1 00:00:19,160 --> 00:00:23,759 Speaker 1: I'm gonna do U two truths in a lie, okay, 2 00:00:24,880 --> 00:00:27,240 Speaker 1: which is something we've done in our live shows, but 3 00:00:27,280 --> 00:00:29,200 Speaker 1: I have not done on uh this show. 4 00:00:29,560 --> 00:00:31,520 Speaker 2: Uh and that's true. That's true. 5 00:00:31,760 --> 00:00:38,560 Speaker 1: Yeah, so uh we do this in our live shows, 6 00:00:38,560 --> 00:00:42,320 Speaker 1: where I usually do true truths in a lie about 7 00:00:42,360 --> 00:00:44,920 Speaker 1: something from when we were envoy Mets World that I'm 8 00:00:44,960 --> 00:00:48,240 Speaker 1: assuming you guys don't remember. But for today, I'm gonna 9 00:00:48,240 --> 00:00:52,800 Speaker 1: do something about my current life that I that I 10 00:00:52,880 --> 00:00:54,520 Speaker 1: don't think you guys are going to be able to answer, 11 00:00:55,040 --> 00:01:01,840 Speaker 1: which is Okay, writer, Writer's surprising fandom. Okay, what am 12 00:01:01,880 --> 00:01:03,880 Speaker 1: I a fan of? Oh? 13 00:01:03,920 --> 00:01:05,600 Speaker 3: I can't wait, I can't wait. I'm so excited. 14 00:01:06,640 --> 00:01:15,080 Speaker 1: Number One, I am a post Malone fan. If you 15 00:01:15,120 --> 00:01:18,520 Speaker 1: look at my Spotify right now, my most listened to 16 00:01:18,640 --> 00:01:21,360 Speaker 1: artist is mister post Malone. 17 00:01:22,000 --> 00:01:22,520 Speaker 3: Okay. 18 00:01:23,360 --> 00:01:29,000 Speaker 1: Number two, I am a Twilight fan. I have read 19 00:01:29,000 --> 00:01:33,000 Speaker 1: all the books, some of them more than once. I 20 00:01:33,080 --> 00:01:38,720 Speaker 1: do not like the movies besides the first one. Number three, 21 00:01:40,000 --> 00:01:43,880 Speaker 1: I am a Survivor fan. I have watched every season 22 00:01:44,240 --> 00:01:48,360 Speaker 1: and have even participated in a fantasy football like league 23 00:01:48,600 --> 00:01:49,280 Speaker 1: for Survivor. 24 00:01:50,800 --> 00:01:55,560 Speaker 2: I am pray ye that you're not a Twilight fan 25 00:01:55,560 --> 00:02:00,800 Speaker 2: because the books are awful, so I'm god I'm going 26 00:02:00,840 --> 00:02:04,320 Speaker 2: with that only because I will literally think less of 27 00:02:04,360 --> 00:02:06,480 Speaker 2: you if that's not true. 28 00:02:07,160 --> 00:02:10,040 Speaker 1: Hugely successful books hugely successful movies. 29 00:02:10,160 --> 00:02:12,840 Speaker 3: Means I read them. I'm not going to say. I'm 30 00:02:12,840 --> 00:02:15,600 Speaker 3: not going to say I love them and think they're 31 00:02:16,680 --> 00:02:21,000 Speaker 3: dear quality, but you know I enjoyed them. 32 00:02:22,480 --> 00:02:24,560 Speaker 2: Please be a post Malone and Survivor fan. 33 00:02:25,440 --> 00:02:28,520 Speaker 3: I will say that I think post Malone. I have 34 00:02:28,560 --> 00:02:36,880 Speaker 3: a friend who has a father who's maybe maybe only 35 00:02:36,960 --> 00:02:40,760 Speaker 3: five to ten years older than writer, and he loves 36 00:02:41,000 --> 00:02:45,679 Speaker 3: post Malone, so I could see I could see there 37 00:02:45,720 --> 00:02:49,600 Speaker 3: being some like middle aged food love for post Malone. 38 00:02:50,639 --> 00:02:53,440 Speaker 1: I love that you would need somebody's father. In order 39 00:02:53,480 --> 00:02:57,320 Speaker 1: to rationalize that I might like that need too old. 40 00:02:57,919 --> 00:03:00,000 Speaker 3: I needed to go do are there any other old 41 00:03:00,240 --> 00:03:01,160 Speaker 3: is there? I know? 42 00:03:01,639 --> 00:03:04,800 Speaker 1: Do I know an old man? What other sad dad? 43 00:03:05,680 --> 00:03:08,760 Speaker 1: I need some? Does post Alone count as sad dad music? 44 00:03:08,880 --> 00:03:09,639 Speaker 3: It sure does. 45 00:03:10,440 --> 00:03:14,200 Speaker 2: I liked his early stuff. I liked prem Alone, and 46 00:03:14,560 --> 00:03:16,600 Speaker 2: I do also Survivor. 47 00:03:17,200 --> 00:03:19,840 Speaker 3: Wouldn't be that shocking to me for writer to like 48 00:03:20,000 --> 00:03:23,720 Speaker 3: since writer thinks a great vacation is jumping his entire 49 00:03:23,800 --> 00:03:26,680 Speaker 3: family in the middle of the country. And saying, you know, 50 00:03:27,120 --> 00:03:30,440 Speaker 3: go for yourselves, like every man for themselves. I I 51 00:03:30,480 --> 00:03:33,480 Speaker 3: think I'm gonna go with you completely that the Twilight 52 00:03:33,680 --> 00:03:36,520 Speaker 3: books are the lie. 53 00:03:36,800 --> 00:03:37,520 Speaker 1: You are correct. 54 00:03:37,840 --> 00:03:40,560 Speaker 2: Oh, thank god, Oh thank god. 55 00:03:42,640 --> 00:03:45,000 Speaker 1: I probably shouldn't have done books if I had done movies, 56 00:03:45,280 --> 00:03:46,880 Speaker 1: if I had done but the fact that I went 57 00:03:47,000 --> 00:03:49,839 Speaker 1: books and both of you have read them too, which 58 00:03:49,880 --> 00:03:50,920 Speaker 1: I did not expect. 59 00:03:51,040 --> 00:03:53,760 Speaker 2: Actually, no, I got halfway through the first one and 60 00:03:53,800 --> 00:03:55,760 Speaker 2: I am a fantasy nerd, and I couldn't. 61 00:03:55,960 --> 00:03:56,160 Speaker 4: Yeah. 62 00:03:56,240 --> 00:03:58,960 Speaker 1: See, I thought, because you knew I like horror stuff, 63 00:03:59,000 --> 00:04:02,280 Speaker 1: I thought me, maybe the Twilight could slip in there. 64 00:04:02,800 --> 00:04:05,520 Speaker 3: Yeah. No, we know you're two pretentious to be into. 65 00:04:05,320 --> 00:04:10,920 Speaker 1: That, but not too pretentious. Well, yeah, of course, I'm 66 00:04:10,960 --> 00:04:12,400 Speaker 1: way too pretentious for most things. 67 00:04:12,480 --> 00:04:12,800 Speaker 2: That's why. 68 00:04:13,040 --> 00:04:16,919 Speaker 1: That's the point of this is that I can't stand 69 00:04:17,040 --> 00:04:19,600 Speaker 1: reality TV, but I love Survivor. 70 00:04:19,880 --> 00:04:21,280 Speaker 2: Have you watched them all? Oh? 71 00:04:21,560 --> 00:04:23,720 Speaker 1: Watch them all? I am so into it. Right now, 72 00:04:23,720 --> 00:04:26,560 Speaker 1: we're watching season forty five with Indy. We are loving it. 73 00:04:27,000 --> 00:04:29,680 Speaker 2: But forty five seasons. 74 00:04:29,400 --> 00:04:32,360 Speaker 1: I was on, Yeah, forty five seasons forty six. 75 00:04:32,240 --> 00:04:33,760 Speaker 3: That is coming out two a year. 76 00:04:34,000 --> 00:04:36,120 Speaker 1: Yeah, they do two a year. And uh, And I 77 00:04:36,240 --> 00:04:38,760 Speaker 1: was a part of a Survivor league for a couple 78 00:04:38,800 --> 00:04:42,400 Speaker 1: of years. It was great. It was great. Uh yeah, no, 79 00:04:42,520 --> 00:04:44,920 Speaker 1: I actually we got into it when Alex was pregnant. 80 00:04:44,960 --> 00:04:48,839 Speaker 1: We got really into Survivor and Amazing Race, which I 81 00:04:48,839 --> 00:04:51,440 Speaker 1: had never been, like, I was so not into reality, 82 00:04:51,520 --> 00:04:53,880 Speaker 1: but for whatever reason, when she was pregnant, that became 83 00:04:53,880 --> 00:04:57,080 Speaker 1: our thing. And I think, you know, Indy could hear 84 00:04:57,160 --> 00:05:00,520 Speaker 1: the Survivor and Amazing Race theme through the womb, so 85 00:05:00,600 --> 00:05:02,599 Speaker 1: he loves her now. It's a great man. 86 00:05:03,200 --> 00:05:05,360 Speaker 2: Nate Bargatzi's got that great joker. He's like, my wife 87 00:05:05,400 --> 00:05:07,320 Speaker 2: and I watch Amazing Race and she says we should 88 00:05:07,320 --> 00:05:08,600 Speaker 2: go on this and he's like, if you want to 89 00:05:08,600 --> 00:05:10,040 Speaker 2: get divorced, that'd be great. 90 00:05:10,320 --> 00:05:12,600 Speaker 1: Well that's That's the entire point of these shows, right, 91 00:05:12,680 --> 00:05:15,680 Speaker 1: is to reflect on how you would be or how 92 00:05:15,680 --> 00:05:18,960 Speaker 1: you would act. And with Amazing Race, it's actually quite 93 00:05:18,960 --> 00:05:21,400 Speaker 1: helpful to be like, how would you? And with the 94 00:05:21,480 --> 00:05:23,600 Speaker 1: Key too, it's fun to be like, do you see 95 00:05:23,600 --> 00:05:26,880 Speaker 1: how this person is like turning on their partner in 96 00:05:26,920 --> 00:05:29,560 Speaker 1: an awful way, or like they're being irrational or you 97 00:05:29,600 --> 00:05:33,280 Speaker 1: can have those conversations. Uh, Survivor, you're just training how 98 00:05:33,320 --> 00:05:35,800 Speaker 1: to be a sociopath. It's all correct. You're like, how 99 00:05:35,839 --> 00:05:39,080 Speaker 1: do I lie to people better? So like, actually amazing 100 00:05:39,160 --> 00:05:41,200 Speaker 1: Race I really think is helpful as a family. But 101 00:05:41,360 --> 00:05:44,400 Speaker 1: Survivor we're like training into how to be psychopathic. 102 00:05:44,440 --> 00:05:46,600 Speaker 2: Would you do if they did like Celebrity Survivor and 103 00:05:46,640 --> 00:05:47,680 Speaker 2: they asked you to go on. 104 00:05:47,600 --> 00:05:49,200 Speaker 3: Survivor should eats World? 105 00:05:49,240 --> 00:05:53,039 Speaker 1: And I would Survivor? I mean it is miserable looking, 106 00:05:53,320 --> 00:05:55,000 Speaker 1: it is miserable. 107 00:05:54,520 --> 00:05:57,240 Speaker 2: But but you would go, uh, I don't know. 108 00:05:57,279 --> 00:05:57,919 Speaker 1: Would they have me? 109 00:05:58,279 --> 00:05:59,960 Speaker 2: They probably have, I don't know. You'd be on Kiev, 110 00:06:00,080 --> 00:06:01,280 Speaker 2: be on camera again, and you. 111 00:06:01,240 --> 00:06:03,360 Speaker 1: Have to be I mean like, I mean, here's the thing. 112 00:06:03,360 --> 00:06:05,240 Speaker 1: I would be awful at Survivor because I would just 113 00:06:05,279 --> 00:06:08,840 Speaker 1: be so don't yes. I would just be too honest 114 00:06:08,880 --> 00:06:11,480 Speaker 1: and be like, oh I trust you, Okay, We're going 115 00:06:11,520 --> 00:06:12,800 Speaker 1: all the way to the end. And I would just 116 00:06:12,839 --> 00:06:15,040 Speaker 1: stick with it and I would get blindsided within like 117 00:06:15,320 --> 00:06:18,760 Speaker 1: the second night. I would be like what people told me. 118 00:06:18,800 --> 00:06:20,560 Speaker 1: They looked to me in the eyes, they shook my 119 00:06:20,640 --> 00:06:23,160 Speaker 1: hand like you have to be a sociopad. That's the whole, 120 00:06:23,440 --> 00:06:25,280 Speaker 1: that's the game. I can't do it, couldn't do it. 121 00:06:25,360 --> 00:06:28,320 Speaker 1: I can't even play like people play Where Wolf or Mafia. 122 00:06:28,360 --> 00:06:31,560 Speaker 1: Have you ever played these games? Secret Hitler? I cannot 123 00:06:31,560 --> 00:06:35,440 Speaker 1: play Secret Hitler. These are like fun what is what? 124 00:06:36,080 --> 00:06:36,279 Speaker 2: Oh? 125 00:06:36,440 --> 00:06:40,240 Speaker 1: It was a huge game, Like in twenty seventeen, twenty eighteen, 126 00:06:40,279 --> 00:06:43,400 Speaker 1: this game came out. It's like it's it's actually it's 127 00:06:43,440 --> 00:06:46,400 Speaker 1: pretty brilliant. It's fun, but I can't play it. It's 128 00:06:46,480 --> 00:06:50,200 Speaker 1: you get you. You all have like roles in your 129 00:06:50,480 --> 00:06:52,560 Speaker 1: part of a government, but one of you is secretly 130 00:06:52,640 --> 00:06:54,600 Speaker 1: Hitler and you have to like convince other people to 131 00:06:54,680 --> 00:06:56,719 Speaker 1: vote for you. It's you know, it's it's just a 132 00:06:56,720 --> 00:06:59,280 Speaker 1: board game like Mafia or Where Wolf. These these games 133 00:06:59,279 --> 00:07:03,000 Speaker 1: where you have to convince people to trust you, and 134 00:07:03,040 --> 00:07:06,560 Speaker 1: then of course you're you're lying, you're faking it. I 135 00:07:06,600 --> 00:07:08,159 Speaker 1: can't do it. I can't play any of those games. 136 00:07:08,200 --> 00:07:11,760 Speaker 1: I'm always just like no, sorry, I'm Hitler. I'm I'm 137 00:07:11,760 --> 00:07:14,239 Speaker 1: aware Wolf, I'm part of them Mafia. I just outright 138 00:07:14,320 --> 00:07:16,600 Speaker 1: tell the truth. So I know I would be awful 139 00:07:16,600 --> 00:07:19,520 Speaker 1: survivor Amazing Race would be great. It'd be great, Amazing Race. 140 00:07:19,600 --> 00:07:21,760 Speaker 3: We should do Pod meets World, Amazing Grace. Let's so 141 00:07:21,800 --> 00:07:23,680 Speaker 3: don't get three of us, three of us? 142 00:07:23,920 --> 00:07:26,800 Speaker 2: Oh, Jesus, it doesn't sound like I would be good 143 00:07:26,800 --> 00:07:27,040 Speaker 2: at that. 144 00:07:28,120 --> 00:07:30,520 Speaker 1: You would be awful and amazing. Have you ever watched 145 00:07:30,520 --> 00:07:31,200 Speaker 1: Amazing Race? 146 00:07:31,360 --> 00:07:31,880 Speaker 3: No? Oh? 147 00:07:31,960 --> 00:07:34,800 Speaker 1: Yeah, well I don't know if you'd be all be 148 00:07:34,840 --> 00:07:35,320 Speaker 1: pretty good? 149 00:07:35,800 --> 00:07:37,720 Speaker 2: Could I sleep watching mash every night? Still? 150 00:07:39,000 --> 00:07:41,640 Speaker 1: You have to travel and go into other cultures and 151 00:07:41,720 --> 00:07:42,840 Speaker 1: other parts of the world. 152 00:07:43,280 --> 00:07:45,520 Speaker 2: No, I try like traveling when I travel all the time. 153 00:07:45,760 --> 00:07:49,080 Speaker 3: Yeah, I mean right after, what's your favorite Post Malone song? 154 00:07:50,400 --> 00:07:50,679 Speaker 2: Uh? 155 00:07:51,000 --> 00:07:55,440 Speaker 1: No, I am obsessed with his album Austin. I don't 156 00:07:55,480 --> 00:07:58,440 Speaker 1: know anything before that, but he put on an album 157 00:07:58,640 --> 00:08:01,080 Speaker 1: last year called Austin. I have been listening to it 158 00:08:01,560 --> 00:08:07,000 Speaker 1: none stop. I am it's just beautiful. I think he is. 159 00:08:07,080 --> 00:08:09,119 Speaker 2: Think I've ever made a song in my life? 160 00:08:09,160 --> 00:08:11,240 Speaker 1: Well, apparently it's mostly hip hop, which I do not 161 00:08:11,360 --> 00:08:14,760 Speaker 1: listen to. But this, this album is like his rock album. 162 00:08:14,800 --> 00:08:16,560 Speaker 1: I wouldn't really call it a rock album, but it's 163 00:08:16,600 --> 00:08:19,800 Speaker 1: it's more, you know, singer songwriter, and I just think 164 00:08:19,840 --> 00:08:22,680 Speaker 1: his voice is incredible and I'm like, oh, I genuinely 165 00:08:22,680 --> 00:08:24,720 Speaker 1: love this album. Look, if we want to talk sad 166 00:08:24,800 --> 00:08:27,880 Speaker 1: dad music, I am all about I have plenty of 167 00:08:27,920 --> 00:08:30,240 Speaker 1: singer songwriter opinions and hot takes. But if we're going 168 00:08:30,280 --> 00:08:33,680 Speaker 1: to talk about pop music or like what No, Okay, 169 00:08:33,880 --> 00:08:37,640 Speaker 1: post Malone is as cool as I get, and I 170 00:08:37,679 --> 00:08:39,319 Speaker 1: still he shows up on Super Bowl and I'm like, 171 00:08:39,320 --> 00:08:41,120 Speaker 1: why does he have all that stuff on his face? 172 00:08:43,280 --> 00:08:45,640 Speaker 2: Did he do the song from Spider Man Into the Universe? 173 00:08:45,720 --> 00:08:48,040 Speaker 1: Yes, which is how I okay, that's how I know 174 00:08:48,280 --> 00:08:50,920 Speaker 1: because Indy loved that song and was into it, and 175 00:08:50,960 --> 00:08:53,520 Speaker 1: I was like, this great song which made me get it. 176 00:08:53,600 --> 00:08:56,120 Speaker 2: Yeah, great song, should say I'm not through the movie? Yeah, 177 00:08:56,160 --> 00:08:56,559 Speaker 2: great song. 178 00:08:57,040 --> 00:09:00,400 Speaker 3: Absolutely. Welcome to pod World. 179 00:09:00,400 --> 00:09:13,319 Speaker 5: I'm Daniel Fishall, I'm rather strong, and I'm Wilford. 180 00:09:14,360 --> 00:09:17,800 Speaker 3: So this week we are recapping season four, episode ten, 181 00:09:18,120 --> 00:09:21,720 Speaker 3: Turkey Day. It originally aired November twenty second, nineteen ninety six. 182 00:09:22,160 --> 00:09:26,120 Speaker 3: The synopsis is after learning about prejudice among tribes in Africa, 183 00:09:26,440 --> 00:09:29,760 Speaker 3: Corey and Sean want their families to celebrate Thanksgiving together, 184 00:09:30,000 --> 00:09:34,280 Speaker 3: but run into a class divide that appears impossible to overcome. 185 00:09:35,120 --> 00:09:37,240 Speaker 3: It was directed by Jeff McCracken. It was written by 186 00:09:37,280 --> 00:09:40,920 Speaker 3: Susan Estelle Janssen. We can jump into the guest stars. 187 00:09:41,120 --> 00:09:44,199 Speaker 3: Blake Clark is back as chedd Hunter, Ethan Sipple is 188 00:09:44,240 --> 00:09:48,240 Speaker 3: Frankie Stacchino and Worth noting this is his last episode 189 00:09:48,640 --> 00:09:50,280 Speaker 3: until that's season drive. 190 00:09:51,320 --> 00:09:51,480 Speaker 2: Bit. 191 00:09:51,679 --> 00:09:56,480 Speaker 3: Yeah, Scheren Mitchell returns as Verna Hunter, also her last 192 00:09:56,600 --> 00:09:59,040 Speaker 3: but for good. We don't ever see her again after 193 00:09:59,080 --> 00:10:02,560 Speaker 3: it really yes, and then e j De La Pagna 194 00:10:02,679 --> 00:10:06,680 Speaker 3: is back as Herman Stachino in more episodes than I remembered, 195 00:10:07,440 --> 00:10:09,960 Speaker 3: IM more Herman than I ever could have remembered, but 196 00:10:10,080 --> 00:10:11,760 Speaker 3: this is also his last episode. 197 00:10:11,800 --> 00:10:15,719 Speaker 1: I can't believe Sharen doesn't come back. I I does 198 00:10:15,720 --> 00:10:17,240 Speaker 1: somebody else play Sean's mom? 199 00:10:17,960 --> 00:10:19,120 Speaker 3: No, right, I don't think so. 200 00:10:19,840 --> 00:10:22,240 Speaker 2: Wow, I loved you take off again. 201 00:10:22,720 --> 00:10:25,319 Speaker 1: Yeah, I thought there was a whole nother Wow. Okay, 202 00:10:25,640 --> 00:10:28,720 Speaker 1: I made up an entire storyline in my mind because 203 00:10:28,800 --> 00:10:30,680 Speaker 1: she disappeared or yeah, well it. 204 00:10:30,720 --> 00:10:35,880 Speaker 2: Might be alluded to maybe yeah, obviously because yeah, Blake 205 00:10:35,920 --> 00:10:39,120 Speaker 2: comes back. I mean, yeah, there's yeah, but you also 206 00:10:39,160 --> 00:10:40,920 Speaker 2: have Matt, your brother comes in. I know, a whole 207 00:10:40,960 --> 00:10:42,400 Speaker 2: different thing with Matt. 208 00:10:42,120 --> 00:10:46,559 Speaker 3: And Ned Bellamy as Luther. Most recognized as Waylan Forge 209 00:10:46,600 --> 00:10:52,160 Speaker 3: in Twilight. Interesting. Interesting, But he's been in so many 210 00:10:52,160 --> 00:10:55,559 Speaker 3: great things, from being John Malkovich to Seinfeld to Shawshank Redemption, 211 00:10:55,840 --> 00:10:58,880 Speaker 3: and he was just seen in the Netflix movie Family Switch. 212 00:10:59,040 --> 00:11:00,280 Speaker 2: Yeah, he works all time. 213 00:11:00,640 --> 00:11:03,839 Speaker 3: And then we have kay E Cutter as Herbert. He's 214 00:11:03,840 --> 00:11:06,000 Speaker 3: a character actor with parts in The Last star Fighter, 215 00:11:06,040 --> 00:11:08,680 Speaker 3: Bonanza LASTI twenty six episodes a Fighter. 216 00:11:09,160 --> 00:11:11,480 Speaker 2: Yeah, I didn't recognize him from Starfighter. 217 00:11:11,520 --> 00:11:14,400 Speaker 1: I didn't see Starfighters since I was probably six, But 218 00:11:14,440 --> 00:11:15,120 Speaker 1: I love. 219 00:11:15,080 --> 00:11:16,600 Speaker 2: Quote it right now, best movie ever. 220 00:11:16,880 --> 00:11:19,920 Speaker 3: God. He was in twenty six episodes of Green Acres, 221 00:11:19,960 --> 00:11:23,360 Speaker 3: seventeen episodes of petticoat Junction, and he's in Guys and Dolls. 222 00:11:23,600 --> 00:11:25,480 Speaker 3: He passed away in two thousand and three at the 223 00:11:25,520 --> 00:11:29,839 Speaker 3: age of seventy eight. And then we have Christian Jamioli 224 00:11:29,920 --> 00:11:32,200 Speaker 3: as Carl. He's best known as portraying one of the 225 00:11:32,200 --> 00:11:35,040 Speaker 3: soccer players stranded in the snow in the movie Alive, 226 00:11:35,720 --> 00:11:36,319 Speaker 3: as where. 227 00:11:36,160 --> 00:11:37,480 Speaker 2: I recognized him from. 228 00:11:37,520 --> 00:11:40,720 Speaker 1: He was in Alive. Okay, yeah, go hold on which 229 00:11:40,800 --> 00:11:42,480 Speaker 1: which which character is. 230 00:11:42,600 --> 00:11:44,440 Speaker 2: The right hand the right hand man. 231 00:11:45,120 --> 00:11:45,760 Speaker 1: He doesn't have. 232 00:11:45,720 --> 00:11:48,000 Speaker 2: A line, He doesn't speak at all. 233 00:11:48,120 --> 00:11:49,960 Speaker 1: That's so funny because he looks familiar to me too. 234 00:11:50,000 --> 00:11:52,640 Speaker 1: I was like he was alive obviously from working with him, 235 00:11:52,679 --> 00:11:54,880 Speaker 1: but I was like, yeah, but he never never has. 236 00:11:54,760 --> 00:11:56,440 Speaker 2: A right alive. 237 00:11:57,040 --> 00:12:00,800 Speaker 3: It was his first job. Alive was great movie. He's 238 00:12:00,800 --> 00:12:03,760 Speaker 3: also appeared on Chicago Hope, n YPD, Blue Ray Donovan, 239 00:12:03,840 --> 00:12:08,079 Speaker 3: and c n C I S Los Angeles. So overall 240 00:12:08,120 --> 00:12:13,400 Speaker 3: thoughts on the episode, M hmm, it's. 241 00:12:13,280 --> 00:12:17,120 Speaker 1: An interesting episode. There's a lot to like. There's a 242 00:12:17,200 --> 00:12:17,680 Speaker 1: lot to like. 243 00:12:18,280 --> 00:12:18,680 Speaker 3: Mm hmm. 244 00:12:19,600 --> 00:12:20,760 Speaker 2: There's some stuff not to like. 245 00:12:21,240 --> 00:12:22,520 Speaker 3: I agree, some stuff not to like. 246 00:12:22,679 --> 00:12:25,680 Speaker 2: The whole story didn't work for me, Like it seemed 247 00:12:25,679 --> 00:12:28,280 Speaker 2: like this should have been a Fresh Prince episode. 248 00:12:29,160 --> 00:12:29,439 Speaker 3: Mmm. 249 00:12:30,040 --> 00:12:33,400 Speaker 2: Like, it's an interesting because they're so wealthy in Fresh 250 00:12:33,440 --> 00:12:36,960 Speaker 2: Prints that there's a really huge. 251 00:12:36,120 --> 00:12:36,680 Speaker 1: You're right. 252 00:12:38,280 --> 00:12:41,640 Speaker 2: There, lower middle class of lower middle class family. I mean, 253 00:12:41,640 --> 00:12:45,640 Speaker 2: it shouldn't be that huge, right it is. 254 00:12:45,679 --> 00:12:48,000 Speaker 3: One of the things that I did not love was 255 00:12:48,040 --> 00:12:51,199 Speaker 3: like a little bit of a similar to the way 256 00:12:51,360 --> 00:12:54,160 Speaker 3: Amy was in that episode in the Wilderness Store where 257 00:12:54,160 --> 00:12:55,880 Speaker 3: all of a sudden she was super naggy and we 258 00:12:55,880 --> 00:12:59,160 Speaker 3: were like, has Amy ever been this character before? It 259 00:12:59,240 --> 00:13:01,920 Speaker 3: made me feel bit like have the Matthews ever been 260 00:13:02,000 --> 00:13:07,520 Speaker 3: this family before? They seem so down to earth, and 261 00:13:08,040 --> 00:13:10,800 Speaker 3: you know, they're kind of they like cool music and 262 00:13:10,800 --> 00:13:12,960 Speaker 3: they're a little hippieish here they're hippies. 263 00:13:13,080 --> 00:13:14,000 Speaker 1: They were hippie. 264 00:13:14,080 --> 00:13:16,960 Speaker 2: It does people that are connected to the Earth, and 265 00:13:17,000 --> 00:13:19,400 Speaker 2: there was no there was no classes, and that's where 266 00:13:19,400 --> 00:13:22,000 Speaker 2: they were, and he worked at a grocery storm and 267 00:13:22,040 --> 00:13:25,079 Speaker 2: the idea that now they can't get along with people 268 00:13:25,120 --> 00:13:28,439 Speaker 2: at a trailer park just that didn't make any sense. 269 00:13:28,480 --> 00:13:33,720 Speaker 3: Also, the conceit that the trailer park community would come 270 00:13:33,800 --> 00:13:37,680 Speaker 3: together after one really brief few moments of them being 271 00:13:37,720 --> 00:13:39,920 Speaker 3: on the premises to get rid of. 272 00:13:40,040 --> 00:13:42,440 Speaker 1: My big note was like, why didn't the Matthews should 273 00:13:42,480 --> 00:13:46,199 Speaker 1: have done something in the opening? Rationalized if they parked 274 00:13:46,240 --> 00:13:48,640 Speaker 1: their car in the wrong spot, or like, you know, 275 00:13:48,679 --> 00:13:51,720 Speaker 1: they did something in that opening, But instead they just 276 00:13:52,200 --> 00:13:55,000 Speaker 1: show up and knock on the wrong door with Hunters, 277 00:13:55,000 --> 00:13:58,880 Speaker 1: And I know it would have been so easy to 278 00:13:58,920 --> 00:14:01,439 Speaker 1: have them make a mistake, right like they just they 279 00:14:01,520 --> 00:14:04,440 Speaker 1: insulted the trailer park in a way that totally unintentionally 280 00:14:05,160 --> 00:14:06,240 Speaker 1: sets emotions. 281 00:14:06,600 --> 00:14:09,520 Speaker 3: Try to do it with the underthing they did. Try 282 00:14:09,520 --> 00:14:11,679 Speaker 3: to do it where the first thing he says is, 283 00:14:12,120 --> 00:14:14,160 Speaker 3: so what you're saying is if a letter fell off 284 00:14:14,200 --> 00:14:18,160 Speaker 3: my door, I wouldn't replace it. They tried, but. 285 00:14:18,080 --> 00:14:20,840 Speaker 1: It was why would Herbert be upset? Like you know 286 00:14:21,560 --> 00:14:22,600 Speaker 1: the whole I. 287 00:14:22,600 --> 00:14:25,360 Speaker 3: Know I would was it Herbert? 288 00:14:25,680 --> 00:14:26,360 Speaker 2: Why bring in it? 289 00:14:26,440 --> 00:14:29,200 Speaker 1: Herbert because they think it's funny. They think it's funny 290 00:14:29,200 --> 00:14:32,280 Speaker 1: that these I don't know. I yeah, I didn't love it. 291 00:14:33,640 --> 00:14:36,560 Speaker 1: I think I think this episode is the result of 292 00:14:37,120 --> 00:14:41,920 Speaker 1: the fact that the entire for first half of this season, 293 00:14:41,960 --> 00:14:45,040 Speaker 1: they've really tried to develop the Hunters as like this 294 00:14:45,200 --> 00:14:48,920 Speaker 1: other show. And so once you've done that right, it's like, oh, well, 295 00:14:48,920 --> 00:14:51,680 Speaker 1: we should combine these two shows. We should show the 296 00:14:51,720 --> 00:14:55,960 Speaker 1: difference between these shows. It just doesn't quite work. 297 00:14:56,520 --> 00:14:58,720 Speaker 2: It's also if this was their plan the entire time, 298 00:14:58,760 --> 00:15:01,240 Speaker 2: how is this her last episode? Yeah, it's like you're 299 00:15:01,240 --> 00:15:03,600 Speaker 2: developing this whole family and then you show them together 300 00:15:03,640 --> 00:15:04,640 Speaker 2: and then we never bring her back. 301 00:15:04,880 --> 00:15:07,280 Speaker 1: It was very It just didn't pop. It just didn't pop. 302 00:15:07,800 --> 00:15:08,880 Speaker 1: It ends up about. 303 00:15:08,840 --> 00:15:11,960 Speaker 2: These stars were great. The acting. Some of the acting 304 00:15:12,120 --> 00:15:15,400 Speaker 2: was really spot on. You know, I didn't hate it. 305 00:15:15,480 --> 00:15:17,960 Speaker 2: I did not like Eric's character at all in this episode, 306 00:15:17,960 --> 00:15:19,400 Speaker 2: as brief as it was. He was just kind of 307 00:15:19,400 --> 00:15:20,080 Speaker 2: a dick. 308 00:15:19,920 --> 00:15:20,720 Speaker 1: Mister Turtleneck. 309 00:15:21,000 --> 00:15:21,400 Speaker 2: You didn't like. 310 00:15:24,640 --> 00:15:29,080 Speaker 1: Swaye jackets hoodie. I will I will make a statement 311 00:15:29,120 --> 00:15:31,360 Speaker 1: that may be surprising to you, guys. I think this 312 00:15:31,440 --> 00:15:34,120 Speaker 1: is my best performance in the history of Boy Meets 313 00:15:34,160 --> 00:15:34,800 Speaker 1: World so far. 314 00:15:34,960 --> 00:15:37,680 Speaker 2: Really, it's very good, really great, You're great. 315 00:15:37,760 --> 00:15:41,920 Speaker 1: I am can I'm very hard on myself throughout watching 316 00:15:41,960 --> 00:15:45,440 Speaker 1: this show. I think this is right or strong as 317 00:15:45,440 --> 00:15:49,520 Speaker 1: Sean Hunter at his best. I don't know why I 318 00:15:49,560 --> 00:15:52,160 Speaker 1: feel like I am not self conscious. I feel like 319 00:15:52,280 --> 00:15:55,480 Speaker 1: I am dramatic without being too much, like that end. 320 00:15:55,640 --> 00:15:58,200 Speaker 3: Where I thank you for being my friend. 321 00:15:58,320 --> 00:16:01,120 Speaker 1: Yeah but all but from the class like where I 322 00:16:01,160 --> 00:16:04,480 Speaker 1: give the thing like I just I just am like 323 00:16:05,080 --> 00:16:08,320 Speaker 1: downplaying it. And the greatest moment in the history of 324 00:16:08,320 --> 00:16:11,120 Speaker 1: Boy Meets World for me is my dance at the 325 00:16:11,120 --> 00:16:13,800 Speaker 1: beginning with Ben and I jump up and it's funny. 326 00:16:13,920 --> 00:16:16,120 Speaker 1: I don't know what is happening. I don't remember any 327 00:16:16,160 --> 00:16:18,600 Speaker 1: of this, but I am so not self conscious. I 328 00:16:18,600 --> 00:16:22,040 Speaker 1: am just having fun. And I think that this episode, 329 00:16:22,400 --> 00:16:25,400 Speaker 1: and if I think historically, it makes sense that this 330 00:16:25,560 --> 00:16:30,240 Speaker 1: follows the wrestling Ben and I have entered mind mold 331 00:16:30,800 --> 00:16:33,640 Speaker 1: with this end. Yes, we are, I think after the 332 00:16:33,760 --> 00:16:37,720 Speaker 1: trauma of going through the ww as together, we are 333 00:16:37,960 --> 00:16:41,120 Speaker 1: so in sync with one another. I am clearly just 334 00:16:41,320 --> 00:16:43,800 Speaker 1: enjoying working with Ben Savage, and the two of us 335 00:16:43,840 --> 00:16:46,320 Speaker 1: are just bouncing off each other, and I am having 336 00:16:46,440 --> 00:16:49,200 Speaker 1: so much fun. I could tell that I am as 337 00:16:49,240 --> 00:16:52,640 Speaker 1: a teen actor, am having fun with Ben like and 338 00:16:52,720 --> 00:16:54,880 Speaker 1: I think this just enters a new era for me 339 00:16:54,920 --> 00:16:56,880 Speaker 1: as an actor that I could see like I don't 340 00:16:56,920 --> 00:16:59,720 Speaker 1: remember this episode, but I could see like, oh, that's 341 00:16:59,880 --> 00:17:02,960 Speaker 1: like me in a different mindset, Like I'm just relaxed 342 00:17:02,960 --> 00:17:03,760 Speaker 1: and I'm having fun. 343 00:17:03,800 --> 00:17:05,760 Speaker 2: And so I really that's what I was gonna say. 344 00:17:05,960 --> 00:17:08,399 Speaker 2: I thought the strongest part of this episode was you 345 00:17:08,440 --> 00:17:12,080 Speaker 2: and Ben together. Yeah, it's fun between the two of you. 346 00:17:12,320 --> 00:17:14,199 Speaker 2: That worked and the cuts that they were doing with 347 00:17:14,280 --> 00:17:16,840 Speaker 2: like between the Matthews family and the Hunter family, the 348 00:17:16,840 --> 00:17:19,240 Speaker 2: optical flips, the stuff, the showing the difference with the 349 00:17:19,280 --> 00:17:20,560 Speaker 2: where the two of you are on a team and 350 00:17:20,600 --> 00:17:22,320 Speaker 2: then you're trying to make each other feel better where 351 00:17:22,320 --> 00:17:24,080 Speaker 2: it's like, hey, everything's great. Then you do the turn. 352 00:17:24,440 --> 00:17:25,840 Speaker 2: You guys were great at the eisode. 353 00:17:25,840 --> 00:17:26,160 Speaker 1: It's fun. 354 00:17:26,560 --> 00:17:30,679 Speaker 3: The fun was palpable. Absolutely you could feel it. It 355 00:17:30,720 --> 00:17:33,359 Speaker 3: was very it was jumping through the screen. It was 356 00:17:33,440 --> 00:17:36,479 Speaker 3: like totally makes you understand, not that it has been 357 00:17:36,520 --> 00:17:39,800 Speaker 3: confusing before, but it totally makes you understand why the 358 00:17:39,920 --> 00:17:44,280 Speaker 3: Corey and Sean friendship is so beloved, Like why that 359 00:17:44,400 --> 00:17:47,280 Speaker 3: relationship is looked up to and is like put on 360 00:17:47,320 --> 00:17:49,480 Speaker 3: a pedestal as being, you know, true. 361 00:17:49,280 --> 00:17:51,399 Speaker 2: Friendship behind Corey and Tepanga. I think it's Corey and 362 00:17:51,400 --> 00:17:52,720 Speaker 2: t Panga and then there's Corey Sean. 363 00:17:52,840 --> 00:17:54,159 Speaker 3: I think it's on the same level. 364 00:17:54,240 --> 00:17:56,400 Speaker 2: I think that's possible too. 365 00:17:56,520 --> 00:17:58,400 Speaker 3: I think it's on the same level that people go 366 00:17:58,960 --> 00:18:03,280 Speaker 3: Corey and Sean and. 367 00:18:01,720 --> 00:18:04,400 Speaker 1: The romance is a real thing. But it's funny because 368 00:18:04,400 --> 00:18:08,120 Speaker 1: I felt it in the writing constantly, obviously from the beginning, 369 00:18:08,160 --> 00:18:10,440 Speaker 1: but for some reason, this is the episode where I 370 00:18:10,480 --> 00:18:13,160 Speaker 1: feel like it locked in in the performance, like Ben 371 00:18:13,160 --> 00:18:16,840 Speaker 1: and I are just enjoying each other's acting, and my. 372 00:18:16,920 --> 00:18:18,880 Speaker 2: Far the strongest part of this episode was the two 373 00:18:18,880 --> 00:18:19,400 Speaker 2: of You's. 374 00:18:20,160 --> 00:18:22,720 Speaker 3: So jumping into our recap, we start in Phoene's classroom, 375 00:18:22,840 --> 00:18:26,040 Speaker 3: where I noticed for the first time a poster of 376 00:18:26,880 --> 00:18:31,879 Speaker 3: just soup and it just says soup in big letters. 377 00:18:31,920 --> 00:18:35,680 Speaker 3: Just wow, a clam soup and it says soup. 378 00:18:36,840 --> 00:18:39,800 Speaker 1: But old on is it because of the cam drive. 379 00:18:39,640 --> 00:18:43,240 Speaker 3: The who know? No, just like a piece of art soup? 380 00:18:43,320 --> 00:18:45,040 Speaker 2: And it's also a Turkey Day. They've made sure you 381 00:18:45,040 --> 00:18:49,360 Speaker 2: know it's Turkey Day. There's there's turkey, there's Thanksgiving everywhere. 382 00:18:49,400 --> 00:18:50,000 Speaker 2: Gobble gobble. 383 00:18:50,880 --> 00:18:54,040 Speaker 3: So Foene is teaching about the conflict in Burundi and 384 00:18:54,119 --> 00:18:58,640 Speaker 3: explaining that it's leaking into Rwanda and Uganda. Cory stares blank, blankly. 385 00:18:58,800 --> 00:19:01,640 Speaker 3: He's making these names up. Sean agrees, he's finally run 386 00:19:01,640 --> 00:19:03,320 Speaker 3: out of stuff to teach. We're gonna have to put 387 00:19:03,359 --> 00:19:04,960 Speaker 3: a bag over him and drag him out of the room. 388 00:19:05,280 --> 00:19:08,320 Speaker 3: Foene focuses on class differences, saying they are a perennial 389 00:19:08,359 --> 00:19:10,480 Speaker 3: source of misery on this planet, which is. 390 00:19:10,800 --> 00:19:16,720 Speaker 1: A very interesting like take to make class. There's no 391 00:19:16,800 --> 00:19:22,000 Speaker 1: reference to ethnic differences or like ethnic classes. It's just 392 00:19:22,280 --> 00:19:25,880 Speaker 1: reduced to, oh, it's it's about class, which is a 393 00:19:25,880 --> 00:19:29,240 Speaker 1: a very it like it. It's an it's it's a take, 394 00:19:29,560 --> 00:19:33,320 Speaker 1: and then of course it plays into that. But you know, yeah, 395 00:19:33,359 --> 00:19:33,840 Speaker 1: but they. 396 00:19:33,720 --> 00:19:37,479 Speaker 2: Did this same conversation already with time Machine and the 397 00:19:37,480 --> 00:19:38,520 Speaker 2: Eloy and the Morlock. 398 00:19:39,240 --> 00:19:43,400 Speaker 3: We had this one, right, you're right, you're right. 399 00:19:43,480 --> 00:19:46,000 Speaker 2: I mean, this is they're teaching the same thing with 400 00:19:46,040 --> 00:19:46,880 Speaker 2: a different book, But that. 401 00:19:46,840 --> 00:19:49,640 Speaker 1: One makes a little more sense because that's. 402 00:19:49,400 --> 00:19:51,280 Speaker 2: Because that's exactly what it was about. That's what the 403 00:19:51,320 --> 00:19:52,119 Speaker 2: book was about. 404 00:19:52,960 --> 00:19:56,760 Speaker 1: But yeah, reduce it like there's no national identity, there's 405 00:19:56,760 --> 00:20:00,360 Speaker 1: no ethnic identity, there's no tribal identity, there's no it's 406 00:20:00,440 --> 00:20:03,640 Speaker 1: just religious related. No religious it's just we're gonna make 407 00:20:04,000 --> 00:20:09,399 Speaker 1: this huge, complicated world. We're going to just spoil it 408 00:20:09,400 --> 00:20:11,879 Speaker 1: down to class difference and the haves and the have 409 00:20:12,080 --> 00:20:15,320 Speaker 1: nazas written on the board, which is super I was like, oh, okay, 410 00:20:15,359 --> 00:20:17,040 Speaker 1: which is why it worked with time machine. 411 00:20:17,240 --> 00:20:17,879 Speaker 2: Yeah, I mean that was. 412 00:20:17,880 --> 00:20:19,119 Speaker 1: Because that's literally what it is. 413 00:20:19,280 --> 00:20:21,840 Speaker 2: That's exactly. So that's why I was like, Oh, they're 414 00:20:21,840 --> 00:20:23,560 Speaker 2: doing this again, but different. 415 00:20:23,760 --> 00:20:27,600 Speaker 3: Yeah, just to play Devil's advocate a tiny yes, I'm 416 00:20:27,600 --> 00:20:29,000 Speaker 3: not even really playing Devil's advocate. 417 00:20:29,119 --> 00:20:29,560 Speaker 2: You're right. 418 00:20:29,960 --> 00:20:33,160 Speaker 3: But also, as we've mentioned in other times, where there 419 00:20:33,200 --> 00:20:36,880 Speaker 3: have been mentions of literature or poetry or something and 420 00:20:36,920 --> 00:20:40,600 Speaker 3: then it has a very loose thread connection to the storyline, 421 00:20:41,400 --> 00:20:47,120 Speaker 3: I still think putting things out there that I still 422 00:20:47,119 --> 00:20:51,240 Speaker 3: feel like you learn about it because, especially now rewatching, 423 00:20:52,080 --> 00:20:54,359 Speaker 3: you can then go what was that about. I did 424 00:20:54,400 --> 00:20:57,159 Speaker 3: a little bit of research because I wanted to know 425 00:20:57,160 --> 00:20:59,880 Speaker 3: what we were talking about, and so I did then 426 00:21:00,240 --> 00:21:03,960 Speaker 3: oh wow, didn't know about that? Interesting? And I think 427 00:21:04,000 --> 00:21:06,359 Speaker 3: at the time, even though there wasn't a you know, 428 00:21:06,480 --> 00:21:10,439 Speaker 3: world wide web to Google all your answers to even 429 00:21:10,600 --> 00:21:16,760 Speaker 3: just speaking about a subject and starts conversations, brings things up, 430 00:21:16,880 --> 00:21:20,040 Speaker 3: makes you maybe ask your teacher about it, makes you 431 00:21:20,119 --> 00:21:20,960 Speaker 3: learn more about it. 432 00:21:21,000 --> 00:21:23,439 Speaker 2: So you also have to earn the knowledge back in 433 00:21:23,440 --> 00:21:23,720 Speaker 2: the day. 434 00:21:23,760 --> 00:21:26,320 Speaker 1: And it is it is unusual for boy means world 435 00:21:26,320 --> 00:21:31,000 Speaker 1: because we didn't we referenced literature, we referenced history, but 436 00:21:31,240 --> 00:21:34,479 Speaker 1: current events is actually a pretty rare thing for us 437 00:21:34,520 --> 00:21:38,600 Speaker 1: to hint on this heavy and and so it's it's yeah, 438 00:21:38,680 --> 00:21:41,880 Speaker 1: in some ways, that's great, Like you lean into it, right, 439 00:21:41,960 --> 00:21:43,800 Speaker 1: and like this is something that a lot of people, 440 00:21:43,920 --> 00:21:47,080 Speaker 1: probably kids now, don't even really know about that. So 441 00:21:47,400 --> 00:21:50,960 Speaker 1: carrying these names wanting yeah, that's a good point. 442 00:21:51,080 --> 00:21:54,399 Speaker 2: I can never You never go wrong with Foeni in 443 00:21:54,440 --> 00:21:57,199 Speaker 2: front of the classroom teaching. Mm hmm, like it just 444 00:21:57,280 --> 00:21:59,359 Speaker 2: you can never. There's never a scene where you're like, 445 00:21:59,359 --> 00:22:02,520 Speaker 2: oh man, they've got Phoenie at the chalkboard again. You're going, oh, okay, good, 446 00:22:02,520 --> 00:22:05,560 Speaker 2: I feel comfortable. There's yeah, mister Phoene's teaching a class. 447 00:22:05,600 --> 00:22:06,760 Speaker 2: That's always a good thing. 448 00:22:07,160 --> 00:22:09,800 Speaker 3: Yeah, Phoene adds the class must do a paper on 449 00:22:09,840 --> 00:22:12,520 Speaker 3: this topic during the Thanksgiving break, resulting in a loud 450 00:22:12,560 --> 00:22:16,359 Speaker 3: groan from the class. Also, Phoene congratulates the class on 451 00:22:16,440 --> 00:22:20,280 Speaker 3: another successful food drive this year and announces the winners 452 00:22:20,320 --> 00:22:24,520 Speaker 3: are Corey Matthews and Sean Hunter, both telegraphing they knew 453 00:22:24,600 --> 00:22:27,760 Speaker 3: the victory was coming. They spring up and start dancing 454 00:22:27,800 --> 00:22:30,440 Speaker 3: to Penga complaints, this is so unfair. They just turn 455 00:22:30,480 --> 00:22:33,400 Speaker 3: in the same cans year after year. And I hope 456 00:22:33,400 --> 00:22:36,280 Speaker 3: you guys enjoyed my performance because I don't say another 457 00:22:36,359 --> 00:22:41,160 Speaker 3: thing for the rest of your Yeah, Sean defends himself. 458 00:22:41,280 --> 00:22:43,600 Speaker 3: The food bank gives them to my family. My family 459 00:22:43,640 --> 00:22:45,480 Speaker 3: gives them back to the food bank. It's life in 460 00:22:45,480 --> 00:22:49,440 Speaker 3: the food bank chain. Phoene reveals their winning prizes a turkey. 461 00:22:49,800 --> 00:22:51,920 Speaker 3: They're not impressed, but then he pulls out a box 462 00:22:51,920 --> 00:22:53,920 Speaker 3: of stuffing and they're impressed. 463 00:22:54,200 --> 00:22:56,240 Speaker 2: Ooh so true. 464 00:22:56,320 --> 00:22:57,880 Speaker 1: Turkey is the worst part of. 465 00:22:58,600 --> 00:23:02,200 Speaker 3: An em great love turkey, Thanks for being. 466 00:23:03,960 --> 00:23:04,520 Speaker 1: Turkey is the. 467 00:23:04,440 --> 00:23:06,239 Speaker 3: Best no One. 468 00:23:06,640 --> 00:23:08,800 Speaker 1: No one likes Thanksgiving because of the turkey. It is 469 00:23:08,840 --> 00:23:11,359 Speaker 1: always a huge pain and we have to figure out 470 00:23:11,440 --> 00:23:13,399 Speaker 1: how to make it work. It takes so much time 471 00:23:13,480 --> 00:23:13,840 Speaker 1: the oven. 472 00:23:14,320 --> 00:23:15,399 Speaker 2: You're bad at making turkey. 473 00:23:15,520 --> 00:23:21,680 Speaker 1: No, she does bacon wrapped turkey with cornbread stuffing. It's delicious. 474 00:23:22,000 --> 00:23:25,439 Speaker 1: As far as turkey goes, it still does not matter. 475 00:23:25,560 --> 00:23:26,919 Speaker 1: Oh no Thanksgiving. 476 00:23:28,560 --> 00:23:30,880 Speaker 3: I mean, well, I'm going to your Thanksgiving in May. 477 00:23:31,119 --> 00:23:33,959 Speaker 2: So yeah, great, you're doing it right. We won't We're 478 00:23:34,000 --> 00:23:36,600 Speaker 2: not a writer. Yeah, writer, just won't be there. We'll 479 00:23:36,600 --> 00:23:39,480 Speaker 2: give you a cheeseburger. But that's made of a veget vegetable. 480 00:23:39,560 --> 00:23:45,280 Speaker 3: Vegetables, grape Now great, great. Now we're in the school hallway. 481 00:23:45,320 --> 00:23:47,359 Speaker 3: Everyone files out and Corey tells Sean he can have 482 00:23:47,400 --> 00:23:50,200 Speaker 3: the turkey, he'll keep the stuffing. No, Sean wants the stuffing. 483 00:23:50,400 --> 00:23:52,400 Speaker 3: They agree it is the best part. They go back 484 00:23:52,440 --> 00:23:54,920 Speaker 3: and forth hoover who should get the stuffing. Finally ask 485 00:23:55,040 --> 00:23:57,920 Speaker 3: each other how can they have it together. It's very 486 00:23:58,359 --> 00:24:00,520 Speaker 3: quick dialogue, very Tarantina esque. 487 00:24:00,960 --> 00:24:06,000 Speaker 1: You guys, this is like this and we're doing a thing. 488 00:24:06,160 --> 00:24:09,960 Speaker 1: It's great. 489 00:24:11,560 --> 00:24:13,399 Speaker 3: I know. All of this was so fun for me. 490 00:24:13,720 --> 00:24:16,800 Speaker 3: Corey proposes a plan. They eat the stuffing together, but 491 00:24:16,920 --> 00:24:19,360 Speaker 3: problem is they both have to be with their respective families. 492 00:24:19,520 --> 00:24:22,720 Speaker 3: So Corey suggests that their families have Thanksgiving dinner together 493 00:24:23,000 --> 00:24:26,000 Speaker 3: and their parents, who've never really met, can get acquainted. 494 00:24:26,040 --> 00:24:28,399 Speaker 3: Then the boys are ecstatic at the idea of a 495 00:24:28,480 --> 00:24:32,240 Speaker 3: Hunter's Matthew's big event. But then optical flip. We're in 496 00:24:32,240 --> 00:24:34,440 Speaker 3: the Matthew's kitchen and Alan is shaking his head. He 497 00:24:34,480 --> 00:24:37,159 Speaker 3: doesn't want to spend Thanksgiving with the Hunters. Amy groans 498 00:24:37,200 --> 00:24:40,520 Speaker 3: it's a family holiday, and Corey says, Sean is family. 499 00:24:40,720 --> 00:24:43,280 Speaker 3: He explains that over at the Hunters they are absolutely 500 00:24:43,320 --> 00:24:49,600 Speaker 3: delighted to have Thanksgiving with us another and it worked, 501 00:24:49,680 --> 00:24:57,840 Speaker 3: and it worked. Delighted and the Hunters trailer. Chet sarcastically asks, 502 00:24:58,080 --> 00:24:58,760 Speaker 3: go for a rider. 503 00:24:59,240 --> 00:24:59,920 Speaker 1: Look delighted. 504 00:25:01,320 --> 00:25:04,920 Speaker 3: He's holding the world's tiniest coffee cup. 505 00:25:05,160 --> 00:25:08,200 Speaker 2: Did you guys? It's very small? It's so cute. Well, 506 00:25:08,200 --> 00:25:09,600 Speaker 2: they've got to show that they don't have any money 507 00:25:09,680 --> 00:25:11,080 Speaker 2: so they can't afford a regular size. 508 00:25:11,200 --> 00:25:15,960 Speaker 3: I love it. He explains that it's unnatural to mix 509 00:25:16,000 --> 00:25:18,840 Speaker 3: the classes. You're tampering with the primal force of nature. 510 00:25:19,160 --> 00:25:21,639 Speaker 3: Verna defends her son, saying she thinks it's a great idea. 511 00:25:21,840 --> 00:25:24,920 Speaker 3: Chet is befuddled. Have you been drinking? She explains, there's 512 00:25:24,960 --> 00:25:28,119 Speaker 3: nothing wrong with having contact with a better class of people. 513 00:25:28,640 --> 00:25:31,440 Speaker 3: Chet accuses her of being a social climber, and Verner responds, 514 00:25:31,480 --> 00:25:33,200 Speaker 3: say what you will, but they're coming. 515 00:25:34,600 --> 00:25:39,440 Speaker 1: Better class. I know, yeah, and why would he be 516 00:25:39,720 --> 00:25:45,640 Speaker 1: against It's it feels very artificial, this whole seal. I agree, 517 00:25:45,680 --> 00:25:48,600 Speaker 1: and I think, yeah, this side of the equation is 518 00:25:48,680 --> 00:25:50,440 Speaker 1: just not great. 519 00:25:50,520 --> 00:25:52,840 Speaker 2: No, like that the. 520 00:25:52,800 --> 00:25:56,639 Speaker 1: Issue should have been that they are insecure immediately, like 521 00:25:56,680 --> 00:25:58,560 Speaker 1: they don't want to have people over. I don't know. 522 00:25:58,760 --> 00:26:00,920 Speaker 1: It's just like there's a million in ways to show 523 00:26:01,560 --> 00:26:06,000 Speaker 1: the conflict and the fact that they're self consciously aware 524 00:26:06,160 --> 00:26:10,720 Speaker 1: of like oh, they're better than us, they're richer than us. 525 00:26:11,440 --> 00:26:13,520 Speaker 2: But it also leads the Matthews to being like, well, 526 00:26:13,520 --> 00:26:15,240 Speaker 2: we don't want to go there and have Thanksgiving with 527 00:26:15,320 --> 00:26:17,600 Speaker 2: them because they don't have a lot of money. It's like, 528 00:26:17,600 --> 00:26:21,640 Speaker 2: what they've never been like that, They've never been that family. 529 00:26:21,840 --> 00:26:23,119 Speaker 2: As a matter of fact, we've gone out of our 530 00:26:23,160 --> 00:26:25,880 Speaker 2: way to show that when the quote unquote richie rich 531 00:26:25,920 --> 00:26:28,320 Speaker 2: people show up at the house, they're like, you know, 532 00:26:28,440 --> 00:26:32,360 Speaker 2: they're yes, they don't get along with The problem. 533 00:26:32,000 --> 00:26:35,399 Speaker 1: Should be one of culture, not of money, right, Like 534 00:26:35,720 --> 00:26:39,119 Speaker 1: the conflict should be based on they, I don't know, 535 00:26:40,320 --> 00:26:43,560 Speaker 1: watch crappy TV shows and don't read or whatever. 536 00:26:43,320 --> 00:26:46,199 Speaker 3: Like they like to wear their boxers and you know, 537 00:26:46,280 --> 00:26:47,960 Speaker 3: like for chet, I want to be in my boxers 538 00:26:48,000 --> 00:26:48,960 Speaker 3: all day, right. 539 00:26:49,200 --> 00:26:53,240 Speaker 1: Or they drink too much, you know whatever. They're real, right, 540 00:26:53,280 --> 00:26:56,560 Speaker 1: they're like real cultural issues instead like to go to money, 541 00:26:56,600 --> 00:26:58,800 Speaker 1: Like people don't think in terms of money. People don't 542 00:26:58,840 --> 00:27:02,920 Speaker 1: actually talk in terms of money. They they they rational, 543 00:27:03,160 --> 00:27:05,360 Speaker 1: Like I do believe that there are huge class differences 544 00:27:05,400 --> 00:27:09,240 Speaker 1: between people, obviously, but I but the people don't experience 545 00:27:09,280 --> 00:27:13,080 Speaker 1: class difference as class difference. They experience it as cultural difference. Right, 546 00:27:13,400 --> 00:27:16,119 Speaker 1: So like you just think you're better than somebody because 547 00:27:16,440 --> 00:27:18,639 Speaker 1: you're richer than them. You don't understand, you know what 548 00:27:18,680 --> 00:27:21,359 Speaker 1: I'm saying. Like, so the fact that these characters are 549 00:27:21,400 --> 00:27:25,159 Speaker 1: all consciously talking about their differences from each other in 550 00:27:25,240 --> 00:27:29,000 Speaker 1: terms of money, it doesn't reflect reality. Like that's not 551 00:27:29,080 --> 00:27:32,680 Speaker 1: the way people actually engage with one another. So it's 552 00:27:32,920 --> 00:27:34,040 Speaker 1: it's completely. 553 00:27:33,960 --> 00:27:36,520 Speaker 2: Facial to me. It yeah, it was very It was 554 00:27:36,600 --> 00:27:37,359 Speaker 2: just strange for me. 555 00:27:37,560 --> 00:27:40,520 Speaker 3: So Ched announces over my big dead body. Then we 556 00:27:40,600 --> 00:27:44,200 Speaker 3: get what I can only call a modified optical flip, 557 00:27:44,400 --> 00:27:47,520 Speaker 3: where we're back at the Matthew's kitchen. Sean excitedly tells 558 00:27:47,520 --> 00:27:50,359 Speaker 3: Corey his folks are totally up for it. Corey says 559 00:27:50,359 --> 00:27:53,640 Speaker 3: the same, It's going to be great. And then hilariously, 560 00:27:53,960 --> 00:27:56,120 Speaker 3: you both turn away from each other and you look 561 00:27:56,240 --> 00:27:57,199 Speaker 3: like you might vomit. 562 00:27:57,480 --> 00:27:59,879 Speaker 2: Yeah. I had to positive orwind to watch both of 563 00:28:00,119 --> 00:28:02,200 Speaker 2: you because both your faces were just so good. 564 00:28:02,359 --> 00:28:06,200 Speaker 3: It's so good and it feels like ah hijinks and 565 00:28:06,560 --> 00:28:08,200 Speaker 3: just in the best way possible. 566 00:28:08,280 --> 00:28:08,560 Speaker 1: Yep. 567 00:28:09,400 --> 00:28:11,080 Speaker 3: Then we go to a commercial break and we're back 568 00:28:11,080 --> 00:28:13,840 Speaker 3: in the Matthew's kitchen. Allan, while holding a normal sized 569 00:28:13,840 --> 00:28:16,440 Speaker 3: coffee cup, hangs up the phone. It was verna hunter 570 00:28:16,560 --> 00:28:19,520 Speaker 3: with a pre Thanksgiving Day tip for them. Apparently there 571 00:28:19,520 --> 00:28:21,840 Speaker 3: are a lot of stray animals around the trailer park 572 00:28:21,880 --> 00:28:24,840 Speaker 3: of Vicious Goat in particular, so don't wear red and 573 00:28:24,960 --> 00:28:28,160 Speaker 3: don't make any jerky movements. Amy offers maybe we should 574 00:28:28,160 --> 00:28:31,600 Speaker 3: wear camouflage, but Alan explains, no, that upsets the bear. 575 00:28:31,960 --> 00:28:35,159 Speaker 1: And this rusty is incredible. I know. 576 00:28:35,280 --> 00:28:39,400 Speaker 4: He is so funny in this episode, not only funny, 577 00:28:39,400 --> 00:28:43,080 Speaker 4: but also like later, the delicacy with which he approaches 578 00:28:43,240 --> 00:28:46,440 Speaker 4: like the conflict with them. He is just no, He's 579 00:28:46,680 --> 00:28:50,400 Speaker 4: such the consummate actor and totally took it for granted. 580 00:28:50,400 --> 00:28:53,480 Speaker 2: One I said, literally said the same thing to Sue. 581 00:28:53,520 --> 00:28:55,040 Speaker 2: We were watching it last night, and I looked at 582 00:28:55,080 --> 00:28:57,120 Speaker 2: her and I was like, I wish I knew how 583 00:28:57,160 --> 00:29:00,720 Speaker 2: good this man was when we were there. Yeah, he 584 00:29:01,640 --> 00:29:04,440 Speaker 2: crushes it on a daily basis, and he was so 585 00:29:04,520 --> 00:29:05,480 Speaker 2: good at the efforts. 586 00:29:05,640 --> 00:29:08,400 Speaker 1: It's just effortless. This is actually a very difficult role 587 00:29:08,440 --> 00:29:09,120 Speaker 1: that he's playing in. 588 00:29:09,040 --> 00:29:12,080 Speaker 3: This episode, and you never you. 589 00:29:11,880 --> 00:29:15,239 Speaker 1: Never judge him as a character for judging them, And 590 00:29:15,280 --> 00:29:18,560 Speaker 1: that's really tricky because the way it's written, Alan and 591 00:29:18,600 --> 00:29:20,600 Speaker 1: are being pretty weird, like it's. 592 00:29:20,480 --> 00:29:23,920 Speaker 3: Not great, and Amy has one later that just makes me. 593 00:29:23,880 --> 00:29:28,600 Speaker 1: Go, what so good? Rust? He is so good? 594 00:29:30,280 --> 00:29:32,120 Speaker 3: I would like to point out, because we just talked 595 00:29:32,120 --> 00:29:35,160 Speaker 3: about it in the scene before this is actually exactly 596 00:29:35,240 --> 00:29:38,120 Speaker 3: what we're talking about. The cultural differences, the fact that 597 00:29:38,680 --> 00:29:41,560 Speaker 3: don't wear red. There's a wily goat loose on the 598 00:29:41,600 --> 00:29:45,240 Speaker 3: property and the goat might attack us, and wearing camouflage, no, 599 00:29:45,360 --> 00:29:47,560 Speaker 3: that will upset the bear. That kind of stuff of 600 00:29:47,600 --> 00:29:49,640 Speaker 3: like I don't want to go there, there's. 601 00:29:49,440 --> 00:29:51,920 Speaker 1: A goat totally. 602 00:29:52,000 --> 00:29:55,200 Speaker 3: That kind of thing is is would would totally make 603 00:29:55,240 --> 00:29:56,240 Speaker 3: you feel. 604 00:29:55,920 --> 00:29:59,400 Speaker 1: Like uncomfortable without knowing why you're uncomfortable. 605 00:29:59,400 --> 00:30:02,720 Speaker 3: But yeah, exactly so they did do it, because we 606 00:30:02,760 --> 00:30:05,720 Speaker 3: did just criticize the fact that they the premise was 607 00:30:05,760 --> 00:30:06,280 Speaker 3: set up. 608 00:30:06,360 --> 00:30:08,560 Speaker 1: Well, I think it's very tough. Like, I don't think 609 00:30:08,600 --> 00:30:11,120 Speaker 1: it's easy. You know. I think as a writer, if 610 00:30:11,160 --> 00:30:14,400 Speaker 1: you're trying to write this, you're trying to write class difference. 611 00:30:14,480 --> 00:30:17,480 Speaker 1: That's a very tough thing to show, and especially to 612 00:30:17,560 --> 00:30:21,360 Speaker 1: appeal to your audience, right, which is a mainstream American 613 00:30:21,400 --> 00:30:24,240 Speaker 1: audience which has people that live in trailer parks, people 614 00:30:24,240 --> 00:30:26,640 Speaker 1: that live in nice houses, and like, how do you 615 00:30:27,240 --> 00:30:30,200 Speaker 1: how do you get your your audience on the side 616 00:30:30,240 --> 00:30:33,360 Speaker 1: of all of these characters. It's tricky, man, Like, it's 617 00:30:33,400 --> 00:30:36,160 Speaker 1: a tough episode. And I you know, we did it 618 00:30:36,240 --> 00:30:38,640 Speaker 1: when we showed the trailer park before we did it 619 00:30:38,680 --> 00:30:42,800 Speaker 1: by making Shawn's family criminals, right, that was the like out, 620 00:30:43,080 --> 00:30:45,000 Speaker 1: that was the way to be like, isn't this family 621 00:30:45,080 --> 00:30:48,760 Speaker 1: crazy because they're all criminals, not because they're poor, And 622 00:30:49,000 --> 00:30:53,280 Speaker 1: then here it's just, yeah, it's tricky. I don't know. 623 00:30:53,320 --> 00:30:55,520 Speaker 1: I don't have the answer. I don't I think maybe 624 00:30:55,920 --> 00:30:58,520 Speaker 1: it's flawed from the outset, Like maybe you just don't 625 00:30:58,520 --> 00:31:01,920 Speaker 1: do this kind of episode because it's too it's too hard. 626 00:31:01,960 --> 00:31:04,200 Speaker 3: It's because they do again, they do the same thing 627 00:31:04,400 --> 00:31:06,920 Speaker 3: talking about how do you show it? Even though it's 628 00:31:06,920 --> 00:31:09,680 Speaker 3: not necessarily a great example, but the unters they show 629 00:31:09,680 --> 00:31:12,440 Speaker 3: it there too, by like, oh, I just assumed that 630 00:31:12,640 --> 00:31:15,400 Speaker 3: was broken. So you think I would have something broken 631 00:31:15,640 --> 00:31:18,480 Speaker 3: in my house and I just wouldn't fix it. Why 632 00:31:18,480 --> 00:31:21,320 Speaker 3: would I do that? So it is, it's hard, and 633 00:31:21,400 --> 00:31:23,360 Speaker 3: I think they tried, and I think in the ways 634 00:31:23,360 --> 00:31:26,520 Speaker 3: that they tried, they did a really good job of it. 635 00:31:26,520 --> 00:31:29,680 Speaker 3: It's just it is. It's a tough it's a tough setup. 636 00:31:29,880 --> 00:31:31,520 Speaker 2: It is, But that's why I think, like I said, 637 00:31:31,720 --> 00:31:33,920 Speaker 2: I could see this as a Fresh Prince episode where 638 00:31:33,920 --> 00:31:38,120 Speaker 2: it's like the uber wealthy family going to the trailer 639 00:31:38,160 --> 00:31:41,080 Speaker 2: park family makes more sense than I mean, they've done 640 00:31:41,120 --> 00:31:43,960 Speaker 2: episodes where the Matthews are struggling for money. Where what 641 00:31:44,040 --> 00:31:45,240 Speaker 2: are you going to do about this? What are we 642 00:31:45,240 --> 00:31:47,520 Speaker 2: going to do about that? So they're not different enough 643 00:31:47,560 --> 00:31:50,640 Speaker 2: in class for this setup to work for me? Yeah? Right. 644 00:31:50,720 --> 00:31:54,320 Speaker 3: I do appreciate the effort, though, I will say, yeah, 645 00:31:54,400 --> 00:31:58,440 Speaker 3: I appreciate the effort, especially since so much of the 646 00:31:58,480 --> 00:32:04,480 Speaker 3: show is bill around Seawan's character to actually really do 647 00:32:04,720 --> 00:32:06,120 Speaker 3: an episode. 648 00:32:05,840 --> 00:32:09,080 Speaker 1: And I love the naivete of children being friends and 649 00:32:09,120 --> 00:32:12,200 Speaker 1: their parents friends like well, my favorite line is is 650 00:32:12,360 --> 00:32:13,800 Speaker 1: I think it's at the end of this scene that 651 00:32:13,920 --> 00:32:16,840 Speaker 1: Rusty says we'll get to it, but I feel like 652 00:32:16,880 --> 00:32:20,000 Speaker 1: he says something to the effect of like just we'll 653 00:32:20,000 --> 00:32:20,400 Speaker 1: get to it. 654 00:32:20,680 --> 00:32:23,920 Speaker 3: We'll get to it, okay. So then Frankie appears at 655 00:32:23,920 --> 00:32:25,880 Speaker 3: the door and announces, out of respect, I come to 656 00:32:25,920 --> 00:32:29,040 Speaker 3: you the father of Morgan Matthews to discuss a dating situation. 657 00:32:29,440 --> 00:32:32,520 Speaker 3: Alan turns to Amy and frantically whispers, call the cops. 658 00:32:32,680 --> 00:32:37,000 Speaker 1: I love all the cops of a dated situation. 659 00:32:37,960 --> 00:32:40,640 Speaker 3: It is so funny. 660 00:32:40,680 --> 00:32:44,160 Speaker 1: And this is where I was like, Wow, Ethan really, 661 00:32:44,200 --> 00:32:47,520 Speaker 1: it's so interesting that he is the sort of sole 662 00:32:47,640 --> 00:32:51,120 Speaker 1: survivor of the second season, Like he's the only one 663 00:32:51,320 --> 00:32:54,280 Speaker 1: of all the bullies, of all those characters that we've introduced, 664 00:32:54,480 --> 00:32:59,600 Speaker 1: Adam Scott Blake, like we've had so many different versions 665 00:32:59,600 --> 00:33:03,440 Speaker 1: of like and he keeps coming back. It's so fascinating, 666 00:33:03,520 --> 00:33:06,080 Speaker 1: Like he really, he really was just such a great 667 00:33:06,120 --> 00:33:07,280 Speaker 1: presence and such a good actor. 668 00:33:07,400 --> 00:33:09,360 Speaker 2: You can also argue though, that other than the one 669 00:33:09,360 --> 00:33:11,479 Speaker 2: episode with Harley, he was also the character that they 670 00:33:11,480 --> 00:33:13,880 Speaker 2: gave the most depth to Yes, where it was like 671 00:33:13,920 --> 00:33:15,560 Speaker 2: you got to see more of him, They gave him 672 00:33:15,600 --> 00:33:18,200 Speaker 2: another color than just the funny bully in the in 673 00:33:18,240 --> 00:33:20,920 Speaker 2: the hallway, so you could keep bringing him back because 674 00:33:20,920 --> 00:33:22,680 Speaker 2: it was like, oh, there's so much more. And then there's, 675 00:33:22,720 --> 00:33:24,680 Speaker 2: of course just the fact that Ethan was just such 676 00:33:24,720 --> 00:33:25,200 Speaker 2: a good act. 677 00:33:25,240 --> 00:33:27,800 Speaker 1: But think about what that started with. That started with 678 00:33:28,160 --> 00:33:30,720 Speaker 1: a gay joke, Like that's literally what the character was 679 00:33:30,760 --> 00:33:32,560 Speaker 1: written as. He was supposed to be the big, tough 680 00:33:32,600 --> 00:33:35,040 Speaker 1: guy who then says, what are you saying? I'm gay? Right, 681 00:33:35,080 --> 00:33:38,280 Speaker 1: But that was his first line, and the joke there 682 00:33:38,400 --> 00:33:42,440 Speaker 1: was that this character has nuance and depth beyond being 683 00:33:42,640 --> 00:33:45,360 Speaker 1: just a big guy, which is just a one off 684 00:33:45,880 --> 00:33:50,960 Speaker 1: throwaway joke until it becomes this season's long character. It's 685 00:33:51,040 --> 00:33:51,800 Speaker 1: pretty brilliant. 686 00:33:51,800 --> 00:33:53,800 Speaker 2: It's pretty it's also because of how good he was. Yeah, 687 00:33:53,800 --> 00:33:55,160 Speaker 2: I mean it truly is how good he was. 688 00:33:55,240 --> 00:33:57,840 Speaker 3: So yeah, so it's not for frank eats for his 689 00:33:57,840 --> 00:34:00,120 Speaker 3: little brother, Herman, who appears from behind him holding a 690 00:34:00,120 --> 00:34:03,320 Speaker 3: bouquet of flowers. Frankie nudges Herman forward, just as we practiced. 691 00:34:03,560 --> 00:34:07,440 Speaker 3: Herman begins deer Matthew's family, especially the father. I request 692 00:34:07,480 --> 00:34:10,200 Speaker 3: the presence of Morgan Matthews for an after dinner piece 693 00:34:10,239 --> 00:34:13,520 Speaker 3: of pumpkin pie. Frankie explains, word around the trailer park 694 00:34:13,560 --> 00:34:16,920 Speaker 3: is you'll be on the premises Thanksgiving Day. Morgan excitedly 695 00:34:16,960 --> 00:34:19,920 Speaker 3: asks for her parents' permission, and it is granted. Frankie 696 00:34:19,960 --> 00:34:22,600 Speaker 3: excuses himself, if we are to have a female visitor, 697 00:34:22,600 --> 00:34:25,239 Speaker 3: we must tidy up the trailer. But before they go, 698 00:34:25,360 --> 00:34:27,960 Speaker 3: Frankie offers a word of caution. Alan cuts him off. 699 00:34:28,120 --> 00:34:31,960 Speaker 3: We know about the goat. Herman emphasizes, do not underestimate him. 700 00:34:32,080 --> 00:34:32,760 Speaker 3: He is wiley. 701 00:34:33,040 --> 00:34:33,680 Speaker 2: He is Wiley. 702 00:34:33,840 --> 00:34:37,480 Speaker 3: And it's a perfect little scene. I love it. Great scene. 703 00:34:37,360 --> 00:34:37,480 Speaker 2: Ye. 704 00:34:37,920 --> 00:34:40,800 Speaker 3: Then we're in the trailer park. Corey leads his family 705 00:34:40,840 --> 00:34:43,560 Speaker 3: to the Hunters with excitement, which includes Will wearing a 706 00:34:43,600 --> 00:34:45,399 Speaker 3: turtle neck and a sway. 707 00:34:45,400 --> 00:34:49,399 Speaker 1: Switch, and then is Rusty also wearing jacket. 708 00:34:49,560 --> 00:34:51,040 Speaker 2: I think his is brown brown? 709 00:34:51,280 --> 00:34:54,880 Speaker 1: Pretty? You guys are you guys are the Swede family. 710 00:34:55,040 --> 00:35:00,600 Speaker 1: Everybody's looking so like they've clearly lay. 711 00:35:01,680 --> 00:35:02,000 Speaker 2: People. 712 00:35:02,360 --> 00:35:08,920 Speaker 1: Yeah, just amazing. You're just like suddenly an eighties yuppie villain, 713 00:35:09,120 --> 00:35:10,480 Speaker 1: Like you know, you're just. 714 00:35:13,400 --> 00:35:18,440 Speaker 2: Like, yes, the show, Yeah, making sure that we win, 715 00:35:18,560 --> 00:35:20,600 Speaker 2: we win the summer thing at the rich Kids camp. 716 00:35:20,680 --> 00:35:24,560 Speaker 1: Yeah, that's what it's. It's summertimes. Sometimes you just think 717 00:35:24,920 --> 00:35:27,520 Speaker 1: you really should be carrying a racket. That would I 718 00:35:27,600 --> 00:35:29,080 Speaker 1: mean it, that's what I racket. 719 00:35:29,080 --> 00:35:32,080 Speaker 2: It's like, when did we ever see the Matthews like this? 720 00:35:32,200 --> 00:35:34,240 Speaker 2: I mean this was never seen. 721 00:35:34,480 --> 00:35:37,560 Speaker 1: Also, you guys own an outdoor store, like you think 722 00:35:37,600 --> 00:35:40,680 Speaker 1: you'd be comfortable with like outdoorsiness. 723 00:35:39,960 --> 00:35:40,560 Speaker 2: Door stuff. 724 00:35:42,680 --> 00:35:45,120 Speaker 3: So they're finally going to see where his best friend lives. 725 00:35:45,200 --> 00:35:47,719 Speaker 3: Amy realizes she forgot her person in the car. She 726 00:35:47,760 --> 00:35:49,279 Speaker 3: doesn't want it, but she doesn't want to leave it 727 00:35:49,280 --> 00:35:51,399 Speaker 3: in the car. Alan mitts, I don't want to leave 728 00:35:51,440 --> 00:35:53,160 Speaker 3: the car in the car, but we're stuck with it. 729 00:35:53,600 --> 00:35:55,520 Speaker 3: Eric times in, just give me the keys, I'll get 730 00:35:55,520 --> 00:35:57,640 Speaker 3: the purse. Alan asks, and when would you be back? 731 00:35:57,840 --> 00:36:01,520 Speaker 3: Eric answers not coming back, is disappointed he's never taking 732 00:36:01,560 --> 00:36:04,600 Speaker 3: them anywhere ever again. Amy is also surprised by this 733 00:36:04,680 --> 00:36:07,880 Speaker 3: family's negative attitude. Morgan then says she has to go 734 00:36:07,920 --> 00:36:10,200 Speaker 3: to the bathroom, and Amy quickly retorts, not here, honey, 735 00:36:10,200 --> 00:36:14,919 Speaker 3: hold it till we're home. Alan tells Corey to get 736 00:36:14,920 --> 00:36:17,040 Speaker 3: the purse, leaving the Matthews to find the trailer on 737 00:36:17,080 --> 00:36:19,560 Speaker 3: their own, and then we do a small little time lapse. 738 00:36:19,840 --> 00:36:22,480 Speaker 3: The Matthews seem lost. Which one did Corey say it? Was. 739 00:36:22,719 --> 00:36:25,360 Speaker 3: Alan points to a trailer that reads the Unters. That 740 00:36:25,480 --> 00:36:26,920 Speaker 3: has to be the one, and the Age must have 741 00:36:26,920 --> 00:36:29,520 Speaker 3: fallen off in the last twister flood or go to attack. 742 00:36:29,920 --> 00:36:31,799 Speaker 2: There was also funny. There was a pretty funny line 743 00:36:31,840 --> 00:36:36,399 Speaker 2: before where he says, Eric says to Corey, which one 744 00:36:36,440 --> 00:36:37,560 Speaker 2: is it? And he goes, it's that one down there, 745 00:36:37,600 --> 00:36:39,040 Speaker 2: and Eric says, O, you mean the one that looks 746 00:36:39,040 --> 00:36:41,719 Speaker 2: like all the other ones. Okay, great, so it is. 747 00:36:42,880 --> 00:36:45,239 Speaker 2: It's just it's so out of character for Eric, but 748 00:36:45,280 --> 00:36:46,080 Speaker 2: it was a funny line. 749 00:36:46,680 --> 00:36:49,640 Speaker 3: All the trailers look like all the other trailers. A 750 00:36:49,680 --> 00:36:52,280 Speaker 3: man who is not Chet opens the door. Alan asks 751 00:36:52,320 --> 00:36:54,759 Speaker 3: if the Hunters live there, and the man corrects him no, 752 00:36:55,080 --> 00:36:57,040 Speaker 3: we are the unders like it says right there on 753 00:36:57,080 --> 00:36:59,279 Speaker 3: the sign. Alan admits, so I thought the age had 754 00:36:59,280 --> 00:37:01,800 Speaker 3: fallen off. The man is defensive. You think of a 755 00:37:01,880 --> 00:37:05,000 Speaker 3: letter fell off my name? I wouldn't replace it. Alan stutters, 756 00:37:05,080 --> 00:37:08,520 Speaker 3: they're nice people, nice lost people. The man guesses they 757 00:37:08,520 --> 00:37:10,600 Speaker 3: aren't from around here, and Morgan tells them they live 758 00:37:10,640 --> 00:37:14,440 Speaker 3: over in Cedar Heights and is this the first mention. 759 00:37:14,360 --> 00:37:17,960 Speaker 2: Of Cedar n So and you add heights to something, it. 760 00:37:17,960 --> 00:37:23,560 Speaker 3: Becomes very wealthy. The man responds, La di da, I 761 00:37:23,600 --> 00:37:26,360 Speaker 3: hear that Cedar Heights is quite the lovely neighborhood. Amy 762 00:37:26,360 --> 00:37:28,680 Speaker 3: explains they're having dinner with the Hunters and wonders if 763 00:37:28,719 --> 00:37:30,880 Speaker 3: he can tell them where that is. The man points 764 00:37:30,880 --> 00:37:33,480 Speaker 3: to the trailer next door, sarcastically, saying he won't keep 765 00:37:33,520 --> 00:37:36,240 Speaker 3: them any longer because the Jet Hunters are probably looking 766 00:37:36,280 --> 00:37:39,480 Speaker 3: forward to their visit, and then he rudely slams the door. 767 00:37:40,360 --> 00:37:44,440 Speaker 2: Wait did you not see it? I broke Rusty? Did 768 00:37:44,480 --> 00:37:48,000 Speaker 2: you really? I broke Rusty? So I obviously like I 769 00:37:48,080 --> 00:37:50,120 Speaker 2: did that wave at the end after the door was shut, 770 00:37:50,160 --> 00:37:52,160 Speaker 2: and Rusty looks right at me and starts laughing. He 771 00:37:52,200 --> 00:37:54,879 Speaker 2: turns and then he's covering his mouth amazing as he's 772 00:37:54,960 --> 00:37:56,640 Speaker 2: knocking them out. I pause, and it's like, I did 773 00:37:56,840 --> 00:37:59,440 Speaker 2: I broke Crusty? So I full on broke Crusty at 774 00:37:59,440 --> 00:38:01,920 Speaker 2: that season. I was so happy with that. I was proud. 775 00:38:01,960 --> 00:38:02,520 Speaker 2: I don't know why. 776 00:38:03,640 --> 00:38:06,000 Speaker 3: So they take a few steps over to the Hunter's trailer. 777 00:38:06,080 --> 00:38:10,120 Speaker 3: It's now clean and festively decorated. Amy knocks on the door, 778 00:38:10,120 --> 00:38:14,040 Speaker 3: and inside Sean prepares his parents. They're here. Big smiles. Everybody. 779 00:38:14,320 --> 00:38:17,160 Speaker 3: The Matthews enter still minus Corey, and Alan pulls out 780 00:38:17,200 --> 00:38:20,040 Speaker 3: a nice bottle of wine he brought. Chet politely thanks him, 781 00:38:20,080 --> 00:38:22,680 Speaker 3: but explains, we had a very good wine plan for 782 00:38:22,719 --> 00:38:25,040 Speaker 3: this evening's festivities, a whole box of it right in 783 00:38:25,040 --> 00:38:27,719 Speaker 3: the refrigerator. Alan assures them they don't need to drink 784 00:38:27,760 --> 00:38:29,879 Speaker 3: the wine he brought, he'll just save it for another time. 785 00:38:30,239 --> 00:38:32,480 Speaker 3: Chet grabs the bottle back from Alan. They'll drink his 786 00:38:32,560 --> 00:38:34,480 Speaker 3: wine since he went through the trouble of bringing it. 787 00:38:34,880 --> 00:38:37,640 Speaker 3: Verna comes up with a solution, why don't we pour 788 00:38:37,719 --> 00:38:39,920 Speaker 3: both our wines into a big bowl and add some 789 00:38:39,920 --> 00:38:44,719 Speaker 3: bananas and oranges and have ourselves some friendships Sangria terrible idea. 790 00:38:44,840 --> 00:38:48,719 Speaker 3: Anybody who drinks wine knows that's a bad idea. Chet 791 00:38:48,719 --> 00:38:51,920 Speaker 3: whispers to her, nobody wants that, and she sternly emphasizes 792 00:38:51,960 --> 00:38:54,280 Speaker 3: they do. She sends Chet to go get some tiny 793 00:38:54,360 --> 00:38:57,160 Speaker 3: umbrellas from the kitchen while she serves the Matthews or Dervs. 794 00:38:57,640 --> 00:39:00,719 Speaker 3: She presents a grow year and pecan log. Amy hands 795 00:39:00,760 --> 00:39:02,720 Speaker 3: the dish she brought over to Verna, and Verna stares 796 00:39:02,719 --> 00:39:05,680 Speaker 3: at it admiringly. She knows the pecan log is not 797 00:39:05,719 --> 00:39:07,799 Speaker 3: as fancy as what they would have served at their home, 798 00:39:08,200 --> 00:39:13,880 Speaker 3: And I like all of this. I like that Verna 799 00:39:15,120 --> 00:39:17,719 Speaker 3: is in her mind thinking of, well, how would they 800 00:39:17,760 --> 00:39:19,640 Speaker 3: serve it, what would they do? And in her mind 801 00:39:19,800 --> 00:39:22,920 Speaker 3: they would have fancy little umbrellas in their drinks, and 802 00:39:23,040 --> 00:39:26,360 Speaker 3: so she made sure she had those things. And even 803 00:39:26,400 --> 00:39:29,000 Speaker 3: the dish that Amy brings over that then when she 804 00:39:29,080 --> 00:39:30,799 Speaker 3: hands her that dish, she looks at it and she 805 00:39:30,840 --> 00:39:35,439 Speaker 3: feels inferior because of her mismatched silverware that we learn 806 00:39:35,440 --> 00:39:41,200 Speaker 3: about later. All of those things are things that people 807 00:39:41,239 --> 00:39:43,640 Speaker 3: have felt in one time or another, especially now with 808 00:39:43,719 --> 00:39:49,080 Speaker 3: like Instagram and all the ways we're able to show 809 00:39:49,160 --> 00:39:52,040 Speaker 3: or influencers show their home lives and you open up 810 00:39:52,280 --> 00:39:54,200 Speaker 3: you see the inside of their refrigerator and you go, 811 00:39:54,360 --> 00:39:57,560 Speaker 3: wait a minute, am I supposed to have dozens of 812 00:39:57,640 --> 00:40:02,719 Speaker 3: little plastic things inside my refriger to organize all my berries? 813 00:40:03,120 --> 00:40:04,880 Speaker 3: Like I didn't know I was supposed to have that 814 00:40:05,640 --> 00:40:08,280 Speaker 3: we have at one time or another. Everyone can relate 815 00:40:08,320 --> 00:40:11,680 Speaker 3: to feeling as like, man, I'm not doing it. Well, 816 00:40:11,960 --> 00:40:14,400 Speaker 3: I'm not doing this the way it's supposed to be done. 817 00:40:14,520 --> 00:40:17,720 Speaker 3: So I actually think with the amount of limited stuff 818 00:40:17,719 --> 00:40:19,560 Speaker 3: they were able, there are a few things that later 819 00:40:19,600 --> 00:40:23,319 Speaker 3: make you go e. But overall, so far I'm right 820 00:40:23,360 --> 00:40:25,239 Speaker 3: on board with all of this. Have you brought over 821 00:40:25,280 --> 00:40:26,000 Speaker 3: a bottle of wine? 822 00:40:26,239 --> 00:40:30,239 Speaker 1: I think Will's Will's criticism is exactly right. There's not 823 00:40:30,800 --> 00:40:34,000 Speaker 1: there's they're not rich enough, right, We're not a stab 824 00:40:34,120 --> 00:40:37,520 Speaker 1: and also they're not comfortable, like nobody's a snob. The 825 00:40:37,600 --> 00:40:40,839 Speaker 1: Matthews are so nice. You have to make Eric a 826 00:40:40,880 --> 00:40:43,440 Speaker 1: snob in order to make any of this work. But 827 00:40:43,520 --> 00:40:46,839 Speaker 1: they're actually trying so hard to be accommodating because they 828 00:40:46,840 --> 00:40:49,319 Speaker 1: have to be likable, cool people, which they are, right, 829 00:40:49,600 --> 00:40:53,239 Speaker 1: So there isn't really a conflict here, So it's it 830 00:40:53,360 --> 00:40:57,040 Speaker 1: feels generated like if the Matthews were rich people like 831 00:40:57,160 --> 00:41:00,840 Speaker 1: in in Fresh Prince of bel Air, exactly right. They're 832 00:41:01,000 --> 00:41:03,719 Speaker 1: used to money, they expect to have money, and it's 833 00:41:03,760 --> 00:41:05,840 Speaker 1: okay for them. It's like part of their character that 834 00:41:05,880 --> 00:41:08,240 Speaker 1: they're snobs. And that's the fun of it is seeing 835 00:41:08,280 --> 00:41:11,240 Speaker 1: the snobs be taken down. In this case, you can't 836 00:41:11,280 --> 00:41:14,080 Speaker 1: be snobs. They can't be snobs. They're actually very cool, 837 00:41:14,400 --> 00:41:18,120 Speaker 1: so you have no conflict, so you're generating conflicts. So 838 00:41:18,160 --> 00:41:20,919 Speaker 1: it feels to me it feels like Verna is being 839 00:41:21,120 --> 00:41:23,719 Speaker 1: crazy and that ends up being what it becomes is 840 00:41:23,719 --> 00:41:27,799 Speaker 1: that she's she's generating conflict where there isn't conflict, and 841 00:41:27,880 --> 00:41:30,760 Speaker 1: so they just make her the crazy woman over the cheese. 842 00:41:31,040 --> 00:41:33,880 Speaker 1: When an actuality, it could be a good conflict, but 843 00:41:33,920 --> 00:41:37,200 Speaker 1: you have to then establish at the Matthews expect certain 844 00:41:37,239 --> 00:41:39,279 Speaker 1: things like they shouldn't be but you can't. You can't 845 00:41:39,280 --> 00:41:40,720 Speaker 1: have them be upset about the cheese. 846 00:41:40,800 --> 00:41:42,880 Speaker 2: They have a question. I have a question, and I 847 00:41:42,920 --> 00:41:44,439 Speaker 2: swear to God, I'm not saying this as a joke. 848 00:41:44,520 --> 00:41:47,600 Speaker 2: I'm not making light. It's a truly honest question that 849 00:41:47,600 --> 00:41:50,320 Speaker 2: I'm asking because I wrote it down. Do you think 850 00:41:50,400 --> 00:41:54,080 Speaker 2: they were kind of trying to write verna like maybe 851 00:41:54,120 --> 00:41:56,280 Speaker 2: she has a bit of a mental illness. 852 00:41:57,080 --> 00:41:59,040 Speaker 1: No, I think that's the only thing they could do, 853 00:41:59,280 --> 00:42:03,440 Speaker 1: because you can't it. You can't. The Matthews either have 854 00:42:03,560 --> 00:42:06,560 Speaker 1: to be snobs treating her poorly and she has to 855 00:42:06,560 --> 00:42:09,359 Speaker 1: be reacting to that, or she has to be so 856 00:42:09,400 --> 00:42:12,279 Speaker 1: insecure that she acts like a crazy person. And that's 857 00:42:12,400 --> 00:42:14,640 Speaker 1: the way they went, because you can't write this conflict 858 00:42:14,640 --> 00:42:18,120 Speaker 1: without having real class issues. But the problem is there 859 00:42:18,160 --> 00:42:21,000 Speaker 1: isn't a real class issue, so right, because everybody's being 860 00:42:21,080 --> 00:42:23,640 Speaker 1: nice and everybody's happy and there isn't a problem. But 861 00:42:23,680 --> 00:42:26,040 Speaker 1: then she has to be so insecure that it is 862 00:42:26,080 --> 00:42:29,479 Speaker 1: like a mental illness. And I think it's not good. 863 00:42:29,520 --> 00:42:30,320 Speaker 1: I don't think it's funny. 864 00:42:30,320 --> 00:42:32,600 Speaker 2: I don't think. I don't think if they did that 865 00:42:32,640 --> 00:42:34,759 Speaker 2: on if they were doing that on purposes, maybe like 866 00:42:34,840 --> 00:42:37,400 Speaker 2: she keepsake, she took off. You heard stuff about my 867 00:42:37,440 --> 00:42:39,239 Speaker 2: mom is this and you know, back in the day, 868 00:42:39,520 --> 00:42:41,040 Speaker 2: And I wonder if now that we've met her, if 869 00:42:41,040 --> 00:42:43,240 Speaker 2: maybe there was a conversation where it's like, maybe she's 870 00:42:43,400 --> 00:42:45,000 Speaker 2: got a bit of a mental And that's not what 871 00:42:45,000 --> 00:42:46,640 Speaker 2: they would call it in the writer's room. They would 872 00:42:46,640 --> 00:42:48,880 Speaker 2: have been like she's kooky or whatever, but maybe she 873 00:42:49,000 --> 00:42:50,560 Speaker 2: has a bit of an action, has a bit of 874 00:42:50,560 --> 00:42:50,759 Speaker 2: a man. 875 00:42:50,920 --> 00:42:52,440 Speaker 1: Yeah, I think you're right. I think that's kind of 876 00:42:52,560 --> 00:42:56,560 Speaker 1: they backed themselves into that corner, right, Like in order 877 00:42:56,640 --> 00:42:58,960 Speaker 1: to generate conflicts, to generate the scenes, they have to 878 00:42:59,000 --> 00:43:02,800 Speaker 1: make her ridiculous. You know, she's like eating the cheese. 879 00:43:02,680 --> 00:43:04,320 Speaker 2: Even chets, like have you been drinking? 880 00:43:04,480 --> 00:43:06,920 Speaker 1: Yeah, when she's serving the In the next scene where 881 00:43:06,960 --> 00:43:09,440 Speaker 1: she's like I wanted to it's like, yeah, she's like 882 00:43:09,560 --> 00:43:11,880 Speaker 1: lost it. That's the only way that they can. Yeah, 883 00:43:11,920 --> 00:43:12,520 Speaker 1: it's a bummer. 884 00:43:23,600 --> 00:43:26,040 Speaker 3: Amy assures her it's exactly what she would have served. 885 00:43:26,160 --> 00:43:28,720 Speaker 3: Verna disagrees, you would have served the port wine, cheddar 886 00:43:28,719 --> 00:43:31,640 Speaker 3: and the ceramic croc. Eric perks up. Yeah, remember you 887 00:43:31,640 --> 00:43:34,320 Speaker 3: gave it to the mailman that one Christmas. Alan stuffs 888 00:43:34,360 --> 00:43:37,319 Speaker 3: cracker in his mouth to shut him up. And I 889 00:43:37,480 --> 00:43:40,520 Speaker 3: actually still like all of this. I like, I still 890 00:43:40,640 --> 00:43:42,920 Speaker 3: like all of this. The one thing I'll agree is 891 00:43:44,440 --> 00:43:46,560 Speaker 3: too far is when in that next scene I'm not 892 00:43:46,640 --> 00:43:49,800 Speaker 3: even sure what it is, where she's like staring flat affect. 893 00:43:49,960 --> 00:43:53,200 Speaker 2: Yeah, well she looks like break literally looks like she's 894 00:43:53,200 --> 00:43:54,000 Speaker 2: had a mental break. 895 00:43:54,160 --> 00:43:56,880 Speaker 3: But I actually really like that we see And I 896 00:43:57,120 --> 00:44:01,560 Speaker 3: guess maybe you know, as somebody who has had a 897 00:44:01,600 --> 00:44:04,200 Speaker 3: lot on her plate at different times all the time 898 00:44:04,560 --> 00:44:08,200 Speaker 3: and wants to be a good hostess and also wants 899 00:44:08,239 --> 00:44:10,400 Speaker 3: to be all of these different things. I have felt 900 00:44:10,440 --> 00:44:13,439 Speaker 3: many times like, no matter how many times, no matter 901 00:44:13,480 --> 00:44:17,160 Speaker 3: how much preparation I have put into hosting something, I 902 00:44:17,400 --> 00:44:21,480 Speaker 3: forget something. And because I am so hard on myself 903 00:44:21,520 --> 00:44:24,040 Speaker 3: and because I am such a perfectionist, it isn't a 904 00:44:24,040 --> 00:44:26,520 Speaker 3: thing that I give myself any grace for it. Becomes 905 00:44:26,960 --> 00:44:30,640 Speaker 3: failed again. Couldn't do it, couldn't somehow didn't And so 906 00:44:30,840 --> 00:44:33,799 Speaker 3: I like that we see this thing in her where 907 00:44:33,800 --> 00:44:35,840 Speaker 3: she goes she had overthought it. Do I do the croc? 908 00:44:35,840 --> 00:44:37,080 Speaker 3: Do I do this? Do I do the croc? Do 909 00:44:37,120 --> 00:44:39,000 Speaker 3: I do this? Then you pick something and you go 910 00:44:39,400 --> 00:44:41,600 Speaker 3: I should have chosen the croc. I think the croc 911 00:44:41,640 --> 00:44:44,239 Speaker 3: would have been what you chose. And I like that. 912 00:44:44,360 --> 00:44:47,400 Speaker 3: I like that she has this insecurity and yet she 913 00:44:47,480 --> 00:44:50,680 Speaker 3: wanted to take it on because she wants a happy 914 00:44:50,840 --> 00:44:53,160 Speaker 3: family home life and she wants her son to have 915 00:44:53,320 --> 00:44:55,920 Speaker 3: to have the kind of home where he invites his 916 00:44:55,960 --> 00:45:00,200 Speaker 3: friend's family over her own. Insecurity about where she is 917 00:45:00,239 --> 00:45:01,799 Speaker 3: lacking totally works for me. 918 00:45:02,120 --> 00:45:06,360 Speaker 1: Yeah, I wonder if I wonder if it's worth thinking 919 00:45:06,400 --> 00:45:08,200 Speaker 1: retroactively from the next scene that's. 920 00:45:08,040 --> 00:45:09,600 Speaker 3: Just the next scene, because I do agree that that 921 00:45:09,640 --> 00:45:11,880 Speaker 3: next scene is like Wow, what happened here? And I 922 00:45:11,920 --> 00:45:13,719 Speaker 3: would have liked for it to have changed about something 923 00:45:13,719 --> 00:45:16,120 Speaker 3: other than the gosh darn cheese, which I understand that 924 00:45:16,200 --> 00:45:18,600 Speaker 3: cheese is supposed to be a runner. That's funny, But like, 925 00:45:19,080 --> 00:45:21,480 Speaker 3: I love the moment later where we find out the 926 00:45:21,520 --> 00:45:24,400 Speaker 3: mismatched silverware that she's embarrassed by that. 927 00:45:24,520 --> 00:45:25,680 Speaker 1: The reason they're. 928 00:45:25,560 --> 00:45:29,040 Speaker 3: Using plastic is because she would rather use plastic than 929 00:45:29,160 --> 00:45:32,640 Speaker 3: let them see. They have purchased their silverware piece at 930 00:45:32,640 --> 00:45:37,359 Speaker 3: a time from thrift stores. And I just loved that. 931 00:45:37,640 --> 00:45:42,120 Speaker 3: Amy explains he's not just our maleman, he's my biological father. 932 00:45:42,320 --> 00:45:44,960 Speaker 3: But he doesn't know that I know. Verna explains that 933 00:45:45,040 --> 00:45:47,279 Speaker 3: Hickory Farms is still open, so she'll go buy the croc. 934 00:45:47,360 --> 00:45:49,839 Speaker 3: Now Check quietly approaches her on her way out. You're 935 00:45:49,880 --> 00:45:52,360 Speaker 3: acting as daffy as your aunt Lucy, who nobody speaks of. 936 00:45:52,760 --> 00:45:54,440 Speaker 3: Verna just wanted tonight to go well. 937 00:45:56,960 --> 00:45:58,520 Speaker 2: She really has a mental illness. 938 00:45:59,000 --> 00:46:00,279 Speaker 1: It's just not a good joke. 939 00:46:01,480 --> 00:46:05,040 Speaker 2: It's a terrible joke, but interesting character, but terrible joke. 940 00:46:05,239 --> 00:46:07,880 Speaker 3: That's the thing, right, Chet reminds her it can't go 941 00:46:07,960 --> 00:46:09,640 Speaker 3: well if she runs off into the night like some 942 00:46:09,800 --> 00:46:11,120 Speaker 3: cheese crazed banshee. 943 00:46:11,760 --> 00:46:12,080 Speaker 1: Uh. 944 00:46:12,120 --> 00:46:14,879 Speaker 3: It's about who we are and who they are. We're 945 00:46:14,960 --> 00:46:17,160 Speaker 3: different and no amount of cheese is going to change 946 00:46:17,200 --> 00:46:19,160 Speaker 3: the fact that tonight is not going to go well. 947 00:46:19,239 --> 00:46:21,319 Speaker 3: And I told you so right on time. 948 00:46:21,400 --> 00:46:21,640 Speaker 2: Corey. 949 00:46:21,680 --> 00:46:25,520 Speaker 3: Here's this conversation and enters And I also like that 950 00:46:25,600 --> 00:46:30,080 Speaker 3: as a character Chet. It doesn't actually make sense for Chet, 951 00:46:30,080 --> 00:46:33,759 Speaker 3: which is what's I think bumping us. But I like 952 00:46:33,840 --> 00:46:37,480 Speaker 3: the idea that a character already has in his mind. 953 00:46:38,000 --> 00:46:41,919 Speaker 3: These people don't like us because we're we're different than them, 954 00:46:42,280 --> 00:46:46,120 Speaker 3: and so everything you, everything they say, you see through 955 00:46:46,160 --> 00:46:49,560 Speaker 3: the lens of judgment. It doesn't. 956 00:46:50,960 --> 00:46:54,960 Speaker 1: Che is the ultimate chameleon who fits in everywhere, charms everybody, 957 00:46:55,160 --> 00:46:57,960 Speaker 1: and also exactly thinks of himself as rich and successful 958 00:46:58,120 --> 00:47:01,040 Speaker 1: like Chet would think, I can be, I can I 959 00:47:01,040 --> 00:47:04,759 Speaker 1: can drink tea with the president bread, I can do. Yeah, 960 00:47:04,800 --> 00:47:07,359 Speaker 1: he's best friends with everybody, like so the idea that 961 00:47:07,400 --> 00:47:10,279 Speaker 1: he would ever decide that he can't get along with 962 00:47:10,320 --> 00:47:13,279 Speaker 1: these is ridiculous. If anything, it should be that he's 963 00:47:13,360 --> 00:47:16,879 Speaker 1: over compensating. He's trying so hard to fit in with them, 964 00:47:17,160 --> 00:47:19,799 Speaker 1: and she's like, what are you doing? Weird different? Like 965 00:47:19,880 --> 00:47:22,840 Speaker 1: that should be the dynamic. Yeah, yeah, it's a bummer completely. 966 00:47:22,880 --> 00:47:27,680 Speaker 1: I will say something about Blake's performance in this moment 967 00:47:27,880 --> 00:47:30,440 Speaker 1: was wonderful to me. I was, like I wrote down, I. 968 00:47:30,400 --> 00:47:33,040 Speaker 6: Was like, Blake is such a good actor because he's 969 00:47:33,360 --> 00:47:38,000 Speaker 6: he's he's able to be this over the top ridiculous 970 00:47:38,120 --> 00:47:42,640 Speaker 6: character and yet in this moment completely real and completely believable. 971 00:47:42,640 --> 00:47:45,400 Speaker 1: And in the next scene with all the trailer park people, 972 00:47:45,480 --> 00:47:48,879 Speaker 1: I was like, Blake is such a good actor. He's 973 00:47:49,280 --> 00:47:53,839 Speaker 1: genuinely he's not just a funny character actor. He's a 974 00:47:54,040 --> 00:47:57,120 Speaker 1: genuinely great actor. He's so president in these moments. I 975 00:47:57,680 --> 00:47:59,960 Speaker 1: just I don't think I recognized that at the time, 976 00:48:00,120 --> 00:48:01,759 Speaker 1: you know, Like I look at this now and I'm like, 977 00:48:01,960 --> 00:48:04,600 Speaker 1: this is just a great actor nailing the scene. 978 00:48:04,760 --> 00:48:05,879 Speaker 2: He should have had his own show. 979 00:48:05,960 --> 00:48:07,920 Speaker 1: He should his own show. He could have carried an 980 00:48:08,040 --> 00:48:12,040 Speaker 1: entire sitcom. He is so he's so three dimensional, he's 981 00:48:12,080 --> 00:48:14,920 Speaker 1: so likable, and he doesn't even have to do much, 982 00:48:15,040 --> 00:48:16,640 Speaker 1: like he could just be in the present and he's 983 00:48:16,680 --> 00:48:17,640 Speaker 1: so engaging. 984 00:48:18,440 --> 00:48:21,759 Speaker 2: Unfortunately, I think the problem comes and it's not her 985 00:48:21,800 --> 00:48:25,120 Speaker 2: fault at all, but his character changed when they brought 986 00:48:25,120 --> 00:48:29,520 Speaker 2: on Verna. It just everything changed with Verna, and there 987 00:48:29,600 --> 00:48:33,279 Speaker 2: was something something. I think it wasn't better, it was 988 00:48:33,320 --> 00:48:35,960 Speaker 2: just different when when it was just just Check. 989 00:48:36,000 --> 00:48:38,280 Speaker 1: We should have had Chet and Sean in the trailer 990 00:48:38,320 --> 00:48:40,719 Speaker 1: apart on their own. They could have been their own 991 00:48:40,880 --> 00:48:41,959 Speaker 1: like dynamic, And. 992 00:48:41,960 --> 00:48:44,680 Speaker 3: Yeah, Blake does end up doing a ton on My 993 00:48:44,800 --> 00:48:47,319 Speaker 3: name is Earl that's probably the closest he ever. 994 00:48:47,840 --> 00:48:51,440 Speaker 2: Was doing movies all over with the Bill Holler Comedy 995 00:48:51,440 --> 00:48:53,360 Speaker 2: Tour and everything that was so big, especially in the nineties, 996 00:48:53,360 --> 00:48:54,840 Speaker 2: there's no reason for given. 997 00:48:54,640 --> 00:48:58,560 Speaker 1: The opportunity to be a fully realized character like a 998 00:48:58,640 --> 00:49:01,919 Speaker 1: really like a father, a sitcom like something that where 999 00:49:01,960 --> 00:49:05,000 Speaker 1: he has this kind of you know, like, yeah, he 1000 00:49:05,520 --> 00:49:06,160 Speaker 1: could have done it. 1001 00:49:06,160 --> 00:49:08,520 Speaker 2: He could have carried absolutely, oh easily yea. 1002 00:49:09,000 --> 00:49:11,400 Speaker 3: So, now sporting his mom's purse, Corey walks up to 1003 00:49:11,400 --> 00:49:13,319 Speaker 3: Sean and quietly asks, how could you let this thing 1004 00:49:13,360 --> 00:49:13,799 Speaker 3: fall apart? 1005 00:49:13,800 --> 00:49:16,279 Speaker 1: Before you get very trendy for today by the way, 1006 00:49:16,320 --> 00:49:19,719 Speaker 1: Oh yes, guys are now all wearing fanny packs and 1007 00:49:19,760 --> 00:49:21,960 Speaker 1: like over the shoulder bags. I was like, oh, this 1008 00:49:22,000 --> 00:49:23,560 Speaker 1: is actually he could look. 1009 00:49:23,400 --> 00:49:28,440 Speaker 3: For me with yea with Sean argues it's bigger than me. 1010 00:49:28,560 --> 00:49:31,920 Speaker 3: It's bigger than both of us. Very well played, great line. 1011 00:49:32,160 --> 00:49:34,560 Speaker 3: Bigger than me, bigger than both of us. Corey says, 1012 00:49:34,560 --> 00:49:37,400 Speaker 3: they have to hold this thing together world history. Really 1013 00:49:37,400 --> 00:49:39,160 Speaker 3: good writer, I'll never get better. 1014 00:49:39,360 --> 00:49:42,160 Speaker 2: This is it. This is the writer speak, writer. 1015 00:49:42,000 --> 00:49:44,400 Speaker 1: Speak, acting writer. I think so because after this I 1016 00:49:44,440 --> 00:49:46,759 Speaker 1: take myself way too seriously. For whatever reason, I was 1017 00:49:46,840 --> 00:49:49,080 Speaker 1: like one great out of my head and just having 1018 00:49:49,120 --> 00:49:49,880 Speaker 1: fun this episode. 1019 00:49:50,320 --> 00:49:53,120 Speaker 2: So we've got peak writer in acting and peak Danielle 1020 00:49:53,120 --> 00:49:56,160 Speaker 2: looks wise, Wow, we're just down all downhill. 1021 00:50:07,080 --> 00:50:09,000 Speaker 3: Corey says, they have to hold this thing together. Sean 1022 00:50:09,040 --> 00:50:11,239 Speaker 3: looks at him. Lose the purse and I'll take you seriously. 1023 00:50:11,400 --> 00:50:15,719 Speaker 3: Corey responds, but it goes with my shoes. I like 1024 00:50:15,800 --> 00:50:17,640 Speaker 3: that in a moment where we have to do a 1025 00:50:17,680 --> 00:50:20,800 Speaker 3: typical hey man, get rid of that purse. Corey responds, 1026 00:50:20,920 --> 00:50:24,400 Speaker 3: very seriously, but it goes with my shoes. We balance 1027 00:50:24,440 --> 00:50:27,040 Speaker 3: it out a lot on the show, where sometimes we 1028 00:50:27,120 --> 00:50:30,640 Speaker 3: make the easy, obvious joke and then balance it out 1029 00:50:30,680 --> 00:50:34,960 Speaker 3: with the very you know sure. Amy walks over to Chet, 1030 00:50:35,080 --> 00:50:38,320 Speaker 3: is everything okay? Oh, Verna's just having one of her bouts, 1031 00:50:38,600 --> 00:50:41,719 Speaker 3: and then we see Verna nervously shifting cocktails, umbrella over 1032 00:50:41,760 --> 00:50:45,080 Speaker 3: foam cups. Chet whispers to Amy, you have any female 1033 00:50:45,080 --> 00:50:48,400 Speaker 3: calming pills in that purse? She admits, not that I 1034 00:50:49,360 --> 00:50:54,400 Speaker 3: and she admits not that I can spare. It's I 1035 00:50:54,480 --> 00:50:56,120 Speaker 3: just want to know what pills they are and if 1036 00:50:56,120 --> 00:51:00,080 Speaker 3: I could have some. Okay, thank you. Then there is 1037 00:51:00,080 --> 00:51:02,120 Speaker 3: a knock at the door and Eric quickly announces that's 1038 00:51:02,160 --> 00:51:04,520 Speaker 3: my lift, thanks for having me. Alan stops him before 1039 00:51:04,520 --> 00:51:07,200 Speaker 3: he can walk out. Nobody's getting off this island, Gilligan. 1040 00:51:08,040 --> 00:51:10,680 Speaker 3: Chet opens the door and it's mister under from next door. 1041 00:51:10,719 --> 00:51:14,200 Speaker 3: They're having an emergency meeting of the trailer park Homeowners Association, 1042 00:51:14,520 --> 00:51:17,480 Speaker 3: and he strongly suggests that try to Chet attends, Chet 1043 00:51:17,560 --> 00:51:21,440 Speaker 3: camped he's got company, but Luther emphasizes again it's an emergency. 1044 00:51:21,760 --> 00:51:24,640 Speaker 3: Chet tells everyone to party on before leaving with his neighbor, 1045 00:51:24,840 --> 00:51:27,520 Speaker 3: and now outside the trailer, a confused Chet turns the 1046 00:51:27,560 --> 00:51:30,000 Speaker 3: corner to see a large group of men in flannels 1047 00:51:30,040 --> 00:51:31,200 Speaker 3: angrily waiting for him. 1048 00:51:31,360 --> 00:51:35,160 Speaker 1: Such an old talk about how we felt like this. 1049 00:51:35,080 --> 00:51:38,359 Speaker 3: It felt like that farmhouse, yes over there, over there. 1050 00:51:38,360 --> 00:51:42,440 Speaker 1: It's just it would have been so easy to rationalize, 1051 00:51:42,480 --> 00:51:44,920 Speaker 1: like they parked the car in the wrong place, right, whatever. 1052 00:51:45,400 --> 00:51:48,279 Speaker 1: But the fact that the outsiders, it just becomes a 1053 00:51:48,280 --> 00:51:52,600 Speaker 1: caricature of trailer park people. And it's a bummer. I mean, 1054 00:51:52,640 --> 00:51:55,120 Speaker 1: it's it's the guy's great, the guy who comes up 1055 00:51:55,160 --> 00:51:56,799 Speaker 1: as Herbert Herbert, yeah no. 1056 00:51:56,920 --> 00:51:58,560 Speaker 2: And this is also the thing that you that you 1057 00:51:58,600 --> 00:52:01,920 Speaker 2: were talking about earlier. Writers there they're trying to show 1058 00:52:02,160 --> 00:52:07,880 Speaker 2: the cultural difference. So apparently there's this cabal of men 1059 00:52:08,040 --> 00:52:10,680 Speaker 2: that get together at the trail. I mean it doesn't. 1060 00:52:10,760 --> 00:52:13,279 Speaker 2: It's it's like you have to make a criters in 1061 00:52:13,400 --> 00:52:16,200 Speaker 2: Hollywood trying to write what they think life that a 1062 00:52:16,239 --> 00:52:17,000 Speaker 2: trailer park is. 1063 00:52:17,000 --> 00:52:19,120 Speaker 1: Like, or just make a cartoon of it in order 1064 00:52:19,200 --> 00:52:22,399 Speaker 1: to make it work, when the actual reality of two 1065 00:52:22,440 --> 00:52:25,480 Speaker 1: families not getting together and not understanding one another even 1066 00:52:25,480 --> 00:52:27,840 Speaker 1: though their kids are friends is such a great theme 1067 00:52:27,920 --> 00:52:30,680 Speaker 1: and it's so good, Like that's such a great thematic, 1068 00:52:30,760 --> 00:52:33,560 Speaker 1: and yeah, it's just you got to make a cartoon 1069 00:52:33,600 --> 00:52:34,520 Speaker 1: of it. It's a bummer. 1070 00:52:34,960 --> 00:52:37,919 Speaker 3: Oh yeah. So an old man with a walking stick 1071 00:52:37,960 --> 00:52:39,640 Speaker 3: slowly makes his way to the front, and Chet is 1072 00:52:39,680 --> 00:52:42,759 Speaker 3: startled to see him. Yes, it is I Herbert. Chet 1073 00:52:42,800 --> 00:52:44,960 Speaker 3: hopes this is just to wish him a happy Thanksgiving 1074 00:52:44,960 --> 00:52:47,399 Speaker 3: and that he hasn't done anything to emerge Herbert from 1075 00:52:47,440 --> 00:52:50,360 Speaker 3: his deep seclusion. Herbert gives a long speech about a 1076 00:52:50,440 --> 00:52:52,839 Speaker 3: land that was below the freeway overpass, and men who 1077 00:52:52,840 --> 00:52:55,200 Speaker 3: saw the land and knew it was good and trailer ready. 1078 00:52:55,520 --> 00:52:57,560 Speaker 3: They all had a common purpose, and there was peace 1079 00:52:57,640 --> 00:53:01,399 Speaker 3: upon this land until today, when Chet brought outsiders into 1080 00:53:01,480 --> 00:53:04,279 Speaker 3: their midst Chet assures them they're very nice people, but 1081 00:53:04,320 --> 00:53:06,359 Speaker 3: Herbert insists they're not from around here, and they look 1082 00:53:06,440 --> 00:53:09,680 Speaker 3: down upon them. The old man shouts enough, Jerry Springer's on. 1083 00:53:10,080 --> 00:53:11,000 Speaker 3: The crowd leaves and. 1084 00:53:12,080 --> 00:53:14,200 Speaker 1: That's pretty hysterical. The way he sets up the Jerry 1085 00:53:14,200 --> 00:53:16,799 Speaker 1: Springer thing is like, you think you're just trying to 1086 00:53:16,920 --> 00:53:19,080 Speaker 1: what does he say, Blake. Blake says something like you're 1087 00:53:19,080 --> 00:53:21,480 Speaker 1: just trying to rile up people's emotions, like you're just playing. 1088 00:53:21,719 --> 00:53:23,360 Speaker 1: And then he's like, well, we got to go watch Springer, 1089 00:53:23,400 --> 00:53:26,800 Speaker 1: which is exactly what Spring is so great. 1090 00:53:26,960 --> 00:53:29,040 Speaker 3: Yeah, yeah, yeah, the Springer being on is is a 1091 00:53:29,040 --> 00:53:30,360 Speaker 3: good out. 1092 00:53:30,239 --> 00:53:33,360 Speaker 1: The outsiders things like I wanted I wanted them to 1093 00:53:33,360 --> 00:53:34,879 Speaker 1: be outsiders. If if you're gonna make. 1094 00:53:34,840 --> 00:53:39,120 Speaker 3: Wait, they're also inside the trailer. They're not even it's 1095 00:53:39,160 --> 00:53:42,239 Speaker 3: not sitting in the middle of the place and they're looking. 1096 00:53:42,280 --> 00:53:45,560 Speaker 3: They're giving scowling looks, and or somebody walks their goat 1097 00:53:45,640 --> 00:53:47,320 Speaker 3: and they're like, oh gosh, that's nothing. 1098 00:53:47,520 --> 00:53:50,279 Speaker 1: Would have been to have Eric do something right. Eric 1099 00:53:50,560 --> 00:53:54,320 Speaker 1: have been the clueless yuppie kid thinking he could write whatever, 1100 00:53:54,719 --> 00:53:58,240 Speaker 1: I don't know, do something that that is a faux 1101 00:53:58,239 --> 00:54:00,600 Speaker 1: Paul within the trailer park community that, yes, that's all 1102 00:54:00,600 --> 00:54:01,120 Speaker 1: this emotion. 1103 00:54:01,320 --> 00:54:03,319 Speaker 2: Yeah, it hits on a woman that turns out to 1104 00:54:03,320 --> 00:54:04,840 Speaker 2: be married to one of the guys at the trailer 1105 00:54:04,880 --> 00:54:09,640 Speaker 2: park or something like that. Yeah, something strange, but it's yeah. 1106 00:54:09,719 --> 00:54:12,520 Speaker 3: So Luther reiterates, get the Matthews out of the trailer 1107 00:54:12,560 --> 00:54:15,439 Speaker 3: park now. And then we go to a commercial break, 1108 00:54:15,440 --> 00:54:18,120 Speaker 3: and we're back in the Hunter's trailer, now surrounded by cheeses. 1109 00:54:18,560 --> 00:54:21,640 Speaker 3: Verna sadly holds out her spread to the Matthews and embarrassment. 1110 00:54:22,160 --> 00:54:24,200 Speaker 3: Corey and Shawn watch from the couch. I told you 1111 00:54:24,280 --> 00:54:26,880 Speaker 3: this was a great idea, Sean responds, it's an episode 1112 00:54:26,920 --> 00:54:30,560 Speaker 3: of cops waiting to happen. Verna apologizes to Alan and 1113 00:54:30,600 --> 00:54:33,960 Speaker 3: Amy about her previous erratic behavior. She'd like for them 1114 00:54:34,000 --> 00:54:39,040 Speaker 3: to just get back to their uneventful wiki wiki Hawaiian Luau. 1115 00:54:40,239 --> 00:54:42,319 Speaker 2: Was Did they ever set that up that there was 1116 00:54:42,520 --> 00:54:43,920 Speaker 2: a Luau themed Thanksgiving? 1117 00:54:44,960 --> 00:54:49,040 Speaker 1: The idea is that she's delusional, but she is right hallucinating. 1118 00:54:49,400 --> 00:54:50,480 Speaker 3: And so then she doesn't. 1119 00:54:51,440 --> 00:54:53,759 Speaker 1: The idea is that she is a crazy woman like 1120 00:54:53,800 --> 00:54:54,239 Speaker 1: that she is. 1121 00:54:55,360 --> 00:54:57,920 Speaker 3: Yeah, Chet bursts into the trailer. I hope you all 1122 00:54:58,000 --> 00:54:59,759 Speaker 3: enjoyed your dinner. Thanks for coming. Let's do this again, 1123 00:54:59,800 --> 00:55:02,360 Speaker 3: next share it some neutral third party or for space. 1124 00:55:02,920 --> 00:55:05,000 Speaker 3: Sean says they haven't eaten yet, and Chet grabs Verna 1125 00:55:05,000 --> 00:55:07,520 Speaker 3: and Sean. It's a the small talk part of the evening, 1126 00:55:07,520 --> 00:55:09,800 Speaker 3: so the Matthews can talk amongst themselves and the Hunters 1127 00:55:09,800 --> 00:55:12,520 Speaker 3: will do the same, and they walk outside. Now the 1128 00:55:12,560 --> 00:55:14,840 Speaker 3: Matthews are alone with Corey trying to ease the tension. 1129 00:55:15,040 --> 00:55:17,880 Speaker 3: Eric points his finger at Corey. He did this to them. 1130 00:55:18,160 --> 00:55:20,200 Speaker 3: Eric could be at home in his nice, comfortable house 1131 00:55:20,200 --> 00:55:22,279 Speaker 3: which is built into the ground, but Corey had to 1132 00:55:22,360 --> 00:55:25,680 Speaker 3: drag them to the center of Looneyville. So again another 1133 00:55:25,719 --> 00:55:28,400 Speaker 3: reference to being ready being crazy. 1134 00:55:28,480 --> 00:55:32,719 Speaker 2: And also when when was Eric ever about like you're 1135 00:55:32,760 --> 00:55:35,400 Speaker 2: not we're our house is built into the ground, like 1136 00:55:35,440 --> 00:55:39,279 Speaker 2: we're this is all about our family thinking, at least 1137 00:55:39,400 --> 00:55:41,000 Speaker 2: Eric thinking we're better than these people. 1138 00:55:41,239 --> 00:55:44,120 Speaker 1: But this, I think, and that is that could have 1139 00:55:44,160 --> 00:55:46,640 Speaker 1: been a good way to go. Actually think. I think 1140 00:55:46,840 --> 00:55:51,040 Speaker 1: Eric being a clueless yuppie who thinks everybody has like 1141 00:55:51,480 --> 00:55:54,480 Speaker 1: widescreen TVs and like, you know, like it could have 1142 00:55:54,480 --> 00:55:58,240 Speaker 1: been a clueless pretentiousness or whatever. 1143 00:55:58,719 --> 00:56:00,719 Speaker 3: The football game on, but it's a TV the size 1144 00:56:00,719 --> 00:56:00,880 Speaker 3: of a. 1145 00:56:00,960 --> 00:56:10,120 Speaker 1: Hostage radio or whatever. Yeah, yeah, but instead it's yeah it's. 1146 00:56:10,080 --> 00:56:12,439 Speaker 3: Alan says he'll handle this in shouts that's a good game. 1147 00:56:12,480 --> 00:56:15,480 Speaker 3: I'm missing. Amy then jumps in assuring Corey meant, well, 1148 00:56:15,680 --> 00:56:17,319 Speaker 3: I know that Shawn's got your best friend, but we 1149 00:56:17,360 --> 00:56:20,440 Speaker 3: never really made friends with his parents. Cory asks why, 1150 00:56:20,640 --> 00:56:23,120 Speaker 3: just because dad makes more money than Sean's dad, that's 1151 00:56:23,120 --> 00:56:25,600 Speaker 3: why we can't sit down and have a nice meal together. 1152 00:56:26,080 --> 00:56:28,960 Speaker 3: Alan tells Corey he won't realize this until he grows up, 1153 00:56:29,200 --> 00:56:32,040 Speaker 3: but being right is not necessarily enough to change the 1154 00:56:32,080 --> 00:56:32,919 Speaker 3: way people feel. 1155 00:56:33,040 --> 00:56:36,399 Speaker 1: That's the line. That's the line that I love. It's 1156 00:56:36,400 --> 00:56:41,800 Speaker 1: like so loret intelligent line delivered by rusty fatherly advice 1157 00:56:41,880 --> 00:56:46,680 Speaker 1: that is actually brilliant and deliver exactly effortlessly. And man, 1158 00:56:46,719 --> 00:56:48,560 Speaker 1: what a what a line. I was like, still thinking 1159 00:56:48,600 --> 00:56:49,040 Speaker 1: about that. 1160 00:56:49,040 --> 00:56:51,160 Speaker 3: I was like, I know, I liked it too. I 1161 00:56:51,280 --> 00:56:54,880 Speaker 3: especially liked it because I liked that it was in 1162 00:56:54,920 --> 00:56:59,200 Speaker 3: my mind, making it clear that we're not trying to 1163 00:56:59,320 --> 00:57:04,799 Speaker 3: say that the Matthews are outright judging these people, that 1164 00:57:04,960 --> 00:57:11,719 Speaker 3: the Hunters actually feel bad about themselves and therefore everything 1165 00:57:12,200 --> 00:57:15,319 Speaker 3: everything the Mathew say comes off to them as a 1166 00:57:15,320 --> 00:57:18,439 Speaker 3: perceived slight because they are viewing it through the lens 1167 00:57:18,480 --> 00:57:23,360 Speaker 3: of insecurity, and that then eases the tension needed to 1168 00:57:23,400 --> 00:57:26,280 Speaker 3: come from the Mathew side, because you're already setting up. 1169 00:57:26,800 --> 00:57:30,520 Speaker 3: Even if we don't do anything that makes them that 1170 00:57:30,560 --> 00:57:34,400 Speaker 3: should make them feel insecure, they're going to feel insecure anyway, 1171 00:57:34,960 --> 00:57:37,040 Speaker 3: and it's going to be hard for them to accept 1172 00:57:37,080 --> 00:57:41,160 Speaker 3: us into their home. So yeah, it's that. I liked 1173 00:57:41,200 --> 00:57:45,040 Speaker 3: that part. We cut to the outside of the trailer, 1174 00:57:45,040 --> 00:57:47,560 Speaker 3: where the Hunters have congregated. Chet says, I told you 1175 00:57:47,560 --> 00:57:50,240 Speaker 3: what would happen if you invited those aristocrats down here. 1176 00:57:50,560 --> 00:57:53,000 Speaker 3: Sean asks if he's going to kick his friend's parents out, 1177 00:57:53,040 --> 00:57:54,840 Speaker 3: and Chet tells him no, but he is going to 1178 00:57:54,920 --> 00:57:58,200 Speaker 3: hurry them along. Just then, Corey, Eric and Morgan walk outside. 1179 00:57:58,320 --> 00:58:00,640 Speaker 3: Chet frantically asks, what are you doing here where you 1180 00:58:00,640 --> 00:58:03,960 Speaker 3: can be seen through a scope. Corey says they're just 1181 00:58:04,040 --> 00:58:06,960 Speaker 3: taking Morgan over to herman's trailer. Chet offers Sean to 1182 00:58:06,960 --> 00:58:08,520 Speaker 3: go with them so he can show them Matthews how 1183 00:58:08,560 --> 00:58:11,040 Speaker 3: the locals like to walk real load to the ground. 1184 00:58:12,040 --> 00:58:15,320 Speaker 3: Sean tells Corey he's sorry, and Corey says he's sorry too. 1185 00:58:15,560 --> 00:58:18,439 Speaker 3: Then Sean leads the way doing a military crouched walk 1186 00:58:18,480 --> 00:58:22,080 Speaker 3: and the others follow in the same manner, and then 1187 00:58:22,160 --> 00:58:24,600 Speaker 3: we're back in the Hunter's trailer. Alan, Amy, Verna, and 1188 00:58:24,680 --> 00:58:27,080 Speaker 3: Chett are all eating together and Chet hurriedly shouts ready 1189 00:58:27,080 --> 00:58:29,320 Speaker 3: for pye. Alan says he just got his turkey, and 1190 00:58:29,360 --> 00:58:31,160 Speaker 3: Amy asks, don't you think we ought to wait for 1191 00:58:31,200 --> 00:58:34,040 Speaker 3: the kids. It's a Hunter family tradition, Chet explains, the 1192 00:58:34,120 --> 00:58:36,520 Speaker 3: kids don't eat and it's time for pie. Allan tries 1193 00:58:36,520 --> 00:58:39,520 Speaker 3: cutting his turkey and he breaks his plastic fork. What's 1194 00:58:39,560 --> 00:58:42,280 Speaker 3: that make three, he jokingly asks. Verna hands him a 1195 00:58:42,320 --> 00:58:45,040 Speaker 3: giant bag of plastic forks, and Amy comments, I guess 1196 00:58:45,040 --> 00:58:46,960 Speaker 3: it's good to have a big old bag of forks around. 1197 00:58:47,640 --> 00:58:50,240 Speaker 3: Alan says this time he'll try and find a sturdier one. 1198 00:58:50,400 --> 00:58:52,440 Speaker 3: Chet huffs, Ory, you could go easy on the one 1199 00:58:52,440 --> 00:58:55,280 Speaker 3: you got. Alan agrees he'll just use the little forky 1200 00:58:55,320 --> 00:59:03,480 Speaker 3: part of the one he's got. Erna says, yeah, so cute. 1201 00:59:03,720 --> 00:59:06,040 Speaker 3: Verna says, if our dinner guest is not comfortable with 1202 00:59:06,080 --> 00:59:08,400 Speaker 3: our plastic wear, I think it's only right we accommodate 1203 00:59:08,480 --> 00:59:11,600 Speaker 3: him with a regular metal fork. Chet suggests everyone gets 1204 00:59:11,600 --> 00:59:14,160 Speaker 3: a metal fork then, but Verna is uncomfortable because her 1205 00:59:14,160 --> 00:59:17,840 Speaker 3: forks don't match. Amy tries to be relatable. She remembers 1206 00:59:17,880 --> 00:59:20,520 Speaker 3: when her and Allen's forks and spoons didn't match when 1207 00:59:20,560 --> 00:59:24,640 Speaker 3: they were first starting out first. That's the line that 1208 00:59:24,760 --> 00:59:28,880 Speaker 3: I was like, maybe, like, would she have ever said that? 1209 00:59:29,000 --> 00:59:30,200 Speaker 3: Would that be something? 1210 00:59:31,840 --> 00:59:34,400 Speaker 1: I think it's I think it's a good Yeah, I 1211 00:59:34,480 --> 00:59:37,280 Speaker 1: just don't think it played all that great. Like I 1212 00:59:37,320 --> 00:59:39,560 Speaker 1: feel like this this moment could have used another tape 1213 00:59:40,640 --> 00:59:43,160 Speaker 1: because I think the point is that she says it 1214 00:59:43,760 --> 00:59:47,560 Speaker 1: not thinking, but the way Betsy delivers it almost sounds 1215 00:59:47,560 --> 00:59:51,080 Speaker 1: like she's considering it, and then it doesn't land like 1216 00:59:51,120 --> 00:59:54,120 Speaker 1: it should land awfully, like it should be like oh, 1217 00:59:54,720 --> 00:59:57,080 Speaker 1: and instead that's not how it's blade. So I could 1218 00:59:57,080 --> 00:59:59,600 Speaker 1: have used another take a little. Jeff McCracken note. 1219 00:59:59,560 --> 01:00:02,400 Speaker 3: This because was very awkward, and Amy realizes her mistake. 1220 01:00:02,640 --> 01:00:05,760 Speaker 3: Verna hangs her head in embarrassment. Alan addresses the elephant 1221 01:00:05,760 --> 01:00:08,200 Speaker 3: in the room. The four of them just aren't working. 1222 01:00:08,600 --> 01:00:10,760 Speaker 3: Amy appreciates that they went out of their way for them, 1223 01:00:10,760 --> 01:00:13,520 Speaker 3: and Verna gets it. Sometimes what's important to realize is 1224 01:00:13,560 --> 01:00:17,040 Speaker 3: some folks just don't blend well together, and Alan says, 1225 01:00:17,200 --> 01:00:19,560 Speaker 3: doesn't make it anybody's fault, and Amy assures them the 1226 01:00:19,640 --> 01:00:22,520 Speaker 3: kids will understand, And then we're at the trailer park 1227 01:00:22,560 --> 01:00:25,480 Speaker 3: outside Frankie and Herman's house. Corey and Sewn are helping 1228 01:00:25,560 --> 01:00:28,680 Speaker 3: set up this backup dinner outside of the Stacchino's trailer, 1229 01:00:28,880 --> 01:00:31,480 Speaker 3: and Corey admits, I know we're having dinner with that. 1230 01:00:31,600 --> 01:00:32,000 Speaker 5: This is Yeah. 1231 01:00:32,000 --> 01:00:34,240 Speaker 1: I didn't understand where the kids are supposed to be eating. 1232 01:00:34,240 --> 01:00:36,160 Speaker 1: I thought they were calling over for just for pie. 1233 01:00:36,960 --> 01:00:39,640 Speaker 1: Why Morgan wanted to go before they eat doesn't make. 1234 01:00:39,520 --> 01:00:40,280 Speaker 3: Anything, I don't know. 1235 01:00:40,520 --> 01:00:42,480 Speaker 2: And why now they thought they were going to be 1236 01:00:42,520 --> 01:00:46,920 Speaker 2: eating at the Hunter's trailer and before dinner to go 1237 01:00:47,040 --> 01:00:48,000 Speaker 2: have dinner? Yea? 1238 01:00:50,200 --> 01:00:52,000 Speaker 3: Is he not joining them for thanks saving? 1239 01:00:52,800 --> 01:00:57,240 Speaker 2: Yeah? I figured Va Vader was doing a Thanksgiving brawl somewhere. 1240 01:00:57,320 --> 01:01:00,200 Speaker 1: Yeah. Well, when we were doing the recap for last week, 1241 01:01:00,200 --> 01:01:02,520 Speaker 1: I was like, oh, you know, Vader will be right 1242 01:01:02,920 --> 01:01:04,640 Speaker 1: this episode, but not in this. 1243 01:01:05,200 --> 01:01:07,880 Speaker 3: Corey admits his parents have been acting like jerks. Sean 1244 01:01:07,920 --> 01:01:10,200 Speaker 3: says his parents didn't exactly go out of their way 1245 01:01:10,200 --> 01:01:12,200 Speaker 3: to make them feel welcome either. Why can't they just 1246 01:01:12,240 --> 01:01:12,960 Speaker 3: hang out together? 1247 01:01:13,280 --> 01:01:16,040 Speaker 2: Were they acting like jerks? I don't know. 1248 01:01:16,040 --> 01:01:18,280 Speaker 3: That's his parents go out of his way. I feel 1249 01:01:18,320 --> 01:01:19,120 Speaker 3: like that's the thing. 1250 01:01:19,160 --> 01:01:21,120 Speaker 2: They feel like their parents went out of their way 1251 01:01:21,160 --> 01:01:22,360 Speaker 2: to welcome them into the trail. 1252 01:01:25,000 --> 01:01:25,920 Speaker 1: Everybody's working. 1253 01:01:27,040 --> 01:01:29,280 Speaker 2: Yes, That's why none of that made sense to me. 1254 01:01:29,320 --> 01:01:31,680 Speaker 2: It's like, wait a minute, everybody was really trying here, 1255 01:01:32,640 --> 01:01:34,920 Speaker 2: get that, Like, sorry about my parents, what did they do? 1256 01:01:35,320 --> 01:01:36,840 Speaker 2: Sorry about my parents? What did they do? 1257 01:01:36,960 --> 01:01:37,160 Speaker 4: Yeah? 1258 01:01:37,160 --> 01:01:39,480 Speaker 1: I think in order for this episode to work, you 1259 01:01:39,640 --> 01:01:43,040 Speaker 1: have to make one set of parents or both sets 1260 01:01:43,040 --> 01:01:46,520 Speaker 1: of parents caricatures, and our show, to its credit, was 1261 01:01:46,560 --> 01:01:48,880 Speaker 1: not willing to do that, and so you end up 1262 01:01:48,880 --> 01:01:53,480 Speaker 1: having to offload the caricatures to help people were crazy 1263 01:01:53,480 --> 01:01:56,560 Speaker 1: people in order to make the Hunters crazy, or you 1264 01:01:56,680 --> 01:02:01,080 Speaker 1: may burna anxious and neurotic in or to make that okay. 1265 01:02:01,400 --> 01:02:03,960 Speaker 1: But yeah, the Matthews are so nice and the Hunters 1266 01:02:03,960 --> 01:02:07,640 Speaker 1: are so nice. It's everyone really really, it should have 1267 01:02:07,640 --> 01:02:10,640 Speaker 1: been that we've never met Sean's family before this episode, 1268 01:02:10,640 --> 01:02:14,120 Speaker 1: and then you just make Sean's parents ridiculous, right, yeah, 1269 01:02:14,160 --> 01:02:15,480 Speaker 1: and then it would have been a fun episode. 1270 01:02:15,640 --> 01:02:18,600 Speaker 3: Yeah, So Frankie walks out holding a turkey in answers. 1271 01:02:18,680 --> 01:02:21,760 Speaker 3: Adults are not narrow minded by nature. They can, however, 1272 01:02:21,840 --> 01:02:24,040 Speaker 3: be set in their ways. He compares them to the 1273 01:02:24,040 --> 01:02:27,600 Speaker 3: Whotos and the Tutsis. They pass on hatred throughout generations, 1274 01:02:27,760 --> 01:02:30,960 Speaker 3: so it's what they've grown accustomed to. Corey wonders, are 1275 01:02:31,000 --> 01:02:33,080 Speaker 3: we the only people on this planet who don't know 1276 01:02:33,120 --> 01:02:34,600 Speaker 3: who the Hutoos and the Tutsis are? 1277 01:02:34,760 --> 01:02:39,200 Speaker 1: And this is where I move on Ben's laugh, never 1278 01:02:39,280 --> 01:02:45,560 Speaker 1: walking a laugh his laugh, So yeah, I start moving 1279 01:02:45,720 --> 01:02:48,280 Speaker 1: in front, like Ben has the joke about the Hutuos, 1280 01:02:48,320 --> 01:02:51,480 Speaker 1: and I am like completely I ruined his joke. So no, 1281 01:02:51,640 --> 01:02:52,200 Speaker 1: to writer. 1282 01:02:54,640 --> 01:02:56,320 Speaker 2: Several notes will hold. 1283 01:02:56,600 --> 01:02:59,680 Speaker 3: Sean should have holds, but he doesn't. He instead admits 1284 01:02:59,680 --> 01:03:02,560 Speaker 3: they're rants, maybe working for them though Corey asks, you 1285 01:03:02,640 --> 01:03:05,160 Speaker 3: mean if we knew better, we wouldn't be friends. Sean 1286 01:03:05,200 --> 01:03:09,160 Speaker 3: says he's happy they don't know better. Great natural raid. 1287 01:03:09,760 --> 01:03:12,080 Speaker 3: Frankie announces the table as in order, it's time for 1288 01:03:12,120 --> 01:03:15,080 Speaker 3: them to eat. Corey hesitantly asks if it's okay they join, 1289 01:03:15,640 --> 01:03:18,360 Speaker 3: and herman exclaims there is always room for more at 1290 01:03:18,360 --> 01:03:21,560 Speaker 3: our table. Luther is now watching from nearby, joined by 1291 01:03:21,600 --> 01:03:24,560 Speaker 3: a man I can only describe as having serial killer vibes. 1292 01:03:25,040 --> 01:03:30,480 Speaker 2: Frankie explains from life, Corey. 1293 01:03:30,200 --> 01:03:33,120 Speaker 3: Explains their family thanksgiving custom of going around the table 1294 01:03:33,120 --> 01:03:36,160 Speaker 3: and saying what you were thankful for. Eric, happy to 1295 01:03:36,200 --> 01:03:38,440 Speaker 3: be one step closer to eating, says he's thankful to 1296 01:03:38,440 --> 01:03:43,240 Speaker 3: be spending Thanksgiving with his family and all his friends. 1297 01:03:45,480 --> 01:03:47,960 Speaker 2: Yeah, that's true. Actually, the first thing he says is 1298 01:03:48,080 --> 01:03:50,960 Speaker 2: kind of dickish. Again, He's like, I'm happy. It's like 1299 01:03:50,960 --> 01:03:53,680 Speaker 2: you can't even just say something nice about It's just 1300 01:03:53,800 --> 01:03:58,120 Speaker 2: it wasn't very Eric this week. The Rue characters. 1301 01:03:58,240 --> 01:03:59,919 Speaker 3: I thought it was just a matter of I'm star 1302 01:04:00,280 --> 01:04:01,200 Speaker 3: I'm ready to get to the. 1303 01:04:01,080 --> 01:04:06,080 Speaker 1: Mill is kind of funny actually, and lean into it 1304 01:04:06,120 --> 01:04:10,560 Speaker 1: a little bit more, I guess not but but but 1305 01:04:10,560 --> 01:04:12,920 Speaker 1: but the the point is that in this context, he's 1306 01:04:12,920 --> 01:04:15,480 Speaker 1: a yuppie, right, Like the point should be that he 1307 01:04:15,680 --> 01:04:19,640 Speaker 1: expects a big TV and nice things and that they 1308 01:04:19,960 --> 01:04:22,360 Speaker 1: certainly doesn't have it. And it's suddenly like I'm out 1309 01:04:22,360 --> 01:04:23,919 Speaker 1: of my element. I don't know how to act. And 1310 01:04:23,960 --> 01:04:25,840 Speaker 1: that would have been really funny, and it would have. 1311 01:04:25,840 --> 01:04:27,720 Speaker 2: Been funny just but they didn't do that. 1312 01:04:27,800 --> 01:04:31,280 Speaker 3: Yeah, So he's also thankful that they're taping the game. 1313 01:04:31,840 --> 01:04:34,200 Speaker 3: Frankie is thankful for their guests and the food they 1314 01:04:34,240 --> 01:04:37,560 Speaker 3: can provide Herman then lovingly looks at Morgan, I'm thankful 1315 01:04:37,600 --> 01:04:39,960 Speaker 3: to be sitting next to this delicate blossom who has 1316 01:04:40,000 --> 01:04:40,640 Speaker 3: won my heart. 1317 01:04:40,920 --> 01:04:41,360 Speaker 2: So cute. 1318 01:04:41,720 --> 01:04:44,240 Speaker 3: Morgan says she's thankful to be sitting at the kids table. 1319 01:04:44,360 --> 01:04:47,200 Speaker 3: Then Sean looks at Corey. I'm thankful you're my friend. 1320 01:04:48,320 --> 01:04:50,680 Speaker 1: Great, beautiful, wonderful Corey Sean moment. I mean, that's why 1321 01:04:50,760 --> 01:04:54,320 Speaker 1: this episode does ultimately work. Work is because the Corey 1322 01:04:54,560 --> 01:04:59,200 Speaker 1: Sean dynamic is amazing, but also just the storyline is great. 1323 01:04:59,280 --> 01:05:03,080 Speaker 1: I love this idea of like, yeah, because it's so true, 1324 01:05:03,120 --> 01:05:05,960 Speaker 1: Like we have already and my kid's only nine, we 1325 01:05:06,040 --> 01:05:09,000 Speaker 1: have friends that we're friends with mostly because our kids 1326 01:05:09,000 --> 01:05:10,880 Speaker 1: get along, you know, and you know that that olner 1327 01:05:10,960 --> 01:05:14,120 Speaker 1: continues as they get older. And that's so interesting. That's 1328 01:05:14,160 --> 01:05:15,200 Speaker 1: such a cool dynamic. 1329 01:05:15,400 --> 01:05:19,440 Speaker 3: Yeah, Corey responds, I'm thankful that my parents taught me 1330 01:05:19,480 --> 01:05:21,840 Speaker 3: to like people for who they are, even if they 1331 01:05:21,880 --> 01:05:25,000 Speaker 3: weren't lucky enough to be raised that way themselves. And 1332 01:05:25,040 --> 01:05:27,800 Speaker 3: then it's revealed that Amy, Alan, Chet, and Verna are 1333 01:05:27,840 --> 01:05:32,160 Speaker 3: nearby and shocker, they've heard everything. Alan admits I feel 1334 01:05:32,200 --> 01:05:35,040 Speaker 3: about two inches tall. Chet says that's two inches taller 1335 01:05:35,080 --> 01:05:37,520 Speaker 3: than he feels. Amy asks if they can all try 1336 01:05:37,520 --> 01:05:39,600 Speaker 3: this again, and Verna says it would be a shame 1337 01:05:39,640 --> 01:05:42,280 Speaker 3: to waste all that cheese. Chet then walks over to 1338 01:05:42,360 --> 01:05:45,480 Speaker 3: Luther and his night stockersh Pal, offering them a spot 1339 01:05:45,480 --> 01:05:49,000 Speaker 3: at their emergency meeting of the human race. Alan clears 1340 01:05:49,040 --> 01:05:51,280 Speaker 3: his throat and asks the kids if they have room. 1341 01:05:51,560 --> 01:05:54,480 Speaker 3: Corey smiles, There's always room for more at our table. 1342 01:05:54,960 --> 01:05:57,440 Speaker 3: Alan pulls up a seat for Verna, and Chet accommodates 1343 01:05:57,480 --> 01:06:00,280 Speaker 3: Amy with a lawn chair. Luther and sketchy flannel man 1344 01:06:00,320 --> 01:06:04,240 Speaker 3: disgustingly watch on and slink away, presumably to hide some 1345 01:06:04,320 --> 01:06:07,720 Speaker 3: of that man's victims in a nearby freezer. Yes, and 1346 01:06:07,760 --> 01:06:11,560 Speaker 3: then everyone cheers their red drinks and celebration of their 1347 01:06:11,600 --> 01:06:14,600 Speaker 3: Thanksgiving dinner, and we freeze on a picture of unity. 1348 01:06:16,520 --> 01:06:19,439 Speaker 3: And then we're in the tag Phoene's classroom, back from break. 1349 01:06:19,640 --> 01:06:22,040 Speaker 3: Phoene is handing back the graded papers on the Hutus 1350 01:06:22,040 --> 01:06:25,640 Speaker 3: and the tutsis congratulating the class on above average performances. 1351 01:06:25,920 --> 01:06:29,000 Speaker 3: Phoene purposefully passes Sean and he asks, don't I get mine? 1352 01:06:29,040 --> 01:06:32,440 Speaker 3: Did you recycle it already? Phoene motions to Sean to 1353 01:06:32,440 --> 01:06:34,720 Speaker 3: come up to his desk. Can't just fail me privately, 1354 01:06:34,720 --> 01:06:37,800 Speaker 3: he gotta brave heart me up here. Phoene asks, I 1355 01:06:37,840 --> 01:06:39,640 Speaker 3: simply wondered if you would read your paper to the 1356 01:06:39,640 --> 01:06:42,680 Speaker 3: class starting here. Sean is confused, but he reads aloud. 1357 01:06:43,040 --> 01:06:45,640 Speaker 3: I spent this Thanksgiving with the Hutus and the Chutsis, 1358 01:06:45,800 --> 01:06:47,920 Speaker 3: which is surprising because he lives in Philadelphia and he 1359 01:06:47,960 --> 01:06:50,680 Speaker 3: thought that kind of prejudice based on class differences only 1360 01:06:50,720 --> 01:06:54,240 Speaker 3: happened in underdeveloped countries. Sean turns to Phoenie, asking if 1361 01:06:54,240 --> 01:06:56,720 Speaker 3: that's enough. He's getting vertigo from facing the opposite way 1362 01:06:56,720 --> 01:06:59,800 Speaker 3: in the classroom, and Feenie urges him to go on. 1363 01:07:00,320 --> 01:07:02,720 Speaker 3: People can be just as cruel in a developed country. 1364 01:07:02,760 --> 01:07:04,640 Speaker 3: And the thing that gives Sean hope is that if 1365 01:07:04,720 --> 01:07:07,919 Speaker 3: children are educated about the dangers of prejudice and intolerance, 1366 01:07:08,120 --> 01:07:10,520 Speaker 3: there will be a reason for Thanksgiving in the future. 1367 01:07:10,560 --> 01:07:14,760 Speaker 1: And this, you know what My problem as an actor, 1368 01:07:14,760 --> 01:07:16,920 Speaker 1: a major problem as an actor, is my my tendency 1369 01:07:16,920 --> 01:07:22,000 Speaker 1: towards sentimentality. And I will always play the sentimental moment, 1370 01:07:22,040 --> 01:07:26,160 Speaker 1: and this I play against it perfectly. It's really good, Sean, 1371 01:07:26,480 --> 01:07:30,960 Speaker 1: just being goofy Sean and saying something incredibly sentimental, and 1372 01:07:31,000 --> 01:07:33,760 Speaker 1: I play against it. I was so I was like, oh, 1373 01:07:33,840 --> 01:07:36,880 Speaker 1: look at that right. He did it right, dude, like 1374 01:07:37,000 --> 01:07:39,600 Speaker 1: just throw it away and I did it very away. 1375 01:07:39,760 --> 01:07:43,120 Speaker 3: But it's ah. 1376 01:07:41,800 --> 01:07:43,480 Speaker 2: Yes, very Williams. 1377 01:07:44,240 --> 01:07:46,360 Speaker 1: I should have been watching him as an actor and 1378 01:07:46,480 --> 01:07:49,800 Speaker 1: just taking my lessons instead. Maybe we got three more No, 1379 01:07:50,040 --> 01:07:54,600 Speaker 1: we got three seasons of mope, mope, mopiness hitting it 1380 01:07:54,680 --> 01:07:57,400 Speaker 1: on the head, mopiness. I mean, maybe not this season, 1381 01:07:57,440 --> 01:07:59,919 Speaker 1: but certainly from five, five, six, and seven. 1382 01:08:01,160 --> 01:08:02,920 Speaker 2: Well, we'll have to see Phoenix. 1383 01:08:04,040 --> 01:08:04,960 Speaker 3: I know you don't know. 1384 01:08:05,480 --> 01:08:08,200 Speaker 1: Have you seen the cold episode lately? I know I 1385 01:08:08,360 --> 01:08:12,000 Speaker 1: think I'm just screaming and crying. I believe I'm screaming 1386 01:08:12,040 --> 01:08:12,760 Speaker 1: and crying to the pop. 1387 01:08:13,000 --> 01:08:13,479 Speaker 2: Have to see. 1388 01:08:14,240 --> 01:08:17,200 Speaker 3: Phoene states, that's the best work you've ever done, mister Hunter. 1389 01:08:17,320 --> 01:08:23,040 Speaker 3: He pulls out a red sharpe C minus. 1390 01:08:23,160 --> 01:08:24,080 Speaker 2: Sean is thrilled. 1391 01:08:24,320 --> 01:08:27,720 Speaker 3: Phoene shakes his head, laughing, Sean got an A plus. 1392 01:08:28,000 --> 01:08:30,200 Speaker 3: Phoene assures him, I'm just as shocked as you are. 1393 01:08:30,479 --> 01:08:32,920 Speaker 3: Topanga and Corey are smiling proudly at Sewan as he 1394 01:08:32,920 --> 01:08:35,639 Speaker 3: walks back to his seat. Shawn teeses Corey, I'm better 1395 01:08:35,680 --> 01:08:38,000 Speaker 3: than you are now, and we cut to Phoenie, who's 1396 01:08:38,000 --> 01:08:41,880 Speaker 3: smiling happily at his desk, and that's our episode. 1397 01:08:42,560 --> 01:08:45,080 Speaker 1: Yeah, man could have used to rewrite because that that 1398 01:08:45,240 --> 01:08:49,240 Speaker 1: opening with the classroom opening and closing with the classroom 1399 01:08:49,320 --> 01:08:53,080 Speaker 1: is so great. The conflict of the issue of Sean 1400 01:08:53,200 --> 01:08:55,479 Speaker 1: and and Corey wanted to bring her families together is 1401 01:08:55,520 --> 01:08:57,519 Speaker 1: so great. I do think that the all of them 1402 01:08:57,600 --> 01:08:59,519 Speaker 1: ending up at the table to get at there's so 1403 01:08:59,600 --> 01:09:00,920 Speaker 1: much good about this episode. 1404 01:09:01,120 --> 01:09:04,479 Speaker 3: Yeah, I actually think if we really for me, at 1405 01:09:04,560 --> 01:09:08,640 Speaker 3: least I can point to on one hand moments that 1406 01:09:08,720 --> 01:09:10,960 Speaker 3: didn't land well for me, and the rest of it 1407 01:09:11,240 --> 01:09:14,280 Speaker 3: I loved. Yeah, yeah, you know, Yeah, there are a 1408 01:09:14,320 --> 01:09:16,600 Speaker 3: couple of moments and a couple of beats that I 1409 01:09:16,640 --> 01:09:21,640 Speaker 3: go ooh, that needs some retooling, But overall great, I 1410 01:09:21,640 --> 01:09:23,320 Speaker 3: still really like this episode. 1411 01:09:23,400 --> 01:09:24,599 Speaker 2: Cool good. 1412 01:09:24,840 --> 01:09:27,679 Speaker 3: So anyway, thank you for joining us for this episode 1413 01:09:27,680 --> 01:09:29,519 Speaker 3: of Pod Meets World. As always, you can follow us 1414 01:09:29,520 --> 01:09:32,040 Speaker 3: on Instagram podmeets World Show. You can send us your 1415 01:09:32,080 --> 01:09:34,639 Speaker 3: emails pod meets World Show at gmail dot com, and 1416 01:09:35,000 --> 01:09:35,400 Speaker 3: we have. 1417 01:09:35,360 --> 01:09:38,759 Speaker 2: March Rider likes Twilight March. 1418 01:09:38,920 --> 01:09:43,559 Speaker 3: Podmeets Worldshow dot com. Join us for our next episode recap, which, 1419 01:09:43,720 --> 01:09:47,120 Speaker 3: as we have mentioned before, we are going in DVD 1420 01:09:47,439 --> 01:09:51,719 Speaker 3: order and that DVD order is out of Disney Plus's order, 1421 01:09:52,080 --> 01:09:55,240 Speaker 3: so the next episode we are recapping is season four, 1422 01:09:55,479 --> 01:09:59,639 Speaker 3: episode twelve on Disney Plus, which is called an Affair 1423 01:09:59,720 --> 01:10:02,479 Speaker 3: to for So wherever you are watching, make sure you 1424 01:10:02,560 --> 01:10:05,920 Speaker 3: watch an Affair to Forget It Originally aired November twenty ninth, 1425 01:10:06,000 --> 01:10:11,160 Speaker 3: nineteen ninety six. We Love You All pod dismissed. Pod 1426 01:10:11,160 --> 01:10:13,840 Speaker 3: Meets World is an iHeart podcast produced and hosted by 1427 01:10:13,880 --> 01:10:17,960 Speaker 3: Danielle Fischel, Wilfridell and Ryder Strong executive producers, Jensen Karp 1428 01:10:18,040 --> 01:10:21,320 Speaker 3: and Amy Sugarman, Executive in charge of production, Danielle Romo, 1429 01:10:21,560 --> 01:10:25,840 Speaker 3: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and 1430 01:10:25,920 --> 01:10:29,200 Speaker 3: boy Meets World super fan Easton Allen. Our theme song 1431 01:10:29,240 --> 01:10:32,160 Speaker 3: is by Kyle Morton of Typhoon. Follow us on Instagram 1432 01:10:32,200 --> 01:10:34,839 Speaker 3: at Pod Meets World Show or email us at Podmeets 1433 01:10:34,840 --> 01:10:36,599 Speaker 3: Worldshow at gmail dot com