1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:09,520 --> 00:00:10,520 Speaker 2: Hello, let's just do. 3 00:00:17,239 --> 00:00:20,560 Speaker 1: Hi. I am all in again with Scott Patterson and 4 00:00:20,800 --> 00:00:25,120 Speaker 1: iHeartRadio Podcast. Hey everyone, Scott Patterson, I am all in Podcast, 5 00:00:25,160 --> 00:00:30,480 Speaker 1: one of them productions iHeartRadio Media. iHeart Podcast. And we've 6 00:00:30,520 --> 00:00:34,000 Speaker 1: got a big guest here, and I mean six foot 7 00:00:34,000 --> 00:00:41,600 Speaker 1: four Canadian big Sebastian Bach, the former and current rocker 8 00:00:41,840 --> 00:00:46,959 Speaker 1: and actor, is going to be joining us. Sebastian, Welcome 9 00:00:47,000 --> 00:00:48,240 Speaker 1: to the show again. 10 00:00:49,159 --> 00:00:49,440 Speaker 3: Hey. 11 00:00:50,280 --> 00:00:57,000 Speaker 1: Now, there's a rumor that you're opening for Oasis in 12 00:00:57,040 --> 00:00:58,640 Speaker 1: the United States. Is that true? 13 00:01:00,000 --> 00:01:02,520 Speaker 2: Don't even know what to say. No, I don't know 14 00:01:03,480 --> 00:01:07,199 Speaker 2: opening for a while. This is the first time'm hearing 15 00:01:07,240 --> 00:01:07,640 Speaker 2: about this. 16 00:01:08,360 --> 00:01:12,080 Speaker 1: I guess somebody's just pulling my leg opening for Oasis. 17 00:01:12,400 --> 00:01:15,280 Speaker 1: Somebody texted me last night and said, did you know 18 00:01:15,440 --> 00:01:19,720 Speaker 1: that Sebastian band. I'm going to open a couple of 19 00:01:19,760 --> 00:01:23,080 Speaker 1: shows in the United States, not that I'm aware of, 20 00:01:24,040 --> 00:01:28,319 Speaker 1: not that, but I am going to Australia. 21 00:01:29,200 --> 00:01:34,920 Speaker 2: For one, two, three, four or five six seven shows 22 00:01:34,959 --> 00:01:35,760 Speaker 2: in Australia. 23 00:01:36,080 --> 00:01:36,440 Speaker 1: Nice. 24 00:01:36,840 --> 00:01:41,080 Speaker 2: And last time we were on, we were talking about that. Well, 25 00:01:41,640 --> 00:01:42,720 Speaker 2: Gilmore Girls. 26 00:01:42,440 --> 00:01:48,120 Speaker 1: Is huge there, right, Well, yeah, yeah, it's pretty popular there. Yeah. 27 00:01:48,160 --> 00:01:51,000 Speaker 1: But if you haven't got tickets for Sebastian show yet. 28 00:01:51,000 --> 00:01:53,040 Speaker 1: In Australia, you better get hopping. 29 00:01:53,680 --> 00:01:56,720 Speaker 2: So how is your band doing? Are you doing some shows? 30 00:01:57,360 --> 00:02:03,560 Speaker 1: No? No, no no, not in band mode? Okay, not 31 00:02:03,680 --> 00:02:07,400 Speaker 1: in band mode. It's I'm too busy. And it's like, 32 00:02:08,840 --> 00:02:11,880 Speaker 1: you know, I was going to open. I got an 33 00:02:11,880 --> 00:02:15,919 Speaker 1: offer to open for Oh god, what's his name, Nick Carter? 34 00:02:16,480 --> 00:02:21,519 Speaker 1: Oh yeah, his his his US. He did a US 35 00:02:21,639 --> 00:02:25,519 Speaker 1: toury these these people, you guys are always touring. You're 36 00:02:25,000 --> 00:02:30,359 Speaker 1: always everybody somebody, You're always somewhere, so the American leg 37 00:02:30,400 --> 00:02:33,160 Speaker 1: of his. But I was working on that show up 38 00:02:33,160 --> 00:02:36,600 Speaker 1: in Cannon. I couldn't do it, oh right on, because 39 00:02:37,360 --> 00:02:39,120 Speaker 1: you know, it just can't be two places at once. 40 00:02:39,200 --> 00:02:44,560 Speaker 1: It'd be flying, flying from Halifax and bat Australia. I 41 00:02:44,560 --> 00:02:47,160 Speaker 1: could do, Yeah, well I could do. I could do 42 00:02:47,240 --> 00:02:51,520 Speaker 1: Australia November November. 43 00:02:51,880 --> 00:02:56,079 Speaker 2: Yeah, wow, already Melbourne's already sold out at the Forum, dude, 44 00:02:56,120 --> 00:02:57,480 Speaker 2: and they added a second night. 45 00:02:58,320 --> 00:03:00,680 Speaker 1: Whoa, that's awesome. 46 00:03:01,240 --> 00:03:06,440 Speaker 2: Well, you know it never ends. We just did Milwaukee Summerfest, right, 47 00:03:06,840 --> 00:03:11,920 Speaker 2: which was ten thousand crazy Freaks with Benson Boone. I 48 00:03:11,919 --> 00:03:12,919 Speaker 2: don't know who that is. 49 00:03:13,440 --> 00:03:17,280 Speaker 1: Benson Boone is like the guy who does somersaults and 50 00:03:17,360 --> 00:03:21,000 Speaker 1: trampolines off the stage and has a really high pitched voice. 51 00:03:21,040 --> 00:03:26,480 Speaker 1: And he's like he's like Freddie Mercury and like a 52 00:03:26,600 --> 00:03:31,280 Speaker 1: Disney cartoon had a kid. Wow, and that's Benson Boone. 53 00:03:31,639 --> 00:03:33,440 Speaker 2: I just played with Benson Boone. 54 00:03:33,840 --> 00:03:37,160 Speaker 1: So he's he's like, he's like, got all these hit records. 55 00:03:37,200 --> 00:03:37,760 Speaker 1: He's huge. 56 00:03:37,960 --> 00:03:38,960 Speaker 2: Oh wow, he. 57 00:03:38,960 --> 00:03:42,200 Speaker 1: Does he's a gymnast. He's a gymnast too, Like he'll 58 00:03:42,240 --> 00:03:45,720 Speaker 1: go on fallon and he'll do like a backflip or 59 00:03:45,760 --> 00:03:49,120 Speaker 1: some wow yeah, And every time he does it, I'm like, 60 00:03:49,280 --> 00:03:53,120 Speaker 1: oh God, it's the knees. The knees right, the impact 61 00:03:53,160 --> 00:03:53,400 Speaker 1: on them. 62 00:03:54,080 --> 00:03:57,840 Speaker 2: I worry whenever I see people headbag now, I'm like, 63 00:03:58,040 --> 00:04:02,800 Speaker 2: oh man, I messed myself up. Dude, Like I'm fifty 64 00:04:02,920 --> 00:04:08,240 Speaker 2: seven now and I cannot be doing that crazy. My 65 00:04:08,440 --> 00:04:12,840 Speaker 2: next I got to go to the chiropractor. Like it's 66 00:04:13,920 --> 00:04:14,920 Speaker 2: that's not good for you. 67 00:04:15,040 --> 00:04:15,280 Speaker 3: It is. 68 00:04:15,440 --> 00:04:23,240 Speaker 2: My point is it's just not the it's not designed 69 00:04:23,279 --> 00:04:23,720 Speaker 2: for that. 70 00:04:24,120 --> 00:04:26,440 Speaker 1: Well, they're going to have to pull all your records 71 00:04:27,279 --> 00:04:30,640 Speaker 1: off the shelves because that's what people do when they 72 00:04:30,640 --> 00:04:34,440 Speaker 1: hear one of your songs. The hell just starts doing that. 73 00:04:35,760 --> 00:04:42,800 Speaker 2: So okay, so uh, we're doing Sturgis the bike rally, 74 00:04:43,040 --> 00:04:50,680 Speaker 2: and then Bay City, Michigan with Trace Adkins, believe it 75 00:04:50,839 --> 00:04:54,839 Speaker 2: or not. And that's the week after that, and we're 76 00:04:54,839 --> 00:04:59,240 Speaker 2: about to announce a full US ball tour in the bus. 77 00:04:59,480 --> 00:05:00,800 Speaker 2: That's what That's what I'm doing. 78 00:05:00,800 --> 00:05:03,640 Speaker 1: All right. Well, check out Sebastian and his band. Thank 79 00:05:03,680 --> 00:05:06,760 Speaker 1: you because they bring the heat. We're going to open 80 00:05:06,760 --> 00:05:11,920 Speaker 1: for quiet Riot, Open for quiet Riot, the gil Workers. 81 00:05:12,040 --> 00:05:14,440 Speaker 1: Maybe maybe Oasis, maybe. 82 00:05:14,200 --> 00:05:16,120 Speaker 2: That would be good. That would be if we were 83 00:05:16,160 --> 00:05:19,240 Speaker 2: shooting Gilmore Girls. Now what the line would be? 84 00:05:19,360 --> 00:05:20,240 Speaker 1: Right? 85 00:05:21,320 --> 00:05:24,240 Speaker 2: You know what? If there's one thing I know, it's 86 00:05:24,279 --> 00:05:27,799 Speaker 2: that The Gilmore Girls has a wife of its own. 87 00:05:29,040 --> 00:05:33,479 Speaker 2: Wherever I go in the world, people watch it. When 88 00:05:33,480 --> 00:05:37,960 Speaker 2: I check into a hotel and like Mexico or Australia, 89 00:05:38,160 --> 00:05:43,640 Speaker 2: I put the TV on. There's you, then You're diner, 90 00:05:44,480 --> 00:05:49,280 Speaker 2: doesn't matter what country, and people like it's the international. 91 00:05:49,320 --> 00:05:53,440 Speaker 2: I've watched the show in different languages, which is a trip, right, 92 00:05:54,120 --> 00:05:56,320 Speaker 2: Like you're speaking in Spanish and stuff. 93 00:05:59,440 --> 00:06:02,960 Speaker 1: Pretty great, that's funny stuff. Let me ask you something. 94 00:06:03,200 --> 00:06:08,640 Speaker 1: You're a dad, yes, so how do you balance being 95 00:06:08,720 --> 00:06:12,680 Speaker 1: on the road and being a parent, Well do you 96 00:06:12,680 --> 00:06:14,200 Speaker 1: take them with you? I mean you can't when they're 97 00:06:14,200 --> 00:06:14,680 Speaker 1: in school. 98 00:06:15,000 --> 00:06:22,360 Speaker 2: No, I can't. And wow, that's a heavy question because 99 00:06:22,480 --> 00:06:28,320 Speaker 2: I last year I did ninety one cities and it 100 00:06:28,360 --> 00:06:31,359 Speaker 2: was it was too much. But I mean, you know, 101 00:06:31,880 --> 00:06:35,520 Speaker 2: you know people around you, and and you know you 102 00:06:35,560 --> 00:06:39,159 Speaker 2: want to be successful and make tons of PA and 103 00:06:39,240 --> 00:06:42,039 Speaker 2: you don't want to leave money on the table, but 104 00:06:42,200 --> 00:06:46,440 Speaker 2: there is there is a price to pay for not 105 00:06:46,720 --> 00:06:52,680 Speaker 2: being there and not like really just not being present 106 00:06:52,839 --> 00:06:57,880 Speaker 2: all the time. Like my daughter just graduated high school. 107 00:06:58,000 --> 00:07:01,479 Speaker 2: Now she is going to go to F I. T 108 00:07:02,000 --> 00:07:06,160 Speaker 2: and Manhattan and she doesn't live here in Vegas anymore. 109 00:07:06,320 --> 00:07:09,760 Speaker 1: And listen, you know, all all of us wish you 110 00:07:09,840 --> 00:07:13,720 Speaker 1: the best. And working that out that is I know 111 00:07:13,800 --> 00:07:17,760 Speaker 1: what that's like. Oh sure, yeah, I mean the guilt 112 00:07:18,480 --> 00:07:22,600 Speaker 1: of being on the road and you know, yeah, you're 113 00:07:22,680 --> 00:07:27,800 Speaker 1: providing shelter and food and and but you're not there. Yeah, 114 00:07:27,840 --> 00:07:32,440 Speaker 1: I mean I'm gone four months when you shooting this show. 115 00:07:32,840 --> 00:07:35,480 Speaker 1: I'm on and I have an eleven year old. Well 116 00:07:35,880 --> 00:07:41,640 Speaker 1: how do you deal with goot? I FaceTime him so 117 00:07:41,840 --> 00:07:44,480 Speaker 1: much every day that he gets sick of me. 118 00:07:45,160 --> 00:07:49,000 Speaker 2: Well, you know, I got a question for you. When 119 00:07:49,000 --> 00:07:52,840 Speaker 2: you're gone that long four months shooting a show or something, 120 00:07:53,520 --> 00:07:57,520 Speaker 2: how do you deal with every day doing your work, 121 00:07:57,960 --> 00:08:03,280 Speaker 2: but then going back to a empty hotel room by yourself. 122 00:08:03,520 --> 00:08:07,280 Speaker 1: I have my podcast, so you're doing your podcast in 123 00:08:07,320 --> 00:08:11,120 Speaker 1: your room. I stay busy my podcast, and I have 124 00:08:11,240 --> 00:08:16,800 Speaker 1: my Martin D seven, so I cook. I cook my dinner. 125 00:08:18,080 --> 00:08:20,800 Speaker 1: I love to cook. If there's a game on, I'll 126 00:08:20,840 --> 00:08:24,080 Speaker 1: watch the game. I'm cooking and eating. Then I do 127 00:08:24,200 --> 00:08:28,880 Speaker 1: my podcast. Any downtime it's podcast time because this schedule 128 00:08:28,960 --> 00:08:34,480 Speaker 1: has gotten, you know, heftier. And then if there's any 129 00:08:34,840 --> 00:08:38,120 Speaker 1: any relaxation time, I just pick up the guitar and 130 00:08:38,720 --> 00:08:42,120 Speaker 1: that's great and start picking away. You know. 131 00:08:44,160 --> 00:08:45,559 Speaker 2: But it's tough being a way. 132 00:08:46,120 --> 00:08:47,559 Speaker 1: It's it's painful. 133 00:08:48,040 --> 00:08:49,040 Speaker 2: It's painful. 134 00:08:49,240 --> 00:08:55,800 Speaker 1: God, it's painful. But it's like if if you you 135 00:08:55,800 --> 00:08:57,640 Speaker 1: know the way I think about it, it's like, my 136 00:08:57,800 --> 00:09:01,600 Speaker 1: family needs tells insurance, my family need security, my family, 137 00:09:02,720 --> 00:09:04,680 Speaker 1: my son needs college money. 138 00:09:05,240 --> 00:09:06,960 Speaker 2: Well you know, I mean, so. 139 00:09:06,880 --> 00:09:11,240 Speaker 1: I need to keep working and putting money away, you know, 140 00:09:11,320 --> 00:09:15,720 Speaker 1: because these these jobs these days don't pay the way 141 00:09:16,360 --> 00:09:17,400 Speaker 1: they used to. Right. 142 00:09:17,760 --> 00:09:22,200 Speaker 2: Well, you know, one thing my wife always tells me, 143 00:09:23,600 --> 00:09:26,720 Speaker 2: the SAG being on Gilmore Girls. 144 00:09:26,760 --> 00:09:30,520 Speaker 4: The health insurance that we got is very valuable. 145 00:09:31,200 --> 00:09:33,320 Speaker 1: Yeah, it is. It's hugely valuable. 146 00:09:33,400 --> 00:09:37,679 Speaker 2: I don't know if any fans watching this realize that 147 00:09:38,200 --> 00:09:42,240 Speaker 2: if your own show, like The Gilmore Girls for years, 148 00:09:43,480 --> 00:09:47,920 Speaker 2: you get health insurance and it's from SAG and it's incredible. 149 00:09:48,320 --> 00:09:50,320 Speaker 2: And my wife's like, you got to do another show 150 00:09:50,440 --> 00:09:53,480 Speaker 2: and keep that. And I always keep getting shows. I 151 00:09:53,600 --> 00:09:56,600 Speaker 2: was just on mass Center, I was on Worst Cooks 152 00:09:56,600 --> 00:10:01,120 Speaker 2: in America, right, and but then but then again, I 153 00:10:01,240 --> 00:10:05,120 Speaker 2: just turned down a show. I don't do every show 154 00:10:05,679 --> 00:10:09,199 Speaker 2: that I'm asked to do, even though to keep that 155 00:10:09,360 --> 00:10:14,000 Speaker 2: sad health insurance going, like I want to do. I 156 00:10:14,040 --> 00:10:17,160 Speaker 2: want to keep that for my family. They cover my kids, 157 00:10:17,240 --> 00:10:21,280 Speaker 2: they cover my wife, like it's crazy. But if you don't, 158 00:10:21,559 --> 00:10:23,600 Speaker 2: if you don't do TV shows, it goes. 159 00:10:23,440 --> 00:10:26,040 Speaker 1: Away, goes away, and then you're on the Cobra plan 160 00:10:26,120 --> 00:10:29,360 Speaker 1: and then it's like big monthly bills. 161 00:10:29,400 --> 00:10:33,200 Speaker 2: You miss it. So anyways, no, I'm not offered to 162 00:10:33,240 --> 00:10:37,240 Speaker 2: do a show called I'm a Celebrity, Get Me out 163 00:10:37,240 --> 00:10:40,560 Speaker 2: of Here. It's out of the UK and it was 164 00:10:40,640 --> 00:10:45,120 Speaker 2: a huge paycheck for me, and they were telling me 165 00:10:45,160 --> 00:10:47,760 Speaker 2: and I was like, well, I better do it for 166 00:10:48,160 --> 00:10:51,040 Speaker 2: the health insurance. But I had no clue about what 167 00:10:51,080 --> 00:10:54,640 Speaker 2: the show was, so I went on YouTube checking it out. 168 00:10:54,760 --> 00:10:57,560 Speaker 2: I'm a celebrity, to get me out of here, and 169 00:10:57,600 --> 00:11:03,720 Speaker 2: they like pork buckets of cockroaches down your pants and 170 00:11:03,840 --> 00:11:09,640 Speaker 2: or they put like a motorcycle helmet on somebody's head 171 00:11:10,200 --> 00:11:13,360 Speaker 2: and then a funnel of rats come in and like 172 00:11:13,520 --> 00:11:16,720 Speaker 2: nibble it your I go, I'm not doing this. I go, 173 00:11:16,840 --> 00:11:19,880 Speaker 2: I'm not doing this, and my people are like, well, 174 00:11:20,200 --> 00:11:22,520 Speaker 2: you just you should just have a zoom call with 175 00:11:22,559 --> 00:11:25,640 Speaker 2: the producers. I go, okay, I'll do that. Then we 176 00:11:25,720 --> 00:11:29,319 Speaker 2: get on a zoom call and they're like, assuming I'm 177 00:11:29,320 --> 00:11:32,360 Speaker 2: going to do this show, and I go, well, what 178 00:11:32,400 --> 00:11:35,000 Speaker 2: are the hotels like? And they go what. I go, 179 00:11:35,520 --> 00:11:37,440 Speaker 2: where am I going to be staying? They go, well, 180 00:11:37,760 --> 00:11:40,600 Speaker 2: we're going to we actually drop you guys in the 181 00:11:40,640 --> 00:11:44,120 Speaker 2: middle of the woods in Australia and you have to 182 00:11:44,520 --> 00:11:48,040 Speaker 2: you have to like fend for yourself. And one of 183 00:11:48,080 --> 00:11:50,320 Speaker 2: the big features of the show is that you're going 184 00:11:50,400 --> 00:11:54,319 Speaker 2: to have to eat bugs and like and I go, okay, 185 00:11:54,400 --> 00:11:57,760 Speaker 2: and I google this. There's a scene. There's a scene 186 00:11:57,800 --> 00:12:01,920 Speaker 2: where one of the contestant eats us Sheiza with live 187 00:12:02,120 --> 00:12:05,319 Speaker 2: scorpions on it. I go on, I'm never doing that, 188 00:12:06,559 --> 00:12:07,400 Speaker 2: and then they call. 189 00:12:07,760 --> 00:12:11,360 Speaker 1: They go, some people, but some people really really want 190 00:12:11,400 --> 00:12:14,600 Speaker 1: to be famous, and they'll do anything to be famous 191 00:12:14,600 --> 00:12:18,000 Speaker 1: and be on that show. The deal breaker was late 192 00:12:18,080 --> 00:12:20,880 Speaker 1: their own you know what, I'm. 193 00:12:20,760 --> 00:12:25,719 Speaker 2: Not that desperate dude. So they so they I go, 194 00:12:26,520 --> 00:12:29,240 Speaker 2: what other kind of challenges you guys got this show? 195 00:12:29,240 --> 00:12:31,520 Speaker 3: They go, well, one of our one of our big 196 00:12:31,520 --> 00:12:36,400 Speaker 3: ones is that we get a tight rope between two 197 00:12:36,559 --> 00:12:39,480 Speaker 3: high rise apartment buildings and you have to walk across 198 00:12:39,640 --> 00:12:41,200 Speaker 3: it above the city. 199 00:12:41,240 --> 00:12:44,760 Speaker 2: I go, I'm not doing that. I don't give a 200 00:12:45,440 --> 00:12:48,719 Speaker 2: how much money you're going to pay me. I'm not 201 00:12:48,960 --> 00:12:53,040 Speaker 2: eating scorpions. I'm not I need a nice hotel. 202 00:12:53,080 --> 00:12:56,199 Speaker 1: I mean, is my last name Wilenda? I mean, who 203 00:12:56,360 --> 00:12:59,000 Speaker 1: did George Wilenda just walk? What do you mean tight 204 00:12:59,080 --> 00:13:00,400 Speaker 1: rope between two buildings? 205 00:13:00,640 --> 00:13:04,800 Speaker 2: I'm doing that? Who would do that? I'm not doing that? 206 00:13:05,000 --> 00:13:09,200 Speaker 2: And I need air conditioning? Would I go to sleep? 207 00:13:09,679 --> 00:13:09,959 Speaker 1: Right? 208 00:13:10,200 --> 00:13:12,800 Speaker 2: All right, I'm not going to sleep. I don't know. 209 00:13:12,480 --> 00:13:16,679 Speaker 2: I don't know about you guys, but so I'm not 210 00:13:16,840 --> 00:13:17,959 Speaker 2: doing that. Shows out in. 211 00:13:17,920 --> 00:13:22,600 Speaker 1: The Australian wilderness where there's like thirty foot crocodiles. 212 00:13:23,000 --> 00:13:23,840 Speaker 2: I'm not doing that. 213 00:13:24,600 --> 00:13:26,679 Speaker 1: Like would look at us like we were just like 214 00:13:26,760 --> 00:13:27,520 Speaker 1: a snack. 215 00:13:28,000 --> 00:13:28,839 Speaker 2: I'm not doing that. 216 00:13:29,000 --> 00:13:39,839 Speaker 1: Yeah, I'm not going to do that. We have a 217 00:13:39,960 --> 00:13:43,199 Speaker 1: very special guest host who's going to come in. Elaine 218 00:13:43,320 --> 00:13:46,160 Speaker 1: Espinosa is here. She's going to talk to you for 219 00:13:46,200 --> 00:13:49,000 Speaker 1: a couple of minutes. She has some questions for you. Elaine, 220 00:13:49,040 --> 00:13:53,720 Speaker 1: come on in, put on the headset. It's Elaine Espinosa, 221 00:13:54,320 --> 00:13:55,040 Speaker 1: my assistant. 222 00:13:56,720 --> 00:13:59,600 Speaker 5: Hey, So, out of all the times that you've been out, 223 00:14:00,160 --> 00:14:03,440 Speaker 5: you know, out and abount and you're recognized, what's the 224 00:14:03,520 --> 00:14:08,360 Speaker 5: strangest encounter that you have had with a Gilmore Girls fan? 225 00:14:09,520 --> 00:14:14,560 Speaker 2: Well, you know, I get recognized in different parts of 226 00:14:14,720 --> 00:14:18,880 Speaker 2: town for different things. So when I go to a 227 00:14:19,000 --> 00:14:25,440 Speaker 2: rock club, it's skid Row. When I go to Canada, 228 00:14:25,640 --> 00:14:29,760 Speaker 2: it's Trailer Park Boys. They and also Gilmore Girls. Both 229 00:14:29,760 --> 00:14:32,600 Speaker 2: of them in Canada are huge. But there's a show 230 00:14:32,640 --> 00:14:37,600 Speaker 2: on Netflix called Trailer Park Boys, Yeah, which I'm on, 231 00:14:37,680 --> 00:14:41,600 Speaker 2: which is a very different show than Gilmore Girls. Gilmore 232 00:14:41,680 --> 00:14:48,400 Speaker 2: Girls is huge in Canada, like huge. The strangest there's two, 233 00:14:48,480 --> 00:14:51,920 Speaker 2: I would say, well, one time, I was okay, And 234 00:14:52,560 --> 00:14:56,320 Speaker 2: when I go to the mall, when I go to Target, 235 00:14:56,520 --> 00:14:58,480 Speaker 2: it's are you are you? 236 00:14:59,360 --> 00:14:59,640 Speaker 3: Are you? 237 00:14:59,760 --> 00:15:03,880 Speaker 2: It's Rblayer and lanes Band, and I'm like, yeah. People 238 00:15:03,920 --> 00:15:06,680 Speaker 2: cannot believe it, and they always say it to me. 239 00:15:06,880 --> 00:15:09,840 Speaker 2: They go, well, when I saw you, I thought it 240 00:15:09,880 --> 00:15:12,320 Speaker 2: was you, but then I heard you talk and I 241 00:15:12,440 --> 00:15:15,080 Speaker 2: knew it was you. But I go, well, I'm not 242 00:15:15,120 --> 00:15:19,040 Speaker 2: trying to talk any way, but I always hear that. 243 00:15:19,560 --> 00:15:21,320 Speaker 2: So one time I'm in it. 244 00:15:21,880 --> 00:15:25,920 Speaker 6: I at the mall and I get it in an elevator, okay, 245 00:15:26,120 --> 00:15:31,600 Speaker 6: And the elevator is packed with like teen girls in 246 00:15:31,640 --> 00:15:35,440 Speaker 6: their moms and I'm in the middle six foot forard. 247 00:15:35,560 --> 00:15:40,400 Speaker 2: I'm in the elevator and there's a silence and then 248 00:15:40,480 --> 00:15:45,000 Speaker 2: one other girls goes, are you Gil for the go 249 00:15:45,280 --> 00:15:48,040 Speaker 2: work girls, and I go, yes, I am. And they 250 00:15:48,240 --> 00:15:54,880 Speaker 2: just started screaming in this elevator and crying and freaking out. 251 00:15:55,280 --> 00:16:00,560 Speaker 2: And that was a memorable moment because I was in 252 00:16:00,600 --> 00:16:03,320 Speaker 2: an elevator with them and I was in the mill 253 00:16:03,720 --> 00:16:07,400 Speaker 2: and they couldn't they couldn't comprehend it. They just lost 254 00:16:07,440 --> 00:16:11,080 Speaker 2: their minds. But the strangest encounter by far, I would 255 00:16:11,080 --> 00:16:15,440 Speaker 2: say number one is when we were shooting an episode, 256 00:16:16,040 --> 00:16:18,880 Speaker 2: you were in a scott. I think you're in all 257 00:16:18,920 --> 00:16:26,280 Speaker 2: the episodes except the last one. I'm sorry, but so 258 00:16:26,560 --> 00:16:30,560 Speaker 2: I'm in my hotel room early in the morning, waiting 259 00:16:30,640 --> 00:16:34,000 Speaker 2: to go to the set to shoot my scenes, and 260 00:16:34,080 --> 00:16:38,680 Speaker 2: my stunt double died by the name of Carrey called 261 00:16:38,680 --> 00:16:41,480 Speaker 2: me on the phone. He goes, Sebastian, you're not gonna 262 00:16:41,520 --> 00:16:45,520 Speaker 2: believe who's here right now? But I go Who's that? 263 00:16:46,440 --> 00:16:48,320 Speaker 2: He goes, Daddy. 264 00:16:48,200 --> 00:16:54,120 Speaker 7: Lee, for Rush is here with his daughter because she 265 00:16:54,520 --> 00:16:59,360 Speaker 7: loves the Gilmore Girls and he's arranged to be on 266 00:16:59,400 --> 00:17:02,760 Speaker 7: the set and take her to watch an episode. 267 00:17:03,280 --> 00:17:06,439 Speaker 2: And I couldn't. I thought he was joking. I'm a 268 00:17:06,560 --> 00:17:13,880 Speaker 2: Rush fanatic, like I I'm Canadian. Canadians like three things, hockey, 269 00:17:14,320 --> 00:17:18,160 Speaker 2: beer and Rush. This is what we enjoy up in Canada. 270 00:17:18,520 --> 00:17:21,639 Speaker 2: You know that you've been up there, so Rush is 271 00:17:21,720 --> 00:17:27,240 Speaker 2: legendary to me. And Geddy Lee brought his daughter to 272 00:17:27,280 --> 00:17:30,640 Speaker 2: the Gilmore Girls set. I came down there. We spent 273 00:17:30,760 --> 00:17:33,600 Speaker 2: the afternoon together. We went to catering and got something 274 00:17:33,640 --> 00:17:39,240 Speaker 2: to eat, and I went up to helen Pye, which 275 00:17:39,280 --> 00:17:45,239 Speaker 2: is an anagram for hep alien in there, so I 276 00:17:45,280 --> 00:17:48,119 Speaker 2: went up to it. I go, listen to me ganny 277 00:17:48,280 --> 00:17:52,919 Speaker 2: Lee from Russia's here. You gotta put him in the show. 278 00:17:53,320 --> 00:17:56,959 Speaker 2: I go, if I'm in your show, that's wonderful, but 279 00:17:57,359 --> 00:18:02,119 Speaker 2: you're crazy if you don't him in the show. And 280 00:18:02,200 --> 00:18:04,600 Speaker 2: she goes, and there was a scene coming up that 281 00:18:04,640 --> 00:18:08,760 Speaker 2: I had a group scene in it in that little 282 00:18:08,840 --> 00:18:13,879 Speaker 2: house on the set on Warner Brothers Law. So Helen 283 00:18:13,960 --> 00:18:16,879 Speaker 2: Pi goes, okay, well, let me talk to you know, 284 00:18:16,960 --> 00:18:19,719 Speaker 2: the director. I can't remember who was directing that episode. 285 00:18:20,000 --> 00:18:22,160 Speaker 2: But they came back and they said, okay, go ask 286 00:18:22,200 --> 00:18:24,600 Speaker 2: Gedty and his daughter if they want to be in 287 00:18:24,640 --> 00:18:28,359 Speaker 2: the scene. And I go, this is so surreal. And 288 00:18:28,400 --> 00:18:31,840 Speaker 2: also Sally Struthers was in that scene too. I was 289 00:18:31,880 --> 00:18:35,879 Speaker 2: sitting there with Sally Strullers from all the family and 290 00:18:35,960 --> 00:18:41,359 Speaker 2: Geddy Lee of Rush like Alice, this possible? How is 291 00:18:41,400 --> 00:18:46,760 Speaker 2: this possible? So I said to Getty, I go, hey, man, 292 00:18:47,800 --> 00:18:50,880 Speaker 2: how would you and your daughter like to be in 293 00:18:51,000 --> 00:18:54,159 Speaker 2: the Gilmore Girls? And he goes, oh, no, I can't. 294 00:18:54,200 --> 00:18:56,399 Speaker 2: I can't do that. He goes. He goes, hey, okay, 295 00:18:56,440 --> 00:18:59,280 Speaker 2: well let me let me go think about this, and 296 00:18:59,400 --> 00:19:02,080 Speaker 2: I'll take I'm going to take my daughter to dinner 297 00:19:02,160 --> 00:19:04,200 Speaker 2: and I'm going to come back because a very late 298 00:19:04,280 --> 00:19:08,680 Speaker 2: night shoot. He goes, I'll think about it. He comes 299 00:19:08,720 --> 00:19:10,719 Speaker 2: back and he goes, Okay, I'll be in it. And 300 00:19:10,760 --> 00:19:13,080 Speaker 2: it was a scene where we were playing guitars. Do 301 00:19:13,119 --> 00:19:16,080 Speaker 2: you remember that, Scott. There was a bunch of people 302 00:19:16,160 --> 00:19:19,560 Speaker 2: in this that little house. I know you shot a 303 00:19:19,600 --> 00:19:22,760 Speaker 2: billion scenes, and it was like we were playing a guitar. 304 00:19:23,200 --> 00:19:25,520 Speaker 2: I saw the guitar and he's in the scene, but 305 00:19:25,760 --> 00:19:26,800 Speaker 2: not enough. 306 00:19:27,119 --> 00:19:30,800 Speaker 1: In Laurel's house. Whose house, I don't know you. 307 00:19:32,600 --> 00:19:38,240 Speaker 8: No, it was like a friend's house, your rehearsal space. No, No, 308 00:19:38,280 --> 00:19:41,360 Speaker 8: it wasn't that house. It was on the lot, but 309 00:19:42,520 --> 00:19:46,720 Speaker 8: I can't explain it. Very small house. Not it's two level. 310 00:19:46,800 --> 00:19:49,479 Speaker 8: It was a one level. I think it was at 311 00:19:49,560 --> 00:19:53,840 Speaker 8: somebody one of their friend's house. I can't remember exactly. 312 00:19:54,880 --> 00:19:59,520 Speaker 2: But if the powers that be ever do a box 313 00:19:59,640 --> 00:20:08,160 Speaker 2: set or a remastered remixed version of that episode, they 314 00:20:08,160 --> 00:20:10,439 Speaker 2: should look in the footage and put him in it 315 00:20:10,560 --> 00:20:14,120 Speaker 2: more like he's barely in it. Like Rush fans would 316 00:20:14,160 --> 00:20:17,800 Speaker 2: freak out. I mean. So that's my strangest encounter with 317 00:20:17,920 --> 00:20:21,200 Speaker 2: a fan is Gedty Lee's daughter and getting the lead 318 00:20:21,240 --> 00:20:25,640 Speaker 2: singer of Rush in the Gilmore Girls. 319 00:20:32,960 --> 00:20:37,240 Speaker 1: Here's a question for you. Yeah, you know, I don't 320 00:20:37,240 --> 00:20:41,280 Speaker 1: think we've ever asked you this before, and I think 321 00:20:41,320 --> 00:20:44,399 Speaker 1: you need to chime in. How do you feel about 322 00:20:44,520 --> 00:20:49,200 Speaker 1: laurla and who she should end up with romantically speaking? 323 00:20:49,560 --> 00:20:53,359 Speaker 2: I mean, how can I answer any other way? But 324 00:20:53,560 --> 00:20:55,879 Speaker 2: I think it should be Luke. I mean, that's the 325 00:20:55,960 --> 00:20:59,119 Speaker 2: chemistry of the show as far as I'm concerned. 326 00:20:59,200 --> 00:21:02,680 Speaker 1: So no way, Christopher, no chance. 327 00:21:03,160 --> 00:21:08,840 Speaker 2: I don't. I don't even really remember Christopher. I remember you. 328 00:21:09,240 --> 00:21:12,600 Speaker 2: That's one of my songs. I remember, you know, But 329 00:21:12,680 --> 00:21:15,400 Speaker 2: I mean you guys to me, I have a song 330 00:21:15,440 --> 00:21:17,160 Speaker 2: called I Remember You too. You do? 331 00:21:17,440 --> 00:21:17,960 Speaker 1: Yeah? I do? 332 00:21:18,359 --> 00:21:26,600 Speaker 2: Wow. So I thought that you and Lauren Graham as 333 00:21:26,800 --> 00:21:32,280 Speaker 2: actor and actress had a total real chemistry, like when 334 00:21:32,320 --> 00:21:34,359 Speaker 2: you guys looked in each other's eyes. 335 00:21:34,800 --> 00:21:35,680 Speaker 1: Yeah, that's for real. 336 00:21:36,080 --> 00:21:40,199 Speaker 2: I could I could see a spark there that you 337 00:21:40,240 --> 00:21:43,080 Speaker 2: can't fake. That. That's not even that's not even really 338 00:21:43,119 --> 00:21:44,680 Speaker 2: acting really, I mean maybe it is. 339 00:21:45,040 --> 00:21:47,000 Speaker 1: It's not your right, you know, you're right about that. 340 00:21:47,400 --> 00:21:50,359 Speaker 1: That's a very various dude comments. It's very stupid. It's 341 00:21:50,400 --> 00:21:54,080 Speaker 1: not acting, it's it's real. It's that X factor that 342 00:21:54,119 --> 00:21:54,960 Speaker 1: two people have. 343 00:21:55,880 --> 00:21:59,679 Speaker 2: Yeah, screen, Yeah, I noticed that the very first table 344 00:21:59,720 --> 00:22:02,280 Speaker 2: reader I ever did with you guys sitting there, I 345 00:22:02,320 --> 00:22:03,200 Speaker 2: could feel. 346 00:22:02,920 --> 00:22:07,320 Speaker 1: That that's Amy. That's Amy getting the right people, and 347 00:22:07,359 --> 00:22:10,199 Speaker 1: not just the right people for the character, but to 348 00:22:10,280 --> 00:22:14,200 Speaker 1: play off of each other. Right, she just understood that 349 00:22:15,359 --> 00:22:19,800 Speaker 1: magic if it happened. And I never even read with Lauren. 350 00:22:20,040 --> 00:22:25,040 Speaker 1: I didn't read with her. My audition was shooting the 351 00:22:25,040 --> 00:22:30,040 Speaker 1: pilot with her. Wow, Because I wasn't a serious regular, 352 00:22:30,080 --> 00:22:31,840 Speaker 1: I was just a guest star. They could have replaced 353 00:22:31,840 --> 00:22:34,359 Speaker 1: me and reshot those scenes, you know, if that didn't 354 00:22:34,400 --> 00:22:36,480 Speaker 1: work out. So that's what my manager told me, said, 355 00:22:36,640 --> 00:22:41,399 Speaker 1: Toronto for you shooting the pilot, that's going to be 356 00:22:41,440 --> 00:22:42,320 Speaker 1: your final audition. 357 00:22:43,040 --> 00:22:48,080 Speaker 2: Yeah, you shot the pilot in Toronto. Yes, Oh my gosh, 358 00:22:48,080 --> 00:22:51,680 Speaker 2: I didn't even know that. No Wonder is so big 359 00:22:51,760 --> 00:22:55,640 Speaker 2: up there, It really is. It's huge. Geddy Lee told 360 00:22:55,640 --> 00:22:56,800 Speaker 2: me that his daughter. 361 00:22:58,040 --> 00:22:58,640 Speaker 1: I had like. 362 00:22:58,760 --> 00:23:03,000 Speaker 2: Episodes memorized and he explained to me. He explained to 363 00:23:03,040 --> 00:23:07,240 Speaker 2: me that The Gilmore Girls was a way for him 364 00:23:07,920 --> 00:23:11,440 Speaker 2: and his daughter to bond and they watched it together 365 00:23:12,560 --> 00:23:15,600 Speaker 2: and you know, he couldn't believe I was on there 366 00:23:15,680 --> 00:23:19,240 Speaker 2: because he knows I'm a real rocker and a fan 367 00:23:19,359 --> 00:23:23,320 Speaker 2: of him, and he goes, it's seamless, you're coming in here, 368 00:23:23,359 --> 00:23:25,520 Speaker 2: and I go, well, I'm not really, you know, I 369 00:23:25,880 --> 00:23:28,879 Speaker 2: enjoy making things like I look back into Gilmore Girls. 370 00:23:28,920 --> 00:23:34,200 Speaker 2: I can't think of another show now that's one hour 371 00:23:34,400 --> 00:23:39,440 Speaker 2: long with that amount of dialogue. I mean, I mean, 372 00:23:39,480 --> 00:23:42,160 Speaker 2: you know, maybe on Netflix or something, but not on 373 00:23:42,359 --> 00:23:46,119 Speaker 2: primetime TV, you know. I mean, I look back and 374 00:23:46,200 --> 00:23:51,800 Speaker 2: it's one of the last hour long dramedies. If that's 375 00:23:51,840 --> 00:23:52,520 Speaker 2: the right word. 376 00:23:52,840 --> 00:23:53,680 Speaker 1: It is. It is. 377 00:23:54,720 --> 00:23:57,760 Speaker 2: But I mean, think of the amount of dialogue in 378 00:23:57,800 --> 00:24:01,840 Speaker 2: those scripts. It was even I wasn't even a major 379 00:24:01,880 --> 00:24:04,360 Speaker 2: part of the show, and I had quite a bit 380 00:24:04,400 --> 00:24:08,360 Speaker 2: of dialogue that I had to memorize quite a bit. 381 00:24:09,000 --> 00:24:12,520 Speaker 1: So it's it's a lot. It's it's it's eighty pages, 382 00:24:12,800 --> 00:24:13,439 Speaker 1: very dense. 383 00:24:13,920 --> 00:24:14,280 Speaker 2: Yes. 384 00:24:15,640 --> 00:24:19,480 Speaker 1: Yes, it's not fifty five or sixty pages. It's crazy, 385 00:24:19,720 --> 00:24:24,159 Speaker 1: very dense scene descriptions because it's all action, it's all talking, yes. 386 00:24:24,560 --> 00:24:26,840 Speaker 2: And and they would always I would always deliver my 387 00:24:26,920 --> 00:24:29,840 Speaker 2: lines and they go, okay, now do it faster. Every 388 00:24:29,920 --> 00:24:32,600 Speaker 2: time they would want me to do it faster. I 389 00:24:32,600 --> 00:24:35,720 Speaker 2: think because there's so much dialogue. They got to fit 390 00:24:35,800 --> 00:24:37,080 Speaker 2: it all in the show. 391 00:24:38,440 --> 00:24:40,120 Speaker 1: Yeah, they only got forty minutes to do. They got 392 00:24:40,119 --> 00:24:41,680 Speaker 1: to sell twenty minutes to commercials. 393 00:24:41,720 --> 00:24:43,639 Speaker 2: But there's like, it's like war and Peace. 394 00:24:44,520 --> 00:24:46,719 Speaker 1: You gotta do. You gotta do two pages a minute. 395 00:24:47,400 --> 00:24:51,439 Speaker 1: Heankes to get forty minutes eighty pages. That's two pages 396 00:24:51,480 --> 00:24:52,560 Speaker 1: a minute. 397 00:24:53,240 --> 00:24:53,800 Speaker 2: Every minute. 398 00:24:53,800 --> 00:24:56,639 Speaker 1: There's two pages of dense dialogue coming at you. It's like, 399 00:24:57,160 --> 00:24:58,120 Speaker 1: so check this out. 400 00:24:58,280 --> 00:25:01,320 Speaker 2: I don't know if I told you this in podcast 401 00:25:01,440 --> 00:25:04,440 Speaker 2: I did with you, But when I was on a 402 00:25:04,520 --> 00:25:08,800 Speaker 2: Gilmore Girls, I got an offer to be on an 403 00:25:08,880 --> 00:25:14,119 Speaker 2: episode of Law and Order and they wanted me to 404 00:25:14,160 --> 00:25:19,200 Speaker 2: play like this DJ. So I was so excited because 405 00:25:19,320 --> 00:25:22,520 Speaker 2: my dad that was his favorite show. I loved Law 406 00:25:22,520 --> 00:25:24,959 Speaker 2: and Order. I watched it all the time, and I 407 00:25:25,000 --> 00:25:31,400 Speaker 2: couldn't believe that I was gonna possibly be on Law 408 00:25:31,400 --> 00:25:36,200 Speaker 2: and Order. So the audition was in Manhattan, and no 409 00:25:36,680 --> 00:25:39,520 Speaker 2: down on the Pier, you know the pier in New 410 00:25:39,600 --> 00:25:43,480 Speaker 2: York City where there's all these offices and shops, and 411 00:25:43,520 --> 00:25:48,240 Speaker 2: so I was there, but I couldn't find the place 412 00:25:48,280 --> 00:25:50,680 Speaker 2: where I was auditioning, Like I was in this building 413 00:25:50,720 --> 00:25:54,280 Speaker 2: and I couldn't find it. So I was late, which 414 00:25:54,320 --> 00:25:58,639 Speaker 2: I cannot I can't even handle being late like that's 415 00:25:58,800 --> 00:26:01,720 Speaker 2: you know. Look, I was late for my issue Law 416 00:26:01,720 --> 00:26:04,800 Speaker 2: and Order, and I was mortified and because you know, 417 00:26:05,040 --> 00:26:09,480 Speaker 2: you can't be late. So I get in there and 418 00:26:09,560 --> 00:26:13,920 Speaker 2: I'm pissed off that was late. So they had me 419 00:26:13,920 --> 00:26:17,200 Speaker 2: memorized some lines and they sat me down. The producers 420 00:26:17,200 --> 00:26:22,600 Speaker 2: allowed an order. Okay, okay, let's do this. So they 421 00:26:22,640 --> 00:26:24,160 Speaker 2: ran the scene and. 422 00:26:24,200 --> 00:26:29,960 Speaker 4: I delivered my lines like like an auctioneer, because I 423 00:26:30,119 --> 00:26:33,359 Speaker 4: was used to the guild workers telling me to do 424 00:26:33,400 --> 00:26:35,160 Speaker 4: it as fast as I could. 425 00:26:35,720 --> 00:26:40,040 Speaker 2: Yeah. Like the producers look at each other. 426 00:26:40,000 --> 00:26:40,160 Speaker 9: Go. 427 00:26:41,880 --> 00:26:45,880 Speaker 2: Dude, slow down, and I go, I'd be cool. Well, 428 00:26:45,920 --> 00:26:48,240 Speaker 2: I'm on the show The Gilmore Girls, where they tell 429 00:26:48,320 --> 00:26:51,480 Speaker 2: me every time to say as fast as I can, 430 00:26:52,240 --> 00:26:59,080 Speaker 2: but they go, this is so every show is different. 431 00:27:00,560 --> 00:27:05,240 Speaker 1: It certainly is. It's been wonderful catching up with you 432 00:27:05,320 --> 00:27:10,800 Speaker 1: right on, Scott and everybody. Where can they go to 433 00:27:11,520 --> 00:27:13,600 Speaker 1: get your tour dates? Do you have a website? 434 00:27:13,920 --> 00:27:17,320 Speaker 2: Sure? You know you guys all know the drill sebashrbot 435 00:27:17,400 --> 00:27:18,960 Speaker 2: dot com is where. 436 00:27:18,800 --> 00:27:23,000 Speaker 1: You can easy to remember. Yeah, oh there, go check 437 00:27:23,080 --> 00:27:27,320 Speaker 1: him out, the guys. A bona fide rock star you're 438 00:27:27,320 --> 00:27:30,200 Speaker 1: going to have good night. Just make sure you bring 439 00:27:30,240 --> 00:27:32,880 Speaker 1: a neck brace with you. Oh my lord, as you're 440 00:27:32,920 --> 00:27:37,160 Speaker 1: going to be headbanging. You are not all the best. 441 00:27:37,359 --> 00:27:39,040 Speaker 1: Thanks Buddy, Thank you, Scott. 442 00:27:39,200 --> 00:27:40,479 Speaker 2: Great talking to you guys. 443 00:27:40,760 --> 00:27:42,760 Speaker 9: All right, take care, I have a good one, all 444 00:27:42,840 --> 00:28:00,760 Speaker 9: right man, June. 445 00:28:11,880 --> 00:28:14,920 Speaker 1: Hey everybody, and don't forget Follow us on Instagram at 446 00:28:15,240 --> 00:28:19,400 Speaker 1: I Am All In podcast and email us at Gilmore 447 00:28:19,400 --> 00:28:33,600 Speaker 1: at iHeartRadio dot com.