WEBVTT - Ziggy Marley: Black History Month Bonus

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<v Speaker 1>Pushkin.

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<v Speaker 2>Last week we went back and replayed my conversation with

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<v Speaker 2>Usher to celebrate his Super Bowl performance and the incredible

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<v Speaker 2>career resurgence he's had over the last couple of years.

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<v Speaker 2>In thinking about our back catalog of episodes, I thought

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<v Speaker 2>there was another conversation worth revisiting, Malcolm Gladwell speaking with

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<v Speaker 2>Ziggy Marley about the cultural influence the tiny country of

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<v Speaker 2>Jamaica and Ziggy's dad, Bob Marley, have had over the

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<v Speaker 2>last half a century. The Bob Marley bio Pick One Love,

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<v Speaker 2>was released in theaters yesterday. I hope anyone familiar with

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<v Speaker 2>the Bob Marley name or his music will go see

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<v Speaker 2>it at some point if I wanted to keep the

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<v Speaker 2>conversation about his songs and his political thinking alive and

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<v Speaker 2>to guard against his legacy becoming further Whitewashington commercialized, which

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<v Speaker 2>feels increasingly inevitable as the years after his death continue on.

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<v Speaker 2>So have a listen to Malcolm's conversation with Ziggy from

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<v Speaker 2>a couple of years back, see the movie Spend some

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<v Speaker 2>Time with Males catalog and some of the other great

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<v Speaker 2>Jamaican music from that time, from Prince Buster to Alton

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<v Speaker 2>Ellis and beyond. This is broken record liner notes for

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<v Speaker 2>the digital age.

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<v Speaker 1>I'm justin Richmond.

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<v Speaker 2>Here's Malcolm Gladwell and Ziggy Marley. This conversation was taped

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<v Speaker 2>live as part of the Live Talks Los Angeles series.

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<v Speaker 1>This book that you've done, with all of these photos

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<v Speaker 1>of your father, it had a kind of personal residence

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<v Speaker 1>for me because, as you may know, my mom is

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<v Speaker 1>Jamaican and when I was growing up in the seventies,

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<v Speaker 1>we would go to Jamaica every year every Christmas and

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<v Speaker 1>all these so many of these photos are from the

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<v Speaker 1>Jamaica that I remember as a kid. It's funny, It's like,

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<v Speaker 1>I mean, it's very personal for you, but in this

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<v Speaker 1>weird indirect way, it's personal for me too. You know

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<v Speaker 1>how when you look at a photo of Jamaica, you

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<v Speaker 1>can smell Jamaica. I could smell I could smell Jamaica again,

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<v Speaker 1>It's this lovely like took me back to my childhood.

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<v Speaker 1>What led you to want to do this book?

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<v Speaker 3>So over the years we've we've collected a lot of

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<v Speaker 3>photographs of Bob. I'm from different photographers and stuff like that.

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<v Speaker 3>And you know, usually I think the photographs you say

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<v Speaker 3>a Bob are iconic photographs. You know, you always see

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<v Speaker 3>the iconic images, and so for this, we came upon

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<v Speaker 3>the seven the fifth at birthday anniversary, and I felt like,

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<v Speaker 3>let's do some special for the seven fifth. Let's take

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<v Speaker 3>some of these photos archives and put together a photobook.

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<v Speaker 3>The family has never done one before, other people have

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<v Speaker 3>done one. Then I'm totally understand. Always said when you

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<v Speaker 3>talk about you smell Jamaica the photos because during the book,

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<v Speaker 3>like it brought me back to that time too, you know,

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<v Speaker 3>looking at it just it's like it's such a it's

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<v Speaker 3>such a real experience, a real thing that when I

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<v Speaker 3>was looking at the photos, it, you know, everything just

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<v Speaker 3>kind of came back to me.

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<v Speaker 1>Yeah, when you say, I was just thinking logistically, you said,

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<v Speaker 1>this is really the family's book. There's so many of you.

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<v Speaker 1>How on earth did you guys? Did you guys coordinate

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<v Speaker 1>picking all of these photos? Did you have like a

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<v Speaker 1>family counsel where you all sat down and went through them?

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<v Speaker 4>No?

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<v Speaker 3>No, well I was given a task. I was given

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<v Speaker 3>that responsibility of going through the photos.

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<v Speaker 4>That's all we do.

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<v Speaker 3>Kind of delegate responsibilities. Yeah, you know, everybody, this is

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<v Speaker 3>your project, your you have you have the family's approval

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<v Speaker 3>and blessing.

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<v Speaker 4>Is your project, go ahead and do it, you know.

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<v Speaker 1>Yeah, Well, tell me about your your memories of your father.

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<v Speaker 1>You so, you're born in sixty eight, so you when

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<v Speaker 1>he dies, you're you're just a teenager.

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<v Speaker 4>Yeah, it was going on thirteen.

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<v Speaker 1>Yeah, tell me tell me a little bit about what

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<v Speaker 1>you remember of your father.

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<v Speaker 3>Well everything, I mean, they's not'ing to forget really, because

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<v Speaker 3>the limited experience we've had with him, you know, everything

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<v Speaker 3>was memorable and left everlasting impact on my psyche. You know,

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<v Speaker 3>I said everything it was like going to school, but

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<v Speaker 3>a different type of school, you know, I said, like

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<v Speaker 3>so growing not put bob. I mean, there was different elements.

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<v Speaker 3>It was fun side, happicide and clear on the children.

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<v Speaker 4>We will travel to the countryside, this hometown every now

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<v Speaker 4>and again. I didn't fun. I remember those days. They

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<v Speaker 4>were no seats.

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<v Speaker 3>He would have been a lap in the front seat

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<v Speaker 3>or seat no no, no ear back.

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<v Speaker 1>Yeah, yeah, I believe it. I remember that Jamaica in

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<v Speaker 1>the back of the Volkswagen Beetle driven by my uncle.

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<v Speaker 2>Yeah yeah.

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<v Speaker 4>My my mom had one of those two. She had

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<v Speaker 4>one of those Beatles too.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, But I mean and then there was a serious side.

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<v Speaker 3>It was what I saw was a lot of discipline.

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<v Speaker 4>This money.

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<v Speaker 3>I love work hard this mane, I love discipline, this money.

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<v Speaker 3>He's from the countryside and he's so rute rooted in

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<v Speaker 3>his humility that for him to call back to his

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<v Speaker 3>home towne I go back to trenchtone in the ghetto.

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<v Speaker 4>It was like, it's just it's just Bob. This is

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<v Speaker 4>just Bob. It's not like Bob.

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<v Speaker 3>The the superstar or whatever, you know, It's just bib So.

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<v Speaker 3>I mean lots of socle, lots of football, socle music,

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<v Speaker 3>socle music, and the spiritual side of it was very

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<v Speaker 3>powerful thing. And as love having Bible. And he would

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<v Speaker 3>take me and my brother Steve into this what you

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<v Speaker 3>call him. It's like service, like you know people got

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<v Speaker 3>to church service, or people go to the synagague or

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<v Speaker 3>the masque. When we had these thing called naia bingis

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<v Speaker 3>and we would it would be like some weird time

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<v Speaker 3>at night.

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<v Speaker 4>And it was such a mystical.

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<v Speaker 3>That's why I said it left such an impression on

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<v Speaker 3>me as a child, because it was such a the

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<v Speaker 3>not being was such a mystical thing, you know, smoke, fire, drums, singing,

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<v Speaker 3>chanting and a whole spiritual vibe, you know. So yeah,

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<v Speaker 3>you know, we go up in that kind of environment

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<v Speaker 3>where every memory really is stuck with us, and the

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<v Speaker 3>memory is stuck with us more than just a memory.

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<v Speaker 3>It stuck with us as like I experience that has

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<v Speaker 3>kind of molded us into who we are today. You know,

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<v Speaker 3>is a It's a really heavy thing, you know, it's heavy.

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<v Speaker 1>Yeah. The other part of it that's fastening to me,

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<v Speaker 1>as I said earlier, was the Jamaica of that period,

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<v Speaker 1>which is Jamaica in the seventies. So many of these

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<v Speaker 1>photos are about Jamaica in the seventies, and Jamaican in

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<v Speaker 1>the seventies is an intense place. I mean, politics is

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<v Speaker 1>manly in Siaga, and there's violence, and there's gun court,

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<v Speaker 1>and there's reggae and there's you know, don Quarry winning

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<v Speaker 1>gold medal. I mean, it's just sort of like there's

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<v Speaker 1>so I remember go there as a kid. It's just

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<v Speaker 1>like so much. I was coming from rural Canada where

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<v Speaker 1>nothing happened, to a place where everything was happening. Can

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<v Speaker 1>you talk a little bit about that. I mean, you

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<v Speaker 1>were in the epicenter of this because your father was

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<v Speaker 1>at the was the kind of in the middle of

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<v Speaker 1>the of the maelstream.

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<v Speaker 3>Yeah, there were certain minor posts that I can like

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<v Speaker 3>remember about the seventies, especially the more turbulent times the politics.

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<v Speaker 3>So we can go back. I remember the night my

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<v Speaker 3>appearents verse, right. I remember before my mom left to

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<v Speaker 3>go to Ursus. I was like, yo, Mommy, take.

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<v Speaker 4>Me to Earth.

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<v Speaker 3>I wanted to go. I wanted to go to use

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<v Speaker 3>and said no, like you have school tomorrow. And I

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<v Speaker 3>was like very like angry that she never let me

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<v Speaker 3>go to Ursers. And then, you know, looking back after

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<v Speaker 3>the shoot, I think she probably.

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<v Speaker 4>It was a good decision, right. So I remember that night.

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<v Speaker 3>I remember she leaving and we went to bed, right,

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<v Speaker 3>But in the middle of the night, some police came

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<v Speaker 3>to the house and like grabbed us up and like

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<v Speaker 3>there's a lot of you know, like chaos, and like

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<v Speaker 3>let's go move, let's go, let's go get the kids

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<v Speaker 3>them out of the house, and they drove us to.

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<v Speaker 4>Wherever we were going. We never know. I was just

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<v Speaker 4>like this, I was like, the fuck this year? What

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<v Speaker 4>is seventy seventy six?

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<v Speaker 3>But you're about geting the assassination seventy six y So

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<v Speaker 3>Another more impacerful experience was with my mom. Actually we're

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<v Speaker 3>talking about the seventies and what was going on there,

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<v Speaker 3>the political upheaval and just you know, the drama and everything.

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<v Speaker 4>So my some my mom pick us up from school.

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<v Speaker 3>This was during the height of the there was a

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<v Speaker 3>big protest going on political They were blacking the roads,

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<v Speaker 3>fire burning, tires burning in the streets.

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<v Speaker 4>So my mom picked us up from school in.

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<v Speaker 3>The Beatle in the vub's driving us home and we

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<v Speaker 3>come up on our road back.

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<v Speaker 4>Okay, okay, I get home. We're not too far from home.

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<v Speaker 3>But we can pass because these guys there, there's tires burning,

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<v Speaker 3>and these guys are like and I remember being in

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<v Speaker 3>a back seat and watching my mother.

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<v Speaker 4>She came out of the car and she confronted these

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<v Speaker 4>guys in a very bridge brave.

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<v Speaker 3>I mean, it's brave what she did, like stand up

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<v Speaker 3>and say, yo, know whatever I do. She cursed and

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<v Speaker 3>she tacked them down, and they kind of like, okay,

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<v Speaker 3>I'm kind of part part of the road back and

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<v Speaker 3>we drove through. So that's that's another memory that's like

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<v Speaker 3>from remember that time and the turbulent political situation. Those

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<v Speaker 3>two mile posts is what I go back to but

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<v Speaker 3>I mean there was good times to man, you know

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<v Speaker 3>what I mean, I mean going back to change, don't

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<v Speaker 3>playing football. You know, it was a very double edged

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<v Speaker 3>sword that period of time because it was so good too.

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<v Speaker 4>The vibe, the energy of the music.

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<v Speaker 3>There's so much live and there's so much revolutionary like change,

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<v Speaker 3>you know, like it's the same time Bob and Clyde

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<v Speaker 3>muss Up, who was a strong man or a strong

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<v Speaker 3>arm the political function and Bucking Marshall, they came together

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<v Speaker 3>and were starting to kind of dis owned the politics.

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<v Speaker 4>And I was there too.

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<v Speaker 3>I met I met all of these guys take live

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<v Speaker 3>and I knew, I knew what was happening, and I

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<v Speaker 3>kind of but actually when I got later and I

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<v Speaker 3>kind of understand who these guys were because I just

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<v Speaker 3>saw them as guys, as Bob's friends, and I know

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<v Speaker 3>they were meeting and talking and blah blah blah. But

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<v Speaker 3>when I grew up, I realized these guys were some

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<v Speaker 3>dangerous men. They weren't just like some love. These guys

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<v Speaker 3>were some serious guys, you know. So that is yeah,

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<v Speaker 3>that is the world.

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<v Speaker 4>That is the world. You know.

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<v Speaker 1>Back in the seventies, I remember funny you talk about

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<v Speaker 1>your mother and that bla black. My grandfather telling me

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<v Speaker 1>that he driving down the road and there'd be a roadblock,

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<v Speaker 1>and he got really good at guessing whether it was

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<v Speaker 1>j LP or pn P, the two two parties. So

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<v Speaker 1>take a look. He's like, that's JLP wave. It is

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<v Speaker 1>fished out the window j LP. They're like waving through

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<v Speaker 1>the P and P. But you know, to your point,

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<v Speaker 1>it's the world that burst this extraordiny amount of your

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<v Speaker 1>father's music. I mean, it's what gave his music such

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<v Speaker 1>immediacy and urgency and power. Did your father talk a

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<v Speaker 1>lot about the cut of the politics of Jamaica?

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<v Speaker 4>Not, I mean not to me.

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<v Speaker 3>I mean I've heard, I've overheard stuff and i've you know,

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<v Speaker 3>but never directed to us.

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<v Speaker 4>Yeah, I mean he's spoken about it.

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<v Speaker 3>Obviously, he's not a political person to say, well, decide

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<v Speaker 3>these politics are that political party or whatever. I think

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<v Speaker 3>he was because his thing was rastafar right, which is

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<v Speaker 3>another thing. It's need a pn P, I JP. It's

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<v Speaker 3>like it's all things. And what was happening was that

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<v Speaker 3>all of the mentioned Claude Master, Boki Marshall, these were

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<v Speaker 3>the strong arms. They were These were the enforces of

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<v Speaker 3>the political party, the lead enforce us.

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<v Speaker 4>These guys were coming over to Bob side.

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<v Speaker 3>So there was a whole other thing going on that

0:11:24.316 --> 0:11:28.996
<v Speaker 3>the political poets were losing their their muscle to this

0:11:29.436 --> 0:11:33.036
<v Speaker 3>idea of RASTAFARII. And that was what bubb was really about,

0:11:33.116 --> 0:11:36.156
<v Speaker 3>really if it, I mean, if if he was about politics,

0:11:36.196 --> 0:11:39.076
<v Speaker 3>it was the political party of Rasta Farirai, which is

0:11:39.076 --> 0:11:42.916
<v Speaker 3>a spiritual movement, you know, change, change how things are.

0:11:42.996 --> 0:11:46.716
<v Speaker 3>So I think that was his politics. Rastafari was his politics.

0:11:46.716 --> 0:11:49.196
<v Speaker 1>We could say, you know, yeah, I was trying to

0:11:49.236 --> 0:11:53.556
<v Speaker 1>think whether there's another musical artist who has had the

0:11:53.596 --> 0:11:57.996
<v Speaker 1>same kind of status in his or her home country

0:11:58.036 --> 0:12:01.276
<v Speaker 1>as your father did. I mean, I remembering that famous

0:12:01.316 --> 0:12:06.996
<v Speaker 1>concert where the two political figures of the day and

0:12:07.076 --> 0:12:11.236
<v Speaker 1>manly didn't they shake hands on stage? Had had a

0:12:11.236 --> 0:12:12.556
<v Speaker 1>Bob Marley concert.

0:12:12.356 --> 0:12:13.996
<v Speaker 4>Yeah, the one loved Peace concert.

0:12:14.436 --> 0:12:17.916
<v Speaker 1>Yeah. I mean, the analogy would be as if Donald

0:12:17.956 --> 0:12:22.756
<v Speaker 1>Trump and Joe Biden had kind of hugged on stage

0:12:22.756 --> 0:12:25.836
<v Speaker 1>at a Bruce Springsteen concert. Right, that's the that's the

0:12:25.916 --> 0:12:28.156
<v Speaker 1>club I mean, But it doesn'ty, that doesn't even capture it.

0:12:28.236 --> 0:12:30.436
<v Speaker 1>I mean, this is why I love the book so

0:12:30.516 --> 0:12:33.476
<v Speaker 1>much because it takes us back to the time and

0:12:33.516 --> 0:12:37.956
<v Speaker 1>the place. Yeah, there's wonderful photos of the One Love

0:12:37.996 --> 0:12:40.676
<v Speaker 1>Concert with Siega and Michael Manley.

0:12:41.116 --> 0:12:43.156
<v Speaker 3>Yeah, I remember that that was there. Me and my

0:12:43.196 --> 0:12:45.796
<v Speaker 3>brother went on stage. That's what we usually do. Like

0:12:45.916 --> 0:12:48.876
<v Speaker 3>me'am Stephen, my brother Steven, you would go on stage.

0:12:48.876 --> 0:12:51.036
<v Speaker 3>We would go on stage in that last time, which

0:12:51.076 --> 0:12:54.516
<v Speaker 3>is usually exodus those times was tough to the One

0:12:54.556 --> 0:12:57.516
<v Speaker 3>Love Peace Concert. So I remember, let me.

0:12:57.556 --> 0:12:57.796
<v Speaker 4>Let me.

0:12:57.956 --> 0:12:59.796
<v Speaker 3>I don't think we're being afforded at that period. But

0:12:59.876 --> 0:13:02.996
<v Speaker 3>when Bob after the assassination attempt and Bob I'd come

0:13:03.036 --> 0:13:05.836
<v Speaker 3>home far the One Love Peace Concert, So we all

0:13:05.836 --> 0:13:08.236
<v Speaker 3>went to the airport, and you know, there was totally

0:13:08.276 --> 0:13:11.236
<v Speaker 3>enough people at the air because Bob's coming back. And

0:13:11.276 --> 0:13:15.076
<v Speaker 3>the thing is that political strongmen for the parties, political

0:13:15.116 --> 0:13:17.436
<v Speaker 3>parties now we're on the same page as Bob. And

0:13:17.516 --> 0:13:22.196
<v Speaker 3>so everyone that supports these political parties now was supporting

0:13:22.196 --> 0:13:25.516
<v Speaker 3>Bob and and and these these guys who know have

0:13:25.596 --> 0:13:28.956
<v Speaker 3>their own ideas of peace and less political violence.

0:13:29.916 --> 0:13:31.156
<v Speaker 4>So the airport was full.

0:13:31.516 --> 0:13:34.156
<v Speaker 3>And then I was there and I remember the crowd

0:13:34.236 --> 0:13:37.876
<v Speaker 3>and then pulled Bob and I'm there, I'm outside now

0:13:38.636 --> 0:13:41.236
<v Speaker 3>in this crowd, all mixed up with everybody, and Bob

0:13:41.396 --> 0:13:43.676
<v Speaker 3>get pulled into a car and I'm by the window

0:13:43.756 --> 0:13:48.356
<v Speaker 3>like this, Why no, he pulled me through the window.

0:13:50.196 --> 0:13:51.556
<v Speaker 1>Well you knew you got left behind.

0:13:52.716 --> 0:13:54.476
<v Speaker 4>I got mixed up in the cow. It was like

0:13:54.556 --> 0:13:57.316
<v Speaker 4>this crowd. No, there wasn't I had no nanny, r

0:13:57.436 --> 0:13:58.316
<v Speaker 4>nobody watching me.

0:14:01.036 --> 0:14:04.676
<v Speaker 1>It's important to remember in this moment in Jamaican history,

0:14:04.916 --> 0:14:07.476
<v Speaker 1>it's almost like the country is in is instead of

0:14:07.476 --> 0:14:11.516
<v Speaker 1>civil war, there is violence everywhere. You know, people are

0:14:11.596 --> 0:14:14.556
<v Speaker 1>leaving Jamaica and droves to come to the United States

0:14:14.636 --> 0:14:17.996
<v Speaker 1>or Canada to escape. It's a kind of a crazy period.

0:14:18.396 --> 0:14:20.876
<v Speaker 3>But it's funny not only as civil wars, like a

0:14:20.956 --> 0:14:23.516
<v Speaker 3>geopolitical work going on to at the same time between

0:14:24.036 --> 0:14:27.156
<v Speaker 3>the United States and Russia and Cuba, because that was

0:14:27.196 --> 0:14:27.676
<v Speaker 3>the old thing.

0:14:27.796 --> 0:14:30.316
<v Speaker 4>That's why Edward Seaga he was a buston.

0:14:30.356 --> 0:14:33.276
<v Speaker 3>He guarded from Boston University, and so there was the

0:14:33.316 --> 0:14:35.076
<v Speaker 3>geopolitical situation.

0:14:35.156 --> 0:14:37.516
<v Speaker 4>Even elevated the stakes even more.

0:14:38.116 --> 0:14:41.716
<v Speaker 3>Yeah, and Bob, I mean, Bob wasn't a serious position

0:14:41.836 --> 0:14:45.316
<v Speaker 3>and nobody knew, but he wasn't a serious position because

0:14:45.756 --> 0:14:50.276
<v Speaker 3>of the geopolitical element. Would would America allow a socialist

0:14:50.316 --> 0:14:55.076
<v Speaker 3>government who has ties with Cuba to have another, which

0:14:55.116 --> 0:14:59.556
<v Speaker 3>would then mean Russia having a more influence in that region.

0:15:00.236 --> 0:15:02.556
<v Speaker 3>You know, America didn't want and would not allow that.

0:15:02.996 --> 0:15:05.436
<v Speaker 3>And now there was this guy, this singer guy who

0:15:05.756 --> 0:15:08.356
<v Speaker 3>who people were drawn to, and he was like she

0:15:08.436 --> 0:15:13.316
<v Speaker 3>had some politic got power too because the political strong

0:15:13.356 --> 0:15:16.076
<v Speaker 3>men and their people are now drawn to this singer guy.

0:15:16.156 --> 0:15:18.756
<v Speaker 3>Who's this singer guy, you know what I'm saying. So

0:15:19.676 --> 0:15:24.276
<v Speaker 3>the states were really high beyond what I think we realized,

0:15:24.436 --> 0:15:26.876
<v Speaker 3>or even Bob might have realized at the time. Are

0:15:26.916 --> 0:15:27.876
<v Speaker 3>people around him you know.

0:15:28.716 --> 0:15:31.876
<v Speaker 2>We'll be back with Malcolm Gladwell and Ziggy Marley after

0:15:31.916 --> 0:15:38.356
<v Speaker 2>a break. We're back with more from Ziggy Marley and

0:15:38.476 --> 0:15:39.396
<v Speaker 2>Malcolm Gladwell.

0:15:39.956 --> 0:15:42.836
<v Speaker 1>Can you think of a musical figure who is analogous

0:15:42.876 --> 0:15:43.396
<v Speaker 1>to your father?

0:15:44.556 --> 0:15:48.516
<v Speaker 4>Yeah, I think more fella cute from Nigeria.

0:15:48.716 --> 0:15:52.276
<v Speaker 3>Yeah, and him he was, you know, he was another

0:15:52.356 --> 0:15:55.476
<v Speaker 3>one of my I met him once, not Chica, but

0:15:55.516 --> 0:15:58.596
<v Speaker 3>he was he was serious. He was really, I mean

0:15:58.956 --> 0:16:02.516
<v Speaker 3>what he did in in Nigeria standing up against the government,

0:16:02.556 --> 0:16:03.996
<v Speaker 3>the brutality and the songs he.

0:16:03.956 --> 0:16:05.276
<v Speaker 4>Wrote about that.

0:16:05.436 --> 0:16:09.036
<v Speaker 3>Really, he just like my father assassination, and I mean

0:16:09.636 --> 0:16:11.916
<v Speaker 3>they would read him and beat him and beat his

0:16:11.996 --> 0:16:13.476
<v Speaker 3>mother and you know a type of things.

0:16:13.556 --> 0:16:17.636
<v Speaker 4>So I felt it would be a good analogy to Bob.

0:16:17.676 --> 0:16:20.116
<v Speaker 1>I think, yeah, yeah, And there are a couple maybe

0:16:20.156 --> 0:16:23.996
<v Speaker 1>a couple of South African la maybe it would be

0:16:24.196 --> 0:16:28.236
<v Speaker 1>a good analogy. But when do you become aware that

0:16:28.396 --> 0:16:30.676
<v Speaker 1>you want to make your life in music? Is that

0:16:30.716 --> 0:16:32.636
<v Speaker 1>something that comes to you very young and looking at

0:16:32.636 --> 0:16:34.476
<v Speaker 1>your father or afterwards after his death.

0:16:35.196 --> 0:16:36.436
<v Speaker 4>No, it comes, it comes before that.

0:16:36.516 --> 0:16:38.196
<v Speaker 3>I mean the first concert we played, it was a

0:16:38.236 --> 0:16:42.196
<v Speaker 3>concert that Bob wasn't It was the International year the

0:16:42.276 --> 0:16:46.436
<v Speaker 3>children hear that was same to nine. So he and

0:16:46.516 --> 0:16:48.236
<v Speaker 3>he wrote the first song that we have a song.

0:16:49.516 --> 0:16:52.036
<v Speaker 3>So we was always music and Bob would always call

0:16:52.156 --> 0:16:55.316
<v Speaker 3>us to sing when he's writing, it'll come sing.

0:16:55.836 --> 0:16:57.116
<v Speaker 4>We're playing. We want to go play.

0:16:57.116 --> 0:16:59.636
<v Speaker 3>He started telling us to come sing, you know, so

0:17:00.236 --> 0:17:02.916
<v Speaker 3>we'll start very young with music. The thing I get

0:17:02.956 --> 0:17:08.556
<v Speaker 3>from Bob musically speaking, is a discipline and the focus

0:17:08.636 --> 0:17:12.636
<v Speaker 3>and the seriousness in which you approach the music. The

0:17:12.676 --> 0:17:14.756
<v Speaker 3>respect that they gave the music. So you have to

0:17:14.796 --> 0:17:17.476
<v Speaker 3>put in the work that shows you respect the music

0:17:17.636 --> 0:17:19.876
<v Speaker 3>is not like it and you know, you have to

0:17:19.876 --> 0:17:22.476
<v Speaker 3>sing the right No you ever practice, you know, so

0:17:22.916 --> 0:17:25.476
<v Speaker 3>really when we used to see that and much about

0:17:25.476 --> 0:17:28.796
<v Speaker 3>the Marrs, and I think for some reason I grew

0:17:28.876 --> 0:17:32.716
<v Speaker 3>up taking that ethic of hard work and putting it

0:17:32.756 --> 0:17:34.956
<v Speaker 3>into my own music of my life in general, you know,

0:17:35.276 --> 0:17:36.636
<v Speaker 3>the exercise and or whatever.

0:17:37.116 --> 0:17:40.996
<v Speaker 4>I think seeing him just you know, grining and like

0:17:41.756 --> 0:17:42.716
<v Speaker 4>want to make it right.

0:17:42.796 --> 0:17:46.556
<v Speaker 3>And the discipline, the discipline, you know said, the discipline

0:17:46.636 --> 0:17:50.036
<v Speaker 3>is really is a strong impact on me seeing that

0:17:50.116 --> 0:17:52.356
<v Speaker 3>discipline as growing up around that.

0:17:53.356 --> 0:17:55.076
<v Speaker 1>Can you talk a little bit about the way he

0:17:55.116 --> 0:17:57.716
<v Speaker 1>made music? I mean, was there was there a kind

0:17:57.716 --> 0:18:00.996
<v Speaker 1>of an approach that a particular approach and can you

0:18:00.996 --> 0:18:03.236
<v Speaker 1>can you give a loves of an example of how

0:18:03.276 --> 0:18:04.636
<v Speaker 1>he worked and how he created?

0:18:05.356 --> 0:18:09.076
<v Speaker 3>Well what I saw and this was probably in Miami

0:18:09.356 --> 0:18:12.116
<v Speaker 3>at his mother's house. Yeah, but he always had this

0:18:12.236 --> 0:18:14.836
<v Speaker 3>guitar around and a lot of time it's mumbling. You

0:18:14.876 --> 0:18:17.756
<v Speaker 3>don't really it's not a song, you just hear ideas

0:18:17.796 --> 0:18:18.316
<v Speaker 3>coming out.

0:18:18.716 --> 0:18:22.356
<v Speaker 4>And for me, he would always have fun with it.

0:18:22.356 --> 0:18:25.556
<v Speaker 3>It was never like a serious like writing and you know,

0:18:25.796 --> 0:18:29.676
<v Speaker 3>it was like something very joyful in the process, was

0:18:29.796 --> 0:18:34.716
<v Speaker 3>very joyful, unhappy, and people around and laughing and you know,

0:18:34.956 --> 0:18:38.316
<v Speaker 3>you getting the lyrics making fun. There's this one, and

0:18:38.356 --> 0:18:40.156
<v Speaker 3>I don't think you never did release this one.

0:18:40.196 --> 0:18:41.636
<v Speaker 4>It was released. It's kind of like he.

0:18:41.596 --> 0:18:43.356
<v Speaker 3>Did it as a demo real It's kind of like

0:18:43.356 --> 0:18:44.796
<v Speaker 3>a really good time and.

0:18:45.076 --> 0:18:47.156
<v Speaker 4>I don't remember him being in Miami.

0:18:46.916 --> 0:18:50.076
<v Speaker 3>In his bedroom with his O Vision guitar and it

0:18:50.236 --> 0:18:52.836
<v Speaker 3>was just having fun with you, having a real good time,

0:18:53.636 --> 0:18:55.476
<v Speaker 3>you know, and people you know, I'm a smoke and

0:18:55.596 --> 0:18:58.556
<v Speaker 3>split fun. It's just a good energy, just a good vibe,

0:18:58.556 --> 0:19:01.036
<v Speaker 3>you know what it's like. And then you never hear

0:19:01.076 --> 0:19:02.796
<v Speaker 3>what a sound complete. You only hear when it come

0:19:02.836 --> 0:19:05.236
<v Speaker 3>on the record. You hear pieces of it, ideas of

0:19:05.356 --> 0:19:07.796
<v Speaker 3>things you know, and then you hear a record. So

0:19:07.876 --> 0:19:10.996
<v Speaker 3>you never I never him complete one song righting a

0:19:11.116 --> 0:19:14.196
<v Speaker 3>song completely, you know, you always hear a little bits

0:19:14.236 --> 0:19:15.356
<v Speaker 3>and pieces here and there.

0:19:16.996 --> 0:19:20.836
<v Speaker 1>When your father became ill, was there a sense of

0:19:21.076 --> 0:19:24.236
<v Speaker 1>urgency with him? Did his work take on a new

0:19:24.356 --> 0:19:25.596
<v Speaker 1>kind of seriousness?

0:19:26.676 --> 0:19:29.036
<v Speaker 4>No, he was always urgent from him.

0:19:29.116 --> 0:19:31.396
<v Speaker 3>I mean he was urgent from the get go, because

0:19:31.876 --> 0:19:34.516
<v Speaker 3>there are a few examples of that kind of energy

0:19:34.516 --> 0:19:38.436
<v Speaker 3>of his urgency, of his work, ethic, of his determination.

0:19:39.276 --> 0:19:40.876
<v Speaker 3>So he was in the band of Winners with with

0:19:40.996 --> 0:19:42.996
<v Speaker 3>Bonnie and Peter, these three guys, right, they were in

0:19:43.036 --> 0:19:48.236
<v Speaker 3>his band and obviously in a world code because a

0:19:48.356 --> 0:19:50.556
<v Speaker 3>kind to what he said in an interview, it was

0:19:50.636 --> 0:19:53.956
<v Speaker 3>like and said these words, he used my name. He says,

0:19:54.516 --> 0:19:56.796
<v Speaker 3>if if you think when Ziggy wants to go to

0:19:56.836 --> 0:20:00.156
<v Speaker 3>school that he can say, like he didn't want to work,

0:20:00.156 --> 0:20:01.756
<v Speaker 3>he didn't want to do this what you know, so

0:20:02.556 --> 0:20:05.196
<v Speaker 3>he wants to work, you know, he wants to get

0:20:05.236 --> 0:20:07.636
<v Speaker 3>things done. There was always an urgency. There was never

0:20:08.516 --> 0:20:10.236
<v Speaker 3>a lot of time. There was never a lot of time.

0:20:10.716 --> 0:20:13.756
<v Speaker 3>There was always music. There was never and like all right,

0:20:13.836 --> 0:20:16.716
<v Speaker 3>let me take a vacation, now, let my got chill out.

0:20:16.716 --> 0:20:19.876
<v Speaker 3>Now there's no It was like thirty six I mean,

0:20:19.876 --> 0:20:23.636
<v Speaker 3>how much in thirty six years of like pushing, you know,

0:20:23.676 --> 0:20:27.236
<v Speaker 3>pushing it, pushing and pushing it, touring, never stopping, so

0:20:27.276 --> 0:20:29.276
<v Speaker 3>that urgency of field was always there.

0:20:30.196 --> 0:20:32.476
<v Speaker 1>Of all of his music, what are the songs that

0:20:32.516 --> 0:20:34.916
<v Speaker 1>speak to you the most.

0:20:34.476 --> 0:20:37.156
<v Speaker 3>The song that gets minimalist is a redemption song because

0:20:37.316 --> 0:20:39.716
<v Speaker 3>I remember Shout of Empires.

0:20:39.756 --> 0:20:41.396
<v Speaker 4>That was the album that was the album.

0:20:41.476 --> 0:20:47.316
<v Speaker 3>That song was was the emotional spear, the emotional arrow.

0:20:47.356 --> 0:20:49.156
<v Speaker 3>You know when you hear that song that in that

0:20:49.316 --> 0:20:52.196
<v Speaker 3>time So that memory of that song I related to

0:20:52.236 --> 0:20:55.476
<v Speaker 3>that time period and it was human his guitar. It's

0:20:55.516 --> 0:21:00.276
<v Speaker 3>so it's so soulful and just the final thing is

0:21:00.356 --> 0:21:03.436
<v Speaker 3>just Himan and guitar, and so that song always kind

0:21:03.436 --> 0:21:05.396
<v Speaker 3>of have an emotional impart on me.

0:21:05.796 --> 0:21:09.316
<v Speaker 1>Yeah, I want to know more about your childhood. There's

0:21:09.356 --> 0:21:12.636
<v Speaker 1>a lot of moving around. Your family went to London

0:21:12.916 --> 0:21:14.556
<v Speaker 1>right after the shooting, is that right?

0:21:15.036 --> 0:21:17.756
<v Speaker 3>Yeah, but we we never got London, So all right,

0:21:17.796 --> 0:21:21.156
<v Speaker 3>so chrenched down right Changtown where where I was born

0:21:21.196 --> 0:21:22.996
<v Speaker 3>in Changstown. We grew up in a Changstone a little

0:21:23.036 --> 0:21:26.636
<v Speaker 3>bit and then moved to Delaware, where his mother had

0:21:26.756 --> 0:21:27.836
<v Speaker 3>moved I migrated to.

0:21:28.116 --> 0:21:30.716
<v Speaker 4>So we lived in Delaware, Williamington, Delaware.

0:21:30.716 --> 0:21:33.116
<v Speaker 3>I went to school elementary school in Delaware for maybe

0:21:33.156 --> 0:21:33.876
<v Speaker 3>a year or so.

0:21:34.436 --> 0:21:36.356
<v Speaker 4>Then we moved up to Jamaica.

0:21:36.596 --> 0:21:38.916
<v Speaker 3>But we moved out out Trenchtone and move into a

0:21:38.956 --> 0:21:42.556
<v Speaker 3>place called Bulby, which is a much better standard of living.

0:21:42.596 --> 0:21:45.356
<v Speaker 4>It's like, you know, not poor, but not rich.

0:21:45.356 --> 0:21:47.796
<v Speaker 3>It's like the middle class or something like that in

0:21:47.916 --> 0:21:51.076
<v Speaker 3>Jamaica at the time. But it's funny within that middle

0:21:51.076 --> 0:21:53.956
<v Speaker 3>class community when a mother lived. We were still with

0:21:53.996 --> 0:21:55.996
<v Speaker 3>our grand aunt and it was like we had to

0:21:56.036 --> 0:21:57.956
<v Speaker 3>walk up the road and up the hill and she

0:21:58.196 --> 0:22:01.676
<v Speaker 3>was living in a poor a poor classhouse with no

0:22:01.836 --> 0:22:05.556
<v Speaker 3>what I no tilet no nothing, so right within that

0:22:05.596 --> 0:22:07.996
<v Speaker 3>middle class thing years right, If I went to my aunt,

0:22:08.036 --> 0:22:10.956
<v Speaker 3>I was like I was another neighborhood. And so we

0:22:10.996 --> 0:22:13.956
<v Speaker 3>would stay with her a lot of times because mommy

0:22:13.956 --> 0:22:15.996
<v Speaker 3>and Daddy would go on tour and then we would

0:22:15.996 --> 0:22:18.756
<v Speaker 3>have to stay with Granda Auntie in that house there.

0:22:19.156 --> 0:22:22.236
<v Speaker 4>And then after that we moved to an upper middle.

0:22:21.996 --> 0:22:26.116
<v Speaker 3>Class neighborhood now, and then after after my father passed Awa,

0:22:26.156 --> 0:22:29.116
<v Speaker 3>my mother move us into a more upper class in

0:22:29.156 --> 0:22:31.996
<v Speaker 3>the hills with a big house and lots of rooms

0:22:31.996 --> 0:22:35.836
<v Speaker 3>and stuff like that. So yeah, that was the movement

0:22:36.076 --> 0:22:40.076
<v Speaker 3>and it was fun as a child. Everything was a

0:22:40.116 --> 0:22:43.276
<v Speaker 3>great learning experience, you know, this life with my family

0:22:43.276 --> 0:22:44.916
<v Speaker 3>and my father and my mother and what they were

0:22:44.916 --> 0:22:45.436
<v Speaker 3>going through.

0:22:46.316 --> 0:22:50.156
<v Speaker 4>I was also learning from. At the same time, what's.

0:22:49.956 --> 0:22:53.436
<v Speaker 1>It like going back to Jamaica now? Get mobbed walking?

0:22:53.476 --> 0:22:53.516
<v Speaker 4>Do?

0:22:53.876 --> 0:22:55.956
<v Speaker 3>I haven't been back in a while. Still about going

0:22:55.996 --> 0:22:57.996
<v Speaker 3>back when I went back last time? Jam, I mean

0:22:58.036 --> 0:23:01.036
<v Speaker 3>a lot, a lot has changed at another generation.

0:23:01.156 --> 0:23:03.556
<v Speaker 4>A lot of the vibes that's changed, the old look

0:23:03.596 --> 0:23:04.076
<v Speaker 4>has changed.

0:23:04.116 --> 0:23:08.876
<v Speaker 3>You know, I'm a lot of more Americanization of Jamaica.

0:23:09.596 --> 0:23:12.316
<v Speaker 4>But the country side is where the magic still remains.

0:23:12.796 --> 0:23:15.316
<v Speaker 4>You know. The city, the city's side, I'm not so,

0:23:16.356 --> 0:23:16.596
<v Speaker 4>I'm not.

0:23:16.716 --> 0:23:18.876
<v Speaker 3>It's not when we when we were growing up in

0:23:18.876 --> 0:23:23.156
<v Speaker 3>a city, it wasn't like a big metropolitan city. It

0:23:23.196 --> 0:23:24.956
<v Speaker 3>was like a look a town and it was still

0:23:24.996 --> 0:23:28.716
<v Speaker 3>had that vibe of like you're still in Jamaica. But no,

0:23:28.796 --> 0:23:31.356
<v Speaker 3>it kind of the city kind of gets a little

0:23:31.476 --> 0:23:34.356
<v Speaker 3>more hectic and so, but the country side is is

0:23:34.396 --> 0:23:37.436
<v Speaker 3>still where it's. Jamaica has a vibe to it. You

0:23:37.476 --> 0:23:40.156
<v Speaker 3>don't really get anywhere from me. You know, it's a

0:23:40.236 --> 0:23:44.116
<v Speaker 3>very inspirational place if you find the right spot.

0:23:43.836 --> 0:23:44.076
<v Speaker 4>You know.

0:23:44.596 --> 0:23:44.996
<v Speaker 1>Yeah.

0:23:45.316 --> 0:23:48.076
<v Speaker 4>Ian Fleming, he wrote this gens band stuff in Jamaica.

0:23:48.636 --> 0:23:53.276
<v Speaker 1>GoldenEye, Golden Eye is written in Jamaica, new Port, Antonio.

0:23:53.996 --> 0:23:56.476
<v Speaker 1>I think there's a there was a there was a house,

0:23:56.516 --> 0:23:57.916
<v Speaker 1>he stated, Yes, that's right.

0:23:58.076 --> 0:23:59.916
<v Speaker 4>Yeah, yeah, so plenty inspiration.

0:24:01.236 --> 0:24:04.356
<v Speaker 1>Yeah, it's easy to see why Jamaicans have such an

0:24:04.396 --> 0:24:07.916
<v Speaker 1>inflated sense of their own importance because the whole world

0:24:08.036 --> 0:24:13.996
<v Speaker 1>comes running very pro Yeah, I want to talk about

0:24:14.036 --> 0:24:16.116
<v Speaker 1>some of the photographs that mean the most to you

0:24:16.156 --> 0:24:19.036
<v Speaker 1>in this book. My first question was how many of

0:24:19.076 --> 0:24:22.076
<v Speaker 1>these photographs did you take, our other family members take

0:24:22.196 --> 0:24:25.636
<v Speaker 1>and how many of them are professional photographs?

0:24:26.076 --> 0:24:30.716
<v Speaker 4>Well, I didn't, we never take any. These aren't all photographs.

0:24:30.756 --> 0:24:32.556
<v Speaker 4>These are professional.

0:24:32.596 --> 0:24:34.476
<v Speaker 3>There's there's his friend never who used to do his

0:24:34.556 --> 0:24:37.636
<v Speaker 3>lighting and design his album or have some photos in there.

0:24:38.116 --> 0:24:40.116
<v Speaker 3>But with the book, what we what I try to

0:24:40.116 --> 0:24:43.396
<v Speaker 3>do is do a balance of those type of professional

0:24:43.556 --> 0:24:47.396
<v Speaker 3>like iconic images and with more like images of you know,

0:24:47.556 --> 0:24:50.876
<v Speaker 3>just in real life outside of the musician, outside of

0:24:50.876 --> 0:24:53.796
<v Speaker 3>the stage, you know, show some bags, you know, show

0:24:53.876 --> 0:24:57.596
<v Speaker 3>him beyond that, and for trying, as I said in

0:24:57.636 --> 0:24:59.916
<v Speaker 3>the book, trying to make people even feel a deeper

0:24:59.996 --> 0:25:02.636
<v Speaker 3>relationship to him. Because if you know someone just as

0:25:02.636 --> 0:25:05.756
<v Speaker 3>you I can are as you as a as a musician,

0:25:07.196 --> 0:25:09.076
<v Speaker 3>I mean a singer, then that's one we have done.

0:25:09.196 --> 0:25:12.316
<v Speaker 3>But if he can't get a deeper understanding of his

0:25:12.316 --> 0:25:14.996
<v Speaker 3>his life during that same period of time beyond that,

0:25:15.556 --> 0:25:17.956
<v Speaker 3>then you can feel even more connected to the person

0:25:18.076 --> 0:25:19.036
<v Speaker 3>and on that level.

0:25:20.116 --> 0:25:21.876
<v Speaker 4>So that's what I was trying to do with the book.

0:25:21.876 --> 0:25:25.236
<v Speaker 3>You know, but we never have unfortunate way at the time,

0:25:25.236 --> 0:25:27.516
<v Speaker 3>we never readly a letter. You know, we never have

0:25:27.556 --> 0:25:29.476
<v Speaker 3>cameras and we never have a camera. We never have

0:25:29.516 --> 0:25:34.156
<v Speaker 3>my camera. Yeah, you know, photographers have cameras. We have cameras.

0:25:35.556 --> 0:25:39.516
<v Speaker 1>With the process of going through all these photographs painful,

0:25:39.836 --> 0:25:42.116
<v Speaker 1>what's the prop all kinds of memories.

0:25:41.996 --> 0:25:43.676
<v Speaker 4>Yeah, no, but joyful, not painful.

0:25:43.676 --> 0:25:46.876
<v Speaker 3>I mean melan Caliber Barby's at here and when you

0:25:46.876 --> 0:25:48.836
<v Speaker 3>look at the photograph, he said, oh, what a young man.

0:25:48.876 --> 0:25:50.756
<v Speaker 4>I'm fifty that I'm fifty two now.

0:25:50.836 --> 0:25:52.676
<v Speaker 3>So when I look at him, He's like, look at

0:25:52.676 --> 0:25:55.316
<v Speaker 3>this young guy, young kid, you know what I mean?

0:25:55.436 --> 0:25:57.476
<v Speaker 3>Why you know, it's so that is a sad thing,

0:25:58.036 --> 0:26:00.876
<v Speaker 3>but there's so much the joy overwegh that there's so

0:26:00.956 --> 0:26:01.396
<v Speaker 3>much joy.

0:26:02.076 --> 0:26:05.956
<v Speaker 4>I'm just looking at him and seeing him in that

0:26:06.316 --> 0:26:08.796
<v Speaker 4>way were I know he was having a good time

0:26:08.836 --> 0:26:09.836
<v Speaker 4>while he was doing it too.

0:26:10.276 --> 0:26:12.516
<v Speaker 3>You know, he wasn't upsetaatey. He was having a good time.

0:26:12.916 --> 0:26:16.076
<v Speaker 3>He enjoyed, he enjoyed his experience. You know, I said,

0:26:16.116 --> 0:26:18.716
<v Speaker 3>so I feel happy about that that guy. I know

0:26:18.796 --> 0:26:20.396
<v Speaker 3>he was having a good time doing it. You know,

0:26:20.916 --> 0:26:22.996
<v Speaker 3>there's a photo we want to talk about the photo.

0:26:23.076 --> 0:26:26.836
<v Speaker 4>Let's go to m pages ninety seven China and appeared

0:26:26.876 --> 0:26:27.396
<v Speaker 4>ninety seven.

0:26:27.436 --> 0:26:30.156
<v Speaker 3>If he can't come from it seems it seemed like

0:26:30.476 --> 0:26:33.996
<v Speaker 3>at his home, in his home in the countryside. Oh yes,

0:26:34.476 --> 0:26:36.476
<v Speaker 3>so this guy I used to we used to go

0:26:36.516 --> 0:26:38.636
<v Speaker 3>to the country. This is the same time we used

0:26:38.636 --> 0:26:41.316
<v Speaker 3>to go back with him on a trip. And this

0:26:41.316 --> 0:26:43.116
<v Speaker 3>this is just the real Bob, you know, I said,

0:26:43.116 --> 0:26:45.916
<v Speaker 3>this is and these are the people, this is where

0:26:46.276 --> 0:26:49.636
<v Speaker 3>come from. These are his people, this is his roots.

0:26:49.836 --> 0:26:53.356
<v Speaker 3>He was born on this land. And I mean, you

0:26:53.396 --> 0:26:56.436
<v Speaker 3>can't see the guys he's coming to. He's either coming

0:26:56.436 --> 0:26:58.996
<v Speaker 3>from the fielder going to the field, have some probably

0:26:59.116 --> 0:27:01.476
<v Speaker 3>yeaman stuff in that crocus bag you have there.

0:27:01.916 --> 0:27:04.916
<v Speaker 4>And everybody. I mean, Bubble was just one of the people.

0:27:04.996 --> 0:27:05.916
<v Speaker 4>He was just one of them.

0:27:06.476 --> 0:27:09.596
<v Speaker 3>And as you can see, and he's talking, he's eating

0:27:09.596 --> 0:27:11.836
<v Speaker 3>a banner and antargions and some of the kids them,

0:27:12.076 --> 0:27:13.836
<v Speaker 3>you know, and some of them have shoes on, some

0:27:13.916 --> 0:27:14.876
<v Speaker 3>don't have shoes.

0:27:14.596 --> 0:27:16.596
<v Speaker 4>On, and they're laughing.

0:27:18.636 --> 0:27:22.556
<v Speaker 3>Well, you know, in communication with people, of good communication,

0:27:22.756 --> 0:27:23.436
<v Speaker 3>skilling up with.

0:27:23.436 --> 0:27:26.116
<v Speaker 4>People, and you know, yeah, and just having fun. He

0:27:26.236 --> 0:27:28.956
<v Speaker 4>was en giant life. He's sitting and he's sitting on

0:27:28.996 --> 0:27:30.676
<v Speaker 4>the stairs here on the next page of.

0:27:31.436 --> 0:27:34.796
<v Speaker 1>The pictures is I mean he's so you can just

0:27:34.836 --> 0:27:36.836
<v Speaker 1>tell how relaxing at Homie is.

0:27:37.036 --> 0:27:37.796
<v Speaker 4>Yeah, yeah, yeah.

0:27:38.436 --> 0:27:40.556
<v Speaker 1>But at the time this photo is taken, he's at

0:27:40.556 --> 0:27:41.356
<v Speaker 1>the height of his fame.

0:27:41.996 --> 0:27:46.556
<v Speaker 3>Yeah, man, after the assassination at so this is yeah,

0:27:46.556 --> 0:27:49.436
<v Speaker 3>he's at the height right here. And this is as

0:27:49.436 --> 0:27:51.556
<v Speaker 3>you see this, he's leaning On the other page, he's

0:27:51.636 --> 0:27:53.836
<v Speaker 3>leaning up on the VW van. This is so we

0:27:53.876 --> 0:27:56.436
<v Speaker 3>had Mama had a beat her and he he would

0:27:56.516 --> 0:27:57.876
<v Speaker 3>drive this VW van.

0:27:58.516 --> 0:28:00.636
<v Speaker 1>I think those are the only two kinds of cars

0:28:00.676 --> 0:28:05.436
<v Speaker 1>they were in Jamaica in those years, BW beatles.

0:28:07.316 --> 0:28:10.516
<v Speaker 4>So yeah, and yeah, some of these people, some of

0:28:10.516 --> 0:28:13.316
<v Speaker 4>them is his cousins too. There's a couple of cousins

0:28:13.356 --> 0:28:13.716
<v Speaker 4>in here.

0:28:14.436 --> 0:28:16.596
<v Speaker 3>This is at home. And then this is the last

0:28:16.596 --> 0:28:20.036
<v Speaker 3>photo from that series. I think if you go to

0:28:20.076 --> 0:28:22.916
<v Speaker 3>the next page, is him sitting down stealing sentence.

0:28:23.636 --> 0:28:25.436
<v Speaker 4>But he's alone. His guitars on.

0:28:25.356 --> 0:28:27.756
<v Speaker 3>The floor here on the ground right here, and he's

0:28:27.996 --> 0:28:29.396
<v Speaker 3>he's barefoot also right there.

0:28:29.956 --> 0:28:32.716
<v Speaker 4>This photon is like, this is Bob.

0:28:33.596 --> 0:28:35.876
<v Speaker 3>I think Bob was always like Alona, and he always

0:28:35.876 --> 0:28:37.996
<v Speaker 3>felt alone although he had so many people around him.

0:28:38.596 --> 0:28:41.476
<v Speaker 3>This is Bob, this is him and his like, this

0:28:41.516 --> 0:28:44.436
<v Speaker 3>is his meditation, this is him like in his space,

0:28:44.476 --> 0:28:47.196
<v Speaker 3>you know what I'm saying, alone and just vibing. I

0:28:47.196 --> 0:28:50.516
<v Speaker 3>felt like he felt like he was always alone in

0:28:50.556 --> 0:28:52.596
<v Speaker 3>some way, you know, and this kind of represents that

0:28:52.756 --> 0:28:54.156
<v Speaker 3>loneliness in a way.

0:28:54.956 --> 0:28:57.436
<v Speaker 2>We'll be back with more from Ziggy Marley after this

0:28:57.516 --> 0:29:03.916
<v Speaker 2>quick break. We're back with the rest of Malcolm's conversation

0:29:04.196 --> 0:29:07.196
<v Speaker 2>with Ziggy Marley. As an added bonus, you'll hear the

0:29:07.236 --> 0:29:10.876
<v Speaker 2>Live Talks Los Angeles moderator take questions from the audience

0:29:11.356 --> 0:29:12.676
<v Speaker 2>at the end of Malcolm's interview.

0:29:13.356 --> 0:29:16.156
<v Speaker 1>I love some of these group shots. There's there's on

0:29:16.236 --> 0:29:20.316
<v Speaker 1>page fifty, there's this fantastic group shot with the band

0:29:20.756 --> 0:29:21.556
<v Speaker 1>The Yes.

0:29:21.876 --> 0:29:25.516
<v Speaker 4>All right, this photo was taken in in England. I

0:29:25.556 --> 0:29:26.436
<v Speaker 4>was here. I was there.

0:29:27.636 --> 0:29:31.796
<v Speaker 3>We were on the way to Zimbabwe. Are coming from Zimbabwe.

0:29:32.556 --> 0:29:35.396
<v Speaker 3>That's why the next quota of me, if you look

0:29:35.436 --> 0:29:36.916
<v Speaker 3>at next quota, this is England too.

0:29:37.196 --> 0:29:38.676
<v Speaker 4>So this is this is the time period.

0:29:38.716 --> 0:29:42.756
<v Speaker 3>We're there, right before Zimbabwe, are after Zimbabwe. We were

0:29:42.756 --> 0:29:45.356
<v Speaker 3>in Yeah, and I went on the trip with him,

0:29:45.636 --> 0:29:47.316
<v Speaker 3>and you know, football as usual.

0:29:47.956 --> 0:29:51.356
<v Speaker 1>I had not realized the extent to which she was

0:29:51.396 --> 0:29:54.876
<v Speaker 1>a soccer First of all, I know your son, but

0:29:55.076 --> 0:29:56.876
<v Speaker 1>I want you to be honest. How good was he?

0:29:57.756 --> 0:29:58.316
<v Speaker 4>That was good.

0:29:58.356 --> 0:30:01.076
<v Speaker 3>I mean I remember you played against me when I

0:30:01.116 --> 0:30:04.436
<v Speaker 3>was in you know, sometime of appearance versus. I was

0:30:04.436 --> 0:30:07.756
<v Speaker 3>on the soccer team in elementary school and I remember

0:30:07.796 --> 0:30:10.436
<v Speaker 3>he came. There was a peer versus you know, students,

0:30:10.476 --> 0:30:13.036
<v Speaker 3>and you know, so he came and I was like, yeah,

0:30:13.036 --> 0:30:13.796
<v Speaker 3>I marked this guy.

0:30:13.836 --> 0:30:18.196
<v Speaker 4>I'm marked. I have this guy. I'll take him.

0:30:16.676 --> 0:30:21.036
<v Speaker 3>But he was fast, which is good, and he had

0:30:21.036 --> 0:30:23.476
<v Speaker 3>a good kick, and he had a good player.

0:30:23.476 --> 0:30:26.756
<v Speaker 4>He was a good player. Cousin. He idolized soccer player.

0:30:26.836 --> 0:30:28.876
<v Speaker 3>One of his good friends was Alan skillcoll who was

0:30:28.916 --> 0:30:31.076
<v Speaker 3>like the top Jamaican player at the time, and they

0:30:31.076 --> 0:30:31.996
<v Speaker 3>were good friends.

0:30:32.476 --> 0:30:34.596
<v Speaker 4>So, I mean, he kept fit.

0:30:34.596 --> 0:30:38.716
<v Speaker 3>He kept his workout was like a professional soccer player workout,

0:30:39.276 --> 0:30:41.916
<v Speaker 3>you know. Abdomena was you know, running on the sand

0:30:41.956 --> 0:30:44.716
<v Speaker 3>playing soccer like that was that was that was a workout.

0:30:44.716 --> 0:30:48.396
<v Speaker 3>There's a soccer player workout basically. And his friends, all

0:30:48.436 --> 0:30:50.756
<v Speaker 3>of his friends were soccer players. I could play soccer.

0:30:52.276 --> 0:30:55.676
<v Speaker 3>He was drawn towards you know people like that, you know, but.

0:30:55.676 --> 0:30:58.796
<v Speaker 1>Zig to be a fan of of Jamaican soccer. Is

0:30:58.836 --> 0:31:02.756
<v Speaker 1>it exercise in masochism? It's like the I know this

0:31:02.836 --> 0:31:05.836
<v Speaker 1>from my cousins. Nothing is more painful than this team

0:31:05.876 --> 0:31:07.876
<v Speaker 1>that just loses and loses and loses.

0:31:09.156 --> 0:31:10.716
<v Speaker 4>About the funny things. And we have some of the

0:31:10.716 --> 0:31:11.676
<v Speaker 4>best players in the world.

0:31:11.756 --> 0:31:14.876
<v Speaker 3>But I don't know, cause I think we had some

0:31:14.916 --> 0:31:17.396
<v Speaker 3>great players, but we have the best runner.

0:31:17.916 --> 0:31:20.236
<v Speaker 4>Well, you always have the best runners, the fastest runner.

0:31:20.716 --> 0:31:23.356
<v Speaker 1>That's but that's been true forever. I want to talk

0:31:23.396 --> 0:31:27.796
<v Speaker 1>a little bit about your own music, and you must

0:31:27.836 --> 0:31:31.196
<v Speaker 1>have thought about you had this extraordinary gift, which is

0:31:32.156 --> 0:31:34.396
<v Speaker 1>the gift of your father and his legacy, but it

0:31:34.436 --> 0:31:38.436
<v Speaker 1>also presents a challenge to kind of carve out your

0:31:38.436 --> 0:31:40.876
<v Speaker 1>own identity in that. How do you approach that?

0:31:41.916 --> 0:31:43.716
<v Speaker 3>When I go back and look at my history, right,

0:31:43.716 --> 0:31:47.836
<v Speaker 3>our family history, so we have musicians and artists on

0:31:47.836 --> 0:31:50.236
<v Speaker 3>both sides of my family. A lot of people always

0:31:50.276 --> 0:31:51.996
<v Speaker 3>talk about my father, and like I said, my mother

0:31:52.476 --> 0:31:55.596
<v Speaker 3>was always key in in everything.

0:31:55.596 --> 0:31:58.156
<v Speaker 4>My mother was actually a keen Bob's success. We don't

0:31:58.156 --> 0:32:00.916
<v Speaker 4>my mother. Bob wouldn't be as successful. I wouldn't even

0:32:00.956 --> 0:32:01.996
<v Speaker 4>have what he has.

0:32:02.356 --> 0:32:05.036
<v Speaker 3>She was the one who reintroduced him, or introduced him

0:32:05.076 --> 0:32:08.316
<v Speaker 3>to the Rastafara and culture, which had a big impact

0:32:08.396 --> 0:32:13.036
<v Speaker 3>on him mentally and spiritually. She's the one who when

0:32:13.036 --> 0:32:14.876
<v Speaker 3>they didn't have nothing, She's the one who gave him

0:32:14.876 --> 0:32:17.316
<v Speaker 3>somewhere to sleep, and she was the one who slept

0:32:17.316 --> 0:32:19.636
<v Speaker 3>on the floor with him in the studios, who sold

0:32:19.676 --> 0:32:23.876
<v Speaker 3>records with him on their head, riding their bicycles through

0:32:24.076 --> 0:32:26.996
<v Speaker 3>through the streets. She was the one who got shut

0:32:26.996 --> 0:32:29.036
<v Speaker 3>in her head the same time he got shut in

0:32:29.036 --> 0:32:30.956
<v Speaker 3>the hand, and still showed up for the concert when

0:32:30.996 --> 0:32:32.476
<v Speaker 3>other people are like, no, we're not going.

0:32:32.836 --> 0:32:35.636
<v Speaker 4>She still had a bullet in her head. So her

0:32:35.756 --> 0:32:38.516
<v Speaker 4>impact on his legacy.

0:32:38.116 --> 0:32:40.956
<v Speaker 3>And where we are is I always remember that too,

0:32:41.476 --> 0:32:45.116
<v Speaker 3>you know, when I think about my what you just

0:32:45.156 --> 0:32:48.716
<v Speaker 3>asked me about, you know, making my own way or whatever,

0:32:48.716 --> 0:32:51.756
<v Speaker 3>I remember that what I have is that just coming

0:32:51.876 --> 0:32:57.076
<v Speaker 3>from my father's, coming from my mother, her grandfather, her father.

0:32:57.196 --> 0:33:01.356
<v Speaker 4>My grandfather was a saxophone player. My father and mother and.

0:33:01.196 --> 0:33:05.436
<v Speaker 3>His family were all church people, singers, they're singing churches,

0:33:06.356 --> 0:33:09.836
<v Speaker 3>and so the spirit there's you know, it's sides. And

0:33:09.916 --> 0:33:12.956
<v Speaker 3>for me, yes, I understand the question of my father

0:33:13.076 --> 0:33:17.076
<v Speaker 3>and his his wit or his impact on what it

0:33:17.076 --> 0:33:19.156
<v Speaker 3>would mean to someone like me, are son of any

0:33:20.676 --> 0:33:25.316
<v Speaker 3>person like Bob, and and how we kind of who

0:33:25.476 --> 0:33:27.076
<v Speaker 3>we who choose to be in the same line, and

0:33:27.076 --> 0:33:30.396
<v Speaker 3>we're kind of have to overcome whatever that thing is.

0:33:30.716 --> 0:33:33.956
<v Speaker 3>So for me never really was on the forefront of

0:33:33.996 --> 0:33:36.876
<v Speaker 3>my mind, and it was on the peripherals.

0:33:37.076 --> 0:33:38.876
<v Speaker 4>And I heard it. I heard him thing and I

0:33:38.916 --> 0:33:41.316
<v Speaker 4>heard it, but I never paid much attention to it.

0:33:41.996 --> 0:33:46.556
<v Speaker 3>I started seeking a spiritual part when I was a teenager.

0:33:47.396 --> 0:33:52.596
<v Speaker 3>Somebody who will mental see it was evolved beyond that

0:33:52.796 --> 0:33:53.716
<v Speaker 3>because I was looking.

0:33:54.076 --> 0:33:55.236
<v Speaker 4>And it's because of my father.

0:33:55.276 --> 0:34:00.076
<v Speaker 3>I was looking, you know, because of his spirituality led

0:34:00.076 --> 0:34:01.956
<v Speaker 3>me into search for my spirituality.

0:34:03.036 --> 0:34:07.076
<v Speaker 4>And so for me, I was with past.

0:34:06.916 --> 0:34:09.876
<v Speaker 3>My ego of trying are thinking about are putting that

0:34:10.036 --> 0:34:14.556
<v Speaker 3>pressure and myself to live up to the legacyr to

0:34:15.436 --> 0:34:17.116
<v Speaker 3>make my own name or make my own way.

0:34:17.116 --> 0:34:18.636
<v Speaker 4>I don't need to make my own way. I just

0:34:18.676 --> 0:34:19.596
<v Speaker 4>need to be myself.

0:34:20.076 --> 0:34:22.356
<v Speaker 3>That will that will solve all the problem that I

0:34:22.356 --> 0:34:25.796
<v Speaker 3>will solve the problem that people is asking a question about.

0:34:25.836 --> 0:34:27.916
<v Speaker 4>I don't need to like try to do it. I

0:34:27.996 --> 0:34:29.316
<v Speaker 4>just need to be true.

0:34:30.116 --> 0:34:31.916
<v Speaker 3>And then that that is what that's is, how it

0:34:31.956 --> 0:34:35.156
<v Speaker 3>really is, and I also need to accept, and I

0:34:35.196 --> 0:34:36.276
<v Speaker 3>do accept.

0:34:35.836 --> 0:34:38.436
<v Speaker 4>That my father is a part of me.

0:34:38.916 --> 0:34:42.356
<v Speaker 3>There's gonna be similarities, there's gonna be things that is like,

0:34:42.636 --> 0:34:44.476
<v Speaker 3>you know, it's like Bob, you know what I mean.

0:34:44.596 --> 0:34:48.836
<v Speaker 3>So we're not trying to this this this stands to

0:34:48.836 --> 0:34:50.916
<v Speaker 3>ourself from him in that way either. So there's no

0:34:51.356 --> 0:34:53.356
<v Speaker 3>that's suld that doesn't exist because I don't want to

0:34:53.396 --> 0:34:56.036
<v Speaker 3>distance self from him because I am a part of him.

0:34:56.036 --> 0:34:56.436
<v Speaker 4>Anyway.

0:34:56.596 --> 0:34:59.716
<v Speaker 3>You cannot do that. He has a sound car running away.

0:34:59.756 --> 0:35:01.836
<v Speaker 3>You're running away, but you can't run away from yourself,

0:35:02.396 --> 0:35:04.756
<v Speaker 3>you know what I said. So that is how I

0:35:04.876 --> 0:35:07.316
<v Speaker 3>That is how I really try. That is how I

0:35:07.316 --> 0:35:10.516
<v Speaker 3>I when I analyze it myself after being asked that question,

0:35:11.196 --> 0:35:14.436
<v Speaker 3>that is how I see myself having dealt with it

0:35:14.796 --> 0:35:15.596
<v Speaker 3>in that way, you know.

0:35:15.796 --> 0:35:21.596
<v Speaker 1>And yeah, yeah, no that's beautifully but yeah, well thank you, Ziggy.

0:35:21.636 --> 0:35:24.116
<v Speaker 1>I think we have some questions. Ted is that right?

0:35:24.196 --> 0:35:26.196
<v Speaker 1>But this is like I said, the book, The book

0:35:26.316 --> 0:35:32.076
<v Speaker 1>was so lovely and took me back to so many

0:35:32.236 --> 0:35:36.236
<v Speaker 1>kind of wonderful memories of that era in Jamaica and

0:35:36.356 --> 0:35:38.076
<v Speaker 1>at a real thrill to talk to you about.

0:35:37.876 --> 0:35:41.636
<v Speaker 5>It me too, same thing, all right, Thank you, Malcolm.

0:35:41.676 --> 0:35:46.396
<v Speaker 5>The first question, Ziggy is have you been to Ethiopia

0:35:46.676 --> 0:35:49.316
<v Speaker 5>and can you say something about your connection and your

0:35:49.356 --> 0:35:51.076
<v Speaker 5>father's connection to Ethiopia.

0:35:52.436 --> 0:35:54.796
<v Speaker 3>Yeah, we were in Ethiopia years back to celebrate I

0:35:54.836 --> 0:35:57.516
<v Speaker 3>think it was a sixtieth or one of those birthdays above.

0:35:57.676 --> 0:36:03.236
<v Speaker 3>Because obviously Ethiopia and it's history, we found a strong

0:36:03.276 --> 0:36:09.076
<v Speaker 3>connection to the Rastafari culture. It's a deep story because

0:36:09.156 --> 0:36:13.996
<v Speaker 3>as and I've probably catt it shot living in Jamaica

0:36:14.716 --> 0:36:17.956
<v Speaker 3>during the times of after independence or you know where

0:36:18.036 --> 0:36:21.156
<v Speaker 3>supposedly everywhere or whatever, the Christian faith and the faith

0:36:21.236 --> 0:36:26.676
<v Speaker 3>that was forced upon us by the colonists was something

0:36:26.756 --> 0:36:31.116
<v Speaker 3>that a sector of you know, Jamaican started to turn against, like,

0:36:31.196 --> 0:36:33.036
<v Speaker 3>you know, this is a slave master thing.

0:36:33.116 --> 0:36:34.596
<v Speaker 4>You know, white God.

0:36:34.716 --> 0:36:36.876
<v Speaker 3>Why Jesus is a white guy with blue eyes and

0:36:36.956 --> 0:36:37.956
<v Speaker 3>blah blah blah.

0:36:38.036 --> 0:36:40.196
<v Speaker 4>Whereas who do we identify with?

0:36:41.196 --> 0:36:45.276
<v Speaker 3>And so Marcus Gather really started the whole conversation and

0:36:45.396 --> 0:36:47.836
<v Speaker 3>this and and said some stuff. You know, when Marcus

0:36:48.036 --> 0:36:50.316
<v Speaker 3>that all black thing and the black oe and you know,

0:36:50.356 --> 0:36:53.956
<v Speaker 3>your black identity, that was a strong inspiration. And then

0:36:54.356 --> 0:36:58.876
<v Speaker 3>when Rastafari start using the same Bible that was given

0:36:58.916 --> 0:37:01.236
<v Speaker 3>to them by the colonists to now interpret it in

0:37:01.276 --> 0:37:05.236
<v Speaker 3>a way that put an emphasis on this king in

0:37:05.276 --> 0:37:09.556
<v Speaker 3>Ethiopia as the real as the comment of another christ

0:37:09.756 --> 0:37:14.716
<v Speaker 3>like individual in that philosophy. In that in that idea,

0:37:15.556 --> 0:37:19.196
<v Speaker 3>a lot of people in Jamaica found are real independence,

0:37:20.076 --> 0:37:24.636
<v Speaker 3>a full break from the colonialist not only the political independence,

0:37:24.636 --> 0:37:28.476
<v Speaker 3>but the mental independence. And that was the rise of

0:37:28.476 --> 0:37:30.996
<v Speaker 3>the Rastafarire culture and the connection with each opera with

0:37:31.076 --> 0:37:36.756
<v Speaker 3>this king, who within the Bible is still represented because

0:37:36.796 --> 0:37:40.756
<v Speaker 3>he is a lineage of King Solomon, and in the

0:37:40.796 --> 0:37:43.356
<v Speaker 3>Bible say he will come again with the name King

0:37:43.396 --> 0:37:44.636
<v Speaker 3>of Kings Ladah, lad.

0:37:44.516 --> 0:37:45.996
<v Speaker 4>Can canna travel Judah.

0:37:46.316 --> 0:37:48.596
<v Speaker 3>And this was the title that this man, this manner

0:37:48.676 --> 0:37:51.796
<v Speaker 3>has And so that strong connection to Ethiopia is fort

0:37:51.876 --> 0:37:55.796
<v Speaker 3>to that because Exodus in a barbad alum called Exodus,

0:37:55.876 --> 0:37:59.876
<v Speaker 3>and Exodus obviously is a relation to the struggle of

0:37:59.916 --> 0:38:02.716
<v Speaker 3>the israel people coming over of Egypt. And so we

0:38:02.796 --> 0:38:05.836
<v Speaker 3>are a strong connection with that whole thing, with David

0:38:05.836 --> 0:38:10.036
<v Speaker 3>and Salomon, and so Rasta far I come through that

0:38:10.076 --> 0:38:13.156
<v Speaker 3>connection with its last I as I descend that of

0:38:13.236 --> 0:38:17.636
<v Speaker 3>Solomon and Sotopia. Ittopia was a big It was like

0:38:18.876 --> 0:38:22.476
<v Speaker 3>Jerusalem or Mecca, or whatever. You know that was Ethop

0:38:22.676 --> 0:38:25.036
<v Speaker 3>was like that for for Rastafari culture.

0:38:26.956 --> 0:38:31.956
<v Speaker 5>So your siblings have crafted their own music careers. The

0:38:32.116 --> 0:38:36.276
<v Speaker 5>question or asks what is the relationship between your siblings

0:38:36.556 --> 0:38:39.716
<v Speaker 5>both musically and and how you relate to each other today?

0:38:41.196 --> 0:38:42.796
<v Speaker 3>So we grew up, all right, So we grew up,

0:38:42.956 --> 0:38:45.436
<v Speaker 3>let's come back, or we grew now because it's very

0:38:45.436 --> 0:38:48.236
<v Speaker 3>important because all right, my father was married to my mother,

0:38:48.316 --> 0:38:51.996
<v Speaker 3>but he had children of a wed right because obviously

0:38:52.836 --> 0:38:55.876
<v Speaker 3>the wed like thing is a colonial thing, and we

0:38:55.916 --> 0:38:57.836
<v Speaker 3>don't deal with colonial things, you know, we are free

0:38:57.996 --> 0:39:02.076
<v Speaker 3>or whatever. So that was my father's you know philosophy.

0:39:02.316 --> 0:39:04.996
<v Speaker 3>After you learn things, they need us free yourself anyway.

0:39:05.556 --> 0:39:07.156
<v Speaker 3>But so we always grew up.

0:39:07.196 --> 0:39:08.196
<v Speaker 4>You know, when my.

0:39:08.156 --> 0:39:11.716
<v Speaker 3>Father would take us to visit, like I'm the oldest son, right,

0:39:12.476 --> 0:39:14.676
<v Speaker 3>so he would take me and sometimes my brother Stephen.

0:39:15.276 --> 0:39:17.116
<v Speaker 3>You know there's a new there was a new baby

0:39:17.196 --> 0:39:19.836
<v Speaker 3>or a new you know. He would drive us to

0:39:19.516 --> 0:39:23.156
<v Speaker 3>the house where my brother, my other brother was who

0:39:23.236 --> 0:39:26.476
<v Speaker 3>was not of my mother, and you know, he would

0:39:26.596 --> 0:39:29.476
<v Speaker 3>visit and we would meet you came on here, meet

0:39:29.556 --> 0:39:33.556
<v Speaker 3>Robbie and meet Rowan or whoever it was. And my

0:39:33.716 --> 0:39:37.116
<v Speaker 3>mother now which is the most important part of this

0:39:38.036 --> 0:39:40.636
<v Speaker 3>was always she was like the mother of all of them,

0:39:41.036 --> 0:39:43.476
<v Speaker 3>like she was the mother of the children who she

0:39:43.556 --> 0:39:47.076
<v Speaker 3>wasn't the mother of basically, so everybody would come to us,

0:39:47.276 --> 0:39:49.196
<v Speaker 3>and you know, my mother would be the one who

0:39:49.756 --> 0:39:52.436
<v Speaker 3>kind of take care of children, whether it was his

0:39:52.516 --> 0:39:53.036
<v Speaker 3>child or not.

0:39:53.756 --> 0:39:55.116
<v Speaker 4>And she is the one whenever.

0:39:55.356 --> 0:39:57.676
<v Speaker 3>She never taught us to like be like vindictive our

0:39:57.716 --> 0:40:00.676
<v Speaker 3>head for our reasentful of my father or of the

0:40:00.716 --> 0:40:03.596
<v Speaker 3>other children. In no way, we were just one family.

0:40:04.116 --> 0:40:06.276
<v Speaker 3>So that's all we that's the lesson we have learned.

0:40:06.636 --> 0:40:09.636
<v Speaker 3>Nobody nobody told us that you shouldn't like that guy

0:40:09.716 --> 0:40:11.516
<v Speaker 3>because he's not your mother's son.

0:40:11.996 --> 0:40:15.036
<v Speaker 4>We never learned that. So that's all we still are today.

0:40:15.316 --> 0:40:17.196
<v Speaker 3>We get together every now and again, but we have

0:40:17.356 --> 0:40:21.236
<v Speaker 3>such a strong connection that we don't have that emotion,

0:40:21.356 --> 0:40:25.596
<v Speaker 3>that deep emotional sadness are like oh I missed my thinger,

0:40:25.676 --> 0:40:27.076
<v Speaker 3>oh my brother or something like that.

0:40:27.116 --> 0:40:28.276
<v Speaker 4>You know, we never grew up that way.

0:40:28.316 --> 0:40:30.916
<v Speaker 3>We grew up a little bit let's emotional, I would say,

0:40:30.956 --> 0:40:32.916
<v Speaker 3>So we don't have that in us. But we do

0:40:33.036 --> 0:40:37.036
<v Speaker 3>have a connection and I love for each other and

0:40:37.076 --> 0:40:39.596
<v Speaker 3>I respect for each other. We never fight each other

0:40:39.636 --> 0:40:43.236
<v Speaker 3>whenever you know, we'll understand each other, and everybody understand

0:40:43.276 --> 0:40:47.596
<v Speaker 3>each other. So that's how we live musically. Me and

0:40:47.636 --> 0:40:49.356
<v Speaker 3>my brother Steve, and we share a lot of music

0:40:49.476 --> 0:40:51.756
<v Speaker 3>them man. Steve is the one who nurtured they man.

0:40:51.916 --> 0:40:55.596
<v Speaker 3>We nurture each other music basically each of us. I

0:40:56.676 --> 0:40:59.676
<v Speaker 3>helped Steve when he was young, Steve his younger brother,

0:40:59.716 --> 0:41:01.516
<v Speaker 3>and we just keep nurturing each other.

0:41:01.876 --> 0:41:02.716
<v Speaker 4>So that's how it is.

0:41:03.636 --> 0:41:05.956
<v Speaker 5>A final question has to do and there are several

0:41:06.036 --> 0:41:10.596
<v Speaker 5>people who ask questions about musical collaboration. Is there anyone

0:41:10.756 --> 0:41:14.196
<v Speaker 5>you would have liked to see your father have collaborated

0:41:14.236 --> 0:41:16.636
<v Speaker 5>with that he did not get to And how do

0:41:16.716 --> 0:41:18.676
<v Speaker 5>you feel about musical collaborations?

0:41:18.676 --> 0:41:20.236
<v Speaker 4>Who would you like to collaborate with?

0:41:21.196 --> 0:41:21.236
<v Speaker 1>No?

0:41:21.476 --> 0:41:25.116
<v Speaker 3>Musical collaboration is a good thing, right In some ways

0:41:25.196 --> 0:41:31.276
<v Speaker 3>it is expanding each of the artists's reach to other audiences,

0:41:31.316 --> 0:41:34.876
<v Speaker 3>which is good. It is showing a true example of

0:41:35.316 --> 0:41:37.596
<v Speaker 3>unification in a way where it can be two different

0:41:37.636 --> 0:41:42.036
<v Speaker 3>types of music blending together to bring to make something new.

0:41:43.316 --> 0:41:47.196
<v Speaker 3>I'm a very shy person, so I don't like to

0:41:47.236 --> 0:41:48.916
<v Speaker 3>ask people for a thing. I don't really like to

0:41:48.956 --> 0:41:50.716
<v Speaker 3>ask people, you know, like hey, can you do this?

0:41:51.676 --> 0:41:51.916
<v Speaker 4>You know?

0:41:52.036 --> 0:41:55.156
<v Speaker 3>So I'm very shy like that, But for some reason

0:41:55.276 --> 0:41:58.996
<v Speaker 3>this year, during the COVID thing, I've done the most

0:41:58.996 --> 0:42:03.796
<v Speaker 3>collaborations I've ever done in ten years, which is very strange.

0:42:03.796 --> 0:42:07.436
<v Speaker 3>It's a very interesting time for me. And how those

0:42:07.476 --> 0:42:11.156
<v Speaker 3>come about, Well, the first colors that I did last

0:42:11.196 --> 0:42:14.396
<v Speaker 3>year was from my kids album, and I think when

0:42:14.396 --> 0:42:17.236
<v Speaker 3>I the children music, I find it's a have a

0:42:17.236 --> 0:42:20.676
<v Speaker 3>different state of when I do the other type my

0:42:20.756 --> 0:42:21.436
<v Speaker 3>other music.

0:42:21.956 --> 0:42:22.356
<v Speaker 4>I don't know.

0:42:22.396 --> 0:42:27.996
<v Speaker 3>Somehow I feel more more comfortable with asking somebody to

0:42:28.036 --> 0:42:32.036
<v Speaker 3>do some for children music, and it has something to

0:42:32.076 --> 0:42:34.516
<v Speaker 3>do with that we have a charitable element to it,

0:42:35.676 --> 0:42:37.276
<v Speaker 3>and so I'm much more comfortable doing that.

0:42:37.396 --> 0:42:37.676
<v Speaker 4>So I did.

0:42:37.996 --> 0:42:42.676
<v Speaker 3>I did a few big collaborations with Ben Cheryl Crow,

0:42:42.876 --> 0:42:48.196
<v Speaker 3>Alanis Morissett, Angelie Kid, Joe, tom Morello, Busta Rhymes. So

0:42:48.316 --> 0:42:51.276
<v Speaker 3>my kids album other like a bog of collaboration, which

0:42:51.316 --> 0:42:54.116
<v Speaker 3>we really enjoy doing. And how I work with collaboration

0:42:54.276 --> 0:42:56.316
<v Speaker 3>is that we have a connection. It can just be

0:42:56.396 --> 0:43:00.956
<v Speaker 3>like a corporate deal, it can be like, you know,

0:43:01.076 --> 0:43:04.356
<v Speaker 3>just have a contractual relationship with it has to be

0:43:04.436 --> 0:43:07.396
<v Speaker 3>something real, and that is why I haven't done a

0:43:07.396 --> 0:43:10.076
<v Speaker 3>lot of collaboration, but a lot of these artists that

0:43:10.116 --> 0:43:12.316
<v Speaker 3>are on that album I've done for years. We've done

0:43:12.396 --> 0:43:15.396
<v Speaker 3>music together. You know, we talk and we text her

0:43:15.436 --> 0:43:18.036
<v Speaker 3>or whatever. So that's how I like to do collaborations.

0:43:18.196 --> 0:43:21.716
<v Speaker 4>For Bob. I can't respect late and that I do.

0:43:21.796 --> 0:43:22.676
<v Speaker 4>I don't want to spect it.

0:43:22.756 --> 0:43:26.076
<v Speaker 3>And that Bob, you know, he was in a collaborative band,

0:43:26.196 --> 0:43:29.476
<v Speaker 3>the way as he collaborated Petere and Bonnie and I

0:43:29.596 --> 0:43:33.756
<v Speaker 3>know Steven and that gentleman stage. I think the collaboration

0:43:33.796 --> 0:43:36.036
<v Speaker 3>and there was also what's his name came back? See

0:43:36.076 --> 0:43:39.836
<v Speaker 3>what's the beatle of guy name? George Harrison. So I

0:43:39.876 --> 0:43:45.276
<v Speaker 3>feel like bob collaboration collaborational spirit was one where if

0:43:45.316 --> 0:43:47.076
<v Speaker 3>he was on stage and somebody wanted to come up,

0:43:47.116 --> 0:43:50.076
<v Speaker 3>he would welcome them up, collabor He's a he's a

0:43:50.076 --> 0:43:52.996
<v Speaker 3>social person, come on up and seeing don't I'm not

0:43:53.036 --> 0:43:56.516
<v Speaker 3>sure about record and I don't know about that, and

0:43:56.676 --> 0:43:58.196
<v Speaker 3>there's no way I can't imagine it.

0:43:58.196 --> 0:43:59.316
<v Speaker 4>I can't respect it on that.

0:44:00.396 --> 0:44:03.476
<v Speaker 5>Well, thanks for joining us, Ziggy Marley, and thank you

0:44:03.556 --> 0:44:06.156
<v Speaker 5>Malcolm glad Well for chatting with Ziggy.

0:44:06.356 --> 0:44:09.076
<v Speaker 4>All right, malcom times man, take care see if guys.

0:44:09.116 --> 0:44:13.196
<v Speaker 1>Pleasure Zicky Bye Bye.

0:44:13.596 --> 0:44:17.196
<v Speaker 2>Thanks to Ziggy Marley for sharing so many fascinating details

0:44:17.316 --> 0:44:18.876
<v Speaker 2>about his life with Bob.

0:44:19.396 --> 0:44:19.876
<v Speaker 1>The book he.

0:44:19.956 --> 0:44:23.836
<v Speaker 2>Curated, Bob Marley Portrait of the Legend, is available now

0:44:24.236 --> 0:44:26.156
<v Speaker 2>and to hear a playlist of our favorite Bob and

0:44:26.236 --> 0:44:29.556
<v Speaker 2>Ziggy Marley songs, check out the playlist we created at

0:44:29.556 --> 0:44:33.316
<v Speaker 2>broken Record podcast dot com. Be sure to subscribe to

0:44:33.356 --> 0:44:37.036
<v Speaker 2>our YouTube channel at YouTube dot com slash broken Record Podcast,

0:44:37.356 --> 0:44:40.676
<v Speaker 2>where you can find extended cuts of new and old episodes.

0:44:41.236 --> 0:44:44.516
<v Speaker 2>You can follow us on Twitter at broken Record. Broken

0:44:44.556 --> 0:44:47.276
<v Speaker 2>Record is produced to help from Leah Rose, Jason Gambrel,

0:44:47.596 --> 0:44:52.236
<v Speaker 2>Martin Gonzalez, Eric Sandler, and Jennifer Sanchez, with engineer and

0:44:52.276 --> 0:44:55.756
<v Speaker 2>help from Nick Chafey. Our executive producer is Mei Lobel.

0:44:56.356 --> 0:44:59.756
<v Speaker 2>Broken Record is a production of Pushkin Industries and he

0:44:59.916 --> 0:45:02.156
<v Speaker 2>liked the show. Please remember to share, rate, and review

0:45:02.316 --> 0:45:05.276
<v Speaker 2>us on your podcast app Our theme musics by Kenny Beats.

0:45:05.476 --> 0:45:06.996
<v Speaker 2>I'm justin Richmond, Peace

0:45:09.316 --> 0:45:09.876
<v Speaker 4>Skip the pin