WEBVTT - 9021One on One: Kerrie Keane

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<v Speaker 1>With Jenny Garth and Tori Spelling. Okay, we are very

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<v Speaker 1>excited because we have Carrie Keene on today, who appeared

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<v Speaker 1>in thirteen episodes of nine two from ninety three to

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<v Speaker 1>ninety five. She played Suzanne Steele, Jack McKay's ex girlfriend.

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<v Speaker 1>Right now, we're watching it, and she's brought Erica, his

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<v Speaker 1>half sister. We don't know what's going on. Is she's shady?

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<v Speaker 1>Is she not? Uh, let's hear from carry. This might

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<v Speaker 1>be a spoiler alert, So if you don't want to hear,

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<v Speaker 1>just put ear muffs on and read our lips. Okay,

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<v Speaker 1>So I guess I should wear ear muffs. Yeah, probably, Okay, Carrie, Hi,

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<v Speaker 1>Oh you two beautiful girls looking. Oh it's so good.

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<v Speaker 1>It's so nice to see you two. This is crazy.

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<v Speaker 1>So much life has happened to the two of you,

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<v Speaker 1>and I drive into you with everybody, but oh, oh

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<v Speaker 1>my gosh, so many great things have happened for both

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<v Speaker 1>of you, and you look like kids. Still. I still

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<v Speaker 1>think he was, you know, young twenty year olds. Oh

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<v Speaker 1>what we wish? Thank you, thank you for inviting me,

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<v Speaker 1>for coming on. You were such a huge part of

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<v Speaker 1>our journey in our history. Yeah, you came in hot

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<v Speaker 1>and had I had a part that I didn't realize

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<v Speaker 1>I was playing. No, Dallas, Oh no, you did not know.

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<v Speaker 1>They never told me that I was anything other than

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<v Speaker 1>the mother of Luke's sister, and I'd had an affair

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<v Speaker 1>with Luke's father and this was the result. I thought

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<v Speaker 1>it was just a little bit down and up looking

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<v Speaker 1>for a job at the peach pit. But I honestly say,

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<v Speaker 1>till they gave me that last script, that it was

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<v Speaker 1>I was a con artist. So the fact is that

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<v Speaker 1>I said to them I would have played it exactly

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<v Speaker 1>the same if I was a great con artists And

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<v Speaker 1>they would never tell me to this day they won

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<v Speaker 1>because I saw them recently. They won't tell me whether

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<v Speaker 1>they had actually planned that from the beginning, or that

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<v Speaker 1>they had sort of decided as the script developed that

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<v Speaker 1>I would be trying to steal looks money. We were

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<v Speaker 1>hoping you would tell us, because we don't know. In fact,

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<v Speaker 1>we didn't know until you just told us. I'm just spoiler.

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<v Speaker 1>I don't know. My guess is that the script developed

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<v Speaker 1>into that, because I don't know how far in advance.

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<v Speaker 1>But what was it. I did twelve of those, so

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<v Speaker 1>my team I'm just going to guess that it was

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<v Speaker 1>great anyhow, because not knowing I played a great conn artist.

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<v Speaker 1>I mean, I can see, on one hand if they

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<v Speaker 1>were savvy enough to not tell you going in to

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<v Speaker 1>maybe shade your performance a certain way to their advantage. However,

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<v Speaker 1>it's hard for me to give them that credit. Yeah,

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<v Speaker 1>but I could be wrong. I could be wrong, But

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<v Speaker 1>it just really does feel like it unraveled in a

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<v Speaker 1>way that nobody knew was going to happen. Yes, well,

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<v Speaker 1>that's what a good con would be, so that the

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<v Speaker 1>audience wouldn't have a clue, same as me. But I

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<v Speaker 1>think that's the perfect con, is that whether they decided

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<v Speaker 1>I just wasn't capable of playing the con woman, I

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<v Speaker 1>don't know. I'm irritated. There's part of me that's a

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<v Speaker 1>little irritated by that. Wait, they won't. They wouldn't tell

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<v Speaker 1>you even today. No, because I did a podcast a

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<v Speaker 1>couple of years ago, and I think I mentioned it

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<v Speaker 1>at that time, but they just thought it was funny

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<v Speaker 1>that I didn't know. But no, I don't think they knew,

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<v Speaker 1>and they didn't want to say, like like, of course

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<v Speaker 1>we had it planned out, but then they didn't want

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<v Speaker 1>to say that either, so like it didn't matter. I

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<v Speaker 1>had such a good time with you. The fact is

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<v Speaker 1>the whole cast was so welcoming to me and too.

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<v Speaker 1>I'm sure Nollie and David. You were just Darlin's and

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<v Speaker 1>so busy at that time, so unbelievably famous and dealing

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<v Speaker 1>with all that celebrity, and still took the time to

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<v Speaker 1>be as sweet as pot. I mean, it was just

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<v Speaker 1>delightful people. And I mean most of my work was

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<v Speaker 1>with Luke, and of course I just fell in love

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<v Speaker 1>like everybody else and Captain. I mean, life is so

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<v Speaker 1>busy that we try to keep in touch with all

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<v Speaker 1>of the people, even by just knowing what's going on

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<v Speaker 1>with them, right, pretty hard. We meet a lot of

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<v Speaker 1>people people, but some people, there's some people that they

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<v Speaker 1>find a place, yeah, and Luke was definitely one of

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<v Speaker 1>those for so many people. Do you know that I

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<v Speaker 1>still have a card for Luke. Then I never got

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<v Speaker 1>a chance to give him because he had a pot

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<v Speaker 1>bellied pig at the time we were and it's hard

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<v Speaker 1>to this day where the pig is flying through the

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<v Speaker 1>air into the and I was going to give it

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<v Speaker 1>to and I keep it in my collection of things

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<v Speaker 1>but you know what it's. It's it's just so great

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<v Speaker 1>to have had all of you in my life, but

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<v Speaker 1>to have met Luke into um life is really isn't it?

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<v Speaker 1>About all of it? Whether it's a sadness, a grief,

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<v Speaker 1>a joy, you just and you just wrap it around

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<v Speaker 1>you and carry it with you. Yeah, what else can

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<v Speaker 1>you do? I mean you were the best. I just

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<v Speaker 1>had such a lovely time with all of them. Yes,

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<v Speaker 1>great memories working with you. You were always What episode

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<v Speaker 1>are you are you playing today? We just watched episode

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<v Speaker 1>from season four. Episode it's called sixteen, I think sixteen.

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<v Speaker 1>It's the one where you decide to leave your daughter

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<v Speaker 1>with her new brother and go back. You just met

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<v Speaker 1>the hymn and you say, oh, I'm gonna I have

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<v Speaker 1>to go back home and square something away, and you

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<v Speaker 1>leave her with him, which are for your social security

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<v Speaker 1>number for his business man, and then you freak out

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<v Speaker 1>that he wanted your social security number, got it, But

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<v Speaker 1>then Erica goes into your wallet and steals it and

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<v Speaker 1>gives it to him, and that's how it's left. So

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<v Speaker 1>that's where we are. We He's going to find out

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<v Speaker 1>something about you. I've even I've even forgotten some of

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<v Speaker 1>the details of each of the episodes. But I I,

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<v Speaker 1>it's so funny. At this point in my career, I

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<v Speaker 1>look back and I don't remember doing that or that

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<v Speaker 1>or that. And then when I watch it sometimes, because

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<v Speaker 1>you know, television now is like gobbling up everything. There's

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<v Speaker 1>so much room for everything that every so off. My husband,

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<v Speaker 1>will y'all, oh, Carr the world? Who is that? Who?

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<v Speaker 1>I don't remember doing that? You and Nlie that played

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<v Speaker 1>your daughter, You guys were such just a pair of

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<v Speaker 1>love bugs. I just remember when you guys were ones.

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<v Speaker 1>I honestly, in my young mind remember you guys being

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<v Speaker 1>actual mother and daughter to me. And and every time

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<v Speaker 1>I watched the show now with these two characters, I

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<v Speaker 1>believe that you're related. The casting so good. Oh, I'm

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<v Speaker 1>so pleased to hear that I'm one of those actors.

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<v Speaker 1>I first of all, I love working with children, and

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<v Speaker 1>I love working with animals, and I love working in

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<v Speaker 1>bad weather because somehow it just takes you out of

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<v Speaker 1>yourself completely. You're dealing with either the beautiful animal. I

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<v Speaker 1>was in Australia and I had to work with a

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<v Speaker 1>koala bear that I had in my arms. Oh, thank

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<v Speaker 1>well to me the Koala Bear was star so we

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<v Speaker 1>took all the pressure off of me. Yeah. I feel

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<v Speaker 1>the same way with children. I just absolutely love working

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<v Speaker 1>with kids. You can tell I don't have any o

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<v Speaker 1>my own. And maybe that's it, you know, because I

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<v Speaker 1>just love the opportunity of playing that. But you did.

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<v Speaker 1>You girls are mothers, if I'm not mistaken, right from

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<v Speaker 1>our bellies? Eight between us? You have eight children between you? Yeah,

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<v Speaker 1>my mouth drops. Man, I don't know how you do

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<v Speaker 1>ours too and keep up such wonderful careers, et cetera. Cheez. Well,

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<v Speaker 1>we women can do it all, no matter what is

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<v Speaker 1>thrown at us, we deal with We can do it.

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<v Speaker 1>We absolutely do it. Go forward. If you're also create

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<v Speaker 1>If you're creative women, you also have to create something

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<v Speaker 1>or you'll implode. You'll just drivel up and die right

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<v Speaker 1>creating something? I'm not a happy person. Did you audition

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<v Speaker 1>for this part? Were you offered the part? How did

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<v Speaker 1>it come about Glory's spelling your dad? First of all,

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<v Speaker 1>I did a wonderful pilot called Divided We Stand with

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<v Speaker 1>Aaron Spelling and that one, Oh my gosh, I mean

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<v Speaker 1>he had his fingers crossed for that one. But it

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<v Speaker 1>was at the time that ABC and he not okay

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<v Speaker 1>being id, let's put it that way, but we thought

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<v Speaker 1>we were on the schedule and it was remember with

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<v Speaker 1>Seth Green, and it was divided into a half an

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<v Speaker 1>hour with the father and a half an hour with

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<v Speaker 1>the mother, and Seth had just come off of radio

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<v Speaker 1>days and then Seth as a little boy would look

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<v Speaker 1>in the camera and talk to the audience about divorced parents.

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<v Speaker 1>It was half and half. That's brilliant. I want to

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<v Speaker 1>watch that. No doubt my dad created it, but I'm

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<v Speaker 1>just saying Dad, then it was he said to me,

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<v Speaker 1>actually he said, this is my heart and soul is

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<v Speaker 1>in And we was heartbroken because it wasn't picked a

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<v Speaker 1>great idea. But so when it came then I did

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<v Speaker 1>a couple of other things for him. And then when

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<v Speaker 1>nine o two one Old came up, I think I

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<v Speaker 1>met with he and Duke, but I don't think it

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<v Speaker 1>was really an audition. And then after nine o two

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<v Speaker 1>and oh, I did a couple of students on Pacific

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<v Speaker 1>Palisades seven seven, Your dad, And I mean, I owe

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<v Speaker 1>him such a lot, I really do, because he treated

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<v Speaker 1>casts like gold. At least my experience was he treated

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<v Speaker 1>us like gold and I just adored working with those

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<v Speaker 1>two gentlemen there, they could say, just brought out the

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<v Speaker 1>best in me. So there you go. I have pretty

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<v Speaker 1>good memories of you guys. Do you do you get

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<v Speaker 1>recognized for your role on Beverly Hills nine twenty. I

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<v Speaker 1>mean I was sort of recognized before that for my

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<v Speaker 1>work on series, but nine O two and oh was

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<v Speaker 1>a whole other sensation. Differently, I remember going to the

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<v Speaker 1>mall one day and all of a sudden, I had

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<v Speaker 1>these kids all over me, and wow, I mean that

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<v Speaker 1>was a whole other thing, and it was so much

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<v Speaker 1>fun because then I kind of got an inkling of

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<v Speaker 1>what you guys were going through in a in an

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<v Speaker 1>enormous way. So yeah, I sure did get recognized. And

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<v Speaker 1>my niece, it's the only thing in my whole career

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<v Speaker 1>that she's recognized as being the epitome of my career,

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<v Speaker 1>the fact because she's never missed an episode. Now she's

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<v Speaker 1>forty with her own baby and she looks for reruns.

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<v Speaker 1>Tell her, Hie, it was like for Nolie just because

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<v Speaker 1>she was so young and people a being Dylan's sister.

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<v Speaker 1>Oh my gosh, Throb of the show. What was it

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<v Speaker 1>like which do you remember what she would say, like

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<v Speaker 1>when she would start to get recognized, when she would

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<v Speaker 1>come to work and tell you or I think, you know,

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<v Speaker 1>when you shoot something, it takes a while to get

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<v Speaker 1>on air, So I think by the truth, you know,

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<v Speaker 1>because well we were just oh my goodness, do you

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<v Speaker 1>remember when there was two studios and we were shooting

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<v Speaker 1>two at the same time, double ups yea, and the

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<v Speaker 1>lady was going just trying to get us the right costumes.

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<v Speaker 1>So there's very little time to chat other than about

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<v Speaker 1>what the scenes were about in the story. And so

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<v Speaker 1>at the time, I don't think either of us really

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<v Speaker 1>realized that we would be caught up in any way

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<v Speaker 1>at all. I mean certainly didn't realize that you were

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<v Speaker 1>going to become this crazy con artist that destroys Dylan's

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<v Speaker 1>life or tries to. I wonder my life wasn't written.

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<v Speaker 1>I just shitty Cavendish because we because like we told you,

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<v Speaker 1>were watching back from the beginning. We're on season four.

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<v Speaker 1>This is when you come in and I have no

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<v Speaker 1>I don't know what's going to happen because while we

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<v Speaker 1>were in it were I was never watching it. I

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<v Speaker 1>didn't read every other body else's parts. You know, wasn't

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<v Speaker 1>that like good at that point? But now just reading

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<v Speaker 1>this and seeing that you what your character does in

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<v Speaker 1>the show, I'm like flabbergasted. Well, yeah, so what's I

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<v Speaker 1>But it was fun. I mean, I don't feel anything

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<v Speaker 1>about it other than just fun. I just I just

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<v Speaker 1>love terms and twists like that. What a good one.

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<v Speaker 1>I mean, my favorite thing is I'm nypd blew. At

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<v Speaker 1>the end of that, Dennis friends said to me, don't

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<v Speaker 1>be surprised if they throw out the script. And indeed,

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<v Speaker 1>I write the first day and they basically threw out

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<v Speaker 1>the script. Really yeah, and day after day we would

0:13:48.160 --> 0:13:50.680
<v Speaker 1>meet talk a little bit about what should happen in

0:13:50.720 --> 0:13:56.000
<v Speaker 1>the scenes and jump and my background with some improv

0:13:56.320 --> 0:14:00.840
<v Speaker 1>and just my love of being in the moment and

0:14:00.920 --> 0:14:05.319
<v Speaker 1>that spontaneous thing. I just had a ball because I

0:14:05.440 --> 0:14:11.800
<v Speaker 1>found fun. Vaguely about the story, but basically, no, just

0:14:12.080 --> 0:14:15.480
<v Speaker 1>say what you need to say as the character that

0:14:16.080 --> 0:14:20.080
<v Speaker 1>anything gone at me is my best. That's my favorite thing.

0:14:33.240 --> 0:14:35.920
<v Speaker 1>Where are you now? Where are you up to now?

0:14:35.960 --> 0:14:38.200
<v Speaker 1>I'm very curious. Where are you? My goodness, are you

0:14:38.240 --> 0:14:41.520
<v Speaker 1>back in Canada? Are you you were still wonderfully in

0:14:41.600 --> 0:14:44.640
<v Speaker 1>the land of movies of the week, you know, during

0:14:45.080 --> 0:14:47.200
<v Speaker 1>nine or two, no One and after so I did

0:14:47.320 --> 0:14:51.800
<v Speaker 1>many roles, including a wonderful one with m and Margaret.

0:14:52.080 --> 0:14:56.200
<v Speaker 1>You meet these fabulous people, and so I kept up

0:14:56.240 --> 0:15:00.520
<v Speaker 1>that and guest starring. But I founded White Clo Theater

0:15:00.600 --> 0:15:05.680
<v Speaker 1>Company and I started directing producing for six years. WHOA.

0:15:06.040 --> 0:15:08.960
<v Speaker 1>It's just consumed me, and it was something I'd always

0:15:09.000 --> 0:15:13.520
<v Speaker 1>wanted to do, was direct in theater. So that consumed me.

0:15:13.640 --> 0:15:17.120
<v Speaker 1>And out of that came a group of actors that

0:15:18.360 --> 0:15:22.000
<v Speaker 1>I bring together every Wednesday night, and it's mostly for

0:15:22.080 --> 0:15:29.160
<v Speaker 1>working actors, and I coached them and I've developed a

0:15:29.280 --> 0:15:31.520
<v Speaker 1>class that I wish had been around when I was

0:15:31.560 --> 0:15:35.360
<v Speaker 1>a young kid, because we thought of the physical breathing

0:15:35.400 --> 0:15:38.280
<v Speaker 1>and all of that, and then we go into audition technique,

0:15:38.280 --> 0:15:43.840
<v Speaker 1>which nowadays is on camera self different. Oh it's so different.

0:15:44.760 --> 0:15:46.840
<v Speaker 1>And then we do see studies, so it's all in one.

0:15:46.920 --> 0:15:50.520
<v Speaker 1>So it's a really intense Wednesday night. So that was fun.

0:15:51.080 --> 0:15:52.760
<v Speaker 1>I've been doing a lot of writing, so I have

0:15:52.800 --> 0:15:55.040
<v Speaker 1>a script that I've been working on, so it's ready

0:15:55.080 --> 0:15:58.560
<v Speaker 1>to go. Getting anybody to read it in this town

0:15:58.720 --> 0:16:02.120
<v Speaker 1>is an a low story, but I'm keeping my fingers crossed,

0:16:02.440 --> 0:16:06.320
<v Speaker 1>and then I'm waiting for something called sweet de quarantine

0:16:06.640 --> 0:16:11.680
<v Speaker 1>lac mine, which in English means something like being It's

0:16:11.720 --> 0:16:16.400
<v Speaker 1>really about being stuck in the quarantine of COVID and

0:16:16.560 --> 0:16:22.960
<v Speaker 1>how relationships either survived or didn't. And so that's the

0:16:23.160 --> 0:16:27.320
<v Speaker 1>cool fun. And the last couple of rules I've done

0:16:27.320 --> 0:16:30.240
<v Speaker 1>have been comedy and oh my goodness, so much fun.

0:16:30.840 --> 0:16:33.440
<v Speaker 1>I just love, you know, I just love any of it,

0:16:33.480 --> 0:16:37.520
<v Speaker 1>and I am so grateful and joyful that at this

0:16:37.640 --> 0:16:40.960
<v Speaker 1>point in my life, I still love this craft. I

0:16:41.080 --> 0:16:44.800
<v Speaker 1>love it with all my soul, and I have I

0:16:44.840 --> 0:16:49.560
<v Speaker 1>can you know, people talk about the industry, but I can't.

0:16:49.600 --> 0:16:55.280
<v Speaker 1>I can't even remember really bad experiences. Maybe a few

0:16:55.320 --> 0:16:59.880
<v Speaker 1>that weren't ideal, but in most cases I've just met

0:17:00.080 --> 0:17:05.600
<v Speaker 1>fabulous people. Such a fun journey. We've all gone to

0:17:05.720 --> 0:17:08.720
<v Speaker 1>be on people in this career, and all of a

0:17:08.720 --> 0:17:11.359
<v Speaker 1>sudden light life hands you things that kind of knock

0:17:11.440 --> 0:17:15.160
<v Speaker 1>you on your butt from and then you you kind

0:17:15.200 --> 0:17:18.560
<v Speaker 1>of have to summon that creative energy and then you

0:17:18.640 --> 0:17:21.160
<v Speaker 1>look back and you go, ah, still there, I still

0:17:21.200 --> 0:17:24.560
<v Speaker 1>got it. That is the one thing that acting teaches

0:17:24.640 --> 0:17:26.840
<v Speaker 1>us because we go on auditions and we're like this

0:17:26.920 --> 0:17:28.840
<v Speaker 1>is it. I'm gonna get it and boom, you don't

0:17:28.880 --> 0:17:30.919
<v Speaker 1>get it. So it knocks you down, you get back up,

0:17:30.960 --> 0:17:33.440
<v Speaker 1>and you have to apply that to life. So it's

0:17:33.480 --> 0:17:37.159
<v Speaker 1>already ingrained in us. So naturally in life, nothing, you know,

0:17:37.600 --> 0:17:39.440
<v Speaker 1>everything knocks us down and we get back up again.

0:17:39.800 --> 0:17:42.760
<v Speaker 1>That's a song, isn't it. Wait? What part of Canada?

0:17:42.800 --> 0:17:47.399
<v Speaker 1>Are you from? Little towns around Toronto? And then I

0:17:47.480 --> 0:17:50.359
<v Speaker 1>spent some time in Toronto in my early acting days,

0:17:50.720 --> 0:17:54.639
<v Speaker 1>and then I moved here in nineteen eighty four with

0:17:54.840 --> 0:17:58.240
<v Speaker 1>my fingers crossed because I didn't have anything. I mean,

0:17:58.359 --> 0:18:01.760
<v Speaker 1>I had no sort of fidential or anything. And the

0:18:01.800 --> 0:18:05.520
<v Speaker 1>first audition Burt Medcalf, who was one of the producer

0:18:05.760 --> 0:18:08.159
<v Speaker 1>mash he took me under his wing because he had

0:18:08.160 --> 0:18:11.840
<v Speaker 1>worked with me up in Canada, and he got me

0:18:12.119 --> 0:18:15.879
<v Speaker 1>a great agent, Roe Diamond. I still have her, and

0:18:16.040 --> 0:18:19.400
<v Speaker 1>he sort of helped me through. And the first audition

0:18:19.520 --> 0:18:22.720
<v Speaker 1>audition I got, they were looking for a Greek woman

0:18:23.480 --> 0:18:26.760
<v Speaker 1>and I never My agent said can you play that?

0:18:26.800 --> 0:18:30.280
<v Speaker 1>And I said yes, of course, right. I stayed up

0:18:30.320 --> 0:18:34.679
<v Speaker 1>all night and watched Zorba the Greek my body and

0:18:34.760 --> 0:18:40.200
<v Speaker 1>I kind of walked in the room and they were wonderful.

0:18:40.320 --> 0:18:44.240
<v Speaker 1>It was Don Brinkley and he said, well, great, you

0:18:44.600 --> 0:18:46.360
<v Speaker 1>start next week. And I said, well, there's just one

0:18:46.440 --> 0:18:48.640
<v Speaker 1>little catch. I don't have any permit to work here.

0:18:49.760 --> 0:18:53.120
<v Speaker 1>They walked me across the Fox lot to the legal department,

0:18:53.440 --> 0:18:57.880
<v Speaker 1>got permit. My first audition in America. I was that's

0:18:57.920 --> 0:19:02.040
<v Speaker 1>my favorite story, because that's a great story. Woman. It

0:19:02.119 --> 0:19:05.480
<v Speaker 1>was just the timing of it. That's what happened today, No,

0:19:05.680 --> 0:19:10.720
<v Speaker 1>what happened today, but wow, so many things couldn't happen

0:19:10.840 --> 0:19:13.480
<v Speaker 1>today that we're just part of the fun of it.

0:19:13.600 --> 0:19:19.199
<v Speaker 1>Back then you're just you know, being in that's a

0:19:19.240 --> 0:19:24.400
<v Speaker 1>whole an auditioning with a director unheard of now unheard.

0:19:25.119 --> 0:19:28.320
<v Speaker 1>So your class is still going, yeah, and it's really

0:19:28.359 --> 0:19:33.080
<v Speaker 1>I think people join or yeah, well coaching. Coaching is

0:19:33.480 --> 0:19:36.240
<v Speaker 1>um and I do a small class because I want

0:19:36.240 --> 0:19:38.479
<v Speaker 1>to do it once a week and it's for working

0:19:38.520 --> 0:19:43.400
<v Speaker 1>actors and it's really more coaching the individuals with their

0:19:43.480 --> 0:19:46.200
<v Speaker 1>particular challenge because I don't know about you girls, but

0:19:46.720 --> 0:19:50.640
<v Speaker 1>I still as an actress, almost always can identify a

0:19:50.760 --> 0:19:54.520
<v Speaker 1>challenge that's always been with me. So with these actors,

0:19:54.560 --> 0:19:58.000
<v Speaker 1>that's what we're working on. His ways of getting that

0:19:58.160 --> 0:20:02.360
<v Speaker 1>challenge U taken care of. Wow, see you next week then,

0:20:04.560 --> 0:20:07.160
<v Speaker 1>I mean, anybody listening out there, if you need this

0:20:07.240 --> 0:20:10.560
<v Speaker 1>is the real You are the real deal. Like your

0:20:10.680 --> 0:20:14.480
<v Speaker 1>love for your craft and your passion for what you

0:20:14.800 --> 0:20:19.720
<v Speaker 1>do is just palpable and it's inspirational. So anybody out

0:20:19.760 --> 0:20:22.639
<v Speaker 1>there I feel like would benefit so much from working

0:20:22.680 --> 0:20:26.840
<v Speaker 1>with you. How can they find you? Mostly? You know what,

0:20:26.960 --> 0:20:30.240
<v Speaker 1>I haven't advertised the class. I don't have a website

0:20:30.240 --> 0:20:34.040
<v Speaker 1>about it. It's really word of mouth, so believe it

0:20:34.160 --> 0:20:39.639
<v Speaker 1>or not. People just recommend and but let me see,

0:20:40.359 --> 0:20:42.639
<v Speaker 1>not wanting to give up my phone number to like

0:20:42.680 --> 0:20:46.399
<v Speaker 1>the world. Do you have a website and don't? I

0:20:46.480 --> 0:20:48.840
<v Speaker 1>don't at all, but you know what they do? You

0:20:48.840 --> 0:20:54.000
<v Speaker 1>have an Instagram? No, I'm not on social. Every time

0:20:54.040 --> 0:20:56.520
<v Speaker 1>you open your mouth more and more. Now this is crazy.

0:20:57.359 --> 0:21:00.280
<v Speaker 1>I can't give out your number, but people find eight

0:21:00.400 --> 0:21:03.639
<v Speaker 1>and Instagram just quickly, so people can slide into your

0:21:03.720 --> 0:21:06.560
<v Speaker 1>DMS if they want to reach you. Find Kerry Keen.

0:21:06.800 --> 0:21:10.399
<v Speaker 1>You won't regret it. My actors have been coaxing me

0:21:10.480 --> 0:21:12.679
<v Speaker 1>for years because I've been doing this. Now you have

0:21:12.800 --> 0:21:17.359
<v Speaker 1>to post. I'll just get them to do something and

0:21:17.600 --> 0:21:20.840
<v Speaker 1>so remember Kerry Keen and I'll try to do something

0:21:20.880 --> 0:21:24.960
<v Speaker 1>that that that they can slot into. Yes, Kerry ke

0:21:25.280 --> 0:21:29.639
<v Speaker 1>k r R I E E K e A and

0:21:30.320 --> 0:21:33.560
<v Speaker 1>there you go. There they will find you. Yes, they

0:21:33.600 --> 0:21:39.399
<v Speaker 1>want you two girls. I'm just remarking the experiences and

0:21:39.520 --> 0:21:42.240
<v Speaker 1>lives you've pad since I last saw you, and you

0:21:42.320 --> 0:21:45.879
<v Speaker 1>are not You have not aged, and you are more beautiful.

0:21:46.600 --> 0:21:51.280
<v Speaker 1>Women can get more beautiful. And I think you've land

0:21:51.560 --> 0:21:53.760
<v Speaker 1>and the way you've landed on your feet each time

0:21:53.800 --> 0:21:57.520
<v Speaker 1>and come up. Uh, you are gorgeous girls and your

0:21:57.560 --> 0:22:02.520
<v Speaker 1>spirits are so alive. Yeah. That privileged to talk to

0:22:02.560 --> 0:22:08.080
<v Speaker 1>you so much to us. Really, we've loved getting to

0:22:08.080 --> 0:22:10.199
<v Speaker 1>see you again. It's been a blessing. Thank you for

0:22:10.200 --> 0:22:12.560
<v Speaker 1>coming on our show. You're a beautiful inside. And now

0:22:12.680 --> 0:22:16.400
<v Speaker 1>Kerrie Keane, Wow, you stay well As adults now, it's

0:22:16.440 --> 0:22:19.439
<v Speaker 1>so it's so different. We talked about this often putting

0:22:19.480 --> 0:22:22.840
<v Speaker 1>into perspective. We were young girls in our own heads,

0:22:22.880 --> 0:22:25.480
<v Speaker 1>doing our own thing, and it's nice to come back

0:22:25.560 --> 0:22:28.240
<v Speaker 1>and kind of re meet people that we've worked with,

0:22:28.400 --> 0:22:31.320
<v Speaker 1>but now as adults and we appreciate them in such

0:22:31.359 --> 0:22:34.960
<v Speaker 1>a different way. Oh, I bet, because I think I

0:22:35.040 --> 0:22:38.480
<v Speaker 1>feel the same as I meet these what I think

0:22:38.480 --> 0:22:42.160
<v Speaker 1>of as kids, and then I meet them and they've lived.

0:22:42.480 --> 0:22:47.679
<v Speaker 1>I just love doing that. I love re meeting. Yeah,

0:22:47.720 --> 0:22:52.080
<v Speaker 1>well we will meet again, hopefully, I would love we

0:22:52.160 --> 0:23:01.600
<v Speaker 1>love you, be well, thank you. Such a nice like

0:23:02.119 --> 0:23:05.560
<v Speaker 1>light just emanating from her. There's something about her that

0:23:05.840 --> 0:23:10.240
<v Speaker 1>makes me it's hard for me to even really want

0:23:10.240 --> 0:23:14.560
<v Speaker 1>to be an actress like she. She reignites that like

0:23:15.720 --> 0:23:19.200
<v Speaker 1>love and appreciation for the craft that we get to do.

0:23:20.119 --> 0:23:24.080
<v Speaker 1>You know, she's so into it. That was great. Yeah,

0:23:24.200 --> 0:23:27.320
<v Speaker 1>what a neat lady. Well, I hope you guys like

0:23:27.400 --> 0:23:31.920
<v Speaker 1>that interview. Her character goes on to do some major damage.

0:23:32.000 --> 0:23:34.639
<v Speaker 1>We see it, but we don't. We don't remember exactly

0:23:34.720 --> 0:23:36.520
<v Speaker 1>what happened. I don't know. It's not good, but we

0:23:36.560 --> 0:23:38.760
<v Speaker 1>want to see. We're excited, so stay tuned.