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Speaker 1: This weekend Indie's best friend. It was Indie's best friend's birthday,

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Speaker 1: and we did a whole bunch of weekend activities with

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Speaker 1: their family, and so we did like a tour of

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Speaker 1: kids stuff. Uh Saturday Knotsberry Farm Sunday David Busters. Oh yes,

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Speaker 1: I cannot tell you how awesome Knotsberry Farm. Miss It's

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Speaker 1: the best park ever. We went on the ghost Rider,

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Speaker 1: uh roller coaster. It's the greatest roller coaster I've ever

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Speaker 1: been in my life. I went on it three times.

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Speaker 1: It's an old wooden one, so yeah, it's scary in

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Speaker 1: that like like old thing die yes, but it's so

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Speaker 1: fast and it was I just I just have not

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Speaker 1: had that much fun at an amusement park. Like it

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Speaker 1: was just incredible. And then they have the Pony Express,

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Speaker 1: which is a ride where you're straddling like a horse

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Speaker 1: roller coaster like you're and then it has like a

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Speaker 1: thing to hold you in place and it goes like

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Speaker 1: zero to sixty miles per hour in like a second.

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Speaker 1: It's a really short little roller coaster. We wrote it

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Speaker 1: five times. I just have not had that much fun

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Speaker 1: at an amusement park in years. I was just like, yeah,

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Speaker 1: so and now all I want to do is that

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Speaker 1: get a season's past to not Sberry Farm. So you

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Speaker 1: don't hear about it that much. Everyone talks about Disney Legend.

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Speaker 1: Did you eat the Jam? No? Is there actual like

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Speaker 1: notch Berry Jam? That's good? Yes, I gotta go back.

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Speaker 1: Did you pan for Gold? Do they still have that?

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Speaker 1: I think they do, but I did know. But they

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Speaker 1: do have this one ride which is like a mind

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Speaker 1: you take a train through the mine, and it was

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Speaker 1: like the most boring ride ever f o kids. But

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Speaker 1: then our friend's little sister who's through four, she's just

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Speaker 1: turned four, loved it and went and made her mom

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Speaker 1: take her three times. There's a lot for little kids

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Speaker 1: to do there, right, Yeah, Yeah, it's a great park. Yes,

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Speaker 1: I just didn't realize, Like I don't know why I

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Speaker 1: hadn't been there since I was like ten, and I

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Speaker 1: don't remember their legendary Their Halloween Fright Nights are absolutely legendary.

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Speaker 1: The different mazes they do and people jumping out and

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Speaker 1: scaring you. It's like place to go. It's not very farm. Yeah,

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Speaker 1: I guess I thought it was sort of like six Flags,

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Speaker 1: like you know, just kind of like right, big roller coasters.

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Speaker 1: But the reality is it has like little and has

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Speaker 1: an old mining town section that ghost town. It has

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Speaker 1: like a carnival section, like a boardwalk area, it has

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Speaker 1: like atmosphere. It's great. It's a great park. Yeah, shout

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Speaker 1: out to Anotsbury Farm. Well, you've I recently my cousins

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Speaker 1: have passes there and they recently were also saying, my gosh,

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Speaker 1: this park is incredible and it's amazing. So it's made

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Speaker 1: me want to take It's what made me want to

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Speaker 1: take Adler. He was probably still too young, but I

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Speaker 1: want to. I want to go and take Adler and

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Speaker 1: if you guys get passes, then maybe we could go

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Speaker 1: there and have a joint day. Yes, I like. I

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Speaker 1: woke up the next day going I want to ride

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Speaker 1: the ghost Rider again, this feeling. I just want to

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Speaker 1: have the rush of this roller coaster. Yeah, if it's

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Speaker 1: if it's anything like a good old school wooden roller coaster,

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Speaker 1: you wake up the next day saying, man, I want

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Speaker 1: to ride that again and urinating blood. And that's how

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Speaker 1: you know they have Okay, so they have their their

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Speaker 1: version of the Goofy Sky School too, like the exact

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Speaker 1: same rollers. It's clear that Disney like, took the idea

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Speaker 1: from Knotsberry because it's like, you know, right in the

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Speaker 1: same part of town. And Indie made me ride it

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Speaker 1: and it was a nightmare. I was exactly the same way.

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Speaker 1: My eyes closed the entire time. It's all those short

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Speaker 1: turns on the top of the track and I was

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Speaker 1: just sitting there going, no, no, I don't like this,

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Speaker 1: I don't like this. And he was like the drops.

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Speaker 1: I'm like, the drops are fine. It's these backbreaking turns

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Speaker 1: where I swear we're going to fall off the top

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Speaker 1: of the investors the investors. I love that you just

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Speaker 1: shortened knots Berry Farm and knots Berry. I've never heard it.

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Speaker 1: I'm going to start calling at that. There. They took

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Speaker 1: it from knots Berry, took it to the Kaby ticket

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Speaker 1: to the Kaby. Oh God, that's so Funden was a

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Speaker 1: big Nottsbury Farm fan. He was like a big in general,

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Speaker 1: A yeah, our guy. So that's how you spent your weekend.

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Speaker 1: I got to go on the Mash Matters podcast on

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Speaker 1: Saturday and just talk about Mash for two. Get out

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Speaker 1: of your system, you know. Oh, it's just added. If

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Speaker 1: there's a whole questions galore. Now more questions, who who?

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Speaker 1: What is this podcast? This is just a huge fan

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Speaker 1: and ask you to come on. Yes, I wish that

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Speaker 1: was the story. I actually emailed them and invited myself

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Speaker 1: on the podcast. Acast No, I didn't even give im

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Speaker 1: somewhat famous. The phone number is like something something something

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Speaker 1: four oh double seven to get and and they have

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Speaker 1: the email address. So I wrote them. I was like,

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Speaker 1: I'm just on every morning for a double seven the

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Speaker 1: mash the their their place was there, The four double

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Speaker 1: seven was their call sign. Gotcha? So I would listen

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Speaker 1: to this podcast every time I went for a walk.

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Speaker 1: So I just wrote them an email saying I'm a

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Speaker 1: huge fan, I'm a Mash file, I love it. And

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Speaker 1: at the end I finished by going, and you know,

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Speaker 1: when you have me on the podcast, we can talk

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Speaker 1: more about this dot dot dot just kidding, knowing full

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Speaker 1: well I wanted to be invited on this podcast, and

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Speaker 1: so it was. It's hosted by a fan and by

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Speaker 1: Jeff Maxwell. Fans named Ryan Patrick and Jeff Maxwell who

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Speaker 1: played the character Igor Strauminsky on the show, and we

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Speaker 1: just talked about mash for two hours. It was the best.

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Speaker 1: I can't believe you you even came here today like

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Speaker 1: your life is done, just laid down, pulled the blanket

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Speaker 1: up right. Yeah, I said, that's so funny because I

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Speaker 1: said that on the podcast. I said when I did

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Speaker 1: a thing for kimpossible back in the day, I literally

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Speaker 1: got to host a show at the Royal Albert Hall

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Speaker 1: in London to a packed crowd. I did not tell

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Speaker 1: my brothers the Mash Matters podcast. I called, like, guys,

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Speaker 1: I'm gonna be talking to Igor. So it was, yeah,

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Speaker 1: that shows the Fornell family what it's like. So yes,

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Speaker 1: that was myce. That was my knots very farm. It

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Speaker 1: was great. What did you do this weekend, Danielle? Oh,

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Speaker 1: absolutely nothing. I chased around Kiki, who is in my

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Speaker 1: least faith at stage of toddlerhood. It's just I gotta

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Speaker 1: be honest. Adler's in my favorite phase he's ever been in.

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Speaker 1: He's so fun. He's so like full conversations, full like

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Speaker 1: make believe play. He will sit down and watch something

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Speaker 1: and ask me questions about it. And Kiki is literally

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Speaker 1: just like picking things up and throwing it across the

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Speaker 1: room and then running into something and then tripping and

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Speaker 1: falling and then going crying and then me picking him

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Speaker 1: up and then being like bobbles, bobbles, bobbles, like he

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Speaker 1: loves bubbles. He wants to take a bath all the time.

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Speaker 1: I'm just constantly running after him, trying to stop him

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Speaker 1: from killing himself, keep swallowing things or yeah, he's always

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Speaker 1: picking things up, putting things in his mouth. He wants

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Speaker 1: to run with like a like a you know the

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Speaker 1: little drum kit we have that that you guys played

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Speaker 1: with Laddler. He wants to kick. He wants to run

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Speaker 1: with the drumstick in his mouth. I'm like, no, you

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Speaker 1: can't do that. Oh, he's seventeen months. I'm like, when

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Speaker 1: do we get to the this part? This is not

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Speaker 1: my favorite part. I'm ready for this part to be over. Also,

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Speaker 1: it's also because he's a second kid, right, like you're

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Speaker 1: just like all the wonder and novelty of it is

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Speaker 1: like completely worn off. Sae. That's exactly what I said

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Speaker 1: to Jensen last night. I said, I feel bad because

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Speaker 1: whatever stage this was for Adler, I was like, I

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Speaker 1: love this one. It's so fun and out with Keaton.

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Speaker 1: I'm like, ah, when are you gonna grow up? Wait?

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Speaker 1: He said this to who Sorry um producer Jensen Carr,

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Speaker 1: husband of this podcast, thank you. I was like, who

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Speaker 1: are you talking about? You guys? Sorry on producer Jensen

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Speaker 1: husband of this podcast with somebody named Jensen Strange. Oh,

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Speaker 1: welcome to pod Meat's world. I'm Danielle Fishel, I'm writer Strong,

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Speaker 1: and I'm Wilfrede. So today we have season two, episode nine,

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Speaker 1: Fear Strikes Out. It originally aired November eighteenth, nineteen ninety four.

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Speaker 1: The synopsis is that after some bad advice from Eric,

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Speaker 1: Corey makes the mistake of hesitating to kiss Tepanga in

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Speaker 1: front of everyone at a makeout party, leading his peers

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Speaker 1: to ridicule him about his shyness, and mister Turner has

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Speaker 1: a new love interest and several new ties. Yes, oh,

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Speaker 1: the guys, the Turner's Ties. It was directed by David

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Speaker 1: Traynor was written by Susan Astelle Jansen. It guest stars

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Speaker 1: Danny McNulty as Harvey Harley Kiner, Blake Soaper as Joseph

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Speaker 1: Joey the ratt Epstein Ethan Seplie is Frankie Stacchino, Darlene

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Speaker 1: Vogel as Catherine Kat Tompkins who played Spike, a member

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Speaker 1: of Griff's future Gang and Back to the Future too.

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Speaker 1: Really more than that. With Back to the Future, she

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Speaker 1: was also speaking of a perfect, perfect, perfect place to

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Speaker 1: transition on the Back to the Future ride at Universal

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Speaker 1: when you used to get wait in line forever to

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Speaker 1: get that. There was a video that continued to play,

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Speaker 1: and she was the host of the whole Back to

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Speaker 1: the Future ride. You're exactly right, So you would sit

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Speaker 1: there and watch her before, like, hey, welcome to the

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Speaker 1: you know when you enter your DeLorean just she I

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Speaker 1: remember talking to her. I remember that, and I remember

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Speaker 1: she had the coolest eyes. One eye was blue and

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Speaker 1: the their eye was blue and then cut perfectly in

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Speaker 1: half and then solid gray. Why don't we She was

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Speaker 1: the nicest person. Tony and I would sit there and

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Speaker 1: talk to her all day long. Yeah, she was really

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Speaker 1: cool and would tell us all these Back to the

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Speaker 1: Future stories. I had no idea. I never somehow I

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Speaker 1: missed that completely because I would. I loved Back to

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Speaker 1: the Future. I probably would have geeked out if i'd known,

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Speaker 1: but I didn't. He was in the Future Gang where

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Speaker 1: they all attack him in the Yeah, she's awesome. Yeah,

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Speaker 1: so writer, I don't think she was in any scenes

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Speaker 1: with you. Which meant she while she was working, you

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Speaker 1: were always in school, so you wouldn't have had any

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Speaker 1: downtown in the cafeteria together. I feel like we're all

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Speaker 1: in the cafeteria at one point. I don't think, maybe,

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Speaker 1: well we'll get to it, Well, we'll figure it out.

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Speaker 1: And then David Grieco as Donovan and Benny Luciano as John.

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Speaker 1: So to start our recap, we are in the school cafeteria,

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Speaker 1: Corey and Sean sitting down to eat lunch, are talking

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Speaker 1: about seven minutes in Heaven, and Corey is excited and

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Speaker 1: Sean is talking about strategy. But Corey is doing lip upspups,

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Speaker 1: practicing his kissing. So I couldn't believe we were already

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Speaker 1: at this episode. I thought this was a season three

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Speaker 1: episode as we talked about this when we had the

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Speaker 1: previous basement scene. This is when I remember I got

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Speaker 1: confused that we were already there, and I was like, oh, no,

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Speaker 1: that's not till season three. But here we are. Here,

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Speaker 1: we are, yeah, making out for seven minutes. Uh. Eric

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Speaker 1: keeps walking by making fun of Corey's kissing eagerness and

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Speaker 1: saying tick tick dick. Well, do you remember when you

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Speaker 1: crossed by the first time, and you're going to I

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Speaker 1: guess you're going to get a soda? Is that where

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Speaker 1: you're doing over there? Do you remember what your after

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Speaker 1: business was? Yeah, no I don't, but I I there

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Speaker 1: was a lot of my my my line deliveries are

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Speaker 1: getting a lot better. My walking acting is not what

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Speaker 1: I seem to be. Just I'm always because in my

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Speaker 1: head you can see I'm still going like end crossover

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Speaker 1: to there and sit down, not at crossover from here

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Speaker 1: and go sit down. No, you know what I thought

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Speaker 1: about this episode? You are so skinny. Yeah, it was

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Speaker 1: shocking to me. And I don't know what because it's

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Speaker 1: likely be a week or two from the last episode,

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Speaker 1: but for some reason, you look like you dropped like

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Speaker 1: five pounds or something. We looks kind of unhealthy. I

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Speaker 1: was in ultra skinny mode because I still had that

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Speaker 1: whole thing in my head about being too too you know,

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Speaker 1: heavy to it's I don't know, I just noticed it

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Speaker 1: for you look really thin, yeah, super thin. Wait why

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Speaker 1: was that in your head? Is that because you had

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Speaker 1: had someone had a conversation with you? Yeah? That always

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Speaker 1: kind of starts when you're you know, when you're you're younger,

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Speaker 1: and again you know, I always kind of struggled with

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Speaker 1: my weight. I put on weight so quickly that I, um,

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Speaker 1: you know, I think that was in my head about that.

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Speaker 1: So you also lose weight really quickly. I do. I

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Speaker 1: also lose weight quickly as well. Yeah, so it's I

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Speaker 1: mean I was thin. Yeah, I know, I was like,

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Speaker 1: really it's intense. Yeah, I agree. So then a pretty

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Speaker 1: new female teacher walks in and a nearby mister Turner

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Speaker 1: asks mister Feeney, who Dad? Who? Dad? I remember this.

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Speaker 1: I don't know why, because it was so Tony who

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Speaker 1: did I know? I remember him doing all this stuff too,

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Speaker 1: Like I remember, I don't remember this, but I remember

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Speaker 1: the scene with him and Bill later. So I for

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Speaker 1: some reason, I like really fixated on Bill's lines and

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Speaker 1: that I almost knew I knew every line before a game,

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Speaker 1: which I guess was just from watching it run through

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Speaker 1: and loving the two of them being together. I don't know, great,

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Speaker 1: remember I didn't remember this scene. Well, mister Michael Jacobs,

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Speaker 1: that's like she she pretty like he would always do

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Speaker 1: that kind of who pretty? Yeah? Yeah, yeah, that's my

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Speaker 1: best friend. It's kind of similar, you know, Michael. Um,

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Speaker 1: mister Phoeney explains that he hired Miss Tompkins as a replacement,

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Speaker 1: and mister Turner loves that she's a miss, not a

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Speaker 1: miss or a missus. And even though phoene says workplace

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Speaker 1: where romance is frowned upon, he says, well, that's just

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Speaker 1: a facial expression, which a great line. Yeah. Can I

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Speaker 1: ask a quick question and it's it's truly just technical.

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Speaker 1: What's the difference between miss and miss? Well, miss, as

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Speaker 1: far as I'm aware, implies it could be a missus.

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Speaker 1: I just don't want you to know. It's kind of

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Speaker 1: like an in between. It's like it's the I think

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Speaker 1: it also used to be something you would refer to

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Speaker 1: an older woman who you didn't know whether or not

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Speaker 1: she was married, So like you wouldn't like someone on

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Speaker 1: the younger side you would call a miss unless you

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Speaker 1: knew they were married. Then they'd be missus and somebody

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Speaker 1: you're not sure about as a miss. Okay. I think

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Speaker 1: miss was invented by feminists, like in the seventies or

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Speaker 1: eighties as real as a response to, like, you know,

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Speaker 1: taking the bonus off of whether whether a woman is

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Speaker 1: married or not and to just have like a third

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Speaker 1: term that's completely neutral for all women. Yeah, right right,

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Speaker 1: And it's a good day because I learned something new

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Speaker 1: there we go look that it's it's only nine fifteen

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Speaker 1: in the morning. Already learned something. Already learn something. So

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Speaker 1: Turner says he's going to go over and say hi,

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Speaker 1: and then he says, how's my hair? And Phoenix is long?

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Speaker 1: And then we're back at Sean and Corey. Corey is

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Speaker 1: obsessed with the tick tick tick from Eric, so he

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Speaker 1: runs over and sits with him. Eric is sitting alone,

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Speaker 1: has no friends, has no one to talk to, by himself,

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Speaker 1: just pushing food around in his place because he's not eating.

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Speaker 1: I wanted to ask you about that push in the food.

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Speaker 1: You ate one little green bean and they're just doing

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Speaker 1: this with my fork, which bush Tony does as well.

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Speaker 1: You noticed Tony's got the same We're just doing this

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Speaker 1: the whole time, nobody. That's why we're also thin. It's

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Speaker 1: because nobody's actually putting any food in our mouth unless

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Speaker 1: you're a writer. Unless you're a writer. And then you

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Speaker 1: shout exactly exactly. Eric says that Corey isn't ready for

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Speaker 1: the makeout party tonight. What if she has braces or

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Speaker 1: what if the casserole makes you fart, which is basically

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Speaker 1: what he's trying to say. They didn't they didn't want

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Speaker 1: to say it. They didn't want to say it out right,

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Speaker 1: but that that's exactly the Beanie Wheenie cast role. Uh.

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Speaker 1: And now Corey is just very stressed. And then we

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Speaker 1: go to the makeout party where we're in another basement.

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Speaker 1: They readecade. They took out all of the Paul Bunyan

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Speaker 1: stuff and the other thing, because yeah, it was very

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Speaker 1: very much the same set, but the other side. And now, writer,

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Speaker 1: since you mentioned it on one of the other episodes,

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Speaker 1: all I'm seeing is all the different sets that you

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Speaker 1: walk downstairs because there's no I thought the same way. Yeah,

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Speaker 1: when writer pointed that out, even though I know it,

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Speaker 1: like as a director, like, oh great, there's no windows

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Speaker 1: and stuff. But for some reason, writer saying it was like,

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Speaker 1: now I'm going to notice it everywhere. The poetry reading

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Speaker 1: is just chubby. It's chubby, it's Ubi. Yeah I thought

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Speaker 1: it was supposed it's CHUBBIESI it's totally they just and

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Speaker 1: so well redecorated though, because I I honestly was chubbies.

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Speaker 1: I was like, why they think it's so funny. I

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Speaker 1: totally bought it. I was like, just what a gorgeous set.

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Speaker 1: I really loved it. No one, and I bet you

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Speaker 1: no one. But the stairs are the same, though, aren't

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Speaker 1: the exactly? Yes that they change the color of the wood.

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Speaker 1: I probably would have put but they didn't. I think

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Speaker 1: that looks like yeah. But I wonder if anybody gets

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Speaker 1: that or I thought they did add something. I think

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Speaker 1: to penga is holding something long and narrow and gold

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Speaker 1: almost like it made They made it look a little

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Speaker 1: like a spiral staircase. We should watch it again because

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Speaker 1: maybe they I think they just threw like some draperies

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Speaker 1: over it, just like beds, definitely, curtains, definitely beads, definitely

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Speaker 1: all that stuff. But I specifically, I think they changed

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Speaker 1: at least the landing at the bottom of the staircase,

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Speaker 1: at least the landing. I think they may have added something,

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Speaker 1: but because but I honestly thought it was supposed to

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Speaker 1: be chubby. Me too. It looks so much like joy

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Speaker 1: bring him to Chubbies for poetry read Night. Honestly. Producer

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Speaker 1: Jensen Carr, husband of this podcast, said Chubbies. When we

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Speaker 1: walked in and I was like, obviously not looks differently,

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Speaker 1: It's it's a totally different set. So it's possible I'm

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Speaker 1: just so ked into this show I am boring, So

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Speaker 1: maybe everyone else is just not as committed as I am,

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Speaker 1: and that's the problem. But Corey and Sean walk into

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Speaker 1: the makeout party and Corey is stressing out over everything

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Speaker 1: and vest in this scene. Jeez, I was very glad

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Speaker 1: when I made the joke that I changed shirts, and

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Speaker 1: the shirt I changed into it was so much better.

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Speaker 1: But I was just like, this is an ugly, ugly look.

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Speaker 1: You can talk about it with Sarah Markowitz coming up, Yes,

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Speaker 1: I can't wait. So Sean says there were snacks and

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Speaker 1: Corey says he doesn't want to eat the bean dip

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Speaker 1: between the gas and his and his bad breath, he's

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Speaker 1: not gonna want to kiss anybody. And then as soon

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Speaker 1: as he's about to run out, Corey runs into t Pengga.

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Speaker 1: They have a little awkward talk and Corey makes a

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Speaker 1: run for the door again. Sean talks Corey down and

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Speaker 1: says he's with Corey every second until Corey goes into

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Speaker 1: that closet. And then, so how does this game work? Like?

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Speaker 1: How are these names picked names in a hat. It's

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Speaker 1: name in the hat, and you just one boy, one girl.

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Speaker 1: You reach in, you pull out the thing and you there. Yep,

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Speaker 1: you did. You did puck without pulling out anybody's name

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Speaker 1: and without the closet. We just made out in the well.

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Speaker 1: Other people made out in the basement while I went, hey,

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Speaker 1: that looks fun. Um. So yeah, that's pretty much what

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Speaker 1: it was what it was like for us, But there

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Speaker 1: were sometimes some of there's sometimes closets involved or other

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Speaker 1: rooms or that kind of stuff. But seven minutes in

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Speaker 1: Heaven is a famous Yeah, I've heard of it before,

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Speaker 1: but maybe only because of the show. But I don't,

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Speaker 1: you know, I never played seven minutes. I don't know.

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Speaker 1: It's just very famous, like kissing kind of game. I'm

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Speaker 1: pretty sure I had heard of seven Minutes in Heaven

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Speaker 1: before the show, But it is also possible that maybe

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Speaker 1: this episode of Boy Meets World is where he learned

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Speaker 1: about it. But I feel like it's a very famous

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Speaker 1: thing that other people do. They do it in Teen

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Speaker 1: Wolf too, I remember, yeah, yeah, like Style wraps him

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Speaker 1: and pushed him in the her dress gets ripped because

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Speaker 1: he has the close of a wolf before he turns well,

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Speaker 1: Sean gets pulled into the closet with Melanie and Corey

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Speaker 1: is now alone, and then there's a commercial break and

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Speaker 1: we're back at the makeout party. Sean is seen coming

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Speaker 1: out of the closet with Melanie, looking very satisfied and

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Speaker 1: wearing a different shirt, and Sean says, Corey, the closet

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Speaker 1: is your friend. So did she take off your shirt?

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Speaker 1: Did you take off your shirt? I think it's just

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Speaker 1: funny that, like, that's funny. You're just different. I'm just curious,

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Speaker 1: I know, but I'm just curious as to where. Yeah,

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Speaker 1: I don't think there's any I'm just just curious. So

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Speaker 1: she got to second base right and I lost a

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Speaker 1: beast of shirt and exactly then Corey's name gets selected

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Speaker 1: and he's going into the closet with to Panga, and

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Speaker 1: then there's a jump cut the world's largest wilderness store closet.

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Speaker 1: It is a closet of people that just hike and

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Speaker 1: fish and ski and play basketball and tennis. This is

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Speaker 1: an active family. Yeah, well it's in their basement. It's

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Speaker 1: where they keep all the stuff they don't use every weekend,

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Speaker 1: but they need. That is a big basement. Closet, can

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Speaker 1: I also ask? And I know where I'm I'm I'm

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00:20:06,280 --> 00:20:10,920
Speaker 1: probably reading too much into this and I this whole storyline,

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Speaker 1: to me, would seem to work a lot better had

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Speaker 1: it not been to Panga. Right, they've already made out

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Speaker 1: twice twice? How is he so scared to kiss her now? Again?

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Speaker 1: That didn't I did like this episode, but it felt

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Speaker 1: kind of redundant to me. It just felt. Yeah, and

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Speaker 1: also because it has so many echoes of the sleeping

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Speaker 1: in the school episode. Wait right, you know, it's the

395
00:20:38,280 --> 00:20:41,640
Speaker 1: same sort of issues about shame and public you know, publicly.

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Speaker 1: I mean it's inverted, I guess because in this case

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Speaker 1: he's shamed that he didn't do something and the other

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Speaker 1: one he was proud that he But yeah, I just

399
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Speaker 1: felt it felt like a repetitive episode. But it's Yeah,

400
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Speaker 1: it's like paring off as the same thing where it's like, Okay,

401
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Speaker 1: he's not ready to be in a couple. He's not

402
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Speaker 1: we know, Corey's not ready for the sex stuff yet. Yeah,

403
00:20:58,840 --> 00:21:00,840
Speaker 1: And again, I think a lot of this has to

404
00:21:00,960 --> 00:21:03,720
Speaker 1: do with these were shows that were not yet written

405
00:21:03,760 --> 00:21:06,880
Speaker 1: to Binge. Yeah, so when we're watching over and over

406
00:21:06,960 --> 00:21:10,080
Speaker 1: and over again, you get the theme of Wow, it's

407
00:21:10,160 --> 00:21:11,840
Speaker 1: kind of the same episode over and over, but when

408
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Speaker 1: you have the week long break, absolutely it doesn't matter

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Speaker 1: nearly as much. And a weird way, I think Boy

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Speaker 1: Meets World rewatch would be better, Like if we did

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Speaker 1: it randomly, do you know what I mean? If we

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Speaker 1: just random shuffle for like, although I guess there isn't.

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Speaker 1: I mean, I feel like there's like three or four

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Speaker 1: episodes a season that are really tied together that really

415
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Speaker 1: like create the art of the season, but in the middle,

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00:21:32,200 --> 00:21:35,040
Speaker 1: there's twenty some episode, there's twenty two episodes. They're just

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Speaker 1: riffing on the same ideas and like, yeah, you know,

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00:21:37,520 --> 00:21:39,399
Speaker 1: even like the bully storylines, like we're just kind of

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Speaker 1: seeing them repeat over and they're funny and they're good

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Speaker 1: little bits, but they're not progressing, they're not changing. You know,

421
00:21:45,119 --> 00:21:47,040
Speaker 1: it's not a bad episode, but that's all I was thinking.

422
00:21:47,080 --> 00:21:49,320
Speaker 1: I was like, he's he's already made out with her

423
00:21:49,359 --> 00:21:52,119
Speaker 1: and he grabbed her and was the aggressor last time, right,

424
00:21:52,160 --> 00:21:54,000
Speaker 1: I know, I thought the same thing. I think if

425
00:21:54,040 --> 00:21:56,280
Speaker 1: we look at it, like every episode is a little

426
00:21:56,320 --> 00:22:00,280
Speaker 1: bit of a reset and and you know, you have

427
00:22:00,359 --> 00:22:03,879
Speaker 1: to forget how many times have they kissed before? Because

428
00:22:03,920 --> 00:22:06,600
Speaker 1: I completely agree with you. I also was like, oh, right,

429
00:22:06,840 --> 00:22:10,159
Speaker 1: we're seeing this relationship progress a little bit. Like the

430
00:22:10,280 --> 00:22:12,359
Speaker 1: last episode Band on the Run ended with the two

431
00:22:12,400 --> 00:22:14,600
Speaker 1: of them about to dance. The episode before that was

432
00:22:14,680 --> 00:22:17,760
Speaker 1: when he grabbed her and kissed her. So now it's like, oh,

433
00:22:17,880 --> 00:22:19,359
Speaker 1: there's going to be a little bit of a start

434
00:22:19,359 --> 00:22:22,440
Speaker 1: of a dating relationship. And yet I suspect that doesn't

435
00:22:22,480 --> 00:22:24,560
Speaker 1: necessarily continue for the rest of season two, you know,

436
00:22:24,720 --> 00:22:26,800
Speaker 1: like it's just going to be a brand new reset eventually.

437
00:22:26,880 --> 00:22:29,800
Speaker 1: So did we skip the Wendy episode? Did I miss something?

438
00:22:30,000 --> 00:22:32,880
Speaker 1: Wasn't that before? We have not skipped the one. It's

439
00:22:32,920 --> 00:22:35,240
Speaker 1: gotta come back. I keep waiting for that, Like when

440
00:22:35,320 --> 00:22:36,760
Speaker 1: is that? When the heck is that one coming out?

441
00:22:36,920 --> 00:22:38,880
Speaker 1: I was sure it was like the fourth one or whatever,

442
00:22:39,040 --> 00:22:41,320
Speaker 1: right after the last one she was on. You figured

443
00:22:41,359 --> 00:22:42,879
Speaker 1: they would have done two in a row. Okay, So

444
00:22:43,000 --> 00:22:45,000
Speaker 1: I didn't miss something. No, you didn't miss anything. So

445
00:22:45,080 --> 00:22:47,800
Speaker 1: we're in the dark closet to Panga asks if Corey's

446
00:22:47,800 --> 00:22:50,520
Speaker 1: okay because he hasn't even said anything, and Corey says,

447
00:22:50,560 --> 00:22:52,840
Speaker 1: this is ridiculous, it's too dark. How can I kiss

448
00:22:52,880 --> 00:22:54,880
Speaker 1: you if I can't even see you? So then Tepanga

449
00:22:54,920 --> 00:22:57,320
Speaker 1: turns on the light and then Corey says, this is ridiculous.

450
00:22:57,359 --> 00:22:59,040
Speaker 1: How am I supposed to kiss you with this blinding

451
00:22:59,119 --> 00:23:02,040
Speaker 1: light in my face? Very funny, super cute, very funny.

452
00:23:02,800 --> 00:23:05,240
Speaker 1: Topanga says Corey doesn't have to do anything he doesn't

453
00:23:05,280 --> 00:23:07,479
Speaker 1: want to, and Corey says he's just trying to survive

454
00:23:07,560 --> 00:23:10,720
Speaker 1: this and he can't work under pressure. So Topanga suggests

455
00:23:10,800 --> 00:23:14,560
Speaker 1: that they just talk. I mean, by the way, yeah,

456
00:23:14,920 --> 00:23:17,800
Speaker 1: this happened to me. I was absolutely in love, like

457
00:23:17,920 --> 00:23:20,960
Speaker 1: the first girl I can remember having the most ridiculous

458
00:23:21,000 --> 00:23:24,399
Speaker 1: crush on. Shout out to Shannon Shipley. Um, that's not

459
00:23:24,480 --> 00:23:26,440
Speaker 1: her last name. Now she's married. I think it's something

460
00:23:26,480 --> 00:23:33,879
Speaker 1: else but um and okay, exactly miss um. But she

461
00:23:34,080 --> 00:23:36,959
Speaker 1: was like the cool girl in school and by seventh

462
00:23:37,040 --> 00:23:39,320
Speaker 1: grade I got a chance to kind of date her,

463
00:23:39,440 --> 00:23:41,760
Speaker 1: and I was too scared to kiss her, and she

464
00:23:41,920 --> 00:23:43,440
Speaker 1: would kind of come and try to kiss me, and

465
00:23:43,480 --> 00:23:45,040
Speaker 1: I'd kind of kiss her, but I was I was

466
00:23:45,160 --> 00:23:47,359
Speaker 1: just really nervous. I was a late bloomer with all

467
00:23:47,400 --> 00:23:50,119
Speaker 1: that kind of stuff. So this full on resonated with me.

468
00:23:50,200 --> 00:23:52,679
Speaker 1: I mean again, it didn't make sense because it had

469
00:23:52,720 --> 00:23:55,359
Speaker 1: already happened. Had this happened before the other episodes, it

470
00:23:55,359 --> 00:23:57,920
Speaker 1: would have made more sense. But I was Corey, I

471
00:23:58,040 --> 00:24:01,280
Speaker 1: fell on was just too air to kiss a girl.

472
00:24:01,480 --> 00:24:06,320
Speaker 1: Super relatable episode, Yeah, very relatable episodes. Well that's why

473
00:24:06,560 --> 00:24:10,679
Speaker 1: they that's why teenagers or kids create these games, right,

474
00:24:10,880 --> 00:24:12,800
Speaker 1: it's to sort of force the issue, to get it

475
00:24:12,880 --> 00:24:14,880
Speaker 1: over within a way, right, like you have to spin

476
00:24:14,960 --> 00:24:17,760
Speaker 1: the bottle seven minutes and ever whatever you can, because

477
00:24:18,119 --> 00:24:20,359
Speaker 1: because once you get it out of your system, like

478
00:24:20,440 --> 00:24:23,280
Speaker 1: once you've done the thing, then hopefully there's you know,

479
00:24:23,359 --> 00:24:25,280
Speaker 1: you can take the pressure off of it and like

480
00:24:25,400 --> 00:24:27,200
Speaker 1: being forced to do it, like oh I had to

481
00:24:27,280 --> 00:24:29,240
Speaker 1: kiss them in order to you know, play the game

482
00:24:29,400 --> 00:24:31,440
Speaker 1: or whatever, and then it takes the onus off of

483
00:24:31,520 --> 00:24:33,920
Speaker 1: like oh was it was it about really feeling or

484
00:24:34,000 --> 00:24:36,240
Speaker 1: was it just because the bottle spun that way? You know,

485
00:24:36,560 --> 00:24:39,320
Speaker 1: like it's it's it's important, it's like a ritual, you know,

486
00:24:39,440 --> 00:24:41,840
Speaker 1: you sort of have to get it through. Yeah, but

487
00:24:42,240 --> 00:24:45,280
Speaker 1: there's also this this this idea that all boys are fast,

488
00:24:45,600 --> 00:24:47,320
Speaker 1: like we just want to do it all the time,

489
00:24:47,400 --> 00:24:50,000
Speaker 1: do it, and some of us weren't. I mean, I

490
00:24:50,200 --> 00:24:52,520
Speaker 1: was a very late bloomer. I just didn't have it

491
00:24:52,680 --> 00:24:54,560
Speaker 1: in me to be that kind of I'm gonna kiss

492
00:24:54,560 --> 00:24:57,280
Speaker 1: and it's gonna progress. I was scared of all this stuff.

493
00:24:57,600 --> 00:25:01,240
Speaker 1: So I think I only because of games like this.

494
00:25:02,320 --> 00:25:04,480
Speaker 1: I'm trying to remember what my first like actual kiss,

495
00:25:04,560 --> 00:25:07,399
Speaker 1: kiss was, the lan it was, I mean, that's probably

496
00:25:07,440 --> 00:25:09,200
Speaker 1: like thirteen or but I don't remember it, you know,

497
00:25:09,320 --> 00:25:11,480
Speaker 1: because I had already done all this kiss friend, what

498
00:25:11,920 --> 00:25:14,400
Speaker 1: it was probably your first kiss, probably my first girlfriend. Yeah,

499
00:25:14,760 --> 00:25:16,240
Speaker 1: it must have been, but I don't remember it. You know.

500
00:25:16,280 --> 00:25:18,959
Speaker 1: It was like I'd already been through all the first kisses,

501
00:25:19,119 --> 00:25:21,480
Speaker 1: through you know, these kinds of things. Um, so I

502
00:25:21,520 --> 00:25:24,040
Speaker 1: didn't feel I don't think I felt the pressure. I mean,

503
00:25:24,240 --> 00:25:27,399
Speaker 1: very similarly, I don't remember my first kiss outside of

504
00:25:27,480 --> 00:25:29,840
Speaker 1: what my first kiss was after Boy Meets World. Yeah,

505
00:25:31,800 --> 00:25:34,159
Speaker 1: I can watch my first kiss. We've talked about it.

506
00:25:34,240 --> 00:25:36,560
Speaker 1: And yet what was my first real life kiss, like

507
00:25:36,760 --> 00:25:40,040
Speaker 1: real like don't know that one didn't that one did

508
00:25:40,160 --> 00:25:44,480
Speaker 1: wasn't salient because I had already you know. Yeah, it's

509
00:25:44,600 --> 00:25:49,040
Speaker 1: very very relatable. Yes, yeah, very relatable. But so they

510
00:25:49,160 --> 00:25:51,480
Speaker 1: talk about a potential cover up plan for when they

511
00:25:51,560 --> 00:25:53,520
Speaker 1: leave the closet to make people think that they made out,

512
00:25:53,560 --> 00:25:55,240
Speaker 1: and Corey says he wants to be a tough man

513
00:25:55,359 --> 00:25:57,960
Speaker 1: and a good kisser, and Tapenga says, well, the only

514
00:25:58,000 --> 00:26:00,360
Speaker 1: way to get better at kissing is to practice, which

515
00:26:00,400 --> 00:26:04,560
Speaker 1: is exactly what writer's points. And right when Corey goes

516
00:26:04,600 --> 00:26:07,000
Speaker 1: in to kiss Tepanga, the door opens and it is

517
00:26:07,080 --> 00:26:09,359
Speaker 1: clear that they have not kissed yet. There was a

518
00:26:09,480 --> 00:26:14,400
Speaker 1: great holcomb. I don't know if you guys. Right when

519
00:26:14,400 --> 00:26:16,560
Speaker 1: he sits down to talk to to vegas is Holm

520
00:26:16,640 --> 00:26:18,400
Speaker 1: and I was like, oh my god, it's still there. Well,

521
00:26:18,480 --> 00:26:20,600
Speaker 1: it wasn't as extreme as first season, but it was still.

522
00:26:20,880 --> 00:26:23,080
Speaker 1: It's like Ben still saying it was so cute. There's

523
00:26:23,080 --> 00:26:25,600
Speaker 1: still a hoomb Okay, great, I've missed it, but I'm

524
00:26:25,640 --> 00:26:28,560
Speaker 1: happy to know it's still there. He missed it well.

525
00:26:28,600 --> 00:26:31,120
Speaker 1: Then we are in Corey and Eric's bedroom. Amy walks

526
00:26:31,200 --> 00:26:33,879
Speaker 1: in and slyly asks Corey if he kissed anyone tonight,

527
00:26:33,920 --> 00:26:36,199
Speaker 1: but Alan tells Amy to leave Corey alone, that if

528
00:26:36,200 --> 00:26:38,600
Speaker 1: he wants to have grandchildren, she can't talk to him

529
00:26:38,680 --> 00:26:41,640
Speaker 1: like this, and then as soon as he kicks out Amy,

530
00:26:41,680 --> 00:26:44,120
Speaker 1: he whispers he wants details later and he follows her out.

531
00:26:44,640 --> 00:26:46,840
Speaker 1: Eric then comes in and asks what happened, and Corey

532
00:26:46,920 --> 00:26:49,520
Speaker 1: tells him nothing happened. The only other guy who struck

533
00:26:49,560 --> 00:26:52,000
Speaker 1: out had an asthma attack, which I thought was a

534
00:26:52,040 --> 00:26:55,680
Speaker 1: funny Alvin, Poor Alvin, Alvin. I thought that was funny, though,

535
00:26:55,960 --> 00:26:57,720
Speaker 1: But the answer to her, where are you the only

536
00:26:57,760 --> 00:27:01,680
Speaker 1: person who didn't kiss? Well, Alvin not a rousing asthma dat,

537
00:27:01,840 --> 00:27:06,880
Speaker 1: So he left. Uh uh, And despite trying as hard

538
00:27:06,880 --> 00:27:10,359
Speaker 1: as not to, Eric starts laughing at Corey. That's a terrible,

539
00:27:11,080 --> 00:27:14,600
Speaker 1: terrible fake laugh. My laughing was really bad in this

540
00:27:14,880 --> 00:27:17,680
Speaker 1: and again I'm not I'm my delivery of the lines

541
00:27:17,800 --> 00:27:20,800
Speaker 1: is definitely getting better. But the actually wrote down the

542
00:27:20,880 --> 00:27:24,840
Speaker 1: same note, dude. I wrote down Will's laughs question mark

543
00:27:25,040 --> 00:27:26,639
Speaker 1: because I was like, you, there's something. It was just

544
00:27:26,720 --> 00:27:29,480
Speaker 1: doing it too much. You're you're just leaning into it.

545
00:27:29,560 --> 00:27:32,240
Speaker 1: It's like before every line in the cafeteria scene, you

546
00:27:32,280 --> 00:27:34,919
Speaker 1: were like, like, you know, and you just tell us

547
00:27:35,000 --> 00:27:37,879
Speaker 1: kind of a nervous tickar. It was totally thank you.

548
00:27:38,000 --> 00:27:40,720
Speaker 1: So I yes, all right, Well you feel vindicated. I

549
00:27:40,800 --> 00:27:42,720
Speaker 1: can't say I cannot say I noticed. I did notice

550
00:27:42,760 --> 00:27:44,679
Speaker 1: it a little bit in the kitchen later when they

551
00:27:44,800 --> 00:27:46,679
Speaker 1: like when they tell you that you know, oh you're

552
00:27:46,720 --> 00:27:49,679
Speaker 1: not in trouble, and you were like ha ha ied

553
00:27:49,800 --> 00:27:52,040
Speaker 1: bed But I didn't notice it. I didn't notice it. Here, hokemb,

554
00:27:52,080 --> 00:27:55,320
Speaker 1: you didn't notice it, poke hookemb, I don't know. We're

555
00:27:55,359 --> 00:27:57,760
Speaker 1: in the school hallway now. At school, a bunch of

556
00:27:57,800 --> 00:28:00,880
Speaker 1: guys laugh at Corey calling him the mayor using lipless

557
00:28:01,640 --> 00:28:03,960
Speaker 1: Corey and Sean assumed that only those few guys know

558
00:28:04,080 --> 00:28:05,640
Speaker 1: and it won't be a big deal. But then mister

559
00:28:05,800 --> 00:28:12,440
Speaker 1: Turner with his amazing primary colors two great ties. Hi, Yeah,

560
00:28:13,320 --> 00:28:16,760
Speaker 1: he comes in and this yeah so great where he

561
00:28:16,840 --> 00:28:19,120
Speaker 1: just comes like, hey, Matthews, you know if he needs

562
00:28:19,119 --> 00:28:22,000
Speaker 1: to talk, just it was so great, it so tony.

563
00:28:22,359 --> 00:28:25,320
Speaker 1: He just took it so real to that melancholy plays.

564
00:28:25,359 --> 00:28:29,040
Speaker 1: It was great. I know, it's so cute. So he

565
00:28:29,119 --> 00:28:31,240
Speaker 1: comes over and he comforts Corey if he says, you know,

566
00:28:31,320 --> 00:28:32,960
Speaker 1: I'm here if you ever need to talk to anybody.

567
00:28:33,240 --> 00:28:36,600
Speaker 1: Sean tells Corey to deny everything, just like his uncle

568
00:28:36,680 --> 00:28:41,960
Speaker 1: Ralph says again, oh rider, Yeah, in the background for

569
00:28:42,120 --> 00:28:46,000
Speaker 1: the first time, your friend who was Spider Man or

570
00:28:47,400 --> 00:28:50,080
Speaker 1: something had something to do with Spider Man or something Ricky.

571
00:28:50,240 --> 00:28:52,080
Speaker 1: He just wanted to be Spider Man. Is that what

572
00:28:52,160 --> 00:28:54,040
Speaker 1: it was, Ricky? I saw Ricky in the background for

573
00:28:54,080 --> 00:28:57,760
Speaker 1: the first real walks behind you. Yeah, he walks behind you.

574
00:28:57,800 --> 00:28:59,680
Speaker 1: I was like, Oh, that's the guy, that's my impress.

575
00:28:59,760 --> 00:29:01,440
Speaker 1: Yeah he was. He was. He's a friend from We

576
00:29:01,520 --> 00:29:04,240
Speaker 1: had done theater together when we were kids, so he was.

577
00:29:04,480 --> 00:29:06,479
Speaker 1: He was our DM. He was our dungeon master when

578
00:29:06,520 --> 00:29:09,200
Speaker 1: we played D and D when we were like Tanner eleven.

579
00:29:09,320 --> 00:29:11,680
Speaker 1: He was older, and then he moved down to la

580
00:29:11,720 --> 00:29:13,400
Speaker 1: because he was an actor, and then he moved down

581
00:29:13,400 --> 00:29:15,560
Speaker 1: to la Um when he graduated high school. So he

582
00:29:15,720 --> 00:29:18,800
Speaker 1: was Yeah, he was over eighteen. He's in a bunch

583
00:29:18,840 --> 00:29:21,080
Speaker 1: of episodes. Yeah, tall thin. Oh my god, I have

584
00:29:21,160 --> 00:29:24,120
Speaker 1: to go back. I didn't totally that was this early,

585
00:29:24,200 --> 00:29:26,160
Speaker 1: but I guess. Yeah, we would have been living because

586
00:29:26,200 --> 00:29:27,840
Speaker 1: he moved into it. We had a house in n

587
00:29:27,880 --> 00:29:30,840
Speaker 1: Sino after I left the second season. Do you guys

588
00:29:30,880 --> 00:29:34,080
Speaker 1: remember our house? And yeah, he used to commute and

589
00:29:34,200 --> 00:29:36,800
Speaker 1: then Um and Ricky lived there for like six months

590
00:29:36,880 --> 00:29:38,800
Speaker 1: or almost maybe the whole year. Did you get him

591
00:29:38,800 --> 00:29:40,560
Speaker 1: the job as the background at like? Did you get him?

592
00:29:40,720 --> 00:29:42,400
Speaker 1: That's how he got SAG he got into SAG. We

593
00:29:42,480 --> 00:29:44,160
Speaker 1: did that a couple of times. It was we helped

594
00:29:44,240 --> 00:29:48,040
Speaker 1: him get a SAG card. And then um Shiloh's girlfriend

595
00:29:48,160 --> 00:29:51,280
Speaker 1: Darcy when she when she came in, was an extra

596
00:29:51,400 --> 00:29:52,960
Speaker 1: for like the last season a boyment towards, so she

597
00:29:53,000 --> 00:29:55,440
Speaker 1: also got her SAG card. Darcy was an extra on

598
00:29:55,680 --> 00:29:58,520
Speaker 1: Boy Yeah for a while. Yeah, she's a guy ever knew?

599
00:29:58,680 --> 00:30:01,800
Speaker 1: Oh my god? Here? Oh wow? Yeah, so he's there.

600
00:30:02,440 --> 00:30:08,479
Speaker 1: That's reckon fun. So then Tapanga is nearby with her

601
00:30:08,520 --> 00:30:11,560
Speaker 1: friends telling everyone, telling everyone Corey is not a freak

602
00:30:11,680 --> 00:30:13,920
Speaker 1: just because he didn't kiss her. He is different and

603
00:30:14,000 --> 00:30:18,360
Speaker 1: a nice boy. You're not helping, helping, And I couldn't

604
00:30:18,360 --> 00:30:20,840
Speaker 1: tell if I still have a cold or if I

605
00:30:21,120 --> 00:30:25,320
Speaker 1: just talk in my nose. And it reminded me that

606
00:30:25,920 --> 00:30:28,200
Speaker 1: Michael used to tell me all the time to lower

607
00:30:28,320 --> 00:30:32,080
Speaker 1: my register, lower your register, don't talk up here, lower

608
00:30:32,360 --> 00:30:34,920
Speaker 1: lower it. And he would tell me like I'll, I'll

609
00:30:35,000 --> 00:30:37,000
Speaker 1: think of all the famous actresses, none of them have

610
00:30:37,160 --> 00:30:39,680
Speaker 1: high nasily voices. None of them have high nasly voices.

611
00:30:40,080 --> 00:30:43,000
Speaker 1: And I couldn't hear it in myself, but boy, when

612
00:30:43,040 --> 00:30:45,400
Speaker 1: I watch it now, I hear Michael in my head

613
00:30:45,480 --> 00:30:50,560
Speaker 1: and I think you register, Danielle, lower your register, you're

614
00:30:50,600 --> 00:30:53,600
Speaker 1: in your nose. Didn't bother me. I think, being like

615
00:30:53,800 --> 00:30:57,240
Speaker 1: super aggressively protective of him, and I know it is

616
00:30:57,320 --> 00:31:00,480
Speaker 1: so cute. Yea, it is so cute. He's differ a

617
00:31:00,600 --> 00:31:05,120
Speaker 1: nice boy. And then we're in the school cafeteria, Harley

618
00:31:05,200 --> 00:31:07,640
Speaker 1: with his little gangs. It's next to Corey to share

619
00:31:07,760 --> 00:31:11,360
Speaker 1: an inspirational thought. I cried because I had no shoes

620
00:31:11,720 --> 00:31:14,720
Speaker 1: until I met a boy who had no lips. And

621
00:31:14,880 --> 00:31:18,240
Speaker 1: then Blake gets one of his little mini monologues that

622
00:31:18,320 --> 00:31:20,640
Speaker 1: he was talking about when he's on the show, and

623
00:31:20,720 --> 00:31:23,160
Speaker 1: he just starts riffing about how funny the joke was,

624
00:31:23,240 --> 00:31:25,200
Speaker 1: and he's gonna tell his grandchildren, or then if he

625
00:31:25,240 --> 00:31:26,920
Speaker 1: doesn't have any grandchildren, he's gonna have to tell some

626
00:31:27,040 --> 00:31:29,320
Speaker 1: strange children. They're gonna be in the park. It's it's

627
00:31:29,480 --> 00:31:31,360
Speaker 1: so well And the only thing I wrote down was

628
00:31:31,440 --> 00:31:33,120
Speaker 1: in his own head. Why is he all of a

629
00:31:33,160 --> 00:31:39,520
Speaker 1: sudden in a raincoat. It's crazy. It's like the creepy

630
00:31:39,560 --> 00:31:43,479
Speaker 1: guy at the turned himself into the creepy guy at

631
00:31:43,480 --> 00:31:46,680
Speaker 1: the playout. It's so good. I would I would watch

632
00:31:47,240 --> 00:31:50,400
Speaker 1: the Joey the Rat Show I would too. They should

633
00:31:50,400 --> 00:31:55,760
Speaker 1: have given him a spin off. They should have shower absolutely, yes,

634
00:31:55,800 --> 00:31:58,320
Speaker 1: I agree, Yep, it would have been great. I bet

635
00:31:58,360 --> 00:32:00,680
Speaker 1: you if our show had been on Disney Channel or Nickelodeon,

636
00:32:00,680 --> 00:32:02,600
Speaker 1: that would have happened. It would have. But the fact

637
00:32:02,640 --> 00:32:04,480
Speaker 1: that we were a network show, you know, they just

638
00:32:04,640 --> 00:32:06,520
Speaker 1: wasn't that kind of opportunity. But like, if we were

639
00:32:06,520 --> 00:32:08,920
Speaker 1: on a cable show, they would have given them their

640
00:32:08,960 --> 00:32:11,320
Speaker 1: own spin off because they were that that great out

641
00:32:11,360 --> 00:32:12,960
Speaker 1: of the gate and all three of them. You just

642
00:32:12,960 --> 00:32:15,080
Speaker 1: want to watch them do anything. Yeah, so fun. Well,

643
00:32:15,080 --> 00:32:16,880
Speaker 1: it's it's what they do for the rest of the

644
00:32:17,000 --> 00:32:19,400
Speaker 1: day when they're not bullying the kids at school. It's

645
00:32:19,480 --> 00:32:21,000
Speaker 1: because you never see them and they talk about that

646
00:32:21,040 --> 00:32:23,400
Speaker 1: they're not in class, right, so it's like, what are

647
00:32:23,400 --> 00:32:25,600
Speaker 1: their days, Like, they're writing poetry, they're doing that. I mean,

648
00:32:25,720 --> 00:32:28,600
Speaker 1: there's it'd be hysterical. Yeah, man, we've got a lot

649
00:32:28,680 --> 00:32:32,280
Speaker 1: to do when we build that time machine. Thought to do?

650
00:32:33,440 --> 00:32:36,720
Speaker 1: First build the time machine, that's right, Yeah, it's always simple,

651
00:32:36,840 --> 00:32:42,280
Speaker 1: damn it. And then you should see the list after that.

652
00:32:43,120 --> 00:32:47,000
Speaker 1: After this, So, Corey asks Harley why he even cares

653
00:32:47,040 --> 00:32:49,200
Speaker 1: about him being able to kiss and Harley says, they're

654
00:32:49,280 --> 00:32:52,360
Speaker 1: his seventh they're his seventh graders on his little aunt farm.

655
00:32:53,480 --> 00:32:56,240
Speaker 1: He watches them live their life. I thought that was

656
00:32:56,360 --> 00:32:58,800
Speaker 1: such a funny little I don't know, it's just such

657
00:32:58,800 --> 00:33:01,040
Speaker 1: a funny little way of describe how he thinks of them.

658
00:33:01,080 --> 00:33:03,640
Speaker 1: And it's perfect. Yeah, it's perfect. When I when I

659
00:33:03,680 --> 00:33:05,400
Speaker 1: hear one of my little aunts is getting his legs

660
00:33:05,480 --> 00:33:07,240
Speaker 1: ripped off, I have to go watch it. If you

661
00:33:07,320 --> 00:33:09,920
Speaker 1: don't watch it, Yeah, I mean, this is this is

662
00:33:09,960 --> 00:33:12,320
Speaker 1: a great example of like there's they have no purpose

663
00:33:12,360 --> 00:33:15,120
Speaker 1: in this episode, right, Like these guys do not belong here,

664
00:33:15,400 --> 00:33:17,440
Speaker 1: but they just are funny and they just needed to

665
00:33:17,480 --> 00:33:19,200
Speaker 1: put them in. And then you have to rationalize why

666
00:33:19,200 --> 00:33:20,440
Speaker 1: you put them in, So you end up with this

667
00:33:20,720 --> 00:33:24,040
Speaker 1: really funny yea description that makes perfect sense and like

668
00:33:24,120 --> 00:33:26,400
Speaker 1: the audience wants it, We're fine with it, but it

669
00:33:26,440 --> 00:33:29,640
Speaker 1: has no story bearing whatsoever. Yeah, you could easily take

670
00:33:29,680 --> 00:33:31,880
Speaker 1: them out of this episode and nothing. But then they

671
00:33:31,920 --> 00:33:35,120
Speaker 1: come back in the poetry reading wonderfully. There's just they

672
00:33:35,240 --> 00:33:39,120
Speaker 1: add extra flavor there and then they just went away.

673
00:33:40,080 --> 00:33:42,560
Speaker 1: It was so strange to me. Then they just went away.

674
00:33:43,040 --> 00:33:45,040
Speaker 1: So there was such an important part of the show. Yeah,

675
00:33:45,240 --> 00:33:57,640
Speaker 1: very strange. So at a nearby table, mister Feeney asks

676
00:33:57,720 --> 00:34:00,520
Speaker 1: miss Tompkins if she's feeling welcome her first week, and

677
00:34:00,680 --> 00:34:03,880
Speaker 1: she wants to know about missed a Turner he asked

678
00:34:03,880 --> 00:34:05,520
Speaker 1: her out, and she wants to make sure he isn't

679
00:34:05,520 --> 00:34:08,319
Speaker 1: an ax murderer, and Phoene kind of vouches for him.

680
00:34:08,640 --> 00:34:11,120
Speaker 1: So I thought it first. It's a little funny scene.

681
00:34:11,160 --> 00:34:13,800
Speaker 1: I remember so many beats, and it's just I just

682
00:34:14,000 --> 00:34:17,040
Speaker 1: love watching Bill in different contexts, you know, like whenever

683
00:34:17,160 --> 00:34:20,600
Speaker 1: he's slightly on edge or stressed out or trying to

684
00:34:20,719 --> 00:34:22,520
Speaker 1: like cover or lie in this case, like, you know,

685
00:34:22,680 --> 00:34:25,400
Speaker 1: I just love it. I just love Yeah. Bill is

686
00:34:25,440 --> 00:34:28,759
Speaker 1: just amazing. He's a what an actor, and like we

687
00:34:28,920 --> 00:34:30,359
Speaker 1: had a way to be able to like hit these

688
00:34:30,480 --> 00:34:33,759
Speaker 1: jokes and you clearly know that he wants to, you know,

689
00:34:34,280 --> 00:34:36,640
Speaker 1: make her not like him by saying good, nice things

690
00:34:36,640 --> 00:34:38,680
Speaker 1: about it. It's just so clever and it's so great.

691
00:34:39,000 --> 00:34:41,080
Speaker 1: I know, it's so funny too. And my favor I

692
00:34:41,160 --> 00:34:44,879
Speaker 1: actually my favorite scene is when he when he's sitting

693
00:34:44,920 --> 00:34:47,200
Speaker 1: down with Turner and he wants the details and he's like,

694
00:34:47,400 --> 00:34:51,239
Speaker 1: come on, man, it's so good. The start of that

695
00:34:51,360 --> 00:34:53,520
Speaker 1: scene made no sense, but the rest of it was amazing,

696
00:34:53,680 --> 00:34:56,440
Speaker 1: really well, because he says, you know, hey, have a

697
00:34:56,520 --> 00:34:58,759
Speaker 1: seat and you go get it. Yeah, we'll get get

698
00:34:59,000 --> 00:35:01,160
Speaker 1: we'll get to it. We're going ahead of you're getting sorry.

699
00:35:01,239 --> 00:35:04,360
Speaker 1: She has an amazing one of those bullet tie. Yeah,

700
00:35:06,320 --> 00:35:09,880
Speaker 1: super popular early nineties. I feel like everybody would like

701
00:35:10,160 --> 00:35:13,600
Speaker 1: rediscover the Southwestern bullet tie. Yeah. She had a little

702
00:35:13,680 --> 00:35:16,200
Speaker 1: Southwestern flared in her all the way through her out,

703
00:35:16,480 --> 00:35:19,640
Speaker 1: like somebody went, we're making you from Arizona, Like exactly,

704
00:35:20,800 --> 00:35:25,040
Speaker 1: sure you've been to Sedona. Yeah, right, let's do that.

705
00:35:26,000 --> 00:35:28,640
Speaker 1: So it seems the data is on between miss Tompkins

706
00:35:28,719 --> 00:35:31,240
Speaker 1: and mister Turner. And then we are in the Matthews kitchen.

707
00:35:31,560 --> 00:35:34,520
Speaker 1: Corey says he's never going back to school again. You

708
00:35:34,600 --> 00:35:36,239
Speaker 1: could try and stop me if you want, and Amy

709
00:35:36,320 --> 00:35:39,280
Speaker 1: just says all right, And then they shift their focus.

710
00:35:39,840 --> 00:35:42,880
Speaker 1: You didn't say Lily's there? Yeah, I know, And then

711
00:35:42,960 --> 00:35:46,879
Speaker 1: they shift their focus to Lily welcome back. She's there,

712
00:35:47,080 --> 00:35:49,239
Speaker 1: So she is back on the show. She's not back,

713
00:35:49,360 --> 00:35:51,280
Speaker 1: she has not gone. This is scene where she's punching

714
00:35:51,400 --> 00:35:57,399
Speaker 1: her little stuffed animal. Oh yeah, if this is a scene,

715
00:35:57,600 --> 00:36:00,680
Speaker 1: she's just sitting there. Beauties, she's talking out the paste cup.

716
00:36:01,640 --> 00:36:05,640
Speaker 1: Do you remember like actively punching her little stuffed animal

717
00:36:05,719 --> 00:36:09,719
Speaker 1: over and over again? Perception boy not pick up on

718
00:36:09,800 --> 00:36:12,040
Speaker 1: They did not. I did not even see that. And

719
00:36:12,160 --> 00:36:16,920
Speaker 1: that is a telltale sign of sociopathy. It's just nervous

720
00:36:16,920 --> 00:36:18,680
Speaker 1: Habit has just clearly something to do with their heads.

721
00:36:18,680 --> 00:36:23,120
Speaker 1: But it's pretty I was like, oh, Lily, oh well.

722
00:36:23,160 --> 00:36:26,800
Speaker 1: Amy and Allen shift their focus to Morgan and another student.

723
00:36:27,040 --> 00:36:29,680
Speaker 1: She's telling a story about another student taking her paste cup.

724
00:36:30,120 --> 00:36:33,120
Speaker 1: Corey interrupts and says his entire high school career crashed

725
00:36:33,160 --> 00:36:35,640
Speaker 1: and burned and they would rather talk about Morgan's paste,

726
00:36:36,160 --> 00:36:38,440
Speaker 1: So Alan asks if he'd like to talk about it now,

727
00:36:38,560 --> 00:36:41,320
Speaker 1: and Corey tells them about freezing up at the party.

728
00:36:42,520 --> 00:36:45,440
Speaker 1: Amy says first parties with girls are always awkward, and

729
00:36:45,560 --> 00:36:47,960
Speaker 1: he says, no, this wasn't awkward. Losing your gym shorts

730
00:36:48,000 --> 00:36:55,920
Speaker 1: while climbing the rope. That's awkward and burns and burns.

731
00:36:58,480 --> 00:37:02,400
Speaker 1: Corey says this was beyond humiliation and calls it a gouba.

732
00:37:02,920 --> 00:37:07,280
Speaker 1: I remember this. I remember, I remember the word the sound.

733
00:37:08,080 --> 00:37:14,440
Speaker 1: I remember I spelled it ag o o b wa

734
00:37:15,640 --> 00:37:18,840
Speaker 1: there's an h oh, there's an h b wa h.

735
00:37:19,360 --> 00:37:21,480
Speaker 1: I know that because I was watching with the subtitles.

736
00:37:22,320 --> 00:37:27,680
Speaker 1: Of course, of course, of course. Yeah. Um, Corey says

737
00:37:27,840 --> 00:37:29,719
Speaker 1: Eric told him he would joke, and then he leaves.

738
00:37:30,160 --> 00:37:32,480
Speaker 1: Eric then walks in laughing, and Amy asks what he

739
00:37:32,560 --> 00:37:35,200
Speaker 1: said to Corey before the party, and he admits he

740
00:37:35,320 --> 00:37:38,480
Speaker 1: told Corey how scary kissing is. This is where I

741
00:37:38,560 --> 00:37:40,920
Speaker 1: thought the laughter was a little it's all too much.

742
00:37:41,120 --> 00:37:43,840
Speaker 1: I laughed the whole episode with no friends. I was

743
00:37:43,880 --> 00:37:46,400
Speaker 1: just by myself laughing. You're kind of you don't have

744
00:37:46,600 --> 00:37:48,759
Speaker 1: much motivation in this, I mean, yeah, just just to

745
00:37:48,800 --> 00:37:52,120
Speaker 1: be mean. Yeah, and that's not that interesting. Like the

746
00:37:52,200 --> 00:37:54,279
Speaker 1: writing kind of didn't bolster you enough. Like it would

747
00:37:54,320 --> 00:37:56,239
Speaker 1: have been nice if you had a reason, like maybe

748
00:37:56,280 --> 00:37:58,600
Speaker 1: you had been embarrassed by your first kiss and so

749
00:37:58,760 --> 00:38:01,040
Speaker 1: you were like overcompensate it in or I don't know,

750
00:38:01,120 --> 00:38:02,880
Speaker 1: Like it would have been really easy to give it

751
00:38:03,040 --> 00:38:05,600
Speaker 1: more meaning. But instead it's it's almost like like like

752
00:38:05,760 --> 00:38:08,080
Speaker 1: we talked about playing angry, you know, you're just kind

753
00:38:08,080 --> 00:38:10,960
Speaker 1: of playing mean this whole episode, and it's agree you

754
00:38:11,040 --> 00:38:12,480
Speaker 1: can do that for a scene, but to have to

755
00:38:12,520 --> 00:38:14,840
Speaker 1: do that for a whole episode is not that interesting.

756
00:38:15,080 --> 00:38:17,160
Speaker 1: It Also, by the way, would have been much more

757
00:38:17,239 --> 00:38:21,239
Speaker 1: interesting to have him accidentally freak Corey out to be like,

758
00:38:21,719 --> 00:38:23,360
Speaker 1: for him to be like, okay, listen, just you know

759
00:38:23,440 --> 00:38:24,920
Speaker 1: it's gonna be You're gonna feel weird. You're not going

760
00:38:24,960 --> 00:38:26,520
Speaker 1: to know what to do with your hands. Also, there's

761
00:38:26,520 --> 00:38:28,560
Speaker 1: a possibility she might have braces. It's for him to

762
00:38:28,640 --> 00:38:31,520
Speaker 1: almost be trying to help him, but that worse much

763
00:38:31,600 --> 00:38:34,440
Speaker 1: more to make it worse, that's much more interesting. But whatever,

764
00:38:34,560 --> 00:38:39,600
Speaker 1: its top step one, build the time machine. Time machine. Also,

765
00:38:40,320 --> 00:38:44,400
Speaker 1: I definitely think that there are where we think about

766
00:38:44,440 --> 00:38:47,479
Speaker 1: this from a like a what's more interesting writing wise

767
00:38:47,600 --> 00:38:51,480
Speaker 1: or production wise and character wise versus what truthfully is

768
00:38:51,560 --> 00:38:55,360
Speaker 1: most teenage older brother like. And the reality is an

769
00:38:55,400 --> 00:38:59,520
Speaker 1: older teenage brother is probably constantly trying to poke at

770
00:38:59,560 --> 00:39:02,040
Speaker 1: and mess with his little brother and a super interested

771
00:39:02,040 --> 00:39:04,200
Speaker 1: in girls. So you know, we can get we can

772
00:39:04,280 --> 00:39:06,600
Speaker 1: critique it, but the truth is, this is probably what's

773
00:39:06,640 --> 00:39:10,840
Speaker 1: probably going on in most households. I agree. Um So

774
00:39:11,520 --> 00:39:13,840
Speaker 1: Alan and Amy punish Eric by saying he can't go

775
00:39:13,960 --> 00:39:16,120
Speaker 1: out until Corey is ready to go out again, which

776
00:39:16,200 --> 00:39:19,960
Speaker 1: is very smart, and Eric says he's so cute to

777
00:39:20,120 --> 00:39:24,920
Speaker 1: stay home. That would become a meme. Real, Yeah, that's

778
00:39:25,000 --> 00:39:27,160
Speaker 1: like that's one of those some people will send me

779
00:39:27,239 --> 00:39:30,759
Speaker 1: that a Jeff. That was Jeff. Yeah, jeez, wow, I

780
00:39:30,800 --> 00:39:33,919
Speaker 1: thought it was cute. And your hair looks fantastic. Thinks fantastic. Yeah,

781
00:39:34,560 --> 00:39:38,280
Speaker 1: and then you mean, I mean now too Too's always

782
00:39:38,280 --> 00:39:40,879
Speaker 1: always looks great. Free by Daniel Fisher, Thank you Will.

783
00:39:41,400 --> 00:39:44,160
Speaker 1: We're in the school cafeteria. Corey is sitting by himself

784
00:39:44,280 --> 00:39:47,160
Speaker 1: and tells Eric to join him. Corey says he's planning

785
00:39:47,200 --> 00:39:50,200
Speaker 1: out his life as a nice boy. Eric says Corey

786
00:39:50,320 --> 00:39:52,640
Speaker 1: needs to get out and date again real soon, because

787
00:39:52,760 --> 00:39:55,400
Speaker 1: Corey's pain is his pain. He needs to get back

788
00:39:55,440 --> 00:39:58,239
Speaker 1: out their man. Eric says he just needs the training

789
00:39:58,280 --> 00:40:01,200
Speaker 1: wheels on a little longer, so he'll chaperone Cory on

790
00:40:01,400 --> 00:40:03,960
Speaker 1: his date, but Corey says no one is talking to

791
00:40:04,040 --> 00:40:06,239
Speaker 1: him but Sean and to Penga. And then even though

792
00:40:06,400 --> 00:40:09,279
Speaker 1: Eric suggests Sean, Corey brings up to Penga, to which

793
00:40:09,480 --> 00:40:14,000
Speaker 1: Eric says, you animal, that's great. It was. You also

794
00:40:14,080 --> 00:40:15,880
Speaker 1: noticed the parallel that they tried to do, which I

795
00:40:15,920 --> 00:40:18,640
Speaker 1: think they actually did kind of well, which is training

796
00:40:18,680 --> 00:40:21,239
Speaker 1: when well not just that. But when even when you

797
00:40:21,320 --> 00:40:24,520
Speaker 1: get older with the older female character, she's still after

798
00:40:24,680 --> 00:40:28,080
Speaker 1: the bad boy. Oh it's you know, you still got

799
00:40:28,160 --> 00:40:30,839
Speaker 1: the nice guy. And so it's like, oh, hopefully they'll

800
00:40:30,880 --> 00:40:33,080
Speaker 1: grow out of this, but it's like, no, she's still

801
00:40:34,800 --> 00:40:37,120
Speaker 1: over at that table. I didn't think. I didn't think

802
00:40:37,120 --> 00:40:39,840
Speaker 1: about that. Yes, I actually, yeah, I thought about it

803
00:40:39,920 --> 00:40:41,400
Speaker 1: when she says that when she's like, is he a

804
00:40:41,520 --> 00:40:43,200
Speaker 1: nice guy or is he like a rebel? And then

805
00:40:43,239 --> 00:40:45,400
Speaker 1: she goes yes, But I didn't actually even connect it

806
00:40:45,440 --> 00:40:47,479
Speaker 1: to the fact that Corey then has that to point

807
00:40:47,520 --> 00:40:53,239
Speaker 1: too of like not guy whatever. Yeah, it's it's how

808
00:40:53,280 --> 00:40:55,080
Speaker 1: it is. And it led to a whole conversation with

809
00:40:55,160 --> 00:40:57,400
Speaker 1: Sue last night about like, why are women attracted to

810
00:40:57,480 --> 00:41:00,600
Speaker 1: the bad boys? Right right? It's like they wanted It's

811
00:41:00,640 --> 00:41:02,360
Speaker 1: funny though, I was just having the conversation with my

812
00:41:02,480 --> 00:41:05,719
Speaker 1: wife that that that isn't true so much anymore, Like

813
00:41:05,840 --> 00:41:09,239
Speaker 1: I think, okay, like I feel like that is your

814
00:41:09,280 --> 00:41:13,399
Speaker 1: twenties and thirties maybe, but by the forties women are

815
00:41:13,640 --> 00:41:18,040
Speaker 1: way not, way uninterested. Yeah exactly, yeah exactly. I mean

816
00:41:18,719 --> 00:41:22,120
Speaker 1: you would hope. So again, a lot of people don't

817
00:41:22,239 --> 00:41:25,280
Speaker 1: necessarily ever learn the lesson of their twenties and thirties

818
00:41:25,360 --> 00:41:27,560
Speaker 1: and keep repeating the same mistakes over and over in

819
00:41:27,640 --> 00:41:29,800
Speaker 1: the same pattern. But if you are the type of

820
00:41:29,840 --> 00:41:32,759
Speaker 1: person to go, you know things aren't going the way

821
00:41:32,840 --> 00:41:36,319
Speaker 1: I want them to, I should reevaluate. Then. Yes, by

822
00:41:36,400 --> 00:41:38,960
Speaker 1: the time you become very serious about looking for a

823
00:41:39,080 --> 00:41:42,319
Speaker 1: life partner, you are not looking for the rebel bad boy.

824
00:41:42,440 --> 00:41:45,239
Speaker 1: You are looking for the nice guy because you will

825
00:41:45,320 --> 00:41:49,440
Speaker 1: consistently be there for you. Yes, um, but yes, there

826
00:41:49,560 --> 00:41:51,600
Speaker 1: is that time period where we win in the end,

827
00:41:52,840 --> 00:41:56,359
Speaker 1: In the end, that's exactly right. So then we are

828
00:41:56,440 --> 00:42:03,040
Speaker 1: in the coffee shop poetry place that's definitely not Chubby coffee.

829
00:42:03,080 --> 00:42:05,360
Speaker 1: I even had a name in the script, not Chubbies.

830
00:42:05,520 --> 00:42:08,759
Speaker 1: It's called not Chubbies Coffee, the not Chubbies coffee House. Yeah,

831
00:42:09,080 --> 00:42:10,799
Speaker 1: because we never shot for the Jubbies, right, we never

832
00:42:10,840 --> 00:42:13,760
Speaker 1: say the name of this place. But it's just the coffee.

833
00:42:13,760 --> 00:42:15,359
Speaker 1: And I was looking for a sign. I didn't see

834
00:42:15,400 --> 00:42:17,480
Speaker 1: a sign. It's just like the coffee. Can we just

835
00:42:17,800 --> 00:42:22,000
Speaker 1: take a moment and appreciate places like this that existed

836
00:42:22,040 --> 00:42:26,919
Speaker 1: in the nineties that don't exist anymore. I loved coffee shops, Yeah,

837
00:42:27,000 --> 00:42:30,680
Speaker 1: I loved old, dirty couches like this. This was These

838
00:42:30,719 --> 00:42:32,680
Speaker 1: were my havens. This is where I spent all of

839
00:42:32,719 --> 00:42:35,080
Speaker 1: my adolescence when I was not shooting. Boy Meets World

840
00:42:36,200 --> 00:42:40,120
Speaker 1: don't exist anymore. It's not true. Writer, I brought you

841
00:42:40,239 --> 00:42:43,480
Speaker 1: to a place called Juicy Ladies in the valley. You

842
00:42:44,280 --> 00:42:47,400
Speaker 1: will and Trina went and had lunch at Juicy Ladies.

843
00:42:47,640 --> 00:42:50,160
Speaker 1: We sat outside. But if you are like a diner,

844
00:42:50,239 --> 00:42:53,040
Speaker 1: that's like a restaurant. I want the couches I want.

845
00:42:53,080 --> 00:42:56,760
Speaker 1: They have that we just didn't. Side around the corner.

846
00:42:57,080 --> 00:43:00,239
Speaker 1: They've got big couches and and a low table and

847
00:43:00,360 --> 00:43:03,400
Speaker 1: pillows for sitting on the floor, and and it's got

848
00:43:03,480 --> 00:43:06,520
Speaker 1: a like an espresso bar. But then it also has

849
00:43:06,600 --> 00:43:10,680
Speaker 1: outdoor tables poetry readings. They don't. But they have art

850
00:43:10,760 --> 00:43:13,279
Speaker 1: on the walls that's done by local artists that you

851
00:43:13,360 --> 00:43:16,520
Speaker 1: can buy. They have genes that have been distressed and

852
00:43:16,680 --> 00:43:20,080
Speaker 1: painted by local artists. And then it's it is a

853
00:43:20,160 --> 00:43:23,000
Speaker 1: little too bright for you though it's not. You can

854
00:43:23,080 --> 00:43:25,759
Speaker 1: see almost. I need my basement. I needed to be

855
00:43:25,840 --> 00:43:28,400
Speaker 1: a basement. Yeah, I know, I'll work on it for

856
00:43:28,600 --> 00:43:32,000
Speaker 1: no I you know. Actually I had mentioned coffeecats in Sebastopol,

857
00:43:32,120 --> 00:43:35,319
Speaker 1: where I grew up, and somebody from Sebastopol emailed us

858
00:43:35,360 --> 00:43:39,320
Speaker 1: to say it's closed. Oh it's because of all the

859
00:43:39,440 --> 00:43:44,640
Speaker 1: horrible kids that used to hang out there clientele. Yeah, jeez,

860
00:43:45,120 --> 00:43:47,680
Speaker 1: all the hacky sacks. By the way, the cap boosey

861
00:43:47,840 --> 00:43:50,880
Speaker 1: knew where. He says that for the cap we called

862
00:43:50,880 --> 00:43:53,439
Speaker 1: it that, all of us for like all seven years.

863
00:43:53,480 --> 00:43:55,040
Speaker 1: A boy, don't you remember that? I don't remember that.

864
00:43:55,120 --> 00:43:56,880
Speaker 1: Oh yeah, we would. We would go to one of

865
00:43:56,920 --> 00:43:59,400
Speaker 1: your favorite coffee shops. I guess somebody get a cap booth,

866
00:43:59,760 --> 00:44:06,000
Speaker 1: no cat bousino, do that forever? Yep. So we're inside

867
00:44:06,040 --> 00:44:08,680
Speaker 1: the coffee shop. It appears Eric has taken Corey and

868
00:44:08,719 --> 00:44:12,080
Speaker 1: Topenga to a very cool coffee shop where they read poetry. Here,

869
00:44:12,200 --> 00:44:15,799
Speaker 1: Corey says they have a cap capnocino, and Topanga orders

870
00:44:15,840 --> 00:44:21,879
Speaker 1: a double decafelette with skim milk, and then he leaves her. Yeah,

871
00:44:22,080 --> 00:44:24,040
Speaker 1: I remember that barista. By the way, do you remember

872
00:44:24,080 --> 00:44:27,160
Speaker 1: that extra barista? No? No, I remember that guy like

873
00:44:27,320 --> 00:44:29,600
Speaker 1: the with the hair all too. I mean I remember

874
00:44:29,800 --> 00:44:31,040
Speaker 1: the second he came on the screen. It's like, oh,

875
00:44:31,080 --> 00:44:34,400
Speaker 1: that guy like he was every time we did anything

876
00:44:35,239 --> 00:44:37,759
Speaker 1: remotely hippie coffee shop. It was always it was that guy.

877
00:44:38,440 --> 00:44:41,359
Speaker 1: He worked at every one of those jobs. Yeah, that's awesome. Well,

878
00:44:41,400 --> 00:44:44,120
Speaker 1: he leaves Topanga to apparently buy her own coffee. He

879
00:44:44,160 --> 00:44:45,879
Speaker 1: says he's going to go find a place to sit,

880
00:44:46,440 --> 00:44:50,480
Speaker 1: and then here he is. Frankie gets on stage to

881
00:44:50,640 --> 00:44:54,200
Speaker 1: read a poem and dedicates to his friends who want

882
00:44:54,280 --> 00:44:58,960
Speaker 1: to remain anonymous, it's so awesome. And then Joey compliments

883
00:44:59,000 --> 00:45:01,040
Speaker 1: Frankie on his poem and says it was really good.

884
00:45:01,480 --> 00:45:04,200
Speaker 1: Corey asks Harley if he goes to poetry readings, and

885
00:45:04,360 --> 00:45:06,719
Speaker 1: he asks Corey if he thinks he's a sensitive guy,

886
00:45:07,120 --> 00:45:09,239
Speaker 1: and he says, because I could slap you around for that.

887
00:45:09,440 --> 00:45:11,600
Speaker 1: So he's upset by the idea that somebody would think

888
00:45:11,640 --> 00:45:15,680
Speaker 1: he's insensitive. And then Tapengga comes over with two lattes,

889
00:45:15,719 --> 00:45:18,080
Speaker 1: one for herself and one for Corey, and she says, here,

890
00:45:18,200 --> 00:45:20,960
Speaker 1: sit here, So she also finds the place to sit.

891
00:45:21,360 --> 00:45:25,480
Speaker 1: Yea pays for the coffee coffees, brings him over, cryds

892
00:45:25,480 --> 00:45:28,239
Speaker 1: a place to sit. Corey's a real lump on a

893
00:45:28,320 --> 00:45:33,000
Speaker 1: log here straight up nineties giant overside coffee, oversized coffee,

894
00:45:33,000 --> 00:45:38,040
Speaker 1: coffe Oh enormous, huge, just giving a twelve and thirteen

895
00:45:38,120 --> 00:45:41,680
Speaker 1: year olds nine thousand times the caffeine you're supposed to

896
00:45:41,680 --> 00:45:45,040
Speaker 1: have in a day in one cup, Oh the nineties coffee.

897
00:45:46,400 --> 00:45:48,759
Speaker 1: Corey says he likes this place and Topanga asks if

898
00:45:48,800 --> 00:45:52,200
Speaker 1: it's because it's not a closet, and Corey says, girls

899
00:45:52,239 --> 00:45:55,360
Speaker 1: have it so easy, but Tepengga says everyone was nervous

900
00:45:55,400 --> 00:45:58,120
Speaker 1: and girls don't know what they're doing either. Topengga says, well,

901
00:45:58,600 --> 00:46:01,759
Speaker 1: too bad, we missed our chance. And then Donovan is

902
00:46:01,800 --> 00:46:04,960
Speaker 1: introduced and does a poem called the Produce Section, and

903
00:46:05,120 --> 00:46:08,319
Speaker 1: now everyone is making out, which is just a weird

904
00:46:08,560 --> 00:46:12,840
Speaker 1: time for everyone to get moved. It's so bizarre theaches

905
00:46:12,920 --> 00:46:16,480
Speaker 1: that his words alone just put everybody in the mood.

906
00:46:17,000 --> 00:46:19,920
Speaker 1: That is so fun because he's talking about cling peaches.

907
00:46:20,239 --> 00:46:24,640
Speaker 1: I know, peaches are apparently a sexy fruit. Yeah, very sensual.

908
00:46:24,840 --> 00:46:27,800
Speaker 1: I have a kind of funny story that relates to

909
00:46:27,920 --> 00:46:32,600
Speaker 1: this in a lot of ways. Randomly, I I on

910
00:46:32,800 --> 00:46:36,480
Speaker 1: Instagram or Twitter or both, Like this was like five

911
00:46:36,560 --> 00:46:39,640
Speaker 1: years ago. I put out a poem about peaches that

912
00:46:39,840 --> 00:46:41,200
Speaker 1: is awesome and I don't have to look up what

913
00:46:41,239 --> 00:46:43,240
Speaker 1: it is. But it was an amazing poem that I loved,

914
00:46:43,680 --> 00:46:47,800
Speaker 1: and I and it's about tasting peaches, like you know,

915
00:46:47,880 --> 00:46:49,640
Speaker 1: going out to a farm and picking peaches and tasting

916
00:46:49,680 --> 00:46:52,719
Speaker 1: and how great they were. And Michael Jacobs emailed me

917
00:46:52,920 --> 00:46:55,920
Speaker 1: and said, geez, just sometimes it's just a peach or

918
00:46:56,040 --> 00:46:58,399
Speaker 1: he like made fun of me. And then to see

919
00:46:58,480 --> 00:47:01,080
Speaker 1: this episode, I was like, butt, did you realize you

920
00:47:01,200 --> 00:47:04,400
Speaker 1: wrote a show where that is exactly what happened? And

921
00:47:04,520 --> 00:47:06,840
Speaker 1: I don't know if he was self aware about it,

922
00:47:06,920 --> 00:47:08,680
Speaker 1: like making fun of it, but like, but I didn't

923
00:47:08,680 --> 00:47:11,239
Speaker 1: remember this, but I literally had to put out a

924
00:47:11,280 --> 00:47:13,920
Speaker 1: palm but peaches on in the world, and Michael Jakos

925
00:47:14,000 --> 00:47:15,800
Speaker 1: made fun of before it, so here it was in

926
00:47:15,960 --> 00:47:18,640
Speaker 1: his own cho jeez. Well, you know, I think that's

927
00:47:18,640 --> 00:47:20,840
Speaker 1: all based on a Buddhist concept. I think it's the

928
00:47:21,040 --> 00:47:23,640
Speaker 1: I believe it's a Buddhist concept or Daoist that it's

929
00:47:24,080 --> 00:47:26,719
Speaker 1: are you eating are you are you truly eating a

930
00:47:26,800 --> 00:47:30,200
Speaker 1: peach or just merely consuming it, because there's the whole

931
00:47:31,320 --> 00:47:35,080
Speaker 1: levels of enjoy it's essentially about enjoying life, and you're

932
00:47:35,160 --> 00:47:37,959
Speaker 1: enjoying the eating of the peach. And I think that's

933
00:47:38,200 --> 00:47:39,960
Speaker 1: a Buddhist concept I can't remember, but it was all

934
00:47:39,960 --> 00:47:42,120
Speaker 1: about Peaches, so I wonder if the poem is related

935
00:47:42,160 --> 00:47:48,080
Speaker 1: to that. So, yeah, Peaches who knew amctual fruit boy boy.

936
00:47:48,239 --> 00:47:51,000
Speaker 1: I also do think though, that Donovan because we see

937
00:47:51,080 --> 00:47:53,239
Speaker 1: him later. He comes back in the tag and it's

938
00:47:54,040 --> 00:47:57,279
Speaker 1: it's like he's purposefully doing it, like he knows that's

939
00:47:57,320 --> 00:48:00,040
Speaker 1: his stick, because he also turns the lights off so

940
00:48:00,160 --> 00:48:02,520
Speaker 1: like the lights get dim. I think he's got like

941
00:48:02,560 --> 00:48:04,759
Speaker 1: a sensual voice. So I don't know. It's like some

942
00:48:05,280 --> 00:48:07,680
Speaker 1: eighties nineties R and B starts playing and people are

943
00:48:07,800 --> 00:48:12,680
Speaker 1: just getting it on. I've been really trying. Baby, there

944
00:48:12,760 --> 00:48:25,960
Speaker 1: you go. Absolutely, So Corey looks over at to Panga

945
00:48:26,200 --> 00:48:31,319
Speaker 1: and we start to kiss. Boom. But you wonder where

946
00:48:31,360 --> 00:48:34,120
Speaker 1: I got the idea that stage kissing is just putting

947
00:48:34,160 --> 00:48:36,279
Speaker 1: your lips together and moving your heads. We just put

948
00:48:36,320 --> 00:48:38,840
Speaker 1: our lips together and then didn't move. Is that is

949
00:48:38,880 --> 00:48:41,120
Speaker 1: that what it was? So because you block it out,

950
00:48:41,239 --> 00:48:44,879
Speaker 1: so my head comes forward and we just I don't

951
00:48:44,960 --> 00:48:47,080
Speaker 1: even remember what the kiss felt like, but we literally

952
00:48:47,160 --> 00:48:50,120
Speaker 1: just like our lips touch and then we just just

953
00:48:50,320 --> 00:48:56,040
Speaker 1: stay there. I know there's no movement. Seven minutes in Uncomfortability, Yeah,

954
00:48:56,239 --> 00:49:00,680
Speaker 1: at least thirty seconds of I'm just like the end

955
00:49:00,719 --> 00:49:02,920
Speaker 1: of an episode, at the end of a beat like this.

956
00:49:03,200 --> 00:49:05,480
Speaker 1: We've seen this so many times now, Like you guys

957
00:49:05,520 --> 00:49:09,200
Speaker 1: have dancing, looking at each other, kissing each other. It

958
00:49:09,280 --> 00:49:12,399
Speaker 1: did feel like a little yeah, okay, we're still doing this. Yeah,

959
00:49:12,400 --> 00:49:14,839
Speaker 1: but I guess it comes work, right. It's like, yeah,

960
00:49:15,080 --> 00:49:16,960
Speaker 1: they're more like comic strips in a way, they can

961
00:49:17,040 --> 00:49:20,320
Speaker 1: just sort of exist in their own continuity, where like

962
00:49:20,400 --> 00:49:23,560
Speaker 1: you repeat similar motifs over and over visuals and yeah,

963
00:49:23,719 --> 00:49:25,719
Speaker 1: well but that also lends to exactly what you're saying,

964
00:49:25,760 --> 00:49:28,480
Speaker 1: which is why it's so glaring when there is a

965
00:49:28,600 --> 00:49:31,080
Speaker 1: three or four episode arc, right, because it's almost like

966
00:49:31,120 --> 00:49:33,680
Speaker 1: a show within a show. Oh we're we're doing something

967
00:49:33,760 --> 00:49:36,279
Speaker 1: that matters for three or four episodes, as opposed to

968
00:49:36,400 --> 00:49:40,839
Speaker 1: just these constant one offs. Yeah right, So yeah, well,

969
00:49:40,960 --> 00:49:43,520
Speaker 1: we're back in the school cafeteria. Mister Feenie calls over

970
00:49:43,600 --> 00:49:45,799
Speaker 1: mister Turner to sit down, and he asks how he's doing.

971
00:49:45,880 --> 00:49:48,920
Speaker 1: He wants the info about his hot date with Miss Tompkins.

972
00:49:49,480 --> 00:49:54,080
Speaker 1: This is the part that threw me because it starts

973
00:49:54,120 --> 00:49:57,120
Speaker 1: with him going mister Turner comes sit with me and

974
00:49:57,200 --> 00:49:58,920
Speaker 1: he says, you really you want me to sit with you.

975
00:49:59,360 --> 00:50:02,680
Speaker 1: They're sitting together every episode, I know, four seasons, four

976
00:50:02,719 --> 00:50:04,840
Speaker 1: scenes ago, they were sitting together having lunch. So the

977
00:50:04,920 --> 00:50:07,440
Speaker 1: fact that he's thrown by, wait a minute, you're inviting

978
00:50:07,480 --> 00:50:08,920
Speaker 1: me to sit down and talk to you. You were

979
00:50:08,960 --> 00:50:11,000
Speaker 1: here do Here's what I'll say, is a little different.

980
00:50:11,640 --> 00:50:15,440
Speaker 1: Usually I do think that we see mister Turner come

981
00:50:15,520 --> 00:50:18,239
Speaker 1: to sit with mister Feeney, and mister Feenie has a

982
00:50:18,360 --> 00:50:21,919
Speaker 1: little bit of an air of like, oh you are right, yeah,

983
00:50:22,000 --> 00:50:25,080
Speaker 1: And this time mister Turner is going to give foene

984
00:50:25,160 --> 00:50:28,040
Speaker 1: a space, and mister Feeney's like, Jonathan, come here, come here.

985
00:50:28,120 --> 00:50:29,760
Speaker 1: So it is to me it felt a little different.

986
00:50:29,800 --> 00:50:31,919
Speaker 1: It felt more like what you want me to stay

987
00:50:31,960 --> 00:50:34,320
Speaker 1: with you, as opposed to I normally invite myself. I

988
00:50:34,560 --> 00:50:37,399
Speaker 1: guess I just five. But I see I see your point.

989
00:50:37,400 --> 00:50:39,200
Speaker 1: I see your point. They're all we always see them together,

990
00:50:39,760 --> 00:50:41,880
Speaker 1: They're always be at the table. But I do think

991
00:50:41,920 --> 00:50:44,320
Speaker 1: it's that maybe this is the first time mister Feeney

992
00:50:44,400 --> 00:50:47,160
Speaker 1: has done it's excitement. I think it's get excitement that

993
00:50:47,239 --> 00:50:50,040
Speaker 1: you're just like what I found the poem it's called

994
00:50:50,239 --> 00:50:54,359
Speaker 1: from Blossoms and it's by Lee Young Lee. I'm really

995
00:50:54,440 --> 00:50:58,919
Speaker 1: good mom. If anybody peaches, if anyone's a good poemp,

996
00:50:59,560 --> 00:51:01,839
Speaker 1: have your have your significant other with you, because you're

997
00:51:01,840 --> 00:51:05,120
Speaker 1: gonna want to make out. Oh man. After paget so,

998
00:51:05,800 --> 00:51:08,560
Speaker 1: Pheny wants the scoop, and then Miss Tompkins interrupts them

999
00:51:08,600 --> 00:51:11,480
Speaker 1: and comes over to say see you tonight, my guy,

1000
00:51:11,680 --> 00:51:14,359
Speaker 1: which I think is pretty cute, and mister Turner says,

1001
00:51:14,640 --> 00:51:20,000
Speaker 1: I like her, I like her, I like her. At

1002
00:51:20,040 --> 00:51:22,960
Speaker 1: another table, Corey tell Sean he's so into poetry now,

1003
00:51:23,280 --> 00:51:26,560
Speaker 1: poetry now, he may even become a poet himself. Corey

1004
00:51:26,760 --> 00:51:30,400
Speaker 1: is visibly happy that they made out, and Topanga with

1005
00:51:30,600 --> 00:51:34,440
Speaker 1: Friends comes over and says hi to Corey, and they're flirting,

1006
00:51:34,880 --> 00:51:37,720
Speaker 1: and even though it's a short little section of the scene,

1007
00:51:37,760 --> 00:51:40,640
Speaker 1: it's very palpable that they have a little flirting thing

1008
00:51:40,719 --> 00:51:44,800
Speaker 1: going on. I have to tell you, I you know,

1009
00:51:45,040 --> 00:51:47,319
Speaker 1: as we all know, we've said it a million times.

1010
00:51:47,400 --> 00:51:49,880
Speaker 1: I have not seen these episodes since they aired in

1011
00:51:49,960 --> 00:51:54,160
Speaker 1: the nineties, and all this time when people tell me

1012
00:51:54,360 --> 00:51:56,880
Speaker 1: over the years how much they love Corey in t

1013
00:51:56,960 --> 00:52:00,279
Speaker 1: Penga's relationship and how much how cute it is and

1014
00:52:00,400 --> 00:52:01,960
Speaker 1: how much it means to them, and that they call

1015
00:52:02,040 --> 00:52:04,160
Speaker 1: each other Corey and Tepenga when they find their significant

1016
00:52:04,160 --> 00:52:06,680
Speaker 1: other and whatever. There's always been a part of me

1017
00:52:06,960 --> 00:52:12,520
Speaker 1: that has felt like, huh, I wonder why, because so

1018
00:52:12,880 --> 00:52:16,800
Speaker 1: much of what I remember about their relationship are the

1019
00:52:17,000 --> 00:52:25,319
Speaker 1: later seasons where conflict and also a lot of um

1020
00:52:25,640 --> 00:52:28,640
Speaker 1: feeling like Topanga is annoyed with him all the time,

1021
00:52:28,760 --> 00:52:32,120
Speaker 1: like she's nagging him or she's you know that she's

1022
00:52:32,239 --> 00:52:35,000
Speaker 1: like frustrated by him and he's constantly trying to get

1023
00:52:35,120 --> 00:52:38,160
Speaker 1: something from her and she's like a man and so

1024
00:52:38,360 --> 00:52:40,319
Speaker 1: what a lot of what has stuck in my head

1025
00:52:40,400 --> 00:52:44,719
Speaker 1: about their relationship is kind of like not super aspirational.

1026
00:52:45,600 --> 00:52:51,640
Speaker 1: Seeing this and seeing how excited Tapega is by Corey

1027
00:52:51,880 --> 00:52:55,279
Speaker 1: and seeing her be so into him. I was like,

1028
00:52:55,480 --> 00:52:58,680
Speaker 1: this is so cute. It is it's a sweet it's

1029
00:52:58,760 --> 00:53:02,319
Speaker 1: really starting to yeah, and I think what the whole

1030
00:53:02,400 --> 00:53:04,440
Speaker 1: first three seasons are, you know, And I think that

1031
00:53:04,640 --> 00:53:07,800
Speaker 1: we you're forgetting the sort of scaffolding that was built,

1032
00:53:08,040 --> 00:53:10,400
Speaker 1: you know, that the base of like this love that

1033
00:53:10,600 --> 00:53:14,400
Speaker 1: was so you know, idealized and perfect and also just

1034
00:53:14,840 --> 00:53:17,479
Speaker 1: it's I think it's so well established. And I also

1035
00:53:17,560 --> 00:53:20,200
Speaker 1: just I just love that that, you know, we haven't

1036
00:53:20,239 --> 00:53:23,440
Speaker 1: had episodes with like a Wendy or other like it's

1037
00:53:23,480 --> 00:53:27,440
Speaker 1: it's like Topanga's is is more important than other girls?

1038
00:53:27,560 --> 00:53:29,040
Speaker 1: Do you know what I mean? Like Corey's gonna date

1039
00:53:29,040 --> 00:53:31,920
Speaker 1: other girls and whatnot. But there's something about this. It's

1040
00:53:31,960 --> 00:53:34,799
Speaker 1: just you know, that sort of destiny storytelling. It's great.

1041
00:53:34,960 --> 00:53:37,359
Speaker 1: It's great. Yeah, it's really And I love that Eric

1042
00:53:37,440 --> 00:53:39,800
Speaker 1: and sitting with Sewan and Corey like we're all together

1043
00:53:39,920 --> 00:53:42,239
Speaker 1: for the first time in the cafeteria. Yeah, I know,

1044
00:53:42,560 --> 00:53:44,640
Speaker 1: I saw that you were in the death chairs. Yeah,

1045
00:53:44,920 --> 00:53:51,560
Speaker 1: oh god, oh my god, I'd go he's gonna start

1046
00:53:51,600 --> 00:53:54,279
Speaker 1: calling and calling and calling, oh my god on a

1047
00:53:54,400 --> 00:53:58,919
Speaker 1: rotary phone. Well, we're back in the cool coffee shop

1048
00:53:59,040 --> 00:54:02,880
Speaker 1: that's not Chubbies, let's call it Nubbies. And Donovan is

1049
00:54:03,000 --> 00:54:06,640
Speaker 1: back on stage doing a poem called the Canned Foodial

1050
00:54:07,239 --> 00:54:10,279
Speaker 1: and apparently he gets very creative in the market. Uh.

1051
00:54:10,600 --> 00:54:13,880
Speaker 1: And then we panned a reveal that Corey's there with Topanga.

1052
00:54:14,360 --> 00:54:17,520
Speaker 1: Eric is there, Sean is there with a date. Mister

1053
00:54:17,680 --> 00:54:20,840
Speaker 1: Turner and Miss Tompkins are there just staring at each other.

1054
00:54:21,440 --> 00:54:23,759
Speaker 1: Do you guys know what Riz is? Have you heard

1055
00:54:23,760 --> 00:54:29,640
Speaker 1: of Riz non a member of the Wu Tang clan? Oh? Rizza? Wow? Okay,

1056
00:54:29,840 --> 00:54:35,560
Speaker 1: I was close. Thank you, I'm sorry. I'm sorry we

1057
00:54:36,440 --> 00:54:40,520
Speaker 1: stopped down. Unbelievable. Yes can you name the other nine members?

1058
00:54:41,480 --> 00:54:47,640
Speaker 1: Old dirty bastard method man? Oh there is Jizza one

1059
00:54:47,680 --> 00:54:51,279
Speaker 1: of them? Yes, yes, that's I think that's where I am.

1060
00:54:51,320 --> 00:54:54,319
Speaker 1: I'm impressed. I knew that more I'm in four out

1061
00:54:54,360 --> 00:54:58,000
Speaker 1: of nine? Is okay? Real? Good? Okay? Man? I said

1062
00:54:58,080 --> 00:54:59,680
Speaker 1: method Man? Oh you did? Okay? I did? That was

1063
00:54:59,760 --> 00:55:05,520
Speaker 1: when for? I said, an old odb odb You got it? Um,

1064
00:55:05,719 --> 00:55:11,280
Speaker 1: there's the chef the what's is that one? Yeah? Okay okay?

1065
00:55:11,320 --> 00:55:17,200
Speaker 1: Wow uh inspected deck ray Kwanda chef okay? Um? Who else? Um?

1066
00:55:18,200 --> 00:55:23,160
Speaker 1: You god? Oh wow okay ghost face killer, ghost face killer? Okay,

1067
00:55:23,160 --> 00:55:24,920
Speaker 1: you got to be impressed. I got four. I mean,

1068
00:55:25,200 --> 00:55:30,080
Speaker 1: that's what I'm saying to I said, nothing are we

1069
00:55:30,360 --> 00:55:34,040
Speaker 1: talking about? Okay? So what is Riz? Okay? So Riz?

1070
00:55:34,960 --> 00:55:36,880
Speaker 1: It makes sense that we wouldn't know it, guys because

1071
00:55:36,920 --> 00:55:40,919
Speaker 1: we are old. But the youngs are using this word riz.

1072
00:55:41,280 --> 00:55:44,600
Speaker 1: It's kind of short for charisma, but it's like it's

1073
00:55:44,800 --> 00:55:47,920
Speaker 1: really short for real short for charisma. Chrismas a long,

1074
00:55:48,320 --> 00:55:50,759
Speaker 1: long word. It's a long word. No one wants to

1075
00:55:50,800 --> 00:55:54,120
Speaker 1: say it, but it's really like about when someone is

1076
00:55:54,239 --> 00:55:57,040
Speaker 1: like has a lot of pull, like to to get

1077
00:55:57,120 --> 00:56:06,480
Speaker 1: somebody interested in them, like just you know, yeah, but

1078
00:56:06,600 --> 00:56:09,880
Speaker 1: it's too long, writer long. We are the gen of

1079
00:56:09,960 --> 00:56:12,799
Speaker 1: the breeves. Do you remember saying that when we were kids,

1080
00:56:14,880 --> 00:56:19,239
Speaker 1: like come on, guys like bay, Like we couldn't even

1081
00:56:19,280 --> 00:56:25,320
Speaker 1: say the word babe anymore. It was like many bees. Anyway,

1082
00:56:25,440 --> 00:56:29,360
Speaker 1: mister Turner's got the riz in this episode. He's looking

1083
00:56:29,680 --> 00:56:32,919
Speaker 1: for the way they are looking at each other. Yeah. Yeah,

1084
00:56:33,040 --> 00:56:36,400
Speaker 1: it was like just I don't even know, so sexy.

1085
00:56:36,440 --> 00:56:38,720
Speaker 1: And then there's Alan and Amy and even mister Feeney

1086
00:56:39,239 --> 00:56:42,920
Speaker 1: just coffee likes he having no you know, he's critiquing

1087
00:56:43,000 --> 00:56:44,640
Speaker 1: the poem in his head, which is where I went

1088
00:56:44,719 --> 00:56:47,840
Speaker 1: with it. It was brilliant, for sure, and that is

1089
00:56:47,880 --> 00:56:51,000
Speaker 1: the end of our episode. I thought it was a

1090
00:56:51,120 --> 00:56:53,200
Speaker 1: very cute episode. I'm not really sure. A whole lot

1091
00:56:53,280 --> 00:56:57,160
Speaker 1: happens and it and it's a little repetitive, but you

1092
00:56:57,200 --> 00:56:59,600
Speaker 1: know what, if you just assume each episode is going

1093
00:56:59,640 --> 00:57:02,080
Speaker 1: to feel a rest at least for right now, Uh,

1094
00:57:02,280 --> 00:57:04,560
Speaker 1: it was. It's standing on its own merits yeah, huge,

1095
00:57:04,560 --> 00:57:07,400
Speaker 1: almost like these scenes exist better on their own, Like

1096
00:57:07,520 --> 00:57:10,440
Speaker 1: you could just take each little scene and you'll remember it,

1097
00:57:10,480 --> 00:57:12,759
Speaker 1: like you'll remember the seven minutes in Heaven and the

1098
00:57:12,800 --> 00:57:15,640
Speaker 1: good conversation, the quorin to bang. But like as an episode,

1099
00:57:15,680 --> 00:57:18,960
Speaker 1: it doesn't really all come together. Commun artist saying, yeah,

1100
00:57:18,960 --> 00:57:22,160
Speaker 1: it's just kind of like, but fine, good episode, twenty

1101
00:57:22,320 --> 00:57:25,480
Speaker 1: totally fun, twenty two minutes. Well, join us for our

1102
00:57:25,520 --> 00:57:29,040
Speaker 1: next episode, season two, episode ten, Sister Teresa, which aired

1103
00:57:29,080 --> 00:57:32,600
Speaker 1: November twenty fifth, nineteen ninety four. As always, you can

1104
00:57:32,640 --> 00:57:34,920
Speaker 1: follow us on Instagram pod Meets World Show. You can

1105
00:57:34,960 --> 00:57:37,960
Speaker 1: send us your emails pod meets World Show at gmail

1106
00:57:38,040 --> 00:57:41,880
Speaker 1: dot com. And we have got merch. It puts the

1107
00:57:42,040 --> 00:57:46,680
Speaker 1: merch in the basket. I don't know what that's from,

1108
00:57:46,800 --> 00:57:52,880
Speaker 1: but it's Oh. I thought it was Silence Lambs just

1109
00:57:53,040 --> 00:57:55,840
Speaker 1: from the from the way he said it, but I

1110
00:57:55,880 --> 00:58:02,000
Speaker 1: didn't know the al merch in the best pod meets

1111
00:58:02,040 --> 00:58:06,640
Speaker 1: Worldshow dot com. Thank you guys for plenty us a writer,

1112
00:58:06,760 --> 00:58:11,520
Speaker 1: send us out. We love you all. Pod dismissed. Podmeats

1113
00:58:11,560 --> 00:58:14,520
Speaker 1: World is an iHeart podcast produced and hosted by Danielle Fischel,

1114
00:58:14,600 --> 00:58:18,040
Speaker 1: Will Frenelle and Ryder Strong executive producers, Jensen Karp and

1115
00:58:18,120 --> 00:58:21,920
Speaker 1: Amy Sugarman Executive in charge of production, Danielle Romo, producer

1116
00:58:22,000 --> 00:58:26,160
Speaker 1: and editor, Tara Suitbox producer, Jackie Rodriguez, engineer and Boy

1117
00:58:26,200 --> 00:58:29,240
Speaker 1: Meets World superfan Easton Allen. Our theme song is by

1118
00:58:29,360 --> 00:58:32,160
Speaker 1: Kyle Morton of Typhoon. You can follow us on Instagram

1119
00:58:32,280 --> 00:58:35,080
Speaker 1: at Podmeats World Show or send us an email at

1120
00:58:35,160 --> 00:58:37,440
Speaker 1: Podmeats World Show at gmail dot com.