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Speaker 1: Hey everyone, Before we get to our new episode, we

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Speaker 1: have an exciting announcement. Snakes Miss is back, so please

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Speaker 1: join us for a live taping of and That's What

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Speaker 1: You Really Missed live from the I Heart Radio Theater

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Speaker 1: in Los Angeles. We are raising funds and awareness in

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Speaker 1: loving memory of our friend Naya Rivera to benefit Alexandria House.

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Speaker 1: Celebrate the holidays with us and keep the snakes Miss

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Speaker 1: spirit alive. Join us in person at the I Heart

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Speaker 1: Radio Theater or watch the live stream. Special guests, performances,

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Speaker 1: unbelievable gleeful auction items, and a live podcast. Here are

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Speaker 1: the details. In person event December six at seven pm

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Speaker 1: from the I Heart Radio Theater in Los Angeles. And

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Speaker 1: for those of you that can't join us in person,

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Speaker 1: we are streaming the event on December eight at five

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Speaker 1: pm Pacific time, and don't worry, we'll be watching right

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Speaker 1: along with you and chatting with you live. We will

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Speaker 1: even have a virtual meet and greet option. Tickets are

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Speaker 1: available on box office dot Mandolin dot com. We're placing

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Speaker 1: the direct link to the tickets on our Instagram and

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Speaker 1: bio and the notes of this podcast episode, so go

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Speaker 1: check it out and we'll see you there. Mary Snicks

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Speaker 1: miss and That's what You Really Missed with Jenna and

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Speaker 1: Kevin and I heart radio podcast. Welcome to and That's

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Speaker 1: what You Really Missed podcast. I'm Jennosh Qwitz, I'm Kevin McHale,

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Speaker 1: and strap in because we're going to reach Showmance. I

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Speaker 1: watched this last night this morning. Gosh, this is a

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Speaker 1: good episode. If I do say so myself, this episode

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Speaker 1: is great. So we were This was a couple of

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Speaker 1: months after we shot the pilot. We shot the pilot

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Speaker 1: in late October of two thousand and eight, and we

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Speaker 1: started shooting this in January two thousand nine, So this

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Speaker 1: was the first episode back. We were fueled with the

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Speaker 1: AMMO that we were picked up for thirty So this

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Speaker 1: was the real start of the season for us, and

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Speaker 1: it was the first time we had all seen each other. Um, right,

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Speaker 1: I had Chris Chris and I had to move to

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Speaker 1: l A. So we had to pick up and actually

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Speaker 1: move here. Um, Kevin, you were already here, Ambers here

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Speaker 1: had no but Lee had already moved by the Oh no, no,

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Speaker 1: you're right, You're I don't know. I feel like she

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Speaker 1: had placed in New York and in l a at

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Speaker 1: the time. Um, but she did pick up and move

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Speaker 1: as well. And um, yeah, so we were this was

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Speaker 1: like a welcome back party episode. I will also say

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Speaker 1: the side note, Um, do you remember, so we had

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Speaker 1: a dance studio called the tin Shed that we used

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Speaker 1: for the first two years Tinch was called the tinched

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Speaker 1: because it was like basically a tin roof. Yes, and

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Speaker 1: it was it was it was very right and not

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Speaker 1: very big. Um. And this was the time we were

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Speaker 1: all young. We were coming back for this to be

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Speaker 1: series regulars on the show. None of us have ever

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Speaker 1: done that before. And we were also as like kids,

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Speaker 1: like struggling to financially, like stay above water. And I

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Speaker 1: remember one of our first things that we all did

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Speaker 1: together was go to Fox and be like, hey, can

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Speaker 1: you give us an advance payment on this episode because

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Speaker 1: we are all broke and it was really good bonding experience.

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Speaker 1: And then in the tin Shed and then we also

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Speaker 1: learned the number in this episode push it for like

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Speaker 1: a full month, and we were we were living in

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Speaker 1: that before we shot anything. Um, so let's get into yeah,

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Speaker 1: let's go okay, a couple of things this episode does.

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Speaker 1: We're established like we're calling back to the pilot, we

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Speaker 1: have like Will in the car right opening up with

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Speaker 1: the blue car kids in the parking lot, we're back

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Speaker 1: in the dumpster and then it's immediately I feel like

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Speaker 1: this episode is really about establishing rivalries, like lines are

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Speaker 1: being drawn. So it's really like we're drawing lines, were

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Speaker 1: establishing who's gonna hate who, who's going to love who?

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Speaker 1: Just from the outset that's right, right, yes, absolutely, starting

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Speaker 1: with Will and Sue and this is it, right, we're

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Speaker 1: setting up like Sue Shoe always having to like fight

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Speaker 1: for the glee club, fight for the glee club, get

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Speaker 1: get more money, do the thing, and sees like ok bye, yeah,

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Speaker 1: and also like you know, to call back to what

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Speaker 1: Ryan said before or Sue calls us the Asland of

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Speaker 1: Misfit Toys and that obviously now hearing him that that's

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Speaker 1: how we thought about us, then makes sense they were

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Speaker 1: using it really early. Yeah, that's right. And then the

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Speaker 1: first slushy of of Showman's and it was blue this time,

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Speaker 1: right instead of bread. Yeah, the blue really stained pretty badly.

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Speaker 1: I will say did feel bad for le Is. She

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Speaker 1: was getting a lot of all of us slushy and

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Speaker 1: the blue really does stain you look like an avatar

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Speaker 1: all the way down to your excuse, Um, okay, and

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Speaker 1: then freak out. This number is horrible, I mean truly horrible.

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Speaker 1: Do you remember recording it too, Yes, I do. We

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Speaker 1: are all together in the recording stude. I think this

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Speaker 1: is the last time we ever recorded this way where

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Speaker 1: they recorded all our voices at the same time, and

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Speaker 1: when we all went to the studio together, we all

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Speaker 1: listened to everybody go into the booth and record, and

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Speaker 1: then it got crazy and we didn't have time for

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Speaker 1: it anymore. Um, and the freak out number was really funny.

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Speaker 1: But it was fun because we knew we had to

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Speaker 1: be bad, and we knew the choreography had to be bad,

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Speaker 1: so we're just like playing up. Yes, we were showing

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Speaker 1: our best acting shop. Actually, this was my best work

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Speaker 1: in the whole series. And both peak in this episode

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Speaker 1: with our two lines, Um, Mercedes, Mercedes is like about

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Speaker 1: to get kicked in the face. She's like helts and

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Speaker 1: then not help. The no established very early, very early,

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Speaker 1: very very early. And then um, Will says did you

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Speaker 1: notice Will says John Travolta hand, Yeah, like, um, Saturday night, Yeah,

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Speaker 1: I think that's that must be what that was, right,

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Speaker 1: because I was like, what is that? Um? I was

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Speaker 1: hitting my mark though truly this number. I was like,

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Speaker 1: oh God, that's so cringe e Um. So they're supposed

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Speaker 1: to perform for the whole school, this number for the

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Speaker 1: whole school, and all of us ugly kids are like,

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Speaker 1: we're going to get slate. Yeah, I mean because we

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Speaker 1: need to recruit more people, we need to tell people

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Speaker 1: to qualify for regionals, and at this point we have

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Speaker 1: five six M And then she was choosing a very

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Speaker 1: antiquated number that no longer will slap with the kids,

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Speaker 1: but because they won nationals or something with it back

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Speaker 1: in the back in the day, back in the day,

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Speaker 1: poor poor misguided chew. Mm. When the little Glee slate

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Speaker 1: thing bumper comes up, do you remember that there was

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Speaker 1: an alternate Glee intro. There was a whole There was

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Speaker 1: a full animated Bryan showed us. Um. It was like

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Speaker 1: a chicken in an egg, right. There was original song

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Speaker 1: written by Adam Anders and like an animated opening. It

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Speaker 1: was like a little chick who was like hatching and

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Speaker 1: then like hopping around. Imagine if that was the opening.

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Speaker 1: It was very not us at all. It was very strange.

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Speaker 1: It was a good memory. I remember watching that and

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Speaker 1: being like, no, we're on tour or something, and he

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Speaker 1: showed us. Yeah. It was a while after that we

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Speaker 1: were like, excuse me, um, I will say this episode,

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Speaker 1: Jescelyn is acting acting at her finest. It is the

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Speaker 1: most brilliant, um grounded comedy you will ever see. I mean,

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Speaker 1: I know we talked about her before, but like hats

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Speaker 1: Off Man, Terry is unsung hero. It's that it's that

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Speaker 1: balance of being absolutely diabolically crazy but you just can't

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Speaker 1: help but and like watch her and love everything she's

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Speaker 1: doing and doesn't feel like it's grounded. She takes like

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Speaker 1: the boards on the page and like makes them sound

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Speaker 1: so convincing that you're like, oh, I believe her. She's

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Speaker 1: she's a real person, Yes exactly. She's not a caricature

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Speaker 1: like you're a real which also makes me wonder, like,

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Speaker 1: is this character based off of somebody? We need to

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Speaker 1: find that out. Okay, well put it on the list

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Speaker 1: because I was like, this is all very It's like

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Speaker 1: some sort of like amalgamation of all the craziest things

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Speaker 1: people have heard other people say, yeah, and it's probably

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Speaker 1: it sounds outrageous, but it's probably been side Okay. So

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Speaker 1: Will and Terry are looking at a model house for

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Speaker 1: because Terry they have to expand, because their family is expanding.

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Speaker 1: Her sister, Oh my god, Jennifer aspen I what also

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Speaker 1: another comedic genius, the two of them together, and she

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Speaker 1: comes in to the show and just everything she does

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Speaker 1: physically and verbally is pure gold. Doctor Yeah, like gold,

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Speaker 1: little tiny little nuggets. Um, She's she's the best. Terry's

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Speaker 1: really out of her mind this episode and is saying

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Speaker 1: incredible things about you know, and the and the kitchen,

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Speaker 1: sacrificing her that's right, her breakfast nook and um, saying

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Speaker 1: that she had all she has to do is give

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Speaker 1: up Applebee's and they won't run the a C for

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Speaker 1: a couple of some first couple of summers. It's this

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Speaker 1: is where our daughter gay son will sleep. Yes, I mean,

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Speaker 1: obviously I do have a thing here, a point to

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Speaker 1: bring up where I always have an issue with shows

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Speaker 1: or movies where you see, like our main character or

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Speaker 1: protagonist who is very likable with someone who was awful

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Speaker 1: and like, especially through this, and I'm like, how did

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Speaker 1: they ever end up together in the first place? Like

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Speaker 1: I always am really sensitive to a bit of a

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Speaker 1: pushover he is. But I'm like, I'm bringing this up

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Speaker 1: now because I think what happens, and like, I think

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Speaker 1: it's Jescelyn's performance at the end of this episode completely

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Speaker 1: answered that for me, because at the beginning of this

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Speaker 1: is like, there was no way anyone saw anything in

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Speaker 1: her to like Mary because she is like this all

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Speaker 1: the time. Um. Okay, So then we move on to

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Speaker 1: the choir room and we see Mr Shoes first, um

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Speaker 1: moment of rapping trying to appease the children with something

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Speaker 1: more current with Kanye. But times have changed and times

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Speaker 1: have changed, and I am and this would have never

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Speaker 1: we never know, No, goodbye. Um. Anyway, We'll move forward

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Speaker 1: from this and getting to this number. Like like the

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Speaker 1: kids in the show, it was very fun, you guys

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Speaker 1: was great. Yeah, it was actually really fun to do.

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Speaker 1: It was like the first it was a different song.

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Speaker 1: We would really enjoyed it. Like this was also establishing

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Speaker 1: sort of how we recorded the rest of the music.

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Speaker 1: We were in a different kind of recording studio. Yes, yes, yes,

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Speaker 1: Ryan was actually there, which isn't I didn't normally wasn't

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Speaker 1: he there? Am I misremembering that. No, no, you probably remember.

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Speaker 1: I just don't remember because I feel like he was

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Speaker 1: also getting to know. I think he was there. I

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Speaker 1: think you're right. Well, I think he got ambered to

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Speaker 1: yell yeah, and then they got me to sort of

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Speaker 1: yell because I was like I can't reach this, and like, yeah,

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Speaker 1: you can just try it. And so we were really

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Speaker 1: organically figuring out what people could do. Yeah, that's right. Um,

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Speaker 1: you both you both slammed the number. It was really

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Speaker 1: really good and slam dunk and and Mr she as well.

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Speaker 1: Matt did as well. And then I mean she was

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Speaker 1: just rapping. Here we go off to the races. We

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Speaker 1: go the start of a movement really and like very

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Speaker 1: justin Timberlake. Ok. Yeah, I mean you can't un see

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Speaker 1: it now, No, No, that's it here alright. So then

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Speaker 1: we go into the girl's bathroom and of course we

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Speaker 1: go to our favorite and the pills Ferry um and

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Speaker 1: she's I love this little shot of Rachel and her

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Speaker 1: and the toilet and it's ex expertly written and acted.

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Speaker 1: Also there's something I had noticed before where because Emma

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Speaker 1: is such a cleaning obsessed person um that she stops

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Speaker 1: stops washing her hands to go help Rachel. That is

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Speaker 1: her job, right, she is the guidance, it is, but

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Speaker 1: like that can overpower definitely. And I feel like these

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Speaker 1: two scenes back to back really reminded me of sex education.

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Speaker 1: Oh yes, very much. Yeah. It was like a really

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Speaker 1: you're talking about really sensitive subjects and you're talking in

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Speaker 1: like a way that is very informative and also with

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Speaker 1: a bit of like the gag reflexing, like oh, when

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Speaker 1: you're older, it's going to be an asset. So good.

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Speaker 1: And then um, for those of you who don't know,

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Speaker 1: like there's always these pamphlets. There would always be these pamphlets,

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Speaker 1: even if you didn't see them in the scene. If

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Speaker 1: you were in the scene, you'd be looking at them

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Speaker 1: like while you were shooting. Um. Some of the pamphlets

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Speaker 1: at m his office were ouch that stings, divorce, Why

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Speaker 1: your parents stopped loving you? I can't stop touching myself.

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Speaker 1: Right on the Silent Killer, my mom's bipolar and she

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Speaker 1: won't stop yelling, wow, there's down there. And the last one,

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Speaker 1: so you like throwing up understanding and overcoming bolliemo. Um,

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Speaker 1: so Emma gives her the Rachel the um eating disorder.

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Speaker 1: Um brochure, and she says she doesn't have me, she

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Speaker 1: just wants to be pretty like Quinn. You know, there's

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Speaker 1: something I think really endearing about Rachel and like, as

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Speaker 1: wild as she may be a lot of the time,

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Speaker 1: she's always very upfront with her feelings. She's never really

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Speaker 1: trying to play a lot of games where she's just like, no, actually,

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Speaker 1: I want to be pretty Quinn, even if it's outrageous

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Speaker 1: like she's you know, she owns it. And I really

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Speaker 1: appreciate that in her character because I also think that's

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Speaker 1: very important to see where it's like, no, this is

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Speaker 1: why she's doing this, and it's being caused by that,

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Speaker 1: So let's talk about it, because if she wasn't, then

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Speaker 1: you you're not able to really have the open dialogue

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Speaker 1: that they have about it. And I do think that

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Speaker 1: the balance of the scene is sort of um between,

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Speaker 1: you know, the toilet bowl scene and then Emma's office

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Speaker 1: scene are also I think, like um, the perfect example

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Speaker 1: of walking the tight rope between the humor and the

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Speaker 1: dark humor of it are all the satire of it

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Speaker 1: all and also talking of out real things subjects, yes,

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Speaker 1: and everything works together and independently of one another. And

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Speaker 1: I think that was a masterclass and writing. Yes, and

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Speaker 1: the three of them just bratty In and Ryan, like,

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Speaker 1: it's so cohesive when you have such a small room,

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Speaker 1: there's not too many cooks in the kitchen. It's just

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Speaker 1: like you know what I mean, it's very focused and

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Speaker 1: um they wrote with the first three seasons by themselves,

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Speaker 1: which is two episodes. Um. Okay, So then we um oh,

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Speaker 1: and then we have to talk about the car moment

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Speaker 1: because again I think that's top ten, maybe top five

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Speaker 1: all time favorite Glee moments for me. Yes, yes, I

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Speaker 1: think about it, so I love it. Also, this is

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Speaker 1: one of the um it was in the pilot and

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Speaker 1: it's in this episode, but it's sort of, um, goes

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Speaker 1: away I think pretty quickly after this of music and

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Speaker 1: other parts of the show that aren't us performing. So

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Speaker 1: like in the pilot you had the steel drums, you

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Speaker 1: had people from the guitar, and this episode in the

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Speaker 1: beginning you have a guy in the guitar randomly in

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Speaker 1: the hallway of jama Um. But then that's stuff sort

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Speaker 1: of goes away as we're a little tight on time,

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Speaker 1: you know, well yeah, because we end up doing that

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Speaker 1: four songs in an episode, you do like ten songs

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Speaker 1: an episode. I remember we would open up our scripts

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Speaker 1: to see, like on the second page would be like

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Speaker 1: the song numbers are like um titles, and we'd be

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Speaker 1: so excited to like see what songs we were doing

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Speaker 1: in the episode. And we'd look and it'd be like

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Speaker 1: the whole page. You're like, oh my god, oh my god. Okay. Um.

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Speaker 1: So then we go into the principle's office, which is

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Speaker 1: so cute because it's the first like, yes, I think

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Speaker 1: it's the first time Rachel and Finn are sort of

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Speaker 1: on something and um also caught in the principal's office, Kevin.

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Speaker 1: We end up in the principal's office together, which is

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Speaker 1: also really fun. That's right, it was. It was. We

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Speaker 1: were very lucky to end up in the principle's office.

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Speaker 1: To Phil, we were we were, um, this is the

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Speaker 1: justin Timberlake reference number two of the show. That's right,

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Speaker 1: just timber like Clarkson and Robin Thinker on the cover

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Speaker 1: of these flyers that Sue was so upset about that

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Speaker 1: they made copies of um or four cents each, but

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Speaker 1: the dropping of the drink and the whole thing of

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Speaker 1: like the copy machine. It's just ridiculous, will not stand this. Um,

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Speaker 1: so the child copy machine is on for the cheerios,

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Speaker 1: which is absolutely also just ridiculous, like the cheerios rule

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Speaker 1: at school. Um. And then Finn and Rachel apologize for

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Speaker 1: using the copy machine. Yes, she insists in doing the

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Speaker 1: song for the assembly right, well, because their point of

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Speaker 1: doing this was so they put so they can get

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Speaker 1: cooler kids, and they need to do a cooler song

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Speaker 1: to get these kids. And he is very adamant about no,

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Speaker 1: we're going to do this song that nobody wants to

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Speaker 1: hear and waited. Um. And then and then Rachel goes

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Speaker 1: in for it and asks if to go into my

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Speaker 1: one of my favorite team wants to practice after school,

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Speaker 1: but he can't because he a celibacy club. Okay, so

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Speaker 1: then we get shirtless shoe wait I just I also

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Speaker 1: wanted to point out that this was early Sue and

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Speaker 1: so the antics were not that high yet, like the

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Speaker 1: things she was going to throw at them to try

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Speaker 1: to subvert their success. This was like, oh, they're using

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Speaker 1: the copy machine, not a big deal, Like we are

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Speaker 1: just warmer because Sue goes full demon pretty quickly. That's right, all, everybody,

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Speaker 1: I'm Tyler Florence and I'm Wells Adams were the hosts

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Speaker 1: of the new podcast Two Dudes in the Kitchen. You

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Speaker 1: might be asking yourself, why do these guys have a podcast?

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Speaker 1: Because we love food. You and I have known each

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Speaker 1: other for a while. We got a chance to click

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Speaker 1: together on television on Food Network back in the day,

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Speaker 1: and uh, I gotta tell you there's no two better

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Speaker 1: guys are more equipped to take you guys on a

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Speaker 1: journey through the kitchen. It's all about great recipes. It's

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Speaker 1: all about connecting with fantastic techniques and having a great time.

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Speaker 1: Why you're doing it. It's a podcast for you, for

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Speaker 1: you to call into give us your feedback, and we're

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Speaker 1: here to answer your questions and kind of get those

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Speaker 1: kitchen burners fired up. I got a lot of questions

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Speaker 1: just because I'm not nearly as good of a chef

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Speaker 1: as you are. So I'm gonna be asking you a

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Speaker 1: lot of questions, and you guys out there can ask

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Speaker 1: him as well. It's gonna be a lot of phone

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Speaker 1: We're gonna learn a lot and you know what, most importantly,

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Speaker 1: we're gonna eat good. We're gonna eat good, Man eat

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Speaker 1: good in the neighborhood man, We're here for you. Listen

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Speaker 1: to two Dudes in the Kitchen on the I Heart

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Speaker 1: Radio app, Apple podcasts or wherever you listen to podcasts.

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Speaker 1: Back to now, Shirt, Let's shoot again, Shirt, Let's shoot um.

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Speaker 1: This was I think seventeen minutes into the show. That

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Speaker 1: was minutes um. But this is also a really great

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Speaker 1: This is where I saw Jesselyn's acting and I was like,

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Speaker 1: I just can I take a class from her? Class

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Speaker 1: from her? Um? She gets upset that she can't have

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Speaker 1: a grandpoi a and you know when when is somebody

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Speaker 1: going to finally start giving back Kevin. Yeah, she can't

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Speaker 1: get a win. It's so hard for her, really hard.

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Speaker 1: I did think this was a weird shoehorn And then

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Speaker 1: all of a sudden, we're back at the school and

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Speaker 1: Figgins is scrubbing off. I feel like they wrote something

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Speaker 1: more and it got cut because why why was he

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Speaker 1: at why was shoe back at the school at nighttime

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Speaker 1: and full and full teacher outfit? But for the story,

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Speaker 1: we need it because she um asked to become the

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Speaker 1: janitor to get some extra extra money for Terry and

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Speaker 1: the ab and so he does it, and and now

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Speaker 1: Mr shoe is has a full time job and another job,

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Speaker 1: and Terry only works probably a quarter of the time

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Speaker 1: at sheets and things. And then we're back to daytime

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Speaker 1: at the school for Celibacy Club, which is really funny.

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Speaker 1: It's a great, great scene. We're getting a lot more

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Speaker 1: Diana in this episode and it's wonderful. It is wonderful,

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Speaker 1: like like early Quinn is like the best, the best,

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Speaker 1: the best. And also then we meet Jacob in Israel I.

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Speaker 1: Also Josh Sessman, who plays Jacob in Israel is so good.

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Speaker 1: But I think I also don't even realize he came

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Speaker 1: in this early, like oh yeah, I didn't. I did

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Speaker 1: not remember that. We'll have to get him in UM.

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Speaker 1: But yeah, Jacob in Reel, it's yes Celibacy Club. She

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Speaker 1: has the Rachel's partner with him um. And this sets

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Speaker 1: up also like the best joke in the whole episode.

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Speaker 1: They're talking about um not um you know, erupting too

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Speaker 1: soon and we see Finns flashback of the flashback is

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Speaker 1: really the highlight of my life and of this episode.

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Speaker 1: It's everything is so good in this episode. I also

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Speaker 1: love that romy Um. It's like still in the denim

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Speaker 1: outfit that she was in a decade earlier. Like she

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Speaker 1: she she talked about that times have changed. No, no,

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Speaker 1: like who says we need a father figure? Um, and

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Speaker 1: then and then we're we go into it. We get

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Speaker 1: into we get into it right, we get into it.

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Speaker 1: Do you remember filming the scene. We filmed the scene

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Speaker 1: in the auditorium. We have like a meeting where Rachel

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Speaker 1: is telling the group that we need sex. We gotta

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Speaker 1: sell sex, and that's how we're going to get people

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Speaker 1: right before we do the actual performance. But on the

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Speaker 1: day of actually shooting it, we shot this I think

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Speaker 1: last and we were all we had shot push it

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Speaker 1: all day we were doing this scene and then we

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Speaker 1: were losing our minds because Chris would go blood blood. Actually,

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Speaker 1: when when I watched it, I said, bo YouTube video

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Speaker 1: a little boy Corey's faces in this entire episode when

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Speaker 1: he's trying to be like flirty or like young like

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Speaker 1: and he does this a little smart thing. Every everybody

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Speaker 1: was firing in this scene. It was a quick scene,

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Speaker 1: but everyone sort of doing their little stick and it's

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Speaker 1: very satisfying to watch, is very satisfying, and we were

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Speaker 1: all enjoying very much. So I think those short scenes

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Speaker 1: were really fun to shoot two because they're like in

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Speaker 1: and out and you just like you have a little

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Speaker 1: bit of fun than you get out. Um, so we

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Speaker 1: do push it and they were like, I mean we

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Speaker 1: talked about this in the Chris episode on the Chris Interview,

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Speaker 1: but like we we rehearse this for like weeks, So

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Speaker 1: we were just literally on each other for weeks, crawling

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Speaker 1: on our knees, crawling on our knees. Um. Really, you

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Speaker 1: especially really threw your body down on the ground. You

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Speaker 1: were just down there. It's just I was ready to

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Speaker 1: go for it. Tina was really just going for it,

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Speaker 1: pointed out too, like we didn't want to do freak

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Speaker 1: out that was from but push it. It's from six,

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Speaker 1: Like that's not very current either. Yeah, but eight six

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Speaker 1: is like a different time and it was like a

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Speaker 1: hip hop song, so it's a different fel that's that. Um.

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Speaker 1: I was belly laughing watching that number again. It's it's

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Speaker 1: really really that moment where I forgot what like Kurt

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Speaker 1: Smack's fantastic and then he looks over at all of

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Speaker 1: his friends like freaking out. Um, It's it's there. It's here.

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Speaker 1: In this episod, there are a couple of references of

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Speaker 1: like gay beings bad and being scary, but it was

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Speaker 1: a hit. Everybody loved it. Oh when um when she

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Speaker 1: was introducing the glee club and says that, um, like

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Speaker 1: there you know for coming that they used to rule

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Speaker 1: the school back in his day, and then he's mounting

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Speaker 1: a comeback or whatever and then sued sort of chuckles.

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Speaker 1: She puts her hand in front of her face and

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Speaker 1: just starts laughing. The reactions between Jama and Jane and

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Speaker 1: this number are phenomenal. Oh, I missed it. Homes to

427
00:25:35,560 --> 00:25:38,560
Speaker 1: go back and watch that. Oh god, you yeah, you

428
00:25:38,600 --> 00:25:41,960
Speaker 1: gotta watch it. Just watch them, you know what we're doing.

429
00:25:42,440 --> 00:25:45,080
Speaker 1: But this was, I mean forever one of the most

430
00:25:45,080 --> 00:25:48,200
Speaker 1: fun numbers, and we did it on tour. We also, yes,

431
00:25:48,240 --> 00:25:49,959
Speaker 1: that's right, we did do it on tour because you

432
00:25:50,000 --> 00:25:52,720
Speaker 1: have to have push it in there where we're doing

433
00:25:52,840 --> 00:25:55,200
Speaker 1: things on top of each other. Um, when we did

434
00:25:55,240 --> 00:25:58,240
Speaker 1: this number, remember we had a lot of time downtime

435
00:25:58,320 --> 00:26:00,879
Speaker 1: off stage or like on the stage behind the curtain

436
00:26:01,000 --> 00:26:03,879
Speaker 1: before they opened it up. And like we all like

437
00:26:04,840 --> 00:26:06,639
Speaker 1: we like we're still getting to know each other, so

438
00:26:06,720 --> 00:26:09,280
Speaker 1: like we would sit in a circle and like talk together.

439
00:26:09,400 --> 00:26:12,000
Speaker 1: That whole day was really really fun. Like it was

440
00:26:12,000 --> 00:26:14,840
Speaker 1: the first musical number we had done. We were drinking

441
00:26:14,840 --> 00:26:18,320
Speaker 1: red bulls, we were like hanging out, um, you know,

442
00:26:18,359 --> 00:26:20,600
Speaker 1: since the pilot, and like it was really just like

443
00:26:20,680 --> 00:26:25,440
Speaker 1: still very much like um a Kumbaio circle if you yeah,

444
00:26:26,840 --> 00:26:30,960
Speaker 1: because it was also such a departure from Stop that

445
00:26:31,440 --> 00:26:35,439
Speaker 1: it was really exciting for us to get to like

446
00:26:35,520 --> 00:26:39,439
Speaker 1: play that and also like show our crew and like

447
00:26:39,520 --> 00:26:43,159
Speaker 1: the extras and things about, Like, I mean, we were

448
00:26:43,160 --> 00:26:45,080
Speaker 1: all performers, and it's like not normal that you get

449
00:26:45,080 --> 00:26:48,720
Speaker 1: to perform within a performance really, and so it was

450
00:26:49,359 --> 00:26:54,480
Speaker 1: like this multilayered way of um getting to interact with

451
00:26:54,520 --> 00:26:56,359
Speaker 1: each other and getting to know each other and also

452
00:26:56,520 --> 00:26:58,359
Speaker 1: the people that we would spend the next six years

453
00:26:58,359 --> 00:27:01,639
Speaker 1: working with. That's right, I get used to it. This

454
00:27:01,680 --> 00:27:10,080
Speaker 1: show is smut um. So Rachel ends up apologizing to

455
00:27:10,800 --> 00:27:18,240
Speaker 1: Mr shoe Um, but Figgins is thrilled. He's thrilled. He

456
00:27:18,280 --> 00:27:20,840
Speaker 1: says he hasn't seen a student body excited like this,

457
00:27:20,920 --> 00:27:23,160
Speaker 1: So he gets all of his he gives them songs

458
00:27:23,240 --> 00:27:28,640
Speaker 1: pre approved. Sue is not happy and demands resignation, and

459
00:27:29,000 --> 00:27:34,960
Speaker 1: like the delusion of dissolution of Glee, club. It's pretty great,

460
00:27:35,040 --> 00:27:40,639
Speaker 1: very yeah. Um. And then and then we go into

461
00:27:40,840 --> 00:27:44,080
Speaker 1: one of my favorite scenes of the episode as well.

462
00:27:44,760 --> 00:27:47,080
Speaker 1: It's very sweet, and then it really comes off with

463
00:27:47,119 --> 00:27:52,000
Speaker 1: a twist. Um, the picnic scene, the rehearsal. Um, it's

464
00:27:52,000 --> 00:27:54,560
Speaker 1: really sweet because you get to see like Finn and

465
00:27:54,680 --> 00:27:58,000
Speaker 1: Rachel and Finn kind of like complimenting her and like

466
00:27:58,280 --> 00:28:00,280
Speaker 1: you could just be as good as her. It's it's

467
00:28:00,320 --> 00:28:02,399
Speaker 1: just it's those feel good moments that you kind of

468
00:28:02,400 --> 00:28:05,240
Speaker 1: like where the show slows down a little bit, um,

469
00:28:05,280 --> 00:28:08,960
Speaker 1: that I really appreciate. And then also the oddity of

470
00:28:09,000 --> 00:28:11,639
Speaker 1: then turning around and having a full picnic on the stage.

471
00:28:11,880 --> 00:28:15,800
Speaker 1: That's glee for you right there, And even in likely

472
00:28:15,880 --> 00:28:18,080
Speaker 1: as voice, you can hear like, oh, well look at that,

473
00:28:19,280 --> 00:28:22,280
Speaker 1: I've set this up for you. Um. It was the

474
00:28:22,520 --> 00:28:27,240
Speaker 1: knowing a knowing line. Um. And then the mailman yep,

475
00:28:27,960 --> 00:28:33,640
Speaker 1: the full car crash mailman. It's his O face was

476
00:28:33,840 --> 00:28:39,480
Speaker 1: so good. Oh, it's so good. Comedy so good. And

477
00:28:39,520 --> 00:28:43,000
Speaker 1: then even better than we just go up from there

478
00:28:43,040 --> 00:28:47,760
Speaker 1: at the doctor's office. Um. Oh no, yeah, yeah, yeah, yeah,

479
00:28:47,760 --> 00:28:50,920
Speaker 1: that's right. Um, you're right, don't doubt yourself. He doesn't

480
00:28:50,960 --> 00:28:56,280
Speaker 1: find there is no baby. There's only a fake baby. Yeah,

481
00:28:56,280 --> 00:28:58,520
Speaker 1: it's something I've learned. This is no longer called a

482
00:28:58,560 --> 00:29:03,080
Speaker 1: hysterical pregnancy. What is it called a false pregnancy? Well

483
00:29:03,280 --> 00:29:08,120
Speaker 1: obviously yeah, but if you google it, like people used

484
00:29:08,160 --> 00:29:11,720
Speaker 1: to call it back in the day. So it's actually

485
00:29:11,760 --> 00:29:15,160
Speaker 1: a thing though, where people like have fake or have

486
00:29:15,480 --> 00:29:20,160
Speaker 1: symptoms pregnancy symptoms, but they're not actually pregnant. Whereas Terry

487
00:29:20,200 --> 00:29:26,160
Speaker 1: thinks that her baby fill out because that's what happens. Um,

488
00:29:26,240 --> 00:29:28,600
Speaker 1: So then we we we move on from there. We think,

489
00:29:28,680 --> 00:29:33,000
Speaker 1: you know, okay, well that there's that storyline, but just

490
00:29:33,080 --> 00:29:36,200
Speaker 1: hold on to your horses. That we were heading into

491
00:29:36,240 --> 00:29:40,320
Speaker 1: one of the most iconomical numbers of all time. So

492
00:29:40,400 --> 00:29:43,840
Speaker 1: I texted Kevin last night, um when we were watching this,

493
00:29:43,960 --> 00:29:47,959
Speaker 1: because um, I'm like, oh my gosh, I remember like

494
00:29:48,120 --> 00:29:51,560
Speaker 1: hearing it over the pre record as it's that when

495
00:29:51,560 --> 00:29:53,400
Speaker 1: they were shooting it, because we were like on set,

496
00:29:53,440 --> 00:29:56,440
Speaker 1: I think, or getting ready to shoot something, and I

497
00:29:56,520 --> 00:29:57,920
Speaker 1: was like, oh my gosh, I wonder what they're doing

498
00:29:57,960 --> 00:29:59,680
Speaker 1: in there, and like we peeked in and we saw

499
00:29:59,760 --> 00:30:02,520
Speaker 1: them shooting and it was awesome, and then you know,

500
00:30:02,560 --> 00:30:05,480
Speaker 1: it becomes iconic. But watching it back for the first time.

501
00:30:05,520 --> 00:30:07,320
Speaker 1: This is the first time that I felt like we

502
00:30:07,360 --> 00:30:11,880
Speaker 1: really saw Nyaum in the show, and I fully burst

503
00:30:11,920 --> 00:30:17,000
Speaker 1: into tears. I fully burst into tears. Um. It's like,

504
00:30:17,440 --> 00:30:21,400
Speaker 1: I think it's going to be an interesting, hard time

505
00:30:21,520 --> 00:30:25,400
Speaker 1: to watch the show. Um, but it's also like watching

506
00:30:25,440 --> 00:30:32,720
Speaker 1: her in her element also is like joyous too. I Um,

507
00:30:32,840 --> 00:30:36,800
Speaker 1: she and Heather were just dancing the thet We also

508
00:30:36,840 --> 00:30:39,480
Speaker 1: see Heather for the first time in this episode in

509
00:30:39,560 --> 00:30:44,040
Speaker 1: the Celibacy Club, and I was you had warned me

510
00:30:44,120 --> 00:30:48,280
Speaker 1: about that the crying, so I was prepared. But I

511
00:30:48,320 --> 00:30:53,760
Speaker 1: think because there hasn't been too much yet of Santana

512
00:30:53,880 --> 00:30:59,040
Speaker 1: that I'm sort of keeping it at pay. But it's

513
00:30:59,040 --> 00:31:01,920
Speaker 1: gonna be bad. I'm sitting in the I sat in

514
00:31:01,960 --> 00:31:04,480
Speaker 1: the choir room with Ryan for a while while they

515
00:31:04,480 --> 00:31:07,840
Speaker 1: shot that number because I was obsessed with it. I

516
00:31:07,840 --> 00:31:10,400
Speaker 1: remember when they rehearsed it. I would go watch and

517
00:31:10,480 --> 00:31:12,400
Speaker 1: I remember when they were shooting it a little compact

518
00:31:12,440 --> 00:31:15,280
Speaker 1: and yeah, I was learning the choreography on the side

519
00:31:15,440 --> 00:31:20,080
Speaker 1: of course you were. I really loved it all right. Well,

520
00:31:20,080 --> 00:31:23,280
Speaker 1: then Queen apologizes to Sue. She's like, what the hell

521
00:31:23,320 --> 00:31:25,520
Speaker 1: are you doing? But then she decided she's going to

522
00:31:25,600 --> 00:31:29,040
Speaker 1: have minions. So they're going to spy, which again it's

523
00:31:29,080 --> 00:31:32,760
Speaker 1: like you've dropping spine. It's the whole thing. Um turning

524
00:31:32,800 --> 00:31:38,640
Speaker 1: up the dial on the sabotage, the subser sabotage. And

525
00:31:38,840 --> 00:31:42,040
Speaker 1: the next thing that happens is quite a sweet and

526
00:31:42,120 --> 00:31:46,360
Speaker 1: romantic moment between Will and Emma. And then I'm thinking, like,

527
00:31:46,520 --> 00:31:50,320
Speaker 1: my god, though, what a what a creeper? Yeah, like

528
00:31:51,280 --> 00:31:55,040
Speaker 1: there's a there's a pregnant wife at home and and

529
00:31:55,080 --> 00:31:58,440
Speaker 1: the writers have Will and yet we still root for them,

530
00:31:58,520 --> 00:32:00,720
Speaker 1: and yeah, he's still route for them, and it's really cute,

531
00:32:00,720 --> 00:32:02,800
Speaker 1: and the little chalk moment, it's really really I mean,

532
00:32:02,960 --> 00:32:05,840
Speaker 1: they're both in the wrong. They both know, Yeah, you're

533
00:32:05,880 --> 00:32:10,240
Speaker 1: totally right, but like Will Will come on, well, like

534
00:32:10,480 --> 00:32:16,840
Speaker 1: you you gotta know better, messy messy. But again, you know,

535
00:32:17,400 --> 00:32:21,000
Speaker 1: Glee goes there, Glee goes there. Jame is irresistible. I

536
00:32:21,040 --> 00:32:23,760
Speaker 1: get it, you know when you feel cute. Okay, So

537
00:32:23,800 --> 00:32:26,400
Speaker 1: then um, Terry makes Will dinner. We're back at Will's

538
00:32:26,440 --> 00:32:30,200
Speaker 1: house and she's like, I gotta tell you something and

539
00:32:30,320 --> 00:32:32,800
Speaker 1: he's like what, And you look into his sweet dough

540
00:32:32,840 --> 00:32:37,719
Speaker 1: eyes and you know, curly, curly, justin Timberlake hair, and

541
00:32:37,800 --> 00:32:40,160
Speaker 1: she's like, I can't do it. It's a boy. She

542
00:32:40,320 --> 00:32:45,040
Speaker 1: backs out and genders the baby what what um, and

543
00:32:45,080 --> 00:32:47,920
Speaker 1: then also is like, let's make sacrifices. I'm going to

544
00:32:47,960 --> 00:32:51,080
Speaker 1: be a great wife. And little do we know it

545
00:32:51,200 --> 00:32:54,640
Speaker 1: starts the beginning of the end. But then you see

546
00:32:54,680 --> 00:32:58,560
Speaker 1: her be I mean, obviously it's not motivated by something sweet,

547
00:32:59,280 --> 00:33:03,080
Speaker 1: but what she's saying it gave me a glimpse of

548
00:33:03,760 --> 00:33:07,040
Speaker 1: who she might have been, like Terry that Will might

549
00:33:07,040 --> 00:33:10,600
Speaker 1: have fallen in love with. She's all of a sudden

550
00:33:10,640 --> 00:33:13,040
Speaker 1: like deflates and becomes like a real human for a

551
00:33:13,080 --> 00:33:18,400
Speaker 1: second of like a compassionate, pathetic person because she knows

552
00:33:18,400 --> 00:33:23,320
Speaker 1: what she's doing is wrong. Good Yeah, yeah, good point.

553
00:33:23,360 --> 00:33:27,280
Speaker 1: Good point, Kevin. Um, did we bring it on home? Yeah,

554
00:33:27,360 --> 00:33:30,640
Speaker 1: let's bring it home, Kevin, bring it on home. Take

555
00:33:30,680 --> 00:33:35,440
Speaker 1: a bow. Okay, So this wasn't in the original showman,

556
00:33:35,520 --> 00:33:39,760
Speaker 1: so if I'm correct, I could be wrong, but um,

557
00:33:39,800 --> 00:33:41,920
Speaker 1: there was something missing I think, and it was either

558
00:33:41,960 --> 00:33:44,720
Speaker 1: another song or whatever, but it was it was at

559
00:33:44,800 --> 00:33:50,000
Speaker 1: it later and um, Leah ended up having to go

560
00:33:50,040 --> 00:33:53,000
Speaker 1: record this. I remember at like nine pm on a

561
00:33:53,040 --> 00:33:55,080
Speaker 1: Monday night and we were shooting it at like nine

562
00:33:55,080 --> 00:33:59,320
Speaker 1: pm on a Tuesday, UM. And so I remember going

563
00:33:59,320 --> 00:34:01,120
Speaker 1: into the recording star that they called and like you

564
00:34:01,160 --> 00:34:04,080
Speaker 1: have to go in tonight, and I had like out

565
00:34:04,120 --> 00:34:06,400
Speaker 1: in my car and I went to the recording studio

566
00:34:06,640 --> 00:34:10,920
Speaker 1: and Leah was finishing up her um the song, and

567
00:34:10,960 --> 00:34:13,440
Speaker 1: then Amber and I went in and did the background vocals,

568
00:34:13,440 --> 00:34:15,880
Speaker 1: so we were those are actually our voices on the

569
00:34:15,880 --> 00:34:20,120
Speaker 1: background vocals of this song, um that we did. And

570
00:34:20,120 --> 00:34:25,480
Speaker 1: and then I remember Zach was choreographing this last minute

571
00:34:25,480 --> 00:34:28,040
Speaker 1: again because you know, we were just like thrown into

572
00:34:28,080 --> 00:34:31,120
Speaker 1: it and Mercedes and Tina in the back doing our

573
00:34:31,200 --> 00:34:34,120
Speaker 1: woos and whos, and Zack's like, all right, so we'll

574
00:34:34,120 --> 00:34:37,120
Speaker 1: do arm arm arm, and then you bring your hand

575
00:34:37,160 --> 00:34:40,160
Speaker 1: in and you know, move your fingers and we called

576
00:34:40,239 --> 00:34:44,359
Speaker 1: that the tickle the ball. So go back and watch

577
00:34:44,480 --> 00:34:47,400
Speaker 1: that number and you see our harm hand hand hand

578
00:34:47,840 --> 00:34:52,080
Speaker 1: tickle the ball. Um. But that number was like a

579
00:34:52,200 --> 00:34:55,480
Speaker 1: last minute moment. But you also get the glee hand

580
00:34:55,760 --> 00:34:59,200
Speaker 1: up you know number we didn't don't stop. Um, they

581
00:34:59,200 --> 00:35:01,520
Speaker 1: do it in that number as well, that's right. I

582
00:35:01,560 --> 00:35:06,520
Speaker 1: also I didn't realize how musical theatery this song was

583
00:35:06,600 --> 00:35:11,440
Speaker 1: sung because as time goes on, everyone was sort of

584
00:35:11,480 --> 00:35:14,799
Speaker 1: like brought into like the pop vocal think of like

585
00:35:14,840 --> 00:35:16,279
Speaker 1: how to sing like that, because we do a lot

586
00:35:16,280 --> 00:35:19,080
Speaker 1: more pop songs going forward. But I feel like because

587
00:35:19,200 --> 00:35:21,839
Speaker 1: Rachel is the Broadway girl and like the anders were

588
00:35:21,880 --> 00:35:25,560
Speaker 1: probably like this is what works for her character, it

589
00:35:25,600 --> 00:35:29,360
Speaker 1: was done very much Broadway style. You're right. And I

590
00:35:29,400 --> 00:35:33,880
Speaker 1: also think that the music for maybe the first thirteen

591
00:35:33,920 --> 00:35:39,400
Speaker 1: episodes was more character or the singing was more character driven.

592
00:35:40,239 --> 00:35:44,000
Speaker 1: And then like yeah, exactly, then we go into pop

593
00:35:44,000 --> 00:35:49,879
Speaker 1: recording mode. Exactly right. I love this episode. I do too.

594
00:35:49,960 --> 00:35:52,239
Speaker 1: I think I think it's so really excellent. It's just

595
00:35:52,320 --> 00:35:54,600
Speaker 1: every part of it is so good. Every character is

596
00:35:54,640 --> 00:35:57,919
Speaker 1: really good. It's cohesive, it's smart, it's witty, it's like

597
00:35:58,320 --> 00:36:01,920
Speaker 1: there's like soft moments. It's really and it really sets

598
00:36:01,960 --> 00:36:04,480
Speaker 1: us up right, Yeah, I have to say, I mean

599
00:36:04,520 --> 00:36:08,080
Speaker 1: I don't really there's not a lot of for me

600
00:36:08,440 --> 00:36:10,719
Speaker 1: like things at an age. Well, in this episode, like

601
00:36:10,760 --> 00:36:24,400
Speaker 1: I feel like it was pretty damn solid. Should we

602
00:36:24,400 --> 00:36:28,759
Speaker 1: do some tarty takes, tardy takes, let's takes all right,

603
00:36:28,840 --> 00:36:33,560
Speaker 1: so a cringe moment. I feel like my dancing in

604
00:36:34,040 --> 00:36:40,200
Speaker 1: gold Digger is a cringe moment. I feel like, um,

605
00:36:40,480 --> 00:36:45,200
Speaker 1: I feel like there's a lot and gold Digger that okay,

606
00:36:45,200 --> 00:36:48,240
Speaker 1: so let's just call gold Digger now is a cringe

607
00:36:48,280 --> 00:36:50,560
Speaker 1: moment a little bit. I mean it kind of has

608
00:36:50,600 --> 00:36:53,600
Speaker 1: to be, though. I mean the number, yeah, okay, minus

609
00:36:53,640 --> 00:36:58,200
Speaker 1: you a number, Um, worst dance move Okay, so along

610
00:36:58,239 --> 00:37:02,400
Speaker 1: with my dancing and gold Digger um to trying to

611
00:37:02,400 --> 00:37:06,000
Speaker 1: get Finns like to dance drang gold Digger so good

612
00:37:06,520 --> 00:37:10,840
Speaker 1: but also wild because that wasn't choreographed. I don't know,

613
00:37:11,480 --> 00:37:14,400
Speaker 1: no way, that's definitely something that would do right in

614
00:37:14,440 --> 00:37:17,080
Speaker 1: the middle of it. Um. I think the best song

615
00:37:17,120 --> 00:37:21,320
Speaker 1: of this episode. I think it's a little prayer. I

616
00:37:21,520 --> 00:37:23,719
Speaker 1: have to agree it's the best number of the best song,

617
00:37:23,920 --> 00:37:29,719
Speaker 1: and like, what a good introduction to those three iconic

618
00:37:30,600 --> 00:37:34,000
Speaker 1: The best line, the best I feel like, I feel

619
00:37:34,000 --> 00:37:38,200
Speaker 1: like one of Terry's lines, What is somebody going to

620
00:37:38,239 --> 00:37:46,400
Speaker 1: finally give back? Um, there is no there's no baby, yeah, Terry,

621
00:37:46,719 --> 00:37:51,880
Speaker 1: Terry Schuster, anything she says in this episode. Best performance

622
00:37:51,920 --> 00:37:57,200
Speaker 1: by a prop Oh, the pamphlets and this office. Yes, yes,

623
00:37:57,280 --> 00:38:02,600
Speaker 1: those pamphlets are absolutely incredible. That's right, Um, Like you said,

624
00:38:02,640 --> 00:38:04,640
Speaker 1: I feel like we're we did okay with the age

625
00:38:04,640 --> 00:38:09,760
Speaker 1: well didn't age well moment except for Golder. Yeah, obviously

626
00:38:09,800 --> 00:38:12,319
Speaker 1: there's inappropriate jokes in here and things, but I think

627
00:38:12,320 --> 00:38:15,160
Speaker 1: that was I think it worked too crazy, Yeah, I

628
00:38:15,200 --> 00:38:18,640
Speaker 1: think crazy. I think everything works in here. So the

629
00:38:18,719 --> 00:38:22,600
Speaker 1: ship we find on TikTok Jenna, there's this TikTok that

630
00:38:22,680 --> 00:38:28,120
Speaker 1: really grinds my ears um and it did keep me

631
00:38:28,200 --> 00:38:30,719
Speaker 1: up one night. And so there are blind items I

632
00:38:30,800 --> 00:38:33,440
Speaker 1: somehow stumbled across Glee blind items on TikTok. It's a

633
00:38:33,520 --> 00:38:38,600
Speaker 1: dark place. Nobody do it because honestly, it's why I

634
00:38:38,640 --> 00:38:41,560
Speaker 1: stay away, stay away. None of it's true. Anyway, there

635
00:38:41,640 --> 00:38:47,719
Speaker 1: was one about Chris not writing his books and that

636
00:38:47,800 --> 00:38:50,880
Speaker 1: he had a ghostwriter for the first one, and I

637
00:38:50,960 --> 00:38:54,120
Speaker 1: was so upset because I like, I literally saw him

638
00:38:54,120 --> 00:38:58,320
Speaker 1: write this book, Like we actually saw him. Do you

639
00:38:58,360 --> 00:39:01,000
Speaker 1: think a ghost he's going to have a ghostwriter for

640
00:39:01,160 --> 00:39:04,560
Speaker 1: nineteen books? You out of your like Anyway, I could

641
00:39:04,560 --> 00:39:06,279
Speaker 1: go on, but I won't, and I forgot to ask

642
00:39:06,360 --> 00:39:09,279
Speaker 1: him when he was here. So I feel like I'm

643
00:39:09,320 --> 00:39:11,640
Speaker 1: just I'm just gonna call him. Yeah, I call him

644
00:39:11,760 --> 00:39:15,160
Speaker 1: and just to debunk it from the horse's mouth. I

645
00:39:15,200 --> 00:39:17,480
Speaker 1: mean also He probably hasn't heard it, so we should

646
00:39:17,520 --> 00:39:25,000
Speaker 1: just tell him. I that is wild. I'm sorry. Do

647
00:39:25,000 --> 00:39:30,480
Speaker 1: you think he's gonna answer? That would be embarrassing a girl?

648
00:39:30,840 --> 00:39:36,799
Speaker 1: Oh hey you answered, Thank god. I'm with Jenna. We're

649
00:39:36,840 --> 00:39:41,479
Speaker 1: doing the podcast. Yeah, I know this is um so okay,

650
00:39:41,520 --> 00:39:46,520
Speaker 1: there's this TikTok rumor about you that no, I'm not

651
00:39:46,560 --> 00:39:49,359
Speaker 1: a furry. My god, we wouldn't judge you if you were.

652
00:39:50,239 --> 00:39:53,960
Speaker 1: We don't keep shame on this podcast. Referring to no, no,

653
00:39:54,040 --> 00:39:55,319
Speaker 1: that one I would have been fine with. I would

654
00:39:55,320 --> 00:39:58,520
Speaker 1: have put on the costume and come over the question

655
00:39:58,600 --> 00:40:02,640
Speaker 1: I have. Someone's said that you had a ghostwriter for

656
00:40:02,760 --> 00:40:07,520
Speaker 1: your first book, first first Land of Stories book, and um,

657
00:40:07,840 --> 00:40:09,520
Speaker 1: we know this is not true. Yeah, we know it's

658
00:40:09,520 --> 00:40:12,719
Speaker 1: not true, and we saw you write it like in

659
00:40:12,760 --> 00:40:16,480
Speaker 1: between takes. Can you just for the people settle this.

660
00:40:16,640 --> 00:40:19,760
Speaker 1: Did you have a ghost writer or did you write

661
00:40:19,880 --> 00:40:23,200
Speaker 1: your own damn book? Oh god, I wish I had

662
00:40:23,200 --> 00:40:28,279
Speaker 1: a ghostwriter. Better. It couldn't have been better. I think

663
00:40:28,280 --> 00:40:30,480
Speaker 1: you're doing it right. I'm embarrassed to ask. I'm even

664
00:40:30,560 --> 00:40:32,560
Speaker 1: embarrassed to ask you, but I did. We just had to.

665
00:40:32,760 --> 00:40:34,640
Speaker 1: I could even look at my first book because I'm

666
00:40:34,680 --> 00:40:37,040
Speaker 1: so embarrassed because I feel like I wasn't even literate

667
00:40:37,120 --> 00:40:40,160
Speaker 1: when I when I wrote it. Well, you you had

668
00:40:40,160 --> 00:40:42,960
Speaker 1: a lot of experience with the rest of the other eighteen,

669
00:40:43,120 --> 00:40:48,080
Speaker 1: so each one gets better and better. Number nineteen. Sorry

670
00:40:48,080 --> 00:40:51,600
Speaker 1: to bother you with this stupid thing. Thank you always

671
00:40:51,640 --> 00:40:57,560
Speaker 1: bothered me with stupid things. Okay, okay, famous last words, Okay,

672
00:40:57,600 --> 00:41:01,440
Speaker 1: bye bye. Um. Yeah, I'm a little embarrassed that I

673
00:41:01,440 --> 00:41:04,480
Speaker 1: called Chris about that, but I I feel like that

674
00:41:04,600 --> 00:41:08,680
Speaker 1: is the best possible response to that, to that, and

675
00:41:08,800 --> 00:41:11,479
Speaker 1: that will be that. Also, make sure you go follow

676
00:41:11,480 --> 00:41:14,680
Speaker 1: our TikTok account. It's at that's what you really missed,

677
00:41:15,280 --> 00:41:18,320
Speaker 1: So go do that. We'll make some TikTok's exciting. People

678
00:41:18,360 --> 00:41:21,319
Speaker 1: can send us things, we'll talk about. Jenny, you stay

679
00:41:21,320 --> 00:41:23,920
Speaker 1: off of it, Kevin, you can tell me what it happens.

680
00:41:23,960 --> 00:41:26,480
Speaker 1: I just I still think it's a very dark place.

681
00:41:27,360 --> 00:41:30,000
Speaker 1: Yeah it's not for you. It's fine. Yeah, no, at

682
00:41:30,040 --> 00:41:34,600
Speaker 1: least yet. Um. I really love this episode. Me too,

683
00:41:34,760 --> 00:41:39,839
Speaker 1: Me too. I Next week is another story, but we'll

684
00:41:39,840 --> 00:41:43,760
Speaker 1: go there another time, another time. But thanks for listening

685
00:41:43,840 --> 00:41:48,400
Speaker 1: to our recap of Showman's Um go back if you

686
00:41:48,400 --> 00:41:52,920
Speaker 1: haven't listened to our wonderful conversation with Chris cole for

687
00:41:53,320 --> 00:41:58,280
Speaker 1: from last week on Thursday and um, subscribe, rate review,

688
00:41:58,400 --> 00:42:03,239
Speaker 1: tell your friends and go follow us on TikTok And

689
00:42:03,480 --> 00:42:09,759
Speaker 1: the next episode is Aka Fellas. Now there's definitely gonna

690
00:42:09,760 --> 00:42:12,960
Speaker 1: be some second embarrassment in that one. That's right, See

691
00:42:13,000 --> 00:42:14,239
Speaker 1: you next week, See you next week,