1 00:00:00,240 --> 00:00:05,600 Speaker 1: Now here's a highlight. From Coast to Coast AM on iHeartRadio. 2 00:00:05,080 --> 00:00:07,640 Speaker 2: And welcome back to Coast to Coast, George Nori with you. 3 00:00:07,760 --> 00:00:10,840 Speaker 2: Gregory Hoag and his wife Gail are leading experts on 4 00:00:10,920 --> 00:00:16,040 Speaker 2: sacred geometric technologies. Co authors are the best selling Sacred Geometry, 5 00:00:16,079 --> 00:00:19,920 Speaker 2: the Universal Language of Divine Alignment. Upon meeting his wife 6 00:00:19,960 --> 00:00:23,160 Speaker 2: Gail over thirty eight years ago, they recognize their calling 7 00:00:23,200 --> 00:00:27,960 Speaker 2: to discover and utilize universal principles of resonance embedded in 8 00:00:28,040 --> 00:00:32,959 Speaker 2: sacred geometry to evolve consciousness. Combining that wisdom of art 9 00:00:33,000 --> 00:00:37,200 Speaker 2: and science, they harness the multi dimensional qualities of energy. 10 00:00:37,760 --> 00:00:41,880 Speaker 2: They continue to create technologies and share knowledge for improving health, 11 00:00:42,520 --> 00:00:49,400 Speaker 2: raising consciousness, reducing stress, manifesting purpose, and clearing electromagnetic interference. 12 00:00:49,840 --> 00:00:52,960 Speaker 2: Gregory Hogue on Coast to Coast, Greg welcome. 13 00:00:53,400 --> 00:00:56,120 Speaker 3: Thank you, George. I'm happy to be here. 14 00:00:56,360 --> 00:01:00,240 Speaker 2: My sister is named Gail. There aren't too many of them. 15 00:01:00,840 --> 00:01:03,440 Speaker 3: Well, I know I've got one of them, and I'm 16 00:01:03,560 --> 00:01:04,520 Speaker 3: very happy with that. 17 00:01:04,840 --> 00:01:08,920 Speaker 2: It's a name, great name. Now tell us about sacred geometry. 18 00:01:09,040 --> 00:01:11,480 Speaker 2: A lot of people have different thoughts about it. What's 19 00:01:11,520 --> 00:01:12,360 Speaker 2: your definition? 20 00:01:13,560 --> 00:01:17,399 Speaker 3: Oh well, let me say it. A couple different ways. 21 00:01:18,680 --> 00:01:26,280 Speaker 3: Ninety nine point nine nine nine percent of everything that 22 00:01:26,440 --> 00:01:33,920 Speaker 3: is around us and through us is energetic space, pure energy, 23 00:01:34,640 --> 00:01:40,640 Speaker 3: and Nikolai Tesla years ago said that the day science 24 00:01:40,720 --> 00:01:45,800 Speaker 3: begins to study non physical phenomena, it will make more 25 00:01:45,959 --> 00:01:51,200 Speaker 3: progress in one decade than in all the previous centuries 26 00:01:51,280 --> 00:01:58,920 Speaker 3: of its existence. And what sacred geometry offers is how 27 00:01:59,000 --> 00:02:05,640 Speaker 3: that energy comes into physical matter through pattern and rhythm 28 00:02:06,000 --> 00:02:11,560 Speaker 3: and cycle. And so by understanding in our three D 29 00:02:11,800 --> 00:02:18,440 Speaker 3: reality the numbers and all these patterns that represent this energy, 30 00:02:19,240 --> 00:02:24,440 Speaker 3: we can start to understand the non physical just the 31 00:02:24,480 --> 00:02:29,799 Speaker 3: way Nikolai Tesla was referencing. In a sense, it's a 32 00:02:30,000 --> 00:02:35,560 Speaker 3: language that we can use to communicate with any other 33 00:02:35,680 --> 00:02:42,000 Speaker 3: species in the universe, because everything follows these patterns and numbers, 34 00:02:43,040 --> 00:02:50,720 Speaker 3: and even higher dimensional realities reflects these same kinds of patterns. 35 00:02:51,880 --> 00:02:57,200 Speaker 3: And so another way to understand what's going on with 36 00:02:57,360 --> 00:03:02,520 Speaker 3: sacred geometry is just to imagine if you were sitting, 37 00:03:03,400 --> 00:03:08,360 Speaker 3: say in a parking lot at a big box store, 38 00:03:09,160 --> 00:03:15,480 Speaker 3: and feeling that energy, as opposed to going into nature, 39 00:03:15,800 --> 00:03:21,360 Speaker 3: sitting under a tree, feeling a stream rushed past you, 40 00:03:22,240 --> 00:03:27,120 Speaker 3: and the birds and the flowers and the difference in 41 00:03:27,200 --> 00:03:33,320 Speaker 3: the way nature makes us feel is that difference between 42 00:03:33,440 --> 00:03:39,680 Speaker 3: being in an artificial environment and being in one where 43 00:03:39,680 --> 00:03:43,440 Speaker 3: it's doing what it's supposed to be doing. The trees 44 00:03:43,480 --> 00:03:47,840 Speaker 3: are taking in the carbon dioxide putting out the oxygen, 45 00:03:48,680 --> 00:03:54,720 Speaker 3: and that natural order is what happens when we experience 46 00:03:55,800 --> 00:04:01,120 Speaker 3: the essence of sacred geometry, which is when energy is 47 00:04:01,200 --> 00:04:11,240 Speaker 3: moving through a geometry that actually can transform this dimension. 48 00:04:12,320 --> 00:04:19,560 Speaker 3: And it's that energy movement that makes a geometry sacred. 49 00:04:20,640 --> 00:04:23,840 Speaker 2: And the sacred portion of geometry really means what. 50 00:04:24,800 --> 00:04:31,160 Speaker 3: It means that it's capable of connecting to a higher dimension. 51 00:04:31,800 --> 00:04:36,359 Speaker 3: It can move energy into this dimension in a way 52 00:04:36,960 --> 00:04:42,239 Speaker 3: bringing us into touch with the divine. And that's why 53 00:04:42,560 --> 00:04:49,400 Speaker 3: so many ancient sites, you know, look at Stonehedge, the 54 00:04:49,520 --> 00:04:55,200 Speaker 3: churches in Renaissance Europe and things going on from pyramids 55 00:04:55,640 --> 00:05:01,479 Speaker 3: and on. They were using particular patterns and geometries and 56 00:05:01,600 --> 00:05:06,320 Speaker 3: numbers to affect the energy of an area, to affect 57 00:05:06,720 --> 00:05:12,000 Speaker 3: the experience of a human being going into that cathedral, 58 00:05:12,680 --> 00:05:17,359 Speaker 3: being in the center of that pyramid and working with 59 00:05:17,520 --> 00:05:21,760 Speaker 3: Stoneheade or some of the other developments that were drawing 60 00:05:21,920 --> 00:05:27,599 Speaker 3: upon principles that connected us as human beings to something 61 00:05:27,680 --> 00:05:30,080 Speaker 3: bigger than ourselves, Greg Gray. 62 00:05:29,880 --> 00:05:32,000 Speaker 2: When I hear the word geometry, I think of my 63 00:05:32,120 --> 00:05:36,479 Speaker 2: geometry classes in high school and mathematics. This is far 64 00:05:36,560 --> 00:05:38,479 Speaker 2: different than that, though, isn't it. 65 00:05:38,480 --> 00:05:42,479 Speaker 3: It? Absolutely, you know, what we're talking about is something 66 00:05:42,880 --> 00:05:49,040 Speaker 3: that's relational. That is, how do all the different things 67 00:05:49,120 --> 00:05:52,080 Speaker 3: we see in our reality, how do they relate to 68 00:05:52,160 --> 00:05:56,160 Speaker 3: each other? How does energy move between them? And it 69 00:05:56,360 --> 00:06:03,360 Speaker 3: is often based on number and so I've had people 70 00:06:03,480 --> 00:06:07,280 Speaker 3: say that it would have been so much nicer if 71 00:06:07,520 --> 00:06:13,640 Speaker 3: in high school, when they were sharing all these numbers 72 00:06:12,960 --> 00:06:17,480 Speaker 3: and triangles, that it had something to relate to, it 73 00:06:17,520 --> 00:06:21,160 Speaker 3: had some meaning behind it, because that's what we see 74 00:06:21,240 --> 00:06:26,120 Speaker 3: when we are starting to look into the way ourselves 75 00:06:26,240 --> 00:06:30,560 Speaker 3: are created, our bodies are created, and trees and plants, 76 00:06:30,960 --> 00:06:34,640 Speaker 3: they all have a relationship with each other, as well 77 00:06:34,680 --> 00:06:37,480 Speaker 3: as the way the moon and the earth and their 78 00:06:37,600 --> 00:06:39,279 Speaker 3: diameters work together. 79 00:06:40,040 --> 00:06:44,159 Speaker 2: When you understand how sacred geometry works and interacts with 80 00:06:44,320 --> 00:06:47,440 Speaker 2: the universe, as you have said, we'll get into the 81 00:06:47,480 --> 00:06:51,160 Speaker 2: title of your book, you can do incredible things with it, 82 00:06:51,240 --> 00:06:51,599 Speaker 2: can't you. 83 00:06:52,640 --> 00:06:58,200 Speaker 3: Absolutely? You know, that's like using it just to get 84 00:06:58,240 --> 00:07:03,480 Speaker 3: into a state like being in nature, where you can 85 00:07:03,960 --> 00:07:07,960 Speaker 3: start to get away from the stress, you can start 86 00:07:08,000 --> 00:07:12,680 Speaker 3: to feel connected the thoughts that come with it, you know, 87 00:07:12,720 --> 00:07:18,000 Speaker 3: that higher connection, the information that can come through when 88 00:07:18,040 --> 00:07:23,000 Speaker 3: we're in that state, and the power of the energy 89 00:07:23,040 --> 00:07:27,560 Speaker 3: that's coming out of it totally shifts. You know. It's 90 00:07:27,600 --> 00:07:33,240 Speaker 3: like when you can have your energy moved to a 91 00:07:33,320 --> 00:07:40,360 Speaker 3: higher level by being around a form that's resonating with 92 00:07:40,600 --> 00:07:46,120 Speaker 3: something that is an archetype, which is a pure way 93 00:07:46,440 --> 00:07:52,080 Speaker 3: of expressing creative aspects. When you have that in your field, 94 00:07:52,760 --> 00:07:56,520 Speaker 3: it raises your energy. And thus, you know, all the 95 00:07:56,600 --> 00:08:03,840 Speaker 3: stuff that's talked about with affirmations and shifting things, it 96 00:08:03,880 --> 00:08:08,600 Speaker 3: all begins with an energy field that's raised. And so 97 00:08:08,680 --> 00:08:12,200 Speaker 3: that's what happens when we are working with some of 98 00:08:12,240 --> 00:08:17,080 Speaker 3: these different geometries around us or wearing them on our body, 99 00:08:17,880 --> 00:08:23,160 Speaker 3: because it can shift our frequency to a higher level, 100 00:08:24,120 --> 00:08:27,080 Speaker 3: and that makes all the difference. 101 00:08:27,320 --> 00:08:30,680 Speaker 2: Gregory, are we using sacred geometry sometimes and we don't 102 00:08:30,720 --> 00:08:31,920 Speaker 2: even know we're using it? 103 00:08:33,400 --> 00:08:38,360 Speaker 3: Absolutely? I mean it's like, as I said, being in nature. 104 00:08:38,960 --> 00:08:45,920 Speaker 3: And also I know I started building these patterns that 105 00:08:46,000 --> 00:08:51,400 Speaker 3: I was seeing about forty five years ago after a 106 00:08:51,600 --> 00:08:57,040 Speaker 3: deep experience with Clendalini and I didn't know what was 107 00:08:57,080 --> 00:09:02,760 Speaker 3: going on. I simply knew that people could feel energy 108 00:09:02,800 --> 00:09:08,920 Speaker 3: from these things. And if someone goes into a sacred 109 00:09:09,000 --> 00:09:13,960 Speaker 3: space and they set up the patterns, stay with crystals 110 00:09:14,080 --> 00:09:19,600 Speaker 3: or stones, and they're working with sacred geometric principles, or 111 00:09:19,640 --> 00:09:25,560 Speaker 3: they move into a sacred chamber in a church or 112 00:09:26,040 --> 00:09:30,760 Speaker 3: some building that has the right proportions and so forth, 113 00:09:31,240 --> 00:09:36,480 Speaker 3: they could be stimulated by something positive and not realize 114 00:09:36,640 --> 00:09:41,680 Speaker 3: that this is what we're referring to as sacred geometry. 115 00:09:42,240 --> 00:09:45,439 Speaker 2: Were the pyramids constructed under the sacred geometry? 116 00:09:45,559 --> 00:09:52,480 Speaker 3: You guys, absolutely, you know they're if you look at 117 00:09:52,520 --> 00:09:58,160 Speaker 3: the face of the pyramid at Giza, the Great Pyramid, 118 00:09:58,800 --> 00:10:04,120 Speaker 3: and all the pyramids have little different geometries to them, 119 00:10:04,440 --> 00:10:09,320 Speaker 3: you know, their faces, Like the pyramid at Eisa, it's 120 00:10:09,480 --> 00:10:14,600 Speaker 3: working with the thigh ratio, and it's built in a 121 00:10:14,720 --> 00:10:20,480 Speaker 3: certain proportion that if you were to take across section 122 00:10:21,320 --> 00:10:27,079 Speaker 3: of that pyramid and you were to say, put the 123 00:10:27,160 --> 00:10:32,120 Speaker 3: tip of it at the north pole, then the base 124 00:10:32,200 --> 00:10:39,599 Speaker 3: would go across the diameter of the Earth and its 125 00:10:39,640 --> 00:10:44,160 Speaker 3: its parameter, that is going around the outside of the 126 00:10:44,160 --> 00:10:50,240 Speaker 3: pyramid that size, it would equal the circumference of the Earth. 127 00:10:51,280 --> 00:10:55,800 Speaker 3: And if you were to do another expansion of the 128 00:10:55,840 --> 00:11:02,000 Speaker 3: pyramid tech Giza such that the point is let's say 129 00:11:02,040 --> 00:11:05,240 Speaker 3: we were able to take the Moon and put it 130 00:11:05,360 --> 00:11:09,080 Speaker 3: right next to the Earth, so they touched, and you 131 00:11:09,280 --> 00:11:13,760 Speaker 3: put that point of the cross section of the pyramid 132 00:11:14,160 --> 00:11:18,680 Speaker 3: so it touched the middle of the moon. Then its 133 00:11:18,800 --> 00:11:23,560 Speaker 3: base would be equal to the diameter of the Earth. 134 00:11:24,480 --> 00:11:29,600 Speaker 3: And this only words in a proportion of one to 135 00:11:29,800 --> 00:11:37,000 Speaker 3: forty three thousand, two hundred, which happens to be an 136 00:11:37,040 --> 00:11:43,640 Speaker 3: expression of a harmonic that two Polish scientists discovered that light, 137 00:11:44,640 --> 00:11:49,800 Speaker 3: a photon of light actually has the geometry and that's 138 00:11:49,960 --> 00:11:55,640 Speaker 3: four thousand, three hundred and twenty degrees on the surface 139 00:11:55,679 --> 00:12:00,720 Speaker 3: of that geometry. So what I'm saying is the builders 140 00:12:00,760 --> 00:12:04,079 Speaker 3: of that pyramid knew what they were doing when they 141 00:12:04,360 --> 00:12:11,280 Speaker 3: created that harmonic that gets the pyramid to resonate with 142 00:12:11,440 --> 00:12:18,600 Speaker 3: the entire electromagnetic spectrum with energy. And that's how sacred 143 00:12:18,640 --> 00:12:23,560 Speaker 3: geometry works through resonance, the way a C tuning fork 144 00:12:23,960 --> 00:12:28,559 Speaker 3: will resonate with a C tone. When you build these 145 00:12:28,640 --> 00:12:35,760 Speaker 3: geometries so that they resonate, vibrate with the way the 146 00:12:35,880 --> 00:12:41,319 Speaker 3: universe is created, that energy comes in and the builders 147 00:12:41,360 --> 00:12:47,000 Speaker 3: of that great pyramid understood that, and they've incorporated so 148 00:12:47,160 --> 00:12:52,120 Speaker 3: many of these other aspects that we speak about in 149 00:12:52,160 --> 00:12:55,959 Speaker 3: our book into the building of that pyramid. 150 00:12:56,440 --> 00:13:00,000 Speaker 2: Does it take time, Gregory to understand the sacred geometry? 151 00:13:01,600 --> 00:13:08,040 Speaker 3: Well, I've been doing it for forty years, and i 152 00:13:08,200 --> 00:13:13,359 Speaker 3: haven't been studying it from books. It's from higher guidance 153 00:13:14,040 --> 00:13:20,440 Speaker 3: and opening up to universal principles and being guided by 154 00:13:21,800 --> 00:13:28,440 Speaker 3: higher dimensional beings. But hopefully in our book, we've put 155 00:13:28,559 --> 00:13:33,640 Speaker 3: down a lot of these patterns and rhythms and cycles, 156 00:13:34,360 --> 00:13:39,920 Speaker 3: and so hopefully people from reading this get a sense 157 00:13:40,760 --> 00:13:46,400 Speaker 3: of what's happening with sacred geometry and the sense of 158 00:13:46,600 --> 00:13:52,200 Speaker 3: connection that it offers us. Because we really start out 159 00:13:52,200 --> 00:13:57,880 Speaker 3: in our book talking about consciousness, and that's where I 160 00:13:58,040 --> 00:14:04,880 Speaker 3: believe all of this is leading into higher consciousness and 161 00:14:04,960 --> 00:14:07,680 Speaker 3: supporting human beings in that journey. 162 00:14:08,000 --> 00:14:11,760 Speaker 2: Give us an example of how sacred geometry would work 163 00:14:12,000 --> 00:14:16,320 Speaker 2: and apply to something like consciousness. 164 00:14:17,040 --> 00:14:22,000 Speaker 3: Okay, Well, part of it is that we have to 165 00:14:22,080 --> 00:14:26,880 Speaker 3: start to understand how we're constructed as a human being. 166 00:14:28,280 --> 00:14:31,840 Speaker 3: We're a lot like an iceberg, you know, where you 167 00:14:31,960 --> 00:14:35,760 Speaker 3: have the tip of the iceberg being only about ten 168 00:14:35,840 --> 00:14:40,000 Speaker 3: percent above the water and that's what we look at, 169 00:14:40,400 --> 00:14:45,360 Speaker 3: and we, you and I are just like that. Only 170 00:14:45,400 --> 00:14:49,920 Speaker 3: about ten percent of us is showing up here, and 171 00:14:50,680 --> 00:14:56,040 Speaker 3: the other ninety percent is hidden even from most of us, 172 00:14:56,200 --> 00:15:02,080 Speaker 3: from ourselves on higher dimensional levels. And when I talk 173 00:15:02,160 --> 00:15:06,680 Speaker 3: about a higher dimension, I'm talking about things that we 174 00:15:06,760 --> 00:15:10,560 Speaker 3: interact with and we don't even realize it's another dimension, 175 00:15:11,160 --> 00:15:16,800 Speaker 3: such as our emotional body, and our emotional body that's 176 00:15:17,000 --> 00:15:22,840 Speaker 3: generated from the physical dimension. Most of us are working 177 00:15:23,120 --> 00:15:28,200 Speaker 3: with negative thoughts, you know, fears and sadness and guilt, 178 00:15:28,920 --> 00:15:35,920 Speaker 3: and those kinds of things surround us in this unseen realm. 179 00:15:36,440 --> 00:15:41,680 Speaker 3: Some people can look at anora, can see colors around 180 00:15:41,840 --> 00:15:46,440 Speaker 3: human beings. Most of us can't, but those colors represent 181 00:15:47,280 --> 00:15:53,920 Speaker 3: that emotional body. And often the field around human beings 182 00:15:54,480 --> 00:15:59,400 Speaker 3: is so filled with seers and different aspects that aren't 183 00:15:59,400 --> 00:16:05,880 Speaker 3: working for them that it blocks higher dimensional energy consciousness, 184 00:16:05,960 --> 00:16:12,320 Speaker 3: higher consciousness from coming through. So if we are able 185 00:16:12,960 --> 00:16:18,880 Speaker 3: to bring some of these elements of sacred geometry, for example, 186 00:16:19,040 --> 00:16:25,080 Speaker 3: we've built pendants that vibrate with these higher dimensional energies, 187 00:16:25,760 --> 00:16:29,720 Speaker 3: and when someone is wearing one of these pendants, what 188 00:16:30,000 --> 00:16:36,360 Speaker 3: happens is that energy from source from soul, from the 189 00:16:36,440 --> 00:16:41,320 Speaker 3: higher aspect of who we are is able to come 190 00:16:41,440 --> 00:16:46,400 Speaker 3: through into the body through the heart. That's the portal, 191 00:16:46,480 --> 00:16:52,680 Speaker 3: the doorway to higher self. It's exactly like an antenna. 192 00:16:53,520 --> 00:16:58,320 Speaker 3: And so what starts to happen is a higher frequency 193 00:16:59,120 --> 00:17:04,080 Speaker 3: that which we refer to as consciousness, as love. It's 194 00:17:04,160 --> 00:17:08,439 Speaker 3: really love is the basis and right there at the 195 00:17:08,480 --> 00:17:13,280 Speaker 3: center of all consciousness. And so in that way it 196 00:17:13,440 --> 00:17:19,400 Speaker 3: can move past this field of negative energy around us 197 00:17:19,760 --> 00:17:26,240 Speaker 3: and break through. And so a sacred geometric device tool 198 00:17:27,080 --> 00:17:30,840 Speaker 3: can help us raise our consciousness. 199 00:17:31,680 --> 00:17:34,639 Speaker 2: The title of your book is called sacred geometry, the 200 00:17:34,800 --> 00:17:39,000 Speaker 2: universal language of divine alignment. What is that divine alignment? 201 00:17:39,680 --> 00:17:45,439 Speaker 3: The divine alignment is literally what I've just been talking 202 00:17:45,480 --> 00:17:50,840 Speaker 3: about with higher self, soul, that aspect of the divine 203 00:17:51,560 --> 00:17:57,359 Speaker 3: can actually align and it does align with the physical 204 00:17:58,320 --> 00:18:03,520 Speaker 3: through the universe, the language of sacred geometry. If there's 205 00:18:03,560 --> 00:18:08,600 Speaker 3: a resonance there. And when we have that sacred geometry 206 00:18:09,160 --> 00:18:13,960 Speaker 3: in this environment, like you said, like an antenna, it 207 00:18:14,119 --> 00:18:19,120 Speaker 3: starts to vibrate, just like a C tuning fork will 208 00:18:19,320 --> 00:18:24,960 Speaker 3: vibrate with a C tone when it's played. And so 209 00:18:25,040 --> 00:18:31,040 Speaker 3: then with that in the physical in this ten percent 210 00:18:31,119 --> 00:18:37,640 Speaker 3: of what is then the divine aspects of higher frequencies 211 00:18:38,160 --> 00:18:41,720 Speaker 3: can align with the physical dimension. 212 00:18:42,080 --> 00:18:45,320 Speaker 1: Listen to more Coast to Coast AM every weeknight at 213 00:18:45,359 --> 00:18:48,600 Speaker 1: one am Eastern, and go to Coast to coastam dot 214 00:18:48,640 --> 00:18:49,440 Speaker 1: com for more