WEBVTT - Pastor Troy Interview

0:00:01.120 --> 0:00:08.119
<v Speaker 1>Real people, real celebrity joined the Breakfast Morning. Everybody is

0:00:08.200 --> 0:00:11.040
<v Speaker 1>DJ Envy, Angela Yee, Charlomne the guy. We are the

0:00:11.039 --> 0:00:16.119
<v Speaker 1>Breakfast Club, special guests in the building, pt cruisers with

0:00:16.160 --> 0:00:18.239
<v Speaker 1>the gangs of y'all. All right, man, staying down with it.

0:00:18.239 --> 0:00:20.200
<v Speaker 1>How you feel about to see you in a wild Yeah? Man,

0:00:20.280 --> 0:00:21.840
<v Speaker 1>Good to see y'all boys. Good to see my boys.

0:00:21.840 --> 0:00:23.759
<v Speaker 1>Shot ain't seen you said your birthday party down in

0:00:23.800 --> 0:00:26.040
<v Speaker 1>the seeing Columbia. Yeah, man, just kicking up what you

0:00:26.040 --> 0:00:29.360
<v Speaker 1>got going now. You remained relatively independent your whole career.

0:00:29.440 --> 0:00:33.440
<v Speaker 1>Why is that, man? Um? It was I started off independent, man,

0:00:33.479 --> 0:00:35.280
<v Speaker 1>you know what I mean. Had some contract disputes that

0:00:35.400 --> 0:00:37.400
<v Speaker 1>made me have to go major for a little while.

0:00:37.400 --> 0:00:38.960
<v Speaker 1>But after I was finished with my contract, I just

0:00:38.960 --> 0:00:41.040
<v Speaker 1>went back to my independent roots with a lot of

0:00:41.040 --> 0:00:43.479
<v Speaker 1>that major game with me. You said you had to

0:00:43.520 --> 0:00:45.640
<v Speaker 1>go major. I had to go major, man, because I

0:00:45.680 --> 0:00:48.440
<v Speaker 1>hooked up with this, uh, this guy Jane Griffin signed

0:00:48.440 --> 0:00:50.480
<v Speaker 1>a contract and it stopped me from having my own label.

0:00:50.560 --> 0:00:52.400
<v Speaker 1>It was like I signed on to him. He turned

0:00:52.400 --> 0:00:55.120
<v Speaker 1>me over to Universal or whatever. It was cool, man,

0:00:55.120 --> 0:00:56.520
<v Speaker 1>it worked out for him. It was a good thing.

0:00:56.520 --> 0:00:58.600
<v Speaker 1>I learned a lot being with the majors. But when

0:00:58.600 --> 0:01:01.240
<v Speaker 1>I went back independent, I was showing up Freddy. Now

0:01:01.240 --> 0:01:05.000
<v Speaker 1>everybody's trying to get back, so glad I've been here.

0:01:05.120 --> 0:01:06.560
<v Speaker 1>Back then, a lot of people wanted to sign you.

0:01:06.600 --> 0:01:09.960
<v Speaker 1>Remember Scarface wanted to sign you the job South? Yeah, man,

0:01:10.000 --> 0:01:11.560
<v Speaker 1>you know he was holding at me. Man. I come

0:01:11.560 --> 0:01:13.759
<v Speaker 1>home one day, Man, Scarface sitting in the living room

0:01:13.760 --> 0:01:16.399
<v Speaker 1>with my parents. I'm like, what's going on? Yeah? Man?

0:01:16.560 --> 0:01:18.800
<v Speaker 1>It was so crazy, man, because everybody knows my father

0:01:18.880 --> 0:01:21.640
<v Speaker 1>is a pastor man, and that time Scarface really just

0:01:21.720 --> 0:01:23.440
<v Speaker 1>wanted to meet my dad more than he wanted to

0:01:23.440 --> 0:01:26.679
<v Speaker 1>meet me. But it was all good, man, real cool,

0:01:26.720 --> 0:01:29.080
<v Speaker 1>you know down South Man, I was telling somebody in

0:01:29.080 --> 0:01:31.880
<v Speaker 1>an interview yesterday, Man, like Backboning now was probably the

0:01:31.920 --> 0:01:36.600
<v Speaker 1>first solo artist to sign, you know, major deals in Atlanta,

0:01:36.840 --> 0:01:39.000
<v Speaker 1>and Man, just after that, man, it just opened up

0:01:39.080 --> 0:01:40.800
<v Speaker 1>so many doors, man, you know what I mean. It's

0:01:40.800 --> 0:01:43.480
<v Speaker 1>still popping up down and now you know that same

0:01:43.600 --> 0:01:47.160
<v Speaker 1>kind of sound. I forgot why Scarface you didn't sign? Okay,

0:01:47.440 --> 0:01:49.800
<v Speaker 1>we ain't signed because he told the people at the

0:01:49.920 --> 0:01:53.880
<v Speaker 1>Universal they were like, what you want to do? What with? Who?

0:01:54.280 --> 0:01:56.880
<v Speaker 1>H Yeah? He got another album over here, you know

0:01:56.880 --> 0:01:58.600
<v Speaker 1>what I mean. So you got to be cool when

0:01:58.600 --> 0:02:00.200
<v Speaker 1>you're doing stuff like that, you know what I mean?

0:02:00.560 --> 0:02:03.680
<v Speaker 1>Got you Yeah, they they see intra like Puffy wanted

0:02:03.720 --> 0:02:06.360
<v Speaker 1>to sign me. Puffy go up there like yeah, Monte,

0:02:06.400 --> 0:02:08.280
<v Speaker 1>what's up? Every year? I want Pastor Troy? What you

0:02:08.280 --> 0:02:11.040
<v Speaker 1>want Pastor Troy? Yeah? Yeah, he got another album over here?

0:02:11.080 --> 0:02:13.440
<v Speaker 1>Want to sign you? Yeah? Man, you know he was

0:02:13.440 --> 0:02:15.079
<v Speaker 1>trying to do the bad boy South stuff. You know.

0:02:15.320 --> 0:02:16.639
<v Speaker 1>He used to come down and hang out at the

0:02:16.680 --> 0:02:19.000
<v Speaker 1>Bounce and stuff with me until it should be cool.

0:02:19.720 --> 0:02:21.840
<v Speaker 1>That's crazy. Now, your father was actually a pastor, so

0:02:21.880 --> 0:02:23.720
<v Speaker 1>the name because because somebody asked me that is he

0:02:24.040 --> 0:02:26.320
<v Speaker 1>is he a reverend? Yeah? Yeah, my father, he still

0:02:26.360 --> 0:02:28.160
<v Speaker 1>is a pastor down to atl Man. That was one

0:02:28.200 --> 0:02:30.520
<v Speaker 1>of the most difficult things growing up with him being

0:02:30.520 --> 0:02:33.079
<v Speaker 1>a pastor. Man, rap was kind of taboo in the house.

0:02:33.120 --> 0:02:35.400
<v Speaker 1>I couldn't listen to it like that, man, which really

0:02:35.400 --> 0:02:37.760
<v Speaker 1>made it really special to me. Man, you know what

0:02:37.760 --> 0:02:40.240
<v Speaker 1>I mean? In that college Man down to Paying College

0:02:40.240 --> 0:02:43.000
<v Speaker 1>in Augusta, Georgia. Man, about twenty twenty years old. Man,

0:02:43.040 --> 0:02:44.799
<v Speaker 1>I stepped to my parents on the sophomore like, look,

0:02:45.320 --> 0:02:47.760
<v Speaker 1>I'm about to be a rapper and what did he say?

0:02:48.160 --> 0:02:51.760
<v Speaker 1>Are you crazy? You know? But you know it all

0:02:51.800 --> 0:02:53.440
<v Speaker 1>worked out. You know, I just explained it to him. Man,

0:02:53.440 --> 0:02:54.920
<v Speaker 1>this is just something I wanted to do. Man, something

0:02:55.000 --> 0:02:57.639
<v Speaker 1>I need to try at twenty as opposed to thirty.

0:02:57.760 --> 0:02:59.680
<v Speaker 1>And you know, they was down. They was down with it, man,

0:02:59.760 --> 0:03:01.919
<v Speaker 1>game and they support. I had to go make a

0:03:01.960 --> 0:03:03.919
<v Speaker 1>pop off them. Man in the work, did your father

0:03:03.960 --> 0:03:05.919
<v Speaker 1>ever listened to any of the lyrics and be like, nasam,

0:03:05.960 --> 0:03:08.079
<v Speaker 1>we got to talk about you know what man vice

0:03:08.280 --> 0:03:12.520
<v Speaker 1>versa songs? Man? When I originally wrote that song, man,

0:03:12.639 --> 0:03:15.280
<v Speaker 1>I say that as a poem in college, man like

0:03:15.320 --> 0:03:18.959
<v Speaker 1>a talent show man, they booted me out the building. Man,

0:03:19.720 --> 0:03:21.840
<v Speaker 1>he Antichrist. He didn't see that, And I was like,

0:03:21.880 --> 0:03:23.880
<v Speaker 1>I really didn't understand those things. Man. You know the

0:03:23.919 --> 0:03:26.720
<v Speaker 1>song it's like what if Heaven was hell? And vice versa.

0:03:27.000 --> 0:03:29.000
<v Speaker 1>So I had to hit my dad up, like, hey, Dad,

0:03:29.320 --> 0:03:32.320
<v Speaker 1>my friend wrote this song man called vera and he

0:03:32.440 --> 0:03:34.640
<v Speaker 1>talking about this, he talking about that. My dad just

0:03:34.680 --> 0:03:36.240
<v Speaker 1>really kind of explained to me, like, man, you know,

0:03:36.480 --> 0:03:39.320
<v Speaker 1>ain't nothing wrong with somebody's saying what hell? You know

0:03:39.360 --> 0:03:41.120
<v Speaker 1>what I mean? People can ask questions every day you

0:03:41.160 --> 0:03:42.720
<v Speaker 1>know what I mean, and just made me feel a

0:03:42.760 --> 0:03:45.280
<v Speaker 1>lot better about the record. Man. Two years later, I

0:03:45.360 --> 0:03:47.760
<v Speaker 1>finally heard the beat and I was like this to

0:03:47.840 --> 0:03:49.760
<v Speaker 1>beat for vice a verse. And then when I did it, man,

0:03:49.800 --> 0:03:52.120
<v Speaker 1>everybody ended up loving that record. Man, it's crazy because

0:03:52.120 --> 0:03:54.000
<v Speaker 1>it description the Bible now that said it's gonna be

0:03:54.040 --> 0:03:55.880
<v Speaker 1>a time with good. It's gonna be made to look

0:03:55.920 --> 0:03:58.840
<v Speaker 1>like man, dog be made to look like See it

0:03:58.880 --> 0:04:01.440
<v Speaker 1>has not that song, and it makes more sense to

0:04:01.600 --> 0:04:04.160
<v Speaker 1>day than it ever has. Man, you know what I mean,

0:04:04.400 --> 0:04:06.680
<v Speaker 1>what the good was really bad? What the bad was

0:04:06.720 --> 0:04:09.800
<v Speaker 1>really good? What would you do? You know? Now? What

0:04:09.840 --> 0:04:11.520
<v Speaker 1>does the belt mean? For people who don't know you

0:04:11.720 --> 0:04:14.760
<v Speaker 1>always have the belt with Yeah? Man, I brought the

0:04:14.800 --> 0:04:17.360
<v Speaker 1>bulldog helmet out too, Man, Yo, Man, come to my

0:04:17.400 --> 0:04:19.120
<v Speaker 1>South Carolina boy in here. Man, they got to come

0:04:19.160 --> 0:04:21.480
<v Speaker 1>down the draw of the ship. We're gonna be death.

0:04:21.480 --> 0:04:23.360
<v Speaker 1>We're gonna beat him to death. Hey ya, but check

0:04:23.400 --> 0:04:25.159
<v Speaker 1>it out the belt, man. You know, everybody know I

0:04:25.200 --> 0:04:27.960
<v Speaker 1>had the infamous beat for master P at the beginning

0:04:28.000 --> 0:04:31.160
<v Speaker 1>of my career and the big, my big event, Man,

0:04:31.200 --> 0:04:33.520
<v Speaker 1>my coming out party was the Birthday Badge. It's kind

0:04:33.560 --> 0:04:36.520
<v Speaker 1>of like the Summer Jam up here down in Atlanta,

0:04:36.760 --> 0:04:39.279
<v Speaker 1>and uh, I was on the original bill. Man, this

0:04:39.360 --> 0:04:42.000
<v Speaker 1>one I was hot. This was my future, rich homing

0:04:42.080 --> 0:04:44.960
<v Speaker 1>quand days and everything. Man, master P being the big

0:04:45.000 --> 0:04:46.640
<v Speaker 1>dog in the game that he was, he ain't took

0:04:46.680 --> 0:04:50.479
<v Speaker 1>off the show. He replaced me, but he didn't know

0:04:50.520 --> 0:04:52.359
<v Speaker 1>that he couldn't replace me in a TL like they had.

0:04:52.400 --> 0:04:53.880
<v Speaker 1>The people was ready to see me. Man, this is

0:04:53.920 --> 0:04:55.880
<v Speaker 1>gonna be my first time coming out with that normal

0:04:55.920 --> 0:04:59.080
<v Speaker 1>playing ga. Man. Uh, they put P on the show,

0:04:59.080 --> 0:05:00.880
<v Speaker 1>and man, he had a long day out there. Man,

0:05:00.920 --> 0:05:05.960
<v Speaker 1>I'm talking about people. Man. It really wasn't even beef. Man.

0:05:05.960 --> 0:05:08.200
<v Speaker 1>I just came in, like with the song. Man, we

0:05:08.200 --> 0:05:10.159
<v Speaker 1>were just like we were going in anybody, everybody on

0:05:10.200 --> 0:05:12.320
<v Speaker 1>the top. Man, Yeah, I mean, and that's the strategy

0:05:12.360 --> 0:05:14.719
<v Speaker 1>a lot of people have used. Yeah after that, you know,

0:05:14.839 --> 0:05:18.160
<v Speaker 1>go whoever is the hottest right now? Yeah, that time

0:05:18.200 --> 0:05:20.080
<v Speaker 1>you was just trying to sell record. Man. Yeah, it

0:05:20.120 --> 0:05:22.240
<v Speaker 1>wasn't nothing like that. Man. I respect Pete. Man, he's

0:05:22.279 --> 0:05:24.040
<v Speaker 1>the best, you know what I mean. You can't really

0:05:24.040 --> 0:05:26.760
<v Speaker 1>even be jealous of somebody unless you flatter by, you

0:05:26.760 --> 0:05:29.039
<v Speaker 1>know what I mean. So even now, Man, if me

0:05:29.080 --> 0:05:31.120
<v Speaker 1>and P did a song to day then joined a goal.

0:05:31.200 --> 0:05:33.880
<v Speaker 1>You know what I mean, because everybody still knows the rivalry.

0:05:34.120 --> 0:05:36.560
<v Speaker 1>Good Mom ended up bringing me out on that concert. Man,

0:05:36.640 --> 0:05:39.640
<v Speaker 1>that they brought me out on stage. Man, it's atl.

0:05:39.680 --> 0:05:42.280
<v Speaker 1>We can't let nobody show us down. Come on out, Troy.

0:05:42.480 --> 0:05:47.960
<v Speaker 1>Twenty thirty thousand people went retarded black balls after that though. Nah,

0:05:48.040 --> 0:05:49.960
<v Speaker 1>everything's been great, every sense to him. You know what

0:05:50.000 --> 0:05:53.040
<v Speaker 1>I mean. He ain't no holding Nah, he ain't. Man,

0:05:53.279 --> 0:05:55.479
<v Speaker 1>I really ran across men see murder Man. I'm glad

0:05:55.520 --> 0:05:58.120
<v Speaker 1>we never really hurt each other. Man, I'm glad we

0:05:58.120 --> 0:06:00.599
<v Speaker 1>were able to catch up after everything. It kind of

0:06:00.600 --> 0:06:03.000
<v Speaker 1>smooth things out. But it's all cool. So you never

0:06:03.000 --> 0:06:05.279
<v Speaker 1>had a conversation with Man. We don't even chopped it up.

0:06:05.279 --> 0:06:08.400
<v Speaker 1>You know. He has signed on with Universal after that also,

0:06:08.720 --> 0:06:10.400
<v Speaker 1>but they just kind of kept us separate. That's when

0:06:10.400 --> 0:06:11.720
<v Speaker 1>I knew it was time for me to get back

0:06:11.760 --> 0:06:13.600
<v Speaker 1>independent and out of the building. You know what I mean.

0:06:13.800 --> 0:06:15.400
<v Speaker 1>He was running the building. Yeah, you know what I mean,

0:06:15.480 --> 0:06:17.400
<v Speaker 1>Let me get up out of him. Man, do my thing? Now?

0:06:17.440 --> 0:06:20.480
<v Speaker 1>That phone call was that a real phone call? No? Man, Yeah,

0:06:20.720 --> 0:06:23.919
<v Speaker 1>we just did. They sold us about join the downtown

0:06:23.960 --> 0:06:25.960
<v Speaker 1>jokes said We're ready, let's go to what man dog?

0:06:26.040 --> 0:06:27.960
<v Speaker 1>But us just sitting in the studio Tripp and doing

0:06:28.000 --> 0:06:30.159
<v Speaker 1>that joint. Whoever would have thought that we would have

0:06:30.240 --> 0:06:33.400
<v Speaker 1>not mastered p you know what I mean, from just

0:06:33.480 --> 0:06:35.480
<v Speaker 1>some brothers in the studio trying to get on man,

0:06:35.520 --> 0:06:37.200
<v Speaker 1>it's great. A lot of dudes that came out of me,

0:06:37.600 --> 0:06:40.000
<v Speaker 1>came at me. They probably got some phone calls at me.

0:06:40.080 --> 0:06:42.920
<v Speaker 1>But it just ain't working for him now while run

0:06:42.920 --> 0:06:44.960
<v Speaker 1>around the championship belt. Now, yeah, I caught what I

0:06:45.040 --> 0:06:50.600
<v Speaker 1>laid down at birthday bash that day, belt up boy

0:06:50.080 --> 0:06:54.200
<v Speaker 1>with him? No he did not, I had mine, I said. Yo.

0:06:55.560 --> 0:06:57.560
<v Speaker 1>He was like, all right, Troy, Yeah, I know it

0:06:57.920 --> 0:06:59.880
<v Speaker 1>all right. You know now you had you had a

0:07:00.160 --> 0:07:02.599
<v Speaker 1>before Little John too, which I didn't know because I

0:07:02.600 --> 0:07:04.840
<v Speaker 1>mean you appearing on a bunch of so much as music. Yeah. Man,

0:07:04.920 --> 0:07:06.320
<v Speaker 1>that's why I was mad with a Little John man,

0:07:06.360 --> 0:07:08.560
<v Speaker 1>because we was supposed to keep that pipeline going. I

0:07:08.680 --> 0:07:11.200
<v Speaker 1>love the majors to go independent, and I was just

0:07:11.240 --> 0:07:13.520
<v Speaker 1>gonna bank off of still doing the albums with the

0:07:13.560 --> 0:07:15.960
<v Speaker 1>guys who still had the major deal. Yeah, you know,

0:07:16.040 --> 0:07:18.760
<v Speaker 1>but it just didn't work out that way, you know,

0:07:18.800 --> 0:07:20.760
<v Speaker 1>And it's cool. You know, everybody grew up and learning

0:07:20.800 --> 0:07:22.800
<v Speaker 1>stuff like that. Man. I'm just glad my position with

0:07:22.920 --> 0:07:25.720
<v Speaker 1>the people always Moraine the same, y'all. Cool now John,

0:07:25.760 --> 0:07:28.120
<v Speaker 1>Yeah he's straight man. You know they got into the

0:07:28.240 --> 0:07:31.040
<v Speaker 1>d M and all that stuff, real hard man. Yeah, yeah, yeah, man,

0:07:31.080 --> 0:07:32.800
<v Speaker 1>So that's a new lay Man. I got to check

0:07:32.840 --> 0:07:34.640
<v Speaker 1>out see what's going on over there. I know, my

0:07:34.760 --> 0:07:36.600
<v Speaker 1>voice to fit in with what they got going. Yeah,

0:07:36.640 --> 0:07:38.400
<v Speaker 1>Walkers doing it too, man, what's up a little walk?

0:07:38.480 --> 0:07:40.480
<v Speaker 1>It was the beat for over though late, you know what, man.

0:07:41.120 --> 0:07:44.880
<v Speaker 1>I was talking to John explaining the same thing to him. Look, man,

0:07:45.120 --> 0:07:46.920
<v Speaker 1>that was a drastic move for me to you leave

0:07:47.040 --> 0:07:49.440
<v Speaker 1>Universal at that time, man, and go back independence. So

0:07:49.640 --> 0:07:52.640
<v Speaker 1>I was still gonna keep my presence by these records

0:07:52.640 --> 0:07:55.200
<v Speaker 1>with are just like him. So I'm talking to John.

0:07:55.360 --> 0:07:57.160
<v Speaker 1>He telling me, Troy, look, I gotta get you back

0:07:57.160 --> 0:07:59.200
<v Speaker 1>on this next album, man, when we get back to

0:07:59.200 --> 0:08:02.640
<v Speaker 1>the ATL I gotta get your verse, all right, cool man.

0:08:02.680 --> 0:08:05.120
<v Speaker 1>I talked to Steve Gottlie but at the time the

0:08:05.120 --> 0:08:07.960
<v Speaker 1>prisident at the time of TVT, he was like, yeah, man,

0:08:08.040 --> 0:08:09.840
<v Speaker 1>John just turned his album. Man. Man, I was like,

0:08:09.840 --> 0:08:13.000
<v Speaker 1>where's Troy. I'm like he just turned to his album. Man,

0:08:13.120 --> 0:08:15.600
<v Speaker 1>we're supposed to be recording this week, you know what

0:08:15.600 --> 0:08:17.640
<v Speaker 1>I mean. But that's how the game goes. You know,

0:08:17.680 --> 0:08:19.360
<v Speaker 1>I understand how the game goes. Now, I'd be a

0:08:19.360 --> 0:08:21.360
<v Speaker 1>whole bunch of Hey man, I'm gonna call you next week.

0:08:21.440 --> 0:08:23.600
<v Speaker 1>You know, I get it now. Then it was more

0:08:23.880 --> 0:08:27.920
<v Speaker 1>to the heart, but now I do it to people think.

0:08:28.000 --> 0:08:30.080
<v Speaker 1>You think it was because like that whole crunk movement

0:08:30.120 --> 0:08:33.960
<v Speaker 1>that past You know what, man, it was the crunk man.

0:08:34.000 --> 0:08:36.880
<v Speaker 1>You know what, I was a problem down there with

0:08:36.960 --> 0:08:39.160
<v Speaker 1>that whole that whole thing. Man. I was the one

0:08:39.200 --> 0:08:41.360
<v Speaker 1>that they kind of didn't want to be next to

0:08:41.600 --> 0:08:43.800
<v Speaker 1>when that stuff was going on. Man, because its pastoral Troy.

0:08:43.880 --> 0:08:45.559
<v Speaker 1>I was kind of up here and those guys were

0:08:45.800 --> 0:08:48.400
<v Speaker 1>a little bit behind me with that. So like, man,

0:08:48.520 --> 0:08:50.640
<v Speaker 1>come on, throw it Up. It's crazy that record is. Man,

0:08:50.679 --> 0:08:52.960
<v Speaker 1>we don't have any video classic to this day. We

0:08:53.000 --> 0:08:56.040
<v Speaker 1>didn't do a video for Throw It Up. Come Home, man,

0:08:56.360 --> 0:08:57.800
<v Speaker 1>You know what I mean. That's the kind of stuff

0:08:57.920 --> 0:09:00.320
<v Speaker 1>that frustrated me. You know what I mean, you gotta

0:09:00.360 --> 0:09:01.920
<v Speaker 1>address some stuff like that. Man, we ain't got no

0:09:02.040 --> 0:09:03.840
<v Speaker 1>video for Throw It Up. I listen, man, that's my

0:09:04.120 --> 0:09:06.000
<v Speaker 1>I'm I like crunk music because I like when I

0:09:06.000 --> 0:09:08.960
<v Speaker 1>work out. I listened to Get You Going. I listened

0:09:09.000 --> 0:09:10.640
<v Speaker 1>to throw it Up three or four times a week,

0:09:10.800 --> 0:09:12.960
<v Speaker 1>right now, get you going? That's good man, that's the

0:09:13.080 --> 0:09:15.360
<v Speaker 1>n man for those songs to still stick like that. Man,

0:09:15.480 --> 0:09:18.480
<v Speaker 1>like man, my my show set man hitting them with

0:09:18.679 --> 0:09:20.600
<v Speaker 1>coming out and throw it up, following it up with

0:09:20.720 --> 0:09:23.480
<v Speaker 1>vice versa, come back with are we cutting? Ending it

0:09:23.520 --> 0:09:26.160
<v Speaker 1>with normal playing Ga, you gotta have your show to

0:09:26.200 --> 0:09:29.360
<v Speaker 1>come out to pt man. You think that, you know,

0:09:29.400 --> 0:09:31.199
<v Speaker 1>as as an artist that made those kind of records,

0:09:31.200 --> 0:09:33.240
<v Speaker 1>when you get older, you can still perform them. I

0:09:33.280 --> 0:09:38.439
<v Speaker 1>don't know how I'm gonna perform. Hey, man, I feel

0:09:38.440 --> 0:09:42.240
<v Speaker 1>like Frankie Beverly. Now that's what I Man. You know

0:09:42.280 --> 0:09:44.280
<v Speaker 1>I didn't really got to make a whole lot of music. Man,

0:09:44.360 --> 0:09:47.679
<v Speaker 1>my show set man dog after them twenty thirty minutes. Man,

0:09:47.720 --> 0:09:52.040
<v Speaker 1>I'm about to die. It's all good with it. Hard

0:09:52.040 --> 0:09:53.600
<v Speaker 1>of you to adjust to the new sounds coming out

0:09:53.600 --> 0:09:55.679
<v Speaker 1>of atl because you came up in the crunk a man.

0:09:57.120 --> 0:09:59.280
<v Speaker 1>What's really so surprising about it? Man, it is that

0:09:59.600 --> 0:10:03.640
<v Speaker 1>if really going back to that same old violence crunk,

0:10:04.559 --> 0:10:06.280
<v Speaker 1>you know, the jumping around and stuff like that, the

0:10:06.360 --> 0:10:08.960
<v Speaker 1>og makos and the stuff like that. Man, all that

0:10:09.000 --> 0:10:10.840
<v Speaker 1>Holland and stuff. Man, I've been doing that for fifteen

0:10:10.920 --> 0:10:13.040
<v Speaker 1>years now, you know what I mean, the heavy bass,

0:10:13.440 --> 0:10:16.719
<v Speaker 1>the gunshots in the music, Man, that's old pt. What's

0:10:16.720 --> 0:10:19.320
<v Speaker 1>the difference of Atlanta now posted when you was running

0:10:19.320 --> 0:10:21.720
<v Speaker 1>through Atlanta crazy when your records was on fire? Man.

0:10:21.800 --> 0:10:27.040
<v Speaker 1>The difference in Atlanta now is that it wasn't the

0:10:27.080 --> 0:10:29.760
<v Speaker 1>struggle that it was when I was trying to get on. Man,

0:10:29.800 --> 0:10:32.319
<v Speaker 1>come on, I was up here performing at the tunnel

0:10:32.360 --> 0:10:35.719
<v Speaker 1>and stuff like that, begging flexing them to play a

0:10:35.840 --> 0:10:38.080
<v Speaker 1>Pastor Troy record. Man, probably be the only song that

0:10:38.120 --> 0:10:40.760
<v Speaker 1>they played the whole night, that one South record. We're

0:10:40.760 --> 0:10:42.760
<v Speaker 1>gonna play one South record of the night, and that's it,

0:10:43.200 --> 0:10:46.680
<v Speaker 1>you know. And just to come up here now, just

0:10:46.840 --> 0:10:49.520
<v Speaker 1>even as I just saw people bouncing around the office

0:10:49.600 --> 0:10:52.800
<v Speaker 1>up here, Man, they're singing rich hommey Kuan just humming

0:10:52.800 --> 0:10:55.200
<v Speaker 1>it man, just to see host and change, man, you

0:10:55.200 --> 0:10:57.040
<v Speaker 1>know what I mean. I don't really think that they

0:10:57.120 --> 0:10:59.719
<v Speaker 1>really know what it really took to it to get

0:10:59.760 --> 0:11:01.320
<v Speaker 1>to that point where he said, Man, there was some

0:11:01.400 --> 0:11:08.280
<v Speaker 1>real sacrifices going on. Always the fashion has definitely changed,

0:11:08.760 --> 0:11:12.680
<v Speaker 1>you know, but those things, it's a crazy man. I

0:11:12.720 --> 0:11:14.920
<v Speaker 1>was just talking about my responsibility with rapping man and

0:11:15.040 --> 0:11:17.040
<v Speaker 1>just looking at the music that's coming out of the Atlanta.

0:11:17.120 --> 0:11:19.360
<v Speaker 1>Some of those guys never had They never really had

0:11:19.360 --> 0:11:21.880
<v Speaker 1>a responsibility in their music, man, you know what I mean,

0:11:21.920 --> 0:11:24.800
<v Speaker 1>So you can't expect them to make some responsible music,

0:11:24.960 --> 0:11:26.760
<v Speaker 1>you know, kind of referring back to the Og Mako

0:11:26.880 --> 0:11:30.040
<v Speaker 1>and the Future thing. Og was like, you know, saying

0:11:30.080 --> 0:11:32.760
<v Speaker 1>whatever he had to say, He's not he doesn't make

0:11:32.800 --> 0:11:35.000
<v Speaker 1>that kind of music, so you can't expect nothing more

0:11:35.080 --> 0:11:37.000
<v Speaker 1>from him, man, you know what I mean. So it

0:11:37.160 --> 0:11:39.280
<v Speaker 1>seems real special. Man. I'm glad I got in when

0:11:39.280 --> 0:11:43.120
<v Speaker 1>I got in. Man, they have to respect future. What

0:11:43.120 --> 0:11:44.160
<v Speaker 1>do you think about some of the artists. What do

0:11:44.200 --> 0:11:46.640
<v Speaker 1>you think of Future now? Man? I'm really loving Future

0:11:46.679 --> 0:11:48.880
<v Speaker 1>campaign man because I hadn't seen them come up. Man.

0:11:48.880 --> 0:11:50.720
<v Speaker 1>He'd been at this thing a long time too, you

0:11:50.720 --> 0:11:52.959
<v Speaker 1>know what I mean. People probably just see him the

0:11:53.040 --> 0:11:55.360
<v Speaker 1>last four or five years, but man, Future Man grinding

0:11:55.600 --> 0:11:58.320
<v Speaker 1>ten years plus, you know. Yeah. Man, So to see

0:11:58.320 --> 0:12:01.040
<v Speaker 1>those guys kind of get the shine o, Man, I

0:12:01.080 --> 0:12:02.679
<v Speaker 1>love it, you know what I mean? Guys, like that, man,

0:12:02.720 --> 0:12:05.720
<v Speaker 1>because they still him him, are just like him walk

0:12:05.800 --> 0:12:08.080
<v Speaker 1>or stuff like that. Man, we really still kick it

0:12:08.280 --> 0:12:10.640
<v Speaker 1>a lot of those guys in atl Man, I'm still

0:12:10.679 --> 0:12:12.520
<v Speaker 1>a threat too. So you don't hear us on a

0:12:12.520 --> 0:12:14.360
<v Speaker 1>lot of records and stuff like that. Man, And I

0:12:14.400 --> 0:12:16.360
<v Speaker 1>get it. It's cool, but y'all don't woke up a

0:12:16.400 --> 0:12:18.480
<v Speaker 1>sleeping giant. Did they come to you for advice? Like

0:12:18.520 --> 0:12:20.160
<v Speaker 1>who would come to you and say, listen, can we

0:12:20.240 --> 0:12:23.440
<v Speaker 1>chop it up? And you know what, bank Roll Fresh

0:12:23.520 --> 0:12:25.360
<v Speaker 1>was one of the little artists. Man's been coming to me,

0:12:25.400 --> 0:12:27.000
<v Speaker 1>you know, howling at me, reaching out to me. Man,

0:12:27.120 --> 0:12:29.680
<v Speaker 1>paying a lot of homage to me. Man, I'm the

0:12:29.760 --> 0:12:31.840
<v Speaker 1>one that's running around getting that vice from artists like

0:12:31.880 --> 0:12:33.880
<v Speaker 1>eight Bolling, m J G and the stuff like that. Man.

0:12:33.920 --> 0:12:35.800
<v Speaker 1>Those guys come out and hang out at my studio. Man,

0:12:35.880 --> 0:12:38.760
<v Speaker 1>just seeing them sitting in my living room in my studio, Man,

0:12:39.280 --> 0:12:41.720
<v Speaker 1>where I listened to these guys and my head said,

0:12:41.880 --> 0:12:44.360
<v Speaker 1>it just makes me feel like I did it all right, Man,

0:12:44.400 --> 0:12:46.800
<v Speaker 1>maybe feel like a million dollars. It said that what

0:12:46.800 --> 0:12:48.760
<v Speaker 1>you said about the og maker on Future Things. People

0:12:48.760 --> 0:12:51.520
<v Speaker 1>getting flak for talking about drugs, But I mean y'all

0:12:51.600 --> 0:12:54.960
<v Speaker 1>era was straight violence. Yeah yeah, get guns, stomp you

0:12:54.960 --> 0:12:57.319
<v Speaker 1>at the club. Yeah. Man, it was totally different, man,

0:12:57.360 --> 0:13:00.480
<v Speaker 1>But I think it was more from a different place. Man.

0:13:00.520 --> 0:13:02.559
<v Speaker 1>I think it was more from a different place. People

0:13:02.600 --> 0:13:05.520
<v Speaker 1>were enjoying the energy, man, you know what I mean,

0:13:05.640 --> 0:13:07.320
<v Speaker 1>enjoying the energy. It was a lot of fights and

0:13:07.320 --> 0:13:09.960
<v Speaker 1>a lot of violence that came with it, but it wasn't.

0:13:10.559 --> 0:13:14.800
<v Speaker 1>My thing was being able to separate myself from the two.

0:13:15.000 --> 0:13:17.319
<v Speaker 1>All Right. Pastor Troy does this kind of music. He

0:13:17.400 --> 0:13:19.600
<v Speaker 1>rasps about this and everything. But me, Michael Troy, Look,

0:13:19.600 --> 0:13:21.080
<v Speaker 1>I ain't gonna tell you to do none of that

0:13:21.080 --> 0:13:23.280
<v Speaker 1>stuff that Pastor Troy doing. Pastor Troy gonna get in

0:13:23.280 --> 0:13:25.760
<v Speaker 1>no trouble for that. Michael Troy is gonna get in trouble.

0:13:25.800 --> 0:13:27.440
<v Speaker 1>Like you're gonna get in trouble if you do it too,

0:13:27.800 --> 0:13:31.880
<v Speaker 1>you know what I mean. Man. I just performed for

0:13:32.000 --> 0:13:37.120
<v Speaker 1>my parents, man, thanksgiving them last year. Last year. Man,

0:13:37.640 --> 0:13:39.439
<v Speaker 1>it was the only one that was safe for him

0:13:39.440 --> 0:13:42.840
<v Speaker 1>to come. We did something in Atlanta, Man. I performed

0:13:42.840 --> 0:13:44.800
<v Speaker 1>down there were like a live band, like a Pastor

0:13:44.840 --> 0:13:47.360
<v Speaker 1>Troy unplug and man, it felt so good to do, man,

0:13:47.400 --> 0:13:50.560
<v Speaker 1>because they know every weekend. Man. For fifteen years, every weekend,

0:13:50.600 --> 0:13:53.360
<v Speaker 1>I've been on the road doing this right, and it

0:13:53.440 --> 0:13:55.320
<v Speaker 1>was just felt good to setting them down and just

0:13:55.400 --> 0:13:57.720
<v Speaker 1>let them see what I do. You know what I mean.

0:13:58.000 --> 0:14:01.400
<v Speaker 1>They enjoyed it many my mom and she's all the

0:14:01.440 --> 0:14:03.360
<v Speaker 1>way down with it. Man. She represents you know what

0:14:03.440 --> 0:14:05.720
<v Speaker 1>I mean. She got all those jams on her phone.

0:14:05.760 --> 0:14:08.760
<v Speaker 1>When I call a vice versa, she might answer the phone, Yeah,

0:14:08.920 --> 0:14:11.160
<v Speaker 1>you know what I mean. So it's dope, man, it's dope.

0:14:11.200 --> 0:14:12.360
<v Speaker 1>I want you to touch on what you was talking

0:14:12.360 --> 0:14:14.720
<v Speaker 1>about earlier. He said that the struggle that down South

0:14:14.800 --> 0:14:16.319
<v Speaker 1>artists had to go through with New York gardens and

0:14:16.600 --> 0:14:19.000
<v Speaker 1>the outcast got booted the soldier. Oh yeah, man, you know,

0:14:19.360 --> 0:14:21.360
<v Speaker 1>they just wasn't giving us the time of day. And

0:14:21.400 --> 0:14:23.640
<v Speaker 1>I understand why. Man. It was like, man, the booty

0:14:23.720 --> 0:14:26.640
<v Speaker 1>shaking music was going on. Man, they ain't rapping about nothing.

0:14:26.640 --> 0:14:29.040
<v Speaker 1>They don't really whole bunch of substance. Then we started

0:14:29.040 --> 0:14:30.720
<v Speaker 1>coming with something. I know that I'm one of those

0:14:30.760 --> 0:14:33.600
<v Speaker 1>defining artists that made artists from people from New York

0:14:33.560 --> 0:14:35.680
<v Speaker 1>telling me all the time, Troy, you one of the

0:14:35.720 --> 0:14:38.400
<v Speaker 1>first ones down South that made me say, all right, man,

0:14:38.400 --> 0:14:39.920
<v Speaker 1>we got to see what they talking about. They might

0:14:39.920 --> 0:14:43.760
<v Speaker 1>be doing something down there, and I love that, man,

0:14:43.800 --> 0:14:45.120
<v Speaker 1>you know what I mean. I doubt that would have

0:14:45.120 --> 0:14:48.080
<v Speaker 1>happened without me taking that step and sign them with Universal.

0:14:48.120 --> 0:14:50.440
<v Speaker 1>When I did, Man, it just let me open it

0:14:50.520 --> 0:14:53.720
<v Speaker 1>up a little bit. But Man, Nori and just everybody

0:14:54.200 --> 0:14:56.760
<v Speaker 1>read Man. Just so many people from New York just

0:14:56.760 --> 0:14:58.840
<v Speaker 1>started showing me love. Man. They just love the energy.

0:14:58.880 --> 0:15:01.360
<v Speaker 1>It was just so different. And now you come down

0:15:01.360 --> 0:15:03.640
<v Speaker 1>to atl Man, and it's just popping. Man, I'm talking

0:15:03.680 --> 0:15:05.480
<v Speaker 1>ab I got so many homeboards from New York to

0:15:05.520 --> 0:15:07.920
<v Speaker 1>live in Atlanta. Now. Man, I'm just glad that the

0:15:08.200 --> 0:15:10.400
<v Speaker 1>Civil War kind of ended, you know what I mean.

0:15:11.080 --> 0:15:12.760
<v Speaker 1>Even when you talk about the DM thing, you kind

0:15:12.760 --> 0:15:15.200
<v Speaker 1>of experimented it a little bit when you did like

0:15:15.200 --> 0:15:18.960
<v Speaker 1>the cutting. Yeah, Man, it was cool. Man. Man, I

0:15:19.040 --> 0:15:24.160
<v Speaker 1>probably for form are we cutting five six times? To date? Man,

0:15:24.200 --> 0:15:26.680
<v Speaker 1>that album came out. It just ain't fit with the

0:15:26.720 --> 0:15:28.680
<v Speaker 1>rest of the Patrick Troy stuff. Man, come on, these

0:15:28.680 --> 0:15:30.880
<v Speaker 1>fools like, Man, we don't want to you know, we cut,

0:15:30.960 --> 0:15:33.240
<v Speaker 1>We want to hear kill somebody, you know what I mean.

0:15:33.240 --> 0:15:35.400
<v Speaker 1>It just ain't fit into my playlist. So I love

0:15:35.440 --> 0:15:37.520
<v Speaker 1>the record. Did great at radio and stuff like that,

0:15:37.600 --> 0:15:40.280
<v Speaker 1>but it just ain't fit in well with vice versa

0:15:40.320 --> 0:15:42.080
<v Speaker 1>and no more play. We got the label telling you

0:15:42.120 --> 0:15:44.240
<v Speaker 1>to do those of course, man, of course, and it

0:15:44.320 --> 0:15:46.880
<v Speaker 1>was cool. I just appreciate it for what it was, man,

0:15:46.960 --> 0:15:48.240
<v Speaker 1>you know what I mean. Who can say that they

0:15:48.240 --> 0:15:52.400
<v Speaker 1>had a single on a blockbuster movie like that? Man?

0:15:52.480 --> 0:15:54.200
<v Speaker 1>You know what I mean? Had a single for the soundtrack,

0:15:54.280 --> 0:15:57.200
<v Speaker 1>So it was cool. Half a million dollars video shoots

0:15:57.200 --> 0:15:58.680
<v Speaker 1>and stuff like that. Man, A lot of people ain't

0:15:58.680 --> 0:16:01.240
<v Speaker 1>gonna be able to experience that, especially now you know

0:16:01.280 --> 0:16:05.440
<v Speaker 1>what videos. You know, it's crazy because don't seem like

0:16:05.480 --> 0:16:09.080
<v Speaker 1>it was that long ago. Yeah man, that's gonna buy. Yeah. No.

0:16:09.200 --> 0:16:11.880
<v Speaker 1>In the Wikipedia it says you the world's biggest scam artists.

0:16:11.920 --> 0:16:15.480
<v Speaker 1>What the hell? I don't know. I looked back one up.

0:16:15.560 --> 0:16:19.760
<v Speaker 1>Yet that's a trip, hey man, Independent artists, Man, they understand.

0:16:19.760 --> 0:16:22.120
<v Speaker 1>We're juggling out here. Baby, you better be ready, Jack.

0:16:22.400 --> 0:16:24.000
<v Speaker 1>I remember there was a story about a woman that

0:16:24.080 --> 0:16:26.760
<v Speaker 1>said you scammed her and all this stuff. You she

0:16:27.160 --> 0:16:29.720
<v Speaker 1>took out all these loans for you. Yeah, man, she strike.

0:16:29.920 --> 0:16:32.160
<v Speaker 1>We're still kicking in yellow now, you know, it'd be

0:16:32.160 --> 0:16:34.560
<v Speaker 1>those those hot days. Man, you do things that you

0:16:34.720 --> 0:16:36.840
<v Speaker 1>wish you can take back down, but they don't understand

0:16:36.840 --> 0:16:38.360
<v Speaker 1>how to end of that game go, you know, just

0:16:38.400 --> 0:16:40.840
<v Speaker 1>stull people put up by the frustration. It ain't done.

0:16:41.440 --> 0:16:44.320
<v Speaker 1>Now you've said that, people still feel threatened by you.

0:16:44.360 --> 0:16:46.640
<v Speaker 1>Other artists and having done songs to you, are they

0:16:46.640 --> 0:16:48.440
<v Speaker 1>people you've reached out to that you wanted to work

0:16:48.440 --> 0:16:51.400
<v Speaker 1>with And I ain't reached out to nobody. People reached

0:16:51.440 --> 0:16:53.600
<v Speaker 1>out to me. We did the songs, and that sounds

0:16:53.600 --> 0:16:56.240
<v Speaker 1>so dope on they still ain't using the songs, you

0:16:56.280 --> 0:16:58.320
<v Speaker 1>know what I mean. Some of the biggest records they

0:16:58.360 --> 0:17:01.640
<v Speaker 1>that took you over, not really the biggest fuckers they

0:17:01.640 --> 0:17:04.639
<v Speaker 1>took off or you probably ain't even Yeah, you know

0:17:04.640 --> 0:17:07.120
<v Speaker 1>what I mean? Yeah, man, that's cool. Though. I love

0:17:07.160 --> 0:17:10.320
<v Speaker 1>the competition man, because they boys know he ain't going nowhere.

0:17:10.320 --> 0:17:12.280
<v Speaker 1>He gonna have that belt, he gonna have that helm,

0:17:12.320 --> 0:17:14.879
<v Speaker 1>and if he had a show with me, please let

0:17:14.960 --> 0:17:16.879
<v Speaker 1>me be going before him. Well with some of the

0:17:16.920 --> 0:17:19.359
<v Speaker 1>issues like they wasn't because ye went against and it

0:17:19.440 --> 0:17:21.960
<v Speaker 1>was right, It wasn't even it wasn't even really like

0:17:22.080 --> 0:17:25.600
<v Speaker 1>that kill him on their own tracks. I'm talking about

0:17:25.640 --> 0:17:27.560
<v Speaker 1>D D. Tim on their own tracks. Come on, man,

0:17:27.760 --> 0:17:30.000
<v Speaker 1>check out my feature of resume. Man, you know what

0:17:30.000 --> 0:17:36.040
<v Speaker 1>I mean. Man, ain't nobody ever drowned me. That's what

0:17:36.080 --> 0:17:38.720
<v Speaker 1>it should do. But man, it made people now say, no,

0:17:38.880 --> 0:17:40.439
<v Speaker 1>I don't want them next to me, you know what

0:17:40.440 --> 0:17:42.560
<v Speaker 1>I mean? And that's crazy. Man. They ain't how I

0:17:42.600 --> 0:17:44.280
<v Speaker 1>came up in the game. If I knew it was

0:17:44.320 --> 0:17:46.040
<v Speaker 1>gonna be like that, I wanted to did them songs

0:17:46.040 --> 0:17:48.560
<v Speaker 1>with y'all. I'm on everybody first album that came out

0:17:48.600 --> 0:17:50.760
<v Speaker 1>of Atlanta. If you popped and you came out of Atlanta,

0:17:51.040 --> 0:17:52.960
<v Speaker 1>you had to come and get a song from Pastor

0:17:53.040 --> 0:17:55.040
<v Speaker 1>Troy on that first album. Man. But they didn't return

0:17:55.080 --> 0:17:57.080
<v Speaker 1>to favor. They don't even return the favor. They ain't

0:17:57.080 --> 0:17:59.080
<v Speaker 1>return the favor, you know. Man, Come on, man, we

0:17:59.119 --> 0:18:01.080
<v Speaker 1>had just knocked off You don't think we could have

0:18:01.160 --> 0:18:03.480
<v Speaker 1>knocked off any and everything trying to come up on

0:18:03.520 --> 0:18:06.200
<v Speaker 1>that leveel. That just one approach I took. Man. We

0:18:06.359 --> 0:18:07.960
<v Speaker 1>tried to go up and get into New York. And

0:18:08.000 --> 0:18:09.720
<v Speaker 1>I'm one artist. Man. We need some more art. We

0:18:09.720 --> 0:18:12.840
<v Speaker 1>need allies in here. After we built up the allies,

0:18:13.280 --> 0:18:15.320
<v Speaker 1>I don't feel like I got it back, you know,

0:18:15.359 --> 0:18:18.119
<v Speaker 1>what I mean. I know you can see it that

0:18:18.280 --> 0:18:21.720
<v Speaker 1>Nori were ready remix happened crazy, man, Just Nori caught

0:18:21.760 --> 0:18:23.440
<v Speaker 1>me at a concert. Man. We were like in North

0:18:23.440 --> 0:18:25.000
<v Speaker 1>Carolina or something like that. Man, it was like the

0:18:25.080 --> 0:18:26.840
<v Speaker 1>rough ride of the tour. They had threw me on

0:18:26.880 --> 0:18:28.639
<v Speaker 1>that joint. Man, and he saw how crazy they was.

0:18:28.640 --> 0:18:31.159
<v Speaker 1>Asking down now. He was like, yo, I need to

0:18:31.160 --> 0:18:33.639
<v Speaker 1>be on that remix. I was like, you want to

0:18:33.640 --> 0:18:36.520
<v Speaker 1>get on no more playing GA? Yeah, Man, I'm with it.

0:18:36.760 --> 0:18:39.280
<v Speaker 1>I don't need nothing fun me let's go. I was like, man,

0:18:39.320 --> 0:18:41.199
<v Speaker 1>that's dope because that was my first time. You know,

0:18:41.320 --> 0:18:44.960
<v Speaker 1>that's when I started seeing that it was it was sticking,

0:18:45.200 --> 0:18:47.000
<v Speaker 1>you know what I mean that it's sticking. What man,

0:18:47.119 --> 0:18:49.800
<v Speaker 1>we're spreading up out of Georgia. No more playing GA.

0:18:49.880 --> 0:18:54.440
<v Speaker 1>We're in North Carolina, were in Va La DC. Man,

0:18:54.560 --> 0:18:57.440
<v Speaker 1>DC is probably one of mine still top markets now. Man,

0:18:57.480 --> 0:19:00.639
<v Speaker 1>they just love a kind of music. Was he was

0:19:00.640 --> 0:19:03.760
<v Speaker 1>on Jude j Allick Show twice. Yeah, fulfilling the show

0:19:03.800 --> 0:19:07.040
<v Speaker 1>up for a show that about man. Judge Jallack is

0:19:07.200 --> 0:19:09.399
<v Speaker 1>real cool. Man, that's my homie, man dog. When they

0:19:09.440 --> 0:19:11.320
<v Speaker 1>were doing that stuff, Man, it was kind of really Uh,

0:19:12.560 --> 0:19:15.880
<v Speaker 1>it was all I'm looking at the national promotion. I'm independent, man,

0:19:15.920 --> 0:19:18.040
<v Speaker 1>you can't beat that kind of national promo. Man. Some

0:19:18.160 --> 0:19:19.800
<v Speaker 1>of little shows that they were talking about. Man, you

0:19:19.840 --> 0:19:21.280
<v Speaker 1>know when you do those little shows like that, they

0:19:21.320 --> 0:19:23.920
<v Speaker 1>pick up whatever descriptancies it is or whatever I need

0:19:23.920 --> 0:19:26.320
<v Speaker 1>the TV time, the whole love and guard. Then talk

0:19:26.320 --> 0:19:28.800
<v Speaker 1>about this movie we was Homeboys and all that stuff. Man,

0:19:28.880 --> 0:19:32.120
<v Speaker 1>So that one of the shows that I missed was real,

0:19:32.600 --> 0:19:35.399
<v Speaker 1>was real Homeboy had a show man like I had

0:19:35.440 --> 0:19:37.479
<v Speaker 1>problems in Augusta, Georgia. Man, You know what I mean.

0:19:37.720 --> 0:19:40.280
<v Speaker 1>It's hard in your hometown. A lot of people die

0:19:40.320 --> 0:19:42.520
<v Speaker 1>in their hometown. Rest and piece to change. Don't be

0:19:42.880 --> 0:19:44.720
<v Speaker 1>all those people like that. Man, It's real hard where

0:19:44.720 --> 0:19:46.879
<v Speaker 1>you come from. People don't get it. And HOMEBA just

0:19:46.960 --> 0:19:49.639
<v Speaker 1>had a show book in one area, but it was

0:19:49.720 --> 0:19:53.000
<v Speaker 1>on the same radio frequency as Augustus. Man. These boys

0:19:53.040 --> 0:19:55.480
<v Speaker 1>can hear this, man, These boys can ride thirty minutes

0:19:55.520 --> 0:19:56.720
<v Speaker 1>down the street. You know what I mean. I just

0:19:56.760 --> 0:19:58.560
<v Speaker 1>didn't feel good about that show. You know what I mean?

0:19:59.640 --> 0:20:01.320
<v Speaker 1>One thing number one man, you know what I mean.

0:20:01.440 --> 0:20:03.760
<v Speaker 1>So damn what you're talking about. You're gonna miss out

0:20:03.800 --> 0:20:06.000
<v Speaker 1>on what my family's gonna miss on of I don't

0:20:06.040 --> 0:20:09.600
<v Speaker 1>make it back home so like that smart problems like

0:20:09.640 --> 0:20:13.040
<v Speaker 1>that or no, man, dog, I didn't kept it so smooth.

0:20:14.280 --> 0:20:17.800
<v Speaker 1>I know that if Augusta is the only place I have,

0:20:18.040 --> 0:20:19.960
<v Speaker 1>I mean, it's not the whole city of Augusta. It's

0:20:20.000 --> 0:20:21.880
<v Speaker 1>just those couple of people. Man. You just can't put

0:20:21.920 --> 0:20:24.320
<v Speaker 1>yourself in them situations. Man, why would I go down

0:20:24.440 --> 0:20:26.440
<v Speaker 1>here with these foods shooting back and forth? And I

0:20:26.520 --> 0:20:28.399
<v Speaker 1>can go and enjoy this beautiful world with all this

0:20:28.520 --> 0:20:30.680
<v Speaker 1>piece of hand, right, I ain't just ain't gonna gold,

0:20:31.000 --> 0:20:32.240
<v Speaker 1>you know what I mean. You ain't pick up the

0:20:32.240 --> 0:20:33.720
<v Speaker 1>phone and try to call anybody like hey man, let's

0:20:33.720 --> 0:20:36.879
<v Speaker 1>look man, dog. Now the legend is so big with it, man,

0:20:36.920 --> 0:20:39.760
<v Speaker 1>it ain't nobody to even call these now. It's the

0:20:39.920 --> 0:20:42.440
<v Speaker 1>one down to a little bjans and babies and stuff. Man,

0:20:42.520 --> 0:20:45.280
<v Speaker 1>they're telling me, I gotta what it's called no flies

0:20:45.359 --> 0:20:47.040
<v Speaker 1>on and stuff. I'm in the city. They're telling me,

0:20:47.080 --> 0:20:48.760
<v Speaker 1>I got a no flies one. I was like, yeah,

0:20:48.800 --> 0:20:52.920
<v Speaker 1>it's rough out here. I'm here with a no flies one.

0:20:53.240 --> 0:20:56.000
<v Speaker 1>I said, yeah, it's rough. So much love to Augusta, man,

0:20:56.040 --> 0:20:57.680
<v Speaker 1>you know, I take pride in it just from being

0:20:58.320 --> 0:21:00.640
<v Speaker 1>where I made my start from but I was from Atlanta.

0:21:00.880 --> 0:21:02.639
<v Speaker 1>That's why I took all the pride in Georgia. Man,

0:21:02.680 --> 0:21:05.760
<v Speaker 1>I didn't come with the just atl atl I put

0:21:05.840 --> 0:21:08.960
<v Speaker 1>the attention on the state as opposed to just the city.

0:21:09.160 --> 0:21:10.840
<v Speaker 1>You know what I mean. Augusta mean a lot to me.

0:21:11.240 --> 0:21:15.320
<v Speaker 1>Atlanta had outcast goodie mob Master p all those you know,

0:21:15.440 --> 0:21:17.840
<v Speaker 1>his presence was real strong in Atlanta. But Augusta, two

0:21:17.880 --> 0:21:20.840
<v Speaker 1>hours down the road, they didn't have anybody. So I

0:21:20.960 --> 0:21:22.960
<v Speaker 1>took a lot of my Atlanta game and just applied

0:21:23.000 --> 0:21:25.920
<v Speaker 1>it down there in Augusta and took my game back

0:21:26.000 --> 0:21:28.040
<v Speaker 1>up the road to Atlanta. Now I'm in the game

0:21:28.080 --> 0:21:30.199
<v Speaker 1>with something I couldn't accomplish straight up right there from

0:21:30.240 --> 0:21:31.639
<v Speaker 1>the city. You know what I mean. You did a

0:21:31.680 --> 0:21:34.080
<v Speaker 1>lot of that in South Carolina to South Carolina, Man,

0:21:34.160 --> 0:21:36.439
<v Speaker 1>Columbia forty eight Man those boys and forty eight Man

0:21:36.520 --> 0:21:39.479
<v Speaker 1>Bluff Road. Those boys my first show that I did

0:21:39.560 --> 0:21:42.480
<v Speaker 1>in Columbia, Man in ninety eight, ninety nine, those boys

0:21:42.560 --> 0:21:44.639
<v Speaker 1>at my last show I did in Columbia last weekend,

0:21:44.920 --> 0:21:46.600
<v Speaker 1>you know what I mean? And that's just real dope, man.

0:21:46.680 --> 0:21:49.399
<v Speaker 1>I just they just really became like family to me. Man,

0:21:49.480 --> 0:21:54.840
<v Speaker 1>across the southeast man from Georgia, South Carolina, Alabama, Tennessee, Florida.

0:21:55.040 --> 0:21:57.920
<v Speaker 1>I do so well down south and get so much

0:21:58.040 --> 0:22:00.040
<v Speaker 1>love down south that I really don't have to do

0:22:00.119 --> 0:22:02.320
<v Speaker 1>a lot of stretching. Man. I'm booked up every weekend

0:22:02.440 --> 0:22:04.240
<v Speaker 1>running around. See. Did you see we don't have to

0:22:04.320 --> 0:22:08.040
<v Speaker 1>do club concert venues like they might necessarily have to

0:22:08.080 --> 0:22:11.200
<v Speaker 1>do up here. Man. It's just enough clubs to go Thursday, Friday,

0:22:11.240 --> 0:22:13.080
<v Speaker 1>Saturday night, man, and we get it on down there.

0:22:13.160 --> 0:22:15.280
<v Speaker 1>Did you ever really have a double wire trailer in Columbia?

0:22:15.359 --> 0:22:22.400
<v Speaker 1>Somebody told it was just an RV trailer forty eight? Yeah. Man,

0:22:22.400 --> 0:22:24.119
<v Speaker 1>I just come out there on the RV and spread

0:22:24.160 --> 0:22:25.480
<v Speaker 1>it out on the road, just kick it with them

0:22:25.520 --> 0:22:29.040
<v Speaker 1>boys much. It was happy you already know. Now, how

0:22:29.040 --> 0:22:31.000
<v Speaker 1>do you feel about the Confederate flag coming down? Because

0:22:31.080 --> 0:22:33.359
<v Speaker 1>you still have the flag in your video giving you

0:22:33.440 --> 0:22:36.040
<v Speaker 1>a little John? Yeah. Man, you know what when I

0:22:36.240 --> 0:22:37.959
<v Speaker 1>when I look at that man with the whole thing,

0:22:38.080 --> 0:22:40.720
<v Speaker 1>me being down there man and that flag. Man, we

0:22:40.800 --> 0:22:43.280
<v Speaker 1>see it so much, We see it so often down there, man,

0:22:43.760 --> 0:22:47.240
<v Speaker 1>But it had almost gotten to a point where it

0:22:48.400 --> 0:22:51.200
<v Speaker 1>was it was kind of a sleeping giant itself. You

0:22:51.280 --> 0:22:53.480
<v Speaker 1>know what I mean, Well, that joint was all right,

0:22:53.520 --> 0:22:56.240
<v Speaker 1>it's hanging, but it really wasn't affecting us like that

0:22:56.640 --> 0:22:58.639
<v Speaker 1>happened to you know what I mean, well know to it?

0:22:58.720 --> 0:23:01.040
<v Speaker 1>Did we know what it represent? Whatever? Man, we're gonna

0:23:01.080 --> 0:23:03.240
<v Speaker 1>knew all these years, my whole lifetime and thing, but

0:23:03.400 --> 0:23:05.040
<v Speaker 1>hold of flying, you know what I mean? Down south.

0:23:05.320 --> 0:23:08.760
<v Speaker 1>But when they put all this attention on it, it

0:23:08.960 --> 0:23:12.639
<v Speaker 1>made people show their pride and allegiance to it even more,

0:23:13.119 --> 0:23:15.520
<v Speaker 1>you feel man, That's what I didn't like about it,

0:23:15.600 --> 0:23:18.760
<v Speaker 1>because now the person that had one flag got five

0:23:18.840 --> 0:23:20.440
<v Speaker 1>flags on the back of his truck. You know what

0:23:20.520 --> 0:23:23.080
<v Speaker 1>I mean. The NASCAR event. I went to a NASCAR

0:23:23.160 --> 0:23:28.040
<v Speaker 1>event last year, Man, American flags, a couple of Confederate flags. Okay,

0:23:28.040 --> 0:23:31.960
<v Speaker 1>it's cool. After they took that down that nixt NASCAR race.

0:23:32.440 --> 0:23:34.280
<v Speaker 1>You should have saw it, you know what I mean,

0:23:34.760 --> 0:23:38.239
<v Speaker 1>everybody and the MoMA, the kids and everybody showing off

0:23:38.359 --> 0:23:42.080
<v Speaker 1>that pride. So sometimes I feel like we woke asleeping giant. Man.

0:23:42.119 --> 0:23:43.639
<v Speaker 1>I wish it was something that we could have just

0:23:43.760 --> 0:23:46.399
<v Speaker 1>kept on saying, shooting a bird that like we've been

0:23:46.480 --> 0:23:48.199
<v Speaker 1>doing for all these years. You know what I mean,

0:23:48.320 --> 0:23:49.680
<v Speaker 1>what did it mean to you when you had it

0:23:49.720 --> 0:23:51.760
<v Speaker 1>in your videos like you and John Man it meant

0:23:51.760 --> 0:23:54.320
<v Speaker 1>to me? Or y'all better watch out, we're coming. We're

0:23:54.320 --> 0:23:56.560
<v Speaker 1>getting some legit money. Y'all can't keep on locking us

0:23:56.640 --> 0:23:58.760
<v Speaker 1>up and banging us up at the courthouse where this

0:23:58.880 --> 0:24:01.600
<v Speaker 1>thing flying to get legit and I threw it on

0:24:01.680 --> 0:24:03.600
<v Speaker 1>into the camera that it hit the ground or whatever.

0:24:04.920 --> 0:24:06.560
<v Speaker 1>When you see people now that you think that they're

0:24:06.640 --> 0:24:09.720
<v Speaker 1>racist when they flight, you know how you said, they

0:24:09.760 --> 0:24:11.440
<v Speaker 1>do it even more now like oh this, we know

0:24:11.480 --> 0:24:14.560
<v Speaker 1>what y'all think about. You know what? Man. Me, being

0:24:14.640 --> 0:24:18.800
<v Speaker 1>a historian that I am, I try to find. I

0:24:19.160 --> 0:24:22.639
<v Speaker 1>try to find. I try to find our whole story

0:24:22.720 --> 0:24:24.200
<v Speaker 1>in it. Man. A lot of people don't know that

0:24:24.480 --> 0:24:27.440
<v Speaker 1>a lot of black soldiers in that Carolina area, man

0:24:27.840 --> 0:24:30.639
<v Speaker 1>fought for the Confederacy for their freedom. You know what

0:24:30.680 --> 0:24:33.680
<v Speaker 1>I mean, Man, soldiers slave on't stepping them. Look the

0:24:33.800 --> 0:24:36.520
<v Speaker 1>tide chaining the war. We're losing. If the South, if

0:24:36.560 --> 0:24:39.200
<v Speaker 1>we win, you would be free. Come on, man, those

0:24:39.240 --> 0:24:42.159
<v Speaker 1>guys slave, they were like man, freedom, you know what

0:24:42.200 --> 0:24:43.840
<v Speaker 1>I mean? It could have been one of our grandfather

0:24:43.920 --> 0:24:45.440
<v Speaker 1>could have been one of yours. You know, they fought

0:24:45.480 --> 0:24:47.920
<v Speaker 1>for the Confederacy, but it wasn't nothing about fighting for

0:24:48.000 --> 0:24:50.920
<v Speaker 1>the Confederacy. It was just all about freedom. So for me,

0:24:51.040 --> 0:24:53.560
<v Speaker 1>I just try to find a pride in it. Even myself.

0:24:53.600 --> 0:24:56.240
<v Speaker 1>I just say, yeah, yeah, y'all flying for my grandfather.

0:24:56.400 --> 0:25:00.280
<v Speaker 1>He fought for it too. Absolutely, we were pre shoot

0:25:00.280 --> 0:25:02.359
<v Speaker 1>you joining us man, gangster man. I appreciate y'all. Man,

0:25:02.440 --> 0:25:04.119
<v Speaker 1>y'all know, we go way back gangsters and what do

0:25:04.119 --> 0:25:05.720
<v Speaker 1>you want to see? Atlanta Gogo? It's more funny because

0:25:05.720 --> 0:25:06.720
<v Speaker 1>we want to see what do you want to see

0:25:06.720 --> 0:25:10.520
<v Speaker 1>Atlanta go in the future? Oh man, dog to the

0:25:10.600 --> 0:25:20.080
<v Speaker 1>super Bowl. Make sure y'all check out. We was Homeboys,

0:25:20.119 --> 0:25:21.840
<v Speaker 1>and we was Homeboys dot Com. And we got a

0:25:21.880 --> 0:25:24.560
<v Speaker 1>part one, part two to this little independent movie I shot. Man.

0:25:24.840 --> 0:25:28.560
<v Speaker 1>I'll stay down with its yea mixtape man, Crown roy

0:25:28.640 --> 0:25:30.040
<v Speaker 1>is six Man, I brought you all the whole gift

0:25:30.080 --> 0:25:34.080
<v Speaker 1>package Homeboys. We was Homeboys, Man. It was just something

0:25:34.119 --> 0:25:36.480
<v Speaker 1>that I always wanted to do, shoot an independent movie. Man,

0:25:36.720 --> 0:25:38.879
<v Speaker 1>come on, Universe, and I'm putting millions of dollars in

0:25:38.960 --> 0:25:40.480
<v Speaker 1>my face, I might as well give it back in

0:25:40.560 --> 0:25:42.840
<v Speaker 1>a movie. So it just only makes sense, you know,

0:25:43.040 --> 0:25:45.880
<v Speaker 1>Atlanta Man, it's the new Hollywood of the South. Man.

0:25:45.920 --> 0:25:47.879
<v Speaker 1>They're really shooting a lot of movies down South. Man.

0:25:47.880 --> 0:25:50.240
<v Speaker 1>I think that's gonna really be the next transition in

0:25:50.280 --> 0:25:53.119
<v Speaker 1>the city. Man, come on, it's fifty million rappers. I

0:25:53.200 --> 0:25:55.119
<v Speaker 1>better figure out something else. Do you feel like those

0:25:55.160 --> 0:25:57.639
<v Speaker 1>shows in Atlanta represent like all the reality shows, how

0:25:57.760 --> 0:26:01.240
<v Speaker 1>representative of Atlanta? Do you think? Um Real House of

0:26:01.280 --> 0:26:04.520
<v Speaker 1>Atlanta Love and Hip Hop even had the Atlanta reality show? Man,

0:26:04.560 --> 0:26:06.840
<v Speaker 1>I'm not. I'm not a real big fan of it. Man.

0:26:06.880 --> 0:26:09.320
<v Speaker 1>Of course they didn't step to me numerous sounds about

0:26:09.359 --> 0:26:12.040
<v Speaker 1>doing love It. I bet he did. Man. Nico is

0:26:12.080 --> 0:26:16.240
<v Speaker 1>not about to be be me up loads, man, But

0:26:16.320 --> 0:26:18.320
<v Speaker 1>what about your own show? That's what I'm more so

0:26:18.480 --> 0:26:20.480
<v Speaker 1>thinking about. Man, I'm really thinking about doing something with

0:26:20.560 --> 0:26:22.880
<v Speaker 1>my dad, man, Pastor Troy, and Pastor Troy just letting

0:26:22.880 --> 0:26:26.280
<v Speaker 1>me what I do and everything, how we rock out together,

0:26:26.280 --> 0:26:28.320
<v Speaker 1>because it seems like you have an interesting life. It's

0:26:28.440 --> 0:26:30.480
<v Speaker 1>very interesting, man, It's real dope. Man. I just love

0:26:30.560 --> 0:26:33.280
<v Speaker 1>being independent. Man. Come on, a lot of independent artists

0:26:33.320 --> 0:26:36.159
<v Speaker 1>don't have this kind of reach. But would you be

0:26:36.240 --> 0:26:39.240
<v Speaker 1>willing to put everything like your kids and your family?

0:26:39.320 --> 0:26:41.639
<v Speaker 1>You know what, man, you gotta be really careful with

0:26:41.720 --> 0:26:43.199
<v Speaker 1>your kids. Man, Look at that. You know, I heard

0:26:43.280 --> 0:26:45.560
<v Speaker 1>y'all talking, you know, a little bit earlier, but you

0:26:45.640 --> 0:26:47.720
<v Speaker 1>just gotta that's kind of a touchy thing that y'all

0:26:47.720 --> 0:26:49.760
<v Speaker 1>want to know about Pastor Troy, or you want to

0:26:49.800 --> 0:26:52.600
<v Speaker 1>know about Mica. Now, Pastor Troy would put out there

0:26:52.760 --> 0:26:54.359
<v Speaker 1>for this play. Y'all can have them, man, and do

0:26:54.440 --> 0:26:57.040
<v Speaker 1>whatever y'all want to, but you gotta keep something for yourself.

0:26:57.160 --> 0:26:59.600
<v Speaker 1>Yeah right, all right, Well it's Pastor Troy, It's the

0:26:59.600 --> 0:27:00.720
<v Speaker 1>Breakfast Club. Good morning,