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Speaker 1: I am all in. I am all in with Scott

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Speaker 1: Patterson and I heart radio podcast. I liked this episode.

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Speaker 1: I love it. I loved it. We finally got Luke back,

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Speaker 1: did you, Scott? I enjoyed a lot of it. Yes,

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Speaker 1: I gotta, I thought, I gotta like a lot of

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Speaker 1: good chuckles. Should I start with my most burning question?

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Speaker 1: I think you should, because we don't want to fire

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Speaker 1: over there? Why do I think it's fun cute? I

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Speaker 1: get excited for Lorelai when she likes someone new, and

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Speaker 1: when Luke does, it's like devastating to me. I dare

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Speaker 1: because are you? Are you more invested in Luke? I

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Speaker 1: don't Luke to be, you know, dating somebody getting out

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Speaker 1: there a lawyer. I love it. I don't. I don't

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Speaker 1: like it. I really would for it though. Yeah he did, right, Yeah,

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Speaker 1: that was a good scene. That was a funny scene.

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Speaker 1: Uh yeah, you know he's gotta And what was that

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Speaker 1: mystery date he went on? Luke? Or yeah? So Jess

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Speaker 1: mentions let me find her name? So Jeff mentions. In

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Speaker 1: the episode, you drove home someone, Remember you gave Joanna

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Speaker 1: Cooper a ride home? Exactly Who's Joanna? Is that? Who

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Speaker 1: the heck is Joanna Cooper. We gotta know, I want

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Speaker 1: to know who Joanna Coopers? Like, was that something that

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Speaker 1: they were maybe going to explore episodes past or was

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Speaker 1: it just a casual mention? And like, you know, you

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Speaker 1: just don't throw a Whanna Cooper into the mix there

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Speaker 1: and that show with those feelings you know, so so

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Speaker 1: pronounced for each other or you know, setting it up.

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Speaker 1: But you know, maybe it was just like, oh, let's

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Speaker 1: throw this in just to show that Luke's a human being.

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Speaker 1: He's not completely smitten. You know, he's his own guy,

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Speaker 1: because at what point does he come off like, you know, pathetic,

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Speaker 1: very funny about it, and funny that he felt like

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Speaker 1: Nicole Lahy was flirting. And then we hear this mention,

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Speaker 1: when's the lost due you went on, Joanna Cooper? When

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Speaker 1: you drew over home? That's not a date? And I'm like,

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Speaker 1: what but he just drove her home? Right, it wasn't

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Speaker 1: It really wasn't a date. I mean he Luke said

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Speaker 1: it was, right. We don't really whole things confusing. I

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Speaker 1: don't know what the heck is going on. It's confusing.

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Speaker 1: What do you think of Nicole Lahy? For you? Oh,

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Speaker 1: I I adored her. She was terrific. Know, she was

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Speaker 1: fun and uh, you know, she was always you know,

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Speaker 1: crystal clear and spot on and she was fun to

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Speaker 1: work with. So M yeah, I enjoyed that. You know,

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Speaker 1: it's anything that was new that could break up. Hello,

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Speaker 1: are you in your bathing suits? What is going on

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Speaker 1: over that? But I wanted to look up he's real name?

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Speaker 1: I guess were you re enacting the day for Golsky?

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Speaker 1: Keiko seem when he's checking out her butt, like, what's happening?

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Speaker 1: I was hilarious when she locked up the stairs backwards

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Speaker 1: ally Tricia O'Kelly, like, you know, that's like northern exposure.

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Speaker 1: Did you think that John Hamm was gonna be on

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Speaker 1: this podcast today? Did you get ready? Summer? You guys

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Speaker 1: inside summer somewhere. I'm over here in a rain storm

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Speaker 1: in the summer. I don't know. Wait, should Danielle do

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Speaker 1: the synopsis? I don't think so. I think you're in it.

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Speaker 1: I I don't even know what you saw. Nothing I

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Speaker 1: did see anything, but Scott was so good. Alright. So

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Speaker 1: this is season three, episode twelve, lor l Out of Water,

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Speaker 1: air date January two thousand three, And this is the synopsis.

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Speaker 1: Lorla gets herself in a pickle when agreeing to go

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Speaker 1: on a fishing date with Alex, so Luke steps in

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Speaker 1: to teach her how to fish before he knew it

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Speaker 1: was a date for a date. Meanwhile, Luke meets Taylor's

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Speaker 1: lawyer Nicole and asked her out county as well. Mariam

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Speaker 1: Parris continued a feud in student council and get yelled

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Speaker 1: at by the headmaster. Lane's cousin is getting married, and

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Speaker 1: she almost convinces her mom to be able to take

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Speaker 1: Dave to prom Can you fish, Scott? Wait, can you fish?

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Speaker 1: I have fished. I was at one point quite capable.

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Speaker 1: I grew up fishing when we uh when we moved

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Speaker 1: out in the country in Maryland for three years. When

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Speaker 1: I was a kid, we fished all the time. This summer,

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Speaker 1: a cass Sunny's took him home. My mom fry him up.

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Speaker 1: That didn't taste that good. God to put a lot

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Speaker 1: of butter on it. But you know they're they're fine. Yeah.

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Speaker 1: And when I was a kid, we go down to

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Speaker 1: Ocean City and and catch bluefish. We went out, you know,

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Speaker 1: when I was really small. We just you throw your

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Speaker 1: line and they bring them up. You know, every ten

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Speaker 1: seconds there was so many blue fish biting. So I've

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Speaker 1: had some wonderful fishing experience. Did you have the skills

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Speaker 1: needed for that scene or did somebody have to coach

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Speaker 1: you up to coach her up? Oh no, no, that's

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Speaker 1: I knew how to. Yeah, that's that's a typical rotten

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Speaker 1: renal set that I in my youth. I mastered those techniques. Yes,

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Speaker 1: I like it, Like, yeah, I've never been deep sea fishing, though,

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Speaker 1: and I want to do that. I really want to

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Speaker 1: fly fly fishing. I have never I've done it on

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Speaker 1: dry land to practice is what I thought. We were

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Speaker 1: going to go the next day, and then it just

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Speaker 1: it got canceled somehow. But I want to. I want

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Speaker 1: to go fish for marlin. I want to go fish

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Speaker 1: like Florida and Mexico and go my dad. And my

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Speaker 1: dad does that, doesn't like at least like every other month.

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Speaker 1: He just he just came home with blue fin tuna

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Speaker 1: and like like all of our families with pounds of tuna, right.

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Speaker 1: I mean, it's like those fish are so strong and

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Speaker 1: so big, they fight like you get bruised. My dad.

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Speaker 1: My dad said the afterwards, like his all his arms

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Speaker 1: were bruised. He's showed me a picture in he said

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Speaker 1: that he was so exhausted that he actually threw up

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Speaker 1: after like it intends you guys, Oh my god, Yeah,

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Speaker 1: oh my god. I felt like it was like the

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Speaker 1: most boring thing of all time. Not deep see, not

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Speaker 1: deep sea. No, deep c is a big, big struggle.

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Speaker 1: It's a big struggle. You gotta strap yourself into the seat. Yeah,

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Speaker 1: because you're you're reeling in like a hundred pounds fish. Yeah,

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Speaker 1: you could get something bigger. Yeah, that'st thing. I'll pull

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Speaker 1: you right to the oceans. Yeah. Who had a hug

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Speaker 1: a world? Who had a hug a world? Yeah? Not me.

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Speaker 1: I didn't have one of those, especially not with a

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Speaker 1: rad didn't didn't didn't. Is that an actual thing, a

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Speaker 1: hug a world? Yes? Really, I didn't know that. Yes, yeah,

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Speaker 1: you never heard of that. What did you say when

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Speaker 1: you hug it and your pinkies touch it wasn't hurt?

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Speaker 1: But that was like, that wasn't part of the game.

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Speaker 1: It's like a pillow that was shaped like a globe.

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Speaker 1: I feel like my generation's version of that was like

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Speaker 1: the Furbies. This is what it looks like I'm holding

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Speaker 1: up a hug A World. Yeah it's called this one's

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Speaker 1: particularly called hug A Planet. But yeah, it's just like

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Speaker 1: a pillows. Yeah, Amazon, thirty nine dollars. What do you

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Speaker 1: guys want? Thanks? Okay, so while you're ordering things, order

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Speaker 1: some pants to get a pair of pants and a

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Speaker 1: hug World. Then you're good Amazon, you get it. Today

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Speaker 1: we saw the Gilmore garage and it was what I

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Speaker 1: thought it would be, really and truly. All that stuff

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Speaker 1: that was supposed to go to what was you're supposed

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Speaker 1: to donate? Just let straight to the garage. I just

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Speaker 1: the media anxiety from that garage. Who's the hoarder in

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Speaker 1: that family? It's Laura. She won't throw anything out. I

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Speaker 1: think they kind of both, are you think so? Yeah,

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Speaker 1: he has a hard time with it too, a little bit.

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Speaker 1: I just think, you know, my wife's that way too.

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Speaker 1: I think girls are very attached. You know, I could

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Speaker 1: throw things. I could throw things op. I mean I

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Speaker 1: understand the sentiment of body things and I don't want

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Speaker 1: to throw those out either. Little baby stuff from Nicholas

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Speaker 1: small and stuff, I get it. But there's so much

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Speaker 1: stuff I find. We should see my storage facility. It's

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Speaker 1: it's like everything. I finally threw out a sock that

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Speaker 1: an ex boyfriend left here like a few years ago,

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Speaker 1: and I was like, you know, the socks should be

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Speaker 1: able to go now. And it was like hard, a

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Speaker 1: little bit hard. It wasn't that hard. But I get it.

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Speaker 1: I just I get it too. But it's like you

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Speaker 1: gotta you kind of at least she got it out

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Speaker 1: of the house and into the garage. They don't really

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Speaker 1: use the garage. They need the garage. It's Connecticut, it

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Speaker 1: gets cold, it's winter, you know, be easier to have

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Speaker 1: a garage to get it in the morning and be

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Speaker 1: low warmer right from the car and there right, but

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Speaker 1: the jeep's always out for always, and the winner they

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Speaker 1: get in the morning, they're both freezing their dukies off, right,

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Speaker 1: you know what I mean? Wait, I'm jumping ahead, but

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Speaker 1: we need to. I did not remember that Zack flirted

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Speaker 1: with Laurela. Oh my god, I forgot ah. Yeah, was sick, Laurel.

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Speaker 1: I was funny. She said she was going to go

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Speaker 1: called Tipper Gore. Good pop culture situation going back a

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Speaker 1: little bit. So we kind of been I mean, he

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Speaker 1: even he even said to Rory. He says your mom?

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Speaker 1: What did he say? It's like, why didn't Rory go gross?

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Speaker 1: What's your what's your problem? You know, it's like, but

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Speaker 1: she just used to that. Do you think she's used

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Speaker 1: to that? Yeah? I think I do think somewhat. So

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Speaker 1: she kind of takes it and stride because you know,

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Speaker 1: you know, the high school kids used to hit on

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Speaker 1: my mom all the time when I was in high

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Speaker 1: school and then when I got older and go away

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Speaker 1: or I'm going to destroy your leak, now go away, right,

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Speaker 1: And they aren't like schoolmates. I don't. I don't get

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Speaker 1: the vibe that Zach goes to the stars Hollow High,

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Speaker 1: does he see older? I was always getting an impression

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Speaker 1: that he's a little bit older. So I think she's

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Speaker 1: the less like creeped out by You're probably right, Yeah,

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Speaker 1: you're probably she probably is, Like he's not a he's

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Speaker 1: not a high school student. I don't think. I don't

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Speaker 1: think so. But where did Davey go? I don't know.

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Speaker 1: But where did Lane find Zack? They all met in

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Speaker 1: the newspaper ad or like the newspaper ad that's how

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Speaker 1: they found her. So they actually found her and Dave

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Speaker 1: had found the other guys. So these are guys from

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Speaker 1: other towns or something. Yeah, all right, okay, musicians. We

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Speaker 1: get to quickly realize the friction between Luke and Taylor

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Speaker 1: as Taylor is continuing to build the soda shop or

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Speaker 1: as I like to say, shoppy because it's and they've

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Speaker 1: got some friction. And that scene with Taylor was hilarious.

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Speaker 1: Stop get off my sock, Get off my saw, Get

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Speaker 1: away from my saw, Taylor. Yeah, yeah, your typical Taylor.

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Speaker 1: Luke sinic, but it did bear some fruit for old

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Speaker 1: Lukie lawyer. You know, as much as he complained about

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Speaker 1: the noise and the sawdust man, there's he has game.

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Speaker 1: Luke has game. Oh I don't think so he but

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Speaker 1: you know what, wait a minute, wait a minute, he

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Speaker 1: does have game. He did, he was he was appropriately

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Speaker 1: sarcastic with the with throwing it all way. So I

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Speaker 1: wouldn't want you to lose your license. I mean, that's

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Speaker 1: that's a cool customer right there. But then he got

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Speaker 1: all nervous, right right, It's like he started tying up

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Speaker 1: with that provided a nice light moment of comedy for him. Um,

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Speaker 1: he just got I don't know why I got tongue

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Speaker 1: tied when he was kind of being so cool there

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Speaker 1: for three for three quarters of right, he was got

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Speaker 1: tongue tidy. But maybe that's the moment he thought, Jesus,

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Speaker 1: this is a sacred space for Laura line and I

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Speaker 1: I'm violating something and I can't say the words as

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Speaker 1: much as I want to because I'm trying to be

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Speaker 1: the cool guy and she's going out with this dude,

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Speaker 1: and I'm teaching how to fish like an idiot. Again,

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Speaker 1: I'm trying to play cool. You know you think that

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Speaker 1: finding out about Alex pushed you towards Nicole? Ay, oh,

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Speaker 1: no question, no question about no question about it. Yeah so,

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Speaker 1: but but my but my question is now it's you know,

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Speaker 1: we're halfway into season three. Why isn't he asking Laura?

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Speaker 1: Why isn't he making a play? I don't know, come on, guy,

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Speaker 1: I mean he's just like letting it go at this point, right,

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Speaker 1: But yet not because he's like, oh, I'll come over

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Speaker 1: to your house, I'll help you, Like he's always dropping

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Speaker 1: the hints. Maybe he thinks that Jess is going to

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Speaker 1: further and mesh him into Laurelized life. Maybe he's waiting

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Speaker 1: for that moment where he's seen as this really responsible,

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Speaker 1: good sort of a stand in father, step father whatever,

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Speaker 1: the interesting theory. So he feels like he has time,

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Speaker 1: like he doesn't have to really overtly go, so it

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Speaker 1: will happen organically, because I think that's kind of how

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Speaker 1: he likes it, because we see how and you can

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Speaker 1: handle the situation. Got a little tongue tied, But I

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Speaker 1: think he got tongue tied because he felt like he

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Speaker 1: was almost cheating on He wanted to do it, but

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Speaker 1: he's like fighting for his independence somehow. It's like I

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Speaker 1: can to prove to himself that he doesn't need Laurealize

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Speaker 1: so much, and we're gonna find out that he does

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Speaker 1: right right, And it's like he feels like he's got

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Speaker 1: all the time in the world to get laurel I.

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Speaker 1: But then when she dates someone, I think it panics him.

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Speaker 1: So instead of saying like, no, stop dating someone else,

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Speaker 1: I want to date you, it's like it pushed him

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Speaker 1: in the other direction to ask out Nicole. Very interesting

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Speaker 1: reactions because you have the opportunity there by the pool,

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Speaker 1: the kiddie pool, to just be like, are you going

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Speaker 1: out with this guy? We should date? Yeah? You know,

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Speaker 1: it's a fine balance with what Luke does to get

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Speaker 1: the information. I mean, he's asking the inappropriate none of

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Speaker 1: your business questions, pal that that bespeak of an insecurity

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Speaker 1: Yet he doesn't come off that way, right, So accurate,

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Speaker 1: isn't he something? Yes? And she's sort of like, oh,

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Speaker 1: I don't tell you about my personal life, and it's

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Speaker 1: you literally tell him everything about your personal life. What

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Speaker 1: are you talking about? Right? Right? And and and he

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Speaker 1: turns the tables on her because she's looking at because

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Speaker 1: he's not showing his cards, he's not showing his aunt

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Speaker 1: close to everything is close to the best. And it

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Speaker 1: gets to the point in that scene where she's looking

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Speaker 1: at him like, oh, I wonder why he is reacting.

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Speaker 1: I thought he would react her she was. I think

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Speaker 1: she wants to go out with this guy. En likes him,

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Speaker 1: you know, but she likes look at She wants a reaction.

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Speaker 1: She wants some kind of jealous reaction. That Luke is

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Speaker 1: an option. Oh forgot. I think maybe subconsciously somewhere she

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Speaker 1: thinks maybe they have a connection, but I'm not sure

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Speaker 1: she actually knows a hundred and ten percent like Luke

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Speaker 1: is an option for me. He never asked her out.

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Speaker 1: I'll tell you man. He uh man that is a

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Speaker 1: stone wall, isn't he He's just a Guy's just a stone.

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Speaker 1: He's made of stone. He doesn't react. He he's just

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Speaker 1: playing it cool with her. But he's no, he's dying

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Speaker 1: inside totally. You can see it in your face. That's

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Speaker 1: why I think you're acting is so like, excellent on

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Speaker 1: this show. Not to toot your own not to toot

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Speaker 1: your horn. I don't because you were heading into towns.

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Speaker 1: You guys are by the pool and watch this scene again.

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Speaker 1: Your face is sad when you find out, like you're like, oh,

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Speaker 1: but only for one moment, yes, and then you kind

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Speaker 1: of and start asking some other questions. And I intentionally

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Speaker 1: do not want to show that. Just let it leak

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Speaker 1: out a little bit. That's it. It's just a stare.

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Speaker 1: It's just a little bit of a stare forward that

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Speaker 1: she can't see yeah, or she actually did notice that.

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Speaker 1: It does work. You don't need to do much because

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Speaker 1: it's already written, it's already in the scene, it's already

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Speaker 1: in the play, so you don't need to act it.

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Speaker 1: But it's breaking. That was painful for me. I'm like,

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Speaker 1: oh no, and I sort of like, Alex, what do

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Speaker 1: you think of him. Yeah, I like him. I think

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Speaker 1: he's a cool dude, you know, and um, yeah, I

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Speaker 1: don't know that he's right right for her, but I

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Speaker 1: think he's I think he's smart enough and cool enough

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Speaker 1: and you know, he's hip enough and all that too

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Speaker 1: to keep but can you keep up with her? I

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Speaker 1: don't know. What do you guys think of him? I

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Speaker 1: don't think so. I think I think he's cool and

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Speaker 1: I think he's like super like he's a fun character

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Speaker 1: to watch on TV. But for Laura, like Gilmartin, no, yeah,

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Speaker 1: I agree, like he's great for a couple episodes, just

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Speaker 1: to get that vibe. Yet I'm still in on the guy.

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Speaker 1: When he said I have two kids six and nine

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Speaker 1: years old, I was like, he's out. I don't know

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Speaker 1: him more in really yeah, he's dad. He works hard.

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Speaker 1: He's a very involved dad. Right, she's like thinking she's

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Speaker 1: going to be raising two kids. She doesn't seem to

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Speaker 1: be like, she doesn't skip steps like that, She's just present.

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Speaker 1: I didn't think that was detrimental. I thought that that

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Speaker 1: was okay. I think the thing that god or was

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Speaker 1: the I'm an outdoorsy guy and I like the fish.

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Speaker 1: He knew right, he's got games. Speaking of game, I

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Speaker 1: think he smooth. He is, He's a smooth criminal that one. Yeah,

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Speaker 1: with Rory, he's not annoying. Yeah, I like him. Yeah, yeah,

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Speaker 1: he's he's too. I like him just so far. He's

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Speaker 1: my favorite one. Yeah, so far, of all the of

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Speaker 1: all the guys they're throwing at us, I like him

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Speaker 1: the best, you know, because I think he can handle her.

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Speaker 1: He's smart enough, and I think she I think he

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Speaker 1: calms her down a little bit because he's so chill, right,

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Speaker 1: He's a mellow cats and you know, he's he's he's

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Speaker 1: he's a shock dude. But he's just not you know,

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Speaker 1: he's not getting caught up in her rhythm, which is

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Speaker 1: what I like about him as an actor, because it's

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Speaker 1: like he's trying to He's got the Rigolski thing. He's

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Speaker 1: got the Adam Brody thing where it's very distinctive and

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Speaker 1: he he sort of marches to his own drummer and

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Speaker 1: he and he's keeping his own rhythm. Yeah. I agree that.

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Speaker 1: That's another thing that I realized about Adam Brody. You

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Speaker 1: would recognize his voice anywhere he was. So that's what

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Speaker 1: makes him a star. That's what makes distinctive, and I

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Speaker 1: think I think Billy Burke has has that too. I

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Speaker 1: think he's got a lot of that um where he

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Speaker 1: opens his mouth and it's like, oh, that's Billy Burke,

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Speaker 1: you know what I mean. It's so interesting. So I'm

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Speaker 1: rewatching four, which in season two Billy Burke is also in,

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Speaker 1: and it's around same time. I mean, we're we're in

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Speaker 1: two thousand three, and I think twenty four was maybe

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Speaker 1: just four if I'm right. I don't know. I never

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Speaker 1: watched it. And he plays such jerk, bad, bad, bad,

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Speaker 1: bad guy, and I kind of hate that guy and

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Speaker 1: love this guy, which to me is a good actor

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Speaker 1: because I'm not confusing them and I'm not confusing them

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Speaker 1: with the Real guy or the Twilight guy. I'm just

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Speaker 1: show showing that range. I'm just like, this is Alex Okay. See,

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Speaker 1: he's a perfect example of an actor that doesn't push.

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Speaker 1: He's just relaxed and he's being himself. And he knows that,

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Speaker 1: you know, even without some kind of you know, star

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Speaker 1: spangled banner personality popping all over the place, you're still

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Speaker 1: unique no matter what your vibe is. So if you're

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Speaker 1: just yourself, he understands that about himself, so he's just

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Speaker 1: kind of easing into the role, not pushing, and it's

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Speaker 1: kind of nice, nice vibe. It's a nice thing to watch. Quickly,

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Speaker 1: before we move on from Adam Brody, what did you

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Speaker 1: think of their polam where Adam Brody's like mean to

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Speaker 1: Lane David galskis her so that no one will know.

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Speaker 1: It's like a middle school, high school thing. But it

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Speaker 1: was hysterical. It was really funny. It was really because

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Speaker 1: I didn't really get it. And then she said, that's

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Speaker 1: really funny. Didn't want the guys to know they were dating.

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Speaker 1: So I guess that's because he didn't trust those guys

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Speaker 1: to not tell Mrs Kim and blow it. Or I

357
00:22:41,280 --> 00:22:43,960
Speaker 1: think it's weird for the band, and like weird for

358
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Speaker 1: the bands. You know, it was that Fleetwood Mac a

359
00:22:49,119 --> 00:22:52,320
Speaker 1: bit maybe you think you a a little bit well, I

360
00:22:52,359 --> 00:22:57,520
Speaker 1: mean they did very well, you know what I mean? Look,

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Speaker 1: you know, all I can think about though, when I

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Speaker 1: watched these episodes when they're wearing the vest and the

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Speaker 1: cords and the hat and the gloves, is just like, oh,

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00:23:06,400 --> 00:23:12,199
Speaker 1: these poor people are sweaty. Yeah, there's actually snow this

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Speaker 1: episode no more focused Degree two hundred and fifty degrees

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Speaker 1: that day. Yes, let me tell you. Um and the

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Speaker 1: human body just shuts down in that type of weather.

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Speaker 1: I don't know how we did that. I don't know

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Speaker 1: that I could do that today. That is just unbelievable.

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Speaker 1: What are there lights on top of like it being hot? Like,

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Speaker 1: are there lights? There's the outdoor stuff. There aren't as

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Speaker 1: many lights. It's a lot of natural light, but there

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Speaker 1: are some right but indoors. Yeah, you're just getting fried

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Speaker 1: like a like a chicken. You're just like a like

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00:23:51,760 --> 00:23:55,080
Speaker 1: you're a Thanksgiving turkey man. You're just getting roasted. Yeah,

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00:23:55,440 --> 00:23:59,840
Speaker 1: you know. I have to mention because I think this

377
00:24:00,000 --> 00:24:02,159
Speaker 1: scene is coming next when they go into the beauty

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00:24:02,200 --> 00:24:10,240
Speaker 1: supply store, I actually like almost had a moment of longing.

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00:24:11,240 --> 00:24:14,760
Speaker 1: So in the beauty supply store is this thing called

380
00:24:14,960 --> 00:24:18,000
Speaker 1: So the brand was Benefit and it was called like

381
00:24:18,080 --> 00:24:19,840
Speaker 1: it was like a poof and it had a name.

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00:24:19,880 --> 00:24:23,560
Speaker 1: I'm trying to look it up. It was the body

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00:24:23,600 --> 00:24:29,680
Speaker 1: glitter and it has been discontinued. So when I saw

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Speaker 1: it in the scene, I here it is I Benefit

385
00:24:34,119 --> 00:24:38,919
Speaker 1: kitten Shimmer. Look did you guys notice it? I lost

386
00:24:39,080 --> 00:24:42,800
Speaker 1: my mind because they don't Benefit discontinued this and it

387
00:24:42,880 --> 00:24:44,879
Speaker 1: was featured in the scene and then they used it

388
00:24:44,920 --> 00:24:50,120
Speaker 1: on the bride and it's like body glitter. I somehow

389
00:24:50,160 --> 00:24:55,920
Speaker 1: that escaped my purview. Okay, so this it's like that

390
00:24:56,040 --> 00:25:00,200
Speaker 1: I didn't it was the best product ever invent hit

391
00:25:00,680 --> 00:25:03,359
Speaker 1: and I don't know why Benefit discontinued it to the

392
00:25:03,359 --> 00:25:06,720
Speaker 1: point where I bought someone eBay, which is like actually disgusting.

393
00:25:06,800 --> 00:25:10,560
Speaker 1: I don't even know, Like I literally was buying cosmetics

394
00:25:10,600 --> 00:25:13,199
Speaker 1: from like a random person, Like it's so gross that

395
00:25:13,240 --> 00:25:15,160
Speaker 1: I did it. But I was so desperate for this.

396
00:25:16,480 --> 00:25:21,879
Speaker 1: I couldn't believe it. It was so prominently in the store.

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00:25:23,600 --> 00:25:28,080
Speaker 1: Why did they discontinue crap? I don't know. I don't

398
00:25:28,119 --> 00:25:40,240
Speaker 1: know if anyone listening from Benefit here just bring it back. Yeah,

399
00:25:40,440 --> 00:25:42,199
Speaker 1: I don't know. I thought that was an amazing like

400
00:25:42,240 --> 00:25:45,280
Speaker 1: that was a that beauty supply store is I have

401
00:25:45,320 --> 00:25:48,080
Speaker 1: a question about that beauty supply store. Does Kirk just

402
00:25:48,160 --> 00:25:51,359
Speaker 1: like is he just everywhere? Like I thought that was

403
00:25:51,480 --> 00:25:56,600
Speaker 1: Shane's job, and Shane just got booted and Sane I

404
00:25:56,680 --> 00:25:58,720
Speaker 1: kind of wish she was working there. When they walked in,

405
00:25:59,440 --> 00:26:03,800
Speaker 1: I thought there's to be an ugly confrontation. Yeah, but

406
00:26:03,960 --> 00:26:06,719
Speaker 1: Kirk was so genius. Did you like him working in there?

407
00:26:06,800 --> 00:26:08,720
Speaker 1: Given the sample? Yeah, he wants that, he wants a

408
00:26:08,760 --> 00:26:15,080
Speaker 1: review of the face mask. That's such a that was

409
00:26:15,119 --> 00:26:19,160
Speaker 1: such a brilliant scene. I am really happy for Lane

410
00:26:19,160 --> 00:26:23,960
Speaker 1: though she can like she's trying to convince her mom

411
00:26:23,960 --> 00:26:26,480
Speaker 1: to go to Problem. Like she's making moves now, But

412
00:26:27,000 --> 00:26:30,520
Speaker 1: it was tragic at the end. I mean, yes, but

413
00:26:30,560 --> 00:26:32,520
Speaker 1: I don't feel like we're making a little bit of

414
00:26:32,520 --> 00:26:35,560
Speaker 1: progress with Lane. There's a lot that was wrong with

415
00:26:35,600 --> 00:26:40,240
Speaker 1: this episode, as good as it was, just like like

416
00:26:40,359 --> 00:26:43,560
Speaker 1: just I just feel like, oh my god, this was

417
00:26:43,680 --> 00:26:49,280
Speaker 1: so two thousand three, with like the arranged marriages, like

418
00:26:49,840 --> 00:26:52,680
Speaker 1: the uh you can't take this guy to Problem because

419
00:26:52,680 --> 00:26:56,000
Speaker 1: he's Korean. I was just like, oh my god. I

420
00:26:56,080 --> 00:26:59,800
Speaker 1: just kept cringing watching those things and like, oh, so

421
00:27:00,080 --> 00:27:02,840
Speaker 1: what is the deal. So these are all relatives of

422
00:27:03,000 --> 00:27:07,280
Speaker 1: Mrs Kim right that are getting married at the antique store, right,

423
00:27:07,400 --> 00:27:11,960
Speaker 1: so siblings, kids or something like right, So so they're

424
00:27:11,960 --> 00:27:20,080
Speaker 1: all coming there like everybody comes venue. I guess because

425
00:27:21,480 --> 00:27:24,399
Speaker 1: I was like, this is the last one for a while.

426
00:27:24,600 --> 00:27:28,000
Speaker 1: I don't think is that is that an extra revenue stream?

427
00:27:28,040 --> 00:27:30,040
Speaker 1: For Mrs Kim. I mean she's got to be charging.

428
00:27:30,640 --> 00:27:33,800
Speaker 1: Maybe it's the space to have the chair, but where

429
00:27:33,840 --> 00:27:35,440
Speaker 1: is all that? Where is she putting all the antiques?

430
00:27:35,440 --> 00:27:37,280
Speaker 1: Like she's moving out of the way, Like don't remember

431
00:27:37,280 --> 00:27:40,960
Speaker 1: those episodes where they're like climbing through like on maybe

432
00:27:40,960 --> 00:27:46,359
Speaker 1: the front lawn. It's so bizarre, It's really bizarre. But

433
00:27:46,440 --> 00:27:49,240
Speaker 1: why so, like why aren't they like you know, going

434
00:27:49,280 --> 00:27:52,160
Speaker 1: to country clubs and doing it? And I don't get

435
00:27:52,480 --> 00:27:59,879
Speaker 1: our fancy No Thanksgiving was in the same place. Family

436
00:28:00,040 --> 00:28:04,360
Speaker 1: bens there, Yeah, Thanksgiving you and that and that. That

437
00:28:04,400 --> 00:28:08,119
Speaker 1: bride just sat there the entire time and this is speechless.

438
00:28:08,280 --> 00:28:12,840
Speaker 1: And then teenagers do your makeup for a way? Right?

439
00:28:13,520 --> 00:28:15,959
Speaker 1: And she and she didn't understand a word of English, right,

440
00:28:17,800 --> 00:28:21,000
Speaker 1: and they're just Korean? Is not great. I don't think

441
00:28:22,359 --> 00:28:24,960
Speaker 1: like that as much as I've got right, which is

442
00:28:25,000 --> 00:28:27,679
Speaker 1: shocking because you would think like Mrs Kim with teacher

443
00:28:27,720 --> 00:28:29,960
Speaker 1: from a young age, with how strict she is, right

444
00:28:30,400 --> 00:28:33,240
Speaker 1: And what did Mrs Kim wipe off the bride's face

445
00:28:33,359 --> 00:28:41,200
Speaker 1: during the ceremony? What was she looking for? The benefit kitten?

446
00:28:41,720 --> 00:28:44,240
Speaker 1: The benefit kitten. I don't know why they were putting

447
00:28:44,240 --> 00:28:46,320
Speaker 1: it on her face though it's not even for the face.

448
00:28:46,360 --> 00:28:50,959
Speaker 1: They sort of mess that up. It's really for the body. Okay,

449
00:28:51,000 --> 00:28:53,680
Speaker 1: I lived for that stuff. Oh my god, Yeah I missed.

450
00:28:53,720 --> 00:28:58,200
Speaker 1: I missed a big moment there. Sorry, how Suki Jackson

451
00:28:58,240 --> 00:29:05,080
Speaker 1: thinking Szuki loves frogs? Thinkaus are all the prog figuring

452
00:29:05,320 --> 00:29:09,920
Speaker 1: it is a real thing like this happens in relationship.

453
00:29:09,960 --> 00:29:12,400
Speaker 1: Does your husband think you love something that you do

454
00:29:12,440 --> 00:29:15,120
Speaker 1: not love at all? The Green Bay Packers, Like he

455
00:29:16,680 --> 00:29:18,680
Speaker 1: I didn't have an NFL team because I grew up

456
00:29:18,680 --> 00:29:20,360
Speaker 1: in so Cow and we didn't have one until the

457
00:29:20,440 --> 00:29:24,120
Speaker 1: Rams and Chargers came here. So I when I started

458
00:29:24,200 --> 00:29:26,560
Speaker 1: dating him, I was like, oh, yeah, I don't have

459
00:29:26,600 --> 00:29:28,800
Speaker 1: a professional football teams, Like, well, you gotta learn to

460
00:29:28,840 --> 00:29:31,360
Speaker 1: love the Packers, like that's what my family likes. And

461
00:29:31,400 --> 00:29:32,520
Speaker 1: then I think it went to like a game and

462
00:29:32,520 --> 00:29:35,160
Speaker 1: I was like it lots of Packers and it's just

463
00:29:35,440 --> 00:29:43,440
Speaker 1: endless you guys letters pajam like literally, Jonathan has kind

464
00:29:43,480 --> 00:29:46,280
Speaker 1: of tapered off from it, but his family, God bless

465
00:29:46,360 --> 00:29:53,960
Speaker 1: my mom. Aaron Rodgers, that's pretty good. Yeah, I got

466
00:29:54,000 --> 00:30:00,400
Speaker 1: the quarterback? Where's Gronk? Where not are tired? When he

467
00:30:00,480 --> 00:30:04,120
Speaker 1: came back with the Yeah, he came back. He was

468
00:30:04,160 --> 00:30:08,000
Speaker 1: with the Patriots with Tom Brady, and he went to

469
00:30:08,040 --> 00:30:12,480
Speaker 1: the Yeah, he went with Brady. Yeah, Danielle, it's a

470
00:30:12,560 --> 00:30:17,360
Speaker 1: it's a thing my Green Bay Packers are Suki's frogs

471
00:30:17,240 --> 00:30:19,280
Speaker 1: or something that your wife thinks you love that you

472
00:30:19,320 --> 00:30:31,520
Speaker 1: don't even care about. Is there something god um like

473
00:30:31,720 --> 00:30:34,120
Speaker 1: you like? Your meat loaf is so delicious and then

474
00:30:34,120 --> 00:30:38,800
Speaker 1: she makes it all the time. Oh no, that doesn't happen. No,

475
00:30:39,600 --> 00:30:47,480
Speaker 1: I wish I could um go for some meat loaf.

476
00:30:48,040 --> 00:30:53,280
Speaker 1: You know, don't let your meat loaf? Does she say

477
00:30:53,360 --> 00:30:57,280
Speaker 1: you own the diner you cook? Did she ever throw

478
00:30:57,360 --> 00:31:01,239
Speaker 1: that at you? Listen? I enjoy king, I do. I

479
00:31:01,320 --> 00:31:04,640
Speaker 1: really do enjoy it. It relaxes me. It really relaxes me.

480
00:31:04,760 --> 00:31:08,800
Speaker 1: And it's for me. It's very creative and excuse me,

481
00:31:08,880 --> 00:31:11,560
Speaker 1: I really like it. I really like it. So bad

482
00:31:11,600 --> 00:31:15,440
Speaker 1: at it, like so bad at it, like everything she's disgusting.

483
00:31:16,120 --> 00:31:21,440
Speaker 1: That's how I got her. I cooked for you. She

484
00:31:21,600 --> 00:31:23,840
Speaker 1: was very impressed with that. I thought, well, I gotta

485
00:31:23,880 --> 00:31:27,560
Speaker 1: I gotta keep feeding you know that you were luke

486
00:31:28,080 --> 00:31:30,680
Speaker 1: or was she like I've never seen this show? Not? No, No,

487
00:31:30,840 --> 00:31:35,000
Speaker 1: I met her before I went off to Vancouver to

488
00:31:35,000 --> 00:31:38,200
Speaker 1: shoot the pilot. No wait, only so she knew you

489
00:31:38,240 --> 00:31:43,080
Speaker 1: when you were just like the sponge guy. She didn't

490
00:31:43,080 --> 00:31:48,360
Speaker 1: even know that. Sorry, I was just that a sponge guy.

491
00:31:48,400 --> 00:31:54,080
Speaker 1: I don't know the sign filled was sponge worthy for

492
00:31:54,080 --> 00:32:02,800
Speaker 1: for what's her name? Elaine? Yeah, Elaine Bennice. Um, remember Jerry,

493
00:32:03,000 --> 00:32:09,480
Speaker 1: it's not lying if you believe it. Um. So there's

494
00:32:09,520 --> 00:32:12,520
Speaker 1: this iconic episode of Seinfeld that Scott was on before

495
00:32:12,640 --> 00:32:15,600
Speaker 1: Gilmore Girls. It was like kind of right before, right,

496
00:32:16,680 --> 00:32:21,040
Speaker 1: it was like six or nineties, sevens, like five years maybe, yeah,

497
00:32:21,160 --> 00:32:24,160
Speaker 1: really jump started my career. That one really jumped started

498
00:32:24,160 --> 00:32:28,720
Speaker 1: in my Um think we get comments in the Instagram

499
00:32:28,720 --> 00:32:32,560
Speaker 1: where they're like, one day you guys have to rewatch episode.

500
00:32:32,800 --> 00:32:36,800
Speaker 1: Well do that, We will do that that that'll be hilarious.

501
00:32:36,960 --> 00:32:39,680
Speaker 1: That will be hilarious. But anyway, um, no, no no, no,

502
00:32:39,760 --> 00:32:43,520
Speaker 1: I met her. I was teaching acting in Hollywood and

503
00:32:43,600 --> 00:32:46,280
Speaker 1: she was a student in another class in the same complex,

504
00:32:46,320 --> 00:32:50,720
Speaker 1: and we just you know, she to owe her a lot.

505
00:32:51,000 --> 00:33:04,200
Speaker 1: She she rode the ride with you. Fantastic, fantastic woman, fantastic.

506
00:33:06,280 --> 00:33:12,040
Speaker 1: Ye oh, you guys, we have to talk about the

507
00:33:12,080 --> 00:33:17,320
Speaker 1: Paris Rory fight and when she says tell it, tell

508
00:33:17,320 --> 00:33:20,560
Speaker 1: it to the time ex salesman, there was some good

509
00:33:20,600 --> 00:33:27,280
Speaker 1: banter in that ridiculous fight teaching Rory in high school.

510
00:33:28,520 --> 00:33:32,000
Speaker 1: She accused Rory of high crimes and misdemeanors and espionage.

511
00:33:32,880 --> 00:33:35,200
Speaker 1: What the hell did she do? She just she talked.

512
00:33:35,280 --> 00:33:40,080
Speaker 1: She got duped into sharing information with Francine right right,

513
00:33:40,360 --> 00:33:43,320
Speaker 1: Like in this episode, By the way, I'm so happy

514
00:33:43,360 --> 00:33:45,360
Speaker 1: that Francie was out in Paris, was back to being

515
00:33:45,360 --> 00:33:47,480
Speaker 1: the mean girl. Like it just made it so much better.

516
00:33:48,480 --> 00:33:53,200
Speaker 1: You were done with Francie over her. Yeah, what did

517
00:33:53,240 --> 00:33:56,920
Speaker 1: you think of the Paris Rory stuff? I thought it

518
00:33:56,960 --> 00:34:00,640
Speaker 1: was really great. I didn't think it was horribly I

519
00:34:00,680 --> 00:34:05,800
Speaker 1: thought Alexis stole that stuff. I thought Rory's character was

520
00:34:05,920 --> 00:34:11,360
Speaker 1: funny and justified and attacked and defended. Well, so I

521
00:34:11,440 --> 00:34:14,120
Speaker 1: was rooting for her, and I think that I think

522
00:34:14,120 --> 00:34:19,560
Speaker 1: that Paris and Liza had a thankless job. Like I'm

523
00:34:19,600 --> 00:34:23,040
Speaker 1: going to look really bad here, but I'm committing to

524
00:34:23,160 --> 00:34:27,759
Speaker 1: looking really bad and ridiculous and paint and mean and

525
00:34:28,800 --> 00:34:36,120
Speaker 1: insane and grading um and disloyal and you know, just

526
00:34:36,640 --> 00:34:39,240
Speaker 1: just every bad quality you can think of. But that's

527
00:34:39,560 --> 00:34:42,839
Speaker 1: kind of her job, right, is to make Roy look good,

528
00:34:42,880 --> 00:34:45,560
Speaker 1: and she made Roy look really good. I also love

529
00:34:45,600 --> 00:34:47,719
Speaker 1: that while they're having the fight, Louise and Madeline are

530
00:34:47,760 --> 00:34:55,799
Speaker 1: just talking about this dude like Tuesday, saying, these two

531
00:34:55,880 --> 00:35:00,360
Speaker 1: just brawling. Yeah it was. And but I thought, uh,

532
00:35:01,680 --> 00:35:07,800
Speaker 1: Headmaster Charlton's speech to them, he was probably the best

533
00:35:08,400 --> 00:35:13,000
Speaker 1: moment in the entire episode. Yeah, I thought he wins.

534
00:35:13,360 --> 00:35:18,160
Speaker 1: He wins the speech acting prize. I think that dialogue

535
00:35:18,320 --> 00:35:22,520
Speaker 1: was just spot on. It just nailed it. So I

536
00:35:22,960 --> 00:35:26,040
Speaker 1: like that moment the best because it really the pressure

537
00:35:26,080 --> 00:35:29,520
Speaker 1: was building up between these two and they really did.

538
00:35:29,920 --> 00:35:32,160
Speaker 1: He really did need to drop the hammer on both

539
00:35:32,160 --> 00:35:36,000
Speaker 1: of them. And when it was super authentic and when

540
00:35:36,040 --> 00:35:39,600
Speaker 1: you say something like I've already written let a recommendation

541
00:35:39,640 --> 00:35:43,200
Speaker 1: to Harvard, and I can write a second one correcting

542
00:35:43,239 --> 00:35:48,640
Speaker 1: my mistake, and that was like, wow, I will wipe

543
00:35:48,640 --> 00:35:52,960
Speaker 1: out your future if you don't start acting like people

544
00:35:53,000 --> 00:35:56,600
Speaker 1: who are worthy of my recommendation. And it's just like yes.

545
00:35:57,280 --> 00:35:59,439
Speaker 1: And also the dig after where he was like, how

546
00:35:59,520 --> 00:36:03,480
Speaker 1: on earth will you survive in college? Exactly if you

547
00:36:03,640 --> 00:36:06,759
Speaker 1: count handle it here, And that's what I read them

548
00:36:06,800 --> 00:36:09,680
Speaker 1: so much. I think I actually jumped off the couch

549
00:36:09,719 --> 00:36:13,920
Speaker 1: and went, yeah, head master, No, I didn't like, like

550
00:36:14,080 --> 00:36:18,839
Speaker 1: scoring a touchdown like a Green Bay packer. That's what

551
00:36:18,880 --> 00:36:25,120
Speaker 1: I like. Fist pump. No, but I really thought that

552
00:36:25,120 --> 00:36:28,320
Speaker 1: that was definitely the fist pump moment of the entire episode.

553
00:36:29,080 --> 00:36:33,920
Speaker 1: It was a wonder It was a wonderful crescendo of

554
00:36:33,920 --> 00:36:36,720
Speaker 1: of a of a narrative. I loved it. I really

555
00:36:36,760 --> 00:36:40,400
Speaker 1: loved it. And you know, Rory and and and Paris

556
00:36:40,600 --> 00:36:43,799
Speaker 1: really helped get us to that moment because if they're

557
00:36:44,040 --> 00:36:46,799
Speaker 1: because if they're not sopping at the mouth, then he

558
00:36:47,040 --> 00:36:52,680
Speaker 1: his his is less effective. Right. But it was just wonderful, wonderful, wonderful. Great.

559
00:36:53,040 --> 00:36:55,520
Speaker 1: So let's go to the scene we've we've touched on

560
00:36:55,520 --> 00:36:59,440
Speaker 1: it obviously, but where you meet Nicole Lahy for the

561
00:36:59,480 --> 00:37:01,319
Speaker 1: first time in the dinner. Let's talk about that for

562
00:37:01,440 --> 00:37:04,759
Speaker 1: just a minute again. Did it come back to immediately,

563
00:37:04,840 --> 00:37:08,959
Speaker 1: Oh my god, this is gonna become my love interest? Yeah? Sure, yeah,

564
00:37:09,000 --> 00:37:10,759
Speaker 1: we did. We did a couple I don't know how

565
00:37:10,760 --> 00:37:13,319
Speaker 1: many episodes we did together, but it seemed like more

566
00:37:13,360 --> 00:37:16,759
Speaker 1: than three. It's like a handful. Yeah, yeah, but it

567
00:37:16,840 --> 00:37:20,239
Speaker 1: was good. It was all fun. It was great. Um, god,

568
00:37:20,320 --> 00:37:22,400
Speaker 1: we work late nights. I remember being in there at

569
00:37:22,719 --> 00:37:26,719
Speaker 1: to three am with her in the dinner. Yeah, whoa, yeah,

570
00:37:26,800 --> 00:37:29,200
Speaker 1: there were there were some late Friday nights working in

571
00:37:29,680 --> 00:37:34,760
Speaker 1: with some of those scenes. Yeah, right off the bat ladies, ladies,

572
00:37:34,800 --> 00:37:39,080
Speaker 1: maybe Tar and Daniel first, do you like Nicole lahy?

573
00:37:40,280 --> 00:37:44,040
Speaker 1: Do you did? We never miss what's your douzy? I

574
00:37:44,040 --> 00:37:48,360
Speaker 1: can't even think of her name, the photographer girl, the

575
00:37:48,360 --> 00:37:52,520
Speaker 1: one who had Jack Lorela, I have the jacket, the world,

576
00:37:52,560 --> 00:37:56,759
Speaker 1: the world traveler, the photo journalists. Never even think of her.

577
00:37:57,520 --> 00:38:01,520
Speaker 1: That was her name? What was her name? She was

578
00:38:01,560 --> 00:38:06,720
Speaker 1: a cute lady. Like we've never mentioned her after she left,

579
00:38:07,280 --> 00:38:10,000
Speaker 1: we've never mentioned her ever again. Right, well, there's too

580
00:38:10,120 --> 00:38:12,759
Speaker 1: much going on, you know, who's got time to go back.

581
00:38:13,120 --> 00:38:15,640
Speaker 1: But we still, like, you know, try to try to

582
00:38:15,680 --> 00:38:18,560
Speaker 1: revive dead fish, you know, bring up Max every once

583
00:38:18,560 --> 00:38:27,760
Speaker 1: in a blue moon. Yeah, that's Rael, Rachel. So Nicole

584
00:38:27,800 --> 00:38:31,600
Speaker 1: a he and she comes. She was fine. I don't

585
00:38:31,640 --> 00:38:37,080
Speaker 1: know why. I'm I'm just much more excited about lower

586
00:38:37,160 --> 00:38:39,319
Speaker 1: Lie and Alex for some reason. I don't know. Yeah,

587
00:38:39,320 --> 00:38:41,480
Speaker 1: I don't know. Maybe a need therapy. I don't want

588
00:38:41,520 --> 00:38:47,000
Speaker 1: the play. Yeah, I'm more excited for Luke just because

589
00:38:47,080 --> 00:38:49,799
Speaker 1: I feel like I want to Luke to like have

590
00:38:49,920 --> 00:38:52,560
Speaker 1: some fun. Yeah, I wanted him to like and I

591
00:38:52,800 --> 00:38:56,759
Speaker 1: love that she's so different than him, Like there's something

592
00:38:56,760 --> 00:38:59,200
Speaker 1: about that. I think it's cool because Luka is so

593
00:38:59,320 --> 00:39:04,560
Speaker 1: laid back hill, like you know, wearing flannels and backwards hats,

594
00:39:04,640 --> 00:39:06,759
Speaker 1: and she's like in her pencil skirt with you know,

595
00:39:06,920 --> 00:39:09,719
Speaker 1: like all the things, and I just I don't know,

596
00:39:09,880 --> 00:39:13,800
Speaker 1: I love It's almost it's almost like, you know, she's

597
00:39:13,840 --> 00:39:17,440
Speaker 1: she's too professional and too educated for me, and Laurelize

598
00:39:17,520 --> 00:39:21,480
Speaker 1: too professional and educated for Billy Burke. So maybe Laurel

599
00:39:21,760 --> 00:39:23,719
Speaker 1: and the lawyer should get together and me and Billy

600
00:39:23,800 --> 00:39:26,080
Speaker 1: Burken hang out and could all be good friends. I

601
00:39:26,080 --> 00:39:27,760
Speaker 1: don't know, you know what I mean. It just doesn't

602
00:39:27,920 --> 00:39:31,399
Speaker 1: like neither seems to be a good match from the out.

603
00:39:31,560 --> 00:39:36,640
Speaker 1: It's not perfect. Yeah that is right, that is well said. Yea, yeah, yeah,

604
00:39:36,640 --> 00:39:40,040
Speaker 1: I do have a nitpick. Go ahead, and we love yours.

605
00:39:40,080 --> 00:39:42,880
Speaker 1: I want to hear it. It's like the fake eating

606
00:39:43,320 --> 00:39:48,200
Speaker 1: is really bother from from from Laurels. This one was

607
00:39:48,239 --> 00:39:52,560
Speaker 1: Alexis the where she was eating the peas and the match.

608
00:39:54,760 --> 00:39:57,319
Speaker 1: It's like can't we get this where they just take

609
00:39:57,320 --> 00:40:00,480
Speaker 1: a bite. Brad Pitt is always just eating real so

610
00:40:00,520 --> 00:40:02,360
Speaker 1: it's like, how is it just they get too full?

611
00:40:02,600 --> 00:40:06,320
Speaker 1: Like what's going on? Because it's too hard to match,

612
00:40:06,320 --> 00:40:09,000
Speaker 1: you match all the takes and all the scenes pushing

613
00:40:09,040 --> 00:40:11,440
Speaker 1: the food around me. Maybe it's because of all the

614
00:40:11,560 --> 00:40:13,560
Speaker 1: fast lines. You can't have food in your mouth when

615
00:40:13,560 --> 00:40:16,560
Speaker 1: you're saying can't you cannot, you can't do that. I

616
00:40:16,600 --> 00:40:18,200
Speaker 1: always thought it was just if you took a big

617
00:40:18,640 --> 00:40:21,480
Speaker 1: mashed potatoes every time you do in the scene that's fifty.

618
00:40:23,080 --> 00:40:26,839
Speaker 1: Let me let me tell you something. You know, I

619
00:40:26,880 --> 00:40:29,719
Speaker 1: did a series up in Vancouver that lasted a year

620
00:40:30,400 --> 00:40:32,640
Speaker 1: and there was lots of It was a comedy. It

621
00:40:32,760 --> 00:40:35,080
Speaker 1: was a half hour single camera, so it was a

622
00:40:35,080 --> 00:40:37,920
Speaker 1: lot of takes and different angles because they were only

623
00:40:37,960 --> 00:40:42,319
Speaker 1: using one camera and so you gotta repeat, repeat, And

624
00:40:42,400 --> 00:40:44,040
Speaker 1: there were a lot of eating scenes with the family,

625
00:40:44,080 --> 00:40:46,719
Speaker 1: breakfast scenes, dinner scenes, and I used to eat my

626
00:40:46,800 --> 00:40:50,160
Speaker 1: face off because that was the character. And I ended

627
00:40:50,200 --> 00:40:55,200
Speaker 1: up consuming like pancakes. One scene I was, you know,

628
00:40:55,280 --> 00:40:58,759
Speaker 1: I wanted, I was about to burst. But but let

629
00:40:58,760 --> 00:41:03,279
Speaker 1: me tell you something, that's the commitment you make. Let

630
00:41:03,280 --> 00:41:05,560
Speaker 1: me ask you why they don't just write the scene,

631
00:41:05,640 --> 00:41:08,240
Speaker 1: like because because I agree with you drive me crazy

632
00:41:08,320 --> 00:41:11,960
Speaker 1: when people don't eat annoying, like so why don't they

633
00:41:12,000 --> 00:41:14,520
Speaker 1: just make this? Okay? So there's that scene with lord

634
00:41:14,600 --> 00:41:17,320
Speaker 1: lyon Rory whether they're talking, and I understand they needed

635
00:41:17,320 --> 00:41:19,760
Speaker 1: to communicate a lot, but it was the fake eating

636
00:41:20,160 --> 00:41:22,600
Speaker 1: and they made lord I already done, like her plate

637
00:41:22,680 --> 00:41:26,799
Speaker 1: was already done. But it's not a real show, you

638
00:41:26,800 --> 00:41:32,880
Speaker 1: know what I mean, it's not it's not trying, but

639
00:41:32,920 --> 00:41:37,200
Speaker 1: it's but it's not a super hyper realistic show where

640
00:41:37,200 --> 00:41:40,000
Speaker 1: it's a drama where you have to do everything has

641
00:41:40,040 --> 00:41:42,680
Speaker 1: to you have to really sell this drama, which means

642
00:41:42,719 --> 00:41:45,520
Speaker 1: you've got to really eat. This is a drama. This

643
00:41:45,640 --> 00:41:47,760
Speaker 1: is more of a comedy than it is a drama.

644
00:41:48,480 --> 00:41:51,960
Speaker 1: So it's so you don't really have to you know,

645
00:41:52,239 --> 00:41:56,120
Speaker 1: comin it's the same scene happened with just a beverage,

646
00:41:56,160 --> 00:41:58,680
Speaker 1: like the food hadn't arrived yet. It's like it's the

647
00:41:58,719 --> 00:42:01,480
Speaker 1: fake eating drives I mean, I feel like this drives

648
00:42:01,520 --> 00:42:09,080
Speaker 1: me more crazy. Is that still shot of Chilter You

649
00:42:09,160 --> 00:42:13,120
Speaker 1: can't see it, you can't listen, but listen, this show

650
00:42:14,080 --> 00:42:16,200
Speaker 1: not not that I don't think that still show. It's important.

651
00:42:16,280 --> 00:42:18,200
Speaker 1: But if I if I never hear about that again,

652
00:42:18,280 --> 00:42:21,840
Speaker 1: I won't be unhappy. Um can we just drop that

653
00:42:21,920 --> 00:42:26,279
Speaker 1: thing anyway? So um, But that's my point. It's dialogue

654
00:42:26,360 --> 00:42:30,120
Speaker 1: dependent show, right. There's a lot of really good acting

655
00:42:30,160 --> 00:42:34,520
Speaker 1: on the show, but it's not crucial. Okay, you can.

656
00:42:34,800 --> 00:42:37,360
Speaker 1: It's really about the speed. And this is when the

657
00:42:37,520 --> 00:42:42,000
Speaker 1: speed of the dialect the demands coming from the front

658
00:42:42,040 --> 00:42:44,600
Speaker 1: office there, you know, from Amy and Dan, it's like

659
00:42:44,640 --> 00:42:48,160
Speaker 1: speed up, speed up, speed up. You're sacrificing the reality.

660
00:42:48,200 --> 00:42:53,440
Speaker 1: You're sacrificing the acting in some way, shape and form

661
00:42:53,480 --> 00:42:56,799
Speaker 1: at times to get those words out. The words are

662
00:42:56,800 --> 00:43:00,759
Speaker 1: the most important thing, and that was always us and

663
00:43:00,840 --> 00:43:03,600
Speaker 1: the acting. I'm not saying it was secondary, but if

664
00:43:03,640 --> 00:43:07,200
Speaker 1: you couldn't do the real thing and then nail the dialogue,

665
00:43:07,520 --> 00:43:11,839
Speaker 1: the priority was nailing the dialogue. And you see it

666
00:43:11,920 --> 00:43:19,040
Speaker 1: a lot in this episode with Lane and Rory, speed speed, speed, speed,

667
00:43:19,120 --> 00:43:21,239
Speaker 1: nail the dial especially when she was so excited, like

668
00:43:21,640 --> 00:43:23,600
Speaker 1: Mama agreed to let me go to the the prom and

669
00:43:23,600 --> 00:43:28,160
Speaker 1: all that. What calles she call her mama? She calls

670
00:43:28,200 --> 00:43:30,640
Speaker 1: her own mother and Mrs Kim we I did have

671
00:43:30,719 --> 00:43:32,520
Speaker 1: a weird sort of. I don't know if you'd call

672
00:43:32,560 --> 00:43:35,000
Speaker 1: it a deja vu. I don't know what to call it.

673
00:43:35,360 --> 00:43:38,759
Speaker 1: This is the first episode and we're three seasons in

674
00:43:39,640 --> 00:43:44,279
Speaker 1: where I really had a moment of knowing you're you

675
00:43:44,800 --> 00:43:50,760
Speaker 1: and Luke. Like normally when I watch I'm watching this dude, Luke,

676
00:43:51,840 --> 00:43:54,560
Speaker 1: and then I do this show with you Scott, like

677
00:43:54,920 --> 00:43:59,680
Speaker 1: very rarely do I like blur them. I actually like

678
00:43:59,760 --> 00:44:02,480
Speaker 1: wrote did in my notes. I'm like, oh, that's Scott.

679
00:44:06,080 --> 00:44:07,759
Speaker 1: Like I definitely had a moment where it's like I

680
00:44:07,840 --> 00:44:16,120
Speaker 1: know that guy. Which part I wrote it down right

681
00:44:16,880 --> 00:44:20,520
Speaker 1: with the fishing, so there must have been maybe you

682
00:44:20,680 --> 00:44:23,920
Speaker 1: looked more like you. I don't know, because it was

683
00:44:23,960 --> 00:44:27,799
Speaker 1: like it was right the kiddie pool. So I go, okay,

684
00:44:28,360 --> 00:44:31,239
Speaker 1: So Luke comes over to do the fishing and lor

685
00:44:31,320 --> 00:44:33,239
Speaker 1: like comes out in that ridiculous outfit, and I wrote

686
00:44:33,440 --> 00:44:36,560
Speaker 1: kiddie pool and then I'm like, whoa, I just have

687
00:44:36,719 --> 00:44:46,000
Speaker 1: this weird day like and I wrote like it's Scott. Maybe,

688
00:44:46,040 --> 00:44:49,080
Speaker 1: I don't know, maybe that was more Scott, Like I

689
00:44:49,080 --> 00:44:52,840
Speaker 1: don't know, you know what, like really threw me for

690
00:44:52,840 --> 00:44:55,040
Speaker 1: a loop on that on that scene. I guess that's

691
00:44:55,040 --> 00:44:58,560
Speaker 1: the wrong way to describe it. But when Luke finds

692
00:44:58,560 --> 00:45:00,920
Speaker 1: out that she's going on a date and that's the

693
00:45:00,920 --> 00:45:03,239
Speaker 1: reason why she wants to go fishing, and he gets

694
00:45:03,280 --> 00:45:06,080
Speaker 1: a little like weird for a second, but then he

695
00:45:06,200 --> 00:45:09,160
Speaker 1: fully recovers and he's like, do you need to borrow

696
00:45:09,160 --> 00:45:10,799
Speaker 1: my fishing pole? Do you need to borrow my pack

697
00:45:10,840 --> 00:45:16,959
Speaker 1: a box? And I was just like, oh my gosh, yeah, Luke, Yeah,

698
00:45:20,440 --> 00:45:22,399
Speaker 1: But do you know do you know what Luke's doing there?

699
00:45:22,480 --> 00:45:31,360
Speaker 1: He's sabotaging that relationship right away, That's what he's doing.

700
00:45:30,040 --> 00:45:35,120
Speaker 1: He's icing it over mat like, I don't think you

701
00:45:35,120 --> 00:45:38,560
Speaker 1: guys have any chance, because if you guys had a chance,

702
00:45:38,600 --> 00:45:42,360
Speaker 1: I'd be more affected by this. And I don't care

703
00:45:42,560 --> 00:45:49,360
Speaker 1: because that's his confidence. Uh, And he's not actively sabotage,

704
00:45:49,440 --> 00:45:52,919
Speaker 1: but I think he's confident that it's like she's going

705
00:45:52,960 --> 00:45:55,880
Speaker 1: on a fishing date, so he knows Laura life better

706
00:45:55,920 --> 00:45:59,520
Speaker 1: than Billy barks Laurel and she's going on a fishing day.

707
00:46:00,160 --> 00:46:02,680
Speaker 1: It's like it's not going to end well, and even

708
00:46:02,719 --> 00:46:05,520
Speaker 1: if it does, that's the that's the fly in the

709
00:46:05,560 --> 00:46:07,960
Speaker 1: oint for that relationship. I don't have to worry. Yeah,

710
00:46:08,000 --> 00:46:12,400
Speaker 1: it's like this guy doesn't know her right. Interesting, But

711
00:46:12,400 --> 00:46:14,680
Speaker 1: you know what I do know, I love that scene.

712
00:46:15,120 --> 00:46:18,560
Speaker 1: Oh these I love the Luke and moralized stuff. I

713
00:46:18,640 --> 00:46:21,360
Speaker 1: really in this in this episode. I really love the panther.

714
00:46:22,520 --> 00:46:25,799
Speaker 1: I think we're really like firing in all cylinders here.

715
00:46:25,880 --> 00:46:29,360
Speaker 1: But but the thing that I noticed about Luke with

716
00:46:29,440 --> 00:46:34,279
Speaker 1: the Jess diner scene when he's um trying to do

717
00:46:34,360 --> 00:46:37,680
Speaker 1: what is he saying? Oh, he's trying to get out

718
00:46:37,760 --> 00:46:40,680
Speaker 1: of doing something. I don't know. There was a scene

719
00:46:40,680 --> 00:46:43,800
Speaker 1: in the diner when Jess left or something and said,

720
00:46:44,840 --> 00:46:50,719
Speaker 1: you remember that scene, yeah, after you yeah, after no,

721
00:46:51,120 --> 00:46:56,040
Speaker 1: little before when you meet and she left her card. Yes,

722
00:46:56,200 --> 00:46:59,680
Speaker 1: she comes in and you have to sign the document, right,

723
00:46:59,680 --> 00:47:05,840
Speaker 1: so needling me about she liked you and right, and

724
00:47:05,880 --> 00:47:08,520
Speaker 1: then he's just you know, he's just saying, no, get

725
00:47:08,520 --> 00:47:10,560
Speaker 1: at of here, I don't want to talk. It reminded

726
00:47:10,600 --> 00:47:14,520
Speaker 1: me of that that bartender, and like, I was doing

727
00:47:14,560 --> 00:47:18,640
Speaker 1: that bartender and It's a wonderful life during the nightmare

728
00:47:19,760 --> 00:47:23,600
Speaker 1: portion of it, when everything, like when Jimmy Stewart, the

729
00:47:23,680 --> 00:47:27,640
Speaker 1: Angel was showing Jimmy Stewart like what if you weren't born?

730
00:47:27,960 --> 00:47:29,879
Speaker 1: What if you do kill yourself and you aren't born.

731
00:47:30,320 --> 00:47:32,360
Speaker 1: This is what this town's gonna end up like. And

732
00:47:32,400 --> 00:47:34,919
Speaker 1: the and the guy that ran the bars, the bartender

733
00:47:35,320 --> 00:47:37,960
Speaker 1: was he was like this, tough guys, who do you

734
00:47:38,040 --> 00:47:40,320
Speaker 1: Who do you think? Who do you think? Give you

735
00:47:40,360 --> 00:47:42,560
Speaker 1: a suck? Right and kiss you get have of hair

736
00:47:42,600 --> 00:47:45,279
Speaker 1: with that stuff? You know? Was trust you on this

737
00:47:45,320 --> 00:47:48,840
Speaker 1: because has none of the Now you should see watch

738
00:47:48,920 --> 00:47:51,200
Speaker 1: it's a wonderful life and you'll see what I mean.

739
00:47:51,920 --> 00:47:56,600
Speaker 1: Like like Luke gets a little like it's a wonderful life.

740
00:47:57,200 --> 00:48:06,239
Speaker 1: Nightmare bartender guys. Sometimes I was laughing, So where did

741
00:48:06,280 --> 00:48:11,120
Speaker 1: that comfortable? Funny? We're out of yourself for a minute.

742
00:48:11,120 --> 00:48:13,239
Speaker 1: It was, it was funny to me. It was it

743
00:48:13,320 --> 00:48:15,880
Speaker 1: was really the dig it was. It was. It was

744
00:48:15,920 --> 00:48:23,759
Speaker 1: how I was interacting with Jessy. Did any of you

745
00:48:23,880 --> 00:48:26,360
Speaker 1: notice that? Okay, So it's five am or whatever and

746
00:48:26,840 --> 00:48:28,560
Speaker 1: Alex is coming to pick up Lower Life for the

747
00:48:28,600 --> 00:48:33,120
Speaker 1: fishing and she knocks the light on the wall and

748
00:48:33,160 --> 00:48:41,640
Speaker 1: it kind of went out. Oh yeah, please rewatch because

749
00:48:41,640 --> 00:48:43,680
Speaker 1: I'm pretty sure she knocked it. The light went out

750
00:48:43,719 --> 00:48:46,680
Speaker 1: and then it comes back on. Everybody needs to rewatch

751
00:48:46,760 --> 00:48:50,479
Speaker 1: that scene again. M that was a cute scene too.

752
00:48:50,680 --> 00:48:54,279
Speaker 1: This whole episode was cute scene after cute scene after

753
00:48:54,440 --> 00:48:58,480
Speaker 1: cute scene. You know, she came out of her house.

754
00:48:58,560 --> 00:49:01,880
Speaker 1: Not that we're jumping around so much. Who cares, right, Yeah, um,

755
00:49:02,680 --> 00:49:06,680
Speaker 1: as long as we're having fun, right, we're not even

756
00:49:06,680 --> 00:49:15,160
Speaker 1: wearing clothes after time working hard today are so good?

757
00:49:17,320 --> 00:49:20,319
Speaker 1: So wait a minute. So, so she comes out of

758
00:49:20,320 --> 00:49:24,080
Speaker 1: the house in the fishing gear, looking absolutely ridiculous, and

759
00:49:24,160 --> 00:49:26,799
Speaker 1: she says to Luke, you know, she she lands him

760
00:49:26,800 --> 00:49:29,759
Speaker 1: with the may West line like hey, like to get

761
00:49:29,800 --> 00:49:34,000
Speaker 1: your hooking me, sailor. And I'm like us, us, like wow,

762
00:49:34,800 --> 00:49:39,239
Speaker 1: she flirts with that guy all the time, oh so much,

763
00:49:39,800 --> 00:49:42,719
Speaker 1: you know, I mean, can you be more obvious? And

764
00:49:42,760 --> 00:49:45,120
Speaker 1: he sees that he knows that he's got nothing to

765
00:49:45,160 --> 00:49:48,120
Speaker 1: worry about. He really doesn't, because she's sending him all

766
00:49:48,160 --> 00:49:53,680
Speaker 1: of these, you know, pretty obvious signals. Um. Anyway, that's

767
00:49:53,760 --> 00:49:57,319
Speaker 1: my two cents and I'm sticking by it. So then

768
00:49:57,360 --> 00:50:01,000
Speaker 1: we have the wedding or the Ish wedding. We do

769
00:50:01,080 --> 00:50:04,359
Speaker 1: the makeup. We get a very cute scene between Dave

770
00:50:04,440 --> 00:50:10,320
Speaker 1: and Lane. He's checking her out. Yeah, break because suddenly

771
00:50:10,400 --> 00:50:13,080
Speaker 1: Mrs Kim is like setting her up for the prom.

772
00:50:13,160 --> 00:50:18,640
Speaker 1: It's like court Mrs Kim, why did d Wayne turn

773
00:50:18,719 --> 00:50:21,719
Speaker 1: around and walk up the stairs back? But she has

774
00:50:21,760 --> 00:50:23,400
Speaker 1: the bow on the back, and like, I think he

775
00:50:23,440 --> 00:50:25,120
Speaker 1: was checking it out and she didn't want him to

776
00:50:25,120 --> 00:50:27,000
Speaker 1: see the back or something. I don't know if he

777
00:50:27,040 --> 00:50:29,640
Speaker 1: was checking out her butt. No, I think no he was. No.

778
00:50:29,920 --> 00:50:34,120
Speaker 1: I thought that he was admiring her tushy in that

779
00:50:34,239 --> 00:50:38,040
Speaker 1: dress possibly, and that's what he was watching as she

780
00:50:38,080 --> 00:50:39,759
Speaker 1: went up the stairs. I mean it was a little

781
00:50:39,800 --> 00:50:42,400
Speaker 1: it's a flirty thing, right, and then she got she

782
00:50:42,480 --> 00:50:45,239
Speaker 1: got embarrassed and turned around, and so why would she

783
00:50:45,280 --> 00:50:48,799
Speaker 1: do that? Was she so embarrassed she was afraid? Actually?

784
00:50:49,200 --> 00:50:51,880
Speaker 1: Why didn't Why didn't she enjoy that? And then like

785
00:50:52,120 --> 00:50:56,759
Speaker 1: continue to crank up the stairs? Man, She's probably just

786
00:50:56,800 --> 00:51:01,160
Speaker 1: so like you know of it, And just a backtrack

787
00:51:01,200 --> 00:51:03,160
Speaker 1: what I said earlier that I'm so like happy for

788
00:51:03,239 --> 00:51:06,000
Speaker 1: Lane is like she's finally standing up for herself, like

789
00:51:06,040 --> 00:51:08,360
Speaker 1: when she says like I wanted to go with Dave,

790
00:51:08,480 --> 00:51:11,560
Speaker 1: Like I don't think Lane and season one would have

791
00:51:11,640 --> 00:51:18,759
Speaker 1: done that. Yeah, but she's really still um genufleting to

792
00:51:19,040 --> 00:51:23,560
Speaker 1: her mother because she said, um and I you know,

793
00:51:23,600 --> 00:51:25,200
Speaker 1: and you approved to me. He sat in the pew

794
00:51:25,239 --> 00:51:28,839
Speaker 1: and then she said and and Dave is a man

795
00:51:28,920 --> 00:51:32,520
Speaker 1: of God or he's of God, you know, so I

796
00:51:32,560 --> 00:51:36,960
Speaker 1: think it's appropriate, which just made her look so just

797
00:51:37,320 --> 00:51:41,000
Speaker 1: lost after she got leveled by her mother. I gotta

798
00:51:41,040 --> 00:51:46,800
Speaker 1: tell you, Mrs Kim probably stole the episode for funny,

799
00:51:46,920 --> 00:51:51,000
Speaker 1: great lines because she they were just coming fast and furious,

800
00:51:51,160 --> 00:51:54,040
Speaker 1: you know, like they'll cut to her like that was devastating.

801
00:51:54,080 --> 00:51:56,680
Speaker 1: That was just devastating. The line it's the as the

802
00:51:56,680 --> 00:52:01,680
Speaker 1: headmaster to the girls, pinful I would put that that

803
00:52:01,760 --> 00:52:04,279
Speaker 1: was like boom boom. That was a double whammy. That

804
00:52:05,320 --> 00:52:09,600
Speaker 1: she's face when hey or whatever he says right like,

805
00:52:09,680 --> 00:52:11,719
Speaker 1: you're not currying and then just like walks out and

806
00:52:11,760 --> 00:52:15,520
Speaker 1: you're just I feel so baffling because, like you said,

807
00:52:15,560 --> 00:52:19,160
Speaker 1: like she's trying so hard to be strong and to

808
00:52:19,680 --> 00:52:22,880
Speaker 1: like really like make her own path and and do

809
00:52:22,960 --> 00:52:25,680
Speaker 1: what she wants to do, and at the end of

810
00:52:25,680 --> 00:52:30,440
Speaker 1: the day, she can't. Like God, it's very difficult for

811
00:52:30,480 --> 00:52:34,279
Speaker 1: the first generation families, you know, they come over here

812
00:52:34,480 --> 00:52:39,880
Speaker 1: to you know, to let their children leave the group,

813
00:52:39,960 --> 00:52:42,600
Speaker 1: you know what I mean. It's it's tough. It's really

814
00:52:42,600 --> 00:52:48,839
Speaker 1: really difficult. It's it's difficult for the parents' difficult for both. Yeah,

815
00:52:48,960 --> 00:52:51,920
Speaker 1: we like Dave with Lane so much. So. Yeah, but

816
00:52:51,960 --> 00:52:54,799
Speaker 1: what about that poor guy Henry cho is that his name?

817
00:52:58,160 --> 00:53:01,040
Speaker 1: She said that while he was ending kind of a

818
00:53:01,080 --> 00:53:04,839
Speaker 1: couple of steps away today, like you're not Korean, so

819
00:53:04,840 --> 00:53:07,400
Speaker 1: it's like, I'm stuck with this guy. I thought it

820
00:53:07,400 --> 00:53:09,360
Speaker 1: would be appropriate if that guy said, what am I

821
00:53:09,440 --> 00:53:14,799
Speaker 1: chopped liver over here? Right? Like? She didn't say something like, oh,

822
00:53:14,880 --> 00:53:29,160
Speaker 1: but you're cute, you know the booby price? Yeah? Nice

823
00:53:29,239 --> 00:53:34,400
Speaker 1: try oh man, Yeah that anyway, I don't know, m

824
00:53:34,719 --> 00:53:38,080
Speaker 1: Mrs Kim was really funny. What did she say all

825
00:53:38,120 --> 00:53:40,759
Speaker 1: around the episode? What did she say? She went and

826
00:53:40,840 --> 00:53:43,000
Speaker 1: you know, people were still sitting there. She goes, there's

827
00:53:43,320 --> 00:53:48,120
Speaker 1: there's a reception. Stot, get up, go now, move fast people. Yes,

828
00:53:48,200 --> 00:53:49,640
Speaker 1: she goes to the kitchen. She goes, it's got a

829
00:53:49,680 --> 00:53:53,480
Speaker 1: bus stop, go to the reception. You know, she's clearing

830
00:53:53,520 --> 00:53:56,080
Speaker 1: people out, funny, funny stuff. And then we get to

831
00:53:56,080 --> 00:54:00,839
Speaker 1: the scene where you ask out Nicole, Lady know, everybody's

832
00:54:01,120 --> 00:54:03,759
Speaker 1: hooking up in this episode, aren't there. It's all all

833
00:54:03,880 --> 00:54:09,680
Speaker 1: all of these five relationships, you know, beginning ending, and

834
00:54:09,800 --> 00:54:14,040
Speaker 1: you know, Laurelai with Billy Bark and me with Nicole

835
00:54:14,280 --> 00:54:19,040
Speaker 1: and Rory and Jess. There wasn't too Lane and Dave.

836
00:54:19,160 --> 00:54:23,200
Speaker 1: That continues, you know. Um so yeah, this was like

837
00:54:23,280 --> 00:54:25,960
Speaker 1: the big relationship the episode. I'm glad I got lumped

838
00:54:25,960 --> 00:54:28,520
Speaker 1: in with the kids, you know, the kids over the episode.

839
00:54:29,120 --> 00:54:31,120
Speaker 1: Thanks threw me in with the kids and like, hey,

840
00:54:31,160 --> 00:54:33,279
Speaker 1: Scott going to kiddie pool, see if you can buy

841
00:54:33,360 --> 00:54:40,399
Speaker 1: treadwater in That made me real literally so last week,

842
00:54:40,440 --> 00:54:42,799
Speaker 1: remember we just we tried so hard. It was like

843
00:54:43,120 --> 00:54:45,600
Speaker 1: freaking pulling teeth and we finally Scott was just like,

844
00:54:45,640 --> 00:54:50,160
Speaker 1: this episode wasn't good. This episode makes you realized last

845
00:54:50,200 --> 00:54:55,360
Speaker 1: week's episode wasn't good. Yeah, because you do the big ones.

846
00:54:55,520 --> 00:54:59,480
Speaker 1: We love Thanksgiving, we love the dance episode. These are

847
00:54:59,560 --> 00:55:04,080
Speaker 1: the good episodes that are just regular good episodes. Last

848
00:55:04,080 --> 00:55:07,200
Speaker 1: week it wasn't good. It wasn't good. Well, you've got

849
00:55:07,239 --> 00:55:11,640
Speaker 1: you've got Mrs Kim operating at full throttle. You've got

850
00:55:11,880 --> 00:55:15,400
Speaker 1: Lane operating at full throttle. You've got Rory operating at

851
00:55:15,400 --> 00:55:18,520
Speaker 1: full throttle. You've got Paris operating at full I mean

852
00:55:18,880 --> 00:55:23,560
Speaker 1: just just taking it to the to the max. And

853
00:55:23,560 --> 00:55:27,680
Speaker 1: and so that you know, and and I guess me

854
00:55:27,880 --> 00:55:32,160
Speaker 1: a little bit with Taylor whatever. Definitely, but Laura I

855
00:55:32,200 --> 00:55:34,480
Speaker 1: could take an episode off and just kind of ease

856
00:55:34,560 --> 00:55:36,879
Speaker 1: it back, right, she could ease back and just sort

857
00:55:36,880 --> 00:55:40,400
Speaker 1: of we mentioned it briefly, but Taylor is amazing in

858
00:55:40,400 --> 00:55:44,200
Speaker 1: this episode. And even Kirk, even Kirk, this one scene

859
00:55:44,920 --> 00:55:48,719
Speaker 1: is amazing. Yeah, it's all just again just how we

860
00:55:48,800 --> 00:55:52,520
Speaker 1: like it. Just every single thing is good. But you've

861
00:55:52,560 --> 00:55:56,719
Speaker 1: got it's all right. You've got five characters that are

862
00:55:56,800 --> 00:56:01,960
Speaker 1: just you know, just bringing the heat. Yeah. Yeah, it's

863
00:56:02,000 --> 00:56:05,560
Speaker 1: like last week was a little so this week everyone's

864
00:56:05,560 --> 00:56:09,920
Speaker 1: gonna go on fire. A lot of a lot of conflict,

865
00:56:09,960 --> 00:56:12,640
Speaker 1: a lot of conflict in this episode, the right kind

866
00:56:12,640 --> 00:56:17,640
Speaker 1: of conflict, good gilmore conflict. Adam is such an asset

867
00:56:17,719 --> 00:56:21,520
Speaker 1: to this show. Like he is you really realize, like

868
00:56:21,560 --> 00:56:23,560
Speaker 1: because I was watching some clips from the o C

869
00:56:23,760 --> 00:56:26,640
Speaker 1: the other day and you're just like, Adam Brody is

870
00:56:27,719 --> 00:56:33,920
Speaker 1: stud He's such a good actor slash like personality. Right.

871
00:56:34,239 --> 00:56:36,239
Speaker 1: He does he does see and he doesn't need to

872
00:56:36,239 --> 00:56:38,399
Speaker 1: be in a lot of scenes. He has a lot

873
00:56:38,520 --> 00:56:42,040
Speaker 1: you remember totally. It's like you want more of him.

874
00:56:42,239 --> 00:56:46,440
Speaker 1: What's y'rs favorite lines? Oh god, there are so many,

875
00:56:47,160 --> 00:56:53,800
Speaker 1: Like Okay, so this is um. When uh Luke is

876
00:56:53,840 --> 00:56:56,880
Speaker 1: talking to Nicole says, well, actually, I'm not Mr Dozie's

877
00:56:56,920 --> 00:57:00,400
Speaker 1: lawyer only or only lawyer. He's one of our alliance,

878
00:57:00,920 --> 00:57:03,360
Speaker 1: so all our attorneys deal with him on a rotating basis,

879
00:57:03,360 --> 00:57:11,239
Speaker 1: and Luke says, my condolences. I love when Adam Brody's like,

880
00:57:11,360 --> 00:57:15,000
Speaker 1: I'm gonna need four strong beats, four strong downbeats. You

881
00:57:15,160 --> 00:57:21,520
Speaker 1: set the tone when he be one of the guys,

882
00:57:21,560 --> 00:57:25,080
Speaker 1: what do you say? That so funny and like adorable

883
00:57:25,200 --> 00:57:28,960
Speaker 1: and dumb and just good. Lends a Luke line to

884
00:57:29,840 --> 00:57:34,680
Speaker 1: Um when when he was talking to jess And and

885
00:57:35,000 --> 00:57:39,680
Speaker 1: he goes, she's a suit, not my type a suit.

886
00:57:43,840 --> 00:57:49,560
Speaker 1: I liked head Master Charlton flying about writing this writing

887
00:57:49,560 --> 00:57:52,280
Speaker 1: the second letter to Harvard saying that he made a

888
00:57:52,320 --> 00:57:54,880
Speaker 1: mistake on the first one. I thought that was just

889
00:57:55,400 --> 00:57:59,280
Speaker 1: that just you know, both of their lives flashed before

890
00:57:59,320 --> 00:58:04,600
Speaker 1: their eyes. Yes, and it was like wow, So that

891
00:58:04,720 --> 00:58:09,360
Speaker 1: was a show stopped from me. Absolutely. Yeah, we had

892
00:58:09,440 --> 00:58:12,440
Speaker 1: some good lines. Because I have three potential titles for

893
00:58:12,440 --> 00:58:15,520
Speaker 1: this episode. Luke says, what the hell is going on?

894
00:58:16,040 --> 00:58:18,200
Speaker 1: And that was when there was all the racket outside

895
00:58:18,240 --> 00:58:22,120
Speaker 1: at the ice cream shoppy and then get him away

896
00:58:22,120 --> 00:58:24,080
Speaker 1: from my diner. But I think the one I'm going

897
00:58:24,120 --> 00:58:27,080
Speaker 1: to go with is why didn't you tell me when

898
00:58:27,080 --> 00:58:30,800
Speaker 1: they're out by the kiddie pool and talking about who

899
00:58:30,880 --> 00:58:33,440
Speaker 1: who she's going fishing with? And she's like, do you

900
00:58:33,680 --> 00:58:36,280
Speaker 1: But do you really think that's the focus of the episode?

901
00:58:36,440 --> 00:58:39,360
Speaker 1: Was that narrative? I thought it was more I just

902
00:58:39,440 --> 00:58:43,040
Speaker 1: love Rory's feud and how it could affect your future

903
00:58:43,640 --> 00:58:47,840
Speaker 1: and this was but this was really like the Rory

904
00:58:48,040 --> 00:58:51,040
Speaker 1: and Lane show. Correct? But Scott, have you not figured

905
00:58:51,080 --> 00:58:53,160
Speaker 1: out that every title of the podcast is a line

906
00:58:53,240 --> 00:59:04,560
Speaker 1: you deliver from that episode? Oh? How many episodes have

907
00:59:04,640 --> 00:59:07,840
Speaker 1: we done? How many many a year of episode? Like

908
00:59:07,880 --> 00:59:11,000
Speaker 1: a hundred episodes? And this is the first time that

909
00:59:11,080 --> 00:59:14,560
Speaker 1: Scott has ever realized that the title of the podcast

910
00:59:15,160 --> 00:59:25,080
Speaker 1: is a line he delivers. Oh my god, oh my god. Yeah,

911
00:59:25,320 --> 00:59:29,600
Speaker 1: for anyone listening that also didn't know, every the podcast

912
00:59:29,720 --> 00:59:42,600
Speaker 1: is a hundred and twelve episodessodes and Scott figured it out, Well,

913
00:59:42,640 --> 00:59:47,080
Speaker 1: that just changes my whole perspective on this. See you

914
00:59:47,200 --> 00:59:52,479
Speaker 1: next week. Al Right, everybody, um much improved from last week.

915
00:59:52,720 --> 00:59:54,760
Speaker 1: That was our like I can say it now is

916
00:59:54,800 --> 00:59:57,400
Speaker 1: our worst podcast. Ever, because the episode was such a dud,

917
00:59:57,480 --> 01:00:02,160
Speaker 1: we couldn't we we couldn't even make it cry. We

918
01:00:02,240 --> 01:00:05,040
Speaker 1: were all a mess too. I was sick. Scott was

919
01:00:05,120 --> 01:00:08,160
Speaker 1: like so sad because he was like leaving his family,

920
01:00:08,320 --> 01:00:19,000
Speaker 1: Like every yeah, not leaving my family, going going on location. Jesus. Yeah,

921
01:00:19,440 --> 01:00:22,880
Speaker 1: you've been a little more sad otherwise. Yeah, I was

922
01:00:22,920 --> 01:00:30,760
Speaker 1: in I was in a funky place, man I stand. Yeah. Um,

923
01:00:30,920 --> 01:00:35,760
Speaker 1: but before we go, Tristan oh, so yeah. So we

924
01:00:35,800 --> 01:00:39,720
Speaker 1: did the the upfronts in Toronto and it was really

925
01:00:39,840 --> 01:00:43,520
Speaker 1: funny because you know, they had all their shows, the

926
01:00:43,560 --> 01:00:46,520
Speaker 1: CTV Canadian Television had all these shows. You know, it's

927
01:00:46,560 --> 01:00:48,120
Speaker 1: like a big like what they do in New York

928
01:00:48,160 --> 01:00:52,040
Speaker 1: for for American. So so it's me, it's Chad, it's

929
01:00:52,080 --> 01:00:55,520
Speaker 1: Morgan Cohen, who's the lead of this Sullivan's Crossing. So

930
01:00:55,560 --> 01:00:58,680
Speaker 1: we're at the upfront backstage, are getting this ready. They're

931
01:00:58,680 --> 01:01:00,960
Speaker 1: going to go out there and we're gonna do our bit, right,

932
01:01:01,000 --> 01:01:03,640
Speaker 1: We're gonna say, hey, I'm this person and this is

933
01:01:03,920 --> 01:01:06,480
Speaker 1: what I do and this is my character, and Chad

934
01:01:06,480 --> 01:01:09,720
Speaker 1: speaks and she speaks whatever, and all the buyers are there.

935
01:01:09,800 --> 01:01:12,560
Speaker 1: It's like hundreds of people in the audience and I

936
01:01:12,560 --> 01:01:15,600
Speaker 1: don't know, maybe a thousand people in there. It's big event,

937
01:01:15,640 --> 01:01:18,920
Speaker 1: big event. And uh, they said, well, wait for your

938
01:01:18,960 --> 01:01:21,400
Speaker 1: queue and you'll hear you'll be announced, you know, you'll

939
01:01:21,400 --> 01:01:23,080
Speaker 1: hear your names and then that's when you walk out.

940
01:01:23,120 --> 01:01:25,880
Speaker 1: We didn't hear our names. It's just out there and

941
01:01:25,960 --> 01:01:28,600
Speaker 1: the other the other two actors from another show. One

942
01:01:28,640 --> 01:01:30,360
Speaker 1: guy had a big test on his like, so he's

943
01:01:30,400 --> 01:01:32,800
Speaker 1: limping across the state. We all must run into them

944
01:01:32,800 --> 01:01:35,760
Speaker 1: because we didn't see them, and it looked really messed up.

945
01:01:35,840 --> 01:01:39,320
Speaker 1: So so we got there and nobody knew who we were.

946
01:01:39,920 --> 01:01:43,040
Speaker 1: There was just like these three people that stumbled on stage,

947
01:01:43,120 --> 01:01:46,200
Speaker 1: almost knocked over a guy, and so I, you know,

948
01:01:46,280 --> 01:01:48,640
Speaker 1: we started doing our stick and we kind of saved it.

949
01:01:48,720 --> 01:01:52,280
Speaker 1: Everybody started laughing and then and then people started buzzing

950
01:01:52,280 --> 01:01:54,080
Speaker 1: around because we went back. You know, they put our

951
01:01:54,120 --> 01:01:56,280
Speaker 1: images up on the big screen behind a huge screen,

952
01:01:56,560 --> 01:02:00,040
Speaker 1: and they realized it was me and Chad, which I

953
01:02:00,080 --> 01:02:04,240
Speaker 1: wish right, And then I flubbed. I flubbed the line

954
01:02:04,280 --> 01:02:07,000
Speaker 1: because I didn't use my glasses on the teleprompter. And

955
01:02:07,000 --> 01:02:11,760
Speaker 1: when I said Sully, I said Sally, and I said,

956
01:02:11,800 --> 01:02:19,040
Speaker 1: wait a minute. That's another show for another time. Let

957
01:02:19,040 --> 01:02:23,080
Speaker 1: me tell you we we had a humdinger of a time.

958
01:02:25,680 --> 01:02:28,320
Speaker 1: We had so much fun and it was great seeing

959
01:02:28,400 --> 01:02:30,680
Speaker 1: Chad and Sarah's wife and his two kids, and it

960
01:02:30,760 --> 01:02:33,800
Speaker 1: was and now we're you know, we're so when do

961
01:02:33,840 --> 01:02:36,240
Speaker 1: you see him again? Like on set? Like when do

962
01:02:36,280 --> 01:02:39,240
Speaker 1: you start in like a couple of days. Uh, yeah,

963
01:02:39,280 --> 01:02:41,920
Speaker 1: I'll probably I'm probably seeing. I have a wardrobe fitting tomorrow,

964
01:02:41,920 --> 01:02:46,480
Speaker 1: so I'll see probably seeing tomorrow. Yeah, I think he's

965
01:02:46,560 --> 01:02:49,479
Speaker 1: right down the hall. Actually, so one day she's gonna

966
01:02:49,520 --> 01:02:56,240
Speaker 1: knocks kidding, take us at the laptop. No, but he's down.

967
01:02:56,280 --> 01:02:58,080
Speaker 1: I told you know, he wants to he wants to

968
01:02:58,120 --> 01:03:00,680
Speaker 1: do this and have fun with this and the podcast.

969
01:03:00,800 --> 01:03:05,040
Speaker 1: Yeah tell oh sure, So we had a fun. He's

970
01:03:05,200 --> 01:03:08,800
Speaker 1: quite the you know, there were a lot of fans

971
01:03:08,840 --> 01:03:12,720
Speaker 1: showed up before and after the upfronts and then we

972
01:03:12,720 --> 01:03:16,240
Speaker 1: were getting art of Chris. But he's in high demand. Yeah,

973
01:03:16,280 --> 01:03:17,920
Speaker 1: he's what we kind of call like he was like

974
01:03:17,960 --> 01:03:25,120
Speaker 1: a teen idol. So he still sort of like guys y, Yeah,

975
01:03:26,600 --> 01:03:31,600
Speaker 1: I'm too old for that. So they so the producers

976
01:03:31,600 --> 01:03:35,000
Speaker 1: are like, Jesus, Jesus, I think we got we did something.

977
01:03:35,280 --> 01:03:38,480
Speaker 1: You know, we've never seen this before, you know, so

978
01:03:38,960 --> 01:03:43,280
Speaker 1: you know, yeah, well keep us up, we'll check in.

979
01:03:43,760 --> 01:03:49,080
Speaker 1: Kind of a big deal. He's got many leather belt books. Yes,

980
01:03:50,080 --> 01:03:52,760
Speaker 1: he's got a podcast where the title of each episode

981
01:03:52,840 --> 01:04:04,040
Speaker 1: is a line he gave in gil Margo. Everybody you

982
01:04:04,120 --> 01:04:14,000
Speaker 1: guys edits and reviews and like checks it weirdest titles.

983
01:04:15,040 --> 01:04:17,720
Speaker 1: He never like questioned it. He's just trust you, guys.

984
01:04:19,360 --> 01:04:21,520
Speaker 1: It's like the one time in my life I decided

985
01:04:21,600 --> 01:04:26,400
Speaker 1: not to be a pain in the ass. Wait a minute,

986
01:04:26,520 --> 01:04:29,720
Speaker 1: is Danielle you keep you sending me h. I'm just

987
01:04:29,760 --> 01:04:33,400
Speaker 1: telling you about the next episode. Dear, Dear Emily and Richard.

988
01:04:33,440 --> 01:04:35,680
Speaker 1: That's it. That's the title. That's the title of season three,

989
01:04:35,680 --> 01:04:40,720
Speaker 1: episode thirteen, episode Dear Emily and Richard. We know who

990
01:04:40,760 --> 01:04:47,880
Speaker 1: they are. They are, they'll they'll be back. Dansher download everybody.

991
01:04:47,920 --> 01:04:49,960
Speaker 1: We had a We had a blast. It's our first

992
01:04:51,080 --> 01:05:00,880
Speaker 1: podcast since I left my family. Can we and alive

993
01:05:01,000 --> 01:05:05,800
Speaker 1: from Canada? Canada. Um God, it's beautiful up here. By

994
01:05:05,800 --> 01:05:09,080
Speaker 1: the way, we will say this, it's a lucky thing.

995
01:05:09,080 --> 01:05:11,400
Speaker 1: We all got on here because nobody knew what time

996
01:05:11,440 --> 01:05:16,240
Speaker 1: it was. Everything time, their time, his time, who's done.

997
01:05:17,600 --> 01:05:20,120
Speaker 1: This is this is not just East Coast, this is

998
01:05:20,200 --> 01:05:24,200
Speaker 1: east of East Coast. I didn't even know. I didn't

999
01:05:24,200 --> 01:05:26,760
Speaker 1: know that. Yeah, I'm four hours ahead. I didn't even

1000
01:05:26,760 --> 01:05:29,240
Speaker 1: know that was a thing. Jesus. I'm going to bed

1001
01:05:29,280 --> 01:05:31,800
Speaker 1: and my wife and son are just waking up having breakfast.

1002
01:05:32,520 --> 01:05:34,520
Speaker 1: How was your day? But yeah, we're gonna have to

1003
01:05:34,560 --> 01:05:39,800
Speaker 1: like change up the group text to like specified time zones. Now. Yeah,

1004
01:05:39,880 --> 01:05:44,280
Speaker 1: Pacific time isn't helping. I was up. I got it now,

1005
01:05:44,440 --> 01:05:51,720
Speaker 1: four hours ahead, ad forwards everything, man, alright, alright, crazy kids.

1006
01:05:51,800 --> 01:05:55,720
Speaker 1: See everybody enjoyed it. Thanks for download best fans on

1007
01:05:55,760 --> 01:06:29,760
Speaker 1: the planet. All the best, stay safety, hey everybody, and

1008
01:06:29,800 --> 01:06:33,280
Speaker 1: don't forget Follow us on Instagram at I Am all

1009
01:06:33,440 --> 01:06:37,560
Speaker 1: In podcast and email us at Gilmore at I Heart

1010
01:06:37,680 --> 01:06:40,840
Speaker 1: Radio dot com. Oh you Gilmore fans. If you're looking

1011
01:06:40,840 --> 01:06:42,600
Speaker 1: for the best cup of coffee in the world, go

1012
01:06:42,680 --> 01:06:46,479
Speaker 1: to my website for my company scott EP dot com,

1013
01:06:46,600 --> 01:06:48,760
Speaker 1: s C O T T y P dot com, scott

1014
01:06:48,760 --> 01:06:59,560
Speaker 1: ep dot com Grade one Specialty Coffee