1 00:00:00,920 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,280 --> 00:00:06,280 Speaker 1: at Total Wine and More. Did you know there were 3 00:00:06,280 --> 00:00:08,600 Speaker 1: over one million bubbles in a glass of champagne? Did 4 00:00:08,600 --> 00:00:11,160 Speaker 1: someone say brunch? Leave the egg hunting to the kid, 5 00:00:11,440 --> 00:00:13,880 Speaker 1: We'll have even more fun hunting for your brilliant brunch 6 00:00:13,880 --> 00:00:17,280 Speaker 1: resling aam sweet and salty richness pairs perfectly with sweeter 7 00:00:17,320 --> 00:00:20,000 Speaker 1: wines with bold fruit. How about a juicy peanut noir. 8 00:00:20,239 --> 00:00:23,119 Speaker 1: Whether you're hosting or just bring the wine, we love 9 00:00:23,200 --> 00:00:26,520 Speaker 1: to share are always low prices and ridiculous selection this 10 00:00:26,640 --> 00:00:36,760 Speaker 1: spring at Total Wine and More, Cheers away. He's a 11 00:00:36,880 --> 00:00:40,839 Speaker 1: legendary Queen's rapper, Hang segoes your boy, and he's a 12 00:00:40,960 --> 00:00:43,680 Speaker 1: Miami hip hop pioneer. What up is d J e 13 00:00:43,800 --> 00:00:46,080 Speaker 1: f N? Together they drink it up with some of 14 00:00:46,120 --> 00:00:48,839 Speaker 1: the biggest players in music and sports. You know, I 15 00:00:48,840 --> 00:00:53,160 Speaker 1: mean the most professional, unprofessional podcast and your number one 16 00:00:53,240 --> 00:00:55,920 Speaker 1: source for drunk facts. This is Drinks Chip right aw. 17 00:00:55,960 --> 00:01:04,800 Speaker 1: Every day is New Year's e Round, Green Hopeing South 18 00:01:05,120 --> 00:01:08,640 Speaker 1: is Your Boy and his DJ and his Drink Chance 19 00:01:08,640 --> 00:01:17,320 Speaker 1: motherfucker podcast, and I have to introduce our guests right now. 20 00:01:17,840 --> 00:01:20,480 Speaker 1: He's one of the most innovative peoples of the culture. 21 00:01:21,319 --> 00:01:24,280 Speaker 1: He has stood on the front line from the beginning. 22 00:01:24,800 --> 00:01:30,560 Speaker 1: He has signed was arguably the greatest artists of all times. 23 00:01:31,160 --> 00:01:36,560 Speaker 1: Company after company, you know, endeavor after endeavor. This man 24 00:01:36,640 --> 00:01:40,480 Speaker 1: has stood there. He has danced, he has smiled. He 25 00:01:40,560 --> 00:01:44,000 Speaker 1: even makes jokes about himself sometimes. I've seen him introducing 26 00:01:44,080 --> 00:01:46,080 Speaker 1: nas and he said, yep, I'll still be all up 27 00:01:46,080 --> 00:01:48,520 Speaker 1: in the videos. I thought that was amazing that he 28 00:01:48,560 --> 00:01:52,400 Speaker 1: can laugh at himself because what he's doing, his dope ship. 29 00:01:53,720 --> 00:01:57,360 Speaker 1: He's been a inspiration for me personally to see a 30 00:01:57,440 --> 00:02:03,160 Speaker 1: black man take the world by by his way and 31 00:02:03,280 --> 00:02:07,200 Speaker 1: doing it his way and being successful at it. I'm 32 00:02:07,240 --> 00:02:17,160 Speaker 1: proud to introduce my friend. Yeah, thank you, thank you. 33 00:02:17,639 --> 00:02:22,519 Speaker 1: Did he puff daddy? I'm na. I'm gonna give you 34 00:02:22,760 --> 00:02:25,079 Speaker 1: so many different flavors for the interview. You know, this 35 00:02:25,120 --> 00:02:30,000 Speaker 1: is an important interview, you know, Yeah, it's monumental. This 36 00:02:30,080 --> 00:02:33,240 Speaker 1: is this is the debut interview. You know, we're gonna 37 00:02:33,280 --> 00:02:34,680 Speaker 1: let the cat out of the bag and make the 38 00:02:34,720 --> 00:02:37,320 Speaker 1: announcement off the get go. You know what I'm saying. 39 00:02:37,400 --> 00:02:47,240 Speaker 1: We just signed drink Chance. Yeah. Yeah, So this is 40 00:02:47,280 --> 00:02:51,600 Speaker 1: world from men, Yes, World, It's a celebration, celebration. Do 41 00:02:51,639 --> 00:02:54,160 Speaker 1: want some champagne to got? We got some cold man? 42 00:02:54,280 --> 00:02:57,520 Speaker 1: You know, I'm gonna go check this out. We're gonna 43 00:02:58,840 --> 00:03:01,640 Speaker 1: I could really drink in anything. You understand, I'm not 44 00:03:01,680 --> 00:03:05,280 Speaker 1: I gonna go from Hennessey to to killer Champagne to whatever. 45 00:03:05,320 --> 00:03:07,320 Speaker 1: You're saying you a drink chance, you're just getting to 46 00:03:07,360 --> 00:03:10,520 Speaker 1: the man you're saying you're a drink man. Man, I'm 47 00:03:10,600 --> 00:03:18,160 Speaker 1: legend dary out here. Anybody whoever, I'll drink you. Um. 48 00:03:18,200 --> 00:03:20,560 Speaker 1: I never really had drink competitions, but you know what 49 00:03:20,560 --> 00:03:23,120 Speaker 1: I'm saying in my mind, not, I mean, not not 50 00:03:23,280 --> 00:03:25,959 Speaker 1: as you know, not as long I'm kind of consistent. 51 00:03:26,120 --> 00:03:28,120 Speaker 1: So you know, you have people out of do they 52 00:03:28,240 --> 00:03:30,840 Speaker 1: they quit whatever whatever, and then then you know, and 53 00:03:30,880 --> 00:03:35,160 Speaker 1: then they rocked. I'm just consistently, you know, consistently the 54 00:03:35,200 --> 00:03:41,040 Speaker 1: apple pouring and enjoying. You gotta pour and enjoy and 55 00:03:41,040 --> 00:03:44,360 Speaker 1: I consistently do that, you know, you know, sometimes for 56 00:03:44,560 --> 00:03:49,480 Speaker 1: like three days straight straight straight straight. All right, Oh 57 00:03:49,560 --> 00:03:52,440 Speaker 1: you can't got your shout? All right? Cool? This is 58 00:03:52,480 --> 00:03:55,240 Speaker 1: how we do it. Out of Yeah, you gotta meet it. 59 00:03:55,320 --> 00:03:56,680 Speaker 1: We gotta mean and we take a shot to the 60 00:03:56,720 --> 00:04:00,840 Speaker 1: drink chance. All right, now solute and now only welcome 61 00:04:00,920 --> 00:04:02,840 Speaker 1: up to a vault, but welcome you to the drink 62 00:04:02,880 --> 00:04:10,680 Speaker 1: Chang little new maino. You all gotta try it. That's good. 63 00:04:10,880 --> 00:04:16,360 Speaker 1: It was good, yeah, man, in trouble drinking Shampool? Can 64 00:04:16,400 --> 00:04:17,960 Speaker 1: you tell a girl to make me a nast? Because 65 00:04:17,960 --> 00:04:20,640 Speaker 1: I'm married, I don't want to directly ask her, you 66 00:04:20,640 --> 00:04:23,440 Speaker 1: know what I mean. Now I'm with this guy, Shampool, 67 00:04:23,440 --> 00:04:26,240 Speaker 1: you know Shampool the Street team. Yeah, what up? Shampoo? 68 00:04:26,760 --> 00:04:31,080 Speaker 1: Tam Pool? So so so Diddy, how did you What 69 00:04:31,120 --> 00:04:32,640 Speaker 1: was that moment where you was like, I got the 70 00:04:32,640 --> 00:04:36,360 Speaker 1: greatest rapper all time? Man? When I heard this demo? 71 00:04:37,360 --> 00:04:39,640 Speaker 1: If you yeah, yeah, if you go online, you can 72 00:04:39,680 --> 00:04:44,000 Speaker 1: find this demo. Um before y you heard it? No, 73 00:04:44,120 --> 00:04:47,520 Speaker 1: I heard it. I saw unsigned Height and that's that's 74 00:04:47,520 --> 00:04:50,039 Speaker 1: when I called Maddie see the missus C and I, 75 00:04:50,400 --> 00:04:53,200 Speaker 1: you know, tracked down the demo from just the explanation 76 00:04:53,240 --> 00:04:56,320 Speaker 1: of what I heard, you know, And his look was 77 00:04:56,360 --> 00:04:59,279 Speaker 1: so disruptive, you know, it's a good way to explain 78 00:04:59,839 --> 00:05:02,480 Speaker 1: he he felt. He felt like Miles Davis to me, 79 00:05:03,080 --> 00:05:04,520 Speaker 1: you know what I'm saying. When I when I had 80 00:05:04,600 --> 00:05:07,159 Speaker 1: first saw him, but it was like it was. It 81 00:05:07,279 --> 00:05:11,680 Speaker 1: was a vibrational attraction that was dead. Like I knew, 82 00:05:11,720 --> 00:05:15,080 Speaker 1: I like store up to stare at the picture, you 83 00:05:15,080 --> 00:05:18,520 Speaker 1: know what I'm saying, for like maybe six days, you 84 00:05:18,520 --> 00:05:22,200 Speaker 1: know what I'm saying after the music time, no, no, 85 00:05:22,320 --> 00:05:25,520 Speaker 1: before I even got the demos, just a picture in 86 00:05:25,560 --> 00:05:28,839 Speaker 1: itself was giving me this strong vibration that I knew 87 00:05:28,880 --> 00:05:34,320 Speaker 1: that whatever this guy was saying, like you know, it 88 00:05:34,360 --> 00:05:37,520 Speaker 1: was it was something that was It was something that 89 00:05:37,600 --> 00:05:41,039 Speaker 1: was really really really really authentic, just about the look 90 00:05:41,080 --> 00:05:44,400 Speaker 1: in his eyes, you know. And then when I heard 91 00:05:44,400 --> 00:05:47,080 Speaker 1: the music, you know, it was one of those things 92 00:05:47,080 --> 00:05:49,040 Speaker 1: I merely called my girl and I was like, Yo, 93 00:05:49,120 --> 00:05:50,720 Speaker 1: you gotta you gotta tell me if this is as 94 00:05:50,800 --> 00:05:55,600 Speaker 1: hot as great as I really believe it is. You know, 95 00:05:56,080 --> 00:05:59,400 Speaker 1: she heard it. She was like like, wherever he's at, 96 00:05:59,400 --> 00:06:01,760 Speaker 1: you better go at him, you know what I'm saying. 97 00:06:02,240 --> 00:06:05,440 Speaker 1: And now that was that's interesting that you said you 98 00:06:05,560 --> 00:06:09,600 Speaker 1: called your girl. Yeah, because women are the biggest consumers 99 00:06:09,600 --> 00:06:11,839 Speaker 1: of music, without a doubt. So how how did you 100 00:06:11,920 --> 00:06:15,760 Speaker 1: know that? Early on? Um? Because everything I did was 101 00:06:15,800 --> 00:06:20,960 Speaker 1: for girls, My whole swag, my whole you know, um 102 00:06:21,240 --> 00:06:27,359 Speaker 1: musically dancing, I started dancing because you know, I like, really, 103 00:06:27,839 --> 00:06:30,919 Speaker 1: I really trust women's opinions, and I like the vibration. 104 00:06:31,040 --> 00:06:34,919 Speaker 1: And you know, I've always just loved women that really 105 00:06:34,960 --> 00:06:37,760 Speaker 1: were into music, you know, that knew how to dance 106 00:06:37,800 --> 00:06:39,800 Speaker 1: and was in the music. I can't even relate to 107 00:06:39,839 --> 00:06:44,080 Speaker 1: somebody it's not into music. So you know, um, you know, 108 00:06:44,120 --> 00:06:46,400 Speaker 1: I had a girl that was really into music and 109 00:06:48,120 --> 00:06:51,000 Speaker 1: and I really trusted her judgment. So it was something 110 00:06:51,080 --> 00:06:55,640 Speaker 1: that something that you know, when it's something crazy and 111 00:06:55,680 --> 00:06:58,240 Speaker 1: you got a girl that's like that. On that same waveleft, 112 00:06:58,320 --> 00:07:01,200 Speaker 1: she said that about Big Pride to see Yes just 113 00:07:01,240 --> 00:07:03,320 Speaker 1: on the demo, just on yeah, yeah, the demo is crazy. 114 00:07:03,440 --> 00:07:05,240 Speaker 1: Demo is some of his best works. None of those 115 00:07:05,279 --> 00:07:07,760 Speaker 1: tracks made it out from now. I mean, he just 116 00:07:07,839 --> 00:07:10,280 Speaker 1: he was just freestyling over some beats. So it wasn't 117 00:07:10,320 --> 00:07:12,280 Speaker 1: you know, it wasn't that time where you could just 118 00:07:12,440 --> 00:07:15,040 Speaker 1: rap on somebody's beat. He was. He was like kind 119 00:07:15,040 --> 00:07:17,400 Speaker 1: of the first to do that. I mean second when 120 00:07:17,440 --> 00:07:19,040 Speaker 1: you know, you did the jacket for beats, but he 121 00:07:19,080 --> 00:07:21,360 Speaker 1: didn't in another way, but when he went and rapped 122 00:07:21,360 --> 00:07:23,880 Speaker 1: before ready to die on all the l A beats, 123 00:07:24,400 --> 00:07:26,240 Speaker 1: you know what I'm saying. Before that It wasn't like 124 00:07:26,280 --> 00:07:29,480 Speaker 1: people were getting on people's tracks what I'm saying. So, 125 00:07:29,480 --> 00:07:33,400 Speaker 1: so how did you guys started incorporating like the R 126 00:07:33,480 --> 00:07:35,680 Speaker 1: and B s, the R and B tracks, like the 127 00:07:35,760 --> 00:07:38,400 Speaker 1: Juicy's and all that. Because I can listen to the 128 00:07:38,400 --> 00:07:41,320 Speaker 1: biggest demo and I can tell that that was directly 129 00:07:41,920 --> 00:07:45,239 Speaker 1: um uhh, what was my favorite record by the way, Juicy. 130 00:07:45,720 --> 00:07:48,920 Speaker 1: But but how do you go about convincing a hardcore 131 00:07:49,000 --> 00:07:53,280 Speaker 1: artists like big Um to that this commercial this commercial 132 00:07:53,360 --> 00:07:56,240 Speaker 1: success is something that he needs. It really wasn't a 133 00:07:56,280 --> 00:07:58,880 Speaker 1: lot of convincing. I was like, yo, if you want 134 00:07:58,920 --> 00:08:03,280 Speaker 1: to you know, if you want to be big and 135 00:08:03,440 --> 00:08:06,200 Speaker 1: you know, first of all, when we did party in Bullshit, 136 00:08:06,680 --> 00:08:08,760 Speaker 1: he he didn't didn't know how to write a song. 137 00:08:08,920 --> 00:08:11,240 Speaker 1: So you know, you know, just like most rappers, you 138 00:08:11,280 --> 00:08:14,240 Speaker 1: know what I'm saying, Everything was like sixty bars and everything. 139 00:08:14,880 --> 00:08:17,480 Speaker 1: And then so you know, once you know, I kind 140 00:08:17,480 --> 00:08:20,560 Speaker 1: of broke down the whole song structure. To him, he 141 00:08:20,720 --> 00:08:23,200 Speaker 1: was like a genius. So he didn't he would take 142 00:08:23,200 --> 00:08:27,000 Speaker 1: it and then and and and he just really was 143 00:08:27,120 --> 00:08:32,480 Speaker 1: strong on making songs. He would have didn't write wraps down. Um. 144 00:08:32,520 --> 00:08:36,439 Speaker 1: That was that was the second year yeah, yeah, this 145 00:08:36,600 --> 00:08:38,520 Speaker 1: breaking news. A lot of people don't know that. Yeah, 146 00:08:38,800 --> 00:08:41,440 Speaker 1: the first year he would write him down. By the 147 00:08:41,480 --> 00:08:43,120 Speaker 1: second year, you know, he was just sit in the 148 00:08:43,200 --> 00:08:45,360 Speaker 1: room and he wouldn't say nothing for like maybe two 149 00:08:45,440 --> 00:08:48,160 Speaker 1: or three days and go in and just do it 150 00:08:48,200 --> 00:08:51,920 Speaker 1: from head to toe. No punching in, nothing like that. 151 00:08:52,120 --> 00:08:59,520 Speaker 1: Maybe a couple of times, you know, let's yeah. But 152 00:08:59,559 --> 00:09:01,800 Speaker 1: as far as the as far as the big records, 153 00:09:02,080 --> 00:09:04,320 Speaker 1: you know, going after the Juicy and the Big Papa 154 00:09:04,360 --> 00:09:06,640 Speaker 1: with the Ozazi brothers, it was just it was a 155 00:09:06,760 --> 00:09:09,320 Speaker 1: vibe that I was in that I had. I had 156 00:09:09,360 --> 00:09:12,480 Speaker 1: already seen work to a certain degree, and I knew 157 00:09:12,520 --> 00:09:16,120 Speaker 1: with Mobi and Premier we had the harder edge tracks, 158 00:09:16,480 --> 00:09:19,559 Speaker 1: and I knew that there was just this opportunity, um 159 00:09:19,679 --> 00:09:21,560 Speaker 1: because even you know, the West Coast was doing in 160 00:09:21,600 --> 00:09:24,400 Speaker 1: their way that their style of sampling more commercial type 161 00:09:24,400 --> 00:09:27,240 Speaker 1: of hits. But I knew that these joints right here, 162 00:09:27,280 --> 00:09:29,520 Speaker 1: these were the things that I I grew up to 163 00:09:29,640 --> 00:09:31,080 Speaker 1: in halland when I used to have to do my 164 00:09:31,160 --> 00:09:34,240 Speaker 1: chores in the morning, these records was really really deep, 165 00:09:34,320 --> 00:09:37,440 Speaker 1: like sheet to me, you know what I'm saying, And 166 00:09:37,440 --> 00:09:41,480 Speaker 1: and just having that juicy sample and in the Big 167 00:09:41,520 --> 00:09:43,679 Speaker 1: Papa joint and then the One More Chance. I had 168 00:09:43,720 --> 00:09:47,240 Speaker 1: all that at the same time, so you know, I 169 00:09:47,320 --> 00:09:49,920 Speaker 1: knew he wanted to be fly and I told him like, 170 00:09:49,960 --> 00:09:52,840 Speaker 1: this is the road to the flyingness. You're just gonna 171 00:09:52,840 --> 00:09:55,440 Speaker 1: be really dusty and be doing videos behind like in 172 00:09:55,720 --> 00:09:58,480 Speaker 1: Abandoned Building it and he was like, I want to 173 00:09:58,520 --> 00:10:01,440 Speaker 1: be flying. He always wanted to just have made sure 174 00:10:01,559 --> 00:10:06,880 Speaker 1: his gear was flyer than somebody that was slimmer. Now 175 00:10:06,960 --> 00:10:11,480 Speaker 1: that One More Chance remix, like in the Streets album 176 00:10:11,600 --> 00:10:15,760 Speaker 1: was already a phenomenon. We already knew where Big was going. 177 00:10:15,960 --> 00:10:21,679 Speaker 1: But then y'all One More Chance remix and the video 178 00:10:22,040 --> 00:10:26,000 Speaker 1: like how like what what the fund did you thinking 179 00:10:26,120 --> 00:10:29,199 Speaker 1: to say? Like what was it? Because because I believe 180 00:10:29,240 --> 00:10:30,720 Speaker 1: he was gold at the time, was that to like 181 00:10:30,760 --> 00:10:32,480 Speaker 1: the record that you wanted to take it over to 182 00:10:32,480 --> 00:10:36,880 Speaker 1: the platinum or yeah? Yeah, you know, um as a producer, 183 00:10:37,000 --> 00:10:40,120 Speaker 1: I get here giving me the you know, the confidence. 184 00:10:40,679 --> 00:10:44,040 Speaker 1: So you know, when you really believe in everything's great 185 00:10:44,080 --> 00:10:47,719 Speaker 1: and you're in that frequency, you know, that's what you're attracting. 186 00:10:47,800 --> 00:10:50,720 Speaker 1: And I attracted that sample and I was like this 187 00:10:50,760 --> 00:10:53,559 Speaker 1: one right here, this is this right this right here, scary. 188 00:10:53,760 --> 00:10:55,719 Speaker 1: You know, it was scary, you know because it was 189 00:10:55,760 --> 00:10:59,600 Speaker 1: a true record for the ladies. And not only that, 190 00:11:00,040 --> 00:11:03,640 Speaker 1: it felt like I felt like you and Big perfected 191 00:11:04,120 --> 00:11:08,640 Speaker 1: feeding the streets and feeding the radio. Yeah, like at 192 00:11:08,640 --> 00:11:11,160 Speaker 1: the same time you had who shot you that all 193 00:11:11,240 --> 00:11:14,400 Speaker 1: the streets? You know what I'm saying. I gravitated towards that. 194 00:11:14,480 --> 00:11:17,560 Speaker 1: But you're killing the radio, Like who did was that? You? 195 00:11:17,600 --> 00:11:20,360 Speaker 1: Who developed a strategy of feed the streets and a 196 00:11:20,360 --> 00:11:22,400 Speaker 1: balance that you know it was it was more of 197 00:11:22,400 --> 00:11:25,600 Speaker 1: a respect thing of of of I knew what he 198 00:11:25,679 --> 00:11:27,640 Speaker 1: wanted to do and if we were going to have 199 00:11:27,760 --> 00:11:30,440 Speaker 1: this like partnership on making music and he was going 200 00:11:30,480 --> 00:11:32,440 Speaker 1: to follow me down the road to making some of 201 00:11:32,440 --> 00:11:35,800 Speaker 1: these bigger records, and you know, then I would follow 202 00:11:35,880 --> 00:11:39,480 Speaker 1: him down the road to um, you know, making more 203 00:11:39,559 --> 00:11:42,199 Speaker 1: the hardcore records. There's only one line that I had 204 00:11:42,200 --> 00:11:45,120 Speaker 1: made him change or just record that he went too 205 00:11:45,160 --> 00:11:49,520 Speaker 1: far for me, you need. I think he talked about 206 00:11:49,600 --> 00:11:53,160 Speaker 1: raping Mary or something like that. Yeah, it was crazy 207 00:11:53,640 --> 00:11:55,520 Speaker 1: and I just I just I just couldn't do it. 208 00:11:55,640 --> 00:12:00,240 Speaker 1: And he respected dreams of y No, this is this 209 00:12:00,320 --> 00:12:02,920 Speaker 1: is just a free style. Because that eventually came out 210 00:12:02,960 --> 00:12:05,960 Speaker 1: through now it's kind of um like set that standard 211 00:12:05,960 --> 00:12:07,960 Speaker 1: when he said when I was twelve, I went to 212 00:12:07,960 --> 00:12:10,960 Speaker 1: help us nothing Jesus so all artists was trying to 213 00:12:10,960 --> 00:12:14,800 Speaker 1: say something disrespectful like still clever. Yeah yeah, yeah, yeah, 214 00:12:14,800 --> 00:12:16,200 Speaker 1: but yea yeah yeah but that yeah, that was the 215 00:12:16,240 --> 00:12:19,160 Speaker 1: only thing that we had started to have a discussion 216 00:12:19,240 --> 00:12:22,600 Speaker 1: about certain responsibilities. He didn't really give a funk. But 217 00:12:22,720 --> 00:12:25,400 Speaker 1: at the same time he was he was kind of 218 00:12:25,880 --> 00:12:30,800 Speaker 1: a big one. Yeah, but over the bridge that yeah, 219 00:12:30,840 --> 00:12:35,080 Speaker 1: he said he whatever he said was like from from 220 00:12:35,120 --> 00:12:39,440 Speaker 1: a standpoint of lyricism, it was yeah, it wasn't from 221 00:12:39,480 --> 00:12:43,640 Speaker 1: this it was it wasn't the shock value like yeah yeah, 222 00:12:43,720 --> 00:12:47,720 Speaker 1: like value. Yeah. He seemed like on the first album 223 00:12:47,720 --> 00:12:50,959 Speaker 1: that it felt like West Coast influenced him a lot, 224 00:12:51,040 --> 00:12:52,880 Speaker 1: Like that's the way I felt as a listening Yeah, 225 00:12:53,120 --> 00:12:55,720 Speaker 1: really not at all. Yeah, because there were some samples 226 00:12:55,760 --> 00:12:57,360 Speaker 1: that they sampled a lot of some of the West 227 00:12:57,400 --> 00:12:59,840 Speaker 1: Coast records and some of the yeah yeah yeah it's 228 00:12:59,840 --> 00:13:02,120 Speaker 1: far me sam Blan. I was definitely influenced by the 229 00:13:02,200 --> 00:13:04,720 Speaker 1: chronic They're even Ready to Die that whole, So that 230 00:13:05,160 --> 00:13:08,080 Speaker 1: not him, Yeah, yeah, that was me that because I 231 00:13:08,120 --> 00:13:10,240 Speaker 1: was I heard the chronic, and I just really became 232 00:13:10,280 --> 00:13:12,199 Speaker 1: obsessed with how they were able to make it sound 233 00:13:12,240 --> 00:13:14,360 Speaker 1: like it was actually you actually got into a low 234 00:13:14,480 --> 00:13:16,920 Speaker 1: ride and comfy. So I wanted ready to die to 235 00:13:17,040 --> 00:13:20,160 Speaker 1: feel like you was, you know, in Brooklyn and from 236 00:13:20,160 --> 00:13:23,360 Speaker 1: New York and so you know, Dre definitely inspired me. 237 00:13:23,520 --> 00:13:26,239 Speaker 1: You know on that one, What you enjoyed more producing 238 00:13:27,000 --> 00:13:29,840 Speaker 1: or being in the front like as an artist yourself. 239 00:13:30,520 --> 00:13:33,240 Speaker 1: I really enjoyed producing the most, you know, because because 240 00:13:33,280 --> 00:13:36,600 Speaker 1: I really, um, you know, my lane is really to 241 00:13:36,720 --> 00:13:39,120 Speaker 1: be the platform. You know, I've been blessed to be 242 00:13:39,160 --> 00:13:42,280 Speaker 1: an artist, and I truly appreciate and think thank everybody 243 00:13:42,280 --> 00:13:44,760 Speaker 1: for let me slide in and and you know and 244 00:13:44,800 --> 00:13:47,120 Speaker 1: get that off. Was it Big who suggested you should 245 00:13:47,120 --> 00:13:53,640 Speaker 1: be an artist? Yeah? Yeah, And the super Cat record 246 00:13:53,640 --> 00:13:55,720 Speaker 1: was the first time you run and now I was 247 00:13:55,800 --> 00:14:00,600 Speaker 1: on on because the first time I heard only Get Money, 248 00:14:00,559 --> 00:14:03,760 Speaker 1: Yeah it's a super cap. I was supposed to be 249 00:14:03,760 --> 00:14:05,719 Speaker 1: Only Get Money remakes, but I was just like, I 250 00:14:06,720 --> 00:14:09,800 Speaker 1: just froze up a little bit again, Yeah, because I 251 00:14:09,840 --> 00:14:12,480 Speaker 1: wasn't really believing all the way and the record was 252 00:14:12,520 --> 00:14:15,319 Speaker 1: so fucking it was so hard and so crazy, So 253 00:14:15,559 --> 00:14:19,200 Speaker 1: you know, so that's why Caesars on that joint, But 254 00:14:19,320 --> 00:14:20,840 Speaker 1: it was supposed to be you, Yeah, it was supposed 255 00:14:20,840 --> 00:14:23,400 Speaker 1: to be me. And then but then, you know, when 256 00:14:23,400 --> 00:14:25,520 Speaker 1: I got with Jesse West, we were like similar type 257 00:14:25,520 --> 00:14:27,600 Speaker 1: of cats, like a little bit shy in the sense 258 00:14:28,040 --> 00:14:31,200 Speaker 1: of you know, but still once we got into our artistry, 259 00:14:31,240 --> 00:14:35,360 Speaker 1: it was boisterous, but you know, understanding how to ease 260 00:14:35,440 --> 00:14:38,360 Speaker 1: into it. And that super cat thing was really wavy, 261 00:14:38,440 --> 00:14:40,040 Speaker 1: you know what I'm saying. So it was really it 262 00:14:40,160 --> 00:14:42,280 Speaker 1: was more in my lane than the other joint like 263 00:14:42,360 --> 00:14:45,000 Speaker 1: funck bitches get money. But what was your dream? What 264 00:14:45,080 --> 00:14:47,160 Speaker 1: was your dream? First? Was it being a producer or 265 00:14:47,200 --> 00:14:50,640 Speaker 1: being an art on um? It was just being in 266 00:14:50,680 --> 00:14:53,480 Speaker 1: the record business on stage and some capacity. I started 267 00:14:53,520 --> 00:14:55,920 Speaker 1: as a background dancer. I want to see a Run 268 00:14:56,000 --> 00:15:00,240 Speaker 1: dm C concert and Run held up his sneakers and 269 00:15:00,280 --> 00:15:02,480 Speaker 1: when he did that, and I saw everybody hold him 270 00:15:02,520 --> 00:15:05,000 Speaker 1: up all around the arena like I could relate to that, 271 00:15:05,120 --> 00:15:07,080 Speaker 1: I was like I didn't. There's a way for me 272 00:15:07,160 --> 00:15:10,640 Speaker 1: to be able to get you know, to to to 273 00:15:11,040 --> 00:15:13,320 Speaker 1: be able to live out this crazy dream that was 274 00:15:13,360 --> 00:15:16,440 Speaker 1: in my head, like yo, I could wrap and oh 275 00:15:16,560 --> 00:15:19,680 Speaker 1: I could really produce. It was it was it was 276 00:15:19,760 --> 00:15:23,640 Speaker 1: in me. But when I saw actually saw the power 277 00:15:23,960 --> 00:15:28,760 Speaker 1: of running what he had and how he was wanted. Yeah, yeah, yeah, yeah, 278 00:15:28,760 --> 00:15:30,400 Speaker 1: that's when I wanted to be the be an artist. 279 00:15:30,440 --> 00:15:34,720 Speaker 1: And then I would say like fifteen not even fifteen 280 00:15:34,800 --> 00:15:39,520 Speaker 1: years later, like yeah, like ten years later, Like I 281 00:15:39,560 --> 00:15:42,400 Speaker 1: remember I was coming. I sold out the garden three times, 282 00:15:42,440 --> 00:15:44,400 Speaker 1: three nights in a row, and I was I would 283 00:15:44,440 --> 00:15:47,080 Speaker 1: come from them from the ceiling and so I would 284 00:15:47,080 --> 00:15:49,400 Speaker 1: be like kind of staged up there, and I remember 285 00:15:49,400 --> 00:15:51,080 Speaker 1: the seat that I was sitting, and I looked at 286 00:15:51,120 --> 00:15:53,560 Speaker 1: the seat that I was sitting from the run DMC 287 00:15:53,720 --> 00:15:56,320 Speaker 1: concert when I came up with the dreams. So he 288 00:15:56,400 --> 00:16:00,040 Speaker 1: has a tennis ball from Cares one from Night of 289 00:16:00,160 --> 00:16:05,600 Speaker 1: Years every definitely. So let's get to this line, because 290 00:16:05,840 --> 00:16:09,480 Speaker 1: this is everybody we have some water or something. No water, 291 00:16:11,800 --> 00:16:14,760 Speaker 1: water to tell me crazy? You got your own people, 292 00:16:14,960 --> 00:16:20,600 Speaker 1: I told me forgot. I mean you got water, we 293 00:16:20,720 --> 00:16:25,600 Speaker 1: just got but we got aqua hydrated and I got, like, 294 00:16:25,680 --> 00:16:29,200 Speaker 1: who the alcohol day that water? You guys? Yeah yeah, yeah, 295 00:16:30,720 --> 00:16:33,760 Speaker 1: So I gotta get to this line because it's like 296 00:16:34,120 --> 00:16:36,960 Speaker 1: you shut all your haters up and you said it 297 00:16:37,080 --> 00:16:42,600 Speaker 1: don't matter if I'm like Yeah, why was it important 298 00:16:42,640 --> 00:16:45,320 Speaker 1: for you to say that? It wasn't really important for 299 00:16:45,360 --> 00:16:47,040 Speaker 1: me to say that. I wasn't really getting like a 300 00:16:47,080 --> 00:16:49,440 Speaker 1: whole lot of flak. I never came in the game 301 00:16:49,600 --> 00:16:52,760 Speaker 1: acting like I didn't have ghostwriters. I treated myself like 302 00:16:52,880 --> 00:16:55,680 Speaker 1: I was Whitney Houston. I was looking at Whitney Houston. 303 00:16:55,720 --> 00:16:57,760 Speaker 1: I was like, it's something about it. She has some talent. 304 00:16:58,000 --> 00:17:00,960 Speaker 1: You know, this is a talent that don't have. In 305 00:17:01,080 --> 00:17:07,480 Speaker 1: my mind, my thing is to um make make the 306 00:17:07,600 --> 00:17:10,320 Speaker 1: best and the biggest record, no matter somebody else writes. 307 00:17:10,359 --> 00:17:14,280 Speaker 1: It produces the beveratives. I just wanted to make the 308 00:17:15,240 --> 00:17:18,560 Speaker 1: dopest records to make people dance feel good, you know, 309 00:17:18,880 --> 00:17:21,680 Speaker 1: feel fly. You know, it makes me, It makes something 310 00:17:21,760 --> 00:17:26,440 Speaker 1: that was fashion. All your hats down. It was like 311 00:17:26,520 --> 00:17:29,200 Speaker 1: you ain't an avoiding it. So yeah yeah, oh yeah, 312 00:17:29,200 --> 00:17:31,399 Speaker 1: but all my popping ship. Can't nobody pop shit like 313 00:17:31,520 --> 00:17:39,719 Speaker 1: me because because anything I'm saying, it's something something. Yeah, 314 00:17:39,920 --> 00:17:41,880 Speaker 1: you know, all my ship is truth that I say. 315 00:17:41,960 --> 00:17:44,359 Speaker 1: You know what I'm saying. Anything that I'm saying is truth. 316 00:17:44,960 --> 00:17:47,720 Speaker 1: And when you know it's got aquaha Drake, look at that, man, 317 00:17:48,080 --> 00:17:51,160 Speaker 1: I go, I gotta I gotta upbreak, my life got 318 00:17:52,960 --> 00:18:00,359 Speaker 1: right there you with us now everything that. Yeah, So 319 00:18:01,040 --> 00:18:04,640 Speaker 1: throughout all these years, the best thing, you know, um, 320 00:18:05,000 --> 00:18:08,120 Speaker 1: one thing you said to me, you said nor every 321 00:18:08,160 --> 00:18:11,280 Speaker 1: time I see you were always smiling. And I've really 322 00:18:11,840 --> 00:18:15,400 Speaker 1: like thought back, I've been in the game since nineteen 323 00:18:15,840 --> 00:18:20,600 Speaker 1: nineties six late nine seven, and every time I've seen you, 324 00:18:20,720 --> 00:18:24,760 Speaker 1: you always smile. How do you do? Because I really 325 00:18:24,840 --> 00:18:27,000 Speaker 1: just have I don't have no hate for people. I 326 00:18:27,080 --> 00:18:30,119 Speaker 1: don't have no envia jealousy for people. So like you know, 327 00:18:30,840 --> 00:18:33,880 Speaker 1: my smile is is when I see people, it's real 328 00:18:33,960 --> 00:18:37,960 Speaker 1: and it's genuine, and I'm fans of everybody. You know 329 00:18:37,960 --> 00:18:40,600 Speaker 1: what I'm saying. I can find something really great in 330 00:18:40,880 --> 00:18:43,639 Speaker 1: in anybody. That's the way like I see things, and 331 00:18:43,760 --> 00:18:46,320 Speaker 1: so naturally that's my thing unless I'm in a little 332 00:18:46,359 --> 00:18:47,840 Speaker 1: bit of a funk, you know what I'm saying, because 333 00:18:47,840 --> 00:18:50,840 Speaker 1: I'm like like tripolar, you know what I'm saying, So 334 00:18:51,240 --> 00:18:58,399 Speaker 1: not even your yeah what I mean. So you know whatever, 335 00:18:58,440 --> 00:19:00,119 Speaker 1: whatever you're seeing is what you get, and you know 336 00:19:00,160 --> 00:19:01,760 Speaker 1: what I'm saying. But it's all coming from a place 337 00:19:02,040 --> 00:19:05,240 Speaker 1: of love, you know, And I admire that about you. 338 00:19:05,359 --> 00:19:08,040 Speaker 1: And another thing that I admire about you that I 339 00:19:08,080 --> 00:19:12,040 Speaker 1: don't feel nobody gives you the judge do is? I 340 00:19:12,160 --> 00:19:15,119 Speaker 1: came over your house yesterday. I was eating I was 341 00:19:15,240 --> 00:19:19,160 Speaker 1: about fifteen minutes away. James Cruz hit me and said, 342 00:19:19,240 --> 00:19:21,320 Speaker 1: come to the career. But hey, Ali, excuse me. So 343 00:19:21,440 --> 00:19:25,240 Speaker 1: I went to the career real quick. And you have 344 00:19:25,400 --> 00:19:28,680 Speaker 1: your mom's there, you have your sons there, and I'm 345 00:19:28,680 --> 00:19:31,560 Speaker 1: gonna tell you something. Your son, you raised your son 346 00:19:31,840 --> 00:19:35,879 Speaker 1: so excellent. Like both of them came up to me 347 00:19:35,960 --> 00:19:38,399 Speaker 1: and said, nor were you good? You need anything? You 348 00:19:38,440 --> 00:19:41,280 Speaker 1: want to ride the jet skis? And it was amazing 349 00:19:41,520 --> 00:19:47,560 Speaker 1: to me because I'm like, damn, Like if if my 350 00:19:47,840 --> 00:19:54,359 Speaker 1: father was Pop Daddy, I would be all I'll be insane. 351 00:19:55,880 --> 00:19:59,359 Speaker 1: But these these kids came up to me. What we're respected? 352 00:19:59,520 --> 00:20:04,280 Speaker 1: First off, you under twenty one, the generation nowadays under 353 00:20:04,320 --> 00:20:07,119 Speaker 1: twenty one is the most disrespectful generation. Efforts. All right, 354 00:20:07,359 --> 00:20:09,840 Speaker 1: let's just keep it real. They hate old niggers. Are 355 00:20:09,840 --> 00:20:11,359 Speaker 1: you gonna take another shot? This is a shot. You're 356 00:20:11,359 --> 00:20:13,720 Speaker 1: gonna do a drink? You know how much I'm doing shots. 357 00:20:15,600 --> 00:20:17,399 Speaker 1: We got girl with home were blowing up. We got 358 00:20:17,440 --> 00:20:20,200 Speaker 1: girls to pull that for us. It's cool, cool, cool. First, 359 00:20:21,080 --> 00:20:23,480 Speaker 1: ain't gonna kid. I ain't gonna lie. Sometimes I like 360 00:20:23,560 --> 00:20:25,440 Speaker 1: to just pull my own You like the boy, I 361 00:20:25,520 --> 00:20:30,560 Speaker 1: like being, I like being. You know what do it? 362 00:20:30,800 --> 00:20:34,640 Speaker 1: Let's do Let's do it. We open it up dot. 363 00:20:34,760 --> 00:20:37,440 Speaker 1: You know what I'm saying. It's gluten free all. You 364 00:20:37,480 --> 00:20:38,880 Speaker 1: know what I'm saying. There was one that high shed 365 00:20:38,960 --> 00:20:40,920 Speaker 1: all these pounds. You know this is the Drink Champs 366 00:20:41,000 --> 00:20:45,200 Speaker 1: Drink on Blue Dot with Selsa Water my shot free 367 00:20:46,400 --> 00:20:49,920 Speaker 1: ya listen, just pulling my shot. I made it. You 368 00:20:50,000 --> 00:21:02,399 Speaker 1: gotta get love. I told you show. We're partners. Now 369 00:21:12,920 --> 00:21:16,440 Speaker 1: welcome to play a new podcast network featuring radio and 370 00:21:16,520 --> 00:21:21,080 Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play 371 00:21:21,160 --> 00:21:25,600 Speaker 1: it at Play dot It. We're back to Drink Champs 372 00:21:25,720 --> 00:21:29,080 Speaker 1: Radio with Rapper and R and d j f N. 373 00:21:32,200 --> 00:21:36,520 Speaker 1: So we valla, let's get to a vall. Why did 374 00:21:36,600 --> 00:21:38,920 Speaker 1: you feel like you wanted to start your own ship? 375 00:21:39,680 --> 00:21:43,520 Speaker 1: You're stubborn nickel. You said, fuck it, let stop my 376 00:21:43,600 --> 00:21:46,800 Speaker 1: own ship. They weren't playing your videos enough. No no, no, 377 00:21:46,960 --> 00:21:49,359 Speaker 1: that's like you want to bring back MTV style, like 378 00:21:49,400 --> 00:21:52,800 Speaker 1: where we needed music videos. Now I'm gonna be honest 379 00:21:52,800 --> 00:21:57,280 Speaker 1: with y'all, like the story of of me would revote 380 00:21:57,760 --> 00:22:01,920 Speaker 1: was that, you know, MTV really gave me the network. 381 00:22:02,080 --> 00:22:04,280 Speaker 1: You know, there was a time between MTV and v 382 00:22:04,480 --> 00:22:06,760 Speaker 1: H one that you know, I had the number one 383 00:22:06,840 --> 00:22:10,200 Speaker 1: to three. So yeah, yeah, seven. They showed me a 384 00:22:10,280 --> 00:22:12,600 Speaker 1: lot of love. So they taught me the game. And 385 00:22:12,680 --> 00:22:15,520 Speaker 1: so when they started going into like things like Team 386 00:22:15,640 --> 00:22:19,359 Speaker 1: Mom and you know, more reality based thing, which I 387 00:22:19,400 --> 00:22:22,719 Speaker 1: don't knock them for any of it. Yeah, because they 388 00:22:22,800 --> 00:22:25,240 Speaker 1: had got so big, they needed to generate certain ratings. 389 00:22:25,320 --> 00:22:27,879 Speaker 1: If you have a network, you don't generate certain ratings, 390 00:22:27,960 --> 00:22:30,600 Speaker 1: then you know, you get kicked off, you know, and 391 00:22:30,720 --> 00:22:34,639 Speaker 1: so hold on like that I got, I got man. 392 00:22:37,400 --> 00:22:45,680 Speaker 1: Now he ain't even pacing ourselves. Yeah okay, yeah so 393 00:22:45,960 --> 00:22:49,840 Speaker 1: so yeah, So basically MTV when I saw the door open, 394 00:22:49,920 --> 00:22:53,760 Speaker 1: I saw that, you know, after TRL, like you know, 395 00:22:54,040 --> 00:22:57,080 Speaker 1: the platform to support new artists and up and coming 396 00:22:57,200 --> 00:23:00,639 Speaker 1: artists and get people exposure. You know, had that you 397 00:23:00,720 --> 00:23:03,080 Speaker 1: know one or six in park you know, that went off, 398 00:23:03,440 --> 00:23:05,560 Speaker 1: and I was like, you know, we have so many 399 00:23:05,800 --> 00:23:08,600 Speaker 1: so much creativity out here right now, you know, and 400 00:23:08,680 --> 00:23:11,440 Speaker 1: I'm going from this meter we phase and I'm getting 401 00:23:11,480 --> 00:23:13,840 Speaker 1: into my zone of what I'm supposed to be here 402 00:23:14,119 --> 00:23:16,840 Speaker 1: for for the music industry, which is being that platform, 403 00:23:16,960 --> 00:23:20,040 Speaker 1: being a source of information. Make sure that I'm giving back, 404 00:23:20,119 --> 00:23:22,600 Speaker 1: I'm giving knowledge any way that I could help people 405 00:23:22,640 --> 00:23:25,880 Speaker 1: achieve their dreams. That's what Revolt was about. It really 406 00:23:26,000 --> 00:23:27,840 Speaker 1: wasn't a money play for me. It was that we 407 00:23:28,000 --> 00:23:31,000 Speaker 1: had no place to break new artists unless it was 408 00:23:31,040 --> 00:23:33,920 Speaker 1: on YouTube. But it wasn't curated to a point from 409 00:23:34,000 --> 00:23:38,760 Speaker 1: like from from a level of of specialists, you know, 410 00:23:38,920 --> 00:23:41,920 Speaker 1: like almost like like if you see Charles Barkley or 411 00:23:42,160 --> 00:23:45,200 Speaker 1: talking on you know, on the NBA show, you know 412 00:23:45,400 --> 00:23:47,840 Speaker 1: that he has the right to say that. So coming 413 00:23:47,880 --> 00:23:50,280 Speaker 1: from the coming fro, coming from the artist perspective, I 414 00:23:50,320 --> 00:23:52,880 Speaker 1: wanted to build something was for the artists, and that's 415 00:23:52,920 --> 00:23:55,680 Speaker 1: what we've begun. Gotta have a lot of work to do. 416 00:23:56,080 --> 00:23:59,200 Speaker 1: Is definitely the most difficult thing that I've ever taken 417 00:23:59,240 --> 00:24:01,280 Speaker 1: on business where and that's what Drink Champs on the 418 00:24:01,400 --> 00:24:08,280 Speaker 1: vocals leaving you don't because you made you made it 419 00:24:08,480 --> 00:24:13,760 Speaker 1: really like very business savvy transition into getting into this 420 00:24:14,040 --> 00:24:17,520 Speaker 1: lane of the way you communicate with people, and and 421 00:24:17,920 --> 00:24:20,399 Speaker 1: and and sometimes when people see people that know how 422 00:24:20,440 --> 00:24:24,600 Speaker 1: to communicate, they may not understand, like like the the 423 00:24:25,040 --> 00:24:28,760 Speaker 1: the art and that and holding a conversation and being 424 00:24:28,880 --> 00:24:35,040 Speaker 1: able to communicate. And so we had a show on 425 00:24:35,119 --> 00:24:37,439 Speaker 1: Serious x M and if you listen to it, it's 426 00:24:37,520 --> 00:24:39,920 Speaker 1: this it's the same as you know. But and I 427 00:24:40,040 --> 00:24:41,719 Speaker 1: was always trying to find the way that we can 428 00:24:41,800 --> 00:24:45,960 Speaker 1: bring that back. I new what he does. He's uncanny. Yeah, 429 00:24:46,400 --> 00:24:48,040 Speaker 1: you know he's got that. Gonna stop talking about me. 430 00:24:48,080 --> 00:24:50,199 Speaker 1: We gonna pop Daddy in the house. Yeah it make 431 00:24:50,359 --> 00:24:56,159 Speaker 1: no I don't, I don't know, but check it out. 432 00:24:56,200 --> 00:24:58,160 Speaker 1: We all going to talk about you when we celebrate 433 00:24:58,200 --> 00:25:01,360 Speaker 1: both you guys having the number one park. That's that's 434 00:25:01,760 --> 00:25:04,760 Speaker 1: out in the game. You know, I understand being number one, 435 00:25:04,800 --> 00:25:11,680 Speaker 1: So his being number one and not the two. You 436 00:25:11,760 --> 00:25:15,399 Speaker 1: gotta handle that baby now. Now did he that famous 437 00:25:15,400 --> 00:25:18,520 Speaker 1: source of Awards speech where show got up there and 438 00:25:18,600 --> 00:25:22,680 Speaker 1: he said dancing all in the videos and all that? 439 00:25:23,000 --> 00:25:25,719 Speaker 1: Did you you thought that was you immediately or had 440 00:25:25,760 --> 00:25:29,000 Speaker 1: to hit you later? Um, I really couldn't believe it 441 00:25:29,000 --> 00:25:33,800 Speaker 1: because homeboy, me and him was friends. And yeah, yeah, 442 00:25:33,840 --> 00:25:38,200 Speaker 1: he would pick me up from the airport, you know, yeah, yeah, 443 00:25:38,440 --> 00:25:40,199 Speaker 1: I mean, you know, we gotta break some news here. 444 00:25:40,200 --> 00:25:42,560 Speaker 1: He picked me up from the airport. The whole entire thing, 445 00:25:42,680 --> 00:25:46,040 Speaker 1: and so it kind of had me taken back because 446 00:25:46,200 --> 00:25:47,880 Speaker 1: you know, I spoke to him as they were there 447 00:25:47,920 --> 00:25:49,760 Speaker 1: that you know, the way he picked up at the airport, 448 00:25:51,520 --> 00:25:54,119 Speaker 1: like when he was I was. I was the first. 449 00:25:54,359 --> 00:25:56,080 Speaker 1: First of all, I was the first young Nick in 450 00:25:56,119 --> 00:25:58,840 Speaker 1: the game, you know what I'm saying, seventeen and so 451 00:25:59,040 --> 00:26:01,040 Speaker 1: then I was the first young cat coming out here. 452 00:26:01,160 --> 00:26:04,399 Speaker 1: So music Awards, you know what I'm saying, renting the 453 00:26:04,480 --> 00:26:07,920 Speaker 1: fly the fly cars from the African Cats out there, 454 00:26:08,040 --> 00:26:10,840 Speaker 1: so you know, I was really bumping with with with 455 00:26:10,960 --> 00:26:12,600 Speaker 1: the cats out there. I used to have the the 456 00:26:12,920 --> 00:26:15,480 Speaker 1: Sea Low and the crap games, you know, you know 457 00:26:15,640 --> 00:26:17,400 Speaker 1: up in my hotel room. You know what I'm saying. 458 00:26:17,440 --> 00:26:19,439 Speaker 1: That I was from New York. It was giving love 459 00:26:19,520 --> 00:26:22,000 Speaker 1: and I wouldn't know to invite all the different cats 460 00:26:22,080 --> 00:26:24,159 Speaker 1: from the streets and everything. So you know, that's how 461 00:26:24,280 --> 00:26:26,840 Speaker 1: we kind of like met up, stayed in touching the 462 00:26:26,880 --> 00:26:29,520 Speaker 1: whole thing, and you know, I was just networking with 463 00:26:29,640 --> 00:26:31,560 Speaker 1: the brother and he would come pick me up from 464 00:26:31,560 --> 00:26:33,760 Speaker 1: the airport, show me a lot of love. You know, 465 00:26:33,960 --> 00:26:36,200 Speaker 1: I really had thought we would. We were cool, you 466 00:26:36,240 --> 00:26:38,400 Speaker 1: know what I'm saying, cool acquaintances, you know, what I'm saying, 467 00:26:38,440 --> 00:26:42,000 Speaker 1: just being respectful from people coming into other cities and stuff. 468 00:26:42,400 --> 00:26:44,320 Speaker 1: And so when he had said I was like, whoa, 469 00:26:45,160 --> 00:26:47,560 Speaker 1: I definitely feel where that's coming from. I know I 470 00:26:47,680 --> 00:26:53,040 Speaker 1: know that it what are they crazy? I was like wow? 471 00:26:53,200 --> 00:26:54,440 Speaker 1: And I was like, you know, I could blow this 472 00:26:54,560 --> 00:26:59,520 Speaker 1: thing up right now, you know, you know, and you know, 473 00:26:59,640 --> 00:27:02,360 Speaker 1: I just side that. I just felt it was really dangerous. 474 00:27:02,440 --> 00:27:03,920 Speaker 1: You know what I'm saying. The way because the crowd 475 00:27:04,160 --> 00:27:09,840 Speaker 1: was really really really really with me that he said 476 00:27:10,160 --> 00:27:12,080 Speaker 1: said they could have did that yeaheah, they were they 477 00:27:12,119 --> 00:27:15,840 Speaker 1: were just looking for the word or like those something 478 00:27:16,000 --> 00:27:19,960 Speaker 1: up and it's just crazy. And so then you know, 479 00:27:20,640 --> 00:27:22,320 Speaker 1: we went to the tunnel, you know what I'm saying, 480 00:27:22,440 --> 00:27:26,080 Speaker 1: and and and and you know homeboy was in the tunnel, 481 00:27:26,400 --> 00:27:28,639 Speaker 1: you know, and we go and have a conversation this 482 00:27:28,760 --> 00:27:30,440 Speaker 1: time where we run the tunnel. You know, I'm saying, 483 00:27:30,440 --> 00:27:33,000 Speaker 1: the whole bar is mine. Let's not get it twisted. 484 00:27:33,000 --> 00:27:36,120 Speaker 1: You know what I'm saying. I I'm ordering garbage buckets 485 00:27:36,200 --> 00:27:39,680 Speaker 1: of champagne. People are like like little things, garbage buckets, 486 00:27:40,280 --> 00:27:43,040 Speaker 1: you know. Started the bars where I would just stand 487 00:27:43,080 --> 00:27:50,159 Speaker 1: and walk around my feet, wouldn't order a beer at 488 00:27:50,200 --> 00:27:53,520 Speaker 1: the bar as well. So yeah, so so to make 489 00:27:53,600 --> 00:27:56,199 Speaker 1: a long story short, you know, this is where they 490 00:27:56,240 --> 00:27:58,800 Speaker 1: act the parties that of course at the world famous tunnel. 491 00:27:59,160 --> 00:28:00,879 Speaker 1: And so then when I had that, I ran up 492 00:28:00,920 --> 00:28:02,760 Speaker 1: and I asked him and he said, now I'm talking 493 00:28:02,760 --> 00:28:06,920 Speaker 1: about Jermaine dupri And I was just like, yeah. I 494 00:28:07,080 --> 00:28:12,040 Speaker 1: was just like, wait, hold on what Yeah, like y'all 495 00:28:12,080 --> 00:28:15,560 Speaker 1: never heard this. I was just like, you're giving us 496 00:28:15,600 --> 00:28:23,840 Speaker 1: too much. Yeah, we didn't shot right now, I'm telling 497 00:28:23,840 --> 00:28:27,200 Speaker 1: your pertinent information. Yeah, like at the point, it was 498 00:28:27,480 --> 00:28:30,639 Speaker 1: at that point, At that point, I was scared because 499 00:28:30,680 --> 00:28:33,040 Speaker 1: I know that the wolves that was with me, it 500 00:28:33,240 --> 00:28:36,560 Speaker 1: was like realized wolves. And yeah, I got in. I 501 00:28:36,560 --> 00:28:39,240 Speaker 1: didn't I didn't get in to hurt anybody. I just 502 00:28:39,360 --> 00:28:41,640 Speaker 1: wanted to be you know, I'm from home. I don't 503 00:28:41,640 --> 00:28:44,320 Speaker 1: want to know no no violence. I don't want none 504 00:28:44,320 --> 00:28:46,760 Speaker 1: of no danger, none of that ship I'm trying. So 505 00:28:47,040 --> 00:28:50,320 Speaker 1: it was I really put to myself. I put it 506 00:28:50,400 --> 00:28:51,960 Speaker 1: in my head and gave me a reason for my 507 00:28:52,080 --> 00:28:57,080 Speaker 1: ego to walk away. And you know, and you know, 508 00:28:57,280 --> 00:28:59,800 Speaker 1: that's that's the way that story goes from from that night. 509 00:29:00,600 --> 00:29:03,040 Speaker 1: And and it was something that I just wanted. I 510 00:29:03,200 --> 00:29:05,920 Speaker 1: was like, damn, because I knew how much money I 511 00:29:06,080 --> 00:29:09,600 Speaker 1: was getting, you know what I'm saying, And so I 512 00:29:09,800 --> 00:29:13,480 Speaker 1: was just like, it was it was a business decision, 513 00:29:13,560 --> 00:29:15,760 Speaker 1: you know what I'm saying. It was a straight business decision. 514 00:29:15,800 --> 00:29:18,680 Speaker 1: It wasn't being from New York decision. And it was 515 00:29:18,720 --> 00:29:21,320 Speaker 1: a cultural decision because I felt like the power that 516 00:29:21,440 --> 00:29:24,160 Speaker 1: we had was so strong that I could do something 517 00:29:24,240 --> 00:29:27,239 Speaker 1: so negative that it would really kind of mess things up. 518 00:29:27,600 --> 00:29:31,160 Speaker 1: And so I was I was like, he just said, 519 00:29:31,200 --> 00:29:34,280 Speaker 1: it wasn't me, it was Domaine dupri and so you know, 520 00:29:35,280 --> 00:29:39,160 Speaker 1: you know, and yeah, he said that then at that 521 00:29:39,280 --> 00:29:42,440 Speaker 1: moment after yeah, yeah, I mean when I said, when 522 00:29:42,440 --> 00:29:51,760 Speaker 1: I stepped to him, I mean I had step. So 523 00:29:51,840 --> 00:29:56,960 Speaker 1: nobody's that's never been told. Oh I ain't never No, yeah, yeah, yeah, 524 00:29:57,080 --> 00:29:59,360 Speaker 1: it's it's never been told. But it's it's you know, 525 00:29:59,560 --> 00:30:02,400 Speaker 1: it's it's just the truth. So you know, it depends 526 00:30:02,400 --> 00:30:04,320 Speaker 1: on how you ask your line of question and how 527 00:30:04,360 --> 00:30:06,160 Speaker 1: you could get to the root of it, and so 528 00:30:06,360 --> 00:30:08,480 Speaker 1: you know, and when he asked it the line of questions, 529 00:30:09,040 --> 00:30:13,640 Speaker 1: it was honestly the scariest situation of my life because 530 00:30:13,640 --> 00:30:16,000 Speaker 1: of the level the level of power that we had 531 00:30:16,640 --> 00:30:18,400 Speaker 1: that we had and it could have gone really bad. 532 00:30:18,600 --> 00:30:21,280 Speaker 1: Yeah yeah, And you know, it wouldn't have just sucked 533 00:30:21,360 --> 00:30:23,160 Speaker 1: up your ship. It would have sucked up a lot 534 00:30:23,240 --> 00:30:26,040 Speaker 1: of ship. But but that wasn't where my heart was at. 535 00:30:26,280 --> 00:30:28,560 Speaker 1: So you can only where your heart is at, you 536 00:30:28,600 --> 00:30:31,560 Speaker 1: know what I'm saying. If your heart ain't like, uh, 537 00:30:32,000 --> 00:30:33,720 Speaker 1: you know what I'm saying, ain't way my heart was 538 00:30:33,840 --> 00:30:36,160 Speaker 1: like you know, damn there you can't we just all 539 00:30:36,240 --> 00:30:38,440 Speaker 1: get along? What is what are we doing right now? 540 00:30:38,480 --> 00:30:40,640 Speaker 1: We're so also hot right now we're supposed to be 541 00:30:40,720 --> 00:30:43,960 Speaker 1: doing things together and um, you know, but wait but wait, 542 00:30:44,000 --> 00:30:45,680 Speaker 1: but do you think if you would have approached it 543 00:30:46,040 --> 00:30:49,680 Speaker 1: differently in that moment, the chain of events afterwards would 544 00:30:49,680 --> 00:30:55,280 Speaker 1: have changed. Um, I think it would have been worse 545 00:30:55,520 --> 00:30:58,040 Speaker 1: because you know, at the end of the day, you know, 546 00:30:58,240 --> 00:31:00,720 Speaker 1: it was it was It was a it was a 547 00:31:00,800 --> 00:31:03,760 Speaker 1: decision that the city was waiting for me to make. 548 00:31:03,920 --> 00:31:05,720 Speaker 1: You know what I'm saying. They let me know that 549 00:31:05,840 --> 00:31:08,240 Speaker 1: they was with me, and what do you do? What 550 00:31:08,360 --> 00:31:15,400 Speaker 1: am I doing? And you oh my god, I just 551 00:31:15,480 --> 00:31:18,000 Speaker 1: took the ship by myself. I'm like, it's just that 552 00:31:29,120 --> 00:31:31,400 Speaker 1: yeah yeah, yea, yeah, yeah, but just you always have 553 00:31:31,520 --> 00:31:33,600 Speaker 1: to be yourself. You know what I'm saying. Some people 554 00:31:33,640 --> 00:31:35,480 Speaker 1: are gangsters that at the end of the day could 555 00:31:35,520 --> 00:31:37,520 Speaker 1: just turn it up and just be like fuck it. 556 00:31:37,680 --> 00:31:40,080 Speaker 1: And some people have like a level of conscious because 557 00:31:40,120 --> 00:31:43,000 Speaker 1: of their relationship with God. And so me knowing that 558 00:31:43,120 --> 00:31:46,160 Speaker 1: I could do mass instruction, it was it wasn't something 559 00:31:46,280 --> 00:31:49,360 Speaker 1: that that was authentic to me. That wasn't who I was. 560 00:31:49,960 --> 00:31:52,760 Speaker 1: I just wanted everybody to get money, be flying dance. 561 00:31:52,760 --> 00:31:55,160 Speaker 1: You know what I'm saying is had pretty girls smiling 562 00:31:55,240 --> 00:31:58,360 Speaker 1: and you know, everybody getting treated with respect. So my 563 00:31:58,640 --> 00:32:00,760 Speaker 1: my my thing wasn't there. You know what I'm saying, 564 00:32:02,400 --> 00:32:08,760 Speaker 1: Damn Pa, you're giving us some good ship. You know 565 00:32:08,760 --> 00:32:18,400 Speaker 1: what says that my parrot that was let no, oh 566 00:32:18,480 --> 00:32:22,120 Speaker 1: my god, we are. I'm gonna keep thanking you. I'm 567 00:32:22,160 --> 00:32:24,520 Speaker 1: sorry because I'm gonna thankful nigga um the other day 568 00:32:24,600 --> 00:32:28,040 Speaker 1: out here, thank Whack right and Whack called me was like, man, 569 00:32:28,680 --> 00:32:30,720 Speaker 1: you ain't gonna thank me. And I'm just saying I 570 00:32:30,840 --> 00:32:32,440 Speaker 1: was raised with the mother. You know what I'm saying, 571 00:32:32,560 --> 00:32:35,360 Speaker 1: Like my mom's my mom's made me say thank you. 572 00:32:36,040 --> 00:32:39,040 Speaker 1: My mom's maybe hold the door. And that was something 573 00:32:39,120 --> 00:32:41,440 Speaker 1: like again I said I said it earlier. But if 574 00:32:41,520 --> 00:32:44,360 Speaker 1: something that I admired your mom was out there yesterday, 575 00:32:44,600 --> 00:32:46,720 Speaker 1: she had to fly. I don't know. I don't even 576 00:32:46,760 --> 00:32:52,440 Speaker 1: know what. You know what I'm saying that was some 577 00:32:52,560 --> 00:32:54,840 Speaker 1: flies you brought me like five. I just win them 578 00:32:54,840 --> 00:32:57,680 Speaker 1: all over the globe. I ain't gonna lie drink mad 579 00:32:57,760 --> 00:33:01,760 Speaker 1: of your pano guigia. Do I owe you money? No? No, not. Everybody. 580 00:33:01,840 --> 00:33:04,080 Speaker 1: Everybody eats around me. I got like a restaurant in 581 00:33:04,120 --> 00:33:06,680 Speaker 1: the crept. Everybody eats around me. And I don't say 582 00:33:06,680 --> 00:33:08,920 Speaker 1: any of that stuff to be bragging. Does I say 583 00:33:08,960 --> 00:33:10,920 Speaker 1: that to inspite the real one? You know what I'm saying. 584 00:33:10,920 --> 00:33:13,320 Speaker 1: The real ones when they hear that talk, they get 585 00:33:13,440 --> 00:33:15,880 Speaker 1: right at it. They hit them books, they get focused. 586 00:33:16,200 --> 00:33:19,239 Speaker 1: They taking care of their minds, their bodies, and they 587 00:33:19,320 --> 00:33:22,240 Speaker 1: sold their spirituality. You know. The other ones that don't 588 00:33:22,320 --> 00:33:24,400 Speaker 1: understand it. You know it's not for them. I don't 589 00:33:24,400 --> 00:33:27,960 Speaker 1: represent the represent the ten percent or the real ones 590 00:33:28,000 --> 00:33:29,800 Speaker 1: that's out there. They get in and make a difference. 591 00:33:30,120 --> 00:33:34,760 Speaker 1: Right now. Um so when you're around me, everybody eats. No, 592 00:33:34,920 --> 00:33:36,560 Speaker 1: I love that. I love that about you. You know. 593 00:33:36,680 --> 00:33:39,280 Speaker 1: You know one of the another things I wanna point 594 00:33:39,320 --> 00:33:41,840 Speaker 1: out in the maya about you is when I every 595 00:33:41,880 --> 00:33:44,800 Speaker 1: time I see d Rock, when I see d Rock, 596 00:33:44,920 --> 00:33:48,200 Speaker 1: I'll be like, damn, because you don't You didn't have 597 00:33:48,320 --> 00:33:50,640 Speaker 1: to do that. And that was biggie right here, man. 598 00:33:51,160 --> 00:33:55,800 Speaker 1: You keep them around as a street nigga. We respect that. Yeah, yeah, 599 00:33:55,880 --> 00:33:58,720 Speaker 1: I mean everybody that was around me, you know, just 600 00:33:59,360 --> 00:34:02,200 Speaker 1: throughout the time, and this really rolled with me, like 601 00:34:02,360 --> 00:34:05,920 Speaker 1: like they straight for life. We life is together and 602 00:34:06,400 --> 00:34:09,360 Speaker 1: you know, and that's what it is because it was 603 00:34:09,400 --> 00:34:13,360 Speaker 1: a lot of like crazy times and you know, it 604 00:34:13,480 --> 00:34:16,359 Speaker 1: was a lot of real things that those brothers did, 605 00:34:16,560 --> 00:34:18,759 Speaker 1: like anybody in my crew as legends. You know what 606 00:34:18,760 --> 00:34:21,400 Speaker 1: I'm saying, stand up legends. You can look at you 607 00:34:21,560 --> 00:34:24,840 Speaker 1: look at the resume and just what I'm saying, what 608 00:34:26,520 --> 00:34:29,400 Speaker 1: you can really do a do a DNA tests on 609 00:34:29,560 --> 00:34:32,000 Speaker 1: that and that thing is gonna come back really really, 610 00:34:32,080 --> 00:34:38,320 Speaker 1: really official. Believe that now? Did he? We just signed 611 00:34:38,400 --> 00:34:42,320 Speaker 1: to you. Yes, we are fucking with you, Revote, We 612 00:34:42,440 --> 00:34:46,840 Speaker 1: are rolling with you, but you're not exempt from the 613 00:34:47,000 --> 00:34:54,040 Speaker 1: questioning them. Now. I'm not losing nobody know what I'm saying, yo, 614 00:34:54,480 --> 00:34:58,960 Speaker 1: But look, I'm about to do a twist. Does j 615 00:34:59,120 --> 00:35:02,400 Speaker 1: Lo farts my like strawberries. This is definitely a twist, 616 00:35:03,920 --> 00:35:07,279 Speaker 1: twisted to keep it real. Just keep it real. She 617 00:35:07,440 --> 00:35:11,040 Speaker 1: never farted around me. Damn three years. She never farted 618 00:35:11,080 --> 00:35:14,480 Speaker 1: around me. Yo yo, yo yo. She's she's a very 619 00:35:14,719 --> 00:35:18,960 Speaker 1: very very focused, intelligent small Did you have a schedule 620 00:35:19,120 --> 00:35:22,160 Speaker 1: to eat out at like what like Mondays at eight 621 00:35:24,400 --> 00:35:29,239 Speaker 1: Wednesdays at seven? Yeah? No, no, no, nasty nigger. Let's 622 00:35:29,320 --> 00:35:31,239 Speaker 1: keep it real. H yeah. Yeah yeah, but but you know, 623 00:35:31,880 --> 00:35:33,880 Speaker 1: you know, you know, you know what I don't do. 624 00:35:34,000 --> 00:35:36,520 Speaker 1: I don't, I don't. I just don't kiss and tell 625 00:35:36,640 --> 00:35:39,520 Speaker 1: you know what I'm saying. You just it's just it's 626 00:35:39,600 --> 00:35:41,239 Speaker 1: just at the end of the day, my respect for 627 00:35:41,320 --> 00:35:45,320 Speaker 1: women and um, you know I respect. Yeah. It just 628 00:35:45,480 --> 00:35:49,959 Speaker 1: gotta yeah, yeah, yeah, jaw yeah, I got you. Gotta 629 00:35:50,000 --> 00:35:51,839 Speaker 1: ask you gotta. You just said it. You just said 630 00:35:51,880 --> 00:35:53,880 Speaker 1: that you got the track. We get it. Yeah, but 631 00:35:54,000 --> 00:35:56,279 Speaker 1: we know it's coming and we believe in you. I'm 632 00:35:56,440 --> 00:36:03,240 Speaker 1: checking the but but but come on, I'm sorry because 633 00:36:03,239 --> 00:36:05,880 Speaker 1: the question is a little crazy. Okay, No, no asked me, 634 00:36:06,160 --> 00:36:10,120 Speaker 1: asked me. I like you a little bit right now, 635 00:36:13,120 --> 00:36:16,160 Speaker 1: My bad nigga just hit me with the text. I 636 00:36:16,280 --> 00:36:19,960 Speaker 1: just got it. I did not know. Yeah, no no 637 00:36:20,080 --> 00:36:21,719 Speaker 1: no no no no no no no no no no 638 00:36:21,960 --> 00:36:24,759 Speaker 1: no no no, yea, yeah, anything, I'm gonna say, it's real, 639 00:36:24,920 --> 00:36:28,200 Speaker 1: like you know, you know my my woman now is 640 00:36:28,600 --> 00:36:31,120 Speaker 1: you know that's my woman, that's my number one woman. 641 00:36:31,200 --> 00:36:34,239 Speaker 1: That's what it is. That's my queen. And you know 642 00:36:34,360 --> 00:36:36,520 Speaker 1: I'm never gonna be answering the question like you know, 643 00:36:37,080 --> 00:36:40,040 Speaker 1: that's gonna be disrespecting. No, no, no, but I asked 644 00:36:40,080 --> 00:36:42,839 Speaker 1: you a question though I'm saying, she mean the shot. 645 00:36:44,000 --> 00:36:47,040 Speaker 1: Cassie is a big guy. Little you don't tell me 646 00:36:47,080 --> 00:36:55,919 Speaker 1: that I didn't know. I'm so sorry, Cassie. It's yeah, yeah, 647 00:36:57,960 --> 00:37:04,359 Speaker 1: I'm so sorry, Cassie. Little back the record about my wife. 648 00:37:04,400 --> 00:37:08,719 Speaker 1: She's a record about my wife on my mixtape. You 649 00:37:08,880 --> 00:37:11,120 Speaker 1: clearly because that's how rich you are, that's how you are. 650 00:37:11,160 --> 00:37:25,200 Speaker 1: You remember, I stop. You know I'm a pro yea, yeah, 651 00:37:25,200 --> 00:37:27,600 Speaker 1: I'm a product of special education. You remember I didn't 652 00:37:27,600 --> 00:37:30,040 Speaker 1: get the get the microp there. That was hard. I'm 653 00:37:30,080 --> 00:37:33,279 Speaker 1: so sorry. I did not know. I did not know 654 00:37:34,200 --> 00:37:36,360 Speaker 1: she did a mom baby girl. That has this sounds, 655 00:37:36,400 --> 00:37:41,920 Speaker 1: but yeah, I damn my father to you gotta do 656 00:37:41,960 --> 00:37:44,120 Speaker 1: another one because I father a new left. I know 657 00:37:44,200 --> 00:37:47,200 Speaker 1: how makeup artists at least thirty thousand and a stylus. 658 00:37:47,239 --> 00:37:50,160 Speaker 1: So let's bury Surry and Spencing. No, we would have 659 00:37:50,400 --> 00:37:52,359 Speaker 1: a video in your crib brow it up because gave 660 00:37:52,400 --> 00:37:55,360 Speaker 1: me the crib. Now it's not crazy like that. I 661 00:37:55,400 --> 00:37:57,000 Speaker 1: can do ship like that. Now, I can just tell 662 00:37:57,040 --> 00:38:05,320 Speaker 1: you the crib. Just the crip right now, gotta w 663 00:38:06,880 --> 00:38:09,480 Speaker 1: I know we're drinking. We all over the place. One 664 00:38:09,520 --> 00:38:14,439 Speaker 1: of the first things I did. Have another shot, Yeah, 665 00:38:14,840 --> 00:38:19,399 Speaker 1: have another shot, another shot, Yeah, yeah, both of you goes. 666 00:38:21,239 --> 00:38:23,880 Speaker 1: We ain't gonna do the chilled ones though it chilled. 667 00:38:23,920 --> 00:38:32,839 Speaker 1: I'm sorry. I know. We need to get Mario man Colombia. 668 00:38:33,160 --> 00:38:36,920 Speaker 1: Which was what's her name? You know, what's wife's name? 669 00:38:38,640 --> 00:38:44,600 Speaker 1: What's your wife's name? She's over there, Mary, Mary, Mary, 670 00:38:44,800 --> 00:38:48,520 Speaker 1: Mary and Nori. Now you never come over here, Nevery, 671 00:38:48,680 --> 00:38:51,479 Speaker 1: come over here. I'm gonna ask the question that needs 672 00:38:51,520 --> 00:38:55,279 Speaker 1: to just be asked about. You know, this, this great king. 673 00:38:56,080 --> 00:38:58,880 Speaker 1: How is it to be married to this man with 674 00:38:59,040 --> 00:39:02,120 Speaker 1: so much charism, uh, and so much life and so 675 00:39:02,320 --> 00:39:10,399 Speaker 1: much you know, you know, much, so much resilience there Um, 676 00:39:11,000 --> 00:39:16,000 Speaker 1: it's like being married to me myself and Irene. So 677 00:39:16,320 --> 00:39:19,480 Speaker 1: you know, check this out. At the end of the day, 678 00:39:19,480 --> 00:39:21,839 Speaker 1: you see in the real You know, if you come 679 00:39:21,880 --> 00:39:25,000 Speaker 1: on this show, we're gonna you have to be I 680 00:39:25,080 --> 00:39:27,319 Speaker 1: can't believe you. You gotta be prepared. They're gonna ask 681 00:39:27,400 --> 00:39:30,680 Speaker 1: some questions that are not even meant to be disrespectful, 682 00:39:30,719 --> 00:39:32,920 Speaker 1: but that's the show. They're going to ask the questions 683 00:39:32,960 --> 00:39:34,800 Speaker 1: and say the things that the people want to know. 684 00:39:35,200 --> 00:39:36,919 Speaker 1: And the people are saying. You know what I'm saying. 685 00:39:37,320 --> 00:39:42,520 Speaker 1: This is one of the craziest realist, motherfucking eccentric interviews 686 00:39:42,520 --> 00:39:44,080 Speaker 1: I've ever done. And I want to thank you all 687 00:39:44,120 --> 00:39:48,719 Speaker 1: forgiving me. You can't go to with right now ask 688 00:39:48,760 --> 00:39:53,000 Speaker 1: you this big as a person that knows you, right, 689 00:39:54,360 --> 00:39:57,040 Speaker 1: it seems like you started only having fun again when 690 00:39:57,040 --> 00:39:59,560 Speaker 1: you started hanging back out with French Montana and my 691 00:39:59,719 --> 00:40:04,000 Speaker 1: act it. Oh my, you're truly accurate accurate yo, yo, 692 00:40:05,160 --> 00:40:14,480 Speaker 1: huh huh, accurate accurate. You don't know. I'm gonna tell 693 00:40:14,480 --> 00:40:18,360 Speaker 1: you this. French Montana as an angel, um. You know, 694 00:40:18,440 --> 00:40:21,360 Speaker 1: when God brought him into my life. You're talking with 695 00:40:21,480 --> 00:40:26,680 Speaker 1: somebody that's like pure. He's not even in a negative 696 00:40:26,840 --> 00:40:29,960 Speaker 1: zone and space even anything like. He just knocks it 697 00:40:30,040 --> 00:40:34,640 Speaker 1: away from him, and he's taught me so much and 698 00:40:34,719 --> 00:40:38,200 Speaker 1: been such a great friend. And he made me smile. 699 00:40:38,480 --> 00:40:41,560 Speaker 1: He made me start smiling. I felt like after big, 700 00:40:41,800 --> 00:40:46,880 Speaker 1: like because I knew you since like seven and and 701 00:40:47,239 --> 00:40:50,600 Speaker 1: I felt like you your smile wasn't Yeah, it was 702 00:40:50,640 --> 00:40:53,040 Speaker 1: getting kind of faith what I'm saying, because I had 703 00:40:53,120 --> 00:40:54,919 Speaker 1: lost a lot of my spirit. You know what I'm saying. 704 00:40:55,440 --> 00:40:59,800 Speaker 1: You think I'm accurate, absolutely pup accurate. You're making me 705 00:40:59,880 --> 00:41:04,800 Speaker 1: a real journalists right now, stop you quit now answer 706 00:41:05,960 --> 00:41:08,239 Speaker 1: in Delhi on to you for real. We want to 707 00:41:08,320 --> 00:41:10,480 Speaker 1: thank you all for coming, and I really want to 708 00:41:10,520 --> 00:41:13,920 Speaker 1: congratulate these brothers. I came here to get really really 709 00:41:14,040 --> 00:41:17,840 Speaker 1: really really really funked up in the responsible Thank you 710 00:41:18,400 --> 00:41:23,440 Speaker 1: came here to just be vulnerable and share people with 711 00:41:23,560 --> 00:41:27,480 Speaker 1: people that I trust in a comedic way and entertaining 712 00:41:27,600 --> 00:41:29,880 Speaker 1: way and a way for the people that support us 713 00:41:30,120 --> 00:41:33,040 Speaker 1: and never see us vulnerable because we act too cool. 714 00:41:36,400 --> 00:41:43,480 Speaker 1: We understand. Thank you very much. We understand its. So 715 00:41:43,640 --> 00:41:48,320 Speaker 1: congratulations Sank my brothers, and you know anything that we 716 00:41:48,400 --> 00:41:53,040 Speaker 1: said that was inappropriate, fuck it, keep it. Dream Champs 717 00:41:53,320 --> 00:41:55,640 Speaker 1: right here on a vote in the number one podcast 718 00:41:55,719 --> 00:42:01,719 Speaker 1: in the motherfucking world. That's so sorry, says Do we 719 00:42:01,800 --> 00:42:08,080 Speaker 1: get a T shirt? Get get your wife se and 720 00:42:08,120 --> 00:42:12,680 Speaker 1: I'm gonna be honest. Um the Miami. Yeah you got 721 00:42:12,800 --> 00:42:14,759 Speaker 1: a trophy. You know what we get? Need to ask 722 00:42:14,840 --> 00:42:31,520 Speaker 1: you to the year right because you make say vodka? 723 00:42:32,040 --> 00:43:15,520 Speaker 1: What oh your drink? That's that is super straces. He's 724 00:43:15,560 --> 00:43:19,680 Speaker 1: got the salad. Let's go, let's go. I'll tell you 725 00:43:19,760 --> 00:43:32,279 Speaker 1: what I'm good be. Don't we all drink off? I'm 726 00:43:32,360 --> 00:43:59,560 Speaker 1: drinking from the cough. Let go back. Hey your hats 727 00:43:59,600 --> 00:44:01,640 Speaker 1: hold up a second while everybody you know they could 728 00:44:01,719 --> 00:44:04,520 Speaker 1: check us at drink champs dot com. Follow us at 729 00:44:04,600 --> 00:44:08,839 Speaker 1: Drink Champs on Twitter, Instagram, and Facebook. Check Noriata at 730 00:44:08,880 --> 00:44:12,360 Speaker 1: the Real Norieg on Instagram, at Norieg on Twitter and 731 00:44:12,480 --> 00:44:15,120 Speaker 1: New Year Nori on Snapchat. You can check me d 732 00:44:15,280 --> 00:44:18,239 Speaker 1: j e f n at at Who's Crazy Instagram at 733 00:44:18,360 --> 00:44:21,080 Speaker 1: d j e f n on Twitter at Who's Crazy 734 00:44:21,160 --> 00:44:24,600 Speaker 1: on Snapchat. Make sure you follow the team. Our visual 735 00:44:24,719 --> 00:44:28,920 Speaker 1: media manager Rich Blanco at Rich Underscore Blanco on Instagram 736 00:44:29,000 --> 00:44:31,719 Speaker 1: and Twitter. Our engineer has It as Sounds at has 737 00:44:31,760 --> 00:44:34,960 Speaker 1: It Its Sounds on Instagram and Twitter. Our photographer Big 738 00:44:35,080 --> 00:44:38,840 Speaker 1: Drain at Drain on Instagram and at Big Drain on Twitter. 739 00:44:39,239 --> 00:44:43,560 Speaker 1: Are graphic artists a k z at Akz on Instagram 740 00:44:43,680 --> 00:44:46,719 Speaker 1: and Twitter. Also shout out the whole CBS play dot 741 00:44:46,800 --> 00:44:49,640 Speaker 1: It team. Follow them at at play it on Twitter 742 00:44:50,040 --> 00:44:52,160 Speaker 1: and make sure you grab yourself some Drink Champs shirts, 743 00:44:52,480 --> 00:44:55,000 Speaker 1: shot glasses and cups and all that merch at drink 744 00:44:55,080 --> 00:44:57,680 Speaker 1: Champs dot com or check our homies at eight nine 745 00:44:57,760 --> 00:45:00,480 Speaker 1: dot com. Head over to iTunes and pick up the 746 00:45:00,520 --> 00:45:03,440 Speaker 1: singles for the Win Moguls and Petty, as well as 747 00:45:03,480 --> 00:45:06,800 Speaker 1: a Drunk Uncle project from Nori. Also, my album Another 748 00:45:06,880 --> 00:45:10,080 Speaker 1: Time is out now available on iTunes, Spotify, Google Play 749 00:45:10,200 --> 00:45:13,560 Speaker 1: or physicals at crazyhood dot com. Check hasard as Sounds 750 00:45:13,600 --> 00:45:16,240 Speaker 1: projects Save the Culture and you can check that hasard 751 00:45:16,280 --> 00:45:19,520 Speaker 1: its sounds dot com or check it on all digital platforms. 752 00:45:19,960 --> 00:45:22,560 Speaker 1: Also look out for Nori's cooking show coming very soon 753 00:45:22,920 --> 00:45:25,480 Speaker 1: and my Coming Home Vietnam film which you can see 754 00:45:25,480 --> 00:45:28,600 Speaker 1: the previous films about Haiti, Cuba and Peru currently on 755 00:45:28,719 --> 00:45:31,960 Speaker 1: Revolt TV. Shout out the whole dream Chats Army. We 756 00:45:32,120 --> 00:45:34,439 Speaker 1: really appreciate your support and we out of here.