1 00:00:05,200 --> 00:00:07,560 Speaker 1: Hey, this is Sanny and Samantha and welcome to stuff 2 00:00:07,560 --> 00:00:19,120 Speaker 1: I Never told your production of iHeart Radio, And welcome 3 00:00:19,280 --> 00:00:21,440 Speaker 1: to our part two classic rerun. 4 00:00:21,840 --> 00:00:25,640 Speaker 2: I'm Princess Leiah. Whether you celebrate Revenge of the fifth 5 00:00:25,800 --> 00:00:30,240 Speaker 2: or Revenge of the sixth, because people disagree about which 6 00:00:30,240 --> 00:00:35,919 Speaker 2: one is the better kind of rhyming scheme. Either way, 7 00:00:38,080 --> 00:00:40,479 Speaker 2: I hope you enjoy this classic episode. 8 00:00:44,960 --> 00:00:48,080 Speaker 3: Hey this Sanny and again Samantha, and. 9 00:00:48,040 --> 00:00:50,599 Speaker 2: Welcome to stuff I've Never told your production of iHeartRadio. 10 00:01:00,000 --> 00:01:02,320 Speaker 3: Always have to pretend like a surprise like I'm still here. 11 00:01:02,600 --> 00:01:03,200 Speaker 4: I love it. 12 00:01:03,240 --> 00:01:06,640 Speaker 2: I love your tone of surprise always with you, the 13 00:01:06,720 --> 00:01:08,920 Speaker 2: tone of surprise they have. 14 00:01:09,040 --> 00:01:11,480 Speaker 3: You have to switch it up because you know why not? 15 00:01:12,360 --> 00:01:15,080 Speaker 4: Definitely keep me and the listeners on our toes. 16 00:01:15,959 --> 00:01:18,840 Speaker 2: I actually, how do you feel about a good like 17 00:01:18,920 --> 00:01:20,120 Speaker 2: surprise or twist? 18 00:01:20,400 --> 00:01:21,600 Speaker 4: In medias? At the. 19 00:01:23,080 --> 00:01:25,800 Speaker 3: It's according to what kind of surprise or twist there is. 20 00:01:27,640 --> 00:01:31,280 Speaker 3: Like I will say, if it gets too dark and 21 00:01:31,360 --> 00:01:33,319 Speaker 3: I don't know there's a happy ending, I'm gonna quit. 22 00:01:33,400 --> 00:01:34,720 Speaker 3: But if you tell me that's going to be a 23 00:01:34,720 --> 00:01:36,240 Speaker 3: happy ending, I'll be better. 24 00:01:36,920 --> 00:01:38,839 Speaker 4: I love a good surprise. 25 00:01:40,520 --> 00:01:42,560 Speaker 2: And a good twist, like if it's if it's just 26 00:01:42,920 --> 00:01:48,200 Speaker 2: ridiculous and unearned. I don't like that, right, But something 27 00:01:48,360 --> 00:01:51,440 Speaker 2: like from these movies we're talking about today, Star Wars, 28 00:01:51,440 --> 00:01:52,120 Speaker 2: I am your father. 29 00:01:52,200 --> 00:01:55,000 Speaker 4: I would have loved to have had that surprise. 30 00:01:56,080 --> 00:01:58,680 Speaker 3: It's kind of like the I See Dead People. 31 00:01:59,280 --> 00:02:03,160 Speaker 4: Yeah I did that too. I had. Yeah. 32 00:02:03,280 --> 00:02:06,840 Speaker 2: I went through such a big sixth sense phase because 33 00:02:07,320 --> 00:02:10,400 Speaker 2: I love horror, and good horror can sometimes be hard to. 34 00:02:10,360 --> 00:02:13,680 Speaker 3: Find, right, and to be fair, you only can get 35 00:02:13,720 --> 00:02:17,359 Speaker 3: that once. I know that's a sad part. 36 00:02:17,520 --> 00:02:21,200 Speaker 2: But you you are someone who has watched movies with me, 37 00:02:21,280 --> 00:02:23,760 Speaker 2: and movies that I love, and you know, I get 38 00:02:23,800 --> 00:02:26,760 Speaker 2: reinvested every time as if I'm like you. 39 00:02:27,240 --> 00:02:30,000 Speaker 3: It's almost like you get surprised again, like the way 40 00:02:30,080 --> 00:02:32,680 Speaker 3: you're so invested that when I look at your face, you're. 41 00:02:32,520 --> 00:02:34,560 Speaker 4: Like, oh, oh. 42 00:02:33,880 --> 00:02:36,960 Speaker 3: My gosh, that I truly believe that it's the first 43 00:02:37,000 --> 00:02:37,760 Speaker 3: time you've seen it. 44 00:02:38,400 --> 00:02:41,200 Speaker 2: Yeah, And I've wondered about that. And I had a 45 00:02:41,240 --> 00:02:43,120 Speaker 2: friend who kind of like interviewed me. 46 00:02:43,800 --> 00:02:47,880 Speaker 5: She said, so, tell me, why is it every time 47 00:02:47,919 --> 00:02:50,520 Speaker 5: we watch these movies you've seen hundreds of times together, 48 00:02:50,919 --> 00:02:52,760 Speaker 5: you act as though you've never seen it. 49 00:02:53,240 --> 00:02:55,200 Speaker 2: And I was trying to explain that. For me, it's 50 00:02:55,240 --> 00:03:00,800 Speaker 2: almost like I can count on these feelings and stations. 51 00:03:00,919 --> 00:03:03,200 Speaker 2: It gives me every time, and that's why I keep 52 00:03:03,240 --> 00:03:06,120 Speaker 2: watching them and I love those. It's almost like writing 53 00:03:06,120 --> 00:03:08,600 Speaker 2: a roller coaster. I love writing roller coasters. Write a 54 00:03:08,600 --> 00:03:09,119 Speaker 2: million times. 55 00:03:09,200 --> 00:03:11,440 Speaker 3: And if you knew, it's true, because when we've written 56 00:03:11,680 --> 00:03:15,320 Speaker 3: ride together, you do act like it's a new thing 57 00:03:15,360 --> 00:03:18,359 Speaker 3: for you. You're so excited about it in advance. So 58 00:03:18,760 --> 00:03:21,320 Speaker 3: for you, when we were talking about the Star Wars 59 00:03:21,400 --> 00:03:23,480 Speaker 3: that was the first time you wrote it, what was 60 00:03:23,520 --> 00:03:27,360 Speaker 3: your feels other than because the initial was that you 61 00:03:27,360 --> 00:03:30,320 Speaker 3: were so excited that you almost tore, like you almost 62 00:03:30,320 --> 00:03:32,680 Speaker 3: had tears in your You did have tears in your 63 00:03:32,720 --> 00:03:35,320 Speaker 3: eyes as you were like, we're going to write it. 64 00:03:35,360 --> 00:03:37,280 Speaker 3: What was your feel after the fact that you wrote 65 00:03:37,280 --> 00:03:40,600 Speaker 3: it for the first time? You were quiet? 66 00:03:40,600 --> 00:03:41,400 Speaker 4: I was quiet. 67 00:03:41,800 --> 00:03:47,960 Speaker 5: I was like almost euphoria, just a relief and a 68 00:03:48,040 --> 00:03:50,360 Speaker 5: happiness that we did this. 69 00:03:50,560 --> 00:03:52,520 Speaker 2: I've been so worried about it. I thought we would 70 00:03:52,520 --> 00:03:56,120 Speaker 2: never make it happen. And it was around two pm 71 00:03:56,640 --> 00:04:01,360 Speaker 2: that we finally got to write it, and it was Oh, 72 00:04:01,400 --> 00:04:03,000 Speaker 2: I can't believe that it happened. 73 00:04:03,040 --> 00:04:06,000 Speaker 4: All these things could have gone wrong, and we. 74 00:04:05,920 --> 00:04:08,720 Speaker 3: Did, and we were we were kind of scared that 75 00:04:08,760 --> 00:04:10,440 Speaker 3: it was going to go wrong, whether it was weather, 76 00:04:10,600 --> 00:04:13,240 Speaker 3: whether it was being backed up, whether it would break down. 77 00:04:13,280 --> 00:04:17,359 Speaker 3: Because also I had this experience with you with the 78 00:04:18,320 --> 00:04:22,119 Speaker 3: Hagrid Rod Yes, and I was like, we can't leave 79 00:04:22,200 --> 00:04:24,720 Speaker 3: here without you actually writing this ride, because I think 80 00:04:24,720 --> 00:04:26,640 Speaker 3: that would have been one of the biggest disappointments for 81 00:04:26,720 --> 00:04:28,680 Speaker 3: you and for me to see you write it, to 82 00:04:28,760 --> 00:04:31,880 Speaker 3: see you after the fact and the stories that you had. Yeah, 83 00:04:31,920 --> 00:04:33,480 Speaker 3: but it's kind of that same level. 84 00:04:34,160 --> 00:04:36,760 Speaker 2: Yeah, I am so glad you were like, you have 85 00:04:36,800 --> 00:04:37,479 Speaker 2: to write this ride. 86 00:04:37,480 --> 00:04:38,720 Speaker 4: No better what I. 87 00:04:38,720 --> 00:04:40,880 Speaker 3: Really know, I wasn't gonna let you leave without that. 88 00:04:41,160 --> 00:04:43,200 Speaker 2: I love how supportive you are. It's one of my 89 00:04:43,240 --> 00:04:46,440 Speaker 2: favorite things about you. You made sure that happened, and 90 00:04:46,680 --> 00:04:48,600 Speaker 2: I am so glad that I wrote that. 91 00:04:48,760 --> 00:04:51,000 Speaker 3: Right, I will say, you make it easy because I 92 00:04:51,040 --> 00:04:55,360 Speaker 3: know what you love. Yes, And that's like first and 93 00:04:55,400 --> 00:04:57,920 Speaker 3: foremost one of the things that I love about my friends. 94 00:04:57,920 --> 00:05:00,760 Speaker 3: And by the way, when we read the listener letter 95 00:05:01,000 --> 00:05:04,280 Speaker 3: about her friend doing the Harry Potter, she actually tweeted 96 00:05:04,560 --> 00:05:06,679 Speaker 3: her friend tweeted about how much she loved her friend 97 00:05:06,720 --> 00:05:11,360 Speaker 3: for doing that. That is the stuff that I love 98 00:05:11,360 --> 00:05:14,640 Speaker 3: about women loving women and our female supporting females. But 99 00:05:14,760 --> 00:05:16,839 Speaker 3: that is what I see, like, I'm like, oh my god, 100 00:05:16,880 --> 00:05:20,280 Speaker 3: Annie has to do this because she loves it. Of course, 101 00:05:20,279 --> 00:05:21,440 Speaker 3: I love to teach you and be like, no, it's 102 00:05:21,480 --> 00:05:25,760 Speaker 3: never happening. But just watching this movie, just seeing you 103 00:05:25,839 --> 00:05:28,880 Speaker 3: on these rise, this passion. I don't know if I've 104 00:05:28,920 --> 00:05:31,840 Speaker 3: ever felt passionate like that, and you do, and it's 105 00:05:31,920 --> 00:05:32,719 Speaker 3: fun to watch. 106 00:05:33,240 --> 00:05:33,840 Speaker 4: I'm glad. 107 00:05:34,000 --> 00:05:36,559 Speaker 2: I'm glad because, as I said in the last one 108 00:05:37,320 --> 00:05:40,120 Speaker 2: in part one of our Princess Leah Star Wars Overview, 109 00:05:41,000 --> 00:05:42,720 Speaker 2: I've been embarrassed about it. 110 00:05:42,800 --> 00:05:44,279 Speaker 4: Like still to this day, I struggle with it. 111 00:05:44,320 --> 00:05:46,560 Speaker 2: I think fandom is more accepted now, but when I 112 00:05:46,600 --> 00:05:49,240 Speaker 2: was younger, I definitely felt like a weirdo. 113 00:05:49,800 --> 00:05:50,200 Speaker 4: That's right. 114 00:05:50,640 --> 00:05:55,960 Speaker 2: And even my older brother, who loved Star Wars, he 115 00:05:56,000 --> 00:05:58,200 Speaker 2: would make fun of me for liking Star Wars and 116 00:05:58,839 --> 00:06:02,400 Speaker 2: he said I was too into it and it was strange, 117 00:06:03,920 --> 00:06:06,760 Speaker 2: and luckily for me, I was too in it to 118 00:06:06,760 --> 00:06:07,960 Speaker 2: be deterred. 119 00:06:09,160 --> 00:06:11,480 Speaker 3: And I love that. I think people who love things 120 00:06:11,520 --> 00:06:16,560 Speaker 3: are genuinely you know who they are, yeah, And to me, 121 00:06:16,760 --> 00:06:20,000 Speaker 3: they are die hard and loyal and loyalty is really 122 00:06:20,080 --> 00:06:21,040 Speaker 3: hard to find. 123 00:06:21,720 --> 00:06:22,560 Speaker 4: Yeah, yeah. 124 00:06:22,600 --> 00:06:27,359 Speaker 2: And I think that fandom certainly can be toxic, and 125 00:06:27,400 --> 00:06:28,600 Speaker 2: we've talked about that before. 126 00:06:28,760 --> 00:06:31,480 Speaker 4: And I am someone who. 127 00:06:35,040 --> 00:06:37,560 Speaker 2: I'm able to separate the things that I love about 128 00:06:37,800 --> 00:06:40,240 Speaker 2: Star Wars in particular, or anything that I do really love, 129 00:06:40,600 --> 00:06:43,119 Speaker 2: the good things and the bad things. And like, sure, 130 00:06:43,200 --> 00:06:45,479 Speaker 2: I didn't like this movie, but that doesn't ruin everything 131 00:06:45,520 --> 00:06:48,480 Speaker 2: else for me. And I know for some people it does, right, 132 00:06:49,040 --> 00:06:50,400 Speaker 2: but for me it doesn't. 133 00:06:51,040 --> 00:06:54,760 Speaker 3: And just to put this out there, loving anything too much, yes, 134 00:06:54,800 --> 00:06:58,040 Speaker 3: obsession is dangerous, yes, But to be able to love 135 00:06:58,080 --> 00:07:03,400 Speaker 3: something it is a genuinely good thing. And for those 136 00:07:03,440 --> 00:07:07,960 Speaker 3: who support friends, those who uh for me like I Again, 137 00:07:08,000 --> 00:07:10,600 Speaker 3: I think I've talked about this before about attachment issues. 138 00:07:10,640 --> 00:07:14,960 Speaker 3: I don't quite understand this level of this bond, but 139 00:07:15,080 --> 00:07:17,160 Speaker 3: I love it when I see it because I wish 140 00:07:17,160 --> 00:07:19,440 Speaker 3: I could be as in it as you are. 141 00:07:19,800 --> 00:07:23,600 Speaker 2: Well you, I'm so glad it met so much to 142 00:07:23,600 --> 00:07:25,920 Speaker 2: me that you watched these the feed and you shared 143 00:07:25,960 --> 00:07:28,760 Speaker 2: it with me, because yeah, we are. 144 00:07:28,840 --> 00:07:30,360 Speaker 4: This is our part two of. 145 00:07:30,360 --> 00:07:38,440 Speaker 2: Our epic Star Wars Princess Leiah Feminism Overview. Please go 146 00:07:38,560 --> 00:07:40,600 Speaker 2: check out part one if you haven't listened to it already, 147 00:07:40,840 --> 00:07:42,880 Speaker 2: in which we talk about the cultural impact of Star 148 00:07:42,920 --> 00:07:47,040 Speaker 2: Wars in Leia, and we did the plot overview of 149 00:07:47,120 --> 00:07:50,720 Speaker 2: a New Hope and Impire strikes back from the original 150 00:07:50,760 --> 00:07:53,920 Speaker 2: trilogy because we're mostly focusing on those, and today we're 151 00:07:53,960 --> 00:07:58,240 Speaker 2: gonna start with Return of the Jedi, which is the 152 00:07:58,280 --> 00:08:03,880 Speaker 2: final one in this original it's much maligned. It was 153 00:08:03,880 --> 00:08:06,800 Speaker 2: my favorite as a kid. It's still my second favorite, 154 00:08:06,800 --> 00:08:08,240 Speaker 2: and you can judge me for that if you want. 155 00:08:08,320 --> 00:08:11,960 Speaker 2: But Imperi stikes Pact number one turned the Jedi Hope. 156 00:08:13,520 --> 00:08:16,800 Speaker 3: So in Retard of the Jedi, Leah poses as a 157 00:08:16,840 --> 00:08:20,480 Speaker 3: bounty hunter to infiltrate Jaba's palace to save Han, which 158 00:08:20,520 --> 00:08:22,040 Speaker 3: by the way, I didn't know who Jaba was, and 159 00:08:22,760 --> 00:08:24,560 Speaker 3: he had to tell me who the Green Slide was. 160 00:08:25,520 --> 00:08:27,320 Speaker 3: I got it. I got it. And a lot of 161 00:08:27,360 --> 00:08:29,400 Speaker 3: people joke that she is on a mission to save 162 00:08:29,560 --> 00:08:34,440 Speaker 3: her prince. I agree with that, but it's found out 163 00:08:34,520 --> 00:08:38,640 Speaker 3: after freeing Han from carbonite and enslaved by Jaba, changed 164 00:08:38,840 --> 00:08:41,319 Speaker 3: by his side, which is the scene and that I know, yes, 165 00:08:42,240 --> 00:08:46,920 Speaker 3: this is where Slave Leah and the metal bikini comes in. That, 166 00:08:47,360 --> 00:08:49,319 Speaker 3: I mean, I get it. It was very sexist, but 167 00:08:49,400 --> 00:08:52,760 Speaker 3: damn she looked good in it. She did. She looked good, which, 168 00:08:52,840 --> 00:08:55,480 Speaker 3: by the way, again was one of the three scenes 169 00:08:55,600 --> 00:08:58,880 Speaker 3: that I knew about. Of course everyone knows about that, 170 00:08:59,040 --> 00:09:03,400 Speaker 3: I guess one. So Luke Han and Chewey are sent 171 00:09:03,520 --> 00:09:06,240 Speaker 3: us to death as they fight their way out, and 172 00:09:06,840 --> 00:09:10,520 Speaker 3: Leah strangles Jaba with her chase because she is a badass, 173 00:09:11,520 --> 00:09:13,719 Speaker 3: and she kills him with the tools of her oppression 174 00:09:14,600 --> 00:09:16,440 Speaker 3: and escapes. And by the way, I think I did 175 00:09:16,559 --> 00:09:19,080 Speaker 3: make a few comments about how Chewy looked really rough 176 00:09:19,920 --> 00:09:20,360 Speaker 3: in DC. 177 00:09:20,600 --> 00:09:24,080 Speaker 2: He did, and I always forget that possibly someone doesn't 178 00:09:24,240 --> 00:09:26,520 Speaker 2: know my level of nerd them, and I know you 179 00:09:27,040 --> 00:09:28,960 Speaker 2: had to deal with that, because I'll just forget, like, oh, 180 00:09:29,080 --> 00:09:30,920 Speaker 2: you don't know all these things that I just know. 181 00:09:31,600 --> 00:09:32,040 Speaker 4: Uh yeah. 182 00:09:32,160 --> 00:09:36,520 Speaker 2: Java is kind of this big crime lord who Han 183 00:09:36,640 --> 00:09:38,480 Speaker 2: had a big debt to and so after we got 184 00:09:38,520 --> 00:09:41,480 Speaker 2: frozen in carbonite, got sent to Java hanging on his 185 00:09:41,600 --> 00:09:43,000 Speaker 2: wall like an ornament. 186 00:09:44,360 --> 00:09:46,920 Speaker 3: So I learned about the Mandalorian at this point. 187 00:09:48,080 --> 00:09:50,360 Speaker 4: I don't think I ever explained that properly to you, 188 00:09:50,559 --> 00:09:52,000 Speaker 4: but yes, because. 189 00:09:51,880 --> 00:09:55,719 Speaker 3: Well I think if you didn't, my partner Joe tried to, 190 00:09:55,840 --> 00:09:57,920 Speaker 3: and I was just like staring back and forth at 191 00:09:57,960 --> 00:10:00,959 Speaker 3: both of you. So I learned about the two of them. 192 00:10:01,240 --> 00:10:05,360 Speaker 3: I also learned that the original clunky scene. 193 00:10:06,880 --> 00:10:10,800 Speaker 4: Was due to Java, right, uh, yeah, well it's the Gredo. 194 00:10:10,920 --> 00:10:14,560 Speaker 2: Who's Holly Fryes super fan, Holly fries favorite character. 195 00:10:15,040 --> 00:10:17,199 Speaker 5: I'm not calling her super fan, she's super she is 196 00:10:17,200 --> 00:10:19,000 Speaker 5: an expert. You're right, we should give her the respect 197 00:10:19,080 --> 00:10:24,280 Speaker 5: she is new. Yeah, yeah, I actually have a whole thing. 198 00:10:24,400 --> 00:10:27,120 Speaker 5: And I'm going to come back to this once we 199 00:10:27,240 --> 00:10:30,839 Speaker 5: get to the newer movies. But I'm not sure you're 200 00:10:30,880 --> 00:10:33,559 Speaker 5: aware of this, Samantha, but a lot of people love 201 00:10:33,640 --> 00:10:37,120 Speaker 5: Boba Fett, who is the bounty hunter that that looks 202 00:10:37,520 --> 00:10:41,320 Speaker 5: like the Mandalorian, And I just think he's bad at 203 00:10:41,360 --> 00:10:41,679 Speaker 5: his job. 204 00:10:42,559 --> 00:10:45,040 Speaker 3: And well, I did keep asking where's the baby? 205 00:10:45,520 --> 00:10:46,040 Speaker 4: Yes you did. 206 00:10:46,679 --> 00:10:47,280 Speaker 3: What's his name? 207 00:10:47,400 --> 00:10:50,360 Speaker 4: Well everyone calls him baby Yoda, which is not baby Wrecked. 208 00:10:50,480 --> 00:10:53,679 Speaker 3: But yeah, well I just and so therefore, because I 209 00:10:53,800 --> 00:10:56,360 Speaker 3: know about Baby Yoda and the popularity and the cuteness 210 00:10:56,400 --> 00:10:59,040 Speaker 3: of Baby Yoda, I called everything baby something. 211 00:11:00,720 --> 00:11:02,679 Speaker 2: Also, I didn't mean for that to sound judgmental. That 212 00:11:02,720 --> 00:11:04,319 Speaker 2: everyone gets I also call it baby. 213 00:11:05,200 --> 00:11:08,160 Speaker 3: I'm just saying it's unjudgmental. It is exactly what it is. 214 00:11:08,720 --> 00:11:11,199 Speaker 3: I who knows nothing of Star Wars. No no, no, no, no, no, 215 00:11:12,840 --> 00:11:15,520 Speaker 3: super cute and then everything is baby something. 216 00:11:15,720 --> 00:11:21,480 Speaker 2: Yes, yes, I appreciated it. So yeah, yeah, there's big crime. 217 00:11:21,559 --> 00:11:26,080 Speaker 2: Lord Leah kills him. When Carrie Fisher was asked if 218 00:11:26,120 --> 00:11:28,440 Speaker 2: she wanted a stunt double to kill Jaba. 219 00:11:28,559 --> 00:11:31,319 Speaker 4: She's like, hell no, I want to do it. 220 00:11:32,360 --> 00:11:36,679 Speaker 2: Yes, And this is probably the scene that causes the 221 00:11:36,840 --> 00:11:41,800 Speaker 2: most feminist discussion kind of ire. It was definitely a 222 00:11:41,880 --> 00:11:44,679 Speaker 2: way of catering to the male gaze, although it is 223 00:11:44,760 --> 00:11:47,520 Speaker 2: worth pointing out that when these movies themselves came out, 224 00:11:47,600 --> 00:11:51,040 Speaker 2: they were not seen as four men and boys. 225 00:11:51,800 --> 00:11:53,880 Speaker 4: That came later, that came around the time of Return 226 00:11:53,960 --> 00:11:54,439 Speaker 4: of the Jedi. 227 00:11:55,280 --> 00:11:56,920 Speaker 3: I think this is a scene that I was like, oh, look, 228 00:11:56,960 --> 00:11:58,040 Speaker 3: there's the one Asian girl. 229 00:11:59,640 --> 00:12:00,720 Speaker 4: Yeah. 230 00:12:03,720 --> 00:12:05,559 Speaker 2: But we talked about this in our Star Wars Feminism 231 00:12:05,640 --> 00:12:09,080 Speaker 2: episode and her Action Figures episode about how this series 232 00:12:09,160 --> 00:12:12,360 Speaker 2: sort of got really drawn into as part of the 233 00:12:12,440 --> 00:12:15,199 Speaker 2: fact that merchandising was such a big part of it, 234 00:12:15,720 --> 00:12:18,400 Speaker 2: the rebranding in the nineties of this is for Boys 235 00:12:18,440 --> 00:12:21,600 Speaker 2: and this is for girls, and it was firmly set 236 00:12:21,640 --> 00:12:27,439 Speaker 2: aside as this is for boys and slave, Leia is 237 00:12:27,600 --> 00:12:33,199 Speaker 2: absolutely serving this cause this became instant sex symbol, and 238 00:12:33,440 --> 00:12:36,280 Speaker 2: this is the image that many publications use of her. 239 00:12:36,440 --> 00:12:42,760 Speaker 2: Even My Fancy Star Wars Encyclopedia in their entry. 240 00:12:42,679 --> 00:12:46,120 Speaker 4: For Laya, that is the image that they use, and. 241 00:12:48,200 --> 00:12:50,120 Speaker 2: It was the image they used on the nineteen eighty 242 00:12:50,120 --> 00:12:51,839 Speaker 2: three cover of The Rolling Stones in Return of the 243 00:12:51,880 --> 00:12:55,120 Speaker 2: Jedi was announced. It has inspired so much cosplay it 244 00:12:55,200 --> 00:12:58,320 Speaker 2: has a cult following of its own, despite having only 245 00:12:58,400 --> 00:13:00,800 Speaker 2: two minutes of screen time. That is one of the 246 00:13:00,880 --> 00:13:04,000 Speaker 2: three things that you knew about this movie is very 247 00:13:04,080 --> 00:13:08,880 Speaker 2: revealing because it's two minutes or less. Fisher has spoken 248 00:13:09,000 --> 00:13:12,000 Speaker 2: about how miserable it was to film these scenes and 249 00:13:12,040 --> 00:13:15,120 Speaker 2: how the mail crew mocked her. That dignity was out 250 00:13:15,160 --> 00:13:18,000 Speaker 2: of the question, as she said, and it was made 251 00:13:18,040 --> 00:13:19,480 Speaker 2: of metal, or at least one of them was, so 252 00:13:19,559 --> 00:13:22,800 Speaker 2: it didn't really move with her. One version was made 253 00:13:22,800 --> 00:13:25,760 Speaker 2: of rever, but she had to be very careful about 254 00:13:25,800 --> 00:13:29,559 Speaker 2: how she moved, and she's expressed her annoyance that the 255 00:13:29,679 --> 00:13:32,800 Speaker 2: costume has been taken out of context of that scene 256 00:13:32,840 --> 00:13:37,079 Speaker 2: becoming synonymous with sexy. A parent even recently complained that 257 00:13:37,280 --> 00:13:39,559 Speaker 2: the Leya in a metal bikini toy was being sold 258 00:13:39,600 --> 00:13:44,120 Speaker 2: at Target that it was too sexy, when if you 259 00:13:44,160 --> 00:13:47,360 Speaker 2: think about what's happening in those scenes, it's horrendous, and 260 00:13:47,679 --> 00:13:52,559 Speaker 2: Leah's expression of contempt and rage communicates her feelings about it, 261 00:13:52,679 --> 00:13:55,679 Speaker 2: and the fact that she ultimately kills the one who 262 00:13:55,800 --> 00:13:59,280 Speaker 2: tried to take power from her and Jaba, her captor, 263 00:13:59,559 --> 00:14:00,840 Speaker 2: and the one viewing her as a. 264 00:14:00,840 --> 00:14:04,600 Speaker 4: Sex object is objectively gross. He's gross. 265 00:14:05,280 --> 00:14:07,640 Speaker 2: He kind of serves as a stand in for those 266 00:14:07,720 --> 00:14:10,120 Speaker 2: that would objectify her, and you do not want to 267 00:14:10,200 --> 00:14:15,520 Speaker 2: be Java. He's leering, his tongue is rolling out. Almost 268 00:14:15,559 --> 00:14:18,960 Speaker 2: every scene with Leah in this outfit comes with Java 269 00:14:19,120 --> 00:14:21,720 Speaker 2: in the background or reminder that if you're fantasizing about 270 00:14:21,760 --> 00:14:26,040 Speaker 2: this non consensual situation, well you have something in common 271 00:14:26,160 --> 00:14:29,400 Speaker 2: with this disgusting creature right here. This is something people 272 00:14:29,560 --> 00:14:33,680 Speaker 2: often ignore or forget. What they remember of all Leah 273 00:14:33,760 --> 00:14:36,520 Speaker 2: has done is that she was really hot in that bikini, 274 00:14:36,600 --> 00:14:39,520 Speaker 2: and that is so frustrating. It's something we as women 275 00:14:39,640 --> 00:14:41,600 Speaker 2: see all the time. We can lead a rebellion for 276 00:14:42,960 --> 00:14:45,360 Speaker 2: three movies but still be remembered for when we were 277 00:14:45,440 --> 00:14:49,560 Speaker 2: at our weakest and most humiliated, and the fact that 278 00:14:49,640 --> 00:14:51,760 Speaker 2: she is known here as slave Leah, which is never 279 00:14:51,960 --> 00:14:54,280 Speaker 2: used in the script. By the way, that's something culture 280 00:14:54,640 --> 00:14:59,520 Speaker 2: and fans assigned to her and not just Leyah is 281 00:14:59,600 --> 00:15:05,480 Speaker 2: disturbed and very indicative. A lot have accused George Lucas 282 00:15:05,560 --> 00:15:07,520 Speaker 2: of having his cake and eating it too, of catering 283 00:15:07,520 --> 00:15:09,800 Speaker 2: to the mailgize while also condemning it. 284 00:15:11,000 --> 00:15:14,440 Speaker 3: Right. So, there is an episode of Friends where Rachel 285 00:15:14,560 --> 00:15:18,200 Speaker 3: dresses up in the metal bikini for ross. I guess 286 00:15:18,240 --> 00:15:21,400 Speaker 3: it's called the one with the Princess Leah fantasy, and 287 00:15:21,480 --> 00:15:25,280 Speaker 3: there are slave Leya burlesque routines, billy dancing routines, and 288 00:15:25,440 --> 00:15:30,280 Speaker 3: strip routines. Also collectors items and toys, which is all yuck. 289 00:15:30,960 --> 00:15:33,840 Speaker 2: Yeah, I do like some of the dance and burlesque 290 00:15:33,880 --> 00:15:37,600 Speaker 2: routines or reclaim it, which is really cool as like 291 00:15:37,840 --> 00:15:42,120 Speaker 2: a power power scene. I personally prefer dressing up as 292 00:15:42,240 --> 00:15:44,920 Speaker 2: Leah to get out of jury duty on thirty Huck, 293 00:15:45,120 --> 00:15:48,040 Speaker 2: even though she shouldn't be embarrassed for cosplay, I say, 294 00:15:48,080 --> 00:15:51,880 Speaker 2: as I'm in cosplay, and Carrie Fisher's guest appearance on 295 00:15:51,960 --> 00:15:53,280 Speaker 2: that show is fantastic. 296 00:15:54,440 --> 00:15:57,560 Speaker 3: It is so good. It's probably one of my favorite episodes, 297 00:15:57,800 --> 00:16:01,160 Speaker 3: especially with the whole icon of her being a writer 298 00:16:01,360 --> 00:16:05,200 Speaker 3: and a strong female writer for a field that is 299 00:16:05,520 --> 00:16:08,120 Speaker 3: dominated by men in her age, so like it was 300 00:16:08,200 --> 00:16:11,240 Speaker 3: just so stacked. There's so many layers to that episode 301 00:16:11,280 --> 00:16:14,840 Speaker 3: with Carrie Fisher and also Carrie Fisher as a comedian. Yes, 302 00:16:15,160 --> 00:16:18,120 Speaker 3: she is amazing, Her timing is freaking. 303 00:16:17,840 --> 00:16:21,720 Speaker 2: Amazing, fantastic, fantastic. That one's called Rosemar's Baby, if anyone 304 00:16:21,800 --> 00:16:38,120 Speaker 2: has missed it, and there's a lot. There's a lot 305 00:16:38,200 --> 00:16:41,240 Speaker 2: of debate in the Star Wars community about whether jab 306 00:16:41,320 --> 00:16:45,520 Speaker 2: assaulted Leah in this scene. The consensus seems to be no, 307 00:16:46,120 --> 00:16:48,440 Speaker 2: that the outfit was his way of taking away her power. 308 00:16:49,160 --> 00:16:51,840 Speaker 2: There's also a lot of informal research on why the 309 00:16:51,920 --> 00:16:54,920 Speaker 2: costume has resonated so much with women and why so 310 00:16:55,080 --> 00:16:59,160 Speaker 2: many women cosplay it. Dancer Amir Sayid, who has used 311 00:16:59,200 --> 00:17:01,520 Speaker 2: the outfit in her tears, have said quote, Jaba put 312 00:17:01,600 --> 00:17:04,159 Speaker 2: her into the outfit to humiliate her, but Leah was 313 00:17:04,200 --> 00:17:08,600 Speaker 2: such a strong character her will made the costume empowering. 314 00:17:09,000 --> 00:17:12,359 Speaker 3: Right, and some fans have rebranded Slave Leah as Leah 315 00:17:12,400 --> 00:17:16,240 Speaker 3: the Hutslayer, as they should, and Amy Schumer poked fun 316 00:17:16,280 --> 00:17:19,120 Speaker 3: at this in a photo shoot as well. Yes, yes, 317 00:17:19,359 --> 00:17:22,720 Speaker 3: and as you have told me a couple of times, 318 00:17:22,760 --> 00:17:26,760 Speaker 3: and any k Fisher advised you Star Wars actress Daisy 319 00:17:26,840 --> 00:17:28,680 Speaker 3: Ridley not to let them put her in a bikini, 320 00:17:28,800 --> 00:17:30,920 Speaker 3: and apparently that was a wise statements. 321 00:17:32,240 --> 00:17:34,680 Speaker 2: And I do want to throw in here just a note. 322 00:17:35,480 --> 00:17:38,879 Speaker 2: This is still hotly debated. I have read arguments that 323 00:17:39,000 --> 00:17:41,960 Speaker 2: Leah killing Jaba is not empowering. I've read so many 324 00:17:42,040 --> 00:17:44,960 Speaker 2: that it is. I think a part of the problem 325 00:17:45,080 --> 00:17:49,200 Speaker 2: is the way mostly masculine fan culture around Star Wars 326 00:17:49,240 --> 00:17:54,240 Speaker 2: tries to reduce things like she was rescued on the 327 00:17:54,280 --> 00:17:57,400 Speaker 2: desk star, which is technically true, but misses the whole 328 00:17:57,440 --> 00:17:59,560 Speaker 2: context of the saying it she was a sexy prisoner 329 00:17:59,560 --> 00:18:03,200 Speaker 2: of Java, which again, it just doesn't have the context. 330 00:18:03,920 --> 00:18:05,920 Speaker 3: So I don't know how you let go of the 331 00:18:06,000 --> 00:18:09,680 Speaker 3: fact that she killed him. She killed her prisoner. I 332 00:18:11,160 --> 00:18:14,320 Speaker 3: think that overpowers the fact that she was a sexy prisoner. 333 00:18:14,359 --> 00:18:16,120 Speaker 3: If she was able to kill him and get away 334 00:18:16,160 --> 00:18:18,000 Speaker 3: with it and become the princess. 335 00:18:17,680 --> 00:18:21,760 Speaker 4: Yes, she's ah, I love it, get him leyah Uh. 336 00:18:22,880 --> 00:18:26,119 Speaker 2: Leah after that joins the ground team to destroy the 337 00:18:26,160 --> 00:18:27,119 Speaker 2: shield generators. 338 00:18:27,680 --> 00:18:28,960 Speaker 4: I know this is a lot of technical speak. 339 00:18:29,000 --> 00:18:31,320 Speaker 2: It's not super important, so that the rebellion can destroy 340 00:18:31,359 --> 00:18:34,600 Speaker 2: the Death Star volunteering after she learns that Han is 341 00:18:34,760 --> 00:18:38,800 Speaker 2: leading this group and her surprise, and to her surprise 342 00:18:38,920 --> 00:18:41,360 Speaker 2: is a general accepting a position and a cause important 343 00:18:41,359 --> 00:18:44,000 Speaker 2: to her that he for a long time a shirt 344 00:18:44,560 --> 00:18:48,240 Speaker 2: And this is when he's proved his commitment his love, 345 00:18:48,560 --> 00:18:51,919 Speaker 2: and she shows hers by trusting his leadership at I mean, 346 00:18:52,040 --> 00:18:53,960 Speaker 2: at the start of the movie, she never would have 347 00:18:54,040 --> 00:18:55,960 Speaker 2: trusted Han to lead anything. 348 00:18:57,000 --> 00:18:58,800 Speaker 3: I mean, he's handsome, but he's kind of dumb. 349 00:19:00,359 --> 00:19:02,520 Speaker 5: He has a lot of growing up to do, for sure. 350 00:19:03,680 --> 00:19:06,280 Speaker 5: And Han does not try to sideline her protect her. 351 00:19:06,400 --> 00:19:08,000 Speaker 5: He's happy she wants to be on his team. 352 00:19:08,080 --> 00:19:12,399 Speaker 2: He knows she's useful and very competent, and I do 353 00:19:12,640 --> 00:19:14,679 Speaker 2: love She's not really defined by this. 354 00:19:14,760 --> 00:19:17,119 Speaker 4: Relationship, and she doesn't lose herself in it. 355 00:19:17,720 --> 00:19:20,680 Speaker 2: She acknowledges what she wants and needs and accepts the 356 00:19:20,760 --> 00:19:23,760 Speaker 2: fact that she does in fact have those things, and 357 00:19:23,840 --> 00:19:27,600 Speaker 2: that's okay. She goes on to lead a speeder chase 358 00:19:28,280 --> 00:19:31,160 Speaker 2: after some Stormtroopers, is separated from the group and fights 359 00:19:31,200 --> 00:19:33,480 Speaker 2: all some enemies and joins the Ewoks, which are the 360 00:19:33,520 --> 00:19:34,320 Speaker 2: little teddy bear. 361 00:19:35,119 --> 00:19:36,120 Speaker 3: I call them teddy bears. 362 00:19:36,359 --> 00:19:38,640 Speaker 4: You also, I feel like you kept mixing up wookies 363 00:19:38,680 --> 00:19:39,320 Speaker 4: in ewoks. 364 00:19:39,560 --> 00:19:42,560 Speaker 3: I did. I did, absolutely, Even now as we talk 365 00:19:42,600 --> 00:19:45,600 Speaker 3: about it, I won't say either one of those honestly, 366 00:19:46,200 --> 00:19:47,520 Speaker 3: because I don't know which is which. 367 00:19:48,080 --> 00:19:50,440 Speaker 4: That's totally fair. It's totally fair. 368 00:19:51,320 --> 00:19:52,520 Speaker 3: I just called them the cute things. 369 00:19:52,840 --> 00:19:55,439 Speaker 2: Yeah, I would have understood. Again, I can translate your 370 00:19:55,480 --> 00:19:56,240 Speaker 2: Star Wars speak. 371 00:19:56,560 --> 00:19:56,720 Speaker 5: You know. 372 00:19:56,800 --> 00:19:59,040 Speaker 2: The interesting thing is like to prove the point of 373 00:19:59,119 --> 00:20:02,560 Speaker 2: how successful merch was for these movies, E Walks never 374 00:20:02,720 --> 00:20:07,680 Speaker 2: said in the movie Wampa, the ice creature from Empire 375 00:20:07,680 --> 00:20:09,400 Speaker 2: strikes Back, that is my fan fiction name. 376 00:20:09,960 --> 00:20:12,080 Speaker 4: Never said name or never not in credit. 377 00:20:12,280 --> 00:20:13,840 Speaker 3: So I didn't know what a wampa was until you 378 00:20:13,920 --> 00:20:16,720 Speaker 3: showed me. I know, and I can guarantee if you 379 00:20:16,800 --> 00:20:18,800 Speaker 3: gave me a pictures of all of these things, I 380 00:20:19,000 --> 00:20:20,680 Speaker 3: probably would get one out of three. 381 00:20:20,800 --> 00:20:22,880 Speaker 2: Right, Well, you better be ready because there's a quiz 382 00:20:22,920 --> 00:20:29,120 Speaker 2: at the end. Oh no, I'm just kidding kind of Okay. 383 00:20:29,520 --> 00:20:31,160 Speaker 3: Then, Luke, I've seen the outline. 384 00:20:31,160 --> 00:20:35,880 Speaker 4: There's quizzes. Don't look ahead in my outline. 385 00:20:37,240 --> 00:20:40,679 Speaker 2: Luke goes on to tell her that she is Luke's 386 00:20:40,680 --> 00:20:45,160 Speaker 2: twin sister and Darth Vader, her past tormentor in arch Nemesis, 387 00:20:45,720 --> 00:20:48,920 Speaker 2: is their dad, and she tells Luke to run away, 388 00:20:49,000 --> 00:20:51,080 Speaker 2: that she she wishes she could go with him, but 389 00:20:51,200 --> 00:20:54,000 Speaker 2: he immediately calls her bluff. He says, you've always been strong, Leah, 390 00:20:54,840 --> 00:20:57,639 Speaker 2: and some as we alluded to in the part one 391 00:20:57,720 --> 00:21:00,560 Speaker 2: of this, some people take issue with this scene that 392 00:21:00,680 --> 00:21:03,480 Speaker 2: she didn't have a bigger reaction to the revelation that 393 00:21:04,520 --> 00:21:08,639 Speaker 2: this person who tortured me and was very instrumental in 394 00:21:08,640 --> 00:21:14,280 Speaker 2: the blowing off my home planet is my father, and 395 00:21:15,880 --> 00:21:19,040 Speaker 2: she does have more experience because of that than Luke 396 00:21:19,119 --> 00:21:21,920 Speaker 2: does with Darth Vader. But I feel like if she had, 397 00:21:21,960 --> 00:21:24,879 Speaker 2: people would have taken issue with that too. She's being 398 00:21:24,920 --> 00:21:27,840 Speaker 2: too emotional. It does to me seem in keeping with 399 00:21:27,960 --> 00:21:29,920 Speaker 2: her character that she takes it in stride. 400 00:21:30,600 --> 00:21:32,720 Speaker 3: I will say, I will say you to that, like 401 00:21:32,840 --> 00:21:36,720 Speaker 3: I think people, as an adopted woman, myself an adopted girl, 402 00:21:37,240 --> 00:21:39,960 Speaker 3: there's a lot of things that you understand and even 403 00:21:40,000 --> 00:21:43,480 Speaker 3: though there's an idealization. Again I'm getting too literal with this, 404 00:21:43,960 --> 00:21:46,680 Speaker 3: but there's an understanding that there's a reason you're not 405 00:21:46,840 --> 00:21:51,320 Speaker 3: with your biological and of course this is a dramatic 406 00:21:51,520 --> 00:21:54,080 Speaker 3: version of he's evil and he did things to you. 407 00:21:54,320 --> 00:21:57,080 Speaker 3: But in actuality, the truth of the matter is that 408 00:21:57,320 --> 00:22:01,040 Speaker 3: the reason that you were not with your biological parent, 409 00:22:01,960 --> 00:22:04,960 Speaker 3: there is a component of not necessarily evil, but a 410 00:22:05,119 --> 00:22:08,400 Speaker 3: dark side. So I will say for me, it made sense. 411 00:22:08,760 --> 00:22:09,000 Speaker 4: Yeah. 412 00:22:10,920 --> 00:22:16,640 Speaker 2: And I'm someone who when I get news that i'm 413 00:22:16,880 --> 00:22:19,720 Speaker 2: I know is big and I'm gonna have an emotional response, 414 00:22:19,800 --> 00:22:21,440 Speaker 2: I usually have a pretty delayed response. 415 00:22:21,680 --> 00:22:23,280 Speaker 3: I think that's me too. I am one of those 416 00:22:23,320 --> 00:22:26,400 Speaker 3: that sits calmly and then walks away and reacts after 417 00:22:26,520 --> 00:22:28,600 Speaker 3: the fact. I've been called out for that a couple 418 00:22:28,640 --> 00:22:28,960 Speaker 3: of times. 419 00:22:29,760 --> 00:22:30,320 Speaker 4: I have too. 420 00:22:31,080 --> 00:22:34,960 Speaker 2: I had a two friends tell me that, you know, 421 00:22:35,160 --> 00:22:39,280 Speaker 2: they've been dating forever and they thought that I was 422 00:22:39,960 --> 00:22:41,720 Speaker 2: I didn't believe them or I was mad at them 423 00:22:41,760 --> 00:22:44,000 Speaker 2: because I didn't have a bigger reaction, but I just 424 00:22:44,240 --> 00:22:45,840 Speaker 2: I took it and stride and I like to I 425 00:22:46,000 --> 00:22:49,200 Speaker 2: like to think over things and make sure I'm responding 426 00:22:49,240 --> 00:22:51,560 Speaker 2: in a way that captures how I feel and. 427 00:22:51,600 --> 00:22:54,320 Speaker 4: What I think. So I guess I sort of connected 428 00:22:54,359 --> 00:22:55,240 Speaker 4: with her on that. 429 00:22:57,840 --> 00:23:01,080 Speaker 2: And a lot of people have said she's she's playing chess, 430 00:23:01,800 --> 00:23:06,520 Speaker 2: she's doing alliance versus Empire in her head. Meanwhile, Luke 431 00:23:06,640 --> 00:23:10,439 Speaker 2: is doing a much more personal battlefield so it has 432 00:23:10,480 --> 00:23:14,000 Speaker 2: a bigger impact on him. So moving on, she fights 433 00:23:14,040 --> 00:23:16,880 Speaker 2: alongside Han and Chewey and is slightly injured but keeps going. 434 00:23:17,080 --> 00:23:18,920 Speaker 2: She gets to flip the I love you I know 435 00:23:19,240 --> 00:23:24,240 Speaker 2: on Han. The heroes are victorious, a party ensues. She 436 00:23:24,760 --> 00:23:27,000 Speaker 2: is and Carrie Fisher herself has said this she is 437 00:23:27,040 --> 00:23:30,479 Speaker 2: more supportive and feminine in this one, completing her arc 438 00:23:30,560 --> 00:23:34,160 Speaker 2: of allowing herself to lean on others to be more vulnerable. 439 00:23:34,280 --> 00:23:36,800 Speaker 3: I also like the flip that she did with or 440 00:23:36,880 --> 00:23:38,880 Speaker 3: not necessarily she, but the writer, I don't know who 441 00:23:38,960 --> 00:23:41,400 Speaker 3: did it on the fact that he's the one that's 442 00:23:41,520 --> 00:23:45,000 Speaker 3: insecure about the relationship and she's the one who's like, 443 00:23:45,280 --> 00:23:47,240 Speaker 3: calm down, is not what you think. 444 00:23:47,400 --> 00:23:49,119 Speaker 4: And I do love that moment. 445 00:23:49,600 --> 00:23:52,720 Speaker 2: I have never because I'm not into romance, I've never 446 00:23:52,760 --> 00:23:55,480 Speaker 2: really given much thought to the Han and Lance relationship, 447 00:23:56,200 --> 00:23:58,560 Speaker 2: but I did, like, I read an article specifically for this, 448 00:23:58,720 --> 00:24:00,960 Speaker 2: and they were kind of saying what you saying, Samantha's 449 00:24:00,960 --> 00:24:03,919 Speaker 2: it's a sort of a flip because then Emperor strikes 450 00:24:03,960 --> 00:24:07,560 Speaker 2: back too. She's the one that's sort of having intimacy 451 00:24:08,400 --> 00:24:11,479 Speaker 2: commitment issues, and Han's the one trying to get her 452 00:24:11,600 --> 00:24:16,240 Speaker 2: to admit, you know you, he wants, he needs something. 453 00:24:16,520 --> 00:24:19,160 Speaker 3: I think we see so many films with women being 454 00:24:19,240 --> 00:24:20,880 Speaker 3: in the triangle and be like as cool as cool, 455 00:24:20,920 --> 00:24:23,160 Speaker 3: I'll be the best friend, I'll do this or whatever right, 456 00:24:23,680 --> 00:24:26,280 Speaker 3: and she's and she's the one. No, No, calm down, 457 00:24:27,520 --> 00:24:31,200 Speaker 3: you're being emotional. It's okay, you're reading the things. It's 458 00:24:31,240 --> 00:24:31,920 Speaker 3: not what you think. 459 00:24:32,920 --> 00:24:36,600 Speaker 2: Yeah, and I had to put this in there. Samantha 460 00:24:36,680 --> 00:24:38,840 Speaker 2: heard my holes feel I'll try to shorten it, though. 461 00:24:39,280 --> 00:24:42,399 Speaker 2: I have a beef that Darth Vader's last words are 462 00:24:42,480 --> 00:24:45,240 Speaker 2: tell your sister you were right about me. Man, you 463 00:24:45,400 --> 00:24:48,120 Speaker 2: tortured her, dude, And those are some pretty selfish last 464 00:24:48,160 --> 00:24:49,000 Speaker 2: words say. 465 00:24:49,200 --> 00:24:51,200 Speaker 3: I will say, first thing, and he told me right 466 00:24:51,280 --> 00:24:54,440 Speaker 3: after that scene, right after that scene, and I will say, 467 00:24:54,760 --> 00:24:56,640 Speaker 3: not necessarily to me, I think she was just making 468 00:24:56,680 --> 00:24:57,760 Speaker 3: an outright statement. 469 00:24:58,480 --> 00:25:01,800 Speaker 4: Was that's oh no, that's what. 470 00:25:02,280 --> 00:25:04,920 Speaker 3: No, you're still a bad guy. You tortured her. That 471 00:25:05,200 --> 00:25:06,919 Speaker 3: that was the initial statement that I kind of looked at. 472 00:25:06,920 --> 00:25:09,600 Speaker 3: I was like, you're right, you're absolutely this does not 473 00:25:09,800 --> 00:25:11,040 Speaker 3: justify what you did to her. 474 00:25:11,880 --> 00:25:16,040 Speaker 4: No, I'm cladding on my side, I am, and I 475 00:25:16,119 --> 00:25:18,920 Speaker 4: did just want to put this in here because. 476 00:25:18,720 --> 00:25:20,280 Speaker 5: It does come up in a lot of feminist essays 477 00:25:20,280 --> 00:25:22,640 Speaker 5: about Princess Leah, which you would not believe how many 478 00:25:22,680 --> 00:25:22,919 Speaker 5: there are. 479 00:25:23,080 --> 00:25:23,640 Speaker 4: Maybe you would. 480 00:25:24,280 --> 00:25:26,880 Speaker 2: It's Vagerder's threat to turn Lea to the dark side 481 00:25:26,920 --> 00:25:30,840 Speaker 2: that goes Luke into attacking Darth Vader, cutting off Vader's 482 00:25:30,880 --> 00:25:34,760 Speaker 2: hands and almost losing himself his hands and almost losing 483 00:25:34,840 --> 00:25:36,000 Speaker 2: himself to the dark side. 484 00:25:37,680 --> 00:25:42,399 Speaker 4: Some interpret that as sort of the whole hero I 485 00:25:42,480 --> 00:25:45,320 Speaker 4: mean to justify violence or. 486 00:25:45,840 --> 00:25:49,880 Speaker 2: Yeah, yeah, so put that out there, and then moving 487 00:25:49,920 --> 00:25:52,000 Speaker 2: on to the new the new Ones, which we're again 488 00:25:52,080 --> 00:25:54,719 Speaker 2: not going to talk about too much. You can hear 489 00:25:54,840 --> 00:25:58,520 Speaker 2: more about that in Our especially the Last Jedi's feminism, uh, 490 00:25:58,960 --> 00:26:01,840 Speaker 2: in Our feminism and Star Wars episode because that movie 491 00:26:01,960 --> 00:26:03,560 Speaker 2: really does have a lot going on when it comes 492 00:26:03,600 --> 00:26:07,280 Speaker 2: to feminism. But Leya reprised by Carrie Fisher. 493 00:26:07,400 --> 00:26:08,840 Speaker 3: By the way, I did not see this, so all 494 00:26:08,880 --> 00:26:11,040 Speaker 3: of this is just conjecture from my point of view. 495 00:26:12,160 --> 00:26:14,040 Speaker 2: No, but I would love, like I won't make you 496 00:26:14,160 --> 00:26:15,720 Speaker 2: watch it, but I would love to just tell you 497 00:26:15,800 --> 00:26:18,840 Speaker 2: what happens in it, because it's kind of shocking how 498 00:26:18,960 --> 00:26:24,480 Speaker 2: much feminist dialogue is in it okay, so Leya reprised 499 00:26:24,480 --> 00:26:27,600 Speaker 2: by Carrie Fisher. She's the one that stays. So These 500 00:26:27,640 --> 00:26:30,640 Speaker 2: take place a couple of decades after the original trilogy 501 00:26:31,320 --> 00:26:36,120 Speaker 2: and Han has left. Luke is socially distancing way before 502 00:26:36,119 --> 00:26:40,720 Speaker 2: it was cool, but Leya stayed to lead the fight 503 00:26:40,840 --> 00:26:44,159 Speaker 2: against the First Order, which is the New Empire, and 504 00:26:44,760 --> 00:26:48,920 Speaker 2: her son is a member of that. And it's revealed 505 00:26:48,960 --> 00:26:51,840 Speaker 2: that she was trained by Luke to be a Jedi, 506 00:26:52,119 --> 00:26:54,720 Speaker 2: but she had a vision that if she completed her training, 507 00:26:54,800 --> 00:26:56,199 Speaker 2: her son would die, so she. 508 00:26:56,280 --> 00:26:57,680 Speaker 4: Gave it up. No spoilers. 509 00:26:58,960 --> 00:27:01,800 Speaker 2: When it was announced that she would return, of course, 510 00:27:01,880 --> 00:27:04,639 Speaker 2: the lot of internet was like she's too oh, sho's 511 00:27:04,720 --> 00:27:07,440 Speaker 2: too fat. On the flip side, people were really worried 512 00:27:07,480 --> 00:27:10,480 Speaker 2: that she'd just be a token or a cameo, but 513 00:27:10,600 --> 00:27:14,119 Speaker 2: she's running the whole show. She definitely teaches Flyboy Po 514 00:27:14,320 --> 00:27:17,600 Speaker 2: a valuable lesson about listening to and respecting women in 515 00:27:17,680 --> 00:27:20,280 Speaker 2: the Last Jedi, even though a lot of people did 516 00:27:20,359 --> 00:27:24,920 Speaker 2: not like it. When asked what she wanted fans to 517 00:27:24,960 --> 00:27:26,960 Speaker 2: take away from Leya in the new movies, Fisher said, 518 00:27:27,280 --> 00:27:30,640 Speaker 2: never give up. Fisher was also very outspoken that Leah 519 00:27:30,680 --> 00:27:33,400 Speaker 2: remained a strong character for the generations who had grown 520 00:27:33,480 --> 00:27:36,840 Speaker 2: up looking up to her, and for new generations as well. 521 00:27:36,960 --> 00:27:40,200 Speaker 2: To stay true to Princess Leiah and the fans of 522 00:27:40,240 --> 00:27:44,119 Speaker 2: Princess Leah. And to Twitter trolls commenting on her looks 523 00:27:44,160 --> 00:27:47,480 Speaker 2: and age, Carrie Fisher responded, please start debating about whether 524 00:27:47,560 --> 00:27:50,160 Speaker 2: or not I have aged well. Unfortunately, it hurts all 525 00:27:50,240 --> 00:27:52,920 Speaker 2: three of my feelings. My body has an aged well 526 00:27:53,080 --> 00:27:55,800 Speaker 2: as I have. Youth and beauty are not accomplishments, their 527 00:27:55,840 --> 00:27:59,040 Speaker 2: temporary happy by products of time and or DNA. Don't 528 00:27:59,080 --> 00:28:04,600 Speaker 2: hold your breath for either. Also, here's another controversial thing 529 00:28:04,800 --> 00:28:06,960 Speaker 2: I want to say, because this causes a lot of 530 00:28:07,040 --> 00:28:08,439 Speaker 2: argument in the Star Wars fan community. 531 00:28:08,880 --> 00:28:11,080 Speaker 4: Kyler Renn is a bad Jedi. I'm just gonna leave 532 00:28:11,119 --> 00:28:11,480 Speaker 4: that there. 533 00:28:11,800 --> 00:28:13,840 Speaker 5: Like people like to complain that Ray was too good, 534 00:28:13,880 --> 00:28:16,280 Speaker 5: too fast, maybe Kyler Renn was just bad. 535 00:28:16,680 --> 00:28:17,760 Speaker 4: Have we ever thought about that. 536 00:28:18,000 --> 00:28:20,440 Speaker 3: I would just like to say once again, the Stormtroopers 537 00:28:20,760 --> 00:28:23,720 Speaker 3: and the damn guns, they did not use them because 538 00:28:23,760 --> 00:28:26,159 Speaker 3: it never touched people. I'm just very confused with what 539 00:28:26,240 --> 00:28:29,240 Speaker 3: they were used for other than a laser show. Because 540 00:28:29,600 --> 00:28:32,680 Speaker 3: other than bring a little smoke here and there. It 541 00:28:32,920 --> 00:28:36,119 Speaker 3: rarely killed someone. I don't understand how bad they are 542 00:28:36,200 --> 00:28:38,880 Speaker 3: at aim and why they are stormtroopers if they can't 543 00:28:39,000 --> 00:28:40,080 Speaker 3: aim a laser. 544 00:28:42,480 --> 00:28:44,480 Speaker 2: That is a running joke in the series, and I 545 00:28:44,640 --> 00:28:46,720 Speaker 2: loved watching it with you as someone who hadn't seen 546 00:28:46,800 --> 00:28:48,920 Speaker 2: it and just seeing you immediately pick up on it. 547 00:28:49,320 --> 00:28:52,600 Speaker 3: Why has no one hit any of them? If there's 548 00:28:52,760 --> 00:28:55,520 Speaker 3: twenty of them with laser guns and three of them 549 00:28:55,600 --> 00:28:57,240 Speaker 3: with two guns, why. 550 00:28:58,520 --> 00:29:02,640 Speaker 2: Maybe they're just bad or see. My theory is maybe 551 00:29:02,680 --> 00:29:04,800 Speaker 2: their hearts weren't in it and they were just pretending. 552 00:29:05,120 --> 00:29:08,760 Speaker 3: Maybe they were like they just wanted a laser show, right, Yeah, 553 00:29:09,280 --> 00:29:12,280 Speaker 3: I mean, to be fair, I feel like none of 554 00:29:12,320 --> 00:29:14,280 Speaker 3: the good guys were able to hit the bad guys either, 555 00:29:14,520 --> 00:29:17,560 Speaker 3: Like it was very fair. You know who did really well? 556 00:29:17,840 --> 00:29:20,720 Speaker 4: E Walks and rocks, Yeah, spears. 557 00:29:20,920 --> 00:29:24,840 Speaker 3: Yeah, I mean they got them one e walk died rip, 558 00:29:25,360 --> 00:29:29,040 Speaker 3: but then they got them with vines and rocks. That's 559 00:29:29,040 --> 00:29:29,600 Speaker 3: all I'm saying. 560 00:29:29,640 --> 00:29:33,080 Speaker 2: Yes, yeah, I mean that's one of the reasons people 561 00:29:33,120 --> 00:29:37,640 Speaker 2: really don't like Return of the Jedi. But yes, so 562 00:29:38,400 --> 00:29:42,480 Speaker 2: in the Legends Universe, which is all the books that 563 00:29:42,640 --> 00:29:45,120 Speaker 2: came out after the movies and books and comics and 564 00:29:45,160 --> 00:29:48,480 Speaker 2: everything that Disney has now said is not canon. So 565 00:29:48,520 --> 00:29:51,440 Speaker 2: it's called Legends. But in that she becomes a Jedi 566 00:29:51,520 --> 00:29:54,120 Speaker 2: and a leader of the New Republic. Oh my gosh, 567 00:29:54,160 --> 00:29:55,920 Speaker 2: we could talk so much, or I could, because I've 568 00:29:55,960 --> 00:29:58,600 Speaker 2: read all these things about Lea in Legends. 569 00:29:58,680 --> 00:30:00,600 Speaker 4: But then this episode never end. 570 00:30:00,600 --> 00:30:02,560 Speaker 3: And I did ask her to end it at page 571 00:30:02,600 --> 00:30:03,040 Speaker 3: twenty two. 572 00:30:03,800 --> 00:30:06,280 Speaker 4: She did, She stepped in, she put the foot down, 573 00:30:06,360 --> 00:30:07,960 Speaker 4: So thanks Samantha for that. Listeners. 574 00:30:09,080 --> 00:30:11,640 Speaker 2: There's political marriages, there's a whole book called the Courtship 575 00:30:11,640 --> 00:30:15,400 Speaker 2: of Princess Leiah. There's multiple kidnappings, pheromone seduction which scared 576 00:30:15,440 --> 00:30:20,320 Speaker 2: me as a kid, forgiveness, forgiveness. When Luke turns to 577 00:30:20,360 --> 00:30:23,400 Speaker 2: the dark side, Lea resists similar temptations, and it's able 578 00:30:23,480 --> 00:30:27,400 Speaker 2: to turn Luke back side. Uh he did in one 579 00:30:27,440 --> 00:30:32,040 Speaker 2: of the books. Oh yeah, and I went into all 580 00:30:32,120 --> 00:30:35,720 Speaker 2: the Luke Skywalker clone whose name is Luke with two us. 581 00:30:35,960 --> 00:30:39,960 Speaker 5: That's also in the books. It's one of my favorites. 582 00:30:40,040 --> 00:30:43,160 Speaker 5: In fact, too, Lukes, this can't get any better. 583 00:30:43,640 --> 00:30:44,760 Speaker 3: I'm not ready for all of this. 584 00:30:45,760 --> 00:30:51,640 Speaker 2: Okay, So that's sort of a very uh somehow both 585 00:30:51,760 --> 00:30:53,720 Speaker 2: very long and very short runout of the plot of 586 00:30:53,760 --> 00:30:57,280 Speaker 2: these movies. So now we're going to talk about feminism 587 00:30:57,360 --> 00:31:00,160 Speaker 2: and Princess Leiah. But first we're gonna pop for a 588 00:31:00,240 --> 00:31:16,240 Speaker 2: quick break for word from our sponsor, and we're back. 589 00:31:16,360 --> 00:31:19,960 Speaker 2: Thank you, sponsor. So, as we said in part one, 590 00:31:20,040 --> 00:31:23,760 Speaker 2: Princess Leah is widely regarded as a feminist icon. There's 591 00:31:23,840 --> 00:31:28,440 Speaker 2: even something called Leyah feminism. Carrie Fisher herself has described 592 00:31:28,480 --> 00:31:32,440 Speaker 2: Princess Leah as a huge feminist icon. In response to 593 00:31:32,560 --> 00:31:34,800 Speaker 2: those that call her a damsel in distress in movies, 594 00:31:34,880 --> 00:31:37,120 Speaker 2: she said she bost them around. I don't know what 595 00:31:37,200 --> 00:31:39,840 Speaker 2: your idea of distresses, but that wasn't it. And I 596 00:31:39,960 --> 00:31:42,800 Speaker 2: wasn't some babe running around the galaxy with my spouncing around, 597 00:31:43,200 --> 00:31:46,640 Speaker 2: so I wasn't threatening to women. Carrie Fisher was instrumental 598 00:31:47,160 --> 00:31:51,040 Speaker 2: in this characterization of Leah. She was a Hollywood script 599 00:31:51,160 --> 00:31:53,880 Speaker 2: fixer and she was very involved in making Leyah what 600 00:31:54,040 --> 00:31:57,720 Speaker 2: she was. She said she loved Leah, she loved her feiciness, 601 00:31:57,760 --> 00:31:59,640 Speaker 2: the fact that she killed Jab of the Hut, and 602 00:31:59,720 --> 00:32:03,080 Speaker 2: her the Princess Diarist. She wrote that she was quote 603 00:32:03,400 --> 00:32:06,680 Speaker 2: honored to be Leah's representative here on Earth. She has 604 00:32:06,760 --> 00:32:09,200 Speaker 2: often said that she was Leah and Leyah was her 605 00:32:10,120 --> 00:32:11,920 Speaker 2: and I love that. I love when you find an 606 00:32:12,000 --> 00:32:14,200 Speaker 2: actor who embraces this right. 607 00:32:15,240 --> 00:32:16,120 Speaker 4: I think it's I. 608 00:32:16,120 --> 00:32:18,480 Speaker 5: Think it was because she created it, so she loved it. 609 00:32:19,360 --> 00:32:23,800 Speaker 5: It was a part of her exactly. When this character debuted, 610 00:32:24,120 --> 00:32:27,480 Speaker 5: there weren't many strong female role models in movies and television. 611 00:32:27,960 --> 00:32:31,280 Speaker 5: Most female characters served as decorations or prizes to be one. 612 00:32:31,920 --> 00:32:34,719 Speaker 5: Leah was vastly different when compared to other princesses at 613 00:32:34,760 --> 00:32:38,560 Speaker 5: the time, and still is in many ways. She was 614 00:32:38,640 --> 00:32:41,719 Speaker 5: our first badass princess in pop culture, and especially important 615 00:32:41,720 --> 00:32:44,960 Speaker 5: when we think about entertainment aim towards children. Because these 616 00:32:45,040 --> 00:32:50,280 Speaker 5: were seen as children's movies, she became an instant icon 617 00:32:50,560 --> 00:32:53,880 Speaker 5: for girls and women. She defied stereotypes about women and 618 00:32:54,040 --> 00:32:57,200 Speaker 5: princesses and what they could do in the new movies. 619 00:32:57,240 --> 00:33:01,760 Speaker 2: Her title is general. In the early days, women ran 620 00:33:01,880 --> 00:33:03,479 Speaker 2: star wars, fanzunes, and fan clubs. 621 00:33:04,360 --> 00:33:04,680 Speaker 1: I'm in. 622 00:33:06,400 --> 00:33:09,480 Speaker 2: Some second wave feminists criticized Princess Leah when the film 623 00:33:09,560 --> 00:33:12,600 Speaker 2: came out for her masculine traits. This was during the 624 00:33:12,720 --> 00:33:16,719 Speaker 2: Vietnam War, when masculinity was associated with war and violence. 625 00:33:16,760 --> 00:33:19,720 Speaker 2: And people had a lot of anxiety around that. Take 626 00:33:19,800 --> 00:33:25,120 Speaker 2: this quote from a nineteen eighty five Time article, masculinity 627 00:33:25,200 --> 00:33:28,880 Speaker 2: itself becomes a horror all rage and aggression and reptilian brain. 628 00:33:29,480 --> 00:33:34,080 Speaker 2: Second wave feminism was largely founded alongside the anti war movement. 629 00:33:34,840 --> 00:33:38,080 Speaker 2: Lea was a military leader and orchestrated battles that led 630 00:33:38,120 --> 00:33:40,800 Speaker 2: to many deaths. When she wasn't doing that, she was 631 00:33:40,840 --> 00:33:43,880 Speaker 2: a prisoner of war, so she was at odds with 632 00:33:44,000 --> 00:33:47,840 Speaker 2: this anti war part of second wave feminism. It was 633 00:33:47,920 --> 00:33:50,360 Speaker 2: really young girls at the time that latched onto her 634 00:33:50,840 --> 00:33:53,120 Speaker 2: as a role model, and a lot of those girls 635 00:33:53,560 --> 00:33:57,120 Speaker 2: became third wave feminist, which didn't have as strong of 636 00:33:57,200 --> 00:34:00,200 Speaker 2: an anti military bent, and they bought their life of 637 00:34:00,360 --> 00:34:04,680 Speaker 2: Leah with them. This is also around the time of 638 00:34:04,720 --> 00:34:07,280 Speaker 2: the sexual Revolution, Roe v. Wade and the backlash to 639 00:34:07,320 --> 00:34:09,680 Speaker 2: all of that, which in part explains the rebanding of 640 00:34:09,719 --> 00:34:13,399 Speaker 2: Star Wars as a dude thing uh and the Gold Bikini, which, 641 00:34:13,640 --> 00:34:15,719 Speaker 2: since it was the last movie, happened a little later, 642 00:34:16,160 --> 00:34:18,520 Speaker 2: even though girls and women had been fans of Star 643 00:34:18,560 --> 00:34:21,880 Speaker 2: Wars since the very beginning. JJ Abrams made this mistake 644 00:34:22,160 --> 00:34:25,040 Speaker 2: recently on Good Morning America that the original trilogy was 645 00:34:25,080 --> 00:34:27,759 Speaker 2: for boys, and the backlash rolls into it. 646 00:34:28,680 --> 00:34:29,239 Speaker 3: It should be. 647 00:34:29,880 --> 00:34:30,120 Speaker 4: Yeah. 648 00:34:31,680 --> 00:34:35,000 Speaker 3: Another related criticism from earlier reviews about Leo was that 649 00:34:35,120 --> 00:34:38,320 Speaker 3: she was a damsel in distressed slash love address so 650 00:34:38,400 --> 00:34:42,560 Speaker 3: while at the same time complaining she liked femininity and 651 00:34:42,840 --> 00:34:47,120 Speaker 3: uh huh, because what doesn't makes sense. 652 00:34:47,520 --> 00:34:51,239 Speaker 4: I guess that's another point of view. You're damned if 653 00:34:51,280 --> 00:34:52,239 Speaker 4: you do, dan if you don't. 654 00:34:52,360 --> 00:34:54,880 Speaker 3: It really is because she can rescue people. But if 655 00:34:54,880 --> 00:34:58,600 Speaker 3: she shows any femininity, that means that she is a damsel. 656 00:34:58,880 --> 00:35:02,960 Speaker 3: But if she is too assertive, then she lacks it. Yeah, 657 00:35:03,120 --> 00:35:04,719 Speaker 3: I will say I think that's been a debate in 658 00:35:04,800 --> 00:35:07,920 Speaker 3: my head how to be a female, especially in specific 659 00:35:08,000 --> 00:35:12,319 Speaker 3: cultural ideas of what feminism is not feminism feminine trait 660 00:35:12,920 --> 00:35:15,279 Speaker 3: is versus what feminism is that it has to be 661 00:35:15,360 --> 00:35:19,279 Speaker 3: at odds. When that's not true, we can actually fight 662 00:35:19,400 --> 00:35:23,360 Speaker 3: for our own rights with the availability of being feminine. 663 00:35:23,480 --> 00:35:25,839 Speaker 3: Don't get me wrong. I don't bake things, I don't 664 00:35:25,920 --> 00:35:29,320 Speaker 3: make things, and I'm not super cutesy girly. Sometimes I 665 00:35:29,360 --> 00:35:35,560 Speaker 3: wish I were. However, I also cannot figure out how 666 00:35:35,680 --> 00:35:37,440 Speaker 3: to work mechanics on things. 667 00:35:37,920 --> 00:35:39,799 Speaker 2: I do know how to change a tire. I will 668 00:35:39,880 --> 00:35:45,600 Speaker 2: say that's awesome. Yeah, well, and that's when we're going 669 00:35:45,680 --> 00:35:46,920 Speaker 2: to talk about this more in a minute. But that's 670 00:35:46,960 --> 00:35:50,120 Speaker 2: one thing people actually did really like about Leaves that 671 00:35:50,200 --> 00:35:53,600 Speaker 2: she was really as sortive character but also was still feminine. 672 00:35:54,680 --> 00:35:58,360 Speaker 2: So from Diana Dominguez and her work feminism and the 673 00:35:58,480 --> 00:36:01,759 Speaker 2: force empowerment and disillusion meant in a galaxy far far away, 674 00:36:02,360 --> 00:36:04,400 Speaker 2: here was a woman who could play like and with 675 00:36:04,560 --> 00:36:06,320 Speaker 2: the boys, but who didn't have to become one of 676 00:36:06,360 --> 00:36:08,720 Speaker 2: the boys, and who could if and when she wanted 677 00:36:08,760 --> 00:36:12,719 Speaker 2: to show she liked the boys. A woman who is outspoken, unashamed, 678 00:36:12,760 --> 00:36:16,759 Speaker 2: and most importantly, unpunished for being so. She isn't a 679 00:36:16,840 --> 00:36:19,640 Speaker 2: flirty sex spot tossing her hair around seductively to distract 680 00:36:19,680 --> 00:36:22,680 Speaker 2: the enemy. She doesn't play the role of maternal caretaker, 681 00:36:22,719 --> 00:36:26,000 Speaker 2: although she does display caring and compassion, or the sweet 682 00:36:26,080 --> 00:36:29,000 Speaker 2: innocent damsel who stands passively by while the men do 683 00:36:29,120 --> 00:36:31,200 Speaker 2: the work, but does step aside to let them do 684 00:36:31,360 --> 00:36:33,440 Speaker 2: what they're good at when it is wise to do so. 685 00:36:34,000 --> 00:36:37,160 Speaker 2: Leah is a hero without losing her gendered status. She 686 00:36:37,320 --> 00:36:39,600 Speaker 2: does not have to play the cute, helpless sex kitten 687 00:36:39,760 --> 00:36:42,880 Speaker 2: or become the sexless androgynist to get what she wants. 688 00:36:43,239 --> 00:36:46,080 Speaker 2: She can be strong, sassy, outspoken, bossy and bitchy and 689 00:36:46,200 --> 00:36:50,879 Speaker 2: still be respected and seen as feminine. And then there's 690 00:36:50,880 --> 00:36:54,280 Speaker 2: a tweet from Hooveyan Feminism about Leah and the importance 691 00:36:54,280 --> 00:36:56,960 Speaker 2: of Star Wars. Leah was a different type of princess 692 00:36:57,120 --> 00:36:59,319 Speaker 2: than those in most movies shown to girls my age. 693 00:36:59,360 --> 00:37:01,840 Speaker 2: She was a polite and military leader. It showed me 694 00:37:01,920 --> 00:37:03,880 Speaker 2: a girl who was like me, rough and tumble and 695 00:37:03,920 --> 00:37:05,280 Speaker 2: loud and brash and demanding. 696 00:37:05,719 --> 00:37:07,359 Speaker 4: That felt unique and rare at the time. 697 00:37:07,560 --> 00:37:10,719 Speaker 2: Star Wars and Leah and Padmey became fundamental parts of 698 00:37:10,800 --> 00:37:14,280 Speaker 2: my childhood and identity. They showed me it was okay 699 00:37:14,600 --> 00:37:18,960 Speaker 2: to just be me. If you're wondering, Samantha, I'm sure 700 00:37:19,000 --> 00:37:21,600 Speaker 2: you're not. But Padmey is Luke and Lea's mother. 701 00:37:21,840 --> 00:37:23,560 Speaker 3: Actually I was wondering. I was trying to figure out 702 00:37:23,560 --> 00:37:25,239 Speaker 3: who that was. But I was being quiet, like, did 703 00:37:25,280 --> 00:37:26,319 Speaker 3: I miss that part in the movie. 704 00:37:28,840 --> 00:37:30,840 Speaker 2: You will definitely show up on the quiz No, no, 705 00:37:30,920 --> 00:37:34,120 Speaker 2: no no, that was the prequel series. 706 00:37:34,320 --> 00:37:38,080 Speaker 3: Okay, Oh wait, that is that the Nellie Portman character. Okay, Okay, 707 00:37:38,080 --> 00:37:38,799 Speaker 3: I didn't know her name. 708 00:37:38,840 --> 00:37:39,360 Speaker 4: Okay, got it. 709 00:37:39,480 --> 00:37:43,880 Speaker 2: Yes, The character Leah became a symbol of women's protest 710 00:37:43,960 --> 00:37:47,239 Speaker 2: marches worldwide, easily the most referenced pop culture character on 711 00:37:47,360 --> 00:37:50,800 Speaker 2: protest signs. A women's place is in the resistance, for example, 712 00:37:50,840 --> 00:37:53,960 Speaker 2: a rebel rebel with her picture. Mark Hamill even tweeted 713 00:37:54,000 --> 00:37:56,239 Speaker 2: about it. I know where she stood, You know where 714 00:37:56,280 --> 00:37:58,520 Speaker 2: she stood. Such an honor to see her standing with 715 00:37:58,640 --> 00:38:01,640 Speaker 2: you today, bigly you Yeah. 716 00:38:01,760 --> 00:38:05,279 Speaker 3: So. After Carrie Fisher's death in late twenty sixteen, right 717 00:38:07,480 --> 00:38:11,319 Speaker 3: after the tumultuous election her daughter Billy Lord, which, by 718 00:38:11,360 --> 00:38:14,920 Speaker 3: the way, after watching the originals like, oh yeah, they 719 00:38:14,960 --> 00:38:19,960 Speaker 3: are so similar in features, she wrote, Leah is more 720 00:38:20,040 --> 00:38:23,680 Speaker 3: than just a character. She's a feeling. She is a strength. 721 00:38:23,840 --> 00:38:27,400 Speaker 3: She is grace, she is wit, She is femininity at 722 00:38:27,440 --> 00:38:30,080 Speaker 3: its fineness, and no one could have played her like 723 00:38:30,239 --> 00:38:34,520 Speaker 3: my mother. Princess Leiah is Carrie Fisher. Carrie Fisher is 724 00:38:34,560 --> 00:38:37,360 Speaker 3: Princess Leiah. The two go hand in hand. 725 00:38:38,800 --> 00:38:44,000 Speaker 2: Yeah, that's beautiful. Fisher's openness about her struggles with bipolar 726 00:38:44,080 --> 00:38:47,840 Speaker 2: disorder and addiction were groundbreaking. She was outspoken about sexism, 727 00:38:48,000 --> 00:38:53,000 Speaker 2: about mental illness, about agism. She was funny, her unwillingness 728 00:38:53,040 --> 00:38:55,239 Speaker 2: to sit down and be quiet, we're aspiring, and she 729 00:38:56,000 --> 00:38:59,520 Speaker 2: infused so much of that into Leah, and that's what 730 00:38:59,760 --> 00:39:03,880 Speaker 2: may Leah is such a powerful impactful character for so many. 731 00:39:04,280 --> 00:39:07,360 Speaker 3: And I just want to put in here because I 732 00:39:07,400 --> 00:39:10,160 Speaker 3: don't think you know, I know, you don't know. So 733 00:39:10,640 --> 00:39:13,960 Speaker 3: Carrie Fisher actually made a cameo on Sex and the 734 00:39:14,040 --> 00:39:18,120 Speaker 3: City and in that level of Carrie Bradshaw, who was 735 00:39:18,120 --> 00:39:21,160 Speaker 3: played by Sarah Jessica Parker, she talks about the fact 736 00:39:21,200 --> 00:39:23,040 Speaker 3: that there are two Carries who are writers. And at 737 00:39:23,080 --> 00:39:25,719 Speaker 3: that point in time, Carrie was seen as a phenomenal 738 00:39:26,120 --> 00:39:29,840 Speaker 3: writer as well because her words were so impactful and 739 00:39:30,000 --> 00:39:33,160 Speaker 3: powerful this time. So yes, you can put this into 740 00:39:33,239 --> 00:39:36,960 Speaker 3: your graph. She was actually acknowledged as a feminine icon 741 00:39:38,040 --> 00:39:40,160 Speaker 3: in Sex and the City. 742 00:39:40,960 --> 00:39:42,680 Speaker 4: All right, you know. 743 00:39:42,760 --> 00:39:44,880 Speaker 2: One of the first cameos I saw her in was 744 00:39:45,239 --> 00:39:49,360 Speaker 2: Screamed three, where she also was still having some commentary 745 00:39:49,480 --> 00:39:52,000 Speaker 2: about hollywood It's treatment of women. 746 00:39:52,200 --> 00:39:57,320 Speaker 4: So there you go. After her death, Christina J. 747 00:39:57,640 --> 00:40:01,200 Speaker 2: Widmyer wrote a paper called the Feminist stra Back Performative 748 00:40:01,280 --> 00:40:04,359 Speaker 2: Mourning in the Twitter response to Carrie Fisher's death about 749 00:40:04,400 --> 00:40:07,759 Speaker 2: the performative grief around it on Twitter and the feminism 750 00:40:07,880 --> 00:40:10,440 Speaker 2: it attracted. They were takedowns of dudes who were like, 751 00:40:11,040 --> 00:40:13,520 Speaker 2: rip my first boner and about how she was so 752 00:40:13,760 --> 00:40:17,239 Speaker 2: much more than just so many Steve Martin even got 753 00:40:17,280 --> 00:40:19,160 Speaker 2: in trouble for this, although it was much less boni 754 00:40:19,239 --> 00:40:22,759 Speaker 2: or more about her looks, but that she was so 755 00:40:22,920 --> 00:40:25,239 Speaker 2: much more and I wanted to read a quote from it. 756 00:40:26,400 --> 00:40:28,960 Speaker 2: Many of these tweets become feminists not only because their 757 00:40:29,040 --> 00:40:31,600 Speaker 2: authors are expressing certain views of Leah as a character 758 00:40:31,680 --> 00:40:34,319 Speaker 2: and Fisher as a person, but also because they are 759 00:40:34,440 --> 00:40:38,480 Speaker 2: utilizing beformativity so that their grief furthers a social agenda. 760 00:40:38,719 --> 00:40:40,799 Speaker 2: They are, in fact using their tweets as a means 761 00:40:40,840 --> 00:40:44,200 Speaker 2: of carrying Ford Fisher's legacy of activism, and they do 762 00:40:44,400 --> 00:40:48,160 Speaker 2: so by challenging patriarchal means of mourning and reintroducing Fisher's 763 00:40:48,239 --> 00:40:52,000 Speaker 2: activist leanings through their tweets. In this sense, they engage 764 00:40:52,040 --> 00:40:55,440 Speaker 2: in a performative goal, both as individuals performing themselves and 765 00:40:55,560 --> 00:40:58,640 Speaker 2: as a collective performing a community value. It is through 766 00:40:58,719 --> 00:41:01,960 Speaker 2: these performatives that divisions in the fan community are revealed 767 00:41:02,040 --> 00:41:05,640 Speaker 2: and negotiated. That was actually really good read. 768 00:41:05,680 --> 00:41:06,120 Speaker 4: I enjoyed it. 769 00:41:07,360 --> 00:41:12,200 Speaker 2: Writer and Tat's tweeted this thread after Carrie Fisher's death 770 00:41:12,200 --> 00:41:15,520 Speaker 2: about General Organa. She's not young, not wearing a gold 771 00:41:15,520 --> 00:41:17,920 Speaker 2: bikini ar robe. She's dressed to do what she's been 772 00:41:17,960 --> 00:41:20,759 Speaker 2: training her whole life to do, lead the rebellion. This 773 00:41:20,920 --> 00:41:23,480 Speaker 2: is the Layah that has lost everything, her world, her parents, 774 00:41:23,560 --> 00:41:25,480 Speaker 2: her son to the dark side, her brother to who 775 00:41:25,560 --> 00:41:28,160 Speaker 2: knows where, her lover. This is the Laya that could 776 00:41:28,280 --> 00:41:31,200 Speaker 2: easily have been broken down or given up, but she 777 00:41:31,440 --> 00:41:33,879 Speaker 2: was stronger than literally every man in her life. 778 00:41:34,320 --> 00:41:35,160 Speaker 4: She kept going. 779 00:41:35,520 --> 00:41:38,000 Speaker 2: When I see Fisher as General Organa, I see a 780 00:41:38,040 --> 00:41:40,840 Speaker 2: woman who has put up with so much from so 781 00:41:40,960 --> 00:41:44,160 Speaker 2: many men, and yet keeps showing up for them. Princess 782 00:41:44,320 --> 00:41:46,879 Speaker 2: Leiah was great, but General Organa was Fisher's real gift 783 00:41:46,960 --> 00:41:49,080 Speaker 2: to us, And she's who I'm going to be looking 784 00:41:49,160 --> 00:41:51,520 Speaker 2: to in dark times. May we all be able to 785 00:41:51,560 --> 00:41:53,399 Speaker 2: get up every day and in spite of our pain 786 00:41:53,480 --> 00:41:55,759 Speaker 2: and loss and fear, put on our boots and vest 787 00:41:55,920 --> 00:41:59,640 Speaker 2: and plan to destroy the empire. General Organa taught me that, 788 00:41:59,800 --> 00:42:02,360 Speaker 2: ye you don't have to be special or chosen. 789 00:42:02,120 --> 00:42:03,920 Speaker 4: To be a leader. You just have to show up 790 00:42:04,120 --> 00:42:05,200 Speaker 4: and learn and do the work. 791 00:42:06,360 --> 00:42:09,640 Speaker 2: And then another fan, Isaac Breen, tweeted, honor Carrie Fisher, 792 00:42:10,239 --> 00:42:13,319 Speaker 2: normalize mental illness and its treatments, take life a little 793 00:42:13,360 --> 00:42:16,279 Speaker 2: less seriously, destroy a fascist regime, right. 794 00:42:16,320 --> 00:42:19,040 Speaker 3: And I think that's how I know her myself, as 795 00:42:19,200 --> 00:42:23,440 Speaker 3: an amazing writer who spoke truths whether or not you 796 00:42:23,560 --> 00:42:27,759 Speaker 3: wanted it, who had amazing comedic timing and enable to 797 00:42:28,840 --> 00:42:32,000 Speaker 3: have a conversation and making jokes and making a light 798 00:42:32,200 --> 00:42:34,560 Speaker 3: of hard issues that she had to deal with to 799 00:42:35,760 --> 00:42:37,719 Speaker 3: normalize for people who can't deal with it, which we 800 00:42:37,760 --> 00:42:39,600 Speaker 3: shouldn't have to do, but she was able to do 801 00:42:39,680 --> 00:42:43,320 Speaker 3: it as an art form as well as proceed into 802 00:42:43,440 --> 00:42:46,319 Speaker 3: a culture where she came from a time period where 803 00:42:46,440 --> 00:42:48,680 Speaker 3: you're supposed to be feminine, you're supposed to be these things, 804 00:42:48,719 --> 00:42:50,680 Speaker 3: and could have leaned into I was pretty let me 805 00:42:50,920 --> 00:42:54,200 Speaker 3: leave it at that. It came out full forces. I 806 00:42:54,280 --> 00:42:57,480 Speaker 3: have words, I have thoughts, I have strength. I have 807 00:42:57,560 --> 00:43:00,680 Speaker 3: a mother who had to deal with those times of 808 00:43:00,840 --> 00:43:03,319 Speaker 3: oppression as a woman, but I refused to be that woman. 809 00:43:03,400 --> 00:43:05,760 Speaker 3: And I'm going to teach my daughter to come forward 810 00:43:06,040 --> 00:43:09,239 Speaker 3: as a roaring lion and be my own advocate. That's 811 00:43:09,280 --> 00:43:12,840 Speaker 3: how I know Carrie Fisher, and she definitely broke barriers, 812 00:43:13,200 --> 00:43:17,600 Speaker 3: not being just Lea, which, by the way, a phenomenal character, 813 00:43:18,280 --> 00:43:21,239 Speaker 3: but as her individual who leanked into that character to 814 00:43:21,320 --> 00:43:26,080 Speaker 3: push forward herself as a woman who delve into women's rights, 815 00:43:26,239 --> 00:43:28,719 Speaker 3: feminist rights, and also just human rights. 816 00:43:29,680 --> 00:43:34,160 Speaker 4: Yeah. Yeah, and she did it all well being funny. 817 00:43:34,600 --> 00:43:37,040 Speaker 3: Yeah, that's my like. I will say like every time 818 00:43:37,120 --> 00:43:40,920 Speaker 3: I saw her outside of any of Star Wars, because 819 00:43:41,000 --> 00:43:43,720 Speaker 3: obviously I didn't see her much in Star Wars until recently. 820 00:43:44,040 --> 00:43:47,480 Speaker 3: I saw her as a woman with amazing comediic timing 821 00:43:48,080 --> 00:43:52,440 Speaker 3: with also the contextual ideas of what is wrong in society. 822 00:43:53,080 --> 00:43:54,920 Speaker 3: She did a great job with it without having to 823 00:43:55,000 --> 00:43:58,760 Speaker 3: have her own individual platforms like a talk show or something. 824 00:43:59,360 --> 00:44:01,399 Speaker 4: Yeah, which she did have one at one point. 825 00:44:02,280 --> 00:44:03,080 Speaker 3: I don't know if I knew that. 826 00:44:03,160 --> 00:44:05,200 Speaker 4: Yeah, I think so wishful drinking. 827 00:44:07,600 --> 00:44:08,480 Speaker 3: I love that title. 828 00:44:09,239 --> 00:44:12,239 Speaker 4: Yeah, you should check it out. In the meantime, we 829 00:44:12,320 --> 00:44:14,160 Speaker 4: do believe it or not, have a little bit more 830 00:44:14,239 --> 00:44:16,480 Speaker 4: for you. Oh surprise, surprise. 831 00:44:16,760 --> 00:44:18,759 Speaker 2: But first we have one more coickbreak for a word 832 00:44:18,800 --> 00:44:36,200 Speaker 2: from our sponsor, and we're back. Thank you sponsor. So 833 00:44:36,360 --> 00:44:41,239 Speaker 2: this is what I will call an Annie original. I 834 00:44:41,400 --> 00:44:43,960 Speaker 2: haven't found too much research on this because it's really 835 00:44:44,000 --> 00:44:47,200 Speaker 2: difficult to search and I tried, but it's something that's 836 00:44:47,239 --> 00:44:49,880 Speaker 2: been on my mind ever since we did our feminism 837 00:44:50,000 --> 00:44:52,320 Speaker 2: in Harry Potter episode. And so this is what I 838 00:44:52,480 --> 00:44:56,400 Speaker 2: call in the outline my feminist Luke Skywalker discussion, because 839 00:44:57,360 --> 00:44:58,000 Speaker 2: I did. 840 00:44:59,600 --> 00:44:59,799 Speaker 5: I did. 841 00:45:00,000 --> 00:45:04,439 Speaker 4: I want to talk about how in that in Harry 842 00:45:04,480 --> 00:45:04,960 Speaker 4: Potter and in. 843 00:45:05,000 --> 00:45:08,600 Speaker 2: Star Wars, there are these main male characters, Luke Skywalker 844 00:45:08,640 --> 00:45:10,560 Speaker 2: and Harry Potter, which by the way, are both my 845 00:45:10,600 --> 00:45:14,160 Speaker 2: biggest crushes fictional crushes of all time, is more balanced 846 00:45:14,280 --> 00:45:17,480 Speaker 2: when it comes to traditionally feminine and masculine traits, and 847 00:45:18,440 --> 00:45:22,080 Speaker 2: some have even argued that these are essentially female characters 848 00:45:22,280 --> 00:45:26,160 Speaker 2: in the stereotypical sense. Are they're more like female characters. 849 00:45:26,680 --> 00:45:30,759 Speaker 2: Luke was originally written as a female character, so if 850 00:45:30,800 --> 00:45:33,920 Speaker 2: you think about Luke Skywalker, he has plenty of masculine 851 00:45:33,960 --> 00:45:37,279 Speaker 2: coded traits like hot headedness, recklessness, but he's far more 852 00:45:37,360 --> 00:45:42,680 Speaker 2: balanced with feminine coded traits like empathy, compassion, loyalty. When 853 00:45:43,000 --> 00:45:46,239 Speaker 2: you take that even further with how Luke in particular 854 00:45:46,440 --> 00:45:49,600 Speaker 2: interacts with the Force, because you've got Obi Wan and Yoda, 855 00:45:49,800 --> 00:45:53,239 Speaker 2: his mentors telling him that he has to confront and 856 00:45:53,360 --> 00:45:56,560 Speaker 2: essentially kill his father Darth Vader to become a Jedi, 857 00:45:56,680 --> 00:45:58,960 Speaker 2: and Luke saying he can't do it because he's so 858 00:45:59,120 --> 00:46:03,520 Speaker 2: strongly believed and can feel that they're still good In 859 00:46:03,680 --> 00:46:08,920 Speaker 2: Darth Vader, and after he turns himself over to Vader, 860 00:46:08,960 --> 00:46:12,040 Speaker 2: who turns him over to the Emperor, the Emperor is 861 00:46:12,160 --> 00:46:15,000 Speaker 2: urging him to embrace his anger given to his aggression 862 00:46:15,280 --> 00:46:19,719 Speaker 2: kill his father. Violence and anger stereotypically masculine traits, and 863 00:46:19,840 --> 00:46:22,960 Speaker 2: when Luke does that, he almost loses himself to the 864 00:46:23,080 --> 00:46:26,960 Speaker 2: dark side and almost continues this cycle of violence, cutting 865 00:46:27,000 --> 00:46:29,680 Speaker 2: off his father's hand when his father had cut off 866 00:46:29,760 --> 00:46:33,920 Speaker 2: his hand in the previous movie. His active heroism is 867 00:46:34,000 --> 00:46:35,680 Speaker 2: throwing away his weapon, which by the way, is a 868 00:46:35,760 --> 00:46:39,640 Speaker 2: very phallic weapon, and refusing to fight to let those 869 00:46:39,719 --> 00:46:45,200 Speaker 2: things control him, embracing those more feminine coded traits like empathy, 870 00:46:45,840 --> 00:46:48,400 Speaker 2: and this act brings out the empathy and love in 871 00:46:48,480 --> 00:46:51,800 Speaker 2: Darth Vader and breaks the cycle. Luke also rejects the 872 00:46:51,880 --> 00:46:54,840 Speaker 2: old Jedi order as well as the Empire, much like 873 00:46:54,960 --> 00:46:58,440 Speaker 2: feminism demands systemic change right, and I. 874 00:46:58,440 --> 00:47:01,320 Speaker 3: Will add some psychologists see this as the break of 875 00:47:01,400 --> 00:47:04,960 Speaker 3: the edible cycle, specifically refusing to kill the father instead, 876 00:47:05,000 --> 00:47:06,759 Speaker 3: he sacrifices and suffers for him. 877 00:47:07,480 --> 00:47:12,279 Speaker 2: Yeah, and there's a lot of comparisons to Christianity in there. Yeah, 878 00:47:12,320 --> 00:47:15,080 Speaker 2: this is just something clearly I think too much about this, perhaps, 879 00:47:15,120 --> 00:47:18,680 Speaker 2: but it is something that's been on my mind, especially 880 00:47:18,719 --> 00:47:25,000 Speaker 2: since I'm on this show now and watching it. And yes, 881 00:47:25,080 --> 00:47:27,040 Speaker 2: there is a lot of sexual imagery if you look 882 00:47:27,120 --> 00:47:30,160 Speaker 2: for it, if you if you want the turning, the 883 00:47:30,280 --> 00:47:33,000 Speaker 2: turning on of the lightsabers, the egg like guath Star 884 00:47:33,160 --> 00:47:36,000 Speaker 2: and the sperm like X wings trying to land a shot. 885 00:47:37,360 --> 00:47:41,440 Speaker 4: It's there, Samantha. And another thing I wanted to. 886 00:47:41,440 --> 00:47:45,759 Speaker 2: Touch on very briefly is Luke Skywalker's sexuality because I 887 00:47:46,040 --> 00:47:49,040 Speaker 2: think the fact that he doesn't have a romantic interest 888 00:47:49,120 --> 00:47:51,959 Speaker 2: in the movies other than a fairly forced plotline with Leyah, 889 00:47:51,960 --> 00:47:54,680 Speaker 2: who yes, it's his sister, although the writers didn't know 890 00:47:54,760 --> 00:47:56,080 Speaker 2: that until Return of the Jedi, so. 891 00:47:57,840 --> 00:47:58,080 Speaker 5: A lot. 892 00:47:58,600 --> 00:48:01,120 Speaker 4: Yeah, Well, because I I was really curious, when did 893 00:48:01,160 --> 00:48:02,080 Speaker 4: they know this was true? 894 00:48:02,480 --> 00:48:04,799 Speaker 3: I'm saying they didn't know here, They didn't know here, 895 00:48:05,000 --> 00:48:05,600 Speaker 3: they knew here. 896 00:48:07,120 --> 00:48:09,680 Speaker 4: You're welcome, Samantha, and I'm sorry once again. 897 00:48:10,920 --> 00:48:13,640 Speaker 2: Means that at least, if fan fiction is any guide, 898 00:48:13,880 --> 00:48:16,600 Speaker 2: it's easier for people to see their sexual identity reflected 899 00:48:16,800 --> 00:48:20,880 Speaker 2: in Luke Skywalker. The actor Mark Hamill even spoke to that, 900 00:48:21,000 --> 00:48:22,960 Speaker 2: saying you can believe whatever you want when it comes 901 00:48:23,000 --> 00:48:25,279 Speaker 2: to his sexual identity. And yes, I know this is 902 00:48:25,360 --> 00:48:29,280 Speaker 2: not the same as the importance of explicit representation, something 903 00:48:29,360 --> 00:48:31,360 Speaker 2: we need more of and I am so ready for. 904 00:48:31,480 --> 00:48:33,600 Speaker 2: I really wanted in the New movies been in Poe 905 00:48:33,680 --> 00:48:41,360 Speaker 2: to end up together. Alas in the Extended Universe Legends universe, 906 00:48:41,520 --> 00:48:43,080 Speaker 2: Luke did go on to marry a woman, although that 907 00:48:43,120 --> 00:48:46,120 Speaker 2: doesn't mean he's straight necessarily. The reason I wanted to 908 00:48:46,120 --> 00:48:48,000 Speaker 2: bring this up is because, as you all know, I've 909 00:48:48,000 --> 00:48:48,480 Speaker 2: been reading a. 910 00:48:48,560 --> 00:48:52,560 Speaker 5: Lot of fan fiction lately and I've noticed that in 911 00:48:52,600 --> 00:48:54,160 Speaker 5: the world of Star Wars fan fiction there are a 912 00:48:54,239 --> 00:48:57,359 Speaker 5: lot of a sexual, a romantic Luke Skywalker stories, which 913 00:48:57,400 --> 00:48:59,600 Speaker 5: is something I have never literally ever in all my 914 00:48:59,640 --> 00:49:01,040 Speaker 5: years of fan fiction scene before. 915 00:49:02,600 --> 00:49:03,920 Speaker 4: That doesn't mean it wasn't there at all. 916 00:49:03,960 --> 00:49:06,719 Speaker 2: I have very specific fan fiction circles that I traffic in, 917 00:49:07,480 --> 00:49:09,880 Speaker 2: but for me, i'd never seen it, and I've enjoyed 918 00:49:09,960 --> 00:49:13,719 Speaker 2: quite a few of those stories. Also a lot of 919 00:49:14,000 --> 00:49:15,879 Speaker 2: bisexual han solo stories. 920 00:49:17,160 --> 00:49:20,319 Speaker 5: And speaking of that, I've also sort of fallen into 921 00:49:20,400 --> 00:49:22,880 Speaker 5: the Han solo Luke Skywalker ship, which is you. 922 00:49:22,920 --> 00:49:23,840 Speaker 4: Tell us Guy solo? 923 00:49:24,160 --> 00:49:26,560 Speaker 3: Yeah, would you tell us a lot about Also. 924 00:49:27,000 --> 00:49:29,879 Speaker 4: I can't not see it, and I don't know why 925 00:49:29,960 --> 00:49:30,600 Speaker 4: or how that is. 926 00:49:31,960 --> 00:49:34,319 Speaker 2: Even the story I'm writing is sort of a one 927 00:49:34,480 --> 00:49:37,480 Speaker 2: sided Sky solo story, even though there might be romance 928 00:49:37,719 --> 00:49:38,279 Speaker 2: element later. 929 00:49:38,400 --> 00:49:40,640 Speaker 4: Who knows what the characters will do. I certainly am 930 00:49:40,680 --> 00:49:41,920 Speaker 4: not controlling the actions. 931 00:49:43,920 --> 00:49:45,960 Speaker 5: I'll find out as I write, but that's one of 932 00:49:46,000 --> 00:49:48,560 Speaker 5: the things I love about fan fiction, and I'm clearly 933 00:49:48,680 --> 00:49:52,640 Speaker 5: using it to work. Three things, And yes, before you ask, 934 00:49:52,760 --> 00:49:54,120 Speaker 5: it's not published again. 935 00:49:54,200 --> 00:49:56,040 Speaker 4: I think it could kill someone. It's so sad. 936 00:49:56,120 --> 00:50:00,360 Speaker 2: It's made me crime multiple times writing it, and I 937 00:50:00,480 --> 00:50:02,839 Speaker 2: do again I want to put out there. I'll take 938 00:50:02,880 --> 00:50:05,600 Speaker 2: a prompt because I was gonna read a section of 939 00:50:05,640 --> 00:50:07,279 Speaker 2: my fan fiction on here, but I couldn't find a 940 00:50:07,360 --> 00:50:10,680 Speaker 2: good non sad section other than a drunk Han solo 941 00:50:10,719 --> 00:50:14,000 Speaker 2: which doesn't have to do with Leah or even this 942 00:50:14,360 --> 00:50:20,239 Speaker 2: kind of Luke Skywalker feminis thing. And yeah, I mentioned 943 00:50:20,280 --> 00:50:23,960 Speaker 2: twin Stop is a really popular fan fiction thing where 944 00:50:24,400 --> 00:50:27,640 Speaker 2: Luke and Layer swopped and the fanfic world took that 945 00:50:27,800 --> 00:50:28,440 Speaker 2: and ran with it. 946 00:50:28,480 --> 00:50:31,080 Speaker 4: Because there is an early version of Star Wars draft. 947 00:50:31,000 --> 00:50:33,520 Speaker 3: That it was like that, right, And I do know 948 00:50:33,960 --> 00:50:36,160 Speaker 3: she did tell me plenty of times that Luke was 949 00:50:36,200 --> 00:50:39,440 Speaker 3: originally written as a woman, and then where there were 950 00:50:39,600 --> 00:50:43,160 Speaker 3: stairs between Han and Luke, he would make sure that 951 00:50:43,280 --> 00:50:47,200 Speaker 3: we knew that it would have changed everything if he 952 00:50:47,400 --> 00:50:47,839 Speaker 3: was a woman. 953 00:50:48,760 --> 00:50:49,000 Speaker 4: Yeah. 954 00:50:49,440 --> 00:50:51,439 Speaker 2: I feel like I was just trying to pick the point, 955 00:50:51,520 --> 00:50:55,120 Speaker 2: perhaps clumsily, that if Luke had been a woman, people 956 00:50:55,200 --> 00:50:57,600 Speaker 2: would have assumed romantic things. 957 00:50:57,800 --> 00:50:59,839 Speaker 3: Yeah, that's exactly the point that you were saying. But yeah, 958 00:51:00,080 --> 00:51:04,680 Speaker 3: definitely was like oh oh oh, I mean it makes sense. 959 00:51:05,200 --> 00:51:08,800 Speaker 3: There was a lot of agreement. Ah and there and 960 00:51:08,880 --> 00:51:12,080 Speaker 3: now I have never known, but you've definitely let us know. 961 00:51:12,719 --> 00:51:16,239 Speaker 4: Oh yeah. I went into detail about the uh, the 962 00:51:16,440 --> 00:51:19,040 Speaker 4: hot scene and the sharing of the body heats. 963 00:51:19,000 --> 00:51:21,680 Speaker 3: And and then like Han was supposed to leave, but 964 00:51:21,719 --> 00:51:24,320 Speaker 3: then he heard Luke was in peril, so change. 965 00:51:26,239 --> 00:51:30,520 Speaker 4: Oh I was so annoying. I'm sorry, No, you weren't. 966 00:51:30,560 --> 00:51:33,600 Speaker 3: You weren't annoying. You were enjoying yourself. My partner was 967 00:51:33,719 --> 00:51:36,080 Speaker 3: enjoying himself, and I was just there. 968 00:51:39,280 --> 00:51:41,759 Speaker 4: Oh man, Well I really appreciate it. I meant the 969 00:51:41,840 --> 00:51:43,080 Speaker 4: world to me to share. 970 00:51:42,920 --> 00:51:44,840 Speaker 3: It with you. I was glad to share it with you. 971 00:51:45,040 --> 00:51:48,320 Speaker 3: I was glad to see the excitement I think between 972 00:51:48,400 --> 00:51:51,440 Speaker 3: those and aliens to watch movies with the two, well, 973 00:51:51,600 --> 00:51:53,680 Speaker 3: especially you, because I think you and I have watched 974 00:51:53,680 --> 00:51:56,279 Speaker 3: several movies together. But yeah, the excitement that you have 975 00:51:56,440 --> 00:51:59,680 Speaker 3: because it definitely went with you to Spider Man Spider Verse, 976 00:52:00,040 --> 00:52:03,360 Speaker 3: sorry scholars, as well as some of the Marvel movies. 977 00:52:03,440 --> 00:52:07,279 Speaker 3: The joy, the pure joy. But this was the climax 978 00:52:07,360 --> 00:52:07,719 Speaker 3: of it all. 979 00:52:09,400 --> 00:52:12,760 Speaker 2: It's it's definitely like this and Harry Potter and probably 980 00:52:12,800 --> 00:52:15,319 Speaker 2: this a little bit more. Is like I said, it's 981 00:52:15,360 --> 00:52:20,000 Speaker 2: like my soul is part of my soul, and it 982 00:52:20,080 --> 00:52:22,320 Speaker 2: does it made me think about the importance of storytelling 983 00:52:22,400 --> 00:52:24,520 Speaker 2: and that we can enjoy all these things together and 984 00:52:24,600 --> 00:52:26,600 Speaker 2: we can have all these interpretations of it, and it 985 00:52:26,719 --> 00:52:30,480 Speaker 2: can be so impactful for a young child to see 986 00:52:30,520 --> 00:52:32,640 Speaker 2: Princess Leigh and think, oh, I can't do. 987 00:52:32,760 --> 00:52:34,640 Speaker 4: That, and that's really really powerful. 988 00:52:35,600 --> 00:52:38,600 Speaker 2: And I feel like I grew up with these characters 989 00:52:38,640 --> 00:52:40,680 Speaker 2: and sometimes I catch myself missing them, like I. 990 00:52:40,800 --> 00:52:43,560 Speaker 4: Miss Princess Leah, and that's fair. 991 00:52:44,480 --> 00:52:44,680 Speaker 5: Yeah. 992 00:52:45,040 --> 00:52:48,880 Speaker 2: Yeah, So we've been talking for a while about this. 993 00:52:50,440 --> 00:52:52,600 Speaker 2: We were gonna have some holiday special discussion, but I 994 00:52:52,640 --> 00:52:59,000 Speaker 2: guess we'll table that. Oh And I wanted to put 995 00:52:59,239 --> 00:53:02,400 Speaker 2: in on here that I was legitimately afraid to do 996 00:53:02,560 --> 00:53:06,759 Speaker 2: this research, one that I'd never stop and two that 997 00:53:06,840 --> 00:53:09,319 Speaker 2: I would come away feeling terrible about something that I loved. 998 00:53:09,360 --> 00:53:13,000 Speaker 2: But like I said, why, I totally recognize Star Wars 999 00:53:13,040 --> 00:53:15,840 Speaker 2: has its problems, that Star Wars fandom certainly has its problems. 1000 00:53:16,239 --> 00:53:18,280 Speaker 2: All this did was strengthen my love for the original 1001 00:53:18,360 --> 00:53:20,799 Speaker 2: trilogy and for Leya in particular. 1002 00:53:21,320 --> 00:53:23,120 Speaker 3: Right, I would say, as a person who came in 1003 00:53:23,520 --> 00:53:26,160 Speaker 3: in this day and age, I didn't feel it as 1004 00:53:26,280 --> 00:53:29,680 Speaker 3: problematic as some things like a John Hughes film for sure. 1005 00:53:30,680 --> 00:53:33,360 Speaker 3: And I okaye, I think Leah was a great character. 1006 00:53:33,760 --> 00:53:36,239 Speaker 3: I think knowing who Carrie Fisher was and also what 1007 00:53:36,400 --> 00:53:39,920 Speaker 3: she tried to represent also made it a bigger impact, 1008 00:53:40,239 --> 00:53:44,600 Speaker 3: and I could see why she was a phenomenal individual 1009 00:53:44,800 --> 00:53:46,360 Speaker 3: to play this character. 1010 00:53:47,440 --> 00:53:49,480 Speaker 4: Yeah, it was perfect. 1011 00:53:49,719 --> 00:53:52,279 Speaker 2: Like we said in that one quote from the part 1012 00:53:52,400 --> 00:53:58,920 Speaker 2: one where it seems like just a million different things happened, correctly, 1013 00:53:59,000 --> 00:54:01,000 Speaker 2: like it was just so random of an amazing that 1014 00:54:01,360 --> 00:54:04,799 Speaker 2: this came together, and she was a huge part of that. Right, 1015 00:54:05,320 --> 00:54:08,759 Speaker 2: So I'm so thankful, Thankful for her, Thankful for it, 1016 00:54:08,960 --> 00:54:12,840 Speaker 2: Thankful for you, Samantha for sharing this with me, Thankful 1017 00:54:12,880 --> 00:54:16,200 Speaker 2: for listeners who maybe like, oh no, two hours. 1018 00:54:16,560 --> 00:54:18,160 Speaker 3: I don't know those people are going to say, oh no. 1019 00:54:18,239 --> 00:54:19,920 Speaker 3: I think they're going to appreciate the fact that you 1020 00:54:20,160 --> 00:54:22,400 Speaker 3: love it as much as you do, and they probably 1021 00:54:22,440 --> 00:54:24,520 Speaker 3: there's still a lot of people out there who loves 1022 00:54:24,560 --> 00:54:25,320 Speaker 3: it as much as you do. 1023 00:54:28,480 --> 00:54:30,839 Speaker 5: Well, I'm happy to share my love. And I could 1024 00:54:30,880 --> 00:54:34,320 Speaker 5: have kept going and going and going, as you know. Okay, 1025 00:54:34,680 --> 00:54:37,120 Speaker 5: so I know I mentioned it quiz, but again we've 1026 00:54:37,520 --> 00:54:41,040 Speaker 5: I've really gone on and on about this episode's already 1027 00:54:41,120 --> 00:54:42,879 Speaker 5: super long. It was supposed to be a one part 1028 00:54:42,960 --> 00:54:44,280 Speaker 5: episode and now it's two hours. 1029 00:54:44,560 --> 00:54:45,759 Speaker 3: To be fair, I knew it was going to be 1030 00:54:45,840 --> 00:54:46,200 Speaker 3: two part. 1031 00:54:46,360 --> 00:54:48,240 Speaker 4: The minute well. 1032 00:54:50,280 --> 00:54:54,480 Speaker 5: You know me so well, so we're not going to 1033 00:54:54,520 --> 00:54:56,400 Speaker 5: do the quiz in this episode, but we will do 1034 00:54:56,600 --> 00:54:58,440 Speaker 5: it later off screen. 1035 00:54:59,000 --> 00:55:01,400 Speaker 2: I'll I want to I know what character you get, Samantha. 1036 00:55:01,440 --> 00:55:03,839 Speaker 2: I have my theory and I want to see if 1037 00:55:03,880 --> 00:55:04,360 Speaker 2: I'm correct. 1038 00:55:04,880 --> 00:55:06,759 Speaker 3: You're going to have to write this out on a 1039 00:55:06,840 --> 00:55:09,040 Speaker 3: piece of paper or okay, email it to me and 1040 00:55:09,080 --> 00:55:09,759 Speaker 3: I won't open it. 1041 00:55:10,320 --> 00:55:14,640 Speaker 4: Okay, I got Luke Skywalker, which again I don't know 1042 00:55:14,719 --> 00:55:15,440 Speaker 4: what to make of that. 1043 00:55:16,280 --> 00:55:17,759 Speaker 2: I guess it goes back to my theory if we 1044 00:55:17,840 --> 00:55:21,719 Speaker 2: all ultimately love some version of ourselves who we want 1045 00:55:21,800 --> 00:55:21,920 Speaker 2: to be. 1046 00:55:22,719 --> 00:55:22,919 Speaker 4: Yes. 1047 00:55:23,200 --> 00:55:26,680 Speaker 2: Yes, So that brings us to the end of this 1048 00:55:26,840 --> 00:55:30,400 Speaker 2: epic two parter. I hope I did it justice and 1049 00:55:31,480 --> 00:55:36,520 Speaker 2: thank you again everyone. If you have any Star Wars 1050 00:55:36,600 --> 00:55:39,520 Speaker 2: thoughts you'd like to share, our ideas for future episodes 1051 00:55:39,800 --> 00:55:43,359 Speaker 2: or topics we should cover, please write them to us. 1052 00:55:43,760 --> 00:55:46,279 Speaker 2: Our email is Stuff Media Momstuff at iHeartMedia dot com. 1053 00:55:46,600 --> 00:55:48,840 Speaker 2: You can find us on Twitter at mom Stuff Podcast 1054 00:55:49,000 --> 00:55:52,040 Speaker 2: or on Instagram at Stuff I've Never Told You. Thanks 1055 00:55:52,120 --> 00:55:55,160 Speaker 2: as always to our super producer Andrew Howard, who was 1056 00:55:55,200 --> 00:55:58,920 Speaker 2: also a fan. Yeah, and thanks to you for listening 1057 00:55:59,400 --> 00:56:01,640 Speaker 2: Stuff I'm Never Told You, the production of iHeartRadio. For 1058 00:56:01,719 --> 00:56:05,120 Speaker 2: more podcasts from iHeartRadio, check out the iHeartRadio app, Apple Podcasts, 1059 00:56:05,160 --> 00:56:06,760 Speaker 2: or wherever you listen to your favorite shows.