WEBVTT - Episode 86 w/ John Singleton

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<v Speaker 1>Y'all News or Yota RAV four asks what if what

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<v Speaker 1>if your ride was refined and rugged at the same time,

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<v Speaker 1>introducing the y'all new rap for hybrid. Combined horse power

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<v Speaker 1>and standard all wheel drive make it the most powerful

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<v Speaker 1>RAP four plus with its head turning style and breakaway speed,

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<v Speaker 1>It's bound to change the way you think of a hybrid,

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<v Speaker 1>y'all new rap War Hybrid. So Yoda, let's go places.

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<v Speaker 1>Horse power rating is the cheapest in the required premium

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<v Speaker 1>and let a gasoline with an octane rating. If not

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<v Speaker 1>want higher premium fuel is not used, performance would decrease,

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<v Speaker 1>was y'all was going on. He's a legendary queen's rapper,

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<v Speaker 1>Hang Segre it is your boy in nor E's a

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<v Speaker 1>Miami hip hop pioneer. What up is d J e

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<v Speaker 1>f N. Together they drink it up with some of

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<v Speaker 1>the biggest players in music and sport. You know, I

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<v Speaker 1>mean the most professional, unprofessional podcast and your number one

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<v Speaker 1>source for drunk facts. This is Drinks chap Radar. Where

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<v Speaker 1>he day is New Year's Eve? Just round, he said, Hope, Savia,

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<v Speaker 1>it's your boy and r DJ and his Drink Chance

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<v Speaker 1>Mother podcast. Right now, right now, we have the legendary,

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<v Speaker 1>a guy that I feel like cinema should be handed

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<v Speaker 1>to him like period. Like when it comes to cinema,

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<v Speaker 1>he has to be the executive producer of the word

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<v Speaker 1>of the word. Like when you look up cinema, he

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<v Speaker 1>gotta be his face, gotta be right there. He's made

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<v Speaker 1>legendary movies. He's got to work with the legends of

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<v Speaker 1>the legends. He made the legends put him in the

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<v Speaker 1>first movie. But especially hip hop. When it comes to

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<v Speaker 1>hip hop, he was I feel like he invented this.

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<v Speaker 1>I ain't gonna take the rappers and I'm gonna make

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<v Speaker 1>them movie stars. I feel like he gives some jobs.

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<v Speaker 1>Right now, we got the legendary John Singleton and the mother.

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<v Speaker 1>Now where did you get the love for developer? Been

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<v Speaker 1>sent him a period? How did how did that even

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<v Speaker 1>come to you? I grew up next to a drive

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<v Speaker 1>in theater and I used to look out my window

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<v Speaker 1>and I s to see like Kung Fu movies and

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<v Speaker 1>horror movies and Michael Myers and stuff and Last Protection movies.

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<v Speaker 1>And I saw Pam Gris titties and I was like,

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<v Speaker 1>are you saying Pam's great titties is what made you focus.

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<v Speaker 1>I gotta get that's what made me do that. That's

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<v Speaker 1>what happened. It's true story. I'm not making it up.

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<v Speaker 1>Everybody knows baby Boy was supposed to be a role

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<v Speaker 1>for tupac Y. How how difficult was that saying that,

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<v Speaker 1>you know what, I wrote this originally for my friend

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<v Speaker 1>because you guys was friends and he's not here. How

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<v Speaker 1>difficult was that to pick that actor? That Tyre's actor.

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<v Speaker 1>I put it up on the show for years after

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<v Speaker 1>that because the last thing, the last conversation I had

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<v Speaker 1>with Pop was at the crushaw Mall. He was doing

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<v Speaker 1>this video to Live and Die in l A and

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<v Speaker 1>I was like, I got the movie that's gonna get

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<v Speaker 1>you on Oscar, you know, And that was it. That

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<v Speaker 1>was And then you know, a couple of weeks later,

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<v Speaker 1>he wasn't with us anymore, So I didn't. I wasn't

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<v Speaker 1>had a planning on doing the movie at all at all.

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<v Speaker 1>And it's just, uh, I know Tyres since he was

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<v Speaker 1>sixteen years old, and I dished this movie Shaft. He

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<v Speaker 1>was supposed to Tyres was supposed to be in the movie,

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<v Speaker 1>but he was too busy being an MTV v J.

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<v Speaker 1>And then I said Okay, I got this movie. I'm

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<v Speaker 1>gonna pull off the shop and you know, you know,

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<v Speaker 1>just like people have stuff and files and stuff, I

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<v Speaker 1>got movies and crates and stuff that I've written, and

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<v Speaker 1>I said, okay, maybe this is the time to do

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<v Speaker 1>this movie. But by the way, Shaft, like when people

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<v Speaker 1>do remix, it's very hard because and I can't believe

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<v Speaker 1>how you pulled off Shaft like that. Yeah, but it was.

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<v Speaker 1>It was good. It was good to be in New York.

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<v Speaker 1>It was a crazy time to be I wasn't. We

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<v Speaker 1>was in the high school. We was. We was hard.

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<v Speaker 1>It was all over the whole city. Um, it was.

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<v Speaker 1>It was you know, you remember it was that was

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<v Speaker 1>when I was making that movie. We were the only

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<v Speaker 1>movie that was shooting at the time. It was like

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<v Speaker 1>in the daytime and the night I was shooting in

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<v Speaker 1>the night and then sometimes the night I was up

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<v Speaker 1>in Cheetah and sent your flying like the first thing.

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<v Speaker 1>That was the first thing I said to you. What

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<v Speaker 1>I like, I was like, oh my god. But I

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<v Speaker 1>was like I was a wild person then I was.

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<v Speaker 1>I'm different now, more conservative, servative. When movies, it's movies

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<v Speaker 1>with like you have to go through something like you

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<v Speaker 1>know how sometimes comedians will come out with things every

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<v Speaker 1>five years because it's like they actually got to go

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<v Speaker 1>through experiences. But for me, it's for me, making films

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<v Speaker 1>is kind of an emotional experience. Um. You know, I

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<v Speaker 1>put my all into it. I put my heart and

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<v Speaker 1>soul um you know. Um, and it's just like it

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<v Speaker 1>takes something out of you, but it gives something back.

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<v Speaker 1>And every time I do a movie, it's an adventure.

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<v Speaker 1>So um you know. Um, lately I've been just like

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<v Speaker 1>concentrate on television instead of movies because people are watching

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<v Speaker 1>more TV than our films and there's a lot more

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<v Speaker 1>to do. Um you know, Like you can make it

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<v Speaker 1>make a movie every two or three years, but the

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<v Speaker 1>film a TV show, it's like doing a movie every week.

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<v Speaker 1>You get a chance to shoot, pull a new talent,

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<v Speaker 1>put people in and see how they work, and then

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<v Speaker 1>maybe if they work on the TV show, then you

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<v Speaker 1>take them off to a movie. So that's my that's

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<v Speaker 1>my body. You feel the same way about writing and directing, Yeah, yeah,

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<v Speaker 1>I mean I have to whatever I do, I have

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<v Speaker 1>to write. I have to write because I have to

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<v Speaker 1>put my on stink on it. That what made you

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<v Speaker 1>say to ice Cube. You said, because because I remember

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<v Speaker 1>you saying that you knew. Thank you. So you said

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<v Speaker 1>to ice Cube and just so you know, it's it's

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<v Speaker 1>a plastic on it, come on, you help him out.

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<v Speaker 1>Come on your closest thing. Come on, okay, let me

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<v Speaker 1>sure it open dearly. I don't even want to do it.

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<v Speaker 1>But you said to ice Cube that his first rhymes

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<v Speaker 1>were like movie like so and then he went later

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<v Speaker 1>on and created Friday. Did you ever think you should

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<v Speaker 1>have been a part of Friday as well? Yeah? I did.

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<v Speaker 1>Let his true story Cube. When we were doing Boys

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<v Speaker 1>in the Herd, he started like looking at how movies

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<v Speaker 1>are made, watching the set, so that he did a

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<v Speaker 1>video called Dead Homies. You've seen that video. It's really cinematic.

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<v Speaker 1>He started like, you know, slow wing shots and really

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<v Speaker 1>cinematic stuff. And you know, even when Cube had other

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<v Speaker 1>people direct the movie, the videos, he wouldn't be quasi directed.

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<v Speaker 1>So then he was like, okay, I want to write movies.

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<v Speaker 1>I said, well, okay, I've gotta get a laptop. He

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<v Speaker 1>meet him and his now wife when she was time

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<v Speaker 1>when going on laptop and he's a screenwriting stuff. So

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<v Speaker 1>he started he wrote, he wrote from that, the next

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<v Speaker 1>year and a half he wrote like three screenplays. He

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<v Speaker 1>wrote different titles and screenplays and everyone, and I was

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<v Speaker 1>like this one. And then he stopped showing me his screenplays.

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<v Speaker 1>So then he wrote because I kept shipping on him

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<v Speaker 1>a little bit because I was like, because it's my brother, right,

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<v Speaker 1>you could do better than this, right. And then but

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<v Speaker 1>he was also selling them too. You know, it didn't

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<v Speaker 1>matter if I thought there was happy. He sold some

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<v Speaker 1>stuff to Universal. He was selling like that I got produced.

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<v Speaker 1>He was just selling screenplays. And then so that he

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<v Speaker 1>did he we do we do higher learning together. And

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<v Speaker 1>then he's like I'm doing this other movie and said

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<v Speaker 1>and he's like I'm um, and it's like okay. But

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<v Speaker 1>but he started Friday out independently on Money Up on Friday,

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<v Speaker 1>and the new line was like we want to help you.

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<v Speaker 1>And I was like if people have told me that,

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<v Speaker 1>I would like everything in it, because it was like,

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<v Speaker 1>you know, when he finally got it done and showed

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<v Speaker 1>it to me, I was like, that's gonna it's gonna

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<v Speaker 1>be huge, and it was you know what I mean,

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<v Speaker 1>are we talking about Friday? Friday? Friday? Okay, so Friday,

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<v Speaker 1>you know, he did that all on his own, man,

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<v Speaker 1>you know, looking at now man, Yeah, yes, so so

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<v Speaker 1>now I'm glad you brought up higher learning, right because

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<v Speaker 1>higher learning. I feel like it was a socially conscious movie. Yeah,

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<v Speaker 1>we don't really have socially conscious movies anymore. No, we

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<v Speaker 1>don't matter. Are we missing that? We're missing a lot

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<v Speaker 1>of things we were missing. It's a little John. That's

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<v Speaker 1>how we're doing in drink chants, That's how we're doing.

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<v Speaker 1>So are we missing social conscious movies? I think we're

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<v Speaker 1>missing movies that about something. I think we need that

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<v Speaker 1>now more than ever because I'm kind of brought proud

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<v Speaker 1>of jay Z for the writer's alan Doctor Brout. That

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<v Speaker 1>was nice. That was that was it was beautiful. That

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<v Speaker 1>was beautiful for him to tell that story. And now

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<v Speaker 1>him he's doing a trade Von Martin story. I feel

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<v Speaker 1>like doing a movie and the doctor trade mar and

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<v Speaker 1>I think that's really smart. Um and and um something

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<v Speaker 1>that needs to be done. Yeah, because we need that,

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<v Speaker 1>like for our community. Because um, I just feel like

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<v Speaker 1>it's balanced. I feel like levels fell backwards. This level,

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<v Speaker 1>we've gotta balance it. And I feel like that's the

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<v Speaker 1>perfect way. It's just it's because there's so many of

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<v Speaker 1>us more in our community, a walk more than they read. Yeah,

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<v Speaker 1>exactly exactly. I mean, I mean it's what I do.

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<v Speaker 1>I like to do films that are life, make people think,

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<v Speaker 1>but also entertained, so then they have to watch it

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<v Speaker 1>several times and be like, you know, did I really

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<v Speaker 1>see that in there? Hold on that another time? So

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<v Speaker 1>you know, even when I make a film that that

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<v Speaker 1>it's really really has heavy issues in it. It Uh,

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<v Speaker 1>it's entertaining. You know what I'm saying. You don't really notice,

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<v Speaker 1>you know, now poetic This role ice Cube role was

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<v Speaker 1>originally to excuse me, Tupac's role was originally ice Cubes. Yeah, yeah, exactly,

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<v Speaker 1>and Cube said he wanted to do do was okay, And

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<v Speaker 1>now why why at the time we see Tupac and Juice.

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<v Speaker 1>We see Tupac everywhere else. But what makes you say

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<v Speaker 1>I'm gonna make Tupac riding the mall band with Jackson

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<v Speaker 1>he killed? Because um, I mean, you know he was.

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<v Speaker 1>It's crazy because I didn't even give it a second

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<v Speaker 1>thought because you know, I realized Pocket just and it

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<v Speaker 1>hadn't even come out yet. Oh yeah, but I heard

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<v Speaker 1>you say you saw the movie in advance. I saw

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<v Speaker 1>the movie were in advance. I said, okay, let's let's dude.

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<v Speaker 1>You know, I wasn't I wasn't thinking about him to

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<v Speaker 1>be in poor jestice. I was still thinking about cute

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<v Speaker 1>and I was like, we gotta do something together. So

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<v Speaker 1>we chopped it up and just like you know, and

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<v Speaker 1>he just he just got back because he had got

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<v Speaker 1>into l A and I was like, we gotta do

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<v Speaker 1>something together. So when Cube said what he said, I said, okay.

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<v Speaker 1>I called up him and I said, you know you

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<v Speaker 1>want to do it? He said, yeah, yeah, I'll do it.

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<v Speaker 1>You know, now, boys in the Hood, Boys and Hook

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<v Speaker 1>comes out first, right, the minister society comes out. Yes.

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<v Speaker 1>I gotta ask a petty question, what's the time. What's

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<v Speaker 1>that time between them? Just two years? Did you ever

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<v Speaker 1>think like they could have it? I was not hug Brothers. Yeah, yeah,

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<v Speaker 1>we never heard your side of the story because I

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<v Speaker 1>kind of felt like, oh ship, they just madetion with

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<v Speaker 1>that movie too. Well, No, they just made they made

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<v Speaker 1>an interesting film that was more violent than my movie.

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<v Speaker 1>My movie was my movie was? I say, it was

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<v Speaker 1>more kind of embedded in what um, what my personal

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<v Speaker 1>experience was in the studio that made Mini Society said

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<v Speaker 1>that we gotta have some pans too. There was you know,

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<v Speaker 1>there's a lot of movies, but in retrospect, when Society

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<v Speaker 1>is the best of all of those movies that came

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<v Speaker 1>after Boys, you know, because there's a lot of movies

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<v Speaker 1>that they tried to copy. It was like, you know, yea,

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<v Speaker 1>but but you know, in fact, my favorite character and

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<v Speaker 1>the Society's old dog, because he was he was like

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<v Speaker 1>most asociated, right, you know, to Pap was supposed to

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<v Speaker 1>play this character, this other character, that another dude that

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<v Speaker 1>was in Boys Fante Sweet play he was a more

0:12:24.760 --> 0:12:31.440
<v Speaker 1>conscious brother. Oh that's right. I was a teacher that right,

0:12:31.480 --> 0:12:33.480
<v Speaker 1>and then he had court Beef and the Hughes brothers

0:12:33.520 --> 0:12:40.760
<v Speaker 1>and to So so what is what? What? What? What?

0:12:40.760 --> 0:12:43.400
<v Speaker 1>What is? John Singleton? What are you sitting back and

0:12:43.480 --> 0:12:45.360
<v Speaker 1>saying that, you know, happy that you didn't produce I

0:12:45.400 --> 0:12:46.959
<v Speaker 1>know you're doing a lot of TV what I was,

0:12:47.480 --> 0:12:52.240
<v Speaker 1>But what do you enjoy like when you yeah, I

0:12:52.280 --> 0:12:57.079
<v Speaker 1>mean like in terms of like just life and stuff, movies, TV.

0:12:57.320 --> 0:12:59.080
<v Speaker 1>I know you're doing too much TV to watch TV.

0:12:59.720 --> 0:13:02.840
<v Speaker 1>I'm too much TV to watch TV. I don't even

0:13:02.840 --> 0:13:04.640
<v Speaker 1>get a chance to really watch my TV because I'm

0:13:04.640 --> 0:13:07.600
<v Speaker 1>making TV right now. I mean, like, you know, I

0:13:07.640 --> 0:13:10.480
<v Speaker 1>like movies and stuff and everything, but the movies, the

0:13:10.520 --> 0:13:13.320
<v Speaker 1>movies now are not you know, I don't feel that

0:13:13.360 --> 0:13:18.000
<v Speaker 1>they're they don't push hard enough in terms of the

0:13:18.040 --> 0:13:20.319
<v Speaker 1>culture as much as possible, you know what I'm saying.

0:13:20.600 --> 0:13:22.480
<v Speaker 1>You know what I mean, Like in terms of mainstream movies,

0:13:22.520 --> 0:13:25.719
<v Speaker 1>you know, um, and that needs to be done, you

0:13:25.720 --> 0:13:28.280
<v Speaker 1>know what I mean, because like because like like Boys

0:13:28.320 --> 0:13:30.600
<v Speaker 1>in the Hood was so much of an important message.

0:13:30.640 --> 0:13:32.960
<v Speaker 1>It's just like, yo, you know, you can live the

0:13:32.960 --> 0:13:37.199
<v Speaker 1>street life, but there's actually consequence. Exactly, there's actually and

0:13:37.520 --> 0:13:40.600
<v Speaker 1>that's what hip hop sometimes fails to tell. We only

0:13:42.120 --> 0:13:46.880
<v Speaker 1>always yeah, I don't know you're gonna do nine years,

0:13:47.280 --> 0:13:49.040
<v Speaker 1>you know what I'm saying. Not at the other end

0:13:49.040 --> 0:13:51.480
<v Speaker 1>of it, Yeah, exactly, No, I'm out about the reality

0:13:51.520 --> 0:13:53.199
<v Speaker 1>of it, you know what I'm saying. What was that

0:13:53.480 --> 0:13:56.760
<v Speaker 1>like your goal? Because I know no, oh wow, My

0:13:56.880 --> 0:13:59.400
<v Speaker 1>goal was just basically a telling story. I was just like,

0:13:59.800 --> 0:14:02.600
<v Speaker 1>you know, just like trying to get something off my chest,

0:14:02.679 --> 0:14:07.679
<v Speaker 1>that an experience that I lived, that that I lived through, um,

0:14:07.800 --> 0:14:10.960
<v Speaker 1>and that a lot of my family and friends had

0:14:11.000 --> 0:14:14.240
<v Speaker 1>had left through. So that was always about what if

0:14:14.280 --> 0:14:20.320
<v Speaker 1>ice Cube said no to play dough Boy would want

0:14:20.320 --> 0:14:24.880
<v Speaker 1>to go there? Think of nobody, where will we be

0:14:24.960 --> 0:14:27.280
<v Speaker 1>now he didn't play the part man, it was like,

0:14:27.400 --> 0:14:29.880
<v Speaker 1>you know, I think he was robbed up Oscar nomination.

0:14:29.920 --> 0:14:33.400
<v Speaker 1>I think he should because it's one of those timeless

0:14:33.880 --> 0:14:37.560
<v Speaker 1>performances that that just exists. You know what I'm saying.

0:14:37.760 --> 0:14:39.280
<v Speaker 1>And I'm gonna be honest with you when I look

0:14:39.320 --> 0:14:41.640
<v Speaker 1>at like, if I want to describe the West Coast,

0:14:41.960 --> 0:14:45.560
<v Speaker 1>how I first visualized the West Coast, I wouldn't start

0:14:45.720 --> 0:14:48.320
<v Speaker 1>at Poison. Yeah, I would start there and be like

0:14:48.360 --> 0:14:51.040
<v Speaker 1>you work around there. I actually go there first and

0:14:51.080 --> 0:14:57.480
<v Speaker 1>then call us. I cursed it when I was a

0:14:57.920 --> 0:15:02.160
<v Speaker 1>school with film East Coast, so I don't no, but

0:15:02.200 --> 0:15:05.120
<v Speaker 1>it wasn't real. It was it was derivative. It wasn't

0:15:05.360 --> 0:15:07.880
<v Speaker 1>because it wasn't done by by by black people. It

0:15:08.000 --> 0:15:09.720
<v Speaker 1>was like it was like, you know, it was like

0:15:10.720 --> 0:15:13.880
<v Speaker 1>there was nothing about that that thing that was really true,

0:15:13.920 --> 0:15:16.800
<v Speaker 1>truly whatever. You know, like people were more caricatures and

0:15:17.360 --> 0:15:20.640
<v Speaker 1>caricatures they weren't real, you know. And then so you know,

0:15:21.720 --> 0:15:23.760
<v Speaker 1>so now I gotta get to the million dollar question.

0:15:24.120 --> 0:15:29.640
<v Speaker 1>Listen why is it John Singleton directing this Tupac, Why

0:15:30.920 --> 0:15:32.920
<v Speaker 1>I feel like you gotta get another shot. I feel

0:15:32.960 --> 0:15:34.680
<v Speaker 1>like you gott get another shot because we want the

0:15:34.680 --> 0:15:38.280
<v Speaker 1>real answer, and I'm gonna take one with you. I'm

0:15:38.280 --> 0:15:40.440
<v Speaker 1>not gonna busy myself on this. And then because you know,

0:15:40.440 --> 0:15:45.440
<v Speaker 1>you're gonna bring up fashions and you know, and everything

0:15:45.440 --> 0:15:48.800
<v Speaker 1>and stuff, because because it's documented that you guys are friends,

0:15:49.000 --> 0:15:52.960
<v Speaker 1>it was like nobody can't dispute that. Well, just say

0:15:53.040 --> 0:15:54.920
<v Speaker 1>that the people that that got the rights to do

0:15:55.000 --> 0:15:57.320
<v Speaker 1>the movie, they had different ideas on how to do

0:15:57.400 --> 0:16:00.480
<v Speaker 1>the movie than I did. And that's part of it

0:16:00.520 --> 0:16:02.800
<v Speaker 1>at some point, right, Yeah, it was yeah in the beginning,

0:16:02.880 --> 0:16:05.800
<v Speaker 1>right exactly. Well no, not as it came in through

0:16:05.840 --> 0:16:07.960
<v Speaker 1>and everything. But you know, let them, let them make

0:16:08.000 --> 0:16:10.520
<v Speaker 1>that move and let's see how it does and let's

0:16:10.520 --> 0:16:13.640
<v Speaker 1>see what's because you're personally involved, So does that ever

0:16:13.800 --> 0:16:17.280
<v Speaker 1>like like mess up in your creative process? Like because

0:16:17.320 --> 0:16:19.720
<v Speaker 1>I'm personally of all, that means I'm more focused and

0:16:19.840 --> 0:16:23.520
<v Speaker 1>born like you know, I'm more like get it, you

0:16:23.520 --> 0:16:26.440
<v Speaker 1>know what I'm saying. Like that means I'm I'm you know,

0:16:26.480 --> 0:16:28.120
<v Speaker 1>as I'm saying better, you know, what I'm saying, I'm

0:16:28.160 --> 0:16:30.160
<v Speaker 1>down on the ground. I'm ready to shoot, you know

0:16:30.160 --> 0:16:32.640
<v Speaker 1>what I mean? Like that makes it more powerful that

0:16:32.760 --> 0:16:36.480
<v Speaker 1>I'm more personally involved. And you know if Bennie Boom

0:16:36.520 --> 0:16:39.000
<v Speaker 1>haven't even met too, funk, I don't want to go.

0:16:39.120 --> 0:16:41.040
<v Speaker 1>Beny is my friends. By's my friends too. But I'm

0:16:41.040 --> 0:16:44.280
<v Speaker 1>just thinking, I'm just I don't care. You got that, yes, boy?

0:16:44.560 --> 0:16:47.400
<v Speaker 1>Every time I say something bad about with Betty Cosby

0:16:47.400 --> 0:16:50.480
<v Speaker 1>and said, you know, so, it's like, you know, I

0:16:50.520 --> 0:16:52.200
<v Speaker 1>don't even want to touch you right now. You know,

0:16:52.720 --> 0:16:55.240
<v Speaker 1>let the movie come out. Y'all make your own judgment

0:16:55.360 --> 0:16:57.320
<v Speaker 1>what you want to say about the movie. But if

0:16:57.360 --> 0:17:00.520
<v Speaker 1>you had your choice, how would you have done it?

0:17:00.560 --> 0:17:02.040
<v Speaker 1>Because I think I don't know if you've seen like

0:17:02.040 --> 0:17:05.399
<v Speaker 1>the Outlaw guys, he had just said something, Yeah, he

0:17:05.480 --> 0:17:07.399
<v Speaker 1>accused you of saying that he wanted he wanted to

0:17:07.440 --> 0:17:10.080
<v Speaker 1>put a rape scene of Tupac in. Then well, there's

0:17:10.080 --> 0:17:12.200
<v Speaker 1>a whole lot of things that that that they were

0:17:12.240 --> 0:17:16.480
<v Speaker 1>not having the movie, that that actually happened, that they

0:17:16.720 --> 0:17:18.760
<v Speaker 1>won't want to We're not saying Tupac got raped. There's

0:17:18.800 --> 0:17:20.560
<v Speaker 1>a whole lot of things that happened. There's a whole

0:17:20.600 --> 0:17:23.240
<v Speaker 1>lot of stuff. That's the stuff that why why who

0:17:23.480 --> 0:17:26.159
<v Speaker 1>actually was involved in his death? Why didn't die? And

0:17:26.240 --> 0:17:28.520
<v Speaker 1>I'm saying, well, the lead up to his death, know

0:17:28.520 --> 0:17:30.280
<v Speaker 1>what I'm saying. Like, so I don't know what they

0:17:30.320 --> 0:17:32.320
<v Speaker 1>did with the movie. So you know, it's like I

0:17:32.320 --> 0:17:33.840
<v Speaker 1>can't even speak on it because I don't know what

0:17:33.880 --> 0:17:36.080
<v Speaker 1>that did with the movie. And I won't watch the movie,

0:17:36.280 --> 0:17:38.200
<v Speaker 1>you know what I mean? But if you had your choice,

0:17:38.200 --> 0:17:40.119
<v Speaker 1>how would you did the movie? If you'd have had

0:17:40.160 --> 0:17:42.240
<v Speaker 1>your choice, how would you did the movie? How would

0:17:42.240 --> 0:17:45.280
<v Speaker 1>I did the movie? Like, I'm not saying that over podcast.

0:17:45.520 --> 0:17:49.160
<v Speaker 1>Ye I'm gonna make you know, I make them right movie,

0:17:49.200 --> 0:17:52.560
<v Speaker 1>I'm you know, not to understand. And I don't want

0:17:52.560 --> 0:17:56.120
<v Speaker 1>to speak on this over and over there. I come from,

0:17:56.160 --> 0:17:59.400
<v Speaker 1>I come from, I come from you know. Um Tipac

0:17:59.480 --> 0:18:02.440
<v Speaker 1>was born nineteen seventy one. I was one n seventy eight.

0:18:02.920 --> 0:18:05.920
<v Speaker 1>We are revolutionary babies. It's a difference between being a

0:18:05.960 --> 0:18:10.840
<v Speaker 1>revolutionary baby and being someone who's just hip hop, you

0:18:10.880 --> 0:18:13.120
<v Speaker 1>know what I mean. We were built, you know, for

0:18:13.200 --> 0:18:16.679
<v Speaker 1>the betterment of our people. We were built for to

0:18:16.680 --> 0:18:18.919
<v Speaker 1>bring everybody up, you know what I'm saying. And a

0:18:18.920 --> 0:18:21.840
<v Speaker 1>whole lot of stuff that happened, and and and in

0:18:21.920 --> 0:18:25.760
<v Speaker 1>terms of black black liberation was faltered because black people

0:18:25.800 --> 0:18:28.800
<v Speaker 1>were not in solidarity with each other, you know what

0:18:28.840 --> 0:18:32.879
<v Speaker 1>I'm saying. So you know that's what I'm saying. I

0:18:32.920 --> 0:18:34.399
<v Speaker 1>don't want to be. I don't want to be that

0:18:34.480 --> 0:18:37.359
<v Speaker 1>person that keeps on having dissension or whatever. That they've

0:18:37.359 --> 0:18:39.960
<v Speaker 1>made the movie. They stole the rights from his mother,

0:18:42.000 --> 0:18:44.840
<v Speaker 1>so they made the movie they want to make. And

0:18:44.960 --> 0:18:46.800
<v Speaker 1>hopefully one day I will get a chance to tell

0:18:46.800 --> 0:18:49.520
<v Speaker 1>that story. But otherwise I got all this other ship

0:18:49.600 --> 0:18:53.640
<v Speaker 1>that I'm trying to do that is is in line

0:18:53.680 --> 0:18:56.520
<v Speaker 1>with what my principles are as a person and as

0:18:56.520 --> 0:18:58.440
<v Speaker 1>a black man, and that I'm going to do. So

0:18:58.760 --> 0:19:00.320
<v Speaker 1>that's that's all I want to speak. To make some

0:19:00.400 --> 0:19:02.360
<v Speaker 1>noise for that. Damn, let's make some noise for that.

0:19:03.240 --> 0:19:06.160
<v Speaker 1>Someone still trying to make a part movie in the future. Yeah,

0:19:06.160 --> 0:19:08.119
<v Speaker 1>of course, I think you should do a commentary or

0:19:08.160 --> 0:19:09.680
<v Speaker 1>at least at least. No. No, this has to be.

0:19:09.680 --> 0:19:11.600
<v Speaker 1>It has to be a movie. It's it's too it's

0:19:11.640 --> 0:19:14.399
<v Speaker 1>too it's too it's too important not to just make

0:19:14.440 --> 0:19:16.080
<v Speaker 1>a movie. I mean, like, you know, there's so many

0:19:16.080 --> 0:19:20.200
<v Speaker 1>different things around life, who he was as a person,

0:19:20.359 --> 0:19:23.840
<v Speaker 1>you know, and why people can be inspired by it, right,

0:19:23.880 --> 0:19:27.040
<v Speaker 1>you know, now it's such it's such a great story. So,

0:19:27.240 --> 0:19:29.399
<v Speaker 1>um when I hear, like, you know, when people have

0:19:29.480 --> 0:19:33.320
<v Speaker 1>differences with it, I always listen because, um, I never

0:19:33.320 --> 0:19:35.840
<v Speaker 1>got to meet Tupac A. Yeah, I never got to

0:19:35.880 --> 0:19:38.560
<v Speaker 1>meet Tupac. Actually, uh he actually hung out in my

0:19:38.640 --> 0:19:42.680
<v Speaker 1>hood and I was in jail, So I actually never

0:19:42.720 --> 0:19:45.280
<v Speaker 1>got to meet Tupac. So I'm always this is actually

0:19:45.320 --> 0:19:47.840
<v Speaker 1>me as a fan. They just asking. But now you

0:19:47.960 --> 0:19:51.040
<v Speaker 1>also got to work with somebody who's also legendary and

0:19:51.040 --> 0:19:54.440
<v Speaker 1>who also I think is innocent. Um O J. Simpson,

0:19:55.440 --> 0:19:57.040
<v Speaker 1>you got to work with Old J. I don't have

0:19:57.119 --> 0:20:00.879
<v Speaker 1>to work with him. I met him before. I met

0:20:00.920 --> 0:20:03.560
<v Speaker 1>him before, but I did. I did a episode of

0:20:03.600 --> 0:20:08.199
<v Speaker 1>the show based on the people first Old J. Okay, Now,

0:20:08.240 --> 0:20:10.400
<v Speaker 1>how was that? Like? It was good, it was interesting,

0:20:10.440 --> 0:20:12.359
<v Speaker 1>it was fun, it was like, you know, it was

0:20:12.400 --> 0:20:16.080
<v Speaker 1>good because, um, he changed l A after that, but

0:20:16.200 --> 0:20:21.560
<v Speaker 1>he changed he changed culture. Yeah, I mean, yeah, I mean,

0:20:23.800 --> 0:20:26.840
<v Speaker 1>I mean, I mean what I mean is like we

0:20:26.960 --> 0:20:30.240
<v Speaker 1>just looked at l A like from the couture, like

0:20:30.480 --> 0:20:32.040
<v Speaker 1>at this coast point of view, we were just like

0:20:32.040 --> 0:20:36.560
<v Speaker 1>old because yeah, here that's weird. I mean, it was

0:20:36.600 --> 0:20:38.639
<v Speaker 1>just weird. It was just I mean because like we

0:20:38.760 --> 0:20:42.159
<v Speaker 1>never knew we thought only our cops was racist. We

0:20:42.240 --> 0:20:44.800
<v Speaker 1>never knew that outside of our ship, this as other

0:20:44.800 --> 0:20:46.760
<v Speaker 1>people that's racist. You know what I'm saying. Like we

0:20:46.760 --> 0:20:49.439
<v Speaker 1>didn't travel. But after Old J, it was like clear,

0:20:49.600 --> 0:20:52.840
<v Speaker 1>it was just like, holy mole, guacamole, this is what's

0:20:52.880 --> 0:20:55.760
<v Speaker 1>going down. But I never thought Old J did it.

0:20:55.840 --> 0:20:58.840
<v Speaker 1>And I met Old J as well. When we met him,

0:20:58.920 --> 0:21:02.840
<v Speaker 1>it was right, you know, I met him twice, you know,

0:21:03.320 --> 0:21:08.919
<v Speaker 1>can do kid? Yeah, you know our neighbor. Yeah, he

0:21:09.000 --> 0:21:13.040
<v Speaker 1>was at that time. Yeah, and he was walking out

0:21:13.040 --> 0:21:15.080
<v Speaker 1>the best. But he said, my leg is killing me.

0:21:15.119 --> 0:21:16.800
<v Speaker 1>And I thought that was the funniest thing in the world.

0:21:16.800 --> 0:21:20.080
<v Speaker 1>And he said that I don't get he was limping,

0:21:20.119 --> 0:21:21.480
<v Speaker 1>something was wrong with his leg. And he goes, my

0:21:21.600 --> 0:21:24.720
<v Speaker 1>leg is killing me. Just sat killing Yeah, bad lads,

0:21:25.200 --> 0:21:27.159
<v Speaker 1>bad leg. But I just you know, you know what

0:21:27.200 --> 0:21:29.680
<v Speaker 1>it is. I don't go around like real killers, right,

0:21:30.359 --> 0:21:34.240
<v Speaker 1>and like this. It's always a certain instinct about exactly,

0:21:34.400 --> 0:21:36.879
<v Speaker 1>and he didn't have it exactly. He did not have it.

0:21:36.920 --> 0:21:39.040
<v Speaker 1>But I got to say the story about when we

0:21:39.080 --> 0:21:41.120
<v Speaker 1>met him at the concert. What he said, you gotta

0:21:41.119 --> 0:21:43.680
<v Speaker 1>tell the story, please. I feel like I feel like

0:21:43.800 --> 0:21:46.600
<v Speaker 1>you don't co sign like that you're talking about it.

0:21:46.680 --> 0:21:50.080
<v Speaker 1>So what concert? It was something? It was a radio station,

0:21:50.080 --> 0:21:52.280
<v Speaker 1>you know they do like summer jams and the concert

0:21:52.320 --> 0:21:54.680
<v Speaker 1>Fort Myers. So my record Labe would tell me, don't

0:21:54.760 --> 0:22:01.120
<v Speaker 1>stand next to old Jacks had posting it. He's it's

0:22:01.160 --> 0:22:04.600
<v Speaker 1>the oddest thing in the world. It's me host. Honestly,

0:22:04.800 --> 0:22:07.480
<v Speaker 1>this is crazy. So we're all backstage done with him

0:22:07.520 --> 0:22:10.920
<v Speaker 1>and his boys and his crew at that time. His

0:22:11.000 --> 0:22:16.800
<v Speaker 1>boys called murder Uni murder. Oh Jay comes back, and

0:22:17.320 --> 0:22:20.120
<v Speaker 1>then everybody's like, let's take a picture together. And there's

0:22:20.119 --> 0:22:23.520
<v Speaker 1>this infamous picture when when he snapping the shot, one

0:22:23.520 --> 0:22:31.119
<v Speaker 1>of his boys says, you Richard. He said, yeah, it

0:22:31.240 --> 0:22:43.040
<v Speaker 1>was all it was. So you clearly remember that I'm

0:22:43.080 --> 0:22:46.080
<v Speaker 1>making this. I thought it was me who said it's

0:22:46.520 --> 0:22:50.920
<v Speaker 1>I'm looking at him. Then this thing like oh hell yeah.

0:22:51.600 --> 0:22:55.199
<v Speaker 1>But I'm honestly I never thought yeah yeah. And this

0:22:55.240 --> 0:22:57.760
<v Speaker 1>is before Instagram. But we do gotta picture that the figure.

0:22:57.760 --> 0:22:59.080
<v Speaker 1>We don't have a picture of that moment, but we

0:22:59.160 --> 0:23:01.439
<v Speaker 1>gotta picture of that night. No, you have a picture

0:23:01.480 --> 0:23:10.280
<v Speaker 1>of when he said that, right, yeah, alright, but that

0:23:10.359 --> 0:23:12.840
<v Speaker 1>was awesome working on that because you from you from

0:23:12.880 --> 0:23:16.119
<v Speaker 1>that time, you live through that exactly. So is it

0:23:16.240 --> 0:23:18.880
<v Speaker 1>better for you to be passionate about the project. It's

0:23:18.960 --> 0:23:21.800
<v Speaker 1>much better for me to be like passionate about it

0:23:21.960 --> 0:23:25.200
<v Speaker 1>taking personal like you know, just feel it in my heart,

0:23:25.720 --> 0:23:28.200
<v Speaker 1>you know, And that's you know, that's what it's about.

0:23:28.480 --> 0:23:30.520
<v Speaker 1>Have you ever done something for the money? It was

0:23:30.560 --> 0:23:33.399
<v Speaker 1>just like this is just for the money, yeah, you know,

0:23:33.440 --> 0:23:35.080
<v Speaker 1>but it doesn't work out, like it doesn't work out

0:23:35.080 --> 0:23:37.719
<v Speaker 1>too well. Explain that to you. It's like it's just

0:23:37.760 --> 0:23:41.840
<v Speaker 1>you have to whenever you do something you know, artistic,

0:23:42.560 --> 0:23:44.520
<v Speaker 1>whether or not, even if you're getting paid for it,

0:23:44.520 --> 0:23:46.399
<v Speaker 1>it's better to do it for the passion of it,

0:23:46.440 --> 0:23:49.119
<v Speaker 1>for the heart of it. And she really feel it that,

0:23:49.320 --> 0:23:51.359
<v Speaker 1>you know. It's just you know, in your blood, like

0:23:51.400 --> 0:23:53.959
<v Speaker 1>you would do anything, you know, you kill somebody if

0:23:54.000 --> 0:23:55.600
<v Speaker 1>they funk with your ship, you know what I'm saying, Like,

0:23:55.640 --> 0:23:59.000
<v Speaker 1>you know, that's that's that's how I am about certain things,

0:23:59.080 --> 0:24:00.440
<v Speaker 1>you know what I mean when I'm doing or something,

0:24:00.840 --> 0:24:03.280
<v Speaker 1>you know, and not everybody's about that. People are just

0:24:03.359 --> 0:24:05.720
<v Speaker 1>you know, they're just going about the jobs and you know,

0:24:05.720 --> 0:24:08.479
<v Speaker 1>whatever it is for me, I'm like, I'm like Laser,

0:24:08.600 --> 0:24:12.160
<v Speaker 1>I'm like, I gotta get it, you know, I feel

0:24:12.200 --> 0:24:14.160
<v Speaker 1>like I feel like I just I mean, I mean,

0:24:14.400 --> 0:24:16.880
<v Speaker 1>you know, I know you for years, I know you

0:24:16.840 --> 0:24:21.520
<v Speaker 1>your real drinking years, right, But I feel like I

0:24:21.600 --> 0:24:24.800
<v Speaker 1>feel like that's what drives you. It's passionate first, and

0:24:24.920 --> 0:24:27.520
<v Speaker 1>you feel it in the world because you like, when

0:24:27.520 --> 0:24:30.320
<v Speaker 1>you're watching something, you feel it. You feel it passion.

0:24:30.560 --> 0:24:32.800
<v Speaker 1>That's why I can get people to do things that

0:24:32.880 --> 0:24:35.199
<v Speaker 1>they would they would do with me, but they wouldn't

0:24:35.200 --> 0:24:36.600
<v Speaker 1>do what other people. You know what I'm saying, Like,

0:24:36.600 --> 0:24:40.399
<v Speaker 1>you know, like scenes and baby boy everything, you know

0:24:40.440 --> 0:24:50.359
<v Speaker 1>what I mean. Like it's great, right, you already know

0:24:50.400 --> 0:24:52.760
<v Speaker 1>what the drink Chance is gonna be watching Sunday, June

0:24:53.520 --> 0:24:57.119
<v Speaker 1>at eight pm Eastern seven pm Central. BT Awards two

0:24:57.160 --> 0:25:00.000
<v Speaker 1>thousand seventeen is live hosted by no other than comedian

0:25:00.040 --> 0:25:02.480
<v Speaker 1>and Leslie Jones. You know, she doesn't give a damn

0:25:02.480 --> 0:25:05.240
<v Speaker 1>and once the cameras are on, she goes in plus

0:25:05.280 --> 0:25:09.160
<v Speaker 1>Bruno mars Me goes Future Trade songs to Mark Branxton,

0:25:09.480 --> 0:25:12.359
<v Speaker 1>Chance the Rapper and more, all taking the stage Sunday,

0:25:12.359 --> 0:25:15.679
<v Speaker 1>eight pm Eastern, seven pm Central, and the categories are

0:25:15.720 --> 0:25:18.000
<v Speaker 1>tighter than ever this year. You know, Remy Mas up

0:25:18.000 --> 0:25:21.280
<v Speaker 1>against Nicki Minaj in the Best Female Hip Hop Artist category.

0:25:21.440 --> 0:25:23.440
<v Speaker 1>And who's gonna take home the trophy for Artists of

0:25:23.440 --> 0:25:25.880
<v Speaker 1>the Year. Maybe j Cole, But you know that boy

0:25:25.960 --> 0:25:28.000
<v Speaker 1>Chance the rapper had the best year ever and he's

0:25:28.000 --> 0:25:31.280
<v Speaker 1>receiving the Humanitarian of the Year Award. Shout to him

0:25:31.280 --> 0:25:34.359
<v Speaker 1>in the Legends new edition for receiving Lifetime Achieving Award.

0:25:34.720 --> 0:25:37.360
<v Speaker 1>You know, the tribute performance is gonna be crazy. All

0:25:37.400 --> 0:25:39.960
<v Speaker 1>the fund starts with fashion and celebrity interviews on the

0:25:40.000 --> 0:25:43.000
<v Speaker 1>red carpet during the BT Awards pre show this Sunday

0:25:43.000 --> 0:25:44.720
<v Speaker 1>at six pm, and then we go right into the

0:25:44.720 --> 0:25:47.919
<v Speaker 1>awards at eight pm seven pm Central. Start posting with

0:25:47.920 --> 0:25:51.040
<v Speaker 1>the rest of the nation using the hashtag BT Awards

0:25:51.200 --> 0:25:55.760
<v Speaker 1>as you watch live. Welcome to play a new podcast

0:25:55.840 --> 0:26:00.840
<v Speaker 1>network featuring radio and TV personalities talking business, sports, entertainment

0:26:00.920 --> 0:26:05.359
<v Speaker 1>and more. Play It at play dot It. We're back

0:26:05.440 --> 0:26:09.000
<v Speaker 1>to Drink Champs Radio with Rapper and R and d J.

0:26:09.680 --> 0:26:16.879
<v Speaker 1>Then now, now, what was the moment in life that

0:26:16.960 --> 0:26:22.160
<v Speaker 1>you passed on um but you regret it? Like something

0:26:23.000 --> 0:26:26.000
<v Speaker 1>wasn't there passed him? Didn't you pass on the wire? Yeah?

0:26:26.040 --> 0:26:30.959
<v Speaker 1>I passed. I just didn't think like doing the whole thing. No, No,

0:26:31.040 --> 0:26:33.080
<v Speaker 1>the first season, I didn't. I didn't know it was

0:26:33.080 --> 0:26:35.480
<v Speaker 1>gonna be what it was, but it was. By the

0:26:35.520 --> 0:26:37.439
<v Speaker 1>time it got into this like thirst season, I was like,

0:26:37.440 --> 0:26:40.240
<v Speaker 1>wait a minute, because corners corners came before and corners

0:26:40.359 --> 0:26:43.120
<v Speaker 1>it wasn't that great. Corners is all right, but it wasn't.

0:26:43.160 --> 0:26:46.159
<v Speaker 1>But the wire, it wasn't that why it was. The

0:26:46.200 --> 0:26:48.280
<v Speaker 1>wire was lit, you know what I mean? It was lit.

0:26:48.359 --> 0:26:51.680
<v Speaker 1>It was so lit. It was like I really, yeah

0:26:51.720 --> 0:26:54.800
<v Speaker 1>it did. So who you get the call for the wires?

0:26:54.960 --> 0:26:57.600
<v Speaker 1>HPO or the agent called me. I was like, I'm

0:26:57.600 --> 0:27:01.320
<v Speaker 1>not gonna do that. I was like, is that the

0:27:01.320 --> 0:27:03.240
<v Speaker 1>only thing you ever passed on? You regret it? Or

0:27:03.359 --> 0:27:05.280
<v Speaker 1>the only thing I can remember right now? You know?

0:27:05.920 --> 0:27:13.359
<v Speaker 1>You know, now, is there anything that like, uh, you

0:27:13.840 --> 0:27:18.440
<v Speaker 1>have set out to do? You did it and then

0:27:18.560 --> 0:27:21.520
<v Speaker 1>you was disappointed in the outcome? No, not at all.

0:27:21.640 --> 0:27:23.040
<v Speaker 1>I mean, like, you know, I think of my work

0:27:28.600 --> 0:27:33.280
<v Speaker 1>that thousand right now, you know, so you know, I'm

0:27:33.320 --> 0:27:37.600
<v Speaker 1>still still hitting it really hard, you know, I'm I'm

0:27:37.640 --> 0:27:40.160
<v Speaker 1>gonna do you know, some my TV and up tell

0:27:40.240 --> 0:27:43.000
<v Speaker 1>and do some of my movies. But everything I do

0:27:43.160 --> 0:27:46.240
<v Speaker 1>is gonna be real passionate and hitting it really really hard.

0:27:46.480 --> 0:27:48.639
<v Speaker 1>Now what do you like better? Though? I know you're

0:27:48.720 --> 0:27:51.520
<v Speaker 1>you're doing the same thing TV, TV or the same

0:27:51.560 --> 0:27:53.320
<v Speaker 1>thing and it's the same thing. It's the same thing

0:27:53.359 --> 0:27:54.840
<v Speaker 1>to me. It's the same thing to me. You watch

0:27:54.920 --> 0:27:57.919
<v Speaker 1>anything that I produced on TV, it looks, you know,

0:27:58.040 --> 0:28:01.520
<v Speaker 1>like one of my any less or more work. No, no, now,

0:28:01.560 --> 0:28:05.000
<v Speaker 1>we got Rebel on BT correctly, and you gotta permit

0:28:05.040 --> 0:28:09.000
<v Speaker 1>for Rebel tonight. Yeah, an that episode today? Okay? And

0:28:09.200 --> 0:28:12.720
<v Speaker 1>what is this act? So people couldn't oh this is private?

0:28:13.160 --> 0:28:16.760
<v Speaker 1>What what the Rebel premiere tonight? Oh no, no, in

0:28:16.800 --> 0:28:18.480
<v Speaker 1>the night? This it's not in the night. But you

0:28:18.480 --> 0:28:21.560
<v Speaker 1>know you said you do it every week before the joints,

0:28:21.560 --> 0:28:23.080
<v Speaker 1>so we would like to go, oh yeah, we just

0:28:23.080 --> 0:28:25.720
<v Speaker 1>have a little thing in sin Lounge in the in

0:28:25.760 --> 0:28:30.600
<v Speaker 1>the valley in San Fernando Valley. It's like bab um

0:28:30.760 --> 0:28:33.159
<v Speaker 1>So on the Lancashire. You know, it's a little spot.

0:28:34.160 --> 0:28:37.640
<v Speaker 1>So what's the next thing for black media? Like, okay,

0:28:37.960 --> 0:28:41.000
<v Speaker 1>Birth of the Nation came out, It didn't work right,

0:28:41.160 --> 0:28:44.800
<v Speaker 1>because it felt like it was. It worked. It just

0:28:44.840 --> 0:28:48.040
<v Speaker 1>got squashed, it got it got squashed. So what's the

0:28:48.240 --> 0:28:50.840
<v Speaker 1>movie got squashed because they didn't want that movie to

0:28:50.920 --> 0:28:53.320
<v Speaker 1>come out? You know, you know with the Black Lives

0:28:53.320 --> 0:28:55.920
<v Speaker 1>Matter stuff and all stuff, they that movie. They squashed

0:28:55.960 --> 0:28:58.920
<v Speaker 1>that movie. You know what I mean. That's the real time.

0:28:58.960 --> 0:29:01.040
<v Speaker 1>It's very true. That's talk that squash the movie. And

0:29:01.360 --> 0:29:03.840
<v Speaker 1>and black people are kind of like, you know, they

0:29:03.880 --> 0:29:06.000
<v Speaker 1>have a completit of squashing that movie. But as a

0:29:06.040 --> 0:29:10.520
<v Speaker 1>movie director, was the movie? Uh? Good? Period? The movie

0:29:10.640 --> 0:29:12.120
<v Speaker 1>was good. It was good movie. It was good. It's

0:29:12.120 --> 0:29:14.400
<v Speaker 1>a good movies good. Okay, you see the movies. I

0:29:14.440 --> 0:29:18.000
<v Speaker 1>didn't know you see the movie. I've been running around.

0:29:18.920 --> 0:29:20.880
<v Speaker 1>I've been running around. I ain't see my old movie.

0:29:20.880 --> 0:29:26.080
<v Speaker 1>I can do my old movie right now. But listen, man, um,

0:29:26.160 --> 0:29:29.520
<v Speaker 1>we need more directors like you, right. We need more

0:29:29.560 --> 0:29:32.440
<v Speaker 1>people who are passionate and they work. So so if

0:29:32.440 --> 0:29:35.560
<v Speaker 1>a person is listening to this podcast and they that's

0:29:35.640 --> 0:29:40.040
<v Speaker 1>their goals, that's there there there, that's the that's what

0:29:40.120 --> 0:29:42.760
<v Speaker 1>they want to achieve, how do you get started? Because

0:29:42.800 --> 0:29:46.600
<v Speaker 1>now these kids can just buy the equipment. Like when

0:29:46.640 --> 0:29:49.640
<v Speaker 1>you started, that was you had to be almost rich

0:29:49.760 --> 0:29:52.360
<v Speaker 1>to get cameras. Yeah, but you have to you have

0:29:52.440 --> 0:29:54.760
<v Speaker 1>to look at to do it really really well, you

0:29:54.800 --> 0:29:56.720
<v Speaker 1>have to study it. You have to study what came

0:29:56.800 --> 0:30:01.959
<v Speaker 1>before and in the style and tone, um you know,

0:30:02.120 --> 0:30:04.440
<v Speaker 1>and and theme and you have to like be round

0:30:04.480 --> 0:30:08.160
<v Speaker 1>read about how story story you know people, you know,

0:30:08.160 --> 0:30:12.120
<v Speaker 1>how stories to propagate universally, you know what I mean, um,

0:30:12.160 --> 0:30:14.960
<v Speaker 1>in different languages and stuff, right, And that's what you know.

0:30:15.000 --> 0:30:18.040
<v Speaker 1>That's what made me do what I create and create

0:30:18.120 --> 0:30:20.080
<v Speaker 1>and then and then you create your style when you

0:30:20.120 --> 0:30:23.160
<v Speaker 1>went to film school though, Yeah, but before film school

0:30:23.160 --> 0:30:25.000
<v Speaker 1>I was doing all that. And even after film school,

0:30:25.040 --> 0:30:27.840
<v Speaker 1>I kept learning. I'm learning all the time, you know.

0:30:27.920 --> 0:30:30.720
<v Speaker 1>So if a younger record director is sitting out there

0:30:31.120 --> 0:30:33.360
<v Speaker 1>and they feel like they're creative, they feel like they

0:30:33.360 --> 0:30:36.040
<v Speaker 1>can write, what's the first step you suggest for the

0:30:36.920 --> 0:30:40.720
<v Speaker 1>UH to watch all movies and watch movies from around

0:30:40.720 --> 0:30:43.880
<v Speaker 1>the world, hard, hard far back. You think they should

0:30:43.880 --> 0:30:47.080
<v Speaker 1>watch movies to the beginning of cinema, to the beginning

0:30:47.160 --> 0:30:49.160
<v Speaker 1>of the moving picture. You have to you have to

0:30:49.160 --> 0:30:52.600
<v Speaker 1>study it. Be a student of the game. Student of

0:30:52.640 --> 0:30:56.960
<v Speaker 1>the game. Now now you you rolled off all colors?

0:30:58.400 --> 0:31:03.239
<v Speaker 1>Is American meat really authentic. That was a great I mean,

0:31:03.280 --> 0:31:08.080
<v Speaker 1>I'm not saying that because I'm not good. How about

0:31:08.120 --> 0:31:15.520
<v Speaker 1>blood and blood out? That was the color? Were doing

0:31:15.520 --> 0:31:17.400
<v Speaker 1>another shot. I don't let me doing those. Come on,

0:31:17.880 --> 0:31:20.040
<v Speaker 1>you gotta do. You're gonna to a party. You're on

0:31:20.080 --> 0:31:22.560
<v Speaker 1>your way to you so rich man were here, you

0:31:22.560 --> 0:31:26.280
<v Speaker 1>got yacht to all type of things, and you know

0:31:26.360 --> 0:31:29.000
<v Speaker 1>what your humble god, but almost I'm a brag for

0:31:30.480 --> 0:31:33.960
<v Speaker 1>brag for you backdam I'm brack for you man. You

0:31:33.960 --> 0:31:35.640
<v Speaker 1>know what I mean. We're gonna listen. I don't know

0:31:35.680 --> 0:31:37.520
<v Speaker 1>if you know what our show was about. Giving all

0:31:37.640 --> 0:31:41.000
<v Speaker 1>legends flowers when they can smell them, and treats when

0:31:41.040 --> 0:31:44.240
<v Speaker 1>they get in hell them because our our society so

0:31:44.360 --> 0:31:47.120
<v Speaker 1>much praise as a person after they die, and I

0:31:47.120 --> 0:31:50.200
<v Speaker 1>feel like that is so backwards. Yeah, I should be

0:31:50.280 --> 0:31:52.360
<v Speaker 1>able to tell you how much I appreciate you right

0:31:52.400 --> 0:31:55.440
<v Speaker 1>here and face to face man and man, as opposed

0:31:55.480 --> 0:31:57.440
<v Speaker 1>to waiting for you to pass away and then be like, yeah,

0:31:57.440 --> 0:31:59.200
<v Speaker 1>he's a great guy, me and him party they get

0:31:59.280 --> 0:32:01.600
<v Speaker 1>back in the day. I should say that now, like

0:32:01.840 --> 0:32:03.920
<v Speaker 1>you know what I'm saying, like, and I actually learned

0:32:03.960 --> 0:32:07.120
<v Speaker 1>that through Dave Chappelle. You know when the way it

0:32:07.200 --> 0:32:09.880
<v Speaker 1>was print and it was like he started praising Prince

0:32:10.240 --> 0:32:12.240
<v Speaker 1>while Prince was alive. And it's just like, that's what

0:32:12.360 --> 0:32:14.480
<v Speaker 1>we got to continue to do. And that's not just

0:32:14.520 --> 0:32:17.400
<v Speaker 1>as a culture, that's as as people, like as human

0:32:17.440 --> 0:32:20.720
<v Speaker 1>human beings. As human beings, we gotta start praising our people.

0:32:20.760 --> 0:32:23.080
<v Speaker 1>Why are they're here? So with that being said, how

0:32:23.160 --> 0:32:27.360
<v Speaker 1>wasn't working with Janet Jackson penny? You know, come on,

0:32:27.520 --> 0:32:29.600
<v Speaker 1>it's beautiful. It was jerked off the penny a lot.

0:32:30.840 --> 0:32:32.520
<v Speaker 1>Throw that out there. It was good. I don't know

0:32:33.880 --> 0:32:36.480
<v Speaker 1>that's serious. The whole age thing. No, that was not serious.

0:32:36.480 --> 0:32:38.120
<v Speaker 1>That was a joke that we was having on the set.

0:32:38.160 --> 0:32:42.640
<v Speaker 1>Because the real talk is Tupac was attracted de Jana.

0:32:42.800 --> 0:32:48.120
<v Speaker 1>I was attracted de Jana. The world was. We're in

0:32:48.160 --> 0:32:52.560
<v Speaker 1>the set, we're both trying to like, you know, floodwater

0:32:52.640 --> 0:32:55.000
<v Speaker 1>and stuff, and I'm like, you know what, I don't know,

0:32:55.040 --> 0:32:57.080
<v Speaker 1>if you know, I should have you kissing on my

0:32:57.400 --> 0:33:00.480
<v Speaker 1>actress because you know, you've been fucking around all this ship.

0:33:00.520 --> 0:33:03.240
<v Speaker 1>You know, Pop was just coming to his own then, right,

0:33:03.600 --> 0:33:05.920
<v Speaker 1>And I was like, man, that was like, yeah, you

0:33:05.920 --> 0:33:07.360
<v Speaker 1>know what you're gonna have to do an as test

0:33:07.400 --> 0:33:09.080
<v Speaker 1>for y'all do this left scene. It was a joke,

0:33:09.120 --> 0:33:13.080
<v Speaker 1>but he said, no, no, you know it's me saw

0:33:13.160 --> 0:33:15.880
<v Speaker 1>not my nigger on the side right before, just like

0:33:16.280 --> 0:33:18.960
<v Speaker 1>talking sh and then we're like, oh, ship, we should

0:33:19.000 --> 0:33:21.040
<v Speaker 1>we should we should use this, we should put this

0:33:21.080 --> 0:33:23.560
<v Speaker 1>out there. So that's what we did as a publicity thing.

0:33:23.560 --> 0:33:26.520
<v Speaker 1>As a publicity thing, we just did that shot. But

0:33:26.560 --> 0:33:29.680
<v Speaker 1>it's just like us talking about Twitter got mad at

0:33:30.040 --> 0:33:32.440
<v Speaker 1>Jackson about it, but it was just us talking on

0:33:32.480 --> 0:33:34.440
<v Speaker 1>the ship, on the set and everything this and you know,

0:33:34.520 --> 0:33:37.040
<v Speaker 1>it was an inside Joe. That's when it works. Now,

0:33:37.160 --> 0:33:39.640
<v Speaker 1>not only did you get to work with Janet Jackson,

0:33:40.680 --> 0:33:44.080
<v Speaker 1>you got to work with the big man, Mike Jackson.

0:33:44.560 --> 0:33:46.240
<v Speaker 1>Did he have a glove one when you met him. No,

0:33:46.320 --> 0:33:48.240
<v Speaker 1>he didn't have a guy. He's where he wore the

0:33:48.280 --> 0:33:51.920
<v Speaker 1>old like a lot and he did. He did. It's

0:33:51.920 --> 0:33:54.520
<v Speaker 1>a crazy because in his in his problem was you

0:33:54.560 --> 0:33:57.360
<v Speaker 1>see it Michael on camera and stuff. He didn't talk

0:33:57.400 --> 0:34:00.160
<v Speaker 1>the way that he talks, you know, and you say

0:34:00.200 --> 0:34:02.960
<v Speaker 1>that like Mike was a nigger, like mich was like

0:34:04.080 --> 0:34:09.400
<v Speaker 1>different difference every tune and everything that. Yeah, you know,

0:34:09.480 --> 0:34:12.560
<v Speaker 1>I'm just saying that just that was a petition that

0:34:12.600 --> 0:34:14.440
<v Speaker 1>he put on for the cameras. He didn't he wouldn't

0:34:14.440 --> 0:34:15.799
<v Speaker 1>talk about it. He was just a brother. He was

0:34:15.880 --> 0:34:18.640
<v Speaker 1>a different every different to me and everything. It's just like,

0:34:18.680 --> 0:34:21.120
<v Speaker 1>you know, he's just like hey, you know. And he

0:34:21.160 --> 0:34:23.680
<v Speaker 1>was really despite what he you know, he ended up

0:34:23.680 --> 0:34:27.359
<v Speaker 1>doing to his face and his skin got lighter and everything.

0:34:27.680 --> 0:34:29.720
<v Speaker 1>He was a real brother man. It was really about

0:34:30.160 --> 0:34:34.319
<v Speaker 1>black people because I heard that video. He actually that

0:34:34.440 --> 0:34:38.440
<v Speaker 1>was after Magic actually announced and he wanted to do

0:34:38.560 --> 0:34:41.960
<v Speaker 1>something and Mike wanted Mike wanted Magic in the video.

0:34:42.000 --> 0:34:43.680
<v Speaker 1>He said, you know, caling Magic, Let's get him in

0:34:43.680 --> 0:34:46.799
<v Speaker 1>the video. Remember the time, remember the time. I hate

0:34:46.800 --> 0:34:53.560
<v Speaker 1>that ship in my head, right, I ain't gonna lie.

0:34:53.560 --> 0:34:55.640
<v Speaker 1>I couldn't have met Michael Jackson. I would have like

0:34:55.880 --> 0:34:57.520
<v Speaker 1>I would have gave him. I would gave him on

0:34:57.560 --> 0:35:02.880
<v Speaker 1>fire too hard games a great oh not Nature gave

0:35:02.960 --> 0:35:08.440
<v Speaker 1>us the crazy Michael Jackson. But so how was it?

0:35:08.480 --> 0:35:11.799
<v Speaker 1>Was he a pure genius? Like was he everything? He was?

0:35:12.000 --> 0:35:14.400
<v Speaker 1>His damn their genius? I mean Dan Mar genius. I

0:35:14.400 --> 0:35:17.319
<v Speaker 1>mean like you know the things that that that he

0:35:17.400 --> 0:35:20.600
<v Speaker 1>did and that he uh and that he wanted to

0:35:20.640 --> 0:35:26.480
<v Speaker 1>do and stuff, you know, like unprecedented in this business.

0:35:26.520 --> 0:35:31.479
<v Speaker 1>Have you ever been um starstruck? Yeah? Who, I gotta

0:35:31.520 --> 0:35:33.480
<v Speaker 1>hear this. I mean, I've only been star shot two

0:35:33.520 --> 0:35:35.520
<v Speaker 1>times in my whole career. I need to hear both.

0:35:36.080 --> 0:35:39.680
<v Speaker 1>Let's go for it. The first was meeting Steven Spielberg

0:35:40.960 --> 0:35:44.000
<v Speaker 1>because it's like, you know, as a kid going up,

0:35:44.239 --> 0:35:47.560
<v Speaker 1>you know, like he was, you know, the the young

0:35:47.760 --> 0:35:51.000
<v Speaker 1>person that went on to make movies at an early age,

0:35:51.560 --> 0:35:54.680
<v Speaker 1>and I wanted to be like that. Um, just nervous

0:35:54.719 --> 0:35:56.879
<v Speaker 1>to you know, I saw him and that it was

0:35:56.920 --> 0:35:59.600
<v Speaker 1>as soon as I saw him and we met, just

0:36:00.080 --> 0:36:02.960
<v Speaker 1>was like it was like, um, you know it was.

0:36:03.000 --> 0:36:04.920
<v Speaker 1>It was as great you know, he's like the golfather

0:36:05.280 --> 0:36:10.040
<v Speaker 1>godfather filmmaking and filmmaker. The second was what your prior

0:36:12.120 --> 0:36:15.680
<v Speaker 1>rich Probor. I remember was prior at the comedy store.

0:36:16.080 --> 0:36:17.600
<v Speaker 1>I was. I used to hang out the comp store.

0:36:17.719 --> 0:36:19.640
<v Speaker 1>As soon as you tell you char prior, I thought,

0:36:19.640 --> 0:36:22.680
<v Speaker 1>the comedy store and so uh. And it's funny because

0:36:22.760 --> 0:36:24.880
<v Speaker 1>Richard probably was hanging out with opportuna comedy club was

0:36:25.400 --> 0:36:32.280
<v Speaker 1>Hollywood this with Alpat Richard probably saying that with Opportuno

0:36:32.560 --> 0:36:37.960
<v Speaker 1>and I can't even your life is dope and I'm like,

0:36:38.040 --> 0:36:39.680
<v Speaker 1>let's throw that out there. I don't even look at

0:36:39.680 --> 0:36:43.879
<v Speaker 1>opportune and I'm looking at much private. But Richard used

0:36:43.880 --> 0:36:45.840
<v Speaker 1>to have this do that work for him. Um it

0:36:45.920 --> 0:36:49.680
<v Speaker 1>came over to me, um and and he said, uh,

0:36:49.920 --> 0:36:53.160
<v Speaker 1>you know, uh, Richard would like to say hello, J

0:36:53.800 --> 0:36:56.399
<v Speaker 1>And I walked across to him and Richard was kind

0:36:56.400 --> 0:36:58.400
<v Speaker 1>of frail. Here the ms was getting him. But it

0:36:58.440 --> 0:37:00.799
<v Speaker 1>wasn't as bad. It wasn't wheelchair. Yeah, it wasn't built

0:37:00.800 --> 0:37:04.279
<v Speaker 1>your both and he just said, uh uh, you young

0:37:04.360 --> 0:37:06.279
<v Speaker 1>man that made that movie poison the hood just came

0:37:06.280 --> 0:37:08.479
<v Speaker 1>out and I said, yes, sir, I am. And mind

0:37:08.520 --> 0:37:11.600
<v Speaker 1>you because you're like me. You listen to every rich

0:37:11.680 --> 0:37:21.880
<v Speaker 1>pe Mama had s birth curse. He said, are you

0:37:21.920 --> 0:37:24.680
<v Speaker 1>the man that mad the movie? I said, yes, sir, yeah,

0:37:24.719 --> 0:37:27.000
<v Speaker 1>and he goes against me a hut niger. I just

0:37:27.080 --> 0:37:30.480
<v Speaker 1>cried on the shoulder I saw, I said, because because

0:37:30.920 --> 0:37:33.239
<v Speaker 1>this is a man. And then after that we became friends.

0:37:33.280 --> 0:37:34.640
<v Speaker 1>I used to go up to his house and he

0:37:34.680 --> 0:37:36.719
<v Speaker 1>said he'd be sitting up in the bed. He had

0:37:36.719 --> 0:37:39.400
<v Speaker 1>a gun right by the side of his bed. This

0:37:39.560 --> 0:37:43.160
<v Speaker 1>mother had a gun right next to and every comedian

0:37:43.280 --> 0:37:46.520
<v Speaker 1>Wayne's brothers, whoever it was, he pulled guns out. No, No,

0:37:47.520 --> 0:37:50.880
<v Speaker 1>these people would come through. They would come through every

0:37:50.960 --> 0:37:54.600
<v Speaker 1>day to pay homashed Richard. And this before he really

0:37:54.600 --> 0:37:57.319
<v Speaker 1>got sick. So it's like, you know, we were just

0:37:58.200 --> 0:37:59.840
<v Speaker 1>he was on his way to being sick. That's what

0:38:00.040 --> 0:38:02.080
<v Speaker 1>was coming. He was sick, but he was coming to

0:38:02.080 --> 0:38:04.200
<v Speaker 1>pay homages. Just to pay hommy. They were they know

0:38:04.200 --> 0:38:06.960
<v Speaker 1>there was coming pan house, because you just want to

0:38:07.000 --> 0:38:08.279
<v Speaker 1>be around with you probably if you want to be

0:38:08.280 --> 0:38:10.680
<v Speaker 1>a comedian, you want to be around with your pride,

0:38:11.200 --> 0:38:13.640
<v Speaker 1>and so um, we were just sitting chop it up

0:38:13.680 --> 0:38:15.719
<v Speaker 1>and he was just you know, it was just tell me,

0:38:16.120 --> 0:38:20.080
<v Speaker 1>how about other business? How about that movie? You should

0:38:20.080 --> 0:38:23.719
<v Speaker 1>be a part of that movie. I can't do them all, man.

0:38:25.719 --> 0:38:28.479
<v Speaker 1>I would love to. I would love to, yeah, because yeah,

0:38:28.560 --> 0:38:32.640
<v Speaker 1>he was. He was ultimate storyteller. And I still take

0:38:32.680 --> 0:38:35.279
<v Speaker 1>a lot from him as a storyteller in terms of

0:38:35.800 --> 0:38:39.480
<v Speaker 1>the way that he with Ben. Stuff been lines and

0:38:39.520 --> 0:38:42.120
<v Speaker 1>he would just you know, he was the he was

0:38:42.400 --> 0:38:44.920
<v Speaker 1>the storyteller the streets. If you think about all the

0:38:44.920 --> 0:38:48.040
<v Speaker 1>stuff that Joseph you listened to him, they were really

0:38:48.160 --> 0:38:52.719
<v Speaker 1>sad stories, some of them. Don exactly. He was like

0:38:52.800 --> 0:38:54.839
<v Speaker 1>Don going to the Pemper comedy, so people knew how

0:38:54.880 --> 0:38:57.160
<v Speaker 1>to do that. So I so when I take a

0:38:57.200 --> 0:38:59.879
<v Speaker 1>lot from him in terms of like when I when

0:38:59.880 --> 0:39:02.680
<v Speaker 1>I tell a story, I just toestuff that maybe a

0:39:02.760 --> 0:39:06.640
<v Speaker 1>little sad but funny, funny but sad, you know what

0:39:06.640 --> 0:39:09.520
<v Speaker 1>I'm saying, because that's what life is. Life. It's not

0:39:09.680 --> 0:39:11.120
<v Speaker 1>just one thing, you know what I mean. We go

0:39:11.160 --> 0:39:13.600
<v Speaker 1>to movies and say, oh, that's just a comedy. That

0:39:13.640 --> 0:39:15.640
<v Speaker 1>movie is just a serious movie. When you watch one

0:39:15.680 --> 0:39:18.279
<v Speaker 1>of my movies, it's it's a reflection of life. So

0:39:18.400 --> 0:39:22.279
<v Speaker 1>I mean Richard, Richard is an ultimate storyteller. To me,

0:39:23.239 --> 0:39:28.040
<v Speaker 1>what we ever have uh dope error like that? Again,

0:39:28.120 --> 0:39:31.239
<v Speaker 1>like the nineties cinema, would that ever be turn a

0:39:31.239 --> 0:39:33.040
<v Speaker 1>different way? I think we had a different way. I

0:39:33.040 --> 0:39:36.040
<v Speaker 1>think we're having a different way. I think the as

0:39:36.080 --> 0:39:39.680
<v Speaker 1>own as has been more voices that are really uncut,

0:39:39.880 --> 0:39:44.800
<v Speaker 1>impure and just like you know, not afraid to maybe

0:39:44.800 --> 0:39:47.440
<v Speaker 1>necessary offend some people, you know what I mean, Like

0:39:47.480 --> 0:39:49.719
<v Speaker 1>you know that's what it's about. It's not you know,

0:39:49.760 --> 0:39:51.600
<v Speaker 1>I don't think people push it as far as they

0:39:51.640 --> 0:39:54.680
<v Speaker 1>could push it in terms of uh of any anything.

0:39:55.400 --> 0:39:58.440
<v Speaker 1>You know. Now, it was Empire, like your first TV

0:39:58.600 --> 0:40:00.799
<v Speaker 1>That wasn't your first TV it was. It was my

0:40:00.800 --> 0:40:04.680
<v Speaker 1>first TV show directing on Yeah, what did you work

0:40:04.719 --> 0:40:07.000
<v Speaker 1>on TV before prior to part? I mean I was

0:40:07.560 --> 0:40:09.799
<v Speaker 1>on TV shows, but I never directed. That's the first

0:40:09.800 --> 0:40:12.439
<v Speaker 1>one I worked on. But you know that came about

0:40:12.440 --> 0:40:15.759
<v Speaker 1>because you know, without Empire, that without me, that would

0:40:15.760 --> 0:40:22.120
<v Speaker 1>be not st get real talk Okay, because Hustle and

0:40:22.200 --> 0:40:27.200
<v Speaker 1>Flow Yeah you you invested in herself. Flow paid said

0:40:27.239 --> 0:40:31.120
<v Speaker 1>for the whole movie. Yeah wow, so that was Lee Daniels. No, no,

0:40:31.239 --> 0:40:36.439
<v Speaker 1>I supposed me what was supposed produced some Flow Okay, okay, okay, okay,

0:40:36.520 --> 0:40:39.680
<v Speaker 1>but Lee funded from them get the whole whole thing.

0:40:40.200 --> 0:40:42.440
<v Speaker 1>So what does Lee Daniels had to do with nothing?

0:40:42.480 --> 0:40:46.160
<v Speaker 1>He had not He made He made Empire. Oh, Terence,

0:40:48.239 --> 0:40:50.600
<v Speaker 1>you got my veterans from Horse and Flow to do

0:40:50.640 --> 0:40:54.680
<v Speaker 1>a TV show. Oh that's with the relationship, you know.

0:40:54.719 --> 0:40:57.920
<v Speaker 1>But we are brothers. You know that. It's beautiful to

0:40:57.920 --> 0:41:00.600
<v Speaker 1>see us win and celebrate us winning, all of us

0:41:00.640 --> 0:41:03.120
<v Speaker 1>as people. It's just it's about time. That of the

0:41:03.120 --> 0:41:05.000
<v Speaker 1>show is about man, The show ain't about you know.

0:41:05.040 --> 0:41:08.040
<v Speaker 1>You go on certain you know, internet shows and you

0:41:08.040 --> 0:41:11.320
<v Speaker 1>can see negative ship we just celebrate all people. We drink,

0:41:11.320 --> 0:41:13.919
<v Speaker 1>we smoke. I was about to ask you you're gonna smoke,

0:41:14.040 --> 0:41:16.680
<v Speaker 1>but I feel like you've got sponsors. No, I don't

0:41:16.680 --> 0:41:26.480
<v Speaker 1>know sponsors if I want to, but I want to.

0:41:27.080 --> 0:41:31.000
<v Speaker 1>I don't want you to get my friend. You take it,

0:41:31.040 --> 0:41:33.200
<v Speaker 1>You're take it. Take it man like. I just want

0:41:33.200 --> 0:41:36.279
<v Speaker 1>to thank you man for um for being a part

0:41:36.280 --> 0:41:38.680
<v Speaker 1>of this. You know, this is just just like again,

0:41:38.719 --> 0:41:41.840
<v Speaker 1>we want to continue to celebrate our culture, our lifestyle,

0:41:42.120 --> 0:41:44.480
<v Speaker 1>all ways of life and just continue to get back

0:41:44.520 --> 0:41:47.120
<v Speaker 1>to the community and just have fun doing it. It's

0:41:47.160 --> 0:41:49.640
<v Speaker 1>so much you know, dumb ship happened in the world.

0:41:49.680 --> 0:41:52.040
<v Speaker 1>When people turn on the news and you get sad,

0:41:52.280 --> 0:41:54.640
<v Speaker 1>I would rather they turn on this and get happy,

0:41:54.880 --> 0:41:56.600
<v Speaker 1>happy yond they you know what I'm saying, You're gonna

0:41:56.640 --> 0:42:00.600
<v Speaker 1>put me in the movie or somethinghere, gona like anything.

0:42:00.640 --> 0:42:06.680
<v Speaker 1>I'm whatever I've been. I've been trying to get one

0:42:06.719 --> 0:42:11.600
<v Speaker 1>of the first year he's my friend. I'm like, I'm talking,

0:42:11.920 --> 0:42:14.640
<v Speaker 1>I gotta get in one one Like it's just it's

0:42:15.160 --> 0:42:19.719
<v Speaker 1>it's that you called I MB, M, D D. You

0:42:19.760 --> 0:42:23.080
<v Speaker 1>know I'm foul, Hollywood. I need the I, M, B

0:42:23.160 --> 0:42:26.600
<v Speaker 1>and D and B. No I need more than my list.

0:42:27.080 --> 0:42:29.440
<v Speaker 1>I'm good. I want to do East Coast movies. I

0:42:29.480 --> 0:42:32.680
<v Speaker 1>want to try to play a West Coast crib movie

0:42:32.680 --> 0:42:35.880
<v Speaker 1>on the West Coast. I did The hard Heart, the

0:42:35.920 --> 0:42:38.799
<v Speaker 1>one don't you ever watching? It's called seven? Oh did

0:42:38.840 --> 0:42:42.640
<v Speaker 1>I just say? And I played the Black Guy died

0:42:42.680 --> 0:42:49.720
<v Speaker 1>as soon as you chop my head off, I fucking

0:42:49.880 --> 0:42:56.960
<v Speaker 1>chop my head off. That's that's so black. That's a

0:42:57.000 --> 0:43:00.839
<v Speaker 1>horrid movie. We don't lask a horror movies in real life.

0:43:00.880 --> 0:43:04.279
<v Speaker 1>I think I would survive hard, Like if you put

0:43:04.280 --> 0:43:06.520
<v Speaker 1>me in some scary shot, like you know what, I

0:43:06.680 --> 0:43:08.680
<v Speaker 1>rably get shot at though that's a hard movie to me.

0:43:09.160 --> 0:43:11.799
<v Speaker 1>I rably get shot at. And then a snake chase me, like,

0:43:12.080 --> 0:43:15.240
<v Speaker 1>I gotta I got no experience in the snake chase,

0:43:15.400 --> 0:43:19.279
<v Speaker 1>Like I've got got that before, no good behind the call,

0:43:20.000 --> 0:43:24.879
<v Speaker 1>wait all your gold like, but now for snake chase me.

0:43:25.719 --> 0:43:28.440
<v Speaker 1>That's not my element, Like I'm gonna just be like,

0:43:28.480 --> 0:43:31.520
<v Speaker 1>wait a minute, hold, well, I'm getting bit. I'm dying.

0:43:31.960 --> 0:43:33.759
<v Speaker 1>If a snake hit me, I'm dying. I got no

0:43:33.880 --> 0:43:37.800
<v Speaker 1>experience with that. We got we gotta make real reality shows.

0:43:37.840 --> 0:43:39.960
<v Speaker 1>You know what they've got fair factor. You gotta mean

0:43:40.000 --> 0:43:46.400
<v Speaker 1>like hood factor, like fiery shot at some hood? Second,

0:43:46.440 --> 0:43:49.080
<v Speaker 1>what good if you shot at what's the internet? Don't

0:43:50.000 --> 0:43:52.000
<v Speaker 1>you're able to give me someone put me on to this.

0:43:52.680 --> 0:43:56.799
<v Speaker 1>It's a little suspect put it's something where they do

0:43:56.880 --> 0:43:59.839
<v Speaker 1>goes chasing and it's it's a little crazy, little straight

0:44:00.120 --> 0:44:03.480
<v Speaker 1>Now that we don't have those TV we got those services.

0:44:03.680 --> 0:44:06.960
<v Speaker 1>Ghost is in the hood. We got we gotta wander

0:44:07.080 --> 0:44:09.080
<v Speaker 1>that wakes up every day and say that's good morning.

0:44:10.440 --> 0:44:13.399
<v Speaker 1>That ship is an experience, you know what I'm saying.

0:44:13.440 --> 0:44:16.160
<v Speaker 1>Like every every hood's got a crazy person, right like

0:44:16.320 --> 0:44:20.560
<v Speaker 1>every hood has a crazy person. It's the characters that

0:44:20.640 --> 0:44:23.480
<v Speaker 1>you write as they based on real characters to tell

0:44:23.480 --> 0:44:26.480
<v Speaker 1>a lot of them, especially the hood one. Yeah, exactly,

0:44:26.520 --> 0:44:28.040
<v Speaker 1>there's some of the characters in the hood. You know,

0:44:28.200 --> 0:44:31.279
<v Speaker 1>you're right, there's always a neighborhood characrazy person. There's always

0:44:31.080 --> 0:44:34.080
<v Speaker 1>and everybody deals with they're crazy like they were like,

0:44:34.160 --> 0:44:38.600
<v Speaker 1>yeah that's that she does like and stuff maybe one

0:44:38.719 --> 0:44:41.560
<v Speaker 1>and then maybe on Sundays they're not crazy And I

0:44:41.600 --> 0:44:43.439
<v Speaker 1>don't feel like they're crazy to day, like I don't

0:44:43.600 --> 0:44:46.040
<v Speaker 1>you know, and they don't the best advice and you

0:44:46.040 --> 0:44:50.160
<v Speaker 1>don't listen to Yo, John John Man. I can't thank

0:44:50.200 --> 0:44:52.880
<v Speaker 1>you enough. Man, Yo, you're such a legend. Man. You

0:44:52.960 --> 0:44:55.480
<v Speaker 1>did so much for this game, You did so much

0:44:55.480 --> 0:44:58.480
<v Speaker 1>for the for for for hip hop, and particularly by

0:44:58.560 --> 0:45:01.319
<v Speaker 1>you always incorporated the hip hop artist even you got

0:45:01.360 --> 0:45:06.800
<v Speaker 1>method man and right now, and you also do the facts.

0:45:06.880 --> 0:45:10.440
<v Speaker 1>We didn't even risines and snow far. You know, it's

0:45:10.440 --> 0:45:12.759
<v Speaker 1>a whole lot of you keep it hip hop incorporated.

0:45:12.760 --> 0:45:15.880
<v Speaker 1>We appreciate that, man, because I do. You don't do.

0:45:15.920 --> 0:45:19.120
<v Speaker 1>You a legend. You know, we were one of the

0:45:19.160 --> 0:45:22.560
<v Speaker 1>best artists ever and you keep us alive and there's nothing.

0:45:22.719 --> 0:45:25.440
<v Speaker 1>And you also was the first person to put a

0:45:25.640 --> 0:45:28.560
<v Speaker 1>West Coast guy and the East Coast guy higher learning

0:45:28.640 --> 0:45:31.120
<v Speaker 1>and busted us. Yeah, I don't know if you ever

0:45:31.200 --> 0:45:32.799
<v Speaker 1>I don't know if you ever beat that. That was

0:45:32.840 --> 0:45:35.799
<v Speaker 1>like the first That was like the first union from

0:45:35.840 --> 0:45:38.279
<v Speaker 1>the West Coast and East coast is because we was

0:45:38.360 --> 0:45:42.040
<v Speaker 1>high and learning at actually act and it was in

0:45:42.200 --> 0:45:44.120
<v Speaker 1>l A. Okay. See, we never knew that on the

0:45:44.120 --> 0:45:47.640
<v Speaker 1>East coast us. It was just that was neutral. It

0:45:47.719 --> 0:45:50.719
<v Speaker 1>was like a good way the West Coast l East coast.

0:45:50.760 --> 0:45:53.200
<v Speaker 1>Think this is crazy. You didn't know that, right, now

0:45:54.080 --> 0:45:56.279
<v Speaker 1>you know just it's my folks. It's just people I

0:45:56.719 --> 0:46:00.080
<v Speaker 1>was knowing at the time that you know it and

0:46:00.080 --> 0:46:02.759
<v Speaker 1>I also here that that that that's how passionate you are.

0:46:02.800 --> 0:46:06.200
<v Speaker 1>You like you like like the Adam Samma because Adam

0:46:06.239 --> 0:46:09.799
<v Speaker 1>Sama always hired the same crew. You kind of hi

0:46:09.920 --> 0:46:12.440
<v Speaker 1>the same crew like to put you know, people I know,

0:46:12.680 --> 0:46:14.520
<v Speaker 1>and work with people I know you know, and we

0:46:14.680 --> 0:46:18.480
<v Speaker 1>just we make something happen. You know. Is it easier

0:46:18.520 --> 0:46:20.080
<v Speaker 1>that way when you work with somebody you know, because

0:46:20.080 --> 0:46:21.520
<v Speaker 1>you know you can scream on him and you can

0:46:21.560 --> 0:46:24.399
<v Speaker 1>text later and scream on I screamed on everybody. That's

0:46:24.400 --> 0:46:27.160
<v Speaker 1>what everything you know. But but what I do is

0:46:27.160 --> 0:46:29.520
<v Speaker 1>I make careers. Though what I'm saying, when people work

0:46:29.560 --> 0:46:32.319
<v Speaker 1>for me, they end up doing other stuff. Though that's

0:46:32.360 --> 0:46:34.759
<v Speaker 1>not just a flash in the pan. Oh get the

0:46:34.840 --> 0:46:38.279
<v Speaker 1>latest rapper in the movie for facelook whatever. Like No,

0:46:38.440 --> 0:46:42.880
<v Speaker 1>it's like people do up doing things, you know what.

0:46:42.880 --> 0:46:46.080
<v Speaker 1>I've been trying to getting something for John Singleton. He

0:46:46.080 --> 0:46:48.000
<v Speaker 1>wouldn't come out of the SOX line. I'm just weird.

0:46:48.440 --> 0:46:51.839
<v Speaker 1>Like I'm down with John Singleton. That's my mother, my brother,

0:46:51.880 --> 0:46:53.880
<v Speaker 1>Thank you so much with my brother. Be good. We

0:46:53.960 --> 0:46:57.440
<v Speaker 1>got anything else? And do you want to come eat? Um?

0:46:57.640 --> 0:46:59.239
<v Speaker 1>They got it all man, you know we got it

0:46:59.280 --> 0:47:02.080
<v Speaker 1>all right, Yo, man, this has been an honor man,

0:47:02.200 --> 0:47:06.200
<v Speaker 1>y'all first director, I am um first for drink chance,

0:47:06.280 --> 0:47:08.839
<v Speaker 1>the first first drink in the first direction to that,

0:47:10.000 --> 0:47:12.520
<v Speaker 1>I'll take another one out. Damn it. Don't don't don't

0:47:12.640 --> 0:47:14.759
<v Speaker 1>don't tell me to have a good time. And now

0:47:14.800 --> 0:47:18.720
<v Speaker 1>you're going to going to premiere Rebel. Also on effects

0:47:20.000 --> 0:47:25.200
<v Speaker 1>on btthers on BT, snowfalls or effects stuff, the stuff

0:47:25.200 --> 0:47:27.399
<v Speaker 1>all you didn't talk about stuffass, that's what I'm saying.

0:47:27.480 --> 0:47:30.000
<v Speaker 1>Snow falls about the it's the beginning of the whole

0:47:30.160 --> 0:47:35.000
<v Speaker 1>um crackt trade in at about cocaine tonight too. Then

0:47:35.040 --> 0:47:38.480
<v Speaker 1>we've got two shows for ABC. Stuff that was in

0:47:38.480 --> 0:47:41.719
<v Speaker 1>the summer. Tonight you have ABC. You got an ABC two.

0:47:41.840 --> 0:47:49.439
<v Speaker 1>No l A Bernard, l A Bernard? Is it the anniverse? Hold?

0:47:50.960 --> 0:47:57.480
<v Speaker 1>Do you realize how busy is he got another man? Yeah,

0:47:57.560 --> 0:48:05.440
<v Speaker 1>let's make some noise for him. Burns about anniversary of

0:48:05.480 --> 0:48:08.880
<v Speaker 1>the l A Riots. Damn, it's crazy. It's been that

0:48:08.960 --> 0:48:16.280
<v Speaker 1>long already. That's after Rodney King. Yeah, that is old world.

0:48:16.680 --> 0:48:22.399
<v Speaker 1>Rodney King got years ago. That's rare. Yeah, verdict. Yeah yeah,

0:48:22.640 --> 0:48:24.600
<v Speaker 1>So let's let's break that down for the people who

0:48:24.640 --> 0:48:27.759
<v Speaker 1>quickly we get about it here. Yeah, it's just you know,

0:48:27.800 --> 0:48:31.160
<v Speaker 1>it's it's a's documentary about what happened and takes it

0:48:31.200 --> 0:48:33.920
<v Speaker 1>from the street point of view of the people who

0:48:34.480 --> 0:48:39.960
<v Speaker 1>basically from South since South central and uh, the Korean

0:48:40.000 --> 0:48:43.840
<v Speaker 1>culture and the Latin of people who were really scarred

0:48:43.840 --> 0:48:47.040
<v Speaker 1>by it were in the middle of it. Okay, when

0:48:47.040 --> 0:48:51.960
<v Speaker 1>when you say Korean, the Koreans was varriety to their businesses.

0:48:52.080 --> 0:48:55.239
<v Speaker 1>They were defending their their businesses from being looted. Yeah,

0:48:55.280 --> 0:48:56.560
<v Speaker 1>you know what I mean, Like it was a war.

0:48:57.000 --> 0:48:59.320
<v Speaker 1>There's a war zone, you know. Like so but we

0:48:59.680 --> 0:49:02.719
<v Speaker 1>got you know, we got perspectives that no one else has.

0:49:02.960 --> 0:49:06.719
<v Speaker 1>And in this documentary and what was the latinos saying

0:49:06.880 --> 0:49:10.760
<v Speaker 1>coming from just um, well, the people in the documentary

0:49:10.800 --> 0:49:13.040
<v Speaker 1>just they got caught up in it. They got actually

0:49:13.160 --> 0:49:14.640
<v Speaker 1>you know, they got hurt by it. You know what

0:49:14.640 --> 0:49:16.400
<v Speaker 1>I'm saying. But that's what I'm trying to tell you.

0:49:16.480 --> 0:49:19.839
<v Speaker 1>Like my grandparents lived in Englewood and they called me

0:49:19.920 --> 0:49:25.040
<v Speaker 1>during the riots. Blood. No, they everybody blood right, That's

0:49:25.040 --> 0:49:28.359
<v Speaker 1>not that's not the truth. That's that's mixed. And they

0:49:28.400 --> 0:49:30.120
<v Speaker 1>called me and they were telling me they were like,

0:49:30.680 --> 0:49:33.719
<v Speaker 1>the Latinos are writing too, because it wasn't showing it

0:49:33.760 --> 0:49:36.560
<v Speaker 1>on TV. They were they made that right pretty much

0:49:36.560 --> 0:49:40.520
<v Speaker 1>a black and they were they were more Latino was

0:49:40.600 --> 0:49:42.399
<v Speaker 1>right and then the black people riding, but they didn't

0:49:42.400 --> 0:49:43.879
<v Speaker 1>want to show that. It says I'm not gonna front

0:49:43.880 --> 0:49:47.000
<v Speaker 1>since my family's Cuban. They look, they're like, we're not Mexican.

0:49:47.160 --> 0:49:51.640
<v Speaker 1>So they're like, the Mexicans are right, but it wasn't.

0:49:53.719 --> 0:49:57.080
<v Speaker 1>But it was like, but it was Mexicans and Al Salvadorians,

0:49:58.000 --> 0:50:00.279
<v Speaker 1>you know what I mean, Like people would who who

0:50:00.320 --> 0:50:05.080
<v Speaker 1>basically are you used to like war situations that were

0:50:05.120 --> 0:50:08.120
<v Speaker 1>like really going at it. It was like it was

0:50:08.160 --> 0:50:10.400
<v Speaker 1>like let's go anarchy, you know what I'm saying, Like,

0:50:10.400 --> 0:50:14.040
<v Speaker 1>you know for war. They grew up in war. So

0:50:14.239 --> 0:50:15.919
<v Speaker 1>they were like, hey, you know, i'm gonna get my car.

0:50:16.080 --> 0:50:18.359
<v Speaker 1>I'm gonna put it up on pet boys, I'm gonna

0:50:18.360 --> 0:50:20.600
<v Speaker 1>give me some new tires, I'm gonna put the transmission.

0:50:20.840 --> 0:50:23.960
<v Speaker 1>People were doing transmissions and changing their cars. You know,

0:50:24.000 --> 0:50:26.280
<v Speaker 1>we didn't show this in the documentary, but I'm saying,

0:50:26.600 --> 0:50:28.239
<v Speaker 1>you know, should be doing that, you know what I mean,

0:50:28.320 --> 0:50:31.480
<v Speaker 1>like doing the riot. So I mean, there's so many

0:50:31.480 --> 0:50:34.040
<v Speaker 1>different stories to be told within that man, so many

0:50:34.040 --> 0:50:36.040
<v Speaker 1>of this wild time. It was a wild it was

0:50:36.080 --> 0:50:38.680
<v Speaker 1>wild time. And I know you're not gonna tell me this,

0:50:38.760 --> 0:50:42.160
<v Speaker 1>but not feel like, what is John? What is your

0:50:42.239 --> 0:50:46.040
<v Speaker 1>next move? My next one? Are you making the big

0:50:46.040 --> 0:50:49.359
<v Speaker 1>pun movie with me? That would be an amazing movie,

0:50:50.400 --> 0:50:55.960
<v Speaker 1>big movie. I don't know the whole story. You know

0:50:56.000 --> 0:50:58.160
<v Speaker 1>what's really funny is because we was rolling the same

0:50:58.200 --> 0:51:03.480
<v Speaker 1>time of nice like punt had all the bad conditions

0:51:05.480 --> 0:51:11.680
<v Speaker 1>right now, all the funniest I was so jealous. I

0:51:11.800 --> 0:51:15.960
<v Speaker 1>admit that right now, I was so jealous. Girls like

0:51:16.640 --> 0:51:19.239
<v Speaker 1>he's not he's not, he's not, he's not fat like

0:51:19.280 --> 0:51:23.759
<v Speaker 1>belly fat. He's fat the whole room and he has

0:51:23.840 --> 0:51:26.920
<v Speaker 1>three or four around him, right And they were so

0:51:27.760 --> 0:51:30.440
<v Speaker 1>kill me. But don't worry about it. Keeping they were

0:51:30.520 --> 0:51:34.120
<v Speaker 1>so beautiful, like your face will hurt when you saw them.

0:51:34.440 --> 0:51:37.680
<v Speaker 1>And we would hang out at Jimmy's Bronx. We were

0:51:37.760 --> 0:51:40.040
<v Speaker 1>hanging with Jimmy's Bronx and it would just be like

0:51:40.080 --> 0:51:42.520
<v Speaker 1>it would be girls coming from d R and from

0:51:43.080 --> 0:51:46.520
<v Speaker 1>from Puerto Rico. They couldn't speaking laders that were like models,

0:51:47.800 --> 0:51:49.600
<v Speaker 1>and every nigger that was a hip hop would be

0:51:49.600 --> 0:51:52.279
<v Speaker 1>a Jenny's Bronx. That's right what I'm saying. That's right. Look,

0:51:52.600 --> 0:51:56.800
<v Speaker 1>look you can tell. Yeah, you know. I used to

0:51:56.800 --> 0:51:59.560
<v Speaker 1>walk up there and Joe would be there and be like,

0:51:59.560 --> 0:52:01.520
<v Speaker 1>what do you want? It would be like we eat,

0:52:01.960 --> 0:52:04.719
<v Speaker 1>you eat all you can eat, drink all you can eat,

0:52:04.800 --> 0:52:07.799
<v Speaker 1>and then you go dance. And that would be Friday night.

0:52:07.960 --> 0:52:09.960
<v Speaker 1>It was like Friday night. It was Friday Night was

0:52:10.000 --> 0:52:14.200
<v Speaker 1>a band and then Saturday was hip hop exactly. So yeah,

0:52:14.280 --> 0:52:17.359
<v Speaker 1>you know because I went to spots in New York.

0:52:17.400 --> 0:52:19.320
<v Speaker 1>I lived in New York. I was at the grandest

0:52:19.360 --> 0:52:23.480
<v Speaker 1>spots right there, and you know, like we we eat,

0:52:23.640 --> 0:52:26.880
<v Speaker 1>we would drink, and you know, it was always like

0:52:27.200 --> 0:52:29.560
<v Speaker 1>Saturday night. Friday night was the people who would newly

0:52:29.600 --> 0:52:36.800
<v Speaker 1>emigrated to New York because English some kind of Spanish

0:52:36.840 --> 0:52:39.680
<v Speaker 1>to get him in, right, yeah, a little bit. Yeah,

0:52:39.719 --> 0:52:42.360
<v Speaker 1>that whole boy to be like, hey listen, right, but

0:52:42.480 --> 0:52:49.200
<v Speaker 1>Saturday night, somebody w always get shot. But when we

0:52:49.280 --> 0:52:52.759
<v Speaker 1>go both right, that's right now, that what you got

0:52:52.800 --> 0:53:00.000
<v Speaker 1>to You got that so because you got a Latin movie, right,

0:53:00.440 --> 0:53:03.200
<v Speaker 1>you never did a whole Latin movie. You had that

0:53:03.239 --> 0:53:05.880
<v Speaker 1>the list called legal tender. Oh yeah, it's like they't

0:53:05.880 --> 0:53:09.040
<v Speaker 1>got it on. I Potato Potato called it on in

0:53:09.120 --> 0:53:10.840
<v Speaker 1>this first movie and then they took him off and

0:53:10.840 --> 0:53:13.799
<v Speaker 1>put him in Faster Furious. That's my brother brother from

0:53:14.080 --> 0:53:22.840
<v Speaker 1>from I think that's no. They go the Loisa me

0:53:22.880 --> 0:53:25.920
<v Speaker 1>and you will be the the most light skinning they died. Yeah, exactly,

0:53:25.960 --> 0:53:28.440
<v Speaker 1>like yeah, you like I shot that down there. I

0:53:28.480 --> 0:53:30.400
<v Speaker 1>produced it now there. I shot that down there and

0:53:30.440 --> 0:53:31.880
<v Speaker 1>we were just you know, it was it was an

0:53:32.200 --> 0:53:33.480
<v Speaker 1>on that team of movie. I was then you had

0:53:33.520 --> 0:53:35.400
<v Speaker 1>the other dude and then the young kid with the

0:53:35.440 --> 0:53:48.680
<v Speaker 1>afro brick basketball. Yeah, because I know you gotta go

0:53:48.880 --> 0:53:51.600
<v Speaker 1>so um, But how do you actually see talent? Like

0:53:51.640 --> 0:53:55.520
<v Speaker 1>when people say like what what what is it? Is?

0:53:55.520 --> 0:53:58.080
<v Speaker 1>It is it? When you It's just my vibe. It's

0:53:58.120 --> 0:54:00.440
<v Speaker 1>like when I vibe of somebody, I've been like okay,

0:54:00.920 --> 0:54:02.719
<v Speaker 1>I vibe with him and say, okay, if I can

0:54:02.719 --> 0:54:06.279
<v Speaker 1>get that original what's really special about them? In the

0:54:06.320 --> 0:54:10.239
<v Speaker 1>original vibe on camera out to the world, then then

0:54:10.280 --> 0:54:12.520
<v Speaker 1>the world see what I see And that's how it

0:54:12.560 --> 0:54:16.600
<v Speaker 1>goes from me. I don't know. I can't say it was,

0:54:18.080 --> 0:54:21.600
<v Speaker 1>but because I got a friend, right, Sunny Sunny d

0:54:22.080 --> 0:54:27.080
<v Speaker 1>Sunny DBT is the funniest guy off camera. Off camera,

0:54:27.239 --> 0:54:35.560
<v Speaker 1>he will roast you. But the minute action and I'm like,

0:54:35.920 --> 0:54:38.520
<v Speaker 1>I mean, he's not that bad, but yeah, you made

0:54:38.560 --> 0:54:43.600
<v Speaker 1>him like a nite he that so sorry, But it's

0:54:43.640 --> 0:54:49.319
<v Speaker 1>not the same. It's not the same. How do you

0:54:49.640 --> 0:54:51.320
<v Speaker 1>like if you was to see that from the actor,

0:54:51.440 --> 0:54:53.920
<v Speaker 1>you just say, damn, you know, I see you off

0:54:54.040 --> 0:54:56.879
<v Speaker 1>camera off camera you're fucking excellent. But once I say,

0:54:56.920 --> 0:54:59.520
<v Speaker 1>I spend time off camera pulling it out of people

0:54:59.520 --> 0:55:02.040
<v Speaker 1>because I've had people like that too. They really like

0:55:02.160 --> 0:55:05.680
<v Speaker 1>they got that, but they don't. They they're nervous. You know,

0:55:05.719 --> 0:55:07.839
<v Speaker 1>it's like get out of yourself. You know. What helps

0:55:07.960 --> 0:55:10.400
<v Speaker 1>them get out of that? What would help if you

0:55:10.520 --> 0:55:13.440
<v Speaker 1>was to do that? Is it liveries? Like it depends

0:55:13.440 --> 0:55:16.040
<v Speaker 1>on the person. It depends on the person, Like are

0:55:16.080 --> 0:55:18.040
<v Speaker 1>you already hiring them or sending them to like a

0:55:18.120 --> 0:55:20.480
<v Speaker 1>coaching class where they're like a little bit of buff,

0:55:20.600 --> 0:55:23.279
<v Speaker 1>a little bit of buff and you know, um, you

0:55:23.320 --> 0:55:25.720
<v Speaker 1>know I called them and and you know, and and

0:55:25.760 --> 0:55:27.759
<v Speaker 1>I have other people work with them too, you know

0:55:27.760 --> 0:55:30.320
<v Speaker 1>what I mean? Well, John Man we robbed you for

0:55:30.400 --> 0:55:34.040
<v Speaker 1>all your knowledge. Thank you. So you know we are schools,

0:55:34.280 --> 0:55:37.000
<v Speaker 1>we are blasted, we are honest. I want to tell

0:55:37.040 --> 0:55:40.240
<v Speaker 1>you you're you're you're You're one of the greatest artists

0:55:40.280 --> 0:55:44.320
<v Speaker 1>of all time. And that's included everything at all art period.

0:55:44.480 --> 0:55:46.200
<v Speaker 1>You were one of the greatest artists of all time.

0:55:46.280 --> 0:55:50.520
<v Speaker 1>I was very honest, it's my boy. Trevor told me,

0:55:50.560 --> 0:55:52.239
<v Speaker 1>you're John to do it. I was like, for real,

0:55:52.719 --> 0:55:54.960
<v Speaker 1>like I was so, I was so scared. I went,

0:55:55.040 --> 0:55:57.560
<v Speaker 1>I was. I watched every interview you ever did a

0:55:57.680 --> 0:56:00.400
<v Speaker 1>google every I knew, I knew you personally. I just

0:56:00.440 --> 0:56:04.440
<v Speaker 1>wanted I wanted to appreciate your art and we did it,

0:56:04.560 --> 0:56:07.520
<v Speaker 1>and um man, I just can't tell you how much

0:56:07.560 --> 0:56:09.640
<v Speaker 1>I appreciate you. I want you to continue to do

0:56:09.680 --> 0:56:13.640
<v Speaker 1>your tell and continue to do your thing because we

0:56:13.719 --> 0:56:16.680
<v Speaker 1>are proud of what you're doing in cinema and we

0:56:16.719 --> 0:56:19.320
<v Speaker 1>watch everything and we support everything, and we're gonna continue

0:56:19.360 --> 0:56:21.680
<v Speaker 1>to do that. That makes a noise for motherfucker John.

0:56:26.480 --> 0:56:54.319
<v Speaker 1>And I'm still finishing my drink too as well. Find

0:56:54.320 --> 0:56:56.960
<v Speaker 1>all your favorite movies and shows factor with Actimity just

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0:57:02.640 --> 0:57:06.680
<v Speaker 1>That's simple, easy, awesome. Switch to Excenity today and get

0:57:06.680 --> 0:57:09.239
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<v Speaker 1>Restriction suppli