1 00:00:09,320 --> 00:00:15,720 Speaker 1: Yell no, no, no, no, alone no. Welcome to the 2 00:00:15,840 --> 00:00:18,560 Speaker 1: Naughty but Night Show. I'm your host, Rob Shooter. It's 3 00:00:18,680 --> 00:00:21,880 Speaker 1: Thanksgiving today. I have a lot to be thankful for, 4 00:00:22,360 --> 00:00:25,639 Speaker 1: especially you guys. Thank you so much for listening to 5 00:00:25,840 --> 00:00:28,120 Speaker 1: our show. I think yesterday we made it back into 6 00:00:28,120 --> 00:00:30,600 Speaker 1: the top ten, so thank you. Thank you for that. 7 00:00:31,000 --> 00:00:34,919 Speaker 1: Normally every Thursday, idea friend Mark Lupo joins us he's 8 00:00:34,960 --> 00:00:38,879 Speaker 1: listening today. He's back home with his family in Florida. 9 00:00:38,920 --> 00:00:41,919 Speaker 1: So love to your mommy, Darius, and your brother Jonathan. 10 00:00:42,000 --> 00:00:45,600 Speaker 1: I don't know Mark's dad's name, but love to him 11 00:00:45,800 --> 00:00:49,960 Speaker 1: to Mark, have a brilliant, brilliant day. Talking about brilliant days. 12 00:00:50,400 --> 00:00:53,200 Speaker 1: A couple of nights ago, I met up with Captain Bree, 13 00:00:53,240 --> 00:00:56,560 Speaker 1: a longtime listener to The Naughty but Nice Show. Even 14 00:00:56,640 --> 00:01:02,160 Speaker 1: before this podcast even existed, I was on a radio show. 15 00:01:02,200 --> 00:01:04,720 Speaker 1: I was the weekly host. I didn't do it every day, 16 00:01:04,959 --> 00:01:06,840 Speaker 1: I did it one day a week. I can't remember 17 00:01:06,840 --> 00:01:10,600 Speaker 1: what date was. I think it was Thursday's with Taylor Streger. 18 00:01:11,000 --> 00:01:15,080 Speaker 1: And that's where I met so many of you noughty's, 19 00:01:15,120 --> 00:01:19,600 Speaker 1: including Captain Brie with her lovely son Miles, and also 20 00:01:20,080 --> 00:01:23,479 Speaker 1: her very dashing partner Trey. So we went for drinks 21 00:01:23,800 --> 00:01:26,040 Speaker 1: at Bottin as Miss d joined us and we had 22 00:01:26,040 --> 00:01:30,160 Speaker 1: a brilliant, brilliant night. So lots and lots and lots 23 00:01:30,160 --> 00:01:33,039 Speaker 1: of great stuff to be thankful for today. Let's jump 24 00:01:33,080 --> 00:01:35,760 Speaker 1: into as show. We're thankful for a little gossip too. 25 00:01:36,319 --> 00:01:39,759 Speaker 1: What time is it? My Friend's and as tea time 26 00:01:40,200 --> 00:01:42,080 Speaker 1: big story at the top of the show, there are 27 00:01:42,120 --> 00:01:47,160 Speaker 1: attentions within the palace. This time it does not involve Harry. Rather, 28 00:01:47,280 --> 00:01:51,640 Speaker 1: it's between King Charles and Prince William. So they are 29 00:01:51,800 --> 00:01:59,200 Speaker 1: having trouble. Tensions are mounting amid succession power struggles. Let 30 00:01:59,280 --> 00:02:04,080 Speaker 1: me explain the relationship between King Charles the Third and 31 00:02:04,160 --> 00:02:10,639 Speaker 1: Prince William has shifted dramatically as conversations surrounding the royal 32 00:02:10,680 --> 00:02:15,880 Speaker 1: succession have gained momentum. So insiders claim that the father 33 00:02:16,280 --> 00:02:21,960 Speaker 1: son dynamic has been strained due to the monarch's determination 34 00:02:22,680 --> 00:02:28,440 Speaker 1: to solid defy his legacy while William prepares to take 35 00:02:28,480 --> 00:02:33,040 Speaker 1: over the throne, and so say quotes, the dynamic has shifted. 36 00:02:33,520 --> 00:02:37,840 Speaker 1: Charles wants to beat the monarch for decades, but he 37 00:02:38,280 --> 00:02:44,280 Speaker 1: is battling cancer. He is seventy six and now the institution. 38 00:02:44,480 --> 00:02:50,000 Speaker 1: The machinery of the palace is starting to look towards William. 39 00:02:50,200 --> 00:02:53,480 Speaker 1: If you think about it, it's a really cruel system. 40 00:02:53,919 --> 00:02:56,200 Speaker 1: It might be the worst way to get a job 41 00:02:56,240 --> 00:02:59,400 Speaker 1: in the world. Your paarent has to die, the king, 42 00:02:59,760 --> 00:03:03,320 Speaker 1: the queen has to die for you to get that job. 43 00:03:03,360 --> 00:03:05,600 Speaker 1: So you've wanted that job. Think about a job you've 44 00:03:05,639 --> 00:03:07,520 Speaker 1: won in your whole life. You've worked towards it. You 45 00:03:07,639 --> 00:03:10,320 Speaker 1: really really want this job, but you can't get it 46 00:03:10,600 --> 00:03:13,760 Speaker 1: on your talent. You can't get promoted because you work 47 00:03:13,840 --> 00:03:17,520 Speaker 1: super hard. No, you've gotta wait for the death of 48 00:03:17,560 --> 00:03:20,280 Speaker 1: your mom or your dad and then you'll get the job. 49 00:03:20,360 --> 00:03:23,720 Speaker 1: So the system, the whole system, it's mixed up, isn't it. 50 00:03:23,720 --> 00:03:26,680 Speaker 1: It's the weirdest thing. Even Survivor on television. Isn't this cruel. 51 00:03:27,040 --> 00:03:29,880 Speaker 1: It's a really cruel cruel. If this was a game show, 52 00:03:30,160 --> 00:03:32,360 Speaker 1: it wouldn't be allowed on TV. We couldn't do this. 53 00:03:32,400 --> 00:03:35,440 Speaker 1: It's like squid Game. Remember that show on Netflix where 54 00:03:35,440 --> 00:03:38,080 Speaker 1: people had to die for order you for you to 55 00:03:38,120 --> 00:03:40,120 Speaker 1: progress to the next level. Well, that's what it's like 56 00:03:40,480 --> 00:03:43,680 Speaker 1: being the king or the Queen of England. Charles had 57 00:03:43,720 --> 00:03:47,560 Speaker 1: to wait for his mommy, Queen Elizabeth to die. She 58 00:03:47,680 --> 00:03:50,240 Speaker 1: had to die for him to get the job, and 59 00:03:50,320 --> 00:03:53,480 Speaker 1: now William has to wait for his dad to die. 60 00:03:53,520 --> 00:03:58,160 Speaker 1: But this cancer diagnosis has really shaken the palace. William 61 00:03:58,200 --> 00:04:01,520 Speaker 1: is only forty two, so he's prepared for his eventual 62 00:04:01,640 --> 00:04:04,040 Speaker 1: accession to the throne, and he knows it's going to happen. 63 00:04:04,120 --> 00:04:09,040 Speaker 1: It's just when he's reportedly already engaging in discussions about 64 00:04:09,080 --> 00:04:14,400 Speaker 1: things he wants to change, transitions and even funeral plans 65 00:04:14,720 --> 00:04:18,760 Speaker 1: for his father now. Sources say obviously this topic is 66 00:04:18,920 --> 00:04:23,760 Speaker 1: very sensitive, adding that while both men share commitment to 67 00:04:24,000 --> 00:04:29,440 Speaker 1: their roles, there is occasionally tension. Plans for William's reign 68 00:04:30,240 --> 00:04:35,080 Speaker 1: for a first fast trek following the cancer diagnosis in February. 69 00:04:35,680 --> 00:04:41,599 Speaker 1: Royal staff began drawing up succession plans shortly after Charles's 70 00:04:41,600 --> 00:04:48,719 Speaker 1: coronation in twenty twenty three to ensure a smooth tradition. 71 00:04:48,800 --> 00:04:51,680 Speaker 1: So once again here this is not being cruel. This 72 00:04:51,760 --> 00:04:53,760 Speaker 1: has not being mean, or at least I hope it's not. 73 00:04:54,160 --> 00:04:57,240 Speaker 1: This is about a smooth transition. We're going to have 74 00:04:57,279 --> 00:05:00,599 Speaker 1: a big transition of power here in America in a 75 00:05:00,640 --> 00:05:03,880 Speaker 1: few weeks, and behind the scenes lots of planning has 76 00:05:03,920 --> 00:05:07,839 Speaker 1: gone into that, and that's the same that happens with 77 00:05:07,960 --> 00:05:11,680 Speaker 1: the royal family. There's not as many transitions. Unlike America, 78 00:05:11,760 --> 00:05:15,159 Speaker 1: we don't transition power every four years. The Royal family 79 00:05:15,240 --> 00:05:18,000 Speaker 1: that are there for life. Some people don't agree with that, 80 00:05:18,080 --> 00:05:20,080 Speaker 1: but that's what it is at the moment. And so 81 00:05:20,200 --> 00:05:23,960 Speaker 1: we're waiting now for Charles to pass, for William to 82 00:05:24,040 --> 00:05:28,960 Speaker 1: be king. Question. Could Charles resign? Yes, but it's never 83 00:05:29,520 --> 00:05:33,360 Speaker 1: really happened. I can only think of one instance when 84 00:05:33,400 --> 00:05:38,280 Speaker 1: a king resigned, and that was Edward and Wallace. To 85 00:05:38,320 --> 00:05:41,640 Speaker 1: remember that story, the American heiress who married the king 86 00:05:41,720 --> 00:05:46,200 Speaker 1: and he resigned before his coronation. Well, Charles could step aside, 87 00:05:46,200 --> 00:05:48,960 Speaker 1: I think too. Another good example of this is the pope. 88 00:05:49,240 --> 00:05:52,080 Speaker 1: I think there's been one or two popes that resigned. 89 00:05:52,400 --> 00:05:55,360 Speaker 1: Most of them die, most of them die as pope, 90 00:05:55,680 --> 00:05:58,920 Speaker 1: and then they go into conclave that's the fancy term 91 00:05:58,960 --> 00:06:01,680 Speaker 1: for the election all the bishops and they decide the 92 00:06:01,680 --> 00:06:04,440 Speaker 1: next pope. Well, in the royal family, we don't have 93 00:06:04,480 --> 00:06:07,880 Speaker 1: a conclave, we don't have a vote. It is the 94 00:06:07,920 --> 00:06:10,800 Speaker 1: next child that used to be the next boy, now 95 00:06:10,800 --> 00:06:14,359 Speaker 1: it's the next child who will become king or queen, 96 00:06:14,480 --> 00:06:18,440 Speaker 1: and that is William, which brings us to our pole 97 00:06:18,560 --> 00:06:21,800 Speaker 1: question of the day. There's tension in the palace between 98 00:06:21,920 --> 00:06:26,000 Speaker 1: Charles and William, ad mid succession, power struggles. There's some 99 00:06:26,080 --> 00:06:28,800 Speaker 1: struggles there. Charles doesn't want to do any of this. 100 00:06:29,160 --> 00:06:31,160 Speaker 1: He's the king. He doesn't want to be looking over 101 00:06:31,200 --> 00:06:35,120 Speaker 1: his shoulder. This is my reign. I've waited over seventy 102 00:06:35,200 --> 00:06:37,880 Speaker 1: years to get this job. Back off William, let me 103 00:06:37,960 --> 00:06:43,000 Speaker 1: be the king. How William's constant presence in the background. 104 00:06:43,000 --> 00:06:44,880 Speaker 1: He's a nice guy, William as he's not been too poich, 105 00:06:44,920 --> 00:06:48,240 Speaker 1: you hear. It's certainly causing some tension and our pole 106 00:06:48,320 --> 00:06:53,000 Speaker 1: question quite simple. Should Charles retire? Should he step down? 107 00:06:53,320 --> 00:06:55,560 Speaker 1: Would you retire and give the job to your son? 108 00:06:56,400 --> 00:07:00,000 Speaker 1: All the polls say that William is much more popular, 109 00:07:00,400 --> 00:07:03,040 Speaker 1: So I think the public would really like King William. 110 00:07:03,279 --> 00:07:07,040 Speaker 1: He's super popular. Kate is super popular. She's the most 111 00:07:07,040 --> 00:07:09,640 Speaker 1: popular royal of all of them, and their children I 112 00:07:09,840 --> 00:07:12,760 Speaker 1: just be loved. So this would be the perfect looking 113 00:07:13,440 --> 00:07:17,280 Speaker 1: royal family and often looks image are very important, and 114 00:07:17,360 --> 00:07:21,400 Speaker 1: so should Charles retire? Hey? Go vote on our Twitter 115 00:07:21,400 --> 00:07:23,880 Speaker 1: page at Naughty nine Rob or our Facebook page, which 116 00:07:23,920 --> 00:07:26,600 Speaker 1: is naughdy gossip. Andy. Sure to check back to my 117 00:07:26,680 --> 00:07:30,000 Speaker 1: row to hear your results. Okay, moving along, this story's wild. 118 00:07:30,000 --> 00:07:34,040 Speaker 1: So Taylor Swift has been ranked number two on Billboard's 119 00:07:34,200 --> 00:07:37,960 Speaker 1: Greatest Pop Stars of the twenty first Century, leaving her 120 00:07:38,000 --> 00:07:42,400 Speaker 1: fans stand not excited. Number two for Taylor is not 121 00:07:42,440 --> 00:07:45,080 Speaker 1: good enough. They wanted her to be number one. Let 122 00:07:45,120 --> 00:07:48,640 Speaker 1: me explain them. So. Taylor Swift has been named the 123 00:07:48,760 --> 00:07:54,240 Speaker 1: second greatest pop Star of the twenty first century by Billboard, 124 00:07:54,800 --> 00:07:57,960 Speaker 1: a ranking that has left her fans had devoted fans 125 00:07:58,000 --> 00:08:02,560 Speaker 1: the Swifties both pray and sort of angry and surprised. 126 00:08:02,960 --> 00:08:09,800 Speaker 1: While many assumed the global phenomenon would clinch the top spot, 127 00:08:09,880 --> 00:08:13,520 Speaker 1: Taylor came in at number two, ahead of Riana number three. 128 00:08:14,080 --> 00:08:19,000 Speaker 1: Drake is number four, Lady Gaga is number five, Britney 129 00:08:19,000 --> 00:08:22,920 Speaker 1: Spears is number six. Now, the ranking, Billboard points out 130 00:08:23,280 --> 00:08:28,400 Speaker 1: is based on cultural impact and defining pop stardom over 131 00:08:28,040 --> 00:08:31,040 Speaker 1: the past twenty five years. So in the past twenty 132 00:08:31,040 --> 00:08:34,600 Speaker 1: five years, who has been the biggest pop stars? Billboard 133 00:08:34,679 --> 00:08:38,520 Speaker 1: journalist Hannah Daily praised Taylor Swift for her ability to 134 00:08:38,600 --> 00:08:42,440 Speaker 1: quote bend culture at her will. What she's saying, there 135 00:08:42,720 --> 00:08:48,040 Speaker 1: is that Taylor defines the moment. She's not chasing somebody 136 00:08:48,120 --> 00:08:52,960 Speaker 1: else's fashion, music, look sensibility. She's creating her own. Other 137 00:08:53,000 --> 00:08:56,920 Speaker 1: people on the list Kanye West, just In Bieber, Ariana 138 00:08:56,960 --> 00:09:00,840 Speaker 1: Grande or powerhouses, but we don't. Oh yeah, who is 139 00:09:00,920 --> 00:09:03,200 Speaker 1: number one? There's lots of speculation. If Taylor Swift is 140 00:09:03,240 --> 00:09:07,880 Speaker 1: number two, who is the most important pop star of 141 00:09:07,920 --> 00:09:12,120 Speaker 1: the twenty first century. Who's the greatest pop star of 142 00:09:12,160 --> 00:09:15,800 Speaker 1: the last twenty five years? Everybody's bet in, including me, 143 00:09:16,440 --> 00:09:19,640 Speaker 1: the Beyonce will be the number one? Pick? What do 144 00:09:19,679 --> 00:09:23,360 Speaker 1: you think? Who should be number one? Moving along, A 145 00:09:23,480 --> 00:09:27,240 Speaker 1: and E is now suing Wendy Williams guardian over a 146 00:09:27,280 --> 00:09:30,480 Speaker 1: dispute about the documentary, saying we have the right to 147 00:09:30,559 --> 00:09:33,959 Speaker 1: tell her story. So A and E Networks that at 148 00:09:34,000 --> 00:09:39,080 Speaker 1: the very controversial documentary Where Is Wendy Williams has filed 149 00:09:39,120 --> 00:09:45,199 Speaker 1: a lawsuit against Wendy Williams guardian nurse Sabrina Morrissey, accusing 150 00:09:45,280 --> 00:09:51,319 Speaker 1: her of overstepping her authority by attempting to censor their documentary. 151 00:09:51,880 --> 00:09:57,000 Speaker 1: The cable channel claims that Sabrina the conservator is blocking 152 00:09:57,920 --> 00:10:02,160 Speaker 1: one of the last opportunity unities for the talk show 153 00:10:02,200 --> 00:10:06,000 Speaker 1: host to connect with her fans. So the documentary aired 154 00:10:06,040 --> 00:10:08,840 Speaker 1: already in February, so I don't quite understand what the 155 00:10:08,840 --> 00:10:11,160 Speaker 1: big fuzz is here. It's aired, We've seen it. It aired, 156 00:10:11,600 --> 00:10:14,199 Speaker 1: and when it aired, it was a bombshell. It made 157 00:10:14,240 --> 00:10:17,760 Speaker 1: me feel really dirty afterwards. I didn't like watching it. 158 00:10:17,800 --> 00:10:20,240 Speaker 1: I know Wendy, I'm quite friendly with Wendy. In fact, 159 00:10:20,240 --> 00:10:22,520 Speaker 1: the last time I saw Wendy, she didn't recognize me. 160 00:10:22,600 --> 00:10:25,520 Speaker 1: She was completely gone. She didn't know who I was. 161 00:10:25,760 --> 00:10:30,520 Speaker 1: It was deeply, deeply upsetting. But they are alleging that 162 00:10:30,559 --> 00:10:36,160 Speaker 1: Wendy was mentally incapacitated when she signed the agreement. So 163 00:10:36,240 --> 00:10:39,040 Speaker 1: her conservator is saying that no, no, no, she shouldn't 164 00:10:39,040 --> 00:10:42,400 Speaker 1: have made this documentary because she was incapacitated. Now a 165 00:10:42,480 --> 00:10:46,000 Speaker 1: Andy are saying she signed a release. She did sign it, 166 00:10:46,360 --> 00:10:50,520 Speaker 1: and they counter that this is a valid talent agreement 167 00:10:51,080 --> 00:10:54,880 Speaker 1: and that this happened long before the conservators ship even began, 168 00:10:55,000 --> 00:10:57,520 Speaker 1: so they had Wendy signing this release. What happened the 169 00:10:57,600 --> 00:11:02,480 Speaker 1: is years ago Wendy May a documentary four A and 170 00:11:02,520 --> 00:11:04,880 Speaker 1: E and they I think had a three part deal 171 00:11:04,920 --> 00:11:07,240 Speaker 1: and this was the third part. It was the part oward, 172 00:11:07,559 --> 00:11:10,000 Speaker 1: So it wasn't like she signed this while she was 173 00:11:10,160 --> 00:11:13,400 Speaker 1: really really struggling. This was an old deal and she 174 00:11:13,640 --> 00:11:17,280 Speaker 1: wanted to deliver the final episode, the final chapter. In 175 00:11:17,280 --> 00:11:20,280 Speaker 1: this so A and E also alleges that the conservator 176 00:11:20,440 --> 00:11:24,840 Speaker 1: actions are an attempt to deflect from their own failures 177 00:11:25,000 --> 00:11:27,959 Speaker 1: to protect Wendy Williams. Now, I think they've got a 178 00:11:28,000 --> 00:11:32,040 Speaker 1: good point there. Who's looking after her? Who allowed this 179 00:11:32,240 --> 00:11:35,040 Speaker 1: to happen while she was filming it? And it took 180 00:11:35,360 --> 00:11:39,120 Speaker 1: weeks and months to film this documentary. Where was the conservator? 181 00:11:39,320 --> 00:11:42,240 Speaker 1: She was taking the money, but she wasn't there. Shouldn't 182 00:11:42,240 --> 00:11:44,480 Speaker 1: she have been there? When I was a publicist, it 183 00:11:44,559 --> 00:11:47,840 Speaker 1: was the simplest part of the job. Every time my celebrities, 184 00:11:47,880 --> 00:11:51,120 Speaker 1: my stars, my clients, did interviews, I turned up this 185 00:11:51,240 --> 00:11:56,160 Speaker 1: conservator wasn't there. So now it's rich for them to 186 00:11:56,240 --> 00:11:59,760 Speaker 1: try and get this documentary band wherein in fact they 187 00:11:59,800 --> 00:12:03,839 Speaker 1: do have a legally bound, in valid agreement. Now people 188 00:12:03,880 --> 00:12:06,000 Speaker 1: are saying, maybe she shouldn't have signed it, she was 189 00:12:06,040 --> 00:12:08,680 Speaker 1: not in the right state of mind. The network is 190 00:12:08,720 --> 00:12:13,360 Speaker 1: standing by its right to tell Wendy Williams's story, insinuating 191 00:12:13,400 --> 00:12:18,480 Speaker 1: that the lawsuit from the Conservator infringes on their contractual 192 00:12:19,040 --> 00:12:22,800 Speaker 1: and creative rights. A couple of things here. She did 193 00:12:22,880 --> 00:12:27,440 Speaker 1: sign it. She's allowed Wendy Williams to do this before 194 00:12:27,480 --> 00:12:31,080 Speaker 1: the Conservatur took over. If the Conservator wanted to stop it, 195 00:12:31,440 --> 00:12:34,920 Speaker 1: they should have stopped it in the beginning. Don't wait 196 00:12:34,960 --> 00:12:38,320 Speaker 1: for something to air and then say, hang on a minute, 197 00:12:38,559 --> 00:12:40,760 Speaker 1: we don't like this. And so I think A and 198 00:12:40,800 --> 00:12:45,000 Speaker 1: A here leally are probably on some very solid ground. Morally, 199 00:12:45,480 --> 00:12:48,360 Speaker 1: I don't know that's more difficult. I'm not sure they 200 00:12:48,400 --> 00:12:50,640 Speaker 1: should have aired it. They knew what was going on. 201 00:12:50,880 --> 00:12:53,199 Speaker 1: They knew, I know, people who worked on this documentary. 202 00:12:53,480 --> 00:12:56,240 Speaker 1: They knew Wendy was struggling. They knew Wendy wasn't making 203 00:12:56,280 --> 00:13:00,280 Speaker 1: good decisions. They saw it. They literally documented her melt 204 00:13:00,280 --> 00:13:02,600 Speaker 1: and we all saw it. Anyone that watched that documentary 205 00:13:03,000 --> 00:13:07,600 Speaker 1: saw her struggle, saw her difficulties, and nobody, not one 206 00:13:07,640 --> 00:13:10,880 Speaker 1: person on the production side, on the network side, said 207 00:13:10,920 --> 00:13:13,760 Speaker 1: hang on a minute, guys, we got to stop. This 208 00:13:13,880 --> 00:13:15,559 Speaker 1: is just not right. It's going to make us a 209 00:13:15,600 --> 00:13:17,600 Speaker 1: lot of money, and it's going to get a lot 210 00:13:17,600 --> 00:13:20,200 Speaker 1: of viewers and a lot of publicity. But Is it 211 00:13:20,280 --> 00:13:22,560 Speaker 1: actually right to do this? It's a big question too 212 00:13:22,559 --> 00:13:25,720 Speaker 1: on a lot of reality shows, the Real Housewives going 213 00:13:25,760 --> 00:13:29,240 Speaker 1: through a legal process right now, but maybe more concerning 214 00:13:29,320 --> 00:13:33,200 Speaker 1: as a moral question. Two, is it right to wind 215 00:13:33,320 --> 00:13:36,839 Speaker 1: these people up? Often many of them have mental health struggles, 216 00:13:37,400 --> 00:13:40,040 Speaker 1: licker them up and then wind them up and then 217 00:13:40,080 --> 00:13:44,520 Speaker 1: film them explode, explode, They literally explode on these shows. 218 00:13:45,040 --> 00:13:48,080 Speaker 1: Is that right? I think that's a much bigger question. 219 00:13:48,480 --> 00:13:53,760 Speaker 1: This one surprised me. So Universal is responding to allegations 220 00:13:53,760 --> 00:13:56,760 Speaker 1: that Ariana Grande made a lot more money than Cynthia 221 00:13:56,960 --> 00:14:01,559 Speaker 1: Rivu in the new fabulous movie Wicked. So Universal has 222 00:14:01,559 --> 00:14:06,760 Speaker 1: addressed swirling rumors are a massive pay discrepancy between the 223 00:14:06,800 --> 00:14:12,000 Speaker 1: Wicked co stars, dismissing claims that are quote completely false. 224 00:14:12,400 --> 00:14:16,640 Speaker 1: Now reports suggested that Arianna received fifteen million, one five 225 00:14:17,040 --> 00:14:21,440 Speaker 1: for her role as Glinda, while Cynthia a Revo allegedly 226 00:14:21,640 --> 00:14:25,120 Speaker 1: was paid just one million for her role of Alphaba. 227 00:14:25,600 --> 00:14:32,960 Speaker 1: A Universal spokesperson clarified quote reports of pay disparity between 228 00:14:33,240 --> 00:14:39,640 Speaker 1: Cynthia and Arianna are completely false and based on Internet voda. 229 00:14:40,240 --> 00:14:44,680 Speaker 1: In fact, the women received equal pay for their work 230 00:14:44,800 --> 00:14:47,760 Speaker 1: on Wicked, so I'm told they did get the same amount. 231 00:14:47,800 --> 00:14:49,840 Speaker 1: It's a lot less than fifteen million, but it's a 232 00:14:49,840 --> 00:14:53,040 Speaker 1: lot more than one million. They got a good fee. Now, 233 00:14:53,080 --> 00:14:55,800 Speaker 1: the reason Ariana got the same fee is Ariana might 234 00:14:55,840 --> 00:14:58,560 Speaker 1: be a global superstar here, but she's not an actress, 235 00:14:58,640 --> 00:14:59,920 Speaker 1: or at least he's not known to be an act 236 00:15:00,240 --> 00:15:02,520 Speaker 1: So the studio actually took a bit of a risk 237 00:15:02,560 --> 00:15:05,480 Speaker 1: on Ariana Grande. She really wanted this part. She auditioned 238 00:15:05,520 --> 00:15:07,960 Speaker 1: for it like five or six times. You don't audition 239 00:15:08,040 --> 00:15:10,080 Speaker 1: five or six times and then after you get it 240 00:15:10,320 --> 00:15:14,200 Speaker 1: demand a massive salary. I think Arianna would have done this. 241 00:15:14,480 --> 00:15:16,680 Speaker 1: I don't want to say for nothing. That's a cliche, 242 00:15:16,760 --> 00:15:19,000 Speaker 1: but she would have done this regardless of the pay. 243 00:15:19,080 --> 00:15:22,239 Speaker 1: She doesn't need the money. She's got hundreds of millions. 244 00:15:22,440 --> 00:15:25,320 Speaker 1: Cynthia needs the money, maybe not. She makes a good 245 00:15:25,320 --> 00:15:29,800 Speaker 1: living too. We would love her wages, her salary. But nevertheless, 246 00:15:30,080 --> 00:15:33,000 Speaker 1: she doesn't live like Ariana Grande. She does very very well, 247 00:15:33,040 --> 00:15:35,840 Speaker 1: but she does not live like Ariana Grande's. They both 248 00:15:36,240 --> 00:15:38,720 Speaker 1: got the same amount. Let's be honest here, Hollywood is 249 00:15:38,720 --> 00:15:41,400 Speaker 1: a business. Movies are a business. If I don't have 250 00:15:41,480 --> 00:15:43,640 Speaker 1: to pay you more, if you really, really really want 251 00:15:43,680 --> 00:15:46,880 Speaker 1: this part with Arianna certainly didn't. Then why would I 252 00:15:46,880 --> 00:15:49,480 Speaker 1: give you all this money? It just doesn't make any sense. 253 00:15:49,520 --> 00:15:51,040 Speaker 1: They both got the same and it was a lot 254 00:15:51,120 --> 00:15:54,960 Speaker 1: less than fifteen million. Okay, we're going to take a 255 00:15:55,040 --> 00:15:59,240 Speaker 1: quick break and we will be right back. Welcome back 256 00:15:59,280 --> 00:16:02,080 Speaker 1: to the Naughty nine. Roush you the hey, let's get 257 00:16:02,320 --> 00:16:07,360 Speaker 1: to the polls. Are you ready that the dull? You 258 00:16:07,520 --> 00:16:13,200 Speaker 1: sound thevelous? The last show revealed Kate Middleton and Williams 259 00:16:13,720 --> 00:16:16,720 Speaker 1: plans to join the royal family this Christmas. They're all 260 00:16:16,800 --> 00:16:20,040 Speaker 1: gonna be together at the Sangrington estate. They're not going 261 00:16:20,080 --> 00:16:23,640 Speaker 1: up to Bellmarle this year in Scotland. They're going to Sandrington, 262 00:16:23,680 --> 00:16:26,760 Speaker 1: which is a beautiful estate about two hours out outside 263 00:16:26,760 --> 00:16:29,240 Speaker 1: of of London. A question was pretty simple, would you 264 00:16:29,280 --> 00:16:30,560 Speaker 1: like to join them? Would you like to be if 265 00:16:30,600 --> 00:16:33,840 Speaker 1: the Royals this Christmas? What do you think? It sounds 266 00:16:33,840 --> 00:16:35,800 Speaker 1: pretty fabulous, doesn't it? Would you like to I'd like 267 00:16:35,840 --> 00:16:38,320 Speaker 1: to be with them on Thanksgiving, that Christmas, at Easter 268 00:16:38,760 --> 00:16:41,840 Speaker 1: a passerver, I'd like to do all of the all 269 00:16:41,920 --> 00:16:44,160 Speaker 1: of the above. Let's have a look. Eighty five percent 270 00:16:44,200 --> 00:16:47,320 Speaker 1: he said, yes, you would love to be there? I agree, 271 00:16:47,400 --> 00:16:49,640 Speaker 1: don't forget to vote on today's poll, go out to 272 00:16:49,760 --> 00:16:52,160 Speaker 1: the Patriot Naughty Nights rob or our Facebook patriots is 273 00:16:52,240 --> 00:16:54,000 Speaker 1: no only yours in and be sure to check back 274 00:16:54,040 --> 00:16:57,360 Speaker 1: to marrow to hear your results. And now it's time 275 00:16:57,400 --> 00:17:03,240 Speaker 1: for our nicest of the day. Oh Ariana Grande refused 276 00:17:03,240 --> 00:17:05,960 Speaker 1: to sing a hip hop version in Wicked of the 277 00:17:05,960 --> 00:17:11,679 Speaker 1: popular song Popular, saying absolutely not so. The Grammy winner 278 00:17:12,160 --> 00:17:15,920 Speaker 1: wasn't looking to change the beloved song Popular from Wicked, 279 00:17:16,320 --> 00:17:19,719 Speaker 1: despite being pitched a different new version of the tune. 280 00:17:20,119 --> 00:17:22,480 Speaker 1: What happened to here is Stephen Schwartz, the brilliant the 281 00:17:22,560 --> 00:17:26,159 Speaker 1: film the musical's brilliant composer and lyricist. He said in 282 00:17:26,200 --> 00:17:28,760 Speaker 1: an interview that, in the spirit of being open to 283 00:17:28,840 --> 00:17:32,400 Speaker 1: new things for the movie, my music team and I thought, 284 00:17:32,480 --> 00:17:36,520 Speaker 1: let's refresh the rhythm. Let's maybe, I don't know, hip 285 00:17:36,600 --> 00:17:38,680 Speaker 1: hop it up a little bit. So were going to 286 00:17:38,800 --> 00:17:41,760 Speaker 1: change the rhythm of this song, make it more contemporary, 287 00:17:42,040 --> 00:17:44,359 Speaker 1: make it. They wanted a hit record, They wanted a 288 00:17:44,400 --> 00:17:48,080 Speaker 1: record on the radio, and so Arianna Grande certainly knows 289 00:17:48,080 --> 00:17:50,159 Speaker 1: how to do that, but she wasn't gonna get it. 290 00:17:50,160 --> 00:17:53,840 Speaker 1: They didn't think with Popular as the stage version, but 291 00:17:53,920 --> 00:17:57,680 Speaker 1: Arianna said no, she said absolutely not, don't do it. 292 00:17:58,080 --> 00:18:03,120 Speaker 1: I want to be Glinda Riana Grande playing Glinda. Hey, 293 00:18:03,200 --> 00:18:05,320 Speaker 1: good for you. And the last time I looked, just 294 00:18:05,359 --> 00:18:07,240 Speaker 1: a few minutes ago, it is on the charts. It's 295 00:18:07,320 --> 00:18:12,520 Speaker 1: number fourteen. And so stick to what is right. Don't 296 00:18:12,560 --> 00:18:16,080 Speaker 1: be changing things up. If it ain't broken, don't fix it. 297 00:18:16,320 --> 00:18:17,920 Speaker 1: And nice is of the day, and I notice the 298 00:18:18,000 --> 00:18:23,360 Speaker 1: day naughty. We now know why brother has dumped everybody 299 00:18:23,359 --> 00:18:28,080 Speaker 1: on vander Pump Rules and they're starting over after twelve seasons. 300 00:18:28,520 --> 00:18:34,160 Speaker 1: So sources reveal the drastic decision was completely creative, not financial. 301 00:18:34,480 --> 00:18:37,120 Speaker 1: So they're leaving behind a lot of their stars, Tom 302 00:18:37,160 --> 00:18:41,880 Speaker 1: scandalval Adriana, Ash's gone, Katie. They'll all be fired. They're 303 00:18:41,920 --> 00:18:45,200 Speaker 1: devastated about it. But insiders told people that the show 304 00:18:45,600 --> 00:18:49,840 Speaker 1: had no path forward with the original cast due to 305 00:18:49,840 --> 00:18:53,200 Speaker 1: the ongo intentions. They said, quote, everyone is still stuck 306 00:18:53,480 --> 00:18:56,679 Speaker 1: in their feelings after the reunion, there was no bending, 307 00:18:56,800 --> 00:18:59,159 Speaker 1: no moving forward. It got so nasty. I hate this, 308 00:18:59,280 --> 00:19:01,800 Speaker 1: don't you. These shows that started off so much fun, 309 00:19:01,880 --> 00:19:05,679 Speaker 1: so much silliness, so much so much joy gets so 310 00:19:06,000 --> 00:19:08,880 Speaker 1: dark and nasty. We've seen it on Housewives we saw 311 00:19:08,920 --> 00:19:12,040 Speaker 1: it on vander Pump and now these cast members, they're 312 00:19:12,040 --> 00:19:15,240 Speaker 1: gonna regret this because we're gonna forget them in six months. 313 00:19:15,560 --> 00:19:19,800 Speaker 1: Remember when Stassy Schroeder got fired from vander Pump Brules 314 00:19:19,840 --> 00:19:22,400 Speaker 1: because of her racist comments. She at the time thought 315 00:19:22,440 --> 00:19:25,000 Speaker 1: she would go on to do bigger, better stuff. She hasn't. 316 00:19:25,320 --> 00:19:28,320 Speaker 1: We don't remember her anymore. The same with the housewives. 317 00:19:28,560 --> 00:19:31,440 Speaker 1: Once they're not on the show, the moment passes, So 318 00:19:31,560 --> 00:19:33,280 Speaker 1: make as much money as you can. Now, if you're 319 00:19:33,320 --> 00:19:35,600 Speaker 1: listening a lower, lower low, because we're having a whole 320 00:19:35,680 --> 00:19:38,040 Speaker 1: new cast and this is your own fault, you should 321 00:19:38,080 --> 00:19:40,600 Speaker 1: have all got together and said, are we gonna cut 322 00:19:40,640 --> 00:19:43,439 Speaker 1: off our noses to spite our face? Are we really 323 00:19:43,800 --> 00:19:45,840 Speaker 1: gonna be that we can't work together? Or are we 324 00:19:45,840 --> 00:19:48,879 Speaker 1: gonna just be that that's stubborn, that angry, that we're 325 00:19:48,920 --> 00:19:53,639 Speaker 1: gonna blow a lot of money and our freers over pettiness. 326 00:19:53,680 --> 00:19:56,560 Speaker 1: The answer is yes, you did our naughties of the day. 327 00:19:56,800 --> 00:20:00,080 Speaker 1: Let's end with a moment of Rob gonna Rob. If 328 00:20:00,080 --> 00:20:03,720 Speaker 1: you're chasing your dreams, you're not running fast enough. Run faster. 329 00:20:04,280 --> 00:20:06,639 Speaker 1: I say that with love, you can run faster than 330 00:20:06,680 --> 00:20:11,240 Speaker 1: you think And your dreams are much closer than you 331 00:20:11,520 --> 00:20:17,640 Speaker 1: ever ever thought. Run fast and catch those dreams. Hey, 332 00:20:17,680 --> 00:20:19,879 Speaker 1: that is bit for today. Thank you so much for 333 00:20:19,920 --> 00:20:21,960 Speaker 1: listening to the Noise Bit Nice with Rob and the 334 00:20:22,119 --> 00:20:24,800 Speaker 1: Naughtise Show. You're the co hosts today. We're a production 335 00:20:25,160 --> 00:20:29,040 Speaker 1: of iHeartRadio. Don't forget to subscribe on the iHeartRadio Apple podcast. 336 00:20:29,080 --> 00:20:30,960 Speaker 1: Wherever you listen, leave us a view if you can. 337 00:20:31,000 --> 00:20:34,399 Speaker 1: They really do help and remember altogether, and I let 338 00:20:34,400 --> 00:20:38,080 Speaker 1: me hear you singing along. If you're going to be naughty, 339 00:20:38,640 --> 00:20:43,919 Speaker 1: you got to be nice. Take care of everybody. Happy Thanksgiving. Gobble, gobble, 340 00:20:46,359 --> 00:20:48,640 Speaker 1: it's not even nice with roun