WEBVTT - Ep. 102: Conman - The Education of Little Tree (Part 1)

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<v Speaker 1>And I sat down and read it, and I realized

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<v Speaker 1>I could see why it was so popular, but I

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<v Speaker 1>could also see the traces of the real author.

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<v Speaker 2>On this episode, we're going to learn about one of

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<v Speaker 2>the greatest American literary cons of all time, or was

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<v Speaker 2>it a con at all? The good news is that

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<v Speaker 2>at the Navigation Helm, we'll have author and Southern historian

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<v Speaker 2>doctor Dan T. Carter, Professor Emeritus at the University of

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<v Speaker 2>South Carolina, and New York Times bestselling author and crow

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<v Speaker 2>call extraordinaire Steve Runella of Meat Eater. These guys are

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<v Speaker 2>going to talk to us about a book called The

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<v Speaker 2>Education of Littletree and the wild life of its author.

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<v Speaker 2>There aren't any better guests on Planet Earth to tell

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<v Speaker 2>us the story of a double life lies in racism

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<v Speaker 2>that produced a brilliant piece of literature so rooted in

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<v Speaker 2>American wilderness and values it'll make you want to bard

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<v Speaker 2>owt hoot and kiss your mama after the trill.

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<v Speaker 3>I really doubt you're gonna want.

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<v Speaker 2>To miss this one. And Hey, I want to let

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<v Speaker 2>you know that my friend Brent Reeves has a new

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<v Speaker 2>podcast coming out on this feed starting on April twenty first,

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<v Speaker 2>called This Country life. It's incredibly fun and we're thrilled

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<v Speaker 2>to bring it to you on this bear Grease feed.

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<v Speaker 2>My name is Klay Nukem, and this is the bear

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<v Speaker 2>Grease podcast where we'll explore things forgotten but relevant, search

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<v Speaker 2>for insight and unlikely places, and where we'll tell the

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<v Speaker 2>story of Americans who live their lives close to the land.

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<v Speaker 2>Presented by FHF Gear, American made purpose built hunting and

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<v Speaker 2>fishing gear as designed to be as rugged as the place.

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<v Speaker 2>As we explore, Grandpa stopped and pointed by the side

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<v Speaker 2>of the trail. There she is, Turkey run see. I

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<v Speaker 2>dropped to my hands and knees and saw the tracks

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<v Speaker 2>little stick like impressions coming out of a center hub. Now,

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<v Speaker 2>Grandpa said, we'll fix the trap, and he moved off

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<v Speaker 2>the trail until he found a stump hole. We cleaned

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<v Speaker 2>it out, first the leaves, and then Grandpa pulled out

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<v Speaker 2>his long knife and cut into the spongy ground and

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<v Speaker 2>we scooped up the dirt, scattering it among the leaves.

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<v Speaker 2>When the hole was deep so that I couldn't see

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<v Speaker 2>over the rim, Grandpa pulled me out and we dragged

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<v Speaker 2>branches to cover it and over these spread armfuls of leaves.

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<v Speaker 2>Then with his long knife, Grandpa dug a trail sloping

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<v Speaker 2>down downward into the hole and back toward the Turkey run.

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<v Speaker 2>He took the grains of red Indian corn from his

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<v Speaker 2>pocket and scattered them down the trail and threw a

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<v Speaker 2>handful into the hole. Now we will go, he said,

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<v Speaker 2>and we set off again up the high trail. I

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<v Speaker 2>spewed from the earth like frosting, crackling under our feet.

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<v Speaker 2>The mountain opposite us moved closer as the hollow far

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<v Speaker 2>below became a narrow slit, showing the spring branch like

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<v Speaker 2>the edge of a steel knife sunk in the bottom

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<v Speaker 2>of its cleavage. We set down in the leaves off

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<v Speaker 2>the trail just as the first sun touched the top

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<v Speaker 2>of the mountain across the hollow. From his pocket, Grandpa

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<v Speaker 2>pulled out a sour biscuit and deer meat for me,

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<v Speaker 2>and we watched the mountain while we ate. The sun

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<v Speaker 2>hit the top like an explosion, sending showers of glitter

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<v Speaker 2>and sparkle.

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<v Speaker 3>Into the air.

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<v Speaker 2>The sparkling of the icy trees hurt my eyes to

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<v Speaker 2>look at it, and it moved down the mountain like

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<v Speaker 2>a wave. As the sun backed the night shadow down

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<v Speaker 2>and down, a crow sent three hard calls through the air,

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<v Speaker 2>warning we were there. And now the mountain popped and

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<v Speaker 2>gave breathing sighs that sent little puffs of steam into

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<v Speaker 2>the air. She pinged and murmured as the sun released

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<v Speaker 2>the trees from their death armor of ice. Grandpaul watched

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<v Speaker 2>same as me, and listened as the sounds grew with

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<v Speaker 2>the morning wind that set up a low whistle in

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<v Speaker 2>the trees. She's coming alive, he said, soft and low,

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<v Speaker 2>without taking his eyes from the mountain. Yes, sir, I said,

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<v Speaker 2>She's coming alive. And I knew right there that me

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<v Speaker 2>and Grandpa had an understanding that most folks didn't. Your

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<v Speaker 2>ears and the engine of your imagination have just partook

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<v Speaker 2>of the writings of Forest Carter. In the opening chapter

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<v Speaker 2>of his book called The Education of Little Tree, published

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<v Speaker 2>in nineteen seventy six, Carter identified himself to the world

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<v Speaker 2>as a Cherokee Indian raised in a cabin with his

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<v Speaker 2>grandparents in East Tennessee. This is the story he told

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<v Speaker 2>to Barbara Walters in nineteen seventy five on The Today Show.

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<v Speaker 2>It would be my guess that you've probably never heard

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<v Speaker 2>of this book, even though it became a New York

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<v Speaker 2>Times bestseller in nineteen ninety one, selling over one million copies,

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<v Speaker 2>and in the heyday of Oprah Winfrey's Book Club in

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<v Speaker 2>the late nineteen nineties, it made her list, staying there

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<v Speaker 2>until two thousand and seven, when she removed it.

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<v Speaker 3>And it isn't surprising because.

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<v Speaker 2>It's incredibly good, with descriptive prose, intriguing plot themes, and

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<v Speaker 2>brilliant displays of the beautiful and functional connection the protagonists

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<v Speaker 2>have to the natural world. That's why I was originally

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<v Speaker 2>interested in it. It's got some turkey trapping, fox hunting

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<v Speaker 2>with hounds, corn and watermelon planting, mules, moonshining, and some

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<v Speaker 2>insight on management. It even takes some big swings at

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<v Speaker 2>the establishment. It has a where the red fern grows

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<v Speaker 2>feel with a young orphaned boy learning moral and practical

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<v Speaker 2>lessons from his Cherokee grandfather in the Great Depression era

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<v Speaker 2>of the nineteen thirties. A big delivery of the book, however,

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<v Speaker 2>is a deep empathy for Native Americans and a display

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<v Speaker 2>of their wisdom and how they got a raw deal.

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<v Speaker 2>Remember that if something hadn't happened to this book. It

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<v Speaker 2>would have been an American classic like the Adventures of

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<v Speaker 2>Huckleberry Finn or Charlotte's Webb. But something did happen, and

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<v Speaker 2>I've got to fess up. You've already been misled. Forest

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<v Speaker 2>Carter wasn't a Cherokee Indian at all, and his name

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<v Speaker 2>wasn't even Forest Carter.

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<v Speaker 3>Here's my friend, Steve Ranella. He knows this book.

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<v Speaker 2>Steve, When is the first time that you read The

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<v Speaker 2>Education of Littletree?

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<v Speaker 4>When you and I first started talking about this book

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<v Speaker 4>a while back, it forced me to try to recollect

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<v Speaker 4>how I became familiar with it. I know now, I

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<v Speaker 4>absolutely I became familiar with it when I was in college.

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<v Speaker 4>I was in a class called the Literature of Political

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<v Speaker 4>Rhetoric by taught by a guy named doctor Gillis, and

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<v Speaker 4>he gave us that book to read. In addition to

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<v Speaker 4>things like some of the works of Martin Luther King Junior,

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<v Speaker 4>writings of the Unibomber, writings of Camille Paglia, just wild

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<v Speaker 4>stuff all over the place, we read works from people

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<v Speaker 4>who had like an axe to grind, okay, and you

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<v Speaker 4>threw that in the.

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<v Speaker 3>Mix, people with an acts to grind.

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<v Speaker 2>I really wish We could have done this different, and

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<v Speaker 2>you could have read this book before you know what

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<v Speaker 2>you're about to know. But I wasn't afforded this privilege either.

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<v Speaker 2>I read the book after I learned that Forrest Carter

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<v Speaker 2>wasn't Forrest Carter at all, but rather his name was

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<v Speaker 2>Asa Earl Carter. I'd be really impressed if you knew

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<v Speaker 2>that name from American Southern history, and you will. Doctor

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<v Speaker 2>Dan T. Carter, who is no relation to Asa Carter,

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<v Speaker 2>is a University of South Carolina professor emeritus and renowned

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<v Speaker 2>Southern historian and acclaimed author. He wrote a biography of

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<v Speaker 2>the Alabama governor George Wallace, who became famous for opposing desegregation.

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<v Speaker 2>Most recently, doctor Carter wrote a book called Unmasking the Clansman,

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<v Speaker 2>just published in April of twenty twenty three. More on

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<v Speaker 2>that in a minute, though, I wanted to ask doctor

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<v Speaker 2>Carter about the Education of Little Tree's unusual rise to

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<v Speaker 2>national fame after being published in nineteen seventy six but

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<v Speaker 2>not becoming a New York Times bestseller until nineteen ninety one.

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<v Speaker 2>This is an extremely rare thing. Here's doctor Carter.

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<v Speaker 1>That book was reissued in nineteen eighty eight, and then

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<v Speaker 1>it just by word of mouth. It had no advertising.

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<v Speaker 1>It was published by a University of New Mexico press.

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<v Speaker 1>It just kept picking up, picking up more and more

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<v Speaker 1>people reading it, and by the summer of nineteen ninety

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<v Speaker 1>one it had climbed on to the New York Times

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<v Speaker 1>bestseller list. Then I did become interested in it. And

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<v Speaker 1>as as it continued, I realized I'd never read the book,

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<v Speaker 1>and I knew about it, and I sat down and

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<v Speaker 1>read it, and I saw on one level why people

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<v Speaker 1>loved it so much. I think we love books about

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<v Speaker 1>coming of age. And as one agent said who represented Carter,

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<v Speaker 1>at one time, Indians were hot. By the nineteen eighties

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<v Speaker 1>and nineteen nineties, people were interested in Native Americans, and

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<v Speaker 1>particularly at a time when you're trying to develop broader

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<v Speaker 1>ranges of books for adolescents and young people, and the

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<v Speaker 1>education story seemed to fit right within this. You've got

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<v Speaker 1>a story about a young Native American growing up in

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<v Speaker 1>the mountains of East Tennessee, and it's an appealing story,

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<v Speaker 1>and it seems to have a kind of moral core

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<v Speaker 1>to it, because obviously he's learning moral lessons from his

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<v Speaker 1>Cherokee grandfather. And it's the kind of moral lessons that

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<v Speaker 1>you like to believe you'd teach your children or grandchildren.

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<v Speaker 1>But it's also embedded in what Americans were coming to,

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<v Speaker 1>if not revere, at least respect a lot more. And

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<v Speaker 1>that was the Native American frame of cosmic reference and morality.

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<v Speaker 1>And so it was just a winner all the way around.

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<v Speaker 1>And I realized as I read it carefully, I could

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<v Speaker 1>see why it was so popular, But I could also

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<v Speaker 1>see the traces of the real.

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<v Speaker 2>Author, traces of the real author. In storytelling, the listener

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<v Speaker 2>you have to be handled with great care, like a

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<v Speaker 2>little baby ducklin trying to jump out of your hands

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<v Speaker 2>while you're carrying it to the pond. The listener will

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<v Speaker 2>try to jump out of your hands if you don't

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<v Speaker 2>tell him the hook at just the right moment. They've

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<v Speaker 2>got to be intrigued enough by the unknown to keep

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<v Speaker 2>listening but not get bored. So get ready for the hook,

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<v Speaker 2>the down load, the dirty scoop, And here it is.

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<v Speaker 2>The author said his name was Forrest Carter, that he

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<v Speaker 2>was a Cherokee Indian, and that his story was semi

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<v Speaker 2>autobiographical of his upbringing Tennessee. But his real name was

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<v Speaker 2>Asa Carter. We know that he wasn't a Cherokee, we

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<v Speaker 2>know that he wasn't raised by his Cherokee grandfather. We

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<v Speaker 2>know that, But he was actually from Anniston, Alabama, and

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<v Speaker 2>he was a leader in his own strict sect of

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<v Speaker 2>the klu Klux Klan. He was a vehement segregationist and

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<v Speaker 2>an ardent prophet of the white supremacy movement, and his

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<v Speaker 2>message was carried by his successful print publication he founded

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<v Speaker 2>and his radio broadcast. Doctor Carter's book, Unmasking the Klansman

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<v Speaker 2>is the one and only biography on Asa Carter. Asa

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<v Speaker 2>Carter was the Klansman, and Doctor Carter, of no relation

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<v Speaker 2>to A. SA Carter, is undoubtedly the nation's expert on A.

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<v Speaker 3>SA Carter. The book is fascinating.

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<v Speaker 2>I wish I could have thrown all this information on

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<v Speaker 2>you at the end after we've learned about the education

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<v Speaker 2>of Littletree, because it's an amazing book, and it won't

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<v Speaker 2>make a lick of sense when you understand who this

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<v Speaker 2>man was. And as we understand what the book's about,

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<v Speaker 2>we're trying to understand how this dude wrote this book.

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<v Speaker 2>It just doesn't add up. And I haven't even told

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<v Speaker 2>you the wildest part. It involves a man by the

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<v Speaker 2>name of George Wallace, who, on January fourteenth, nineteen sixty three,

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<v Speaker 2>gave his inaugural speech on the steps of the state

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<v Speaker 2>capital of Alabama after being elected governor. Wallace would become

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<v Speaker 2>the face of opposition to the civil rights movement when

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<v Speaker 2>he delivered his infamous Segregation Forever speech in the name.

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<v Speaker 3>Of the greatest people that have ever tried this earth, I.

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<v Speaker 2>Draw the line in the dust and passed the gauntlet

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<v Speaker 2>before the feet of Tierney, and I say segregation now,

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<v Speaker 2>segregation tomorrow, and segregation forever. Wallace's words segregation now, segregation tomorrow,

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<v Speaker 2>and segregation forever, would be an unforgetable moment in American history,

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<v Speaker 2>branding him is the face of racism. However, these weren't

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<v Speaker 2>his words. He had secretly hired Asa Carter to write

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<v Speaker 2>this speech. Those are Ace's words. How could this man

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<v Speaker 2>have written a book so brilliantly empathetic and authentic that

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<v Speaker 2>he fooled the world? And I can tell you We're

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<v Speaker 2>gonna have to guess. Because Asa Carter died unexpectedly and

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<v Speaker 2>tragically in nineteen seventy nine at the age of fifty

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<v Speaker 2>four years old. There is just drama stacked on top

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<v Speaker 2>of drama with this story and with this guy. And

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<v Speaker 2>I want to say up front that I am uninterested

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<v Speaker 2>in villainizing Asa Carter. He didn't need any help with that.

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<v Speaker 2>And I'd like to say that forty three years after

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<v Speaker 2>this man's death, we should not be affected or damaged

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<v Speaker 2>by the things he said or believed. However, we can

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<v Speaker 2>learn something about the extremes of human nature from his life.

0:15:04.120 --> 0:15:07.680
<v Speaker 2>Were in pursuit of uncovering the true identity of Asa

0:15:07.800 --> 0:15:09.560
<v Speaker 2>Carter and decide if he was a.

0:15:09.560 --> 0:15:12.360
<v Speaker 3>Changed man when he died or a con man.

0:15:13.160 --> 0:15:16.600
<v Speaker 2>Here's more from doctor Carter on how he learned about

0:15:16.640 --> 0:15:21.720
<v Speaker 2>the double life of Asa Carter. Your original interest in

0:15:22.240 --> 0:15:26.680
<v Speaker 2>Asa Carter was you were doing a biography on George Wallace, right,

0:15:26.960 --> 0:15:30.880
<v Speaker 2>and then you went to meet Seymour Trammel, who was

0:15:30.920 --> 0:15:32.880
<v Speaker 2>George Wallace's right hand man.

0:15:33.000 --> 0:15:33.800
<v Speaker 3>Right hand man.

0:15:34.200 --> 0:15:37.800
<v Speaker 2>Yeah, tell me about meeting him, but then him telling

0:15:37.880 --> 0:15:40.520
<v Speaker 2>you about about the book, and.

0:15:41.560 --> 0:15:45.360
<v Speaker 1>Well, of all the people, and I interviewed about forty

0:15:45.400 --> 0:15:47.840
<v Speaker 1>people for the bick But this I started this in

0:15:47.880 --> 0:15:49.720
<v Speaker 1>the late eighties, so there were still a lot of

0:15:49.760 --> 0:15:52.480
<v Speaker 1>these people around, manyrem long now.

0:15:52.960 --> 0:15:54.200
<v Speaker 5>Of all the people I.

0:15:54.120 --> 0:15:59.720
<v Speaker 1>Interviewed, by far the most interesting and insightful was Seymour Trammel.

0:16:00.400 --> 0:16:03.680
<v Speaker 1>He was a country boy from South Alabama who became

0:16:03.880 --> 0:16:07.320
<v Speaker 1>Wallace as a finance commissioner in his right hand man.

0:16:07.560 --> 0:16:10.880
<v Speaker 1>As smart as he was, really smart, got in trouble,

0:16:11.080 --> 0:16:14.200
<v Speaker 1>ended up in prison, and by the time I knew him,

0:16:14.440 --> 0:16:18.280
<v Speaker 1>he was a different person. He just prison had changed him.

0:16:18.400 --> 0:16:22.560
<v Speaker 1>He had had trouble drinking, he'd stopped all that, and

0:16:22.680 --> 0:16:26.160
<v Speaker 1>he was introspective in a way that he never was

0:16:26.200 --> 0:16:28.880
<v Speaker 1>as a young man, you know, looking back on his life.

0:16:28.920 --> 0:16:31.320
<v Speaker 1>He could see all the mistakes he had made and

0:16:31.440 --> 0:16:33.680
<v Speaker 1>all the things he said, I've done wrong, you know.

0:16:34.520 --> 0:16:39.520
<v Speaker 1>But he was the one that gave me insight when

0:16:39.560 --> 0:16:40.680
<v Speaker 1>I started talking to him.

0:16:40.720 --> 0:16:41.120
<v Speaker 5>One day.

0:16:41.520 --> 0:16:45.680
<v Speaker 1>We had several long conversations and I was talking to

0:16:45.760 --> 0:16:50.520
<v Speaker 1>him and I said something about this guy. He's a carter,

0:16:50.760 --> 0:16:54.240
<v Speaker 1>I said, I keep running into him. I said, was

0:16:54.240 --> 0:16:58.520
<v Speaker 1>he really George Wallace's speech writer for that famous segregation

0:16:58.640 --> 0:17:01.760
<v Speaker 1>Today's aiation? And he began laughing. He said, of course

0:17:01.800 --> 0:17:05.679
<v Speaker 1>he was. He said anything that was he said George

0:17:05.800 --> 0:17:08.840
<v Speaker 1>was good. But he said the best stuff was always

0:17:08.960 --> 0:17:12.320
<v Speaker 1>from Asa, you know. He said, you know he was

0:17:12.359 --> 0:17:15.879
<v Speaker 1>a real writer. And I knew that Asa had Carter,

0:17:16.440 --> 0:17:19.479
<v Speaker 1>who was a white supremacist and a radio announcer, had

0:17:19.480 --> 0:17:22.560
<v Speaker 1>written a bunch of radio programs in the fifties, published

0:17:22.600 --> 0:17:26.640
<v Speaker 1>a very slick magazine called The Southernert Southern, And he said,

0:17:26.880 --> 0:17:29.919
<v Speaker 1>you know, he wrote novels. He one of them was

0:17:29.920 --> 0:17:34.480
<v Speaker 1>made into a movie. I just thought, I think, Seymour,

0:17:34.600 --> 0:17:37.360
<v Speaker 1>he's not that old, but clearly his mind is slipping

0:17:37.400 --> 0:17:42.240
<v Speaker 1>away here. And because I didn't know about the Double Life,

0:17:42.359 --> 0:17:45.520
<v Speaker 1>you know, all I knew was Asa Carter had written

0:17:45.560 --> 0:17:49.199
<v Speaker 1>this and he was a writer. So that was in

0:17:49.320 --> 0:17:53.000
<v Speaker 1>nineteen ninety, I think it was. And it wasn't more

0:17:53.040 --> 0:17:56.440
<v Speaker 1>than about six months later that my son and I

0:17:56.520 --> 0:18:01.600
<v Speaker 1>were watching a film called The Outlaw Josie Wales by

0:18:01.640 --> 0:18:05.440
<v Speaker 1>Clint Eastwood, sort of his breakthrough film. And I don't

0:18:05.480 --> 0:18:07.679
<v Speaker 1>know why. I came to the end of it it

0:18:07.680 --> 0:18:10.639
<v Speaker 1>said based on the book by Forrest Carter, and I

0:18:10.680 --> 0:18:14.000
<v Speaker 1>thought Forrest Carter. Didn't think about it. And the next

0:18:14.040 --> 0:18:18.119
<v Speaker 1>morning I woke up and I said, Forrest Carter, Asa

0:18:18.200 --> 0:18:22.879
<v Speaker 1>Carter worshiped Nathan Bedford, Forrest General Nathan, the Confederate General Nathan,

0:18:23.240 --> 0:18:25.639
<v Speaker 1>So I started. It didn't turn out to be hard

0:18:25.680 --> 0:18:28.359
<v Speaker 1>at all. It was like something that was in plain sight. There.

0:18:28.640 --> 0:18:31.040
<v Speaker 1>All you had to do was go back to the

0:18:31.080 --> 0:18:34.159
<v Speaker 1>original publication of the book, which was called Gone to

0:18:34.240 --> 0:18:37.479
<v Speaker 1>Texas but became The Outlaw jose Wells, and it had

0:18:37.520 --> 0:18:40.640
<v Speaker 1>the copyright. I went to the copyright thing in Washington

0:18:41.000 --> 0:18:46.879
<v Speaker 1>and there was his address, Asa Carter's address in Alabama,

0:18:47.200 --> 0:18:50.960
<v Speaker 1>the exact same address. He'll be ten Bears.

0:18:51.800 --> 0:18:52.960
<v Speaker 5>I am ten Bears.

0:18:57.960 --> 0:18:58.919
<v Speaker 1>I'm Josie Wales.

0:19:01.840 --> 0:19:05.400
<v Speaker 5>I have heard you're the great writer.

0:19:06.240 --> 0:19:08.080
<v Speaker 1>You would not make peace with the Bluecoats.

0:19:09.160 --> 0:19:13.120
<v Speaker 5>You may go in peace. I reckon that.

0:19:19.200 --> 0:19:20.040
<v Speaker 3>Got nowhere to go.

0:19:20.840 --> 0:19:23.720
<v Speaker 4>Then you will die.

0:19:24.520 --> 0:19:25.720
<v Speaker 1>I came here to die with you.

0:19:28.480 --> 0:19:29.040
<v Speaker 5>I live, will you.

0:19:31.600 --> 0:19:33.000
<v Speaker 1>It's so hard for men like you and me.

0:19:33.080 --> 0:19:35.480
<v Speaker 2>It's living. It's hard, and all you've ever cared about

0:19:35.520 --> 0:19:40.320
<v Speaker 2>it's been butchered and raped. Asa Carter didn't just write

0:19:40.359 --> 0:19:43.200
<v Speaker 2>The Education of Little Tree. He wrote a book originally

0:19:43.200 --> 0:19:46.919
<v Speaker 2>called Gone to Texas, and Clint Eastwood turned it into

0:19:46.960 --> 0:19:51.520
<v Speaker 2>his breakout movie, The Outlaw Josee Wales. In this scene,

0:19:51.800 --> 0:19:56.080
<v Speaker 2>the Comanche ten Bears respects Josie Wales because he didn't

0:19:56.119 --> 0:19:58.640
<v Speaker 2>give in to the Union Army in the Civil War.

0:19:59.200 --> 0:20:02.320
<v Speaker 2>This is a good movie and it's hard not to

0:20:02.359 --> 0:20:07.280
<v Speaker 2>love the protagonist, Josie Wells, the Confederate soldier played by

0:20:07.320 --> 0:20:12.880
<v Speaker 2>Clint Eastwood. Asa was a prolific novelist. Here's more from

0:20:12.920 --> 0:20:13.840
<v Speaker 2>doctor Carter.

0:20:15.000 --> 0:20:19.880
<v Speaker 1>And then I began looking in this forest. Carter, operating

0:20:19.880 --> 0:20:25.000
<v Speaker 1>out of Applene, Texas, had written four books, The Outlaw

0:20:25.000 --> 0:20:27.440
<v Speaker 1>of Josie Wells, a Vengeance, Trail of Josie Wells, and

0:20:27.840 --> 0:20:30.359
<v Speaker 1>a book called A Watch Far Mail on the Mountain,

0:20:30.400 --> 0:20:34.760
<v Speaker 1>which is a fictional biography of Geronimo.

0:20:35.600 --> 0:20:37.119
<v Speaker 5>It's a really good book.

0:20:37.720 --> 0:20:39.840
<v Speaker 1>I mean, I think it's the best book he ever wrote,

0:20:40.520 --> 0:20:45.560
<v Speaker 1>and it's pretty accurate, but it's also is just powerfully written.

0:20:46.119 --> 0:20:49.080
<v Speaker 1>In fact, one of the major writers and reviewed it

0:20:49.080 --> 0:20:50.760
<v Speaker 1>in New York Times said this is the best book

0:20:50.840 --> 0:20:52.360
<v Speaker 1>ever written by a Native American.

0:20:52.920 --> 0:20:55.360
<v Speaker 2>And then they believed Forrest Carter was.

0:20:57.760 --> 0:21:01.840
<v Speaker 1>From from East Tennessee who had spent years as a

0:21:01.880 --> 0:21:05.520
<v Speaker 1>cowboy out in the way, moved out west and was

0:21:05.560 --> 0:21:08.240
<v Speaker 1>a cowboy out there, a Cherokee cowboy.

0:21:08.440 --> 0:21:11.639
<v Speaker 2>So if Seymour trammell knew this, yes, who would have

0:21:11.760 --> 0:21:12.240
<v Speaker 2>known this?

0:21:12.640 --> 0:21:15.000
<v Speaker 3>Lots of people, So all the people in Alabama.

0:21:15.240 --> 0:21:17.160
<v Speaker 1>Not all but his close friends knew.

0:21:17.160 --> 0:21:19.720
<v Speaker 2>Who knew that Asa Carter was Forest Carter? Yeah, yeah,

0:21:19.800 --> 0:21:23.800
<v Speaker 2>And I guess there wasn't they were They just kind

0:21:23.800 --> 0:21:27.240
<v Speaker 2>of why wouldn't they have brought that up?

0:21:27.359 --> 0:21:29.400
<v Speaker 3>Or was it just they thought it was his pen name.

0:21:30.040 --> 0:21:31.920
<v Speaker 2>They just didn't see any relevance to it.

0:21:32.040 --> 0:21:35.000
<v Speaker 1>A whole range of things. Sometimes some of them said, well,

0:21:35.520 --> 0:21:38.119
<v Speaker 1>you know, he'd never have gotten anything published as far

0:21:38.320 --> 0:21:40.840
<v Speaker 1>as Asa Carter because of all the trouble he got

0:21:40.840 --> 0:21:43.960
<v Speaker 1>into in the fifties as a white supremacist. A lot

0:21:44.000 --> 0:21:47.760
<v Speaker 1>of it though Clay was I'm going to show those

0:21:47.840 --> 0:21:52.480
<v Speaker 1>Yankee liberals. A lot of his close friends, I mean,

0:21:52.520 --> 0:21:56.359
<v Speaker 1>for example, as Forrest Carter, when the Outlaw Josie Wells

0:21:56.400 --> 0:22:01.159
<v Speaker 1>came out, he was introduced and interviewed on The Today

0:22:01.200 --> 0:22:04.359
<v Speaker 1>Show with Barbara Walters, which is one of the most

0:22:04.600 --> 0:22:09.879
<v Speaker 1>watched television shows in America at the time, and he

0:22:10.040 --> 0:22:13.119
<v Speaker 1>told several people back in Alabama that he was going

0:22:13.200 --> 0:22:17.440
<v Speaker 1>to be on the Today Show, and his friends thought

0:22:17.440 --> 0:22:22.600
<v Speaker 1>it was hilarious that he was tricking this Yankee newspaper

0:22:23.000 --> 0:22:25.280
<v Speaker 1>order and it was kind of a big joke.

0:22:25.680 --> 0:22:27.159
<v Speaker 5>I mean, one of his closest friends.

0:22:27.200 --> 0:22:30.840
<v Speaker 1>Ray Andrews said, I literally lay down the floor laughing,

0:22:31.560 --> 0:22:34.960
<v Speaker 1>and another one of his friends kept saying, oh my god,

0:22:35.000 --> 0:22:37.359
<v Speaker 1>I hope she doesn't ask him about the Cuklut Slam,

0:22:37.600 --> 0:22:41.000
<v Speaker 1>which he had a cuklut Slam group. So that was

0:22:41.080 --> 0:22:43.280
<v Speaker 1>part of it. But here's the other thing that's so

0:22:43.440 --> 0:22:48.040
<v Speaker 1>fascinating to me, Clay is when that show ran, the

0:22:48.160 --> 0:22:52.480
<v Speaker 1>switchboard at the Today Show lit up with people from

0:22:52.520 --> 0:22:56.480
<v Speaker 1>Alabama who were not his friends, say, you people are stupid.

0:22:56.800 --> 0:23:01.000
<v Speaker 1>This isn't Forrest Carter, it's Asa Carter. And they totally

0:23:01.040 --> 0:23:06.560
<v Speaker 1>ignored it. His editor said, this nonsense. You know I

0:23:06.600 --> 0:23:09.120
<v Speaker 1>know him, I've known him for years. Of course he's

0:23:09.160 --> 0:23:14.879
<v Speaker 1>an Indian. Absolutely, he's an Indian. His movie agent, she

0:23:15.240 --> 0:23:18.120
<v Speaker 1>wrote a wire. She said, I couldn't believe that I'd

0:23:18.160 --> 0:23:20.200
<v Speaker 1>had him in my house. I knew he was an Indian.

0:23:20.280 --> 0:23:22.399
<v Speaker 1>He looked like an Indian, he talked like an Indian,

0:23:22.400 --> 0:23:25.919
<v Speaker 1>he acted like an Indian. And it was just a

0:23:26.000 --> 0:23:31.280
<v Speaker 1>kind of to me. It's an example of how you

0:23:31.320 --> 0:23:34.080
<v Speaker 1>get your mindset in a certain way and you just

0:23:34.160 --> 0:23:37.439
<v Speaker 1>don't change it. The other thing that was critical, I

0:23:37.480 --> 0:23:40.480
<v Speaker 1>think you think about this now. This is the nineteen seventies.

0:23:40.760 --> 0:23:42.800
<v Speaker 3>There's no internet, no internet.

0:23:42.520 --> 0:23:45.560
<v Speaker 1>And there's no way for social media to catch up

0:23:45.680 --> 0:23:49.159
<v Speaker 1>amplify any of this. This could never have happened in

0:23:50.080 --> 0:23:53.040
<v Speaker 1>after two thousand and five or twenty ten, you know.

0:23:53.320 --> 0:23:57.840
<v Speaker 1>But at that time it simply disappeared. The story simply disappeared.

0:23:58.080 --> 0:24:01.879
<v Speaker 1>And the claims Wayne Greenhaw, his friend of mine, I

0:24:02.000 --> 0:24:04.080
<v Speaker 1>discovered and I didn't even know this at the time.

0:24:04.760 --> 0:24:08.920
<v Speaker 1>He wrote a story in nineteen seventy five saying that

0:24:09.040 --> 0:24:11.640
<v Speaker 1>there are a lot of similarities he said, between Asa

0:24:11.760 --> 0:24:14.640
<v Speaker 1>Carter and Forrest Carter. This is when he was big

0:24:14.680 --> 0:24:18.440
<v Speaker 1>time with the movie with Clint Eastwood and everything, and

0:24:18.600 --> 0:24:21.280
<v Speaker 1>he pitched it to the New York Times, and they

0:24:21.320 --> 0:24:24.800
<v Speaker 1>were so scared of being sued that they changed that

0:24:24.920 --> 0:24:26.800
<v Speaker 1>story and it appeared in the New York Times. But

0:24:26.840 --> 0:24:30.600
<v Speaker 1>it was so ambivalent that you couldn't figure out whether.

0:24:30.359 --> 0:24:32.320
<v Speaker 3>He really was or wasn't really.

0:24:32.359 --> 0:24:37.640
<v Speaker 2>So in nineteen seventy five, yeah, in New York Times said, yeah,

0:24:37.680 --> 0:24:38.560
<v Speaker 2>that Eric Carter.

0:24:39.320 --> 0:24:41.080
<v Speaker 1>There are a lot of similarities between the.

0:24:41.040 --> 0:24:46.440
<v Speaker 2>Two, talk about pulling the wool over the eyes of America.

0:24:46.960 --> 0:24:50.640
<v Speaker 2>And before he died he would outright deny that he

0:24:50.720 --> 0:24:55.280
<v Speaker 2>was as of Carter. In part two of the series,

0:24:55.320 --> 0:24:57.960
<v Speaker 2>We're going to learn a lot more about Ace's life

0:24:57.960 --> 0:25:00.520
<v Speaker 2>and why he did what he did. Before we go

0:25:00.560 --> 0:25:04.600
<v Speaker 2>any further, we've got to understand this book. The first

0:25:04.600 --> 0:25:07.040
<v Speaker 2>thing we have to do is understand The Education of

0:25:07.119 --> 0:25:10.000
<v Speaker 2>Little Tree, because it will show us a window into

0:25:10.040 --> 0:25:14.280
<v Speaker 2>the mind of Ace of Carter. Here's Steve Ranella and I.

0:25:15.200 --> 0:25:17.679
<v Speaker 2>The Education of Little Tree was written in nineteen seventy

0:25:17.720 --> 0:25:20.919
<v Speaker 2>six by a man who went by the name of.

0:25:20.960 --> 0:25:24.119
<v Speaker 4>Forrest Carter, and it was initially understood to be a

0:25:25.400 --> 0:25:28.040
<v Speaker 4>was taken to be autobiographic.

0:25:28.119 --> 0:25:34.480
<v Speaker 2>Autobiographical of a young Cherokee Indian boy and his parents

0:25:34.560 --> 0:25:37.280
<v Speaker 2>die and he goes to live with his grandparents in

0:25:37.320 --> 0:25:38.000
<v Speaker 2>the mountains.

0:25:38.080 --> 0:25:40.879
<v Speaker 4>Very late on backstory, I mean it opens with a

0:25:40.920 --> 0:25:43.720
<v Speaker 4>collection of people trying to figure out what to do

0:25:43.760 --> 0:25:47.200
<v Speaker 4>with an orphaned child. Yeah, he latches onto his grandpa's

0:25:47.280 --> 0:25:51.320
<v Speaker 4>leg and stays there without saying anything, without crying, holding

0:25:51.359 --> 0:25:55.040
<v Speaker 4>his legs so long that eventually it's just determined that

0:25:55.080 --> 0:25:56.200
<v Speaker 4>the grandpa will bring him home.

0:25:56.240 --> 0:25:56.600
<v Speaker 3>He's five.

0:25:56.720 --> 0:25:57.960
<v Speaker 5>No one's got a better idea.

0:25:58.280 --> 0:25:59.360
<v Speaker 3>The boys five years old.

0:26:00.359 --> 0:26:04.320
<v Speaker 2>The story is this boy being leaving his mother and

0:26:04.359 --> 0:26:05.639
<v Speaker 2>father who have died.

0:26:06.200 --> 0:26:09.040
<v Speaker 4>I think it was just like out of let's agree

0:26:09.040 --> 0:26:11.320
<v Speaker 4>to use the terminology used by the author.

0:26:11.640 --> 0:26:13.840
<v Speaker 5>Okay, the boy is.

0:26:13.920 --> 0:26:16.639
<v Speaker 4>It's clear up front the boy is regarded as a

0:26:16.680 --> 0:26:22.040
<v Speaker 4>bastard child. Okay, he's but he's not. His parents were

0:26:22.040 --> 0:26:25.760
<v Speaker 4>married in the Cherokee way, but there's a treatment of

0:26:25.840 --> 0:26:28.479
<v Speaker 4>him as such. And he goes to live with his

0:26:29.200 --> 0:26:35.000
<v Speaker 4>full Cherokee grandmother and his half Cherokee, half Waite grandfather,

0:26:35.040 --> 0:26:38.000
<v Speaker 4>who is very much presented to be very much.

0:26:37.840 --> 0:26:38.399
<v Speaker 5>Of the Cherokee.

0:26:38.440 --> 0:26:43.400
<v Speaker 2>And so the book is basically just a few years

0:26:43.720 --> 0:26:46.080
<v Speaker 2>of his of the boy's life. It's just it's a

0:26:46.119 --> 0:26:51.160
<v Speaker 2>small sliver of time when his grandfather teaches him essentially

0:26:51.240 --> 0:26:53.239
<v Speaker 2>how to how to be a man, and how to

0:26:53.240 --> 0:26:56.800
<v Speaker 2>be a Cherokee, and how to survive in the modern

0:26:57.000 --> 0:27:00.120
<v Speaker 2>modern world and time. The opening chapter of the book,

0:27:00.320 --> 0:27:04.080
<v Speaker 2>they go and trap turkeys, They fox hunt with hounds.

0:27:04.680 --> 0:27:08.760
<v Speaker 2>The grandfather in later chapters teaches the boy how to

0:27:08.800 --> 0:27:09.720
<v Speaker 2>make moonshine.

0:27:10.000 --> 0:27:12.280
<v Speaker 5>That's his trade. He's in the whiskey.

0:27:11.960 --> 0:27:16.080
<v Speaker 2>Trade, right, And so the book is about the education

0:27:16.200 --> 0:27:18.680
<v Speaker 2>of Little Tree because the boy quickly when he comes

0:27:18.680 --> 0:27:21.320
<v Speaker 2>home with his grandfather, is named Little Tree.

0:27:21.520 --> 0:27:25.159
<v Speaker 4>He's learning very practical skills, when to plant, how to

0:27:25.200 --> 0:27:28.200
<v Speaker 4>fertilize soil, how to make whiskey, how to catch calffish,

0:27:28.280 --> 0:27:30.600
<v Speaker 4>all these very practical skills. But what he's really getting

0:27:30.840 --> 0:27:32.480
<v Speaker 4>the education is.

0:27:32.840 --> 0:27:33.320
<v Speaker 5>How to be.

0:27:34.200 --> 0:27:36.760
<v Speaker 4>What is your obligation to your family, what is your

0:27:36.800 --> 0:27:40.320
<v Speaker 4>obligation to the natural world around you. He gets a

0:27:40.440 --> 0:27:46.280
<v Speaker 4>moral a very pure moral education by doing very practical things.

0:27:46.720 --> 0:27:49.720
<v Speaker 2>The book like from a literary perspective to me, the

0:27:49.760 --> 0:27:53.800
<v Speaker 2>book just reeks of you feel like you're in western

0:27:53.800 --> 0:27:56.960
<v Speaker 2>North Carolina. You feel like you're in the mountains.

0:27:57.119 --> 0:28:02.000
<v Speaker 4>Oh, I feel it feels completely authentic. Yeah, well, let

0:28:02.040 --> 0:28:04.600
<v Speaker 4>me say this. You know when you're watching some kind

0:28:04.600 --> 0:28:07.600
<v Speaker 4>of poorly done show or movie and there's a scene

0:28:07.600 --> 0:28:12.760
<v Speaker 4>that involves a contractor, okay, and the contractor is doing something,

0:28:13.760 --> 0:28:17.280
<v Speaker 4>someone's doing a construction thing or preparing something, and you're

0:28:17.359 --> 0:28:20.320
<v Speaker 4>watching it and you know that that actor has never

0:28:20.400 --> 0:28:23.240
<v Speaker 4>repaired anything. Yeah, and you know that no one on

0:28:23.280 --> 0:28:27.720
<v Speaker 4>that set has ever watched someone repair something, And it's

0:28:27.800 --> 0:28:31.159
<v Speaker 4>all just a stab in the dark about how someone

0:28:31.240 --> 0:28:37.360
<v Speaker 4>repairing something might approach that, and there's zero authenticity. I'm

0:28:37.400 --> 0:28:40.040
<v Speaker 4>sensitive to that. I don't like to see that that'll

0:28:40.040 --> 0:28:42.880
<v Speaker 4>make me turn something off when I see that. In

0:28:43.000 --> 0:28:47.000
<v Speaker 4>reading this, and I have a lot of exposure, not

0:28:47.080 --> 0:28:48.840
<v Speaker 4>as much in the South, I have a lot of

0:28:48.880 --> 0:28:54.080
<v Speaker 4>exposure to rural culture all across America. In reading this,

0:28:54.800 --> 0:28:59.960
<v Speaker 4>I would say that person knows what they're talking about.

0:29:00.440 --> 0:29:03.640
<v Speaker 4>That person when it comes to the physical stuff, right,

0:29:04.160 --> 0:29:07.040
<v Speaker 4>that person has fished, They've been there. That person has

0:29:07.080 --> 0:29:10.480
<v Speaker 4>been to a still. That person has worked in corn patches.

0:29:10.960 --> 0:29:15.120
<v Speaker 4>That person has raised melons, right, that person has dealt

0:29:15.120 --> 0:29:15.720
<v Speaker 4>with dogs.

0:29:16.320 --> 0:29:19.360
<v Speaker 2>Let me read you another section Steve about when he

0:29:19.480 --> 0:29:23.000
<v Speaker 2>was out at night and as a coon hunter myself.

0:29:23.200 --> 0:29:26.080
<v Speaker 2>When I read this, I was like, this guy has

0:29:26.160 --> 0:29:28.560
<v Speaker 2>been in the mountains at night, because he described it

0:29:28.600 --> 0:29:32.000
<v Speaker 2>better than I could. They were going fox hunting, and

0:29:32.360 --> 0:29:35.760
<v Speaker 2>he said dark fell in close, and the mountains moved

0:29:35.800 --> 0:29:38.320
<v Speaker 2>in on either side as we walked. Before long we

0:29:38.400 --> 0:29:41.080
<v Speaker 2>came to win and the trail Grandpa had taken the left,

0:29:41.360 --> 0:29:43.960
<v Speaker 2>and there was no more room in the trail except

0:29:43.960 --> 0:29:46.480
<v Speaker 2>for right on the edge of the spring branch. Grandpa

0:29:46.600 --> 0:29:49.320
<v Speaker 2>called this the narrows seemed like you could stretch out

0:29:49.360 --> 0:29:53.239
<v Speaker 2>your arms on either side and touch the mountains straight up.

0:29:53.280 --> 0:29:56.880
<v Speaker 2>They went dark and feathered with tree tops, which left

0:29:56.920 --> 0:30:00.760
<v Speaker 2>a thin slice of stars above us. I love that

0:30:00.840 --> 0:30:03.680
<v Speaker 2>when I read that, like a thin slice of stars

0:30:03.720 --> 0:30:07.760
<v Speaker 2>above us. Now this author had been there. He went

0:30:07.800 --> 0:30:10.680
<v Speaker 2>on to say, way off, a mourning dove called long

0:30:10.720 --> 0:30:12.880
<v Speaker 2>and throaty, and the mountains picked it up and echoed

0:30:12.920 --> 0:30:15.600
<v Speaker 2>the sound over and over, carrying it further and further away,

0:30:15.680 --> 0:30:18.600
<v Speaker 2>until you wondered how many mountains and hollows that call

0:30:18.640 --> 0:30:21.800
<v Speaker 2>would travel, And it died away so far it was

0:30:21.880 --> 0:30:27.880
<v Speaker 2>more like a memory than a sound. He said that

0:30:27.920 --> 0:30:30.239
<v Speaker 2>the call of a mourning dove was more like a

0:30:30.320 --> 0:30:33.800
<v Speaker 2>memory than a sound. I mean that's some good writing.

0:30:34.000 --> 0:30:34.440
<v Speaker 3>That's something.

0:30:34.520 --> 0:30:40.040
<v Speaker 4>It's poetic without being pretentious. It's there's just great. All

0:30:40.080 --> 0:30:44.640
<v Speaker 4>the metaphor is great. They hide their still so well.

0:30:44.720 --> 0:30:47.160
<v Speaker 4>He says that a bird couldn't find it. I mean,

0:30:47.200 --> 0:30:50.600
<v Speaker 4>it's just it's it just is good writing. Like it's

0:30:50.640 --> 0:30:51.160
<v Speaker 4>good writing.

0:30:52.280 --> 0:30:58.400
<v Speaker 2>Steve said he recognized authenticity in this author. I want

0:30:58.440 --> 0:31:01.959
<v Speaker 2>to read an excerpt where Grandpa is telling a childhood

0:31:02.040 --> 0:31:05.520
<v Speaker 2>story about a Civil War vet named Coonjack who gets

0:31:05.560 --> 0:31:11.800
<v Speaker 2>offended in church. Coonjack stood up and said, I here

0:31:12.000 --> 0:31:14.600
<v Speaker 2>tell the sum in here been talking about me behind

0:31:14.600 --> 0:31:17.600
<v Speaker 2>my back, and I want you to know that I'm awares.

0:31:18.160 --> 0:31:21.400
<v Speaker 2>I know what's the matter with you. You're jealous because the

0:31:21.480 --> 0:31:23.720
<v Speaker 2>deacon board put me in charge of the key to

0:31:23.800 --> 0:31:26.480
<v Speaker 2>the song box. Well, let me tell you, and if

0:31:26.480 --> 0:31:29.200
<v Speaker 2>you don't like it, I got the difference right here

0:31:29.320 --> 0:31:33.640
<v Speaker 2>in my pocket. Grandpa said, sure enough. Coonjack lifted his

0:31:33.800 --> 0:31:37.840
<v Speaker 2>deer shirt and showed a pistol handle he was stomping.

0:31:38.000 --> 0:31:38.280
<v Speaker 1>Mad.

0:31:38.760 --> 0:31:42.040
<v Speaker 2>Grandpa said that church house was full of some hard men,

0:31:42.320 --> 0:31:45.640
<v Speaker 2>including his Paul, who would soon as not shoot you

0:31:45.680 --> 0:31:49.560
<v Speaker 2>if the weather changed. And nobody raised an eyebrow, he said,

0:31:49.560 --> 0:31:53.640
<v Speaker 2>his pau stood up and said, Coonjack, every man here

0:31:53.840 --> 0:31:57.240
<v Speaker 2>admires the way you've handled the key to the songbook box,

0:31:57.880 --> 0:32:02.000
<v Speaker 2>best handling ever been done. If words have been mistook

0:32:02.080 --> 0:32:05.560
<v Speaker 2>to cause you discomfort, I here and now state the

0:32:05.600 --> 0:32:11.360
<v Speaker 2>sorrow of every man present. Konjack sat down, total mollified

0:32:11.400 --> 0:32:12.960
<v Speaker 2>and contented, as.

0:32:12.840 --> 0:32:13.720
<v Speaker 3>Was everybody else.

0:32:14.520 --> 0:32:17.960
<v Speaker 2>On the way home, Grandpa asked his paw why Konjack

0:32:18.000 --> 0:32:20.880
<v Speaker 2>could get away with such talk, and Grandpa said that

0:32:21.040 --> 0:32:25.000
<v Speaker 2>he got to laughing about Konjack acting so important over

0:32:25.040 --> 0:32:28.120
<v Speaker 2>the key to the songbook box, and he said his

0:32:28.240 --> 0:32:32.400
<v Speaker 2>paw told him Son don't laugh at Coonjack. You see,

0:32:32.640 --> 0:32:34.920
<v Speaker 2>when the Cherokee was forced to give up his home

0:32:35.080 --> 0:32:38.160
<v Speaker 2>and go to the nations, Coonjack was young, and he

0:32:38.240 --> 0:32:40.640
<v Speaker 2>hid out in the mountains, and he fought to hold on.

0:32:41.240 --> 0:32:44.400
<v Speaker 2>When the war between the states come, he saw maybe

0:32:44.440 --> 0:32:47.440
<v Speaker 2>he could fight that same government and get back the

0:32:47.560 --> 0:32:51.880
<v Speaker 2>lands and home. He fought hard both times he lost.

0:32:52.440 --> 0:32:55.920
<v Speaker 2>When the war ended, the politicians set in trying to

0:32:56.000 --> 0:32:59.160
<v Speaker 2>get what was left of what he had. Koonjack fought

0:32:59.240 --> 0:33:02.680
<v Speaker 2>him and run and hid and thought some more. You see,

0:33:03.040 --> 0:33:06.440
<v Speaker 2>Coonjack came up in a time of fighting. All he's

0:33:06.520 --> 0:33:10.239
<v Speaker 2>got now is the key to the songbook box. And

0:33:10.280 --> 0:33:14.880
<v Speaker 2>if Konjack seems cantankerous, well there ain't nothing left for

0:33:15.000 --> 0:33:20.360
<v Speaker 2>Coonjack to fight. He never knowed nothing else. Grandpa said,

0:33:20.520 --> 0:33:24.360
<v Speaker 2>he come might near crying for old Coonjack. He said

0:33:24.360 --> 0:33:28.160
<v Speaker 2>that after that, it didn't matter what Konjack said or did.

0:33:28.720 --> 0:33:36.160
<v Speaker 2>He loved him because he understood him. He loved him

0:33:36.200 --> 0:33:41.160
<v Speaker 2>because he understood that's powerful empathy and deep insight into

0:33:41.200 --> 0:33:45.040
<v Speaker 2>human nature. When we heard Forrest Carter right about the

0:33:45.160 --> 0:33:49.320
<v Speaker 2>natural world, it's clear he had experienced it. But also

0:33:49.560 --> 0:33:53.080
<v Speaker 2>when I hear him talk about empathy and understanding people's issues.

0:33:53.480 --> 0:33:57.400
<v Speaker 2>It feels just as authentic. I want to read you

0:33:57.480 --> 0:34:00.320
<v Speaker 2>one more excerpt, and it's a window into the home

0:34:00.360 --> 0:34:05.080
<v Speaker 2>of Little Tree's grandma and Grandpa. Will learn that Grandpa's

0:34:05.160 --> 0:34:11.080
<v Speaker 2>name is Wales. Grandma's name was Bonnie B. I knew

0:34:11.120 --> 0:34:14.239
<v Speaker 2>that when I heard him late at night say I

0:34:14.480 --> 0:34:17.840
<v Speaker 2>ken ya, Bonnie B. He was saying I love you.

0:34:18.440 --> 0:34:20.799
<v Speaker 2>When they would be talking, Grandma would say, do you

0:34:20.960 --> 0:34:24.560
<v Speaker 2>kin me, Wales, and he would answer, I kenya. It

0:34:24.680 --> 0:34:29.480
<v Speaker 2>meant I understand you. To them, love and understanding was

0:34:29.520 --> 0:34:33.239
<v Speaker 2>the same thing. Grandma said. You couldn't love something you

0:34:33.320 --> 0:34:37.640
<v Speaker 2>didn't understand, nor could you love people nor God if

0:34:37.719 --> 0:34:41.640
<v Speaker 2>you didn't understand the people and God. Grandpa and Grandma

0:34:41.840 --> 0:34:45.320
<v Speaker 2>had an understanding, and so they had a love. Grandma

0:34:45.400 --> 0:34:48.439
<v Speaker 2>said the understanding run deeper as the years went by,

0:34:48.960 --> 0:34:52.600
<v Speaker 2>and she reckoned it would get beyond anything mortal folks

0:34:52.680 --> 0:34:56.880
<v Speaker 2>could think upon or explain, and so they called it ken.

0:34:57.800 --> 0:35:02.080
<v Speaker 2>Grandpa said, back before his time, ken folks meant any

0:35:02.160 --> 0:35:06.520
<v Speaker 2>folks that you understood and had an understanding with, so

0:35:06.640 --> 0:35:11.200
<v Speaker 2>it meant loved folks. But people got selfish and brought

0:35:11.200 --> 0:35:14.880
<v Speaker 2>it down to mean just blood relatives, but that actually

0:35:14.960 --> 0:35:20.120
<v Speaker 2>it was never meant to mean that you can't love

0:35:20.239 --> 0:35:25.560
<v Speaker 2>something you don't understand. These uneducated hill folks mapped out

0:35:25.719 --> 0:35:30.120
<v Speaker 2>and functionalized love in a way they suspected mortal people

0:35:30.200 --> 0:35:34.640
<v Speaker 2>couldn't understand or explain. They recognized that genuine love and

0:35:34.719 --> 0:35:39.239
<v Speaker 2>understanding should be spread much wider than the rudimentary understanding

0:35:39.280 --> 0:35:43.000
<v Speaker 2>of blood relatives. Ken folks are all the people that

0:35:43.080 --> 0:35:47.759
<v Speaker 2>you truly understand and that understand you, and thus you

0:35:48.000 --> 0:35:53.239
<v Speaker 2>love them. This is deeply philosophical, and it sprung from

0:35:53.280 --> 0:35:58.000
<v Speaker 2>the creative loins of a racial supremacist. This would be

0:35:58.160 --> 0:36:01.799
<v Speaker 2>the last thing that we think he'd under stand. Incredible

0:36:01.840 --> 0:36:06.120
<v Speaker 2>writers usually have a uniquely comprehensive grasp on their topic

0:36:06.239 --> 0:36:11.160
<v Speaker 2>of expertise, and in this situation, Asa Carter's expertise was

0:36:11.200 --> 0:36:15.880
<v Speaker 2>on the inner gold and purest character of these marginalized people.

0:36:16.480 --> 0:36:21.400
<v Speaker 2>This man seemed to truly understand love, which begs the

0:36:21.520 --> 0:36:25.560
<v Speaker 2>question of where did he get access to this? We're

0:36:25.719 --> 0:36:30.279
<v Speaker 2>roiling towards a deeper and more difficult question, though. Does

0:36:30.320 --> 0:36:34.040
<v Speaker 2>the outside life of an author matter or should the

0:36:34.120 --> 0:36:38.080
<v Speaker 2>content simply be taken for what it is? Can we

0:36:38.200 --> 0:36:41.880
<v Speaker 2>draw meaningful ideas from a flawed source.

0:36:42.600 --> 0:36:44.440
<v Speaker 3>I want you to be thinking about that.

0:36:44.960 --> 0:36:48.960
<v Speaker 2>And doctor Carter has some ideas, and he's going to

0:36:49.040 --> 0:36:53.120
<v Speaker 2>show us a place where ASA didn't get it quite right.

0:36:55.200 --> 0:36:59.919
<v Speaker 1>Writers are not perfect people, and their backgrounds are off

0:37:00.040 --> 0:37:03.120
<v Speaker 1>on things that make us cringe, and yet we can

0:37:03.160 --> 0:37:06.680
<v Speaker 1>still look at their books and their works. Their writing

0:37:06.760 --> 0:37:10.680
<v Speaker 1>works is great worthwhile we don't know. Shakespeare may have

0:37:10.719 --> 0:37:15.719
<v Speaker 1>been a jerk, you know, for all we know. But

0:37:16.040 --> 0:37:18.279
<v Speaker 1>the other thing I think it was mixed in with

0:37:18.320 --> 0:37:24.719
<v Speaker 1>this Clay was having interviewed Native Americans who did know

0:37:24.880 --> 0:37:29.440
<v Speaker 1>something about Cherokee culture, and they found the book some

0:37:29.600 --> 0:37:33.120
<v Speaker 1>of it interesting. They didn't dislike the book at all,

0:37:33.719 --> 0:37:38.759
<v Speaker 1>but they found it false in some respects, and they

0:37:38.880 --> 0:37:42.319
<v Speaker 1>talked about how he got some of it right, but

0:37:42.400 --> 0:37:46.320
<v Speaker 1>he got some of it fundamentally wrong, and they talked.

0:37:46.560 --> 0:37:51.799
<v Speaker 1>I think the thing that they found most bewildering and

0:37:53.040 --> 0:37:58.680
<v Speaker 1>they disliked the most, was that they felt reading it

0:37:59.120 --> 0:38:03.920
<v Speaker 1>that it was more kind of New Age philosophy in

0:38:03.960 --> 0:38:10.200
<v Speaker 1>which you're embracing Native American ideas but not really authentically capturing.

0:38:10.440 --> 0:38:13.160
<v Speaker 1>I'll give you just one example. I mean, there's some examples.

0:38:13.160 --> 0:38:15.560
<v Speaker 1>One of them is a language which was made up.

0:38:15.800 --> 0:38:19.000
<v Speaker 1>It's not Cherokee. But that didn't that didn't bother them.

0:38:19.040 --> 0:38:24.120
<v Speaker 1>You know, what bothered them, both of them, was that

0:38:24.560 --> 0:38:28.720
<v Speaker 1>the ideas he expressed about the cosmos, about the world

0:38:28.840 --> 0:38:33.719
<v Speaker 1>religious view of Cherokees tended to be vague earth mother,

0:38:34.160 --> 0:38:38.000
<v Speaker 1>you know, this kind of thing. And what what both

0:38:38.040 --> 0:38:44.279
<v Speaker 1>of them said is that Cherokee's ideas about God, the

0:38:44.320 --> 0:38:47.400
<v Speaker 1>Great Spirit, whatever you want to call it, is very

0:38:47.440 --> 0:38:51.839
<v Speaker 1>deeply rooted in specifics. And one of them was very

0:38:51.880 --> 0:38:56.239
<v Speaker 1>eloquent talking about how he talks about how beautiful a

0:38:56.280 --> 0:38:58.640
<v Speaker 1>mountain is, and he said, he's a good writer, you know,

0:38:58.680 --> 0:39:03.600
<v Speaker 1>he can describe just but he said, a Cherokee would

0:39:03.640 --> 0:39:08.600
<v Speaker 1>describe precisely the mountain, the name of it, the exact river.

0:39:09.080 --> 0:39:13.840
<v Speaker 1>Everything has to be specific because it's very specific to

0:39:13.920 --> 0:39:17.040
<v Speaker 1>their world view. And he said this does a site

0:39:17.040 --> 0:39:22.200
<v Speaker 1>specific sites said yes, site specific religion, everything. And one

0:39:22.200 --> 0:39:24.400
<v Speaker 1>of them said, very he grew up in an area

0:39:24.400 --> 0:39:27.399
<v Speaker 1>where there were lots of whites as well as and

0:39:27.440 --> 0:39:31.399
<v Speaker 1>he said, uh, it struck me reading it that it's

0:39:31.440 --> 0:39:36.759
<v Speaker 1>this mixture of both Indian life and white rife. He said,

0:39:36.760 --> 0:39:43.440
<v Speaker 1>for example, virtually no Indians made corn whiskey. Uh it

0:39:43.480 --> 0:39:45.839
<v Speaker 1>was a white man's thing, and it was they didn't

0:39:45.880 --> 0:39:50.720
<v Speaker 1>drink it. They did, but but he said, Scotch Irish

0:39:50.800 --> 0:39:54.160
<v Speaker 1>were pretty tight about that, and you get into trouble

0:39:54.200 --> 0:39:57.240
<v Speaker 1>if you started. They were the ones that controlled control

0:39:57.280 --> 0:39:58.560
<v Speaker 1>of the whiskey making business.

0:39:59.080 --> 0:39:59.279
<v Speaker 2>Uh.

0:39:59.320 --> 0:40:03.000
<v Speaker 1>So it was also that they didn't think nullified the book.

0:40:03.400 --> 0:40:05.480
<v Speaker 5>But and they wasn't quite consistent.

0:40:05.600 --> 0:40:08.480
<v Speaker 1>But it's not really And so their whole thing was

0:40:08.760 --> 0:40:11.120
<v Speaker 1>read it as a I saw it or a kind

0:40:11.120 --> 0:40:14.600
<v Speaker 1>of novel, but don't give it out to students and

0:40:14.680 --> 0:40:18.520
<v Speaker 1>say this is Cherokee life.

0:40:18.560 --> 0:40:23.080
<v Speaker 2>Shakespeare may have been a jerk. That's funny, doctor Dan T.

0:40:23.320 --> 0:40:23.600
<v Speaker 5>Carter.

0:40:24.160 --> 0:40:26.560
<v Speaker 2>And the truth is we don't really know much about

0:40:26.640 --> 0:40:31.120
<v Speaker 2>Shakespeare's private life. And if you remember, we've heard about

0:40:31.200 --> 0:40:35.600
<v Speaker 2>site specific religions and our tacumpsas series Doctor Dave Edmunds

0:40:35.640 --> 0:40:39.120
<v Speaker 2>said that that was part of why relocating Native Americans

0:40:39.200 --> 0:40:43.239
<v Speaker 2>was so devastating to their culture. We're going to now

0:40:43.320 --> 0:40:46.160
<v Speaker 2>get back into the fabric of this book with mister

0:40:46.239 --> 0:40:50.440
<v Speaker 2>Steve Ranella. Did y'all hear that CBS called him the

0:40:50.640 --> 0:40:52.879
<v Speaker 2>Julia Childs of the Campfire?

0:40:53.560 --> 0:40:55.600
<v Speaker 3>That's funny. Here's Steve.

0:40:57.920 --> 0:41:00.560
<v Speaker 4>Part of the education of Little Tree b on the

0:41:00.600 --> 0:41:04.560
<v Speaker 4>things that we spoke about being how to utilize the

0:41:04.680 --> 0:41:09.640
<v Speaker 4>landscape through hunting, fishing, agriculture, how to treat the landscape

0:41:09.760 --> 0:41:12.799
<v Speaker 4>with respect, how to treat the people around you and

0:41:12.840 --> 0:41:17.480
<v Speaker 4>the people you love with respect and empathy, and how

0:41:17.520 --> 0:41:21.760
<v Speaker 4>to not be boastful or prideful, and how to behave

0:41:21.880 --> 0:41:25.880
<v Speaker 4>in a discreete fashion. There is also another thing that

0:41:26.000 --> 0:41:30.720
<v Speaker 4>little Tree is educated on are the evils of pretty

0:41:30.760 --> 0:41:35.760
<v Speaker 4>much everything that is organized. He has taught to understand

0:41:35.960 --> 0:41:42.360
<v Speaker 4>that politicians are by definition corrupt, that the education system

0:41:42.600 --> 0:41:47.960
<v Speaker 4>is corrupt in and of itself, government is corrupt, organized

0:41:48.040 --> 0:41:53.319
<v Speaker 4>religion is corrupt. You have your word, you have the

0:41:53.400 --> 0:41:57.280
<v Speaker 4>promises of the people around you, but anything that comes

0:41:57.280 --> 0:42:00.880
<v Speaker 4>from you that has been institutionalized you should be very

0:42:01.280 --> 0:42:05.160
<v Speaker 4>suspicious of. And that is like a key part of

0:42:05.200 --> 0:42:05.840
<v Speaker 4>the education.

0:42:06.920 --> 0:42:11.400
<v Speaker 2>And it comes about in such natural ways inside the books, sure,

0:42:11.440 --> 0:42:14.640
<v Speaker 2>like for instance, the grandfather is making whiskey and there's

0:42:14.640 --> 0:42:16.600
<v Speaker 2>a whiskey tax, so they have to hide their still

0:42:16.680 --> 0:42:19.040
<v Speaker 2>so they don't pay the tax. So in the book,

0:42:19.040 --> 0:42:23.160
<v Speaker 2>the grandfather loves George Washington until he finds out that

0:42:23.280 --> 0:42:26.759
<v Speaker 2>Washington is the one that instituted the whiskey tax, and

0:42:26.880 --> 0:42:31.640
<v Speaker 2>then he really tries to justify, like, how could Washington

0:42:31.640 --> 0:42:32.040
<v Speaker 2>have done? That?

0:42:32.120 --> 0:42:35.960
<v Speaker 4>Must have been a mistake. Yeah, he seethes. He can't

0:42:35.960 --> 0:42:39.319
<v Speaker 4>get it out of his head. He normally refuses, he

0:42:39.480 --> 0:42:42.080
<v Speaker 4>likes to walk, refuses to be picked up by a car,

0:42:42.520 --> 0:42:45.200
<v Speaker 4>allows himself to get picked up by a car just

0:42:45.239 --> 0:42:47.839
<v Speaker 4>so he can ask the driver of the car what

0:42:47.880 --> 0:42:50.440
<v Speaker 4>he thinks about what Washington did. He can't get it

0:42:50.440 --> 0:42:53.200
<v Speaker 4>out of his head. Yeah, in his mind. If I

0:42:53.239 --> 0:42:56.480
<v Speaker 4>grow corn on my land and I have a contraption

0:42:56.640 --> 0:42:58.880
<v Speaker 4>I made on my land and I can take my

0:42:59.000 --> 0:43:01.319
<v Speaker 4>corn and make a beverage with it, how in the

0:43:01.360 --> 0:43:02.680
<v Speaker 4>world is this anything?

0:43:02.719 --> 0:43:04.680
<v Speaker 5>How does this have anything to do with the government?

0:43:04.880 --> 0:43:08.960
<v Speaker 4>Yeah, explain like what has gone bad? When I've done

0:43:08.960 --> 0:43:11.319
<v Speaker 4>this all with my hands, so on my.

0:43:11.320 --> 0:43:15.279
<v Speaker 2>Property, beautifully laid out. Because the grandfather, you trust him

0:43:15.320 --> 0:43:20.960
<v Speaker 2>so much. He's so straightforward, he's so certain, he's so naive,

0:43:21.600 --> 0:43:25.320
<v Speaker 2>but he's so honest, like you, just the writer wants

0:43:25.320 --> 0:43:28.759
<v Speaker 2>you to think, this man sees the world in his

0:43:28.880 --> 0:43:34.840
<v Speaker 2>most simplistic terms, but the right way. It's hard not

0:43:35.000 --> 0:43:38.759
<v Speaker 2>to love Grandpa. He and little Tree once had to

0:43:38.760 --> 0:43:41.920
<v Speaker 2>bury a fox dog named Ringer that had died on

0:43:41.960 --> 0:43:44.799
<v Speaker 2>the hunt, and little Tree was very sad. This is

0:43:44.800 --> 0:43:48.000
<v Speaker 2>what Grandpa said. And it's important to know that this

0:43:48.080 --> 0:43:51.799
<v Speaker 2>book is written in dialect, so sometimes it sounds kind

0:43:51.800 --> 0:43:56.080
<v Speaker 2>of funny when you take it out of context. Grandpa said,

0:43:56.120 --> 0:43:59.440
<v Speaker 2>everything you lost which you had loved, give you that feeling.

0:44:00.120 --> 0:44:00.439
<v Speaker 3>He said.

0:44:00.440 --> 0:44:02.800
<v Speaker 2>The only way around it was to not love anything

0:44:02.840 --> 0:44:05.680
<v Speaker 2>which was worse, because you would feel empty all the time.

0:44:06.400 --> 0:44:10.080
<v Speaker 2>Grandpa said, supposing old Ringer had not been faithful, then

0:44:10.120 --> 0:44:12.719
<v Speaker 2>we wouldn't be proud of him. That would be a

0:44:12.800 --> 0:44:16.640
<v Speaker 2>worse feeling, which is right. Grandpa said, when I got old,

0:44:16.760 --> 0:44:19.080
<v Speaker 2>I would remember old Ringer, and I would like it.

0:44:19.640 --> 0:44:21.920
<v Speaker 3>He said. It was a funny thing. But when you got.

0:44:21.719 --> 0:44:25.280
<v Speaker 2>Old and remember them you loved, you only remembered the good,

0:44:25.719 --> 0:44:29.320
<v Speaker 2>never the bad, which proved the bad didn't count.

0:44:29.480 --> 0:44:34.400
<v Speaker 3>Know how the bad didn't count. Know how.

0:44:35.080 --> 0:44:39.640
<v Speaker 2>That's deeply philosophical too. It makes me wonder if Asa

0:44:39.760 --> 0:44:43.080
<v Speaker 2>hoped his life would be judged by the same rules

0:44:43.160 --> 0:44:47.520
<v Speaker 2>as Ringer. Here's more from Steve Ranella, and we're gonna

0:44:47.520 --> 0:44:50.360
<v Speaker 2>get into something a bit more serious.

0:44:51.120 --> 0:44:55.319
<v Speaker 4>There's a thing we haven't looked into which is the

0:44:55.320 --> 0:44:59.239
<v Speaker 4>philosophy and viewpoints on poverty. Almost everybody in this book

0:44:59.280 --> 0:45:03.000
<v Speaker 4>is exceptionally poor, very very poor, like cash economies of

0:45:03.719 --> 0:45:07.080
<v Speaker 4>sub one thousand dollars annually. When Little Tree and his

0:45:07.120 --> 0:45:10.920
<v Speaker 4>grandpa go to sell their bootleg whiskey as a store,

0:45:11.480 --> 0:45:14.440
<v Speaker 4>the storekeeper will always have Little Tree do an errand

0:45:14.520 --> 0:45:17.800
<v Speaker 4>for him. The storekeeper wants to reward Little Tree with

0:45:17.840 --> 0:45:20.880
<v Speaker 4>a piece of candy, but he knows that he cannot

0:45:20.960 --> 0:45:23.759
<v Speaker 4>give Little Tree a piece of candy for free, so

0:45:23.840 --> 0:45:25.440
<v Speaker 4>he needs to put it to Little Tree that he

0:45:25.480 --> 0:45:29.960
<v Speaker 4>has expired candy. He can't sell. It feels very wasteful

0:45:30.040 --> 0:45:32.520
<v Speaker 4>throwing it out, and that Little Tree would be doing

0:45:32.600 --> 0:45:34.760
<v Speaker 4>him a favor to take a piece of the candy.

0:45:35.520 --> 0:45:40.040
<v Speaker 4>Under those conditions, Little Tree will eat that candy. Little

0:45:40.080 --> 0:45:43.080
<v Speaker 4>Tree meets the daughter of a sharecropper at the store.

0:45:43.480 --> 0:45:46.640
<v Speaker 4>She has no shoes. Little Tree's grandma makes her a

0:45:46.640 --> 0:45:49.520
<v Speaker 4>pair of moccasins. He gives the girl a pair of

0:45:49.560 --> 0:45:52.359
<v Speaker 4>moccasins the next time they go to the store. When

0:45:52.480 --> 0:45:55.799
<v Speaker 4>the girl's sharecropper father sees her in the moccasins and

0:45:55.840 --> 0:45:58.400
<v Speaker 4>sees how glad she is, he gets a stick and

0:45:58.440 --> 0:46:02.480
<v Speaker 4>whips her until she bleeds, makes her give the moccasins

0:46:02.520 --> 0:46:04.960
<v Speaker 4>back to little tree. You think the grandpa is going

0:46:05.000 --> 0:46:08.759
<v Speaker 4>to condemn the man. The grandpa says, I understand, they

0:46:08.800 --> 0:46:12.040
<v Speaker 4>can't get used to nice stuff. They'll never have nice stuff.

0:46:12.120 --> 0:46:15.480
<v Speaker 4>There's no reason for her to want things she won't

0:46:15.520 --> 0:46:18.160
<v Speaker 4>get them. So I understand why he had to do

0:46:18.200 --> 0:46:22.120
<v Speaker 4>what he had to do, like a great reluctance to condemn.

0:46:22.680 --> 0:46:26.040
<v Speaker 4>And then sometimes I'm like, it's like a vicious scene. Yeah,

0:46:26.080 --> 0:46:28.719
<v Speaker 4>but he's like, I understand. He was not for me

0:46:28.760 --> 0:46:29.280
<v Speaker 4>to judge.

0:46:29.600 --> 0:46:32.839
<v Speaker 2>The grandfather was very empathetic towards people. And that's a

0:46:32.880 --> 0:46:36.560
<v Speaker 2>word that will go back to because when you see

0:46:36.600 --> 0:46:39.920
<v Speaker 2>that whoever wrote this book was trying to I mean,

0:46:39.960 --> 0:46:42.560
<v Speaker 2>it feels like they were trying to promote a message

0:46:42.600 --> 0:46:43.239
<v Speaker 2>of empathy.

0:46:43.400 --> 0:46:45.640
<v Speaker 4>On the issue of empathy, and it is. There is

0:46:45.680 --> 0:46:50.360
<v Speaker 4>a very strong environmental message, like a rigid, very strong

0:46:50.480 --> 0:46:53.040
<v Speaker 4>environmental message. There's a lot of all empathy.

0:46:53.160 --> 0:46:56.560
<v Speaker 2>Nowhere is there an environmental message in this The environmental

0:46:56.600 --> 0:47:02.600
<v Speaker 2>message of that trees are sentient life forms, Okay, that

0:47:02.640 --> 0:47:04.400
<v Speaker 2>you don't cut one down for no reason.

0:47:04.920 --> 0:47:05.520
<v Speaker 5>Yeah.

0:47:05.560 --> 0:47:08.520
<v Speaker 4>They would mostly try to only use trees that had

0:47:08.560 --> 0:47:12.080
<v Speaker 4>been felled by lightning strucks, or that fell over. You

0:47:12.080 --> 0:47:16.399
<v Speaker 4>could communicate through trees not to take more than your

0:47:16.440 --> 0:47:20.360
<v Speaker 4>share of anything. That if you didn't love birds, birds

0:47:20.400 --> 0:47:23.880
<v Speaker 4>won't show themselves to you. If you didn't love game animals,

0:47:23.920 --> 0:47:26.600
<v Speaker 4>game animals won't come near you. They know that you

0:47:26.719 --> 0:47:29.440
<v Speaker 4>love them, they want to be near you. It's a

0:47:29.480 --> 0:47:34.240
<v Speaker 4>really strong environmental message, and it's got teeth right. Bad

0:47:34.280 --> 0:47:37.400
<v Speaker 4>things can befall people that disrespect nature. It's not just

0:47:37.440 --> 0:47:40.759
<v Speaker 4>appealing to emotion and beauty. It's like these are like

0:47:40.920 --> 0:47:44.520
<v Speaker 4>real things with real implications, like you can cut yourself

0:47:44.600 --> 0:47:46.760
<v Speaker 4>off from life by disrespecting nature.

0:47:47.160 --> 0:47:47.640
<v Speaker 3>Yeah.

0:47:47.680 --> 0:47:51.160
<v Speaker 4>But within all that, all the messages of empathy, there's

0:47:51.200 --> 0:47:53.960
<v Speaker 4>another message there too, and it can be read in

0:47:54.000 --> 0:47:55.800
<v Speaker 4>a way that reflects on what I said to you

0:47:55.880 --> 0:47:59.680
<v Speaker 4>when I talked about institutions. It teaches empathy, but it

0:47:59.680 --> 0:48:02.880
<v Speaker 4>teaches something else too. I mean it teaches distrust.

0:48:04.239 --> 0:48:08.440
<v Speaker 2>Distrust for the organized systems of man, primarily the government,

0:48:08.719 --> 0:48:12.120
<v Speaker 2>are strong themes of the book. However, they're presented in

0:48:12.239 --> 0:48:15.640
<v Speaker 2>such conjunction with the lovable protagonists. I feel like it

0:48:15.680 --> 0:48:18.960
<v Speaker 2>would be hard for anyone to disagree with its sentiment,

0:48:19.080 --> 0:48:22.400
<v Speaker 2>as it's presented, and the fact that a Cherokee Indian

0:48:22.560 --> 0:48:25.600
<v Speaker 2>is the one making the judgment, it feels very just

0:48:26.040 --> 0:48:29.360
<v Speaker 2>like he's got the right to believe that, And in general,

0:48:29.800 --> 0:48:34.640
<v Speaker 2>I'd say I feel the same way. Here's Steve bringing

0:48:34.800 --> 0:48:36.400
<v Speaker 2>closure to this book.

0:48:37.800 --> 0:48:40.719
<v Speaker 4>There's something that happens really interesting in the book. From

0:48:40.719 --> 0:48:46.359
<v Speaker 4>a structural standpoint, the main plot point, the main conflict,

0:48:47.160 --> 0:48:50.799
<v Speaker 4>isn't even introduced until the end of the book. There's

0:48:50.800 --> 0:48:53.799
<v Speaker 4>a definition of story that goes that a story is

0:48:54.000 --> 0:48:58.359
<v Speaker 4>someone or something wants something, but there are obstacles to

0:48:58.400 --> 0:49:02.879
<v Speaker 4>them getting it. A story is someone or something overcoming

0:49:03.040 --> 0:49:06.799
<v Speaker 4>obstacles to get what they want. Okay, that's true of

0:49:06.880 --> 0:49:10.200
<v Speaker 4>The Tortoise and the Hair, It's true of Shakespeare's works, right,

0:49:10.400 --> 0:49:13.400
<v Speaker 4>It's like, that's what story is. The conflict in this

0:49:13.400 --> 0:49:15.960
<v Speaker 4>book only comes up in the end. The conflict, the

0:49:16.000 --> 0:49:18.040
<v Speaker 4>real conflict in the book, comes up that eventually the

0:49:18.120 --> 0:49:21.960
<v Speaker 4>institutions that little Tree has been trained to be suspicious

0:49:22.000 --> 0:49:25.359
<v Speaker 4>of the institutions come for him. It emerges you don't

0:49:25.360 --> 0:49:28.759
<v Speaker 4>even know who. It emerges that people have complained that

0:49:28.880 --> 0:49:32.239
<v Speaker 4>this boy is being raised, this bastard child, is being

0:49:32.360 --> 0:49:36.040
<v Speaker 4>raised by heathens and isn't going to get a formal education,

0:49:36.640 --> 0:49:39.759
<v Speaker 4>and that they don't have formal custodial rights over him.

0:49:39.920 --> 0:49:42.600
<v Speaker 4>They're just sort of they fell into being his caretakers.

0:49:42.800 --> 0:49:46.160
<v Speaker 4>And all you've seen is the extremes the grandmother and

0:49:46.200 --> 0:49:49.960
<v Speaker 4>grandfather have gone through to give him, like the best

0:49:49.960 --> 0:49:53.880
<v Speaker 4>of everything, the best moral education, the best work education.

0:49:54.400 --> 0:49:57.319
<v Speaker 4>He has a study from the dictionary. They have the

0:49:57.440 --> 0:50:01.480
<v Speaker 4>librarian recommend books to bring home that neither of them

0:50:01.520 --> 0:50:03.759
<v Speaker 4>can read, so that the grandma can read them the books.

0:50:03.760 --> 0:50:07.959
<v Speaker 4>He's getting a formal education. And then the suits show

0:50:08.080 --> 0:50:11.520
<v Speaker 4>up and say he's not being educated, and they take

0:50:11.560 --> 0:50:15.239
<v Speaker 4>him away. No sooner does he go away though. That

0:50:15.360 --> 0:50:19.440
<v Speaker 4>conflict is resolved and he's back home. It's like the

0:50:19.520 --> 0:50:21.880
<v Speaker 4>thing you expect to be coming the whole time comes

0:50:21.880 --> 0:50:25.239
<v Speaker 4>in the end and it gets resolved very quickly, but

0:50:25.280 --> 0:50:28.160
<v Speaker 4>then you quickly launch into this this other thing, and

0:50:28.200 --> 0:50:32.560
<v Speaker 4>then the heartbreak because then everyone he cares about dies.

0:50:33.760 --> 0:50:36.240
<v Speaker 4>His friend that we haven't talked about, Willow John, dies,

0:50:36.360 --> 0:50:38.560
<v Speaker 4>the grandpa dies, the grandma dies.

0:50:39.160 --> 0:50:40.240
<v Speaker 5>Then you go through.

0:50:40.120 --> 0:50:43.760
<v Speaker 4>All of the dogs dying one by one until he's alone.

0:50:44.360 --> 0:50:47.879
<v Speaker 4>Then the book, without any the book just ends. He

0:50:47.920 --> 0:50:52.520
<v Speaker 4>buries the last dog and it's done. There's not even

0:50:52.520 --> 0:50:57.319
<v Speaker 4>the sentence the mule dies, So it's Southern literature. There's

0:50:57.320 --> 0:50:59.560
<v Speaker 4>a dead mule, all the dogs die.

0:50:59.680 --> 0:51:03.879
<v Speaker 5>It's yeah, and you have no idea like.

0:51:04.200 --> 0:51:06.960
<v Speaker 2>Yeah, you're left. We don't know what happened.

0:51:06.960 --> 0:51:08.000
<v Speaker 5>Only we don't even know.

0:51:08.800 --> 0:51:12.280
<v Speaker 4>We don't know what kind of person he became, because

0:51:12.400 --> 0:51:14.879
<v Speaker 4>even when you get into the end, when he leaves home,

0:51:15.280 --> 0:51:16.200
<v Speaker 4>he just walks away.

0:51:16.680 --> 0:51:18.759
<v Speaker 5>When he leaves, he walks out, shuts.

0:51:18.520 --> 0:51:20.719
<v Speaker 4>The door behind him, and walks out, And we don't

0:51:20.719 --> 0:51:23.560
<v Speaker 4>see him come up against anything moral. We don't see

0:51:23.600 --> 0:51:26.560
<v Speaker 4>him come up against any conflict. We don't see him

0:51:26.600 --> 0:51:29.600
<v Speaker 4>interact with any other human. We just see him go

0:51:29.719 --> 0:51:32.239
<v Speaker 4>through the act of burying everything he loves in an

0:51:32.320 --> 0:51:36.080
<v Speaker 4>areas alone. You assume that he carries with him this

0:51:36.160 --> 0:51:38.000
<v Speaker 4>strong moral compass, but we don't see it.

0:51:40.200 --> 0:51:46.320
<v Speaker 2>Spoiler alert, everything dies. If you choose to read this book,

0:51:46.440 --> 0:51:49.560
<v Speaker 2>which I would recommend, you have to take the big

0:51:49.600 --> 0:51:53.120
<v Speaker 2>boy approach, knowing all the while what's coming, while still

0:51:53.239 --> 0:51:56.040
<v Speaker 2>allowing it to take you on a journey. It's a

0:51:56.160 --> 0:51:59.920
<v Speaker 2>double whammy because you'll also know Asa Carter's story too.

0:52:01.360 --> 0:52:05.799
<v Speaker 2>In this closing section, Steve asked me a very difficult

0:52:05.920 --> 0:52:09.680
<v Speaker 2>question and then delves into a very serious topic in

0:52:09.760 --> 0:52:13.320
<v Speaker 2>today's America. It's good insight from Steve.

0:52:15.440 --> 0:52:17.120
<v Speaker 4>When you were working on this, I've spoke to you

0:52:17.200 --> 0:52:20.640
<v Speaker 4>and you mentioned talking to an academic who said to you,

0:52:20.640 --> 0:52:26.440
<v Speaker 4>you know that book's been blacklist blacklisted. I understand that,

0:52:26.600 --> 0:52:29.680
<v Speaker 4>and I understand why I was given the book not

0:52:29.719 --> 0:52:32.000
<v Speaker 4>as a kid, but as a student, as a college student,

0:52:32.080 --> 0:52:34.640
<v Speaker 4>and I was very quickly after giving the book, I

0:52:34.680 --> 0:52:37.560
<v Speaker 4>was invited to wrestle with the identity of the author.

0:52:38.360 --> 0:52:41.080
<v Speaker 4>Here's a question for you. Do you read this to

0:52:41.120 --> 0:52:46.359
<v Speaker 4>your kid? I can't decide. Hmmm, man, eight ten and twelve.

0:52:46.440 --> 0:52:48.200
<v Speaker 4>My kids are eight ten and twelve. Do I read

0:52:48.239 --> 0:52:51.239
<v Speaker 4>them that book and then say, let me tell you

0:52:51.239 --> 0:52:52.080
<v Speaker 4>something about that person?

0:52:52.120 --> 0:52:52.840
<v Speaker 3>A tough question.

0:52:53.120 --> 0:52:53.760
<v Speaker 5>I haven't.

0:52:53.880 --> 0:52:57.040
<v Speaker 2>But that is the biggest question here is that I

0:52:57.120 --> 0:53:00.359
<v Speaker 2>read this book and was fascinated by it, not even

0:53:00.400 --> 0:53:02.520
<v Speaker 2>looking at what we know about the author, but just

0:53:02.600 --> 0:53:07.879
<v Speaker 2>the connection to nature. The way the grandfather presented the

0:53:07.920 --> 0:53:11.080
<v Speaker 2>world to little Tree was just so interesting, and it

0:53:11.120 --> 0:53:13.120
<v Speaker 2>would be hard to find fault with much of it,

0:53:13.160 --> 0:53:15.680
<v Speaker 2>even the stuff about the government. I mean, a lot

0:53:15.680 --> 0:53:18.760
<v Speaker 2>of people I think would read it and be like, yeah.

0:53:18.520 --> 0:53:22.240
<v Speaker 4>After the fact, after the revelations came out, people came

0:53:22.360 --> 0:53:25.040
<v Speaker 4>forward and like, well, you know, it is very stereotypical,

0:53:25.120 --> 0:53:26.880
<v Speaker 4>and the characters very stereotypical.

0:53:27.120 --> 0:53:28.759
<v Speaker 5>But go find me people that were saying that in

0:53:28.760 --> 0:53:29.280
<v Speaker 5>the seventies.

0:53:29.360 --> 0:53:31.920
<v Speaker 3>Yeah, they weren't. It's a full Oprah Winfrey.

0:53:32.160 --> 0:53:34.800
<v Speaker 4>It's a real tough one. Once people were armed with

0:53:34.840 --> 0:53:36.799
<v Speaker 4>the truth, then they found all kinds of things. Well,

0:53:36.920 --> 0:53:39.080
<v Speaker 4>once they knew it, you know what, once they knew

0:53:39.080 --> 0:53:41.359
<v Speaker 4>what they were looking for, they found it. But they

0:53:41.360 --> 0:53:42.480
<v Speaker 4>didn't find it ahead of.

0:53:42.440 --> 0:53:45.840
<v Speaker 2>Time, right, Steve, you tell me what you think happened here.

0:53:46.880 --> 0:53:51.000
<v Speaker 2>I could not find an academic person. It's someone that

0:53:51.000 --> 0:53:55.040
<v Speaker 2>worked for university literary professor that would talk to me

0:53:55.080 --> 0:53:58.720
<v Speaker 2>about this book. And it wasn't necessary. At first, I thought,

0:53:58.920 --> 0:54:01.680
<v Speaker 2>this book is well. The first person that did respond said, hey,

0:54:02.200 --> 0:54:05.600
<v Speaker 2>you realize this book has been blacklisted. That was essentially

0:54:05.640 --> 0:54:08.960
<v Speaker 2>his response, and I said, yeah, that's why I want

0:54:09.000 --> 0:54:11.040
<v Speaker 2>to talk about it. And then I began to get

0:54:11.080 --> 0:54:14.360
<v Speaker 2>the feeling that people didn't want to talk about it, yeah,

0:54:14.440 --> 0:54:18.600
<v Speaker 2>because it's just like, hey, don't even go there. But

0:54:18.840 --> 0:54:22.279
<v Speaker 2>I also think that I was sending emails out to

0:54:22.320 --> 0:54:24.959
<v Speaker 2>a bunch of people in contacting a big, wide web

0:54:25.000 --> 0:54:27.319
<v Speaker 2>of people, which we did, to which we had very

0:54:27.360 --> 0:54:30.759
<v Speaker 2>little response, which is unusual. I've rarely been found a

0:54:30.800 --> 0:54:33.279
<v Speaker 2>book that I couldn't find somebody willing to talk to

0:54:33.280 --> 0:54:36.560
<v Speaker 2>me about. I think that might also be a response

0:54:36.600 --> 0:54:40.000
<v Speaker 2>to the thing being blacklisted thirty years ago. Absolutely so,

0:54:40.120 --> 0:54:42.759
<v Speaker 2>just nobody's read it, nobody's read it in thirty years, and.

0:54:42.840 --> 0:54:44.440
<v Speaker 4>They're gonna be afraid to talk about it now. I

0:54:44.440 --> 0:54:46.680
<v Speaker 4>know you don't like to get like overtly political. I'm

0:54:46.680 --> 0:54:47.960
<v Speaker 4>not going to get political, but I'm going to make

0:54:47.960 --> 0:54:48.920
<v Speaker 4>a point about something.

0:54:49.120 --> 0:54:49.440
<v Speaker 3>Sure.

0:54:49.600 --> 0:54:53.600
<v Speaker 4>At a time Republicans. At a time, the Republican Party

0:54:54.000 --> 0:54:58.040
<v Speaker 4>was free trade in nation building. Okay, you just go

0:54:58.080 --> 0:55:00.799
<v Speaker 4>back to the Neo kons free trade, nation building. It's

0:55:00.840 --> 0:55:05.759
<v Speaker 4>now not right. So there's protectionism, not free trade, emerging

0:55:05.800 --> 0:55:10.480
<v Speaker 4>as a pronomenant thing in the Republican Party. Protectionism and isolationism,

0:55:10.520 --> 0:55:14.880
<v Speaker 4>not meddling and not meddling in foreign affairs. Okay, protecting

0:55:14.960 --> 0:55:17.560
<v Speaker 4>our own trade, not meddling in foreign affairs. Had you

0:55:17.600 --> 0:55:20.080
<v Speaker 4>said ten years ago what a Republican is, you'd have

0:55:20.120 --> 0:55:23.360
<v Speaker 4>brought up nation building and free trade. So things change

0:55:23.920 --> 0:55:28.440
<v Speaker 4>Universities used to be heralded as a place where there

0:55:28.440 --> 0:55:30.839
<v Speaker 4>was a free exchange of ideas, where you could talk

0:55:30.880 --> 0:55:37.560
<v Speaker 4>about dangerous stuff. They're not now, by and large, universities

0:55:37.600 --> 0:55:40.440
<v Speaker 4>have become places where you need to tread very lightly.

0:55:40.960 --> 0:55:43.879
<v Speaker 4>You do not talk about dangerous stuff because you will

0:55:43.880 --> 0:55:47.239
<v Speaker 4>get reprimanded, and you'll get blacklisted, and you'll lose your job.

0:55:47.800 --> 0:55:53.480
<v Speaker 4>Universities have somehow become somewhat anti intellectual, and they have

0:55:53.560 --> 0:55:57.239
<v Speaker 4>become places where people are afraid of the exchange of ideas.

0:55:57.520 --> 0:55:59.000
<v Speaker 4>So that you're now not going to be able to

0:55:59.040 --> 0:56:01.000
<v Speaker 4>get someone to talk to you about this book. Is

0:56:01.040 --> 0:56:02.480
<v Speaker 4>because they probably want to.

0:56:02.840 --> 0:56:03.360
<v Speaker 5>They're scared.

0:56:03.480 --> 0:56:05.399
<v Speaker 4>Yeah, because someone's going to come for them for talking

0:56:05.400 --> 0:56:06.480
<v Speaker 4>about dangerous stuff.

0:56:06.560 --> 0:56:06.920
<v Speaker 5>Yeah.

0:56:06.960 --> 0:56:09.360
<v Speaker 4>I guess now, if you want to talk about dangerous

0:56:09.360 --> 0:56:10.920
<v Speaker 4>stuff and free ideas, you got to listen to the

0:56:10.920 --> 0:56:11.760
<v Speaker 4>bar Grease podcast.

0:56:11.920 --> 0:56:12.399
<v Speaker 3>That's right.

0:56:13.200 --> 0:56:15.719
<v Speaker 2>Steve Ranella, the old guy in the country that would

0:56:15.719 --> 0:56:23.960
<v Speaker 2>talk to me about the education of Little Tree. We

0:56:24.239 --> 0:56:27.840
<v Speaker 2>ended on a light note, but the content was very serious.

0:56:28.719 --> 0:56:32.319
<v Speaker 2>Often it seems the people who demand tolerance in their

0:56:32.400 --> 0:56:37.000
<v Speaker 2>pursuit of enforcing it are incredibly intolerant. We live in

0:56:37.080 --> 0:56:40.759
<v Speaker 2>a messed up world, and the most powerful contribution we have,

0:56:41.360 --> 0:56:45.520
<v Speaker 2>bigger than voting, bigger than shouting down the crazies, bigger

0:56:45.560 --> 0:56:49.880
<v Speaker 2>than fighting foreign armies, bigger than our political doctrine, is

0:56:49.920 --> 0:56:57.120
<v Speaker 2>to build our individual lives and families intentionally, introspectively, empathetically

0:56:57.560 --> 0:57:03.440
<v Speaker 2>and with an unembittered, humble boldness towards truth. And it

0:57:03.560 --> 0:57:07.000
<v Speaker 2>helps to have a macro perspective of history that shows

0:57:07.080 --> 0:57:10.400
<v Speaker 2>us that life is short, and our lives are like

0:57:10.480 --> 0:57:11.799
<v Speaker 2>the flowers.

0:57:11.280 --> 0:57:11.880
<v Speaker 3>Of the field.

0:57:11.960 --> 0:57:15.440
<v Speaker 2>We pop up, then fade away. And I believe with

0:57:15.560 --> 0:57:19.400
<v Speaker 2>great certainty that will give account for our lives after

0:57:19.520 --> 0:57:23.320
<v Speaker 2>our death, and that knowledge is a powerful driver in

0:57:23.440 --> 0:57:28.480
<v Speaker 2>my life and actions here. I want to have integrity.

0:57:29.200 --> 0:57:32.720
<v Speaker 2>That's why fearlessly looking back into our history at some

0:57:32.920 --> 0:57:36.480
<v Speaker 2>bad stuff and sorting through it will help us navigate

0:57:36.640 --> 0:57:37.240
<v Speaker 2>the future.

0:57:37.800 --> 0:57:39.320
<v Speaker 3>I think this is powerful stuff.

0:57:40.080 --> 0:57:44.160
<v Speaker 2>And man as crazy as Asa Carter was, I cannot

0:57:44.200 --> 0:57:48.880
<v Speaker 2>lie my life was enriched by reading the Education of Littletree.

0:57:49.040 --> 0:57:50.480
<v Speaker 3>I don't fully understand it.

0:57:50.960 --> 0:57:53.560
<v Speaker 2>You have to make that decision for yourself if you'd

0:57:53.640 --> 0:57:57.360
<v Speaker 2>read this book to your kids. On the next episode,

0:57:57.400 --> 0:58:00.440
<v Speaker 2>we'll again have Steve Vanella and doctor Dan Carr, and

0:58:00.480 --> 0:58:03.480
<v Speaker 2>we'll look even deeper into the double life of Asa

0:58:03.560 --> 0:58:06.200
<v Speaker 2>Carter and try to make sense of his life to

0:58:06.320 --> 0:58:09.919
<v Speaker 2>decide if he was a changed man, a con man,

0:58:10.600 --> 0:58:16.080
<v Speaker 2>or a crazy man. It's gonna be really good. Thank

0:58:16.120 --> 0:58:19.280
<v Speaker 2>you so much for listening to bear Grease, and don't

0:58:19.320 --> 0:58:22.720
<v Speaker 2>forget our big news about my bro Brent Reeves and

0:58:22.760 --> 0:58:26.880
<v Speaker 2>his new podcast, This Country Life that'll be on this

0:58:27.040 --> 0:58:30.480
<v Speaker 2>Bear Grease podcast feed. I hope you have a great

0:58:30.520 --> 0:58:33.240
<v Speaker 2>week and I look forward to discussing this with the

0:58:33.320 --> 0:58:35.760
<v Speaker 2>crew next week on the Bear Grease Render.