
Speaker 1: I'm in the phone saying anything. Uh huh. And now

794
00:40:00,080 --> 00:40:03,320
Speaker 1: they have me in their phone storage.

795
00:40:03,880 --> 00:40:04,800
Speaker 4: A little drawing of you.

796
00:40:05,640 --> 00:40:07,919
Speaker 2: Shudder to think what Jeff Holward just making me say

797
00:40:09,200 --> 00:40:11,280
Speaker 2: he's texting me to Sammy Sosa or whatever.

798
00:40:16,280 --> 00:40:24,160
Speaker 1: This sucks. This is honestly becoming one of the right

799
00:40:24,680 --> 00:40:29,279
Speaker 1: blindiest corporation. It is odd, like you know, like the

800
00:40:29,360 --> 00:40:33,799
Speaker 1: corporation has gotten so out of control in the last

801
00:40:33,800 --> 00:40:34,200
Speaker 1: few years.

802
00:40:35,320 --> 00:40:40,320
Speaker 3: Yes, the corporation is a wanker and it's not me

803
00:40:40,440 --> 00:40:43,960
Speaker 3: best mate, I'll just say that.

804
00:40:46,200 --> 00:40:48,279
Speaker 1: Yeah, I couldn't agree more. Matt P. T.

805
00:40:48,440 --> 00:40:52,680
Speaker 2: Barnum said something interesting, which is that every great idea

806
00:40:53,800 --> 00:41:00,000
Speaker 2: begins as a movement, evolves into a corporation.

807
00:41:02,960 --> 00:41:07,920
Speaker 1: And devolves into a racket. And you O mean a

808
00:41:07,960 --> 00:41:08,640
Speaker 1: tennis racket?

809
00:41:11,680 --> 00:41:12,279
Speaker 4: What's your point?

810
00:41:13,560 --> 00:41:14,759
Speaker 1: Where do you think Earwolf is?

811
00:41:16,840 --> 00:41:18,400
Speaker 4: What do you mean like financially?

812
00:41:18,600 --> 00:41:20,680
Speaker 1: Come on, man, where do you think it is? On this?

813
00:41:20,880 --> 00:41:25,719
Speaker 1: Wake up? Matt Hey, it ain't a movement so you

814
00:41:25,760 --> 00:41:27,440
Speaker 1: think it's right? Maybe a bowel movement?

815
00:41:27,719 --> 00:41:32,920
Speaker 2: Okay, okay, And I'm even even I agree.

816
00:41:33,040 --> 00:41:35,640
Speaker 4: I like this company. I work for this company. I'm

817
00:41:35,640 --> 00:41:37,000
Speaker 4: not gonna have you to fame this company.

818
00:41:37,120 --> 00:41:40,359
Speaker 1: That was an Arthur moment. He sneaks out every now

819
00:41:40,400 --> 00:41:42,880
Speaker 1: and then, Uh, what do you what do you have?

820
00:41:43,000 --> 00:41:43,600
Speaker 1: You end the show?

821
00:41:44,400 --> 00:41:46,279
Speaker 4: Well, I think my guest. I asked them if they

822
00:41:46,360 --> 00:41:47,359
Speaker 4: have anything they want to plug.

823
00:41:54,680 --> 00:41:56,160
Speaker 1: I'm a horny girl wolf.

824
00:41:56,520 --> 00:41:59,800
Speaker 2: This has been an Earwolf production executive produced by Scott

825
00:41:59,800 --> 00:42:02,200
Speaker 2: Ock Kerman, Colin Anderson, and Chris Bannon.

826
00:42:02,360 --> 00:42:05,200
Speaker 1: For more information and content, visit earwolf dot com.

827
00:42:06,000 --> 00:42:09,040
Speaker 3: Oh m hm