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Speaker 1: Welcome to This is Important, a production of My Heart Radio,

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Speaker 1: the show where we only talk about what's obviously most

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Speaker 1: crucially integral to the fabric of our very nature. Today

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Speaker 1: we talk about the Hickory Dickory doctor mouse was on

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Speaker 1: my cock, the amount of text the Democrats sent me

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Speaker 1: are making I'm going to become a Republican And you're like,

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Speaker 1: please just come for me, Please just come for me.

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Speaker 1: Frankins Son's doctors, the monster we all doctored about. Here

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Speaker 1: we go, start your engines, ring minging ming ming ming

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Speaker 1: ming ming ming, ming, ming, ming, ming ming ming ming

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Speaker 1: ming ming. Back another day, another dollar. What's up, guys?

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Speaker 1: How are you? Oh? What up? Fellas? What's up? What's up?

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Speaker 1: Some drunk guy the other day at the bar came

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Speaker 1: up to me and he was like, dude, do you

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Speaker 1: guys think about what you're gonna say for the podcast?

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Speaker 1: And I'm like, what do you think? And he goes,

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Speaker 1: you know, I used to think that, uh. And I

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Speaker 1: was talking to him for a few minutes he goes,

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Speaker 1: I used to think that that you guys had some

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Speaker 1: sort of template. Uh. And then after talking with you

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Speaker 1: for a few minutes, I like, I realized that you

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Speaker 1: guys don't. Yeah, I realized there's no way, no way,

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Speaker 1: we're really exposing ourselves. He was like, after talking with

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Speaker 1: you for a few minutes, I realized, Nah, now you

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Speaker 1: guys don't. Yeah. I I liked it back when people

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Speaker 1: thought like I was a character and that like I

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Speaker 1: actually might be smart underneath. No, you know what we are.

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Speaker 1: We're in inspiration for like just that dumb creative kid

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Speaker 1: out there who's like, you know what if I could do?

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Speaker 1: If they can do it, so can I. You know, like, look,

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Speaker 1: I'm down to inspire. I'm down to inspire. Yeah, we're

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Speaker 1: just in. We're in inspiration. Maybe you could. I'm a

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Speaker 1: dumbasss are you can't. It's it's a lot of luck,

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Speaker 1: but yeah, go for it. We got very very lucky.

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Speaker 1: But you also, hey, who knows happened for us? Yeah?

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Speaker 1: This for all the dumbasses out there and on your TikTok,

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Speaker 1: and let's see what you got TikTok, your asshole. I'm

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Speaker 1: a dumbass for the people. Dumbasses, dumbasses unite, dumbasses rule dude,

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Speaker 1: your dumbass right up, dumbass right here. Okay, I'm sucking rock, dude,

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Speaker 1: just like just like let him keep coming, dude, dumbassy,

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Speaker 1: dumb dumb dumbass. Fuck, I'm a dumbass. You a dumbass.

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Speaker 1: I'm a dumbass. Yeah, we got to do a break

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Speaker 1: one time. We all just let somebody talk. We don't

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Speaker 1: say anything, don't make it be me, this is happening.

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Speaker 1: Didn't just do this? So what So now you're planning

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Speaker 1: the podcast? Is that what you're trying to do? Now?

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Speaker 1: You flipped so hard and yeah, suddenly you're playing in

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Speaker 1: the pod. Suddenly you're not being a dumbass. Just I do.

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Speaker 1: I did have a thing going back back and forth prank,

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Speaker 1: not prank, but kind of a prank where pank war

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Speaker 1: Bill Crabs, who wrote on Workaholics for a season for

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Speaker 1: half a season, great writer. You would be you'd be

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Speaker 1: talking and going after it on the phone or whatever,

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Speaker 1: and then when you would hear you'd say something to

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Speaker 1: kind of like pit like set the other person up

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Speaker 1: to go for it, and then you just hang up.

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Speaker 1: So you'd be like, oh, dude, no, remember when you

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Speaker 1: did that thing? What was it again? And he's like,

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Speaker 1: oh yeah, so like we were in Florida and like

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Speaker 1: and then they'd just hang up. That's good. Would just

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Speaker 1: be talking to me. That's cold and they got so crazy.

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Speaker 1: That is cold blooded. I love that at one point

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Speaker 1: we'd be calling somebody. We'd call each other and be like, Yo,

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Speaker 1: what up dude? Nothing man? How you been good? That's

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Speaker 1: the fan? Hey, what happened? How's the fan? Click within

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Speaker 1: within like fifteen seconds, and then you're like, all right,

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Speaker 1: this is this is getting out of control. And then

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Speaker 1: you call back or that was the conversation. That might

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Speaker 1: just be it, because then you know, I love that

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Speaker 1: you have to call back, right, you have to call

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Speaker 1: back to cap it because you don't really want to

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Speaker 1: catch up. You just want to get dude, you catch

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Speaker 1: up with people. I don't talk to anyone, like hardly ever,

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Speaker 1: But you do, do I do. I make an effort

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Speaker 1: to Yeah. Yeah, that's called being a good friend. You

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Speaker 1: catch up. That's I don't. I really don't get a

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Speaker 1: lot of calls from you. But I don't either. I

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Speaker 1: don't get a lot of calls from If it's been

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Speaker 1: six months and I haven't talked to somebody, I gotta

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Speaker 1: I gotta call them. I don't know that that's ever happened.

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Speaker 1: I've never called you I don't know that you've ever

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Speaker 1: called me just to catch up. But I text you

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Speaker 1: more than you call me. Okay, yeah, there's a text.

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Speaker 1: Well yeah, yeah, I'm not saying that. I'm I'm off

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Speaker 1: the hook on this. Plled on a second. Are we

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Speaker 1: saying like it has to be a call or text?

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Speaker 1: Like check in text or cool? Right? I think a

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Speaker 1: call is more. We were with a different generation. If

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Speaker 1: you're not thirty or younger, you've never called anyone in

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Speaker 1: your life, which is crazy. That's crazy. You need to

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Speaker 1: start calling. Well, that's like writing a letter. Who would

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Speaker 1: write a letter? Well, immittedly, Kyle called me what last

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Speaker 1: week to catch up? Yeah, we caught up. We caught

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Speaker 1: up recently on him the fuck really enjoyed it. Well,

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Speaker 1: we haven't talked in a long time. We're about start

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Speaker 1: shooting the Workhalks movie. So it was it was a

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Speaker 1: half work call, half just catching up call. Yeah, work friends,

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Speaker 1: kind of a t happened. You were just tapping in.

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Speaker 1: But but that but that got me thinking, like, oh,

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Speaker 1: I don't call anyone ever. Like if if you're my

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Speaker 1: very best friend and I am not seeing you or

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Speaker 1: we're in the same city, I we no longer communicate

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Speaker 1: even a little bit, like via vocal cords, via vocals,

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Speaker 1: like we might we might shoot a text here and there,

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Speaker 1: or we're on a chain and gets just going or something,

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Speaker 1: but we're not. I'm not just reaching out randomly. See,

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Speaker 1: I hear a lot of people who are like very

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Speaker 1: anti like um group text. I'm all in. I'm all in.

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Speaker 1: You're really good at I like the group text too,

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Speaker 1: because at least you're connected to you're tethered to a conversation,

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Speaker 1: and you're knocking out ten friends at once. I'm not

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Speaker 1: good at the groups. It's a delicate dance. It's a

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Speaker 1: delicate dance. And I'm just gonna say that because that's

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Speaker 1: some group. Some group texts are Other group texts are better. Yeah,

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Speaker 1: some group texts are just one guy keeping it alive,

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Speaker 1: And you're like, yo, did you not get them? You

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Speaker 1: don't want to be the guy that's keeping it alive.

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Speaker 1: But you don't want to be the one guy that's

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Speaker 1: just always You want to be like the third text down,

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Speaker 1: Like if it's firing off and you see then you're like, okay,

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Speaker 1: I'll fire a little something in there to keep it going.

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Speaker 1: So don't be the dude at two am. Who sends

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Speaker 1: like the YouTube link to a song you're listening to.

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Speaker 1: That's always. That's always like, like, you know, you gotta

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Speaker 1: check this out, listen you you can do that, but

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Speaker 1: you can't be that guy three times in a row.

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Speaker 1: If you've done it twice and it hasn't happened, you

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Speaker 1: gotta wait for somebody else to do it otherwise. And

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Speaker 1: I would say it's very rarely that, I mean even

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Speaker 1: the third Usually, like Adam, you're terrible communicating. Yeah, I think, yeah,

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Speaker 1: I'm really bad at it. You've gotten way worse. It's inexcusable.

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Speaker 1: Well know, when I'm in town, I'll hit you guys

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Speaker 1: up and be like, I'm I'm going to be in town.

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Speaker 1: We should all get together. It should you do that.

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Speaker 1: I like to see my boys in person. I must

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Speaker 1: not be on that group Chap, What do you mean

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Speaker 1: didn't you guys just hang out when you were in town?

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Speaker 1: Didn't that happen for something? Adam throws events, which I

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Speaker 1: do appreciate. That is cool. Those are in person, That's

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Speaker 1: what you're saying. He's got the in person on the lock.

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Speaker 1: Adam's old school as fun when I'm when I'm in town.

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Speaker 1: I like to I like to hang out with my

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Speaker 1: friends and see you guys, but when I'm away always

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Speaker 1: so much. Yeah, it's it's easy to for good about it.

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Speaker 1: And then we have the podcast so we get to

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Speaker 1: see each other. This is why part of the reason

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Speaker 1: I love the podcast so much is we get to

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Speaker 1: check in once a week and see the homies. But

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Speaker 1: like some other friends that that I'm like, I don't

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Speaker 1: enden and stack this cash the money. But there's other

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Speaker 1: friends who who are really like you know, they're my homies.

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Speaker 1: But then I just don't see him until until I'm

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Speaker 1: back in town, or I don't communicate with him. Do

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Speaker 1: you want to apologize to early names? Name names? I

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Speaker 1: have a list. I have a list that of people

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Speaker 1: I'm going to give flowers to at the end, go

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Speaker 1: for us kill them. Last week, talking about friends giving

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Speaker 1: made me go like, man, it's been so long since

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Speaker 1: I've been to a friends giving. Do I even have

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Speaker 1: friends anymore? Damn? That might be a secret. As I

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Speaker 1: start to cry, have you tried the voice memos? Since

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Speaker 1: you reach out to your boy? Uh, what's your boy's name?

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Speaker 1: John's homi from high school named Johns or something like this?

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Speaker 1: I'm trying to dissect. No, No, John Johnkey, he's got

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Speaker 1: a Austin Adam has a friend from high school, none

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Speaker 1: of Donkey, whose name is like Johnty or like John.

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Speaker 1: I know you Ryan, Jonica, Jonica, Yes, exactly. But there's

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Speaker 1: no way you got that out of that. Well, yeah,

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Speaker 1: that it was only a matter I was. I would

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Speaker 1: flip it, flip it through the page. What I'm trying

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Speaker 1: to say is that those are that's a deep cut friends. Yes,

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Speaker 1: that's a deep cut friend. And No, I have not

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Speaker 1: reached been a while since he reached out to Bryan.

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Speaker 1: There was a time when we were it's been a

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Speaker 1: long time. My parents actually just asked me if I

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Speaker 1: had talked with Jonica in a while, and he's on

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Speaker 1: the list, I'm going to give him Flowers. So that's

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Speaker 1: his last name, right, Yeah, Yeah, that's his last name.

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Speaker 1: You call him that, you know. Well, we spent some

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Speaker 1: time with Jonica at the at the workaholics house. He'd

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Speaker 1: pull up. No, Jonica never came out there. That was Hillman. No,

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Speaker 1: the guy was kind of like clean cut war polos,

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Speaker 1: kind of talked fat. That was Jeremy Bell. Johnico worked

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Speaker 1: at Papa Murphy's back in the day, right, bro, No,

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Speaker 1: oh God, here we go. That was awesome. Jonica did. No,

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Speaker 1: Austin and Jonica worked at Papa Murphy's. You know he didn't.

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Speaker 1: He worked at Burger time. No, he worked at Papa's

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Speaker 1: video game making up. You know it's called Burger Detour.

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Speaker 1: Burger Detour. Your whole childhood's a lot. Is that real?

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Speaker 1: Is that real? Child? I feel like I visited that dude.

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Speaker 1: I feel like when I went out to Omaha, I

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Speaker 1: visited Jonica and Austin thinking of another friend. I think

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Speaker 1: you're thinking of John Paul. Wait, they're not the same person.

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Speaker 1: You have a John Paul. To different person, Yes, I

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Speaker 1: have a John Paul. Everybody has a John Paul. Oh

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Speaker 1: John Paul. Yes, John Paul told a different being said,

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Speaker 1: this podcast just gonna be listing all of my high

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Speaker 1: school friends. We can try. Maybe let's see who can

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Speaker 1: list them. Shout out any shout out. We're not shouting now, quite,

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Speaker 1: Yeah we don't. Don't you can list who? Let the

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Speaker 1: most friends in high school go? Said, then I'm still

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Speaker 1: I still have a group text with them. We're on signal. Yeah,

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Speaker 1: we're on signal. That's right. We're on the signal app

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Speaker 1: you are. I think I have that ship muted right now. Yeah,

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Speaker 1: that's all I think I needn't. I have so many

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Speaker 1: group chats muted because you get to it, you see it.

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Speaker 1: You go, oh wait, you can mute a conversation and

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Speaker 1: it won't say that it's muted. Yeah, this is the way. Yeah,

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Speaker 1: they never know. Oh really, I thought, and you and

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Speaker 1: you don't and you don't get notifications. But if you

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Speaker 1: go into your text, it has like a light thing

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Speaker 1: that's like yo, there's people talking. Oh I gotta figure

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Speaker 1: that out because sometimes sometimes especially immittedly you know, I

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Speaker 1: love my family, I love our family text, but like

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Speaker 1: the extended all the instant uncles, I'll look down and

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Speaker 1: there will be like sixty eight messages live for that

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Speaker 1: like did someone die damn son, oh maha, like firebombed

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Speaker 1: or something to like something horrible happen. And then I'll

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Speaker 1: look and it's just like my aunt's going like back

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Speaker 1: and forth about like cast rolls. And that's what I'm

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Speaker 1: in for. That's what conversations. I want to be a

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Speaker 1: part of the castle. Dude, I hate Blake. I'll loop

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Speaker 1: you in home and put me in put me in

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Speaker 1: they would love to go back and forth about cast

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Speaker 1: roles and ship with you. That is always kind of

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Speaker 1: awkward when people like add people that not everybody should

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Speaker 1: be able to add to the group text because when

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Speaker 1: they're like adding fucking you know whoever, and you're like, oh,

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Speaker 1: you just sucked up the whole vibe of and you

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Speaker 1: change the dynamic. Yes, yes, it changes everything when you do.

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Speaker 1: You got to take a vote. You're like, oh, I

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Speaker 1: don't know if I can be as flagrant with this

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Speaker 1: new person in the in the chat, especially when they're

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Speaker 1: just a number and you're like who the fund your

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Speaker 1: side texting who's the fucking number? Dude? Who's the number?

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Speaker 1: Who's watching the number? Some of my best friends are numbers, dude.

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Speaker 1: And do you remember when we first met and we

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Speaker 1: had good we were doing Second City and um when

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Speaker 1: we first and uh, there was okay, everyone in the

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Speaker 1: class like here's the emails, and people started doing like

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Speaker 1: mass emails and people would just be like really bored

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Speaker 1: going back and forth on the email dude, and and

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Speaker 1: it's like improv one at once. So everyone's just trying

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Speaker 1: to out funny the next person on this group and

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Speaker 1: you know I'd never responded. I would just look at it,

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Speaker 1: read it and be like all right, Dirs. Then response

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Speaker 1: to everyone's like, please take me off this email chain.

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Speaker 1: You guys have to take me off this it's getting

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Speaker 1: out of control. Yeah, He's like, take me off. I

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Speaker 1: don't want to be a part of it. Disaster fully

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Speaker 1: fully spoiling the mood, which was so damn funny. And

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Speaker 1: that's when I was like, oh, me and this guy

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Speaker 1: have to write together because I think that. I would

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Speaker 1: just never do that. Dirs would actually say I think

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Speaker 1: that and do it. I had to. I was like, guys,

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Speaker 1: I have sixteen emails. I'm my name out your mouth.

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Speaker 1: I don't. I'm very I'm pretty good about like keeping

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Speaker 1: email out. Like if I get junk mail, unsubscribing immediately,

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Speaker 1: if I'm in, if I'm in some sort of gun email,

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Speaker 1: I'm like, guys, maybe stopped none of these. You can't

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Speaker 1: a protocol. There's not a protocol that exists where you

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Speaker 1: can take yourself out of emails. You have to ask

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Speaker 1: to be taken out. Huh. I think emails are flawed. Yeah,

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Speaker 1: I don't think you can just get Yeah, like you

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Speaker 1: can't just draw Well, there probably is at this point.

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Speaker 1: But that was well, that was over fifteen years ago,

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Speaker 1: you know what I mean. But has there been any

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Speaker 1: innovations or the children of email raised by the Internet.

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Speaker 1: Do you think when you unsubscribed? Does that really? I

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Speaker 1: think that when you unsubscribe it adds you to two

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Speaker 1: different emails because every time I unsubscribe because you click

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Speaker 1: that length, Yeah, what the funk? Then I get the

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Speaker 1: weirdest ship coming from all directions. There's no way. And

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Speaker 1: this did ship pop off on Black Friday for you

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Speaker 1: guys on Cyber Monday, Big dude, it was nuts. I

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Speaker 1: haven't checked my I fucking hate it. It's like what,

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Speaker 1: I'm not looking at it, not even looking at it.

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Speaker 1: I'm gonna be shopping though, didn't I. I think I

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Speaker 1: think it's time I get a new email that is

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Speaker 1: my work email. I think i've I've I just have

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Speaker 1: had the one email I never got, like a burner email,

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Speaker 1: which you have where you signed up for all like

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Speaker 1: the bullshit when you're at like bed Bath and Beyond

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Speaker 1: dot com trying to buy fucking sheets or whatever and

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Speaker 1: you put in an email. Yeah yeah, yeah, but I

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Speaker 1: do have a burner. But now now my work and

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Speaker 1: my burner are the same account, and so I sometimes

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Speaker 1: will miss like important workship because it's buried underneath, you know,

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Speaker 1: fucking low's commercials and yeah I was or worse, somebody's

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Speaker 1: bad joke or right, exactly a waste of time, or

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Speaker 1: like some political ship some like fucking yeah like this podcast,

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Speaker 1: yeah yeah, just yeah, some political thing where it's like

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Speaker 1: it's on you give us five dollars, they're about to win.

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Speaker 1: War nuts, give us five dollars if they if you

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Speaker 1: don't give us five dollars, they're gonna win. And you're

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Speaker 1: like the war knock text I was getting up until

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Speaker 1: the wire. We're crazy. I'm like, I'm not, I'm gonna come.

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Speaker 1: I'm not there. The amount of text the Democrats sent

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Speaker 1: me are making I'm going to become a Republican. I

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Speaker 1: know I was the same way. I'm here on the

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Speaker 1: Trump train. Dude, Dude, if Trump, if all he says

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Speaker 1: is like, hey, I will send you less emails your vote,

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Speaker 1: I'll vote for him. That's a great platform. Is like,

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Speaker 1: that's what he should run on if he actually wants

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Speaker 1: to win again. Just he says, I'm not going to

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Speaker 1: email you one time. Just give me your vote. I'll

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Speaker 1: never vote. You have my vote, you sir, have my vote. Damn,

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Speaker 1: that's a hell of a strategy. That's a new strategy.

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Speaker 1: I like it. Yeah, that's what I would run on

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Speaker 1: no emails. I mean, I actually consider the other day

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Speaker 1: at getting a new phone number and having an entirely

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Speaker 1: new existence. But that seems having two phones, having this

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Speaker 1: one that's just beat to death like everybody has, and

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Speaker 1: I'm getting I got called by China Mainland yesterday. What

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Speaker 1: do you mean beat to the like has it been

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Speaker 1: gagging on the day. I've the same phone since high

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Speaker 1: school too, So I get like, yeah, I think should

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Speaker 1: probably get prank calls, like I'll get called people that

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Speaker 1: just have my number, and every couple of months, I'll

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Speaker 1: just decided to call me at four am drunk leaving

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Speaker 1: weird voicemails, and that sucks. I used to have a

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Speaker 1: sick ass, fucking like trickster voicemail that was like that

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Speaker 1: would get you every time I would say hello and

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Speaker 1: then talk back so and I loved it. It was

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Speaker 1: like my pride and joy. But I had to stop

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Speaker 1: and go back to fucking just I had to erase

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Speaker 1: it and go back to robo because when I got

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Speaker 1: calls like that, I didn't want any kind of like

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Speaker 1: point to me. You know, wait, dude, if you still

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Speaker 1: have it, can we post the Ben Stiller voicemail voicemail

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Speaker 1: so Kyle, I'll find Frank voicemail where he was like

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Speaker 1: hello up. Oh yeah, I remember that. It would gave

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Speaker 1: me every time and I knew that it was him. Yeah,

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Speaker 1: it was a good one, but Ben Stiller, and he

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Speaker 1: got Ben and he was like like wow, he got shook.

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Speaker 1: That was like doing the show as a favor. Um

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Speaker 1: might not show up for day two. Oh, he was

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Speaker 1: like I remember it because he was like, oh boy,

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Speaker 1: that really. He's like, I'm just trying to tell you

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Speaker 1: what I need for the show, and like I want

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Speaker 1: to be there on time and I don't have time

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Speaker 1: to pray. So funny, Yeah, I'll find it. I think

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Speaker 1: I have to charge an old phone, you know, like

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Speaker 1: it's on the hard drive of an old ask phone

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Speaker 1: to so Blake, you're going to get a new phone number.

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Speaker 1: That to me, it sounds it sounds kind of great,

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Speaker 1: but then you will end up you're gonna have to

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Speaker 1: spend a whole weekend like going through putting the new

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Speaker 1: phone numbers on the new phone, like people that you

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Speaker 1: actually want to stay in touch with, because there's a

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Speaker 1: lot you know, you look through where you're like Jeff

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Speaker 1: Bartender Cleveland, You're like, why do I need this guy's

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Speaker 1: phone number? It's pretty great though, that's the good part.

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Speaker 1: Tell Jeff calls and he goes, you left your thousand

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Speaker 1: dollars here? Did you want? Yeah, we'll see. I like

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Speaker 1: having all the old numbers because then you go like, oh,

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Speaker 1: don't answer, like I know that this is some person

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Speaker 1: I met randomly in Orlando twelve years ago. Do you

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Speaker 1: pick up numbers you don't know? Though? I only pick

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Speaker 1: up the numbers that are like maybe this one, you

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Speaker 1: know what I mean, where they think they've got it

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Speaker 1: right maybe before No, no, no, it doesn't your phone

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Speaker 1: and say this might be it says maybe this person

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Speaker 1: out If that exists, and I pick it up, I

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Speaker 1: don't think mind maybe Hulk Hogan, it does FLA. That's

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Speaker 1: how it works. It absolutely doesn't. Really, yours doesn't do that.

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Speaker 1: You're we're mistaken. Just Blake's phone doesn't do Oh okay,

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Speaker 1: right right right right? Pubbo's out, pub out. All I

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Speaker 1: know is that every time, will you have an iPhone? Right? Yeah, yeah,

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Speaker 1: held out then he held up something. He held up

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Speaker 1: something really quick. What was that an iPhone? It's just

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Speaker 1: a piece of cardboard? What was that? Okay, so you're

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Speaker 1: talking about getting a new I have an iPhone? Do

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Speaker 1: you have a good phone? Is that just single? Is

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Speaker 1: that single? Do you do you have a good I

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Speaker 1: have such a good phone number that I don't want

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Speaker 1: to get board? What is it? Yeah? Goodbye? Wait edit

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Speaker 1: this part out, don't edit it. What's your number? My

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Speaker 1: numbers still I on one? My numbers still nine one.

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Speaker 1: So you're doing it on account of your number. Let

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Speaker 1: me look at your numbers? So why why let check

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Speaker 1: look at it? Let me see each other's phone numbers. Yeah,

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Speaker 1: your numbers, I'm gonna see. Let me see pop tar?

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Speaker 1: Rapper's a pop tar? Is a strut or strusal? Toastal? Okay? Yeah, okay, okay, yeah, sure,

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Speaker 1: you don't want to get rid of it? Funny? What

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Speaker 1: is it? Boots? Pretty good? Is it? Eight zero zero? Eight? Five? Boobs?

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00:21:35,760 --> 00:21:38,919
Speaker 1: It's just yeah, it's something. It's something, you know what

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Speaker 1: I mean? Something? But the way I say the last

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Speaker 1: four numbers, uh huh yeah, for sure. Put a little

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Speaker 1: twot on it. Yeah, no, it's quick style. He can

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Speaker 1: do it, probably quick. Yeah, is it? I don't remember

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Speaker 1: there being a ton of sixty nine. And that's really

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Speaker 1: the funniest combo. You have this number in your phone?

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Speaker 1: I phone numbers, sho. If that could be promised to me,

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Speaker 1: I'll change my number now. Dude, Hey, everybody listening, do

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Speaker 1: not call Do not call it and find out whose

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Speaker 1: phone it is. Don't do it? Uh, Dirsty, this isn't

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Speaker 1: a funny number even a little bit. No, no, it's

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Speaker 1: not supposed didn't say it inside good It's just a

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Speaker 1: good number. Oh I thought you said that. Oh I'm sorry.

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Speaker 1: I thought you said it was like the funniest number.

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Speaker 1: It's just a good number. That's a solid Yeah, you're

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Speaker 1: gonna remember. I guess it's pretty easy to remember without

404
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Speaker 1: saying them. How many phone numbers do you have memorized

405
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Speaker 1: by heart right now? From childhood? I think I have

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Speaker 1: to Who can I even tell you? Do? They have

407
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Speaker 1: to be working now. I think of maybe two or three.

408
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Speaker 1: It's like my wife's and like my mom's phone number

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Speaker 1: and my home phone number that is disconnected now from

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Speaker 1: being a child. And that's about it. Yeah, I wonder

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Speaker 1: if my mom still is ghost numbers. I think a

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Speaker 1: lot of the ones I have memorized are ones that

413
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Speaker 1: are disconnected, they were from childhood, they're defunct, or those

414
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Speaker 1: are the only ones I know at all memorized. Really,

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Speaker 1: I think I could do Adams. Do kids memorize numbers

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Speaker 1: at all? Or they lost when they get kidnapped they

417
00:23:17,280 --> 00:23:19,400
Speaker 1: don't know how to call for help. Well, Blake, let's

418
00:23:19,440 --> 00:23:22,960
Speaker 1: ask you. You have children. They don't know they know

419
00:23:23,080 --> 00:23:25,560
Speaker 1: my number exactly what I'm saying. So they do know

420
00:23:25,600 --> 00:23:28,280
Speaker 1: your number? Yeah, they know your my number? Yeah, because

421
00:23:28,280 --> 00:23:30,400
Speaker 1: I trained them. So that's the trick. You gotta teach

422
00:23:30,440 --> 00:23:33,520
Speaker 1: your kids, train you. Yes, you must train them to

423
00:23:33,600 --> 00:23:36,560
Speaker 1: at least know your number. Now do you make up

424
00:23:36,800 --> 00:23:39,439
Speaker 1: fun songs like help your kid? I guess they're your

425
00:23:39,480 --> 00:23:41,359
Speaker 1: daughters a little older. Now, you don't need to make

426
00:23:41,400 --> 00:23:46,400
Speaker 1: up a fun I go four twenties sixty nine. If

427
00:23:46,440 --> 00:23:49,399
Speaker 1: a man with the big gun grabs you and puts

428
00:23:49,440 --> 00:23:54,720
Speaker 1: it to your head, call nine to five or you

429
00:23:54,720 --> 00:24:01,119
Speaker 1: will be dead. There we go. I think we just

430
00:24:01,880 --> 00:24:05,160
Speaker 1: started a whole revolution here. Well, nursery rhymes are dark

431
00:24:05,200 --> 00:24:06,879
Speaker 1: as fun, so that just kind of fits, right, on

432
00:24:06,960 --> 00:24:13,080
Speaker 1: in you know what I mean? Okay, here said it

433
00:24:13,280 --> 00:24:16,919
Speaker 1: had to be said, what's up, dude, disaster? You were

434
00:24:16,920 --> 00:24:19,760
Speaker 1: looking at a dollar bill? What's so dark as funk about?

435
00:24:19,840 --> 00:24:21,800
Speaker 1: If you look close at a dollar bill? There's a

436
00:24:21,800 --> 00:24:25,520
Speaker 1: lot of scientology, aren't they dark as funk? Like? Isn't

437
00:24:25,560 --> 00:24:29,200
Speaker 1: like ring around the rosy pocket full of posey? What

438
00:24:29,520 --> 00:24:32,200
Speaker 1: is it? Why is that? Why is that during around

439
00:24:32,200 --> 00:24:34,760
Speaker 1: the rosy pocket full of posey? I think that's so.

440
00:24:35,920 --> 00:24:37,720
Speaker 1: I think it has something to do with the plague.

441
00:24:37,760 --> 00:24:40,080
Speaker 1: You put a pocket, you put a pocket full of posey?

442
00:24:41,240 --> 00:24:44,880
Speaker 1: Ward off some ashes, ashes were burning. You're burning people

443
00:24:44,920 --> 00:24:48,240
Speaker 1: because they were Yeah, they were burning because their rats

444
00:24:48,240 --> 00:24:50,359
Speaker 1: eat the body. Is this real? Or is this? Or

445
00:24:50,440 --> 00:24:52,320
Speaker 1: is this like a Q and on rabbit hole that

446
00:24:52,400 --> 00:24:54,520
Speaker 1: Kyle fell down or something? No, no, no, no no, no, no, no,

447
00:24:54,680 --> 00:24:57,879
Speaker 1: this is really I don't fall down rabbit holes, buddy,

448
00:24:58,040 --> 00:25:03,120
Speaker 1: I in the rabbit hole bit. Yeah, like Humpty dumpty

449
00:25:03,720 --> 00:25:06,359
Speaker 1: was crazy, dude, I can't I can't tell if you

450
00:25:06,400 --> 00:25:09,639
Speaker 1: guys are like joking, you're listening, just come back in

451
00:25:09,680 --> 00:25:11,840
Speaker 1: three minutes. That's how we like it about him. Yeah.

452
00:25:11,880 --> 00:25:13,840
Speaker 1: The worst thing you can say to a person ever,

453
00:25:13,960 --> 00:25:16,560
Speaker 1: is I can't tell if you're joking. That just means

454
00:25:16,560 --> 00:25:18,879
Speaker 1: they're not funny. Yeah, and that's how I felt the

455
00:25:18,960 --> 00:25:24,119
Speaker 1: last like five or ten minutes when you like and

456
00:25:24,880 --> 00:25:29,359
Speaker 1: that was when he was doing this, that was funny.

457
00:25:29,400 --> 00:25:31,840
Speaker 1: I guess it's a visual medium. When this is a

458
00:25:31,840 --> 00:25:35,480
Speaker 1: podcast and most people listen to the podcast, I forgot

459
00:25:35,520 --> 00:25:38,240
Speaker 1: because I'm looking dead at you, guys. Well, go to YouTube.

460
00:25:38,520 --> 00:25:40,879
Speaker 1: This is important. We are on YouTube. A lot of

461
00:25:40,880 --> 00:25:44,800
Speaker 1: people are loving it, like and subscribe and subscribe comments

462
00:25:44,840 --> 00:25:47,479
Speaker 1: sections on fire over there. So get in there and

463
00:25:47,520 --> 00:25:49,879
Speaker 1: say what was on YouTube? You get you get to

464
00:25:49,920 --> 00:25:54,040
Speaker 1: see cool swag? Ellen swag. We all have that swittshirt,

465
00:25:54,040 --> 00:25:57,520
Speaker 1: don't we. Kyle? Sorry, Kyle, what do I have? I

466
00:25:57,560 --> 00:25:59,320
Speaker 1: have a I have a sweatshirt. I do have a

467
00:25:59,320 --> 00:26:01,320
Speaker 1: sweat from El And Ellen went, no, no, no, no,

468
00:26:01,359 --> 00:26:06,520
Speaker 1: you want sweatshirts. I gotwitshirts. I got sweatshirt. I got sweatshirt.

469
00:26:06,600 --> 00:26:10,359
Speaker 1: My mom. One of the time I call her, she's

470
00:26:10,400 --> 00:26:14,080
Speaker 1: wearing merch that I have given her. My mom loves

471
00:26:14,200 --> 00:26:17,360
Speaker 1: that swag that Ellen, that Ellen swag. Oh I thought

472
00:26:17,400 --> 00:26:19,239
Speaker 1: you were talking about Ellen. Yeah I did too. I

473
00:26:19,320 --> 00:26:21,280
Speaker 1: was like one that times I call her I'm like,

474
00:26:21,280 --> 00:26:23,239
Speaker 1: where's this going. I'm like, what group test are you

475
00:26:23,240 --> 00:26:26,480
Speaker 1: on with Ellen? Baby? Yeah? Damn yeah, me and Bige

476
00:26:26,720 --> 00:26:30,360
Speaker 1: And what's the DJ on the show's name again? Ah? Man,

477
00:26:30,400 --> 00:26:35,480
Speaker 1: you're putting me on the spot DJ. It's something like

478
00:26:35,520 --> 00:26:39,159
Speaker 1: this twist his twist, right is it? Twitch? Look at dude? Twitch.

479
00:26:39,320 --> 00:26:44,639
Speaker 1: Todd from production Quick with the Twitch said, twist. That's

480
00:26:44,680 --> 00:26:49,679
Speaker 1: pretty good. That's very close. Wrong, but yeah, so you

481
00:26:49,720 --> 00:26:52,359
Speaker 1: like to look at Okay, sixteen sixty five Great Plague

482
00:26:52,359 --> 00:26:56,000
Speaker 1: of London. The rosie is the rash that covered the

483
00:26:56,200 --> 00:26:59,439
Speaker 1: afflictive smell from which they attempted to cover up with

484
00:26:59,480 --> 00:27:02,800
Speaker 1: a pocket full of posies. They thought little flowers would

485
00:27:02,840 --> 00:27:05,320
Speaker 1: cover it up. Wait, they thought like the stanch and

486
00:27:05,359 --> 00:27:08,280
Speaker 1: then you put like some flowers in your pockets. It

487
00:27:08,400 --> 00:27:12,240
Speaker 1: was because it was like eating. It was the plague.

488
00:27:12,240 --> 00:27:14,119
Speaker 1: It's some kind of thing that I don't know what

489
00:27:14,160 --> 00:27:16,960
Speaker 1: the funk it did, but it looks like afterwards you

490
00:27:17,000 --> 00:27:20,439
Speaker 1: went to ashes and you fell down. Okay, you know

491
00:27:20,480 --> 00:27:22,919
Speaker 1: they probably had to burn you because you stunk the

492
00:27:23,000 --> 00:27:25,439
Speaker 1: asses fault. They burn you so that like the rats

493
00:27:25,480 --> 00:27:28,280
Speaker 1: didn't eat your body and keep the plague going. And

494
00:27:28,320 --> 00:27:30,400
Speaker 1: then the ashes falling down is coming from this guy.

495
00:27:30,480 --> 00:27:32,359
Speaker 1: This is the most intense thing I've ever and you

496
00:27:32,400 --> 00:27:35,880
Speaker 1: guys all knew this. This is absolutely insane. I've never

497
00:27:35,920 --> 00:27:40,200
Speaker 1: even heard Adam Blake Kylee to for a second. I'm

498
00:27:40,280 --> 00:27:42,600
Speaker 1: kind of just like, I don't know, I'm like making

499
00:27:42,720 --> 00:27:45,600
Speaker 1: up what I thing. I know, who are you talking to?

500
00:27:49,080 --> 00:27:55,520
Speaker 1: He's listening, who are you talking to? Okay, so we

501
00:27:55,560 --> 00:27:57,879
Speaker 1: don't know this is this is a fake thing. I

502
00:27:57,880 --> 00:27:59,800
Speaker 1: don't know. I don't know, but I'm just saying stuff. No,

503
00:27:59,840 --> 00:28:02,560
Speaker 1: I knew that. I knew that. I didn't know the specifics,

504
00:28:02,600 --> 00:28:04,680
Speaker 1: but I knew that they had to burn the bodies

505
00:28:04,760 --> 00:28:07,120
Speaker 1: for sure. I knew that was like a dark one.

506
00:28:07,240 --> 00:28:08,879
Speaker 1: I knew that one was a dark one. It's not

507
00:28:08,920 --> 00:28:10,800
Speaker 1: even that dark. What are some other dark ones? K

508
00:28:11,080 --> 00:28:13,000
Speaker 1: Here's I mean, there's a lot of reading to be done.

509
00:28:13,520 --> 00:28:17,600
Speaker 1: Ver probably has red Rover red Rover. No, here's one.

510
00:28:17,680 --> 00:28:19,879
Speaker 1: Three Blind Mice eighteen o five. Three Blind Mice is

511
00:28:19,880 --> 00:28:23,639
Speaker 1: supposedly yet another ode to Bloody Mary's Rain. With the

512
00:28:23,640 --> 00:28:26,919
Speaker 1: trio in question, we can see a group of Protestant

513
00:28:27,440 --> 00:28:32,320
Speaker 1: It's not interesting, that's fake. That's fake. Well, a ton

514
00:28:32,400 --> 00:28:36,280
Speaker 1: of them are probably racist for sure. Yeah, a lot,

515
00:28:36,520 --> 00:28:41,800
Speaker 1: a lot of it. It's for children. Yeah, do you

516
00:28:41,840 --> 00:28:46,200
Speaker 1: know about history? Yeah, we got to dismantle that. They

517
00:28:46,240 --> 00:28:49,800
Speaker 1: teach the kids young. Yes, okay, oh god, oh my god.

518
00:28:49,880 --> 00:28:54,240
Speaker 1: Did you guys see James Brolin? What about him? The

519
00:28:54,680 --> 00:28:59,400
Speaker 1: uh dude, the fucking Walmart killer? Was it the Walmart killer?

520
00:28:59,520 --> 00:29:02,200
Speaker 1: What it was? The the killer at the gay bar?

521
00:29:02,600 --> 00:29:05,000
Speaker 1: The fucking psychopath that went in and shot up thing.

522
00:29:05,080 --> 00:29:07,800
Speaker 1: And then they found his dad and his dad looks

523
00:29:07,880 --> 00:29:12,080
Speaker 1: like Josh Brolin on meth. And he said, the craziest

524
00:29:12,080 --> 00:29:14,240
Speaker 1: ship you've ever heard? Did you guys see that video?

525
00:29:14,360 --> 00:29:17,840
Speaker 1: I was wondering. I didn't. I didn't fact check that

526
00:29:18,040 --> 00:29:19,800
Speaker 1: guy to see if it was really him, But that

527
00:29:20,080 --> 00:29:22,920
Speaker 1: was really his dad. Well then it all makes a

528
00:29:22,960 --> 00:29:25,520
Speaker 1: lot of sense. My god, I guess I didn't do

529
00:29:25,560 --> 00:29:28,000
Speaker 1: a deep dive on that. So you're saying the shooter

530
00:29:28,120 --> 00:29:33,959
Speaker 1: at the cube the cubar, Yes, cubar, the shooter's father was.

531
00:29:34,720 --> 00:29:38,040
Speaker 1: They interviewed him and it was like the most offensive

532
00:29:38,040 --> 00:29:42,000
Speaker 1: ship you can for sure. Seems like he's on drugs. Yeah.

533
00:29:42,120 --> 00:29:44,400
Speaker 1: Oh so he was saying flagrant things and you go, oh,

534
00:29:44,600 --> 00:29:46,720
Speaker 1: this is why they were like, hey, your your son

535
00:29:46,880 --> 00:29:48,880
Speaker 1: just like murdered a bunch of people. But he was like,

536
00:29:48,920 --> 00:29:51,240
Speaker 1: he looked just like Josh Brolin, except for like he

537
00:29:51,280 --> 00:29:56,280
Speaker 1: had like meth face. He's like yeah, yeah, man, yeah, ok, yeah,

538
00:29:56,400 --> 00:30:00,120
Speaker 1: absolutely insane. Yeah he was the way we got into this.

539
00:30:01,960 --> 00:30:08,520
Speaker 1: Did you see Josh Roland? I was confused, what nursery rhyme?

540
00:30:08,600 --> 00:30:11,000
Speaker 1: Is this guy about to pull out of his Sorry guys,

541
00:30:11,040 --> 00:30:13,720
Speaker 1: I thought you guys would catch on very quickly that

542
00:30:13,840 --> 00:30:16,640
Speaker 1: this guy looked just like Josh Brown. Know what happened?

543
00:30:16,760 --> 00:30:22,160
Speaker 1: Is he alive? And then you go Walmart and Walmart?

544
00:30:22,680 --> 00:30:27,840
Speaker 1: What the did dust Roland shop at Walmart? Crazy that

545
00:30:27,880 --> 00:30:31,520
Speaker 1: there's been like four slains since, uh since the one

546
00:30:31,560 --> 00:30:35,200
Speaker 1: that I was talking about. I know, yeah one. I

547
00:30:35,240 --> 00:30:37,920
Speaker 1: do like how the dude of the cubar was like

548
00:30:38,000 --> 00:30:40,720
Speaker 1: I just went into combat mode and destroyed that guy.

549
00:30:40,760 --> 00:30:44,000
Speaker 1: I love. That's that's the dude who stopped it. Yeah yeah,

550
00:30:44,120 --> 00:30:46,640
Speaker 1: I'm like stoked on him. And then the left, the

551
00:30:46,720 --> 00:30:48,920
Speaker 1: left was like, he's our guy. We like the military.

552
00:30:49,320 --> 00:30:53,120
Speaker 1: You're like a yeah, God, who knows? This is important?

553
00:30:53,880 --> 00:30:57,160
Speaker 1: This is important. I'm glad I got us all charged up.

554
00:30:57,200 --> 00:31:00,240
Speaker 1: I didn't even mean to. Thanks man, Thanks man, where

555
00:31:00,280 --> 00:31:03,480
Speaker 1: is PolyChar Guys, that's just what it is, fully polycharred.

556
00:31:03,680 --> 00:31:06,520
Speaker 1: That's what reciting three Blind miceful duty of the It'll

557
00:31:06,560 --> 00:31:10,720
Speaker 1: fire yet exactly exactly. There's a lot of reading that

558
00:31:10,760 --> 00:31:12,320
Speaker 1: I have to do to really understand some of this

559
00:31:12,320 --> 00:31:14,960
Speaker 1: stuff because it's talking about like fucking it's talking about

560
00:31:15,000 --> 00:31:18,840
Speaker 1: like time of past. It's like, dude, no, what is this?

561
00:31:18,920 --> 00:31:21,960
Speaker 1: I don't even know? But so, but songs have always

562
00:31:21,960 --> 00:31:26,880
Speaker 1: been used to teach children dangerous things, right, So is

563
00:31:26,920 --> 00:31:28,320
Speaker 1: that what it is? You think? And then it just

564
00:31:28,440 --> 00:31:30,800
Speaker 1: hung off. I feel like I guarantee you there's a

565
00:31:30,840 --> 00:31:33,480
Speaker 1: song out there about like how to behave. If someone

566
00:31:33,520 --> 00:31:36,160
Speaker 1: shows up and you hear bang bang down the hall,

567
00:31:37,000 --> 00:31:40,560
Speaker 1: go under your dead, you're saying school, You're saying there's

568
00:31:40,600 --> 00:31:43,720
Speaker 1: a school shooting, nursery run. I guarantee you there's a

569
00:31:43,760 --> 00:31:46,880
Speaker 1: school shooting song children to learn about like where to

570
00:31:46,960 --> 00:31:48,720
Speaker 1: go and how to hide and all that chick. Well

571
00:31:48,760 --> 00:31:51,719
Speaker 1: it's not popular, Like why doesn't Blake Shelton or some

572
00:31:52,000 --> 00:31:54,880
Speaker 1: like famous country singer Blake and just get on it?

573
00:31:55,400 --> 00:32:00,520
Speaker 1: Well skips right over. Yeah we got our Blake that Yeah. No,

574
00:32:00,640 --> 00:32:03,800
Speaker 1: I'm thinking of like a talented musician that that would

575
00:32:03,800 --> 00:32:05,960
Speaker 1: get people. I don't think I'm the guy. I don't

576
00:32:05,960 --> 00:32:08,720
Speaker 1: know is gonna get them. Kind of a nasty dude.

577
00:32:09,000 --> 00:32:14,719
Speaker 1: If there's a desk remix, Yeah, I don't think Blake's

578
00:32:14,760 --> 00:32:17,440
Speaker 1: the guy. Like I feel like Blake Shelton or Adam

579
00:32:17,520 --> 00:32:20,400
Speaker 1: Levin get out there. Anyone that was on the voice

580
00:32:20,800 --> 00:32:29,520
Speaker 1: should do this. Sure, sure, yeah, absolutely your desk like Jagger, Hi, Jager,

581
00:32:29,680 --> 00:32:34,160
Speaker 1: you've got too high like Jagger. Yeah, yeah, I guess so,

582
00:32:36,480 --> 00:32:40,080
Speaker 1: stop dropping roll, baby, No, but like the what we're saying,

583
00:32:40,120 --> 00:32:41,800
Speaker 1: these are so crazy. But I think this is a

584
00:32:41,840 --> 00:32:45,800
Speaker 1: way that people have talked kids stuff for I like

585
00:32:45,920 --> 00:32:48,880
Speaker 1: heavy ship. Yeah, it's a way of making it a

586
00:32:48,960 --> 00:32:52,400
Speaker 1: little bit lighter, like stop dropping roll. Right now, we've

587
00:32:52,440 --> 00:32:55,440
Speaker 1: only really found the one and it wasn't like it

588
00:32:55,520 --> 00:32:57,840
Speaker 1: was just like you've already here we go, Mary, Mary

589
00:32:57,920 --> 00:33:02,280
Speaker 1: quite contrary. Contrary, This is so dark. It is one way.

590
00:33:02,400 --> 00:33:04,840
Speaker 1: I haven't read any of this. It takes so much reading.

591
00:33:04,920 --> 00:33:07,200
Speaker 1: I just didn't. I'm done, dude, don't even go there.

592
00:33:07,240 --> 00:33:11,400
Speaker 1: It's so dark. Contrary is one way to describe a

593
00:33:11,480 --> 00:33:19,280
Speaker 1: murderous psychopath. This popular English nurse Fery Rocks. This could

594
00:33:19,320 --> 00:33:24,360
Speaker 1: be your YouTube page. This is YouTube ship, which reads

595
00:33:24,400 --> 00:33:28,600
Speaker 1: like a solicitation for gardening advice, is actually, according to many,

596
00:33:28,720 --> 00:33:32,200
Speaker 1: a recounting of the homicidal nature of Queen Mary. The

597
00:33:32,280 --> 00:33:36,920
Speaker 1: first of a k a. Bloody Mary. That's the second

598
00:33:36,920 --> 00:33:39,120
Speaker 1: Bloody Mary one. Didn't you just say the Three Blind

599
00:33:39,160 --> 00:33:41,600
Speaker 1: Mice was about Bloody Mary? Yeah, dude, Three Blind Mice

600
00:33:41,680 --> 00:33:44,360
Speaker 1: is supposedly yet about. And also, why is like my

601
00:33:44,480 --> 00:33:47,280
Speaker 1: favorite drink named after this? I didn't know Bloody Mary

602
00:33:47,400 --> 00:33:50,640
Speaker 1: was like a psychopath? Why name like the best taste

603
00:33:50,640 --> 00:33:53,480
Speaker 1: to gotta stop? Her name was Bloody Mary? Because she

604
00:33:53,680 --> 00:33:56,680
Speaker 1: killed hell of people? Yeah? I know, But then obviously

605
00:33:56,800 --> 00:33:59,680
Speaker 1: later the drink came around. And then why did we

606
00:34:00,040 --> 00:34:03,200
Speaker 1: side to land on Bloody Mary after this? It sucks

607
00:34:03,280 --> 00:34:07,880
Speaker 1: you up? Bro? Yeah? What Mary? You up? What her

608
00:34:07,880 --> 00:34:11,160
Speaker 1: reign is? Queen from fifteen fifty three to fifteen fifty eight,

609
00:34:11,200 --> 00:34:14,840
Speaker 1: five years, not that long. Not even that was marked

610
00:34:14,840 --> 00:34:18,520
Speaker 1: by the execution of hundreds of Protestants. Oh my god? Right,

611
00:34:18,680 --> 00:34:22,439
Speaker 1: shut up? Wait did you say execution of hundreds that? Yeah?

612
00:34:22,440 --> 00:34:24,120
Speaker 1: I did, and I thought it was going to sound

613
00:34:24,120 --> 00:34:29,359
Speaker 1: it's not crazy, yeah right, especially back then. I mean,

614
00:34:29,400 --> 00:34:32,359
Speaker 1: I guess if it's only five years, hundreds is a lot.

615
00:34:32,360 --> 00:34:35,359
Speaker 1: They're like, damn like fucking slow it down. And I

616
00:34:35,360 --> 00:34:37,600
Speaker 1: think she was doing it like one by one like

617
00:34:37,640 --> 00:34:40,600
Speaker 1: the with the guillotine, wasn't she wasn't she like doing

618
00:34:40,640 --> 00:34:43,359
Speaker 1: it legally or well not legally, but like they had

619
00:34:43,400 --> 00:34:46,839
Speaker 1: to go through the judicial system. Well, I guess if

620
00:34:46,920 --> 00:34:49,399
Speaker 1: she's the queen and she's saying to kill them, then

621
00:34:49,440 --> 00:34:51,919
Speaker 1: it is legally off with your heads? Yeah, for sure.

622
00:34:51,960 --> 00:34:55,360
Speaker 1: Blake Alice in Wonderland, Blake's really onto something. Oh is

623
00:34:55,440 --> 00:34:57,600
Speaker 1: that is that Bloody Mary off with your heads? Is

624
00:34:57,600 --> 00:35:00,799
Speaker 1: that it from the cartoon that's probably riding it from

625
00:35:01,000 --> 00:35:04,279
Speaker 1: Queen of Heart, the Mad Queen, the Queen with the

626
00:35:07,360 --> 00:35:14,000
Speaker 1: Ry University Mad Hatter. This is the dumbest podcast you

627
00:35:14,040 --> 00:35:19,000
Speaker 1: need to derive to the Library and Reads and the Caterpillar.

628
00:35:19,760 --> 00:35:24,879
Speaker 1: Who are you burned at the steak? Todd says, that's

629
00:35:24,880 --> 00:35:28,480
Speaker 1: what that's how the Bloody Mary Queen? What kind of steak?

630
00:35:28,719 --> 00:35:34,880
Speaker 1: My ghostuposters to burn at the steak? Oh man? What

631
00:35:35,000 --> 00:35:37,320
Speaker 1: kind of steak? Though? Well, if you guys want to

632
00:35:37,360 --> 00:35:40,200
Speaker 1: listen to any sort of like kids nursery rhymes, might

633
00:35:40,239 --> 00:35:43,120
Speaker 1: I suggest Andrew Dice Clay he has such a funny

634
00:35:43,200 --> 00:35:49,080
Speaker 1: take a diggory duck so dark you can't go to

635
00:35:49,160 --> 00:35:53,399
Speaker 1: Dice the Dice man. I love Why was that so controversial?

636
00:35:53,600 --> 00:35:57,040
Speaker 1: What Dice? Why was Dice? Because it's kids stuff? I know,

637
00:35:57,719 --> 00:36:01,839
Speaker 1: who cares? Yeah, talking about Cox. You gotta watch that

638
00:36:01,880 --> 00:36:04,160
Speaker 1: thing on There's something on Hulu that's a vice show

639
00:36:04,200 --> 00:36:05,920
Speaker 1: that's like the dark side of comedy that does a

640
00:36:05,920 --> 00:36:09,239
Speaker 1: pretty good run of like what DICE's career was, and

641
00:36:09,239 --> 00:36:12,479
Speaker 1: he is. I think no one was like saying that

642
00:36:12,680 --> 00:36:15,440
Speaker 1: he was like the most crass guy, No one was

643
00:36:15,480 --> 00:36:20,560
Speaker 1: really Yeah, like little miss Muffett sat on my dick. Oh,

644
00:36:22,840 --> 00:36:26,120
Speaker 1: I'm sorry that but that wasn't before like Eddie Murphy

645
00:36:26,200 --> 00:36:28,839
Speaker 1: delirious though, And it wasn't even that good of a joke.

646
00:36:28,920 --> 00:36:32,719
Speaker 1: It's not it's not that, but people lost their minds.

647
00:36:32,280 --> 00:36:34,920
Speaker 1: If you listen to his stuff, if you listen to

648
00:36:34,920 --> 00:36:36,920
Speaker 1: his stuff now, I just watched this documentary. It's not

649
00:36:36,960 --> 00:36:39,920
Speaker 1: that funny, No, it's not. It's just like big and

650
00:36:40,080 --> 00:36:43,440
Speaker 1: like crass and like you take that back at the end,

651
00:36:43,480 --> 00:36:46,160
Speaker 1: you son him a big I might, but but it

652
00:36:46,280 --> 00:36:48,920
Speaker 1: wasn't that funny. Are you a Dice man, Blake? I

653
00:36:49,040 --> 00:36:52,759
Speaker 1: love the dice man, Come on, what do you mean?

654
00:36:52,800 --> 00:36:55,640
Speaker 1: Come on, dude, dude, I don't know. I'm I'm kind

655
00:36:55,640 --> 00:36:57,160
Speaker 1: of I'm on the fence because I get what he

656
00:36:57,200 --> 00:36:59,799
Speaker 1: was doing. It was like it was brash and it

657
00:36:59,880 --> 00:37:01,759
Speaker 1: was out there. No one was doing it, and that's

658
00:37:01,800 --> 00:37:07,080
Speaker 1: why it was so successful. But admittedly it's not that good, right,

659
00:37:07,120 --> 00:37:09,720
Speaker 1: but somebody had to do it first and break the seal.

660
00:37:09,960 --> 00:37:11,600
Speaker 1: And he was the guy and he went and he

661
00:37:11,800 --> 00:37:14,080
Speaker 1: and he wrote it to the moon and then was sure,

662
00:37:14,080 --> 00:37:16,440
Speaker 1: but he was. It was such it was such a character,

663
00:37:16,520 --> 00:37:18,360
Speaker 1: and I guess I don't like that type of comedy

664
00:37:18,360 --> 00:37:21,600
Speaker 1: where it's like it's too much of a character. Sam

665
00:37:21,680 --> 00:37:24,839
Speaker 1: Kenniston was also crazy and loud and brash, and he

666
00:37:25,160 --> 00:37:27,200
Speaker 1: wasn't doing what he's saying. He's not that guy. He's

667
00:37:27,239 --> 00:37:30,640
Speaker 1: not that guy, pal, what not? Even during that time

668
00:37:30,719 --> 00:37:33,400
Speaker 1: was he that guy. He sipped on his own character.

669
00:37:33,520 --> 00:37:36,440
Speaker 1: And that's when he was doing like the big fucking shows,

670
00:37:36,480 --> 00:37:39,239
Speaker 1: and he got to become started a gag on his

671
00:37:39,280 --> 00:37:42,440
Speaker 1: own cock. He was gagging on his own cock. You're

672
00:37:42,480 --> 00:37:45,319
Speaker 1: not that guy, trust me. Yeah, But then then he

673
00:37:45,360 --> 00:37:46,800
Speaker 1: started to believe it, and that's when it kind of

674
00:37:46,840 --> 00:37:49,439
Speaker 1: got out of control, I think, And it was like, oh, ship,

675
00:37:49,680 --> 00:37:53,600
Speaker 1: the monster has like whatever been unleashed. I don't know

676
00:37:54,040 --> 00:38:06,480
Speaker 1: Frankenstein's muster, what is that. Frankenstein's doctors, the monster we

677
00:38:06,640 --> 00:38:09,520
Speaker 1: all doctored about. That's right. See, I was a little

678
00:38:09,600 --> 00:38:18,279
Speaker 1: late when I first started to do stand up. My

679
00:38:18,360 --> 00:38:20,960
Speaker 1: uncle's were like you have to. They were like, you

680
00:38:20,960 --> 00:38:23,640
Speaker 1: know who you should uh what kind of stand up

681
00:38:23,680 --> 00:38:26,000
Speaker 1: you should do? And I'm like what, you know, I'm

682
00:38:26,040 --> 00:38:28,760
Speaker 1: like nineteen or whatever. It's like when I first started

683
00:38:29,000 --> 00:38:33,000
Speaker 1: and I'm like what and they're like, like, dice man, right,

684
00:38:33,840 --> 00:38:37,759
Speaker 1: And I'm like, well, he's already doing it. That was

685
00:38:37,800 --> 00:38:40,880
Speaker 1: the only thing that was holding me back, right, Adam

686
00:38:40,960 --> 00:38:47,959
Speaker 1: just looking for an original angle. It's just today original dog.

687
00:38:48,960 --> 00:38:52,239
Speaker 1: He's already doing that, dude. Was his whole stick or

688
00:38:52,280 --> 00:38:53,920
Speaker 1: like the thing that was so popular that he was

689
00:38:53,960 --> 00:38:57,640
Speaker 1: basically saying naughty things at a time where you shouldn't

690
00:38:57,640 --> 00:39:00,080
Speaker 1: be saying it kind of things and you're doing it

691
00:39:00,160 --> 00:39:03,120
Speaker 1: with kids nursery rhyme and everyone is just like, oh

692
00:39:03,160 --> 00:39:06,880
Speaker 1: my god. No. He was very like he was like

693
00:39:07,680 --> 00:39:11,640
Speaker 1: it was misogynistic and derogatory and kind of bigoted. Right,

694
00:39:11,719 --> 00:39:14,200
Speaker 1: Oh really, I actually don't know much about the guy.

695
00:39:14,560 --> 00:39:17,719
Speaker 1: Watch this thing he wrote a Blake, Blake, you're a

696
00:39:17,760 --> 00:39:20,120
Speaker 1: big fan. It's weird how much of a big I'm

697
00:39:20,120 --> 00:39:23,400
Speaker 1: like dying on the store and I've only heard Hickory

698
00:39:23,440 --> 00:39:26,640
Speaker 1: Dickory Doc the Mouse was on my cop. Yeah, the

699
00:39:26,760 --> 00:39:29,520
Speaker 1: sexual stuff is pretty funny. Yeah, Blake, that's not okay.

700
00:39:29,680 --> 00:39:31,799
Speaker 1: He admittedly, the more you say it, Blake, the more

701
00:39:31,840 --> 00:39:38,200
Speaker 1: I'm liking it. So it's good to your uncle's got it.

702
00:39:39,920 --> 00:39:42,120
Speaker 1: I don't know who else has done a character like

703
00:39:42,200 --> 00:39:44,160
Speaker 1: Larry the Cable Guy. That's why he did Larry the

704
00:39:44,200 --> 00:39:46,920
Speaker 1: Cable Guy. And who else is not the guy? That's

705
00:39:47,000 --> 00:39:50,520
Speaker 1: the last one that like truly popped off. I feel

706
00:39:50,680 --> 00:39:54,160
Speaker 1: what about Chicken? What about Chicken? What was his name? Chicken?

707
00:39:54,239 --> 00:39:56,640
Speaker 1: Who's Chicken? Yeah? You said he got like a special

708
00:39:56,760 --> 00:40:00,600
Speaker 1: off of like Sundance or not Sundance from um. What

709
00:40:00,680 --> 00:40:04,040
Speaker 1: was the big comedy like festival where people would get

710
00:40:04,080 --> 00:40:09,040
Speaker 1: basically sitcoms off? Yeah? Or was it just for laughs?

711
00:40:09,360 --> 00:40:11,960
Speaker 1: The one I did Montreal, I thought it was Aspen

712
00:40:12,200 --> 00:40:14,480
Speaker 1: and there was some comedian name like Chicken and he

713
00:40:14,600 --> 00:40:17,960
Speaker 1: got a sitcom and they're like, what did we do?

714
00:40:18,480 --> 00:40:21,000
Speaker 1: Because he was such like a character and not relatable

715
00:40:21,040 --> 00:40:25,720
Speaker 1: at all. Sorry, yeah, I remember that being a story.

716
00:40:25,760 --> 00:40:28,920
Speaker 1: I don't really remember exactly who that guy was. I

717
00:40:29,000 --> 00:40:31,200
Speaker 1: like when Blake tells it though, Yeah, well and then

718
00:40:31,400 --> 00:40:33,520
Speaker 1: and then what Blake? I thought I heard it from

719
00:40:33,560 --> 00:40:36,840
Speaker 1: fucking Adam? And then what what about the one comedian

720
00:40:36,880 --> 00:40:38,760
Speaker 1: who was like called the comedian with like the bag

721
00:40:38,800 --> 00:40:41,160
Speaker 1: on his head? Do you remember that guy? He like

722
00:40:41,280 --> 00:40:43,680
Speaker 1: always had a bag on his head bad? Yeah, he

723
00:40:43,719 --> 00:40:46,759
Speaker 1: was the unknown comic and he just always wore like

724
00:40:46,800 --> 00:40:49,840
Speaker 1: a paper bag on his head. Triumph is a character?

725
00:40:50,800 --> 00:40:54,560
Speaker 1: You know? That's our guy right there, smigles, Our guy

726
00:40:54,760 --> 00:40:58,520
Speaker 1: right there is Smirnoff, Jakov Smirnof a character? Is he

727
00:40:58,600 --> 00:41:02,560
Speaker 1: actually eye with an accent? Who's jack Off and Smirnoff

728
00:41:02,640 --> 00:41:08,400
Speaker 1: from Branson, Missouri? The king of Branson, Missouri? What Adam

729
00:41:08,440 --> 00:41:11,200
Speaker 1: helped me out with? Adam? Adam, we're looking at you.

730
00:41:11,280 --> 00:41:13,359
Speaker 1: This is stand up allor You're supposed to be a

731
00:41:13,400 --> 00:41:17,840
Speaker 1: wealth of knowledge, bro Jakov Smirnof, Yeah, what about Yakof?

732
00:41:17,920 --> 00:41:21,600
Speaker 1: Yeah he's in Yeah, I think he's he's in Branson.

733
00:41:21,760 --> 00:41:23,960
Speaker 1: I think, right? Is that a character? Is he actually

734
00:41:24,040 --> 00:41:26,400
Speaker 1: have an accent like that? I think he does have

735
00:41:26,560 --> 00:41:28,759
Speaker 1: an accent. Yeah, I think, I mean, I don't think

736
00:41:28,760 --> 00:41:33,359
Speaker 1: he's asking Adam. He got no clue. I've never met

737
00:41:33,440 --> 00:41:35,920
Speaker 1: yakof spiringof. I have no idea. I have no idea.

738
00:41:36,120 --> 00:41:42,200
Speaker 1: What about Yahoo serious? Have you seen? Have you seen Puddles?

739
00:41:42,400 --> 00:41:44,839
Speaker 1: That clown that never comes out of Is that something

740
00:41:44,880 --> 00:41:47,120
Speaker 1: you guys have seen? Puddles the pity clown or whatever

741
00:41:47,120 --> 00:41:50,080
Speaker 1: who just like sings opera? Yeah? I saw him at

742
00:41:51,360 --> 00:41:54,680
Speaker 1: that ship. Sounds dark, dude. I saw him out at

743
00:41:54,800 --> 00:41:57,640
Speaker 1: UM just for last this year in Toronto? You did?

744
00:41:57,719 --> 00:42:00,440
Speaker 1: And was he good? How was it was cool? He

745
00:42:00,520 --> 00:42:02,920
Speaker 1: didn't break character. He came to the bar with us afterwards,

746
00:42:02,960 --> 00:42:05,760
Speaker 1: and he stayed in his makeup and just like didn't talk.

747
00:42:05,840 --> 00:42:09,360
Speaker 1: His whole thing is that he doesn't talk. He only sings. Cool. Cool.

748
00:42:09,800 --> 00:42:12,440
Speaker 1: What a nightmare you gotta go out with that? Puddles

749
00:42:12,520 --> 00:42:15,040
Speaker 1: pity party? Puddles pity party. Yeah, it was a It

750
00:42:15,120 --> 00:42:18,319
Speaker 1: was a wild set. Is like anti fucking jokes. So

751
00:42:18,400 --> 00:42:20,200
Speaker 1: how old is this guy? I've never I don't think

752
00:42:20,239 --> 00:42:22,239
Speaker 1: I've I've heard of him. I'm sure Tim and Eric

753
00:42:22,280 --> 00:42:23,759
Speaker 1: will have a pilot with him. And is he like

754
00:42:23,800 --> 00:42:26,560
Speaker 1: an old man? Or is he like a young blood

755
00:42:26,560 --> 00:42:29,000
Speaker 1: who has just made this insane character. No, he's an

756
00:42:29,040 --> 00:42:31,880
Speaker 1: older gentleman. I would say he's an older clown. Yeah,

757
00:42:31,920 --> 00:42:34,560
Speaker 1: probably about fifty. Oh he's fifty seven years old. He's

758
00:42:34,600 --> 00:42:37,879
Speaker 1: from Philly. He's six ft eight, so he's a giant man. Yeah,

759
00:42:37,920 --> 00:42:43,279
Speaker 1: he's a big dude. Damn. Yeah, that's a huge And

760
00:42:43,280 --> 00:42:45,920
Speaker 1: then he just sings opera. So he's and he sings

761
00:42:45,920 --> 00:42:48,160
Speaker 1: opera and like opens up a ton of suitcases and

762
00:42:48,200 --> 00:42:51,160
Speaker 1: does these visual things and you're kind of like, you know,

763
00:42:51,160 --> 00:42:53,200
Speaker 1: it's one of those bits where you're waiting for the punch.

764
00:42:53,360 --> 00:42:56,360
Speaker 1: It's like it never comes right, and you're like, please

765
00:42:56,400 --> 00:42:59,040
Speaker 1: just come for me, Please just come for me. Do

766
00:42:59,120 --> 00:43:02,400
Speaker 1: not come? Well, I that's that's very and Andy Kaufman asked,

767
00:43:03,200 --> 00:43:06,759
Speaker 1: I always liked weirdo comics like that, like Kaufman where

768
00:43:06,800 --> 00:43:08,800
Speaker 1: the whole time you're going like, is this a joke?

769
00:43:09,560 --> 00:43:13,520
Speaker 1: Or is this? Is he just a lunatic? Yeah? What

770
00:43:13,600 --> 00:43:15,960
Speaker 1: about um? What about that one dude, Joe Para? Is

771
00:43:16,040 --> 00:43:17,839
Speaker 1: that is he really act like that? He was on

772
00:43:18,480 --> 00:43:21,040
Speaker 1: House Party? Right, Yeah, a little bits like that. We

773
00:43:21,120 --> 00:43:23,239
Speaker 1: met him and he was quiet. It's kind of a

774
00:43:23,320 --> 00:43:26,479
Speaker 1: quiet socially awkward guy, super nice, very funny. But we're talking.

775
00:43:26,520 --> 00:43:28,920
Speaker 1: Everybody slips into like a little bit of a persona

776
00:43:29,000 --> 00:43:31,360
Speaker 1: when they're on stage, right, Like it's like a heightened

777
00:43:31,480 --> 00:43:34,359
Speaker 1: version of who they are. Well, yeah, I mean I'm

778
00:43:34,400 --> 00:43:37,440
Speaker 1: not the same person I am on stage, like you know,

779
00:43:37,520 --> 00:43:39,920
Speaker 1: a little bit, Adam, don't, don't, don't do it a

780
00:43:40,000 --> 00:43:43,040
Speaker 1: little bit. I'm sorry. Yes he is, Yes he is.

781
00:43:43,800 --> 00:43:49,560
Speaker 1: He's fun and wild. Adam, don't you ruining it, you know,

782
00:43:49,640 --> 00:43:52,520
Speaker 1: not all the time? Like I think you're you're definitely

783
00:43:52,800 --> 00:43:55,680
Speaker 1: you're performing when you're on stage. So it is a performance,

784
00:43:55,920 --> 00:43:58,920
Speaker 1: for sure. You have written material that's you're that's you're writing,

785
00:43:59,000 --> 00:44:02,680
Speaker 1: and you're that's your your performance what is happening right now.

786
00:44:02,680 --> 00:44:07,160
Speaker 1: But that's different than like you make up a fake

787
00:44:07,360 --> 00:44:11,400
Speaker 1: character in an accent and you wear certain clothes. You know,

788
00:44:11,640 --> 00:44:14,879
Speaker 1: it's different than that. Yes, Kaufman had both. Chris Rock

789
00:44:14,960 --> 00:44:18,560
Speaker 1: isn't constantly talking like, oh, oh I got a good one.

790
00:44:18,840 --> 00:44:23,479
Speaker 1: Neil Hamburger. Neil Hamburger. Oh yes, Neil Hamburger is great.

791
00:44:24,280 --> 00:44:26,839
Speaker 1: That's a good one. He's very funny, but he's got

792
00:44:26,840 --> 00:44:29,520
Speaker 1: a whole ship going on. That's a weird as show.

793
00:44:29,680 --> 00:44:32,200
Speaker 1: So he's not that guy. He's not that I saw

794
00:44:32,239 --> 00:44:34,759
Speaker 1: that show. I saw that show in Comic Con. He

795
00:44:34,880 --> 00:44:38,479
Speaker 1: was great, dude, Yeah, just weird man. Does he still

796
00:44:38,520 --> 00:44:41,680
Speaker 1: review movies or no on cinema at the cinema baby

797
00:44:41,920 --> 00:44:47,000
Speaker 1: shout out, shout out? So yes that's or no? Yes? Yeah?

798
00:44:47,840 --> 00:44:50,400
Speaker 1: And what is that? What is that? That's him and

799
00:44:50,480 --> 00:44:54,080
Speaker 1: Tim Hidecker's little like side project. It's very funny. Yeah,

800
00:44:54,239 --> 00:44:57,479
Speaker 1: just reviewing movies. Mark Pokes is on that too, right, Yeah,

801
00:44:58,040 --> 00:45:03,439
Speaker 1: isn't that the Shadows for that Shadows guy? Yeah? Yeah, yeah, yeah.

802
00:45:03,560 --> 00:45:07,600
Speaker 1: Colin Robinson, Well, they write a line over there right,

803
00:45:07,680 --> 00:45:11,560
Speaker 1: like their line is like, it's not persona, it's not character.

804
00:45:11,760 --> 00:45:15,719
Speaker 1: It's like somewhere in the middle, sona non grata. Yeah,

805
00:45:16,400 --> 00:45:19,480
Speaker 1: sona non garta. That's the perfect way to describe either

806
00:45:19,560 --> 00:45:21,759
Speaker 1: you have diarrhea? Are you done? I must start saying

807
00:45:21,800 --> 00:45:23,799
Speaker 1: that to people. Look, I don't know what you're doing here,

808
00:45:24,080 --> 00:45:25,520
Speaker 1: but let me tell you that. Let me the first

809
00:45:25,560 --> 00:45:31,080
Speaker 1: guy to tell you your persona. Oh god, because the

810
00:45:31,120 --> 00:45:33,520
Speaker 1: crazy thing about that is that people might not even

811
00:45:33,560 --> 00:45:36,480
Speaker 1: know what the funk that means. You're like, oh, and

812
00:45:36,520 --> 00:45:38,759
Speaker 1: what does that mean? Dude? You know who really does it?

813
00:45:39,000 --> 00:45:41,719
Speaker 1: Fucking Mike Myers on the Gong Show when he was

814
00:45:41,760 --> 00:45:44,560
Speaker 1: like up in the makeup and ship. I didn't want

815
00:45:44,560 --> 00:45:47,200
Speaker 1: to but it was crazy. Oh yeah I was. I

816
00:45:47,239 --> 00:45:49,680
Speaker 1: was on that. It was very weird. Yeah, he just

817
00:45:49,719 --> 00:45:53,360
Speaker 1: like stays in character. It's never too late. Oh was

818
00:45:53,400 --> 00:45:57,000
Speaker 1: he in makeup on that? Like makeup? Oh? I remember

819
00:45:57,040 --> 00:46:00,759
Speaker 1: seeing some of the fucking promos. Yeah, dude. I did

820
00:46:00,800 --> 00:46:04,200
Speaker 1: the show, and I like he came back and introduced

821
00:46:04,239 --> 00:46:06,560
Speaker 1: himself to the other comics that were on the show.

822
00:46:07,040 --> 00:46:09,680
Speaker 1: And I was in the bathroom and I came out

823
00:46:09,719 --> 00:46:12,680
Speaker 1: and they're like, oh, you just miss Mike. Uh. He

824
00:46:12,760 --> 00:46:15,839
Speaker 1: was like he stayed in character the whole time, and

825
00:46:15,880 --> 00:46:19,520
Speaker 1: I'm like, funk, that sucks. And then he caught me backstage,

826
00:46:19,600 --> 00:46:22,640
Speaker 1: like right before walking out, and it's Mike Meyers, like

827
00:46:22,680 --> 00:46:25,560
Speaker 1: a true comedy hero, and he was saying super nice things.

828
00:46:26,080 --> 00:46:31,080
Speaker 1: But I couldn't. It meant nothing? Whoa because he was no,

829
00:46:31,239 --> 00:46:36,640
Speaker 1: it meant nothing. Whoa? F sona non. You want to

830
00:46:36,680 --> 00:46:39,080
Speaker 1: know what Mike was like, hey man, and You're like,

831
00:46:39,320 --> 00:46:41,840
Speaker 1: you know what this interaction means? Fucking dude, it meant

832
00:46:42,280 --> 00:46:48,440
Speaker 1: zero and nothing. Will you elaborate, you've got the floor.

833
00:46:48,840 --> 00:46:51,759
Speaker 1: What do you say? It meant zero because he did

834
00:46:51,760 --> 00:46:56,200
Speaker 1: it in character. He didn't. He wasn't Mike Myers. So

835
00:46:56,560 --> 00:46:59,440
Speaker 1: you're saying he was being the character saying these things.

836
00:46:59,480 --> 00:47:02,600
Speaker 1: It was me and him backstage, no one else is around,

837
00:47:02,920 --> 00:47:05,439
Speaker 1: and he stayed in character to say these nice things

838
00:47:05,480 --> 00:47:09,239
Speaker 1: to me about my comedy and hey, baby shagedelic. I

839
00:47:09,280 --> 00:47:12,360
Speaker 1: thought what Theholics was ran? And I like, well, this

840
00:47:12,440 --> 00:47:15,680
Speaker 1: sucks because if Mike Myers were to tell me this,

841
00:47:15,880 --> 00:47:19,479
Speaker 1: I would feel great. But Adam, Mike Myers is kind

842
00:47:19,480 --> 00:47:26,560
Speaker 1: of telling you that. I guarantee you he's not. He's deep. No, no, no,

843
00:47:26,600 --> 00:47:29,479
Speaker 1: because he's deep in that character. For yes, he's doing

844
00:47:29,480 --> 00:47:32,279
Speaker 1: it as this character. But my question is this, did

845
00:47:32,400 --> 00:47:36,200
Speaker 1: his character watch you? Does his character have the information

846
00:47:36,239 --> 00:47:38,680
Speaker 1: on you? Yes? Because his character is the host of

847
00:47:38,719 --> 00:47:42,520
Speaker 1: these shows. His character did Oh was he commenting on

848
00:47:42,520 --> 00:47:44,279
Speaker 1: ship that you had done on the show. He's the

849
00:47:44,320 --> 00:47:47,759
Speaker 1: host of a show though, and Adams there he's commenting

850
00:47:47,840 --> 00:47:51,239
Speaker 1: on my career, his career. He is a fully realized

851
00:47:51,280 --> 00:47:54,000
Speaker 1: person his character, I know. But when he watched your

852
00:47:54,000 --> 00:47:57,200
Speaker 1: stuff in his house, when he first saw you, and

853
00:47:57,200 --> 00:48:01,520
Speaker 1: and and clocked you as a good standard. Was he

854
00:48:01,719 --> 00:48:05,440
Speaker 1: in this character or was he Mike Myers? Yes, I

855
00:48:05,480 --> 00:48:07,880
Speaker 1: don't know if he. I mean, he wasn't in makeup

856
00:48:08,200 --> 00:48:12,839
Speaker 1: or whatever, but like his character that he's designed for

857
00:48:12,920 --> 00:48:16,439
Speaker 1: this show, knew me as the character and the way

858
00:48:16,480 --> 00:48:19,040
Speaker 1: he's saying it was in character. I do what you're saying.

859
00:48:19,080 --> 00:48:21,319
Speaker 1: I understand that it was Mike Myers telling me. I

860
00:48:21,360 --> 00:48:24,120
Speaker 1: know that he isn't a totally different person, but just

861
00:48:25,120 --> 00:48:29,560
Speaker 1: do you. But but it just sucked. It took it

862
00:48:29,600 --> 00:48:32,839
Speaker 1: took all the like meaning out of it. Because Mike

863
00:48:32,880 --> 00:48:34,959
Speaker 1: Myers is a comedy hero of mine. If he would

864
00:48:34,960 --> 00:48:37,960
Speaker 1: have just said this as Mike Myers, I would have

865
00:48:37,960 --> 00:48:40,279
Speaker 1: been like, oh my god, I'm so touched. But the

866
00:48:40,320 --> 00:48:42,879
Speaker 1: fact that he was like doing this crazy, Like what

867
00:48:42,920 --> 00:48:44,879
Speaker 1: was the name of that character by the way from

868
00:48:44,880 --> 00:48:47,800
Speaker 1: the Garden? Don't know? And did he speak in an accent?

869
00:48:47,880 --> 00:48:50,200
Speaker 1: He must? He was a London dude. Wasn't he like

870
00:48:50,239 --> 00:48:52,400
Speaker 1: a British? He was like, no, he was like Scottish,

871
00:48:53,520 --> 00:48:58,040
Speaker 1: Tommy Maitland, Tommy Maitland. Yeah. Did he say like, my

872
00:48:58,200 --> 00:49:02,440
Speaker 1: friend Mike loves all the stuff he do? I know?

873
00:49:03,239 --> 00:49:05,160
Speaker 1: How would you take that? Though? I would you take

874
00:49:05,239 --> 00:49:07,279
Speaker 1: that though, then I then I would have at least

875
00:49:07,280 --> 00:49:09,799
Speaker 1: he would have nodded to that he's Mike Myers. Then

876
00:49:09,840 --> 00:49:12,240
Speaker 1: I would have been like, okay, alright, I'm really close

877
00:49:12,280 --> 00:49:15,520
Speaker 1: with Mike. Mind no, that's even first. No, he would

878
00:49:15,520 --> 00:49:17,799
Speaker 1: have said Mike Myers. It's like, you know, I don't

879
00:49:17,800 --> 00:49:19,359
Speaker 1: know if you know this, but like we know these

880
00:49:19,400 --> 00:49:25,400
Speaker 1: wizards and like the wizard, if the wizard told you, hey, Anders,

881
00:49:26,440 --> 00:49:30,600
Speaker 1: I just okay. So I guess if imagine young Zeld

882
00:49:30,680 --> 00:49:33,400
Speaker 1: walking up to you and being like, yo, my homie,

883
00:49:33,400 --> 00:49:37,200
Speaker 1: Blake Fox with your vision, dude, see, then I would

884
00:49:37,200 --> 00:49:39,960
Speaker 1: like it. Then it would be tight right exactly okay,

885
00:49:40,120 --> 00:49:44,960
Speaker 1: because he's he's making a nod to himself. Yeah, Adam,

886
00:49:45,200 --> 00:49:48,239
Speaker 1: quick question on the float and the parade, was that

887
00:49:49,120 --> 00:49:54,520
Speaker 1: or was that bumper? Yeah? On the parade, it didn't

888
00:49:54,520 --> 00:49:56,680
Speaker 1: say yeah who was singing? Was that you? Or was

889
00:49:56,680 --> 00:49:59,400
Speaker 1: that both? That was the entire time until I performed,

890
00:49:59,560 --> 00:50:02,319
Speaker 1: until the cameras were on me. That was just Adam up,

891
00:50:02,320 --> 00:50:04,960
Speaker 1: they're having a good time waving, And then as soon

892
00:50:05,040 --> 00:50:09,120
Speaker 1: as those cameras hit me, then I transformed into bumper.

893
00:50:09,160 --> 00:50:11,080
Speaker 1: But I tell you what, you bumped up I didn't

894
00:50:11,120 --> 00:50:16,600
Speaker 1: compliment anyone while being Bumper. Bumper wouldn't do that. Yeah, well,

895
00:50:16,640 --> 00:50:19,600
Speaker 1: Bumpers a little self centered, isn't he? I don't know? Yeah,

896
00:50:19,719 --> 00:50:22,120
Speaker 1: he's a little egotistical. And you have to watch on

897
00:50:22,200 --> 00:50:25,920
Speaker 1: Peacock Bumper in Berlin streaming now right now, Dumper in

898
00:50:25,960 --> 00:50:29,960
Speaker 1: Merlin in ordered in order to see Bumper. You know,

899
00:50:30,640 --> 00:50:33,440
Speaker 1: is he always this egotistical? Well, there's six episodes to

900
00:50:33,480 --> 00:50:36,440
Speaker 1: find out. Dumper in Merlin? Is he egotestical? Adam? I

901
00:50:36,440 --> 00:50:37,920
Speaker 1: don't know if I'm talking to you, I don't know

902
00:50:37,920 --> 00:50:39,959
Speaker 1: if I'm talking to I don't know if I'm talking

903
00:50:40,000 --> 00:50:41,640
Speaker 1: to Bumper. I don't know if I'm talking to Mike

904
00:50:41,760 --> 00:50:46,799
Speaker 1: or Dave? Which one? Or or Dumper? It is just

905
00:50:46,960 --> 00:50:50,319
Speaker 1: Mike Dave? Who? Then? Are you? Who are you? At

906
00:50:50,360 --> 00:50:53,400
Speaker 1: this point? Who is? Did I already give flowers to

907
00:50:53,440 --> 00:50:56,840
Speaker 1: Mike Myers for that show that he put out on

908
00:50:56,840 --> 00:51:01,239
Speaker 1: on Netflix? What was that? The Penter pent Verse? Look,

909
00:51:01,320 --> 00:51:05,600
Speaker 1: the penta Verse is flawed, But dear God, there's nobody

910
00:51:06,320 --> 00:51:13,080
Speaker 1: compliments people. It sucks, but I like it. There's nobody

911
00:51:13,280 --> 00:51:15,959
Speaker 1: more committed and funnier than Mike Myers on this show.

912
00:51:16,080 --> 00:51:20,799
Speaker 1: He's unfucking believable. On this show. Mike Myers is a

913
00:51:20,840 --> 00:51:24,799
Speaker 1: fucking king. He's a legend, yea. And the concept of

914
00:51:24,840 --> 00:51:27,440
Speaker 1: the show is is very like it's no Dice Clay,

915
00:51:27,480 --> 00:51:30,520
Speaker 1: but well it's out there. But when you watch him work,

916
00:51:30,560 --> 00:51:34,680
Speaker 1: it's crazy that Yeah, come on, Shrek, you gotta watch it.

917
00:51:34,920 --> 00:51:37,400
Speaker 1: He kills it. There's a Shrek reference in the show.

918
00:51:40,680 --> 00:51:43,520
Speaker 1: He's in one of the characters. He's like talking into

919
00:51:43,560 --> 00:51:45,959
Speaker 1: Shrek and like, what's the camera and says some ship

920
00:51:46,000 --> 00:51:50,319
Speaker 1: And you're like, yeah, is that right in the penta verse? Yeah,

921
00:51:50,880 --> 00:51:54,640
Speaker 1: Shrek exists, But god damn is he not just dialed

922
00:51:54,719 --> 00:51:56,400
Speaker 1: in with these characters where you're like, this is a

923
00:51:56,440 --> 00:51:58,960
Speaker 1: real guy. This is not Mike Myers anymore. Yeah, he's right.

924
00:51:59,160 --> 00:52:02,480
Speaker 1: He's incredible until he compliments you in full character, and

925
00:52:02,520 --> 00:52:04,480
Speaker 1: then it doesn't mean It doesn't mean as much to

926
00:52:04,760 --> 00:52:08,359
Speaker 1: It means nothing. It means nothing. Not even you said

927
00:52:08,360 --> 00:52:14,800
Speaker 1: I've meant nothing. That was what we mean zero. So bummed.

928
00:52:14,800 --> 00:52:17,120
Speaker 1: I was so bummed to get those compliments. Fucking suck

929
00:52:17,239 --> 00:52:20,799
Speaker 1: actually be less than nothing. It upsets me. Nothing was

930
00:52:20,920 --> 00:52:22,360
Speaker 1: It would have just rolled right off. But then I

931
00:52:22,400 --> 00:52:27,040
Speaker 1: was like, he's still living with that Fury favorite, Mike

932
00:52:27,080 --> 00:52:30,920
Speaker 1: Meyers movie favorite, Mike Myers movie. Okay, here we Austin

933
00:52:30,920 --> 00:52:33,600
Speaker 1: Powers baby fucking very ship. I mean it has to

934
00:52:33,640 --> 00:52:37,560
Speaker 1: be Austin Powers. Yeah, Wayne's World over to Wayne's World,

935
00:52:37,560 --> 00:52:41,560
Speaker 1: bron No, I'll take Austin Powers over Wayne's World. Austin

936
00:52:41,560 --> 00:52:45,359
Speaker 1: Powers too, though with many s Austin Powers to fan

937
00:52:45,719 --> 00:52:51,680
Speaker 1: which one was with fa Bastard shag fast with that Pastard. Yeah,

938
00:52:51,680 --> 00:52:55,200
Speaker 1: my god, that's a good That one is flawless. Yeah,

939
00:52:55,440 --> 00:52:58,440
Speaker 1: I mean he the most jokes, Paul, that's weird. Wayne's

940
00:52:58,480 --> 00:53:01,920
Speaker 1: World two is good to stop. Yeah. He makes a

941
00:53:01,920 --> 00:53:04,080
Speaker 1: lot of great movies. I need to watch Wayne's World again,

942
00:53:04,160 --> 00:53:06,279
Speaker 1: Wayne's World. I don't remember Wayne's Road too. I gotta

943
00:53:06,320 --> 00:53:09,640
Speaker 1: watch Wayne's World again. It's been way too long. Wayne's

944
00:53:09,680 --> 00:53:13,120
Speaker 1: World has some flavor. It's like Austin loose. Yeah, yeah,

945
00:53:13,200 --> 00:53:15,400
Speaker 1: it's good. When I saw it, I was so young,

946
00:53:15,560 --> 00:53:18,799
Speaker 1: like I don't even think I understood like the rock

947
00:53:18,880 --> 00:53:22,239
Speaker 1: and roll references. And because we're not that generation that

948
00:53:22,360 --> 00:53:25,320
Speaker 1: was like the like nineties, like guys who were in

949
00:53:25,360 --> 00:53:28,200
Speaker 1: their twenties and their nineties in the nineties, that wasn't us.

950
00:53:28,239 --> 00:53:31,640
Speaker 1: We were like little kids sipping on Caprice sons of course,

951
00:53:31,640 --> 00:53:34,480
Speaker 1: who stole us? Show freaking Chris Farley as the roadie.

952
00:53:34,560 --> 00:53:38,760
Speaker 1: Oh yeah, dudere, They're like shooting the tennis balls at him, crush.

953
00:53:38,920 --> 00:53:40,480
Speaker 1: Is that where he had like ears pierced or is

954
00:53:40,480 --> 00:53:43,520
Speaker 1: that Airheads? I'm thinking of. Airheads was a throwback movie,

955
00:53:43,560 --> 00:53:45,719
Speaker 1: which is a ton of jokes, So obviously we were

956
00:53:45,719 --> 00:53:47,920
Speaker 1: going to be on board. You know, Austin Powers is

957
00:53:48,040 --> 00:53:50,560
Speaker 1: funnier than Wayne's World for sure, Like that was so

958
00:53:52,480 --> 00:53:54,839
Speaker 1: remember ten seconds ago, I was like, don't forget about

959
00:53:54,880 --> 00:53:57,640
Speaker 1: Wayne's World. Yeah he brought Oh I know, but I

960
00:53:57,920 --> 00:54:00,040
Speaker 1: think it's like no, I brought it. Yeah, but I

961
00:54:00,080 --> 00:54:03,839
Speaker 1: not Like I think my experience in the theater watching it,

962
00:54:03,960 --> 00:54:07,280
Speaker 1: like as a part of culture, Austin Powers to fucking crushed.

963
00:54:07,360 --> 00:54:10,000
Speaker 1: Like there was too many jokes in that movie pants,

964
00:54:10,040 --> 00:54:12,040
Speaker 1: too many jokes. Had to watch it twice. I saw

965
00:54:12,040 --> 00:54:15,479
Speaker 1: those movies multiple times in the theater, Like I love

966
00:54:16,560 --> 00:54:20,680
Speaker 1: Love your Pants. Never saw that. I never saw love

967
00:54:21,080 --> 00:54:26,960
Speaker 1: Flowers to Mike Myers, Tommy Maitland, no flowers, no flowers,

968
00:54:27,680 --> 00:54:30,839
Speaker 1: all the flowers to Mike, and only Mike can get

969
00:54:30,880 --> 00:54:33,279
Speaker 1: them if he tries to accept them as Tommy, I'll

970
00:54:33,320 --> 00:54:36,879
Speaker 1: fucking snatch them right back, dude. Okay, but Mike, all

971
00:54:36,920 --> 00:54:42,799
Speaker 1: the flowers love you, dude. Let living legend. Okay, we'll

972
00:54:42,800 --> 00:54:44,880
Speaker 1: give it to I also would like to give flowers

973
00:54:44,920 --> 00:54:48,120
Speaker 1: to all my friends who I don't reach out enough.

974
00:54:49,200 --> 00:54:53,880
Speaker 1: Came around. Can we play some like Oscar music? I

975
00:54:53,960 --> 00:55:01,520
Speaker 1: don't communicate. I'm a bad communicator. What and I don't

976
00:55:01,640 --> 00:55:05,000
Speaker 1: reach out enough. I feel like I just go away

977
00:55:05,000 --> 00:55:09,120
Speaker 1: and I lose touch with people completely. And he I

978
00:55:09,200 --> 00:55:11,440
Speaker 1: love you, guys, and I'm going to stay in better

979
00:55:11,920 --> 00:55:14,399
Speaker 1: touch with you. If you're my true friend. I don't

980
00:55:14,400 --> 00:55:16,799
Speaker 1: believe you. Why do you cry? And Adam, I hear

981
00:55:16,840 --> 00:55:18,440
Speaker 1: we're coming from. If there was just some sort of

982
00:55:18,520 --> 00:55:20,520
Speaker 1: device where, like at the puss of a button, you

983
00:55:20,520 --> 00:55:23,239
Speaker 1: could reach out and talk to someone, voice matters, no

984
00:55:23,280 --> 00:55:25,040
Speaker 1: matter where you were in the world. You said puss,

985
00:55:25,080 --> 00:55:27,879
Speaker 1: you said puss up a button? Do the voice stage voice?

986
00:55:28,880 --> 00:55:31,719
Speaker 1: I figured out who it was? Is it Saronic? Yes?

987
00:55:31,800 --> 00:55:34,560
Speaker 1: I know, I know, Chris Sarnic. Yeah, No, it's Jonica.

988
00:55:35,080 --> 00:55:37,200
Speaker 1: It's Jonica. Wasn't he the guy who came over to

989
00:55:37,239 --> 00:55:39,439
Speaker 1: the house. Yeah, he might have came over the house. Yeah,

990
00:55:39,440 --> 00:55:41,799
Speaker 1: that's right. That's what I was thinking about in Los Angeles. Yes,

991
00:55:42,000 --> 00:55:45,279
Speaker 1: you're still wrong. That's different. That was what I was

992
00:55:45,320 --> 00:55:49,640
Speaker 1: thinking about. Different, That's the guy I was thinking about. Anyways, Okay,

993
00:55:49,640 --> 00:55:56,600
Speaker 1: broon over here, Okay, shout out to Chris Aronic. Yeah, dude,

994
00:55:56,760 --> 00:55:59,120
Speaker 1: I'll give my flowers to Saronic without killing him. No

995
00:55:59,200 --> 00:56:03,040
Speaker 1: dead no Lee flowers today. Never Are we at that point?

996
00:56:03,040 --> 00:56:06,840
Speaker 1: Are we at that time? Yeah? Which part Kyle's eating?

997
00:56:06,960 --> 00:56:11,480
Speaker 1: Kyle's eating. So it's over. We've been at to give

998
00:56:11,520 --> 00:56:14,800
Speaker 1: back to takeaways. It's the hour. I know we started

999
00:56:14,800 --> 00:56:17,399
Speaker 1: doing it, but I didn't know we were at that time. Oh,

1000
00:56:17,800 --> 00:56:21,959
Speaker 1: the giveaways and the takebacks and the snap backs and snapbacks,

1001
00:56:23,239 --> 00:56:26,080
Speaker 1: candy compliments, candy complaints. Anybody want to send me some

1002
00:56:26,160 --> 00:56:29,240
Speaker 1: dead ringers? So I did, I did mind? Does anybody

1003
00:56:29,239 --> 00:56:33,160
Speaker 1: else have any dead ringers or yeah, dead wingers, dead wingers,

1004
00:56:33,480 --> 00:56:40,480
Speaker 1: dead wings right, Wayne's world. I saw some people posting

1005
00:56:40,520 --> 00:56:43,320
Speaker 1: pictures of the band ah with pictures of the guy,

1006
00:56:43,800 --> 00:56:45,959
Speaker 1: and that's a dead ringer. Yeah, that's good for you,

1007
00:56:46,280 --> 00:56:49,040
Speaker 1: for you, yes, but they replaced the other people with

1008
00:56:49,120 --> 00:56:53,520
Speaker 1: you guys, and it's yes, dude, like that compliments to

1009
00:56:53,560 --> 00:56:57,120
Speaker 1: the basis of wheat is for jumping off big shout

1010
00:56:57,160 --> 00:57:01,040
Speaker 1: out to the basis of wheat is may again, matt

1011
00:57:01,080 --> 00:57:04,799
Speaker 1: Matt Milligan, I don't know about this. What happened? Oh

1012
00:57:04,880 --> 00:57:08,640
Speaker 1: he was he he heard us and he's excited about

1013
00:57:08,640 --> 00:57:12,600
Speaker 1: the shout. Oh my god. Um yeah, Matthew Milligan, my boy,

1014
00:57:12,640 --> 00:57:15,800
Speaker 1: Matthew Milligan. You gotta watch the video. It's it's how funny.

1015
00:57:15,880 --> 00:57:18,200
Speaker 1: Oh is that the guy in his like basement, dude

1016
00:57:20,120 --> 00:57:24,360
Speaker 1: in his bed with the long hair? Shut up? Yeah,

1017
00:57:25,120 --> 00:57:28,760
Speaker 1: I didn't live. Check it out. He's the man. I

1018
00:57:28,800 --> 00:57:31,560
Speaker 1: don't know whatever the man. I'm not saying it's not

1019
00:57:31,600 --> 00:57:33,520
Speaker 1: the man. I'm just saying I saw it and didn't know.

1020
00:57:33,760 --> 00:57:37,360
Speaker 1: I'm gonna give compliments to all the borders out there

1021
00:57:37,360 --> 00:57:41,200
Speaker 1: who are who have been buzzer beating during the holiday season.

1022
00:57:41,240 --> 00:57:43,040
Speaker 1: I've seen you out there. I still need to get

1023
00:57:43,160 --> 00:57:45,520
Speaker 1: reload buzz balls, get at me. I need some bus

1024
00:57:45,520 --> 00:57:47,920
Speaker 1: balls out here so I can buzzer beat with you guys.

1025
00:57:48,000 --> 00:57:50,240
Speaker 1: But I love seeing it. I love seeing your mom's

1026
00:57:50,280 --> 00:57:53,240
Speaker 1: do it too, Buz. Busballs have to cut you a

1027
00:57:53,400 --> 00:57:56,800
Speaker 1: check man, reach out to This is like a lifeline.

1028
00:57:57,080 --> 00:58:00,720
Speaker 1: This is giving them so much publicity. This is absurd.

1029
00:58:00,960 --> 00:58:05,680
Speaker 1: Give it time, Give it time, like buzzballs is whiffing

1030
00:58:05,840 --> 00:58:08,160
Speaker 1: right now, come out, come out. No, they're on the

1031
00:58:08,160 --> 00:58:10,520
Speaker 1: they're they're formulating something kind of a plan at their

1032
00:58:10,680 --> 00:58:15,720
Speaker 1: Uh yeah exactly. But I wonder if they would do

1033
00:58:15,800 --> 00:58:19,120
Speaker 1: like a buzz ball that's like non alcoholic, you know

1034
00:58:19,160 --> 00:58:23,760
Speaker 1: what I mean? Maybe energy. I'm talking about energy. When

1035
00:58:23,760 --> 00:58:25,360
Speaker 1: don't you do a buzzball? I don't know they can

1036
00:58:25,360 --> 00:58:30,960
Speaker 1: do alcohol energy. They dude, just drink something that tastes good. Yeah, whatever, bro,

1037
00:58:31,160 --> 00:58:33,920
Speaker 1: fuck off, Bro, wait till you have the blazer buzz

1038
00:58:33,960 --> 00:58:36,680
Speaker 1: It's going to be delicious. I was will the blaze ball?

1039
00:58:36,880 --> 00:58:40,760
Speaker 1: Come on, buzzball. Kyle hasn't tried buzzball, and he doesn't

1040
00:58:40,800 --> 00:58:43,200
Speaker 1: know how poisonous. You're going to talk to a guy

1041
00:58:43,240 --> 00:58:46,520
Speaker 1: who wants to make his drink is black liquorice, pennel

1042
00:58:47,120 --> 00:58:51,520
Speaker 1: con candy. This guy don't know that's that's true. I

1043
00:58:51,600 --> 00:58:55,160
Speaker 1: do know this guy right here, this guy here, that

1044
00:58:55,320 --> 00:59:02,560
Speaker 1: was all good black black. Oh it's time. It's time

1045
00:59:02,600 --> 00:59:08,800
Speaker 1: to anybody else? Any giveaways, takeaways, epic slams. Apologies man, yeah,

1046
00:59:08,920 --> 00:59:12,760
Speaker 1: I apologies, and anybody want to apologize to the dice. No,

1047
00:59:12,880 --> 00:59:16,040
Speaker 1: I stand by what I said about Diceman. Yeah, he

1048
00:59:16,120 --> 00:59:18,400
Speaker 1: was good in that movie Carol or whatever. Right, wasn't

1049
00:59:18,400 --> 00:59:21,400
Speaker 1: he like nominated for something? I don't know. He was great.

1050
00:59:21,640 --> 00:59:25,600
Speaker 1: He's since become great his stand up character. I was

1051
00:59:25,640 --> 00:59:27,240
Speaker 1: never a huge fan of what was the name of

1052
00:59:27,240 --> 00:59:29,280
Speaker 1: that movie? You guys want to get it, you guys

1053
00:59:29,280 --> 00:59:32,600
Speaker 1: want to love something. It was like a movie. I

1054
00:59:32,600 --> 00:59:36,560
Speaker 1: think you're thinking of Entourage when he uh was one

1055
00:59:36,560 --> 00:59:39,640
Speaker 1: of the stars of Johnny's Bananas speaking of fingerless Gloves

1056
00:59:39,720 --> 00:59:44,840
Speaker 1: by the Yeah, dude, was it Carol? What was it

1057
00:59:44,880 --> 00:59:48,040
Speaker 1: he was in? He was blues. I used blue velvet,

1058
00:59:48,240 --> 00:59:51,600
Speaker 1: blue ivy and blue velvet. Here we Go, Blue jazz Ja,

1059
00:59:51,760 --> 00:59:54,120
Speaker 1: blue jasmine. He like had a scene at a picnic

1060
00:59:54,120 --> 00:59:57,280
Speaker 1: table and he was really good. I remember. And that

1061
00:59:57,440 --> 01:00:09,320
Speaker 1: was another episode of Oscar Buzz forget about It, Little

1062
01:00:09,440 --> 01:00:11,680
Speaker 1: mss muffin, Oh my god.