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Speaker 1: Good morning, usca yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo Charlemagne, the God to the plan that is Friday. Yes,

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Speaker 1: it's Friday, Good morning. The weekend is here. The weekend

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Speaker 1: is absolutely here. Man. What's happening? How y'all feeling out there? Oh? Man?

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Speaker 1: Pretty good. I'm not excited about this weekend. I really

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Speaker 1: don't have much to do this weekend. I ain't got

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Speaker 1: nothing to do. I can relax at home and do

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Speaker 1: absolutely positively nothing. My daughters don't have dance, Jackson doesn't

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Speaker 1: have basketball, Logan doesn't have track. I'm just relaxing at

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Speaker 1: the crib. Yeah, that's not my life, chid, Dad, Baby,

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Speaker 1: there's chair competitions to attend this weekend. Baby, you know? So, yeah,

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Speaker 1: that's what that's what That's what I'll be doing. All right,

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Speaker 1: Well this morning, I'm I'm a little bit excited though,

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Speaker 1: because I'm gonna get a sneak peak this weekend. Uh

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Speaker 1: at are you there? God? It's me Margaret. You know

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Speaker 1: that's the um the book, the book that Judy Bloom

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Speaker 1: You're created decade ago is finally coming out as a movie,

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Speaker 1: and I'm gonna get a sneak peeker at this weekend.

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Speaker 1: So I'm excited about that. Okay, that I'm excited about

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Speaker 1: all right, Well, today's show, Amani will be joining us.

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Speaker 1: That's right, saluted the homie Amani man. That's my pupils

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Speaker 1: right there. She's gonna be up here to talk to

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Speaker 1: us about not just Ramadon because it is Ramadan, but

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Speaker 1: also a Muslim Women's Day, which is happening this March

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Speaker 1: twenty seventh, I believe, and it's an annual celebration to

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Speaker 1: help elevate Muslim women's voices. And Almani has a big voice,

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Speaker 1: not just for a Muslim woman, but a woman period.

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Speaker 1: So Amani will be here to talk to us about

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Speaker 1: that later to day, later this morning, that's right. And

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Speaker 1: also Jermaine do Pre and Currency will be joining us.

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Speaker 1: They got a new project, so we'll get a chance

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Speaker 1: to kick him with both of them, the legend Jermaine

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Speaker 1: do Pre, the young legend Currency. Can't wait to talk

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Speaker 1: to both of them. I think the album is called

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Speaker 1: up for motivational purposes only, yes, or for motivational youth

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Speaker 1: only one of the motivational youth only. Yes, yes, all right,

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Speaker 1: and get it off your chest. If you need to

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Speaker 1: vent eight drink five eight five one oh five wanted

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Speaker 1: to Friday and then you need to vent, call us

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Speaker 1: up right now. It's the Breakfast Club of the morning.

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Speaker 1: Ray Ray Ray, Yo, Charlotte man, Dancy what up? Are

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Speaker 1: we lying? This is your time to get it off

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Speaker 1: your chest. I got to pool a fool. We want

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Speaker 1: to hear from you on the Breakfast Club. Get on

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Speaker 1: the phone right now here, tell you what it is

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Speaker 1: we lie. Hello. Who's is Charles? It's Charles Man. Y'all

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Speaker 1: might not remember I called last year. I'm the guy

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Speaker 1: that got fired from Club Live. I don't I don't remember.

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Speaker 1: But how are you, y'alls? I don't remember what was

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Speaker 1: happening well anywhere anywhere? I want to ask y'all something,

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Speaker 1: man um. I got a roommate that's a path the

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Speaker 1: logical liar, you know. So I'm trying to be his friend,

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Speaker 1: but it seems like he'll tell me something in a

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Speaker 1: few months later here took me something different, and he'll

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Speaker 1: forget the lie told and he'll never admit for lying.

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Speaker 1: And I want to be the guy's friend. But you know,

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Speaker 1: can would you be a friend with somebody that you

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Speaker 1: knew was lying to you? No? Independing what they're lying about.

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Speaker 1: I mean, it's not even in them a No, that's

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Speaker 1: what I'm saying. I'm one of those people. I like

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Speaker 1: the line for stuff like for no reason. But then

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Speaker 1: I'll tell you I'm lying. You know what I mean,

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Speaker 1: But it ain't nothing serious. For instance, he's got a

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Speaker 1: really nice car, you know what I'm saying, And he

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Speaker 1: told me his car was played off. So then a

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Speaker 1: few weeks lets later he told me no literally a

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Speaker 1: few weeks letter. He told me that he was still

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Speaker 1: making famous on his card and to be finished plaid

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Speaker 1: off in a few years. You know, But why would

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Speaker 1: he lie to me about this man? You know? But

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Speaker 1: those lines, don't it? Because you have to speak, that's right,

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Speaker 1: and we got to speak. But like they say, it's

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Speaker 1: nothing lie that necessarily offends me. Still he assorts my

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Speaker 1: intelligence because I know it's the line. Damn. You know

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Speaker 1: what I'm saying. You know why you upset? I'm gonna

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Speaker 1: tell you why you upset? You upset because you ain't

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Speaker 1: calling him on his lie. See, you can be friends

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Speaker 1: with anybody if you accept who they y'all. So, whenever

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Speaker 1: did he do do stuff like that, you gotta be like, man,

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Speaker 1: shut your lie ass up. I know you lying. You

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Speaker 1: just imagine ain't calling them on it? Well, you know what,

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Speaker 1: I tecks, and I do that from now on, calling

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Speaker 1: his ass out, like I'll do I'll do that work

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Speaker 1: right now. Damn. We should call at work. You want

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Speaker 1: to call anyway I want? I want to answer say something.

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Speaker 1: I think I don't call him. Look, he's literally at

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Speaker 1: work early in the morning. He going the work or whatever.

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Speaker 1: I get off at midnight. I work at Wendy's. Like

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Speaker 1: up a bit, you know, I'm saying. So I'm still up.

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Speaker 1: I've been watching movie. All right, Thank you brother? What

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Speaker 1: you said? You was about to ask me something? What

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Speaker 1: you what you were saying? Now? He said, I'm upset?

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Speaker 1: Who met him? The lion? Yeah? Yeah, the guy that

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Speaker 1: worked at wendy Li hung up? Hello? Who's this? It

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Speaker 1: is Williams from seven five seven? What's uping man? Virginia's

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Speaker 1: get it off your chest? Brother? And what's that in

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Speaker 1: the envy? What's good? Charlotage? Yeah? I'm all right, I'm

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Speaker 1: my brother Hey, oh, no guest hosts today. We're gonna

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Speaker 1: have guest hosts again till next week. Claudia Jordan's supposed

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Speaker 1: to be here today, but she got stuck in Miami.

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Speaker 1: I think yep, Okay, okay, that's what's that at that.

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Speaker 1: This is about what y'are saying about Trump and everything

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Speaker 1: he got going on with the rest. Charlotmagne was saying

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Speaker 1: that he should just flop out because it seemed like

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Speaker 1: a witch and everything is going away. But it's ego

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Speaker 1: getting in the way. But down really ego, I mean,

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Speaker 1: but but it's like, why would he drop out just

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Speaker 1: because they come at him? If that's the case, you

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Speaker 1: know what I'm saying, I would, I would go harder.

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Speaker 1: Though down really got nothing to do with ego, you know.

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Speaker 1: I mean, listen, if you believe in what you believe in,

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Speaker 1: I can I can understand what you're saying. And then,

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Speaker 1: you know what's crazy. It's going to make his followers, uh,

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Speaker 1: turn up even more because they're gonna feel like, oh,

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Speaker 1: this is an attack on our guy. You know, they're

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Speaker 1: gonna rally around him even more. Yeah, Yes, this's gonna

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Speaker 1: look good to him and the long run for you're

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Speaker 1: not You're not wrong. He's gonna become a martyr. You're

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Speaker 1: not wrong. And you know America loves a good martyr. Yeah, yes, indeed,

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Speaker 1: thank you, Yeah, that's sure. Hello. Who's this Ray B

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Speaker 1: from the Cambello? Sup City? Hey you can't bu super City?

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Speaker 1: What's up? Brother? Getting off your chest? Man? Right now?

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Speaker 1: I get a short from love to my my home

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Speaker 1: girl Lisa. They found her in the apartment out alive.

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Speaker 1: I gotta show some blood to my little niece. They

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Speaker 1: saw her baby, she wasn't alive. And my homeboy Krista

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Speaker 1: live up here. And Warren the barber sow from love

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Speaker 1: to his family. All this happened within the week and

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Speaker 1: a half da. My brother, I am sorry to hear that.

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Speaker 1: I'm sending healing energy to you and all of those families,

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Speaker 1: and I'm sorry that all of y'all have to go

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Speaker 1: through that. My brother dam And said that God we trust,

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Speaker 1: and God we trust over any living person alive. All right, brother,

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Speaker 1: get it off your chest. Eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: us up now. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. Wait, this is your time to get it

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Speaker 1: off your chest? Hundred five eighty five, one oh five one.

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Speaker 1: You want to hear from you on the breakfast club? Hello?

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Speaker 1: Who's this? Good morning going on? This is ge gee?

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Speaker 1: What's up? Get it off your chest? Brother man. First

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Speaker 1: of all, I don't want to shout out both of

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Speaker 1: my boys, uh a, Mari, I mean Money, Who's sorry?

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Speaker 1: He's gonna hear me mad and me? I missed his

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Speaker 1: naymore but Money uh ate Jojoe. He's a living um. Boys,

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Speaker 1: you know, get yourselves together. Man, let's go, let's go

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Speaker 1: go learn some the day. Let's go, let's go learn. Yes, sir,

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Speaker 1: you hung up on him. Here's the thing. Raiders are bored.

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Speaker 1: I've raiders learn from envy and regardless, just hanging up

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Speaker 1: on people. Yea, they don't know. I know. If you

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Speaker 1: don't hang up for me, they don't care. They don't

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Speaker 1: care if you complete your thoughts. They don't say peace,

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Speaker 1: They just clip you. Hello, who's this Okay? What I

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Speaker 1: want to get off my trash faculty? Two things. One

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Speaker 1: is I forget parents making you that play for lunch

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Speaker 1: just because they brought you to America. And the second

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Speaker 1: one at work, I feel like, you know they own

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Speaker 1: the emblace ones a whole time. They get pay just

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Speaker 1: like y'all too. Okay, well, first I forget pay to

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Speaker 1: bringing it and thank you to be working for them,

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Speaker 1: and work to your bones, show the thing you die.

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Speaker 1: Hopefully they are Africans listening right now. You don't have

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Speaker 1: to do it, okay, all right, ye say, oh you

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Speaker 1: don't have to be slaves Africans. That's what she just said. Okay, Hello,

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Speaker 1: who's this hey, Brandon? Get it off your chests? Bro Oh,

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Speaker 1: that's what's telling man. So I always listen to the

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Speaker 1: show when I woke up in the morning, long one

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Speaker 1: to school and whatnot. Okay, well, thank you for listening, brother,

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Speaker 1: ire ain't no problem, man. I want to get a

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Speaker 1: shout out of my mom, my dad. My dad probably

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Speaker 1: are work in the truck right now listening to it.

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Speaker 1: What's up? All right? Brother, have a good one. Hey.

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Speaker 1: I need y'all to remember one thing about this segment,

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Speaker 1: all right. That's called get it off your chest. Okay,

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Speaker 1: So it's not a shout out segment, all right. This

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Speaker 1: isn't a roll call call in get something off your chest.

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Speaker 1: If you want to vent, if you want to tell

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Speaker 1: us why you're blessed. That's what this segment is for.

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Speaker 1: Let's not forget that, people. Okay, listeners, let's try one

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Speaker 1: more time. Hello, who's this hey, John? To get it

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Speaker 1: off your chest? Boy just left while I was at

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Speaker 1: the hospital. My stuff he grabbed off his left We

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Speaker 1: can't hear you. I don't know if you got us

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Speaker 1: all blue. What a clown he is? Was that your

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Speaker 1: baby were about? No, we've been together for three years,

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Speaker 1: and you know he just he wasn't ready for all this. Wow,

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Speaker 1: he didn't give you no heads up nor nothing. Yeah,

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Speaker 1: he gave me a little huts up. I left him,

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Speaker 1: you know, I left him the option and he just

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Speaker 1: grab the stuff. I was at the hospital. I couldn't

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Speaker 1: believe you anything, So get off my chest because I

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Speaker 1: need to start over. And the first time. He doesn't

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Speaker 1: even like me anyway. You still love him, of course

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Speaker 1: I do. Oh well, it's nice talking little guys. Oh

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Speaker 1: my goodness. I love you guys so much. I listened

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Speaker 1: to you every day, and I'm here just to get

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Speaker 1: motivated and get the day going. All right, what happened

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Speaker 1: to my mama? Yeah, don't let him back in the

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Speaker 1: house too soon either. Now, all right, we'll get it

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Speaker 1: off your chest eight hundred five eight five one or

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Speaker 1: five one. If you need to vent, you can hit

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Speaker 1: us up. Now. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club Morning. Everybody is DJ Envy, Charlemagne the guy.

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Speaker 1: We are the Breakfast Club. We got some special guests

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Speaker 1: joining us today. We got who we got. We got

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Speaker 1: Charlie Walk and Stephan Man's welcome me. Thank you very

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Speaker 1: much for having us. Now, Charlie Walk, if people don't

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Speaker 1: know who you are, let's start off in the you

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Speaker 1: do some of the history. It's some of the things

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Speaker 1: that you did in this this thing we call the

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Speaker 1: music industry. You know. I started off for early, like

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Speaker 1: when I was at Columbia Records of eighteen. My first

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Speaker 1: job was to work with like LLL cool j Into

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Speaker 1: Slick Rick into new Kids in the block. So I

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Speaker 1: got the sense of like, real artist development, real artists

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Speaker 1: did the work. That's sort of been the way it was.

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Speaker 1: When we met Destiny's Child, Beyonce was fourteen. There were

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Speaker 1: five girls in Destiny's Child. I don't know if you

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Speaker 1: guys at the beginning, none there were three. Wow, So

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Speaker 1: we got to see when Beyonce walked in the room

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Speaker 1: with the mom and dad at fourteen, you were in

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Speaker 1: the presence of greatness. You knew it before, no, no, no,

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Speaker 1: right before all the hits. Yeah. So I always say

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Speaker 1: ours are born, not made. And I think one of

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Speaker 1: the reasons why we're here today is we're talking about

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Speaker 1: like this crazy TikTok thing where everyone thinks they can

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Speaker 1: cheat and cut the line right and go like this

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Speaker 1: and pray to God something happens. But the real stars

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Speaker 1: do the work. I mean, look at you. How long

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Speaker 1: it take you? Right right? Did you do the work?

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Speaker 1: Did you just go on TikTok and say, hey, I'm

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Speaker 1: the start. So I was an intern. I kiss want

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Speaker 1: to wait in Boston wow, back in the day, because

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Speaker 1: I wanted to get into business, and I started working

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Speaker 1: with talent. The first thing was like new Kids. There

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Speaker 1: was no there's no MTV or YouTube or TikTok was

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Speaker 1: like FM radio was your only narrow lane. If you

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Speaker 1: couldn't get through that, no one heard you. So how

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Speaker 1: do you break, right, You got to go through. You

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Speaker 1: gotta go through community. And the biggest stars actually broken regions,

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Speaker 1: right community. You look at the biggest rappers did the work.

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Speaker 1: So what's happening now is you're just no one's developing talent.

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Speaker 1: The labels are taking stuff off TikTok. You guys have

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Speaker 1: to play a lot of crap, right if you really

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Speaker 1: think about it, not sticky stuff, you play songs, but

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Speaker 1: how I'm an artist, you guys really get excited about.

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Speaker 1: In the course of a year, it's gotten down to

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Speaker 1: very low numbers because of sort of that TikTok thing

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Speaker 1: where people just going up and throwing you know, hail

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Speaker 1: Mary's so, you know, but back, you know, back in

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Speaker 1: the day we did that and then in the last

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Speaker 1: many years, you know, Ariana Grande at the Weekend. The

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Speaker 1: Weekend was a big part of my life at the

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Speaker 1: beginning when we were trying to figure out how to

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Speaker 1: take like the Prince of Darkness but haven't play wide

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Speaker 1: but still stay within brand. And so we were part

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Speaker 1: of like the transition of like kiss Land that album too,

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Speaker 1: Can't Feel My Face, And that was a really great

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Speaker 1: thing to like have someone that created his own brand.

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Speaker 1: But how do you figure out how to get the

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Speaker 1: stadiums and arenas. I think the biggest stars do that,

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Speaker 1: and I think that's why, you know, we worked with

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Speaker 1: a guy like Stefan. We met him at twelve. If

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Speaker 1: you heard the audio that was sent to us at twelve,

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Speaker 1: you knew the kid had pitched perfect tone. And then

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Speaker 1: you have to sort of like imagine and manifest the future.

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Speaker 1: What's he going to look like at fifteen or now

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Speaker 1: sixteen or seventeen. And if you get in early enough

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Speaker 1: and you developed a talent and you don't chase the song,

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Speaker 1: you chase the artists, you end up but you know,

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Speaker 1: real career, this is kind of like where I'm at

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Speaker 1: today thinking about it takes longer, you don't make money

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Speaker 1: right away, but at the end of the day you

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Speaker 1: end up in a stadium in arena. Damn. So it's

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Speaker 1: the fun. I gotta be pressure for you right right here,

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Speaker 1: and all I got. I got this pressure. I mean,

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Speaker 1: I'm from South Africa. My parents moved here just for

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Speaker 1: me to do this, so I got pressure from there.

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Speaker 1: I got pressure from this. But you know, I think

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Speaker 1: that's when I do best. Honestly, what made you come here?

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Speaker 1: Because you know the South African music scene is over

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Speaker 1: the last ten years, it's so huge, so big, so

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Speaker 1: many stars. So I made you say, you know what

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Speaker 1: I'm gonna leave that scene and come to the US. Yeah.

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Speaker 1: I got signed in South Africa when I was like

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Speaker 1: nine or ten years old. I was super little. I

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Speaker 1: met this record label over there and I sang in

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Speaker 1: front of like ten thousand people. Like three days later

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Speaker 1: I opened the show. It just went crazy in South Africa,

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Speaker 1: and I was like, you know what, Hollywood's the entertainment

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Speaker 1: capital of the world. Let me and my whole family,

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Speaker 1: my little sister, I'll just go over there and try it. Literally,

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Speaker 1: let's just take a gamble. Let's go try And I'm

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Speaker 1: so thankful for my parents for that. You know, my

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Speaker 1: parents believes in me enough to just go gamble, like,

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Speaker 1: just go see if if anything happens, and it did.

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Speaker 1: What's this science behind real stars? Well, first of all,

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Speaker 1: they have to want it more than you. Okay, they're

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Speaker 1: the CEO of themselves. They have vision, they're not puppets,

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Speaker 1: and they have a work ethic like you've never seen.

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Speaker 1: Taylor Swift is the most intense, incredible, focused artists I've

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Speaker 1: ever seen in the world. When I met Beyonce at fourteen,

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Speaker 1: she it was it wasn't like fun. You don't go

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Speaker 1: and have fun with the artists. It was serious art

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Speaker 1: conversation about the music and what it's going to be

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Speaker 1: and what the brand's gonna be. And they always would say,

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Speaker 1: like the general thesis is and artist is a brand.

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Speaker 1: A brand is a promise. What's your promise? And they

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Speaker 1: knew their promise. Sobody, parents call me and hit me

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Speaker 1: up on DM my kid TikTok. TikTok's fine, but it's

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Speaker 1: TikTok is not the platform that's going to break you.

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Speaker 1: It's you and your art right, TikTok's reels, all these

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Speaker 1: things come and go. It's the content that you're feeding

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Speaker 1: into those platforms that's gonna snackable fifteen or thirty seconds

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Speaker 1: of great that's gonna maybe go viral if you did

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Speaker 1: the work right, it's not gonna be TikTok. So so

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Speaker 1: that's I try to preach that more than ever. And

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Speaker 1: he hates TikTok. He he doesn't, he doesn't care about

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Speaker 1: it because he's chasing his art, not the song in

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Speaker 1: the moment to be goofy. I'm more far more interested

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Speaker 1: in in my craft and being better at what I

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Speaker 1: do every single day than and especially when when I

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Speaker 1: post a TikTok and it's like actual good stuff that

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Speaker 1: I do when I take time to do a cover

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Speaker 1: does worse than me doing some stupid lipsync trend or

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Speaker 1: some you know, some stupid thing. So you guys understand,

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Speaker 1: like you have to be goofy on TikTok, like it

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Speaker 1: forces you right, right, you have to being goofy. And

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Speaker 1: this kid, I'm not being goofy like you have to

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Speaker 1: do obscure goofy things to get into the algorithm to

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Speaker 1: possibly be in the four you page to go to

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Speaker 1: go viral, right, goofy like he doesn't want to do

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Speaker 1: a goofy I'm not going to get in a fight

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Speaker 1: about it. So he's just gonna stick to chasing the

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Speaker 1: artist versus chasing the song. And you know, not being

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Speaker 1: a one hit wonder. And those one hit wonders are

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Speaker 1: like cleaning our apartments, not like what do we do?

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Speaker 1: Like what are you doing that? Ship? I well, no move.

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Speaker 1: We got more with Charlie Walk and Stefan Bans when

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Speaker 1: we come back. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. We are to Breakfast Club. We're still kicking

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Speaker 1: it with Charlie Walk and Stefan Man's welcome charmage. How

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Speaker 1: much does it cost to break a great artist. It's

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Speaker 1: still a cost, right, a lot of money. And I'll

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Speaker 1: tell you why. So it's years number one, right, do

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Speaker 1: we agree it's years money? Okay, He's got to eat,

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Speaker 1: he's got to travel, he's got to have a crew.

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Speaker 1: And I don't mean an entourage, but I mean we

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Speaker 1: have an amazing publicist, We have amazing stylists, we have

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Speaker 1: hair and makeup, we have studios, we have people that

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Speaker 1: are you know, betting on him sharing in the future

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Speaker 1: revenue of songwriting and production. But I would say it's

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Speaker 1: hundreds of thousands of dollars over the course of three

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Speaker 1: or four years. And so so you know, you have

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Speaker 1: to So what I do with our company is we

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Speaker 1: deploy capital to fund and we become partners with the

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Speaker 1: artists and uh and we're making the bet and by

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Speaker 1: the way, we better be right. I apologize for the

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Speaker 1: damage I've cost. And that's about American Ato. You are

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Speaker 1: on American Idol, right, Yeah, when I was, oh man,

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Speaker 1: I was so stressed out. Apparently American Idols twenty one,

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Speaker 1: which is crazy. It's the twenty first season I went on.

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Speaker 1: I was approached by American Idol that asked me to

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Speaker 1: go on the show, and I went on an audition.

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Speaker 1: You know, it's Katie Perry, Luke, Brian Lionel, Richie. And

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Speaker 1: I usually don't get too nervous, and if I get nervous,

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Speaker 1: it's super like internal. I don't usually show it, but

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Speaker 1: I remember I was like, no, it's good. Like it's

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Speaker 1: just me singing in front of three people in a room,

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Speaker 1: like I'm just gonna look at them. Usually that's where

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Speaker 1: I feel like I thrive. And I look at I

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Speaker 1: walk into this room and I'm like so nervous, Like

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Speaker 1: I walk in and like I have a water right now,

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Speaker 1: Like I needed water so badly. I was so scared

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Speaker 1: that they were gonna pick up my mouth being drawing

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Speaker 1: on the mic. Like I wanted to ask right, like

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Speaker 1: if you're from a small town, you don't got no connections,

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Speaker 1: you know, no no real money then best, but you

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Speaker 1: got a lot of talent you wanted those What do

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Speaker 1: you do to get an opportunity with somebody like you child?

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Speaker 1: You mean, how do you get someone's attention that? Actually

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Speaker 1: I could do it. I think what stops me is talent.

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Speaker 1: You know, It's like it's like, how do you stop

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Speaker 1: the scroll on Instagram what makes you? And you're going

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Speaker 1: you know, you guys lying in bed at now you

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Speaker 1: wake up in the morning, you're going to getting ready

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Speaker 1: to do the big morning show, and you're scrolling through

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Speaker 1: your stuff and you get producers and but you're looking

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Speaker 1: for something to inspire you. What stops you to make yourself?

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Speaker 1: I'm gonna talk about that. It's the same exact thing.

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Speaker 1: So if something stops me, I stop and really pay

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Speaker 1: attention to why did that? If that stops me, I

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Speaker 1: try to be in the mindset of I represent everybody, right.

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Speaker 1: It's not about like me having an ego. It's like

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Speaker 1: if I'm feeling it, my temperament for I hit record

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Speaker 1: or start and I'm representing everybody. My mindset as hot

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Speaker 1: as a play wide. So for me, the way people

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Speaker 1: like find me, they hit me on DM and I

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Speaker 1: look through every DM and I listen. We pay attention.

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Speaker 1: You got to be in the culture, right. I try

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Speaker 1: to be timeless about it, like I'm an og but

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Speaker 1: I try to be I try to be in the

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Speaker 1: culture by listening to I don't want to say younger people,

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Speaker 1: but people that are in it that I respect. If

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Speaker 1: you said to me if you pull me aside after

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Speaker 1: him and say, Charlie, I'm telling you my cousin Janey

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Speaker 1: just sent me something that's amazing, Like I haven't seen this.

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Speaker 1: I would like stop what I was doing and go

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Speaker 1: maybe go see her right now. It's like I'm like

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Speaker 1: that because like you're connected and you're not. You would

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Speaker 1: not normally say that to me unless you felt it right.

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Speaker 1: You just never know when great can happen at anytime.

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Speaker 1: So the idea is if you if there's greatness, it

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Speaker 1: somehow finds its way. I see you got to gatar there.

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Speaker 1: You're acting like you want to do something about you

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00:19:10,920 --> 00:19:12,560
Speaker 1: already know. You're acting like you want to do something

420
00:19:12,680 --> 00:19:14,440
Speaker 1: you already know I want to all right, well let's

421
00:19:14,440 --> 00:19:17,040
Speaker 1: do it. I'm gonna play song. Sure you're not going

422
00:19:17,040 --> 00:19:19,800
Speaker 1: ahead of nothing now, so just make a break, all right.

423
00:19:20,240 --> 00:19:21,879
Speaker 1: Charlie's been talking a lot of talk. You were you

424
00:19:21,960 --> 00:19:24,000
Speaker 1: were talking. You were talking in the beginning about the

425
00:19:24,000 --> 00:19:28,320
Speaker 1: fresh turn on the auto, time flip the switch right now. Um,

426
00:19:28,320 --> 00:19:32,199
Speaker 1: this is a song called just Friends my music soul child. Um.

427
00:19:32,240 --> 00:19:34,960
Speaker 1: I actually sang the song on auto, but they cut

428
00:19:34,960 --> 00:19:39,120
Speaker 1: it out and used another one. So this music soul child.

429
00:19:50,160 --> 00:19:54,240
Speaker 1: I know, yes, mine seems strange, but let me know

430
00:19:54,440 --> 00:19:57,840
Speaker 1: if I'm however, that far has that been to you?

431
00:19:58,440 --> 00:20:02,080
Speaker 1: This were easy? Yea? I've been a why chant you

432
00:20:02,280 --> 00:20:06,440
Speaker 1: for bah why? And I just gotta let you know

433
00:20:06,520 --> 00:20:11,280
Speaker 1: that I'm really feeling your style because I had to

434
00:20:11,880 --> 00:20:16,359
Speaker 1: know your name and leave you with a number, and

435
00:20:16,480 --> 00:20:19,920
Speaker 1: I hope that you would call me some day if

436
00:20:19,960 --> 00:20:23,600
Speaker 1: you want, you can't give me gos to and if

437
00:20:23,640 --> 00:20:27,520
Speaker 1: you don't, well, I ain't mad at you. We can

438
00:20:27,640 --> 00:20:31,439
Speaker 1: still be cool. I'm not trying to pressure you. Just

439
00:20:31,720 --> 00:20:36,080
Speaker 1: can't stop thinking about you. You ain't even really gotta

440
00:20:36,280 --> 00:20:42,360
Speaker 1: be my girlfriend. I just gotta know your name. Maybe

441
00:20:42,560 --> 00:20:50,000
Speaker 1: sometime we can huk go hang out, just chill. Damn.

442
00:20:50,320 --> 00:20:54,800
Speaker 1: I'm surprised that you call. By the way that you

443
00:20:55,040 --> 00:20:58,520
Speaker 1: walked away, I thought I won't gonna see you no more.

444
00:20:59,080 --> 00:21:02,919
Speaker 1: Since you did, I didn't wanna give me man. I

445
00:21:03,119 --> 00:21:09,280
Speaker 1: thought that you gave me. I wasn't digging me. Yeah

446
00:21:09,280 --> 00:21:15,000
Speaker 1: hey yeah, but anyway, what you doing tonight? I'll probably

447
00:21:15,160 --> 00:21:18,560
Speaker 1: be when my feebs. If it's cool with you, maybe

448
00:21:18,680 --> 00:21:22,240
Speaker 1: will swing by and you could just chill with so

449
00:21:22,560 --> 00:21:26,159
Speaker 1: you could just jail with me as long as you're comfortable,

450
00:21:26,440 --> 00:21:29,920
Speaker 1: you feel sicure y'all with me. I'm not trying to

451
00:21:30,080 --> 00:21:34,160
Speaker 1: pressure you. Just can't stop thinking about you. You ain't

452
00:21:34,200 --> 00:21:39,560
Speaker 1: even really gotta beat my girlfriend. I just gotta know

453
00:21:40,160 --> 00:21:43,920
Speaker 1: your name and maybe it's some time we can fuck

454
00:21:44,080 --> 00:21:53,280
Speaker 1: up hang out just Jill, all right? Okay, okay? Where

455
00:21:53,280 --> 00:21:54,800
Speaker 1: can people find you? If they want to find you?

456
00:21:54,880 --> 00:21:58,080
Speaker 1: Follow you, download music, stream and all that good stuff. Swa.

457
00:21:58,200 --> 00:22:00,280
Speaker 1: My name is Steffan Ben Stefan with an that's not

458
00:22:00,320 --> 00:22:03,280
Speaker 1: a pH in Bens like Mercedes um so on stuff

459
00:22:03,280 --> 00:22:05,600
Speaker 1: on Ben's everywhere, stuff on Ben's official on Instagram. I'm

460
00:22:05,640 --> 00:22:08,120
Speaker 1: steff on Bench. TikTok go on my TikTok please. That's

461
00:22:08,160 --> 00:22:10,159
Speaker 1: we're focusing on. Are you gonna mess with afrobeach? You

462
00:22:10,160 --> 00:22:11,920
Speaker 1: gotta do Affrica? Oh I do affribat all the time.

463
00:22:12,160 --> 00:22:15,360
Speaker 1: Thank you guys. You want to everybody off far bench

464
00:22:15,440 --> 00:22:22,560
Speaker 1: become the biggest voice in APPA when a Grammy Charlie walk,

465
00:22:22,800 --> 00:22:25,480
Speaker 1: ste thank you for joining us this morning. We appreciate you, guys,

466
00:22:25,480 --> 00:22:27,720
Speaker 1: and good luck with every day that morning. Let's go.

467
00:22:27,800 --> 00:22:29,640
Speaker 1: You said it not, that's it's the breakfast Love. Good morning,

468
00:22:29,960 --> 00:22:33,160
Speaker 1: so Breakfast Club. Your mornings will never be the same.

469
00:22:34,080 --> 00:22:36,639
Speaker 1: Your company at Gold this year probably the right people

470
00:22:36,680 --> 00:22:38,760
Speaker 1: to help you achieved them. With dip recruiter, we're four

471
00:22:38,760 --> 00:22:41,080
Speaker 1: out of five employers get a quality candidate within the

472
00:22:41,119 --> 00:22:44,000
Speaker 1: first day. Try free at jip recruiter dot com, slash

473
00:22:44,040 --> 00:22:47,320
Speaker 1: breakfast as zip recruited dot com slash Breakfast Wanting everybody

474
00:22:47,400 --> 00:22:50,199
Speaker 1: is DJ Envy Charlot Migne the guy we are the

475
00:22:50,200 --> 00:22:54,840
Speaker 1: Breakfast Club on this Friday again saluting everybody out in Memphis, Tennessee.

476
00:22:55,400 --> 00:22:58,160
Speaker 1: I'm so excited that we linked up with with Young

477
00:22:58,280 --> 00:23:00,639
Speaker 1: Doll's family and in paper Route and we're doing this

478
00:23:00,720 --> 00:23:03,840
Speaker 1: car show in Memphis. If you don't know about it,

479
00:23:03,880 --> 00:23:06,480
Speaker 1: we're coming down in May twenty eight. Thing. We're celebrating

480
00:23:06,560 --> 00:23:08,920
Speaker 1: Dolf's life. So we're bringing Dolf's whole car fleet, which

481
00:23:09,000 --> 00:23:11,760
Speaker 1: is like twenty We're bringing Key Glocks, which is his cousin,

482
00:23:11,840 --> 00:23:14,920
Speaker 1: and artist cars. We're bringing fifty cents cars, my cars,

483
00:23:14,920 --> 00:23:16,760
Speaker 1: and we're just gonna celebrate for the city. So it's

484
00:23:16,760 --> 00:23:19,520
Speaker 1: a car show, it's a Young Dolph Museum will be

485
00:23:19,560 --> 00:23:21,359
Speaker 1: there so you get to see all his artifacts, his

486
00:23:21,480 --> 00:23:25,399
Speaker 1: closed his artwork and jewelry. Also, we're bringing rides for

487
00:23:25,400 --> 00:23:28,720
Speaker 1: the kids and jumpies and face painting and music, and

488
00:23:28,760 --> 00:23:30,399
Speaker 1: it's gonna be a day of celebration. So if you

489
00:23:30,440 --> 00:23:32,520
Speaker 1: haven't got your tickets, click the link in my bio

490
00:23:32,600 --> 00:23:35,040
Speaker 1: and get your tickets. It's gonna be a lot of fun,

491
00:23:35,119 --> 00:23:36,600
Speaker 1: all right. And when we come back, we're gonna be

492
00:23:36,680 --> 00:23:39,720
Speaker 1: kicking it with Jermaine dupri and Currency is the Breakfast Club.

493
00:23:39,760 --> 00:23:46,440
Speaker 1: Good morning, the Breakfast Club, the Breakfast Club. Your mornings

494
00:23:46,440 --> 00:23:51,320
Speaker 1: will never be the same morning. Everybody is DJ n V,

495
00:23:51,600 --> 00:23:54,160
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

496
00:23:54,160 --> 00:23:56,520
Speaker 1: some special guests in the building. We got Currency and

497
00:23:56,640 --> 00:24:02,960
Speaker 1: Jermaine dupre Ja. The wall fellas I just collaboration came about. Man,

498
00:24:03,160 --> 00:24:06,520
Speaker 1: I did a record on this Harrod fraud album I did.

499
00:24:07,560 --> 00:24:10,320
Speaker 1: Then I named the record Jermaine Duprey because it reminded

500
00:24:10,400 --> 00:24:13,720
Speaker 1: me of when I've seen Bro on MTV cribs, so

501
00:24:13,760 --> 00:24:16,280
Speaker 1: it made me speak on it. Named the record after him,

502
00:24:16,280 --> 00:24:18,200
Speaker 1: and then he heard it and he hit me. I

503
00:24:18,280 --> 00:24:19,840
Speaker 1: was like, just come to the studio, like you should

504
00:24:19,840 --> 00:24:21,800
Speaker 1: come through, like let's do a record. Well what I

505
00:24:21,840 --> 00:24:23,919
Speaker 1: thought was just come do a record, but then we

506
00:24:24,040 --> 00:24:27,240
Speaker 1: jammed up, like it fell right, and we never stopped working. Man.

507
00:24:27,320 --> 00:24:29,359
Speaker 1: Let's go back to that MTV cribs thing, right, because

508
00:24:29,400 --> 00:24:31,240
Speaker 1: you know nowadays and you see rappers doing that that

509
00:24:31,320 --> 00:24:33,600
Speaker 1: looked like this everybody flossing, But back then it really

510
00:24:33,840 --> 00:24:36,440
Speaker 1: used to inspire people. So what we're talking about that, yes,

511
00:24:36,560 --> 00:24:39,119
Speaker 1: like dude had the icebergs, I don't just all the

512
00:24:39,119 --> 00:24:41,600
Speaker 1: stuff that was out of my reach and that time,

513
00:24:41,720 --> 00:24:43,640
Speaker 1: you know what I'm saying, And like they always see

514
00:24:43,640 --> 00:24:45,919
Speaker 1: it like hot kids like soft black panthers, like yo,

515
00:24:46,000 --> 00:24:48,080
Speaker 1: you look like us, like this hit right here, you

516
00:24:48,119 --> 00:24:50,120
Speaker 1: know what I'm saying, So you could do it because

517
00:24:50,119 --> 00:24:51,879
Speaker 1: the onlyest people I ever seen on that was like

518
00:24:51,920 --> 00:24:57,240
Speaker 1: I keep telling them, how colden and then baman coming like,

519
00:24:57,680 --> 00:24:59,520
Speaker 1: so how was it working with j D? It was like,

520
00:24:59,600 --> 00:25:01,840
Speaker 1: you know, honestly, it was like a dream, bro, because

521
00:25:01,840 --> 00:25:03,560
Speaker 1: I've been in the game for a long time and

522
00:25:03,880 --> 00:25:05,679
Speaker 1: just on the outside look. And then that's one of

523
00:25:05,680 --> 00:25:08,120
Speaker 1: the people that I figured that was like somewhere else

524
00:25:08,480 --> 00:25:10,160
Speaker 1: that's out of space, you know what I'm saying. So

525
00:25:10,400 --> 00:25:12,320
Speaker 1: you speak on it. You know, if I named the

526
00:25:12,359 --> 00:25:14,840
Speaker 1: record Jermaine Dupre, I never thought I was gonna meet

527
00:25:14,920 --> 00:25:17,480
Speaker 1: Jermaine Dupri or anything. That's why I let y'all never bet.

528
00:25:17,560 --> 00:25:20,480
Speaker 1: That's what I'm saying, Like y'all both be outside, like yeah,

529
00:25:20,560 --> 00:25:23,800
Speaker 1: but two different it's two different worlds completely, like he

530
00:25:25,040 --> 00:25:29,600
Speaker 1: and his group of people in the section may include

531
00:25:29,640 --> 00:25:32,320
Speaker 1: like who you want to just throw names around, all right,

532
00:25:32,480 --> 00:25:36,600
Speaker 1: and it's me and the homies not gonna It's not

533
00:25:36,640 --> 00:25:38,919
Speaker 1: gonna happen, you know what I'm saying. So it's just

534
00:25:39,000 --> 00:25:41,280
Speaker 1: great that it did. And it's like when I thought

535
00:25:41,320 --> 00:25:43,280
Speaker 1: I was gonna go to the NFL the NBA, I

536
00:25:43,320 --> 00:25:44,879
Speaker 1: used to look on the back of the cards and

537
00:25:44,880 --> 00:25:46,560
Speaker 1: look at people's birthday and see who would be in

538
00:25:46,560 --> 00:25:48,480
Speaker 1: the league when I got there, you know what I'm saying,

539
00:25:48,480 --> 00:25:51,000
Speaker 1: And like this, this is like that, just exactly like

540
00:25:51,040 --> 00:25:52,919
Speaker 1: that how I was working with currency. It's you know

541
00:25:52,880 --> 00:25:56,280
Speaker 1: what I was, Um, it's it's it's it's interesting because

542
00:25:56,320 --> 00:25:59,359
Speaker 1: I don't we never talked about songs like usually, I

543
00:25:59,440 --> 00:26:02,080
Speaker 1: talk about what we're gonna do prior to even making

544
00:26:02,119 --> 00:26:05,080
Speaker 1: a beat. He rolling up, I'm making a beat. I

545
00:26:05,080 --> 00:26:07,080
Speaker 1: don't know what's gonna happen. I don't even know if

546
00:26:07,080 --> 00:26:10,000
Speaker 1: he knows what's happening, but it just happened. We never

547
00:26:10,080 --> 00:26:12,680
Speaker 1: made one record where we talked about what we were

548
00:26:12,680 --> 00:26:15,600
Speaker 1: gonna do. It's just organically happened. So I felt like,

549
00:26:15,680 --> 00:26:18,200
Speaker 1: you know, the first five records that I saw this happened,

550
00:26:18,240 --> 00:26:20,240
Speaker 1: I'm like, oh, this is this is what organic I

551
00:26:20,280 --> 00:26:23,399
Speaker 1: guess feels like it means. Right by the time we

552
00:26:23,440 --> 00:26:26,000
Speaker 1: got to ten, I'm like, oh, okay, this is this

553
00:26:26,080 --> 00:26:28,919
Speaker 1: is really something different than than what I usually. You know,

554
00:26:29,359 --> 00:26:31,960
Speaker 1: usually it's a process of like, we're gonna make a

555
00:26:32,040 --> 00:26:33,840
Speaker 1: song like this, and we need to make a record

556
00:26:33,880 --> 00:26:35,359
Speaker 1: like this, and we need to do this and put

557
00:26:35,359 --> 00:26:38,240
Speaker 1: this person on there. We ain't had none of them conversations,

558
00:26:38,280 --> 00:26:41,040
Speaker 1: but we got to that process at the end of

559
00:26:41,080 --> 00:26:44,400
Speaker 1: the songs. You know, currency you've been out for so long,

560
00:26:44,400 --> 00:26:46,080
Speaker 1: you put up so many records, and I feel like

561
00:26:46,119 --> 00:26:49,399
Speaker 1: the world is doesn't necessarily give you the credit you deserve.

562
00:26:49,480 --> 00:26:51,919
Speaker 1: And the same thing with yourself. JD. Do you have

563
00:26:52,000 --> 00:26:56,840
Speaker 1: that those kind Yeah, we don't have the conversation like

564
00:26:57,160 --> 00:26:59,879
Speaker 1: but but we just it's an understanding like you know

565
00:27:00,200 --> 00:27:02,600
Speaker 1: that that's why we do what we do. But we

566
00:27:02,720 --> 00:27:06,399
Speaker 1: also noticed and notice what you did. We just keep putting,

567
00:27:06,560 --> 00:27:08,760
Speaker 1: you know, putting the numbers up there. Work. I feel

568
00:27:08,760 --> 00:27:10,960
Speaker 1: like you have to do that when you're from the South, though, Yeah,

569
00:27:11,080 --> 00:27:14,119
Speaker 1: if you want, if you want people to if you

570
00:27:14,200 --> 00:27:16,439
Speaker 1: want that and you have to do that, yes, you

571
00:27:16,440 --> 00:27:17,920
Speaker 1: know what I'm saying. If you just want to take

572
00:27:17,960 --> 00:27:21,040
Speaker 1: care of your family, pay the bills and ball out

573
00:27:21,400 --> 00:27:23,760
Speaker 1: on your own accord, then you don't have to do it.

574
00:27:24,000 --> 00:27:25,480
Speaker 1: Like I always say, like I still want to go

575
00:27:25,560 --> 00:27:28,320
Speaker 1: to Walmart and look for high wills and you know,

576
00:27:28,840 --> 00:27:31,800
Speaker 1: I want to go in a ferrari or something. So

577
00:27:31,880 --> 00:27:33,800
Speaker 1: I work hard enough to do that, you know what

578
00:27:33,800 --> 00:27:36,600
Speaker 1: I'm saying. But I'm not worrying about the others that

579
00:27:36,760 --> 00:27:39,280
Speaker 1: come with it, because all the guys of noble always

580
00:27:39,320 --> 00:27:42,000
Speaker 1: be like, oh, I'm the king of New York hip hop.

581
00:27:42,040 --> 00:27:43,960
Speaker 1: Wayne didn't get into conversation, so he said he's the

582
00:27:43,960 --> 00:27:46,240
Speaker 1: best rapper. Yeah, Tia, I didn't get into conversation, so

583
00:27:46,320 --> 00:27:48,160
Speaker 1: he said he the king of the South. I feel

584
00:27:48,200 --> 00:27:50,199
Speaker 1: like when you're from the South, you have to say it.

585
00:27:50,480 --> 00:27:52,720
Speaker 1: You have to. You have to. You know, the South

586
00:27:52,840 --> 00:27:55,400
Speaker 1: always gets slighted. It just just what it is. It's

587
00:27:55,440 --> 00:27:57,960
Speaker 1: not a it's not an old no, we don't it's

588
00:27:57,960 --> 00:28:01,160
Speaker 1: a true fact. It's we get not as much anymore.

589
00:28:01,240 --> 00:28:04,160
Speaker 1: No really really, we just really got this really bad

590
00:28:04,560 --> 00:28:10,200
Speaker 1: recently at the Grammys. Yeah, yeah, no, No two live

591
00:28:10,320 --> 00:28:13,920
Speaker 1: crew listen, Luke Scotwalker is the reason that the parental

592
00:28:14,040 --> 00:28:18,400
Speaker 1: advisory sticker is on every rap record in the world. Right,

593
00:28:18,600 --> 00:28:22,360
Speaker 1: how do you do hip hop fifty? And you do

594
00:28:22,440 --> 00:28:25,440
Speaker 1: not put the person who put that sticker on these

595
00:28:25,480 --> 00:28:29,560
Speaker 1: records on the show. If you're gonna slight Luke, They're

596
00:28:29,560 --> 00:28:32,720
Speaker 1: gonna always slight jamad debris because I'm saying I don't

597
00:28:32,720 --> 00:28:35,560
Speaker 1: think I did the parental advisory thing. I haven't done

598
00:28:35,560 --> 00:28:39,040
Speaker 1: anything that's that monumental too. This is this is forever

599
00:28:39,200 --> 00:28:42,280
Speaker 1: in hip hop. This was on your mixtapes. This is forever.

600
00:28:43,080 --> 00:28:46,479
Speaker 1: This is something that everybody had to feel because of

601
00:28:46,520 --> 00:28:48,840
Speaker 1: what they did in Miami. And you can't put that

602
00:28:48,880 --> 00:28:52,000
Speaker 1: man on the show, right, That's a fact. Yeah. But

603
00:28:52,080 --> 00:28:54,120
Speaker 1: you have a look back and think about, you know,

604
00:28:54,160 --> 00:28:56,880
Speaker 1: some of the things that you've created, right, like, because

605
00:28:57,000 --> 00:28:58,880
Speaker 1: it's a lot of this stuff came from the tree

606
00:28:58,960 --> 00:29:02,080
Speaker 1: of Jamaine dupre your Social death right, people that work

607
00:29:02,160 --> 00:29:04,640
Speaker 1: for you, that was intern people that you employed, and

608
00:29:04,680 --> 00:29:06,360
Speaker 1: you ever look back at that and be like, people,

609
00:29:06,520 --> 00:29:08,200
Speaker 1: this is from my tree. Most people don't know. Yeah,

610
00:29:08,280 --> 00:29:11,360
Speaker 1: we talked about by the way yesterday. We had a

611
00:29:11,400 --> 00:29:14,080
Speaker 1: listening party last night, but prior to that, we was

612
00:29:14,080 --> 00:29:15,920
Speaker 1: getting ready for listening party, was doing a photo shoot

613
00:29:15,960 --> 00:29:17,760
Speaker 1: and they was playing Never Scared right, and he was

614
00:29:17,800 --> 00:29:19,920
Speaker 1: like why. He was like, why are they playing this song?

615
00:29:20,200 --> 00:29:22,680
Speaker 1: And I'm like, that's my artist and he was like, wow,

616
00:29:22,840 --> 00:29:24,760
Speaker 1: like this all right? I was like, what played this?

617
00:29:25,000 --> 00:29:27,280
Speaker 1: Is this like so so deaf? Like all right? So

618
00:29:27,320 --> 00:29:29,920
Speaker 1: they played the ones you know for sure they're supposed

619
00:29:29,960 --> 00:29:32,960
Speaker 1: to play, like after by Wile Bounce with Me went off,

620
00:29:34,120 --> 00:29:36,120
Speaker 1: came up right, So I was like, oh, they're just

621
00:29:36,200 --> 00:29:41,160
Speaker 1: mixing it up, like playing some stuff I knew that.

622
00:29:41,280 --> 00:29:44,240
Speaker 1: I didn't know that. I didn't know that. And then

623
00:29:44,280 --> 00:29:47,080
Speaker 1: when he was talking to me about that, the young

624
00:29:47,120 --> 00:29:50,239
Speaker 1: Blood drecord came up. Yeah, Little John Yeah, and I

625
00:29:50,360 --> 00:29:52,080
Speaker 1: was like, so this one too, you know what I'm

626
00:29:52,080 --> 00:29:53,840
Speaker 1: saying that fuck me? I'm like, I didn't even know.

627
00:29:53,960 --> 00:29:55,480
Speaker 1: Like he was like, yeah, now they would sign them. Yeah,

628
00:29:55,480 --> 00:29:57,600
Speaker 1: a little John used to work for Jimmy dupri Yeah,

629
00:29:57,680 --> 00:30:01,040
Speaker 1: this is the tree that you this stuff. That's what

630
00:30:01,080 --> 00:30:03,480
Speaker 1: I'm saying. If he don't know this, I don't know

631
00:30:03,160 --> 00:30:06,200
Speaker 1: what he was in the restaurant with escaping them in

632
00:30:06,280 --> 00:30:08,480
Speaker 1: the video. That's all I knew. I was like, did

633
00:30:08,560 --> 00:30:13,720
Speaker 1: all that? I know, I'm saying, that's the ones I knew.

634
00:30:14,280 --> 00:30:16,240
Speaker 1: I didn't know. I didn't know that he that he

635
00:30:16,280 --> 00:30:18,480
Speaker 1: did that album for young Blood and I had no idea.

636
00:30:19,080 --> 00:30:21,200
Speaker 1: You knew the franchise boys right now? Yeah, I know

637
00:30:21,280 --> 00:30:24,280
Speaker 1: all the people didn't see me if you hear me, Yeah,

638
00:30:24,400 --> 00:30:26,360
Speaker 1: so you know what I'm saying. But I didn't know.

639
00:30:26,520 --> 00:30:30,480
Speaker 1: I didn't know that. So it's crazy because they put

640
00:30:30,520 --> 00:30:34,000
Speaker 1: this list out of executives. I think yesterday or whatever,

641
00:30:34,040 --> 00:30:37,520
Speaker 1: the thing was like the top ten CEOs, and somebody

642
00:30:37,680 --> 00:30:39,080
Speaker 1: was asking me, do I think I should be high

643
00:30:39,120 --> 00:30:41,000
Speaker 1: on the list, and I'm you know, I don't care

644
00:30:41,000 --> 00:30:43,640
Speaker 1: about that list, but I should be hired. But because

645
00:30:44,000 --> 00:30:46,280
Speaker 1: I'm sure they did the exact same thing he's doing,

646
00:30:46,320 --> 00:30:49,160
Speaker 1: they not even factoring in half of the artists. That's

647
00:30:49,280 --> 00:30:51,960
Speaker 1: that's come from this tree that you speak up. But

648
00:30:52,120 --> 00:30:54,080
Speaker 1: history has to matter, right, because you know, you can't

649
00:30:54,080 --> 00:30:57,080
Speaker 1: have a mount Rushmore of Atlanta without JA. Yeah, but

650
00:30:57,120 --> 00:31:00,520
Speaker 1: you know, so if Atlanta, if the way people real knew, right,

651
00:31:00,920 --> 00:31:03,320
Speaker 1: they're gonna put the architects of New York on. You

652
00:31:03,320 --> 00:31:05,880
Speaker 1: gotta put the architects of Atlanta on. Yeah, I just

653
00:31:05,920 --> 00:31:08,560
Speaker 1: think that, you know, modern day Atlanta is so hip

654
00:31:08,640 --> 00:31:11,560
Speaker 1: hop and I was doing both, you know what I mean.

655
00:31:11,600 --> 00:31:13,400
Speaker 1: I got I'm responsible for a lot of R and

656
00:31:13,440 --> 00:31:15,160
Speaker 1: B that comes from Atlanta, and I'm responsible for a

657
00:31:15,200 --> 00:31:17,360
Speaker 1: lot of hip hop from Atlanta. And I feel like

658
00:31:17,520 --> 00:31:19,960
Speaker 1: the mind set them now when they talk about it,

659
00:31:20,080 --> 00:31:22,560
Speaker 1: CEO today, it's all hip hop. It's all hip hop.

660
00:31:22,640 --> 00:31:25,240
Speaker 1: So even in that space, people try to like, I

661
00:31:25,240 --> 00:31:27,239
Speaker 1: didn't know you did, Anthony Hamilton, you know what I mean,

662
00:31:27,240 --> 00:31:29,640
Speaker 1: It's like you try to move out a lot of

663
00:31:29,640 --> 00:31:32,000
Speaker 1: the things and it's it's it's just a I think

664
00:31:32,040 --> 00:31:34,280
Speaker 1: it's just people just not living in the arrows or

665
00:31:35,000 --> 00:31:37,160
Speaker 1: just not knowing if you don't see me, because it's

666
00:31:37,160 --> 00:31:39,120
Speaker 1: crazy because I'm the only person that I feel like

667
00:31:39,240 --> 00:31:40,920
Speaker 1: if I put my tag on the record, they know,

668
00:31:41,080 --> 00:31:42,600
Speaker 1: but if I don't say nothing, I just try to

669
00:31:42,680 --> 00:31:45,800
Speaker 1: be straight CEO and just like I'm putting out records,

670
00:31:46,000 --> 00:31:50,200
Speaker 1: people don't ever mention me doing them songs. Projects like

671
00:31:50,240 --> 00:31:52,080
Speaker 1: this is something you feel like you got something to

672
00:31:52,120 --> 00:31:55,680
Speaker 1: prove what this project? Yeah? No, I mean I feel

673
00:31:55,720 --> 00:31:58,000
Speaker 1: like I feel like this, this project is really who

674
00:31:58,040 --> 00:32:00,920
Speaker 1: I am. This record, this project is really what where

675
00:32:00,960 --> 00:32:03,320
Speaker 1: I actually come from. This is rat this is what,

676
00:32:03,480 --> 00:32:06,080
Speaker 1: this is how I started. It's a reminder to let

677
00:32:06,080 --> 00:32:08,120
Speaker 1: people know that though, because I think, like I said,

678
00:32:08,120 --> 00:32:10,240
Speaker 1: when people start talking about Jamine the pre the first

679
00:32:10,320 --> 00:32:13,040
Speaker 1: name that come out of people with Mariah Carry or Usher.

680
00:32:13,800 --> 00:32:16,120
Speaker 1: I'm a hip hop guy, you know what I mean.

681
00:32:16,200 --> 00:32:19,440
Speaker 1: I write songs, you know, with the gift that God

682
00:32:19,520 --> 00:32:22,520
Speaker 1: gave me. But I'm I'm from the hip hop world,

683
00:32:22,680 --> 00:32:24,760
Speaker 1: and that's what it did. All right. We got more

684
00:32:24,800 --> 00:32:27,320
Speaker 1: with Jermaine dupri and Currencies, So don't move. It's the

685
00:32:27,320 --> 00:32:30,480
Speaker 1: breakfast club the morning. I think everybody's DJ n V

686
00:32:30,760 --> 00:32:33,480
Speaker 1: Charlemagne the Guy. We are the breakfast club. We're still

687
00:32:33,520 --> 00:32:36,680
Speaker 1: kicking it with Currency and Jamaine Duprie. All right, what

688
00:32:36,800 --> 00:32:38,880
Speaker 1: makes you work with with new artists like we've seen

689
00:32:38,920 --> 00:32:40,840
Speaker 1: you did Division's album. What makes you say, you know what,

690
00:32:40,880 --> 00:32:43,040
Speaker 1: I'm gonna dive into some of the new artists that

691
00:32:43,080 --> 00:32:45,280
Speaker 1: are not mine as well. I mean that's how I always.

692
00:32:45,320 --> 00:32:47,320
Speaker 1: I mean, that's always, that's what I did always. I mean,

693
00:32:47,480 --> 00:32:50,840
Speaker 1: I Usher became a staple of mind because I did

694
00:32:50,880 --> 00:32:52,840
Speaker 1: the same thing as I did with Division. When I

695
00:32:52,960 --> 00:32:55,280
Speaker 1: did Usher, nobody you know us the face was gonna

696
00:32:55,320 --> 00:32:58,320
Speaker 1: drop Usher. It was like Jermaine either works, so all

697
00:32:58,360 --> 00:33:00,200
Speaker 1: of y'all it's out the door, like you know what

698
00:33:00,200 --> 00:33:02,520
Speaker 1: I mean. So it's like I've always been that guy

699
00:33:02,640 --> 00:33:05,000
Speaker 1: to just like y'all believe in the artists. I like

700
00:33:05,160 --> 00:33:07,120
Speaker 1: the artists. Let's go on the studio. I don't even

701
00:33:07,200 --> 00:33:08,720
Speaker 1: look at it like that. And I had to do

702
00:33:08,840 --> 00:33:11,160
Speaker 1: that at first. But then when I did R. Lennox

703
00:33:11,200 --> 00:33:13,640
Speaker 1: and her record went number one, I was like, why

704
00:33:13,680 --> 00:33:16,160
Speaker 1: am I not doing this for all these other artists

705
00:33:16,160 --> 00:33:18,280
Speaker 1: out here? They need it. It ain't even like a

706
00:33:18,400 --> 00:33:21,080
Speaker 1: thing that I'm doing for me. They need it. They

707
00:33:21,160 --> 00:33:23,080
Speaker 1: need somebody in the studio with them that can help

708
00:33:23,160 --> 00:33:25,120
Speaker 1: them take them to the next level. When you hear

709
00:33:25,160 --> 00:33:27,400
Speaker 1: the conversation, like when you hear him say Usher versus

710
00:33:27,560 --> 00:33:29,920
Speaker 1: Chris Brown in the verses, I think Chris is dope,

711
00:33:30,000 --> 00:33:32,200
Speaker 1: but I think Usher got nuclear weapons. I just think

712
00:33:32,240 --> 00:33:34,840
Speaker 1: it's a difference between the twenty Usher would come with

713
00:33:35,040 --> 00:33:36,760
Speaker 1: and the twenty Chris would come with. How do you

714
00:33:36,840 --> 00:33:38,960
Speaker 1: feel about that? I mean, I think it's like hip hop.

715
00:33:39,040 --> 00:33:41,440
Speaker 1: It's like currency, right, he got way more records than

716
00:33:41,840 --> 00:33:44,600
Speaker 1: a bunch of people, Right. I think that's where people

717
00:33:44,680 --> 00:33:46,880
Speaker 1: look at it. They think about how many records Chris

718
00:33:47,040 --> 00:33:49,960
Speaker 1: has and how many times they hear him. You hear

719
00:33:50,080 --> 00:33:53,040
Speaker 1: Chris one hundred million times more than you hear Usher.

720
00:33:53,480 --> 00:33:56,640
Speaker 1: So I think that's where people start basing verses on.

721
00:33:56,960 --> 00:34:00,360
Speaker 1: You're speaking on songs. People don't even listen to songs

722
00:34:00,520 --> 00:34:03,080
Speaker 1: past thirty minutes. Right. I were watching my daughter player

723
00:34:03,120 --> 00:34:05,360
Speaker 1: record and the verse don't even get done. She don't

724
00:34:05,400 --> 00:34:08,040
Speaker 1: get through sixteen bars. She's going to another song. Right.

725
00:34:08,200 --> 00:34:10,520
Speaker 1: They don't measure the songs like you're saying. So I

726
00:34:10,640 --> 00:34:13,160
Speaker 1: feel like the young generation they all gonna say Chris

727
00:34:13,239 --> 00:34:16,000
Speaker 1: Brown because they're not measuring how big the songs are.

728
00:34:16,200 --> 00:34:18,239
Speaker 1: But if you're a song person, you know for sure

729
00:34:18,280 --> 00:34:21,400
Speaker 1: what's up. Yeah, So you think I should watching me

730
00:34:21,480 --> 00:34:25,719
Speaker 1: with I'm just saying, you know, if you're a song person,

731
00:34:25,840 --> 00:34:28,920
Speaker 1: having them songs as mine. So I'm fighting for my records. Yeah,

732
00:34:29,040 --> 00:34:31,240
Speaker 1: Now I want to ask currency to You've been independent

733
00:34:31,239 --> 00:34:33,920
Speaker 1: for a long time. Yeah, yeah, that break that back

734
00:34:34,000 --> 00:34:37,959
Speaker 1: from my success, like really everything that anybody like really

735
00:34:38,040 --> 00:34:41,200
Speaker 1: like no, the bread. Anytime I got picked up money,

736
00:34:41,400 --> 00:34:44,800
Speaker 1: it was all through the independent thing. You're independent. You

737
00:34:44,880 --> 00:34:47,600
Speaker 1: have to do everything yourself. You have to play, pay producers,

738
00:34:47,640 --> 00:34:51,200
Speaker 1: pay clearances everything. Yeah, does that get tiring? No, I

739
00:34:51,280 --> 00:34:53,759
Speaker 1: got I got my home boy. You know what I'm saying, Musa, dude.

740
00:34:53,800 --> 00:34:56,279
Speaker 1: You know we like split everything. So it's easy as

741
00:34:56,360 --> 00:34:58,480
Speaker 1: long as you get out your own weight and handle

742
00:34:58,480 --> 00:35:02,000
Speaker 1: it and stop comparing yourself to other people in these situations, like,

743
00:35:02,160 --> 00:35:04,480
Speaker 1: just just do your work. When you look up, you

744
00:35:04,520 --> 00:35:06,279
Speaker 1: know what I'm saying, you realize what you've done and

745
00:35:06,480 --> 00:35:08,480
Speaker 1: where you at. I was gonna ask you what made

746
00:35:08,480 --> 00:35:10,920
Speaker 1: you create? Just like the clothing brand? Well, I always

747
00:35:11,080 --> 00:35:13,640
Speaker 1: was into like fashion, I always want to like put

748
00:35:13,719 --> 00:35:17,040
Speaker 1: stuff on and some was not out some ideas that

749
00:35:17,200 --> 00:35:19,640
Speaker 1: then I miss a lot of clothing line stopped doing

750
00:35:19,719 --> 00:35:21,440
Speaker 1: stuff that I liked, and I was a I know

751
00:35:21,520 --> 00:35:23,839
Speaker 1: what to do. We'll just do our own and keep

752
00:35:23,920 --> 00:35:26,000
Speaker 1: it in that vein of the stuff I missed and

753
00:35:26,320 --> 00:35:28,080
Speaker 1: that's what it works out for. Oh yeah, it's surprised

754
00:35:28,080 --> 00:35:29,560
Speaker 1: with the amount of support you get from the clobal

755
00:35:29,560 --> 00:35:36,720
Speaker 1: long Yeah, I see it everywhere like I have a model,

756
00:35:36,760 --> 00:35:40,880
Speaker 1: So I have a model. I am. I am? Nah, bro,

757
00:35:41,040 --> 00:35:47,600
Speaker 1: you are a great spokeshed person for the brand. I

758
00:35:47,680 --> 00:35:52,239
Speaker 1: have a mottel bottom. So look, man, I am surprised

759
00:35:52,360 --> 00:35:54,800
Speaker 1: on places where I don't expect to see it. And

760
00:35:55,040 --> 00:35:57,279
Speaker 1: you could tell like that didn't know that they're having on.

761
00:35:57,440 --> 00:35:59,399
Speaker 1: It's not like some kid gave it to his mom

762
00:35:59,520 --> 00:36:01,800
Speaker 1: and she's a grocery store. I'm talking about people in

763
00:36:01,960 --> 00:36:04,480
Speaker 1: the note such as yourself. We have it on like

764
00:36:04,840 --> 00:36:07,279
Speaker 1: like Nas after he wins the Gramm. He's got the

765
00:36:07,400 --> 00:36:10,040
Speaker 1: Jet Life jacket on, and like a lot of them

766
00:36:10,040 --> 00:36:11,920
Speaker 1: had a freestyle that went everywhere and she had the

767
00:36:12,040 --> 00:36:13,840
Speaker 1: Jet Life letting them in jacket on. So it's like,

768
00:36:14,280 --> 00:36:16,600
Speaker 1: even though I'm not in those rooms, I'm still in

769
00:36:16,719 --> 00:36:18,920
Speaker 1: those rooms. It's tight because they know what I mean,

770
00:36:19,120 --> 00:36:21,919
Speaker 1: you know, so they bring it everywhere whether they feel

771
00:36:22,000 --> 00:36:23,920
Speaker 1: like I should be at anyway. So it's tight. So

772
00:36:24,000 --> 00:36:25,800
Speaker 1: how'd you get a love for frontiture? I like the

773
00:36:25,920 --> 00:36:30,040
Speaker 1: chill and it's all about finding like comfortable chilling stuff.

774
00:36:30,080 --> 00:36:31,960
Speaker 1: So we're gonna make our own the same reason like

775
00:36:32,000 --> 00:36:34,800
Speaker 1: I didn't necessity, the same reason we did Jet Life clothing.

776
00:36:34,840 --> 00:36:37,080
Speaker 1: You know what I'm saying, Like we need better stuff

777
00:36:37,120 --> 00:36:39,600
Speaker 1: to chill on. So I'm gonna feel the void. You

778
00:36:39,719 --> 00:36:41,239
Speaker 1: be sitting in the couch like this. I don't like

779
00:36:41,320 --> 00:36:44,520
Speaker 1: I don't like this. Mother, ye get them like, you

780
00:36:44,600 --> 00:36:47,239
Speaker 1: know what this not? This's not really kicking on. So

781
00:36:48,280 --> 00:36:50,359
Speaker 1: we're working on it. You know what made your name

782
00:36:50,440 --> 00:36:53,240
Speaker 1: the album? I mean the records. Well, it's a rivalry

783
00:36:53,320 --> 00:36:56,880
Speaker 1: between the Falcons and the Saints. This is a real thing, right.

784
00:36:57,200 --> 00:36:59,440
Speaker 1: For the longest, when we first started working, I was like,

785
00:36:59,520 --> 00:37:01,759
Speaker 1: you know, we're gonna do an album. Once we got

786
00:37:01,800 --> 00:37:03,839
Speaker 1: passed the first Sin songs, I kept thinking in my head,

787
00:37:03,840 --> 00:37:05,799
Speaker 1: if we're gonna do an album, we have to make

788
00:37:05,920 --> 00:37:09,160
Speaker 1: something that speaks to that rivalry because we ain't supposed

789
00:37:09,160 --> 00:37:11,279
Speaker 1: to be cool when that game come on, right, So

790
00:37:11,400 --> 00:37:13,520
Speaker 1: we can't act like we don't know this, Like this

791
00:37:13,680 --> 00:37:16,200
Speaker 1: is something that you know. If you're from Atlanta, you

792
00:37:16,320 --> 00:37:18,319
Speaker 1: know that. If you're from New Orleans, you know that, right.

793
00:37:18,480 --> 00:37:20,960
Speaker 1: So then we both start trying to find out why

794
00:37:21,040 --> 00:37:23,399
Speaker 1: it's a rivalry. But then it's also a love there.

795
00:37:23,400 --> 00:37:25,440
Speaker 1: It's a love that you know. If you're from Atlanta,

796
00:37:25,480 --> 00:37:29,000
Speaker 1: you talk about going to Essence Fest in January, it

797
00:37:29,120 --> 00:37:32,000
Speaker 1: don't happen till July. Right, this is something we prepare

798
00:37:32,040 --> 00:37:34,320
Speaker 1: for the top of the year. People like, yeah, you know,

799
00:37:34,400 --> 00:37:36,440
Speaker 1: they're getting their clothes ready in January to go to

800
00:37:36,760 --> 00:37:39,319
Speaker 1: New Orleans. And I feel like it's vice versa when

801
00:37:39,320 --> 00:37:41,680
Speaker 1: people come to Atlanta for the games from New Orleans.

802
00:37:42,080 --> 00:37:43,600
Speaker 1: They come out there and they have a good time.

803
00:37:43,640 --> 00:37:45,920
Speaker 1: They love the city. So it's a love hate situation.

804
00:37:46,280 --> 00:37:48,480
Speaker 1: I think the one thing that brings that love and

805
00:37:48,560 --> 00:37:51,759
Speaker 1: that hate together is the essence fest right. So it

806
00:37:51,920 --> 00:37:54,000
Speaker 1: was just only right. And then once we got to

807
00:37:54,120 --> 00:37:57,280
Speaker 1: bounce the record, and it was to bounce in the vibe,

808
00:37:57,320 --> 00:37:59,440
Speaker 1: and he had never wrapped over a record like that.

809
00:37:59,719 --> 00:38:02,880
Speaker 1: Now that he's a full fledged professional artist, it just

810
00:38:03,000 --> 00:38:05,200
Speaker 1: made sense to bring all of that in and not

811
00:38:05,440 --> 00:38:08,719
Speaker 1: leave one piece of that out. I think brings every

812
00:38:08,760 --> 00:38:12,200
Speaker 1: piece of shut. The fact that the first time you

813
00:38:12,320 --> 00:38:14,200
Speaker 1: heard Get the gag, oh yeah, I heard it at

814
00:38:14,239 --> 00:38:17,279
Speaker 1: a party and that's when he first heard. So, you

815
00:38:17,400 --> 00:38:19,120
Speaker 1: know the way my mind work, I'm like, no, that's it.

816
00:38:19,360 --> 00:38:21,520
Speaker 1: The gabble dropped right now, that's the name. That's the

817
00:38:21,640 --> 00:38:24,919
Speaker 1: name of it. Get. That's a New Orleans classic round Yeah.

818
00:38:25,280 --> 00:38:27,680
Speaker 1: I told him, like it's in the fiber of all

819
00:38:27,760 --> 00:38:30,520
Speaker 1: the music that ever came out after it from New artists.

820
00:38:30,920 --> 00:38:33,960
Speaker 1: Everybody who rapped has wrapped over that beat. Like the

821
00:38:34,080 --> 00:38:36,840
Speaker 1: first rap you ever wrote was over that, I promise.

822
00:38:36,960 --> 00:38:39,319
Speaker 1: Like in the club you ever been to, you could

823
00:38:39,360 --> 00:38:41,279
Speaker 1: have been eleven years old. They knew you could wrap.

824
00:38:41,520 --> 00:38:44,520
Speaker 1: That was the beat they put on for you, just

825
00:38:44,600 --> 00:38:47,600
Speaker 1: cana rap and you had to wrap over that straight up? Jad,

826
00:38:47,719 --> 00:38:50,120
Speaker 1: did you create one or six apart? Yeah? I mean

827
00:38:50,239 --> 00:38:53,560
Speaker 1: you know, see the funny part about this is that

828
00:38:53,840 --> 00:38:56,000
Speaker 1: I mean, I'm a CEO, right, so this this goes

829
00:38:56,080 --> 00:38:58,920
Speaker 1: into the world of like what we're just talking about.

830
00:38:59,000 --> 00:39:01,399
Speaker 1: If you don't see jamn ain'ty pre working, you don't

831
00:39:01,440 --> 00:39:03,359
Speaker 1: see me doing what we gotta do, You're not gonna

832
00:39:03,360 --> 00:39:06,040
Speaker 1: believe anything that happens, right, Okay, So when I brought

833
00:39:06,239 --> 00:39:08,320
Speaker 1: the kids from the rap game, he remember this, He

834
00:39:08,520 --> 00:39:11,439
Speaker 1: was like, nobody want to see no kids? Yeah, yeah, yeah, yeah,

835
00:39:12,880 --> 00:39:15,960
Speaker 1: out of here. Yeah. Because I'm saying that's that's what

836
00:39:16,160 --> 00:39:19,080
Speaker 1: That's what's happened, right, So that's the same thing that's

837
00:39:19,120 --> 00:39:23,000
Speaker 1: happened here. If you what I should say is JD congratulations. Again,

838
00:39:23,160 --> 00:39:27,120
Speaker 1: nobody says that. Don't want it said the same congratulations,

839
00:39:27,360 --> 00:39:29,680
Speaker 1: But I'm saying I say that to say that if

840
00:39:29,719 --> 00:39:31,799
Speaker 1: I wouldn't have brought them here. Y'all saw the kids.

841
00:39:31,840 --> 00:39:34,840
Speaker 1: You've seen them from scratch before there was ever anybody

842
00:39:35,760 --> 00:39:38,040
Speaker 1: if you didn't see it, and nobody else, and people

843
00:39:38,080 --> 00:39:40,399
Speaker 1: have forgot about that show at this point. And I said,

844
00:39:40,560 --> 00:39:44,080
Speaker 1: I created a TV show that introduced you to lotto.

845
00:39:44,320 --> 00:39:49,279
Speaker 1: Somebody would challenge that. Somebody would challenge you and say, no,

846
00:39:49,440 --> 00:39:53,000
Speaker 1: you didn't. So it's the same thing I saw MTV TRL.

847
00:39:53,320 --> 00:39:55,360
Speaker 1: I drive at I see all these kids outside on

848
00:39:55,760 --> 00:39:57,959
Speaker 1: in Tom Square, and I'm like, damn, why black kids

849
00:39:58,040 --> 00:40:01,840
Speaker 1: don't have a show like this? Right meanwhile, I'm making

850
00:40:02,120 --> 00:40:04,920
Speaker 1: the Bow Wow record and I'm like, BT needs to

851
00:40:05,040 --> 00:40:07,680
Speaker 1: do this now. If they had this idea and they

852
00:40:07,800 --> 00:40:10,960
Speaker 1: mind prior to me saying this, then God blessed them.

853
00:40:11,160 --> 00:40:13,719
Speaker 1: But I'm saying, what artists was they gonna launch that

854
00:40:13,800 --> 00:40:17,000
Speaker 1: show with? Because I provided the artists that made that

855
00:40:17,160 --> 00:40:20,399
Speaker 1: show what that show became. It wasn't no Chris Brown

856
00:40:20,480 --> 00:40:23,360
Speaker 1: before Bow. It wasn't no Little Romeo before baut It

857
00:40:23,520 --> 00:40:25,920
Speaker 1: wasn't no littles. And I think somebody got mad at

858
00:40:25,960 --> 00:40:28,200
Speaker 1: me for saying the little because I disagree with that.

859
00:40:29,560 --> 00:40:31,320
Speaker 1: It was a little kid. It was a little John.

860
00:40:33,239 --> 00:40:36,360
Speaker 1: I don't generate. I'm clearing this up. I meant the

861
00:40:36,480 --> 00:40:41,200
Speaker 1: littles of his era, not the little John's. Yes, a

862
00:40:41,320 --> 00:40:45,279
Speaker 1: little person forever. I'm just saying, I'm talking about all

863
00:40:45,320 --> 00:40:49,080
Speaker 1: of little Romeos Zane like who I mean, I don't know,

864
00:40:49,160 --> 00:40:50,920
Speaker 1: you know what I mean, these people that came that

865
00:40:51,280 --> 00:40:54,040
Speaker 1: bow lane. That's what I meant. But if people don't

866
00:40:54,120 --> 00:40:57,400
Speaker 1: realize that, you know, that's why people don't even understand

867
00:40:57,400 --> 00:40:59,680
Speaker 1: that I'm the one who gave Biwaw the name is

868
00:40:59,719 --> 00:41:02,560
Speaker 1: the one those six apart, BT didn't give him that name,

869
00:41:02,840 --> 00:41:04,719
Speaker 1: So why would I name him that, You know what

870
00:41:04,760 --> 00:41:06,279
Speaker 1: I'm saying, Like, why would I put that in a

871
00:41:06,400 --> 00:41:08,279
Speaker 1: verse to say I missed the one those six in

872
00:41:08,320 --> 00:41:10,520
Speaker 1: part I didn't want the credit for one th six

873
00:41:10,560 --> 00:41:12,720
Speaker 1: and part right, I'm not even saying. I'm not speaking

874
00:41:12,760 --> 00:41:14,920
Speaker 1: on it now about me wanting the credit, but I

875
00:41:15,080 --> 00:41:17,680
Speaker 1: know that that's what happened. So people can take however

876
00:41:17,680 --> 00:41:19,160
Speaker 1: they want to take it. All right, we got more

877
00:41:19,200 --> 00:41:21,680
Speaker 1: with Jermaine dupri and currency, so don't move. It's the

878
00:41:21,719 --> 00:41:24,840
Speaker 1: breakfast Club in the morning. Morning, everybody's dj n V.

879
00:41:25,120 --> 00:41:27,839
Speaker 1: Charlemagne the guy. We all the breakfast Club we're still

880
00:41:27,920 --> 00:41:30,560
Speaker 1: kicking it with Currency and Jermaine dupri Charlomagne, I don't

881
00:41:30,600 --> 00:41:32,879
Speaker 1: understand you and all the relationship be Yeah, why don't

882
00:41:32,880 --> 00:41:34,319
Speaker 1: you just grab and put him in the headline, give

883
00:41:34,360 --> 00:41:38,640
Speaker 1: him a nugget and then y'all family. When he says

884
00:41:38,680 --> 00:41:42,319
Speaker 1: things like he regrets signing to you, it's like your

885
00:41:42,360 --> 00:41:45,000
Speaker 1: JD made you a superstar. You know. It's the same

886
00:41:45,040 --> 00:41:47,759
Speaker 1: thing I said. Kids up today and this generation of

887
00:41:47,840 --> 00:41:51,080
Speaker 1: hip hop, we have a lost appreciation for thing. And

888
00:41:51,360 --> 00:41:53,880
Speaker 1: that's why I said about being with currency. Everywhere I go,

889
00:41:54,000 --> 00:41:57,000
Speaker 1: I'm seeing people don't have appreciation for hip hop and

890
00:41:57,080 --> 00:41:59,440
Speaker 1: that has become a thing in the hip hop now too.

891
00:42:00,000 --> 00:42:03,279
Speaker 1: I appreciate the things that came and got you to

892
00:42:03,400 --> 00:42:06,839
Speaker 1: this space. And because he was it was like it's

893
00:42:06,960 --> 00:42:08,480
Speaker 1: a father figure to him. Yeah, but I know he

894
00:42:08,800 --> 00:42:11,000
Speaker 1: was like his son. I feel like the outside world

895
00:42:11,120 --> 00:42:13,839
Speaker 1: makes you not appreciate that. That's what I'm saying. It's

896
00:42:13,880 --> 00:42:16,040
Speaker 1: that's what it does. It's it's the hip hop world

897
00:42:16,080 --> 00:42:18,719
Speaker 1: that we live in right now. Don't appreciate you for real.

898
00:42:19,000 --> 00:42:20,680
Speaker 1: Like when I wore the hot top fade the other

899
00:42:20,760 --> 00:42:23,279
Speaker 1: day in the video, right it's people on there that's

900
00:42:23,480 --> 00:42:26,440
Speaker 1: so much more concerned with me thinking that I want

901
00:42:26,440 --> 00:42:29,319
Speaker 1: to wear this at my age and saying I'm going

902
00:42:29,400 --> 00:42:31,880
Speaker 1: to a midlife crisis as opposed to looking at it

903
00:42:31,960 --> 00:42:34,960
Speaker 1: and saying that's what hip hop did. Right. Hip hop

904
00:42:35,080 --> 00:42:38,840
Speaker 1: may do any and everything, and we never had a problem.

905
00:42:38,920 --> 00:42:41,960
Speaker 1: We never questioned it. It was because it was hip hop. Now,

906
00:42:42,320 --> 00:42:44,600
Speaker 1: if you do something that hip hop makes you do,

907
00:42:45,560 --> 00:42:48,200
Speaker 1: or if you even try to, there's no appreciation for it.

908
00:42:48,400 --> 00:42:50,200
Speaker 1: And I think that's what that is. And I feel

909
00:42:50,239 --> 00:42:53,440
Speaker 1: like Wow is in that space where he has to

910
00:42:53,600 --> 00:42:56,760
Speaker 1: deal with you guys, he has to deal with younger guys,

911
00:42:57,080 --> 00:43:00,799
Speaker 1: and the media definitely don't appreciate nothing until it's until

912
00:43:00,840 --> 00:43:03,200
Speaker 1: it's over with. But it's just certain people like I'm

913
00:43:03,239 --> 00:43:05,320
Speaker 1: never gonna fight with Right, and we can fight behind

914
00:43:05,360 --> 00:43:07,239
Speaker 1: the scenes. I'm never gonna fight with Clue, Right, That's

915
00:43:07,320 --> 00:43:09,480
Speaker 1: that's my brother. I'm never gonna fight with Fab. Even you,

916
00:43:09,560 --> 00:43:11,120
Speaker 1: I'm not gonna fight with you. You know, we could

917
00:43:11,120 --> 00:43:13,359
Speaker 1: get into an argument, but it just seems something else

918
00:43:13,520 --> 00:43:15,759
Speaker 1: was there, which is just hard to understand because I mean,

919
00:43:16,080 --> 00:43:19,279
Speaker 1: I don't fight that fight argue, you know what I mean?

920
00:43:19,320 --> 00:43:20,640
Speaker 1: But yeah, I don't. I mean I only I don't

921
00:43:20,640 --> 00:43:23,080
Speaker 1: reason to argue. I mean, I feel like I understand it.

922
00:43:23,160 --> 00:43:25,960
Speaker 1: I understand that's what I'm saying, But you don't understand

923
00:43:25,960 --> 00:43:28,600
Speaker 1: it because you haven't had to deal with a person

924
00:43:28,719 --> 00:43:31,600
Speaker 1: that has to go through this. This a rapper, right,

925
00:43:31,680 --> 00:43:33,880
Speaker 1: you're a rapper. You say this, you're a rapper, and

926
00:43:34,040 --> 00:43:36,720
Speaker 1: people challenge you. If you write your lyrics, people challenge

927
00:43:36,760 --> 00:43:39,120
Speaker 1: you on this, people challenge you on that. It's hard

928
00:43:39,160 --> 00:43:41,640
Speaker 1: for a person to actually deal with that if you're

929
00:43:41,680 --> 00:43:44,600
Speaker 1: not prepared for me, Like, I don't give a little

930
00:43:44,600 --> 00:43:46,680
Speaker 1: body will say about me because I know what I

931
00:43:46,840 --> 00:43:49,719
Speaker 1: do and I know I'm out doing everything the damn

932
00:43:49,800 --> 00:43:51,640
Speaker 1: that everybody else is doing, so I'm not even paying

933
00:43:51,680 --> 00:43:54,000
Speaker 1: no attention to it. But the majority of people, they

934
00:43:54,040 --> 00:43:56,600
Speaker 1: can't deal with it. That's why the instagram is where

935
00:43:56,600 --> 00:43:59,759
Speaker 1: the instagram is because every time somebody says something, people

936
00:43:59,800 --> 00:44:03,239
Speaker 1: are right, and that's I feel like that's where he is.

937
00:44:03,320 --> 00:44:05,239
Speaker 1: He gets caught up in that, and he's got caught

938
00:44:05,320 --> 00:44:07,480
Speaker 1: up in that a lot without me being around. He

939
00:44:07,560 --> 00:44:09,320
Speaker 1: got caught up in that they created or what the

940
00:44:09,400 --> 00:44:12,000
Speaker 1: baou challenge. I wouldn't have part of that, right, How

941
00:44:12,040 --> 00:44:14,120
Speaker 1: do you deal with that as a person, he had

942
00:44:14,200 --> 00:44:16,440
Speaker 1: to deal with it and you killed him. Right, it's

943
00:44:16,480 --> 00:44:19,440
Speaker 1: just listening to it, you know what I'm saying. You

944
00:44:19,480 --> 00:44:21,640
Speaker 1: know what I mean. And it's like when a person

945
00:44:21,800 --> 00:44:24,000
Speaker 1: is dealing with that, they become they just get tight.

946
00:44:24,200 --> 00:44:25,600
Speaker 1: They want to you know what I mean. So then

947
00:44:25,680 --> 00:44:27,680
Speaker 1: you want to try to like make it seem like

948
00:44:27,760 --> 00:44:29,880
Speaker 1: you got it on you hand, you got it all

949
00:44:29,960 --> 00:44:32,839
Speaker 1: on you know, it's you got it, it's your it's

950
00:44:32,920 --> 00:44:35,080
Speaker 1: my thing. So it's like it's just a situation where

951
00:44:35,080 --> 00:44:36,640
Speaker 1: you gotta you gotta know how to deal with it.

952
00:44:36,719 --> 00:44:39,160
Speaker 1: And you don't get coaching by this. I didn't teach

953
00:44:39,239 --> 00:44:40,759
Speaker 1: him how to deal with that part of life, but

954
00:44:40,840 --> 00:44:42,600
Speaker 1: he asked to know. Somebody eventually gonna do that to

955
00:44:42,719 --> 00:44:44,920
Speaker 1: him too, and they do do it like people will

956
00:44:44,920 --> 00:44:50,480
Speaker 1: take away act has just always been on Instagram like Superstar. Yeah,

957
00:44:50,880 --> 00:44:52,640
Speaker 1: I mean, that's what I'm saying. There's no appreciation for

958
00:44:52,800 --> 00:44:55,320
Speaker 1: anything in hip hop anymore. Damn you feel that we

959
00:44:55,440 --> 00:44:58,560
Speaker 1: currency to no as he's saying it, I'm peeping around

960
00:44:58,640 --> 00:45:01,879
Speaker 1: like that. That is, they just wipe that all out.

961
00:45:02,480 --> 00:45:04,279
Speaker 1: Do you feel like people don't have appreciation you hip hop?

962
00:45:04,560 --> 00:45:08,920
Speaker 1: I feel like appreciation for what brought what brought them

963
00:45:09,120 --> 00:45:11,040
Speaker 1: into it? Like what me? Did you want to do it?

964
00:45:11,800 --> 00:45:13,879
Speaker 1: That's all? You know what I'm saying, It's not it's

965
00:45:13,920 --> 00:45:16,000
Speaker 1: not why why you want to do it? Everybody's doing

966
00:45:16,040 --> 00:45:19,000
Speaker 1: it now like the same reason everybody started selling friendship puppies,

967
00:45:19,080 --> 00:45:21,400
Speaker 1: like they just wanted to get money. It's just a flip,

968
00:45:21,520 --> 00:45:23,360
Speaker 1: you know what I'm saying. There's not no real loving

969
00:45:23,440 --> 00:45:31,640
Speaker 1: and you're selling friendship puppies. Yeah, people see that. That's

970
00:45:31,680 --> 00:45:33,320
Speaker 1: the way, Like that's the new dope. So they're like,

971
00:45:33,600 --> 00:45:35,399
Speaker 1: let's just do this right quick. Now. Let me ask

972
00:45:35,400 --> 00:45:37,600
Speaker 1: you a question. J D and pup are supposed to

973
00:45:37,640 --> 00:45:40,200
Speaker 1: do versus who you got your money? I roll with

974
00:45:40,320 --> 00:45:43,920
Speaker 1: j D at basically based on all of this that

975
00:45:44,040 --> 00:45:46,520
Speaker 1: I'm finding out, like oh you did this, you did that,

976
00:45:46,719 --> 00:45:50,200
Speaker 1: Like yesterday, I had like a revelation. I'm like, I

977
00:45:50,280 --> 00:45:53,160
Speaker 1: don't know how this would actually look when you're reigning

978
00:45:53,600 --> 00:45:56,080
Speaker 1: these artists, like people gonna be the same way. I

979
00:45:56,280 --> 00:45:58,799
Speaker 1: was shocked, and I think I'm fun in the game.

980
00:45:58,880 --> 00:46:00,880
Speaker 1: I know everything you know I was saying, but I

981
00:46:01,120 --> 00:46:03,759
Speaker 1: was like knocked on my ass. Yes, that's what it's

982
00:46:03,760 --> 00:46:06,320
Speaker 1: gonna be. A whole arena of people like, oh you

983
00:46:06,440 --> 00:46:08,160
Speaker 1: know he did? Oh wait, all right, well yeah, I

984
00:46:08,239 --> 00:46:11,239
Speaker 1: don't know. Goddamn you know like that that's what's gonna happen.

985
00:46:11,360 --> 00:46:13,279
Speaker 1: That's the way I see it, straight up. Like, I

986
00:46:13,360 --> 00:46:16,000
Speaker 1: don't know, I don't know how many records puffle bring

987
00:46:16,080 --> 00:46:18,239
Speaker 1: out that. I'm going back. I know that I think

988
00:46:18,239 --> 00:46:21,400
Speaker 1: I know every he did. I think I know it.

989
00:46:21,560 --> 00:46:23,640
Speaker 1: You know, So how do you feel about it, j

990
00:46:23,760 --> 00:46:27,480
Speaker 1: Because a lot of people don't, don't. I actually see it.

991
00:46:28,400 --> 00:46:29,880
Speaker 1: I see the chart, right, you know what I mean.

992
00:46:29,960 --> 00:46:31,960
Speaker 1: It's like, but like you said, it's not only the records,

993
00:46:31,960 --> 00:46:35,040
Speaker 1: it's also the what that record did for the culture, right, Yeah,

994
00:46:35,200 --> 00:46:36,680
Speaker 1: you know. I mean I was, like I said about

995
00:46:36,680 --> 00:46:39,760
Speaker 1: the Chris Brown thing. I believe that in versus world

996
00:46:40,000 --> 00:46:43,040
Speaker 1: people won't give it to us because of the way

997
00:46:43,120 --> 00:46:46,160
Speaker 1: the mindset it's been, you know, been treated. We've done

998
00:46:46,200 --> 00:46:48,600
Speaker 1: that battle in him with kids, Like with kids like

999
00:46:48,719 --> 00:46:52,000
Speaker 1: like twenty five, twenty six, Usher Catalog still risk timeless

1000
00:46:52,000 --> 00:46:54,319
Speaker 1: to them because their parents were listening to us. Oh

1001
00:46:54,520 --> 00:46:56,879
Speaker 1: I forgot about Oh I forgot about it. I didn't

1002
00:46:56,920 --> 00:47:03,040
Speaker 1: know seven o'clock get around. Yes, I mean I'm the underdog.

1003
00:47:03,040 --> 00:47:05,240
Speaker 1: I'm not even tripping on that though I'm the underdog.

1004
00:47:05,400 --> 00:47:13,440
Speaker 1: That's not true though I'm not and that and that thing. Yes,

1005
00:47:13,960 --> 00:47:16,320
Speaker 1: it was the veggest card I think. Yeah, you know,

1006
00:47:16,440 --> 00:47:18,719
Speaker 1: everybody like the favor would be you know what he

1007
00:47:18,760 --> 00:47:20,399
Speaker 1: would be, that he would be the underto I'm talking

1008
00:47:20,400 --> 00:47:21,920
Speaker 1: to me that people would haven't paid attention the No

1009
00:47:22,000 --> 00:47:23,800
Speaker 1: they haven't. But that's what I'm saying. I'm not underdog

1010
00:47:23,840 --> 00:47:26,319
Speaker 1: because it's like people who everybody they sit around, they

1011
00:47:26,400 --> 00:47:29,120
Speaker 1: say he can't match up, and they only talking about Big.

1012
00:47:29,400 --> 00:47:31,160
Speaker 1: That's it. How long I've been saying that. That's all

1013
00:47:31,200 --> 00:47:32,759
Speaker 1: he said. You just say big, he said rap. That's

1014
00:47:32,760 --> 00:47:34,279
Speaker 1: why I say this should be an R and B

1015
00:47:34,760 --> 00:47:38,080
Speaker 1: remix versus take out the Road because you can't beat

1016
00:47:38,080 --> 00:47:40,439
Speaker 1: the biggest records because it not only because they're great

1017
00:47:40,440 --> 00:47:44,040
Speaker 1: records in nostalgia, BIG's immortal. Yeah, that's that's That's the

1018
00:47:44,080 --> 00:47:46,279
Speaker 1: only reason why people say he can't match up because

1019
00:47:46,280 --> 00:47:48,759
Speaker 1: they're talking about Big, Biggest Big. But I'm saying it's

1020
00:47:49,080 --> 00:47:50,920
Speaker 1: if it was a fight. I don't go into the

1021
00:47:51,000 --> 00:47:53,040
Speaker 1: fight thinking I'm not gonna get punched. You know what

1022
00:47:53,080 --> 00:47:55,279
Speaker 1: I'm saying, it's just when I throw mind and when

1023
00:47:55,320 --> 00:47:57,360
Speaker 1: he throw is that's what it is. It ain't about

1024
00:47:57,440 --> 00:47:59,400
Speaker 1: he got punches. I got punches too. You know what

1025
00:47:59,440 --> 00:48:01,120
Speaker 1: I'm saying. It is what it is. Is it gonna

1026
00:48:01,120 --> 00:48:03,279
Speaker 1: happen for real? Or is it just talk? No, it's

1027
00:48:03,320 --> 00:48:05,880
Speaker 1: gonna happen. It's bigger than what people think. What we

1028
00:48:06,000 --> 00:48:08,960
Speaker 1: want to do is bigger than what what everybody's thinking about.

1029
00:48:09,080 --> 00:48:10,600
Speaker 1: And we want to make sure that you know it

1030
00:48:10,760 --> 00:48:12,600
Speaker 1: come across the way it's supposed to come acros. Y'all

1031
00:48:12,600 --> 00:48:13,960
Speaker 1: do it. You gotta do figure out how to do two,

1032
00:48:13,960 --> 00:48:16,040
Speaker 1: because you can't just do one in Atlanta, Atlanta, in

1033
00:48:16,080 --> 00:48:19,759
Speaker 1: New York. You gotta got to pick a neutral Locationlotte

1034
00:48:19,840 --> 00:48:24,040
Speaker 1: or something. You gotta do what you gotta do. Atlanta,

1035
00:48:24,320 --> 00:48:26,319
Speaker 1: gotta do Atlanta, you gotta do New York. You gotta

1036
00:48:26,360 --> 00:48:29,759
Speaker 1: do Apolo, And you gotta do R and B in remixes.

1037
00:48:29,960 --> 00:48:31,680
Speaker 1: Do R and B in one city, hip hopping another.

1038
00:48:31,800 --> 00:48:34,000
Speaker 1: And see the problem with the remixes. I saw somebody

1039
00:48:34,040 --> 00:48:36,759
Speaker 1: saying this the other day, Half a Bad Boy remixes.

1040
00:48:36,960 --> 00:48:40,759
Speaker 1: I didn't right to the Big Popper remix. I did

1041
00:48:40,840 --> 00:48:44,040
Speaker 1: it right right the Total and Keith Burry, I did

1042
00:48:44,080 --> 00:48:47,719
Speaker 1: it right Total first record that ever came out, got

1043
00:48:47,760 --> 00:48:49,719
Speaker 1: brad On on it. Right, It's how do you score that?

1044
00:48:50,760 --> 00:48:52,960
Speaker 1: How do you score that? You gotta drop those out.

1045
00:48:53,160 --> 00:48:55,360
Speaker 1: You can't drop them out, That's what I'm saying. It's like,

1046
00:48:55,680 --> 00:48:57,319
Speaker 1: you know, so you do the rema. But I saw

1047
00:48:57,400 --> 00:48:59,440
Speaker 1: somebody saying but in New York, we ain't played that

1048
00:48:59,560 --> 00:49:02,560
Speaker 1: JD remix, And I was like, oh, okay, my remix. Yes,

1049
00:49:02,640 --> 00:49:05,359
Speaker 1: we did the Biggie the Big Papa remix. Did I don't.

1050
00:49:05,400 --> 00:49:07,200
Speaker 1: I'm just saying I'm seeing people say that on Twitter.

1051
00:49:07,280 --> 00:49:09,560
Speaker 1: But either way you do it, it's gonna be a

1052
00:49:09,760 --> 00:49:12,759
Speaker 1: fight whether we in New York or were in Atlanta.

1053
00:49:12,800 --> 00:49:14,880
Speaker 1: Either way, what came first? Was it we invented the

1054
00:49:14,920 --> 00:49:17,280
Speaker 1: remix bad Boy album or the definition of a remix

1055
00:49:17,360 --> 00:49:20,719
Speaker 1: Social Death album. I think mine was coming first, and

1056
00:49:20,880 --> 00:49:23,440
Speaker 1: I don't know. I don't know which one came out. Yeah,

1057
00:49:23,560 --> 00:49:25,759
Speaker 1: you know, I mean the remix thing has always been

1058
00:49:25,800 --> 00:49:28,560
Speaker 1: a battle between us. But it's interesting, like I said,

1059
00:49:28,560 --> 00:49:31,320
Speaker 1: because Puff was using me for remixes. It's not like

1060
00:49:31,600 --> 00:49:33,920
Speaker 1: I was challenged for him. Back then. It was like,

1061
00:49:34,120 --> 00:49:36,360
Speaker 1: go to Jad and get a remix for Big Papa.

1062
00:49:36,440 --> 00:49:38,240
Speaker 1: Go to Jad and get a remix for a total.

1063
00:49:38,680 --> 00:49:41,200
Speaker 1: All right, we got more with Jermaine dupri and Currency,

1064
00:49:41,320 --> 00:49:43,239
Speaker 1: so don't move. It's the breakfast Club. Good morning. Yea,

1065
00:49:43,280 --> 00:49:45,480
Speaker 1: we are the breakfast Club. We're still kicking him with

1066
00:49:45,560 --> 00:49:48,359
Speaker 1: Currency and Jermaine Duprix, Charlavage. I always wondered how much

1067
00:49:48,440 --> 00:49:51,640
Speaker 1: influence did you and Atlanta have on Big, because you know,

1068
00:49:51,719 --> 00:49:54,239
Speaker 1: we saw we saw y'all in Big videos, a lot

1069
00:49:54,280 --> 00:49:56,239
Speaker 1: of all Big in y'all videos, and I remember hearing

1070
00:49:56,360 --> 00:49:58,160
Speaker 1: somebody said Big. I think it was jails. Somebody said

1071
00:49:58,160 --> 00:49:59,759
Speaker 1: Big was gonna move to Atlanta at one point. We're

1072
00:49:59,760 --> 00:50:02,239
Speaker 1: trying to everybody in Atlanta. I mean, well, I don't

1073
00:50:02,239 --> 00:50:04,520
Speaker 1: know about that, but he and I spoke, Me and

1074
00:50:04,600 --> 00:50:06,759
Speaker 1: him talk all the time because we was on tour,

1075
00:50:06,920 --> 00:50:09,040
Speaker 1: was Me, Bratt and Craig Mack. We was all on

1076
00:50:09,160 --> 00:50:11,600
Speaker 1: tour and we was doing like the Chitland Circuit, and

1077
00:50:12,120 --> 00:50:15,360
Speaker 1: in that Chitland Circuit run, Craig Mack was the hottest,

1078
00:50:15,520 --> 00:50:18,719
Speaker 1: then Bratt and then Big, and Big was frustrated with

1079
00:50:18,840 --> 00:50:22,520
Speaker 1: the fact that his records weren't as popular as Functified

1080
00:50:22,719 --> 00:50:25,640
Speaker 1: and Flavoring at the time. And that's actually how I

1081
00:50:25,760 --> 00:50:28,040
Speaker 1: got to do the remix because Big felt like he

1082
00:50:28,239 --> 00:50:30,840
Speaker 1: needed me to get into that space where Bratt was.

1083
00:50:30,920 --> 00:50:33,480
Speaker 1: The record was out during that time Juicy in New York,

1084
00:50:34,320 --> 00:50:37,759
Speaker 1: the Chiland Circuit, the Chitland Circuit round where we lived

1085
00:50:37,800 --> 00:50:40,600
Speaker 1: at in Atlanta. It hadn't caught yet. So, like I said,

1086
00:50:40,680 --> 00:50:43,960
Speaker 1: the flavoring you didn't functified. And then Juicy, I mean

1087
00:50:44,040 --> 00:50:46,840
Speaker 1: people with it, but they weren't head over hills and

1088
00:50:47,200 --> 00:50:49,560
Speaker 1: it was driving him crazy, and he talked to me

1089
00:50:49,719 --> 00:50:52,279
Speaker 1: every day about doing a remix, and I finally did

1090
00:50:52,400 --> 00:50:54,480
Speaker 1: Big popa remix, and then that's when we did the

1091
00:50:54,560 --> 00:50:56,720
Speaker 1: B side with him at Bratt. He came to Atlanta.

1092
00:50:56,880 --> 00:50:59,200
Speaker 1: And when he came to Atlanta, yeah, he probably you know,

1093
00:50:59,280 --> 00:51:01,719
Speaker 1: because I brought him to College Park. He came to

1094
00:51:01,880 --> 00:51:05,239
Speaker 1: my hood and did that song, so he probably soaked up.

1095
00:51:05,320 --> 00:51:07,279
Speaker 1: I need to move out here. That's basically the same

1096
00:51:07,320 --> 00:51:09,960
Speaker 1: thing that happens to everybody when they come out. There's

1097
00:51:10,000 --> 00:51:11,759
Speaker 1: one last day thing. You see what young Jock said

1098
00:51:11,840 --> 00:51:13,600
Speaker 1: about you and did he said? The difference between you

1099
00:51:13,640 --> 00:51:15,640
Speaker 1: and did he is that did he understands marketing? And

1100
00:51:15,719 --> 00:51:18,480
Speaker 1: that's what he got over well, I think he said

1101
00:51:18,680 --> 00:51:21,719
Speaker 1: that did he took his artist tree him as an

1102
00:51:21,840 --> 00:51:24,799
Speaker 1: artist more serious than me. Um, he's right, I'm all

1103
00:51:24,840 --> 00:51:27,520
Speaker 1: about making a new artist. I'm all about putting Oh,

1104
00:51:27,600 --> 00:51:30,480
Speaker 1: I was all about putting out artists. You know, even

1105
00:51:30,560 --> 00:51:33,120
Speaker 1: like this this album, man Currency got. I'm rapping on

1106
00:51:33,200 --> 00:51:35,359
Speaker 1: the record, but I'm not rapping all over the record,

1107
00:51:35,640 --> 00:51:37,759
Speaker 1: because you know what I mean. That's that's who I am.

1108
00:51:37,760 --> 00:51:40,440
Speaker 1: I'm a producer first, and I've always been that way,

1109
00:51:40,560 --> 00:51:42,279
Speaker 1: and I think that that's you know, that's one thing

1110
00:51:42,320 --> 00:51:44,160
Speaker 1: that he was saying. But even the jock was signed

1111
00:51:44,200 --> 00:51:47,319
Speaker 1: and Social Death for one day before that Bad Boy

1112
00:51:47,440 --> 00:51:50,120
Speaker 1: deal and Block and Block switched it and they went

1113
00:51:50,239 --> 00:51:53,080
Speaker 1: to bad Wood. I didn't do that he signed. If

1114
00:51:53,080 --> 00:51:56,239
Speaker 1: he signed, I'm saying he was signed because the person

1115
00:51:56,320 --> 00:51:58,720
Speaker 1: who produced the record was signed to me as a producer,

1116
00:52:00,719 --> 00:52:03,480
Speaker 1: signed the Social Defensive producers. So I wasn't even pressing

1117
00:52:03,520 --> 00:52:05,680
Speaker 1: because I'm like, I know this is my song. We

1118
00:52:05,840 --> 00:52:07,560
Speaker 1: was that virgin at this time. I'm like, I know

1119
00:52:07,719 --> 00:52:10,480
Speaker 1: this song is coming over here. It's easy, right, And

1120
00:52:10,600 --> 00:52:12,480
Speaker 1: I had already had the franchise. Well he's having all

1121
00:52:12,520 --> 00:52:14,480
Speaker 1: the success. I'm like, it's no way, possibly you don't

1122
00:52:14,520 --> 00:52:17,360
Speaker 1: give us this record. If you find the first version

1123
00:52:17,520 --> 00:52:19,759
Speaker 1: of It's Going Down, it says social deaf at the

1124
00:52:19,800 --> 00:52:22,640
Speaker 1: beginning of the record. So I was cool, like clearly, like,

1125
00:52:22,880 --> 00:52:25,120
Speaker 1: oh we got this. I went to sleep, woke up

1126
00:52:25,120 --> 00:52:29,800
Speaker 1: the next morning. How did that happen? I didn't actually

1127
00:52:29,920 --> 00:52:33,480
Speaker 1: sign him, right, It's like, you signed to me. I

1128
00:52:33,680 --> 00:52:36,880
Speaker 1: know you're gonna do the right thing for song, and

1129
00:52:36,960 --> 00:52:39,239
Speaker 1: you already don't say social deaf at the beginning of

1130
00:52:39,280 --> 00:52:41,359
Speaker 1: the record. So I'm like, oh, it's got my tag.

1131
00:52:41,440 --> 00:52:43,680
Speaker 1: It's got a tag on it. Already, were cool. I'm

1132
00:52:43,719 --> 00:52:49,799
Speaker 1: gonna go to sleep, you know what I mean. So yeah,

1133
00:52:50,040 --> 00:52:52,239
Speaker 1: it was that. That was that situation when it's going down.

1134
00:52:52,440 --> 00:52:54,200
Speaker 1: But you ever go back and think about the fight

1135
00:52:54,280 --> 00:52:55,759
Speaker 1: that you had to do that, I think a lot

1136
00:52:55,800 --> 00:52:57,880
Speaker 1: of people don't know which opened the doors for a

1137
00:52:57,960 --> 00:53:00,839
Speaker 1: lot of those Southern artists. That's what it's. That's one

1138
00:53:00,840 --> 00:53:02,520
Speaker 1: of the other statements I said in the interview that

1139
00:53:02,600 --> 00:53:05,000
Speaker 1: people was like, jermin' it's all cap jaman, it's just

1140
00:53:05,120 --> 00:53:07,680
Speaker 1: cat And I'm like, all right, listen. It was a

1141
00:53:07,760 --> 00:53:10,520
Speaker 1: time in New York when Southern rappers was not on

1142
00:53:10,560 --> 00:53:13,480
Speaker 1: the radio at one, two, three, four, or five o'clock

1143
00:53:13,520 --> 00:53:16,400
Speaker 1: in the afternoon. Right, and I was frustrated. I'm like,

1144
00:53:16,520 --> 00:53:18,160
Speaker 1: you know what, we gotta figure out how to get in.

1145
00:53:18,520 --> 00:53:22,160
Speaker 1: I hired Envy to introduce me to the streets in

1146
00:53:22,239 --> 00:53:25,080
Speaker 1: New York and move around to people to see my

1147
00:53:25,200 --> 00:53:27,919
Speaker 1: face and beat more out here. Nobody from the South

1148
00:53:28,000 --> 00:53:30,440
Speaker 1: beat the streets like me, you know this, right, And

1149
00:53:30,560 --> 00:53:32,799
Speaker 1: the way that we beat the streets and we made

1150
00:53:33,040 --> 00:53:36,719
Speaker 1: never scared a permanent state record in New York. We

1151
00:53:36,840 --> 00:53:40,640
Speaker 1: put Cameron Buster runs and we did everything to make

1152
00:53:40,719 --> 00:53:43,960
Speaker 1: sure that the South was, you know, represented well in

1153
00:53:44,080 --> 00:53:46,359
Speaker 1: this town. And then the Young Blood's record, and these

1154
00:53:46,440 --> 00:53:49,960
Speaker 1: two records became so popular in New York alone that

1155
00:53:50,120 --> 00:53:52,480
Speaker 1: you heard them like there was Atlanta. To me, that

1156
00:53:52,640 --> 00:53:55,480
Speaker 1: was the beginning of all of these other records being

1157
00:53:55,560 --> 00:53:57,360
Speaker 1: heard on the radio the way they heard today. And

1158
00:53:57,400 --> 00:54:01,160
Speaker 1: I remember they told JD they like me. Yeah, they

1159
00:54:01,280 --> 00:54:03,960
Speaker 1: told JD to take the franchise boys off, just leave it,

1160
00:54:04,080 --> 00:54:07,719
Speaker 1: Jamae dupree bout in the brack. That's the only way

1161
00:54:07,840 --> 00:54:10,000
Speaker 1: that they were gonna spin it in the wo with

1162
00:54:10,120 --> 00:54:12,359
Speaker 1: everybody's selling their catalogs. You think, y'all too whatever, think

1163
00:54:12,360 --> 00:54:15,120
Speaker 1: about selling y'all. I understand how why people do it.

1164
00:54:15,640 --> 00:54:17,520
Speaker 1: You know what I'm saying. So I don't know. They

1165
00:54:17,600 --> 00:54:21,440
Speaker 1: call me with four hundred millions, all right, you know

1166
00:54:21,520 --> 00:54:25,000
Speaker 1: how many generations of us are gonna be okay off

1167
00:54:25,080 --> 00:54:28,120
Speaker 1: this four hundred tickets? You know, maybe we'll do it.

1168
00:54:28,200 --> 00:54:30,399
Speaker 1: I don't know. I'm waiting for all my reversions, y'all.

1169
00:54:30,400 --> 00:54:32,479
Speaker 1: Don't hear people talk about that much. But I'm waiting

1170
00:54:32,520 --> 00:54:34,480
Speaker 1: on mine because everything that came out of ninety two

1171
00:54:34,560 --> 00:54:36,960
Speaker 1: is coming back to me one hundred percent. Everything that

1172
00:54:37,040 --> 00:54:39,120
Speaker 1: came back in ninety three, ninety four is coming back

1173
00:54:39,160 --> 00:54:42,120
Speaker 1: to me one hundred percent. I wrote one hundred percent

1174
00:54:42,160 --> 00:54:44,319
Speaker 1: of all of the Escape records. I wrote one hundred

1175
00:54:44,360 --> 00:54:46,880
Speaker 1: percent of Chris Cross, I wrote one hundred percent of

1176
00:54:47,120 --> 00:54:49,839
Speaker 1: usher my Way. When they come back, when they come back,

1177
00:54:50,200 --> 00:54:53,680
Speaker 1: because you'll have a deal with Sony as a publishing situation,

1178
00:54:53,920 --> 00:54:57,200
Speaker 1: but the reversions, it comes back to me, and I

1179
00:54:57,239 --> 00:54:59,440
Speaker 1: don't have a deal with them. So when the reversions

1180
00:54:59,480 --> 00:55:02,040
Speaker 1: come back and somebody walk up and they got that

1181
00:55:02,160 --> 00:55:04,839
Speaker 1: ticket heat, and you know it might be it might

1182
00:55:04,880 --> 00:55:07,680
Speaker 1: be a conversation explaining that Jad because you've always been

1183
00:55:07,760 --> 00:55:10,160
Speaker 1: the CEO. So I didn't like, even with writers, you

1184
00:55:10,239 --> 00:55:12,440
Speaker 1: have to give over some of the publishing now you

1185
00:55:12,520 --> 00:55:14,560
Speaker 1: make you make a publishing deal when you were younger.

1186
00:55:15,000 --> 00:55:17,240
Speaker 1: I made a publishing deal when I was like, what nineteen,

1187
00:55:17,320 --> 00:55:19,279
Speaker 1: That's when that's when I got my money they gave me.

1188
00:55:19,360 --> 00:55:21,160
Speaker 1: You know, you give them million dollars. That's the first

1189
00:55:21,200 --> 00:55:23,520
Speaker 1: million dollars I got from that, Sony. It's like a

1190
00:55:23,600 --> 00:55:26,839
Speaker 1: fifty fifty split publishing situation. I've been over there since

1191
00:55:26,880 --> 00:55:30,680
Speaker 1: I was nineteen, which is a long time. But you know,

1192
00:55:30,840 --> 00:55:32,600
Speaker 1: they get all the songs, so all the songs that

1193
00:55:32,719 --> 00:55:34,759
Speaker 1: you make, they go into this thing and you and

1194
00:55:35,040 --> 00:55:38,080
Speaker 1: you know, I recoup two three times. Right. I could

1195
00:55:38,080 --> 00:55:40,759
Speaker 1: have left a bunch of times, but I stayed by

1196
00:55:40,800 --> 00:55:43,000
Speaker 1: the way when I started writing songs to hear that

1197
00:55:43,320 --> 00:55:45,560
Speaker 1: in twenty five years you get your reversions or whatever.

1198
00:55:45,640 --> 00:55:47,279
Speaker 1: I never even thought i'd make it that long. So

1199
00:55:47,400 --> 00:55:49,520
Speaker 1: I'm saying I'm here. I'm past that point at this

1200
00:55:49,600 --> 00:55:55,040
Speaker 1: point now. So now I'm like, come on, oh, last question,

1201
00:55:55,360 --> 00:55:58,880
Speaker 1: WV escape who opens up? You just heard that discussion

1202
00:55:58,960 --> 00:56:01,360
Speaker 1: this week? Yeah, I heard it was pretty sticky. I

1203
00:56:01,360 --> 00:56:03,840
Speaker 1: went here for both of y'all. Think about on the

1204
00:56:03,880 --> 00:56:07,800
Speaker 1: records they got if I was still if I was

1205
00:56:07,920 --> 00:56:12,600
Speaker 1: still like the front running mindset of escape. I would

1206
00:56:12,640 --> 00:56:16,399
Speaker 1: have escape it open because the pain that they're gonna

1207
00:56:16,440 --> 00:56:20,560
Speaker 1: put in before you know, coming coming after escape is hard.

1208
00:56:20,719 --> 00:56:23,520
Speaker 1: They really can sing, right, so it's like, and I'm

1209
00:56:23,520 --> 00:56:28,480
Speaker 1: not saying as WV can't but oh yeah, I'm not

1210
00:56:28,560 --> 00:56:31,080
Speaker 1: saying they can't sing. I'm just saying I've always had

1211
00:56:31,120 --> 00:56:34,000
Speaker 1: that mindset. I've all always had that mindset about me

1212
00:56:34,160 --> 00:56:37,200
Speaker 1: as an entertainer, like, let me go first, because I

1213
00:56:37,320 --> 00:56:39,560
Speaker 1: feel like it's harder for the person to figure out

1214
00:56:39,600 --> 00:56:42,120
Speaker 1: what they gotta do afterwards. I remember saying jay Z

1215
00:56:42,280 --> 00:56:45,440
Speaker 1: saying he went on after DMX one night and DMX

1216
00:56:45,520 --> 00:56:48,279
Speaker 1: took his shirt off and he started pouring water on him,

1217
00:56:48,600 --> 00:56:50,759
Speaker 1: and he was backstage like, man, what the I'm gonna

1218
00:56:50,760 --> 00:56:52,800
Speaker 1: do when I come out there? That is the mindset

1219
00:56:52,880 --> 00:56:54,920
Speaker 1: that you had right until you get out then and

1220
00:56:55,080 --> 00:56:57,759
Speaker 1: the crowd make it different, but put that pressure on

1221
00:56:57,800 --> 00:56:59,759
Speaker 1: the person to make them sit back there and try

1222
00:56:59,760 --> 00:57:01,319
Speaker 1: to out what they're gonna do when they come out.

1223
00:57:01,760 --> 00:57:03,480
Speaker 1: That's what I would do. Yeah, I think I think

1224
00:57:03,520 --> 00:57:06,560
Speaker 1: they should do different markets s WV, New York, certain

1225
00:57:06,600 --> 00:57:09,560
Speaker 1: areas I think they should close, but Atlanta escape out

1226
00:57:09,560 --> 00:57:13,320
Speaker 1: of closing Atlanta yeah, I wouldn't even argue about it.

1227
00:57:13,320 --> 00:57:15,600
Speaker 1: I just because I don't I personally feel like that

1228
00:57:15,760 --> 00:57:18,680
Speaker 1: closing first thing. I feel like that's just all it's mental.

1229
00:57:18,840 --> 00:57:22,040
Speaker 1: I remember going to the Triple Threat concert and it

1230
00:57:22,120 --> 00:57:26,560
Speaker 1: was Albi sure BBD and I want to say, Bobby Brown, right,

1231
00:57:27,200 --> 00:57:29,919
Speaker 1: I love all of them. BBD was busting Bobby Brown ass.

1232
00:57:30,320 --> 00:57:33,720
Speaker 1: You know for the time period that they came in,

1233
00:57:34,240 --> 00:57:36,400
Speaker 1: Bobby brought you know, he did he had to do

1234
00:57:36,520 --> 00:57:38,880
Speaker 1: and pulling up the rib. But I'm just saying them

1235
00:57:39,000 --> 00:57:41,680
Speaker 1: being where they were, it wasn't a bad slot. It's

1236
00:57:41,720 --> 00:57:43,640
Speaker 1: not a thing that I was thinking about, like, damn,

1237
00:57:43,720 --> 00:57:46,280
Speaker 1: BBD should have closed. They was killing it. I mean,

1238
00:57:46,360 --> 00:57:49,440
Speaker 1: poison was at the height and poison at the time

1239
00:57:49,480 --> 00:57:51,880
Speaker 1: when I saw this, it felt like they should have closed.

1240
00:57:52,120 --> 00:57:55,120
Speaker 1: But you know, when Bobby came on and tender Roni

1241
00:57:55,200 --> 00:57:57,160
Speaker 1: and all these records came, when you realize why he

1242
00:57:57,360 --> 00:57:59,680
Speaker 1: was the closer, right, So I just feel like me,

1243
00:58:00,320 --> 00:58:04,000
Speaker 1: I look at that performance slot thing different. All right, Well,

1244
00:58:04,080 --> 00:58:06,520
Speaker 1: ladies and gentlemen, make sure you pick up the albums

1245
00:58:06,640 --> 00:58:12,880
Speaker 1: they do Precurrercy, Motivational use only a full All right, Well,

1246
00:58:12,920 --> 00:58:15,520
Speaker 1: it's the breakfast Club is Jad and coouracy. Y'all, yeah,

1247
00:58:16,280 --> 00:58:19,520
Speaker 1: the Breakfast Club. Your mornings will never be the same.

1248
00:58:20,280 --> 00:58:22,480
Speaker 1: Our Audible pick of the Day is the Light podcast

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00:58:22,520 --> 00:58:25,880
Speaker 1: with Michelle Obama and this uplifting new series. Michelle Obama

1250
00:58:25,960 --> 00:58:29,760
Speaker 1: discussed meeting life's challenges with Oprah Tyler Perry, David Letterman

1251
00:58:29,800 --> 00:58:32,680
Speaker 1: and others. Listen free at the Home of storytelling audible

1252
00:58:32,760 --> 00:58:35,560
Speaker 1: dot com. Slash the Light. Don't be a dusting because

1253
00:58:35,640 --> 00:58:39,960
Speaker 1: right now you are some real It's time for Donkey

1254
00:58:40,040 --> 00:58:41,800
Speaker 1: of the Day. So if we ever feel I need

1255
00:58:41,880 --> 00:58:45,280
Speaker 1: to be a dog man with the heat, did she

1256
00:58:45,360 --> 00:58:49,520
Speaker 1: get please me? I had become Donkey of the Day.

1257
00:58:50,080 --> 00:58:57,160
Speaker 1: The Breakfast Club bitches Donkey and Lella Lease. She's twenty

1258
00:58:57,200 --> 00:58:59,760
Speaker 1: six years old and she's a Canadian woman who into

1259
00:59:00,080 --> 00:59:03,080
Speaker 1: the nineteen was convicted of impaired driving that led to

1260
00:59:03,200 --> 00:59:07,120
Speaker 1: a massive explosion in London. Y'all might have forgot are

1261
00:59:07,400 --> 00:59:11,240
Speaker 1: never heard of Daniellow, but she played guilty of four

1262
00:59:11,240 --> 00:59:13,600
Speaker 1: accounts of impaired driving and she would send us to

1263
00:59:13,680 --> 00:59:15,880
Speaker 1: three years in prison. In twenty twenty one, can I

1264
00:59:15,960 --> 00:59:18,160
Speaker 1: refresh your memory? Let's go to CETV News for the

1265
00:59:18,240 --> 00:59:21,640
Speaker 1: report Police twenty two year old Daniella Lee's faces a

1266
00:59:21,800 --> 00:59:25,120
Speaker 1: dozen charges connected to the blast that rocked the Old

1267
00:59:25,200 --> 00:59:30,120
Speaker 1: East village mid August. Police faces charges including impaired operation

1268
00:59:30,320 --> 00:59:34,160
Speaker 1: over eighty milligrams causing bodily harm and four counts of

1269
00:59:34,280 --> 00:59:39,160
Speaker 1: criminal negligence causing bodily harm. On August fourteenth, emergency crews

1270
00:59:39,240 --> 00:59:43,760
Speaker 1: responded to the Woodman Avenue address for a collision. Once unseen,

1271
00:59:43,880 --> 00:59:47,280
Speaker 1: responders noticed the smell of gas, and within minutes the

1272
00:59:47,400 --> 00:59:51,280
Speaker 1: house exploded. Police believe the vehicle hit a gas line

1273
00:59:51,400 --> 00:59:54,400
Speaker 1: one it collided with the home. Now, roughly one hundred

1274
00:59:54,480 --> 00:59:57,680
Speaker 1: homes had to be evacuated and seven people were injured,

1275
00:59:58,040 --> 01:00:02,680
Speaker 1: including multiple first response Jesus Christ. Well, you know, we

1276
01:00:02,840 --> 01:00:07,120
Speaker 1: live in the world where nobody holds themselves accountable for nothing. Okay,

1277
01:00:07,280 --> 01:00:11,240
Speaker 1: nothing is never default of the person, all right. Blame

1278
01:00:11,360 --> 01:00:14,960
Speaker 1: always has to go to someone else. So Daniella is

1279
01:00:15,000 --> 01:00:18,440
Speaker 1: blaming someone else for this. She's actually filing a lawsuit

1280
01:00:18,840 --> 01:00:23,920
Speaker 1: against Ovations Ontario Food Services, alleging that the company shares

1281
01:00:24,000 --> 01:00:27,000
Speaker 1: some of the liability for civil lawsuits filed by the

1282
01:00:27,160 --> 01:00:32,000
Speaker 1: victims of the blast because they served her alcohol. Yeah,

1283
01:00:32,080 --> 01:00:34,080
Speaker 1: she's blaming it on the alcohol. I can't make this

1284
01:00:34,160 --> 01:00:36,000
Speaker 1: kind of stuff up. Let's go to SEETV news for

1285
01:00:36,080 --> 01:00:38,520
Speaker 1: the report. Police the kitchen or woman behind the wheel

1286
01:00:38,560 --> 01:00:42,200
Speaker 1: and an impaired driving crash that destroyed and damaged several

1287
01:00:42,240 --> 01:00:44,600
Speaker 1: homes in London is suing the company that served her

1288
01:00:44,640 --> 01:00:48,280
Speaker 1: at Budweiser Gardens that night. Daniella Leiz is facing a

1289
01:00:48,360 --> 01:00:50,959
Speaker 1: number of civil lawsuits in relation to the August twenty

1290
01:00:51,080 --> 01:00:55,800
Speaker 1: nineteen crash and says Ovations Ontario Food Services should share

1291
01:00:55,960 --> 01:00:59,320
Speaker 1: liability now CTVS. Chris Simpson is joining us Now with

1292
01:00:59,640 --> 01:01:03,440
Speaker 1: more this story. Krista. Before the crash, Lees was at

1293
01:01:03,640 --> 01:01:07,200
Speaker 1: a concert Ricardo. The statement of claims says, among other things,

1294
01:01:07,280 --> 01:01:10,360
Speaker 1: the company served her alcohol, didn't monitor how much she

1295
01:01:10,480 --> 01:01:12,920
Speaker 1: was drinking, let her drink more than she should have,

1296
01:01:13,520 --> 01:01:16,000
Speaker 1: and ejected her from the venue without making sure she

1297
01:01:16,160 --> 01:01:20,080
Speaker 1: was not going to drive impaired. In October twenty twenty,

1298
01:01:20,200 --> 01:01:23,120
Speaker 1: Lees pleaded guilty to four counts of impaired driving causing

1299
01:01:23,200 --> 01:01:26,840
Speaker 1: bodily harm, ultimately being sentenced to three years in prison.

1300
01:01:27,360 --> 01:01:31,440
Speaker 1: Lee's lawsuit against Ovations Ontario Food Services says the crash

1301
01:01:31,520 --> 01:01:34,600
Speaker 1: would not have happened if the company had not been negligent.

1302
01:01:37,040 --> 01:01:40,080
Speaker 1: You know I came up in an era when drinking

1303
01:01:40,120 --> 01:01:43,200
Speaker 1: and driving with a choice. Okay, you can drink, you

1304
01:01:43,240 --> 01:01:46,240
Speaker 1: can drive, you can drive. Are you can drink, but

1305
01:01:46,400 --> 01:01:49,280
Speaker 1: you cannot do both. Okay, we had so many reminders

1306
01:01:49,360 --> 01:01:51,840
Speaker 1: not to drink and drive. You know, South Carolina had

1307
01:01:51,880 --> 01:01:53,920
Speaker 1: the Highway to dieways commercials. I don't know if they

1308
01:01:53,960 --> 01:01:56,320
Speaker 1: were national. I think they might have been national Virginia

1309
01:01:56,400 --> 01:01:59,240
Speaker 1: had to drive sober or get pulled over, though one

1310
01:01:59,320 --> 01:02:01,600
Speaker 1: might have been national too, I don't remember. But remember

1311
01:02:01,640 --> 01:02:04,800
Speaker 1: the buzz driving is drunk driving campaigns. I know the

1312
01:02:04,880 --> 01:02:08,280
Speaker 1: Texas Texas had the faces of drunk driving ads. I mean,

1313
01:02:08,720 --> 01:02:13,600
Speaker 1: don't drinking drive was literally drilled into our brains since

1314
01:02:13,760 --> 01:02:16,920
Speaker 1: day one. Okay, not to mention this happened in twenty nineteen,

1315
01:02:17,160 --> 01:02:19,640
Speaker 1: all right. The rideshare revolution has been happening for a

1316
01:02:19,800 --> 01:02:23,919
Speaker 1: long time. Okay, the lifts, the Ubers of the world.

1317
01:02:24,120 --> 01:02:26,960
Speaker 1: There was somebody you could have called Dan Yellow. Now,

1318
01:02:27,120 --> 01:02:29,840
Speaker 1: don't get me wrong. We know that some bars can

1319
01:02:29,920 --> 01:02:32,720
Speaker 1: be held liable when they know a person is intoxicated

1320
01:02:32,960 --> 01:02:35,000
Speaker 1: and they keep serving them. I don't know if this

1321
01:02:35,120 --> 01:02:37,560
Speaker 1: is one of those situations. Okay. The lawsuit is saying

1322
01:02:37,640 --> 01:02:41,360
Speaker 1: that they knew she was intoxicated, and did not train

1323
01:02:41,480 --> 01:02:46,680
Speaker 1: a supervised staff, serving alcohol, and put profit above safety.

1324
01:02:46,760 --> 01:02:48,400
Speaker 1: I don't know if all that is true. I don't

1325
01:02:48,440 --> 01:02:50,760
Speaker 1: know if all that has proven. All I know is

1326
01:02:50,840 --> 01:02:54,080
Speaker 1: that in the drunk driving case, the primary defendant is

1327
01:02:54,160 --> 01:02:56,880
Speaker 1: the drunk driver. Okay, we live in a society where

1328
01:02:56,920 --> 01:02:59,320
Speaker 1: nobody wants to be held accountable for their actions. It's

1329
01:02:59,400 --> 01:03:02,439
Speaker 1: always somebody else's fault. She's better off saying the devil

1330
01:03:02,520 --> 01:03:04,880
Speaker 1: made me do it. Okay, if you're gonna blame somebody,

1331
01:03:04,960 --> 01:03:09,160
Speaker 1: blame Satan, Lucifer Bezel, Bob Trump, whatever you call the devil,

1332
01:03:09,240 --> 01:03:10,880
Speaker 1: she might as well have put the blame on that

1333
01:03:11,080 --> 01:03:14,840
Speaker 1: evil entity, because all that is more believable and makes

1334
01:03:14,920 --> 01:03:17,200
Speaker 1: more sense. But at the end of the day, we

1335
01:03:17,320 --> 01:03:23,320
Speaker 1: are all accountable for ourselves, simple as that. Accountability breeds responsibility.

1336
01:03:23,520 --> 01:03:27,000
Speaker 1: So whatever you see someone doing something as irresponsible as

1337
01:03:27,120 --> 01:03:30,760
Speaker 1: Daniella did, it's because she's probably a human who has

1338
01:03:30,920 --> 01:03:34,000
Speaker 1: never been held accountable for anything she's ever done in

1339
01:03:34,120 --> 01:03:37,240
Speaker 1: her life. Okay, that three is in prison she's serving

1340
01:03:37,360 --> 01:03:39,920
Speaker 1: right now is the first time she's probably ever been

1341
01:03:40,040 --> 01:03:43,600
Speaker 1: held accountable for her actions. And of course she doesn't

1342
01:03:43,640 --> 01:03:48,200
Speaker 1: want to take full responsibility. Well, kids, always remember ninety

1343
01:03:48,280 --> 01:03:51,440
Speaker 1: nine percent of all failures come from people who have

1344
01:03:51,600 --> 01:03:55,320
Speaker 1: a habit of making excuses. Safe to say, Dan Yellow

1345
01:03:55,360 --> 01:03:58,760
Speaker 1: falls under that ninety nine Please let Ruby mind give

1346
01:03:58,840 --> 01:04:03,000
Speaker 1: Dan Yellow leise the bigga see hall heh heh, you

1347
01:04:03,320 --> 01:04:07,240
Speaker 1: stupid motherfuck? Are you dumb? All right? Well, thank you

1348
01:04:07,280 --> 01:04:09,600
Speaker 1: for the donkey today. Because the Breakfast Club, Good morning,

1349
01:04:10,280 --> 01:04:17,640
Speaker 1: the Breakfast Club Power one O five one, the Breakfast Club,

1350
01:04:17,760 --> 01:04:21,720
Speaker 1: Your mornings will never be the same an angry outburst

1351
01:04:21,960 --> 01:04:23,960
Speaker 1: or like lose your temper while you're fasting, or like

1352
01:04:24,040 --> 01:04:26,200
Speaker 1: spoils your fast. You know, it's really just about like

1353
01:04:26,600 --> 01:04:28,920
Speaker 1: going from the inside out. And I do want to

1354
01:04:28,960 --> 01:04:31,280
Speaker 1: say that I think this year is also like really

1355
01:04:31,720 --> 01:04:36,720
Speaker 1: significant because yesterday we just commemorated the twenty year anniversary

1356
01:04:36,800 --> 01:04:40,360
Speaker 1: of the US invasion of Iraq. And having that also

1357
01:04:40,600 --> 01:04:43,600
Speaker 1: kind of come into this moment from some woman's day,

1358
01:04:43,720 --> 01:04:47,760
Speaker 1: I think it's so powerful because, you know, the war

1359
01:04:47,880 --> 01:04:50,000
Speaker 1: on Iraq, I think is like the biggest modern day

1360
01:04:50,040 --> 01:04:54,560
Speaker 1: example of how devastating media misrepresentation can be for communities

1361
01:04:54,600 --> 01:04:57,880
Speaker 1: like ours, like minorities that are underrepresented. When we allow

1362
01:04:57,960 --> 01:05:00,160
Speaker 1: other people to tell our stories or speak on our

1363
01:05:00,200 --> 01:05:02,920
Speaker 1: behalf like they did with Iraq for example. You know,

1364
01:05:02,960 --> 01:05:06,160
Speaker 1: we're saying that they had these weapons of mass destruction

1365
01:05:06,240 --> 01:05:07,800
Speaker 1: that we had to go in and, you know, like

1366
01:05:07,880 --> 01:05:11,360
Speaker 1: save the world from and lo and behold. Obviously one

1367
01:05:11,360 --> 01:05:13,440
Speaker 1: of the biggest blunders in American history. There were no

1368
01:05:13,640 --> 01:05:17,320
Speaker 1: weapons of mass destruction, and we ended up going into Iraq,

1369
01:05:17,480 --> 01:05:20,840
Speaker 1: the home of one of the oldest modern civilizations and

1370
01:05:20,920 --> 01:05:24,920
Speaker 1: the history of mankind, and completely obliterating the country based

1371
01:05:24,960 --> 01:05:28,240
Speaker 1: on total misinformation. And a lot of that misinformation was

1372
01:05:28,360 --> 01:05:31,200
Speaker 1: representing Muslim women as being oppressed and we had to

1373
01:05:31,240 --> 01:05:32,560
Speaker 1: go in there and rescue them. We had to go

1374
01:05:32,640 --> 01:05:35,200
Speaker 1: in there and liberate them and save them. And I

1375
01:05:35,360 --> 01:05:38,560
Speaker 1: started Muslim Girl because it's our way of talking back

1376
01:05:38,720 --> 01:05:40,880
Speaker 1: that we show Muslim women have a voice of our own.

1377
01:05:41,000 --> 01:05:43,320
Speaker 1: There's no such thing as being a voice for the voiceless.

1378
01:05:43,760 --> 01:05:46,600
Speaker 1: It's about empowering people to use their voices for themselves,

1379
01:05:46,680 --> 01:05:49,480
Speaker 1: you know, like who gets to tell our stories? Who

1380
01:05:50,200 --> 01:05:52,520
Speaker 1: who gets to hold the pen? What about action? Though

1381
01:05:52,640 --> 01:05:55,280
Speaker 1: you're a time of person, you actually went out there

1382
01:05:55,760 --> 01:05:58,919
Speaker 1: ran for Congress. I feel like sometimes this generation only

1383
01:05:59,000 --> 01:06:02,240
Speaker 1: wants to be on social media and it's just words.

1384
01:06:02,600 --> 01:06:04,680
Speaker 1: I don't think so, you know, I think I think,

1385
01:06:04,840 --> 01:06:09,040
Speaker 1: especially when you're born into it, it's really powerful to

1386
01:06:09,800 --> 01:06:12,640
Speaker 1: have that fluency. You know, Like modern technology today is

1387
01:06:12,640 --> 01:06:15,280
Speaker 1: its own language. And a lot of people talk about

1388
01:06:15,280 --> 01:06:17,480
Speaker 1: like armchair activism. Right You're like you're sitting at home,

1389
01:06:17,520 --> 01:06:21,440
Speaker 1: you're tweeting about things whatever or whatever. But all those tweets,

1390
01:06:21,680 --> 01:06:24,440
Speaker 1: all the shares, all all the things that you really

1391
01:06:24,480 --> 01:06:27,560
Speaker 1: talk about online. That shifts public opinion, and public opinion

1392
01:06:27,680 --> 01:06:30,240
Speaker 1: is powerful, you know. Public opinion is what decides if

1393
01:06:30,280 --> 01:06:32,840
Speaker 1: we're gonna do, like publicly support going to war with

1394
01:06:32,920 --> 01:06:35,000
Speaker 1: a country that we've never even heard of before, people

1395
01:06:35,040 --> 01:06:37,400
Speaker 1: that we've never even met before. Public opinion is what

1396
01:06:37,480 --> 01:06:40,520
Speaker 1: decides if we're going to really give a damn about

1397
01:06:40,680 --> 01:06:42,880
Speaker 1: human rights. Public opinion is what's going on right now

1398
01:06:43,000 --> 01:06:45,120
Speaker 1: with with what's happening with Trump. I mean we're also

1399
01:06:45,160 --> 01:06:47,680
Speaker 1: talking about today Trump might get indicted. He might become

1400
01:06:47,680 --> 01:06:49,760
Speaker 1: the first president in American history to get indicted. I

1401
01:06:50,000 --> 01:06:52,560
Speaker 1: think that happens. You don't think it's happening. No, I

1402
01:06:52,640 --> 01:06:55,440
Speaker 1: don't think this country will. I would truly know how

1403
01:06:55,480 --> 01:06:58,400
Speaker 1: to punish that level of whiteness and that level of privilege. Yeah,

1404
01:06:58,680 --> 01:07:01,240
Speaker 1: and I don't if if he ever dug it and

1405
01:07:01,320 --> 01:07:03,479
Speaker 1: diet it won't be potty charged in New York maybe

1406
01:07:03,680 --> 01:07:07,120
Speaker 1: maybe Georgia. Yeah, you know, I still think Merritt Garland

1407
01:07:07,120 --> 01:07:09,800
Speaker 1: should be first, you know what I mean, But I

1408
01:07:09,840 --> 01:07:12,320
Speaker 1: don't I don't see you maybe though, you never know.

1409
01:07:12,560 --> 01:07:15,640
Speaker 1: How you talked about Islamophobia, right, Is it gotten better?

1410
01:07:15,800 --> 01:07:18,240
Speaker 1: Is it gotten worse from the last time we spoke

1411
01:07:18,280 --> 01:07:21,760
Speaker 1: to you? Good question. I think that when you don't

1412
01:07:21,920 --> 01:07:24,840
Speaker 1: have a psycho like Trump in office, it kind of

1413
01:07:25,080 --> 01:07:27,960
Speaker 1: makes people feel like the urgency isn't there anymore. You know,

1414
01:07:28,000 --> 01:07:30,600
Speaker 1: when you have someone literally launching a Muslim band and

1415
01:07:30,640 --> 01:07:32,920
Speaker 1: sing an entire group of people can't enter the country,

1416
01:07:33,240 --> 01:07:36,960
Speaker 1: obviously it's gonna you know, flare off like the alarm bells, right,

1417
01:07:37,080 --> 01:07:40,160
Speaker 1: And then when you have a president like Biden in office,

1418
01:07:40,320 --> 01:07:42,400
Speaker 1: it kind of makes people think like everything's cool again

1419
01:07:42,640 --> 01:07:45,840
Speaker 1: and all of that. But I think what Trump taught

1420
01:07:46,000 --> 01:07:49,720
Speaker 1: us is that the hate is there. Minorities have been

1421
01:07:49,760 --> 01:07:53,360
Speaker 1: talking about this for generations, that racism exists, you know,

1422
01:07:53,440 --> 01:07:55,600
Speaker 1: like we didn't need a racist to come into office

1423
01:07:55,680 --> 01:07:58,040
Speaker 1: to prove that to anybody. But what he did was

1424
01:07:58,120 --> 01:08:01,720
Speaker 1: really let it come out and the open now it's

1425
01:08:01,800 --> 01:08:04,440
Speaker 1: just going back underground again. Doesn't mean it's not there,

1426
01:08:04,760 --> 01:08:06,800
Speaker 1: doesn't mean that it does not still nely to be addressed.

1427
01:08:06,800 --> 01:08:09,400
Speaker 1: Absolutely does. Um is making his way up to New

1428
01:08:09,480 --> 01:08:12,080
Speaker 1: York right now because they think that they're god about

1429
01:08:12,080 --> 01:08:14,440
Speaker 1: to get into bad. Yeah, they have what is they

1430
01:08:14,520 --> 01:08:17,439
Speaker 1: having a drive through? What's like a drive to They're

1431
01:08:17,439 --> 01:08:19,760
Speaker 1: gonna be driving from Long Island the mega cars. There's

1432
01:08:22,240 --> 01:08:24,280
Speaker 1: hundreds of them. They're gonna be driving from Long Island

1433
01:08:24,320 --> 01:08:26,439
Speaker 1: out to think. What made me think about it is, Uh,

1434
01:08:26,960 --> 01:08:29,320
Speaker 1: every time I see a movie or they talk or

1435
01:08:29,360 --> 01:08:31,200
Speaker 1: they talk about nine to eleven, I just wonder how

1436
01:08:31,400 --> 01:08:34,120
Speaker 1: crazy does it get for you? Because I think TMZ's

1437
01:08:34,160 --> 01:08:37,200
Speaker 1: doing a fifth Plane movie and they talk about the

1438
01:08:37,439 --> 01:08:39,320
Speaker 1: fifth plane that was hijacked and nobody talks about And

1439
01:08:39,360 --> 01:08:41,360
Speaker 1: I was wondering, damn, every time that comes up, there

1440
01:08:41,560 --> 01:08:44,080
Speaker 1: is it you get stairs when you go to the airport,

1441
01:08:44,120 --> 01:08:45,519
Speaker 1: do you feel like they pull you to the side,

1442
01:08:45,600 --> 01:08:48,439
Speaker 1: Like does it get worse every time? Oh? My god, yeah,

1443
01:08:48,640 --> 01:08:50,760
Speaker 1: especially like when you're living in New York. For me,

1444
01:08:51,040 --> 01:08:52,960
Speaker 1: most of my life, like the anniversary of nine to

1445
01:08:52,960 --> 01:08:55,799
Speaker 1: eleven was like all right, I gotta wrap my headscarf

1446
01:08:55,800 --> 01:08:57,760
Speaker 1: for different ways so that people don't realize that it's

1447
01:08:57,760 --> 01:09:00,679
Speaker 1: like a Muslim scar I gotta like hot, of course,

1448
01:09:00,920 --> 01:09:04,880
Speaker 1: like it's it's scary, It gets really scary. And you know,

1449
01:09:05,000 --> 01:09:07,360
Speaker 1: even with like the group chat with my friends, like

1450
01:09:07,439 --> 01:09:10,080
Speaker 1: guys like you know, be on alert. You know, every

1451
01:09:10,240 --> 01:09:13,240
Speaker 1: time there's like a mass shooting in the news, we

1452
01:09:13,439 --> 01:09:16,880
Speaker 1: all collectively hold our breath praying that it's not a

1453
01:09:17,000 --> 01:09:19,559
Speaker 1: Muslim because we know that we're all going to pay

1454
01:09:19,680 --> 01:09:23,160
Speaker 1: the price for it. Meanwhile, obviously, like the number one

1455
01:09:23,920 --> 01:09:27,320
Speaker 1: you know, profile of like mass shooters are like white man,

1456
01:09:27,479 --> 01:09:30,040
Speaker 1: yeah exactly, and like they like you don't see the

1457
01:09:30,120 --> 01:09:32,320
Speaker 1: collective paying the price for that. You don't even see

1458
01:09:32,400 --> 01:09:34,799
Speaker 1: like the government making any moves to address that. Meanwhile,

1459
01:09:34,880 --> 01:09:37,200
Speaker 1: like you know, nine to eleven happened, and ever since,

1460
01:09:37,280 --> 01:09:38,680
Speaker 1: we have to take off our shoes when we walk

1461
01:09:38,720 --> 01:09:41,640
Speaker 1: into the airport, you know. And also I think a

1462
01:09:41,760 --> 01:09:43,320
Speaker 1: huge part of it too is just the way that

1463
01:09:43,360 --> 01:09:45,600
Speaker 1: we're represented, you know, like you when you think of

1464
01:09:45,720 --> 01:09:48,080
Speaker 1: the idea of like who these hijackers are, what a

1465
01:09:48,160 --> 01:09:51,400
Speaker 1: terrorist is, they're men that look like my father, my brothers,

1466
01:09:51,520 --> 01:09:56,040
Speaker 1: my cousins. You know, like people that are just stereotyped

1467
01:09:56,120 --> 01:09:59,800
Speaker 1: and grouped into one huge monolith. And when you do that,

1468
01:10:00,160 --> 01:10:02,840
Speaker 1: that's how you can dehumanize an entire population of people.

1469
01:10:03,120 --> 01:10:04,920
Speaker 1: Was still kicking with a Monnie, So don't move. It's

1470
01:10:04,960 --> 01:10:10,400
Speaker 1: to breakfast Club. Good morning, Armagna. We all to breakfast Club.

1471
01:10:10,439 --> 01:10:13,320
Speaker 1: We're still kicking with a Monnie. Charlomagne. Well, we all

1472
01:10:13,360 --> 01:10:16,160
Speaker 1: get excited when we see ourselves represented in the arts, right,

1473
01:10:16,360 --> 01:10:20,439
Speaker 1: like TV film, I wondered for you, did Miss Marvel

1474
01:10:20,960 --> 01:10:23,599
Speaker 1: do anything for you? Being you know, set in Jersey.

1475
01:10:25,880 --> 01:10:29,240
Speaker 1: First of all, I am this Marvel brown Jersey girl

1476
01:10:29,360 --> 01:10:32,960
Speaker 1: with superpowers. Okay, but yeah, I mean it was really

1477
01:10:33,040 --> 01:10:36,200
Speaker 1: cool because Muslim Girl became the first Muslim media to

1478
01:10:36,320 --> 01:10:38,560
Speaker 1: ever cover a Marvel red carpet when we covered the

1479
01:10:38,600 --> 01:10:40,360
Speaker 1: premiere of Miss Marvel. So it was like a really

1480
01:10:40,400 --> 01:10:43,519
Speaker 1: beautiful full circle moment. And I think that those are

1481
01:10:43,600 --> 01:10:45,600
Speaker 1: the stories we need to see. Are you kidding me?

1482
01:10:45,840 --> 01:10:48,080
Speaker 1: Do you know what impact that would have had on

1483
01:10:48,160 --> 01:10:51,320
Speaker 1: me growing got if I saw a Marvel superhero that

1484
01:10:51,360 --> 01:10:54,080
Speaker 1: I could resonate with and connect with. Actually, there was

1485
01:10:54,120 --> 01:10:56,719
Speaker 1: this really interesting conversation that I had with Seanda Rhimes

1486
01:10:56,720 --> 01:10:59,519
Speaker 1: about Gray's anatomy, and she was talking about how that

1487
01:10:59,680 --> 01:11:04,880
Speaker 1: showing these diverse women of color within the medfield, it

1488
01:11:05,200 --> 01:11:08,840
Speaker 1: directly correlated with like a skyrocketing of women of color

1489
01:11:09,120 --> 01:11:12,320
Speaker 1: entering into medicine, you know, and like studying that. So

1490
01:11:12,560 --> 01:11:16,360
Speaker 1: just think the effect it has when Muslim girls, for example,

1491
01:11:16,520 --> 01:11:18,760
Speaker 1: only ever see your reflection of themselves in the media

1492
01:11:18,880 --> 01:11:23,320
Speaker 1: as oppressed as victims, as tortured, as angry as terrorists.

1493
01:11:23,479 --> 01:11:26,960
Speaker 1: You know, imagine what happens when you see a positive

1494
01:11:27,000 --> 01:11:28,920
Speaker 1: reflection of yourself in the media around you. What that

1495
01:11:29,000 --> 01:11:31,320
Speaker 1: can do as a society. Now I see on the

1496
01:11:31,400 --> 01:11:33,679
Speaker 1: sheet that says you blame Charlemagne for the worst first

1497
01:11:33,760 --> 01:11:37,360
Speaker 1: date ever? God, what happens? That's what it says. When

1498
01:11:37,360 --> 01:11:39,360
Speaker 1: the see says, why do you blame Charlemagne for the

1499
01:11:39,520 --> 01:11:42,559
Speaker 1: worst first date ever? This is gonna take me out

1500
01:11:42,600 --> 01:11:47,040
Speaker 1: of by Ramadan vibes right now. I don't know, I

1501
01:11:47,040 --> 01:11:51,599
Speaker 1: don't know. Yeah, no, I definitely blame you first date

1502
01:11:51,600 --> 01:11:57,000
Speaker 1: I've ever been on. For sure? What happened? I met?

1503
01:11:57,160 --> 01:12:01,439
Speaker 1: I met this really nice, you know, nice Muslim Arab man.

1504
01:12:02,200 --> 01:12:04,160
Speaker 1: Want to take me out on a day? I'd like

1505
01:12:04,360 --> 01:12:06,719
Speaker 1: a beautiful career in profession. I'm like all right, dope,

1506
01:12:06,800 --> 01:12:09,000
Speaker 1: Like this is gonna be good. It's gonna he's gonna

1507
01:12:09,000 --> 01:12:11,000
Speaker 1: take me out on a nice day whatever. First very

1508
01:12:11,040 --> 01:12:14,280
Speaker 1: first conversation, he's like, yo, like, you know, I discovered

1509
01:12:14,520 --> 01:12:16,559
Speaker 1: what my calling is in life. You know everyone has

1510
01:12:16,600 --> 01:12:18,439
Speaker 1: a calling and I discovered mine. I'm like, oh, like,

1511
01:12:18,560 --> 01:12:20,880
Speaker 1: you know, that's amazing. What is it? He's like, I'm

1512
01:12:20,920 --> 01:12:24,000
Speaker 1: gonna quit my job and become a rapper. And this

1513
01:12:24,240 --> 01:12:26,880
Speaker 1: is his like next trajectory, Like he's like, that's how

1514
01:12:26,880 --> 01:12:29,800
Speaker 1: I'm gonna make a million bucks. That's like whatever, proceeds

1515
01:12:29,880 --> 01:12:33,240
Speaker 1: to hold me hostage in his car for twenty minutes

1516
01:12:33,320 --> 01:12:35,280
Speaker 1: that night, took me listen to his like crappy music

1517
01:12:36,960 --> 01:12:40,080
Speaker 1: are you with? Like the auto tune like super Low,

1518
01:12:40,600 --> 01:12:43,200
Speaker 1: like did not sound like him whatsoever. I'm just like, bro, like,

1519
01:12:43,280 --> 01:12:47,479
Speaker 1: do not quit your job please, like Jesus. And then

1520
01:12:47,680 --> 01:12:49,360
Speaker 1: I'm not planning on like talking to him ever again

1521
01:12:49,360 --> 01:12:52,000
Speaker 1: because it's just like a miserable like whatever. And then

1522
01:12:52,080 --> 01:12:54,599
Speaker 1: he actually had the audacity to like DM me afterwards,

1523
01:12:54,680 --> 01:12:56,960
Speaker 1: like yo, so like, um, I know like you and

1524
01:12:57,080 --> 01:12:59,400
Speaker 1: Charlotmagne are cool. Do you mind sending him my music?

1525
01:12:59,640 --> 01:13:01,760
Speaker 1: I know gonna want to work with me this and not.

1526
01:13:02,000 --> 01:13:04,720
Speaker 1: So I'm like, why you took me out on this

1527
01:13:04,960 --> 01:13:08,800
Speaker 1: like torturous day. You know, Wow, you might have missed

1528
01:13:08,800 --> 01:13:16,800
Speaker 1: your blessed listen Muslim like finding a good Muslim man

1529
01:13:17,120 --> 01:13:20,200
Speaker 1: today and like you know, from my background from whatever

1530
01:13:20,360 --> 01:13:23,360
Speaker 1: my age group, like they are far and few between.

1531
01:13:23,680 --> 01:13:28,200
Speaker 1: So I felt likes it Like I used to want

1532
01:13:28,200 --> 01:13:30,280
Speaker 1: to rap, and it took my man, doctor Robert Evans,

1533
01:13:30,280 --> 01:13:32,040
Speaker 1: who's a mentor of mine. He told me I sucked

1534
01:13:32,080 --> 01:13:34,160
Speaker 1: as a rapper, and he said you should focus on

1535
01:13:34,439 --> 01:13:41,960
Speaker 1: radio and being an executive. That's literally stupid rap name. Man.

1536
01:13:42,040 --> 01:13:43,960
Speaker 1: Before that, my rap name was Disney man Winkle. But

1537
01:13:44,120 --> 01:13:49,479
Speaker 1: what exactly or something I've never heard? When all it

1538
01:13:49,560 --> 01:13:51,200
Speaker 1: takes it for somebody to say you suck? All you

1539
01:13:51,240 --> 01:13:53,160
Speaker 1: had to do with her? That brother, he sucks as

1540
01:13:53,200 --> 01:13:56,120
Speaker 1: a rapper. He'd left it alone. Y'all been happily after?

1541
01:13:56,160 --> 01:13:59,519
Speaker 1: Are you kidding? Like? No, I wonder what it was nice? Yo.

1542
01:13:59,680 --> 01:14:02,840
Speaker 1: After he's already like quitting his job and changing his

1543
01:14:03,080 --> 01:14:05,280
Speaker 1: entire life for this dream of his. I'm not gonna

1544
01:14:05,360 --> 01:14:10,120
Speaker 1: shatter a young man's like aspirations like that. I mean,

1545
01:14:10,280 --> 01:14:13,479
Speaker 1: that's the thing. He was like a commercial pilot. I'm like,

1546
01:14:13,800 --> 01:14:15,920
Speaker 1: he's gonna take me on some nice dates. It's gonna

1547
01:14:15,960 --> 01:14:22,160
Speaker 1: be fun. Like man, no, man, Jesus wow, man, Like

1548
01:14:22,240 --> 01:14:25,640
Speaker 1: you're leaving that for this. He probably went back disappointing.

1549
01:14:25,760 --> 01:14:28,479
Speaker 1: He probably went back to fly. I sure it's all hope,

1550
01:14:28,479 --> 01:14:35,000
Speaker 1: so Yo hit Himani up king Yo. But but but

1551
01:14:35,200 --> 01:14:38,040
Speaker 1: after thirty days, you know, like once Ramadan, once Ramadan has,

1552
01:14:40,400 --> 01:14:41,880
Speaker 1: you know, you usually went to the White House too

1553
01:14:41,960 --> 01:14:45,000
Speaker 1: to see the doctor Joe Biden. Yeah, how was that? Yeah,

1554
01:14:45,040 --> 01:14:46,600
Speaker 1: I know it was. It was really great. It was

1555
01:14:46,640 --> 01:14:50,240
Speaker 1: really awesome. Um, she was delivering the International Woman of

1556
01:14:50,280 --> 01:14:53,280
Speaker 1: Perige Awards, So we got to see some of the

1557
01:14:53,360 --> 01:14:55,599
Speaker 1: most influential women on the planet and you know, like, oh,

1558
01:14:55,680 --> 01:14:58,720
Speaker 1: come into DC to the White House to get these

1559
01:14:58,960 --> 01:15:03,120
Speaker 1: awards for exceptional things they've done. It was pretty cool

1560
01:15:03,200 --> 01:15:06,080
Speaker 1: to see like so many women from different backgrounds represented there.

1561
01:15:06,479 --> 01:15:08,920
Speaker 1: You know, there's one woman who gave a speech. She

1562
01:15:09,439 --> 01:15:12,040
Speaker 1: was actually the Senator from Malaysia and she was the

1563
01:15:12,160 --> 01:15:14,880
Speaker 1: only awardee that was given the chance to like share

1564
01:15:14,960 --> 01:15:18,519
Speaker 1: some remarks and to see her, you know, stand out

1565
01:15:18,560 --> 01:15:22,240
Speaker 1: of her her wheelchair to speak in front of the

1566
01:15:22,360 --> 01:15:25,120
Speaker 1: first Lady and the Secretary of State blinken and start

1567
01:15:25,160 --> 01:15:28,200
Speaker 1: her speech with a Salama lacom speA ponio. You know,

1568
01:15:28,200 --> 01:15:30,200
Speaker 1: it's definitely a moment for me. Do you feel like

1569
01:15:30,280 --> 01:15:33,960
Speaker 1: that administration is doing enough for Muslims? Of course not, Yeah,

1570
01:15:34,240 --> 01:15:36,400
Speaker 1: definitely not. When I think about how the last administration

1571
01:15:36,520 --> 01:15:39,080
Speaker 1: did all out of salt on Muslims, I feel like,

1572
01:15:39,160 --> 01:15:41,760
Speaker 1: you know that that that pushback against that should be

1573
01:15:41,800 --> 01:15:44,400
Speaker 1: just allowed from the new administration. I don't even think

1574
01:15:44,400 --> 01:15:48,400
Speaker 1: they do enough to protect the people who worship in Congress.

1575
01:15:48,840 --> 01:15:51,439
Speaker 1: Here's the thing. I mean, we're literally seeing attacks on

1576
01:15:51,520 --> 01:15:54,920
Speaker 1: Congress right now that really just parallel the silencing happening

1577
01:15:54,960 --> 01:15:56,519
Speaker 1: on a mass scale. I mean, look at what happened

1578
01:15:56,520 --> 01:16:00,920
Speaker 1: to congresswoman and hand Omar, first African born congress person

1579
01:16:01,360 --> 01:16:04,679
Speaker 1: for Sumali born, and she was on the Foreign Affairs Committee,

1580
01:16:04,800 --> 01:16:08,679
Speaker 1: and the Republicans removed her literally probably like the most

1581
01:16:09,400 --> 01:16:11,479
Speaker 1: useful voice that we have in the government to sit

1582
01:16:11,560 --> 01:16:13,200
Speaker 1: on a committee like that, and now like the entire

1583
01:16:13,240 --> 01:16:15,040
Speaker 1: committee looks like, you know, just like the same white

1584
01:16:15,080 --> 01:16:16,479
Speaker 1: man over and over and dun and who scroll there

1585
01:16:16,479 --> 01:16:19,400
Speaker 1: like committee page. You know, I think what's really important

1586
01:16:19,680 --> 01:16:22,479
Speaker 1: is for our communities to come together, you know, like

1587
01:16:22,560 --> 01:16:26,680
Speaker 1: I'll never forget when the Muslim band started, Right, I'm

1588
01:16:26,720 --> 01:16:28,439
Speaker 1: thinking about this a lot as we reflect on like

1589
01:16:28,520 --> 01:16:31,080
Speaker 1: the war in Iraq and how the cycle repeats itself,

1590
01:16:31,200 --> 01:16:33,519
Speaker 1: you know, how, like how what happened with Georgia Liebhich

1591
01:16:33,760 --> 01:16:36,320
Speaker 1: repeated itself with Trump for my community. And I was

1592
01:16:36,400 --> 01:16:38,439
Speaker 1: in this group chat with like all the American Muslim

1593
01:16:38,520 --> 01:16:40,840
Speaker 1: leaders from like national organizations and stuff like that, and

1594
01:16:40,880 --> 01:16:43,160
Speaker 1: as soon as the Muslim band happened, they're all like texting.

1595
01:16:43,200 --> 01:16:45,200
Speaker 1: One of the first texts was like where are our

1596
01:16:45,280 --> 01:16:47,800
Speaker 1: black brothers and sisters? We need them to stand with

1597
01:16:47,920 --> 01:16:50,200
Speaker 1: us right now and stuff like that. And you know,

1598
01:16:50,320 --> 01:16:53,519
Speaker 1: my immediate thought was, well, Mike Brown just got shot

1599
01:16:53,520 --> 01:16:56,240
Speaker 1: a few years earlier, Like where was the Muslim community

1600
01:16:56,320 --> 01:16:59,040
Speaker 1: to stand with our black brothers and sisters at that time? Right?

1601
01:16:59,240 --> 01:17:02,240
Speaker 1: It's like for us, and especially when you think about,

1602
01:17:02,720 --> 01:17:05,400
Speaker 1: you know, like where non black Muslims are and they're

1603
01:17:05,439 --> 01:17:09,640
Speaker 1: disconnected with the Black community. It's so important because we

1604
01:17:10,040 --> 01:17:13,879
Speaker 1: inevitably need each other. You know, the weather always changes,

1605
01:17:14,200 --> 01:17:17,160
Speaker 1: and every time it's they're they're coming for one of us.

1606
01:17:17,640 --> 01:17:20,240
Speaker 1: So the only way is like we have to when

1607
01:17:20,439 --> 01:17:23,240
Speaker 1: when that moment that opportunity to presents itself for us

1608
01:17:23,320 --> 01:17:25,719
Speaker 1: to step up, be an ally, have each other's backs.

1609
01:17:26,040 --> 01:17:28,080
Speaker 1: It's always on us to be the first ones to

1610
01:17:28,160 --> 01:17:30,439
Speaker 1: do it because it's gonna come back around and we're

1611
01:17:30,439 --> 01:17:33,679
Speaker 1: gonna need that hand extended as well. Or we appreciate

1612
01:17:33,720 --> 01:17:35,559
Speaker 1: you for stopping by. And if they want to donate

1613
01:17:35,600 --> 01:17:38,679
Speaker 1: them Muslim girls, what did they do? Check out muslimgirl

1614
01:17:38,720 --> 01:17:42,080
Speaker 1: dot com, follow Muslim Girl on old social media's follow

1615
01:17:42,160 --> 01:17:44,960
Speaker 1: me Amani on old social media and keep updated about

1616
01:17:45,040 --> 01:17:47,519
Speaker 1: Muslim Woman's stay next week. Um and of course we

1617
01:17:47,600 --> 01:17:49,360
Speaker 1: got a lot of programs coming up for Amadan. So

1618
01:17:50,600 --> 01:17:53,680
Speaker 1: when you launch the beauty product line, you gotta come back.

1619
01:17:53,920 --> 01:17:56,839
Speaker 1: Oh yeah, for sure, would love too. Well. Ladies and gentlemen,

1620
01:17:56,880 --> 01:17:59,360
Speaker 1: it's Amani and we appreciate you for joining your us

1621
01:17:59,400 --> 01:18:01,080
Speaker 1: and thank you for coming to person the town. Thank

1622
01:18:01,160 --> 01:18:08,040
Speaker 1: for It's the Breakfast Club Morning, the Breakfast Club Morning.

1623
01:18:08,080 --> 01:18:11,479
Speaker 1: Everybody is DJ Envy Charlomagne the guy. We are the

1624
01:18:11,560 --> 01:18:14,759
Speaker 1: Breakfast Club. Now. You know on Fridays we do pass

1625
01:18:14,840 --> 01:18:17,800
Speaker 1: the Alcs. That's where Nyla comes up and Nyla breaks

1626
01:18:17,840 --> 01:18:20,240
Speaker 1: down what she's listening to, what we should be listening

1627
01:18:20,280 --> 01:18:22,240
Speaker 1: to and she usually puts us onto some stuff that

1628
01:18:22,439 --> 01:18:24,599
Speaker 1: we honestly just don't know about. So we have Nyla

1629
01:18:24,640 --> 01:18:28,519
Speaker 1: with us this morning. Morning. Nadj Nila Simone. Hey, guys,

1630
01:18:28,680 --> 01:18:31,160
Speaker 1: going on all right, So this week I'm gonna start

1631
01:18:31,200 --> 01:18:34,920
Speaker 1: off with the sexy regiment that's moving called Poundtown. Now.

1632
01:18:35,000 --> 01:18:37,720
Speaker 1: When I first people loved this record, Yeah, when I

1633
01:18:37,800 --> 01:18:39,920
Speaker 1: first heard it, I really didn't take it seriously. It

1634
01:18:40,000 --> 01:18:42,880
Speaker 1: feels like one of those like joking records when it's

1635
01:18:42,920 --> 01:18:48,519
Speaker 1: actually really moving my ass brown. Yeah, I see you're

1636
01:18:48,520 --> 01:18:52,439
Speaker 1: already tacted. That would be your favorite line. Man, y'all

1637
01:18:52,479 --> 01:18:55,439
Speaker 1: making real hip hop heads drive off this morning. Let

1638
01:18:55,479 --> 01:18:57,879
Speaker 1: me tell you something. If you wanted them hip hoppers

1639
01:18:57,920 --> 01:19:01,760
Speaker 1: that grew up when Denim Jean shots with construction Timberlands

1640
01:19:02,000 --> 01:19:04,519
Speaker 1: and you was on choo sticks listening the Wu Tang,

1641
01:19:04,880 --> 01:19:08,240
Speaker 1: you are mad as hell right now. There is people

1642
01:19:08,400 --> 01:19:11,479
Speaker 1: in the car pulling out their dredge even though they

1643
01:19:11,520 --> 01:19:13,640
Speaker 1: already got a ball spot in the middle. It is

1644
01:19:13,640 --> 01:19:16,000
Speaker 1: a fifty five sixty year old hip hop head right

1645
01:19:16,040 --> 01:19:19,160
Speaker 1: now losing his This when hip hop has come to this,

1646
01:19:19,439 --> 01:19:22,679
Speaker 1: when hip hopp has come too, well, they love that song. Yeah,

1647
01:19:22,800 --> 01:19:26,320
Speaker 1: it's hip hop is in just different spaces. We got

1648
01:19:26,360 --> 01:19:29,040
Speaker 1: a lot of pockets. You got jingle raps, you got

1649
01:19:29,200 --> 01:19:31,320
Speaker 1: catchy raps, and you got rap rap. And I'm gonna

1650
01:19:31,320 --> 01:19:33,120
Speaker 1: give you guys for the real hip hop fans, and

1651
01:19:33,200 --> 01:19:35,280
Speaker 1: we give you guys one too. This is actually an

1652
01:19:35,320 --> 01:19:39,080
Speaker 1: exclusive from Wild Great from earth Gangu. He see me

1653
01:19:39,160 --> 01:19:41,920
Speaker 1: this record and it's really really tough, so he gave

1654
01:19:42,000 --> 01:19:45,040
Speaker 1: me permission to link it and it's called of Our God. Alright.

1655
01:19:45,960 --> 01:19:49,240
Speaker 1: I love Earth Gang question because you know, I really

1656
01:19:49,360 --> 01:19:52,840
Speaker 1: enjoy Earth Gang as a duo. But maybe I'm not

1657
01:19:52,960 --> 01:19:56,280
Speaker 1: tapped in enough or either one of them hot enough

1658
01:19:56,320 --> 01:19:59,240
Speaker 1: to go solo at this point hot enough to go solo.

1659
01:19:59,600 --> 01:20:01,840
Speaker 1: I mean, I guess it depends on your definition a high.

1660
01:20:01,880 --> 01:20:05,639
Speaker 1: I think they have like really strong and solid fan bases.

1661
01:20:05,960 --> 01:20:10,800
Speaker 1: Are they like are they like the blog era rapper level? No?

1662
01:20:11,400 --> 01:20:15,120
Speaker 1: But within their niche, I think they're strong enough. But

1663
01:20:15,280 --> 01:20:18,559
Speaker 1: I don't even think that they're going solo per se,

1664
01:20:18,680 --> 01:20:20,240
Speaker 1: Like I don't, at least that I know. If they

1665
01:20:20,320 --> 01:20:23,639
Speaker 1: haven't talked about anything like that. He's probably just exploring

1666
01:20:23,680 --> 01:20:27,040
Speaker 1: other ways to be creative. That's all. Yeah, Okay, I

1667
01:20:27,640 --> 01:20:31,280
Speaker 1: like it. I like it. I like it. And then lastly, um,

1668
01:20:31,880 --> 01:20:35,320
Speaker 1: I'm gonna go with Mellow Bucks. She just did a

1669
01:20:35,439 --> 01:20:37,960
Speaker 1: remix to her record Boom that was moving. A lot

1670
01:20:38,000 --> 01:20:40,519
Speaker 1: of people were doing the Boom dance. But now she

1671
01:20:40,720 --> 01:20:43,840
Speaker 1: just shot a remix with Lotto. What's going crazy? Okay?

1672
01:20:43,920 --> 01:20:47,280
Speaker 1: I want my toe suck slack groceries eating from the

1673
01:20:47,439 --> 01:20:54,439
Speaker 1: back boom you see me? Okay? All right, okay? And

1674
01:20:54,520 --> 01:20:57,479
Speaker 1: who was that Mellow Bucks? Yeah, that's Mellow Bucks and

1675
01:20:57,720 --> 01:21:00,760
Speaker 1: Big Lotto, which is just cool to see the girls collaborating,

1676
01:21:00,920 --> 01:21:03,200
Speaker 1: Like I love that, And I know Lola and Young

1677
01:21:03,280 --> 01:21:06,400
Speaker 1: Miami and lot Are. I just did the Don't Play

1678
01:21:06,439 --> 01:21:08,120
Speaker 1: with a remix too, So it's just cool to see

1679
01:21:08,120 --> 01:21:10,920
Speaker 1: the girls having fun. Mellow Rax is a rapper too, right,

1680
01:21:11,160 --> 01:21:14,240
Speaker 1: Mellow Rax is also a rapper. She signed with Young Money,

1681
01:21:14,320 --> 01:21:17,599
Speaker 1: but this is mellow Bucks. Right. What's the mellow thing

1682
01:21:17,680 --> 01:21:19,920
Speaker 1: mean for y'all generation? Like? What does that mean? Like?

1683
01:21:20,000 --> 01:21:22,000
Speaker 1: What is that? Just like like the actually like the

1684
01:21:22,080 --> 01:21:27,439
Speaker 1: word mellow like just cool. Um, it's oh, I don't

1685
01:21:27,479 --> 01:21:30,720
Speaker 1: know what it means. Might be short for her name

1686
01:21:30,800 --> 01:21:33,240
Speaker 1: or something. I don't know. We don't know, yo. If

1687
01:21:33,360 --> 01:21:35,639
Speaker 1: we got a mellow Bucks, we got a mellow racks.

1688
01:21:35,880 --> 01:21:38,800
Speaker 1: We need a mellow yellow. Mellow yellow all right now

1689
01:21:38,880 --> 01:21:41,320
Speaker 1: that thank you so much. No, not give him all

1690
01:21:41,360 --> 01:21:45,960
Speaker 1: your information out. Uh you know what, maybe that could

1691
01:21:46,000 --> 01:21:49,320
Speaker 1: be Mby's new nickname, you know yellow. Oh you're gonna

1692
01:21:49,400 --> 01:21:51,680
Speaker 1: join it with him? Now? I thought you was on

1693
01:21:51,840 --> 01:21:54,360
Speaker 1: my side now you know what. I'm sorry. I had

1694
01:21:54,360 --> 01:21:56,800
Speaker 1: to let that one out and I'm like, mellow yellow

1695
01:21:56,800 --> 01:21:59,800
Speaker 1: all right, Max, you guys follow me on Instagram A

1696
01:22:00,120 --> 01:22:03,240
Speaker 1: NYLA simone n y la s y m O N

1697
01:22:03,400 --> 01:22:05,600
Speaker 1: E e E and then makes you guys click the

1698
01:22:05,680 --> 01:22:07,960
Speaker 1: link and bios you can tap into the past the

1699
01:22:08,000 --> 01:22:10,639
Speaker 1: ox playlist, which sits updated with all the new music

1700
01:22:10,760 --> 01:22:12,880
Speaker 1: that comes out, and tell him watched the Amazon show.

1701
01:22:12,880 --> 01:22:16,200
Speaker 1: I was watching it U Wednesday night. Yes, definitely makes

1702
01:22:16,280 --> 01:22:18,840
Speaker 1: you guys watch my new show on Amazon. It's me

1703
01:22:19,040 --> 01:22:22,960
Speaker 1: Rob Markman, Game p A Speedy Norman and we just

1704
01:22:23,320 --> 01:22:26,200
Speaker 1: we spend the block on hip hop topics. So it's

1705
01:22:26,200 --> 01:22:28,240
Speaker 1: just an hour of us debating. So if you guys

1706
01:22:28,280 --> 01:22:31,000
Speaker 1: are into hip hop as much as we are, definitely

1707
01:22:31,080 --> 01:22:33,720
Speaker 1: tapped in this abode. It's called the Roundtable Rotation. It's

1708
01:22:33,840 --> 01:22:36,800
Speaker 1: nine o'clock every Wednesday night. I watched it. Uh this

1709
01:22:36,960 --> 01:22:38,519
Speaker 1: past Wednesday, I thought I had to pay for it.

1710
01:22:38,560 --> 01:22:41,479
Speaker 1: I was so pleasantly surprised that I did free download

1711
01:22:41,560 --> 01:22:45,320
Speaker 1: the app to download twitch app type of rotation in

1712
01:22:45,400 --> 01:22:47,240
Speaker 1: the musical. I didn't even have to download AP. I

1713
01:22:47,240 --> 01:22:48,800
Speaker 1: just clicked the link and it took me right to it.

1714
01:22:49,120 --> 01:22:53,200
Speaker 1: Oh really yep, fire, okay, good, yep, all right, well

1715
01:22:53,240 --> 01:22:55,679
Speaker 1: thank you Nyla. Up next, you got the people's choice

1716
01:22:55,720 --> 01:22:57,920
Speaker 1: makes it don't move. It's the breakfast Club the morning morning.

1717
01:22:57,960 --> 01:23:01,360
Speaker 1: Everybody is DJ MV Selamaine the guy. We are the

1718
01:23:01,439 --> 01:23:04,720
Speaker 1: breakfast club. Now we gotta shout out to Currency and

1719
01:23:04,760 --> 01:23:07,360
Speaker 1: Jamae Dupree for stopping through. Also a MONI for stopping

1720
01:23:07,360 --> 01:23:09,680
Speaker 1: to do this morning. That's right. Salute the currency in

1721
01:23:09,720 --> 01:23:11,920
Speaker 1: Jamaine dupre Make sure you go grab that album for

1722
01:23:12,040 --> 01:23:15,200
Speaker 1: motivational use only and man put some respect on the

1723
01:23:15,320 --> 01:23:17,560
Speaker 1: legend Jamaine dupris name. I don't know what's going on

1724
01:23:17,680 --> 01:23:20,120
Speaker 1: in the media lately where the South has been getting

1725
01:23:20,160 --> 01:23:23,000
Speaker 1: slights a lot, but I don't like it. Okay, I

1726
01:23:23,040 --> 01:23:25,240
Speaker 1: don't like it at all. I don't even understand it anymore,

1727
01:23:25,280 --> 01:23:27,840
Speaker 1: because this isn't like some niche thing like the South

1728
01:23:27,960 --> 01:23:30,400
Speaker 1: has been the most dominant region of hip hop for

1729
01:23:30,560 --> 01:23:38,000
Speaker 1: the past man probably twenty one years. Easily. Easily. I'm

1730
01:23:38,000 --> 01:23:41,360
Speaker 1: talk about easily. It's not even close. So stop it.

1731
01:23:41,439 --> 01:23:43,880
Speaker 1: Put some respect on Jamaine Dupris name. You can't even

1732
01:23:43,920 --> 01:23:46,880
Speaker 1: talk about Atlanta without talking about Jamaine Dupris. LL stop it.

1733
01:23:47,160 --> 01:23:49,960
Speaker 1: Shout to j D all right now. Also let me

1734
01:23:50,000 --> 01:23:52,960
Speaker 1: shout out to everybody in Memphis again. My call shows

1735
01:23:52,960 --> 01:23:55,639
Speaker 1: going down May twenty eighth. If you haven't got your tickets,

1736
01:23:55,680 --> 01:23:57,360
Speaker 1: get your tickets. We're doing it for Young Dolphs. So

1737
01:23:57,400 --> 01:24:00,040
Speaker 1: we're doing it actually with Young Dolls to State, with

1738
01:24:00,240 --> 01:24:03,280
Speaker 1: Young Doll's family. We're gonna have Young Dolls, whole fleet there.

1739
01:24:03,400 --> 01:24:05,680
Speaker 1: Key Glocks gonna have some cars there. Some of his

1740
01:24:05,760 --> 01:24:07,920
Speaker 1: celebrity friends are gonna bring some cars. I'm bringing fifty

1741
01:24:07,920 --> 01:24:10,720
Speaker 1: cents cars, my cars. It's gonna be a family fun day.

1742
01:24:10,760 --> 01:24:12,639
Speaker 1: The Dolf Museum will be there, so if you want

1743
01:24:12,680 --> 01:24:15,280
Speaker 1: to see some of his clothes and artifacts and art

1744
01:24:15,360 --> 01:24:18,400
Speaker 1: and jewelry, we'll have that on display. Also, we have

1745
01:24:18,600 --> 01:24:22,200
Speaker 1: kids games and rides and gaming trucks and face painting

1746
01:24:22,280 --> 01:24:24,479
Speaker 1: and food and all that. If you haven't got your tickets,

1747
01:24:24,479 --> 01:24:26,200
Speaker 1: click the link in my bio. Get your tickets. We're

1748
01:24:26,200 --> 01:24:28,960
Speaker 1: gonna have fun. That's May twenty eighth, which closes out

1749
01:24:29,040 --> 01:24:31,800
Speaker 1: Memphis in May, so I can't wait to see you guys.

1750
01:24:31,880 --> 01:24:34,000
Speaker 1: And then I know we're also heading to Atlanta for

1751
01:24:34,080 --> 01:24:39,080
Speaker 1: Charlemagne's podcasts. Yes, right, we have the Black Effect Podcast Festival.

1752
01:24:39,160 --> 01:24:42,120
Speaker 1: The first ever Black Effect Podcast Festival is happening in

1753
01:24:42,160 --> 01:24:45,920
Speaker 1: Atlanta on April twenty second at Pullman yard Man. I

1754
01:24:46,000 --> 01:24:49,519
Speaker 1: want to thank everybody who's purchased their tickets already. Like

1755
01:24:49,600 --> 01:24:52,160
Speaker 1: I've been saying, if y'all keep buying tickets to where

1756
01:24:52,200 --> 01:24:55,280
Speaker 1: y'all buying tickets, we're gonna sell out before April twenty second.

1757
01:24:55,320 --> 01:24:58,120
Speaker 1: And I couldn't be more grateful. We have live podcasts,

1758
01:24:58,880 --> 01:25:02,920
Speaker 1: eighty five South Show, Reasonably Shady, Horrible Decisions. They'll all

1759
01:25:03,000 --> 01:25:05,200
Speaker 1: be on the stage, just to name a few of

1760
01:25:05,240 --> 01:25:07,000
Speaker 1: the podcasts that will be there. And we got food,

1761
01:25:07,439 --> 01:25:10,439
Speaker 1: we got music, we got the Black Effect market Place,

1762
01:25:10,520 --> 01:25:12,360
Speaker 1: which is gonna be a lot of the local businesses

1763
01:25:12,360 --> 01:25:14,919
Speaker 1: in Atlanta. They're gonna be there as well as merchandise

1764
01:25:15,000 --> 01:25:17,000
Speaker 1: from your favorite podcast. And it's hosted by me and

1765
01:25:17,080 --> 01:25:20,080
Speaker 1: Jesse Hilarias. So pull up on us man, we'll see

1766
01:25:20,120 --> 01:25:22,800
Speaker 1: you April twenty second. Go to event right for your

1767
01:25:22,840 --> 01:25:24,639
Speaker 1: tickets and go to Black Effect dot com from one

1768
01:25:24,680 --> 01:25:26,200
Speaker 1: in four all right, when we come back. We got

1769
01:25:26,280 --> 01:25:28,919
Speaker 1: the positive notice to Breakfast Club. Good morning morning. Everybody

1770
01:25:29,000 --> 01:25:32,920
Speaker 1: is DJ V Charlomagne the guy. We are the Breakfast Club.

1771
01:25:33,240 --> 01:25:34,920
Speaker 1: It's time to get up out of here. Charlomagne, you've

1772
01:25:34,920 --> 01:25:37,760
Speaker 1: got a positive note. I do have a positive note.

1773
01:25:38,080 --> 01:25:40,519
Speaker 1: But first I just want to remind everybody make sure

1774
01:25:40,560 --> 01:25:42,800
Speaker 1: you go get your tickets for the first ever Black

1775
01:25:42,840 --> 01:25:46,559
Speaker 1: Effect Podcast Festival, happening in April twenty second in Atlanta

1776
01:25:46,840 --> 01:25:49,400
Speaker 1: at Pullman Yards. I just want to thank everybody who's

1777
01:25:49,439 --> 01:25:52,200
Speaker 1: buying tickets. Man, If y'all keep buying tickets the way

1778
01:25:52,280 --> 01:25:55,280
Speaker 1: y'all buying tickets, we are absolutely gonna sell out before

1779
01:25:55,360 --> 01:25:58,360
Speaker 1: April twenty second. And I love that the eighty five

1780
01:25:58,439 --> 01:26:01,640
Speaker 1: South Show be on that stage. Five Horrible Decisions, The

1781
01:26:01,800 --> 01:26:04,280
Speaker 1: Big Facts podcasts will be on that stage. Live just

1782
01:26:04,360 --> 01:26:06,240
Speaker 1: to name a few of the podcasts that will be there.

1783
01:26:06,600 --> 01:26:09,080
Speaker 1: Is hosted by me and Jess Hilarious. We're gonna have food.

1784
01:26:09,360 --> 01:26:12,080
Speaker 1: My man Louis va is providing the soundtrack. We got

1785
01:26:12,120 --> 01:26:15,160
Speaker 1: the Black Effect marketplace where we'll have local business businesses

1786
01:26:15,200 --> 01:26:18,160
Speaker 1: from atlanted there as well as merchandise from your favorite podcast.

1787
01:26:18,240 --> 01:26:20,600
Speaker 1: So go to event bright dot com right now and

1788
01:26:20,680 --> 01:26:23,200
Speaker 1: get your tickets, or go to Black Effect dot com

1789
01:26:23,560 --> 01:26:26,400
Speaker 1: for more information. Okay, thank you, thank you, thank you,

1790
01:26:26,640 --> 01:26:28,479
Speaker 1: and we'll see you April twenty second at the first

1791
01:26:28,560 --> 01:26:30,760
Speaker 1: of a Black Effect Podcast Festival. Now, I want you

1792
01:26:30,800 --> 01:26:34,400
Speaker 1: all to remember this going into the weekend. The key

1793
01:26:34,960 --> 01:26:37,839
Speaker 1: to life is not to prioritize what's on your schedule,

1794
01:26:38,560 --> 01:26:43,600
Speaker 1: but to schedule your priorities. Breakface club bits finished, or

1795
01:26:43,640 --> 01:26:44,120
Speaker 1: y'all dumb