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Speaker 1: So with the movie that we're watching today, it made

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Speaker 1: me think of a question I wanted to ask you

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Speaker 1: that I'm not sure we've ever talked about, because, Okay,

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Speaker 1: when I was a little kid, little little kid, I

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Speaker 1: wanted to be an astronaut. Ooh, so what did you

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Speaker 1: What's the first thing you remember wanting to be when

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Speaker 1: you grew up.

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Speaker 2: Geez, that's a tough.

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Speaker 1: One, there, will I like I got, I go for

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Speaker 1: the hard hitting questions to start.

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Speaker 2: I know, my gosh, I know that I've always wanted

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Speaker 2: to be a mom, but I really wanted to be

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Speaker 2: a geologist when I was like six or seven.

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Speaker 3: That was your opinion.

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Speaker 1: That's one you don't normally hear little kids saying, is

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Speaker 1: I want to be a geologist?

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Speaker 2: Oh my gosh. Well, then you've clearly never had even

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Speaker 2: one conversation with my parents, because my dad loves to

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Speaker 2: talk about that I had. I was really I was

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Speaker 2: a lot more of a tomboy when I was younger,

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Speaker 2: and so I was out on my bike and all

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Speaker 2: over you know where we lived in our neighborhood. In

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Speaker 2: my backyard, we were redoing the backyard, so there was

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Speaker 2: a ton of rocks and my mom would come home

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Speaker 2: and I had picked up all these rocks and I

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Speaker 2: would wash them in my bathroom scene the one I

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Speaker 2: used to get ready and would clog the drain. She

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Speaker 2: would have that. And then I also was also more

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Speaker 2: into animals and kind of just science y type stuffs.

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Speaker 2: To where there was well, I thought, that's really what

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Speaker 2: I thought was a pond. I would I would jump

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Speaker 2: in with my friend Lindsay and we would get the

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Speaker 2: we would pull out tadpoles, and my mom kept going

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Speaker 2: where and that she would come home and in my

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Speaker 2: bath where I bathed would be are filled with these

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Speaker 2: like nasty little creatures there, and they were tadpoles, so

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Speaker 2: I thought I could raise them. That was my things.

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Speaker 3: Had to become like your army, your undead army of

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Speaker 3: the knights, No.

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Speaker 2: Just to be I got. I thought. I thought they

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Speaker 2: would be frogs. I wanted frogs, and I would climb

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Speaker 2: up trees and I would find like bird ness, like

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Speaker 2: I was into all kinds.

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Speaker 3: Of were like a young Steve Irwin, I gets so.

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Speaker 2: But rocks was a big thing for me too. I'd

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Speaker 2: find rocks in this pond too and pull them out,

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Speaker 2: and I mean they were gross. What I thought was

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Speaker 2: a pawn ended up being a sewer. Oh okay, yes,

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Speaker 2: this is a sewer under this overpassed by a golf course.

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Speaker 2: It was just right off the golf course, but it

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Speaker 2: was It wasn't like necessarily a really bad sewer, but

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Speaker 2: it was not.

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Speaker 3: It was one of the nicer sewers in the neighborhood.

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Speaker 2: Well, I mean, it wasn't. It wasn't gross as I thought,

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Speaker 2: the nice one. Oh.

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Speaker 1: I learn so much about you every time I get

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Speaker 1: to ask these questions.

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Speaker 3: I'm so happy.

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Speaker 2: Thanks for that ass. Well.

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Speaker 1: Welcome the Magical Rewind, the show that makes you want

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Speaker 1: to grab your friends, your PJS, and your popcorn and

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Speaker 1: go back to a time when all the houses were smart,

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Speaker 1: the waves, Tsunamis and the high School's musical.

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Speaker 3: I'm WILFORDLL and I'm Sabrina Brian.

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Speaker 4: Cedas Lapitas, Sabrina Cedas lapdes Well.

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Speaker 1: It is a brand new week here on Magical Rewind,

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Speaker 1: and we're hopping onto the space station or Space Day

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Speaker 1: to analyze the nineteen ninety nine Disney Channel original movie

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Speaker 1: Zenon Girl of the twenty first Century. Yes, we are here, folks,

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Speaker 1: We are officially at Zenon this is one of the

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Speaker 1: most requested ones we've had. This is based on the

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Speaker 1: book of the same title by Marilyn Sadler and Roger

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Speaker 1: Bolan that actually became a series of five books, and

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Speaker 1: much like our beloved fuzz Bucket, I put beloved in

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Speaker 1: quotes in case you don't know me. This was originally

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Speaker 1: conceived to be a television pilot, but instead became one

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Speaker 1: of the most successful franchises the channel had for many,

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Speaker 1: many years. It first aired on January twenty third, nineteen nine,

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Speaker 1: after a delay from what was supposed to be a

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Speaker 1: December nineteen ninety eight air date, but we cannot seem

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Speaker 1: to find the reason why the date was changed, which

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Speaker 1: is strange. And then it was released on home video

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Speaker 1: VHS in September two thousand. So this was the sixth

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Speaker 1: dcom ever released, you know they we've talked about the

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Speaker 1: different iterations that Disney Channel has gone through with their movies,

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Speaker 1: so once it became d com, this is only the

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Speaker 1: sixth one ever done. And the only other one of

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Speaker 1: those six we've talked about so far is Brink Early

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Speaker 1: two of the first six.

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Speaker 3: We're getting there.

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Speaker 1: Yeah, this was another one that was a third party

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Speaker 1: studio production, much like Radio Rebel, which we just did,

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Speaker 1: but this time the studio was De Passa Entertainment was

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Speaker 1: in charge. They were still filming in Vancouver and this

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Speaker 1: was the first of a trilogy. It's sequel, Xenon the

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Speaker 1: Zequel Yes Great title was released in two thousand and one,

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Speaker 1: and Xenon Z three followed in two thousand and four.

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Speaker 1: And you can watch Xenon Girl of the Twenty first

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Speaker 1: Century now on Disney Plus. So go check it out

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Speaker 1: or listen when we're done. We're not your parents. We're

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Speaker 1: not going to ground you. You get to make the decision.

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Speaker 2: Although some of the comments on Instagram have been asking

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Speaker 2: for us to post what we're coming, because they do,

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Speaker 2: but they want to take it over the weekend. We're

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Speaker 2: definitely going to try to make make adjustments to make

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Speaker 2: sure that you know, okay, so what's next? Because they

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Speaker 2: do it sounds like they are wanting to listen or

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Speaker 2: watch before they listened totally.

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Speaker 3: We will make sure that that is adjusted. Now.

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Speaker 1: I have a feeling you might have been a Girl

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Speaker 1: of the twenty first Century yourself. Did you had you

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Speaker 1: seen Xenon? Were you a Xenon fan before we watched.

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Speaker 2: I had definitely seen zeneon. This was again while I

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Speaker 2: was in the although I was a little bit older,

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Speaker 2: I was, you know, still still a part of it

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Speaker 2: for sure. And it's right around the time where you know,

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Speaker 2: I was auditioning a ton in the Disney Channel. And

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Speaker 2: I loved these movies, not just because I wanted to

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Speaker 2: obviously be in them. I thought the characters were so fun.

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Speaker 2: They looked like they'd be amazing to film. So I

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Speaker 2: was watching every monthly. I even no matter what they

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Speaker 2: were coming out, I was watching every single one. Again,

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Speaker 2: didn't love all of them, but this one, of course,

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Speaker 2: I mean, I cannot wait. That was so fun to rewatch.

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Speaker 3: I know, this was definitely cool.

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Speaker 1: I also will get We're gonna get into the synopsis,

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Speaker 1: but very briefly the way it was so funny that

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Speaker 1: we started with My Date with the President's Daughter and

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Speaker 1: then Cheetah Girls, because the very opening of this movie

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Speaker 1: seemed like a mashup of both, where it was the

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Speaker 1: girl in a bedroom kind of you knew she was

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Speaker 1: a little different, but you didn't know how she's already

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Speaker 1: speaking with her own language like the cheetah chatter, and

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Speaker 1: then she opens the window and you see Earth like

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Speaker 1: Hallie opened the window and you saw that she was

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Speaker 1: in the White House.

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Speaker 3: So it had that same kind of vibe going all

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Speaker 3: the way through.

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Speaker 1: But before we take a dive into the recycled bin

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Speaker 1: for clothes, read my flapping lips. Here is our synopsis.

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Speaker 1: Xenon is a thirteen year old girl living on a

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Speaker 1: space station orbiting the Earth in twenty forty nine. When

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Speaker 1: one of her antics goes too far, her parents decide

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Speaker 1: she must be grounded literally when they banish her to Earth,

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Speaker 1: which we'll get into that, they literally throw her off

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Speaker 1: of the space station to live with her aunt Judy.

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Speaker 1: She has trouble blending in, but when she uncovers an

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Speaker 1: evil plan to destroy her family space station, she must

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Speaker 1: work together with her new found friends to thwart the villains.

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Speaker 1: Early thoughts, Sabrina, what did you think of this movie?

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Speaker 2: Okay, I have to go back to the opening because

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Speaker 2: I was just my sabritacies. I love this, I love this,

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Speaker 2: I love this. This was so fun. All of the

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Speaker 2: you know, what we've already found out with talking to

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Speaker 2: Stu is the iPad that was not out at that point.

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Speaker 2: I mean, now I know, and I'm you know, unfortunately,

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Speaker 2: this is not a time when I had a chance

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Speaker 2: to have Monroe sit and watch because I have to

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Speaker 2: watch it an additional time besides my two times, right, yeah,

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Speaker 2: to watch it with her because she talks.

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Speaker 3: The whole time.

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Speaker 2: But yeah, that you know, I kept thinking when Roe

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Speaker 2: wouldn't even think that's weird, we're different or cool. Her

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Speaker 2: normal life already is this, you know, this iPad world,

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Speaker 2: and so already that's how she wakes up in the

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Speaker 2: morning and then you know, seeing the earth, and I

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Speaker 2: just I loved it. I thought, I've reaching that it

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Speaker 2: kept going her her going into you know, we meet

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Speaker 2: everyone so quickly, which I love to do, and there

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Speaker 2: was just so many things that were just ahead of

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Speaker 2: its time right from the beginning, and I it was

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Speaker 2: so fun. I loved all the pops of color, I

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Speaker 2: loved the set. I loved everything right from the beginning.

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Speaker 3: I don't disagree.

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Speaker 1: I thought it was I I'm really glad we got

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Speaker 1: to talk to Stu first, because too, the whole thing

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Speaker 1: about it being Eloise in the hotel, you could totally

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Speaker 1: see that coming around.

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Speaker 2: I did not know what he was talking about at

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Speaker 2: that time, but I did keep thinking about his references.

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Speaker 3: I yeah, and it worked.

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Speaker 1: So it was fun to kind of see where his

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Speaker 1: mindset was when he was writing it and how he

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Speaker 1: adapted the book and did all that kind of stuff.

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Speaker 3: So I thoroughly enjoyed it. I thought it was great.

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Speaker 1: The acting in this movie is top notch. From the

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Speaker 1: adults and from the kids. It's yes, we're going to

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Speaker 1: get into your your friend Raven. But she's just so

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Speaker 1: good at everything. She's so natural.

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Speaker 2: She's just the cutest of cue next level, I know.

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Speaker 2: And I loved hearing that. Stu loved working with her,

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Speaker 2: and I mean, you know, not just professionalism, but she's

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Speaker 2: just so good. Kirsten Storms, she was made to be

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Speaker 2: a Disney Channel legend and you can see it in

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Speaker 2: this movie. This was before she was doing a lot

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Speaker 2: on the channel.

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Speaker 1: Yeah, there are rumors that actually the director originally wanted Raven.

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Speaker 3: To star as xenon Oh really, but.

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Speaker 1: Then something happened and it went to Kirsten Storms, and

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Speaker 1: then they brought her in. So we're talking about Kirsten Storms,

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Speaker 1: who the movie stars as xenon Car and in her

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Speaker 1: first ever lead role, and she commanded the screen.

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Speaker 3: She was great.

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Speaker 1: We all recognized her as Emily from the classic Johnny Tsunami,

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Speaker 1: a favorite here on the podcast, but she also appeared

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Speaker 1: on that So Raven Seventh Heaven, Days of Our Lives

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Speaker 1: and has been on General Hospital now for twenty years.

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Speaker 3: I mean twenty years.

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Speaker 1: On the same show. Really impressive, Yes, just amazing. And

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Speaker 1: then we've got the legendary Raven Simone who plays Xenon's

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Speaker 1: bestie Nebula Wade.

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Speaker 3: Another movie with the.

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Speaker 5: Names that name I know, I'm I put it down.

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Speaker 5: We got to put it on the list incredible names.

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Speaker 5: This was her first ever d com. So you got

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Speaker 5: Kirsten Storms in her first lead role. You've got Raven

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Speaker 5: Simone in her first ever d com.

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Speaker 1: You know her basically from birth when she started on

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Speaker 1: The Cosby Show and then she did The Cheetah Girls

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Speaker 1: that so Raven has continued to produce an act and

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Speaker 1: has become a force in Hollywood. Then you've got a

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Speaker 1: very recognizable nineties character actor Stuart Penkin, who plays Commander Plank.

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Speaker 1: The second he walks on screen, everybody recognized him. Yes,

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Speaker 1: he's the man in charge of the space station. He

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Speaker 1: was in movies like Congo, Fatal Attraction, and arachnophobia, and

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Speaker 1: he and I actually did an episode of Batman Beyond

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Speaker 1: together called Meltdown, which is one of the cooler episodes,

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Speaker 1: and we recorded together, and he's a very nice guy.

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Speaker 1: And Gregory Smith plays Xenon's love interest, Greg so good casting.

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Speaker 1: You might recognize him as from Brown on Everwood Dove

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Speaker 1: EPs Dean in the show Rookie Blue or the two

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Speaker 1: thousand Mel Gibson movie The Patriot where he gets shot

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Speaker 1: in the back and killed and it's very, very horrible,

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Speaker 1: And the movie actually filmed at his high school. They

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Speaker 1: shot this movie at his high school, so we used

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Speaker 1: a ton of his friends as extras in the movie,

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Speaker 1: which leaves me to question, have you ever gotten friends

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Speaker 1: to be in stuff that you're doing?

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Speaker 2: Oh? Of course, of course. Keeley and I actually did

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Speaker 2: a YouTube show called Well we did two of them.

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Speaker 2: We did March Moms, and we pulled in so many

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Speaker 2: of our friends to friends that are actors, and then

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Speaker 2: of course we would do the mass text messages, Hey,

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Speaker 2: we need a bunch of different people to fill in

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Speaker 2: the background, you know. So while we were doing that,

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Speaker 2: and then again on Bad Sex with Good People, another

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Speaker 2: show we did and brought in some fun friends that

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Speaker 2: were they were willing to do some really fun and

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Speaker 2: kind of outrageous comedy stuff and just had the best time.

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Speaker 2: Being on set with your friends is so fun.

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Speaker 1: When I did an episode of Are You Afraid of

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Speaker 1: the Dark, and we shot it up in Montreal, and

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Speaker 1: I just graduated from high school and my best friend,

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Speaker 1: who was a year ahead of me, came up to

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Speaker 1: Montreal with me and they made him the featured extra

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Speaker 1: in the opening scene. And he has had essentially a

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Speaker 1: full beard from the time that he was like eight,

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Speaker 1: So even though he shaved, he's sitting next me and

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Speaker 1: I look like this little kid and everyone's like, who's

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Speaker 1: the guy with basically the five o'clock shadow at eight

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Speaker 1: o'clock in the morning sitting behind you. Oh, that's my friend,

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Speaker 1: Matt shout out keeps I love that. So the movie

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Speaker 1: runs ninety seven minutes, which is seven minutes north of

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Speaker 1: the target. It was directed by Kenneth Johnson, who directed

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Speaker 1: the movie Short Circuit Too, Johnny five, and the Shaquille

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Speaker 1: O'Neil's superhero movie Steal.

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Speaker 3: He was also this is the coolest thing to me.

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Speaker 3: He was heavily involved in bringing Alien Nation to TV.

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Speaker 1: Where it became a bit of a franchise, and Alien

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Speaker 1: Nation was a Fredell family favorite show.

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Speaker 2: Found right up the alley of the first I thought

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Speaker 2: it was great.

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Speaker 1: And I got to go onto the set when I

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Speaker 1: was on another show back in the day and interview

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Speaker 1: all the actors.

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Speaker 3: It was so cool. It was a great show.

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Speaker 1: It was written by the original book authors who we

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Speaker 1: mentioned before, and new friend of the podcast, d com

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Speaker 1: Daddy stuck Rieger. Like he said when he was on

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Speaker 1: the show, this is his favorite of the fifteen Disney

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Speaker 1: movies he wrote, and he landed the job by, as

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Speaker 1: we were saying, pitching it as Eloise on a space station,

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Speaker 1: which is completely how it's written.

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Speaker 3: Let's get in a little bit to.

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Speaker 1: The timeframe of the movie, because this is where things

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Speaker 1: can date themselves. And again I'm going to make a

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Speaker 1: Batman beyond reference because I think it's apt here. So

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Speaker 1: this takes place in twenty forty nine, which is now

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Speaker 1: only twenty five years away from where we are now,

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Speaker 1: and it doesn't seem like we are any closer to

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Speaker 1: living on a space station full time and having school

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Speaker 1: and everything the way that we are than we were

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Speaker 1: in nineteen ninety nine. We're basically the same distance away.

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Speaker 1: And here's here's how I was going to make it

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Speaker 1: about Batman Beyond. So Batman Beyond took place fifty years

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Speaker 1: in the future when we started. But Bruce tim the

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Speaker 1: creator of the show, always says Batman Beyond takes place

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Speaker 1: fifty years from now. Whenever now is so it took

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Speaker 1: place fifty years in the future in ninety nine. It

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Speaker 1: takes place fifty years in the future from now. So

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Speaker 1: it seems to me like as we're moving forward in time,

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Speaker 1: we should be bumping up where Xenon actually is in

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Speaker 1: the future.

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Speaker 3: Does that make sense?

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Speaker 2: But at the same time, with a lot I mean,

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Speaker 2: you've got holograms in there, You've got iPad looking things. FaceTime, Yeah,

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Speaker 2: FaceTime was not even even still near it, you know.

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Speaker 3: No, they predicted a lot of the future.

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Speaker 2: Yeah, the lot of the future is now. Yeah, but

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Speaker 2: there are still that idea of the whole world or

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Speaker 2: you know, cities or counties or whatever being able to

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Speaker 2: live up there together as one.

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Speaker 1: We're more than twenty five years away from that, I

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Speaker 1: would think, I would guess. I mean, yeah, there'll be

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Speaker 1: thirty seven different iPhones in those twenty five years thirty

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Speaker 1: seven hundred diffent now, but we won't be on a.

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Speaker 3: Space there, and you and I will probably not be there.

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Speaker 1: No, except what I'm guessing the premise of the movie

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Speaker 1: is that some people have stayed on Earth while others

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Speaker 1: have boarded the space station, the space stay, as she

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Speaker 1: likes to say, and adapted a new lifestyle. Again, the

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Speaker 1: things we've talked about, the stuff they got right, the FaceTime,

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Speaker 1: the holograms, the tablets. It's also very spot on that

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Speaker 1: everyone depends completely on computers in space, but down on

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Speaker 1: Earth there's still just the one computer lab in the school, Yes.

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Speaker 2: Just one.

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Speaker 3: Did you have a computer lab? Yes, we did.

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Speaker 1: We did not, at least not one that I not

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Speaker 1: one that I know of. We weren't allowed to type

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Speaker 1: our papers. I remember back in the day we had

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Speaker 1: like a Commodore sixty four back in elementary school, and

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Speaker 1: I think it was like the Oregon Trail and stuff

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Speaker 1: like that and run go to ten and then the

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Speaker 1: thing would run and count. But actual like learning how

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Speaker 1: to do computers. No, we didn't do any of that stuff.

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Speaker 2: Trail shout out of the Oregon Trail, frustrating you could

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Speaker 2: never get there. I don't think I ever, we just

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Speaker 2: wanted to hunt.

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Speaker 3: That was it. You just wanted to shoot the buffaloes.

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Speaker 3: That's all you want.

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Speaker 1: Because it was something they did, it was like, yes,

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Speaker 1: now they did something also very interesting, and this is

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Speaker 1: a credit to Stu Krieger, and it just shows how

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Speaker 1: how great the writing is. So when she is kicked

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Speaker 1: off the Space Station and has to move to Earth,

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Speaker 1: they explain that the town that Judy lives in is

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Speaker 1: a throwback town. So they mentioned that l if you

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Speaker 1: go to La, you go to New York, you go

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Speaker 1: to any of these places. They're very modern. But by

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Speaker 1: saying that she lives in a throwback town, they don't

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Speaker 1: have to do any of the modern cars, any of them.

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Speaker 1: They can make it cheaper.

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Speaker 4: Right again, Skuler, instead of making it look cheesy with

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Speaker 4: one line, they can go, no, she lives in kind

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Speaker 4: of like an old school throwback town. And then a

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Speaker 4: couple set deck things here or there, and they sell

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Speaker 4: it without having to have flying cars and floating Starbucks

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Speaker 4: and all this kind of stuff like that.

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Speaker 2: Did you think at all at some point if they did,

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Speaker 2: the car would look like the new Tesla suv.

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Speaker 1: The truck thing that looks like it was drawn by

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Speaker 1: a twelve year old. Somebody on my street just got

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Speaker 1: one and it looks like.

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Speaker 3: You just threw something.

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Speaker 2: So that's what I think you would have to try

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Speaker 2: to build something like that because this world.

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Speaker 1: Yeah, if you go back to the future too, they

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Speaker 1: just put all these like appliances on regular cars and

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Speaker 1: then pretend they're floating down the street.

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Speaker 3: Yeah. But yes, I thought that was great. I thought

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Speaker 3: that it was a great way to do it.

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Speaker 1: Now, somebody comes to you tomorrow and says Sabrina big Fan,

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Speaker 1: first time caller, longtime listener, I would love for you

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Speaker 1: to come and live on a space station for a year,

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Speaker 1: and let's make it a modern space station like this one.

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Speaker 3: Would you go, would you space station it up? Or

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Speaker 3: would you be like, you know what? Not so much

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Speaker 3: for me. I'll stay in my throwback down for.

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Speaker 2: A year, make it.

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Speaker 3: Think I could make it five years.

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Speaker 2: My family, like my husband and kids can't come.

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Speaker 3: Right, Yeah, everybody gets to come, Yes, everybody gets to come.

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Speaker 2: Yeah. I think I could probably swing it, okay, because

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Speaker 2: I think about that a lot with you know, friends

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Speaker 2: that have to relocate for their their spouse's job to space,

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Speaker 2: not space, but to somewhere where they don't live. I

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Speaker 2: feel like I can meet new friends, you can get

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Speaker 2: adapt I'm cool to live. I let you know. People think, oh,

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Speaker 2: I could never do a cruise ship. I could. That's

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Speaker 2: one of the things I want to do. I want

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Speaker 2: a cruise around the world for an entire year. I

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Speaker 2: want to be a.

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Speaker 3: Awful No, it doesn't, it's amazing. You want to be

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Speaker 3: for a year?

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Speaker 2: Yes, I would totally do it.

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Speaker 1: I would rather be in a space station as it

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Speaker 1: was slowly decompressing and my eyes were bleeding, than.

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Speaker 4: Be on the right cre I've never been a cruise

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Speaker 4: at all. I couldn't just imagine being on a boat

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Speaker 4: for a year.

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Speaker 2: You get off anyway, all right, you can get if

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Speaker 2: you're in space, you're stuck. You're probably not going to

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Speaker 2: come back back home. The ship you can get off

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00:18:51,760 --> 00:18:54,160
Speaker 2: of the water and onto land and back on within

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Speaker 2: the day. It's not a big that's yeah. I totally

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Speaker 2: think I could, and I would totally sign up for that.

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Speaker 2: I don't think do you know anyone that is looking

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Speaker 2: for space people, I'll do it. Hey, why not?

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Speaker 1: The special effects in this movie for nineteen ninety nine

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Speaker 1: were pretty great.

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Speaker 2: I thought so too, only there was just one shot

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Speaker 2: of a close up of her and then her seeming

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Speaker 2: almost like too close to the earth.

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Speaker 3: When she was oh, when she's floating for the nebulatory.

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Speaker 2: Only that was like I was going, oh uh oh

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Speaker 2: uh oh. And there's only really one shot that was like, Okay,

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00:19:36,119 --> 00:19:38,280
Speaker 2: we dropped. It didn't look great, but the rest of

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Speaker 2: it actually looked pretty good. When she was floating out there.

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Speaker 1: Yeah, the plane flying down plane, Yeah, the shottle and everything,

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Speaker 1: it all looked pretty good.

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Speaker 3: And I got to say, better than kind of pixel perfect,

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Speaker 3: and considering it was nineteen ninety.

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Speaker 2: Nine, yeah, saying some of these effects I thought kind.

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Speaker 3: Of worked more than even like the Descendants and stuff

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Speaker 3: like that, because they seemed on you know, on time

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Speaker 3: and on brand, and it was practical sets mixed in

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Speaker 3: with kind of some of the colors of the nebulation.

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Speaker 3: I thought it all kind of worked.

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Speaker 2: I did, too, I really did. I mean, I'd have

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Speaker 2: to watch Descendants back to back with this.

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Speaker 1: Yeah, well we're gonna we well, maybe we'll watch the

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Speaker 1: zequel with the Descendants sequel to back to Okay, that

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Speaker 1: sounds cool, and then Chetah Girls too.

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Speaker 3: We'll just do a two month.

435
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Speaker 2: They're putting this much production and they continued in it.

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Speaker 2: Like like I said with Mine, and what I've heard

437
00:20:28,760 --> 00:20:32,520
Speaker 2: with Descendants is they keep getting better. I'm so excited

438
00:20:32,560 --> 00:20:35,240
Speaker 2: to see what's gonna happen with this movie because this

439
00:20:35,359 --> 00:20:36,399
Speaker 2: started off strong.

440
00:20:36,560 --> 00:20:38,359
Speaker 3: Yeah, well that's what you know. I'm calling it right now.

441
00:20:38,440 --> 00:20:40,560
Speaker 3: We'll have to do sequel month, okay, and we'll just

442
00:20:40,600 --> 00:20:42,240
Speaker 3: do a bunch of sequels back to back. So I

443
00:20:42,359 --> 00:20:42,600
Speaker 3: love that.

444
00:20:42,760 --> 00:20:45,000
Speaker 1: When we open up, we meet Xenon in a very

445
00:20:45,080 --> 00:20:47,720
Speaker 1: cool kind of opening segment. She's a normal teenager late

446
00:20:47,760 --> 00:20:50,960
Speaker 1: for school Russiana class, but you get to see through

447
00:20:51,040 --> 00:20:53,359
Speaker 1: where she's running around, who's bumping into that. She's clearly

448
00:20:53,440 --> 00:20:56,040
Speaker 1: not a normal teenager. She's one floating in space in

449
00:20:56,119 --> 00:20:58,720
Speaker 1: a massive station that looks like a cheese grade. We

450
00:20:58,840 --> 00:21:01,399
Speaker 1: also learned that the president is Chelsea Clinton, who they

451
00:21:01,400 --> 00:21:02,200
Speaker 1: wanted to throw in there.

452
00:21:03,480 --> 00:21:07,920
Speaker 2: Now I wasn't really talked about any ever again that very.

453
00:21:07,880 --> 00:21:11,840
Speaker 1: Beginning, Chelsea Clinton was president of the United States. Now,

454
00:21:11,960 --> 00:21:14,760
Speaker 1: while racing to school like she's the Star Trek version

455
00:21:14,800 --> 00:21:17,240
Speaker 1: of Feris Bueller. She has all the same problems as

456
00:21:17,320 --> 00:21:20,159
Speaker 1: are other main teens in a dcom. She's got issues

457
00:21:20,200 --> 00:21:22,560
Speaker 1: with the Commander Plank, who's the principal. Essentially, she has

458
00:21:22,600 --> 00:21:24,200
Speaker 1: to figure out how she's going to win a contest

459
00:21:24,520 --> 00:21:27,320
Speaker 1: to join the band Microbe, which is her favorite kind

460
00:21:27,359 --> 00:21:29,800
Speaker 1: of n Sync type band, on stage for their first

461
00:21:29,960 --> 00:21:34,120
Speaker 1: ever intergalactic concert. But even when she's a normal team,

462
00:21:34,720 --> 00:21:37,920
Speaker 1: it's done in very kind of surreal surroundings, which I like.

463
00:21:38,000 --> 00:21:40,920
Speaker 3: The space station look great, the sets look great. Yes,

464
00:21:41,680 --> 00:21:43,640
Speaker 3: it all worked, It really did all work.

465
00:21:45,240 --> 00:21:48,080
Speaker 1: And the so the costume designer was actually Linda Matheson

466
00:21:48,359 --> 00:21:51,080
Speaker 1: who also worked on Clueless and romy Michell's high school

467
00:21:51,080 --> 00:21:53,760
Speaker 1: Reunion and Enchanted, So you can see they swung for

468
00:21:53,800 --> 00:21:55,439
Speaker 1: the fences and it played out.

469
00:21:57,960 --> 00:21:59,040
Speaker 3: Where. So where did Z?

470
00:21:59,200 --> 00:22:03,200
Speaker 1: Where does Xenon rank for you among looks of a film,

471
00:22:03,760 --> 00:22:06,280
Speaker 1: you know, the special effects, the costumes, all that kind

472
00:22:06,280 --> 00:22:06,600
Speaker 1: of stuff.

473
00:22:06,720 --> 00:22:08,280
Speaker 3: Did it? Was it major or minor?

474
00:22:08,359 --> 00:22:08,520
Speaker 1: For you?

475
00:22:09,800 --> 00:22:11,040
Speaker 2: It crushed major?

476
00:22:11,359 --> 00:22:11,960
Speaker 3: Did it? Really?

477
00:22:12,359 --> 00:22:12,600
Speaker 4: Yeah?

478
00:22:13,200 --> 00:22:16,320
Speaker 2: I thought again the sets The only thing I felt

479
00:22:16,359 --> 00:22:19,280
Speaker 2: about the sets, and you know, it didn't necessarily have

480
00:22:19,400 --> 00:22:22,400
Speaker 2: to be much bigger, but it did seem I could

481
00:22:22,560 --> 00:22:27,040
Speaker 2: recognize where they were a lot. You know, they didn't

482
00:22:27,160 --> 00:22:29,239
Speaker 2: have like two when they're on the space station. They

483
00:22:29,240 --> 00:22:32,280
Speaker 2: didn't have too much to seem to work with when

484
00:22:32,320 --> 00:22:35,400
Speaker 2: it comes to the hallways of it. Yeah, but knowing

485
00:22:35,480 --> 00:22:37,880
Speaker 2: that it was two separate things wasn't like too bad.

486
00:22:38,000 --> 00:22:41,320
Speaker 2: But I loved the costuming of this. I thought everyone

487
00:22:41,440 --> 00:22:45,600
Speaker 2: looked so cute. Everyone had their cute little accents of stuff.

488
00:22:45,800 --> 00:22:48,240
Speaker 2: I loved. Well, I don't want to say that.

489
00:22:48,240 --> 00:22:49,080
Speaker 3: One yet because.

490
00:22:50,720 --> 00:22:52,359
Speaker 2: Yeah, because it was one of the things that I

491
00:22:52,440 --> 00:22:55,440
Speaker 2: thought was like when it came out, what the heck?

492
00:22:55,560 --> 00:22:57,640
Speaker 3: And oh they explained it and then it made me crack.

493
00:22:58,920 --> 00:23:01,560
Speaker 2: But I really liked did and I was I loved

494
00:23:01,880 --> 00:23:05,880
Speaker 2: to see where this costume designer came from because those

495
00:23:05,960 --> 00:23:09,520
Speaker 2: are all all three of those are favorite movies of mine, and.

496
00:23:10,200 --> 00:23:13,119
Speaker 3: They're all super important. With the costume. The wardrobe is

497
00:23:13,200 --> 00:23:13,960
Speaker 3: very important.

498
00:23:13,800 --> 00:23:17,960
Speaker 2: Yes, and legendary, like people love think about Clueless, Love

499
00:23:18,040 --> 00:23:21,520
Speaker 2: the outfit Romeo Michelle, When do you think about it?

500
00:23:21,760 --> 00:23:24,800
Speaker 2: Romeo Michelle Clueles two of the top Halloween costumes of

501
00:23:24,840 --> 00:23:26,880
Speaker 2: the year. If you're going to go with a girlfriend.

502
00:23:26,600 --> 00:23:28,680
Speaker 3: Yeah, no, I think it's true, you know, absolutely.

503
00:23:28,240 --> 00:23:30,680
Speaker 2: It's totally If you're going to do a duo costume,

504
00:23:30,800 --> 00:23:33,560
Speaker 2: those are two of the first movies you go after.

505
00:23:34,040 --> 00:23:36,680
Speaker 2: And I think on this one. We got to add

506
00:23:36,760 --> 00:23:40,320
Speaker 2: Zee onto the list, you and Monroe. I might do

507
00:23:40,400 --> 00:23:42,960
Speaker 2: it with Monroe because she yes, yeah, sure, I mean

508
00:23:43,280 --> 00:23:44,800
Speaker 2: we could totally make this happen.

509
00:23:45,000 --> 00:23:45,640
Speaker 3: That would be great.

510
00:23:45,640 --> 00:23:47,280
Speaker 2: That might just have to happen this next year.

511
00:23:47,480 --> 00:23:49,840
Speaker 1: Well, speaking of crushing it, Major, let's talk a little

512
00:23:49,880 --> 00:23:52,560
Speaker 1: bit about the slang, which Stu did an amazing job

513
00:23:52,600 --> 00:23:55,879
Speaker 1: of incorporating his own language made up in the script.

514
00:23:56,080 --> 00:24:02,000
Speaker 1: So it was Major, Minor O ring stream inky which

515
00:24:02,080 --> 00:24:05,880
Speaker 1: means sketchy, or of course the famous Cetas Lapidis, which

516
00:24:06,359 --> 00:24:09,960
Speaker 1: he completely built out of the universe. Yes, and the

517
00:24:10,280 --> 00:24:12,639
Speaker 1: you know again, it worked the same way the cheetah

518
00:24:12,680 --> 00:24:15,399
Speaker 1: chatter worked. None of that would work if the acting

519
00:24:15,520 --> 00:24:18,520
Speaker 1: wasn't strong, right, But they made it sound like it

520
00:24:18,720 --> 00:24:21,760
Speaker 1: was modern day slang. This is how we talk. It

521
00:24:21,840 --> 00:24:24,159
Speaker 1: didn't sound forced, it didn't sound and it was just

522
00:24:24,440 --> 00:24:25,879
Speaker 1: this is how we talk. I was walking around going

523
00:24:25,880 --> 00:24:28,280
Speaker 1: to ask Cetus Lapidis after.

524
00:24:28,240 --> 00:24:32,520
Speaker 2: Our last movie when we talked about a word being

525
00:24:32,720 --> 00:24:35,680
Speaker 2: repeated over and over and over again. That happened to

526
00:24:35,800 --> 00:24:39,399
Speaker 2: me with Major. I started going, we've got to be

527
00:24:39,520 --> 00:24:42,040
Speaker 2: on sixty eight now, Major, Oh.

528
00:24:41,960 --> 00:24:44,439
Speaker 1: Yeah, I think we were talking about a fuzzbucket, fuzzbuget.

529
00:24:44,480 --> 00:24:44,680
Speaker 6: Yeah.

530
00:24:44,680 --> 00:24:45,919
Speaker 3: We just kept saying fuzzbucket.

531
00:24:46,040 --> 00:24:48,439
Speaker 2: I kept going, oh gosh, that could be well.

532
00:24:48,480 --> 00:24:50,240
Speaker 3: Fuzzbucket was major inky though.

533
00:24:50,240 --> 00:24:53,960
Speaker 2: This one major inky. Yeah, but this one, this was

534
00:24:54,080 --> 00:24:56,119
Speaker 2: so she was just so cute. She did such a

535
00:24:56,160 --> 00:24:56,520
Speaker 2: great job.

536
00:24:56,560 --> 00:24:59,040
Speaker 3: She was amazing. We quickly learned that the space station

537
00:24:59,200 --> 00:25:00,640
Speaker 3: is also getting old.

538
00:25:00,800 --> 00:25:03,159
Speaker 1: They need upgrades and more funding to continue some of

539
00:25:03,200 --> 00:25:05,680
Speaker 1: their work, which it appears can save millions of lives

540
00:25:05,760 --> 00:25:08,600
Speaker 1: with things like bone marrow density experiments, which is what

541
00:25:08,760 --> 00:25:11,919
Speaker 1: Xenon's parents are actually doing with the floating hologram rats.

542
00:25:12,920 --> 00:25:16,359
Speaker 1: And now the billionaire in charge that are funding, Peter Winman,

543
00:25:16,840 --> 00:25:19,080
Speaker 1: is coming to check in and they need to impress them,

544
00:25:19,119 --> 00:25:21,840
Speaker 1: and most importantly, Xenon, who, of course this is the

545
00:25:21,880 --> 00:25:24,840
Speaker 1: eloise portion, is a little troublemaker who is always getting

546
00:25:24,880 --> 00:25:27,679
Speaker 1: into shall we say, mischief, needs to be on her

547
00:25:27,760 --> 00:25:31,600
Speaker 1: best behavior, which should be very easy except she thinks

548
00:25:31,640 --> 00:25:35,600
Speaker 1: Wyndham and his assistant are up to something nefarious. It's

549
00:25:35,600 --> 00:25:37,480
Speaker 1: also important to know that these kids on the space station,

550
00:25:37,800 --> 00:25:41,160
Speaker 1: their ability to have fun is obviously wildly dampened by

551
00:25:41,280 --> 00:25:42,080
Speaker 1: being in space.

552
00:25:43,760 --> 00:25:45,800
Speaker 3: There's not much to do. I've never been to space,

553
00:25:45,880 --> 00:25:47,640
Speaker 3: but I know that there's not a ton to do there.

554
00:25:48,119 --> 00:25:51,679
Speaker 1: Yes, lots of open space, very little air, so probably

555
00:25:51,720 --> 00:25:53,440
Speaker 1: not the coolest place to hang out if you're a kid,

556
00:25:54,400 --> 00:25:56,880
Speaker 1: at least not for an extended period of time.

557
00:25:57,040 --> 00:25:59,719
Speaker 3: Yeah. So the idea that the band's coming up Protozoa,

558
00:26:00,119 --> 00:26:03,320
Speaker 3: who is her you know, her crush, her major crush

559
00:26:04,000 --> 00:26:06,560
Speaker 3: is coming up and Microbe is going to play. They're

560
00:26:06,560 --> 00:26:07,720
Speaker 3: all very, very excited.

561
00:26:08,359 --> 00:26:11,600
Speaker 2: I do love that they love their culture of where

562
00:26:11,680 --> 00:26:15,280
Speaker 2: they're at. Though yes, the idea of going to Earth

563
00:26:15,560 --> 00:26:18,520
Speaker 2: is the worst thing in the world for them, even

564
00:26:18,600 --> 00:26:22,159
Speaker 2: though they are stuck on this space station, they they

565
00:26:22,280 --> 00:26:22,560
Speaker 2: love it.

566
00:26:22,640 --> 00:26:23,080
Speaker 3: It's home.

567
00:26:23,160 --> 00:26:24,960
Speaker 2: They don't have a lot to do, but this is

568
00:26:25,040 --> 00:26:26,800
Speaker 2: their home and they're proud of it and they love it.

569
00:26:26,960 --> 00:26:29,600
Speaker 2: I that part I thought was really great. I you

570
00:26:29,680 --> 00:26:32,080
Speaker 2: know that they weren't kids dying to get out of

571
00:26:32,400 --> 00:26:33,199
Speaker 2: where they grew up.

572
00:26:33,520 --> 00:26:35,480
Speaker 3: That I loved. And that's the other thing I liked.

573
00:26:35,600 --> 00:26:38,040
Speaker 1: Exactly what you're saying, is what you said about moving

574
00:26:38,040 --> 00:26:41,679
Speaker 1: where you're like, I'll make new friends. Kids are uberly adaptable,

575
00:26:42,240 --> 00:26:44,800
Speaker 1: so they adapt to things, like, you know, to pass

576
00:26:44,840 --> 00:26:47,560
Speaker 1: the time, they sneak out and they go into air ducks,

577
00:26:47,560 --> 00:26:50,159
Speaker 1: they go to recycle bins, they dive for clothes, they

578
00:26:50,240 --> 00:26:53,040
Speaker 1: go in a restriction sections. She gets to put herself

579
00:26:53,080 --> 00:26:55,040
Speaker 1: in a spacesuit and go out to watch a nebula

580
00:26:55,160 --> 00:26:57,399
Speaker 1: Like they're breaking the rules, but they're kids on a

581
00:26:57,440 --> 00:26:59,840
Speaker 1: space station, so yeah, it was well written where they're

582
00:27:00,640 --> 00:27:02,840
Speaker 1: little ways to enjoy themselves on.

583
00:27:02,840 --> 00:27:03,440
Speaker 3: A space station.

584
00:27:03,640 --> 00:27:06,720
Speaker 2: Yes, a little trouble. They're not trying to end the world,

585
00:27:06,800 --> 00:27:08,040
Speaker 2: but they're causing a little trouble.

586
00:27:08,160 --> 00:27:09,760
Speaker 3: They are fun for little mischief.

587
00:27:10,520 --> 00:27:12,840
Speaker 1: Unfortunately, the problem is once she was on that tether

588
00:27:12,960 --> 00:27:16,480
Speaker 1: outside she sneaks out into space class five solar flare.

589
00:27:16,600 --> 00:27:20,440
Speaker 1: She gets caught, which is another strike against her, and

590
00:27:20,600 --> 00:27:25,440
Speaker 1: then the creepy assistant who's super super creepy, she catches

591
00:27:25,560 --> 00:27:28,360
Speaker 1: this guy trying to break into a class four restricted

592
00:27:28,440 --> 00:27:32,400
Speaker 1: section in the middle of the night and instantly gets

593
00:27:32,440 --> 00:27:35,720
Speaker 1: the ick from this guy and knows something's up. So

594
00:27:36,520 --> 00:27:40,680
Speaker 1: she and her friends, well it's really her, hatch a

595
00:27:40,760 --> 00:27:44,480
Speaker 1: plan to keep their eyes on this guy to make

596
00:27:44,560 --> 00:27:46,200
Speaker 1: sure that they're not going to do anything. They've really

597
00:27:46,240 --> 00:27:47,920
Speaker 1: set it up that if you mess with anything in

598
00:27:48,000 --> 00:27:51,320
Speaker 1: this restricted section, it can kill everybody on the space

599
00:27:51,320 --> 00:27:55,359
Speaker 1: stage literally kill everybody else SPA. Yes, so she tries

600
00:27:55,440 --> 00:27:59,320
Speaker 1: breaking in one night. That's where exactly needs to go,

601
00:27:59,640 --> 00:28:00,199
Speaker 1: exactly like.

602
00:28:00,800 --> 00:28:02,680
Speaker 3: A normal kid. I shouldn't be there, So that's where

603
00:28:02,680 --> 00:28:03,080
Speaker 3: I'm going to go.

604
00:28:03,320 --> 00:28:07,480
Speaker 1: This, by the way, is after the Windham guy has

605
00:28:07,640 --> 00:28:09,879
Speaker 1: pledged and I can again. This is only showing the

606
00:28:09,960 --> 00:28:14,280
Speaker 1: time of nineteen ninety nine five hundred million dollars, yes,

607
00:28:14,640 --> 00:28:17,360
Speaker 1: which in future money and space money might as well

608
00:28:17,400 --> 00:28:21,560
Speaker 1: be thirty five dollars. I think that the Space Shuttle

609
00:28:21,600 --> 00:28:23,600
Speaker 1: when they built it was like thirty five, like like

610
00:28:23,680 --> 00:28:26,720
Speaker 1: billions and billions of dollars, so they that was just

611
00:28:26,800 --> 00:28:28,880
Speaker 1: they should have made it like I'm pledging an extra

612
00:28:29,000 --> 00:28:30,879
Speaker 1: five hundred billion dollars.

613
00:28:30,720 --> 00:28:31,399
Speaker 3: For space remains.

614
00:28:31,440 --> 00:28:34,000
Speaker 2: Made me think of Austin Powers for what a million

615
00:28:34,280 --> 00:28:35,640
Speaker 2: dollars million?

616
00:28:36,600 --> 00:28:36,800
Speaker 4: Yeah?

617
00:28:37,080 --> 00:28:40,800
Speaker 3: Right, yeah. But she gets caught like it did.

618
00:28:41,120 --> 00:28:45,640
Speaker 1: She gets caught sneaking into the computer system and is

619
00:28:45,920 --> 00:28:49,600
Speaker 1: then grounded by her parents. The problem, of course, is

620
00:28:49,640 --> 00:28:52,120
Speaker 1: when you're on a space station, what being grounded means

621
00:28:52,800 --> 00:28:56,400
Speaker 1: is you are kicked off the space station. Her parents

622
00:28:56,520 --> 00:28:57,680
Speaker 1: sent her away.

623
00:28:58,200 --> 00:29:05,000
Speaker 7: Incredibly harsh, infredibly harsh, I mean, and it was for

624
00:29:05,960 --> 00:29:08,960
Speaker 7: an unknown amount of time. It was to bring me

625
00:29:09,080 --> 00:29:13,360
Speaker 7: back as fast figure out when I can't imagine that

626
00:29:13,600 --> 00:29:18,800
Speaker 7: is quote unquote cheap to dude back. How many times

627
00:29:18,920 --> 00:29:21,360
Speaker 7: the space shuttle thing that goes back and forth between

628
00:29:21,440 --> 00:29:22,400
Speaker 7: Earth even happens.

629
00:29:22,800 --> 00:29:27,680
Speaker 2: But this was under no given amount of time they

630
00:29:27,840 --> 00:29:32,640
Speaker 2: think give for away. Yes, my heart was crushed for

631
00:29:32,920 --> 00:29:33,280
Speaker 2: me too.

632
00:29:33,480 --> 00:29:36,400
Speaker 1: I was really, well, they made another Disney trope we've

633
00:29:36,440 --> 00:29:37,800
Speaker 1: seen a lot of now because we've seen this a

634
00:29:37,800 --> 00:29:41,800
Speaker 1: couple of times. Is good cool sympathetic dad, kind of

635
00:29:43,000 --> 00:29:45,760
Speaker 1: focus driven mom who maybe doesn't care about the kid

636
00:29:45,800 --> 00:29:48,640
Speaker 1: as much as the dad does, or hasn't befriended the

637
00:29:48,760 --> 00:29:50,040
Speaker 1: kid as much as the dad has.

638
00:29:51,480 --> 00:29:54,000
Speaker 3: But they they send her away. It was so I

639
00:29:54,120 --> 00:29:56,080
Speaker 3: was like they're giving away their child.

640
00:29:57,680 --> 00:30:01,640
Speaker 1: By the way, that actor who play the assistant Lutz

641
00:30:02,520 --> 00:30:05,200
Speaker 1: his anenactne Bob Bancroft and man can.

642
00:30:06,720 --> 00:30:07,200
Speaker 3: For everybody.

643
00:30:07,240 --> 00:30:10,400
Speaker 1: He was Frank Man in Parks and rec episodes or

644
00:30:10,440 --> 00:30:14,920
Speaker 1: from Chicago Hope. But he plays such a good creepy guy.

645
00:30:15,800 --> 00:30:19,640
Speaker 2: I thought both of the villains were great. I didn't

646
00:30:19,800 --> 00:30:22,920
Speaker 2: understand the eye twitch that she checks into like he

647
00:30:23,080 --> 00:30:26,800
Speaker 2: had like an which he lies. I thought that was

648
00:30:26,840 --> 00:30:29,480
Speaker 2: going to go somewhere and kind of be more explained,

649
00:30:29,520 --> 00:30:34,800
Speaker 2: and it never was. This guy was amazing start to finish.

650
00:30:35,400 --> 00:30:36,400
Speaker 1: He was so.

651
00:30:38,200 --> 00:30:40,440
Speaker 3: Yeah, he was great. Oh he was awesome. He did

652
00:30:40,480 --> 00:30:42,400
Speaker 3: a great job. Now did you find it?

653
00:30:42,760 --> 00:30:45,480
Speaker 1: It was strange that it took over a half an hour,

654
00:30:45,520 --> 00:30:49,480
Speaker 1: took like thirty five minutes of her in space before

655
00:30:49,520 --> 00:30:52,280
Speaker 1: then she's grounded and sent to Earth, and it's like

656
00:30:52,640 --> 00:30:55,120
Speaker 1: then they start a whole new movie with a whole

657
00:30:55,200 --> 00:30:56,080
Speaker 1: new group of friends.

658
00:30:56,760 --> 00:30:57,920
Speaker 2: Yep, yep.

659
00:30:58,040 --> 00:31:00,560
Speaker 3: And I think this goes to this being supposed to

660
00:31:00,600 --> 00:31:03,120
Speaker 3: be a TV show. Yes, I'm assuming.

661
00:31:03,240 --> 00:31:06,480
Speaker 2: I mean this was. It was definitely going to be

662
00:31:06,880 --> 00:31:09,240
Speaker 2: this if it was a TV show. You saw how

663
00:31:09,280 --> 00:31:11,760
Speaker 2: it would make sense. Yeah, every episode to kind of

664
00:31:12,040 --> 00:31:14,600
Speaker 2: have stuff going on back and forth, and they had

665
00:31:14,680 --> 00:31:17,320
Speaker 2: to have a full blown cast with her on Earth. Yeah,

666
00:31:17,440 --> 00:31:20,680
Speaker 2: that's where it was going to take her for a while. Yeah,

667
00:31:20,800 --> 00:31:23,680
Speaker 2: that's where it's just kind of okay. Now, wait, it

668
00:31:23,800 --> 00:31:26,400
Speaker 2: wasn't just one love interest in one friend. It was

669
00:31:26,480 --> 00:31:28,640
Speaker 2: like a whole group of people we had to get

670
00:31:28,680 --> 00:31:31,560
Speaker 2: to know, and all of their storylines got built a

671
00:31:31,600 --> 00:31:34,600
Speaker 2: little bit here and there, the jealous girlfriend, you know,

672
00:31:34,680 --> 00:31:36,560
Speaker 2: all of that stuff, and it was it was a lot.

673
00:31:36,680 --> 00:31:37,880
Speaker 2: It started to be a lot.

674
00:31:38,240 --> 00:31:41,760
Speaker 3: I agree, you know what, so, yeah, I agree, it.

675
00:31:41,880 --> 00:31:44,160
Speaker 1: May It makes way more sense knowing that it was

676
00:31:44,200 --> 00:31:46,280
Speaker 1: supposed to be a television show where it made.

677
00:31:46,160 --> 00:31:49,280
Speaker 2: That first part of her being on Earth kind of slow. Yeah,

678
00:31:49,680 --> 00:31:51,479
Speaker 2: kind of where are we going? Come on, let's pick

679
00:31:51,560 --> 00:31:52,960
Speaker 2: up what's happening, because.

680
00:31:52,640 --> 00:31:57,160
Speaker 1: The pilot episode is clearly until she gets kicked off

681
00:31:57,200 --> 00:31:59,440
Speaker 1: the space station. Yeah, until she gets kicked Yeah, she

682
00:31:59,440 --> 00:32:02,160
Speaker 1: gets kicked off, She lands on Earth, she comes out,

683
00:32:02,200 --> 00:32:04,600
Speaker 1: falls down the stairs, roll credits, and we'll pick it

684
00:32:04,680 --> 00:32:05,400
Speaker 1: up the next time.

685
00:32:05,680 --> 00:32:05,920
Speaker 4: Yeah.

686
00:32:05,960 --> 00:32:09,520
Speaker 3: But because it was a movie, they have to introduce

687
00:32:09,600 --> 00:32:11,600
Speaker 3: this whole new life. Now we're introducing her.

688
00:32:12,200 --> 00:32:15,040
Speaker 2: Essentially on episode two and episode three or whatever.

689
00:32:15,240 --> 00:32:24,880
Speaker 3: You know, absolutely, so we're back on Earth now.

690
00:32:25,160 --> 00:32:27,600
Speaker 1: We introduced all of her new schoolmates, and most of

691
00:32:27,600 --> 00:32:30,720
Speaker 1: them hate her because of her planetary outer planetary weirdness,

692
00:32:30,760 --> 00:32:34,080
Speaker 1: except one guy, her love interest, Greg, who just keeps

693
00:32:34,120 --> 00:32:37,520
Speaker 1: shooting looks at her, these puppy dog looks.

694
00:32:37,680 --> 00:32:40,160
Speaker 2: I'm not gonna lie, Greg, your puppy dog looks for

695
00:32:40,240 --> 00:32:43,280
Speaker 2: starting to get a little a little creepy for me.

696
00:32:43,400 --> 00:32:46,240
Speaker 2: What was that word again, a little a little inky,

697
00:32:46,760 --> 00:32:48,960
Speaker 2: a little inky for me Greg a little.

698
00:32:49,040 --> 00:32:51,240
Speaker 3: It was it a major inky or minor inky At

699
00:32:51,240 --> 00:32:52,120
Speaker 3: this point, it.

700
00:32:52,200 --> 00:32:54,640
Speaker 2: Was it was minor because he was sweet and wasn't

701
00:32:54,680 --> 00:32:55,719
Speaker 2: doing anything crazy.

702
00:32:55,840 --> 00:33:02,720
Speaker 1: But you know, so we established their relationship quickly, and

703
00:33:02,920 --> 00:33:05,880
Speaker 1: it turns out this guy's very into horses, so much

704
00:33:05,920 --> 00:33:07,720
Speaker 1: so that we spend like ten minutes at a barn

705
00:33:08,200 --> 00:33:10,000
Speaker 1: and then it never comes up again.

706
00:33:13,720 --> 00:33:16,880
Speaker 2: I think again it goes and maybe it will. I okay,

707
00:33:16,920 --> 00:33:18,400
Speaker 2: I will say, I've never seen this sequel.

708
00:33:18,440 --> 00:33:21,040
Speaker 3: Well maybe in the zequel. The zequel could be about sources.

709
00:33:21,280 --> 00:33:23,760
Speaker 2: Yeah, maybe we're gonna get more of the stuff that

710
00:33:23,800 --> 00:33:25,560
Speaker 2: we didn't get. Feel like we got enough of.

711
00:33:25,800 --> 00:33:27,960
Speaker 1: Okay, that could be, that's my thought. But they're back

712
00:33:28,000 --> 00:33:29,760
Speaker 1: on the space station. So I wonder if Greg's even

713
00:33:29,800 --> 00:33:30,240
Speaker 1: in the sequel.

714
00:33:30,240 --> 00:33:32,160
Speaker 3: I can't wait. Yeah, who knows, I can't wait till sequel.

715
00:33:32,200 --> 00:33:33,200
Speaker 2: Mud he bring his horse.

716
00:33:33,320 --> 00:33:37,160
Speaker 3: That seems crazy. It sounds like the start of a joke.

717
00:33:37,240 --> 00:33:40,080
Speaker 3: So a horse walks into a space station. It does.

718
00:33:40,200 --> 00:33:41,360
Speaker 3: It's very, very crazy.

719
00:33:41,440 --> 00:33:45,520
Speaker 1: But so through a series of events you find out

720
00:33:45,560 --> 00:33:47,880
Speaker 1: what happened on the space station was actually they put

721
00:33:47,880 --> 00:33:50,120
Speaker 1: a virus in the space station, and the key to

722
00:33:50,200 --> 00:33:53,080
Speaker 1: shutting down the virus was in this little disc that

723
00:33:53,320 --> 00:33:57,520
Speaker 1: then he drops. Of course, Raven happens to find on

724
00:33:57,680 --> 00:34:00,320
Speaker 1: the on the ground, makes it into an earring to

725
00:34:00,480 --> 00:34:03,560
Speaker 1: give to Xenon as a parting gift, and as she

726
00:34:03,720 --> 00:34:08,879
Speaker 1: lands on Earth, then Lutz actually sees, wow, she's got

727
00:34:09,000 --> 00:34:12,000
Speaker 1: that disc that I badly need to make the nefarious

728
00:34:12,040 --> 00:34:14,680
Speaker 1: plan happen, and so on Earth he stops at nothing

729
00:34:15,239 --> 00:34:16,480
Speaker 1: to get the disc back.

730
00:34:16,560 --> 00:34:18,919
Speaker 3: They ransacked the aunt's house. I mean, it's bad.

731
00:34:19,920 --> 00:34:27,240
Speaker 2: When he comes to the ants house, that was like whoa, yes, oh, LUTs,

732
00:34:27,280 --> 00:34:30,040
Speaker 2: and you might be going a little too far. Cannot

733
00:34:30,160 --> 00:34:33,879
Speaker 2: just show up and these poor two kids. Greg tried

734
00:34:33,920 --> 00:34:36,560
Speaker 2: his hardest to be tough and didn't do anything.

735
00:34:36,960 --> 00:34:37,840
Speaker 3: Greg, they're thirteen.

736
00:34:37,960 --> 00:34:40,480
Speaker 1: It's like, Greg tried, but come on, Greg, get on

737
00:34:40,560 --> 00:34:42,080
Speaker 1: your horse and help out a little bit buddy.

738
00:34:42,280 --> 00:34:42,440
Speaker 2: Here.

739
00:34:42,760 --> 00:34:44,480
Speaker 3: I can't do anything. I can't do anything about it.

740
00:34:45,680 --> 00:34:46,520
Speaker 3: So yes, we again.

741
00:34:46,520 --> 00:34:48,520
Speaker 1: We find out it's a computer virus that's gonna infect

742
00:34:48,520 --> 00:34:51,279
Speaker 1: the space station and crash it. So it means that

743
00:34:51,880 --> 00:34:54,080
Speaker 1: Xenon has been right the entire time. She's now got

744
00:34:54,160 --> 00:34:56,840
Speaker 1: to get back to the space station to save everybody.

745
00:34:57,080 --> 00:34:58,920
Speaker 1: So she needs her whole group of earth friends to

746
00:34:58,960 --> 00:35:02,560
Speaker 1: come help her, except of course, for Margie, who we

747
00:35:02,640 --> 00:35:04,360
Speaker 1: haven't talked about. Margie, who might be one of the

748
00:35:04,400 --> 00:35:08,120
Speaker 1: most awful bad girls in dcom history.

749
00:35:08,440 --> 00:35:09,480
Speaker 2: She tries to drown her.

750
00:35:09,600 --> 00:35:15,320
Speaker 3: Essentially, Margie is terrible.

751
00:35:15,640 --> 00:35:19,920
Speaker 2: She is a terrible, terrible, jealous little thing. Yeah, my

752
00:35:20,080 --> 00:35:23,759
Speaker 2: thing is it happened so fast? She catches Greg looking

753
00:35:23,840 --> 00:35:27,600
Speaker 2: at this new girl. No, she makes a comment about

754
00:35:27,640 --> 00:35:30,319
Speaker 2: her when she's walking by before she does anything at.

755
00:35:30,239 --> 00:35:31,440
Speaker 3: The restaurant, when she first sees her.

756
00:35:31,560 --> 00:35:35,200
Speaker 2: Yeah, instance, she sees Greg see her, and instantly this

757
00:35:35,360 --> 00:35:38,080
Speaker 2: girl's gotta go. So I'm gonna try drowning her.

758
00:35:38,480 --> 00:35:39,120
Speaker 3: Yeah, I'm gonna.

759
00:35:39,200 --> 00:35:41,520
Speaker 4: And even when she helps later, it's just to get

760
00:35:41,640 --> 00:35:43,880
Speaker 4: Xenon back off the planet, just to get him back on.

761
00:35:44,080 --> 00:35:44,239
Speaker 1: Yeah.

762
00:35:44,320 --> 00:35:46,520
Speaker 3: No, it's like you're gonna leave Greg and his horses

763
00:35:46,640 --> 00:35:47,520
Speaker 3: to me, my friend.

764
00:35:47,640 --> 00:35:50,279
Speaker 2: Yeah. No, she's just yeah, she's she was bad.

765
00:35:50,560 --> 00:35:52,400
Speaker 1: She was she was a bad, bad one. They did

766
00:35:52,480 --> 00:35:55,560
Speaker 1: they Disney really outdid themselves on her badness.

767
00:35:55,760 --> 00:35:58,399
Speaker 2: Yeah, super cute girl, though she's a dorrible.

768
00:35:58,040 --> 00:36:00,120
Speaker 4: Oh yeah, but the second she knocks her in the

769
00:36:00,160 --> 00:36:03,440
Speaker 4: pool like you've never seen water before, good luck breathing

770
00:36:04,600 --> 00:36:06,640
Speaker 4: Like wow, harsh oh.

771
00:36:06,960 --> 00:36:10,000
Speaker 3: Man, Can we can we address Zene on s date

772
00:36:10,080 --> 00:36:10,480
Speaker 3: with Greg?

773
00:36:10,960 --> 00:36:12,000
Speaker 2: Yes, I would love to.

774
00:36:12,320 --> 00:36:14,760
Speaker 4: It's part of my Sabrina seas. I think it's so cute,

775
00:36:14,960 --> 00:36:17,880
Speaker 4: nice waterfront restaurant. But she eats so much that he

776
00:36:18,080 --> 00:36:20,760
Speaker 4: shames her for how expenses the date.

777
00:36:20,760 --> 00:36:24,839
Speaker 2: Is going to be, because again he's little. He also says,

778
00:36:24,880 --> 00:36:27,080
Speaker 2: do you know how many horses I'm gonna have to clean?

779
00:36:27,200 --> 00:36:27,359
Speaker 4: Now?

780
00:36:27,920 --> 00:36:30,960
Speaker 2: You cannot just order? That's so rude. You cannot just

781
00:36:31,239 --> 00:36:31,960
Speaker 2: order all of that?

782
00:36:32,239 --> 00:36:33,399
Speaker 3: What do you mean it's a date?

783
00:36:33,440 --> 00:36:37,120
Speaker 2: You should let your date order whatever they want. I mean,

784
00:36:38,120 --> 00:36:40,080
Speaker 2: what kind of dates were you going on at that

785
00:36:40,320 --> 00:36:43,479
Speaker 2: age where you were just saying to your the person,

786
00:36:43,520 --> 00:36:46,319
Speaker 2: you're on a date, Sure, you want a salad? Can

787
00:36:46,400 --> 00:36:48,360
Speaker 2: I get you four appetizers? Looks like you want to

788
00:36:48,360 --> 00:36:49,960
Speaker 2: hold buy a pizza? Does that sound great?

789
00:36:50,400 --> 00:36:50,440
Speaker 1: No?

790
00:36:51,160 --> 00:36:55,040
Speaker 2: Will that's not okay, she's taking advantage of it.

791
00:36:55,200 --> 00:36:57,640
Speaker 3: Okay, Oh that's great, that's great.

792
00:36:57,719 --> 00:36:59,880
Speaker 1: So while while they're on the date, he could have

793
00:37:00,040 --> 00:37:01,279
Speaker 1: he could have saved a little bit of the money

794
00:37:01,320 --> 00:37:02,640
Speaker 1: to help out in the space station, because the five

795
00:37:02,680 --> 00:37:05,080
Speaker 1: hundred million dollars wasn't going to cut it, and the

796
00:37:05,160 --> 00:37:07,480
Speaker 1: space station is now starting we keep cutting back and

797
00:37:07,520 --> 00:37:10,759
Speaker 1: it's starting to slowly shut down system by system. I'

798
00:37:10,840 --> 00:37:14,200
Speaker 1: llah Passengers with Chris Pratt and what's her name? Where

799
00:37:14,440 --> 00:37:17,360
Speaker 1: just one system at a time? Is I think Passengers

800
00:37:17,480 --> 00:37:19,160
Speaker 1: is just a modern version of Xenon. By the way,

801
00:37:19,239 --> 00:37:22,360
Speaker 1: that's that's my hot take for the day. Okay, So

802
00:37:22,480 --> 00:37:26,880
Speaker 1: her new friends and her absolutely cheap boyfriend now have

803
00:37:27,080 --> 00:37:30,319
Speaker 1: to figure out how they can help the space station.

804
00:37:30,480 --> 00:37:31,880
Speaker 1: So one of her new friends is kind of a

805
00:37:31,920 --> 00:37:35,560
Speaker 1: computer hacker. Yeah, he helps hack one of her tablets

806
00:37:35,600 --> 00:37:37,399
Speaker 1: so that she can contact people on the space station

807
00:37:37,480 --> 00:37:40,960
Speaker 1: at least kind of warn them. And then they figure

808
00:37:41,040 --> 00:37:45,840
Speaker 1: out that that oh, Mike, wait, that's right, Microbe is

809
00:37:45,920 --> 00:37:49,359
Speaker 1: going up to the space station with my boy Proda. Yeah,

810
00:37:49,360 --> 00:37:51,239
Speaker 1: and so I'm going to see if I can hop

811
00:37:51,320 --> 00:37:53,799
Speaker 1: on the space station. So of course she walks right

812
00:37:53,880 --> 00:37:55,000
Speaker 1: up to the band and says, can I hop on

813
00:37:55,040 --> 00:37:57,960
Speaker 1: the space Shuttle? And essentially they say yes because she

814
00:37:58,040 --> 00:38:02,279
Speaker 1: won the contest to dance with them, so they say,

815
00:38:02,360 --> 00:38:04,439
Speaker 1: you've got to let her on the space station, even

816
00:38:04,520 --> 00:38:08,120
Speaker 1: though by this point the entire Windom organization is looking

817
00:38:08,160 --> 00:38:10,960
Speaker 1: for her with orders to stop her anywhere.

818
00:38:11,080 --> 00:38:14,520
Speaker 3: She crashes the gate. Mm hmm, makes it to the band.

819
00:38:15,040 --> 00:38:18,320
Speaker 1: They throw her on the Space Shuttle, and now Windom

820
00:38:18,360 --> 00:38:21,480
Speaker 1: and Lutz, hearing that Xenon is on there, jump on

821
00:38:21,520 --> 00:38:24,880
Speaker 1: the Space Shuttle too, and boom, they're also stuck right

822
00:38:25,200 --> 00:38:26,120
Speaker 1: on the shovel.

823
00:38:26,480 --> 00:38:28,640
Speaker 2: Yes, but but also you got to go back and

824
00:38:28,760 --> 00:38:34,200
Speaker 2: talk about the fact that after these five kids run

825
00:38:34,320 --> 00:38:38,000
Speaker 2: right through a gate that's supposed to be highly secured,

826
00:38:38,160 --> 00:38:41,840
Speaker 2: good security, then the ant comes in about five minutes

827
00:38:41,920 --> 00:38:42,360
Speaker 2: later and.

828
00:38:43,480 --> 00:38:44,040
Speaker 3: The same thing.

829
00:38:44,160 --> 00:38:47,600
Speaker 2: Yeah, no, one, there's no extra security.

830
00:38:47,719 --> 00:38:49,560
Speaker 3: Maybe get another guy, yeah, right, at.

831
00:38:49,520 --> 00:38:53,920
Speaker 2: Least one more guy. Nor has Windham been even Hey,

832
00:38:54,200 --> 00:38:56,600
Speaker 2: by the way, that girl you've been talking about that

833
00:38:56,680 --> 00:39:01,080
Speaker 2: we're looking for, she's here here. No, please don't fire

834
00:39:01,160 --> 00:39:02,680
Speaker 2: me because I let her go through the gate.

835
00:39:02,800 --> 00:39:04,879
Speaker 1: By the way, I also called Doug and he's gonna

836
00:39:04,880 --> 00:39:06,719
Speaker 1: come down and help me on guard gate duty because

837
00:39:06,760 --> 00:39:08,040
Speaker 1: it's just me in a broken gate.

838
00:39:08,120 --> 00:39:11,160
Speaker 3: At this point. That was just not the best.

839
00:39:11,040 --> 00:39:13,400
Speaker 2: Security the worst security guard guys.

840
00:39:13,640 --> 00:39:16,759
Speaker 1: So she finally gets back to the space station. Once

841
00:39:16,840 --> 00:39:19,440
Speaker 1: she gets there, she's able to after all this time,

842
00:39:19,560 --> 00:39:22,799
Speaker 1: convince everybody that Wyndham and LUTs are in fact bad guys,

843
00:39:22,880 --> 00:39:26,280
Speaker 1: and she saves the station by of course, repeatedly punching

844
00:39:26,320 --> 00:39:32,359
Speaker 1: buttons into a keypad until she hits the right buttons again.

845
00:39:32,440 --> 00:39:35,080
Speaker 3: Great security. You can just keep typing failed.

846
00:39:35,120 --> 00:39:39,000
Speaker 2: Three times and then finally boom.

847
00:39:39,000 --> 00:39:41,520
Speaker 1: Your iPhone shuts down after like four times. Right, but

848
00:39:41,640 --> 00:39:44,640
Speaker 1: you're but the space station. You can just keep keep going.

849
00:39:44,960 --> 00:39:47,520
Speaker 1: You can just keep going, no lockdown. It is the

850
00:39:47,600 --> 00:39:50,480
Speaker 1: computer equivalent of smashing through a gate because Doug is

851
00:39:50,520 --> 00:39:54,839
Speaker 1: not on guard duty, which is great. All this leads

852
00:39:54,920 --> 00:39:58,400
Speaker 1: up to finally the bad guys are arrested, and then

853
00:39:58,560 --> 00:40:01,279
Speaker 1: Micro gets to play at a concert up there in

854
00:40:01,400 --> 00:40:03,360
Speaker 1: space finally, which is great.

855
00:40:04,120 --> 00:40:09,760
Speaker 2: Epic little performance that any loves love the dad.

856
00:40:10,400 --> 00:40:14,360
Speaker 1: Love to see Protozoa playing up there. She shows how

857
00:40:14,560 --> 00:40:16,960
Speaker 1: how thankful a friend she is. She gives her dancing

858
00:40:17,040 --> 00:40:18,840
Speaker 1: prize to her best friend Raven, who gets up there

859
00:40:18,880 --> 00:40:23,440
Speaker 1: to dance. She kisses Greg goodbye over FaceTime, and then

860
00:40:23,520 --> 00:40:24,000
Speaker 1: that was just it.

861
00:40:25,000 --> 00:40:27,200
Speaker 3: That was like the end of the movie. There was

862
00:40:27,280 --> 00:40:27,880
Speaker 3: no real.

863
00:40:27,760 --> 00:40:29,840
Speaker 1: Goodbye with her and Greg, which I'm hoping he's in

864
00:40:29,960 --> 00:40:31,840
Speaker 1: the zequel. I hope Greg is in the l I

865
00:40:31,920 --> 00:40:34,239
Speaker 1: do too. Are they still dating? Is this a long

866
00:40:34,360 --> 00:40:37,319
Speaker 1: distance relationship at this point? Is it that's what I'm

867
00:40:38,719 --> 00:40:42,160
Speaker 1: h orbit relationship. I think what it is my orbit.

868
00:40:42,280 --> 00:40:45,919
Speaker 2: Major relationship, minor not sure, not sure, We're not sure?

869
00:40:46,040 --> 00:40:46,160
Speaker 2: Is it?

870
00:40:47,280 --> 00:40:47,360
Speaker 1: Oh?

871
00:40:47,440 --> 00:40:48,680
Speaker 3: I hope we get it in the zequel.

872
00:40:48,760 --> 00:40:52,120
Speaker 1: If the zequel starts with her on FaceTime with Greg like, hey,

873
00:40:52,320 --> 00:40:53,840
Speaker 1: hey babe, I'm going to be coming to see you

874
00:40:53,920 --> 00:40:55,680
Speaker 1: in like a month kind of thing.

875
00:40:55,760 --> 00:40:56,960
Speaker 3: That'd be great, but who knows.

876
00:40:56,920 --> 00:41:01,759
Speaker 4: And then him call her babe, didn't space babe, Hey,

877
00:41:01,800 --> 00:41:03,960
Speaker 4: space babe, Hey space babe.

878
00:41:04,680 --> 00:41:05,000
Speaker 2: The best.

879
00:41:05,200 --> 00:41:06,719
Speaker 3: Hey, space Babe, I'm gonna see you. I got my

880
00:41:06,800 --> 00:41:08,960
Speaker 3: horses and I'm gonna come see you on the space stations.

881
00:41:09,239 --> 00:41:09,880
Speaker 2: They're ready to go.

882
00:41:10,280 --> 00:41:11,160
Speaker 3: I think i'd be awesome.

883
00:41:12,760 --> 00:41:13,360
Speaker 2: And so that's it.

884
00:41:13,480 --> 00:41:15,600
Speaker 1: And then of course we end with the song super

885
00:41:15,680 --> 00:41:19,279
Speaker 1: Nova Girl, after your Zoom Zoom song, which you came

886
00:41:19,360 --> 00:41:20,240
Speaker 1: in singing today.

887
00:41:20,440 --> 00:41:24,600
Speaker 2: Oh my gosh, it's just so good. I honestly was

888
00:41:24,680 --> 00:41:28,400
Speaker 2: getting ready. I turned on the end I to just

889
00:41:28,520 --> 00:41:29,600
Speaker 2: hear just getting in my.

890
00:41:29,680 --> 00:41:33,080
Speaker 3: Group, getting in the zoom zoom groop my zen on zoom.

891
00:41:33,440 --> 00:41:34,399
Speaker 3: Oh that's the best.

892
00:41:41,840 --> 00:41:44,400
Speaker 1: Why don't we start some real reviews. We know what

893
00:41:44,480 --> 00:41:46,480
Speaker 1: we think and what we've said about this film. Let's

894
00:41:46,480 --> 00:41:48,919
Speaker 1: see what other people think, Sabrina, what's our one star

895
00:41:49,040 --> 00:41:50,279
Speaker 1: review for the day?

896
00:41:50,400 --> 00:41:53,759
Speaker 2: I really thought, you know, Jensen was gonna have a

897
00:41:53,840 --> 00:41:56,800
Speaker 2: hard time finding a one star review on this movie.

898
00:41:57,040 --> 00:41:59,240
Speaker 3: I think, how can you have a problem?

899
00:41:59,320 --> 00:42:00,200
Speaker 6: I not.

900
00:42:00,880 --> 00:42:03,359
Speaker 2: I mean, I know he'd find one, but never has

901
00:42:03,440 --> 00:42:06,000
Speaker 2: a problem. But you know, I just feel like this

902
00:42:06,200 --> 00:42:09,200
Speaker 2: movie was so good. So I'm unfortunately, guys, he did

903
00:42:09,320 --> 00:42:12,719
Speaker 2: find one and it's by Corbyn B We're gonna have

904
00:42:12,719 --> 00:42:14,160
Speaker 2: to find out if that's Corbyn Blue or not.

905
00:42:14,640 --> 00:42:15,160
Speaker 6: I will.

906
00:42:17,000 --> 00:42:21,479
Speaker 2: Secret hat just kidding. All right, here we go. One star.

907
00:42:22,040 --> 00:42:25,239
Speaker 2: The worst movie I ever watched. Makes me feel like

908
00:42:25,400 --> 00:42:29,200
Speaker 2: scooping my eyes out with spoons and burning them in

909
00:42:29,280 --> 00:42:29,680
Speaker 2: a fire.

910
00:42:30,480 --> 00:42:34,680
Speaker 3: There's no gray area in that review. There's no like well,

911
00:42:34,760 --> 00:42:36,680
Speaker 3: but I'm open to interpretation. I've got to watch it

912
00:42:36,680 --> 00:42:37,520
Speaker 3: again kind of thing.

913
00:42:38,280 --> 00:42:41,120
Speaker 2: Listen, I rather that be. If you're gonna have this

914
00:42:41,400 --> 00:42:45,480
Speaker 2: negative review, stick with it. Don't don't start don't start.

915
00:42:45,320 --> 00:42:48,359
Speaker 3: Wobbling on me and behind it like like a bad gait.

916
00:42:49,040 --> 00:42:51,400
Speaker 2: I know we're probably not supposed to say our opinions,

917
00:42:51,480 --> 00:42:54,440
Speaker 2: but Corbyn, you could not be more wrong. You hate.

918
00:42:55,719 --> 00:42:57,359
Speaker 1: I am now going to read the five star review

919
00:42:57,400 --> 00:43:00,480
Speaker 1: by somebody named Hasna, and it's my favorite five star

920
00:43:00,560 --> 00:43:04,720
Speaker 1: review I've ever read in my life. I'm reading it verbatim.

921
00:43:05,560 --> 00:43:08,440
Speaker 1: A memorable night. I had a fantastic evening at Xenon

922
00:43:08,480 --> 00:43:10,759
Speaker 1: in Dubai with my friends. Amazing food and drinks. Thank

923
00:43:10,840 --> 00:43:13,520
Speaker 1: you for the nice night. Yes, this person left a

924
00:43:13,600 --> 00:43:16,440
Speaker 1: food review for a place called Xenon that is a

925
00:43:16,560 --> 00:43:21,360
Speaker 1: restaurant in Dubai, and it is my favorite five.

926
00:43:21,280 --> 00:43:24,840
Speaker 3: Star review I've ever read. It's perfect. We do not

927
00:43:25,000 --> 00:43:28,920
Speaker 3: make these up people, Producer Jensen finds all these I

928
00:43:28,960 --> 00:43:30,440
Speaker 3: want to read it again. A memorable night.

929
00:43:30,480 --> 00:43:33,080
Speaker 1: I had a fantastic evening at Xenon and my friends,

930
00:43:33,160 --> 00:43:35,600
Speaker 1: amazing food and drinks. Thank you for the nice night.

931
00:43:35,640 --> 00:43:38,239
Speaker 1: I think that says it all about Xenon. Frankly sure,

932
00:43:38,680 --> 00:43:40,640
Speaker 1: and I'm very happy with our reviews. We are now

933
00:43:41,280 --> 00:43:43,160
Speaker 1: going to jump into a new game, which we'd like

934
00:43:43,200 --> 00:43:44,160
Speaker 1: to do every once in a while.

935
00:43:44,440 --> 00:43:46,839
Speaker 3: I love it, and a new game, this one we're

936
00:43:46,880 --> 00:43:49,000
Speaker 3: calling quote end quote.

937
00:43:49,760 --> 00:43:52,120
Speaker 1: We're going to get three quotes about the movie Xenon

938
00:43:52,160 --> 00:43:54,359
Speaker 1: Girl of twenty first Century. One of them is real,

939
00:43:54,480 --> 00:43:56,600
Speaker 1: an actual quote from one of the cast or crew,

940
00:43:57,000 --> 00:43:58,799
Speaker 1: but the other two are completely made up.

941
00:43:58,840 --> 00:44:00,799
Speaker 3: And we have to figure out which one is real.

942
00:44:01,800 --> 00:44:04,160
Speaker 3: I have no idea which one's real and which isn't. Okay,

943
00:44:04,719 --> 00:44:06,439
Speaker 3: I don't think you know which one's real or which

944
00:44:06,520 --> 00:44:07,440
Speaker 3: which one is I do not.

945
00:44:07,640 --> 00:44:08,000
Speaker 2: I do not.

946
00:44:08,320 --> 00:44:08,840
Speaker 3: So here we go.

947
00:44:09,120 --> 00:44:12,160
Speaker 1: Quote number one. I say, we read them all and

948
00:44:12,239 --> 00:44:14,200
Speaker 1: then at the end we pick what it is. Yes, okay,

949
00:44:14,760 --> 00:44:19,279
Speaker 1: So here are real or fake? Number one quote. The

950
00:44:19,360 --> 00:44:22,359
Speaker 1: shots and the recycling bins were brutal. We'd spend six

951
00:44:22,440 --> 00:44:23,880
Speaker 1: to eight hours in there just trying to get the

952
00:44:23,960 --> 00:44:26,840
Speaker 1: lighting right. Then someone figured out that the first AD's

953
00:44:26,920 --> 00:44:29,160
Speaker 1: dog had been taking poops in there. It smelled like

954
00:44:29,280 --> 00:44:35,080
Speaker 1: feces and rubber. End quote number two quote. A lot

955
00:44:35,120 --> 00:44:37,919
Speaker 1: of people think our movie predicted FaceTime, which might be true.

956
00:44:38,160 --> 00:44:40,960
Speaker 1: But I also think we influence the way people wear vests.

957
00:44:41,440 --> 00:44:44,120
Speaker 1: Before the first movie, I hardly saw vests. Now all

958
00:44:44,200 --> 00:44:50,200
Speaker 1: I see are vests. End quote number three quote. There

959
00:44:50,320 --> 00:44:52,760
Speaker 1: was talk of actually doing a Xenon series and Xenon

960
00:44:52,880 --> 00:44:56,000
Speaker 1: movies in theaters. Something happened that prevented it. It might

961
00:44:56,080 --> 00:44:58,400
Speaker 1: have been nine to eleven end quote.

962
00:44:59,719 --> 00:45:03,200
Speaker 2: The only one that I would hope would actually be

963
00:45:03,360 --> 00:45:04,879
Speaker 2: true on this one is the first one.

964
00:45:05,040 --> 00:45:08,680
Speaker 3: The other one. See the ones are terrible. Yeah, I hope.

965
00:45:08,800 --> 00:45:11,680
Speaker 3: I hope the first one is true too.

966
00:45:11,880 --> 00:45:14,200
Speaker 2: They don't hope that someone had to shoot in a

967
00:45:14,280 --> 00:45:16,480
Speaker 2: place where someone's dog was booping a lot.

968
00:45:17,080 --> 00:45:21,239
Speaker 3: But I have a fear that the third one is

969
00:45:21,360 --> 00:45:23,480
Speaker 3: actually the real one. I don't know why.

970
00:45:23,600 --> 00:45:25,360
Speaker 2: And I would have to roll my eyes if the

971
00:45:25,719 --> 00:45:30,279
Speaker 2: second one is. Yes, predicting everyone wearing vest sounds.

972
00:45:30,320 --> 00:45:31,800
Speaker 1: Yeah, I think we could throw that one away. I

973
00:45:31,840 --> 00:45:33,560
Speaker 1: don't think it's the best one. I don't think it's

974
00:45:33,560 --> 00:45:34,120
Speaker 1: the best one.

975
00:45:34,600 --> 00:45:38,200
Speaker 2: Okay, although there were a lot of vests.

976
00:45:38,280 --> 00:45:38,919
Speaker 3: Oh it was great.

977
00:45:38,920 --> 00:45:39,040
Speaker 1: It was.

978
00:45:39,200 --> 00:45:40,640
Speaker 3: It was a vest heavy thing.

979
00:45:40,800 --> 00:45:42,719
Speaker 2: It was kind of part of their uniform ish.

980
00:45:42,920 --> 00:45:46,160
Speaker 3: Yeah, I'm going to say three is the real one?

981
00:45:46,200 --> 00:45:47,920
Speaker 3: Are you gonna go with one? I'm gonna go with one,

982
00:45:48,200 --> 00:45:50,600
Speaker 3: all right, So Producer Jensen, which one's real?

983
00:45:51,640 --> 00:45:57,759
Speaker 6: It's the third one? Stuart Plank and who you know,

984
00:45:57,920 --> 00:46:00,880
Speaker 6: Commander Plank. He said it on a podcast in twenty twenty.

985
00:46:00,960 --> 00:46:02,840
Speaker 6: He that there were a lot of plans for Zenon,

986
00:46:03,360 --> 00:46:05,279
Speaker 6: but possibly nine to eleven ruined them.

987
00:46:07,120 --> 00:46:09,839
Speaker 3: Oh, well, there we go. I got it right.

988
00:46:10,280 --> 00:46:14,000
Speaker 6: I was hoping when they talk about the history of

989
00:46:14,040 --> 00:46:16,680
Speaker 6: nine to eleven it's not talked about how much it affected.

990
00:46:16,360 --> 00:46:19,160
Speaker 1: Dacon's No, no, not usually, usually there were bigger things

991
00:46:19,160 --> 00:46:22,720
Speaker 1: on the menu than DCM. Just well, thank you producer

992
00:46:22,800 --> 00:46:26,680
Speaker 1: Jensen for quote end quote. Let's get into Sabrina seas.

993
00:46:30,320 --> 00:46:33,120
Speaker 2: Well, we've already gone through. The biggest thing, you know,

994
00:46:33,200 --> 00:46:36,080
Speaker 2: I've seen in the very beginning is all of the iPad,

995
00:46:36,239 --> 00:46:39,120
Speaker 2: the FaceTime, all of that stuff. I just I loved

996
00:46:39,200 --> 00:46:41,600
Speaker 2: that about this movie. I thought that was so cool.

997
00:46:41,680 --> 00:46:45,279
Speaker 2: I love that once again, Disney just seems to be

998
00:46:45,360 --> 00:46:48,319
Speaker 2: able to predict the future. It just feels like that. Yeah.

999
00:46:49,960 --> 00:46:54,120
Speaker 2: One of the things that I kind of hinted towards

1000
00:46:54,360 --> 00:46:59,360
Speaker 2: was the mom's stress cap that you Oh, man.

1001
00:46:59,200 --> 00:47:01,640
Speaker 3: I wish they could the stress cap in the chill room.

1002
00:47:01,680 --> 00:47:03,640
Speaker 3: I would invest in those. Right now.

1003
00:47:04,120 --> 00:47:07,480
Speaker 2: I was going, what the hell is she?

1004
00:47:07,840 --> 00:47:08,360
Speaker 1: What is that?

1005
00:47:08,760 --> 00:47:12,160
Speaker 2: What are they even trying to do? Then they they

1006
00:47:12,239 --> 00:47:14,440
Speaker 2: explain what it is, and I'm all of a sudden

1007
00:47:14,520 --> 00:47:17,600
Speaker 2: finding myself going, oh, I want maybe I need one

1008
00:47:17,680 --> 00:47:19,520
Speaker 2: of those. I want one of those, and now I

1009
00:47:19,640 --> 00:47:21,439
Speaker 2: want one done.

1010
00:47:21,680 --> 00:47:23,920
Speaker 3: You almost enter to the chill chamber and always think

1011
00:47:24,040 --> 00:47:25,080
Speaker 3: is like, oh my god, I want.

1012
00:47:24,960 --> 00:47:29,160
Speaker 2: To chill the chill chamber when when Rose and Ledger

1013
00:47:29,160 --> 00:47:31,640
Speaker 2: are both just having meltdowns at the same time, where

1014
00:47:31,840 --> 00:47:32,720
Speaker 2: is the chill chamber?

1015
00:47:33,480 --> 00:47:36,160
Speaker 3: Chill chamber totally?

1016
00:47:36,719 --> 00:47:41,080
Speaker 2: And then the another one was it was so funny.

1017
00:47:41,120 --> 00:47:42,920
Speaker 2: We talked a little bit about it with Greg and

1018
00:47:43,040 --> 00:47:46,400
Speaker 2: his horse that he works at a stable and it's never.

1019
00:47:46,280 --> 00:47:47,640
Speaker 3: Talked about his horse, Larry.

1020
00:47:48,239 --> 00:47:51,799
Speaker 2: But I also kept finding myself going, has Greg done

1021
00:47:51,840 --> 00:47:55,239
Speaker 2: this little date day date before? He seems really.

1022
00:47:56,560 --> 00:47:58,120
Speaker 3: Secret this day date.

1023
00:47:58,280 --> 00:48:00,880
Speaker 2: I'm like, are you group player?

1024
00:48:01,040 --> 00:48:01,840
Speaker 1: Greg? I do?

1025
00:48:02,000 --> 00:48:03,600
Speaker 3: So his friends are like, yo, Greg, you taking it

1026
00:48:03,640 --> 00:48:04,240
Speaker 3: to the barn.

1027
00:48:04,120 --> 00:48:08,520
Speaker 2: Again, wondering if Margie's been on this horse and and

1028
00:48:08,600 --> 00:48:12,279
Speaker 2: they've trumped Yeah, and Mark, you know, so I kind

1029
00:48:12,280 --> 00:48:14,960
Speaker 2: of can't. There was just he was just so suave

1030
00:48:15,160 --> 00:48:18,520
Speaker 2: in that whole day that I just started going, oh,

1031
00:48:18,960 --> 00:48:24,360
Speaker 2: maybe we don't might be a player. And then my

1032
00:48:24,520 --> 00:48:26,640
Speaker 2: last one, well, this actually is a little bit before

1033
00:48:26,719 --> 00:48:31,520
Speaker 2: this was this whole you know virus with the disc

1034
00:48:32,080 --> 00:48:37,000
Speaker 2: and he puts it in, takes it out, walks away

1035
00:48:37,280 --> 00:48:43,120
Speaker 2: and loses it so fast he was he was, yeah,

1036
00:48:43,280 --> 00:48:46,600
Speaker 2: two feet from the door and and just drops it

1037
00:48:46,840 --> 00:48:50,080
Speaker 2: and you heard it clink. We heard it clink. Why

1038
00:48:50,120 --> 00:48:53,319
Speaker 2: didn't you hear it what what happened? That's when I went, oh,

1039
00:48:53,520 --> 00:48:56,680
Speaker 2: and then it just seemed like he when he saw

1040
00:48:56,760 --> 00:48:58,840
Speaker 2: it in her ear, even though it was sort of

1041
00:48:58,880 --> 00:49:04,320
Speaker 2: disguised because Nebula has glammed and gemmed and rhinestone did upright?

1042
00:49:05,120 --> 00:49:07,640
Speaker 2: Would you think thought he would have just tried to

1043
00:49:08,000 --> 00:49:10,759
Speaker 2: I mean, I wouldn't want, you know, a grown up

1044
00:49:10,800 --> 00:49:13,279
Speaker 2: to wrestle a kid. But wouldn't you think he would

1045
00:49:13,320 --> 00:49:15,919
Speaker 2: have grabbed and said, let me I need right away?

1046
00:49:16,080 --> 00:49:18,360
Speaker 2: If it was a big deal, like I don't know,

1047
00:49:19,120 --> 00:49:20,960
Speaker 2: blowing up a whole space.

1048
00:49:20,760 --> 00:49:23,279
Speaker 1: Station, I think Disney probably wouldn't have been happy with that.

1049
00:49:23,480 --> 00:49:25,880
Speaker 1: But yes, no, I know, but I'm just saying it.

1050
00:49:25,960 --> 00:49:26,959
Speaker 2: It was just so easy.

1051
00:49:27,040 --> 00:49:31,400
Speaker 3: He was just kind of not the smart villain.

1052
00:49:31,760 --> 00:49:35,200
Speaker 2: He had the brightest suits in the in the rack,

1053
00:49:35,320 --> 00:49:37,920
Speaker 2: but wasn't the brightest cran in the box like that.

1054
00:49:38,200 --> 00:49:39,319
Speaker 3: That's that's so true.

1055
00:49:39,560 --> 00:49:41,799
Speaker 1: He Also I love the fact that the restricted area

1056
00:49:41,840 --> 00:49:44,319
Speaker 1: on the space station only took four digits to get into,

1057
00:49:44,480 --> 00:49:46,080
Speaker 1: like a like an ATM pin code.

1058
00:49:46,280 --> 00:49:49,319
Speaker 2: You have six on your iPhone for digits to get

1059
00:49:49,360 --> 00:49:51,280
Speaker 2: into a place. That could just get into.

1060
00:49:51,120 --> 00:49:54,359
Speaker 1: The most restricted area. The key, the key to get

1061
00:49:54,440 --> 00:49:58,040
Speaker 1: in was like thirteen fifty nine, that was it, and

1062
00:49:58,160 --> 00:49:59,719
Speaker 1: she had to write it down and then forgot it.

1063
00:50:00,080 --> 00:50:02,520
Speaker 2: Forget it anyway, Well we're we should be glad that

1064
00:50:02,600 --> 00:50:03,960
Speaker 2: it wasn't five five five.

1065
00:50:06,000 --> 00:50:07,160
Speaker 3: It's what it's password.

1066
00:50:08,280 --> 00:50:11,319
Speaker 2: Yeah, that's all right, that's all I got.

1067
00:50:11,440 --> 00:50:15,040
Speaker 1: All right, Well, now's that time to rate the movie. Yes,

1068
00:50:15,280 --> 00:50:16,600
Speaker 1: today we're going to do one out of ten?

1069
00:50:16,800 --> 00:50:17,480
Speaker 3: What do you think?

1070
00:50:17,800 --> 00:50:23,840
Speaker 1: Floating rat holograms, recycled trash clothes, seat us, lapitases, disc earrings.

1071
00:50:25,360 --> 00:50:27,080
Speaker 1: I have horse guys on the list, but I'm gonna

1072
00:50:27,080 --> 00:50:33,040
Speaker 1: make it player horse guys or mistaken dubai zen on restaurants.

1073
00:50:34,239 --> 00:50:37,360
Speaker 2: I think we got to do Cetus lapidis. Okay, I

1074
00:50:37,440 --> 00:50:39,879
Speaker 2: think I think Tara will just die if we die.

1075
00:50:39,920 --> 00:50:42,400
Speaker 3: I think that she needs us to do it. How

1076
00:50:42,480 --> 00:50:47,400
Speaker 3: many cetuses lapedises do you give this?

1077
00:50:48,080 --> 00:50:48,239
Speaker 2: One?

1078
00:50:48,320 --> 00:50:50,799
Speaker 3: Out of ten ceases lapetises? What do we got?

1079
00:50:50,840 --> 00:50:52,680
Speaker 1: One being the worst, ten being the best? How many

1080
00:50:52,760 --> 00:50:54,719
Speaker 1: cetuses lapitises do you give this?

1081
00:50:54,840 --> 00:50:57,960
Speaker 2: This is like I said, I've been waiting to rewatch

1082
00:50:58,040 --> 00:51:00,719
Speaker 2: this since we did, since we start arted doing this.

1083
00:51:01,000 --> 00:51:04,160
Speaker 2: I'm giving it a nine. Only nobody come at me,

1084
00:51:04,440 --> 00:51:09,000
Speaker 2: Everybody calm down. Only because I'm expecting there's two movies

1085
00:51:09,120 --> 00:51:13,080
Speaker 2: after this that the sequel, the zequel, and then three

1086
00:51:13,560 --> 00:51:16,480
Speaker 2: and then Z three is probably gonna be even that

1087
00:51:16,600 --> 00:51:17,040
Speaker 2: much better.

1088
00:51:17,160 --> 00:51:22,000
Speaker 1: So well, that one's actually shot in space. Disney went

1089
00:51:22,080 --> 00:51:25,160
Speaker 1: all out for that. It's actually the iss, so I'm.

1090
00:51:25,040 --> 00:51:28,880
Speaker 7: Going I lost three actors, nine cetases, loopedases.

1091
00:51:29,440 --> 00:51:32,759
Speaker 1: Nice you give you give more praise than I do.

1092
00:51:32,920 --> 00:51:35,719
Speaker 1: I thought it was very good, but nines and tens

1093
00:51:35,760 --> 00:51:38,040
Speaker 1: are tough for me. I'm gonna give it a solid eight,

1094
00:51:38,080 --> 00:51:41,440
Speaker 1: though I'm gonna give it eight cetuses lapedises because it

1095
00:51:41,520 --> 00:51:45,839
Speaker 1: deserved it is that it was good, the acting was good,

1096
00:51:45,960 --> 00:51:48,600
Speaker 1: the the premise is great. Obviously, it's a new kind

1097
00:51:48,640 --> 00:51:51,880
Speaker 1: of take on a romp. Watching this movie was so

1098
00:51:52,040 --> 00:51:55,400
Speaker 1: much better for me having spoken to Stu Krieger first.

1099
00:51:55,640 --> 00:52:01,080
Speaker 2: Yes, I loved that. I mean, I feel for us.

1100
00:52:01,200 --> 00:52:04,840
Speaker 2: It's harder to because we were talking and he started

1101
00:52:05,200 --> 00:52:09,120
Speaker 2: referencing things with Smarth House, which I've never watched. I've started,

1102
00:52:09,200 --> 00:52:11,440
Speaker 2: so it was tough. So I know we can't do

1103
00:52:11,600 --> 00:52:13,719
Speaker 2: that all the time, as the interview before we watch,

1104
00:52:14,080 --> 00:52:17,360
Speaker 2: but it was such great insight to be able to

1105
00:52:17,760 --> 00:52:21,080
Speaker 2: think about and it made me enjoy touching the movie

1106
00:52:21,719 --> 00:52:24,600
Speaker 2: so much more than I even remember loving it from

1107
00:52:24,680 --> 00:52:25,200
Speaker 2: the beginning.

1108
00:52:25,400 --> 00:52:25,880
Speaker 3: I agree.

1109
00:52:26,280 --> 00:52:28,880
Speaker 1: So that's it, folks, Thank you so much for taking

1110
00:52:28,960 --> 00:52:32,480
Speaker 1: a very very very quick shuttle ride up to the

1111
00:52:33,360 --> 00:52:38,400
Speaker 1: space day with us for a major awesome film. Frankly

1112
00:52:38,480 --> 00:52:41,319
Speaker 1: that got a number of CTAs is lapedises from us

1113
00:52:42,239 --> 00:52:44,800
Speaker 1: because it was good. So thank you once again for

1114
00:52:44,880 --> 00:52:48,000
Speaker 1: joining us. Our next movie is actually the most current

1115
00:52:48,120 --> 00:52:51,959
Speaker 1: movie we're doing to date. It was only from last year.

1116
00:52:52,800 --> 00:52:54,680
Speaker 1: We're gonna be watching Prompact next.

1117
00:52:54,920 --> 00:52:58,160
Speaker 3: I know, I know nothing of this movie. I assume

1118
00:52:58,200 --> 00:53:01,360
Speaker 3: it has something to do with the problem I love.

1119
00:53:01,239 --> 00:53:04,600
Speaker 2: PROM so I am already trying to find my throwback

1120
00:53:04,680 --> 00:53:08,839
Speaker 2: pictures to pop up on my Instagram for the prom Oh.

1121
00:53:09,040 --> 00:53:13,800
Speaker 2: I'm so excited, and I'm excited to see because I've

1122
00:53:14,000 --> 00:53:18,000
Speaker 2: kind of transitioned out of scene d coms now, you know,

1123
00:53:18,120 --> 00:53:20,960
Speaker 2: I don't. I'm not on the know with what's happening

1124
00:53:21,040 --> 00:53:23,160
Speaker 2: on the channel all the time, so I'm excited to

1125
00:53:23,239 --> 00:53:26,600
Speaker 2: see where the channel's at with their dcoms. I cannot

1126
00:53:26,680 --> 00:53:27,880
Speaker 2: wait to watch this next one.

1127
00:53:27,960 --> 00:53:28,440
Speaker 3: I can't either.

1128
00:53:28,640 --> 00:53:30,640
Speaker 1: It's gonna be interesting to go right from one from

1129
00:53:30,719 --> 00:53:32,560
Speaker 1: nineteen ninety nine, which is the sixth one they did

1130
00:53:32,600 --> 00:53:34,520
Speaker 1: to one from last year just to see how much

1131
00:53:34,560 --> 00:53:35,239
Speaker 1: of a change it was.

1132
00:53:36,040 --> 00:53:37,600
Speaker 3: So that's it. Thanks everybody for joining us.

1133
00:53:37,640 --> 00:53:39,600
Speaker 1: Remember to subscribe to our feed and you can follow

1134
00:53:39,680 --> 00:53:42,360
Speaker 1: us at Magical rewind Pod on the Instagram Machine. And

1135
00:53:42,440 --> 00:53:44,640
Speaker 1: we'll see you next time at prom Bye.