WEBVTT - Episode 499 w/ John Leguizamo

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<v Speaker 1>He is drink chess, motherfucking podcast man. He's a legends

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<v Speaker 1>every queens rapper. He ain't agreed. That's your boy in

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<v Speaker 1>O R E. He's a Miami hip pop pioneer, put up.

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<v Speaker 2>As d J e f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>you know.

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<v Speaker 3>What I mean.

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<v Speaker 4>And the most professional, unprofessional podcast and your number one source.

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<v Speaker 5>For drunk d chans mo postcavery Days, New Year c

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<v Speaker 5>that's it's time for drink champs.

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<v Speaker 1>Drink up mother? What good sho be? This your boy

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<v Speaker 1>in O R E? What up is d J e

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<v Speaker 1>f N. And this Miller tip crazy rope. And when

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<v Speaker 1>I tell you we got a legend, legend, we got

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<v Speaker 1>an icon. This man can do it all. Man.

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<v Speaker 6>We're gon to give him his flowers, but to make

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<v Speaker 6>sure that he understands how important he is to this

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<v Speaker 6>coach and get it into it.

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<v Speaker 1>He's a legend, legend. He for you. Many years I

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<v Speaker 1>was scared of him. We're gonna get into it. You

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<v Speaker 1>don't know what too, abue. No, I'm not gonna lie.

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<v Speaker 1>Let me just get get that out the way. For

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<v Speaker 1>years I was scared of Benny Blockole all that he

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<v Speaker 1>creeps up on you and then.

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<v Speaker 6>Like I didn't know that, like like I was like

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<v Speaker 6>so young when I first saw that.

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<v Speaker 1>I didn't know that was a character.

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<v Speaker 6>Like I thought that was somebody sent you in another build.

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<v Speaker 1>But I'm like, wait a minute, why bitty block? Ye possible?

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<v Speaker 1>You must you were mad young, so you quee. That's

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<v Speaker 1>another thing that even Queen Jackson Heights.

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<v Speaker 7>Got Yeah yeah, yeah, yeah, Okay he was seventy nine.

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<v Speaker 3>Okay, so March for one year, be a Ford Catholic

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<v Speaker 3>school Okay, okay, then Bertram the rest Okay.

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<v Speaker 6>So no, they're from the Queens where I'm from. Like,

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<v Speaker 6>like what I mean by that is uh. I recently

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<v Speaker 6>ran the Queensboro U and they called it Queens the

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<v Speaker 6>world borough. Now I had never heard that expression already,

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<v Speaker 6>but it is the world bor. Like I grew up,

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<v Speaker 6>like my neighbor was Russian. Yeah yeah, I know I'm

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<v Speaker 6>sad in naive. I know I'm sat the naive, right,

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<v Speaker 6>But I grew up My neighbor was Russian. My downa

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<v Speaker 6>blocked person was a Haitian. Up the block was a Colombian.

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<v Speaker 1>You know what I mean? I know I'm sat in naive.

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<v Speaker 6>I didn't understand racism until like I was an adult,

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<v Speaker 6>because we all kind of lived.

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<v Speaker 3>It's okay, Yes, So when I cut to Jackson Heights,

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<v Speaker 3>we were the second Latin family on the block, and

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<v Speaker 3>it was white flight was happening. You know, well you

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<v Speaker 3>know before they left. It's trying to give me a beating,

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<v Speaker 3>you know.

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<v Speaker 1>And it was everybody was leaving.

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<v Speaker 3>All the whites peoples were leaving, Irish, Italian, Jews, Germans,

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<v Speaker 3>there were there were everybody was leaving. But I got

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<v Speaker 3>beat up a lot. Yeah, so I saw racism matterly.

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<v Speaker 3>And like when you when you're playing games with these

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<v Speaker 3>when with the white kids and you beat them at something,

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<v Speaker 3>all of a sudden you're a spick and that's like,

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<v Speaker 3>you know, nine years old, I realized, oh I'm somebody,

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<v Speaker 3>I'm other.

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<v Speaker 1>I've seeing this other no matter what. Now your Puerto

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<v Speaker 1>Rican and Columbia.

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<v Speaker 3>Yah, that's right, okay, I got it mixed.

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<v Speaker 6>I was reading where you said that you had to

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<v Speaker 6>like study the Colombian accent.

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<v Speaker 1>Yes, it did. Now for people who don't know, right,

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<v Speaker 1>who has it come to Jackson Heighth schoo Corona, I'm Hurrison.

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<v Speaker 6>What is the difference between the Puerto Rican accent and

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<v Speaker 6>a Columbia accent.

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<v Speaker 1>Well, a Puerto Rican accent is more.

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<v Speaker 3>I got wrong, I hindle man because and then Colombian.

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<v Speaker 3>But was you get sat down food mal.

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<v Speaker 1>People from sound.

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<v Speaker 4>More Caribbean like they they got American action Puerto Rican.

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<v Speaker 1>That was a myth.

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<v Speaker 3>The gene action that's a Pablo Escobar type of accent.

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<v Speaker 6>Gene accent is different from overall Columbian exactly, exactly the

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<v Speaker 6>old school colonial conquest accent because in Spain and.

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<v Speaker 3>Think, okay, scornation and that that's the same one from

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<v Speaker 3>Spain is the same one. They haven't met the gene

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<v Speaker 3>like I said, so that you know.

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<v Speaker 6>There's been so many stories told by Pablo and I

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<v Speaker 6>heard the difference between your story. This is the first

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<v Speaker 6>time the family actually, Kosa, that's that's rights unique.

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<v Speaker 1>I saw the whole There is a unique, very unique.

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<v Speaker 3>Ye, right, Joe, because it's the first authorized by the

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<v Speaker 3>family and by the son. So we're telling stories that

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<v Speaker 3>no one knows. So he's telling what happens behind closed

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<v Speaker 3>doors between his father and his mother, what happened between

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<v Speaker 3>him and his father, and the conflicts that they had.

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<v Speaker 3>Even though Pablo was the son told me directly. His

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<v Speaker 3>new name is said Stam for security purposes.

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<v Speaker 2>And at the end they called him when he was Argentine.

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<v Speaker 1>He's a teacher or something, right, he does.

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<v Speaker 3>He goes around preaching around the world and doing speeches

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<v Speaker 3>about peace and love and all that. So he really

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<v Speaker 3>escaped the life. He definitely did. But he told me,

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<v Speaker 3>you know, growing up in that life, you know, he

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<v Speaker 3>had these babysitters because he couldn't go to school because

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<v Speaker 3>theyre afraid of being kidnapped or assassinated, and the other

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<v Speaker 3>kids were scared of him, so he.

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<v Speaker 1>Had to be homeschool.

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<v Speaker 3>But his pops, Polo Schobar, got him babysitters who were

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<v Speaker 3>he didn't know where assassins right, right, but they were

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<v Speaker 3>real killers.

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<v Speaker 1>Their friends.

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<v Speaker 2>He raised them, they raised you, getting the whole series.

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<v Speaker 1>But they're not family.

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<v Speaker 3>So some of them became informants, right, and so had

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<v Speaker 3>off them. And that's when the son in him got conflict.

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<v Speaker 3>At nineteen, before his pops died, he had words with

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<v Speaker 3>his pops and he said to him, look a you're

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<v Speaker 3>gonna kill next my my grandma.

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<v Speaker 1>She looks you the wrong way.

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<v Speaker 3>Mind, she says the wrong thing to you is this

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<v Speaker 3>the kind of life that when does this killing stop?

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<v Speaker 3>And that was the last speech he had it with

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<v Speaker 3>his pops work for word, and that's what we have

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<v Speaker 3>in the series.

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<v Speaker 4>Yet the POV is very unique for especially for these

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<v Speaker 4>type of series like the Narco series, because I hadn't

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<v Speaker 4>seen nothing like.

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<v Speaker 1>It, and my action is the best.

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<v Speaker 3>But all the Latin actors, because you know, white actors

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<v Speaker 3>have to do Hamlet Latin actors and uys have to

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<v Speaker 3>do public because he tore did it, Javier Bardem did it,

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<v Speaker 3>Wagner More did it. But I think my accent is

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<v Speaker 3>the dopest, you know, I did. And I got the

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<v Speaker 3>physicality too, because because he had like a slow movement

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<v Speaker 3>for like a tough guy, he was mad slow and

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<v Speaker 3>he had like a breathing problem. He paused a lot,

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<v Speaker 3>so I don't think so I was trying to really

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<v Speaker 3>capture all his rhythms and patterns.

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<v Speaker 1>How do you did you study?

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<v Speaker 2>Like home footage, like what did you watch?

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<v Speaker 1>You got someone? He had home footage that he showed me.

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<v Speaker 3>Of a couple of home visits, the showing you this,

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<v Speaker 3>yeah yeah, yeah, he's got to showing me all these uh,

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<v Speaker 3>behind the scenes footage of different events they had for family,

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<v Speaker 3>and then I study everything on YouTube and and tapes

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<v Speaker 3>and to get it perfect. And the other thing he

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<v Speaker 3>told me was that in Columbia back in the eighties,

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<v Speaker 3>pops were about tough love. When they had a Sunday

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<v Speaker 3>it was it wasn't your kissing it. It's like, you know,

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<v Speaker 3>be tough with the macho kids. But his pops, because

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<v Speaker 3>he was near death all the time, hogged them kissed him,

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<v Speaker 3>said I love you publicly and change. The culture in

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<v Speaker 3>Columbia between fathers and sons.

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<v Speaker 1>Must have been conflicting too. For the sun like showing conflicting, bro.

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<v Speaker 3>He grew up in this place where his dad was

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<v Speaker 3>so charismatic and loving, but they lived in total paranoia.

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<v Speaker 3>Like Pablo couldn't hang out with the family all the time.

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<v Speaker 3>He had to be the from place to be a decoy.

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<v Speaker 3>So how do you live like that? Constant movie and

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<v Speaker 3>constant changing spots.

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<v Speaker 1>It's rough.

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<v Speaker 4>Like we when I went to when I went to Columbia,

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<v Speaker 4>we went to many yings and we went to that

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<v Speaker 4>building the one that.

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<v Speaker 3>Yeah yeahs leather right yeah yeah yeah, and not.

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<v Speaker 2>Too far as where he died, now you the meloe.

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<v Speaker 3>Yeah, we filed in areas near where Pablo lived and

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<v Speaker 3>was assassinated. But we had to do new spots because

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<v Speaker 3>it's all destroyed.

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<v Speaker 1>Everything is destroyed. And how much of the movie you

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<v Speaker 1>say you shot in Columbia?

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<v Speaker 3>All of it? Okay, okay, fifty Vacasians. Crew was Argentine,

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<v Speaker 3>Mexican and Colombian. So much talent, man, so much talent

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<v Speaker 3>in Latin America.

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<v Speaker 1>Okay. Now us as rappers.

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<v Speaker 2>Yeah yeah, yeah and DJs and.

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<v Speaker 6>We go to Columbia and most of us, for lack

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<v Speaker 6>of a better term, we be extorted.

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<v Speaker 1>Like they make us.

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<v Speaker 6>Like, you know, you want to go look at Pablo's

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<v Speaker 6>you got to pay a certain amount of a certain amount,

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<v Speaker 6>yeah yeah, yeah, yeah yeah.

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<v Speaker 1>Is that something that you you ran into him? No, no, no, no,

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<v Speaker 1>had the blessings?

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<v Speaker 3>Okay, yeah, because we we we promised them also that

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<v Speaker 3>we weren't going to idolize him in the series.

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<v Speaker 1>Like meaning like ida the criminal part of him.

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<v Speaker 3>Yeah, yeah, to make him like you know, become a

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<v Speaker 3>recruiting you know situation. We want to make sure we

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<v Speaker 3>showed the humanize him, but also showed that he lived

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<v Speaker 3>on the paranoid that's not a lifestyle that ends up.

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<v Speaker 1>You know, you end up surviving, you don't survive it.

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<v Speaker 3>He's he's we're fascinated by him because he grew up

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<v Speaker 3>from extreme poverty and became the wealthiest criminal in the

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<v Speaker 3>history of the world. He died being worth thirty billion

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<v Speaker 3>by today's uh seventy billion.

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<v Speaker 1>Did we make some noise to that? You got to

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<v Speaker 1>make some noise. He was one of the most ruthless

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<v Speaker 1>ones too. He kind of like invented the n terrorism. Yes,

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<v Speaker 1>he did narco terrorism exactum, I hit it correctly. You know.

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<v Speaker 3>He did a ton of assassinations on politicians, journalists, anybody

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<v Speaker 3>who opposed them.

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<v Speaker 1>Crazy wow, like what Trump does verbally.

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<v Speaker 6>That's that's the point that I wanted to bring, Like yeah, yeah, yeah.

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<v Speaker 1>You know, what's the book you wrote?

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<v Speaker 3>Pimps whole pimps, host and player hitters and the rest

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<v Speaker 3>of my Hollywood friends. Don't ever Here's here's the big tip.

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<v Speaker 3>Don't ever write an autobiography until you're about to die

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<v Speaker 3>or retire, because you fuck up your life. I mean,

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<v Speaker 3>I was only like thirty nine or forty was. It

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<v Speaker 3>cost me a lot of problems for real, because you're

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<v Speaker 3>gutting people, well, you're saying ship that nobody wants to

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<v Speaker 3>be set and I said it, and then all of

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<v Speaker 3>a sudden, I'm like, not casting this movie, not casting

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<v Speaker 3>that movie. Yeah, you know, on the d L, nobody's

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<v Speaker 3>telling me I'm being blasted, blacklisted.

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<v Speaker 1>But it's not on you know, on full blast.

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<v Speaker 4>Right.

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<v Speaker 1>But was was Hollywood something that let you down?

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<v Speaker 8>Oh?

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<v Speaker 1>Absolutely?

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<v Speaker 3>But you know I didn't know as a young man

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<v Speaker 3>what was going on. I just thought, you know, Hollywood

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<v Speaker 3>is not completely for us, but that's the way life is,

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<v Speaker 3>you know. I accepted it. And then as you get older,

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<v Speaker 3>I going, wait a minute, why isn't it for us?

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<v Speaker 3>Lattin people are thirty percent of the US box office,

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<v Speaker 3>a third of streamers, less than six percent of the actors,

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<v Speaker 3>and less than one percent of the stories and less

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<v Speaker 3>than point nine percent of the executives. How is that possible?

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<v Speaker 3>They're taking from us but giving us nothing back. That's

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<v Speaker 3>not okay. That's when I realized, and I woke up

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<v Speaker 3>and I was like, wait a.

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<v Speaker 1>Minute, what the fuck is going on? How can we

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<v Speaker 1>accept this?

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<v Speaker 3>White people are only fifty eight point two percent of

0:11:44.080 --> 0:11:47.440
<v Speaker 3>the population. Why were they getting a ninety percent of

0:11:47.440 --> 0:11:52.000
<v Speaker 3>the roles executive stories everything. It's an overreach and an

0:11:52.000 --> 0:11:55.000
<v Speaker 3>overrepresentation that's not not fair in any kind of book.

0:11:55.520 --> 0:11:56.920
<v Speaker 6>I saw you at a breakfast club and you was

0:11:56.960 --> 0:11:59.720
<v Speaker 6>talking about, are you going to watch all white movies?

0:12:00.040 --> 0:12:02.360
<v Speaker 1>I'm not gonna see white. I didn't realize. It's like

0:12:02.440 --> 0:12:03.320
<v Speaker 1>there's some good like.

0:12:05.960 --> 0:12:06.040
<v Speaker 4>You.

0:12:06.240 --> 0:12:11.080
<v Speaker 1>Like. I was like, you said that.

0:12:11.120 --> 0:12:17.760
<v Speaker 3>I didn't even realize you so used to realize that white.

0:12:17.480 --> 0:12:20.800
<v Speaker 1>Movies Jaws, I was like, all white. It was like

0:12:21.720 --> 0:12:25.000
<v Speaker 1>because even in the background. But I just finished watching

0:12:25.080 --> 0:12:27.079
<v Speaker 1>George and I was like, how the funk? I didn't

0:12:27.160 --> 0:12:28.200
<v Speaker 1>bet that future.

0:12:28.280 --> 0:12:32.959
<v Speaker 3>There's not one person called, not one person called Poulter.

0:12:33.080 --> 0:12:33.400
<v Speaker 1>Guys.

0:12:33.800 --> 0:12:36.040
<v Speaker 6>I'm bouncing around a little bit, but I love that

0:12:36.520 --> 0:12:44.319
<v Speaker 6>you got Ah, that's a Latin story for me.

0:12:44.600 --> 0:12:45.360
<v Speaker 1>I think it's up there with.

0:12:47.240 --> 0:12:50.760
<v Speaker 6>Up there with Willie Cologne as a story that I

0:12:50.800 --> 0:12:54.000
<v Speaker 6>would like for you to participate.

0:12:54.280 --> 0:12:56.480
<v Speaker 1>The big punch story. Oh that would be hot. We

0:12:56.720 --> 0:12:58.640
<v Speaker 1>got to do that. Why not? How come Fat Joe

0:12:58.720 --> 0:13:03.439
<v Speaker 1>hasn't done it? Family? Is the family not letting?

0:13:03.520 --> 0:13:03.679
<v Speaker 7>Uh?

0:13:04.800 --> 0:13:06.360
<v Speaker 1>I don't. I don't want to speak on that because

0:13:06.360 --> 0:13:06.720
<v Speaker 1>I don't know.

0:13:06.840 --> 0:13:09.280
<v Speaker 6>I don't know like the particulars, but I know that's

0:13:09.280 --> 0:13:12.920
<v Speaker 6>something that the hip hop game is missing and have

0:13:13.040 --> 0:13:14.760
<v Speaker 6>you you got to make me bit fun.

0:13:15.600 --> 0:13:19.520
<v Speaker 3>I didn't get to meet Wow. I met Bis Marquis.

0:13:20.640 --> 0:13:22.000
<v Speaker 3>I went to school with Q Tip.

0:13:22.200 --> 0:13:24.560
<v Speaker 1>Wow, I'm two weeks older yet. No, no where broke

0:13:24.800 --> 0:13:27.480
<v Speaker 1>went to Brooklyn.

0:13:26.480 --> 0:13:28.760
<v Speaker 3>No, No, Police Plaza, Manhattan.

0:13:29.280 --> 0:13:29.360
<v Speaker 1>Ok.

0:13:29.480 --> 0:13:32.360
<v Speaker 3>Yeah, yeah, I'm two years older than him.

0:13:32.559 --> 0:13:34.880
<v Speaker 1>No. I didn't mean him though. I was about that

0:13:35.000 --> 0:13:37.000
<v Speaker 1>met him. Yeah, I was.

0:13:37.040 --> 0:13:39.400
<v Speaker 3>I was like kind of hollywoody at that time. Oh yeah,

0:13:40.760 --> 0:13:42.440
<v Speaker 3>I was living in the hood anymore. I was like,

0:13:42.559 --> 0:13:44.240
<v Speaker 3>I was like trying to live large and try to

0:13:44.280 --> 0:13:46.480
<v Speaker 3>be you know, famous and shipped.

0:13:46.640 --> 0:13:49.600
<v Speaker 1>But when Holly would let you down, they were letting

0:13:49.600 --> 0:13:51.160
<v Speaker 1>me down. But they don't want to keep me away.

0:13:51.320 --> 0:13:52.760
<v Speaker 1>You can try to lock those doors, but I'm a

0:13:52.800 --> 0:13:56.199
<v Speaker 1>bust them open, right. But what was the hottest year

0:13:57.080 --> 0:13:58.560
<v Speaker 1>for me, dude?

0:13:59.200 --> 0:14:02.600
<v Speaker 3>A good year from was nineteen ninety four. I did

0:14:02.679 --> 0:14:05.720
<v Speaker 3>Carlito's Way, and I did Super Married Brothers, and I

0:14:05.760 --> 0:14:10.200
<v Speaker 3>did Tu Wang Fu And two years later I did Spawn.

0:14:10.679 --> 0:14:13.800
<v Speaker 3>I was the Clowning Spawn. I did The Pest. I

0:14:13.840 --> 0:14:17.839
<v Speaker 3>did Romeo and Juliet and I said three plays.

0:14:19.440 --> 0:14:24.480
<v Speaker 6>Yeah, and you're speaking of plays.

0:14:24.520 --> 0:14:26.520
<v Speaker 1>You did a one man play yeah, I did six,

0:14:27.160 --> 0:14:29.320
<v Speaker 1>six of them.

0:14:29.440 --> 0:14:31.520
<v Speaker 3>Four of them on Broadway. I'm broady man, and it

0:14:31.560 --> 0:14:33.000
<v Speaker 3>was hard to get the broad When I did Freak

0:14:33.040 --> 0:14:36.360
<v Speaker 3>on Broadway, they were like, they don't know if Latin

0:14:36.400 --> 0:14:37.440
<v Speaker 3>people are going to go to the theater.

0:14:37.560 --> 0:14:39.320
<v Speaker 1>They don't know if a.

0:14:38.920 --> 0:14:42.000
<v Speaker 3>Comedy about a Latin guy is gonna appeal to white people.

0:14:42.480 --> 0:14:44.400
<v Speaker 3>And Brody was all white at that time, you know,

0:14:45.000 --> 0:14:46.920
<v Speaker 3>so I was like the first all Latin show and

0:14:46.960 --> 0:14:49.760
<v Speaker 3>then half the population was Latino and black, and they

0:14:49.760 --> 0:14:52.000
<v Speaker 3>were astounded and sold out.

0:14:52.160 --> 0:14:54.560
<v Speaker 1>Like white people who come to the Broadway show though, Yeah, yeah.

0:14:54.400 --> 0:14:58.240
<v Speaker 3>The majority you know, the plays were mostly having classes. Yeah, y,

0:15:03.240 --> 0:15:07.040
<v Speaker 3>the Monica wonderful.

0:15:07.640 --> 0:15:08.200
<v Speaker 1>I love him.

0:15:09.800 --> 0:15:14.200
<v Speaker 6>So so I we asked you all, did Hollywood disappoint you?

0:15:14.320 --> 0:15:16.600
<v Speaker 6>What was something that Hollywood that that gave you?

0:15:16.680 --> 0:15:17.920
<v Speaker 1>And you was like, man, I.

0:15:17.840 --> 0:15:20.080
<v Speaker 6>Mean besides you know, getting out the hood or something

0:15:20.120 --> 0:15:20.400
<v Speaker 6>like that.

0:15:20.440 --> 0:15:23.320
<v Speaker 3>Well, I think Spike Lee giving me the lead role

0:15:23.680 --> 0:15:26.080
<v Speaker 3>in Summer Sam was a big deal for me. That

0:15:26.200 --> 0:15:27.640
<v Speaker 3>was a turning point in my life. And we went

0:15:27.680 --> 0:15:29.800
<v Speaker 3>to Cannes Film Festival with that, which I had never

0:15:29.880 --> 0:15:32.320
<v Speaker 3>been to. Was a big, big deal in Hollywood. Sisters,

0:15:32.840 --> 0:15:35.200
<v Speaker 3>and uh, it's well with Spike, and Spike is the

0:15:35.200 --> 0:15:38.200
<v Speaker 3>one that had the balls to make me a Latin.

0:15:38.040 --> 0:15:45.480
<v Speaker 1>Guy be the lead Spike's best.

0:15:46.080 --> 0:15:49.320
<v Speaker 4>Did you expect because with this series and it seems

0:15:49.320 --> 0:15:50.960
<v Speaker 4>like you've always there's a third that you've always been

0:15:50.960 --> 0:15:53.680
<v Speaker 4>trying to go back to your roots, like represent your roots.

0:15:53.760 --> 0:15:55.200
<v Speaker 1>Yeah, me and I have young.

0:15:55.120 --> 0:15:57.120
<v Speaker 4>Children, So in Gonto, I was like, this is dope

0:15:57.280 --> 0:16:00.920
<v Speaker 4>for representation for Colombians. Like I thought it was super dope,

0:16:00.960 --> 0:16:02.160
<v Speaker 4>Like how did that come about?

0:16:02.200 --> 0:16:02.360
<v Speaker 1>That?

0:16:02.400 --> 0:16:03.840
<v Speaker 2>The creation of that you be involved?

0:16:03.960 --> 0:16:06.680
<v Speaker 3>Oh dude, that was such an incredible experience for me

0:16:06.720 --> 0:16:08.880
<v Speaker 3>and how far we Latino people have come in this

0:16:08.960 --> 0:16:14.080
<v Speaker 3>country to have all Latin cast right and Latin director

0:16:14.120 --> 0:16:19.600
<v Speaker 3>and writer fran Conto Limnuel wrote the music, the ass music.

0:16:20.360 --> 0:16:22.720
<v Speaker 3>It was an incredible turning point for me. And I

0:16:22.840 --> 0:16:26.720
<v Speaker 3>improvised a lot for Bruno. I'm the Bruno.

0:16:27.160 --> 0:16:29.320
<v Speaker 1>Yeah yes, yeah.

0:16:29.480 --> 0:16:31.280
<v Speaker 3>The whole part too is if all we do is

0:16:31.320 --> 0:16:33.560
<v Speaker 3>talk about Bruno, that's another story.

0:16:33.920 --> 0:16:36.280
<v Speaker 2>So they're gonna have a ride in in Disney.

0:16:36.320 --> 0:16:38.720
<v Speaker 3>Now I did your voice for that. There's a parade

0:16:38.760 --> 0:16:41.840
<v Speaker 3>in Disney World for in Conto. Yeah. Yeah, that's huge, man, huge.

0:16:42.000 --> 0:16:44.680
<v Speaker 3>It be frozen, Yeah, it's the number one. It was

0:16:44.720 --> 0:16:47.560
<v Speaker 3>the number one Disney song in the history of Disney.

0:16:47.320 --> 0:16:48.840
<v Speaker 2>And I think it's it brings a lot of pride

0:16:48.840 --> 0:16:49.280
<v Speaker 2>being laudin.

0:16:49.440 --> 0:16:51.120
<v Speaker 4>When you go to Disney, you see these little girls

0:16:51.120 --> 0:16:54.000
<v Speaker 4>of all races, of all nationalities dressed up as the.

0:16:53.960 --> 0:16:59.520
<v Speaker 3>Little Because in Conto had the true Latino experience, black, indigenous,

0:16:59.640 --> 0:17:01.960
<v Speaker 3>and white. I didn't mixed and had you had all

0:17:02.000 --> 0:17:05.520
<v Speaker 3>the hair textures, the hair color, the different color skins.

0:17:05.640 --> 0:17:08.480
<v Speaker 3>It didn't have colorism, right, it was. It was such

0:17:08.480 --> 0:17:09.440
<v Speaker 3>a powerful experience.

0:17:10.960 --> 0:17:14.320
<v Speaker 2>I guess you didn't. You didn't watch little Kids?

0:17:14.400 --> 0:17:21.280
<v Speaker 6>Yes, yes, yeah, yeah, yeah, Okay, let me bounced around

0:17:21.480 --> 0:17:21.920
<v Speaker 6>real quick.

0:17:22.000 --> 0:17:25.960
<v Speaker 1>Right. Did you get to see Bad Bunny in Puerto Rico? No,

0:17:26.040 --> 0:17:28.480
<v Speaker 1>I didn't. I didn't get I was filming, Uh, I

0:17:28.520 --> 0:17:29.719
<v Speaker 1>can't remember. I was filming.

0:17:29.800 --> 0:17:33.480
<v Speaker 3>Uh. The which is coming out in July. It can

0:17:33.520 --> 0:17:36.080
<v Speaker 3>be the biggest movie in the history of Hollywood.

0:17:36.359 --> 0:17:36.879
<v Speaker 1>A shot to that.

0:17:37.000 --> 0:17:44.240
<v Speaker 3>Yeah, shot two Latinos and three black people in it.

0:17:44.240 --> 0:17:46.239
<v Speaker 1>It's not an all white movie, so I'm gonna see it.

0:17:46.520 --> 0:17:49.280
<v Speaker 6>But I just wanted to, like, the first time I've

0:17:49.280 --> 0:17:51.879
<v Speaker 6>ever seen this before, what Bad Bunny did, Like he

0:17:51.920 --> 0:17:53.159
<v Speaker 6>brung everyone.

0:17:52.800 --> 0:17:56.400
<v Speaker 1>To the island right like like he did it all back.

0:17:56.600 --> 0:18:01.480
<v Speaker 6>Yeah, and he and he said uh uh like he

0:18:01.560 --> 0:18:03.680
<v Speaker 6>basically went on tour in Puerto Rico.

0:18:03.760 --> 0:18:04.240
<v Speaker 1>Incredible.

0:18:04.359 --> 0:18:06.720
<v Speaker 6>I've never saw this now in my life, Like and

0:18:06.840 --> 0:18:08.960
<v Speaker 6>like all the people that showed up, like it was

0:18:09.080 --> 0:18:10.679
<v Speaker 6>all energy, like the.

0:18:11.080 --> 0:18:14.199
<v Speaker 3>Beautiful man half time Super Bowl. Come on, you know,

0:18:14.240 --> 0:18:15.080
<v Speaker 3>I was crying.

0:18:15.160 --> 0:18:17.000
<v Speaker 1>Man's so beautiful.

0:18:17.040 --> 0:18:20.680
<v Speaker 3>It was, dude, it was so emotional after what you're

0:18:20.680 --> 0:18:23.000
<v Speaker 3>watching on TikTok and the gram. You see all these

0:18:23.200 --> 0:18:26.840
<v Speaker 3>Latin bodies being assaulted, moms and children, and then you

0:18:26.880 --> 0:18:33.400
<v Speaker 3>saw this love against hate theme, you know, all these

0:18:33.480 --> 0:18:37.520
<v Speaker 3>Latin young people celebrating their culture, celebrating themselves. Yo, that

0:18:37.600 --> 0:18:42.080
<v Speaker 3>was so powerful. And all the Easter eggs, like the

0:18:42.400 --> 0:18:47.440
<v Speaker 3>original Puerto Rican flag that was banned. Yeah, the slavery like, yes,

0:18:48.080 --> 0:18:50.000
<v Speaker 3>the whole thing is so powerful. Man, he had to

0:18:50.040 --> 0:18:52.119
<v Speaker 3>bat buddy.

0:18:56.000 --> 0:18:58.520
<v Speaker 6>Okay, let's schoo back to beating block for a second, right, Okay,

0:18:59.520 --> 0:19:02.000
<v Speaker 6>our rest I'm weere that you had to actually because

0:19:02.440 --> 0:19:05.919
<v Speaker 6>a queen's kid anybody from New York, right, Yeah, Well

0:19:06.000 --> 0:19:08.800
<v Speaker 6>though Queens and Bronx is twenty minutes away, it's still

0:19:08.840 --> 0:19:12.000
<v Speaker 6>a whole sepper who a whole super field, even even

0:19:12.080 --> 0:19:14.960
<v Speaker 6>Queens Long Island, even Queens oh yeah, Brooklyn totally like

0:19:14.960 --> 0:19:17.879
<v Speaker 6>it's totally different. So how did you, like, I know,

0:19:17.920 --> 0:19:20.080
<v Speaker 6>you said you hung out in the Bronx, but how

0:19:20.080 --> 0:19:22.800
<v Speaker 6>did you actually study for that character? Because like to

0:19:22.800 --> 0:19:25.239
<v Speaker 6>this day, I know who you are and I can

0:19:25.320 --> 0:19:27.320
<v Speaker 6>still look at that character and still be scared.

0:19:28.560 --> 0:19:30.000
<v Speaker 1>So how did you study for that?

0:19:30.040 --> 0:19:33.840
<v Speaker 9>Like like, oh, yeah, well, you know, I mean I

0:19:33.840 --> 0:19:37.119
<v Speaker 9>grew up in Queens and when I was young, I

0:19:37.200 --> 0:19:40.800
<v Speaker 9>hung out a lot, and there were some drug dealers

0:19:40.840 --> 0:19:42.439
<v Speaker 9>and I hung out with them at times.

0:19:42.440 --> 0:19:45.200
<v Speaker 3>You know, I never did anything bad. Well not really,

0:19:45.200 --> 0:19:49.520
<v Speaker 3>I'm not lying. I'm lying, but I but you know,

0:19:49.680 --> 0:19:51.920
<v Speaker 3>I I that was in my life. I saw where

0:19:51.920 --> 0:19:53.840
<v Speaker 3>I was leading to, so I kind of avoid I

0:19:53.840 --> 0:19:55.200
<v Speaker 3>just hung out with them at the park and played

0:19:55.200 --> 0:19:58.919
<v Speaker 3>handball with them and whatnot in basketball. But for the movie,

0:19:59.560 --> 0:20:01.840
<v Speaker 3>I I.

0:20:00.960 --> 0:20:04.840
<v Speaker 1>I did the research. I hung with these two brothers. No, no, no,

0:20:04.800 --> 0:20:06.880
<v Speaker 1>we did in the l e s okay.

0:20:06.960 --> 0:20:10.520
<v Speaker 3>And then his brother had been shot the week before, okay,

0:20:10.760 --> 0:20:12.680
<v Speaker 3>So I was walking around with him doing the rounds,

0:20:12.720 --> 0:20:15.679
<v Speaker 3>going to the house, storing the stuff and whatnot in

0:20:15.720 --> 0:20:18.440
<v Speaker 3>the collection and and they were selling and I was

0:20:18.520 --> 0:20:20.840
<v Speaker 3>just viewed and watched, but it was it was kind

0:20:20.840 --> 0:20:22.840
<v Speaker 3>of stupid because I could have been shot too. I

0:20:22.840 --> 0:20:25.720
<v Speaker 3>mean yeah, I mean I was kind of I was

0:20:25.800 --> 0:20:28.000
<v Speaker 3>kind of dumb and young and and I put my

0:20:28.040 --> 0:20:30.200
<v Speaker 3>life into my hands. But you know, I learned a lot.

0:20:30.400 --> 0:20:34.040
<v Speaker 3>And so when I came to Carlito's way, I was gonna, Yo,

0:20:34.160 --> 0:20:36.639
<v Speaker 3>this movie is mine. I'm gonna take this movie.

0:20:36.680 --> 0:20:38.640
<v Speaker 1>You did you did? Yeah? Yeah. And then.

0:20:42.560 --> 0:20:45.320
<v Speaker 3>But it was Brian de Palma, the director. We had

0:20:45.359 --> 0:20:50.040
<v Speaker 3>just done Casualties of War and we did something. Seann

0:20:50.119 --> 0:20:55.720
<v Speaker 3>and Michael J. Fox uh uh.

0:20:52.760 --> 0:20:58.480
<v Speaker 1>Uh bing Raims. Uh yeah, everybody was in it. Sean

0:20:58.560 --> 0:21:00.479
<v Speaker 1>p was in on College this way as well. He

0:21:00.520 --> 0:21:02.520
<v Speaker 1>was in Champagne.

0:21:03.119 --> 0:21:05.760
<v Speaker 3>Yeah. Oh he was incredible man. Yeah, he was playing

0:21:05.800 --> 0:21:11.160
<v Speaker 3>Alan Dershowitz. The shaved his head, burned his hair. Yeah,

0:21:11.240 --> 0:21:12.760
<v Speaker 3>and he did. He was doing mad research too, if

0:21:12.800 --> 0:21:13.320
<v Speaker 3>you know what I mean.

0:21:18.960 --> 0:21:21.800
<v Speaker 1>He's like to the party.

0:21:22.080 --> 0:21:26.240
<v Speaker 3>And uh so the Parma gave me free reign.

0:21:26.400 --> 0:21:28.960
<v Speaker 1>Man. He would let me do like thirty takes.

0:21:29.119 --> 0:21:32.600
<v Speaker 3>This was filmed. Nobody got thirty takes. He just loved

0:21:32.640 --> 0:21:34.320
<v Speaker 3>what I was doing so much that he let me

0:21:34.359 --> 0:21:38.119
<v Speaker 3>do whatever I wanted. The whole posse at the club.

0:21:38.200 --> 0:21:39.880
<v Speaker 3>Those are all my friends and my ex wife.

0:21:40.000 --> 0:21:42.440
<v Speaker 1>They don't want to talk about it, but yeah he.

0:21:42.440 --> 0:21:48.720
<v Speaker 3>Let me like, yeah you felt like yeah exactly, we

0:21:48.760 --> 0:21:50.960
<v Speaker 3>had a real life and experience there going on because

0:21:50.960 --> 0:21:51.640
<v Speaker 3>we know each other.

0:21:51.960 --> 0:21:55.600
<v Speaker 6>But but do you realize how how you change the trajectory.

0:21:55.640 --> 0:21:58.760
<v Speaker 1>Of street people Like street people if they see.

0:21:58.560 --> 0:22:01.120
<v Speaker 6>Somebody who reminds them the self, now they know like

0:22:01.119 --> 0:22:03.000
<v Speaker 6>like because nobody was really.

0:22:05.960 --> 0:22:12.320
<v Speaker 1>You know, you killed, but you know what your.

0:22:11.320 --> 0:22:13.760
<v Speaker 3>Time people when the movie came out was stopped me

0:22:13.840 --> 0:22:14.800
<v Speaker 3>everywhere like.

0:22:15.280 --> 0:22:18.520
<v Speaker 6>They was hated at you, right, but you have to

0:22:18.600 --> 0:22:21.080
<v Speaker 6>kill He was gonna get away.

0:22:21.440 --> 0:22:23.920
<v Speaker 3>You got a problem, and I go, yo, it wasn't

0:22:23.920 --> 0:22:24.639
<v Speaker 3>a documentary.

0:22:24.640 --> 0:22:32.440
<v Speaker 1>He he's still he was mouto Rican. Yeah he wasn't.

0:22:33.600 --> 0:22:36.040
<v Speaker 1>So they took him by.

0:22:38.440 --> 0:22:41.280
<v Speaker 6>How about scoff Face though, yeah, I ain't gonna lie.

0:22:41.840 --> 0:22:45.320
<v Speaker 6>Alpancino does play a mean Latino though, yeah, yeah he does,

0:22:45.400 --> 0:22:45.680
<v Speaker 6>he does.

0:22:46.840 --> 0:22:50.680
<v Speaker 4>We were on the fence about really Scott Face, Yeah

0:22:51.480 --> 0:22:53.679
<v Speaker 4>got his his accident wasn't all the way there like

0:22:53.720 --> 0:22:54.760
<v Speaker 4>it wasn't you know, but.

0:22:54.760 --> 0:22:57.520
<v Speaker 1>It was like Mexican. It was up to my little

0:22:57.520 --> 0:23:04.119
<v Speaker 1>friend it wasn't even in Miami, really, you.

0:23:04.119 --> 0:23:08.400
<v Speaker 6>Know, Cubans were just happy to see you heard about

0:23:09.200 --> 0:23:10.080
<v Speaker 6>Please take that back.

0:23:10.840 --> 0:23:14.280
<v Speaker 3>Of His acting as car leader was also kind of

0:23:14.640 --> 0:23:18.479
<v Speaker 3>slightly whacked too. I mean that wasn't Puerto Rican. No, no,

0:23:18.520 --> 0:23:22.399
<v Speaker 3>that he sounds like a Southern blues man because he

0:23:22.440 --> 0:23:22.760
<v Speaker 3>was talking.

0:23:22.760 --> 0:23:26.160
<v Speaker 1>You were talking. I don't want you to come into

0:23:26.160 --> 0:23:26.879
<v Speaker 1>my club.

0:23:26.920 --> 0:23:30.439
<v Speaker 3>Your pert snatcher and your first snatch.

0:23:31.200 --> 0:23:32.199
<v Speaker 1>I don't want to talk to you.

0:23:32.400 --> 0:23:33.920
<v Speaker 6>But you realize you're one of the like the only

0:23:34.320 --> 0:23:37.160
<v Speaker 6>people in the world that killed Alpacino on camera. I know,

0:23:37.600 --> 0:23:42.040
<v Speaker 6>Like he doesn't mean they give me the rolls. I

0:23:42.040 --> 0:23:45.080
<v Speaker 6>think that's in his script, like yo, I don't die yea,

0:23:45.640 --> 0:23:46.320
<v Speaker 6>and you killed him?

0:23:46.560 --> 0:23:47.560
<v Speaker 1>You know what's off there? I was.

0:23:47.600 --> 0:23:49.439
<v Speaker 3>I was around when they killed Stephen sagal To in

0:23:49.440 --> 0:23:52.640
<v Speaker 3>a movie executive decision because he was such an asshole

0:23:52.720 --> 0:23:52.919
<v Speaker 3>to me.

0:23:53.880 --> 0:23:58.480
<v Speaker 10>He hit me no way, Steven Stevens got we're doing

0:23:58.520 --> 0:24:03.399
<v Speaker 10>exacutive disc acting. We were just meeting for the first

0:24:03.440 --> 0:24:07.439
<v Speaker 10>time and he comes in in military garb, like you

0:24:07.480 --> 0:24:11.320
<v Speaker 10>ain't military. So I started laughing at him, and he

0:24:11.359 --> 0:24:13.399
<v Speaker 10>didn't like that, so he elbowed me.

0:24:13.520 --> 0:24:17.439
<v Speaker 3>My solar plexus and knocked me out. So when he

0:24:17.520 --> 0:24:19.120
<v Speaker 3>was going to die in the movie, which was fake,

0:24:19.160 --> 0:24:21.760
<v Speaker 3>but I wanted to believe it was real. I was

0:24:21.800 --> 0:24:25.280
<v Speaker 3>there five a year. I wanted to see it so badly,

0:24:25.760 --> 0:24:27.120
<v Speaker 3>and he won't come out of his trailer. He didn't

0:24:27.119 --> 0:24:28.960
<v Speaker 3>want to die, even though it was a fake dead.

0:24:30.440 --> 0:24:32.480
<v Speaker 3>But I was like, please, please just kill him and

0:24:32.520 --> 0:24:33.200
<v Speaker 3>get rid of him.

0:24:34.720 --> 0:24:38.400
<v Speaker 1>Yeah.

0:24:41.760 --> 0:24:43.040
<v Speaker 3>I was in the book to that costs me a

0:24:43.040 --> 0:24:46.840
<v Speaker 3>lot of problems. But now that that sounded fucking and for.

0:24:46.800 --> 0:24:51.560
<v Speaker 4>The record, die in score for these Yeah yeah, but.

0:24:52.080 --> 0:24:53.640
<v Speaker 1>He got to like other people.

0:24:54.960 --> 0:25:00.239
<v Speaker 3>Kill kill trying to Yeah.

0:24:57.400 --> 0:25:03.560
<v Speaker 6>Yeah, So did you ever think about doing like a

0:25:03.640 --> 0:25:04.600
<v Speaker 6>spin off of that?

0:25:04.960 --> 0:25:05.240
<v Speaker 11>Yeah?

0:25:05.400 --> 0:25:06.720
<v Speaker 3>Yeah, they did do one.

0:25:06.840 --> 0:25:09.639
<v Speaker 1>Get out of Here without Me? Oh no, that the reason.

0:25:10.440 --> 0:25:12.199
<v Speaker 1>That's the reason. About what was it called? What was

0:25:12.200 --> 0:25:13.680
<v Speaker 1>it called? I don't know. I'm not in it. I

0:25:13.720 --> 0:25:13.920
<v Speaker 1>don't know.

0:25:13.960 --> 0:25:21.880
<v Speaker 5>I remember it was terrible, no way, oh yeah, something

0:25:20.720 --> 0:25:24.200
<v Speaker 5>like No I was I was talking about.

0:25:24.240 --> 0:25:26.399
<v Speaker 1>His character, like I spin off of his character.

0:25:26.840 --> 0:25:30.520
<v Speaker 4>Yeah yeah, yeah, yeah, like Bennie prequel to Benni Blanco

0:25:30.680 --> 0:25:31.560
<v Speaker 4>getting to that point.

0:25:32.200 --> 0:25:34.520
<v Speaker 3>Somebody offered it to me like ten years ago, but

0:25:34.520 --> 0:25:37.440
<v Speaker 3>it was too late by then. Yeah, they missed they

0:25:37.520 --> 0:25:38.359
<v Speaker 3>missed the window.

0:25:38.640 --> 0:25:41.080
<v Speaker 2>The window closed on that that person, that archetype.

0:25:41.320 --> 0:25:41.760
<v Speaker 1>But you know.

0:25:41.760 --> 0:25:43.840
<v Speaker 3>Empsire was that for me when I did Empire?

0:25:44.359 --> 0:25:44.520
<v Speaker 12>Yeah?

0:25:44.640 --> 0:25:46.959
<v Speaker 1>Yeah, I love that flip with fat Joe.

0:25:47.160 --> 0:25:49.919
<v Speaker 3>Joe uh uh trench.

0:25:50.320 --> 0:25:51.119
<v Speaker 1>Yeah, I believe that.

0:25:51.240 --> 0:25:53.600
<v Speaker 6>Joe's line is I'll kill your ass quicker than I

0:25:53.640 --> 0:25:55.200
<v Speaker 6>did in an Empire.

0:25:55.320 --> 0:25:58.480
<v Speaker 1>Yes, he died very early in the Empire. What happened

0:25:59.520 --> 0:25:59.800
<v Speaker 1>you guys?

0:26:00.200 --> 0:26:04.399
<v Speaker 3>Up, he was a big target. It's easy to take

0:26:04.480 --> 0:26:04.800
<v Speaker 3>him out.

0:26:07.440 --> 0:26:10.840
<v Speaker 1>He's now, he's now regular Joe. He's not bad Joe, Joe,

0:26:10.880 --> 0:26:12.840
<v Speaker 1>how do you keep that name? Just keep I don't know.

0:26:12.880 --> 0:26:16.200
<v Speaker 6>He's he's thinking with it, drinking mad die of coaches.

0:26:17.800 --> 0:26:20.320
<v Speaker 1>Okay, Joe, listen.

0:26:21.960 --> 0:26:22.399
<v Speaker 2>The flowers.

0:26:22.640 --> 0:26:26.080
<v Speaker 6>Yes, our show was about giving people they flowers, they

0:26:26.080 --> 0:26:27.399
<v Speaker 6>though us where they can tell him, they drinks when

0:26:27.440 --> 0:26:29.040
<v Speaker 6>I can drink them, and the thoughts where they can

0:26:29.119 --> 0:26:38.320
<v Speaker 6>take him and we want to give you. That's dope,

0:26:38.560 --> 0:26:42.879
<v Speaker 6>because like you're truly one of those people that you

0:26:42.880 --> 0:26:46.920
<v Speaker 6>can really do anything like I like, it's like you didnzel,

0:26:47.520 --> 0:26:50.399
<v Speaker 6>It's like I feel like every role that you played

0:26:50.560 --> 0:26:52.280
<v Speaker 6>was written for you.

0:26:53.359 --> 0:26:57.840
<v Speaker 1>It probably wasn't. I did. That's how that's how natural

0:26:57.920 --> 0:27:01.320
<v Speaker 1>it is so when you look at a like I forget,

0:27:01.359 --> 0:27:03.200
<v Speaker 1>I forget the name of hold On. I got it

0:27:03.280 --> 0:27:07.399
<v Speaker 1>right here? Which one? Uh yeah, yeah? Like how do

0:27:07.440 --> 0:27:09.320
<v Speaker 1>you how do you like study for that type of role?

0:27:09.560 --> 0:27:12.119
<v Speaker 3>I'm method man, I'm mad methods. So I had a

0:27:13.200 --> 0:27:16.840
<v Speaker 3>real drag queen, Leritza Dumont, who was Puerto Rican and

0:27:16.880 --> 0:27:19.639
<v Speaker 3>she hung with the bron from the Brons somebody just

0:27:19.640 --> 0:27:20.560
<v Speaker 3>you feel like from the Bronx.

0:27:22.000 --> 0:27:22.800
<v Speaker 1>And she coached me.

0:27:22.880 --> 0:27:25.680
<v Speaker 3>She coached me how to walk, how to talk, how

0:27:25.720 --> 0:27:27.719
<v Speaker 3>to move my hands and stuff like that to make

0:27:27.760 --> 0:27:31.280
<v Speaker 3>yourself like more more feminine. And then uh, Patrick and

0:27:31.320 --> 0:27:32.560
<v Speaker 3>Wesley myself we went.

0:27:32.400 --> 0:27:34.119
<v Speaker 1>To like Patrick Swayze, Yeah.

0:27:37.000 --> 0:27:47.760
<v Speaker 6>I can't just yeah Patrick here, Wesley.

0:27:45.800 --> 0:27:47.399
<v Speaker 1>Yeah, this is life is a monster.

0:27:47.480 --> 0:27:49.480
<v Speaker 3>And Patrick was a dope aacter too, And so we

0:27:49.480 --> 0:27:51.600
<v Speaker 3>would go to all these drag queen bars that were

0:27:51.760 --> 0:27:56.479
<v Speaker 3>Puerto Rican and black Les Qualita Sally Sally's two, and

0:27:56.520 --> 0:27:57.680
<v Speaker 3>we did mad research.

0:27:57.760 --> 0:27:57.920
<v Speaker 1>Man.

0:27:58.000 --> 0:28:00.159
<v Speaker 3>We wanted to make it authentic, We wanted to do

0:28:00.200 --> 0:28:03.159
<v Speaker 3>it with dignity and respect for the community. And I

0:28:03.160 --> 0:28:04.919
<v Speaker 3>think we did a great job. Man. It was that

0:28:05.040 --> 0:28:07.480
<v Speaker 3>was back in the era where they didn't do movies

0:28:07.520 --> 0:28:09.760
<v Speaker 3>about LGTBQ plus.

0:28:09.800 --> 0:28:12.240
<v Speaker 1>So that was a big deal, right, No, that's real,

0:28:12.880 --> 0:28:13.360
<v Speaker 1>that's real.

0:28:13.480 --> 0:28:15.240
<v Speaker 4>What do you say about you know, there's there's a

0:28:15.320 --> 0:28:17.880
<v Speaker 4>whole thing that that narrative that people say that when

0:28:18.080 --> 0:28:21.040
<v Speaker 4>male actors do those kind of rules, that they're sacrificing

0:28:21.080 --> 0:28:22.800
<v Speaker 4>something to get in Hollywood more.

0:28:23.160 --> 0:28:25.879
<v Speaker 3>No, there's no sacrifice, man. I mean, I think in

0:28:25.960 --> 0:28:30.359
<v Speaker 3>modern days it should be an LGTBQ plus person playing

0:28:30.359 --> 0:28:32.200
<v Speaker 3>those roles, like.

0:28:32.160 --> 0:28:33.600
<v Speaker 1>A Puerto ricanould playing a Puerto Rican.

0:28:33.720 --> 0:28:36.920
<v Speaker 3>Yeah, exactly where at that point where we have the

0:28:37.040 --> 0:28:41.200
<v Speaker 3>populations hire them, and and the talent in that yes, high,

0:28:41.240 --> 0:28:44.960
<v Speaker 3>more disabled, higher l g TVQ plus hire Latinos for

0:28:45.080 --> 0:28:45.960
<v Speaker 3>Latino roles.

0:28:46.320 --> 0:28:48.880
<v Speaker 1>Let's stop the appropriation. There's no need for that. I

0:28:49.080 --> 0:28:53.800
<v Speaker 1>like the appreciation, but no more appropriation. CJ.

0:28:53.960 --> 0:28:56.640
<v Speaker 3>Paul say, he's gonna come up with blackface. Yeah, you

0:28:56.760 --> 0:28:59.320
<v Speaker 3>better not do that, man, That's not okay. Just because

0:29:00.040 --> 0:29:00.680
<v Speaker 3>easy did that?

0:29:01.320 --> 0:29:03.160
<v Speaker 1>Man like that was that was?

0:29:03.360 --> 0:29:06.160
<v Speaker 3>That was? I mean, it was it was in fun

0:29:06.280 --> 0:29:06.760
<v Speaker 3>and comedy.

0:29:06.840 --> 0:29:07.680
<v Speaker 1>What what was done in.

0:29:07.760 --> 0:29:11.720
<v Speaker 3>Blackface was not done yeah, party, it wasn't done for comedy.

0:29:11.720 --> 0:29:12.520
<v Speaker 1>It was to humiliate.

0:29:13.080 --> 0:29:16.640
<v Speaker 3>So stop that nonsense. Understand history read a book right

0:29:16.920 --> 0:29:18.960
<v Speaker 3>and shout out to Drew Skis hell talented.

0:29:20.120 --> 0:29:22.480
<v Speaker 1>Crazy. I didn't take it as him trying to be

0:29:22.520 --> 0:29:25.600
<v Speaker 1>offensive at all. He wasn't trying to make fun of

0:29:25.640 --> 0:29:34.440
<v Speaker 1>white folks as a comediat. Well, all this cancel culture? Yeah?

0:29:36.560 --> 0:29:39.760
<v Speaker 6>Is that something that you have to change your approach because,

0:29:39.880 --> 0:29:42.840
<v Speaker 6>like I mean sometimes, like you know, I used to

0:29:43.080 --> 0:29:44.760
<v Speaker 6>used to be an artist. I write robs and I

0:29:44.840 --> 0:29:48.520
<v Speaker 6>still write robs now. But when I when I when

0:29:48.520 --> 0:29:51.920
<v Speaker 6>I look at my lyrics like oh, I actually be

0:29:52.040 --> 0:29:55.160
<v Speaker 6>like no, and I do it on my iPhone now,

0:29:55.240 --> 0:29:57.360
<v Speaker 6>So I look at it. Do you have a write

0:29:57.400 --> 0:30:00.719
<v Speaker 6>material and say, you know what, this might be insensitive

0:30:00.960 --> 0:30:03.000
<v Speaker 6>to a certain Absolutely.

0:30:02.880 --> 0:30:05.080
<v Speaker 3>I think it's not a bad thing man to be

0:30:05.200 --> 0:30:09.040
<v Speaker 3>looking at the world through a lens of respect for others. Yeah,

0:30:09.280 --> 0:30:10.800
<v Speaker 3>especially in New York. You grew up in a time

0:30:10.840 --> 0:30:13.880
<v Speaker 3>where there was mad disrespect. Most of comedy was disrespect

0:30:13.960 --> 0:30:16.360
<v Speaker 3>on the streets. You know, it was all about disrespect.

0:30:16.760 --> 0:30:19.040
<v Speaker 3>But what if he flipped it and made it about respect.

0:30:19.080 --> 0:30:23.240
<v Speaker 3>You could still be mad funny, right, you know, and

0:30:23.600 --> 0:30:25.680
<v Speaker 3>giving respect to people. I don't know, I think you'd

0:30:25.720 --> 0:30:28.200
<v Speaker 3>still be incredibly funny. I did Land History for morons,

0:30:29.480 --> 0:30:31.680
<v Speaker 3>with that kind of respect, you know, I mean making

0:30:31.760 --> 0:30:34.320
<v Speaker 3>sure that everybody was respected, because the piece was about

0:30:34.640 --> 0:30:37.240
<v Speaker 3>lack of respect, my son being bullied at school for

0:30:37.320 --> 0:30:40.040
<v Speaker 3>being Latino, which is disrespect, And so I wanted to

0:30:40.840 --> 0:30:46.760
<v Speaker 3>teach my weaponize history and knowledge, not fisticuffs, not fighting,

0:30:46.840 --> 0:30:48.960
<v Speaker 3>you know, break the cycle of violence.

0:30:49.400 --> 0:30:51.760
<v Speaker 2>What about going backwards and editing stuff.

0:30:51.480 --> 0:30:53.800
<v Speaker 3>To well, I can't do that now, and it's too

0:30:53.880 --> 0:30:56.720
<v Speaker 3>late for that. I mean yeah, I mean yeah, it'd

0:30:56.760 --> 0:30:59.160
<v Speaker 3>be great to fix the stuff, but you can't. How

0:30:59.160 --> 0:31:00.760
<v Speaker 3>do you fix it without carus?

0:31:01.240 --> 0:31:02.960
<v Speaker 4>I mean, we live in this digital age now where

0:31:02.960 --> 0:31:04.920
<v Speaker 4>I think that's dangerous to to go back and edit

0:31:05.000 --> 0:31:05.800
<v Speaker 4>things as you pleased.

0:31:06.000 --> 0:31:07.920
<v Speaker 1>Where there might be for the right reasons, but I feel.

0:31:07.760 --> 0:31:11.040
<v Speaker 3>Like it's wrong absolutely, the changes history.

0:31:11.280 --> 0:31:13.840
<v Speaker 1>Yes, sir, yes, sir. Well said, how about AI?

0:31:14.920 --> 0:31:18.440
<v Speaker 3>Yeah, well you know that Hollywood anti AI because it's

0:31:18.480 --> 0:31:20.760
<v Speaker 3>gonna come for jobs. It's gonna come quick.

0:31:21.400 --> 0:31:22.840
<v Speaker 1>Actors voice jobs.

0:31:23.520 --> 0:31:26.520
<v Speaker 3>I mean I've seen a couple of UH TV series

0:31:26.560 --> 0:31:29.800
<v Speaker 3>that were all AI dubbed, really and they fit in

0:31:29.880 --> 0:31:32.520
<v Speaker 3>the mouth perfectly, but they have no soul, no personality,

0:31:32.600 --> 0:31:35.840
<v Speaker 3>nothing has no flavor. So that's gonna take jobs away,

0:31:35.880 --> 0:31:38.760
<v Speaker 3>you know, we made sure that this show had no AI.

0:31:39.000 --> 0:31:41.200
<v Speaker 1>You know, I did my own, Uh I did. It's

0:31:41.200 --> 0:31:42.640
<v Speaker 1>a dub version that I did myself.

0:31:43.200 --> 0:31:46.120
<v Speaker 6>I could identify with AI, like my son he looks

0:31:46.160 --> 0:31:48.520
<v Speaker 6>at something, they'd be like, that's a I like he'll he'll, no,

0:31:48.640 --> 0:31:50.600
<v Speaker 6>I can't see. It's too good for like I played

0:31:50.640 --> 0:31:52.840
<v Speaker 6>on record for Doctor dre and Doctor dre.

0:31:52.840 --> 0:31:56.600
<v Speaker 7>Knew off top like he was like, Yo, you could

0:31:56.640 --> 0:31:59.280
<v Speaker 7>tell a difference. Yeah, I can't tell them because the

0:31:59.320 --> 0:32:02.840
<v Speaker 7>bay You can't. No, I can't tell the difference because

0:32:02.840 --> 0:32:03.520
<v Speaker 7>it's troubling.

0:32:04.840 --> 0:32:06.480
<v Speaker 3>Tip of the dove, the duve that could tell that

0:32:06.560 --> 0:32:08.440
<v Speaker 3>that because it was like it fits in the mouth

0:32:08.560 --> 0:32:11.280
<v Speaker 3>so perfectly, but it's got no heart, no soul.

0:32:11.640 --> 0:32:14.320
<v Speaker 1>Right, So what happens if you get into it with

0:32:14.360 --> 0:32:14.800
<v Speaker 1>a studio?

0:32:15.360 --> 0:32:15.520
<v Speaker 3>Right?

0:32:16.480 --> 0:32:20.120
<v Speaker 1>No? See? And did they go get AI person that

0:32:20.240 --> 0:32:21.560
<v Speaker 1>sounds like you? They can't?

0:32:21.800 --> 0:32:24.800
<v Speaker 4>Then, Okay, give up those which they're doing those deals

0:32:24.880 --> 0:32:26.000
<v Speaker 4>now where people are.

0:32:25.960 --> 0:32:30.160
<v Speaker 3>Giving if you're hard up for money, you can sell

0:32:30.200 --> 0:32:31.680
<v Speaker 3>the rights to your voice and your face.

0:32:31.880 --> 0:32:35.960
<v Speaker 4>Person likes the studios, Yeah, so they can use it

0:32:36.080 --> 0:32:37.920
<v Speaker 4>and do AI stuff and train their models off of

0:32:37.960 --> 0:32:38.440
<v Speaker 4>you and everything.

0:32:38.560 --> 0:32:41.200
<v Speaker 1>Oh this is getting scary, man, no, this is real.

0:32:41.240 --> 0:32:43.160
<v Speaker 1>It's scary. No, say it's out there. I mean, I

0:32:43.200 --> 0:32:45.160
<v Speaker 1>don't know if you saw The Andy Warhol.

0:32:44.840 --> 0:32:47.440
<v Speaker 3>Diaries was a documentary series that was incredible and Bill

0:32:47.520 --> 0:32:50.120
<v Speaker 3>Over in this amazing actor did the voice, but they

0:32:50.240 --> 0:32:53.480
<v Speaker 3>used AI to make his voice just like Andy Warhol.

0:32:53.480 --> 0:32:54.920
<v Speaker 3>And when you listening to you're going wait a minute,

0:32:55.160 --> 0:32:56.520
<v Speaker 3>when did they get those And that was a while

0:32:56.600 --> 0:33:00.280
<v Speaker 3>ago when they did that. Yes, and yeah they did

0:33:00.480 --> 0:33:03.040
<v Speaker 3>just to match his voice to put it in the

0:33:03.120 --> 0:33:05.680
<v Speaker 3>right pocket. And it was incredible. But at the same

0:33:05.760 --> 0:33:08.520
<v Speaker 3>time you're like, but he's soon, they won't even need

0:33:08.560 --> 0:33:10.120
<v Speaker 3>Biller when you know what I mean to get the

0:33:10.200 --> 0:33:12.440
<v Speaker 3>AI and you skip him in the salary and the

0:33:12.560 --> 0:33:12.960
<v Speaker 3>job and.

0:33:14.080 --> 0:33:17.680
<v Speaker 2>And every time we use this technology work training those Yes, yes, what.

0:33:17.840 --> 0:33:18.280
<v Speaker 11>Was that game?

0:33:18.320 --> 0:33:18.520
<v Speaker 1>Member?

0:33:18.560 --> 0:33:20.520
<v Speaker 3>Remember the Pick of Chew whatever game it was that

0:33:20.640 --> 0:33:21.240
<v Speaker 3>you went around?

0:33:23.120 --> 0:33:23.280
<v Speaker 1>Right?

0:33:23.880 --> 0:33:29.560
<v Speaker 3>That was teaching AI GPS, so mapping things that they

0:33:29.600 --> 0:33:30.160
<v Speaker 3>couldn't map.

0:33:31.880 --> 0:33:35.200
<v Speaker 6>Now I'm about a little bit like I said the Honeymooners, right, Yes,

0:33:37.120 --> 0:33:38.240
<v Speaker 6>it was a black honeymoon.

0:33:38.560 --> 0:33:39.320
<v Speaker 1>How amazing was that?

0:33:39.400 --> 0:33:43.400
<v Speaker 6>A love that countt you know, Cramden And then you

0:33:43.520 --> 0:33:47.080
<v Speaker 6>get the call that you're going to be the dog trainer,

0:33:47.840 --> 0:33:50.640
<v Speaker 6>Like just actually because when I look at the Honeymooners,

0:33:51.920 --> 0:33:56.400
<v Speaker 6>speaking of white, I didn't realize the Honeymooners was an

0:33:56.440 --> 0:33:57.120
<v Speaker 6>old white cat.

0:33:57.320 --> 0:33:58.080
<v Speaker 1>Wow, Like I.

0:33:58.080 --> 0:34:00.520
<v Speaker 5>Didn't realize that because, by the way, was black and white.

0:34:00.560 --> 0:34:03.160
<v Speaker 1>Yeah. Yeah, yeah, you couldn't till they were waiting black

0:34:04.040 --> 0:34:12.759
<v Speaker 1>come on, you might have had about TV. That's the

0:34:12.800 --> 0:34:16.960
<v Speaker 1>first thing that I didn't when we make it black

0:34:17.160 --> 0:34:21.920
<v Speaker 1>Mikes and they got so you get the call and

0:34:22.040 --> 0:34:24.239
<v Speaker 1>then what is the scene that be? Like when you

0:34:24.280 --> 0:34:24.680
<v Speaker 1>get the call?

0:34:25.080 --> 0:34:26.840
<v Speaker 3>I was so excited and what a great constant with

0:34:26.880 --> 0:34:29.640
<v Speaker 3>a great idea. I love Cedric, I like Mike Apps.

0:34:30.120 --> 0:34:32.360
<v Speaker 3>And then we had a great time on set the

0:34:32.480 --> 0:34:33.799
<v Speaker 3>movie not so much.

0:34:34.239 --> 0:34:35.160
<v Speaker 1>I love the movie.

0:34:38.040 --> 0:34:41.200
<v Speaker 3>That I'll take it back that yeah, yeah, my dad,

0:34:44.239 --> 0:34:46.480
<v Speaker 3>can you raise that? You know?

0:34:46.840 --> 0:34:49.759
<v Speaker 1>Lovehing to It really captured the New York City, like

0:34:49.840 --> 0:34:50.319
<v Speaker 1>you know what I mean?

0:34:50.320 --> 0:34:51.399
<v Speaker 3>You know we shot that movie.

0:34:51.760 --> 0:34:53.160
<v Speaker 1>Was it in New York?

0:34:53.320 --> 0:35:00.279
<v Speaker 3>It wasn't in America, Canada, No, bro Ireland. Wh way

0:35:00.320 --> 0:35:03.680
<v Speaker 3>to Ireland, that's where we shought that they brought it.

0:35:03.760 --> 0:35:09.000
<v Speaker 1>They brought a city bus to Ireland. It was train.

0:35:09.120 --> 0:35:12.680
<v Speaker 1>What the fuck is that insane? That's crazy? All right?

0:35:12.760 --> 0:35:17.799
<v Speaker 1>So when when Ralph is yelling to Norton that's in Ireland. Yeah,

0:35:19.280 --> 0:35:21.080
<v Speaker 1>is that wild? God?

0:35:21.920 --> 0:35:24.440
<v Speaker 3>Because now they have Latin black people in Ireland, so

0:35:24.960 --> 0:35:27.120
<v Speaker 3>they could do it because the extras were all Irish,

0:35:27.560 --> 0:35:28.759
<v Speaker 3>like you would. You would talk to him and they'd

0:35:28.760 --> 0:35:31.600
<v Speaker 3>be like, oh, what the top of the Martin? How

0:35:31.600 --> 0:35:33.120
<v Speaker 3>are you about to go? Well, they kissed the bar,

0:35:33.640 --> 0:35:36.560
<v Speaker 3>did you? And and but they're black on the team.

0:35:36.640 --> 0:35:46.440
<v Speaker 1>You're like an Irish accent. Yeah, that was terrible. You

0:35:46.600 --> 0:35:56.040
<v Speaker 1>need a it's not you before you grew up here

0:35:56.040 --> 0:35:59.320
<v Speaker 1>in Miami. Okay, we grew up in Queens.

0:35:59.320 --> 0:36:00.880
<v Speaker 3>We had everybody or Jamaican.

0:36:01.000 --> 0:36:06.280
<v Speaker 12>Yeah, they were all in Jamaicans.

0:36:06.480 --> 0:36:09.040
<v Speaker 13>In a movie, you killed the guy who invaded? Who

0:36:09.120 --> 0:36:13.360
<v Speaker 13>invented method acting? No, no, no, in real life. In

0:36:13.440 --> 0:36:15.640
<v Speaker 13>real life, I studied with Lee Strassburg. He meant to

0:36:15.719 --> 0:36:17.960
<v Speaker 13>the method, and I was in his class one day.

0:36:18.400 --> 0:36:21.360
<v Speaker 1>Invented the method that about method acting, method acting.

0:36:21.560 --> 0:36:24.239
<v Speaker 3>Le Strassberg created the method for me, which is what

0:36:24.360 --> 0:36:27.719
<v Speaker 3>I follow in my technique. And I was in his

0:36:27.800 --> 0:36:30.960
<v Speaker 3>class for one day and my acting exercises killed him.

0:36:31.400 --> 0:36:33.200
<v Speaker 3>My acting was so bad and killed him.

0:36:33.200 --> 0:36:33.920
<v Speaker 1>He died that night.

0:36:34.200 --> 0:36:39.440
<v Speaker 3>I did exercise in his classicus.

0:36:40.960 --> 0:36:46.120
<v Speaker 1>The way said, I didn't killed him, I mean, why

0:36:46.280 --> 0:36:51.920
<v Speaker 1>is what? He died that night? Okay, so he died.

0:36:52.120 --> 0:36:55.719
<v Speaker 3>He died for real February second, nineteen eighty two or

0:36:55.760 --> 0:36:56.120
<v Speaker 3>something like that.

0:36:56.239 --> 0:36:57.839
<v Speaker 1>Look it up. It's for real. He died that day.

0:36:57.880 --> 0:37:00.799
<v Speaker 1>I was in his Contebruary first. Say what was he.

0:37:02.800 --> 0:37:06.000
<v Speaker 3>Very second in the morning, very second?

0:37:06.040 --> 0:37:09.480
<v Speaker 1>That night he passed? Yeah, yeah, for real. And he

0:37:09.560 --> 0:37:11.439
<v Speaker 1>told you he didn't like you act. Yeah he said

0:37:11.440 --> 0:37:13.520
<v Speaker 1>it was. It was terrible. I don't like it. What

0:37:13.600 --> 0:37:14.799
<v Speaker 1>the hell are you doing in my class?

0:37:16.200 --> 0:37:16.400
<v Speaker 3>That was?

0:37:16.520 --> 0:37:17.319
<v Speaker 1>It was my first day.

0:37:17.960 --> 0:37:20.520
<v Speaker 3>You can't pay me to be good, but it's class

0:37:20.560 --> 0:37:22.840
<v Speaker 3>for to fail, right, So I went there and I failed.

0:37:23.640 --> 0:37:25.440
<v Speaker 1>And the fact that he was from from New York,

0:37:25.560 --> 0:37:27.960
<v Speaker 1>he was like whatever, yeah whatever. But it didn't even

0:37:27.960 --> 0:37:32.680
<v Speaker 1>affect you. No, I kept going, I kept going. Did

0:37:32.719 --> 0:37:39.719
<v Speaker 1>you figure this guy was supposed to be Yeah? No, no,

0:37:39.760 --> 0:37:40.680
<v Speaker 1>I knew he was massive.

0:37:40.680 --> 0:37:43.640
<v Speaker 3>I mean yeah, especially the day after he passed, it

0:37:43.760 --> 0:37:46.320
<v Speaker 3>was like so quiet, you know, and then they closed

0:37:46.360 --> 0:37:48.399
<v Speaker 3>the school down, and yeah it was a big deal.

0:37:48.440 --> 0:37:49.319
<v Speaker 1>I mean it was a big loss.

0:37:49.320 --> 0:37:53.000
<v Speaker 3>I mean he he taught uh Brando James Dean, Malon

0:37:53.120 --> 0:37:57.440
<v Speaker 3>Monroe I mean he told yeah, yeah, all the it.

0:37:57.520 --> 0:38:02.359
<v Speaker 1>Was all white all the movie you stopped watching. Yeah,

0:38:02.960 --> 0:38:07.880
<v Speaker 1>So I'm sorry, but did that throw you off a

0:38:07.920 --> 0:38:08.319
<v Speaker 1>little bit?

0:38:08.440 --> 0:38:11.080
<v Speaker 3>Like, oh, yeah, I definitely throws you off a little bit.

0:38:11.160 --> 0:38:14.719
<v Speaker 3>I mean I'm not imperviable, I'm not invincible. So yeah,

0:38:14.960 --> 0:38:17.000
<v Speaker 3>and then I went and say with other acting teachers

0:38:17.040 --> 0:38:17.879
<v Speaker 3>and killed him as well.

0:38:20.560 --> 0:38:22.920
<v Speaker 1>I did it. He died as well. I did a

0:38:23.239 --> 0:38:26.719
<v Speaker 1>season in his class and he passed us. No, I'm

0:38:26.760 --> 0:38:32.160
<v Speaker 1>not lying, going on, where's this classes at? Okay?

0:38:32.680 --> 0:38:36.600
<v Speaker 2>Okay, you find out Betty Blank is the one attending

0:38:36.640 --> 0:38:37.080
<v Speaker 2>the classes.

0:38:40.040 --> 0:38:44.200
<v Speaker 6>So have you ever been I've gotten better since Yeah,

0:38:45.360 --> 0:38:50.480
<v Speaker 6>you're all aged. Have you ever been off of a

0:38:50.640 --> 0:38:52.760
<v Speaker 6>role that you was offended?

0:38:53.880 --> 0:38:55.800
<v Speaker 1>Yeah? I mean lots, lots, lots.

0:38:55.960 --> 0:38:57.799
<v Speaker 3>I mean there's so many I can't remember now which

0:38:57.840 --> 0:39:00.560
<v Speaker 3>ones they were, but yeah, there was too many dealers,

0:39:00.600 --> 0:39:02.840
<v Speaker 3>too many villains. Yeah, and I got sick of that.

0:39:03.040 --> 0:39:06.760
<v Speaker 3>Go I can't keep denigrating my people like this, because

0:39:06.800 --> 0:39:09.680
<v Speaker 3>now I'm becoming part of the problem.

0:39:09.760 --> 0:39:12.840
<v Speaker 1>You know, is the drug dealer name Jose? What is

0:39:12.880 --> 0:39:14.280
<v Speaker 1>the drug dealer name holds? Always?

0:39:14.280 --> 0:39:16.680
<v Speaker 3>They always Jose Ray Ray.

0:39:17.280 --> 0:39:26.040
<v Speaker 11>Ray, because way great way, I thought that was like

0:39:26.120 --> 0:39:28.160
<v Speaker 11>for the black actors, they got very right.

0:39:28.200 --> 0:39:31.960
<v Speaker 1>Well, you got yeah, I got in New York, we

0:39:32.040 --> 0:39:32.600
<v Speaker 1>do you know everything?

0:39:33.160 --> 0:39:35.280
<v Speaker 3>Yes, that's right, that's right, cross couch and whatnot.

0:39:36.239 --> 0:39:36.439
<v Speaker 1>Yeah.

0:39:36.800 --> 0:39:38.520
<v Speaker 3>And then and then there were stupid roles that I

0:39:38.560 --> 0:39:40.399
<v Speaker 3>shouldn't have. I mean, great roles that I turned down

0:39:40.480 --> 0:39:42.920
<v Speaker 3>that was dumb, Like what mister and Missus Smith the

0:39:42.960 --> 0:39:43.719
<v Speaker 3>Vinced one part.

0:39:44.040 --> 0:39:49.640
<v Speaker 1>I turned it down mister and Missus Smith, well because

0:39:49.640 --> 0:39:50.760
<v Speaker 1>they offered me scale.

0:39:50.840 --> 0:39:52.960
<v Speaker 3>And I was like, you know, they're making the biggest

0:39:53.040 --> 0:39:55.799
<v Speaker 3>bucks of their life, twenty million each and they're gonna

0:39:55.840 --> 0:39:57.680
<v Speaker 3>offer me two thousand dollars a week.

0:39:58.360 --> 0:40:00.560
<v Speaker 1>I was like, is it because I'm Latinos? Why do

0:40:00.640 --> 0:40:01.040
<v Speaker 1>you know me?

0:40:01.160 --> 0:40:01.640
<v Speaker 4>You know me?

0:40:02.239 --> 0:40:05.080
<v Speaker 3>So I passed on that Happy Feet, I passed on

0:40:05.120 --> 0:40:11.040
<v Speaker 3>the Robin Williams part o the cart Yeah okay, I said,

0:40:11.120 --> 0:40:14.279
<v Speaker 3>I said, yeah, I SAYD six is coming out in

0:40:14.360 --> 0:40:16.200
<v Speaker 3>spring six.

0:40:18.280 --> 0:40:20.799
<v Speaker 4>Do you find it there's more freedom in those those

0:40:20.880 --> 0:40:22.439
<v Speaker 4>type of roles that the animated roles.

0:40:22.520 --> 0:40:24.239
<v Speaker 3>Yeah, dude, it's so fun. I mean I had a

0:40:24.280 --> 0:40:27.080
<v Speaker 3>lot of freedom in Bruno and Canto. We did mad

0:40:27.120 --> 0:40:28.520
<v Speaker 3>ad libs and improvisations.

0:40:28.600 --> 0:40:29.359
<v Speaker 1>It was so fun.

0:40:29.600 --> 0:40:32.200
<v Speaker 3>Had a blast with said, I do get to improvise

0:40:32.400 --> 0:40:34.120
<v Speaker 3>and ad lib a lot, but not as much because

0:40:34.440 --> 0:40:36.960
<v Speaker 3>there's so much action involved. It gets a little a

0:40:36.960 --> 0:40:38.960
<v Speaker 3>little tricker. But I was the first to record I

0:40:39.040 --> 0:40:42.000
<v Speaker 3>sage by myself, and then I laid the groundwork and

0:40:42.040 --> 0:40:43.440
<v Speaker 3>then everybody else jumped in.

0:40:43.600 --> 0:40:43.799
<v Speaker 1>Yeah.

0:40:45.760 --> 0:40:47.359
<v Speaker 6>Has there ever been a role you turned down onto?

0:40:47.400 --> 0:40:49.520
<v Speaker 6>You spogled earlier that you regret.

0:40:50.920 --> 0:40:53.759
<v Speaker 1>The mister and missus Smith. Oh yeah, I regret that

0:40:53.840 --> 0:40:55.080
<v Speaker 1>one a lot. That was that was that was.

0:40:55.280 --> 0:40:56.680
<v Speaker 2>That was a big miss You would have even though

0:40:56.760 --> 0:40:58.400
<v Speaker 2>knowing what you know now, you still you would have you.

0:40:58.400 --> 0:41:00.239
<v Speaker 3>I would have gone back and I would have said, yeah, okay,

0:41:00.640 --> 0:41:01.319
<v Speaker 3>negotiating more.

0:41:01.840 --> 0:41:04.200
<v Speaker 1>No, they said that said this no negotiating, So you

0:41:04.200 --> 0:41:06.759
<v Speaker 1>would have taken it. Yeah, I would take you and

0:41:06.920 --> 0:41:09.680
<v Speaker 1>shut up because I was.

0:41:09.840 --> 0:41:11.399
<v Speaker 3>I was going to rock that role. I was gonna

0:41:11.400 --> 0:41:15.120
<v Speaker 3>make it so fainy. But in the two thousand dollars

0:41:15.200 --> 0:41:16.640
<v Speaker 3>a week just just offended me.

0:41:16.760 --> 0:41:19.920
<v Speaker 1>Man, they're defending me. You know, sometimes when.

0:41:19.800 --> 0:41:23.640
<v Speaker 3>You're a minority, you feel like everything's against you or

0:41:23.760 --> 0:41:26.520
<v Speaker 3>or it's an insult, but sometimes it isn't. Sometimes you're

0:41:26.560 --> 0:41:28.760
<v Speaker 3>so used to responding negatively to things.

0:41:30.480 --> 0:41:31.800
<v Speaker 2>It's important to differentiate that.

0:41:32.080 --> 0:41:33.480
<v Speaker 1>It's hard to man, how do you do? How do

0:41:33.520 --> 0:41:34.120
<v Speaker 1>you It's hard.

0:41:34.160 --> 0:41:38.120
<v Speaker 3>It's hard my therapist because I recommend therapy to all

0:41:38.200 --> 0:41:40.640
<v Speaker 3>Latin people because we're the most people that need it

0:41:40.640 --> 0:41:43.279
<v Speaker 3>because of the assaults on us constantly. So I've been

0:41:43.320 --> 0:41:46.359
<v Speaker 3>in therapy and my therapist would say, you know, Jon,

0:41:46.840 --> 0:41:47.960
<v Speaker 3>they look at that window.

0:41:47.960 --> 0:41:50.080
<v Speaker 1>You see that person running. He had a Spanish accent.

0:41:50.360 --> 0:41:52.160
<v Speaker 1>Look at that you see that person running? Why is

0:41:52.200 --> 0:41:52.640
<v Speaker 1>he running?

0:41:52.640 --> 0:41:55.000
<v Speaker 3>And I go because they're trying to kill him. He goes,

0:41:55.080 --> 0:41:58.880
<v Speaker 3>no junk, He's trying to catch the bus. And I

0:41:59.000 --> 0:42:01.920
<v Speaker 3>was like, oh wow, that's how I see the world, man,

0:42:02.480 --> 0:42:05.240
<v Speaker 3>thank you, That's how I see the world, like in negative,

0:42:05.360 --> 0:42:07.600
<v Speaker 3>negative kind of way constantly, you know, because this is

0:42:07.600 --> 0:42:09.800
<v Speaker 3>the way you grow up. They say, kids in the

0:42:09.840 --> 0:42:15.040
<v Speaker 3>ghetto grew up with PTSD for them so much stretch

0:42:15.120 --> 0:42:17.200
<v Speaker 3>they don't even know how to quantify it.

0:42:18.160 --> 0:42:20.320
<v Speaker 1>Absolutely. I was watching it's crazy.

0:42:21.360 --> 0:42:23.799
<v Speaker 6>I was watching the you know, it's a bad part

0:42:23.840 --> 0:42:26.320
<v Speaker 6>of the Internet, and it's like, okay, part of the Internet.

0:42:26.360 --> 0:42:29.920
<v Speaker 1>I was on the bad part of the Internet. I

0:42:30.000 --> 0:42:31.319
<v Speaker 1>was watching this guy and he was.

0:42:32.840 --> 0:42:36.520
<v Speaker 6>Yelling to his girl, and that's the jealousis girls like, yo, man,

0:42:36.600 --> 0:42:39.040
<v Speaker 6>come outside, like forgive me or whateverever, and there's a

0:42:39.080 --> 0:42:40.200
<v Speaker 6>straight shootout happening.

0:42:40.440 --> 0:42:42.920
<v Speaker 1>He doesn't flinch at Oh wow, He's just sitting there

0:42:42.960 --> 0:42:48.759
<v Speaker 1>like hey, please come up. And I'm talking about this guy.

0:42:49.280 --> 0:42:51.880
<v Speaker 6>He's just sitting there and I'm like, that's some funked

0:42:51.960 --> 0:42:54.920
<v Speaker 6>up ship like like he's almost used to a war

0:42:55.520 --> 0:42:56.799
<v Speaker 6>like yeah, used to.

0:42:56.840 --> 0:43:01.600
<v Speaker 3>Walk functioning in a war war zone. Absolutely, so, uh

0:43:01.920 --> 0:43:03.000
<v Speaker 3>thank you Boom.

0:43:04.600 --> 0:43:06.920
<v Speaker 2>You did you did a role in the original Miami

0:43:07.040 --> 0:43:07.520
<v Speaker 2>Vice series.

0:43:08.239 --> 0:43:12.360
<v Speaker 3>Yeah, man, nineteen eighty six. I was I was like

0:43:12.560 --> 0:43:13.960
<v Speaker 3>nineteen twenty years old, and.

0:43:14.600 --> 0:43:17.359
<v Speaker 1>Did you have your shirt open? Yeah, you got your shirt?

0:43:17.400 --> 0:43:18.399
<v Speaker 3>But I looked like a child.

0:43:18.520 --> 0:43:20.320
<v Speaker 1>That looks so I look like a punk.

0:43:20.960 --> 0:43:23.480
<v Speaker 3>I look so yeah, yeah I look.

0:43:23.719 --> 0:43:25.840
<v Speaker 1>Yeah. I was supposed to be the villain. Y now

0:43:26.120 --> 0:43:27.840
<v Speaker 1>look like I was a villain of.

0:43:27.920 --> 0:43:32.480
<v Speaker 3>The episode, like come to Revenge the the first episode

0:43:32.920 --> 0:43:35.399
<v Speaker 3>was supposed to be my dad who started the whole

0:43:35.480 --> 0:43:39.839
<v Speaker 3>Miami Vice series. So I was coming into revenge room.

0:43:40.120 --> 0:43:42.719
<v Speaker 3>Oh yeah, so you know, I'm supposed to be this

0:43:42.880 --> 0:43:46.840
<v Speaker 3>mafia prince and I'm blowing my sister up for betraying

0:43:47.000 --> 0:43:49.759
<v Speaker 3>us the family and she's got her baby, and I

0:43:49.880 --> 0:43:50.560
<v Speaker 3>blow them up.

0:43:52.000 --> 0:43:58.760
<v Speaker 1>It was ridiculous. Now you told CMO to take Christopher

0:43:58.840 --> 0:44:00.400
<v Speaker 1>Columbus statute.

0:44:00.080 --> 0:44:02.480
<v Speaker 3>That, Yeah, come on, he telling people? Why do we

0:44:02.520 --> 0:44:03.160
<v Speaker 3>tell people love?

0:44:04.880 --> 0:44:05.040
<v Speaker 1>Yeah?

0:44:05.120 --> 0:44:07.080
<v Speaker 3>Put Tonyanner, put Frank Sinadra.

0:44:07.680 --> 0:44:10.759
<v Speaker 1>Come on, you got a lot of legends. Hold on

0:44:10.880 --> 0:44:12.480
<v Speaker 1>to him. He's like Hitler. You know.

0:44:12.600 --> 0:44:17.360
<v Speaker 3>He came here and and basically genocided all the Caribbean

0:44:17.400 --> 0:44:19.720
<v Speaker 3>of Taino people and Arawak tribes.

0:44:20.239 --> 0:44:21.040
<v Speaker 1>He tortured.

0:44:21.560 --> 0:44:23.480
<v Speaker 3>If you try to run, he will cut your feet off,

0:44:23.800 --> 0:44:27.280
<v Speaker 3>if if if you weren't producing enough gold or silver,

0:44:27.400 --> 0:44:29.719
<v Speaker 3>he will cut your hands off and hang him on

0:44:30.080 --> 0:44:33.680
<v Speaker 3>your neck. He burnt, he's sick, dogs on babies. He

0:44:33.800 --> 0:44:37.320
<v Speaker 3>burned people alive. He was the cruelest man in the

0:44:37.480 --> 0:44:40.560
<v Speaker 3>history of the world. He had a ring. He bragged

0:44:40.600 --> 0:44:44.080
<v Speaker 3>in his journal about having a prostitution ring of nine

0:44:44.160 --> 0:44:45.880
<v Speaker 3>year old Native American girls.

0:44:47.600 --> 0:44:51.560
<v Speaker 1>He was the first. Jeffrey Yeah, yeah, he was. That's

0:44:51.600 --> 0:44:52.720
<v Speaker 1>why he went to the island.

0:44:54.080 --> 0:45:01.759
<v Speaker 3>Yeah, yea, so yes, I talked Hobo. There's so many

0:45:01.800 --> 0:45:05.120
<v Speaker 3>others to Tony Bennett. Come on, put the pucino up there.

0:45:05.400 --> 0:45:06.320
<v Speaker 3>You don't need Columbus.

0:45:06.400 --> 0:45:07.200
<v Speaker 1>Let him go. Let them go.

0:45:07.400 --> 0:45:12.240
<v Speaker 3>Yeah, right, Italians, Yeah, exactly, put the nero put Marissa

0:45:12.320 --> 0:45:16.759
<v Speaker 3>Tom Yes, yes, but let's let let let let Columbus go.

0:45:18.080 --> 0:45:21.959
<v Speaker 6>And then how about Spain people, people from people from Spain,

0:45:21.960 --> 0:45:22.720
<v Speaker 6>people from Spain.

0:45:23.120 --> 0:45:27.879
<v Speaker 3>You know, I don't got nothing against them, except they're

0:45:27.920 --> 0:45:34.200
<v Speaker 3>not Latino. That you're Spanish, you're white European Latino people.

0:45:34.719 --> 0:45:38.200
<v Speaker 3>For the majority part, we're part indigenous part after Latino.

0:45:38.360 --> 0:45:42.640
<v Speaker 3>We we got a mixed breed that's a beautiful culture

0:45:42.680 --> 0:45:45.480
<v Speaker 3>in our own language and everything and and and history

0:45:45.480 --> 0:45:48.080
<v Speaker 3>of literature and and art and.

0:45:49.560 --> 0:45:52.040
<v Speaker 1>Europe different Europe, European.

0:45:52.520 --> 0:45:55.120
<v Speaker 2>But it is hard to negate because we speak Spanish.

0:45:56.160 --> 0:45:57.920
<v Speaker 4>A lot of our some of not all of our culture,

0:45:58.000 --> 0:46:00.520
<v Speaker 4>a lot of our cultures mixed African everywhere else. But

0:46:00.800 --> 0:46:02.719
<v Speaker 4>a lot of our questions just come from Spans, from

0:46:02.760 --> 0:46:05.160
<v Speaker 4>Spain and Spain to a degree.

0:46:05.640 --> 0:46:08.879
<v Speaker 3>You know, we gave weed line people because we were colonized.

0:46:09.440 --> 0:46:12.360
<v Speaker 3>All our contributions have been erased. But we gave the

0:46:12.480 --> 0:46:14.279
<v Speaker 3>world and Spain a lot.

0:46:14.680 --> 0:46:16.560
<v Speaker 1>Yeah, we had.

0:46:17.200 --> 0:46:20.799
<v Speaker 3>We gave Spain five hundred thousand tons of gold. That's

0:46:20.880 --> 0:46:23.040
<v Speaker 3>like filling up the Empire state building a time and

0:46:23.080 --> 0:46:26.680
<v Speaker 3>a half. And that funded all of Europe for the

0:46:26.920 --> 0:46:32.040
<v Speaker 3>Renaissance later Renaissance Enlightenment. That was all our gold and

0:46:32.160 --> 0:46:36.000
<v Speaker 3>our silver funded the Constantinople Empire and the and the

0:46:37.000 --> 0:46:38.680
<v Speaker 3>and the Chinese government.

0:46:38.400 --> 0:46:39.480
<v Speaker 1>Because that's where they love silver.

0:46:40.000 --> 0:46:50.880
<v Speaker 3>We gave the world rubber uh, Chili's, uh, sunflower seeds, tapioca, chocolate, vanilla, popcorn, peanuts.

0:46:51.400 --> 0:46:57.839
<v Speaker 1>Tambell does yea, the rubber ball we met the rubber ball.

0:46:59.040 --> 0:47:03.280
<v Speaker 3>Yeah, and and uh galvanization. We invented that before Goodyear.

0:47:03.360 --> 0:47:05.560
<v Speaker 3>Goodyear took the credit, but we had invented that already.

0:47:07.960 --> 0:47:12.799
<v Speaker 1>Hold the means to bathroomall keep going yeac keuep going. Yeah.

0:47:16.400 --> 0:47:18.120
<v Speaker 1>You know, I'm the ray Man of Latin facts. I

0:47:18.200 --> 0:47:18.799
<v Speaker 1>know all that shit.

0:47:19.480 --> 0:47:21.319
<v Speaker 4>Well, no, because I mean I'm saying that because if

0:47:21.520 --> 0:47:22.680
<v Speaker 4>you're Latino, it's hard.

0:47:22.840 --> 0:47:25.200
<v Speaker 2>We speak Spanish derives from Spain.

0:47:25.280 --> 0:47:27.560
<v Speaker 4>So I mean, well, I have my grandfather on my

0:47:27.640 --> 0:47:29.920
<v Speaker 4>dad he's full Spanish right right, So you know, I

0:47:30.000 --> 0:47:31.560
<v Speaker 4>just feel like there is a part of us that

0:47:31.719 --> 0:47:33.080
<v Speaker 4>we can the gate from that part.

0:47:33.280 --> 0:47:36.080
<v Speaker 2>You understand, no doubt what that empire did you go

0:47:36.200 --> 0:47:36.520
<v Speaker 2>to Spain?

0:47:36.600 --> 0:47:39.160
<v Speaker 4>Now they have Christopher Columbus statues all over it because

0:47:39.160 --> 0:47:40.320
<v Speaker 4>it enriched their empire.

0:47:40.440 --> 0:47:43.719
<v Speaker 3>Oh yeah, I mean it made Europe the powerful empires

0:47:43.760 --> 0:47:46.239
<v Speaker 3>that they were in eighteen hundreds and nineteen hundreds. But

0:47:46.360 --> 0:47:49.000
<v Speaker 3>that was all from us, right, They wouldn't be those

0:47:49.080 --> 0:47:51.560
<v Speaker 3>powerful empires if it wasn't they were taking all our gold,

0:47:52.000 --> 0:47:55.120
<v Speaker 3>all our all our silver, all our emeralds.

0:47:55.560 --> 0:47:58.400
<v Speaker 2>Yeah, I mean, I just think sometimes it's it's a

0:47:58.440 --> 0:47:59.919
<v Speaker 2>tough to break away.

0:48:00.080 --> 0:48:02.239
<v Speaker 1>It ain't tough for me. It ain't tough, no, no, no,

0:48:02.400 --> 0:48:05.239
<v Speaker 1>I mean for me because family, it's direct family. So well,

0:48:05.280 --> 0:48:05.880
<v Speaker 1>you know, I went on.

0:48:06.000 --> 0:48:09.040
<v Speaker 3>Henry Lewis Gates show, and I'm the first person in

0:48:09.120 --> 0:48:13.360
<v Speaker 3>this show because everybody else is like three or four generations,

0:48:13.360 --> 0:48:16.120
<v Speaker 3>and then back to Europe, especially Latin people is one

0:48:16.160 --> 0:48:19.320
<v Speaker 3>or two generations. In back to Spain, I'm five hundred

0:48:19.400 --> 0:48:23.799
<v Speaker 3>years on both sides. In the Americas, the only person

0:48:24.239 --> 0:48:26.800
<v Speaker 3>that's been on Lewis Henry Gates show that goes that

0:48:27.000 --> 0:48:27.520
<v Speaker 3>far back.

0:48:28.840 --> 0:48:30.280
<v Speaker 2>But there's definitely no doubt.

0:48:30.360 --> 0:48:33.240
<v Speaker 4>And this is I think that Latinos and all Caribbean

0:48:33.680 --> 0:48:36.319
<v Speaker 4>and Latin American people's suffer for is we're suffering from

0:48:36.760 --> 0:48:37.960
<v Speaker 4>the effects of colonialism.

0:48:38.400 --> 0:48:39.720
<v Speaker 1>Absolutely, the way.

0:48:39.640 --> 0:48:43.400
<v Speaker 2>It brainwashed, it divided people by different you.

0:48:43.440 --> 0:48:48.759
<v Speaker 3>Know, exploitation has been NonStop. Every time we're about to

0:48:48.840 --> 0:48:52.759
<v Speaker 3>democratize the country, the US comes in and because they

0:48:52.800 --> 0:48:57.239
<v Speaker 3>start to nationalize all the oil or resources and they

0:48:57.320 --> 0:48:58.600
<v Speaker 3>come in and take them out and put a right

0:48:58.640 --> 0:49:02.840
<v Speaker 3>wing guy that becomes an assassin, an autocrat, a dictator.

0:49:03.120 --> 0:49:04.080
<v Speaker 1>It's the same thing in Africa.

0:49:04.160 --> 0:49:07.560
<v Speaker 3>Every time Africa wants to become the United States of Africa,

0:49:07.960 --> 0:49:10.960
<v Speaker 3>that that leader is going to disappear, is going to

0:49:11.000 --> 0:49:11.640
<v Speaker 3>be found dead.

0:49:13.120 --> 0:49:14.880
<v Speaker 6>Okay, you want to do a quick Thomas Lnes do

0:49:14.960 --> 0:49:16.200
<v Speaker 6>it man, explain to him the ruth.

0:49:16.640 --> 0:49:17.359
<v Speaker 1>Well, let's get week.

0:49:17.440 --> 0:49:19.960
<v Speaker 2>Since you guys aren't drinking, we got some some drinkers.

0:49:20.000 --> 0:49:23.040
<v Speaker 1>I need to come on. So you need two alcoholics.

0:49:27.080 --> 0:49:32.000
<v Speaker 1>Were about join? Oh yes or no? Bro? You're like, okay,

0:49:32.120 --> 0:49:34.520
<v Speaker 1>so just Sonny, don't wry. You've been rowing out. You

0:49:34.560 --> 0:49:36.239
<v Speaker 1>can get a drunk for a while lately. I've been

0:49:36.280 --> 0:49:39.440
<v Speaker 1>watching you. I really want to drink. He's sitting it out.

0:49:39.480 --> 0:49:42.960
<v Speaker 1>You need a shot glasses. I thought that was Eddie.

0:49:43.000 --> 0:49:45.440
<v Speaker 4>I was like, don't use that little Thing's wrong with you, bro,

0:49:46.120 --> 0:49:48.160
<v Speaker 4>brow have a real properly dog glass.

0:49:48.640 --> 0:49:51.000
<v Speaker 2>So this is our drinking game, A nice We're gonna

0:49:51.000 --> 0:49:51.840
<v Speaker 2>give you something to get.

0:49:51.719 --> 0:49:52.160
<v Speaker 1>Drunk from me.

0:49:52.360 --> 0:49:56.520
<v Speaker 3>Ye awesome, I love that. I wish I had you

0:49:56.560 --> 0:49:57.040
<v Speaker 3>growing up.

0:49:59.400 --> 0:50:02.799
<v Speaker 1>Designated drink good. We all needed that. We're gonna give

0:50:02.800 --> 0:50:03.520
<v Speaker 1>you two choices.

0:50:03.920 --> 0:50:05.440
<v Speaker 2>If you pick one, we don't.

0:50:05.280 --> 0:50:09.240
<v Speaker 4>Drink, right, So whatever this versus if I lose you drinking,

0:50:09.280 --> 0:50:11.000
<v Speaker 4>but if you decide you don't really want to answer,

0:50:11.120 --> 0:50:13.600
<v Speaker 4>or you say both, you really don't want to pick one.

0:50:14.120 --> 0:50:14.600
<v Speaker 1>I want to pick.

0:50:14.680 --> 0:50:15.399
<v Speaker 3>I say I say both.

0:50:15.440 --> 0:50:17.960
<v Speaker 4>If you say both or neither, we're drinking all of us?

0:50:18.000 --> 0:50:20.279
<v Speaker 4>Will us who are drinking? What if I say both,

0:50:20.880 --> 0:50:21.480
<v Speaker 4>you can say.

0:50:23.080 --> 0:50:26.440
<v Speaker 1>Both of us. I don't want to come in and drink. Charlie,

0:50:26.440 --> 0:50:28.279
<v Speaker 1>you want to drink it? Come on, come on, come

0:50:28.320 --> 0:50:29.359
<v Speaker 1>out against somebody else.

0:50:30.239 --> 0:50:31.920
<v Speaker 4>Really, what we want out of this is any stories

0:50:31.960 --> 0:50:34.840
<v Speaker 4>that come up of anything we mentioned, any ideas anything.

0:50:38.280 --> 0:50:41.480
<v Speaker 2>Come on, Charlie, you're represented, see mama?

0:50:43.640 --> 0:50:45.879
<v Speaker 1>Or what what are you drinking? What are you drinking?

0:50:46.400 --> 0:50:48.640
<v Speaker 1>You're drinking, mamajuana, Mama.

0:50:49.280 --> 0:50:50.440
<v Speaker 3>That's some good ship Dominican.

0:50:52.280 --> 0:50:58.600
<v Speaker 2>You know you know what I put myself last. No

0:50:58.760 --> 0:51:01.880
<v Speaker 2>ste here, that's don't listen to those.

0:51:01.760 --> 0:51:06.960
<v Speaker 8>Guys over there, all right, but I don't got no

0:51:07.480 --> 0:51:07.840
<v Speaker 8>you got the.

0:51:07.880 --> 0:51:10.080
<v Speaker 1>List you said to it. Oh God, I got I

0:51:10.120 --> 0:51:13.320
<v Speaker 1>got it. You need a glass to all right, So

0:51:13.600 --> 0:51:14.000
<v Speaker 1>drinking with.

0:51:14.080 --> 0:51:17.640
<v Speaker 4>Us today, we got sunny, DBT and chill.

0:51:17.719 --> 0:51:22.239
<v Speaker 2>Right, thank you very much.

0:51:23.120 --> 0:51:25.960
<v Speaker 1>All right, ready let me set it on, go set

0:51:26.000 --> 0:51:28.520
<v Speaker 1>it off. He's playing on the rules already, right I did.

0:51:28.920 --> 0:51:33.759
<v Speaker 3>Okay, So NAS or l L who j oh wow,

0:51:35.080 --> 0:51:38.120
<v Speaker 3>that's a tough one, man. I mean they're both such

0:51:38.239 --> 0:51:43.239
<v Speaker 3>huge legends. Goes for real, both from Queens Queens. Oh,

0:51:43.280 --> 0:51:46.719
<v Speaker 3>from Queens. Nas is from Queensbridge Projects.

0:51:46.800 --> 0:51:47.840
<v Speaker 1>So that's closer than me.

0:51:48.320 --> 0:51:53.000
<v Speaker 3>Right, so I think I'm gonna have I like, oh man,

0:51:54.400 --> 0:51:57.320
<v Speaker 3>l A l A had the more pop sound, the

0:51:57.440 --> 0:52:02.200
<v Speaker 3>more catchy tunes, but Nas add more teeth, more bite

0:52:02.239 --> 0:52:02.920
<v Speaker 3>into what he was saying.

0:52:03.120 --> 0:52:05.840
<v Speaker 1>I go no, because he was just closer to me geographically. Okay,

0:52:06.160 --> 0:52:09.759
<v Speaker 1>cool Carris, want to rock him? Fuck?

0:52:09.840 --> 0:52:16.160
<v Speaker 3>These are hard Harris one was a teacher man racquem

0:52:16.360 --> 0:52:18.960
<v Speaker 3>you know he took it, brought the jazz into hip hop.

0:52:21.040 --> 0:52:23.920
<v Speaker 1>I'm gonna say both, Okay, good fellas.

0:52:26.600 --> 0:52:27.640
<v Speaker 3>That's a that's a toughess.

0:52:27.719 --> 0:52:29.120
<v Speaker 1>I kind of think I know the answer. It is

0:52:29.160 --> 0:52:31.240
<v Speaker 1>off for you New York guys, Mets Yankees.

0:52:31.360 --> 0:52:32.080
<v Speaker 3>Oh that's easy.

0:52:32.160 --> 0:52:33.719
<v Speaker 1>Come on, I'm from Queens. What am I gonna go

0:52:33.760 --> 0:52:34.560
<v Speaker 1>betray my people?

0:52:34.760 --> 0:52:34.960
<v Speaker 3>Yeah?

0:52:35.440 --> 0:52:39.759
<v Speaker 1>Mess, that's in that house. There's a lot of people

0:52:39.760 --> 0:52:41.840
<v Speaker 1>from Queens who are Yankee fans. Yeah they don't. A

0:52:41.840 --> 0:52:49.280
<v Speaker 1>lot of people like they're a little confused. Queens Queens

0:52:49.280 --> 0:52:59.200
<v Speaker 1>of Ballata. I gotta go both. How can I You

0:52:59.280 --> 0:53:03.719
<v Speaker 1>got it? Big l or big punt? Oh wow?

0:53:06.560 --> 0:53:08.680
<v Speaker 3>Well you know we we wanted to do the story

0:53:08.760 --> 0:53:10.680
<v Speaker 3>of big puns. I'm gonna say big punt so the

0:53:10.760 --> 0:53:11.879
<v Speaker 3>family will give me the rights?

0:53:14.880 --> 0:53:17.280
<v Speaker 1>That right? Bad Bunny or Daddy Yankee?

0:53:18.080 --> 0:53:21.560
<v Speaker 3>Oh Man, Daddy Yankee was the first guy to come

0:53:21.600 --> 0:53:25.200
<v Speaker 3>out with rigatone. He was the first one to Oh

0:53:25.719 --> 0:53:28.960
<v Speaker 3>but then Bad Bunny took it to like international levels, man,

0:53:29.000 --> 0:53:31.520
<v Speaker 3>and what he's doing with this platform, being political and

0:53:31.600 --> 0:53:38.319
<v Speaker 3>outspoken like that. I gotta go Bad Bunny, I'm sorry, Okay, okay,

0:53:38.719 --> 0:53:40.440
<v Speaker 3>Well he's done for the culture is incredible.

0:53:40.480 --> 0:53:47.319
<v Speaker 1>Man skipped ONEX. I met the MX man.

0:53:48.640 --> 0:53:51.040
<v Speaker 3>He's from New York too, He's from a state young

0:53:51.040 --> 0:53:55.319
<v Speaker 3>because yeah, yeah, what a nice dude, man. I mean,

0:53:55.360 --> 0:54:00.600
<v Speaker 3>but Tupac, Come on, DMX had the angry party voice.

0:54:00.640 --> 0:54:02.760
<v Speaker 3>I love the angriest Party Voice, you have work. Except

0:54:02.800 --> 0:54:05.720
<v Speaker 3>for Onyx, you were angry. They were angrier Party Voice.

0:54:07.520 --> 0:54:09.600
<v Speaker 3>But Tupac was legendary. Man, He's like took it to

0:54:09.719 --> 0:54:10.040
<v Speaker 3>the whole.

0:54:11.120 --> 0:54:14.719
<v Speaker 2>I feel like they filled the same void, you know, like.

0:54:14.760 --> 0:54:17.239
<v Speaker 1>You both like a little grime year.

0:54:17.440 --> 0:54:19.359
<v Speaker 4>But I felt like that energy, you know, like after

0:54:19.440 --> 0:54:21.080
<v Speaker 4>Park passed, I feel like, DMX.

0:54:20.920 --> 0:54:21.960
<v Speaker 1>What what do you What do you think? What do

0:54:22.000 --> 0:54:23.040
<v Speaker 1>you think? I want to know what you think?

0:54:23.120 --> 0:54:23.360
<v Speaker 3>With me?

0:54:24.560 --> 0:54:30.600
<v Speaker 1>M I would go Park. Yeah, I think you gotta

0:54:30.640 --> 0:54:34.200
<v Speaker 1>go Park. I mean just yeah, because I mean influenced,

0:54:36.200 --> 0:54:37.839
<v Speaker 1>I believe as well. Yeah.

0:54:38.239 --> 0:54:41.000
<v Speaker 3>DMX would say Pocket, he definitely would.

0:54:41.360 --> 0:54:46.680
<v Speaker 1>Okay, the Pest or super Mario Bros. But you trying

0:54:46.719 --> 0:54:50.360
<v Speaker 1>to say about me ship snap Yeah okay.

0:54:50.719 --> 0:54:50.879
<v Speaker 6>Uh.

0:54:52.000 --> 0:54:56.200
<v Speaker 3>You know, when I did Superman Brothers, I thought it

0:54:56.200 --> 0:54:57.800
<v Speaker 3>was gonna be a much bigger hit than it was.

0:54:58.480 --> 0:54:58.879
<v Speaker 1>It wasn't.

0:54:59.000 --> 0:55:02.080
<v Speaker 3>It wasn't critically loved, but so many people grew up

0:55:02.080 --> 0:55:03.800
<v Speaker 3>with it and fell in love with and now the

0:55:04.239 --> 0:55:06.200
<v Speaker 3>remake it was massive, man.

0:55:07.160 --> 0:55:08.560
<v Speaker 1>So that was because of what we did.

0:55:09.080 --> 0:55:12.120
<v Speaker 3>The past was my attempt at doing you know, Latin comedy,

0:55:12.160 --> 0:55:15.239
<v Speaker 3>and it was before get Out because the plot of

0:55:15.320 --> 0:55:18.680
<v Speaker 3>the Pest is this Puerto Rican kid who is brought

0:55:18.719 --> 0:55:21.680
<v Speaker 3>to this island, so this white hunter can and can

0:55:21.800 --> 0:55:24.440
<v Speaker 3>hunt them down like like like a species.

0:55:27.760 --> 0:55:33.399
<v Speaker 1>We were first. I'll say both drink. Okay, okay, now

0:55:33.640 --> 0:55:37.399
<v Speaker 1>technically it's super Mario. Is he Italian? Yeah?

0:55:38.160 --> 0:55:39.799
<v Speaker 3>They catch me the Latin kid.

0:55:40.040 --> 0:55:42.399
<v Speaker 1>Okay, I got one off there.

0:55:43.000 --> 0:55:44.480
<v Speaker 2>Dick Cheney or Steven Miller?

0:55:45.320 --> 0:55:47.080
<v Speaker 1>Wow, would you pick up.

0:55:48.800 --> 0:55:50.319
<v Speaker 3>For you? Who would I picked for one?

0:55:51.120 --> 0:55:53.080
<v Speaker 1>This is your criteria to get hit.

0:55:53.880 --> 0:55:54.799
<v Speaker 2>One of them has better here?

0:55:54.800 --> 0:55:58.160
<v Speaker 1>I don't know. Wow, wow, the president of that shot.

0:56:00.080 --> 0:56:06.680
<v Speaker 3>They're both disgusting, I say both. They're both unbearably Yeah,

0:56:06.920 --> 0:56:13.239
<v Speaker 3>they're both despicable, disgusting, horrible human beings. Yeah, both, so drink.

0:56:14.320 --> 0:56:23.520
<v Speaker 3>Don't drink to them? Thought Heavy D? Oh? Wow, I

0:56:23.640 --> 0:56:25.600
<v Speaker 3>met Heavy Dan, I met I met bis Marquis.

0:56:26.840 --> 0:56:30.360
<v Speaker 1>Yeah, rest in peace. Amazing. I thought Heavy D was

0:56:30.360 --> 0:56:33.200
<v Speaker 1>Puerto Rican, but he wasn't. He's not. No, he's not

0:56:33.320 --> 0:56:37.640
<v Speaker 1>I thought he was. You know, he wasn't. He's just

0:56:37.680 --> 0:56:38.839
<v Speaker 1>playing a lot. He's drunk.

0:56:39.120 --> 0:56:41.960
<v Speaker 3>He's only three shots, three shots, he's already.

0:56:42.120 --> 0:56:47.480
<v Speaker 1>Three sheets to the wind. Puerto Rican. Oh snap, that's

0:56:47.560 --> 0:56:55.239
<v Speaker 1>a horriblee man. Biz Marquis or Heavy D They're both fun.

0:56:55.520 --> 0:56:58.600
<v Speaker 3>They had such great swing to their hip hop brought

0:56:58.680 --> 0:57:00.960
<v Speaker 3>so much fun since lightness, you know what I mean?

0:57:01.120 --> 0:57:03.799
<v Speaker 3>That was when hip hop was fun. It was about

0:57:03.880 --> 0:57:06.959
<v Speaker 3>fun things, about being funny and and having a great

0:57:07.000 --> 0:57:13.960
<v Speaker 3>groove before gang should rap. Damn, I gotta say both both.

0:57:13.960 --> 0:57:14.759
<v Speaker 3>The legendary bro.

0:57:18.800 --> 0:57:20.880
<v Speaker 1>I'most skip one. You will go back to that, all right,

0:57:21.360 --> 0:57:26.600
<v Speaker 1>Jake Alvin, Oh fat, Joe, Oh wow, once Colombian, once,

0:57:26.720 --> 0:57:29.200
<v Speaker 1>Puerto Rican once from the b X one.

0:57:29.280 --> 0:57:36.400
<v Speaker 3>Sometimes you know appropriate appropriates? Didn't Jay Balma get canceled?

0:57:39.400 --> 0:57:44.760
<v Speaker 1>What will happened? Write somethh it happened but went down? Relax?

0:57:46.920 --> 0:57:47.760
<v Speaker 1>Oh yeah yeah.

0:57:47.800 --> 0:57:51.680
<v Speaker 3>The Dominican girls that he had unleashes and onnot for

0:57:51.760 --> 0:57:52.600
<v Speaker 3>a music video.

0:57:54.360 --> 0:58:01.320
<v Speaker 1>Yeah yeah, yeah that was kind of rough. I'll say.

0:58:01.320 --> 0:58:06.680
<v Speaker 1>Everybody here knows. Yeah, yeah, it's so okay. So we're

0:58:06.720 --> 0:58:08.240
<v Speaker 1>not so I say both.

0:58:09.360 --> 0:58:14.920
<v Speaker 3>Yeah, that's what you get, A fucking drug. I said,

0:58:14.920 --> 0:58:18.720
<v Speaker 3>you're incanto. Oh man, don't make me choose. I can't

0:58:18.800 --> 0:58:22.840
<v Speaker 3>choose between my two bread winners. I don't have to both.

0:58:26.000 --> 0:58:31.040
<v Speaker 2>Can't enough man, cheers, cheers, cheers.

0:58:39.800 --> 0:58:43.400
<v Speaker 3>Oh wow, that's rough, because Spike Lee is my boy.

0:58:43.960 --> 0:58:46.720
<v Speaker 3>Summer Sam was a Spike Lee joint and to Wong

0:58:46.800 --> 0:58:49.680
<v Speaker 3>Fu was groundbreaking. Man. A lot of L G T

0:58:49.800 --> 0:58:51.640
<v Speaker 3>b Q plus teenagers came up to me and they

0:58:52.120 --> 0:58:53.920
<v Speaker 3>said that movie gave the course to come out to

0:58:53.960 --> 0:58:58.280
<v Speaker 3>their folks. I gotta say both both are great.

0:58:58.360 --> 0:59:02.640
<v Speaker 1>Come on, man, you're killing us that he doesn't want

0:59:02.680 --> 0:59:02.960
<v Speaker 1>to drink.

0:59:03.720 --> 0:59:11.000
<v Speaker 3>That's the point. So okay, Nick, you ready the faces

0:59:12.720 --> 0:59:17.000
<v Speaker 3>Nick for the next Come on, that's easy, bro. Come on,

0:59:17.920 --> 0:59:20.520
<v Speaker 3>I've been nicked forever. I'm going to the game this Thursday,

0:59:20.600 --> 0:59:22.840
<v Speaker 3>court side next to fight. So nixt all the way,

0:59:23.000 --> 0:59:24.840
<v Speaker 3>nixt all the way it's been, it's been.

0:59:25.480 --> 0:59:28.720
<v Speaker 1>I'm a lifetime Knicks fan. It's been a rough, rough journey.

0:59:28.880 --> 0:59:31.200
<v Speaker 6>It has been a rough looking very good the last

0:59:31.560 --> 0:59:32.640
<v Speaker 6>year he's looking incredible.

0:59:32.720 --> 0:59:36.000
<v Speaker 1>Yes, yes, these last few weeks not so great. But okay,

0:59:37.320 --> 0:59:40.439
<v Speaker 1>last week weeks we've been. Yeah, we had a couple

0:59:40.520 --> 0:59:43.960
<v Speaker 1>of losses that he wasn't gonna get to that.

0:59:44.200 --> 0:59:46.800
<v Speaker 3>Yeah, yeah, but we'll pick it back up. I mean,

0:59:47.600 --> 0:59:50.280
<v Speaker 3>Bronson has having a little bit a difficult time. Bridges

0:59:50.360 --> 0:59:52.680
<v Speaker 3>also having I don't know what's going on, man, Davin.

0:59:53.720 --> 0:59:55.640
<v Speaker 1>Since heart put his finger up brusting butt.

0:59:59.000 --> 1:00:00.200
<v Speaker 2>Same, I don't even know what you you got the

1:00:00.240 --> 1:00:00.880
<v Speaker 2>talk about.

1:00:02.480 --> 1:00:06.920
<v Speaker 3>You're already gone, you're fucked out.

1:00:08.560 --> 1:00:12.360
<v Speaker 1>Somebody, but that's serious. The next one like it was

1:00:12.400 --> 1:00:14.280
<v Speaker 1>like a yeah, yeah, yeah.

1:00:14.240 --> 1:00:17.160
<v Speaker 6>Yeah to h thement in Vegas, like I guess that's

1:00:17.160 --> 1:00:20.000
<v Speaker 6>how they play, but it got caught on camera and

1:00:20.120 --> 1:00:25.360
<v Speaker 6>it looked it looked weird. Be Real to Fat Joe No,

1:00:26.400 --> 1:00:29.640
<v Speaker 6>I replaced Jake Wilburma, Oh you did, yeah.

1:00:31.480 --> 1:00:35.280
<v Speaker 2>To be Real real real from Cypress Him or Fat Joe.

1:00:35.960 --> 1:00:37.120
<v Speaker 1>Oh be Real, Fat Joe.

1:00:37.920 --> 1:00:41.600
<v Speaker 3>Oh snap, that's a hardbum man, I mean be Real

1:00:42.800 --> 1:00:47.280
<v Speaker 3>and uh Cypress Hill. They did some gangster fun stuff, man,

1:00:47.680 --> 1:00:50.400
<v Speaker 3>and it was like the early latinos to come.

1:00:50.320 --> 1:00:57.680
<v Speaker 1>Out with him Cubist Cuban, Mexican grew up with Afro Cuban.

1:00:57.760 --> 1:01:01.040
<v Speaker 4>Yeah yeah yeah and be really is is Afro Cuban,

1:01:01.400 --> 1:01:02.240
<v Speaker 4>half Mexican, half.

1:01:02.160 --> 1:01:05.720
<v Speaker 1>Cuban, right, but he's also Afro Cuban. Yeah yeah, yeah,

1:01:05.760 --> 1:01:08.640
<v Speaker 1>no no doubt, yeah yeah from Southgate.

1:01:08.960 --> 1:01:11.680
<v Speaker 3>I'm I mean did great, great, great music.

1:01:11.760 --> 1:01:19.080
<v Speaker 1>Man, It's so fun both Okay, I like this game

1:01:20.720 --> 1:01:25.760
<v Speaker 1>of course you do, right, I love it? Good Royal

1:01:25.920 --> 1:01:26.760
<v Speaker 1>Hector Levo.

1:01:27.520 --> 1:01:31.280
<v Speaker 3>Oh wow, that's impossible, man, I mean George Royal Colombian

1:01:31.640 --> 1:01:32.960
<v Speaker 3>just some of the most powerful.

1:01:33.400 --> 1:01:35.240
<v Speaker 1>Those are the political.

1:01:34.880 --> 1:01:36.919
<v Speaker 3>Songs and sounds that you ever heard in your life.

1:01:37.040 --> 1:01:38.760
<v Speaker 1>Political, but you did.

1:01:40.400 --> 1:01:42.680
<v Speaker 3>Song to it and love all had the voice of

1:01:42.760 --> 1:01:43.480
<v Speaker 3>the people. Man.

1:01:43.600 --> 1:01:46.840
<v Speaker 1>That voice was was represented all of us. They call

1:01:47.000 --> 1:01:53.080
<v Speaker 1>the voice. Yeah, the voice both they're not gonna get

1:01:53.080 --> 1:01:57.640
<v Speaker 1>able to get out. I mean, which is you better

1:01:57.720 --> 1:02:02.080
<v Speaker 1>get a designated driver I do over there rolling on

1:02:02.160 --> 1:02:04.800
<v Speaker 1>the bluffs or scarface.

1:02:05.520 --> 1:02:07.800
<v Speaker 3>Oh you know, I'm gonna go with Carlito's. Wait, man,

1:02:07.880 --> 1:02:09.000
<v Speaker 3>I'm gonna choose my own.

1:02:11.280 --> 1:02:15.360
<v Speaker 1>That's right, that's right, metal man ace Okay for us?

1:02:15.520 --> 1:02:18.640
<v Speaker 3>Oh man, I got a special place for both of

1:02:18.680 --> 1:02:24.320
<v Speaker 3>those songs because when I heard the Streets, I felt

1:02:24.400 --> 1:02:25.000
<v Speaker 3>like I was.

1:02:27.080 --> 1:02:30.120
<v Speaker 1>Yeah, which is too you know. You know Middleman is

1:02:30.200 --> 1:02:32.240
<v Speaker 1>some dogs bro. Yeah, yeah, I didn't know. I didn't

1:02:32.240 --> 1:02:32.840
<v Speaker 1>know it. I met him.

1:02:32.840 --> 1:02:35.240
<v Speaker 3>I met him back in the day. Oh shoot, I'm

1:02:35.240 --> 1:02:37.040
<v Speaker 3>gonna say both because they were really important to us.

1:02:37.120 --> 1:02:41.240
<v Speaker 1>And then then yeah, kinds of reasons for you to drink.

1:02:41.960 --> 1:02:47.200
<v Speaker 1>So this is the last question for Qui. Okay, this

1:02:47.320 --> 1:02:49.160
<v Speaker 1>was the last question with Kaslim. Do you're gonna get

1:02:49.200 --> 1:02:55.760
<v Speaker 1>back in the interviews? Thank you that loyalty or respect.

1:02:56.240 --> 1:03:00.360
<v Speaker 3>Loyalty or respect? Oh shoot, that's that's a beautiful uh and.

1:03:00.400 --> 1:03:01.800
<v Speaker 2>It seems like it's a true question for a lot

1:03:01.800 --> 1:03:02.200
<v Speaker 2>of our guests.

1:03:02.280 --> 1:03:06.480
<v Speaker 3>Loyalty is kind of weird because it's such a gangster thing, like,

1:03:06.560 --> 1:03:09.640
<v Speaker 3>you know, that's what Trump likes, loyalty. But I think

1:03:09.720 --> 1:03:14.200
<v Speaker 3>respect is something that's earned that you don't just get that.

1:03:14.360 --> 1:03:17.640
<v Speaker 3>You have to have certain qualities and certain virtues to

1:03:17.760 --> 1:03:18.480
<v Speaker 3>be respected.

1:03:19.320 --> 1:03:24.280
<v Speaker 1>I'll go with respect respect. Okay, yeah, okay, he said,

1:03:24.560 --> 1:03:27.720
<v Speaker 1>oh yeah, yeah, both. I meant whatever.

1:03:29.160 --> 1:03:36.880
<v Speaker 4>Thank you, fellas, Hey take your coming, see the come Sonny, Sonny, Sonny.

1:03:37.960 --> 1:03:41.480
<v Speaker 1>Thank you said. Let's talk about mambo mouth. Oh yeah, yeah,

1:03:41.560 --> 1:03:44.880
<v Speaker 1>let's talk about it. How did that come about? By

1:03:44.920 --> 1:03:46.120
<v Speaker 1>the way, this Cuban coffee got.

1:03:49.600 --> 1:03:54.800
<v Speaker 4>But I'm like, yeah, yeah, would you like no, no, no,

1:03:57.720 --> 1:03:58.600
<v Speaker 4>bring me one really quick.

1:03:59.160 --> 1:04:00.760
<v Speaker 1>You need it. You need this over up before we

1:04:00.800 --> 1:04:01.560
<v Speaker 1>get to Mamo mam.

1:04:01.640 --> 1:04:05.600
<v Speaker 6>Okay, let's let's talk about coffee because that was a unique.

1:04:06.160 --> 1:04:10.720
<v Speaker 1>This is how we judge our interviews. We've been doing

1:04:10.720 --> 1:04:12.040
<v Speaker 1>this for ten years. We go on ten years.

1:04:13.440 --> 1:04:22.360
<v Speaker 14>Yeah yeah, yeah, so we we like we we judge

1:04:22.600 --> 1:04:27.760
<v Speaker 14>like where time they come and and what what's their

1:04:27.840 --> 1:04:28.360
<v Speaker 14>drink order?

1:04:29.200 --> 1:04:31.720
<v Speaker 1>One? You came super early? Which is which is which

1:04:31.760 --> 1:04:37.960
<v Speaker 1>is super early? Yeah? He came half an hour yes, yeah,

1:04:38.040 --> 1:04:45.160
<v Speaker 1>yeah time. But you ordered coffee? Now you have do

1:04:45.200 --> 1:04:46.200
<v Speaker 1>you have love for coffee?

1:04:46.440 --> 1:04:51.040
<v Speaker 3>Or is that coffee? And when I do press okay? Yeah, yeah,

1:04:51.040 --> 1:04:52.360
<v Speaker 3>I want to stay up. I want to stay hyper,

1:04:52.440 --> 1:04:53.480
<v Speaker 3>I want to stay on point.

1:04:54.080 --> 1:04:54.280
<v Speaker 1>Yeah.

1:04:55.080 --> 1:04:55.640
<v Speaker 3>So what what what?

1:04:55.760 --> 1:04:56.040
<v Speaker 1>What's that?

1:04:56.080 --> 1:04:59.600
<v Speaker 3>Don't make mistakes? Mistakes are costly in the biz right now?

1:05:00.120 --> 1:05:02.480
<v Speaker 6>Yeah, So what's your favorite coffee that we should go to?

1:05:02.680 --> 1:05:04.720
<v Speaker 6>Americano cappuccino?

1:05:06.080 --> 1:05:08.440
<v Speaker 3>I mean this capito is the bomb. This is this,

1:05:09.000 --> 1:05:11.720
<v Speaker 3>but you don't get this in New York. Yeah, the

1:05:11.800 --> 1:05:12.520
<v Speaker 3>home he was making it.

1:05:12.680 --> 1:05:14.560
<v Speaker 1>Yeah yeah, no that that. This is called the big

1:05:14.600 --> 1:05:26.640
<v Speaker 1>Guy okay and makes the best ball out in Miami.

1:05:26.840 --> 1:05:29.960
<v Speaker 1>And I'm a Lobo weather reporter that bring out weather.

1:05:29.800 --> 1:05:31.640
<v Speaker 3>And I bring up asino every day and this is

1:05:31.720 --> 1:05:34.400
<v Speaker 3>the this is the best ball had cheers.

1:05:39.840 --> 1:05:43.280
<v Speaker 1>You know. This is like rocket field, right, I'm like, yea,

1:05:44.160 --> 1:05:48.000
<v Speaker 1>even the bust around. I'm sitting I'm sitting still. Yeah,

1:05:49.600 --> 1:05:51.000
<v Speaker 1>I'm like this. I'm like, oh I got run.

1:05:51.080 --> 1:05:53.360
<v Speaker 3>I'm like I've been reading on my sirs, whole time,

1:05:54.880 --> 1:05:56.560
<v Speaker 3>like Hulk, except for coffee.

1:05:56.920 --> 1:05:59.960
<v Speaker 1>But I lie, this is this is? This is your eye?

1:06:00.080 --> 1:06:06.800
<v Speaker 1>Tell me he's something like?

1:06:06.880 --> 1:06:08.600
<v Speaker 3>It was something like that something?

1:06:12.280 --> 1:06:14.800
<v Speaker 1>Did they only make this here in Miami? Like?

1:06:14.880 --> 1:06:17.400
<v Speaker 3>Yeah, no, I don't make it in Manhattan. No, like

1:06:17.520 --> 1:06:18.720
<v Speaker 3>she didn't make it anywhere.

1:06:19.000 --> 1:06:22.160
<v Speaker 1>Okay, Like you have Cubans. I mean that's one thing

1:06:22.200 --> 1:06:27.560
<v Speaker 1>you're reading. Yeah yeah, Holy Ship? Yeah yeah.

1:06:31.960 --> 1:06:36.560
<v Speaker 3>You queens you never had that, Okay, you would have

1:06:36.600 --> 1:06:41.240
<v Speaker 3>got good grades. Then we spoke about it lightly, but

1:06:42.440 --> 1:06:43.240
<v Speaker 3>it's Cuban atter.

1:06:43.320 --> 1:06:49.640
<v Speaker 1>All you need to relax. I like talking to something.

1:06:50.880 --> 1:06:52.160
<v Speaker 3>Like that.

1:06:54.360 --> 1:06:57.439
<v Speaker 1>I gotta sell you one more thing. So that's that's

1:06:57.640 --> 1:07:09.400
<v Speaker 1>that's good. We got the series out, Yeah, yeah, Prime?

1:07:10.040 --> 1:07:11.080
<v Speaker 1>So what it's on Prime?

1:07:11.320 --> 1:07:11.360
<v Speaker 3>No?

1:07:11.520 --> 1:07:15.840
<v Speaker 1>No, Disney Plush? Oh Ship? Well I thought I saw

1:07:15.880 --> 1:07:18.280
<v Speaker 1>it on Prime. No No, No, I don't think they

1:07:18.480 --> 1:07:20.160
<v Speaker 1>shared it yet. I watch it on Disney Plus. I

1:07:20.200 --> 1:07:24.600
<v Speaker 1>don't got Hulu. Do you have Disney Plus? See what

1:07:24.720 --> 1:07:27.320
<v Speaker 1>your little kids? You got Disney Plus? Oh Ship? Not

1:07:27.440 --> 1:07:28.960
<v Speaker 1>getting because you got ESPN with it too.

1:07:29.000 --> 1:07:30.760
<v Speaker 2>You might just get it, I know.

1:07:30.880 --> 1:07:32.760
<v Speaker 1>But I'm saying I saw it. Are you sure it's

1:07:32.800 --> 1:07:34.040
<v Speaker 1>not a problem? No, bro, it's not.

1:07:34.400 --> 1:07:37.240
<v Speaker 3>I don't think it's not a problem if you got

1:07:37.280 --> 1:07:38.120
<v Speaker 3>a Buleg version.

1:07:39.240 --> 1:07:42.080
<v Speaker 1>Yeah, Leg, you gotta be a version.

1:07:44.120 --> 1:07:46.120
<v Speaker 4>I recall it, and it's a quick watch because the

1:07:46.200 --> 1:07:47.479
<v Speaker 4>episodes are relatively short.

1:07:47.680 --> 1:07:50.640
<v Speaker 1>Half out. Yeah, and it's all Spanish, right, all Spanish.

1:07:50.680 --> 1:07:52.400
<v Speaker 3>And I did a dumb version in English, but the

1:07:52.480 --> 1:07:54.240
<v Speaker 3>Spanish one is I.

1:07:54.240 --> 1:07:56.400
<v Speaker 2>Started watching English and I reverted to the Spanish.

1:07:56.440 --> 1:07:58.320
<v Speaker 3>Oh good, good, good man, because because I worked hard

1:07:58.360 --> 1:08:01.600
<v Speaker 3>at my action to make it as a spot version,

1:08:02.160 --> 1:08:04.440
<v Speaker 3>I dubbed it really okay.

1:08:05.120 --> 1:08:06.680
<v Speaker 1>People who don't like to read.

1:08:06.680 --> 1:08:10.840
<v Speaker 4>The girl saicadio, she's Argentina, right, No, Colombia, is she?

1:08:11.320 --> 1:08:13.640
<v Speaker 2>I swore to got her accents seemed Argentina to me.

1:08:13.960 --> 1:08:16.280
<v Speaker 1>Wait a minute, I might be wrong. I just know

1:08:16.400 --> 1:08:20.160
<v Speaker 1>I might be wrong. I know she was Argentine. I

1:08:20.240 --> 1:08:21.720
<v Speaker 1>was like, she sees Argentina to me.

1:08:22.560 --> 1:08:24.240
<v Speaker 2>Everybody else had the Colombian accent.

1:08:24.720 --> 1:08:27.599
<v Speaker 3>One of the one guy was Mexican. Who the kid

1:08:27.640 --> 1:08:30.840
<v Speaker 3>with the boyfriend of that girl, the d the one

1:08:30.880 --> 1:08:31.400
<v Speaker 3>that got killed.

1:08:31.520 --> 1:08:33.320
<v Speaker 1>Yes, what was it?

1:08:33.439 --> 1:08:35.639
<v Speaker 3>He was Mexican dude, but he had a good Colombian accent.

1:08:35.760 --> 1:08:36.760
<v Speaker 2>Yeah, no, I couldn't tell you.

1:08:37.400 --> 1:08:44.080
<v Speaker 3>Jo contentions and Colombiano Okay, Alchimo Parlo, she loves for.

1:08:48.240 --> 1:08:52.879
<v Speaker 1>That wasps see.

1:08:52.680 --> 1:08:57.040
<v Speaker 6>What Pablo's So, now do you do you experience because

1:08:57.080 --> 1:09:00.240
<v Speaker 6>they say this is a new Columbia, right, like a

1:09:00.360 --> 1:09:03.519
<v Speaker 6>new Columbia, you know, like right now like yeah, like

1:09:04.200 --> 1:09:07.240
<v Speaker 6>like like like married man cannot go Oh that's hard.

1:09:08.120 --> 1:09:11.080
<v Speaker 3>You look for that many man you look for that's

1:09:11.120 --> 1:09:12.800
<v Speaker 3>always been there, always be like that.

1:09:13.200 --> 1:09:17.639
<v Speaker 1>Yeah, that's here in America too. Just why no, no Columbia,

1:09:18.400 --> 1:09:19.240
<v Speaker 1>Columbia like this.

1:09:20.520 --> 1:09:24.479
<v Speaker 6>Listen on the marriage certificated, they say, if you go

1:09:24.560 --> 1:09:29.280
<v Speaker 6>to Columbia, so yeah, yeah, yeah, I mean they.

1:09:29.560 --> 1:09:32.400
<v Speaker 1>Got seriously beautiful women down there. I mean ridiculous beautiful,

1:09:32.640 --> 1:09:33.479
<v Speaker 1>ridicuously beautiful.

1:09:34.000 --> 1:09:36.439
<v Speaker 3>I mean the gene is known as the sex capital

1:09:37.000 --> 1:09:37.479
<v Speaker 3>is beautiful.

1:09:38.160 --> 1:09:43.479
<v Speaker 1>Yeah you knew that, but that's beautiful. I looked at it.

1:09:43.720 --> 1:09:44.360
<v Speaker 2>That's what I said.

1:09:44.439 --> 1:09:51.559
<v Speaker 1>Wow, that's the sex capital of the world. Okay.

1:09:52.000 --> 1:09:53.920
<v Speaker 3>I shot there, and you know there was like people

1:09:53.960 --> 1:09:57.559
<v Speaker 3>from all over the world looking for, you know, a fund.

1:09:57.479 --> 1:09:59.840
<v Speaker 1>Opportunity that we know of. We have our homies here,

1:09:59.880 --> 1:10:02.920
<v Speaker 1>the go there all the time. I'm just like this,

1:10:04.560 --> 1:10:06.439
<v Speaker 1>I'm gonna go like this. By the way, that's the

1:10:06.479 --> 1:10:07.760
<v Speaker 1>cocaine section. Just the show.

1:10:07.960 --> 1:10:12.599
<v Speaker 6>You know Columbia, right, they break the questions for quick

1:10:12.640 --> 1:10:13.200
<v Speaker 6>Thomas line.

1:10:13.240 --> 1:10:13.840
<v Speaker 1>We felt.

1:10:13.880 --> 1:10:15.960
<v Speaker 4>I went into the documentary out there and out of

1:10:16.000 --> 1:10:17.840
<v Speaker 4>the five dudes I was with, two of them went missing.

1:10:17.880 --> 1:10:21.360
<v Speaker 1>For sure, get back happy as hell after yeah, yeah, yeah, yeah, no,

1:10:21.439 --> 1:10:25.480
<v Speaker 1>it's it's a wild time out there. Yeah, holy moam,

1:10:25.800 --> 1:10:26.920
<v Speaker 1>you've been Columbia.

1:10:27.000 --> 1:10:30.280
<v Speaker 4>Yeah, you been coming to I tell you what I'm

1:10:30.280 --> 1:10:31.839
<v Speaker 4>talking about it and now it is Colombia.

1:10:32.200 --> 1:10:35.679
<v Speaker 1>No, no, no, no, listen. I hate.

1:10:35.920 --> 1:10:38.200
<v Speaker 6>I'm hating clearly when I was when I had to

1:10:38.320 --> 1:10:44.360
<v Speaker 6>break it up, it was not it was not the Columbia.

1:10:45.000 --> 1:10:47.479
<v Speaker 1>Yeah, there is. I've been looking at.

1:10:47.479 --> 1:10:51.080
<v Speaker 4>Instagram, like he saw titlan to the creator killing it

1:10:51.160 --> 1:10:51.679
<v Speaker 4>in Colombia.

1:10:52.760 --> 1:10:53.200
<v Speaker 6>What did he do?

1:10:53.720 --> 1:10:56.320
<v Speaker 1>Oh yeah yeah yeah he was killing well.

1:10:56.360 --> 1:10:58.000
<v Speaker 4>He went to he did a Latin American roum which

1:10:58.360 --> 1:11:00.479
<v Speaker 4>he paid homage to every country was in and he

1:11:00.720 --> 1:11:02.439
<v Speaker 4>was on love and he was like he wore the

1:11:02.760 --> 1:11:04.200
<v Speaker 4>the like the straw hat in Columbia.

1:11:04.400 --> 1:11:06.160
<v Speaker 6>Yeah yeah, yeah, it was good for him. You got

1:11:06.280 --> 1:11:07.680
<v Speaker 6>to work and you got to work in That's the

1:11:07.720 --> 1:11:13.000
<v Speaker 6>reason why when we broke up Spain earlier, when we

1:11:13.160 --> 1:11:16.760
<v Speaker 6>was on so we went we stopped in Spade. I

1:11:16.800 --> 1:11:20.960
<v Speaker 6>believe it was Madrid and Mado. I always tell the story.

1:11:21.040 --> 1:11:24.040
<v Speaker 6>Mato was like Meto is, he's my Dominican friend, but

1:11:24.200 --> 1:11:27.479
<v Speaker 6>he knows every accent, so he knows the Mexican accent,

1:11:27.880 --> 1:11:30.920
<v Speaker 6>he knows the Dominican accent, like we bring him and

1:11:31.040 --> 1:11:32.800
<v Speaker 6>he just they think he's whatever.

1:11:34.320 --> 1:11:38.160
<v Speaker 1>The only place that did not work. He started speaking

1:11:38.240 --> 1:11:39.920
<v Speaker 1>and the guy just looked at him and excuse me

1:11:41.720 --> 1:11:45.040
<v Speaker 1>speaking English? You're like English, And I was like ship

1:11:46.560 --> 1:11:47.559
<v Speaker 1>because the food was too good.

1:11:47.640 --> 1:11:50.240
<v Speaker 6>I was like, I said, they ship at some point

1:11:50.400 --> 1:11:52.280
<v Speaker 6>because because they started.

1:11:52.000 --> 1:11:55.040
<v Speaker 1>Going back and forth. That the only place and didn't work.

1:11:54.920 --> 1:11:57.760
<v Speaker 3>At Yeah, that song was an anthem and your song

1:11:57.880 --> 1:12:02.920
<v Speaker 3>was in you know the Man, and there was the

1:12:02.960 --> 1:12:04.479
<v Speaker 3>first stoutration in the flag.

1:12:04.760 --> 1:12:06.400
<v Speaker 1>It was the first time I wanted to put like,

1:12:06.560 --> 1:12:08.800
<v Speaker 1>you know, like the flags together all that.

1:12:08.960 --> 1:12:12.880
<v Speaker 6>You know, I actually traveled to at least ninety percent

1:12:12.920 --> 1:12:13.639
<v Speaker 6>of those countries.

1:12:13.800 --> 1:12:15.760
<v Speaker 1>So when Bad Bundy did that, and he kind of

1:12:15.840 --> 1:12:19.120
<v Speaker 1>remade that or from me. So you said, you said,

1:12:19.160 --> 1:12:21.040
<v Speaker 1>you said you was crying. I was crying too.

1:12:21.920 --> 1:12:23.880
<v Speaker 6>I didn't want to steal that moment from you because

1:12:24.000 --> 1:12:25.880
<v Speaker 6>because like when I saw that, I was just like, yo,

1:12:26.200 --> 1:12:28.439
<v Speaker 6>you know what I mean? Because one thing that I

1:12:29.200 --> 1:12:32.800
<v Speaker 6>noticed about traveling outside of the United States, this is

1:12:32.920 --> 1:12:37.360
<v Speaker 6>some crazy thing, is if you're racist to me, I'm

1:12:37.439 --> 1:12:39.760
<v Speaker 6>prejudiced towards you. You know what, They all look at

1:12:39.840 --> 1:12:44.640
<v Speaker 6>us like Americans right right, Like if you're racist or

1:12:44.680 --> 1:12:47.040
<v Speaker 6>if you like I hate other people that you live by,

1:12:47.439 --> 1:12:50.280
<v Speaker 6>I suggest you travel outside of the United States because

1:12:50.320 --> 1:12:53.040
<v Speaker 6>soon as they say something you like, oh, you're American,

1:12:53.439 --> 1:12:56.840
<v Speaker 6>like they categorized us in the same category. And that's

1:12:56.840 --> 1:12:58.439
<v Speaker 6>the same thing they do with Latinos, you know what,

1:12:58.520 --> 1:13:01.599
<v Speaker 6>I tell you, always a poppy or cheekos.

1:13:02.360 --> 1:13:05.400
<v Speaker 2>The same on for Latinos and comfortable places too.

1:13:05.439 --> 1:13:07.680
<v Speaker 4>I tell, like, my Latin friends here that are kind

1:13:07.720 --> 1:13:11.040
<v Speaker 4>of leaning right, I said, uh, travel outside of Miami

1:13:11.080 --> 1:13:11.599
<v Speaker 4>and see.

1:13:11.400 --> 1:13:14.920
<v Speaker 1>How you're leaning right. That's that's that's the republic whatever.

1:13:15.000 --> 1:13:15.080
<v Speaker 4>Bro.

1:13:15.320 --> 1:13:16.160
<v Speaker 1>I really don't. I don't.

1:13:16.200 --> 1:13:17.800
<v Speaker 4>I don't care about either side of the coin of

1:13:18.080 --> 1:13:20.800
<v Speaker 4>the government, side of the parties. I think they're actually

1:13:20.800 --> 1:13:22.280
<v Speaker 4>at the end of the day, probably both against us.

1:13:22.360 --> 1:13:24.160
<v Speaker 1>But the ones that that lean to.

1:13:24.200 --> 1:13:25.760
<v Speaker 4>The right, that are my friends right now that are

1:13:25.760 --> 1:13:27.880
<v Speaker 4>dealing with right now, I tell them, leave this city

1:13:28.760 --> 1:13:29.320
<v Speaker 4>and see.

1:13:29.160 --> 1:13:31.400
<v Speaker 1>How your comfort level is you don't gonna go that far.

1:13:31.479 --> 1:13:35.960
<v Speaker 1>You go to Fort Mayas, Yeah yeah, you go to

1:13:36.000 --> 1:13:40.439
<v Speaker 1>alle Alley, Jacksonville, Yeah yeah.

1:13:40.760 --> 1:13:43.000
<v Speaker 4>You leave Brower County and you're already Oh damn, this

1:13:43.120 --> 1:13:44.559
<v Speaker 4>is a little yeah yeah yeah.

1:13:45.640 --> 1:13:46.120
<v Speaker 8>So what is it?

1:13:46.160 --> 1:13:50.439
<v Speaker 1>What is your favorite part of the the business?

1:13:50.840 --> 1:13:51.000
<v Speaker 4>Is it?

1:13:51.160 --> 1:13:53.120
<v Speaker 1>Is it making a movie or is it actually seeing

1:13:53.160 --> 1:13:56.200
<v Speaker 1>the movie premiere? Oh? Wow? I mean, I love the

1:13:56.360 --> 1:13:59.240
<v Speaker 1>process of creating the work. Uh.

1:14:00.120 --> 1:14:02.560
<v Speaker 3>I just did this incredible movie called The Odyssey that

1:14:02.680 --> 1:14:04.759
<v Speaker 3>comes out in July seventh.

1:14:05.200 --> 1:14:09.240
<v Speaker 1>It's gonna be the monster hit of the decade. Uh.

1:14:10.080 --> 1:14:12.439
<v Speaker 3>And and it's and it's and it was an incredible process.

1:14:12.520 --> 1:14:16.680
<v Speaker 3>First of all, Chris Nolan is an amazing visionary. He's

1:14:16.760 --> 1:14:19.600
<v Speaker 3>above every other director I worked with. I mean, and

1:14:19.760 --> 1:14:22.479
<v Speaker 3>and and I've worked with some amazing people, Baz Luhrmann,

1:14:23.040 --> 1:14:26.840
<v Speaker 3>Brian de Palmer, Tony Scott, Spike, Lee, Ava Duberniy. I

1:14:26.920 --> 1:14:30.040
<v Speaker 3>worked with some greats, but he takes it to a

1:14:30.080 --> 1:14:33.200
<v Speaker 3>hall of the level, man. I mean they filmed in

1:14:33.280 --> 1:14:39.320
<v Speaker 3>seven different countries Morocco, Sicily, Greece, Iceland, Scotland in la

1:14:40.080 --> 1:14:40.799
<v Speaker 3>six months.

1:14:41.520 --> 1:14:41.640
<v Speaker 1>Uh.

1:14:42.240 --> 1:14:45.719
<v Speaker 3>Everything was organic, no no c G I no AI.

1:14:46.360 --> 1:14:48.599
<v Speaker 3>The Greek ships from the three hundred BC were all

1:14:49.200 --> 1:14:54.120
<v Speaker 3>made for the movie. Actual locations. We were shot on

1:14:54.160 --> 1:14:55.880
<v Speaker 3>the top of Sicily, on top of this two.

1:14:55.800 --> 1:14:56.599
<v Speaker 1>Hundred foot mountain.

1:14:56.920 --> 1:14:59.639
<v Speaker 3>We all had to be helicoptered every day for a month.

1:15:00.200 --> 1:15:04.919
<v Speaker 3>The whole entire crew, seventy people had to be helicopter

1:15:05.000 --> 1:15:06.519
<v Speaker 3>and all the animals that live on top of this

1:15:06.880 --> 1:15:09.559
<v Speaker 3>mountain where there was a castle from the uh uh

1:15:10.120 --> 1:15:11.000
<v Speaker 3>the three D.

1:15:12.400 --> 1:15:13.760
<v Speaker 1>They flew all the animals up.

1:15:13.720 --> 1:15:16.920
<v Speaker 3>There because they couldn't get the cows and the and the.

1:15:17.040 --> 1:15:18.640
<v Speaker 1>Boars and then the pigs and all that.

1:15:19.800 --> 1:15:25.600
<v Speaker 6>Ah, that's crazy. That makes alloyds for that. Yeah, but

1:15:25.720 --> 1:15:30.400
<v Speaker 6>God comes down from earth heaven. I'm sorry, that's the

1:15:30.479 --> 1:15:31.479
<v Speaker 6>define I'm.

1:15:34.160 --> 1:15:34.360
<v Speaker 1>Drink.

1:15:35.240 --> 1:15:40.240
<v Speaker 6>So God comes down from Heaven his job. You're gonna

1:15:40.240 --> 1:15:41.800
<v Speaker 6>make a movie to save humanity.

1:15:42.000 --> 1:15:42.519
<v Speaker 1>Oh wow.

1:15:44.760 --> 1:15:47.560
<v Speaker 6>You get to pick your director and you get to

1:15:47.600 --> 1:15:50.679
<v Speaker 6>pick your coastar. Yeah, who's your director?

1:15:50.760 --> 1:15:58.559
<v Speaker 1>Who's man? Googler? Is my director? Googlers?

1:15:59.320 --> 1:15:59.519
<v Speaker 3>Yeah?

1:15:59.600 --> 1:16:04.240
<v Speaker 1>Okay from the Bay Area? Are ye work foods? Fell Station?

1:16:04.560 --> 1:16:04.920
<v Speaker 1>Your food?

1:16:06.439 --> 1:16:09.600
<v Speaker 6>Michael Jordan Yeah yeah, I could be Jordan, but in

1:16:09.760 --> 1:16:13.360
<v Speaker 6>my co star you will be the Latine Jordan's Yeah, yeah, yeah,

1:16:13.400 --> 1:16:14.280
<v Speaker 6>I'll be the Latin.

1:16:14.080 --> 1:16:15.000
<v Speaker 1>B Jordan's.

1:16:16.600 --> 1:16:21.679
<v Speaker 3>And my co star is going to be uh Melissa Barrera.

1:16:23.640 --> 1:16:27.400
<v Speaker 1>Yeah yeah, whom Melissa barrere supposed to google that? Google

1:16:27.479 --> 1:16:27.920
<v Speaker 1>that fast?

1:16:28.000 --> 1:16:28.160
<v Speaker 2>Yeah?

1:16:28.200 --> 1:16:32.680
<v Speaker 1>Come on, yeah, come on bro. Now you're looking at me.

1:16:32.680 --> 1:16:48.599
<v Speaker 1>I'm looking at you. You're looking at me. It's Googles

1:16:48.600 --> 1:16:50.040
<v Speaker 1>are working getting approval.

1:16:52.400 --> 1:16:59.880
<v Speaker 6>Okay, it's green bron Okay, okay, now let me actually

1:17:00.200 --> 1:17:02.320
<v Speaker 6>looking hip proofs.

1:17:03.960 --> 1:17:06.720
<v Speaker 1>Oh yeah, oh yeah, yeah, yeah, I know, I know,

1:17:06.880 --> 1:17:07.280
<v Speaker 1>I forget.

1:17:08.880 --> 1:17:13.679
<v Speaker 6>But there's a famous movie right hallm nights right yeah yeah,

1:17:14.760 --> 1:17:18.560
<v Speaker 6>and you know you get you get the hints that

1:17:18.720 --> 1:17:20.840
<v Speaker 6>you know, Kevin Hard is making me making this over.

1:17:23.120 --> 1:17:25.439
<v Speaker 6>What Latino movie would you want to make over?

1:17:26.000 --> 1:17:29.760
<v Speaker 1>Oh yeah, I'm always.

1:17:29.520 --> 1:17:30.000
<v Speaker 3>A great.

1:17:31.320 --> 1:17:32.720
<v Speaker 1>I love that make fun of love.

1:17:34.280 --> 1:17:46.919
<v Speaker 12>Man's a coffee, it's extra you go creation so milk.

1:17:48.600 --> 1:17:48.720
<v Speaker 1>Yo.

1:17:49.360 --> 1:17:51.120
<v Speaker 3>I mean, I I don't want to put so many

1:17:51.160 --> 1:17:54.520
<v Speaker 3>gangs the films into the into the atmosphere, but Scarfish

1:17:54.600 --> 1:17:56.920
<v Speaker 3>would be done. To remake that with a real Latin actor,

1:17:57.080 --> 1:18:00.800
<v Speaker 3>like like Niciel Toro or or Benjamin it would be dope,

1:18:01.400 --> 1:18:03.120
<v Speaker 3>you know what I mean, like really make remake it,

1:18:03.200 --> 1:18:03.920
<v Speaker 3>but make it real.

1:18:05.040 --> 1:18:07.040
<v Speaker 1>He just made me think did you see that movie?

1:18:08.000 --> 1:18:10.280
<v Speaker 4>Oh man, the one was Sean Payne Benicio, the one

1:18:10.280 --> 1:18:11.519
<v Speaker 4>that just got Chicario's No.

1:18:11.600 --> 1:18:14.240
<v Speaker 3>No. One Battle after another.

1:18:14.360 --> 1:18:15.600
<v Speaker 2>I just saw recently.

1:18:16.920 --> 1:18:21.559
<v Speaker 1>Crazy Yeah, the best part. Yeah yeah.

1:18:22.000 --> 1:18:24.160
<v Speaker 3>Have you seen how about our go Let's do our goal,

1:18:24.240 --> 1:18:25.240
<v Speaker 3>Let's do it over again?

1:18:26.600 --> 1:18:26.800
<v Speaker 4>Guy?

1:18:27.280 --> 1:18:31.280
<v Speaker 3>Yeah, was playing a Mexican dude, that's right.

1:18:33.000 --> 1:18:36.360
<v Speaker 1>He was an FBI, a Mexican FBI. He didn't Latin guy.

1:18:37.200 --> 1:18:39.280
<v Speaker 3>He dot his hair black, he put ahead a mustache.

1:18:42.240 --> 1:18:47.560
<v Speaker 1>I didn't see that. But let me hello, let me

1:18:47.600 --> 1:18:48.479
<v Speaker 1>play Devil's advocate.

1:18:48.520 --> 1:18:51.240
<v Speaker 2>If someone told you, but an actor could play anything.

1:18:51.600 --> 1:18:54.200
<v Speaker 3>Right, that's the way it should be, right. But it

1:18:54.479 --> 1:18:55.320
<v Speaker 3>hasn't been like that.

1:18:55.720 --> 1:18:57.599
<v Speaker 1>We couldn't even play in our own movies.

1:18:57.640 --> 1:18:58.840
<v Speaker 2>Man, right, I see what you're saying.

1:18:59.040 --> 1:18:59.839
<v Speaker 3>That's the problem.

1:19:00.320 --> 1:19:02.920
<v Speaker 1>I mean, is the catching touch of evil.

1:19:03.600 --> 1:19:06.880
<v Speaker 3>A bird Lancaster playing Mexican with like brown face and

1:19:07.000 --> 1:19:11.120
<v Speaker 3>whatnot Eli wallach In in Sam Peckham Paul movie The

1:19:11.200 --> 1:19:16.240
<v Speaker 3>Last like this, we don't need those thinking budges, you know, like.

1:19:16.360 --> 1:19:18.080
<v Speaker 1>The Last Mexican played by Brad Pitt.

1:19:19.479 --> 1:19:21.479
<v Speaker 3>That's another one. I mean, there's so many of that.

1:19:21.520 --> 1:19:25.679
<v Speaker 1>It's called the Last Mexican and Brad Pitt the last Mexican.

1:19:25.760 --> 1:19:33.799
<v Speaker 11>You know, remember something like that last last summer last.

1:19:36.080 --> 1:19:36.360
<v Speaker 1>That's what.

1:19:39.400 --> 1:19:40.160
<v Speaker 3>A different one?

1:19:40.720 --> 1:19:42.880
<v Speaker 1>That's a different one, this one, the.

1:19:42.960 --> 1:19:53.720
<v Speaker 5>Last He's like, yes, something like that, something like that

1:19:53.880 --> 1:19:57.000
<v Speaker 5>becomes a Brad is playing the last Mexicans, like, did

1:19:57.040 --> 1:19:57.720
<v Speaker 5>you guys find that?

1:19:58.160 --> 1:19:58.360
<v Speaker 1>Yeah?

1:20:00.720 --> 1:20:09.439
<v Speaker 8>I know, crazy, get something, and I changes the context

1:20:09.520 --> 1:20:13.559
<v Speaker 8>the last saying I'm like, what the fuck.

1:20:15.080 --> 1:20:18.160
<v Speaker 1>With Julia Wabas Yeah? Yeah, and Tony Soprano in there too, yeah,

1:20:18.840 --> 1:20:20.040
<v Speaker 1>change Dandelfini yea.

1:20:20.080 --> 1:20:22.720
<v Speaker 4>Yeah. I wondered nothing thinking about this the way we

1:20:22.760 --> 1:20:24.720
<v Speaker 4>said it. I wonder if Japanese people felt that way

1:20:24.720 --> 1:20:25.960
<v Speaker 4>about the Lesson. We're like, what the funk?

1:20:26.120 --> 1:20:29.120
<v Speaker 1>Yeah? What about the last summer?

1:20:29.200 --> 1:20:29.320
<v Speaker 3>Right?

1:20:29.400 --> 1:20:33.479
<v Speaker 1>The last group? It's like people, all right, they must

1:20:33.479 --> 1:20:34.000
<v Speaker 1>have been coming.

1:20:34.040 --> 1:20:39.679
<v Speaker 3>That's why you go to the last last quarto Ricans?

1:20:39.720 --> 1:20:43.080
<v Speaker 1>Who's gonna play that?

1:20:43.280 --> 1:20:43.559
<v Speaker 2>Honey?

1:20:43.600 --> 1:20:47.800
<v Speaker 1>Is no bad money to kill it? Yeah? Yeah, I'm

1:20:47.800 --> 1:20:50.919
<v Speaker 1>gonna do it. I'm doing I'm doing a movie on handball,

1:20:51.360 --> 1:20:52.240
<v Speaker 1>oh for real?

1:20:52.800 --> 1:20:52.960
<v Speaker 3>Yeah?

1:20:53.600 --> 1:20:57.080
<v Speaker 1>Yeah? You nice? Sure, I'm not a nice you see

1:20:57.080 --> 1:20:59.360
<v Speaker 1>how you think about it? You gotta get that that

1:21:00.040 --> 1:21:02.480
<v Speaker 1>from that back, cracking your hand, Yeah.

1:21:02.200 --> 1:21:04.479
<v Speaker 3>You gotta get that early before everybody starts playing, because

1:21:04.479 --> 1:21:05.920
<v Speaker 3>otherwise your hand's not gonna be hard enough.

1:21:06.680 --> 1:21:09.080
<v Speaker 1>Yeah, to kill it, to kill it. Everybody in the

1:21:09.160 --> 1:21:13.760
<v Speaker 1>corner and let it roll out. Yeah, okay, you spin

1:21:13.880 --> 1:21:17.080
<v Speaker 1>on the ball, Okay, okay, yeah, be sneaking into the handball?

1:21:17.200 --> 1:21:22.439
<v Speaker 3>No, you knows dump into handball. Is Ed O'Neil, the

1:21:22.560 --> 1:21:24.960
<v Speaker 3>guy from a Modern Family really.

1:21:24.920 --> 1:21:26.799
<v Speaker 1>Yeah, he loves he loves handball.

1:21:26.840 --> 1:21:27.080
<v Speaker 5>Hero.

1:21:27.760 --> 1:21:28.519
<v Speaker 1>He's from Queens.

1:21:28.520 --> 1:21:31.680
<v Speaker 3>He's trying to playing hand Yeah, he's the guy man,

1:21:32.320 --> 1:21:33.160
<v Speaker 3>he plays handful.

1:21:33.320 --> 1:21:34.600
<v Speaker 1>Man, I know how to put my hands in my

1:21:34.680 --> 1:21:35.400
<v Speaker 1>shorts because.

1:21:36.720 --> 1:21:39.040
<v Speaker 6>I mean he was, He's all he's alleged. When you

1:21:39.080 --> 1:21:41.759
<v Speaker 6>watch TV, you gotta you gotta do the out Bundy,

1:21:41.840 --> 1:21:42.759
<v Speaker 6>come on, come on, goddamn.

1:21:42.920 --> 1:21:45.240
<v Speaker 1>So he knows how to play hand yeah yeah, wow.

1:21:45.880 --> 1:21:49.439
<v Speaker 6>You know like dodgeball, Yeah yeah, dodgeball like that's like

1:21:49.520 --> 1:21:53.439
<v Speaker 6>the Underground funny movie, but handball handball, like you know.

1:21:53.760 --> 1:21:54.400
<v Speaker 1>The guy with the.

1:21:56.439 --> 1:21:58.519
<v Speaker 2>Head man and he says the pitch right now.

1:21:59.320 --> 1:21:59.840
<v Speaker 1>Definitely is.

1:22:02.840 --> 1:22:03.160
<v Speaker 3>All right?

1:22:03.240 --> 1:22:03.800
<v Speaker 1>Both drink.

1:22:07.600 --> 1:22:11.600
<v Speaker 6>Do you ever do you ever think where like uh

1:22:11.760 --> 1:22:14.760
<v Speaker 6>it would it ever be like uh, you know, like

1:22:15.439 --> 1:22:19.840
<v Speaker 6>they haven't the moment like you know, like uh like

1:22:20.200 --> 1:22:21.720
<v Speaker 6>I said with hard them Knights, was like, yeah you

1:22:21.760 --> 1:22:24.960
<v Speaker 6>see these these a black comedian, you'll go into the

1:22:25.000 --> 1:22:25.360
<v Speaker 6>four four.

1:22:25.520 --> 1:22:28.760
<v Speaker 1>Do you ever feel like the Latin movement is going

1:22:28.840 --> 1:22:29.559
<v Speaker 1>to have that moment?

1:22:29.680 --> 1:22:29.800
<v Speaker 4>Oh?

1:22:29.920 --> 1:22:32.040
<v Speaker 1>Yeah, yeah, it's definitely coming.

1:22:32.120 --> 1:22:35.000
<v Speaker 3>I mean we've got a lot of obstacles to overcome,

1:22:35.320 --> 1:22:38.479
<v Speaker 3>you know, but we're getting to the point where we're

1:22:38.479 --> 1:22:41.320
<v Speaker 3>getting more and more and more power, more and more stars.

1:22:41.680 --> 1:22:43.600
<v Speaker 3>You know, we got Oscar Isaacs, we got Petter up

1:22:43.600 --> 1:22:46.200
<v Speaker 3>b a scal you know, you got j Low, you

1:22:46.320 --> 1:22:50.160
<v Speaker 3>got Dennist. We got enough talent now and moving up

1:22:50.240 --> 1:22:52.800
<v Speaker 3>in the power structure to be able to green light

1:22:52.920 --> 1:22:54.880
<v Speaker 3>those type of movies that are all Latin. I mean,

1:22:54.920 --> 1:22:58.120
<v Speaker 3>look at Incanto, that finally happened man, in all Latin

1:22:58.600 --> 1:22:59.200
<v Speaker 3>Latin story.

1:22:59.360 --> 1:23:02.120
<v Speaker 1>You had the animated movie before.

1:23:02.040 --> 1:23:03.120
<v Speaker 2>Coco, Coco.

1:23:03.200 --> 1:23:05.200
<v Speaker 1>Yeah, yeah, yeah, that was a great one. That was

1:23:05.240 --> 1:23:07.519
<v Speaker 1>another great Yeah Coco. I thought that was about the

1:23:07.600 --> 1:23:10.120
<v Speaker 1>Hawaiian people. No, no, no, no, you're thinking of Mowana.

1:23:10.320 --> 1:23:17.559
<v Speaker 1>Oh yeah, the last Yeah.

1:23:17.640 --> 1:23:19.559
<v Speaker 3>Yeah, we're getting there, man, We're getting close.

1:23:19.720 --> 1:23:22.040
<v Speaker 4>Yeah, and that changes a lot because it's changing the

1:23:22.200 --> 1:23:24.240
<v Speaker 4>children's ideas of themselves.

1:23:24.720 --> 1:23:26.000
<v Speaker 1>They see themselves represented.

1:23:26.040 --> 1:23:28.840
<v Speaker 3>I mean, did you see those little kids dancing to

1:23:29.320 --> 1:23:33.280
<v Speaker 3>and Kanto seeing themselves. I mean, it was incredible when

1:23:33.360 --> 1:23:36.400
<v Speaker 3>when little apple Latino children saw themselves in that movie

1:23:36.479 --> 1:23:40.240
<v Speaker 3>reflected back and they light their eyes light up seeing.

1:23:40.080 --> 1:23:41.400
<v Speaker 1>That they know that they're beautiful.

1:23:41.640 --> 1:23:41.800
<v Speaker 11>You know.

1:23:42.120 --> 1:23:44.320
<v Speaker 4>But you know the problem for Latinos. I think the

1:23:44.439 --> 1:23:46.880
<v Speaker 4>hurdle that we have is that we're against each other.

1:23:47.479 --> 1:23:48.439
<v Speaker 4>And that's a huge hurdle.

1:23:48.840 --> 1:23:51.840
<v Speaker 3>I'm not against you, No, we can't deny you're not

1:23:51.920 --> 1:23:52.320
<v Speaker 3>against me.

1:23:52.560 --> 1:23:55.040
<v Speaker 1>No, what are you talking about? But there's a thing.

1:23:55.280 --> 1:23:55.760
<v Speaker 1>There's a thing.

1:23:55.840 --> 1:23:59.040
<v Speaker 4>There's the Mexicans, the Cubans, the Dominicans, the Colombians, and

1:23:59.120 --> 1:24:00.800
<v Speaker 4>it's the colonials mind frame.

1:24:00.960 --> 1:24:04.080
<v Speaker 1>That's that's keeping us divisives a little. I feel like

1:24:04.120 --> 1:24:05.840
<v Speaker 1>we're all much more united. I don't know.

1:24:05.880 --> 1:24:07.760
<v Speaker 3>I feel like when I tour around the country and

1:24:07.840 --> 1:24:17.840
<v Speaker 3>the rice and Bean circuit, you know, the twenty six cities. Yeah, yeah, yeah,

1:24:18.640 --> 1:24:22.080
<v Speaker 3>I did that twenty six cities across America. I made

1:24:22.280 --> 1:24:26.200
<v Speaker 3>mad money, and it was like, you know, Mexicans, Central Americans.

1:24:26.360 --> 1:24:28.599
<v Speaker 3>I came to Miami, it's all Cubans and Puerto Ricans

1:24:28.880 --> 1:24:32.519
<v Speaker 3>and Colombians. You go, you go to Boston, it's Puerto Rican.

1:24:32.360 --> 1:24:37.439
<v Speaker 15>And Dominican, and then Chicago is Puerto Rican, Mexic, Cuban

1:24:37.520 --> 1:24:41.080
<v Speaker 15>and Mexican, and they all came out for me and

1:24:41.200 --> 1:24:43.639
<v Speaker 15>supported me, and George Lopez did that in Fluffy.

1:24:44.040 --> 1:24:46.720
<v Speaker 1>It's I don't know. I saw much more unity than

1:24:46.760 --> 1:24:48.000
<v Speaker 1>I felt like they didn't.

1:24:48.120 --> 1:24:50.920
<v Speaker 3>They all supported, they all understood what I was talking about,

1:24:50.960 --> 1:24:51.759
<v Speaker 3>they all related.

1:24:52.040 --> 1:24:54.080
<v Speaker 1>I didn't feel the divisiity. No, I think you're right.

1:24:54.120 --> 1:24:55.800
<v Speaker 1>You're right. The majority are not like that.

1:24:55.960 --> 1:24:58.519
<v Speaker 4>But it's always in this world the small minority that

1:24:58.560 --> 1:25:01.920
<v Speaker 4>has the louder voice that I think, like and what

1:25:02.040 --> 1:25:03.720
<v Speaker 4>you're just saying, Like I'm going to say. I don't

1:25:03.720 --> 1:25:05.120
<v Speaker 4>know if I've told this on Drink Shins, but I

1:25:05.160 --> 1:25:07.479
<v Speaker 4>had a conversation with pit Bull at one point in

1:25:07.560 --> 1:25:11.040
<v Speaker 4>his career when the label he was originally on TVT Records,

1:25:11.360 --> 1:25:13.880
<v Speaker 4>they were they were going bankrupts, right, and Pitt was

1:25:13.920 --> 1:25:16.560
<v Speaker 4>going through some difficult times in that time, and I

1:25:16.600 --> 1:25:18.679
<v Speaker 4>remember I was like, Yo, what I don't remember exactly

1:25:18.720 --> 1:25:21.240
<v Speaker 4>the conversation, so I'm going to give you a sense

1:25:21.280 --> 1:25:25.400
<v Speaker 4>of the conversation. He was like, I'm performing every weekend

1:25:26.160 --> 1:25:29.840
<v Speaker 4>on the West Coast and in Mexico, He's like, they

1:25:29.880 --> 1:25:30.839
<v Speaker 4>support the ship.

1:25:30.640 --> 1:25:32.759
<v Speaker 1>Out of mean he's Cuban.

1:25:32.840 --> 1:25:35.720
<v Speaker 4>He's like, I'm doing shows every weekend there, so in

1:25:35.800 --> 1:25:38.240
<v Speaker 4>this time that it looks like he's falling off and

1:25:38.360 --> 1:25:41.479
<v Speaker 4>everything's over this side of the country and these people

1:25:41.600 --> 1:25:44.000
<v Speaker 4>are embracing him. And then I had the opportunity to

1:25:44.040 --> 1:25:45.360
<v Speaker 4>do a show with one of my artists. I had

1:25:45.400 --> 1:25:47.960
<v Speaker 4>a Cuban artists. We went out to Mexico, to Mexicali,

1:25:48.600 --> 1:25:50.000
<v Speaker 4>and we did a show out there with Pitt. We

1:25:50.040 --> 1:25:53.519
<v Speaker 4>opened up for the Mexican folks, put a flag, a

1:25:53.600 --> 1:25:58.200
<v Speaker 4>Cuban flag all the way down showing look and then

1:25:58.400 --> 1:26:01.040
<v Speaker 4>Pitt it's smart as he is and embracing.

1:26:01.120 --> 1:26:03.200
<v Speaker 2>This comes out to Mariacci music.

1:26:03.000 --> 1:26:05.840
<v Speaker 1>Wearing from Joe and I was like, hate it back.

1:26:05.920 --> 1:26:07.600
<v Speaker 4>I was like, this is this and then taught me

1:26:07.680 --> 1:26:10.839
<v Speaker 4>a list like how we're all in the shared experience

1:26:10.880 --> 1:26:11.519
<v Speaker 4>of being Latino.

1:26:11.960 --> 1:26:13.200
<v Speaker 1>Let's support each other, all of us.

1:26:13.800 --> 1:26:13.960
<v Speaker 4>You know.

1:26:15.000 --> 1:26:27.160
<v Speaker 1>Yeah, so what would be for office bro? I know,

1:26:27.240 --> 1:26:30.360
<v Speaker 1>we said remade that we still do we do we

1:26:30.960 --> 1:26:35.200
<v Speaker 1>answer that we make Yeah, We're gonna do. But Margo

1:26:35.600 --> 1:26:37.439
<v Speaker 1>Argo is not really a Latin movie. But you said

1:26:37.479 --> 1:26:38.800
<v Speaker 1>he played he played.

1:26:39.200 --> 1:26:42.120
<v Speaker 3>He played the Mexican, an FBI guy, but he did,

1:26:42.560 --> 1:26:44.000
<v Speaker 3>you know, But it should have been a Latin version,

1:26:44.200 --> 1:26:50.240
<v Speaker 3>is all right? Okay, it should have been a Latin movie, yes,

1:26:50.360 --> 1:26:52.760
<v Speaker 3>because it was a Latin idol and he should have

1:26:52.800 --> 1:26:54.639
<v Speaker 3>been a hero for us and an icon.

1:26:54.760 --> 1:26:56.439
<v Speaker 1>But it's not because a white guy played it so

1:26:57.240 --> 1:26:58.680
<v Speaker 1>and he did a great job. I'm not gonna lie.

1:26:58.720 --> 1:27:01.479
<v Speaker 1>He directed the ship out of it. But still not

1:27:01.560 --> 1:27:03.840
<v Speaker 1>American mean, not blood in blood American meat.

1:27:03.720 --> 1:27:06.120
<v Speaker 3>Was Oh my god, that was so hard man, that

1:27:06.240 --> 1:27:06.719
<v Speaker 3>was hard.

1:27:06.600 --> 1:27:10.559
<v Speaker 4>Even, and that's the real story. Was the real story

1:27:10.600 --> 1:27:12.559
<v Speaker 4>that American Meat was trying to depict.

1:27:13.720 --> 1:27:16.560
<v Speaker 1>What do you mean confused? You know? You know the

1:27:16.640 --> 1:27:18.320
<v Speaker 1>politics behind that? You know, I don't know.

1:27:18.800 --> 1:27:21.280
<v Speaker 4>There's a lot of street politics behind American means versus.

1:27:21.760 --> 1:27:22.760
<v Speaker 1>Yes, yes, now I know.

1:27:22.960 --> 1:27:23.160
<v Speaker 3>I know.

1:27:23.200 --> 1:27:26.840
<v Speaker 1>I saw a documentary they made about American document up

1:27:26.880 --> 1:27:27.519
<v Speaker 1>over that movie.

1:27:27.600 --> 1:27:30.519
<v Speaker 3>Because of the they said names and they talked about sing.

1:27:30.320 --> 1:27:33.720
<v Speaker 4>They depicted certain things that either wasn't agreed upon by

1:27:34.479 --> 1:27:35.200
<v Speaker 4>by the by.

1:27:36.320 --> 1:27:38.519
<v Speaker 2>Or or they felt it was wrong one or the others.

1:27:38.640 --> 1:27:41.559
<v Speaker 1>People lost their lives, right, yeah, But.

1:27:41.640 --> 1:27:43.960
<v Speaker 4>Blood and Blood Out was they felt was more accurate,

1:27:44.120 --> 1:27:45.720
<v Speaker 4>and that was supported so.

1:27:45.800 --> 1:27:48.160
<v Speaker 1>They got a green light on that they got passed.

1:27:48.200 --> 1:27:50.080
<v Speaker 1>Did you feel that that way about, you know, making

1:27:50.120 --> 1:27:54.160
<v Speaker 1>the esketball? Well, no, we had to we had the

1:27:54.280 --> 1:27:55.680
<v Speaker 1>son the sons, uh but.

1:27:55.760 --> 1:27:57.519
<v Speaker 6>Still but still it was still that the son's approved

1:27:57.600 --> 1:27:58.960
<v Speaker 6>was different from his enemies approved.

1:27:58.960 --> 1:28:01.640
<v Speaker 3>No, but they're God now, I think we're safe now.

1:28:01.680 --> 1:28:04.360
<v Speaker 3>I mean that that was nineteen eighty. Most of those

1:28:04.360 --> 1:28:07.839
<v Speaker 3>people are not alive, the majority of the Pollo's enemies.

1:28:08.280 --> 1:28:12.400
<v Speaker 6>But you did hear Griselda blocker Blo. She went back

1:28:12.439 --> 1:28:14.240
<v Speaker 6>to Colombia and they killed you.

1:28:14.439 --> 1:28:17.800
<v Speaker 1>But whatever? Is that nothing? That was ten years ago? Yeah,

1:28:17.840 --> 1:28:18.360
<v Speaker 1>ten years ago?

1:28:18.439 --> 1:28:20.120
<v Speaker 3>Yeah, no, no, I'm ten years It be fine, I'm cool,

1:28:20.120 --> 1:28:24.600
<v Speaker 3>I'm cool. Most of the people not alive, right, yeah, yeah, No,

1:28:24.680 --> 1:28:26.880
<v Speaker 3>you gotta be careful sometimes with the kind of stuff

1:28:26.920 --> 1:28:29.000
<v Speaker 3>you say and do. I mean it, it has consequences.

1:28:29.360 --> 1:28:34.479
<v Speaker 3>Just because the movie doesn't mean you have immunity, right right, Well, well.

1:28:34.680 --> 1:28:37.280
<v Speaker 5>He's gotta go, he's gotta get Yeah, we're gonna take

1:28:37.320 --> 1:28:42.320
<v Speaker 5>pictures and yeah, you want more drink?

1:28:42.560 --> 1:28:50.280
<v Speaker 4>Okay, yeah, yeah, yeah, okay, you want to hold on, Yeah,

1:28:50.320 --> 1:28:53.400
<v Speaker 4>let's take some flicks. He can do. Drink Champs is

1:28:53.439 --> 1:28:57.600
<v Speaker 4>a drink Champs LLC production hosts and executive producers n

1:28:57.640 --> 1:29:00.960
<v Speaker 4>O r E and d j e f N. Listen

1:29:01.040 --> 1:29:05.160
<v Speaker 4>to Drink Champs on Apple podcast, Amazon Music, Spotify, or

1:29:05.240 --> 1:29:08.880
<v Speaker 4>wherever you get your podcasts. Thanks for joining us for

1:29:08.920 --> 1:29:11.800
<v Speaker 4>another episode of Drink Champs hosted by Yours truly, dj

1:29:12.000 --> 1:29:14.560
<v Speaker 4>EFN and n O r E. Please make sure to

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