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Speaker 1: Hey, everybody, No, we already started the show. We started

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Speaker 1: the show when your ship was fucked up. Everybody knows. Now,

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Speaker 1: I know you're just just just exhaling the bong hit.

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Speaker 1: But calm no, I didn't just exhale the bong hit everyone.

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Speaker 1: The whole time I was I was trying to listen.

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Speaker 1: I was like, the audience is going to turn this off.

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Speaker 1: He's yelling at everyone, and yet it's one of our

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Speaker 1: greatest reviewed. It was very funny, by the way, I

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Speaker 1: have to say, after you stopped yelling, I was laughing

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Speaker 1: my butt off, so I didn't have a whole episode no.

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Speaker 1: Once I said, dude, can you You're like literally your

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Speaker 1: body was standing and he yelling down into the mic,

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Speaker 1: I was like, can you please calm down. I want

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Speaker 1: the audience at home to know that Donald, as you know,

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Speaker 1: just moved into his house. He has a giant bookshelf

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Speaker 1: behind him with the library letter as we mentioned, and

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Speaker 1: he has one book so far displayed, and I believe

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Speaker 1: it's a Star Wars side show collectibles book. Correct sir.

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Speaker 1: The first things I talked to today, oh Tony Gilroy,

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Speaker 1: Oh shit, I know, let's have a conversation. I'm sorry

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Speaker 1: if I yelled. Just now, Let's let the baby latchet back,

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Speaker 1: let the weeds settle into a more peaceful place. I

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Speaker 1: also have to apologize last week. If you notice my

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Speaker 1: audio is a bit off, It's not Daniel's fault. Some

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Speaker 1: of you might be thinking, nobody, Zach, let's get to

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Speaker 1: the Tony Gilroy of it all. Okay, sorry, I am

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Speaker 1: the engineer. It is my job to say, is everybody

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Speaker 1: recording you are the engineer. Nobody cares Daniel. Nobody cares Daniel.

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Speaker 1: It's important we all take responsibiit all right? So you

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Speaker 1: spoke to Tony Gilroy. Tell people who don't know who

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Speaker 1: Tony Gilroy is, Joel. Yeah, Tony Gilroy wrote your favorite

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Speaker 1: action movie and Mine, the Born Identity Original Trilogy. Incredible writer.

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Speaker 1: And he also is the showrunner and creator of and

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Speaker 1: or Um. So he is up for a bunch of

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Speaker 1: awards this award season, as is his production designer, Luke

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Speaker 1: Hole So beautiful, Zach, remind me with the production designers,

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Speaker 1: what's their guild called? I don't know, aga, I can't remember.

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Speaker 1: I make sure they were very kindly invited me in

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Speaker 1: to talk to both Luke and Tony about and or

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Speaker 1: and their experience working together. And I learned a lot

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Speaker 1: and it was very beautiful that show. I have to

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Speaker 1: say I voted on Mom, the d GA, the WGA,

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Speaker 1: and SAG. I'm not going to tell you who I

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Speaker 1: voted for him, but I did Donald. You definitely didn't

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Speaker 1: vote for SAG because that would have involved you knowing

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Speaker 1: that the SAG Awards deadline was coming up. And if

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Speaker 1: Casey didn't tell you and put it in front of you,

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Speaker 1: I don't think it happened. I only vote in November,

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Speaker 1: Okay that even if there's no election, he just makes

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Speaker 1: sure to vote on something in November. I gotta tell you, so,

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Speaker 1: our Super Bowl ad is out. Did you guys see it?

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Speaker 1: I didn't love it. I love it. I love it.

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Speaker 1: I love it and where every plays, I'll watch it.

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Speaker 1: I'll watch it. So watch it. This is gonna be

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Speaker 1: air after the Super Bowl. Obviously, I'm so glad that

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Speaker 1: Blank team one who won. But we're recording this on

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Speaker 1: Thursday before the Bowl. Um. Yeah, these days, the ad

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Speaker 1: companies released the ads on the web a little bit early, um,

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Speaker 1: just to kind of gain some momentum. But then it'll

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Speaker 1: play for the first time on TV. On the Bowl

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Speaker 1: on Sunday. But anyway, see it, Oh my god, this

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Speaker 1: you haven't seen it too well, you mightly want to

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Speaker 1: watch it now a sixty let's say a quick break

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Speaker 1: and we're all gonna watch the trailer. Joan me to

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Speaker 1: link it to you, Joel, there's a People's article about it.

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Speaker 1: It's on the YouTube's you know, and just there's a

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Speaker 1: link to the YouTube video. There's better on the YouTube

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Speaker 1: is because it's not cut rectangular for reels and this

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Speaker 1: is that. So we're gonna take it. We're gonna take

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Speaker 1: a break, guys, and we're gonna watch this. No, we're

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Speaker 1: not gonna take a break. We're just gonna give you.

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Speaker 1: We're gonna talk about meaning this ship while you, audience,

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Speaker 1: take a moment to look at the T Mobile commercial

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Speaker 1: where we sing with John Travolta. I'm pressing play right now.

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Speaker 1: All right, good share screen, Donald, Well let's let them

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Speaker 1: digest it. Pretty fun hunt Donald Joel's face right now.

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Speaker 1: I think that's called she shook. I think she shook.

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Speaker 1: Oh my god, Oh my god, guys, it's so cute. Great,

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Speaker 1: why came out? What was it like singing with John

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Speaker 1: Travolta that's crazy. It was so cool. He was so nice.

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Speaker 1: Donald and I had a chap beforehand. We're like, bro,

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Speaker 1: you know, we're not great around really famous people. You

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Speaker 1: need to be chill and listen Donald Donald, and keep

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Speaker 1: in mind you it's long. We were like drunk at

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Speaker 1: a party, Donald super sober. We're like, yeah, we got it.

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Speaker 1: We're locked in ten seconds and I go over, he's

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Speaker 1: intervaled his face talking about face off. Wow, I can't listen. Man.

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Speaker 1: He's one of my favorites, you know what I mean,

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Speaker 1: Like even before we did the commercial, Like, I've seen

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Speaker 1: pretty much all of his movies and he's always been great,

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Speaker 1: you know. And you know, Saturday Night Fever is one

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Speaker 1: of the dopest movies ever made. If you're a young

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Speaker 1: actor and you want to see, you know, just good

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Speaker 1: movie making, put that on. I promise you it still

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Speaker 1: holds up. And it's about disco too, but it's also

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Speaker 1: about more than that, you know, just if you get

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Speaker 1: the opportunity. Anyway, he couldn't have been nicer. He was

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Speaker 1: so cool. It was fun and we got to dance

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Speaker 1: with him. There's an extended version that I guess since

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Speaker 1: this is airing Tuesday, will probably be out. It's not

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Speaker 1: out yet. But there's like a ninety second version where

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Speaker 1: we there's a two minute version, there's a two minute version,

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Speaker 1: there's nineties there's longer versions where we really dance. We made.

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Speaker 1: I mean, it's too bad they couldn't air. I feel

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Speaker 1: like the longer the version, the better the commercial. I'm

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Speaker 1: just gonna keep in one hundred. No, it's so funny

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Speaker 1: we dance with him. There's a whole nother section that

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Speaker 1: obviously they couldn't fit into a sixty second ad for

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Speaker 1: the super Bowl. It's so expensive to advertise the super Bowl.

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Speaker 1: But and I'm so happy the sixty seconds exist. But

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Speaker 1: if you if you're a fan of us obviously listening

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Speaker 1: to this, we check out the long extended version because

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Speaker 1: it's pretty funny. I was like, there's no way they

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Speaker 1: could play this, man, this is like the length of

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Speaker 1: the halftime show. You two minutes. Well, there's there's a

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Speaker 1: two minute one which has a little dialogue moment with

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Speaker 1: me and Donald um and that's funny. And but the

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Speaker 1: ninety second one has a whole dance sequence. It's funny. Yeah,

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Speaker 1: I love it. I'm so happy we got the opportunity

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Speaker 1: to do. Yeah, it's so fun. I mean, it's cool

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Speaker 1: to be in a Super Bowl ad, but it's also

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Speaker 1: just like, you know, dancing and singing Grease with Travolta.

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Speaker 1: That's just like life goals, you know. Yeah, shout out

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Speaker 1: Plugman t Mobile. Yeah, thank you. Brian Klugman, who we've

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Speaker 1: had on the show. As you know, he's the don

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Speaker 1: draper of it all, and he's just such a a

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Speaker 1: good man and a funny man. He wrote that whole

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Speaker 1: thing himself, and it's hilarious. We never thought they were

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Speaker 1: gonna get Travolta, do they donald They approached Alan and

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Speaker 1: I about it. We're like, yeah, that sounds awesome, but

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Speaker 1: Travolta is not gonna do this, and then he and

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Speaker 1: then Travolta loved it. He thought it was so funny. Yeah,

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Speaker 1: shooting your shots everywhere, that's what they were saying about

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Speaker 1: Harrison Ford coming on drinking. Okay, it'll never happens. You

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Speaker 1: gotta ask. I never thought Ali Poorman's gonna see us

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Speaker 1: to Garden State. You just you gotta you gotta shoot

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Speaker 1: your shot, you gotta try, You gotta ask. You know,

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Speaker 1: I'm gonna keep it one hundred. I never thought Casey

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Speaker 1: Copp would say yes to say this morning, but she

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Speaker 1: did fucking awesome. I go too far. I went too far.

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Speaker 1: You went perfect. Although although it was funny, I thought

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Speaker 1: you were gonna it's funny because I thought you were

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Speaker 1: gonna say I never thought Casey cob would say yes

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Speaker 1: to marrying me or dating me, because she said no

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Speaker 1: a bunch of times yeah, and then she wouldn't. She

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Speaker 1: said she would. You know, she infamously said, doesn't he

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Speaker 1: have like nine kids? But then but then she fell

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Speaker 1: in love with you and you're married, but you turned

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Speaker 1: it into having sex this morning, which is yes, you

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Speaker 1: know it doesn't listen you know me. You don't why

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Speaker 1: she gave me morning secks because you know that T mobile,

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Speaker 1: that T mobile drop that T mobile dropt. Do you

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Speaker 1: know itself? She was like, all right, I got my

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Speaker 1: new fellows in my house. You wanted to come down here, No,

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Speaker 1: dont don't get her. Don't don't don't get her to

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Speaker 1: come down here. No we don't. We don't want Casey

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Speaker 1: to come down here. I love Casey, but let's stay

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Speaker 1: focused on topic. We have all so much to talk about.

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Speaker 1: It's the beginning of season eight. You're right. Season eight,

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Speaker 1: Season eight, we're running out episodes, guys, I know we

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Speaker 1: don't have that many left. Yeah, we need to come

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Speaker 1: up with an idea for the show. Let's just slow down.

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Speaker 1: We're going too fast asked. It's like it's like we're

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Speaker 1: going too fast, Donald, like you probably were with Casey

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Speaker 1: this morning. You have to slow No, no, no, no, no,

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Speaker 1: savor Now I gotta go get him. No, don't go

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Speaker 1: get her talking about you talking about No, I don't.

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Speaker 1: Oh my god. You know the real reason he goes

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Speaker 1: and gets her is he so incredibly clingy and p

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Speaker 1: whipped that, like the the ninety minutes we do the

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Speaker 1: podcast is too much time apart, he has to go

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Speaker 1: get her. Oh, I feel like we're interrupting whatever she's

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Speaker 1: trying to do while Donald is busy. She's probably so

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Speaker 1: stoked that she gets a solid ninety minutes to do

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Speaker 1: some shit without him bothering her talking about it. Oh,

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Speaker 1: Zach's talking about talking about it? What the is he

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Speaker 1: talking about? I play the theme song Casey coming down here,

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Speaker 1: do tell me what to do? And well, this is embarrassing. No, listen,

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Speaker 1: ye get down so we can see you your husbands.

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Speaker 1: He I thought he was gonna say. I thought he

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Speaker 1: was gonna say, Um. We were talking about how you

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Speaker 1: know you have to when when you're trying to get

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Speaker 1: an actor for something, you can't give up. You have

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Speaker 1: to keep trying to get them to be in your show,

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Speaker 1: if it's Harrison Forward or whatever. Assistance be persistent exactly.

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Speaker 1: And Donald started to say, well, I couldn't believe that

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Speaker 1: Casey Cobb, and I thought he was gonna say, married

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Speaker 1: me after after something, and then he said, was willing

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Speaker 1: to have sex with me this morning? Well, you know,

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Speaker 1: I take one for the team. Guys, I don't do

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Speaker 1: what I do know. But then Zach said, you know

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Speaker 1: why she had sex with you because that T mobile dropped. Yeah, yeah,

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Speaker 1: the T mobile I dropped. He got congratulations, I told you, Yeah,

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Speaker 1: yeah he got something congratulations sex. He got congratulations sex.

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Speaker 1: And you know what, I can't have him on cloud nine.

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Speaker 1: And then all of a sudden fall to the gutter

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Speaker 1: because you know, I didn't perform, but perform. I will

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Speaker 1: humble his ass tomorrow morning. I'll be like you had

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Speaker 1: your day, Yes, that shi is over? Yeah, now we

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Speaker 1: need to yeah, super Bowl. So Casey. Then Donald made

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Speaker 1: some comment because I said, you know, I hope that

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Speaker 1: you didn't rush things, and that we were talking about

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Speaker 1: this podcast and how it's going so fast and we

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Speaker 1: need to slow down and not rush. I said to Donald,

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Speaker 1: I hope that he's savored this morning and didn't didn't

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Speaker 1: rush too fast. And he said, no, no, just like

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Speaker 1: I rushed this morning. I said, oh no, no, no, yeah,

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Speaker 1: And then he said, I go go get Casey because

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Speaker 1: he wanted to. I assume he wanted you to to say,

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Speaker 1: what a wonderful lover. He honest with him. Everybody wants

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Speaker 1: to hear the honest and goodness truth out there. Babe.

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Speaker 1: That ship was long. I gotta be sho First of all,

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Speaker 1: this one savers every fucking second. There are times that

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Speaker 1: I have to like snap and be like, hey, come

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Speaker 1: back back. Gods hilarious. I have to bring it back

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Speaker 1: to reality. Sometimes I'll look back and he's like dreaming.

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Speaker 1: I'm like, oh my god, not dreaming. He's in his

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Speaker 1: happy in it. Oh my god. She said. Sometimes I

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Speaker 1: have to look back. She said, you have looked back.

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Speaker 1: She looked back, like yeah, it's just to look back,

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Speaker 1: because yeah, she has to look back. She says that

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Speaker 1: you're sort of lost in a dream world and she

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Speaker 1: has to snap to bring you back over the over

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Speaker 1: the shoulder, like this is great, Right, we're gonna win

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Speaker 1: an award. All right, we got to start the show.

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Speaker 1: Thank you for your sex anecdote. I hope your floors

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Speaker 1: are okay. I'm gonna get a kiss. That is amazing?

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Speaker 1: Good is there? It is? You guys are hilarious. I

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Speaker 1: would watch that reality show. I love that. I know

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Speaker 1: you're so in loving adorable dude. It's like, you know

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Speaker 1: it's great, But we're here to talk about scrubs. Yeah,

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Speaker 1: we're gonna focus on scrubs. I just wanted to say

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Speaker 1: one last thing. I recently started watching The Boys again.

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Speaker 1: It is so good because I had paused. I had

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Speaker 1: paused for some reason, and now I just finished season two,

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Speaker 1: and that is one of the best shows on TV.

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Speaker 1: And it's a shame that Donald doesn't watch things, because man,

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Speaker 1: he would love that. I watch I watched season one

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Speaker 1: of the Boys. Uh, and I guess I watched season

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Speaker 1: some of season two. It's so crazy. It's do you

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Speaker 1: know about the crazy shot in season three? Don't ruin

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Speaker 1: anything in season three? Please, no, you don't have to

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Speaker 1: don't ruin anything. You know, it's it's good. I like

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Speaker 1: I like the show. You know, superhero shows, I don't know, man,

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Speaker 1: superhero shows get a little boring to me because I

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Speaker 1: don't know, man. After a while, they just they just

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Speaker 1: it's I can't take the bullshit. I want to see

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Speaker 1: the action, and I want to see the comic book

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Speaker 1: stuff I don't necessarily want to see, like the drama

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Speaker 1: of it all. This show is a lot of social commentary,

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Speaker 1: which is brilliant. I mean, there's so cool. That's cool.

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Speaker 1: And all the people watching this show, um, who who? Who? Who? Who?

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Speaker 1: Don't know that they're rooting for the bad guy? Oh? Oh,

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Speaker 1: they definitely are. They definitely know that. Listen, that's a

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Speaker 1: crazy thing, you know, that's the crazy thing. America thinks

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Speaker 1: we're Superman, but we're really fucking that dude, Homelander. We're

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Speaker 1: really Homelander. But there must be people out there. I

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Speaker 1: was watching it, and the end of season three is

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Speaker 1: particularly poignant about social comments. Sorry, end of season two

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Speaker 1: is particularly poignant. I mean, there's literally an attack on

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Speaker 1: the Capitol in the show, and I said, I wonder

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Speaker 1: if just people watching this rooting for Homelander and there

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Speaker 1: must be Yeah, certainly, ye, season three top season two,

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Speaker 1: Zach and I can't wait really thoughts interesting? Okay, but

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Speaker 1: season one was Season one was really good. I thought

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Speaker 1: season two kind of fell from season one, but that's

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Speaker 1: just I love it. Listen, listen, put it this way.

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Speaker 1: Put this way. I'm not a person who ever watches

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Speaker 1: superhero stuff for the most part, as you guys all know,

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Speaker 1: And but this one is just the writing is so incredible.

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Speaker 1: It's so funny, and then at the same time, it's

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Speaker 1: so r rated, Like I feel like it's the most

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Speaker 1: r rated thing I've ever seen on TV. Yeah, like

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Speaker 1: the gore and the sex stuff and yeah, but Nose

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Speaker 1: two had sex and these two had sex in the

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Speaker 1: sky yeah, like above the couch and everything like that.

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Speaker 1: They're not ready and that ship and they bang so hard,

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Speaker 1: but like she was like, for real, for real about it.

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Speaker 1: Bang that go too far? No, okay, he just talks

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Speaker 1: about having sex with your wife. So lots of lots

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Speaker 1: of people, You're fine, Um, all right, should we get

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Speaker 1: into season eight? Everybody, let's count sat Donald's seven eight

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Speaker 1: stories about show. We made about a bunch of doctor

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Speaker 1: nurses and stories. So yet around here, yeah, around here. Well,

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Speaker 1: it's a whole new world, everybody. We're on ABC now. Now,

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Speaker 1: just one thing I didn't know as a piece of trivia.

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Speaker 1: As you know, throughout seasons one through seven, I have

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Speaker 1: said that this show is shot on sixteen millimeter film

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Speaker 1: and it always had the standard square aspect ratio. But

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Speaker 1: I'm guessing, well not guessing, I can tell. Starting in

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Speaker 1: season eight it was finally upressed. The film was upresed

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Speaker 1: to HD for the first time, so you'll notice that

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Speaker 1: it's actually finally sixteen by nine. Any other times, yes,

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Speaker 1: any other time you've seen the show, seasons one through

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Speaker 1: seven seemingly fit your whole square sixteen by nine television.

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Speaker 1: It's been cropped by whomever is broadcasting it. But this

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Speaker 1: is finally a full HD television show because I'm assuming

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Speaker 1: back that is when the switches were being made to

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Speaker 1: making everything HD. I want to just say something really

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Speaker 1: quick before we start ahead. I found myself more fascinated

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Speaker 1: with who was on the show this time around, more

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Speaker 1: than what was happening in the show, which was really

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Speaker 1: interesting because this is the first this is the first

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Speaker 1: time I've ever done that, and we've had some amazing

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Speaker 1: guest stars before, but this was the first time where

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Speaker 1: I was like, wait a second, holy shit that's and

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Speaker 1: holy shit that's and wow, this is before they and

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Speaker 1: oh my god, we were so you know what I mean, Like, well,

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Speaker 1: as He's Unsorry of course and Eliza Cooper are two

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Speaker 1: people that really and Tarn kill him. Tarn kill him

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Speaker 1: three people that really broke out from this. I mean,

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Speaker 1: Tarn was known a bit before, but I don't think

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Speaker 1: as He's well, he was like on Matt Look, Tarn

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Speaker 1: was on Mad TV and Nickelodeon stuff like that, you

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Speaker 1: know what I mean. He hadn't necessarily had his big

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Speaker 1: you know, not ready for prime time breakout. Yeah, yeah,

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Speaker 1: breakout moment yet. But A Z's was pretty unknown, right,

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Speaker 1: Maybe he was a stand up no buzz's had like

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Speaker 1: some maybe he was on the internet or something like that.

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Speaker 1: I remember walking with his Z's in the parking lot

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Speaker 1: and being like giving him the hey, kid, you stick

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Speaker 1: to it. You're gonna be really gear, really funny, fucking idiot.

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Speaker 1: I fucking shot myself in the foot. This motherfucker goes

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Speaker 1: on to be as he's on three, you know what

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Speaker 1: I mean, Like, come on, bro, Like, but you knew,

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Speaker 1: but we knew back then. You knew back then he

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Speaker 1: was gonna be good, and you knew Eliza was gonna

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Speaker 1: be good. Yeah, they were all great. I mean think

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Speaker 1: about it, like, I think Bill's um strategy, I assume

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Speaker 1: was like I want to you know, Bill always said

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Speaker 1: that he thought there's no reason that this couldn't be

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Speaker 1: like an ER where R type show where he keeps

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Speaker 1: it going, and I think the idea this again another

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Speaker 1: thing is we this is the first episode we moved

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Speaker 1: to ABC. So we'll talk about some of the jokes

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Speaker 1: that were in there because of ABC. So keep in

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Speaker 1: mind what had happened was NBC. The ratings weren't, you know,

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Speaker 1: big enough, and they were like, you know what, seven

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Speaker 1: seasons is good, that'll be the end. And then the

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Speaker 1: show is owned by Disney, as we've told you in

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Speaker 1: ABC is owned by Disney, so um Disney said, whoa, whoa, whoa. Well,

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Speaker 1: well we're not done yet, we're gonna put it on ABC.

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Speaker 1: So I think Bill's thinking was as any smart showrunner

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Speaker 1: would like, you know, maybe I should start introducing some

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Speaker 1: new young blood because this could be like er I

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Speaker 1: just keeps going for twenty years with new comedians. He

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Speaker 1: was trying to bring in Sam. Yes, like for those

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Speaker 1: of you that know a different Strokes reference, he was

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Speaker 1: trying to bring in Sam. I could bring dance and

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Speaker 1: play the guitar, mister date anyway. So that's what's going

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Speaker 1: on with them, And then of course we have the

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Speaker 1: stunningly beautiful Courtney Cox coming. You know, Bill was onto something.

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Speaker 1: I think this would have worked if if if he

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Speaker 1: could have kept the original cast for the whole series,

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Speaker 1: and if he would have stayed on the show, you

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Speaker 1: know what I mean. Like, you know, I don't remember

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Speaker 1: season nine. I know we shot a season nine, I

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Speaker 1: don't necessarily remember it. Stone, you must have been well,

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00:21:16,800 --> 00:21:18,919
Speaker 1: Bill was gone, you know at that point I was

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Speaker 1: freaking out of control. Stone man, like I was, Well,

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Speaker 1: we joke about season nine and we're gonna watch season nine,

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Speaker 1: which which would be fun because I definitely Donald and

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Speaker 1: I have not seen a single episode of it. But um, Bill,

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Speaker 1: you know, um. You know it's worth noting that Bill

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Speaker 1: wasn't the writer of that sort of spin off. It

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Speaker 1: was a whole new writer's room. Bill went on to

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Speaker 1: do Cougar Town with Courtney Cox. This was kind of

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Speaker 1: like the testing ground for their you know, yeah, this

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Speaker 1: is where Bill got to know Courtney and became friends

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Speaker 1: with her and really liked writing for her. And so

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Speaker 1: then they went off to make a Cougar Town, which

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Speaker 1: interestingly enough, also started on ABC, and then when ABC

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Speaker 1: tried to cancel it, they moved that showed a TBS

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Speaker 1: and kept it going. So Bill's probably in the Guinness

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Speaker 1: Book of World Records for shows moved to other networks.

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Speaker 1: I'm sure Dick Wolf and so I'm sure he's done

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Speaker 1: it before. He said Dick Wolf, he said Dick and Wolf. Um.

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Speaker 1: So um, yeah, that's some backstory about this. The opening joke.

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Speaker 1: It starts right off, which being beard face. Well, I

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Speaker 1: have a beard, by the way, I was so bummed

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Speaker 1: about how brown. There's not a single gray hair in

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Speaker 1: that beard. No, it looks weird. I love it. What

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Speaker 1: do you mean it looks weird? It looks good. I

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Speaker 1: look at Kenny Loggins. I was like, look at the glow.

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Speaker 1: Up Zack haw up right, hair was whipped, the hair

386
00:22:56,800 --> 00:23:02,400
Speaker 1: was flying. Zach Zack had some success. He came back

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Speaker 1: with some money, was like, let's go. Can I got

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Speaker 1: a fucking fully brown, not one gray hair beard. I

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Speaker 1: think did Barts that summer? Weren't we in Saint Barts

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Speaker 1: that whatever, whatever happened, I looked best. You were skinny.

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Speaker 1: You are like, I don't know if I'll ever look

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Speaker 1: that good again. Not a single fucking wrinkle under my eye. Dude,

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Speaker 1: shit man, that was so that was where I peaked.

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Speaker 1: I peaked with that Kenny Loggin's beard. Peek. You were

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Speaker 1: good in the T mobile commercial baby, Oh thank you girl.

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Speaker 1: Your eyes are so blue in that commercially are blue?

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Speaker 1: That sweater really blue out the blueness in my eye. Pop.

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Speaker 1: It's like it's like, a hey, that wasn't an accident.

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Speaker 1: Tell I gotta tell you I picked the blue blue.

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Speaker 1: I knew you did. I knew you did. Um So anyway,

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Speaker 1: so I want what I wanted to see is the

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Speaker 1: very first joke that JD makes won't come across um

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Speaker 1: in certain places where you're watching it. But if you recall,

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00:24:02,920 --> 00:24:05,280
Speaker 1: he points down to the bottom right hand portion of

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Speaker 1: the screen and he goes, huh, that's new. That's because

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Speaker 1: that's where the ABC had a little button, a little

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Speaker 1: ABC identifier tag on the bottom of the screen, and

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Speaker 1: then builded a joke on that and then revealed that

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00:24:18,040 --> 00:24:22,639
Speaker 1: in the show, he's he's pointing to I guess the

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Speaker 1: janitor's watch or the gum that the janitors which watch. Okay,

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Speaker 1: so the janitor says, oh, you're talking about my watch.

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Speaker 1: So we do a little joke about that. But that

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Speaker 1: was so there's some meta jokes in here about moving

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Speaker 1: to ABC through well, yeah, definitely in the end credits,

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Speaker 1: of course, which we'll get. Written by the very talented

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Speaker 1: Angela Nissel and directed by the legendary Michael Spiller. Michael

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Speaker 1: spill we should I mean, we had him on the

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Speaker 1: show before, man, but let's just for you guys that

419
00:24:50,800 --> 00:24:55,600
Speaker 1: don't remember. Spiller has directed so much television. He directed

420
00:24:55,720 --> 00:24:59,760
Speaker 1: Sarah on Firefly Lane, he directed so many episodes of Scrubs.

421
00:25:00,080 --> 00:25:03,280
Speaker 1: He's directed, like, you know, so many things. But Sex

422
00:25:03,280 --> 00:25:06,080
Speaker 1: in the City is his like was like the beginning

423
00:25:06,080 --> 00:25:09,240
Speaker 1: of it all right, right, because he started a cinematographer. Yeah,

424
00:25:09,240 --> 00:25:10,960
Speaker 1: he was the DP on it and then moved over

425
00:25:11,040 --> 00:25:16,399
Speaker 1: to Some cinematographers aspire to move on from being the

426
00:25:16,400 --> 00:25:19,840
Speaker 1: cinematographer to being a director, and some are quite successful,

427
00:25:19,840 --> 00:25:22,520
Speaker 1: and Michael was that. He shot I believe most of

428
00:25:22,600 --> 00:25:25,080
Speaker 1: Sex in the City and then started directing Sex in

429
00:25:25,119 --> 00:25:27,399
Speaker 1: the City and then now he's a very big and

430
00:25:27,560 --> 00:25:32,520
Speaker 1: beloved TV director. You know, your path is your path.

431
00:25:32,920 --> 00:25:35,879
Speaker 1: And now he's back with Sarah Chalk with Firefly Lane,

432
00:25:36,000 --> 00:25:41,280
Speaker 1: although that's over now, I think, right yeah, anyway, because spoilers, Sarah,

433
00:25:41,320 --> 00:25:54,240
Speaker 1: you know, spoilers, all right. So the janitor says that

434
00:25:54,280 --> 00:25:57,560
Speaker 1: I have a pre pubescent Miami Vice and I say

435
00:25:57,600 --> 00:25:59,840
Speaker 1: that I look like I say, there are some who

436
00:26:00,160 --> 00:26:02,720
Speaker 1: think guy looked like a young Kenny Loggins and he

437
00:26:02,840 --> 00:26:09,119
Speaker 1: says who and I say me, um way too the

438
00:26:09,880 --> 00:26:14,480
Speaker 1: danger zone. We know you wanted to sing that. I didn't,

439
00:26:14,600 --> 00:26:16,720
Speaker 1: especially not that loud. But um let's let the babies

440
00:26:16,760 --> 00:26:29,240
Speaker 1: latch again. Let them suckle and they're latched. If you

441
00:26:29,320 --> 00:26:32,480
Speaker 1: get the baby on the on the areola and someone

442
00:26:32,640 --> 00:26:37,760
Speaker 1: screams out loud, you're gonna jostle the baby. I wish

443
00:26:37,800 --> 00:26:40,520
Speaker 1: I had video of that baby jostle when it happened.

444
00:26:40,560 --> 00:26:46,679
Speaker 1: That's so cute. It's all right, So let's just go

445
00:26:46,760 --> 00:26:49,000
Speaker 1: through that. We meet all the new interns. Um as

446
00:26:49,000 --> 00:26:51,120
Speaker 1: we mentioned ed, is played by his z The niece

447
00:26:51,200 --> 00:26:54,440
Speaker 1: is played by Eliza Cooper, and we learned that, um,

448
00:26:55,560 --> 00:26:57,200
Speaker 1: I think he has a fun Speaking of T Mobile,

449
00:26:57,240 --> 00:26:59,840
Speaker 1: I think he's got like a sidekick because he's I

450
00:27:00,000 --> 00:27:01,760
Speaker 1: couldn't tell if it's actually a T Mobile sidekick, but

451
00:27:01,760 --> 00:27:05,320
Speaker 1: he's got that flip up style like I wish T

452
00:27:05,480 --> 00:27:08,640
Speaker 1: Mobile would bring back that sidekick. That phone was great,

453
00:27:09,119 --> 00:27:12,360
Speaker 1: miss listen, I miss am I buy something an old

454
00:27:12,359 --> 00:27:16,000
Speaker 1: man when I said, I really still miss a tactile keyboard, No, no,

455
00:27:16,040 --> 00:27:20,280
Speaker 1: not at all, I would. I don't know why anyone doesn't.

456
00:27:20,320 --> 00:27:22,680
Speaker 1: Why is no one like you can? This is what

457
00:27:22,760 --> 00:27:24,919
Speaker 1: you should do, righty? You have an iPhone right and

458
00:27:24,960 --> 00:27:27,320
Speaker 1: they don't change the thickness, or maybe they make it

459
00:27:27,359 --> 00:27:29,520
Speaker 1: a little bit thicker, but then you pop out your

460
00:27:29,560 --> 00:27:33,480
Speaker 1: fucking little keyboard. Why not guys? Come on see it? Also,

461
00:27:33,520 --> 00:27:35,639
Speaker 1: if I could just slap a phone shut again, I

462
00:27:35,640 --> 00:27:38,320
Speaker 1: would really appreciate. I miss being able to just click

463
00:27:38,400 --> 00:27:42,320
Speaker 1: it y. I don't know, but tactile they have, they

464
00:27:42,359 --> 00:27:44,480
Speaker 1: have that I phone one of my old flip phones. Here,

465
00:27:44,480 --> 00:27:46,840
Speaker 1: an old Motorola. I was playing with it slipping it closed.

466
00:27:47,160 --> 00:27:50,080
Speaker 1: We sho but it's dual glass and I don't feel

467
00:27:50,080 --> 00:27:53,000
Speaker 1: comfortable if you get a proper snap on that. You

468
00:27:53,040 --> 00:27:54,879
Speaker 1: know what I'm saying, right you can't get that click

469
00:27:55,240 --> 00:28:00,400
Speaker 1: bob bitch click. Yeah. I just don't understand. And why

470
00:28:00,520 --> 00:28:03,040
Speaker 1: no one like the BlackBerry held on as long as

471
00:28:03,040 --> 00:28:05,520
Speaker 1: it could because for people who love the tactile keyboard.

472
00:28:05,520 --> 00:28:08,840
Speaker 1: But now that it's gone, Why why no one creates

473
00:28:08,880 --> 00:28:11,840
Speaker 1: something like this? I don't know. It could even be

474
00:28:11,920 --> 00:28:14,960
Speaker 1: an aftermarket like a case of something. Well, i'll tell you,

475
00:28:15,000 --> 00:28:19,320
Speaker 1: I'll tell you this. Every they're definitely trying to sell distraction, right,

476
00:28:19,400 --> 00:28:22,320
Speaker 1: So there's no way anybody's gonna sell you a phone

477
00:28:22,640 --> 00:28:26,040
Speaker 1: where all it does is just flip open unless you

478
00:28:26,040 --> 00:28:28,880
Speaker 1: know that's what people that's what you're looking for. Yeah, yeah,

479
00:28:28,880 --> 00:28:32,280
Speaker 1: people planning people sell flip phones if you don't want to. Well,

480
00:28:32,320 --> 00:28:36,040
Speaker 1: the assistant editor I had on my on my film Awesome,

481
00:28:36,080 --> 00:28:40,160
Speaker 1: guy named Elliott Eisman, and he was in his thirties

482
00:28:40,200 --> 00:28:42,720
Speaker 1: and head a flip phone, and I always I always

483
00:28:42,720 --> 00:28:44,120
Speaker 1: made fun of him because I was like, dude, I

484
00:28:44,160 --> 00:28:46,800
Speaker 1: really hate that my textico green to you, and we

485
00:28:47,080 --> 00:28:48,880
Speaker 1: would laugh about it. But he's like, I just never

486
00:28:48,920 --> 00:28:53,080
Speaker 1: went down the smartphone wormhole. I saw how many how

487
00:28:53,120 --> 00:28:55,040
Speaker 1: it took over everyone I know his life, and I

488
00:28:55,080 --> 00:28:57,200
Speaker 1: just I just held myself back and never went down

489
00:28:57,200 --> 00:28:58,880
Speaker 1: the Wormhall. I was impressed. The only person I know

490
00:28:59,080 --> 00:29:01,960
Speaker 1: like that. Yeah, I can't text on that ship though,

491
00:29:02,160 --> 00:29:04,520
Speaker 1: that's the only problem. No, no, I know. But if

492
00:29:04,520 --> 00:29:08,120
Speaker 1: it's like a sidekick or a or but even the sidekick,

493
00:29:08,240 --> 00:29:10,080
Speaker 1: you know, even the said the reason why the sidekick

494
00:29:10,160 --> 00:29:12,760
Speaker 1: was so dope was because it did it had a

495
00:29:12,800 --> 00:29:16,840
Speaker 1: lot of functions, same thing with the freaking, but it

496
00:29:16,880 --> 00:29:19,120
Speaker 1: was just functions. It was just so cool how it

497
00:29:19,160 --> 00:29:24,680
Speaker 1: flipped out though. How you It's almost like star Trek kikikie. Yeah,

498
00:29:24,720 --> 00:29:26,600
Speaker 1: Paris Hilton made that famous right. That was like at

499
00:29:26,600 --> 00:29:29,440
Speaker 1: the height of Paris Hilton's uh well, at the well

500
00:29:29,520 --> 00:29:31,680
Speaker 1: T Mobile at the time it was Charles Barkley and

501
00:29:31,720 --> 00:29:34,720
Speaker 1: Dwayne Wade. Where the sidekick? Dudes? Oh really, I just

502
00:29:34,880 --> 00:29:38,680
Speaker 1: mean that your Paris was everywhere in the news, and

503
00:29:38,720 --> 00:29:42,400
Speaker 1: I remember she always had a sidekick bedazzled pink Joy. Yeah,

504
00:29:42,400 --> 00:29:50,360
Speaker 1: it was like bedazzled start. You probably knew this. But

505
00:29:50,400 --> 00:29:53,080
Speaker 1: you can put a I'm trying to tiptoe off these addicting,

506
00:29:53,160 --> 00:29:55,400
Speaker 1: addictive apps, and you can on your phone you can

507
00:29:55,440 --> 00:29:59,080
Speaker 1: put a time limit on specific apps. I need this

508
00:29:59,320 --> 00:30:03,160
Speaker 1: getting s what what is this? What is this time?

509
00:30:03,600 --> 00:30:05,720
Speaker 1: It's built into my phone. Yeah, if you go in

510
00:30:05,800 --> 00:30:08,680
Speaker 1: your if you go in um settings, audience, you're gonna

511
00:30:08,720 --> 00:30:10,320
Speaker 1: love this. This is gonna help you all. It's gonna

512
00:30:10,320 --> 00:30:13,080
Speaker 1: help you wean yourself off crack cocaine. You can go

513
00:30:13,120 --> 00:30:18,560
Speaker 1: in and like select Instagram for example. Disclaim disclaimer, This

514
00:30:18,640 --> 00:30:21,240
Speaker 1: is not gonna get you off a crack cocaine. No,

515
00:30:21,440 --> 00:30:23,400
Speaker 1: I'm saying I don't mean crack cocaine. I mean the

516
00:30:23,400 --> 00:30:25,960
Speaker 1: crack cocaine that is social media. So you can you

517
00:30:26,000 --> 00:30:28,240
Speaker 1: can say okay Instagram. You can see how much time

518
00:30:28,360 --> 00:30:32,120
Speaker 1: you're spending on a day, and then you can go, okay,

519
00:30:32,160 --> 00:30:35,680
Speaker 1: I'm gonna that's that's embarrassing. I can't believe I'm spending

520
00:30:35,680 --> 00:30:37,640
Speaker 1: that much time on Instagram a day. And then you

521
00:30:37,640 --> 00:30:41,960
Speaker 1: can go a set timer for one hour so and

522
00:30:42,000 --> 00:30:44,440
Speaker 1: then a second you reached an hour, it locks you

523
00:30:44,520 --> 00:30:48,680
Speaker 1: out of the app. That setting is called screen time.

524
00:30:49,160 --> 00:30:51,520
Speaker 1: Screen time. But if you got to post something, well

525
00:30:51,520 --> 00:30:53,520
Speaker 1: you can you can override it if like for work,

526
00:30:53,560 --> 00:30:56,840
Speaker 1: you need to post something obviously, but also schedule your posts,

527
00:30:56,840 --> 00:30:59,160
Speaker 1: Like if you're posting for work, just schedule it so

528
00:30:59,240 --> 00:31:01,120
Speaker 1: that way you're not timed it to be on the app.

529
00:31:01,360 --> 00:31:04,400
Speaker 1: But what if you just found the dopest ham and

530
00:31:04,520 --> 00:31:07,440
Speaker 1: cheese sandwich you've ever had in your life and you

531
00:31:07,560 --> 00:31:13,040
Speaker 1: want Okay, I didn't know first of all, where's the

532
00:31:13,080 --> 00:31:15,320
Speaker 1: ham and cheese sandwich? Because no, I won't one, right,

533
00:31:15,600 --> 00:31:17,520
Speaker 1: But any which you can do, just like someone weaning

534
00:31:17,520 --> 00:31:19,520
Speaker 1: them off drugs is and I started to do this.

535
00:31:19,600 --> 00:31:22,360
Speaker 1: You go, you start like saying an hour, right, and

536
00:31:22,400 --> 00:31:24,000
Speaker 1: then you get locked out and you okay, and then

537
00:31:24,040 --> 00:31:26,520
Speaker 1: like the next day you do fifty five minutes, and

538
00:31:26,560 --> 00:31:28,400
Speaker 1: then next day you fifty and a little by little,

539
00:31:28,440 --> 00:31:30,520
Speaker 1: you just you're not not using the app as much anymore.

540
00:31:31,640 --> 00:31:33,280
Speaker 1: I like, there you go. The more you know, Dan,

541
00:31:33,320 --> 00:31:37,040
Speaker 1: I'll play them, the more you know on music. Okay,

542
00:31:37,360 --> 00:31:40,680
Speaker 1: back to the TV show Scrubs. Everyone at this hospital

543
00:31:40,760 --> 00:31:43,960
Speaker 1: has been flirting with someone on the web called hot

544
00:31:44,000 --> 00:31:48,360
Speaker 1: Girl ninety nine. Okay, we should also we should give

545
00:31:48,560 --> 00:31:52,040
Speaker 1: a little bit of a story about these new interns,

546
00:31:52,080 --> 00:31:55,040
Speaker 1: because that's what this show is pretty much about. So

547
00:31:55,200 --> 00:32:00,880
Speaker 1: Katie is a kiss ass, Denise is has horrible bedside manner. Yes,

548
00:32:01,720 --> 00:32:08,360
Speaker 1: Ed which you're talking about right now, tricks a catfish

549
00:32:08,440 --> 00:32:11,280
Speaker 1: to come to the hospital, so he gets catfish, and

550
00:32:11,280 --> 00:32:14,560
Speaker 1: then catfish is the catfish to come to the hospital. Yes,

551
00:32:14,560 --> 00:32:18,600
Speaker 1: and he says, beholding a red balloon, but he's a

552
00:32:18,720 --> 00:32:22,400
Speaker 1: Zes's character is playing Hot Girl ninety nine, and he says,

553
00:32:23,040 --> 00:32:26,040
Speaker 1: carry a red balloon, so ill know. And then Jad says, wait,

554
00:32:26,560 --> 00:32:30,160
Speaker 1: you're hot girl ninety nine. Yeah, he walks away like

555
00:32:30,280 --> 00:32:32,960
Speaker 1: he's he's been chatting to her too, And then throughout

556
00:32:32,960 --> 00:32:35,240
Speaker 1: the episode as a runner you see lots of men

557
00:32:35,440 --> 00:32:42,360
Speaker 1: holding red balloons, including Colonel, Colonel, doctor Yes, and Ted Yes,

558
00:32:42,800 --> 00:32:47,120
Speaker 1: Ted's that's a sad story, Sam Lloyd. This is this

559
00:32:47,200 --> 00:32:49,480
Speaker 1: is the saddest Sam Lloyd has ever been on the show.

560
00:32:49,640 --> 00:32:51,800
Speaker 1: I know it's really dark too, Like you definitely not

561
00:32:51,920 --> 00:32:57,320
Speaker 1: make um these jokes in twenty twenty three, No, but

562
00:32:57,520 --> 00:33:01,240
Speaker 1: not a bone. But it was little dark. But I

563
00:33:01,280 --> 00:33:04,320
Speaker 1: love I Love I Love Jimmy. The over touchy touchy.

564
00:33:04,600 --> 00:33:07,840
Speaker 1: How do you say, the over the overly touchy orderly. Yeah,

565
00:33:07,840 --> 00:33:10,960
Speaker 1: the overly touchy orderly. I love Jimmy, the over touchily

566
00:33:11,040 --> 00:33:13,640
Speaker 1: order Oh my god, when when when Sam on my face?

567
00:33:13,960 --> 00:33:18,120
Speaker 1: When when when Sam falls out of his chair and

568
00:33:18,240 --> 00:33:20,480
Speaker 1: Ted falls out of his the wheelchair because he was

569
00:33:20,560 --> 00:33:23,560
Speaker 1: cold and needed a seat. And then and then he's

570
00:33:23,560 --> 00:33:26,040
Speaker 1: on the ground. And then that was the funniest ship

571
00:33:26,160 --> 00:33:28,960
Speaker 1: of the episode when tarn is like groping him and

572
00:33:28,960 --> 00:33:31,960
Speaker 1: he's like, yeah, okay, he's like, he's just like okay, okay,

573
00:33:32,080 --> 00:33:35,640
Speaker 1: slow slowly, smooth, slowly, don't you Yeah, And he's like

574
00:33:35,680 --> 00:33:38,040
Speaker 1: do I know you? And he's like, moo, slowly, don't

575
00:33:38,080 --> 00:33:47,200
Speaker 1: rush anything. He's okay, breathe on my face. That was

576
00:33:47,280 --> 00:33:51,760
Speaker 1: hilarious that that Yeah he was. That was that was

577
00:33:51,840 --> 00:33:54,120
Speaker 1: I laughed the hardest at that. Yeah, me too at

578
00:33:54,160 --> 00:33:58,040
Speaker 1: that part. So Courtney Cox gets the beautiful beautiful woman

579
00:33:58,200 --> 00:34:00,360
Speaker 1: entrance that we always do on Scrubbs. But when then

580
00:34:00,400 --> 00:34:02,600
Speaker 1: we do a play on the joke, We joke the

581
00:34:02,680 --> 00:34:05,520
Speaker 1: joke by having it go on too long, and Jad's like,

582
00:34:05,560 --> 00:34:08,160
Speaker 1: all right, come on, hurry up the sexy music. Yeah,

583
00:34:08,160 --> 00:34:11,759
Speaker 1: but also Jady's not attracted to her. Yes, yeah, yes

584
00:34:11,800 --> 00:34:16,040
Speaker 1: he yeah, keem like no, but he says he says

585
00:34:16,120 --> 00:34:18,480
Speaker 1: because she was. He says something like because she was

586
00:34:18,520 --> 00:34:20,680
Speaker 1: a babe, of course I had to do this. And

587
00:34:20,719 --> 00:34:24,759
Speaker 1: then the Courtney and Courtney does There's no one who

588
00:34:24,800 --> 00:34:28,840
Speaker 1: doesn't think Courtney looks sexy. Let me tell you. In

589
00:34:28,920 --> 00:34:32,880
Speaker 1: those videos, those entrance videos, she's a knockout. Let me

590
00:34:32,920 --> 00:34:38,880
Speaker 1: tell you something right now, Yes, Donald, Courtney Cox says,

591
00:34:39,160 --> 00:34:43,560
Speaker 1: you know on the top ten lists, right and at

592
00:34:43,640 --> 00:34:48,080
Speaker 1: least with my top ten lists. Yeah, she's a oh

593
00:34:48,160 --> 00:34:52,000
Speaker 1: my gosh. However, all the way back to Family Ties, yeah,

594
00:34:52,000 --> 00:34:55,480
Speaker 1: she was the second love interest. Yeah on the show. Uh,

595
00:34:56,120 --> 00:34:57,400
Speaker 1: well all the way I go all the way back

596
00:34:57,440 --> 00:35:02,480
Speaker 1: to Bruce Bruce Brinstein, right, Um, Kelso's replacement. We said

597
00:35:02,520 --> 00:35:05,000
Speaker 1: his Courtney Cox. And Cox doesn't want to smile so

598
00:35:05,040 --> 00:35:07,200
Speaker 1: badly because he knows he's gonna hate her because at

599
00:35:07,200 --> 00:35:13,600
Speaker 1: the hospital that he defibrillates his head out lat Yeah,

600
00:35:13,120 --> 00:35:16,960
Speaker 1: he that's not recommended to defibrillate your head. I would

601
00:35:17,120 --> 00:35:19,080
Speaker 1: not do that. I would not do that. I don't

602
00:35:19,080 --> 00:35:21,759
Speaker 1: know if that. I don't think that's the right way. No,

603
00:35:21,920 --> 00:35:23,880
Speaker 1: you definitely don't want to defibrilate your head. Use that,

604
00:35:24,120 --> 00:35:31,160
Speaker 1: Dawn put the music again. Kids, don't defibrillate your head. Um.

605
00:35:31,200 --> 00:35:34,840
Speaker 1: But anyway, it gets a smile off of him, and um,

606
00:35:34,880 --> 00:35:37,600
Speaker 1: now this is actually this story with Jad being so

607
00:35:37,680 --> 00:35:40,560
Speaker 1: nervous not to know what to say to uh courtey

608
00:35:40,560 --> 00:35:44,400
Speaker 1: and Cox's character. Um, and they're talking about their babies

609
00:35:44,400 --> 00:35:49,399
Speaker 1: and he says, did you deliver vaginally? I did, and

610
00:35:49,680 --> 00:35:55,480
Speaker 1: he goes, big girl must have hurt. Now. I just

611
00:35:55,640 --> 00:35:59,000
Speaker 1: recently was reminded this is a real story from Matt's harses.

612
00:35:59,080 --> 00:36:02,160
Speaker 1: One of our favorite Jeff Zucker, who told you was

613
00:36:02,200 --> 00:36:07,000
Speaker 1: the head of NBC, the one that Donald Nuggee um

614
00:36:07,360 --> 00:36:10,160
Speaker 1: Matt Tarsus nervously was talking to him and they were

615
00:36:10,160 --> 00:36:12,520
Speaker 1: talking about their kids. This all happened in real life,

616
00:36:13,040 --> 00:36:15,439
Speaker 1: and Matt was nervous and didn't know what to say.

617
00:36:15,520 --> 00:36:18,640
Speaker 1: They were exchanging stories about having a newborn and Matt said,

618
00:36:19,200 --> 00:36:27,280
Speaker 1: so did your wife deliver vaginally? What did think about

619
00:36:27,560 --> 00:36:30,120
Speaker 1: what was happening on this show as it comes out

620
00:36:30,440 --> 00:36:36,400
Speaker 1: as it comes out of your mouth in your life

621
00:36:36,400 --> 00:36:38,760
Speaker 1: that like is this just me? Or like there's certain

622
00:36:38,800 --> 00:36:41,560
Speaker 1: people like you're just kind of nervous around and you

623
00:36:41,640 --> 00:36:47,239
Speaker 1: always say something stupid every if I've seen you in

624
00:36:47,280 --> 00:36:51,520
Speaker 1: a movie ever in my life, that's me. You just

625
00:36:51,520 --> 00:36:55,399
Speaker 1: can't help I am certain people who I and every

626
00:36:55,400 --> 00:36:57,759
Speaker 1: time I'm like, all right, dude, you got this, Like

627
00:36:57,960 --> 00:37:00,720
Speaker 1: it's Donald's right, it's often someone I had or someone

628
00:37:00,800 --> 00:37:03,399
Speaker 1: I think is really cool, and then what comes out

629
00:37:03,560 --> 00:37:07,439
Speaker 1: is just so stupid, like out of a movie. Yeah,

630
00:37:07,480 --> 00:37:08,960
Speaker 1: so Donald and I both have this problem, and it's

631
00:37:09,000 --> 00:37:11,680
Speaker 1: usually around people we admire. We we both call each

632
00:37:11,680 --> 00:37:14,200
Speaker 1: other the next day and cringe and go, dude, I

633
00:37:14,200 --> 00:37:16,160
Speaker 1: didn't know what to say. I said something so stupid

634
00:37:16,160 --> 00:37:20,360
Speaker 1: to so and so. JD comes in and he's Cox

635
00:37:20,480 --> 00:37:22,520
Speaker 1: is ranting about how he finds so many people annoying,

636
00:37:22,560 --> 00:37:24,840
Speaker 1: and j D doesn't walk by and goes new freckle.

637
00:37:26,280 --> 00:37:32,680
Speaker 1: I mean, Jad is keeping track of Cox's freckles. I'm

638
00:37:32,680 --> 00:37:38,520
Speaker 1: gonna say that the Facts of Life jokes, Yeah, I

639
00:37:39,239 --> 00:37:41,320
Speaker 1: don't know if anyone gets them. Who are isn't our age?

640
00:37:41,440 --> 00:37:44,279
Speaker 1: I thought that ship was hilarious. How she was Joe?

641
00:37:44,320 --> 00:37:50,480
Speaker 1: How how how Denise's Joe and Katie's Blair. But then

642
00:37:50,560 --> 00:37:54,400
Speaker 1: when when Ed is like, you could call me two D,

643
00:37:54,520 --> 00:38:03,440
Speaker 1: I won't think it's racist. That was funny. It was.

644
00:38:04,320 --> 00:38:06,279
Speaker 1: But the facts of life joke is a deep cut

645
00:38:06,320 --> 00:38:08,719
Speaker 1: for some people, but um for those of you don't know.

646
00:38:09,000 --> 00:38:11,279
Speaker 1: Because said Tom said coom, we all loved very much

647
00:38:11,280 --> 00:38:12,640
Speaker 1: when we were growing up, and I had such a

648
00:38:12,640 --> 00:38:15,360
Speaker 1: crush on Joe, Like who didn't have a crush. I

649
00:38:15,400 --> 00:38:17,880
Speaker 1: know some people were Blair people. I was a Joe person.

650
00:38:18,239 --> 00:38:21,520
Speaker 1: I was a Joe. I was a Joe and I

651
00:38:22,480 --> 00:38:24,600
Speaker 1: and I was a Tutti? Oh my god, was I Tutti?

652
00:38:25,200 --> 00:38:32,600
Speaker 1: Who wait? I want to tell you something right now? Man,

653
00:38:33,840 --> 00:38:37,319
Speaker 1: oh man, you want to talk about that? That her

654
00:38:37,440 --> 00:38:40,960
Speaker 1: mom actually, Chip Fields, kim Field's mom. Kim Field's played Tutti.

655
00:38:41,400 --> 00:38:44,799
Speaker 1: Chip Fields little known that when I first moved out

656
00:38:44,800 --> 00:38:47,600
Speaker 1: to Los Angeles and I was doing Clueless, a television show,

657
00:38:48,200 --> 00:38:52,840
Speaker 1: they hired her to help me learn how to do

658
00:38:53,560 --> 00:38:59,439
Speaker 1: sitcom uhd with with my sitcom timing, So she would,

659
00:39:00,360 --> 00:39:03,240
Speaker 1: unbeknownst to me, one day I walk in my chairler

660
00:39:03,320 --> 00:39:05,160
Speaker 1: and Chip Fields is in there, and this is the

661
00:39:05,239 --> 00:39:09,719
Speaker 1: mom from from Good Times who beat Penny Janet Jackson, right,

662
00:39:10,160 --> 00:39:12,839
Speaker 1: And so I walk into my trail and she's sitting

663
00:39:12,840 --> 00:39:16,440
Speaker 1: in there and I'm like, oh shit, I didn't know.

664
00:39:17,520 --> 00:39:20,040
Speaker 1: She was like, they hired me to work with you,

665
00:39:20,120 --> 00:39:22,680
Speaker 1: and I was like, oh okay. And she would for

666
00:39:22,760 --> 00:39:27,120
Speaker 1: like almost a season she would come to set and

667
00:39:27,640 --> 00:39:31,239
Speaker 1: run lines with me. She helped you, Yeah, she helped tremendously.

668
00:39:31,280 --> 00:39:33,520
Speaker 1: Like she's a great coach. That that was what she

669
00:39:33,600 --> 00:39:35,880
Speaker 1: did at that point. But that's the one time this

670
00:39:36,000 --> 00:39:38,239
Speaker 1: wasn't a sitcom, right, No, it wasn't. It was a

671
00:39:38,320 --> 00:39:40,279
Speaker 1: multi camera thing. But I was playing the whole thing

672
00:39:40,360 --> 00:39:42,319
Speaker 1: like I was trying to play the whole thing like

673
00:39:42,440 --> 00:39:46,279
Speaker 1: this and talk. Everything was very natural and when you know, right,

674
00:39:48,040 --> 00:39:50,880
Speaker 1: and when you were using a heightened reality of a comedy,

675
00:39:51,000 --> 00:39:53,359
Speaker 1: right right, And so I'm playing this and everybody else

676
00:39:53,520 --> 00:39:56,080
Speaker 1: is really big and I'm trying this is a it's

677
00:39:56,080 --> 00:39:58,640
Speaker 1: a it's a great story man, because like it was

678
00:39:58,719 --> 00:40:03,200
Speaker 1: me before I learned how big I could become. Like

679
00:40:03,320 --> 00:40:07,040
Speaker 1: now I go so big that directors and ship will

680
00:40:07,120 --> 00:40:08,960
Speaker 1: be like, hey, could you just tone it back a

681
00:40:09,000 --> 00:40:11,759
Speaker 1: little down? Bring it down? But I mean I saw

682
00:40:11,800 --> 00:40:15,160
Speaker 1: that Alicia had a Super Bowl commercial as well with

683
00:40:15,160 --> 00:40:18,200
Speaker 1: with Alsa Donovan, both of them from It was very

684
00:40:18,320 --> 00:40:21,120
Speaker 1: nice as since she was one of my biggest crushes.

685
00:40:21,160 --> 00:40:22,719
Speaker 1: I was very happy to see her back in the

686
00:40:22,840 --> 00:40:27,360
Speaker 1: in the yellow outfit amazing too. They both looked beautiful

687
00:40:27,400 --> 00:40:31,319
Speaker 1: and Alicia's uh so funny and um I like her

688
00:40:31,360 --> 00:40:34,600
Speaker 1: a lot. Yeah. Um okay, So when we take a

689
00:40:34,600 --> 00:40:36,920
Speaker 1: break and we come back, um, we're gonna talk about

690
00:40:36,920 --> 00:40:42,600
Speaker 1: how um um u Ed that's his name, edwar Ed

691
00:40:42,640 --> 00:40:45,080
Speaker 1: wears gloves to sleep so he had soft hands. We'll

692
00:40:45,080 --> 00:40:58,200
Speaker 1: be right back, and we're bad. We are back, everybody,

693
00:40:58,320 --> 00:41:01,319
Speaker 1: and I'm giving you noises that you all love so much.

694
00:41:07,200 --> 00:41:10,000
Speaker 1: Fuck your sound machine. Sound hold on you want that

695
00:41:10,000 --> 00:41:12,640
Speaker 1: one ago, I'll give it to you, baby. Hold on.

696
00:41:13,040 --> 00:41:15,960
Speaker 1: That's in bank B. You won't believe it. How many

697
00:41:16,160 --> 00:41:19,240
Speaker 1: banks post? Too many banks? I need I need to

698
00:41:19,360 --> 00:41:22,080
Speaker 1: I really need Daniel to come over and consolidate the banks.

699
00:41:22,200 --> 00:41:28,719
Speaker 1: You're like, how's it going over and consolidate banks? Yeah?

700
00:41:28,800 --> 00:41:31,480
Speaker 1: I need bank consolidation down. I got you. I need

701
00:41:31,520 --> 00:41:33,320
Speaker 1: a tech who could come over and go, bro, you

702
00:41:33,400 --> 00:41:44,640
Speaker 1: got too many banks? Shut it. Dog, my name is Zachy. Okay, so, um,

703
00:41:44,680 --> 00:41:47,760
Speaker 1: everyone puts their hands in because JD is going to

704
00:41:47,800 --> 00:41:50,759
Speaker 1: give the he needs a break from the interns. He says,

705
00:41:50,800 --> 00:41:53,880
Speaker 1: hold down the ICU floor. I'm out of here. And

706
00:41:53,920 --> 00:41:57,359
Speaker 1: they put their hands in and they say, and I say,

707
00:41:57,440 --> 00:42:01,800
Speaker 1: somebody has soft hands, and a ZI says, I sleep

708
00:42:01,840 --> 00:42:05,840
Speaker 1: in gloves. And then we put our hands up and

709
00:42:05,840 --> 00:42:11,080
Speaker 1: say nobody die. Um, that's our that's our cheer. So

710
00:42:11,200 --> 00:42:15,399
Speaker 1: nobody dies, and then um, okay, we should mention also

711
00:42:15,440 --> 00:42:22,000
Speaker 1: that Carla and um Elliot's storyline is that Elliot's Carlos

712
00:42:22,040 --> 00:42:24,520
Speaker 1: trying to be honest with Elliott and say that she's

713
00:42:24,600 --> 00:42:30,320
Speaker 1: whiny and self involved. Well, Elliott is. Elliott notices Katie

714
00:42:30,800 --> 00:42:38,840
Speaker 1: and they call her many Elliott, and and Travis calls

715
00:42:38,840 --> 00:42:42,480
Speaker 1: her many Elliott. And that's what the whole hospital is saying.

716
00:42:43,160 --> 00:42:45,440
Speaker 1: And Elliot's like, wait a second, I'm not self centered.

717
00:42:45,480 --> 00:42:49,279
Speaker 1: And Cox is like, actually, you're very self centered. You're

718
00:42:49,360 --> 00:42:54,799
Speaker 1: probably the most self centered person I've ever met. And

719
00:42:54,880 --> 00:42:57,840
Speaker 1: it strikes a nerve with Elliott and she, you know,

720
00:42:58,040 --> 00:43:02,080
Speaker 1: her and Carla go to dinner and at dinner, she

721
00:43:02,400 --> 00:43:05,920
Speaker 1: can't believe that Cox said that, and she expects Carlo

722
00:43:06,000 --> 00:43:08,279
Speaker 1: to back her up, and instead of backing her up,

723
00:43:08,320 --> 00:43:11,920
Speaker 1: Carlo agrees with Cox. Yeah, and that's that's their storyline.

724
00:43:12,320 --> 00:43:15,680
Speaker 1: Sometimes sometimes that's the storyline for the whole show. Sometimes

725
00:43:15,680 --> 00:43:19,239
Speaker 1: the truth isn't what you want to hear. You know what, right,

726
00:43:19,480 --> 00:43:22,000
Speaker 1: and that people that you are close to you and

727
00:43:22,280 --> 00:43:25,440
Speaker 1: respect you will you should be open to what they

728
00:43:25,480 --> 00:43:29,439
Speaker 1: have to say. Well, yeah, there's a saying like if

729
00:43:29,560 --> 00:43:33,920
Speaker 1: enough people tell you you're drunk, sit down, that's what's up.

730
00:43:35,200 --> 00:43:37,360
Speaker 1: And so this the episode is Yeah, the theme is

731
00:43:37,360 --> 00:43:40,320
Speaker 1: sort of telling, telling hard truth to people. So Carlo

732
00:43:40,960 --> 00:43:42,960
Speaker 1: is like, yeah, you are. Look what you did to Keith,

733
00:43:43,000 --> 00:43:45,560
Speaker 1: Look what you've Look what's been going on in your life.

734
00:43:45,640 --> 00:43:50,759
Speaker 1: You are self involved and Elliott is not having that. Um,

735
00:43:51,040 --> 00:43:54,160
Speaker 1: we see that Kelso is all is perched up in

736
00:43:54,280 --> 00:43:57,040
Speaker 1: coffee Bucks and that's where he's gonna be every single day.

737
00:43:57,120 --> 00:43:59,200
Speaker 1: He's announced he doesn't want to leave the hospital. I

738
00:43:59,239 --> 00:44:02,759
Speaker 1: guess he comes there for the drama. He loves to

739
00:44:02,760 --> 00:44:06,640
Speaker 1: watch the show, right, That's what we established that in

740
00:44:06,719 --> 00:44:10,200
Speaker 1: retirement he likes to sit there and watch the soap

741
00:44:10,239 --> 00:44:13,400
Speaker 1: opera of the hospital unfold. Why is Turk in the

742
00:44:13,680 --> 00:44:16,400
Speaker 1: ICU all the time? Like, what the fuck? He's a surgeon,

743
00:44:16,520 --> 00:44:19,160
Speaker 1: Like why is he always hanging out? And I'm sure

744
00:44:19,200 --> 00:44:22,520
Speaker 1: he has to do consults and decide if someone's going

745
00:44:22,600 --> 00:44:25,040
Speaker 1: to go to surgery and what have you. I don't know,

746
00:44:25,160 --> 00:44:27,840
Speaker 1: I'm a fake doctor. But also it's because it's a

747
00:44:27,880 --> 00:44:32,600
Speaker 1: comedy and we like Turk. That is true. That's one

748
00:44:32,640 --> 00:44:35,000
Speaker 1: of the main sets. Best See and his wife are

749
00:44:35,080 --> 00:44:37,800
Speaker 1: too pe like, yeah, let me just stretch my heels

750
00:44:37,800 --> 00:44:41,160
Speaker 1: out over here. Yeah, it's everyone's hospital. Everyone's sort of

751
00:44:41,200 --> 00:44:43,560
Speaker 1: based in the ICU because they that's sort of the

752
00:44:43,600 --> 00:44:45,840
Speaker 1: main one of the main sets. That's where we do rounds.

753
00:44:46,160 --> 00:44:49,440
Speaker 1: What's crazy is that nine point nine percent of shows

754
00:44:49,560 --> 00:44:52,759
Speaker 1: you all listeners watch, Um, that would be a set.

755
00:44:53,320 --> 00:44:56,920
Speaker 1: But that's a real ICU. I know you'll forget. We

756
00:44:57,040 --> 00:45:00,000
Speaker 1: forget sometimes that we were shooting this in an abandoned hospital,

757
00:45:00,200 --> 00:45:03,759
Speaker 1: but that was really the ICU of a hospital. I mean, think,

758
00:45:03,880 --> 00:45:05,799
Speaker 1: what's crazy as we shot a comedy in there, and

759
00:45:05,880 --> 00:45:10,560
Speaker 1: think how much happened in that room. Let me ask

760
00:45:10,560 --> 00:45:14,319
Speaker 1: you a question. Can you say you visited every room

761
00:45:14,320 --> 00:45:18,920
Speaker 1: in that hospital? No? Yeah, me neither. But I definitely

762
00:45:18,920 --> 00:45:21,440
Speaker 1: explored every inch of it because I explored a lot

763
00:45:21,440 --> 00:45:23,759
Speaker 1: of it. I never, you know what, when it got

764
00:45:23,800 --> 00:45:26,880
Speaker 1: to like the children's ward and like the and like

765
00:45:27,000 --> 00:45:31,719
Speaker 1: the Morgan stuff. Yeah, I didn't fuck around. But we

766
00:45:31,719 --> 00:45:33,080
Speaker 1: shot in the morgue, but I would never go in

767
00:45:33,120 --> 00:45:35,200
Speaker 1: the morgue alone. I remember, like, I remember being down

768
00:45:35,200 --> 00:45:38,440
Speaker 1: in the basement alone and I could never go in

769
00:45:38,480 --> 00:45:41,520
Speaker 1: the morgue alone, but I would explore. Eventually they turned

770
00:45:41,920 --> 00:45:44,680
Speaker 1: some room into the gym down there. Yeah, I think

771
00:45:44,719 --> 00:45:49,640
Speaker 1: it was the morgue. That wasn't the Morgan That wasn't

772
00:45:50,000 --> 00:45:51,600
Speaker 1: I don't know what that room was, but it was

773
00:45:51,640 --> 00:45:53,680
Speaker 1: a big room in the basement they converted to a gym.

774
00:45:54,200 --> 00:46:00,000
Speaker 1: That line where Turk says, Carla has spies everywhere, Yeah,

775
00:46:00,280 --> 00:46:03,400
Speaker 1: that is my wife, yo, Really she has spies everywhere.

776
00:46:03,560 --> 00:46:06,759
Speaker 1: Oh my god, I can't do nothing. I take a

777
00:46:06,800 --> 00:46:08,719
Speaker 1: ship in the forest. My wife was like, you know

778
00:46:08,760 --> 00:46:10,400
Speaker 1: that squirrel told me about what you did in a bar.

779
00:46:14,960 --> 00:46:17,560
Speaker 1: She don't play. She just don't. I don't know, man,

780
00:46:17,600 --> 00:46:20,840
Speaker 1: she knows everybody. Man. At one point, like, I forget

781
00:46:20,840 --> 00:46:22,560
Speaker 1: this all the time, But at one point, my wife

782
00:46:22,640 --> 00:46:25,160
Speaker 1: was really fucking famous, you know what I mean? And

783
00:46:25,600 --> 00:46:27,560
Speaker 1: I forget that, and I forget because she was on

784
00:46:27,800 --> 00:46:30,480
Speaker 1: the context. Um, she was on the newly Wins right,

785
00:46:30,520 --> 00:46:33,360
Speaker 1: is that what it was called? Yes, Jessica Simpson and

786
00:46:33,520 --> 00:46:36,040
Speaker 1: her husband had a reality show and Casey was her

787
00:46:36,080 --> 00:46:39,359
Speaker 1: best friend. Jessica Simpson and her ex husband Nicola Shay

788
00:46:39,840 --> 00:46:43,359
Speaker 1: had a reality show and Casey was her assistant. Did

789
00:46:43,360 --> 00:46:45,719
Speaker 1: you watch the show? By the way, I've never seen

790
00:46:45,760 --> 00:46:47,440
Speaker 1: the show in March, so you didn't know that she

791
00:46:47,560 --> 00:46:50,000
Speaker 1: was reality TV show famous when you had a crush

792
00:46:50,000 --> 00:46:52,600
Speaker 1: on her, I had no clue. All I knew was

793
00:46:52,600 --> 00:46:54,399
Speaker 1: that she would be at the club, shaking her ass

794
00:46:54,440 --> 00:46:57,160
Speaker 1: all the time. I thought she was cute, that's it.

795
00:46:58,719 --> 00:47:00,759
Speaker 1: And you must have known she was his best friend

796
00:47:00,760 --> 00:47:03,160
Speaker 1: because she was always next right right, and I knew

797
00:47:03,200 --> 00:47:07,560
Speaker 1: that she that she was Jessica's best friend. I remember

798
00:47:07,600 --> 00:47:09,960
Speaker 1: asking somebody looking at a picture, yo, who is that

799
00:47:10,280 --> 00:47:13,080
Speaker 1: and the person going as Casey Cobb, like like, yo,

800
00:47:13,160 --> 00:47:16,680
Speaker 1: you don't know who that is, Doug and yeah. So

801
00:47:16,760 --> 00:47:19,719
Speaker 1: she was also very popular because she has an amazing personality,

802
00:47:19,760 --> 00:47:22,919
Speaker 1: so everybody, she nard a lot of people, right, but

803
00:47:23,280 --> 00:47:27,319
Speaker 1: she got spies everywhere because of her connections, like because

804
00:47:27,360 --> 00:47:30,000
Speaker 1: of the people that she knew. Back then, I go

805
00:47:30,239 --> 00:47:33,160
Speaker 1: to a gym and people are like, I'm not known

806
00:47:33,200 --> 00:47:35,600
Speaker 1: as like I tell his joke all the time. I'm

807
00:47:35,640 --> 00:47:39,200
Speaker 1: not known as Donald Fayson. Ever, I'm always known as

808
00:47:39,239 --> 00:47:43,040
Speaker 1: somebody else's something or the name of a show. So

809
00:47:43,080 --> 00:47:45,600
Speaker 1: I was known as clueless. I was known as freaking

810
00:47:46,520 --> 00:47:50,200
Speaker 1: Pete to all football players. I'm known as freaking Black

811
00:47:50,239 --> 00:47:53,000
Speaker 1: Scrubs to a lot of Scrubs fans, or Turk to

812
00:47:53,160 --> 00:47:57,440
Speaker 1: Scrubs fans, Yeah crazy right, And then to like the

813
00:47:57,600 --> 00:48:01,120
Speaker 1: Hollywood world and stuff like that, I'm known this Casey's husband,

814
00:48:01,560 --> 00:48:04,239
Speaker 1: like that shit is just how it goes, dude. I

815
00:48:04,360 --> 00:48:06,120
Speaker 1: walked into a gym and somebody was like, oh, yeah,

816
00:48:06,160 --> 00:48:12,120
Speaker 1: you Casey's husband. I was like, what, She's got spies everywhere.

817
00:48:12,600 --> 00:48:15,200
Speaker 1: I went to breakfast at Salts Cure for brunch and

818
00:48:15,239 --> 00:48:18,640
Speaker 1: a woman came in wearing a UCLA sweatshirt and she

819
00:48:18,719 --> 00:48:20,960
Speaker 1: said to me, Oh, I saw your buddy at the

820
00:48:21,000 --> 00:48:23,600
Speaker 1: game the other day. I guess you went to a

821
00:48:23,680 --> 00:48:28,239
Speaker 1: UCLA game. I did, yeah, yeah, your buddy. Do you

822
00:48:28,280 --> 00:48:29,799
Speaker 1: know what they say? You know what they say when

823
00:48:29,800 --> 00:48:31,960
Speaker 1: they see me? Oh shit, you know what I just was.

824
00:48:32,040 --> 00:48:36,640
Speaker 1: I just saw Zach Braff. They bud. They never say

825
00:48:36,719 --> 00:48:38,759
Speaker 1: your buddy. It's always Zach Braf. Dude, you know what

826
00:48:38,760 --> 00:48:41,319
Speaker 1: a joke I'm gonna tell the joke. I gotta tell

827
00:48:41,360 --> 00:48:45,520
Speaker 1: the joke. You know the joke. So here's a joke. Wow,

828
00:48:45,760 --> 00:48:48,160
Speaker 1: No one said joke that many times in one sentence ever.

829
00:48:50,160 --> 00:48:56,040
Speaker 1: Cut that down, Daniel, cut the jokes down. I first

830
00:48:56,040 --> 00:49:00,680
Speaker 1: moved to Hollywood and I do a show called Clueless,

831
00:49:00,920 --> 00:49:03,520
Speaker 1: and no matter where I go, I'm known as Clueless.

832
00:49:03,520 --> 00:49:05,919
Speaker 1: Then I get Scrubs and I meet Zach and I'm

833
00:49:05,920 --> 00:49:07,800
Speaker 1: taking Zack out to clubs and people would be like,

834
00:49:07,840 --> 00:49:10,600
Speaker 1: oh shit, there goes Clueless and clueless, but his friend

835
00:49:12,320 --> 00:49:16,480
Speaker 1: Zackt's garden state. Yeah, the no bullshit, Zackt's garden state.

836
00:49:17,800 --> 00:49:21,800
Speaker 1: Then it then becomes oh shit, there goes Zach Braff

837
00:49:22,440 --> 00:49:26,120
Speaker 1: and look he's with Clueless. That's my fucking life. Yo,

838
00:49:26,160 --> 00:49:30,200
Speaker 1: that's how it goes. That's how it is. And now

839
00:49:30,239 --> 00:49:32,239
Speaker 1: you said they call you T mobile guy, they do

840
00:49:32,360 --> 00:49:35,840
Speaker 1: call me T Look. I'll take it too, bro, Look

841
00:49:36,239 --> 00:49:38,719
Speaker 1: I'll take it. Somebody said to me the other day, yo, man,

842
00:49:39,040 --> 00:49:40,839
Speaker 1: you look so familiar. Where do I know you from?

843
00:49:40,840 --> 00:49:42,120
Speaker 1: I was like, oh, my actor, I was on a

844
00:49:42,160 --> 00:49:44,799
Speaker 1: show called Scrubs, and you know I did a movie

845
00:49:44,840 --> 00:49:47,640
Speaker 1: called Clueless. And he's like, oh no, that's not a

846
00:49:47,760 --> 00:49:53,520
Speaker 1: T Mobile. I came out of a restaurant in in

847
00:49:53,800 --> 00:49:56,600
Speaker 1: LA called Craigs, which is a really good time place,

848
00:49:56,640 --> 00:50:00,480
Speaker 1: and this paparazzo guy took my picture as I was

849
00:50:00,520 --> 00:50:02,640
Speaker 1: getting in my car, and when he was done, he

850
00:50:02,680 --> 00:50:04,799
Speaker 1: turns me. He's like, yo, yo, should I really switch

851
00:50:04,840 --> 00:50:10,200
Speaker 1: the Team Mobile? Yes? Please continue to let me get paid, sir.

852
00:50:11,000 --> 00:50:15,960
Speaker 1: That's funny. Like as though we're like as though I

853
00:50:16,000 --> 00:50:19,879
Speaker 1: have like a pamphlet in my pocket. I should start

854
00:50:19,880 --> 00:50:24,839
Speaker 1: carrying it around. Yeah, here are the plans, sir. All right.

855
00:50:24,920 --> 00:50:27,400
Speaker 1: So I again, JD doesn't know what to say to her,

856
00:50:28,040 --> 00:50:31,799
Speaker 1: and so he says he doesn't want to say that

857
00:50:31,960 --> 00:50:34,120
Speaker 1: you know she's hot because he's just nervous. And he says,

858
00:50:34,160 --> 00:50:40,440
Speaker 1: you look like a well built, sturdy woman. She's like sturdy,

859
00:50:40,640 --> 00:50:43,680
Speaker 1: she says, like a shed and he I go like

860
00:50:43,760 --> 00:50:46,719
Speaker 1: a like a naughty She goes, I like that, I

861
00:50:46,800 --> 00:50:54,560
Speaker 1: go like a naughty structure, structure. And then she asked

862
00:50:54,600 --> 00:50:56,719
Speaker 1: the janitor. She finally has a show down with the

863
00:50:56,800 --> 00:50:59,440
Speaker 1: janitor because she's not down with the Shenanigans. And she

864
00:50:59,560 --> 00:51:03,080
Speaker 1: sees that his name tag says the janitor, and then

865
00:51:03,080 --> 00:51:06,400
Speaker 1: she fires him. Yeah, I mean the janitor gets fired,

866
00:51:07,040 --> 00:51:09,319
Speaker 1: but he doesn't leave the hospital. No, he has no

867
00:51:09,400 --> 00:51:11,919
Speaker 1: intention of leaving. By the way, when when when when

868
00:51:11,920 --> 00:51:15,080
Speaker 1: she finally says, catches him later, he's like he's holding

869
00:51:15,080 --> 00:51:19,640
Speaker 1: a screwdriver to nothing. He's he's just he's on the

870
00:51:19,719 --> 00:51:22,000
Speaker 1: ladder and it's like you know those drop ceiling like

871
00:51:22,239 --> 00:51:25,440
Speaker 1: whatever they are, asbestos paneled things that are in hospital.

872
00:51:26,000 --> 00:51:28,160
Speaker 1: He's just holding a screwdriver to it, just trying to

873
00:51:28,160 --> 00:51:38,080
Speaker 1: look busy, he's not doing it. Um okay. So we

874
00:51:38,120 --> 00:51:40,600
Speaker 1: also learned that Keith is really still devastated. I mean

875
00:51:40,719 --> 00:51:44,200
Speaker 1: he's he's trying to he's trying to act like he's

876
00:51:44,239 --> 00:51:47,160
Speaker 1: not hurt. And then they dropped this line, which was

877
00:51:47,200 --> 00:51:51,600
Speaker 1: which was which was good writing. Um. Ted says, oh,

878
00:51:51,719 --> 00:51:53,440
Speaker 1: he has to take a he has to take an

879
00:51:53,440 --> 00:51:55,880
Speaker 1: anti anxiety pill to be able to talk to Elliott,

880
00:51:57,680 --> 00:52:01,200
Speaker 1: and he waits for it to kick in, and he says,

881
00:52:01,280 --> 00:52:03,759
Speaker 1: no one wants the person who hurt them to ever

882
00:52:03,840 --> 00:52:07,920
Speaker 1: see how badly they've been hurt. Yeah. I had that

883
00:52:07,960 --> 00:52:14,400
Speaker 1: reaction too, to Ted drop a knowledge on Sarah. Yeah,

884
00:52:14,440 --> 00:52:18,439
Speaker 1: that's a tough one right there. Bro. So, so Keith

885
00:52:18,520 --> 00:52:20,840
Speaker 1: is hiding he's pain because he's trying to act normal

886
00:52:20,880 --> 00:52:23,600
Speaker 1: and okay, and then we cut to Jimmy, do you

887
00:52:23,600 --> 00:52:26,040
Speaker 1: want to let me ask you a question? Is do

888
00:52:26,160 --> 00:52:29,799
Speaker 1: you want to see how hurt that person is? Oh?

889
00:52:29,840 --> 00:52:31,920
Speaker 1: I don't think anyone If you're the person who's doing

890
00:52:31,960 --> 00:52:33,799
Speaker 1: the breaking up, you don't want to see the pain

891
00:52:33,840 --> 00:52:36,279
Speaker 1: you're causing anybody. Oh you're saying, what are you saying

892
00:52:36,280 --> 00:52:39,160
Speaker 1: the opposite? If no, I'm saying, so nobody wants to

893
00:52:39,200 --> 00:52:43,160
Speaker 1: see how nobody wants the person who hurt them to

894
00:52:43,360 --> 00:52:47,400
Speaker 1: know how hurt they really are. But if you hurt somebody,

895
00:52:48,640 --> 00:52:51,480
Speaker 1: do you want to see how if you and unintentionally

896
00:52:52,000 --> 00:52:55,640
Speaker 1: hurt somebody, don't you want to see how you've hurt them?

897
00:52:55,800 --> 00:52:59,080
Speaker 1: You know what I mean, so that you can correct that. Well,

898
00:52:59,160 --> 00:53:01,399
Speaker 1: I hear you're saying, I don't think anyone wants to

899
00:53:01,400 --> 00:53:05,160
Speaker 1: obviously be see that they nobody wants to be the

900
00:53:05,200 --> 00:53:07,279
Speaker 1: cause of her. But you're saying, but you're but you're saying,

901
00:53:07,360 --> 00:53:09,319
Speaker 1: unless you see they've heard, then you can't Then you

902
00:53:09,360 --> 00:53:14,840
Speaker 1: don't have to make it right. Yeah, right right? And

903
00:53:15,000 --> 00:53:17,480
Speaker 1: uh and so you she but I mean it's so

904
00:53:17,520 --> 00:53:19,839
Speaker 1: hard with with with breakups and couples. I mean, she

905
00:53:20,239 --> 00:53:23,960
Speaker 1: they work at the same place. It's so tricky, you know,

906
00:53:24,200 --> 00:53:25,959
Speaker 1: because then all of a sudden, all of those things

907
00:53:25,960 --> 00:53:28,640
Speaker 1: that you guys used to do now is inappropriate, you

908
00:53:28,640 --> 00:53:30,759
Speaker 1: know what I mean, all of a sudden. Also, it's

909
00:53:30,760 --> 00:53:33,600
Speaker 1: just it's not only inappropriate, but it's like now, I mean,

910
00:53:33,760 --> 00:53:37,120
Speaker 1: it's so cringe. You have to work together and you

911
00:53:37,160 --> 00:53:38,640
Speaker 1: have to see each other, then you have to see

912
00:53:38,680 --> 00:53:43,120
Speaker 1: that person start dating, and it's in your face Okay,

913
00:53:43,120 --> 00:53:47,360
Speaker 1: how about Jimmy the touch overly touchy um, orderly massaging

914
00:53:47,440 --> 00:53:51,560
Speaker 1: Courtney's face. That was funny, That was hilarious. It's a

915
00:53:51,560 --> 00:53:53,920
Speaker 1: lot of I don't know if I would allow a

916
00:53:53,920 --> 00:53:56,480
Speaker 1: lot of the things that the over touchily orderly did.

917
00:53:57,040 --> 00:53:59,719
Speaker 1: He couldn't get away with doing. No, no, no, this

918
00:53:59,880 --> 00:54:03,680
Speaker 1: was two thousand and what nine Joel eight, Yeah, I

919
00:54:03,680 --> 00:54:05,440
Speaker 1: think we're two thousand and nine. Now, yeah, I don't

920
00:54:05,440 --> 00:54:08,279
Speaker 1: think he'd be touching my breathe on my face, would

921
00:54:08,320 --> 00:54:11,480
Speaker 1: get well, breathe on my face is like post COVID

922
00:54:11,520 --> 00:54:14,120
Speaker 1: no one saying that now it gets you fired. But

923
00:54:14,160 --> 00:54:18,000
Speaker 1: he's also like fully molesting Ted on the floor. Yes

924
00:54:19,719 --> 00:54:22,520
Speaker 1: the case, Ted got a case, but the chief of

925
00:54:22,800 --> 00:54:25,960
Speaker 1: the chief of the hospital is probably not gonna have

926
00:54:26,000 --> 00:54:30,080
Speaker 1: their face massage by an orderly Well, he got fired

927
00:54:30,120 --> 00:54:32,960
Speaker 1: for doing that. Oh he didn't get fired, but he's

928
00:54:33,600 --> 00:54:36,080
Speaker 1: he must get rehired. I think everybody. I think the

929
00:54:36,160 --> 00:54:40,680
Speaker 1: janitor is gonna well, obviously the janitor spoiler alert, I forgot.

930
00:54:40,719 --> 00:54:43,279
Speaker 1: I didn't remember the january getting actually fired. So the

931
00:54:43,320 --> 00:54:45,520
Speaker 1: janitor has made a key. She says, give me your keys,

932
00:54:45,640 --> 00:54:48,279
Speaker 1: and he holds up one key and she goes where

933
00:54:48,360 --> 00:54:50,120
Speaker 1: all the other keys, and he said, I got tired

934
00:54:50,120 --> 00:54:52,000
Speaker 1: of holding them all, so I made everything work up

935
00:54:52,000 --> 00:54:54,040
Speaker 1: for this one key. And then he starts a motorcycle.

936
00:54:55,160 --> 00:55:01,439
Speaker 1: Is that Sasha scycle? Sasha a little blue vespel want

937
00:55:01,440 --> 00:55:03,040
Speaker 1: to be this is a real motorcyle. But then the

938
00:55:03,120 --> 00:55:06,359
Speaker 1: janitor comes in with the freaking files locked in his suit,

939
00:55:06,640 --> 00:55:09,280
Speaker 1: in his briefcase, and he's like, I had the files

940
00:55:09,320 --> 00:55:13,320
Speaker 1: for I had the stuff for the patient in my briefcase,

941
00:55:13,400 --> 00:55:15,560
Speaker 1: but I locked it in there. And she takes said

942
00:55:15,640 --> 00:55:20,080
Speaker 1: key and opens up his briefcase. Everything everything, even a

943
00:55:20,120 --> 00:55:23,480
Speaker 1: tiny briefcase, lock, a motorcycle, every door in the hospital.

944
00:55:23,600 --> 00:55:25,319
Speaker 1: How did he do that? How did he do that?

945
00:55:25,400 --> 00:55:27,720
Speaker 1: Who did how did he get all of those locks

946
00:55:28,239 --> 00:55:33,040
Speaker 1: and changed? He well, I guess in the real world

947
00:55:33,080 --> 00:55:36,520
Speaker 1: you'd have to change every lock, including everytorcycle. But in

948
00:55:36,560 --> 00:55:39,480
Speaker 1: the Scrubs world, he just had to make a magical key.

949
00:55:39,480 --> 00:55:41,719
Speaker 1: That's not a fantasy, that is real life. He made

950
00:55:41,719 --> 00:55:51,759
Speaker 1: a magical key. So Cox has a heart to heart

951
00:55:51,800 --> 00:55:55,920
Speaker 1: with JD about how he's handling his great scene. Yeah,

952
00:55:55,960 --> 00:55:58,760
Speaker 1: that was a good scene. I like that scene. Both

953
00:55:58,800 --> 00:56:01,680
Speaker 1: seems the Keith and Ellie. It seemed very touching, and

954
00:56:01,680 --> 00:56:04,920
Speaker 1: then the Cox and j D seem very touching. Yeah,

955
00:56:04,920 --> 00:56:07,520
Speaker 1: thank you. You know, we've been waiting for this moment

956
00:56:07,640 --> 00:56:10,040
Speaker 1: because it's bound, it was bound to happen. We were

957
00:56:10,080 --> 00:56:12,960
Speaker 1: waiting for this moment, and it finally happens where Cox

958
00:56:13,040 --> 00:56:15,959
Speaker 1: looks at JD as a peer and not just as

959
00:56:17,719 --> 00:56:20,719
Speaker 1: someone who's beneath him as you know what I mean.

960
00:56:22,000 --> 00:56:26,000
Speaker 1: He looks at him as a competent doctor. And it's

961
00:56:26,040 --> 00:56:30,040
Speaker 1: not a lesson. The lessons that are coming JD's way

962
00:56:30,120 --> 00:56:34,880
Speaker 1: now aren't hard lessons anymore. Now it's more of a

963
00:56:34,960 --> 00:56:38,160
Speaker 1: conversation and if JD can and if JD hears it

964
00:56:38,200 --> 00:56:40,520
Speaker 1: in the conversation, and there it is. But for the

965
00:56:40,560 --> 00:56:43,879
Speaker 1: most part, Cox is no longer going to coddle JD.

966
00:56:44,239 --> 00:56:46,239
Speaker 1: And that's what That's what that scene meant to me,

967
00:56:46,320 --> 00:56:48,120
Speaker 1: you know what I mean, I'm not gonna fucking do

968
00:56:48,160 --> 00:56:49,960
Speaker 1: all of that other shit that you you want, the

969
00:56:50,000 --> 00:56:52,839
Speaker 1: hard truth that's not coming anymore. What's coming your way

970
00:56:53,000 --> 00:56:56,560
Speaker 1: is motherfucker. I'm scared too. I'm over to ship too.

971
00:56:56,960 --> 00:56:59,120
Speaker 1: This is what life is though, you know what I mean.

972
00:57:00,120 --> 00:57:02,319
Speaker 1: We were all trying to be find something new and

973
00:57:02,360 --> 00:57:04,640
Speaker 1: I think these new actors brought something fun and new,

974
00:57:04,680 --> 00:57:07,120
Speaker 1: and and Courtney brought something fun and new, and you

975
00:57:07,160 --> 00:57:10,200
Speaker 1: know it was it was Z's definitely. To keep in mind,

976
00:57:10,239 --> 00:57:12,000
Speaker 1: we were all like, it wasn't like we're on a

977
00:57:12,040 --> 00:57:15,040
Speaker 1: back lot where where you're gonna mingle and meet new people.

978
00:57:15,080 --> 00:57:18,520
Speaker 1: And you know, we we were all in this abandoned

979
00:57:18,560 --> 00:57:22,680
Speaker 1: the hospital in the valley. Yeah, so we met no

980
00:57:22,680 --> 00:57:26,080
Speaker 1: one like we would see no one, no one, no,

981
00:57:26,160 --> 00:57:29,040
Speaker 1: because who the hell would visit I mean fans aside,

982
00:57:29,080 --> 00:57:31,520
Speaker 1: like nobody, nobody's when you're on a back lot, you

983
00:57:31,560 --> 00:57:34,280
Speaker 1: like run into other casts, you meet other crews. When

984
00:57:34,320 --> 00:57:36,160
Speaker 1: you're in an abandon hospital, like, no one comes to

985
00:57:36,240 --> 00:57:39,840
Speaker 1: visit you at all. The executives didn't even come to visitors, no,

986
00:57:41,280 --> 00:57:43,280
Speaker 1: Like why would they want to come to an abandoned hospital.

987
00:57:44,120 --> 00:57:48,040
Speaker 1: But I mean, don't get it twisted. I realized then

988
00:57:48,480 --> 00:57:51,600
Speaker 1: and realized now, But I realized then how lucky I

989
00:57:51,760 --> 00:57:54,240
Speaker 1: was to be on a television show. But at this

990
00:57:54,320 --> 00:57:57,280
Speaker 1: point I remember being like burnt, Yeah, you know what

991
00:57:57,320 --> 00:57:59,680
Speaker 1: I mean. And again you start to a question like

992
00:57:59,840 --> 00:58:02,040
Speaker 1: I don't want to you want to come out on top,

993
00:58:02,080 --> 00:58:03,520
Speaker 1: You don't want to, like you don't want to like

994
00:58:04,160 --> 00:58:07,160
Speaker 1: drive it into the ground, or you're like, oof, is

995
00:58:07,160 --> 00:58:09,400
Speaker 1: we're jumping the shark kind of Fonzi stuff. You know,

996
00:58:09,560 --> 00:58:14,640
Speaker 1: Fawnzi jumping the shark on his skis on this no motorcycle. No,

997
00:58:14,800 --> 00:58:17,040
Speaker 1: he was water skiing, was water skiing. That's right, he

998
00:58:17,080 --> 00:58:19,080
Speaker 1: jumped over. You can't jump. I guess you could jump

999
00:58:19,080 --> 00:58:21,640
Speaker 1: a shark on a motorcycle, but you'd have to didn't

1000
00:58:21,640 --> 00:58:25,439
Speaker 1: he you have I don't know, I don't know, but Fonzi, um,

1001
00:58:25,760 --> 00:58:28,120
Speaker 1: it was wearing a leather jacket. Um when he was

1002
00:58:28,160 --> 00:58:29,960
Speaker 1: on his water skis. I don't know if you know that.

1003
00:58:30,360 --> 00:58:33,880
Speaker 1: It's also the do you know that trivia that when

1004
00:58:34,040 --> 00:58:37,200
Speaker 1: Fonzi does jump the shark in Happy Days, he's still

1005
00:58:37,240 --> 00:58:42,520
Speaker 1: wearing his Fawnzi leather jacket. That's how popular that show was.

1006
00:58:42,880 --> 00:58:46,800
Speaker 1: That show was so popular that at its demise, when

1007
00:58:46,800 --> 00:58:51,960
Speaker 1: it when it finally reached its worst moment, people were

1008
00:58:52,040 --> 00:58:57,080
Speaker 1: still like it jumped the shark. Well, well, no, jump

1009
00:58:57,080 --> 00:58:59,320
Speaker 1: the shark didn't become a term until much later. But

1010
00:58:59,480 --> 00:59:01,720
Speaker 1: I remember for kids it was I didn't I didn't

1011
00:59:01,760 --> 00:59:04,440
Speaker 1: know anything about something becoming stale. I was like, Fonzi's

1012
00:59:04,480 --> 00:59:07,200
Speaker 1: gonna jump a shark. Yeah, oh, no doubt, no doubt,

1013
00:59:07,320 --> 00:59:12,560
Speaker 1: I'm no doubt he's so cool shit, no doubt. But

1014
00:59:12,560 --> 00:59:16,520
Speaker 1: but it's it's it's Is it not an a dictionary?

1015
00:59:16,560 --> 00:59:19,520
Speaker 1: It should be if it's not. No, it became someone

1016
00:59:19,920 --> 00:59:22,600
Speaker 1: someone I forgot. I don't know the genesis of it, Daniel,

1017
00:59:22,720 --> 00:59:25,800
Speaker 1: maybe you do. But someone eventually said, uh, called it

1018
00:59:25,880 --> 00:59:28,080
Speaker 1: like made it made it a term for when I

1019
00:59:28,160 --> 00:59:30,680
Speaker 1: show is has reached its limit and now it's gone

1020
00:59:30,720 --> 00:59:32,760
Speaker 1: beyond what how great it used to be? Yeah, it

1021
00:59:32,800 --> 00:59:35,040
Speaker 1: peaked and now you're on your down and so and

1022
00:59:35,040 --> 00:59:39,120
Speaker 1: and and the example of Fawnsie jumping a shark on

1023
00:59:39,200 --> 00:59:42,640
Speaker 1: Water's keys was like what a leather jacket? Arty, Yes, Dane,

1024
00:59:42,680 --> 00:59:45,320
Speaker 1: go ahead, got an answer for you. Yeah. The idiom

1025
00:59:45,400 --> 00:59:47,800
Speaker 1: jumping the shark was coined in nineteen eighty five by

1026
00:59:47,880 --> 00:59:51,400
Speaker 1: John Hine in response to the nineteen seventy seven episode

1027
00:59:51,440 --> 00:59:54,360
Speaker 1: of Happy Days in which Fonzie jumps a shark. Ye.

1028
00:59:54,920 --> 00:59:58,320
Speaker 1: Happy Days was nineteen seventy seven. I don't know. We

1029
00:59:58,320 --> 01:00:03,480
Speaker 1: were watching rerun. We were watching rerun. Bro's true for

1030
01:00:03,520 --> 01:00:05,360
Speaker 1: a lot of shows we loved. There's a lot of

1031
01:00:05,400 --> 01:00:07,400
Speaker 1: shows that we loved growing up like that. I thought

1032
01:00:07,440 --> 01:00:09,600
Speaker 1: were like being shot at the time, but we were

1033
01:00:09,600 --> 01:00:12,560
Speaker 1: watching the syndicated reruns. Well, I knew The Honeymooners was

1034
01:00:12,560 --> 01:00:20,160
Speaker 1: an old show. No Honeymoons, New Beaver. And I'm not

1035
01:00:20,160 --> 01:00:22,880
Speaker 1: talking about the Honeymooners, dude, I'm talking about like stuff

1036
01:00:22,920 --> 01:00:25,560
Speaker 1: like Threes Company that those were reruns. We won't we won't.

1037
01:00:25,640 --> 01:00:27,080
Speaker 1: You know, as a kid, I thought those were being

1038
01:00:27,120 --> 01:00:30,000
Speaker 1: those were new. All right, let's wrap it up. The

1039
01:00:30,120 --> 01:00:33,760
Speaker 1: janitor is fired. We learned there's a new janitor hired

1040
01:00:33,760 --> 01:00:36,840
Speaker 1: who couldn't be a sweeter old man. He's just a

1041
01:00:37,000 --> 01:00:41,160
Speaker 1: nice let me know if I can help you. Yeah,

1042
01:00:41,200 --> 01:00:43,440
Speaker 1: and then we have in credits. Oh wait, before we

1043
01:00:43,480 --> 01:00:45,600
Speaker 1: get to that with just the final thing that we

1044
01:00:45,760 --> 01:00:49,960
Speaker 1: learned that um Courtney Cox's character is in fact just

1045
01:00:50,680 --> 01:00:56,240
Speaker 1: a bit a stereotypical hospital executive. She wants all the

1046
01:00:56,280 --> 01:01:02,040
Speaker 1: money she can get out of this patients. Okay, I'm

1047
01:01:01,920 --> 01:01:05,480
Speaker 1: not exactly sure what that reference is, but um, there

1048
01:01:05,520 --> 01:01:07,560
Speaker 1: you go. She's trying to get all the money she

1049
01:01:07,600 --> 01:01:10,160
Speaker 1: can out of him. And then, yes, as Donald said,

1050
01:01:10,160 --> 01:01:13,400
Speaker 1: there's a new thing on ABC. Instead of them playing

1051
01:01:13,560 --> 01:01:17,200
Speaker 1: the theme music and going through stills of funny stills

1052
01:01:17,240 --> 01:01:19,840
Speaker 1: from that episode, there's now like a little coda, a

1053
01:01:19,920 --> 01:01:24,480
Speaker 1: little tiny scene over the credits, and in this particular

1054
01:01:24,600 --> 01:01:29,440
Speaker 1: was really weird. And this one we talk about doctor Shalube.

1055
01:01:29,960 --> 01:01:33,960
Speaker 1: We talk about the Nielsen's and they're all plays on

1056
01:01:34,000 --> 01:01:38,760
Speaker 1: like Monk is doctor Shalub, because yeah, Shalub would win

1057
01:01:38,800 --> 01:01:42,800
Speaker 1: every award, Emmy every year he would win the Emmy.

1058
01:01:42,840 --> 01:01:45,560
Speaker 1: And then the Nielsen's little I mean, we talk talk

1059
01:01:45,600 --> 01:01:47,560
Speaker 1: about it all the time on the podcast, but Scrubs

1060
01:01:47,640 --> 01:01:50,280
Speaker 1: was never a big hit. Yeah, don't know what the

1061
01:01:50,360 --> 01:01:53,480
Speaker 1: Nielsen's are. It's the rating system and helps you extrapolate

1062
01:01:53,520 --> 01:01:56,800
Speaker 1: how many people are watching the show. And so we

1063
01:01:56,880 --> 01:01:59,760
Speaker 1: do a joke like even though the Nielsen's seemed to differ,

1064
01:02:00,320 --> 01:02:02,080
Speaker 1: and then we cut to a couple that's named the

1065
01:02:02,360 --> 01:02:05,919
Speaker 1: Nielsen's and they and they disapprove of They're shaking their heads.

1066
01:02:06,520 --> 01:02:09,880
Speaker 1: They're like, we don't like you guys. Um. Two things

1067
01:02:09,880 --> 01:02:13,200
Speaker 1: I learned on Scrubs wicky about this um that there's

1068
01:02:13,240 --> 01:02:16,520
Speaker 1: a moment where Sarah flashes uh in a bar, a flashback,

1069
01:02:16,600 --> 01:02:19,680
Speaker 1: and and she says, Oh, what's the worst that can happen?

1070
01:02:19,760 --> 01:02:21,360
Speaker 1: And then we see that it's made it to a

1071
01:02:21,440 --> 01:02:24,640
Speaker 1: DVD it's like it's like a Girl's Gone Wild type

1072
01:02:24,640 --> 01:02:29,320
Speaker 1: flashing DVD. And I learned on scrubs Wiki that, um,

1073
01:02:30,040 --> 01:02:33,640
Speaker 1: the stars that are over Sarah's bress, ABC demanded that

1074
01:02:33,680 --> 01:02:37,680
Speaker 1: they be made bigger, and when Sarah heard that, she

1075
01:02:37,760 --> 01:02:47,600
Speaker 1: claimed that it made her very happy that she apparently

1076
01:02:47,640 --> 01:02:51,000
Speaker 1: tells that story on the DVD. And also a little

1077
01:02:51,000 --> 01:02:54,720
Speaker 1: interesting a tributae because of Courtney Cox's schedule, all of

1078
01:02:54,760 --> 01:02:58,080
Speaker 1: the scenes involving her in the show, We're shot towards

1079
01:02:58,120 --> 01:03:02,280
Speaker 1: the end of season eight, so we we shot all

1080
01:03:02,280 --> 01:03:06,560
Speaker 1: the episodes, um, all the stuff that didn't involve Courtney Cox,

1081
01:03:06,760 --> 01:03:10,200
Speaker 1: and then saved Courtney Cox scenes for that. How did

1082
01:03:10,320 --> 01:03:13,560
Speaker 1: we do that? So she never has scenes with A

1083
01:03:13,720 --> 01:03:18,080
Speaker 1: Z's Then why do you say that because A Z's

1084
01:03:18,120 --> 01:03:20,720
Speaker 1: only lasts about three episodes on this on the show

1085
01:03:20,760 --> 01:03:23,880
Speaker 1: this year. Oh that might that might be true. I

1086
01:03:23,920 --> 01:03:26,000
Speaker 1: don't know. Well, well we'll see, but I know that

1087
01:03:26,080 --> 01:03:27,800
Speaker 1: I just read that, and I remember that are being

1088
01:03:27,840 --> 01:03:30,240
Speaker 1: a thing with Courtney, like she wasn't available until later,

1089
01:03:30,320 --> 01:03:33,200
Speaker 1: So we just we just would shoot everything except Courtney scenes,

1090
01:03:33,200 --> 01:03:37,880
Speaker 1: and then we circled back and picked up Courtney stuff.

1091
01:03:38,920 --> 01:03:43,040
Speaker 1: So there you go. There's the first episode of season eight. Everybody, Um,

1092
01:03:43,080 --> 01:03:45,440
Speaker 1: I hope you enjoyed that. Joel, do we have some

1093
01:03:45,480 --> 01:03:48,280
Speaker 1: submissions for today? Yeah, we can do some submissions, okay,

1094
01:03:48,320 --> 01:03:49,960
Speaker 1: and we're gonna take a break, and when we come back,

1095
01:03:50,000 --> 01:03:52,320
Speaker 1: we are going to listen to some submissions for new

1096
01:03:52,360 --> 01:03:55,760
Speaker 1: podcast ideas, which we need and a new TV show

1097
01:03:55,800 --> 01:04:05,920
Speaker 1: idea will be right back after these fine words. You're bad.

1098
01:04:09,040 --> 01:04:13,360
Speaker 1: Go ahead, fuck your sound effects machine. Why I gotta be,

1099
01:04:13,560 --> 01:04:17,000
Speaker 1: Why I gotta be so a gro with it? Zach

1100
01:04:17,040 --> 01:04:20,880
Speaker 1: and Donald Gay newlyweds in house arrest all right, it's

1101
01:04:20,920 --> 01:04:23,480
Speaker 1: time to hear something that could possibly beat that Zach

1102
01:04:23,520 --> 01:04:27,120
Speaker 1: and Donald Gay newlyweds in house arrests. I don't I

1103
01:04:27,120 --> 01:04:30,280
Speaker 1: don't know how you can beat that. Yeah, no chat

1104
01:04:30,360 --> 01:04:32,360
Speaker 1: gebet today. I have no idea if people are enjoying

1105
01:04:32,360 --> 01:04:34,120
Speaker 1: that on Daniel and Joel. Do you know if anyone

1106
01:04:34,120 --> 01:04:37,000
Speaker 1: likes those things. I've seen a couple of comments being

1107
01:04:37,000 --> 01:04:39,760
Speaker 1: like very positive, but let us know, guys, also if

1108
01:04:39,760 --> 01:04:41,800
Speaker 1: you have suggestions for what we should put into the

1109
01:04:42,360 --> 01:04:44,840
Speaker 1: chat box that you would like to hear more. Yeah,

1110
01:04:45,120 --> 01:04:47,680
Speaker 1: I'm not. I'm not on Twitter anymore, but Joel and

1111
01:04:47,720 --> 01:04:50,000
Speaker 1: Daniel are and so let them know. If you like

1112
01:04:50,120 --> 01:04:53,120
Speaker 1: the chat GEBT thing, Um, we want to serve you.

1113
01:04:53,440 --> 01:04:56,400
Speaker 1: I thought Sarah was fabulous last week. So yeah, I

1114
01:04:57,280 --> 01:04:59,280
Speaker 1: think the chat cheek and chee thing is funny and

1115
01:04:59,760 --> 01:05:02,960
Speaker 1: I I usually finds a good barometer if if we

1116
01:05:03,040 --> 01:05:05,200
Speaker 1: laugh at it, then other people will laugh at it.

1117
01:05:05,280 --> 01:05:08,040
Speaker 1: So I don't know. We can we can, We'll see what,

1118
01:05:08,080 --> 01:05:10,520
Speaker 1: We'll see what people say. Daniel will look on, Daniel

1119
01:05:10,520 --> 01:05:13,760
Speaker 1: will look on the reddits and the twitters. I still

1120
01:05:13,840 --> 01:05:16,840
Speaker 1: laugh at Zack and Donald the gay Newlywoods and House Arrest. Yeah,

1121
01:05:16,840 --> 01:05:18,840
Speaker 1: I don't know how to beat that. But we're not

1122
01:05:18,840 --> 01:05:21,160
Speaker 1: allowed to play gay. We're not allowed to play gay Donald.

1123
01:05:21,160 --> 01:05:25,280
Speaker 1: I'm sorry, Oh those days are over. Well, some people

1124
01:05:25,280 --> 01:05:28,360
Speaker 1: are allowed to play gay. It's confusing, but I'm okay.

1125
01:05:28,960 --> 01:05:33,640
Speaker 1: But it's hold on. Yeah, so if you're not gay anymore,

1126
01:05:34,040 --> 01:05:36,920
Speaker 1: you cannot play gay in a movie. Well, there's a

1127
01:05:36,960 --> 01:05:42,160
Speaker 1: debate about that. Let's wait. Let a member of the

1128
01:05:42,240 --> 01:05:44,640
Speaker 1: queer community way in. But there is a debate. I've

1129
01:05:44,640 --> 01:05:49,680
Speaker 1: spoken to some gay show creators who who side on

1130
01:05:49,720 --> 01:05:51,920
Speaker 1: the other side of some of the gay community and

1131
01:05:52,000 --> 01:05:54,240
Speaker 1: say that they don't believe in that. But Joel as

1132
01:05:54,280 --> 01:05:57,600
Speaker 1: a queer representative, can you tell Donald? The debate? Sure.

1133
01:05:57,640 --> 01:06:01,200
Speaker 1: So the debate is that frequently, particularly people who present

1134
01:06:01,400 --> 01:06:04,360
Speaker 1: is gay just as they show up, have difficulty getting

1135
01:06:04,360 --> 01:06:09,280
Speaker 1: cast outside of like stereotypical gay roles, even if they

1136
01:06:09,280 --> 01:06:12,720
Speaker 1: have the range right. So the thought, and I think

1137
01:06:12,720 --> 01:06:16,280
Speaker 1: it's a beautiful thought, is well, let's leave gay roles

1138
01:06:16,360 --> 01:06:21,040
Speaker 1: to gay people. To me, the issue with that is

1139
01:06:21,400 --> 01:06:26,640
Speaker 1: sexuality is not a concrete thing. People fluctuate. Some people

1140
01:06:27,440 --> 01:06:30,480
Speaker 1: learn about their queerness through their art and performing and

1141
01:06:30,600 --> 01:06:34,040
Speaker 1: trying different things, And so to leave out people who

1142
01:06:34,080 --> 01:06:37,160
Speaker 1: are not currently out of the closet, I think limits

1143
01:06:37,320 --> 01:06:40,200
Speaker 1: what the queer experience can look like on screen, and

1144
01:06:40,240 --> 01:06:43,080
Speaker 1: I think that's dangerous. What I really like is what

1145
01:06:43,160 --> 01:06:46,880
Speaker 1: Craig Mazen did and the last of us in it.

1146
01:06:47,000 --> 01:06:50,480
Speaker 1: You know, you have one actor who's gay and out

1147
01:06:50,560 --> 01:06:53,000
Speaker 1: and one actor who's straight and married to a woman.

1148
01:06:53,480 --> 01:06:56,120
Speaker 1: But Craig major that the director was gay and that

1149
01:06:56,240 --> 01:06:59,200
Speaker 1: the writer was gay, and that there were additional gay

1150
01:06:59,240 --> 01:07:00,880
Speaker 1: people on the crew. And he also went to a

1151
01:07:00,920 --> 01:07:04,200
Speaker 1: bunch of gay people to read the scripts before they

1152
01:07:04,240 --> 01:07:07,680
Speaker 1: went into production, and by doing that he allowed a

1153
01:07:07,680 --> 01:07:11,800
Speaker 1: full queer experience on screen without you know, having anyone

1154
01:07:11,880 --> 01:07:15,960
Speaker 1: default to you know, stereotypical lists or you know, caddy

1155
01:07:16,080 --> 01:07:19,160
Speaker 1: fights or whatever. It felt like an authentic relationship, um

1156
01:07:19,520 --> 01:07:21,919
Speaker 1: my stances. If you can involve as many queer people

1157
01:07:21,960 --> 01:07:24,920
Speaker 1: as possible, and if you have an actor who respects

1158
01:07:24,960 --> 01:07:27,320
Speaker 1: the queer community, then I don't see a problem with

1159
01:07:27,960 --> 01:07:30,960
Speaker 1: expanding beyond that in your casting right here. But there's

1160
01:07:31,120 --> 01:07:33,400
Speaker 1: there's there's plenty of people as well, said Joel. I

1161
01:07:33,480 --> 01:07:35,880
Speaker 1: do we should mention there's there's there are plenty of

1162
01:07:36,000 --> 01:07:38,760
Speaker 1: queer people I believe who disagree with you. That is correct? Yeah,

1163
01:07:39,280 --> 01:07:41,920
Speaker 1: all right, Joel, what do you have for us? Okay, Well,

1164
01:07:41,960 --> 01:07:43,280
Speaker 1: before you get into it, I want to make sure

1165
01:07:43,280 --> 01:07:45,600
Speaker 1: I'll give one person a shout out. Donald and I

1166
01:07:45,840 --> 01:07:48,360
Speaker 1: had the privilege of speaking to a gentleman who donated

1167
01:07:48,400 --> 01:07:52,560
Speaker 1: to an amazing cause that wounded warriors that Jake Tapper does.

1168
01:07:53,120 --> 01:07:56,440
Speaker 1: Jake Tapper them seeing an anchor man does a charity

1169
01:07:56,480 --> 01:07:59,400
Speaker 1: every year for wounded warriors, and one of the prizes

1170
01:07:59,400 --> 01:08:04,120
Speaker 1: an auction off, is a thirty minute FaceTime with Donald

1171
01:08:04,120 --> 01:08:07,560
Speaker 1: and I, which which was fun because it went for

1172
01:08:07,720 --> 01:08:11,800
Speaker 1: it went for twenty million dollars. People, that's how famous.

1173
01:08:11,800 --> 01:08:13,600
Speaker 1: That's how famous we are. I don't know how much

1174
01:08:13,600 --> 01:08:14,960
Speaker 1: it went for, but I want to give a shout

1175
01:08:15,000 --> 01:08:18,320
Speaker 1: out to Ari named Moten, who's a radiologist who gave

1176
01:08:18,400 --> 01:08:21,080
Speaker 1: the donation to a wounded warriors and Donald and I

1177
01:08:21,160 --> 01:08:23,320
Speaker 1: had an awesome thirty minute chat with him and it

1178
01:08:23,360 --> 01:08:25,719
Speaker 1: was a lot of fun. He listened to the podcast

1179
01:08:26,240 --> 01:08:28,120
Speaker 1: he's listening right now. And he also had he had

1180
01:08:28,160 --> 01:08:30,920
Speaker 1: a good, really funny idea kind of like it was

1181
01:08:30,920 --> 01:08:33,960
Speaker 1: almost like a multiverse idea of scrubs, like saying, taking

1182
01:08:33,960 --> 01:08:37,200
Speaker 1: the characters and putting them into and in his particular pitch,

1183
01:08:37,240 --> 01:08:40,400
Speaker 1: it was the world of theater, like keeping the same

1184
01:08:40,439 --> 01:08:43,479
Speaker 1: relationships between the characters, but make them all like they're

1185
01:08:43,520 --> 01:08:47,320
Speaker 1: they're they're putting on a production of Doctor Acula. Right.

1186
01:08:47,439 --> 01:08:49,320
Speaker 1: He was like he was like he was like put

1187
01:08:49,360 --> 01:08:51,599
Speaker 1: them in different and then we turned it into something

1188
01:08:51,640 --> 01:08:54,120
Speaker 1: like completely different where it was like, look, what if

1189
01:08:54,120 --> 01:08:59,439
Speaker 1: they're characters, they're always the same people from the show.

1190
01:09:00,160 --> 01:09:04,479
Speaker 1: Now they're playing in different scenarios, so like like like um,

1191
01:09:04,520 --> 01:09:06,880
Speaker 1: like I'm like um quantum leap. Right, So instead of

1192
01:09:06,920 --> 01:09:10,320
Speaker 1: a hospital, it's a it's a law firm or a

1193
01:09:10,360 --> 01:09:14,719
Speaker 1: police station one episode, and they're never the same people,

1194
01:09:15,200 --> 01:09:19,960
Speaker 1: but they're always in this relationships. The relationships are the same.

1195
01:09:20,040 --> 01:09:24,439
Speaker 1: It's almost like Quantum Leap, Quantum Leap meets what was

1196
01:09:24,479 --> 01:09:29,920
Speaker 1: the Marvel TV show and then it goes to Yeah,

1197
01:09:29,960 --> 01:09:34,040
Speaker 1: it's almost like it's almost like juand Division meets Quantum Leap,

1198
01:09:34,840 --> 01:09:37,479
Speaker 1: where the characters are all the same, they have all

1199
01:09:37,520 --> 01:09:41,799
Speaker 1: the same relationships, but they're jumping between different television styles.

1200
01:09:41,840 --> 01:09:44,200
Speaker 1: So one time we're on we're on a spaceship and

1201
01:09:44,320 --> 01:09:47,519
Speaker 1: Cox is like the tough captain and kelso you know,

1202
01:09:47,600 --> 01:09:50,720
Speaker 1: owns the ship and and you know, you know that

1203
01:09:50,720 --> 01:09:52,599
Speaker 1: that kind of thing, you know what I'm saying, And

1204
01:09:52,640 --> 01:09:54,320
Speaker 1: then you could jump and we're in a sitcom, and

1205
01:09:54,320 --> 01:09:56,439
Speaker 1: then it could jump and we're in like a legal drama.

1206
01:09:57,120 --> 01:09:59,240
Speaker 1: It was amazing. It was a really cool idea. That's

1207
01:09:59,240 --> 01:10:02,719
Speaker 1: what Donald i off of Ari's idea. So that was fun.

1208
01:10:03,439 --> 01:10:06,680
Speaker 1: Love it. So now we're gonna hear somebody else's idea. Yes,

1209
01:10:06,920 --> 01:10:10,479
Speaker 1: let's hear it. Zack and Donald a gay newlywed in

1210
01:10:10,640 --> 01:10:16,599
Speaker 1: house Arrest Perfection. This is Room Caleb, Hello, Zack, Donald,

1211
01:10:16,680 --> 01:10:21,000
Speaker 1: Joel and Twitch dot TV slash DJ Underscore Danel Caleb

1212
01:10:21,000 --> 01:10:24,800
Speaker 1: calling from street or Louisiana, long time, first time. Unfortunately

1213
01:10:24,840 --> 01:10:26,920
Speaker 1: I don't have an Australian accent, so I feel like

1214
01:10:26,960 --> 01:10:29,960
Speaker 1: I gotta know I'm working against the current here. But

1215
01:10:31,000 --> 01:10:33,040
Speaker 1: I've listened every episode you guys have had so far,

1216
01:10:33,320 --> 01:10:36,759
Speaker 1: and I gotta tell you keeps me happy, keeps me entertained,

1217
01:10:36,840 --> 01:10:39,920
Speaker 1: keeps me laughing, you know, gets me through my workouts

1218
01:10:39,960 --> 01:10:42,400
Speaker 1: and my runs. And I'm really sad to hear you

1219
01:10:42,439 --> 01:10:44,800
Speaker 1: guys are coming to the end of the episodes for Scrubs.

1220
01:10:45,120 --> 01:10:47,439
Speaker 1: But I'm really excited about the new direction you guys

1221
01:10:47,439 --> 01:10:50,040
Speaker 1: are thinking about taking, and I really want to suggest

1222
01:10:50,040 --> 01:10:54,680
Speaker 1: a new idea. It's a baking podcast. Donald's mentioned a

1223
01:10:54,680 --> 01:10:56,519
Speaker 1: couple of times that he's been really into baking lately,

1224
01:10:57,360 --> 01:10:59,599
Speaker 1: talking about his pies and some other stuff he's made.

1225
01:11:00,080 --> 01:11:03,040
Speaker 1: The best part of this idea is the name, and

1226
01:11:03,080 --> 01:11:10,000
Speaker 1: that's bakerd Tart. Can go buy bakerd Tart because guy,

1227
01:11:11,680 --> 01:11:15,600
Speaker 1: I feel like he's started with that can bring up

1228
01:11:15,640 --> 01:11:18,839
Speaker 1: celebrity chefs. Even I know there's a lot of shows

1229
01:11:18,840 --> 01:11:21,839
Speaker 1: about baking, like The Great British Bake Off and Cake Boss,

1230
01:11:22,200 --> 01:11:25,599
Speaker 1: I Love Cupcake Wars, and probably a bunch of other

1231
01:11:25,600 --> 01:11:28,879
Speaker 1: ones that I'm forgetting right now, but uh, no podcast

1232
01:11:28,960 --> 01:11:32,200
Speaker 1: that I know of, you guys can be you're participating

1233
01:11:32,240 --> 01:11:35,639
Speaker 1: God's lettuce. Maybe you know, make it older, more interesting

1234
01:11:37,000 --> 01:11:41,719
Speaker 1: category best dish overall, and then best dish while partaking

1235
01:11:41,720 --> 01:11:45,519
Speaker 1: in God's Lettuce. I don't know something like that. Yeah,

1236
01:11:45,520 --> 01:11:47,280
Speaker 1: happy to hear from you guys. Love that you guys

1237
01:11:47,320 --> 01:11:50,080
Speaker 1: are continuing the podcast and thinking about bringing it forward

1238
01:11:50,160 --> 01:11:57,440
Speaker 1: even beyond Scrubs. Thanks, I hope all as well. Thank you.

1239
01:11:59,640 --> 01:12:03,599
Speaker 1: Out shout out Caleb from I Think Caleb. I think

1240
01:12:03,640 --> 01:12:05,840
Speaker 1: Caleb may have been high when he came up with you.

1241
01:12:05,920 --> 01:12:09,559
Speaker 1: You think so, Baer. I feel like he came up

1242
01:12:09,560 --> 01:12:11,559
Speaker 1: with baker Tart and then worked his way backwards into

1243
01:12:11,600 --> 01:12:15,640
Speaker 1: a baking show. He was like Donald's ears perked up

1244
01:12:15,640 --> 01:12:17,600
Speaker 1: when he said baking show, thinking it was gonna be

1245
01:12:17,600 --> 01:12:20,639
Speaker 1: about getting baked. Well, he said baking show and God's

1246
01:12:20,720 --> 01:12:23,559
Speaker 1: let us in the same fucking sentenced and me had

1247
01:12:23,560 --> 01:12:30,679
Speaker 1: a hello. He had me right then and there. I love.

1248
01:12:30,960 --> 01:12:34,439
Speaker 1: I love to bake. I love I don't necessarily watch

1249
01:12:34,560 --> 01:12:39,400
Speaker 1: baking shows. That's too long. I prefer like the TikTok's

1250
01:12:39,520 --> 01:12:43,519
Speaker 1: or the Instagram posts that you know, Yeah, that's what

1251
01:12:43,560 --> 01:12:46,960
Speaker 1: the kids are calling it, right, TikTok? Are you on TikTok? Donald? No?

1252
01:12:47,840 --> 01:12:51,120
Speaker 1: I didn't think so. But anyway, I like to watch, like,

1253
01:12:51,320 --> 01:12:53,120
Speaker 1: you know, there's this one guy who's like, let's do

1254
01:12:53,160 --> 01:12:55,880
Speaker 1: some cooking, and then there's this other guy who's like,

1255
01:12:56,200 --> 01:13:00,240
Speaker 1: uh and as always now and I like him. Uh,

1256
01:13:00,479 --> 01:13:03,920
Speaker 1: there's there's other dude. There's like, there's a couple of

1257
01:13:04,200 --> 01:13:08,160
Speaker 1: people that are out there that do Instagram cooking. And

1258
01:13:08,200 --> 01:13:10,559
Speaker 1: if you follow the recipe because they give it to

1259
01:13:10,600 --> 01:13:13,759
Speaker 1: you really well, you can make it and it works

1260
01:13:13,960 --> 01:13:16,800
Speaker 1: and my kids eat it. Um. And that's really how

1261
01:13:16,840 --> 01:13:20,599
Speaker 1: I learned to cook, by watching videos on Instagram or

1262
01:13:20,640 --> 01:13:24,160
Speaker 1: on the thing that they called the TikTok. Well, um,

1263
01:13:24,320 --> 01:13:26,479
Speaker 1: I'm not really interested in baking, Caleb. Thank you for

1264
01:13:26,520 --> 01:13:29,680
Speaker 1: your suggestion. Don't cook. I don't want them to do

1265
01:13:29,720 --> 01:13:32,360
Speaker 1: a podcast cooking, but you seem like we don't cook.

1266
01:13:33,000 --> 01:13:35,240
Speaker 1: I don't cook. But you seem like a really nice fellow.

1267
01:13:35,400 --> 01:13:43,000
Speaker 1: And and thank you for your suggestion. Joelle, what so

1268
01:13:43,640 --> 01:13:45,400
Speaker 1: it's not even it's the white board. Let's put it

1269
01:13:45,439 --> 01:13:53,400
Speaker 1: that way. All right, Let's move on, Joel, what is

1270
01:13:53,400 --> 01:13:55,559
Speaker 1: the idea for a TV show for Donald and I

1271
01:13:56,080 --> 01:13:59,479
Speaker 1: here we go. This is from Zach. Oh we like

1272
01:13:59,560 --> 01:14:05,759
Speaker 1: them already. Oh Zach with a self submission. Hey, Joel, Daniel, Donald,

1273
01:14:05,800 --> 01:14:08,280
Speaker 1: and Zach. My name is also Zach, and I have

1274
01:14:08,320 --> 01:14:10,160
Speaker 1: a pitch for a TV show for Zack and Donald.

1275
01:14:10,360 --> 01:14:13,599
Speaker 1: Go ahead, homey Spamoni too, spaghetti and lots of balls.

1276
01:14:14,479 --> 01:14:18,280
Speaker 1: I don't do that. I'm kidding, I'm kidding. Donald is

1277
01:14:18,320 --> 01:14:21,200
Speaker 1: a very famous, successful actor working on a big time project,

1278
01:14:21,320 --> 01:14:23,599
Speaker 1: maybe a film in La or a show on Broadway.

1279
01:14:24,400 --> 01:14:26,559
Speaker 1: In the middle of filming or rehearsing for this project,

1280
01:14:26,600 --> 01:14:30,840
Speaker 1: Donald does something to get himself canceled. Nothing terrible or egregious,

1281
01:14:31,120 --> 01:14:34,240
Speaker 1: but maybe something absurd, like someone filmed him gambling on

1282
01:14:34,280 --> 01:14:37,120
Speaker 1: a fart and shitting his pants during a rehearsal that

1283
01:14:37,160 --> 01:14:39,720
Speaker 1: goes viral and it attracts some negative attention to the

1284
01:14:39,760 --> 01:14:46,880
Speaker 1: project and its producers, which gets him fired after that anymore,

1285
01:14:47,479 --> 01:14:49,719
Speaker 1: and then his work drives up, his life falls apart,

1286
01:14:50,040 --> 01:14:52,400
Speaker 1: and he's forced to move in with a relative, maybe

1287
01:14:52,400 --> 01:14:55,200
Speaker 1: a mom or a sister or a cousin back home

1288
01:14:55,240 --> 01:14:59,160
Speaker 1: in small town little Lass, Colorado. A few weeks of

1289
01:14:59,200 --> 01:15:02,160
Speaker 1: sulking around the relative's house drives his host crazy and

1290
01:15:02,200 --> 01:15:04,080
Speaker 1: they encourage him to get out and look for work.

1291
01:15:04,800 --> 01:15:07,360
Speaker 1: He notices a flyer for a local community theater production

1292
01:15:07,400 --> 01:15:10,880
Speaker 1: of something and scoffs at first, but once encouraged to

1293
01:15:10,960 --> 01:15:14,240
Speaker 1: check it out, he recalls his early career fondly, before

1294
01:15:14,280 --> 01:15:17,000
Speaker 1: the money and attention, when it was about fun and art.

1295
01:15:17,479 --> 01:15:21,760
Speaker 1: He decides to check it out the theater, or more

1296
01:15:21,800 --> 01:15:24,679
Speaker 1: probably a high school gym. He meets the local community

1297
01:15:24,720 --> 01:15:28,760
Speaker 1: theater director and egotistical, self important tyrants played by Zach.

1298
01:15:29,600 --> 01:15:32,080
Speaker 1: Perhaps part of the reason Zach's character is so arrogant

1299
01:15:32,439 --> 01:15:34,400
Speaker 1: is because he has what he thinks is an ace

1300
01:15:34,439 --> 01:15:38,439
Speaker 1: up as sleeve, an authentic British actor hey Brett Goldstein.

1301
01:15:39,960 --> 01:15:41,920
Speaker 1: Unable to say no to having a big name in

1302
01:15:41,960 --> 01:15:45,759
Speaker 1: his production, Zach casts Donald, but the two constantly butt heads.

1303
01:15:46,160 --> 01:15:48,880
Speaker 1: Donald has a very clear inside knowledge about acting and

1304
01:15:48,920 --> 01:15:53,839
Speaker 1: directing that small time Zach cannot allow his ego to appreciate. Meanwhile,

1305
01:15:54,040 --> 01:15:56,360
Speaker 1: Zach whips the rest of the local actors, all of

1306
01:15:56,400 --> 01:15:59,519
Speaker 1: whom are terrified of his authoritarian style of directing, its

1307
01:16:00,040 --> 01:16:03,879
Speaker 1: ridiculous acting exercises and warm ups and so on. Conflict

1308
01:16:03,920 --> 01:16:07,439
Speaker 1: between Zack and Donald ensues. They eventually find common ground

1309
01:16:07,520 --> 01:16:10,320
Speaker 1: in a very heartfelt, scrubsy and way and finally put

1310
01:16:10,320 --> 01:16:13,120
Speaker 1: on a performance that they're excited about. The play opens

1311
01:16:13,240 --> 01:16:16,040
Speaker 1: up for the local community theater goers in Little Lass,

1312
01:16:17,160 --> 01:16:20,760
Speaker 1: It's awful. The audience is not receptive. The production choices

1313
01:16:20,800 --> 01:16:24,519
Speaker 1: are weird and silly and ridiculous. People hate it. But

1314
01:16:24,600 --> 01:16:26,719
Speaker 1: for Zack and Donald and the rest of the casting crew,

1315
01:16:27,120 --> 01:16:29,720
Speaker 1: it's a formative experience in getting back in touch with

1316
01:16:29,800 --> 01:16:32,080
Speaker 1: the heart that goes into theater. And I've been connecting

1317
01:16:32,080 --> 01:16:34,640
Speaker 1: with people again. Let me see if I can call

1318
01:16:34,680 --> 01:16:38,400
Speaker 1: back my guy, Stephen Brandon, Zack and Donald our arrival

1319
01:16:38,479 --> 01:16:44,800
Speaker 1: Thespians in a little last play, looking to have some

1320
01:16:44,840 --> 01:16:47,160
Speaker 1: white or dreams come true. I've always wanted to work

1321
01:16:47,200 --> 01:16:49,720
Speaker 1: in a writer and breaking stories. So say the word

1322
01:16:49,720 --> 01:16:51,920
Speaker 1: and I'll draft the manuscript for this pilot right now.

1323
01:16:52,520 --> 01:16:54,160
Speaker 1: It would be a dream come true to learn that

1324
01:16:54,200 --> 01:16:57,280
Speaker 1: craft from Bill and from Brett Goldstein. I'm just putting

1325
01:16:57,280 --> 01:16:59,479
Speaker 1: that out there into the universe, shooting my shot. I

1326
01:16:59,600 --> 01:17:01,400
Speaker 1: love every thing that y'all do, and I can't wait

1327
01:17:01,560 --> 01:17:04,680
Speaker 1: for what you do next. Thanks for listening. Well that

1328
01:17:04,800 --> 01:17:07,360
Speaker 1: was great, really well done. Well, I gotta say what's

1329
01:17:07,360 --> 01:17:10,360
Speaker 1: his name? Sorry? Zack Oh yeah, how can I forget that?

1330
01:17:10,479 --> 01:17:13,880
Speaker 1: Zach very well presented so for someone who has aspirations

1331
01:17:13,880 --> 01:17:16,240
Speaker 1: of getting into the business. I thought you did a

1332
01:17:16,280 --> 01:17:18,880
Speaker 1: really good job. I thought was a good quick pitch.

1333
01:17:19,280 --> 01:17:21,000
Speaker 1: I like that. I'm the star of this one too.

1334
01:17:21,080 --> 01:17:22,720
Speaker 1: I don't like that my character is an asshole that

1335
01:17:22,760 --> 01:17:25,280
Speaker 1: I already hate. Well, no, but we get together at

1336
01:17:25,280 --> 01:17:27,720
Speaker 1: the end and we make something special, at least to us.

1337
01:17:28,120 --> 01:17:32,000
Speaker 1: It's like high school musical meets like fame. No, it

1338
01:17:32,080 --> 01:17:37,200
Speaker 1: sounds like a Goffman. Yeah. Yeah, it sounds like the

1339
01:17:37,320 --> 01:17:39,160
Speaker 1: Mighty Ducks too. Like you know what I mean, say

1340
01:17:39,160 --> 01:17:42,080
Speaker 1: the area I like, I like, I would like I

1341
01:17:42,120 --> 01:17:44,599
Speaker 1: like the area of you know, kind of like Ari's

1342
01:17:44,640 --> 01:17:47,879
Speaker 1: idea that we're we switched to like doing a play,

1343
01:17:48,640 --> 01:17:50,559
Speaker 1: like the world is of like putting, like you know,

1344
01:17:50,920 --> 01:17:54,559
Speaker 1: behind the scenes of putting on something. I like that area. Um,

1345
01:17:54,880 --> 01:17:58,320
Speaker 1: that's funny for for Donald and I to do. Um.

1346
01:17:59,120 --> 01:18:02,200
Speaker 1: I think the world of small time theater hasn't really

1347
01:18:02,240 --> 01:18:06,760
Speaker 1: been lampooned better than Goffman. Um. That's probably the best

1348
01:18:06,840 --> 01:18:09,639
Speaker 1: version of it ever. Yeah, it's pretty hard to beat Goffman.

1349
01:18:09,680 --> 01:18:11,880
Speaker 1: But we wouldn't be that tone. We would That's sort

1350
01:18:11,920 --> 01:18:14,519
Speaker 1: of a mockumentary. We wouldn't we wouldn't be that tone.

1351
01:18:14,720 --> 01:18:19,320
Speaker 1: But I don't know. I'm open to UM. I think

1352
01:18:19,640 --> 01:18:22,080
Speaker 1: I don't know. It was also good living in Oblivion

1353
01:18:22,520 --> 01:18:26,280
Speaker 1: that it was amazing, love living BLI that's spoofing the

1354
01:18:26,320 --> 01:18:31,880
Speaker 1: world of making independent movies. Shout out Tom Till. If

1355
01:18:31,880 --> 01:18:35,000
Speaker 1: you like UM indies and you like behind the scenes stuff,

1356
01:18:35,280 --> 01:18:38,000
Speaker 1: watch Living in Oblivion. It's it's the it's the funniest

1357
01:18:38,280 --> 01:18:41,840
Speaker 1: spoof of how hard it is to make an independent movie.

1358
01:18:42,479 --> 01:18:45,439
Speaker 1: Do we have a lockup? Do we have a real lockup?

1359
01:18:45,720 --> 01:18:50,160
Speaker 1: That ever? I use that on everything. Look, dude, but

1360
01:18:50,280 --> 01:18:52,320
Speaker 1: we've been doing scrubs. I would say that, shit, do

1361
01:18:52,360 --> 01:18:55,320
Speaker 1: we have a lock up? Because sometimes the lock up fails?

1362
01:18:55,360 --> 01:18:57,880
Speaker 1: Do we have a real lock up? And then every

1363
01:18:57,880 --> 01:19:00,000
Speaker 1: single morning they put the mic under him, he'd go,

1364
01:19:00,120 --> 01:19:06,080
Speaker 1: sound this is my lavel. Um all right, everybody, thank

1365
01:19:06,120 --> 01:19:08,719
Speaker 1: you so much. That's uh. We're off to a start

1366
01:19:08,720 --> 01:19:12,360
Speaker 1: with season eight. We appreciate you. We thank you for listening. UM.

1367
01:19:12,400 --> 01:19:15,439
Speaker 1: If you haven't yet, please check out the trailer for

1368
01:19:15,600 --> 01:19:19,679
Speaker 1: a Good Person. It's on the YouTube's UM coming out

1369
01:19:19,680 --> 01:19:24,320
Speaker 1: in March twenty fourth at a theater near you also, yes, Donald,

1370
01:19:24,640 --> 01:19:27,960
Speaker 1: if you get the opportunity ahead, check us out on

1371
01:19:28,040 --> 01:19:31,080
Speaker 1: T Mobile. Hey yeah, yeah, I watch the commercial you

1372
01:19:31,080 --> 01:19:34,439
Speaker 1: haven't seen it? If you launch the super Bowl? All right.

1373
01:19:34,560 --> 01:19:36,519
Speaker 1: We love you guys, Thanks for tuning in. Donal count

1374
01:19:36,600 --> 01:19:43,360
Speaker 1: us out. Stories about show we made about a bunch

1375
01:19:43,360 --> 01:19:48,200
Speaker 1: of doctor nurses, and stories