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Speaker 1: It's now time for Cannabis Talk one oh one with Blue,

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Speaker 1: Joe Grande and Mark and Craig Wasserman The Pot Brothers

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Speaker 1: at Law. We're the world's number one podcast for everything cannabis.

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Speaker 1: Welcome to Cannabis Talk one oh one with Blue, Joe

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Speaker 1: Grande and Market, Craig Wasserman, The Pot Brothers at Law,

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Speaker 1: and thank you guys for listening to the show all

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Speaker 1: around the world. You ever want to give us a call,

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Speaker 1: please do at eight hundred nineteen eighty is the phone

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Speaker 1: number one eight. Make sure you check out our Instagram

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Speaker 1: pages for daily news, learned the script and so much

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Speaker 1: more at Cannabis Talk one oh one, and head to

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Speaker 1: the website Cannabis Talk one oh one as we are

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Speaker 1: the world's number one source for everything cannabis. Follow the

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Speaker 1: team at Pot Underscore, Brothers Underscore at Underscore, Law, Mark

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Speaker 1: is at wast Law, Craig is that wast Law, Dog

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Speaker 1: Blue is that one. Christopher writes, Hi am at Joe

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Speaker 1: Grande fifty two and I just gotta remind everybody that

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Speaker 1: were all the way live in Houston, Texas at C

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Speaker 1: three Beautiful Place, Beautiful venue of a seat, Recounterculture convention

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Speaker 1: comes to a sitting near you, you definitely want to

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Speaker 1: go over there and check it out. And speaking to

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Speaker 1: check out Biscus Vapes the ultimate cannabis bait experience. Biscus

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Speaker 1: live the ride and check them out online at Biscus

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Speaker 1: dot Life is the website. And right now, you guys,

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Speaker 1: we have Kyle and Cole Trentz from Utopia. Kyle's the promoter,

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Speaker 1: Cole is the talents and you know, I love that

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Speaker 1: you guys are brothers and you got your mother here

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Speaker 1: with you, and you guys have nug Topia. Dot net

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Speaker 1: is the website. On Instagram, it's nug Topia Arts. I

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Speaker 1: love what you guys do. I like you guys and

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Speaker 1: love you guys as people. Because every time we've done something,

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Speaker 1: except the time that we you guys relate to a

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Speaker 1: party that we threw for you, it's the other way around.

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Speaker 1: UM yeah, we don't gotta get that, but every time

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Speaker 1: we've seen you guys, Kyle and Cole, um, we we

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Speaker 1: really enjoy you guys a lot, and more importantly, we

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Speaker 1: love what you bring to the cannabis industry into the culture,

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Speaker 1: which is your gift and it's the gift of arts.

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Speaker 1: And it's not like they have a flower company. It's

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Speaker 1: not like they have a CBD company. You guys are artists. Well,

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Speaker 1: Kyle rides on your coattails cold trying to be the artist,

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Speaker 1: but you know we can. But you know, he's art

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Speaker 1: in his own way that businesses and he is an

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Speaker 1: artist in a relationship that his artist relationship is key.

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Speaker 1: And making babies as good for him too as he has. Yeah,

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Speaker 1: so you know he's he's an artworker by all means too.

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Speaker 1: But let's talk about some of this artwork that you

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Speaker 1: guys have and how Utopia came to be. So, Um,

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Speaker 1: they've really got spied from my mom, like we had

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Speaker 1: talked about. Um, it was a lot from her journey. Um,

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Speaker 1: just her precursor signs of breast cancer, and breast cancer

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Speaker 1: runs really strong in our family. So it was just

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Speaker 1: kind of me as an artist trying to bring away

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Speaker 1: to the world of how everybody could relate to cannabis

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Speaker 1: and like a fun, family oriented way. So this is

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Speaker 1: my approach on it, and this is you know, my

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Speaker 1: way of sending that message to the world. Dude, you

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Speaker 1: actually get them here live at the x BO. So

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Speaker 1: you're doing live paintings. Yes, that's actually the piece I'm

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Speaker 1: working on now. Um it's a little sunset piece. So

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Speaker 1: which one can we see it from here? I'm looking

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Speaker 1: at the which you know what's crazy is I do?

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Speaker 1: That's thank you, thank you so much. So that's the

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Speaker 1: part of the family. Usually I have six characters every Yeah,

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Speaker 1: everybody's a nug that. Everybody has their own um you know,

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Speaker 1: interpretation and their own connection to each nug in their

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Speaker 1: own way. Um. But it's like a fly, you know,

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Speaker 1: it's it's got its own little originality to it. I

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Speaker 1: see a whole like nug series TV show Toopia. Utopia

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Speaker 1: could be a fool on show that's animated. But but

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Speaker 1: you know what's funny though, it's all a but real stuff,

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Speaker 1: not fake crazy stuff like real life Senor Cosby stuff.

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Speaker 1: It's a different world, you know, pick those shows that

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Speaker 1: we're uh, you know, I don't care what the principal air, right,

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Speaker 1: but it's like, you know, Nugtopia, this is your world

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Speaker 1: that it's all nuts but like real life things. That's

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Speaker 1: it in the world. We're partner, it's already works. Are

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Speaker 1: you guys really working on that? So I just free

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Speaker 1: stylet your your guys this whole new project on the air.

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Speaker 1: It's kind of a little nugget. You know, some of

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Speaker 1: our friends over in Australia right now, we're trying to

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Speaker 1: work with a couple of character writers stingoing cush stinging cud. Yeah,

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Speaker 1: you gotta tighten up, yeah, stingoing cush Um. Yeah, it's

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Speaker 1: some of our friends over in Australia, you know that

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Speaker 1: helping us with the Nutopia series. Dude, I would like

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Speaker 1: to see like a doctor that one's all serious and

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Speaker 1: he's talking to education, and then he got one that's

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Speaker 1: just kind of stupid funny, and then he got one

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Speaker 1: that's kind of all like, you know, hey, I'm responsible,

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Speaker 1: what are you guys doing, and just kind of like

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Speaker 1: make these characters would be something that's like so unique.

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Speaker 1: I mean, but but let's get into this art for

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Speaker 1: a second. Man. I mean, first of all, where did

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Speaker 1: you learn to to put such great work together? I'm

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Speaker 1: Alsolf taught out of high school, just like everybody else.

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Speaker 1: I feel like we all have a little bit of

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Speaker 1: artistic nous within us. And uh, I went from doodling

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Speaker 1: to UM. I got into fine art, which I was

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Speaker 1: doing just like a crylic on canvas when it wasn't

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Speaker 1: an octopia. And then about four or five years ago

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Speaker 1: I branched off and like I said, from the inspiration

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Speaker 1: from my mother, my mother, I got into doing the

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Speaker 1: um the Cannabis series, and uh, but yeah, within this,

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Speaker 1: it's just me progressing from one piece to the next.

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Speaker 1: So every piece that I'm doing, I'm teaching myself and

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Speaker 1: learning new things, and then um just applying that to

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Speaker 1: my next piece. And how did the whole thing come though?

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Speaker 1: Col like the characters and the way you do them,

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Speaker 1: because you put them at the beach at a sunset,

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Speaker 1: and then you go to the website and of course

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Speaker 1: it has the wedding cake, the mac and cheese, the

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Speaker 1: jungle apples, the sticker packs. I mean, you've got all

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Speaker 1: these things that are dope. Like, how did that come

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Speaker 1: to you? I know you said you were inspired by

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Speaker 1: your mother's breast cancer. And your mother's a beautiful woman.

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Speaker 1: I'm glad she's everything's going great with her? Well, is

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Speaker 1: everything going good? Everything? Oh? That's wonderful. God bless her.

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Speaker 1: And she was a wonderful, very nice spirit and very

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Speaker 1: nice person. Um, but how did they Oh my god,

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Speaker 1: I'm gonna do the characters. And not only that, what

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Speaker 1: I like about some of your stuff it's um like different,

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Speaker 1: not just a nugget looking at you and all smiley

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Speaker 1: or like turned away. Like this picture that you're working

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Speaker 1: on here that you've been doing on Counterculture Convention. It

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Speaker 1: literally makes me think of you ready for this a

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Speaker 1: picture I have with my wife at the beach looking out,

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Speaker 1: and I have a picture like this that we had

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Speaker 1: a photographer take that we printed out with the kids.

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Speaker 1: You know what I'm saying. That goes before kids though.

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Speaker 1: But my point is, but what you know, but the

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Speaker 1: same concept. You're right, it's like real art that's like

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Speaker 1: just the bod characters there. So my point is, how

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Speaker 1: did you come up with these characters to do these

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Speaker 1: type of real life these but yet they're animated looking characters,

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Speaker 1: you know what I mean? Like you do like both worlds.

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Speaker 1: It definitely took time, just time through me doing piece

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Speaker 1: by piece, and I learned how to really personalize them

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Speaker 1: to give that impression of making us feel like we

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Speaker 1: can really connect to them. So like on this one,

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Speaker 1: I have O. G. Cush and Wonder Woman and they're

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Speaker 1: kind of snuggled into each other and that gives you

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Speaker 1: that kind of warming feels and maybe think of me

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Speaker 1: and my wife right exactly, you know what I mean.

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Speaker 1: That's what I'm saying. And it's so and what more

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Speaker 1: do you need to do to it? How long do

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Speaker 1: you sit there and work on a piece like you're

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Speaker 1: doing right now, like you said, you're working on this.

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Speaker 1: To me, it looks done, So I prefer them, I

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Speaker 1: think it. Do you mean? What are you gonna do?

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Speaker 1: Thank you so much? What me is my I feel

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Speaker 1: like I'm my hardest critic on my own critic, you know,

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Speaker 1: and your worst one. I'm sure you're like, OK, I

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Speaker 1: gotta do this. I gotta exactly exactly, thank you. But yeah,

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Speaker 1: I got one more character to add, and then when

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Speaker 1: to add the details in and kind of dress them

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Speaker 1: up how I do with the other characters that I

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Speaker 1: have done, and just kind of personalize them a little

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Speaker 1: bit more. But besides that, I think that's it for

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Speaker 1: the for the whole piece. I think that's pretty much

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Speaker 1: all I do. How long does it take cold to

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Speaker 1: do a piece. I mean, we have beautiful pieces up here,

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Speaker 1: and I want you to get each piece and describe

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Speaker 1: how long it took you as well. Okay, yeah, Um,

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Speaker 1: like this piece in itself, it took me a couple

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Speaker 1: of hours coming into the event before I got here.

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Speaker 1: Um that piece over there, sorry, um and so quick?

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Speaker 1: Oh no, no, he's talking about the one that's on

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Speaker 1: the on the anyway, it's just and when you say

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Speaker 1: a couple of hours before you just were processing in

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Speaker 1: your head where you're going with. Yeah, I prepped the canvas,

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Speaker 1: I did some of the background and whatnot, and then

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Speaker 1: I came to the event and I added the characters

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Speaker 1: and that takes a little bit of time. Now then

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Speaker 1: I'm adding more detail. It takes a little bit more

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Speaker 1: time than usual. Um. But so just in total, like

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Speaker 1: a piece like this, I probably put anywhere from about

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Speaker 1: twenty to fifty hours into it. This this piece probably

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Speaker 1: this one right here, Yeah, this one I probably have

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Speaker 1: around twenty hours into it. What about that pieces? I

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Speaker 1: mean you're on your set, your show over there. I

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Speaker 1: mean you're the big guy. First of all, what does

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Speaker 1: this one run for? Like somebody that's coming in buy it,

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Speaker 1: buy it from you obviously the for sale. Yeah, so

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Speaker 1: this original this size would go around three thousand UM

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Speaker 1: and then reproductions the size go for around you know,

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Speaker 1: except seven fifty and they're all limited edition on canvas included.

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Speaker 1: And then that big one right there. What does something

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Speaker 1: like that run? So that big guy, he's listened around

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Speaker 1: seven thousand, So is that a remake or is that

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Speaker 1: the access the original? Yeah? Is that? Oh my god,

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Speaker 1: what kind of uh, what kind of uh you know, pain?

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Speaker 1: Is it? It's all cylic all acrylic based, dude, that

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Speaker 1: that one right there? Not all that All this arn't working.

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Speaker 1: I hate doing this, but I mean when you for

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Speaker 1: the listeners going everything, I walked around and at the booth,

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Speaker 1: But folks that are listening, you guys need to go

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Speaker 1: to some of these exposent conventions when they're in your town,

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Speaker 1: because if it's not in Octopia, it's somebody else but

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Speaker 1: maybe not as good. But you know, these things that

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Speaker 1: you can see at these expos and that youured booth.

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Speaker 1: I literally went through it last night when you guys

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Speaker 1: were gone, and I told seven pictures. But I love

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Speaker 1: and so yeah, I've been a vendor because you can

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Speaker 1: when you see my backpack, fool bunch of prints in

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Speaker 1: the backpack. But my point is when I walked around

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Speaker 1: your booth last night when you guys were gone, I

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Speaker 1: was like, dude, this is so dope, This is so

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Speaker 1: great everything you could just not only dope, but you

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Speaker 1: could sit there. You get to geek out and look

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Speaker 1: at it, and you get to wonder where he's going

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Speaker 1: with it, or it takes you to a place where, oh, yeah,

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Speaker 1: I can see where the artist is going. And it's

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Speaker 1: just funny to think, oh, well, this artist is cold,

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Speaker 1: right here are great, Oh where where's Oh where's the nugat? Oh?

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Speaker 1: Look what the nugs doing? Oh? Which nug is that?

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Speaker 1: And I don't know the characters well enough, but I

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Speaker 1: know you're following who people who follow you sort, and

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Speaker 1: I do follow you, but pardon my I just don't

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Speaker 1: know him right. And I could tell that when you

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Speaker 1: look at all your collection. When I walk around, you

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Speaker 1: can see the themes. So I'm like, oh my god,

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Speaker 1: what is this character doing? What is that character doing?

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Speaker 1: And it's just so intriguing, And I love where you

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Speaker 1: guys are going with this beautiful talk about this other

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Speaker 1: piece that your brother's holding right there. So this is

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Speaker 1: actually the piece that I did for the last event

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Speaker 1: we did with Counterculture Convention. This was for the Mohican Son.

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Speaker 1: So this is casino night, and so I put a

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Speaker 1: lot of detail into the nug, dressing it up to

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Speaker 1: be very realistic, a lot of realism. And then of

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Speaker 1: course the background play with the highlights of the neon

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Speaker 1: lights for the casino. You know. Okay, So you know

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Speaker 1: what it really reminds me of, dude, which is this

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Speaker 1: is a compliment for sure. Is the olive you know, yeah,

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Speaker 1: Michael Goddard. You know, it's got a bunch of goddards

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Speaker 1: and stuff and and and you know, I had a few.

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Speaker 1: I don't know where they went, but but um, it's

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Speaker 1: that's the field I get. But completely cannabis. Like he's

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Speaker 1: the olive, you know what I mean? And yours is

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Speaker 1: the nug and and I and it looks three D

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Speaker 1: like it has dimensionality to like the way you painting

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Speaker 1: the way you do it, folks, it's not just a

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Speaker 1: normal little painting that looks like when you held that

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Speaker 1: up right now, I'm looking at it. Goin it's Kyle

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Speaker 1: bending that isn't able to look to it that it

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Speaker 1: feels like it's dimensional. Like the way you're doing this

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Speaker 1: stuff called is so intriguing because you paint in a

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Speaker 1: way that has this twist and bend do it? Is

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Speaker 1: that an artwork obviously that you had to learn and

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Speaker 1: figure out. Yeah, there's always room for growth, There's always

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Speaker 1: more to learn, you know. I'm always looking to other

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Speaker 1: artists like Michael Goddard for inspiration and um, he's been

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Speaker 1: a tremendous part of my huh yeah, Yeah, he's amazing.

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Speaker 1: He's I've actually had communication with him talk. Yeah, I mean,

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Speaker 1: I see it. I don't know's it's an art tea guy, cheese,

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Speaker 1: crackers and over here boy. Yeah, so I do artwork finance, Christopher, Right,

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Speaker 1: my pinky's in the air, gonna get my glass so

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Speaker 1: winely Well, you've seen the the artwork in the house. Yeah,

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Speaker 1: that's a bomb though. You know, when we come back,

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Speaker 1: I want to talk about these other two pieces that

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Speaker 1: you guys have on the table right now and all

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Speaker 1: around the booth. It's Cannabis Talk one on one with

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Speaker 1: Kyle and Cole Trench from nog Toopia. Go to their

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Speaker 1: website nougt toopia dot net or check them out on

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Speaker 1: instagramnug Toopia Art will be right back after this. Keep

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Speaker 1: it locked. We'll be right back with Nabus Talk one

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Speaker 1: oh one. Welcome back to Cannabis Talk one oh one.

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Speaker 1: Welcome back to Cannabis Talk one on one with nut Topia.

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Speaker 1: And you know, as we sit here with you guys

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Speaker 1: looking at it, Cole your artwork really and I think

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Speaker 1: about it and I said it how it has dimensions?

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Speaker 1: And Nadia, thank you for speaking in my ear about

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Speaker 1: the three D artwork that I know you do because

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Speaker 1: Kyle sent me a piece with the glasses and I

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Speaker 1: forgot all about the fact that they are a three

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Speaker 1: D version. So nug Topia, aren't you guys on Instagram?

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Speaker 1: It even gives you more when you have the three

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Speaker 1: D glasses. And we haven't explained that to the listeners yet,

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Speaker 1: but how do you even paint three D? Because I

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Speaker 1: feel like it's only something that printed or is it

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Speaker 1: a print that you do? How do you get that

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Speaker 1: three D effect for octopia? So it's a lot of

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Speaker 1: the colors that I'm using. Um, the three D effect

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Speaker 1: of course was like you know, came up with back

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Speaker 1: in the day with the red and blue kind of

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Speaker 1: glasses and now that's just incorporated into the colors I'm using.

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Speaker 1: So it's the contrast within my paint. It's the reds

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Speaker 1: and blues, the highlights that I'm using that are separating

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Speaker 1: when you're creating that as a as you're drawing that

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Speaker 1: exactly as I'm putting dimension in that depth that you're

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Speaker 1: talking about within the nugs to give them that structure

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Speaker 1: that's kind of what's separating it, and then then kind

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Speaker 1: of see them without it. But when you put the

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Speaker 1: glasses on, and that's one of the more unique things

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Speaker 1: about your artwork, that piece that you're doing right now

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Speaker 1: that you've been starting here for twenty plus hours, Will

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Speaker 1: that have that same effect if they? Probably Yeah, especially

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Speaker 1: with that sunsets like Sherbert kind of clouds. And it's

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Speaker 1: funny because I think that's the difference I think that

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Speaker 1: we keep seeing here at least I do I see

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Speaker 1: depth perception when I'm looking at your pictures. And I

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Speaker 1: forgot because you guys forgot to tell me about the glasses,

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Speaker 1: because you didn't bring any glasses up here for us

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Speaker 1: to look at them like that. We didn't. But thank

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Speaker 1: you Noddy If for bringing it up. So that's good. Observation,

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Speaker 1: a great team work. And where the glasses at? Yeah?

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Speaker 1: Where where do you guys get the glasses when you

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Speaker 1: buy a painting? How does that work? They might be

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Speaker 1: on the back of the print, so they are so

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Speaker 1: pair of glasses. Yeah, they get a pair of glasses.

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Speaker 1: So you can enjoy it when you're at your house.

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Speaker 1: It's a conversation piece everybody can enjoy in the family.

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Speaker 1: Um and some people get their own view on it.

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Speaker 1: Some people see it more than others, just depending what

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Speaker 1: your eyesights looking like. It's so true. You know. I

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Speaker 1: do this game with my son who's six about to

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Speaker 1: be seven, and we look at something and we say,

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Speaker 1: what does it look like to you? When using these

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Speaker 1: shadows in his room at nighttime? And we've been playing

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Speaker 1: this game and it's the same kind of concept with artwork, right,

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Speaker 1: So it's like look at it and come And it's

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Speaker 1: fun because I like to get his mind thinking. So

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Speaker 1: I have this like bigger purpose of like me and

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Speaker 1: I'm like, you know, there's well, yeah, I'll do shadows

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Speaker 1: and I'll do it. But then there would be shadows

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Speaker 1: in the room and the light coming outside. All I

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Speaker 1: adjust the shades so that we could just look at something.

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Speaker 1: Oh that looks like a ramp. I go, oh, that

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Speaker 1: looks like an elevator. Oh that looks like a castle.

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Speaker 1: And we just start and we start using our imagination.

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Speaker 1: So I do that with my six year old in

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Speaker 1: his room. And it's hope that I feel like I'm

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Speaker 1: doing that with your artwork as well, that you can

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Speaker 1: see it and look at it, and like, right now,

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Speaker 1: the piece that you're working on, I'm looking at them.

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Speaker 1: What are they thinking of? Oh, I bet they're They're

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Speaker 1: bet their grandkids are like you, just because they look

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Speaker 1: like grandparents. They don't look like young buds, they look

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Speaker 1: like grandparents. But one to me anyways, right right, the

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Speaker 1: one in the foreground is granddaddy Purps, so see, and

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Speaker 1: he looks like a granddaddy. He's always sleeping, he's always

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Speaker 1: a lax lounge. And from the back, how do I

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Speaker 1: get what you tell me? That? Like from the back,

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Speaker 1: that's what I'm already feeling it that I'm already feeling

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Speaker 1: your artwork. Talk about this piece that's right in front

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Speaker 1: of you. What is this? So this is kem dog.

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Speaker 1: This is like out to all the teachers or anybody

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Speaker 1: who'sing the industry kind of just given the science of

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Speaker 1: the plant. Um. So yeah, this is really him just

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Speaker 1: showing off that that whole industry. What's written on the

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Speaker 1: chalkboard there? Um, that is the cannabis molecule. Yeah, I

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Speaker 1: couldn't see if that was a signature or something because

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Speaker 1: it was a side and look at that. That looks

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Speaker 1: like a great teacher there can't and what is the feast?

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Speaker 1: Like that? Go for? Um? So these are the uh

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Speaker 1: matted reproductions. These go for thirty five and they fit

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Speaker 1: perfectly in a nice standard frame sea So thirty five bucks.

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Speaker 1: On the website you can find Yeah, what about this

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Speaker 1: one right here? And that's sunset Sherbet. So that's part

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Speaker 1: of my Florida series. I've done a couple of Florida

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Speaker 1: pieces here lately, and it's like the nice sunset with

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Speaker 1: the palm trees and hammock lounge. Back to me, when

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Speaker 1: I look at that piece, it looks like it just

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Speaker 1: takes a long time because it's so much detail in there,

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Speaker 1: with the sunset on the top, the sunset on the

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Speaker 1: bottom of the water, in the middle of the grass

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Speaker 1: on the bottom of the palm trees, the sand that

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Speaker 1: this is nut. How long does something like that take? Um,

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Speaker 1: that one took a little bit more time. It's a

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Speaker 1: lot of overlaying. So I'm starting with my background and

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Speaker 1: working towards my foreground. But same probably around fifty to

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Speaker 1: a hundred hours. And same with the big guy over

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Speaker 1: the wall over there, he's a hundred hours plus. That

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Speaker 1: one's mine. I mean that that just to me. I

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Speaker 1: have a picture that, um, you know, it's it looks

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Speaker 1: very similar. It's got like these these tree and there's

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Speaker 1: a man inside. It's just a silhouette of the man

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Speaker 1: inside of all the trees. It's like bamboo and stuffy that.

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Speaker 1: But it just reminds me of such a beautiful thing.

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Speaker 1: And I haven't really actually got close enough to look

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Speaker 1: at everything else, but I could see from here like

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Speaker 1: that thing is beautiful. Man, you were very talented, my friend,

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Speaker 1: Thank you, Thank you so much. And you know what's

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Speaker 1: funny and blue? How dope would it be if we

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Speaker 1: had him make custom kind of this talk one on

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Speaker 1: one artwork with the thing and we actually literally hang

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Speaker 1: them up in our boost when we go out like this,

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Speaker 1: I mean, I'm gonna utopia. Something happened, I mean, you know,

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Speaker 1: spending time out there in Florida when you go back home.

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Speaker 1: It's an idea that I think we would probably put

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Speaker 1: it up because you see our art like when we

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Speaker 1: go to expose hang I mean yours has already hang up.

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Speaker 1: But if we had some of your artwork. We got

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Speaker 1: m J biscon coming up, you guys so quickly. But

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Speaker 1: I don't know. I think it's still in discussion. Yeah,

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Speaker 1: I think it's a discussion. We're having an after party.

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Speaker 1: So if you guys just want to come out and

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Speaker 1: pull up your more than welcome. You want work out there,

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Speaker 1: just off GP, especially since we found we're late to

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Speaker 1: a party, well we'll hook you up. We'll just say

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00:19:02,760 --> 00:19:04,679
Speaker 1: we don't he just comment. We'll put your stuff right.

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Speaker 1: Thank you, thank you. We got you for that with

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Speaker 1: there no sponsorship need. We're sponsoring you for that event.

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Speaker 1: You know what I'm saying. That's real talk. So if

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Speaker 1: you want to come out there, that's gonna be a big,

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Speaker 1: big event at m J biz that we're doing. We'll

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Speaker 1: talk a little bit more outfere. But don't forget that

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Speaker 1: I saw some I want to get to something else.

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Speaker 1: So as I think about your artwork and Cole, when

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Speaker 1: you became this artist. What was the first piece that

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Speaker 1: you sold? How did it make you feel when you

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00:19:29,800 --> 00:19:33,560
Speaker 1: sold it? Oh Man, Um, Shoot, when I look back

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Speaker 1: on it, I think the first piece that I sold

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Speaker 1: was it was actually for an auction and I did

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Speaker 1: it for cann of Moms, which is a group in Florida.

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Speaker 1: It's a group of moms I get together UM any

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Speaker 1: of their kids or family that have experienced anything that's

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Speaker 1: to do in the cannabis industry of medical bills and whatnot.

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Speaker 1: So anyways, we put a big fundraiser together and UM

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Speaker 1: I donated or auctioned off a painting and I think

424
00:19:56,960 --> 00:19:59,000
Speaker 1: it was able to get up to around like eight

425
00:19:59,080 --> 00:20:03,840
Speaker 1: thousand and I did um proceeds to Cannon Moms to

426
00:20:04,240 --> 00:20:06,399
Speaker 1: just help out with funding any medical bills and whatnot.

427
00:20:06,440 --> 00:20:09,160
Speaker 1: And that was that was our introduction to the industry,

428
00:20:09,280 --> 00:20:12,280
Speaker 1: into the canvas industry in Florida. And since then we

429
00:20:12,359 --> 00:20:14,320
Speaker 1: partner with Cannon Moms and worked with them, and to

430
00:20:14,440 --> 00:20:16,520
Speaker 1: this day we get back and try to help out

431
00:20:16,520 --> 00:20:18,320
Speaker 1: in any way that we can. So you know, I

432
00:20:18,359 --> 00:20:20,560
Speaker 1: didn't expect your first piece to be such a great story.

433
00:20:22,040 --> 00:20:24,280
Speaker 1: That story just touches my heart because now you sold

434
00:20:24,320 --> 00:20:27,400
Speaker 1: your first piece, and you get to read that feeling

435
00:20:27,840 --> 00:20:30,120
Speaker 1: that you never can get away because that eight grant

436
00:20:30,119 --> 00:20:31,680
Speaker 1: that you would have made off it, you could have

437
00:20:31,720 --> 00:20:34,960
Speaker 1: blown it. That's right, one place, that feeling that you

438
00:20:35,080 --> 00:20:38,440
Speaker 1: have is gonna last a lifetime and be way more

439
00:20:38,520 --> 00:20:40,719
Speaker 1: worth eight thousand dollars. Yeah, you know what I mean.

440
00:20:40,880 --> 00:20:43,640
Speaker 1: So that's a wonderful story and continue to do those

441
00:20:43,680 --> 00:20:46,920
Speaker 1: type of things. It was amazing. And your brother over here,

442
00:20:48,200 --> 00:20:51,600
Speaker 1: good old Kyle the Mad Scientists, it's like he's the

443
00:20:51,680 --> 00:20:55,119
Speaker 1: man behind you. That's like Don King, who is the

444
00:20:55,200 --> 00:20:59,080
Speaker 1: older brother? Okay, so kayo, when you started pipping out

445
00:20:59,119 --> 00:21:01,800
Speaker 1: your brother's art work, how old are you before you

446
00:21:02,160 --> 00:21:06,480
Speaker 1: realize doing my brother's got some King of you. Yeah. No,

447
00:21:07,000 --> 00:21:09,560
Speaker 1: I came home from college and um, you know, I

448
00:21:09,640 --> 00:21:11,240
Speaker 1: was still trying to figure out what I was gonna

449
00:21:11,280 --> 00:21:13,520
Speaker 1: be doing. He walked down the stairs with O. G.

450
00:21:13,680 --> 00:21:16,760
Speaker 1: Kush and he told me his whole journey for our

451
00:21:16,840 --> 00:21:18,440
Speaker 1: mom and what he wanted to do with it, And

452
00:21:18,520 --> 00:21:22,200
Speaker 1: that was kind of the moment that I realized, you know, we,

453
00:21:22,560 --> 00:21:25,760
Speaker 1: especially as a family, there's nothing that can stop us

454
00:21:25,800 --> 00:21:28,520
Speaker 1: from spreading that message. You know, I love it, dude,

455
00:21:28,680 --> 00:21:31,520
Speaker 1: This is this is It's just great? Right yeah, now

456
00:21:31,560 --> 00:21:33,760
Speaker 1: are you doing? Are you doing? Like? And I see

457
00:21:33,840 --> 00:21:37,680
Speaker 1: these these pop ups? Right? Um? Tell me more about that?

458
00:21:38,400 --> 00:21:41,440
Speaker 1: Is that a Christmas tree? So yeah, these little pop

459
00:21:41,560 --> 00:21:43,680
Speaker 1: ups we bring come two shows because we I really

460
00:21:43,760 --> 00:21:46,760
Speaker 1: have this, uh, this feeling for no Octopia that it

461
00:21:46,800 --> 00:21:49,000
Speaker 1: can bring this like of course it's a it's a

462
00:21:49,040 --> 00:21:50,840
Speaker 1: world of cannabis. So I want to bring that aesthetic

463
00:21:50,920 --> 00:21:53,440
Speaker 1: to wherever I'm going. So I want to bring the

464
00:21:53,600 --> 00:21:56,600
Speaker 1: characters everywhere life size, so you can feel as if

465
00:21:56,640 --> 00:21:59,320
Speaker 1: you are the character, right, Um, just to give it

466
00:21:59,440 --> 00:22:02,920
Speaker 1: that that family orientation, to bring everybody around in that way.

467
00:22:03,000 --> 00:22:04,560
Speaker 1: How great? It just came to me ready for this.

468
00:22:05,080 --> 00:22:08,119
Speaker 1: You have the Blue, the Joe Grande, the Mark and

469
00:22:08,200 --> 00:22:10,639
Speaker 1: Craig watched him and the pop brothers at law on

470
00:22:10,800 --> 00:22:13,440
Speaker 1: the show set hosting and it's our you know the

471
00:22:13,520 --> 00:22:18,080
Speaker 1: picture of us as an octopia, right, I imagine this,

472
00:22:18,520 --> 00:22:21,240
Speaker 1: This is the picture that you draw dope with that

473
00:22:21,359 --> 00:22:23,320
Speaker 1: big got the mics off, got the lights on it.

474
00:22:23,960 --> 00:22:28,000
Speaker 1: From there at the characters. It's only gonna take you

475
00:22:28,000 --> 00:22:30,080
Speaker 1: two d hours. But you know what happened that time before,

476
00:22:30,480 --> 00:22:32,840
Speaker 1: that's right, that's right. He could probably get it done

477
00:22:32,880 --> 00:22:39,160
Speaker 1: by October nineteen. Yeah, we could make it happen. M Yeah, um,

478
00:22:39,280 --> 00:22:42,440
Speaker 1: you know, so this this you know passion, you know,

479
00:22:42,760 --> 00:22:46,520
Speaker 1: and it's important that you know you you're you also

480
00:22:46,560 --> 00:22:48,760
Speaker 1: have a cause for right. I mean, I love that

481
00:22:48,880 --> 00:22:51,600
Speaker 1: you wanted your super talented. Your family is obviously creative

482
00:22:51,640 --> 00:22:53,440
Speaker 1: in talent too, and I'm sure you guys have spent

483
00:22:53,520 --> 00:22:56,960
Speaker 1: many hours together, you know, talking about projects and stuff.

484
00:22:57,000 --> 00:22:59,200
Speaker 1: I mean, you know, or is it just something you're

485
00:22:59,200 --> 00:23:01,439
Speaker 1: coming with and they they help you run the business

486
00:23:01,720 --> 00:23:04,040
Speaker 1: or do they also put input like hey, maybe we

487
00:23:04,040 --> 00:23:06,159
Speaker 1: should create these nugs and just I mean, how does

488
00:23:06,240 --> 00:23:08,200
Speaker 1: all this because i mean the cam dog and the

489
00:23:08,600 --> 00:23:11,280
Speaker 1: you know, I mean I'm assuming your brainstorming in the

490
00:23:11,359 --> 00:23:13,000
Speaker 1: back with the whole family and you guys are just

491
00:23:13,080 --> 00:23:16,080
Speaker 1: coming up with different concepts and ideas, right, So yeah,

492
00:23:16,119 --> 00:23:20,800
Speaker 1: it's um, it's it's honestly, it's harder for them because I,

493
00:23:21,440 --> 00:23:25,399
Speaker 1: as I was growing through my artistic process, it was

494
00:23:25,440 --> 00:23:28,720
Speaker 1: hard for me to take a lot of input because

495
00:23:28,760 --> 00:23:31,080
Speaker 1: I wanted to kind of have my own feeling on

496
00:23:31,119 --> 00:23:33,840
Speaker 1: a lot of stuff. But nowadays I definitely have a

497
00:23:33,960 --> 00:23:38,040
Speaker 1: lot of their opinion or just you know, um, ideas

498
00:23:38,160 --> 00:23:40,480
Speaker 1: incorporate into because I believe that's how it should be.

499
00:23:40,760 --> 00:23:43,040
Speaker 1: You mean you're growing up. Yeah, I'm growing up, that's right,

500
00:23:43,119 --> 00:23:45,959
Speaker 1: I'm moving up a little bit. That's all right. I'm listening. Um,

501
00:23:46,119 --> 00:23:48,359
Speaker 1: it's all about working together, you know, it's all about

502
00:23:48,440 --> 00:23:51,439
Speaker 1: collaborating and working together to to build a bigger pictures.

503
00:23:51,520 --> 00:23:53,600
Speaker 1: So you know, it's I'm gonna share this with you

504
00:23:53,720 --> 00:23:56,879
Speaker 1: because I I come my families in this industry as well.

505
00:23:56,960 --> 00:24:01,720
Speaker 1: And um, it's difficult hearing it from your family versus

506
00:24:01,760 --> 00:24:04,320
Speaker 1: hearing it from a stranger. And it sounds crazy because

507
00:24:04,359 --> 00:24:06,399
Speaker 1: you think the first person you're really gonna listen to

508
00:24:06,520 --> 00:24:08,840
Speaker 1: is your family, like right, because you're like, why am

509
00:24:08,880 --> 00:24:11,119
Speaker 1: I listening to my family? But and you don't realize

510
00:24:11,200 --> 00:24:13,200
Speaker 1: until you're like, you know, forty, and you're like, oh shoot,

511
00:24:13,200 --> 00:24:14,960
Speaker 1: I should have been listening to my family first. And

512
00:24:15,040 --> 00:24:17,480
Speaker 1: the you know, and the way I explain that to people,

513
00:24:17,640 --> 00:24:19,679
Speaker 1: and in a layman's term is like, you know, if

514
00:24:19,680 --> 00:24:23,080
Speaker 1: you're gonna teach your kids about drugs, right, do them

515
00:24:23,119 --> 00:24:26,720
Speaker 1: with them? Do it with them? Not no, no, but

516
00:24:26,840 --> 00:24:34,600
Speaker 1: really do them like we're together, no, no, no touch.

517
00:24:34,680 --> 00:24:38,000
Speaker 1: A point behind that is that you know, if you're

518
00:24:38,040 --> 00:24:41,119
Speaker 1: gonna teach a young kid about drugs, or if you

519
00:24:41,200 --> 00:24:43,720
Speaker 1: don't teach them, little Johnny on the block will and

520
00:24:44,040 --> 00:24:47,200
Speaker 1: he'll listen to little Johnny and and then little Johnny

521
00:24:47,200 --> 00:24:49,080
Speaker 1: ain't gonna teach him the right thing. You know, Little

522
00:24:49,119 --> 00:24:51,960
Speaker 1: Johnny like that's a good thing to try. Let's do fuckingness.

523
00:24:52,600 --> 00:24:54,720
Speaker 1: Whereas like, and you start to have that feeling with

524
00:24:54,760 --> 00:24:56,400
Speaker 1: your family. My dad needs to tell me all the time,

525
00:24:56,440 --> 00:24:58,040
Speaker 1: just go down to get a license. I'm like, it's

526
00:24:58,080 --> 00:25:01,040
Speaker 1: not that easy, dude, well you know, and I just

527
00:25:01,200 --> 00:25:04,240
Speaker 1: fight him, and then, you know, on his damn deathbed,

528
00:25:05,400 --> 00:25:07,119
Speaker 1: I'm like, you know what, I'm gonna go get down

529
00:25:07,160 --> 00:25:08,480
Speaker 1: there and see if I can get a license. And

530
00:25:08,520 --> 00:25:10,240
Speaker 1: I went back and forth and back and forth, and

531
00:25:10,280 --> 00:25:12,320
Speaker 1: then you know, and then boom, I got a license,

532
00:25:12,520 --> 00:25:15,040
Speaker 1: you know, and it was like that wasn't even that hard.

533
00:25:15,600 --> 00:25:18,080
Speaker 1: But I just I listened to everybody else about how

534
00:25:18,119 --> 00:25:20,119
Speaker 1: it wasn't so hard to do and this and that,

535
00:25:20,200 --> 00:25:22,240
Speaker 1: and I didn't even try it because I just thought

536
00:25:22,320 --> 00:25:26,080
Speaker 1: that it was so hard. So I cited myself, been

537
00:25:26,200 --> 00:25:29,119
Speaker 1: telling me go down there and get it. Get up,

538
00:25:29,760 --> 00:25:32,119
Speaker 1: and they're like, it's not that easy. You don't know,

539
00:25:33,400 --> 00:25:36,320
Speaker 1: defensive and the and the concept behind that is is that,

540
00:25:36,800 --> 00:25:39,920
Speaker 1: like you know, I used one other examples. One of

541
00:25:40,000 --> 00:25:42,480
Speaker 1: our guys. You know, he's been talking about Rick Ross

542
00:25:42,760 --> 00:25:44,840
Speaker 1: cash in our office. He's like, yeah, I'm gonna hook

543
00:25:44,880 --> 00:25:46,520
Speaker 1: us up. I'm gonna get Rick Ross on the show.

544
00:25:46,600 --> 00:25:48,960
Speaker 1: This is two weeks ago, you know. And and then

545
00:25:49,359 --> 00:25:51,760
Speaker 1: you know, he's like, oh, I know my cousin knows

546
00:25:51,840 --> 00:25:54,640
Speaker 1: his manager and this, and then I'm like, cool, cool,

547
00:25:54,680 --> 00:25:58,280
Speaker 1: cool cool. And then yesterday he's talks to our engineer

548
00:25:58,320 --> 00:26:01,080
Speaker 1: about it. And today he wakes up in the morning

549
00:26:01,160 --> 00:26:03,960
Speaker 1: and Rick Ross is in our hotel room and he

550
00:26:04,080 --> 00:26:07,520
Speaker 1: went upstairs and smokes Ross and I'm like, dude, you

551
00:26:07,600 --> 00:26:10,760
Speaker 1: realize what you just did. And so you you're doing

552
00:26:10,840 --> 00:26:14,720
Speaker 1: that and I I want to share with you that

553
00:26:14,840 --> 00:26:19,159
Speaker 1: you have amazing products here, but most importantly is taking

554
00:26:19,240 --> 00:26:23,720
Speaker 1: everybody else's vision and and deliver that vision too, because

555
00:26:23,760 --> 00:26:26,240
Speaker 1: that'll make you a lot better. See know what I'm saying.

556
00:26:27,000 --> 00:26:30,760
Speaker 1: The faster you can absorb everybody and then just shovel

557
00:26:30,840 --> 00:26:33,879
Speaker 1: it back out, you're gonna you're gonna be, you know,

558
00:26:34,160 --> 00:26:37,760
Speaker 1: even more amazing. And everything you guys are doing, like

559
00:26:37,880 --> 00:26:40,520
Speaker 1: on your website, the Cold Trent and Family, like what

560
00:26:40,720 --> 00:26:43,959
Speaker 1: you guys write about it and everything folks do yourself

561
00:26:44,000 --> 00:26:46,320
Speaker 1: a favorite nug topia dot net and you g t

562
00:26:46,480 --> 00:26:48,800
Speaker 1: o p I a dot n et. I mean the

563
00:26:48,880 --> 00:26:50,920
Speaker 1: way you created everything you kind of said here, but

564
00:26:51,040 --> 00:26:52,920
Speaker 1: I mean that second line in your guys a little

565
00:26:52,920 --> 00:26:55,440
Speaker 1: bio here it says the best way I could express

566
00:26:55,560 --> 00:26:58,800
Speaker 1: my push for medical cannabis was to paint the most

567
00:26:59,280 --> 00:27:03,359
Speaker 1: relatable rains and transfer them into nut characters. It's just

568
00:27:03,520 --> 00:27:06,399
Speaker 1: cool what you're doing the family aspect, the picture of

569
00:27:06,440 --> 00:27:08,800
Speaker 1: your family on there. I love that you guys have

570
00:27:08,920 --> 00:27:10,560
Speaker 1: our logo on your website And do you know you

571
00:27:10,680 --> 00:27:14,800
Speaker 1: had that there when I scrolled down friends and features

572
00:27:15,640 --> 00:27:19,119
Speaker 1: our friends now now and no and you know what

573
00:27:19,320 --> 00:27:22,280
Speaker 1: and we are And I love that you guys have

574
00:27:22,400 --> 00:27:24,720
Speaker 1: I didn't know this was on there, and it's it's

575
00:27:24,800 --> 00:27:28,080
Speaker 1: by uh, We're honored that you have the brand. They're

576
00:27:28,200 --> 00:27:30,000
Speaker 1: on there like that with a bunch of other brands

577
00:27:30,320 --> 00:27:33,879
Speaker 1: from the High Times. The website. It doesn't check that too,

578
00:27:33,960 --> 00:27:37,800
Speaker 1: but I hope so if it doesn't, it doesn't yet,

579
00:27:37,880 --> 00:27:39,440
Speaker 1: but yeah, make sure you do link it up to

580
00:27:39,480 --> 00:27:41,200
Speaker 1: the website to say it off there and not bust

581
00:27:41,200 --> 00:27:45,200
Speaker 1: shouts the asshole, but the root you off there. But

582
00:27:45,200 --> 00:27:46,560
Speaker 1: I'm glad you brought it up, Luke, because I was

583
00:27:46,560 --> 00:27:48,840
Speaker 1: gonna jump on them, you know whatever, since we were

584
00:27:48,920 --> 00:27:50,000
Speaker 1: late to the party. I don't feel like I can

585
00:27:50,040 --> 00:27:52,919
Speaker 1: tell on them about anything. I still feel like an asshole.

586
00:27:53,440 --> 00:27:55,200
Speaker 1: I feel like I'm the one that those still look like.

587
00:27:55,800 --> 00:27:57,040
Speaker 1: You know. When we come back, we're gonna do the

588
00:27:57,160 --> 00:27:59,360
Speaker 1: high five with you guys. Folks, check about nutt hope

589
00:27:59,359 --> 00:28:00,960
Speaker 1: you again what I for them? So far, It's gonna

590
00:28:00,960 --> 00:28:02,679
Speaker 1: been talk one on one all the way live at

591
00:28:02,720 --> 00:28:05,359
Speaker 1: C three, we'll be right back with Cannabis Talk one

592
00:28:05,400 --> 00:28:18,520
Speaker 1: oh one. Welcome back to Cannabis Talk one oh one.

593
00:28:18,920 --> 00:28:21,880
Speaker 1: Take a hit, get lit, sit back, and enjoy Cannabis

594
00:28:21,960 --> 00:28:24,840
Speaker 1: Talk one oh one live from Houston, Texas at the

595
00:28:24,960 --> 00:28:28,199
Speaker 1: Counterculture Convention. Yes it is, and you know who's out

596
00:28:28,240 --> 00:28:31,400
Speaker 1: here Blue Kelly Effects. If you don't know about Kelly Effects,

597
00:28:31,840 --> 00:28:35,919
Speaker 1: the full and broad spectrum HIMP extracted product contained CBE,

598
00:28:36,040 --> 00:28:40,640
Speaker 1: d CBG, and some thirt plus other elements. Fill the

599
00:28:40,720 --> 00:28:43,880
Speaker 1: effects with Kelly Effects over there as I've been taking

600
00:28:43,960 --> 00:28:46,880
Speaker 1: my Kelly Effects. Thank you to Sabrino over there for

601
00:28:47,040 --> 00:28:50,800
Speaker 1: making sure I'm paying relief and have energy and I'm

602
00:28:50,920 --> 00:28:53,520
Speaker 1: focused and I had a lap dance. Oh and Dennis

603
00:28:53,600 --> 00:28:56,400
Speaker 1: too for the lap dance. Appreciate you guys, Kelly Effects

604
00:28:56,520 --> 00:28:59,920
Speaker 1: and the strip show feel the Effects. We're sitting here

605
00:29:00,000 --> 00:29:02,840
Speaker 1: are all the way live at C three in Houston, Texas.

606
00:29:03,200 --> 00:29:05,680
Speaker 1: It's been a great time. So many wonderful people we've

607
00:29:05,760 --> 00:29:09,080
Speaker 1: come across. But Kyle and Cole Trent from Octopia, the

608
00:29:09,160 --> 00:29:12,880
Speaker 1: websites and Octopia dot nets, the i g is Nectopia

609
00:29:13,240 --> 00:29:17,600
Speaker 1: art on Instagram. They're fun, they're cool, they're family dynamics,

610
00:29:17,720 --> 00:29:20,800
Speaker 1: the family run business. Everything about it is great, even

611
00:29:20,880 --> 00:29:24,120
Speaker 1: the fact, Kyle, that it's gonna sound so strange and weird,

612
00:29:24,200 --> 00:29:26,560
Speaker 1: but I love when you sent me a picture of

613
00:29:26,640 --> 00:29:29,160
Speaker 1: you and your family, like it was the coolest thing

614
00:29:29,680 --> 00:29:31,400
Speaker 1: and it made me just love you that much more

615
00:29:31,600 --> 00:29:33,520
Speaker 1: and everything about you. You know what I'm saying, And

616
00:29:33,800 --> 00:29:35,400
Speaker 1: that's the type of people you guys are. And I

617
00:29:35,480 --> 00:29:38,120
Speaker 1: share that story to share the character of who you

618
00:29:38,240 --> 00:29:42,640
Speaker 1: guys are as people, because to me, families everything right

619
00:29:42,840 --> 00:29:44,560
Speaker 1: and blue as well all of us efter that's what

620
00:29:44,640 --> 00:29:46,520
Speaker 1: that's what we love. And so when you allow me

621
00:29:46,600 --> 00:29:48,720
Speaker 1: to go into your world that way, it meant the

622
00:29:48,800 --> 00:29:50,920
Speaker 1: world to me, Like I really felt closer to you,

623
00:29:51,360 --> 00:29:53,120
Speaker 1: and I was like, oh, this is great. I love

624
00:29:53,160 --> 00:29:54,960
Speaker 1: this guy, you know what I mean for everything that

625
00:29:55,080 --> 00:29:56,920
Speaker 1: you guys did for us over the you know, the

626
00:29:57,040 --> 00:30:00,040
Speaker 1: beginning of the pandemic and everything, you know, coming and

627
00:30:00,240 --> 00:30:03,440
Speaker 1: helping out with the virtual event, you know, I couldn't

628
00:30:03,480 --> 00:30:07,640
Speaker 1: ask for more from anybody, you know, especially in everybody's camaraderie,

629
00:30:07,840 --> 00:30:10,640
Speaker 1: you know, but I definitely appreciate that. And that day,

630
00:30:10,680 --> 00:30:12,680
Speaker 1: you guys became family, you know, of course, it was

631
00:30:12,760 --> 00:30:15,400
Speaker 1: just everybody helping each other out. Yeah, you guys have

632
00:30:15,480 --> 00:30:17,360
Speaker 1: a have a unique feel about you. I mean, you

633
00:30:17,440 --> 00:30:20,040
Speaker 1: know that's why I spent the four hours of that

634
00:30:20,120 --> 00:30:24,040
Speaker 1: we hung out together apologizing like that. But it's like, dude,

635
00:30:24,040 --> 00:30:27,800
Speaker 1: you're you're good. You're good. On my namie. I wasn't

636
00:30:27,800 --> 00:30:30,520
Speaker 1: overkilled for me because at the end of the day, though,

637
00:30:30,880 --> 00:30:33,120
Speaker 1: moving forward is that you know, I think what you

638
00:30:33,200 --> 00:30:36,160
Speaker 1: guys are doing is is going to have some impact

639
00:30:36,280 --> 00:30:39,280
Speaker 1: on the world. Um, and I think that's so important

640
00:30:39,600 --> 00:30:42,080
Speaker 1: and it's it becomes a legacy for you and your family,

641
00:30:42,120 --> 00:30:44,720
Speaker 1: and I love it. Man. Just keep grinding with this, dude,

642
00:30:44,720 --> 00:30:49,640
Speaker 1: because uh. You know, you don't see people create things

643
00:30:50,440 --> 00:30:53,200
Speaker 1: and then stand behind it and then deliver it. This

644
00:30:53,360 --> 00:30:55,240
Speaker 1: is something that you had to envision, you had to

645
00:30:55,320 --> 00:30:58,040
Speaker 1: believe in and and and it's a collective effort, you know.

646
00:30:58,040 --> 00:31:01,440
Speaker 1: It takes everybody's sweat and tears to get here. And

647
00:31:01,520 --> 00:31:03,320
Speaker 1: then you sit there and go, gosh, you know, is

648
00:31:03,320 --> 00:31:04,800
Speaker 1: this gonna work for us? And this one and this

649
00:31:04,920 --> 00:31:08,840
Speaker 1: one's gonna be better that? You know, those days that

650
00:31:09,000 --> 00:31:11,360
Speaker 1: you feel that you know it may or maybe not.

651
00:31:11,760 --> 00:31:13,960
Speaker 1: Maybe it's working all the time or not. You just

652
00:31:14,080 --> 00:31:16,680
Speaker 1: have to be remember that you know it's intriguing. And

653
00:31:17,000 --> 00:31:19,000
Speaker 1: one person gets a smile out of this, or one

654
00:31:19,040 --> 00:31:20,840
Speaker 1: person gets a cry out of it or a learning

655
00:31:20,960 --> 00:31:23,400
Speaker 1: lesson from it, you're doing your job, you know. And

656
00:31:23,480 --> 00:31:25,560
Speaker 1: I think that's what your guys focus is, is to

657
00:31:25,680 --> 00:31:28,520
Speaker 1: really make an impact um and and get. And it

658
00:31:28,640 --> 00:31:31,960
Speaker 1: helped normalizes our industry as well, you know so and

659
00:31:32,040 --> 00:31:33,720
Speaker 1: not only that when you look at this and you

660
00:31:33,800 --> 00:31:35,680
Speaker 1: said a word that made me go when you said

661
00:31:35,720 --> 00:31:41,040
Speaker 1: collective and your artwork are collective pieces. Now, I mean

662
00:31:41,120 --> 00:31:42,880
Speaker 1: I'm looking at the stuff that you do, and how

663
00:31:42,960 --> 00:31:46,160
Speaker 1: does that make you feel? When you're seeing these collectors

664
00:31:46,320 --> 00:31:48,680
Speaker 1: now hit you up or come to these events and

665
00:31:48,760 --> 00:31:51,560
Speaker 1: be like, oh my god, I need an original ya.

666
00:31:52,520 --> 00:31:55,600
Speaker 1: It's the most incredible feeling. I mean, it's it makes

667
00:31:55,720 --> 00:31:58,600
Speaker 1: me just uh, I mean, it makes me have tears

668
00:31:58,680 --> 00:32:01,480
Speaker 1: of joy. You know. The first time that's ever happened

669
00:32:01,560 --> 00:32:05,040
Speaker 1: was just tremendous. I'm really looking at that one right there,

670
00:32:05,080 --> 00:32:08,120
Speaker 1: and I'm just contemplating, right. And it's funny though, because seriously,

671
00:32:08,280 --> 00:32:11,320
Speaker 1: like you know, it's it's real artwork. I love when

672
00:32:11,360 --> 00:32:13,920
Speaker 1: we talked to like the glass blowers, the artists and

673
00:32:14,040 --> 00:32:16,440
Speaker 1: this and that, and even for that part, even the

674
00:32:16,840 --> 00:32:20,080
Speaker 1: true master growers who do their artwork with growing the plant, right,

675
00:32:20,160 --> 00:32:24,200
Speaker 1: like everything it's hand it's I. It's everything coordination, putting ingredients,

676
00:32:24,280 --> 00:32:27,760
Speaker 1: isn't that yours is hand I ingredients and layers and

677
00:32:28,160 --> 00:32:31,320
Speaker 1: it's an artwork, man, these all these people in this industry,

678
00:32:31,680 --> 00:32:34,280
Speaker 1: it's a true artwork. And make it overlook sometimes like

679
00:32:34,640 --> 00:32:37,520
Speaker 1: from the artists to the grower to the blower, you

680
00:32:37,560 --> 00:32:39,920
Speaker 1: know what I mean, These are the aspects of the

681
00:32:40,040 --> 00:32:43,720
Speaker 1: counterculture convention that is like, wow, this is the counterculture

682
00:32:43,800 --> 00:32:46,920
Speaker 1: part of it, like every aspect and you need to

683
00:32:46,960 --> 00:32:49,240
Speaker 1: be at all shows, dude, Like this needs to be

684
00:32:49,320 --> 00:32:51,920
Speaker 1: at all shows. Like I mean that, dude, Like, don't

685
00:32:51,960 --> 00:32:54,240
Speaker 1: think that one shows not for you in my opinion,

686
00:32:54,600 --> 00:32:56,880
Speaker 1: because I can see you guys at car shows, I

687
00:32:56,920 --> 00:32:59,920
Speaker 1: can see at concerts, I can see you in infest everywhere.

688
00:33:00,360 --> 00:33:03,200
Speaker 1: I love your artwork. If your your artwork crosses the

689
00:33:03,320 --> 00:33:07,440
Speaker 1: line of cross stoner friendly, it's definitely stoner friendly. But

690
00:33:07,560 --> 00:33:11,120
Speaker 1: it's beautiful artwork. I think yours crosses into the realm

691
00:33:11,160 --> 00:33:13,840
Speaker 1: of WHOA what what? I can put this next to

692
00:33:13,920 --> 00:33:16,120
Speaker 1: a piece in my house or in my office somewhere

693
00:33:16,560 --> 00:33:21,680
Speaker 1: and spark up a conversation because it's beautiful art. Yeah,

694
00:33:21,800 --> 00:33:24,760
Speaker 1: these are great conversation pieces, great pieces and everything else.

695
00:33:24,840 --> 00:33:26,840
Speaker 1: That being said, you guys, we want to jump into

696
00:33:26,840 --> 00:33:28,520
Speaker 1: the High five is we like to have fun with

697
00:33:28,600 --> 00:33:31,200
Speaker 1: all our guests that come on the show. We'd like

698
00:33:31,320 --> 00:33:34,200
Speaker 1: to just ask you five fun simple questions. Have some

699
00:33:34,360 --> 00:33:37,480
Speaker 1: fun with it, and Kyle and Coletritch We're gonna start

700
00:33:37,560 --> 00:33:41,120
Speaker 1: with question number one of the High five with the

701
00:33:41,200 --> 00:33:44,800
Speaker 1: boys from nug Topia. The question is how are you

702
00:33:44,880 --> 00:33:47,600
Speaker 1: the first time you smoked cannabis and where'd you get

703
00:33:47,640 --> 00:33:53,760
Speaker 1: it from. Let's start though with Kyle first time one.

704
00:33:54,160 --> 00:33:58,120
Speaker 1: I will say Cole. Actually, my younger brother kind of

705
00:33:58,200 --> 00:34:00,880
Speaker 1: got me into it. At the time. It was so

706
00:34:01,000 --> 00:34:03,400
Speaker 1: your lenger brother brought it to you. It's great. Yeah,

707
00:34:03,480 --> 00:34:07,320
Speaker 1: he definitely brought me into that world. Um at him, No,

708
00:34:07,560 --> 00:34:10,839
Speaker 1: not at all. How was that conversation and co where

709
00:34:10,840 --> 00:34:13,359
Speaker 1: You're like, okay, is you gonna act like a jerk? Yeah,

710
00:34:13,600 --> 00:34:19,160
Speaker 1: that's how it's going. Is it gonna older brother looking

711
00:34:19,160 --> 00:34:21,200
Speaker 1: out of the younger brother. If I even got into anything,

712
00:34:21,360 --> 00:34:24,640
Speaker 1: it was he was looking out for He stopped that,

713
00:34:25,160 --> 00:34:29,799
Speaker 1: stopped that. He stopped. Kyle, such a kick. Shut up, Cole,

714
00:34:29,880 --> 00:34:31,759
Speaker 1: I just stopped doing it. You're painting on the walls.

715
00:34:31,960 --> 00:34:35,719
Speaker 1: Mom doesn't want no paint on that. Quit doing your

716
00:34:35,840 --> 00:34:39,239
Speaker 1: artwork over there. Quit drawing on my stuff. That's my notebook,

717
00:34:39,280 --> 00:34:41,880
Speaker 1: not yours. Yeah. We're pretty close in age, so it

718
00:34:42,000 --> 00:34:44,799
Speaker 1: didn't help growing up. Oh that's funny. So little brother,

719
00:34:44,840 --> 00:34:47,680
Speaker 1: what about you? I was shoot, I think I was

720
00:34:48,000 --> 00:34:52,200
Speaker 1: sixteen or seventeen in high school, just kind of working

721
00:34:52,280 --> 00:34:56,280
Speaker 1: my way into um yeah, just experiment with some flour

722
00:34:56,440 --> 00:34:58,719
Speaker 1: and some cannabis and then from there I got it

723
00:34:58,800 --> 00:35:00,800
Speaker 1: more into the legal aspect and on into the industry

724
00:35:00,840 --> 00:35:04,000
Speaker 1: and whatnot. So it was Yeah, very awesome, And I

725
00:35:04,080 --> 00:35:07,600
Speaker 1: think I was. I think I was probably when I

726
00:35:07,640 --> 00:35:09,640
Speaker 1: first started my art career, getting like just like, I

727
00:35:09,680 --> 00:35:11,960
Speaker 1: think that kind of opened up a lot of avenues

728
00:35:12,000 --> 00:35:14,080
Speaker 1: and gates for me, just like in the creative process

729
00:35:14,200 --> 00:35:16,359
Speaker 1: and just being able to relax and transmitting that into

730
00:35:16,400 --> 00:35:19,120
Speaker 1: the painting. Question number two of the High five right

731
00:35:19,200 --> 00:35:22,800
Speaker 1: here and live at the Counterculture Convention in Houston. What

732
00:35:23,000 --> 00:35:26,400
Speaker 1: is your favorite way to use cannabis? You want to

733
00:35:26,400 --> 00:35:29,400
Speaker 1: take this one first? In artwork? Yeah, I mean, just

734
00:35:29,520 --> 00:35:32,560
Speaker 1: like I said, just transmuting it within art. So pretty

735
00:35:32,640 --> 00:35:38,560
Speaker 1: much every piece I've ever done painting, I've definitely been. Um, yeah, partaking.

736
00:35:39,400 --> 00:35:41,800
Speaker 1: You guys got customers at your booth as we speak.

737
00:35:42,200 --> 00:35:45,520
Speaker 1: That's awesome. They're over there just peeping them. I'm like, damn,

738
00:35:45,760 --> 00:35:48,239
Speaker 1: I hope they need to buy one. Yeah, there's it's

739
00:35:48,320 --> 00:35:53,080
Speaker 1: limited too. So what's that the show? What about you? Um,

740
00:35:53,920 --> 00:35:57,120
Speaker 1: after everybody goes to sleep at night, you know, just

741
00:35:57,280 --> 00:36:01,320
Speaker 1: relaxing and with a pin or joint. Um, it's usually

742
00:36:01,360 --> 00:36:05,040
Speaker 1: a vape. Yeah, it just helps knock me out. Nice.

743
00:36:05,200 --> 00:36:08,080
Speaker 1: What about what's the craziest place you ever use cannabis?

744
00:36:08,120 --> 00:36:10,600
Speaker 1: You guys are out in Florida. So maybe a gator

745
00:36:10,960 --> 00:36:15,480
Speaker 1: gator Ville. I was riding a gator in the swamp

746
00:36:15,520 --> 00:36:19,040
Speaker 1: and I'm smoking a hooter. Yeah, it kind of happens

747
00:36:19,040 --> 00:36:22,080
Speaker 1: every time we go golfing. You know, there's gators all

748
00:36:22,120 --> 00:36:24,799
Speaker 1: over the place, are they? You know? Um, I would

749
00:36:24,840 --> 00:36:27,920
Speaker 1: probably say Lake Tahoe at the top of the Heavenly

750
00:36:28,000 --> 00:36:31,560
Speaker 1: Mountain was one of the most beautiful places. Yeah, you

751
00:36:31,640 --> 00:36:35,440
Speaker 1: are very high there as well. All the way, what

752
00:36:35,560 --> 00:36:39,239
Speaker 1: about you? Um? I was gonna say the same thing,

753
00:36:39,320 --> 00:36:41,640
Speaker 1: which is so funny. That's really that's a family thing

754
00:36:41,719 --> 00:36:44,160
Speaker 1: that we do. We go to Tahoe and all the

755
00:36:45,760 --> 00:36:48,360
Speaker 1: whole family goes out. We all snowboard skiing. I was

756
00:36:48,400 --> 00:36:51,680
Speaker 1: gonna ask, is it during winter or summer? So do

757
00:36:51,719 --> 00:36:53,480
Speaker 1: you guys? You guys don't go halfway and just go

758
00:36:53,560 --> 00:36:57,839
Speaker 1: to Colorado and staid I mean ship sometimes special Tahoe. Hey,

759
00:36:57,880 --> 00:36:59,719
Speaker 1: don't get us wrong. It's more of a California thing

760
00:36:59,760 --> 00:37:02,360
Speaker 1: for saw. But I would think being across the country

761
00:37:02,400 --> 00:37:05,440
Speaker 1: in the East Coast, it is a beautiful spot. And

762
00:37:05,480 --> 00:37:07,359
Speaker 1: you know, and that's a great location. That's even better

763
00:37:07,400 --> 00:37:09,400
Speaker 1: that you both thought of the same. It was just

764
00:37:10,080 --> 00:37:13,680
Speaker 1: question number four of the high five what is your

765
00:37:13,719 --> 00:37:19,919
Speaker 1: go to munchie after you get high? I think I'll

766
00:37:19,960 --> 00:37:23,839
Speaker 1: have to say donuts. Damn, what kind of donuts? Uh?

767
00:37:24,239 --> 00:37:28,239
Speaker 1: You know that's strawberry glaze, you know, maybe some blueberry,

768
00:37:28,440 --> 00:37:32,319
Speaker 1: you know, donut little just regularly blueberry. Don't talk about

769
00:37:32,360 --> 00:37:35,920
Speaker 1: him unless you got him. Players. I'm hungry, honestly love it.

770
00:37:36,520 --> 00:37:38,480
Speaker 1: Pit's over there drooling over there on the board, right

771
00:37:38,600 --> 00:37:45,120
Speaker 1: or donuts? What about you? Chocolate? Anything chocolate. I'm a

772
00:37:45,200 --> 00:37:47,760
Speaker 1: big feen of ice cream, so I'll go for that. Chocolate.

773
00:37:47,800 --> 00:37:49,759
Speaker 1: Ice cream is a good thing. That's the high five

774
00:37:49,840 --> 00:37:54,120
Speaker 1: with the creators of Neutpia, Kyle and Cole Trench all

775
00:37:54,200 --> 00:37:56,319
Speaker 1: the way live at C three. If you could smoke

776
00:37:56,400 --> 00:38:00,640
Speaker 1: cannabis with anyone dead or alive, who would it be?

777
00:38:00,760 --> 00:38:06,600
Speaker 1: And why? Kyle? As a cliche, I definitely think Bob Marley.

778
00:38:06,760 --> 00:38:08,880
Speaker 1: I would love to just sit and have a conversation

779
00:38:08,960 --> 00:38:13,120
Speaker 1: with the man, you know, just chill and light one up,

780
00:38:13,160 --> 00:38:16,759
Speaker 1: honestly and just see what the conversation was. Did you

781
00:38:16,840 --> 00:38:18,640
Speaker 1: have dread Stu back in the day or something? Or

782
00:38:18,680 --> 00:38:20,200
Speaker 1: I know you have both have long hair, but did

783
00:38:20,239 --> 00:38:23,040
Speaker 1: you guys have dreads too? I have a couple of them.

784
00:38:23,120 --> 00:38:25,160
Speaker 1: Now I thought, thought I've seen dredge in your hair. Yeah,

785
00:38:25,880 --> 00:38:28,239
Speaker 1: that's right. My wife's calling me. Sorry for the vibrating phone.

786
00:38:28,600 --> 00:38:32,920
Speaker 1: Go ahead, cool, hey baby, let me take that. I

787
00:38:32,960 --> 00:38:36,439
Speaker 1: would actually like to sit down with Michael Goddard. Yeah, yeah,

788
00:38:37,080 --> 00:38:38,840
Speaker 1: did you ask some of these smokes? You know, I

789
00:38:39,080 --> 00:38:42,000
Speaker 1: don't think. I don't think I did. I don't want to.

790
00:38:42,120 --> 00:38:43,840
Speaker 1: I got I gotta left that one in and I

791
00:38:43,880 --> 00:38:45,640
Speaker 1: start the conversation with him. Oh man, I go all

792
00:38:45,640 --> 00:38:47,640
Speaker 1: the way in on him like he's out in Vegas.

793
00:38:47,680 --> 00:38:50,080
Speaker 1: I gotta make that connection happen. Well, m J Biss,

794
00:38:50,200 --> 00:38:52,200
Speaker 1: it'll be there. Anything we forgot to mention about in

795
00:38:52,239 --> 00:38:55,839
Speaker 1: Octopia that you guys want to plug one more time now,

796
00:38:55,880 --> 00:38:58,759
Speaker 1: I'm just you know, I appreciate you all having us up,

797
00:38:58,880 --> 00:39:02,000
Speaker 1: you know, Thank you guys. Deserve you, guys. Next time

798
00:39:02,080 --> 00:39:06,359
Speaker 1: Mom's coming up to to try. Every time I'm coming

799
00:39:06,440 --> 00:39:10,319
Speaker 1: up dropping like a top but bad. Yeah. Man, Well

800
00:39:10,360 --> 00:39:12,359
Speaker 1: there it is, guys. It's Cannabis Talk one on one,

801
00:39:12,440 --> 00:39:15,160
Speaker 1: and remember this, if no one else loves you, we do.

802
00:39:15,719 --> 00:39:18,080
Speaker 1: Thank you for listening to Cannabis Talk one oh one

803
00:39:18,160 --> 00:39:21,280
Speaker 1: on the I Heart Radio app Apple Podcast or wherever

804
00:39:21,400 --> 00:39:22,560
Speaker 1: you get your podcasts,