WEBVTT - Mini Crush #46

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<v Speaker 1>Hey, everybody, Welcome to movie Crush. I got no al

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<v Speaker 1>on my left dat dot dot da. That means I'm

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<v Speaker 1>also on knowles left. Yeah, well, yeah you are? You are.

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<v Speaker 1>It's true. You just had to figure that out, didn't you.

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<v Speaker 1>I'm a left handed and that was very easy for

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<v Speaker 1>me to figure out because I just thought, which hand

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<v Speaker 1>do I write with? And that was the one you

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<v Speaker 1>were next to? Are you a lefty? I am a lefty?

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<v Speaker 1>Did not know that? I believe? Isn't the rumor that

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<v Speaker 1>um isn't the legend that lefties are more creative? Is

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<v Speaker 1>that true? I couldn't speak to that, Chuck. I only

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<v Speaker 1>know myself who is super creative. Well that's very multi talented, Chuck.

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<v Speaker 1>You can do it all. Come now, play instruments, you

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<v Speaker 1>can sing? You know. All I do these days is

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<v Speaker 1>karaoke and podcasting. What's your karaoke jam? I got? Lately?

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<v Speaker 1>I've been really liking Kiss from a Rose by Seal.

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<v Speaker 1>Oh you did that at our Christmas jam last year.

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<v Speaker 1>It was great. I tend to do that as a

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<v Speaker 1>go to. I also like Ashes to Ashes by David Bowie. Um,

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<v Speaker 1>and that's just took that one. What else we know

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<v Speaker 1>mayor Toms Junky. It's so great. Great. Um those are

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<v Speaker 1>my two, my two big ones these days. Yeah, all right,

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<v Speaker 1>that's good. I don't like to change my take on

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<v Speaker 1>me by ahak occasionally. Can you do that? I can

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<v Speaker 1>hit that note? Yeah, but yeah, little early right now,

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<v Speaker 1>but you can hit that the note. Oh I think

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<v Speaker 1>that is a cheat? No is that the there's dogs

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<v Speaker 1>lined up outside the door all of a sudden, as

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<v Speaker 1>as I can go. Sorry, I think, well though, when

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<v Speaker 1>you're in the karaoke spirit on the stage and you

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<v Speaker 1>got some drinks in you, you just squeeze those nuts.

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<v Speaker 1>Make it happen, Make it happen. I did karaoke at

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<v Speaker 1>a had a friend's wedding in Philadelphia, my good friends

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<v Speaker 1>Eddie and Allison years ago, and I remember I went

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<v Speaker 1>to this bar in Philly and signed up. I think

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<v Speaker 1>someone had done under Pressure, which is my usual go

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<v Speaker 1>to because I do both parts Freddie Mercury and David

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<v Speaker 1>Bowie and um. I signed up for Foreigners Cold as

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<v Speaker 1>Ice without really thinking about it. And as I went

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<v Speaker 1>up there, the karaoke master gave me the mic and said,

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<v Speaker 1>you better squeeze your nuts for this one. And I

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<v Speaker 1>was like oh right, this song is super high, like

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<v Speaker 1>just with like physically squeeze them. You go just to

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<v Speaker 1>sing hi, you know here as cold as ice. I

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<v Speaker 1>don't that seems like a misnomer? Does that really make

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<v Speaker 1>of just makes you in pain? It's no good. It's

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<v Speaker 1>your daughter of a racked you real good and then

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<v Speaker 1>like kicked me. Yeah no, not yet, I mean not

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<v Speaker 1>on purpose. Like in baby days. Sometimes she'll like the

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<v Speaker 1>oh yeah, flopping the wrong manner exactly. Yes, it's no good, no,

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<v Speaker 1>no good. We're teaching Ruby all the correct words though,

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<v Speaker 1>you know, instead of like pep and stuff. So she

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<v Speaker 1>she pounced on me of the day and kind of

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<v Speaker 1>took my breath away, let's say, and she went, daddy

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<v Speaker 1>did at a penis? She did not say that she did?

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<v Speaker 1>And I said, yes, Rubya said, do you have to

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<v Speaker 1>be careful around that area. So we're trying to start

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<v Speaker 1>her young with with proper names. Nol. I think that's smart. Yeah,

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<v Speaker 1>it's good, um, but hey, teach her one. If you

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<v Speaker 1>want your kid to say pep and no no and

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<v Speaker 1>nini and nana, they'll keep saying that into adulthood and

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<v Speaker 1>they'll look very foolish, all right. So Uh, we're gonna

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<v Speaker 1>start off and ole with your favorite Let's go ahead

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<v Speaker 1>and get you angry right out of the gate with

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<v Speaker 1>some knowles holes crowdsourced to dish. This segment really burns

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<v Speaker 1>me up. Uh, this is not a hole, but I

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<v Speaker 1>just want to say that, Emilio Alvarado said right off

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<v Speaker 1>the bat, I fucking love the knowles Holes segments. Ha

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<v Speaker 1>ha ha. Does that mean he's being sarcastic. It's because

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<v Speaker 1>of you. It's because you make them so fun. Thanks Chuck,

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<v Speaker 1>and thanks Ameilia. Um. All right, I'm again. I'm just

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<v Speaker 1>gonna go in order. Let me get my my pin.

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<v Speaker 1>You gotta sharpie over there or something. Here's a Christmas

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<v Speaker 1>themed mug of pens over here. All right. Uh, And

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<v Speaker 1>I'm just gonna keep track with my yes column and

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<v Speaker 1>my no column until we get to twenty, and then

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<v Speaker 1>we're gonna see how how you do you're you're How

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<v Speaker 1>did you do the last time I think you were over?

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<v Speaker 1>I did quite well. Yeah, last time I think I

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<v Speaker 1>did quite well. Excuse me, I do say so myself.

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<v Speaker 1>We need to keep an overall record as well, all right.

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<v Speaker 1>J Fraser says this one nol drop dead Fred, Yeah, Yeah,

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<v Speaker 1>that's the one with um the dude from the what

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<v Speaker 1>was that great BBC comedy show The Young Ones. That's right,

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<v Speaker 1>he's in it, Rick Mayle, Rick Mayle. And also I'm

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<v Speaker 1>giving it to you. Who's the Who's the gal in it?

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<v Speaker 1>Isn't it Phoebe Kates the gal? Uh? I don't know,

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<v Speaker 1>you know what? This is one of my she's the

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<v Speaker 1>Phoebe Kates look alike. If she's not, she really does

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<v Speaker 1>look like Phoebe Kates. This is a chuck hole. And no,

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<v Speaker 1>you know what, Oh, I think it was Phoebe Kates. Um,

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<v Speaker 1>because I'm now remembering the poster a Rick Mayle and

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<v Speaker 1>uh as Fred and Phoebes. So it is absolutely Phoebe Kates.

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<v Speaker 1>You know what. No, it's something you know we're gonna

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<v Speaker 1>do chucks holes. But you gotta curate that list. So

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<v Speaker 1>whenever you feel whenever you feel jumpy, just go ahead

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<v Speaker 1>and get a list of twenty together and we'll do that.

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<v Speaker 1>And dropped dead. He was like her imaginary friend. I

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<v Speaker 1>want to say, I don't even know I give you

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<v Speaker 1>credit though, you can just stop, Okay, I'll stop. Let's

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<v Speaker 1>move on. Dave Croucher says the movie Trick or Treat

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<v Speaker 1>that was a recent like horror kind of situation. I

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<v Speaker 1>don't know. I haven't seen it, but I think the

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<v Speaker 1>guy that did it went on to do some interesting stuff. Okay.

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<v Speaker 1>Dave Crowcher says, I loved it because it was the

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<v Speaker 1>first movie I saw that featured a lot of heavy

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<v Speaker 1>metal music. On hindsight, it wasn't that metal, So no,

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<v Speaker 1>it wasn't recent. Well there's another one, this one you're

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<v Speaker 1>looking up now, there's one from eighty six which has

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<v Speaker 1>a flaming jack O lantern on the cover, So I'm

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<v Speaker 1>assuming that's the metal that's the one he's talking about.

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<v Speaker 1>And then there's another one that came out maybe a

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<v Speaker 1>couple of years ago, and the guy that did that

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<v Speaker 1>went on to do some other cool horror stuff. All right, um,

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<v Speaker 1>Adam Felchner says Moonstruck. I have not seen that. That's

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<v Speaker 1>with share Right and Nicolas Cage. So wait, I need

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<v Speaker 1>to put you down for no for wait, how many knows?

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<v Speaker 1>Is that? That's two notes to total two knows? In

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<v Speaker 1>a yes? Okay almost, but you've done for three Moonstruck.

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<v Speaker 1>He said it has opera, so does that mean he

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<v Speaker 1>has seen it? It's got opera, Nole. I've seen literally

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<v Speaker 1>every piece of popular culture media involving opera except Moonstruck. Yes,

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<v Speaker 1>why did your mom just was like, Okay, just because

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<v Speaker 1>I have some tangential connection to opera doesn't mean magically

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<v Speaker 1>have seen every gotch. I'm sorry I didn't read your

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<v Speaker 1>SMARMI assness. I should have leaned into it a little hard.

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<v Speaker 1>Um Jim Hard Joe Jr. Or har I'm not sure

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<v Speaker 1>if he pronounced that j or not. Oh, the guy

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<v Speaker 1>that did the trick or Tree from two thousand seven

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<v Speaker 1>did Crampus, which I enjoyed. Oh yeah, didn't you like Crampus?

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<v Speaker 1>That was a fun It's a good huh. The holes

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<v Speaker 1>are revealing themselves, I know. Oh, and they're so stinky. Um.

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<v Speaker 1>Jim Hardjo Jr. Says he'd give us a list, but

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<v Speaker 1>I'm just gonna go with the first one on his

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<v Speaker 1>list of sports movies. So get ready to remember the Titans.

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<v Speaker 1>I don't think i've seen it all the way through, right,

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<v Speaker 1>I've seen some of the the very rollicking inspirational scenes,

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<v Speaker 1>the locker room speech and stuff. Um. Ketty bred A

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<v Speaker 1>Meyer says he gave three. I'm gonna say all three,

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<v Speaker 1>because I think you've seen him all Shaun of the Dead,

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<v Speaker 1>Hot Fuzz in the World's End. Yeah, I've seen the trilogy,

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<v Speaker 1>all right, the Cornetto trilogy. I didn't know what was

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<v Speaker 1>called that. I remember that now, I don't understand is

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<v Speaker 1>that What does that have to do with I have

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<v Speaker 1>no idea. Interesting, never heard that. I like that guy though,

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<v Speaker 1>what's his name? You're right? Yeah, Yeah, he's great. Also,

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<v Speaker 1>would be a wonderful guest on this show. I've heard

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<v Speaker 1>him on a couple of shows and he is just

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<v Speaker 1>a very generous, delightful interview. Yeah. He was actually on

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<v Speaker 1>the r M podcast that I like so well, Scott.

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<v Speaker 1>He was on there because he's a huge r M fan.

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<v Speaker 1>That's funny. It's funny. I was looking at um uh

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<v Speaker 1>Instagram again the other day because of the busy Phillips

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<v Speaker 1>coming on the show, and I was looking at her

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<v Speaker 1>Instagram and she had a selfie with Adam Scott after

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<v Speaker 1>they had voted. She was like, look, how I ran

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<v Speaker 1>into it my polling place, And it's funny to think about.

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<v Speaker 1>That's like, again, the beauty of l a is if

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<v Speaker 1>you live in Hollywood, you go to the vet, you

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<v Speaker 1>go to the polling place. You go to the d

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<v Speaker 1>m V and you never know who you're going to

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<v Speaker 1>see there. To ever tell you about my great idea

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<v Speaker 1>for a TV show, I think it would have to

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<v Speaker 1>be animated. But here's the concept. And I have already

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<v Speaker 1>trademark that I're not trademarked, but I've copy written my

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<v Speaker 1>pilot scripts everyone, so you can't steal this Celebrity d

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<v Speaker 1>m V. I like it. So in the bat Cave,

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<v Speaker 1>the original bat Cave, tucked buried into the Hollywood Hills

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<v Speaker 1>below the Hollywood Sign, is the Celebrity d MB. This

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<v Speaker 1>very secret, a A or B list only place where

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<v Speaker 1>the elite can go and get their driver's license renewed

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<v Speaker 1>and their tag plates and stuff. Because I think about it,

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<v Speaker 1>You go to the d m V in Hollywood, you

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<v Speaker 1>think you're gonna see Steven Spielberg standing in line getting

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<v Speaker 1>his driver's license. Do you think Steven Spielberg even has

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<v Speaker 1>to drive? But they all, they all do. They all

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<v Speaker 1>love their little sports cars. That's a good point. So

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<v Speaker 1>I was like, why don't you ever see Tom Cruise

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<v Speaker 1>getting his motorcycle license? And that spawned the idea. It

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<v Speaker 1>was like celebrity DNB. But then it's like a party

0:10:15.960 --> 0:10:18.720
<v Speaker 1>down thing where everyone who works there is like an

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<v Speaker 1>aspiring writer and actor trying to like work it. And

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<v Speaker 1>then Hi Jinks in Sue every Day and stuff like that.

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<v Speaker 1>That is true, Chuck. That is the one thing you

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<v Speaker 1>can't send an assistant to do for I don't think

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<v Speaker 1>so right, you gotta go, you gotta go, gotta be there,

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<v Speaker 1>and let's gotta show up. You gotta show up. Did

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<v Speaker 1>I tell you I went to the bat Cave in

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<v Speaker 1>uh Bronson Caves when I was in l A. Oh,

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<v Speaker 1>well I saw the pis. Yeah, that's but that's like

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<v Speaker 1>that's where they shot that scene in Batman where the

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<v Speaker 1>batmobile is emerging from the that's right, and that the

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<v Speaker 1>idea is that that is where this c D m

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<v Speaker 1>B is. I didn't see ship, but it's there's a

0:10:50.280 --> 0:10:53.719
<v Speaker 1>secret keypad that opens up a secret panel. Yeah, there

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<v Speaker 1>is no real CD No. Well, I've made this up.

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<v Speaker 1>Oh man, So I was captivating. I've created it. I

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<v Speaker 1>love it. All right, So we've gotten five We need

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<v Speaker 1>to do fifteen more. So let's let's pick up the base.

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<v Speaker 1>Christopher Austin says, The Truman Show. Oh yeah, I've seen

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<v Speaker 1>that one, all right, Melosh milosh Foreman. That's a layup?

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<v Speaker 1>Did I make that? Upp? Wasn't Milosh Foreman? It wasn't. No, alright,

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<v Speaker 1>I'm putting that in the Come on, no, no, I

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<v Speaker 1>know who I see? I said too much? Who was that?

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<v Speaker 1>It was somebody? It was Peter Weir, That's right. What

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<v Speaker 1>did Milosh Foreman? Do you a lot of movies that?

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<v Speaker 1>Rob Dennis says A Blazing Saddles. Oh of course, yes, yes,

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<v Speaker 1>of course I've seen Blazing Saddles. Okay, you know what

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<v Speaker 1>that movie is. Um, it's hard to watch now. It's

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<v Speaker 1>got some you know, and I know that's the point.

0:11:40.760 --> 0:11:42.560
<v Speaker 1>I know it's it's meant to make you squirm and

0:11:42.600 --> 0:11:45.200
<v Speaker 1>have some problematic racial stuff in it. But when you

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<v Speaker 1>watch it today, I found myself not getting offended, but

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<v Speaker 1>just a little. Yeah. Co written by A Richard Pryor.

0:11:54.360 --> 0:11:58.720
<v Speaker 1>Um D. C. Hoover says Untouchables. Yeah, I've seen that

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<v Speaker 1>all right? About the bootlegging, um sure, yeah, gangsters, gangsters

0:12:05.559 --> 0:12:08.240
<v Speaker 1>Kristen Glenn Kiss, he says, Lord of the Rings trilogy,

0:12:10.000 --> 0:12:12.120
<v Speaker 1>and she laughs, because of course all you do is

0:12:12.160 --> 0:12:14.200
<v Speaker 1>talk about that in Harry Potter. Why did. I. Yeah,

0:12:14.240 --> 0:12:17.160
<v Speaker 1>that's true. I have seen the entire trilogy. That is

0:12:17.200 --> 0:12:19.520
<v Speaker 1>one of my claims to fame. I've seen all three

0:12:19.920 --> 0:12:22.720
<v Speaker 1>Lord of the Rings. Well there's four actually, because one

0:12:22.760 --> 0:12:25.400
<v Speaker 1>of them was split into it. That was the one

0:12:25.400 --> 0:12:28.520
<v Speaker 1>where it just like it ended like nine times the

0:12:28.559 --> 0:12:31.120
<v Speaker 1>Return of the King. You didn't like them? I don't know, man,

0:12:31.440 --> 0:12:34.320
<v Speaker 1>I just it all sort of just runs together in

0:12:34.320 --> 0:12:36.959
<v Speaker 1>my mind. I know, they're fun battle axes and arrows

0:12:37.000 --> 0:12:40.120
<v Speaker 1>just flying around. I like the Ring Wraiths. They're super creepy.

0:12:40.200 --> 0:12:41.440
<v Speaker 1>I don't even know what that is. They're the big

0:12:41.480 --> 0:12:43.720
<v Speaker 1>creepy dudes with the big swords on the black horses,

0:12:43.760 --> 0:12:47.240
<v Speaker 1>with like the kind of shroudy shadowy you know, cloaks.

0:12:48.080 --> 0:12:53.240
<v Speaker 1>Then they are you a game Game of Thrones? Guy?

0:12:53.400 --> 0:12:57.280
<v Speaker 1>I love Game of Thrones. I watched the first how many?

0:12:57.280 --> 0:12:59.920
<v Speaker 1>What what the season are they on? Now? Five is

0:13:00.000 --> 0:13:01.440
<v Speaker 1>about to be out. I think I watched the first

0:13:01.520 --> 0:13:05.280
<v Speaker 1>two and then just sort of I didn't lose interest

0:13:05.320 --> 0:13:07.000
<v Speaker 1>because I enjoyed it, but I think I just sort

0:13:07.000 --> 0:13:09.160
<v Speaker 1>of fell away from it. I want to know why

0:13:09.200 --> 0:13:11.960
<v Speaker 1>I thought Milo's Foreman did the Truman show. I'm looking

0:13:12.000 --> 0:13:14.839
<v Speaker 1>at his IMDb and you didn't want to flow with

0:13:14.840 --> 0:13:16.600
<v Speaker 1>the cuckoo's nest. I know, I know, I'm just it was.

0:13:16.679 --> 0:13:26.560
<v Speaker 1>It was a weird brain fart there. Logan. Of course,

0:13:26.600 --> 0:13:30.520
<v Speaker 1>Saw says the Holy Mountain. I have seen the Holy Mountain.

0:13:31.200 --> 0:13:33.680
<v Speaker 1>My friend Ryan, my very good friend from l A

0:13:33.920 --> 0:13:38.800
<v Speaker 1>who I saw reconnected with not too long ago, UM

0:13:39.080 --> 0:13:41.160
<v Speaker 1>told me about that one night when we were hanging

0:13:41.160 --> 0:13:45.000
<v Speaker 1>out doing things and he said, dude, you haven't seen

0:13:45.080 --> 0:13:48.280
<v Speaker 1>Holy Mountain. And he bought that ship on DVD and

0:13:48.320 --> 0:13:50.680
<v Speaker 1>shipped it to me. And I still haven't been able

0:13:50.679 --> 0:13:53.480
<v Speaker 1>to find time. But it's on the list. Is it

0:13:53.679 --> 0:13:57.880
<v Speaker 1>just amazing? Well, it's it's it's like it's uh Jodorowski,

0:13:57.960 --> 0:14:01.520
<v Speaker 1>who's this like weirdo mavericky, I want to say, Spanish director,

0:14:02.120 --> 0:14:04.920
<v Speaker 1>and he is just all about the visuals and the

0:14:05.200 --> 0:14:08.040
<v Speaker 1>kind of aesthetics and like the symbolism. So he did

0:14:08.080 --> 0:14:11.160
<v Speaker 1>a movie called Santa Sangri, which is holy holy Blood

0:14:11.160 --> 0:14:13.319
<v Speaker 1>I believe it was what it's what that translates to.

0:14:13.840 --> 0:14:15.839
<v Speaker 1>And he did one called al Topo that's sort of

0:14:15.880 --> 0:14:18.800
<v Speaker 1>a weirdo psychedelic Western, and then Holy Mountain is his

0:14:18.920 --> 0:14:22.360
<v Speaker 1>like Kuda Gras where it's just the most psychedelic ship

0:14:22.480 --> 0:14:24.120
<v Speaker 1>you've ever seen, and it's all kind of got this

0:14:24.160 --> 0:14:28.000
<v Speaker 1>religious symbolism doesn't exactly have a story you can follow,

0:14:28.120 --> 0:14:30.680
<v Speaker 1>but it's just like everything is kind of representative of

0:14:30.760 --> 0:14:33.560
<v Speaker 1>other stuff, and it's about like technology and the forward

0:14:33.960 --> 0:14:37.360
<v Speaker 1>march of civilization and man and like progress and how

0:14:37.400 --> 0:14:41.560
<v Speaker 1>that actually rapes the earth of its you know, wonder

0:14:41.600 --> 0:14:45.880
<v Speaker 1>and natural goodness and so LightFair for a Sunday morning. Yeah,

0:14:45.960 --> 0:14:48.200
<v Speaker 1>but it's also like, you know, there's like a scene

0:14:48.200 --> 0:14:51.960
<v Speaker 1>where there's the visual part of it you see copied

0:14:52.000 --> 0:14:55.560
<v Speaker 1>and so much stuff and like music videos and popular

0:14:55.600 --> 0:14:59.240
<v Speaker 1>culture and things. So it's very very cool sixties seventies,

0:14:59.240 --> 0:15:01.320
<v Speaker 1>I want to say, early seven and he's recommended. Yeah,

0:15:01.360 --> 0:15:03.520
<v Speaker 1>all right, Yeah, it's fucking weird. I mean that's sitting

0:15:03.560 --> 0:15:06.600
<v Speaker 1>in my house. That's my review. Holy Mountain. Yeah, it's

0:15:06.640 --> 0:15:10.560
<v Speaker 1>fucking weird. Ryan, if you're listening, I'm going to watch it, buddy,

0:15:10.560 --> 0:15:12.440
<v Speaker 1>I promise, and I want to see you guys soon.

0:15:13.040 --> 0:15:17.680
<v Speaker 1>Becky Harris Trainer says that thing you do, you know,

0:15:17.720 --> 0:15:20.040
<v Speaker 1>I don't think I have seen that, all right, but

0:15:20.160 --> 0:15:21.520
<v Speaker 1>I know I know a lot about it because the

0:15:21.920 --> 0:15:25.080
<v Speaker 1>music was by the guys from the band Fountains of

0:15:25.120 --> 0:15:27.920
<v Speaker 1>Wayne who I used to be of Schlessinger I think

0:15:28.000 --> 0:15:29.880
<v Speaker 1>is his name, And they wrote all that that kind

0:15:29.920 --> 0:15:32.520
<v Speaker 1>of Beatles esque music which made sense, was all right,

0:15:32.560 --> 0:15:34.840
<v Speaker 1>good get for them. Here's a layup for you from

0:15:34.920 --> 0:15:41.440
<v Speaker 1>Heather Smith. Jurassic Park. I'm just reading him. Everyone. You

0:15:41.520 --> 0:15:43.880
<v Speaker 1>really Hey, you don't know if I've seen Jurassic Park.

0:15:43.960 --> 0:15:45.960
<v Speaker 1>I'm not even asking Nold did you see me? But yes,

0:15:46.200 --> 0:15:49.760
<v Speaker 1>before you even said a word, seen Jurassic Park. Seen

0:15:49.800 --> 0:15:55.000
<v Speaker 1>all the Jurassic Parks, even the really bad ones. Uh,

0:15:55.200 --> 0:16:03.640
<v Speaker 1>Debbie Frank, Frank duckas Man. I just love names. Names

0:16:03.640 --> 0:16:07.280
<v Speaker 1>are great. I feel so Noel Brown and Chuck Bryant.

0:16:08.360 --> 0:16:10.680
<v Speaker 1>I know that's why you're always saying great name, because

0:16:10.680 --> 0:16:15.640
<v Speaker 1>you're jealous of amazing names Franka dakas or or you know,

0:16:15.680 --> 0:16:19.000
<v Speaker 1>however you actually pronounce it. Oh well, I'm sorry, I

0:16:19.040 --> 0:16:22.040
<v Speaker 1>know we get these wrong. Um. I had a guy

0:16:22.120 --> 0:16:23.920
<v Speaker 1>right into stuff you should know yesterday that was like

0:16:24.320 --> 0:16:26.600
<v Speaker 1>he had a funny name and he or an unusual name,

0:16:26.640 --> 0:16:29.000
<v Speaker 1>and he said, hey, guys started listening a few months ago.

0:16:29.000 --> 0:16:31.080
<v Speaker 1>I really like the show, but I really I feel

0:16:31.080 --> 0:16:33.600
<v Speaker 1>like you should put more thought into pronouncing names. And

0:16:33.600 --> 0:16:36.560
<v Speaker 1>it just really like it's the one thing. And I

0:16:36.640 --> 0:16:39.720
<v Speaker 1>was like, dude, you've got ten years of bad name

0:16:39.760 --> 0:16:42.520
<v Speaker 1>pronouncing to catch up on. It's a part of the show.

0:16:42.560 --> 0:16:44.640
<v Speaker 1>It's a part of the show. It's fabric of the show.

0:16:44.640 --> 0:16:50.880
<v Speaker 1>Everyone really is. But Debbie says, Fly to the Navigator, Noel, No, okay,

0:16:51.040 --> 0:16:54.160
<v Speaker 1>that's like a kid's Disney movie about space, right, yep, yep, No,

0:16:54.240 --> 0:16:58.600
<v Speaker 1>I haven't seen him. Ben masters all right, he's going

0:16:58.680 --> 0:17:01.000
<v Speaker 1>old school and you know, so think you're gonna get

0:17:01.040 --> 0:17:04.480
<v Speaker 1>a zilch on this one. The Dawn Patrol. Not I

0:17:04.520 --> 0:17:09.320
<v Speaker 1>even know what that is. Yeh do you Nope, that's

0:17:09.320 --> 0:17:14.920
<v Speaker 1>a chuck hole, Jamie Hearne Irwin says, the Green Mile.

0:17:17.760 --> 0:17:20.680
<v Speaker 1>There's a lot of movies called The Dawn Patrol. It's

0:17:20.720 --> 0:17:23.680
<v Speaker 1>one from seventy there's one from seventy eight, there's one

0:17:23.720 --> 0:17:27.159
<v Speaker 1>from four and there's one from two thousand fourteen. Cheese

0:17:27.240 --> 0:17:29.320
<v Speaker 1>get original. Everyone. I don't know that they're even remakes.

0:17:29.320 --> 0:17:31.080
<v Speaker 1>I think it's just kind of a name that got

0:17:31.119 --> 0:17:33.880
<v Speaker 1>tossed around and not properly copy written. I don't know, Well,

0:17:33.920 --> 0:17:35.640
<v Speaker 1>you can title the movie the same thing, that's true,

0:17:35.640 --> 0:17:37.480
<v Speaker 1>But like, how would I'm gonna make a movie called

0:17:37.480 --> 0:17:39.359
<v Speaker 1>Gone with the Wind. I think that's a great idea.

0:17:39.960 --> 0:17:42.399
<v Speaker 1>What was this next one? Chuck? Uh? Did I ever

0:17:42.480 --> 0:17:44.919
<v Speaker 1>tell you that my dream band name would be the

0:17:44.960 --> 0:17:48.520
<v Speaker 1>Whom the Whom is Good? Yeah? Or the Beatles and

0:17:48.600 --> 0:17:52.840
<v Speaker 1>spell it b E T L E. Can you imagine

0:17:52.880 --> 0:17:55.760
<v Speaker 1>having the balls to name yourself the Beatles and spell

0:17:55.800 --> 0:17:59.439
<v Speaker 1>it like the insect? I could imagine it. Yeah. I

0:17:59.440 --> 0:18:01.719
<v Speaker 1>think that the pun name is lost on a lot

0:18:01.760 --> 0:18:04.360
<v Speaker 1>of people. Of course they were the original pun band name,

0:18:04.520 --> 0:18:06.880
<v Speaker 1>That's right, you know, because it was like beat like

0:18:07.040 --> 0:18:09.879
<v Speaker 1>beating the drum. Uh. So Jamie her Norwin said the

0:18:09.880 --> 0:18:12.280
<v Speaker 1>Green Mile Mile, Yeah, yeah, with the with the with

0:18:12.320 --> 0:18:15.760
<v Speaker 1>the big dude in the mouse, the big dude in

0:18:15.800 --> 0:18:19.240
<v Speaker 1>the mouse, Michael electric Chair? Is that a spoiler? Boy?

0:18:19.880 --> 0:18:23.359
<v Speaker 1>Pollocks had a great story about Michael Clark Duncan on

0:18:23.400 --> 0:18:26.960
<v Speaker 1>the episode. Or did did he make me cut that out?

0:18:26.960 --> 0:18:31.560
<v Speaker 1>I can't remember now. It was good? Yeah if he

0:18:31.800 --> 0:18:34.000
<v Speaker 1>If it's not in there, remind me to tell you

0:18:34.119 --> 0:18:36.280
<v Speaker 1>or the next time you talk to Pollock, say, what's

0:18:36.280 --> 0:18:38.399
<v Speaker 1>your Michael Clark Duncan story? Well, I'm sure he is.

0:18:38.440 --> 0:18:40.159
<v Speaker 1>He is a very he's very generous, with his stories.

0:18:40.240 --> 0:18:42.360
<v Speaker 1>He is, he is, he's got good, He's a good guy.

0:18:43.280 --> 0:18:51.040
<v Speaker 1>Bowman vowel or Bowman vowel says the campaign, I don't

0:18:51.040 --> 0:18:53.240
<v Speaker 1>think so. It's not ring a bell. This is like

0:18:53.240 --> 0:18:56.199
<v Speaker 1>a political drama, political thriller, is it? I don't know.

0:18:56.359 --> 0:19:00.199
<v Speaker 1>I bet it is. That wasn't the Will Ferrell movie.

0:19:01.080 --> 0:19:03.800
<v Speaker 1>Now what was that the candidate? It is the campaign?

0:19:03.840 --> 0:19:06.320
<v Speaker 1>It was with Zach Galafanakis. Yeah, I haven't seen it.

0:19:06.840 --> 0:19:11.280
<v Speaker 1>Oh dude, that movie is funny. It is really funny.

0:19:11.440 --> 0:19:14.000
<v Speaker 1>I'm a sucker for that one. Let me see that

0:19:14.040 --> 0:19:17.480
<v Speaker 1>as ten and M twelve, thirteen, fourteen, fifteen, sixteen, four more.

0:19:17.640 --> 0:19:19.800
<v Speaker 1>Does look like it's Zach Galfanaki is doing his kind

0:19:19.800 --> 0:19:22.880
<v Speaker 1>of a fat Southern counterpart, which yeah, yeah, yeah yeah.

0:19:22.920 --> 0:19:27.560
<v Speaker 1>They love that character. Yeah, that's that's it. Baskets is

0:19:27.600 --> 0:19:29.199
<v Speaker 1>so good. I still haven't seen the new season, but

0:19:30.200 --> 0:19:33.480
<v Speaker 1>that's a good one. Um Stanton Thatcher says, Children of Men,

0:19:34.320 --> 0:19:37.760
<v Speaker 1>Oh yeah, classic, they teach that in film school. Brian

0:19:38.000 --> 0:19:44.840
<v Speaker 1>ammy Amidi says, my favorite year. Nope, alright, no, you

0:19:44.920 --> 0:19:47.960
<v Speaker 1>gotta see my favorite ear. Who's that by Peter O

0:19:48.119 --> 0:19:52.080
<v Speaker 1>Tool starring Petero Tool? Great? Great, great cool. I think

0:19:52.240 --> 0:19:54.760
<v Speaker 1>he might have won an Academy Award for that. I

0:19:54.760 --> 0:19:56.320
<v Speaker 1>think a couple of more here. No one will wrap

0:19:56.359 --> 0:20:05.359
<v Speaker 1>it up, Elizabeth Kapasca, October Sky No, no, I've not

0:20:05.359 --> 0:20:08.080
<v Speaker 1>seen it. I don't know what that is. I think

0:20:08.160 --> 0:20:12.720
<v Speaker 1>young Jake Jillenhall if I'm not mistaken. Alright, Noel one

0:20:12.760 --> 0:20:17.399
<v Speaker 1>more and Chris Cooper goodness, one more and the score

0:20:18.400 --> 0:20:22.919
<v Speaker 1>is ten to nine. So you will either equalize or

0:20:22.960 --> 0:20:27.080
<v Speaker 1>I will fall below my ratio that I required in

0:20:27.160 --> 0:20:30.119
<v Speaker 1>order to feel good about myself. See, I feel like

0:20:30.160 --> 0:20:32.320
<v Speaker 1>I'm looking now and I will it will be waited,

0:20:32.359 --> 0:20:35.440
<v Speaker 1>So I'm just gonna pick the fifth thing down. Okay,

0:20:36.520 --> 0:20:42.440
<v Speaker 1>Um one, two, three? Uh? Justin Michael says, heat, Yeah,

0:20:42.600 --> 0:20:46.440
<v Speaker 1>I watched that recently. I rewatched it. It's great, alright,

0:20:46.640 --> 0:20:50.880
<v Speaker 1>classic heists. Actually it wasn't to equalize because you had

0:20:50.960 --> 0:20:54.399
<v Speaker 1>a fewer nos. So final score eleven yes is nine

0:20:54.640 --> 0:20:58.760
<v Speaker 1>knows you prevail once again and beat down the internet.

0:20:58.880 --> 0:21:00.760
<v Speaker 1>See I'll tell you that, Chuck, this is actually fun

0:21:00.840 --> 0:21:03.600
<v Speaker 1>because there is there are some steaks. Now. I like it.

0:21:03.800 --> 0:21:08.719
<v Speaker 1>I'm one of the stakes. Uh failure or success? Okay? Alright, now,

0:21:08.880 --> 0:21:12.560
<v Speaker 1>good job, all right, everyone, I asked you another social

0:21:12.600 --> 0:21:22.240
<v Speaker 1>studies segment, sociales movie. This one was interesting. Um. I

0:21:22.240 --> 0:21:24.560
<v Speaker 1>asked a lot about movies and actors and things like that,

0:21:25.240 --> 0:21:28.880
<v Speaker 1>but this one was different. And then I said, movies,

0:21:29.200 --> 0:21:32.919
<v Speaker 1>movie actual movie aside, what is one thing that has

0:21:32.960 --> 0:21:36.960
<v Speaker 1>happened to you in a movie theater that you will

0:21:36.960 --> 0:21:42.280
<v Speaker 1>never forget? Do you get the question? I do? And

0:21:42.320 --> 0:21:44.480
<v Speaker 1>I have one that that springs right to mind. Well

0:21:44.600 --> 0:21:46.919
<v Speaker 1>me too, let's hear yours. I just saw a really

0:21:46.960 --> 0:21:54.080
<v Speaker 1>horrible drunk domestic abuse situation with a family and the

0:21:54.280 --> 0:21:56.480
<v Speaker 1>dad was like really drunk and the mom was like,

0:21:56.720 --> 0:21:58.800
<v Speaker 1>you need to just leave, you can get out of here.

0:21:58.800 --> 0:22:01.360
<v Speaker 1>And it's just like me and all drunk and abusive,

0:22:01.400 --> 0:22:03.879
<v Speaker 1>and it was terrible. That's awful. That's not I mean,

0:22:03.920 --> 0:22:05.639
<v Speaker 1>that's just the one that's not. I didn't say it

0:22:05.640 --> 0:22:07.119
<v Speaker 1>was good. It just came no, no no, no, these are

0:22:07.119 --> 0:22:09.359
<v Speaker 1>imagine a lot of these are bad. What what movie

0:22:09.440 --> 0:22:12.680
<v Speaker 1>was it? It was brave that that animated Pixar movie.

0:22:12.960 --> 0:22:15.719
<v Speaker 1>And I was with my kid, so it was extra

0:22:15.800 --> 0:22:17.320
<v Speaker 1>like we were both like we laughed. It was just

0:22:17.359 --> 0:22:23.040
<v Speaker 1>like so terrible. Mine was when I saw um the

0:22:23.119 --> 0:22:26.800
<v Speaker 1>Todd Solon's movie Welcome to the Dollhouse. And I think

0:22:26.800 --> 0:22:28.320
<v Speaker 1>I've told the story before on the show, but I

0:22:28.359 --> 0:22:30.040
<v Speaker 1>saw it in New York at the Angelica many years

0:22:30.080 --> 0:22:32.080
<v Speaker 1>ago when it came out, and there was that one

0:22:32.160 --> 0:22:35.480
<v Speaker 1>scene where the character looks at the young girl and

0:22:35.520 --> 0:22:39.400
<v Speaker 1>says something about, uh, that he was going to rape her.

0:22:40.000 --> 0:22:44.320
<v Speaker 1>But he didn't even know what he was saying. He um.

0:22:44.400 --> 0:22:45.880
<v Speaker 1>And of course this is a long time ago when

0:22:45.880 --> 0:22:47.399
<v Speaker 1>this was made. He probably wouldn't even put that in

0:22:47.400 --> 0:22:49.800
<v Speaker 1>a movie now. But he just said that, and and

0:22:50.400 --> 0:22:52.040
<v Speaker 1>I think what he really meant was like he wanted

0:22:52.040 --> 0:22:55.840
<v Speaker 1>to kiss her or something. But it was a dude

0:22:55.920 --> 0:22:58.359
<v Speaker 1>stormed out of the movie theater because it was it

0:22:58.400 --> 0:23:00.320
<v Speaker 1>was played for laughs in the movie and people we're

0:23:00.359 --> 0:23:05.240
<v Speaker 1>laughing and uh. He he stormed out, very upset and

0:23:05.280 --> 0:23:07.160
<v Speaker 1>called us all very bad people for laughing and said,

0:23:07.200 --> 0:23:10.640
<v Speaker 1>how can you laugh at this? And this was years ago,

0:23:11.400 --> 0:23:14.439
<v Speaker 1>so he was ahead of the curve looking back. That

0:23:14.640 --> 0:23:16.679
<v Speaker 1>is intense. But I've never been told off in a

0:23:16.760 --> 0:23:19.000
<v Speaker 1>movie like they told off the whole crowd. Yeah. I

0:23:19.320 --> 0:23:21.159
<v Speaker 1>also really like your story about the Witch where the

0:23:21.240 --> 0:23:26.439
<v Speaker 1>girl goes that's fat. Yeah, that's actually that's tied for

0:23:26.520 --> 0:23:30.200
<v Speaker 1>first all right, this this should be interesting. I'm gonna

0:23:30.280 --> 0:23:32.240
<v Speaker 1>leave this one up too, because, um, I have a

0:23:32.280 --> 0:23:34.520
<v Speaker 1>feeling these are pretty good. Justin Kimbler says, I went

0:23:34.600 --> 0:23:37.600
<v Speaker 1>to see Pacific rim Right at the end, when they're

0:23:37.640 --> 0:23:43.119
<v Speaker 1>underwater about to have the movie climax, the characters on

0:23:43.200 --> 0:23:47.919
<v Speaker 1>screen press the button and the theater lost power. Needles

0:23:47.920 --> 0:23:52.040
<v Speaker 1>to say, everyone was extremely confused when this screen went black. Interesting,

0:23:52.080 --> 0:23:54.359
<v Speaker 1>it's almost as if it sounds like the button push

0:23:54.800 --> 0:23:57.840
<v Speaker 1>seemed like it turned the movie off. That's pretty good.

0:23:58.160 --> 0:24:02.240
<v Speaker 1>Sam shild says while watching Killing of a Sacred Deer.

0:24:02.320 --> 0:24:04.480
<v Speaker 1>I haven't seen that. I've heard it's great. Have you

0:24:04.520 --> 0:24:06.760
<v Speaker 1>seen that I have? It's good. It is, it's it's

0:24:06.800 --> 0:24:08.840
<v Speaker 1>it's it's very much in line with that, dude, you

0:24:08.920 --> 0:24:11.000
<v Speaker 1>do the Lobster And I didn't see the Lobster either,

0:24:11.119 --> 0:24:12.639
<v Speaker 1>did you talk to no man, I haven't seen any

0:24:12.640 --> 0:24:16.639
<v Speaker 1>of them. It's very uncomfortable, borderline. It's very black comedy,

0:24:16.640 --> 0:24:20.160
<v Speaker 1>the blackest possible comedy. Right, it's good. Yeah, to where

0:24:20.200 --> 0:24:22.320
<v Speaker 1>you're like, is this comedy? Sacred Deer even takes it

0:24:22.359 --> 0:24:25.119
<v Speaker 1>a little further. Yeah, So, he says he was watching

0:24:25.200 --> 0:24:29.000
<v Speaker 1>that and an older fellow couldn't handle the suffering of

0:24:29.080 --> 0:24:34.119
<v Speaker 1>children and let out many oofs and oh Jesus throughout

0:24:34.119 --> 0:24:37.680
<v Speaker 1>the screening. Uh. As soon as the last frame went

0:24:37.720 --> 0:24:40.840
<v Speaker 1>to black, he walked out in a huff, saying, I

0:24:40.920 --> 0:24:49.240
<v Speaker 1>can't believe this movie. All right, Mark Palumbo says, my

0:24:49.280 --> 0:24:51.120
<v Speaker 1>parents took me see Lion King when I was a kid.

0:24:51.160 --> 0:24:54.560
<v Speaker 1>When Mufasa died, I started crying the first time a

0:24:54.600 --> 0:24:57.760
<v Speaker 1>movie affected me so much, felt embarrassed. I remember looking

0:24:57.800 --> 0:25:01.639
<v Speaker 1>around and everyone else was crying, including my dad, and

0:25:01.680 --> 0:25:03.560
<v Speaker 1>it ended up being a very special moment for me.

0:25:04.640 --> 0:25:07.320
<v Speaker 1>That is pretty special. I never saw it. You don't

0:25:07.320 --> 0:25:09.639
<v Speaker 1>see the Lion King, no, dude. I was like in

0:25:09.720 --> 0:25:13.919
<v Speaker 1>my thirties. You don't. You don't not. You don't stop

0:25:13.920 --> 0:25:16.639
<v Speaker 1>seeing Disney movie just because you turned thirty. Yeah you do.

0:25:16.800 --> 0:25:18.760
<v Speaker 1>There's a period there. See you had kids when you

0:25:18.760 --> 0:25:22.080
<v Speaker 1>were young. How old were you when you had your daughter? Yeah?

0:25:22.560 --> 0:25:25.320
<v Speaker 1>There was no But I still never stopped seeing Disney movies, dude.

0:25:25.359 --> 0:25:28.040
<v Speaker 1>I always see the new the latest Disney movie from

0:25:28.320 --> 0:25:32.760
<v Speaker 1>eighteen to twenty four. Okay, fair enough, Hi with theater nerds.

0:25:32.880 --> 0:25:37.800
<v Speaker 1>I'm I'm the ogre. Yeah that's wrong with you man?

0:25:38.880 --> 0:25:40.600
<v Speaker 1>All right? Let me see here, what's a good one.

0:25:40.960 --> 0:25:43.200
<v Speaker 1>Brandy McDonald said, My husband and I went to see

0:25:43.240 --> 0:25:46.719
<v Speaker 1>Juno after we've been trying for our first child for

0:25:46.800 --> 0:25:49.520
<v Speaker 1>six months. We're sitting there watching the movie and thought

0:25:49.560 --> 0:25:53.159
<v Speaker 1>she's pregnant like me, which was super weird since it

0:25:53.200 --> 0:25:55.840
<v Speaker 1>was still too early to test that cycle. I took

0:25:55.880 --> 0:25:58.480
<v Speaker 1>a test a few days later and I was actually pregnant.

0:25:58.840 --> 0:26:01.840
<v Speaker 1>Probably just coincidence, but I have to wonder if some

0:26:01.920 --> 0:26:05.560
<v Speaker 1>part of me new that is wonderful. Brandy, and I

0:26:05.600 --> 0:26:09.040
<v Speaker 1>see in your little picture here you have three beautiful children.

0:26:09.560 --> 0:26:12.760
<v Speaker 1>That is a great story. Congratulations to you and your family.

0:26:13.200 --> 0:26:16.840
<v Speaker 1>That can be very, very tough stuff. Trust me. Uh

0:26:17.080 --> 0:26:21.840
<v Speaker 1>Bes Bloomfield, Hey, Bex, our old buddy. Is that like

0:26:21.920 --> 0:26:26.280
<v Speaker 1>b e X b X Rebecca bes Bloomfield. She's great.

0:26:26.320 --> 0:26:29.160
<v Speaker 1>She's been around forever. I met her finally in New Zealand.

0:26:29.600 --> 0:26:32.160
<v Speaker 1>She's from England, but she lives in uh in New Zealand.

0:26:32.680 --> 0:26:37.639
<v Speaker 1>She's wonderful. So Beck says The Avengers, the UK spy film,

0:26:37.720 --> 0:26:41.760
<v Speaker 1>not the Marvel movies, but the original Avengers with Uma Thurman.

0:26:42.280 --> 0:26:44.320
<v Speaker 1>She said, I had food poisoning from the meal we

0:26:44.520 --> 0:26:47.720
<v Speaker 1>ate before the movie and for a brief moment, considered

0:26:47.800 --> 0:26:51.280
<v Speaker 1>vomiting into my popcorn bucket, but instead made a run

0:26:51.320 --> 0:26:55.000
<v Speaker 1>for the toilets across the huge multiplex and I didn't

0:26:55.080 --> 0:26:58.840
<v Speaker 1>make it. Oh, Bex, I'm so sorry to hear that

0:27:00.040 --> 0:27:02.320
<v Speaker 1>I've never well, I was about to say never puked

0:27:02.320 --> 0:27:04.920
<v Speaker 1>in public, but I have a very shameful college story

0:27:04.920 --> 0:27:07.320
<v Speaker 1>that I won't talk about. Well. But the thing with

0:27:07.400 --> 0:27:09.240
<v Speaker 1>that is like, if you know it's coming, you you

0:27:09.240 --> 0:27:10.880
<v Speaker 1>you you, you got you got like a cat that's

0:27:10.960 --> 0:27:13.720
<v Speaker 1>dying and you crawl into the house and you know, puke,

0:27:15.200 --> 0:27:17.520
<v Speaker 1>you know, like, yeah, you find a nice dumpster out

0:27:17.520 --> 0:27:22.600
<v Speaker 1>of the hairball out. Alicia Diet says, my now husband

0:27:22.600 --> 0:27:24.040
<v Speaker 1>and I went to see Men in Black on our

0:27:24.040 --> 0:27:26.959
<v Speaker 1>first date in high school the Sweethearts, and we've been

0:27:27.000 --> 0:27:30.160
<v Speaker 1>together ever since, married twenty years. So that's a good

0:27:30.200 --> 0:27:35.560
<v Speaker 1>special movie or a special memory. I like that. Um,

0:27:37.160 --> 0:27:39.680
<v Speaker 1>Megan Nicole just all she put was this comment has

0:27:39.680 --> 0:27:42.760
<v Speaker 1>been censored due to inappropriate content. She didn't even put

0:27:42.800 --> 0:27:45.560
<v Speaker 1>what it was. I like that, Megan from Kansas. I

0:27:45.600 --> 0:27:47.400
<v Speaker 1>like where you're I like what you're throwing down there.

0:27:47.960 --> 0:27:50.919
<v Speaker 1>Kelly Conklin says saw the movie Fight Club with my

0:27:51.000 --> 0:27:53.879
<v Speaker 1>then boyfriend now husband. I kept seeing little blips or

0:27:53.880 --> 0:27:55.879
<v Speaker 1>flashes in the corner of the screen. I thought I

0:27:55.880 --> 0:27:58.600
<v Speaker 1>was hallucinating. After it was over, asked if he was

0:27:58.600 --> 0:28:01.680
<v Speaker 1>seeing them too any No, I thought, well, this is it.

0:28:01.720 --> 0:28:04.479
<v Speaker 1>I'm witnessing my own psychotic break. Only to find out

0:28:04.560 --> 0:28:07.920
<v Speaker 1>later that Fincher was putting subliminal images into the film,

0:28:08.000 --> 0:28:10.440
<v Speaker 1>and I was very relieved to find that out. Yeah,

0:28:10.440 --> 0:28:13.720
<v Speaker 1>there's a bunch of those like penises. I think penis

0:28:13.720 --> 0:28:16.080
<v Speaker 1>is snuck in there. Yeah, you sure did any any

0:28:16.119 --> 0:28:19.200
<v Speaker 1>reference that in the movie. It's because that's what Brad

0:28:19.200 --> 0:28:21.840
<v Speaker 1>Pitt did as a projectionist, right right, that's right. That's

0:28:21.840 --> 0:28:24.159
<v Speaker 1>a movie that I have such fond memories of, but

0:28:24.520 --> 0:28:26.320
<v Speaker 1>so great. I don't know that it holds up like

0:28:26.400 --> 0:28:28.400
<v Speaker 1>I remember it. I haven't seen it in a while.

0:28:29.520 --> 0:28:32.400
<v Speaker 1>You know, they built that house on paper Street, Oh

0:28:32.440 --> 0:28:36.000
<v Speaker 1>really for the movie that it looks like a total

0:28:36.040 --> 0:28:38.280
<v Speaker 1>house that exists in real life. All Right, we're gonna

0:28:38.280 --> 0:28:40.440
<v Speaker 1>do one more here and then we'll continue this in

0:28:40.520 --> 0:28:44.720
<v Speaker 1>following weeks because I like it. Uh, Jim and Marie says.

0:28:44.800 --> 0:28:47.720
<v Speaker 1>My little brother, four years old at the time, went

0:28:47.760 --> 0:28:50.920
<v Speaker 1>and missing towards the end of Honey I shrunk the

0:28:51.000 --> 0:28:56.520
<v Speaker 1>kids in New Zealand. My parents were freaking out. I

0:28:56.560 --> 0:28:59.640
<v Speaker 1>thought it was hilarious and kept telling him. I kept

0:28:59.640 --> 0:29:03.720
<v Speaker 1>telling my parents that the ants had eaten him. Wait,

0:29:03.720 --> 0:29:06.120
<v Speaker 1>he went missing? He went missing. I guess he just

0:29:06.320 --> 0:29:08.120
<v Speaker 1>snuck off in the dark in the movie theater. But

0:29:08.160 --> 0:29:10.240
<v Speaker 1>they found him, right, Well, I trust I mean, she's

0:29:10.280 --> 0:29:12.880
<v Speaker 1>laughing about the story now unless she's well, when you

0:29:12.960 --> 0:29:16.200
<v Speaker 1>say when you say went missing, though, that that's got

0:29:16.200 --> 0:29:18.240
<v Speaker 1>a lot of weight to it. It does it? Does?

0:29:18.280 --> 0:29:20.719
<v Speaker 1>You should follow upon that seriously? No, I assume they

0:29:20.720 --> 0:29:22.840
<v Speaker 1>found is he okay? I think he is all right?

0:29:30.240 --> 0:29:33.000
<v Speaker 1>All right, we're gonna do a quick final segment knoll

0:29:33.080 --> 0:29:37.560
<v Speaker 1>of stream. This movie came out last year, so it's

0:29:37.600 --> 0:29:40.320
<v Speaker 1>nothing new. But I finally got around last night to

0:29:40.400 --> 0:29:44.440
<v Speaker 1>watching it Comes at Night. Did you see that? Yeah?

0:29:45.120 --> 0:29:47.800
<v Speaker 1>I liked it. So we won't do a full review

0:29:47.800 --> 0:29:49.440
<v Speaker 1>here because I certainly don't want to give it away.

0:29:49.560 --> 0:29:54.080
<v Speaker 1>But um, this is the movie with Joel edgerton Um

0:29:54.120 --> 0:29:59.120
<v Speaker 1>and Christopher Abbott and Riley ko Elvis Presley's granddaughter. I

0:29:59.160 --> 0:30:01.120
<v Speaker 1>did not know that. You didn't know that was? That was?

0:30:01.160 --> 0:30:04.960
<v Speaker 1>Who that was? Is that? Because she's related to Lisa Marine. Now, yeah,

0:30:05.000 --> 0:30:10.720
<v Speaker 1>that's his only daughter, so I'm sure. Um and Uh

0:30:11.000 --> 0:30:14.400
<v Speaker 1>Carmen uh At Jogo and Kelvin Harrison Jr. Round out

0:30:14.440 --> 0:30:17.640
<v Speaker 1>the cast really great acting uh and written and directed

0:30:17.680 --> 0:30:22.600
<v Speaker 1>by Trey Edward Schultz, who I have not seen his

0:30:22.720 --> 0:30:26.800
<v Speaker 1>first movie. But Christia, have you seen that movie? K R?

0:30:26.880 --> 0:30:28.800
<v Speaker 1>I s h A. I heard it was good. It's

0:30:28.800 --> 0:30:30.680
<v Speaker 1>supposed to be off the charts great. I think it was.

0:30:31.040 --> 0:30:33.640
<v Speaker 1>Casey Pegraham said it was fantastic. Yeah, I really really

0:30:33.640 --> 0:30:35.160
<v Speaker 1>want to see that. So he really made his name

0:30:35.160 --> 0:30:38.520
<v Speaker 1>with that small film, very well regarded, and then moved

0:30:38.520 --> 0:30:41.440
<v Speaker 1>on and made it Comes at Night, which I thought

0:30:41.520 --> 0:30:44.280
<v Speaker 1>was a horror movie, and I don't think I would

0:30:44.320 --> 0:30:47.120
<v Speaker 1>classify it as such. I think I classified a little

0:30:47.120 --> 0:30:50.640
<v Speaker 1>bit more of a psychological thriller. Maybe it dances around

0:30:50.640 --> 0:30:51.960
<v Speaker 1>horror a little bit. Did you think it was a

0:30:51.960 --> 0:30:55.520
<v Speaker 1>horror movie? No, it's a fine line. I mean it

0:30:55.560 --> 0:30:57.200
<v Speaker 1>was more of a psychological thriller. It was one of

0:30:57.240 --> 0:30:59.200
<v Speaker 1>those movies that I could see people getting piste off

0:30:59.240 --> 0:31:02.000
<v Speaker 1>about because of the advertising behind it and looking like

0:31:02.040 --> 0:31:04.480
<v Speaker 1>there's a spooky ghost or a monster or something some

0:31:04.560 --> 0:31:07.120
<v Speaker 1>kind of it turns out the spooky ghost was us

0:31:07.160 --> 0:31:12.960
<v Speaker 1>all along. The monster was in our hearts. Uh. Yeah.

0:31:13.160 --> 0:31:16.400
<v Speaker 1>It is a very deep sort of examination of of

0:31:17.160 --> 0:31:20.400
<v Speaker 1>paranoia and what what would you do to protect your family?

0:31:20.440 --> 0:31:24.640
<v Speaker 1>And how how might that end? Um? I really dug it.

0:31:24.680 --> 0:31:28.120
<v Speaker 1>I thought it was good and it and it didn't um.

0:31:28.200 --> 0:31:30.560
<v Speaker 1>I imagine it frustrated a lot of people beyond the

0:31:30.600 --> 0:31:33.400
<v Speaker 1>fact that it wasn't just crawling with zombies, but that

0:31:33.520 --> 0:31:36.840
<v Speaker 1>it leaves a lot of loose ends. It does not

0:31:36.920 --> 0:31:38.720
<v Speaker 1>wrap anything up, and at the end of the movie

0:31:38.760 --> 0:31:43.600
<v Speaker 1>there are like three or four major questions left unanswered.

0:31:43.760 --> 0:31:47.120
<v Speaker 1>And um, for better for worse. I like that, UM

0:31:47.160 --> 0:31:49.000
<v Speaker 1>not all the time. Sometimes I like a nice little

0:31:49.000 --> 0:31:51.880
<v Speaker 1>bow on my movie and that could be very satisfying.

0:31:51.920 --> 0:31:55.320
<v Speaker 1>But sometimes also like what Mr Schultz did where he

0:31:55.400 --> 0:31:56.640
<v Speaker 1>just sort of threw it out there and was like,

0:31:56.640 --> 0:31:58.760
<v Speaker 1>you know what, what do you think audience? How do

0:31:58.800 --> 0:32:02.760
<v Speaker 1>you interpret this? Uh? Who opened the door? You know,

0:32:03.280 --> 0:32:05.480
<v Speaker 1>that's sort of one of the big questions. So it's

0:32:05.520 --> 0:32:07.360
<v Speaker 1>you know, it's it's left up to the audience to

0:32:07.440 --> 0:32:09.560
<v Speaker 1>decide those things. I like that. How do you feel

0:32:09.560 --> 0:32:11.560
<v Speaker 1>about it? I like it too, And again it's like

0:32:12.840 --> 0:32:15.720
<v Speaker 1>it's a lot of what you bring to it, um

0:32:15.760 --> 0:32:18.200
<v Speaker 1>in terms of interpretation, but you can also interpret it

0:32:18.480 --> 0:32:21.880
<v Speaker 1>very straightforwardly. Sure could interpret it like symbolically. There's a

0:32:21.920 --> 0:32:23.720
<v Speaker 1>lot of different ways to to look at it. Yeah,

0:32:23.760 --> 0:32:25.320
<v Speaker 1>and there were, you know, one of the reasons why

0:32:25.400 --> 0:32:28.200
<v Speaker 1>it's open to interpretation or there are I think either

0:32:28.400 --> 0:32:35.280
<v Speaker 1>four or five dream sequences, and the final one is

0:32:35.320 --> 0:32:40.000
<v Speaker 1>the one where you're like, that could explain it? Or

0:32:40.240 --> 0:32:43.160
<v Speaker 1>was it a dream or was that real? And you're

0:32:43.200 --> 0:32:45.400
<v Speaker 1>sort of left wondering. And I like that. It's one

0:32:45.440 --> 0:32:47.640
<v Speaker 1>of those movies that you know, you sort of dive

0:32:47.720 --> 0:32:50.320
<v Speaker 1>into the internet afterwards to see what other people think

0:32:50.320 --> 0:32:53.719
<v Speaker 1>and to see what movie reviewers say and what you know,

0:32:53.800 --> 0:32:56.480
<v Speaker 1>what is your interpretation and the ending, And that's great.

0:32:56.480 --> 0:32:59.240
<v Speaker 1>If if a movie will drive you online to do

0:32:59.320 --> 0:33:02.840
<v Speaker 1>more research about it, then that's quite an accomplishment. I

0:33:02.880 --> 0:33:07.080
<v Speaker 1>think it really stayed with me. Uh, great acting on

0:33:07.120 --> 0:33:12.720
<v Speaker 1>a budget, great production value, very smartly efficiently done. Um.

0:33:12.760 --> 0:33:17.600
<v Speaker 1>The pacing is great, great score, taught taught psychological thriller.

0:33:17.680 --> 0:33:21.240
<v Speaker 1>I loved it. Same Yeah, good stuff. It comes at

0:33:21.320 --> 0:33:24.960
<v Speaker 1>night everyone check it out. I streamed it. Uh what

0:33:26.520 --> 0:33:29.720
<v Speaker 1>Amazon Prime is where I streamed it? It was available

0:33:29.760 --> 0:33:33.800
<v Speaker 1>there for Uh, it's about say, no money, but included

0:33:33.800 --> 0:33:36.160
<v Speaker 1>in the cost of your Amazon Prime subscription. I guess

0:33:36.360 --> 0:33:39.240
<v Speaker 1>it's easy to say it's on Netflix, it's free, but

0:33:39.280 --> 0:33:42.000
<v Speaker 1>you're paying for that service. So that is it for

0:33:42.000 --> 0:33:45.240
<v Speaker 1>this week. Everyone check out. It comes at night. Uh,

0:33:45.640 --> 0:33:52.360
<v Speaker 1>log your movie theater memories on Facebook. Um, throw out

0:33:52.360 --> 0:33:55.320
<v Speaker 1>some holes for NOL. Maybe Noel will get around to

0:33:55.440 --> 0:33:58.320
<v Speaker 1>some chuck holes. Yeah, man, at some point I think

0:33:58.360 --> 0:34:01.720
<v Speaker 1>I will. Uh. And I think that's it. Um, you

0:34:01.760 --> 0:34:03.640
<v Speaker 1>know what it's been in. This one's gonna come out

0:34:03.680 --> 0:34:07.240
<v Speaker 1>weeks later. But we should give a memorium shout out

0:34:07.280 --> 0:34:10.400
<v Speaker 1>to the great great Stanley, who passed in real time

0:34:10.640 --> 0:34:13.680
<v Speaker 1>just a few days ago, and a big bummer. Everyone

0:34:13.719 --> 0:34:16.440
<v Speaker 1>saw it coming. I think he was mid nineties. It

0:34:16.480 --> 0:34:19.480
<v Speaker 1>was it was bound to happen, but one of the

0:34:19.520 --> 0:34:21.759
<v Speaker 1>great creators. Speaking of what have you seen that movie?

0:34:21.800 --> 0:34:25.160
<v Speaker 1>Mid nineties? No, I want to I know, I looks

0:34:25.160 --> 0:34:27.880
<v Speaker 1>supposed to be pretty good. Yeah, Stanley as a bummer,

0:34:27.920 --> 0:34:30.600
<v Speaker 1>he you know, I mean, he how What a what

0:34:30.680 --> 0:34:33.680
<v Speaker 1>a thing to do to create single handedly, or at

0:34:33.719 --> 0:34:37.680
<v Speaker 1>least have a hand in something that's so iconic, so

0:34:37.800 --> 0:34:41.560
<v Speaker 1>multifaceted and like this world so much to universe. Yeah,

0:34:41.719 --> 0:34:44.560
<v Speaker 1>so great the m c U. We love the movies. Now.

0:34:45.239 --> 0:34:48.520
<v Speaker 1>Uh like I say, like I've said before, I never

0:34:48.560 --> 0:34:51.480
<v Speaker 1>really read those comics, but um, they meant so much

0:34:51.520 --> 0:34:54.880
<v Speaker 1>to so many people. So hats off to you, Mr Stanley. Indeed,

0:34:55.239 --> 0:35:00.600
<v Speaker 1>rest in peace. See you next time, folks. S