WEBVTT - Tom Freston

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is Tom Fresker. He was chairman of

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<v Speaker 1>MTV Networks, chairman of Viacom, is chairman of the board

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<v Speaker 1>of the One Campaign. Tom. Great to have you here.

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<v Speaker 1>Great to be here, Bob. So what's going on with

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<v Speaker 1>the One Campaign. Well, we're in full mode these days

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<v Speaker 1>with the pandemic. We've kind of pivoted you know, One

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<v Speaker 1>the One campaigns and activists organizations, so basically think of

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<v Speaker 1>it like as the n r A for the extreme poor.

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<v Speaker 1>We're trying to lobby politicians either directly or through people

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<v Speaker 1>who are you know, activists, who who who worked with

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<v Speaker 1>which are millions of people, and to get them to

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<v Speaker 1>do the right things for the people, the poorest people

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<v Speaker 1>on the planet. And we focus on Africa, and since

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<v Speaker 1>March it's been COVID COVID but the whole time and

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<v Speaker 1>these days it's all about vaccine equity, which you read about.

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<v Speaker 1>You know, the fourteen percent of the people have seventy

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<v Speaker 1>percent of the orders in for the vaccines. There's hardly

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<v Speaker 1>any in Africa. And until everybody on this planet is activated,

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<v Speaker 1>is inoculated, or we reached some kind of herd immunity.

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<v Speaker 1>This thing is going to continue to mutate, could come

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<v Speaker 1>back and bite us in They asked us fourteen percent

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<v Speaker 1>of the people in the northern countries. So we're all

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<v Speaker 1>about that and we've been you know, it's been a

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<v Speaker 1>real uh change with Trump leaving and Biden coming in,

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<v Speaker 1>because right away he committed to six billion dollars for

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<v Speaker 1>vaccines for people in uh less developed countries. And that's

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<v Speaker 1>sort of what I'm doing. It's all vaccines, all the time.

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<v Speaker 1>Tell me more about the organization, the history and how

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<v Speaker 1>many people are working in fundraising, etcetera. Well, you know it.

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<v Speaker 1>Bano started it, and uh he had had a thing

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<v Speaker 1>called the One Campaign, and he had a thing called Red,

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<v Speaker 1>which was a different organization that sort of was an

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<v Speaker 1>arm into the private sector. And then he had another

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<v Speaker 1>organization called Data, which sort of assembled a lot of

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<v Speaker 1>data essentially about what was going on in the world.

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<v Speaker 1>This is back in two thousand and five. So he

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<v Speaker 1>started this organization and the idea was, let's see how

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<v Speaker 1>many members we can get and let's begin to put

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<v Speaker 1>pressure on some of these key legislatures in the States

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<v Speaker 1>and elsewhere. He was able to assemble basically a gaggle

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<v Speaker 1>of billionaires to fund this. I mean, we it's are.

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<v Speaker 1>What we say is we don't want your money, we

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<v Speaker 1>want your voice. But we've got Michael Bloomberg, Bill Gates,

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<v Speaker 1>Susie Buffett, you know, Jeff Skull, John Door, there's a

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<v Speaker 1>whole he's a great door opener, let's put it that way.

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<v Speaker 1>So it's funded privately. We've got about a hundred and

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<v Speaker 1>seventy employees. We've got twelve offices, uh main one is

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<v Speaker 1>in d C. But then we've got five or six

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<v Speaker 1>in uh in Africa, and we're you know, we're in Brussels,

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<v Speaker 1>were in Berlin, were in London, we're in Paris, we're

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<v Speaker 1>in Johannesburg, in Dakar, and the population of the people

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<v Speaker 1>who worked there are largely activists. I mean, we're not

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<v Speaker 1>not for profit. And uh, they're young, and they're smart

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<v Speaker 1>as hell, and they have swung literally billions and billions

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<v Speaker 1>of dollars from uh, you know, government budgets. Two Uh

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<v Speaker 1>do the right thing in a smart way. And I'm

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<v Speaker 1>not talking about a you know, uh foreign aid necessarily,

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<v Speaker 1>but it's been it's been very focused on health, also

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<v Speaker 1>agriculture and governance. So, um, we've got a board. I've

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<v Speaker 1>been the board chair for god, I guess it's like

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<v Speaker 1>thirteen or fourteen years. Now we've got an interesting board

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<v Speaker 1>and uh, you know, it's very fulfilling work for me

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<v Speaker 1>and very different. You know what I found when I

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<v Speaker 1>left MTV Networks and Viacom. You know, Bonna was the

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<v Speaker 1>first guy to call me up when I got fired.

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<v Speaker 1>He called me from dub and the next day we

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<v Speaker 1>had had her We had a we were friends and

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<v Speaker 1>had been together for a long time, not together, but

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<v Speaker 1>I mean MTV and you two kind of came up

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<v Speaker 1>and he said, why don't you come run Red, which

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<v Speaker 1>I barely knew about any I said, you know, I

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<v Speaker 1>just got fired last night. I'm not I'm not not

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<v Speaker 1>ready or really to make any big decisions right now

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<v Speaker 1>that he has. Bill Gates called me Steve's jobs call

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<v Speaker 1>me anyway. I put it off, And then about three

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<v Speaker 1>months later I went and saw him Paul at Paul

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<v Speaker 1>McGinnis is asking saying, please help this things kind of

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<v Speaker 1>you know, kind of coming apart. I said I would

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<v Speaker 1>study work for three months and see if we could

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<v Speaker 1>reorganize things, which I did do and in the process,

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<v Speaker 1>fell in love with the organization, fell in love with

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<v Speaker 1>what they did, and uh, it was like a whole

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<v Speaker 1>different group of young people, you know what I which

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<v Speaker 1>I have been working with for most of my career.

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<v Speaker 1>But they were they were activists. So I said I'd

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<v Speaker 1>stay on as the board chair and there I am today,

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<v Speaker 1>still doing it. How much of your time does it require? Well,

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<v Speaker 1>now it's about a third, I'd say. You know, our

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<v Speaker 1>CEO was just taken from us by Biden. He just

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<v Speaker 1>hired her, uh to come in and be sort of

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<v Speaker 1>the special envoy on vaccines. All the things we're advocating

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<v Speaker 1>for the USA to do, we now go to her

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<v Speaker 1>because she's in power and can and make those kind

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<v Speaker 1>of decisions. So it's inconvenient to lose your CEO. But

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<v Speaker 1>when you find out that she actually has the job,

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<v Speaker 1>that is the key to the highway, so to speak

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<v Speaker 1>for you know, helping us move along the vaccine equity spectrum.

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<v Speaker 1>It's it's it's good, but it's not full time. Historically,

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<v Speaker 1>there's been an issue of getting the money from the donors,

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<v Speaker 1>whether it be countries or individuals, into the hands of

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<v Speaker 1>the end user. I'm talking about foreign aid in general.

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<v Speaker 1>So what happens with the vaccines, Well, the vaccines go

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<v Speaker 1>through they get distributed. It depends by country, but basically

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<v Speaker 1>again they get distributed through the ministries of health in

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<v Speaker 1>these various countries who you know, and and funny in Africa,

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<v Speaker 1>because they've had a lot of experience with a bola

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<v Speaker 1>and other things, they actually are pretty set up for pandemics.

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<v Speaker 1>They have some experience in this area. So this is

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<v Speaker 1>not the type of thing that's likely to fall astray

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<v Speaker 1>and where you lose a lot of money. I mean,

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<v Speaker 1>they're getting vaccines, they're not getting they're not getting money,

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<v Speaker 1>but they you know, they and they already have existing

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<v Speaker 1>staffs and they can mobilize people to do these inoculations.

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<v Speaker 1>But that's not to say it's going to be an

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<v Speaker 1>easy task. And what is the status as we speak?

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<v Speaker 1>The virus is raging in India, to what degree is

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<v Speaker 1>it under control? And are there vaccinations in Africa? The

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<v Speaker 1>thing in India is really a mind blower because the

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<v Speaker 1>people thought Indian sort of had come through this. But

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<v Speaker 1>in Africa, Africa has so far gotten off a lot

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<v Speaker 1>easier than people thought they were. That's not to say

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<v Speaker 1>it hasn't been bad. In South Africa in particular, it

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<v Speaker 1>has been bad, but you know, they have a very

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<v Speaker 1>young population, uh and there's a lot of anybody's running

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<v Speaker 1>around from other infections people might have had, so they

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<v Speaker 1>have not had the death rates the hospitalization rates that

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<v Speaker 1>we've seen, say in America, of course no one's seen that,

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<v Speaker 1>but uh they are. You know, I think countries have

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<v Speaker 1>maybe twenty thousand vaccines done. That would be a high amount,

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<v Speaker 1>you know in a country like Ghana, now you see.

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<v Speaker 1>But but we've there's a big public relations efforts, so

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<v Speaker 1>to speak, to address this, and people are realizing that

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<v Speaker 1>it's on our own self interest to have this happen.

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<v Speaker 1>And now, like America, we have all the sexcess vaccines already.

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<v Speaker 1>I mean, anybody can get a vaccination we have. Canada

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<v Speaker 1>has four times as many vaccines as they have people.

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<v Speaker 1>These are they haven't all been delivered yet, mind you,

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<v Speaker 1>but that's what they have on order. And it's about

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<v Speaker 1>the same for the United States. I mean, we have,

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<v Speaker 1>you know, hundreds of millions of extra vaccines to go.

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<v Speaker 1>So at some point it wasn't really uh kosher to

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<v Speaker 1>be pleading for these vaccines to go to Africa. Before

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<v Speaker 1>we got our own population under control and vaccinated and

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<v Speaker 1>people felt comfortable. But we're at that point now, certainly

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<v Speaker 1>in the States. Since you're a king of marketers, we

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<v Speaker 1>have the issue in America where many people do not

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<v Speaker 1>want to get the vaccine. What can be done and

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<v Speaker 1>what what you might have done, you know, putting on

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<v Speaker 1>your hat of marketing not only the young people but

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<v Speaker 1>the public at large. Well, I mean, if you really

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<v Speaker 1>look where the and there's there's the anti vax people

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<v Speaker 1>that have sort of existed before, but you know, now

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<v Speaker 1>you see really the vaccine hesitant people are largely in

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<v Speaker 1>the Republican Party and they're largely evangelical. Those are the

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<v Speaker 1>two biggest groups. I mean, if someone like Donald Trump

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<v Speaker 1>came out and uh did p s A is along

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<v Speaker 1>the lines of what Elvis Presley did with polio back

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<v Speaker 1>in the fifties, that would be good to a lot

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<v Speaker 1>of these people. You can't really you know, you can't

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<v Speaker 1>really dissuade them with facts. Uh, there's this hardcore there's

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<v Speaker 1>probably never gonna get vaccinated, but there is this group

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<v Speaker 1>that can't be moved, and it's gonna take marketing and uh,

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<v Speaker 1>some kind of promotion. A doctor that I know in

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<v Speaker 1>Boston told me that when they were vaccinating people over

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<v Speaker 1>seventy they could get the six and they hit like

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<v Speaker 1>a dead end. So they started basically doing promotions. They said,

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<v Speaker 1>if you bring somebody with you to get vaccinated, if

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<v Speaker 1>you're over seventy, will vaccinate them too. It's sort of

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<v Speaker 1>like dex they'll be giving out toasters. But they were

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<v Speaker 1>able to drive it from like six up to seventy percent.

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<v Speaker 1>I don't know where they are now, but it shows

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<v Speaker 1>you things can be done. I mean a lot of

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<v Speaker 1>it is gonna be uh you know what. They need

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<v Speaker 1>people to They need people that they respect and like

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<v Speaker 1>like Donald Trump in this case, or leading evangelical to

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<v Speaker 1>say it's okay, don't worry about it. So if one

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<v Speaker 1>third year time is with the one campaign, what are

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<v Speaker 1>you doing with the rest of your time? Generally speaking,

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<v Speaker 1>obviously everything's crazy during COVID. Well, I've been spending a

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<v Speaker 1>lot of time, you know, these years since I work

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<v Speaker 1>with the Vice Media. Another thing that I've been working with,

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<v Speaker 1>I've work with this company called Mobi Media, which has

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<v Speaker 1>been based in Afghanistan, and I really went and I

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<v Speaker 1>used to live in Afghanistan before I ever had a

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<v Speaker 1>career at and MTV networks, and I kind of went

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<v Speaker 1>moved back there too, because they started these television networks

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<v Speaker 1>which are now, you know, really the leading ones in

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<v Speaker 1>the market. There was no television there under the Taliban.

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<v Speaker 1>So I'm spending a lot of time with them now

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<v Speaker 1>because of course we're looking at the Taliban maybe coming

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<v Speaker 1>back into Afghanistan, which is not going to be a

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<v Speaker 1>pretty picture. I work on that. I work on Red

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<v Speaker 1>UH and UH you know few other projects. I worked

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<v Speaker 1>with this company called Rain. They're a private equity company

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<v Speaker 1>and they do I've led investments like can Imagine Imagine

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<v Speaker 1>Entertainment with Brian Grazer and Ron Howard, uh Matt and

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<v Speaker 1>Trey you know, the South Park guys. You know. So

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<v Speaker 1>UH RAIN will take a position in them and then

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<v Speaker 1>I'll you know, help work with their teams on things.

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<v Speaker 1>So I bounced around. I used to travel a lot, Bob,

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<v Speaker 1>I mean, I travel like four months a year, but

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<v Speaker 1>this last year has been grounded. Like everybody, let's go

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<v Speaker 1>back to Afghanistan. The last time we discussed this, you

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<v Speaker 1>had been going to Afghanistan, but then things changed and

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<v Speaker 1>the person was actually running your operation, UH was avoiding

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<v Speaker 1>killers So what is the status today of the stations

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<v Speaker 1>and the people running them. Well, it's worse. Uh, we've

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<v Speaker 1>kinda you know, they've they've killed a lot of our journalists.

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<v Speaker 1>They've set off, you know, suicide bombers have attack some

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<v Speaker 1>of our commuter us is to take people and it's

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<v Speaker 1>not you know, one of the success stories in Afghanistan

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<v Speaker 1>has been independent media and the independent media there is

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<v Speaker 1>more independent than is rated, even so more so than

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<v Speaker 1>in countries like India or Turkey. The Taliban does not

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<v Speaker 1>like this. We have a substantial news organization and the

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<v Speaker 1>people are really consumed by news when they're living in

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<v Speaker 1>a war zone, which they've been doing for forty years now. Uh,

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<v Speaker 1>but they've now had to basically enclose themselves in their

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<v Speaker 1>own many green zone. So when uh, my friend Satmossini,

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<v Speaker 1>who's the CEO, brilliant character, when he will go in,

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<v Speaker 1>I mean he goes in unannounced and he goes rather

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<v Speaker 1>than live in his house, he goes that is heavily

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<v Speaker 1>fortified compound and people come to see him there and

0:12:48.360 --> 0:12:52.320
<v Speaker 1>he'll stay a week and then leave on an unannounced basis.

0:12:52.360 --> 0:12:57.680
<v Speaker 1>So it's really hard for people to go anywhere. There's

0:12:57.960 --> 0:13:01.480
<v Speaker 1>the Taliban of the start of this assassination program. As

0:13:01.520 --> 0:13:04.640
<v Speaker 1>a result of their negotiations during the Trump hear they

0:13:04.640 --> 0:13:08.200
<v Speaker 1>sort of said they would no longer do mass terror, uh,

0:13:08.280 --> 0:13:11.160
<v Speaker 1>you know, things blowing up banks and public squares and

0:13:11.160 --> 0:13:13.480
<v Speaker 1>so forth. So they've sort of switched to just knocking

0:13:13.520 --> 0:13:19.600
<v Speaker 1>off Supreme Court justices, reporters, politicians, have people who work

0:13:19.640 --> 0:13:23.480
<v Speaker 1>at m G O s uh and uh. Anybody who

0:13:23.520 --> 0:13:26.120
<v Speaker 1>works at Too Low TV, which is the actual name

0:13:26.160 --> 0:13:28.000
<v Speaker 1>of it, there is you know, has to be very

0:13:28.000 --> 0:13:31.760
<v Speaker 1>careful and what is the reach of that TV network?

0:13:32.200 --> 0:13:34.440
<v Speaker 1>It reach us the whole country. There's right now there's

0:13:34.480 --> 0:13:37.240
<v Speaker 1>a there well when there was no television, now there's

0:13:36.640 --> 0:13:40.560
<v Speaker 1>a TV stations and loads of radio stations, and the

0:13:40.600 --> 0:13:43.200
<v Speaker 1>thing is and there's a lot of print publications. So

0:13:43.320 --> 0:13:46.319
<v Speaker 1>for the first time in its history, these Afghans are

0:13:46.400 --> 0:13:49.559
<v Speaker 1>connected to the outside world, which has made a big difference.

0:13:49.720 --> 0:13:52.400
<v Speaker 1>They're connected to each other. Layer on top of that,

0:13:52.559 --> 0:13:55.280
<v Speaker 1>the fact that where there was eleven thousand cell phones

0:13:55.320 --> 0:13:58.480
<v Speaker 1>when the Taliban ran Afghanistan, there's now thirty five million

0:13:58.559 --> 0:14:01.160
<v Speaker 1>of them, so people aren nected with each other. So

0:14:01.600 --> 0:14:04.480
<v Speaker 1>they've there's been like this twenty year period where this

0:14:04.600 --> 0:14:06.600
<v Speaker 1>war has been going on, but we've been working kind

0:14:06.640 --> 0:14:09.640
<v Speaker 1>of going over the head of the war for this insurgency,

0:14:09.800 --> 0:14:13.400
<v Speaker 1>and they've been they've really developed a lot of relative

0:14:13.400 --> 0:14:15.800
<v Speaker 1>freedoms that they've never had before. They've been connected to

0:14:15.800 --> 0:14:18.480
<v Speaker 1>each other, there's been a lot of social change. Women

0:14:18.520 --> 0:14:23.080
<v Speaker 1>are more liberated and empowered, and Uh, the sad thing

0:14:23.280 --> 0:14:26.840
<v Speaker 1>is right now, you've got about fifteen percent of the

0:14:26.880 --> 0:14:30.960
<v Speaker 1>population likes the Taliban. That's it. Of the people like

0:14:31.080 --> 0:14:34.200
<v Speaker 1>the government. The government's corrupt and predatory, and you know

0:14:34.600 --> 0:14:37.760
<v Speaker 1>figured that the Taliban is still like an armed religious

0:14:37.960 --> 0:14:43.160
<v Speaker 1>fanatic organization, still tied and intermarried with Al Qaeda. So

0:14:44.120 --> 0:14:47.520
<v Speaker 1>the there's my friend would tell me the best case

0:14:47.560 --> 0:14:51.360
<v Speaker 1>he sees in Afghanistan now is a civil war because

0:14:51.840 --> 0:14:54.000
<v Speaker 1>there's not going to be some kind of coalition government.

0:14:54.000 --> 0:14:57.440
<v Speaker 1>That seems extremely unlikely. And these characters have been living

0:14:57.520 --> 0:14:59.840
<v Speaker 1>up in the hills or in Pakistan for twenty years

0:15:00.520 --> 0:15:03.280
<v Speaker 1>and life has really changed. I mean, they're gonna be

0:15:03.320 --> 0:15:04.800
<v Speaker 1>like Rip van Winkle when they come back in the

0:15:04.880 --> 0:15:07.840
<v Speaker 1>cobble and they see people are on Facebook and they're tweeting,

0:15:07.880 --> 0:15:10.480
<v Speaker 1>and they all have phones and they're talking to each other.

0:15:11.400 --> 0:15:15.360
<v Speaker 1>So it's gonna be Uh, it's gonna be interesting to

0:15:15.400 --> 0:15:18.440
<v Speaker 1>see how this plays out. And I foresee it's not

0:15:18.480 --> 0:15:23.520
<v Speaker 1>gonna play out in a in a really uplifting fashion. Um,

0:15:23.640 --> 0:15:26.600
<v Speaker 1>should America ever have gone in and should they have

0:15:26.680 --> 0:15:29.400
<v Speaker 1>gotten now quicker? What do we know? Before the US

0:15:29.960 --> 0:15:33.080
<v Speaker 1>Russia was an Afghanistan and they ultimately pulled out without

0:15:33.120 --> 0:15:37.680
<v Speaker 1>any great achievements. Yeah, they they lost. They killed a

0:15:37.720 --> 0:15:40.880
<v Speaker 1>million Afghans this play six million others had this horrible ward.

0:15:41.080 --> 0:15:46.520
<v Speaker 1>You know they're not they're they're like, just just raise villages. Uh.

0:15:46.560 --> 0:15:49.200
<v Speaker 1>And before them, the British were throwing up Afghanistan. There's

0:15:49.240 --> 0:15:51.960
<v Speaker 1>a long history of this, the Graveyard of Empires, as

0:15:52.000 --> 0:15:55.440
<v Speaker 1>they like to say. We went in and vanquished the Taliban,

0:15:56.040 --> 0:15:59.560
<v Speaker 1>and we immediately set out and made threshold mistakes. That

0:15:59.680 --> 0:16:04.200
<v Speaker 1>kind of of uh kind of destined. It's kind of

0:16:04.240 --> 0:16:06.200
<v Speaker 1>was destined. What was gonna happen When it was over,

0:16:06.480 --> 0:16:10.320
<v Speaker 1>the Taliban wanted to negotiate a surrender to be part

0:16:10.360 --> 0:16:14.000
<v Speaker 1>of the process of the new government, and Donald Rumsfeld said, no,

0:16:14.080 --> 0:16:16.640
<v Speaker 1>we're not going to negotiate with you your terrorists. Now.

0:16:16.680 --> 0:16:19.680
<v Speaker 1>Mind you, when people have civil wars or things like

0:16:19.720 --> 0:16:21.880
<v Speaker 1>this is not uncommon. We've seen it in South African

0:16:21.880 --> 0:16:26.800
<v Speaker 1>other places. The opposing sides get together and work something out. Uh,

0:16:27.080 --> 0:16:29.320
<v Speaker 1>that didn't happen. So the Taliban was sort of shun

0:16:29.440 --> 0:16:33.280
<v Speaker 1>it off to Pakistan and uh, you know, resentful, and

0:16:33.360 --> 0:16:37.360
<v Speaker 1>Pakistan would fuel them. Uh. And then we we set

0:16:37.400 --> 0:16:40.840
<v Speaker 1>about putting in place. They centralized government for the country

0:16:40.880 --> 0:16:44.080
<v Speaker 1>in their new constitution, which they've never had before, which made,

0:16:44.080 --> 0:16:48.120
<v Speaker 1>of course corruption easier to do. We empower a lot

0:16:48.160 --> 0:16:51.040
<v Speaker 1>of old guys who actually they were so bad, these

0:16:51.040 --> 0:16:54.480
<v Speaker 1>warloades that they their behavior led to the Taliban in

0:16:54.520 --> 0:16:57.320
<v Speaker 1>the first place, and then we just dumped a lot

0:16:57.320 --> 0:17:00.080
<v Speaker 1>of money at it. You know, there's American hubris and

0:17:00.280 --> 0:17:05.040
<v Speaker 1>naivete and uh, we were like destined to fail. I

0:17:05.040 --> 0:17:08.040
<v Speaker 1>can understand why Biden wants to get out because I

0:17:08.080 --> 0:17:10.440
<v Speaker 1>don't see that things are going to change. I mean,

0:17:10.480 --> 0:17:13.560
<v Speaker 1>it's like pushing a string there. It's just I don't

0:17:13.560 --> 0:17:16.879
<v Speaker 1>know what's gonna happen. Some miracle really needs to happen

0:17:16.960 --> 0:17:20.040
<v Speaker 1>for the Taliban to try and assimilate into what has

0:17:20.040 --> 0:17:22.879
<v Speaker 1>been this newer, more modern culture that's turned up at

0:17:22.960 --> 0:17:29.480
<v Speaker 1>least in urban Afghanistan. So you were in Afghanistans decades before.

0:17:29.520 --> 0:17:31.239
<v Speaker 1>And you said, this was before they had a lot

0:17:31.280 --> 0:17:34.280
<v Speaker 1>of technology, and you've been there. Now the average American

0:17:34.320 --> 0:17:37.520
<v Speaker 1>doesn't even have a passport. But what was the appeal

0:17:37.520 --> 0:17:43.520
<v Speaker 1>of Afghanistan for you? Well, I had I have been

0:17:43.560 --> 0:17:45.240
<v Speaker 1>working at the time. I had been I had quit

0:17:45.280 --> 0:17:47.800
<v Speaker 1>a job at an ad agency in New York. I

0:17:47.880 --> 0:17:50.439
<v Speaker 1>just couldn't take it anymore. And uh, they they were

0:17:50.480 --> 0:17:53.920
<v Speaker 1>gonna assign me to Sharman toilet paper. And I realized

0:17:53.960 --> 0:17:56.000
<v Speaker 1>that and I had been already been working on g

0:17:56.200 --> 0:17:58.680
<v Speaker 1>I Joe. Mind you, this was during the Vietnam War,

0:17:58.840 --> 0:18:01.120
<v Speaker 1>so I was just an alienated guy. And an old

0:18:01.160 --> 0:18:02.840
<v Speaker 1>girlfriend called me up from Paris and said, Hey, I

0:18:02.840 --> 0:18:05.000
<v Speaker 1>want to go across the Sahara Desert. I was on

0:18:05.040 --> 0:18:07.920
<v Speaker 1>a plane like a week and a half later, and

0:18:08.000 --> 0:18:10.800
<v Speaker 1>I met her. We did do that. We broke up

0:18:10.840 --> 0:18:12.600
<v Speaker 1>like a little we're a little bit Florida. How do

0:18:12.640 --> 0:18:16.359
<v Speaker 1>you go across the Sahara Desert in those days? I

0:18:16.440 --> 0:18:20.239
<v Speaker 1>went all the way down from Paris through Spain and

0:18:20.240 --> 0:18:22.840
<v Speaker 1>Morocco to the very southern point of Morocco where the

0:18:22.920 --> 0:18:26.639
<v Speaker 1>road stopped, and then you get into what was basically

0:18:26.680 --> 0:18:29.520
<v Speaker 1>the back of a Ford truck pickup truck, not a

0:18:29.560 --> 0:18:31.919
<v Speaker 1>pickup truck. It was like, you know, a dump truck

0:18:32.600 --> 0:18:34.440
<v Speaker 1>and you drive a hundred and fifty miles at the

0:18:34.480 --> 0:18:37.880
<v Speaker 1>border of what was then a place called the Spanish Sahara.

0:18:37.960 --> 0:18:41.280
<v Speaker 1>It was Spain's last colony and you had to camp

0:18:41.359 --> 0:18:43.159
<v Speaker 1>out for a few days. So they opened the border

0:18:43.200 --> 0:18:46.320
<v Speaker 1>and then you'd go in and then you'd uh, you know,

0:18:46.960 --> 0:18:50.760
<v Speaker 1>tool around the Sahara. And I I did that for

0:18:50.800 --> 0:18:55.800
<v Speaker 1>about a month and ended up we split up, and

0:18:55.800 --> 0:18:57.520
<v Speaker 1>I ended up continue to travel for a year and

0:18:57.560 --> 0:18:59.600
<v Speaker 1>I met somebody in Greece, this girl in Greece, and

0:18:59.640 --> 0:19:01.040
<v Speaker 1>she said, you know, you gotta go to India. That

0:19:01.080 --> 0:19:03.480
<v Speaker 1>was the Holy Grail. This is like nineteen seventy two, Bob.

0:19:04.400 --> 0:19:06.040
<v Speaker 1>So when I went to it, it was like the

0:19:06.119 --> 0:19:08.760
<v Speaker 1>day I went to Afghanistan. My life sort of changed

0:19:08.800 --> 0:19:11.240
<v Speaker 1>because I was having a great time and soaking it

0:19:11.240 --> 0:19:14.120
<v Speaker 1>all in. I mean it was hitchhiking around and riding

0:19:14.160 --> 0:19:16.280
<v Speaker 1>on the back of trucks. I was a kid basically.

0:19:16.960 --> 0:19:18.800
<v Speaker 1>But when I when I showed up at the Afghan

0:19:18.840 --> 0:19:22.680
<v Speaker 1>Iran border, I went through Iran, Uh, it was like

0:19:22.840 --> 0:19:25.280
<v Speaker 1>I was in another world and a whole other planet

0:19:25.320 --> 0:19:29.439
<v Speaker 1>that the guy who was an immigration stamping passports he

0:19:29.560 --> 0:19:32.800
<v Speaker 1>was wearing his jacket was there was a jacket from

0:19:32.840 --> 0:19:37.080
<v Speaker 1>the high school band at the Akron High School. You know. So,

0:19:37.720 --> 0:19:41.320
<v Speaker 1>and what's often lost with people because they think Afghanistan's

0:19:41.359 --> 0:19:44.600
<v Speaker 1>just a place of continual war and terrorists. The Afghans

0:19:44.600 --> 0:19:49.000
<v Speaker 1>are actually hilarious and people go there. One of the

0:19:49.000 --> 0:19:51.280
<v Speaker 1>reasons we probably stayed this longest because at the top

0:19:51.320 --> 0:19:54.440
<v Speaker 1>military levels they all you get entranced then really engaged

0:19:54.440 --> 0:19:56.960
<v Speaker 1>with the Afghans. They're wonderful people. They got this great

0:19:57.000 --> 0:20:00.800
<v Speaker 1>soul and uh I fell for that and about that.

0:20:00.840 --> 0:20:02.960
<v Speaker 1>This was the most exotic place I'd been and I

0:20:03.000 --> 0:20:05.960
<v Speaker 1>wanted to try and figure out a way to support

0:20:06.040 --> 0:20:10.000
<v Speaker 1>myself and live there. And I basically I started a

0:20:10.040 --> 0:20:12.520
<v Speaker 1>company and I lived there for eight years there in India,

0:20:12.560 --> 0:20:15.480
<v Speaker 1>where I also started another company. Does a whole other,

0:20:16.200 --> 0:20:19.000
<v Speaker 1>a whole other lifetime, ago, a whole other career. It

0:20:19.160 --> 0:20:22.800
<v Speaker 1>was those are my defining great years. I love them. Okay,

0:20:22.960 --> 0:20:26.679
<v Speaker 1>what'd your parents say when you jettison the path and

0:20:26.720 --> 0:20:29.880
<v Speaker 1>went off across the god? You know, they were already

0:20:29.920 --> 0:20:34.320
<v Speaker 1>annoyed because uh I had gotten out of college. I

0:20:34.359 --> 0:20:38.120
<v Speaker 1>was gonna get drafted. I went to graduate school, which

0:20:38.160 --> 0:20:40.840
<v Speaker 1>was still possible. I wanted to get Someone said I said,

0:20:40.840 --> 0:20:42.840
<v Speaker 1>I got to get drafted, and said, we gotta go

0:20:42.880 --> 0:20:44.520
<v Speaker 1>to graduate school. Since well, I don't want to be

0:20:44.560 --> 0:20:46.480
<v Speaker 1>a doctor or a dentist or a lawyer. Sai, why

0:20:46.480 --> 0:20:48.040
<v Speaker 1>don't you go to business school? I was so out

0:20:48.080 --> 0:20:49.600
<v Speaker 1>of it, Bob, I didn't know there was such a thing,

0:20:50.640 --> 0:20:52.879
<v Speaker 1>you know, get an m b A. So I signed up,

0:20:52.880 --> 0:20:54.880
<v Speaker 1>went to n y U. And that's sort of when

0:20:54.920 --> 0:20:58.800
<v Speaker 1>I got out of there, I decided, Uh, I had

0:20:58.880 --> 0:21:01.600
<v Speaker 1>gotten out of the draft. How'd you get out of

0:21:01.640 --> 0:21:04.560
<v Speaker 1>the draft? Well? In then, at the end of my

0:21:04.600 --> 0:21:06.520
<v Speaker 1>first year of a two year program, they said, okay,

0:21:06.560 --> 0:21:09.080
<v Speaker 1>he's graduate school. Deferments are over. I'm back in the

0:21:09.200 --> 0:21:12.760
<v Speaker 1>draft pool. I said, I gotta, I gotta, I gotta.

0:21:12.880 --> 0:21:15.760
<v Speaker 1>I can't do that. So I I found a guy.

0:21:15.760 --> 0:21:18.360
<v Speaker 1>I knew a guy. The only thing that I got

0:21:18.400 --> 0:21:22.000
<v Speaker 1>in the Navy Reserve, which had it was one year

0:21:22.040 --> 0:21:24.119
<v Speaker 1>of meetings and then you had to go an active

0:21:24.160 --> 0:21:26.560
<v Speaker 1>duty for two years. And I had been working in

0:21:26.640 --> 0:21:28.919
<v Speaker 1>Lake George with this guy who ran a bar, but

0:21:28.960 --> 0:21:31.119
<v Speaker 1>he also ran a big steamship which used to be.

0:21:31.800 --> 0:21:33.760
<v Speaker 1>You know, in World War two they had cut it

0:21:33.840 --> 0:21:36.600
<v Speaker 1>up and brought it up to Lake George, and he

0:21:36.680 --> 0:21:38.560
<v Speaker 1>was in the Naval Reserve and he was able to

0:21:38.560 --> 0:21:40.560
<v Speaker 1>get me in. I mean, think about that. And then

0:21:40.600 --> 0:21:42.760
<v Speaker 1>I once I got in, I it was determined I

0:21:42.800 --> 0:21:45.600
<v Speaker 1>had some medical problems, so I gotta I got at

0:21:45.600 --> 0:21:48.120
<v Speaker 1>the ferment. And then just when I graduated, my parents said,

0:21:48.800 --> 0:21:50.720
<v Speaker 1>he's getting on the conveyor belt. He's gonna get a

0:21:50.720 --> 0:21:52.880
<v Speaker 1>grown up job. I split for a year. I went

0:21:52.920 --> 0:21:56.120
<v Speaker 1>to ask him and uh the Virgin Islands. And then,

0:21:56.600 --> 0:21:58.680
<v Speaker 1>you know, they were not happy about that. But then

0:21:58.680 --> 0:22:00.720
<v Speaker 1>I got a job at ben in ball Holes, which

0:22:00.760 --> 0:22:04.600
<v Speaker 1>they were elated about. And that lasted about two years,

0:22:04.720 --> 0:22:06.800
<v Speaker 1>and uh, I was just alien it. And then I

0:22:06.880 --> 0:22:10.239
<v Speaker 1>quit again. I took five thousand dollars and left, and

0:22:10.280 --> 0:22:13.080
<v Speaker 1>they were just sort of slack jawed. But you know,

0:22:13.119 --> 0:22:15.360
<v Speaker 1>what can they do. I was, you know, twenty two

0:22:15.480 --> 0:22:19.240
<v Speaker 1>or something like that, twenty three. What did your father

0:22:19.280 --> 0:22:22.080
<v Speaker 1>do for a living? Your mother? He was, Uh. I

0:22:22.119 --> 0:22:25.040
<v Speaker 1>grew up in in Fairfield County, not far from you.

0:22:25.119 --> 0:22:27.720
<v Speaker 1>I was from Rowait in Connecticut, of course, just a

0:22:27.760 --> 0:22:31.520
<v Speaker 1>little down the line. And my father, actually he was

0:22:31.560 --> 0:22:34.439
<v Speaker 1>in one of the mad Men guys. He worked in uh,

0:22:34.720 --> 0:22:38.520
<v Speaker 1>in public relations for a paper bag company called Union Bag,

0:22:38.560 --> 0:22:41.120
<v Speaker 1>which meant all my life I got free lunch bags.

0:22:41.640 --> 0:22:44.000
<v Speaker 1>You know, I didn't have to recycle him like my

0:22:44.080 --> 0:22:48.800
<v Speaker 1>fellow students did. So he you know, and he had

0:22:48.840 --> 0:22:50.440
<v Speaker 1>a lot of friends that are awaiting who were sort

0:22:50.440 --> 0:22:53.760
<v Speaker 1>of in that world of advertising public relations, and they

0:22:53.840 --> 0:22:56.520
<v Speaker 1>were what I saw. There was a window of what

0:22:56.600 --> 0:22:58.879
<v Speaker 1>I could. I I saw that was possible to be

0:22:58.920 --> 0:23:01.199
<v Speaker 1>in business and actually have a good time and do

0:23:01.359 --> 0:23:04.399
<v Speaker 1>something like these people were creative. I wanted to always

0:23:04.400 --> 0:23:07.840
<v Speaker 1>be around creative people. So anyway, they took it and

0:23:07.880 --> 0:23:09.639
<v Speaker 1>stride when I left, and then they became proud of

0:23:09.640 --> 0:23:12.080
<v Speaker 1>me because my company became very successful. I had no

0:23:12.160 --> 0:23:15.480
<v Speaker 1>idea what I was doing, but we build warehouses and showrooms,

0:23:15.520 --> 0:23:20.080
<v Speaker 1>and then of course I got wiped out and lost everything. Okay,

0:23:20.160 --> 0:23:21.840
<v Speaker 1>let's go back to the beating for a second. How

0:23:21.880 --> 0:23:24.600
<v Speaker 1>many kids in the family. There was me and my brother.

0:23:25.400 --> 0:23:27.359
<v Speaker 1>I'm a younger brother, right And what's he up to

0:23:27.520 --> 0:23:29.840
<v Speaker 1>right now? I mean I met up a couple of times.

0:23:29.920 --> 0:23:33.280
<v Speaker 1>For the people who don't know, uh, he's started retired.

0:23:33.600 --> 0:23:36.679
<v Speaker 1>You know, he was just Libby. He was he had

0:23:36.720 --> 0:23:39.280
<v Speaker 1>had it with the pandemic, so he got vaccinated and

0:23:39.320 --> 0:23:42.800
<v Speaker 1>went to beck Way, which is an island in the Grenadines. St.

0:23:42.880 --> 0:23:46.000
<v Speaker 1>Vincent and the Grenadines is one of the last island

0:23:46.080 --> 0:23:48.800
<v Speaker 1>nations in the Caribbean. It sounds like a rock band.

0:23:50.280 --> 0:23:51.760
<v Speaker 1>And he was the island of beck Way, and he

0:23:51.800 --> 0:23:53.520
<v Speaker 1>had rented a place for three months and he was

0:23:53.600 --> 0:23:55.639
<v Speaker 1>enjoying it there. He likes living on islands. But then

0:23:55.680 --> 0:23:59.359
<v Speaker 1>they had just had this volcano in St. Vincent. So

0:23:59.400 --> 0:24:01.520
<v Speaker 1>he got a vacuated by the American government and a

0:24:01.600 --> 0:24:04.440
<v Speaker 1>cruise liner that took him to Saint Martin. So he's

0:24:04.480 --> 0:24:06.960
<v Speaker 1>back in New York now a little up perturb, I said, Bill,

0:24:07.000 --> 0:24:09.840
<v Speaker 1>only you could get, you know, run from a pandemic

0:24:09.880 --> 0:24:13.480
<v Speaker 1>and then you have to get evacuated because of a volcano. Okay,

0:24:13.720 --> 0:24:16.840
<v Speaker 1>did you go to public school or prep school? I

0:24:16.880 --> 0:24:21.959
<v Speaker 1>went to a combination. I went to public schools in

0:24:22.000 --> 0:24:25.400
<v Speaker 1>Connecticut until my father wanted me to have a good

0:24:25.440 --> 0:24:28.800
<v Speaker 1>Catholic education. See, so he said, sent me to Fairfield Prep.

0:24:29.760 --> 0:24:31.919
<v Speaker 1>Right down the street. I mean literally right down the

0:24:31.920 --> 0:24:34.880
<v Speaker 1>street pass if we only knew, you know, that's where

0:24:34.880 --> 0:24:38.080
<v Speaker 1>I saw my first concert Ray Charles at Fairfield University.

0:24:39.480 --> 0:24:42.600
<v Speaker 1>I saw the Beach Boys at Fearfield University. Enough you

0:24:42.640 --> 0:24:45.359
<v Speaker 1>were there and there was another concert with the Young Rascals.

0:24:45.480 --> 0:24:47.960
<v Speaker 1>This was in the sixties. I think you might have

0:24:47.960 --> 0:24:50.800
<v Speaker 1>been in college at that point. Yeah. Well, after two

0:24:50.880 --> 0:24:54.479
<v Speaker 1>years of that, and I wasn't that happy because you know,

0:24:54.560 --> 0:24:56.400
<v Speaker 1>I have it's an hour and a half up there

0:24:56.440 --> 0:24:58.880
<v Speaker 1>and back, and you know, all my friends I didn't

0:24:58.920 --> 0:25:01.560
<v Speaker 1>really have. I kind of was contact with my local friends.

0:25:01.560 --> 0:25:03.719
<v Speaker 1>And my father said, I'll make you deal. I'll let

0:25:03.760 --> 0:25:06.959
<v Speaker 1>you transfer to the local high school and finish here

0:25:06.960 --> 0:25:08.879
<v Speaker 1>because I can see you wanted to play hockey, you

0:25:08.920 --> 0:25:11.639
<v Speaker 1>wanted to do this, meet some girls, and you know,

0:25:11.760 --> 0:25:13.920
<v Speaker 1>I want to be happy, but we gotta make a deal.

0:25:14.160 --> 0:25:16.040
<v Speaker 1>If I do this, you have to commit to me

0:25:16.040 --> 0:25:20.040
<v Speaker 1>that you go to a Catholic college. Wow. So I

0:25:20.080 --> 0:25:22.160
<v Speaker 1>had to. I took the deal that was on the table. Bob,

0:25:22.200 --> 0:25:25.000
<v Speaker 1>I said, I'll deal with that other one later, you know.

0:25:25.240 --> 0:25:28.879
<v Speaker 1>So he said, uh, that's that's what he said. So

0:25:28.960 --> 0:25:32.720
<v Speaker 1>when it came time to apply to college, my choices

0:25:32.760 --> 0:25:34.320
<v Speaker 1>were a lot more limited than the other kids that

0:25:34.440 --> 0:25:37.200
<v Speaker 1>were in school with and I I, you know, I

0:25:37.320 --> 0:25:39.760
<v Speaker 1>ended up going to a small college in Vermont, which

0:25:39.760 --> 0:25:41.439
<v Speaker 1>I never even visited. At that point in my life,

0:25:41.480 --> 0:25:43.760
<v Speaker 1>I've only been in two states, New York and Connecticut,

0:25:44.800 --> 0:25:49.080
<v Speaker 1>so you know, so I went to a combination and

0:25:49.720 --> 0:25:52.560
<v Speaker 1>so you went to St. Michael's in Vermont. There were

0:25:52.560 --> 0:25:57.840
<v Speaker 1>no women there, right exactly, but they had a important point,

0:25:58.640 --> 0:26:01.840
<v Speaker 1>a recurring theme with these ethnic schools. But there was

0:26:01.880 --> 0:26:05.000
<v Speaker 1>a There was a a school called Trinity College or

0:26:05.040 --> 0:26:07.920
<v Speaker 1>sort of the sister college in Burlington, right across the river.

0:26:08.800 --> 0:26:10.879
<v Speaker 1>But there were a lot of other colleges. There was

0:26:10.920 --> 0:26:13.240
<v Speaker 1>a lot of uh, there was sort of a college

0:26:13.240 --> 0:26:15.320
<v Speaker 1>town Burlington. It was a really cool town to go

0:26:15.359 --> 0:26:17.720
<v Speaker 1>to school. And if you weren't in St. Michael's, but

0:26:17.800 --> 0:26:26.720
<v Speaker 1>you could meet girls. I made a point of that. Okay,

0:26:26.760 --> 0:26:30.160
<v Speaker 1>growing up, were you like the leader of the group?

0:26:30.280 --> 0:26:33.320
<v Speaker 1>Were you popular? And then when you get to college,

0:26:33.400 --> 0:26:36.760
<v Speaker 1>were you, you know, the guy who was hanging with

0:26:36.800 --> 0:26:39.600
<v Speaker 1>everybody or you were more independent? What kind of kid

0:26:39.640 --> 0:26:42.480
<v Speaker 1>were you like growing up? I was independent. I mean

0:26:42.520 --> 0:26:45.400
<v Speaker 1>I really wasn't in any big click or anything like that.

0:26:45.480 --> 0:26:47.840
<v Speaker 1>But I was well liked and I got along. I

0:26:47.880 --> 0:26:49.640
<v Speaker 1>got a well, I I got I can get along

0:26:49.640 --> 0:26:51.639
<v Speaker 1>with anybody, so I would get along with everybody. Was

0:26:51.720 --> 0:26:54.119
<v Speaker 1>just a big bruiser guy, a bully. I could somehow

0:26:54.160 --> 0:26:57.399
<v Speaker 1>befriend him. And when I went to college, like I

0:26:57.440 --> 0:27:00.560
<v Speaker 1>made a fortune. I was. I took a cut and pay.

0:27:00.560 --> 0:27:03.000
<v Speaker 1>When I graduated, I was. I had all kinds of

0:27:03.080 --> 0:27:06.920
<v Speaker 1>jobs from dishwasher to where because I had had to

0:27:06.960 --> 0:27:08.600
<v Speaker 1>kind of work my way through college. But but I

0:27:08.640 --> 0:27:12.240
<v Speaker 1>got a little money in the system. So uh, but

0:27:12.400 --> 0:27:14.639
<v Speaker 1>there I was. Most of the other kids in that

0:27:14.760 --> 0:27:18.119
<v Speaker 1>school were from Upper New England. There was only a

0:27:18.119 --> 0:27:21.479
<v Speaker 1>few of us from the Tri City area who we

0:27:21.520 --> 0:27:23.600
<v Speaker 1>thought we were hit but we were nothing. You know.

0:27:24.000 --> 0:27:26.000
<v Speaker 1>All I really knew was like listening to New York

0:27:26.040 --> 0:27:28.720
<v Speaker 1>City radio growing up in terms of you know, never

0:27:28.760 --> 0:27:30.320
<v Speaker 1>really went into the city much. So I went to

0:27:30.320 --> 0:27:35.600
<v Speaker 1>graduate school. Okay, you were an Aspen We never discussed this.

0:27:35.640 --> 0:27:37.720
<v Speaker 1>You were a big skier. You mean, that's the reason

0:27:37.800 --> 0:27:40.560
<v Speaker 1>to go to Aspen, especially back then, although Aspen was different.

0:27:40.600 --> 0:27:45.200
<v Speaker 1>That was before all the chain stores were there. Oh yeah,

0:27:45.359 --> 0:27:47.879
<v Speaker 1>like people hadn't even heard of Aspen in nineteen seventy.

0:27:47.920 --> 0:27:52.000
<v Speaker 1>But what have you know. Sometimes you can remember something

0:27:52.000 --> 0:27:55.360
<v Speaker 1>with total clarity, and I can remember at the beginning

0:27:55.359 --> 0:27:57.920
<v Speaker 1>of my sophomore year in college, I was at a

0:27:58.040 --> 0:28:00.399
<v Speaker 1>part I went before school started. I was at the

0:28:00.480 --> 0:28:04.320
<v Speaker 1>University of Ramondic of fraternity and I had made friends

0:28:04.359 --> 0:28:07.280
<v Speaker 1>there too. And then this guy I knew kind of

0:28:07.680 --> 0:28:10.800
<v Speaker 1>this is in the afternoon, he's on a Bonneville motorcycle.

0:28:10.840 --> 0:28:13.040
<v Speaker 1>He kind of comes through and he I said, Hey, Tom,

0:28:13.080 --> 0:28:15.080
<v Speaker 1>how are you doing? This is his name is Tom too.

0:28:15.080 --> 0:28:16.879
<v Speaker 1>He says, Oh, Man, I just had the greatest summer.

0:28:16.880 --> 0:28:19.640
<v Speaker 1>I was down in this place, Lake George. It's while

0:28:19.800 --> 0:28:21.720
<v Speaker 1>down there. You know, there's all these girls. You can

0:28:21.760 --> 0:28:24.000
<v Speaker 1>make a lot of money. It's a beautiful place, and

0:28:24.080 --> 0:28:26.679
<v Speaker 1>you know you're crazy to go home and for the summertime.

0:28:27.960 --> 0:28:30.080
<v Speaker 1>I decided right then and there, this is what I'm

0:28:30.119 --> 0:28:32.560
<v Speaker 1>gonna do. I'm gonna finally be free, away from my parents,

0:28:32.600 --> 0:28:35.680
<v Speaker 1>away from the rules of college. So I went there.

0:28:35.680 --> 0:28:38.360
<v Speaker 1>And when I was there, like the cool gang in

0:28:38.360 --> 0:28:41.000
<v Speaker 1>that town where all these guys from Aspen they would

0:28:41.040 --> 0:28:43.160
<v Speaker 1>they would like be on the circuit. They would work

0:28:43.160 --> 0:28:44.840
<v Speaker 1>in Lake George, they would work in ask when they

0:28:44.880 --> 0:28:48.360
<v Speaker 1>go to the Caribbean, then run pot. They ran bars.

0:28:48.760 --> 0:28:51.720
<v Speaker 1>But they were like bohemians. My first real encounter with

0:28:51.800 --> 0:28:53.920
<v Speaker 1>and they there, they theyre they didn't even think of

0:28:53.960 --> 0:28:58.280
<v Speaker 1>having a career. They were, but they struck a nerve

0:28:58.360 --> 0:29:00.480
<v Speaker 1>with me, and I saw like a window for me

0:29:00.520 --> 0:29:03.040
<v Speaker 1>to have a more interesting life. But they always said, hey, man,

0:29:03.080 --> 0:29:05.959
<v Speaker 1>come out and finsess this in a Aspen. So as

0:29:06.000 --> 0:29:07.600
<v Speaker 1>soon as I got out of school, I bought a

0:29:07.600 --> 0:29:10.880
<v Speaker 1>car for like a hundred bucks and drove to Aspen

0:29:10.960 --> 0:29:12.680
<v Speaker 1>and showed up at the It was in the Aspen

0:29:12.760 --> 0:29:17.400
<v Speaker 1>and it was now the rich Carlton stands in its place. Yeah,

0:29:17.560 --> 0:29:20.440
<v Speaker 1>So I went in. I say where's Gary? And Gary

0:29:20.480 --> 0:29:23.040
<v Speaker 1>comes out and I said. He says, Tom, what are

0:29:23.040 --> 0:29:25.320
<v Speaker 1>you doing here? I said, well, this was a pilgrimage

0:29:25.320 --> 0:29:27.280
<v Speaker 1>for me. I wanted to check it out. You got anything,

0:29:27.840 --> 0:29:29.760
<v Speaker 1>you got any nice job for a for a hard

0:29:29.760 --> 0:29:32.560
<v Speaker 1>working man. He says, everyone filled up. You shouldn't let

0:29:32.600 --> 0:29:35.600
<v Speaker 1>me know, but you could be a dishwasher. And this

0:29:35.760 --> 0:29:38.200
<v Speaker 1>was like the nitty Gritty dirt band would play there

0:29:38.400 --> 0:29:41.320
<v Speaker 1>and Steve Martin and it was. It was a hopping place,

0:29:41.360 --> 0:29:43.560
<v Speaker 1>but I knew all the guys who kind of ran it. Well.

0:29:43.600 --> 0:29:46.920
<v Speaker 1>I worked my way up and I spent uh. Then

0:29:46.960 --> 0:29:49.040
<v Speaker 1>he sends me to go get a room at the

0:29:49.120 --> 0:29:52.240
<v Speaker 1>Independence Lodge, which is at the base of Ajax. It's

0:29:52.240 --> 0:29:54.800
<v Speaker 1>now a Ralph the Ren store, and they gave me

0:29:54.880 --> 0:29:57.040
<v Speaker 1>a room with no window. And then the guy says

0:29:57.080 --> 0:29:59.360
<v Speaker 1>to me, you're not gonna need a window if you're

0:29:59.360 --> 0:30:01.720
<v Speaker 1>working at the s spen in. I go, what is that?

0:30:02.120 --> 0:30:04.520
<v Speaker 1>He says, because those guys are wild. You'll be They'll

0:30:04.520 --> 0:30:06.760
<v Speaker 1>have you all night at some parties in Red Mountain

0:30:06.760 --> 0:30:08.680
<v Speaker 1>and you'll be thanking me that the sun's not waking

0:30:08.720 --> 0:30:12.360
<v Speaker 1>you up. You can sleep all day. So that turned

0:30:12.400 --> 0:30:15.560
<v Speaker 1>out to be, you know, that turned out to pretty

0:30:15.600 --> 0:30:17.960
<v Speaker 1>much be the case. But I I was there. I

0:30:18.240 --> 0:30:20.040
<v Speaker 1>skied a few times, but I had to rent all

0:30:20.040 --> 0:30:22.560
<v Speaker 1>my equipment, so it was really uh, you know, I

0:30:22.560 --> 0:30:25.200
<v Speaker 1>didn't have my own stuff. Wasn't a great skier, but

0:30:25.240 --> 0:30:26.920
<v Speaker 1>it was. I really fell in love with the town.

0:30:26.960 --> 0:30:28.920
<v Speaker 1>But I realized after three months I had to get

0:30:28.920 --> 0:30:31.120
<v Speaker 1>out of there. I go crazy. That was sort of

0:30:31.160 --> 0:30:33.640
<v Speaker 1>my brief psychedelic period. There was a lot of bad

0:30:33.680 --> 0:30:35.560
<v Speaker 1>things going on and Aspen in those days. I mean

0:30:35.560 --> 0:30:38.280
<v Speaker 1>it was Hunter Thompson had just run for it was

0:30:38.320 --> 0:30:40.120
<v Speaker 1>about to run for sheriff, but he had started that

0:30:40.240 --> 0:30:43.560
<v Speaker 1>freak party thing which you probably knew all about. They

0:30:43.560 --> 0:30:49.000
<v Speaker 1>were gonna fight the developers, the greedhogs, who ultimately turned

0:30:49.040 --> 0:30:53.520
<v Speaker 1>Aspen into what it is today. Okay, so you leave Aspen,

0:30:53.560 --> 0:30:57.480
<v Speaker 1>and then the next stop is I went through San

0:30:57.520 --> 0:31:01.080
<v Speaker 1>Francisco and down do Big Sir Her and they went

0:31:01.160 --> 0:31:03.600
<v Speaker 1>to uh San Diego. Had a friend of mine who

0:31:03.680 --> 0:31:06.240
<v Speaker 1>was in the Navy. He lived in Mission Beach, hung

0:31:06.240 --> 0:31:08.680
<v Speaker 1>out there a while. Then I I I tried to

0:31:08.720 --> 0:31:10.800
<v Speaker 1>dry I finally I couldn't drive my car in Mexico,

0:31:10.960 --> 0:31:13.840
<v Speaker 1>so I sold it in, flew to Port of the

0:31:14.040 --> 0:31:16.080
<v Speaker 1>Art and went to San Blass. I was there for

0:31:16.280 --> 0:31:18.400
<v Speaker 1>not long, and then her friend called me. I was says, hey,

0:31:18.440 --> 0:31:21.560
<v Speaker 1>I'm in the I'm in the Virgin Islands, and you

0:31:21.560 --> 0:31:23.640
<v Speaker 1>could probably get a job here at Tendon Bar. So

0:31:23.760 --> 0:31:25.960
<v Speaker 1>I went there and spent three months in the Virgin

0:31:26.000 --> 0:31:30.360
<v Speaker 1>Islands doing that. That was a whole other adventure. And

0:31:30.400 --> 0:31:34.480
<v Speaker 1>then from there I went to Martha's Vineyard and got

0:31:34.480 --> 0:31:36.600
<v Speaker 1>a job in the lamp post. And this was when

0:31:36.640 --> 0:31:39.440
<v Speaker 1>I met Tom Rush, who you just had on and

0:31:39.480 --> 0:31:42.560
<v Speaker 1>I met Jill Lumpkin who we talked about on your podcast,

0:31:42.560 --> 0:31:44.640
<v Speaker 1>who was his girlfriend on the Circle Game, who I

0:31:44.760 --> 0:31:48.560
<v Speaker 1>hired as a designer to work for me at my company,

0:31:48.640 --> 0:31:51.120
<v Speaker 1>Hindu Kush. She used to be a bar to waitress

0:31:51.160 --> 0:31:53.840
<v Speaker 1>at max Is in the city and she's living in

0:31:53.840 --> 0:31:56.280
<v Speaker 1>Indian now. I I had, I had, I said. I

0:31:56.280 --> 0:31:58.920
<v Speaker 1>sent her a copy of the link to your podcast.

0:31:58.960 --> 0:32:02.840
<v Speaker 1>I said, well, Tom's really talk talking about you so small,

0:32:03.600 --> 0:32:10.040
<v Speaker 1>small world. Why did your business in Afghanistan in India crash? Well?

0:32:10.080 --> 0:32:11.840
<v Speaker 1>As good as it was and we were, we were

0:32:11.880 --> 0:32:15.400
<v Speaker 1>making not crappy clothes, but really kind of stylish things. Uh.

0:32:15.440 --> 0:32:19.280
<v Speaker 1>You know, the Afghanistan they had a communist coup. You know,

0:32:19.440 --> 0:32:22.320
<v Speaker 1>generally not good for business. I mean, we were going around.

0:32:22.880 --> 0:32:25.320
<v Speaker 1>It was a big surprise to everybody in town, including

0:32:25.520 --> 0:32:28.360
<v Speaker 1>pretty much the Soviets, because these guys weren't ready for

0:32:28.400 --> 0:32:31.800
<v Speaker 1>prime time. And that was in April seventy eight. So

0:32:31.960 --> 0:32:33.720
<v Speaker 1>I kind of bailed. I have been there for a

0:32:33.760 --> 0:32:35.680
<v Speaker 1>coup in seventy three when they took out the king,

0:32:35.760 --> 0:32:40.360
<v Speaker 1>but that was like there's one oligarch to another. This

0:32:40.920 --> 0:32:43.520
<v Speaker 1>was the These were communists and they were not big

0:32:43.520 --> 0:32:47.240
<v Speaker 1>on doing business. So I kind of gathered some stuff

0:32:47.240 --> 0:32:50.040
<v Speaker 1>together and I said, let's, uh, let's go through the

0:32:50.080 --> 0:32:52.160
<v Speaker 1>Cobra Pass. And stay in pish hour and this thing

0:32:52.200 --> 0:32:56.560
<v Speaker 1>blows over, and uh with Jill and whatnot, and it

0:32:56.640 --> 0:32:59.240
<v Speaker 1>never it still hasn't blown over, Bob. They've been fighting

0:32:59.240 --> 0:33:02.760
<v Speaker 1>for forty three years. But then the Soviets invaded, god worse.

0:33:02.840 --> 0:33:04.960
<v Speaker 1>So I had a business in India at a house

0:33:05.000 --> 0:33:09.640
<v Speaker 1>in Delhi. I doubled down on that. But then like

0:33:09.720 --> 0:33:13.040
<v Speaker 1>six months later, Jimmy Carter, under pressure from the domestic

0:33:13.240 --> 0:33:16.960
<v Speaker 1>uh you know, apparel people put a quota and an

0:33:17.000 --> 0:33:21.440
<v Speaker 1>embargo on close from India and you had to get

0:33:21.520 --> 0:33:23.480
<v Speaker 1>quota from the Indian government. Since I was one of

0:33:23.480 --> 0:33:26.400
<v Speaker 1>the only kind of Caucasians doing this and didn't have

0:33:26.440 --> 0:33:30.240
<v Speaker 1>the government connectors, I didn't get anything. So I went

0:33:30.280 --> 0:33:34.720
<v Speaker 1>out of business, and uh I I came back with

0:33:34.720 --> 0:33:36.880
<v Speaker 1>my tail between my legs, trying to get a job.

0:33:36.920 --> 0:33:40.000
<v Speaker 1>And that's where when I ended up at MTV. Okay,

0:33:40.480 --> 0:33:42.640
<v Speaker 1>since you said you'd only been to New York in Connecticut,

0:33:42.720 --> 0:33:46.160
<v Speaker 1>where did all this wanderlusts come from? I think it

0:33:46.200 --> 0:33:48.640
<v Speaker 1>was just pan up. You know. My dad was in

0:33:48.680 --> 0:33:51.960
<v Speaker 1>the Navy in the Pacific War, and he used to

0:33:52.000 --> 0:33:54.200
<v Speaker 1>drive those boats that went up on the Pacific Islands.

0:33:54.240 --> 0:33:56.840
<v Speaker 1>The door would come down Statar, Bryan Ryan, and you

0:33:56.880 --> 0:33:59.000
<v Speaker 1>know of the guys get killed in Eily, he had

0:34:00.000 --> 0:34:02.840
<v Speaker 1>they called it shell shop then. But he went from

0:34:02.840 --> 0:34:04.840
<v Speaker 1>a guy in my side like a hundred and ninety

0:34:04.840 --> 0:34:07.400
<v Speaker 1>pounds to just pounds. And he spent the rest of

0:34:07.440 --> 0:34:09.320
<v Speaker 1>the war like a year and a half in Hawaii,

0:34:09.320 --> 0:34:12.319
<v Speaker 1>and he was he just never wanted He never said

0:34:12.320 --> 0:34:14.640
<v Speaker 1>a word to me about the war. I can never

0:34:14.640 --> 0:34:16.840
<v Speaker 1>get him to watch like Victory at Sea or anything

0:34:16.880 --> 0:34:20.240
<v Speaker 1>like that. And uh, he never wanted to go anywhere.

0:34:20.280 --> 0:34:22.040
<v Speaker 1>The only trip we ever took as a family was

0:34:22.080 --> 0:34:26.920
<v Speaker 1>a day trip to the Mystic Seaport. And uh So

0:34:27.000 --> 0:34:30.000
<v Speaker 1>when I went to Vermont to college, I you know,

0:34:30.040 --> 0:34:31.759
<v Speaker 1>I just got the jones I can do this. I

0:34:31.840 --> 0:34:35.319
<v Speaker 1>just felt exhilarated to travel. And then I would hear

0:34:35.360 --> 0:34:37.800
<v Speaker 1>all these stories like from these guys about Aspen in

0:34:37.920 --> 0:34:41.440
<v Speaker 1>other places in the Caribbean, and it seemed so romantic

0:34:41.520 --> 0:34:43.560
<v Speaker 1>to me, and I said, I want to do this.

0:34:43.600 --> 0:34:47.080
<v Speaker 1>And meanwhile I kind of beefed up my you know,

0:34:47.239 --> 0:34:49.560
<v Speaker 1>my reading with the beats and all of that. And

0:34:49.680 --> 0:34:54.280
<v Speaker 1>you know, I just was into expanding experiences I might encounter.

0:34:54.440 --> 0:34:56.880
<v Speaker 1>And uh, I gotta say this, all the traveling that

0:34:56.960 --> 0:35:00.640
<v Speaker 1>I've done has been really the defining thing in my life.

0:35:00.719 --> 0:35:03.720
<v Speaker 1>I mean in terms of you know, confidence and comfort

0:35:03.719 --> 0:35:07.080
<v Speaker 1>about myself and uh, empathy for other people. I mean

0:35:08.440 --> 0:35:10.480
<v Speaker 1>you said in the beginning less than half of Americans

0:35:10.480 --> 0:35:14.040
<v Speaker 1>have passports. So true, and that's that's really sort of

0:35:14.080 --> 0:35:16.359
<v Speaker 1>central to our problem as a nation. I think. You know,

0:35:17.080 --> 0:35:19.320
<v Speaker 1>so you never have that ability to look at America

0:35:19.400 --> 0:35:23.120
<v Speaker 1>through someone else's prism. But anyway I had. I just

0:35:23.239 --> 0:35:26.759
<v Speaker 1>love to travel, Okay. You know it's amazing because when

0:35:26.760 --> 0:35:29.239
<v Speaker 1>you go to other countries, you're like UK. You know,

0:35:29.280 --> 0:35:31.440
<v Speaker 1>it's a nation of travelers, will go to go. Oh,

0:35:31.440 --> 0:35:33.560
<v Speaker 1>We'll go, you know, things that people wouldn't even think

0:35:33.600 --> 0:35:38.560
<v Speaker 1>of in America. But were you so successful because of

0:35:38.560 --> 0:35:41.880
<v Speaker 1>what you learned in business school? Well, I had an

0:35:41.920 --> 0:35:44.759
<v Speaker 1>innate drive and ability to put things together and do it.

0:35:44.920 --> 0:35:48.439
<v Speaker 1>What I did learn in business school is I really

0:35:48.480 --> 0:35:51.800
<v Speaker 1>straightened out. I mean I really applied myself in business.

0:35:51.960 --> 0:35:54.480
<v Speaker 1>I mean on my studies. I kind of coasted through

0:35:54.520 --> 0:35:57.160
<v Speaker 1>high school like hosted through college. I still made like

0:35:57.239 --> 0:36:00.520
<v Speaker 1>the honor roll when I got to when I got

0:36:00.560 --> 0:36:02.960
<v Speaker 1>to business school, I just got so turned on. I

0:36:03.000 --> 0:36:05.200
<v Speaker 1>got I was number one of my class. I graduated

0:36:05.239 --> 0:36:07.120
<v Speaker 1>number one of my class. I had this one professor,

0:36:07.200 --> 0:36:11.080
<v Speaker 1>that's guy named Peter Drucker, who legendary. He was a

0:36:11.160 --> 0:36:13.600
<v Speaker 1>legend and he was you know, he'd hold these classes

0:36:13.640 --> 0:36:16.759
<v Speaker 1>and they were all about innovation and change. And I

0:36:17.120 --> 0:36:18.880
<v Speaker 1>got someone that I said, there's a window for me.

0:36:18.960 --> 0:36:22.080
<v Speaker 1>This is a this is you know, innovation and change

0:36:22.120 --> 0:36:25.000
<v Speaker 1>is what kind of drives America had. And I realized

0:36:25.120 --> 0:36:27.320
<v Speaker 1>if I could work on things that were new and interesting,

0:36:27.360 --> 0:36:30.799
<v Speaker 1>put things together in an interesting way, that's a creative way,

0:36:30.840 --> 0:36:34.239
<v Speaker 1>I could be a business person. So I was able

0:36:34.280 --> 0:36:36.239
<v Speaker 1>to apply some of the things I learned there. But

0:36:36.320 --> 0:36:38.040
<v Speaker 1>my success there I had no idea. What I was

0:36:38.080 --> 0:36:41.120
<v Speaker 1>doing was just done through hustle. I mean, I knew

0:36:41.160 --> 0:36:43.279
<v Speaker 1>when I was working there, Bob, nothing that I would

0:36:43.320 --> 0:36:45.320
<v Speaker 1>ever do in my life would be more complicated or

0:36:45.360 --> 0:36:47.799
<v Speaker 1>difficult than that, And that's been the case. I mean,

0:36:48.320 --> 0:36:50.720
<v Speaker 1>you know, you had the bride people, nothing was delivered

0:36:50.760 --> 0:36:54.440
<v Speaker 1>on times, stuff was done wrong. You know, there was

0:36:55.800 --> 0:36:59.719
<v Speaker 1>you know, this was really premass tourism. These places were

0:37:00.120 --> 0:37:02.760
<v Speaker 1>the uh you know, I think India had like seventy

0:37:02.800 --> 0:37:05.400
<v Speaker 1>thousand tourists a year or something at that point. So

0:37:05.440 --> 0:37:08.040
<v Speaker 1>you really had to hustle. So it was through determination,

0:37:08.320 --> 0:37:13.719
<v Speaker 1>which I guess was in bred in me. Okay, and

0:37:13.800 --> 0:37:16.040
<v Speaker 1>where have you not been that you want to go.

0:37:17.239 --> 0:37:20.160
<v Speaker 1>I haven't been to New Zealand. Love to go there.

0:37:20.480 --> 0:37:24.760
<v Speaker 1>I've been in Westralia, but only once. I'm I'm surprised,

0:37:25.320 --> 0:37:28.440
<v Speaker 1>since you know it's a long way down there. I'll

0:37:28.480 --> 0:37:30.000
<v Speaker 1>believe me. I know if I've been a few times,

0:37:30.000 --> 0:37:33.520
<v Speaker 1>I know it's I'd love to go to way Antarctica,

0:37:33.840 --> 0:37:36.799
<v Speaker 1>you know now I sent away The other day. I

0:37:36.840 --> 0:37:39.360
<v Speaker 1>was browsing through Amazon. I said, Lonely Planet has a

0:37:39.360 --> 0:37:41.719
<v Speaker 1>book on Antarctica. I said, well, I want to get that.

0:37:42.080 --> 0:37:46.600
<v Speaker 1>Find out what's the cool hotel there. So I'm studying

0:37:46.680 --> 0:37:49.400
<v Speaker 1>up on Antarctica. I haven't been to uh. You know,

0:37:50.680 --> 0:37:53.799
<v Speaker 1>I've been to almost every country in Asia. I've been

0:37:53.880 --> 0:37:57.640
<v Speaker 1>to half of the fifty countries in Africa. There's still

0:37:57.800 --> 0:38:02.279
<v Speaker 1>I want to go to the Central African Republic Um.

0:38:02.400 --> 0:38:05.239
<v Speaker 1>You know, the northern part of Japan. I don't know

0:38:05.239 --> 0:38:07.000
<v Speaker 1>if you've been to Hokkaido Island, the one in the

0:38:07.040 --> 0:38:09.359
<v Speaker 1>north where Sapporo is. They make that good beer up

0:38:09.360 --> 0:38:11.480
<v Speaker 1>there and they do all that skiing. That's supposed to

0:38:11.480 --> 0:38:13.360
<v Speaker 1>be amazing. That was where I was going to go

0:38:13.400 --> 0:38:15.640
<v Speaker 1>if it wasn't for the pandemic. That was my I

0:38:15.680 --> 0:38:17.319
<v Speaker 1>always like having a trip in the back of my

0:38:17.400 --> 0:38:19.719
<v Speaker 1>head that I can, you know, fantasize about. That's gonna

0:38:19.719 --> 0:38:23.960
<v Speaker 1>be coming up sometime over the horizon. So if you

0:38:24.360 --> 0:38:27.880
<v Speaker 1>told someone who really hadn't been anywhere two countries to

0:38:27.920 --> 0:38:33.120
<v Speaker 1>go to, what would you say? You Well, depend I

0:38:33.120 --> 0:38:36.440
<v Speaker 1>guess on a type of person, but let's put the

0:38:36.440 --> 0:38:39.520
<v Speaker 1>pandemic inside. I would always put India on top of

0:38:39.560 --> 0:38:41.440
<v Speaker 1>the list. It's the greatest show on Earth. I mean,

0:38:41.760 --> 0:38:47.040
<v Speaker 1>anything could happen any that's just a mind blower no

0:38:47.080 --> 0:38:51.640
<v Speaker 1>matter what. Uh India would be there. Greece, I mean,

0:38:51.680 --> 0:38:53.439
<v Speaker 1>I've been going to Greece. I've been renting a house

0:38:53.440 --> 0:38:55.920
<v Speaker 1>in Greece in the summers, is on a little island

0:38:56.680 --> 0:38:59.759
<v Speaker 1>where it's a lot less expensive than the Hampton's and

0:39:00.239 --> 0:39:02.520
<v Speaker 1>Greece that the people are wonderful, the light is great.

0:39:02.560 --> 0:39:05.440
<v Speaker 1>Greecent Italy pretty cool in Europe, and in in in

0:39:05.680 --> 0:39:11.160
<v Speaker 1>uh Africa, Senegal, you know, great, great music scene. And

0:39:11.280 --> 0:39:13.680
<v Speaker 1>Ethiopia is the other one who has a whole different

0:39:13.760 --> 0:39:17.440
<v Speaker 1>music scene. I'm very much into you know, African music,

0:39:17.480 --> 0:39:19.640
<v Speaker 1>and you know it's just a daily occurrence going to

0:39:19.719 --> 0:39:23.840
<v Speaker 1>clubs there and meeting and seeing musicians. And for the

0:39:24.719 --> 0:39:29.480
<v Speaker 1>American how safe is it in Africa? Say, oh, it's

0:39:29.520 --> 0:39:33.080
<v Speaker 1>safe and very safe. I would assume in all your

0:39:33.120 --> 0:39:35.520
<v Speaker 1>travels though around the world, you've had a couple of

0:39:35.840 --> 0:39:40.120
<v Speaker 1>scary experiences. Yes, yes, I have, and I had the

0:39:40.120 --> 0:39:44.680
<v Speaker 1>worst one was in Africa. Actually I went to uh

0:39:44.960 --> 0:39:47.319
<v Speaker 1>this thing called the festival in the desert and north

0:39:47.360 --> 0:39:49.279
<v Speaker 1>the Timbuck too. I was once again back in the

0:39:49.400 --> 0:39:53.640
<v Speaker 1>Sahara I went. I I assembled a group to go.

0:39:53.800 --> 0:39:55.360
<v Speaker 1>Is that they've been doing this thing for a bunch

0:39:55.360 --> 0:39:58.879
<v Speaker 1>of years. And I got Chris Blackwell to go and

0:39:59.040 --> 0:40:02.360
<v Speaker 1>Jimmy Buffett to go because number one, he loves to travel,

0:40:02.360 --> 0:40:05.400
<v Speaker 1>but he also had a jet. So we flew to

0:40:05.440 --> 0:40:09.719
<v Speaker 1>tim Buck two and we hired some guides and you

0:40:09.800 --> 0:40:11.680
<v Speaker 1>better have to drive like six eight hours in the

0:40:11.719 --> 0:40:13.560
<v Speaker 1>desert to get there. And the look. We had a

0:40:14.360 --> 0:40:17.040
<v Speaker 1>couple of people who came with us from from Bombaco

0:40:17.120 --> 0:40:20.040
<v Speaker 1>to Capital. But there was this guy from tim Buck

0:40:20.080 --> 0:40:23.960
<v Speaker 1>two who was gonna steer us in the wrong direction

0:40:24.920 --> 0:40:28.879
<v Speaker 1>and have us kidnapped, which happens frequently there by people

0:40:28.920 --> 0:40:30.759
<v Speaker 1>who ended up being in al Qaeda, who had just

0:40:30.840 --> 0:40:34.000
<v Speaker 1>killed some German tourists. Now we didn't know this at

0:40:34.040 --> 0:40:36.080
<v Speaker 1>the time, but after about four or five hours, we're

0:40:36.080 --> 0:40:37.879
<v Speaker 1>going to go, where the hell are we? We were

0:40:37.880 --> 0:40:40.279
<v Speaker 1>gonna get there, and then they jammed the brakes on.

0:40:40.360 --> 0:40:43.400
<v Speaker 1>We had like a little caravan going through, just blowing on,

0:40:43.600 --> 0:40:46.000
<v Speaker 1>you know, just going over these sand dunes, and uh,

0:40:46.680 --> 0:40:48.359
<v Speaker 1>they get out and this guy pulls out a gun

0:40:48.400 --> 0:40:51.160
<v Speaker 1>to this local local guy's head. He's like he's gonna

0:40:51.239 --> 0:40:53.879
<v Speaker 1>kill him. He says, you're you're cheating on me, You're

0:40:53.880 --> 0:40:56.279
<v Speaker 1>taking us in the wrong place. So they we we

0:40:56.280 --> 0:40:58.600
<v Speaker 1>we left him in the desert and turned around and

0:40:58.640 --> 0:40:59.799
<v Speaker 1>head of the other way and made it to the

0:40:59.800 --> 0:41:02.960
<v Speaker 1>fast stable. But I'm saying, oh, man, I just would

0:41:02.960 --> 0:41:05.719
<v Speaker 1>imagine every day we were these people that they kidnapped,

0:41:05.719 --> 0:41:08.040
<v Speaker 1>they were taking to Mauritania. They keep you like for

0:41:08.080 --> 0:41:10.560
<v Speaker 1>a year or two, you know. I just imagine waking

0:41:10.640 --> 0:41:14.440
<v Speaker 1>up every day and Chris enemy you and your fucking ideas,

0:41:14.480 --> 0:41:17.960
<v Speaker 1>you know, your big ideas. So that was that was scary.

0:41:17.960 --> 0:41:22.480
<v Speaker 1>But I didn't know how scary it was actually until afterwards. Okay,

0:41:22.560 --> 0:41:26.440
<v Speaker 1>let's go back to Vice. Vice was a media in

0:41:26.560 --> 0:41:29.680
<v Speaker 1>stock Darling and then it all kind of blew up

0:41:29.719 --> 0:41:33.200
<v Speaker 1>in Shane Smith was a bad actor. You brought in

0:41:33.200 --> 0:41:36.480
<v Speaker 1>a new ceo. What what's the status of Vice today?

0:41:36.760 --> 0:41:39.480
<v Speaker 1>You know, it took a few hits. It was I

0:41:39.520 --> 0:41:42.799
<v Speaker 1>loved the Vice guys and originally, you know, I met

0:41:42.840 --> 0:41:45.480
<v Speaker 1>them when I was a CEO of I when I

0:41:45.520 --> 0:41:48.319
<v Speaker 1>was CEO of viacom and and and did a deal

0:41:48.320 --> 0:41:51.720
<v Speaker 1>with them. They had a vision, they had a voice.

0:41:51.760 --> 0:41:53.720
<v Speaker 1>They were from the streets. They were running up business

0:41:53.800 --> 0:41:56.920
<v Speaker 1>on borrowed furniture. So I really like these guys. They

0:41:56.920 --> 0:41:59.640
<v Speaker 1>could make they were ready for YouTube was breaking and

0:41:59.640 --> 0:42:01.400
<v Speaker 1>they were gonna be able to do video at a cost.

0:42:01.440 --> 0:42:03.960
<v Speaker 1>And they really had a good ear for eye for

0:42:04.040 --> 0:42:06.160
<v Speaker 1>stories and uh an ear for stories and an eye

0:42:06.160 --> 0:42:07.959
<v Speaker 1>for making them good. And then you know, they kinda

0:42:09.200 --> 0:42:11.160
<v Speaker 1>we got a little Huber's in there. They took some

0:42:11.320 --> 0:42:14.799
<v Speaker 1>meat too, bumps. And then we saw you know, which

0:42:14.840 --> 0:42:17.759
<v Speaker 1>decimated sort of the upper ranks if you will, of

0:42:17.840 --> 0:42:21.359
<v Speaker 1>some colorful characters. And that was a big hit. And

0:42:21.400 --> 0:42:24.440
<v Speaker 1>then we had the whole thing. If you're a publisher,

0:42:24.560 --> 0:42:28.360
<v Speaker 1>you know this in UH online where Google and Facebook

0:42:28.360 --> 0:42:31.360
<v Speaker 1>are taking eighty to nine of all the advertising revenue,

0:42:32.040 --> 0:42:34.520
<v Speaker 1>taking a lot of companies and putting them out of business,

0:42:34.560 --> 0:42:36.800
<v Speaker 1>a lot of people doing good work. They just couldn't

0:42:37.000 --> 0:42:39.600
<v Speaker 1>have a business model that worked, so we had to

0:42:39.680 --> 0:42:42.160
<v Speaker 1>kind of dig ourselves out of the hole. Now. Oddly enough,

0:42:42.200 --> 0:42:44.960
<v Speaker 1>coincidentally and I was on a board meeting today and uh,

0:42:45.000 --> 0:42:47.600
<v Speaker 1>you know, we were profitable last year they recast. Uh

0:42:47.800 --> 0:42:50.080
<v Speaker 1>we had a hot run with HBO that left. Now

0:42:50.760 --> 0:42:53.640
<v Speaker 1>we've got the news operation on showtime and we also

0:42:53.760 --> 0:42:58.120
<v Speaker 1>have a sizeable presence online. But their engagement with people

0:42:58.200 --> 0:43:00.960
<v Speaker 1>is up thirty. They're profitable. They're sort of they're they're

0:43:01.000 --> 0:43:03.560
<v Speaker 1>they're back. I mean you may not know it, but uh,

0:43:04.760 --> 0:43:08.680
<v Speaker 1>you know they they they ran really hot and then

0:43:08.680 --> 0:43:12.799
<v Speaker 1>they cooled down. And Nancy Dubuke, who's the CEO there

0:43:12.840 --> 0:43:15.160
<v Speaker 1>now very talented as brought in pretty much a whole

0:43:15.200 --> 0:43:18.200
<v Speaker 1>new crew. And of course they've had the work remotely

0:43:18.239 --> 0:43:20.520
<v Speaker 1>all this year, but they've made they've made good progress.

0:43:20.560 --> 0:43:24.399
<v Speaker 1>It was it was an encouraging call. Okay, let's talk

0:43:24.440 --> 0:43:29.440
<v Speaker 1>about the landscape, first, the news landscape, then the media landscape.

0:43:29.760 --> 0:43:32.319
<v Speaker 1>What's going to happen in the news landscape on some level,

0:43:32.360 --> 0:43:36.240
<v Speaker 1>we have consolidation in newspapers such that there's the Big

0:43:36.280 --> 0:43:38.759
<v Speaker 1>three and you know, not really everybody else. When it

0:43:38.760 --> 0:43:42.439
<v Speaker 1>comes to network news, that is dying, and cable news

0:43:42.480 --> 0:43:45.319
<v Speaker 1>doesn't reach that many people. You know, for a long time,

0:43:45.360 --> 0:43:47.279
<v Speaker 1>it looked like Vice was going to be the alternative.

0:43:47.320 --> 0:43:51.600
<v Speaker 1>How do you see it playing out? Well, you know,

0:43:51.640 --> 0:43:54.520
<v Speaker 1>all the guys on table, the three networks we all watch,

0:43:55.080 --> 0:43:56.879
<v Speaker 1>I guess there's four or five now, I mean they've

0:43:56.880 --> 0:43:58.600
<v Speaker 1>all kind of take they're all in the Trump slam.

0:43:59.000 --> 0:44:02.239
<v Speaker 1>I mean they were really cooking, as was you know,

0:44:02.719 --> 0:44:05.399
<v Speaker 1>the you know, Washington Post and the New York Times

0:44:05.480 --> 0:44:07.799
<v Speaker 1>everything during the Trump period because everything was hot all

0:44:07.800 --> 0:44:11.960
<v Speaker 1>the time. So they've got a they gotta figure out

0:44:11.960 --> 0:44:15.799
<v Speaker 1>that they've created a model, which pretty much is economically

0:44:15.800 --> 0:44:19.600
<v Speaker 1>it's just talking heads. No one's really out doing any stories.

0:44:20.080 --> 0:44:22.320
<v Speaker 1>There's talking to people in the studio. That's where I

0:44:22.360 --> 0:44:24.640
<v Speaker 1>thought Advice had a real angle of young people. They're

0:44:24.640 --> 0:44:26.440
<v Speaker 1>really going to be interested, they can take a different

0:44:26.440 --> 0:44:28.880
<v Speaker 1>take on the news, and to some extent that was

0:44:28.960 --> 0:44:32.759
<v Speaker 1>largely true. Uh, but what happens now, I don't know.

0:44:32.840 --> 0:44:36.839
<v Speaker 1>The real shame is, like on the local level, local stations,

0:44:38.360 --> 0:44:43.040
<v Speaker 1>local uh newspapers. I mean, they're just consolidating, consolidating, sucking

0:44:43.080 --> 0:44:46.080
<v Speaker 1>costs out there really isn't much there. I spent a

0:44:46.080 --> 0:44:51.920
<v Speaker 1>good part of the of the pandemic up in Santa Barbara,

0:44:52.520 --> 0:44:54.399
<v Speaker 1>and they have up there. It's so bad that three

0:44:54.520 --> 0:44:57.960
<v Speaker 1>the three broadcast stations have joined together to have the

0:44:58.040 --> 0:45:02.759
<v Speaker 1>same weather report, and they're they're sharing news stories, which

0:45:02.760 --> 0:45:05.399
<v Speaker 1>are not many much of a news story to begin with.

0:45:05.560 --> 0:45:08.879
<v Speaker 1>So and and the money sort of has been just

0:45:08.920 --> 0:45:12.920
<v Speaker 1>sucked out of the that the linear television business and

0:45:13.520 --> 0:45:17.479
<v Speaker 1>from every aspect. So it doesn't look too good for

0:45:17.920 --> 0:45:22.080
<v Speaker 1>local news, and it doesn't look too good for uh

0:45:22.320 --> 0:45:25.560
<v Speaker 1>local newspapers. The problem there, of course, is we're gonna

0:45:25.600 --> 0:45:32.359
<v Speaker 1>have an even more ignorant siloed you know, populus, who

0:45:32.400 --> 0:45:34.839
<v Speaker 1>knows even less about what's going on than they then

0:45:34.880 --> 0:45:37.239
<v Speaker 1>they then then you. Now, I don't know what the

0:45:37.280 --> 0:45:39.200
<v Speaker 1>answer is, Bob. I mean, it seems like if you're

0:45:39.200 --> 0:45:42.120
<v Speaker 1>a big if you can hire reporters and really put

0:45:42.160 --> 0:45:44.560
<v Speaker 1>out good editorial product, like the Wall Street Journal or

0:45:44.600 --> 0:45:48.680
<v Speaker 1>the Washington Post, you can set up a digital business

0:45:48.800 --> 0:45:51.440
<v Speaker 1>that you know would sustain you. And those guys all

0:45:51.480 --> 0:45:54.319
<v Speaker 1>have done that. I mean, they have paying subscribers. Now,

0:45:54.320 --> 0:45:58.880
<v Speaker 1>they aren't that reliant on advertising, but they're like national

0:45:58.960 --> 0:46:01.840
<v Speaker 1>papers in a sense, I don't know what happens down

0:46:01.880 --> 0:46:05.719
<v Speaker 1>below them. To straighten that out, you know, trying to

0:46:05.760 --> 0:46:08.480
<v Speaker 1>prop up the past just doesn't work, like trying to

0:46:08.520 --> 0:46:11.440
<v Speaker 1>keep the physical bookstore alive, although they had a rebound

0:46:11.440 --> 0:46:14.280
<v Speaker 1>prior to COVID. You have to look to the future.

0:46:14.640 --> 0:46:16.360
<v Speaker 1>Just one other thing that may or may not be

0:46:16.440 --> 0:46:19.480
<v Speaker 1>on your radar in terms of you know, music, we

0:46:19.520 --> 0:46:21.480
<v Speaker 1>have it all figured out. Music was in the canary

0:46:21.560 --> 0:46:23.759
<v Speaker 1>in the coal mine. It was the first disrupted for

0:46:23.840 --> 0:46:26.719
<v Speaker 1>no other reason. The files were small, but there are

0:46:26.840 --> 0:46:30.000
<v Speaker 1>multiple outlets. For essentially ten dollars a month, you can

0:46:30.000 --> 0:46:34.400
<v Speaker 1>get all the history of recorded music. Whereas TV visual

0:46:34.480 --> 0:46:38.000
<v Speaker 1>entertainment has been completely balkanized. How does that play out?

0:46:38.040 --> 0:46:40.080
<v Speaker 1>Because one thing we know, people are not going to

0:46:40.120 --> 0:46:42.839
<v Speaker 1>subscribe to all these services like being pecked to death

0:46:42.880 --> 0:46:46.480
<v Speaker 1>by ducks. Yeah, they wanted to break up the cable bundle,

0:46:46.480 --> 0:46:48.839
<v Speaker 1>and now you've got the streamer bundle. Basically it's costs

0:46:48.840 --> 0:46:51.359
<v Speaker 1>you more than the cable bundle. Right, of course you're

0:46:51.360 --> 0:46:55.120
<v Speaker 1>getting better product and uh, you know, it's on demand

0:46:55.200 --> 0:47:01.920
<v Speaker 1>and there's no advertising, but I mean, the whole world

0:47:01.920 --> 0:47:05.400
<v Speaker 1>of interrupted television that still exists, the linear TV model

0:47:05.520 --> 0:47:07.799
<v Speaker 1>is just gonna collapse. I mean, there's not gonna be

0:47:07.880 --> 0:47:10.759
<v Speaker 1>much to hold it up after a while. The next

0:47:10.760 --> 0:47:13.160
<v Speaker 1>thing that's gonna happen is we're gonna see Netflix bid

0:47:13.160 --> 0:47:17.200
<v Speaker 1>on the NFL, you know, and we're gonna start seeing sports,

0:47:17.200 --> 0:47:20.520
<v Speaker 1>which is long with news. The mainstays of what's left

0:47:20.560 --> 0:47:25.600
<v Speaker 1>of the you know, broadcast cable sort of ecosystem. Those

0:47:25.640 --> 0:47:28.440
<v Speaker 1>two must have things are gonna be pecked away by

0:47:28.520 --> 0:47:32.680
<v Speaker 1>the by the more, by the richer streaming services. So

0:47:33.000 --> 0:47:39.040
<v Speaker 1>we're gonna be looking at what streaming service do you buy?

0:47:39.400 --> 0:47:41.320
<v Speaker 1>How many do you need? And right now you've got

0:47:41.840 --> 0:47:44.320
<v Speaker 1>Paramount has under Viacom has one with a lot of

0:47:44.360 --> 0:47:47.520
<v Speaker 1>paramount product, Warner Brothers has, you know, like all of

0:47:47.560 --> 0:47:49.520
<v Speaker 1>a sudden, it's all balk and that's what the hell

0:47:49.920 --> 0:47:51.720
<v Speaker 1>I mean, I'm not gonna buy all of these things.

0:47:51.920 --> 0:47:56.239
<v Speaker 1>It's gonna cost me a fortune. I would think that

0:47:56.280 --> 0:47:59.400
<v Speaker 1>there's gonna be some consolidation that's gonna happen. We know

0:47:59.480 --> 0:48:03.359
<v Speaker 1>that Disney Plus has it made, and Amazon and uh

0:48:03.440 --> 0:48:07.280
<v Speaker 1>and Hulu and uh Netflix all had sort of first

0:48:07.320 --> 0:48:10.680
<v Speaker 1>mover advantages. But what happens with the other guys. On

0:48:10.680 --> 0:48:15.000
<v Speaker 1>one hand, Discovery might have a shot because they have

0:48:15.040 --> 0:48:17.680
<v Speaker 1>a low price and they're sort of out of the

0:48:17.760 --> 0:48:20.120
<v Speaker 1>head to head competition the other guys with their own

0:48:20.120 --> 0:48:22.440
<v Speaker 1>own product. It's sort of in the nonfiction space, it's

0:48:22.480 --> 0:48:26.160
<v Speaker 1>sort of a niche business. AMC has all these independent movies,

0:48:26.200 --> 0:48:28.240
<v Speaker 1>a little niche business. I mean, if they can get

0:48:28.719 --> 0:48:31.799
<v Speaker 1>eight ten million subs, maybe they'll be happy. But if

0:48:31.800 --> 0:48:35.640
<v Speaker 1>you're a viewer, you know it's gonna be frustrating if

0:48:35.680 --> 0:48:37.200
<v Speaker 1>you want to watch a movie one night and it's

0:48:37.239 --> 0:48:40.200
<v Speaker 1>on another streaming service. You know, I don't see a

0:48:40.200 --> 0:48:42.399
<v Speaker 1>lot of people. I think some people now have three,

0:48:42.440 --> 0:48:46.080
<v Speaker 1>four and five, but I don't see that continuing as

0:48:46.080 --> 0:48:50.280
<v Speaker 1>a head scratcher. Okay, since you worked in Hollywood, has

0:48:50.360 --> 0:48:52.600
<v Speaker 1>there been a shifting of power? I mean when we

0:48:52.600 --> 0:48:54.839
<v Speaker 1>were growing up, certainly living in l A, you knew

0:48:54.880 --> 0:48:57.160
<v Speaker 1>the heads of every studio. Now the people in l

0:48:57.200 --> 0:48:59.200
<v Speaker 1>A don't even know the heads of the studio, but

0:48:59.280 --> 0:49:02.200
<v Speaker 1>they certainly know Read Hastings in Tim Cook. You know

0:49:02.280 --> 0:49:05.640
<v Speaker 1>Tim Cook has in you know unlimited checkbook. What you know,

0:49:05.680 --> 0:49:09.280
<v Speaker 1>Apple TV Plus at this point is basically given away free,

0:49:09.560 --> 0:49:11.960
<v Speaker 1>and they can afford to give it away free. But

0:49:12.440 --> 0:49:15.040
<v Speaker 1>are those that people who really have the power and

0:49:15.120 --> 0:49:19.279
<v Speaker 1>the people in Hollywood who operate completely differently, have they

0:49:19.360 --> 0:49:22.840
<v Speaker 1>fallen behind? Because in Silicon that's a data driven business,

0:49:23.160 --> 0:49:27.160
<v Speaker 1>real business, where Hollywood's a schmooze business. Has it? Finally,

0:49:27.239 --> 0:49:31.799
<v Speaker 1>if they is time, if times caught up with them, well,

0:49:31.840 --> 0:49:35.239
<v Speaker 1>in a sense, you know, if you were if you

0:49:35.360 --> 0:49:38.800
<v Speaker 1>didn't have a legacy studio business with all that overhead

0:49:38.840 --> 0:49:40.920
<v Speaker 1>that goes with it, and you were a triple a

0:49:41.160 --> 0:49:46.840
<v Speaker 1>independent producduction company like say Imagine Entertainment, Grazer and Ron Howard,

0:49:48.800 --> 0:49:52.520
<v Speaker 1>where you can regularly create content of high quality, you

0:49:52.520 --> 0:49:54.880
<v Speaker 1>you can say this is great. I'm like an arms dealer.

0:49:55.280 --> 0:49:57.719
<v Speaker 1>Now instead of going around to these studios, I can

0:49:58.200 --> 0:50:00.480
<v Speaker 1>I can on the basis of my repute Asian, I

0:50:00.520 --> 0:50:04.440
<v Speaker 1>can get a big deal with Netflix or with Apple

0:50:04.600 --> 0:50:07.480
<v Speaker 1>or something. So they have a lot of places to

0:50:07.560 --> 0:50:10.920
<v Speaker 1>sell stuff, and they have good stuff. For someone like them,

0:50:11.080 --> 0:50:14.759
<v Speaker 1>they are, i could argue, more empowered, and they can

0:50:14.800 --> 0:50:16.759
<v Speaker 1>be more and more of a talent magnet to get

0:50:16.840 --> 0:50:20.600
<v Speaker 1>because they can get stuff on the air. It's it's

0:50:20.640 --> 0:50:25.160
<v Speaker 1>but the whole schmoozing Hollywood agent thing is is sort

0:50:25.160 --> 0:50:27.640
<v Speaker 1>of being deconstructed, Bob. I mean you really can see

0:50:27.680 --> 0:50:33.480
<v Speaker 1>that happening. Uh. Um, it's not. Uh, it's not. Making

0:50:33.520 --> 0:50:37.759
<v Speaker 1>movies is not the most profitable business right now. And uh,

0:50:37.920 --> 0:50:41.319
<v Speaker 1>you know you saw what happened with the oscars. But

0:50:41.400 --> 0:50:44.040
<v Speaker 1>I would say being a being a good independent production

0:50:44.080 --> 0:50:46.800
<v Speaker 1>company doesn't have a lot of legacy costs going along

0:50:46.840 --> 0:50:49.919
<v Speaker 1>with you, is Okay. The problem there, though, is these

0:50:49.920 --> 0:50:52.960
<v Speaker 1>streamers don't really leave you any back end. So if

0:50:53.000 --> 0:50:55.160
<v Speaker 1>you have a big hit, you know, say you make

0:50:55.160 --> 0:50:57.920
<v Speaker 1>a Seinfeld, You're not gonna have a Larry David pay

0:50:58.040 --> 0:50:59.440
<v Speaker 1>day at the end of it. Because they keep a

0:50:59.480 --> 0:51:01.040
<v Speaker 1>hund percent ut of the i P. You can get

0:51:01.080 --> 0:51:03.399
<v Speaker 1>bigger fees, like maybe a three percent fee and maybe

0:51:03.520 --> 0:51:05.560
<v Speaker 1>some more on top of that, more than in the past,

0:51:05.600 --> 0:51:08.600
<v Speaker 1>so you're sort of just an indentured guy. You know.

0:51:08.719 --> 0:51:10.719
<v Speaker 1>That might change in the future, maybe if it gets

0:51:10.760 --> 0:51:12.960
<v Speaker 1>more competitive of some of these streamers would be willing

0:51:13.040 --> 0:51:16.520
<v Speaker 1>to grant certain producers some back end positions on the

0:51:16.520 --> 0:51:21.480
<v Speaker 1>stuff that they make. Okay, when MTV was in its heyday,

0:51:21.640 --> 0:51:24.520
<v Speaker 1>it was a mono culture what mtv A certainly said

0:51:24.560 --> 0:51:27.240
<v Speaker 1>on records, never mind the culture at large. Literally around

0:51:27.280 --> 0:51:30.400
<v Speaker 1>the world people knew. Now it's more bulk bulk and

0:51:30.480 --> 0:51:33.080
<v Speaker 1>I it's so balk and I that my question would be,

0:51:33.800 --> 0:51:37.160
<v Speaker 1>is something like the Oscars. Is it essentially done? Is

0:51:37.160 --> 0:51:40.920
<v Speaker 1>there no way to revive? Have people have their eyeballs

0:51:41.080 --> 0:51:45.560
<v Speaker 1>elsewhere nothing has critical mass? Is that where we're driving

0:51:45.760 --> 0:51:49.400
<v Speaker 1>and where do we end up? I think, you know,

0:51:49.680 --> 0:51:51.800
<v Speaker 1>I think it's not done. I mean one of the

0:51:51.920 --> 0:51:56.360
<v Speaker 1>reasons it keeps going is because for the Grammys and

0:51:56.400 --> 0:51:59.400
<v Speaker 1>for the Oscars, there's these huge licensing deals from ABC

0:51:59.560 --> 0:52:01.640
<v Speaker 1>and c B. Yes, like twenty five million, mean insane

0:52:01.640 --> 0:52:03.799
<v Speaker 1>amounts of money they pay, and you know they have

0:52:03.840 --> 0:52:06.359
<v Speaker 1>to keep doing it to make the money. If same

0:52:06.440 --> 0:52:09.960
<v Speaker 1>Netflix or Hulu or somebody were to take these and

0:52:10.000 --> 0:52:15.000
<v Speaker 1>they can run the Oscars without commercials, and uh, you know,

0:52:15.160 --> 0:52:17.960
<v Speaker 1>I think that there's always gonna be an audience for it,

0:52:18.239 --> 0:52:21.880
<v Speaker 1>And uh, I don't think it's necessarily dead, but I

0:52:21.880 --> 0:52:24.319
<v Speaker 1>mean people have sort of been award awards showed to

0:52:24.440 --> 0:52:27.160
<v Speaker 1>death in a way. But I mean, this is the Oscars.

0:52:27.760 --> 0:52:30.520
<v Speaker 1>It's the top of the line feature film in a way.

0:52:30.600 --> 0:52:34.840
<v Speaker 1>Is still king, although that's even arguable these days because

0:52:34.880 --> 0:52:37.480
<v Speaker 1>one of the things you've noticed, and it's accelerated during

0:52:37.480 --> 0:52:40.920
<v Speaker 1>the pandemic, is how people they aren't satisfied with the

0:52:41.040 --> 0:52:43.480
<v Speaker 1>ninety or two hour, ninety minute, two hour movie. They

0:52:43.480 --> 0:52:46.239
<v Speaker 1>want to dig into these characters and go on for seasons.

0:52:46.280 --> 0:52:49.120
<v Speaker 1>I mean, it's crazy. Binge viewing is the other thing

0:52:49.160 --> 0:52:53.080
<v Speaker 1>that's really made TV a lot more interesting than films.

0:52:53.120 --> 0:52:56.319
<v Speaker 1>Films are basically you know these uh you know, big

0:52:56.360 --> 0:53:00.920
<v Speaker 1>event films that can be franchised into sequels with comic

0:53:00.960 --> 0:53:04.640
<v Speaker 1>book characters. So let me ask a little differently, though

0:53:05.040 --> 0:53:07.600
<v Speaker 1>certainly when you were an MTV they were these international

0:53:07.640 --> 0:53:12.120
<v Speaker 1>stars built you mentioned you too, are those days done?

0:53:12.239 --> 0:53:15.439
<v Speaker 1>Let me put it this way, Uh, at this point

0:53:15.520 --> 0:53:18.240
<v Speaker 1>in time, Taylor's We've put out two records. I would

0:53:18.320 --> 0:53:20.960
<v Speaker 1>argue that the majority of Americans have never heard a

0:53:21.000 --> 0:53:23.840
<v Speaker 1>single song, Whereas when we grew up in the sixties,

0:53:24.160 --> 0:53:26.880
<v Speaker 1>I knew Louis Armstrong, Hello Dolly because I had to

0:53:26.920 --> 0:53:30.760
<v Speaker 1>wait for the Beatles. So so now is things continue

0:53:30.800 --> 0:53:34.319
<v Speaker 1>to separate irrelevant of the money involved. Is something like

0:53:34.360 --> 0:53:37.600
<v Speaker 1>the oscars. Oscars are just representative, but whether it be

0:53:37.640 --> 0:53:41.000
<v Speaker 1>a musician, whether it be anything a news outlet, is

0:53:41.120 --> 0:53:46.040
<v Speaker 1>everybody's market share essentially going to go down. Yeah, there's

0:53:46.040 --> 0:53:49.400
<v Speaker 1>more choices and people have more access, immediate access to

0:53:49.480 --> 0:53:51.640
<v Speaker 1>all those choices, and all kinds of rabbit holes you

0:53:51.680 --> 0:53:54.400
<v Speaker 1>can fall down when you get in digging in Spotify

0:53:54.520 --> 0:53:56.520
<v Speaker 1>or I mean, how do you even find good new music?

0:53:56.560 --> 0:53:59.160
<v Speaker 1>It's hard word of mouth or whatever. I mean, it's

0:53:59.160 --> 0:54:01.840
<v Speaker 1>a challenge from now. I used to look forward to

0:54:01.880 --> 0:54:05.319
<v Speaker 1>getting like Rolling Stone or something. You finally, what's a

0:54:05.320 --> 0:54:07.400
<v Speaker 1>good new who's got some albums out? It's very difficult

0:54:07.400 --> 0:54:10.240
<v Speaker 1>to you hear something on the radio, you know, terrestrial radio.

0:54:10.320 --> 0:54:13.160
<v Speaker 1>It's still out there. It's like the cock roads of

0:54:13.239 --> 0:54:16.759
<v Speaker 1>the media business and it just can't die. Uh and

0:54:16.880 --> 0:54:19.920
<v Speaker 1>serious is there. But you know, it's like your music,

0:54:20.920 --> 0:54:24.880
<v Speaker 1>you're you're oversaturated with choices. So it's hard to be

0:54:24.920 --> 0:54:28.120
<v Speaker 1>a megastar. And what we also saw the days of

0:54:28.160 --> 0:54:31.600
<v Speaker 1>the Anglo American dire straits, these people who could be

0:54:31.680 --> 0:54:35.040
<v Speaker 1>real worldwide stars that began to fall away as these

0:54:35.080 --> 0:54:38.600
<v Speaker 1>countries began to develop their own musical scenes and ecosystems

0:54:38.640 --> 0:54:41.840
<v Speaker 1>India and places like that, so they they're everything is

0:54:41.880 --> 0:54:44.320
<v Speaker 1>sort of local in a way. You know, an uber

0:54:44.400 --> 0:54:47.239
<v Speaker 1>star that's worth you know, that is huge all around

0:54:47.239 --> 0:54:49.360
<v Speaker 1>the world, hard to find these days. It's certainly not

0:54:49.400 --> 0:54:55.080
<v Speaker 1>Taylor Swift. Okay, Earlier you mentioned right up front, with

0:54:55.160 --> 0:54:58.840
<v Speaker 1>no prompting, that you got fired with Viacom. This is

0:54:58.840 --> 0:55:01.400
<v Speaker 1>a business where every but he lies. They lie about

0:55:01.400 --> 0:55:04.000
<v Speaker 1>their age. You know, David Geffin lied to get a

0:55:04.080 --> 0:55:08.200
<v Speaker 1>job at what was then William Morris, you have embraced it.

0:55:08.680 --> 0:55:11.880
<v Speaker 1>You know, how do you feel about getting fired and

0:55:11.960 --> 0:55:14.120
<v Speaker 1>what was it like at the time, and why are

0:55:14.120 --> 0:55:18.279
<v Speaker 1>you so up front with it? Well, I kind of

0:55:18.280 --> 0:55:22.160
<v Speaker 1>got fired under the best possible circumstances. I got fired

0:55:22.200 --> 0:55:25.160
<v Speaker 1>by a guy who was known to fire pretty much

0:55:25.200 --> 0:55:28.040
<v Speaker 1>everybody who would work for him before. So it wasn't

0:55:28.080 --> 0:55:30.640
<v Speaker 1>like novel I mean had although I think I think

0:55:30.680 --> 0:55:33.120
<v Speaker 1>he just drove mail karmas and out the door. People

0:55:33.160 --> 0:55:35.760
<v Speaker 1>assume Meil got fired, but Mel just couldn't take it anymore.

0:55:35.760 --> 0:55:38.959
<v Speaker 1>I fired Frank BEYONDI. These were bosses that I worked

0:55:38.960 --> 0:55:41.200
<v Speaker 1>for that I really liked. So I was reticent to

0:55:41.239 --> 0:55:44.920
<v Speaker 1>take this job from him because I kind of I

0:55:44.960 --> 0:55:46.880
<v Speaker 1>would leave a job that was perfect for me. It

0:55:46.960 --> 0:55:48.759
<v Speaker 1>was all the things I loved in one place, and

0:55:48.760 --> 0:55:52.040
<v Speaker 1>we had created it so and we were doing all right.

0:55:52.080 --> 0:55:55.400
<v Speaker 1>You know. He split the company into two, which was

0:55:55.440 --> 0:55:58.279
<v Speaker 1>a bad move to make, just when all the all

0:55:58.280 --> 0:56:00.759
<v Speaker 1>the digital guy these were like the last days of

0:56:00.840 --> 0:56:03.680
<v Speaker 1>the legacy media companies, the last hey days. I mean,

0:56:03.719 --> 0:56:06.080
<v Speaker 1>then the new guys were banging on the door. Google

0:56:06.120 --> 0:56:08.799
<v Speaker 1>and Apple and Facebook. They all the changes were in

0:56:08.840 --> 0:56:11.920
<v Speaker 1>the wind. But he called me over. He was piste

0:56:11.960 --> 0:56:15.319
<v Speaker 1>off about I had. I had worked for him for

0:56:15.560 --> 0:56:17.719
<v Speaker 1>I had figured it out, Bob. I think seventy one

0:56:17.800 --> 0:56:21.680
<v Speaker 1>quarters and every quarter we had what they would say

0:56:21.680 --> 0:56:25.359
<v Speaker 1>in the finance ray double digit earnings growth. You know.

0:56:25.480 --> 0:56:28.160
<v Speaker 1>We went public and we had like one my first

0:56:28.280 --> 0:56:30.880
<v Speaker 1>quarter when we were black Viacommon I was the CEO,

0:56:31.040 --> 0:56:34.240
<v Speaker 1>went down a bit. But he fired me because basically

0:56:34.280 --> 0:56:37.400
<v Speaker 1>he was going to install Philippe Dumont and I wasn't.

0:56:38.800 --> 0:56:41.200
<v Speaker 1>He really liked me and treated me well for a

0:56:41.239 --> 0:56:44.919
<v Speaker 1>lot of years, but uh, he called me over after

0:56:45.000 --> 0:56:47.360
<v Speaker 1>Labor Day and just said, you know, I got terrible

0:56:47.360 --> 0:56:49.640
<v Speaker 1>news for you. The board of directors wants me to

0:56:49.719 --> 0:56:53.239
<v Speaker 1>fire you immediately, which I really had to laugh, right

0:56:53.719 --> 0:56:57.120
<v Speaker 1>because I mean he is the board of director and Uh.

0:56:57.160 --> 0:56:59.120
<v Speaker 1>I found out afterwards that there have been a coup

0:56:59.200 --> 0:57:02.880
<v Speaker 1>brewing all of on. Uh so I just got up

0:57:02.880 --> 0:57:07.120
<v Speaker 1>and left. And a coup against you or a coup well,

0:57:07.160 --> 0:57:09.600
<v Speaker 1>I mean I think no, it was a coup against

0:57:09.680 --> 0:57:14.080
<v Speaker 1>me by Philippe, my my successor, who changed it all

0:57:14.160 --> 0:57:16.880
<v Speaker 1>into a sort of a legal strategy to run instead

0:57:16.920 --> 0:57:20.480
<v Speaker 1>of making it, you know, exalting the creative people and

0:57:20.480 --> 0:57:22.439
<v Speaker 1>trying to start for good creative work. And we're gonna

0:57:22.480 --> 0:57:26.200
<v Speaker 1>sue YouTube, We're gonna sue everybody. And that wasn't a

0:57:26.680 --> 0:57:29.680
<v Speaker 1>that wasn't a proper strategy, as it turned out. But

0:57:30.240 --> 0:57:32.520
<v Speaker 1>I I figured I had been there twenty six years,

0:57:33.440 --> 0:57:37.320
<v Speaker 1>I had a great run. I would have stayed. I

0:57:37.360 --> 0:57:40.120
<v Speaker 1>loved the people there. I I would have stayed. But

0:57:40.160 --> 0:57:42.880
<v Speaker 1>I figured out I was I was sixty when it happened.

0:57:42.880 --> 0:57:47.000
<v Speaker 1>I figured, you know, this is a new opportunity. Um,

0:57:47.120 --> 0:57:49.160
<v Speaker 1>there's that old addas one door closes and a lot

0:57:49.200 --> 0:57:51.320
<v Speaker 1>more open and all of a sudden, this stage of

0:57:51.360 --> 0:57:53.840
<v Speaker 1>my life has been a whole new chapter than I

0:57:53.880 --> 0:57:57.120
<v Speaker 1>had that chapter in in Asia. And so this chapter

0:57:57.200 --> 0:58:00.640
<v Speaker 1>has been just terrific. You know, I haven't had to

0:58:00.720 --> 0:58:02.600
<v Speaker 1>deal with that fucking guy I mean I would come

0:58:02.640 --> 0:58:04.560
<v Speaker 1>in the morning and there'd be a stack of facts

0:58:04.640 --> 0:58:06.880
<v Speaker 1>is on my chair about you know, he was holed

0:58:06.960 --> 0:58:09.680
<v Speaker 1>up in his house in Beverly Park as stack what

0:58:09.720 --> 0:58:12.360
<v Speaker 1>are you gonna do about the stock price? You know,

0:58:12.400 --> 0:58:14.080
<v Speaker 1>they looked like bomb threats. I fingured he had the

0:58:14.160 --> 0:58:17.800
<v Speaker 1>last fax machine on the planet. He was sending him over.

0:58:17.840 --> 0:58:20.960
<v Speaker 1>So I got fired and everybody knew it, so uh,

0:58:22.160 --> 0:58:24.240
<v Speaker 1>and he fired me. The reason was, well, I didn't

0:58:24.280 --> 0:58:26.760
<v Speaker 1>buy my Space. And what really annoyed him he never

0:58:26.760 --> 0:58:29.400
<v Speaker 1>even fucking heard him my Space. What annoyed him was

0:58:29.400 --> 0:58:32.480
<v Speaker 1>that Rupert Murdoch bought it. We weren't even really we

0:58:32.600 --> 0:58:34.640
<v Speaker 1>never even made an offer on it. I we had

0:58:34.640 --> 0:58:37.360
<v Speaker 1>looked at Friendster and you know, that kind of came

0:58:37.400 --> 0:58:41.560
<v Speaker 1>and went. And at the time Facebook was just really

0:58:41.600 --> 0:58:44.280
<v Speaker 1>only college students, so it was still kind of an

0:58:44.320 --> 0:58:47.360
<v Speaker 1>unproven thing. But anyway, Rupert Murdoch came in one weekend

0:58:47.960 --> 0:58:51.200
<v Speaker 1>and just bought the thing for five seventy million dollars,

0:58:51.600 --> 0:58:54.440
<v Speaker 1>No due diligence, no nothing, And he ends up as

0:58:54.520 --> 0:58:57.840
<v Speaker 1>like the new the new media guru, and he's on

0:58:57.880 --> 0:59:00.280
<v Speaker 1>the cover of all these magazines. He was some RS

0:59:00.760 --> 0:59:03.680
<v Speaker 1>arch enemy Rupert didn't think that way, but some of

0:59:03.840 --> 0:59:07.440
<v Speaker 1>who had a lot of envy for Rupert, uh anyway

0:59:07.800 --> 0:59:10.000
<v Speaker 1>that you know, so you know, he would say he

0:59:10.080 --> 0:59:12.160
<v Speaker 1>going on. Charlie Rosen said he had the prize and

0:59:12.200 --> 0:59:14.400
<v Speaker 1>he lost it. I didn't have the prize. We weren't

0:59:14.400 --> 0:59:18.440
<v Speaker 1>even really, you know, really seriously looking at buying it.

0:59:18.720 --> 0:59:21.280
<v Speaker 1>And then when Rupert sold it for thirty five million dollars,

0:59:21.280 --> 0:59:23.400
<v Speaker 1>I had a good laugh. I keep thinking I wasna

0:59:23.400 --> 0:59:26.439
<v Speaker 1>get a thank you note, but it never happened. Did

0:59:26.440 --> 0:59:30.800
<v Speaker 1>you ever talk to Sumner subsequent to your exit? There

0:59:30.880 --> 0:59:32.800
<v Speaker 1>was one time I was in a restaurant in l

0:59:32.840 --> 0:59:34.680
<v Speaker 1>a And he was having dinner. I didn't even know

0:59:34.760 --> 0:59:37.320
<v Speaker 1>he was there. He was having dinner with Bob Evans,

0:59:38.600 --> 0:59:41.680
<v Speaker 1>who character who I happened to like. But at the

0:59:41.760 --> 0:59:43.680
<v Speaker 1>end of the meal, I feel these hands on my

0:59:43.800 --> 0:59:46.720
<v Speaker 1>shoulder and he says, aren't you gonna get up and

0:59:46.720 --> 0:59:49.080
<v Speaker 1>say hello? You know? And I got up and said hello.

0:59:49.120 --> 0:59:51.000
<v Speaker 1>But that was pretty much the last time I ever

0:59:51.040 --> 0:59:54.320
<v Speaker 1>saw him, and both of them are gone now. Evan

0:59:54.440 --> 0:59:59.560
<v Speaker 1>Zan Sumner, So your your business fails overseas you come

0:59:59.600 --> 1:00:02.560
<v Speaker 1>back to America. What happens and how to end up

1:00:02.920 --> 1:00:07.480
<v Speaker 1>at what becomes him. I figured, man, that was rough.

1:00:07.560 --> 1:00:09.280
<v Speaker 1>I mean I loved what I was doing. I was

1:00:09.280 --> 1:00:12.080
<v Speaker 1>passionate about it. I mean I got it. I traveled everywhere.

1:00:12.440 --> 1:00:14.520
<v Speaker 1>India had fourteen states, then I went to every one

1:00:14.560 --> 1:00:16.080
<v Speaker 1>of them. I I just loved it. And then I

1:00:16.120 --> 1:00:17.960
<v Speaker 1>got wiped out. Now I'm in debt like a half

1:00:17.960 --> 1:00:20.560
<v Speaker 1>a million dollars, and who the fund is gonna hire me?

1:00:20.640 --> 1:00:23.080
<v Speaker 1>Everyone I knew had moved along in their careers or whatever.

1:00:23.480 --> 1:00:25.200
<v Speaker 1>But I knew one thing. I was gonna do something

1:00:25.280 --> 1:00:27.880
<v Speaker 1>I loved. And I had deduced that what I loved

1:00:27.960 --> 1:00:31.080
<v Speaker 1>was music. And I had been a fan, you know,

1:00:31.440 --> 1:00:33.080
<v Speaker 1>like you. I mean I was a real fan. I

1:00:33.120 --> 1:00:35.680
<v Speaker 1>really knew my stuff. So at one point I used

1:00:35.720 --> 1:00:38.080
<v Speaker 1>to come back and my brother worked for Columbia Records

1:00:38.080 --> 1:00:40.600
<v Speaker 1>in the mid seventies, and he'd say, hey, you know,

1:00:40.680 --> 1:00:42.880
<v Speaker 1>Bruce King scenes at the bottom line, why don't you

1:00:42.920 --> 1:00:45.360
<v Speaker 1>come along? And I see how these guys were riding

1:00:45.480 --> 1:00:49.640
<v Speaker 1>around in limousines, and I said this, I could do this,

1:00:49.640 --> 1:00:52.280
<v Speaker 1>This is easy. This is this was like the height

1:00:52.320 --> 1:00:54.800
<v Speaker 1>of the of the of the of the record company business.

1:00:55.280 --> 1:00:58.000
<v Speaker 1>So when I came back, I read an article that

1:00:58.080 --> 1:01:00.680
<v Speaker 1>I got I got a copy. I got copy the billboard,

1:01:00.680 --> 1:01:02.760
<v Speaker 1>and I would say what new companies were starting, because

1:01:02.760 --> 1:01:04.560
<v Speaker 1>I wanted to fear if I started a new company,

1:01:04.760 --> 1:01:07.640
<v Speaker 1>there'd be room to grow and I could maybe sell myself.

1:01:08.560 --> 1:01:10.800
<v Speaker 1>So my I saw this article an interview with this

1:01:10.800 --> 1:01:12.880
<v Speaker 1>guy named John Lax, and they're gonna start a music

1:01:12.960 --> 1:01:15.480
<v Speaker 1>video channel on TV. I thought this was the greatest

1:01:15.480 --> 1:01:17.600
<v Speaker 1>idea I ever heard of. This was fantastic. So I

1:01:17.600 --> 1:01:20.360
<v Speaker 1>asked my brother if he knew anybody at this one

1:01:20.440 --> 1:01:22.440
<v Speaker 1>er amics company, and it turns out he did. He

1:01:22.520 --> 1:01:26.520
<v Speaker 1>knew that this guy Bob mcgrorty, and he got me

1:01:26.520 --> 1:01:28.800
<v Speaker 1>an interview with Bob mcgroorty, and I got old. You know.

1:01:28.840 --> 1:01:31.320
<v Speaker 1>I went in and saw him and I said, hey,

1:01:31.360 --> 1:01:34.400
<v Speaker 1>you need entrepreneurs. I'm a music fan. I had this business.

1:01:34.440 --> 1:01:36.920
<v Speaker 1>I showed him all these things from Vogue magazine. I

1:01:36.920 --> 1:01:39.840
<v Speaker 1>could I can do stuff. This is the greatest idea ever.

1:01:40.040 --> 1:01:41.760
<v Speaker 1>He says, we gotta go and to meet John Lack.

1:01:42.680 --> 1:01:44.640
<v Speaker 1>So I go next sort of John Lax office, which

1:01:44.680 --> 1:01:46.600
<v Speaker 1>was dark. He had like a cocktail table and he

1:01:46.680 --> 1:01:49.240
<v Speaker 1>was like wearing slippers, and I told him where I

1:01:49.240 --> 1:01:51.280
<v Speaker 1>had been. He said, so you were a drug smuggler, right,

1:01:52.920 --> 1:01:55.439
<v Speaker 1>And I go, I'm not really and he he thought

1:01:55.480 --> 1:01:58.040
<v Speaker 1>that was an asset. But then he said the magic phrase.

1:01:58.080 --> 1:02:02.160
<v Speaker 1>He said, you know, we're starting to thing. It's gonna

1:02:02.200 --> 1:02:05.040
<v Speaker 1>be like we're gonna do the FM radio. We're gonna

1:02:05.040 --> 1:02:07.120
<v Speaker 1>do the AM radio. What FM did? He came out

1:02:07.120 --> 1:02:09.560
<v Speaker 1>of the CBS Radio group, and this is a whole

1:02:09.560 --> 1:02:12.240
<v Speaker 1>new video revolution. This is really the beginning of the

1:02:12.320 --> 1:02:14.760
<v Speaker 1>modern cable era. He says. But I'm looking for people

1:02:14.800 --> 1:02:17.600
<v Speaker 1>who have no experience in television. This was the magic

1:02:17.640 --> 1:02:20.200
<v Speaker 1>words for me, somethinking who the fund is gonna hire me?

1:02:20.880 --> 1:02:23.200
<v Speaker 1>I'm just like they think I was a drug smuggler,

1:02:23.520 --> 1:02:27.600
<v Speaker 1>you know. So they hire me and I get on

1:02:27.720 --> 1:02:30.120
<v Speaker 1>a team and he says, well, let's wait around. Uh,

1:02:30.160 --> 1:02:32.360
<v Speaker 1>you know, come on in and we're and we're not

1:02:32.360 --> 1:02:34.320
<v Speaker 1>gonna we have to still get the green light, but

1:02:34.320 --> 1:02:36.160
<v Speaker 1>we're gonna do this, So come on and we'll give

1:02:36.160 --> 1:02:38.560
<v Speaker 1>me a job in the meantime helping to sell Nickelodeon

1:02:38.560 --> 1:02:42.200
<v Speaker 1>and the movie Channel. So then he hires Bob Pittman

1:02:43.240 --> 1:02:45.960
<v Speaker 1>and uh, I go to see Bob, he says, go

1:02:46.040 --> 1:02:48.360
<v Speaker 1>see Bob Pittman. He's putting together a development team for

1:02:48.640 --> 1:02:51.840
<v Speaker 1>wasn't called MTV then for this music channel. So I

1:02:51.880 --> 1:02:53.919
<v Speaker 1>go in to see Bob, who was like twenty six

1:02:53.960 --> 1:02:57.480
<v Speaker 1>I'm now thirty four, and he's the hippie kind of

1:02:57.880 --> 1:03:00.960
<v Speaker 1>youth's whisperer. Everyone thought that smooth is talking bill best

1:03:01.000 --> 1:03:04.520
<v Speaker 1>bullshit and guy. Ever then he's a brilliant, brilliant guy.

1:03:04.640 --> 1:03:08.080
<v Speaker 1>We're still friends. But he said to me, so Black says,

1:03:08.120 --> 1:03:10.520
<v Speaker 1>I should see you. I said, yeah, I think this

1:03:10.680 --> 1:03:13.160
<v Speaker 1>is the greatest idea. I think it's I think it's

1:03:13.160 --> 1:03:15.160
<v Speaker 1>a winner, and you know, I think I could really add.

1:03:15.160 --> 1:03:16.800
<v Speaker 1>He says, well, we do. Now you were you were

1:03:16.800 --> 1:03:20.960
<v Speaker 1>a drug smuggler. He's the second guy who accuses me

1:03:21.000 --> 1:03:23.600
<v Speaker 1>of this and thinks it's a benefit. So he hired me,

1:03:23.640 --> 1:03:26.400
<v Speaker 1>and I was part of a team of five that

1:03:26.400 --> 1:03:29.960
<v Speaker 1>that you know, developed what became MTV. And then I

1:03:30.080 --> 1:03:33.439
<v Speaker 1>stayed and uh stayed and stayed, and you know, Bob

1:03:33.520 --> 1:03:35.680
<v Speaker 1>kept promoting me. And then when we tried to do

1:03:35.720 --> 1:03:40.360
<v Speaker 1>an L B O uh and and and lost, Bob

1:03:40.440 --> 1:03:44.400
<v Speaker 1>left the company. He left me president, and then Viacom

1:03:44.480 --> 1:03:48.200
<v Speaker 1>bought us. But it wasn't the Viacom a Sumner Redstone.

1:03:48.280 --> 1:03:51.000
<v Speaker 1>It was some other guys who's some of the redstone

1:03:51.080 --> 1:03:54.200
<v Speaker 1>later displaced. But that's how I got the job. And

1:03:54.240 --> 1:03:57.800
<v Speaker 1>I think God luck is so amazing and timing and

1:03:57.880 --> 1:03:59.640
<v Speaker 1>so amazing. I mean I might have not had that

1:03:59.680 --> 1:04:02.400
<v Speaker 1>copy of Billboard magazine, never seen that article, or maybe

1:04:02.480 --> 1:04:05.480
<v Speaker 1>my brother didn't know you know this guy, Bob McGroarty,

1:04:05.600 --> 1:04:07.920
<v Speaker 1>and you know, my whole life would have been different.

1:04:08.560 --> 1:04:13.200
<v Speaker 1>What happened to the debt? Oh, I paid it off.

1:04:13.240 --> 1:04:15.440
<v Speaker 1>You know when we were working there, I mean, no

1:04:15.440 --> 1:04:18.440
<v Speaker 1>one we were all making that thirty grand. I mean

1:04:18.440 --> 1:04:20.920
<v Speaker 1>we no one cared about money. It was like a startup.

1:04:20.920 --> 1:04:23.480
<v Speaker 1>We're just eating pizzas. And you know, we had we

1:04:23.520 --> 1:04:26.720
<v Speaker 1>had We had my my office I shared with John Psyche.

1:04:26.760 --> 1:04:29.480
<v Speaker 1>We had coal waiting, we had one phone with call waiting.

1:04:29.960 --> 1:04:33.920
<v Speaker 1>But I found out that I could got in this account.

1:04:33.920 --> 1:04:35.080
<v Speaker 1>He says, you know, you could write some of that

1:04:35.200 --> 1:04:37.360
<v Speaker 1>off as bad debt. And now you ever started making money,

1:04:37.400 --> 1:04:39.120
<v Speaker 1>it's only really in it cost you like two fifty

1:04:39.240 --> 1:04:49.280
<v Speaker 1>or three. So I gradually paid it off. Okay, So

1:04:49.440 --> 1:04:53.480
<v Speaker 1>what year do you go to work for MTV? Okay?

1:04:53.680 --> 1:04:58.520
<v Speaker 1>What year do you get married? Eighty? Okay, So if

1:04:58.520 --> 1:05:01.120
<v Speaker 1>you're making thirty grand a year. What's going on there?

1:05:01.720 --> 1:05:04.640
<v Speaker 1>My my then wife, she was working on Wall Street

1:05:04.720 --> 1:05:07.320
<v Speaker 1>and she was making like three times what I was making.

1:05:07.320 --> 1:05:10.480
<v Speaker 1>And you know, you know, you're just a rent paying

1:05:10.640 --> 1:05:15.040
<v Speaker 1>person in Manhattan, and it was you know, money wasn't

1:05:15.080 --> 1:05:18.000
<v Speaker 1>money didn't become a big thing to quite a while later,

1:05:18.720 --> 1:05:20.360
<v Speaker 1>you know, I mean, no one was making a ton

1:05:20.360 --> 1:05:22.280
<v Speaker 1>of money. But we made enough to live and survive

1:05:22.360 --> 1:05:27.640
<v Speaker 1>and ultimately bought an apartment down downtown and rebeca Okay,

1:05:27.640 --> 1:05:33.000
<v Speaker 1>so Tauga's first one, MTV launches. What's the experience on

1:05:33.040 --> 1:05:35.760
<v Speaker 1>the other side of the screen and what exactly is

1:05:35.800 --> 1:05:39.240
<v Speaker 1>your job? At the beginning in the years to go by,

1:05:39.280 --> 1:05:42.720
<v Speaker 1>I was ahead of marketing, so I was responsible for

1:05:42.840 --> 1:05:46.560
<v Speaker 1>getting people to watch this thing. When we launched, it

1:05:46.600 --> 1:05:48.920
<v Speaker 1>was unavailable in New York, it was unavailable in l A.

1:05:49.040 --> 1:05:51.200
<v Speaker 1>I mean it really started. MTV was really born in

1:05:51.240 --> 1:05:53.800
<v Speaker 1>the Midwest, and we we had a launch party and

1:05:54.080 --> 1:05:56.280
<v Speaker 1>at like a one bar we could find who had

1:05:56.640 --> 1:05:58.720
<v Speaker 1>some guy had like twenty cable customers, and it was

1:05:58.720 --> 1:06:00.680
<v Speaker 1>in New Jersey, so we had a lawn party there.

1:06:01.640 --> 1:06:04.840
<v Speaker 1>But what happened would be I these cities like Tulsa,

1:06:05.000 --> 1:06:09.080
<v Speaker 1>de Moine, uh Wichita. They had big cable systems, they

1:06:09.080 --> 1:06:12.560
<v Speaker 1>had room for MTV, the no One. So I would

1:06:12.560 --> 1:06:14.040
<v Speaker 1>go out there and spend times that I want to

1:06:14.120 --> 1:06:17.240
<v Speaker 1>immerse myself with the people who actually have this in

1:06:17.360 --> 1:06:19.320
<v Speaker 1>real time and see what effect it had. It was.

1:06:19.400 --> 1:06:21.040
<v Speaker 1>I was the first guy to know this was a

1:06:21.080 --> 1:06:25.800
<v Speaker 1>slam Cold's solid hit because when I show up there,

1:06:26.040 --> 1:06:28.400
<v Speaker 1>I have on a jacket with an MTV button at

1:06:28.400 --> 1:06:30.880
<v Speaker 1>the rent a car place, and the girl says, where

1:06:30.880 --> 1:06:33.320
<v Speaker 1>did you get that? How do I get that? I

1:06:33.360 --> 1:06:35.880
<v Speaker 1>got a pocket full of buttons, I realized. And then

1:06:35.920 --> 1:06:38.280
<v Speaker 1>I go to the radio stations to see what kind

1:06:38.320 --> 1:06:41.480
<v Speaker 1>of impact it had had on request and airplay, went

1:06:41.520 --> 1:06:43.480
<v Speaker 1>to record store and find out we were selling records.

1:06:43.480 --> 1:06:45.840
<v Speaker 1>But then I would go to nightclubs and bars and

1:06:45.880 --> 1:06:48.439
<v Speaker 1>just talk to people, and uh, it was the first

1:06:48.440 --> 1:06:50.240
<v Speaker 1>time I ever really spent any time in the Midwest.

1:06:50.280 --> 1:06:52.920
<v Speaker 1>But people were thrilled with this. They thought it was

1:06:52.960 --> 1:06:55.080
<v Speaker 1>a great sign of the future, and it was. It

1:06:55.160 --> 1:06:58.120
<v Speaker 1>was the beginning of the of the video revolution, which

1:06:58.160 --> 1:07:01.320
<v Speaker 1>you know still continues, but was a whole new visual

1:07:01.440 --> 1:07:04.240
<v Speaker 1>vocabulary for people. And at the beginning, as you know,

1:07:04.280 --> 1:07:06.000
<v Speaker 1>we had all these acts, no one ever heard of

1:07:06.240 --> 1:07:09.760
<v Speaker 1>you know, Duran, Duran and Culture Club and Cyndey Lauper

1:07:09.920 --> 1:07:12.520
<v Speaker 1>and the you know. So the record guys and the

1:07:12.560 --> 1:07:15.120
<v Speaker 1>record stores were saying, we're selling these records. People are

1:07:15.120 --> 1:07:19.440
<v Speaker 1>coming in asking for the buggles. Uh. The radio stations

1:07:19.440 --> 1:07:21.520
<v Speaker 1>would say, people are calling up requesting these songs. So

1:07:21.560 --> 1:07:23.960
<v Speaker 1>the radio stations A O R stations more mainly they

1:07:23.960 --> 1:07:26.360
<v Speaker 1>were in CHR stations, they would they would start playing

1:07:26.400 --> 1:07:28.520
<v Speaker 1>these singles. So we were able to show the record companies,

1:07:28.520 --> 1:07:31.280
<v Speaker 1>who didn't want to even make videos, that these things

1:07:31.280 --> 1:07:33.960
<v Speaker 1>actually work to sell records. They were like three many commercials.

1:07:34.240 --> 1:07:36.080
<v Speaker 1>So I did that, and then I worked on the

1:07:36.360 --> 1:07:38.920
<v Speaker 1>I Want My MTV campaign because we were then running

1:07:38.920 --> 1:07:41.840
<v Speaker 1>out of money and the cable operators were refusing to

1:07:41.880 --> 1:07:45.320
<v Speaker 1>pay the ten cents a month for us. So what

1:07:45.520 --> 1:07:47.760
<v Speaker 1>was their logic not paying the ten cent? We're gonna

1:07:47.800 --> 1:07:49.600
<v Speaker 1>pay you ten cents for this? I mean, who then

1:07:49.760 --> 1:07:53.360
<v Speaker 1>is gonna watch? No one's watching music on television? Who paid?

1:07:53.360 --> 1:07:57.000
<v Speaker 1>You know, at that point in time, they were paying ESPN.

1:07:57.280 --> 1:08:00.560
<v Speaker 1>ESPN was paying them to get carried. Now he has

1:08:00.640 --> 1:08:04.200
<v Speaker 1>been charges like five bucks aside even more maybe, But

1:08:04.360 --> 1:08:06.760
<v Speaker 1>then they had they the cable operators didn't want to

1:08:06.800 --> 1:08:09.400
<v Speaker 1>pay for anything. And if there was eleven cable operators

1:08:09.400 --> 1:08:11.560
<v Speaker 1>in the market, all these each of monopolists in his

1:08:11.640 --> 1:08:14.960
<v Speaker 1>own territory, they kind of had a little thing together.

1:08:15.040 --> 1:08:18.080
<v Speaker 1>So we decided based on the experience that people who

1:08:18.240 --> 1:08:21.559
<v Speaker 1>like who get this love it, that people who get

1:08:21.560 --> 1:08:24.479
<v Speaker 1>this are in our target audience, are really animated about it,

1:08:24.520 --> 1:08:25.920
<v Speaker 1>have a lot of time on their hands. We came

1:08:26.000 --> 1:08:28.519
<v Speaker 1>up with I Want my MTV. It was a Hail

1:08:28.600 --> 1:08:30.920
<v Speaker 1>Mary passed. We had like thirty million dollars we were

1:08:30.920 --> 1:08:33.120
<v Speaker 1>gonna go under, and we said, let's see if we

1:08:33.160 --> 1:08:36.120
<v Speaker 1>could pull this thing. If we could get some rock star,

1:08:37.040 --> 1:08:39.559
<v Speaker 1>some rock stars to say our name and validate us,

1:08:39.560 --> 1:08:43.240
<v Speaker 1>maybe hold our logo and you know, say call your

1:08:43.280 --> 1:08:46.360
<v Speaker 1>cable company and say I want my MTV. Maybe that

1:08:46.400 --> 1:08:48.400
<v Speaker 1>would work to get these guys over the line. We'll

1:08:48.439 --> 1:08:51.519
<v Speaker 1>sure enough. We started running these spots that like at

1:08:51.560 --> 1:08:54.280
<v Speaker 1>the levels of which they you you would introduce a

1:08:54.280 --> 1:08:57.040
<v Speaker 1>big movie, you know, a lot of rating points, and

1:08:57.400 --> 1:09:00.000
<v Speaker 1>within a week, every cable operator in market would be

1:09:00.120 --> 1:09:02.479
<v Speaker 1>calling us up and and and and taking it. So

1:09:02.960 --> 1:09:05.000
<v Speaker 1>for a couple of years we just rolled out market

1:09:05.040 --> 1:09:07.000
<v Speaker 1>by market until we got you know, we went from

1:09:07.040 --> 1:09:09.559
<v Speaker 1>like eight million homes, so like you know, fifty sixty

1:09:09.600 --> 1:09:12.640
<v Speaker 1>million to the get up to a hundred million. That

1:09:12.760 --> 1:09:15.960
<v Speaker 1>was that was how we saved ourselves. That's what I did. Okay.

1:09:15.960 --> 1:09:18.800
<v Speaker 1>So the marketing on some level, you could say you

1:09:18.840 --> 1:09:22.519
<v Speaker 1>were cable related market you were dealing with the different

1:09:22.520 --> 1:09:27.519
<v Speaker 1>cable systems, dealt with the cable systems. Uh yeah, okay.

1:09:27.560 --> 1:09:33.480
<v Speaker 1>But one thing that MTV was famous for was their creativity. Ultimately,

1:09:33.520 --> 1:09:37.599
<v Speaker 1>you know when John Melli Camp's Pink Cows and then

1:09:37.640 --> 1:09:40.639
<v Speaker 1>they were who was coming up with those ideas? Well.

1:09:40.720 --> 1:09:42.800
<v Speaker 1>We we had a small team, so we sort of

1:09:42.800 --> 1:09:46.080
<v Speaker 1>worked together. Now John Sykes, who I split an office with,

1:09:46.360 --> 1:09:48.880
<v Speaker 1>one of the world's great promotion man. He's you know

1:09:49.080 --> 1:09:51.519
<v Speaker 1>his ideas. Look, we gotta give away stuff that radio

1:09:51.560 --> 1:09:54.599
<v Speaker 1>stations aren't doing. Let's and John is the ultimate fan.

1:09:54.760 --> 1:09:57.240
<v Speaker 1>So what I want to one night stand with the

1:09:57.240 --> 1:09:59.160
<v Speaker 1>Fleetwood Mac, I mean, I want to be taken out

1:09:59.160 --> 1:10:01.080
<v Speaker 1>of private jet and meet the band and come back

1:10:01.080 --> 1:10:03.559
<v Speaker 1>home the same night or so. We would run those things.

1:10:03.600 --> 1:10:06.040
<v Speaker 1>So we get millions of entries. In those days they

1:10:06.040 --> 1:10:09.000
<v Speaker 1>come in postcards. We'd have whole offices full of fucking

1:10:09.840 --> 1:10:12.719
<v Speaker 1>Duffel bags and stuff. What I liked about my job

1:10:12.880 --> 1:10:14.960
<v Speaker 1>was that was it an nexus between the on air

1:10:15.000 --> 1:10:18.680
<v Speaker 1>promotion people, the regular promotion people, the people who did

1:10:18.720 --> 1:10:21.120
<v Speaker 1>the advertise in the ad sales guys, and the programmers

1:10:21.160 --> 1:10:23.880
<v Speaker 1>who dealt the music. So almost everything came through me.

1:10:24.280 --> 1:10:27.240
<v Speaker 1>So I got to you know, I got a lot

1:10:27.280 --> 1:10:29.559
<v Speaker 1>of exposure, which really helped me as I moved up

1:10:29.640 --> 1:10:32.320
<v Speaker 1>ultimately to like general manager of MTV and then v

1:10:32.560 --> 1:10:34.439
<v Speaker 1>H one and so forth, so I would get involved,

1:10:35.200 --> 1:10:36.600
<v Speaker 1>you know what I really wanted to do along with

1:10:36.680 --> 1:10:39.320
<v Speaker 1>somehow be involved with the programming and be closer to

1:10:40.080 --> 1:10:44.000
<v Speaker 1>the creative people. And I felt that we had an opportunity,

1:10:44.439 --> 1:10:46.560
<v Speaker 1>since we couldn't really pay a lot of money, we

1:10:46.600 --> 1:10:48.800
<v Speaker 1>have an opportunity to kind of turn that place into

1:10:48.840 --> 1:10:53.080
<v Speaker 1>a creative hothouse by giving people certain latitude and freedom.

1:10:53.160 --> 1:10:55.200
<v Speaker 1>We we were a reverend, We're a little you know,

1:10:55.320 --> 1:10:58.080
<v Speaker 1>let people take chances on things and get like a

1:10:58.080 --> 1:11:00.200
<v Speaker 1>long line of young people to come and work there.

1:11:00.200 --> 1:11:02.040
<v Speaker 1>And we you know, at some pople we have like

1:11:02.240 --> 1:11:06.400
<v Speaker 1>Judd Apatow as an intern, or Adam Sandler, John Stewart,

1:11:06.439 --> 1:11:09.120
<v Speaker 1>we had we were able to really have a great

1:11:10.040 --> 1:11:14.559
<v Speaker 1>creative resource, and I thought having a creative culture was

1:11:14.600 --> 1:11:17.559
<v Speaker 1>a big competitive advantage over other people. We didn't rent

1:11:17.600 --> 1:11:21.400
<v Speaker 1>shows from like uh uh you know, like from producers

1:11:21.439 --> 1:11:23.200
<v Speaker 1>because we really couldn't afford it. We had to make

1:11:23.240 --> 1:11:25.920
<v Speaker 1>our own stuff so we could make these channels kind

1:11:25.920 --> 1:11:28.719
<v Speaker 1>of look you know, singularly, you know, like that everything

1:11:28.800 --> 1:11:32.320
<v Speaker 1>kind of fit together, and uh, you know, that was

1:11:32.680 --> 1:11:34.160
<v Speaker 1>that's what we did. I mean, we just wanted to

1:11:34.200 --> 1:11:35.760
<v Speaker 1>be a little niche thing over on the side of

1:11:35.800 --> 1:11:39.240
<v Speaker 1>the road. Obviously we became very powerful force in the

1:11:39.320 --> 1:11:43.160
<v Speaker 1>music business. Yeah, so what happens is you launching eighty one,

1:11:43.360 --> 1:11:46.960
<v Speaker 1>you have the I Want my MTV campaign, although ultimately

1:11:47.000 --> 1:11:49.960
<v Speaker 1>you then have Culture Club. The real break is Duran Duran,

1:11:50.479 --> 1:11:54.800
<v Speaker 1>Duran Duran makes an very expensive video. It becomes very successful.

1:11:55.280 --> 1:11:59.639
<v Speaker 1>So at first the labels don't want to make videos, okay,

1:11:59.680 --> 1:12:01.880
<v Speaker 1>then they're saying how much you're gonna pay for us.

1:12:02.000 --> 1:12:04.439
<v Speaker 1>All of a sudden, everything flips where you have all

1:12:04.479 --> 1:12:07.720
<v Speaker 1>the power okay, and you made all the hits. What

1:12:07.840 --> 1:12:10.800
<v Speaker 1>was the experience on your side of the screen, so

1:12:10.880 --> 1:12:15.280
<v Speaker 1>to speak? It was something I mean, you know, you

1:12:15.320 --> 1:12:17.320
<v Speaker 1>went from being a nobody and everybody wants to take

1:12:17.320 --> 1:12:19.519
<v Speaker 1>you to lunch. And those days, the promotion people from

1:12:19.560 --> 1:12:22.880
<v Speaker 1>the labels, they were they were something you know what

1:12:23.000 --> 1:12:27.640
<v Speaker 1>I had to do, you know, attendance, the tendency of

1:12:27.640 --> 1:12:30.160
<v Speaker 1>the people as to develop hubris and get arrogant. I

1:12:30.200 --> 1:12:32.400
<v Speaker 1>always used to tell people were not as big as

1:12:32.400 --> 1:12:34.240
<v Speaker 1>we think, We're not as good as we think. When

1:12:34.240 --> 1:12:36.880
<v Speaker 1>we deal with the labels, you gotta look at it

1:12:36.920 --> 1:12:40.120
<v Speaker 1>sort of as a partnership. They all want to break

1:12:40.240 --> 1:12:42.519
<v Speaker 1>artists and do things, and we want things from them.

1:12:42.560 --> 1:12:45.160
<v Speaker 1>So you know, we're gonna play stuff, but we're gonna

1:12:45.160 --> 1:12:47.920
<v Speaker 1>be doing favors here or there, and it's gonna come

1:12:47.960 --> 1:12:50.080
<v Speaker 1>back and get us. We don't want them. They're gonna

1:12:50.080 --> 1:12:52.280
<v Speaker 1>be predisposed to want to hate us as we get

1:12:52.320 --> 1:12:54.200
<v Speaker 1>more and more powerful, and we got to try and

1:12:54.280 --> 1:12:57.080
<v Speaker 1>play against that and be nice. And we would rotate

1:12:57.120 --> 1:12:59.200
<v Speaker 1>all these guys through the head of you know, the

1:12:59.240 --> 1:13:02.479
<v Speaker 1>head of the music departments, because sooner or later they

1:13:02.600 --> 1:13:05.519
<v Speaker 1>go off the deep end, and uh, you know, I

1:13:05.520 --> 1:13:07.680
<v Speaker 1>think they were geniuses or something, but it would be

1:13:07.800 --> 1:13:09.760
<v Speaker 1>you know, you go from like, God, is there more

1:13:09.800 --> 1:13:11.800
<v Speaker 1>than three videos coming in this week to like, you're

1:13:11.800 --> 1:13:14.880
<v Speaker 1>getting sixty five videos? And people are sending strippers to

1:13:14.960 --> 1:13:18.720
<v Speaker 1>the office and there's all kinds of shenanigans going on.

1:13:18.920 --> 1:13:20.479
<v Speaker 1>But it was it was a heavy thing. I mean,

1:13:20.479 --> 1:13:23.840
<v Speaker 1>they're making videos. Then Lionel Richie's dance walking on the

1:13:23.840 --> 1:13:26.479
<v Speaker 1>ceiling from a million dollar video, and they were big

1:13:26.520 --> 1:13:30.120
<v Speaker 1>events and uh, we were able to deploy them worldwide

1:13:30.120 --> 1:13:32.400
<v Speaker 1>and they kind of paid off. But that whole rocket

1:13:32.400 --> 1:13:34.920
<v Speaker 1>ship of a ride was you know, you really sort

1:13:34.920 --> 1:13:37.559
<v Speaker 1>of needed a seatbelt to keep a sense of yourself.

1:13:37.560 --> 1:13:40.800
<v Speaker 1>But it was, it was. It was a great wide

1:13:40.880 --> 1:13:42.920
<v Speaker 1>I gotta say, it's fun to be on the inside.

1:13:43.360 --> 1:13:47.040
<v Speaker 1>A couple of very significant events happened a Live AID

1:13:47.400 --> 1:13:50.880
<v Speaker 1>and then the vim AS Video Music Awards become a

1:13:50.920 --> 1:13:55.519
<v Speaker 1>big thing. What's the history there, Well, you're absolutely right.

1:13:56.200 --> 1:13:59.320
<v Speaker 1>It was a game changer for us Live AID. Uh,

1:13:59.479 --> 1:14:02.439
<v Speaker 1>you know, they came around, Uh was geled off. They

1:14:02.439 --> 1:14:04.800
<v Speaker 1>came around and said, you know we're gonna be doing

1:14:04.840 --> 1:14:06.840
<v Speaker 1>this thing. It's gonna be in Wembley, We're gonna do

1:14:06.920 --> 1:14:10.519
<v Speaker 1>it in JFK Stadium. We said, well, we'll run it

1:14:10.880 --> 1:14:13.519
<v Speaker 1>the whole thing because well were we We have a

1:14:13.560 --> 1:14:16.960
<v Speaker 1>deal with the ABC. ABC wants to do a three

1:14:17.000 --> 1:14:19.920
<v Speaker 1>hour you know, sort of best stuff thing for later

1:14:19.960 --> 1:14:22.920
<v Speaker 1>that night. I don't know do that. But the thing

1:14:23.000 --> 1:14:25.240
<v Speaker 1>is we're in X million homes right now, the real

1:14:25.280 --> 1:14:28.240
<v Speaker 1>experiences all of this. This is this phenomenal thing you're doing.

1:14:28.280 --> 1:14:30.320
<v Speaker 1>So we were right up on the stage. We were

1:14:30.400 --> 1:14:33.519
<v Speaker 1>just off you couldn't see us, but you know, I

1:14:33.600 --> 1:14:37.040
<v Speaker 1>was right there, and I remember going, Uh. I drove

1:14:37.080 --> 1:14:40.519
<v Speaker 1>down that day with Sykes and Uh in a rent

1:14:40.560 --> 1:14:43.520
<v Speaker 1>a car and we didn't have any of our credentials

1:14:43.600 --> 1:14:45.840
<v Speaker 1>or anything. We couldn't get in, so we ended up

1:14:45.920 --> 1:14:48.840
<v Speaker 1>jumping the fence and you can believe it into what

1:14:48.920 --> 1:14:51.320
<v Speaker 1>was the artist area. You see Bob Dylan, all these

1:14:51.360 --> 1:14:53.400
<v Speaker 1>signs and every artists in the world. I'm thinking that

1:14:53.600 --> 1:14:56.200
<v Speaker 1>they really got to step up their security. But we

1:14:56.200 --> 1:15:00.760
<v Speaker 1>we got our credentials and that really was Uh. That

1:15:00.880 --> 1:15:03.360
<v Speaker 1>was a big moment. A thriller was a big moment.

1:15:03.960 --> 1:15:06.120
<v Speaker 1>And the Video Music Awards, where we could you know,

1:15:06.320 --> 1:15:08.879
<v Speaker 1>have like some of these punctuation marks on our schedule

1:15:09.000 --> 1:15:11.880
<v Speaker 1>where a lot of people who would not ordinarily watch

1:15:11.960 --> 1:15:14.080
<v Speaker 1>us would come and then they would begin to come

1:15:14.120 --> 1:15:17.760
<v Speaker 1>back and our over our average audience size would would grow.

1:15:18.080 --> 1:15:20.960
<v Speaker 1>As with are just our residents in the culture. Okay,

1:15:20.960 --> 1:15:23.080
<v Speaker 1>there are a couple of significant changes in the mid

1:15:23.120 --> 1:15:29.320
<v Speaker 1>to late eighties. One was uh, not really scripted program

1:15:29.320 --> 1:15:31.360
<v Speaker 1>but you have remote control, you had the game show.

1:15:31.880 --> 1:15:34.920
<v Speaker 1>Now we both know the issue is keeping the people

1:15:35.520 --> 1:15:39.759
<v Speaker 1>on attached to the channel so that you can get

1:15:39.800 --> 1:15:43.479
<v Speaker 1>advertising at a higher rate. But the public couldn't understand this.

1:15:43.560 --> 1:15:46.719
<v Speaker 1>So what was the decision. How did you make that decision? Well,

1:15:47.720 --> 1:15:49.200
<v Speaker 1>we spent a lot of time on this because what

1:15:49.320 --> 1:15:51.759
<v Speaker 1>we began to see, like around eight six, eighties seven,

1:15:51.960 --> 1:15:56.479
<v Speaker 1>was that the vibrancy of just running video music hours

1:15:56.560 --> 1:15:59.880
<v Speaker 1>ten videos an hour, the ratings were continuing to the

1:16:00.040 --> 1:16:02.280
<v Speaker 1>clients or of the novelty had worn off. There was

1:16:02.320 --> 1:16:04.880
<v Speaker 1>a hardcore audience, yes, but they could do other things

1:16:04.880 --> 1:16:07.960
<v Speaker 1>because they knew they could always come back. So two

1:16:08.040 --> 1:16:09.680
<v Speaker 1>things happened. We we we kind of said, well, you

1:16:09.680 --> 1:16:12.360
<v Speaker 1>know and and and then music could periodically being a

1:16:12.400 --> 1:16:14.599
<v Speaker 1>little you don't have Michael Jackson with a hot album

1:16:14.680 --> 1:16:19.000
<v Speaker 1>everybody wants to see. Well, maybe we could also be

1:16:19.240 --> 1:16:21.479
<v Speaker 1>we could be something bigger. We could be something that's

1:16:21.520 --> 1:16:23.960
<v Speaker 1>not just about the music that will be our core thing,

1:16:24.080 --> 1:16:26.320
<v Speaker 1>but we'll also be about a lot of the things

1:16:26.320 --> 1:16:30.879
<v Speaker 1>that the music is about news fashion. That's how it started.

1:16:30.880 --> 1:16:33.160
<v Speaker 1>So well, we hired Kurt Loder, We really stepped up

1:16:33.160 --> 1:16:36.879
<v Speaker 1>our what was our news coverage. We hired Cindy Crawford

1:16:36.880 --> 1:16:39.639
<v Speaker 1>in that house of style. These things got big numbers.

1:16:39.680 --> 1:16:42.400
<v Speaker 1>We did the Weekend Rock. I mean, they would get

1:16:42.400 --> 1:16:44.840
<v Speaker 1>bigger numbers in the video hours, and people would tell

1:16:44.920 --> 1:16:47.320
<v Speaker 1>us that they liked that. Our overall ratings would go up.

1:16:47.360 --> 1:16:51.120
<v Speaker 1>And then uh and then you know, there's sort of

1:16:51.120 --> 1:16:55.639
<v Speaker 1>there was there was this uh ampetus from the creative

1:16:55.640 --> 1:16:57.680
<v Speaker 1>group we had assembled to kind of stretch out and

1:16:57.720 --> 1:17:00.320
<v Speaker 1>do more. We could do promos really well. L but

1:17:00.479 --> 1:17:02.320
<v Speaker 1>you know, somebody came in one day so that I

1:17:02.360 --> 1:17:05.800
<v Speaker 1>made this. I made this thing in my basement, you know,

1:17:06.000 --> 1:17:08.840
<v Speaker 1>on a cheap cam. It's a game show called Remote Control.

1:17:08.840 --> 1:17:11.599
<v Speaker 1>It's sort of an Irreverend's. It kind of fits MTV.

1:17:11.760 --> 1:17:13.920
<v Speaker 1>It's gonna you know, it's Irreverend. It's a little wacky.

1:17:13.960 --> 1:17:17.080
<v Speaker 1>It's not like any game show on television. And said, well, yeah,

1:17:17.080 --> 1:17:19.240
<v Speaker 1>well let's let's make a few episodes and see what happened.

1:17:19.240 --> 1:17:21.640
<v Speaker 1>So we hired Ken Ober and Colin Quinn and that

1:17:21.920 --> 1:17:26.680
<v Speaker 1>became a hit. But that that began a process where uh,

1:17:26.800 --> 1:17:29.320
<v Speaker 1>it's sort of like taking a heroin. You know, you

1:17:29.320 --> 1:17:34.920
<v Speaker 1>would find that you were getting better numbers for stuff

1:17:34.960 --> 1:17:37.639
<v Speaker 1>there wasn't music videos, but we didn't want to lose

1:17:37.640 --> 1:17:41.840
<v Speaker 1>the music video franchise. We would then start a lot

1:17:41.880 --> 1:17:45.719
<v Speaker 1>of genre shows like Headbanger's Ball A hundred twenty minutes

1:17:45.720 --> 1:17:48.599
<v Speaker 1>got stepped up, where we would try and package music

1:17:48.640 --> 1:17:53.400
<v Speaker 1>by genre. That helped a bit. Uh, but then you know,

1:17:53.479 --> 1:17:55.880
<v Speaker 1>it kind of kept going and uh there would be

1:17:55.960 --> 1:18:00.080
<v Speaker 1>successes and we were feeling pretty good about things. So

1:18:00.160 --> 1:18:02.360
<v Speaker 1>we weren't getting a lot of pushback other than from

1:18:02.439 --> 1:18:05.800
<v Speaker 1>the older original fans. The new audience. You know, the

1:18:05.840 --> 1:18:09.280
<v Speaker 1>audience would cycle through MTV like in five years. You know,

1:18:09.360 --> 1:18:11.200
<v Speaker 1>five years basically you had an audience that kind of

1:18:11.240 --> 1:18:12.760
<v Speaker 1>came and left, and then you have a whole new

1:18:12.760 --> 1:18:15.559
<v Speaker 1>group of people. So you had to continue to reinvent

1:18:15.640 --> 1:18:18.880
<v Speaker 1>yourself for you're just gonna be you know, it's kind

1:18:18.920 --> 1:18:23.160
<v Speaker 1>of going stale. So uh. At one point, Doug, we

1:18:23.200 --> 1:18:27.439
<v Speaker 1>had a meeting in Doug Herz said, you know, uh,

1:18:27.560 --> 1:18:29.719
<v Speaker 1>we should do a soap opera. You know, young people

1:18:29.760 --> 1:18:31.599
<v Speaker 1>love to see other young people. They get a lot

1:18:31.600 --> 1:18:33.320
<v Speaker 1>of cues from them. Would be interesting. We could do

1:18:33.360 --> 1:18:35.040
<v Speaker 1>a soap proper. So I gave them some money to

1:18:35.080 --> 1:18:37.200
<v Speaker 1>develop a soap proper and they came back and said,

1:18:38.840 --> 1:18:40.720
<v Speaker 1>you know, we're gonna have to hire writers. It's more

1:18:40.760 --> 1:18:45.040
<v Speaker 1>expensive than than uh we can we can handle. We're

1:18:45.040 --> 1:18:47.240
<v Speaker 1>gonna have to pay writers. That's something we never really did.

1:18:47.280 --> 1:18:50.799
<v Speaker 1>I have real writers do things for an ongoing soap opera.

1:18:50.880 --> 1:18:53.960
<v Speaker 1>So and someone said, well, you know, we can't afford it.

1:18:54.040 --> 1:18:56.080
<v Speaker 1>They came back, well, we're really good at post production.

1:18:56.120 --> 1:18:58.160
<v Speaker 1>We can put stuff together. Why don't we get aloft

1:18:58.200 --> 1:19:00.559
<v Speaker 1>and soho, stick some cameras in there of some people

1:19:00.600 --> 1:19:03.200
<v Speaker 1>in and that's created the Real World, which was like

1:19:03.240 --> 1:19:06.479
<v Speaker 1>the biggest thing we've done almost ever. And I think

1:19:06.479 --> 1:19:10.160
<v Speaker 1>they're still running the damn thing. Uh So that sort

1:19:10.160 --> 1:19:13.280
<v Speaker 1>of was the start of reality TV, which unfortunately brought

1:19:13.360 --> 1:19:18.400
<v Speaker 1>us to The Apprentice and other bad things. But that's

1:19:18.479 --> 1:19:21.520
<v Speaker 1>sort of how it started. We didn't out a cheapness

1:19:22.040 --> 1:19:25.120
<v Speaker 1>and a desire to experiment. We fell into something. It

1:19:25.200 --> 1:19:27.559
<v Speaker 1>was very successful. So once we started, it was sort

1:19:27.600 --> 1:19:30.040
<v Speaker 1>of hard to take it off. And we tried to

1:19:30.160 --> 1:19:34.400
<v Speaker 1>keep the music, identity and image, you know, as well

1:19:34.439 --> 1:19:37.639
<v Speaker 1>as we could while we tried to, you know, run

1:19:37.680 --> 1:19:40.200
<v Speaker 1>this other stuff through the schedule, put music beds under

1:19:40.479 --> 1:19:42.280
<v Speaker 1>you know, some of these shows, so there was always

1:19:42.400 --> 1:19:45.120
<v Speaker 1>music there, but uh, you know, it did ruffle some

1:19:45.200 --> 1:19:47.040
<v Speaker 1>of our older fans the wrong way. So then we

1:19:47.080 --> 1:19:50.080
<v Speaker 1>started MTV two and we said, you know, if you

1:19:50.120 --> 1:19:52.280
<v Speaker 1>really like music videos all the time, here's the channel

1:19:52.280 --> 1:19:54.160
<v Speaker 1>that's just gonna do that. And we had Andy Shoen

1:19:54.280 --> 1:19:56.439
<v Speaker 1>was there. Then we we started that. It was sort

1:19:56.439 --> 1:19:59.920
<v Speaker 1>of sort of a freeform format. Okay, a couple of

1:20:00.200 --> 1:20:03.639
<v Speaker 1>so when you went to long form programming, was there

1:20:03.640 --> 1:20:06.519
<v Speaker 1>any pressure from above or was it organic or you

1:20:06.600 --> 1:20:10.240
<v Speaker 1>knew there would be pressure from above reratings and advertising.

1:20:12.200 --> 1:20:16.000
<v Speaker 1>One of the problems, uh, when you're embedded in a

1:20:16.040 --> 1:20:18.960
<v Speaker 1>public company and we went from me in the smallest

1:20:18.960 --> 1:20:22.719
<v Speaker 1>division to the biggest division, was you had to continue

1:20:22.720 --> 1:20:25.600
<v Speaker 1>to show growth. So no one was telling us what

1:20:25.680 --> 1:20:27.599
<v Speaker 1>the program or what to do. They were just saying,

1:20:28.200 --> 1:20:30.000
<v Speaker 1>I want you to make this amount of money by

1:20:30.080 --> 1:20:32.719
<v Speaker 1>the end of the year. So you figure it out.

1:20:32.760 --> 1:20:36.240
<v Speaker 1>You're so fucking smart. So we try and we try

1:20:36.240 --> 1:20:38.080
<v Speaker 1>and figure it out, and we go, well, you know

1:20:38.880 --> 1:20:41.000
<v Speaker 1>a lot of this is they it's gonna be hard

1:20:41.040 --> 1:20:43.519
<v Speaker 1>really to raise our race to the cable operators becauseis

1:20:43.520 --> 1:20:45.439
<v Speaker 1>are like long term deals. You just can't go in

1:20:45.479 --> 1:20:50.040
<v Speaker 1>and change them. So it's the advertising marketplace. And uh,

1:20:50.320 --> 1:20:52.880
<v Speaker 1>people seem to like some of this longer format that

1:20:53.000 --> 1:20:56.080
<v Speaker 1>this longer format show. So we would try and do it,

1:20:56.120 --> 1:20:59.160
<v Speaker 1>but you know, and just charge more. And then we

1:20:59.160 --> 1:21:01.840
<v Speaker 1>would add in the the MTV Video Music Awards would

1:21:01.840 --> 1:21:04.120
<v Speaker 1>make us seventy five million dollars a night. I mean,

1:21:04.160 --> 1:21:06.559
<v Speaker 1>it was huge. So then we said, well, why don't

1:21:06.600 --> 1:21:09.160
<v Speaker 1>we do a movie awards? You know, So then you

1:21:09.240 --> 1:21:12.639
<v Speaker 1>start going in the the the uh, the rabbit hole

1:21:12.680 --> 1:21:15.719
<v Speaker 1>of award shows and try and do them in your way,

1:21:15.840 --> 1:21:18.560
<v Speaker 1>and uh, you know, I got tired of going to

1:21:18.600 --> 1:21:20.960
<v Speaker 1>award shows, Bob. I'll tell you I've seen my share

1:21:20.960 --> 1:21:24.759
<v Speaker 1>of them. Okay, you talked about the five years cycle

1:21:25.000 --> 1:21:27.920
<v Speaker 1>in retrospect, you can certainly see it that way. But

1:21:28.040 --> 1:21:31.120
<v Speaker 1>from the other side of the screen, it was shocking

1:21:31.160 --> 1:21:35.599
<v Speaker 1>when the original VJs were canned. Whose decision was that?

1:21:36.000 --> 1:21:38.360
<v Speaker 1>And was that conscious We're gonna stay with the demo

1:21:38.800 --> 1:21:41.640
<v Speaker 1>as opposed to grow with our audience. How did that

1:21:41.680 --> 1:21:45.840
<v Speaker 1>come about? That was my decision, and I had to

1:21:45.920 --> 1:21:49.000
<v Speaker 1>overrule people who had built up relationships with Martha Quinn

1:21:49.040 --> 1:21:53.280
<v Speaker 1>and uh, you know, and and uh others. But I

1:21:53.320 --> 1:21:55.599
<v Speaker 1>decided that, you know, we just needed a new phase.

1:21:55.640 --> 1:21:58.040
<v Speaker 1>These people are old, and there's the people want to see.

1:21:58.080 --> 1:22:01.040
<v Speaker 1>If we really think we're an work for young people

1:22:01.080 --> 1:22:03.360
<v Speaker 1>eighteen to twenty four, they're gonna want to see people

1:22:03.360 --> 1:22:05.640
<v Speaker 1>who look to be approximately their age. That's gonna make

1:22:05.680 --> 1:22:07.639
<v Speaker 1>them feel better about it. It It isn't like my big

1:22:07.680 --> 1:22:12.920
<v Speaker 1>brothers MTV. So that's what we did. There was no pressure. Again,

1:22:13.120 --> 1:22:16.320
<v Speaker 1>I would say one of the great things about running

1:22:16.320 --> 1:22:19.280
<v Speaker 1>that company all those years was I didn't really get

1:22:19.280 --> 1:22:22.960
<v Speaker 1>any pressure about programmers. Just deliver the numbers, and we

1:22:23.080 --> 1:22:27.400
<v Speaker 1>always did and they left us alone. Okay, was it

1:22:27.560 --> 1:22:29.840
<v Speaker 1>like you were lying in bed one night and you said, God,

1:22:29.880 --> 1:22:31.720
<v Speaker 1>I got a can the VJs. I had come up

1:22:31.720 --> 1:22:34.880
<v Speaker 1>with the idea. Well, I don't know if I was

1:22:34.960 --> 1:22:37.120
<v Speaker 1>lying in bed, but it hadn't crossed my mind. I mean,

1:22:37.200 --> 1:22:38.840
<v Speaker 1>one or two of them might have been annoying, and

1:22:38.840 --> 1:22:40.760
<v Speaker 1>you say, you know, we're we we we gotta like

1:22:40.880 --> 1:22:44.120
<v Speaker 1>look at this thing holistically. We should be changing the

1:22:44.280 --> 1:22:46.600
<v Speaker 1>on air. Look, we should be changing the VJs. We

1:22:46.640 --> 1:22:50.360
<v Speaker 1>should be changing the shows. We we we gotta reinvent

1:22:50.439 --> 1:22:53.840
<v Speaker 1>this thing continually. And uh, I don't know when that

1:22:53.880 --> 1:22:56.679
<v Speaker 1>epiphany came, but and we didn't do them all at once,

1:22:56.800 --> 1:22:59.040
<v Speaker 1>but they kind of filtered away within a six month

1:22:59.040 --> 1:23:04.439
<v Speaker 1>period and we hired other people. But I uh, and

1:23:04.520 --> 1:23:06.160
<v Speaker 1>I know I see them all because they're all on

1:23:06.680 --> 1:23:09.960
<v Speaker 1>they're all on serious radio. Now I went CHATL or another.

1:23:10.000 --> 1:23:15.400
<v Speaker 1>So it's great here in their voices. Okay, under your management,

1:23:16.160 --> 1:23:19.559
<v Speaker 1>MTV spread all over the world. I always figured that

1:23:19.640 --> 1:23:22.679
<v Speaker 1>was because of your experience all over the world. Whose

1:23:22.720 --> 1:23:27.640
<v Speaker 1>decision and what degree were you involved? Well, that was

1:23:29.520 --> 1:23:33.200
<v Speaker 1>we did a joint venture in the UK for empty

1:23:33.240 --> 1:23:37.800
<v Speaker 1>a thing called MTV Europe, and I uh, I had

1:23:38.200 --> 1:23:41.920
<v Speaker 1>great confidence that I could go anywhere, that we could

1:23:41.920 --> 1:23:44.840
<v Speaker 1>go anywhere, that we could go do business anywhere. At

1:23:44.840 --> 1:23:48.400
<v Speaker 1>the same time, something important was happening, which is all

1:23:48.439 --> 1:23:51.400
<v Speaker 1>of these European countries and then subsequently in Asia and

1:23:51.479 --> 1:23:56.479
<v Speaker 1>Latin America, they were deregulating their television structure. Most of

1:23:56.479 --> 1:23:59.599
<v Speaker 1>these countries had stayed owned television maybe one independent channel,

1:23:59.600 --> 1:24:02.760
<v Speaker 1>and they were all terrestrial. Basically, they weren't there. They

1:24:02.800 --> 1:24:07.000
<v Speaker 1>were very little cable or satellite. But they began to

1:24:07.320 --> 1:24:09.800
<v Speaker 1>sort of open the doors and let private companies come

1:24:09.840 --> 1:24:11.920
<v Speaker 1>in and run TV networks. Now, of course you've got

1:24:11.960 --> 1:24:15.160
<v Speaker 1>Start TV and Asia or be sky b R Sky TV,

1:24:15.280 --> 1:24:17.400
<v Speaker 1>you know. But in the early days we were a

1:24:17.439 --> 1:24:21.640
<v Speaker 1>first mover, and um we were able to kind of

1:24:22.360 --> 1:24:25.439
<v Speaker 1>chase that around from content to kinda. I really wanted

1:24:25.439 --> 1:24:27.400
<v Speaker 1>to go back to Asia after we got set up

1:24:27.400 --> 1:24:29.320
<v Speaker 1>in Europe. And when we went to Europe, by the way,

1:24:29.360 --> 1:24:32.760
<v Speaker 1>the record companies are go, fuck you. We we don't

1:24:32.800 --> 1:24:35.200
<v Speaker 1>need any Americans coming over here telling us what to do.

1:24:35.280 --> 1:24:37.519
<v Speaker 1>And I say, this isn't gonna be the American MTV.

1:24:37.600 --> 1:24:40.120
<v Speaker 1>It's gonna be run by Europeans. Wenna have Dutch people

1:24:40.200 --> 1:24:42.800
<v Speaker 1>on and it's it's gonna be different. You're gonna like it,

1:24:42.840 --> 1:24:45.280
<v Speaker 1>and no, no, no, no, no, no no. And it

1:24:45.320 --> 1:24:47.040
<v Speaker 1>was harder to deal with the labels there because they

1:24:47.040 --> 1:24:49.519
<v Speaker 1>all could legally get together against you. But we had

1:24:49.560 --> 1:24:51.080
<v Speaker 1>on the air and we did all right, and finally

1:24:51.439 --> 1:24:54.120
<v Speaker 1>they realized this was a good tool in their toolbox

1:24:54.160 --> 1:24:57.600
<v Speaker 1>for promotion. But I wanted to go to Asia and

1:24:57.600 --> 1:25:01.559
<v Speaker 1>and this amazing thing just got Richard Lee in Hong

1:25:01.640 --> 1:25:05.479
<v Speaker 1>Kong launched this thing called Star TV, and he wanted.

1:25:05.520 --> 1:25:07.840
<v Speaker 1>He was gonna put five channels up on a satellite,

1:25:08.200 --> 1:25:10.400
<v Speaker 1>you know, to a small dish satellite that you could

1:25:10.400 --> 1:25:13.360
<v Speaker 1>pick up, you know what they call at this time

1:25:13.360 --> 1:25:15.559
<v Speaker 1>a high band satellite. It would the footprint cover all

1:25:15.560 --> 1:25:18.280
<v Speaker 1>the way from Taiwan to like, you know, Saudi Arabia.

1:25:18.600 --> 1:25:21.320
<v Speaker 1>The same signal would come down. So he got the BBC,

1:25:21.840 --> 1:25:26.760
<v Speaker 1>a couple of Chinese channels and uh MTV and we

1:25:26.760 --> 1:25:28.840
<v Speaker 1>we were able to get a licensing deal. So we

1:25:28.840 --> 1:25:31.080
<v Speaker 1>were on there. And then the weirdest thing happened. Star

1:25:31.200 --> 1:25:34.559
<v Speaker 1>TV number one was just a smash. People have been

1:25:35.080 --> 1:25:38.040
<v Speaker 1>strangled with no television choices all their lives, you know,

1:25:38.080 --> 1:25:40.160
<v Speaker 1>watching one or two channels if they even had that.

1:25:40.479 --> 1:25:42.720
<v Speaker 1>And now if someone had a satellite dish, there was

1:25:42.760 --> 1:25:44.559
<v Speaker 1>a whole new world open and up to them, even

1:25:44.600 --> 1:25:46.519
<v Speaker 1>if it was only five channels and they didn't speak

1:25:46.600 --> 1:25:49.799
<v Speaker 1>Kanthonese or Mandarin. But we would get all of a sudden,

1:25:49.800 --> 1:25:52.840
<v Speaker 1>we a New York Times reporter would be in a

1:25:53.880 --> 1:25:56.680
<v Speaker 1>in a cab of the Karin guerrillas on the Burmese

1:25:56.840 --> 1:26:00.240
<v Speaker 1>Thai border and he would go to the Burmese camp

1:26:00.240 --> 1:26:02.000
<v Speaker 1>and they have a satellite dish and all these guys

1:26:02.000 --> 1:26:06.559
<v Speaker 1>are sitting around watching like hip hop videos and he said,

1:26:06.600 --> 1:26:10.840
<v Speaker 1>this is like bizarre, and MTV became like a verb

1:26:10.920 --> 1:26:13.719
<v Speaker 1>in their world, and you know, so we we gotta

1:26:13.800 --> 1:26:17.479
<v Speaker 1>Then Murdoch bought Star TV, and I decided, we don't

1:26:17.479 --> 1:26:20.280
<v Speaker 1>want to be doing a licensing deal. Let's start our

1:26:20.320 --> 1:26:23.040
<v Speaker 1>own operated things. So we got a divorce from Murdoch

1:26:23.080 --> 1:26:25.920
<v Speaker 1>and started from scratch and built up an appreciable business

1:26:25.960 --> 1:26:28.520
<v Speaker 1>in Indian all the major territories, which was a blasphemy

1:26:28.520 --> 1:26:30.960
<v Speaker 1>about to be back. And you know, we'd always go

1:26:31.000 --> 1:26:32.919
<v Speaker 1>out on trips, and you know, we moved our headquarters

1:26:32.960 --> 1:26:35.720
<v Speaker 1>to Singapore. I'd always tack on an adventure. After we

1:26:35.600 --> 1:26:38.360
<v Speaker 1>were doing some business and met the guys in the

1:26:38.439 --> 1:26:42.120
<v Speaker 1>music business in Asia. They were wild. I mean they

1:26:42.640 --> 1:26:47.679
<v Speaker 1>those guys, they were something. But uh so we set

1:26:47.720 --> 1:26:50.920
<v Speaker 1>up we were the first worldwide network. MTV was. I mean,

1:26:51.000 --> 1:26:53.040
<v Speaker 1>I think and I don't know how much we used

1:26:53.040 --> 1:26:55.760
<v Speaker 1>out a hundred networks at one point. And then we

1:26:55.800 --> 1:26:57.720
<v Speaker 1>did the same thing in Latin America and then what

1:26:57.960 --> 1:27:00.240
<v Speaker 1>what the greatest thing was we would have tried through

1:27:00.320 --> 1:27:02.519
<v Speaker 1>these creative people from all these countries and then we

1:27:02.560 --> 1:27:06.680
<v Speaker 1>could Ingram intermingle them and move them around. And I

1:27:06.720 --> 1:27:09.240
<v Speaker 1>missed all I miss all that, but that's still that.

1:27:09.320 --> 1:27:12.799
<v Speaker 1>The last one was Africa, and I go to Africa

1:27:12.840 --> 1:27:15.800
<v Speaker 1>a lot now and MTV bas it plays all music.

1:27:15.840 --> 1:27:20.240
<v Speaker 1>It's all hip hop, and it's the most powerful music

1:27:20.280 --> 1:27:24.519
<v Speaker 1>force on the continent of Africa. Is MTV to this day? Wow?

1:27:24.560 --> 1:27:28.479
<v Speaker 1>And we're all these outlets profitable? They are now. They

1:27:28.520 --> 1:27:32.760
<v Speaker 1>weren't in the beginning, but they became profitable pretty quickly. Okay,

1:27:32.800 --> 1:27:39.639
<v Speaker 1>so certainly from six on, maybe the Internet starts creeping in.

1:27:40.520 --> 1:27:42.800
<v Speaker 1>Now you and me have a conversation at the time

1:27:42.840 --> 1:27:46.000
<v Speaker 1>when everybody is saying they've gotta play more videos, you say,

1:27:46.160 --> 1:27:49.120
<v Speaker 1>we're never gonna play videos because it's becoming on demand item.

1:27:49.320 --> 1:27:53.720
<v Speaker 1>You were way ahead of the marketplace personally. However, in retrospect,

1:27:53.800 --> 1:27:58.679
<v Speaker 1>one can say that MTV missed the Internet. So give

1:27:58.760 --> 1:28:01.840
<v Speaker 1>us those two takes. Well, you're exactly right. I mean

1:28:01.960 --> 1:28:03.840
<v Speaker 1>they came along and you can get all this music

1:28:03.880 --> 1:28:05.800
<v Speaker 1>on demand. I mean, who needs to sit around and

1:28:05.800 --> 1:28:07.680
<v Speaker 1>wait for Nirvan? I just you know, hit it and

1:28:07.680 --> 1:28:09.200
<v Speaker 1>it comes up. I can watch it ten times in

1:28:09.240 --> 1:28:13.800
<v Speaker 1>a row. The problem was the labels, and I had

1:28:13.800 --> 1:28:16.360
<v Speaker 1>this conversation with Bob Morgado took me up to his office.

1:28:16.360 --> 1:28:17.800
<v Speaker 1>I went to his office. I thought he was going

1:28:17.840 --> 1:28:20.040
<v Speaker 1>to congratulate me for the quarter of a million dollars

1:28:20.040 --> 1:28:23.479
<v Speaker 1>of retail sales of billion dollars of unplugged records. But no,

1:28:23.600 --> 1:28:26.000
<v Speaker 1>he was to tell me fuck you. He'd already fired

1:28:26.040 --> 1:28:31.200
<v Speaker 1>Moawston and all these people who we loved. Uh, you're

1:28:31.200 --> 1:28:34.040
<v Speaker 1>not gonna get online. We're not giving you the rights.

1:28:34.800 --> 1:28:38.080
<v Speaker 1>So MTV we were all set up with to just

1:28:38.160 --> 1:28:41.200
<v Speaker 1>move our entire music video library online on demand on

1:28:41.200 --> 1:28:44.280
<v Speaker 1>our websites, and the record companies wouldn't give it to us.

1:28:44.280 --> 1:28:46.640
<v Speaker 1>They give it to launch, they give it to some

1:28:46.680 --> 1:28:48.840
<v Speaker 1>new people. We we we don't want to be under

1:28:48.880 --> 1:28:52.120
<v Speaker 1>the thumb of MTV and create like another monster who's

1:28:52.120 --> 1:28:55.200
<v Speaker 1>building a business on our backs. Let's go to other people.

1:28:55.320 --> 1:28:59.280
<v Speaker 1>So MTV was sort of locked out in a way,

1:28:59.800 --> 1:29:02.880
<v Speaker 1>and that really allowed other people to come in and

1:29:02.880 --> 1:29:06.960
<v Speaker 1>do it, and uh, you know it, really it really

1:29:07.120 --> 1:29:10.639
<v Speaker 1>was a monkey wrench in our ability to increase our

1:29:10.720 --> 1:29:13.000
<v Speaker 1>digital footprint and move into the digital age. Because our

1:29:13.000 --> 1:29:14.679
<v Speaker 1>audience that like the canary in the colon, and they're

1:29:14.680 --> 1:29:18.360
<v Speaker 1>the first people to migrate the digital um. Yeah, that

1:29:18.439 --> 1:29:21.040
<v Speaker 1>was tough news, and we could not get that to happen.

1:29:22.200 --> 1:29:24.120
<v Speaker 1>We we wanted to, Laura knows, I mean it would

1:29:24.120 --> 1:29:26.559
<v Speaker 1>be an idiot that wouldn't want to do that, but

1:29:26.800 --> 1:29:29.639
<v Speaker 1>they wouldn't give us the rights. Now, but you did

1:29:29.680 --> 1:29:32.040
<v Speaker 1>have a presence online and certainly about turn of the

1:29:32.080 --> 1:29:36.679
<v Speaker 1>century it was not an insignificant audience. Was basically without

1:29:36.760 --> 1:29:39.880
<v Speaker 1>videos you couldn't make it or was there another way

1:29:39.880 --> 1:29:41.639
<v Speaker 1>to spin it so that you could have had a business.

1:29:41.760 --> 1:29:45.040
<v Speaker 1>Well you could have used some short like needle drop

1:29:45.160 --> 1:29:47.800
<v Speaker 1>lengths of music beds on things, but you know, we

1:29:47.800 --> 1:29:51.799
<v Speaker 1>could we had we would have news and information about music.

1:29:52.000 --> 1:29:55.559
<v Speaker 1>We had tour dates, we had everything about music, but

1:29:55.720 --> 1:29:58.040
<v Speaker 1>the music. You know, it's like a head shop in

1:29:58.080 --> 1:30:00.680
<v Speaker 1>the in the set in the sixties, they sold the

1:30:00.680 --> 1:30:04.519
<v Speaker 1>papers and the pipes, but they didn't sell you the pot.

1:30:05.880 --> 1:30:09.760
<v Speaker 1>We had everything but the music. Basically we tried to

1:30:09.840 --> 1:30:12.280
<v Speaker 1>skirt it in circum benefit we'd always be busted, you know,

1:30:12.400 --> 1:30:16.040
<v Speaker 1>and they were. They were nasty. I mean, uh, you know,

1:30:16.080 --> 1:30:18.519
<v Speaker 1>I was like a profit center for them busting down

1:30:18.800 --> 1:30:22.280
<v Speaker 1>you know, people trying to take their music online. So

1:30:22.880 --> 1:30:26.240
<v Speaker 1>you started thirty k you know, the old Viacom is

1:30:26.280 --> 1:30:29.599
<v Speaker 1>sold to Sumner. At what point does everybody start making

1:30:29.600 --> 1:30:33.160
<v Speaker 1>more money and are you negotiating for money or is

1:30:33.200 --> 1:30:40.000
<v Speaker 1>it take it or leave it? Well, Sumner bought the

1:30:40.000 --> 1:30:43.960
<v Speaker 1>company seven he bought it from these guys of the

1:30:44.000 --> 1:30:48.760
<v Speaker 1>prior Viacom. He installed Frank Beyondi, who made me the

1:30:48.800 --> 1:30:55.000
<v Speaker 1>CEO right away, and uh, he offered me a pile

1:30:55.040 --> 1:30:56.720
<v Speaker 1>of money that was more than I had every I

1:30:56.720 --> 1:30:58.639
<v Speaker 1>didn't I just I didn't even ask for it. He said,

1:30:58.640 --> 1:31:00.320
<v Speaker 1>they're gonna give you this, and it was and like

1:31:01.040 --> 1:31:04.040
<v Speaker 1>box car numbers like we see today. But from then on,

1:31:04.160 --> 1:31:10.640
<v Speaker 1>as these companies in cable became these money machines, and

1:31:10.680 --> 1:31:14.600
<v Speaker 1>you're embedded in these public companies, Uh, there was a

1:31:14.680 --> 1:31:17.000
<v Speaker 1>game going on, like the Alan Grubin's of the world

1:31:17.000 --> 1:31:20.600
<v Speaker 1>would be negotiating UH employees contracts at various companies, and

1:31:20.640 --> 1:31:22.920
<v Speaker 1>they'd always say, well, we're gonna what are they paying

1:31:22.960 --> 1:31:26.160
<v Speaker 1>at Disney, what are they paying at uh A Universal?

1:31:26.439 --> 1:31:30.360
<v Speaker 1>And you would find out that the pay levels, like

1:31:30.439 --> 1:31:32.840
<v Speaker 1>even in the record companies, were really high, So all

1:31:32.840 --> 1:31:35.280
<v Speaker 1>of a sudden people could have their We would say, well,

1:31:36.000 --> 1:31:38.160
<v Speaker 1>we're making more money than these guys in the record

1:31:38.160 --> 1:31:39.960
<v Speaker 1>companies we're making, you know, we want to be paid

1:31:39.960 --> 1:31:44.040
<v Speaker 1>on an equivalent basis. And then it was like someone

1:31:44.080 --> 1:31:48.240
<v Speaker 1>would move up the uh, you know, move up the ladder.

1:31:48.479 --> 1:31:51.519
<v Speaker 1>And then stock options became a big thing. Uh and

1:31:51.560 --> 1:31:53.320
<v Speaker 1>people were being granted a lot of those, and it

1:31:53.360 --> 1:31:57.360
<v Speaker 1>was always you were getting compared to players in similar

1:31:57.400 --> 1:32:01.080
<v Speaker 1>type of companies. And uh, all of a sudden, money

1:32:01.120 --> 1:32:08.320
<v Speaker 1>became everybody was rolling in potential salaries and bonuses and

1:32:08.400 --> 1:32:10.519
<v Speaker 1>stock options, and it really changed the game. I mean,

1:32:10.560 --> 1:32:13.559
<v Speaker 1>I gotta say, no one really came to work where

1:32:13.600 --> 1:32:16.120
<v Speaker 1>we work for the money. You can get paid a

1:32:16.200 --> 1:32:18.400
<v Speaker 1>lot more somewhere else for a lot fewer hours. It mean,

1:32:18.400 --> 1:32:21.360
<v Speaker 1>it's almost like a lifestyle decision. But then money kind

1:32:21.360 --> 1:32:24.280
<v Speaker 1>of came in, and uh, you know, you could argue

1:32:24.360 --> 1:32:27.439
<v Speaker 1>kind of spoiled things a bit. I mean, it was

1:32:27.520 --> 1:32:31.360
<v Speaker 1>nice to get it, Okay, all the I don't have

1:32:32.160 --> 1:32:34.120
<v Speaker 1>I don't have a history of working for the corporation.

1:32:34.240 --> 1:32:36.960
<v Speaker 1>But from my seat, my observer, you're the best corporate

1:32:37.000 --> 1:32:41.280
<v Speaker 1>manager I've ever encountered in that you saw yourself as

1:32:41.320 --> 1:32:43.960
<v Speaker 1>relatively equal to the people under you. You would not

1:32:44.080 --> 1:32:46.559
<v Speaker 1>make a decision, you would never say to Judy, you

1:32:46.600 --> 1:32:49.000
<v Speaker 1>have to put this. You have to do that because

1:32:49.000 --> 1:32:52.040
<v Speaker 1>someone gave you a call. How and where did you

1:32:52.080 --> 1:32:56.360
<v Speaker 1>develop your management style? Well, you're nice of you to

1:32:56.439 --> 1:33:02.679
<v Speaker 1>say that it was I figured I was a team player.

1:33:03.160 --> 1:33:05.240
<v Speaker 1>I had a team of people I trusted. People don't

1:33:05.280 --> 1:33:07.280
<v Speaker 1>like to be if you have good people, they don't

1:33:07.280 --> 1:33:11.400
<v Speaker 1>want to be overmanaged. And you know, there were times

1:33:11.400 --> 1:33:15.000
<v Speaker 1>when I would call up and say, by the way,

1:33:15.040 --> 1:33:17.640
<v Speaker 1>why aren't we playing guns and roases? I mean, what

1:33:17.720 --> 1:33:19.680
<v Speaker 1>kind of idiots are you people? And this thing is

1:33:19.760 --> 1:33:22.080
<v Speaker 1>you know, welcome to the jungle. You guys passed on that.

1:33:22.560 --> 1:33:25.400
<v Speaker 1>I mean I would, I would, but it would be

1:33:25.479 --> 1:33:28.000
<v Speaker 1>rare that I would really interfere too much with with

1:33:28.040 --> 1:33:31.120
<v Speaker 1>specific programming choices. I would green light shows they wanted

1:33:31.160 --> 1:33:35.360
<v Speaker 1>to do, and I would give advice, but I I uh,

1:33:36.840 --> 1:33:39.200
<v Speaker 1>I would defer to people who I thought maybe knew

1:33:39.200 --> 1:33:40.719
<v Speaker 1>more about it than me. I didn't want to step

1:33:40.720 --> 1:33:43.120
<v Speaker 1>on their toes. I wanted more of a collegial atmosphere

1:33:43.600 --> 1:33:45.760
<v Speaker 1>and as long as they were winning and doing okay,

1:33:45.800 --> 1:33:47.800
<v Speaker 1>I mean I had to balance. You know, the people

1:33:47.800 --> 1:33:50.400
<v Speaker 1>from Nickelodeon were very different from the people at MTV.

1:33:50.560 --> 1:33:53.040
<v Speaker 1>There was all these different, like little mini silos of

1:33:53.120 --> 1:33:56.360
<v Speaker 1>this place. The people at Comedy Central were different. I

1:33:56.400 --> 1:33:58.200
<v Speaker 1>tried not you know, you can't when you get to

1:33:58.240 --> 1:34:01.960
<v Speaker 1>a certain size, you can't micromana everything. So I would

1:34:01.960 --> 1:34:04.080
<v Speaker 1>defer to people who worked for me and try to

1:34:04.160 --> 1:34:08.599
<v Speaker 1>keep I tried to keep it egilitarian, and I most

1:34:08.600 --> 1:34:11.760
<v Speaker 1>of all wanted to keep it fun. Okay, but from

1:34:11.760 --> 1:34:14.679
<v Speaker 1>an outside perspective, and I've observed this, if someone said

1:34:14.720 --> 1:34:17.400
<v Speaker 1>I'm gonna call Tom Freston to get it on or

1:34:17.439 --> 1:34:21.680
<v Speaker 1>to do me a favor, that's not a game you played. No,

1:34:22.080 --> 1:34:25.960
<v Speaker 1>with rare exceptions, very rare exceptions. Yeah, Because sometimes you

1:34:25.960 --> 1:34:30.880
<v Speaker 1>call up and say, David Geffen just called me and

1:34:31.720 --> 1:34:35.599
<v Speaker 1>he asked the reasonable question, you know, what's the rationalelle

1:34:35.640 --> 1:34:38.000
<v Speaker 1>behind this? And they might say, well, I don't know

1:34:38.040 --> 1:34:41.200
<v Speaker 1>if there was much, Yeah, maybe you want to take

1:34:41.200 --> 1:34:45.040
<v Speaker 1>another look at something. And they might say yeah, or

1:34:45.120 --> 1:34:47.040
<v Speaker 1>tell David Giffen the ghost of it, We're not gonna

1:34:47.080 --> 1:34:49.439
<v Speaker 1>do it. But you know sometimes I mean I would

1:34:49.479 --> 1:34:51.479
<v Speaker 1>get those calls, Bob. They would come in night, day,

1:34:51.520 --> 1:34:53.880
<v Speaker 1>they would they have a whole bank of people calling

1:34:53.880 --> 1:34:56.360
<v Speaker 1>people at MTV trying to move it around because we

1:34:56.360 --> 1:35:00.000
<v Speaker 1>were in that you know, like sort of singular position. Uh.

1:35:00.040 --> 1:35:02.840
<v Speaker 1>And I was always of the I said, you know,

1:35:02.960 --> 1:35:05.240
<v Speaker 1>these people are our partners in a way, and we

1:35:05.360 --> 1:35:08.240
<v Speaker 1>gotta there's gotta be a little give and take. There's

1:35:08.240 --> 1:35:10.280
<v Speaker 1>gonna be a bit of give and take in our relationship.

1:35:10.360 --> 1:35:13.920
<v Speaker 1>We can't just we can't just say, you know, take

1:35:13.960 --> 1:35:16.599
<v Speaker 1>it or leave it all the time with everything. Uh,

1:35:16.640 --> 1:35:20.240
<v Speaker 1>they're predisposed not to like us, So let's try and

1:35:20.280 --> 1:35:22.960
<v Speaker 1>take a little bit of edge off that. By nature,

1:35:23.240 --> 1:35:26.519
<v Speaker 1>I try and be a collegial person and not a

1:35:26.640 --> 1:35:29.280
<v Speaker 1>dictatorial thing. I like to thinking of business like that.

1:35:29.680 --> 1:35:33.439
<v Speaker 1>Decisions kind of come up from the bottom rather than

1:35:33.800 --> 1:35:37.000
<v Speaker 1>you know, being like some authoritarian on top, which you

1:35:37.040 --> 1:35:40.439
<v Speaker 1>know at certain scale is unmanageable anyway, unless you have

1:35:40.479 --> 1:35:44.360
<v Speaker 1>a really small country company. Okay, So tell us about

1:35:44.400 --> 1:35:47.440
<v Speaker 1>the switch to running all of Viacom and your experience

1:35:47.520 --> 1:35:51.800
<v Speaker 1>doing that. Well. I was sitting in my office one day,

1:35:51.840 --> 1:35:54.840
<v Speaker 1>perfectly happy. My phone rings. It's some to Redstone, he says,

1:35:56.760 --> 1:35:58.519
<v Speaker 1>come up and see me in the Carlisle Hotel. It's

1:35:58.520 --> 1:36:01.280
<v Speaker 1>a spring afternoon. So I getting a taxi. I go

1:36:01.360 --> 1:36:04.400
<v Speaker 1>up to the Carlisle Hotel. I'm thinking, you know, Marilyn

1:36:04.400 --> 1:36:06.639
<v Speaker 1>Monroe and Jack Kennedy. You know, he had an apartment there.

1:36:06.680 --> 1:36:08.360
<v Speaker 1>It really wasn't a great apartment. It would looks like

1:36:08.400 --> 1:36:11.559
<v Speaker 1>a corporate apartment. So you never know what redstone you're

1:36:11.560 --> 1:36:13.160
<v Speaker 1>gonna get. He could be the screamer or the really

1:36:13.240 --> 1:36:14.880
<v Speaker 1>nice guy and and the really he says. You know,

1:36:14.960 --> 1:36:20.360
<v Speaker 1>I'm males not doing good. I'm thinking to myself, males

1:36:20.400 --> 1:36:23.439
<v Speaker 1>doing great. We're like in an all time high. Gotta

1:36:23.479 --> 1:36:25.680
<v Speaker 1>get rid of mail and uh and I would like

1:36:25.760 --> 1:36:28.519
<v Speaker 1>you to be the new CEO of IM. And I'm like,

1:36:28.560 --> 1:36:31.679
<v Speaker 1>oh fuck. I had just been joking with Jeff Bukas

1:36:31.680 --> 1:36:34.479
<v Speaker 1>about this day before. One day we're gonna we have

1:36:34.520 --> 1:36:36.280
<v Speaker 1>the best job running HBO and MT be the best

1:36:36.320 --> 1:36:37.720
<v Speaker 1>job in New York City. On day it's gonna be over.

1:36:37.720 --> 1:36:40.000
<v Speaker 1>They're gonna ask us to run these fucking companies. So

1:36:40.120 --> 1:36:43.479
<v Speaker 1>now the ask comes in and and I go, oh god,

1:36:43.920 --> 1:36:46.200
<v Speaker 1>how can I? Uh well, I don't really want to

1:36:46.200 --> 1:36:47.760
<v Speaker 1>work for this man. That's gonna be gonna take me

1:36:47.800 --> 1:36:51.120
<v Speaker 1>away from everything I love. You know, why can't I

1:36:51.120 --> 1:36:53.160
<v Speaker 1>be like Lauren Michael's and just keep the same job

1:36:53.200 --> 1:36:55.920
<v Speaker 1>forever and and and and and But you can't, So

1:36:56.040 --> 1:36:58.960
<v Speaker 1>I told him. I asked him some questions. I said,

1:36:59.000 --> 1:37:00.920
<v Speaker 1>let me think about it, give me twenty four hours.

1:37:00.920 --> 1:37:03.280
<v Speaker 1>I'm so flattered that you thought of me somewhere. Let

1:37:03.320 --> 1:37:04.400
<v Speaker 1>me think about it. So I went home. I said,

1:37:04.400 --> 1:37:06.720
<v Speaker 1>I gotta talk about it with my wife. Who could

1:37:06.800 --> 1:37:09.280
<v Speaker 1>you know, couldn't have cared. So I thought about it,

1:37:09.320 --> 1:37:10.719
<v Speaker 1>and I said, oh God, I gotta take it, because

1:37:10.720 --> 1:37:12.200
<v Speaker 1>if I don't take it, he's gonna give it to Less,

1:37:12.200 --> 1:37:14.080
<v Speaker 1>and Less will fire me. And that's it, man, at

1:37:14.080 --> 1:37:16.720
<v Speaker 1>the end of my career. And maybe maybe you know what,

1:37:16.960 --> 1:37:18.920
<v Speaker 1>it'll be great. It'll be kind of good. I can

1:37:19.000 --> 1:37:22.000
<v Speaker 1>learn some new tricks. I'm gonna be a public company CEO.

1:37:22.200 --> 1:37:24.720
<v Speaker 1>It's like the gold ring. I got the gold ring.

1:37:24.800 --> 1:37:28.000
<v Speaker 1>So I the next day I go to meet him.

1:37:28.040 --> 1:37:30.559
<v Speaker 1>He's in radio set. He's in the Cargie hall. Uh.

1:37:32.400 --> 1:37:36.479
<v Speaker 1>The CBS is having their upfront presentation. So he's got

1:37:36.479 --> 1:37:38.160
<v Speaker 1>a seat next to him. It's on the aisle. I

1:37:38.200 --> 1:37:41.160
<v Speaker 1>sit down next to him and he's watching the upfront

1:37:41.200 --> 1:37:42.880
<v Speaker 1>and I said, Summer, I thought about it all night.

1:37:42.920 --> 1:37:45.800
<v Speaker 1>I would love this job. I'd love to take the job.

1:37:46.560 --> 1:37:48.720
<v Speaker 1>And he goes, it's too late. I go, what do

1:37:48.800 --> 1:37:51.360
<v Speaker 1>you mean it's too LATEA I gave it to him,

1:37:51.439 --> 1:37:54.400
<v Speaker 1>I go Less, He gave it to Less. You told him?

1:37:54.479 --> 1:37:56.200
<v Speaker 1>I said, wait twenty four hours, it's only been like

1:37:56.240 --> 1:37:59.400
<v Speaker 1>seventeen hours. You can't do that. It's as well he's had.

1:37:59.439 --> 1:38:01.519
<v Speaker 1>I said, well, you into that to me? You know,

1:38:01.680 --> 1:38:03.600
<v Speaker 1>fuck you. That's bad. That's bad. I got up and

1:38:03.600 --> 1:38:05.240
<v Speaker 1>I sort of left. I said, you made a you know,

1:38:05.280 --> 1:38:06.920
<v Speaker 1>we had a deal. Do you want me? You're not.

1:38:08.160 --> 1:38:10.680
<v Speaker 1>So then like the next day he calls me and

1:38:10.680 --> 1:38:13.439
<v Speaker 1>he goes time. I gave it to Less, I told Less.

1:38:13.479 --> 1:38:16.519
<v Speaker 1>You know it's hard to take out. Can't be an

1:38:16.520 --> 1:38:18.920
<v Speaker 1>Indian giver. So how about this, how about we split

1:38:18.960 --> 1:38:24.160
<v Speaker 1>it and you unless become cos. I'll stay at CEO

1:38:24.280 --> 1:38:27.599
<v Speaker 1>and you unless run it as co chief operating officers

1:38:27.680 --> 1:38:30.559
<v Speaker 1>or whatever. So I said okay, And we did that

1:38:30.600 --> 1:38:35.360
<v Speaker 1>for two years. Okay, but at that time responsibilities were divided.

1:38:36.200 --> 1:38:38.599
<v Speaker 1>He was CBS, you were paramount, so he had an

1:38:38.600 --> 1:38:41.200
<v Speaker 1>equal title, but you had different purviews. Yeah, but there

1:38:41.280 --> 1:38:43.599
<v Speaker 1>was some things that that we had to fight over,

1:38:43.640 --> 1:38:45.680
<v Speaker 1>like if I wanted to buy something out of the

1:38:45.760 --> 1:38:47.479
<v Speaker 1>and use money from the corporate tail, he had to

1:38:47.479 --> 1:38:50.160
<v Speaker 1>agree to it. So there was a lot of built

1:38:50.160 --> 1:38:51.920
<v Speaker 1>in conflicts. I say, you know, we could be like

1:38:52.560 --> 1:38:55.000
<v Speaker 1>Bob Daily and Terry Simmel Less We could have a

1:38:55.000 --> 1:38:57.640
<v Speaker 1>perfect partnership. You got your thing, I got minors, and

1:38:57.640 --> 1:39:00.800
<v Speaker 1>we'll try and be reasonable. But uh uh so there

1:39:00.840 --> 1:39:03.559
<v Speaker 1>was areas where it did come together. But largely we

1:39:03.560 --> 1:39:06.240
<v Speaker 1>were both running the same things we did before, and

1:39:06.320 --> 1:39:10.240
<v Speaker 1>we took on all the corporate things, legal, human resources,

1:39:10.680 --> 1:39:14.400
<v Speaker 1>all the sort of all those organizations and investor relations.

1:39:14.400 --> 1:39:17.559
<v Speaker 1>So I got a lot of exposure to the investor community.

1:39:17.600 --> 1:39:19.599
<v Speaker 1>It was a different job. I had to really less

1:39:19.600 --> 1:39:21.240
<v Speaker 1>and I were the face of the company. But then,

1:39:21.439 --> 1:39:25.400
<v Speaker 1>uh there was pressure from the people on both sides,

1:39:26.280 --> 1:39:28.720
<v Speaker 1>you know, and the and these bankers would come around say,

1:39:28.720 --> 1:39:30.280
<v Speaker 1>you know, one of the reasons your stock's not going

1:39:30.360 --> 1:39:32.080
<v Speaker 1>up is because your your company is too big, it's

1:39:32.120 --> 1:39:34.800
<v Speaker 1>too complicated. What you really need to do is split

1:39:34.880 --> 1:39:38.559
<v Speaker 1>it up into two different companies. And uh, you know

1:39:38.720 --> 1:39:42.479
<v Speaker 1>that logic was faulty, but we did it, and uh

1:39:42.520 --> 1:39:45.400
<v Speaker 1>it was painful. I mean, so we had CBS Inc.

1:39:45.520 --> 1:39:48.320
<v Speaker 1>And less So I now became the CEO of my

1:39:48.479 --> 1:39:51.000
<v Speaker 1>separate public company, and so did less Moon Invest. Now,

1:39:51.000 --> 1:39:54.960
<v Speaker 1>of course, through all it followed, they reunited and they're

1:39:54.960 --> 1:39:57.160
<v Speaker 1>back together under Bob backage. But that's sort of the

1:39:57.200 --> 1:39:59.280
<v Speaker 1>story of how it happened. But when I was I

1:39:59.320 --> 1:40:01.760
<v Speaker 1>was only there for eight months until he fired me.

1:40:02.040 --> 1:40:05.880
<v Speaker 1>I mean, basically I was still rearranging the furniture in

1:40:05.920 --> 1:40:11.840
<v Speaker 1>my office. However, you suddenly had purview over Paramount, which

1:40:11.920 --> 1:40:14.240
<v Speaker 1>had been in a bad spell, and you made some

1:40:14.360 --> 1:40:16.800
<v Speaker 1>changes there. What were your experiences, what you learn in

1:40:16.840 --> 1:40:20.320
<v Speaker 1>the movie business. Well, I didn't know a lot. You know,

1:40:20.520 --> 1:40:23.080
<v Speaker 1>we had been making movies with Paramount for years, you know,

1:40:23.240 --> 1:40:25.679
<v Speaker 1>MTV and Nickelodeon. But being a producer of a movie

1:40:25.800 --> 1:40:27.760
<v Speaker 1>was not like running a movie studio. And I had

1:40:27.880 --> 1:40:31.320
<v Speaker 1>I had been able to sit at the table with

1:40:31.439 --> 1:40:34.599
<v Speaker 1>red Stone and and see John Dolton, who ran Paramount.

1:40:34.640 --> 1:40:37.320
<v Speaker 1>I I would I was like being in some business

1:40:37.320 --> 1:40:39.320
<v Speaker 1>school for running a media conglomorate. I learned a lot

1:40:39.320 --> 1:40:41.560
<v Speaker 1>through observation, But when I got out there and I

1:40:41.600 --> 1:40:43.320
<v Speaker 1>had to do it, I didn't know that Paramount was

1:40:43.360 --> 1:40:45.960
<v Speaker 1>in trouble. They were on a cold streak. The culture

1:40:46.000 --> 1:40:52.280
<v Speaker 1>wasn't particularly helpful, and the idea was well uh Sherry.

1:40:52.600 --> 1:40:55.200
<v Speaker 1>Sherry Lansing became the head of it, but then she

1:40:55.360 --> 1:40:58.439
<v Speaker 1>told me instead of John Dolton who left. But then

1:40:58.479 --> 1:41:01.320
<v Speaker 1>Sherry said, you know, I want to retire. I'm sixty.

1:41:01.479 --> 1:41:03.639
<v Speaker 1>I want out. So I had to find the new head.

1:41:03.680 --> 1:41:05.880
<v Speaker 1>And I said, well, this is an opportunity to sort

1:41:05.920 --> 1:41:09.479
<v Speaker 1>of maybe haven't turned the page and uh, you know,

1:41:09.479 --> 1:41:11.760
<v Speaker 1>start a new era. And then I also realized that

1:41:11.800 --> 1:41:14.320
<v Speaker 1>I'm like a cable weasel. I'm just a cable weasel.

1:41:14.360 --> 1:41:16.280
<v Speaker 1>We're at the bottom of the Hollywood food chain and

1:41:16.320 --> 1:41:19.160
<v Speaker 1>here I am running the studio. So I got Bob Daily,

1:41:20.120 --> 1:41:23.280
<v Speaker 1>who I knew. Bob Daily and Terry. They had once

1:41:23.360 --> 1:41:25.240
<v Speaker 1>offered me the job to run the Warner Music Group,

1:41:25.280 --> 1:41:27.400
<v Speaker 1>which I turned down. But I developed a good relationship

1:41:27.479 --> 1:41:30.360
<v Speaker 1>with both of them, and I asked Bob Daily if

1:41:30.360 --> 1:41:32.080
<v Speaker 1>he would be a mentor for me and teach me

1:41:32.120 --> 1:41:35.120
<v Speaker 1>the movie business. So for one summer, I would go

1:41:35.240 --> 1:41:37.800
<v Speaker 1>from my office in Santa Monica to his house and

1:41:37.840 --> 1:41:40.559
<v Speaker 1>we'd have classes. Basically, he'd give me homework. I learned

1:41:40.560 --> 1:41:43.240
<v Speaker 1>about film p and l's, what kind of deals exist,

1:41:43.360 --> 1:41:45.960
<v Speaker 1>how the movie business works. And I said, you know,

1:41:46.280 --> 1:41:48.599
<v Speaker 1>we we we got to get someone to replace Sherry

1:41:48.600 --> 1:41:51.120
<v Speaker 1>because she's gonna be out of here soon. So I

1:41:51.160 --> 1:41:54.320
<v Speaker 1>tried hiring some of the people who were running movies

1:41:54.360 --> 1:41:57.160
<v Speaker 1>to that that's the top job in Hollywood, as you know.

1:41:58.280 --> 1:42:01.559
<v Speaker 1>And what happened was when someone get fired, generally a

1:42:01.600 --> 1:42:04.080
<v Speaker 1>person for another movie studio who'd been running literacy. It's

1:42:04.080 --> 1:42:07.719
<v Speaker 1>like musical chairs. So I tried to hire Stacy Snyder,

1:42:08.040 --> 1:42:10.360
<v Speaker 1>who at the time was like the hottest I thought,

1:42:10.680 --> 1:42:13.880
<v Speaker 1>and she was a woman, and she was lovely and

1:42:14.000 --> 1:42:17.200
<v Speaker 1>smart and accomplished, and she couldn't get out of her contract.

1:42:17.320 --> 1:42:19.320
<v Speaker 1>And then I would ask around other places, and people

1:42:19.360 --> 1:42:21.719
<v Speaker 1>couldn't get out of their contracts. So then I would

1:42:21.880 --> 1:42:24.080
<v Speaker 1>go around and talk to people who used to be

1:42:24.520 --> 1:42:26.840
<v Speaker 1>near the top of a movie studio or had been,

1:42:27.120 --> 1:42:28.840
<v Speaker 1>and I would interview them. But then I would have

1:42:28.880 --> 1:42:31.080
<v Speaker 1>him come up to Bob Daily's house and have Bob

1:42:31.120 --> 1:42:34.759
<v Speaker 1>talked to them. And we were sort of getting nowhere.

1:42:35.240 --> 1:42:39.800
<v Speaker 1>I wasn't really turned on by anybody. And one day

1:42:40.360 --> 1:42:43.640
<v Speaker 1>I was in Beiruts actually on an MTV business and

1:42:43.760 --> 1:42:45.599
<v Speaker 1>David Geffin calls me. He says, I got the right

1:42:45.600 --> 1:42:49.519
<v Speaker 1>person for you to run the Paramount. Perfect guy. Who's

1:42:49.560 --> 1:42:54.639
<v Speaker 1>that Brad Gray? Really? Brad Gray? I knew Brad Gray.

1:42:54.479 --> 1:42:56.320
<v Speaker 1>But Brad was then at the top of his game.

1:42:56.360 --> 1:42:59.280
<v Speaker 1>He was, you know, a Millstein Gray. He was producer

1:42:59.280 --> 1:43:02.639
<v Speaker 1>of soprano those and blah blah blah. He had good taste.

1:43:02.680 --> 1:43:04.720
<v Speaker 1>He was this and that and intrigued me. And I

1:43:04.760 --> 1:43:08.240
<v Speaker 1>spent a lot of time with Brad. I already knew him.

1:43:08.360 --> 1:43:12.320
<v Speaker 1>Bob spent time with Brad, and then, uh, I thought

1:43:12.360 --> 1:43:19.719
<v Speaker 1>that Brad would have risen to the occasion of realizing

1:43:19.840 --> 1:43:22.240
<v Speaker 1>this is a really big company and it needs leadership,

1:43:22.479 --> 1:43:24.439
<v Speaker 1>and you can't be locked up in your office just

1:43:24.520 --> 1:43:27.360
<v Speaker 1>doing deals with the directors. You shouldn't be out there,

1:43:28.080 --> 1:43:30.880
<v Speaker 1>you know, with the rank and file and make this

1:43:30.960 --> 1:43:33.519
<v Speaker 1>culture of the place a little healthier. But you know,

1:43:35.360 --> 1:43:38.840
<v Speaker 1>one good thing we did was by dream Works. We

1:43:38.960 --> 1:43:43.479
<v Speaker 1>bought dream Works. But then I got fired, and uh,

1:43:43.720 --> 1:43:47.160
<v Speaker 1>you know, life went on the DreamWorks partnership, which I

1:43:47.240 --> 1:43:49.720
<v Speaker 1>really thought was gonna be a game changer for us

1:43:49.760 --> 1:43:51.960
<v Speaker 1>because it brought us a lot of movies that gave

1:43:52.040 --> 1:43:54.800
<v Speaker 1>us Spielberg and Geffen and Cassenberg sort of in our

1:43:54.880 --> 1:43:58.360
<v Speaker 1>tent that they were real players, could up our game.

1:43:58.439 --> 1:44:02.760
<v Speaker 1>But that relationship sort of fell apart under Brad, you know,

1:44:02.960 --> 1:44:05.040
<v Speaker 1>for for reasons that were no good and they ended

1:44:05.120 --> 1:44:07.640
<v Speaker 1>up buying out and going away, which was sort of

1:44:07.680 --> 1:44:12.200
<v Speaker 1>a big disappointment. I was gone by then, and anyway,

1:44:12.320 --> 1:44:16.840
<v Speaker 1>what I learned was it's its own little world. As

1:44:16.920 --> 1:44:20.640
<v Speaker 1>we all know, it's a very peculiar world. And I

1:44:21.920 --> 1:44:24.320
<v Speaker 1>Brad was very able in many ways and did have

1:44:24.400 --> 1:44:27.439
<v Speaker 1>good taste, and he did produce and some good movies

1:44:27.479 --> 1:44:30.920
<v Speaker 1>and hire some good people, But it didn't accomplish the

1:44:31.040 --> 1:44:35.719
<v Speaker 1>change of the full change I have been hoping for

1:44:36.280 --> 1:44:39.000
<v Speaker 1>at the end of the day. Okay, there was obviously

1:44:39.040 --> 1:44:44.000
<v Speaker 1>the MySpace public thing, but less uh, under promise and

1:44:44.080 --> 1:44:46.479
<v Speaker 1>over delivered. It's a Wall Street game. Well, you know,

1:44:46.520 --> 1:44:49.560
<v Speaker 1>we'll give you low projections where you gave accurate projections.

1:44:50.360 --> 1:44:52.200
<v Speaker 1>If you had to do it again, would you do

1:44:52.240 --> 1:44:59.960
<v Speaker 1>it differently? Well, we sort of overdid, under promise and overdelivered.

1:45:00.000 --> 1:45:02.240
<v Speaker 1>We delivered a lot. You know, we would we would,

1:45:02.280 --> 1:45:06.000
<v Speaker 1>we would, uh if we had. We always took a

1:45:06.000 --> 1:45:09.599
<v Speaker 1>little haircat over what we thought we could do, And

1:45:10.040 --> 1:45:16.320
<v Speaker 1>it wasn't really an issue that, um, we hadn't been

1:45:16.320 --> 1:45:18.400
<v Speaker 1>making our numbers. We'd, like I said, we've been making

1:45:18.400 --> 1:45:21.880
<v Speaker 1>our numbers all those years. The one thing that fell

1:45:21.920 --> 1:45:24.680
<v Speaker 1>out of whack. The first quarter was at MTV International,

1:45:24.920 --> 1:45:28.320
<v Speaker 1>which had been growing like a weed kind of like,

1:45:28.960 --> 1:45:31.000
<v Speaker 1>took a couple of big hits and sank, you know,

1:45:31.120 --> 1:45:34.519
<v Speaker 1>sank our earnings down and sank the revenues down. And

1:45:34.560 --> 1:45:39.200
<v Speaker 1>everyone was looking at our first earnings quarter under a microscope.

1:45:39.240 --> 1:45:42.439
<v Speaker 1>So there must be something wrong. You know. The next quarter,

1:45:42.520 --> 1:45:46.240
<v Speaker 1>by the way they were, we were up like so

1:45:46.600 --> 1:45:48.320
<v Speaker 1>I I thought we were going to see a lot

1:45:48.400 --> 1:45:52.160
<v Speaker 1>of growth going forward. But it didn't really turn out

1:45:52.200 --> 1:45:56.120
<v Speaker 1>that why they were getting rid of me was because

1:45:56.120 --> 1:45:59.280
<v Speaker 1>our numbers weren't good. There was just that I wasn't

1:46:00.080 --> 1:46:02.760
<v Speaker 1>the right guy for that job. You know, I was

1:46:02.800 --> 1:46:05.800
<v Speaker 1>not the mainstream businessman. In many ways, I wasn't, you know,

1:46:05.880 --> 1:46:09.280
<v Speaker 1>I was. I was enjoying it and looking to sort

1:46:09.280 --> 1:46:11.920
<v Speaker 1>of move up and try it. But you know, my

1:46:11.920 --> 1:46:14.759
<v Speaker 1>my world and basically dealing with creative people had changed.

1:46:14.760 --> 1:46:18.040
<v Speaker 1>Now I was dealing with Wall Street a good part

1:46:18.080 --> 1:46:22.639
<v Speaker 1>of the time and dealing with other issues, which I thought,

1:46:22.720 --> 1:46:27.679
<v Speaker 1>you know, I was gonna give it a go. I

1:46:27.680 --> 1:46:29.800
<v Speaker 1>I didn't think that just really came out of left

1:46:29.800 --> 1:46:34.479
<v Speaker 1>field for me getting fired. Okay, so you do get fired,

1:46:34.560 --> 1:46:36.680
<v Speaker 1>you say, you get a call from Bano where you

1:46:36.800 --> 1:46:39.200
<v Speaker 1>offered other jobs because you said earlier you got a

1:46:39.200 --> 1:46:42.200
<v Speaker 1>call from Morgado about running the Warner Music Group. We're

1:46:42.240 --> 1:46:46.479
<v Speaker 1>people looking for you, Morgado from from Daily and Semmel Daily.

1:46:46.520 --> 1:46:49.439
<v Speaker 1>And because Morgado and I were like sort of, you know,

1:46:50.320 --> 1:46:52.240
<v Speaker 1>at at odds with each other, He's like, well, I

1:46:52.240 --> 1:46:54.160
<v Speaker 1>could never hear I could never get along with that guy.

1:46:54.920 --> 1:46:57.559
<v Speaker 1>A lot of other people couldn't either. My mistake. But

1:46:58.040 --> 1:47:00.920
<v Speaker 1>after you leave via calm Are, there are other offers

1:47:00.960 --> 1:47:05.360
<v Speaker 1>that you end up turning down. Yeah, a couple came in,

1:47:06.000 --> 1:47:08.000
<v Speaker 1>A couple came in. But I what I figured out

1:47:08.120 --> 1:47:10.360
<v Speaker 1>was I didn't want to be grafted on top of

1:47:10.360 --> 1:47:14.360
<v Speaker 1>a company that I really didn't have that big emotional

1:47:14.360 --> 1:47:17.600
<v Speaker 1>connection to. I was really unlikely to fall into the

1:47:17.640 --> 1:47:22.000
<v Speaker 1>same type of beautiful place for me that the MTV Networks, Nickelodeon,

1:47:22.000 --> 1:47:24.920
<v Speaker 1>Comedy Central was. That was everything I loved, all about

1:47:24.960 --> 1:47:28.040
<v Speaker 1>all the things I loved, and I figured, you know,

1:47:28.400 --> 1:47:30.800
<v Speaker 1>I'd given it a good run, why not try something else?

1:47:31.080 --> 1:47:35.880
<v Speaker 1>So I thought I would do this portfolio approach to things,

1:47:35.920 --> 1:47:38.920
<v Speaker 1>which is maybe do something not for profit work, maybe

1:47:39.160 --> 1:47:41.640
<v Speaker 1>work with a private equity company. I went on the

1:47:41.720 --> 1:47:44.840
<v Speaker 1>DreamWorks board. I worked for Oprah for a couple of years.

1:47:45.200 --> 1:47:46.680
<v Speaker 1>I mean I did a lot of interesting things, Like

1:47:46.920 --> 1:47:49.000
<v Speaker 1>I went back The first thing I did was really

1:47:49.240 --> 1:47:52.120
<v Speaker 1>go back to Afghanistan. I went back there and started

1:47:52.160 --> 1:47:54.800
<v Speaker 1>training people. It was like the early days of MTV,

1:47:54.880 --> 1:47:58.160
<v Speaker 1>training people how to run a television network. That was fantastic.

1:47:59.400 --> 1:48:02.599
<v Speaker 1>You know, when Oprah started her cable channel, everyone thought

1:48:02.600 --> 1:48:05.680
<v Speaker 1>it would be a smashing success ratings wise. Why was

1:48:05.720 --> 1:48:09.519
<v Speaker 1>it ultimately not that level of success. Well, once she

1:48:09.640 --> 1:48:16.439
<v Speaker 1>wasn't on it, she was still in syndication, and uh,

1:48:16.760 --> 1:48:19.720
<v Speaker 1>they had a series of growing pains. I was a

1:48:19.720 --> 1:48:22.880
<v Speaker 1>consultant there, but she got the distribution and there was

1:48:22.920 --> 1:48:25.320
<v Speaker 1>a series of grower pains. I think there was an

1:48:25.320 --> 1:48:27.800
<v Speaker 1>element of overconfidence about things and they were on a

1:48:27.920 --> 1:48:31.599
<v Speaker 1>learning curve. They've now stabilized it into a decent profitable business.

1:48:31.640 --> 1:48:33.840
<v Speaker 1>But out of the box, the big thing was I'm

1:48:33.880 --> 1:48:36.240
<v Speaker 1>turning on the Oprah Winfrey network. I'm looking around for Oprah,

1:48:36.240 --> 1:48:40.719
<v Speaker 1>but Oprah couldn't really be on it legally. So small

1:48:40.720 --> 1:48:45.320
<v Speaker 1>things like having a music channel with no music right. Okay, Now,

1:48:45.560 --> 1:48:49.200
<v Speaker 1>you're a guy from Roewaiton who goes to school in Vermont.

1:48:49.840 --> 1:48:52.880
<v Speaker 1>All of a sudden, you're an MTV You're meeting a

1:48:52.880 --> 1:48:57.639
<v Speaker 1>lot of rock stars. Hey, were you ever intimidated? What

1:48:57.720 --> 1:49:00.680
<v Speaker 1>was the process? Is there anybody who still makes you

1:49:00.760 --> 1:49:04.280
<v Speaker 1>somewhat anxious, not only rock stars but other notable people

1:49:04.320 --> 1:49:10.280
<v Speaker 1>in the world. You know, I got confident in myself

1:49:10.320 --> 1:49:15.599
<v Speaker 1>early on. Yeah, and I never really had a problem

1:49:15.640 --> 1:49:20.880
<v Speaker 1>meeting with any movie star or uh rock star where

1:49:20.880 --> 1:49:22.800
<v Speaker 1>you'd be trembling and you couldn't open your mouth and

1:49:22.800 --> 1:49:25.200
<v Speaker 1>say anything. They're clearly people when you're in the presence

1:49:25.200 --> 1:49:28.719
<v Speaker 1>of someone you've idolized your whole life, you know that

1:49:28.800 --> 1:49:31.960
<v Speaker 1>you know and you can see that that that special sauce,

1:49:32.000 --> 1:49:34.240
<v Speaker 1>that charisma that lives in within that body you see

1:49:34.280 --> 1:49:37.879
<v Speaker 1>Mick Jagger or something. But I I never was afraid

1:49:38.000 --> 1:49:41.639
<v Speaker 1>to go in a meeting and meeting and talk to anybody.

1:49:41.680 --> 1:49:43.960
<v Speaker 1>I try it to be. I just always try to

1:49:43.960 --> 1:49:48.479
<v Speaker 1>be myself. Okay, who are the two most charismatic rock

1:49:48.560 --> 1:49:53.360
<v Speaker 1>stars you met in your tenure? David Bowie, who I

1:49:53.400 --> 1:49:56.000
<v Speaker 1>have a good story about, then lay it on us.

1:49:56.520 --> 1:49:58.880
<v Speaker 1>This is one of my favorite stories of all my time. There.

1:49:58.960 --> 1:50:00.720
<v Speaker 1>When I was doing the I Want a MTV camp

1:50:00.720 --> 1:50:02.920
<v Speaker 1>and I was always after David to his person, Let's

1:50:02.960 --> 1:50:05.479
<v Speaker 1>get David Bowie to do one that's like really huge. Now,

1:50:05.520 --> 1:50:08.040
<v Speaker 1>I mean, he's he's he's in the Pantheon for Christ's sake,

1:50:08.680 --> 1:50:11.360
<v Speaker 1>and he's making these great videos. So finally he says,

1:50:11.400 --> 1:50:13.960
<v Speaker 1>I'll do it, but you gotta come and see me.

1:50:14.040 --> 1:50:18.880
<v Speaker 1>Him and Stodd Switzerland skiing. I go. So I got

1:50:19.080 --> 1:50:23.719
<v Speaker 1>this guy Dale Pond, who was you know, our ad agency, uh,

1:50:23.760 --> 1:50:26.240
<v Speaker 1>and we all went over there and we got like

1:50:26.280 --> 1:50:28.519
<v Speaker 1>and it basically it moved into like a youth hostel.

1:50:28.560 --> 1:50:31.200
<v Speaker 1>You're in fancy old stad and David staying at the

1:50:31.240 --> 1:50:34.479
<v Speaker 1>Palace hotel. So we see him. We we agree to

1:50:34.479 --> 1:50:36.120
<v Speaker 1>go out one day and we set up in the

1:50:36.160 --> 1:50:38.400
<v Speaker 1>snow and he comes skiing down and we did about

1:50:38.400 --> 1:50:41.360
<v Speaker 1>five or ten rons. He skis down and you know

1:50:41.520 --> 1:50:44.560
<v Speaker 1>this turns and stopped, says, I want my MTV. He

1:50:44.720 --> 1:50:47.400
<v Speaker 1>was really enthusiastic about it. I had had some dealings

1:50:47.439 --> 1:50:51.160
<v Speaker 1>with him before and really liked the guy. He was

1:50:51.280 --> 1:50:54.120
<v Speaker 1>just just a pleasure to be with, and it would

1:50:54.160 --> 1:50:57.240
<v Speaker 1>be he would always ask you about yourself, and you know,

1:50:57.360 --> 1:50:59.800
<v Speaker 1>he was really an engaging character. And you know, after

1:50:59.800 --> 1:51:01.800
<v Speaker 1>were we of course we would have a hold your

1:51:01.800 --> 1:51:04.519
<v Speaker 1>hands like this because we sticked an animated logo in there.

1:51:04.520 --> 1:51:07.559
<v Speaker 1>So when we're finished, he goes, hey, uh, what you

1:51:07.560 --> 1:51:12.120
<v Speaker 1>want to go skiing? Sure? So I spent you know,

1:51:12.280 --> 1:51:14.560
<v Speaker 1>spent the day, uh, the rest of the day or

1:51:14.880 --> 1:51:17.120
<v Speaker 1>part of it, you know, skiing with David Bowie, which

1:51:17.160 --> 1:51:20.960
<v Speaker 1>was fine. And then he says, listen, I'm gonna be

1:51:21.000 --> 1:51:22.960
<v Speaker 1>at the Palace that I am taking a sauna if

1:51:22.960 --> 1:51:24.280
<v Speaker 1>you want to come, you know, meet me at the

1:51:24.320 --> 1:51:26.920
<v Speaker 1>Palace Hotel. So I go, sure, you know, I go

1:51:27.000 --> 1:51:30.320
<v Speaker 1>back to my youth hostel and uh. And I go

1:51:30.400 --> 1:51:32.360
<v Speaker 1>to the Palace Hotel and I go into the spa

1:51:32.520 --> 1:51:35.519
<v Speaker 1>where the the the he's in there. And I walk

1:51:35.560 --> 1:51:38.679
<v Speaker 1>into the steam room and uh or the sauna room

1:51:38.680 --> 1:51:41.000
<v Speaker 1>and who and and it's it's just him and me

1:51:41.479 --> 1:51:47.160
<v Speaker 1>and Paul McCartney and I go, wow, you got that

1:51:47.200 --> 1:51:49.720
<v Speaker 1>maybe then and they we're all just wearing towels. That

1:51:49.880 --> 1:51:54.160
<v Speaker 1>was That was a keeper. Okay, you must have a

1:51:54.160 --> 1:51:58.280
<v Speaker 1>couple of others. I'll take a pass. But I had

1:51:58.280 --> 1:52:01.599
<v Speaker 1>some wonderful times and a lot of the musical artists

1:52:01.600 --> 1:52:03.360
<v Speaker 1>that we love and enjoy. It was. It was a

1:52:03.400 --> 1:52:08.000
<v Speaker 1>privilege anybody you never met you wanted to. Well, you

1:52:08.000 --> 1:52:13.479
<v Speaker 1>know I had in the rock pop business in our era.

1:52:13.560 --> 1:52:16.800
<v Speaker 1>I think pretty much everybody came around. Uh. You know

1:52:16.880 --> 1:52:19.120
<v Speaker 1>there was people that I idolized, and you know that

1:52:19.160 --> 1:52:22.679
<v Speaker 1>I was fans of another musical genres that I would

1:52:22.680 --> 1:52:27.280
<v Speaker 1>have loved to have met, and I didn't. Okay, So

1:52:27.320 --> 1:52:32.280
<v Speaker 1>who were the exacts who impressed you, John Sykes? But

1:52:32.360 --> 1:52:37.280
<v Speaker 1>I'm also talking record company exects, record companies. Uh. I

1:52:37.320 --> 1:52:43.040
<v Speaker 1>love Gil Freezing because I thought Gil Freesing. I related

1:52:43.080 --> 1:52:45.600
<v Speaker 1>to Gil guilfrees and ran an operation sort of like

1:52:45.720 --> 1:52:49.519
<v Speaker 1>what I wanted to run. Those guys Chris Blackwell, uh,

1:52:50.240 --> 1:52:53.680
<v Speaker 1>Chris Wright, these guys that ran these small companies and

1:52:53.760 --> 1:52:56.679
<v Speaker 1>unfortunately all got disappeared in their logos, got folded into

1:52:56.680 --> 1:52:59.920
<v Speaker 1>something or other, something nondescript. They ran creative companies like

1:53:00.040 --> 1:53:01.320
<v Speaker 1>kind of place I wanted to be. You know, they

1:53:01.880 --> 1:53:03.800
<v Speaker 1>were in it for the music and they want they

1:53:03.840 --> 1:53:06.160
<v Speaker 1>believed in the artist and it wasn't like we got

1:53:06.160 --> 1:53:09.160
<v Speaker 1>to crank a single out. And they were artists friendly

1:53:09.960 --> 1:53:12.400
<v Speaker 1>and they were willing to take creative chances. So I

1:53:12.479 --> 1:53:15.719
<v Speaker 1>love Gil Freezing. He was terrific. I love Mo Austin

1:53:15.800 --> 1:53:18.559
<v Speaker 1>I thought Moe was wonderful. As crazy as he was.

1:53:18.640 --> 1:53:22.040
<v Speaker 1>I loved crass now, I mean he would be a guy.

1:53:22.520 --> 1:53:24.559
<v Speaker 1>I mean, that's one story about him. I always loved.

1:53:24.600 --> 1:53:26.800
<v Speaker 1>As he goes to Spain, they take him out in

1:53:26.960 --> 1:53:30.599
<v Speaker 1>some club one night. They they all get they're all

1:53:30.680 --> 1:53:33.599
<v Speaker 1>drunk and the Gypsy Kings come on and he's like,

1:53:33.760 --> 1:53:35.920
<v Speaker 1>goes nuts and he goes backstage. So I'll give you

1:53:35.920 --> 1:53:40.280
<v Speaker 1>guys a million dollars and they took it. That was

1:53:40.320 --> 1:53:42.680
<v Speaker 1>like how they would sign people. You know, it was

1:53:42.720 --> 1:53:44.760
<v Speaker 1>that nuts. And of course he made him into a hit.

1:53:44.840 --> 1:53:48.559
<v Speaker 1>They they produced. Jeff ear Off was a guy who

1:53:48.600 --> 1:53:51.280
<v Speaker 1>was unusual in the uh you know, on the lower

1:53:51.280 --> 1:53:53.360
<v Speaker 1>down below the label head because he was sort of

1:53:53.400 --> 1:53:57.000
<v Speaker 1>a visually trained guy who really had wonderful taste. And

1:53:57.080 --> 1:54:01.080
<v Speaker 1>he was responsible for you know, oh shepherding through you know,

1:54:01.200 --> 1:54:04.519
<v Speaker 1>Madonna's Easy Top. A lot of these people, police and

1:54:04.560 --> 1:54:10.040
<v Speaker 1>so forth who had really good videos. Uh he he uh.

1:54:10.240 --> 1:54:12.080
<v Speaker 1>He was great. I'm trying to think there were so many.

1:54:12.160 --> 1:54:19.559
<v Speaker 1>I love Doug Morris. Doug was soulful and I I

1:54:19.640 --> 1:54:24.759
<v Speaker 1>didn't have Irving for his short tenure at uh. Remember

1:54:24.760 --> 1:54:27.000
<v Speaker 1>he ran m c A for a while and after

1:54:27.040 --> 1:54:29.680
<v Speaker 1>I'll tell her left, No, I'll tell her replaced him.

1:54:29.680 --> 1:54:32.800
<v Speaker 1>He brought in all the replacement that was okay. You know,

1:54:33.120 --> 1:54:35.360
<v Speaker 1>after a while, the memory gets a little weak. Oh listen,

1:54:35.400 --> 1:54:38.440
<v Speaker 1>it's amazing how long it was ago. So obviously things

1:54:38.480 --> 1:54:40.920
<v Speaker 1>have changed in the fifteen odd years since you've been gone.

1:54:41.480 --> 1:54:44.560
<v Speaker 1>But is there any way to save MTV that you

1:54:44.640 --> 1:54:48.160
<v Speaker 1>no longer called music television? They certainly are on the

1:54:48.200 --> 1:54:51.760
<v Speaker 1>cable system. Is this just a fade out or can

1:54:51.800 --> 1:54:59.080
<v Speaker 1>there be a renaissance? Well, some people at the top

1:54:59.120 --> 1:55:02.480
<v Speaker 1>of these legacy companies would tell you, you know, all

1:55:02.520 --> 1:55:05.640
<v Speaker 1>of these linear networks are gonna go away. They're gonna

1:55:05.640 --> 1:55:07.760
<v Speaker 1>implode this the money is getting sucked out and they're

1:55:07.800 --> 1:55:09.560
<v Speaker 1>not gonna be able to hold his Everything is going

1:55:09.600 --> 1:55:12.720
<v Speaker 1>to the you know, streaming model. That's not to say

1:55:12.840 --> 1:55:15.840
<v Speaker 1>MTV couldn't resurrect itself or be something else in the

1:55:15.880 --> 1:55:18.680
<v Speaker 1>streaming world. All of these guys are gonna have to

1:55:18.760 --> 1:55:22.880
<v Speaker 1>figure out our way to uh uh kind of transition.

1:55:23.680 --> 1:55:27.280
<v Speaker 1>I'll say this, Um Bob Backish, who's now the CEO

1:55:27.440 --> 1:55:30.320
<v Speaker 1>of Viacom CBS and who I hired him? I love

1:55:30.400 --> 1:55:33.080
<v Speaker 1>he's a soulful guy. He's as smart as a smart

1:55:33.120 --> 1:55:35.840
<v Speaker 1>guy and he has been dealt a week hand, but

1:55:35.840 --> 1:55:39.120
<v Speaker 1>he's played it pretty well so far. They're never gonna

1:55:39.160 --> 1:55:42.840
<v Speaker 1>make I don't think MTV into what it was, which

1:55:42.880 --> 1:55:47.640
<v Speaker 1>was his music based phenomena, But they seem to have

1:55:48.240 --> 1:55:50.280
<v Speaker 1>I don't pay a lot of attention to, but they

1:55:50.320 --> 1:55:54.840
<v Speaker 1>seem to have reverted to this. We just have a

1:55:54.880 --> 1:55:57.240
<v Speaker 1>bunch of shows on there, and if they have a

1:55:57.280 --> 1:55:59.840
<v Speaker 1>hit show or another, you know, they can't they got

1:55:59.840 --> 1:56:02.520
<v Speaker 1>some kind of incarnation and reincarnation of the Jersey Shore

1:56:02.600 --> 1:56:08.160
<v Speaker 1>or maybe they can you know, make uh, some connection

1:56:08.240 --> 1:56:11.400
<v Speaker 1>to the younger audiences out there today. I mean, it's America.

1:56:11.480 --> 1:56:13.680
<v Speaker 1>Everybody comes back. It's never going to come back as

1:56:13.760 --> 1:56:17.720
<v Speaker 1>what it was, but I would say it's you know,

1:56:18.400 --> 1:56:20.560
<v Speaker 1>things have a hard time just totally dying off in

1:56:20.600 --> 1:56:24.760
<v Speaker 1>the media business. I mean, look, terrestrial radio still around. Uh.

1:56:25.640 --> 1:56:28.040
<v Speaker 1>I wouldn't I wouldn't know what to do, and I

1:56:28.040 --> 1:56:30.200
<v Speaker 1>haven't really thought about it. I haven't watched it much.

1:56:30.320 --> 1:56:34.080
<v Speaker 1>But they had some quick creative people there, and they

1:56:34.120 --> 1:56:36.919
<v Speaker 1>had some money to do things with. It's entirely possible

1:56:36.960 --> 1:56:40.400
<v Speaker 1>they could resurrect themselves. You know. Our biggest business was

1:56:40.440 --> 1:56:45.760
<v Speaker 1>always Nickelodeon. Nickelodeon's taken a huge hit. Well, you know,

1:56:45.840 --> 1:56:48.440
<v Speaker 1>in the beginning they started Philip they licensed all their

1:56:48.480 --> 1:56:50.320
<v Speaker 1>product to Netflix. So you have all these little five

1:56:50.360 --> 1:56:52.560
<v Speaker 1>six year old kids, they're watching SpongeBob. They just push

1:56:52.600 --> 1:56:55.720
<v Speaker 1>a button and one SpongeBob or one rug Rust after another.

1:56:55.760 --> 1:56:57.120
<v Speaker 1>You know, it's hard to get him to go back

1:56:57.160 --> 1:57:01.400
<v Speaker 1>and watch commercials. You know. Oh, it's that that's gonna

1:57:01.440 --> 1:57:04.280
<v Speaker 1>be the streaming generation. And so that took a big

1:57:04.400 --> 1:57:07.120
<v Speaker 1>hunk out of their out of what they were. They

1:57:07.160 --> 1:57:09.840
<v Speaker 1>had a great machine going on and uh, you know,

1:57:09.960 --> 1:57:16.160
<v Speaker 1>consumer behavior really uh has been a big factor for them.

1:57:16.200 --> 1:57:19.200
<v Speaker 1>So in your career, what was the personal peak when

1:57:19.240 --> 1:57:25.640
<v Speaker 1>you felt the best some specific moment. I love being

1:57:25.680 --> 1:57:27.920
<v Speaker 1>on the stage at Live aid Bob. That was something,

1:57:28.880 --> 1:57:34.800
<v Speaker 1>you know that was really pretty special. Uh. When we

1:57:34.880 --> 1:57:37.440
<v Speaker 1>launched MTV Europe initially we launched, we had a big

1:57:37.520 --> 1:57:40.120
<v Speaker 1>party in Amsterdam and I remember being in a speedboat

1:57:40.120 --> 1:57:42.480
<v Speaker 1>and going through the canals of Amsterdam with Elton John

1:57:42.520 --> 1:57:44.480
<v Speaker 1>and all these people, and it was a beautiful night

1:57:44.520 --> 1:57:49.800
<v Speaker 1>and I'm thinking, man, this fantastic. Uh. There was a

1:57:49.880 --> 1:57:53.960
<v Speaker 1>lot of moments I I told you in the beginning.

1:57:54.000 --> 1:57:56.600
<v Speaker 1>When I left the advertising business, it was because they

1:57:56.640 --> 1:57:59.520
<v Speaker 1>threatened to put me on the Sharman account with Don't

1:57:59.520 --> 1:58:03.360
<v Speaker 1>Squeeze Charman. Mr Whipple. Well, when we launched, when we

1:58:03.440 --> 1:58:07.000
<v Speaker 1>launched TV Land in the mid nineties, we went out

1:58:07.000 --> 1:58:08.960
<v Speaker 1>of our way to find a lot of these old commercials,

1:58:09.000 --> 1:58:10.440
<v Speaker 1>and I said, we'd be cool. Let's get a lot

1:58:10.440 --> 1:58:12.280
<v Speaker 1>of old commercial let's clear the rights and we can

1:58:12.320 --> 1:58:15.320
<v Speaker 1>run some old commercials with the old shows. So I'm

1:58:15.360 --> 1:58:19.200
<v Speaker 1>at a party and I met Mr Whipple. Did you

1:58:19.240 --> 1:58:22.560
<v Speaker 1>tell him your story? Yes, it just killed me. You

1:58:22.640 --> 1:58:25.280
<v Speaker 1>don't Squeeze the Charman. This guy made a whole living

1:58:25.360 --> 1:58:27.520
<v Speaker 1>on all these residuals on you know, being a guy

1:58:27.600 --> 1:58:31.000
<v Speaker 1>squeeze and toilet paper. I almost got into his ecosystem.

1:58:31.080 --> 1:58:34.400
<v Speaker 1>But I just thought that was an amazing piece of

1:58:34.400 --> 1:58:37.720
<v Speaker 1>synchronicity that we finally run into each other. He let

1:58:37.760 --> 1:58:40.640
<v Speaker 1>me because of Charman and Mr Whipple, I quit and

1:58:40.720 --> 1:58:44.040
<v Speaker 1>left in this whole other world appeared exactly amazing. You say,

1:58:44.160 --> 1:58:49.560
<v Speaker 1>another door opens, Thomas has been fantastic. You know, you

1:58:49.680 --> 1:58:52.520
<v Speaker 1>really radiate your intelligence and your ability to speak. A

1:58:52.600 --> 1:58:55.240
<v Speaker 1>lot of executives can't deliver. It's like I'm just wold,

1:58:55.240 --> 1:58:57.720
<v Speaker 1>I'm sitting here and go can this stay this great?

1:58:58.400 --> 1:59:01.080
<v Speaker 1>You were really ten of a ten skaler, as they

1:59:01.080 --> 1:59:03.920
<v Speaker 1>would say in spinal Top and eleven. So thanks so

1:59:04.040 --> 1:59:06.640
<v Speaker 1>much for doing this well. You asked me about things

1:59:06.640 --> 1:59:09.120
<v Speaker 1>for a really great period. So pleasure and always good

1:59:09.120 --> 1:59:10.880
<v Speaker 1>to see you, Bob. I don't know how you do it.

1:59:11.160 --> 1:59:12.560
<v Speaker 1>I don't know how you do it. I'll say one

1:59:12.640 --> 1:59:14.880
<v Speaker 1>last thing. I watched that Frank Zappa movie last night

1:59:14.920 --> 1:59:19.840
<v Speaker 1>on your recommendation, so verdict. Yeah, the verdict was I

1:59:19.880 --> 1:59:22.000
<v Speaker 1>loved it, you know, and I became I got to

1:59:22.040 --> 1:59:23.920
<v Speaker 1>hang out with Frank brow because you know, I hired

1:59:24.040 --> 1:59:26.520
<v Speaker 1>Weasel and Moon at one point, so I used to

1:59:26.520 --> 1:59:28.520
<v Speaker 1>go up to their house for happy hours. I thought

1:59:29.440 --> 1:59:32.280
<v Speaker 1>that the director, you know, who was not an ordinary

1:59:32.360 --> 1:59:35.680
<v Speaker 1>documentary director, did a great job. It was almost and

1:59:35.720 --> 1:59:38.000
<v Speaker 1>I read your thing you said it was almost impressionistic,

1:59:38.520 --> 1:59:40.640
<v Speaker 1>which I think was a was a good judgment on it.

1:59:40.720 --> 1:59:43.080
<v Speaker 1>And he was a guy who did it his way.

1:59:43.160 --> 1:59:45.960
<v Speaker 1>He was an impressive man. You know, what was your

1:59:46.000 --> 1:59:49.160
<v Speaker 1>experience with him since you were hanging out. Was he

1:59:49.200 --> 1:59:52.560
<v Speaker 1>engaged or distant? He was good. I would go there

1:59:52.560 --> 1:59:54.320
<v Speaker 1>and he was I didn't know he was sick at

1:59:54.320 --> 1:59:56.640
<v Speaker 1>the time, and it might have been I don't think

1:59:56.680 --> 1:59:59.640
<v Speaker 1>anybody knew. But my my main door to him was

1:59:59.640 --> 2:00:02.560
<v Speaker 1>through Ale who I would call up Gail and I'd say, Gail,

2:00:02.560 --> 2:00:04.040
<v Speaker 1>I want to come and see you. I'd love to

2:00:04.080 --> 2:00:08.040
<v Speaker 1>hire Dweasel to be a fej and then uh and

2:00:08.160 --> 2:00:11.440
<v Speaker 1>moon so and Gails such a flat out character. And

2:00:11.480 --> 2:00:14.920
<v Speaker 1>through Gail we developed a bit of a bond and

2:00:14.960 --> 2:00:17.440
<v Speaker 1>she said, you know, you gotta come up for happy hours.

2:00:17.480 --> 2:00:20.000
<v Speaker 1>We had happy hours up on Woodrow Wilson Drive there

2:00:20.040 --> 2:00:21.720
<v Speaker 1>and Laurel, can you go? You gotta be kidding me.

2:00:21.760 --> 2:00:23.480
<v Speaker 1>I'm saying to myself. I used to go see them

2:00:23.480 --> 2:00:25.040
<v Speaker 1>when I was living in New York that they were

2:00:25.080 --> 2:00:28.560
<v Speaker 1>playing at that theater. Uh, And I said, well, Frank

2:00:28.720 --> 2:00:30.960
<v Speaker 1>was like a legend and we've been through the PMRC

2:00:31.120 --> 2:00:34.440
<v Speaker 1>and all that stuff, and uh, he was good, you know,

2:00:34.480 --> 2:00:37.080
<v Speaker 1>but uh, he he had a he had a good

2:00:37.080 --> 2:00:39.760
<v Speaker 1>sense of humor. He had a chip on his shoulder

2:00:40.680 --> 2:00:44.000
<v Speaker 1>because he didn't feel he was successful like he deserved

2:00:44.000 --> 2:00:46.920
<v Speaker 1>to be. I think, so, you know, he he played

2:00:46.960 --> 2:00:50.000
<v Speaker 1>at that at a whole other level. And uh, not

2:00:50.080 --> 2:00:52.760
<v Speaker 1>a lot of people got that. He was always a

2:00:52.760 --> 2:00:54.960
<v Speaker 1>cult kind of artist. He was never going to be mainstream.

2:00:55.000 --> 2:00:57.080
<v Speaker 1>I mean, what was his big hit was Valley Girl,

2:00:57.440 --> 2:00:59.920
<v Speaker 1>right with Moon. That's the only tell me faith the

2:01:00.000 --> 2:01:04.520
<v Speaker 1>singles charts. But I I wasn't. I was a thrill

2:01:04.600 --> 2:01:08.240
<v Speaker 1>to meet him because I thought he was a real icon.

2:01:08.800 --> 2:01:11.440
<v Speaker 1>And uh, I thought, I don't know much about because

2:01:11.480 --> 2:01:13.320
<v Speaker 1>I never went into with anybody. But you know, to

2:01:13.440 --> 2:01:17.600
<v Speaker 1>die at prostate cancer, you know, twenty years later that

2:01:17.600 --> 2:01:21.240
<v Speaker 1>wouldn't have happened, but all of advances in prostate cancer

2:01:21.320 --> 2:01:24.080
<v Speaker 1>treatments and so forth, you know, he's a tough one.

2:01:24.200 --> 2:01:27.800
<v Speaker 1>Well it's weird because he died at fifty two. Now

2:01:27.880 --> 2:01:30.960
<v Speaker 1>from our perch, that seems so young. It seemed young then,

2:01:31.480 --> 2:01:35.200
<v Speaker 1>but now it's like in the prime of your life. Yeah,

2:01:35.240 --> 2:01:39.840
<v Speaker 1>exactly so. And then going going back to the movie,

2:01:40.440 --> 2:01:43.000
<v Speaker 1>you know, uh, there are a lot of people trying

2:01:43.040 --> 2:01:47.280
<v Speaker 1>to rewrite the sixties. Okay, but I thought that movie

2:01:47.320 --> 2:01:50.480
<v Speaker 1>got the vibe of the sixties, the vibe of New York.

2:01:50.720 --> 2:01:53.520
<v Speaker 1>When they actually showed the theater he played in New York,

2:01:53.640 --> 2:01:56.480
<v Speaker 1>I didn't go to those gigs. I was just stunned

2:01:56.520 --> 2:01:59.640
<v Speaker 1>how small it was. Now a little narrow theater but

2:01:59.800 --> 2:02:02.240
<v Speaker 1>it is like it was like there Hamburg in a way.

2:02:02.560 --> 2:02:04.720
<v Speaker 1>You know, they were playing for three months, they had

2:02:04.760 --> 2:02:07.520
<v Speaker 1>a residency, and they kind of got their ship together,

2:02:07.640 --> 2:02:09.800
<v Speaker 1>and they got this cult word of mouth thing, and

2:02:09.840 --> 2:02:12.760
<v Speaker 1>you know, they god knows, they looked so sixties. And

2:02:12.800 --> 2:02:15.480
<v Speaker 1>that first record album which he didn't like, the cover

2:02:15.560 --> 2:02:17.480
<v Speaker 1>of which I thought was fantastic. I we all had

2:02:17.480 --> 2:02:20.440
<v Speaker 1>it in college, freak out. People were rolling, you know,

2:02:20.560 --> 2:02:23.680
<v Speaker 1>marijuana joints on it all over the country. It's like

2:02:23.720 --> 2:02:25.720
<v Speaker 1>a discovery. I mean, he had that song you didn't

2:02:25.720 --> 2:02:28.080
<v Speaker 1>try to call me, and then he did a slow

2:02:28.200 --> 2:02:30.240
<v Speaker 1>version of Ruben just you know, I was primer in

2:02:30.280 --> 2:02:32.800
<v Speaker 1>the right front fender and you didn't call me. It

2:02:32.840 --> 2:02:37.080
<v Speaker 1>was both hilarious and poignant at the same time. Weasels

2:02:37.120 --> 2:02:40.080
<v Speaker 1>ripped my flesh. Oh yeah, all right, Okay, I think

2:02:40.120 --> 2:02:43.360
<v Speaker 1>we've covered it, So Tom until next time. Hopefully I

2:02:43.400 --> 2:02:47.840
<v Speaker 1>see you soon. When this COVID insanity ends. It's ending

2:02:48.080 --> 2:02:50.600
<v Speaker 1>at least here, I really think. So it's exciting to

2:02:50.720 --> 2:02:52.520
<v Speaker 1>come back to New York and see the city filling

2:02:52.600 --> 2:02:54.800
<v Speaker 1>up and coming alive, and all these people have vaccinated.

2:02:54.960 --> 2:02:57.720
<v Speaker 1>So that's how let's hope. So well, you know, the

2:02:57.760 --> 2:03:00.920
<v Speaker 1>story of the people moving a way turned out to

2:03:00.920 --> 2:03:03.720
<v Speaker 1>be untrue. Yes, there were wealthy people who went to

2:03:03.720 --> 2:03:07.120
<v Speaker 1>their country houses, but as far as people moving permanently

2:03:07.240 --> 2:03:11.880
<v Speaker 1>didn't happen. Do you believe the issue of offices is

2:03:11.960 --> 2:03:14.320
<v Speaker 1>a real thing or not a thing? Are people gonna

2:03:14.360 --> 2:03:16.000
<v Speaker 1>end up coming to the office or are they gonna

2:03:16.040 --> 2:03:19.520
<v Speaker 1>work remotely? Yeah? I think uh, I think they are.

2:03:19.600 --> 2:03:22.000
<v Speaker 1>I think there's probably a combination of both. Maybe people

2:03:22.000 --> 2:03:24.920
<v Speaker 1>don't need as much office space as they want. I mean,

2:03:25.920 --> 2:03:28.240
<v Speaker 1>you know, the sixth Avenue was like a morgue now,

2:03:28.280 --> 2:03:31.200
<v Speaker 1>but I think you're the people going in. People that

2:03:31.240 --> 2:03:33.480
<v Speaker 1>I talked to say we're going back in September, or

2:03:33.480 --> 2:03:35.520
<v Speaker 1>we're gonna try it in June. You know, you see

2:03:35.520 --> 2:03:37.720
<v Speaker 1>people like Netflix and Amazon saying we want everyone in

2:03:37.760 --> 2:03:40.520
<v Speaker 1>the office. If you're in a creative business, I don't

2:03:40.560 --> 2:03:42.360
<v Speaker 1>see how you can do it. It's amazing to me

2:03:42.440 --> 2:03:44.000
<v Speaker 1>that people have been able to do what they've done

2:03:44.000 --> 2:03:47.520
<v Speaker 1>with Zoom and Blue Jeans through this whole pandemic. God

2:03:47.560 --> 2:03:50.000
<v Speaker 1>help us that we didn't have the internet. But I

2:03:50.040 --> 2:03:53.360
<v Speaker 1>think I don't know. You know, New York City, the

2:03:53.400 --> 2:03:55.840
<v Speaker 1>whole concept of the idea of New York City was

2:03:55.880 --> 2:04:00.680
<v Speaker 1>based on the idea congestion is good, you know, be together,

2:04:00.880 --> 2:04:02.760
<v Speaker 1>be all jammed up, and good things will come out

2:04:02.760 --> 2:04:05.680
<v Speaker 1>of that. And you'll run into people, you know. I

2:04:06.120 --> 2:04:07.920
<v Speaker 1>don't think New York is gonna die, but it's it's

2:04:07.920 --> 2:04:11.840
<v Speaker 1>in for some tough times. But some people must want

2:04:11.880 --> 2:04:13.480
<v Speaker 1>to be back to work. If if you if you're

2:04:13.760 --> 2:04:17.920
<v Speaker 1>vaccinated and everything is safe, and this thing's disappeared, you know,

2:04:18.320 --> 2:04:19.760
<v Speaker 1>you just might want to get back and be with

2:04:19.800 --> 2:04:23.520
<v Speaker 1>other people. What about Manhattan itself? When you were living

2:04:23.520 --> 2:04:26.400
<v Speaker 1>in graduate school, you could be of lower income and

2:04:26.440 --> 2:04:30.120
<v Speaker 1>live in Manhattan. That doesn't happen anymore. Well, what's happening now?

2:04:30.320 --> 2:04:33.800
<v Speaker 1>At least I hope I'm seeing I you see all

2:04:33.840 --> 2:04:36.320
<v Speaker 1>these storefronts they're out of you know, there there's no

2:04:36.360 --> 2:04:40.320
<v Speaker 1>one in them anymore. And all these uh, all these

2:04:40.360 --> 2:04:43.280
<v Speaker 1>rental buildings that they've over built, rents are going down.

2:04:43.960 --> 2:04:46.920
<v Speaker 1>Maybe that maybe Manhattan is gonna be the new Williamsburg.

2:04:47.280 --> 2:04:51.680
<v Speaker 1>I don't know. You could be a young artist and

2:04:52.200 --> 2:04:54.040
<v Speaker 1>moved to New York again because things will be cheaper

2:04:54.040 --> 2:04:57.680
<v Speaker 1>asked for those stores and those restaurants. Young people are

2:04:57.680 --> 2:05:00.560
<v Speaker 1>gonna come in with new concepts. They got lower rents

2:05:00.840 --> 2:05:03.040
<v Speaker 1>and they're gonna figure something cool out. There's gonna be

2:05:03.080 --> 2:05:05.920
<v Speaker 1>a whole new thing. That's what I'm cat. That's sort

2:05:05.920 --> 2:05:08.760
<v Speaker 1>of my dream that there's gonna be a great reincarnation

2:05:09.160 --> 2:05:11.560
<v Speaker 1>that there are in twenty twenties. You know, maybe it's

2:05:11.560 --> 2:05:14.560
<v Speaker 1>maybe it's maybe it's that's what's in store for us. Well,

2:05:14.600 --> 2:05:17.240
<v Speaker 1>I think economically we're definitely coming back, you know, in

2:05:17.360 --> 2:05:19.680
<v Speaker 1>terms of the buildings to the buildings have to be

2:05:20.760 --> 2:05:22.800
<v Speaker 1>the companies who on the buildings have to go bankrupt

2:05:23.040 --> 2:05:25.000
<v Speaker 1>and the bank's take them back and resell them so

2:05:25.040 --> 2:05:27.160
<v Speaker 1>they can rent at a lower level. Because some people

2:05:27.160 --> 2:05:30.320
<v Speaker 1>bought these buildings at such inflated prices that you know,

2:05:30.360 --> 2:05:33.640
<v Speaker 1>the storefronts, they can only lower the price so far. Yeah,

2:05:33.720 --> 2:05:36.560
<v Speaker 1>I think that's what's gonna happen. Everything's gonna, you know,

2:05:37.120 --> 2:05:40.400
<v Speaker 1>prices to jimmy down. And because a lot of people,

2:05:40.400 --> 2:05:42.200
<v Speaker 1>no matter what happens, they're not gonna need as many

2:05:42.200 --> 2:05:45.040
<v Speaker 1>floors as they've had before probably, So there's gonna be

2:05:45.080 --> 2:05:47.800
<v Speaker 1>a surplus of rents and the people who are coming

2:05:47.800 --> 2:05:51.200
<v Speaker 1>in are gonna want to renegotiate their deals lower. I

2:05:51.280 --> 2:05:53.720
<v Speaker 1>just hope that when you look, go through midtown. You

2:05:53.800 --> 2:05:56.040
<v Speaker 1>see all that retail that exists on the ground floor

2:05:56.080 --> 2:05:59.200
<v Speaker 1>of the restaurants, the shoe stores and everything else. I

2:05:59.280 --> 2:06:01.480
<v Speaker 1>just really worry are all those people because they through

2:06:01.520 --> 2:06:04.960
<v Speaker 1>this whole COVID thing, They've had absolutely nobody there. It

2:06:05.080 --> 2:06:08.440
<v Speaker 1>was like a ghost town. It's amazing how many companies

2:06:08.480 --> 2:06:10.080
<v Speaker 1>going out of business. Like you go to a web site,

2:06:10.080 --> 2:06:12.360
<v Speaker 1>well I want to. I remember it's like the hiking

2:06:12.400 --> 2:06:14.240
<v Speaker 1>store and whist l A been there. My whole life

2:06:14.560 --> 2:06:18.040
<v Speaker 1>just went. And it's like the last of that type. Okay,

2:06:18.040 --> 2:06:19.640
<v Speaker 1>what's your take on l A, Because you do have

2:06:19.680 --> 2:06:22.280
<v Speaker 1>a house in l A. I saw that. I got

2:06:22.400 --> 2:06:25.840
<v Speaker 1>up in Santa herber Now, so you're in Montecito, Okay,

2:06:26.200 --> 2:06:28.920
<v Speaker 1>how often are you in Monito? Well, usually two months

2:06:28.960 --> 2:06:30.880
<v Speaker 1>a year. But I did eight of the eight of

2:06:30.920 --> 2:06:34.800
<v Speaker 1>the uh I called him now the pandemic months. I

2:06:34.840 --> 2:06:36.920
<v Speaker 1>did eight of them there, and I gotta say, I

2:06:36.920 --> 2:06:40.400
<v Speaker 1>fell in love with California all over again. And you know,

2:06:40.560 --> 2:06:42.160
<v Speaker 1>I just got out of that big place I'm up

2:06:42.160 --> 2:06:45.360
<v Speaker 1>on up on a mountain in a wildfire zone. But

2:06:45.480 --> 2:06:49.280
<v Speaker 1>it was it was nice. It was you know, se

2:06:49.400 --> 2:06:52.000
<v Speaker 1>the season change, not traveling, it was it was like

2:06:52.360 --> 2:06:54.280
<v Speaker 1>there was a silver lining to it all. But I

2:06:54.560 --> 2:06:58.080
<v Speaker 1>I I fell back in love with California. You know,

2:06:58.240 --> 2:07:00.440
<v Speaker 1>I love one thing I love about California and is

2:07:00.480 --> 2:07:02.760
<v Speaker 1>all the East Coast bullshit doesn't exist. No one ever

2:07:02.800 --> 2:07:04.640
<v Speaker 1>asked you what you got on your S A T S.

2:07:04.680 --> 2:07:08.240
<v Speaker 1>Where you went to college. Everybody's so full of ship

2:07:08.360 --> 2:07:10.280
<v Speaker 1>that if you come from the East Coast it's great,

2:07:11.120 --> 2:07:14.080
<v Speaker 1>everybody's gonna make it and all this other stuff. I mean,

2:07:14.080 --> 2:07:17.720
<v Speaker 1>when you're playing an elite level, it's certainly something different. Okay, Tom,

2:07:17.760 --> 2:07:20.240
<v Speaker 1>I'll let you go. This has been great. That's terrific.

2:07:20.280 --> 2:07:22.840
<v Speaker 1>Bob Okay, really enjoyed myself. I got to see you.

2:07:23.120 --> 2:07:26.280
<v Speaker 1>You're back until next time. This is Bob left sles