1 00:00:03,320 --> 00:00:05,519 Speaker 1: What would you talk about on your on your podcast? 2 00:00:05,800 --> 00:00:21,720 Speaker 1: Firm Elvis presents fifteen Minute Morning Show. Here it is 3 00:00:21,720 --> 00:00:24,680 Speaker 1: the fifteen minute Morning Show podcast. There's Scotty b and 4 00:00:24,680 --> 00:00:28,120 Speaker 1: there's Scotty, there's Gandhi, and there's Straighten, Eate and Danielle, 5 00:00:28,480 --> 00:00:31,600 Speaker 1: Roggy and Garrett and and Brody right in front of 6 00:00:31,960 --> 00:00:35,639 Speaker 1: Norwegian Bliss. What's your ship? Hey? I thought i'd show 7 00:00:35,720 --> 00:00:38,279 Speaker 1: up for today's fifteen minute morning show podcast after what 8 00:00:38,360 --> 00:00:42,920 Speaker 1: you guys did yesterday without me? Yesterday? You beat the 9 00:00:42,960 --> 00:00:45,000 Speaker 1: hell out of each other yesterday? What is up with 10 00:00:45,040 --> 00:00:47,599 Speaker 1: you people? I do have a is anybody actually upset 11 00:00:47,680 --> 00:00:54,000 Speaker 1: because I did? Anybody actually get but hurt? No? Garrett 12 00:00:54,000 --> 00:00:56,840 Speaker 1: hasn't answered, Garrett, will you but hurt? Yesterday? I just 13 00:00:56,880 --> 00:00:58,920 Speaker 1: felt like I was thrown under the bus a lot. 14 00:00:59,320 --> 00:01:03,280 Speaker 1: I tried to defend you, Garrett as a Gandhi everybody 15 00:01:03,280 --> 00:01:06,160 Speaker 1: else in the room Elvis. You're excluding Elvis because he 16 00:01:06,160 --> 00:01:09,480 Speaker 1: wasn't here. Yeah. No, I'm I'm one to be thrown 17 00:01:09,520 --> 00:01:11,880 Speaker 1: under a lot more than any Well, that's what I heard. 18 00:01:11,920 --> 00:01:13,920 Speaker 1: I heard from a lot of listeners. They were texting 19 00:01:13,959 --> 00:01:18,640 Speaker 1: in today saying they felt sorry for Garrett yesterday. Since 20 00:01:18,800 --> 00:01:22,720 Speaker 1: Elvis wasn't here. We asked him the snitchiest person on 21 00:01:22,800 --> 00:01:28,680 Speaker 1: the show, who do you consider the snitchiest person Elvis? 22 00:01:29,080 --> 00:01:34,920 Speaker 1: Snitchy meaning telling on them? Yeah, like tattle tale. I 23 00:01:34,920 --> 00:01:37,200 Speaker 1: would hope everyone's a tattle tale because I don't want 24 00:01:37,200 --> 00:01:41,959 Speaker 1: to hear everything. Know that got me in trouble. What 25 00:01:42,000 --> 00:01:45,199 Speaker 1: do you mean frog? Because Gandhi said everybody's a snitch 26 00:01:45,240 --> 00:01:46,840 Speaker 1: and I said, I'm not a snitch because I'd like 27 00:01:46,880 --> 00:01:48,600 Speaker 1: to think I'm really not. You can tell me stuff, 28 00:01:48,600 --> 00:01:52,279 Speaker 1: but if it's bad or detrimental towards Elvis or the show, 29 00:01:52,720 --> 00:01:55,120 Speaker 1: I will say something, for sure. I'm the worst person 30 00:01:55,160 --> 00:01:58,280 Speaker 1: to talk on Elvison. However, anything else, like if you 31 00:01:58,320 --> 00:02:00,560 Speaker 1: mess up something and you're like, hey, don't anybody but 32 00:02:00,600 --> 00:02:02,360 Speaker 1: I screwed this up, I'm not going to tell. I 33 00:02:02,880 --> 00:02:06,600 Speaker 1: don't care. I don't think everybody is snitchy. I said, 34 00:02:06,640 --> 00:02:10,000 Speaker 1: I didn't think Danielle was snitchy, not on purpose. I 35 00:02:10,040 --> 00:02:12,519 Speaker 1: don't think Nate is that snitchy that I know of. 36 00:02:13,320 --> 00:02:15,400 Speaker 1: But then Froggy was like, well, I'm not a snitch either, 37 00:02:15,480 --> 00:02:18,480 Speaker 1: and then Nate said, I specifically remember you saying anything 38 00:02:18,480 --> 00:02:21,560 Speaker 1: anyone says about Elvis at any time ever goes directly 39 00:02:21,800 --> 00:02:28,079 Speaker 1: to Elvis. That very very good. I'll tell you why, 40 00:02:28,160 --> 00:02:29,799 Speaker 1: But let me tell you why I do that. I'll 41 00:02:29,840 --> 00:02:31,880 Speaker 1: tell you why because I don't want to be included 42 00:02:31,960 --> 00:02:34,280 Speaker 1: in your Elvis ship talk. I'd rather not know. I'm 43 00:02:34,280 --> 00:02:41,240 Speaker 1: one of those people that the last show I worked on, 44 00:02:41,360 --> 00:02:45,639 Speaker 1: we fucking we talked about the host constantly behind the 45 00:02:45,880 --> 00:02:48,760 Speaker 1: show I worked on so much. If I had a 46 00:02:48,880 --> 00:02:51,919 Speaker 1: nickel for every time somebody actually talked about Elvis, i'd 47 00:02:52,000 --> 00:02:56,000 Speaker 1: have Yeah, you'd be poor, right Seriously, now you're saying 48 00:02:56,000 --> 00:02:59,400 Speaker 1: that because I'm here, I'm not even saying that. I 49 00:02:59,480 --> 00:03:01,120 Speaker 1: learned this at one time ago, I used to work 50 00:03:01,160 --> 00:03:06,519 Speaker 1: for a guy who was very, very very controlling, and uh, 51 00:03:06,800 --> 00:03:09,240 Speaker 1: he actually dipped his head into the studio one day 52 00:03:09,240 --> 00:03:12,080 Speaker 1: when we were talking about him. And then I went 53 00:03:12,120 --> 00:03:13,560 Speaker 1: up to him later and I said, Hey, you know, 54 00:03:13,680 --> 00:03:16,480 Speaker 1: I know that you heard is talking about you. I 55 00:03:16,520 --> 00:03:18,200 Speaker 1: just wanted to come up and see how you felt 56 00:03:18,200 --> 00:03:20,440 Speaker 1: about what you heard, because you know me, I'm not 57 00:03:20,480 --> 00:03:23,160 Speaker 1: scared of it like that. He says, Look, you know what, 58 00:03:23,320 --> 00:03:25,920 Speaker 1: when you're the manager, when you're the boss, you know 59 00:03:26,000 --> 00:03:28,880 Speaker 1: people are gonna need to blow steam off about you 60 00:03:29,280 --> 00:03:32,480 Speaker 1: and so let him do it. Yeah, it's it's healthy. 61 00:03:32,560 --> 00:03:34,680 Speaker 1: So if you guys want to talk about shitty stuff 62 00:03:34,680 --> 00:03:36,920 Speaker 1: about me, what am I gonna do? No but that 63 00:03:37,000 --> 00:03:39,240 Speaker 1: I think that's what caused all the confusion is because 64 00:03:39,280 --> 00:03:41,360 Speaker 1: it almost came off like all these people are talking 65 00:03:41,640 --> 00:03:45,280 Speaker 1: about you frogging when I genuinely don't think that's happening, 66 00:03:45,600 --> 00:03:48,560 Speaker 1: and then also comes off a little ass kissy from froggy. 67 00:03:50,320 --> 00:03:52,440 Speaker 1: I'm gonna whatever you want. I'm just being real with you. 68 00:03:52,480 --> 00:03:54,000 Speaker 1: I'm letting you know if you do need to blow 69 00:03:54,000 --> 00:03:55,680 Speaker 1: off steam about Elvis, I'm not the person blow it 70 00:03:55,680 --> 00:03:57,160 Speaker 1: off to blow it off somebody else. I don't want 71 00:03:57,160 --> 00:03:59,160 Speaker 1: to know. I don't like to be included. That's that's 72 00:03:59,160 --> 00:04:01,200 Speaker 1: not as kissy. I don't want to be included in 73 00:04:01,200 --> 00:04:06,440 Speaker 1: that stuff that's called loyalty. I'm not wanting to be 74 00:04:06,480 --> 00:04:08,360 Speaker 1: included as different than I'm going to run and tell 75 00:04:08,400 --> 00:04:11,560 Speaker 1: him immediately, no, I don't. I'm not one of those 76 00:04:11,600 --> 00:04:14,120 Speaker 1: people that I want to know everything that everybody's doing, 77 00:04:14,160 --> 00:04:16,080 Speaker 1: because when you're one of the people that knows, then 78 00:04:16,080 --> 00:04:17,760 Speaker 1: you're one of the people that gets accused when he 79 00:04:17,760 --> 00:04:19,840 Speaker 1: gets out. So I would rather you just not tell me, 80 00:04:20,120 --> 00:04:23,360 Speaker 1: because then that way you can't accuse while that's what 81 00:04:23,400 --> 00:04:27,080 Speaker 1: we call plausible deniability, Like if somebody starts saying something 82 00:04:27,120 --> 00:04:30,960 Speaker 1: that would incriminate me or or or I'm an accessory 83 00:04:31,000 --> 00:04:37,640 Speaker 1: after the fact, I'm like, you're saying murderer words. Shut 84 00:04:37,720 --> 00:04:43,880 Speaker 1: up murderers. Okay, sorry, we had to get all right. 85 00:04:43,920 --> 00:04:46,840 Speaker 1: I feel like the area has been cleared everybody else 86 00:04:46,920 --> 00:04:48,840 Speaker 1: and then you feel that way. Brody tried to throw 87 00:04:48,920 --> 00:04:52,520 Speaker 1: me under the bus with some nonsense yesterday because he's said, 88 00:04:52,600 --> 00:04:54,440 Speaker 1: and I quote, I come in a couple of days 89 00:04:54,440 --> 00:04:58,000 Speaker 1: a week, and and Froggy cackled at that because we 90 00:04:58,040 --> 00:05:01,080 Speaker 1: know that's not true. Then Brody goes, God, he's never here, 91 00:05:01,120 --> 00:05:04,679 Speaker 1: He's always in Detroit. I never said never here. I said, 92 00:05:05,000 --> 00:05:10,160 Speaker 1: you said, you said every two weeks. For a while, 93 00:05:10,160 --> 00:05:13,240 Speaker 1: it was everything I exaggerated because comedy comes from exaggeration. 94 00:05:13,560 --> 00:05:15,479 Speaker 1: It wasn't comedy. It was an attempt to throw under 95 00:05:15,480 --> 00:05:16,960 Speaker 1: the bus. Well, that's what we were doing. We were 96 00:05:17,000 --> 00:05:18,719 Speaker 1: throwing people under the bus. I didn't throw you under 97 00:05:18,760 --> 00:05:21,599 Speaker 1: the busy you did. You want a couple of id 98 00:05:21,720 --> 00:05:28,080 Speaker 1: laugh because it was blatant laugh right, But I'll tell 99 00:05:28,120 --> 00:05:30,400 Speaker 1: you what you also missed Elvis. We were talking about 100 00:05:30,400 --> 00:05:33,240 Speaker 1: how Brodie answers people back on text, and I gave 101 00:05:33,279 --> 00:05:35,640 Speaker 1: people a visual. If you ever text in the show 102 00:05:35,680 --> 00:05:37,600 Speaker 1: and you get a text it's Brody and this is 103 00:05:37,640 --> 00:05:43,160 Speaker 1: what he looks like. You have to get the original 104 00:05:43,160 --> 00:05:44,719 Speaker 1: ice set you frog. You have to get where it 105 00:05:44,839 --> 00:05:52,920 Speaker 1: clears the table and then goes crazy. Yeah, that's scary. 106 00:05:55,279 --> 00:05:58,760 Speaker 1: Do you ever answer text messages like you're not you? Yes, 107 00:06:00,200 --> 00:06:05,520 Speaker 1: that's wrong, because Diamond has gotten because they think that 108 00:06:05,600 --> 00:06:08,080 Speaker 1: it's her and she's like, it's not me, it's broody. 109 00:06:08,839 --> 00:06:12,480 Speaker 1: I've actually, you've you've you haven't said who it is, 110 00:06:12,600 --> 00:06:16,760 Speaker 1: and I've clarified that it was you Brody because they're like, 111 00:06:16,800 --> 00:06:20,760 Speaker 1: this is Nate, isn't it? And I'm like, no, it ain't. 112 00:06:21,240 --> 00:06:24,719 Speaker 1: Don't when most companies, when most companies, employees respond to 113 00:06:24,760 --> 00:06:27,200 Speaker 1: direct messages or text for companies, don't you have to 114 00:06:27,200 --> 00:06:29,680 Speaker 1: put your initials like he should be putting dB at 115 00:06:29,680 --> 00:06:32,039 Speaker 1: the end of Okay. The only time I don't say 116 00:06:32,040 --> 00:06:33,840 Speaker 1: it's me is if it's a question, Like if I answer, 117 00:06:33,880 --> 00:06:36,400 Speaker 1: it would be awkward, like you know, like if it's 118 00:06:36,400 --> 00:06:39,239 Speaker 1: a compliment or something, or or they're asking a question 119 00:06:39,240 --> 00:06:40,920 Speaker 1: I don't want to answer. I'll just say I'll let 120 00:06:40,960 --> 00:06:43,360 Speaker 1: him know. But if somebody says something like if Nate 121 00:06:43,400 --> 00:06:45,280 Speaker 1: writes them, I don't rat Nate out. They'll go, did 122 00:06:45,320 --> 00:06:47,200 Speaker 1: you write this product? No, it wasn't me, But I 123 00:06:47,240 --> 00:06:49,640 Speaker 1: don't say who it was. I don't wrap people out 124 00:06:49,839 --> 00:06:52,159 Speaker 1: when when someone on the show's one of these nine 125 00:06:52,200 --> 00:06:54,880 Speaker 1: people writes back like go to hell, I don't tell 126 00:06:54,920 --> 00:06:59,960 Speaker 1: them who it is. But nobody does that. Sometimes people 127 00:07:01,480 --> 00:07:03,760 Speaker 1: a little salty and it's not me. But I don't 128 00:07:03,800 --> 00:07:06,000 Speaker 1: say the show does that. I don't know what you're 129 00:07:06,040 --> 00:07:08,320 Speaker 1: talking about. No, I'm just saying if somebody did that, 130 00:07:08,360 --> 00:07:15,640 Speaker 1: I would never say, Okay, let's move on any other grievances. 131 00:07:17,200 --> 00:07:19,800 Speaker 1: Maybe we should just send it now. No, no, no, no, 132 00:07:19,920 --> 00:07:21,760 Speaker 1: there's exactly where I wanted it to go. I want 133 00:07:21,760 --> 00:07:23,320 Speaker 1: to see what you people are like when you're throwing 134 00:07:23,320 --> 00:07:26,000 Speaker 1: each other under the bus, right, it doesn't feel good. 135 00:07:26,160 --> 00:07:28,560 Speaker 1: I will say, like Gandhi mentioned it earlier when she 136 00:07:28,680 --> 00:07:32,360 Speaker 1: was talking about her ask me anything, is that what 137 00:07:32,400 --> 00:07:36,320 Speaker 1: we're calling it on Instagram? This? Like I've worked at 138 00:07:36,360 --> 00:07:40,400 Speaker 1: some shows where like the host was miserable, or there 139 00:07:40,480 --> 00:07:44,240 Speaker 1: was somebody else that was miserable. I mean, you know, generally, 140 00:07:44,280 --> 00:07:48,240 Speaker 1: this is a pretty great place. It's awesome. Even even 141 00:07:48,320 --> 00:07:50,320 Speaker 1: just the openness of like what we're doing right now, 142 00:07:50,560 --> 00:07:53,160 Speaker 1: arguing with each other and airing it all out. That 143 00:07:53,240 --> 00:07:55,640 Speaker 1: doesn't even happen at a lot of places. Somebody will 144 00:07:55,680 --> 00:07:57,760 Speaker 1: just come in and be toxic, and it's just a 145 00:07:57,920 --> 00:08:03,119 Speaker 1: permanently toxic, bottled up up terrible there's like one person 146 00:08:03,120 --> 00:08:06,880 Speaker 1: who's a dragon and breathes fire on everyone else, or multiples, 147 00:08:06,920 --> 00:08:10,080 Speaker 1: you know, Gandhi, Nate and I really understand it because 148 00:08:10,080 --> 00:08:12,880 Speaker 1: we've worked on multiple other shows, so we've seen it 149 00:08:12,960 --> 00:08:16,520 Speaker 1: other ways than that. It's like that in a lot 150 00:08:16,560 --> 00:08:19,960 Speaker 1: of workplaces, other than just what we do our industry. 151 00:08:20,000 --> 00:08:22,760 Speaker 1: I feel like it's pretty much this is definitely an anomaly. 152 00:08:22,960 --> 00:08:25,720 Speaker 1: Like I don't think any other you go to an 153 00:08:25,680 --> 00:08:29,000 Speaker 1: accounting office or insurance company, I guarantee it's not as 154 00:08:29,960 --> 00:08:32,640 Speaker 1: friendly an atmosphere is this, You know what I mean? 155 00:08:33,280 --> 00:08:43,560 Speaker 1: I agree wholeheartedly heartedly. Who parted? All? Right? Was that said? Um? 156 00:08:43,640 --> 00:08:46,760 Speaker 1: That's very kind of So you're saying the three of 157 00:08:46,800 --> 00:08:52,760 Speaker 1: you have worked for very, very very toxic people. I've 158 00:08:52,760 --> 00:08:54,880 Speaker 1: worked on two other shows and they were both very 159 00:08:54,960 --> 00:08:58,199 Speaker 1: different both had really good people, and then both have 160 00:08:58,600 --> 00:09:01,600 Speaker 1: an awful person, and and that one awful person can 161 00:09:01,679 --> 00:09:06,600 Speaker 1: ruin it for everybody and ruin the entire cohesiveness of Yes, 162 00:09:06,960 --> 00:09:11,679 Speaker 1: the work, Like I worked for one show and the 163 00:09:11,720 --> 00:09:15,200 Speaker 1: other producers, and I grew up in a great household. 164 00:09:15,280 --> 00:09:18,559 Speaker 1: Both my parents were awesome. But through this one work 165 00:09:18,559 --> 00:09:22,240 Speaker 1: relationship I could see how living with an abusive father 166 00:09:22,360 --> 00:09:26,600 Speaker 1: compete because it's it's just that situation where you're like, 167 00:09:26,640 --> 00:09:29,920 Speaker 1: you band together and you're like, oh, he's a don't 168 00:09:30,400 --> 00:09:32,160 Speaker 1: talk to me. Just hide, just hide, you know. I mean, 169 00:09:32,200 --> 00:09:35,320 Speaker 1: it's just that's kind of scenario someone you had to 170 00:09:35,400 --> 00:09:37,480 Speaker 1: hide from, someone you worked with, Oh well, you just 171 00:09:37,520 --> 00:09:40,240 Speaker 1: had to like, oh well. There would be days where 172 00:09:40,920 --> 00:09:42,640 Speaker 1: one of the people I worked with he wouldn't He 173 00:09:42,640 --> 00:09:44,640 Speaker 1: would come into the studio occasionally and I would just 174 00:09:44,679 --> 00:09:46,400 Speaker 1: let him know. I'm like, hey, stay in your studio, 175 00:09:46,520 --> 00:09:49,679 Speaker 1: don't come out. Yes, I worked with somebody who he 176 00:09:49,720 --> 00:09:53,200 Speaker 1: would leave our studio and the entire entire sales floor 177 00:09:53,240 --> 00:09:55,679 Speaker 1: you would see them scatter like cockroaches. They didn't want 178 00:09:55,679 --> 00:09:59,439 Speaker 1: to be around it time. It was like the message 179 00:09:59,440 --> 00:10:10,319 Speaker 1: I'm get here is Danielle Brody Garrett Scotty, thank you. 180 00:10:06,720 --> 00:10:12,839 Speaker 1: You don't blame me for these kind of kind vibes. 181 00:10:13,440 --> 00:10:15,800 Speaker 1: What the truth is, we've been insulated from this and 182 00:10:16,000 --> 00:10:18,960 Speaker 1: that type of environment our entire career. I don't know 183 00:10:19,000 --> 00:10:21,440 Speaker 1: what it's like. This is my first job out of college. 184 00:10:22,080 --> 00:10:25,320 Speaker 1: Yell is as well, right, Scotty Garrett, our first real 185 00:10:25,400 --> 00:10:27,520 Speaker 1: jobs out of college, and we're still here, So I 186 00:10:27,559 --> 00:10:31,360 Speaker 1: don't know what it's like outside of here. Just enjoy it, 187 00:10:31,679 --> 00:10:34,880 Speaker 1: love that while you can brace it. I think why 188 00:10:35,000 --> 00:10:36,679 Speaker 1: you still have a few good years left in you 189 00:10:36,720 --> 00:10:39,000 Speaker 1: scary you should go see what it's like on the 190 00:10:39,040 --> 00:10:43,800 Speaker 1: other side. You know, you need to know it in 191 00:10:43,880 --> 00:10:46,000 Speaker 1: life's experience. Not only is the grass not greener, you're 192 00:10:46,000 --> 00:10:51,040 Speaker 1: going to find those no grass. Trust me, you don't 193 00:10:51,040 --> 00:10:53,600 Speaker 1: know what you've got till you're gone. Thank you, Janet, 194 00:10:55,280 --> 00:11:03,439 Speaker 1: also Cinderella, Janet Jackson. I'm glad that it's it seems 195 00:11:03,440 --> 00:11:05,840 Speaker 1: like everyone's getting along, so, you know, I think maybe 196 00:11:05,840 --> 00:11:08,280 Speaker 1: he was exaggerated that yesterday you guys were throwing sharp 197 00:11:08,320 --> 00:11:10,760 Speaker 1: objects at each other. I guess that that was an exaggeration. 198 00:11:10,760 --> 00:11:13,920 Speaker 1: I mean, there was definitely some throwing underbuses, but only 199 00:11:15,840 --> 00:11:18,079 Speaker 1: that terminology come from by the way throwing under the bus. 200 00:11:18,240 --> 00:11:21,280 Speaker 1: Someone did it actually happen one day, let's google. Let's 201 00:11:21,280 --> 00:11:25,520 Speaker 1: google it. Some disgruntled coworker through their other coworker under 202 00:11:25,520 --> 00:11:27,920 Speaker 1: a bus, real bus. They messed up running the board 203 00:11:27,960 --> 00:11:30,600 Speaker 1: so that The lesson I learned here today is, Uh, 204 00:11:30,760 --> 00:11:33,280 Speaker 1: if you're gonna ship talk Elvis, don't tell Froggy because 205 00:11:33,320 --> 00:11:35,560 Speaker 1: it'll get back to Elvis. He well, he told you that, 206 00:11:35,640 --> 00:11:38,320 Speaker 1: he told told you that yesterday. You're just realizing that now. 207 00:11:41,480 --> 00:11:43,960 Speaker 1: That means you ship talked to Elvis to Froggy yesterday 208 00:11:44,000 --> 00:11:47,840 Speaker 1: before you realized. Scary's going back in his head going, um, 209 00:11:47,920 --> 00:11:51,800 Speaker 1: let me just say and when Here's what I learned today. 210 00:11:51,840 --> 00:11:56,800 Speaker 1: I learned that Scary's camera angle is odd. Oh I'm 211 00:11:56,840 --> 00:11:58,920 Speaker 1: not looking I'm looking at Diana. Is there no camera? 212 00:11:59,040 --> 00:12:04,160 Speaker 1: The camera's looking at your directly going to be down 213 00:12:04,160 --> 00:12:05,640 Speaker 1: a little bit. I kind of hope it is. You 214 00:12:05,679 --> 00:12:09,360 Speaker 1: get to see the angle Scaries food when from the webcam, 215 00:12:10,360 --> 00:12:13,040 Speaker 1: Deanna has confirmed that the one that we're watching here 216 00:12:13,280 --> 00:12:15,040 Speaker 1: is not gonna be this. Would you like Deanna to 217 00:12:15,120 --> 00:12:21,120 Speaker 1: use this angle? No? Yes, okay. So the end of 218 00:12:21,160 --> 00:12:23,800 Speaker 1: a bus thing apparently comes from British politics. Where they 219 00:12:23,840 --> 00:12:28,600 Speaker 1: were talking about where British politicians were talking about kill 220 00:12:28,720 --> 00:12:31,040 Speaker 1: the leader, like let's play kill the leader, and who 221 00:12:31,040 --> 00:12:34,679 Speaker 1: would go under the bus like essence talking about pushing 222 00:12:34,720 --> 00:12:37,080 Speaker 1: them under a bus were in front of a bus? 223 00:12:37,800 --> 00:12:41,520 Speaker 1: Have to double? Tis that something? You know what? I 224 00:12:41,520 --> 00:12:43,200 Speaker 1: had to look up that people use all the time 225 00:12:43,200 --> 00:12:46,520 Speaker 1: and I didn't know what it was. No, get over 226 00:12:46,559 --> 00:12:49,200 Speaker 1: that one. People use that all the time, Scottie, there's 227 00:12:49,200 --> 00:12:55,079 Speaker 1: an emoji. No, everybody's saying jump the shark. Oh, you 228 00:12:55,160 --> 00:12:59,719 Speaker 1: never do that, Happy day, Happy, happy days. Jumps the 229 00:12:59,760 --> 00:13:01,760 Speaker 1: show And that's when the show went downhill. I heard 230 00:13:01,760 --> 00:13:05,440 Speaker 1: everyone saying, and then watch it. No, I didn't watch. 231 00:13:05,720 --> 00:13:08,440 Speaker 1: I got to watch it because it really is. It's terrible. 232 00:13:10,640 --> 00:13:13,440 Speaker 1: Which is a great question. Where where did we jump 233 00:13:13,480 --> 00:13:15,800 Speaker 1: the shark? At what point did this show jump the shark? 234 00:13:16,120 --> 00:13:18,600 Speaker 1: Do you know, let's hope that hasn't happened yet. What 235 00:13:18,600 --> 00:13:21,040 Speaker 1: do you say? Maybe you never know, you never know, 236 00:13:21,040 --> 00:13:23,640 Speaker 1: it doesn't you don't know immediately when it happens. What 237 00:13:23,760 --> 00:13:26,160 Speaker 1: have we done that maybe should have been our shark 238 00:13:26,320 --> 00:13:31,080 Speaker 1: jumping moment? I can think of a couple of performances. Yeah, 239 00:13:34,880 --> 00:13:40,840 Speaker 1: one person, stop, don't say I didn't say he threw 240 00:13:40,920 --> 00:13:44,320 Speaker 1: himself under the bus. Maybe when when Great teat crept On. 241 00:13:47,720 --> 00:13:51,120 Speaker 1: I don't know I was going to say that that 242 00:13:52,760 --> 00:13:55,480 Speaker 1: I think we're still going strong. This Locomotives got a 243 00:13:55,480 --> 00:13:57,480 Speaker 1: lot of gets I didn't, and what I said was, 244 00:13:58,280 --> 00:14:00,480 Speaker 1: maybe I should say it like this, What did we 245 00:14:00,520 --> 00:14:03,280 Speaker 1: do that probably should have been the shark jumping, but 246 00:14:03,559 --> 00:14:08,800 Speaker 1: we're still here? Yeah, that probably was it. Things that 247 00:14:08,840 --> 00:14:11,199 Speaker 1: we did along the way that maybe we shouldn't have 248 00:14:11,240 --> 00:14:14,199 Speaker 1: done them go. I don't know. If I've been here 249 00:14:14,200 --> 00:14:16,559 Speaker 1: long enough, I feel like like things really changed when 250 00:14:16,559 --> 00:14:19,440 Speaker 1: I got here, and people didn't do crazy, crazy things. 251 00:14:19,480 --> 00:14:21,480 Speaker 1: But I'm sure you guys have something like the ship 252 00:14:21,560 --> 00:14:23,040 Speaker 1: on the floor. I wasn't here for that, but it 253 00:14:23,080 --> 00:14:26,960 Speaker 1: sounded glorious a video. It was not glorious if you 254 00:14:27,000 --> 00:14:28,880 Speaker 1: were sitting close to it. I have a video of 255 00:14:28,920 --> 00:14:32,600 Speaker 1: the of it actually like happening. Okay, okay, I have 256 00:14:32,720 --> 00:14:36,280 Speaker 1: no regrets. I think we've done everything great. What do 257 00:14:36,320 --> 00:14:37,800 Speaker 1: you think, Elvis, do you think there was a moment 258 00:14:37,800 --> 00:14:40,560 Speaker 1: that you're like, that was it? I thought the crap 259 00:14:40,560 --> 00:14:43,840 Speaker 1: on the floor is pretty close to the oddest moments 260 00:14:43,920 --> 00:14:46,440 Speaker 1: on the show. And instead of jumping the Shark. Can 261 00:14:46,440 --> 00:14:50,960 Speaker 1: we say shooting the floor? When did that show shipped 262 00:14:51,000 --> 00:14:57,080 Speaker 1: the floor? How do time we get into any time? Okay? 263 00:14:57,240 --> 00:14:59,120 Speaker 1: Now wait are we are we on time? Because that 264 00:14:59,200 --> 00:15:01,400 Speaker 1: guy is going to be well. We were over Monday, 265 00:15:01,440 --> 00:15:04,040 Speaker 1: Tuesday and Wednesday and today we are right on time. 266 00:15:04,120 --> 00:15:07,080 Speaker 1: If we invented, we have stuff we gotta get done. 267 00:15:07,280 --> 00:15:10,520 Speaker 1: So thank you for turning us on. Have a beautiful, 268 00:15:10,560 --> 00:15:21,680 Speaker 1: beautiful day. By by bye. The Fifteen Minute Morning Show