WEBVTT - Episode 267 w/ First Round (Best of 2021) 

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drinks motherfucking podcast. He's

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<v Speaker 1>a legendary queen's rapper. He'sagreed. It's your boy here, no

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<v Speaker 1>r He's a Miami hippoper lioneer, one of his dj

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<v Speaker 1>e FN. Together they drinking up with some of the

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<v Speaker 1>biggest players in the most professional, unprofessional podcast and yet

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<v Speaker 1>number one sorts for drunk fast drink mother is New year'

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<v Speaker 1>z that's time for Drinking Champs. Trink Up, Mother Up.

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<v Speaker 1>Would it could be hopeless? It should be. It's your boy.

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<v Speaker 1>What's going on as d j e F and this

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<v Speaker 1>militating crazy wall drink chess? Yeah, y'all banks shot. I'm

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<v Speaker 1>gonna be honest. So what is your shot of choice?

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<v Speaker 1>What is your shot? I'm staying on the summer saying this.

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<v Speaker 1>You can't it's no shot. This is this is no

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<v Speaker 1>this is this is man boss. I got one to

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<v Speaker 1>night too. I'm feeling them cooling them. Come on, you

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<v Speaker 1>gotta this is the game. You can't do a shot over,

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<v Speaker 1>come on it nothing very important night, yes for me

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<v Speaker 1>to do any time you got me on my Ranjim,

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<v Speaker 1>I don't know, but I can't. We're not gonna let

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<v Speaker 1>drink chat funk up versus to nothing, but come sucking

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<v Speaker 1>it up. We're handy versus. This is you take on

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<v Speaker 1>the nix eight I'm doing. Didn't look you will make

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<v Speaker 1>not take a shot for you. I'm gonna take a

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<v Speaker 1>shot of all right, take you shot. I'll take a

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<v Speaker 1>sweep like like that'll take a shot up. Okay, you're

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<v Speaker 1>gonna keep you with that, all right? Cool? Alright, so

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<v Speaker 1>listen one of the shot shot one or the other

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<v Speaker 1>or you pig boat. You gotta take a shot. Y'all.

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<v Speaker 1>Guys are whipping out, but it's okay, him out in

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<v Speaker 1>case you I don't know. Our shows about giving people

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<v Speaker 1>the flowers, we made that. We I didn't think up

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<v Speaker 1>a statement, but I made it famous. People will say

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<v Speaker 1>we're giving people your flowers. I don't want you to

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<v Speaker 1>have to pass away or you have anything. All this

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<v Speaker 1>We're gonna tell you this why you're alive while you're here.

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<v Speaker 1>God damn it. We appreciate it. You're fucking held me

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<v Speaker 1>and my whole household down. I got five TVs and

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<v Speaker 1>no filer hold on. I'm just want to say there's

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<v Speaker 1>a normal Peace Parts Committee listening. Yes, no bullshit. You

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<v Speaker 1>guys deserving and deserving because we know a lot of

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<v Speaker 1>people committed suicide during the quarantines and all that stuff.

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<v Speaker 1>Stuff like what you guys were doing probably saved a

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<v Speaker 1>lot of lives. Well, and I'm not even talking about

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<v Speaker 1>the artist side of it. People were vitalizing careers. Did

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<v Speaker 1>you understand I'm sorry to cut you off. Do you

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<v Speaker 1>understand that I got dipped to stay in my house?

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<v Speaker 1>You want to say that again? I got fresh. He

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<v Speaker 1>went to the club in the next room, and I

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<v Speaker 1>got to cover in the next room like Nickel Persons

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<v Speaker 1>is on the night, someone was doing the same thing.

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<v Speaker 1>I didn't care if Nick see me or not. I

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<v Speaker 1>got fresh, Nigga, I was Amazon dot com. You see

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<v Speaker 1>me all that, y'all You know what I mean, Like

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<v Speaker 1>y'all held it down, Like y'all really deserve your roses,

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<v Speaker 1>but it deserve your flowers. That was a great moment

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<v Speaker 1>in hip hop, and it's from two brothers that on

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<v Speaker 1>fight and Night. Still yes, and that's the only thing

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<v Speaker 1>I said. That's the only down for because I feel

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<v Speaker 1>like Timberland is bringing Missy out tonight. I'm just gonna

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<v Speaker 1>throw that out there. Is that happening. I'm gonna tell

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<v Speaker 1>you straight up, no, No, I'm making this up. I'm

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<v Speaker 1>gonna take a shot. I just made that up. That's

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<v Speaker 1>what do you want coming up? I don't feel you're

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<v Speaker 1>gonna tell us right now, man, No, I would tell you.

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<v Speaker 1>I don't feel we need no. I like to feel

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<v Speaker 1>like you know, I ain't gonna lie buster, gone buster,

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<v Speaker 1>gonna bully one of your stages. No, I don't want no, man,

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<v Speaker 1>Come on, man, who was the illest person that you

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<v Speaker 1>told you? There was a fan of you that you

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<v Speaker 1>was like, wow, it was personal study, all right. So

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<v Speaker 1>it's a dope story. Right. So my first album, my

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<v Speaker 1>first album is not even out yet, and we're in

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<v Speaker 1>an airport. It's me and a couple of my niggers,

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<v Speaker 1>and Lauren Fishburn walked past just randomly, like we're like,

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<v Speaker 1>oh shit, fucking Lauren Trishburn. We don't have no album,

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<v Speaker 1>so we like talking to see Laurence Fishburn. He's like, yo, man,

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<v Speaker 1>he loved Lauren Frishburn. No homo. So Jim is sitting there, Jim,

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<v Speaker 1>it's like, y'all was a choice or Russ And if

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<v Speaker 1>you call him Larry. He loses his mind. He don't

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<v Speaker 1>like to be called Larry. So my man is an ass.

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<v Speaker 1>So he died, I'm in fact show and got blessed.

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<v Speaker 1>The day he like, yo, Larry, he looked to be

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<v Speaker 1>like he looked, He's like, yo, I said, what's up Larry? Ship,

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<v Speaker 1>So Lauren Fishburn stops and walks over and says, what

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<v Speaker 1>you just call me? Yes? And the airpoint he's like,

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<v Speaker 1>what did you call me? He's like, I said, what's up, Larry?

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<v Speaker 1>What's was happening? So we're like, yo, we fans this stand.

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<v Speaker 1>The third he tuned in us out. He's like, YO,

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<v Speaker 1>why are you calling me larr? He said, because that

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<v Speaker 1>should name? He said, my name is Lawrence. He said,

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<v Speaker 1>your name is Larry. Hilarious. I'll get it. Let me

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<v Speaker 1>tell you this story, so about to do research on it.

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<v Speaker 1>His name was Larry when he was young, but then

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<v Speaker 1>after hig your learning he changed at the Lawrence, I

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<v Speaker 1>guess Larry's will and niggery, and then he did learning,

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<v Speaker 1>saying he want to be like Propa Black, the Matrix

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<v Speaker 1>and all this ship. So anyway, he like, man, fuck you.

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<v Speaker 1>He telling my man that we like yo, don't listen

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<v Speaker 1>to him, Jim that just did a scene on New

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<v Speaker 1>York Undercover as an extra and he active say, Jim

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<v Speaker 1>was like an extra New York under Camel. That's side

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<v Speaker 1>you know, no alum out he's promotion ship. So he

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<v Speaker 1>walks off. You're like, yo, why you do that? Sean, Like,

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<v Speaker 1>what's wrong with you? Like man, funk that your name

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<v Speaker 1>is Larry. So we're chilling like sen minutes later, this

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<v Speaker 1>nigga come back. It's sitting next to us. Be like, yo, man,

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<v Speaker 1>don't worry about him. He now he over here, my

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<v Speaker 1>man Sean over there, be like, yo, man, we fens

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<v Speaker 1>Jim like, I'm like, my man was just on New

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<v Speaker 1>York going to cover. If you can help us out

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<v Speaker 1>with the little acting, a little gigg and all that ship,

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<v Speaker 1>I'm not helping y'all, And be like, what's wrong man?

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<v Speaker 1>Like you with somebody who keep calling me laughry my

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<v Speaker 1>man lean over and say your name is laughing and

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<v Speaker 1>don't ask me again? Lord fishburn, get up, get out,

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<v Speaker 1>taking his wallet out, putting my men face. What does

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<v Speaker 1>that say? My men is like, I don't care what

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<v Speaker 1>he's say. Your name's laughery, so we like your fuck him, Man,

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<v Speaker 1>I'm about to be a rapper. Snicker. My man is

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<v Speaker 1>acting to stand the third Yo. So the Laura fisherroom. Wow.

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<v Speaker 1>So he says, Yo, stop acting me for helping. Man.

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<v Speaker 1>You know what I'm saying, fun, I'm not helping y'all.

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<v Speaker 1>Just think you gotta understand. So now Jim is basically

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<v Speaker 1>begging Lord Fishburn. Now I'm like, are you fuck you laughing?

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<v Speaker 1>Get the funk out of here, like kissing your glass, man,

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<v Speaker 1>fucking matter of fact, I'm about to swing on you.

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<v Speaker 1>So like Fishburn, like you backed up. This nigga pulled

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<v Speaker 1>some gloves out of his pocket and put on his gloves.

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<v Speaker 1>So I'm like, I looked at my man team, I'm like,

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<v Speaker 1>you're about to jump this nigger. So he just looked

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<v Speaker 1>and walked off like the like a movie, like just

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<v Speaker 1>walked off into the ship. And I'm like, my man,

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<v Speaker 1>show like you an asshole? I said, I got tired

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<v Speaker 1>of kissing his ass. He was like, nah, he was

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<v Speaker 1>on the verge of snuffing me. Man, I'm just gonna

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<v Speaker 1>fall out. You funked up everything, brother, I said, I

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<v Speaker 1>can't take it no more anyway fast for it than

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<v Speaker 1>to answer your question. My man is driving my pink

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<v Speaker 1>range over one day at Halo like stuff like like

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<v Speaker 1>yeah yeah, like Fish Lawrence Lag whatever. He's like, yeah,

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<v Speaker 1>camera pink range over. He's like yes, my man, he said, yeah,

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<v Speaker 1>So that guy love his music. Man, I'm a big

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<v Speaker 1>fucking fan of camera man. You let him know that.

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<v Speaker 1>And I'm like, Lawrence, don't even know that was list

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<v Speaker 1>in the airport like fucking six years ago that she

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<v Speaker 1>was going crazy because Nikka called you Larry. Now you're

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<v Speaker 1>a fan of my music, my nigga. Look look at that,

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<v Speaker 1>my nigga. So that's an ill person who I would

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<v Speaker 1>say is a fan who basically shipped on us and

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<v Speaker 1>told us to fucking kick Rocks and get the funk

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<v Speaker 1>out of here. Because my man was going crazy on

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<v Speaker 1>that guy, Lawrence. I was. I was scared. Now, don't

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<v Speaker 1>call him Larry. Yeah, yeah, man, you don't like Larry

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<v Speaker 1>if you want to be laurrenus. Yeah. So back to

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<v Speaker 1>the versus Um. It was a collective decision, you know,

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<v Speaker 1>although I called him with um the vibe of what

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<v Speaker 1>we should do because the deal that we had on

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<v Speaker 1>the table was amazing. The deal, it was amazing, and

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<v Speaker 1>we didn't have to move no luggage out of the house.

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<v Speaker 1>But imagine having like one of the biggest deals ever

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<v Speaker 1>and not being happy about it. Can I stopped before

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<v Speaker 1>on a second because everyone kind of thought when we

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<v Speaker 1>started to see Apple TV pop up, that's what y'all

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<v Speaker 1>was doing the deal. So so what happened is if

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<v Speaker 1>you can say it's business, it's not nothing personal. It's

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<v Speaker 1>just business. You know, shout out to Apple, shout to

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<v Speaker 1>La Jackson. We had a great time. They they they

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<v Speaker 1>you know, they supported us and helped us elevate to

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<v Speaker 1>a different level. And we appreciate all the support from everyone.

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<v Speaker 1>But that you know, we can't just only be creatives.

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<v Speaker 1>We have to be business people. Like this is the

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<v Speaker 1>music business, the creative business, and a lot of people

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<v Speaker 1>leave out the business parts when all the business people

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<v Speaker 1>are taking advantage of the creative. You see what I'm saying.

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<v Speaker 1>And so, you know, I was luckily to be able

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<v Speaker 1>to go back to school and shopping my pencil and

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<v Speaker 1>actually really lock in and and have a focus with strategies.

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<v Speaker 1>And although me and Tim didn't start versus thinking about

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<v Speaker 1>business or thinking about finances, it just happened to turn

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<v Speaker 1>into that, which is why it was so beautiful, and

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<v Speaker 1>it just it just happened, you know, the universe just

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<v Speaker 1>happened to want to just do extra things for us. Um.

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<v Speaker 1>But we were just basically having fun. But when it

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<v Speaker 1>when it started coming to the business, we had to

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<v Speaker 1>be shop as well because people started coming to you

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<v Speaker 1>with business. It wasn't like you planned that people started

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<v Speaker 1>coming to you because of the numbers just gone. We

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<v Speaker 1>turned down so many, so much, We turned out so

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<v Speaker 1>much and everybody, we turned down everything. Only the reason

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<v Speaker 1>why we turned down everything was because you know, um,

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<v Speaker 1>everybody wanted to get go to the penthouse. Like first,

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<v Speaker 1>they just wanted to just go to the penhouse. They

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<v Speaker 1>didn't even want to know the structure of the building.

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<v Speaker 1>They just knew it was a quick ride to the penthouse,

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<v Speaker 1>a quick ride with our culture, quick ride in the

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<v Speaker 1>v I p with our culture. And we're gatekeepers of

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<v Speaker 1>our culture. So we can't allow that, you understand. So

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<v Speaker 1>when it came to making this decision, I was like

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<v Speaker 1>man and I was me and timidtic kind of sense.

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<v Speaker 1>It's like, yo, I always see like one or two

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<v Speaker 1>of us getting the bags and being a part of

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<v Speaker 1>the big picture. But it's it's a it's a group

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<v Speaker 1>of us that make these apps work and that make

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<v Speaker 1>these different things for giving it the value. So my

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<v Speaker 1>thing is like, imagine if we could bring forty three

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<v Speaker 1>artists with us to go ring the bell and you know,

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<v Speaker 1>and and go public. You know what I'm saying, like

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<v Speaker 1>this is this when when when when Triller go public,

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<v Speaker 1>this would be the biggest creative public offering in the

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<v Speaker 1>history ever, ever, ever. And even the artists that we

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<v Speaker 1>gave our personal shares too, they don't even probably understand

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<v Speaker 1>what it's gonna be yet, but we have good intents.

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<v Speaker 1>And it was like, Yo, these people started and they

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<v Speaker 1>showed up with us, and they should go all the

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<v Speaker 1>way to ringing that bell and and go on public

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<v Speaker 1>with us, And it's just what we're supposed to do.

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<v Speaker 1>We should get people used to taking kids three and

0:13:15.040 --> 0:13:18.439
<v Speaker 1>fifty artist because people don't know probably what you're talking about,

0:13:18.559 --> 0:13:21.640
<v Speaker 1>that you gave shares, your personal shares to the folks

0:13:21.640 --> 0:13:26.000
<v Speaker 1>that had already done vers versus up to that point, right, yeah, yeah,

0:13:26.000 --> 0:13:29.960
<v Speaker 1>and which is unheard of. Nobody's doing deals like that, no,

0:13:30.160 --> 0:13:36.080
<v Speaker 1>because you know, every artist was compensated in some type

0:13:36.080 --> 0:13:40.240
<v Speaker 1>of way for doing versus or just whatever. We let

0:13:40.280 --> 0:13:43.640
<v Speaker 1>them keep everything. We took nothing from the artists, like

0:13:43.880 --> 0:13:45.640
<v Speaker 1>when they get a sponsor, they keep the money when

0:13:45.640 --> 0:13:47.679
<v Speaker 1>they get bringing sponsors or whatever. And you see a

0:13:47.720 --> 0:13:50.040
<v Speaker 1>lot of things on stage, it's because me and Tim

0:13:50.080 --> 0:13:52.679
<v Speaker 1>agreed to let the artists eat and do what they

0:13:52.720 --> 0:13:55.200
<v Speaker 1>need to do towards and that happening different things than

0:13:55.240 --> 0:13:57.640
<v Speaker 1>that happening, you know, And they're coming out and in

0:13:57.679 --> 0:14:00.680
<v Speaker 1>a hard time of COVID. Of course you bring a sponsor.

0:14:00.760 --> 0:14:03.080
<v Speaker 1>Of course you can keep all of your sponsor money.

0:14:03.080 --> 0:14:05.800
<v Speaker 1>We're not taxing you on nothing. And then we come

0:14:05.800 --> 0:14:08.000
<v Speaker 1>back around and be like, yo, guess what on behalf

0:14:08.000 --> 0:14:10.920
<v Speaker 1>of Tim and Swiss? Not only are you partners and

0:14:11.080 --> 0:14:14.520
<v Speaker 1>versus your owner in Trailer, which is a billion points

0:14:14.520 --> 0:14:18.560
<v Speaker 1>something value company. Wow, you understand that's today, that's not

0:14:18.600 --> 0:14:25.480
<v Speaker 1>even with the I P O. Public. Yeah, but that

0:14:25.480 --> 0:14:34.680
<v Speaker 1>that all makes sense. Later he makes a noise for that, Tim,

0:14:34.720 --> 0:14:37.040
<v Speaker 1>im and be honest, I think get into the shot.

0:14:39.600 --> 0:14:49.160
<v Speaker 1>I'll fun with you, man. So now let me fast forward. Boom,

0:14:49.280 --> 0:14:54.560
<v Speaker 1>you work with Naws. You do this as and J

0:14:55.960 --> 0:15:01.040
<v Speaker 1>actually have this moment against each other. Jay uses you

0:15:03.280 --> 0:15:07.520
<v Speaker 1>as a punch line. He says, I know who I

0:15:07.600 --> 0:15:11.800
<v Speaker 1>pay god Like publishing. Yeah, he said, but you weren't

0:15:11.800 --> 0:15:13.920
<v Speaker 1>getting paid Dog, you were getting fucked. Then I know

0:15:13.920 --> 0:15:17.200
<v Speaker 1>who I paid Dog, Starchily Publishing. So the story of

0:15:17.240 --> 0:15:20.520
<v Speaker 1>the true story about that, it's really crazy. I don't know,

0:15:20.600 --> 0:15:23.520
<v Speaker 1>I don't know. It's a great story. So I'm the

0:15:23.520 --> 0:15:27.960
<v Speaker 1>head of hr at def Jam and uh, they're about

0:15:28.000 --> 0:15:33.840
<v Speaker 1>to put out that Reasonables Doubt and Kareem I think

0:15:33.840 --> 0:15:36.440
<v Speaker 1>it was Kareem. It was either Kareem Dame and Jay

0:15:36.760 --> 0:15:40.040
<v Speaker 1>or Dame and j come to my office and said, hey,

0:15:40.160 --> 0:15:43.120
<v Speaker 1>you gotta clear this sample, this dead president sample. Take

0:15:43.160 --> 0:15:46.200
<v Speaker 1>care of us. I said, okay, no problem, give me

0:15:47.640 --> 0:15:52.040
<v Speaker 1>but just no, we're gonna have record on the publishing.

0:15:52.680 --> 0:15:54.480
<v Speaker 1>He was like a right cool, and I was it.

0:15:55.120 --> 0:15:58.000
<v Speaker 1>He gave me a check for I delivered it to Zambo.

0:15:58.520 --> 0:16:02.080
<v Speaker 1>But if you look at the loner notes on dead Presidents,

0:16:02.840 --> 0:16:05.200
<v Speaker 1>nas is one of the publishers. So I said, yeah,

0:16:05.280 --> 0:16:07.680
<v Speaker 1>that line can live as much as it lives. But

0:16:07.800 --> 0:16:10.360
<v Speaker 1>Jay don't own a piece of Naz's catalog. But Nazzos

0:16:10.360 --> 0:16:13.720
<v Speaker 1>and piece of Jay's catalog. And that's a fact. Though

0:16:15.040 --> 0:16:17.600
<v Speaker 1>we didn't know that. We didn't because we don't like

0:16:17.600 --> 0:16:21.960
<v Speaker 1>when He said that stas like publishing that um that

0:16:22.040 --> 0:16:24.480
<v Speaker 1>he was meaning that that NAS and have none of

0:16:24.560 --> 0:16:27.360
<v Speaker 1>his publics. No no, no, no, no no no, but

0:16:27.680 --> 0:16:31.320
<v Speaker 1>I have a Yeah, I have a five percent admin fee,

0:16:31.360 --> 0:16:34.040
<v Speaker 1>which I'm like to this day on those two albums.

0:16:34.280 --> 0:16:37.360
<v Speaker 1>I just make sure like things like if NAS wants

0:16:37.360 --> 0:16:39.760
<v Speaker 1>to do it, I just signed off. I said, like

0:16:40.000 --> 0:16:43.160
<v Speaker 1>for me, like when I think about being a production company, right,

0:16:44.680 --> 0:16:47.480
<v Speaker 1>I think there's two trains. I thought. Train one is

0:16:48.160 --> 0:16:50.600
<v Speaker 1>the artists ain't ship and the production company makes all

0:16:50.640 --> 0:16:54.040
<v Speaker 1>the money. Right. What a second train is the artists

0:16:54.000 --> 0:16:55.680
<v Speaker 1>ain't ship, and I'm gonna figure out how to jerk

0:16:55.720 --> 0:16:58.840
<v Speaker 1>the artists. That's most of how hip hop is running

0:16:58.840 --> 0:17:01.760
<v Speaker 1>their production companies. I had a third train of thought,

0:17:02.080 --> 0:17:04.400
<v Speaker 1>which was I wasn't gonna be the jew to take

0:17:04.680 --> 0:17:07.760
<v Speaker 1>take advantage of a black man, so I don't need

0:17:07.800 --> 0:17:11.000
<v Speaker 1>to get wealthy off and I don't. My checks are

0:17:11.080 --> 0:17:13.480
<v Speaker 1>very humble, and I'm okay with that because they're gonna

0:17:13.480 --> 0:17:15.880
<v Speaker 1>go for the rest of my life. You know, when

0:17:15.880 --> 0:17:18.359
<v Speaker 1>you think about streaming today, right, and you think about

0:17:18.359 --> 0:17:24.679
<v Speaker 1>all mattic Ellmatic stremes four hundred million a year to

0:17:24.760 --> 0:17:28.960
<v Speaker 1>this day, I get my fair share. I don't get

0:17:29.000 --> 0:17:31.080
<v Speaker 1>more than I deserve, I don't get less than I deserve.

0:17:31.160 --> 0:17:34.960
<v Speaker 1>I get exactly what the contract says, in fact, and

0:17:34.960 --> 0:17:36.920
<v Speaker 1>I'll keep it a book with all of y'all. Two

0:17:36.920 --> 0:17:40.199
<v Speaker 1>thousand seven, I get a letter from Sony. They say, oh,

0:17:40.240 --> 0:17:43.359
<v Speaker 1>we we overpaid you, so you're not gonna be getting

0:17:43.359 --> 0:17:46.920
<v Speaker 1>a check. And my lawyer goes, oh, we're gonna sue

0:17:46.920 --> 0:17:50.160
<v Speaker 1>and us we're not gonna let it rock. Well, we'll

0:17:50.160 --> 0:17:53.760
<v Speaker 1>rek cool eventually. We're really cool, and we did like

0:17:53.920 --> 0:17:58.080
<v Speaker 1>ten years because I don't give a fuck. What was

0:17:58.119 --> 0:18:01.280
<v Speaker 1>the basis of them saying they overpaid They that the

0:18:01.520 --> 0:18:07.800
<v Speaker 1>artist royalty that I got paid was congruent with what

0:18:07.920 --> 0:18:11.040
<v Speaker 1>NAS was supposed to get paid. So I essentially got

0:18:11.160 --> 0:18:15.240
<v Speaker 1>NAS royalties, but NASA didn't. It wasn't minus drof nazis ship.

0:18:15.520 --> 0:18:18.000
<v Speaker 1>They basically paid like it was like double dipping. So

0:18:18.080 --> 0:18:20.840
<v Speaker 1>they paid me exactly what they're paying NAS. But it

0:18:20.880 --> 0:18:23.240
<v Speaker 1>wasn't accurate either, because the fact of the matter is

0:18:23.320 --> 0:18:25.800
<v Speaker 1>NAS was that like X amount of points and I

0:18:25.840 --> 0:18:28.399
<v Speaker 1>was at three. So that was the only correction we

0:18:28.480 --> 0:18:31.919
<v Speaker 1>told them, And after they made that correction, they fixed it.

0:18:31.960 --> 0:18:34.080
<v Speaker 1>We kept it moving. It was done when and done,

0:18:35.280 --> 0:18:37.880
<v Speaker 1>but it took like ten years for me to ever

0:18:37.920 --> 0:18:40.679
<v Speaker 1>see another check and again. I'm okay with that because

0:18:41.640 --> 0:18:45.720
<v Speaker 1>to me, the ability to earn isn't about one thing,

0:18:46.000 --> 0:18:48.359
<v Speaker 1>right I learned a long time ago. It's not the

0:18:48.400 --> 0:18:52.160
<v Speaker 1>strong who survives. It's a flexible right. So I would

0:18:52.320 --> 0:18:57.040
<v Speaker 1>much rather fight Mike Tyson then a yogi, because Yogi's

0:18:57.040 --> 0:18:58.920
<v Speaker 1>gonna bend me up in fucking ways that I'm never

0:18:58.920 --> 0:19:00.879
<v Speaker 1>gonna get fixed again. At least with Mike. I know

0:19:00.920 --> 0:19:03.480
<v Speaker 1>when it's coming, I see the punch coming. I know

0:19:03.600 --> 0:19:06.480
<v Speaker 1>I'm going to get Yogi. Yoga like a yoga person.

0:19:06.600 --> 0:19:10.479
<v Speaker 1>Yogi the guy who's like com bending because if he like,

0:19:11.880 --> 0:19:14.960
<v Speaker 1>he fucking grabs you like Yogi grabs you grow and

0:19:15.000 --> 0:19:17.920
<v Speaker 1>he starts, he knows how to bend up. You might

0:19:18.000 --> 0:19:20.679
<v Speaker 1>get funked up for life. At least it Mike hits you.

0:19:20.840 --> 0:19:23.440
<v Speaker 1>You want be in pain, Let's be real clear. You

0:19:23.440 --> 0:19:25.960
<v Speaker 1>want to be in pain, but you're going to be

0:19:26.119 --> 0:19:29.359
<v Speaker 1>able to recover. But if if a Yogi bend you

0:19:29.400 --> 0:19:32.439
<v Speaker 1>in a way, your body might never recover. So I

0:19:32.520 --> 0:19:34.840
<v Speaker 1>say I would much rather be flexible. I much I

0:19:34.960 --> 0:19:38.080
<v Speaker 1>much rather be like water than be like a fucking wall.

0:19:39.040 --> 0:19:41.159
<v Speaker 1>But did you receive like like slack because of that,

0:19:41.240 --> 0:19:42.919
<v Speaker 1>because a lot of people, like I said, a lot

0:19:42.920 --> 0:19:46.880
<v Speaker 1>of people took it as search on publishing. No, in fact,

0:19:46.920 --> 0:19:49.720
<v Speaker 1>it was the exact opposite. Whenever that fucking verse came

0:19:49.760 --> 0:19:52.080
<v Speaker 1>on in the club, I would get loved, like because

0:19:52.119 --> 0:19:54.640
<v Speaker 1>my name got mentioned. People didn't even realize what it meant.

0:19:55.240 --> 0:19:58.840
<v Speaker 1>They were like, oh ship, not Jay mentioned search. That's crazy.

0:20:00.440 --> 0:20:02.480
<v Speaker 1>So you're sure he never got nothing bad, like even

0:20:02.520 --> 0:20:06.960
<v Speaker 1>from like naas campus. It's all love all the time,

0:20:07.720 --> 0:20:09.720
<v Speaker 1>you know, even like if you think about all the

0:20:09.760 --> 0:20:12.600
<v Speaker 1>times Nasa has mentioned me on his records, there's like

0:20:12.680 --> 0:20:15.520
<v Speaker 1>seven records where he mentioned like our friendship or how

0:20:15.520 --> 0:20:17.439
<v Speaker 1>I did him right, you know what I mean, Like,

0:20:17.520 --> 0:20:20.280
<v Speaker 1>he's never once said anything bad about me because he

0:20:20.320 --> 0:20:22.720
<v Speaker 1>has no reason because I treated him like a grown

0:20:22.720 --> 0:20:25.280
<v Speaker 1>ass man. I treated him like a professional, and I

0:20:25.320 --> 0:20:29.680
<v Speaker 1>treated his music like a business, so that he would

0:20:29.680 --> 0:20:32.199
<v Speaker 1>never have to worry, and his daughter would never have

0:20:32.240 --> 0:20:35.040
<v Speaker 1>to worry. His daughter and my daughter same age, they

0:20:35.080 --> 0:20:37.600
<v Speaker 1>were born a month apart. His daughter and my daughter

0:20:37.720 --> 0:20:47.760
<v Speaker 1>never have to worry. God, there make some noise for that, Okay,

0:20:47.800 --> 0:20:52.400
<v Speaker 1>So now you're dominated this guy is on the other

0:20:52.440 --> 0:21:00.560
<v Speaker 1>side of the world. Guys are connected, and you see

0:21:00.640 --> 0:21:06.520
<v Speaker 1>the previous of what he's capable of. I'm not sure

0:21:06.560 --> 0:21:09.640
<v Speaker 1>if he's on the downfall at this time. I'm sure

0:21:09.640 --> 0:21:15.199
<v Speaker 1>you can talking to Tyson's coming out of incarceration, but

0:21:15.200 --> 0:21:21.000
<v Speaker 1>he's a monster. Oh yeah, this press conference happens, and

0:21:23.480 --> 0:21:31.719
<v Speaker 1>in the documentary you say not backing down, all right,

0:21:31.880 --> 0:21:36.119
<v Speaker 1>So in that situation, it's a situation of like, alright,

0:21:36.440 --> 0:21:41.960
<v Speaker 1>we all know about Tyson, nobody knows about me. So

0:21:42.280 --> 0:21:51.600
<v Speaker 1>I'm like, you're gonna make some and you know, in

0:21:52.200 --> 0:21:55.760
<v Speaker 1>in my culture, it's like, you know, we say the

0:21:55.920 --> 0:22:02.760
<v Speaker 1>dog that barks the loudest has no teeth. So it

0:22:02.880 --> 0:22:05.720
<v Speaker 1>was a situation where like, yo, this is the first

0:22:05.760 --> 0:22:08.960
<v Speaker 1>time it felt like he was deliberately trying to Yeah,

0:22:09.160 --> 0:22:11.760
<v Speaker 1>he's bad. He's a bad guy in the sense of

0:22:11.880 --> 0:22:14.639
<v Speaker 1>like he can intimidate people. He's intimidating a lot of people,

0:22:15.160 --> 0:22:18.359
<v Speaker 1>but you don't know who he's intimidating. He's intimidating a

0:22:18.480 --> 0:22:21.960
<v Speaker 1>bad a bad guy. I'm a batman in that sense.

0:22:22.240 --> 0:22:34.960
<v Speaker 1>I don't take that soup time right, Yeah, loishan wan.

0:22:40.440 --> 0:22:44.560
<v Speaker 1>So he knew, well, I knew what he was about,

0:22:44.880 --> 0:22:47.600
<v Speaker 1>but he didn't know what I was about. You don't

0:22:47.640 --> 0:22:49.720
<v Speaker 1>know where I'm coming from, nothing about me. It's like

0:22:49.840 --> 0:22:54.280
<v Speaker 1>that really both situation where like, yo, he said this

0:22:54.400 --> 0:22:58.240
<v Speaker 1>about me, Okay, cool, all right, he's gonna see So

0:22:58.440 --> 0:23:01.520
<v Speaker 1>mentally I was here for that. I was prepared for

0:23:01.600 --> 0:23:03.760
<v Speaker 1>that fight. I was looking for that fight, and I

0:23:03.920 --> 0:23:08.080
<v Speaker 1>knew that he didn't know me. And mentally I'm really

0:23:08.240 --> 0:23:11.280
<v Speaker 1>strong minded. And are you holding on to what happened

0:23:11.600 --> 0:23:13.720
<v Speaker 1>as you all as children or you saying no, you

0:23:13.760 --> 0:23:16.040
<v Speaker 1>know what that that was us as children. Actually I

0:23:16.119 --> 0:23:18.440
<v Speaker 1>didn't realize what. I didn't know where it was coming from.

0:23:18.800 --> 0:23:21.240
<v Speaker 1>I didn't know why he was being like this because

0:23:21.359 --> 0:23:23.720
<v Speaker 1>we knew each other as when I went up to

0:23:23.760 --> 0:23:26.040
<v Speaker 1>the cat skill were we were friends? You know? He

0:23:26.119 --> 0:23:28.840
<v Speaker 1>says that, He says that afterwards, he says that he

0:23:28.880 --> 0:23:31.560
<v Speaker 1>says he's only promoting the fight. But as a fan,

0:23:32.280 --> 0:23:34.560
<v Speaker 1>I didn't take it like that. I didn't take it

0:23:34.600 --> 0:23:36.560
<v Speaker 1>like he was only promoting the fight. I took it

0:23:36.680 --> 0:23:40.159
<v Speaker 1>like what the fund is these two grown man? You know?

0:23:40.440 --> 0:23:42.000
<v Speaker 1>This is me as a fan, This is I have

0:23:42.400 --> 0:23:45.120
<v Speaker 1>no ties to anybody at this time at least still

0:23:45.119 --> 0:23:46.760
<v Speaker 1>go ahead, continue let me tell you a lot of

0:23:46.840 --> 0:23:50.119
<v Speaker 1>people don't realize and don't remember. Well I don't know

0:23:50.840 --> 0:23:54.919
<v Speaker 1>is the fact that a lot of the promoter wanted

0:23:55.040 --> 0:23:59.600
<v Speaker 1>that to be an American British thing like West Coast,

0:23:59.600 --> 0:24:02.080
<v Speaker 1>East Coast, West Coast. Yeah, but it was it was

0:24:02.200 --> 0:24:04.879
<v Speaker 1>more American than the British should come in, the British

0:24:04.880 --> 0:24:10.439
<v Speaker 1>should come in. So we said, no, it can't be there.

0:24:10.480 --> 0:24:12.720
<v Speaker 1>We don't want that type of mess. That's too messy.

0:24:13.560 --> 0:24:17.320
<v Speaker 1>It's not even true. But yeah, yeah, yeah, so uh,

0:24:17.760 --> 0:24:20.440
<v Speaker 1>you know it was more just um, you know, me

0:24:20.600 --> 0:24:23.280
<v Speaker 1>trying to get the everyweight championship of the world, Tyson

0:24:23.400 --> 0:24:32.520
<v Speaker 1>trying to legends meeting. Now there comes to time in

0:24:32.560 --> 0:24:36.200
<v Speaker 1>summer jam history when you fuck summer Jam up. Let's

0:24:36.200 --> 0:24:37.640
<v Speaker 1>strow it out there. It's time for me to pop

0:24:37.680 --> 0:24:40.320
<v Speaker 1>a bottles. What you want you want me to let

0:24:40.359 --> 0:24:42.239
<v Speaker 1>me hear it ghost first and then okay, little bit,

0:24:43.200 --> 0:24:46.160
<v Speaker 1>yeah sad, you know you gotta prove listen, I didn't

0:24:48.240 --> 0:24:51.679
<v Speaker 1>you gotta prove listen, how did you think you get

0:24:51.760 --> 0:24:53.639
<v Speaker 1>a lot of artists don't get approved, maybe more they

0:24:53.640 --> 0:24:56.920
<v Speaker 1>don't just table. So I had to make a phone call.

0:24:57.480 --> 0:24:59.639
<v Speaker 1>You know what, I'm saying, so which one you want

0:24:59.680 --> 0:25:01.760
<v Speaker 1>to go to? Goal? The goal? Okay, but you know

0:25:01.880 --> 0:25:03.920
<v Speaker 1>that this is more expensive. This is the road. Okay,

0:25:04.119 --> 0:25:08.200
<v Speaker 1>it's gonna take this because I don't want him to

0:25:08.240 --> 0:25:10.119
<v Speaker 1>feel jerks like when people see him, like why did

0:25:10.200 --> 0:25:11.840
<v Speaker 1>you pick the goal? He didn't know the people. So

0:25:11.960 --> 0:25:13.600
<v Speaker 1>I want so you still want to go pick I

0:25:13.680 --> 0:25:18.359
<v Speaker 1>only drink that one. Okay, let's go this. Okay. So

0:25:19.880 --> 0:25:25.000
<v Speaker 1>so summer jams, summer jam. So you sunk this up.

0:25:25.200 --> 0:25:28.080
<v Speaker 1>This is what was in my opinion, because in my opinion,

0:25:28.119 --> 0:25:30.280
<v Speaker 1>this is just my hunting opinion. I can see you,

0:25:30.359 --> 0:25:32.240
<v Speaker 1>my friend, so I would have told you this off

0:25:32.280 --> 0:25:36.720
<v Speaker 1>the side. What it was was the timing. It wasn't

0:25:36.840 --> 0:25:39.639
<v Speaker 1>what you said, No, it was the timing of what

0:25:39.760 --> 0:25:42.320
<v Speaker 1>you said and said in place and how you said.

0:25:42.440 --> 0:25:46.200
<v Speaker 1>And the fact is this is your headline, correct, This

0:25:46.520 --> 0:25:51.320
<v Speaker 1>is a yes. This is a female who automatically, I

0:25:51.320 --> 0:25:53.479
<v Speaker 1>don't want to say just sensitive because he's a female.

0:25:53.840 --> 0:25:57.840
<v Speaker 1>But in this situation, you know she's a queen of

0:25:57.880 --> 0:26:01.480
<v Speaker 1>New y'all, this is New York number one station, and

0:26:01.640 --> 0:26:04.200
<v Speaker 1>you get along. What was it was it the afternoon, No,

0:26:04.359 --> 0:26:07.040
<v Speaker 1>it was the festival stage. So it was Kendrick was

0:26:07.080 --> 0:26:10.840
<v Speaker 1>about to come out on the festivals. So as part

0:26:10.920 --> 0:26:13.600
<v Speaker 1>of my way of hyping the crowd for Kendrick. You know,

0:26:13.640 --> 0:26:17.160
<v Speaker 1>I'm a wrestling fan. It's all about it's all about,

0:26:17.200 --> 0:26:19.320
<v Speaker 1>it's about what it's in wrestling. We call it cheap heat, which,

0:26:19.320 --> 0:26:21.520
<v Speaker 1>by the way, is the name of my podcast, Subscribe Everywhere.

0:26:21.840 --> 0:26:27.800
<v Speaker 1>Cheap heat mean sheep, cheap like heat. Pet about to

0:26:27.800 --> 0:26:29.560
<v Speaker 1>say you bring it back to Pets, let's go come.

0:26:32.200 --> 0:26:35.399
<v Speaker 1>So cheap heat means in wrestling, if you want to

0:26:35.440 --> 0:26:37.479
<v Speaker 1>get the crowd hot at you, that's called heat, right,

0:26:37.520 --> 0:26:39.920
<v Speaker 1>So bad guys want to get heat. The cheapest way

0:26:39.960 --> 0:26:42.080
<v Speaker 1>to get heat is to get out in the crowd

0:26:42.160 --> 0:26:44.440
<v Speaker 1>and say the bad guy comes out in Miami and goes,

0:26:44.600 --> 0:26:48.119
<v Speaker 1>I can't stand Miami, I'm from New York. Whatever. And

0:26:48.200 --> 0:26:50.000
<v Speaker 1>if you want a cheap pop, the way you come

0:26:50.040 --> 0:26:51.720
<v Speaker 1>out is you're like, it's so great to be here

0:26:51.760 --> 0:26:55.560
<v Speaker 1>in Miami. These are cheap cheap and cheap hoops. I

0:26:55.760 --> 0:26:57.920
<v Speaker 1>was doing both. I was really going for a cheap

0:26:57.960 --> 0:26:59.760
<v Speaker 1>pop because I know that the crowd that's there to

0:26:59.800 --> 0:27:03.520
<v Speaker 1>see Kendrick. When I say fuck Starships, I know the

0:27:03.640 --> 0:27:06.680
<v Speaker 1>crowd is gonna cheer for that. So it's for you

0:27:06.880 --> 0:27:12.000
<v Speaker 1>right now. Thank you for your bottles. But by the way,

0:27:12.000 --> 0:27:14.080
<v Speaker 1>I don't think we got cheat heat in hip hop.

0:27:15.000 --> 0:27:17.600
<v Speaker 1>I'm sure. I don't think we do well maybe not,

0:27:17.800 --> 0:27:19.840
<v Speaker 1>You're right, I mean it ended up being expensive, I'm sure.

0:27:20.720 --> 0:27:22.800
<v Speaker 1>So I tried to pop the crowd by saying, now, listen,

0:27:22.960 --> 0:27:24.720
<v Speaker 1>the truth is I had already been on the radio

0:27:24.840 --> 0:27:27.000
<v Speaker 1>dissing starships at that point for months, right, And you

0:27:27.080 --> 0:27:29.879
<v Speaker 1>gotta realize us as artists, right when we have a

0:27:29.960 --> 0:27:32.720
<v Speaker 1>relationship with you guys, when you just the record, we

0:27:32.840 --> 0:27:35.439
<v Speaker 1>don't feel like we don't feel like you're dissing the record,

0:27:35.600 --> 0:27:39.440
<v Speaker 1>but like disting us. And I had no relationship with well,

0:27:39.640 --> 0:27:41.560
<v Speaker 1>it's even worse in some ways because I had at

0:27:41.600 --> 0:27:44.480
<v Speaker 1>that time. I didn't know Nikki at all. For Abril

0:27:44.800 --> 0:27:48.359
<v Speaker 1>Nick and yeah, but remember your your guilty back associated

0:27:48.400 --> 0:27:50.439
<v Speaker 1>well then, but remember Nicki's not even really in New

0:27:50.480 --> 0:27:52.160
<v Speaker 1>York that much of that time, right, She's moving around,

0:27:52.160 --> 0:27:54.600
<v Speaker 1>she's blowing up, she's still and she's hearing it from

0:27:54.640 --> 0:27:59.920
<v Speaker 1>people though that people go, So I make a joke,

0:28:00.200 --> 0:28:01.960
<v Speaker 1>right like I used to make. I used to tease

0:28:02.040 --> 0:28:05.240
<v Speaker 1>Nick you know, if you sip that I'm not an

0:28:06.720 --> 0:28:10.840
<v Speaker 1>m h so Nikki at that time. You know, when

0:28:10.880 --> 0:28:12.480
<v Speaker 1>she would do like sort of her voices, she would

0:28:12.480 --> 0:28:15.480
<v Speaker 1>go into like on Monster Scipa and I when we

0:28:15.520 --> 0:28:17.040
<v Speaker 1>do the show, we would sort of like tease that,

0:28:17.200 --> 0:28:19.000
<v Speaker 1>but not like we were shipping on it. We would,

0:28:20.440 --> 0:28:22.680
<v Speaker 1>but it really wasn't shipping on it. Like we thought

0:28:22.760 --> 0:28:25.320
<v Speaker 1>she was dope. But when her friend, when people hear

0:28:25.400 --> 0:28:27.919
<v Speaker 1>it and they're like, yo, the fucking Safari came up

0:28:27.960 --> 0:28:30.240
<v Speaker 1>to her, people are telling her people talk shit. So

0:28:30.359 --> 0:28:33.159
<v Speaker 1>she already wasn't working with us. And then I did

0:28:33.240 --> 0:28:35.440
<v Speaker 1>Starships and I'm like, what is this record? Blah blah

0:28:35.440 --> 0:28:39.440
<v Speaker 1>blah and twelve so people wasn't going live, so this

0:28:39.600 --> 0:28:41.240
<v Speaker 1>is this this So this is not like she could

0:28:41.280 --> 0:28:44.040
<v Speaker 1>have went and look at someone's Instagram. So people aren't

0:28:44.040 --> 0:28:47.480
<v Speaker 1>going live. Oh they're hearing It's still weird unless it

0:28:47.600 --> 0:28:50.280
<v Speaker 1>was a clip we put up. She she wasn't gonna

0:28:50.320 --> 0:28:52.680
<v Speaker 1>hear it. So and I didn't like Starships, and I

0:28:52.760 --> 0:28:54.480
<v Speaker 1>stand by that. I think history kind of proved me

0:28:54.600 --> 0:28:56.640
<v Speaker 1>right on. Even though she made a bowload of money

0:28:56.680 --> 0:28:58.720
<v Speaker 1>on it did really well, it wasn't It wasn't a

0:28:58.760 --> 0:29:01.560
<v Speaker 1>record that I liked now, I admit I did not

0:29:01.840 --> 0:29:05.200
<v Speaker 1>at the time think of sort of the implications, you know,

0:29:05.360 --> 0:29:08.040
<v Speaker 1>me being a man, being a white man who she

0:29:08.120 --> 0:29:11.200
<v Speaker 1>doesn't know and wasn't even all that established yet shipping

0:29:11.280 --> 0:29:14.560
<v Speaker 1>on you know, her record. I now realized sort of

0:29:14.600 --> 0:29:17.880
<v Speaker 1>the privilege that was built into that, but at the time,

0:29:19.000 --> 0:29:21.040
<v Speaker 1>I'm just repping for it. To me, it's hip hop

0:29:21.200 --> 0:29:25.560
<v Speaker 1>all day. And while I'm regretful about some of those situations,

0:29:25.640 --> 0:29:28.200
<v Speaker 1>let's be honest. If I wasn't the kind of person

0:29:28.280 --> 0:29:31.160
<v Speaker 1>who said ship like that, I wouldn't ever be here

0:29:31.280 --> 0:29:34.480
<v Speaker 1>right now. If you don't have enough swagger and stupid,

0:29:34.640 --> 0:29:39.200
<v Speaker 1>ill advised confidence to talk shit, you're not interesting. And

0:29:39.480 --> 0:29:42.200
<v Speaker 1>I had to show listen all the rappers who wanted

0:29:42.240 --> 0:29:44.520
<v Speaker 1>to funk me up in the first few years, most

0:29:44.560 --> 0:29:48.560
<v Speaker 1>of which I'm close with now. Present company included it.

0:29:49.880 --> 0:29:52.760
<v Speaker 1>It all came from a place of like, I just

0:29:52.880 --> 0:29:55.080
<v Speaker 1>had stupid confidence that I deserve to be here and

0:29:55.080 --> 0:29:57.840
<v Speaker 1>should have the conversation. In retrospect, I could see how

0:29:57.920 --> 0:30:01.240
<v Speaker 1>now that would be considered problematic, but at the time

0:30:01.320 --> 0:30:03.160
<v Speaker 1>I was just a guy who's like trying to get on.

0:30:03.680 --> 0:30:05.840
<v Speaker 1>I've studied the game, and I'm gonna give my opinions,

0:30:05.880 --> 0:30:07.480
<v Speaker 1>and that's what Ebro wanted me to do. So I

0:30:07.600 --> 0:30:09.080
<v Speaker 1>was just doing what I thought I was supposed to do.

0:30:09.280 --> 0:30:11.520
<v Speaker 1>But let's just be clear, all right, cool not Let's

0:30:11.600 --> 0:30:13.320
<v Speaker 1>take ad way the fact that she's a girl. That's

0:30:13.360 --> 0:30:15.440
<v Speaker 1>a good way of the fact that, um, she's a

0:30:16.240 --> 0:30:18.600
<v Speaker 1>queen of y right, that's a good way to fact

0:30:18.640 --> 0:30:20.640
<v Speaker 1>for that right now. Just the fact that it was

0:30:20.720 --> 0:30:23.760
<v Speaker 1>the headline, Yes, that's a stupid party, and it was

0:30:23.840 --> 0:30:26.680
<v Speaker 1>streaming on her website. Oh wait a minute, what so

0:30:26.800 --> 0:30:32.840
<v Speaker 1>see streaming? Like because the website. The next thing I know.

0:30:33.520 --> 0:30:35.040
<v Speaker 1>The next thing I know, I'm on the side of

0:30:35.120 --> 0:30:38.320
<v Speaker 1>the stage comes up to me where shows about to start.

0:30:38.360 --> 0:30:40.200
<v Speaker 1>Heros like, you do you say something about Nikki on

0:30:40.240 --> 0:30:43.120
<v Speaker 1>the festival stage? And I swear to god, I was like,

0:30:43.880 --> 0:30:46.520
<v Speaker 1>I didn't remember. I was like, oh, yeah, I did.

0:30:46.560 --> 0:30:48.680
<v Speaker 1>I did. I talked about starships. He was like, yeah,

0:30:48.680 --> 0:30:51.120
<v Speaker 1>she pulled out of the show, and I was like.

0:30:51.640 --> 0:30:53.600
<v Speaker 1>The next second, I go on my phone. I opened

0:30:53.640 --> 0:30:58.200
<v Speaker 1>up Twitter. I just see trending Peter Rosenberg. I was like, well,

0:30:58.280 --> 0:31:01.960
<v Speaker 1>this is not good. She's not doing the show. And

0:31:02.120 --> 0:31:04.280
<v Speaker 1>so the first thing I'm worried about naturally is my job.

0:31:04.680 --> 0:31:05.959
<v Speaker 1>You know, I've only been there a few years at

0:31:06.000 --> 0:31:08.480
<v Speaker 1>that point, and I'm like, I just cost us NICKI

0:31:08.520 --> 0:31:11.560
<v Speaker 1>Minaj at summer Jam. That was fucking stupid, and you're right,

0:31:11.640 --> 0:31:15.840
<v Speaker 1>the time in place was ridiculous and I just wasn't

0:31:15.840 --> 0:31:19.680
<v Speaker 1>being thoughtful. It was just fucking stupid. Had rectified that situation,

0:31:19.840 --> 0:31:23.640
<v Speaker 1>had to apologize, right, didn't there or that was no one?

0:31:24.000 --> 0:31:26.800
<v Speaker 1>No one even considered that, you know, and this is

0:31:26.840 --> 0:31:32.320
<v Speaker 1>where hot you know listen, Ebro and Flex both neither

0:31:32.440 --> 0:31:35.880
<v Speaker 1>has a small ego either. So while while I'm sure

0:31:35.920 --> 0:31:37.760
<v Speaker 1>they might have been upset with me on some level,

0:31:37.840 --> 0:31:40.400
<v Speaker 1>though neither ever said they were upset with me, they

0:31:40.520 --> 0:31:42.480
<v Speaker 1>both just went the other way. It's like, Okay, it's

0:31:42.480 --> 0:31:46.440
<v Speaker 1>like the Brothers in Blue Leg. They said, well, that's

0:31:46.480 --> 0:31:56.440
<v Speaker 1>not it was like the Brothers Blue anyway. You know.

0:31:56.560 --> 0:31:58.560
<v Speaker 1>I think they went with like, oh, they're pulling out

0:31:59.040 --> 0:32:01.000
<v Speaker 1>that we're hot any seven, No one's pulling out on

0:32:01.040 --> 0:32:04.280
<v Speaker 1>our ship. It's summer jam. So they took that approach

0:32:04.320 --> 0:32:06.120
<v Speaker 1>of defending me, and then of course it got messy

0:32:06.240 --> 0:32:10.160
<v Speaker 1>because all young money pulled out. You know, Buster was

0:32:10.240 --> 0:32:12.480
<v Speaker 1>not happy with me. You know who I do have

0:32:12.560 --> 0:32:15.000
<v Speaker 1>a great relationship with and he was not happy. That

0:32:15.200 --> 0:32:17.240
<v Speaker 1>was one of the many times I bust. It was

0:32:17.360 --> 0:32:20.040
<v Speaker 1>on cash money at the time. Okay, and guess who

0:32:20.080 --> 0:32:25.440
<v Speaker 1>else was Kalid? So you know, people weren't happy, but um,

0:32:25.840 --> 0:32:27.840
<v Speaker 1>at the same time, everyone was cool in the long run.

0:32:28.080 --> 0:32:29.680
<v Speaker 1>You know, it took some time with Nikki to smooth

0:32:29.720 --> 0:32:32.720
<v Speaker 1>things over because you did eventually apologize to correct I did,

0:32:32.960 --> 0:32:34.720
<v Speaker 1>and she did. I watched the video again recently. She

0:32:34.800 --> 0:32:39.080
<v Speaker 1>definitely soned the living ship out of the situation. A

0:32:39.240 --> 0:32:41.960
<v Speaker 1>year later, before summer, jam Ebro sets up this whole

0:32:42.040 --> 0:32:44.160
<v Speaker 1>thing for me to go come face to face with her.

0:32:44.400 --> 0:32:46.360
<v Speaker 1>First of all, Ibro had to be there, which is

0:32:47.040 --> 0:32:48.920
<v Speaker 1>I don't know if she was doing little Nicky might

0:32:48.960 --> 0:32:50.800
<v Speaker 1>have sucked you up. I'm just going it up. You

0:32:50.840 --> 0:32:53.920
<v Speaker 1>know what. It probably helped. So I went to put

0:32:53.960 --> 0:32:56.120
<v Speaker 1>my money and I just sat there one on m

0:32:56.160 --> 0:32:59.320
<v Speaker 1>with her and she just sort of, well, you intimidated.

0:32:59.600 --> 0:33:03.120
<v Speaker 1>Nicky's see, it's a little intimidate she is. Nikki is

0:33:03.200 --> 0:33:06.960
<v Speaker 1>super intimidating, and in that moment I was I was shook,

0:33:07.600 --> 0:33:09.600
<v Speaker 1>and I took my lumps and said I'm sorry, and

0:33:09.720 --> 0:33:11.840
<v Speaker 1>she said, you're not smart. You're not funny, you're this,

0:33:12.040 --> 0:33:15.880
<v Speaker 1>you're that, and honestly, not all that's true. I am

0:33:16.000 --> 0:33:19.640
<v Speaker 1>rather smart, but it's okay. I understand why you're not

0:33:19.680 --> 0:33:25.600
<v Speaker 1>feeling me. I apologized, and yeah, and then the truth is,

0:33:25.720 --> 0:33:28.360
<v Speaker 1>though I don't talk to Nicky anymore, the truth is

0:33:28.440 --> 0:33:31.240
<v Speaker 1>we had a period after that, over a couple of

0:33:31.360 --> 0:33:34.120
<v Speaker 1>years where we were actually pretty cool, Like we would

0:33:34.160 --> 0:33:38.320
<v Speaker 1>actually text and talk about music, and I would a

0:33:38.400 --> 0:33:45.920
<v Speaker 1>lot more. I want Sexton with NICKI and no, no,

0:33:46.000 --> 0:33:48.080
<v Speaker 1>that ship comes up green now. But you know, we

0:33:48.120 --> 0:33:50.000
<v Speaker 1>had a period where we were cool, and like even

0:33:50.040 --> 0:33:53.400
<v Speaker 1>the next year at Summer jam um, like we talked

0:33:53.480 --> 0:33:57.080
<v Speaker 1>on stage and I don't know, I actually felt the same.

0:33:57.240 --> 0:33:58.560
<v Speaker 1>You know, when you beef with people or have a

0:33:58.640 --> 0:34:02.000
<v Speaker 1>feud with someone, once you make up, there is some

0:34:02.120 --> 0:34:05.120
<v Speaker 1>sort of odd kinship that exists. Like I'm not saying

0:34:05.200 --> 0:34:06.800
<v Speaker 1>Nicky likes me. I don't know how Nicky feels about

0:34:06.800 --> 0:34:08.120
<v Speaker 1>me at all, but I know that at that time

0:34:08.160 --> 0:34:11.359
<v Speaker 1>I definitely felt some level of closeness, you know, through

0:34:11.400 --> 0:34:13.040
<v Speaker 1>some ship and you got through it and we both

0:34:13.120 --> 0:34:15.719
<v Speaker 1>and by the way, for the record, as mad as

0:34:15.800 --> 0:34:19.160
<v Speaker 1>she was at me after that whole ship, her next

0:34:19.200 --> 0:34:21.840
<v Speaker 1>album was her most hip hop and most successful. She

0:34:22.040 --> 0:34:25.799
<v Speaker 1>bodied her next album was I think the next one

0:34:26.080 --> 0:34:31.440
<v Speaker 1>was Pink Friday or was it Pink Print? I love

0:34:31.520 --> 0:34:35.359
<v Speaker 1>how you grabbed the phone thinking instead of thinking how

0:34:35.400 --> 0:34:37.360
<v Speaker 1>we used to do. It's so fucked up. It's so

0:34:37.520 --> 0:34:39.320
<v Speaker 1>fucked up that you are literally correct. That is what

0:34:39.400 --> 0:34:43.560
<v Speaker 1>I do now albums. At this point, you're taking credit

0:34:43.640 --> 0:34:46.439
<v Speaker 1>for that next album. You know you're a good radio host.

0:34:48.640 --> 0:34:51.640
<v Speaker 1>It was it was she no Pink Friday, Roman Reloaded

0:34:51.680 --> 0:34:53.719
<v Speaker 1>might have been the one with starships on it, so

0:34:53.800 --> 0:34:58.080
<v Speaker 1>it would have been the next one, um, which was

0:34:59.520 --> 0:35:03.520
<v Speaker 1>um the Pink Print? Okay, um No, I'm not taking

0:35:03.600 --> 0:35:09.120
<v Speaker 1>credit and I try ef you've really developed quite the host. However,

0:35:09.920 --> 0:35:14.880
<v Speaker 1>I do think that there that that situation maybe impacted

0:35:14.920 --> 0:35:16.440
<v Speaker 1>her on to some level, and she was like y

0:35:16.480 --> 0:35:18.080
<v Speaker 1>wanting to the hip hop ship and let's be honest

0:35:18.200 --> 0:35:21.280
<v Speaker 1>in sub consciously nicky with Barr, but we all want Rocket.

0:35:26.080 --> 0:35:31.799
<v Speaker 1>I imagine growing up being all from being from New

0:35:31.880 --> 0:35:35.000
<v Speaker 1>York City, you had to be fans of Jay and not.

0:35:35.719 --> 0:35:39.839
<v Speaker 1>But at one point you was at odds with Jay,

0:35:40.160 --> 0:35:44.200
<v Speaker 1>and I mean, which one you want to talk about first?

0:35:44.239 --> 0:35:47.160
<v Speaker 1>If you if you so all right, Let's say j

0:35:47.360 --> 0:35:50.480
<v Speaker 1>J for instance, because you were at Rockefeller and this

0:35:50.719 --> 0:35:54.400
<v Speaker 1>is you leaving Rocket Feller or exited Rockefeller, these records

0:35:54.440 --> 0:35:57.240
<v Speaker 1>that pop up now. But what happened was I believe

0:35:58.440 --> 0:36:01.000
<v Speaker 1>Dame was gonna make me the press the rocket Feller.

0:36:01.080 --> 0:36:03.480
<v Speaker 1>Now this is his office. That was just that has

0:36:03.560 --> 0:36:05.880
<v Speaker 1>to do with this office he was talking about earlier. No,

0:36:06.000 --> 0:36:10.440
<v Speaker 1>we just house. That wasn't the same time and he

0:36:10.560 --> 0:36:13.719
<v Speaker 1>was the president. It never really came before wishing me

0:36:13.800 --> 0:36:16.120
<v Speaker 1>being a president, being actually president. He want to make

0:36:16.160 --> 0:36:21.040
<v Speaker 1>me a president, Okay, and I don't think he talk

0:36:21.160 --> 0:36:23.560
<v Speaker 1>to j about that, you know what I'm saying. So

0:36:23.840 --> 0:36:25.920
<v Speaker 1>like when I ainked a bus it and me and

0:36:26.000 --> 0:36:28.520
<v Speaker 1>Jay Cool were just on the sky Zoom call like

0:36:28.600 --> 0:36:30.680
<v Speaker 1>a week ago. So this just stories. Me and jay

0:36:30.680 --> 0:36:36.560
<v Speaker 1>an't got no problems. We're super cool. So to by

0:36:36.560 --> 0:36:43.600
<v Speaker 1>the way, I thought, I'm gonna take it with me. No, no,

0:36:43.680 --> 0:36:50.040
<v Speaker 1>I appreciate it. So um. Basically when I got the

0:36:50.160 --> 0:36:53.320
<v Speaker 1>Rocket Feller, you know, I tried to ingratiate myself with

0:36:53.440 --> 0:36:55.680
<v Speaker 1>everybody because I don't know what that mean. Yeah, I'm

0:36:55.680 --> 0:36:58.279
<v Speaker 1>trying to be cool. Whateverybody I'm trying to say. They

0:36:58.360 --> 0:37:05.320
<v Speaker 1>already have something going, and I know, trying to be

0:37:05.400 --> 0:37:07.560
<v Speaker 1>cool with everybody because y'all got your own thing. You

0:37:07.600 --> 0:37:08.800
<v Speaker 1>know what I'm saying. I don't want to come in

0:37:08.840 --> 0:37:10.680
<v Speaker 1>here and seem like I'm stepping on toes or whatever.

0:37:11.200 --> 0:37:13.920
<v Speaker 1>So I'm cool with everybody. You know, Hey, this down

0:37:14.000 --> 0:37:17.480
<v Speaker 1>the third and you know Jay Jay is a competitor,

0:37:17.560 --> 0:37:21.239
<v Speaker 1>you know what I'm saying, So me coming there, I

0:37:21.280 --> 0:37:24.320
<v Speaker 1>don't know this was dame situation and say something that

0:37:24.440 --> 0:37:30.880
<v Speaker 1>he did. So you know, um, first thing is happened.

0:37:30.880 --> 0:37:32.800
<v Speaker 1>I bought Kate Slay up there, and I guess I

0:37:32.880 --> 0:37:36.120
<v Speaker 1>didn't know he was mad at Kase Slave because Kse

0:37:36.160 --> 0:37:39.160
<v Speaker 1>Slay must to play Ether at the time, and he

0:37:39.360 --> 0:37:42.239
<v Speaker 1>was mad at no for Ether and orders never heard

0:37:42.280 --> 0:37:44.560
<v Speaker 1>this story. Yeah yeah, I'm telling you. You'm telling you

0:37:44.600 --> 0:37:48.439
<v Speaker 1>what happened, you guys k slect So I've heard this story. Yeah,

0:37:48.680 --> 0:37:53.759
<v Speaker 1>wait a minute, what you say? Run Case Lay up

0:37:53.840 --> 0:37:59.360
<v Speaker 1>to baseline? Yeah, okay, this is after Case Slave. He

0:37:59.520 --> 0:38:03.160
<v Speaker 1>definitely voted for Naz either. Remember this good? Yeah, So

0:38:04.000 --> 0:38:06.719
<v Speaker 1>board them up there because you know we're using case

0:38:06.719 --> 0:38:09.280
<v Speaker 1>Slay the Hoholetime mixtape. So kid came up there. Boom,

0:38:09.560 --> 0:38:12.279
<v Speaker 1>Jay wasn't there. But as I'm leaving, Jay is in

0:38:12.400 --> 0:38:17.000
<v Speaker 1>the lobby of Baseline, so I want k to the elevator,

0:38:18.560 --> 0:38:21.359
<v Speaker 1>and I guess they said Jay and jay Z said

0:38:21.400 --> 0:38:24.759
<v Speaker 1>what's up? Whatever? So I walked back and he said, Yo,

0:38:24.800 --> 0:38:26.719
<v Speaker 1>you gotta be careful who you bringing around here. He

0:38:26.800 --> 0:38:28.600
<v Speaker 1>might have just slapped the ship out of case slag

0:38:28.640 --> 0:38:31.719
<v Speaker 1>And I'm like, wait, what's going on? Man? And you know,

0:38:31.800 --> 0:38:34.160
<v Speaker 1>I don't even know what's going on. He's like he's like,

0:38:34.719 --> 0:38:37.879
<v Speaker 1>he's like, yo, just saying be careful. All right, cool,

0:38:37.960 --> 0:38:39.400
<v Speaker 1>this is your house. Ain't not no problem with that,

0:38:39.480 --> 0:38:43.359
<v Speaker 1>you know what I'm saying. It's all good. Cool. We're

0:38:43.400 --> 0:38:47.560
<v Speaker 1>building buzz up. I'm like, yo, Jay the studio. I'm like, yo,

0:38:47.640 --> 0:38:50.480
<v Speaker 1>we might want to hop on his record. We're building

0:38:50.480 --> 0:38:55.399
<v Speaker 1>the buzz and he'll just look like, okay, that's cute,

0:38:55.480 --> 0:38:57.880
<v Speaker 1>Like he didn't say that, but he's like okay. I'm like,

0:38:58.000 --> 0:39:01.120
<v Speaker 1>all right, cool, cool. I don't know what's going on,

0:39:01.360 --> 0:39:06.440
<v Speaker 1>but whatever. So um I saw heating up, you know

0:39:06.480 --> 0:39:12.560
<v Speaker 1>what I'm saying, And he like, yo, well, seeming you know,

0:39:12.840 --> 0:39:15.279
<v Speaker 1>you could tell us some tension. So one day I

0:39:15.360 --> 0:39:17.360
<v Speaker 1>come to the studio. You're like, Yo, it seems like

0:39:17.400 --> 0:39:21.320
<v Speaker 1>it's some tension in here. Yeah to me, I'm talking.

0:39:21.520 --> 0:39:23.320
<v Speaker 1>I don't know if exact words, but he says something

0:39:23.360 --> 0:39:25.000
<v Speaker 1>going on. I just want to let you know, I

0:39:25.080 --> 0:39:27.719
<v Speaker 1>see all niggers rocking. I ain't got no problem. Were

0:39:27.719 --> 0:39:30.640
<v Speaker 1>all good, you know what I'm saying, something like bad

0:39:31.680 --> 0:39:35.200
<v Speaker 1>Um just got a song up right now, you know, like, yeah,

0:39:35.280 --> 0:39:37.800
<v Speaker 1>let's just do it now. And he's like, back, So

0:39:37.920 --> 0:39:41.200
<v Speaker 1>we did the song room, So I said, Yo, the song.

0:39:41.280 --> 0:39:46.680
<v Speaker 1>He know, we might could do the video. He like, okay,

0:39:46.800 --> 0:39:51.080
<v Speaker 1>we back to that. Cool. So that that happened. Then

0:39:52.120 --> 0:39:54.360
<v Speaker 1>back to all we're saying about I'm starting to do

0:39:54.560 --> 0:39:57.680
<v Speaker 1>bus moves or whatever. Because there was that. There was

0:39:57.800 --> 0:40:00.239
<v Speaker 1>a jay Z verse on Old Boy and you to

0:40:00.320 --> 0:40:04.680
<v Speaker 1>tell you that. So Pete Crap, nobody's fucking Pete Crap,

0:40:04.920 --> 0:40:08.200
<v Speaker 1>State property, nobody, PETI crack. I was gonna fun with

0:40:08.239 --> 0:40:15.120
<v Speaker 1>Speedy Crap. He had the song one for Pete Crap. Yeah,

0:40:16.160 --> 0:40:18.520
<v Speaker 1>that was this on myself. I put me in jewels

0:40:18.560 --> 0:40:20.960
<v Speaker 1>on it, taking the damn Like about the fun, He like,

0:40:21.000 --> 0:40:22.840
<v Speaker 1>he fulfilled you to funk with stay property. I'm like,

0:40:23.440 --> 0:40:27.640
<v Speaker 1>why everything I gotta be so philly? This holmness. I

0:40:27.680 --> 0:40:30.439
<v Speaker 1>don't think I heard the story. Pete Cracker story don't

0:40:30.440 --> 0:40:34.640
<v Speaker 1>even need to drink. It's on flag. He told the

0:40:34.719 --> 0:40:37.680
<v Speaker 1>story on VLAG. I already knew how I went anyway,

0:40:37.719 --> 0:40:40.480
<v Speaker 1>but he tells the story. So day in the studio,

0:40:40.560 --> 0:40:42.640
<v Speaker 1>he said he got this hot song, you know, because

0:40:42.680 --> 0:40:44.880
<v Speaker 1>he wasn't signing State property. I was working with him.

0:40:44.920 --> 0:40:47.600
<v Speaker 1>He come to New York or whatever, and I was

0:40:47.640 --> 0:40:49.600
<v Speaker 1>gonna sign him, but Dame was like, I was gonna

0:40:49.640 --> 0:40:51.640
<v Speaker 1>sunk up ful Philly and all this ship. And I'm like,

0:40:52.560 --> 0:40:55.120
<v Speaker 1>so pet was was like, this is a situation. Bothyards

0:40:55.160 --> 0:40:57.239
<v Speaker 1>right by the way, Ye, Dame is right and and

0:40:57.680 --> 0:40:59.920
<v Speaker 1>you were right to this is situation. But continue. So well,

0:41:00.080 --> 0:41:03.200
<v Speaker 1>he's on his own proper. But it's seeming like that,

0:41:03.280 --> 0:41:06.040
<v Speaker 1>but he's not. So he's like, I'm not signing him,

0:41:06.080 --> 0:41:10.960
<v Speaker 1>niggas Cam. So we did the song, so he played.

0:41:11.160 --> 0:41:13.960
<v Speaker 1>Pete's playing the song for jay Z whoever else in

0:41:14.000 --> 0:41:17.680
<v Speaker 1>the studio, And like I said, Pete, Pete Cracks story

0:41:17.880 --> 0:41:19.800
<v Speaker 1>is on Flack. He talks about a couple of interviews.

0:41:19.800 --> 0:41:22.160
<v Speaker 1>I already knew how he went though, but we don't

0:41:22.200 --> 0:41:25.320
<v Speaker 1>mention that other outlets. Yeah, so he's playing sorry about that,

0:41:25.640 --> 0:41:30.000
<v Speaker 1>So he's especially that they apologize. A couple of videos

0:41:30.080 --> 0:41:32.239
<v Speaker 1>he he a couple of the interviews he mentioned this.

0:41:32.680 --> 0:41:36.160
<v Speaker 1>So he says he's in the studio playing it and

0:41:36.320 --> 0:41:39.760
<v Speaker 1>my verse come on and J say stop. It erased

0:41:39.800 --> 0:41:45.720
<v Speaker 1>that ship and just erased my whole verse. So Pete

0:41:45.880 --> 0:41:54.759
<v Speaker 1>calls me, he like, you're saying the original one for

0:41:54.880 --> 0:42:01.040
<v Speaker 1>Pete K you're on there. Yes, he in the studio

0:42:01.880 --> 0:42:05.759
<v Speaker 1>actually plays director. No, this is what happened. I used

0:42:05.800 --> 0:42:08.320
<v Speaker 1>to go to Philly. I has salon in Philly. You

0:42:08.360 --> 0:42:15.160
<v Speaker 1>know what I'm saying. So so one night I thought,

0:42:15.280 --> 0:42:17.000
<v Speaker 1>you know, check on my business. And Philly, I go

0:42:17.120 --> 0:42:19.480
<v Speaker 1>to a club this DJ Korey Yak I think his

0:42:19.600 --> 0:42:21.759
<v Speaker 1>name was, and I'm like, in the hole in the

0:42:21.840 --> 0:42:24.160
<v Speaker 1>wall and P D. Crack is performing in this hole

0:42:24.200 --> 0:42:25.840
<v Speaker 1>in the war and the whole club is going crazy.

0:42:26.320 --> 0:42:28.400
<v Speaker 1>So I went up to him in Meadow, I'm like, yo,

0:42:28.520 --> 0:42:30.600
<v Speaker 1>what's up here? Like now you know, beans, just stand

0:42:30.640 --> 0:42:32.920
<v Speaker 1>the third and then I funk with everybody. You know,

0:42:33.320 --> 0:42:35.759
<v Speaker 1>there were those with his niggas. So then a week

0:42:35.880 --> 0:42:37.440
<v Speaker 1>or two later I went to I don't know the

0:42:37.480 --> 0:42:40.399
<v Speaker 1>time that we go to Philly, radio station and he's

0:42:40.440 --> 0:42:44.920
<v Speaker 1>outside the radio station. Yeah, he's outside the radio station,

0:42:45.640 --> 0:42:47.480
<v Speaker 1>and he like, chill her. What's up? Man? I'm like,

0:42:48.600 --> 0:42:51.120
<v Speaker 1>I thought you with state property, like game ain't sa

0:42:51.320 --> 0:42:54.080
<v Speaker 1>Damon's there. He's like, they ain't sign me nothing. I'm like, word,

0:42:54.440 --> 0:42:57.360
<v Speaker 1>so that record you this, you're not send it to me?

0:42:57.960 --> 0:42:59.560
<v Speaker 1>But I wasn't sending that some type of way. He

0:42:59.600 --> 0:43:01.520
<v Speaker 1>gave me a E D I think I had, and

0:43:01.640 --> 0:43:04.279
<v Speaker 1>I did it and gave it to him. He came

0:43:04.320 --> 0:43:06.279
<v Speaker 1>and used to come to New York. So when I

0:43:06.360 --> 0:43:08.839
<v Speaker 1>did it, Dame, it's like, yo, hold on, I said,

0:43:08.880 --> 0:43:12.640
<v Speaker 1>the man said, you're not signing y'all. There's nobody. Well

0:43:12.800 --> 0:43:14.719
<v Speaker 1>you know, we was gonna do this and was gonna

0:43:14.760 --> 0:43:18.000
<v Speaker 1>do that, and I'm like whatever. So then what happened

0:43:18.160 --> 0:43:21.520
<v Speaker 1>was Dames said, look, I guess beans and Nothing's like

0:43:21.600 --> 0:43:25.000
<v Speaker 1>how can this was pt cracks on me? How Kim

0:43:25.080 --> 0:43:28.400
<v Speaker 1>and them jumping on our record on the Philly record bed, Like,

0:43:28.960 --> 0:43:31.320
<v Speaker 1>I ain't know you wanted to do the record. So

0:43:31.520 --> 0:43:33.320
<v Speaker 1>Dame come to me. I guess it was a problem

0:43:33.400 --> 0:43:38.600
<v Speaker 1>over that or whatever. Dame like, Yo, this is what

0:43:38.680 --> 0:43:41.600
<v Speaker 1>we're gonna do. We're gonna put State property on it

0:43:41.680 --> 0:43:44.120
<v Speaker 1>and keep you on it. We're gonna take you els off.

0:43:44.200 --> 0:43:46.800
<v Speaker 1>I'm like, no, I didn't take me off too, Like

0:43:46.960 --> 0:43:49.200
<v Speaker 1>I don't understand what's going on, why this is such

0:43:49.239 --> 0:43:51.640
<v Speaker 1>a big deal, Like its gonna take you els off

0:43:51.680 --> 0:43:55.040
<v Speaker 1>and leave you. And I'm like, nah, man, I said,

0:43:55.040 --> 0:43:56.879
<v Speaker 1>well take me off the record too, man, And ain't

0:43:56.920 --> 0:44:00.160
<v Speaker 1>no problem. You know what I'm saying. But probably it's

0:44:00.160 --> 0:44:02.400
<v Speaker 1>an older video for that song and everything jay Z

0:44:02.560 --> 0:44:05.759
<v Speaker 1>heard the first and just erase my ship to Pete

0:44:05.840 --> 0:44:09.520
<v Speaker 1>crack erace it or shame whoever was um engineering that day.

0:44:10.120 --> 0:44:14.719
<v Speaker 1>I'm like, that's why and energy going on, but we

0:44:14.800 --> 0:44:16.959
<v Speaker 1>don't give a funk. But camp, I gotta ask because

0:44:16.960 --> 0:44:21.480
<v Speaker 1>this is very deep. Everybody's good, everybody's good right now,

0:44:21.560 --> 0:44:25.520
<v Speaker 1>but this is this is one facts you know that

0:44:25.600 --> 0:44:27.920
<v Speaker 1>that happened. You know that that if you want, we

0:44:28.000 --> 0:44:30.560
<v Speaker 1>could pose this interview. Pull it up on your phone.

0:44:31.719 --> 0:44:36.520
<v Speaker 1>We've got people who's paid for that. Let's go up first.

0:44:36.560 --> 0:44:39.800
<v Speaker 1>You pull up, pull up, Carmel, Jewells and Pete crap.

0:44:40.640 --> 0:44:44.080
<v Speaker 1>It's just called Pete. Ain't casting calls for a minute,

0:44:47.200 --> 0:44:53.880
<v Speaker 1>n ship. Yeah, but you put up pull up. I

0:44:53.920 --> 0:44:56.920
<v Speaker 1>don't want to break it. I don't want to. I

0:44:56.960 --> 0:44:58.200
<v Speaker 1>want to bring Zeke in, but I don't want to

0:44:58.200 --> 0:45:00.080
<v Speaker 1>bring want to keep going. See if you're get on

0:45:01.480 --> 0:45:06.440
<v Speaker 1>not even be even better coming from that. I've never

0:45:06.560 --> 0:45:09.399
<v Speaker 1>heard this story, so but I'm saying not the fact

0:45:09.440 --> 0:45:13.120
<v Speaker 1>that that doesn't exist, but the fact that the person

0:45:13.200 --> 0:45:15.200
<v Speaker 1>that said that Jay said to take that verse off.

0:45:16.600 --> 0:45:18.960
<v Speaker 1>That's real one million percent. I want to be on

0:45:19.040 --> 0:45:24.040
<v Speaker 1>your show making no ship confess. Yeah, yeah, yeah, you

0:45:24.080 --> 0:45:25.840
<v Speaker 1>know what I'm saying. I mean, I know you got

0:45:25.920 --> 0:45:29.080
<v Speaker 1>a huge Ordians. I ain't on time. You know, like

0:45:29.200 --> 0:45:32.160
<v Speaker 1>I said, Jay have a different way of going about it.

0:45:32.239 --> 0:45:34.239
<v Speaker 1>But this with Pete Crack said, he's like because he

0:45:34.320 --> 0:45:36.239
<v Speaker 1>wanted to give me a copy but already had a copy.

0:45:36.640 --> 0:45:40.279
<v Speaker 1>I'll put it on my mixtape. Thanks for joining us

0:45:40.320 --> 0:45:42.960
<v Speaker 1>for another episode of Drink Chance hosted by Yours Truly,

0:45:43.080 --> 0:45:45.640
<v Speaker 1>d J e F and n O r E. Please

0:45:45.680 --> 0:45:47.879
<v Speaker 1>make sure to follow us on all our socials. Let's

0:45:47.880 --> 0:45:51.440
<v Speaker 1>add Drink Champs across all platforms. At the Real Noriega

0:45:51.440 --> 0:45:54.799
<v Speaker 1>and I g at Noriega on Twitter, Mine is at

0:45:54.840 --> 0:45:58.000
<v Speaker 1>Who's Crazy on I g at d j e FN

0:45:58.120 --> 0:46:00.600
<v Speaker 1>on Twitter, and most importantly, stay to date with the

0:46:00.680 --> 0:46:04.320
<v Speaker 1>latest releases, news, and merch by going to drink Champs

0:46:04.560 --> 0:46:13.839
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