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Speaker 1: Will Did you watch flor Islava?

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Speaker 2: No?

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Speaker 3: I had to google what it was, and it looks

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Speaker 3: like it would be a ridiculous amount of fun.

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Speaker 1: It's so much fun. Writer, are you in? Should we

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Speaker 1: do pod?

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Speaker 4: Why not? Well, it looks so painful. It looks so painful,

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Speaker 4: like I'm always like no, no, no, because they're always jumping

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Speaker 4: onto hard plastic things or like pieces of furniture.

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Speaker 1: I mean, Goofy Sky School.

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Speaker 4: Yeah no, no, I'm not well. First of all, I

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Speaker 4: just don't like being on camera doing any sort of

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Speaker 4: like appearances of any sort, you know, even like a

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Speaker 4: fun game like I will play Flor's Lava in my

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Speaker 4: living room with you guys or someone's house if you

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Speaker 4: want to. Okay, I want a game show.

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Speaker 5: And let's go get a different third and go on

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Speaker 5: to Danielle.

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Speaker 4: Yes, you're going to.

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Speaker 5: Let Ryders stop us from having fun.

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Speaker 4: Damn it? Than you get Tony.

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Speaker 6: Fun with Daniels would be perfect. Bill would be great

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Speaker 6: on Flora's Lava.

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Speaker 4: Lee Morris, Lee Norris would actually probably be great at it.

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Speaker 3: I think it would be. I think we could get Lee,

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Speaker 3: we could get.

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Speaker 5: Would do it, would do it in a second.

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Speaker 1: Kathy Ireland would be great.

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Speaker 3: Kathy Ireland would do it. How would we go about

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Speaker 3: getting on Flora's lava?

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Speaker 4: How will we do that?

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Speaker 1: I have no idea.

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Speaker 5: Do you even know is it filmed in l a

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Speaker 5: like is it even?

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Speaker 1: I know nothing. I know zero, I know zero information.

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Speaker 5: Like an Australian show or something like that.

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Speaker 1: All I know is that Adler loves it and.

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Speaker 4: It's a great family show. It's so funny, like much.

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Speaker 3: Yeah.

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Speaker 4: When it first came out, I was like what is this?

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Speaker 4: And then it ended up being the thing that we

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Speaker 4: watched with Indy, with his great parents, my in laws,

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Speaker 4: Like we just laugh so hard, so fun and then

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Speaker 4: you're screaming at the screen. You're constantly like dope, yeah,

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Speaker 4: don't do that.

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Speaker 3: I haven't watched yet. Are people getting like legitimately hurt

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Speaker 3: or is.

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Speaker 1: It just doesn't look like it?

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Speaker 4: No, it doesn't look like it, but it looks painful.

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Speaker 6: There are times, I know what writers talking about. There

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Speaker 6: are times where somebody's standing on something and everything's covered

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Speaker 6: in the lava, so everything's slippery and you have to

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Speaker 6: stand on something without any runway to get any sort

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Speaker 6: of momentum going, and you just have to like jump

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Speaker 6: from there to this next like platform, and the platforms

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Speaker 6: do look like they are very hard, not squishy at all.

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Speaker 5: That Yeah, like I saw that.

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Speaker 3: The one I saw it's just somebody hitting like a

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Speaker 3: rock and like trying to grab.

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Speaker 4: On irock terrified and and you know, you guys know me,

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Speaker 4: are you kidding me? Like I throw myself physically into things.

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Speaker 4: Remember how I used to always like get hurt or

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Speaker 4: hurt people on our set if I had to do

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Speaker 4: anything physical.

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Speaker 1: You've intended to be like a puppy with giant pause.

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Speaker 5: Yeah, yeah, but I would say, or you know you're

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Speaker 5: not that. I mean, let me am I.

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Speaker 4: Graceful and coordinated.

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Speaker 5: No, I don't know. I've never seen you like dance

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Speaker 5: or something like that. Are you graceful?

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Speaker 4: You don't want to see dance? I could do I was,

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Speaker 4: you know, I did gymnastics, and I like, I can

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Speaker 4: do handstands, I can walk on my hands. Yeah I

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Speaker 4: can't do any of that, but I can't. I just

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Speaker 4: have no grace. I have no physical grace. And like,

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Speaker 4: the idea of doing something physical in front of in

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Speaker 4: front of a camera is probably not a good idea.

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Speaker 6: Maybe you could you could smelt something for us to

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Speaker 6: get from one side to the other. You could like,

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Speaker 6: we could I could be you could be the coach

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Speaker 6: would do that. Yeah, we could just do that. We

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Speaker 6: could get a third a Tony Quinn, Atrina McGee Elee

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Speaker 6: Norris to join us as our three and writer is

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Speaker 6: our coach who talks us through what.

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Speaker 1: We need to do.

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Speaker 6: I'm into that idea. I'll have a get on it

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Speaker 6: a the we'll figure out how to get us on

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Speaker 6: that show. Because nowadays, because you're a kid to figure

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Speaker 6: out how.

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Speaker 1: To get hired.

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Speaker 6: Adler, this is how I'm gonna build up his little

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Speaker 6: roth Ira. I've already hired him. He's he's going to

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Speaker 6: reach out to networks and streamers and just try to

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Speaker 6: get as appearances on it.

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Speaker 3: Curious if it's even shot in LA Like, I'm careful

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Speaker 3: if it's even here or not. Yeah.

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Speaker 4: Interesting, probably because it's up against another team, right, Yeah,

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Speaker 4: there's like three teams per episode. Well but you're really

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Speaker 4: competing with yourself, I know, I guess yeah you are.

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Speaker 4: Do you do you even meet the other team though,

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Speaker 4: or it's more like you do your own thing and then.

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Speaker 1: They watch you.

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Speaker 6: So whoever the team is that goes first, then at

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Speaker 6: the end if they may, even if they don't, they

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Speaker 6: go up high with the host and they watch the

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Speaker 6: other team compete. Because it's three teams and only two

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Speaker 6: of them get to go to the big volcano at

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Speaker 6: the end, so you are rooting for someone to fail

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Speaker 6: so that you can get there.

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Speaker 3: Get there, right, I suggest Boy meets World full House,

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Speaker 3: we all go and do Flora's Lava. Those are the

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Speaker 3: three teams. That's my suggestion. I say we do that.

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Speaker 1: That's really good. And each one can have a coach

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Speaker 1: so that if there's somebody who like doesn't want.

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Speaker 3: To doesn't want to play, wants to be there shaking

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Speaker 3: coach us and rider, can you jump on that thing?

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Speaker 6: And honestly, that would be such an important position, because

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Speaker 6: I do think the way writer mentioned where you're like

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Speaker 6: yelling at the TV, you can from afar you can

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Speaker 6: see very clearly what the paths are to the exit.

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Speaker 1: Once you're in it.

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Speaker 6: I think you're I think you're a little like I

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Speaker 6: don't see it anymore. And so you need a writer

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Speaker 6: on the deck telling you.

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Speaker 1: What to do.

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Speaker 5: I'm down for that.

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Speaker 7: Yeah.

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Speaker 3: The eyes you need like the eyes of the you know,

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Speaker 3: somebody high looking out seeing the whole picture.

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Speaker 4: Yeah, I like that right.

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Speaker 6: Welcome to Pod Meets World. I'm Daniel Fisher, I'm Rid Strong,

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Speaker 6: and I'm Wilfrede. Welcome to Season three, episode six, This

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Speaker 6: Little Piggy. It originally aired October twenty seventh, nineteen ninety five.

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Speaker 6: The synopsis is that he finds himself in the middle

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Speaker 6: of a fight between Sean and Tapanga after Sean takes

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Speaker 6: it upon himself to adopt a pig. Also, Eric goes

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Speaker 6: to the opera with Feoenie. It was directed by Jeff McCracken.

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Speaker 6: It was written by Mark Blutman and Howard Buskang, and

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Speaker 6: guest starring Richard Karn as Victor. He was known best

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Speaker 6: for playing al Borland in Home Improvement. Overall impressions of

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Speaker 6: this episode memories right off the bat.

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Speaker 1: You want to talk about, what are our thoughts?

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Speaker 4: I have a lot? Actually, Okay. I was very excited

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Speaker 4: for this episode because I remember having positive memories of

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Speaker 4: the pig and how the pig was and working at

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Speaker 4: the Pig. I remembered Richard Karn, but did not remember

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Speaker 4: that it was the pig episode with the same So yeah,

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Speaker 4: no recollection of the Feenie. Eric storyline, so that was interesting,

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Speaker 4: but obviously it relates to your real life experience where

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Speaker 4: you went to the ballet, which help thinking about that.

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Speaker 4: I am so bad in this episode and I do

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Speaker 4: not like this episode because of the performances, Like I

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Speaker 4: just thought just I thought everybody was off, but especially me,

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Speaker 4: and I just didn't like it. And then I thought

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Speaker 4: it was just a weird storyline. I was like, wait,

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Speaker 4: what is this so we can get into it. But

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Speaker 4: I think something was going on with me, Like I

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Speaker 4: think I was either sick or yeah, really bad mood

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Speaker 4: and which I hope I get out of and don't

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Speaker 4: stay in for the rest. But I feel like I

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Speaker 4: am so low energy in this episode and it's painful

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Speaker 4: to watch. I was like, dude, right or wake up.

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Speaker 4: I think a big part of that was because we

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Speaker 4: didn't shoot in front of a live audience.

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Speaker 5: I'm assuming because the pig the pig.

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Speaker 4: Yeah, And with the lack of an audience, it feels

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Speaker 4: so low energy, especially low vocal energy from me, that

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Speaker 4: it really varies and and and what otherwise wouldn't be

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Speaker 4: I think a kind of a fun episode feels really

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Speaker 4: low energy on my part. But in general, I.

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Speaker 6: Can agree with you that there's a little there's some

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Speaker 6: moments that feel a little low energy, and I mean

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Speaker 6: specifically when Richard karn comes in. I was really surprize

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Speaker 6: Richard Karnan didn't get the Room McClanahan treatment of the

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Speaker 6: big but it's because there was, you know, no audience,

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Speaker 6: and I my.

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Speaker 1: Performance is truly unwatchable.

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Speaker 6: But also I cannot believe this is I cannot believe

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Speaker 6: this is an episode. They did this early on with

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Speaker 6: Tapanga and I have a lot of a lot of

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Speaker 6: thoughts there.

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Speaker 4: I liked it, did you I?

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Speaker 7: Did you?

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Speaker 1: Were? This is good?

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Speaker 3: Such a fun I thought this to me and again

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Speaker 3: I completely agree with you, Danielle.

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Speaker 5: It seemed very early to do this.

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Speaker 3: In in the Corey, they're now just forcing the Corey

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Speaker 3: to pang a relationship like you're supposed to know.

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Speaker 5: They've been together forever and this is the second time we.

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Speaker 4: Stay stay together.

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Speaker 3: I know it's weird, but but to me it felt

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Speaker 3: like a Boy Meets World episode. There was it's between

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Speaker 3: there's a problem where Corey stuck between his girlfriend and

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Speaker 3: his best friend.

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Speaker 5: Eric and Feenie are together.

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Speaker 3: The parents come in give good words of wisdom, like

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Speaker 3: it felt like a Boy.

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Speaker 5: Meets World episode.

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Speaker 4: To me, I can see that, So I liked it.

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Speaker 5: I did. I definitely like.

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Speaker 3: I don't think you were. I don't think we were

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Speaker 3: as low energy as you think you are. I thought

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Speaker 3: you looked like you were going to laugh a couple

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Speaker 3: of times.

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Speaker 1: Yeah, I saw a couple of times where you were

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Speaker 1: gonna laugh and.

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Speaker 4: Fun. To me, I looked miserable. And I specifically, I

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Speaker 4: actually remember the Richard carn scene being very unhappy Richard

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Speaker 4: Carnan being uphappy or you being happy? Really, Ben, Yeah,

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Speaker 4: I remember being miserable shooting that scene. And I can't

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Speaker 4: even tell you exactly why. I think we thought it

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Speaker 4: was a bad scene or I thought it was a

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Speaker 4: bad scene. I speak for myself, if I remember correctly,

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Speaker 4: I remember thinking this is dumb, like I don't like this,

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Speaker 4: and and and maybe I felt that way about the

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Speaker 4: episode in general, though I remember I have positive memories

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Speaker 4: of the pigs. I don't know, I don't know what

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Speaker 4: was going.

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Speaker 6: On, but I remember the things I remember about the pigs.

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Speaker 6: I remember, and we've talked about this before where I said,

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Speaker 6: I remember we did an episode with a bunch of pigs,

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Speaker 6: and and then what I realized watching it was we

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Speaker 6: used a bunch of pigs for this episode. They had

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Speaker 6: like five or six pigs with them, and we all

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Speaker 6: got to meet all of the pigs at once in

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Speaker 6: the school hallway, they like let out all the school pigs,

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Speaker 6: and so in my mind we were filming something with

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Speaker 6: a bunch of small pigs. But what I remembered was no,

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Speaker 6: we just got to meet all these little pigs and

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Speaker 6: they were so squeally and so cute, and we love them.

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Speaker 6: But I also do remember they made work very difficult.

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Speaker 6: Of course, animal kids very very difficult. And there's a scene,

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Speaker 6: that scene in the hallway writer, where you're holding the

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Speaker 6: pig like a dog, like the way you would a

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Speaker 6: small dog. They are nothing like small dogs. They feel

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Speaker 6: like bricks. Their arms are completely straight. They are so

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Speaker 6: uncomfortable with being held there, Like what a cute animal.

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Speaker 4: The hand, That's what And maybe that's part of the

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Speaker 4: thing behind my performers. I am stressed dealing with the

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Speaker 4: technical demand.

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Speaker 3: Of an I bet that's what it is.

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Speaker 4: Yeah, And so I'm super just like not into it

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Speaker 4: because I'm just not hating jokes. I'm just like blazing through,

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Speaker 4: like line deliveries and it just feels like, yes, but

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Speaker 4: your performance too, Danielle. You know, like I think you're

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Speaker 4: an amazing actor. You were not except so there's something

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Speaker 4: robotic about your performance, like you're just kind of dead

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Speaker 4: like and I feel like you and I both are

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Speaker 4: suffering from a complete lack of choices and a lack

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Speaker 4: of energy and it's just like and maybe it's just overwhelming.

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Speaker 6: I do think that was a large part of it,

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Speaker 6: because I can very easily remember the feeling when there

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Speaker 6: were external factors that had nothing to do with us. Yes,

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Speaker 6: but we had to make our day. It always came

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Speaker 6: down to it being about us. There was no room,

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Speaker 6: Like you this the stress we would be under to

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Speaker 6: make the day, to get the scene, to get it done,

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Speaker 6: and it always it always felt like it was on us.

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Speaker 6: It was our fault. It wasn't working, even though it would.

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Speaker 4: Be part of being a kid, and it's part of

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Speaker 4: being an actor because you know, it's a major part

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Speaker 4: of being an actor because it's your face, it's your body,

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Speaker 4: it's you're the person that has to get through the

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Speaker 4: scene in front of the camera, right like it. So

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Speaker 4: there's but it's a very healthy thing for an actor,

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Speaker 4: and I think for adult actors they realized someone that

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Speaker 4: it's okay to be slightly difficult sometimes, that it's okay

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Speaker 4: to be like I'm having a bad day, or can

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Speaker 4: we get another take just for me? Or can you

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Speaker 4: do that? But when you're a kid actor, you feel

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Speaker 4: like any pushback is you being a bad person or

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Speaker 4: a bad actor. And it's one of those things that

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Speaker 4: like I just you know, I had a really hard

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Speaker 4: time learn like I would avoid conflict, and avoiding conflict

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Speaker 4: meant suffering as a as an actor to get through

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Speaker 4: a scene and taking on that pressure to you know,

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Speaker 4: and that's really not healthy.

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Speaker 3: What it depended all on the on the director for

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Speaker 3: the day, because we had McCracken who was so open

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Speaker 3: and like we could always try new things and walk

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Speaker 3: through the scene and this isn't working, and he would

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Speaker 3: always sit with us and talk about it.

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Speaker 5: So I mean, like, but you.

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Speaker 4: Know how it was on when we were actually rolling

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Speaker 4: though the director took a second position.

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Speaker 1: It wasn't a director when.

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Speaker 4: We were rolling. It was an entire crew and people yelling,

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Speaker 4: and the sense that like it was on us to

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Speaker 4: get through the thing. Scene hit, the jokes hit the

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Speaker 4: marks hit the lines, and like in retrospect, a very

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Speaker 4: healthy actor approach is like, hey, can you stop yelling?

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Speaker 4: Can we have a moment? Can I think? You know,

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Speaker 4: this is a tough situation for me. I need a moment,

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Speaker 4: or I need some time, or I need another take

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Speaker 4: or whatever it is. And I, as a grown up actor,

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Speaker 4: would find myself suffering like a complete masochist for a scene.

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Speaker 4: And I remember when I was like twenty four, I

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Speaker 4: worked with John Demagio, the great John Demager is a

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Speaker 4: voice over actor that you've worked with, one of my

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Speaker 4: oldest friends. We become friends when I was a teenager

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Speaker 4: back there. But I remember in my twenties working with

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Speaker 4: him and him just being like, Rider, you were a

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Speaker 4: grown ass man. You can ask for a grown ass

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Speaker 4: man time to get your job done as an actor.

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Speaker 4: And I remember being like like a light bulb, Like

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Speaker 4: I'm in my twenties and I thought that I had

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Speaker 4: to suffer or had to take on this pressure and like, yeah,

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Speaker 4: when you're a kid, you just don't know that. And

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Speaker 4: a lot of actors never learned that lesson a lot

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Speaker 4: of actors just put themselves, you know.

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Speaker 3: It also shows such the difference between being fourteen and

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Speaker 3: being eighteen on a set. Yeah, because I would there

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Speaker 3: was you know, especially when I started really working with Bill,

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Speaker 3: it was like, we would take our time, we would

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Speaker 3: do that, we would take those moments, we.

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Speaker 4: Would do that, no one's yelling hell no.

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Speaker 3: So it was it was more more of that than

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Speaker 3: than anything else. But yeah, again I didn't the performances didn't.

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Speaker 3: I guess in my head what it was when I

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Speaker 3: was watching this episode is it's like, and it must

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Speaker 3: be just because we've all been there with different animals

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Speaker 3: and different things like that. I knew you were all

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Speaker 3: concentrating on the fact that there's a pig on the set.

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Speaker 3: I mean that's like, that's what's in your mind. Is

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Speaker 3: you've got the pig or you've got the stunt.

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Speaker 5: Are you wearing this? You're so you're not consciuts as

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Speaker 5: much as your performance. But it didn't.

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Speaker 3: I liked and we'll get into it obviously, but I

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Speaker 3: liked kind of your whole yourself, it's your you're saving yourself,

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Speaker 3: and like, you know, I like that. I thought that

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Speaker 3: was a cute story.

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Speaker 5: Yeah, line, I.

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Speaker 3: Thought Tony was great in this episode, and and yeah,

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Speaker 3: I just felt like a felt like a boy.

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Speaker 4: Sony showing off the guns in this episode. Dude, several

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Speaker 4: different tank tops in this in this.

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Speaker 6: Episode, well, let's jump into our recap. We are in

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Speaker 6: the school hallway. Sean asks Cory or Dewey from the

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Speaker 6: hitching post, if you're nasty, that's what a shirt says,

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Speaker 6: he remembers the if he so, Sean asks Cory if

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Speaker 6: he remembers the goldfish he used to have, and Corey

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Speaker 6: responds to the turtle and Sean says yes, and then

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Speaker 6: he finally replaced him.

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Speaker 4: Then I'm sorry, is that Sean Hunter best outfit? This

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Speaker 4: is like weird color combination, but it actually looks good.

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Speaker 4: It's still kind of baggy, but it actually is a

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Speaker 4: little bit fitted better than others. So this is like

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Speaker 4: if I could pick one outfit to be representative of, Like.

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Speaker 1: I was just gonna say your funk.

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Speaker 4: Yeah, if we're gonna go early Sean, right yeah, because

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Speaker 4: this is the define. No, I think the funkle pop

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Speaker 4: has to have the leather jacket, right yea, yeah, that's true,

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Speaker 4: but but pre leather jacket, Sean. This is this is it?

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Speaker 4: This is it?

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Speaker 7: Like?

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Speaker 5: Can I ask a question about this first joke?

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Speaker 3: Is the joke that Sean doesn't get the difference between

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Speaker 3: a turtle and a goldfish, or that he named his

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Speaker 3: goldfish turtle.

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Speaker 1: I think he didn't.

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Speaker 4: Oh, I thought he just didn't understand the difference. He'd

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Speaker 4: like he didn't understand.

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Speaker 3: Okay, I honestly didn't get I was like, does he

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Speaker 3: not understand that the goldfish?

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Speaker 6: And it's not yeah, it was a turtle, but he

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Speaker 6: remembers it as yeah. But then later we make a joke.

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Speaker 6: Corey makes a joke about not wanting to flush that

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Speaker 6: down the toilet. So then was it a goldfish?

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Speaker 4: Yeah?

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Speaker 5: I don't know, It's very It was odd to me.

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Speaker 6: So then Sean yells here boy, and an adorable squeak

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Speaker 6: squeaky pig comes running down the hallway. Corey says, I'd

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Speaker 6: hate to flush him down the toilet, probably probably recalling

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Speaker 6: the fate of said turtle. And then Sewan explains he

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Speaker 6: was at the trailer park, digging around where their house

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Speaker 6: used to be, and he found the pig gnawing on

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Speaker 6: Uncle Sal's old peg leg. Sal was there, he just

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Speaker 6: didn't notice the pig.

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Speaker 5: And you were about to laugh when you were saying

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Speaker 5: that you did.

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Speaker 1: Yep, there was. That was the moment. There was the

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Speaker 1: first time you went to laugh.

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Speaker 4: I didn't see it was for me. I was like

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Speaker 4: burying jokes like I felt like, I don't know.

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Speaker 1: You were feeding the pig. You had one hundred percent

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Speaker 1: at the time.

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Speaker 6: You had to keep thinking about what you were saying

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Speaker 6: and trying to feed the pig and keep the pig happy.

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Speaker 1: The other thing is the pig would they squeal?

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Speaker 6: They start going any just for if they don't have

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Speaker 6: food for one second, they start doing that, so the

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Speaker 6: amount of like and then the take's ruined. They can't

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Speaker 6: be squealing over dialogue. So it's a very stressful situation

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Speaker 6: to be working with an adorable pig. Corey says he

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Speaker 6: realizes he's been spending too much time with the panga

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Speaker 6: and that Sean has has responded by replacing him with

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Speaker 6: a pig. Sean says, no, the piglet has nothing to

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Speaker 6: do with him. The school bell rings and he picks

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Speaker 6: up little Corey to take to class. When Corey thinks

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Speaker 6: this proves his point, Sean says, it was the first

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Speaker 6: name that came to his mind, and yeah, this is

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Speaker 6: where you're holding him like a little dog. And I

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Speaker 6: could immediately remember what it felt like to hold them,

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Speaker 6: and they are just saying that they're trying to push

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Speaker 6: away from you, and they.

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Speaker 1: Are solid like little yea, like bricks.

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Speaker 3: Yeah, they're squirming everywhere, well everywhere, and if you touch

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Speaker 3: them the wrong way, they just start screaming.

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Speaker 1: Yes, you guys know.

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Speaker 4: That I've had a pig in my yard for the

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Speaker 4: last Your pig.

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Speaker 3: Your pig name is Bacon in Spanish, isn't it.

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Speaker 4: He's gone now? But yeah, no where what do you mean? Well,

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Speaker 4: so we had a school we ate him. No, we

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Speaker 4: had a school. We had a school in our yard

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Speaker 4: during the pandemic. We started a pod school with teacher

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Speaker 4: and uh, different families, and then we decided, even though

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Speaker 4: Indy went back to school, we decided to allow the

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Speaker 4: teacher to keep a preschool going in our yard. So

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Speaker 4: we have We've had like six families and kids coming.

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Speaker 4: And the teacher got a pot belly pig, which you

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Speaker 4: think when they're they're as small as little Corey, they're

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Speaker 4: going to stay that size. No, this toastino grew and

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Speaker 4: still so cute but like tusks and so really huge. Yeah,

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Speaker 4: so they just the school just moved out of our

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Speaker 4: yard like two months ago, but it's always we would

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Speaker 4: have a pig in our yard, like, oh my god.

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Speaker 4: The best was like one time I had a friend

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Speaker 4: over who was we were riding something together, and he's

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Speaker 4: like sitting here, you know, looking out my off my

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Speaker 4: office window, being like, so I think on this next

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Speaker 4: page we should there's a Oh my, oh that's a pig.

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Speaker 4: It was like, why is there some weird animal in

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Speaker 4: our backyard. He was ready to like freak out and

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Speaker 4: like call animal control or whatever.

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Speaker 1: Right, and then he was like, Oh, it's just the

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Speaker 1: pig you guys have.

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Speaker 4: It's just a pig, but it's you know, they're so cute.

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Speaker 4: They're so cute when Tocino is little as the cutest thing.

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Speaker 4: But you don't pick them up. No, they're not. They're little.

442
00:19:38,640 --> 00:19:39,959
Speaker 4: They don't like to be picked up.

443
00:19:40,000 --> 00:19:43,359
Speaker 1: You pet them animals, Yeah, not to sound like to Panga.

444
00:19:43,760 --> 00:19:44,400
Speaker 3: Yeah.

445
00:19:44,600 --> 00:19:46,840
Speaker 6: To Pega walks over to the pet pig and asks

446
00:19:46,840 --> 00:19:48,879
Speaker 6: his name, and when Sean tells her it's little Corey,

447
00:19:48,960 --> 00:19:50,200
Speaker 6: she looks at both Corey and.

448
00:19:50,160 --> 00:19:51,399
Speaker 1: The pig and says she can see it.

449
00:19:51,440 --> 00:19:53,119
Speaker 6: To Pega says they need to help find him a

450
00:19:53,160 --> 00:19:56,040
Speaker 6: proper home, or he can run around. Sean gets defensive

451
00:19:56,080 --> 00:19:58,240
Speaker 6: and says, little Corey, I'm gonna call him l C

452
00:19:58,400 --> 00:20:00,359
Speaker 6: from now on, can run around with him, but she

453
00:20:00,400 --> 00:20:03,600
Speaker 6: disagrees to Penga questions Sean trying to raise a pig,

454
00:20:03,680 --> 00:20:06,160
Speaker 6: so Corey interjects by saying, anyway you slice it, it's

455
00:20:06,200 --> 00:20:09,840
Speaker 6: only a pig. The audience laughter here is a real

456
00:20:10,320 --> 00:20:13,040
Speaker 6: roar and it comes in like waves. They think that

457
00:20:13,080 --> 00:20:14,360
Speaker 6: line is very funny.

458
00:20:14,600 --> 00:20:17,879
Speaker 4: And then computer button pushing because we didn't have an audience.

459
00:20:18,000 --> 00:20:18,919
Speaker 1: We didn't have an audience.

460
00:20:19,000 --> 00:20:22,720
Speaker 3: It's it's funny. They would then show it to the

461
00:20:22,760 --> 00:20:23,720
Speaker 3: audience if they, you.

462
00:20:23,640 --> 00:20:26,000
Speaker 6: Know, the following week. They probably played it at the

463
00:20:26,040 --> 00:20:27,120
Speaker 6: beginning and captured laughter.

464
00:20:27,160 --> 00:20:28,840
Speaker 3: That is what they used to do that all the time.

465
00:20:28,880 --> 00:20:30,880
Speaker 4: They would not show them a previous episode.

466
00:20:30,960 --> 00:20:35,280
Speaker 1: Would No, we would watch it.

467
00:20:35,359 --> 00:20:38,679
Speaker 6: No, No, they would show the entire episode and we

468
00:20:38,680 --> 00:20:41,000
Speaker 6: can see it in our dressing rooms, and they would

469
00:20:41,000 --> 00:20:41,600
Speaker 6: record the laughter.

470
00:20:41,720 --> 00:20:42,840
Speaker 1: That's one hundred percent correct.

471
00:20:43,119 --> 00:20:46,560
Speaker 4: Wow, yeah, yeah, watch an entire episode.

472
00:20:46,640 --> 00:20:48,600
Speaker 6: We would watch because we would we wouldn't have seen them,

473
00:20:48,680 --> 00:20:50,720
Speaker 6: so we would watch like while we were in here

474
00:20:50,720 --> 00:20:52,800
Speaker 6: and makeup or going in and out of our dressing rooms.

475
00:20:52,800 --> 00:20:54,440
Speaker 1: We would be able to see them on the feed.

476
00:20:55,600 --> 00:20:58,720
Speaker 3: Started season one, before the show was aired, they would show,

477
00:20:58,760 --> 00:21:02,760
Speaker 3: the audience would come in, they would show episode before

478
00:21:03,119 --> 00:21:04,960
Speaker 3: then they would if they didn't have enough laughter, they

479
00:21:04,960 --> 00:21:06,560
Speaker 3: would show the entire episode and they'd capture.

480
00:21:07,200 --> 00:21:10,280
Speaker 4: Did you guys notice the gene invasion, the denim invasion?

481
00:21:14,280 --> 00:21:18,399
Speaker 4: Jeans which I never I don't maybe this look. I

482
00:21:18,400 --> 00:21:20,520
Speaker 4: don't normally wear jeans as sean, and so you were

483
00:21:20,560 --> 00:21:25,520
Speaker 4: like slacks, the gallow pants, the pants. Yeah, up until now,

484
00:21:25,520 --> 00:21:27,199
Speaker 4: I have not worn jeans as much, I don't think

485
00:21:27,240 --> 00:21:28,600
Speaker 4: because I noticed it, and I think that's part of

486
00:21:28,600 --> 00:21:29,760
Speaker 4: the reason why I like this out there. It was

487
00:21:29,800 --> 00:21:33,240
Speaker 4: like I'm wearing what I would wear, and then Ben's

488
00:21:33,240 --> 00:21:35,120
Speaker 4: wearing Jeesus and that you were, man.

489
00:21:34,960 --> 00:21:39,879
Speaker 5: You are You're yes, decked out in jean Uh.

490
00:21:39,920 --> 00:21:41,879
Speaker 6: Did you guys also notice that Ben seemed to be

491
00:21:41,880 --> 00:21:44,760
Speaker 6: doing a different thing in this open I feel like

492
00:21:44,800 --> 00:21:48,160
Speaker 6: Ben was like Ben was a cool guy, like being

493
00:21:48,200 --> 00:21:49,240
Speaker 6: a real cool guy.

494
00:21:49,520 --> 00:21:50,320
Speaker 4: It was. It was.

495
00:21:50,880 --> 00:21:51,440
Speaker 6: Yeah.

496
00:21:51,960 --> 00:21:54,639
Speaker 3: It also, I think a lot of it has to

497
00:21:54,680 --> 00:21:58,159
Speaker 3: do with the fact that for the last few it

498
00:21:58,200 --> 00:22:01,760
Speaker 3: seems like a last bunch of episodes. The driving factor

499
00:22:01,800 --> 00:22:04,720
Speaker 3: behind the show is Sean, yes, and so it just

500
00:22:04,800 --> 00:22:09,560
Speaker 3: seems like it's switching to it has entirely Sean is

501
00:22:09,600 --> 00:22:12,040
Speaker 3: the star of the show. He's driving everything, We're seeing

502
00:22:12,080 --> 00:22:14,240
Speaker 3: more of his home life, we're seeing what's going on,

503
00:22:15,320 --> 00:22:17,159
Speaker 3: and it kind of changed changes.

504
00:22:17,200 --> 00:22:19,639
Speaker 6: But I also wonder how much of it, too, is

505
00:22:19,760 --> 00:22:23,760
Speaker 6: a Corey has a girlfriend now, and so there's like

506
00:22:24,760 --> 00:22:26,560
Speaker 6: he's he feels cooler.

507
00:22:26,880 --> 00:22:27,520
Speaker 5: That amazing.

508
00:22:27,960 --> 00:22:30,920
Speaker 4: He's getting older, like Ben's getting older and he's becoming

509
00:22:30,960 --> 00:22:34,320
Speaker 4: like a teenager. And I think that when you're a teenager,

510
00:22:34,320 --> 00:22:36,680
Speaker 4: you kind of want to be cool. Cool, and a

511
00:22:36,720 --> 00:22:39,480
Speaker 4: little bit fits Corey too, you know, like that Corey's

512
00:22:39,600 --> 00:22:42,639
Speaker 4: version of like being awkward would become attempts to be

513
00:22:42,760 --> 00:22:45,760
Speaker 4: kind of laid back and like cool. It makes perfect sense,

514
00:22:45,880 --> 00:22:48,840
Speaker 4: But you're right, it's it's not the same Corey. Like

515
00:22:49,119 --> 00:22:49,440
Speaker 4: it's a.

516
00:22:49,400 --> 00:22:53,080
Speaker 1: Slightly different and different yeah, very yeah, Yeah, it feels different.

517
00:22:53,440 --> 00:22:54,160
Speaker 4: I don't love it.

518
00:22:54,840 --> 00:22:55,600
Speaker 1: I don't love it either.

519
00:22:55,640 --> 00:22:59,560
Speaker 4: I don't love and where Ben ended up right, like

520
00:23:00,200 --> 00:23:03,159
Speaker 4: ends up playing Cory as an old man. And I

521
00:23:03,160 --> 00:23:05,720
Speaker 4: think that that's a much more interesting version of Corey,

522
00:23:05,760 --> 00:23:08,520
Speaker 4: Like this version of like cool guy laid back.

523
00:23:08,920 --> 00:23:12,080
Speaker 3: No, yeah, that's you. That should be you, and he

524
00:23:12,080 --> 00:23:14,919
Speaker 3: should be driving the episode, but they switched it, and

525
00:23:14,960 --> 00:23:15,720
Speaker 3: it's weird.

526
00:23:15,520 --> 00:23:16,000
Speaker 7: A little bit.

527
00:23:16,080 --> 00:23:18,360
Speaker 6: Well, he says, anyway you slice it, it's still a pig.

528
00:23:18,480 --> 00:23:20,800
Speaker 6: Corey and to pegu and Sean look at him disgustingly.

529
00:23:20,880 --> 00:23:23,840
Speaker 6: He says, what and you? You and Ben both look

530
00:23:23,920 --> 00:23:26,239
Speaker 6: like you're close to breaking here, and the pig is

531
00:23:26,320 --> 00:23:28,720
Speaker 6: going absolutely nuts in your arms.

532
00:23:29,119 --> 00:23:30,840
Speaker 1: And then we're still in the school hallway.

533
00:23:30,880 --> 00:23:32,719
Speaker 6: Sean says, school is more fun now that he has

534
00:23:32,760 --> 00:23:34,960
Speaker 6: a pig, but the fun is over as Phoene walks

535
00:23:35,000 --> 00:23:35,480
Speaker 6: down the hall.

536
00:23:35,680 --> 00:23:37,280
Speaker 1: The pig has a cute little outfit on and he

537
00:23:37,359 --> 00:23:40,800
Speaker 1: runs into a piggy door that someone installed. Very quickly,

538
00:23:40,840 --> 00:23:43,280
Speaker 1: he puts it, put in the pig.

539
00:23:43,320 --> 00:23:44,240
Speaker 5: Think when did that happen?

540
00:23:44,280 --> 00:23:44,720
Speaker 1: I don't know.

541
00:23:46,840 --> 00:23:48,520
Speaker 5: It just all of a sudden, there's a pig. There's

542
00:23:48,520 --> 00:23:49,680
Speaker 5: a pig door in there.

543
00:23:50,119 --> 00:23:53,040
Speaker 6: Carry asks if Sean taught him that, but Sean says no,

544
00:23:53,280 --> 00:23:56,280
Speaker 6: he just somehow knows. And then Corey and Sean approached

545
00:23:56,280 --> 00:23:59,360
Speaker 6: Feoenie and Corey's guilty conscience blurts out, no farm animals here,

546
00:23:59,520 --> 00:24:02,000
Speaker 6: and Phoenie says the day is young and walks off,

547
00:24:02,000 --> 00:24:05,879
Speaker 6: and the line reading he gives is just perfect builds

548
00:24:05,880 --> 00:24:09,920
Speaker 6: in a line yep. Eric runs after Phoenie and shows

549
00:24:10,000 --> 00:24:12,040
Speaker 6: him he's been trying to find the right school for him.

550
00:24:12,119 --> 00:24:15,040
Speaker 6: He went from girls, girls, girls to college college College.

551
00:24:15,160 --> 00:24:17,680
Speaker 6: You have just one thing you're allowed to talk about

552
00:24:17,680 --> 00:24:22,439
Speaker 6: at the time, and now it's college, college College. He

553
00:24:22,600 --> 00:24:28,040
Speaker 6: opens a boudoir magazine, which is definitely a reference to Playboy,

554
00:24:28,520 --> 00:24:32,240
Speaker 6: and it's the Girls of the Ivy League special issue.

555
00:24:32,600 --> 00:24:34,760
Speaker 6: Phoene tries to walk off, but Eric asks if he's

556
00:24:34,800 --> 00:24:36,720
Speaker 6: ever heard of a college called Yale.

557
00:24:38,400 --> 00:24:43,280
Speaker 3: Apparently, according to Blutman, it was not written that way

558
00:24:43,320 --> 00:24:46,400
Speaker 3: in the script, and in the first run through, I said.

559
00:24:46,240 --> 00:24:47,760
Speaker 1: Yale, amazing.

560
00:24:48,119 --> 00:24:50,960
Speaker 4: I do not remember that.

561
00:24:51,080 --> 00:24:52,000
Speaker 1: It sounds like a joke.

562
00:24:52,280 --> 00:24:57,520
Speaker 4: You do mispronunciation joke all the time, funny, always funny. Yes,

563
00:24:58,560 --> 00:25:02,199
Speaker 4: it's possible. I'm full disclosure. I do not remember that

564
00:25:02,240 --> 00:25:05,360
Speaker 4: at all. So he says, totally makes sense. I completely

565
00:25:05,400 --> 00:25:05,800
Speaker 4: believe it.

566
00:25:06,000 --> 00:25:06,480
Speaker 1: I do too.

567
00:25:07,000 --> 00:25:09,399
Speaker 6: Phoeney looks at him and says, you mean Yale. Phoenie

568
00:25:09,480 --> 00:25:11,560
Speaker 6: tails him, tells him Yale is one of the best

569
00:25:11,560 --> 00:25:14,160
Speaker 6: schools in the country, but it's no party school. Eric says,

570
00:25:14,160 --> 00:25:16,320
Speaker 6: according to the girl in this magazine, floating on a

571
00:25:16,600 --> 00:25:22,520
Speaker 6: raft while reading a physics book, Yale Rocks, phoene tells him, Yeah,

572
00:25:22,600 --> 00:25:24,560
Speaker 6: if Phoeney tells him, he should be applying to places

573
00:25:24,600 --> 00:25:28,240
Speaker 6: more accessible, maybe a state school or a preschool.

574
00:25:27,760 --> 00:25:28,600
Speaker 4: Or a preschool.

575
00:25:29,240 --> 00:25:32,320
Speaker 3: I love Bill. I love working with Bill so much.

576
00:25:32,680 --> 00:25:35,399
Speaker 3: He and I just clicked into this thing and it

577
00:25:35,480 --> 00:25:37,800
Speaker 3: was the greatest. I don't remember what episode he said

578
00:25:37,800 --> 00:25:39,720
Speaker 3: it to me, but after we they paired us up

579
00:25:39,720 --> 00:25:40,760
Speaker 3: and we could tell it was going to be the

580
00:25:40,800 --> 00:25:41,320
Speaker 3: two of us.

581
00:25:41,480 --> 00:25:41,800
Speaker 1: Yeah.

582
00:25:41,880 --> 00:25:43,480
Speaker 3: He put his arm around me and he said, well,

583
00:25:43,480 --> 00:25:45,320
Speaker 3: it looks like you're my new ed Bagley.

584
00:25:45,760 --> 00:25:46,000
Speaker 4: Yeah.

585
00:25:46,160 --> 00:25:48,320
Speaker 3: And it was just so cool. It was it.

586
00:25:49,440 --> 00:25:52,640
Speaker 1: Any scene with the two of you is enjoyable. Eric

587
00:25:52,680 --> 00:25:53,720
Speaker 1: says he has you.

588
00:25:53,680 --> 00:25:56,360
Speaker 5: Still love him, I know, but work with him so much.

589
00:25:56,400 --> 00:25:59,280
Speaker 4: I know, don't don't working with no? Do it over?

590
00:25:59,400 --> 00:25:59,880
Speaker 1: Start over?

591
00:26:00,119 --> 00:26:03,199
Speaker 5: I I love him so much. I love working with

592
00:26:03,280 --> 00:26:03,880
Speaker 5: him so much.

593
00:26:04,240 --> 00:26:06,879
Speaker 4: Well, can you can you wink? Let's see you wink?

594
00:26:07,800 --> 00:26:09,560
Speaker 5: Which o Your wink.

595
00:26:09,359 --> 00:26:13,919
Speaker 4: Looked a little? I was like, I can't wink like

596
00:26:14,000 --> 00:26:17,600
Speaker 4: I I like my other eyes so much.

597
00:26:17,720 --> 00:26:19,960
Speaker 3: I can also do to do the big one like

598
00:26:20,080 --> 00:26:23,600
Speaker 3: that you do the big we know Danielle has Like Danielle,

599
00:26:24,200 --> 00:26:27,280
Speaker 3: I've got crazy control. I was gonna say amazing eye

600
00:26:27,280 --> 00:26:29,480
Speaker 3: control or AEC is.

601
00:26:29,400 --> 00:26:30,000
Speaker 5: What they call it.

602
00:26:30,240 --> 00:26:31,680
Speaker 1: Correct, that's exactly right.

603
00:26:32,640 --> 00:26:34,760
Speaker 4: I know we we've already moved on from from my

604
00:26:34,960 --> 00:26:36,920
Speaker 4: part of the scene, but this I wanted to bring

605
00:26:36,920 --> 00:26:38,320
Speaker 4: it up because it's not just in the scene, but

606
00:26:38,600 --> 00:26:42,119
Speaker 4: throughout last episode and this episode. I am in he

607
00:26:42,680 --> 00:26:44,040
Speaker 4: acne makeup cover.

608
00:26:44,200 --> 00:26:47,440
Speaker 3: Your skin doesn't have this episode too, you you can.

609
00:26:47,520 --> 00:26:50,800
Speaker 6: It's also the wrong color. It looks very orange.

610
00:26:51,440 --> 00:26:54,040
Speaker 4: My skin so caked in makeup. So this is like,

611
00:26:54,400 --> 00:26:54,840
Speaker 4: you know, what.

612
00:26:54,800 --> 00:26:58,399
Speaker 6: It probably is is your skin is probably so dry

613
00:26:58,680 --> 00:27:01,480
Speaker 6: that what we're also probably seeing his flakiness, Like you're

614
00:27:01,520 --> 00:27:02,600
Speaker 6: probably so dry.

615
00:27:02,720 --> 00:27:05,720
Speaker 2: Oh gosh, it's a cycle. You get bad skin, and

616
00:27:05,720 --> 00:27:08,440
Speaker 2: the cake it with makeup, which doesn't help your skin,

617
00:27:08,560 --> 00:27:10,879
Speaker 2: and then you cake it again. I mean it's yeah, no,

618
00:27:11,000 --> 00:27:13,000
Speaker 2: my skin was bad too. I was in a bad

619
00:27:13,040 --> 00:27:15,600
Speaker 2: breakout on the side as well. You could tell when

620
00:27:15,600 --> 00:27:18,439
Speaker 2: you watch it again. But yeah, it's it's terrible.

621
00:27:29,640 --> 00:27:31,320
Speaker 6: Eric says he has a question that needs a yes

622
00:27:31,440 --> 00:27:34,120
Speaker 6: or no answer. How many people get into Yale every year?

623
00:27:34,280 --> 00:27:38,640
Speaker 6: Phoene simply says no, no. Phoene explains, very good.

624
00:27:38,720 --> 00:27:41,400
Speaker 4: If you have a dialogue in this little is some

625
00:27:41,440 --> 00:27:45,400
Speaker 4: of our best I really think this is clever and funny.

626
00:27:44,600 --> 00:27:47,160
Speaker 1: Funny, whip fast jokes.

627
00:27:47,359 --> 00:27:48,840
Speaker 4: It just works, deed.

628
00:27:49,320 --> 00:27:51,480
Speaker 6: Phoene explains it would take more than Eric's grades to

629
00:27:51,480 --> 00:27:53,680
Speaker 6: get into Yale, and Eric says he knows what he means,

630
00:27:53,680 --> 00:27:56,919
Speaker 6: and he's winking right back at him, and Phoene says, please.

631
00:27:56,680 --> 00:27:57,879
Speaker 5: Don't, please don't.

632
00:27:58,840 --> 00:28:01,600
Speaker 6: Then we are in Turner's apartment. Little Corey is licking

633
00:28:01,600 --> 00:28:04,000
Speaker 6: mister Turner's face, giving him kisses as he takes a

634
00:28:04,080 --> 00:28:07,199
Speaker 6: nap on the couch, and Turner says, oh, Catherine, a

635
00:28:07,200 --> 00:28:16,920
Speaker 6: little cat Tompkins. Of course, little cat Tompkins also her.

636
00:28:17,200 --> 00:28:18,000
Speaker 5: It's a sitcom.

637
00:28:18,080 --> 00:28:20,560
Speaker 3: I get it, but it's so unbelievable how this pig

638
00:28:20,640 --> 00:28:23,119
Speaker 3: is going on his face and he's sound asleep, like

639
00:28:23,440 --> 00:28:24,960
Speaker 3: oh cat, o cat.

640
00:28:25,000 --> 00:28:31,199
Speaker 7: It's the chos on his chest and all, oh, you know,

641
00:28:32,560 --> 00:28:35,560
Speaker 7: like on the couch, and the pig approaches and then

642
00:28:35,680 --> 00:28:36,640
Speaker 7: just tried and.

643
00:28:36,560 --> 00:28:39,400
Speaker 4: Tried, like just put food on his face and get it.

644
00:28:39,760 --> 00:28:42,120
Speaker 6: And you can see at the very start he is

645
00:28:42,200 --> 00:28:44,880
Speaker 6: kissing him, but then immediately the pig just starts squealing

646
00:28:44,880 --> 00:28:47,000
Speaker 6: because there is really no more food there, and the

647
00:28:47,040 --> 00:28:51,080
Speaker 6: pig's now pissed and just has to squeal working it,

648
00:28:51,400 --> 00:28:53,480
Speaker 6: I know. And then he realizes it's a pig looking

649
00:28:53,520 --> 00:28:55,680
Speaker 6: his face and we get tons of Tony spitting the

650
00:28:55,720 --> 00:28:57,640
Speaker 6: disgusting pig slobber off his face.

651
00:28:57,800 --> 00:28:58,880
Speaker 5: Well, Tony is a ham.

652
00:28:59,480 --> 00:29:04,320
Speaker 6: Oh but I'm fine, Turner yells at Sean. They had

653
00:29:04,360 --> 00:29:07,280
Speaker 6: an agreement. The pig can't kiss him anymore. Sean can

654
00:29:07,360 --> 00:29:09,160
Speaker 6: keep the pig, but Turner doesn't want to hear from

655
00:29:09,240 --> 00:29:12,000
Speaker 6: him or raise him. And then Shawn whispers pig hater,

656
00:29:12,480 --> 00:29:16,000
Speaker 6: which I think I thought's very cute, and he starts

657
00:29:16,000 --> 00:29:19,080
Speaker 6: feeding the pig with a bottle and we get a

658
00:29:19,080 --> 00:29:24,680
Speaker 6: big aw from the audience. And again, pig acting equals eating.

659
00:29:24,880 --> 00:29:26,360
Speaker 6: That's how you get a pig.

660
00:29:26,560 --> 00:29:33,360
Speaker 4: You just keep it just like a right exactly.

661
00:29:33,840 --> 00:29:36,160
Speaker 5: Here's here's some twizzers. Here's red vines. Go Go Act,

662
00:29:36,240 --> 00:29:38,640
Speaker 5: Go get out, Get out there, meat pals. Here's meat

663
00:29:38,640 --> 00:29:39,240
Speaker 5: puls Go Act.

664
00:29:39,720 --> 00:29:41,920
Speaker 1: Cory arrives and he has presents.

665
00:29:41,480 --> 00:29:44,120
Speaker 6: For a little Corey a squirrel bank because he didn't

666
00:29:44,120 --> 00:29:46,560
Speaker 6: think shoving metal into a pig's back would be appealing

667
00:29:46,600 --> 00:29:49,120
Speaker 6: to him. Sean says he'll be able to meet Corey

668
00:29:49,120 --> 00:29:51,400
Speaker 6: Intopanga later at Chubby's, and Corey asks if it's a

669
00:29:51,440 --> 00:29:53,880
Speaker 6: good idea to leave little Corey alone. Sean says, yeah,

670
00:29:53,880 --> 00:29:55,480
Speaker 6: it's all in this book he's got called What to

671
00:29:55,600 --> 00:29:58,240
Speaker 6: Expect when You're Raising a Pig. Corey tells Sean that

672
00:29:58,240 --> 00:30:00,800
Speaker 6: Tapega is still upset about the pig, and Sean puts

673
00:30:00,880 --> 00:30:02,400
Speaker 6: little Corey down so they can talk.

674
00:30:02,520 --> 00:30:04,800
Speaker 1: And again, I think these are all very cute, little

675
00:30:05,520 --> 00:30:06,440
Speaker 1: cute little moments.

676
00:30:06,640 --> 00:30:08,880
Speaker 4: Like I think the short thing Baron, I'm just like,

677
00:30:09,440 --> 00:30:13,560
Speaker 4: I don't know, maybe it's a Sean like why like

678
00:30:14,080 --> 00:30:17,000
Speaker 4: there's something it's just an an energy level thing.

679
00:30:17,040 --> 00:30:18,400
Speaker 6: I just feel like I do think you're right that

680
00:30:18,480 --> 00:30:20,800
Speaker 6: it has to do with the audience, because I think

681
00:30:20,840 --> 00:30:23,960
Speaker 6: when when you would normally say we had an audience there,

682
00:30:24,240 --> 00:30:26,360
Speaker 6: and Corey says, like, you know, by the way, tapeng

683
00:30:26,440 --> 00:30:28,840
Speaker 6: Us still upset about the pig, you would then have

684
00:30:28,960 --> 00:30:30,840
Speaker 6: there would have been more time with you picking down

685
00:30:30,880 --> 00:30:32,000
Speaker 6: the putting the pig down.

686
00:30:31,840 --> 00:30:34,080
Speaker 1: And saying, you know, excuse us, little Corey so we

687
00:30:34,080 --> 00:30:34,520
Speaker 1: can talk.

688
00:30:34,640 --> 00:30:36,840
Speaker 6: You would have then had a laugh there, which would

689
00:30:36,880 --> 00:30:39,640
Speaker 6: have forced you to hold before you moved to Corey,

690
00:30:39,760 --> 00:30:42,520
Speaker 6: and that would have Yeah, and the fact that there

691
00:30:42,640 --> 00:30:46,320
Speaker 6: was no audience and we were constantly so worried about

692
00:30:46,320 --> 00:30:47,880
Speaker 6: what was going to happen, Like when you put that

693
00:30:47,920 --> 00:30:50,120
Speaker 6: pig down, the pig now has to run to the

694
00:30:50,120 --> 00:30:51,720
Speaker 6: pigs to the trainer and.

695
00:30:52,200 --> 00:30:53,880
Speaker 3: There wait and you got to sit there and wait.

696
00:30:53,920 --> 00:30:56,160
Speaker 6: So it's also possible it's an editing thing because I

697
00:30:56,200 --> 00:30:58,320
Speaker 6: wonder if the pig the pig trainer had to say

698
00:30:58,320 --> 00:30:59,840
Speaker 6: like come here, come here, come here, Mac, come here,

699
00:31:00,080 --> 00:31:01,720
Speaker 6: and in editing they had to cut that out.

700
00:31:03,040 --> 00:31:04,200
Speaker 5: I was just gonna ask.

701
00:31:05,560 --> 00:31:08,480
Speaker 4: Clicker clicker with I think so, I think so yeah

702
00:31:08,800 --> 00:31:10,880
Speaker 4: for cats, but I couldn't remember if with with a pig,

703
00:31:10,920 --> 00:31:11,280
Speaker 4: if it.

704
00:31:11,200 --> 00:31:13,840
Speaker 5: Was, I think so yeah. I also wonder.

705
00:31:13,960 --> 00:31:16,200
Speaker 3: I also wonder, and I know I might be deep

706
00:31:16,280 --> 00:31:19,000
Speaker 3: diving psychology here, but you said at the beginning, maybe

707
00:31:19,000 --> 00:31:21,440
Speaker 3: you're going through something in your personal life, and maybe

708
00:31:21,760 --> 00:31:24,360
Speaker 3: you remember that without remembering it, and it's like it's

709
00:31:24,440 --> 00:31:25,040
Speaker 3: hitting you again.

710
00:31:25,400 --> 00:31:28,200
Speaker 4: Remember there was there is the episode where I got

711
00:31:28,320 --> 00:31:32,120
Speaker 4: dumped and had a break down backstage and my dad

712
00:31:32,920 --> 00:31:35,840
Speaker 4: was there and said, we can let's quit the show

713
00:31:35,960 --> 00:31:38,959
Speaker 4: right now. If you're unhappy, and it was this season,

714
00:31:39,040 --> 00:31:43,600
Speaker 4: so this could have been Okay, Marine broke up with

715
00:31:43,600 --> 00:31:51,200
Speaker 4: the Jackney covered rider getting dumped by Marine. Not enough roses, yeah,

716
00:31:51,400 --> 00:31:52,080
Speaker 4: white roses.

717
00:31:52,840 --> 00:31:54,840
Speaker 5: So maybe that was it. I mean, maybe that's it,

718
00:31:54,840 --> 00:31:57,320
Speaker 5: and maybe you like is remembering that.

719
00:31:57,360 --> 00:31:59,840
Speaker 4: I mean, honestly, I hope it was something very specific

720
00:31:59,880 --> 00:32:02,520
Speaker 4: to this week because if if the show continues this way,

721
00:32:02,600 --> 00:32:05,239
Speaker 4: and I'm gonna have to keep watching, sad writer like

722
00:32:05,360 --> 00:32:07,840
Speaker 4: not commit to line because like they're just like picking

723
00:32:07,880 --> 00:32:09,920
Speaker 4: up the book right here, right, Like that's a pretty

724
00:32:09,960 --> 00:32:13,480
Speaker 4: funny line. It's amazing, but like what to expect, like

725
00:32:13,600 --> 00:32:16,600
Speaker 4: vocal energy would make that joke right, Like you're saying,

726
00:32:16,680 --> 00:32:19,720
Speaker 4: it's just straight here in my book, my books, and

727
00:32:19,760 --> 00:32:21,680
Speaker 4: then you hit what the book title is and instead

728
00:32:21,680 --> 00:32:23,800
Speaker 4: I'm like, it's right here in the book. I just

729
00:32:23,840 --> 00:32:25,120
Speaker 4: feel like I'm so.

730
00:32:26,840 --> 00:32:27,000
Speaker 7: Well.

731
00:32:27,040 --> 00:32:29,800
Speaker 6: Sean says it's none of Tapanga's business, and Corey says

732
00:32:29,840 --> 00:32:32,320
Speaker 6: he told her that, but also that Sean will find

733
00:32:32,320 --> 00:32:34,480
Speaker 6: a home for the pig soon, and Sean doesn't know

734
00:32:34,520 --> 00:32:36,280
Speaker 6: why Corey would have said that. Corey wants to know

735
00:32:36,320 --> 00:32:38,760
Speaker 6: who keeps a pig in an apartment anyway, Sean thinks

736
00:32:38,760 --> 00:32:41,280
Speaker 6: Corey was fine with it before he talked to his girlfriend.

737
00:32:41,440 --> 00:32:43,640
Speaker 6: But Corey just doesn't want to take sides.

738
00:32:43,920 --> 00:32:45,760
Speaker 4: And now at this point, are you guys starting to

739
00:32:45,760 --> 00:32:49,800
Speaker 4: go like, what is Topanga's problem with your pig? Yeah,

740
00:32:49,840 --> 00:32:51,600
Speaker 4: because like this is where I started going like, wait

741
00:32:51,640 --> 00:32:53,800
Speaker 4: a minute, wait, Pega had a problem with the pig.

742
00:32:54,040 --> 00:32:56,600
Speaker 4: I was trying to remember, like exactly what she said,

743
00:32:56,680 --> 00:32:59,360
Speaker 4: and I couldn't quite remember what she said in the homeway,

744
00:32:59,440 --> 00:33:02,320
Speaker 4: it's it's an animal rights thing, like.

745
00:33:02,480 --> 00:33:05,440
Speaker 6: An animal rights running around space. I have to have

746
00:33:05,560 --> 00:33:07,680
Speaker 6: more space than being in an apartment. I think, which,

747
00:33:07,720 --> 00:33:10,680
Speaker 6: by the way, will be true when the pig does

748
00:33:10,720 --> 00:33:13,960
Speaker 6: weigh five pounds, right, and I.

749
00:33:13,880 --> 00:33:15,800
Speaker 4: Guess it was. I wish it was linked a little

750
00:33:15,840 --> 00:33:18,640
Speaker 4: bit more to like season one to Panga Animals, right,

751
00:33:18,800 --> 00:33:21,400
Speaker 4: like like does she say she's a vegetarian?

752
00:33:21,760 --> 00:33:24,560
Speaker 1: Nope, No, it's not a vegetarian.

753
00:33:24,080 --> 00:33:27,239
Speaker 4: Too, like, because if she's not a vegetarian, what are

754
00:33:27,240 --> 00:33:28,160
Speaker 4: you talking about.

755
00:33:28,840 --> 00:33:30,880
Speaker 1: Is a vegetarian matter? I don't think you're planning on razors.

756
00:33:32,280 --> 00:33:33,120
Speaker 5: I'm not going to eat it.

757
00:33:33,160 --> 00:33:34,000
Speaker 1: I'm not going to eat him.

758
00:33:34,200 --> 00:33:36,400
Speaker 6: It's not about It's not about it's more it is

759
00:33:36,440 --> 00:33:39,920
Speaker 6: about farm animals deserve to live on a farm the

760
00:33:39,960 --> 00:33:43,040
Speaker 6: same way like whales shouldn't be at sea world, you

761
00:33:43,080 --> 00:33:45,680
Speaker 6: know that idea that like they don't A whale shouldn't

762
00:33:45,680 --> 00:33:46,720
Speaker 6: be in a giant pool.

763
00:33:46,880 --> 00:33:48,240
Speaker 1: The whale should be in the ocean.

764
00:33:48,960 --> 00:33:51,280
Speaker 6: This is to Pega's version of a farm animal doesn't

765
00:33:51,320 --> 00:33:53,760
Speaker 6: live in the city. But the problem is, I've seen

766
00:33:53,840 --> 00:33:56,240
Speaker 6: Babe in the City and it works out fine.

767
00:33:56,840 --> 00:33:59,880
Speaker 4: Well, but it's also to me, is a vegetarian thing.

768
00:33:59,920 --> 00:34:03,240
Speaker 4: Is is a way to ground her animal rights activism

769
00:34:03,320 --> 00:34:06,840
Speaker 4: in some sort of like personal belief system that eyes

770
00:34:06,880 --> 00:34:10,640
Speaker 4: it to like like Corey knows that Topanga's a vegetarian.

771
00:34:11,040 --> 00:34:13,760
Speaker 4: What That's a great joke.

772
00:34:14,560 --> 00:34:15,359
Speaker 1: That's a great joke.

773
00:34:15,440 --> 00:34:16,719
Speaker 5: That day all just flew by it.

774
00:34:16,800 --> 00:34:19,360
Speaker 3: That was a great joke. I've seen Babe in the City.

775
00:34:19,719 --> 00:34:22,040
Speaker 3: It turns south fine.

776
00:34:22,120 --> 00:34:24,840
Speaker 4: It's a great movie. You seen that Lay in the

777
00:34:24,840 --> 00:34:30,200
Speaker 4: City So good was the director of and it's we're.

778
00:34:30,120 --> 00:34:35,799
Speaker 1: Laughing so hard and that joke and writer just right

779
00:34:35,920 --> 00:34:38,640
Speaker 1: by it, and I am tears streaming.

780
00:34:38,920 --> 00:34:40,240
Speaker 4: It was so earnest.

781
00:34:40,280 --> 00:34:42,480
Speaker 3: It was like I saw a documentary about this and

782
00:34:42,520 --> 00:34:43,480
Speaker 3: it turned out fine.

783
00:34:43,600 --> 00:34:45,520
Speaker 5: I thought Babe in the City, well, I.

784
00:34:45,440 --> 00:34:47,759
Speaker 4: Thought that we actually made a reference to something. We

785
00:34:47,920 --> 00:34:49,359
Speaker 4: had a line in here and I.

786
00:34:49,239 --> 00:34:52,080
Speaker 6: Do say that, I say it, I say it later,

787
00:34:52,120 --> 00:34:52,719
Speaker 6: I say, well, that's.

788
00:34:52,600 --> 00:34:54,080
Speaker 1: What happens when you have a pig in the city.

789
00:34:54,320 --> 00:34:55,960
Speaker 4: Yeah, And I was like, has the movie come out

790
00:34:56,040 --> 00:34:57,600
Speaker 4: yet when we did the Yeah.

791
00:34:57,280 --> 00:34:58,160
Speaker 1: No, I don't think so.

792
00:34:58,200 --> 00:35:00,000
Speaker 6: Anyway, sorry, writer, you were in the middle of something

793
00:35:00,160 --> 00:35:02,320
Speaker 6: very important.

794
00:35:02,400 --> 00:35:07,200
Speaker 4: Children. I feel like top like Corey's allegiance to to Pango,

795
00:35:07,239 --> 00:35:09,480
Speaker 4: would be more conflicted if he knew that she was

796
00:35:09,520 --> 00:35:13,279
Speaker 4: a vegetarian who like always advocated for animal rights, Like

797
00:35:13,400 --> 00:35:15,879
Speaker 4: if this was like an established part of her, which

798
00:35:16,040 --> 00:35:18,239
Speaker 4: it very easily could have been, because that was Tapega's

799
00:35:18,320 --> 00:35:21,440
Speaker 4: character in season one, right, that she has these strong feelings,

800
00:35:21,440 --> 00:35:24,480
Speaker 4: that they're ethically based, that their personal belief systems, and

801
00:35:24,520 --> 00:35:29,240
Speaker 4: that Corey, by allowing Sean to have this little hyjints

802
00:35:29,280 --> 00:35:31,759
Speaker 4: with a pig and not take it seriously, is betraying

803
00:35:31,840 --> 00:35:35,000
Speaker 4: something essential to his love or his understanding of Topang

804
00:35:35,200 --> 00:35:37,840
Speaker 4: as opposed to what it is, which is just Tapanga

805
00:35:37,840 --> 00:35:40,440
Speaker 4: has a different opinion, Like Topanga just has a different thing.

806
00:35:40,520 --> 00:35:43,960
Speaker 4: That's that's also how raising their animal but.

807
00:35:45,719 --> 00:35:48,840
Speaker 3: Stay out of it, right, But that's the whole point

808
00:35:48,920 --> 00:35:51,279
Speaker 3: is that it's it's supposed to be about Corey for

809
00:35:51,320 --> 00:35:55,600
Speaker 3: the first time being stuck between Sean and Topanga, and

810
00:35:55,680 --> 00:35:58,560
Speaker 3: he doesn't know, he doesn't care about what Tapanga is saying,

811
00:35:58,560 --> 00:36:00,000
Speaker 3: but he's got a hass to side with his girlf

812
00:36:00,200 --> 00:36:01,400
Speaker 3: You have decide with your girlfriend.

813
00:36:01,440 --> 00:36:03,960
Speaker 6: I think the bigger issue is that, to writer's point,

814
00:36:04,320 --> 00:36:06,719
Speaker 6: that is what it is about for Tapanga, but they

815
00:36:06,800 --> 00:36:08,680
Speaker 6: don't set that up for her at all.

816
00:36:09,080 --> 00:36:10,000
Speaker 1: They don't give her.

817
00:36:10,239 --> 00:36:13,560
Speaker 6: They don't say here's my POV and why this is

818
00:36:13,600 --> 00:36:14,160
Speaker 6: my POV.

819
00:36:14,280 --> 00:36:16,319
Speaker 1: They just say my POV is.

820
00:36:16,239 --> 00:36:18,800
Speaker 6: That it's my business what you do with your business,

821
00:36:18,840 --> 00:36:22,000
Speaker 6: which makes her unlikable. Like I I don't disagree with that.

822
00:36:22,040 --> 00:36:25,520
Speaker 6: I completely did not like her through this episode. And

823
00:36:25,640 --> 00:36:29,360
Speaker 6: yet when you say all of those things like I

824
00:36:30,320 --> 00:36:33,600
Speaker 6: fight for animal rights and we coexist and we all

825
00:36:34,040 --> 00:36:35,480
Speaker 6: you know, we all need to have you need to

826
00:36:35,520 --> 00:36:37,719
Speaker 6: treat this animal with the respect that it deserves, and

827
00:36:37,880 --> 00:36:40,080
Speaker 6: taking an animal who's raised on a farm their natural

828
00:36:40,080 --> 00:36:42,080
Speaker 6: instincts and bah blah blah bah they are need space and.

829
00:36:42,040 --> 00:36:44,240
Speaker 4: All your good argument argument.

830
00:36:44,320 --> 00:36:45,880
Speaker 5: She's not supposed to have a good argument.

831
00:36:45,920 --> 00:36:47,640
Speaker 3: That's why at the end she's supposed to look at

832
00:36:47,640 --> 00:36:49,680
Speaker 3: Turner and say, I've made a mistake.

833
00:36:49,960 --> 00:36:55,560
Speaker 6: Right, she can still have a good She can have

834
00:36:55,600 --> 00:36:58,720
Speaker 6: a good argument and still realize this isn't my place.

835
00:36:59,320 --> 00:37:01,600
Speaker 1: Because she can, she could have still said the exact

836
00:37:01,640 --> 00:37:02,040
Speaker 1: same thing.

837
00:37:02,080 --> 00:37:04,719
Speaker 6: Well, I've made a mistake, which is even though I

838
00:37:04,800 --> 00:37:08,000
Speaker 6: still think I'm right, a pig does not live in

839
00:37:08,040 --> 00:37:08,480
Speaker 6: the city.

840
00:37:09,080 --> 00:37:12,279
Speaker 1: I overstepped my bounds. Maybe I felt like.

841
00:37:12,200 --> 00:37:16,640
Speaker 4: I had an authority over Shawn's life and I expected

842
00:37:16,719 --> 00:37:19,799
Speaker 4: Corey to take my side, and like that is that

843
00:37:19,920 --> 00:37:22,640
Speaker 4: is a great they tried to do. Of course they

844
00:37:22,680 --> 00:37:25,840
Speaker 4: didn't give her a good enough argument. And you shouldn't

845
00:37:25,840 --> 00:37:29,360
Speaker 4: be judging you're just like you. And then Corey, Corey

846
00:37:29,520 --> 00:37:33,319
Speaker 4: caving to Tapanga isn't based in anything good. It's just

847
00:37:33,400 --> 00:37:36,920
Speaker 4: you're watching Corey make a dumb messa. It be you know,

848
00:37:37,000 --> 00:37:41,719
Speaker 4: not that's that awful boyfriend things you're wanted until the

849
00:37:41,880 --> 00:37:43,840
Speaker 4: end where then he's like, no, I can't believe you

850
00:37:43,880 --> 00:37:44,120
Speaker 4: did that.

851
00:37:44,200 --> 00:37:46,480
Speaker 3: I'm siding with my best friend. Like I only sided

852
00:37:46,480 --> 00:37:48,400
Speaker 3: with you because you're my girlfriend. I mean, even Alan

853
00:37:48,440 --> 00:37:51,239
Speaker 3: says he's got his girlfriend. He has to you don't

854
00:37:51,239 --> 00:37:52,880
Speaker 3: have a choice, But that's what you do when you're

855
00:37:52,920 --> 00:37:55,640
Speaker 3: fourteen and you side with your girlfriend, you're not self

856
00:37:55,680 --> 00:37:58,279
Speaker 3: aware enough to be like, what if I think about that?

857
00:37:58,320 --> 00:37:59,839
Speaker 3: It's like, oh my girlfriend said this, and I've been

858
00:37:59,840 --> 00:38:01,520
Speaker 3: with two months and it's a brand new relationship and

859
00:38:01,560 --> 00:38:01,920
Speaker 3: I love her.

860
00:38:01,920 --> 00:38:03,600
Speaker 5: Of course I'm with you, babe. I mean, that's what

861
00:38:03,640 --> 00:38:04,840
Speaker 5: you do when you're fourteen.

862
00:38:05,520 --> 00:38:07,360
Speaker 3: So it's not till later where he really had a

863
00:38:07,440 --> 00:38:09,839
Speaker 3: chance to think about it where he's like, wait a second, Wow,

864
00:38:09,920 --> 00:38:12,799
Speaker 3: you really overstepped here. Now you called somebody. What the

865
00:38:12,800 --> 00:38:15,359
Speaker 3: hell are you thinking now? Now I'm with my best friend.

866
00:38:15,400 --> 00:38:17,160
Speaker 3: It's just your knee jerk reaction when you're a kid.

867
00:38:17,239 --> 00:38:19,560
Speaker 3: Is like kissing this girl, like to kiss her, want

868
00:38:19,600 --> 00:38:21,319
Speaker 3: to keep kissing her. Of Course I'm with you. It's

869
00:38:21,360 --> 00:38:23,040
Speaker 3: I think that's as far as he thought it through,

870
00:38:23,280 --> 00:38:24,680
Speaker 3: and I think that's what they were trying to do.

871
00:38:24,800 --> 00:38:28,120
Speaker 5: But you're right, the argument of it did come.

872
00:38:27,960 --> 00:38:30,040
Speaker 3: Off like you wanted a lot of times to be

873
00:38:30,120 --> 00:38:32,000
Speaker 3: looking at the screen and being like, what business is

874
00:38:32,040 --> 00:38:33,040
Speaker 3: this of yours?

875
00:38:32,680 --> 00:38:32,879
Speaker 4: Yes?

876
00:38:33,120 --> 00:38:33,520
Speaker 3: You know you?

877
00:38:33,960 --> 00:38:36,600
Speaker 1: Hear we barely know you, girl.

878
00:38:36,920 --> 00:38:40,080
Speaker 6: You haven't even been in a bunch of episodes, and like, now,

879
00:38:40,120 --> 00:38:43,080
Speaker 6: all of a sudden, it just felt very I was

880
00:38:43,200 --> 00:38:44,279
Speaker 6: very uncomfortable with it.

881
00:38:44,320 --> 00:38:47,800
Speaker 3: I just trying to force this relationship on us still,

882
00:38:48,080 --> 00:38:50,760
Speaker 3: and now with this episode, they're also trying to force

883
00:38:51,200 --> 00:38:54,320
Speaker 3: that Topanga and Sean have been friends for your Oh well.

884
00:38:54,080 --> 00:38:54,719
Speaker 1: We're gonna get to that.

885
00:38:55,000 --> 00:38:55,560
Speaker 5: Don't don't worry.

886
00:38:55,600 --> 00:38:56,120
Speaker 4: Don't worry.

887
00:38:56,160 --> 00:38:56,719
Speaker 5: That's what I mean.

888
00:38:56,719 --> 00:38:58,840
Speaker 3: It's they're trying to just wedge this in now, like, no,

889
00:38:58,920 --> 00:39:01,000
Speaker 3: she's always been there, and it's no, she hasn't.

890
00:39:01,040 --> 00:39:02,839
Speaker 5: We've gone through this, she has.

891
00:39:02,920 --> 00:39:04,759
Speaker 4: I think you can have the exact same dynamic that

892
00:39:04,800 --> 00:39:08,399
Speaker 4: you're describing without making Tapanga such a shrew you know, yes,

893
00:39:08,960 --> 00:39:12,200
Speaker 4: I feel like she becomes a caricature of the controlling

894
00:39:12,600 --> 00:39:16,320
Speaker 4: girlfriend as opposed to a girlfriend with her own opinion

895
00:39:16,360 --> 00:39:18,560
Speaker 4: that Corey succumbs to because he's a little boy who

896
00:39:18,560 --> 00:39:21,279
Speaker 4: does how to stand up for himself, Like that is

897
00:39:21,320 --> 00:39:24,560
Speaker 4: a great point, And instead it's like there's just no

898
00:39:24,600 --> 00:39:27,279
Speaker 4: consideration for Tapanga as a character. There's no development, there's

899
00:39:27,320 --> 00:39:29,719
Speaker 4: no so it's just make her a cardboard cutout of

900
00:39:29,760 --> 00:39:31,160
Speaker 4: the shrewish girlfriend that.

901
00:39:32,160 --> 00:39:34,719
Speaker 3: Yeah, they did it, completely did badly. Now I don't

902
00:39:34,719 --> 00:39:35,319
Speaker 3: disagree with that.

903
00:39:35,760 --> 00:39:38,560
Speaker 6: So Sean says, only Topanga has a problem with the pig,

904
00:39:38,600 --> 00:39:40,480
Speaker 6: and just then Turner walks out in a tank top,

905
00:39:40,520 --> 00:39:42,400
Speaker 6: saying he has a problem with the pig, and I

906
00:39:42,400 --> 00:39:45,000
Speaker 6: could only think of the Bruh meets World Guys, siege

907
00:39:45,000 --> 00:39:51,959
Speaker 6: and tc. That makes sense here. Also, the pig left

908
00:39:52,000 --> 00:39:54,520
Speaker 6: mister Turner a little gift on his pillow. Sean asks

909
00:39:54,520 --> 00:39:56,640
Speaker 6: if there was a card, and we are then in

910
00:39:56,680 --> 00:39:59,600
Speaker 6: the Matthew slash Fieni backyard. Eric comes outside to find

911
00:39:59,600 --> 00:40:03,120
Speaker 6: Phoene gardening, something Phoenie apparently does at all hours whenever

912
00:40:03,160 --> 00:40:03,680
Speaker 6: he is home.

913
00:40:05,200 --> 00:40:07,120
Speaker 1: Says, my garden, everyone loves it.

914
00:40:07,560 --> 00:40:09,680
Speaker 6: Eric says he thought about what Phoene said about having

915
00:40:09,680 --> 00:40:10,359
Speaker 6: friends at Yale.

916
00:40:10,440 --> 00:40:12,719
Speaker 1: Then he purposefully drops a paper on the floor. He

917
00:40:12,760 --> 00:40:15,160
Speaker 1: refers to himself in third person, hoping the.

918
00:40:15,080 --> 00:40:17,520
Speaker 5: Best take for the paper drop or it falls on

919
00:40:17,560 --> 00:40:18,160
Speaker 5: my own feet.

920
00:40:18,200 --> 00:40:20,200
Speaker 4: We didn't have a better take, or it actually coudn't.

921
00:40:19,880 --> 00:40:20,600
Speaker 5: See what it was.

922
00:40:20,760 --> 00:40:24,399
Speaker 4: Yeah, I have a potentially really dumb question. Was this

923
00:40:24,520 --> 00:40:26,640
Speaker 4: fence always there? Yes?

924
00:40:26,760 --> 00:40:29,279
Speaker 1: Yeah, I'm sorry the gate The gate was the gate

925
00:40:29,320 --> 00:40:32,479
Speaker 1: not always? No, it comes and goes, It comes and goes.

926
00:40:33,000 --> 00:40:36,160
Speaker 6: In the last the last episode also opens the fence.

927
00:40:36,200 --> 00:40:38,080
Speaker 3: It's weird when it opened it in the last episode

928
00:40:38,080 --> 00:40:39,680
Speaker 3: because I watched it open and.

929
00:40:39,640 --> 00:40:41,520
Speaker 6: I was like, wait a minute, No, there used to

930
00:40:41,719 --> 00:40:43,799
Speaker 6: one hours all across it open.

931
00:40:44,200 --> 00:40:44,640
Speaker 4: It didn't.

932
00:40:44,719 --> 00:40:45,280
Speaker 5: You're okay.

933
00:40:46,760 --> 00:40:49,120
Speaker 1: I was like, there's never been a Gate the new

934
00:40:49,160 --> 00:40:49,720
Speaker 1: Gate alert.

935
00:40:50,000 --> 00:40:50,720
Speaker 4: That is weird.

936
00:40:50,760 --> 00:40:53,520
Speaker 1: I wondering if it's a new Gate alert. I should

937
00:40:53,520 --> 00:40:53,920
Speaker 1: have said it.

938
00:40:54,840 --> 00:40:56,560
Speaker 5: Yeah, you're right because because.

939
00:40:56,360 --> 00:40:58,840
Speaker 3: Last episode had opened and the way they shot it

940
00:40:58,880 --> 00:41:01,600
Speaker 3: with it open from the angle they had it made

941
00:41:01,640 --> 00:41:03,200
Speaker 3: the fence look like it banked.

942
00:41:03,520 --> 00:41:05,239
Speaker 1: Yeah, it was really weird.

943
00:41:05,000 --> 00:41:07,040
Speaker 5: And like show it was like, oh that's jarring.

944
00:41:07,080 --> 00:41:09,200
Speaker 3: It's like, oh, they put it the red carpet that, yes,

945
00:41:09,840 --> 00:41:12,400
Speaker 3: exactly a ledge that you saw yep, exactly.

946
00:41:12,520 --> 00:41:14,880
Speaker 6: So Eric refers to himself in third person, hoping Feenie

947
00:41:14,920 --> 00:41:17,040
Speaker 6: will pick it up. Phoene tells him that Eric dropped

948
00:41:17,040 --> 00:41:18,919
Speaker 6: it and he should pick it up, so Eric does.

949
00:41:19,040 --> 00:41:21,720
Speaker 6: It's an envelope with two box seats to the opera.

950
00:41:22,040 --> 00:41:24,840
Speaker 6: Phoene asks if it's a bribe. Eric says, it's just

951
00:41:24,920 --> 00:41:27,960
Speaker 6: him doing something nice for feenne hoping one day Phoenie

952
00:41:27,960 --> 00:41:29,479
Speaker 6: will do something nice to him.

953
00:41:29,600 --> 00:41:31,240
Speaker 1: And then he coughs Yale twice.

954
00:41:31,440 --> 00:41:35,200
Speaker 6: Yale pill so good, Phoene says he will do something

955
00:41:35,239 --> 00:41:38,440
Speaker 6: for him. Places like Yale embrace young people with culture,

956
00:41:38,560 --> 00:41:40,640
Speaker 6: so he will pick him up at seven thirty.

957
00:41:40,760 --> 00:41:44,040
Speaker 1: Looks like he found an opera date. And Eric says,

958
00:41:44,480 --> 00:41:45,839
Speaker 1: Phoene say what.

959
00:41:46,520 --> 00:41:47,000
Speaker 4: I don't know?

960
00:41:47,120 --> 00:41:48,640
Speaker 3: I think right?

961
00:41:49,560 --> 00:41:50,080
Speaker 1: I say what?

962
00:41:50,320 --> 00:41:53,719
Speaker 4: Yeah, it's like says what Asphinter says what, Yes, it's

963
00:41:53,840 --> 00:41:56,359
Speaker 4: that's that's what they're doing right. Yes, it doesn't make

964
00:41:56,360 --> 00:41:59,040
Speaker 4: any sense. No, because you say, Phoene says what I

965
00:41:59,040 --> 00:41:59,479
Speaker 4: think it's.

966
00:41:59,360 --> 00:42:02,480
Speaker 3: Supposed to be, just to like like a like a

967
00:42:02,560 --> 00:42:03,359
Speaker 3: what you're talking about?

968
00:42:03,360 --> 00:42:04,120
Speaker 5: Willis right?

969
00:42:04,239 --> 00:42:09,040
Speaker 3: Totally yeah, really weird ones catchphrase.

970
00:42:09,400 --> 00:42:12,160
Speaker 1: No, but here's the thing I wrote down. It's not

971
00:42:12,200 --> 00:42:16,480
Speaker 1: a Phoene call, but it has phoene call energy in it.

972
00:42:16,480 --> 00:42:18,880
Speaker 5: It does we're getting there finding something.

973
00:42:20,680 --> 00:42:25,200
Speaker 4: Correct, the phoe Phoenie adjacent.

974
00:42:25,560 --> 00:42:29,000
Speaker 1: Yes, Phoene call adjacent or the zygote I love all

975
00:42:29,040 --> 00:42:30,799
Speaker 1: of these. That's it's exactly what it is.

976
00:42:31,239 --> 00:42:34,160
Speaker 4: It's the primordial soup out of which the Phoenie call

977
00:42:33,960 --> 00:42:34,479
Speaker 4: will rise.

978
00:42:34,680 --> 00:42:38,520
Speaker 1: Yes, yes, prim soup T shirt.

979
00:42:38,840 --> 00:42:41,200
Speaker 6: Sean is talking to a bunch of girls at Chubbies

980
00:42:41,200 --> 00:42:43,319
Speaker 6: who are watching the pig Eat of course on top

981
00:42:43,320 --> 00:42:45,919
Speaker 6: of the pool table and this seems like something Chubby

982
00:42:45,960 --> 00:42:46,839
Speaker 6: should put a stop to.

983
00:42:49,480 --> 00:42:50,040
Speaker 4: Sandwiches.

984
00:42:50,280 --> 00:42:54,359
Speaker 1: Yeah, this feels like, yeah, I mean the fault. Who

985
00:42:54,400 --> 00:42:55,080
Speaker 1: am I to judge?

986
00:42:55,080 --> 00:42:58,319
Speaker 6: To Panga Corey and to Panga enter into Pega says,

987
00:42:58,440 --> 00:43:00,480
Speaker 6: I thought you said you talked to Sean about the pig,

988
00:43:00,600 --> 00:43:03,000
Speaker 6: and Corey says, maybe it's another pig because they travel

989
00:43:03,000 --> 00:43:06,080
Speaker 6: in groups. To Panga tells Sean she's not trying to

990
00:43:06,120 --> 00:43:08,440
Speaker 6: be mean, but she just doesn't think it's fair for

991
00:43:08,480 --> 00:43:10,799
Speaker 6: a pig to be living in an apartment. And here's

992
00:43:10,880 --> 00:43:13,520
Speaker 6: another time where Topanga basically says the same thing she

993
00:43:13,560 --> 00:43:15,560
Speaker 6: said in the hallway, where she says a pig needs

994
00:43:15,640 --> 00:43:16,360
Speaker 6: room to run around.

995
00:43:16,880 --> 00:43:18,520
Speaker 1: That if they had just given her.

996
00:43:20,480 --> 00:43:24,840
Speaker 6: A couple of specifics, a couple of things about disagree whatever,

997
00:43:25,120 --> 00:43:28,640
Speaker 6: you could have maybe seen that she has a bleeding

998
00:43:28,640 --> 00:43:32,439
Speaker 6: heart for this pig and she truly is not trying

999
00:43:32,480 --> 00:43:33,120
Speaker 6: to offend Sean.

1000
00:43:33,239 --> 00:43:35,600
Speaker 4: Is a sympathetic point of view at all? Bank ahead, No,

1001
00:43:35,640 --> 00:43:37,560
Speaker 4: because I'm just sitting here going what is this conflict?

1002
00:43:37,680 --> 00:43:39,280
Speaker 4: I know, like I just want her to go away,

1003
00:43:39,480 --> 00:43:40,120
Speaker 4: stop talking.

1004
00:43:40,960 --> 00:43:43,840
Speaker 1: It's awful that we should all get something else. We

1005
00:43:43,880 --> 00:43:44,560
Speaker 1: should say that.

1006
00:43:44,640 --> 00:43:47,840
Speaker 6: I could also see her like her realization coming to

1007
00:43:47,960 --> 00:43:51,560
Speaker 6: in the end is more about I said my opinion

1008
00:43:51,960 --> 00:43:55,759
Speaker 6: once and he he he heard it, and he's not

1009
00:43:55,920 --> 00:43:58,200
Speaker 6: going to do that. I now have to let it go.

1010
00:43:58,880 --> 00:44:03,480
Speaker 6: You cannot just keep shoving your opinion down someone's throat

1011
00:44:03,800 --> 00:44:06,279
Speaker 6: over and over again when they don't agree with you

1012
00:44:06,360 --> 00:44:08,200
Speaker 6: and expect them to just like, how is this not

1013
00:44:08,239 --> 00:44:08,919
Speaker 6: getting any better?

1014
00:44:08,920 --> 00:44:11,160
Speaker 3: So actually made it even a little worse because it

1015
00:44:11,239 --> 00:44:13,080
Speaker 3: starts with her coming in saying I thought you were

1016
00:44:13,120 --> 00:44:14,799
Speaker 3: going to talk to him about it, which means that

1017
00:44:14,880 --> 00:44:17,440
Speaker 3: she was saying to Corey, you have to do something

1018
00:44:17,480 --> 00:44:19,800
Speaker 3: about it and do something about that. So it actually

1019
00:44:19,880 --> 00:44:22,560
Speaker 3: makes her even worse because it's not even she's not

1020
00:44:22,640 --> 00:44:24,960
Speaker 3: just doing it herself, but now she's telling her his

1021
00:44:25,080 --> 00:44:27,759
Speaker 3: best friend, no, no, no, you got to go and do

1022
00:44:27,800 --> 00:44:29,640
Speaker 3: something and make make sure that we pull the pig

1023
00:44:29,680 --> 00:44:30,120
Speaker 3: from him too.

1024
00:44:30,160 --> 00:44:32,239
Speaker 5: And so, yeah, you really don't like her very much.

1025
00:44:32,480 --> 00:44:35,600
Speaker 6: Yeah, Sean says, according to his book, farm Animals make

1026
00:44:35,640 --> 00:44:37,560
Speaker 6: great pets, Farm Animals make great.

1027
00:44:37,360 --> 00:44:39,000
Speaker 4: Pets, and writer another book joke.

1028
00:44:39,200 --> 00:44:42,040
Speaker 6: Regardless of how you feel about your performance, these are

1029
00:44:42,040 --> 00:44:44,080
Speaker 6: some really good line readings. That's a great deal. That's

1030
00:44:44,120 --> 00:44:46,080
Speaker 6: an okay joke. And that was a great line reading.

1031
00:44:46,120 --> 00:44:50,480
Speaker 6: I agree, thanks, very funny read to Hanga questions what

1032
00:44:50,520 --> 00:44:52,479
Speaker 6: will happen when the pig is five hundred pounds sitting

1033
00:44:52,480 --> 00:44:54,319
Speaker 6: on the couch not moving, and Sean says he never

1034
00:44:54,360 --> 00:44:57,960
Speaker 6: stopped loving aunt Gloria, which love the aunt and uncle references.

1035
00:44:58,000 --> 00:45:01,040
Speaker 1: We get, but you'll just continue the great read from you.

1036
00:45:01,840 --> 00:45:04,240
Speaker 6: Topega says Corey feels the same way, and she asks

1037
00:45:04,280 --> 00:45:06,960
Speaker 6: Corey if that's right. Corey doesn't answer Topanga right away

1038
00:45:07,000 --> 00:45:09,600
Speaker 6: and then says they're both right. Seawan and Tapanga say

1039
00:45:09,600 --> 00:45:12,600
Speaker 6: they can't both be right, so Tapanga asks whose side

1040
00:45:12,680 --> 00:45:13,440
Speaker 6: Corey is on.

1041
00:45:13,719 --> 00:45:17,280
Speaker 4: And I it's like the conflict.

1042
00:45:16,400 --> 00:45:19,440
Speaker 6: Yeah, he thinks about it and then says he's on

1043
00:45:19,480 --> 00:45:22,080
Speaker 6: topanga side, and Sean encourages him to leave with her

1044
00:45:22,160 --> 00:45:24,440
Speaker 6: because he can't leave his girlfriend waiting.

1045
00:45:25,000 --> 00:45:28,760
Speaker 1: Tapanga has overstepped her boundaries. In my opinion, we barely

1046
00:45:28,840 --> 00:45:31,280
Speaker 1: even know who this person is, and now she's already

1047
00:45:31,360 --> 00:45:36,160
Speaker 1: super unlikable. It is weirds me out. Then we're in

1048
00:45:36,160 --> 00:45:38,080
Speaker 1: the Matthew's kitchen. Corey is on the phone trying to

1049
00:45:38,080 --> 00:45:38,799
Speaker 1: get a hold of Sean.

1050
00:45:38,880 --> 00:45:41,080
Speaker 6: He explains to his parents that Sean was with a

1051
00:45:41,120 --> 00:45:43,520
Speaker 6: pig last night, and then Alan stops him and says

1052
00:45:43,560 --> 00:45:44,400
Speaker 6: he raised better.

1053
00:45:44,560 --> 00:45:46,520
Speaker 1: He raised him better than for Corey to talk like that.

1054
00:45:48,520 --> 00:45:50,719
Speaker 5: Whoa, whoa, whoa is better than to talk like that.

1055
00:45:51,040 --> 00:45:53,560
Speaker 6: Corey explains it wasn't a girl, it was a real pig.

1056
00:45:53,880 --> 00:45:56,200
Speaker 6: He says, Sean loves the pig, but Tapega thinks he

1057
00:45:56,200 --> 00:45:58,440
Speaker 6: shouldn't keep the pig in an apartment. Corey says he

1058
00:45:58,480 --> 00:46:01,719
Speaker 6: agrees with Topanga, but Sean is right too. Amy and

1059
00:46:01,760 --> 00:46:04,160
Speaker 6: Allan say even though he agrees with both sides, he's

1060
00:46:04,200 --> 00:46:06,799
Speaker 6: still sided with Topanga, and Alan says it's because he's

1061
00:46:06,800 --> 00:46:08,440
Speaker 6: a guy. And Amy hits him on the head with

1062
00:46:08,480 --> 00:46:10,680
Speaker 6: a great little piece of business that she does and

1063
00:46:11,200 --> 00:46:12,160
Speaker 6: it's like we've talked about.

1064
00:46:12,200 --> 00:46:15,160
Speaker 1: That was a real smack and it looks good.

1065
00:46:15,600 --> 00:46:17,160
Speaker 3: Yeah.

1066
00:46:17,280 --> 00:46:20,040
Speaker 6: Alan says he shouldn't have taken sides because being caught

1067
00:46:20,080 --> 00:46:22,239
Speaker 6: between your friend and your girlfriend is tough. It's not

1068
00:46:22,360 --> 00:46:25,399
Speaker 6: always easy in the real world. And then Eric comes

1069
00:46:25,400 --> 00:46:29,799
Speaker 6: downstairs singing I'm going to yeah, and Alan says it's

1070
00:46:29,800 --> 00:46:31,960
Speaker 6: a little easier in his world.

1071
00:46:31,680 --> 00:46:35,520
Speaker 5: Because he hates Eric, hate him. He's got one child.

1072
00:46:35,640 --> 00:46:38,840
Speaker 3: It's down to one kid now, Alan and Amy one.

1073
00:46:38,760 --> 00:46:41,720
Speaker 1: Kid, last Morgan or it's in his own world.

1074
00:46:42,000 --> 00:46:44,080
Speaker 3: They don't care about Eric. They're down to one kid.

1075
00:46:44,480 --> 00:46:46,919
Speaker 1: So then we're in the school cafeteria. Sean is eating

1076
00:46:46,960 --> 00:46:49,319
Speaker 1: lunch with little Corey because the pig has to eat.

1077
00:46:49,640 --> 00:46:52,200
Speaker 1: Corey sits down next to him and apologizes for siding

1078
00:46:52,200 --> 00:46:54,200
Speaker 1: with Tapanga, but he doesn't want a little thing like

1079
00:46:54,239 --> 00:46:56,400
Speaker 1: this to get in between their friendship. Corey says, it's

1080
00:46:56,480 --> 00:46:58,920
Speaker 1: only a pig. Sean says he's only a pig to

1081
00:46:59,040 --> 00:47:00,440
Speaker 1: Corey Henga.

1082
00:47:00,719 --> 00:47:04,680
Speaker 4: And this is where I realized that they the writers

1083
00:47:04,840 --> 00:47:10,480
Speaker 4: watched the home episode with the metaphor of the dog.

1084
00:47:12,160 --> 00:47:15,480
Speaker 4: Let's do an entire episode that plays out this idea

1085
00:47:15,640 --> 00:47:24,160
Speaker 4: with a with that's you know, I wonder the inspiration

1086
00:47:24,239 --> 00:47:25,920
Speaker 4: for this episode come for. I would love to talk

1087
00:47:25,960 --> 00:47:29,440
Speaker 4: to Blutman about it, because I imagine somebody had to have,

1088
00:47:29,520 --> 00:47:32,680
Speaker 4: like had some because obviously they were just like, let's

1089
00:47:32,719 --> 00:47:34,560
Speaker 4: get a pig on the show. That'd be cute and funny,

1090
00:47:34,560 --> 00:47:36,800
Speaker 4: and they were right, like it is cute and funny,

1091
00:47:37,080 --> 00:47:39,359
Speaker 4: but like, how do we make that work and fit

1092
00:47:39,440 --> 00:47:42,719
Speaker 4: it in with our characters? Like why, like where did

1093
00:47:42,719 --> 00:47:43,319
Speaker 4: this come from?

1094
00:47:44,520 --> 00:47:46,759
Speaker 6: I mean, I wonder why a pig versus any other

1095
00:47:47,080 --> 00:47:49,359
Speaker 6: I mean, I guess you know the conflict. They figured, Okay,

1096
00:47:49,360 --> 00:47:50,640
Speaker 6: we can have to Panga have an issue with this,

1097
00:47:50,640 --> 00:47:52,480
Speaker 6: because if it was a kiddie, to Panga wouldn't care

1098
00:47:52,520 --> 00:47:54,840
Speaker 6: about you having a cat or a dog in an apartment, That's.

1099
00:47:54,680 --> 00:47:56,520
Speaker 4: What it just also wouldn't be that cute, right, I mean,

1100
00:47:57,080 --> 00:48:00,440
Speaker 4: the fun of this episode is that there's a big yeah,

1101
00:48:00,520 --> 00:48:02,000
Speaker 4: that's ridiculous, and people it might have been.

1102
00:48:01,960 --> 00:48:06,520
Speaker 3: A full size cow, like full size thousands of pals.

1103
00:48:08,000 --> 00:48:10,120
Speaker 6: Sean says he's only a pig to Corey, to Panga

1104
00:48:10,120 --> 00:48:13,080
Speaker 6: and whoever abandoned him. He explains the trailer park manager

1105
00:48:13,120 --> 00:48:15,280
Speaker 6: told him his owners drove off and just left him.

1106
00:48:15,160 --> 00:48:16,840
Speaker 1: No home, no family, nothing.

1107
00:48:17,360 --> 00:48:20,400
Speaker 6: And I know we're kind of laughing about the metaphor

1108
00:48:20,400 --> 00:48:21,840
Speaker 6: that we had in the bedroom, but I do like

1109
00:48:21,920 --> 00:48:26,759
Speaker 6: this idea that that Sean relates to. There are there's

1110
00:48:26,760 --> 00:48:29,880
Speaker 6: no one in his life human who he can relate

1111
00:48:29,920 --> 00:48:31,960
Speaker 6: to quite like this who has been passed from home

1112
00:48:32,000 --> 00:48:34,759
Speaker 6: to home, who's been abandoned. And he keeps looking for

1113
00:48:34,800 --> 00:48:38,360
Speaker 6: people to be like, are you like me? Who's like me?

1114
00:48:38,520 --> 00:48:42,040
Speaker 6: And he feels this this sense of likeness with the pig,

1115
00:48:42,080 --> 00:48:42,600
Speaker 6: which I like.

1116
00:48:42,800 --> 00:48:43,359
Speaker 5: Yeah, me too.

1117
00:48:43,719 --> 00:48:46,040
Speaker 6: Sean says he's been in the same situation as little Corey.

1118
00:48:46,080 --> 00:48:48,200
Speaker 6: He's not mad at Corey for taking to Panga side

1119
00:48:48,200 --> 00:48:49,839
Speaker 6: because he probably would have done the same thing.

1120
00:48:50,160 --> 00:48:50,719
Speaker 1: Corey says.

1121
00:48:50,800 --> 00:48:53,239
Speaker 6: Pigs and women man, Sean says, yeah, it's like my

1122
00:48:53,360 --> 00:48:55,120
Speaker 6: dad said, they'll both break your heart.

1123
00:48:55,320 --> 00:48:57,440
Speaker 5: I want that shirt so cute.

1124
00:48:57,560 --> 00:48:59,759
Speaker 4: Pigs and women man, they'll both break your Heart'll both

1125
00:48:59,800 --> 00:49:00,439
Speaker 4: break your heart.

1126
00:49:00,719 --> 00:49:00,839
Speaker 3: Now.

1127
00:49:00,880 --> 00:49:03,640
Speaker 1: I miss Blake Clark. When is he coming back too?

1128
00:49:05,200 --> 00:49:06,920
Speaker 4: He'll be around? I don't great, no idea.

1129
00:49:07,120 --> 00:49:07,920
Speaker 1: I can't wait for that.

1130
00:49:08,239 --> 00:49:10,120
Speaker 4: I actually don't know how much of the third season

1131
00:49:10,120 --> 00:49:10,879
Speaker 4: he plays.

1132
00:49:11,000 --> 00:49:12,600
Speaker 3: If he's in it at all, because it's all you

1133
00:49:12,640 --> 00:49:13,840
Speaker 3: and I know.

1134
00:49:13,920 --> 00:49:16,160
Speaker 1: Well, we had the phone call episode where he called in,

1135
00:49:16,200 --> 00:49:17,920
Speaker 1: but that's not the same. I want him back with you.

1136
00:49:18,000 --> 00:49:19,520
Speaker 4: I want to feel like he might not come back

1137
00:49:19,560 --> 00:49:22,799
Speaker 4: until after Jack, like after Matt's on the show. Which

1138
00:49:22,800 --> 00:49:26,160
Speaker 4: is is it that far? Really? Wow? I don't remember

1139
00:49:26,239 --> 00:49:29,160
Speaker 4: how I've got I think the point of the point

1140
00:49:29,200 --> 00:49:33,520
Speaker 4: of the Sewan storyline for the next two seasons is

1141
00:49:33,520 --> 00:49:35,120
Speaker 4: that he's been abandoned, but he's alone.

1142
00:49:35,480 --> 00:49:38,040
Speaker 3: I don't know, he's only there and Tony leaves after

1143
00:49:38,120 --> 00:49:41,960
Speaker 3: season three. After after season three, so Sean's got to

1144
00:49:42,000 --> 00:49:43,480
Speaker 3: live with somebody in between.

1145
00:49:43,719 --> 00:49:45,879
Speaker 1: Will find out when we watch, we'll find out where

1146
00:49:45,920 --> 00:49:46,400
Speaker 1: it's coming.

1147
00:49:46,560 --> 00:49:47,719
Speaker 5: In three years.

1148
00:49:57,520 --> 00:49:59,840
Speaker 6: Turner's apartment, Corey and Seawn are washing little Corey in

1149
00:49:59,880 --> 00:50:02,080
Speaker 6: a tub on the kitchen counter. You'll be surprised to

1150
00:50:02,080 --> 00:50:04,920
Speaker 6: hear the pig is eating again. Corey says it's killing

1151
00:50:05,000 --> 00:50:07,440
Speaker 6: him that his girlfriend and best friend aren't speaking. Sean

1152
00:50:07,520 --> 00:50:09,919
Speaker 6: says it's Tapanga's problem and he's just trying to live

1153
00:50:09,960 --> 00:50:12,720
Speaker 6: his life like any normal teenager. And then he asks

1154
00:50:12,840 --> 00:50:16,520
Speaker 6: to pass the pig shampoo again. Great read, funny joke,

1155
00:50:17,120 --> 00:50:21,279
Speaker 6: but the minute Sean says that it's Tapanga's problem, Hunter, Yeah,

1156
00:50:21,280 --> 00:50:24,080
Speaker 6: you're right, that's it. You win if Tapang is the

1157
00:50:24,080 --> 00:50:26,000
Speaker 6: one with the problem. You're just trying to live your life.

1158
00:50:26,080 --> 00:50:26,920
Speaker 6: Get the heck out of here.

1159
00:50:27,000 --> 00:50:31,040
Speaker 1: Yeah, And then Cory oversteps his bounds and just says

1160
00:50:31,080 --> 00:50:32,600
Speaker 1: he invited to pank over to show her what a

1161
00:50:32,600 --> 00:50:34,520
Speaker 1: great home little Corey has and how great this is

1162
00:50:34,560 --> 00:50:36,799
Speaker 1: for Sean. Sean asks, well, why would you do that?

1163
00:50:36,840 --> 00:50:39,840
Speaker 1: And Corey says, come on, I'm your friend, and Sean says, well,

1164
00:50:39,960 --> 00:50:44,320
Speaker 1: Topanga isn't okay.

1165
00:50:45,400 --> 00:50:49,880
Speaker 6: So even though we've had multiple conversations and scenes about

1166
00:50:49,920 --> 00:50:52,320
Speaker 6: where and things that make them seem like they're friends,

1167
00:50:52,320 --> 00:50:55,239
Speaker 6: I think we've tried to imply that Sean is very

1168
00:50:55,280 --> 00:50:58,080
Speaker 6: clear that Tapanga and Sean are not friends.

1169
00:50:59,120 --> 00:51:01,840
Speaker 3: Okay, it'd make for such great conflict going down the

1170
00:51:01,880 --> 00:51:03,759
Speaker 3: line of the show, yes, if we can.

1171
00:51:03,800 --> 00:51:07,160
Speaker 4: Well, But I think that one of the one of

1172
00:51:07,239 --> 00:51:09,919
Speaker 4: the the sort of assumptions that goes into this show

1173
00:51:10,000 --> 00:51:13,359
Speaker 4: is it is it is a generational assumption about men

1174
00:51:13,400 --> 00:51:17,160
Speaker 4: and women friendships and bad girl friendships. I think that

1175
00:51:17,160 --> 00:51:20,560
Speaker 4: there's an assumption that, like, you stay within your own

1176
00:51:20,640 --> 00:51:23,799
Speaker 4: gender with friends, So like I don't think Sean would

1177
00:51:23,800 --> 00:51:28,359
Speaker 4: consider to Panga a friend at this age, at this time.

1178
00:51:28,480 --> 00:51:30,680
Speaker 4: Does that make sense? Like, I don't know, Like I

1179
00:51:30,960 --> 00:51:33,279
Speaker 4: think that this is something that's like with my son,

1180
00:51:33,400 --> 00:51:35,880
Speaker 4: like he considers boys and girls friends equally. But I

1181
00:51:35,920 --> 00:51:38,520
Speaker 4: feel like back in the nineties, like you didn't have

1182
00:51:39,200 --> 00:51:40,800
Speaker 4: friends of the opposite gender.

1183
00:51:41,360 --> 00:51:45,000
Speaker 5: ID I did too, I did, I did too.

1184
00:51:45,040 --> 00:51:47,200
Speaker 4: But I'm saying like, but it was an assumption. Well,

1185
00:51:47,200 --> 00:51:49,080
Speaker 4: then maybe it was the previous generation that was writing.

1186
00:51:50,200 --> 00:51:53,880
Speaker 4: There's an assumption going into this that like that she

1187
00:51:54,160 --> 00:51:58,640
Speaker 4: is his best friend's girl, right, not she's not like

1188
00:51:58,719 --> 00:52:00,759
Speaker 4: part of his friends, I know.

1189
00:52:00,880 --> 00:52:04,200
Speaker 6: But like we have set up in other episodes that

1190
00:52:04,280 --> 00:52:06,680
Speaker 6: you can read me you have a crush on Cory

1191
00:52:07,000 --> 00:52:07,319
Speaker 6: and like.

1192
00:52:07,680 --> 00:52:08,800
Speaker 4: Well that's why I love that scene.

1193
00:52:08,800 --> 00:52:11,640
Speaker 6: And I know, yeah, I liked it too that it

1194
00:52:11,680 --> 00:52:13,560
Speaker 6: was like it was the three of us who knew

1195
00:52:13,560 --> 00:52:15,719
Speaker 6: each other, but now Corey and Topanga were just having

1196
00:52:15,760 --> 00:52:16,759
Speaker 6: a different relationship.

1197
00:52:16,880 --> 00:52:20,440
Speaker 4: So it's just well conflict, I mean, you always need conflict.

1198
00:52:21,920 --> 00:52:26,680
Speaker 3: Also, it's just clearly have no idea who Topanga is anymore,

1199
00:52:26,760 --> 00:52:30,319
Speaker 3: what to do, No, none agree, It's just completely just

1200
00:52:30,360 --> 00:52:31,680
Speaker 3: a p by week.

1201
00:52:34,080 --> 00:52:34,520
Speaker 5: Exactly.

1202
00:52:34,600 --> 00:52:34,759
Speaker 4: Yeah.

1203
00:52:35,000 --> 00:52:37,200
Speaker 6: Well, the doorbell rings and Corey begs Sean to talk

1204
00:52:37,239 --> 00:52:39,520
Speaker 6: to Tapanga just for him. Sean says, one dig at

1205
00:52:39,560 --> 00:52:42,239
Speaker 6: him or little Corey, and she's gone to Pega walks in,

1206
00:52:42,280 --> 00:52:44,160
Speaker 6: says hy to Corey. Then tell Sean the light bulb

1207
00:52:44,160 --> 00:52:45,520
Speaker 6: and the hallway is out, and he may want to

1208
00:52:45,560 --> 00:52:48,759
Speaker 6: tell the super. Sean yells, that's it out. Corey tries

1209
00:52:48,800 --> 00:52:50,640
Speaker 6: to tell Sean there was no dig and he agrees

1210
00:52:50,719 --> 00:52:53,200
Speaker 6: he might be a little lower sensitive to Pega.

1211
00:52:53,000 --> 00:52:55,879
Speaker 5: Is ready very all funny.

1212
00:52:55,640 --> 00:52:56,160
Speaker 1: Very funny.

1213
00:52:56,160 --> 00:52:57,000
Speaker 5: Writer yep.

1214
00:52:57,880 --> 00:52:59,759
Speaker 6: Topanga is ready for Sean to prove how this is

1215
00:52:59,760 --> 00:53:01,360
Speaker 6: a good home for the pig, but Sean says he

1216
00:53:01,360 --> 00:53:03,640
Speaker 6: doesn't have to prove anything to her. And again, you're

1217
00:53:03,640 --> 00:53:06,439
Speaker 6: one hundred percent right, this should be over. You are

1218
00:53:06,440 --> 00:53:09,120
Speaker 6: in the right here. Corey does his best to step

1219
00:53:09,120 --> 00:53:10,920
Speaker 6: in and say how great of a parent Sean is.

1220
00:53:10,960 --> 00:53:13,360
Speaker 6: For example, right before Tapega got there, he was bathing

1221
00:53:13,360 --> 00:53:15,200
Speaker 6: the pig. Then Corey looks over to the tub on

1222
00:53:15,239 --> 00:53:15,719
Speaker 6: the counter and.

1223
00:53:15,800 --> 00:53:18,280
Speaker 1: Uh oh, little Corey is gone.

1224
00:53:19,120 --> 00:53:21,279
Speaker 6: Sean runs over to the empty tub and says, I

1225
00:53:21,360 --> 00:53:24,200
Speaker 6: left him in there so long. He turned to broth again. Writer,

1226
00:53:24,560 --> 00:53:26,400
Speaker 6: great joke, great joke.

1227
00:53:26,480 --> 00:53:27,239
Speaker 1: Perfect read.

1228
00:53:27,760 --> 00:53:30,200
Speaker 3: How how do they not hear the pig jump off,

1229
00:53:30,280 --> 00:53:32,000
Speaker 3: get out of the bath, jump off the table and

1230
00:53:32,040 --> 00:53:33,120
Speaker 3: walk by the three of them.

1231
00:53:32,960 --> 00:53:34,520
Speaker 4: That could jump off the door.

1232
00:53:36,560 --> 00:53:39,919
Speaker 5: In the doorway, Like how did the Yeah?

1233
00:53:39,960 --> 00:53:42,120
Speaker 3: I know, And it's like you'd have to go through

1234
00:53:42,160 --> 00:53:44,480
Speaker 3: the legs of you have to go through six legs

1235
00:53:44,480 --> 00:53:45,279
Speaker 3: to get out of the door.

1236
00:53:45,320 --> 00:53:48,480
Speaker 4: Like the blocking was why I went behind the cameras.

1237
00:53:48,880 --> 00:53:50,280
Speaker 5: Yeah, exactly.

1238
00:53:51,640 --> 00:53:52,080
Speaker 4: Exactly.

1239
00:53:53,360 --> 00:53:56,000
Speaker 6: Corey notices the open door and Sean blames Tapega for

1240
00:53:56,080 --> 00:53:58,319
Speaker 6: letting him escape to point to. Pega points out that's

1241
00:53:58,360 --> 00:54:01,280
Speaker 6: what happens with pin pigs live in the city, which,

1242
00:54:01,440 --> 00:54:04,800
Speaker 6: like I mentioned, is not true because I watched in

1243
00:54:04,840 --> 00:54:05,359
Speaker 6: the city and.

1244
00:54:05,280 --> 00:54:08,640
Speaker 4: It's pick in the city. Is the Andy a couple

1245
00:54:08,640 --> 00:54:10,560
Speaker 4: of years ago? It is so good? Oh my god,

1246
00:54:10,680 --> 00:54:12,080
Speaker 4: it's so good.

1247
00:54:13,360 --> 00:54:15,239
Speaker 6: Sean goes out to look for Little Corey and Corey

1248
00:54:15,239 --> 00:54:17,759
Speaker 6: says he'll stay by the phone, and Casey calls. Just

1249
00:54:17,840 --> 00:54:20,840
Speaker 6: then Turner walks in holding Little Corey, who was outside

1250
00:54:20,880 --> 00:54:24,600
Speaker 6: heading towards the rib shack, and Sean fearfully says, suicide

1251
00:54:25,200 --> 00:54:29,920
Speaker 6: is an amazing read writer.

1252
00:54:30,800 --> 00:54:34,480
Speaker 4: You guys, you guys, I agree. I think the joke

1253
00:54:34,560 --> 00:54:35,000
Speaker 4: is funny.

1254
00:54:35,000 --> 00:54:38,080
Speaker 5: I know you're way too harsh on your way, too harsh.

1255
00:54:38,120 --> 00:54:38,879
Speaker 1: It's so good.

1256
00:54:39,520 --> 00:54:41,640
Speaker 6: Turner says, the pig has been nothing but trouble, and

1257
00:54:41,680 --> 00:54:45,160
Speaker 6: Topega says she did the right thing by calling animal control.

1258
00:54:46,840 --> 00:54:50,000
Speaker 4: Yike, are you kidding me?

1259
00:54:50,520 --> 00:54:52,720
Speaker 5: Yeah, that's huge, that's huge.

1260
00:54:53,320 --> 00:54:56,080
Speaker 6: Sean, scared of to Panga's actions, is leaving with Little

1261
00:54:56,080 --> 00:54:58,120
Speaker 6: Corey and asks Corey if he's coming with him. Corey

1262
00:54:58,160 --> 00:54:59,759
Speaker 6: thinks about it for a minute, then walks right past

1263
00:54:59,760 --> 00:55:01,920
Speaker 6: the p get to leave with Sean. Tapega tries to

1264
00:55:01,920 --> 00:55:04,000
Speaker 6: stop him, but Corey says she's put him in the middle,

1265
00:55:04,040 --> 00:55:05,960
Speaker 6: and as much as he loves her, that wasn't right,

1266
00:55:06,239 --> 00:55:08,480
Speaker 6: and calling animal control was too far.

1267
00:55:08,920 --> 00:55:13,560
Speaker 4: Binga think, yeah, I actually get like fined and like

1268
00:55:13,680 --> 00:55:16,200
Speaker 4: Sean could go, yes, it's.

1269
00:55:16,000 --> 00:55:16,399
Speaker 7: Not just.

1270
00:55:18,160 --> 00:55:20,160
Speaker 1: The cops called the pig cops.

1271
00:55:20,440 --> 00:55:20,640
Speaker 4: Yeah.

1272
00:55:21,880 --> 00:55:25,560
Speaker 6: Sean and Corey leave to hide little Corey. Turner asks

1273
00:55:25,600 --> 00:55:28,279
Speaker 6: Topanga if she's okay, and she asks why he lets

1274
00:55:28,280 --> 00:55:30,600
Speaker 6: Sean keep the pig even though he doesn't like him.

1275
00:55:30,960 --> 00:55:33,040
Speaker 6: Turner says, it seems important to Sean, and when you've

1276
00:55:33,040 --> 00:55:35,120
Speaker 6: had the kind of life that he's had, Sean needs

1277
00:55:35,120 --> 00:55:37,840
Speaker 6: the pig more than the pig needs. Sean to Panga

1278
00:55:37,880 --> 00:55:41,279
Speaker 6: in point four seconds and rapid time, realizes that she

1279
00:55:41,400 --> 00:55:43,480
Speaker 6: made a big mistake. But you would never know that

1280
00:55:43,640 --> 00:55:46,200
Speaker 6: because I don't let you know with any sort of

1281
00:55:46,320 --> 00:55:47,759
Speaker 6: acting ability at all.

1282
00:55:48,239 --> 00:55:55,920
Speaker 1: It's just robot. It's a mistake, but it's also it's

1283
00:55:55,960 --> 00:56:00,880
Speaker 1: also in the writing too. He's said, are you okay?

1284
00:56:02,120 --> 00:56:03,879
Speaker 1: Why do you let him keep the pig? Well, because

1285
00:56:03,920 --> 00:56:06,000
Speaker 1: Sean needs the pig. I made a mistake, that's all.

1286
00:56:06,280 --> 00:56:07,120
Speaker 1: That's all. That's it.

1287
00:56:07,160 --> 00:56:10,560
Speaker 6: Sean's told you that multiple times it's my pig, leave

1288
00:56:10,560 --> 00:56:11,040
Speaker 6: me alone.

1289
00:56:11,120 --> 00:56:14,560
Speaker 3: What I don't Why Also such a change in Topanga,

1290
00:56:14,640 --> 00:56:18,280
Speaker 3: because first season Topango, or even part of second season

1291
00:56:18,280 --> 00:56:22,520
Speaker 3: to Pango would have seen this herself, with her amazing

1292
00:56:22,520 --> 00:56:25,480
Speaker 3: amount of empathy, that she'd be the one kind of

1293
00:56:25,520 --> 00:56:28,799
Speaker 3: saying no, don't you understand Sean needs the pig more

1294
00:56:28,840 --> 00:56:30,680
Speaker 3: than the page. She'd be the one driving all this.

1295
00:56:31,600 --> 00:56:33,879
Speaker 3: So it's really weird. They have no idea what they're

1296
00:56:33,920 --> 00:56:34,880
Speaker 3: doing with your character anymore.

1297
00:56:35,120 --> 00:56:35,560
Speaker 4: I don't want to.

1298
00:56:35,560 --> 00:56:37,000
Speaker 6: I don't want to keep harping on it. Then I

1299
00:56:37,120 --> 00:56:40,040
Speaker 6: have a hard time not doing We are at the opera.

1300
00:56:40,160 --> 00:56:42,240
Speaker 6: Eric and Feenie are sitting on the balcony at the opera.

1301
00:56:42,480 --> 00:56:47,240
Speaker 6: Eric throws a paper airplane of the opera.

1302
00:56:47,719 --> 00:56:48,640
Speaker 4: It's all blurry.

1303
00:56:48,920 --> 00:56:52,400
Speaker 5: I remember this seems a ton of fun because it

1304
00:56:52,480 --> 00:56:53,080
Speaker 5: was just Bill and I.

1305
00:56:53,120 --> 00:56:53,400
Speaker 4: That was it.

1306
00:56:53,560 --> 00:56:57,840
Speaker 5: It was Bill and I and and just saying dialogue.

1307
00:56:57,880 --> 00:56:59,279
Speaker 3: It was awesome, so much fun.

1308
00:56:59,440 --> 00:57:02,160
Speaker 6: When the paper airplane glides to the lower level, he

1309
00:57:02,239 --> 00:57:04,960
Speaker 6: yells heads and defeated. Phoene says, I trust that's your

1310
00:57:05,000 --> 00:57:08,040
Speaker 6: last one. Eric says he's dying. They've been there for

1311
00:57:08,040 --> 00:57:10,560
Speaker 6: two hours, but Phoene explains it's only been ten minutes.

1312
00:57:10,880 --> 00:57:12,879
Speaker 6: Phoene tells him to settle down and enjoy the evening,

1313
00:57:12,960 --> 00:57:14,919
Speaker 6: but Eric says, what's to enjoy. We got three fat

1314
00:57:14,920 --> 00:57:17,760
Speaker 6: tenors going at it in Italian. Then Eric starts singing

1315
00:57:17,920 --> 00:57:21,280
Speaker 6: I'm futterer than you are, and the couple next to

1316
00:57:21,360 --> 00:57:22,360
Speaker 6: him tell Eric to.

1317
00:57:22,520 --> 00:57:24,640
Speaker 1: Hush sh Eric.

1318
00:57:24,520 --> 00:57:27,320
Speaker 6: Starts to tell Feenie he appreciates him helping get into Yale,

1319
00:57:27,320 --> 00:57:29,080
Speaker 6: but Phoene cuts him off and says he couldn't get

1320
00:57:29,160 --> 00:57:31,120
Speaker 6: him into Yale. He couldn't even get him into a

1321
00:57:31,200 --> 00:57:36,080
Speaker 6: Yale sweatshirt, which is another great line. Eric says Peenie

1322
00:57:36,080 --> 00:57:38,160
Speaker 6: took his opera tickets and didn't complete the other half

1323
00:57:38,160 --> 00:57:39,920
Speaker 6: of the deal, but Phoene says the only deal he

1324
00:57:39,960 --> 00:57:42,320
Speaker 6: made is to be his teacher and his friend and

1325
00:57:42,360 --> 00:57:44,919
Speaker 6: to help make Eric a better person. But Eric doesn't

1326
00:57:44,920 --> 00:57:46,360
Speaker 6: want to be a better person. He just wants to

1327
00:57:46,360 --> 00:57:48,280
Speaker 6: party with the girl on the raft, and Phoene tells

1328
00:57:48,320 --> 00:57:50,120
Speaker 6: him he won't be doing that at Yale, so Eric

1329
00:57:50,200 --> 00:57:53,440
Speaker 6: says he came here for nothing. Phoene asks what if

1330
00:57:53,520 --> 00:57:55,480
Speaker 6: Eric does meet the girl on the raft or another

1331
00:57:55,560 --> 00:57:58,320
Speaker 6: girl and she has a passion for culture like opera

1332
00:57:58,560 --> 00:58:00,560
Speaker 6: because after this evening he would have something to talk

1333
00:58:00,560 --> 00:58:02,520
Speaker 6: to her about. Eric says, it's a nice try, but

1334
00:58:02,560 --> 00:58:04,760
Speaker 6: this kind of stuff is lost on a guy like him.

1335
00:58:05,080 --> 00:58:08,880
Speaker 6: Eric gets up to leave, but then he recognizes the music.

1336
00:58:09,440 --> 00:58:14,280
Speaker 6: It's bugs, Bunny Bugs, sonny funny.

1337
00:58:14,880 --> 00:58:17,320
Speaker 5: You know what I love about Chris. I love that.

1338
00:58:18,720 --> 00:58:21,760
Speaker 3: Feene is different with everybody else on the show than

1339
00:58:21,800 --> 00:58:22,520
Speaker 3: he is with Eric.

1340
00:58:22,720 --> 00:58:22,959
Speaker 1: Yep.

1341
00:58:23,000 --> 00:58:26,120
Speaker 3: He realizes that kind of the subtle tea that he

1342
00:58:26,120 --> 00:58:29,040
Speaker 3: has with everybody else is lost on Eric. So he's

1343
00:58:29,320 --> 00:58:31,800
Speaker 3: very straightforward with him, very You're not going to Yale.

1344
00:58:31,840 --> 00:58:34,000
Speaker 3: It's not gonna happen. Here's why I brought you here.

1345
00:58:34,040 --> 00:58:36,640
Speaker 3: It's such an interesting dynamic between the two of them,

1346
00:58:36,640 --> 00:58:39,760
Speaker 3: and it's seeing Feene totally different than he is with

1347
00:58:39,880 --> 00:58:41,000
Speaker 3: anybody else on the show.

1348
00:58:41,280 --> 00:58:41,520
Speaker 4: Yep.

1349
00:58:41,760 --> 00:58:43,160
Speaker 5: It's really cool. Yeah, you're right.

1350
00:58:43,240 --> 00:58:45,480
Speaker 6: There's also a little bit of like we've talked about

1351
00:58:45,480 --> 00:58:49,680
Speaker 6: how with Corey, we we're pretty confident Corey's gonna turn

1352
00:58:49,720 --> 00:58:50,240
Speaker 6: out okay.

1353
00:58:50,280 --> 00:58:52,560
Speaker 1: So even when Corey is acting.

1354
00:58:52,280 --> 00:58:53,880
Speaker 6: Like a little bit of a dumb dumb with Sean

1355
00:58:54,520 --> 00:58:57,080
Speaker 6: Phoene can be a little sarcastic and just walk off

1356
00:58:57,240 --> 00:59:00,840
Speaker 6: because ultimately he knows he's okay, but it really you

1357
00:59:00,880 --> 00:59:03,880
Speaker 6: do get the sense that Feene knows you may not

1358
00:59:04,040 --> 00:59:06,200
Speaker 6: be yeh, and he needs to work with you. He

1359
00:59:06,280 --> 00:59:08,760
Speaker 6: needs to find a way to connect with you and

1360
00:59:08,800 --> 00:59:11,480
Speaker 6: to have the separate relationship with you, which is really

1361
00:59:11,560 --> 00:59:15,720
Speaker 6: nice and also exactly what every incredible teacher, like our

1362
00:59:15,800 --> 00:59:17,840
Speaker 6: own Wesley Staples, David Combs what they do.

1363
00:59:18,080 --> 00:59:22,560
Speaker 4: Yeah, yeah, I do. Miss Corey Feene dynamics me too,

1364
00:59:22,560 --> 00:59:24,840
Speaker 4: because especially the last time we really saw it was

1365
00:59:24,920 --> 00:59:27,880
Speaker 4: Danger Boy, right Danger Yeah, this is a Danger Boys

1366
00:59:27,920 --> 00:59:31,000
Speaker 4: in the name of the episode. Yeah, just so great

1367
00:59:31,040 --> 00:59:34,840
Speaker 4: when they sort of bond over their you know, fussiness

1368
00:59:34,840 --> 00:59:37,840
Speaker 4: and like and how and everyone misjudges them. I want

1369
00:59:37,840 --> 00:59:39,760
Speaker 4: to I want that back. I want Corey. And then

1370
00:59:39,800 --> 00:59:41,880
Speaker 4: I think think about the end of season one when

1371
00:59:41,920 --> 00:59:45,400
Speaker 4: Phoene's in the hospital. Those are like great scenes, and

1372
00:59:45,520 --> 00:59:47,720
Speaker 4: I think that's gone for a while. Now it's gone.

1373
00:59:47,720 --> 00:59:48,400
Speaker 5: I think it's gone.

1374
00:59:48,600 --> 00:59:52,160
Speaker 3: It comes back later, but I almost think it comes

1375
00:59:52,200 --> 00:59:54,840
Speaker 3: back only to allude to what it used to be,

1376
00:59:54,960 --> 00:59:57,680
Speaker 3: as opposed to coming back for what it was, if

1377
00:59:57,680 --> 00:59:58,320
Speaker 3: that makes sense.

1378
00:59:58,880 --> 01:00:00,720
Speaker 5: So it's uh, yeah, it's interesting.

1379
01:00:00,760 --> 01:00:03,040
Speaker 3: They've kind of they've paired up Eric and Feenie now,

1380
01:00:03,040 --> 01:00:04,240
Speaker 3: and I think this is kind of what you're going

1381
01:00:04,280 --> 01:00:06,400
Speaker 3: to see, yeah, which is great. I mean totally it's

1382
01:00:06,400 --> 01:00:09,360
Speaker 3: a different dynamic, but I know what you mean. Yeah,

1383
01:00:09,440 --> 01:00:12,680
Speaker 3: those were great scenes with Feenie and Corey.

1384
01:00:12,800 --> 01:00:15,680
Speaker 6: Yeah, really worth So Phoene corrects Eric that it's Wagner

1385
01:00:15,760 --> 01:00:17,880
Speaker 6: and Eric says they're talking cartoons.

1386
01:00:17,920 --> 01:00:19,280
Speaker 1: Phoene is way out of his league.

1387
01:00:19,520 --> 01:00:22,480
Speaker 6: This is great usage of public domain music, by the way, Yeah,

1388
01:00:22,640 --> 01:00:24,760
Speaker 6: really good usage. It's all it's when you have to

1389
01:00:24,920 --> 01:00:26,520
Speaker 6: use public domain stuff, it can be hard to work

1390
01:00:26,520 --> 01:00:27,400
Speaker 6: it in. But this was really great.

1391
01:00:27,480 --> 01:00:28,960
Speaker 4: My first thought when Eric turned around, I was like,

1392
01:00:29,040 --> 01:00:32,120
Speaker 4: is he going to say apocalypse now? And right right,

1393
01:00:32,320 --> 01:00:34,160
Speaker 4: I was like, what does he recognize that?

1394
01:00:34,640 --> 01:00:35,560
Speaker 5: I remember it was buggers?

1395
01:00:35,760 --> 01:00:36,480
Speaker 4: This bug's bunny.

1396
01:00:36,760 --> 01:00:38,400
Speaker 6: And then we're in the Matthews living room. Corey and

1397
01:00:38,440 --> 01:00:40,040
Speaker 6: Sean have moved the pig and are hiding him at

1398
01:00:40,080 --> 01:00:42,400
Speaker 6: the Matthews house. Sean asks, isn't it obvious to move

1399
01:00:42,440 --> 01:00:44,440
Speaker 6: him here, and Corey says, no, hiding the pig at

1400
01:00:44,480 --> 01:00:47,360
Speaker 6: old McDonald's house, now, that would be obvious. Cory says,

1401
01:00:47,400 --> 01:00:49,560
Speaker 6: if he knows Tapanga, he bets she didn't even call

1402
01:00:49,640 --> 01:00:53,040
Speaker 6: animal control and then perfectly timed the doorbell rings. Corey

1403
01:00:53,080 --> 01:00:55,440
Speaker 6: says he's a big, fat, stupid head, and he walks

1404
01:00:55,440 --> 01:00:58,520
Speaker 6: over to answer the door, and as predicted, it's Victor

1405
01:00:58,560 --> 01:01:01,760
Speaker 6: from Animal Control played by Richard Karn, who deserved the

1406
01:01:01,800 --> 01:01:04,680
Speaker 6: Room McClanahan treatment but doesn't get it because we know

1407
01:01:05,520 --> 01:01:05,800
Speaker 6: it's like.

1408
01:01:05,800 --> 01:01:07,680
Speaker 4: There's this moment where he gets off the glasses. I

1409
01:01:07,680 --> 01:01:09,640
Speaker 4: was like, well, oh, I know you want it.

1410
01:01:10,000 --> 01:01:12,240
Speaker 1: He deserves it. I don't know. I don't know.

1411
01:01:12,680 --> 01:01:14,960
Speaker 3: You figured the audience is going to know him way

1412
01:01:14,960 --> 01:01:16,520
Speaker 3: better than they knew Rue McClanahan.

1413
01:01:16,720 --> 01:01:18,360
Speaker 4: Yeah, right, Well, the problem is we didn't do it

1414
01:01:18,400 --> 01:01:19,840
Speaker 4: in front of a live on and so he missed

1415
01:01:19,840 --> 01:01:21,560
Speaker 4: out the opportunity to like to take the pause and

1416
01:01:21,600 --> 01:01:23,960
Speaker 4: make that appearance, or to take the pause. But you

1417
01:01:24,280 --> 01:01:26,720
Speaker 4: think if I were directing this, I would have inserted

1418
01:01:26,720 --> 01:01:27,320
Speaker 4: it right.

1419
01:01:28,320 --> 01:01:30,880
Speaker 1: And then there's an uproarious applause. You hold there.

1420
01:01:31,000 --> 01:01:34,760
Speaker 4: Yeah, I know the show on television at the time.

1421
01:01:34,920 --> 01:01:36,880
Speaker 4: Ye you know. But maybe that's part of the problem

1422
01:01:36,920 --> 01:01:39,000
Speaker 4: is that he was already he was like a regular

1423
01:01:39,040 --> 01:01:42,320
Speaker 4: in everybody's household, so like, yeah, they're just used to it. Yeah,

1424
01:01:42,440 --> 01:01:44,880
Speaker 4: maybe you know because rum McLanahan was like a callback

1425
01:01:45,160 --> 01:01:47,880
Speaker 4: to like remember her from you know, three or four

1426
01:01:47,960 --> 01:01:51,480
Speaker 4: years ago or whenever. Girls, this is still yeah.

1427
01:01:52,160 --> 01:01:52,640
Speaker 3: True yeah.

1428
01:01:53,480 --> 01:01:56,280
Speaker 6: Victor says, by law, he's required to show his badge,

1429
01:01:56,320 --> 01:01:59,040
Speaker 6: and then he flashes Sean and Corey's driver's license. He

1430
01:01:59,080 --> 01:02:02,000
Speaker 6: explains his animal can they don't give him badges? Victor

1431
01:02:02,040 --> 01:02:03,840
Speaker 6: starts looking around and says, you got a pig?

1432
01:02:03,920 --> 01:02:04,480
Speaker 1: I want him.

1433
01:02:04,600 --> 01:02:07,040
Speaker 6: Sean asks Victor to describe the pig, and Victor says

1434
01:02:07,040 --> 01:02:09,560
Speaker 6: he looks like a great big lion. Sean says, oh,

1435
01:02:09,600 --> 01:02:11,880
Speaker 6: that's not our pig, which, again.

1436
01:02:11,920 --> 01:02:16,120
Speaker 3: I also love how instantly Sean changes when he's around authority.

1437
01:02:16,200 --> 01:02:18,920
Speaker 3: He becomes schemer again, like, well, wait a second, let

1438
01:02:18,920 --> 01:02:21,200
Speaker 3: me like he's been this quiet kind of hey, I

1439
01:02:21,240 --> 01:02:22,920
Speaker 3: want to be with the pig, but now there's somebody

1440
01:02:22,920 --> 01:02:24,840
Speaker 3: with authority around, and he instantly becomes like a wells,

1441
01:02:25,200 --> 01:02:28,919
Speaker 3: I mean's such a trailer park kid thing authorities around,

1442
01:02:28,920 --> 01:02:29,520
Speaker 3: authorities around.

1443
01:02:29,560 --> 01:02:31,680
Speaker 4: Well, let's see if we can get rid of this guy. Well,

1444
01:02:31,800 --> 01:02:32,360
Speaker 4: describe it.

1445
01:02:32,440 --> 01:02:34,560
Speaker 5: Like he instantly changed again. I thought that was cool.

1446
01:02:34,720 --> 01:02:35,280
Speaker 1: It is cool.

1447
01:02:35,480 --> 01:02:35,720
Speaker 7: Yeah.

1448
01:02:35,760 --> 01:02:38,000
Speaker 6: Corey asks Victor to vacate his home or else he'll

1449
01:02:38,000 --> 01:02:40,920
Speaker 6: be forced to call the animal control control people, and

1450
01:02:40,960 --> 01:02:44,600
Speaker 6: Sean says, that's right, little Corey. And then Little Corey

1451
01:02:44,720 --> 01:02:48,240
Speaker 6: the pig comes downstairs right on que probably because somebody

1452
01:02:48,240 --> 01:02:49,160
Speaker 6: told him we have food.

1453
01:02:49,480 --> 01:02:51,600
Speaker 1: Sean says, okay, who shaved the dog?

1454
01:02:51,680 --> 01:02:52,400
Speaker 5: Shaved the dog.

1455
01:02:52,960 --> 01:02:54,920
Speaker 6: Victor puts a leash on Little Corey and says the

1456
01:02:54,920 --> 01:02:57,280
Speaker 6: neighborhood is not zoned for pigs. He says to keep

1457
01:02:57,280 --> 01:02:59,520
Speaker 6: it on the QT, but he has a twenty foot

1458
01:02:59,560 --> 01:03:02,040
Speaker 6: boa his truck he can slip Sean if he wants it.

1459
01:03:02,400 --> 01:03:04,720
Speaker 6: Sean asks if he can just say goodbye to Little Corey.

1460
01:03:04,840 --> 01:03:07,000
Speaker 6: He takes the little pig aside and says he's going

1461
01:03:07,000 --> 01:03:08,680
Speaker 6: to find out where Little Corey ends up so he

1462
01:03:08,720 --> 01:03:10,960
Speaker 6: can go visit him, because he knows what it's like

1463
01:03:11,080 --> 01:03:14,280
Speaker 6: being passed from home to home. I did think there

1464
01:03:14,280 --> 01:03:17,160
Speaker 6: could have been we could normally we talk so much

1465
01:03:17,160 --> 01:03:20,840
Speaker 6: about how when something sentimental to play opposite the sentimentality.

1466
01:03:20,880 --> 01:03:22,680
Speaker 1: But I did feel like there was a moment.

1467
01:03:22,400 --> 01:03:24,800
Speaker 6: Here where I was almost like, Sean seems relieved to

1468
01:03:24,880 --> 01:03:27,960
Speaker 6: have the pig, Like Sean seems like, you know what,

1469
01:03:28,000 --> 01:03:29,040
Speaker 6: honestly this was about.

1470
01:03:29,160 --> 01:03:32,080
Speaker 4: Should have actually been sad, Like yeah, you're a little

1471
01:03:32,080 --> 01:03:32,720
Speaker 4: more torn up.

1472
01:03:33,120 --> 01:03:35,000
Speaker 6: I felt like maybe there there could have been a

1473
01:03:35,120 --> 01:03:37,160
Speaker 6: room for there to be a little more right.

1474
01:03:37,400 --> 01:03:40,960
Speaker 4: If this were a Jeff Sherman's script, Yeah right, or

1475
01:03:41,000 --> 01:03:43,800
Speaker 4: a Matt Nelson's script, I imagine Sean would have had

1476
01:03:43,800 --> 01:03:44,760
Speaker 4: a monologue to the pig.

1477
01:03:45,240 --> 01:03:50,320
Speaker 5: Yeah something, yeah, yeah.

1478
01:03:49,960 --> 01:03:53,000
Speaker 4: I guess I'll see later, little guy. Yeah we're going

1479
01:03:53,080 --> 01:03:58,280
Speaker 4: to be okay. You can know you're gonna lose your

1480
01:03:58,280 --> 01:04:00,880
Speaker 4: best friend, your best friend's girl, exactly.

1481
01:04:01,240 --> 01:04:02,840
Speaker 6: Yeah, there could have been just I felt like there

1482
01:04:02,840 --> 01:04:05,720
Speaker 6: was a little something missing there. So Sean is about

1483
01:04:05,720 --> 01:04:07,920
Speaker 6: to handle little Corey back, but to Panga walks in

1484
01:04:08,120 --> 01:04:09,959
Speaker 6: just in the nick of time and says, you can't

1485
01:04:10,000 --> 01:04:12,600
Speaker 6: take this pig. Victor pulls out his notes and reads

1486
01:04:12,600 --> 01:04:14,600
Speaker 6: off to Pango Lawrence going out with Corey Matthews for

1487
01:04:14,640 --> 01:04:18,000
Speaker 6: two months. I'm way too overqualified for this job. To

1488
01:04:18,080 --> 01:04:20,360
Speaker 6: Penga says, after she called animal control, she found an

1489
01:04:20,360 --> 01:04:22,640
Speaker 6: ad for a lost pig and called its owners, so

1490
01:04:22,720 --> 01:04:25,000
Speaker 6: now they don't have to take little Corey away. The

1491
01:04:25,040 --> 01:04:29,680
Speaker 6: owner walks in, who happens to be mister Turner. Turner

1492
01:04:29,800 --> 01:04:33,440
Speaker 6: says the pig belongs to his boy z. Then everyone

1493
01:04:33,520 --> 01:04:34,800
Speaker 6: says Zed.

1494
01:04:35,120 --> 01:04:38,480
Speaker 3: And Danielle, you take a moment to look directly at

1495
01:04:38,520 --> 01:04:41,760
Speaker 3: the camera, do I you do? You do want somebody

1496
01:04:41,800 --> 01:04:44,400
Speaker 3: Scanner rounds like I don't know what you're to go about,

1497
01:04:45,120 --> 01:04:48,080
Speaker 3: Like you make nice eye contact with it.

1498
01:04:48,400 --> 01:04:49,280
Speaker 4: Everybody there in the.

1499
01:04:49,200 --> 01:04:49,880
Speaker 5: Audience, right.

1500
01:04:50,000 --> 01:04:51,760
Speaker 6: I can't wait to add that to my list of

1501
01:04:51,920 --> 01:04:55,760
Speaker 6: other things I do that are terrible Turner jokes. Actually

1502
01:04:55,760 --> 01:04:58,480
Speaker 6: my arc is outside and I'm one pig short. Victor

1503
01:04:58,560 --> 01:05:01,880
Speaker 6: isn't happy and tells Turner over your head, we're going downtown.

1504
01:05:02,120 --> 01:05:04,200
Speaker 4: Did you guys think the Z thing was a reference

1505
01:05:04,200 --> 01:05:04,840
Speaker 4: to pulp fiction?

1506
01:05:05,520 --> 01:05:08,640
Speaker 1: Oh? I never thought of it. Jenson Karp just said yes.

1507
01:05:08,640 --> 01:05:12,320
Speaker 4: Yeah, because pulp fiction had come out either ninety four,

1508
01:05:12,480 --> 01:05:15,000
Speaker 4: so this is ninety five. So it was like such

1509
01:05:15,240 --> 01:05:17,120
Speaker 4: in the po all I could think was is this

1510
01:05:17,160 --> 01:05:20,680
Speaker 4: a conscious pulp fiction reference? I said yeah, okay.

1511
01:05:22,000 --> 01:05:25,040
Speaker 6: So Turner asks if he's kidding, and he says, yes, too,

1512
01:05:25,080 --> 01:05:28,640
Speaker 6: can play the sarcasm game. Victor hands mister Turner the pig, says,

1513
01:05:28,640 --> 01:05:30,840
Speaker 6: give my best to Z and reveals the offer for

1514
01:05:30,880 --> 01:05:33,600
Speaker 6: the twenty foot Boa still stands. Sean asks if he

1515
01:05:33,640 --> 01:05:35,640
Speaker 6: has a card, and he scoffs no. They don't even

1516
01:05:35,640 --> 01:05:38,400
Speaker 6: give us badges. Then he puts on his aviators and

1517
01:05:38,440 --> 01:05:41,800
Speaker 6: he walks out. Richard Karn came in and just gave

1518
01:05:41,880 --> 01:05:45,000
Speaker 6: us five solid minutes of carnage.

1519
01:05:45,120 --> 01:05:48,040
Speaker 1: Richard Carnage. He's just a killer.

1520
01:05:48,640 --> 01:05:50,880
Speaker 4: So much he doesn't have a podcast called Carnage.

1521
01:05:51,400 --> 01:05:53,160
Speaker 1: Yeah, I'm producing that.

1522
01:05:53,120 --> 01:05:54,560
Speaker 4: One, really missing that opportunity.

1523
01:05:55,920 --> 01:05:58,680
Speaker 6: I want you guys to know we get some ish

1524
01:05:58,840 --> 01:06:02,720
Speaker 6: for having super obscure merch, but uh, we were thinking

1525
01:06:02,760 --> 01:06:05,680
Speaker 6: of making the animal control hat Richard Karn is wearing,

1526
01:06:05,720 --> 01:06:09,280
Speaker 6: but we've decided to hold off because that might just

1527
01:06:09,400 --> 01:06:13,800
Speaker 6: be too Niche. Turner says, Hunter, I must really like you,

1528
01:06:13,880 --> 01:06:15,880
Speaker 6: and then he hands the pig back to him. Sean

1529
01:06:15,920 --> 01:06:18,280
Speaker 6: asks Topanga why she changed her mind, and she says,

1530
01:06:18,360 --> 01:06:21,600
Speaker 6: number one, it's not her pig, and number two, Sean

1531
01:06:21,840 --> 01:06:25,520
Speaker 6: isn't just Corey's best friend, he's her friend too, And

1532
01:06:25,560 --> 01:06:28,240
Speaker 6: I feel like someone should tell Topanga that the feeling

1533
01:06:28,320 --> 01:06:33,760
Speaker 6: is not mutual, that Sean specifically said she's not my friend.

1534
01:06:34,320 --> 01:06:37,480
Speaker 6: And now I'm just uncomfy with this friendship. Sean and

1535
01:06:37,520 --> 01:06:40,520
Speaker 6: Topanga hug and Corey says, I think the pig is

1536
01:06:40,560 --> 01:06:44,000
Speaker 6: tearing up and writer's feeding him again, because we have

1537
01:06:44,040 --> 01:06:45,200
Speaker 6: to keep the pig here and we have to keep

1538
01:06:45,240 --> 01:06:48,200
Speaker 6: him happy. So writer's feeding the piker, and then we're

1539
01:06:48,240 --> 01:06:50,480
Speaker 6: in our tag. We're at the opera. It's the end

1540
01:06:50,560 --> 01:06:52,920
Speaker 6: of the opera. Phoene is clapping and Eric is yelling

1541
01:06:52,960 --> 01:06:56,439
Speaker 6: more while throwing flowers toward the stage. Poene is trying

1542
01:06:56,440 --> 01:06:59,000
Speaker 6: to leave, but Eric is still yelling more. He says,

1543
01:06:59,000 --> 01:07:01,200
Speaker 6: Feene opened up a whole new world for him, and

1544
01:07:01,240 --> 01:07:03,640
Speaker 6: women will be so impressed with his knowledge of culture.

1545
01:07:04,200 --> 01:07:07,840
Speaker 6: Eric yells fortissimo and waves his arms back and forth.

1546
01:07:08,600 --> 01:07:11,000
Speaker 6: Phoene said he is tired and he wants to go home,

1547
01:07:11,080 --> 01:07:14,160
Speaker 6: and Eric calls him cranky. Eric asks what happens if

1548
01:07:14,160 --> 01:07:16,840
Speaker 6: he meets a girl who likes ballet and asks Phoenie

1549
01:07:16,880 --> 01:07:19,520
Speaker 6: if they can go see that. Phoene says, yes, another

1550
01:07:19,560 --> 01:07:21,880
Speaker 6: time when I felt like the writers here were influenced

1551
01:07:21,920 --> 01:07:25,760
Speaker 6: by our very own genius teacher David Combs.

1552
01:07:25,840 --> 01:07:27,000
Speaker 5: Yeah, seems like they could have been.

1553
01:07:27,080 --> 01:07:30,200
Speaker 1: Definitely yeah, yep, So Phoene says yes.

1554
01:07:30,560 --> 01:07:32,439
Speaker 6: Phoenie keeps trying to leave, but Eric says he can't

1555
01:07:32,480 --> 01:07:35,320
Speaker 6: leave until something big happens. Phoene says, nothing happens, It

1556
01:07:35,400 --> 01:07:38,000
Speaker 6: just ends. Then Eric asks who the fat lady is

1557
01:07:38,040 --> 01:07:40,080
Speaker 6: on stage and we hear singing. Eric says, all right,

1558
01:07:40,120 --> 01:07:40,760
Speaker 6: we can go home now.

1559
01:07:40,680 --> 01:07:41,600
Speaker 5: Hi, we can go home there.

1560
01:07:42,960 --> 01:07:44,840
Speaker 6: Well, you must have had so much fun working with

1561
01:07:44,880 --> 01:07:47,080
Speaker 6: Bill and these little moments where it.

1562
01:07:47,040 --> 01:07:49,360
Speaker 3: Was like we were both in tuxedos and we were

1563
01:07:49,360 --> 01:07:51,480
Speaker 3: in the set we'd never been in before, and it

1564
01:07:51,560 --> 01:07:53,960
Speaker 3: was just the two of us, and it was really.

1565
01:07:53,760 --> 01:07:54,240
Speaker 4: A lot of fun.

1566
01:07:54,240 --> 01:07:57,960
Speaker 3: I loved scenes like this, just just Bill and myself

1567
01:07:58,000 --> 01:08:00,000
Speaker 3: working together were some of my favorite moments.

1568
01:08:00,400 --> 01:08:02,360
Speaker 1: Yeah, yeah, just so fun.

1569
01:08:02,440 --> 01:08:05,880
Speaker 6: Every scene with you guys is enjoyable, So I love it.

1570
01:08:06,440 --> 01:08:08,360
Speaker 6: Thank you all for joining us for this episode of

1571
01:08:08,400 --> 01:08:10,680
Speaker 6: Pod Meets World. You can follow us on Instagram pod

1572
01:08:10,720 --> 01:08:12,920
Speaker 6: meets World Show. You can send us your emails podmeets

1573
01:08:12,920 --> 01:08:15,520
Speaker 6: World Show at gmail dot com, and we have merch

1574
01:08:16,200 --> 01:08:21,280
Speaker 6: Merche Italian Italian. I knew that one. Next episode, Season three,

1575
01:08:21,320 --> 01:08:24,679
Speaker 6: episode seven, Truth and Consequences. It originally aired November tenth,

1576
01:08:24,760 --> 01:08:28,000
Speaker 6: nineteen ninety five. Writer send us out, We.

1577
01:08:28,080 --> 01:08:32,280
Speaker 4: Love you all, pod dismissed. Pod Meets World is an

1578
01:08:32,280 --> 01:08:35,599
Speaker 4: iHeart podcast produced and hosted by Danielle Fischel, Wilferdell, and

1579
01:08:35,680 --> 01:08:39,639
Speaker 4: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman, Executive

1580
01:08:39,680 --> 01:08:43,200
Speaker 4: in charge of production, Danielle Romo, producer and editor, Tara

1581
01:08:43,320 --> 01:08:47,320
Speaker 4: Sudbox producer, Jackie Rodriguez, engineer and Boy Meets World super

1582
01:08:47,320 --> 01:08:50,240
Speaker 4: fan Easton Allen. Our theme song is by Kyle Morton

1583
01:08:50,280 --> 01:08:53,160
Speaker 4: of Typhoon. You can follow us on Instagram at Podmets

1584
01:08:53,160 --> 01:08:56,120
Speaker 4: World Show or send us an email at Podmeets World

1585
01:08:56,120 --> 01:08:58,360
Speaker 4: Show at gmail dot com.