1 00:00:03,040 --> 00:00:06,760 Speaker 1: Welcome to Stuff to Blow Your Mind production of iHeartRadio. 2 00:00:13,160 --> 00:00:15,640 Speaker 2: Hey, welcome to Stuff to Blow Your Mind. My name 3 00:00:15,680 --> 00:00:16,720 Speaker 2: is Robert Lamb. 4 00:00:16,720 --> 00:00:19,439 Speaker 3: And I'm Joe McCormick, and we're back today with the 5 00:00:19,480 --> 00:00:23,599 Speaker 3: third part in our series called Dog Days and Death Stars. 6 00:00:23,960 --> 00:00:27,080 Speaker 3: In these episodes, we have been looking into the history 7 00:00:27,120 --> 00:00:30,080 Speaker 3: of the so called dog Days of summer and the 8 00:00:30,200 --> 00:00:33,040 Speaker 3: astronomical body from which the dog Days get their name, 9 00:00:33,159 --> 00:00:37,240 Speaker 3: that is the dog star serious in the constellation Canus Major. 10 00:00:38,080 --> 00:00:40,800 Speaker 3: In the first episode of the series, we talked about 11 00:00:41,000 --> 00:00:44,840 Speaker 3: misconceptions about where the phrase dog Days of Summer comes from. 12 00:00:45,600 --> 00:00:48,479 Speaker 3: We talked about the origins of the dog days tradition 13 00:00:48,600 --> 00:00:51,680 Speaker 3: and the astrology of the ancient Egyptians, Greeks, and Romans, 14 00:00:52,040 --> 00:00:56,040 Speaker 3: who believed that what's called the halliacal rising of Sirius 15 00:00:56,120 --> 00:00:59,000 Speaker 3: at the time when the star is a first visible 16 00:00:59,040 --> 00:01:01,520 Speaker 3: in the sky on the east and horizon just before dawn, 17 00:01:02,760 --> 00:01:04,920 Speaker 3: that the timing of that in the mid to late 18 00:01:05,000 --> 00:01:10,160 Speaker 3: summer triggered important effects on Earth, both positive and negative. 19 00:01:10,200 --> 00:01:14,280 Speaker 3: It seems like the associations were mainly positive for the Egyptians, 20 00:01:14,920 --> 00:01:18,160 Speaker 3: thinking of it as the beginning of the Nile inundation season. 21 00:01:18,200 --> 00:01:21,960 Speaker 3: Which is very important for the ancient Egyptian agricultural cycle 22 00:01:22,040 --> 00:01:26,440 Speaker 3: and in ancient Egyptian religion, whereas the associations tended to 23 00:01:26,480 --> 00:01:30,039 Speaker 3: be more mixed or even more negative for the Greeks, 24 00:01:30,040 --> 00:01:33,080 Speaker 3: who believed that the rising star brought these deadly rays 25 00:01:33,080 --> 00:01:36,880 Speaker 3: of heat and also brought fevers and plague and omens 26 00:01:36,920 --> 00:01:40,640 Speaker 3: of doom. So we talked pretty extensively about the invocation 27 00:01:40,760 --> 00:01:43,880 Speaker 3: of the Dog Star in the Iliad of Homer, who 28 00:01:43,920 --> 00:01:47,680 Speaker 3: repeatedly uses it as this dual image of both brilliance 29 00:01:47,800 --> 00:01:50,920 Speaker 3: and destruction, as a kind of death star in the 30 00:01:50,960 --> 00:01:53,840 Speaker 3: words of Jay Holberg, an author whose book we've been 31 00:01:53,880 --> 00:01:57,240 Speaker 3: referring to in this series, And that's kind of fitting 32 00:01:57,440 --> 00:02:01,320 Speaker 3: given that it is actually both the brightest star in 33 00:02:01,520 --> 00:02:04,560 Speaker 3: the Earth's night sky and that the Greeks thought that 34 00:02:04,720 --> 00:02:08,120 Speaker 3: it literally had the power to inflict harm on mortals 35 00:02:08,120 --> 00:02:12,000 Speaker 3: through its rays. More about that in this episode. In 36 00:02:12,000 --> 00:02:14,640 Speaker 3: Part one, we also talked a good bit about the 37 00:02:14,680 --> 00:02:18,320 Speaker 3: star itself. The star is serious A, the larger star 38 00:02:18,400 --> 00:02:21,519 Speaker 3: in a binary system, along with a white dwarf called 39 00:02:21,600 --> 00:02:25,440 Speaker 3: Serious B. Serious A is very bright in our night sky, 40 00:02:25,600 --> 00:02:29,400 Speaker 3: both because of its high inherent luminosity and also because 41 00:02:29,440 --> 00:02:33,320 Speaker 3: it is relatively close. It is something like the fifth 42 00:02:33,360 --> 00:02:35,760 Speaker 3: closest star to our solar system. I think maybe that 43 00:02:35,800 --> 00:02:39,359 Speaker 3: depends on what types of objects you count as stars, 44 00:02:39,400 --> 00:02:44,079 Speaker 3: like to sub brown dwarfs and stuff. But also rob 45 00:02:44,160 --> 00:02:47,359 Speaker 3: you got into the long term evolution of our relationship 46 00:02:47,400 --> 00:02:49,880 Speaker 3: with Sirius, including like how long it's going to be 47 00:02:50,000 --> 00:02:52,520 Speaker 3: the brightest star in our night sky, and how the 48 00:02:52,600 --> 00:02:56,359 Speaker 3: rising of Sirius has changed over time for different historical 49 00:02:56,400 --> 00:03:00,200 Speaker 3: cultures on Earth. And also we got into explanation for 50 00:03:00,280 --> 00:03:03,400 Speaker 3: the differing accounts of the color of Sirius across the 51 00:03:03,440 --> 00:03:07,480 Speaker 3: course of history. In Part two, I talked about a 52 00:03:07,560 --> 00:03:11,840 Speaker 3: paper covering the historically influential but totally incorrect view that 53 00:03:11,880 --> 00:03:16,000 Speaker 3: the dog days of summer somehow give dogs rabies. This 54 00:03:16,120 --> 00:03:18,600 Speaker 3: led into a discussion of the work done in the 55 00:03:18,639 --> 00:03:23,080 Speaker 3: eighteen eighties by Louis Pasteur in developing a rabies vaccine. 56 00:03:23,840 --> 00:03:26,960 Speaker 3: Rob You talked about the different cultural understandings of the 57 00:03:27,000 --> 00:03:29,880 Speaker 3: dog star and its constellation around the world, like how 58 00:03:29,919 --> 00:03:33,800 Speaker 3: it's often associated with dogs or wolves in different cultures, 59 00:03:34,480 --> 00:03:38,280 Speaker 3: but other times with imagery like a bow and arrow, 60 00:03:38,720 --> 00:03:41,680 Speaker 3: And we talked about the significance of Sirius in Islam. 61 00:03:42,480 --> 00:03:45,320 Speaker 3: And I should also flag that a running theme across 62 00:03:45,400 --> 00:03:48,160 Speaker 3: both of the past two episodes has been to what 63 00:03:48,280 --> 00:03:50,800 Speaker 3: extent the classical themes of the Dog Days of Summer 64 00:03:50,840 --> 00:03:53,400 Speaker 3: emerge in the work of Don Henley. Rob, do you 65 00:03:53,440 --> 00:03:55,600 Speaker 3: have any more dog Don Henley to report on? 66 00:03:55,600 --> 00:03:55,680 Speaker 1: It? 67 00:03:55,720 --> 00:03:55,880 Speaker 3: Said? 68 00:03:55,920 --> 00:03:58,800 Speaker 2: I do not have any more Don Henley information for 69 00:03:58,920 --> 00:04:03,080 Speaker 2: this episode, so I don't know. I neglected to see 70 00:04:03,080 --> 00:04:04,920 Speaker 2: if there was anything else, like a draw from there 71 00:04:05,080 --> 00:04:06,320 Speaker 2: maybe next episode. 72 00:04:06,560 --> 00:04:09,720 Speaker 3: Okay, Well, anyway, we're back today to talk some more 73 00:04:09,840 --> 00:04:13,640 Speaker 3: about the Dog Days and the Dog Star, Rob, if 74 00:04:13,640 --> 00:04:16,279 Speaker 3: you're okay with it, I wanted to kick things off 75 00:04:16,360 --> 00:04:19,799 Speaker 3: with the idea of being twinkled to death by a star. 76 00:04:21,120 --> 00:04:23,640 Speaker 3: This is sort of picking up on a It's a 77 00:04:23,640 --> 00:04:26,359 Speaker 3: little bit of a tangent based on a paragraph in 78 00:04:26,600 --> 00:04:30,320 Speaker 3: a book we've been reading for these episodes, a book 79 00:04:30,400 --> 00:04:35,120 Speaker 3: called Serious Brightest Diamond in the Night Sky by Jay Holberg. 80 00:04:35,320 --> 00:04:40,040 Speaker 3: Jay Holberg is an astrophysicist and a sort of historian 81 00:04:40,080 --> 00:04:42,599 Speaker 3: of science. This book was published in the year two 82 00:04:42,640 --> 00:04:46,760 Speaker 3: thousand and seven by Springer, New York, and so this 83 00:04:46,800 --> 00:04:48,360 Speaker 3: book has come up a lot in the past couple 84 00:04:48,400 --> 00:04:51,400 Speaker 3: of episodes, but I was going back over the chapter 85 00:04:52,040 --> 00:04:56,560 Speaker 3: where Holberg looks especially at the ancient Greek significance of 86 00:04:56,960 --> 00:05:00,320 Speaker 3: the dog star, and so he's talking about it's use 87 00:05:00,400 --> 00:05:04,600 Speaker 3: in poems, famous poems by Hesied, like in this poem 88 00:05:04,720 --> 00:05:06,960 Speaker 3: called Works and Days by he Sid which is a 89 00:05:07,040 --> 00:05:10,359 Speaker 3: sort of an ancient farmer's almanac that takes the form 90 00:05:10,400 --> 00:05:12,279 Speaker 3: of a poem. It's funny how a lot of ancient 91 00:05:12,320 --> 00:05:15,839 Speaker 3: texts are, like even sort of practical or even scientific 92 00:05:15,920 --> 00:05:17,920 Speaker 3: texts are written as poems. 93 00:05:18,360 --> 00:05:21,240 Speaker 2: And if I remember correctly, that poem in particular is 94 00:05:21,400 --> 00:05:26,000 Speaker 2: the oldest known reference to Sirius by name. Yeah, that's 95 00:05:26,040 --> 00:05:26,680 Speaker 2: what I was reading. 96 00:05:26,800 --> 00:05:30,239 Speaker 3: I think that's correct. Yeah, And so in this poem 97 00:05:30,320 --> 00:05:33,800 Speaker 3: you get just a lot of different claims, you know. 98 00:05:34,000 --> 00:05:35,880 Speaker 3: He Seid as talking about how the dog days of 99 00:05:35,920 --> 00:05:38,920 Speaker 3: summer are a time when like goats are fat, wine 100 00:05:39,000 --> 00:05:42,400 Speaker 3: is sweet. He says men are at their weakest and 101 00:05:42,480 --> 00:05:47,599 Speaker 3: women are at their most wanton. Okay, but he's just like, okay, 102 00:05:47,640 --> 00:05:50,600 Speaker 3: it's you know, nothing much good is happening this time 103 00:05:50,600 --> 00:05:52,760 Speaker 3: of year. It's time to just like wait it out, 104 00:05:52,800 --> 00:05:55,760 Speaker 3: like chill out, get in the shade, drink wine, eat 105 00:05:55,760 --> 00:05:58,560 Speaker 3: good food, and just just wait and give libations to 106 00:05:58,600 --> 00:06:03,840 Speaker 3: the gods. Yes, And then Holberg also talks about its 107 00:06:03,880 --> 00:06:08,559 Speaker 3: significance in a more astronomy focused poem by the Greek 108 00:06:08,600 --> 00:06:12,360 Speaker 3: poet Aratus or Eretus, writing in the third century BC. 109 00:06:13,480 --> 00:06:17,839 Speaker 3: But anyway, finally he gets on to talking about ancient 110 00:06:17,920 --> 00:06:23,359 Speaker 3: beliefs about the direct dangers posed by Sirius. So he 111 00:06:23,440 --> 00:06:27,880 Speaker 3: mentions that the ancient Greek physician Hippocrates warned that Sirius 112 00:06:27,920 --> 00:06:30,880 Speaker 3: could inflict harm on people, that it could bring fevers 113 00:06:30,880 --> 00:06:35,160 Speaker 3: in danger, and he mentions that ancient Greek and Roman authors, 114 00:06:35,160 --> 00:06:38,280 Speaker 3: at least some of them, believed that Sirius could produce 115 00:06:38,800 --> 00:06:44,559 Speaker 3: what Holberg calls this is his word, emanations, which could 116 00:06:44,640 --> 00:06:50,120 Speaker 3: threaten humans and animals alike, especially dogs. And this brings 117 00:06:50,160 --> 00:06:52,880 Speaker 3: us back in line with that sort of false folk 118 00:06:52,880 --> 00:06:56,200 Speaker 3: etymology of the dog days, in which they are the 119 00:06:56,320 --> 00:07:00,320 Speaker 3: days of dogs panting. We know actually that it comes 120 00:07:00,360 --> 00:07:05,080 Speaker 3: from the astrology association, but ancient Greek authors wrote about 121 00:07:05,080 --> 00:07:08,919 Speaker 3: how the panting of dogs in the summer heat was 122 00:07:09,000 --> 00:07:14,120 Speaker 3: an effect of the star Sirius, which internally desiccated the 123 00:07:14,200 --> 00:07:17,440 Speaker 3: dog's guts, like it, you know, dried them out on 124 00:07:17,480 --> 00:07:21,800 Speaker 3: the insides. And this would lead to panting, and during 125 00:07:21,880 --> 00:07:26,480 Speaker 3: this state of internal dessication and excessive panting, dogs were 126 00:07:26,600 --> 00:07:30,400 Speaker 3: liable to have their saliva turn poisonous, so the dogs 127 00:07:30,440 --> 00:07:33,600 Speaker 3: could become rabid. It's almost like the heat of the 128 00:07:33,640 --> 00:07:37,800 Speaker 3: dog star transforms dogs into a kind of venomous animal 129 00:07:37,880 --> 00:07:40,800 Speaker 3: with you know, this venomous saliva that can kill humans 130 00:07:40,800 --> 00:07:43,560 Speaker 3: with the bite by way of rabies infection. That they 131 00:07:43,560 --> 00:07:47,320 Speaker 3: didn't have the concept obviously viral infection at the time, 132 00:07:48,440 --> 00:07:50,240 Speaker 3: So that kind of ties into what we talked about 133 00:07:50,240 --> 00:07:52,440 Speaker 3: in the last episode with the paper about rabies and 134 00:07:52,800 --> 00:07:56,920 Speaker 3: the dog days. But regarding these emanations of Sirius, I 135 00:07:56,960 --> 00:08:00,800 Speaker 3: got really interested in this because Holberg taught about how 136 00:08:00,840 --> 00:08:05,800 Speaker 3: ancient stargazers thought they could see visual evidence of these 137 00:08:05,840 --> 00:08:11,200 Speaker 3: emanations in optical phenomena that people observed when looking at 138 00:08:11,240 --> 00:08:14,640 Speaker 3: the star. Serious Mainly this seems to be a reference 139 00:08:14,680 --> 00:08:20,320 Speaker 3: to twinkling. Serious was prone to twinkling and producing flashes 140 00:08:20,520 --> 00:08:24,160 Speaker 3: of differently colored light. So that brought me to the 141 00:08:24,240 --> 00:08:29,920 Speaker 3: question of why is it exactly that stars twinkle. Twinkling 142 00:08:30,240 --> 00:08:33,400 Speaker 3: is what we call it when stars appear to fluctuate 143 00:08:33,520 --> 00:08:36,920 Speaker 3: in brightness, position, or color, so it can look like 144 00:08:36,960 --> 00:08:41,160 Speaker 3: a star is wobbling or increasing or decreasing in intensity, 145 00:08:41,720 --> 00:08:45,840 Speaker 3: or even kind of turning rainbow colors, maybe going from 146 00:08:46,200 --> 00:08:49,199 Speaker 3: white to red to blue. But when you ask the 147 00:08:49,280 --> 00:08:54,480 Speaker 3: question what causes stars to twinkle, there's a really interesting 148 00:08:54,559 --> 00:08:57,040 Speaker 3: fact that I think provides a good clue to the answer. 149 00:08:57,160 --> 00:09:00,400 Speaker 3: And that fact is if you look at the starrs 150 00:09:00,600 --> 00:09:04,040 Speaker 3: from outer space, which the ancient Greeks couldn't do. You know, 151 00:09:04,120 --> 00:09:06,480 Speaker 3: that's an advantage we have over them. If you look 152 00:09:06,520 --> 00:09:11,239 Speaker 3: at them from outer space, they stop twinkling. So astronauts 153 00:09:11,240 --> 00:09:14,800 Speaker 3: in the space station and space telescopes can look at 154 00:09:14,800 --> 00:09:20,000 Speaker 3: the stars and just see steady, crisp, unvarying points of light. 155 00:09:20,360 --> 00:09:24,199 Speaker 3: You know, a culture raised entirely in space would never 156 00:09:24,240 --> 00:09:26,720 Speaker 3: come up with the song Twinkle, Twinkle little star. 157 00:09:26,840 --> 00:09:29,079 Speaker 2: That's right, I mean, because they wouldn't twinkle, and they'd 158 00:09:29,080 --> 00:09:32,760 Speaker 2: know what they are. This is completely redundant, very good. 159 00:09:33,920 --> 00:09:37,320 Speaker 3: So yeah, twinkling is only a feature of stars wind 160 00:09:37,480 --> 00:09:40,560 Speaker 3: viewed from down here on Earth. And this points to 161 00:09:40,600 --> 00:09:44,760 Speaker 3: the fact that actually twinkling is not something stars do, 162 00:09:45,600 --> 00:09:50,240 Speaker 3: but something that our atmosphere does to the light emitted 163 00:09:50,440 --> 00:09:55,040 Speaker 3: by stars. Before that light reaches our eyes. The scientific 164 00:09:55,120 --> 00:10:00,360 Speaker 3: name for the twinkling of stars is atmospheric scintillation. So dially, 165 00:10:00,400 --> 00:10:04,040 Speaker 3: what happens here is that the turbulence of our atmosphere 166 00:10:04,080 --> 00:10:10,080 Speaker 3: causes variation in how rays of light are refracted or 167 00:10:10,160 --> 00:10:15,240 Speaker 3: bent as they travel through the air. So differences in 168 00:10:15,559 --> 00:10:19,840 Speaker 3: temperature and density across different blobs of air in our 169 00:10:19,880 --> 00:10:23,800 Speaker 3: atmosphere can speed up or slow down the light as 170 00:10:23,840 --> 00:10:27,600 Speaker 3: it passes through those blobs, which causes the light to 171 00:10:27,880 --> 00:10:31,520 Speaker 3: bend as it passes from one region of air to another, 172 00:10:32,440 --> 00:10:34,839 Speaker 3: like a much more subtle version of what happens when 173 00:10:34,880 --> 00:10:38,959 Speaker 3: sunlight passes through a prism. And the effect of this 174 00:10:39,320 --> 00:10:43,080 Speaker 3: is at the seeing end, is that starlight passing through 175 00:10:43,080 --> 00:10:47,080 Speaker 3: a turbulent atmosphere can appear to change in brightness and 176 00:10:47,240 --> 00:10:51,440 Speaker 3: in color, or to move slightly in position. And for 177 00:10:51,960 --> 00:10:56,080 Speaker 3: an analogy that's easy to understand from experience, think about 178 00:10:56,120 --> 00:11:01,520 Speaker 3: how objects in the background look strain or distorted when 179 00:11:01,600 --> 00:11:04,960 Speaker 3: you view them through masses of hot air, like the 180 00:11:05,000 --> 00:11:08,319 Speaker 3: heat mirage effect. So if you think of looking at 181 00:11:08,360 --> 00:11:13,000 Speaker 3: something you know across from you behind a bonfire, or 182 00:11:13,080 --> 00:11:15,079 Speaker 3: you think about being in the desert and looking at 183 00:11:15,080 --> 00:11:16,760 Speaker 3: a you know, a heat mirage. 184 00:11:16,720 --> 00:11:20,480 Speaker 2: Yet concrete and a summertime thriller, that sort of thing. 185 00:11:20,679 --> 00:11:23,640 Speaker 3: Yeah, it makes the stuff behind it, you know, from 186 00:11:23,720 --> 00:11:27,560 Speaker 3: your perspective look weird, though nothing is changed with that stuff. Actually, 187 00:11:27,960 --> 00:11:31,240 Speaker 3: something is changing with the light reflected off of that 188 00:11:31,320 --> 00:11:34,199 Speaker 3: stuff before it gets to your eyes. A similar thing 189 00:11:34,240 --> 00:11:39,000 Speaker 3: is happening to starlight when it twinkles. Stars appear to 190 00:11:39,080 --> 00:11:42,440 Speaker 3: us as point like sources of light, meaning that they 191 00:11:42,480 --> 00:11:46,880 Speaker 3: do not have an apparent diameter, and this, by the way, 192 00:11:46,960 --> 00:11:50,280 Speaker 3: distinguishes them from the planets, which many ancient people thought 193 00:11:50,280 --> 00:11:54,120 Speaker 3: of as movable stars. While to the naked eye, both 194 00:11:54,160 --> 00:11:57,240 Speaker 3: stars and other planets in the Solar System look like 195 00:11:57,360 --> 00:12:00,360 Speaker 3: points of light, the planets are close to enough that 196 00:12:00,360 --> 00:12:03,480 Speaker 3: they actually do have an apparent diameter. You often can't 197 00:12:03,520 --> 00:12:06,280 Speaker 3: quite tell looking without a telescope, but they do have 198 00:12:06,360 --> 00:12:09,480 Speaker 3: an apparent diameter, and as a result, they are far 199 00:12:09,559 --> 00:12:12,880 Speaker 3: less prone to twinkling when viewed through our atmosphere, essentially 200 00:12:12,920 --> 00:12:17,520 Speaker 3: because the beam of light projected from them is wider. Now, 201 00:12:17,600 --> 00:12:21,040 Speaker 3: all stars, as point like sources of light, can twinkle, 202 00:12:21,600 --> 00:12:26,040 Speaker 3: but there are some reasons that serious is especially prone 203 00:12:26,600 --> 00:12:29,880 Speaker 3: to a strong twinkling effect, and so if you are 204 00:12:29,920 --> 00:12:33,360 Speaker 3: primed to think of the twinkling of a star as 205 00:12:33,559 --> 00:12:37,120 Speaker 3: visual evidence that it is emitting something that is maybe 206 00:12:37,160 --> 00:12:41,360 Speaker 3: an attack or some kind of power it's exerting upon you. 207 00:12:41,480 --> 00:12:45,040 Speaker 3: It's like acting up, and you see that in the twinkling. 208 00:12:45,440 --> 00:12:48,240 Speaker 3: You can imagine how Serious would be especially prone to 209 00:12:48,280 --> 00:12:53,320 Speaker 3: these interpretations. Now, why is Serious a really twinkly star? 210 00:12:53,840 --> 00:12:56,640 Speaker 3: I was actually reading about this in a post on 211 00:12:56,880 --> 00:13:00,240 Speaker 3: Universe Today from twenty twelve by Adrian West called why 212 00:13:00,280 --> 00:13:04,760 Speaker 3: does Serious Twinkle? And West again says that all stars 213 00:13:04,760 --> 00:13:06,760 Speaker 3: can twinkle, of course, but points out a couple of 214 00:13:06,800 --> 00:13:11,600 Speaker 3: reasons that Sirius is among the twinkliest of stars. First 215 00:13:11,640 --> 00:13:14,880 Speaker 3: of all, it is the brightest, so the effect of 216 00:13:14,960 --> 00:13:18,920 Speaker 3: the twinkling is magnified. And I was trying to think 217 00:13:18,960 --> 00:13:21,120 Speaker 3: about how to understand this, and I actually thought back 218 00:13:21,160 --> 00:13:24,600 Speaker 3: to heat mirage effects again, So think about how a 219 00:13:25,000 --> 00:13:29,760 Speaker 3: bright object would be more noticeably distorted when viewed through 220 00:13:29,760 --> 00:13:33,200 Speaker 3: a heat mirage than an object that was already faint 221 00:13:33,240 --> 00:13:38,640 Speaker 3: and hard to see anyway. Also, another reason why Serious 222 00:13:38,880 --> 00:13:44,680 Speaker 3: is very twinkly stargazers are often looking at Sirious when 223 00:13:44,720 --> 00:13:48,200 Speaker 3: it is very low on the horizon. This is especially 224 00:13:48,200 --> 00:13:50,680 Speaker 3: true in the northern hemisphere where the cultures we've been 225 00:13:50,720 --> 00:13:53,600 Speaker 3: talking about are located Egyptians and Greeks and so forth, 226 00:13:53,679 --> 00:13:56,800 Speaker 3: northern hemisphere, looking at it when it's low on the horizon. 227 00:13:57,600 --> 00:14:01,120 Speaker 3: And that's especially true given the context of a astrology, 228 00:14:01,160 --> 00:14:04,400 Speaker 3: when many of these ancient stargazers would have been looking 229 00:14:04,440 --> 00:14:07,800 Speaker 3: for serious When it is just above the horizon at 230 00:14:07,800 --> 00:14:11,040 Speaker 3: its pre dawn rising at the beginning of the dog days, 231 00:14:11,080 --> 00:14:13,360 Speaker 3: that's when you know, it's like maybe signaling that the 232 00:14:13,440 --> 00:14:17,080 Speaker 3: nile is about to flood, or you know, when the 233 00:14:17,120 --> 00:14:20,360 Speaker 3: astronomers are saying, oh, okay, here come the hottest days 234 00:14:20,400 --> 00:14:23,600 Speaker 3: of summer. When a star is low on the horizon, 235 00:14:23,880 --> 00:14:29,400 Speaker 3: the light from the star is passing through more atmosphere 236 00:14:29,440 --> 00:14:32,720 Speaker 3: before it hits your eyes, because it's not just passing 237 00:14:32,800 --> 00:14:35,200 Speaker 3: down through the height of the atmosphere like it would 238 00:14:35,240 --> 00:14:39,200 Speaker 3: when it's directly overhead. It is cutting across many multiples 239 00:14:39,240 --> 00:14:42,360 Speaker 3: of that distance, sideways through the atmosphere. 240 00:14:42,560 --> 00:14:46,880 Speaker 2: Yeah, that's why you know, obviously you should not stare 241 00:14:47,040 --> 00:14:50,280 Speaker 2: at the sunrise or the sunset, but it's one of 242 00:14:50,320 --> 00:14:52,640 Speaker 2: the one of the the reason why the sunrise or 243 00:14:52,640 --> 00:14:54,560 Speaker 2: the sunset, one of the reasons why the sun sunrise 244 00:14:54,600 --> 00:14:58,080 Speaker 2: of the sunset is more perceptible to the human eye, 245 00:14:58,160 --> 00:15:00,400 Speaker 2: like you can you can do something more more like 246 00:15:00,480 --> 00:15:03,040 Speaker 2: looking at it as opposed as the sun straight up 247 00:15:03,040 --> 00:15:03,960 Speaker 2: in the noonday sky. 248 00:15:04,480 --> 00:15:07,200 Speaker 3: There's more atmosphere filtering it before it gets to you. 249 00:15:07,480 --> 00:15:11,320 Speaker 2: It is not sufficient to protect your eyes entirely, but 250 00:15:11,520 --> 00:15:13,480 Speaker 2: it's easier on your eyes. 251 00:15:13,720 --> 00:15:18,040 Speaker 3: Yeah. So anyway, the fact that people are looking at 252 00:15:18,040 --> 00:15:21,280 Speaker 3: the star, maybe right before dawn, when it's very low 253 00:15:21,320 --> 00:15:24,680 Speaker 3: on the horizon, it's cutting through lots of atmosphere horizontally 254 00:15:24,800 --> 00:15:29,520 Speaker 3: to get to the eyes. This causes increased twinkling because 255 00:15:29,600 --> 00:15:33,080 Speaker 3: over that distance in the air, there's more opportunity for 256 00:15:33,120 --> 00:15:36,000 Speaker 3: the light to cross barriers between different pockets of air 257 00:15:36,400 --> 00:15:39,960 Speaker 3: and encounter atmospheric turbulence. So it gets all these opportunities 258 00:15:40,000 --> 00:15:45,000 Speaker 3: for refraction that causes the twinkling. And so Holberg writes, quote, 259 00:15:45,040 --> 00:15:48,400 Speaker 3: there was also a widespread association in the Greek mind 260 00:15:48,520 --> 00:15:52,360 Speaker 3: of the twinkling and flashing of Sirius with such physiological 261 00:15:52,400 --> 00:15:58,120 Speaker 3: conditions and states as seething, shaking, emptying, and oppression, as 262 00:15:58,120 --> 00:16:01,520 Speaker 3: if the star was in distress and spewing its light 263 00:16:01,680 --> 00:16:05,680 Speaker 3: about the sky. Indeed, serious acquired such and I think 264 00:16:05,680 --> 00:16:08,320 Speaker 3: there's a typo here. It actually says epitaphs. I think 265 00:16:08,360 --> 00:16:13,239 Speaker 3: it means epithets. I caught a typo acquired such epithets 266 00:16:13,280 --> 00:16:17,080 Speaker 3: as the shaker. But then I thought that was funny 267 00:16:17,120 --> 00:16:20,280 Speaker 3: because it also brings it back to the effect of 268 00:16:20,360 --> 00:16:24,520 Speaker 3: the emanations on dogs and how this connects to rabies, 269 00:16:24,960 --> 00:16:28,920 Speaker 3: where Holberg talks about the belief that the rapid panting 270 00:16:29,520 --> 00:16:32,040 Speaker 3: of dogs that got very hot in the summer during 271 00:16:32,040 --> 00:16:35,600 Speaker 3: the dog days, with their tongue hanging out, this was 272 00:16:35,760 --> 00:16:39,040 Speaker 3: viewed as a behavior that was characterized by the gaping 273 00:16:39,080 --> 00:16:43,960 Speaker 3: of the mouth, a gaping behavior, and so because of this, 274 00:16:44,280 --> 00:16:47,440 Speaker 3: Hlberg also says that quote serious was sometimes referred to 275 00:16:47,600 --> 00:16:51,480 Speaker 3: as the gaper. So, man, it just seems like people 276 00:16:51,480 --> 00:16:54,400 Speaker 3: can't get this, like dogs with mouths hanging open out 277 00:16:54,400 --> 00:16:55,960 Speaker 3: of their mind when they're thinking about the star. 278 00:16:56,520 --> 00:16:58,240 Speaker 2: Yeah, I mean again, I think a big part of 279 00:16:58,280 --> 00:17:00,680 Speaker 2: it comes back to you have dogs or best friend. 280 00:17:01,320 --> 00:17:03,680 Speaker 2: Dogs have always been there with us. They are the 281 00:17:03,720 --> 00:17:09,040 Speaker 2: closest organism to us that we see responding to environmental 282 00:17:09,160 --> 00:17:13,560 Speaker 2: changes and then we can't help but also factor in 283 00:17:13,840 --> 00:17:19,399 Speaker 2: potential astrological changes as well. So yeah, it's such a 284 00:17:19,400 --> 00:17:25,000 Speaker 2: fascinating history here. And while you know this, the the 285 00:17:25,040 --> 00:17:30,720 Speaker 2: twinkling light of Sirius is not actually doing anything to us, 286 00:17:31,200 --> 00:17:34,919 Speaker 2: you know, it's still fascinating to remind ourselves that it 287 00:17:35,040 --> 00:17:41,320 Speaker 2: is still light from a vast power source light years 288 00:17:41,359 --> 00:17:45,480 Speaker 2: away that has traveled all the way to us, and 289 00:17:45,520 --> 00:17:49,000 Speaker 2: we are we are receiving. I mean, there's not there's 290 00:17:49,040 --> 00:17:51,520 Speaker 2: not really any information there. There are no marching orders 291 00:17:51,600 --> 00:17:54,880 Speaker 2: or anything. But still it's pretty phenomenal in the same 292 00:17:54,920 --> 00:17:57,840 Speaker 2: way that you know, you're out under a star filled 293 00:17:57,920 --> 00:18:01,520 Speaker 2: sky and it's like all these uh, these streams of 294 00:18:01,600 --> 00:18:05,639 Speaker 2: light from you know, throughout the galaxy have converged on 295 00:18:05,720 --> 00:18:07,760 Speaker 2: you, you know, and it's it's kind of a kind of 296 00:18:07,800 --> 00:18:08,679 Speaker 2: a magical moment. 297 00:18:08,960 --> 00:18:12,119 Speaker 3: Oh yeah, it's always interesting to remember how alien the 298 00:18:12,119 --> 00:18:15,679 Speaker 3: most common features of nature are that, like sunshine is 299 00:18:15,920 --> 00:18:20,400 Speaker 3: radiation from a natural fusion reactor, and so forth, radiation 300 00:18:20,520 --> 00:18:21,080 Speaker 3: from a star. 301 00:18:31,640 --> 00:18:34,880 Speaker 2: All right, well, let's uh, let's veer a little bit 302 00:18:35,000 --> 00:18:39,520 Speaker 2: into the world of science fiction before we come back 303 00:18:39,560 --> 00:18:42,280 Speaker 2: around into the real world. Because, of course, is the 304 00:18:42,280 --> 00:18:46,240 Speaker 2: brightest star in humanity's terrestrial night sky. Sirius has also 305 00:18:46,320 --> 00:18:49,760 Speaker 2: factored into our science fiction from a pretty early point. 306 00:18:50,400 --> 00:18:52,320 Speaker 2: Uh So I was I was digging into this a 307 00:18:52,320 --> 00:18:57,879 Speaker 2: little bit, and most commentators seem to agree that the 308 00:18:57,920 --> 00:19:05,880 Speaker 2: earliest example of fictional consideration of aliens from Sirius Syrians, 309 00:19:05,920 --> 00:19:07,879 Speaker 2: if you will, as they are often referred to in 310 00:19:07,920 --> 00:19:11,879 Speaker 2: the literature, that it all stems back to the seventeen 311 00:19:12,000 --> 00:19:17,440 Speaker 2: fifty two novella Li Micromegas by French author Voltaire, best 312 00:19:17,480 --> 00:19:19,720 Speaker 2: known for Candide Candid's the one that I had to 313 00:19:19,760 --> 00:19:24,359 Speaker 2: read in school and remember richly enjoying. I haven't read 314 00:19:24,359 --> 00:19:27,400 Speaker 2: this particular book in which there is a character by 315 00:19:27,400 --> 00:19:32,040 Speaker 2: the name of Micromegas, a titan like humanoid from the 316 00:19:32,080 --> 00:19:36,439 Speaker 2: star Sirius, and he visits Earth with a companion like 317 00:19:36,480 --> 00:19:41,199 Speaker 2: a little short person like another humanoid but very small, 318 00:19:41,640 --> 00:19:44,359 Speaker 2: from Saturn, and they visit Earth and have adventures. 319 00:19:45,800 --> 00:19:50,600 Speaker 3: Wait, so, in my understanding this right Voltaire, is he 320 00:19:50,760 --> 00:19:53,680 Speaker 3: thinking of this as a heavenly domain and these are 321 00:19:53,760 --> 00:19:57,959 Speaker 3: heavenly beings or is he positing them as other biological 322 00:19:58,119 --> 00:20:00,920 Speaker 3: entities that live on the surface of another planet. 323 00:20:01,800 --> 00:20:03,919 Speaker 2: Well, I haven't read the text in full, so I 324 00:20:03,920 --> 00:20:06,159 Speaker 2: can't comment too much on that, but I will read 325 00:20:06,200 --> 00:20:08,960 Speaker 2: a quick quote from it. Okay, on one of the 326 00:20:09,000 --> 00:20:13,159 Speaker 2: planets that orbits the star, named Sirius. There lived a 327 00:20:13,200 --> 00:20:15,960 Speaker 2: spirited young man who I had the honor of meeting 328 00:20:16,040 --> 00:20:19,280 Speaker 2: on the last voyage he made to our little ant hill. 329 00:20:19,800 --> 00:20:23,720 Speaker 2: He was called Micromagus, a fitting name for anyone so great. 330 00:20:24,119 --> 00:20:28,119 Speaker 2: He was eight leagues tall, or twenty four thousand geometric 331 00:20:28,160 --> 00:20:32,800 Speaker 2: paces of five feet each. So that sounds like an 332 00:20:32,880 --> 00:20:37,280 Speaker 2: organic being from a planet orbiting serious. Of course, you know, 333 00:20:37,320 --> 00:20:41,160 Speaker 2: we have no reasona believe there are any planets orbiting serious. 334 00:20:41,200 --> 00:20:45,719 Speaker 2: But Voltaire wouldn't have known that. And obviously this was 335 00:20:45,760 --> 00:20:50,560 Speaker 2: not Voltaire's primary objective with this literary work. He had, 336 00:20:50,640 --> 00:20:53,159 Speaker 2: you know, other things he was exploring here, and not 337 00:20:53,280 --> 00:20:55,880 Speaker 2: just I wonder if there are giant people up there. 338 00:20:57,440 --> 00:20:59,280 Speaker 3: Wait, so I'm trying to do the math on how 339 00:20:59,320 --> 00:21:03,560 Speaker 3: tall he is? Twenty four thousand paces of five feet each? 340 00:21:03,800 --> 00:21:06,480 Speaker 3: What does that mean? How many he's really tall? Ye? 341 00:21:06,880 --> 00:21:10,240 Speaker 2: Really staggeringly tall, A true titan. 342 00:21:10,480 --> 00:21:14,080 Speaker 3: He's like one hundred and twenty thousand feet tall. All right. 343 00:21:14,119 --> 00:21:16,639 Speaker 2: So obviously this was not the last time we would 344 00:21:16,720 --> 00:21:22,679 Speaker 2: envision aliens from Sirius or somehow aligned with Sirius. One 345 00:21:22,760 --> 00:21:25,719 Speaker 2: pretty famous example is the nineteen eighty three mini series 346 00:21:25,840 --> 00:21:29,439 Speaker 2: V The Visitors, in which a race of reptilians are 347 00:21:29,480 --> 00:21:31,919 Speaker 2: invading Earth and they are said to hail from a 348 00:21:31,960 --> 00:21:35,800 Speaker 2: planet near Sirius. I did a little digging around and 349 00:21:35,800 --> 00:21:39,280 Speaker 2: found some other examples. Some of these I'm familiar with. Honestly, 350 00:21:39,320 --> 00:21:41,800 Speaker 2: most of them I'm not that familiar with. But let's 351 00:21:41,800 --> 00:21:45,760 Speaker 2: say there's a Frederick poll story from sixty five called 352 00:21:45,800 --> 00:21:48,639 Speaker 2: the Age of pussy Foot that entails the capture of 353 00:21:48,680 --> 00:21:51,800 Speaker 2: an alien in the Serious System, though it's not supposed 354 00:21:51,840 --> 00:21:56,080 Speaker 2: to be this alien's system of origin. The Sirious Sam 355 00:21:56,160 --> 00:22:00,639 Speaker 2: video games have some Syrians, The Star Control V game 356 00:22:01,119 --> 00:22:04,719 Speaker 2: series has some Syrians, and it was it was I 357 00:22:04,760 --> 00:22:06,800 Speaker 2: was curious to check, well, what does Star Trek say 358 00:22:06,840 --> 00:22:09,560 Speaker 2: about Sirius? Is a factory in there at all? And yes, 359 00:22:09,960 --> 00:22:13,240 Speaker 2: if you get into the Star Trek animated series, which 360 00:22:13,280 --> 00:22:17,800 Speaker 2: is apparently canon, there is mention of Serious nine as 361 00:22:17,840 --> 00:22:21,920 Speaker 2: an inhabited world where a human named Harold Mud introduced 362 00:22:21,920 --> 00:22:25,879 Speaker 2: a love potion that made everyone there ill and presumably 363 00:22:25,880 --> 00:22:26,800 Speaker 2: mad at him. 364 00:22:27,560 --> 00:22:30,000 Speaker 3: Is Mud the guy? He's like a recurring character from 365 00:22:30,000 --> 00:22:35,600 Speaker 3: the original series who's a space con man. Yes, okay, nice, So. 366 00:22:35,640 --> 00:22:40,000 Speaker 2: That character and this is one of his further adventures. Yeah, Now, 367 00:22:40,359 --> 00:22:44,439 Speaker 2: the Syrian sector does factor into the Dune universe and 368 00:22:44,480 --> 00:22:46,880 Speaker 2: some of the lore, though there are no there are 369 00:22:46,920 --> 00:22:50,520 Speaker 2: to my knowledge, no fictional world set there. But we 370 00:22:50,640 --> 00:22:54,720 Speaker 2: mentioned Cannabis in I believe the first episode, and I 371 00:22:54,720 --> 00:22:59,000 Speaker 2: didn't I gladly to mention this then, But Aracus, the 372 00:22:59,280 --> 00:23:03,840 Speaker 2: desert planet Dune itself, is supposed to orbit Cannapis in 373 00:23:04,760 --> 00:23:09,640 Speaker 2: the Dune universe. Now, obviously the Marvel Comics universe has 374 00:23:09,720 --> 00:23:14,080 Speaker 2: different treatments of Serious over the decades, because again with 375 00:23:14,119 --> 00:23:16,120 Speaker 2: all these things, it's like, if you're thinking about the cosmos, 376 00:23:16,119 --> 00:23:18,960 Speaker 2: you're thinking about stars. We have a history with Sirius. 377 00:23:19,000 --> 00:23:22,320 Speaker 2: We have familiarity with Sirius. It is the brightest star 378 00:23:22,520 --> 00:23:27,680 Speaker 2: in our heavens. So various alien species have been associated 379 00:23:27,720 --> 00:23:31,399 Speaker 2: with Sirius in the pages of Marvel Comics. I believe 380 00:23:31,440 --> 00:23:35,000 Speaker 2: the fifth Syrian planet that again, we have no reason 381 00:23:35,000 --> 00:23:36,640 Speaker 2: to believe there are planets there, but in the comic 382 00:23:36,720 --> 00:23:38,040 Speaker 2: books it's fair game. 383 00:23:39,080 --> 00:23:39,280 Speaker 3: Yeah. 384 00:23:39,359 --> 00:23:42,600 Speaker 2: Serious five was settled by the High Evolutionary and his 385 00:23:43,040 --> 00:23:46,520 Speaker 2: new Men. And then digging around a little bit more, 386 00:23:46,520 --> 00:23:48,760 Speaker 2: it looks like in the nineteen sixties the X Men 387 00:23:49,480 --> 00:23:52,960 Speaker 2: battled some sort of an octopus with hands that was 388 00:23:52,960 --> 00:23:56,920 Speaker 2: supposed to be from Sirius, and they also had contact 389 00:23:56,960 --> 00:24:01,000 Speaker 2: with the Syrians, who are humanoids that were enslaved by 390 00:24:01,400 --> 00:24:08,040 Speaker 2: the quisites a different species of alien humanoids, again from 391 00:24:08,080 --> 00:24:09,920 Speaker 2: the nineteen sixties and the pages of X Men. 392 00:24:10,800 --> 00:24:13,200 Speaker 3: I don't know why, but I'm offended by the idea 393 00:24:13,240 --> 00:24:14,600 Speaker 3: of an octopus with hands. 394 00:24:14,920 --> 00:24:17,640 Speaker 2: I don't know if all of the octopus arms end 395 00:24:17,640 --> 00:24:20,359 Speaker 2: in hands, but I did look up one of the 396 00:24:20,359 --> 00:24:22,840 Speaker 2: illustrations of this creature and it's like, at least one 397 00:24:22,880 --> 00:24:25,119 Speaker 2: pair of arms have hands at the end, kind of 398 00:24:25,160 --> 00:24:26,480 Speaker 2: like Hamburger helper hands. 399 00:24:27,240 --> 00:24:30,680 Speaker 3: Do only the hands have bones? Like, do the arms 400 00:24:30,720 --> 00:24:33,359 Speaker 3: have bones and it's still an octopus? Or do the 401 00:24:33,440 --> 00:24:34,680 Speaker 3: hands not have bones? 402 00:24:35,040 --> 00:24:38,080 Speaker 2: I think the fingers are maybe like sub arms. 403 00:24:38,320 --> 00:24:40,520 Speaker 3: You know, if you got octopus arms, why do you 404 00:24:40,560 --> 00:24:42,720 Speaker 3: need hands? They're perfectly dexterous? 405 00:24:43,600 --> 00:24:45,879 Speaker 2: Is the rule of cool, I guess, But then again 406 00:24:46,160 --> 00:24:47,960 Speaker 2: not too cool, because I don't know that this was 407 00:24:47,960 --> 00:24:50,600 Speaker 2: at all a recurring character, kind of a one shot, 408 00:24:51,040 --> 00:24:54,320 Speaker 2: and there was actually another interesting one shot from Sirius 409 00:24:54,359 --> 00:24:57,320 Speaker 2: that I found. This is from two thousand and seven, 410 00:24:57,440 --> 00:25:00,399 Speaker 2: two thousand and eight in the pages of Black Panther 411 00:25:00,680 --> 00:25:02,720 Speaker 2: or well, I'm not actually sure it was the Black 412 00:25:02,760 --> 00:25:04,480 Speaker 2: Panther comic book. It might have been one of these 413 00:25:04,560 --> 00:25:08,720 Speaker 2: these other sort of bigger, you know, ongoing Marvel stories. 414 00:25:08,760 --> 00:25:12,280 Speaker 2: And I think this is somehow involving like gladiatorial combat 415 00:25:12,640 --> 00:25:17,199 Speaker 2: somewhere in space. But Black Panther battles the Werewolf of 416 00:25:17,320 --> 00:25:22,920 Speaker 2: Sirius and it almost kills him almost immediately. Not a 417 00:25:23,040 --> 00:25:24,760 Speaker 2: very huge scene. They have to get a cool little 418 00:25:24,760 --> 00:25:27,880 Speaker 2: fight scene, and then the Werewolf of Sirius dies. We don't. 419 00:25:28,160 --> 00:25:30,680 Speaker 2: We end up not finding out is he from Sirius 420 00:25:31,320 --> 00:25:34,119 Speaker 2: or being of serious is he merely like under the 421 00:25:34,160 --> 00:25:37,680 Speaker 2: influence of the Dog Star. So many questions and as 422 00:25:37,720 --> 00:25:39,080 Speaker 2: far as I know, they are unanswered. 423 00:25:39,320 --> 00:25:42,400 Speaker 3: Oh interesting, like he's given rabies by the Dog Star. 424 00:25:42,520 --> 00:25:44,280 Speaker 3: Maybe yeah, I assume. 425 00:25:44,600 --> 00:25:47,520 Speaker 2: I included a screenshot here for you, Joe and other 426 00:25:47,760 --> 00:25:49,600 Speaker 2: other folks. You can you can look up images of this. 427 00:25:50,080 --> 00:25:54,719 Speaker 2: But he basically looks like a big, light blue were wolf, 428 00:25:54,920 --> 00:25:59,040 Speaker 2: like humanoid wolf, very muscular and has you know, some 429 00:25:59,280 --> 00:26:02,040 Speaker 2: some armour on, you know, ready to do battle, lots 430 00:26:02,040 --> 00:26:02,560 Speaker 2: of scars. 431 00:26:03,119 --> 00:26:05,800 Speaker 3: This is the werewolf form we've talked about many times, 432 00:26:05,840 --> 00:26:09,359 Speaker 3: the V shaped muscleman, where Wolf it's just bipedal Arnold 433 00:26:09,359 --> 00:26:12,040 Speaker 3: Schwarzenegger build with the doghead. 434 00:26:12,480 --> 00:26:17,119 Speaker 2: Yeah, no match for black panther. Right, So those are 435 00:26:17,119 --> 00:26:20,200 Speaker 2: the main ones I'm gonna mention. But certainly, listeners out there, 436 00:26:20,400 --> 00:26:22,640 Speaker 2: I know a number of you have some some very 437 00:26:22,960 --> 00:26:26,719 Speaker 2: deep knowledge of different strains of science fiction. So if 438 00:26:26,720 --> 00:26:29,960 Speaker 2: there are utter other notable Syrians out there, you know, 439 00:26:30,000 --> 00:26:32,880 Speaker 2: either from like serious science fiction or just like Saturday 440 00:26:32,920 --> 00:26:35,840 Speaker 2: Morning cartoons, please share them with us and we'll talk 441 00:26:36,040 --> 00:26:38,359 Speaker 2: talk about them in a future episode of Stuff to 442 00:26:38,359 --> 00:26:38,880 Speaker 2: Blow your mind. 443 00:26:38,880 --> 00:26:43,639 Speaker 3: Listener mail from serious science fiction. Serious serious, yes, very 444 00:26:43,640 --> 00:26:47,720 Speaker 3: science serious science fiction, not silly serious science fiction. 445 00:26:48,320 --> 00:26:53,159 Speaker 2: Serious Syrian science fiction. Yes. It should of course come 446 00:26:53,240 --> 00:26:56,000 Speaker 2: to absolutely no surprise for anyone out there that Syrian 447 00:26:56,160 --> 00:27:01,960 Speaker 2: aliens also factor into ufology and UFO religions. Again, it 448 00:27:02,040 --> 00:27:04,360 Speaker 2: is the brightest star in the night sky. It's deeply 449 00:27:04,480 --> 00:27:08,600 Speaker 2: rooted in human contemplations of the cosmos. So why not 450 00:27:08,960 --> 00:27:12,879 Speaker 2: Syrian UFO is visiting the Earth. You know, let's take 451 00:27:13,040 --> 00:27:15,320 Speaker 2: a look at at at least one of them, and 452 00:27:15,400 --> 00:27:17,199 Speaker 2: the main one that you find if you look up 453 00:27:17,240 --> 00:27:21,080 Speaker 2: some images of this guy. Syrians often are depicted is 454 00:27:21,119 --> 00:27:23,119 Speaker 2: looking a little bit like ET, but kind of like 455 00:27:23,160 --> 00:27:24,320 Speaker 2: ET meets King. 456 00:27:24,160 --> 00:27:28,080 Speaker 3: Of the Hill. Yeah, yeah, I gotta be honest, I 457 00:27:28,080 --> 00:27:30,440 Speaker 3: don't like this. I don't like looking at it. It's 458 00:27:30,480 --> 00:27:33,320 Speaker 3: something it's not pleasant. It looks like a fire based 459 00:27:33,800 --> 00:27:37,200 Speaker 3: ET with yeah, with Peggy Hill hair, like big beehive hair. 460 00:27:37,400 --> 00:27:39,960 Speaker 2: But at least drawn by a human being, and that 461 00:27:40,119 --> 00:27:43,480 Speaker 2: I love. Like the older like Older, like a little 462 00:27:43,560 --> 00:27:50,240 Speaker 2: more sort of traditional ufology considerations of different supposed alien beings. 463 00:27:51,000 --> 00:27:53,679 Speaker 2: You know, they're they're often very amateur looking drawings. I mean, 464 00:27:53,680 --> 00:27:55,080 Speaker 2: some of them, I guess are quite nice, but they're 465 00:27:55,119 --> 00:27:59,160 Speaker 2: clearly the product of a human mind and human artistry. 466 00:27:59,560 --> 00:28:03,560 Speaker 2: Now nowadays, more and more of your imagery that is 467 00:28:04,000 --> 00:28:08,240 Speaker 2: dished up alongside ufology is of course AI generated, and 468 00:28:08,520 --> 00:28:12,280 Speaker 2: it makes it even more monstrous. In my opinion. It 469 00:28:12,359 --> 00:28:16,000 Speaker 2: just feels just it feels faker, and it already was 470 00:28:16,440 --> 00:28:19,920 Speaker 2: lacking an air of authenticity, but now it looks even worse. 471 00:28:20,280 --> 00:28:23,000 Speaker 3: Well, yeah, I mean, we've made some of our views 472 00:28:23,040 --> 00:28:25,560 Speaker 3: on this show clear before, you know, as far as 473 00:28:25,640 --> 00:28:28,280 Speaker 3: UFOs go, Like, I'm in theory, open to it, but 474 00:28:28,359 --> 00:28:31,280 Speaker 3: not convinced by any you know, any kind of lore 475 00:28:31,720 --> 00:28:36,520 Speaker 3: or stuff I've ever come across. So it's already not 476 00:28:36,560 --> 00:28:38,280 Speaker 3: stuff I believe in, but at least it used to 477 00:28:38,280 --> 00:28:41,120 Speaker 3: be kind of interesting and the AI stuff just makes 478 00:28:41,160 --> 00:28:45,960 Speaker 3: it feel more expam it's just clutter. Yeah, and we know, 479 00:28:46,080 --> 00:28:48,960 Speaker 3: but we have talked about this off Mike. We sometimes 480 00:28:49,000 --> 00:28:52,880 Speaker 3: in our show Inbox we get reach outs from people 481 00:28:52,920 --> 00:28:54,360 Speaker 3: I don't know who want to be on the show, 482 00:28:54,520 --> 00:28:56,320 Speaker 3: who are like, hey, I'm a you know, I'm a 483 00:28:56,400 --> 00:28:59,280 Speaker 3: UFO influencer. These are the nine different types of aliens 484 00:28:59,280 --> 00:29:02,120 Speaker 3: I've talked to, And if you go to their website, 485 00:29:02,360 --> 00:29:05,560 Speaker 3: it's all AI generated stuff. Now it's like, how how 486 00:29:05,600 --> 00:29:07,680 Speaker 3: can those be pictures of the aliens you've talked to? 487 00:29:08,040 --> 00:29:10,440 Speaker 3: It's like a I generated Yeah. 488 00:29:10,520 --> 00:29:14,200 Speaker 2: Yeah. But anyway, we do get into a really thought 489 00:29:14,240 --> 00:29:19,240 Speaker 2: provoking area with consideration of supposed Syrians and ultimately their 490 00:29:19,360 --> 00:29:26,040 Speaker 2: consideration within ufology and different UFO based New Age lines 491 00:29:26,080 --> 00:29:28,560 Speaker 2: of thought. And Holberg discusses this a bit in his 492 00:29:28,600 --> 00:29:31,920 Speaker 2: book as well, and you know, he points out that, 493 00:29:32,000 --> 00:29:34,120 Speaker 2: you know, for all the reasons we've discussed already again, 494 00:29:34,200 --> 00:29:37,520 Speaker 2: brightest Star in the Sky one with a deep history, 495 00:29:37,520 --> 00:29:41,400 Speaker 2: deep cultural history, but also a very strong presence in 496 00:29:41,640 --> 00:29:45,600 Speaker 2: ancient Egyptian thought, and of course Egyptomania has long been 497 00:29:45,640 --> 00:29:49,360 Speaker 2: a major component of various strains of new religious movements, 498 00:29:49,680 --> 00:29:53,800 Speaker 2: new age philosophies, and just general cultural excitement. So the 499 00:29:53,880 --> 00:29:57,760 Speaker 2: Space Age just ends up creating new connection points for 500 00:29:57,880 --> 00:29:59,040 Speaker 2: us to get excited about. 501 00:29:59,040 --> 00:30:00,560 Speaker 3: Sirius. 502 00:30:01,520 --> 00:30:07,040 Speaker 2: And there was a key publication in nineteen seventy six 503 00:30:07,320 --> 00:30:11,479 Speaker 2: that really helped push a particular idea about serious and 504 00:30:11,520 --> 00:30:15,840 Speaker 2: really sort of inject it, you know, more steadily into 505 00:30:16,240 --> 00:30:21,760 Speaker 2: the UFO conspiracy theory ufology world. And that is a 506 00:30:21,800 --> 00:30:25,520 Speaker 2: book titled The Serious Mystery. And this was an ancient 507 00:30:25,560 --> 00:30:29,920 Speaker 2: astronaut's book by Robert KG Temple, who I believe is 508 00:30:29,920 --> 00:30:34,880 Speaker 2: still alive and still maintains a website. And before I 509 00:30:34,960 --> 00:30:36,400 Speaker 2: move on with this, I do want to point out 510 00:30:36,480 --> 00:30:40,760 Speaker 2: that if you're interested in our more complete takes on 511 00:30:41,480 --> 00:30:46,960 Speaker 2: ancient astronaut hypothesis, well we did a series of episodes 512 00:30:47,120 --> 00:30:49,440 Speaker 2: years back, and you can find those in the archives 513 00:30:49,480 --> 00:30:51,479 Speaker 2: wherever you get stuff to blow your mind as an 514 00:30:51,480 --> 00:30:57,440 Speaker 2: audio podcast. But at any rate, this book deals mostly 515 00:30:57,680 --> 00:31:03,640 Speaker 2: with the Dogan people in in West Africa, and the 516 00:31:03,680 --> 00:31:07,080 Speaker 2: idea that is presented in that book is that these 517 00:31:07,600 --> 00:31:13,520 Speaker 2: peoples still preserve traditions that stem from ancient contact with 518 00:31:13,760 --> 00:31:19,520 Speaker 2: amphibious extraterrestrial visitors, who, among other things, informed them about 519 00:31:19,560 --> 00:31:24,160 Speaker 2: the existence of Serious B. Again, we know now that 520 00:31:24,600 --> 00:31:26,720 Speaker 2: the star that we see, that we can see with 521 00:31:26,760 --> 00:31:29,240 Speaker 2: the naked eye is Serious A. And then there is 522 00:31:29,280 --> 00:31:33,160 Speaker 2: a much smaller white dwarf that is there with it 523 00:31:33,400 --> 00:31:36,280 Speaker 2: that we now know is Serious B that you cannot 524 00:31:36,320 --> 00:31:40,560 Speaker 2: see with the naked eye. It's far dimmer, far smaller, 525 00:31:41,960 --> 00:31:44,520 Speaker 2: and would not have would not have been visible and 526 00:31:44,520 --> 00:31:46,800 Speaker 2: would not have been known to human beings before the 527 00:31:46,840 --> 00:31:51,440 Speaker 2: advent of the telescope. Yeah, so the idea is well 528 00:31:51,480 --> 00:31:54,880 Speaker 2: before the advent of the telescope, the Dogan people knew 529 00:31:55,080 --> 00:32:00,080 Speaker 2: about Serious B somehow, and the somehow is aliens to 530 00:32:00,160 --> 00:32:03,960 Speaker 2: them about it. So Temple did not originate this idea. Rather, 531 00:32:04,040 --> 00:32:07,720 Speaker 2: he popularized concepts that were originally explored by a pair 532 00:32:07,760 --> 00:32:11,720 Speaker 2: of French anthropologists in the nineteen fifty publication A Pseudony 533 00:32:11,840 --> 00:32:16,480 Speaker 2: System of Serious and The anthropologists here were Marcel Griol 534 00:32:16,920 --> 00:32:21,960 Speaker 2: and Germaine Dieterlin. Now the Dogan people are just for 535 00:32:22,560 --> 00:32:26,600 Speaker 2: a little bit more information here. They are an indigenous 536 00:32:26,640 --> 00:32:30,000 Speaker 2: ethnic minority, and they currently have a pop population between 537 00:32:30,000 --> 00:32:33,400 Speaker 2: something like four hundred thousand and eight hundred thousand, and 538 00:32:33,840 --> 00:32:37,440 Speaker 2: they have a vibrant culture that features elaborate wooden masks, 539 00:32:37,680 --> 00:32:42,720 Speaker 2: dance rituals, sculpture, architecture, and so much more. We're not 540 00:32:42,760 --> 00:32:46,040 Speaker 2: going to have time to really get into everything that 541 00:32:46,040 --> 00:32:48,640 Speaker 2: they legitimately have to offer. And it's ultimately one of 542 00:32:48,640 --> 00:32:51,920 Speaker 2: the sort of tragedies of the whole situation is that 543 00:32:51,960 --> 00:32:54,960 Speaker 2: they often when they're talked about, they are often talked 544 00:32:55,000 --> 00:32:59,920 Speaker 2: about in reference to this particular idea, So you know, 545 00:33:00,040 --> 00:33:03,280 Speaker 2: it's we have to admit that it is ultimately kind 546 00:33:03,280 --> 00:33:08,000 Speaker 2: of an injustice to them. And as we'll explore, I 547 00:33:08,000 --> 00:33:12,280 Speaker 2: think they're The more pervasive argument is that there of 548 00:33:12,320 --> 00:33:17,200 Speaker 2: course was no ancient contact with some sort of extraterrestrial entity. 549 00:33:17,440 --> 00:33:21,520 Speaker 2: There are other reasons to explain why this interpretation has 550 00:33:21,560 --> 00:33:23,720 Speaker 2: been given the attention that it has. 551 00:33:24,240 --> 00:33:26,640 Speaker 3: But worth looking up their masks and art, by the. 552 00:33:26,600 --> 00:33:29,480 Speaker 2: Way, absolutely yes, if even if you just go to 553 00:33:29,520 --> 00:33:33,640 Speaker 2: the Dogan people's the Wikipedia profile about them, you'll find 554 00:33:33,680 --> 00:33:37,880 Speaker 2: some excellent visual examples of the mass that they create 555 00:33:38,520 --> 00:33:42,960 Speaker 2: of their their architecture, their sculpture art. So an incredibly 556 00:33:43,040 --> 00:33:46,000 Speaker 2: rich culture and that is going to be key when 557 00:33:46,000 --> 00:33:58,040 Speaker 2: we get into some of the reasons here as well. Now, 558 00:33:58,080 --> 00:34:00,080 Speaker 2: one thing to keep in mind about all of this 559 00:34:00,200 --> 00:34:04,200 Speaker 2: something that we really drove home in our series on 560 00:34:04,480 --> 00:34:08,759 Speaker 2: Ancient Astronauts, and it's also something that Carl Sagan was 561 00:34:09,280 --> 00:34:13,440 Speaker 2: very adamant about, and that is that there's no verifiable 562 00:34:13,440 --> 00:34:17,600 Speaker 2: physical evidence of historic or prehistoric contact with extraterrestrials. We 563 00:34:17,680 --> 00:34:20,439 Speaker 2: just don't have good, good evidence. And that includes that 564 00:34:20,560 --> 00:34:24,440 Speaker 2: you know, recent history or certainly getting into into ancient history. 565 00:34:24,840 --> 00:34:27,200 Speaker 2: The best we can really do the best if you're 566 00:34:27,239 --> 00:34:30,239 Speaker 2: really looking for evidence of it, and you're looking for 567 00:34:30,320 --> 00:34:33,319 Speaker 2: good evidence, your best hope would really be, you know, 568 00:34:33,360 --> 00:34:36,280 Speaker 2: short of actually discovering a you know, a buried alien 569 00:34:36,320 --> 00:34:38,880 Speaker 2: spaceship that we just haven't found thus far, we'd be 570 00:34:38,920 --> 00:34:42,960 Speaker 2: finding cultural evidence of it. So some sort of description 571 00:34:43,800 --> 00:34:47,680 Speaker 2: of an encounter in ancient literature that just seems to 572 00:34:47,719 --> 00:34:50,560 Speaker 2: line up in the right way and again wouldn't actually 573 00:34:50,600 --> 00:34:53,040 Speaker 2: prove anything, would but would it at the very least 574 00:34:53,080 --> 00:34:56,360 Speaker 2: provide sort of a huh I wonder if evidence? 575 00:34:57,160 --> 00:34:59,359 Speaker 3: Yeah. And you know, one thing that I would say 576 00:34:59,360 --> 00:35:01,560 Speaker 3: we've talked about in the past as well, is that 577 00:35:01,800 --> 00:35:06,359 Speaker 3: I think typically even with the most interesting stuff like that, 578 00:35:06,480 --> 00:35:09,719 Speaker 3: the stuff that sounds most like an ancient text describing 579 00:35:09,719 --> 00:35:13,600 Speaker 3: something from a science fiction movie, it does tend to 580 00:35:13,640 --> 00:35:18,040 Speaker 3: rely on a lot of cultural bias, Like we're looking 581 00:35:18,160 --> 00:35:24,080 Speaker 3: for descriptions of the kinds of beings or events that 582 00:35:24,120 --> 00:35:28,000 Speaker 3: we're familiar with through science fiction of the modern world, 583 00:35:28,520 --> 00:35:31,960 Speaker 3: not necessarily like objective accounts. I don't know how you'd 584 00:35:32,000 --> 00:35:35,560 Speaker 3: even know what these should be, but objective accounts of 585 00:35:35,600 --> 00:35:39,840 Speaker 3: how ancient people would process and describe, you know, encounters 586 00:35:39,880 --> 00:35:43,120 Speaker 3: with beings from space. And also when when you're taking 587 00:35:43,160 --> 00:35:45,680 Speaker 3: an ancient text that describes an encounter with a god 588 00:35:45,800 --> 00:35:47,719 Speaker 3: or something like that and saying, oh, these must have 589 00:35:47,800 --> 00:35:51,440 Speaker 3: been aliens, you're inherently also just dismissing how the people 590 00:35:51,600 --> 00:35:55,680 Speaker 3: who created the text, what they thought the text meant, 591 00:35:55,880 --> 00:35:58,560 Speaker 3: and you know, how they were thinking about it. So 592 00:35:58,920 --> 00:36:03,360 Speaker 3: I don't know, I strongly skeptical of interpretive attempts of 593 00:36:03,360 --> 00:36:03,920 Speaker 3: this kind. 594 00:36:04,640 --> 00:36:07,560 Speaker 2: Yeah, you know, I guess the main thing, and this 595 00:36:07,640 --> 00:36:10,680 Speaker 2: is I think Sagan's point is that, at least on 596 00:36:10,719 --> 00:36:15,520 Speaker 2: the surface, the Dogan idea here would be the most 597 00:36:15,520 --> 00:36:18,480 Speaker 2: attractive because if true, and that's a big if, that 598 00:36:18,520 --> 00:36:22,040 Speaker 2: we're going to come back to. If true, what you 599 00:36:22,080 --> 00:36:26,000 Speaker 2: would have is an ancient account in which something is 600 00:36:26,800 --> 00:36:29,720 Speaker 2: known before humans should know it, Like in this case, 601 00:36:30,040 --> 00:36:32,120 Speaker 2: if the dough if there was actually a tradition among 602 00:36:32,120 --> 00:36:35,320 Speaker 2: the Dogan people that said that you can contain knowledge 603 00:36:35,360 --> 00:36:37,600 Speaker 2: of a star that humans wouldn't be able to see 604 00:36:37,800 --> 00:36:43,120 Speaker 2: for thousands of years, well then that could potentially be compelling. However, 605 00:36:43,840 --> 00:36:45,320 Speaker 2: there are a number of factors we're going to have 606 00:36:45,360 --> 00:36:46,040 Speaker 2: to discuss here. 607 00:36:46,400 --> 00:36:50,080 Speaker 3: Yeah, you could imagine, I mean, even if that were 608 00:36:50,120 --> 00:36:53,160 Speaker 3: the case, and again the caveats on that you could 609 00:36:53,160 --> 00:36:57,120 Speaker 3: imagine lists of much more highly specified information than like 610 00:36:57,239 --> 00:36:59,600 Speaker 3: the brightest star in the sky has a companion. 611 00:37:00,239 --> 00:37:04,160 Speaker 2: Yeah, yeah, well, you know this case, as originally presented 612 00:37:05,040 --> 00:37:07,800 Speaker 2: by the French anthropologists does it does get into a 613 00:37:07,840 --> 00:37:11,080 Speaker 2: little of that. So the idea discussed by these authors 614 00:37:11,080 --> 00:37:15,400 Speaker 2: in that original paper from the fifties is they presented 615 00:37:15,400 --> 00:37:19,080 Speaker 2: this idea that the Dogan elders held a secret cosmology 616 00:37:20,120 --> 00:37:24,600 Speaker 2: that highly regarded Sirius and that they knew that Sirius 617 00:37:24,680 --> 00:37:29,200 Speaker 2: had an invisible companion with a fifty year elliptical orbit 618 00:37:29,320 --> 00:37:34,160 Speaker 2: around serious So you know, okay, you know, if true, 619 00:37:34,200 --> 00:37:38,800 Speaker 2: you know that's pretty compelling. That's some specific information. Temple 620 00:37:39,320 --> 00:37:43,160 Speaker 2: especially noted the connection on top of this between these 621 00:37:43,239 --> 00:37:47,480 Speaker 2: ideas and our modern knowledge of serious b suspected is 622 00:37:47,520 --> 00:37:49,840 Speaker 2: suspected as far back as the nineteenth century, but not 623 00:37:49,920 --> 00:37:53,880 Speaker 2: photographed till nineteen seventy. And then Temple further connected this 624 00:37:54,239 --> 00:37:59,400 Speaker 2: Dogan myth to their treatment of something called the Nomo, 625 00:38:00,040 --> 00:38:04,120 Speaker 2: an amphibious fish like ancestor who came from the sky 626 00:38:04,200 --> 00:38:06,880 Speaker 2: in a kind of woven arc. So, you know, the 627 00:38:06,920 --> 00:38:09,040 Speaker 2: rest stitches itself together rather easily. 628 00:38:09,080 --> 00:38:09,319 Speaker 3: Here. 629 00:38:09,360 --> 00:38:11,840 Speaker 2: You know this idea that okay, some sort of amphibious 630 00:38:11,840 --> 00:38:15,680 Speaker 2: beings came down in something that is a spaceship, and 631 00:38:15,719 --> 00:38:18,640 Speaker 2: they told us about where they came from, or in 632 00:38:18,640 --> 00:38:20,719 Speaker 2: some way pointed to the star in the sky that 633 00:38:20,760 --> 00:38:24,160 Speaker 2: the Dogan, you know, either already considered sacred or would 634 00:38:24,200 --> 00:38:26,759 Speaker 2: certainly from now on consider sacred. And they said, oh, 635 00:38:26,840 --> 00:38:29,239 Speaker 2: by the way, there's another star there. It's two of them, 636 00:38:29,239 --> 00:38:31,200 Speaker 2: you just can't see the other one. And here's some 637 00:38:31,280 --> 00:38:37,919 Speaker 2: figures related to that. Okay, So there are obviously, again 638 00:38:37,960 --> 00:38:39,960 Speaker 2: on the surface, that sounds very compelling, and if you 639 00:38:40,040 --> 00:38:43,560 Speaker 2: were inclined to want to believe this, well, you can 640 00:38:43,600 --> 00:38:46,560 Speaker 2: just stop right there, right because you've arrived. Sadly, that's 641 00:38:47,080 --> 00:38:49,920 Speaker 2: how these things often work. But yeah, there are some 642 00:38:50,000 --> 00:38:55,200 Speaker 2: key problems here, So in addition to anything we've already cited, 643 00:38:56,280 --> 00:38:58,520 Speaker 2: it is highly important and this is key. This becomes 644 00:38:58,520 --> 00:39:01,480 Speaker 2: pretty much the key factor is that the Dogan were 645 00:39:01,600 --> 00:39:07,200 Speaker 2: not totally isolated when these anthropologists initially spoke with them. 646 00:39:07,440 --> 00:39:11,799 Speaker 2: They had already had contact with French colonial authorities, with soldiers, 647 00:39:12,120 --> 00:39:17,000 Speaker 2: with missionaries and explorers, and bottom line, they could have 648 00:39:17,120 --> 00:39:22,680 Speaker 2: very easily been contaminated by modern views and modern understanding 649 00:39:22,719 --> 00:39:27,480 Speaker 2: and the hypothesis that siries B existed via contact with 650 00:39:27,520 --> 00:39:31,960 Speaker 2: these various individuals, and Holberg in his book explores some 651 00:39:32,040 --> 00:39:35,359 Speaker 2: of the possible candidates, like specific candidates for this transmission, 652 00:39:35,440 --> 00:39:40,200 Speaker 2: this cultural transmission, in a fair amount of depth. Another 653 00:39:40,320 --> 00:39:43,680 Speaker 2: factor worth keeping in mind is that in the nineteen 654 00:39:43,719 --> 00:39:46,480 Speaker 2: eighties and the nineteen nineties this would be and this 655 00:39:46,600 --> 00:39:51,000 Speaker 2: was after Sagan's publication as well, anthropologist Walter van Beek 656 00:39:51,160 --> 00:39:55,080 Speaker 2: conducted interviews with Dogan elders and found no evidence of 657 00:39:55,120 --> 00:39:56,960 Speaker 2: a tradition. And this would have been, by the way, 658 00:39:56,960 --> 00:40:00,560 Speaker 2: an oral tradition this would have been. This had been true, 659 00:40:00,600 --> 00:40:03,960 Speaker 2: would be something that was passed down via storytelling and 660 00:40:04,000 --> 00:40:07,520 Speaker 2: so forth, not written down. But this guy Van Beek 661 00:40:07,600 --> 00:40:11,400 Speaker 2: found no tradition of a companion star to Sirius, and 662 00:40:11,480 --> 00:40:15,160 Speaker 2: in this suggests that basically what could have been occurring 663 00:40:15,200 --> 00:40:18,840 Speaker 2: with Griol especially is that he could have been asking 664 00:40:18,880 --> 00:40:21,680 Speaker 2: some very leading questions and could have been the source 665 00:40:21,719 --> 00:40:27,640 Speaker 2: of the cultural contamination himself. Okay, yeah, I've read that 666 00:40:28,080 --> 00:40:30,560 Speaker 2: some think he might have been very aggressive in his 667 00:40:30,880 --> 00:40:33,160 Speaker 2: questioning and kind of was almost like it was almost 668 00:40:33,160 --> 00:40:36,400 Speaker 2: like cross examination, and so he could have effectively co 669 00:40:36,520 --> 00:40:38,239 Speaker 2: created the myth in his interviews. 670 00:40:38,960 --> 00:40:41,440 Speaker 3: Well that's annoying if true. 671 00:40:41,640 --> 00:40:44,520 Speaker 2: Yeah, yeah, And well Sagan gets into this as well. 672 00:40:44,520 --> 00:40:45,880 Speaker 2: I'm going to come out of what Sagan has to 673 00:40:46,000 --> 00:40:48,000 Speaker 2: have to say about have to say about this as well. 674 00:40:48,040 --> 00:40:51,799 Speaker 2: But another interesting point that Holberg brings up is that 675 00:40:51,840 --> 00:40:57,040 Speaker 2: the French anthropologists also reported that the Dogan held serious 676 00:40:57,160 --> 00:41:02,160 Speaker 2: to be read. We talked about the red serious issue 677 00:41:02,320 --> 00:41:06,319 Speaker 2: a bit in the previous episode, and basically this could 678 00:41:06,360 --> 00:41:09,760 Speaker 2: have been due to the revival of red serious theories 679 00:41:09,800 --> 00:41:14,160 Speaker 2: in the late eighteen hundreds and early nineteen hundreds introduced 680 00:41:14,160 --> 00:41:18,360 Speaker 2: to the Dogan by any of these various contamination points. 681 00:41:19,160 --> 00:41:23,680 Speaker 2: So essentially, you know, they could, upon questioning, could basically 682 00:41:23,719 --> 00:41:29,080 Speaker 2: be incorporating late eighteen hundreds, early nineteen hundreds of views 683 00:41:29,120 --> 00:41:33,839 Speaker 2: about serious and red serious excitement into their mythology. 684 00:41:34,760 --> 00:41:38,239 Speaker 3: Yeah. Could this also be related to the hypothesis we 685 00:41:38,280 --> 00:41:40,480 Speaker 3: talked about in I think part one of the series 686 00:41:40,520 --> 00:41:44,160 Speaker 3: that some ideas about the redness of serious could come 687 00:41:44,200 --> 00:41:46,960 Speaker 3: from times when it legitimately does look red due to 688 00:41:47,000 --> 00:41:48,640 Speaker 3: atmospheric Oh yeah, I. 689 00:41:48,560 --> 00:41:52,160 Speaker 2: Mean, yeah, absolutely, I mean, you know, obviously they did 690 00:41:52,200 --> 00:41:54,880 Speaker 2: hold they do hold serious in high regards, so they 691 00:41:54,880 --> 00:41:58,120 Speaker 2: could have some tradition of having If the observation of 692 00:41:58,120 --> 00:42:01,120 Speaker 2: Sirius is read with something that was actually occurring for 693 00:42:01,239 --> 00:42:03,880 Speaker 2: ancient people, then yeah, they could have actually had that 694 00:42:03,960 --> 00:42:06,480 Speaker 2: experience as well. But they could It could also just 695 00:42:06,520 --> 00:42:09,319 Speaker 2: be more evidence that they are that they had that 696 00:42:09,400 --> 00:42:14,279 Speaker 2: their understanding of serious has been contaminated by contact with 697 00:42:14,320 --> 00:42:15,319 Speaker 2: the with Westerners. 698 00:42:15,560 --> 00:42:17,799 Speaker 3: Yeah, but am I remembering right? The idea is that 699 00:42:18,040 --> 00:42:20,680 Speaker 3: generally serious would not look red when it's like higher 700 00:42:20,760 --> 00:42:23,359 Speaker 3: up in the sky, but maybe sometimes when it's very late. 701 00:42:23,320 --> 00:42:26,760 Speaker 2: Maybe the atmospheric reddening was seemed to be the best 702 00:42:26,960 --> 00:42:30,439 Speaker 2: possible case for some sort of legitimate reddening happening there, 703 00:42:32,080 --> 00:42:34,560 Speaker 2: and let's see on top of that. Yeah, it's also 704 00:42:34,560 --> 00:42:37,680 Speaker 2: worth noting that outside of their work, there is virtually 705 00:42:37,760 --> 00:42:41,880 Speaker 2: no serious academic consideration of the idea, while the influence 706 00:42:41,920 --> 00:42:44,919 Speaker 2: of Temple's book on the subject, you know, has has 707 00:42:44,960 --> 00:42:48,560 Speaker 2: had a big influence on ufology and UFO related New 708 00:42:48,600 --> 00:42:52,560 Speaker 2: Age thought. So yeah, it's just there. There are not 709 00:42:52,719 --> 00:42:56,160 Speaker 2: really scientific experts that are that have agreed with them, 710 00:42:56,239 --> 00:43:00,920 Speaker 2: or anthropological experts that have agreed with them, you know, outside. 711 00:43:00,320 --> 00:43:00,920 Speaker 3: Of the fringe. 712 00:43:01,400 --> 00:43:04,280 Speaker 2: Okay, but I want to get back into what Sagan 713 00:43:04,320 --> 00:43:06,399 Speaker 2: had to say about it in Broke his Brain back 714 00:43:06,400 --> 00:43:09,719 Speaker 2: in seventy nine. And of note, it's worth stressing that 715 00:43:09,800 --> 00:43:13,480 Speaker 2: this came out just a few years after Temple's book, 716 00:43:13,800 --> 00:43:17,000 Speaker 2: and certainly before some of the additional refuting research that 717 00:43:17,000 --> 00:43:21,279 Speaker 2: we've already mentioned. But Sagan at the time wrote that, Yeah, 718 00:43:21,280 --> 00:43:24,800 Speaker 2: at first glance, the Dogan claim seems compelling, and indeed, 719 00:43:25,120 --> 00:43:27,480 Speaker 2: as we've discussed on the show before, Sagan did an 720 00:43:27,480 --> 00:43:31,799 Speaker 2: outright dismiss the possibility of ancient alien extraterrestrial contact. I mean, 721 00:43:31,840 --> 00:43:36,040 Speaker 2: he seemed to find it quite exciting. But the big question, 722 00:43:36,120 --> 00:43:39,120 Speaker 2: of course, is it is it possible. Is there evidence 723 00:43:39,160 --> 00:43:41,920 Speaker 2: for it? What does the evidence seem to say? And 724 00:43:41,960 --> 00:43:44,040 Speaker 2: that's where we get into the nitty gritty here. 725 00:43:44,200 --> 00:43:47,279 Speaker 3: Yeah, well, I mean i'd go farther. Actually, I'd say 726 00:43:47,360 --> 00:43:50,480 Speaker 3: it is possible. Yeah, perfectly open to it. Is just 727 00:43:50,520 --> 00:43:51,400 Speaker 3: where's the evidence? 728 00:43:52,080 --> 00:43:55,319 Speaker 2: Yeah? Absolutely, you know, where is the evidence? And I'm 729 00:43:55,320 --> 00:43:59,080 Speaker 2: going to read a few quotes from Broke's brain here 730 00:43:59,120 --> 00:44:02,160 Speaker 2: from Sagan where he discusses this. So he says, quote, 731 00:44:02,160 --> 00:44:04,840 Speaker 2: at first glanced, the serious legend of the Dogans seems 732 00:44:04,840 --> 00:44:07,720 Speaker 2: to be the best candidate evidence available today for past 733 00:44:07,800 --> 00:44:12,080 Speaker 2: contact with an advanced extraterrestrial civilization. As we begin a 734 00:44:12,120 --> 00:44:14,680 Speaker 2: closer look at this story, however, let us remember that 735 00:44:14,760 --> 00:44:18,720 Speaker 2: the Dogan astronomical tradition is purely oral, that it dates 736 00:44:18,920 --> 00:44:22,200 Speaker 2: with certainty only from the nineteen thirties, and that the 737 00:44:22,280 --> 00:44:26,040 Speaker 2: diagrams are written with sticks in sand. So again we're 738 00:44:26,080 --> 00:44:31,960 Speaker 2: not dealing with you know, like you know, cuneiform evidence 739 00:44:32,000 --> 00:44:35,240 Speaker 2: that has been preserved across time. It is oral tradition, 740 00:44:35,760 --> 00:44:38,880 Speaker 2: and we know that oral tradition can reveal a lot, 741 00:44:39,040 --> 00:44:41,400 Speaker 2: but it is you know, it is very susceptible to 742 00:44:41,560 --> 00:44:45,840 Speaker 2: change and certainly to contamination via contact with other cultures. 743 00:44:46,160 --> 00:44:48,600 Speaker 3: Sure, he makes. 744 00:44:48,520 --> 00:44:54,239 Speaker 2: Another excellent point here and that and that concerns Dogan mythology, 745 00:44:54,280 --> 00:44:57,080 Speaker 2: which he says is is very rich in detail, perhaps 746 00:44:57,680 --> 00:45:00,920 Speaker 2: by some estimates some anthropologists say, richer than some of 747 00:45:00,960 --> 00:45:04,920 Speaker 2: their neighbors. And so Segan says, quote, where there is 748 00:45:04,960 --> 00:45:07,960 Speaker 2: a rich array of legends, there is of course a 749 00:45:08,080 --> 00:45:11,680 Speaker 2: greater chance of an accidental correspondence of one of the 750 00:45:11,719 --> 00:45:15,600 Speaker 2: myths with a finding of modern science. A very spare 751 00:45:15,680 --> 00:45:19,719 Speaker 2: mythology is much less likely to make such an accidental concordance. 752 00:45:20,239 --> 00:45:23,040 Speaker 2: But when we examine the rest of Dogan mythology, do 753 00:45:23,080 --> 00:45:26,759 Speaker 2: we find other cases hauntingly reminiscent of something of some 754 00:45:26,840 --> 00:45:30,399 Speaker 2: unexpected finding in modern science. So his point is, Yeah, 755 00:45:30,400 --> 00:45:33,080 Speaker 2: if you have a some sort of a rich pantheon 756 00:45:33,160 --> 00:45:37,279 Speaker 2: of gods, a rich mythological tradition, you're going to find 757 00:45:37,320 --> 00:45:39,960 Speaker 2: something in there that you can cherry pick and compare 758 00:45:40,800 --> 00:45:43,520 Speaker 2: to whatever you're looking for, whether you're looking for like 759 00:45:43,640 --> 00:45:49,560 Speaker 2: ancient super weapons, UFOs, lost cities, whatever you like, something 760 00:45:49,600 --> 00:45:52,239 Speaker 2: is going to line up. Because I mean, at the 761 00:45:52,320 --> 00:45:56,359 Speaker 2: end of the day, you're dealing with different things that 762 00:45:56,440 --> 00:46:00,880 Speaker 2: emerge from the human imagination and human perception of the 763 00:46:00,960 --> 00:46:04,319 Speaker 2: natural world and consideration of the cosmos, and so of 764 00:46:04,360 --> 00:46:06,200 Speaker 2: course you're going to find those things lining up. 765 00:46:06,440 --> 00:46:08,920 Speaker 3: You are rolling the dice more times if you have 766 00:46:09,080 --> 00:46:13,319 Speaker 3: more stories, more richly filled with detailed imagery in them. 767 00:46:13,400 --> 00:46:17,920 Speaker 3: Each time you increase the complexity, you're adding more chances 768 00:46:17,960 --> 00:46:21,200 Speaker 3: that one of those things could resemble something from science 769 00:46:21,239 --> 00:46:23,680 Speaker 3: fiction or from future science. Yeah. 770 00:46:23,800 --> 00:46:27,480 Speaker 2: Yeah, And another point that he also makes in this 771 00:46:27,520 --> 00:46:31,600 Speaker 2: particular chapter, but I believe also references in other books 772 00:46:31,640 --> 00:46:36,320 Speaker 2: where he had chapters that touched on ancient alien hypothesis. Okay, 773 00:46:36,360 --> 00:46:39,360 Speaker 2: the Dogan case about the arc coming down from the sky. 774 00:46:40,600 --> 00:46:43,040 Speaker 2: I mean, within the context of this argument, you have 775 00:46:43,080 --> 00:46:46,920 Speaker 2: to say, well, that sounds like a spaceship. But so 776 00:46:47,160 --> 00:46:51,319 Speaker 2: many different religions and mythologies have something like this. This 777 00:46:51,440 --> 00:46:54,439 Speaker 2: is not unique to the Dogan. It's I mean, it's 778 00:46:54,480 --> 00:46:57,759 Speaker 2: basically universal. And yeah, you could also you could turn 779 00:46:57,800 --> 00:46:59,720 Speaker 2: that around and say, well, yeah, it's because all religions 780 00:46:59,760 --> 00:47:02,640 Speaker 2: are talking about space aliens. I mean, okay, go with that. 781 00:47:03,320 --> 00:47:07,480 Speaker 2: But but yet, there's nothing specifically in this story, in 782 00:47:07,520 --> 00:47:09,879 Speaker 2: this account of like people coming down on some sort 783 00:47:09,880 --> 00:47:12,440 Speaker 2: of vehicle that is different from any other mythology in 784 00:47:12,440 --> 00:47:13,279 Speaker 2: that regard. 785 00:47:13,160 --> 00:47:16,120 Speaker 3: And it's just not hard to imagine how the mind 786 00:47:16,239 --> 00:47:19,319 Speaker 3: goes there. Like, it's not an idea that nobody ever 787 00:47:19,360 --> 00:47:22,040 Speaker 3: would have thought of with you know it, Like we 788 00:47:22,120 --> 00:47:25,359 Speaker 3: have ships, the boats that go on the water, what 789 00:47:25,400 --> 00:47:28,480 Speaker 3: if one could go in the sky. We see birds 790 00:47:28,520 --> 00:47:31,160 Speaker 3: that can fly, but we can't fly, so we imagine 791 00:47:31,160 --> 00:47:32,880 Speaker 3: what it would be like to be up there and 792 00:47:32,920 --> 00:47:36,720 Speaker 3: have that perspective. I mean, yeah, like it comes to mind. 793 00:47:37,120 --> 00:47:41,040 Speaker 2: Human dreams are remarkable, but it is not remarkable that 794 00:47:41,080 --> 00:47:43,239 Speaker 2: someone in the ancient world had the same dream that 795 00:47:43,320 --> 00:47:46,640 Speaker 2: I'm having. Yeah, and I think that's that's the yeah, 796 00:47:46,680 --> 00:47:52,160 Speaker 2: the key. Now. Sagan briefly discusses the flawed idea of 797 00:47:52,200 --> 00:47:57,239 Speaker 2: wrapping Red Serious up in this example, and one of 798 00:47:57,239 --> 00:47:59,080 Speaker 2: the ideas that he mentions here this is something we 799 00:47:59,120 --> 00:48:01,839 Speaker 2: didn't get into the last episode. But apparently some made 800 00:48:01,840 --> 00:48:05,960 Speaker 2: the argument that, okay, what if Serious Bee was in 801 00:48:06,000 --> 00:48:09,080 Speaker 2: its red Giant phase in the past and that's what 802 00:48:09,120 --> 00:48:11,759 Speaker 2: people were seeing, and so there are some that have 803 00:48:11,840 --> 00:48:14,120 Speaker 2: made the case that this could be the reason for 804 00:48:14,200 --> 00:48:18,520 Speaker 2: Red Serious and so let's say, like ancient Greek writings, 805 00:48:18,600 --> 00:48:21,120 Speaker 2: and maybe it's the reason that there's talk of a 806 00:48:21,239 --> 00:48:25,880 Speaker 2: Red Serious here among the dogan and maybe this is 807 00:48:25,960 --> 00:48:29,320 Speaker 2: how they could see serious with the naked eye because 808 00:48:29,600 --> 00:48:31,880 Speaker 2: at some point, you know, because now it's a white dwarf. 809 00:48:31,880 --> 00:48:33,320 Speaker 2: But what about when it was a red giant? 810 00:48:34,160 --> 00:48:35,960 Speaker 3: You mean, see serious B, the serious B. 811 00:48:36,160 --> 00:48:40,000 Speaker 2: Sorry, yes, serious as has been visible you know, the 812 00:48:40,000 --> 00:48:44,239 Speaker 2: whole time in different degrees of luminosity for humans. But yeah, 813 00:48:44,280 --> 00:48:48,560 Speaker 2: what if this invisible to the naked eye white dwarf 814 00:48:48,840 --> 00:48:51,120 Speaker 2: was visible to us when it was a red giant 815 00:48:52,400 --> 00:48:54,920 Speaker 2: An idea that sounds compelling at first, but the stellar 816 00:48:55,000 --> 00:48:58,360 Speaker 2: timeline does not work at all for this. I believe 817 00:48:58,360 --> 00:49:01,080 Speaker 2: it's estimated, estimated that Series B would have been in 818 00:49:01,120 --> 00:49:03,520 Speaker 2: its red giant phase on the order of one hundred 819 00:49:03,520 --> 00:49:06,759 Speaker 2: and twenty million years ago. So I'm you know, the 820 00:49:06,800 --> 00:49:09,560 Speaker 2: Cretaceous period, there were no there were no humans to 821 00:49:10,000 --> 00:49:12,200 Speaker 2: see it and generate myths about it. 822 00:49:12,400 --> 00:49:14,680 Speaker 3: Missed our species by a bit, yeah, yeah. 823 00:49:14,719 --> 00:49:18,880 Speaker 2: And so Sagan therefore thinks that European cultural transmission of 824 00:49:19,200 --> 00:49:24,720 Speaker 2: astronomical ideas is the most likely explanation here. For instance, 825 00:49:24,840 --> 00:49:28,360 Speaker 2: other aspects of their astronomical knowledge does seem rooted in 826 00:49:28,480 --> 00:49:32,480 Speaker 2: late eighteenth or early nineteenth century European knowledge of the Cosmos. 827 00:49:33,440 --> 00:49:36,480 Speaker 2: For instance, he points out that the Dogan do not 828 00:49:36,640 --> 00:49:39,560 Speaker 2: talk of another planet beyond Saturn with rings, and he 829 00:49:39,560 --> 00:49:43,160 Speaker 2: thinks that this lines up with the sort of that 830 00:49:43,160 --> 00:49:46,480 Speaker 2: that level of European understanding that would have been transmitted 831 00:49:46,520 --> 00:49:50,719 Speaker 2: to them. And I'm going to read one more bit 832 00:49:50,719 --> 00:49:54,000 Speaker 2: from Sagan here, he says, where he's kind of like 833 00:49:54,040 --> 00:49:57,560 Speaker 2: summing up how he sees this having occurred. He says, 834 00:49:57,840 --> 00:50:00,520 Speaker 2: in my mind's eye, I see a picture of a 835 00:50:00,560 --> 00:50:03,759 Speaker 2: Gothic visitor to the Dogan people in what was then 836 00:50:03,880 --> 00:50:07,080 Speaker 2: French West Africa in the early part of this century. 837 00:50:07,400 --> 00:50:10,080 Speaker 2: He may have been a diplomat, an explorer, an adventure 838 00:50:10,239 --> 00:50:14,800 Speaker 2: or an early anthropologist. Such people, for example, Richard Francis Burton, 839 00:50:15,120 --> 00:50:19,040 Speaker 2: were in West Africa many decades earlier. The conversation turns 840 00:50:19,080 --> 00:50:21,960 Speaker 2: to astronomical lore. Serious is the brightest star in the sky. 841 00:50:22,320 --> 00:50:26,000 Speaker 2: The Dogan regaled the visitor with their serious mythology. Then, 842 00:50:26,040 --> 00:50:30,200 Speaker 2: smiling politely expectantly, they inquire of their visitor what is 843 00:50:30,239 --> 00:50:34,240 Speaker 2: his what his serious myths might be? Perhaps, he refers, 844 00:50:34,920 --> 00:50:37,640 Speaker 2: before answering to a well worn book in his baggage, 845 00:50:38,080 --> 00:50:42,000 Speaker 2: the white dwarf companion of Sirius being a current astronomical sensation. 846 00:50:42,440 --> 00:50:46,600 Speaker 2: The traveler exchanges when spectacular myth for a routine one. 847 00:50:46,680 --> 00:50:50,000 Speaker 2: After he leaves, his account is remembered, retold, and eventually 848 00:50:50,040 --> 00:50:54,120 Speaker 2: incorporated into the corpus of Dogan mythology, or at least 849 00:50:53,960 --> 00:50:55,960 Speaker 2: into a collateral branch. 850 00:50:57,040 --> 00:50:59,600 Speaker 3: Interesting. Okay, well, I mean that makes sense to me 851 00:50:59,640 --> 00:51:03,680 Speaker 3: as a perfectly plausible and normal account of where something 852 00:51:03,760 --> 00:51:07,200 Speaker 3: like this could come from. But we should be reminded 853 00:51:07,280 --> 00:51:10,640 Speaker 3: again that Sagan was writing this trying to come up 854 00:51:10,640 --> 00:51:13,520 Speaker 3: with an explanation of the facts before we had this 855 00:51:13,600 --> 00:51:18,600 Speaker 3: subsequent research that cast doubt on the original anthropological reporting, right, 856 00:51:19,000 --> 00:51:24,000 Speaker 3: that attributed the companion Stars story to the Dogun elders. 857 00:51:23,840 --> 00:51:26,480 Speaker 2: Right, right, So yeah, we have even more reason to 858 00:51:26,760 --> 00:51:30,759 Speaker 2: not believe this connection in general. But yeah, at the time, 859 00:51:31,320 --> 00:51:34,720 Speaker 2: Sagan I think made a number of very strong points 860 00:51:35,000 --> 00:51:37,520 Speaker 2: and like further pointed out that, Okay, yeah, this is 861 00:51:37,560 --> 00:51:42,120 Speaker 2: what happened. If this is about like cultural contamination of 862 00:51:42,200 --> 00:51:45,799 Speaker 2: an indigenous mythology with you know, contemporary at the time, 863 00:51:45,880 --> 00:51:50,719 Speaker 2: European you know, astronomical ideas, you know, this sort of thing. 864 00:51:51,640 --> 00:51:54,719 Speaker 2: Maybe not with with astronomical ideas, but this sort of 865 00:51:54,880 --> 00:51:59,880 Speaker 2: cultural contamination has occurred before, and Sagan points to examples 866 00:52:00,120 --> 00:52:05,000 Speaker 2: North America and in New Guinea where where yeah, you 867 00:52:05,120 --> 00:52:10,040 Speaker 2: end up actually like feeding the idea to the people 868 00:52:10,080 --> 00:52:14,000 Speaker 2: you're talking to and then receiving it back again within 869 00:52:14,080 --> 00:52:17,560 Speaker 2: the trappings of their own mythology. So you know, yeah, 870 00:52:17,600 --> 00:52:23,000 Speaker 2: it becomes It highlights just how complex these cultural exchanges 871 00:52:23,080 --> 00:52:29,040 Speaker 2: are and the sorts of miscommunications and contaminations that can occur. 872 00:52:29,840 --> 00:52:31,480 Speaker 3: By the way, I would just flag that the only 873 00:52:31,520 --> 00:52:35,440 Speaker 3: reason the word contamination is being used there is because 874 00:52:36,000 --> 00:52:38,680 Speaker 3: it may be, you know, bringing a negative connotation is 875 00:52:38,680 --> 00:52:42,880 Speaker 3: because it may be potentially confusing you about what beliefs 876 00:52:42,920 --> 00:52:46,520 Speaker 3: and stories were present in a culture before contact with 877 00:52:47,239 --> 00:52:50,200 Speaker 3: a person talking to them. Right, So it's not like 878 00:52:50,239 --> 00:52:53,640 Speaker 3: that the idea of mixing and sharing ideas between cultures 879 00:52:53,680 --> 00:52:56,040 Speaker 3: has any inherently negative thing about. 880 00:52:55,800 --> 00:52:58,880 Speaker 2: It, right right, Yeah, I guess the main comparison I 881 00:52:58,920 --> 00:53:01,600 Speaker 2: would be making here would be to say, we send 882 00:53:01,719 --> 00:53:05,040 Speaker 2: a probe to Mars to look for signs of microbial life. 883 00:53:05,440 --> 00:53:09,080 Speaker 2: That probe has microbial life on it, and then we 884 00:53:09,200 --> 00:53:12,239 Speaker 2: discover that same life, or seem to discover that same 885 00:53:12,280 --> 00:53:15,239 Speaker 2: life in the soil of Mars. We we have contaminated 886 00:53:15,280 --> 00:53:18,440 Speaker 2: the thing that we're examining looking for, you know, things 887 00:53:18,440 --> 00:53:23,080 Speaker 2: that are that originate on Mars. We're already there and 888 00:53:23,160 --> 00:53:24,880 Speaker 2: we've just found the thing that we brought with us. 889 00:53:24,920 --> 00:53:28,759 Speaker 2: And that's kind of what's happening here culturally examining these 890 00:53:28,800 --> 00:53:31,560 Speaker 2: myths and what we just found something that we actually 891 00:53:31,600 --> 00:53:36,320 Speaker 2: introduced into it. Yeah, and and to also be clear, 892 00:53:37,360 --> 00:53:40,319 Speaker 2: I don't I don't think anyone's making the argument that 893 00:53:40,400 --> 00:53:45,279 Speaker 2: the anthropologists in question like we're planting evidence, you know, 894 00:53:45,400 --> 00:53:48,239 Speaker 2: it's this is the I think it highlights the complexity 895 00:53:48,800 --> 00:53:52,399 Speaker 2: of the task at hand, you know, trying to understand 896 00:53:52,760 --> 00:53:57,120 Speaker 2: traditional beliefs and again within an oral tradition and trying 897 00:53:57,160 --> 00:53:59,359 Speaker 2: to figure out like, you know what, what did they know? 898 00:53:59,440 --> 00:54:02,440 Speaker 2: What had what sort of observational information did they have 899 00:54:03,239 --> 00:54:06,279 Speaker 2: and did they you know what is how how does 900 00:54:06,360 --> 00:54:09,719 Speaker 2: their knowledge of serious matchup with their modern understanding what 901 00:54:09,800 --> 00:54:11,600 Speaker 2: connections could be made there? I mean, it's it's a 902 00:54:11,640 --> 00:54:14,800 Speaker 2: complex task and in doing if you're not super careful 903 00:54:15,120 --> 00:54:16,920 Speaker 2: and you don't have all the guard rails, you know, 904 00:54:16,960 --> 00:54:19,840 Speaker 2: many of which would not be developed until later, you know, 905 00:54:19,880 --> 00:54:23,360 Speaker 2: you're going to potentially get miscommunications like this. 906 00:54:23,360 --> 00:54:25,680 Speaker 3: This is totally tangential, but I would say it also 907 00:54:25,800 --> 00:54:30,239 Speaker 3: highlights the absurdity of attempting to try to prevent the 908 00:54:30,280 --> 00:54:31,400 Speaker 3: mixing of cultures. 909 00:54:31,640 --> 00:54:34,400 Speaker 2: Yeah, yeah, absolutely, I mean, because this is this is 910 00:54:34,440 --> 00:54:36,879 Speaker 2: the way, you know, this is the way it's always been, 911 00:54:37,080 --> 00:54:40,960 Speaker 2: you know. Uh, some new ideas introduced and it's folded in, 912 00:54:41,040 --> 00:54:42,000 Speaker 2: it's incorporated. 913 00:54:42,480 --> 00:54:44,600 Speaker 3: Uh, and the sharing goes both ways. 914 00:54:44,719 --> 00:54:46,799 Speaker 2: Yeah. Yeah, and we you know, we see so many 915 00:54:46,840 --> 00:54:49,279 Speaker 2: examples of that. It even occurs, and is it you 916 00:54:49,400 --> 00:54:53,080 Speaker 2: We've touched on other examples of this occurring, where religion 917 00:54:53,160 --> 00:54:57,279 Speaker 2: will change based on astronomical information. You know, we talked 918 00:54:57,280 --> 00:54:59,920 Speaker 2: about this when we were discussing you know, more recent 919 00:55:00,080 --> 00:55:04,000 Speaker 2: new religious movements that start reflecting ideas that are present 920 00:55:04,080 --> 00:55:08,560 Speaker 2: in sort of the scientific understanding of the world. So yeah, 921 00:55:09,080 --> 00:55:10,520 Speaker 2: you can't prevent it from happening. 922 00:55:20,960 --> 00:55:23,799 Speaker 3: Okay, Rob, Before we wrap up for today, do you 923 00:55:23,800 --> 00:55:26,400 Speaker 3: mind if I read you one pretty cool thing I 924 00:55:26,440 --> 00:55:29,360 Speaker 3: came across about the dog days of summer in medieval 925 00:55:29,360 --> 00:55:30,440 Speaker 3: European medicine. 926 00:55:30,520 --> 00:55:31,680 Speaker 2: Sure, sure, what do you got? 927 00:55:31,840 --> 00:55:35,160 Speaker 3: Okay? So this was in a blog post called the 928 00:55:35,239 --> 00:55:38,920 Speaker 3: dog Days of Medieval Summer. This was on the website 929 00:55:39,040 --> 00:55:41,800 Speaker 3: History Today, but it's written by an author named Eleanor 930 00:55:41,840 --> 00:55:45,919 Speaker 3: Parker who is a lecturer in Medieval English literature at 931 00:55:45,960 --> 00:55:50,960 Speaker 3: Brazenose College, Oxford. And so this author is in the 932 00:55:50,960 --> 00:55:54,160 Speaker 3: post generally talking about the tradition of the dog days, 933 00:55:54,200 --> 00:55:57,239 Speaker 3: you know them being thought of since ancient times as 934 00:55:57,360 --> 00:56:02,720 Speaker 3: maybe a time of danger when there are special risks 935 00:56:02,760 --> 00:56:06,719 Speaker 3: to health. As she mentions that the dog days are 936 00:56:06,760 --> 00:56:09,400 Speaker 3: noted in the fifteen fifty two English Book of Common 937 00:56:09,440 --> 00:56:12,399 Speaker 3: Prayer and talks about some of the things we've already 938 00:56:12,400 --> 00:56:14,640 Speaker 3: gotten into how you know, the beginning and ending dates 939 00:56:14,640 --> 00:56:17,560 Speaker 3: of the dog days are not consistent across time and place, 940 00:56:18,400 --> 00:56:22,719 Speaker 3: but they're most often thought to be, you know, in July, August, September. 941 00:56:23,760 --> 00:56:28,640 Speaker 3: But anyway, she talks about how in the Middle Ages 942 00:56:29,000 --> 00:56:33,560 Speaker 3: in English texts, the dog days were considered key like 943 00:56:33,600 --> 00:56:37,560 Speaker 3: the timing of the dog days were considered key medical information, 944 00:56:38,280 --> 00:56:42,239 Speaker 3: and she cites the tenth century English medical manual known 945 00:56:42,280 --> 00:56:45,920 Speaker 3: as Bald's Leech Book, which I feel like I want 946 00:56:45,960 --> 00:56:48,319 Speaker 3: to get a print copy of that if I can. 947 00:56:49,280 --> 00:56:53,600 Speaker 3: But it's interesting because Bald's Leech Book mentions both some 948 00:56:53,719 --> 00:56:59,000 Speaker 3: good and bad medical implications of the dog days. So 949 00:57:00,080 --> 00:57:02,480 Speaker 3: mind if I read from the leech book here, Yes, 950 00:57:02,880 --> 00:57:06,319 Speaker 3: let's do it. So then this is the translation that 951 00:57:06,400 --> 00:57:11,560 Speaker 3: Parker presents in her post quote. Fifteen nights before Lamas, 952 00:57:11,640 --> 00:57:15,200 Speaker 3: which is the first of August, and thirty five nights afterwards. 953 00:57:15,239 --> 00:57:18,280 Speaker 3: Blood letting is to be avoided because at that time 954 00:57:18,560 --> 00:57:23,680 Speaker 3: all venomous things fly and greatly injure human beings. The 955 00:57:23,680 --> 00:57:27,000 Speaker 3: wisest physicians have taught that in this month no one 956 00:57:27,040 --> 00:57:30,320 Speaker 3: should drink medicine or in any way weak in his 957 00:57:30,440 --> 00:57:34,200 Speaker 3: body unless it is absolutely necessary, and in that case 958 00:57:34,240 --> 00:57:36,800 Speaker 3: he should stay inside around the middle of the day, 959 00:57:36,920 --> 00:57:40,240 Speaker 3: because at that time the air is most impure. For 960 00:57:40,280 --> 00:57:43,320 Speaker 3: this reason, the Romans and all southern peoples made earth 961 00:57:43,360 --> 00:57:46,600 Speaker 3: houses for themselves because of the heat and poison of 962 00:57:46,640 --> 00:57:50,360 Speaker 3: the air. Physicians also say that growing herbs are best 963 00:57:50,400 --> 00:57:54,320 Speaker 3: to prepare at this time, whether for potions, salves, or powder. 964 00:57:55,120 --> 00:57:59,040 Speaker 3: So dog day's bad time for health, generally good time 965 00:57:59,080 --> 00:58:02,480 Speaker 3: for venomous in SCX, good time for preparing herbal medicines, 966 00:58:02,520 --> 00:58:05,560 Speaker 3: so you have them in stock. But I do appreciate 967 00:58:05,600 --> 00:58:07,800 Speaker 3: the detail that you're going to get a respite from 968 00:58:07,840 --> 00:58:11,120 Speaker 3: the blood letter. The local leechman is not going to 969 00:58:11,120 --> 00:58:14,160 Speaker 3: be draining you of blood for what the thirty five 970 00:58:14,280 --> 00:58:16,440 Speaker 3: nights afterwards of lamas. 971 00:58:16,760 --> 00:58:20,000 Speaker 2: Yeah, yeah, maybe that's for the best. Everyone get a 972 00:58:20,040 --> 00:58:21,640 Speaker 2: little break from the bleedings. 973 00:58:22,000 --> 00:58:26,560 Speaker 3: Yeah, blood letting. Do we have to say this generally 974 00:58:26,600 --> 00:58:27,880 Speaker 3: not effective medicine? 975 00:58:27,920 --> 00:58:30,120 Speaker 2: Actually yeah, yeah, I feel like we've covered this in 976 00:58:30,160 --> 00:58:31,720 Speaker 2: the past. But yeah, generally not. 977 00:58:33,240 --> 00:58:35,320 Speaker 3: Though maybe one thing we can come back to in 978 00:58:35,320 --> 00:58:37,520 Speaker 3: the future is I did go on a tangent on 979 00:58:37,760 --> 00:58:41,400 Speaker 3: Bald's leech book after reading this. There was an interesting 980 00:58:41,480 --> 00:58:45,000 Speaker 3: study that tried a recipe from Bald's leech Book for 981 00:58:45,040 --> 00:58:48,800 Speaker 3: an I salve that from what I was reading, based 982 00:58:48,840 --> 00:58:51,640 Speaker 3: on a couple of experiments that looked into it, did 983 00:58:51,680 --> 00:58:55,640 Speaker 3: seem to actually be somewhat effective or better than placebo, 984 00:58:55,720 --> 00:58:59,200 Speaker 3: and then even better than the main active ingredient alone, 985 00:58:59,240 --> 00:59:02,440 Speaker 3: which was garlic. Like so, you know, little garlic in 986 00:59:02,480 --> 00:59:05,080 Speaker 3: your eye. But but yeah, maybe we'll come back talk 987 00:59:05,120 --> 00:59:06,360 Speaker 3: about the ice al of sometime. 988 00:59:06,880 --> 00:59:11,120 Speaker 2: Yeah yeah, or even talk in depth about garlic. Yeah, totally. 989 00:59:11,320 --> 00:59:14,760 Speaker 3: I love garlic. I actually love garlic a little bit 990 00:59:14,800 --> 00:59:17,440 Speaker 3: too much. I'm one of those people, you know, I 991 00:59:17,440 --> 00:59:20,720 Speaker 3: put many multiples of whatever the recommended amount of garlic 992 00:59:20,800 --> 00:59:21,880 Speaker 3: in any recipe is. 993 00:59:22,240 --> 00:59:25,080 Speaker 2: Yeah, I've never found a recipe where I could overdo 994 00:59:25,160 --> 00:59:28,520 Speaker 2: the garlic. Like, it's just, however many bulbs you care 995 00:59:28,600 --> 00:59:32,400 Speaker 2: to actually cut up, like that's that's the limit once 996 00:59:32,520 --> 00:59:34,680 Speaker 2: once you get sick of it, Well, that's probably enough garlic. 997 00:59:34,800 --> 00:59:37,440 Speaker 3: Isn't it funny all these recipes that say two clothes 998 00:59:37,480 --> 00:59:38,080 Speaker 3: of garlic. 999 00:59:38,640 --> 00:59:43,360 Speaker 2: Yeah, and yeah, the clothes they vary so much. It's 1000 00:59:43,440 --> 00:59:46,040 Speaker 2: like like sometimes there are those there's those little ones 1001 00:59:46,040 --> 00:59:49,400 Speaker 2: that you know, it's like a tiny tooth and it's like, okay, 1002 00:59:49,400 --> 00:59:51,520 Speaker 2: one of these, or it's one that's about the size 1003 00:59:51,520 --> 00:59:54,560 Speaker 2: of my thumb. You know, it varies so greatly. It's 1004 00:59:54,600 --> 00:59:56,720 Speaker 2: not an accurate measurement. It's just basically they should just 1005 00:59:56,720 --> 00:59:58,640 Speaker 2: say as much garlic as you care to throw. 1006 00:59:58,480 --> 01:00:03,720 Speaker 3: It, especially in the summer. Yeah, that's a good feeling 1007 01:00:03,800 --> 01:00:05,680 Speaker 3: just having garlic sweatnut your pores. 1008 01:00:05,960 --> 01:00:10,240 Speaker 2: There you go, Yeah, garlic in the dog days. All right, 1009 01:00:10,280 --> 01:00:12,360 Speaker 2: we're gonna go ahead and close this episode out, but 1010 01:00:12,400 --> 01:00:14,000 Speaker 2: we'd love to hear from anyone out there if you 1011 01:00:14,000 --> 01:00:16,080 Speaker 2: have thoughts on anything we've discussed here. If you want 1012 01:00:16,080 --> 01:00:20,080 Speaker 2: to argue with us about ancient aliens, please do. If 1013 01:00:20,120 --> 01:00:23,960 Speaker 2: you have examples of other Syrians from science fiction, definitely 1014 01:00:23,960 --> 01:00:26,400 Speaker 2: share that with us. Thoughts on garlic, thoughts on anything 1015 01:00:26,440 --> 01:00:29,680 Speaker 2: else we've discussed here, or anything else related to serious 1016 01:00:29,720 --> 01:00:33,280 Speaker 2: in the Dog Days in general right in we would 1017 01:00:33,320 --> 01:00:35,680 Speaker 2: love to hear from you. Just a reminder that Stuff 1018 01:00:35,680 --> 01:00:37,920 Speaker 2: to Blow Your Mind is primarily a science and culture podcast, 1019 01:00:38,000 --> 01:00:40,280 Speaker 2: with core episodes on Tuesdays and Thursdays, short form episode 1020 01:00:40,320 --> 01:00:44,200 Speaker 2: on Wednesdays, Weird House Cinema on Fridays, and we'll just 1021 01:00:44,240 --> 01:00:47,280 Speaker 2: remind you that we have been an audio podcast for 1022 01:00:47,400 --> 01:00:49,480 Speaker 2: years and years at this point. 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