WEBVTT - From the Chandelier

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<v Speaker 1>I mean some people would say it was Beyonce's mus

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<v Speaker 1>while she was writing Lemonade. I mean I was Guttenberg's

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<v Speaker 1>mus when he invented the printing pass. It's so unusual

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<v Speaker 1>that you've experienced something in pop culture that I haven't,

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<v Speaker 1>and something like consistently you have told me is that

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<v Speaker 1>I needed to watch Obsessed, starring Beyonce nals Carter. I

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<v Speaker 1>have said it, and which Beyonce kills a woman who

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<v Speaker 1>is trying to steal her husband um with a chandelier

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<v Speaker 1>from a Fandilier chandelier. And so Fran I finally watched

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<v Speaker 1>Obsessed last night. My god, Yes, and we're going to

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<v Speaker 1>talk about Obsessed and also maybe like some other psycho

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<v Speaker 1>sexual thrillers like yeah, like a fatal Attraction, basic instinct

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<v Speaker 1>based on the girl, the invention of the psycho herod

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<v Speaker 1>and woman exactly exactly, because this is like a virgin

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<v Speaker 1>where we give yesterday's pop culture today's takes. I'm ros

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<v Speaker 1>Damo and I'm Fran Toronto, and by the end of

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<v Speaker 1>this episode I will have killed Fran with a chandelier. Well,

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<v Speaker 1>I mean that's kind of most episodes, to be honest,

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<v Speaker 1>because I'm what the Phantom of the Opera, Franny, What

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<v Speaker 1>did you do this weekend? So I saw our boys

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<v Speaker 1>in Muna perform Silk Chiffon to the Staples Stadium which

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<v Speaker 1>is now known as the Crypto dot Com Stadium, but

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<v Speaker 1>like it was a stadium, which is the most important

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<v Speaker 1>part of the Crypto dot Com Stadium. That's amazing, Yeah

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<v Speaker 1>it is. I was so happy to see that song

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<v Speaker 1>performed such a huge audience. Like I'm so proud of

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<v Speaker 1>Muna and everything they've done so far. And that's as

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<v Speaker 1>you know, we just look love it so hard, sick

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<v Speaker 1>cheff on and you were in the music video speaking

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<v Speaker 1>so truly a full circle moment. And let me tell you,

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<v Speaker 1>speaking of uncle hat you have you seen Casey musgraveson

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<v Speaker 1>concert before? Wouldn't care to to be honest, Okay, so

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<v Speaker 1>I may change your opinion on that. You won't. Okay,

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<v Speaker 1>love that love love love. How malleable you are. This

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<v Speaker 1>is not is not a yes and to day this

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<v Speaker 1>is a note, but day and I accept that. I

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<v Speaker 1>accept you where you are. Um, Casey is she's a

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<v Speaker 1>very chill performer. She's a chill girl, she's a stoner.

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<v Speaker 1>She doesn't I was boring. No, no, no, that's not

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<v Speaker 1>what I'm trying to say. I'm saying that you wouldn't

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<v Speaker 1>expect her to pull out all the stops for a

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<v Speaker 1>stadium tour, like you think she might just do it straight. However,

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<v Speaker 1>she did pull out seven all stops um and I

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<v Speaker 1>will also say Casey's voice is perfection Crystalline performed live,

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<v Speaker 1>she sounds exactly like the recording she is like. I

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<v Speaker 1>think her voice is very simple. I don't mean simple

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<v Speaker 1>as a dig I mean that she is very much

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<v Speaker 1>like a country star and that she's not like wailing

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<v Speaker 1>on her songs. It's like a very heart felt, like

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<v Speaker 1>clear tone. It's very pure, and so I would imagine

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<v Speaker 1>that that that that translates really well to live performance. Yeah,

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<v Speaker 1>it did, because she's not pulling in Adena Manzell and

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<v Speaker 1>doing something in the booth that she can't do on stage. Exactly. Yeah, yeah,

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<v Speaker 1>that's exactly a t But she was amazing, and so

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<v Speaker 1>I had just have to describe a few moments for you.

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<v Speaker 1>First of all, hit me. Halfway through she goes, oh, yeah,

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<v Speaker 1>like we're gonna do casey Oki and I have a

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<v Speaker 1>list of four songs, and one of you can pick

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<v Speaker 1>the song that we're going to do a karaoke two together,

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<v Speaker 1>which I thought was so cute. And she pulls out

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<v Speaker 1>this scroll and it's like nine to five by Dolly Parton,

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<v Speaker 1>killing Me Softly, No Scrubs and Dreams by Fleetwood Mac,

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<v Speaker 1>which is like an amazing group of songs. Which one

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<v Speaker 1>would you have picked? By the way, Uh, if we're

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<v Speaker 1>talking like a traditional karaoke scenario, I'm probably going with

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<v Speaker 1>no Scrubs, Okay, Okay, I would have picked no Scrubs

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<v Speaker 1>or ninety five. I think everyone around me was like,

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<v Speaker 1>if you and I were doing karaoke together as a pair,

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<v Speaker 1>we would do nine to five. Okay, that is t

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<v Speaker 1>for sure. She finds a girl in the front who

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<v Speaker 1>it's like her birthday person. You can't you can't assume

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<v Speaker 1>this person's gender. I actually can. I this was definitely

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<v Speaker 1>this woman because it was her birthday, and it was

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<v Speaker 1>like it felt like a you know, a bachelorette party

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<v Speaker 1>kind of vibe. And she's like, this girl is maybe

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<v Speaker 1>like bachelor X. You don't right, right, right, right, of course,

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<v Speaker 1>of course, and so this girl's maybe like sixteen seventeen okay,

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<v Speaker 1>And Casey really says to her like, don't sunk this up.

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<v Speaker 1>Like this is like you're picking the song that we

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<v Speaker 1>all want to hear. It's a lot of pressure. It

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<v Speaker 1>is actually the girl picks killing me softly. Casey, who

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<v Speaker 1>is definitely stoned, has already talked about being on xan

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<v Speaker 1>X and did a shot of tequila on stage, is

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<v Speaker 1>like totally over the whole experience in a in a

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<v Speaker 1>good way, like a very like chill girl way. And

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<v Speaker 1>she looks at the girl whose birthday it is, and

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<v Speaker 1>she goes, I'm sorry, you picked wrong, and we're gonna

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<v Speaker 1>do nine. But well, it's kind of case it's fault

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<v Speaker 1>for putting that on the list. Yeah, it is actually

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<v Speaker 1>her fault. And and and she knew the song that

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<v Speaker 1>she wanted to do. And it's iconic though to crush

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<v Speaker 1>this girl's birthday. You know, I wonder if that girl

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<v Speaker 1>would killed herself. She did it on the right person. No,

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<v Speaker 1>don't kill yourself, You're so sexy. She threw this, She

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<v Speaker 1>threw the scroll to her, so like, I think that

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<v Speaker 1>was like her consolation prize. But Rose, there's a moment

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<v Speaker 1>at the end of this concert where I thought of you.

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<v Speaker 1>I wish I had gotten it on video. I I

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<v Speaker 1>felt your energy so clearly at that moment. Okay, what

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<v Speaker 1>read is this gonna be? No, it's not. It's a compliment.

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<v Speaker 1>Casey ended with Gracia Slavita, which is like this kind

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<v Speaker 1>of like activist folk song from I want to say, well,

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<v Speaker 1>this song is kind of a bummer, and it's also

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<v Speaker 1>not a song that I really would have wanted her

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<v Speaker 1>to do at our concert, And I was like, why

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<v Speaker 1>is she doing this song? And towards the end of

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<v Speaker 1>the song, the curtains open and there's this big staircase

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<v Speaker 1>that she kind of ascends, and there's like big lights

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<v Speaker 1>behind her. It's this very anthemic, kind of fiery, dramatic moment,

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<v Speaker 1>and she goes to the top of the staircase and

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<v Speaker 1>at the end of this song, there's this really kind

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<v Speaker 1>of spooky voice distortion that happens. I kind of wish

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<v Speaker 1>she did it more on that album, to be honest,

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<v Speaker 1>but it's a very big note to end on, and

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<v Speaker 1>Casey at the top of the staircase, looks out to

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<v Speaker 1>the audience belt the last note of this song and

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<v Speaker 1>falls back perfectly and then disappears like in Black Fucking Swan.

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<v Speaker 1>It was. It was literally exactly black Swan. It was.

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<v Speaker 1>It was such a gag. It was high drag. I

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<v Speaker 1>was living. I I literally could not have had more

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<v Speaker 1>fun at this concert. And to be totally honest, I

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<v Speaker 1>kind of had lower expectations because this album was not

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<v Speaker 1>my favorite I did. What did you think of the

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<v Speaker 1>album star Crossed? Um? It was fine? You know, I

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<v Speaker 1>enjoyed it. It like it grew on me with time,

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<v Speaker 1>but it's not something I'm ever like, Oh, I gotta

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<v Speaker 1>listen to star Crossed. Yeah, I feel the same way.

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<v Speaker 1>I really like hookup scene and there as a Light.

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<v Speaker 1>I think those are stand up, but like, overall, I

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<v Speaker 1>felt like the whole album need had like a punch

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<v Speaker 1>up on the production, and I thought that I thought them.

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<v Speaker 1>The film was also kind of not whack, but just

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<v Speaker 1>like not enough. What the Virgins don't know is we

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<v Speaker 1>watched the first video from that film together and we're like, oh,

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<v Speaker 1>that was good, And then we watched Chloe Bailey's video

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<v Speaker 1>for Mercy and we were like, but I guess what

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<v Speaker 1>I'm trying to get at is the album was extremely

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<v Speaker 1>powerful to hear in person because Casey did still put

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<v Speaker 1>so much emotion into it, and also I felt like

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<v Speaker 1>her lyrics were really championed and her as a songwriter

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<v Speaker 1>is always going to be strong even if the production

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<v Speaker 1>isn't always there. Um. But yeah, anyways, I had a ball.

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<v Speaker 1>I wish you were there. You know, not much to

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<v Speaker 1>talk about this week. I mean, like drag Race was

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<v Speaker 1>kind of fine, the salt Like, I thought the drag

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<v Speaker 1>Race challenge was funny, but then the twist of the

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<v Speaker 1>soap opera being about farting. I don't like a fart joke.

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<v Speaker 1>I no, I don't like a fart joke. Wow, so

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<v Speaker 1>you hate fun I don't hate fun I like smarter. No,

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<v Speaker 1>I think a fart joke is funny the first couple

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<v Speaker 1>of times, but when it goes on for that long,

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<v Speaker 1>I guess by the end it did swing background being

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<v Speaker 1>funny again. I do forget sometimes that Rue has that

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<v Speaker 1>sense of humor though. Yeah, Ru, Rue like stuff that's

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<v Speaker 1>very simple, like very bare bones, like fart slapstick humor.

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<v Speaker 1>And I don't know, I felt like this is a

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<v Speaker 1>moment where like Rue and whoever is writing this ship

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<v Speaker 1>like really thrived, Like I love the challenge. You think

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<v Speaker 1>Rue wrote the script for the Delta. Yeah? Yeah, Ru

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<v Speaker 1>Rue in his office with with his quill and his ink. Well, um, yeah,

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<v Speaker 1>I I'm sure you were extremely mad that no one

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<v Speaker 1>was eliminated. I think that it's a little bit of ause,

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<v Speaker 1>but I'm hoping that means next week there will be

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<v Speaker 1>a quadruple elimination. Yeah right, Um, I feel like it

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<v Speaker 1>maybe when it comes down to the math, it was

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<v Speaker 1>always supposed to happen this way, Like there was always

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<v Speaker 1>supposed to be an episode where no one was eliminated

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<v Speaker 1>because there's so many episodes now for these seasons. Um,

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<v Speaker 1>I feel like it was deserved. I thought everyone killed

0:10:14.920 --> 0:10:18.720
<v Speaker 1>that runway shockingly. I thought that everyone did had a

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<v Speaker 1>passing grade on this sketch itself. Um, But like when

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<v Speaker 1>it comes down to like I don't know, like overall performance,

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<v Speaker 1>Like I mean Camden's runway where she fell and revealed

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<v Speaker 1>this year to completely unexpected, But like why was she

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<v Speaker 1>kicking so often? Was that a Freddie Mercury thing? Did

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<v Speaker 1>he kick a lot? I mean he's he was kind

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<v Speaker 1>of legging? Where is that maybe like her only move? Yeah,

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<v Speaker 1>I will say the Real House as of Salt Lake

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<v Speaker 1>finale was totally underwheling that season is still on. Well, yeah,

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<v Speaker 1>it's it's it felt like this season has been like

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<v Speaker 1>a thousand years um. But the most important takeaway from

0:11:00.480 --> 0:11:03.600
<v Speaker 1>the experience of watching The Real House Lives finale Rose

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<v Speaker 1>is that the Chichi Trainers we are eaten because in

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<v Speaker 1>a commercial for The Real House as Assault, like the finale,

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<v Speaker 1>we have now learned that Megan Trainer is hosting a

0:11:15.800 --> 0:11:20.079
<v Speaker 1>Peacock original of a kid's version of Top Chef called

0:11:20.320 --> 0:11:23.240
<v Speaker 1>Top Chef Family Style. I thought that we're going to

0:11:23.320 --> 0:11:27.120
<v Speaker 1>say something like Megan Trainer was hosting the reunion all

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<v Speaker 1>of Nikki hosting Potomac, or like Megan Trainer was joining

0:11:33.880 --> 0:11:36.240
<v Speaker 1>The House Lives a Salt Lake City, which, like I

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<v Speaker 1>actually would believe that would totally watch. I would believe that,

0:11:39.880 --> 0:11:42.000
<v Speaker 1>like she has a house there and that that's the

0:11:42.040 --> 0:11:45.440
<v Speaker 1>point her career is at. Can you imagine how underwhelming

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<v Speaker 1>it would be to watch her host a reunion? Literally

0:11:49.160 --> 0:11:51.440
<v Speaker 1>any I don't know that I've ever actually heard her speak,

0:11:51.920 --> 0:11:56.680
<v Speaker 1>so I she probably sounds like Julia Fox. So in

0:11:56.720 --> 0:11:58.840
<v Speaker 1>the finale, in the like the previous they showed that

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<v Speaker 1>Jenny is still the reunion, which I didn't realize. I

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<v Speaker 1>thought that she was the one who got fired, right,

0:12:04.200 --> 0:12:06.280
<v Speaker 1>she was the one that got fired and then Mary

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<v Speaker 1>also left, and I mean Jen is literally going to

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<v Speaker 1>be in jail by the time that the next season

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<v Speaker 1>is filmed, which means we'rely we're losing three housewives from

0:12:17.080 --> 0:12:21.199
<v Speaker 1>this franchise. I think maybe we should just lose the franchise. Um,

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<v Speaker 1>you wouldn't say that if you actually watched it. It is.

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<v Speaker 1>It is definitely a top tier franchise, if not my

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<v Speaker 1>favorite right now, Like, I think I even enjoyed it

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<v Speaker 1>more than I enjoyed this last season of Beverly Hills.

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<v Speaker 1>That's sacrilege. Are you happy to be in Belies? It

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<v Speaker 1>is so rare that there's something in pop culture that

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<v Speaker 1>you have experience that I never have. Yeah, Actually, this

0:12:55.000 --> 0:13:00.040
<v Speaker 1>is a nice little turning of the tables. Um. I

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<v Speaker 1>for years people have been telling me that I needed

0:13:02.000 --> 0:13:04.120
<v Speaker 1>to watch Obsessed, and I don't know why I never did.

0:13:04.400 --> 0:13:06.880
<v Speaker 1>And I'm honestly shocked that I didn't see it when

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<v Speaker 1>it came out because two thousand nine, like, what, you know,

0:13:11.960 --> 0:13:14.040
<v Speaker 1>what was I doing? Yeah? What were you doing? I

0:13:14.080 --> 0:13:16.280
<v Speaker 1>was graduating. I was doing a lot of drugs action,

0:13:16.760 --> 0:13:20.200
<v Speaker 1>so that that actually makes a lot of sense. It was,

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<v Speaker 1>if I remember correctly, like a box office hit. It is,

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<v Speaker 1>I think, Um, it's the only film. It's only feature

0:13:27.040 --> 0:13:32.120
<v Speaker 1>film that Parkwood Productions, which is Beyonce's production company UM produced,

0:13:32.160 --> 0:13:35.760
<v Speaker 1>other than Cadillac Records and Black Is Gang, which isn't Beyonce.

0:13:35.960 --> 0:13:39.640
<v Speaker 1>Beyonce Knowles is listed as an executive producer. Well, I

0:13:39.760 --> 0:13:42.760
<v Speaker 1>noticed when I watched the movie last night. Yes, today

0:13:42.800 --> 0:13:45.160
<v Speaker 1>we were talking about Obsessed to the two thousand nine

0:13:45.200 --> 0:13:49.760
<v Speaker 1>films starring Beyonce Elba, Ali Larder, and we'll get into,

0:13:49.920 --> 0:13:51.840
<v Speaker 1>you know, the thick of it, maybe a slightly broader

0:13:51.880 --> 0:13:56.800
<v Speaker 1>conversation about this trope of the murderous scorned woman, a

0:13:56.840 --> 0:13:59.719
<v Speaker 1>trope that Rose dam You did in fact invent and

0:14:00.080 --> 0:14:03.439
<v Speaker 1>in herself. Well, if like me, you've never seen the

0:14:03.480 --> 0:14:10.240
<v Speaker 1>film film Obsessed, um, here's a quick recap. Beyonce is

0:14:10.320 --> 0:14:15.480
<v Speaker 1>married to Idris Elba. Her name uh in a in

0:14:15.520 --> 0:14:18.880
<v Speaker 1>a in a turn that made me feel absolutely psychotic.

0:14:19.320 --> 0:14:23.680
<v Speaker 1>Her character's name is Sharon, which is just not realistic

0:14:24.040 --> 0:14:26.800
<v Speaker 1>at all. For someone who looks like Beyonce to be

0:14:26.960 --> 0:14:30.200
<v Speaker 1>named Sharon. It would just it simply would would never happen.

0:14:30.240 --> 0:14:32.280
<v Speaker 1>There there's so many things I kept waiting for a

0:14:32.320 --> 0:14:35.160
<v Speaker 1>twist that like she had a secret identity. Yeah, if if,

0:14:35.200 --> 0:14:37.880
<v Speaker 1>if there was a supernatural twist, I could suspend my belief.

0:14:37.960 --> 0:14:40.080
<v Speaker 1>But I draw the line at someone who looks like

0:14:40.080 --> 0:14:43.840
<v Speaker 1>Beyonce named Sharon. So Beyonce is married to Idris Elba.

0:14:44.000 --> 0:14:46.840
<v Speaker 1>She actually used to be his assistant at his law firm,

0:14:46.960 --> 0:14:50.000
<v Speaker 1>and they have since fallen in love, gotten married, had

0:14:50.040 --> 0:14:53.120
<v Speaker 1>a child a child who will become important to the

0:14:53.120 --> 0:14:58.000
<v Speaker 1>plot later. Um and Idris um is you know, working

0:14:58.040 --> 0:15:01.360
<v Speaker 1>in the city and he there's a new temp but

0:15:01.480 --> 0:15:05.440
<v Speaker 1>his office, played by Ali Larder of Heroes and legally

0:15:05.480 --> 0:15:09.320
<v Speaker 1>blonde fame and for at the time, Ali was I'd

0:15:09.320 --> 0:15:11.040
<v Speaker 1>never heard of her before, but she was kind of

0:15:11.080 --> 0:15:14.480
<v Speaker 1>everywhere around she was. She was definitely moving and shaken

0:15:14.520 --> 0:15:19.040
<v Speaker 1>around this time because because specifically Heroes Um because Heroes

0:15:19.120 --> 0:15:22.360
<v Speaker 1>was like such a big cultural moment. So Ali Larder

0:15:22.760 --> 0:15:28.360
<v Speaker 1>starts temping at Idris's law firm and becomes obsessed with

0:15:28.480 --> 0:15:34.880
<v Speaker 1>him and starts like manufacturing run ins between the two

0:15:34.880 --> 0:15:39.560
<v Speaker 1>of them, and increasingly like you see Adris be like, oh,

0:15:39.600 --> 0:15:42.080
<v Speaker 1>this is kind of weird. Should I say something to

0:15:42.120 --> 0:15:44.560
<v Speaker 1>my wife? And then he doesn't because he thinks saying

0:15:44.600 --> 0:15:47.920
<v Speaker 1>something will just like make it into something it's not

0:15:48.520 --> 0:15:51.880
<v Speaker 1>until eventually it comes out ahead at the company Christmas party,

0:15:51.960 --> 0:15:55.040
<v Speaker 1>where Ali Larder like throws it back at him the

0:15:55.240 --> 0:15:57.880
<v Speaker 1>kind in the restroom if you can't see me, Like

0:15:58.560 --> 0:16:01.640
<v Speaker 1>it's kind of a movement. It's like gazelle like kind

0:16:01.680 --> 0:16:04.160
<v Speaker 1>of like white girl dance. That's happening. And so now

0:16:04.240 --> 0:16:07.520
<v Speaker 1>Adris knows that Ali Larder wants him, but he like

0:16:07.720 --> 0:16:12.040
<v Speaker 1>again weirdly like doesn't I This was one thing that

0:16:12.080 --> 0:16:13.880
<v Speaker 1>was so confusing to me was that like he had

0:16:13.920 --> 0:16:18.360
<v Speaker 1>many chances to say, like go to HR or be

0:16:18.440 --> 0:16:21.960
<v Speaker 1>like hey, this woman is like harassing me, like she's

0:16:21.960 --> 0:16:25.400
<v Speaker 1>attempt get rid of her. And so Ali Larder, it

0:16:25.520 --> 0:16:28.680
<v Speaker 1>becomes clear like his manufactured this relationship between the two

0:16:28.760 --> 0:16:31.600
<v Speaker 1>of them and does crazy things like she shows up

0:16:31.600 --> 0:16:36.080
<v Speaker 1>in his car with only underwear on, she leaves the

0:16:36.120 --> 0:16:40.000
<v Speaker 1>company because to be with him, because like they can't

0:16:40.000 --> 0:16:43.280
<v Speaker 1>have a relationship. And then she shows up his business

0:16:43.320 --> 0:16:46.960
<v Speaker 1>trip drugs him and I forgot that, drugs him and

0:16:47.000 --> 0:16:50.840
<v Speaker 1>sexually assaults him. Um, I forgot about that. And then

0:16:50.920 --> 0:16:54.560
<v Speaker 1>when he like really like tells her like you're crazy.

0:16:54.600 --> 0:16:57.320
<v Speaker 1>This isn't happening. She o d s in his bed

0:16:57.880 --> 0:17:00.640
<v Speaker 1>and is taken to the hospital, where like a detective

0:17:00.640 --> 0:17:05.320
<v Speaker 1>starts an investigation. Beyond well, Sharon finds out about it, Um,

0:17:05.400 --> 0:17:08.880
<v Speaker 1>and they all like kind of quickly go from like

0:17:09.440 --> 0:17:11.800
<v Speaker 1>what like what did he do to this girl, like

0:17:12.160 --> 0:17:15.080
<v Speaker 1>you know, taking it as the way it looks, to like, oh,

0:17:15.200 --> 0:17:18.439
<v Speaker 1>I guess she is actually crazy. Because Ali Larder, like

0:17:18.640 --> 0:17:21.400
<v Speaker 1>after getting out of the hospital and like going with

0:17:21.440 --> 0:17:24.680
<v Speaker 1>her sister, Um comes to their house one night after

0:17:24.760 --> 0:17:29.280
<v Speaker 1>Beyonce has forgiven Adris Elba, and they think that she

0:17:29.359 --> 0:17:33.000
<v Speaker 1>has stolen Beyonce's child because the child is missing, and

0:17:33.040 --> 0:17:35.919
<v Speaker 1>then it turns out she like put him in a car.

0:17:36.600 --> 0:17:39.920
<v Speaker 1>So then it all comes to a head when Ali

0:17:40.000 --> 0:17:43.160
<v Speaker 1>Larder shows up at the house and Beyonce has forgotten

0:17:43.200 --> 0:17:46.560
<v Speaker 1>to put in the security code, which come on girl.

0:17:47.400 --> 0:17:50.399
<v Speaker 1>Actually this morning, coming into the studio, the security alarm

0:17:50.520 --> 0:17:54.160
<v Speaker 1>went off, and I found myself thinking like if only

0:17:54.160 --> 0:17:57.800
<v Speaker 1>this had happened in Beyonce's home. Of course, Um, so

0:17:58.040 --> 0:18:00.960
<v Speaker 1>Beyonce and Ali Larder have a fight to death, which

0:18:01.000 --> 0:18:03.640
<v Speaker 1>is like the set piece of the film and which

0:18:03.680 --> 0:18:06.640
<v Speaker 1>I discovered last night upon doing some research. It took

0:18:06.640 --> 0:18:09.760
<v Speaker 1>them a week to film it, no way, and then

0:18:09.880 --> 0:18:14.199
<v Speaker 1>Beyonce gets Ali Larder. In the end, Sharon wins and

0:18:14.240 --> 0:18:17.960
<v Speaker 1>Ali Larder dies, and then Beyonce and DRI's elbow like

0:18:18.160 --> 0:18:21.359
<v Speaker 1>hug and make up at the end where Okay, there's

0:18:21.359 --> 0:18:23.520
<v Speaker 1>never really so that is that is the plot of

0:18:23.560 --> 0:18:27.120
<v Speaker 1>the movie. Essentially, my let me let me say this.

0:18:27.840 --> 0:18:31.160
<v Speaker 1>I was obsessed. I think it's the best movie ever made. Okay, amazing.

0:18:31.200 --> 0:18:33.199
<v Speaker 1>I was going to ask because obviously you and I

0:18:33.240 --> 0:18:36.600
<v Speaker 1>had the exact same first impression, which was why is

0:18:36.600 --> 0:18:38.560
<v Speaker 1>her name Sharon? But why is her name? Your second

0:18:38.560 --> 0:18:41.280
<v Speaker 1>impression was like what was the second was? This is incredible?

0:18:41.400 --> 0:18:43.439
<v Speaker 1>I loved it. I had so much fun watching it.

0:18:43.840 --> 0:18:47.920
<v Speaker 1>But I was also very confused because I wasn't confused

0:18:47.920 --> 0:18:49.960
<v Speaker 1>by anything that happened. I was confused by like the

0:18:49.960 --> 0:18:53.000
<v Speaker 1>way people reacted to things. And I understand that these

0:18:53.040 --> 0:18:55.240
<v Speaker 1>things needed to happen for the plot of this film,

0:18:55.600 --> 0:18:58.080
<v Speaker 1>but like, if you take that away, it makes no

0:18:58.160 --> 0:19:02.080
<v Speaker 1>sense that Drew's elbow wasn't like, um, this woman is

0:19:02.119 --> 0:19:06.119
<v Speaker 1>like harassing me, she needs to go um, and you

0:19:06.240 --> 0:19:11.119
<v Speaker 1>do like he even if he didn't cheat with this woman,

0:19:11.920 --> 0:19:15.520
<v Speaker 1>he had so many options to like do the right thing,

0:19:15.680 --> 0:19:18.879
<v Speaker 1>tell the truth, be like this is crazy, Um, you

0:19:18.920 --> 0:19:21.040
<v Speaker 1>need to stop this, tell his wife what was going on?

0:19:21.240 --> 0:19:24.440
<v Speaker 1>And so and by the end of the movie, even

0:19:24.520 --> 0:19:27.520
<v Speaker 1>though they have survived and this woman hasn't gotten what

0:19:27.560 --> 0:19:30.440
<v Speaker 1>she wanted, which like she didn't get Adris Elba or

0:19:31.040 --> 0:19:34.560
<v Speaker 1>you know, the baby, Sharon has come out on top.

0:19:34.720 --> 0:19:39.600
<v Speaker 1>Like how does Beyonce go back to him at the

0:19:39.720 --> 0:19:44.040
<v Speaker 1>end because he has created a situation in which she

0:19:44.160 --> 0:19:47.560
<v Speaker 1>had to kill a woman in her own home and

0:19:47.680 --> 0:19:51.399
<v Speaker 1>be scarred by that forever. So like, how do you, like,

0:19:53.160 --> 0:19:54.760
<v Speaker 1>how do you go back to like getting fro you

0:19:55.000 --> 0:19:58.280
<v Speaker 1>with that person? I like what I don't think that

0:19:58.359 --> 0:20:00.480
<v Speaker 1>if there was an obsessed to I think it would

0:20:00.520 --> 0:20:04.200
<v Speaker 1>be about their divorce. Okay, so you're you're I'm picking

0:20:04.280 --> 0:20:05.960
<v Speaker 1>up on some of the things you're reacting to, And

0:20:06.000 --> 0:20:07.879
<v Speaker 1>I think that it should be said that this movie

0:20:08.040 --> 0:20:10.119
<v Speaker 1>did pretty good in the box office, but it was

0:20:10.160 --> 0:20:13.600
<v Speaker 1>a critical flop obviously, and a lot of things yeah

0:20:13.640 --> 0:20:16.080
<v Speaker 1>I know, yeah exactly, and a lot of the things

0:20:16.160 --> 0:20:18.520
<v Speaker 1>that people were talking about. We're just what you're naming,

0:20:18.520 --> 0:20:21.679
<v Speaker 1>is that the kind of emotional and relational steaks of

0:20:21.720 --> 0:20:26.399
<v Speaker 1>these three characters are a bit off, and because it is,

0:20:26.560 --> 0:20:29.639
<v Speaker 1>you know, so such a kind of carbon copy of

0:20:29.720 --> 0:20:32.359
<v Speaker 1>movies we've seen before, they were like, well, this is

0:20:32.400 --> 0:20:36.840
<v Speaker 1>like a lower stakes, moralistic kind of version of well

0:20:37.000 --> 0:20:39.800
<v Speaker 1>those films. Yeah. I think like some of the criticism

0:20:40.160 --> 0:20:43.160
<v Speaker 1>and the little bit of research I did is that

0:20:43.840 --> 0:20:46.920
<v Speaker 1>at the time, people were like, this is bad because

0:20:47.400 --> 0:20:49.760
<v Speaker 1>we don't understand why these people are doing the things

0:20:49.760 --> 0:20:52.720
<v Speaker 1>that they're doing. Like they never explain why Ali Lard

0:20:52.720 --> 0:20:55.600
<v Speaker 1>are so obsessed with but other than like he's hot

0:20:56.600 --> 0:21:00.720
<v Speaker 1>because they never have sex, they even yeah, if this

0:21:00.840 --> 0:21:04.040
<v Speaker 1>was no, they don't well she I mean she assaults him, right,

0:21:04.080 --> 0:21:07.120
<v Speaker 1>I mean, if this was like a Hitchcock film, which

0:21:07.119 --> 0:21:09.480
<v Speaker 1>like there is some kind of like Hitchcock e and

0:21:09.760 --> 0:21:12.360
<v Speaker 1>thing going on here, you know, we would find out

0:21:12.640 --> 0:21:15.720
<v Speaker 1>Ali Larter's tragic backstory where she had been like assaulted

0:21:15.760 --> 0:21:18.720
<v Speaker 1>as a child or something. That's a very trophy thing

0:21:18.760 --> 0:21:21.520
<v Speaker 1>with these movies, like you find out why the crazy

0:21:21.560 --> 0:21:26.000
<v Speaker 1>woman is crazy, um, and in this there's no explanation

0:21:26.080 --> 0:21:29.200
<v Speaker 1>of it. And something else to me that stuck out

0:21:29.359 --> 0:21:34.199
<v Speaker 1>was that Idris is never really tempted like his like

0:21:34.240 --> 0:21:37.600
<v Speaker 1>I mean, besides like he he looks at her legs,

0:21:37.720 --> 0:21:41.119
<v Speaker 1>you know, when they first meet, he notices that she's hot,

0:21:41.160 --> 0:21:43.520
<v Speaker 1>Like he thinks she's hot enough to to lie to

0:21:43.640 --> 0:21:46.879
<v Speaker 1>his wife about it, exactly, asks him like if she

0:21:47.119 --> 0:21:48.800
<v Speaker 1>is your new assistant attractive? And he's like, no, is

0:21:48.800 --> 0:21:51.560
<v Speaker 1>your ugly? Yeah? Yeah exactly, yeah yeah, And so I

0:21:51.600 --> 0:21:55.040
<v Speaker 1>think that that it's like it kind of renders Idris

0:21:55.080 --> 0:21:57.119
<v Speaker 1>to be renders all three of them to be like

0:21:57.320 --> 0:22:02.640
<v Speaker 1>very uncomplicated characters. Like I think the film, and I think, honestly,

0:22:02.720 --> 0:22:06.480
<v Speaker 1>because it was done by Parkwood Productions and because Beyonce

0:22:06.720 --> 0:22:09.160
<v Speaker 1>was maybe over this, it would make sense to me

0:22:09.440 --> 0:22:13.119
<v Speaker 1>that these characters would kind of champion fidelity instead of

0:22:13.200 --> 0:22:16.520
<v Speaker 1>like trying to nuance our challenge. Well, because Idris even

0:22:16.600 --> 0:22:20.000
<v Speaker 1>says once he and Beyonce have reconciled and like they

0:22:20.000 --> 0:22:22.639
<v Speaker 1>go to dinner on his birthday, he asks her if

0:22:22.680 --> 0:22:25.160
<v Speaker 1>she wants a divorce and she says, we don't get

0:22:25.160 --> 0:22:29.200
<v Speaker 1>divorces in my family exact, and that, oh my god,

0:22:29.240 --> 0:22:32.400
<v Speaker 1>that is such a like a kind of which it's

0:22:32.400 --> 0:22:36.240
<v Speaker 1>a microcosm of, to be honest, Beyonce culture, like Beyonce

0:22:36.760 --> 0:22:40.120
<v Speaker 1>is like we all saw Lemonade. We all well there

0:22:40.240 --> 0:22:43.200
<v Speaker 1>is a direct line from obsessed to lemonate. We've seen

0:22:43.400 --> 0:22:46.160
<v Speaker 1>the live performance of resentment in the wedding dress. Okay,

0:22:46.160 --> 0:22:49.960
<v Speaker 1>we know that fidelity is something that Beyonce champions in

0:22:50.080 --> 0:22:52.760
<v Speaker 1>kind of almost old school way. Yeah, I mean, well

0:22:52.800 --> 0:22:55.600
<v Speaker 1>it seems kind of faith based. Yeah, and obviously it

0:22:55.640 --> 0:22:57.840
<v Speaker 1>has to do with like blackness, that has to do

0:22:57.920 --> 0:23:00.760
<v Speaker 1>with like ways you grow up religious. Um, but like

0:23:00.880 --> 0:23:05.119
<v Speaker 1>it has I think to me, it makes total sense

0:23:05.160 --> 0:23:07.600
<v Speaker 1>that Idris would never not once cheat, you know what

0:23:07.640 --> 0:23:09.960
<v Speaker 1>I mean. But it also makes it kind of boring,

0:23:10.440 --> 0:23:12.840
<v Speaker 1>makes him boring, It makes movie a little boring. Well,

0:23:12.840 --> 0:23:15.760
<v Speaker 1>there's also this like missed opportunity and like I'm not

0:23:15.960 --> 0:23:19.199
<v Speaker 1>saying that race should have played a bigger part in

0:23:19.240 --> 0:23:22.840
<v Speaker 1>this film, but like when Ali Larder is like using

0:23:23.480 --> 0:23:27.520
<v Speaker 1>the fact that she could get him in trouble by

0:23:27.600 --> 0:23:30.919
<v Speaker 1>the way that things look, you know, to manipulate him,

0:23:30.960 --> 0:23:34.880
<v Speaker 1>Like it goes kind of unsaid this dynamic between them

0:23:34.880 --> 0:23:36.240
<v Speaker 1>that he is a black man and she is a

0:23:36.240 --> 0:23:39.800
<v Speaker 1>white woman, and it's like it's like they're thrumming under

0:23:39.800 --> 0:23:42.720
<v Speaker 1>the surface and you're waiting for the movie to dig

0:23:42.800 --> 0:23:45.600
<v Speaker 1>into it a little and it just never does. And

0:23:45.640 --> 0:23:48.280
<v Speaker 1>it feels kind of like, I mean, yes, on the

0:23:48.320 --> 0:23:50.600
<v Speaker 1>one hand, like it's cool that we're that in two

0:23:50.600 --> 0:23:52.560
<v Speaker 1>thousand nine we had a movie like this where like

0:23:53.320 --> 0:23:55.600
<v Speaker 1>their race wasn't a huge part of it, but it

0:23:55.640 --> 0:23:59.320
<v Speaker 1>also feels kind of weird and like defanged that it's

0:23:59.440 --> 0:24:02.240
<v Speaker 1>like never even addressed. Yeah, and obviously this is a

0:24:02.240 --> 0:24:05.000
<v Speaker 1>conversation for a podcast that is in ours, but like

0:24:05.040 --> 0:24:07.960
<v Speaker 1>this was before Beyonce was like talking about her race,

0:24:08.080 --> 0:24:09.639
<v Speaker 1>you know what I mean. But I think that what

0:24:09.680 --> 0:24:12.000
<v Speaker 1>you're touching on is like the fact that like a

0:24:12.040 --> 0:24:14.120
<v Speaker 1>lot of people were coming taking away from this being

0:24:14.119 --> 0:24:17.600
<v Speaker 1>like there were like missed opportunities in how this relationship,

0:24:17.720 --> 0:24:21.280
<v Speaker 1>especially between Ali and Idris, was like racialized. But I

0:24:21.320 --> 0:24:25.040
<v Speaker 1>felt like, um, there's a lot, as you're saying, thrumming

0:24:25.080 --> 0:24:27.400
<v Speaker 1>under the surface. It really was kind of there because

0:24:27.520 --> 0:24:31.040
<v Speaker 1>there's a very kind of like scary victimy white girl

0:24:31.040 --> 0:24:34.399
<v Speaker 1>moment where she kind of like victimizes herself to like

0:24:34.480 --> 0:24:37.280
<v Speaker 1>protect all the lying and assaulting that she's been doing.

0:24:37.640 --> 0:24:39.119
<v Speaker 1>And then I think there's even a moment where like

0:24:39.119 --> 0:24:41.480
<v Speaker 1>Beyonce is like get your skinny us over here something

0:24:41.520 --> 0:24:45.199
<v Speaker 1>like that. Like there's there's components of like race and

0:24:45.359 --> 0:24:49.000
<v Speaker 1>like this like really weird power dynamic between the three

0:24:49.040 --> 0:24:52.000
<v Speaker 1>of them that creeps through. But yeah, I agree, they're

0:24:52.040 --> 0:24:54.920
<v Speaker 1>they're completely unexplored. Yeah it doesn't. It like does not

0:24:55.160 --> 0:24:58.800
<v Speaker 1>lean far enough into being a psycho sexual thriller in

0:24:58.840 --> 0:25:03.720
<v Speaker 1>the vein of something like a fatal attraction or a

0:25:03.720 --> 0:25:07.200
<v Speaker 1>basic instinct. Also, Beyonce is just not in the movie enough,

0:25:07.320 --> 0:25:10.399
<v Speaker 1>Like no, she's she's She's essentially a supporting character. And

0:25:10.440 --> 0:25:12.120
<v Speaker 1>I guess that makes sense because I'm sure she did

0:25:12.160 --> 0:25:16.480
<v Speaker 1>like two weeks on this tops and that's probably why

0:25:16.760 --> 0:25:19.520
<v Speaker 1>she was attracted to it. But I could have used

0:25:19.600 --> 0:25:22.760
<v Speaker 1>more Sharon, even though Sharon is a crazy name for

0:25:22.800 --> 0:25:26.040
<v Speaker 1>Beyonce to have in this um. Even though we're leading

0:25:26.080 --> 0:25:28.720
<v Speaker 1>with kind of the negative things about it, obviously, the

0:25:28.760 --> 0:25:31.720
<v Speaker 1>thing that no one can forget is like this kind

0:25:31.720 --> 0:25:35.879
<v Speaker 1>of final deathmatch between Sharon and Ali. Where's Atris and

0:25:35.880 --> 0:25:38.440
<v Speaker 1>all of it. Again, He's driving, he's at work because

0:25:38.480 --> 0:25:40.680
<v Speaker 1>they're they're about to go on a trip, and Beyonce

0:25:41.160 --> 0:25:44.200
<v Speaker 1>is leaving the day before him, and she leaves the house,

0:25:44.280 --> 0:25:46.480
<v Speaker 1>forgets to set the alarm and goes back to set it,

0:25:46.520 --> 0:25:49.280
<v Speaker 1>and Ali Larter is there and Beyonce has left her

0:25:49.280 --> 0:25:53.159
<v Speaker 1>a message on her phone previously saying like you know

0:25:53.240 --> 0:25:55.639
<v Speaker 1>who this is? Yeah, you know I'm gonna beat your

0:25:55.680 --> 0:26:00.520
<v Speaker 1>assot And then when she shows up the house, she

0:26:00.600 --> 0:26:03.040
<v Speaker 1>was like, I see you didn't get my message. Yes,

0:26:03.600 --> 0:26:06.359
<v Speaker 1>that Beyonce leaving that phone message is the best. Mean.

0:26:06.720 --> 0:26:09.760
<v Speaker 1>Beyonce has some amazing lines, which when she kicks Atris

0:26:09.760 --> 0:26:11.600
<v Speaker 1>out and he's like, where am I supposed to go?

0:26:11.640 --> 0:26:14.680
<v Speaker 1>And she says to hell? But until that, I suggest

0:26:14.720 --> 0:26:21.000
<v Speaker 1>the fourth season like incredible, incredible, or when she says

0:26:21.119 --> 0:26:24.440
<v Speaker 1>get out of my house, she screams at get out

0:26:24.440 --> 0:26:28.119
<v Speaker 1>of my house. She's so good. Yeah, and she her

0:26:28.160 --> 0:26:33.200
<v Speaker 1>Beyonce is someone who understands line delivery. She has comedic timing.

0:26:33.600 --> 0:26:35.600
<v Speaker 1>I think it's like, I mean, if you don't know,

0:26:35.640 --> 0:26:39.000
<v Speaker 1>like Beyonce was nominated for several Razzies, I think for

0:26:39.040 --> 0:26:42.720
<v Speaker 1>this film, Like, um, the film was like widely made

0:26:42.720 --> 0:26:45.560
<v Speaker 1>fun of. I wonder how many Oscar nominees are also

0:26:45.680 --> 0:26:48.880
<v Speaker 1>Razzi nominees. Oh, I do know that they did win

0:26:49.000 --> 0:26:56.320
<v Speaker 1>an MTV Intersectionality Yeah the intersection So in intersectionality means

0:26:56.359 --> 0:26:58.680
<v Speaker 1>you have an MTVM Music Award, but you lost a

0:26:58.800 --> 0:27:03.000
<v Speaker 1>Razzie and failed to get the nom for an oscar Um.

0:27:03.040 --> 0:27:06.000
<v Speaker 1>But yeah, I'm said that. Like I mean, first of all,

0:27:06.040 --> 0:27:09.240
<v Speaker 1>the Razzies are like kind of an abhorrent thing, sometimes

0:27:09.400 --> 0:27:12.200
<v Speaker 1>even so widely misogynistic. And also we have to say

0:27:12.240 --> 0:27:15.800
<v Speaker 1>like this, like when people say this is a critical flop,

0:27:15.880 --> 0:27:18.240
<v Speaker 1>like a lot of this is around like Rotten Tomatoes culture,

0:27:18.320 --> 0:27:20.520
<v Speaker 1>and like it's less true now, but at the time

0:27:20.600 --> 0:27:24.159
<v Speaker 1>Rotten Tomatoes is like percent like white guys, you know what.

0:27:24.640 --> 0:27:27.560
<v Speaker 1>And also like this, that's not how this movie is remembered.

0:27:27.560 --> 0:27:31.480
<v Speaker 1>It's a cult classic. Also, something that people forget about this,

0:27:31.960 --> 0:27:34.760
<v Speaker 1>I think because I haven't really seen anyone talk about it,

0:27:34.800 --> 0:27:38.640
<v Speaker 1>is that it's a Christmas movie. No, it's like it

0:27:38.720 --> 0:27:41.920
<v Speaker 1>was a Christmas movie because kind of a Christmas party. Yeah,

0:27:41.960 --> 0:27:46.240
<v Speaker 1>that's like the inciting incident between Idris and Ali Larder.

0:27:46.400 --> 0:27:49.280
<v Speaker 1>Oh my god, I forgot about that way, So why

0:27:49.280 --> 0:27:51.679
<v Speaker 1>are we doing it? It kind of like the first

0:27:51.840 --> 0:27:56.320
<v Speaker 1>third of the movie takes place during Christmas? No way. Wow, honestly,

0:27:56.480 --> 0:28:00.600
<v Speaker 1>um missed opportunity for a Destiny's Child is a Christmas

0:28:00.640 --> 0:28:03.560
<v Speaker 1>needle drop. Well, well, you know, the music in the

0:28:03.600 --> 0:28:06.480
<v Speaker 1>movie does slap there. It's a very good soundtrack. There's

0:28:06.680 --> 0:28:10.280
<v Speaker 1>a really good Sam Sparrow song that plays American Boy

0:28:10.280 --> 0:28:16.600
<v Speaker 1>by a Spell which love Also um so, Idris has

0:28:17.040 --> 0:28:20.359
<v Speaker 1>a gay assistant and it's like telegraphed very early on

0:28:20.400 --> 0:28:23.159
<v Speaker 1>that he's gay, and Beyonce has like laid down a

0:28:23.200 --> 0:28:25.560
<v Speaker 1>decree that he's not allowed to have female assistance because

0:28:25.560 --> 0:28:27.960
<v Speaker 1>the last time he did it was her and they

0:28:28.040 --> 0:28:31.160
<v Speaker 1>wound up married. Okay, if I ever had a husband,

0:28:31.680 --> 0:28:33.520
<v Speaker 1>I think I would kind of want my husband to

0:28:33.520 --> 0:28:35.760
<v Speaker 1>have a hot assistant because it would make me very competitive.

0:28:35.800 --> 0:28:37.600
<v Speaker 1>Would but would you want him to have a hot

0:28:37.600 --> 0:28:42.240
<v Speaker 1>assistant if you had already been that hot assistant? I mean,

0:28:43.120 --> 0:28:46.280
<v Speaker 1>because you know that this person is predisposed to, like,

0:28:46.680 --> 0:28:49.920
<v Speaker 1>I think it's okay to funk their assistant. I mean yeah,

0:28:50.080 --> 0:28:52.120
<v Speaker 1>because it would you know, give me the opportunity to,

0:28:52.360 --> 0:28:54.640
<v Speaker 1>I don't know, drop a chandelier on them or something

0:28:55.120 --> 0:28:59.800
<v Speaker 1>I'm gonna swing from the Yeah that's actually Beyonce, was

0:29:00.440 --> 0:29:03.800
<v Speaker 1>she She She asked requested that that music be played

0:29:03.840 --> 0:29:07.040
<v Speaker 1>in you know, in the early stages of this cat

0:29:07.120 --> 0:29:10.280
<v Speaker 1>and mouse game between Ali Larder and Aadris Elba, like

0:29:10.600 --> 0:29:13.160
<v Speaker 1>they do become friendly because of the way that she

0:29:13.320 --> 0:29:15.600
<v Speaker 1>the ways in which she manipulates him, which is like

0:29:15.960 --> 0:29:19.640
<v Speaker 1>by staging this like you know, breakdown in the break

0:29:19.720 --> 0:29:21.800
<v Speaker 1>room at work where she's crying about a guy and

0:29:21.840 --> 0:29:24.360
<v Speaker 1>he like comforts her and then they start. I am

0:29:24.480 --> 0:29:32.920
<v Speaker 1>NG And her screen name is temp Girl, which which

0:29:33.000 --> 0:29:36.440
<v Speaker 1>definitely to me is like a spiritual sister to Carrie

0:29:36.480 --> 0:29:41.200
<v Speaker 1>Bradshaw's screen name, which is shoe Gal. Also, Temp Girl

0:29:41.400 --> 0:29:44.200
<v Speaker 1>sounds like a separate movie that I would watch. Yeah,

0:29:44.240 --> 0:29:46.640
<v Speaker 1>it's like when me, I'm a temporary girl because I

0:29:46.640 --> 0:29:50.000
<v Speaker 1>transitioned and then I will eventually wait, what was your

0:29:50.120 --> 0:29:52.200
<v Speaker 1>screen name? Have we talked about this? I think we have.

0:29:52.320 --> 0:29:55.320
<v Speaker 1>But my like original a I AM screen name for

0:29:55.360 --> 0:29:58.760
<v Speaker 1>a while was well I thought when I when when

0:29:58.760 --> 0:30:00.800
<v Speaker 1>I made it, I thought it was I am Psycho

0:30:00.880 --> 0:30:03.360
<v Speaker 1>because I was like a goth. But I spelled it

0:30:03.400 --> 0:30:06.680
<v Speaker 1>wrong and so it was actually I am Fisco, I

0:30:06.760 --> 0:30:14.000
<v Speaker 1>am I just choked on my own spit mine mine

0:30:14.040 --> 0:30:17.000
<v Speaker 1>like miss Jennerman. Mine was frand man one S three

0:30:17.240 --> 0:30:22.320
<v Speaker 1>brand man, Oh my god. And then of course it

0:30:22.440 --> 0:30:26.840
<v Speaker 1>became later became friends Squitch go ahead, but adriss gay Assistant,

0:30:26.920 --> 0:30:30.960
<v Speaker 1>Like there's a moment where he calls the gay assistant

0:30:30.960 --> 0:30:33.480
<v Speaker 1>and Ali Larder in to talk to him, and he's like,

0:30:33.680 --> 0:30:38.239
<v Speaker 1>all right, ladies, let's go. He does, he does, and

0:30:38.280 --> 0:30:40.840
<v Speaker 1>then Ali Larder at one point calls the gay assistant,

0:30:40.880 --> 0:30:45.360
<v Speaker 1>you silly old queen. Wait wait, wait a second, we

0:30:45.400 --> 0:30:47.720
<v Speaker 1>need a whole other movie about this gay assistant, because

0:30:47.760 --> 0:30:51.400
<v Speaker 1>that is to me. The gay assistant also like gives

0:30:51.440 --> 0:30:53.960
<v Speaker 1>Ali Larder a lot of the information she needs to

0:30:55.040 --> 0:31:13.320
<v Speaker 1>um to trick Adris Elba. The most pressing question I

0:31:13.360 --> 0:31:17.160
<v Speaker 1>had when watching this movie is has Beyonce ever celebrated

0:31:17.160 --> 0:31:21.320
<v Speaker 1>Ali Larter's birthday on beyonce dot com. Absolutely not, no way.

0:31:21.520 --> 0:31:26.320
<v Speaker 1>I'm sure that they got dot com Ali Larder. Beyonce

0:31:26.600 --> 0:31:30.280
<v Speaker 1>has a very small class of christened white women that

0:31:30.400 --> 0:31:34.720
<v Speaker 1>she wishes a happy birthday too. It's Reese Witherspoon, it's

0:31:34.920 --> 0:31:38.360
<v Speaker 1>I don't know, Adele. Maybe I'm hoping that one year

0:31:38.480 --> 0:31:42.840
<v Speaker 1>soon Beyonce will do a birthday post for Ali Larder.

0:31:42.920 --> 0:31:45.080
<v Speaker 1>I thought you were going to say for you, You're

0:31:45.080 --> 0:31:47.600
<v Speaker 1>gonna me. I don't think that that's never gonna happen.

0:31:47.760 --> 0:31:51.360
<v Speaker 1>Oh um. Ali Larterer sends Adris Elba a bunch of

0:31:51.400 --> 0:31:54.720
<v Speaker 1>sexy photos at one point and in them she's wearing

0:31:54.720 --> 0:32:01.120
<v Speaker 1>a Fedora, not the Fedora Fedora this is two thousand nine.

0:32:01.240 --> 0:32:04.120
<v Speaker 1>I mean, Jason Mraz was very prevalent during this time,

0:32:04.200 --> 0:32:06.320
<v Speaker 1>his impact, his Foedor and did you ever own a

0:32:06.320 --> 0:32:09.120
<v Speaker 1>Fedora girl? Jason Mraz was not only one of my

0:32:09.120 --> 0:32:12.840
<v Speaker 1>favorite music artists, but I did own several Fedora's. Have

0:32:12.920 --> 0:32:16.000
<v Speaker 1>you ever seen Jason Mraz live? Yeah? I did own

0:32:16.000 --> 0:32:19.640
<v Speaker 1>a Fedora one. Did you really? There's no shame, you know,

0:32:19.680 --> 0:32:21.920
<v Speaker 1>we we are you know, it's a consequence. There is

0:32:22.040 --> 0:32:26.400
<v Speaker 1>totally shame. There is absolutely shame. I used to have

0:32:26.440 --> 0:32:30.720
<v Speaker 1>a huge crush on Jason Mraz, bisexual king. He to

0:32:30.840 --> 0:32:34.000
<v Speaker 1>me looks, you know, like frail led us to me

0:32:34.160 --> 0:32:36.160
<v Speaker 1>um And to answer your question, I've never seen him

0:32:36.160 --> 0:32:39.280
<v Speaker 1>in concert, but I have seen you know, his female

0:32:39.680 --> 0:32:42.920
<v Speaker 1>female um woman counterpart Ingrid Michaelson in concert. I was

0:32:42.960 --> 0:32:45.280
<v Speaker 1>the first concert I ever went to alone. One thing

0:32:45.280 --> 0:32:48.360
<v Speaker 1>about this movie is that the phrase sexual harassment is

0:32:48.400 --> 0:32:51.720
<v Speaker 1>only uttered once, like surprise, it's even once, and that's

0:32:51.920 --> 0:32:54.920
<v Speaker 1>really like I also thought that was interesting, like in

0:32:54.960 --> 0:32:57.560
<v Speaker 1>the same way that like the racial element is never

0:32:57.640 --> 0:33:02.120
<v Speaker 1>acknowledged like the sexual paul tics of this aren't really acknowledged,

0:33:02.320 --> 0:33:06.000
<v Speaker 1>which I guess like it's a very pre to movie. Yeah,

0:33:06.040 --> 0:33:08.640
<v Speaker 1>it is very pre to, and like, you know, I

0:33:08.640 --> 0:33:12.880
<v Speaker 1>don't know if like talking about sexual harassment would necessarily

0:33:12.880 --> 0:33:15.320
<v Speaker 1>make the movie more interesting, but it's just it's like

0:33:15.400 --> 0:33:18.680
<v Speaker 1>weird that it's like it only ever acknowledged once kind

0:33:18.680 --> 0:33:21.000
<v Speaker 1>of in passing right, and if it was made in

0:33:21.000 --> 0:33:23.440
<v Speaker 1>this day and age, it would definitely be even if

0:33:23.480 --> 0:33:26.880
<v Speaker 1>it wasn't explicitly mentioned, it would be the conversation the film.

0:33:27.040 --> 0:33:30.960
<v Speaker 1>It also like the movie is just crazy and that

0:33:31.320 --> 0:33:36.400
<v Speaker 1>it is so completely a male fantasy, like because this

0:33:36.480 --> 0:33:40.080
<v Speaker 1>doesn't happen. I'm sure, yes, I'm sure there are women

0:33:40.520 --> 0:33:47.640
<v Speaker 1>who harass men who like our predatory, but systematically, like

0:33:47.800 --> 0:33:52.280
<v Speaker 1>within the patriarchy, this does not happen, and this instead

0:33:52.360 --> 0:33:55.280
<v Speaker 1>actually like maybe you can look at this movie as

0:33:55.320 --> 0:33:59.320
<v Speaker 1>like this is what men tell themselves happens when they

0:33:59.400 --> 0:34:03.840
<v Speaker 1>are actually really harassing and assaulting, say that, oh my god,

0:34:04.480 --> 0:34:06.920
<v Speaker 1>like this is how they rationalize it to themselves. Is

0:34:06.960 --> 0:34:08.840
<v Speaker 1>like she was crazy, she was coming on to me.

0:34:08.880 --> 0:34:16.160
<v Speaker 1>There was nothing going on between us. Pylog chandelier, thank god. Yeah, yeah, okay,

0:34:16.320 --> 0:34:21.480
<v Speaker 1>So speaking of male fantasy, I watched Fatal Attraction last night.

0:34:22.040 --> 0:34:24.560
<v Speaker 1>I've never seen it. Okay, very excited for you to

0:34:24.560 --> 0:34:26.960
<v Speaker 1>watch it. I won't, you know, maybe talk about it

0:34:27.000 --> 0:34:29.920
<v Speaker 1>in crucial detail. But when that film came out, and

0:34:30.000 --> 0:34:33.400
<v Speaker 1>obviously these two, like thinking about Obsessed and Fatal Attraction,

0:34:33.480 --> 0:34:37.760
<v Speaker 1>they're all within this like same genre of a male

0:34:38.000 --> 0:34:43.520
<v Speaker 1>imagination of a scorned, dangerous like woman, like a woman

0:34:43.520 --> 0:34:46.040
<v Speaker 1>who is so unhinged and so in love with a

0:34:46.120 --> 0:34:49.360
<v Speaker 1>man that she is now like murderous. It's interesting to

0:34:49.360 --> 0:34:52.560
<v Speaker 1>see how that kind of movie has evolved into things

0:34:52.640 --> 0:34:58.440
<v Speaker 1>like Gone Girl, where like that trope of the crazy

0:34:58.520 --> 0:35:02.000
<v Speaker 1>woman has now the come like we're now looking at

0:35:02.040 --> 0:35:04.799
<v Speaker 1>the woman's point of view, where like these movies like

0:35:05.000 --> 0:35:07.920
<v Speaker 1>even though we remember about Obsessed, that it's like about

0:35:07.920 --> 0:35:12.080
<v Speaker 1>Beyonce and Ali Larder, Like really the movie Idris Elba

0:35:12.239 --> 0:35:15.480
<v Speaker 1>is the protagonist and technically almost the entire movie is

0:35:15.520 --> 0:35:17.719
<v Speaker 1>from his point of view, but it still feels like

0:35:17.719 --> 0:35:21.040
<v Speaker 1>Beyonce's movie kind of even though I guess Ali maybe

0:35:21.200 --> 0:35:24.239
<v Speaker 1>she's really sidelined, and like even Ali Larder is, and

0:35:24.360 --> 0:35:27.960
<v Speaker 1>like you don't understand their motivations, like you really only

0:35:28.600 --> 0:35:32.600
<v Speaker 1>understand like the interiority of why Idris Elba is making

0:35:32.600 --> 0:35:36.800
<v Speaker 1>the decisions he's making. And so like now I see

0:35:38.000 --> 0:35:40.719
<v Speaker 1>like a direct line from that on like the way

0:35:40.760 --> 0:35:45.960
<v Speaker 1>that culture has changed to things like Gone Girl, where

0:35:46.600 --> 0:35:51.839
<v Speaker 1>you are understanding these women who in movies like this,

0:35:52.000 --> 0:35:55.080
<v Speaker 1>like we don't know why they're making the choices they're

0:35:55.120 --> 0:35:57.880
<v Speaker 1>making and they're just written off as crazy women. And

0:35:57.960 --> 0:36:01.719
<v Speaker 1>now we're seeing women make bad decisions and like be

0:36:01.840 --> 0:36:04.960
<v Speaker 1>the villains, but like we're getting the psychology of why

0:36:05.000 --> 0:36:08.239
<v Speaker 1>they're doing exactly. It's kind of like, um, okay, I

0:36:08.280 --> 0:36:10.279
<v Speaker 1>want to get to Gone Girl, or honestly even like

0:36:10.360 --> 0:36:13.120
<v Speaker 1>something like Ingrid Goes West like or like something which

0:36:13.120 --> 0:36:15.960
<v Speaker 1>I've also never seen. Uh, okay, we'll talk about it.

0:36:16.000 --> 0:36:18.120
<v Speaker 1>But like I I feel like it's worth diving a

0:36:18.200 --> 0:36:21.680
<v Speaker 1>little bit into Fatal Attraction because when you know, Obsessed

0:36:21.680 --> 0:36:24.239
<v Speaker 1>came out that she gets shot in a bathtub at

0:36:24.239 --> 0:36:28.080
<v Speaker 1>the end spoiler. If you've seen Bridget Jones's diary, you

0:36:28.120 --> 0:36:31.080
<v Speaker 1>know what happens in Fatal Attraction? Does does she watch

0:36:31.120 --> 0:36:34.080
<v Speaker 1>it and Bridge at the beginning? That's very on the nose.

0:36:34.280 --> 0:36:37.319
<v Speaker 1>Um I didn't realize that, Okay, so um, yes, she

0:36:37.360 --> 0:36:39.200
<v Speaker 1>does die in a bathtub in the end that the

0:36:39.239 --> 0:36:42.400
<v Speaker 1>premise loosely is, you know, a wealthy guy, he has

0:36:42.440 --> 0:36:45.239
<v Speaker 1>a perfect kid, a perfect wife, similar to obsessed. He

0:36:45.400 --> 0:36:48.560
<v Speaker 1>decides to do what men do. He cheats on his wife.

0:36:48.560 --> 0:36:52.080
<v Speaker 1>The inciting incident is that he does cheat and he

0:36:52.160 --> 0:36:55.919
<v Speaker 1>has this kind of weekend affair with Glenn Close, who

0:36:56.080 --> 0:36:58.880
<v Speaker 1>is I think attempt at his publishing house. So what

0:36:59.000 --> 0:37:00.680
<v Speaker 1>is it with tempts? I want to watch a movie

0:37:00.680 --> 0:37:04.560
<v Speaker 1>about psycho sexual tempts. Honestly, temps if you're listening, yeah,

0:37:04.640 --> 0:37:08.000
<v Speaker 1>please let us know if you have ever um, you know,

0:37:08.239 --> 0:37:11.400
<v Speaker 1>been killed by a chandelier. What if we did what

0:37:11.440 --> 0:37:14.080
<v Speaker 1>if there was a modern day we should do a

0:37:14.120 --> 0:37:17.279
<v Speaker 1>modern day adaptation of the Tempest. But it's um like

0:37:17.800 --> 0:37:23.800
<v Speaker 1>a workplace drama. Yeah about temps Um anyways, pst because

0:37:23.800 --> 0:37:27.280
<v Speaker 1>it's on Easter time, right right, So after Michael Douglas

0:37:27.280 --> 0:37:30.719
<v Speaker 1>has an affair with Glenn Close, Um, it's quick, it's

0:37:30.800 --> 0:37:34.000
<v Speaker 1>kind of very quickly revealed that she has basically like

0:37:34.040 --> 0:37:38.239
<v Speaker 1>borderline personality. This Michael Douglas in Fatal Attraction. He's not

0:37:38.400 --> 0:37:40.960
<v Speaker 1>my type. He looks a little too much like a

0:37:41.080 --> 0:37:43.000
<v Speaker 1>like a like a sack of flower to me. But

0:37:43.120 --> 0:37:46.520
<v Speaker 1>I do think that he was a very compelling kind

0:37:46.560 --> 0:37:48.960
<v Speaker 1>of anchor for the film. Um. And I think I

0:37:49.000 --> 0:37:52.400
<v Speaker 1>want to get into the conversation of performances because the

0:37:52.440 --> 0:37:55.120
<v Speaker 1>balance of performances in these two films is so different.

0:37:55.520 --> 0:37:57.680
<v Speaker 1>But it's a it's a very specific kind of look.

0:37:57.719 --> 0:38:01.680
<v Speaker 1>It's not really it's it's been for me me. So basically,

0:38:01.719 --> 0:38:04.839
<v Speaker 1>Glenn Close gets pregnant. She says, I'm going to have

0:38:05.000 --> 0:38:07.880
<v Speaker 1>this baby, and he's like, you can't do that, Like,

0:38:07.920 --> 0:38:09.640
<v Speaker 1>my wife doesn't know about this. I have a whole

0:38:09.680 --> 0:38:11.720
<v Speaker 1>life outside of you, Like, we can't do this together.

0:38:12.000 --> 0:38:15.400
<v Speaker 1>And of course she like stalks and harasses him until um,

0:38:15.440 --> 0:38:18.120
<v Speaker 1>he and his wife work together to kill her. Um.

0:38:18.160 --> 0:38:20.720
<v Speaker 1>Literally I wish it. I know. Isn't that so sweet?

0:38:20.719 --> 0:38:24.480
<v Speaker 1>So romantic? Um? But it's what's amazing about this about

0:38:24.600 --> 0:38:27.200
<v Speaker 1>that kind of comparing these two is like when I said, oh,

0:38:27.239 --> 0:38:30.760
<v Speaker 1>it's like Beyonce's film, You're right, she was really sidelined

0:38:30.760 --> 0:38:34.680
<v Speaker 1>in it. But in Fatal Attraction, it's glenn closest movie.

0:38:35.120 --> 0:38:38.200
<v Speaker 1>And let me tell you, but does it spend time

0:38:38.280 --> 0:38:42.040
<v Speaker 1>with her? You know? It does? It does spend I

0:38:42.080 --> 0:38:44.439
<v Speaker 1>think it spends more time with Glenn than it does

0:38:44.520 --> 0:38:47.400
<v Speaker 1>with someone like Beyonce. Obviously there are different rules. Beyonce

0:38:47.760 --> 0:38:50.760
<v Speaker 1>is the one being cheated on. Glenn is the other woman,

0:38:51.080 --> 0:38:54.160
<v Speaker 1>so she Glenn is kind of the alley larder but Beyonce,

0:38:54.400 --> 0:38:57.439
<v Speaker 1>but Glenn is just like to me, out of all

0:38:57.560 --> 0:39:01.320
<v Speaker 1>six of these kind of actors, like completed the picture

0:39:01.360 --> 0:39:04.840
<v Speaker 1>and did the most like acting. Well, she's gone close.

0:39:04.920 --> 0:39:08.640
<v Speaker 1>And what she did was also like Cinema an off

0:39:08.640 --> 0:39:11.400
<v Speaker 1>star exactly. I know, Well, that's so funny. She lost

0:39:11.400 --> 0:39:13.080
<v Speaker 1>the off This was the movie that they thought she

0:39:13.160 --> 0:39:15.520
<v Speaker 1>was already three Oscar Noms in by the time this

0:39:15.560 --> 0:39:18.200
<v Speaker 1>movie came out, and she lost this one to share,

0:39:19.520 --> 0:39:21.839
<v Speaker 1>can you? And this was the one that they thought

0:39:21.920 --> 0:39:23.640
<v Speaker 1>she was gonna the one she should have one because

0:39:23.680 --> 0:39:26.080
<v Speaker 1>she was brilliant. But I have to, like, you know,

0:39:26.800 --> 0:39:30.000
<v Speaker 1>say that like um yeah, to answer your question. She

0:39:30.160 --> 0:39:33.600
<v Speaker 1>is not like as maybe she's like a little peripheral,

0:39:33.840 --> 0:39:36.640
<v Speaker 1>but it doesn't matter because she just sucks the air

0:39:36.680 --> 0:39:40.319
<v Speaker 1>out of every scene. And but does it does the

0:39:40.400 --> 0:39:43.279
<v Speaker 1>movie to do the work to make you understand her

0:39:43.400 --> 0:39:46.560
<v Speaker 1>side of the story only a little bit. Obviously, know

0:39:46.719 --> 0:39:49.640
<v Speaker 1>the way the movie is written is still Michael Douglas

0:39:49.680 --> 0:39:53.000
<v Speaker 1>slash Idris Elba is the protagonist. He is the center

0:39:53.000 --> 0:39:55.480
<v Speaker 1>of the film. It's all about his moral center and

0:39:55.680 --> 0:39:58.400
<v Speaker 1>like his kind of thing. The reason Fatal Attraction is

0:39:58.440 --> 0:40:02.400
<v Speaker 1>ultimately a better movie despite being so abhorrently misogynist, is

0:40:02.440 --> 0:40:05.960
<v Speaker 1>the fact that like the complexity of him cheating on

0:40:06.040 --> 0:40:09.239
<v Speaker 1>his wife is really in the film, and like he

0:40:09.560 --> 0:40:12.319
<v Speaker 1>their ramifications to it. His wife gets really mad, like

0:40:12.680 --> 0:40:15.040
<v Speaker 1>they kind of like sort through a really weird kind

0:40:15.080 --> 0:40:18.400
<v Speaker 1>of like psycho sexual like um conversation around what to

0:40:18.440 --> 0:40:20.520
<v Speaker 1>do about the baby, what to do about cheating whatever,

0:40:20.960 --> 0:40:23.080
<v Speaker 1>and instead of going to couples therapy, they just team

0:40:23.160 --> 0:40:25.560
<v Speaker 1>up to kill the mystery exactly. And but despite the

0:40:25.560 --> 0:40:27.880
<v Speaker 1>fact that Michael Douglas is an amazing actor, um, the

0:40:27.920 --> 0:40:30.400
<v Speaker 1>wife whose name escapes me is an amazing actress, and

0:40:30.440 --> 0:40:33.319
<v Speaker 1>even the child actor let me tell you and aggressively

0:40:33.400 --> 0:40:36.400
<v Speaker 1>non binary child and this in this film is an

0:40:36.440 --> 0:40:41.080
<v Speaker 1>amazing child actor, like so so good in this film,

0:40:41.320 --> 0:40:44.520
<v Speaker 1>despite all of them being amazing actors, Like, the only

0:40:44.520 --> 0:40:47.320
<v Speaker 1>person anyone was talking about after this, you know, after

0:40:47.640 --> 0:40:52.799
<v Speaker 1>thirty years later is Glain Close and she invented this trope. Um.

0:40:52.800 --> 0:40:54.399
<v Speaker 1>But something that I have to say that was very

0:40:54.440 --> 0:40:58.160
<v Speaker 1>surprising is that did you notice there's kind of almost

0:40:58.239 --> 0:41:02.720
<v Speaker 1>like Twilight e Phil alter Over everything. It's like really

0:41:02.800 --> 0:41:06.040
<v Speaker 1>like weird, like white light, like the cinema. The cinema

0:41:06.400 --> 0:41:08.279
<v Speaker 1>is like not really there. You know, it's not something

0:41:08.320 --> 0:41:10.520
<v Speaker 1>you pay attention to in the film. I think you're

0:41:10.560 --> 0:41:13.960
<v Speaker 1>mistaking a lack of like a filmmaking choice with the

0:41:14.560 --> 0:41:20.520
<v Speaker 1>very distinct filmmaking choice that happens in Twilight. Yeah, okay, okay, yeah, yeah, sure, sure, sure, Um,

0:41:20.640 --> 0:41:22.600
<v Speaker 1>don't conflate those things. Yeah, of course I would never.

0:41:22.600 --> 0:41:24.880
<v Speaker 1>I would never. Um, I know, I'm we do not

0:41:24.960 --> 0:41:27.400
<v Speaker 1>send her Twilight on this podcast. No, no no, no, would never,

0:41:27.440 --> 0:41:31.200
<v Speaker 1>would never. Something that really surprising about Fatal Attraction is

0:41:31.239 --> 0:41:36.359
<v Speaker 1>that it was gorgeous, Like every frame is so beautiful, um,

0:41:36.400 --> 0:41:39.399
<v Speaker 1>and every costume is so beautiful. There's a scene it's

0:41:39.480 --> 0:41:42.919
<v Speaker 1>kind of mirroring the scene when Ali Larder is in

0:41:42.960 --> 0:41:46.440
<v Speaker 1>his car in underwear. She shows up in his to

0:41:46.520 --> 0:41:50.080
<v Speaker 1>his office wearing nothing but this huge black trench coat

0:41:50.120 --> 0:41:52.360
<v Speaker 1>with like shoulder pads up to her ears, Like she

0:41:52.520 --> 0:41:56.880
<v Speaker 1>looks so amazing, and like there's another Her apartment is

0:41:56.880 --> 0:41:59.080
<v Speaker 1>so she it's like all white brick and she has

0:41:59.080 --> 0:42:01.480
<v Speaker 1>like vintage X her size bike, and like there's a

0:42:01.480 --> 0:42:03.760
<v Speaker 1>scene where she's like sitting and eating like Chinese takeout.

0:42:03.760 --> 0:42:07.040
<v Speaker 1>It's like every frame is like so gorge and her

0:42:07.160 --> 0:42:10.719
<v Speaker 1>hair is like the like it was during like a

0:42:10.800 --> 0:42:13.960
<v Speaker 1>perm era kind of because I think the late exactly

0:42:14.000 --> 0:42:16.200
<v Speaker 1>the late eighties, and that to me, like her hair

0:42:16.280 --> 0:42:19.319
<v Speaker 1>did so much work on top of what she was

0:42:19.360 --> 0:42:21.839
<v Speaker 1>doing acting wise. And I think the reason I wanted

0:42:21.840 --> 0:42:24.880
<v Speaker 1>to talk about it is because the casting of Ali

0:42:24.960 --> 0:42:27.960
<v Speaker 1>Larder feels like they tried to find someone who what

0:42:28.160 --> 0:42:31.960
<v Speaker 1>could be villainous but also feel like basic in like

0:42:32.160 --> 0:42:35.839
<v Speaker 1>her own kind of whiteness. And so when they went

0:42:35.920 --> 0:42:39.399
<v Speaker 1>to cast Fatal Attraction, Glen Close was like their last pick.

0:42:39.719 --> 0:42:42.840
<v Speaker 1>They went through so many different actresses and glen Close

0:42:42.960 --> 0:42:46.920
<v Speaker 1>was chasing them the third this third, three nominations in

0:42:47.040 --> 0:42:49.520
<v Speaker 1>Glen Closes chasing these casting directors being like I like

0:42:49.600 --> 0:42:52.680
<v Speaker 1>this role, I want to do this film, um, And

0:42:52.760 --> 0:42:55.759
<v Speaker 1>she had to basically like show up to an audition.

0:42:55.920 --> 0:42:58.760
<v Speaker 1>Glen Close had to audition in like a little black dress,

0:42:58.800 --> 0:43:02.920
<v Speaker 1>and she showed up with the PERM and the casting directors,

0:43:03.040 --> 0:43:06.440
<v Speaker 1>having never seen the perm before, We're like, Glenn, is

0:43:06.480 --> 0:43:09.479
<v Speaker 1>it she can do sex appeal, and the sex scenes

0:43:09.520 --> 0:43:11.400
<v Speaker 1>in the movie are really good. By the way, you'll

0:43:11.440 --> 0:43:13.960
<v Speaker 1>you know, you'll watch it, I mean the the Ali Larder.

0:43:14.040 --> 0:43:16.440
<v Speaker 1>I liked what you said about like being villainous but

0:43:16.520 --> 0:43:21.240
<v Speaker 1>kind of basic, because that very much was the trope

0:43:21.280 --> 0:43:23.520
<v Speaker 1>of her at the time, because, like I think about

0:43:23.600 --> 0:43:27.400
<v Speaker 1>legally blonde, she's this like sorority girl who's in prison

0:43:27.440 --> 0:43:29.880
<v Speaker 1>because they think she murdered her husband. And then on

0:43:30.000 --> 0:43:33.520
<v Speaker 1>heroes did you ever watch Heroes? No? I didn't. She

0:43:33.680 --> 0:43:38.960
<v Speaker 1>was a stripper who had a split personality, and her

0:43:39.000 --> 0:43:42.800
<v Speaker 1>split personality had super strength and would like black out

0:43:42.960 --> 0:43:44.719
<v Speaker 1>and then wake up and find out that her like

0:43:44.760 --> 0:43:48.399
<v Speaker 1>alter ego had killed a bunch of people. Um so

0:43:48.480 --> 0:43:51.560
<v Speaker 1>that very much like is the kind of role that

0:43:51.640 --> 0:43:54.239
<v Speaker 1>she was known for playing, Like this kind of like

0:43:54.880 --> 0:44:00.560
<v Speaker 1>basic looking, pretty blonde girl who actually was you know,

0:44:00.600 --> 0:44:03.360
<v Speaker 1>a psycho killer. Yeah. And the thing I think maybe

0:44:03.440 --> 0:44:05.479
<v Speaker 1>one of the reasons that the casting directors were averse

0:44:05.520 --> 0:44:07.839
<v Speaker 1>to Glen Close is because there's nothing basic about her face.

0:44:07.960 --> 0:44:11.480
<v Speaker 1>She's very distinct. She gives a prestige vibe, you know

0:44:11.480 --> 0:44:13.480
<v Speaker 1>what I mean, Maybe they felt like she was too

0:44:13.480 --> 0:44:16.239
<v Speaker 1>complex for the role, But um, what Glen Close, you know,

0:44:16.280 --> 0:44:18.000
<v Speaker 1>said at the time and also has talked about thirty

0:44:18.080 --> 0:44:21.279
<v Speaker 1>years later, is that she was really attracted to the

0:44:21.320 --> 0:44:25.319
<v Speaker 1>complexity of this character that they rendered really flat and

0:44:25.360 --> 0:44:28.400
<v Speaker 1>really misogynistically in the end um in a way that

0:44:28.440 --> 0:44:31.120
<v Speaker 1>Glen Close was actually against, which I want to talk about.

0:44:31.160 --> 0:44:34.759
<v Speaker 1>Remember when we saw Glenn Close, Oh my god, we

0:44:34.800 --> 0:44:38.279
<v Speaker 1>were We were at the after party for the prom

0:44:38.320 --> 0:44:41.560
<v Speaker 1>on Broadway. Forgot about that. We were sitting on a

0:44:41.600 --> 0:44:44.040
<v Speaker 1>table eating. We have to say that it was like

0:44:44.160 --> 0:44:49.560
<v Speaker 1>Ryan Murphy's party. Every Ryan Murphy muse was there. Yes, um,

0:44:49.560 --> 0:44:53.200
<v Speaker 1>like Billy Porter, all of the post girls like and

0:44:54.000 --> 0:44:57.680
<v Speaker 1>Glenn Close, who was standing right behind our table talking

0:44:57.719 --> 0:45:04.520
<v Speaker 1>to Sandra Bernhard like the gayest thing ever. And we

0:45:04.520 --> 0:45:08.040
<v Speaker 1>were chatting and I'm talking to Rose and I say,

0:45:08.360 --> 0:45:11.759
<v Speaker 1>Rose behind you, like four or five ft behind you,

0:45:11.960 --> 0:45:14.759
<v Speaker 1>not even like maybe less. Glen Close is talking to

0:45:14.760 --> 0:45:17.200
<v Speaker 1>Sandraw bird Hard and You're like, oh my god. And

0:45:17.239 --> 0:45:19.360
<v Speaker 1>you were like take a picture to picture for me.

0:45:19.480 --> 0:45:22.360
<v Speaker 1>And we were those girls, we were, but Glen Close

0:45:22.600 --> 0:45:25.359
<v Speaker 1>is the moment, and um, this I think is like

0:45:25.480 --> 0:45:27.560
<v Speaker 1>maybe we can get into like the kind of wider

0:45:27.600 --> 0:45:31.080
<v Speaker 1>conversation of like what this kind of woman means in

0:45:31.120 --> 0:45:35.960
<v Speaker 1>a film, and how this exact archetype is still so

0:45:36.080 --> 0:45:39.120
<v Speaker 1>prevalent in every single year we will get a movie

0:45:39.239 --> 0:45:41.399
<v Speaker 1>with a character like this, you know what I mean,

0:45:41.920 --> 0:45:45.160
<v Speaker 1>But now we root for them, like you watch Gone

0:45:45.160 --> 0:45:50.319
<v Speaker 1>Girl and you want amazing Amy to succeed, and like

0:45:50.560 --> 0:45:53.200
<v Speaker 1>she does ultimately, And you know what's funny, It's like

0:45:53.239 --> 0:45:55.960
<v Speaker 1>when I watched Fatal Attraction, I kind of thought, like

0:45:56.680 --> 0:45:59.200
<v Speaker 1>I bet everyone involved and realize like how dated this

0:45:59.239 --> 0:46:01.480
<v Speaker 1>would become blah blah, But when I read about it,

0:46:01.600 --> 0:46:06.200
<v Speaker 1>so Glenn. The original ending of a Fatal Attraction um

0:46:06.280 --> 0:46:10.560
<v Speaker 1>has Glenn Close slitting her own throat and framing Michael

0:46:10.560 --> 0:46:14.880
<v Speaker 1>Douglas for which is good and that's why Glenn agreed

0:46:14.960 --> 0:46:18.799
<v Speaker 1>to do the film. They filmed this ending, tested it all,

0:46:18.840 --> 0:46:22.080
<v Speaker 1>audiences hated it because they wanted to kill Glenn Close

0:46:22.360 --> 0:46:25.560
<v Speaker 1>so bad, like they wanted her to be murdered, and

0:46:25.640 --> 0:46:27.160
<v Speaker 1>so they were like, we can't do this, we have

0:46:27.200 --> 0:46:30.880
<v Speaker 1>to reshoot the film. And Glenn Close fought the directors

0:46:30.880 --> 0:46:34.160
<v Speaker 1>and the entire team for two whole weeks being like,

0:46:34.320 --> 0:46:36.600
<v Speaker 1>I will not do that ending. This is the ending

0:46:36.600 --> 0:46:38.960
<v Speaker 1>that is sympathetic to my character. It's a complete betrayal

0:46:39.000 --> 0:46:42.120
<v Speaker 1>to the character that I've created to have her pick

0:46:42.200 --> 0:46:44.520
<v Speaker 1>up a knife, like she wouldn't come at a knife

0:46:44.520 --> 0:46:46.880
<v Speaker 1>with them, she would kill herself, which I think is

0:46:46.960 --> 0:46:49.239
<v Speaker 1>so beautiful and so sympathetic. She was so ahead of

0:46:49.239 --> 0:46:51.680
<v Speaker 1>her time in that regard. And also it's so funny

0:46:51.680 --> 0:46:53.120
<v Speaker 1>that you say it took them one week to film

0:46:53.120 --> 0:46:56.480
<v Speaker 1>the Obsessed fight scene, because I just learned that it

0:46:56.560 --> 0:46:59.719
<v Speaker 1>took three weeks I think to film the fatal Attraction

0:47:00.200 --> 0:47:02.719
<v Speaker 1>scene at the end, which is also very good. Is

0:47:02.719 --> 0:47:05.919
<v Speaker 1>it between Glenn and Michael Douglas. Yes, it's between Glen

0:47:05.920 --> 0:47:08.760
<v Speaker 1>and Michael Douglas, which is another reason why I think upset.

0:47:08.840 --> 0:47:11.040
<v Speaker 1>I think it's one of the wings of Obsessed is

0:47:11.160 --> 0:47:15.560
<v Speaker 1>I think the fight between the two women is more interesting. Absolutely,

0:47:15.640 --> 0:47:19.680
<v Speaker 1>And also watching Michael Douglas a woman is kind of hard.

0:47:19.760 --> 0:47:22.520
<v Speaker 1>It's kind of wild to watch, like the film is

0:47:22.920 --> 0:47:26.360
<v Speaker 1>would almost earn it if it wasn't so imbued in

0:47:26.600 --> 0:47:30.800
<v Speaker 1>you know, this completely untouched conversation of mental health that

0:47:30.960 --> 0:47:34.319
<v Speaker 1>is in Obsessed, that is in Fatal Attraction, Like it's

0:47:34.360 --> 0:47:38.200
<v Speaker 1>not really like, you know, besides calling her crazy, there's

0:47:38.239 --> 0:47:42.440
<v Speaker 1>not any attempt to look at why this woman is

0:47:42.440 --> 0:47:45.239
<v Speaker 1>doing these things. I mean, how there's no motivation. Yeah,

0:47:45.280 --> 0:47:48.200
<v Speaker 1>And also like the violence between the two women is

0:47:48.239 --> 0:47:51.600
<v Speaker 1>like kind of a sign of of like maybe some

0:47:51.680 --> 0:47:55.640
<v Speaker 1>kind of progression from fatal attraction, because there are so

0:47:55.719 --> 0:47:58.839
<v Speaker 1>many moments in the film where like a DRIs like

0:47:58.920 --> 0:48:02.520
<v Speaker 1>you see kind of like a restraint of violence of him,

0:48:02.600 --> 0:48:05.480
<v Speaker 1>like you know, to like shake Ali Larder, but he's

0:48:05.520 --> 0:48:09.120
<v Speaker 1>not going to hit her. Right again, It's like the

0:48:09.160 --> 0:48:13.080
<v Speaker 1>movie that Obsessed is really it stays closer to it's

0:48:13.120 --> 0:48:16.200
<v Speaker 1>like moral center in that regard, yeah, because it can't

0:48:16.239 --> 0:48:19.880
<v Speaker 1>make him outright a villain, even though I still think

0:48:19.960 --> 0:48:22.839
<v Speaker 1>he is, like obviously like Ali Larder is a villain,

0:48:22.920 --> 0:48:25.239
<v Speaker 1>but like when you have someone acting in ways that

0:48:25.280 --> 0:48:28.399
<v Speaker 1>are that evil but like you don't understand why they're

0:48:28.400 --> 0:48:31.719
<v Speaker 1>doing them, it becomes like a caricature of villainy and

0:48:32.160 --> 0:48:37.440
<v Speaker 1>it's just like so kind of like ridiculous. Um. And

0:48:37.480 --> 0:48:40.719
<v Speaker 1>so I think I think the most evil person in

0:48:40.719 --> 0:48:45.520
<v Speaker 1>the movie is Idris Elba because he did this to

0:48:45.719 --> 0:48:48.840
<v Speaker 1>Beyonce by not being honest with her about what was

0:48:48.880 --> 0:48:54.000
<v Speaker 1>going on, or going to human Resources and being like, hey,

0:48:54.120 --> 0:48:58.200
<v Speaker 1>this temp is sexually harassing me, Like you need to

0:48:58.239 --> 0:49:00.279
<v Speaker 1>get her out of here. Okay, so this is like

0:49:00.280 --> 0:49:03.880
<v Speaker 1>a segue into Guests. How like we consume these movies now,

0:49:03.920 --> 0:49:07.680
<v Speaker 1>because when I watched Obsessed, I remember thinking kind of

0:49:07.719 --> 0:49:10.920
<v Speaker 1>the same thing, being like, this is Atris fault and

0:49:10.960 --> 0:49:13.400
<v Speaker 1>the movie maybe wants you to kind of want to

0:49:13.480 --> 0:49:17.839
<v Speaker 1>kill Ali Larder. When I watched Fatal Attraction, obviously, what

0:49:17.880 --> 0:49:21.719
<v Speaker 1>Michael Douglas is does is so much more abhorrent than

0:49:21.800 --> 0:49:25.600
<v Speaker 1>what Hedris does. He openly cheats many many times, lies

0:49:25.640 --> 0:49:28.680
<v Speaker 1>a ton. Glen Close is constantly calling his home phone

0:49:28.760 --> 0:49:31.200
<v Speaker 1>and like hanging up and stuff. So he moves his

0:49:31.440 --> 0:49:35.080
<v Speaker 1>entire family upstate without telling them that the reason why,

0:49:35.480 --> 0:49:38.560
<v Speaker 1>which is wild And so anyways, when I was watching

0:49:38.560 --> 0:49:41.680
<v Speaker 1>the film, I was like, obviously, Michael Douglas is like

0:49:41.719 --> 0:49:44.400
<v Speaker 1>the worst person here, but the film wants you to

0:49:44.480 --> 0:49:46.719
<v Speaker 1>think that Glenn Close is the worst person here here.

0:49:46.960 --> 0:49:50.040
<v Speaker 1>But in the conversation of Gone Girl and movies like it,

0:49:50.719 --> 0:49:53.839
<v Speaker 1>the movie is saying that Rosamond Pike is the girl

0:49:53.880 --> 0:49:56.040
<v Speaker 1>you're rooting for, kind of or the the anti heroes

0:49:56.200 --> 0:49:59.560
<v Speaker 1>to speak. Yeah, she's still the villain, but it wants

0:49:59.600 --> 0:50:02.960
<v Speaker 1>you to understand why she's making the choices she's making

0:50:03.360 --> 0:50:09.200
<v Speaker 1>and the power of her making herself the victim and

0:50:09.360 --> 0:50:13.960
<v Speaker 1>turning her husband into the villain, um into like the

0:50:14.120 --> 0:50:19.360
<v Speaker 1>weird guy smiling on TV when his wife has gone missing. Um,

0:50:19.400 --> 0:50:22.520
<v Speaker 1>and you know, like it sets the people who would

0:50:22.520 --> 0:50:26.200
<v Speaker 1>normally in these stories be the heroes, like you know,

0:50:26.280 --> 0:50:31.239
<v Speaker 1>the husband, like the man who rescues her Neil Patrick Harris. Oh,

0:50:31.280 --> 0:50:35.640
<v Speaker 1>I forgot about that. Into the villains best work to

0:50:35.680 --> 0:50:38.280
<v Speaker 1>be I think so too, And I very much enjoyed

0:50:38.280 --> 0:50:42.799
<v Speaker 1>watching him get his throats. Yeah, honestly, you know, it's

0:50:42.840 --> 0:50:46.280
<v Speaker 1>so funny, is um. Now I'm thinking about the husband

0:50:46.360 --> 0:50:51.920
<v Speaker 1>archetype and how fatal attraction and Gone Girl. Like the husband,

0:50:52.080 --> 0:50:57.279
<v Speaker 1>this guy is really this kind of sympathetic but ultimately

0:50:58.000 --> 0:51:02.120
<v Speaker 1>uh snivelly, kind of maybe loser, where Idris is kind

0:51:02.160 --> 0:51:04.600
<v Speaker 1>of something of a prince charming, you know what I mean,

0:51:04.640 --> 0:51:08.319
<v Speaker 1>which again makes me less you know, interesting. Um, But

0:51:08.400 --> 0:51:11.600
<v Speaker 1>I actually haven't seen Gone Girl, And because I would,

0:51:11.640 --> 0:51:16.520
<v Speaker 1>like a moment and obsessed of you thinking Idris might

0:51:17.080 --> 0:51:19.160
<v Speaker 1>have sex with Ali Larder. Yeah, but that's the other

0:51:19.200 --> 0:51:21.840
<v Speaker 1>thing is like this man who is smart enough to

0:51:21.920 --> 0:51:25.000
<v Speaker 1>like not cheat, but he's not smart enough to tell

0:51:25.080 --> 0:51:27.680
<v Speaker 1>his wife like it just didn't make sense. No one's

0:51:27.719 --> 0:51:31.120
<v Speaker 1>decision a movie makes sense except for a Beyonce. And

0:51:31.200 --> 0:51:33.919
<v Speaker 1>even then, I'm like, why is she deciding to take

0:51:33.960 --> 0:51:37.160
<v Speaker 1>this woman on herself? Because like when she goes back

0:51:37.200 --> 0:51:40.240
<v Speaker 1>to the house, like she gets inside and understands Ali

0:51:40.320 --> 0:51:43.200
<v Speaker 1>Larder is there and goes to confront her, and that's

0:51:43.200 --> 0:51:45.680
<v Speaker 1>why they have this death match. It feels to me

0:51:45.920 --> 0:51:52.520
<v Speaker 1>like something of a mama their um steaks because has

0:51:52.560 --> 0:52:07.400
<v Speaker 1>touched her child exactly. A reboot is being made a

0:52:07.400 --> 0:52:10.160
<v Speaker 1>fatal attraction. It was like canceled multiple times, but apparently

0:52:10.200 --> 0:52:12.880
<v Speaker 1>Lizzie Kaplan is going to be when I love Lizzie

0:52:13.160 --> 0:52:15.920
<v Speaker 1>and I also love Lizzie Kaplin. But my question to

0:52:15.960 --> 0:52:18.560
<v Speaker 1>you is, you know, in the idea of reboots, not

0:52:18.600 --> 0:52:21.200
<v Speaker 1>that we're a huge fan of reboots in general, if

0:52:21.239 --> 0:52:25.839
<v Speaker 1>we were to do a kind of scorned murderous woman movie, now,

0:52:26.239 --> 0:52:28.080
<v Speaker 1>what would that What do you think that would look like?

0:52:29.560 --> 0:52:33.799
<v Speaker 1>You are a scorned murderous woman, Rose, if you had

0:52:33.840 --> 0:52:38.680
<v Speaker 1>to kill a man, what would you do? Rose? You? Okay,

0:52:38.719 --> 0:52:40.640
<v Speaker 1>the virgins can't see, but Rose kind of has like

0:52:40.680 --> 0:52:48.160
<v Speaker 1>a facial expression that's like, what do you mean if um,

0:52:48.200 --> 0:52:51.480
<v Speaker 1>I guess like I need to think about where we

0:52:51.640 --> 0:52:57.040
<v Speaker 1>are culturally and like how we would update it for today.

0:52:57.960 --> 0:53:01.279
<v Speaker 1>What if it was like um ugly Betty esque like

0:53:01.760 --> 0:53:04.520
<v Speaker 1>magazine kind of thing, because well, I can't remember what

0:53:04.600 --> 0:53:07.560
<v Speaker 1>Idris does. He's a lawyer. He's a lawyer, Okay, in

0:53:07.719 --> 0:53:11.640
<v Speaker 1>Fail Attractions publishing house. Okay. So this girl, So the

0:53:12.000 --> 0:53:17.799
<v Speaker 1>girl in this movie, Um, it's a podcaster. Does she

0:53:17.880 --> 0:53:22.080
<v Speaker 1>run a podcast with a nonminory Mexican? Yeah, she's no,

0:53:22.239 --> 0:53:24.200
<v Speaker 1>she has a she's on a podcast with like a

0:53:24.239 --> 0:53:27.440
<v Speaker 1>couple other you know, she's a millennial. She's a millennial podcaster.

0:53:28.239 --> 0:53:33.080
<v Speaker 1>And she meets this guy on Tinder and they start

0:53:33.200 --> 0:53:36.840
<v Speaker 1>hooking up, and she finds out that he is in

0:53:36.840 --> 0:53:41.160
<v Speaker 1>a relationship with a man. He's bisexual. He's bisexual, but

0:53:41.239 --> 0:53:45.200
<v Speaker 1>like he says he's gay because he is has like

0:53:45.320 --> 0:53:48.319
<v Speaker 1>internalized biphobio, right, he doesn't really even probably understand his

0:53:48.320 --> 0:53:51.440
<v Speaker 1>own desire, and like he's in an open relationship, so

0:53:51.520 --> 0:53:55.600
<v Speaker 1>he like could have sex, but it's like his own

0:53:55.680 --> 0:53:58.400
<v Speaker 1>self hatred that keeps him from being honest about the

0:53:58.440 --> 0:54:00.920
<v Speaker 1>fact that he is having sex with them, like maybe

0:54:00.920 --> 0:54:03.640
<v Speaker 1>falling in love with this woman. And so she is

0:54:03.680 --> 0:54:08.200
<v Speaker 1>like gas lit into thinking that, you know, he's cheating

0:54:08.400 --> 0:54:11.080
<v Speaker 1>on her. She doesn't even know he's married to a man.

0:54:11.200 --> 0:54:13.480
<v Speaker 1>She thinks he's married to a woman. And then she

0:54:13.520 --> 0:54:15.160
<v Speaker 1>finds out he's married to a man, and she's like,

0:54:15.320 --> 0:54:18.520
<v Speaker 1>you're a gag and he's like, he's like, yeah, I

0:54:18.520 --> 0:54:20.400
<v Speaker 1>don't know what I'm figuring. Yeah, He's like, I don't know.

0:54:20.560 --> 0:54:22.080
<v Speaker 1>And then but then he has kind of a come

0:54:22.120 --> 0:54:24.960
<v Speaker 1>to Jesus moment where he reckons with his own bisexuality

0:54:25.239 --> 0:54:27.400
<v Speaker 1>and he's like, Okay, so like this has let me

0:54:27.440 --> 0:54:30.800
<v Speaker 1>accept that I am bisexual. But I think, like, bearing

0:54:30.840 --> 0:54:33.120
<v Speaker 1>in mind everything that's gone on, like we should just

0:54:33.360 --> 0:54:37.040
<v Speaker 1>like you know, we're we're not gonna be together anymore. Right.

0:54:37.080 --> 0:54:39.440
<v Speaker 1>At the midpoint of the film, he watches season eight

0:54:39.480 --> 0:54:41.200
<v Speaker 1>of Are You the One, and he's like, I finally

0:54:41.280 --> 0:54:45.640
<v Speaker 1>understand my own attraction. Okay, so wait, if if I'm

0:54:46.320 --> 0:54:48.480
<v Speaker 1>the kind of if we're trying to root for the

0:54:48.520 --> 0:54:51.880
<v Speaker 1>woman in this the other woman quote unquote in this scenario,

0:54:52.560 --> 0:54:54.880
<v Speaker 1>but she always dies in the film in this like

0:54:54.960 --> 0:54:57.520
<v Speaker 1>modern remake, would she die? Or who who dies? In?

0:54:57.600 --> 0:55:03.560
<v Speaker 1>How so? She kills the husband of the guy because

0:55:03.680 --> 0:55:07.840
<v Speaker 1>she thinks that he has like tricked her man into

0:55:07.880 --> 0:55:12.239
<v Speaker 1>being gay because she's like, you're not bisexual. Bisexuality isn't real,

0:55:13.960 --> 0:55:17.960
<v Speaker 1>So like the biphobia transfers from him to her. Oh yeah,

0:55:18.280 --> 0:55:21.759
<v Speaker 1>the film is ultimately about biphobia. And she goes, she

0:55:21.800 --> 0:55:25.480
<v Speaker 1>goes on a rampage. Um, she kills the husband, she

0:55:25.680 --> 0:55:32.680
<v Speaker 1>kills um, I don't know, like her doorman building. And

0:55:32.719 --> 0:55:38.560
<v Speaker 1>then they ultimately have a showdown at an abandoned gay bar,

0:55:40.600 --> 0:55:43.560
<v Speaker 1>shut down because of gentrification. Um, and it's where he

0:55:43.640 --> 0:55:48.800
<v Speaker 1>used to cruise, and she has she injects herself with

0:55:48.880 --> 0:55:51.960
<v Speaker 1>testosterone because she's like, if you can only love a man,

0:55:52.239 --> 0:55:56.399
<v Speaker 1>I'm going to I'm going to transition. And he's like, no,

0:55:56.560 --> 0:55:58.600
<v Speaker 1>it's not that I don't love you because you're not

0:55:58.680 --> 0:56:01.719
<v Speaker 1>a man. I'm bisexual. I don't love you because you're

0:56:01.880 --> 0:56:04.799
<v Speaker 1>a psycho and you killed my husband. And she's like

0:56:04.960 --> 0:56:09.799
<v Speaker 1>that no, and so she overdoses on testosterone and right

0:56:09.840 --> 0:56:11.880
<v Speaker 1>as she dies, the police come in and like, she

0:56:11.920 --> 0:56:15.040
<v Speaker 1>has made it look like this man killed her. You

0:56:16.040 --> 0:56:18.799
<v Speaker 1>that okay, I think the virgins at home would think

0:56:18.840 --> 0:56:22.440
<v Speaker 1>that is so far fetched. But actually thinking about these

0:56:22.480 --> 0:56:25.120
<v Speaker 1>movies in the eighties and also this like early movie,

0:56:25.160 --> 0:56:27.880
<v Speaker 1>Like that is so something that would happen, you know

0:56:27.920 --> 0:56:29.920
<v Speaker 1>what I mean, Like that is a kind of level

0:56:29.920 --> 0:56:32.640
<v Speaker 1>of absurdity that would happen in this day and age. Um,

0:56:32.640 --> 0:56:36.440
<v Speaker 1>if they wanted to render this character completely. Um wow,

0:56:36.520 --> 0:56:38.040
<v Speaker 1>I think that's a great idea for a movie. So

0:56:38.200 --> 0:56:40.080
<v Speaker 1>anyone out there is listening, if you want to if

0:56:40.280 --> 0:56:42.960
<v Speaker 1>if you want to make it, I will write a treatment. Listen.

0:56:43.000 --> 0:56:45.719
<v Speaker 1>Oh my god. Also, your talking of bisexuality reminded me that,

0:56:45.840 --> 0:56:50.440
<v Speaker 1>Um I was reading that. Um another reason that people

0:56:50.760 --> 0:56:54.560
<v Speaker 1>were so like engaged in like psycho sexual thrillers in

0:56:54.560 --> 0:56:57.040
<v Speaker 1>the eighties because like there was just I guess an

0:56:57.080 --> 0:57:00.960
<v Speaker 1>onside of them. I think basic Instinct was around that time. UM,

0:57:01.000 --> 0:57:04.480
<v Speaker 1>a few others like maybe early nineties okay, Um, but

0:57:04.560 --> 0:57:09.160
<v Speaker 1>apparently they were kind of capitalizing off of, um, fear

0:57:09.280 --> 0:57:13.400
<v Speaker 1>of like aids, because like infidelity, like a fear of

0:57:13.400 --> 0:57:16.480
<v Speaker 1>infidelity kind of brought AIDS into the conversation, meaning like

0:57:16.520 --> 0:57:18.560
<v Speaker 1>if you cheat on me, you could give me AIDS.

0:57:19.160 --> 0:57:21.480
<v Speaker 1>Isn't that crazy? Yeah? But it's also interesting that it

0:57:21.600 --> 0:57:24.440
<v Speaker 1>like it's only kind of refracted through the lens of

0:57:24.480 --> 0:57:30.600
<v Speaker 1>straight culture. But there also were a bunch of Um,

0:57:30.720 --> 0:57:36.040
<v Speaker 1>you know, like these kind of sexual thrillers about trans women. UM,

0:57:36.080 --> 0:57:41.439
<v Speaker 1>Like there's one called I think it's Dressed to Kill. Um. Yeah,

0:57:41.520 --> 0:57:44.320
<v Speaker 1>it's a film so like maybe a little early for

0:57:44.360 --> 0:57:47.240
<v Speaker 1>the for the AIDS epidemic, I remember, but it's um,

0:57:47.280 --> 0:57:51.200
<v Speaker 1>it's in it. Michael Caine plays across dressing murderer. I

0:57:51.240 --> 0:57:54.200
<v Speaker 1>remember this and so like, and that's also in kind

0:57:54.200 --> 0:58:00.840
<v Speaker 1>of Silence of the Lambs a few others. Um, and yeah,

0:58:00.880 --> 0:58:05.040
<v Speaker 1>it's it's just very interesting like that we have yet

0:58:05.160 --> 0:58:10.080
<v Speaker 1>to have a queer version of what this dynamic is

0:58:10.200 --> 0:58:13.800
<v Speaker 1>because I think so much of the drama in these

0:58:13.880 --> 0:58:20.320
<v Speaker 1>movies hinges on, like the trope of the hysterical woman

0:58:20.800 --> 0:58:24.200
<v Speaker 1>and like that can only be applied to her being

0:58:24.240 --> 0:58:26.480
<v Speaker 1>in love with a man. Although I guess Basic Instinct

0:58:26.760 --> 0:58:29.640
<v Speaker 1>subverts that because I believe Sharon Stone's character in it

0:58:29.680 --> 0:58:33.480
<v Speaker 1>is bisexual. Oh really, Oh my gosh, I have to

0:58:33.480 --> 0:58:37.120
<v Speaker 1>watch Basic Instinct. Phoebe was producer. Phoebe was Sharon Stone

0:58:37.120 --> 0:58:40.760
<v Speaker 1>and Basic Instinct for Halloween. That's incredible. How when my

0:58:40.880 --> 0:58:42.920
<v Speaker 1>thriller gets made, which, what's it going to be? Called?

0:58:43.840 --> 0:58:47.880
<v Speaker 1>Dressed to Kill? That's probably that's the movie I was

0:58:47.960 --> 0:58:52.360
<v Speaker 1>just about. It could be a reboot. No, it has

0:58:52.400 --> 0:58:54.280
<v Speaker 1>to be something like there has to be some kind

0:58:54.280 --> 0:58:59.920
<v Speaker 1>of bisexual thing. Oh um, well, obviously the key r

0:59:00.160 --> 0:59:02.320
<v Speaker 1>of the film is going to be like red and

0:59:02.400 --> 0:59:04.480
<v Speaker 1>blue and they meet in the mirdle in the middle

0:59:04.520 --> 0:59:07.120
<v Speaker 1>to create a kind of purple tone, so it looks

0:59:07.160 --> 0:59:10.240
<v Speaker 1>like the bisexual flag. Um, it's gonna be called like,

0:59:10.360 --> 0:59:12.400
<v Speaker 1>it's gonna be called atomic blonde. It's going to be

0:59:12.440 --> 0:59:15.720
<v Speaker 1>called like greedy or something. You know. That's the thing

0:59:15.760 --> 0:59:20.280
<v Speaker 1>about bisexual people, that's we're greedy. That's good. That's very good. Okay, okay, Um,

0:59:20.400 --> 0:59:23.600
<v Speaker 1>how am I glutton for punishment? That's what we'll call it,

0:59:23.760 --> 0:59:28.640
<v Speaker 1>glutton for punishment? I think. Um, you know it's funny

0:59:28.720 --> 0:59:30.720
<v Speaker 1>that oh no, oh, and the girl by the way,

0:59:31.040 --> 0:59:33.480
<v Speaker 1>the whole thing that happens at the end where she

0:59:33.680 --> 0:59:36.640
<v Speaker 1>like does the testosterone and frames him for her murder,

0:59:36.920 --> 0:59:41.080
<v Speaker 1>it's all being broadcast live on her podcast. Oh that

0:59:41.280 --> 0:59:44.880
<v Speaker 1>is a good. Final twist is that everyone knows, you know,

0:59:44.960 --> 0:59:48.280
<v Speaker 1>we're being kind of funny. But I'm I am genuinely

0:59:48.360 --> 0:59:51.880
<v Speaker 1>interested in a gone girl like movie that kind of

0:59:52.000 --> 0:59:55.920
<v Speaker 1>um inhabits the perspective of the kind of quote unquote

0:59:56.200 --> 0:59:59.240
<v Speaker 1>other woman. I think that when I first started to

0:59:59.440 --> 1:00:02.600
<v Speaker 1>when I win into a movie like Fatal Attraction, I

1:00:02.680 --> 1:00:05.160
<v Speaker 1>was kind of prepared to hate it and prepared to,

1:00:05.600 --> 1:00:09.760
<v Speaker 1>um really find it to be problematic or and or dated.

1:00:09.920 --> 1:00:13.040
<v Speaker 1>But I thought it was an exceptional film that had

1:00:13.120 --> 1:00:17.320
<v Speaker 1>like one fatal flaw of like not really kind of

1:00:17.640 --> 1:00:20.840
<v Speaker 1>rooting or complicating the woman. Glenn Close filled in so

1:00:20.960 --> 1:00:25.720
<v Speaker 1>many blanks in the script to kind of render a

1:00:25.760 --> 1:00:28.920
<v Speaker 1>more complex kind of antihero um even though it's not

1:00:28.960 --> 1:00:30.800
<v Speaker 1>framed that way in the film. And so I think

1:00:30.840 --> 1:00:34.440
<v Speaker 1>that nowadays, like I would love to see any iteration

1:00:34.560 --> 1:00:37.200
<v Speaker 1>of this kind of like woman who has kind of

1:00:37.240 --> 1:00:39.680
<v Speaker 1>had it. Yeah, And I guess, and I guess that's

1:00:39.720 --> 1:00:44.680
<v Speaker 1>why Obsessed like ultimately isn't a very good movie, even

1:00:44.720 --> 1:00:47.640
<v Speaker 1>though it's an amazing movie, is because like it's not

1:00:47.720 --> 1:00:52.600
<v Speaker 1>really concerned with making these real people. It's only concerned

1:00:52.600 --> 1:00:56.960
<v Speaker 1>and like building building a story that leads to Beyonce

1:00:57.280 --> 1:01:00.440
<v Speaker 1>killing a woman chandelier which is worth it? Which the

1:01:00.520 --> 1:01:04.240
<v Speaker 1>chandelier I'm going to swing from the chandelier from the

1:01:04.320 --> 1:01:08.080
<v Speaker 1>chandelier exactly exactly. Well. My one request is if anyone

1:01:08.080 --> 1:01:10.240
<v Speaker 1>wants to commission us to write this film, which we

1:01:10.280 --> 1:01:14.760
<v Speaker 1>would button for punishment, we will have to do a

1:01:14.800 --> 1:01:19.160
<v Speaker 1>referential image of you know, this lead wearing the leather

1:01:19.200 --> 1:01:23.560
<v Speaker 1>trench coat with tower high shoulder pads and a curly perm.

1:01:23.800 --> 1:01:25.600
<v Speaker 1>And also one thing I forgot is that at the

1:01:25.720 --> 1:01:28.840
<v Speaker 1>end when Ali Larder dies, so like Beyonce has tricked

1:01:28.880 --> 1:01:31.440
<v Speaker 1>her into falling through the floor in their attic and

1:01:31.480 --> 1:01:33.960
<v Speaker 1>then she's like hanging on and Beyonce is like, Okay,

1:01:34.160 --> 1:01:35.960
<v Speaker 1>I'm gonna I don't want you to actually die, so

1:01:36.000 --> 1:01:38.240
<v Speaker 1>like take my hand, I'll save you, and Ali Larder

1:01:38.280 --> 1:01:39.919
<v Speaker 1>takes her arm and then tries to pull her down

1:01:39.920 --> 1:01:42.840
<v Speaker 1>with her to kill them both. It's like it's it's

1:01:42.880 --> 1:01:45.720
<v Speaker 1>like like I said, it's like a caricature of evil,

1:01:46.880 --> 1:01:49.400
<v Speaker 1>but so it's so fun and they both sell it

1:01:49.600 --> 1:01:53.360
<v Speaker 1>so well. Yeah, I wonder is wearing heels throughout this

1:01:53.400 --> 1:01:56.560
<v Speaker 1>whole thing? Is Yeah, I forgot about that she's wearing heels.

1:01:56.600 --> 1:01:59.840
<v Speaker 1>Oh my god, that is conique. And I did see.

1:02:00.040 --> 1:02:03.240
<v Speaker 1>I did read that Beyonce had never done like fight

1:02:03.320 --> 1:02:06.080
<v Speaker 1>corea before, but because of her dance background, like she

1:02:06.160 --> 1:02:10.600
<v Speaker 1>came to it very naturally. Oh, I had no idea. Well,

1:02:10.680 --> 1:02:12.680
<v Speaker 1>she yeah, it makes complete sense. She's such a she

1:02:12.880 --> 1:02:17.320
<v Speaker 1>can perform literally anything. Um. I want to also, just

1:02:17.360 --> 1:02:19.320
<v Speaker 1>so that you know there's no erasure on this podcast,

1:02:19.400 --> 1:02:22.840
<v Speaker 1>we have to say that Obsessed belongs to you know,

1:02:23.560 --> 1:02:27.600
<v Speaker 1>um eons of people dying by chandelier among them, you know,

1:02:27.880 --> 1:02:32.080
<v Speaker 1>Phantom of the No One, No one dies, but intent

1:02:32.520 --> 1:02:38.400
<v Speaker 1>intent to murder Startust does happen in start Us there

1:02:38.520 --> 1:02:41.760
<v Speaker 1>is a moment with a chandelier, but no, Harry Potter,

1:02:41.840 --> 1:02:45.440
<v Speaker 1>there's a chandelier thing. Someone just drops a chandelier on someone.

1:02:45.480 --> 1:02:48.320
<v Speaker 1>I'm gonna oh no, actually no, Michelle Michelle Phifer does

1:02:48.400 --> 1:02:51.479
<v Speaker 1>die because of the chandelier in Stardust. That's an excellent movie,

1:02:51.480 --> 1:02:54.520
<v Speaker 1>by the way, and like Michelle Phifer, Yeah, I love Stardust.

1:02:54.800 --> 1:02:57.960
<v Speaker 1>Has Michelle Pfeiffer been in one of these movies? You know?

1:02:58.000 --> 1:03:00.520
<v Speaker 1>What's so funny is because she seems like the type.

1:03:00.600 --> 1:03:03.680
<v Speaker 1>The second gland Close walked on the screen, I immediately

1:03:03.760 --> 1:03:07.000
<v Speaker 1>saw Michelle Phifer in Batman. Well, yeah, I mean I

1:03:07.040 --> 1:03:12.880
<v Speaker 1>think actually Michelle Phifer's plotline in Batman like, at least

1:03:12.960 --> 1:03:16.840
<v Speaker 1>the Christopher walking part of her Catwoman journey like, does

1:03:17.000 --> 1:03:20.200
<v Speaker 1>feel kind of lifted from one of these kinds of movies.

1:03:20.320 --> 1:03:31.120
<v Speaker 1>It definitely does. Yeah, yeah, yeah, Well Meal, We'll be

1:03:31.160 --> 1:03:35.400
<v Speaker 1>back next week with the discussion on Anime with J. P. Brammer.

1:03:35.480 --> 1:03:40.480
<v Speaker 1>We're gonna talk about Excited Pokemon, Sailor Move and Neon Genesis, Evangelion,

1:03:40.760 --> 1:03:43.520
<v Speaker 1>all of those things. In the meantime, you can catch

1:03:43.600 --> 1:03:45.720
<v Speaker 1>up on a few of those shows, or also you

1:03:45.760 --> 1:03:47.760
<v Speaker 1>can let us know what you thought about this week's

1:03:47.760 --> 1:03:51.080
<v Speaker 1>episode on Twitter, Instagram. Show us your favorite frame of

1:03:51.240 --> 1:03:53.840
<v Speaker 1>Fatal Attraction, tell us so what was your favorite line

1:03:53.840 --> 1:03:58.880
<v Speaker 1>from Obsessed? How would to Hell? But until then, I

1:03:58.920 --> 1:04:02.960
<v Speaker 1>suggest the fourth season. You can tell us what to

1:04:03.000 --> 1:04:04.920
<v Speaker 1>talk about next, whether it's a show, a book, a

1:04:04.920 --> 1:04:07.920
<v Speaker 1>cultural phenomenon we want to hear from you Call to

1:04:07.960 --> 1:04:12.040
<v Speaker 1>confess at three to three Pennance that's three to three seven,

1:04:12.080 --> 1:04:14.800
<v Speaker 1>three six two six to three. You can leave us

1:04:14.800 --> 1:04:16.720
<v Speaker 1>a review on Apple Podcasts. You can leave us a

1:04:16.800 --> 1:04:20.320
<v Speaker 1>rating on Spotify. I'm your co host fran Toronto. You

1:04:20.320 --> 1:04:22.960
<v Speaker 1>can find me at France Squish co wherever on social

1:04:22.960 --> 1:04:25.880
<v Speaker 1>media and sub stack as well. And I'm rost damn You.

1:04:25.880 --> 1:04:28.480
<v Speaker 1>You can find me on Instagram, Twitter and TikTok at

1:04:28.600 --> 1:04:30.880
<v Speaker 1>Rose dam you can subscribe to like a version anywhere

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<v Speaker 1>you listen Like a Virgin is an I Heart Radio production.

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<v Speaker 1>Our producer is Phoebe Inter, the one and Only, with

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<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Just Cranechitch and Nikki

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<v Speaker 1>Etour until next week, See you later, Virgins. I'm gonna

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<v Speaker 1>swing from the Shandelie here, from the shandel here. So

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<v Speaker 1>canceled now we we can't do this. Two