1 00:00:00,080 --> 00:00:05,960 Speaker 1: Previously on Brewster High, Brady Brewster is at a wellness resort. 2 00:00:06,120 --> 00:00:08,119 Speaker 1: His parents sent him away to a luxury high and 3 00:00:08,280 --> 00:00:10,600 Speaker 1: health retreat to clear out a system and reboot. So 4 00:00:10,680 --> 00:00:12,479 Speaker 1: what's your take on Principal fair Weather? Do you think 5 00:00:12,520 --> 00:00:15,640 Speaker 1: she's lying about where Brady is? Hello, Geffen, I hear 6 00:00:15,680 --> 00:00:18,439 Speaker 1: you know a thing or two about thumb drives. That's it. 7 00:00:18,880 --> 00:00:22,760 Speaker 1: The drive is called Brady's Secrets, a place called break 8 00:00:22,840 --> 00:00:25,319 Speaker 1: the Cycle. Do you think that's where Brady is? I 9 00:00:25,360 --> 00:00:27,440 Speaker 1: forgot about my day with Dexter. He's been waiting for 10 00:00:27,440 --> 00:00:29,520 Speaker 1: me for over an hour. You can't just Scooba dive 11 00:00:29,560 --> 00:00:32,400 Speaker 1: whenever you want. You have to go doing low tide. 12 00:00:32,720 --> 00:00:35,000 Speaker 1: My baby is stuck alone in a hot air balloon. 13 00:00:49,400 --> 00:00:53,520 Speaker 1: Someone's been lying about Brady Brewster or everyone, or quite 14 00:00:53,560 --> 00:00:56,760 Speaker 1: possibly no one. The mystery is where he really is. 15 00:00:57,440 --> 00:01:00,240 Speaker 1: Time to grab our shovels and do some digging. When 16 00:01:00,280 --> 00:01:02,720 Speaker 1: the truth is buried, you're going to have to get 17 00:01:02,760 --> 00:01:07,160 Speaker 1: dirty from digging it up. New paragraph. Did you ever 18 00:01:07,240 --> 00:01:09,840 Speaker 1: notice that Brady's last name is the same name as 19 00:01:09,840 --> 00:01:14,720 Speaker 1: this town and this school, Brewster. That's no coincidence. The 20 00:01:14,760 --> 00:01:18,119 Speaker 1: Brewster family founded this town over one years ago when 21 00:01:18,120 --> 00:01:20,960 Speaker 1: they built their beer factor. Stop reading for a second, Clara, 22 00:01:21,240 --> 00:01:25,199 Speaker 1: It's called a brewery. Are you sure, Mr Nelson? I'm sure. 23 00:01:25,440 --> 00:01:29,360 Speaker 1: Keep reading. When they built their brewery to make use 24 00:01:29,360 --> 00:01:32,240 Speaker 1: of all the local wild growing barley and hops. That's 25 00:01:32,280 --> 00:01:35,000 Speaker 1: why after they came to America, the family changed their 26 00:01:35,080 --> 00:01:38,480 Speaker 1: name to Brewster, also because their old name was Hitler. 27 00:01:39,200 --> 00:01:41,240 Speaker 1: And that's all I've got from my article so far. 28 00:01:41,720 --> 00:01:44,280 Speaker 1: All right, not bad, Clara, But I don't feel it's 29 00:01:44,280 --> 00:01:47,200 Speaker 1: ready to print. For one thing, there's no story there. 30 00:01:47,560 --> 00:01:51,680 Speaker 1: Hold on, let me write that down. Story. The school 31 00:01:51,680 --> 00:01:54,000 Speaker 1: newspaper isn't just some sort of vanity press. What do 32 00:01:54,080 --> 00:01:56,680 Speaker 1: you think we are? The New York Observer, or if 33 00:01:56,720 --> 00:02:00,160 Speaker 1: you want a more contemporary reference, Taylor Swiss remaker her 34 00:02:00,240 --> 00:02:03,360 Speaker 1: album Fearless. When we run a story, it's got to 35 00:02:03,400 --> 00:02:06,480 Speaker 1: blow the readers socks off. No half measures. You got 36 00:02:06,520 --> 00:02:09,959 Speaker 1: one shot at the story. Make it count. I won't 37 00:02:10,040 --> 00:02:13,000 Speaker 1: let you down, Mr Nelson. What's your plan for something 38 00:02:13,040 --> 00:02:15,600 Speaker 1: this big? I'm going to need some help, starting with 39 00:02:15,720 --> 00:02:18,480 Speaker 1: Hide his replacement on the frisbee team. He ought to 40 00:02:18,520 --> 00:02:23,360 Speaker 1: be a practice right now, Okay, everybody, water break not 41 00:02:23,520 --> 00:02:27,760 Speaker 1: you ride, you stay thirsty you didn't earn water. Hide 42 00:02:28,200 --> 00:02:33,760 Speaker 1: over here, I can't talk still in practice, I have 43 00:02:33,800 --> 00:02:36,320 Speaker 1: a job for you. Chill. Okay, I'll get to it 44 00:02:36,360 --> 00:02:38,040 Speaker 1: when I get to it. I didn't tell you what 45 00:02:38,080 --> 00:02:41,760 Speaker 1: it is. Quit writing my ass. I'm sorry. I just 46 00:02:41,840 --> 00:02:44,440 Speaker 1: thought that. No, I'm the one who should be saying 47 00:02:44,480 --> 00:02:48,760 Speaker 1: i'm sorry. I'm just really stressed out. Okay, Okay, what 48 00:02:49,240 --> 00:02:52,400 Speaker 1: go ahead and say I'm sorry. I already did. No, 49 00:02:52,760 --> 00:02:55,400 Speaker 1: you said you should be saying i'm sorry. You didn't 50 00:02:55,400 --> 00:02:58,640 Speaker 1: actually say it, didn't consider it said, I'll consider it 51 00:02:58,680 --> 00:03:01,080 Speaker 1: said when it's actually set. What do you want me 52 00:03:01,120 --> 00:03:04,240 Speaker 1: to say, I'm sorry? There, I just said it. Technically 53 00:03:04,280 --> 00:03:06,520 Speaker 1: you said the words, but the context was that you 54 00:03:06,520 --> 00:03:09,280 Speaker 1: were quoting words you might say you still haven't said 55 00:03:09,320 --> 00:03:12,400 Speaker 1: them in the spirit with which they were intended. Okay, fine, 56 00:03:12,520 --> 00:03:16,480 Speaker 1: here goes. I'm sorry. Good that you're upset by something 57 00:03:16,480 --> 00:03:21,560 Speaker 1: that I said. Apology accepted. Now where is all the 58 00:03:21,639 --> 00:03:24,280 Speaker 1: stress coming from? It's taking over for Brady as the 59 00:03:24,360 --> 00:03:27,080 Speaker 1: leader of the frisbee team. Brady made it look so easy, 60 00:03:27,280 --> 00:03:30,280 Speaker 1: throwing the bee, catching the bee. Ah, it's so much 61 00:03:30,320 --> 00:03:32,799 Speaker 1: more stressful than it looks. At least you have your 62 00:03:32,840 --> 00:03:36,840 Speaker 1: piss business that's drawing up to literally the team is 63 00:03:36,880 --> 00:03:39,880 Speaker 1: eating so many performance enhancing drugs. I can't keep producing 64 00:03:39,960 --> 00:03:42,240 Speaker 1: enough clean piss for the drug tests. My stream is 65 00:03:42,280 --> 00:03:45,600 Speaker 1: a drizzle at this point. This morning, I paid yellow dust. 66 00:03:46,240 --> 00:03:48,320 Speaker 1: If you want to find Brady, I could really use 67 00:03:48,320 --> 00:03:51,280 Speaker 1: your help. Just tell me what I need to do. Excellent, Okay, 68 00:03:51,320 --> 00:03:53,160 Speaker 1: here's the deal. I want you to go to one 69 00:03:53,240 --> 00:03:56,480 Speaker 1: five to Neil Avenue. That's the address we found on 70 00:03:56,480 --> 00:03:59,960 Speaker 1: Principal Fairweather's thumb drive, the address where she sent the fruit. 71 00:04:00,040 --> 00:04:02,840 Speaker 1: Ask it to Brady. It's a place called Break the Cycle. 72 00:04:03,120 --> 00:04:05,160 Speaker 1: She must believe he's there. I need you to check 73 00:04:05,160 --> 00:04:07,480 Speaker 1: it out. If Brady is there, I want to know it. 74 00:04:07,560 --> 00:04:09,760 Speaker 1: But if Brady is not there, I want to know that. 75 00:04:10,080 --> 00:04:12,800 Speaker 1: So report back to you one way or the other exactly. 76 00:04:13,040 --> 00:04:16,400 Speaker 1: You got it clear, I'll go tonight. We're back in. Everybody, 77 00:04:16,480 --> 00:04:19,159 Speaker 1: Come everyone, Hustle up, hustle up, you've got enough water. 78 00:04:19,560 --> 00:04:22,200 Speaker 1: Get in here. We're in a new drill. Catching me 79 00:04:22,440 --> 00:04:25,160 Speaker 1: on one finger while trying to look casual with them. 80 00:04:25,160 --> 00:04:29,160 Speaker 1: We're not bandanas, he locks. Let's good ans or you 81 00:04:29,200 --> 00:04:31,400 Speaker 1: know what, Let's do a lots per side right now. 82 00:04:31,440 --> 00:04:33,760 Speaker 1: It's just you're all next to each other. Next, I 83 00:04:33,800 --> 00:04:37,080 Speaker 1: had to talk to Brent. Fortunately, her after school job 84 00:04:37,120 --> 00:04:40,200 Speaker 1: as a janitor made her very easy to find. She 85 00:04:40,400 --> 00:04:46,560 Speaker 1: was cleaning the bathrooms. Hey, Clara, use the third stall. 86 00:04:46,640 --> 00:04:48,960 Speaker 1: I haven't cleaned it yet. I'm not here her bathroom stuff. 87 00:04:49,040 --> 00:04:51,440 Speaker 1: I need another favor. See if we can just talk 88 00:04:51,520 --> 00:04:53,919 Speaker 1: to Brady, we might be able to figure out the 89 00:04:54,000 --> 00:04:57,839 Speaker 1: mystery of why he disappeared and where. Yeah, Brady would 90 00:04:57,880 --> 00:05:02,040 Speaker 1: definitely know. So you're in you bet, And speaking of urine, 91 00:05:02,160 --> 00:05:04,159 Speaker 1: move over while I'm off the floor by this toilet. 92 00:05:04,880 --> 00:05:17,039 Speaker 1: Here's what I need you to do tonight. Go to 93 00:05:17,080 --> 00:05:30,520 Speaker 1: Brady's house. See if he's no one's done that already, 94 00:05:31,040 --> 00:05:33,520 Speaker 1: So Brady might be missing, or he might just be 95 00:05:33,600 --> 00:05:37,719 Speaker 1: in his house exactly, process of elimination. If he's not 96 00:05:37,800 --> 00:05:41,480 Speaker 1: in his house, he must be somewhere else. Process of elimination. 97 00:05:41,720 --> 00:05:43,440 Speaker 1: That would be a good title for a TV show 98 00:05:43,480 --> 00:05:46,320 Speaker 1: about a woman who cleans toilet. Yeah, and she's trying 99 00:05:46,360 --> 00:05:48,760 Speaker 1: to find a boyfriend. So she's dating every single man 100 00:05:48,839 --> 00:05:52,279 Speaker 1: on Okay Cupid until she finds the right one. Process 101 00:05:52,360 --> 00:05:58,800 Speaker 1: of elimination. Yeah, go to his house and if he's 102 00:05:58,839 --> 00:06:11,200 Speaker 1: not there, ask his parents where he is. No one's 103 00:06:11,200 --> 00:06:14,160 Speaker 1: even asked his parents. This is real life, not one 104 00:06:14,200 --> 00:06:25,880 Speaker 1: of your Veronica Mars episodes. Call me tonight, Attention Brister, 105 00:06:26,000 --> 00:06:29,960 Speaker 1: h Dexter and Hide are having relationship issues. Why am 106 00:06:29,960 --> 00:06:33,440 Speaker 1: I making a p a announcement about this? If it bleeds, 107 00:06:33,600 --> 00:06:43,400 Speaker 1: it leads? Hello, High, Hide, Dexter, Hey babe, everything cool? Hide? 108 00:06:43,640 --> 00:06:45,880 Speaker 1: Are you fucking kidding me right now? It feels like 109 00:06:45,920 --> 00:06:48,520 Speaker 1: this question is a trap? Are you standing me up 110 00:06:48,560 --> 00:06:53,360 Speaker 1: on purpose? Is this whole relationship a prank? Shit? Oh? 111 00:06:53,400 --> 00:06:56,479 Speaker 1: Ship is right? We're supposed to be together right now 112 00:06:56,520 --> 00:06:58,560 Speaker 1: on a on a on a date or something right? 113 00:06:59,160 --> 00:07:01,480 Speaker 1: Oh god? What was this supposed to be a strawberry 114 00:07:01,520 --> 00:07:07,680 Speaker 1: picking cow tipping hi diving? You didn't show up. I 115 00:07:07,720 --> 00:07:11,800 Speaker 1: have to go tandem skydiving with some total rando dext. 116 00:07:12,000 --> 00:07:15,640 Speaker 1: I'm so so sorry. I'm just juggling a lot right now, 117 00:07:15,680 --> 00:07:17,960 Speaker 1: and I'm caught up in all this Brady Brewster crap. 118 00:07:18,160 --> 00:07:20,680 Speaker 1: I can't do it all. I'm not real Witherspoon. The 119 00:07:20,720 --> 00:07:23,280 Speaker 1: one thing that I do care about the most is you, 120 00:07:23,560 --> 00:07:26,000 Speaker 1: and I don't want to mess that up within reason, 121 00:07:26,040 --> 00:07:29,120 Speaker 1: of course, just as long as you're not my first priority. 122 00:07:29,280 --> 00:07:32,400 Speaker 1: I mean, I guess it's only skydiving. You forgive me, 123 00:07:32,440 --> 00:07:35,520 Speaker 1: don't you. Of course I forgive you. They're so lucky. 124 00:07:35,640 --> 00:07:37,920 Speaker 1: My father never showed me affection, so my need for 125 00:07:37,960 --> 00:07:40,800 Speaker 1: connection makes me a real push over. Thanks baby. Okay, 126 00:07:40,800 --> 00:07:44,080 Speaker 1: but I'll see what my play tonight, right, of course, 127 00:07:44,520 --> 00:07:48,280 Speaker 1: of course you will the play. That's that's tonight too. 128 00:07:48,520 --> 00:07:50,800 Speaker 1: They're taping off a reserve seat for you, and hey, 129 00:07:51,000 --> 00:07:53,520 Speaker 1: don't be late or you'll miss my big opening speech. 130 00:07:53,840 --> 00:07:57,480 Speaker 1: I will be there, I promise, Okaye tonight. Yeah, no, 131 00:07:57,560 --> 00:08:02,000 Speaker 1: I'll be there. Meanwhile, at the Ooster House, I'm really 132 00:08:02,040 --> 00:08:04,920 Speaker 1: confused about your writing style, Clara. You're writing this article 133 00:08:05,000 --> 00:08:07,920 Speaker 1: as if it's happening in real time exactly, Mr Nelson, 134 00:08:08,040 --> 00:08:10,800 Speaker 1: just like they do for Vice magazine. This isn't your 135 00:08:10,880 --> 00:08:15,080 Speaker 1: grandfather's school newspaper. It's just not a traditional way to 136 00:08:15,080 --> 00:08:18,280 Speaker 1: write a newspaper article. Okay, Boomer, I'm like thirty years 137 00:08:18,320 --> 00:08:20,880 Speaker 1: younger than a boomer, and and no one says okay 138 00:08:20,880 --> 00:08:24,760 Speaker 1: Boomer anymore. Meanwhile, at the Brewster House, Brint showed up 139 00:08:24,760 --> 00:08:26,880 Speaker 1: at the front door to see if Brady's parents had 140 00:08:26,880 --> 00:08:35,200 Speaker 1: any idea where he was. Classic Boomer parents Hey, Mr 141 00:08:35,240 --> 00:08:39,200 Speaker 1: and Mrs Brewster Brant, What are you doing here? Don't 142 00:08:39,200 --> 00:08:41,840 Speaker 1: you have a Koala carcass to dispose of somewhere? What 143 00:08:41,920 --> 00:08:44,200 Speaker 1: can we do for your brand? We've got a lasagna going. 144 00:08:44,679 --> 00:08:47,120 Speaker 1: I just wanted to come by and ask how Brady's doing. 145 00:08:47,240 --> 00:08:50,040 Speaker 1: Thank you. He's getting the treatment in needs, we assume 146 00:08:50,360 --> 00:08:53,440 Speaker 1: because he's at a wellness resort. You're sure that's where 147 00:08:53,440 --> 00:08:55,319 Speaker 1: he is well? Of course I got a single text 148 00:08:55,320 --> 00:08:57,520 Speaker 1: from him a few days ago. That's the most he 149 00:08:57,679 --> 00:09:01,520 Speaker 1: shared with me in months. Tina angers well. I brought 150 00:09:01,600 --> 00:09:03,720 Speaker 1: his homework care for him so he doesn't get behind. 151 00:09:04,240 --> 00:09:06,480 Speaker 1: Is it cool if I drop it off in Brady's room? 152 00:09:06,520 --> 00:09:09,280 Speaker 1: So many good memories of being in that room matching 153 00:09:09,360 --> 00:09:11,960 Speaker 1: are junk together and that won't be necessary. Thank you 154 00:09:12,040 --> 00:09:15,360 Speaker 1: so much. We'll take that homework eat well. That was 155 00:09:15,400 --> 00:09:18,120 Speaker 1: a big nothing burger. I hope h it's having better 156 00:09:18,200 --> 00:09:21,679 Speaker 1: luck than I am. That night, Hide by twenty six 157 00:09:21,720 --> 00:09:24,880 Speaker 1: miles to the address of the edible nosegay delivery. But 158 00:09:25,120 --> 00:09:28,400 Speaker 1: he totally forgot about his date with Dexter. That's twice. 159 00:09:28,440 --> 00:09:31,320 Speaker 1: Now you're going to put that last part about hide 160 00:09:31,360 --> 00:09:34,880 Speaker 1: in Dexter in your article? Yeah, why not? Whatever? I mean, 161 00:09:35,000 --> 00:09:37,599 Speaker 1: who the funk cares right? It's just a school newspaper 162 00:09:38,920 --> 00:09:43,040 Speaker 1: across town. Hide was checking out Break the cycle, following 163 00:09:43,040 --> 00:09:52,720 Speaker 1: the clue on Principal Fairweather's thumb dry wellness resort. It's 164 00:09:52,760 --> 00:09:55,880 Speaker 1: just a bar. Hey, what are you doing in here? 165 00:09:56,000 --> 00:09:59,720 Speaker 1: Are you wearing biker shoes? Well, we're biker shoes. Is 166 00:09:59,760 --> 00:10:02,240 Speaker 1: a biker bar? I asked you a question, what are 167 00:10:02,280 --> 00:10:06,600 Speaker 1: you doing in here? I'm just a clean in the windows. No, no, 168 00:10:06,600 --> 00:10:10,199 Speaker 1: no, no no, no, it's bullshit. Giuseppe comes in on Monday's Giuseppe. 169 00:10:10,360 --> 00:10:13,440 Speaker 1: He's out the sick the service sent to me in 170 00:10:13,600 --> 00:10:17,280 Speaker 1: his place. I'm not buying it. What's your business here, hoss? 171 00:10:17,320 --> 00:10:20,720 Speaker 1: I'm reviewing the local bars for the year and issue 172 00:10:20,760 --> 00:10:23,560 Speaker 1: of a time out of magazine. And why would you 173 00:10:23,640 --> 00:10:27,400 Speaker 1: have an Italian accent? Got you looks like you're doing 174 00:10:27,440 --> 00:10:31,160 Speaker 1: some old fashioned snooping. Oh, now you're in for it. 175 00:10:31,360 --> 00:10:35,280 Speaker 1: This is our leader. He's from Massachusetts, and you know 176 00:10:35,320 --> 00:10:40,680 Speaker 1: how bikers feel about snooping. No, we hate it. I 177 00:10:40,720 --> 00:10:42,679 Speaker 1: think I've got all I needed for my review. Now, 178 00:10:42,720 --> 00:10:45,120 Speaker 1: if you excuse me, it's just gonna not so fast. 179 00:10:45,640 --> 00:10:47,200 Speaker 1: What do we gotta here? Huh, let me see that 180 00:10:47,280 --> 00:10:50,719 Speaker 1: backpack hold them voice, No, not my backpack. I've got 181 00:10:50,720 --> 00:10:54,000 Speaker 1: all my stuff in there. What's this a frisbee? Wow? 182 00:10:54,120 --> 00:10:58,560 Speaker 1: Those are some tight shorts. Tight shorts? Are our gang 183 00:10:58,720 --> 00:11:02,199 Speaker 1: uniform or a biker gang? Maybe you heard of us, 184 00:11:02,440 --> 00:11:06,839 Speaker 1: the Wheelie boys, boys like the William middle aged boys? 185 00:11:06,840 --> 00:11:10,599 Speaker 1: Am I right? Why are you traveling with a frisbee? 186 00:11:10,800 --> 00:11:13,520 Speaker 1: You on the ultimate team or something? Coach Bagley send 187 00:11:13,559 --> 00:11:16,320 Speaker 1: you here to make a bet for him? Bet you, guys, 188 00:11:16,320 --> 00:11:19,480 Speaker 1: gamble on our games. Everybody in this town bets on 189 00:11:19,679 --> 00:11:23,560 Speaker 1: frisbee games. But with that Brady kid missing, it's throwing 190 00:11:23,600 --> 00:11:28,400 Speaker 1: our whole betting algorithm into blue. Wait a minute, are 191 00:11:28,400 --> 00:11:31,200 Speaker 1: you with the FETs? No, no, guys, I'm not a 192 00:11:31,240 --> 00:11:35,839 Speaker 1: fed bullshit would say? Take him out back, rough him up? Wait? 193 00:11:35,880 --> 00:11:38,280 Speaker 1: Wait wait wait wait wait wait wait, take his clothes off, 194 00:11:38,400 --> 00:11:40,720 Speaker 1: all of the clothes every close, feed him to the 195 00:11:40,840 --> 00:11:43,679 Speaker 1: alleyway and bring the recycling out. Please will you come 196 00:11:43,720 --> 00:11:46,320 Speaker 1: back that alright? Remember, I don't forget it, We'll forget 197 00:11:46,400 --> 00:11:49,599 Speaker 1: Wait wait, I'm here because I want to be a 198 00:11:49,600 --> 00:12:06,560 Speaker 1: Wheelie boy. Well well wow, pause boys, hit pause, hello Brin, Yeah, 199 00:12:06,720 --> 00:12:09,760 Speaker 1: hi Clara, where are you I'm still at the Brewster home, 200 00:12:09,960 --> 00:12:13,560 Speaker 1: well outside their home. They tell you anything, nothing, but 201 00:12:13,640 --> 00:12:16,480 Speaker 1: it feels like they're hiding something. How about Brady's bedroom? 202 00:12:16,600 --> 00:12:18,679 Speaker 1: You find anything in there? They wouldn't let me go 203 00:12:18,720 --> 00:12:21,240 Speaker 1: anywhere in your his room. So I'm going to break in, Brian. 204 00:12:21,360 --> 00:12:24,080 Speaker 1: The Brewsters are the most powerful family in town. I 205 00:12:24,160 --> 00:12:29,440 Speaker 1: came for the truth about Brady. What's that sounds? I 206 00:12:29,520 --> 00:12:32,240 Speaker 1: just shot a grappling hook to the roof. You haven't 207 00:12:32,280 --> 00:12:35,440 Speaker 1: have a grappling look with you, of course you don't. 208 00:12:42,360 --> 00:12:45,760 Speaker 1: Now what are you doing. I'm climbing up the side 209 00:12:45,800 --> 00:12:50,280 Speaker 1: of their house. It's a big house. And now, dude, 210 00:12:50,360 --> 00:12:56,800 Speaker 1: I'm grabbing the gutter. Now I'm swinging over to his 211 00:12:56,920 --> 00:13:05,160 Speaker 1: window and praying it open. And now I'm putting suction 212 00:13:05,240 --> 00:13:08,600 Speaker 1: cups gloves and moving around Brady's room by spider beaning 213 00:13:08,600 --> 00:13:16,640 Speaker 1: on the walls. I'm late to meet my set tutor. 214 00:13:16,760 --> 00:13:24,880 Speaker 1: Can you speed it up? Ladies and gentlemen, please take 215 00:13:24,880 --> 00:13:27,680 Speaker 1: your seats. The curtain will rise in ten minutes. On 216 00:13:27,760 --> 00:13:30,960 Speaker 1: the fault in Our Stars, starring Dexter in a dual 217 00:13:31,080 --> 00:13:37,160 Speaker 1: role as both Hazel and Augustus. Wow, we've got a 218 00:13:37,240 --> 00:13:39,600 Speaker 1: full house tonight. And I'm speaking to you not just 219 00:13:39,720 --> 00:13:42,160 Speaker 1: as Mrs Bagley, your home mac teacher, that is Mrs Bagley, 220 00:13:42,200 --> 00:13:44,839 Speaker 1: your drama teacher. Do you see Hide out there yet? No, 221 00:13:45,120 --> 00:13:47,520 Speaker 1: it looks like his seat is still empty, but there's 222 00:13:47,559 --> 00:13:49,600 Speaker 1: a lot of people in the standby line. Okay, just 223 00:13:49,720 --> 00:13:52,800 Speaker 1: hold the seats. He will be here, let's hope. So 224 00:13:53,160 --> 00:13:55,160 Speaker 1: that's an eight hundred dollars ain't we could be filling 225 00:13:55,320 --> 00:13:58,720 Speaker 1: eight hundred dollars. I don't have time to get into it. Okay, 226 00:13:58,760 --> 00:14:01,120 Speaker 1: the economics of life theater are crazy. How much of 227 00:14:01,120 --> 00:14:04,320 Speaker 1: that is like a bullshit processing feeling? It's mark up, 228 00:14:04,360 --> 00:14:08,920 Speaker 1: but that's industry standard. What I'm trying to say is, 229 00:14:09,000 --> 00:14:12,880 Speaker 1: wherever Hide is, I'm sure he's very nearby and entirely 230 00:14:12,920 --> 00:14:21,120 Speaker 1: focused on getting here in time. So you want to 231 00:14:21,160 --> 00:14:23,800 Speaker 1: be a pedal pusher huh? You want to crank chain 232 00:14:23,880 --> 00:14:27,720 Speaker 1: on the asphalt highway huh? You wanna beat the pavement 233 00:14:27,800 --> 00:14:31,760 Speaker 1: like a ten speed seat sniffer huh? Yeah, totally everything 234 00:14:31,800 --> 00:14:34,040 Speaker 1: that you just said right now, I want to do it. 235 00:14:34,560 --> 00:14:37,800 Speaker 1: There's just something about the feeling, you know, like when 236 00:14:37,840 --> 00:14:41,160 Speaker 1: you're climbing up a steep incline, you just keep down 237 00:14:41,200 --> 00:14:46,360 Speaker 1: shifting fourth and third. Second, your calves are burning you 238 00:14:46,440 --> 00:14:49,440 Speaker 1: down shifted first. Then you crest the top of the 239 00:14:49,520 --> 00:14:52,640 Speaker 1: hill and bam, you've done it. From here on out, 240 00:14:53,240 --> 00:14:57,600 Speaker 1: he'll let the downhill take you for a ride. That feeling, man, 241 00:14:58,320 --> 00:15:01,000 Speaker 1: there's nothing like it, as close as you can get 242 00:15:01,000 --> 00:15:04,160 Speaker 1: to touching the beard of God. If he's a man 243 00:15:04,240 --> 00:15:07,880 Speaker 1: that is. Okay, you've got skills, of course I do. 244 00:15:08,280 --> 00:15:11,120 Speaker 1: I love to rip, all right. Let's see what's the 245 00:15:11,200 --> 00:15:16,320 Speaker 1: best number of gears to have. Um depends damn. Straight 246 00:15:16,600 --> 00:15:20,040 Speaker 1: handbrakes or foot brakes. Handbrakes are like hand jobs. They're 247 00:15:20,040 --> 00:15:23,400 Speaker 1: for amateurs. He's good, okay, and maybe you do know 248 00:15:23,480 --> 00:15:27,200 Speaker 1: a thing or two, but you're young. These men are 249 00:15:27,200 --> 00:15:29,520 Speaker 1: all fathers at the end of their tether. We got 250 00:15:29,560 --> 00:15:33,400 Speaker 1: aggressively into biking as a way to release the pressures 251 00:15:33,440 --> 00:15:37,200 Speaker 1: of parenthood. So why do you want in. There's pressures 252 00:15:37,200 --> 00:15:40,040 Speaker 1: in high school too, bro, trying to keep my friends, 253 00:15:40,160 --> 00:15:44,120 Speaker 1: my team, my parents happy, and I'm caving. I wake 254 00:15:44,240 --> 00:15:46,320 Speaker 1: up in the morning and don't even recognize the man 255 00:15:46,360 --> 00:15:50,400 Speaker 1: in the mirror some days. Wow, gear up, son, you've 256 00:15:50,440 --> 00:15:52,960 Speaker 1: got the knowledge and you've got the spirit. Let's just 257 00:15:52,960 --> 00:16:02,240 Speaker 1: see if you've got the calf muscles. Before the surgery, 258 00:16:02,320 --> 00:16:04,920 Speaker 1: she told me she wanted to break up because I 259 00:16:04,960 --> 00:16:07,800 Speaker 1: was too much for her. I kept using the word 260 00:16:07,880 --> 00:16:12,440 Speaker 1: always with her, you know, always, and she kept talking 261 00:16:12,520 --> 00:16:15,040 Speaker 1: over me but not saying it back to me. It 262 00:16:15,120 --> 00:16:20,240 Speaker 1: was like I was already gone. I know. Oftentimes people 263 00:16:20,280 --> 00:16:23,160 Speaker 1: don't fully comprehend the promises that they make when they're 264 00:16:23,200 --> 00:16:30,320 Speaker 1: making them. Ladies and gentlemen. There will be a ten 265 00:16:30,360 --> 00:16:34,360 Speaker 1: minute intermission followed by two of Brewster Highs production of 266 00:16:34,400 --> 00:16:38,560 Speaker 1: Default in Our Stars. Dexter come on backstage with me. 267 00:16:38,760 --> 00:16:46,400 Speaker 1: Let's talk. Okay, look, you've got to get together. You're 268 00:16:46,520 --> 00:16:49,200 Speaker 1: nailing Augustus, But what is going on with Hazel. I mean, 269 00:16:49,240 --> 00:16:51,400 Speaker 1: I'm talking to you not just as Mrs Bagley or 270 00:16:51,440 --> 00:16:54,280 Speaker 1: drama teacher, but as Mrs Bagley, your home heck teacher. 271 00:16:54,560 --> 00:16:57,920 Speaker 1: I didn't come. He he's still empty. Don't let him 272 00:16:58,040 --> 00:17:01,160 Speaker 1: ruin this for you. Think of the audience. This is 273 00:17:01,200 --> 00:17:04,600 Speaker 1: a big night out for them. They hired babysitters, paid 274 00:17:04,640 --> 00:17:07,119 Speaker 1: eight hundred dollars a ticket to be here. Well, they 275 00:17:07,160 --> 00:17:09,439 Speaker 1: paid six hundred and forty dollars for the ticket. The 276 00:17:09,480 --> 00:17:12,720 Speaker 1: rest was mark up for some imaginary processing fee. Think 277 00:17:12,880 --> 00:17:15,720 Speaker 1: of all the freshmen out there who might want to 278 00:17:15,760 --> 00:17:18,639 Speaker 1: go into high school theater, you are a role model 279 00:17:18,680 --> 00:17:22,760 Speaker 1: for them. I'm doing my best. I'm just distracted. Look, 280 00:17:22,880 --> 00:17:25,200 Speaker 1: I don't want to freak you out. But you read 281 00:17:25,200 --> 00:17:28,560 Speaker 1: about how lin Manuel Miranda started casting on his new musical. Right, 282 00:17:28,960 --> 00:17:33,080 Speaker 1: Oh my god, Lynn Manuel's in the audience. No, of 283 00:17:33,119 --> 00:17:36,800 Speaker 1: course not. It's an old technique of mine, performing as 284 00:17:37,000 --> 00:17:39,920 Speaker 1: if Lin Manuel was in the audience. Can you imagine 285 00:17:40,359 --> 00:17:43,920 Speaker 1: Lynn Manuel coming to us to see this? No? Now, 286 00:17:44,280 --> 00:17:46,359 Speaker 1: are you going to let some boyfriend ruin this for you? 287 00:17:46,400 --> 00:17:50,960 Speaker 1: Are you going to take that stage and do your job? 288 00:17:53,560 --> 00:18:00,280 Speaker 1: Hand me my half wig? Hey, come on outside, dudes, 289 00:18:00,320 --> 00:18:03,320 Speaker 1: let's watch this. Kids, show us the stuff. You're showing 290 00:18:03,400 --> 00:18:10,000 Speaker 1: us your stuff? Dude, got him? You can't see my penis. 291 00:18:10,080 --> 00:18:11,840 Speaker 1: I mean there's no way around it. You can see 292 00:18:11,840 --> 00:18:14,199 Speaker 1: my penis. Let me get you into a pair of 293 00:18:14,320 --> 00:18:17,639 Speaker 1: bicycles shorts. I'll be fine for tonight. My taints heels fast. 294 00:18:21,760 --> 00:18:25,040 Speaker 1: Whose phone is that is that you? Yeah? Sorry, my 295 00:18:25,119 --> 00:18:28,119 Speaker 1: boyfriend is sending me a bunch of texts. Must be 296 00:18:28,119 --> 00:18:31,560 Speaker 1: an omission intermission. He's in a play tonight, and it 297 00:18:31,680 --> 00:18:34,560 Speaker 1: was really important to him that I make it. Woh, 298 00:18:34,680 --> 00:18:36,919 Speaker 1: looks like you really did them wrong. You must be 299 00:18:36,960 --> 00:18:40,160 Speaker 1: a real piece of shit. Huh Oh, he would understand 300 00:18:40,160 --> 00:18:42,120 Speaker 1: if he knew why I was here. What is there 301 00:18:42,160 --> 00:18:44,920 Speaker 1: to understand that you suddenly had the urge to join 302 00:18:44,960 --> 00:18:47,240 Speaker 1: a bicycle club and had to do it at the 303 00:18:47,280 --> 00:18:51,040 Speaker 1: exact moment of his big show. Wait a minute, Wait 304 00:18:51,080 --> 00:18:54,560 Speaker 1: a minute, that's not why you're here, is it. My 305 00:18:54,640 --> 00:18:57,040 Speaker 1: best friend is missing and they said he was staying 306 00:18:57,080 --> 00:19:00,160 Speaker 1: at this address, that the address was a fake. Then 307 00:19:00,160 --> 00:19:03,640 Speaker 1: you guys busted me. I had improvise. Okay, Well, first 308 00:19:03,640 --> 00:19:05,880 Speaker 1: of all, the address is real. Well you know it's 309 00:19:05,880 --> 00:19:08,240 Speaker 1: a real address. If you're here, Well, damn it. I 310 00:19:08,280 --> 00:19:11,080 Speaker 1: feel bad now. We were a little too intense. We know, 311 00:19:11,160 --> 00:19:12,960 Speaker 1: we come on strong. Yeah, we come on. It's the 312 00:19:13,040 --> 00:19:16,200 Speaker 1: human growth hormone. Because I told you we should cut 313 00:19:16,240 --> 00:19:20,359 Speaker 1: it down to I'm a pediatricians. You guys, we're pretty intense. 314 00:19:20,400 --> 00:19:23,440 Speaker 1: But I get it. But I've screwed things up with 315 00:19:23,520 --> 00:19:26,240 Speaker 1: the only person that I've ever loved. What's you like? 316 00:19:27,320 --> 00:19:30,520 Speaker 1: It makes me feel like it's okay to be vulnerable. 317 00:19:31,040 --> 00:19:33,880 Speaker 1: He brings me lunch every Friday. He scratches the back 318 00:19:33,880 --> 00:19:37,040 Speaker 1: of my head on long drive. Let me pick the playlist. 319 00:19:38,000 --> 00:19:44,680 Speaker 1: It's goddamn beautiful. Gentlemen, gotta get this boy to a theater. WHOA, 320 00:19:44,800 --> 00:19:47,359 Speaker 1: no way. Really, we'll get you there as fast as 321 00:19:47,400 --> 00:19:51,840 Speaker 1: our velocities will carry us. The lost pizza means bike. 322 00:19:51,960 --> 00:19:54,720 Speaker 1: Oh yeah, why don't you just say bike? I don't 323 00:19:55,080 --> 00:20:03,640 Speaker 1: just like to play with words. Brand Here, Brand, it's 324 00:20:03,680 --> 00:20:06,640 Speaker 1: me Clara again. You still a Brady's house? Yes, I'm 325 00:20:06,680 --> 00:20:11,240 Speaker 1: still here where exactly in his bedroom? Searching around? You 326 00:20:11,320 --> 00:20:14,320 Speaker 1: betterr up before his parents find you. Trust me, They'll 327 00:20:14,400 --> 00:20:19,879 Speaker 1: never know I was here. What's this? What? What do 328 00:20:19,880 --> 00:20:25,080 Speaker 1: you find? It looks like breeze journal? Damn it? Are 329 00:20:25,160 --> 00:20:28,240 Speaker 1: you bred? Parents coming upstairs? Were coming from in here? 330 00:20:28,480 --> 00:20:31,200 Speaker 1: But nobody's in there. This is Brady's room. Well, maybe 331 00:20:31,240 --> 00:20:33,439 Speaker 1: we should open the door and check it out. You 332 00:20:33,520 --> 00:20:36,560 Speaker 1: mean right now? Sure? Right now? Or we could just 333 00:20:36,600 --> 00:20:39,879 Speaker 1: stand here all night jabbering about it. Okay, there's no 334 00:20:39,920 --> 00:20:43,919 Speaker 1: need to get sarcastic. I'm turning the door knob, but 335 00:20:44,200 --> 00:20:48,680 Speaker 1: really slow. Oh, I better head out. And when I 336 00:20:48,760 --> 00:20:51,600 Speaker 1: opened the door and walk in, which I'm about to 337 00:20:51,640 --> 00:20:54,080 Speaker 1: do it, at any moment, you'll see that I was 338 00:20:54,200 --> 00:20:59,160 Speaker 1: right and you were wrong. Again. No, I'm climbing out 339 00:20:59,200 --> 00:21:06,120 Speaker 1: the window. There is no right and wrong. I feel safe. 340 00:21:06,600 --> 00:21:14,160 Speaker 1: I feel you are. I got out. I think they're arguing, 341 00:21:14,240 --> 00:21:16,600 Speaker 1: so I'm on the clear. I'd love to keep shooting 342 00:21:16,600 --> 00:21:18,560 Speaker 1: the shoot with you all night, brand, but I've got 343 00:21:18,560 --> 00:21:20,600 Speaker 1: to do some more voice over before Hide and Dexter 344 00:21:20,760 --> 00:21:24,399 Speaker 1: get to the final beat of their b story. I 345 00:21:24,600 --> 00:21:28,359 Speaker 1: arrived back to the school auditorium after biking their full 346 00:21:28,400 --> 00:21:31,440 Speaker 1: speed with his new friends, but it was too late. 347 00:21:32,000 --> 00:21:35,800 Speaker 1: The play was over. I found Dexter waiting outside for him, 348 00:21:35,840 --> 00:21:41,840 Speaker 1: all alone, in a mood best described as seriously piste off. Whoa, 349 00:21:42,560 --> 00:21:45,080 Speaker 1: we're here? How we made it to the theater? I 350 00:21:45,119 --> 00:21:49,200 Speaker 1: told you, Thank you, Texter. I'm so sorry. I late. 351 00:21:49,600 --> 00:21:51,400 Speaker 1: I was spicking up these flowers for you, but then 352 00:21:51,400 --> 00:21:52,919 Speaker 1: the line was so long that I went to a 353 00:21:52,920 --> 00:21:55,240 Speaker 1: different place to get the flowers. But then they didn't 354 00:21:55,280 --> 00:21:58,879 Speaker 1: take my Discover cards. So then you're kidding me, right, text, 355 00:21:59,320 --> 00:22:02,960 Speaker 1: I can't listen into your lies anymore, but you totally can. Besides, 356 00:22:03,240 --> 00:22:06,800 Speaker 1: you didn't even get the flowers. They were gonna be orchids, 357 00:22:06,800 --> 00:22:11,280 Speaker 1: your favorite. I can't put theoretical flowers in a vase. Hide, 358 00:22:11,840 --> 00:22:15,640 Speaker 1: it's a real vase. It deserves real flowers. Otherwise someone 359 00:22:15,720 --> 00:22:18,760 Speaker 1: might mistake it for a water jug. Okay, just wait 360 00:22:18,800 --> 00:22:20,720 Speaker 1: here for a second. I can get you flowers. I 361 00:22:20,760 --> 00:22:23,240 Speaker 1: think I saw trader Jose. Oh stop, this isn't about 362 00:22:23,280 --> 00:22:26,960 Speaker 1: the flowers. This is about me. This is a big 363 00:22:27,000 --> 00:22:29,119 Speaker 1: moment for me, and I will not let you ship 364 00:22:29,200 --> 00:22:32,400 Speaker 1: on my shine, not again. He seems like a real 365 00:22:32,400 --> 00:22:34,359 Speaker 1: piece of ship. I told him that right when I 366 00:22:34,400 --> 00:22:35,920 Speaker 1: first met him. He seemed like a piece of ship. 367 00:22:36,080 --> 00:22:38,879 Speaker 1: Who are these guys? And where do they get those 368 00:22:39,040 --> 00:22:45,520 Speaker 1: terrific shorts? So Hide's adventure was a dead end. Yes, 369 00:22:45,680 --> 00:22:49,280 Speaker 1: Principal fair Weather did send an edible nosegay to that address, 370 00:22:49,600 --> 00:22:52,679 Speaker 1: but she legitimately thought it was where Brady was. But 371 00:22:52,760 --> 00:22:56,040 Speaker 1: what's the connection between a bicycle gang and Brady Brewster? 372 00:22:56,800 --> 00:22:59,720 Speaker 1: Someone has been lying to Principal fair Weather too, as 373 00:22:59,760 --> 00:23:02,840 Speaker 1: well as to all of us. We're stuck with nothing. 374 00:23:03,320 --> 00:23:07,199 Speaker 1: And then Bryn came walking in. Clara, Mr Nelson, I 375 00:23:07,280 --> 00:23:14,520 Speaker 1: have something you both might find interesting Brady's journal. Wait, Clara, 376 00:23:14,760 --> 00:23:16,760 Speaker 1: how did you know that brain was about to walk in? 377 00:23:17,320 --> 00:23:20,439 Speaker 1: Next time on Brewster High. She's not gonna be jiggy 378 00:23:20,480 --> 00:23:23,159 Speaker 1: with this not jiggy at all. I'm just not jiggy 379 00:23:23,240 --> 00:23:25,760 Speaker 1: with them. I'm not jiggy at all. Something weirdest going on. 380 00:23:25,800 --> 00:23:28,720 Speaker 1: I'm gonna go eavesdrop hit me that stethoscope. The Brady 381 00:23:28,840 --> 00:23:32,280 Speaker 1: I know, Adores Dairy even makes his own yogurt. Do 382 00:23:32,320 --> 00:23:35,280 Speaker 1: you ever hear of cat fishing? Can't say that I have. 383 00:23:35,600 --> 00:23:38,919 Speaker 1: We're going to be doing something very dangerous today, but 384 00:23:39,000 --> 00:23:43,440 Speaker 1: not physically dangerous, emotionally dangerous. Everybody, come quick. Somebody put 385 00:23:43,480 --> 00:23:46,719 Speaker 1: three billboards up outside the school and everyone's talking about it. 386 00:23:46,720 --> 00:23:54,240 Speaker 1: It sounds like my next newspaper story. This episode of 387 00:23:54,240 --> 00:23:56,840 Speaker 1: Brewster High was written by Celess Ballard and Jonathan Stern 388 00:23:56,920 --> 00:23:59,800 Speaker 1: and directed by Jonathan Stern. It was performed by Joey 389 00:24:00,000 --> 00:24:04,800 Speaker 1: and Owen Burke, Rob Podry, Jared Goldstein, Brendan Jennings, Peter Kim, 390 00:24:04,800 --> 00:24:09,800 Speaker 1: Holly Laurent, Mike McCafferty, Veronica Saudio Sager, Shait, Amy Silverberg, 391 00:24:09,840 --> 00:24:13,439 Speaker 1: and Morgan Walsh. Executive produced by Keith Quinn and Jonathan Stern. 392 00:24:13,800 --> 00:24:17,639 Speaker 1: Produced by Frannie Baldwin, Jack Brungart, Natalie Gurgli, and Dave Solinger. 393 00:24:18,080 --> 00:24:21,560 Speaker 1: Music by Matt Novak, Greg Martin and Alison Newman. Supervising 394 00:24:21,560 --> 00:24:23,800 Speaker 1: sound editor was Julie Diaz, and the sound editor was 395 00:24:23,880 --> 00:24:27,119 Speaker 1: Jack de Crane. Mixed by Brent Kaiser Sound Design and 396 00:24:27,160 --> 00:24:29,879 Speaker 1: mixed at Unbridled Sound. Brewster High was a production of 397 00:24:29,920 --> 00:24:33,080 Speaker 1: abominable pictures and honorable mention for I Heart Media. No 398 00:24:33,200 --> 00:24:35,240 Speaker 1: animals were harmed in the making of this podcast, except 399 00:24:35,280 --> 00:24:37,639 Speaker 1: for that chicken caesar salad I had that was delicious.