WEBVTT -  Episode 480 w/ Arrested Development

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<v Speaker 1>And this drinks chess, motherfucking podcast makes he's a legends

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<v Speaker 1>every Queens rapper.

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<v Speaker 2>He ain't agreed as your boy in O r E.

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<v Speaker 2>He's a Miami hip hop pioneer. What up his dj

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<v Speaker 2>E f N?

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<v Speaker 3>Together they drink it up with some of the biggest

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<v Speaker 3>players you me and the most.

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<v Speaker 4>Professional unprofessional podcast and your number one source for drunk

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<v Speaker 4>drinks chants.

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<v Speaker 2>Mother posty days, New Year CST.

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<v Speaker 5>It's time for drink Champs.

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<v Speaker 2>Drink up mother? What a good bee hoping to me?

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<v Speaker 2>This is your boy n A O n A A

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<v Speaker 2>one up his dj E f N and it's drink Champs. Yeah.

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<v Speaker 1>And when we started this show, we started this by

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<v Speaker 1>saying that we wanted to give flowers to the people

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<v Speaker 1>who came before.

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<v Speaker 2>So people who paved the way for us.

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<v Speaker 1>But people who are set, you know, all their market

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<v Speaker 1>in this hip hop game.

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<v Speaker 2>You know what I mean?

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<v Speaker 1>Uh, these people in front of us are icons. They

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<v Speaker 1>are more than legends. They are tycoons. I was so

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<v Speaker 1>happy when we get to call that we get a chance.

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<v Speaker 2>To interview us. So I want to do something.

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<v Speaker 1>I want to do something personally, because we never had

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<v Speaker 1>more than.

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<v Speaker 2>Three artists at the time. So I want to pass

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<v Speaker 2>them and let them introduce theyselves.

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<v Speaker 1>We know the name of the rest of developmental know,

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<v Speaker 1>I go create it to a question that to this,

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<v Speaker 1>but I want everybody to introduce theyselves.

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<v Speaker 2>You know what I'm saying. You gotta talk to the

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<v Speaker 2>ladies because we were Yeah, yeah, yeah, that's why I land, right, Okay,

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<v Speaker 2>let's go, okay, okay, yeah, JJ buget from the at LS.

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<v Speaker 2>What's up?

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<v Speaker 6>This is for Rita a baby?

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<v Speaker 1>Oh la okay, I'm one love okay, and speech from

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<v Speaker 1>everywhere from because when you google you, it says Milwaukee,

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<v Speaker 1>but you lived in Atlanta, but you got a soul

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<v Speaker 1>named Tennessee.

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<v Speaker 2>I was.

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<v Speaker 1>So, so let me ask all of y'all collectively as

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<v Speaker 1>a group, how much do we hate to show arrested development?

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<v Speaker 2>You're correct?

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<v Speaker 5>Google?

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<v Speaker 2>And that came up first, like me, bother. It bothered

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<v Speaker 2>me so much. I was cursing about I don't even

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<v Speaker 2>notice it, you.

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<v Speaker 5>Never saw it.

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<v Speaker 1>I was like them, we were talking about that earlier, right,

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<v Speaker 1>because actually my very first album.

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<v Speaker 2>Was called component Oriegga right.

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<v Speaker 1>And and what I didn't know is when I signed

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<v Speaker 1>my name, excuse me, when I signed for the deal,

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<v Speaker 1>I signed my name.

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<v Speaker 2>So that's why my next album, if you look at it,

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<v Speaker 2>says n On right.

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<v Speaker 1>Because I was in the process of buying back by name.

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<v Speaker 2>I didn't even know you could sell your name. I

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<v Speaker 2>would say, that's how naive I was. So let me

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<v Speaker 2>ask y'all.

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<v Speaker 1>Because you guys got Grammys, we're gonna go through all that.

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<v Speaker 1>But how did like because I asked g Depp right,

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<v Speaker 1>and g Depp was sitting right here and Lil Wayne

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<v Speaker 1>had sampled this record, and I said, Gepp, how did

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<v Speaker 1>you feel about that? And he said, on one hand,

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<v Speaker 1>he enjoyed it because it was a new generation paying homage, right,

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<v Speaker 1>But on on another hand, they didn't even have to

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<v Speaker 1>clear it with him. So I want to ask all

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<v Speaker 1>of y'all, like, you know, because you're all arrested Development,

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<v Speaker 1>is that?

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<v Speaker 7>Like?

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<v Speaker 2>How does how did that feel? When you first heard? It?

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<v Speaker 8>Felt confusing because we heard it at the Super Bowl

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<v Speaker 8>so day, many many years ago.

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<v Speaker 9>Wow, And the announcer said, and.

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<v Speaker 8>Coming up next is arrested Developership and I'm looking like, no,

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<v Speaker 8>we ain't coming up.

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<v Speaker 2>So I didn't get it.

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<v Speaker 8>And it was a TV show, so I was confused

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<v Speaker 8>to announce the TV show at that day, never announced it.

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<v Speaker 9>First time announced it. They were saying it was coming

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<v Speaker 9>on Monday or whatever, or tonight. Actually they were saying

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<v Speaker 9>it was coming on tonight.

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<v Speaker 8>And I was confused and so much the commentators on

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<v Speaker 8>the super Bowl it was like you about the band,

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<v Speaker 8>and it's like, no, it's a TV show. And so

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<v Speaker 8>I found out that way and I was like, what's

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<v Speaker 8>going on, Like I never heard of this. I don't

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<v Speaker 8>know what's going on. So yeah, then we we sued them.

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<v Speaker 1>Right, oh yeah, all right, so look look so I

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<v Speaker 1>would make you feel better, let me go away.

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<v Speaker 2>I feel better.

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<v Speaker 1>I didn't know my record Superdug was in answerage who

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<v Speaker 1>I watched Entourage.

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<v Speaker 2>So yeah, so listen, everybody feel good. We don't like

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<v Speaker 2>the result of that lawsuit, were you.

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<v Speaker 9>We settled out of court.

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<v Speaker 8>We settled out of court, but they we had the

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<v Speaker 8>name trademark, so they want supposed you know, that we

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<v Speaker 8>had a trademark.

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<v Speaker 9>They were not supposed to use it. They just used

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<v Speaker 9>it anyway.

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<v Speaker 8>Wow, And they figured we was broke, that we had

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<v Speaker 8>no way, you know, no means of fighting it, and

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<v Speaker 8>so we was like, yeah, we had to go to

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<v Speaker 8>court and everything.

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<v Speaker 2>But for kids who's listening.

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<v Speaker 1>That's something that you have to actually know, like there's

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<v Speaker 1>other people who would come and take your name. You

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<v Speaker 1>have to fight for it, especially if it's something that

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<v Speaker 1>you noted his work fight for I'm glad to hear.

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<v Speaker 2>That, make sure. So so it's it's amicable. It's amicable.

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<v Speaker 8>It's able now, yes, now it was. It was weird

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<v Speaker 8>at first though, for real, I still don't like the show.

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<v Speaker 5>Exactly. A little bit.

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<v Speaker 2>A little bit of the first.

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<v Speaker 9>Episode and they made a joke about Babo j. I

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<v Speaker 9>don't know if y'all don't know, they made a joke

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<v Speaker 9>about one of our member that's our brothers recipes.

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<v Speaker 2>J Yeah, and he was mean his grandfather, right.

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<v Speaker 9>It means his grandfather.

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<v Speaker 2>Didn't do what they were doing.

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<v Speaker 9>They knew what they were doing exactly.

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<v Speaker 8>But yeah, they made a few jokes about us a

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<v Speaker 8>couple episodes, just little you know, little sucks, you know

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<v Speaker 8>what I'm saying.

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<v Speaker 9>Yeah, basically.

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<v Speaker 1>So, so so let me ask you all this this

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<v Speaker 1>famous big small line. It might sound cliche, but every time,

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<v Speaker 1>you know, you get to hear you know, like a

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<v Speaker 1>bad buddy doing a Super Bowl and you get to

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<v Speaker 1>hear like you know, Kendrick, you know great race in

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<v Speaker 1>these days. Did you ever think that hip hop would

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<v Speaker 1>make it this far?

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<v Speaker 9>You know what that is a great question.

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<v Speaker 2>Yeah, not for me.

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<v Speaker 8>I didn't think it would make it, like meaning the

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<v Speaker 8>super Bowl. You know what I'm saying, because I mean

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<v Speaker 8>at that time for me, Michael Jackson.

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<v Speaker 2>That's what.

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<v Speaker 9>Okay, So now I didn't I didn't think it would

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<v Speaker 9>do the super Bowl. I knew, I knew it. I

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<v Speaker 9>knew it should make it. Put it that way, you

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<v Speaker 9>know what I'm saying. But yeah, what are you think?

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<v Speaker 2>I agree? But you said I didn't think it would

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<v Speaker 2>make it to the high school.

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<v Speaker 4>It got to me it kind of got broad you

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<v Speaker 4>know where you know, everything was kind of being called

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<v Speaker 4>hip hop, and so it was being laid indoors that

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<v Speaker 4>you know, what we thought was hip hop shouldn't necessarily

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<v Speaker 4>be in hip hop. But I feel the same like

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<v Speaker 4>a version of hip hop that i'mbly.

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<v Speaker 2>So I didn't think it was, you know, to the extent.

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<v Speaker 1>You know it's since you want to say, Okay, you

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<v Speaker 1>know what's talk about me is if you asked me

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<v Speaker 1>that question, I would think it was going that far

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<v Speaker 1>because of you guys, Because I'm like you know what

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<v Speaker 1>I mean, I'm forty eight, right, forty eight, so I'm

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<v Speaker 1>like maybe a little younger, but like when I see

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<v Speaker 1>y'all have that melodic, yeah, that sound that you knew

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<v Speaker 1>it was still hip hop, like for lack of a

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<v Speaker 1>better term, like that's where like.

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<v Speaker 2>Nate Doggs and you know, the Tea Pains kind of

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<v Speaker 2>get that style from.

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<v Speaker 1>Like the first time I ever see a melodic hip

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<v Speaker 1>hop song that was still a hip hop.

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<v Speaker 2>Song was you guys? So that's crazy if you ask

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<v Speaker 2>me that out of the question.

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<v Speaker 1>But but all right, boom moving on. Yeah, the Grammys,

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<v Speaker 1>right like you guys got too, we got to Grammy

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<v Speaker 1>you got.

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<v Speaker 2>I'm sorry kids today that I'm sorry. I know some

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<v Speaker 2>of some of you know and some of you and

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<v Speaker 2>a lot of them. Listen, We're ain't a Grammy back then,

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<v Speaker 2>it's right, that was opening doors.

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<v Speaker 1>Yeah, yeah, they were not only representing black people, but

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<v Speaker 1>but you also represent a whole genre of music. So

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<v Speaker 1>it wasn't popular and then and then at that time

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<v Speaker 1>you might have faced the backlash from your own peers.

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<v Speaker 1>So so so describe to me, anybody who wanted to

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<v Speaker 1>take this question, how was that moment in time.

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<v Speaker 5>It was crazy. So we were up against Billy ray Cires.

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<v Speaker 9>Like Billy was it Chris Cross maybe Chris Cross forget.

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<v Speaker 5>Somebody else.

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<v Speaker 2>Before they had category, had hit category, they had hip hop.

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<v Speaker 5>Yeah they did. We got best best okay, So yeah

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<v Speaker 5>the first time, I think, yeah, we were first rap.

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<v Speaker 10>So we honestly thought that Billy ray Cyrus is gonna

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<v Speaker 10>get it the best Cyrus pops, right okay. And so

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<v Speaker 10>then they called our name and we were like what

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<v Speaker 10>were just finished performing? And we went back out. It

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<v Speaker 10>was just amazing, Like I mean, such an honor because

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<v Speaker 10>people have been in the industry for years, legends, legends,

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<v Speaker 10>they've never won Grande and then for our first time

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<v Speaker 10>out and I just so happened to be sixteen at

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<v Speaker 10>the time. We were all young in the early twenties,

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<v Speaker 10>and it was just a blessing.

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<v Speaker 1>And I believe that's the first time they televised it

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<v Speaker 1>as well, so we got to see y'all eat.

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<v Speaker 5>It's a good point.

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<v Speaker 8>I think Fresh Prince in the wont something. But it

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<v Speaker 8>wasn't television they were.

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<v Speaker 2>Did they boycott that one? You know, I gotta be

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<v Speaker 2>confused when I when I that everybody in hip hop

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<v Speaker 2>tried to boycott. I think it was two.

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<v Speaker 1>I think it was one with Will Smith and on

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<v Speaker 1>the stage, and I think I think that's two separate ones.

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<v Speaker 1>And I think when people bring that up, I think

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<v Speaker 1>they mixed up the two.

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<v Speaker 8>I don't think willing them was boycott necessarily. Maybe they was,

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<v Speaker 8>but I forgot about it on our show, and we

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<v Speaker 8>just forgot exactly.

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<v Speaker 2>Yeah, they gave it to him backstage.

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<v Speaker 9>They gave it to him backstage, Yeah, exactly.

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<v Speaker 3>If you looked the footage from ours, you could tell

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<v Speaker 3>it was like part of the first ones.

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<v Speaker 1>Yeah, yeah, right, But looking at it, looking at the

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<v Speaker 1>Grammy shows from now to, do you see a more

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<v Speaker 1>representation of the culture in it or That's.

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<v Speaker 2>A great question to me.

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<v Speaker 8>I feel like it can't really be said that it

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<v Speaker 8>represents the culture perfectly everybody where it needs to be

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<v Speaker 8>because tribes never won. I mean, so many people have

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<v Speaker 8>never won a Grammy, you know what I'm saying.

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<v Speaker 1>They get so much respect, right, I would say Nas

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<v Speaker 1>didn't win one, but he won one, and we said.

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<v Speaker 9>Yeah, he won one, his newer stuff, right right, So yeah, so.

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<v Speaker 2>I can't say we have.

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<v Speaker 1>That was on the Grammy campaign and he's let them

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<v Speaker 1>have it, Uh.

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<v Speaker 2>Wonder he's on he's like a little bit control all.

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<v Speaker 1>But but I think that in my opinion, right, I

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<v Speaker 1>think that hip hop is always just wanted a placements

0:11:42.000 --> 0:11:45.080
<v Speaker 1>like like like like like when you when you see

0:11:45.440 --> 0:11:48.000
<v Speaker 1>the rock and Roll Hall of Fame, right, yea, we

0:11:48.240 --> 0:11:51.360
<v Speaker 1>know that's that's not ours right exactly, but we know

0:11:51.440 --> 0:11:53.880
<v Speaker 1>it's still somewhat of an ironer like and we're going

0:11:53.960 --> 0:11:58.960
<v Speaker 1>to salute We're going to sute him publican, I think

0:11:59.040 --> 0:12:02.880
<v Speaker 1>that hip hop lead a full fledged awards show, like

0:12:03.000 --> 0:12:07.480
<v Speaker 1>we had to Bet Awards. Everyone about it, but like

0:12:08.160 --> 0:12:10.920
<v Speaker 1>like I mean, where it's where it's really the artist controls,

0:12:12.640 --> 0:12:15.559
<v Speaker 1>not not not VC, not adventure capitalist?

0:12:15.600 --> 0:12:16.719
<v Speaker 2>What do you what do you guys think?

0:12:16.800 --> 0:12:16.959
<v Speaker 5>For me?

0:12:17.600 --> 0:12:19.840
<v Speaker 9>Definitely that's exactly what question.

0:12:19.920 --> 0:12:20.200
<v Speaker 2>I mean.

0:12:20.200 --> 0:12:23.880
<v Speaker 1>The original Source Awards was Source Awards was don't but

0:12:24.040 --> 0:12:26.400
<v Speaker 1>Zino and they've made we all owe your apology.

0:12:26.840 --> 0:12:30.800
<v Speaker 2>We all the original source. Yes, they did a great job.

0:12:30.960 --> 0:12:32.800
<v Speaker 2>We just did.

0:12:32.840 --> 0:12:35.240
<v Speaker 9>The system was a great job made.

0:12:35.360 --> 0:12:39.400
<v Speaker 1>I think the people because I was it little John,

0:12:39.440 --> 0:12:41.400
<v Speaker 1>I forgot who who said it just recently was like, Yo,

0:12:41.480 --> 0:12:44.640
<v Speaker 1>we really don't have a platform where we're saluting ourselves.

0:12:44.720 --> 0:12:46.800
<v Speaker 9>Like like that, and I agree with that.

0:12:47.679 --> 0:12:48.640
<v Speaker 2>I think we're ready now.

0:12:49.440 --> 0:12:51.360
<v Speaker 3>I think we're ready for something like that because the

0:12:51.440 --> 0:12:53.480
<v Speaker 3>conversation is just bubbling and hovering.

0:12:54.120 --> 0:12:56.560
<v Speaker 2>We're ready for something like that now. Yeah, we're sure

0:12:56.679 --> 0:12:58.080
<v Speaker 2>enough multi generational now.

0:12:58.320 --> 0:13:02.320
<v Speaker 3>I think we're mature enough to Yeah, because we're talking

0:13:02.360 --> 0:13:03.720
<v Speaker 3>about it, but we can make it happen.

0:13:03.840 --> 0:13:06.840
<v Speaker 2>Yeah, even with old.

0:13:08.280 --> 0:13:10.800
<v Speaker 1>You know what I'm saying, even with the committees right,

0:13:11.960 --> 0:13:13.959
<v Speaker 1>Like I don't know who these committees are, right, the

0:13:14.000 --> 0:13:16.719
<v Speaker 1>community that people are, But what if this guy is

0:13:16.760 --> 0:13:18.600
<v Speaker 1>a person that's just a risk guy that owns toys

0:13:18.720 --> 0:13:27.360
<v Speaker 1>arrest and I know old school toys arrest, know, Like.

0:13:27.600 --> 0:13:30.440
<v Speaker 2>That's what I'm saying, Like like because because they never.

0:13:30.440 --> 0:13:33.520
<v Speaker 1>Revealed who's in these committees, who actually does these vote tracts?

0:13:33.800 --> 0:13:37.240
<v Speaker 1>So I wouldn't mind if it's always been off peers

0:13:37.400 --> 0:13:40.640
<v Speaker 1>like like like like exactly, credible artist who's been through it.

0:13:40.960 --> 0:13:43.800
<v Speaker 1>Maybe even when a Grammy, he's a credible artist that

0:13:43.880 --> 0:13:45.600
<v Speaker 1>we respect and they be in charge.

0:13:45.640 --> 0:13:47.440
<v Speaker 2>Like when you said Q Tip earlier, I.

0:13:47.480 --> 0:13:49.520
<v Speaker 1>Thought of that automatically because I believe you Tip was

0:13:49.559 --> 0:13:51.160
<v Speaker 1>mad at like what I believe it was cute, Tip,

0:13:52.840 --> 0:13:57.680
<v Speaker 1>I forget what remember that he's credible, incredible, Like, yeah,

0:13:58.480 --> 0:14:00.839
<v Speaker 1>so do you think that that would that that's what

0:14:00.960 --> 0:14:01.200
<v Speaker 1>we need.

0:14:01.280 --> 0:14:03.560
<v Speaker 2>We need our own committee, without a doubt.

0:14:03.920 --> 0:14:07.559
<v Speaker 11>I think also, to be fair, hip hop is not

0:14:07.640 --> 0:14:09.880
<v Speaker 11>a monolith. It's not just one thing. I think that's

0:14:09.920 --> 0:14:11.359
<v Speaker 11>one of the things that's missing.

0:14:11.640 --> 0:14:14.079
<v Speaker 12>Throughout the life of hip hop is that, you know,

0:14:14.840 --> 0:14:17.920
<v Speaker 12>in the beginning, everything was different. You had the West

0:14:17.960 --> 0:14:20.000
<v Speaker 12>Coast to East Cote, and everything that popped up was

0:14:20.120 --> 0:14:23.200
<v Speaker 12>so unique that that was kind of celebrated because it

0:14:23.280 --> 0:14:24.040
<v Speaker 12>was all hip hop.

0:14:24.520 --> 0:14:27.760
<v Speaker 11>Now you have such a wide variety of what is.

0:14:27.800 --> 0:14:31.000
<v Speaker 12>Considered hip hop that isn't always represented in the mainstream,

0:14:31.920 --> 0:14:33.280
<v Speaker 12>and you need to celebrate at all.

0:14:33.480 --> 0:14:35.480
<v Speaker 6>So if you had something like that, you can have the.

0:14:35.560 --> 0:14:38.320
<v Speaker 11>Categories and not that that's been the old now that

0:14:39.080 --> 0:14:40.920
<v Speaker 11>you don't have to be too old to be a

0:14:41.000 --> 0:14:41.680
<v Speaker 11>hip hop no more.

0:14:42.680 --> 0:14:44.920
<v Speaker 1>We had ghost based on this show, and that's what

0:14:45.040 --> 0:14:46.880
<v Speaker 1>he was trying to say. I believe he said it

0:14:47.200 --> 0:14:48.520
<v Speaker 1>like a better version.

0:14:50.320 --> 0:14:51.480
<v Speaker 2>He said, Yo, it's.

0:14:51.400 --> 0:14:53.440
<v Speaker 1>Messed up to say like hip hop and then you

0:14:53.560 --> 0:14:55.800
<v Speaker 1>go morn and you see das music, you see like,

0:14:56.160 --> 0:14:58.560
<v Speaker 1>you know, a snapping music. He said, there should be

0:14:58.600 --> 0:15:01.040
<v Speaker 1>different versions of hip hops like.

0:15:01.080 --> 0:15:04.320
<v Speaker 2>You know, like sub genres, genres we deserve that.

0:15:04.400 --> 0:15:06.760
<v Speaker 8>I mean, our new album is called adult contemporary hip

0:15:06.800 --> 0:15:09.280
<v Speaker 8>hop because of that, we felt like there needed to

0:15:09.320 --> 0:15:11.960
<v Speaker 8>be more, you know, split it up, you know what

0:15:11.960 --> 0:15:13.640
<v Speaker 8>I'm saying, Like it's like talking.

0:15:13.400 --> 0:15:16.000
<v Speaker 1>To your pres Yes that I mean, I mean, I

0:15:16.040 --> 0:15:17.920
<v Speaker 1>mean that's why like four four four is one of

0:15:17.960 --> 0:15:20.480
<v Speaker 1>my favorite jay z Holbem is because like and that's

0:15:21.080 --> 0:15:24.560
<v Speaker 1>and that goes against his his original albums is because like,

0:15:24.680 --> 0:15:25.400
<v Speaker 1>I like who.

0:15:25.400 --> 0:15:27.160
<v Speaker 2>He as is as a black man.

0:15:27.280 --> 0:15:31.200
<v Speaker 1>Now he developed and I identify with that more like

0:15:31.600 --> 0:15:33.080
<v Speaker 1>like being in the streets when we me not be

0:15:33.160 --> 0:15:35.160
<v Speaker 1>in the streets. I can't identify with that. So I

0:15:35.280 --> 0:15:39.480
<v Speaker 1>love I love like people making should that genre music

0:15:39.560 --> 0:15:39.960
<v Speaker 1>be called that?

0:15:40.000 --> 0:15:40.320
<v Speaker 2>Adult?

0:15:42.120 --> 0:15:43.000
<v Speaker 9>I personally love it.

0:15:43.440 --> 0:15:43.880
<v Speaker 2>It's dope.

0:15:43.960 --> 0:15:46.560
<v Speaker 8>I think I think there needs to be different categories,

0:15:46.560 --> 0:15:49.480
<v Speaker 8>whether it's adult contemporary hip hop or anything else. And

0:15:49.560 --> 0:15:52.400
<v Speaker 8>then whether you know, whatever the newer styles of hip

0:15:52.400 --> 0:15:55.360
<v Speaker 8>hop is, that's cool, but like have a few different

0:15:55.480 --> 0:15:57.840
<v Speaker 8>categories because that makes sense to me. You know, a

0:15:57.920 --> 0:15:59.920
<v Speaker 8>lot of young people ain't vibing with what we're vibing with,

0:16:00.040 --> 0:16:01.560
<v Speaker 8>you know what I'm saying, and they feel left out

0:16:01.560 --> 0:16:04.360
<v Speaker 8>when it's only when the discussion is about whatever we're like,

0:16:04.520 --> 0:16:05.240
<v Speaker 8>you know what I'm saying.

0:16:05.600 --> 0:16:11.000
<v Speaker 7>Has a facilion genre like cre like that to discard

0:16:11.080 --> 0:16:14.240
<v Speaker 7>whatever they think is old or different like everything else.

0:16:15.000 --> 0:16:15.920
<v Speaker 9>Right, Yeah, that's cool.

0:16:16.080 --> 0:16:19.280
<v Speaker 2>But but but but we would give them their lane too.

0:16:19.480 --> 0:16:23.680
<v Speaker 1>They would have the new hip I will say, drill lane.

0:16:24.840 --> 0:16:26.600
<v Speaker 1>But then there's a lot of like you need a

0:16:26.600 --> 0:16:31.520
<v Speaker 1>committee for that though, something and and and that's something

0:16:31.640 --> 0:16:36.560
<v Speaker 1>I always wanted to ask, because like, do you guys

0:16:36.600 --> 0:16:39.840
<v Speaker 1>win in the Grammar? You guys with like conscious music,

0:16:40.240 --> 0:16:42.320
<v Speaker 1>you never like, you know, like winning the Grammy. I

0:16:42.360 --> 0:16:44.800
<v Speaker 1>can imagine the knights, the parties you guys are inviting to,

0:16:45.080 --> 0:16:47.760
<v Speaker 1>especially back then, it's probably cocaine everywhere.

0:16:47.440 --> 0:16:50.000
<v Speaker 2>You know what I'm saying. And you know, I can imagine.

0:16:50.000 --> 0:16:56.440
<v Speaker 2>But you guys stuck with your guns. I mean, but

0:16:56.560 --> 0:16:59.760
<v Speaker 2>I imagine because I mean those days different, that's any murk.

0:17:04.359 --> 0:17:06.080
<v Speaker 2>How did y'all maintain because you've.

0:17:06.000 --> 0:17:09.280
<v Speaker 1>Never heard like nothing like not like when they're out

0:17:09.320 --> 0:17:11.560
<v Speaker 1>here getting pulled over some speed in Like, how did

0:17:11.640 --> 0:17:15.720
<v Speaker 1>y'all maintain that? No Instagram and y'all just got.

0:17:15.760 --> 0:17:16.119
<v Speaker 2>Away with it.

0:17:18.400 --> 0:17:23.719
<v Speaker 5>So we just I can't speak for Rocks we never

0:17:23.880 --> 0:17:30.480
<v Speaker 5>really we don't drink smoke. Ross were kind of seeing but.

0:17:40.640 --> 0:17:44.920
<v Speaker 10>Right, so yeah, we just I think for us, we

0:17:45.080 --> 0:17:47.800
<v Speaker 10>were so busy and just focused on what we were,

0:17:48.040 --> 0:17:51.159
<v Speaker 10>you know, just the whole energy of the group, you know,

0:17:51.400 --> 0:17:54.480
<v Speaker 10>and we were representing the black community, all these different

0:17:54.520 --> 0:17:56.600
<v Speaker 10>facets of it, you know what I mean, and the

0:17:56.760 --> 0:17:58.280
<v Speaker 10>music just life music.

0:17:58.359 --> 0:18:00.720
<v Speaker 5>We just wanted to stay in that vibrant energy.

0:18:01.000 --> 0:18:03.040
<v Speaker 10>And then we were able to do shows with like

0:18:03.520 --> 0:18:05.880
<v Speaker 10>we did a show like Lenny Kravis came up staying

0:18:05.960 --> 0:18:06.760
<v Speaker 10>to stay to us.

0:18:06.800 --> 0:18:09.359
<v Speaker 5>Then we did like a whole tour with all.

0:18:09.280 --> 0:18:11.960
<v Speaker 10>These African artists, a lot of stuff that jazz festivals,

0:18:12.000 --> 0:18:12.320
<v Speaker 10>we went.

0:18:12.240 --> 0:18:15.200
<v Speaker 9>On, tour, folk festivals, festivals, a lot of stuff.

0:18:15.960 --> 0:18:18.080
<v Speaker 5>Artists weren't able to do at the time.

0:18:18.160 --> 0:18:19.840
<v Speaker 9>We were we were the only ones able to do it,

0:18:20.359 --> 0:18:20.840
<v Speaker 9>the only ones.

0:18:20.960 --> 0:18:23.359
<v Speaker 5>So yeah, and I was like, way too y'all to

0:18:23.400 --> 0:18:24.480
<v Speaker 5>be doing any type of drugs.

0:18:31.000 --> 0:18:31.919
<v Speaker 9>Let me let me keep it real.

0:18:31.960 --> 0:18:34.000
<v Speaker 8>I won't say any names, but there was there was

0:18:34.119 --> 0:18:37.000
<v Speaker 8>people in the group struggling, you know what I'm saying,

0:18:37.680 --> 0:18:40.440
<v Speaker 8>with addiction and things like that. We we were dealing

0:18:40.520 --> 0:18:43.800
<v Speaker 8>with that, but it just it wasn't what we were

0:18:43.920 --> 0:18:46.440
<v Speaker 8>striving to like chase after a du but there was

0:18:46.480 --> 0:18:48.399
<v Speaker 8>you know, some real things going on, but we just

0:18:48.800 --> 0:18:51.240
<v Speaker 8>you know, we was the ones trying to save everybody

0:18:51.359 --> 0:18:53.159
<v Speaker 8>from it, and like, you know, let's let's keep it

0:18:53.240 --> 0:18:56.200
<v Speaker 8>focused on what we striving to do, because going.

0:18:56.200 --> 0:18:58.720
<v Speaker 5>We just found a lot of that out recently. We

0:18:58.800 --> 0:19:02.000
<v Speaker 5>didn't even know you in that time that they were struggling.

0:19:02.240 --> 0:19:03.280
<v Speaker 9>Yeah, at least some of them.

0:19:03.320 --> 0:19:06.000
<v Speaker 1>He realized one of the worst druggs in the world.

0:19:05.840 --> 0:19:06.360
<v Speaker 2>Is fame.

0:19:11.800 --> 0:19:12.760
<v Speaker 9>And the most addictive.

0:19:13.800 --> 0:19:15.560
<v Speaker 2>Yeah, Like I say this all the time.

0:19:15.600 --> 0:19:17.960
<v Speaker 1>It's hard being the person on Monday and not being

0:19:18.040 --> 0:19:20.520
<v Speaker 1>that person on win hard.

0:19:20.560 --> 0:19:22.160
<v Speaker 2>And vice versus some people.

0:19:22.280 --> 0:19:25.000
<v Speaker 1>So some people chase that fame and they chase they

0:19:25.119 --> 0:19:27.480
<v Speaker 1>chase it and instead of chasing the art, you know.

0:19:27.480 --> 0:19:29.639
<v Speaker 9>What I'm saying, So like and that's that's I think

0:19:29.680 --> 0:19:30.920
<v Speaker 9>that's the best way to say it.

0:19:31.280 --> 0:19:33.920
<v Speaker 8>Like for me, I was always trying to just focus

0:19:34.000 --> 0:19:36.560
<v Speaker 8>on the art, like, stay focused on the art despite

0:19:36.640 --> 0:19:39.200
<v Speaker 8>these distractions that was going on at certain little times

0:19:39.640 --> 0:19:41.439
<v Speaker 8>in our in our group, you know, in our tribe.

0:19:41.720 --> 0:19:43.399
<v Speaker 10>Well, I know one thing that kept me grounded to

0:19:43.560 --> 0:19:46.200
<v Speaker 10>whenever I remember after we wanted the Grammys, I came home.

0:19:46.640 --> 0:19:47.960
<v Speaker 5>My mom was like, I need you to walk down

0:19:48.000 --> 0:19:49.040
<v Speaker 5>to the corner and give me some was.

0:19:50.520 --> 0:20:00.200
<v Speaker 7>Mama kept it real, But I'm sure it's all also

0:20:00.440 --> 0:20:02.800
<v Speaker 7>just as difficult to be to want to be that

0:20:02.960 --> 0:20:05.760
<v Speaker 7>example to people and to be in that positive lane,

0:20:05.880 --> 0:20:07.080
<v Speaker 7>that has to be just so difficult.

0:20:07.359 --> 0:20:12.320
<v Speaker 2>Yeah, especially at that time. But I got the battle

0:20:12.320 --> 0:20:15.520
<v Speaker 2>in the n w A right like it was.

0:20:15.880 --> 0:20:16.480
<v Speaker 9>Well, I'll tell you this.

0:20:16.560 --> 0:20:20.240
<v Speaker 8>I come from Milwaukee, and the disparities between black and

0:20:20.280 --> 0:20:22.160
<v Speaker 8>white was so clear cut in Milwaukee.

0:20:22.560 --> 0:20:23.240
<v Speaker 9>We're I'm raised.

0:20:23.800 --> 0:20:24.600
<v Speaker 2>It was known.

0:20:24.480 --> 0:20:26.920
<v Speaker 9>Statistically as the worst place for black people to grow

0:20:27.000 --> 0:20:27.159
<v Speaker 9>up in.

0:20:27.320 --> 0:20:28.600
<v Speaker 2>Wow, I heard you say that.

0:20:28.840 --> 0:20:32.600
<v Speaker 9>Yeah, And so I did see the disparities.

0:20:32.720 --> 0:20:36.200
<v Speaker 8>And my mom and dad were both civil rights leaders,

0:20:36.240 --> 0:20:38.199
<v Speaker 8>so my mom owned still owns to this.

0:20:38.280 --> 0:20:40.880
<v Speaker 2>Day, biggest black publication there you go, the biggest.

0:20:40.600 --> 0:20:42.520
<v Speaker 9>Black publication in all of Wisconsin.

0:20:46.560 --> 0:20:50.440
<v Speaker 8>And so for me, I had this burning passion to

0:20:50.600 --> 0:20:53.840
<v Speaker 8>bring other things to the table for hip hop, like Okay,

0:20:53.920 --> 0:20:56.399
<v Speaker 8>we got this, we got that, we got this, Now

0:20:56.480 --> 0:20:59.040
<v Speaker 8>we need this part too, you know what I'm saying.

0:20:59.119 --> 0:21:01.600
<v Speaker 8>And that's that was a big thing. So my point

0:21:01.720 --> 0:21:04.120
<v Speaker 8>is is not being distracted just like, Okay.

0:21:04.000 --> 0:21:04.760
<v Speaker 2>We're on that mission.

0:21:04.800 --> 0:21:05.600
<v Speaker 9>We was on that mission.

0:21:05.680 --> 0:21:07.880
<v Speaker 8>So as far as how hard it was, it was hard,

0:21:07.920 --> 0:21:09.720
<v Speaker 8>but it was also the passion we had it since

0:21:09.840 --> 0:21:10.119
<v Speaker 8>day one.

0:21:10.240 --> 0:21:10.760
<v Speaker 9>You know what I'm saying.

0:21:10.800 --> 0:21:13.640
<v Speaker 2>It wasn't like, yeah, I was gonna say the other

0:21:13.680 --> 0:21:14.440
<v Speaker 2>thing is it was.

0:21:14.640 --> 0:21:16.760
<v Speaker 3>It was definitely our backgrounds how we came up, Like

0:21:17.040 --> 0:21:20.080
<v Speaker 3>my dad's a pastor, my mom you know, like these

0:21:20.200 --> 0:21:21.080
<v Speaker 3>community people.

0:21:21.760 --> 0:21:25.040
<v Speaker 2>I hooked up with them. Yep, more community people, more

0:21:25.080 --> 0:21:25.840
<v Speaker 2>community people.

0:21:26.200 --> 0:21:30.840
<v Speaker 9>She's mom was a dancing truck helping our community, right exactly.

0:21:31.400 --> 0:21:33.320
<v Speaker 5>The stuff was coming at us, but it wasn't.

0:21:34.359 --> 0:21:36.640
<v Speaker 8>And think about what we was doing back in those days,

0:21:36.800 --> 0:21:40.880
<v Speaker 8>like when we first started, we would do sound check,

0:21:41.119 --> 0:21:44.520
<v Speaker 8>leave sound check and go where y'all remember community center,

0:21:44.640 --> 0:21:47.000
<v Speaker 8>two community centers. We go to the projects. We would

0:21:47.040 --> 0:21:49.000
<v Speaker 8>go to the projects and speak about things there. We

0:21:49.119 --> 0:21:51.040
<v Speaker 8>go to the homeless shelters and speak about things that.

0:21:51.400 --> 0:21:54.399
<v Speaker 8>We had two tours going on simultaneously. One tour was

0:21:54.480 --> 0:21:56.879
<v Speaker 8>the shows at the night and then we had a

0:21:56.920 --> 0:21:58.800
<v Speaker 8>whole other person named Dearrel who used to work with

0:21:58.840 --> 0:22:02.120
<v Speaker 8>Bob Marla. She she was in charge of making sure

0:22:02.160 --> 0:22:05.840
<v Speaker 8>we were going to the community centers every day every day,

0:22:05.880 --> 0:22:08.640
<v Speaker 8>so tours like living that. You know what I'm saying,

0:22:08.680 --> 0:22:12.240
<v Speaker 8>so non stop, NonStop, and we all you know, helped

0:22:12.320 --> 0:22:13.399
<v Speaker 8>us focus, you know, to what.

0:22:13.520 --> 0:22:16.320
<v Speaker 5>Speech was saying about and rise about the upbringing.

0:22:16.600 --> 0:22:18.560
<v Speaker 10>My mom was one of the first black on dance

0:22:18.560 --> 0:22:22.560
<v Speaker 10>schools owners in the States, so I grew up with

0:22:22.640 --> 0:22:23.159
<v Speaker 10>the artists and.

0:22:23.280 --> 0:22:26.040
<v Speaker 5>Just you know, coming from a t L. Being born

0:22:26.080 --> 0:22:29.880
<v Speaker 5>in the Swats, we had a level of black xcents.

0:22:32.160 --> 0:22:32.360
<v Speaker 1>Yeah.

0:22:32.400 --> 0:22:34.360
<v Speaker 10>Well Sea Low used to take dance from my mom.

0:22:35.040 --> 0:22:36.320
<v Speaker 10>My mother talked him tapping jail.

0:22:37.119 --> 0:22:38.879
<v Speaker 5>Yeah, I went to school Sleeping Grown.

0:22:41.320 --> 0:22:44.280
<v Speaker 10>Yeah, so shout out to Sea Loan and Sleeping Ground

0:22:44.320 --> 0:22:45.720
<v Speaker 10>went to We went to there together.

0:22:46.440 --> 0:22:48.600
<v Speaker 5>Yeah, so we used to He was in the dance group.

0:22:48.640 --> 0:22:52.119
<v Speaker 5>I was in dance room a lot of and we go.

0:22:52.240 --> 0:22:55.240
<v Speaker 5>Wave was in that grop like it's just the whole

0:22:55.880 --> 0:22:57.560
<v Speaker 5>at L, you know what I mean.

0:22:59.600 --> 0:23:01.960
<v Speaker 1>Yeah, I remember going to a c L and please

0:23:02.000 --> 0:23:04.119
<v Speaker 1>people from at I don't kill me. Well, I remember

0:23:04.280 --> 0:23:06.200
<v Speaker 1>back then and I used to say.

0:23:06.040 --> 0:23:08.240
<v Speaker 2>It's Brooklyn in the house. People were.

0:23:09.800 --> 0:23:12.800
<v Speaker 1>Because I remember ATL at one point didn't have an identity.

0:23:13.440 --> 0:23:16.879
<v Speaker 1>Was like when you look at it now, like I remember, uh,

0:23:18.080 --> 0:23:20.880
<v Speaker 1>I think I think he was on uh be Hot

0:23:21.040 --> 0:23:23.720
<v Speaker 1>be High TV and you're saying that I couldn't go

0:23:23.920 --> 0:23:27.119
<v Speaker 1>to people with a record label because they had no no.

0:23:27.280 --> 0:23:28.360
<v Speaker 2>No, nothing in Atlanta.

0:23:28.680 --> 0:23:31.200
<v Speaker 1>And I remember just looking at it now, like every

0:23:31.240 --> 0:23:32.000
<v Speaker 1>record label.

0:23:31.800 --> 0:23:32.520
<v Speaker 2>In the world.

0:23:34.560 --> 0:23:37.440
<v Speaker 10>So I want to shout out some artists like Atlanta

0:23:37.600 --> 0:23:40.000
<v Speaker 10>did have a sound, but it was just I think

0:23:40.040 --> 0:23:43.600
<v Speaker 10>it was just more regional local at the time when

0:23:43.640 --> 0:23:45.680
<v Speaker 10>we came out and kund Of exploded because it was

0:23:45.960 --> 0:23:51.080
<v Speaker 10>t O C. Criss Cross, I think we were all

0:23:51.119 --> 0:23:51.960
<v Speaker 10>around the same time.

0:23:52.359 --> 0:23:57.359
<v Speaker 5>But Sammy, Sam, Hitman Sam and Sam right in the

0:23:57.440 --> 0:24:07.520
<v Speaker 5>dream him, Yes, it.

0:24:07.600 --> 0:24:09.760
<v Speaker 2>Was a lot of that's the sound we were saying

0:24:09.800 --> 0:24:15.600
<v Speaker 2>the South, Oh yeah, from from because.

0:24:17.800 --> 0:24:18.560
<v Speaker 5>From someone else, but.

0:24:18.640 --> 0:24:20.480
<v Speaker 8>He yeah, I think he was from New York originally,

0:24:20.560 --> 0:24:22.880
<v Speaker 8>I think, and then he came down to the land,

0:24:22.960 --> 0:24:23.679
<v Speaker 8>but he was doing this.

0:24:25.359 --> 0:24:25.760
<v Speaker 2>Every day.

0:24:26.400 --> 0:24:29.280
<v Speaker 10>But he made his mark in the at so yeah,

0:24:29.359 --> 0:24:32.399
<v Speaker 10>so they you know, we definitely had a sound and

0:24:32.480 --> 0:24:35.720
<v Speaker 10>then he was Yeah, but it was just not as.

0:24:35.840 --> 0:24:39.320
<v Speaker 9>Global, but it wasn't labels at that labels.

0:24:39.760 --> 0:24:42.320
<v Speaker 6>Shout out to the DJ dj is in Atlanta.

0:24:42.440 --> 0:24:45.720
<v Speaker 11>They created like a culture around our music and our

0:24:45.880 --> 0:24:46.240
<v Speaker 11>sound that.

0:24:46.320 --> 0:24:48.000
<v Speaker 6>Was a very specific DJ smurf.

0:24:48.240 --> 0:24:52.040
<v Speaker 2>Yes, you know, what I'm saying sort of evolution of that.

0:24:52.119 --> 0:24:53.760
<v Speaker 2>I feel like I saw the episode.

0:24:53.359 --> 0:24:55.880
<v Speaker 1>Of that because I felt like it was so much

0:24:55.960 --> 0:24:59.160
<v Speaker 1>time that they was gonna, you know, keeping to say

0:24:59.200 --> 0:25:01.800
<v Speaker 1>like they're from over here, like they're like like it

0:25:01.920 --> 0:25:03.440
<v Speaker 1>was one thing for short deep for certain I know

0:25:03.520 --> 0:25:06.360
<v Speaker 1>this is so simplistic, but it was the waffle House.

0:25:06.400 --> 0:25:10.119
<v Speaker 2>We didn't have to We're like, like, you got a

0:25:10.160 --> 0:25:11.440
<v Speaker 2>club at the fucking.

0:25:13.560 --> 0:25:16.359
<v Speaker 1>Like the Flex Club going on to me like this

0:25:16.520 --> 0:25:18.520
<v Speaker 1>leaving the show was like they're like, they're like, where

0:25:18.560 --> 0:25:18.960
<v Speaker 1>you're going.

0:25:19.720 --> 0:25:20.600
<v Speaker 2>We were like, yeah, where you're going?

0:25:20.600 --> 0:25:22.359
<v Speaker 1>And they said the waffle House and was like they

0:25:22.400 --> 0:25:24.640
<v Speaker 1>were saying that like it was something to Julian.

0:25:27.880 --> 0:25:31.480
<v Speaker 2>And then even the strip clubs like when when what

0:25:31.720 --> 0:25:34.879
<v Speaker 2>was it? Players Club? When when? When we heard that,

0:25:35.000 --> 0:25:36.520
<v Speaker 2>we were like us in New York, we were like,

0:25:36.560 --> 0:25:37.840
<v Speaker 2>wait a minute, you'll throw money.

0:25:38.160 --> 0:25:40.240
<v Speaker 6>We were like talking about the German's Club, the.

0:25:40.280 --> 0:25:49.520
<v Speaker 2>Gentleman's Club that I never seen.

0:25:49.760 --> 0:25:51.520
<v Speaker 1>That's the first time in Atlanta and then I came

0:25:51.520 --> 0:25:53.560
<v Speaker 1>to Miami, but it was the first time where they

0:25:54.000 --> 0:26:00.480
<v Speaker 1>chilled like they and they were eating, how they were

0:26:00.520 --> 0:26:02.680
<v Speaker 1>breaking they records they were like and it was a

0:26:02.760 --> 0:26:06.680
<v Speaker 1>certain type of job I believe Jamaine called the strip

0:26:06.760 --> 0:26:09.240
<v Speaker 1>club music. He's like, there's also strip club music that's

0:26:09.320 --> 0:26:10.720
<v Speaker 1>just made for just strip clubs.

0:26:10.760 --> 0:26:11.639
<v Speaker 2>But I had never seen that.

0:26:11.920 --> 0:26:17.040
<v Speaker 1>Yeah, but let me actually ask you, right, because from Milwaukee. Yeah,

0:26:17.040 --> 0:26:21.520
<v Speaker 1>I believe you said that. The day you graduated, I left,

0:26:21.800 --> 0:26:24.920
<v Speaker 1>someone pulled out a gun on you. Facts and you

0:26:25.119 --> 0:26:28.399
<v Speaker 1>had left. Yeah, but at the time, Atlanta is not

0:26:28.560 --> 0:26:30.800
<v Speaker 1>the place that it is now. What made you choose

0:26:30.840 --> 0:26:32.479
<v Speaker 1>Atlanta of everywhere else you could have went?

0:26:32.600 --> 0:26:35.360
<v Speaker 9>So I used to spend all my summers in Tennessee.

0:26:36.280 --> 0:26:39.040
<v Speaker 8>My grandmother's from there, my father's from there, everybody on

0:26:39.119 --> 0:26:39.919
<v Speaker 8>my father's side, So.

0:26:40.840 --> 0:26:41.399
<v Speaker 2>I loved it.

0:26:41.560 --> 0:26:42.760
<v Speaker 9>I fell in love with the South.

0:26:42.840 --> 0:26:48.480
<v Speaker 8>I fell in love with the community, the self determination,

0:26:48.680 --> 0:26:51.440
<v Speaker 8>like people was growing their own foods. They was poor,

0:26:51.600 --> 0:26:55.160
<v Speaker 8>but they were able to barter and make things happen,

0:26:55.240 --> 0:26:57.480
<v Speaker 8>and it was all in the community. I fell in

0:26:57.560 --> 0:26:57.960
<v Speaker 8>love with that.

0:26:58.160 --> 0:26:58.720
<v Speaker 2>So when I.

0:27:00.320 --> 0:27:02.560
<v Speaker 8>Graduated high school, which I did horribly in high school,

0:27:02.560 --> 0:27:04.200
<v Speaker 8>so I knew I needed to do something different in

0:27:04.280 --> 0:27:05.760
<v Speaker 8>my life because I wasn't going anywhere.

0:27:05.880 --> 0:27:09.520
<v Speaker 9>And I got this gun pulled on me at my graduation.

0:27:09.800 --> 0:27:12.639
<v Speaker 2>And I said the actually graduation after you left.

0:27:12.560 --> 0:27:19.159
<v Speaker 8>After I, and so I said, you know what if

0:27:19.160 --> 0:27:21.000
<v Speaker 8>I don't. If I don't leave here, I'm not gonna.

0:27:21.200 --> 0:27:24.040
<v Speaker 8>I think I won't make it because stuff was getting tight,

0:27:24.359 --> 0:27:27.480
<v Speaker 8>and so I I wanted to go down south. So

0:27:27.560 --> 0:27:30.360
<v Speaker 8>I went to Atlanta because Atlanta was it had first

0:27:30.359 --> 0:27:32.400
<v Speaker 8>of all school, which is where I met Headliner, who

0:27:32.480 --> 0:27:34.880
<v Speaker 8>was the first person I brought into the group was Headliner.

0:27:35.880 --> 0:27:39.000
<v Speaker 8>He we met at Art Institute of Atlanta. So it

0:27:39.160 --> 0:27:42.800
<v Speaker 8>was the one place that my low grade point average,

0:27:42.800 --> 0:27:45.200
<v Speaker 8>which was a zero point nine, but my low grade

0:27:45.200 --> 0:27:47.640
<v Speaker 8>point average could get into this school, the only school

0:27:47.680 --> 0:27:55.040
<v Speaker 8>I could think of. So that's Atlanta was the place

0:27:55.119 --> 0:27:56.960
<v Speaker 8>to come. Not to mention, it was a lot of

0:27:57.000 --> 0:27:59.520
<v Speaker 8>progressive stuff coming up in Atlanta. It was like a

0:27:59.560 --> 0:28:02.920
<v Speaker 8>little Africa like it was very progressive, Like people were

0:28:02.960 --> 0:28:04.159
<v Speaker 8>thinking differently in Atlanta.

0:28:04.320 --> 0:28:08.159
<v Speaker 1>So yeah, you know, because what it is now is

0:28:08.240 --> 0:28:11.880
<v Speaker 1>like it's almost baby Wakanda.

0:28:12.320 --> 0:28:16.520
<v Speaker 2>That's what it was. Even more we didn't get to

0:28:16.560 --> 0:28:18.960
<v Speaker 2>see that. Yeah, yeah it was. It was.

0:28:19.080 --> 0:28:21.720
<v Speaker 8>It was a lot of like revolutionary stuff going on there,

0:28:21.920 --> 0:28:25.080
<v Speaker 8>like the main community we grew up in, or at

0:28:25.160 --> 0:28:26.520
<v Speaker 8>least I could speak for me and Headliner.

0:28:26.600 --> 0:28:28.399
<v Speaker 9>We spent most of our time in West End. Well,

0:28:28.440 --> 0:28:31.320
<v Speaker 9>West End is a very cultural center of Atlanta.

0:28:32.760 --> 0:28:35.240
<v Speaker 8>All the Rosters, all the Africans, a lot of you know,

0:28:35.520 --> 0:28:38.800
<v Speaker 8>Nation of Islam, Shrine of the Black Madonna, like all

0:28:38.880 --> 0:28:41.080
<v Speaker 8>of these kind of like landmark.

0:28:40.680 --> 0:28:44.480
<v Speaker 9>Places and so that's the area. And of course the

0:28:44.640 --> 0:28:48.760
<v Speaker 9>HBCUs all of that exactly vegetarian.

0:28:48.880 --> 0:28:51.800
<v Speaker 8>So so all of these places was where we used

0:28:51.800 --> 0:28:53.840
<v Speaker 8>to hang out at. So it was sort of our

0:28:54.080 --> 0:28:55.880
<v Speaker 8>like place to be, you know, it's where we felt

0:28:55.920 --> 0:28:58.400
<v Speaker 8>the most comfortable, at the West End and the West End,

0:28:58.480 --> 0:29:00.200
<v Speaker 8>West End which is still a dope culture there.

0:29:00.840 --> 0:29:03.520
<v Speaker 1>So did it really take y' all three years, five months,

0:29:03.880 --> 0:29:06.360
<v Speaker 1>two days, and did wow?

0:29:07.120 --> 0:29:08.280
<v Speaker 2>It was like it's got to be true.

0:29:10.560 --> 0:29:10.760
<v Speaker 3>Yeah.

0:29:10.960 --> 0:29:11.160
<v Speaker 7>Yeah.

0:29:11.400 --> 0:29:13.320
<v Speaker 5>And the evolution of it all, it was really fun.

0:29:13.400 --> 0:29:16.080
<v Speaker 5>So I mass speech and headliner, So my Ski and

0:29:16.160 --> 0:29:17.160
<v Speaker 5>Bird we got a shout out.

0:29:17.200 --> 0:29:19.600
<v Speaker 9>We got to shout out Ian birt Atlanta.

0:29:20.160 --> 0:29:23.240
<v Speaker 10>I mean, if you were doing music in the nineties

0:29:23.320 --> 0:29:26.440
<v Speaker 10>and and then blessed or touch it, it happened in

0:29:26.520 --> 0:29:30.080
<v Speaker 10>the eighties, eighties, I mean speeching with eighty eight eighty nine.

0:29:30.720 --> 0:29:33.240
<v Speaker 10>I was thirteen when I joined the group. My sister

0:29:33.800 --> 0:29:38.000
<v Speaker 10>was offered the opportunity to dance, she didn't want to

0:29:38.040 --> 0:29:38.200
<v Speaker 10>do it.

0:29:38.400 --> 0:29:41.200
<v Speaker 2>So they want to dances, right, Yeah, I want her

0:29:41.240 --> 0:29:41.640
<v Speaker 2>to dances.

0:29:41.880 --> 0:29:44.240
<v Speaker 10>I went to the audition. I look because I love Come.

0:29:44.440 --> 0:29:53.600
<v Speaker 10>I was dressed like come. We all did our audition

0:29:53.720 --> 0:29:55.480
<v Speaker 10>and then we were together for a while. Then we

0:29:55.560 --> 0:29:59.200
<v Speaker 10>had some people nicer ashtrak They came in some other dances,

0:29:59.640 --> 0:30:01.880
<v Speaker 10>and then we met Rise and.

0:30:03.720 --> 0:30:04.120
<v Speaker 2>Engaged.

0:30:04.240 --> 0:30:05.280
<v Speaker 5>They were engaged.

0:30:06.560 --> 0:30:08.000
<v Speaker 9>I think you all was engaged at the time we

0:30:08.080 --> 0:30:08.680
<v Speaker 9>were working on it.

0:30:12.040 --> 0:30:14.080
<v Speaker 5>Yeah, I mean, and when it was at a step

0:30:14.120 --> 0:30:15.760
<v Speaker 5>show of Greeks, that's what we meant.

0:30:16.760 --> 0:30:21.440
<v Speaker 9>Stuff we got booed on that show. We did miss

0:30:21.520 --> 0:30:25.360
<v Speaker 9>the window we got, but it was ahead of his time.

0:30:26.680 --> 0:30:28.600
<v Speaker 8>Atlanta was on a certain general I think it was

0:30:28.600 --> 0:30:32.760
<v Speaker 8>ahead of his time. And and so for us, we

0:30:32.880 --> 0:30:35.800
<v Speaker 8>were just doing crazy stuff like that they didn't get.

0:30:36.080 --> 0:30:39.080
<v Speaker 8>And so yeah, they like, did you consider what you

0:30:39.160 --> 0:30:40.480
<v Speaker 8>were doing? Experimenting?

0:30:40.640 --> 0:30:43.080
<v Speaker 9>Like very much. So, But I'll say this, I got

0:30:43.160 --> 0:30:43.600
<v Speaker 9>a shout.

0:30:43.440 --> 0:30:45.840
<v Speaker 8>Out Dayla Soul because when they released three Feet High,

0:30:46.240 --> 0:30:48.240
<v Speaker 8>or even when they released plug Tuning and stuff like that,

0:30:49.080 --> 0:30:50.440
<v Speaker 8>they gave us permission.

0:30:50.480 --> 0:30:51.800
<v Speaker 9>I didn't know them, but I'm saying.

0:30:52.680 --> 0:30:55.200
<v Speaker 8>Meaning when they did it, it was like, okay, we

0:30:55.280 --> 0:30:57.920
<v Speaker 8>could go further than because it worked and it.

0:30:58.000 --> 0:31:00.880
<v Speaker 2>Was they were different and it worked, different worked.

0:31:00.680 --> 0:31:02.880
<v Speaker 8>And it was dope, right, And so I always tell them.

0:31:03.000 --> 0:31:04.400
<v Speaker 8>I tell them this all the time. And I used

0:31:04.440 --> 0:31:06.840
<v Speaker 8>to call pass back then. I got his number from

0:31:06.880 --> 0:31:09.080
<v Speaker 8>a sister named Kat and I would you want to.

0:31:09.080 --> 0:31:09.800
<v Speaker 2>Be on Tommy boy?

0:31:11.960 --> 0:31:14.200
<v Speaker 9>You can imagine? Was like, no, you don't want that.

0:31:15.880 --> 0:31:21.920
<v Speaker 2>So it was like, no, do something different. Yeah, yeah, yeah.

0:31:21.920 --> 0:31:25.080
<v Speaker 2>So you was raised Muslim? I was in California.

0:31:25.400 --> 0:31:29.120
<v Speaker 11>Yes, Okay, my father is ma'am Okay, lame hot spun

0:31:29.400 --> 0:31:29.800
<v Speaker 11>that's right.

0:31:30.640 --> 0:31:32.000
<v Speaker 2>Mass Wow.

0:31:32.240 --> 0:31:35.760
<v Speaker 12>And if we just finished the mass it there, We've

0:31:35.760 --> 0:31:38.440
<v Speaker 12>been building it. He's been building it since I was

0:31:39.120 --> 0:31:42.280
<v Speaker 12>in school there. It's just clear Muhammed and it's now

0:31:42.720 --> 0:31:44.880
<v Speaker 12>a beautiful school.

0:31:44.880 --> 0:31:46.760
<v Speaker 2>And Moss and he's.

0:31:50.800 --> 0:31:56.520
<v Speaker 11>So dad yeah and I'm old, he's ninety four, like.

0:31:58.240 --> 0:31:59.080
<v Speaker 2>Wow, yeah, let's make it.

0:32:04.840 --> 0:32:07.280
<v Speaker 5>Yeah, because what was it?

0:32:07.360 --> 0:32:10.080
<v Speaker 2>What was the fight for the religion? It was the

0:32:10.160 --> 0:32:11.080
<v Speaker 2>joy that had.

0:32:13.800 --> 0:32:16.200
<v Speaker 1>That's the one thing that I never could understand, like

0:32:17.400 --> 0:32:19.920
<v Speaker 1>of what religion I researched you.

0:32:20.240 --> 0:32:21.520
<v Speaker 2>I knew you was a Muslim.

0:32:21.600 --> 0:32:25.440
<v Speaker 1>But one thing that the group embraces is it feels

0:32:25.480 --> 0:32:29.360
<v Speaker 1>like it's all religion. Is that something that could because

0:32:29.360 --> 0:32:31.560
<v Speaker 1>it feels like it's Christians is down with y'all, it's

0:32:31.600 --> 0:32:32.840
<v Speaker 1>father Sensus down with y'all.

0:32:32.960 --> 0:32:34.960
<v Speaker 2>Yeah, Am I accurate in assumption?

0:32:35.800 --> 0:32:38.640
<v Speaker 8>In the beginnings it was just spirituality because for me personally,

0:32:38.760 --> 0:32:42.640
<v Speaker 8>I really wasn't. I wasn't a Christian I was at

0:32:42.680 --> 0:32:44.720
<v Speaker 8>that time. I wasn't a Christian. I was more so,

0:32:45.680 --> 0:32:49.120
<v Speaker 8>you know, just just believer in spirituality, you know what

0:32:49.160 --> 0:32:51.800
<v Speaker 8>I'm saying exactly. I was sort of on that tip

0:32:51.880 --> 0:32:55.840
<v Speaker 8>at the time. And so, yeah, we embraced everything to

0:32:56.000 --> 0:32:57.120
<v Speaker 8>some extent or another, you know.

0:32:57.800 --> 0:32:58.360
<v Speaker 9>But it's funny.

0:32:58.400 --> 0:33:00.520
<v Speaker 8>I did use a lot of talk like Lord, and

0:33:00.680 --> 0:33:03.040
<v Speaker 8>you know, I say stuff like this, you know, Tennessee. Like,

0:33:04.080 --> 0:33:06.080
<v Speaker 8>so I do think that it's sort of seeped into

0:33:06.120 --> 0:33:08.400
<v Speaker 8>me from my grandmother, you know, just being raised around it.

0:33:08.480 --> 0:33:17.040
<v Speaker 3>So yeah, But the gospel group they just labeled it

0:33:17.160 --> 0:33:20.120
<v Speaker 3>conscious though. That was the easy way to talk about it,

0:33:20.360 --> 0:33:22.040
<v Speaker 3>Call it conscious and conscious.

0:33:22.400 --> 0:33:23.920
<v Speaker 2>Do you think that's the easy way to talk about it?

0:33:24.000 --> 0:33:26.560
<v Speaker 5>Conscious's the easy way to accept all of it?

0:33:26.760 --> 0:33:30.760
<v Speaker 3>Okay, exactly, we're just conscious, just conscious band, that's fact.

0:33:30.840 --> 0:33:32.240
<v Speaker 9>That's fact because.

0:33:32.080 --> 0:33:34.800
<v Speaker 1>There's a difference between conscious and backpack rack, right right,

0:33:35.040 --> 0:33:37.880
<v Speaker 1>It's like I believe, like most is that all the

0:33:37.880 --> 0:33:40.840
<v Speaker 1>people's party, And I assessed that too.

0:33:41.040 --> 0:33:44.360
<v Speaker 2>Yeah, so well, okay, what's it called hold on? Hold on?

0:33:44.760 --> 0:33:50.000
<v Speaker 2>Your father's club when you first learned how to dj?

0:33:50.360 --> 0:33:52.520
<v Speaker 8>Yep, So my dad owned the night. He was a

0:33:52.720 --> 0:33:56.240
<v Speaker 8>serial entrepreneur. So he started off with gas station. He

0:33:56.360 --> 0:34:00.800
<v Speaker 8>had a fast food restaurant, he had a corn roasting business,

0:34:01.280 --> 0:34:04.600
<v Speaker 8>and then he got this club corn roasting.

0:34:05.400 --> 0:34:12.480
<v Speaker 2>I want to invest in that business. So he started a.

0:34:12.480 --> 0:34:13.600
<v Speaker 9>Club called the Fox Trap.

0:34:14.080 --> 0:34:18.000
<v Speaker 8>And at the Fox Trap, it was the best club

0:34:18.120 --> 0:34:21.279
<v Speaker 8>in Milwaukee for black people. So everybody was going there.

0:34:21.320 --> 0:34:24.160
<v Speaker 8>The DJs were crazy, but they weren't at that time.

0:34:24.320 --> 0:34:26.239
<v Speaker 8>This is in the eighties at that time, eighty three

0:34:26.400 --> 0:34:29.520
<v Speaker 8>somewhere in there. At that time, DJ's and Milwaukee at

0:34:29.600 --> 0:34:32.759
<v Speaker 8>least weren't scratching and mixing and stuff. But I was

0:34:32.800 --> 0:34:34.719
<v Speaker 8>because I was in love with like grahmm mix of

0:34:34.800 --> 0:34:37.880
<v Speaker 8>dst and you know what I'm saying, like Herbie Hancock

0:34:37.960 --> 0:34:38.840
<v Speaker 8>on the Grammys.

0:34:38.880 --> 0:34:39.799
<v Speaker 9>Actually, when they did.

0:34:39.800 --> 0:34:41.600
<v Speaker 2>Rocket, it was like that was my first time ever

0:34:41.640 --> 0:34:42.240
<v Speaker 2>seeing scratch.

0:34:42.680 --> 0:34:43.759
<v Speaker 9>So I was on that tip.

0:34:44.280 --> 0:34:46.880
<v Speaker 8>So I learned how to do like the regular fades

0:34:46.920 --> 0:34:49.120
<v Speaker 8>and stuff like that from the DJs. But then I

0:34:49.320 --> 0:34:52.200
<v Speaker 8>was bringing to Milwaukee, you know, scratching and mixing and

0:34:52.239 --> 0:34:52.800
<v Speaker 8>stuff like that.

0:34:53.480 --> 0:34:55.560
<v Speaker 2>What was the name of the group, What was Attack?

0:34:55.880 --> 0:34:58.400
<v Speaker 9>Attack was my first group, yeah, exactly.

0:34:58.120 --> 0:35:00.680
<v Speaker 1>And that was the first people on Whack in Milwaukee,

0:35:00.760 --> 0:35:02.400
<v Speaker 1>first black people at first hip hop's.

0:35:02.480 --> 0:35:04.640
<v Speaker 8>It's argued that we're you know, there was another group

0:35:04.719 --> 0:35:06.839
<v Speaker 8>that did like some kind of wrestling record that had

0:35:06.960 --> 0:35:08.960
<v Speaker 8>rap in it, you know how like fat back, like

0:35:09.320 --> 0:35:12.839
<v Speaker 8>you know, it's sort of like debated, but like, but yeah,

0:35:12.880 --> 0:35:14.360
<v Speaker 8>we was one of the first without the questions.

0:35:14.400 --> 0:35:16.239
<v Speaker 9>So it was probably the first or second, depends how

0:35:16.280 --> 0:35:16.719
<v Speaker 9>you look at it.

0:35:17.080 --> 0:35:20.200
<v Speaker 1>I went to Milwaukee one time and they had shootouts

0:35:20.239 --> 0:35:22.800
<v Speaker 1>and pips. I was like, wait a minute, facts, I

0:35:22.880 --> 0:35:24.440
<v Speaker 1>was like baseball team.

0:35:28.360 --> 0:35:32.480
<v Speaker 7>Yeah, so I want to talk about Tennessee, okay, because

0:35:32.920 --> 0:35:34.680
<v Speaker 7>I was surprised to find out that this was the

0:35:34.760 --> 0:35:36.280
<v Speaker 7>last record y'all recorded for that album.

0:35:36.360 --> 0:35:38.760
<v Speaker 2>Yeah, yeah, so what happened?

0:35:38.800 --> 0:35:42.080
<v Speaker 8>We finished the record, We recorded the record album done.

0:35:42.120 --> 0:35:44.799
<v Speaker 8>We did it in Milwaukee actually at a studio called

0:35:44.840 --> 0:35:49.880
<v Speaker 8>Tracks thirty two, and then unfortunately my grandmother passed that

0:35:50.040 --> 0:35:54.120
<v Speaker 8>same week my brother died, and so the last place

0:35:54.160 --> 0:35:56.280
<v Speaker 8>I saw both of them was at my grandmother's funeral

0:35:56.400 --> 0:36:00.320
<v Speaker 8>in Tennessee. So that song just was written out of

0:36:00.400 --> 0:36:03.239
<v Speaker 8>pure motions, just like as you can see, you know,

0:36:03.320 --> 0:36:04.560
<v Speaker 8>you can tell, you know what I'm saying with the

0:36:04.719 --> 0:36:08.400
<v Speaker 8>with the lyrics and everything. So so you know, that

0:36:08.480 --> 0:36:10.200
<v Speaker 8>was the last record we did, and we did that

0:36:10.360 --> 0:36:13.640
<v Speaker 8>one at Bobby brown studio called boss Bosstown.

0:36:13.719 --> 0:36:15.760
<v Speaker 9>He had a studio which is now stink Oni.

0:36:17.239 --> 0:36:17.359
<v Speaker 1>Now.

0:36:18.360 --> 0:36:21.000
<v Speaker 2>So yeah, which is how good that record felt for

0:36:21.120 --> 0:36:23.440
<v Speaker 2>me as a youngster. And I'm i'm uh.

0:36:24.040 --> 0:36:27.440
<v Speaker 1>I was born ninety seventy seven, so I must have

0:36:27.480 --> 0:36:29.640
<v Speaker 1>didn't pay attention to the lyrics and just pay attention

0:36:29.719 --> 0:36:30.200
<v Speaker 1>to the feeling.

0:36:30.840 --> 0:36:34.040
<v Speaker 2>I would put that record on for a good feeling.

0:36:34.239 --> 0:36:34.680
<v Speaker 2>I didn't know.

0:36:36.360 --> 0:36:43.000
<v Speaker 1>Here's because the melody and the message was so powerful

0:36:43.360 --> 0:36:45.680
<v Speaker 1>that I might not never listened to the lyrics, so

0:36:45.880 --> 0:36:48.719
<v Speaker 1>like I would take me to the place I didn't

0:36:48.719 --> 0:36:49.399
<v Speaker 1>even realize you were.

0:36:49.360 --> 0:36:57.400
<v Speaker 2>Saying out of this, like oh this might be with

0:36:57.520 --> 0:37:02.680
<v Speaker 2>this record, like this is energetically a little bit, you know,

0:37:03.160 --> 0:37:05.520
<v Speaker 2>so it is, but you know it's funny.

0:37:05.640 --> 0:37:08.440
<v Speaker 8>Caris one called me one day, he called my I was,

0:37:13.520 --> 0:37:16.239
<v Speaker 8>and I wasn't there. The answer machine picked up, and

0:37:16.360 --> 0:37:18.680
<v Speaker 8>so he left a message and he's like, yo, speech,

0:37:19.520 --> 0:37:20.719
<v Speaker 8>I'm just kidding.

0:37:20.480 --> 0:37:28.400
<v Speaker 2>This ten years later, so it's like yo.

0:37:28.600 --> 0:37:31.480
<v Speaker 8>It was so like it was encouraging to me because

0:37:32.400 --> 0:37:34.160
<v Speaker 8>to me, that's a skill set, you know what I'm saying,

0:37:34.200 --> 0:37:36.200
<v Speaker 8>to be able to be able to talk about stuff

0:37:36.200 --> 0:37:37.120
<v Speaker 8>that's really from your soul.

0:37:37.200 --> 0:37:39.640
<v Speaker 9>But it doesn't bring you down. It lifts you up.

0:37:40.120 --> 0:37:41.640
<v Speaker 8>And you don't even have to listen to it if

0:37:41.680 --> 0:37:43.759
<v Speaker 8>you don't want the first time, Like the lyrical track,

0:37:43.800 --> 0:37:45.759
<v Speaker 8>you know that track of it, you don't have to

0:37:45.800 --> 0:37:47.759
<v Speaker 8>even be on that track, You just be on the

0:37:47.840 --> 0:37:49.640
<v Speaker 8>five you know what I'm saying. It just that's the

0:37:49.719 --> 0:37:51.920
<v Speaker 8>track you want to be on, you know. So it's

0:37:52.000 --> 0:37:54.400
<v Speaker 8>just different people could get on different tracks listening to

0:37:54.480 --> 0:37:56.080
<v Speaker 8>it a lot of times, you know what I'm saying,

0:37:56.120 --> 0:37:58.279
<v Speaker 8>Different different pathways or whatever.

0:37:58.320 --> 0:37:59.960
<v Speaker 2>That's the power of music, though, it's the power.

0:38:00.680 --> 0:38:04.080
<v Speaker 9>It's like I just I just saw what I saw

0:38:04.760 --> 0:38:06.600
<v Speaker 9>and I felt what I felt exactly right.

0:38:06.840 --> 0:38:09.560
<v Speaker 1>And every time I get it, it still goosebumps to

0:38:09.640 --> 0:38:11.680
<v Speaker 1>this day, you know what I mean. I still remember

0:38:11.880 --> 0:38:15.239
<v Speaker 1>the black and white video. I remember like Ralph McDaniel's

0:38:15.360 --> 0:38:17.960
<v Speaker 1>I remember going to the jukebox, me trying to order

0:38:18.040 --> 0:38:19.320
<v Speaker 1>it and get in trouble for you.

0:38:22.080 --> 0:38:24.520
<v Speaker 2>So it's like it's like damn. And then years later

0:38:24.600 --> 0:38:25.680
<v Speaker 2>I'm like, holy ship.

0:38:25.800 --> 0:38:28.359
<v Speaker 1>As a as a lyricist, I'm listening to the lyrics,

0:38:28.400 --> 0:38:31.160
<v Speaker 1>I'm like, you've been celebrating like almost.

0:38:32.760 --> 0:38:33.000
<v Speaker 2>It is.

0:38:35.040 --> 0:38:38.160
<v Speaker 1>But then what's crazy about that is his what's the

0:38:38.239 --> 0:38:39.719
<v Speaker 1>best thing about the group?

0:38:39.840 --> 0:38:39.960
<v Speaker 2>Right?

0:38:41.440 --> 0:38:44.360
<v Speaker 1>Is us all known? We come from Africa? Right, no

0:38:44.480 --> 0:38:50.640
<v Speaker 1>matter what I don't keep, you're white, black, Germany's original whatever,

0:38:50.680 --> 0:38:54.239
<v Speaker 1>you all, you all come from Africa. And the one

0:38:54.360 --> 0:38:57.480
<v Speaker 1>thing about the act for him Proverbs is the family

0:38:57.600 --> 0:39:00.759
<v Speaker 1>trade is the fact that like, you know, what's my

0:39:00.880 --> 0:39:05.600
<v Speaker 1>man name, bob oj Like I love that even the

0:39:05.680 --> 0:39:08.040
<v Speaker 1>story of you asking him, I wanted to elder person

0:39:08.280 --> 0:39:09.000
<v Speaker 1>in the group at the time.

0:39:09.040 --> 0:39:10.719
<v Speaker 2>I believe he was fifty seven or something like that,

0:39:11.360 --> 0:39:14.200
<v Speaker 2>and it was just like when you hear that story,

0:39:14.320 --> 0:39:15.360
<v Speaker 2>it's just like that's that.

0:39:15.560 --> 0:39:21.560
<v Speaker 1>African uh, you know messages that we heard like how

0:39:21.760 --> 0:39:24.040
<v Speaker 1>family was and how when they see it when they

0:39:24.080 --> 0:39:27.520
<v Speaker 1>say when they say they take a village to raise

0:39:27.560 --> 0:39:28.360
<v Speaker 1>the child, that's what.

0:39:28.400 --> 0:39:29.000
<v Speaker 2>They talk about.

0:39:29.000 --> 0:39:31.520
<v Speaker 1>The African villages and you sit there and when I

0:39:31.640 --> 0:39:34.960
<v Speaker 1>look at the group always from from back then to now,

0:39:35.080 --> 0:39:38.640
<v Speaker 1>I always say, damn, Like if I've learned something from them,

0:39:38.680 --> 0:39:43.800
<v Speaker 1>I've always learned that the African caromatererie that y'all put together.

0:39:44.040 --> 0:39:46.239
<v Speaker 1>And I even see like like like I kind of

0:39:46.280 --> 0:39:49.120
<v Speaker 1>like kept going back to see like, you know, the

0:39:49.239 --> 0:39:51.959
<v Speaker 1>interviews that was happening after the Grammys, and I'm sitting

0:39:52.000 --> 0:39:53.879
<v Speaker 1>back and I'm saying, these guys have always been the same.

0:39:53.960 --> 0:39:56.480
<v Speaker 1>They stayed the same, and that's a lot that's a

0:39:56.560 --> 0:39:58.560
<v Speaker 1>lot harder to do. So let me get back to

0:39:58.640 --> 0:40:02.160
<v Speaker 1>my original question is how hard is that?

0:40:02.520 --> 0:40:02.640
<v Speaker 8>Right?

0:40:03.360 --> 0:40:09.120
<v Speaker 1>Because back then, uh, there was gang bangers, Like it

0:40:09.280 --> 0:40:12.960
<v Speaker 1>really wasn't fly to where you know, it was the

0:40:13.120 --> 0:40:16.080
<v Speaker 1>X Clan era for righteous teachers, and then that kind

0:40:16.120 --> 0:40:18.560
<v Speaker 1>of like you know, you know, went out and then

0:40:18.600 --> 0:40:22.560
<v Speaker 1>it was like gang banger's big, and you know, being

0:40:23.320 --> 0:40:26.719
<v Speaker 1>a drug dealer was big, and then how how was

0:40:26.800 --> 0:40:30.440
<v Speaker 1>it to navigate through that and still maintain who you are?

0:40:30.480 --> 0:40:32.400
<v Speaker 1>I know I asked it in a different way, but

0:40:32.480 --> 0:40:36.160
<v Speaker 1>I'm asking this musically now because like when you start

0:40:36.239 --> 0:40:38.879
<v Speaker 1>to be along winning with this question, if you look

0:40:38.920 --> 0:40:41.239
<v Speaker 1>at a lot of New York artists when when the

0:40:41.320 --> 0:40:44.719
<v Speaker 1>South started to change, South started to take over a

0:40:44.800 --> 0:40:48.120
<v Speaker 1>lot of New York artists started to play their bags

0:40:48.239 --> 0:40:51.879
<v Speaker 1>with the South and change their their their their tone

0:40:51.920 --> 0:40:53.840
<v Speaker 1>of music and try to see who they could fit in.

0:40:54.120 --> 0:40:56.880
<v Speaker 2>What made y'all never want to fit in? For us?

0:40:57.560 --> 0:40:59.719
<v Speaker 8>I guess the sort of good part about it for

0:40:59.880 --> 0:41:01.600
<v Speaker 8>us was we was before a lot of that, so

0:41:01.719 --> 0:41:04.200
<v Speaker 8>you know, it was before our cast was before. So

0:41:05.600 --> 0:41:09.279
<v Speaker 8>for us, it was like, okay, you know we was

0:41:09.320 --> 0:41:12.399
<v Speaker 8>playing it earlier. Mama is always on stage. We brought

0:41:12.440 --> 0:41:16.560
<v Speaker 8>this like harmonica energy, you know, to the hip hop sounds.

0:41:16.600 --> 0:41:19.239
<v Speaker 8>So it's like for us, it was just trying to

0:41:19.280 --> 0:41:21.839
<v Speaker 8>be unique, trying to trying to bring that Southern energy,

0:41:21.840 --> 0:41:24.919
<v Speaker 8>even the video Tennessee, making it in the rural South

0:41:25.000 --> 0:41:27.080
<v Speaker 8>instead of in the city landscapes.

0:41:26.600 --> 0:41:28.640
<v Speaker 9>Which is what New York was already on that right,

0:41:29.160 --> 0:41:30.640
<v Speaker 9>So just trying to be different.

0:41:31.200 --> 0:41:35.440
<v Speaker 8>It wasn't that hard because back then you were celebrated

0:41:35.520 --> 0:41:38.879
<v Speaker 8>for being absolutely unique. Like if you can bring something

0:41:38.960 --> 0:41:42.400
<v Speaker 8>unique to to some extent or another, you're going to

0:41:42.520 --> 0:41:43.160
<v Speaker 8>be celebrated.

0:41:43.160 --> 0:41:45.239
<v Speaker 9>Because that's what that was. What was, That's what it

0:41:45.360 --> 0:41:46.680
<v Speaker 9>was about. You know what I mean, and no one.

0:41:46.640 --> 0:41:54.760
<v Speaker 2>Sounded like each other prob exactly.

0:42:00.880 --> 0:42:06.880
<v Speaker 9>So no, it was it was, it was dope, it was.

0:42:07.040 --> 0:42:10.239
<v Speaker 2>It was easier for us because of that, because but

0:42:10.360 --> 0:42:11.280
<v Speaker 2>it was still hard.

0:42:11.160 --> 0:42:13.040
<v Speaker 8>Because I mean, here we are, like I was, like

0:42:13.120 --> 0:42:14.520
<v Speaker 8>we was talking about when we got booed at the

0:42:14.600 --> 0:42:17.120
<v Speaker 8>Step Show, A lot of the music that was coming

0:42:17.160 --> 0:42:19.200
<v Speaker 8>out in the South at that exact time sort of

0:42:19.239 --> 0:42:19.520
<v Speaker 8>had that.

0:42:19.600 --> 0:42:20.520
<v Speaker 9>Miami based style.

0:42:20.640 --> 0:42:23.080
<v Speaker 8>It was, you know, one twenty you know what I'm saying,

0:42:23.160 --> 0:42:26.400
<v Speaker 8>one thirty piece per minute, and we're.

0:42:26.000 --> 0:42:27.200
<v Speaker 2>Coming out with this other vibe.

0:42:27.239 --> 0:42:30.239
<v Speaker 8>We was very influenced by New York, very influent. Well

0:42:30.239 --> 0:42:32.200
<v Speaker 8>I'm from Milwaukee, so for me, I was very influenced

0:42:32.200 --> 0:42:35.520
<v Speaker 8>by New York, but also DC go go music, the you.

0:42:35.520 --> 0:42:37.280
<v Speaker 9>Know, house music from the Chicago.

0:42:39.040 --> 0:42:40.800
<v Speaker 8>Chicago meant a lot to us, Like that was a

0:42:40.840 --> 0:42:44.399
<v Speaker 8>big deal ninety miles away, an hour and a half away,

0:42:44.480 --> 0:42:47.799
<v Speaker 8>so house was a thing, you know, the house music.

0:42:48.160 --> 0:42:51.800
<v Speaker 9>So so all of those different styles we embraced it.

0:42:52.160 --> 0:42:55.200
<v Speaker 8>And I'm the producer for the group, so that early music,

0:42:55.280 --> 0:42:57.000
<v Speaker 8>I was producing that stuff too, so it was like,

0:42:57.719 --> 0:42:59.319
<v Speaker 8>you know, I wanted to embrace all of that sound.

0:42:59.400 --> 0:43:01.440
<v Speaker 8>So it was a little easier because there wasn't we

0:43:01.600 --> 0:43:03.400
<v Speaker 8>wasn't expected to do a particular thing.

0:43:03.960 --> 0:43:06.400
<v Speaker 3>We had all those energies though. Some of those energy

0:43:06.520 --> 0:43:14.400
<v Speaker 3>like I'm from Jersey, the same area where so me

0:43:14.480 --> 0:43:17.840
<v Speaker 3>and pr T from the same neighborhood exactly, and Wise

0:43:17.960 --> 0:43:20.719
<v Speaker 3>and culture Freedom from the same neighborhood. So when I

0:43:20.880 --> 0:43:28.240
<v Speaker 3>met speaking, so when I met them, the Jersey energy facts,

0:43:28.400 --> 0:43:32.600
<v Speaker 3>the New York energy, the house energy, because.

0:43:32.400 --> 0:43:34.440
<v Speaker 2>Jersey was big in house at that time. It was

0:43:34.600 --> 0:43:35.279
<v Speaker 2>huge in the house.

0:43:35.440 --> 0:43:39.040
<v Speaker 9>I agree, I agree, but I was probably into New York.

0:43:39.280 --> 0:43:45.040
<v Speaker 3>Okay, So like Latin Quarter going to uh uh, I

0:43:45.080 --> 0:43:47.560
<v Speaker 3>wouldn't say Red Para, that's way, that's way back.

0:43:49.120 --> 0:43:51.000
<v Speaker 2>Uh what is it?

0:43:51.120 --> 0:43:51.239
<v Speaker 1>Uh?

0:43:52.200 --> 0:43:58.320
<v Speaker 2>Anyway, Mars? You know, so I was. I brought that

0:43:58.520 --> 0:43:59.680
<v Speaker 2>energy to the band fast.

0:44:00.160 --> 0:44:02.960
<v Speaker 3>So when we started performing, people knew, like, oh, he's

0:44:03.000 --> 0:44:03.600
<v Speaker 3>from up top.

0:44:03.920 --> 0:44:07.200
<v Speaker 2>But it's not just the Georgia energy, you know what

0:44:07.239 --> 0:44:11.759
<v Speaker 2>I'm saying. So we had to cover he had New

0:44:11.880 --> 0:44:16.160
<v Speaker 2>York Atlanta. Yeah, exactly.

0:44:16.600 --> 0:44:19.120
<v Speaker 1>I feel like, for lack of a better term, y'all

0:44:19.280 --> 0:44:20.759
<v Speaker 1>officially a global band.

0:44:21.360 --> 0:44:24.120
<v Speaker 8>We are global at the end of the day because

0:44:24.600 --> 0:44:27.920
<v Speaker 8>and it's funny because while hip hop obviously represents wherever

0:44:27.960 --> 0:44:31.080
<v Speaker 8>you're from, right, I was on to me personally, I

0:44:31.160 --> 0:44:32.480
<v Speaker 8>was on a tip. It ain't where you're from, it's

0:44:32.480 --> 0:44:34.800
<v Speaker 8>where you're at, you know what I'm saying. So it's like, Okay,

0:44:36.000 --> 0:44:40.040
<v Speaker 8>I love Milwaukee, I love Atlanta, I love like I said, DC,

0:44:40.120 --> 0:44:42.480
<v Speaker 8>blah blah blah. So for me, it was just a

0:44:42.560 --> 0:44:44.200
<v Speaker 8>matter of, well, this is what we're doing, this is

0:44:44.239 --> 0:44:47.040
<v Speaker 8>what we're bringing to the table at all, exactly exactly

0:44:48.280 --> 0:44:49.280
<v Speaker 8>in the past thirty.

0:44:49.920 --> 0:44:51.880
<v Speaker 1>IM trying to say, you know what I believe or

0:44:52.040 --> 0:44:55.319
<v Speaker 1>like I believe on certain job advocations they should ask

0:44:55.880 --> 0:44:59.960
<v Speaker 1>hip hop right, like, because I believe some people religion

0:45:00.040 --> 0:45:02.239
<v Speaker 1>into some people who raises really hip hop Like.

0:45:04.200 --> 0:45:05.560
<v Speaker 2>Just no, I'm just being honest.

0:45:06.000 --> 0:45:09.320
<v Speaker 1>Like I know people who I don't consider black white nothing,

0:45:09.400 --> 0:45:10.560
<v Speaker 1>I just considered them hip hop.

0:45:10.640 --> 0:45:12.239
<v Speaker 2>We could just sit there and just talk hip hop

0:45:12.320 --> 0:45:13.479
<v Speaker 2>for nothing else.

0:45:14.200 --> 0:45:18.520
<v Speaker 1>And that's like crazy because this music raised this person.

0:45:18.920 --> 0:45:20.920
<v Speaker 1>He might have not been raised by me at all,

0:45:21.360 --> 0:45:24.000
<v Speaker 1>it might have been for Portland, Oregon, but his knowledge

0:45:24.000 --> 0:45:24.480
<v Speaker 1>of hip hop.

0:45:24.640 --> 0:45:27.239
<v Speaker 2>He knows g rapp like I do. We used to

0:45:27.280 --> 0:45:29.439
<v Speaker 2>talk about the hip hop flag that you wish to see.

0:45:29.440 --> 0:45:33.480
<v Speaker 2>That always the hotels, you know, flag.

0:45:33.640 --> 0:45:36.279
<v Speaker 1>Just think about it, right, that's crazy, so so think

0:45:36.320 --> 0:45:37.959
<v Speaker 1>about and this is a real ship.

0:45:38.200 --> 0:45:40.120
<v Speaker 2>I know I'm saying this like you know, bucking out,

0:45:40.160 --> 0:45:41.080
<v Speaker 2>but I'm not wucking out.

0:45:41.160 --> 0:45:43.759
<v Speaker 1>Like if you was to check into a hotel and

0:45:43.880 --> 0:45:45.799
<v Speaker 1>you was to see the hip hop flag and you say,

0:45:46.360 --> 0:45:51.239
<v Speaker 1>this is, by.

0:45:51.160 --> 0:45:53.160
<v Speaker 2>The way, I have to follow all the rules. It

0:45:53.200 --> 0:45:56.680
<v Speaker 2>doesn't mean I could break the rules because but like

0:45:56.840 --> 0:45:59.359
<v Speaker 2>for lack of like like a soho house, but these

0:45:59.400 --> 0:46:01.520
<v Speaker 2>people go to whole house and they respect the rules.

0:46:01.560 --> 0:46:01.880
<v Speaker 2>They do it.

0:46:01.960 --> 0:46:04.800
<v Speaker 1>Imagine we had a hip hop so whole house. Like

0:46:05.040 --> 0:46:06.160
<v Speaker 1>I'm sorry, I know I'm bugging out.

0:46:07.080 --> 0:46:07.279
<v Speaker 10>Are you?

0:46:07.400 --> 0:46:09.400
<v Speaker 2>Are you setting it up? Because you're doesn't this No, no.

0:46:09.480 --> 0:46:12.919
<v Speaker 1>No, no no, I'm I'm speaking at to Paris because

0:46:12.920 --> 0:46:14.000
<v Speaker 1>I ain't no clue how to do it.

0:46:16.000 --> 0:46:18.200
<v Speaker 2>I have a clue how would it would look? You

0:46:18.239 --> 0:46:18.640
<v Speaker 2>know what I'm saying.

0:46:18.640 --> 0:46:20.800
<v Speaker 1>I'm saying like like me doing that, like you know,

0:46:21.560 --> 0:46:23.480
<v Speaker 1>you know, going to Hollywood and hanging out and these

0:46:23.520 --> 0:46:25.480
<v Speaker 1>guys going hold these clubs is here, and the clubs

0:46:25.560 --> 0:46:26.719
<v Speaker 1>is here, and I'm saying, Okay.

0:46:26.840 --> 0:46:29.080
<v Speaker 2>Then one day I was with alchemists.

0:46:30.200 --> 0:46:33.560
<v Speaker 1>And alchemist says to me, we're in Amsterdam, and he goes,

0:46:33.960 --> 0:46:35.640
<v Speaker 1>I go, I can't smoke at my hotel, so I'm

0:46:35.640 --> 0:46:38.960
<v Speaker 1>going to smoke. And in the coffee shop. He goes, well,

0:46:38.960 --> 0:46:41.080
<v Speaker 1>you can smoke at my hotel. And I go, well,

0:46:41.080 --> 0:46:44.319
<v Speaker 1>what is your hotel? Why your hotel is special? He goes, well,

0:46:44.320 --> 0:46:46.200
<v Speaker 1>I'm at the hip hop hotel. And I went to

0:46:46.320 --> 0:46:48.480
<v Speaker 1>his hotel. It was graffiti everywhere.

0:46:49.680 --> 0:46:52.120
<v Speaker 2>It was graffiti everywhere, and I was like, holy shit.

0:46:52.400 --> 0:46:56.040
<v Speaker 1>And it was smoke everywhere too, though, Like I didn't

0:46:56.040 --> 0:46:57.040
<v Speaker 1>agree with this smoking.

0:46:56.840 --> 0:46:58.160
<v Speaker 2>The lobby more. I was like, hold on, hold on,

0:46:58.239 --> 0:47:02.319
<v Speaker 2>hold on, hold on, hold up to boss some type

0:47:02.320 --> 0:47:05.279
<v Speaker 2>of because some type of some type of But what

0:47:05.360 --> 0:47:05.880
<v Speaker 2>I thought.

0:47:05.719 --> 0:47:07.560
<v Speaker 1>About it is I'm like, okay, if this is an

0:47:07.600 --> 0:47:10.480
<v Speaker 1>eighteen years or older, okay, but that's not that's not it.

0:47:10.680 --> 0:47:13.800
<v Speaker 1>I want hotels where it's like a hip hop hotel,

0:47:14.120 --> 0:47:17.360
<v Speaker 1>which we're accepted, you know what I mean, Like like

0:47:17.520 --> 0:47:19.279
<v Speaker 1>and when we deserved that at this point, and we

0:47:19.480 --> 0:47:21.680
<v Speaker 1>have we have the bank, and we have the characters

0:47:21.719 --> 0:47:25.040
<v Speaker 1>to get behind a person like I always I always

0:47:25.080 --> 0:47:27.200
<v Speaker 1>said this, I always.

0:47:26.960 --> 0:47:27.759
<v Speaker 2>Wanted chrest One.

0:47:27.760 --> 0:47:30.120
<v Speaker 1>And we bring up Karris one and me and me

0:47:30.200 --> 0:47:32.880
<v Speaker 1>and him been fighting for the hip hop union forever.

0:47:33.520 --> 0:47:36.000
<v Speaker 1>I always would put the budget in Karos one hand

0:47:36.640 --> 0:47:36.880
<v Speaker 1>like this.

0:47:37.320 --> 0:47:39.360
<v Speaker 2>I would put it in Chris hands like this, like

0:47:39.440 --> 0:47:48.960
<v Speaker 2>it's sang for hip hop. Yeah, like Curtis Blue, Harris

0:47:49.040 --> 0:47:49.720
<v Speaker 2>One is involved.

0:47:51.120 --> 0:47:52.360
<v Speaker 9>So you know we're doing that.

0:47:52.480 --> 0:47:55.840
<v Speaker 1>There were in there, yea, because when you think about it,

0:47:56.080 --> 0:47:59.880
<v Speaker 1>the only other entertainment that doesn't have a union is boxing.

0:48:00.040 --> 0:48:00.960
<v Speaker 2>We're not that bootle bro.

0:48:02.400 --> 0:48:07.080
<v Speaker 12>Come on, is American worldwide culture now? Like everything is

0:48:07.920 --> 0:48:09.080
<v Speaker 12>influenced by hip hop?

0:48:09.200 --> 0:48:09.439
<v Speaker 10>Fact?

0:48:09.520 --> 0:48:12.840
<v Speaker 7>Yeah, the biggest cultural export from this country.

0:48:13.800 --> 0:48:17.239
<v Speaker 11>The country the country wave now that's out double hip

0:48:17.239 --> 0:48:21.360
<v Speaker 11>hop is a little it's trapped country now like that.

0:48:22.320 --> 0:48:24.799
<v Speaker 2>I love that. I love it. I love to think

0:48:24.840 --> 0:48:25.959
<v Speaker 2>about this hotel.

0:48:27.160 --> 0:48:34.040
<v Speaker 13>You see because because architect, you know, I'm like this,

0:48:36.320 --> 0:48:38.879
<v Speaker 13>but beyond that, beyond that, beyond the hotel.

0:48:39.360 --> 0:48:42.400
<v Speaker 1>Flag, the flag when you look at the establishment, like

0:48:42.719 --> 0:48:44.440
<v Speaker 1>what we look at the establishment.

0:48:44.480 --> 0:48:48.840
<v Speaker 2>If you see, uh a Jamaican flag, you know, I

0:48:49.080 --> 0:48:51.080
<v Speaker 2>this guy might have some good chicken, you know.

0:48:51.040 --> 0:48:53.040
<v Speaker 1>What I'm saying, Like like like you know what I'm saying,

0:48:53.120 --> 0:48:58.000
<v Speaker 1>like my bad Jamaicans a little good that's all we get.

0:48:58.440 --> 0:49:00.520
<v Speaker 1>Jamaica flag you mean like that, But you know what

0:49:00.560 --> 0:49:03.720
<v Speaker 1>I'm trying to say. So I always wanted to hip hop.

0:49:03.600 --> 0:49:06.279
<v Speaker 9>Flag like wherever we go, Like does Alchemists actually have

0:49:06.360 --> 0:49:07.680
<v Speaker 9>a hip hop There was a.

0:49:07.719 --> 0:49:09.759
<v Speaker 2>Hip hop hotel when he was staying at it, and

0:49:09.840 --> 0:49:11.320
<v Speaker 2>he told me, and I don't I don't know, I

0:49:11.320 --> 0:49:12.040
<v Speaker 2>don't know if he was.

0:49:12.280 --> 0:49:15.839
<v Speaker 1>It was actually called the hip hop he called okay,

0:49:16.000 --> 0:49:17.640
<v Speaker 1>but I walked in and we smoked, and I was like,

0:49:17.760 --> 0:49:20.520
<v Speaker 1>holy ship. But I knew what he meant because they

0:49:20.600 --> 0:49:23.560
<v Speaker 1>accepted our kind of like, oh no, I'm limited just

0:49:23.640 --> 0:49:26.760
<v Speaker 1>smoking that because that's that's like, you know, it's very simple,

0:49:26.840 --> 0:49:29.279
<v Speaker 1>but I'm saying it's totality.

0:49:29.560 --> 0:49:31.319
<v Speaker 2>What it meant was, Yo, you.

0:49:31.360 --> 0:49:34.239
<v Speaker 1>Want to a room, you would go through graffiti in

0:49:34.320 --> 0:49:36.719
<v Speaker 1>rue room, You'll go like DJ in run room.

0:49:36.760 --> 0:49:38.640
<v Speaker 2>And I was just like, oh, that's kind of like

0:49:39.000 --> 0:49:45.680
<v Speaker 2>that's crazy. Yeah, years ago. That is years ago. I

0:49:45.800 --> 0:49:47.640
<v Speaker 2>want to track back to the album.

0:49:47.360 --> 0:49:50.000
<v Speaker 7>Again, okay, because we're talking about how you guys were

0:49:50.040 --> 0:49:53.640
<v Speaker 7>experimenting making the music and it felt maybe different, right

0:49:53.719 --> 0:49:54.680
<v Speaker 7>than what was going on at the time.

0:49:54.800 --> 0:49:58.879
<v Speaker 2>How do you get a deal two years? Okay? My bad?

0:50:02.080 --> 0:50:04.879
<v Speaker 9>And you know everybody turned us down.

0:50:05.200 --> 0:50:07.480
<v Speaker 8>So and I often say this, I think you already

0:50:07.480 --> 0:50:10.560
<v Speaker 8>picked up on this, Like we we shopped everywhere, you

0:50:10.640 --> 0:50:13.399
<v Speaker 8>know what I'm saying, But they just was turning us down.

0:50:13.440 --> 0:50:15.200
<v Speaker 8>And there was no labels in Atlanta at the time.

0:50:15.280 --> 0:50:18.759
<v Speaker 8>This was before La Face La Face South came soon

0:50:18.840 --> 0:50:22.120
<v Speaker 8>after us, but there was no labels that was doing

0:50:22.200 --> 0:50:24.160
<v Speaker 8>hip hop at the time. So you it was a

0:50:24.239 --> 0:50:27.680
<v Speaker 8>tough It was a tough you know road, and only

0:50:27.800 --> 0:50:31.120
<v Speaker 8>one label, which is Chrysalis, took a chance on us,

0:50:31.440 --> 0:50:32.759
<v Speaker 8>and they didn't give us an album deal.

0:50:32.800 --> 0:50:33.799
<v Speaker 9>They gave us a single deal.

0:50:33.840 --> 0:50:37.320
<v Speaker 8>The first deal was for mister Wendell with a B

0:50:37.480 --> 0:50:41.360
<v Speaker 8>side of Natural and this wasn't created yet, this song Wow.

0:50:41.640 --> 0:50:43.439
<v Speaker 9>So we signed that deal.

0:50:44.400 --> 0:50:46.520
<v Speaker 8>And I don't even know if y'all know this part

0:50:46.600 --> 0:50:51.440
<v Speaker 8>because my mom told me I had two years to

0:50:51.600 --> 0:50:53.840
<v Speaker 8>try to make it in the rest of development in Atlanta,

0:50:54.080 --> 0:50:56.439
<v Speaker 8>and if I didn't make it, she said, you're coming

0:50:56.520 --> 0:50:59.279
<v Speaker 8>back to Milwaukee and you're going to school. We didn't

0:50:59.320 --> 0:51:01.239
<v Speaker 8>make it into year, which is why that three years

0:51:02.520 --> 0:51:05.960
<v Speaker 8>school teacher, right she was, and you know that publisher

0:51:06.040 --> 0:51:09.960
<v Speaker 8>this paper, and so two years it didn't happen. So

0:51:10.080 --> 0:51:12.640
<v Speaker 8>I went back to Milwaukee, and that's why we ended

0:51:12.719 --> 0:51:15.200
<v Speaker 8>up recording in Milwaukee. We got the single deal three

0:51:15.280 --> 0:51:18.880
<v Speaker 8>years five months and we got that single deal and

0:51:19.080 --> 0:51:21.799
<v Speaker 8>we ended up recording the album in Milwaukee, and then

0:51:21.920 --> 0:51:24.279
<v Speaker 8>that single you Know a Little, the last thing.

0:51:24.239 --> 0:51:25.760
<v Speaker 9>We did and that was in Atlanta.

0:51:26.280 --> 0:51:26.799
<v Speaker 2>The album was.

0:51:28.400 --> 0:51:29.279
<v Speaker 5>What speech was saying.

0:51:29.560 --> 0:51:31.799
<v Speaker 10>I think we did a lot of shows, like back then,

0:51:31.840 --> 0:51:33.280
<v Speaker 10>it was a lot of showcases and stuff.

0:51:33.400 --> 0:51:35.400
<v Speaker 5>We performed all the time.

0:51:35.440 --> 0:51:38.160
<v Speaker 9>All the time. Every weekend shows we did V one on.

0:51:38.200 --> 0:51:42.200
<v Speaker 10>Three would have like stuff like that, we didn't do them,

0:51:42.440 --> 0:51:44.719
<v Speaker 10>and so we were constantly like performing. We used to

0:51:44.800 --> 0:51:48.120
<v Speaker 10>rehearse eight hours a day, and at this place called rehearse.

0:51:47.920 --> 0:51:49.480
<v Speaker 5>Too much, and so.

0:51:52.360 --> 0:51:59.000
<v Speaker 2>Yeah, yeah, jam.

0:51:59.239 --> 0:52:02.000
<v Speaker 10>We started going to crossovers and rehearsing there all the time.

0:52:02.040 --> 0:52:04.120
<v Speaker 10>I think we were the first hip hop out of

0:52:04.200 --> 0:52:06.880
<v Speaker 10>crossover studios, So I think that.

0:52:06.960 --> 0:52:08.680
<v Speaker 5>Has something to do with it too. And then I

0:52:08.760 --> 0:52:10.680
<v Speaker 5>remember the year we did Jack the Rappers.

0:52:11.360 --> 0:52:13.880
<v Speaker 10>So we did Jack the Rappers, and I remember when

0:52:13.920 --> 0:52:16.480
<v Speaker 10>we did the performance, no one was in the room.

0:52:17.200 --> 0:52:25.279
<v Speaker 5>No woman, no one heard, no one was. Let me

0:52:25.440 --> 0:52:27.360
<v Speaker 5>tell you the power of the of the.

0:52:27.480 --> 0:52:35.400
<v Speaker 10>Music vibrationally, we started playing one by one, then Naughty

0:52:35.440 --> 0:52:37.160
<v Speaker 10>by Nature, I mean.

0:52:37.120 --> 0:52:39.880
<v Speaker 9>And after the whole room was just packed out with

0:52:40.160 --> 0:52:42.040
<v Speaker 9>just these people that we look up to.

0:52:45.400 --> 0:52:48.040
<v Speaker 2>And this is the first time you're performing as Atlanta Group.

0:52:48.360 --> 0:52:56.959
<v Speaker 10>Well yeah, and so after that, that's when I feel

0:52:57.040 --> 0:52:58.520
<v Speaker 10>like everything kind of just took off.

0:52:59.000 --> 0:53:01.080
<v Speaker 9>It was a very raw show.

0:53:02.200 --> 0:53:02.840
<v Speaker 2>It was it was.

0:53:03.080 --> 0:53:05.880
<v Speaker 10>It was a beautiful, vibrational thing. And I want to

0:53:05.920 --> 0:53:09.440
<v Speaker 10>say the rest of open to me. We always have

0:53:09.640 --> 0:53:12.040
<v Speaker 10>that vibrational energy, like when we come on stage.

0:53:12.120 --> 0:53:13.360
<v Speaker 5>I think it moves.

0:53:14.600 --> 0:53:19.080
<v Speaker 1>About y'all, me doing the research and seeing flyers and

0:53:19.200 --> 0:53:21.239
<v Speaker 1>seeing y'all. Like some cases the groups, I was like

0:53:21.760 --> 0:53:24.000
<v Speaker 1>they was there was the logical people tonight.

0:53:26.320 --> 0:53:28.400
<v Speaker 2>Everybody had to see you like this is now that

0:53:28.480 --> 0:53:29.160
<v Speaker 2>we're good? Yeah?

0:53:29.239 --> 0:53:30.319
<v Speaker 10>You know that good?

0:53:30.480 --> 0:53:37.919
<v Speaker 2>Yeah? So how about Easy? I was your ladyship with Easy?

0:53:38.280 --> 0:53:38.960
<v Speaker 9>I never met you?

0:53:39.040 --> 0:53:40.840
<v Speaker 2>Never met Easy? Okay, I never met Easier?

0:53:41.480 --> 0:53:42.480
<v Speaker 9>Did y'all have you all met?

0:53:42.719 --> 0:53:43.080
<v Speaker 2>Okay?

0:53:43.160 --> 0:53:43.640
<v Speaker 9>I met you?

0:53:44.120 --> 0:53:47.840
<v Speaker 2>Okay? And that was interesting? Okay because wait, wait, what

0:53:47.960 --> 0:53:50.160
<v Speaker 2>about the airport? Wasn't that Easy at the airport?

0:53:50.480 --> 0:53:50.920
<v Speaker 14>Tell me more?

0:53:51.040 --> 0:53:53.120
<v Speaker 9>Maybe we were.

0:53:53.120 --> 0:53:57.480
<v Speaker 3>Walking in the airport one time and they were together.

0:53:57.760 --> 0:54:00.920
<v Speaker 3>This is when all the together can walk because they

0:54:01.000 --> 0:54:01.440
<v Speaker 3>were gangster.

0:54:01.560 --> 0:54:03.279
<v Speaker 2>We like, you know, we ain't know what we can

0:54:03.320 --> 0:54:07.239
<v Speaker 2>speak about. We got going, you know, you're in an air.

0:54:07.480 --> 0:54:11.080
<v Speaker 3>Going in the morning, and I think it was easy

0:54:11.160 --> 0:54:13.239
<v Speaker 3>to say why they're to speak to us because he

0:54:13.320 --> 0:54:13.960
<v Speaker 3>knew it was us.

0:54:14.840 --> 0:54:17.560
<v Speaker 2>Somebody came and got us and we walked back. Okay,

0:54:17.640 --> 0:54:20.640
<v Speaker 2>I didn't know that all right, So we walked back.

0:54:21.000 --> 0:54:22.680
<v Speaker 2>We said was something that we went on the car.

0:54:22.960 --> 0:54:25.400
<v Speaker 8>We definitely see I'm a huge fan of n W A,

0:54:26.160 --> 0:54:28.880
<v Speaker 8>like a huge fan, so I mean, for me, it was.

0:54:29.560 --> 0:54:33.759
<v Speaker 8>But I will say I now get what at that

0:54:33.960 --> 0:54:36.480
<v Speaker 8>time period, we were sort of pitted against gangst to

0:54:36.560 --> 0:54:39.560
<v Speaker 8>hip hop, and I think it was mistaken because I

0:54:39.600 --> 0:54:41.920
<v Speaker 8>would get on stage and say a lot of our

0:54:42.000 --> 0:54:44.840
<v Speaker 8>peers are calling black women bitches and holes.

0:54:45.239 --> 0:54:48.280
<v Speaker 9>We're not down with that. But we weren't saying anything

0:54:48.400 --> 0:54:50.719
<v Speaker 9>bad about those that were down with that. We're just

0:54:50.800 --> 0:54:53.160
<v Speaker 9>saying we're not down. We're trying to do something different.

0:54:53.239 --> 0:54:56.399
<v Speaker 8>But I understand how that could have been misconstrued as

0:54:56.520 --> 0:54:59.320
<v Speaker 8>like we're dissing you know, anybody that's not you know

0:54:59.360 --> 0:55:02.000
<v Speaker 8>what I'm saying, Like absolutely, So I think I think

0:55:02.080 --> 0:55:04.440
<v Speaker 8>that's why we were probably in a in a zone

0:55:04.480 --> 0:55:07.000
<v Speaker 8>of are we speaking like are we cool?

0:55:07.080 --> 0:55:07.200
<v Speaker 9>You know?

0:55:07.239 --> 0:55:07.640
<v Speaker 2>What I'm saying.

0:55:07.800 --> 0:55:09.799
<v Speaker 7>It's funny you said, because we had come on last

0:55:09.840 --> 0:55:11.600
<v Speaker 7>week and I didn't know that he was on the

0:55:11.760 --> 0:55:13.360
<v Speaker 7>n w A tour with play and.

0:55:18.160 --> 0:55:20.000
<v Speaker 2>I was like, this is this just makes so much sense.

0:55:20.040 --> 0:55:24.560
<v Speaker 2>We just literally had said you come up with I.

0:55:26.040 --> 0:55:28.640
<v Speaker 9>Mean it's a master like a boy Jains.

0:55:31.520 --> 0:55:31.680
<v Speaker 2>Yeah.

0:55:31.760 --> 0:55:33.320
<v Speaker 8>For us, it was, you know, it was it was

0:55:33.360 --> 0:55:37.160
<v Speaker 8>a little and plus our song people every day, I

0:55:37.360 --> 0:55:40.560
<v Speaker 8>said in a lyric and I in ice Cube, but

0:55:40.719 --> 0:55:42.560
<v Speaker 8>I had to take the brother out for being rude

0:55:43.760 --> 0:55:48.600
<v Speaker 8>and to read. One of our members said who and

0:55:48.719 --> 0:55:50.840
<v Speaker 8>she knew who he was. But so that was that

0:55:51.480 --> 0:55:53.879
<v Speaker 8>I think came off to ice Cube is like maybe

0:55:53.920 --> 0:55:57.040
<v Speaker 8>a disc And so when when we when I met him,

0:55:57.480 --> 0:55:58.960
<v Speaker 8>we were at one of the award shows and I

0:55:59.040 --> 0:56:01.080
<v Speaker 8>met him and he didn't want to speak, so he

0:56:01.239 --> 0:56:01.680
<v Speaker 8>just gave me.

0:56:01.760 --> 0:56:03.840
<v Speaker 9>That that famous ice cube.

0:56:03.840 --> 0:56:15.600
<v Speaker 2>Look up. It was all good and I seen the record.

0:56:15.640 --> 0:56:20.799
<v Speaker 7>For people that don't understand what's.

0:56:18.760 --> 0:56:21.880
<v Speaker 12>Interesting about that time was I was in California at

0:56:21.920 --> 0:56:26.120
<v Speaker 12>my dad's school and arrested. Development was at the heights

0:56:26.239 --> 0:56:29.759
<v Speaker 12>of it. And because of the type of messaging that

0:56:30.000 --> 0:56:32.440
<v Speaker 12>was like the set, because it was we was listening

0:56:32.480 --> 0:56:37.400
<v Speaker 12>to all the ice tea ice cube and my brother, who's.

0:56:37.320 --> 0:56:39.400
<v Speaker 6>Years older than me, he was all into that.

0:56:40.080 --> 0:56:43.279
<v Speaker 12>So it was kind of like refreshing to have hip

0:56:43.360 --> 0:56:47.120
<v Speaker 12>hop that was also okay for nine year old me

0:56:47.560 --> 0:56:48.279
<v Speaker 12>to be listening to.

0:56:48.440 --> 0:56:51.960
<v Speaker 6>And we was listening to all of it. But then

0:56:52.040 --> 0:56:53.040
<v Speaker 6>when MTV.

0:56:52.920 --> 0:56:57.040
<v Speaker 12>Came out and videos, was like, okay, now we're finn

0:56:57.040 --> 0:57:00.719
<v Speaker 12>to see what these groups look like. And you see

0:57:00.760 --> 0:57:02.919
<v Speaker 12>the group and they're in the rural countries and they're

0:57:02.960 --> 0:57:05.440
<v Speaker 12>driving to pick up I'm you know, we're going back

0:57:05.480 --> 0:57:06.239
<v Speaker 12>and forth from l.

0:57:06.239 --> 0:57:06.920
<v Speaker 9>A to Georgia.

0:57:07.520 --> 0:57:12.600
<v Speaker 12>So in l A you got the snoops and the

0:57:12.760 --> 0:57:15.440
<v Speaker 12>you know, the l A vibe, and then you got

0:57:15.520 --> 0:57:17.840
<v Speaker 12>Atlanta and and you being.

0:57:17.720 --> 0:57:20.960
<v Speaker 6>There you know what it's like, but you know the difference.

0:57:21.000 --> 0:57:22.840
<v Speaker 6>But it was like, wow, I can relate to this.

0:57:23.440 --> 0:57:26.080
<v Speaker 2>I see, that's what I want.

0:57:26.640 --> 0:57:29.680
<v Speaker 6>That's because in all the other wrap, you gotta end

0:57:29.800 --> 0:57:33.560
<v Speaker 6>up up uh. To our Crew, my brother loved to

0:57:33.960 --> 0:57:34.640
<v Speaker 6>to our Crew.

0:57:37.280 --> 0:57:44.520
<v Speaker 12>The album cover, we're growing up where you had to

0:57:44.600 --> 0:57:47.080
<v Speaker 12>be yeah, and you have to be you know, more

0:57:47.240 --> 0:57:50.880
<v Speaker 12>conscious of females, queendom and all that, and that's what

0:57:51.000 --> 0:57:51.880
<v Speaker 12>this group represented.

0:57:51.920 --> 0:57:54.480
<v Speaker 2>So my my dad, my stepdad was to tell you.

0:57:54.520 --> 0:57:57.080
<v Speaker 12>It's like, Okay, yeah I saw and I was like,

0:57:59.200 --> 0:58:01.600
<v Speaker 12>we can still be hip hop and not represent that.

0:58:03.240 --> 0:58:07.240
<v Speaker 2>Women right now? Whoever is is that rhapsody?

0:58:07.800 --> 0:58:11.160
<v Speaker 1>Yeah, we love big fan of rap that comes from

0:58:11.280 --> 0:58:13.600
<v Speaker 1>from direct from this lenient.

0:58:14.400 --> 0:58:16.040
<v Speaker 7>I mean, I think the best, in my opinion, the

0:58:16.120 --> 0:58:18.640
<v Speaker 7>best place for hip hop is when there's balance.

0:58:18.320 --> 0:58:21.320
<v Speaker 2>In hip hop. Which is that balance?

0:58:22.480 --> 0:58:22.840
<v Speaker 9>Definitely?

0:58:23.320 --> 0:58:27.640
<v Speaker 12>Yeah, you point about having the the hip hop kind

0:58:27.640 --> 0:58:28.280
<v Speaker 12>of coalition.

0:58:28.400 --> 0:58:30.360
<v Speaker 11>It's like you can represent all of it and give

0:58:30.400 --> 0:58:32.280
<v Speaker 11>it balance that you don't right now.

0:58:32.360 --> 0:58:34.440
<v Speaker 6>It's so one sided. You only hear one see that.

0:58:34.680 --> 0:58:36.840
<v Speaker 8>That's what I liked about those tours that Kwame was

0:58:36.880 --> 0:58:39.800
<v Speaker 8>talking about, Like we were all touring with each other.

0:58:40.000 --> 0:58:43.560
<v Speaker 2>You know, agredible to me, same tours.

0:58:43.600 --> 0:58:46.680
<v Speaker 8>You know what I'm saying, different region life and everybody

0:58:46.720 --> 0:58:48.640
<v Speaker 8>represents exactly.

0:58:48.640 --> 0:58:53.320
<v Speaker 12>I introducing every crowd a different thing. And so now

0:58:53.360 --> 0:58:55.520
<v Speaker 12>if you weren't a fan of this or that when

0:58:55.520 --> 0:58:56.720
<v Speaker 12>you got there, now you are.

0:58:58.120 --> 0:59:02.200
<v Speaker 2>Yeah we did. That was in Alaska. Oh Ship white

0:59:02.240 --> 0:59:05.240
<v Speaker 2>Clapp was on the bill. Okay, he's opening for us.

0:59:05.440 --> 0:59:09.640
<v Speaker 5>Wow, you're shouting from the stage, arrested the unups contixt.

0:59:09.880 --> 0:59:12.920
<v Speaker 2>Who's we wanted to be him. I can see it

0:59:13.040 --> 0:59:13.439
<v Speaker 2>for them.

0:59:13.560 --> 0:59:16.800
<v Speaker 5>It's like we model ourselves after arrested the untain.

0:59:16.800 --> 0:59:18.600
<v Speaker 2>He's telling the audiences, so you can clearly see.

0:59:20.000 --> 0:59:21.560
<v Speaker 1>Yeah, a couple of years later, we can do a

0:59:21.600 --> 0:59:24.880
<v Speaker 1>show with the Black Eyed Bes in Jerusalem. Wow, the

0:59:24.920 --> 0:59:27.400
<v Speaker 1>last time of all back stage speech man, we wanted

0:59:27.440 --> 0:59:29.240
<v Speaker 1>to be you guys when we started.

0:59:29.720 --> 0:59:31.120
<v Speaker 2>We wanted model.

0:59:36.000 --> 0:59:36.320
<v Speaker 9>The rest.

0:59:37.480 --> 0:59:39.360
<v Speaker 1>I can see it, and not only that, you could

0:59:39.400 --> 0:59:42.640
<v Speaker 1>see even like you know the Pharrals, you know what

0:59:42.680 --> 0:59:45.560
<v Speaker 1>I mean, which which is for my solo career, which

0:59:45.640 --> 0:59:47.960
<v Speaker 1>means that I might not exist without me and his

0:59:48.120 --> 0:59:53.240
<v Speaker 1>commodity together. And so you can see, like I said,

0:59:53.360 --> 0:59:55.360
<v Speaker 1>for lack of a better terms, we can see your sons.

0:59:55.520 --> 0:59:56.080
<v Speaker 2>You know what I'm saying.

0:59:57.080 --> 0:59:57.680
<v Speaker 15>But not I'm not.

0:59:57.720 --> 0:59:58.600
<v Speaker 2>I'm not justing nobody.

1:00:00.080 --> 1:00:03.160
<v Speaker 1>And but I think they'll agree with it too, because

1:00:03.240 --> 1:00:06.959
<v Speaker 1>like that was like that was one of the first

1:00:07.120 --> 1:00:10.760
<v Speaker 1>feel good hip hop moments for me, Like watching the

1:00:10.800 --> 1:00:12.760
<v Speaker 1>rest of the better, watching what you guys are doing.

1:00:12.800 --> 1:00:16.560
<v Speaker 1>And then here's here's what I wanted to know as

1:00:16.600 --> 1:00:20.560
<v Speaker 1>a personal question, one thing about me, Helen like super

1:00:20.640 --> 1:00:23.040
<v Speaker 1>Doug what what what what? And then I come out

1:00:23.080 --> 1:00:27.080
<v Speaker 1>with another record. Oh well, let's not super dumb, and

1:00:27.200 --> 1:00:30.160
<v Speaker 1>then cool I come out with Grimy and well, let's

1:00:30.160 --> 1:00:31.840
<v Speaker 1>not super don and I come up with home Boy,

1:00:31.960 --> 1:00:33.760
<v Speaker 1>I Can't a Body finally, and they're like, all right,

1:00:33.760 --> 1:00:35.360
<v Speaker 1>that's better than super dumb, but is it? And then

1:00:35.360 --> 1:00:36.840
<v Speaker 1>I come up with the next record and that's not.

1:00:38.400 --> 1:00:41.600
<v Speaker 1>I gotta keep doing. Like you guys have major hits?

1:00:42.680 --> 1:00:47.760
<v Speaker 1>Were you guys like what is it of your own success?

1:00:48.320 --> 1:00:50.400
<v Speaker 2>Like you know what I mean? Because like when you

1:00:50.560 --> 1:00:51.640
<v Speaker 2>met a year, watched it.

1:00:51.680 --> 1:00:55.479
<v Speaker 1>Because you make Tennessee and then you know, you drop

1:00:55.480 --> 1:00:57.240
<v Speaker 1>another record and they're like, well, it's not tennis.

1:00:58.080 --> 1:00:59.480
<v Speaker 2>It's like you can't be tennis.

1:01:00.280 --> 1:01:01.080
<v Speaker 5>We're not trying.

1:01:02.520 --> 1:01:02.880
<v Speaker 14>To do that.

1:01:05.760 --> 1:01:09.280
<v Speaker 1>So like like like of course or lustrious career, but

1:01:09.360 --> 1:01:12.480
<v Speaker 1>you guys got these these super major records.

1:01:12.520 --> 1:01:15.520
<v Speaker 2>That does it haunt you? You know what I'm saying?

1:01:15.880 --> 1:01:18.160
<v Speaker 2>It does for me because I got you ton't me so.

1:01:19.400 --> 1:01:24.400
<v Speaker 8>Because it's haunted because you're wondering if if the fans

1:01:24.640 --> 1:01:27.880
<v Speaker 8>ever let you get past that particular thing and really

1:01:27.960 --> 1:01:30.720
<v Speaker 8>embrace this thing which you're excited about, like you're in

1:01:30.800 --> 1:01:32.520
<v Speaker 8>this moment now, you know what I'm saying. So it's

1:01:32.520 --> 1:01:35.080
<v Speaker 8>not like you don't appreciate that moment, but you're in

1:01:35.160 --> 1:01:35.680
<v Speaker 8>this moment.

1:01:36.000 --> 1:01:38.360
<v Speaker 1>They don't sometimes let us go to that moment exactly,

1:01:38.400 --> 1:01:39.920
<v Speaker 1>I see you having to say. Or the other day

1:01:39.960 --> 1:01:42.760
<v Speaker 1>he said, you know what, I realized your fans are

1:01:42.800 --> 1:01:43.440
<v Speaker 1>like your parents.

1:01:43.480 --> 1:01:48.680
<v Speaker 2>They don't want you to grow up sometimes. You know

1:01:48.720 --> 1:01:52.120
<v Speaker 2>what I'm saying. You know that's what something to and

1:01:53.760 --> 1:01:55.400
<v Speaker 2>think about it. If you think about it, that's.

1:01:55.320 --> 1:01:58.840
<v Speaker 1>Their selfish needs because they don't want to grow up.

1:01:58.880 --> 1:02:00.440
<v Speaker 2>They don't that time and.

1:02:00.440 --> 1:02:03.680
<v Speaker 1>That you understand that time and that life was so perfect,

1:02:04.040 --> 1:02:05.280
<v Speaker 1>and they're like, why are you growing?

1:02:05.360 --> 1:02:07.840
<v Speaker 2>Why are you wear a suit? Now? Can you go

1:02:07.960 --> 1:02:12.840
<v Speaker 2>back to the plea? I can't wear a suit one time,

1:02:13.120 --> 1:02:14.560
<v Speaker 2>but you can put it on a tux.

1:02:14.760 --> 1:02:16.000
<v Speaker 9>But I like what jay Z said.

1:02:16.000 --> 1:02:18.920
<v Speaker 8>He said in one of his lyrics, basically like if

1:02:18.960 --> 1:02:20.840
<v Speaker 8>you want to listen to that, go back to that stuff.

1:02:20.960 --> 1:02:22.760
<v Speaker 9>But this is what I'm doing now, Like why did

1:02:22.840 --> 1:02:24.160
<v Speaker 9>I go back? You know what I'm saying? Like it

1:02:24.240 --> 1:02:26.840
<v Speaker 9>was Blue playing three, he was talking about that, Yeah,

1:02:27.480 --> 1:02:29.080
<v Speaker 9>what we talk about. I think that was the song.

1:02:29.360 --> 1:02:34.240
<v Speaker 1>Yeah, yeah, But you have been haunted by this definitely. Okay,

1:02:34.560 --> 1:02:36.280
<v Speaker 1>not only through the record labels, but through the fans

1:02:36.360 --> 1:02:37.800
<v Speaker 1>to the fans questions.

1:02:37.880 --> 1:02:38.600
<v Speaker 9>You know what I'm saying.

1:02:38.560 --> 1:02:41.240
<v Speaker 12>When you're doing the show and you start the show,

1:02:41.960 --> 1:02:58.200
<v Speaker 12>start the show, and.

1:02:58.320 --> 1:03:01.320
<v Speaker 1>Y'all got major, like y'all should have major major, Like

1:03:02.360 --> 1:03:05.640
<v Speaker 1>with all love and respect to y'all, like y'all broke

1:03:05.800 --> 1:03:08.440
<v Speaker 1>genres of music like like it was.

1:03:08.680 --> 1:03:09.000
<v Speaker 16>It was.

1:03:10.520 --> 1:03:13.200
<v Speaker 1>It's still a hip hop record, but it was played

1:03:13.320 --> 1:03:16.840
<v Speaker 1>and it was like everywhere you went you heard this record,

1:03:16.880 --> 1:03:18.520
<v Speaker 1>you know what I mean, Like no matter where, it

1:03:18.560 --> 1:03:22.160
<v Speaker 1>didn't matter what part you was at or whatever. So

1:03:22.840 --> 1:03:25.040
<v Speaker 1>I know how hard that ship is and people come

1:03:25.080 --> 1:03:27.320
<v Speaker 1>out like you know. I had one dude one time

1:03:27.360 --> 1:03:30.520
<v Speaker 1>I was performing It's about me. He was like bloody money.

1:03:30.680 --> 1:03:38.800
<v Speaker 1>I was like, the fuck man, like bloody money and

1:03:39.720 --> 1:03:42.000
<v Speaker 1>no disrespect. So I couldn't tell you this disrespect.

1:03:42.120 --> 1:03:43.400
<v Speaker 2>But it's like you got to shut up.

1:03:45.040 --> 1:03:49.280
<v Speaker 1>But okay, so okay, flowers, man, listen. The show was

1:03:49.280 --> 1:03:51.880
<v Speaker 1>about giving people they flowers appreciate.

1:03:52.160 --> 1:03:55.200
<v Speaker 2>Man. I'm really like, man, you guys, what you did.

1:03:55.200 --> 1:03:57.920
<v Speaker 1>Is legendary, but you continue to do is legendary. I

1:03:58.040 --> 1:03:59.560
<v Speaker 1>love the fact that y'all still in the row.

1:04:00.040 --> 1:04:00.400
<v Speaker 2>Other facts.

1:04:00.400 --> 1:04:02.200
<v Speaker 1>It was like, yeah, they're gonna do sound check, right,

1:04:02.200 --> 1:04:06.560
<v Speaker 1>now I said, damn, still, you told her like a wrestler.

1:04:06.600 --> 1:04:08.200
<v Speaker 6>Let's do that like.

1:04:12.920 --> 1:04:19.880
<v Speaker 2>Ste yes, yes, literal flowers.

1:04:23.640 --> 1:04:32.520
<v Speaker 9>Yeah, this is crazy, ridiculous, it's better than you know.

1:04:32.560 --> 1:04:33.400
<v Speaker 2>It's not a graphic, but.

1:04:37.400 --> 1:04:42.040
<v Speaker 1>Because what you did is really really legendarius, ground breaking.

1:04:42.240 --> 1:04:43.960
<v Speaker 9>I mean, I need to give you all these because.

1:04:43.720 --> 1:04:52.520
<v Speaker 2>You know, yeah, don't take yeah, but write my car.

1:04:54.680 --> 1:04:55.280
<v Speaker 2>This is gonna be.

1:04:55.520 --> 1:04:59.160
<v Speaker 1>This is crazy what you did, and y'all continue to do.

1:05:00.840 --> 1:05:01.640
<v Speaker 1>It's legendary.

1:05:01.760 --> 1:05:05.040
<v Speaker 2>Man. We all owe you, you know, hip hop owes you.

1:05:05.640 --> 1:05:06.520
<v Speaker 2>Or the fact that y'all.

1:05:06.400 --> 1:05:09.920
<v Speaker 1>Stayed down, the fact that y'all stayed family. Yeah, that

1:05:10.200 --> 1:05:11.680
<v Speaker 1>that is the first thing is.

1:05:13.440 --> 1:05:15.360
<v Speaker 2>People people can't stay together two months.

1:05:18.440 --> 1:05:31.000
<v Speaker 1>You've been together for decades. That's beautiful. And I'm not

1:05:31.120 --> 1:05:33.200
<v Speaker 1>saying that to people to to just them. I'm saying

1:05:33.240 --> 1:05:35.440
<v Speaker 1>that to people to here goes an example that you

1:05:35.480 --> 1:05:36.560
<v Speaker 1>can you can actually do this.

1:05:37.400 --> 1:05:39.160
<v Speaker 2>And here's a question I want to ask you.

1:05:39.400 --> 1:05:44.880
<v Speaker 1>Right, you know, all the time the record labels would

1:05:45.480 --> 1:05:48.360
<v Speaker 1>would always see that the guy artist, they call him

1:05:48.360 --> 1:05:50.440
<v Speaker 1>the lead artists and call him the you know, the

1:05:50.520 --> 1:05:53.320
<v Speaker 1>producer or whatever, and they always try to get him away, right,

1:05:53.920 --> 1:05:57.160
<v Speaker 1>They always say, yo, you know what you can do

1:05:57.800 --> 1:05:59.880
<v Speaker 1>the rest of development, But what do you think of

1:06:00.000 --> 1:06:02.680
<v Speaker 1>about doing your own solo and doing your own and

1:06:02.800 --> 1:06:04.680
<v Speaker 1>breaking off and you doing that?

1:06:07.400 --> 1:06:09.760
<v Speaker 2>What made you not anticipate doing something like that?

1:06:11.920 --> 1:06:15.320
<v Speaker 9>You know, It's funny because there was a lot of

1:06:15.360 --> 1:06:17.560
<v Speaker 9>that going on, but on a micro level.

1:06:17.680 --> 1:06:22.560
<v Speaker 8>So like at photo shoots, you would see the photographers say, hey, speech,

1:06:22.640 --> 1:06:24.800
<v Speaker 8>come up to the front, come to the middle, do this,

1:06:25.000 --> 1:06:27.880
<v Speaker 8>do that, headliner, you go back to the back, you know,

1:06:28.000 --> 1:06:28.960
<v Speaker 8>like and.

1:06:30.600 --> 1:06:33.200
<v Speaker 9>Those kind of things was happening all the time. I

1:06:33.240 --> 1:06:35.840
<v Speaker 9>don't think the label ever told me to try to.

1:06:35.840 --> 1:06:37.720
<v Speaker 8>Do a solo career. I did do a solo career,

1:06:37.760 --> 1:06:40.680
<v Speaker 8>but it was after we took a break. We took

1:06:40.720 --> 1:06:43.200
<v Speaker 8>a break from ninety five to two thousand. During that

1:06:43.360 --> 1:06:45.800
<v Speaker 8>time period, I did start a solo career, but the

1:06:45.920 --> 1:06:49.560
<v Speaker 8>label didn't push me to do that. So I would

1:06:49.600 --> 1:06:52.720
<v Speaker 8>say that from a group perspective, I don't think they

1:06:52.760 --> 1:06:55.560
<v Speaker 8>ever really the label ever really tried to make it like,

1:06:56.160 --> 1:06:58.200
<v Speaker 8>you know, a speech thing or a headliner thing.

1:06:58.440 --> 1:07:01.720
<v Speaker 10>I don't remember that, you know, Okay, yeah, I mean

1:07:01.800 --> 1:07:03.600
<v Speaker 10>we had we definitely had our issues.

1:07:04.160 --> 1:07:06.200
<v Speaker 9>Oh yeah, definitely had issues.

1:07:07.560 --> 1:07:13.560
<v Speaker 10>But I think what's so important is just getting together

1:07:13.760 --> 1:07:17.160
<v Speaker 10>and talking things through speech. And I like a few

1:07:17.200 --> 1:07:20.760
<v Speaker 10>months back, we had a beautiful conversation about the earlier

1:07:20.920 --> 1:07:23.880
<v Speaker 10>years because I've known this man since I was thirteen

1:07:24.000 --> 1:07:28.040
<v Speaker 10>years old. So it's like it's kind of those type

1:07:28.040 --> 1:07:31.280
<v Speaker 10>of relationships regardless of what you go through, you're gonna

1:07:31.320 --> 1:07:35.400
<v Speaker 10>make it. You're gonna make it and so and we've

1:07:35.400 --> 1:07:39.920
<v Speaker 10>been able. Like now my role position, so to speak,

1:07:40.040 --> 1:07:42.919
<v Speaker 10>is I've been doing a lot of stuff behind the scene,

1:07:42.960 --> 1:07:44.160
<v Speaker 10>producing with speech on.

1:07:44.360 --> 1:07:47.600
<v Speaker 5>Videos and you give what I mean, and so and

1:07:48.720 --> 1:07:49.240
<v Speaker 5>and rise.

1:07:49.320 --> 1:07:53.480
<v Speaker 10>You know, we do like special shows because we're you know,

1:07:53.600 --> 1:07:55.640
<v Speaker 10>two of the original members, so we have special shows

1:07:55.680 --> 1:07:57.560
<v Speaker 10>with a group and I just am so grateful for

1:07:57.640 --> 1:08:00.960
<v Speaker 10>these people here that are continued in the legacy and

1:08:01.120 --> 1:08:04.440
<v Speaker 10>keep us right. So I mean, it's just at the

1:08:04.560 --> 1:08:08.520
<v Speaker 10>end of the day, it's so important to just come

1:08:08.600 --> 1:08:13.080
<v Speaker 10>together and heal. And I think we had a lot

1:08:13.120 --> 1:08:16.000
<v Speaker 10>of time to heal over the years. You know, speech,

1:08:16.360 --> 1:08:18.840
<v Speaker 10>you know, I know, he if you're okay, I know

1:08:19.160 --> 1:08:21.840
<v Speaker 10>I notice been publics, but he was sick and sometimes

1:08:22.880 --> 1:08:25.840
<v Speaker 10>you know, I've been I'm a breast cancer survivor, have

1:08:25.920 --> 1:08:27.599
<v Speaker 10>been through different things and when.

1:08:27.479 --> 1:08:29.360
<v Speaker 5>You when you face things like that in life.

1:08:29.439 --> 1:08:32.040
<v Speaker 10>You like, you know what, my little tiff with him

1:08:32.160 --> 1:08:36.240
<v Speaker 10>or her, it really ain't that important. What's important that

1:08:36.760 --> 1:08:38.840
<v Speaker 10>you know, we we can feel good about being in

1:08:38.920 --> 1:08:41.360
<v Speaker 10>each other's space and really loving each other for really,

1:08:41.840 --> 1:08:44.240
<v Speaker 10>you know, like genuinely really loving each other and caring.

1:08:44.320 --> 1:08:47.400
<v Speaker 1>Because the one thing that seems like your group has

1:08:47.479 --> 1:08:51.840
<v Speaker 1>expanded absolutely as opposed that, like most people like they

1:08:51.960 --> 1:08:53.800
<v Speaker 1>get trapped in this industry and they say, you know what,

1:08:54.000 --> 1:08:54.360
<v Speaker 1>I got to.

1:08:54.320 --> 1:08:59.360
<v Speaker 2>Split the pot four ways, yea. And the fact is, like, that's.

1:08:59.240 --> 1:09:01.840
<v Speaker 1>Why I broke up to a freaking family thing is

1:09:01.920 --> 1:09:04.240
<v Speaker 1>because I feel like it's I feel like to y'all

1:09:05.040 --> 1:09:07.080
<v Speaker 1>outside of looking at the inside of looking out, I

1:09:07.160 --> 1:09:10.240
<v Speaker 1>feel like family is more deeply rooted into y'all.

1:09:11.080 --> 1:09:14.680
<v Speaker 8>Really important with us. It's a big deal with us. Vibrations,

1:09:14.760 --> 1:09:18.360
<v Speaker 8>that energy, like all of that stuff. We talk about

1:09:18.360 --> 1:09:20.840
<v Speaker 8>a lot in this crew, and it's a very big

1:09:20.920 --> 1:09:24.000
<v Speaker 8>deal for how we run things. We run things very

1:09:24.080 --> 1:09:26.439
<v Speaker 8>different than a lot of other people do, but it

1:09:26.560 --> 1:09:27.160
<v Speaker 8>works for us.

1:09:27.640 --> 1:09:29.240
<v Speaker 5>Seeing everybody's growth has been.

1:09:29.160 --> 1:09:38.160
<v Speaker 10>So beautiful, beautiful because we listen, we's like.

1:09:42.640 --> 1:09:43.519
<v Speaker 11>Would to that point.

1:09:43.600 --> 1:09:45.840
<v Speaker 12>One of the things that I loved about being in

1:09:45.920 --> 1:09:49.160
<v Speaker 12>this in this group is that if you've ever been

1:09:49.240 --> 1:09:53.040
<v Speaker 12>in the band, you're a part of the band. Everybody

1:09:53.200 --> 1:09:56.840
<v Speaker 12>from from early days, so if you've done a couple

1:09:56.880 --> 1:10:00.679
<v Speaker 12>of shows, you're part of you're a part of the band.

1:10:00.800 --> 1:10:03.799
<v Speaker 11>And when I came after.

1:10:03.920 --> 1:10:07.760
<v Speaker 12>She speech never was like, Okay, she did this, so

1:10:07.840 --> 1:10:10.120
<v Speaker 12>you gotta do this is what she did, so you

1:10:10.200 --> 1:10:13.360
<v Speaker 12>got to do exactly what she did. He's the everybody's

1:10:13.479 --> 1:10:16.679
<v Speaker 12>unique thing that you bring to the band is the band.

1:10:16.840 --> 1:10:20.160
<v Speaker 11>That's the band, not one particular vibe.

1:10:20.160 --> 1:10:23.240
<v Speaker 12>It's like we we all bring the energy, like there's

1:10:23.240 --> 1:10:26.560
<v Speaker 12>a foundational energy that's that needs to be there that

1:10:26.680 --> 1:10:29.760
<v Speaker 12>anybody that has been in the in the band embodied

1:10:29.840 --> 1:10:30.479
<v Speaker 12>that energy.

1:10:32.960 --> 1:10:35.320
<v Speaker 1>Now there's a lot of women that's rocking ball has now.

1:10:35.560 --> 1:10:37.200
<v Speaker 1>She was like the originator.

1:10:38.400 --> 1:10:42.840
<v Speaker 5>And you know what, Dion rocked one too, and yeah,

1:10:42.880 --> 1:10:43.360
<v Speaker 5>I love.

1:10:46.560 --> 1:10:51.280
<v Speaker 2>Like back then it was looked at like an Apple Central.

1:10:52.560 --> 1:10:53.080
<v Speaker 5>South too.

1:10:53.240 --> 1:10:56.800
<v Speaker 2>I got oh wow, I did you know.

1:10:57.800 --> 1:10:59.479
<v Speaker 5>A lot of men will say why did you cut

1:10:59.520 --> 1:10:59.840
<v Speaker 5>your hair?

1:11:00.080 --> 1:11:05.160
<v Speaker 10>That's your glory and but I just felt comfortable like

1:11:05.240 --> 1:11:06.680
<v Speaker 10>that headline used to cut my hair.

1:11:06.840 --> 1:11:11.240
<v Speaker 2>Okay, headline, okay, headliners.

1:11:13.800 --> 1:11:16.880
<v Speaker 5>Yeah, so I would be walking around. Yeah, bald head.

1:11:16.960 --> 1:11:20.400
<v Speaker 10>I mean I just recently started warning back now, but yeah,

1:11:20.600 --> 1:11:22.519
<v Speaker 10>I loved it. It was such a freedom in it.

1:11:22.680 --> 1:11:26.280
<v Speaker 10>And even now when like when I went through my breast,

1:11:26.320 --> 1:11:29.000
<v Speaker 10>hands out shape, you know, shave it off started all over.

1:11:29.200 --> 1:11:32.559
<v Speaker 2>Okay, yeah, I still do it. Okay, okay, okay, because

1:11:32.560 --> 1:11:33.519
<v Speaker 2>you're knowing for that one.

1:11:35.080 --> 1:11:36.280
<v Speaker 5>The blind and short blind.

1:11:36.680 --> 1:11:41.000
<v Speaker 2>Yeah, let's do a quick time I think. Okay, you

1:11:41.080 --> 1:11:45.759
<v Speaker 2>got your said it all right. This is our drinking

1:11:45.840 --> 1:11:50.680
<v Speaker 2>game that we're gonna play. Obviously, you don't whenever you're drinking.

1:11:51.960 --> 1:11:52.320
<v Speaker 4>Michael B.

1:11:52.439 --> 1:11:53.120
<v Speaker 5>Jordan's drinking.

1:11:53.560 --> 1:12:01.000
<v Speaker 2>Okay, okay, okay, I got socky. That's different. I don't

1:12:01.040 --> 1:12:05.080
<v Speaker 2>know what soot.

1:12:05.120 --> 1:12:07.600
<v Speaker 7>We're going to give you, guys two choices, and you

1:12:07.760 --> 1:12:11.040
<v Speaker 7>pick one and we don't drink. But if you say

1:12:11.160 --> 1:12:13.560
<v Speaker 7>both are neither, so basically you don't really want to

1:12:13.560 --> 1:12:15.719
<v Speaker 7>answer the question, then we all drink.

1:12:16.600 --> 1:12:17.559
<v Speaker 16>Some of us say one.

1:12:24.840 --> 1:12:27.840
<v Speaker 7>I mean, this is disorganized anyway, But the real, the

1:12:27.880 --> 1:12:29.639
<v Speaker 7>real point of this is not to peck people against

1:12:29.680 --> 1:12:31.519
<v Speaker 7>each other the question. It's really to bring up any

1:12:31.760 --> 1:12:34.519
<v Speaker 7>any stories you might have with that's really it's really

1:12:34.520 --> 1:12:35.840
<v Speaker 7>to bring up names because we want to talk.

1:12:35.720 --> 1:12:40.360
<v Speaker 2>About, you know, positively about people. Thank you, ad appreciate

1:12:40.400 --> 1:12:44.559
<v Speaker 2>it all right? Public enemy or n w A who

1:12:44.640 --> 1:12:46.800
<v Speaker 2>you pointing at? We're gonna start with.

1:12:48.680 --> 1:12:50.320
<v Speaker 9>Public enemy, public enemy.

1:12:52.479 --> 1:12:55.240
<v Speaker 2>Yeah, tribe called quests or brand new.

1:12:55.240 --> 1:13:04.240
<v Speaker 7>View quiz quests big l or Biggie.

1:13:07.080 --> 1:13:11.720
<v Speaker 2>Big big, big girl. Okay, I think you might have

1:13:11.760 --> 1:13:12.679
<v Speaker 2>to drink just because.

1:13:19.400 --> 1:13:22.840
<v Speaker 1>I caught that let's do it was beef Okay, rock him? Okay,

1:13:22.920 --> 1:13:30.799
<v Speaker 1>rest one, that's that was both, but that we gotta drink.

1:13:32.479 --> 1:13:38.880
<v Speaker 2>Cheers. I like drinking out cast ghetto boys.

1:13:40.840 --> 1:13:42.000
<v Speaker 6>I don't even know who else you said.

1:13:43.360 --> 1:13:45.960
<v Speaker 2>Okay, I.

1:13:47.680 --> 1:13:50.080
<v Speaker 7>Don't remember any stories, but anybody we mentioned, if you've

1:13:50.080 --> 1:13:53.760
<v Speaker 7>got a story that pops off means telling us obviously outcasts,

1:13:54.120 --> 1:13:55.360
<v Speaker 7>you know that's.

1:13:55.760 --> 1:14:01.000
<v Speaker 5>From them, absolutely form one that they got their name

1:14:01.160 --> 1:14:02.320
<v Speaker 5>from the the dreads.

1:14:03.040 --> 1:14:05.720
<v Speaker 9>Because I say outcast, I don't know. I'm not saying

1:14:05.760 --> 1:14:07.000
<v Speaker 9>they did, but I don't.

1:14:06.800 --> 1:14:07.560
<v Speaker 2>Know if they did or not.

1:14:08.000 --> 1:14:10.040
<v Speaker 5>I danced in their Rose Parks video.

1:14:11.840 --> 1:14:12.080
<v Speaker 10>Video.

1:14:12.200 --> 1:14:15.840
<v Speaker 5>Yeah, yeah, yeah, shout out how can Yeah?

1:14:15.920 --> 1:14:16.880
<v Speaker 9>Our cast is major?

1:14:16.960 --> 1:14:19.879
<v Speaker 8>I mean and and to me, to me, they always

1:14:21.000 --> 1:14:23.000
<v Speaker 8>anything that they might have been inspired by by what

1:14:23.120 --> 1:14:25.880
<v Speaker 8>we did. They took it so much further and that

1:14:26.120 --> 1:14:28.600
<v Speaker 8>always just blows my mind, like how far they took it.

1:14:29.120 --> 1:14:31.439
<v Speaker 12>As much as we love our cast, I do know

1:14:31.760 --> 1:14:33.920
<v Speaker 12>all words of my my mind playing trees.

1:14:33.960 --> 1:14:51.880
<v Speaker 2>Yeah, right, planets. I just wanted to say, I just

1:14:51.920 --> 1:14:54.840
<v Speaker 2>wanted to say something back to you. Just you know,

1:14:55.520 --> 1:14:59.000
<v Speaker 2>my mind's playing tricks on me. I'm a grown ass man.

1:14:59.280 --> 1:15:07.080
<v Speaker 2>I still get kind of scared when I still.

1:15:08.800 --> 1:15:16.320
<v Speaker 9>Yeah, I smoked out with.

1:15:18.560 --> 1:15:22.960
<v Speaker 2>Wild Man. Yeah, he's a different one.

1:15:23.439 --> 1:15:25.280
<v Speaker 8>I used to promote shows. So I used to do

1:15:25.520 --> 1:15:30.040
<v Speaker 8>concerts and I brought outcasts. I brought there's somebody else,

1:15:30.200 --> 1:15:35.240
<v Speaker 8>goodie mob outcasts, Fujis brought Fuji So like for me,

1:15:35.479 --> 1:15:38.200
<v Speaker 8>like where were these shows at in Atlanta? I used

1:15:38.240 --> 1:15:40.799
<v Speaker 8>to promote huge shows, well huge rap shows in Atlanta,

1:15:41.240 --> 1:15:43.559
<v Speaker 8>and so yeah, I brought all of them to the shows.

1:15:43.640 --> 1:15:46.839
<v Speaker 2>So yeah, and I'm assuming early on, right in their careers, early.

1:15:46.720 --> 1:15:48.720
<v Speaker 9>On, h early on, but what they was already, they

1:15:48.800 --> 1:15:50.760
<v Speaker 9>was already huge, you know, like doing their things. You

1:15:50.760 --> 1:15:52.920
<v Speaker 9>know what I'm saying. But there's it was. It was great.

1:15:53.040 --> 1:15:53.519
<v Speaker 9>It was great.

1:15:53.760 --> 1:15:59.840
<v Speaker 2>Yeah, far Side or Souls a Mischief, which.

1:15:59.720 --> 1:16:02.080
<v Speaker 8>We too with them, just we literally just got off

1:16:02.120 --> 1:16:05.320
<v Speaker 8>the road with them, and and I think They have

1:16:05.439 --> 1:16:07.080
<v Speaker 8>a tour right now for Sight and Soul of mischie

1:16:07.360 --> 1:16:09.759
<v Speaker 8>shows right now, which is yeah, yeah, we would love.

1:16:09.680 --> 1:16:10.800
<v Speaker 9>To do shows with Souls and.

1:16:13.160 --> 1:16:14.759
<v Speaker 12>Shout out to the far Sight. I went to school

1:16:14.760 --> 1:16:17.760
<v Speaker 12>with the Flips, shout out the six Way.

1:16:18.120 --> 1:16:21.200
<v Speaker 9>Yeah, heavy D or your rock.

1:16:21.760 --> 1:16:22.680
<v Speaker 2>Heavy heavy D.

1:16:22.920 --> 1:16:23.240
<v Speaker 9>I was.

1:16:27.560 --> 1:16:28.719
<v Speaker 6>Heavy dance.

1:16:30.880 --> 1:16:32.719
<v Speaker 9>Recipe. It's amazing.

1:16:33.439 --> 1:16:36.680
<v Speaker 2>I love this question right here, X clan or parts teachers.

1:16:37.960 --> 1:16:38.000
<v Speaker 12>Me.

1:16:38.240 --> 1:16:42.080
<v Speaker 9>I'm gonna say X clan, But I like righteous teachers.

1:16:42.160 --> 1:16:43.160
<v Speaker 9>I love both of them.

1:16:43.160 --> 1:16:47.360
<v Speaker 2>But plan came teachers right so very close.

1:16:49.400 --> 1:16:53.280
<v Speaker 9>Actually, yeah, you're drinking.

1:16:58.240 --> 1:17:01.680
<v Speaker 2>All right. Main source of third Base m for me,

1:17:01.960 --> 1:17:04.320
<v Speaker 2>It's gonna be main source for me. It's third Base.

1:17:05.240 --> 1:17:05.599
<v Speaker 5>Mm hmm.

1:17:06.200 --> 1:17:06.640
<v Speaker 2>I like that.

1:17:08.000 --> 1:17:08.519
<v Speaker 9>Main source.

1:17:08.760 --> 1:17:09.959
<v Speaker 6>Main source from popcorn.

1:17:11.520 --> 1:17:15.120
<v Speaker 9>Yeah, we got popcorn from third Base from I'm gonna

1:17:17.360 --> 1:17:18.160
<v Speaker 9>interesting story.

1:17:18.880 --> 1:17:23.439
<v Speaker 8>We did a show with Third Base arrested Development and Naughty,

1:17:25.000 --> 1:17:29.680
<v Speaker 8>and I was backstage with Trench Search and speech and

1:17:30.320 --> 1:17:33.160
<v Speaker 8>I didn't know all my career people come up to

1:17:33.200 --> 1:17:43.280
<v Speaker 8>me and say yo trash or yo search, but I

1:17:43.320 --> 1:17:46.120
<v Speaker 8>didn't know what was happening to them too. He took

1:17:46.160 --> 1:17:48.840
<v Speaker 8>a special picture just exactly.

1:17:50.479 --> 1:17:53.040
<v Speaker 9>All of us have been mistaken all the time by

1:17:53.160 --> 1:17:58.000
<v Speaker 9>people saying speech you know, yeah, it's hilarious.

1:17:58.160 --> 1:17:59.880
<v Speaker 2>Yeah, run DMC or Beastie Boys.

1:18:04.640 --> 1:18:06.080
<v Speaker 9>That's a really good one. But I have to say

1:18:07.080 --> 1:18:08.960
<v Speaker 9>Brandy would.

1:18:08.760 --> 1:18:13.679
<v Speaker 2>Say Indian like they would say.

1:18:15.960 --> 1:18:17.120
<v Speaker 9>Least these were incredible to.

1:18:20.200 --> 1:18:27.080
<v Speaker 12>Sleep to, revolution, crazy and incredible for everybody black m.

1:18:27.200 --> 1:18:32.839
<v Speaker 2>J or Michael Jackson. I mean, Prince, we know what gonna.

1:18:32.600 --> 1:18:34.160
<v Speaker 11>Say, but I'm saying Michael Jackson.

1:18:34.479 --> 1:18:35.400
<v Speaker 2>Michael Jackson.

1:18:37.760 --> 1:18:40.680
<v Speaker 1>Says Princes from the Lake of Miltitoba.

1:18:47.840 --> 1:18:50.120
<v Speaker 8>But I mean, to me, it's just all the instruments

1:18:50.160 --> 1:18:52.960
<v Speaker 8>the brother played all he was crazy with it. He's

1:18:53.080 --> 1:18:56.280
<v Speaker 8>you know, he's not just an amazing and entertainer, which

1:18:56.280 --> 1:19:01.400
<v Speaker 8>he was, but he was also just this multi instrumentalist, songwriter, producer.

1:19:01.479 --> 1:19:03.640
<v Speaker 9>I mean, I mean, come on, you know.

1:19:05.400 --> 1:19:13.600
<v Speaker 2>Story got a million? Which one do you think about this?

1:19:16.439 --> 1:19:18.240
<v Speaker 5>I was thinking of the one when he invited us

1:19:18.240 --> 1:19:18.800
<v Speaker 5>to the club.

1:19:19.840 --> 1:19:21.400
<v Speaker 9>Tell me that story, cause I forget about.

1:19:22.920 --> 1:19:24.920
<v Speaker 2>The loss thing happened.

1:19:25.439 --> 1:19:27.960
<v Speaker 8>Oh yeah, okay, so yeah, so okay, now I know

1:19:28.000 --> 1:19:30.800
<v Speaker 8>what you're talking about. So Prince, I'm a uge fan

1:19:30.880 --> 1:19:36.439
<v Speaker 8>of Prince. I sampled Tennessee his word from Alphabet Street.

1:19:36.479 --> 1:19:38.720
<v Speaker 8>He says, I want to take it to my back

1:19:38.800 --> 1:19:42.680
<v Speaker 8>seat and drive a to Tennessee, and I grabbed that

1:19:42.760 --> 1:19:44.200
<v Speaker 8>Tennessee for Tennessee.

1:19:44.479 --> 1:19:49.599
<v Speaker 9>And sample it throughout the song, and the song went.

1:19:49.560 --> 1:19:52.280
<v Speaker 8>To it was going up the charts and went to

1:19:52.360 --> 1:19:54.120
<v Speaker 8>number one on the rap charts, number one on the

1:19:54.240 --> 1:19:57.000
<v Speaker 8>R and B charts, and then it went to number six,

1:19:57.040 --> 1:19:58.679
<v Speaker 8>I want to say, on the pop charts or whatever

1:19:58.680 --> 1:20:01.360
<v Speaker 8>they call it, the hot one hundred. And the day

1:20:01.400 --> 1:20:04.080
<v Speaker 8>it went down to number seven, our office got a

1:20:04.200 --> 1:20:07.400
<v Speaker 8>call from Prince saying he wanted some money for that,

1:20:07.680 --> 1:20:10.160
<v Speaker 8>that that word Tennessee, and so we had to pay

1:20:10.200 --> 1:20:11.680
<v Speaker 8>him a hundred thousand dollars, which was.

1:20:13.880 --> 1:20:15.640
<v Speaker 9>Then exact back then.

1:20:15.760 --> 1:20:18.320
<v Speaker 8>And the truth is he gave he did us a

1:20:18.360 --> 1:20:21.880
<v Speaker 8>favorite because that could have been he could have told

1:20:21.960 --> 1:20:23.400
<v Speaker 8>us to take it off the shelf like this, He

1:20:23.720 --> 1:20:24.000
<v Speaker 8>got his.

1:20:24.040 --> 1:20:26.920
<v Speaker 2>Whole record taken off the record. Yeah, the whole record.

1:20:27.000 --> 1:20:28.960
<v Speaker 9>He could have asked for any percentage he wanted for that.

1:20:29.160 --> 1:20:31.280
<v Speaker 1>Because y'all have already did it without person.

1:20:31.200 --> 1:20:32.879
<v Speaker 2>Already exactly exactly.

1:20:33.320 --> 1:20:36.000
<v Speaker 9>And so what instead what he did is just ask

1:20:36.080 --> 1:20:38.280
<v Speaker 9>for cash. He got one hundred thousand dollars right off

1:20:38.320 --> 1:20:38.800
<v Speaker 9>the rit for that.

1:20:40.080 --> 1:20:42.519
<v Speaker 5>He was showing up at all. That shows he was,

1:20:42.600 --> 1:20:43.680
<v Speaker 5>and we did shows.

1:20:43.360 --> 1:20:45.160
<v Speaker 8>At his club too, and he was up there we

1:20:45.360 --> 1:20:48.080
<v Speaker 8>uh got man got mad and us Yeah.

1:20:48.200 --> 1:20:50.240
<v Speaker 17>At glam Slam in the middle that my record mother

1:20:57.840 --> 1:20:59.280
<v Speaker 17>here showing up with high hells like that.

1:21:10.240 --> 1:21:15.240
<v Speaker 2>I was like, all right, cool, he got hurble, he

1:21:15.360 --> 1:21:16.200
<v Speaker 2>wants some crazy.

1:21:19.680 --> 1:21:23.800
<v Speaker 1>One of my favorite champs ever is I said with

1:21:24.080 --> 1:21:26.400
<v Speaker 1>Nas And I asked Nas, I said, I don't feel

1:21:26.400 --> 1:21:27.760
<v Speaker 1>like no one ever told Nas no?

1:21:28.680 --> 1:21:30.840
<v Speaker 2>And he goes, yeah, someone told me no, And I go,

1:21:31.000 --> 1:21:32.559
<v Speaker 2>who you go, Prince?

1:21:32.880 --> 1:21:36.720
<v Speaker 1>Oh yeah, and then he goes, uh, Prince asked me,

1:21:36.800 --> 1:21:37.919
<v Speaker 1>did I own my masters?

1:21:39.560 --> 1:21:42.759
<v Speaker 2>I heard, and I said no, I don't owe my masters.

1:21:42.760 --> 1:21:44.160
<v Speaker 1>And he said, well, come see me when you owe

1:21:44.200 --> 1:21:46.920
<v Speaker 1>my masters, and when you're on your master, your master's

1:21:47.360 --> 1:21:49.800
<v Speaker 1>And you wouldn't think that's like a harsh sting saying

1:21:49.880 --> 1:21:52.800
<v Speaker 1>to a younger artist coming up in the game, but

1:21:52.920 --> 1:21:56.160
<v Speaker 1>it's probably the exact statement that you need to hear.

1:21:56.360 --> 1:22:00.760
<v Speaker 2>Yeah, you went forward in this game. Maybe maybe it

1:22:00.880 --> 1:22:01.599
<v Speaker 2>was like that Mike Tyson.

1:22:01.640 --> 1:22:03.360
<v Speaker 1>You ever see Mike Tyson with a little girl said

1:22:03.439 --> 1:22:10.160
<v Speaker 1>where's your legacy? And Mike Tyson like legacy. Maybe it

1:22:10.320 --> 1:22:15.320
<v Speaker 1>was that moment for Nas with Rents. But maybe moving forward.

1:22:15.439 --> 1:22:17.800
<v Speaker 1>NAS needed to hear that, you understand I'm saying, And

1:22:18.120 --> 1:22:19.519
<v Speaker 1>we don't know that with Mike Tyson. I don't know

1:22:19.520 --> 1:22:23.760
<v Speaker 1>if y'all seen this for this, but was the moment

1:22:23.840 --> 1:22:30.040
<v Speaker 1>she did need to hear too. I just I'm sorry,

1:22:30.080 --> 1:22:34.920
<v Speaker 1>but that's crazy. So when you hear Prince he was

1:22:35.040 --> 1:22:38.519
<v Speaker 1>so advanced in this game. You see about the slave tattoo,

1:22:38.800 --> 1:22:41.479
<v Speaker 1>and you realize that years later, I had to buy

1:22:41.560 --> 1:22:43.040
<v Speaker 1>my own name back, and I'm.

1:22:42.960 --> 1:22:45.600
<v Speaker 2>Like, when he changed his name to the sign to

1:22:46.640 --> 1:22:49.720
<v Speaker 2>I didn't know that then. I didn't know that. Yeah,

1:22:49.760 --> 1:22:51.240
<v Speaker 2>he was. He was definitely fighting that fight.

1:22:51.360 --> 1:22:53.560
<v Speaker 8>Yeah, And to be honest, he might have been the

1:22:53.640 --> 1:22:56.800
<v Speaker 8>first in our generation, like in our general generation, to

1:22:56.960 --> 1:22:59.439
<v Speaker 8>fight that fight on such a public platform, you know

1:22:59.439 --> 1:22:59.840
<v Speaker 8>what I mean.

1:22:59.840 --> 1:23:02.880
<v Speaker 1>Like and say against the machine, against the machine that's

1:23:03.080 --> 1:23:04.559
<v Speaker 1>showing us exactly right.

1:23:06.360 --> 1:23:10.200
<v Speaker 2>But see that was a whole nother you know, because

1:23:10.280 --> 1:23:15.080
<v Speaker 2>Sam Cook did it as well. And you are right then, yes,

1:23:15.160 --> 1:23:18.040
<v Speaker 2>all right? What was on that? Yeah? All right? I

1:23:18.320 --> 1:23:22.880
<v Speaker 2>argue that ship right, all right? A ball m J

1:23:23.040 --> 1:23:26.960
<v Speaker 2>G or Goodie mob. I gotta say goodie mom.

1:23:27.760 --> 1:23:28.880
<v Speaker 9>I gotta say goodie mob.

1:23:30.800 --> 1:23:34.160
<v Speaker 2>You know from the South with good.

1:23:37.960 --> 1:23:40.680
<v Speaker 11>When I tell you, I can pick my friends by

1:23:40.760 --> 1:23:42.080
<v Speaker 11>how much they know about a ball.

1:23:42.240 --> 1:23:47.360
<v Speaker 2>M you like, do you know this song?

1:23:48.240 --> 1:23:49.360
<v Speaker 6>Do you know nine millimeters?

1:23:49.400 --> 1:23:49.719
<v Speaker 2>Boys?

1:23:49.920 --> 1:23:50.080
<v Speaker 14>Right?

1:23:53.120 --> 1:23:53.720
<v Speaker 6>Goodie mob?

1:23:53.840 --> 1:23:58.439
<v Speaker 2>Though, all right, black Star, dead Press, that's.

1:24:01.720 --> 1:24:03.519
<v Speaker 9>I'm gonna have to say both for me. I can't.

1:24:03.560 --> 1:24:03.840
<v Speaker 2>I can't.

1:24:04.000 --> 1:24:05.640
<v Speaker 9>I can't. I can't say one or the other.

1:24:05.840 --> 1:24:09.720
<v Speaker 2>I just can't do it. Wow. Yes, And by the way,

1:24:09.840 --> 1:24:13.920
<v Speaker 2>dead Press, whatever, y'all we missed y'all. Man, everyone's in Africa.

1:24:14.000 --> 1:24:15.439
<v Speaker 2>I think he moved to Africa. I want to go

1:24:15.479 --> 1:24:15.880
<v Speaker 2>to Africa.

1:24:17.680 --> 1:24:29.000
<v Speaker 7>Yeah, shut and man, they're great for you, man, Florida.

1:24:25.880 --> 1:24:28.439
<v Speaker 2>That okay, that's don't know they weren't there.

1:24:29.520 --> 1:24:29.720
<v Speaker 9>Yeah.

1:24:31.800 --> 1:24:34.679
<v Speaker 8>See, to me, both of them made such an impact

1:24:34.840 --> 1:24:36.720
<v Speaker 8>and a totally you know, in the same way.

1:24:36.800 --> 1:24:38.160
<v Speaker 9>But just I can't.

1:24:38.200 --> 1:24:38.559
<v Speaker 8>I can't.

1:24:38.840 --> 1:24:41.360
<v Speaker 9>For me, I can't choose either one as more important

1:24:41.400 --> 1:24:43.320
<v Speaker 9>to me, Like Black Star.

1:24:43.520 --> 1:24:49.840
<v Speaker 1>Because you know that Kanye made that beak that Yeah,

1:24:50.600 --> 1:24:55.840
<v Speaker 1>Alchemist told us that we searched it, we researched it,

1:24:56.000 --> 1:24:56.600
<v Speaker 1>we researched it.

1:24:56.680 --> 1:25:00.200
<v Speaker 2>Yeah, it's kind of yeah, it's kind of like up

1:25:00.240 --> 1:25:00.719
<v Speaker 2>in the air.

1:25:02.600 --> 1:25:03.160
<v Speaker 9>Baseline.

1:25:03.280 --> 1:25:09.880
<v Speaker 2>I'm going to ask I'm going to text that more baseline. Yeah, say,

1:25:14.600 --> 1:25:17.600
<v Speaker 2>oh yeah, yeah, yeah what sorry, was he signed to

1:25:17.680 --> 1:25:22.200
<v Speaker 2>produce already? I don't I don't remember. I don't remember,

1:25:22.240 --> 1:25:24.120
<v Speaker 2>but I know that he had something to do with

1:25:24.160 --> 1:25:26.960
<v Speaker 2>that production for sure. That but that's crazy. I't never

1:25:27.040 --> 1:25:34.120
<v Speaker 2>heard of that. That's yeah.

1:25:34.280 --> 1:25:39.000
<v Speaker 15>Lord, well, well he was a part of that, like

1:25:39.240 --> 1:25:43.439
<v Speaker 15>dead press, like that's right, that h like I think

1:25:43.560 --> 1:25:45.280
<v Speaker 15>helping them get the deal and yeah, like a whole

1:25:45.360 --> 1:25:48.280
<v Speaker 15>I did not know that brand new and helped a

1:25:48.320 --> 1:25:48.840
<v Speaker 15>lot of folks.

1:25:48.880 --> 1:25:53.640
<v Speaker 2>Man, Yeah, yeah, we had Lord mar I guess I

1:25:53.640 --> 1:25:54.599
<v Speaker 2>don't have to ask the questions.

1:25:57.840 --> 1:26:00.400
<v Speaker 1>What were saying about Lord Moore said, we had Lord

1:26:00.479 --> 1:26:03.200
<v Speaker 1>of Wall and it's his doc right, want we want

1:26:03.240 --> 1:26:05.000
<v Speaker 1>the whole brand New being together, and we would need.

1:26:04.960 --> 1:26:07.120
<v Speaker 2>Your Grandpool, but we haven't had Grandpooper yet. Man.

1:26:07.280 --> 1:26:09.599
<v Speaker 8>I actually like Grandpoopa's album. He just dropped it out.

1:26:11.200 --> 1:26:12.799
<v Speaker 8>He dropped it out either late last.

1:26:12.640 --> 1:26:13.400
<v Speaker 2>Year or early this year.

1:26:13.400 --> 1:26:15.360
<v Speaker 9>I forget because it's you know, it's been nine or

1:26:15.360 --> 1:26:17.160
<v Speaker 9>ten months. But yeah, it was dope.

1:26:17.200 --> 1:26:17.600
<v Speaker 8>I like it.

1:26:17.760 --> 1:26:19.719
<v Speaker 9>I liked the shot Grandpool He's dope.

1:26:19.800 --> 1:26:23.400
<v Speaker 2>Oh yeah, what's the next one. Let's see what we are?

1:26:24.800 --> 1:26:30.360
<v Speaker 2>Ice Cuba comment or common cute. Ice C's tough.

1:26:30.439 --> 1:26:31.559
<v Speaker 9>For me, I'm gonna have to say.

1:26:34.320 --> 1:26:35.160
<v Speaker 2>It's crazy.

1:26:35.400 --> 1:26:37.280
<v Speaker 9>It was really Yeah, yeah they did.

1:26:37.880 --> 1:26:40.040
<v Speaker 1>But I got to say both for them because they

1:26:40.080 --> 1:26:41.120
<v Speaker 1>did barbershop together.

1:26:42.040 --> 1:26:43.120
<v Speaker 2>Yeah, they came, they came together.

1:26:44.000 --> 1:26:44.680
<v Speaker 9>I didn't even know that.

1:26:44.840 --> 1:26:46.000
<v Speaker 2>Yeah, I know that.

1:26:47.920 --> 1:26:50.040
<v Speaker 11>That comment was such a cool guy.

1:26:50.160 --> 1:26:53.720
<v Speaker 6>He's such a good spirit. He's a very kind I

1:26:53.840 --> 1:26:54.160
<v Speaker 6>mean to.

1:26:54.200 --> 1:26:57.160
<v Speaker 8>Me, those early ice Cube days, like his first number

1:26:57.200 --> 1:27:04.080
<v Speaker 8>of solo bes that just from CERTI I could never

1:27:04.200 --> 1:27:07.920
<v Speaker 8>put anything above that easily, Like, yeah, of course common

1:27:08.040 --> 1:27:09.360
<v Speaker 8>is just He's ridiculous.

1:27:09.400 --> 1:27:10.839
<v Speaker 9>I mean, I love that brother.

1:27:12.960 --> 1:27:15.080
<v Speaker 2>All right. E p m D. Or Pete Rock and

1:27:15.120 --> 1:27:15.719
<v Speaker 2>Steal Smooth.

1:27:17.160 --> 1:27:18.560
<v Speaker 9>For me, I'm gonna say E p m D.

1:27:18.680 --> 1:27:19.320
<v Speaker 2>Although I love.

1:27:20.840 --> 1:27:22.120
<v Speaker 6>Yeah, we're gonna go.

1:27:23.840 --> 1:27:29.680
<v Speaker 2>Yeah, I'm saying or Pete Smooth. We say both of

1:27:29.720 --> 1:27:49.280
<v Speaker 2>them both official group. You're right, I mean would say

1:27:49.439 --> 1:27:52.160
<v Speaker 2>p m D because came before.

1:27:53.240 --> 1:27:57.040
<v Speaker 9>Yeah, yeah, definitely, man, that stuff their albums is just major.

1:27:57.080 --> 1:27:58.240
<v Speaker 9>And we just did a show with them too.

1:27:58.600 --> 1:28:01.599
<v Speaker 2>Y E p m D. You do shows with everybody.

1:28:01.680 --> 1:28:02.120
<v Speaker 2>Let's make some.

1:28:06.000 --> 1:28:06.519
<v Speaker 5>Your favorite.

1:28:07.280 --> 1:28:10.519
<v Speaker 2>I love that, I love that. I love It's a

1:28:10.680 --> 1:28:14.880
<v Speaker 2>tough one. They lost so Jungle Brothers. That is tough.

1:28:15.280 --> 1:28:24.280
<v Speaker 9>Wow, you're gonna have to say Daylight. I'm gonna have

1:28:24.320 --> 1:28:24.640
<v Speaker 9>to say that.

1:28:26.960 --> 1:28:29.639
<v Speaker 8>But it was tough one because to me, Jungle Brothers

1:28:29.720 --> 1:28:33.439
<v Speaker 8>brought Daylight, you know what I'm saying. Yeah, so that's

1:28:34.040 --> 1:28:38.880
<v Speaker 8>but Daylight to me, the catalog is just so you know, expansive.

1:28:38.880 --> 1:28:40.719
<v Speaker 9>I mean, just think they brought to your table.

1:28:40.760 --> 1:28:44.080
<v Speaker 10>I mean your last year you did was it the

1:28:44.720 --> 1:28:47.439
<v Speaker 10>the Love the Hollywood Bowl and they were there.

1:28:48.240 --> 1:28:51.280
<v Speaker 5>It was just the energy was so amazing.

1:28:51.600 --> 1:28:54.400
<v Speaker 2>Fact, there's so many people on this boy.

1:28:55.080 --> 1:28:55.280
<v Speaker 7>Yeah.

1:28:55.479 --> 1:28:59.040
<v Speaker 11>I just remember before when we were in Africa.

1:28:59.400 --> 1:29:00.519
<v Speaker 2>Yeah, before we went.

1:29:02.680 --> 1:29:03.160
<v Speaker 6>With Daylight.

1:29:03.280 --> 1:29:05.960
<v Speaker 9>Oh, it was just such a South Africa too. In

1:29:06.080 --> 1:29:07.000
<v Speaker 9>South Africa.

1:29:07.120 --> 1:29:11.960
<v Speaker 1>Question, yeah, yeah, in South Africa it has black people,

1:29:12.040 --> 1:29:13.519
<v Speaker 1>right because I always debate with him.

1:29:14.600 --> 1:29:16.880
<v Speaker 9>Yeah ninety seven percent.

1:29:17.040 --> 1:29:20.559
<v Speaker 2>Yeah yeah, I told you, I know, I know, baby

1:29:20.920 --> 1:29:21.479
<v Speaker 2>playing around.

1:29:22.360 --> 1:29:26.080
<v Speaker 5>Yeah yeah, in South Africa. So we did the first

1:29:26.080 --> 1:29:28.520
<v Speaker 5>time I went to South Africa was in nineteen.

1:29:28.280 --> 1:29:32.400
<v Speaker 9>Ninety four and with Nelson Madella we did. We spoke

1:29:32.479 --> 1:29:34.960
<v Speaker 9>with him and I spoke right before him.

1:29:34.960 --> 1:29:37.519
<v Speaker 10>It was amazing. That was like it was amazing. And

1:29:37.680 --> 1:29:40.280
<v Speaker 10>then we shot one of our videos and not in front.

1:29:40.840 --> 1:29:45.200
<v Speaker 10>Antoine was our Yeah, the director that did on training day. Yeah,

1:29:45.360 --> 1:29:46.160
<v Speaker 10>he did our video.

1:29:46.760 --> 1:29:49.120
<v Speaker 5>Yeah, a song called United Front.

1:29:49.200 --> 1:29:50.240
<v Speaker 9>Yep, you're not in Front.

1:29:50.360 --> 1:29:52.240
<v Speaker 1>I did it in South ain't get a gang in

1:29:52.320 --> 1:29:54.200
<v Speaker 1>South Africa to United Front, know what?

1:29:56.760 --> 1:29:57.280
<v Speaker 2>Not in Front?

1:30:07.479 --> 1:30:10.000
<v Speaker 6>I saw with the two kids walking down the dirt road.

1:30:10.160 --> 1:30:13.240
<v Speaker 9>That was album cover. That was in South Africa.

1:30:13.280 --> 1:30:16.200
<v Speaker 11>That was That's what I remember. I think that was

1:30:17.000 --> 1:30:17.920
<v Speaker 11>Headliner was saying.

1:30:17.960 --> 1:30:18.200
<v Speaker 7>That was.

1:30:18.680 --> 1:30:20.840
<v Speaker 6>That was an amazing little moment.

1:30:22.520 --> 1:30:28.839
<v Speaker 2>You gotta got Lauren Hill or Queen Latifa? Are you serious?

1:30:29.080 --> 1:30:30.759
<v Speaker 11>Queen and Tifa help my baby?

1:30:34.439 --> 1:30:34.679
<v Speaker 4>Yeah?

1:30:34.800 --> 1:30:37.200
<v Speaker 2>She she just came to say both for me.

1:30:37.280 --> 1:30:38.800
<v Speaker 9>I can't say one of the other.

1:30:40.240 --> 1:30:41.320
<v Speaker 2>One time when I saw her.

1:30:44.080 --> 1:30:48.000
<v Speaker 10>Tifa as a young woman coming up and you know,

1:30:48.120 --> 1:30:50.640
<v Speaker 10>before I got into rested, I would look up to

1:30:50.760 --> 1:30:53.599
<v Speaker 10>her and I had all the crowns like the cat

1:30:53.800 --> 1:30:55.960
<v Speaker 10>she used to wear the crown and I was like,

1:30:56.080 --> 1:30:59.600
<v Speaker 10>I like this woman because to me she represented a

1:30:59.760 --> 1:31:03.000
<v Speaker 10>cur hervy black woman and I can relate.

1:31:03.240 --> 1:31:05.439
<v Speaker 2>And she said you why, oh my?

1:31:10.120 --> 1:31:13.240
<v Speaker 5>She was just powerful, just everything about her just powerful.

1:31:13.800 --> 1:31:15.160
<v Speaker 2>Damn covered up and.

1:31:17.160 --> 1:31:20.360
<v Speaker 5>Were yes uns.

1:31:26.080 --> 1:31:28.720
<v Speaker 2>Show trying to.

1:31:28.720 --> 1:31:31.800
<v Speaker 9>Get her on the show. Yeah, Queena tifas she's but

1:31:31.880 --> 1:31:32.799
<v Speaker 9>of course Lauren.

1:31:32.640 --> 1:31:35.920
<v Speaker 2>Hill is absolutely We're not taking that away, not at all.

1:31:36.360 --> 1:31:39.280
<v Speaker 10>And when shout la on her, Lauren Hill, let's talk

1:31:39.280 --> 1:31:42.080
<v Speaker 10>about that mis education.

1:31:43.640 --> 1:31:46.720
<v Speaker 11>Is a very kind spirit. She she is such a

1:31:46.880 --> 1:31:48.360
<v Speaker 11>sweet person.

1:31:48.600 --> 1:31:52.800
<v Speaker 2>She's Yeah, we we tour with her many times, an

1:31:52.880 --> 1:31:56.360
<v Speaker 2>incredible career. And Lauren, I mean, like.

1:31:56.439 --> 1:31:58.559
<v Speaker 8>I said, I brought Lauren Well, I brought the Fujis

1:31:58.640 --> 1:32:00.880
<v Speaker 8>to Atlanta. They opened for us in Europe to I

1:32:00.920 --> 1:32:03.160
<v Speaker 8>don't know if you remember that opened the front a

1:32:03.240 --> 1:32:03.720
<v Speaker 8>lot of times.

1:32:04.160 --> 1:32:05.280
<v Speaker 9>So we've known that for years.

1:32:06.479 --> 1:32:10.800
<v Speaker 2>Yeah. Black Thought or Andre three thousands, no, no, you

1:32:10.920 --> 1:32:17.599
<v Speaker 2>t t top of I gotta go both. Definitely both.

1:32:19.280 --> 1:32:20.160
<v Speaker 9>Yeah, I have to say both.

1:32:20.360 --> 1:32:25.240
<v Speaker 12>I have to say because they're they're two different there

1:32:25.280 --> 1:32:28.200
<v Speaker 12>are dope, two different reasons. And we just we toured

1:32:28.280 --> 1:32:33.960
<v Speaker 12>with Black Thought and the Roots and so yeah, they're awesome.

1:32:35.080 --> 1:32:38.519
<v Speaker 2>Rod Digger, Lady of Rage, Oh my god, lay.

1:32:43.680 --> 1:32:50.719
<v Speaker 9>Yeah I love Eire Yeah yeah, yeah.

1:32:51.680 --> 1:32:55.799
<v Speaker 2>Rhap City or Lady London, Rhapsody. I'm gonna say Hapsody.

1:32:55.800 --> 1:32:57.799
<v Speaker 2>We just did a show with Rhapsody too, So yeah.

1:32:57.720 --> 1:33:01.599
<v Speaker 6>We we got another beautiful the last one to get

1:33:01.640 --> 1:33:02.320
<v Speaker 6>back to the interview.

1:33:03.400 --> 1:33:12.040
<v Speaker 2>Loyal to your respect, loyal respect, respect all the long.

1:33:12.720 --> 1:33:14.840
<v Speaker 9>Yeah, I'll say they almost mean the same thing.

1:33:14.880 --> 1:33:16.240
<v Speaker 2>That they mean the same thing.

1:33:16.400 --> 1:33:19.280
<v Speaker 11>But if you don't have respect, what good is your loyalty?

1:33:19.800 --> 1:33:20.040
<v Speaker 9>Come on?

1:33:20.600 --> 1:33:21.200
<v Speaker 2>That was deep, but.

1:33:22.920 --> 1:33:24.040
<v Speaker 6>Repect exactly?

1:33:24.120 --> 1:33:24.680
<v Speaker 2>It comes one.

1:33:24.840 --> 1:33:27.240
<v Speaker 11>You can't have one when I respect.

1:33:27.840 --> 1:33:29.960
<v Speaker 6>But are you loyal though, because you're.

1:33:29.600 --> 1:33:32.560
<v Speaker 12>Just inside the crew, you might be part of a

1:33:32.640 --> 1:33:35.040
<v Speaker 12>sabotage you if I don't have If you don't respect,

1:33:35.439 --> 1:33:36.160
<v Speaker 12>you gotta respect.

1:33:37.360 --> 1:33:37.719
<v Speaker 2>Respect.

1:33:38.439 --> 1:33:38.800
<v Speaker 5>Go ahead.

1:33:38.840 --> 1:33:40.880
<v Speaker 6>I don't think I could be loyal to someone I

1:33:41.000 --> 1:33:41.759
<v Speaker 6>didn't respect.

1:33:42.520 --> 1:33:43.519
<v Speaker 9>There you go, there you go.

1:33:43.880 --> 1:33:45.400
<v Speaker 2>That does make sense that.

1:33:45.560 --> 1:33:48.400
<v Speaker 5>We didn't answer the question respect.

1:33:48.960 --> 1:33:50.879
<v Speaker 11>I'm saying respect first and foremost.

1:33:52.439 --> 1:33:53.719
<v Speaker 2>I'm gonna just drink because.

1:34:00.840 --> 1:34:03.479
<v Speaker 1>The time that me and him we say that, this

1:34:03.640 --> 1:34:05.840
<v Speaker 1>is the one time that we should say both. I

1:34:05.920 --> 1:34:09.559
<v Speaker 1>do believe that loyalty and respect those That's that's.

1:34:09.400 --> 1:34:13.559
<v Speaker 2>Why if you if you have to get both, give me.

1:34:16.160 --> 1:34:18.519
<v Speaker 11>If you want you better be you're gonna be loyal

1:34:18.640 --> 1:34:19.280
<v Speaker 11>because of your.

1:34:19.479 --> 1:34:21.280
<v Speaker 2>Believe I believe that. I believe that.

1:34:25.280 --> 1:34:27.760
<v Speaker 1>Is there anything that if you had and now with

1:34:27.920 --> 1:34:29.439
<v Speaker 1>the conclusive quick time was fine?

1:34:30.080 --> 1:34:30.240
<v Speaker 2>Good?

1:34:33.400 --> 1:34:35.600
<v Speaker 1>But is it anything that if you guys had a

1:34:35.720 --> 1:34:37.920
<v Speaker 1>chance to do over, you would do over? The like

1:34:38.400 --> 1:34:42.599
<v Speaker 1>basically I'm asking, is it anything you regret this beautiful,

1:34:42.840 --> 1:34:44.280
<v Speaker 1>illustrious career that you guys are.

1:34:45.360 --> 1:34:45.519
<v Speaker 2>Yeah.

1:34:45.560 --> 1:34:47.439
<v Speaker 9>I mean there's a few things I mentioned a couple.

1:34:47.560 --> 1:34:49.080
<v Speaker 9>One is I wish.

1:34:50.560 --> 1:34:55.000
<v Speaker 8>If I knew better in the early days, I would

1:34:55.120 --> 1:34:59.920
<v Speaker 8>have figured out a way to make sure that every

1:35:00.080 --> 1:35:08.400
<v Speaker 8>body in the group felt appreciated thoroughly by me. So

1:35:08.439 --> 1:35:11.200
<v Speaker 8>I'm just speaking for me right now. And then the

1:35:11.280 --> 1:35:15.479
<v Speaker 8>other thing I wish I would have known and done

1:35:15.560 --> 1:35:19.479
<v Speaker 8>differently is when we finished our first album put it out.

1:35:19.560 --> 1:35:21.599
<v Speaker 2>We sold four million albums, five million albums.

1:35:25.920 --> 1:35:29.559
<v Speaker 8>The label was really rushing us to put out new material,

1:35:30.240 --> 1:35:32.760
<v Speaker 8>and I wish I would have just waited and just

1:35:33.439 --> 1:35:35.639
<v Speaker 8>took a little bit more time, took as much time

1:35:35.680 --> 1:35:39.120
<v Speaker 8>as we needed, because I do feel like it just

1:35:39.160 --> 1:35:41.800
<v Speaker 8>would have gave us a chance to check out the

1:35:41.920 --> 1:35:44.400
<v Speaker 8>landscape of what was happening, you know, because Wu Tang

1:35:44.520 --> 1:35:47.120
<v Speaker 8>was coming out, there was a whole different energy dropped

1:35:47.439 --> 1:35:51.640
<v Speaker 8>all exactly, so it's like just seeing, Okay, this is

1:35:51.680 --> 1:35:54.760
<v Speaker 8>what's happening. Okay, now, this is what we can contribute,

1:35:55.240 --> 1:35:56.479
<v Speaker 8>you know what I'm saying. I think that that would

1:35:56.479 --> 1:35:59.120
<v Speaker 8>have been a good play for us. So that's for

1:35:59.240 --> 1:36:01.799
<v Speaker 8>me that's what I'm saying here anywhere else.

1:36:02.080 --> 1:36:07.760
<v Speaker 5>Nope out Like I shouldn't say regrets or anything, but I.

1:36:09.880 --> 1:36:10.120
<v Speaker 2>Okay.

1:36:10.560 --> 1:36:14.880
<v Speaker 16>I feel like artists need the opportunity to experiment, Like

1:36:15.000 --> 1:36:19.040
<v Speaker 16>we need the permission to suck, Like, make some stuff,

1:36:19.120 --> 1:36:22.519
<v Speaker 16>let it be as wack as possible, because you're letting

1:36:22.600 --> 1:36:25.600
<v Speaker 16>your creativity go as far as you can let it go,

1:36:26.160 --> 1:36:27.600
<v Speaker 16>and then you kind of reel it back in it,

1:36:27.640 --> 1:36:29.720
<v Speaker 16>you know what I mean. But sometimes artists, I think

1:36:29.800 --> 1:36:32.720
<v Speaker 16>we feel like once the first album is dope, the

1:36:32.840 --> 1:36:35.120
<v Speaker 16>next album everything has to be dope after that, and

1:36:35.160 --> 1:36:37.479
<v Speaker 16>if it's not dope, then you fell off. And it's

1:36:37.520 --> 1:36:40.519
<v Speaker 16>like your creativity doesn't get this chance to be able

1:36:40.560 --> 1:36:43.760
<v Speaker 16>to grow. And growth isn't It is not comfortable, it's

1:36:43.840 --> 1:36:47.160
<v Speaker 16>not pretty, and it's not always like you won't always

1:36:47.280 --> 1:36:48.800
<v Speaker 16>be on top every single time.

1:36:48.880 --> 1:36:50.800
<v Speaker 9>It's not always linear too, you know what I'm saying.

1:36:50.960 --> 1:36:52.439
<v Speaker 9>Sometimes it's like that, you know what I mean.

1:36:52.600 --> 1:36:55.679
<v Speaker 16>So giving artists to the opportunity to put some stuff

1:36:55.760 --> 1:36:59.120
<v Speaker 16>out that's different and give it a chance, like we

1:36:59.240 --> 1:37:02.200
<v Speaker 16>open to just here something different.

1:37:02.720 --> 1:37:05.599
<v Speaker 7>That'd be the difference between industry and culture, industry and art.

1:37:06.160 --> 1:37:10.560
<v Speaker 8>Yeah, and that that means what andre three thousand and

1:37:10.680 --> 1:37:15.280
<v Speaker 8>outcasts to do a lot of different stuff for that

1:37:15.720 --> 1:37:17.120
<v Speaker 8>period of time, and it was dope, you know.

1:37:17.760 --> 1:37:22.519
<v Speaker 5>I think for me, I was all passion and I

1:37:22.560 --> 1:37:23.920
<v Speaker 5>didn't know much about the business.

1:37:23.960 --> 1:37:25.760
<v Speaker 10>So I was very green when I came in because

1:37:25.760 --> 1:37:28.599
<v Speaker 10>I was so young, and then we didn't have the internet.

1:37:28.880 --> 1:37:29.040
<v Speaker 7>You know.

1:37:30.040 --> 1:37:33.000
<v Speaker 5>My mom, uh was an avid reader, So that's how

1:37:33.000 --> 1:37:33.559
<v Speaker 5>I learned a.

1:37:33.640 --> 1:37:36.080
<v Speaker 10>Lot about the industry actually through my mom just reading

1:37:36.160 --> 1:37:38.200
<v Speaker 10>books and about the industry.

1:37:39.560 --> 1:37:43.879
<v Speaker 5>But I was just all passion, all passion and no business.

1:37:44.520 --> 1:37:46.640
<v Speaker 10>And so I think if I had to do it

1:37:46.720 --> 1:37:49.160
<v Speaker 10>all over again, I would learned a lot more about

1:37:49.200 --> 1:37:52.240
<v Speaker 10>the business. But back then someone literally had to take

1:37:52.280 --> 1:37:54.160
<v Speaker 10>your hand and say just follow me, you know what

1:37:54.240 --> 1:37:56.640
<v Speaker 10>I'm saying. It was just a different world back then,

1:37:57.360 --> 1:38:01.000
<v Speaker 10>and I just I wanted to learn more from a

1:38:01.080 --> 1:38:04.639
<v Speaker 10>business perspective because once we got out, the group.

1:38:04.479 --> 1:38:07.880
<v Speaker 5>Came out, and just how everything moved so fast, and

1:38:08.080 --> 1:38:09.920
<v Speaker 5>just how I was.

1:38:09.920 --> 1:38:12.400
<v Speaker 10>In an adult world as a teenager, you know what

1:38:12.439 --> 1:38:15.200
<v Speaker 10>I mean, And just how they were everything was more

1:38:15.320 --> 1:38:16.000
<v Speaker 10>business than it.

1:38:16.120 --> 1:38:17.599
<v Speaker 5>Was creative, you get what I'm saying.

1:38:17.920 --> 1:38:21.400
<v Speaker 10>And then we spent more a lot of times being creative,

1:38:21.640 --> 1:38:24.519
<v Speaker 10>you know, and parsing and stuff like that. So I

1:38:24.600 --> 1:38:29.400
<v Speaker 10>didn't know about like copyrights and you know, writing, publishing,

1:38:29.560 --> 1:38:32.400
<v Speaker 10>none of that stuff. So you know, learning through trial

1:38:32.479 --> 1:38:35.000
<v Speaker 10>and narrow and then like latter years when we came

1:38:35.080 --> 1:38:36.920
<v Speaker 10>back together and got to do records, we wrote.

1:38:37.160 --> 1:38:39.880
<v Speaker 5>We wrote a lot of stuff on the.

1:38:40.880 --> 1:38:43.759
<v Speaker 10>That was a third album, Your Hair's of the Harvest,

1:38:44.200 --> 1:38:47.320
<v Speaker 10>So that was like our third album, and that was

1:38:47.560 --> 1:38:49.960
<v Speaker 10>super fun. And you know a lot of growth had

1:38:50.000 --> 1:38:52.920
<v Speaker 10>taken place through those years. Throughout those years, so you know,

1:38:53.160 --> 1:38:57.400
<v Speaker 10>just just being in the industry, you know, not knowing

1:38:57.520 --> 1:38:59.080
<v Speaker 10>how it really worked, you know.

1:38:59.240 --> 1:39:02.599
<v Speaker 5>But honestly, I don't think we I mean speech, none

1:39:02.640 --> 1:39:02.800
<v Speaker 5>of it.

1:39:03.120 --> 1:39:03.599
<v Speaker 2>None of them.

1:39:07.800 --> 1:39:11.600
<v Speaker 1>Yeah, it looking like yeah, yeah, I wouldn't do my

1:39:11.720 --> 1:39:12.840
<v Speaker 1>own ship that you would do.

1:39:13.920 --> 1:39:14.519
<v Speaker 2>I didn't know nothing.

1:39:14.840 --> 1:39:17.120
<v Speaker 10>Yeah, That's why I tell a lot of young artists

1:39:17.200 --> 1:39:20.880
<v Speaker 10>now when I do have a chance to talk to them,

1:39:20.960 --> 1:39:23.000
<v Speaker 10>like learn as much as you can, you know, And

1:39:23.080 --> 1:39:26.800
<v Speaker 10>relationships are so important. You know, a lot of people

1:39:26.960 --> 1:39:30.000
<v Speaker 10>don't build relationships now like we used to back in

1:39:30.000 --> 1:39:30.719
<v Speaker 10>the day because.

1:39:30.479 --> 1:39:32.360
<v Speaker 5>We didn't have the internet. You had to get out

1:39:32.400 --> 1:39:34.360
<v Speaker 5>and talk to people. I don't think we do that

1:39:34.439 --> 1:39:35.360
<v Speaker 5>as much anymore.

1:39:35.600 --> 1:39:37.920
<v Speaker 1>Yeah, it's something that if I could comment on what

1:39:38.040 --> 1:39:41.679
<v Speaker 1>you just said his what's crazy about the new artists,

1:39:43.280 --> 1:39:45.439
<v Speaker 1>They definitely don't need a label at all.

1:39:46.400 --> 1:39:50.000
<v Speaker 2>True, Yes, like they don't need what we needed.

1:39:50.240 --> 1:39:55.000
<v Speaker 1>Yeah, right, we needed a top forty record. We needed

1:39:55.280 --> 1:39:58.840
<v Speaker 1>a record to go and travel right now, God bless me.

1:39:59.560 --> 1:40:02.840
<v Speaker 1>NBA Young Boy is all over. He is selling out

1:40:02.880 --> 1:40:06.599
<v Speaker 1>arena right now, and I don't know anybody in their

1:40:06.680 --> 1:40:08.439
<v Speaker 1>thirties that could even quote a record.

1:40:08.520 --> 1:40:08.600
<v Speaker 2>Now.

1:40:08.640 --> 1:40:11.080
<v Speaker 1>What I'm saying about that, I'm not dissing him. I'm

1:40:11.080 --> 1:40:14.439
<v Speaker 1>giving him light. What I'm saying is that people under

1:40:14.479 --> 1:40:17.400
<v Speaker 1>thirty could be the people that's that's that's doing it,

1:40:18.080 --> 1:40:20.439
<v Speaker 1>that's quoting his records. What I'm saying is that's an

1:40:20.479 --> 1:40:22.840
<v Speaker 1>example to us. It's an example to people that came

1:40:23.240 --> 1:40:26.680
<v Speaker 1>before us, example people that came that's coming after us.

1:40:27.080 --> 1:40:29.800
<v Speaker 1>Is that look, we don't even need these people if

1:40:30.000 --> 1:40:33.240
<v Speaker 1>really apply the pressure to ourselves and say, look, let's

1:40:33.320 --> 1:40:37.439
<v Speaker 1>it's a direct to consumer market right now, let's just

1:40:37.520 --> 1:40:40.720
<v Speaker 1>talk to them direct and NBA Young Boy, I don't

1:40:40.720 --> 1:40:43.200
<v Speaker 1>know who's behind you. I see bird Man sometimes behind you,

1:40:43.240 --> 1:40:46.320
<v Speaker 1>I see whatever. NBA Young Boy, you're a great example

1:40:46.400 --> 1:40:48.559
<v Speaker 1>of that. I see you selling out Arenas, I see

1:40:48.600 --> 1:40:50.439
<v Speaker 1>you doing this shit, and I see you it's like

1:40:50.600 --> 1:40:51.200
<v Speaker 1>what your.

1:40:51.160 --> 1:40:55.000
<v Speaker 2>Fans that is? That shit is something to that school.

1:40:55.000 --> 1:40:56.600
<v Speaker 2>What we strive to do is like you know what.

1:40:58.720 --> 1:41:00.880
<v Speaker 2>That's the beautiful thing about this part podcast.

1:41:02.880 --> 1:41:06.439
<v Speaker 1>Is I remember like going on tour and they sending

1:41:06.520 --> 1:41:08.880
<v Speaker 1>me to places that it didn't matter to my career.

1:41:10.160 --> 1:41:12.639
<v Speaker 2>I had to pay for it anyway. Right, So let's

1:41:13.040 --> 1:41:16.679
<v Speaker 2>I had to go to which is all Kansas?

1:41:16.800 --> 1:41:16.880
<v Speaker 1>Right?

1:41:17.360 --> 1:41:19.600
<v Speaker 2>I don't know, give me an example. I'm not saying that.

1:41:21.040 --> 1:41:22.639
<v Speaker 1>I mean I go to which of God to Kansas

1:41:22.760 --> 1:41:25.520
<v Speaker 1>or whatever, and it's three people at my instos.

1:41:26.720 --> 1:41:28.519
<v Speaker 2>Yeah, yeah, there's three people.

1:41:28.600 --> 1:41:31.840
<v Speaker 1>But I was right next door in Cleveland killing them.

1:41:32.400 --> 1:41:34.720
<v Speaker 2>I was right on the block. And they didn't have

1:41:34.800 --> 1:41:38.640
<v Speaker 2>the algorithms back then exactly. Now we actually have the algorithms.

1:41:38.080 --> 1:41:41.760
<v Speaker 1>Where you can actually see and say, oh, listen, we're

1:41:41.800 --> 1:41:45.719
<v Speaker 1>not going to do a forty city tour with Drink Canser.

1:41:45.760 --> 1:41:48.760
<v Speaker 2>We'll do a twenty eight city tour. All of these

1:41:48.760 --> 1:41:50.200
<v Speaker 2>twenty eight cities is going to matter.

1:41:50.320 --> 1:41:54.080
<v Speaker 1>It's the market still writing Marcus our mars Yes, and

1:41:55.120 --> 1:41:58.920
<v Speaker 1>you young brothers. That's out there. You got the algorithms.

1:41:59.360 --> 1:42:03.040
<v Speaker 1>You have a advantage that we didn't have. Better take

1:42:03.120 --> 1:42:07.200
<v Speaker 1>full advantage, and please continue to take full advantage, because

1:42:08.800 --> 1:42:15.639
<v Speaker 1>this is like I love Leo Cohen, right, I don't

1:42:15.680 --> 1:42:18.240
<v Speaker 1>care whoever feels about Leo. Come, that's who y'all feel.

1:42:18.560 --> 1:42:21.240
<v Speaker 1>Your relationship with Leo Cohen told me this is one

1:42:21.280 --> 1:42:23.519
<v Speaker 1>of the best times to get in the industry. And

1:42:23.600 --> 1:42:26.679
<v Speaker 1>you say why, Okay, well, you don't got to press

1:42:26.760 --> 1:42:29.400
<v Speaker 1>up an album. If you're producing your own album. You

1:42:29.479 --> 1:42:31.840
<v Speaker 1>have a relationship with a person that's producing your own album,

1:42:32.080 --> 1:42:33.920
<v Speaker 1>y'all can make a deal and you can say, you listen,

1:42:34.120 --> 1:42:35.840
<v Speaker 1>let me do this, this and that, and then you

1:42:35.880 --> 1:42:40.280
<v Speaker 1>can really own everything, get algorithms from the photography, everything,

1:42:40.479 --> 1:42:42.320
<v Speaker 1>and it's not as expensive.

1:42:42.400 --> 1:42:44.040
<v Speaker 2>Remember your album packaging was.

1:42:44.080 --> 1:42:47.519
<v Speaker 1>One hundred and seventy thousand, when you can include it

1:42:48.439 --> 1:42:52.280
<v Speaker 1>who you travel to your stylist and you know all

1:42:52.360 --> 1:42:55.120
<v Speaker 1>that you spending money that you didn't even really understand.

1:42:56.040 --> 1:42:58.200
<v Speaker 1>But now it's like I can look at everything and

1:42:58.280 --> 1:43:03.519
<v Speaker 1>I can control it. So I want elder artists, uh,

1:43:03.920 --> 1:43:07.480
<v Speaker 1>you know, younger artists, don't. Don't be confused about these algorithms.

1:43:08.360 --> 1:43:11.920
<v Speaker 1>Understand these algorithms and said, you know what, continue to

1:43:12.320 --> 1:43:13.920
<v Speaker 1>promote to your own fed.

1:43:15.000 --> 1:43:17.320
<v Speaker 7>I agree, but I want to ask them in to

1:43:17.400 --> 1:43:19.200
<v Speaker 7>that because one thing we got to be careful with

1:43:19.760 --> 1:43:22.360
<v Speaker 7>is as independent as we feel in this tech age.

1:43:23.160 --> 1:43:27.360
<v Speaker 2>These platforms are the new record labels and they can

1:43:27.640 --> 1:43:28.200
<v Speaker 2>platform you.

1:43:29.320 --> 1:43:30.439
<v Speaker 9>So make discussion.

1:43:30.640 --> 1:43:33.320
<v Speaker 7>Should also understand that I don't think you're totally I'm

1:43:33.360 --> 1:43:36.840
<v Speaker 7>this indie artist, like diversify these platforms that you're on,

1:43:37.040 --> 1:43:40.280
<v Speaker 7>try to find the most independent ones your audience.

1:43:40.160 --> 1:43:43.439
<v Speaker 2>And have a grassroots part of your campaign as well. Agree,

1:43:44.160 --> 1:43:44.439
<v Speaker 2>there's a.

1:43:44.439 --> 1:43:46.639
<v Speaker 9>New platform called Coda that I think is dope.

1:43:47.479 --> 1:43:50.479
<v Speaker 2>So I'm just saying that, and I want to just

1:43:50.560 --> 1:43:52.280
<v Speaker 2>add I think that what.

1:43:53.880 --> 1:43:57.760
<v Speaker 5>Needs to happen or continue to happen, I know I

1:43:57.920 --> 1:43:58.519
<v Speaker 5>actively do it.

1:43:58.600 --> 1:44:01.360
<v Speaker 10>I know other people to actively do each and different people,

1:44:01.680 --> 1:44:03.519
<v Speaker 10>but a lot of older artists, we got to embrace

1:44:03.600 --> 1:44:06.040
<v Speaker 10>these younger artists and bring them up. And then the

1:44:06.120 --> 1:44:09.479
<v Speaker 10>younger artists also, Like I spend a lot of time

1:44:09.800 --> 1:44:12.760
<v Speaker 10>with younger artists and they teach me a lot of

1:44:12.800 --> 1:44:14.920
<v Speaker 10>stuff I did not know about the Internet, and they're

1:44:14.920 --> 1:44:16.679
<v Speaker 10>like this easy, you can do this, Miss.

1:44:16.479 --> 1:44:17.200
<v Speaker 5>Easy, you can do that.

1:44:17.600 --> 1:44:19.400
<v Speaker 10>And so I'm learning too, and I think it's you know,

1:44:19.479 --> 1:44:21.000
<v Speaker 10>we got to take the old and the new and

1:44:21.080 --> 1:44:23.719
<v Speaker 10>bring it together because that's what's gonna make us greater,

1:44:24.000 --> 1:44:26.200
<v Speaker 10>you know what I mean. And because I think a

1:44:26.240 --> 1:44:29.160
<v Speaker 10>lot of the ways, like our work ethic and how

1:44:29.720 --> 1:44:33.160
<v Speaker 10>we came up everything, literally we want a carbon copy

1:44:33.360 --> 1:44:35.720
<v Speaker 10>like that was considered whack if it was like somebody else.

1:44:36.120 --> 1:44:38.479
<v Speaker 10>Just the individuality we have back then. I think we

1:44:38.560 --> 1:44:40.679
<v Speaker 10>still need to embrace that, you know what I'm saying,

1:44:41.040 --> 1:44:44.360
<v Speaker 10>But also understand this tech world because AI is here

1:44:44.520 --> 1:44:46.519
<v Speaker 10>and it's here to stay. You gotta, you know, we

1:44:46.560 --> 1:44:48.960
<v Speaker 10>gotta embrace stuff that's coming, you.

1:44:49.000 --> 1:44:49.439
<v Speaker 2>Know what I mean.

1:44:49.560 --> 1:44:53.600
<v Speaker 5>So cautious absolutely, but it's coming. It's coming, you know

1:44:53.640 --> 1:44:53.960
<v Speaker 5>what I mean.

1:44:55.840 --> 1:44:59.000
<v Speaker 9>I understand, Yeah, I mean, you know what I'm.

1:44:58.840 --> 1:44:59.639
<v Speaker 5>Saying, It's coming.

1:45:00.160 --> 1:45:03.080
<v Speaker 1>That's the one thing that I really would love to

1:45:03.160 --> 1:45:05.439
<v Speaker 1>improve on this bridge in the gap. And what I

1:45:05.479 --> 1:45:10.640
<v Speaker 1>say about bridging the gap is, you know, sometimes I

1:45:10.720 --> 1:45:12.240
<v Speaker 1>listen to these young brothers and I don't mean to

1:45:12.280 --> 1:45:13.800
<v Speaker 1>sound like the old dude, but fucking let me just

1:45:13.960 --> 1:45:15.040
<v Speaker 1>sound like the old dude for now.

1:45:15.080 --> 1:45:15.360
<v Speaker 2>Okay.

1:45:16.439 --> 1:45:18.080
<v Speaker 1>They'll be like, yo, man, you know, I got the

1:45:18.200 --> 1:45:24.960
<v Speaker 1>Jordan's on and I got on Patrick Ewings or they'll do.

1:45:25.439 --> 1:45:28.800
<v Speaker 1>And you know the sneakers that you're wearing when it

1:45:28.880 --> 1:45:31.559
<v Speaker 1>comes to basketball, you know the throwback jersey that you're

1:45:31.560 --> 1:45:33.439
<v Speaker 1>wearing when it comes to basketball. But here you are

1:45:33.600 --> 1:45:36.880
<v Speaker 1>making money off of hip hop and you don't know

1:45:36.920 --> 1:45:41.480
<v Speaker 1>who fucking Biggie Smalls is exactly right that it is disappointing.

1:45:42.520 --> 1:45:44.320
<v Speaker 1>And I don't mean to be the old homie that

1:45:44.439 --> 1:45:46.760
<v Speaker 1>critique you, but I also have to be the old homie.

1:45:46.800 --> 1:45:48.320
<v Speaker 1>They'll be like, yo, you're not right when you come

1:45:48.360 --> 1:45:51.320
<v Speaker 1>on the block. Got to tie your shoelaces, you got

1:45:51.439 --> 1:45:54.880
<v Speaker 1>to pick up your you're.

1:45:53.520 --> 1:45:55.320
<v Speaker 2>Suspended this homie, you got to do that.

1:45:55.520 --> 1:45:59.080
<v Speaker 1>Like, I have to be that person because it's like, damn,

1:45:59.320 --> 1:46:01.600
<v Speaker 1>we're all being the fitting off for this. And you

1:46:01.720 --> 1:46:06.120
<v Speaker 1>could tell me that Jordan One needs fucking right. It's

1:46:06.160 --> 1:46:08.720
<v Speaker 1>that eighty seven. You could tell me that, But you

1:46:08.880 --> 1:46:12.760
<v Speaker 1>can't tell me Biz Markey's record is you.

1:46:14.240 --> 1:46:14.920
<v Speaker 2>You got.

1:46:17.400 --> 1:46:18.240
<v Speaker 5>In the world.

1:46:21.000 --> 1:46:26.400
<v Speaker 2>Of the girl. You want to take your platonic to wherever.

1:46:26.600 --> 1:46:29.040
<v Speaker 2>You can't tell me you're not going to sing bis marks.

1:46:31.000 --> 1:46:35.240
<v Speaker 2>Yeah on, bro, But you know what's happening in baseball,

1:46:35.400 --> 1:46:41.000
<v Speaker 2>and you know Messi's watch like I can't I can't respect.

1:46:40.640 --> 1:46:43.720
<v Speaker 12>And I think to that point, as a culture, we

1:46:43.840 --> 1:46:48.519
<v Speaker 12>need to stop pitting generations against each other, because everybody's

1:46:48.520 --> 1:46:51.080
<v Speaker 12>going to have a different greatest of all time thing

1:46:51.439 --> 1:46:54.120
<v Speaker 12>based off of what era you came up in. But

1:46:54.560 --> 1:46:58.080
<v Speaker 12>but I don't like the idea that it's like the

1:46:58.160 --> 1:47:01.360
<v Speaker 12>older generations like, oh, that's whag, and the younger generation

1:47:01.520 --> 1:47:01.960
<v Speaker 12>is like all the.

1:47:01.960 --> 1:47:04.400
<v Speaker 11>Old stuff is whack. It's like, nah, it's just different.

1:47:05.000 --> 1:47:08.080
<v Speaker 12>And if you educate yourself, like the idea that what

1:47:08.320 --> 1:47:12.000
<v Speaker 12>happened before you isn't important anymore because it's about the now, well,

1:47:12.040 --> 1:47:14.479
<v Speaker 12>you'll end up making the same mistakes that the artists

1:47:14.560 --> 1:47:17.760
<v Speaker 12>before you did that we were hoping you would push

1:47:17.840 --> 1:47:20.400
<v Speaker 12>it forward, and then there's gonna be another generation after

1:47:20.479 --> 1:47:21.000
<v Speaker 12>you that's going.

1:47:21.000 --> 1:47:22.040
<v Speaker 1>To build off of what you do.

1:47:22.520 --> 1:47:26.880
<v Speaker 12>But we have gotten into this this pie, these pods

1:47:26.920 --> 1:47:29.240
<v Speaker 12>where it's like the only thing that's dope is this,

1:47:30.000 --> 1:47:32.120
<v Speaker 12>and that's not that's not true. And if if we're

1:47:32.240 --> 1:47:35.040
<v Speaker 12>more celebratory of every it doesn't we don't have to

1:47:35.280 --> 1:47:37.160
<v Speaker 12>like or everything don't have to be your cup of tea,

1:47:37.880 --> 1:47:41.160
<v Speaker 12>but just the idea that anything but your stuff is

1:47:41.240 --> 1:47:43.720
<v Speaker 12>whack or the older generation or newer generation.

1:47:43.439 --> 1:47:44.240
<v Speaker 6>We just got to get out of that.

1:47:44.320 --> 1:47:46.200
<v Speaker 9>I wish it was a podcast that gave flowers.

1:47:51.800 --> 1:47:53.360
<v Speaker 1>And I have to say this, but I wish there

1:47:53.439 --> 1:47:56.959
<v Speaker 1>was a real platform where it was a hip hop platform.

1:47:57.040 --> 1:47:59.120
<v Speaker 1>Like what I mean by that is like, and I'm

1:47:59.120 --> 1:48:01.560
<v Speaker 1>not saying we're not the platform. What I'm saying is

1:48:02.200 --> 1:48:05.080
<v Speaker 1>we prefer to give flowers to people that has been here,

1:48:05.439 --> 1:48:08.040
<v Speaker 1>you know, you know, ten years or more. Right, But

1:48:08.200 --> 1:48:13.080
<v Speaker 1>then there's a platform where we should all co exists, right, meaning.

1:48:13.400 --> 1:48:16.920
<v Speaker 18>The newest of the newest guy from fucking you know,

1:48:17.160 --> 1:48:20.759
<v Speaker 18>Indiana should be connected with the newest newest guy from Compton,

1:48:21.280 --> 1:48:23.840
<v Speaker 18>and you know, and vice versa.

1:48:24.479 --> 1:48:28.040
<v Speaker 2>Do do what the fuck we do in hip hop?

1:48:28.080 --> 1:48:28.840
<v Speaker 2>You know what I'm saying, like.

1:48:30.520 --> 1:48:33.960
<v Speaker 1>We do is so beautiful, and it's like it's like

1:48:34.160 --> 1:48:36.439
<v Speaker 1>that's the one thing I regret when you said I

1:48:36.520 --> 1:48:38.479
<v Speaker 1>forget what you want to say like the younger generation.

1:48:38.840 --> 1:48:40.840
<v Speaker 2>I always regret that because me.

1:48:41.200 --> 1:48:44.160
<v Speaker 1>As a OG, sometimes I look over there and I

1:48:44.240 --> 1:48:45.080
<v Speaker 1>want to say to him.

1:48:45.160 --> 1:48:47.680
<v Speaker 2>Similar to like that you said the new intervw RA

1:48:47.800 --> 1:48:49.360
<v Speaker 2>story there say, so I.

1:48:49.479 --> 1:48:52.360
<v Speaker 1>Similar I look over there, and then I can look

1:48:52.439 --> 1:48:53.800
<v Speaker 1>and I can see one of his homies, and I

1:48:53.840 --> 1:48:55.400
<v Speaker 1>can feel like one of the homies, Like look at

1:48:55.400 --> 1:48:59.240
<v Speaker 1>the old nigga trying to say, I've got that guy

1:49:01.000 --> 1:49:06.120
<v Speaker 1>over here, my own smoking, of my own jam, none

1:49:06.120 --> 1:49:06.599
<v Speaker 1>of that ship.

1:49:07.720 --> 1:49:10.000
<v Speaker 2>That's me as an og being wrong.

1:49:10.400 --> 1:49:12.240
<v Speaker 1>I'm supposed to be able to supersede that and say,

1:49:12.280 --> 1:49:16.519
<v Speaker 1>all listen, let me introduce myself, right, young homie. Look

1:49:16.640 --> 1:49:18.800
<v Speaker 1>regardless if you know who I am or not, you

1:49:18.840 --> 1:49:21.280
<v Speaker 1>know what I mean? Like, I know, I met Young

1:49:21.400 --> 1:49:26.920
<v Speaker 1>Doug one night, and I did the wrong thing. I

1:49:27.000 --> 1:49:30.519
<v Speaker 1>walked up to Young Doug and he uses slim. Slim

1:49:30.640 --> 1:49:34.200
<v Speaker 1>is my my sling. Slim is my slang since two

1:49:34.200 --> 1:49:35.760
<v Speaker 1>thousand and the more you can pull it up. And

1:49:35.880 --> 1:49:37.080
<v Speaker 1>I walked up to him and I was just like,

1:49:37.320 --> 1:49:39.760
<v Speaker 1>what's up, Broke. He was like, oh, what's up, Broke?

1:49:39.840 --> 1:49:43.960
<v Speaker 2>And I was just like, all right, I.

1:49:46.600 --> 1:49:49.840
<v Speaker 1>Know it's me that was wrong though, Like I fully

1:49:49.880 --> 1:49:51.559
<v Speaker 1>didn't introduced myself.

1:49:51.880 --> 1:49:53.600
<v Speaker 2>I just wanted him to.

1:49:53.640 --> 1:49:55.760
<v Speaker 1>Know who I was right then and there, and he did,

1:49:56.120 --> 1:49:57.360
<v Speaker 1>and I was just like, you know what, stay in

1:49:57.400 --> 1:49:58.040
<v Speaker 1>your own zone.

1:49:58.080 --> 1:49:59.000
<v Speaker 2>But that was wrong of me.

1:49:59.600 --> 1:50:01.479
<v Speaker 1>Like you know what, sometimes we can even bow down

1:50:01.560 --> 1:50:04.360
<v Speaker 1>to ourselves because this is our community. And by the way,

1:50:04.880 --> 1:50:07.240
<v Speaker 1>the reason why your name slime is because of me.

1:50:09.439 --> 1:50:13.080
<v Speaker 1>Someone else's name you Slim, but that original.

1:50:14.280 --> 1:50:16.680
<v Speaker 2>Name was was me since two thousand and one.

1:50:16.920 --> 1:50:18.479
<v Speaker 1>And I could have easily said that. I didn't know

1:50:18.520 --> 1:50:20.320
<v Speaker 1>how to say it, but I knew that that was

1:50:20.400 --> 1:50:23.040
<v Speaker 1>the problems for us. Sometimes it's like I didn't know

1:50:23.120 --> 1:50:26.680
<v Speaker 1>how to be like yo, yo home. I just want

1:50:26.720 --> 1:50:29.320
<v Speaker 1>you to know you made a whole career ten years

1:50:30.760 --> 1:50:32.439
<v Speaker 1>and you kind of took my ship.

1:50:34.000 --> 1:50:38.360
<v Speaker 2>Laugh about it, you know what I mean.

1:50:39.080 --> 1:50:41.400
<v Speaker 1>But that's the part that I wish we could improve

1:50:41.439 --> 1:50:44.560
<v Speaker 1>and hip hop relations I was looking.

1:50:44.360 --> 1:50:46.439
<v Speaker 5>Like that when you said that, because that happens to

1:50:46.560 --> 1:50:46.960
<v Speaker 5>us a lot.

1:50:47.479 --> 1:50:47.960
<v Speaker 2>We're weird.

1:50:48.520 --> 1:50:50.639
<v Speaker 5>It's like I don't want to introduce myself.

1:50:50.880 --> 1:50:51.160
<v Speaker 2>I did.

1:50:51.320 --> 1:50:54.400
<v Speaker 1>I don't want to sometimes yeah, yeah, I'm good. I

1:50:54.479 --> 1:50:56.439
<v Speaker 1>want to get your handshaken. You be like, what's something

1:50:56.720 --> 1:50:57.920
<v Speaker 1>like it should just be real?

1:51:00.080 --> 1:51:04.240
<v Speaker 2>Really needed it all more than that.

1:51:06.320 --> 1:51:10.080
<v Speaker 1>But then you got you got you got, you got

1:51:10.120 --> 1:51:13.880
<v Speaker 1>this younger generation that does know you got a Kendrick

1:51:13.960 --> 1:51:14.840
<v Speaker 1>Lamar that would sit.

1:51:14.840 --> 1:51:17.800
<v Speaker 2>There and be like, yo, what's up bro? You be like,

1:51:18.120 --> 1:51:20.960
<v Speaker 2>oh ship you everybody.

1:51:21.000 --> 1:51:24.240
<v Speaker 1>I didn't expect that from you, and you got J Coles,

1:51:24.280 --> 1:51:26.080
<v Speaker 1>you got these people who will sit down.

1:51:26.560 --> 1:51:28.439
<v Speaker 7>But I think you could easily say that there's artists

1:51:28.439 --> 1:51:31.960
<v Speaker 7>that are culturally invested and artists that are just here

1:51:32.120 --> 1:51:32.720
<v Speaker 7>for what.

1:51:33.520 --> 1:51:34.439
<v Speaker 2>Let's just make this buck.

1:51:35.160 --> 1:51:38.920
<v Speaker 7>And so I think my issue for for generationally going

1:51:39.160 --> 1:51:42.479
<v Speaker 7>younger is that there's no problem with you not knowing something.

1:51:42.720 --> 1:51:44.920
<v Speaker 2>We all don't know everything. We don't know that there's

1:51:44.920 --> 1:51:48.400
<v Speaker 2>a problem with you not wanting to know. You should

1:51:48.479 --> 1:51:52.360
<v Speaker 2>want to know. I know that about my thing that

1:51:52.479 --> 1:51:55.360
<v Speaker 2>I do. Let me know that history will say for us.

1:51:55.479 --> 1:51:57.479
<v Speaker 8>We're getting a lot of young people coming to our

1:51:57.560 --> 1:52:00.479
<v Speaker 8>shows all of a sudden, All of a Sudden'm talking eighteen.

1:52:00.560 --> 1:52:03.639
<v Speaker 2>You know, they weren't even born when we were. Because

1:52:03.680 --> 1:52:05.320
<v Speaker 2>you know why hip hop is trying to learn.

1:52:05.400 --> 1:52:09.000
<v Speaker 9>They want to learn, which is encouraging, right what I'm saying.

1:52:09.040 --> 1:52:12.320
<v Speaker 1>That's beautiful, Yo, man, I had so much fun doing that.

1:52:12.479 --> 1:52:12.599
<v Speaker 2>Man.

1:52:19.439 --> 1:52:26.240
<v Speaker 1>But you guys are a group that people should study.

1:52:27.240 --> 1:52:32.920
<v Speaker 1>People should understand definition of loyalty, people should understand the

1:52:32.960 --> 1:52:37.879
<v Speaker 1>definition of respect, and people should understand the definition of unity.

1:52:38.360 --> 1:52:42.439
<v Speaker 1>Facts that is not that is not common in hip hop.

1:52:43.640 --> 1:52:47.080
<v Speaker 1>I've been in this motherfucker twenty five years. Like I said,

1:52:47.080 --> 1:52:53.679
<v Speaker 1>I see, motherfuckers can't even survive two months, let alone

1:52:53.760 --> 1:52:57.360
<v Speaker 1>two years, let alone twenty seven to thirty years.

1:52:58.000 --> 1:52:59.240
<v Speaker 2>And that shit is not normal.

1:53:00.080 --> 1:53:02.240
<v Speaker 1>I wanted to take the time out to respect y'all.

1:53:02.640 --> 1:53:02.880
<v Speaker 9>Thanks.

1:53:03.040 --> 1:53:05.560
<v Speaker 1>Tell y'all how much y'all mean to not only me,

1:53:06.400 --> 1:53:08.679
<v Speaker 1>you know, not only say EFN and a drink chance

1:53:08.760 --> 1:53:11.759
<v Speaker 1>it's a hip hop. Think you man, there's an example

1:53:11.800 --> 1:53:17.880
<v Speaker 1>that we should all study and continue to study and

1:53:17.960 --> 1:53:22.160
<v Speaker 1>continue to represent and respect because it's not a lot

1:53:22.840 --> 1:53:26.680
<v Speaker 1>and the fact that y'all are one of many, but

1:53:27.120 --> 1:53:30.679
<v Speaker 1>y'all are probably the first. I have to salute y'all.

1:53:30.720 --> 1:53:32.439
<v Speaker 1>I want to tell you how much I respect y'all.

1:53:32.840 --> 1:53:35.280
<v Speaker 2>Thanks. Tell y'all. Man, like the ship that y'all did

1:53:35.439 --> 1:53:38.280
<v Speaker 2>is not normal. It's not normal.

1:53:38.400 --> 1:53:44.400
<v Speaker 1>Like like all right, all right, there was a Rockefeller

1:53:44.479 --> 1:53:49.200
<v Speaker 1>tree right one time, and they said Rockefeller. But then

1:53:49.240 --> 1:53:52.599
<v Speaker 1>they seen every group that could be related to rocket

1:53:52.640 --> 1:53:56.000
<v Speaker 1>fell word up. Do you know understand every group that

1:53:56.120 --> 1:54:03.240
<v Speaker 1>if we did that same shit, every group that could

1:54:03.280 --> 1:54:06.600
<v Speaker 1>be Lady, y'all, y'all would look like Johangti word up

1:54:06.760 --> 1:54:10.400
<v Speaker 1>in the field, because it would look and it would

1:54:10.479 --> 1:54:14.000
<v Speaker 1>keep going because there's certain groups that y'all birth that

1:54:14.120 --> 1:54:18.000
<v Speaker 1>birth to other groups, so that ship keeps going.

1:54:19.080 --> 1:54:22.160
<v Speaker 2>So in casey I didn't know it, I was just saying.

1:54:34.880 --> 1:54:43.440
<v Speaker 19>We made it to drinks. But it always has to be.

1:54:43.600 --> 1:54:45.800
<v Speaker 19>We always have to validate each other sometimes.

1:54:46.280 --> 1:54:50.040
<v Speaker 2>Hell yeah, but it's well warranted. Man, we were waiting

1:54:50.080 --> 1:54:51.680
<v Speaker 2>for this. Okay, one last question.

1:54:52.360 --> 1:54:57.920
<v Speaker 1>Okay, one last question. Because you know hip hop, we

1:54:58.000 --> 1:55:01.360
<v Speaker 1>always have these crazy names. How you get the name speech?

1:55:03.600 --> 1:55:05.640
<v Speaker 8>I used to be called DJ and you know, you know,

1:55:06.880 --> 1:55:09.040
<v Speaker 8>and they used to call me DJ Peach because in

1:55:09.120 --> 1:55:11.960
<v Speaker 8>my head and how big it is, so period a

1:55:12.040 --> 1:55:16.080
<v Speaker 8>name peach. Of course, when I started rhyming, I didn't

1:55:16.080 --> 1:55:16.720
<v Speaker 8>want to be known.

1:55:16.600 --> 1:55:17.120
<v Speaker 7>As m C.

1:55:17.240 --> 1:55:21.960
<v Speaker 9>Peach. That's like, so why I put an in front

1:55:21.960 --> 1:55:22.120
<v Speaker 9>of it?

1:55:23.240 --> 1:55:23.520
<v Speaker 8>That was it?

1:55:23.720 --> 1:55:25.800
<v Speaker 9>Speech? It just made sense. I just started rhyming. I

1:55:25.880 --> 1:55:27.240
<v Speaker 9>was like, this is this is it?

1:55:27.600 --> 1:55:29.680
<v Speaker 2>This makes sense? Yeah?

1:55:29.760 --> 1:55:31.600
<v Speaker 9>I had something to say, So that was it.

1:55:32.200 --> 1:55:45.840
<v Speaker 20>Please take a look at the record because it's dope,

1:55:45.960 --> 1:55:49.440
<v Speaker 20>the actual take a look at But he's.

1:55:49.320 --> 1:55:52.560
<v Speaker 1>Very he's very about this one. Yeah, about the old

1:55:52.560 --> 1:55:57.240
<v Speaker 1>school one we had we had on head and he

1:55:57.320 --> 1:55:58.880
<v Speaker 1>gives one of the old.

1:55:58.760 --> 1:56:13.480
<v Speaker 2>Records, like that record, right, So this this, this is

1:56:13.760 --> 1:56:14.800
<v Speaker 2>the care, the care.

1:56:14.880 --> 1:56:15.040
<v Speaker 7>Yeah.

1:56:21.320 --> 1:56:23.360
<v Speaker 2>Drink Champs is a drink Champs ll C.

1:56:23.560 --> 1:56:27.040
<v Speaker 7>Production hosts and executive producers n O r E and

1:56:27.240 --> 1:56:28.280
<v Speaker 7>d j e f f N.

1:56:29.440 --> 1:56:30.520
<v Speaker 2>Listen to drink Champs on.

1:56:30.560 --> 1:56:35.520
<v Speaker 14>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

1:56:36.640 --> 1:56:39.040
<v Speaker 14>Thanks for joining us for another episode of Drink Champs

1:56:39.120 --> 1:56:41.480
<v Speaker 14>hosted by yours truly, d j e f N and

1:56:41.680 --> 1:56:43.720
<v Speaker 14>n O r E. Please make sure to follow us

1:56:43.760 --> 1:56:46.360
<v Speaker 14>on all our socials that's at drink Champs across all

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1:56:56.280 --> 1:56:58.680
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1:56:59.080 --> 1:57:02.240
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1:57:03.600 --> 1:57:06.400
<v Speaker 2>Mm hmm