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Speaker 1: Guess what decision we're about to make a horrible decisions. Hey, guys,

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Speaker 1: to another episode of horrible decisions. I'm your girl, Mandy

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Speaker 1: be a pool corp pumps Okay, side a k A

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Speaker 1: da motherfucking beach. And Wheazy is here. I was gonna say,

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Speaker 1: and we are joined, because then I was like, get

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Speaker 1: it together, bitch, and Wheazy is here and we are

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Speaker 1: joined by our guests are founders on the sweet Spot. Yeah,

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Speaker 1: please intry yourselves and tell us what the sweet Spot

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Speaker 1: is ald I'll give it a start. My name is Lorille. No. Well,

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Speaker 1: I've been the operator, I could say, of the sweet

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Speaker 1: Spot since twenty twelve. Um Ansley started the sweet Spot.

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Speaker 1: He founded it in two thousand six. He had a

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Speaker 1: different name back then, giving freaknek. Why do'd you guys

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Speaker 1: change it for freak nasty? Because we left New York

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Speaker 1: and we went to the South, and they came to

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Speaker 1: the show what they couldn't tell their friends. It's a

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Speaker 1: purely word of mouth thing. I went to the spot.

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Speaker 1: We can't go to work, and you should come to

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Speaker 1: the free freak Nasty. Yeah, I'm a lie. I went

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Speaker 1: to the sweet Spot and it was kind of freak nasty,

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Speaker 1: but I give why. I like, also, you wouldn't want

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Speaker 1: to tell like some people are ashamed a little bit

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Speaker 1: of the things that they are into, especially sexual of nature.

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Speaker 1: I don't even think you know about to make it

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Speaker 1: a decent name, like yes, oh yeah, that's like great

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Speaker 1: that we're with our podcast and it's felt horror somebody

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Speaker 1: sounds like horrible decisions, but it's horrible decisions we I

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Speaker 1: mean even in terms of and it's it's a conversation

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Speaker 1: we've had often on here. Even in terms of advertisers,

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Speaker 1: and we'll get into that as well. But even in

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Speaker 1: terms of advertisers, there's a ton of other sex podcasts

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Speaker 1: out there as well. I mean they're also white, so

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Speaker 1: maybe that's another other variable. But the way the advertisers

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Speaker 1: respond to them and the way that just the corporate

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Speaker 1: space response to them is much different, just because it's

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Speaker 1: even their name. So let's get into what the sweet

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Speaker 1: spot is because I'm also so glad I got to

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Speaker 1: meet you guys before the show. Y'all we have been

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Speaker 1: it's kind of I would say, conversing. Ye, I want

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Speaker 1: to say a debate. There was a little bit like

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Speaker 1: we're ready for debate. Tell us were happy the allway

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Speaker 1: two sides of a coin. So okay, I'm gonna just

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Speaker 1: tell them real good. Let me set all this weaving.

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Speaker 1: So you guys are very familiar with Vinnie Um, and

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Speaker 1: Vinnie introduced them to Wheezy, and Weezy was like, I

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Speaker 1: have these for less performers coming, so we show yes

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Speaker 1: that and all I've been saying is I want to

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Speaker 1: less performer on the show. So she's like, I got

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Speaker 1: they do it bur lesque show. Cool. So I get

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Speaker 1: sent the Instagram. I'm like, Weezy, Semi, I like to

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Speaker 1: do my little research. So I go through the Instagram page.

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Speaker 1: It's a ton. So I see this lovely couple in

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Speaker 1: the hallway and I'm like, which one of you? Were

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Speaker 1: going like are both of you coming on the microphone?

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Speaker 1: And at first it was just gonna be the man

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Speaker 1: and I was just like so literally we get and

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Speaker 1: mind you. I end up texting Wheezy so they're like, well,

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Speaker 1: we operate and run a burlesque show, and you know,

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Speaker 1: my motherfucking face went, it's about mode, Like, so you're

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Speaker 1: not for less performers. My outline is puite less and

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Speaker 1: oh my god, what am I gonna do now? And

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Speaker 1: went into like a little frenzy, but in doing so,

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Speaker 1: it led to a very like interesting conversation which I'm

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Speaker 1: really glad now to bring to the microphone because I've

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Speaker 1: had the opportunity. I'll know, I'll be all in the lifestyle.

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Speaker 1: I've been to three burlesque shows, y'alls is way different

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Speaker 1: than the ones I've been to. However, mind we're also

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Speaker 1: white lead what's what was? What was? So burlesque performers,

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Speaker 1: from what I have seen, is really prohibition roaring twenties,

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Speaker 1: really industrial like. Even in the garments that they wear,

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Speaker 1: it's very flashed like flopper type of dancers. Um. By

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Speaker 1: the end, they sometimes have the tassels on their nipples. Um.

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Speaker 1: At bathtub gin they literally end up in an old

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Speaker 1: school tub and fling their hair back water to um,

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Speaker 1: what's the slipper room? Oh yeah, I mean I love

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Speaker 1: the boss. That was literally there's two days ago. That's

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Speaker 1: and so I'm like, I know what questions I want

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Speaker 1: to end. And so before we get into the long

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Speaker 1: form version of what our conversation sounded like, can you

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Speaker 1: explain to our audience what the sweet Spot burlesque show entails. Well,

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Speaker 1: we go back to the original meaning of burlesque, when

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Speaker 1: when burblesque first came to the United States from Europe,

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Speaker 1: it was a variety show and you can go look

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Speaker 1: it up on bit like like challenge a bit more

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Speaker 1: of that way. But if you think about how American

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Speaker 1: culture is structured, they distill everything out and there's always

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Speaker 1: and on sex. Right. Soon they got rid of all

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Speaker 1: the other performance side show acts, acrobats or people swinging

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Speaker 1: in the roof for fire eaters or whatever. They got

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Speaker 1: rid of all of that and it became dancing. It

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Speaker 1: became strip tease. Striptease is actually just a part of

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Speaker 1: a browlished show. So we have strip tease. We do

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Speaker 1: have full strip tease, and and our dancers you know,

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Speaker 1: the same, you know, stripped down to pretty much nude

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Speaker 1: um and actually our show, our dancers tell us that

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Speaker 1: at our show they're able to be more sexually expressed

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Speaker 1: sexuality and more sexually expressed a lot of the other

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Speaker 1: brows shows, because we're actually about engaging in sex and sexuality.

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Speaker 1: A lot of brawler shows about I think the costuming

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Speaker 1: and the field, but we're actually here to challenge social

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Speaker 1: norm Now I want to know you challenging this North

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Speaker 1: ticket to a barlesque show. I'm expecting what I know

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Speaker 1: burlesque to be. What kept you guys from calling it

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Speaker 1: a variety show? Why take that word and now try

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Speaker 1: to transform it specifically in our community, knowing we all

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Speaker 1: kind of have an idea of what burlesque is? What?

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Speaker 1: What what made you guys keep the word? Well, actually

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Speaker 1: we borrowed the word because, um, let's talk about operating

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Speaker 1: a company, marketing, branding. That's why we changed the name

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Speaker 1: to the Sweet Spot so that we could get more advertisers,

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Speaker 1: get sponsors. And also that's sort of why burlesque came along,

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Speaker 1: because that's a recognizable type of genre that people can say, oh,

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Speaker 1: I know what this is when they see it in

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Speaker 1: advertising or I'm gonna see something sexy. I'm gonna see

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Speaker 1: something sexy. And variety show is giving America god talent

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Speaker 1: than that. What's vari Yeah, it's literally about sex and sexuality.

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Speaker 1: It's week we actually trademark DISTERM called pop erotica. M

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Speaker 1: I love that popular erotica And and I don't know

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Speaker 1: why what's the undepenning of most prol shows before our

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Speaker 1: show is specifically to have conversations around sex and sex. Right,

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Speaker 1: So the other performances that happen other than just the

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Speaker 1: dance are all erotica. So it's the erotic poetry. It's

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Speaker 1: y'all know the pussy poet, pussy poet, which one, which one?

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Speaker 1: So in poetry, if you do erotic poems, they call

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Speaker 1: you a pussy poet. Boom they do. Yes, it's all

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Speaker 1: different worlds, John Monologue. I didn't think she's the only

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Speaker 1: person that's did a pome like that, but that was

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Speaker 1: her name. I mean, she she goes by the Pussy,

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Speaker 1: but she's in New York. But she also went by

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Speaker 1: No Goddess and she had another so I had a

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Speaker 1: lot of God his impress. Her ship was fired. But

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Speaker 1: my first time ever hearing one was at your show,

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Speaker 1: and look as my first one was at a weed party.

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Speaker 1: She was performing at an underground COVID weed party, and

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Speaker 1: she's in Harlem, but it wasn't all black, so all

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Speaker 1: of the cannabis companies were black owned um, and it

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Speaker 1: wasn't Harlem, and she literally just demanded the attention of

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Speaker 1: the room. UM so hot her on. But anyways, nonetheless,

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Speaker 1: outside of a poet y'all ain't got sexual jugglers? Do

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Speaker 1: you like? What else do? Alright? So we have live

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Speaker 1: body painting, So we have somebody naked on stage and

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Speaker 1: I'll paint the person or loyal O paint the personal

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Speaker 1: bringing up in pain the person. We have b D

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Speaker 1: S M. Somebody. We also have sometimes we have rope

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Speaker 1: somebody to a whole rope the like pre show, so

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Speaker 1: you're walking and there's somebody doing rope on stage. League

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Speaker 1: like eurotic sexy because we we just dive into the eurotica,

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Speaker 1: like we don't scored around it like you go to

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Speaker 1: most brother shows, like the white shows, they will tell

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Speaker 1: the black performance. Can you pease pull back on the

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Speaker 1: sexual on this the sex and the sexuality. I'm like,

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Speaker 1: you're asking somebody to take their clothes off and not

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Speaker 1: be sexually intense, and it's kind of a contradiction that

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Speaker 1: terms right, And it's the same thing with Broless, like

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Speaker 1: you're trying to challenge social norms, but you're rooted in

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Speaker 1: the nineteen twenties. We're seeing somebody's ankles was eurotic, right, right,

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Speaker 1: so that's the original or Less they were actually pushing

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Speaker 1: the line, right, they were doing something underground and hit

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Speaker 1: it today. If we're doing something, you know, pushing, pushing

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Speaker 1: the boundaries, it's not going to be a throwback there, right,

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Speaker 1: It's got to be something in the future. And so

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Speaker 1: we've created something that's more like contemporary and and the

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Speaker 1: boundaries today because we're talking about sex, we're talking about

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Speaker 1: sexual identity, we're pushing especially for black community. All we've

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Speaker 1: we've positioned our show as a mainstream show. Um, just

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Speaker 1: so you know, so it doesn't get really crazy. You're

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Speaker 1: not going to ever see anybody's genite holes. You're not

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Speaker 1: gonna see any sex sex on stage. But but we

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Speaker 1: go right up to the line. So I got could

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Speaker 1: almost smell the dick trying to see it. What is

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Speaker 1: what is just so like just past? He's just a thong, man,

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Speaker 1: don't they get on today's socks? Maybe having a sock

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Speaker 1: on my day more than we usually ask for more

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Speaker 1: than a sock. It's like the big hole big Oh no,

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Speaker 1: that's not what his name did that he covered the towel.

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Speaker 1: It's part of this act. But you will not see

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Speaker 1: any gen I was waiting for it. That's part of it.

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Speaker 1: Was the dick mirage. Can I ask you before we

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Speaker 1: get into our vanilast it because I luckily I did

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Speaker 1: choose everything like black sexuality, seduction, all of those things. Um,

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Speaker 1: what would you say your audience is like for these

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Speaker 1: type of shows? Mm hmm. But like the people that

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Speaker 1: come to the show's majority like about seventole between thirty

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Speaker 1: five and about about se women are poorly mobile people

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Speaker 1: who have you know, disposable income is to buy a

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Speaker 1: six dollar ticket. We try to keep our prices at

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Speaker 1: a level where a person who normally wouldn't go to

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Speaker 1: Broadless could come to the show and be like, oh,

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Speaker 1: I just lost twenty dollars or forty dollars if if

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Speaker 1: I didn't like the show. But we try to make

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Speaker 1: sure a conversation that we're having reaches all the black

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Speaker 1: people that want to see it. I love that and yeah,

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Speaker 1: and I think one thing to keep in mind too

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Speaker 1: is that, um, black communities which is the majority of

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Speaker 1: our audience, especially on the East coast, not necessarily on

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Speaker 1: the West, but they don't know they are. They don't

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Speaker 1: actually know what burlesque is. We've actually introduced West and West.

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Speaker 1: We introduce so many communities. Of course, like before the

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Speaker 1: spece was so also it's a tiny eds. They dont

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Speaker 1: see us an erotica show, right, and it's normally not

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Speaker 1: in our communities at hard right. So like say, in

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Speaker 1: two thousand and ten, we're gonna um Um Texas to

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Speaker 1: do a show. I don't know what burlesque, right, okay,

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Speaker 1: you know what? Over it was something from the Ring.

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Speaker 1: I think I learned burlesque from Ulan Rouget, yeah, which

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Speaker 1: we were twelve two and then it was a movie,

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Speaker 1: so you didn't really get an idea for what actually

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Speaker 1: happens when I go sit by the way going. I

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Speaker 1: took my mom to the Movelan Rouge because I've been

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Speaker 1: a friends. It wasn't the movie, okay the movie. When

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Speaker 1: I went, my mom and I were laughing because I

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Speaker 1: was like, yo, there was like one black person and

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Speaker 1: we were like and I had been maybe seventy five people,

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Speaker 1: did you you guys have been so like I didn't

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Speaker 1: know what I was getting ready to see, but like

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Speaker 1: the can can stuff or whatever, but like, bro, everybody

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Speaker 1: was a stick, which was not what I thought because

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Speaker 1: I always thought burlesque was like the meatier luptuous girls.

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Speaker 1: I always thought that in my head and then I

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Speaker 1: went to this show. I mean I was talking eating disorder, skinny.

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Speaker 1: I remember trying to find a fat girl, fat girl

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Speaker 1: like I was like, okay, she's a little bigger and

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Speaker 1: my mom and I looking and shoes like she must

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Speaker 1: maybe she's being a period Like this is how that

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Speaker 1: small mandy. I've never seen girls this thing in my

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Speaker 1: life and like you know, the kick and the kick

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Speaker 1: and the kick and like you know, it was it

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Speaker 1: was intense, but it was something that I'm glad I

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Speaker 1: got to experience. But didn't make me feel like it

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Speaker 1: was burlesque at all. It was so like robotic. Yes, yes,

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Speaker 1: so robotic, you know what I'm saying, Like nothing really

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Speaker 1: felt sexy. I was looking at titties but I couldn't tell,

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Speaker 1: Like I just didn't. Right, they need neither y'all, y'all

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Speaker 1: are a couple, correct? Okay, Well let's see if you

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Speaker 1: would have been down for this. Okay, UM, for for

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Speaker 1: any of you guys listening to horrible decisions for the

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Speaker 1: very first time. UM, we have our segment called Vanilla Ship,

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Speaker 1: which is sex in the news. Um. And I found

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Speaker 1: an article on Mirror dot UK that says a man

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Speaker 1: is marrying identical triplets and he says that the trio

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Speaker 1: is no big deal. A man and king so real quick.

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Speaker 1: Men and Kenya are allowed to marry multiple wise, and

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Speaker 1: polygamy is common among traditional and Muslim communities in the country.

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Speaker 1: A man about to tie the knot with three identical

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Speaker 1: triplets no cold is called time. A man about the

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Speaker 1: size and n with three identical triplets sisters claims satisfying

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Speaker 1: the trio is no big deal. Identical Kate even Mary

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Speaker 1: revealed in an interview in Native Kenya at the start

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Speaker 1: of April that all three of them planned to marry

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Speaker 1: Lucky Stevo in the near future. It was Kate who

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Speaker 1: first met Stevo and then introduced him to her two sisters.

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Speaker 1: The three are reportedly basically sister wise. No literally, they

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Speaker 1: are literal sister wise. The three are reportedly pursuing a

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Speaker 1: career in gospel music, despite most Christian groups rejecting the

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Speaker 1: practice of polygamy and upholding monogamy as ideal. Stibo said,

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Speaker 1: I'm a faithful, generous man and everything about me comes big,

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Speaker 1: even blessings. That's why they call me big Man. Stevo.

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Speaker 1: I wanted to ask you, first off, do you have siblings?

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Speaker 1: We could jump to the end. No, if you did, okay,

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Speaker 1: then do you have brothers? Okay? I would love to

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Speaker 1: know would there be any where that would be if

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Speaker 1: you agreed to polygamy, if you agreed to multiple wives

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Speaker 1: or multiple husbands, that that would be something that you

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Speaker 1: could like see. I'm I'm definitely not um interested in it.

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Speaker 1: I mean, we have a very specific relationship. We worked

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Speaker 1: together and we are live partners, so I don't know

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Speaker 1: a throuble or an extra in here. It would just

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Speaker 1: throw things off. Just getting a fight and you have

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Speaker 1: to do a show. How bad is it? Well? Do

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Speaker 1: people notice? No, we've actually never had any with the

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Speaker 1: show before. No. Actually is it's business, right, so our

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Speaker 1: personal stuff don't really get involved in it and we don't.

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Speaker 1: And we do what we do a production meeting before

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Speaker 1: every single show, like right an hour before the show,

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Speaker 1: all the performers are there, and then after the production

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Speaker 1: we do like a a little Okay. I was about

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Speaker 1: to say that, it's oh, no, we do, we know,

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Speaker 1: we do, we do? We do uh sexy prayer St. Jesus.

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Speaker 1: It's different. Every it's different. Everything one sounds like about

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Speaker 1: my head like a blue Okay, everybody, everybody put your

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Speaker 1: hands in. Everybody put their hands body. We're going to

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Speaker 1: welcome our people to the show tonight. Yeah, and what

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Speaker 1: we're gonna do we welcome, We're gonna walk them into

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Speaker 1: this very slowly. We're gonna sit them down, we're gonna

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Speaker 1: tell them the opening mouth and what we're gonna do.

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Speaker 1: What we're gonna do, spinning wild, It really doesn't happen, right, No,

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Speaker 1: make it sure when we do, sweet spot, let's get it.

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Speaker 1: And at the end of that, everybody in the team

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Speaker 1: knows that whatever you were feeling before, that's gone. Right

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Speaker 1: now we show time and that's that's a really cute check.

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Speaker 1: It's always different every every show. It's differ in prayer,

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Speaker 1: but it's always My favorite prayer was from the movie

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Speaker 1: Zola with and she said, did y'all see that with

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Speaker 1: when she said, Lord, bring us the big dick please,

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Speaker 1: with the big pockets, with the big pockets. So that's

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Speaker 1: I don't think that's polygamy right there? Married three sisters.

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Speaker 1: Why do you not think that that's that's that? Sorry,

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Speaker 1: that's something else. Marrying three sisters have nothing to do

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Speaker 1: with they would be engaging in to me. It's not

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Speaker 1: even incests though, as long as they're not sucking each other,

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Speaker 1: if they're both working the same man, what's wrong with that?

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Speaker 1: That's not interest But it's definitely polygamy. It's because they're

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Speaker 1: all Mary why you feel like he didn't know? You

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Speaker 1: don't like tradition, like people could do whatever they want.

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Speaker 1: But I think like the act of marrying three sisters

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Speaker 1: is something else. They should have a different name for that.

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Speaker 1: But was like if you if you're adoption, no, but

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Speaker 1: you know what's crazy? So they're identical. If you like one,

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Speaker 1: you like them all. But if you think about it,

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Speaker 1: he is getting what we all want. There's a lot

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Speaker 1: of times our partners are maybe unfulfilling in some capacity.

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Speaker 1: I'm sure he can get everything he wants out of

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Speaker 1: the three of the same person. What they get, what

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Speaker 1: they get. I want to know. The fact that they

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Speaker 1: all clearly had the same type is wild to me.

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Speaker 1: I mean that before. I mean, if you're twins, like

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Speaker 1: are so connected saying they like they want to they

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Speaker 1: can clearly the ship. What's that banctom feeling like maybe

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Speaker 1: feeling one other ones hurting? Of course they want maybe

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Speaker 1: not heard, maybe the other two felt that. And to

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Speaker 1: this the TLC show bro because don't t LC they

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Speaker 1: got two twins that they does two twins. This is

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Speaker 1: just one twin. Listen, I think I need this to

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Speaker 1: be a show. I don't know how PLC hasn't found

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Speaker 1: these niggas really really all right, The next segment is

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Speaker 1: our horder, which is normally are a sex tip. However,

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Speaker 1: I got this off of exploring your page. All right,

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Speaker 1: So I want to talk about and it's not really science, y'all,

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Speaker 1: but it's the science of seduction. So there was an

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Speaker 1: article from e XP mag dot com where you guys

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Speaker 1: talked about using all senses to arouse a partner before

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Speaker 1: or without even having sex. And one of the pointers

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Speaker 1: that I took from the article, which I really um

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Speaker 1: was interested in even having the conversation with you guys,

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Speaker 1: is that, um, it only takes and this is apparently

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Speaker 1: from a doctor y'all. It ain't me, but they said

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00:20:56,840 --> 00:21:01,240
Speaker 1: it only takes zero point two seconds of visual contact

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Speaker 1: to fall in love, hence the expression love at first sight.

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Speaker 1: What they said, it only takes zero point to not

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Speaker 1: even a second a visual contact with a person to

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Speaker 1: fall in love, hence the expression love at first sight.

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Speaker 1: They're also told that anything more than a mere three

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Speaker 1: point three seconds of staring from a stranger can often

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Speaker 1: make people uncomfortable and make a stranger seem like a stalker.

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Speaker 1: Yet a mutual share of us there for over a

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Speaker 1: minute can biologically make you feel a deep connection to

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Speaker 1: that person. Now, when your performers are on stage, and

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Speaker 1: I've seen this at the strip club with seduction, I've

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Speaker 1: seen this from burlesque performers. Is there any type of

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Speaker 1: art of seduction that you guys talk about with your

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Speaker 1: performers to either arouse people or seduce the audience in

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Speaker 1: any sort of nature. What is that conversation normally like

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Speaker 1: in terms of seducing a large audience, Like y'all y'all

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Speaker 1: have at the sweet spot? Yeah, yeah, yeah, I'm clutch

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Speaker 1: us that actually because it it plays into the conversation

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Speaker 1: we were having earlier about how much do you give

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Speaker 1: the audience with regards to sexuality, And for our burlesque

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Speaker 1: dancers were like, go full hog, like at the end

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Speaker 1: of your jet, everybody in here should want to suck you, Nava.

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Speaker 1: They should want to suck you yes, at the end

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Speaker 1: of it. And so a lot of times the advice

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Speaker 1: that were and the prep talks that we're giving the

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Speaker 1: burlesque answers because we've worked with a lot of burlesque answers,

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Speaker 1: especially in New York around the country, and we'll say

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Speaker 1: to them, look, this is not the usual show you

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Speaker 1: that you do where you have to like hold back,

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Speaker 1: like this is full seduction. You need to make eye

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Speaker 1: contact with the people in the audience. Um. Yeah, and

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Speaker 1: the brothers they have this saying that we didn't come

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Speaker 1: with it, but they're using burthers and in the heart,

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Speaker 1: welcome in the heart, in heart, give them be fully

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Speaker 1: committed to what you're doing. And people find this sexy. Okay,

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Speaker 1: so that'sman committed people. People want to want to be

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Speaker 1: You brought m Zola. I'm curious to know. Let's in

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Speaker 1: terms of the sex tip, then let's get into a

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Speaker 1: seduction tip. Because she didn't really provide provide this one.

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Speaker 1: Ask what you don't need to bring up? Sorry she didn't.

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Speaker 1: I'm like, goddamnit. Um, so let me ask you then,

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Speaker 1: what tips could you give to our listeners? Um, whether

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Speaker 1: they're with their partner or just someone they're casually fucking,

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Speaker 1: give me a tip to seduce, so without having sex,

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Speaker 1: how would you arouse him in the bedroom or across

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Speaker 1: the table at dinner without actually touching him. I'm gonna

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Speaker 1: hate the pastest off, I mean because honestly, it is

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Speaker 1: eye contact that always just even to this day, like

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Speaker 1: we've been married, but when he looks at me a

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00:23:50,840 --> 00:23:59,480
Speaker 1: certain way, I'd be like, I need to It looks

388
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Speaker 1: like half for the time, half of the time. Right.

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Speaker 1: People people think that there's all these things that you

390
00:24:05,359 --> 00:24:09,280
Speaker 1: have to do this and do somebody your intentions, your intention.

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Speaker 1: So I'm looking at you right now. If I have

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00:24:12,119 --> 00:24:19,520
Speaker 1: an intention that right now, you know, if you're intention

393
00:24:19,640 --> 00:24:22,560
Speaker 1: you're you have your intents, Like we're about the fuck,

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00:24:22,960 --> 00:24:25,320
Speaker 1: you will feel it. You know what's crazy? I said,

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Speaker 1: say me and my friends call it I fucking literally

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Speaker 1: when I'm at the club. You heard one, go ahead,

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00:24:34,960 --> 00:24:39,160
Speaker 1: so he so so sidebar. The sweet Spot has a Bible, right,

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Speaker 1: and it talks about all these kinds told it was

399
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Speaker 1: sex in the Bible, but go ahead, all these different interactions.

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Speaker 1: And there's just woman in the sweet Spot Bible who

401
00:24:49,880 --> 00:24:53,720
Speaker 1: is with her husband at a place and the other

402
00:24:53,800 --> 00:24:56,280
Speaker 1: lady comes in. It's talking to them and she's like

403
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Speaker 1: fuck her. He's like she's like why fuckers, like because

404
00:25:00,080 --> 00:25:02,760
Speaker 1: she is? I fucking my man, I saw her doing

405
00:25:03,359 --> 00:25:05,960
Speaker 1: and she's like somebody can't look at somebody and you

406
00:25:06,040 --> 00:25:08,920
Speaker 1: think that's that they're doing something physical. And he's like, yes, no,

407
00:25:09,040 --> 00:25:13,760
Speaker 1: I saw her. I man. Women do know when a

408
00:25:13,840 --> 00:25:16,480
Speaker 1: woman is being overly friendly, even if they don't say

409
00:25:16,520 --> 00:25:19,640
Speaker 1: anything in appropriate. It's like, no, you ain't see how

410
00:25:19,640 --> 00:25:25,120
Speaker 1: she woun think about it. You absolutely fund so crazy.

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00:25:25,480 --> 00:25:28,359
Speaker 1: I was honest, that's that's that's actually normal. It was

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00:25:28,680 --> 00:25:31,160
Speaker 1: I processed got his soho house movie and she asked

413
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Speaker 1: for the spelling of his name. She was like, did

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Speaker 1: you say oh h if? He was like, here's a

415
00:25:42,840 --> 00:25:44,639
Speaker 1: super de voice. He was like yes, but like that

416
00:25:44,720 --> 00:25:47,960
Speaker 1: she's like okay, because I didn't know it feels like okay,

417
00:25:47,960 --> 00:25:53,000
Speaker 1: but that that's flirty energy though, no, no, no, no

418
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Speaker 1: eye contact. If it if it went like from a

419
00:25:56,320 --> 00:25:59,040
Speaker 1: seductive voice, like that actually is the whole thing too.

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Speaker 1: If you're seductive in her and then like friendly flirty,

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00:26:02,440 --> 00:26:05,640
Speaker 1: that's actually flirty. That's not just know what she did.

422
00:26:05,760 --> 00:26:08,560
Speaker 1: You know she gave you think in your face. What

423
00:26:08,680 --> 00:26:16,520
Speaker 1: she did was she just gave gave him her jaws. Okay,

424
00:26:16,760 --> 00:26:18,280
Speaker 1: let me tell you the tip I got. I don't

425
00:26:18,359 --> 00:26:24,000
Speaker 1: know this real, but it did work. So there was

426
00:26:24,080 --> 00:26:27,679
Speaker 1: someone recently that, like I was saying to Mandy, like, oh, like,

427
00:26:27,720 --> 00:26:29,800
Speaker 1: I'm sure with the vibe is with this person whatever,

428
00:26:30,480 --> 00:26:32,960
Speaker 1: So I thought you weren't gonna talk about this person

429
00:26:33,000 --> 00:26:36,160
Speaker 1: about I'm not talking about it, like, I'm just saying,

430
00:26:36,200 --> 00:26:40,240
Speaker 1: like when it came up. And anyway, I remember something

431
00:26:40,280 --> 00:26:42,320
Speaker 1: that this person told me. I don't want to say

432
00:26:42,359 --> 00:26:48,960
Speaker 1: who it was, but my own girl wanted she she'd

433
00:26:49,000 --> 00:26:50,600
Speaker 1: be tricky, so I want to give away her treat.

434
00:26:51,200 --> 00:26:53,760
Speaker 1: But she told me this a long time ago, and

435
00:26:53,880 --> 00:26:56,320
Speaker 1: she was like, I've you know, been around men before,

436
00:26:56,480 --> 00:26:59,520
Speaker 1: and like she like really focuses on making men go

437
00:26:59,600 --> 00:27:02,960
Speaker 1: crazy over her, like this is her things, like even

438
00:27:02,960 --> 00:27:04,720
Speaker 1: if she wants to have sex with them, and that's

439
00:27:04,720 --> 00:27:05,919
Speaker 1: why I said, don't want to say it is, but

440
00:27:06,320 --> 00:27:09,320
Speaker 1: she will, like sincerely focus on driving them and sing.

441
00:27:10,080 --> 00:27:12,840
Speaker 1: And one of the things that she does, she's like

442
00:27:14,080 --> 00:27:15,680
Speaker 1: when I want someone or when I want them to

443
00:27:15,760 --> 00:27:18,159
Speaker 1: kiss me or touch me, and she was like, when

444
00:27:18,240 --> 00:27:20,360
Speaker 1: I want them to like feel it off of me,

445
00:27:20,800 --> 00:27:23,320
Speaker 1: I'll stare them in their eyes and I will only

446
00:27:23,440 --> 00:27:26,280
Speaker 1: think about sucking them. I won't even talk. She's like,

447
00:27:26,600 --> 00:27:29,119
Speaker 1: even if I don't look in their eyes, I literally

448
00:27:29,240 --> 00:27:32,639
Speaker 1: think about having sex with them. I think about myself orgasming.

449
00:27:32,680 --> 00:27:34,679
Speaker 1: And she's like, and they can smell it on and

450
00:27:34,720 --> 00:27:37,879
Speaker 1: she said it drives them crazy, bro, only because she

451
00:27:38,040 --> 00:27:41,159
Speaker 1: doesn't actually go through with it. Like basically, she just

452
00:27:41,200 --> 00:27:42,800
Speaker 1: does all of these things to get men to the

453
00:27:42,800 --> 00:27:45,679
Speaker 1: point where they're like dying for her. Right, So she

454
00:27:45,760 --> 00:27:47,240
Speaker 1: likes to hold out a little bit, not on some

455
00:27:47,359 --> 00:27:49,639
Speaker 1: like three months ship, but like she'll hold her pussy

456
00:27:49,680 --> 00:27:59,359
Speaker 1: because she's like, bro, they just go hold in the pussy. No,

457
00:28:00,160 --> 00:28:03,919
Speaker 1: she's enjoying. Yeah, well it's not like you're trying to like,

458
00:28:04,520 --> 00:28:06,399
Speaker 1: you're not doing it for this. To me, the reason

459
00:28:06,440 --> 00:28:08,280
Speaker 1: that I don't respect the three months ship is because

460
00:28:08,280 --> 00:28:11,720
Speaker 1: women do it for men to agree. Oh he'll take

461
00:28:11,720 --> 00:28:14,440
Speaker 1: me more serious? Yeah, I don't. I think she gets off.

462
00:28:16,080 --> 00:28:20,360
Speaker 1: We're married, being married for five years, and like I'm

463
00:28:20,400 --> 00:28:25,200
Speaker 1: on five years basically for twelve years. Don't tell me

464
00:28:25,280 --> 00:28:28,919
Speaker 1: that I didn't hit the first night. I don't hold you.

465
00:28:29,080 --> 00:28:32,360
Speaker 1: The people out here ain't been together the first night.

466
00:28:33,440 --> 00:28:36,400
Speaker 1: Didn't like even even the ex that I was looking.

467
00:28:36,400 --> 00:28:39,560
Speaker 1: It's crazy because we talked, I talked about I wouldn't

468
00:28:39,560 --> 00:28:43,239
Speaker 1: say we because we've got her own experiences. But in

469
00:28:43,320 --> 00:28:46,760
Speaker 1: my twenties I did this stupid as bullshit where the

470
00:28:46,800 --> 00:28:50,680
Speaker 1: guys that I liked the most I would hold out right.

471
00:28:50,720 --> 00:28:52,960
Speaker 1: But as I've gotten older, the men that I've had

472
00:28:53,000 --> 00:28:56,640
Speaker 1: the longest connection with my ex we literally the first

473
00:28:56,720 --> 00:29:01,160
Speaker 1: day they said they've we had something on a few

474
00:29:01,200 --> 00:29:04,400
Speaker 1: weeks ago, and they said the same ship. We're not

475
00:29:04,440 --> 00:29:08,120
Speaker 1: going to the bullshit up front right now. But also

476
00:29:09,440 --> 00:29:11,680
Speaker 1: if we clearly like each other, so if if there's

477
00:29:11,720 --> 00:29:15,120
Speaker 1: not a sexual connection, we could just be on because

478
00:29:15,200 --> 00:29:17,000
Speaker 1: you know what I mean, we can move on. Um.

479
00:29:17,040 --> 00:29:19,960
Speaker 1: I wanted to get back into let's get let's finish

480
00:29:20,040 --> 00:29:21,960
Speaker 1: up all the burlesque talk because one of the other

481
00:29:22,000 --> 00:29:25,560
Speaker 1: conversations that I really want to dig deep into is

482
00:29:25,600 --> 00:29:29,560
Speaker 1: the difference between burlesque and stripping, because we talked about

483
00:29:29,560 --> 00:29:32,720
Speaker 1: it being a strip teeth. We talked about how pretty

484
00:29:32,800 --> 00:29:35,600
Speaker 1: much they get down into nothing, and to be fair,

485
00:29:36,120 --> 00:29:39,360
Speaker 1: in the places that I've lived, UM, two of the

486
00:29:39,360 --> 00:29:43,840
Speaker 1: four places so I lived in Atlanta, Orlando, Miami, New York.

487
00:29:44,160 --> 00:29:48,520
Speaker 1: New York and Orlando both don't allow you to go bottomless,

488
00:29:49,040 --> 00:29:52,040
Speaker 1: you can't be full sup In Miami Atlanta, it's an

489
00:29:52,040 --> 00:29:54,760
Speaker 1: alcohol thing too. I think, yeah, they're the alcohol thing

490
00:29:54,760 --> 00:29:57,880
Speaker 1: as well. I did want to um just to jump

491
00:29:57,960 --> 00:30:01,600
Speaker 1: onto that. I did an episode about strip clubs on

492
00:30:01,760 --> 00:30:05,200
Speaker 1: my TV show, and on the show the strip club

493
00:30:05,240 --> 00:30:09,440
Speaker 1: that we featured is called a juice bar because it's

494
00:30:09,480 --> 00:30:13,320
Speaker 1: fully nude. Well there's also a difference too in strip

495
00:30:13,400 --> 00:30:17,280
Speaker 1: clubs and cabarette. Yes, so if a cabarets is considered theater,

496
00:30:19,400 --> 00:30:21,320
Speaker 1: then you could you could nobody. You could also strip

497
00:30:21,400 --> 00:30:24,120
Speaker 1: down to know what if it's a theater, Well, you

498
00:30:24,160 --> 00:30:28,400
Speaker 1: can't strip down to nude if it's a if it's

499
00:30:28,400 --> 00:30:32,440
Speaker 1: a bar. So here's the other things that would like that.

500
00:30:32,520 --> 00:30:34,640
Speaker 1: I started to learn and you got this is actually

501
00:30:34,720 --> 00:30:40,440
Speaker 1: had Sophia. We both were stripping and auditioning and club bro.

502
00:30:40,560 --> 00:30:43,120
Speaker 1: It was insane. We had to go practice first. It

503
00:30:43,240 --> 00:30:44,920
Speaker 1: was crazy. But that's one of the episodes. They all

504
00:30:44,920 --> 00:30:47,920
Speaker 1: see it's soon on sex cells. But story I didn't

505
00:30:47,960 --> 00:30:51,440
Speaker 1: know it was. Oh so we both were stripping. First

506
00:30:51,440 --> 00:30:54,280
Speaker 1: of all, Sophiel was hyping up. She was like, bitch,

507
00:30:54,320 --> 00:30:56,120
Speaker 1: I'm gonna kick you're asking this, Oh girl, I put

508
00:30:56,160 --> 00:30:59,239
Speaker 1: a leg I felt like a pro but anyway, I

509
00:30:59,240 --> 00:31:02,680
Speaker 1: did fall off the hold. But anyway, so basically I

510
00:31:02,760 --> 00:31:05,680
Speaker 1: was very short. The guy owns two strip clubs and

511
00:31:06,120 --> 00:31:07,800
Speaker 1: UM and the show was about the business of it,

512
00:31:07,840 --> 00:31:09,040
Speaker 1: so this is why we got so in depth. But

513
00:31:09,080 --> 00:31:12,240
Speaker 1: he's like, one strip club I have serves alcohol, so

514
00:31:12,280 --> 00:31:14,120
Speaker 1: it's just topless, and the one that you're about to

515
00:31:14,160 --> 00:31:15,880
Speaker 1: see is a juice bar. And that's why it could

516
00:31:15,880 --> 00:31:19,280
Speaker 1: be fully nude. I said, well, which one makes more money?

517
00:31:19,480 --> 00:31:21,760
Speaker 1: And he said, well, the one that serves alcohol does,

518
00:31:22,000 --> 00:31:24,160
Speaker 1: but you also have to have this one. The difference

519
00:31:24,160 --> 00:31:27,400
Speaker 1: that I saw was the pricing for a lap dances.

520
00:31:27,440 --> 00:31:32,080
Speaker 1: They were way higher. The cover charge was the juice bar. O.

521
00:31:32,120 --> 00:31:34,760
Speaker 1: They're making their money, the cover charge way higher. Right,

522
00:31:34,800 --> 00:31:37,440
Speaker 1: the club is getting a percentage of those girls the

523
00:31:38,240 --> 00:31:40,880
Speaker 1: house feed and the and the strippers are making only

524
00:31:41,080 --> 00:31:44,360
Speaker 1: their chips, right though that's all theirs on the whatever

525
00:31:44,360 --> 00:31:47,320
Speaker 1: they make on stage, and then they do split fifty fifty.

526
00:31:47,360 --> 00:31:50,280
Speaker 1: I don't know if and the lap dances. What about

527
00:31:50,320 --> 00:31:58,360
Speaker 1: the other stuff? UM talk about it. The idea is

528
00:31:58,400 --> 00:32:02,160
Speaker 1: about the legal sex. Indineer into that. I want to

529
00:32:02,200 --> 00:32:05,240
Speaker 1: tell you this but I found very interesting. And then Damn,

530
00:32:05,280 --> 00:32:07,160
Speaker 1: I feel like I'm giving the juice away. Don't give

531
00:32:07,160 --> 00:32:09,560
Speaker 1: it away. Just let him give him just ano. Okay, honestly,

532
00:32:09,600 --> 00:32:11,840
Speaker 1: y'all still watching. It was one of my favorite episodes.

533
00:32:11,840 --> 00:32:14,480
Speaker 1: But listen to the ship. This ship is crazy. So

534
00:32:14,920 --> 00:32:17,480
Speaker 1: there is a law like a grandfather in law in

535
00:32:17,560 --> 00:32:21,080
Speaker 1: California where because basically they had a stripper strike to

536
00:32:21,240 --> 00:32:23,760
Speaker 1: like jis a marine and these girls are having issues

537
00:32:23,760 --> 00:32:26,600
Speaker 1: and everybody's like, will open your own in Cali or

538
00:32:26,600 --> 00:32:28,960
Speaker 1: Los Angeles County? I don't know, but basically there's this

539
00:32:29,040 --> 00:32:31,960
Speaker 1: law that says your license to open a strip club

540
00:32:32,200 --> 00:32:36,480
Speaker 1: has to be passed down like it's all nepotism, either

541
00:32:36,560 --> 00:32:39,560
Speaker 1: a friend family. It's called the grandfather. They can't have

542
00:32:39,600 --> 00:32:43,600
Speaker 1: any more news licensing. They do that for They do

543
00:32:43,680 --> 00:32:45,600
Speaker 1: that here in New York for hookah bars as well.

544
00:32:45,800 --> 00:32:49,959
Speaker 1: Just how crazy though in Virginia. In Virginia they have

545
00:32:50,080 --> 00:32:53,520
Speaker 1: lud laws so you can't strip on stage. But we

546
00:32:53,560 --> 00:32:56,600
Speaker 1: have a brother show with the Brothers that's after they close.

547
00:32:57,040 --> 00:32:58,480
Speaker 1: So we was like, okay, how are we going to

548
00:32:58,560 --> 00:33:01,640
Speaker 1: do this? So we had a sir go on stage

549
00:33:01,800 --> 00:33:05,200
Speaker 1: already with her clothes off and then put it back

550
00:33:05,240 --> 00:33:17,800
Speaker 1: on and that's allowed. Wait what, yes, I know, because

551
00:33:17,840 --> 00:33:19,880
Speaker 1: the thing is, you cannot take your clothes off on

552
00:33:20,000 --> 00:33:25,080
Speaker 1: stage in Virginia. Also in Richmond, Virginia. Also in Um

553
00:33:25,240 --> 00:33:28,920
Speaker 1: Louisiana you can't. They have blue laws. Also which one?

554
00:33:28,920 --> 00:33:32,400
Speaker 1: Because I have been to the passing Pit New Orleans

555
00:33:32,560 --> 00:33:36,440
Speaker 1: or New Orleans and so we go to Um, you

556
00:33:36,480 --> 00:33:39,400
Speaker 1: can go to Batton Rug. You can't. You can't take

557
00:33:39,440 --> 00:33:42,680
Speaker 1: your clothes off. Wait wait, so you can't be naked

558
00:33:42,720 --> 00:33:44,840
Speaker 1: on the stage and put them back back on because

559
00:33:44,840 --> 00:33:47,720
Speaker 1: the things you can't take clothes off. So if you

560
00:33:47,880 --> 00:33:50,400
Speaker 1: fall into the letter of the law, you're not stripping.

561
00:33:50,440 --> 00:33:53,640
Speaker 1: I'm putting my clothes on. Wow, now let's get into

562
00:33:53,680 --> 00:33:57,800
Speaker 1: the motherfucking ship. What is the difference between burn Leston

563
00:33:58,520 --> 00:34:01,800
Speaker 1: and stripping? Because again, and I'll share my experience before

564
00:34:01,800 --> 00:34:05,160
Speaker 1: we get into what it is. But even when I

565
00:34:05,240 --> 00:34:09,080
Speaker 1: went to Bathtub gin Um, which was my full bur

566
00:34:09,160 --> 00:34:13,759
Speaker 1: lesque experience, which absolutely loved, at the end a bit

567
00:34:13,840 --> 00:34:16,200
Speaker 1: felt like she was at tutsis in my endi because

568
00:34:16,239 --> 00:34:19,560
Speaker 1: all of the girls walk around and request tips for

569
00:34:19,640 --> 00:34:22,680
Speaker 1: what their performance was. They didn't do it immediately after

570
00:34:22,719 --> 00:34:26,040
Speaker 1: their performance. We don't make it rain well well and

571
00:34:26,040 --> 00:34:27,560
Speaker 1: that's the thing too, we're talking about it. But at

572
00:34:27,560 --> 00:34:29,600
Speaker 1: the end of the night they walked around and just

573
00:34:29,640 --> 00:34:31,480
Speaker 1: asked for a tip, and a lot of them shook

574
00:34:31,520 --> 00:34:34,200
Speaker 1: their titties for the tip, and it was giving tutsies.

575
00:34:34,600 --> 00:34:37,560
Speaker 1: So what the fun is the difference between burlesque and

576
00:34:38,560 --> 00:34:47,520
Speaker 1: talk about it? It was a girl, all right, well,

577
00:34:47,600 --> 00:34:52,680
Speaker 1: sure if you if you talk to us in our community,

578
00:34:52,840 --> 00:34:56,800
Speaker 1: we say that's the same, and in fact we treated

579
00:34:56,920 --> 00:35:01,440
Speaker 1: the same. In terms of our actual show. We encourage

580
00:35:01,520 --> 00:35:05,439
Speaker 1: the audience to throw money onto the stage. A few

581
00:35:05,640 --> 00:35:08,080
Speaker 1: were probably one of a few shows that do that. Yeah,

582
00:35:08,120 --> 00:35:10,480
Speaker 1: and it's and it's and they didn't want to and

583
00:35:10,600 --> 00:35:14,000
Speaker 1: then they want to put an envelope after and put

584
00:35:14,040 --> 00:35:20,560
Speaker 1: in a little and they yeah, I'm like getting anybody faith.

585
00:35:21,120 --> 00:35:25,839
Speaker 1: So did your dancers that ever any point feel well this, well,

586
00:35:25,880 --> 00:35:27,759
Speaker 1: this is the thing. We have our own culture. So

587
00:35:27,800 --> 00:35:31,600
Speaker 1: it's actually a Burgler dancer who was one of our

588
00:35:31,920 --> 00:35:35,239
Speaker 1: earlier burlesque dancers. She was the first one to say,

589
00:35:35,480 --> 00:35:37,920
Speaker 1: let's let's encourage them, because we were always okay with that.

590
00:35:38,000 --> 00:35:39,960
Speaker 1: She was like, let's encourage them to throw it on stage.

591
00:35:40,160 --> 00:35:42,400
Speaker 1: So we made a show and uh, one of our

592
00:35:42,440 --> 00:35:45,080
Speaker 1: shows called make it rain. Addition, before we go across

593
00:35:45,120 --> 00:35:48,120
Speaker 1: the countries, we tell you at the top of the

594
00:35:48,160 --> 00:35:51,320
Speaker 1: show we are celebrating. And the way we celebrate tonight

595
00:35:51,680 --> 00:35:53,880
Speaker 1: is we throw money on stage for anything, anything you like.

596
00:35:55,239 --> 00:35:58,879
Speaker 1: You throw money on stage, somebody a squad, you throw

597
00:35:58,960 --> 00:36:01,480
Speaker 1: money on them, like we have money flying across the

598
00:36:01,680 --> 00:36:04,839
Speaker 1: entire space. And I tell you, the performers make so

599
00:36:04,960 --> 00:36:08,279
Speaker 1: much more. You know, get into that to know that

600
00:36:08,400 --> 00:36:10,520
Speaker 1: the stage is full of money, and we have people

601
00:36:10,520 --> 00:36:13,279
Speaker 1: that have to come clean the stage after every performance,

602
00:36:14,440 --> 00:36:18,480
Speaker 1: and the performers made more money. The performers made more money.

603
00:36:18,560 --> 00:36:22,839
Speaker 1: Sometimes our performers make more money in tips. And I'll

604
00:36:22,880 --> 00:36:24,759
Speaker 1: make a recondition that most people in mind you we

605
00:36:24,800 --> 00:36:28,359
Speaker 1: pay well. So tell me what does it look like.

606
00:36:28,640 --> 00:36:31,320
Speaker 1: How much can a burlers performer make? Is it comparable

607
00:36:31,360 --> 00:36:34,480
Speaker 1: to a stripper, especially since a stripper can go probably

608
00:36:34,480 --> 00:36:38,319
Speaker 1: to work any night of the week, Monday through Monday.

609
00:36:38,560 --> 00:36:41,200
Speaker 1: You guys put on actual shows. So what is the

610
00:36:41,239 --> 00:36:44,720
Speaker 1: normals say take home for some of your performance? Actual

611
00:36:45,080 --> 00:36:49,040
Speaker 1: fact actual actual like facts of what we pay people? Right,

612
00:36:50,160 --> 00:36:53,840
Speaker 1: But I could easily say we pay our brothers assers

613
00:36:53,840 --> 00:36:56,560
Speaker 1: more than any other any other From that how are

614
00:36:56,560 --> 00:37:00,000
Speaker 1: you able to do that? And I only have, um

615
00:37:00,040 --> 00:37:03,120
Speaker 1: because I showed you the burlesque show that I've been

616
00:37:03,120 --> 00:37:05,520
Speaker 1: trying to get tickets to go to now that I'm single,

617
00:37:05,520 --> 00:37:08,439
Speaker 1: I don't know. And my homegirls was like, bitch, we're

618
00:37:08,560 --> 00:37:10,000
Speaker 1: paying that much to go to one of them get

619
00:37:10,040 --> 00:37:13,839
Speaker 1: their shows because it's very expensive. So again before the show,

620
00:37:13,840 --> 00:37:16,080
Speaker 1: I showed you guys this website. I'll send it because

621
00:37:16,080 --> 00:37:19,200
Speaker 1: I think we should go for research purposes. Um, they

622
00:37:19,239 --> 00:37:21,160
Speaker 1: only have one seat tonight, so we gotta pick another night.

623
00:37:21,400 --> 00:37:27,240
Speaker 1: But um, oh, it's beautiful. And when I showed them, um,

624
00:37:27,320 --> 00:37:31,840
Speaker 1: you guys said it was more on the corporate burlesque scale.

625
00:37:32,040 --> 00:37:35,600
Speaker 1: So let's talk aboupate corporate burlesque. So can you explain

626
00:37:36,000 --> 00:37:38,480
Speaker 1: why you guys would have labeled that show a corporate

627
00:37:38,520 --> 00:37:41,040
Speaker 1: burlesque And the difference in what you guys do, what

628
00:37:41,120 --> 00:37:43,920
Speaker 1: I'm seeing at bathtub gin, what I've seen at private parties.

629
00:37:44,200 --> 00:37:48,480
Speaker 1: And so there's like an actual community of people that's

630
00:37:48,680 --> 00:37:51,560
Speaker 1: been doing burlesque around the country and they do it

631
00:37:51,640 --> 00:37:55,480
Speaker 1: out of either they're they're trying to find self expression

632
00:37:55,800 --> 00:37:59,480
Speaker 1: or they're trying to find healing. Right, Um, hours is

633
00:37:59,600 --> 00:38:02,680
Speaker 1: self self exquestion and healing for some people. For some

634
00:38:02,680 --> 00:38:06,000
Speaker 1: people in sexual liberation, the healing part of the sexual

635
00:38:06,080 --> 00:38:12,799
Speaker 1: liberation ex question. Um. But what happens is where the

636
00:38:12,800 --> 00:38:16,960
Speaker 1: culture gets big enough, you have people that having a

637
00:38:17,080 --> 00:38:22,560
Speaker 1: funding and have um big enough like um financial like

638
00:38:22,719 --> 00:38:25,759
Speaker 1: big enough financial base, advertising base and stuff like that

639
00:38:25,800 --> 00:38:28,520
Speaker 1: to then say, hey, let me take this thing and

640
00:38:28,640 --> 00:38:31,319
Speaker 1: package it and sell it to people who I know

641
00:38:31,360 --> 00:38:33,680
Speaker 1: he is willing to get this experience at at this

642
00:38:33,760 --> 00:38:36,759
Speaker 1: level UM. And most of the time the people create

643
00:38:36,760 --> 00:38:39,520
Speaker 1: a community and not even invited in yeah part of it.

644
00:38:39,560 --> 00:38:41,040
Speaker 1: So if you go there and don't see that shore,

645
00:38:41,120 --> 00:38:43,520
Speaker 1: probably none of those people are known in the broadless

646
00:38:43,560 --> 00:38:47,520
Speaker 1: community around the country. Interesting because that's just how and

647
00:38:47,760 --> 00:38:50,319
Speaker 1: this one, but this one I do feel like, and

648
00:38:50,360 --> 00:38:53,760
Speaker 1: I know, like the budget looks wi the tickets are

649
00:38:53,880 --> 00:38:58,520
Speaker 1: really high, but it's more of I think a queer burlesque,

650
00:38:59,080 --> 00:39:01,040
Speaker 1: see what you're talking about. They used to made me

651
00:39:01,080 --> 00:39:04,680
Speaker 1: think of when I was making the strip club episode.

652
00:39:05,360 --> 00:39:08,200
Speaker 1: There was this point where I was like, Okay, well,

653
00:39:08,239 --> 00:39:10,520
Speaker 1: it'd be really fun if people got to watch me

654
00:39:10,800 --> 00:39:14,279
Speaker 1: learn how to strip, right. So they found some pole

655
00:39:14,400 --> 00:39:17,799
Speaker 1: dancers and the strippers that were like helping with the

656
00:39:17,840 --> 00:39:20,719
Speaker 1: episode for me were like, na, like they don't They're

657
00:39:20,719 --> 00:39:24,040
Speaker 1: not right there, just there, and it's kind of reminding

658
00:39:24,040 --> 00:39:26,160
Speaker 1: me of what you're saying, like it's not their community.

659
00:39:26,200 --> 00:39:28,920
Speaker 1: And honestly, it was really hard to find a stripper

660
00:39:29,040 --> 00:39:32,080
Speaker 1: that was also selling pole dancing classes that's actually like

661
00:39:32,400 --> 00:39:35,239
Speaker 1: been working in the club collecting dollars because a lot

662
00:39:35,280 --> 00:39:41,279
Speaker 1: of them I needed someone. But a long story short,

663
00:39:41,440 --> 00:39:44,160
Speaker 1: like the pole dancer that check that I found like

664
00:39:44,320 --> 00:39:46,359
Speaker 1: was stripper. And she was saying to me too, like

665
00:39:46,880 --> 00:39:50,120
Speaker 1: this is embarrassing at times because people will like literally

666
00:39:50,200 --> 00:39:52,920
Speaker 1: label it not a stripper, like it's a hashtag. They

667
00:39:52,920 --> 00:39:55,080
Speaker 1: want to talk about the athleticism of it. She's like

668
00:39:55,520 --> 00:40:00,000
Speaker 1: that this is from stripping, like stop back, like a culture,

669
00:40:00,760 --> 00:40:03,600
Speaker 1: rebrand it and then sell it and make a ton

670
00:40:03,640 --> 00:40:05,720
Speaker 1: of money from it, and the people actually create the culture.

671
00:40:06,000 --> 00:40:08,799
Speaker 1: It's not something new. We create a culture, don't make

672
00:40:08,880 --> 00:40:13,400
Speaker 1: much of it. You probably find some influencer pole dancer

673
00:40:14,120 --> 00:40:17,160
Speaker 1: making a ton of money when all the things they're doing.

674
00:40:18,000 --> 00:40:23,759
Speaker 1: Somebody from the hood invented all the foot movements and

675
00:40:23,880 --> 00:40:26,319
Speaker 1: everything that's split and sliding down the pole, dropping from

676
00:40:26,320 --> 00:40:29,600
Speaker 1: the top. You see that in strip club for years

677
00:40:29,840 --> 00:40:31,959
Speaker 1: and now somebody is spending somebody to a ted talk

678
00:40:32,000 --> 00:40:38,080
Speaker 1: on it. And really, when you put your pussy down

679
00:40:38,120 --> 00:40:53,520
Speaker 1: on theoretically what we're talking about, that's all right, what

680
00:40:54,280 --> 00:40:56,200
Speaker 1: do you this is? And this will wrap up the

681
00:40:56,280 --> 00:41:00,360
Speaker 1: question for anyone interested in going to the sweet Spot

682
00:41:00,520 --> 00:41:03,480
Speaker 1: right um, whether it be with their friends, with their partners,

683
00:41:03,760 --> 00:41:07,000
Speaker 1: with their mom, because people be bringing their MoMA. My

684
00:41:07,040 --> 00:41:16,960
Speaker 1: mom brings her whole church. I now do the Christians?

685
00:41:17,200 --> 00:41:23,080
Speaker 1: The Christians? Wait, aren't your seven Davila? Is your cousin?

686
00:41:23,160 --> 00:41:28,800
Speaker 1: I grew up, so I am not. My mom brings

687
00:41:28,840 --> 00:41:32,200
Speaker 1: her church to the show and they talk about it

688
00:41:32,440 --> 00:41:35,240
Speaker 1: or ever you see them six years later, Oh my god,

689
00:41:35,960 --> 00:41:38,799
Speaker 1: and they talk about all it because what happens is everybody,

690
00:41:38,920 --> 00:41:51,439
Speaker 1: especially church people, are repressed. Yeah and liars alright. When

691
00:41:51,440 --> 00:41:55,399
Speaker 1: they when they see somebody who's on stage whose sexually free,

692
00:41:55,400 --> 00:41:59,000
Speaker 1: they see themselves like that. I've seen women like we've

693
00:41:59,080 --> 00:42:00,759
Speaker 1: invited to the show and I would never go to

694
00:42:00,760 --> 00:42:03,680
Speaker 1: a show three spot, And we've invited her for years

695
00:42:03,719 --> 00:42:06,560
Speaker 1: and years. My boy Colferry was like, yo, you should

696
00:42:06,560 --> 00:42:08,759
Speaker 1: go check out the show. He got her ticket. She

697
00:42:08,840 --> 00:42:11,480
Speaker 1: came to the show and we saw like a yearlter.

698
00:42:11,560 --> 00:42:14,680
Speaker 1: She said, I saw those women on the stage and

699
00:42:14,719 --> 00:42:18,680
Speaker 1: they seemed so liberated. I spoke to one of them

700
00:42:18,680 --> 00:42:20,440
Speaker 1: and powerful, and I when I spoke to one of

701
00:42:20,440 --> 00:42:23,160
Speaker 1: them after, and she's like, she was like my size,

702
00:42:23,719 --> 00:42:26,880
Speaker 1: but on the stage she was this big, giant woman

703
00:42:27,520 --> 00:42:31,840
Speaker 1: and I wanted to and she started, I love that.

704
00:42:32,120 --> 00:42:36,359
Speaker 1: That's what people definitely have like made comments about, you know,

705
00:42:36,640 --> 00:42:39,480
Speaker 1: appreciating our sexual liberation. And it's funny because there's moments

706
00:42:39,560 --> 00:42:42,720
Speaker 1: I'm like, oh, that's what I do here, I'm embarrassing

707
00:42:42,840 --> 00:42:44,719
Speaker 1: myself where I'm joking around or I'm talking with it,

708
00:42:44,960 --> 00:42:47,400
Speaker 1: like you never really think how people look at you.

709
00:42:47,440 --> 00:42:49,520
Speaker 1: But I will say this about performing in like a

710
00:42:49,560 --> 00:42:53,160
Speaker 1: sexual way, Like I was so scared to do that

711
00:42:53,200 --> 00:42:56,960
Speaker 1: episode for just for context of what I did this season.

712
00:42:57,640 --> 00:42:59,759
Speaker 1: My mom got her pussy rejuvenated, and I said, all

713
00:42:59,840 --> 00:43:03,440
Speaker 1: right there, okay, I watched a fucking blow bang. I

714
00:43:03,480 --> 00:43:05,680
Speaker 1: did a hole like went to a porn office, like

715
00:43:06,080 --> 00:43:09,480
Speaker 1: literally saw how the director of photography works with porn stars.

716
00:43:09,520 --> 00:43:12,320
Speaker 1: Different ship like that, I got my I got wax

717
00:43:12,440 --> 00:43:16,360
Speaker 1: poured on my ass like crazy ship in the strip

718
00:43:16,360 --> 00:43:19,800
Speaker 1: club episode was escaped like I thought, I couldn't breathe

719
00:43:20,080 --> 00:43:22,040
Speaker 1: because I knew I had to get up there in

720
00:43:22,080 --> 00:43:24,920
Speaker 1: those heels and like perform and have someone watched me.

721
00:43:24,960 --> 00:43:27,719
Speaker 1: And it's crazy because the producer of the show was like, girl,

722
00:43:28,080 --> 00:43:30,200
Speaker 1: you just in front of thousands of people. What the

723
00:43:30,480 --> 00:43:33,440
Speaker 1: literally to work and getting sex positions in front of

724
00:43:33,719 --> 00:43:37,640
Speaker 1: But I am also doing to me. I'm not saying

725
00:43:37,680 --> 00:43:40,560
Speaker 1: I'm like this crazy, funny person, but I know people

726
00:43:40,680 --> 00:43:43,239
Speaker 1: enjoy watching me when they're already a fan. So I'm

727
00:43:43,280 --> 00:43:46,480
Speaker 1: walking out to people that already fun with me. Now

728
00:43:46,520 --> 00:43:49,080
Speaker 1: I have to get the attention of people by being sexy,

729
00:43:49,719 --> 00:43:52,960
Speaker 1: and I could not handle it. Bro I couldn't breathe.

730
00:43:55,440 --> 00:43:58,640
Speaker 1: It is and that made me really where I may

731
00:43:58,680 --> 00:44:00,440
Speaker 1: have looked at a stripper in my if not, of

732
00:44:00,440 --> 00:44:04,280
Speaker 1: course today I'm definite lyst somebody today who is totally different.

733
00:44:04,280 --> 00:44:05,879
Speaker 1: But I'm sure there was a point in my life,

734
00:44:05,880 --> 00:44:07,640
Speaker 1: like as a teenager, like I would never do that.

735
00:44:08,040 --> 00:44:11,160
Speaker 1: They they don't have to do anything. They probably don't like. Man,

736
00:44:11,440 --> 00:44:16,560
Speaker 1: that ship is hard work. And we we do a

737
00:44:16,640 --> 00:44:23,040
Speaker 1: show because we know the power of its even at

738
00:44:23,040 --> 00:44:25,560
Speaker 1: our lowest, like we thin and I have been like

739
00:44:26,040 --> 00:44:28,239
Speaker 1: we do this, especially when we were doing the meet

740
00:44:28,239 --> 00:44:31,239
Speaker 1: and Greeds and going on tour. Even the emails we get,

741
00:44:31,280 --> 00:44:34,240
Speaker 1: like where people have said this show has changed my life.

742
00:44:34,840 --> 00:44:37,360
Speaker 1: It's changed how I view things or we see comments

743
00:44:37,400 --> 00:44:39,600
Speaker 1: all the time. A couple of years ago, I probably

744
00:44:39,600 --> 00:44:41,560
Speaker 1: would have judged this, but now because I've listened to

745
00:44:41,560 --> 00:44:45,680
Speaker 1: your show, I don't um and it is. It's super powerful.

746
00:44:46,040 --> 00:44:47,400
Speaker 1: Before we get out of here, I do want you

747
00:44:47,440 --> 00:44:52,839
Speaker 1: to help us with some homemail, you know, emails sent

748
00:44:53,000 --> 00:44:55,719
Speaker 1: in by our listeners. If you have not yet sent

749
00:44:55,800 --> 00:44:57,920
Speaker 1: one and you have a question or a hole confession,

750
00:44:58,400 --> 00:45:01,280
Speaker 1: make sure you email email of us over at Horrible

751
00:45:01,320 --> 00:45:06,319
Speaker 1: Decisions at gmail dot com. This one, I'm sorry just

752
00:45:06,360 --> 00:45:10,880
Speaker 1: the title alone. Lick that hemorrhoid baby, the name of

753
00:45:10,960 --> 00:45:14,400
Speaker 1: this motherfucking email. By the way, the fact that they

754
00:45:14,440 --> 00:45:19,120
Speaker 1: typed this out and it started with bitch. So on

755
00:45:19,280 --> 00:45:23,239
Speaker 1: your recent episode with Hannah and Dez, you spoke about

756
00:45:23,239 --> 00:45:25,680
Speaker 1: a comedian and his time with his hamroid. Oh my god,

757
00:45:25,680 --> 00:45:31,480
Speaker 1: they're talking about UM. I had a really bad hemorrhoid

758
00:45:31,600 --> 00:45:35,080
Speaker 1: once like his, where I couldn't wear jeans because they

759
00:45:35,080 --> 00:45:38,880
Speaker 1: were too tight. So during this time with my spicy ass,

760
00:45:38,920 --> 00:45:41,080
Speaker 1: I got a call from one of my niggas. He

761
00:45:41,160 --> 00:45:43,200
Speaker 1: said he was getting a hotel and wanted me to

762
00:45:43,239 --> 00:45:47,440
Speaker 1: slide a k a lay up and throw it back. Okay, cool.

763
00:45:48,000 --> 00:45:50,480
Speaker 1: So I had sex with this man before and he

764
00:45:50,520 --> 00:45:53,640
Speaker 1: ain't never eat my ass. So I was feeling freely.

765
00:45:54,400 --> 00:45:56,880
Speaker 1: Well this nick it tells me to bend over and

766
00:45:56,920 --> 00:46:00,719
Speaker 1: he opens my ass wide. It was your relief on

767
00:46:00,800 --> 00:46:05,880
Speaker 1: my hemorrhoid. I'm cracking up. Oh maybe he went to

768
00:46:05,880 --> 00:46:10,360
Speaker 1: town on my sore ask and it was so soothing.

769
00:46:11,080 --> 00:46:14,279
Speaker 1: So to answer your question, yes, it does feel good.

770
00:46:14,600 --> 00:46:16,719
Speaker 1: And Mandy, I don't know what you meant by you

771
00:46:16,760 --> 00:46:19,640
Speaker 1: can't look at hemorrhoid, but he did and he alive,

772
00:46:20,200 --> 00:46:24,200
Speaker 1: but he asked. I felt bad after, but I did

773
00:46:24,480 --> 00:46:27,520
Speaker 1: try moving my ass away to switch positions, but he

774
00:46:27,600 --> 00:46:31,400
Speaker 1: loved it too much. He was like a part of

775
00:46:31,400 --> 00:46:36,839
Speaker 1: her body that sincerely, you're spicy horror. Here's the thing, right,

776
00:46:37,440 --> 00:46:40,720
Speaker 1: I wanted porn and baby, I know when a boodle

777
00:46:40,719 --> 00:46:42,880
Speaker 1: hole look a little different and like it's not supposed

778
00:46:42,920 --> 00:46:45,799
Speaker 1: to because I like when they like. Maybe it could

779
00:46:45,800 --> 00:46:47,239
Speaker 1: have been like a little bubble on it, like you know,

780
00:46:47,280 --> 00:46:49,000
Speaker 1: saying some people get a little key load. Maybe he

781
00:46:49,000 --> 00:46:51,480
Speaker 1: thought us a little bubble well, but I wanted to

782
00:46:51,520 --> 00:46:54,720
Speaker 1: ask this because this is something oftentimes I've had tripper

783
00:46:54,800 --> 00:46:57,400
Speaker 1: friends and talked to I've had friends that do porn.

784
00:46:57,840 --> 00:47:01,279
Speaker 1: I want to know if any of your dancers are

785
00:47:01,360 --> 00:47:04,919
Speaker 1: able to call out or not perform, either stay during

786
00:47:04,920 --> 00:47:08,240
Speaker 1: a hemorrhoid, during maybe a rash that's not really cute.

787
00:47:08,239 --> 00:47:11,520
Speaker 1: Maybe during their periods. Are there times where maybe something

788
00:47:11,520 --> 00:47:13,839
Speaker 1: happens to their body, or they have a breakout where

789
00:47:13,880 --> 00:47:18,800
Speaker 1: they can't perform, or they're insecure to perform. Oh, we've

790
00:47:18,840 --> 00:47:26,480
Speaker 1: never really okay, no, we we have. Our performers literally

791
00:47:27,000 --> 00:47:33,480
Speaker 1: are like um Navy seals, all of us, every single

792
00:47:33,600 --> 00:47:37,320
Speaker 1: everybody was like ten people. We all had a flu

793
00:47:37,400 --> 00:47:39,960
Speaker 1: and we just started a two week tour and we

794
00:47:40,000 --> 00:47:43,080
Speaker 1: went to the first show. Everybody was drugged up to

795
00:47:43,200 --> 00:47:45,920
Speaker 1: the hill and literally I'm like, we turned out. We

796
00:47:46,000 --> 00:47:52,600
Speaker 1: did it like it to us the week before. So

797
00:47:52,760 --> 00:47:55,480
Speaker 1: you just gave it to your he gave it to

798
00:47:55,080 --> 00:47:59,640
Speaker 1: heave to. I was like, I'll get this burd less.

799
00:47:59,640 --> 00:48:02,680
Speaker 1: But you also pay for a little extra. Yeah. Yeah.

800
00:48:02,920 --> 00:48:06,960
Speaker 1: Our performers like because we're a family too, we like

801
00:48:07,160 --> 00:48:10,040
Speaker 1: go in for each other. So like, if it's I

802
00:48:10,080 --> 00:48:12,879
Speaker 1: gotta give a little extra week. We do it. We've

803
00:48:12,880 --> 00:48:19,839
Speaker 1: done three shows in one day with nine to Yeah,

804
00:48:19,960 --> 00:48:22,200
Speaker 1: like we do two podcasts every time we're in the studio,

805
00:48:22,320 --> 00:48:25,799
Speaker 1: but to live shows the way we'd be drained. We've

806
00:48:25,800 --> 00:48:31,200
Speaker 1: done to live shows into meet and greet. The metis Yeah,

807
00:48:31,239 --> 00:48:36,480
Speaker 1: we've done three, six and nine. It was high it

808
00:48:37,200 --> 00:48:39,719
Speaker 1: right for high energy. How do you keep them? What

809
00:48:39,800 --> 00:48:41,120
Speaker 1: do you think it is better when you do to

810
00:48:41,400 --> 00:48:43,040
Speaker 1: the first of the lot? Oh? Yeah, there we go.

811
00:48:43,600 --> 00:48:46,640
Speaker 1: It really depends because it is Atlanta, and sometimes the

812
00:48:46,719 --> 00:48:49,440
Speaker 1: second show, which is nine to twelve, they come kind

813
00:48:49,440 --> 00:48:52,759
Speaker 1: of drunk, so sometimes the first show is actually more

814
00:48:52,800 --> 00:48:57,319
Speaker 1: fun because they're not as inebriated. So it is the

815
00:48:57,320 --> 00:49:00,799
Speaker 1: only city where you guys, because of the size of

816
00:49:00,800 --> 00:49:05,160
Speaker 1: the venue. We've done other thinges what we do two shows,

817
00:49:05,160 --> 00:49:08,759
Speaker 1: but like only this consistently every time we go because

818
00:49:08,800 --> 00:49:10,799
Speaker 1: niggas be nigga and maybe getting they take us late

819
00:49:10,960 --> 00:49:14,480
Speaker 1: and then we got to do another show. Now now, um,

820
00:49:14,600 --> 00:49:16,520
Speaker 1: you guys have a ton of shows coming up by

821
00:49:16,520 --> 00:49:19,560
Speaker 1: the time this one airs, I believe they'll miss a few. Unfortunately,

822
00:49:19,600 --> 00:49:22,399
Speaker 1: I'm so sad I'm missing your Atlanta show. But can

823
00:49:22,440 --> 00:49:25,279
Speaker 1: you let us know where we can stay updated on

824
00:49:25,320 --> 00:49:27,600
Speaker 1: where to catch the sweet Spot, where to follow you guys,

825
00:49:27,920 --> 00:49:31,640
Speaker 1: your website, anything, so that anyone interested in potentially seeing

826
00:49:31,920 --> 00:49:42,759
Speaker 1: this burlesque show where where they can have enough preproduction.

827
00:49:42,920 --> 00:49:45,000
Speaker 1: I said, Okay, I don't have to cancel this show,

828
00:49:46,520 --> 00:49:48,120
Speaker 1: so go ahead and let us know before they can

829
00:49:48,160 --> 00:49:51,720
Speaker 1: find you. It's sweet spot nation dot com. All spelled correctly,

830
00:49:51,760 --> 00:49:54,680
Speaker 1: sweet spot nation dot com. And um, we have a

831
00:49:54,719 --> 00:49:58,520
Speaker 1: show coming up in like you said, Atlanta, but maybe

832
00:49:58,600 --> 00:50:00,400
Speaker 1: I don't know if we'll catch this one May twenty

833
00:50:00,520 --> 00:50:03,480
Speaker 1: nine here in New York at the Bellhouse in Brooklyn.

834
00:50:03,560 --> 00:50:06,080
Speaker 1: I'm gonna what time is that? Because it's six to nine,

835
00:50:07,160 --> 00:50:09,920
Speaker 1: six and nine and by the end, y'all gotta come

836
00:50:09,960 --> 00:50:15,520
Speaker 1: to my playf Yes, yes, sounds like it's back to back.

837
00:50:16,239 --> 00:50:18,239
Speaker 1: It's all the same weekend, So what do you say?

838
00:50:20,239 --> 00:50:31,680
Speaker 1: So it's a full sex club and it's show a

839
00:50:31,760 --> 00:50:35,920
Speaker 1: variety of dude that's what you're gonna see. That's Sunday.

840
00:50:35,960 --> 00:50:38,040
Speaker 1: And of course I'm glad that you've gotten in touch

841
00:50:38,080 --> 00:50:40,359
Speaker 1: with tea like y'all are more than welcome and more

842
00:50:40,400 --> 00:50:45,000
Speaker 1: than invited to of course our dinner. Um, we have

843
00:50:45,040 --> 00:50:50,160
Speaker 1: a show on Junete Baltimore, Baltimore sound Stage in Baltimore,

844
00:50:50,680 --> 00:50:53,120
Speaker 1: and we would love to walk All of the information

845
00:50:53,640 --> 00:50:56,240
Speaker 1: for this will be in the description of this week's

846
00:50:56,239 --> 00:50:58,160
Speaker 1: episode and we can maybe if you send me the

847
00:50:58,200 --> 00:51:01,440
Speaker 1: link for the Baltimore tickets, we'll have that, um and

848
00:51:01,560 --> 00:51:07,680
Speaker 1: actually on okay, okay, and I think we might be

849
00:51:07,680 --> 00:51:10,839
Speaker 1: able to get this out before before that weekend. We're

850
00:51:10,840 --> 00:51:14,120
Speaker 1: gonna see how we're scheduling this thing. Thank you guys,

851
00:51:14,160 --> 00:51:18,520
Speaker 1: first off for engaging in conversation with me and teaching

852
00:51:18,560 --> 00:51:21,520
Speaker 1: me some things, proving me wrong a little bit, um,

853
00:51:21,560 --> 00:51:24,000
Speaker 1: but also just being open to like no, like let

854
00:51:24,080 --> 00:51:26,400
Speaker 1: us let me tell you tell you how this is

855
00:51:26,400 --> 00:51:29,960
Speaker 1: still the same. I really like, you know, just historically

856
00:51:30,320 --> 00:51:32,480
Speaker 1: about for lasking ship like that. I feel like, you know,

857
00:51:32,560 --> 00:51:35,600
Speaker 1: so often our show is like crazy and Nat and

858
00:51:36,120 --> 00:51:39,320
Speaker 1: I really do kind of like, you know, a nice moment,

859
00:51:39,360 --> 00:51:41,040
Speaker 1: like it's a nice teacher. But man, that was dope.

860
00:51:41,080 --> 00:51:48,320
Speaker 1: I had no idea what was a variety show like, um,

861
00:51:48,440 --> 00:51:55,480
Speaker 1: well you go to the show, it's full on sexy. No. Basically,

862
00:51:55,480 --> 00:52:00,200
Speaker 1: he's saying, you're gonna see the titty that David to

863
00:52:00,280 --> 00:52:02,920
Speaker 1: see bodies body and you want to see some more

864
00:52:03,000 --> 00:52:06,080
Speaker 1: Horrible Decisions. Join us at Patreon dot com back slash

865
00:52:06,160 --> 00:52:09,640
Speaker 1: Horrible Decisions. Hopefully we'll see you at the root pick Roots, picnic,

866
00:52:10,120 --> 00:52:15,239
Speaker 1: what else. Also hore Hive dot com. Um, you can

867
00:52:15,280 --> 00:52:18,120
Speaker 1: get merched there. Hopefully we'll be doing a little summer

868
00:52:18,200 --> 00:52:21,799
Speaker 1: drop soon to give you guys some more options. Um.

869
00:52:21,880 --> 00:52:25,959
Speaker 1: Outside of that, thank you guys. Uh, we are all

870
00:52:26,040 --> 00:52:29,200
Speaker 1: out of apple cider vinegar gummies with official box owners,

871
00:52:29,239 --> 00:52:32,320
Speaker 1: so those are completely liquidated. However, you can still get

872
00:52:32,600 --> 00:52:36,279
Speaker 1: bork acid depositories as well as sheet orgasms over on

873
00:52:36,320 --> 00:52:39,759
Speaker 1: official box owner dot com. Outside of that, we are

874
00:52:39,800 --> 00:52:42,440
Speaker 1: going to leave you guys with a five minute bonus

875
00:52:42,480 --> 00:52:44,560
Speaker 1: clip if you're listening to the audio. If you're listening

876
00:52:44,600 --> 00:52:46,120
Speaker 1: to the audio, because baby, we all know what's gonna

877
00:52:46,120 --> 00:52:49,759
Speaker 1: be to YouTube. But thank you, guys against very much

878
00:52:49,800 --> 00:52:51,960
Speaker 1: for joining us, and for those of you listening, thank

879
00:52:52,000 --> 00:52:54,920
Speaker 1: you for joining us as well for another episode of

880
00:52:55,280 --> 00:53:00,480
Speaker 1: Horrible Decisions. BI. Hi, here's what I think happened to you.

881
00:53:00,520 --> 00:53:02,359
Speaker 1: By the way, turn turned down the gain on your MIC.

882
00:53:04,239 --> 00:53:09,000
Speaker 1: I was really loud, They're sorry, No, it's not the game, bitch.

883
00:53:09,040 --> 00:53:16,160
Speaker 1: I was really yelling. Um. I think I wondered this

884
00:53:16,239 --> 00:53:20,839
Speaker 1: the other day. But because I was like, I was like, well, one,

885
00:53:21,840 --> 00:53:25,359
Speaker 1: I think there's two two things, right. I don't think

886
00:53:25,440 --> 00:53:28,080
Speaker 1: anyone really like I really don't believe people want you

887
00:53:28,160 --> 00:53:32,919
Speaker 1: to have a bad relationship. I don't really believe that. No,

888
00:53:33,000 --> 00:53:35,879
Speaker 1: I don't think they want that. I think they like tea,

889
00:53:37,000 --> 00:53:39,960
Speaker 1: and I think stories are juicier when you have what

890
00:53:40,080 --> 00:53:47,040
Speaker 1: I'm no, yes, that's tea too people. Or furthermore, this

891
00:53:47,160 --> 00:53:49,080
Speaker 1: is really being double advocate because I mean for the

892
00:53:49,080 --> 00:53:53,080
Speaker 1: sake of it, or it could be because they're used

893
00:53:53,120 --> 00:53:56,560
Speaker 1: to a certain dynamic on this show and that dynamic

894
00:53:56,600 --> 00:53:58,600
Speaker 1: has changed, and so now they don't know how to

895
00:53:58,600 --> 00:54:01,120
Speaker 1: feel about the character that they've own and grown to

896
00:54:01,600 --> 00:54:04,880
Speaker 1: the character. This that's the thing. This ain't no scripted

897
00:54:04,920 --> 00:54:07,920
Speaker 1: show home. No, no, no, no, no. I don't understand

898
00:54:08,000 --> 00:54:10,879
Speaker 1: we put out the character. For example, you were like, oh,

899
00:54:10,920 --> 00:54:15,360
Speaker 1: I wasn't really happy with these relationships. But then Mandy

900
00:54:15,440 --> 00:54:18,319
Speaker 1: as in their head how they know her. It's like,

901
00:54:18,360 --> 00:54:20,080
Speaker 1: fuck these niggs, I'm gonna do this x y Z.

902
00:54:20,239 --> 00:54:22,880
Speaker 1: That is a character. My email host shit is a

903
00:54:22,960 --> 00:54:28,880
Speaker 1: character too, right, I'm sensitive, but it's a character in

904
00:54:28,920 --> 00:54:32,000
Speaker 1: the eyes of like, if you have to describe yourself

905
00:54:32,000 --> 00:54:34,440
Speaker 1: as like a podcaster or Wheezy as a podcaster. Who

906
00:54:34,520 --> 00:54:36,440
Speaker 1: is she on the show. It's just let me get

907
00:54:36,440 --> 00:54:38,440
Speaker 1: in my narrative brain right now because idden writing all night.

908
00:54:38,760 --> 00:54:42,719
Speaker 1: But basically, all I'm saying is I think people don't

909
00:54:42,800 --> 00:54:44,640
Speaker 1: know what to do with the switch up of how

910
00:54:44,680 --> 00:54:47,239
Speaker 1: they fell in love with Mandy, and because they don't

911
00:54:47,239 --> 00:54:50,000
Speaker 1: know what to do, they either put that on this

912
00:54:50,160 --> 00:54:54,320
Speaker 1: naked and the other thing. When you're going through something

913
00:54:54,320 --> 00:54:56,600
Speaker 1: and a lot of our listeners are single. When you're

914
00:54:56,640 --> 00:54:59,480
Speaker 1: going through something and you want to feel relatability, it's

915
00:54:59,480 --> 00:55:01,600
Speaker 1: not easy you when someone's like, well, my ship is good,

916
00:55:01,640 --> 00:55:04,400
Speaker 1: because if we start talking about how girl, you know,

917
00:55:04,400 --> 00:55:06,239
Speaker 1: it'd be so frustrating when you ain't got money to

918
00:55:06,280 --> 00:55:08,239
Speaker 1: do da da da da. I wouldn't know because I

919
00:55:08,280 --> 00:55:12,319
Speaker 1: have mad money. That's how it comes off. When someone's like,

920
00:55:12,400 --> 00:55:14,360
Speaker 1: damn I've been able to find a date, I've been

921
00:55:14,360 --> 00:55:16,040
Speaker 1: stuck in the house during a pandemic. Well, I wouldn't know,

922
00:55:16,040 --> 00:55:18,040
Speaker 1: because I'm getting you want to you want to know

923
00:55:18,160 --> 00:55:20,960
Speaker 1: my thoughts on that, and I think that it's I

924
00:55:21,000 --> 00:55:22,480
Speaker 1: think it's a it's a topic for us to have,

925
00:55:22,640 --> 00:55:24,960
Speaker 1: especially because we do have a lot of male listeners.

926
00:55:25,480 --> 00:55:30,880
Speaker 1: But to be fair, I think that not only is

927
00:55:30,880 --> 00:55:34,080
Speaker 1: it outdated, but it's so mundane and all you hear

928
00:55:34,360 --> 00:55:37,400
Speaker 1: is women talk about how niggas ain't ship, and I

929
00:55:37,440 --> 00:55:40,640
Speaker 1: think it's an easy thing to do. But I think

930
00:55:40,680 --> 00:55:43,919
Speaker 1: at the same time, just with the generation and how

931
00:55:44,000 --> 00:55:48,759
Speaker 1: we do advocate for communication and valuing yourself and not settling.

932
00:55:49,840 --> 00:55:53,680
Speaker 1: I enjoy the perspective of me really finding someone that

933
00:55:53,760 --> 00:55:56,960
Speaker 1: doesn't make me feel like the whole male species ain't

934
00:55:56,960 --> 00:56:00,239
Speaker 1: ship like because I think it's definitely hopeful. But yeah,

935
00:56:00,239 --> 00:56:02,080
Speaker 1: but I think I think a lot of I'm gonna

936
00:56:02,080 --> 00:56:05,160
Speaker 1: be said Mandy that you've been dating someone for one year,

937
00:56:05,200 --> 00:56:07,200
Speaker 1: you found one person in thirty years of your life

938
00:56:07,200 --> 00:56:11,480
Speaker 1: out of a hundred niggas. You mean, yeah, niggas aren't ship.

939
00:56:11,600 --> 00:56:15,480
Speaker 1: May wow. I love telling my nigga well to be

940
00:56:15,640 --> 00:56:18,879
Speaker 1: very fair to well to be very fair too. There's

941
00:56:18,960 --> 00:56:21,640
Speaker 1: something to say too. I feel like I have been

942
00:56:21,680 --> 00:56:26,879
Speaker 1: able to maintain some of my uh I would say friendships,

943
00:56:28,160 --> 00:56:32,160
Speaker 1: and so the way in which I start, continue and

944
00:56:32,200 --> 00:56:37,279
Speaker 1: maintain my relationships with men I've noticed also matter like

945
00:56:37,400 --> 00:56:39,000
Speaker 1: I still talked to the nigga who got me this

946
00:56:39,080 --> 00:56:41,640
Speaker 1: mad book. That we're recording. All right now, I still

947
00:56:41,640 --> 00:56:44,759
Speaker 1: talked to the nigga that had me on payroll, the

948
00:56:44,840 --> 00:56:48,080
Speaker 1: nigga that had me on that's all another conversation anyways.

949
00:56:48,320 --> 00:56:54,160
Speaker 1: But there's there's still where I thought, certain like so

950
00:56:54,200 --> 00:56:56,520
Speaker 1: many people that I did value and speak about on

951
00:56:56,560 --> 00:57:00,960
Speaker 1: this show that I ain't talked to in the in

952
00:57:01,000 --> 00:57:05,799
Speaker 1: the last year. Well, there's a there's an interesting thing

953
00:57:05,840 --> 00:57:08,759
Speaker 1: about sisterhood and feminism, which this show, whether you call

954
00:57:08,800 --> 00:57:12,480
Speaker 1: yourself a feminist feminist or not, is we all really

955
00:57:12,520 --> 00:57:17,520
Speaker 1: bond on trauma And that's a problem too, But we

956
00:57:17,720 --> 00:57:19,320
Speaker 1: it's not that it's the problem more than it's what

957
00:57:19,400 --> 00:57:22,000
Speaker 1: we perpetuated. The last word and well and so that's

958
00:57:22,040 --> 00:57:24,720
Speaker 1: but that's what you're saying is exactly where I was going.

959
00:57:25,400 --> 00:57:27,480
Speaker 1: I don't I don't feel like it aren't used to.

960
00:57:27,680 --> 00:57:30,720
Speaker 1: I also don't feel like it's healthy for us now.

961
00:57:30,880 --> 00:57:34,640
Speaker 1: Like cool Bich when we started this podcast years old,

962
00:57:35,000 --> 00:57:37,840
Speaker 1: we're now thirty. We are in different spaces in our life.

963
00:57:37,920 --> 00:57:43,080
Speaker 1: But I feel like it's it's counterproductive to still spew

964
00:57:43,160 --> 00:57:46,720
Speaker 1: out the narrative of of us having to trauma bond

965
00:57:46,800 --> 00:57:50,000
Speaker 1: over the fact that we allow ourselves to be mistreated

966
00:57:50,040 --> 00:57:52,560
Speaker 1: by by men when we don't have to put up

967
00:57:52,600 --> 00:57:55,320
Speaker 1: with that. I don't know. I think I think I

968
00:57:56,320 --> 00:57:58,440
Speaker 1: men goes from the men are evil to us. I

969
00:57:58,440 --> 00:58:00,800
Speaker 1: don't know. I'm not talking about the niggas. I'm talking

970
00:58:00,800 --> 00:58:03,440
Speaker 1: about the ones that are vile that we know a

971
00:58:03,560 --> 00:58:06,000
Speaker 1: ship and we stay with them. You know. It's funny.

972
00:58:06,040 --> 00:58:08,200
Speaker 1: I was, I was on the couch and I was

973
00:58:08,240 --> 00:58:12,080
Speaker 1: doing something with this week's YouTube, like either trying to

974
00:58:12,120 --> 00:58:16,040
Speaker 1: make sure it popped up right. I've just been trying

975
00:58:16,040 --> 00:58:18,120
Speaker 1: my best because I've been learning a lot about YouTube

976
00:58:18,120 --> 00:58:20,760
Speaker 1: and algorithms and like also knowing how people get paid

977
00:58:20,760 --> 00:58:23,480
Speaker 1: now and so like even with our thumbnails, and like

978
00:58:23,560 --> 00:58:26,720
Speaker 1: just becoming like like obsessive over learning that process. So

979
00:58:26,800 --> 00:58:28,120
Speaker 1: I posted up on the TV and one of the

980
00:58:28,120 --> 00:58:31,040
Speaker 1: first things I said is niggasaining ship and old days

981
00:58:31,080 --> 00:58:34,000
Speaker 1: in the kitchen talking about this. I am washing your

982
00:58:34,040 --> 00:58:36,840
Speaker 1: dishes right now. What do you mean, niggazination. I'm like

983
00:58:37,080 --> 00:58:40,440
Speaker 1: you you good for you? You watch some dishes. I'm

984
00:58:40,440 --> 00:58:43,840
Speaker 1: telling you, dog, when I hear about his stories and

985
00:58:43,960 --> 00:58:48,120
Speaker 1: his hallways, I'll be like, Bro, you don't get over

986
00:58:48,160 --> 00:58:51,800
Speaker 1: that life. You don't just stop. You just don't. I'm sorry,

987
00:58:52,120 --> 00:58:54,920
Speaker 1: you aren't ship. You're a nice man to me now,

988
00:58:55,520 --> 00:58:59,040
Speaker 1: but one day you won't be ship because you've done

989
00:58:59,040 --> 00:59:01,640
Speaker 1: it already. For sample, if you suck a lot of

990
00:59:01,680 --> 00:59:03,720
Speaker 1: dicks and you love having a dick in your mouth

991
00:59:04,240 --> 00:59:07,040
Speaker 1: right and you just full on cold turkey dicks in

992
00:59:07,080 --> 00:59:09,240
Speaker 1: your mouth, you might be okay, but one day you'll

993
00:59:09,240 --> 00:59:11,720
Speaker 1: go back to putting that dick right in. That is

994
00:59:11,760 --> 00:59:14,160
Speaker 1: what ain't ship, niggas are You ain't ship. You ain't

995
00:59:14,160 --> 00:59:19,440
Speaker 1: ship for what you just said. Actually, that's why. What help.

996
00:59:19,880 --> 00:59:20,600
Speaker 1: What I know is