WEBVTT - How Do Trebuchets Work?

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<v Speaker 1>Welcome to Brainstuff, a production of iHeart Radio, Hey brain

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<v Speaker 1>Stuff Lauren Vogelbaum. Here. In the year thirteen o four CE,

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<v Speaker 1>King Edward, the First of England, laid siege to Sterling Castle,

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<v Speaker 1>home of the last holdouts of a Scottish rebellion. Behind

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<v Speaker 1>the castle's thick walls, Sir William Oliphant and his Scottish

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<v Speaker 1>loyalists endured months of aerial bombardment from perhaps the greatest

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<v Speaker 1>collection of siege engines the world had ever seen. Edward

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<v Speaker 1>had ordered all Scottish churches stripped of their lead, which

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<v Speaker 1>was used to build powerful catapults called trebishes, the largest

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<v Speaker 1>of which could hurl boulders weighing over three hundred pounds

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<v Speaker 1>that's over a hundred and forty kilos. The greatest of

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<v Speaker 1>edwards trebishes was christened Ludgar, or the war Wolf. The

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<v Speaker 1>war Wolf required five master carpenters and fifty workmen to build,

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<v Speaker 1>and was so terrifying in scale that Oliphant had no

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<v Speaker 1>choice but to surrender. But not so fast, said Edward.

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<v Speaker 1>He wanted to fire the war Wolf first, and even

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<v Speaker 1>built a special viewing platform so ladies of his court

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<v Speaker 1>would have a good view of the destruction it wrought.

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<v Speaker 1>But we spoke with William Gerstell, a science journalist and

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<v Speaker 1>author of the Art of the Catapult. He explained, Edward

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<v Speaker 1>almost bankrupted himself building all these trebishes, and by God

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<v Speaker 1>he was going to use them in a theatrical display

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<v Speaker 1>of domination. Edward pulled the trigger on the war Wolf,

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<v Speaker 1>sending its massive projectile arching through the sky and crashing

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<v Speaker 1>through the castle's twelve ft thick walls. That's about three

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<v Speaker 1>and a half meters of stone. The rebellion was officially over,

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<v Speaker 1>and Edward had earned himself a new nickname, the Hammer

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<v Speaker 1>of the Scots. Before gunpowder was popularized in the mid

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<v Speaker 1>fourteenth century, there were no cannons to launch heavy lead

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<v Speaker 1>balls through enemies and their walls, but that didn't stop

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<v Speaker 1>creative warfarers from devising ways to toss stuff at each other.

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<v Speaker 1>One of the most effective was the catapult, a device

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<v Speaker 1>that uses a spring loaded arm or a heavy counterweight

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<v Speaker 1>to hurl large objects over great distances. There are three

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<v Speaker 1>general types of catapults. The first, called a ballista or

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<v Speaker 1>tension catapult, looks like an oversized crossbow and works on

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<v Speaker 1>the same principles generating force from the tension of the

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<v Speaker 1>bow arms. The ballista was invented by the Greeks around

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<v Speaker 1>three b c E. The second, known as the monitor

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<v Speaker 1>or torsion catapult, gets its power from a ropelike bundle

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<v Speaker 1>of animal sinew and hair. The rope is twisted tightly

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<v Speaker 1>to create torsion, which when released, generates enough force to

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<v Speaker 1>launch a small projectile from a catapult arm. The Romans

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<v Speaker 1>named the monitor after a wild donkey that delivered an

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<v Speaker 1>especially strong kick. The third type of catapult is the trebishe,

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<v Speaker 1>perhaps the simplest yet most powerful catapult of all. The

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<v Speaker 1>arm of a trebishe is actually a long lever that

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<v Speaker 1>swung into motion by pulling downward with ropes or dropping

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<v Speaker 1>a heavy counterweight. While trebishe is a French word, the

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<v Speaker 1>technology is believed to have originated in China in the

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<v Speaker 1>first couple of centuries c. The very earliest trebishes, unlike

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<v Speaker 1>those first used in China and later in Europe in

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<v Speaker 1>the early Middle Ages, were people powered, meaning the lever

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<v Speaker 1>arm of the catapult was swung by a group of

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<v Speaker 1>soldiers pulling on a rope. But the real innovation in

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<v Speaker 1>trebische technology came in the twelfth century with the advent

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<v Speaker 1>of the counterweight trebische. We also spoke with Michael Fulton,

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<v Speaker 1>a history professor at Langara College in British Columbia an

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<v Speaker 1>author of siege warfare during the Crusades. He explained that

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<v Speaker 1>an elevated basket is weighted with hundreds or even thousands

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<v Speaker 1>of pounds of rocks. That's the counterweight. When the basket

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<v Speaker 1>is dropped, it pulls down on a rope connected to

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<v Speaker 1>the short end of a long lever arm that swings

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<v Speaker 1>on an axle. He said, as the short end of

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<v Speaker 1>the lever is pulled down, the long end rises at

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<v Speaker 1>a proportionally light or rate. When you add a sling

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<v Speaker 1>at the end of the arm, you force the projectile

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<v Speaker 1>to travel even farther during the same amount of time,

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<v Speaker 1>which adds to your rate of acceleration. It's all really

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<v Speaker 1>basic physics at a fundamental level. Gristell has built plenty

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<v Speaker 1>of trebiches, including a d I Y design using wood

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<v Speaker 1>and PVC that he named Little Ludgar after Edwards Trebiche.

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<v Speaker 1>He said, the longer that lever and the heavier the weight,

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<v Speaker 1>the farther the projectile goes. He noted that the counterweight

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<v Speaker 1>has to weigh approximately a hundred times the object you're

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<v Speaker 1>trying to throw. Gerstell once made a trebiche with a

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<v Speaker 1>five pound or two hundred and twenty seven kilo counterweight

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<v Speaker 1>that was still only powerful enough to launch a small cantelope.

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<v Speaker 1>During the Middle Ages, the construction of fortified cities led

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<v Speaker 1>to a new type of military campaign, the siege. Laying

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<v Speaker 1>siege to a walled city required new war machines like

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<v Speaker 1>battering rams for splintering thick doors and siege towers for

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<v Speaker 1>reaching high balls, but one of the earliest and most

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<v Speaker 1>powerful innovations was the trebishe. One of the first recorded

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<v Speaker 1>uses of a trebische in battle was during the siege

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<v Speaker 1>of Thessalonica in the late sixth century CE. Thessalonica was

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<v Speaker 1>a Byzantine stronghold under attacked by the Avars, a collection

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<v Speaker 1>of Central Asian tribes who used a people powered trebische

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<v Speaker 1>that was likely inspired by ancient Chinese weaponry. But those

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<v Speaker 1>primitive traction trebisches could only launch small projectiles and functioned

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<v Speaker 1>as anti personnel weapons, not castle killers. Fulton explained traction

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<v Speaker 1>trebishes were like an archer on steroids. You're definitely not

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<v Speaker 1>smashing down solid walls in the early Middle Ages. That

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<v Speaker 1>would happen in the thirteenth century, when counterweight trebishes were

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<v Speaker 1>being built at larger and larger scales all across Europe.

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<v Speaker 1>Those truly massive trebisches would be constructed off site and

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<v Speaker 1>then assembled on the battlefield itself. While a counterweight trebisch

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<v Speaker 1>a could toss a boulder over a castle wall, there

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<v Speaker 1>were definitely trade offs. For one, it took a really

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<v Speaker 1>long time to reload the counterweight. Fulton says that the

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<v Speaker 1>smaller traction trebishes could fire up to four shots a minute,

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<v Speaker 1>while the biggest trebishes were lucky to get off one

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<v Speaker 1>shot every half hour. Catapults and trebishes were not limited

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<v Speaker 1>to firing conventional projectiles like stones and lead balls. According

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<v Speaker 1>to one Lurid fourteenth century account, the Mongols used their

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<v Speaker 1>catapults to launch plague written corpses, an early type of bioweapon,

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<v Speaker 1>into a medieval city in modern day Ukraine. Other stories

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<v Speaker 1>tell of dead horses being slung by trebishe over castle

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<v Speaker 1>walls to sicken the enemy with the stench. But Fulton,

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<v Speaker 1>who has witnessed the forces unleashed during the throwing sequence

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<v Speaker 1>of a large Trebishe is skeptical about the accuracy of

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<v Speaker 1>such accounts. He said, if you try to put something

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<v Speaker 1>organic into one of those slings, chances are it's going

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<v Speaker 1>to be ripped apart before you can throw it effectively.

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<v Speaker 1>Fulton has more confidence in the hals of human heads

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<v Speaker 1>being logged back and forth by trebisches at the siege

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<v Speaker 1>of Nicia in ten during the First Crusade. He said

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<v Speaker 1>that was more psychological than biological. And when it comes

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<v Speaker 1>to incendiary weapons like Greek fire, which was a sort

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<v Speaker 1>of early napalm that involved pine tar, sulfur and naturally

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<v Speaker 1>occurring petroleum, but the recipe for which is lost, Fulton

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<v Speaker 1>says that he doubts that Edward or anyone else was

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<v Speaker 1>launching Greek fire bombs from trebises with any regularity. It

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<v Speaker 1>was more likely that castle defenders would try to fire

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<v Speaker 1>incendiaries at the trebishe to burn the weapon to the ground.

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<v Speaker 1>Though even if edwards legendary trebisch only launched rocks, there

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<v Speaker 1>simply was no siege weapon that was as terrifying to

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<v Speaker 1>the enemy and as entertaining to the troops. Fulton said

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<v Speaker 1>at a fundamental level, You're not going to build these

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<v Speaker 1>engines unless they have value, But there is value in

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<v Speaker 1>that intimidation factor. In general, kings like to have big

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<v Speaker 1>things they can show off. Today's episode was written by

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<v Speaker 1>Dave Ruse and produced by Tyler Clang. For more on

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<v Speaker 1>this and lots of other topics, visit how stuff works

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<v Speaker 1>dot com. Brain Stuff is production of iHeart Radio. Or

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