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Speaker 1: He is drink chess, motherfucking podcast man. He's a legends

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Speaker 1: every queens rapper. He ain't agreed. That's your boy in

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Speaker 1: O R E. He's a Miami hip pop pioneer, put up.

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Speaker 2: As d J e f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: you know.

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Speaker 3: What I mean.

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Speaker 4: And the most professional, unprofessional podcast and your number one source.

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Speaker 5: For drunk d chans mo postcavery Days, New Year c

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Speaker 5: that's it's time for drink champs.

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Speaker 1: Drink up mother? What good sho be? This your boy

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Speaker 1: in O R E? What up is d J e

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Speaker 1: f N. And this Miller tip crazy rope. And when

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Speaker 1: I tell you we got a legend, legend, we got

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Speaker 1: an icon. This man can do it all. Man.

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Speaker 6: We're gon to give him his flowers, but to make

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Speaker 6: sure that he understands how important he is to this

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Speaker 6: coach and get it into it.

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Speaker 1: He's a legend, legend. He for you. Many years I

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Speaker 1: was scared of him. We're gonna get into it. You

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Speaker 1: don't know what too, abue. No, I'm not gonna lie.

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Speaker 1: Let me just get get that out the way. For

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Speaker 1: years I was scared of Benny Blockole all that he

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Speaker 1: creeps up on you and then.

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Speaker 6: Like I didn't know that, like like I was like

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Speaker 6: so young when I first saw that.

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Speaker 1: I didn't know that was a character.

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Speaker 6: Like I thought that was somebody sent you in another build.

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Speaker 1: But I'm like, wait a minute, why bitty block? Ye possible?

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Speaker 1: You must you were mad young, so you quee. That's

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Speaker 1: another thing that even Queen Jackson Heights.

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Speaker 7: Got Yeah yeah, yeah, yeah, Okay he was seventy nine.

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Speaker 3: Okay, so March for one year, be a Ford Catholic

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Speaker 3: school Okay, okay, then Bertram the rest Okay.

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Speaker 6: So no, they're from the Queens where I'm from. Like,

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Speaker 6: like what I mean by that is uh. I recently

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Speaker 6: ran the Queensboro U and they called it Queens the

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Speaker 6: world borough. Now I had never heard that expression already,

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Speaker 6: but it is the world bor. Like I grew up,

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Speaker 6: like my neighbor was Russian. Yeah yeah, I know I'm

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Speaker 6: sad in naive. I know I'm sat the naive, right,

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Speaker 6: But I grew up My neighbor was Russian. My downa

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Speaker 6: blocked person was a Haitian. Up the block was a Colombian.

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Speaker 1: You know what I mean? I know I'm sat in naive.

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Speaker 6: I didn't understand racism until like I was an adult,

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Speaker 6: because we all kind of lived.

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Speaker 3: It's okay, Yes, So when I cut to Jackson Heights,

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Speaker 3: we were the second Latin family on the block, and

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Speaker 3: it was white flight was happening. You know, well you

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Speaker 3: know before they left. It's trying to give me a beating,

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Speaker 3: you know.

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Speaker 1: And it was everybody was leaving.

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Speaker 3: All the whites peoples were leaving, Irish, Italian, Jews, Germans,

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Speaker 3: there were there were everybody was leaving. But I got

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Speaker 3: beat up a lot. Yeah, so I saw racism matterly.

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Speaker 3: And like when you when you're playing games with these

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Speaker 3: when with the white kids and you beat them at something,

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Speaker 3: all of a sudden you're a spick and that's like,

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Speaker 3: you know, nine years old, I realized, oh I'm somebody,

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Speaker 3: I'm other.

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Speaker 1: I've seeing this other no matter what. Now your Puerto

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Speaker 1: Rican and Columbia.

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Speaker 3: Yah, that's right, okay, I got it mixed.

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Speaker 6: I was reading where you said that you had to

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Speaker 6: like study the Colombian accent.

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Speaker 1: Yes, it did. Now for people who don't know, right,

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Speaker 1: who has it come to Jackson Heighth schoo Corona, I'm Hurrison.

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Speaker 6: What is the difference between the Puerto Rican accent and

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Speaker 6: a Columbia accent.

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Speaker 1: Well, a Puerto Rican accent is more.

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Speaker 3: I got wrong, I hindle man because and then Colombian.

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Speaker 3: But was you get sat down food mal.

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Speaker 1: People from sound.

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Speaker 4: More Caribbean like they they got American action Puerto Rican.

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Speaker 1: That was a myth.

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Speaker 3: The gene action that's a Pablo Escobar type of accent.

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Speaker 6: Gene accent is different from overall Columbian exactly, exactly the

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Speaker 6: old school colonial conquest accent because in Spain and.

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Speaker 3: Think, okay, scornation and that that's the same one from

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Speaker 3: Spain is the same one. They haven't met the gene

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Speaker 3: like I said, so that you know.

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Speaker 6: There's been so many stories told by Pablo and I

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Speaker 6: heard the difference between your story. This is the first

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Speaker 6: time the family actually, Kosa, that's that's rights unique.

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Speaker 1: I saw the whole There is a unique, very unique.

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Speaker 3: Ye, right, Joe, because it's the first authorized by the

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Speaker 3: family and by the son. So we're telling stories that

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Speaker 3: no one knows. So he's telling what happens behind closed

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Speaker 3: doors between his father and his mother, what happened between

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Speaker 3: him and his father, and the conflicts that they had.

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Speaker 3: Even though Pablo was the son told me directly. His

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Speaker 3: new name is said Stam for security purposes.

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Speaker 2: And at the end they called him when he was Argentine.

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Speaker 1: He's a teacher or something, right, he does.

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Speaker 3: He goes around preaching around the world and doing speeches

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Speaker 3: about peace and love and all that. So he really

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Speaker 3: escaped the life. He definitely did. But he told me,

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Speaker 3: you know, growing up in that life, you know, he

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Speaker 3: had these babysitters because he couldn't go to school because

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Speaker 3: theyre afraid of being kidnapped or assassinated, and the other

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Speaker 3: kids were scared of him, so he.

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Speaker 1: Had to be homeschool.

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Speaker 3: But his pops, Polo Schobar, got him babysitters who were

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Speaker 3: he didn't know where assassins right, right, but they were

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Speaker 3: real killers.

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Speaker 1: Their friends.

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Speaker 2: He raised them, they raised you, getting the whole series.

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Speaker 1: But they're not family.

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Speaker 3: So some of them became informants, right, and so had

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Speaker 3: off them. And that's when the son in him got conflict.

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Speaker 3: At nineteen, before his pops died, he had words with

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Speaker 3: his pops and he said to him, look a you're

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Speaker 3: gonna kill next my my grandma.

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Speaker 1: She looks you the wrong way.

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Speaker 3: Mind, she says the wrong thing to you is this

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Speaker 3: the kind of life that when does this killing stop?

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Speaker 3: And that was the last speech he had it with

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Speaker 3: his pops work for word, and that's what we have

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Speaker 3: in the series.

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Speaker 4: Yet the POV is very unique for especially for these

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Speaker 4: type of series like the Narco series, because I hadn't

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Speaker 4: seen nothing like.

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Speaker 1: It, and my action is the best.

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Speaker 3: But all the Latin actors, because you know, white actors

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Speaker 3: have to do Hamlet Latin actors and uys have to

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Speaker 3: do public because he tore did it, Javier Bardem did it,

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Speaker 3: Wagner More did it. But I think my accent is

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Speaker 3: the dopest, you know, I did. And I got the

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Speaker 3: physicality too, because because he had like a slow movement

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Speaker 3: for like a tough guy, he was mad slow and

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Speaker 3: he had like a breathing problem. He paused a lot,

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Speaker 3: so I don't think so I was trying to really

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Speaker 3: capture all his rhythms and patterns.

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Speaker 1: How do you did you study?

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Speaker 2: Like home footage, like what did you watch?

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Speaker 1: You got someone? He had home footage that he showed me.

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Speaker 3: Of a couple of home visits, the showing you this,

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Speaker 3: yeah yeah, yeah, he's got to showing me all these uh,

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Speaker 3: behind the scenes footage of different events they had for family,

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Speaker 3: and then I study everything on YouTube and and tapes

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Speaker 3: and to get it perfect. And the other thing he

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Speaker 3: told me was that in Columbia back in the eighties,

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Speaker 3: pops were about tough love. When they had a Sunday

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Speaker 3: it was it wasn't your kissing it. It's like, you know,

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Speaker 3: be tough with the macho kids. But his pops, because

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Speaker 3: he was near death all the time, hogged them kissed him,

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Speaker 3: said I love you publicly and change. The culture in

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Speaker 3: Columbia between fathers and sons.

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Speaker 1: Must have been conflicting too. For the sun like showing conflicting, bro.

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Speaker 3: He grew up in this place where his dad was

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Speaker 3: so charismatic and loving, but they lived in total paranoia.

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Speaker 3: Like Pablo couldn't hang out with the family all the time.

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Speaker 3: He had to be the from place to be a decoy.

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Speaker 3: So how do you live like that? Constant movie and

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Speaker 3: constant changing spots.

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Speaker 1: It's rough.

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Speaker 4: Like we when I went to when I went to Columbia,

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Speaker 4: we went to many yings and we went to that

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Speaker 4: building the one that.

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Speaker 3: Yeah yeahs leather right yeah yeah yeah, and not.

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Speaker 2: Too far as where he died, now you the meloe.

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Speaker 3: Yeah, we filed in areas near where Pablo lived and

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Speaker 3: was assassinated. But we had to do new spots because

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Speaker 3: it's all destroyed.

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Speaker 1: Everything is destroyed. And how much of the movie you

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Speaker 1: say you shot in Columbia?

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Speaker 3: All of it? Okay, okay, fifty Vacasians. Crew was Argentine,

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Speaker 3: Mexican and Colombian. So much talent, man, so much talent

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Speaker 3: in Latin America.

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Speaker 1: Okay. Now us as rappers.

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Speaker 2: Yeah yeah, yeah and DJs and.

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Speaker 6: We go to Columbia and most of us, for lack

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Speaker 6: of a better term, we be extorted.

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Speaker 1: Like they make us.

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Speaker 6: Like, you know, you want to go look at Pablo's

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Speaker 6: you got to pay a certain amount of a certain amount,

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Speaker 6: yeah yeah, yeah, yeah yeah.

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Speaker 1: Is that something that you you ran into him? No, no, no, no,

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Speaker 1: had the blessings?

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Speaker 3: Okay, yeah, because we we we promised them also that

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Speaker 3: we weren't going to idolize him in the series.

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Speaker 1: Like meaning like ida the criminal part of him.

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Speaker 3: Yeah, yeah, to make him like you know, become a

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Speaker 3: recruiting you know situation. We want to make sure we

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Speaker 3: showed the humanize him, but also showed that he lived

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Speaker 3: on the paranoid that's not a lifestyle that ends up.

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Speaker 1: You know, you end up surviving, you don't survive it.

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Speaker 3: He's he's we're fascinated by him because he grew up

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Speaker 3: from extreme poverty and became the wealthiest criminal in the

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Speaker 3: history of the world. He died being worth thirty billion

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Speaker 3: by today's uh seventy billion.

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Speaker 1: Did we make some noise to that? You got to

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Speaker 1: make some noise. He was one of the most ruthless

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Speaker 1: ones too. He kind of like invented the n terrorism. Yes,

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Speaker 1: he did narco terrorism exactum, I hit it correctly. You know.

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Speaker 3: He did a ton of assassinations on politicians, journalists, anybody

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Speaker 3: who opposed them.

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Speaker 1: Crazy wow, like what Trump does verbally.

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Speaker 6: That's that's the point that I wanted to bring, Like yeah, yeah, yeah.

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Speaker 1: You know, what's the book you wrote?

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Speaker 3: Pimps whole pimps, host and player hitters and the rest

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Speaker 3: of my Hollywood friends. Don't ever Here's here's the big tip.

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Speaker 3: Don't ever write an autobiography until you're about to die

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Speaker 3: or retire, because you fuck up your life. I mean,

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Speaker 3: I was only like thirty nine or forty was. It

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Speaker 3: cost me a lot of problems for real, because you're

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Speaker 3: gutting people, well, you're saying ship that nobody wants to

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Speaker 3: be set and I said it, and then all of

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Speaker 3: a sudden, I'm like, not casting this movie, not casting

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Speaker 3: that movie. Yeah, you know, on the d L, nobody's

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Speaker 3: telling me I'm being blasted, blacklisted.

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Speaker 1: But it's not on you know, on full blast.

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Speaker 4: Right.

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Speaker 1: But was was Hollywood something that let you down?

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Speaker 8: Oh?

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Speaker 1: Absolutely?

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Speaker 3: But you know I didn't know as a young man

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Speaker 3: what was going on. I just thought, you know, Hollywood

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Speaker 3: is not completely for us, but that's the way life is,

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Speaker 3: you know. I accepted it. And then as you get older,

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Speaker 3: I going, wait a minute, why isn't it for us?

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Speaker 3: Lattin people are thirty percent of the US box office,

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Speaker 3: a third of streamers, less than six percent of the actors,

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Speaker 3: and less than one percent of the stories and less

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Speaker 3: than point nine percent of the executives. How is that possible?

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Speaker 3: They're taking from us but giving us nothing back. That's

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Speaker 3: not okay. That's when I realized, and I woke up

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Speaker 3: and I was like, wait a.

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Speaker 1: Minute, what the fuck is going on? How can we

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Speaker 1: accept this?

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Speaker 3: White people are only fifty eight point two percent of

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Speaker 3: the population. Why were they getting a ninety percent of

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Speaker 3: the roles executive stories everything. It's an overreach and an

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Speaker 3: overrepresentation that's not not fair in any kind of book.

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Speaker 6: I saw you at a breakfast club and you was

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Speaker 6: talking about, are you going to watch all white movies?

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Speaker 1: I'm not gonna see white. I didn't realize. It's like

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Speaker 1: there's some good like.

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Speaker 4: You.

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Speaker 1: Like. I was like, you said that.

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Speaker 3: I didn't even realize you so used to realize that white.

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Speaker 1: Movies Jaws, I was like, all white. It was like

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Speaker 1: because even in the background. But I just finished watching

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Speaker 1: George and I was like, how the funk? I didn't

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Speaker 1: bet that future.

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Speaker 3: There's not one person called, not one person called Poulter.

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Speaker 1: Guys.

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Speaker 6: I'm bouncing around a little bit, but I love that

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Speaker 6: you got Ah, that's a Latin story for me.

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Speaker 1: I think it's up there with.

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Speaker 6: Up there with Willie Cologne as a story that I

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Speaker 6: would like for you to participate.

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Speaker 1: The big punch story. Oh that would be hot. We

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Speaker 1: got to do that. Why not? How come Fat Joe

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Speaker 1: hasn't done it? Family? Is the family not letting?

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Speaker 7: Uh?

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Speaker 1: I don't. I don't want to speak on that because

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Speaker 1: I don't know.

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Speaker 6: I don't know like the particulars, but I know that's

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Speaker 6: something that the hip hop game is missing and have

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Speaker 6: you you got to make me bit fun.

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Speaker 3: I didn't get to meet Wow. I met Bis Marquis.

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Speaker 3: I went to school with Q Tip.

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Speaker 1: Wow, I'm two weeks older yet. No, no where broke

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Speaker 1: went to Brooklyn.

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Speaker 3: No, No, Police Plaza, Manhattan.

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Speaker 1: Ok.

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Speaker 3: Yeah, yeah, I'm two years older than him.

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Speaker 1: No. I didn't mean him though. I was about that

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Speaker 1: met him. Yeah, I was.

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Speaker 3: I was like kind of hollywoody at that time. Oh yeah,

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Speaker 3: I was living in the hood anymore. I was like,

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Speaker 3: I was like trying to live large and try to

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Speaker 3: be you know, famous and shipped.

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Speaker 1: But when Holly would let you down, they were letting

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Speaker 1: me down. But they don't want to keep me away.

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Speaker 1: You can try to lock those doors, but I'm a

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Speaker 1: bust them open, right. But what was the hottest year

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Speaker 1: for me, dude?

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Speaker 3: A good year from was nineteen ninety four. I did

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Speaker 3: Carlito's Way, and I did Super Married Brothers, and I

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Speaker 3: did Tu Wang Fu And two years later I did Spawn.

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Speaker 3: I was the Clowning Spawn. I did The Pest. I

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Speaker 3: did Romeo and Juliet and I said three plays.

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Speaker 6: Yeah, and you're speaking of plays.

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Speaker 1: You did a one man play yeah, I did six,

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Speaker 1: six of them.

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Speaker 3: Four of them on Broadway. I'm broady man, and it

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Speaker 3: was hard to get the broad When I did Freak

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Speaker 3: on Broadway, they were like, they don't know if Latin

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Speaker 3: people are going to go to the theater.

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Speaker 1: They don't know if a.

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Speaker 3: Comedy about a Latin guy is gonna appeal to white people.

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Speaker 3: And Brody was all white at that time, you know,

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Speaker 3: so I was like the first all Latin show and

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Speaker 3: then half the population was Latino and black, and they

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Speaker 3: were astounded and sold out.

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Speaker 1: Like white people who come to the Broadway show though, Yeah, yeah.

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Speaker 3: The majority you know, the plays were mostly having classes. Yeah, y,

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Speaker 3: the Monica wonderful.

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Speaker 1: I love him.

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Speaker 6: So so I we asked you all, did Hollywood disappoint you?

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Speaker 6: What was something that Hollywood that that gave you?

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Speaker 1: And you was like, man, I.

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Speaker 6: Mean besides you know, getting out the hood or something

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Speaker 6: like that.

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Speaker 3: Well, I think Spike Lee giving me the lead role

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Speaker 3: in Summer Sam was a big deal for me. That

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Speaker 3: was a turning point in my life. And we went

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Speaker 3: to Cannes Film Festival with that, which I had never

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Speaker 3: been to. Was a big, big deal in Hollywood. Sisters,

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Speaker 3: and uh, it's well with Spike, and Spike is the

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Speaker 3: one that had the balls to make me a Latin.

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Speaker 1: Guy be the lead Spike's best.

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Speaker 4: Did you expect because with this series and it seems

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Speaker 4: like you've always there's a third that you've always been

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Speaker 4: trying to go back to your roots, like represent your roots.

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Speaker 1: Yeah, me and I have young.

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Speaker 4: Children, So in Gonto, I was like, this is dope

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Speaker 4: for representation for Colombians. Like I thought it was super dope,

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Speaker 4: Like how did that come about?

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Speaker 1: That?

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Speaker 2: The creation of that you be involved?

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Speaker 3: Oh dude, that was such an incredible experience for me

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Speaker 3: and how far we Latino people have come in this

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Speaker 3: country to have all Latin cast right and Latin director

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Speaker 3: and writer fran Conto Limnuel wrote the music, the ass music.

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Speaker 3: It was an incredible turning point for me. And I

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Speaker 3: improvised a lot for Bruno. I'm the Bruno.

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Speaker 1: Yeah yes, yeah.

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Speaker 3: The whole part too is if all we do is

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Speaker 3: talk about Bruno, that's another story.

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Speaker 2: So they're gonna have a ride in in Disney.

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Speaker 3: Now I did your voice for that. There's a parade

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Speaker 3: in Disney World for in Conto. Yeah. Yeah, that's huge, man, huge.

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00:16:42,000 --> 00:16:44,680
Speaker 3: It be frozen, Yeah, it's the number one. It was

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Speaker 3: the number one Disney song in the history of Disney.

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Speaker 2: And I think it's it brings a lot of pride

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Speaker 2: being laudin.

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Speaker 4: When you go to Disney, you see these little girls

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Speaker 4: of all races, of all nationalities dressed up as the.

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Speaker 3: Little Because in Conto had the true Latino experience, black, indigenous,

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Speaker 3: and white. I didn't mixed and had you had all

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Speaker 3: the hair textures, the hair color, the different color skins.

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Speaker 3: It didn't have colorism, right, it was. It was such

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Speaker 3: a powerful experience.

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Speaker 2: I guess you didn't. You didn't watch little Kids?

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Speaker 6: Yes, yes, yeah, yeah, yeah, Okay, let me bounced around

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Speaker 6: real quick.

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Speaker 1: Right. Did you get to see Bad Bunny in Puerto Rico? No,

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Speaker 1: I didn't. I didn't get I was filming, Uh, I

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Speaker 1: can't remember. I was filming.

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Speaker 3: Uh. The which is coming out in July. It can

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Speaker 3: be the biggest movie in the history of Hollywood.

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Speaker 1: A shot to that.

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Speaker 3: Yeah, shot two Latinos and three black people in it.

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Speaker 1: It's not an all white movie, so I'm gonna see it.

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Speaker 6: But I just wanted to, like, the first time I've

359
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Speaker 6: ever seen this before, what Bad Bunny did, Like he

360
00:17:51,920 --> 00:17:53,159
Speaker 6: brung everyone.

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Speaker 1: To the island right like like he did it all back.

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Speaker 6: Yeah, and he and he said uh uh like he

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Speaker 6: basically went on tour in Puerto Rico.

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Speaker 1: Incredible.

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Speaker 6: I've never saw this now in my life, Like and

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Speaker 6: like all the people that showed up, like it was

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Speaker 6: all energy, like the.

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00:18:11,080 --> 00:18:14,199
Speaker 3: Beautiful man half time Super Bowl. Come on, you know,

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Speaker 3: I was crying.

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Speaker 1: Man's so beautiful.

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Speaker 3: It was, dude, it was so emotional after what you're

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00:18:20,680 --> 00:18:23,000
Speaker 3: watching on TikTok and the gram. You see all these

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00:18:23,200 --> 00:18:26,840
Speaker 3: Latin bodies being assaulted, moms and children, and then you

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00:18:26,880 --> 00:18:33,400
Speaker 3: saw this love against hate theme, you know, all these

375
00:18:33,480 --> 00:18:37,520
Speaker 3: Latin young people celebrating their culture, celebrating themselves. Yo, that

376
00:18:37,600 --> 00:18:42,080
Speaker 3: was so powerful. And all the Easter eggs, like the

377
00:18:42,400 --> 00:18:47,440
Speaker 3: original Puerto Rican flag that was banned. Yeah, the slavery like, yes,

378
00:18:48,080 --> 00:18:50,000
Speaker 3: the whole thing is so powerful. Man, he had to

379
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Speaker 3: bat buddy.

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Speaker 6: Okay, let's schoo back to beating block for a second, right, Okay,

381
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Speaker 6: our rest I'm weere that you had to actually because

382
00:19:02,440 --> 00:19:05,919
Speaker 6: a queen's kid anybody from New York, right, Yeah, Well

383
00:19:06,000 --> 00:19:08,800
Speaker 6: though Queens and Bronx is twenty minutes away, it's still

384
00:19:08,840 --> 00:19:12,000
Speaker 6: a whole sepper who a whole super field, even even

385
00:19:12,080 --> 00:19:14,960
Speaker 6: Queens Long Island, even Queens oh yeah, Brooklyn totally like

386
00:19:14,960 --> 00:19:17,879
Speaker 6: it's totally different. So how did you, like, I know,

387
00:19:17,920 --> 00:19:20,080
Speaker 6: you said you hung out in the Bronx, but how

388
00:19:20,080 --> 00:19:22,800
Speaker 6: did you actually study for that character? Because like to

389
00:19:22,800 --> 00:19:25,239
Speaker 6: this day, I know who you are and I can

390
00:19:25,320 --> 00:19:27,320
Speaker 6: still look at that character and still be scared.

391
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Speaker 1: So how did you study for that?

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Speaker 9: Like like, oh, yeah, well, you know, I mean I

393
00:19:33,840 --> 00:19:37,119
Speaker 9: grew up in Queens and when I was young, I

394
00:19:37,200 --> 00:19:40,800
Speaker 9: hung out a lot, and there were some drug dealers

395
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Speaker 9: and I hung out with them at times.

396
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Speaker 3: You know, I never did anything bad. Well not really,

397
00:19:45,200 --> 00:19:49,520
Speaker 3: I'm not lying. I'm lying, but I but you know,

398
00:19:49,680 --> 00:19:51,920
Speaker 3: I I that was in my life. I saw where

399
00:19:51,920 --> 00:19:53,840
Speaker 3: I was leading to, so I kind of avoid I

400
00:19:53,840 --> 00:19:55,200
Speaker 3: just hung out with them at the park and played

401
00:19:55,200 --> 00:19:58,919
Speaker 3: handball with them and whatnot in basketball. But for the movie,

402
00:19:59,560 --> 00:20:01,840
Speaker 3: I I.

403
00:20:00,960 --> 00:20:04,840
Speaker 1: I did the research. I hung with these two brothers. No, no, no,

404
00:20:04,800 --> 00:20:06,880
Speaker 1: we did in the l e s okay.

405
00:20:06,960 --> 00:20:10,520
Speaker 3: And then his brother had been shot the week before, okay,

406
00:20:10,760 --> 00:20:12,680
Speaker 3: So I was walking around with him doing the rounds,

407
00:20:12,720 --> 00:20:15,679
Speaker 3: going to the house, storing the stuff and whatnot in

408
00:20:15,720 --> 00:20:18,440
Speaker 3: the collection and and they were selling and I was

409
00:20:18,520 --> 00:20:20,840
Speaker 3: just viewed and watched, but it was it was kind

410
00:20:20,840 --> 00:20:22,840
Speaker 3: of stupid because I could have been shot too. I

411
00:20:22,840 --> 00:20:25,720
Speaker 3: mean yeah, I mean I was kind of I was

412
00:20:25,800 --> 00:20:28,000
Speaker 3: kind of dumb and young and and I put my

413
00:20:28,040 --> 00:20:30,200
Speaker 3: life into my hands. But you know, I learned a lot.

414
00:20:30,400 --> 00:20:34,040
Speaker 3: And so when I came to Carlito's way, I was gonna, Yo,

415
00:20:34,160 --> 00:20:36,639
Speaker 3: this movie is mine. I'm gonna take this movie.

416
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Speaker 1: You did you did? Yeah? Yeah. And then.

417
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Speaker 3: But it was Brian de Palma, the director. We had

418
00:20:45,359 --> 00:20:50,040
Speaker 3: just done Casualties of War and we did something. Seann

419
00:20:50,119 --> 00:20:55,720
Speaker 3: and Michael J. Fox uh uh.

420
00:20:52,760 --> 00:20:58,480
Speaker 1: Uh bing Raims. Uh yeah, everybody was in it. Sean

421
00:20:58,560 --> 00:21:00,479
Speaker 1: p was in on College this way as well. He

422
00:21:00,520 --> 00:21:02,520
Speaker 1: was in Champagne.

423
00:21:03,119 --> 00:21:05,760
Speaker 3: Yeah. Oh he was incredible man. Yeah, he was playing

424
00:21:05,800 --> 00:21:11,160
Speaker 3: Alan Dershowitz. The shaved his head, burned his hair. Yeah,

425
00:21:11,240 --> 00:21:12,760
Speaker 3: and he did. He was doing mad research too, if

426
00:21:12,800 --> 00:21:13,320
Speaker 3: you know what I mean.

427
00:21:18,960 --> 00:21:21,800
Speaker 1: He's like to the party.

428
00:21:22,080 --> 00:21:26,240
Speaker 3: And uh so the Parma gave me free reign.

429
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Speaker 1: Man. He would let me do like thirty takes.

430
00:21:29,119 --> 00:21:32,600
Speaker 3: This was filmed. Nobody got thirty takes. He just loved

431
00:21:32,640 --> 00:21:34,320
Speaker 3: what I was doing so much that he let me

432
00:21:34,359 --> 00:21:38,119
Speaker 3: do whatever I wanted. The whole posse at the club.

433
00:21:38,200 --> 00:21:39,880
Speaker 3: Those are all my friends and my ex wife.

434
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Speaker 1: They don't want to talk about it, but yeah he.

435
00:21:42,440 --> 00:21:48,720
Speaker 3: Let me like, yeah you felt like yeah exactly, we

436
00:21:48,760 --> 00:21:50,960
Speaker 3: had a real life and experience there going on because

437
00:21:50,960 --> 00:21:51,640
Speaker 3: we know each other.

438
00:21:51,960 --> 00:21:55,600
Speaker 6: But but do you realize how how you change the trajectory.

439
00:21:55,640 --> 00:21:58,760
Speaker 1: Of street people Like street people if they see.

440
00:21:58,560 --> 00:22:01,120
Speaker 6: Somebody who reminds them the self, now they know like

441
00:22:01,119 --> 00:22:03,000
Speaker 6: like because nobody was really.

442
00:22:05,960 --> 00:22:12,320
Speaker 1: You know, you killed, but you know what your.

443
00:22:11,320 --> 00:22:13,760
Speaker 3: Time people when the movie came out was stopped me

444
00:22:13,840 --> 00:22:14,800
Speaker 3: everywhere like.

445
00:22:15,280 --> 00:22:18,520
Speaker 6: They was hated at you, right, but you have to

446
00:22:18,600 --> 00:22:21,080
Speaker 6: kill He was gonna get away.

447
00:22:21,440 --> 00:22:23,920
Speaker 3: You got a problem, and I go, yo, it wasn't

448
00:22:23,920 --> 00:22:24,639
Speaker 3: a documentary.

449
00:22:24,640 --> 00:22:32,440
Speaker 1: He he's still he was mouto Rican. Yeah he wasn't.

450
00:22:33,600 --> 00:22:36,040
Speaker 1: So they took him by.

451
00:22:38,440 --> 00:22:41,280
Speaker 6: How about scoff Face though, yeah, I ain't gonna lie.

452
00:22:41,840 --> 00:22:45,320
Speaker 6: Alpancino does play a mean Latino though, yeah, yeah he does,

453
00:22:45,400 --> 00:22:45,680
Speaker 6: he does.

454
00:22:46,840 --> 00:22:50,680
Speaker 4: We were on the fence about really Scott Face, Yeah

455
00:22:51,480 --> 00:22:53,679
Speaker 4: got his his accident wasn't all the way there like

456
00:22:53,720 --> 00:22:54,760
Speaker 4: it wasn't you know, but.

457
00:22:54,760 --> 00:22:57,520
Speaker 1: It was like Mexican. It was up to my little

458
00:22:57,520 --> 00:23:04,119
Speaker 1: friend it wasn't even in Miami, really, you.

459
00:23:04,119 --> 00:23:08,400
Speaker 6: Know, Cubans were just happy to see you heard about

460
00:23:09,200 --> 00:23:10,080
Speaker 6: Please take that back.

461
00:23:10,840 --> 00:23:14,280
Speaker 3: Of His acting as car leader was also kind of

462
00:23:14,640 --> 00:23:18,479
Speaker 3: slightly whacked too. I mean that wasn't Puerto Rican. No, no,

463
00:23:18,520 --> 00:23:22,399
Speaker 3: that he sounds like a Southern blues man because he

464
00:23:22,440 --> 00:23:22,760
Speaker 3: was talking.

465
00:23:22,760 --> 00:23:26,160
Speaker 1: You were talking. I don't want you to come into

466
00:23:26,160 --> 00:23:26,879
Speaker 1: my club.

467
00:23:26,920 --> 00:23:30,439
Speaker 3: Your pert snatcher and your first snatch.

468
00:23:31,200 --> 00:23:32,199
Speaker 1: I don't want to talk to you.

469
00:23:32,400 --> 00:23:33,920
Speaker 6: But you realize you're one of the like the only

470
00:23:34,320 --> 00:23:37,160
Speaker 6: people in the world that killed Alpacino on camera. I know,

471
00:23:37,600 --> 00:23:42,040
Speaker 6: Like he doesn't mean they give me the rolls. I

472
00:23:42,040 --> 00:23:45,080
Speaker 6: think that's in his script, like yo, I don't die yea,

473
00:23:45,640 --> 00:23:46,320
Speaker 6: and you killed him?

474
00:23:46,560 --> 00:23:47,560
Speaker 1: You know what's off there? I was.

475
00:23:47,600 --> 00:23:49,439
Speaker 3: I was around when they killed Stephen sagal To in

476
00:23:49,440 --> 00:23:52,640
Speaker 3: a movie executive decision because he was such an asshole

477
00:23:52,720 --> 00:23:52,919
Speaker 3: to me.

478
00:23:53,880 --> 00:23:58,480
Speaker 10: He hit me no way, Steven Stevens got we're doing

479
00:23:58,520 --> 00:24:03,399
Speaker 10: exacutive disc acting. We were just meeting for the first

480
00:24:03,440 --> 00:24:07,439
Speaker 10: time and he comes in in military garb, like you

481
00:24:07,480 --> 00:24:11,320
Speaker 10: ain't military. So I started laughing at him, and he

482
00:24:11,359 --> 00:24:13,399
Speaker 10: didn't like that, so he elbowed me.

483
00:24:13,520 --> 00:24:17,439
Speaker 3: My solar plexus and knocked me out. So when he

484
00:24:17,520 --> 00:24:19,120
Speaker 3: was going to die in the movie, which was fake,

485
00:24:19,160 --> 00:24:21,760
Speaker 3: but I wanted to believe it was real. I was

486
00:24:21,800 --> 00:24:25,280
Speaker 3: there five a year. I wanted to see it so badly,

487
00:24:25,760 --> 00:24:27,120
Speaker 3: and he won't come out of his trailer. He didn't

488
00:24:27,119 --> 00:24:28,960
Speaker 3: want to die, even though it was a fake dead.

489
00:24:30,440 --> 00:24:32,480
Speaker 3: But I was like, please, please just kill him and

490
00:24:32,520 --> 00:24:33,200
Speaker 3: get rid of him.

491
00:24:34,720 --> 00:24:38,400
Speaker 1: Yeah.

492
00:24:41,760 --> 00:24:43,040
Speaker 3: I was in the book to that costs me a

493
00:24:43,040 --> 00:24:46,840
Speaker 3: lot of problems. But now that that sounded fucking and for.

494
00:24:46,800 --> 00:24:51,560
Speaker 4: The record, die in score for these Yeah yeah, but.

495
00:24:52,080 --> 00:24:53,640
Speaker 1: He got to like other people.

496
00:24:54,960 --> 00:25:00,239
Speaker 3: Kill kill trying to Yeah.

497
00:24:57,400 --> 00:25:03,560
Speaker 6: Yeah, So did you ever think about doing like a

498
00:25:03,640 --> 00:25:04,600
Speaker 6: spin off of that?

499
00:25:04,960 --> 00:25:05,240
Speaker 11: Yeah?

500
00:25:05,400 --> 00:25:06,720
Speaker 3: Yeah, they did do one.

501
00:25:06,840 --> 00:25:09,639
Speaker 1: Get out of Here without Me? Oh no, that the reason.

502
00:25:10,440 --> 00:25:12,199
Speaker 1: That's the reason. About what was it called? What was

503
00:25:12,200 --> 00:25:13,680
Speaker 1: it called? I don't know. I'm not in it. I

504
00:25:13,720 --> 00:25:13,920
Speaker 1: don't know.

505
00:25:13,960 --> 00:25:21,880
Speaker 5: I remember it was terrible, no way, oh yeah, something

506
00:25:20,720 --> 00:25:24,200
Speaker 5: like No I was I was talking about.

507
00:25:24,240 --> 00:25:26,399
Speaker 1: His character, like I spin off of his character.

508
00:25:26,840 --> 00:25:30,520
Speaker 4: Yeah yeah, yeah, yeah, like Bennie prequel to Benni Blanco

509
00:25:30,680 --> 00:25:31,560
Speaker 4: getting to that point.

510
00:25:32,200 --> 00:25:34,520
Speaker 3: Somebody offered it to me like ten years ago, but

511
00:25:34,520 --> 00:25:37,440
Speaker 3: it was too late by then. Yeah, they missed they

512
00:25:37,520 --> 00:25:38,359
Speaker 3: missed the window.

513
00:25:38,640 --> 00:25:41,080
Speaker 2: The window closed on that that person, that archetype.

514
00:25:41,320 --> 00:25:41,760
Speaker 1: But you know.

515
00:25:41,760 --> 00:25:43,840
Speaker 3: Empsire was that for me when I did Empire?

516
00:25:44,359 --> 00:25:44,520
Speaker 12: Yeah?

517
00:25:44,640 --> 00:25:46,959
Speaker 1: Yeah, I love that flip with fat Joe.

518
00:25:47,160 --> 00:25:49,919
Speaker 3: Joe uh uh trench.

519
00:25:50,320 --> 00:25:51,119
Speaker 1: Yeah, I believe that.

520
00:25:51,240 --> 00:25:53,600
Speaker 6: Joe's line is I'll kill your ass quicker than I

521
00:25:53,640 --> 00:25:55,200
Speaker 6: did in an Empire.

522
00:25:55,320 --> 00:25:58,480
Speaker 1: Yes, he died very early in the Empire. What happened

523
00:25:59,520 --> 00:25:59,800
Speaker 1: you guys?

524
00:26:00,200 --> 00:26:04,399
Speaker 3: Up, he was a big target. It's easy to take

525
00:26:04,480 --> 00:26:04,800
Speaker 3: him out.

526
00:26:07,440 --> 00:26:10,840
Speaker 1: He's now, he's now regular Joe. He's not bad Joe, Joe,

527
00:26:10,880 --> 00:26:12,840
Speaker 1: how do you keep that name? Just keep I don't know.

528
00:26:12,880 --> 00:26:16,200
Speaker 6: He's he's thinking with it, drinking mad die of coaches.

529
00:26:17,800 --> 00:26:20,320
Speaker 1: Okay, Joe, listen.

530
00:26:21,960 --> 00:26:22,399
Speaker 2: The flowers.

531
00:26:22,640 --> 00:26:26,080
Speaker 6: Yes, our show was about giving people they flowers, they

532
00:26:26,080 --> 00:26:27,399
Speaker 6: though us where they can tell him, they drinks when

533
00:26:27,440 --> 00:26:29,040
Speaker 6: I can drink them, and the thoughts where they can

534
00:26:29,119 --> 00:26:38,320
Speaker 6: take him and we want to give you. That's dope,

535
00:26:38,560 --> 00:26:42,879
Speaker 6: because like you're truly one of those people that you

536
00:26:42,880 --> 00:26:46,920
Speaker 6: can really do anything like I like, it's like you didnzel,

537
00:26:47,520 --> 00:26:50,399
Speaker 6: It's like I feel like every role that you played

538
00:26:50,560 --> 00:26:52,280
Speaker 6: was written for you.

539
00:26:53,359 --> 00:26:57,840
Speaker 1: It probably wasn't. I did. That's how that's how natural

540
00:26:57,920 --> 00:27:01,320
Speaker 1: it is so when you look at a like I forget,

541
00:27:01,359 --> 00:27:03,200
Speaker 1: I forget the name of hold On. I got it

542
00:27:03,280 --> 00:27:07,399
Speaker 1: right here? Which one? Uh yeah, yeah? Like how do

543
00:27:07,440 --> 00:27:09,320
Speaker 1: you how do you like study for that type of role?

544
00:27:09,560 --> 00:27:12,119
Speaker 3: I'm method man, I'm mad methods. So I had a

545
00:27:13,200 --> 00:27:16,840
Speaker 3: real drag queen, Leritza Dumont, who was Puerto Rican and

546
00:27:16,880 --> 00:27:19,639
Speaker 3: she hung with the bron from the Brons somebody just

547
00:27:19,640 --> 00:27:20,560
Speaker 3: you feel like from the Bronx.

548
00:27:22,000 --> 00:27:22,800
Speaker 1: And she coached me.

549
00:27:22,880 --> 00:27:25,680
Speaker 3: She coached me how to walk, how to talk, how

550
00:27:25,720 --> 00:27:27,719
Speaker 3: to move my hands and stuff like that to make

551
00:27:27,760 --> 00:27:31,280
Speaker 3: yourself like more more feminine. And then uh, Patrick and

552
00:27:31,320 --> 00:27:32,560
Speaker 3: Wesley myself we went.

553
00:27:32,400 --> 00:27:34,119
Speaker 1: To like Patrick Swayze, Yeah.

554
00:27:37,000 --> 00:27:47,760
Speaker 6: I can't just yeah Patrick here, Wesley.

555
00:27:45,800 --> 00:27:47,399
Speaker 1: Yeah, this is life is a monster.

556
00:27:47,480 --> 00:27:49,480
Speaker 3: And Patrick was a dope aacter too, And so we

557
00:27:49,480 --> 00:27:51,600
Speaker 3: would go to all these drag queen bars that were

558
00:27:51,760 --> 00:27:56,479
Speaker 3: Puerto Rican and black Les Qualita Sally Sally's two, and

559
00:27:56,520 --> 00:27:57,680
Speaker 3: we did mad research.

560
00:27:57,760 --> 00:27:57,920
Speaker 1: Man.

561
00:27:58,000 --> 00:28:00,159
Speaker 3: We wanted to make it authentic, We wanted to do

562
00:28:00,200 --> 00:28:03,159
Speaker 3: it with dignity and respect for the community. And I

563
00:28:03,160 --> 00:28:04,919
Speaker 3: think we did a great job. Man. It was that

564
00:28:05,040 --> 00:28:07,480
Speaker 3: was back in the era where they didn't do movies

565
00:28:07,520 --> 00:28:09,760
Speaker 3: about LGTBQ plus.

566
00:28:09,800 --> 00:28:12,240
Speaker 1: So that was a big deal, right, No, that's real,

567
00:28:12,880 --> 00:28:13,360
Speaker 1: that's real.

568
00:28:13,480 --> 00:28:15,240
Speaker 4: What do you say about you know, there's there's a

569
00:28:15,320 --> 00:28:17,880
Speaker 4: whole thing that that narrative that people say that when

570
00:28:18,080 --> 00:28:21,040
Speaker 4: male actors do those kind of rules, that they're sacrificing

571
00:28:21,080 --> 00:28:22,800
Speaker 4: something to get in Hollywood more.

572
00:28:23,160 --> 00:28:25,879
Speaker 3: No, there's no sacrifice, man. I mean, I think in

573
00:28:25,960 --> 00:28:30,359
Speaker 3: modern days it should be an LGTBQ plus person playing

574
00:28:30,359 --> 00:28:32,200
Speaker 3: those roles, like.

575
00:28:32,160 --> 00:28:33,600
Speaker 1: A Puerto ricanould playing a Puerto Rican.

576
00:28:33,720 --> 00:28:36,920
Speaker 3: Yeah, exactly where at that point where we have the

577
00:28:37,040 --> 00:28:41,200
Speaker 3: populations hire them, and and the talent in that yes, high,

578
00:28:41,240 --> 00:28:44,960
Speaker 3: more disabled, higher l g TVQ plus hire Latinos for

579
00:28:45,080 --> 00:28:45,960
Speaker 3: Latino roles.

580
00:28:46,320 --> 00:28:48,880
Speaker 1: Let's stop the appropriation. There's no need for that. I

581
00:28:49,080 --> 00:28:53,800
Speaker 1: like the appreciation, but no more appropriation. CJ.

582
00:28:53,960 --> 00:28:56,640
Speaker 3: Paul say, he's gonna come up with blackface. Yeah, you

583
00:28:56,760 --> 00:28:59,320
Speaker 3: better not do that, man, That's not okay. Just because

584
00:29:00,040 --> 00:29:00,680
Speaker 3: easy did that?

585
00:29:01,320 --> 00:29:03,160
Speaker 1: Man like that was that was?

586
00:29:03,360 --> 00:29:06,160
Speaker 3: That was? I mean, it was it was in fun

587
00:29:06,280 --> 00:29:06,760
Speaker 3: and comedy.

588
00:29:06,840 --> 00:29:07,680
Speaker 1: What what was done in.

589
00:29:07,760 --> 00:29:11,720
Speaker 3: Blackface was not done yeah, party, it wasn't done for comedy.

590
00:29:11,720 --> 00:29:12,520
Speaker 1: It was to humiliate.

591
00:29:13,080 --> 00:29:16,640
Speaker 3: So stop that nonsense. Understand history read a book right

592
00:29:16,920 --> 00:29:18,960
Speaker 3: and shout out to Drew Skis hell talented.

593
00:29:20,120 --> 00:29:22,480
Speaker 1: Crazy. I didn't take it as him trying to be

594
00:29:22,520 --> 00:29:25,600
Speaker 1: offensive at all. He wasn't trying to make fun of

595
00:29:25,640 --> 00:29:34,440
Speaker 1: white folks as a comediat. Well, all this cancel culture? Yeah?

596
00:29:36,560 --> 00:29:39,760
Speaker 6: Is that something that you have to change your approach because,

597
00:29:39,880 --> 00:29:42,840
Speaker 6: like I mean sometimes, like you know, I used to

598
00:29:43,080 --> 00:29:44,760
Speaker 6: used to be an artist. I write robs and I

599
00:29:44,840 --> 00:29:48,520
Speaker 6: still write robs now. But when I when I when

600
00:29:48,520 --> 00:29:51,920
Speaker 6: I look at my lyrics like oh, I actually be

601
00:29:52,040 --> 00:29:55,160
Speaker 6: like no, and I do it on my iPhone now,

602
00:29:55,240 --> 00:29:57,360
Speaker 6: So I look at it. Do you have a write

603
00:29:57,400 --> 00:30:00,719
Speaker 6: material and say, you know what, this might be insensitive

604
00:30:00,960 --> 00:30:03,000
Speaker 6: to a certain Absolutely.

605
00:30:02,880 --> 00:30:05,080
Speaker 3: I think it's not a bad thing man to be

606
00:30:05,200 --> 00:30:09,040
Speaker 3: looking at the world through a lens of respect for others. Yeah,

607
00:30:09,280 --> 00:30:10,800
Speaker 3: especially in New York. You grew up in a time

608
00:30:10,840 --> 00:30:13,880
Speaker 3: where there was mad disrespect. Most of comedy was disrespect

609
00:30:13,960 --> 00:30:16,360
Speaker 3: on the streets. You know, it was all about disrespect.

610
00:30:16,760 --> 00:30:19,040
Speaker 3: But what if he flipped it and made it about respect.

611
00:30:19,080 --> 00:30:23,240
Speaker 3: You could still be mad funny, right, you know, and

612
00:30:23,600 --> 00:30:25,680
Speaker 3: giving respect to people. I don't know, I think you'd

613
00:30:25,720 --> 00:30:28,200
Speaker 3: still be incredibly funny. I did Land History for morons,

614
00:30:29,480 --> 00:30:31,680
Speaker 3: with that kind of respect, you know, I mean making

615
00:30:31,760 --> 00:30:34,320
Speaker 3: sure that everybody was respected, because the piece was about

616
00:30:34,640 --> 00:30:37,240
Speaker 3: lack of respect, my son being bullied at school for

617
00:30:37,320 --> 00:30:40,040
Speaker 3: being Latino, which is disrespect, And so I wanted to

618
00:30:40,840 --> 00:30:46,760
Speaker 3: teach my weaponize history and knowledge, not fisticuffs, not fighting,

619
00:30:46,840 --> 00:30:48,960
Speaker 3: you know, break the cycle of violence.

620
00:30:49,400 --> 00:30:51,760
Speaker 2: What about going backwards and editing stuff.

621
00:30:51,480 --> 00:30:53,800
Speaker 3: To well, I can't do that now, and it's too

622
00:30:53,880 --> 00:30:56,720
Speaker 3: late for that. I mean yeah, I mean yeah, it'd

623
00:30:56,760 --> 00:30:59,160
Speaker 3: be great to fix the stuff, but you can't. How

624
00:30:59,160 --> 00:31:00,760
Speaker 3: do you fix it without carus?

625
00:31:01,240 --> 00:31:02,960
Speaker 4: I mean, we live in this digital age now where

626
00:31:02,960 --> 00:31:04,920
Speaker 4: I think that's dangerous to to go back and edit

627
00:31:05,000 --> 00:31:05,800
Speaker 4: things as you pleased.

628
00:31:06,000 --> 00:31:07,920
Speaker 1: Where there might be for the right reasons, but I feel.

629
00:31:07,760 --> 00:31:11,040
Speaker 3: Like it's wrong absolutely, the changes history.

630
00:31:11,280 --> 00:31:13,840
Speaker 1: Yes, sir, yes, sir. Well said, how about AI?

631
00:31:14,920 --> 00:31:18,440
Speaker 3: Yeah, well you know that Hollywood anti AI because it's

632
00:31:18,480 --> 00:31:20,760
Speaker 3: gonna come for jobs. It's gonna come quick.

633
00:31:21,400 --> 00:31:22,840
Speaker 1: Actors voice jobs.

634
00:31:23,520 --> 00:31:26,520
Speaker 3: I mean I've seen a couple of UH TV series

635
00:31:26,560 --> 00:31:29,800
Speaker 3: that were all AI dubbed, really and they fit in

636
00:31:29,880 --> 00:31:32,520
Speaker 3: the mouth perfectly, but they have no soul, no personality,

637
00:31:32,600 --> 00:31:35,840
Speaker 3: nothing has no flavor. So that's gonna take jobs away,

638
00:31:35,880 --> 00:31:38,760
Speaker 3: you know, we made sure that this show had no AI.

639
00:31:39,000 --> 00:31:41,200
Speaker 1: You know, I did my own, Uh I did. It's

640
00:31:41,200 --> 00:31:42,640
Speaker 1: a dub version that I did myself.

641
00:31:43,200 --> 00:31:46,120
Speaker 6: I could identify with AI, like my son he looks

642
00:31:46,160 --> 00:31:48,520
Speaker 6: at something, they'd be like, that's a I like he'll he'll, no,

643
00:31:48,640 --> 00:31:50,600
Speaker 6: I can't see. It's too good for like I played

644
00:31:50,640 --> 00:31:52,840
Speaker 6: on record for Doctor dre and Doctor dre.

645
00:31:52,840 --> 00:31:56,600
Speaker 7: Knew off top like he was like, Yo, you could

646
00:31:56,640 --> 00:31:59,280
Speaker 7: tell a difference. Yeah, I can't tell them because the

647
00:31:59,320 --> 00:32:02,840
Speaker 7: bay You can't. No, I can't tell the difference because

648
00:32:02,840 --> 00:32:03,520
Speaker 7: it's troubling.

649
00:32:04,840 --> 00:32:06,480
Speaker 3: Tip of the dove, the duve that could tell that

650
00:32:06,560 --> 00:32:08,440
Speaker 3: that because it was like it fits in the mouth

651
00:32:08,560 --> 00:32:11,280
Speaker 3: so perfectly, but it's got no heart, no soul.

652
00:32:11,640 --> 00:32:14,320
Speaker 1: Right, So what happens if you get into it with

653
00:32:14,360 --> 00:32:14,800
Speaker 1: a studio?

654
00:32:15,360 --> 00:32:15,520
Speaker 3: Right?

655
00:32:16,480 --> 00:32:20,120
Speaker 1: No? See? And did they go get AI person that

656
00:32:20,240 --> 00:32:21,560
Speaker 1: sounds like you? They can't?

657
00:32:21,800 --> 00:32:24,800
Speaker 4: Then, Okay, give up those which they're doing those deals

658
00:32:24,880 --> 00:32:26,000
Speaker 4: now where people are.

659
00:32:25,960 --> 00:32:30,160
Speaker 3: Giving if you're hard up for money, you can sell

660
00:32:30,200 --> 00:32:31,680
Speaker 3: the rights to your voice and your face.

661
00:32:31,880 --> 00:32:35,960
Speaker 4: Person likes the studios, Yeah, so they can use it

662
00:32:36,080 --> 00:32:37,920
Speaker 4: and do AI stuff and train their models off of

663
00:32:37,960 --> 00:32:38,440
Speaker 4: you and everything.

664
00:32:38,560 --> 00:32:41,200
Speaker 1: Oh this is getting scary, man, no, this is real.

665
00:32:41,240 --> 00:32:43,160
Speaker 1: It's scary. No, say it's out there. I mean, I

666
00:32:43,200 --> 00:32:45,160
Speaker 1: don't know if you saw The Andy Warhol.

667
00:32:44,840 --> 00:32:47,440
Speaker 3: Diaries was a documentary series that was incredible and Bill

668
00:32:47,520 --> 00:32:50,120
Speaker 3: Over in this amazing actor did the voice, but they

669
00:32:50,240 --> 00:32:53,480
Speaker 3: used AI to make his voice just like Andy Warhol.

670
00:32:53,480 --> 00:32:54,920
Speaker 3: And when you listening to you're going wait a minute,

671
00:32:55,160 --> 00:32:56,520
Speaker 3: when did they get those And that was a while

672
00:32:56,600 --> 00:33:00,280
Speaker 3: ago when they did that. Yes, and yeah they did

673
00:33:00,480 --> 00:33:03,040
Speaker 3: just to match his voice to put it in the

674
00:33:03,120 --> 00:33:05,680
Speaker 3: right pocket. And it was incredible. But at the same

675
00:33:05,760 --> 00:33:08,520
Speaker 3: time you're like, but he's soon, they won't even need

676
00:33:08,560 --> 00:33:10,120
Speaker 3: Biller when you know what I mean to get the

677
00:33:10,200 --> 00:33:12,440
Speaker 3: AI and you skip him in the salary and the

678
00:33:12,560 --> 00:33:12,960
Speaker 3: job and.

679
00:33:14,080 --> 00:33:17,680
Speaker 2: And every time we use this technology work training those Yes, yes, what.

680
00:33:17,840 --> 00:33:18,280
Speaker 11: Was that game?

681
00:33:18,320 --> 00:33:18,520
Speaker 1: Member?

682
00:33:18,560 --> 00:33:20,520
Speaker 3: Remember the Pick of Chew whatever game it was that

683
00:33:20,640 --> 00:33:21,240
Speaker 3: you went around?

684
00:33:23,120 --> 00:33:23,280
Speaker 1: Right?

685
00:33:23,880 --> 00:33:29,560
Speaker 3: That was teaching AI GPS, so mapping things that they

686
00:33:29,600 --> 00:33:30,160
Speaker 3: couldn't map.

687
00:33:31,880 --> 00:33:35,200
Speaker 6: Now I'm about a little bit like I said the Honeymooners, right, Yes,

688
00:33:37,120 --> 00:33:38,240
Speaker 6: it was a black honeymoon.

689
00:33:38,560 --> 00:33:39,320
Speaker 1: How amazing was that?

690
00:33:39,400 --> 00:33:43,400
Speaker 6: A love that countt you know, Cramden And then you

691
00:33:43,520 --> 00:33:47,080
Speaker 6: get the call that you're going to be the dog trainer,

692
00:33:47,840 --> 00:33:50,640
Speaker 6: Like just actually because when I look at the Honeymooners,

693
00:33:51,920 --> 00:33:56,400
Speaker 6: speaking of white, I didn't realize the Honeymooners was an

694
00:33:56,440 --> 00:33:57,120
Speaker 6: old white cat.

695
00:33:57,320 --> 00:33:58,080
Speaker 1: Wow, Like I.

696
00:33:58,080 --> 00:34:00,520
Speaker 5: Didn't realize that because, by the way, was black and white.

697
00:34:00,560 --> 00:34:03,160
Speaker 1: Yeah. Yeah, yeah, you couldn't till they were waiting black

698
00:34:04,040 --> 00:34:12,759
Speaker 1: come on, you might have had about TV. That's the

699
00:34:12,800 --> 00:34:16,960
Speaker 1: first thing that I didn't when we make it black

700
00:34:17,160 --> 00:34:21,920
Speaker 1: Mikes and they got so you get the call and

701
00:34:22,040 --> 00:34:24,239
Speaker 1: then what is the scene that be? Like when you

702
00:34:24,280 --> 00:34:24,680
Speaker 1: get the call?

703
00:34:25,080 --> 00:34:26,840
Speaker 3: I was so excited and what a great constant with

704
00:34:26,880 --> 00:34:29,640
Speaker 3: a great idea. I love Cedric, I like Mike Apps.

705
00:34:30,120 --> 00:34:32,360
Speaker 3: And then we had a great time on set the

706
00:34:32,480 --> 00:34:33,799
Speaker 3: movie not so much.

707
00:34:34,239 --> 00:34:35,160
Speaker 1: I love the movie.

708
00:34:38,040 --> 00:34:41,200
Speaker 3: That I'll take it back that yeah, yeah, my dad,

709
00:34:44,239 --> 00:34:46,480
Speaker 3: can you raise that? You know?

710
00:34:46,840 --> 00:34:49,759
Speaker 1: Lovehing to It really captured the New York City, like

711
00:34:49,840 --> 00:34:50,319
Speaker 1: you know what I mean?

712
00:34:50,320 --> 00:34:51,399
Speaker 3: You know we shot that movie.

713
00:34:51,760 --> 00:34:53,160
Speaker 1: Was it in New York?

714
00:34:53,320 --> 00:35:00,279
Speaker 3: It wasn't in America, Canada, No, bro Ireland. Wh way

715
00:35:00,320 --> 00:35:03,680
Speaker 3: to Ireland, that's where we shought that they brought it.

716
00:35:03,760 --> 00:35:09,000
Speaker 1: They brought a city bus to Ireland. It was train.

717
00:35:09,120 --> 00:35:12,680
Speaker 1: What the fuck is that insane? That's crazy? All right?

718
00:35:12,760 --> 00:35:17,799
Speaker 1: So when when Ralph is yelling to Norton that's in Ireland. Yeah,

719
00:35:19,280 --> 00:35:21,080
Speaker 1: is that wild? God?

720
00:35:21,920 --> 00:35:24,440
Speaker 3: Because now they have Latin black people in Ireland, so

721
00:35:24,960 --> 00:35:27,120
Speaker 3: they could do it because the extras were all Irish,

722
00:35:27,560 --> 00:35:28,759
Speaker 3: like you would. You would talk to him and they'd

723
00:35:28,760 --> 00:35:31,600
Speaker 3: be like, oh, what the top of the Martin? How

724
00:35:31,600 --> 00:35:33,120
Speaker 3: are you about to go? Well, they kissed the bar,

725
00:35:33,640 --> 00:35:36,560
Speaker 3: did you? And and but they're black on the team.

726
00:35:36,640 --> 00:35:46,440
Speaker 1: You're like an Irish accent. Yeah, that was terrible. You

727
00:35:46,600 --> 00:35:56,040
Speaker 1: need a it's not you before you grew up here

728
00:35:56,040 --> 00:35:59,320
Speaker 1: in Miami. Okay, we grew up in Queens.

729
00:35:59,320 --> 00:36:00,880
Speaker 3: We had everybody or Jamaican.

730
00:36:01,000 --> 00:36:06,280
Speaker 12: Yeah, they were all in Jamaicans.

731
00:36:06,480 --> 00:36:09,040
Speaker 13: In a movie, you killed the guy who invaded? Who

732
00:36:09,120 --> 00:36:13,360
Speaker 13: invented method acting? No, no, no, in real life. In

733
00:36:13,440 --> 00:36:15,640
Speaker 13: real life, I studied with Lee Strassburg. He meant to

734
00:36:15,719 --> 00:36:17,960
Speaker 13: the method, and I was in his class one day.

735
00:36:18,400 --> 00:36:21,360
Speaker 1: Invented the method that about method acting, method acting.

736
00:36:21,560 --> 00:36:24,239
Speaker 3: Le Strassberg created the method for me, which is what

737
00:36:24,360 --> 00:36:27,719
Speaker 3: I follow in my technique. And I was in his

738
00:36:27,800 --> 00:36:30,960
Speaker 3: class for one day and my acting exercises killed him.

739
00:36:31,400 --> 00:36:33,200
Speaker 3: My acting was so bad and killed him.

740
00:36:33,200 --> 00:36:33,920
Speaker 1: He died that night.

741
00:36:34,200 --> 00:36:39,440
Speaker 3: I did exercise in his classicus.

742
00:36:40,960 --> 00:36:46,120
Speaker 1: The way said, I didn't killed him, I mean, why

743
00:36:46,280 --> 00:36:51,920
Speaker 1: is what? He died that night? Okay, so he died.

744
00:36:52,120 --> 00:36:55,719
Speaker 3: He died for real February second, nineteen eighty two or

745
00:36:55,760 --> 00:36:56,120
Speaker 3: something like that.

746
00:36:56,239 --> 00:36:57,839
Speaker 1: Look it up. It's for real. He died that day.

747
00:36:57,880 --> 00:37:00,799
Speaker 1: I was in his Contebruary first. Say what was he.

748
00:37:02,800 --> 00:37:06,000
Speaker 3: Very second in the morning, very second?

749
00:37:06,040 --> 00:37:09,480
Speaker 1: That night he passed? Yeah, yeah, for real. And he

750
00:37:09,560 --> 00:37:11,439
Speaker 1: told you he didn't like you act. Yeah he said

751
00:37:11,440 --> 00:37:13,520
Speaker 1: it was. It was terrible. I don't like it. What

752
00:37:13,600 --> 00:37:14,799
Speaker 1: the hell are you doing in my class?

753
00:37:16,200 --> 00:37:16,400
Speaker 3: That was?

754
00:37:16,520 --> 00:37:17,319
Speaker 1: It was my first day.

755
00:37:17,960 --> 00:37:20,520
Speaker 3: You can't pay me to be good, but it's class

756
00:37:20,560 --> 00:37:22,840
Speaker 3: for to fail, right, So I went there and I failed.

757
00:37:23,640 --> 00:37:25,440
Speaker 1: And the fact that he was from from New York,

758
00:37:25,560 --> 00:37:27,960
Speaker 1: he was like whatever, yeah whatever. But it didn't even

759
00:37:27,960 --> 00:37:32,680
Speaker 1: affect you. No, I kept going, I kept going. Did

760
00:37:32,719 --> 00:37:39,719
Speaker 1: you figure this guy was supposed to be Yeah? No, no,

761
00:37:39,760 --> 00:37:40,680
Speaker 1: I knew he was massive.

762
00:37:40,680 --> 00:37:43,640
Speaker 3: I mean yeah, especially the day after he passed, it

763
00:37:43,760 --> 00:37:46,320
Speaker 3: was like so quiet, you know, and then they closed

764
00:37:46,360 --> 00:37:48,399
Speaker 3: the school down, and yeah it was a big deal.

765
00:37:48,440 --> 00:37:49,319
Speaker 1: I mean it was a big loss.

766
00:37:49,320 --> 00:37:53,000
Speaker 3: I mean he he taught uh Brando James Dean, Malon

767
00:37:53,120 --> 00:37:57,440
Speaker 3: Monroe I mean he told yeah, yeah, all the it.

768
00:37:57,520 --> 00:38:02,359
Speaker 1: Was all white all the movie you stopped watching. Yeah,

769
00:38:02,960 --> 00:38:07,880
Speaker 1: So I'm sorry, but did that throw you off a

770
00:38:07,920 --> 00:38:08,319
Speaker 1: little bit?

771
00:38:08,440 --> 00:38:11,080
Speaker 3: Like, oh, yeah, I definitely throws you off a little bit.

772
00:38:11,160 --> 00:38:14,719
Speaker 3: I mean I'm not imperviable, I'm not invincible. So yeah,

773
00:38:14,960 --> 00:38:17,000
Speaker 3: and then I went and say with other acting teachers

774
00:38:17,040 --> 00:38:17,879
Speaker 3: and killed him as well.

775
00:38:20,560 --> 00:38:22,920
Speaker 1: I did it. He died as well. I did a

776
00:38:23,239 --> 00:38:26,719
Speaker 1: season in his class and he passed us. No, I'm

777
00:38:26,760 --> 00:38:32,160
Speaker 1: not lying, going on, where's this classes at? Okay?

778
00:38:32,680 --> 00:38:36,600
Speaker 2: Okay, you find out Betty Blank is the one attending

779
00:38:36,640 --> 00:38:37,080
Speaker 2: the classes.

780
00:38:40,040 --> 00:38:44,200
Speaker 6: So have you ever been I've gotten better since Yeah,

781
00:38:45,360 --> 00:38:50,480
Speaker 6: you're all aged. Have you ever been off of a

782
00:38:50,640 --> 00:38:52,760
Speaker 6: role that you was offended?

783
00:38:53,880 --> 00:38:55,800
Speaker 1: Yeah? I mean lots, lots, lots.

784
00:38:55,960 --> 00:38:57,799
Speaker 3: I mean there's so many I can't remember now which

785
00:38:57,840 --> 00:39:00,560
Speaker 3: ones they were, but yeah, there was too many dealers,

786
00:39:00,600 --> 00:39:02,840
Speaker 3: too many villains. Yeah, and I got sick of that.

787
00:39:03,040 --> 00:39:06,760
Speaker 3: Go I can't keep denigrating my people like this, because

788
00:39:06,800 --> 00:39:09,680
Speaker 3: now I'm becoming part of the problem.

789
00:39:09,760 --> 00:39:12,840
Speaker 1: You know, is the drug dealer name Jose? What is

790
00:39:12,880 --> 00:39:14,280
Speaker 1: the drug dealer name holds? Always?

791
00:39:14,280 --> 00:39:16,680
Speaker 3: They always Jose Ray Ray.

792
00:39:17,280 --> 00:39:26,040
Speaker 11: Ray, because way great way, I thought that was like

793
00:39:26,120 --> 00:39:28,160
Speaker 11: for the black actors, they got very right.

794
00:39:28,200 --> 00:39:31,960
Speaker 1: Well, you got yeah, I got in New York, we

795
00:39:32,040 --> 00:39:32,600
Speaker 1: do you know everything?

796
00:39:33,160 --> 00:39:35,280
Speaker 3: Yes, that's right, that's right, cross couch and whatnot.

797
00:39:36,239 --> 00:39:36,439
Speaker 1: Yeah.

798
00:39:36,800 --> 00:39:38,520
Speaker 3: And then and then there were stupid roles that I

799
00:39:38,560 --> 00:39:40,399
Speaker 3: shouldn't have. I mean, great roles that I turned down

800
00:39:40,480 --> 00:39:42,920
Speaker 3: that was dumb, Like what mister and Missus Smith the

801
00:39:42,960 --> 00:39:43,719
Speaker 3: Vinced one part.

802
00:39:44,040 --> 00:39:49,640
Speaker 1: I turned it down mister and Missus Smith, well because

803
00:39:49,640 --> 00:39:50,760
Speaker 1: they offered me scale.

804
00:39:50,840 --> 00:39:52,960
Speaker 3: And I was like, you know, they're making the biggest

805
00:39:53,040 --> 00:39:55,799
Speaker 3: bucks of their life, twenty million each and they're gonna

806
00:39:55,840 --> 00:39:57,680
Speaker 3: offer me two thousand dollars a week.

807
00:39:58,360 --> 00:40:00,560
Speaker 1: I was like, is it because I'm Latinos? Why do

808
00:40:00,640 --> 00:40:01,040
Speaker 1: you know me?

809
00:40:01,160 --> 00:40:01,640
Speaker 4: You know me?

810
00:40:02,239 --> 00:40:05,080
Speaker 3: So I passed on that Happy Feet, I passed on

811
00:40:05,120 --> 00:40:11,040
Speaker 3: the Robin Williams part o the cart Yeah okay, I said,

812
00:40:11,120 --> 00:40:14,279
Speaker 3: I said, yeah, I SAYD six is coming out in

813
00:40:14,360 --> 00:40:16,200
Speaker 3: spring six.

814
00:40:18,280 --> 00:40:20,799
Speaker 4: Do you find it there's more freedom in those those

815
00:40:20,880 --> 00:40:22,439
Speaker 4: type of roles that the animated roles.

816
00:40:22,520 --> 00:40:24,239
Speaker 3: Yeah, dude, it's so fun. I mean I had a

817
00:40:24,280 --> 00:40:27,080
Speaker 3: lot of freedom in Bruno and Canto. We did mad

818
00:40:27,120 --> 00:40:28,520
Speaker 3: ad libs and improvisations.

819
00:40:28,600 --> 00:40:29,359
Speaker 1: It was so fun.

820
00:40:29,600 --> 00:40:32,200
Speaker 3: Had a blast with said, I do get to improvise

821
00:40:32,400 --> 00:40:34,120
Speaker 3: and ad lib a lot, but not as much because

822
00:40:34,440 --> 00:40:36,960
Speaker 3: there's so much action involved. It gets a little a

823
00:40:36,960 --> 00:40:38,960
Speaker 3: little tricker. But I was the first to record I

824
00:40:39,040 --> 00:40:42,000
Speaker 3: sage by myself, and then I laid the groundwork and

825
00:40:42,040 --> 00:40:43,440
Speaker 3: then everybody else jumped in.

826
00:40:43,600 --> 00:40:43,799
Speaker 1: Yeah.

827
00:40:45,760 --> 00:40:47,359
Speaker 6: Has there ever been a role you turned down onto?

828
00:40:47,400 --> 00:40:49,520
Speaker 6: You spogled earlier that you regret.

829
00:40:50,920 --> 00:40:53,759
Speaker 1: The mister and missus Smith. Oh yeah, I regret that

830
00:40:53,840 --> 00:40:55,080
Speaker 1: one a lot. That was that was that was.

831
00:40:55,280 --> 00:40:56,680
Speaker 2: That was a big miss You would have even though

832
00:40:56,760 --> 00:40:58,400
Speaker 2: knowing what you know now, you still you would have you.

833
00:40:58,400 --> 00:41:00,239
Speaker 3: I would have gone back and I would have said, yeah, okay,

834
00:41:00,640 --> 00:41:01,319
Speaker 3: negotiating more.

835
00:41:01,840 --> 00:41:04,200
Speaker 1: No, they said that said this no negotiating, So you

836
00:41:04,200 --> 00:41:06,759
Speaker 1: would have taken it. Yeah, I would take you and

837
00:41:06,920 --> 00:41:09,680
Speaker 1: shut up because I was.

838
00:41:09,840 --> 00:41:11,399
Speaker 3: I was going to rock that role. I was gonna

839
00:41:11,400 --> 00:41:15,120
Speaker 3: make it so fainy. But in the two thousand dollars

840
00:41:15,200 --> 00:41:16,640
Speaker 3: a week just just offended me.

841
00:41:16,760 --> 00:41:19,920
Speaker 1: Man, they're defending me. You know, sometimes when.

842
00:41:19,800 --> 00:41:23,640
Speaker 3: You're a minority, you feel like everything's against you or

843
00:41:23,760 --> 00:41:26,520
Speaker 3: or it's an insult, but sometimes it isn't. Sometimes you're

844
00:41:26,560 --> 00:41:28,760
Speaker 3: so used to responding negatively to things.

845
00:41:30,480 --> 00:41:31,800
Speaker 2: It's important to differentiate that.

846
00:41:32,080 --> 00:41:33,480
Speaker 1: It's hard to man, how do you do? How do

847
00:41:33,520 --> 00:41:34,120
Speaker 1: you It's hard.

848
00:41:34,160 --> 00:41:38,120
Speaker 3: It's hard my therapist because I recommend therapy to all

849
00:41:38,200 --> 00:41:40,640
Speaker 3: Latin people because we're the most people that need it

850
00:41:40,640 --> 00:41:43,279
Speaker 3: because of the assaults on us constantly. So I've been

851
00:41:43,320 --> 00:41:46,359
Speaker 3: in therapy and my therapist would say, you know, Jon,

852
00:41:46,840 --> 00:41:47,960
Speaker 3: they look at that window.

853
00:41:47,960 --> 00:41:50,080
Speaker 1: You see that person running. He had a Spanish accent.

854
00:41:50,360 --> 00:41:52,160
Speaker 1: Look at that you see that person running? Why is

855
00:41:52,200 --> 00:41:52,640
Speaker 1: he running?

856
00:41:52,640 --> 00:41:55,000
Speaker 3: And I go because they're trying to kill him. He goes,

857
00:41:55,080 --> 00:41:58,880
Speaker 3: no junk, He's trying to catch the bus. And I

858
00:41:59,000 --> 00:42:01,920
Speaker 3: was like, oh wow, that's how I see the world, man,

859
00:42:02,480 --> 00:42:05,240
Speaker 3: thank you, That's how I see the world, like in negative,

860
00:42:05,360 --> 00:42:07,600
Speaker 3: negative kind of way constantly, you know, because this is

861
00:42:07,600 --> 00:42:09,800
Speaker 3: the way you grow up. They say, kids in the

862
00:42:09,840 --> 00:42:15,040
Speaker 3: ghetto grew up with PTSD for them so much stretch

863
00:42:15,120 --> 00:42:17,200
Speaker 3: they don't even know how to quantify it.

864
00:42:18,160 --> 00:42:20,320
Speaker 1: Absolutely. I was watching it's crazy.

865
00:42:21,360 --> 00:42:23,799
Speaker 6: I was watching the you know, it's a bad part

866
00:42:23,840 --> 00:42:26,320
Speaker 6: of the Internet, and it's like, okay, part of the Internet.

867
00:42:26,360 --> 00:42:29,920
Speaker 1: I was on the bad part of the Internet. I

868
00:42:30,000 --> 00:42:31,319
Speaker 1: was watching this guy and he was.

869
00:42:32,840 --> 00:42:36,520
Speaker 6: Yelling to his girl, and that's the jealousis girls like, yo, man,

870
00:42:36,600 --> 00:42:39,040
Speaker 6: come outside, like forgive me or whateverever, and there's a

871
00:42:39,080 --> 00:42:40,200
Speaker 6: straight shootout happening.

872
00:42:40,440 --> 00:42:42,920
Speaker 1: He doesn't flinch at Oh wow, He's just sitting there

873
00:42:42,960 --> 00:42:48,759
Speaker 1: like hey, please come up. And I'm talking about this guy.

874
00:42:49,280 --> 00:42:51,880
Speaker 6: He's just sitting there and I'm like, that's some funked

875
00:42:51,960 --> 00:42:54,920
Speaker 6: up ship like like he's almost used to a war

876
00:42:55,520 --> 00:42:56,799
Speaker 6: like yeah, used to.

877
00:42:56,840 --> 00:43:01,600
Speaker 3: Walk functioning in a war war zone. Absolutely, so, uh

878
00:43:01,920 --> 00:43:03,000
Speaker 3: thank you Boom.

879
00:43:04,600 --> 00:43:06,920
Speaker 2: You did you did a role in the original Miami

880
00:43:07,040 --> 00:43:07,520
Speaker 2: Vice series.

881
00:43:08,239 --> 00:43:12,360
Speaker 3: Yeah, man, nineteen eighty six. I was I was like

882
00:43:12,560 --> 00:43:13,960
Speaker 3: nineteen twenty years old, and.

883
00:43:14,600 --> 00:43:17,359
Speaker 1: Did you have your shirt open? Yeah, you got your shirt?

884
00:43:17,400 --> 00:43:18,399
Speaker 3: But I looked like a child.

885
00:43:18,520 --> 00:43:20,320
Speaker 1: That looks so I look like a punk.

886
00:43:20,960 --> 00:43:23,480
Speaker 3: I look so yeah, yeah I look.

887
00:43:23,719 --> 00:43:25,840
Speaker 1: Yeah. I was supposed to be the villain. Y now

888
00:43:26,120 --> 00:43:27,840
Speaker 1: look like I was a villain of.

889
00:43:27,920 --> 00:43:32,480
Speaker 3: The episode, like come to Revenge the the first episode

890
00:43:32,920 --> 00:43:35,399
Speaker 3: was supposed to be my dad who started the whole

891
00:43:35,480 --> 00:43:39,839
Speaker 3: Miami Vice series. So I was coming into revenge room.

892
00:43:40,120 --> 00:43:42,719
Speaker 3: Oh yeah, so you know, I'm supposed to be this

893
00:43:42,880 --> 00:43:46,840
Speaker 3: mafia prince and I'm blowing my sister up for betraying

894
00:43:47,000 --> 00:43:49,759
Speaker 3: us the family and she's got her baby, and I

895
00:43:49,880 --> 00:43:50,560
Speaker 3: blow them up.

896
00:43:52,000 --> 00:43:58,760
Speaker 1: It was ridiculous. Now you told CMO to take Christopher

897
00:43:58,840 --> 00:44:00,400
Speaker 1: Columbus statute.

898
00:44:00,080 --> 00:44:02,480
Speaker 3: That, Yeah, come on, he telling people? Why do we

899
00:44:02,520 --> 00:44:03,160
Speaker 3: tell people love?

900
00:44:04,880 --> 00:44:05,040
Speaker 1: Yeah?

901
00:44:05,120 --> 00:44:07,080
Speaker 3: Put Tonyanner, put Frank Sinadra.

902
00:44:07,680 --> 00:44:10,759
Speaker 1: Come on, you got a lot of legends. Hold on

903
00:44:10,880 --> 00:44:12,480
Speaker 1: to him. He's like Hitler. You know.

904
00:44:12,600 --> 00:44:17,360
Speaker 3: He came here and and basically genocided all the Caribbean

905
00:44:17,400 --> 00:44:19,720
Speaker 3: of Taino people and Arawak tribes.

906
00:44:20,239 --> 00:44:21,040
Speaker 1: He tortured.

907
00:44:21,560 --> 00:44:23,480
Speaker 3: If you try to run, he will cut your feet off,

908
00:44:23,800 --> 00:44:27,280
Speaker 3: if if if you weren't producing enough gold or silver,

909
00:44:27,400 --> 00:44:29,719
Speaker 3: he will cut your hands off and hang him on

910
00:44:30,080 --> 00:44:33,680
Speaker 3: your neck. He burnt, he's sick, dogs on babies. He

911
00:44:33,800 --> 00:44:37,320
Speaker 3: burned people alive. He was the cruelest man in the

912
00:44:37,480 --> 00:44:40,560
Speaker 3: history of the world. He had a ring. He bragged

913
00:44:40,600 --> 00:44:44,080
Speaker 3: in his journal about having a prostitution ring of nine

914
00:44:44,160 --> 00:44:45,880
Speaker 3: year old Native American girls.

915
00:44:47,600 --> 00:44:51,560
Speaker 1: He was the first. Jeffrey Yeah, yeah, he was. That's

916
00:44:51,600 --> 00:44:52,720
Speaker 1: why he went to the island.

917
00:44:54,080 --> 00:45:01,759
Speaker 3: Yeah, yea, so yes, I talked Hobo. There's so many

918
00:45:01,800 --> 00:45:05,120
Speaker 3: others to Tony Bennett. Come on, put the pucino up there.

919
00:45:05,400 --> 00:45:06,320
Speaker 3: You don't need Columbus.

920
00:45:06,400 --> 00:45:07,200
Speaker 1: Let him go. Let them go.

921
00:45:07,400 --> 00:45:12,240
Speaker 3: Yeah, right, Italians, Yeah, exactly, put the nero put Marissa

922
00:45:12,320 --> 00:45:16,759
Speaker 3: Tom Yes, yes, but let's let let let let Columbus go.

923
00:45:18,080 --> 00:45:21,959
Speaker 6: And then how about Spain people, people from people from Spain,

924
00:45:21,960 --> 00:45:22,720
Speaker 6: people from Spain.

925
00:45:23,120 --> 00:45:27,879
Speaker 3: You know, I don't got nothing against them, except they're

926
00:45:27,920 --> 00:45:34,200
Speaker 3: not Latino. That you're Spanish, you're white European Latino people.

927
00:45:34,719 --> 00:45:38,200
Speaker 3: For the majority part, we're part indigenous part after Latino.

928
00:45:38,360 --> 00:45:42,640
Speaker 3: We we got a mixed breed that's a beautiful culture

929
00:45:42,680 --> 00:45:45,480
Speaker 3: in our own language and everything and and and history

930
00:45:45,480 --> 00:45:48,080
Speaker 3: of literature and and art and.

931
00:45:49,560 --> 00:45:52,040
Speaker 1: Europe different Europe, European.

932
00:45:52,520 --> 00:45:55,120
Speaker 2: But it is hard to negate because we speak Spanish.

933
00:45:56,160 --> 00:45:57,920
Speaker 4: A lot of our some of not all of our culture,

934
00:45:58,000 --> 00:46:00,520
Speaker 4: a lot of our cultures mixed African everywhere else. But

935
00:46:00,800 --> 00:46:02,719
Speaker 4: a lot of our questions just come from Spans, from

936
00:46:02,760 --> 00:46:05,160
Speaker 4: Spain and Spain to a degree.

937
00:46:05,640 --> 00:46:08,879
Speaker 3: You know, we gave weed line people because we were colonized.

938
00:46:09,440 --> 00:46:12,360
Speaker 3: All our contributions have been erased. But we gave the

939
00:46:12,480 --> 00:46:14,279
Speaker 3: world and Spain a lot.

940
00:46:14,680 --> 00:46:16,560
Speaker 1: Yeah, we had.

941
00:46:17,200 --> 00:46:20,799
Speaker 3: We gave Spain five hundred thousand tons of gold. That's

942
00:46:20,880 --> 00:46:23,040
Speaker 3: like filling up the Empire state building a time and

943
00:46:23,080 --> 00:46:26,680
Speaker 3: a half. And that funded all of Europe for the

944
00:46:26,920 --> 00:46:32,040
Speaker 3: Renaissance later Renaissance Enlightenment. That was all our gold and

945
00:46:32,160 --> 00:46:36,000
Speaker 3: our silver funded the Constantinople Empire and the and the

946
00:46:37,000 --> 00:46:38,680
Speaker 3: and the Chinese government.

947
00:46:38,400 --> 00:46:39,480
Speaker 1: Because that's where they love silver.

948
00:46:40,000 --> 00:46:50,880
Speaker 3: We gave the world rubber uh, Chili's, uh, sunflower seeds, tapioca, chocolate, vanilla, popcorn, peanuts.

949
00:46:51,400 --> 00:46:57,839
Speaker 1: Tambell does yea, the rubber ball we met the rubber ball.

950
00:46:59,040 --> 00:47:03,280
Speaker 3: Yeah, and and uh galvanization. We invented that before Goodyear.

951
00:47:03,360 --> 00:47:05,560
Speaker 3: Goodyear took the credit, but we had invented that already.

952
00:47:07,960 --> 00:47:12,799
Speaker 1: Hold the means to bathroomall keep going yeac keuep going. Yeah.

953
00:47:16,400 --> 00:47:18,120
Speaker 1: You know, I'm the ray Man of Latin facts. I

954
00:47:18,200 --> 00:47:18,799
Speaker 1: know all that shit.

955
00:47:19,480 --> 00:47:21,319
Speaker 4: Well, no, because I mean I'm saying that because if

956
00:47:21,520 --> 00:47:22,680
Speaker 4: you're Latino, it's hard.

957
00:47:22,840 --> 00:47:25,200
Speaker 2: We speak Spanish derives from Spain.

958
00:47:25,280 --> 00:47:27,560
Speaker 4: So I mean, well, I have my grandfather on my

959
00:47:27,640 --> 00:47:29,920
Speaker 4: dad he's full Spanish right right, So you know, I

960
00:47:30,000 --> 00:47:31,560
Speaker 4: just feel like there is a part of us that

961
00:47:31,719 --> 00:47:33,080
Speaker 4: we can the gate from that part.

962
00:47:33,280 --> 00:47:36,080
Speaker 2: You understand, no doubt what that empire did you go

963
00:47:36,200 --> 00:47:36,520
Speaker 2: to Spain?

964
00:47:36,600 --> 00:47:39,160
Speaker 4: Now they have Christopher Columbus statues all over it because

965
00:47:39,160 --> 00:47:40,320
Speaker 4: it enriched their empire.

966
00:47:40,440 --> 00:47:43,719
Speaker 3: Oh yeah, I mean it made Europe the powerful empires

967
00:47:43,760 --> 00:47:46,239
Speaker 3: that they were in eighteen hundreds and nineteen hundreds. But

968
00:47:46,360 --> 00:47:49,000
Speaker 3: that was all from us, right, They wouldn't be those

969
00:47:49,080 --> 00:47:51,560
Speaker 3: powerful empires if it wasn't they were taking all our gold,

970
00:47:52,000 --> 00:47:55,120
Speaker 3: all our all our silver, all our emeralds.

971
00:47:55,560 --> 00:47:58,400
Speaker 2: Yeah, I mean, I just think sometimes it's it's a

972
00:47:58,440 --> 00:47:59,919
Speaker 2: tough to break away.

973
00:48:00,080 --> 00:48:02,239
Speaker 1: It ain't tough for me. It ain't tough, no, no, no,

974
00:48:02,400 --> 00:48:05,239
Speaker 1: I mean for me because family, it's direct family. So well,

975
00:48:05,280 --> 00:48:05,880
Speaker 1: you know, I went on.

976
00:48:06,000 --> 00:48:09,040
Speaker 3: Henry Lewis Gates show, and I'm the first person in

977
00:48:09,120 --> 00:48:13,360
Speaker 3: this show because everybody else is like three or four generations,

978
00:48:13,360 --> 00:48:16,120
Speaker 3: and then back to Europe, especially Latin people is one

979
00:48:16,160 --> 00:48:19,320
Speaker 3: or two generations. In back to Spain, I'm five hundred

980
00:48:19,400 --> 00:48:23,799
Speaker 3: years on both sides. In the Americas, the only person

981
00:48:24,239 --> 00:48:26,800
Speaker 3: that's been on Lewis Henry Gates show that goes that

982
00:48:27,000 --> 00:48:27,520
Speaker 3: far back.

983
00:48:28,840 --> 00:48:30,280
Speaker 2: But there's definitely no doubt.

984
00:48:30,360 --> 00:48:33,240
Speaker 4: And this is I think that Latinos and all Caribbean

985
00:48:33,680 --> 00:48:36,319
Speaker 4: and Latin American people's suffer for is we're suffering from

986
00:48:36,760 --> 00:48:37,960
Speaker 4: the effects of colonialism.

987
00:48:38,400 --> 00:48:39,720
Speaker 1: Absolutely, the way.

988
00:48:39,640 --> 00:48:43,400
Speaker 2: It brainwashed, it divided people by different you.

989
00:48:43,440 --> 00:48:48,759
Speaker 3: Know, exploitation has been NonStop. Every time we're about to

990
00:48:48,840 --> 00:48:52,759
Speaker 3: democratize the country, the US comes in and because they

991
00:48:52,800 --> 00:48:57,239
Speaker 3: start to nationalize all the oil or resources and they

992
00:48:57,320 --> 00:48:58,600
Speaker 3: come in and take them out and put a right

993
00:48:58,640 --> 00:49:02,840
Speaker 3: wing guy that becomes an assassin, an autocrat, a dictator.

994
00:49:03,120 --> 00:49:04,080
Speaker 1: It's the same thing in Africa.

995
00:49:04,160 --> 00:49:07,560
Speaker 3: Every time Africa wants to become the United States of Africa,

996
00:49:07,960 --> 00:49:10,960
Speaker 3: that that leader is going to disappear, is going to

997
00:49:11,000 --> 00:49:11,640
Speaker 3: be found dead.

998
00:49:13,120 --> 00:49:14,880
Speaker 6: Okay, you want to do a quick Thomas Lnes do

999
00:49:14,960 --> 00:49:16,200
Speaker 6: it man, explain to him the ruth.

1000
00:49:16,640 --> 00:49:17,359
Speaker 1: Well, let's get week.

1001
00:49:17,440 --> 00:49:19,960
Speaker 2: Since you guys aren't drinking, we got some some drinkers.

1002
00:49:20,000 --> 00:49:23,040
Speaker 1: I need to come on. So you need two alcoholics.

1003
00:49:27,080 --> 00:49:32,000
Speaker 1: Were about join? Oh yes or no? Bro? You're like, okay,

1004
00:49:32,120 --> 00:49:34,520
Speaker 1: so just Sonny, don't wry. You've been rowing out. You

1005
00:49:34,560 --> 00:49:36,239
Speaker 1: can get a drunk for a while lately. I've been

1006
00:49:36,280 --> 00:49:39,440
Speaker 1: watching you. I really want to drink. He's sitting it out.

1007
00:49:39,480 --> 00:49:42,960
Speaker 1: You need a shot glasses. I thought that was Eddie.

1008
00:49:43,000 --> 00:49:45,440
Speaker 4: I was like, don't use that little Thing's wrong with you, bro,

1009
00:49:46,120 --> 00:49:48,160
Speaker 4: brow have a real properly dog glass.

1010
00:49:48,640 --> 00:49:51,000
Speaker 2: So this is our drinking game, A nice We're gonna

1011
00:49:51,000 --> 00:49:51,840
Speaker 2: give you something to get.

1012
00:49:51,719 --> 00:49:52,160
Speaker 1: Drunk from me.

1013
00:49:52,360 --> 00:49:56,520
Speaker 3: Ye awesome, I love that. I wish I had you

1014
00:49:56,560 --> 00:49:57,040
Speaker 3: growing up.

1015
00:49:59,400 --> 00:50:02,799
Speaker 1: Designated drink good. We all needed that. We're gonna give

1016
00:50:02,800 --> 00:50:03,520
Speaker 1: you two choices.

1017
00:50:03,920 --> 00:50:05,440
Speaker 2: If you pick one, we don't.

1018
00:50:05,280 --> 00:50:09,240
Speaker 4: Drink, right, So whatever this versus if I lose you drinking,

1019
00:50:09,280 --> 00:50:11,000
Speaker 4: but if you decide you don't really want to answer,

1020
00:50:11,120 --> 00:50:13,600
Speaker 4: or you say both, you really don't want to pick one.

1021
00:50:14,120 --> 00:50:14,600
Speaker 1: I want to pick.

1022
00:50:14,680 --> 00:50:15,399
Speaker 3: I say I say both.

1023
00:50:15,440 --> 00:50:17,960
Speaker 4: If you say both or neither, we're drinking all of us?

1024
00:50:18,000 --> 00:50:20,279
Speaker 4: Will us who are drinking? What if I say both,

1025
00:50:20,880 --> 00:50:21,480
Speaker 4: you can say.

1026
00:50:23,080 --> 00:50:26,440
Speaker 1: Both of us. I don't want to come in and drink. Charlie,

1027
00:50:26,440 --> 00:50:28,279
Speaker 1: you want to drink it? Come on, come on, come

1028
00:50:28,320 --> 00:50:29,359
Speaker 1: out against somebody else.

1029
00:50:30,239 --> 00:50:31,920
Speaker 4: Really, what we want out of this is any stories

1030
00:50:31,960 --> 00:50:34,840
Speaker 4: that come up of anything we mentioned, any ideas anything.

1031
00:50:38,280 --> 00:50:41,480
Speaker 2: Come on, Charlie, you're represented, see mama?

1032
00:50:43,640 --> 00:50:45,879
Speaker 1: Or what what are you drinking? What are you drinking?

1033
00:50:46,400 --> 00:50:48,640
Speaker 1: You're drinking, mamajuana, Mama.

1034
00:50:49,280 --> 00:50:50,440
Speaker 3: That's some good ship Dominican.

1035
00:50:52,280 --> 00:50:58,600
Speaker 2: You know you know what I put myself last. No

1036
00:50:58,760 --> 00:51:01,880
Speaker 2: ste here, that's don't listen to those.

1037
00:51:01,760 --> 00:51:06,960
Speaker 8: Guys over there, all right, but I don't got no

1038
00:51:07,480 --> 00:51:07,840
Speaker 8: you got the.

1039
00:51:07,880 --> 00:51:10,080
Speaker 1: List you said to it. Oh God, I got I

1040
00:51:10,120 --> 00:51:13,320
Speaker 1: got it. You need a glass to all right, So

1041
00:51:13,600 --> 00:51:14,000
Speaker 1: drinking with.

1042
00:51:14,080 --> 00:51:17,640
Speaker 4: Us today, we got sunny, DBT and chill.

1043
00:51:17,719 --> 00:51:22,239
Speaker 2: Right, thank you very much.

1044
00:51:23,120 --> 00:51:25,960
Speaker 1: All right, ready let me set it on, go set

1045
00:51:26,000 --> 00:51:28,520
Speaker 1: it off. He's playing on the rules already, right I did.

1046
00:51:28,920 --> 00:51:33,759
Speaker 3: Okay, So NAS or l L who j oh wow,

1047
00:51:35,080 --> 00:51:38,120
Speaker 3: that's a tough one, man. I mean they're both such

1048
00:51:38,239 --> 00:51:43,239
Speaker 3: huge legends. Goes for real, both from Queens Queens. Oh,

1049
00:51:43,280 --> 00:51:46,719
Speaker 3: from Queens. Nas is from Queensbridge Projects.

1050
00:51:46,800 --> 00:51:47,840
Speaker 1: So that's closer than me.

1051
00:51:48,320 --> 00:51:53,000
Speaker 3: Right, so I think I'm gonna have I like, oh man,

1052
00:51:54,400 --> 00:51:57,320
Speaker 3: l A l A had the more pop sound, the

1053
00:51:57,440 --> 00:52:02,200
Speaker 3: more catchy tunes, but Nas add more teeth, more bite

1054
00:52:02,239 --> 00:52:02,920
Speaker 3: into what he was saying.

1055
00:52:03,120 --> 00:52:05,840
Speaker 1: I go no, because he was just closer to me geographically. Okay,

1056
00:52:06,160 --> 00:52:09,759
Speaker 1: cool Carris, want to rock him? Fuck?

1057
00:52:09,840 --> 00:52:16,160
Speaker 3: These are hard Harris one was a teacher man racquem

1058
00:52:16,360 --> 00:52:18,960
Speaker 3: you know he took it, brought the jazz into hip hop.

1059
00:52:21,040 --> 00:52:23,920
Speaker 1: I'm gonna say both, Okay, good fellas.

1060
00:52:26,600 --> 00:52:27,640
Speaker 3: That's a that's a toughess.

1061
00:52:27,719 --> 00:52:29,120
Speaker 1: I kind of think I know the answer. It is

1062
00:52:29,160 --> 00:52:31,240
Speaker 1: off for you New York guys, Mets Yankees.

1063
00:52:31,360 --> 00:52:32,080
Speaker 3: Oh that's easy.

1064
00:52:32,160 --> 00:52:33,719
Speaker 1: Come on, I'm from Queens. What am I gonna go

1065
00:52:33,760 --> 00:52:34,560
Speaker 1: betray my people?

1066
00:52:34,760 --> 00:52:34,960
Speaker 3: Yeah?

1067
00:52:35,440 --> 00:52:39,759
Speaker 1: Mess, that's in that house. There's a lot of people

1068
00:52:39,760 --> 00:52:41,840
Speaker 1: from Queens who are Yankee fans. Yeah they don't. A

1069
00:52:41,840 --> 00:52:49,280
Speaker 1: lot of people like they're a little confused. Queens Queens

1070
00:52:49,280 --> 00:52:59,200
Speaker 1: of Ballata. I gotta go both. How can I You

1071
00:52:59,280 --> 00:53:03,719
Speaker 1: got it? Big l or big punt? Oh wow?

1072
00:53:06,560 --> 00:53:08,680
Speaker 3: Well you know we we wanted to do the story

1073
00:53:08,760 --> 00:53:10,680
Speaker 3: of big puns. I'm gonna say big punt so the

1074
00:53:10,760 --> 00:53:11,879
Speaker 3: family will give me the rights?

1075
00:53:14,880 --> 00:53:17,280
Speaker 1: That right? Bad Bunny or Daddy Yankee?

1076
00:53:18,080 --> 00:53:21,560
Speaker 3: Oh Man, Daddy Yankee was the first guy to come

1077
00:53:21,600 --> 00:53:25,200
Speaker 3: out with rigatone. He was the first one to Oh

1078
00:53:25,719 --> 00:53:28,960
Speaker 3: but then Bad Bunny took it to like international levels, man,

1079
00:53:29,000 --> 00:53:31,520
Speaker 3: and what he's doing with this platform, being political and

1080
00:53:31,600 --> 00:53:38,319
Speaker 3: outspoken like that. I gotta go Bad Bunny, I'm sorry, Okay, okay,

1081
00:53:38,719 --> 00:53:40,440
Speaker 3: Well he's done for the culture is incredible.

1082
00:53:40,480 --> 00:53:47,319
Speaker 1: Man skipped ONEX. I met the MX man.

1083
00:53:48,640 --> 00:53:51,040
Speaker 3: He's from New York too, He's from a state young

1084
00:53:51,040 --> 00:53:55,319
Speaker 3: because yeah, yeah, what a nice dude, man. I mean,

1085
00:53:55,360 --> 00:54:00,600
Speaker 3: but Tupac, Come on, DMX had the angry party voice.

1086
00:54:00,640 --> 00:54:02,760
Speaker 3: I love the angriest Party Voice, you have work. Except

1087
00:54:02,800 --> 00:54:05,720
Speaker 3: for Onyx, you were angry. They were angrier Party Voice.

1088
00:54:07,520 --> 00:54:09,600
Speaker 3: But Tupac was legendary. Man, He's like took it to

1089
00:54:09,719 --> 00:54:10,040
Speaker 3: the whole.

1090
00:54:11,120 --> 00:54:14,719
Speaker 2: I feel like they filled the same void, you know, like.

1091
00:54:14,760 --> 00:54:17,239
Speaker 1: You both like a little grime year.

1092
00:54:17,440 --> 00:54:19,359
Speaker 4: But I felt like that energy, you know, like after

1093
00:54:19,440 --> 00:54:21,080
Speaker 4: Park passed, I feel like, DMX.

1094
00:54:20,920 --> 00:54:21,960
Speaker 1: What what do you What do you think? What do

1095
00:54:22,000 --> 00:54:23,040
Speaker 1: you think? I want to know what you think?

1096
00:54:23,120 --> 00:54:23,360
Speaker 3: With me?

1097
00:54:24,560 --> 00:54:30,600
Speaker 1: M I would go Park. Yeah, I think you gotta

1098
00:54:30,640 --> 00:54:34,200
Speaker 1: go Park. I mean just yeah, because I mean influenced,

1099
00:54:36,200 --> 00:54:37,839
Speaker 1: I believe as well. Yeah.

1100
00:54:38,239 --> 00:54:41,000
Speaker 3: DMX would say Pocket, he definitely would.

1101
00:54:41,360 --> 00:54:46,680
Speaker 1: Okay, the Pest or super Mario Bros. But you trying

1102
00:54:46,719 --> 00:54:50,360
Speaker 1: to say about me ship snap Yeah okay.

1103
00:54:50,719 --> 00:54:50,879
Speaker 6: Uh.

1104
00:54:52,000 --> 00:54:56,200
Speaker 3: You know, when I did Superman Brothers, I thought it

1105
00:54:56,200 --> 00:54:57,800
Speaker 3: was gonna be a much bigger hit than it was.

1106
00:54:58,480 --> 00:54:58,879
Speaker 1: It wasn't.

1107
00:54:59,000 --> 00:55:02,080
Speaker 3: It wasn't critically loved, but so many people grew up

1108
00:55:02,080 --> 00:55:03,800
Speaker 3: with it and fell in love with and now the

1109
00:55:04,239 --> 00:55:06,200
Speaker 3: remake it was massive, man.

1110
00:55:07,160 --> 00:55:08,560
Speaker 1: So that was because of what we did.

1111
00:55:09,080 --> 00:55:12,120
Speaker 3: The past was my attempt at doing you know, Latin comedy,

1112
00:55:12,160 --> 00:55:15,239
Speaker 3: and it was before get Out because the plot of

1113
00:55:15,320 --> 00:55:18,680
Speaker 3: the Pest is this Puerto Rican kid who is brought

1114
00:55:18,719 --> 00:55:21,680
Speaker 3: to this island, so this white hunter can and can

1115
00:55:21,800 --> 00:55:24,440
Speaker 3: hunt them down like like like a species.

1116
00:55:27,760 --> 00:55:33,399
Speaker 1: We were first. I'll say both drink. Okay, okay, now

1117
00:55:33,640 --> 00:55:37,399
Speaker 1: technically it's super Mario. Is he Italian? Yeah?

1118
00:55:38,160 --> 00:55:39,799
Speaker 3: They catch me the Latin kid.

1119
00:55:40,040 --> 00:55:42,399
Speaker 1: Okay, I got one off there.

1120
00:55:43,000 --> 00:55:44,480
Speaker 2: Dick Cheney or Steven Miller?

1121
00:55:45,320 --> 00:55:47,080
Speaker 1: Wow, would you pick up.

1122
00:55:48,800 --> 00:55:50,319
Speaker 3: For you? Who would I picked for one?

1123
00:55:51,120 --> 00:55:53,080
Speaker 1: This is your criteria to get hit.

1124
00:55:53,880 --> 00:55:54,799
Speaker 2: One of them has better here?

1125
00:55:54,800 --> 00:55:58,160
Speaker 1: I don't know. Wow, wow, the president of that shot.

1126
00:56:00,080 --> 00:56:06,680
Speaker 3: They're both disgusting, I say both. They're both unbearably Yeah,

1127
00:56:06,920 --> 00:56:13,239
Speaker 3: they're both despicable, disgusting, horrible human beings. Yeah, both, so drink.

1128
00:56:14,320 --> 00:56:23,520
Speaker 3: Don't drink to them? Thought Heavy D? Oh? Wow, I

1129
00:56:23,640 --> 00:56:25,600
Speaker 3: met Heavy Dan, I met I met bis Marquis.

1130
00:56:26,840 --> 00:56:30,360
Speaker 1: Yeah, rest in peace. Amazing. I thought Heavy D was

1131
00:56:30,360 --> 00:56:33,200
Speaker 1: Puerto Rican, but he wasn't. He's not. No, he's not

1132
00:56:33,320 --> 00:56:37,640
Speaker 1: I thought he was. You know, he wasn't. He's just

1133
00:56:37,680 --> 00:56:38,839
Speaker 1: playing a lot. He's drunk.

1134
00:56:39,120 --> 00:56:41,960
Speaker 3: He's only three shots, three shots, he's already.

1135
00:56:42,120 --> 00:56:47,480
Speaker 1: Three sheets to the wind. Puerto Rican. Oh snap, that's

1136
00:56:47,560 --> 00:56:55,239
Speaker 1: a horriblee man. Biz Marquis or Heavy D They're both fun.

1137
00:56:55,520 --> 00:56:58,600
Speaker 3: They had such great swing to their hip hop brought

1138
00:56:58,680 --> 00:57:00,960
Speaker 3: so much fun since lightness, you know what I mean?

1139
00:57:01,120 --> 00:57:03,799
Speaker 3: That was when hip hop was fun. It was about

1140
00:57:03,880 --> 00:57:06,959
Speaker 3: fun things, about being funny and and having a great

1141
00:57:07,000 --> 00:57:13,960
Speaker 3: groove before gang should rap. Damn, I gotta say both both.

1142
00:57:13,960 --> 00:57:14,759
Speaker 3: The legendary bro.

1143
00:57:18,800 --> 00:57:20,880
Speaker 1: I'most skip one. You will go back to that, all right,

1144
00:57:21,360 --> 00:57:26,600
Speaker 1: Jake Alvin, Oh fat, Joe, Oh wow, once Colombian, once,

1145
00:57:26,720 --> 00:57:29,200
Speaker 1: Puerto Rican once from the b X one.

1146
00:57:29,280 --> 00:57:36,400
Speaker 3: Sometimes you know appropriate appropriates? Didn't Jay Balma get canceled?

1147
00:57:39,400 --> 00:57:44,760
Speaker 1: What will happened? Write somethh it happened but went down? Relax?

1148
00:57:46,920 --> 00:57:47,760
Speaker 1: Oh yeah yeah.

1149
00:57:47,800 --> 00:57:51,680
Speaker 3: The Dominican girls that he had unleashes and onnot for

1150
00:57:51,760 --> 00:57:52,600
Speaker 3: a music video.

1151
00:57:54,360 --> 00:58:01,320
Speaker 1: Yeah yeah, yeah that was kind of rough. I'll say.

1152
00:58:01,320 --> 00:58:06,680
Speaker 1: Everybody here knows. Yeah, yeah, it's so okay. So we're

1153
00:58:06,720 --> 00:58:08,240
Speaker 1: not so I say both.

1154
00:58:09,360 --> 00:58:14,920
Speaker 3: Yeah, that's what you get, A fucking drug. I said,

1155
00:58:14,920 --> 00:58:18,720
Speaker 3: you're incanto. Oh man, don't make me choose. I can't

1156
00:58:18,800 --> 00:58:22,840
Speaker 3: choose between my two bread winners. I don't have to both.

1157
00:58:26,000 --> 00:58:31,040
Speaker 2: Can't enough man, cheers, cheers, cheers.

1158
00:58:39,800 --> 00:58:43,400
Speaker 3: Oh wow, that's rough, because Spike Lee is my boy.

1159
00:58:43,960 --> 00:58:46,720
Speaker 3: Summer Sam was a Spike Lee joint and to Wong

1160
00:58:46,800 --> 00:58:49,680
Speaker 3: Fu was groundbreaking. Man. A lot of L G T

1161
00:58:49,800 --> 00:58:51,640
Speaker 3: b Q plus teenagers came up to me and they

1162
00:58:52,120 --> 00:58:53,920
Speaker 3: said that movie gave the course to come out to

1163
00:58:53,960 --> 00:58:58,280
Speaker 3: their folks. I gotta say both both are great.

1164
00:58:58,360 --> 00:59:02,640
Speaker 1: Come on, man, you're killing us that he doesn't want

1165
00:59:02,680 --> 00:59:02,960
Speaker 1: to drink.

1166
00:59:03,720 --> 00:59:11,000
Speaker 3: That's the point. So okay, Nick, you ready the faces

1167
00:59:12,720 --> 00:59:17,000
Speaker 3: Nick for the next Come on, that's easy, bro. Come on,

1168
00:59:17,920 --> 00:59:20,520
Speaker 3: I've been nicked forever. I'm going to the game this Thursday,

1169
00:59:20,600 --> 00:59:22,840
Speaker 3: court side next to fight. So nixt all the way,

1170
00:59:23,000 --> 00:59:24,840
Speaker 3: nixt all the way it's been, it's been.

1171
00:59:25,480 --> 00:59:28,720
Speaker 1: I'm a lifetime Knicks fan. It's been a rough, rough journey.

1172
00:59:28,880 --> 00:59:31,200
Speaker 6: It has been a rough looking very good the last

1173
00:59:31,560 --> 00:59:32,640
Speaker 6: year he's looking incredible.

1174
00:59:32,720 --> 00:59:36,000
Speaker 1: Yes, yes, these last few weeks not so great. But okay,

1175
00:59:37,320 --> 00:59:40,439
Speaker 1: last week weeks we've been. Yeah, we had a couple

1176
00:59:40,520 --> 00:59:43,960
Speaker 1: of losses that he wasn't gonna get to that.

1177
00:59:44,200 --> 00:59:46,800
Speaker 3: Yeah, yeah, but we'll pick it back up. I mean,

1178
00:59:47,600 --> 00:59:50,280
Speaker 3: Bronson has having a little bit a difficult time. Bridges

1179
00:59:50,360 --> 00:59:52,680
Speaker 3: also having I don't know what's going on, man, Davin.

1180
00:59:53,720 --> 00:59:55,640
Speaker 1: Since heart put his finger up brusting butt.

1181
00:59:59,000 --> 01:00:00,200
Speaker 2: Same, I don't even know what you you got the

1182
01:00:00,240 --> 01:00:00,880
Speaker 2: talk about.

1183
01:00:02,480 --> 01:00:06,920
Speaker 3: You're already gone, you're fucked out.

1184
01:00:08,560 --> 01:00:12,360
Speaker 1: Somebody, but that's serious. The next one like it was

1185
01:00:12,400 --> 01:00:14,280
Speaker 1: like a yeah, yeah, yeah.

1186
01:00:14,240 --> 01:00:17,160
Speaker 6: Yeah to h thement in Vegas, like I guess that's

1187
01:00:17,160 --> 01:00:20,000
Speaker 6: how they play, but it got caught on camera and

1188
01:00:20,120 --> 01:00:25,360
Speaker 6: it looked it looked weird. Be Real to Fat Joe No,

1189
01:00:26,400 --> 01:00:29,640
Speaker 6: I replaced Jake Wilburma, Oh you did, yeah.

1190
01:00:31,480 --> 01:00:35,280
Speaker 2: To be Real real real from Cypress Him or Fat Joe.

1191
01:00:35,960 --> 01:00:37,120
Speaker 1: Oh be Real, Fat Joe.

1192
01:00:37,920 --> 01:00:41,600
Speaker 3: Oh snap, that's a hardbum man, I mean be Real

1193
01:00:42,800 --> 01:00:47,280
Speaker 3: and uh Cypress Hill. They did some gangster fun stuff, man,

1194
01:00:47,680 --> 01:00:50,400
Speaker 3: and it was like the early latinos to come.

1195
01:00:50,320 --> 01:00:57,680
Speaker 1: Out with him Cubist Cuban, Mexican grew up with Afro Cuban.

1196
01:00:57,760 --> 01:01:01,040
Speaker 4: Yeah yeah yeah and be really is is Afro Cuban,

1197
01:01:01,400 --> 01:01:02,240
Speaker 4: half Mexican, half.

1198
01:01:02,160 --> 01:01:05,720
Speaker 1: Cuban, right, but he's also Afro Cuban. Yeah yeah, yeah,

1199
01:01:05,760 --> 01:01:08,640
Speaker 1: no no doubt, yeah yeah from Southgate.

1200
01:01:08,960 --> 01:01:11,680
Speaker 3: I'm I mean did great, great, great music.

1201
01:01:11,760 --> 01:01:19,080
Speaker 1: Man, It's so fun both Okay, I like this game

1202
01:01:20,720 --> 01:01:25,760
Speaker 1: of course you do, right, I love it? Good Royal

1203
01:01:25,920 --> 01:01:26,760
Speaker 1: Hector Levo.

1204
01:01:27,520 --> 01:01:31,280
Speaker 3: Oh wow, that's impossible, man, I mean George Royal Colombian

1205
01:01:31,640 --> 01:01:32,960
Speaker 3: just some of the most powerful.

1206
01:01:33,400 --> 01:01:35,240
Speaker 1: Those are the political.

1207
01:01:34,880 --> 01:01:36,919
Speaker 3: Songs and sounds that you ever heard in your life.

1208
01:01:37,040 --> 01:01:38,760
Speaker 1: Political, but you did.

1209
01:01:40,400 --> 01:01:42,680
Speaker 3: Song to it and love all had the voice of

1210
01:01:42,760 --> 01:01:43,480
Speaker 3: the people. Man.

1211
01:01:43,600 --> 01:01:46,840
Speaker 1: That voice was was represented all of us. They call

1212
01:01:47,000 --> 01:01:53,080
Speaker 1: the voice. Yeah, the voice both they're not gonna get

1213
01:01:53,080 --> 01:01:57,640
Speaker 1: able to get out. I mean, which is you better

1214
01:01:57,720 --> 01:02:02,080
Speaker 1: get a designated driver I do over there rolling on

1215
01:02:02,160 --> 01:02:04,800
Speaker 1: the bluffs or scarface.

1216
01:02:05,520 --> 01:02:07,800
Speaker 3: Oh you know, I'm gonna go with Carlito's. Wait, man,

1217
01:02:07,880 --> 01:02:09,000
Speaker 3: I'm gonna choose my own.

1218
01:02:11,280 --> 01:02:15,360
Speaker 1: That's right, that's right, metal man ace Okay for us?

1219
01:02:15,520 --> 01:02:18,640
Speaker 3: Oh man, I got a special place for both of

1220
01:02:18,680 --> 01:02:24,320
Speaker 3: those songs because when I heard the Streets, I felt

1221
01:02:24,400 --> 01:02:25,000
Speaker 3: like I was.

1222
01:02:27,080 --> 01:02:30,120
Speaker 1: Yeah, which is too you know. You know Middleman is

1223
01:02:30,200 --> 01:02:32,240
Speaker 1: some dogs bro. Yeah, yeah, I didn't know. I didn't

1224
01:02:32,240 --> 01:02:32,840
Speaker 1: know it. I met him.

1225
01:02:32,840 --> 01:02:35,240
Speaker 3: I met him back in the day. Oh shoot, I'm

1226
01:02:35,240 --> 01:02:37,040
Speaker 3: gonna say both because they were really important to us.

1227
01:02:37,120 --> 01:02:41,240
Speaker 1: And then then yeah, kinds of reasons for you to drink.

1228
01:02:41,960 --> 01:02:47,200
Speaker 1: So this is the last question for Qui. Okay, this

1229
01:02:47,320 --> 01:02:49,160
Speaker 1: was the last question with Kaslim. Do you're gonna get

1230
01:02:49,200 --> 01:02:55,760
Speaker 1: back in the interviews? Thank you that loyalty or respect.

1231
01:02:56,240 --> 01:03:00,360
Speaker 3: Loyalty or respect? Oh shoot, that's that's a beautiful uh and.

1232
01:03:00,400 --> 01:03:01,800
Speaker 2: It seems like it's a true question for a lot

1233
01:03:01,800 --> 01:03:02,200
Speaker 2: of our guests.

1234
01:03:02,280 --> 01:03:06,480
Speaker 3: Loyalty is kind of weird because it's such a gangster thing, like,

1235
01:03:06,560 --> 01:03:09,640
Speaker 3: you know, that's what Trump likes, loyalty. But I think

1236
01:03:09,720 --> 01:03:14,200
Speaker 3: respect is something that's earned that you don't just get that.

1237
01:03:14,360 --> 01:03:17,640
Speaker 3: You have to have certain qualities and certain virtues to

1238
01:03:17,760 --> 01:03:18,480
Speaker 3: be respected.

1239
01:03:19,320 --> 01:03:24,280
Speaker 1: I'll go with respect respect. Okay, yeah, okay, he said,

1240
01:03:24,560 --> 01:03:27,720
Speaker 1: oh yeah, yeah, both. I meant whatever.

1241
01:03:29,160 --> 01:03:36,880
Speaker 4: Thank you, fellas, Hey take your coming, see the come Sonny, Sonny, Sonny.

1242
01:03:37,960 --> 01:03:41,480
Speaker 1: Thank you said. Let's talk about mambo mouth. Oh yeah, yeah,

1243
01:03:41,560 --> 01:03:44,880
Speaker 1: let's talk about it. How did that come about? By

1244
01:03:44,920 --> 01:03:46,120
Speaker 1: the way, this Cuban coffee got.

1245
01:03:49,600 --> 01:03:54,800
Speaker 4: But I'm like, yeah, yeah, would you like no, no, no,

1246
01:03:57,720 --> 01:03:58,600
Speaker 4: bring me one really quick.

1247
01:03:59,160 --> 01:04:00,760
Speaker 1: You need it. You need this over up before we

1248
01:04:00,800 --> 01:04:01,560
Speaker 1: get to Mamo mam.

1249
01:04:01,640 --> 01:04:05,600
Speaker 6: Okay, let's let's talk about coffee because that was a unique.

1250
01:04:06,160 --> 01:04:10,720
Speaker 1: This is how we judge our interviews. We've been doing

1251
01:04:10,720 --> 01:04:12,040
Speaker 1: this for ten years. We go on ten years.

1252
01:04:13,440 --> 01:04:22,360
Speaker 14: Yeah yeah, yeah, so we we like we we judge

1253
01:04:22,600 --> 01:04:27,760
Speaker 14: like where time they come and and what what's their

1254
01:04:27,840 --> 01:04:28,360
Speaker 14: drink order?

1255
01:04:29,200 --> 01:04:31,720
Speaker 1: One? You came super early? Which is which is which

1256
01:04:31,760 --> 01:04:37,960
Speaker 1: is super early? Yeah? He came half an hour yes, yeah,

1257
01:04:38,040 --> 01:04:45,160
Speaker 1: yeah time. But you ordered coffee? Now you have do

1258
01:04:45,200 --> 01:04:46,200
Speaker 1: you have love for coffee?

1259
01:04:46,440 --> 01:04:51,040
Speaker 3: Or is that coffee? And when I do press okay? Yeah, yeah,

1260
01:04:51,040 --> 01:04:52,360
Speaker 3: I want to stay up. I want to stay hyper,

1261
01:04:52,440 --> 01:04:53,480
Speaker 3: I want to stay on point.

1262
01:04:54,080 --> 01:04:54,280
Speaker 1: Yeah.

1263
01:04:55,080 --> 01:04:55,640
Speaker 3: So what what what?

1264
01:04:55,760 --> 01:04:56,040
Speaker 1: What's that?

1265
01:04:56,080 --> 01:04:59,600
Speaker 3: Don't make mistakes? Mistakes are costly in the biz right now?

1266
01:05:00,120 --> 01:05:02,480
Speaker 6: Yeah, So what's your favorite coffee that we should go to?

1267
01:05:02,680 --> 01:05:04,720
Speaker 6: Americano cappuccino?

1268
01:05:06,080 --> 01:05:08,440
Speaker 3: I mean this capito is the bomb. This is this,

1269
01:05:09,000 --> 01:05:11,720
Speaker 3: but you don't get this in New York. Yeah, the

1270
01:05:11,800 --> 01:05:12,520
Speaker 3: home he was making it.

1271
01:05:12,680 --> 01:05:14,560
Speaker 1: Yeah yeah, no that that. This is called the big

1272
01:05:14,600 --> 01:05:26,640
Speaker 1: Guy okay and makes the best ball out in Miami.

1273
01:05:26,840 --> 01:05:29,960
Speaker 1: And I'm a Lobo weather reporter that bring out weather.

1274
01:05:29,800 --> 01:05:31,640
Speaker 3: And I bring up asino every day and this is

1275
01:05:31,720 --> 01:05:34,400
Speaker 3: the this is the best ball had cheers.

1276
01:05:39,840 --> 01:05:43,280
Speaker 1: You know. This is like rocket field, right, I'm like, yea,

1277
01:05:44,160 --> 01:05:48,000
Speaker 1: even the bust around. I'm sitting I'm sitting still. Yeah,

1278
01:05:49,600 --> 01:05:51,000
Speaker 1: I'm like this. I'm like, oh I got run.

1279
01:05:51,080 --> 01:05:53,360
Speaker 3: I'm like I've been reading on my sirs, whole time,

1280
01:05:54,880 --> 01:05:56,560
Speaker 3: like Hulk, except for coffee.

1281
01:05:56,920 --> 01:05:59,960
Speaker 1: But I lie, this is this is? This is your eye?

1282
01:06:00,080 --> 01:06:06,800
Speaker 1: Tell me he's something like?

1283
01:06:06,880 --> 01:06:08,600
Speaker 3: It was something like that something?

1284
01:06:12,280 --> 01:06:14,800
Speaker 1: Did they only make this here in Miami? Like?

1285
01:06:14,880 --> 01:06:17,400
Speaker 3: Yeah, no, I don't make it in Manhattan. No, like

1286
01:06:17,520 --> 01:06:18,720
Speaker 3: she didn't make it anywhere.

1287
01:06:19,000 --> 01:06:22,160
Speaker 1: Okay, Like you have Cubans. I mean that's one thing

1288
01:06:22,200 --> 01:06:27,560
Speaker 1: you're reading. Yeah yeah, Holy Ship? Yeah yeah.

1289
01:06:31,960 --> 01:06:36,560
Speaker 3: You queens you never had that, Okay, you would have

1290
01:06:36,600 --> 01:06:41,240
Speaker 3: got good grades. Then we spoke about it lightly, but

1291
01:06:42,440 --> 01:06:43,240
Speaker 3: it's Cuban atter.

1292
01:06:43,320 --> 01:06:49,640
Speaker 1: All you need to relax. I like talking to something.

1293
01:06:50,880 --> 01:06:52,160
Speaker 3: Like that.

1294
01:06:54,360 --> 01:06:57,439
Speaker 1: I gotta sell you one more thing. So that's that's

1295
01:06:57,640 --> 01:07:09,400
Speaker 1: that's good. We got the series out, Yeah, yeah, Prime?

1296
01:07:10,040 --> 01:07:11,080
Speaker 1: So what it's on Prime?

1297
01:07:11,320 --> 01:07:11,360
Speaker 3: No?

1298
01:07:11,520 --> 01:07:15,840
Speaker 1: No, Disney Plush? Oh Ship? Well I thought I saw

1299
01:07:15,880 --> 01:07:18,280
Speaker 1: it on Prime. No No, No, I don't think they

1300
01:07:18,480 --> 01:07:20,160
Speaker 1: shared it yet. I watch it on Disney Plus. I

1301
01:07:20,200 --> 01:07:24,600
Speaker 1: don't got Hulu. Do you have Disney Plus? See what

1302
01:07:24,720 --> 01:07:27,320
Speaker 1: your little kids? You got Disney Plus? Oh Ship? Not

1303
01:07:27,440 --> 01:07:28,960
Speaker 1: getting because you got ESPN with it too.

1304
01:07:29,000 --> 01:07:30,760
Speaker 2: You might just get it, I know.

1305
01:07:30,880 --> 01:07:32,760
Speaker 1: But I'm saying I saw it. Are you sure it's

1306
01:07:32,800 --> 01:07:34,040
Speaker 1: not a problem? No, bro, it's not.

1307
01:07:34,400 --> 01:07:37,240
Speaker 3: I don't think it's not a problem if you got

1308
01:07:37,280 --> 01:07:38,120
Speaker 3: a Buleg version.

1309
01:07:39,240 --> 01:07:42,080
Speaker 1: Yeah, Leg, you gotta be a version.

1310
01:07:44,120 --> 01:07:46,120
Speaker 4: I recall it, and it's a quick watch because the

1311
01:07:46,200 --> 01:07:47,479
Speaker 4: episodes are relatively short.

1312
01:07:47,680 --> 01:07:50,640
Speaker 1: Half out. Yeah, and it's all Spanish, right, all Spanish.

1313
01:07:50,680 --> 01:07:52,400
Speaker 3: And I did a dumb version in English, but the

1314
01:07:52,480 --> 01:07:54,240
Speaker 3: Spanish one is I.

1315
01:07:54,240 --> 01:07:56,400
Speaker 2: Started watching English and I reverted to the Spanish.

1316
01:07:56,440 --> 01:07:58,320
Speaker 3: Oh good, good, good man, because because I worked hard

1317
01:07:58,360 --> 01:08:01,600
Speaker 3: at my action to make it as a spot version,

1318
01:08:02,160 --> 01:08:04,440
Speaker 3: I dubbed it really okay.

1319
01:08:05,120 --> 01:08:06,680
Speaker 1: People who don't like to read.

1320
01:08:06,680 --> 01:08:10,840
Speaker 4: The girl saicadio, she's Argentina, right, No, Colombia, is she?

1321
01:08:11,320 --> 01:08:13,640
Speaker 2: I swore to got her accents seemed Argentina to me.

1322
01:08:13,960 --> 01:08:16,280
Speaker 1: Wait a minute, I might be wrong. I just know

1323
01:08:16,400 --> 01:08:20,160
Speaker 1: I might be wrong. I know she was Argentine. I

1324
01:08:20,240 --> 01:08:21,720
Speaker 1: was like, she sees Argentina to me.

1325
01:08:22,560 --> 01:08:24,240
Speaker 2: Everybody else had the Colombian accent.

1326
01:08:24,720 --> 01:08:27,599
Speaker 3: One of the one guy was Mexican. Who the kid

1327
01:08:27,640 --> 01:08:30,840
Speaker 3: with the boyfriend of that girl, the d the one

1328
01:08:30,880 --> 01:08:31,400
Speaker 3: that got killed.

1329
01:08:31,520 --> 01:08:33,320
Speaker 1: Yes, what was it?

1330
01:08:33,439 --> 01:08:35,639
Speaker 3: He was Mexican dude, but he had a good Colombian accent.

1331
01:08:35,760 --> 01:08:36,760
Speaker 2: Yeah, no, I couldn't tell you.

1332
01:08:37,400 --> 01:08:44,080
Speaker 3: Jo contentions and Colombiano Okay, Alchimo Parlo, she loves for.

1333
01:08:48,240 --> 01:08:52,879
Speaker 1: That wasps see.

1334
01:08:52,680 --> 01:08:57,040
Speaker 6: What Pablo's So, now do you do you experience because

1335
01:08:57,080 --> 01:09:00,240
Speaker 6: they say this is a new Columbia, right, like a

1336
01:09:00,360 --> 01:09:03,519
Speaker 6: new Columbia, you know, like right now like yeah, like

1337
01:09:04,200 --> 01:09:07,240
Speaker 6: like like like married man cannot go Oh that's hard.

1338
01:09:08,120 --> 01:09:11,080
Speaker 3: You look for that many man you look for that's

1339
01:09:11,120 --> 01:09:12,800
Speaker 3: always been there, always be like that.

1340
01:09:13,200 --> 01:09:17,639
Speaker 1: Yeah, that's here in America too. Just why no, no Columbia,

1341
01:09:18,400 --> 01:09:19,240
Speaker 1: Columbia like this.

1342
01:09:20,520 --> 01:09:24,479
Speaker 6: Listen on the marriage certificated, they say, if you go

1343
01:09:24,560 --> 01:09:29,280
Speaker 6: to Columbia, so yeah, yeah, yeah, I mean they.

1344
01:09:29,560 --> 01:09:32,400
Speaker 1: Got seriously beautiful women down there. I mean ridiculous beautiful,

1345
01:09:32,640 --> 01:09:33,479
Speaker 1: ridicuously beautiful.

1346
01:09:34,000 --> 01:09:36,439
Speaker 3: I mean the gene is known as the sex capital

1347
01:09:37,000 --> 01:09:37,479
Speaker 3: is beautiful.

1348
01:09:38,160 --> 01:09:43,479
Speaker 1: Yeah you knew that, but that's beautiful. I looked at it.

1349
01:09:43,720 --> 01:09:44,360
Speaker 2: That's what I said.

1350
01:09:44,439 --> 01:09:51,559
Speaker 1: Wow, that's the sex capital of the world. Okay.

1351
01:09:52,000 --> 01:09:53,920
Speaker 3: I shot there, and you know there was like people

1352
01:09:53,960 --> 01:09:57,559
Speaker 3: from all over the world looking for, you know, a fund.

1353
01:09:57,479 --> 01:09:59,840
Speaker 1: Opportunity that we know of. We have our homies here,

1354
01:09:59,880 --> 01:10:02,920
Speaker 1: the go there all the time. I'm just like this,

1355
01:10:04,560 --> 01:10:06,439
Speaker 1: I'm gonna go like this. By the way, that's the

1356
01:10:06,479 --> 01:10:07,760
Speaker 1: cocaine section. Just the show.

1357
01:10:07,960 --> 01:10:12,599
Speaker 6: You know Columbia, right, they break the questions for quick

1358
01:10:12,640 --> 01:10:13,200
Speaker 6: Thomas line.

1359
01:10:13,240 --> 01:10:13,840
Speaker 1: We felt.

1360
01:10:13,880 --> 01:10:15,960
Speaker 4: I went into the documentary out there and out of

1361
01:10:16,000 --> 01:10:17,840
Speaker 4: the five dudes I was with, two of them went missing.

1362
01:10:17,880 --> 01:10:21,360
Speaker 1: For sure, get back happy as hell after yeah, yeah, yeah, yeah, no,

1363
01:10:21,439 --> 01:10:25,480
Speaker 1: it's it's a wild time out there. Yeah, holy moam,

1364
01:10:25,800 --> 01:10:26,920
Speaker 1: you've been Columbia.

1365
01:10:27,000 --> 01:10:30,280
Speaker 4: Yeah, you been coming to I tell you what I'm

1366
01:10:30,280 --> 01:10:31,839
Speaker 4: talking about it and now it is Colombia.

1367
01:10:32,200 --> 01:10:35,679
Speaker 1: No, no, no, no, listen. I hate.

1368
01:10:35,920 --> 01:10:38,200
Speaker 6: I'm hating clearly when I was when I had to

1369
01:10:38,320 --> 01:10:44,360
Speaker 6: break it up, it was not it was not the Columbia.

1370
01:10:45,000 --> 01:10:47,479
Speaker 1: Yeah, there is. I've been looking at.

1371
01:10:47,479 --> 01:10:51,080
Speaker 4: Instagram, like he saw titlan to the creator killing it

1372
01:10:51,160 --> 01:10:51,679
Speaker 4: in Colombia.

1373
01:10:52,760 --> 01:10:53,200
Speaker 6: What did he do?

1374
01:10:53,720 --> 01:10:56,320
Speaker 1: Oh yeah yeah yeah he was killing well.

1375
01:10:56,360 --> 01:10:58,000
Speaker 4: He went to he did a Latin American roum which

1376
01:10:58,360 --> 01:11:00,479
Speaker 4: he paid homage to every country was in and he

1377
01:11:00,720 --> 01:11:02,439
Speaker 4: was on love and he was like he wore the

1378
01:11:02,760 --> 01:11:04,200
Speaker 4: the like the straw hat in Columbia.

1379
01:11:04,400 --> 01:11:06,160
Speaker 6: Yeah yeah, yeah, it was good for him. You got

1380
01:11:06,280 --> 01:11:07,680
Speaker 6: to work and you got to work in That's the

1381
01:11:07,720 --> 01:11:13,000
Speaker 6: reason why when we broke up Spain earlier, when we

1382
01:11:13,160 --> 01:11:16,760
Speaker 6: was on so we went we stopped in Spade. I

1383
01:11:16,800 --> 01:11:20,960
Speaker 6: believe it was Madrid and Mado. I always tell the story.

1384
01:11:21,040 --> 01:11:24,040
Speaker 6: Mato was like Meto is, he's my Dominican friend, but

1385
01:11:24,200 --> 01:11:27,479
Speaker 6: he knows every accent, so he knows the Mexican accent,

1386
01:11:27,880 --> 01:11:30,920
Speaker 6: he knows the Dominican accent, like we bring him and

1387
01:11:31,040 --> 01:11:32,800
Speaker 6: he just they think he's whatever.

1388
01:11:34,320 --> 01:11:38,160
Speaker 1: The only place that did not work. He started speaking

1389
01:11:38,240 --> 01:11:39,920
Speaker 1: and the guy just looked at him and excuse me

1390
01:11:41,720 --> 01:11:45,040
Speaker 1: speaking English? You're like English, And I was like ship

1391
01:11:46,560 --> 01:11:47,559
Speaker 1: because the food was too good.

1392
01:11:47,640 --> 01:11:50,240
Speaker 6: I was like, I said, they ship at some point

1393
01:11:50,400 --> 01:11:52,280
Speaker 6: because because they started.

1394
01:11:52,000 --> 01:11:55,040
Speaker 1: Going back and forth. That the only place and didn't work.

1395
01:11:54,920 --> 01:11:57,760
Speaker 3: At Yeah, that song was an anthem and your song

1396
01:11:57,880 --> 01:12:02,920
Speaker 3: was in you know the Man, and there was the

1397
01:12:02,960 --> 01:12:04,479
Speaker 3: first stoutration in the flag.

1398
01:12:04,760 --> 01:12:06,400
Speaker 1: It was the first time I wanted to put like,

1399
01:12:06,560 --> 01:12:08,800
Speaker 1: you know, like the flags together all that.

1400
01:12:08,960 --> 01:12:12,880
Speaker 6: You know, I actually traveled to at least ninety percent

1401
01:12:12,920 --> 01:12:13,639
Speaker 6: of those countries.

1402
01:12:13,800 --> 01:12:15,760
Speaker 1: So when Bad Bundy did that, and he kind of

1403
01:12:15,840 --> 01:12:19,120
Speaker 1: remade that or from me. So you said, you said,

1404
01:12:19,160 --> 01:12:21,040
Speaker 1: you said you was crying. I was crying too.

1405
01:12:21,920 --> 01:12:23,880
Speaker 6: I didn't want to steal that moment from you because

1406
01:12:24,000 --> 01:12:25,880
Speaker 6: because like when I saw that, I was just like, yo,

1407
01:12:26,200 --> 01:12:28,439
Speaker 6: you know what I mean? Because one thing that I

1408
01:12:29,200 --> 01:12:32,800
Speaker 6: noticed about traveling outside of the United States, this is

1409
01:12:32,920 --> 01:12:37,360
Speaker 6: some crazy thing, is if you're racist to me, I'm

1410
01:12:37,439 --> 01:12:39,760
Speaker 6: prejudiced towards you. You know what, They all look at

1411
01:12:39,840 --> 01:12:44,640
Speaker 6: us like Americans right right, Like if you're racist or

1412
01:12:44,680 --> 01:12:47,040
Speaker 6: if you like I hate other people that you live by,

1413
01:12:47,439 --> 01:12:50,280
Speaker 6: I suggest you travel outside of the United States because

1414
01:12:50,320 --> 01:12:53,040
Speaker 6: soon as they say something you like, oh, you're American,

1415
01:12:53,439 --> 01:12:56,840
Speaker 6: like they categorized us in the same category. And that's

1416
01:12:56,840 --> 01:12:58,439
Speaker 6: the same thing they do with Latinos, you know what,

1417
01:12:58,520 --> 01:13:01,599
Speaker 6: I tell you, always a poppy or cheekos.

1418
01:13:02,360 --> 01:13:05,400
Speaker 2: The same on for Latinos and comfortable places too.

1419
01:13:05,439 --> 01:13:07,680
Speaker 4: I tell, like, my Latin friends here that are kind

1420
01:13:07,720 --> 01:13:11,040
Speaker 4: of leaning right, I said, uh, travel outside of Miami

1421
01:13:11,080 --> 01:13:11,599
Speaker 4: and see.

1422
01:13:11,400 --> 01:13:14,920
Speaker 1: How you're leaning right. That's that's that's the republic whatever.

1423
01:13:15,000 --> 01:13:15,080
Speaker 4: Bro.

1424
01:13:15,320 --> 01:13:16,160
Speaker 1: I really don't. I don't.

1425
01:13:16,200 --> 01:13:17,800
Speaker 4: I don't care about either side of the coin of

1426
01:13:18,080 --> 01:13:20,800
Speaker 4: the government, side of the parties. I think they're actually

1427
01:13:20,800 --> 01:13:22,280
Speaker 4: at the end of the day, probably both against us.

1428
01:13:22,360 --> 01:13:24,160
Speaker 1: But the ones that that lean to.

1429
01:13:24,200 --> 01:13:25,760
Speaker 4: The right, that are my friends right now that are

1430
01:13:25,760 --> 01:13:27,880
Speaker 4: dealing with right now, I tell them, leave this city

1431
01:13:28,760 --> 01:13:29,320
Speaker 4: and see.

1432
01:13:29,160 --> 01:13:31,400
Speaker 1: How your comfort level is you don't gonna go that far.

1433
01:13:31,479 --> 01:13:35,960
Speaker 1: You go to Fort Mayas, Yeah yeah, you go to

1434
01:13:36,000 --> 01:13:40,439
Speaker 1: alle Alley, Jacksonville, Yeah yeah.

1435
01:13:40,760 --> 01:13:43,000
Speaker 4: You leave Brower County and you're already Oh damn, this

1436
01:13:43,120 --> 01:13:44,559
Speaker 4: is a little yeah yeah yeah.

1437
01:13:45,640 --> 01:13:46,120
Speaker 8: So what is it?

1438
01:13:46,160 --> 01:13:50,439
Speaker 1: What is your favorite part of the the business?

1439
01:13:50,840 --> 01:13:51,000
Speaker 4: Is it?

1440
01:13:51,160 --> 01:13:53,120
Speaker 1: Is it making a movie or is it actually seeing

1441
01:13:53,160 --> 01:13:56,200
Speaker 1: the movie premiere? Oh? Wow? I mean, I love the

1442
01:13:56,360 --> 01:13:59,240
Speaker 1: process of creating the work. Uh.

1443
01:14:00,120 --> 01:14:02,560
Speaker 3: I just did this incredible movie called The Odyssey that

1444
01:14:02,680 --> 01:14:04,759
Speaker 3: comes out in July seventh.

1445
01:14:05,200 --> 01:14:09,240
Speaker 1: It's gonna be the monster hit of the decade. Uh.

1446
01:14:10,080 --> 01:14:12,439
Speaker 3: And and it's and it's and it was an incredible process.

1447
01:14:12,520 --> 01:14:16,680
Speaker 3: First of all, Chris Nolan is an amazing visionary. He's

1448
01:14:16,760 --> 01:14:19,600
Speaker 3: above every other director I worked with. I mean, and

1449
01:14:19,760 --> 01:14:22,479
Speaker 3: and and I've worked with some amazing people, Baz Luhrmann,

1450
01:14:23,040 --> 01:14:26,840
Speaker 3: Brian de Palmer, Tony Scott, Spike, Lee, Ava Duberniy. I

1451
01:14:26,920 --> 01:14:30,040
Speaker 3: worked with some greats, but he takes it to a

1452
01:14:30,080 --> 01:14:33,200
Speaker 3: hall of the level, man. I mean they filmed in

1453
01:14:33,280 --> 01:14:39,320
Speaker 3: seven different countries Morocco, Sicily, Greece, Iceland, Scotland in la

1454
01:14:40,080 --> 01:14:40,799
Speaker 3: six months.

1455
01:14:41,520 --> 01:14:41,640
Speaker 1: Uh.

1456
01:14:42,240 --> 01:14:45,719
Speaker 3: Everything was organic, no no c G I no AI.

1457
01:14:46,360 --> 01:14:48,599
Speaker 3: The Greek ships from the three hundred BC were all

1458
01:14:49,200 --> 01:14:54,120
Speaker 3: made for the movie. Actual locations. We were shot on

1459
01:14:54,160 --> 01:14:55,880
Speaker 3: the top of Sicily, on top of this two.

1460
01:14:55,800 --> 01:14:56,599
Speaker 1: Hundred foot mountain.

1461
01:14:56,920 --> 01:14:59,639
Speaker 3: We all had to be helicoptered every day for a month.

1462
01:15:00,200 --> 01:15:04,919
Speaker 3: The whole entire crew, seventy people had to be helicopter

1463
01:15:05,000 --> 01:15:06,519
Speaker 3: and all the animals that live on top of this

1464
01:15:06,880 --> 01:15:09,559
Speaker 3: mountain where there was a castle from the uh uh

1465
01:15:10,120 --> 01:15:11,000
Speaker 3: the three D.

1466
01:15:12,400 --> 01:15:13,760
Speaker 1: They flew all the animals up.

1467
01:15:13,720 --> 01:15:16,920
Speaker 3: There because they couldn't get the cows and the and the.

1468
01:15:17,040 --> 01:15:18,640
Speaker 1: Boars and then the pigs and all that.

1469
01:15:19,800 --> 01:15:25,600
Speaker 6: Ah, that's crazy. That makes alloyds for that. Yeah, but

1470
01:15:25,720 --> 01:15:30,400
Speaker 6: God comes down from earth heaven. I'm sorry, that's the

1471
01:15:30,479 --> 01:15:31,479
Speaker 6: define I'm.

1472
01:15:34,160 --> 01:15:34,360
Speaker 1: Drink.

1473
01:15:35,240 --> 01:15:40,240
Speaker 6: So God comes down from Heaven his job. You're gonna

1474
01:15:40,240 --> 01:15:41,800
Speaker 6: make a movie to save humanity.

1475
01:15:42,000 --> 01:15:42,519
Speaker 1: Oh wow.

1476
01:15:44,760 --> 01:15:47,560
Speaker 6: You get to pick your director and you get to

1477
01:15:47,600 --> 01:15:50,679
Speaker 6: pick your coastar. Yeah, who's your director?

1478
01:15:50,760 --> 01:15:58,559
Speaker 1: Who's man? Googler? Is my director? Googlers?

1479
01:15:59,320 --> 01:15:59,519
Speaker 3: Yeah?

1480
01:15:59,600 --> 01:16:04,240
Speaker 1: Okay from the Bay Area? Are ye work foods? Fell Station?

1481
01:16:04,560 --> 01:16:04,920
Speaker 1: Your food?

1482
01:16:06,439 --> 01:16:09,600
Speaker 6: Michael Jordan Yeah yeah, I could be Jordan, but in

1483
01:16:09,760 --> 01:16:13,360
Speaker 6: my co star you will be the Latine Jordan's Yeah, yeah, yeah,

1484
01:16:13,400 --> 01:16:14,280
Speaker 6: I'll be the Latin.

1485
01:16:14,080 --> 01:16:15,000
Speaker 1: B Jordan's.

1486
01:16:16,600 --> 01:16:21,679
Speaker 3: And my co star is going to be uh Melissa Barrera.

1487
01:16:23,640 --> 01:16:27,400
Speaker 1: Yeah yeah, whom Melissa barrere supposed to google that? Google

1488
01:16:27,479 --> 01:16:27,920
Speaker 1: that fast?

1489
01:16:28,000 --> 01:16:28,160
Speaker 2: Yeah?

1490
01:16:28,200 --> 01:16:32,680
Speaker 1: Come on, yeah, come on bro. Now you're looking at me.

1491
01:16:32,680 --> 01:16:48,599
Speaker 1: I'm looking at you. You're looking at me. It's Googles

1492
01:16:48,600 --> 01:16:50,040
Speaker 1: are working getting approval.

1493
01:16:52,400 --> 01:16:59,880
Speaker 6: Okay, it's green bron Okay, okay, now let me actually

1494
01:17:00,200 --> 01:17:02,320
Speaker 6: looking hip proofs.

1495
01:17:03,960 --> 01:17:06,720
Speaker 1: Oh yeah, oh yeah, yeah, yeah, I know, I know,

1496
01:17:06,880 --> 01:17:07,280
Speaker 1: I forget.

1497
01:17:08,880 --> 01:17:13,679
Speaker 6: But there's a famous movie right hallm nights right yeah yeah,

1498
01:17:14,760 --> 01:17:18,560
Speaker 6: and you know you get you get the hints that

1499
01:17:18,720 --> 01:17:20,840
Speaker 6: you know, Kevin Hard is making me making this over.

1500
01:17:23,120 --> 01:17:25,439
Speaker 6: What Latino movie would you want to make over?

1501
01:17:26,000 --> 01:17:29,760
Speaker 1: Oh yeah, I'm always.

1502
01:17:29,520 --> 01:17:30,000
Speaker 3: A great.

1503
01:17:31,320 --> 01:17:32,720
Speaker 1: I love that make fun of love.

1504
01:17:34,280 --> 01:17:46,919
Speaker 12: Man's a coffee, it's extra you go creation so milk.

1505
01:17:48,600 --> 01:17:48,720
Speaker 1: Yo.

1506
01:17:49,360 --> 01:17:51,120
Speaker 3: I mean, I I don't want to put so many

1507
01:17:51,160 --> 01:17:54,520
Speaker 3: gangs the films into the into the atmosphere, but Scarfish

1508
01:17:54,600 --> 01:17:56,920
Speaker 3: would be done. To remake that with a real Latin actor,

1509
01:17:57,080 --> 01:18:00,800
Speaker 3: like like Niciel Toro or or Benjamin it would be dope,

1510
01:18:01,400 --> 01:18:03,120
Speaker 3: you know what I mean, like really make remake it,

1511
01:18:03,200 --> 01:18:03,920
Speaker 3: but make it real.

1512
01:18:05,040 --> 01:18:07,040
Speaker 1: He just made me think did you see that movie?

1513
01:18:08,000 --> 01:18:10,280
Speaker 4: Oh man, the one was Sean Payne Benicio, the one

1514
01:18:10,280 --> 01:18:11,519
Speaker 4: that just got Chicario's No.

1515
01:18:11,600 --> 01:18:14,240
Speaker 3: No. One Battle after another.

1516
01:18:14,360 --> 01:18:15,600
Speaker 2: I just saw recently.

1517
01:18:16,920 --> 01:18:21,559
Speaker 1: Crazy Yeah, the best part. Yeah yeah.

1518
01:18:22,000 --> 01:18:24,160
Speaker 3: Have you seen how about our go Let's do our goal,

1519
01:18:24,240 --> 01:18:25,240
Speaker 3: Let's do it over again?

1520
01:18:26,600 --> 01:18:26,800
Speaker 4: Guy?

1521
01:18:27,280 --> 01:18:31,280
Speaker 3: Yeah, was playing a Mexican dude, that's right.

1522
01:18:33,000 --> 01:18:36,360
Speaker 1: He was an FBI, a Mexican FBI. He didn't Latin guy.

1523
01:18:37,200 --> 01:18:39,280
Speaker 3: He dot his hair black, he put ahead a mustache.

1524
01:18:42,240 --> 01:18:47,560
Speaker 1: I didn't see that. But let me hello, let me

1525
01:18:47,600 --> 01:18:48,479
Speaker 1: play Devil's advocate.

1526
01:18:48,520 --> 01:18:51,240
Speaker 2: If someone told you, but an actor could play anything.

1527
01:18:51,600 --> 01:18:54,200
Speaker 3: Right, that's the way it should be, right. But it

1528
01:18:54,479 --> 01:18:55,320
Speaker 3: hasn't been like that.

1529
01:18:55,720 --> 01:18:57,599
Speaker 1: We couldn't even play in our own movies.

1530
01:18:57,640 --> 01:18:58,840
Speaker 2: Man, right, I see what you're saying.

1531
01:18:59,040 --> 01:18:59,839
Speaker 3: That's the problem.

1532
01:19:00,320 --> 01:19:02,920
Speaker 1: I mean, is the catching touch of evil.

1533
01:19:03,600 --> 01:19:06,880
Speaker 3: A bird Lancaster playing Mexican with like brown face and

1534
01:19:07,000 --> 01:19:11,120
Speaker 3: whatnot Eli wallach In in Sam Peckham Paul movie The

1535
01:19:11,200 --> 01:19:16,240
Speaker 3: Last like this, we don't need those thinking budges, you know, like.

1536
01:19:16,360 --> 01:19:18,080
Speaker 1: The Last Mexican played by Brad Pitt.

1537
01:19:19,479 --> 01:19:21,479
Speaker 3: That's another one. I mean, there's so many of that.

1538
01:19:21,520 --> 01:19:25,679
Speaker 1: It's called the Last Mexican and Brad Pitt the last Mexican.

1539
01:19:25,760 --> 01:19:33,799
Speaker 11: You know, remember something like that last last summer last.

1540
01:19:36,080 --> 01:19:36,360
Speaker 1: That's what.

1541
01:19:39,400 --> 01:19:40,160
Speaker 3: A different one?

1542
01:19:40,720 --> 01:19:42,880
Speaker 1: That's a different one, this one, the.

1543
01:19:42,960 --> 01:19:53,720
Speaker 5: Last He's like, yes, something like that, something like that

1544
01:19:53,880 --> 01:19:57,000
Speaker 5: becomes a Brad is playing the last Mexicans, like, did

1545
01:19:57,040 --> 01:19:57,720
Speaker 5: you guys find that?

1546
01:19:58,160 --> 01:19:58,360
Speaker 1: Yeah?

1547
01:20:00,720 --> 01:20:09,439
Speaker 8: I know, crazy, get something, and I changes the context

1548
01:20:09,520 --> 01:20:13,559
Speaker 8: the last saying I'm like, what the fuck.

1549
01:20:15,080 --> 01:20:18,160
Speaker 1: With Julia Wabas Yeah? Yeah, and Tony Soprano in there too, yeah,

1550
01:20:18,840 --> 01:20:20,040
Speaker 1: change Dandelfini yea.

1551
01:20:20,080 --> 01:20:22,720
Speaker 4: Yeah. I wondered nothing thinking about this the way we

1552
01:20:22,760 --> 01:20:24,720
Speaker 4: said it. I wonder if Japanese people felt that way

1553
01:20:24,720 --> 01:20:25,960
Speaker 4: about the Lesson. We're like, what the funk?

1554
01:20:26,120 --> 01:20:29,120
Speaker 1: Yeah? What about the last summer?

1555
01:20:29,200 --> 01:20:29,320
Speaker 3: Right?

1556
01:20:29,400 --> 01:20:33,479
Speaker 1: The last group? It's like people, all right, they must

1557
01:20:33,479 --> 01:20:34,000
Speaker 1: have been coming.

1558
01:20:34,040 --> 01:20:39,679
Speaker 3: That's why you go to the last last quarto Ricans?

1559
01:20:39,720 --> 01:20:43,080
Speaker 1: Who's gonna play that?

1560
01:20:43,280 --> 01:20:43,559
Speaker 2: Honey?

1561
01:20:43,600 --> 01:20:47,800
Speaker 1: Is no bad money to kill it? Yeah? Yeah, I'm

1562
01:20:47,800 --> 01:20:50,919
Speaker 1: gonna do it. I'm doing I'm doing a movie on handball,

1563
01:20:51,360 --> 01:20:52,240
Speaker 1: oh for real?

1564
01:20:52,800 --> 01:20:52,960
Speaker 3: Yeah?

1565
01:20:53,600 --> 01:20:57,080
Speaker 1: Yeah? You nice? Sure, I'm not a nice you see

1566
01:20:57,080 --> 01:20:59,360
Speaker 1: how you think about it? You gotta get that that

1567
01:21:00,040 --> 01:21:02,480
Speaker 1: from that back, cracking your hand, Yeah.

1568
01:21:02,200 --> 01:21:04,479
Speaker 3: You gotta get that early before everybody starts playing, because

1569
01:21:04,479 --> 01:21:05,920
Speaker 3: otherwise your hand's not gonna be hard enough.

1570
01:21:06,680 --> 01:21:09,080
Speaker 1: Yeah, to kill it, to kill it. Everybody in the

1571
01:21:09,160 --> 01:21:13,760
Speaker 1: corner and let it roll out. Yeah, okay, you spin

1572
01:21:13,880 --> 01:21:17,080
Speaker 1: on the ball, Okay, okay, yeah, be sneaking into the handball?

1573
01:21:17,200 --> 01:21:22,439
Speaker 3: No, you knows dump into handball. Is Ed O'Neil, the

1574
01:21:22,560 --> 01:21:24,960
Speaker 3: guy from a Modern Family really.

1575
01:21:24,920 --> 01:21:26,799
Speaker 1: Yeah, he loves he loves handball.

1576
01:21:26,840 --> 01:21:27,080
Speaker 5: Hero.

1577
01:21:27,760 --> 01:21:28,519
Speaker 1: He's from Queens.

1578
01:21:28,520 --> 01:21:31,680
Speaker 3: He's trying to playing hand Yeah, he's the guy man,

1579
01:21:32,320 --> 01:21:33,160
Speaker 3: he plays handful.

1580
01:21:33,320 --> 01:21:34,600
Speaker 1: Man, I know how to put my hands in my

1581
01:21:34,680 --> 01:21:35,400
Speaker 1: shorts because.

1582
01:21:36,720 --> 01:21:39,040
Speaker 6: I mean he was, He's all he's alleged. When you

1583
01:21:39,080 --> 01:21:41,759
Speaker 6: watch TV, you gotta you gotta do the out Bundy,

1584
01:21:41,840 --> 01:21:42,759
Speaker 6: come on, come on, goddamn.

1585
01:21:42,920 --> 01:21:45,240
Speaker 1: So he knows how to play hand yeah yeah, wow.

1586
01:21:45,880 --> 01:21:49,439
Speaker 6: You know like dodgeball, Yeah yeah, dodgeball like that's like

1587
01:21:49,520 --> 01:21:53,439
Speaker 6: the Underground funny movie, but handball handball, like you know.

1588
01:21:53,760 --> 01:21:54,400
Speaker 1: The guy with the.

1589
01:21:56,439 --> 01:21:58,519
Speaker 2: Head man and he says the pitch right now.

1590
01:21:59,320 --> 01:21:59,840
Speaker 1: Definitely is.

1591
01:22:02,840 --> 01:22:03,160
Speaker 3: All right?

1592
01:22:03,240 --> 01:22:03,800
Speaker 1: Both drink.

1593
01:22:07,600 --> 01:22:11,600
Speaker 6: Do you ever do you ever think where like uh

1594
01:22:11,760 --> 01:22:14,760
Speaker 6: it would it ever be like uh, you know, like

1595
01:22:15,439 --> 01:22:19,840
Speaker 6: they haven't the moment like you know, like uh like

1596
01:22:20,200 --> 01:22:21,720
Speaker 6: I said with hard them Knights, was like, yeah you

1597
01:22:21,760 --> 01:22:24,960
Speaker 6: see these these a black comedian, you'll go into the

1598
01:22:25,000 --> 01:22:25,360
Speaker 6: four four.

1599
01:22:25,520 --> 01:22:28,760
Speaker 1: Do you ever feel like the Latin movement is going

1600
01:22:28,840 --> 01:22:29,559
Speaker 1: to have that moment?

1601
01:22:29,680 --> 01:22:29,800
Speaker 4: Oh?

1602
01:22:29,920 --> 01:22:32,040
Speaker 1: Yeah, yeah, it's definitely coming.

1603
01:22:32,120 --> 01:22:35,000
Speaker 3: I mean we've got a lot of obstacles to overcome,

1604
01:22:35,320 --> 01:22:38,479
Speaker 3: you know, but we're getting to the point where we're

1605
01:22:38,479 --> 01:22:41,320
Speaker 3: getting more and more and more power, more and more stars.

1606
01:22:41,680 --> 01:22:43,600
Speaker 3: You know, we got Oscar Isaacs, we got Petter up

1607
01:22:43,600 --> 01:22:46,200
Speaker 3: b a scal you know, you got j Low, you

1608
01:22:46,320 --> 01:22:50,160
Speaker 3: got Dennist. We got enough talent now and moving up

1609
01:22:50,240 --> 01:22:52,800
Speaker 3: in the power structure to be able to green light

1610
01:22:52,920 --> 01:22:54,880
Speaker 3: those type of movies that are all Latin. I mean,

1611
01:22:54,920 --> 01:22:58,120
Speaker 3: look at Incanto, that finally happened man, in all Latin

1612
01:22:58,600 --> 01:22:59,200
Speaker 3: Latin story.

1613
01:22:59,360 --> 01:23:02,120
Speaker 1: You had the animated movie before.

1614
01:23:02,040 --> 01:23:03,120
Speaker 2: Coco, Coco.

1615
01:23:03,200 --> 01:23:05,200
Speaker 1: Yeah, yeah, yeah, that was a great one. That was

1616
01:23:05,240 --> 01:23:07,519
Speaker 1: another great Yeah Coco. I thought that was about the

1617
01:23:07,600 --> 01:23:10,120
Speaker 1: Hawaiian people. No, no, no, no, you're thinking of Mowana.

1618
01:23:10,320 --> 01:23:17,559
Speaker 1: Oh yeah, the last Yeah.

1619
01:23:17,640 --> 01:23:19,559
Speaker 3: Yeah, we're getting there, man, We're getting close.

1620
01:23:19,720 --> 01:23:22,040
Speaker 4: Yeah, and that changes a lot because it's changing the

1621
01:23:22,200 --> 01:23:24,240
Speaker 4: children's ideas of themselves.

1622
01:23:24,720 --> 01:23:26,000
Speaker 1: They see themselves represented.

1623
01:23:26,040 --> 01:23:28,840
Speaker 3: I mean, did you see those little kids dancing to

1624
01:23:29,320 --> 01:23:33,280
Speaker 3: and Kanto seeing themselves. I mean, it was incredible when

1625
01:23:33,360 --> 01:23:36,400
Speaker 3: when little apple Latino children saw themselves in that movie

1626
01:23:36,479 --> 01:23:40,240
Speaker 3: reflected back and they light their eyes light up seeing.

1627
01:23:40,080 --> 01:23:41,400
Speaker 1: That they know that they're beautiful.

1628
01:23:41,640 --> 01:23:41,800
Speaker 11: You know.

1629
01:23:42,120 --> 01:23:44,320
Speaker 4: But you know the problem for Latinos. I think the

1630
01:23:44,439 --> 01:23:46,880
Speaker 4: hurdle that we have is that we're against each other.

1631
01:23:47,479 --> 01:23:48,439
Speaker 4: And that's a huge hurdle.

1632
01:23:48,840 --> 01:23:51,840
Speaker 3: I'm not against you, No, we can't deny you're not

1633
01:23:51,920 --> 01:23:52,320
Speaker 3: against me.

1634
01:23:52,560 --> 01:23:55,040
Speaker 1: No, what are you talking about? But there's a thing.

1635
01:23:55,280 --> 01:23:55,760
Speaker 1: There's a thing.

1636
01:23:55,840 --> 01:23:59,040
Speaker 4: There's the Mexicans, the Cubans, the Dominicans, the Colombians, and

1637
01:23:59,120 --> 01:24:00,800
Speaker 4: it's the colonials mind frame.

1638
01:24:00,960 --> 01:24:04,080
Speaker 1: That's that's keeping us divisives a little. I feel like

1639
01:24:04,120 --> 01:24:05,840
Speaker 1: we're all much more united. I don't know.

1640
01:24:05,880 --> 01:24:07,760
Speaker 3: I feel like when I tour around the country and

1641
01:24:07,840 --> 01:24:17,840
Speaker 3: the rice and Bean circuit, you know, the twenty six cities. Yeah, yeah, yeah,

1642
01:24:18,640 --> 01:24:22,080
Speaker 3: I did that twenty six cities across America. I made

1643
01:24:22,280 --> 01:24:26,200
Speaker 3: mad money, and it was like, you know, Mexicans, Central Americans.

1644
01:24:26,360 --> 01:24:28,599
Speaker 3: I came to Miami, it's all Cubans and Puerto Ricans

1645
01:24:28,880 --> 01:24:32,519
Speaker 3: and Colombians. You go, you go to Boston, it's Puerto Rican.

1646
01:24:32,360 --> 01:24:37,439
Speaker 15: And Dominican, and then Chicago is Puerto Rican, Mexic, Cuban

1647
01:24:37,520 --> 01:24:41,080
Speaker 15: and Mexican, and they all came out for me and

1648
01:24:41,200 --> 01:24:43,639
Speaker 15: supported me, and George Lopez did that in Fluffy.

1649
01:24:44,040 --> 01:24:46,720
Speaker 1: It's I don't know. I saw much more unity than

1650
01:24:46,760 --> 01:24:48,000
Speaker 1: I felt like they didn't.

1651
01:24:48,120 --> 01:24:50,920
Speaker 3: They all supported, they all understood what I was talking about,

1652
01:24:50,960 --> 01:24:51,759
Speaker 3: they all related.

1653
01:24:52,040 --> 01:24:54,080
Speaker 1: I didn't feel the divisiity. No, I think you're right.

1654
01:24:54,120 --> 01:24:55,800
Speaker 1: You're right. The majority are not like that.

1655
01:24:55,960 --> 01:24:58,519
Speaker 4: But it's always in this world the small minority that

1656
01:24:58,560 --> 01:25:01,920
Speaker 4: has the louder voice that I think, like and what

1657
01:25:02,040 --> 01:25:03,720
Speaker 4: you're just saying, Like I'm going to say. I don't

1658
01:25:03,720 --> 01:25:05,120
Speaker 4: know if I've told this on Drink Shins, but I

1659
01:25:05,160 --> 01:25:07,479
Speaker 4: had a conversation with pit Bull at one point in

1660
01:25:07,560 --> 01:25:11,040
Speaker 4: his career when the label he was originally on TVT Records,

1661
01:25:11,360 --> 01:25:13,880
Speaker 4: they were they were going bankrupts, right, and Pitt was

1662
01:25:13,920 --> 01:25:16,560
Speaker 4: going through some difficult times in that time, and I

1663
01:25:16,600 --> 01:25:18,679
Speaker 4: remember I was like, Yo, what I don't remember exactly

1664
01:25:18,720 --> 01:25:21,240
Speaker 4: the conversation, so I'm going to give you a sense

1665
01:25:21,280 --> 01:25:25,400
Speaker 4: of the conversation. He was like, I'm performing every weekend

1666
01:25:26,160 --> 01:25:29,840
Speaker 4: on the West Coast and in Mexico, He's like, they

1667
01:25:29,880 --> 01:25:30,839
Speaker 4: support the ship.

1668
01:25:30,640 --> 01:25:32,759
Speaker 1: Out of mean he's Cuban.

1669
01:25:32,840 --> 01:25:35,720
Speaker 4: He's like, I'm doing shows every weekend there, so in

1670
01:25:35,800 --> 01:25:38,240
Speaker 4: this time that it looks like he's falling off and

1671
01:25:38,360 --> 01:25:41,479
Speaker 4: everything's over this side of the country and these people

1672
01:25:41,600 --> 01:25:44,000
Speaker 4: are embracing him. And then I had the opportunity to

1673
01:25:44,040 --> 01:25:45,360
Speaker 4: do a show with one of my artists. I had

1674
01:25:45,400 --> 01:25:47,960
Speaker 4: a Cuban artists. We went out to Mexico, to Mexicali,

1675
01:25:48,600 --> 01:25:50,000
Speaker 4: and we did a show out there with Pitt. We

1676
01:25:50,040 --> 01:25:53,519
Speaker 4: opened up for the Mexican folks, put a flag, a

1677
01:25:53,600 --> 01:25:58,200
Speaker 4: Cuban flag all the way down showing look and then

1678
01:25:58,400 --> 01:26:01,040
Speaker 4: Pitt it's smart as he is and embracing.

1679
01:26:01,120 --> 01:26:03,200
Speaker 2: This comes out to Mariacci music.

1680
01:26:03,000 --> 01:26:05,840
Speaker 1: Wearing from Joe and I was like, hate it back.

1681
01:26:05,920 --> 01:26:07,600
Speaker 4: I was like, this is this and then taught me

1682
01:26:07,680 --> 01:26:10,839
Speaker 4: a list like how we're all in the shared experience

1683
01:26:10,880 --> 01:26:11,519
Speaker 4: of being Latino.

1684
01:26:11,960 --> 01:26:13,200
Speaker 1: Let's support each other, all of us.

1685
01:26:13,800 --> 01:26:13,960
Speaker 4: You know.

1686
01:26:15,000 --> 01:26:27,160
Speaker 1: Yeah, so what would be for office bro? I know,

1687
01:26:27,240 --> 01:26:30,360
Speaker 1: we said remade that we still do we do we

1688
01:26:30,960 --> 01:26:35,200
Speaker 1: answer that we make Yeah, We're gonna do. But Margo

1689
01:26:35,600 --> 01:26:37,439
Speaker 1: Argo is not really a Latin movie. But you said

1690
01:26:37,479 --> 01:26:38,800
Speaker 1: he played he played.

1691
01:26:39,200 --> 01:26:42,120
Speaker 3: He played the Mexican, an FBI guy, but he did,

1692
01:26:42,560 --> 01:26:44,000
Speaker 3: you know, But it should have been a Latin version,

1693
01:26:44,200 --> 01:26:50,240
Speaker 3: is all right? Okay, it should have been a Latin movie, yes,

1694
01:26:50,360 --> 01:26:52,760
Speaker 3: because it was a Latin idol and he should have

1695
01:26:52,800 --> 01:26:54,639
Speaker 3: been a hero for us and an icon.

1696
01:26:54,760 --> 01:26:56,439
Speaker 1: But it's not because a white guy played it so

1697
01:26:57,240 --> 01:26:58,680
Speaker 1: and he did a great job. I'm not gonna lie.

1698
01:26:58,720 --> 01:27:01,479
Speaker 1: He directed the ship out of it. But still not

1699
01:27:01,560 --> 01:27:03,840
Speaker 1: American mean, not blood in blood American meat.

1700
01:27:03,720 --> 01:27:06,120
Speaker 3: Was Oh my god, that was so hard man, that

1701
01:27:06,240 --> 01:27:06,719
Speaker 3: was hard.

1702
01:27:06,600 --> 01:27:10,559
Speaker 4: Even, and that's the real story. Was the real story

1703
01:27:10,600 --> 01:27:12,559
Speaker 4: that American Meat was trying to depict.

1704
01:27:13,720 --> 01:27:16,560
Speaker 1: What do you mean confused? You know? You know the

1705
01:27:16,640 --> 01:27:18,320
Speaker 1: politics behind that? You know, I don't know.

1706
01:27:18,800 --> 01:27:21,280
Speaker 4: There's a lot of street politics behind American means versus.

1707
01:27:21,760 --> 01:27:22,760
Speaker 1: Yes, yes, now I know.

1708
01:27:22,960 --> 01:27:23,160
Speaker 3: I know.

1709
01:27:23,200 --> 01:27:26,840
Speaker 1: I saw a documentary they made about American document up

1710
01:27:26,880 --> 01:27:27,519
Speaker 1: over that movie.

1711
01:27:27,600 --> 01:27:30,519
Speaker 3: Because of the they said names and they talked about sing.

1712
01:27:30,320 --> 01:27:33,720
Speaker 4: They depicted certain things that either wasn't agreed upon by

1713
01:27:34,479 --> 01:27:35,200
Speaker 4: by the by.

1714
01:27:36,320 --> 01:27:38,519
Speaker 2: Or or they felt it was wrong one or the others.

1715
01:27:38,640 --> 01:27:41,559
Speaker 1: People lost their lives, right, yeah, But.

1716
01:27:41,640 --> 01:27:43,960
Speaker 4: Blood and Blood Out was they felt was more accurate,

1717
01:27:44,120 --> 01:27:45,720
Speaker 4: and that was supported so.

1718
01:27:45,800 --> 01:27:48,160
Speaker 1: They got a green light on that they got passed.

1719
01:27:48,200 --> 01:27:50,080
Speaker 1: Did you feel that that way about, you know, making

1720
01:27:50,120 --> 01:27:54,160
Speaker 1: the esketball? Well, no, we had to we had the

1721
01:27:54,280 --> 01:27:55,680
Speaker 1: son the sons, uh but.

1722
01:27:55,760 --> 01:27:57,519
Speaker 6: Still but still it was still that the son's approved

1723
01:27:57,600 --> 01:27:58,960
Speaker 6: was different from his enemies approved.

1724
01:27:58,960 --> 01:28:01,640
Speaker 3: No, but they're God now, I think we're safe now.

1725
01:28:01,680 --> 01:28:04,360
Speaker 3: I mean that that was nineteen eighty. Most of those

1726
01:28:04,360 --> 01:28:07,839
Speaker 3: people are not alive, the majority of the Pollo's enemies.

1727
01:28:08,280 --> 01:28:12,400
Speaker 6: But you did hear Griselda blocker Blo. She went back

1728
01:28:12,439 --> 01:28:14,240
Speaker 6: to Colombia and they killed you.

1729
01:28:14,439 --> 01:28:17,800
Speaker 1: But whatever? Is that nothing? That was ten years ago? Yeah,

1730
01:28:17,840 --> 01:28:18,360
Speaker 1: ten years ago?

1731
01:28:18,439 --> 01:28:20,120
Speaker 3: Yeah, no, no, I'm ten years It be fine, I'm cool,

1732
01:28:20,120 --> 01:28:24,600
Speaker 3: I'm cool. Most of the people not alive, right, yeah, yeah, No,

1733
01:28:24,680 --> 01:28:26,880
Speaker 3: you gotta be careful sometimes with the kind of stuff

1734
01:28:26,920 --> 01:28:29,000
Speaker 3: you say and do. I mean it, it has consequences.

1735
01:28:29,360 --> 01:28:34,479
Speaker 3: Just because the movie doesn't mean you have immunity, right right, Well, well.

1736
01:28:34,680 --> 01:28:37,280
Speaker 5: He's gotta go, he's gotta get Yeah, we're gonna take

1737
01:28:37,320 --> 01:28:42,320
Speaker 5: pictures and yeah, you want more drink?

1738
01:28:42,560 --> 01:28:50,280
Speaker 4: Okay, yeah, yeah, yeah, okay, you want to hold on, Yeah,

1739
01:28:50,320 --> 01:28:53,400
Speaker 4: let's take some flicks. He can do. Drink Champs is

1740
01:28:53,439 --> 01:28:57,600
Speaker 4: a drink Champs LLC production hosts and executive producers n

1741
01:28:57,640 --> 01:29:00,960
Speaker 4: O r E and d j e f N. Listen

1742
01:29:01,040 --> 01:29:05,160
Speaker 4: to Drink Champs on Apple podcast, Amazon Music, Spotify, or

1743
01:29:05,240 --> 01:29:08,880
Speaker 4: wherever you get your podcasts. Thanks for joining us for

1744
01:29:08,920 --> 01:29:11,800
Speaker 4: another episode of Drink Champs hosted by Yours truly, dj

1745
01:29:12,000 --> 01:29:14,560
Speaker 4: EFN and n O r E. Please make sure to

1746
01:29:14,600 --> 01:29:17,080
Speaker 4: follow us on all our socials That's at drink Champs

1747
01:29:17,160 --> 01:29:21,840
Speaker 4: across all platforms at the Real noriegon ig at Noriega

1748
01:29:21,880 --> 01:29:25,519
Speaker 4: on Twitter, mine is at Who's Crazy on ig at

1749
01:29:25,640 --> 01:29:28,600
Speaker 4: dj e FN on Twitter, and most importantly, stay up

1750
01:29:28,600 --> 01:29:31,800
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Speaker 4: going to drink champs dot com