WEBVTT - From the Vault: Jenny Greenteeth

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<v Speaker 1>Hey, welcome to Stuff to Blow your mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and it's Saturday.

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<v Speaker 1>But it's a Saturday in October. So not only are

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<v Speaker 1>we going into the dark of the Vault today, it

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<v Speaker 1>seems that we're going to be waiting into a pool

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<v Speaker 1>full of green scum. This is gonna be our episode

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<v Speaker 1>about Jenny Green Teeth. This was one of my favorites, Robert, Yeah,

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<v Speaker 1>this one is a lot of fun, Old Jenny Green Teeth,

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<v Speaker 1>Old Nelly long Arms, Peg Powler the grind below all

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<v Speaker 1>that this originally published on October two. We got a

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<v Speaker 1>lot of good listener mail about this one. So if

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<v Speaker 1>you enjoyed this Vault episode and you want to hear

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<v Speaker 1>more here people doing doing feedback about Jenny green Teeth,

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<v Speaker 1>go check out whatever was our listener mail episode following

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<v Speaker 1>this when this episode originally aired. With respect to Jenny

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<v Speaker 1>Green Teeth, well, do I remember in childhood stays and

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<v Speaker 1>isolated Gordon Farmstead with a yeoman's house dating back to

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<v Speaker 1>the early part of the seventeenth century, almost overshading. It

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<v Speaker 1>was a somber old yew tree, doubtless coeval, but then

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<v Speaker 1>beginning to decay. The end was being hastened by the

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<v Speaker 1>annual Yule tide custom of lopping off the branches in

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<v Speaker 1>order to decorate the tiny leaden casemented windows than existing

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<v Speaker 1>in the house, and also in a chapel hard by

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<v Speaker 1>the green of a neighboring village. Lying at some depth

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<v Speaker 1>beneath the grassy hillock on which the fine old tree

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<v Speaker 1>had so long stood sentinel was a deep dismal pool

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<v Speaker 1>which had sometimes been excavated as a marl pit. Of course,

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<v Speaker 1>little lads and lasses, with no other playmates than themselves,

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<v Speaker 1>would now and then, when other pastimes had been run through,

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<v Speaker 1>amused themselves by sailing mimic flats and boats in order

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<v Speaker 1>to deter them from approaching so dangerous a spot. When

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<v Speaker 1>caught upon the steps leading down to the lading hole,

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<v Speaker 1>an anxious mother would affirm solemnly, as we then thought

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<v Speaker 1>that jinny green teeth was artfully lurking in the waters below.

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<v Speaker 1>Proof of the story was afforded to our unsophisticated minds

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<v Speaker 1>by the exhibition of a set of human teeth enameled

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<v Speaker 1>with green tartar. These were said to bear only a

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<v Speaker 1>faint resemblance to those of the demonus below, who, with

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<v Speaker 1>her long, sinewy arms, first drew children in and then

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<v Speaker 1>devoured them. Welcome to Stuff to Blow your Mind from

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<v Speaker 1>how Stuffworks dot Com. Hey, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb, and I'm Joe

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<v Speaker 1>McCormick and Robert. I'm so excited. It's October. Yes, we

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<v Speaker 1>are into our our October offerings. Here a full month

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<v Speaker 1>of of Halloween flavored content, monster science, a whole month.

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<v Speaker 1>It's it's the most wonderful time of the year. And

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<v Speaker 1>I think I say that every year it is. Now. Granted,

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<v Speaker 1>we do let a few other monsters, uh, you know,

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<v Speaker 1>leak out and crawl out during the rest of the year,

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<v Speaker 1>but but we do set aside a number of different

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<v Speaker 1>topics just for this month's celebration. So that passage that

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<v Speaker 1>I read at the beginning of the episode was from

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<v Speaker 1>a letter by a folklorist named John Higson, English folklorist

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<v Speaker 1>from Lee's who chronicles stories of fairies and Boggart's uh.

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<v Speaker 1>And it was published in Notes and Queries, a medium

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<v Speaker 1>of intercommunication for literary men, general readers, et cetera, from

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<v Speaker 1>Oxford University Press in eighteen seventy, and I'm going to

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<v Speaker 1>be quoting a little bit more from Higson's work, but

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<v Speaker 1>as you may have detected from that passage, today we're

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<v Speaker 1>going to be focusing on a particular malicious water spirit,

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<v Speaker 1>a sodden hag, a faery of the depths named Jenny

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<v Speaker 1>green Teeth, who will pull you in. Yes, to invoke

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<v Speaker 1>one of my favorite ClickHole videos. If you don't follow

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<v Speaker 1>the rules, Jenny Green Teeth will kill you with their

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<v Speaker 1>sharp things. And I love knowing that. Now there are

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<v Speaker 1>a couple of ways that you could classify Jinny Green Teeth,

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<v Speaker 1>like what categories she goes in. I guess one would

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<v Speaker 1>be to say that she's part of this this class

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<v Speaker 1>of bogies, and Boggert's and Higgson's term fair and frightful things,

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<v Speaker 1>the sort of English or or UK tradition of frightful spirits, Yes,

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<v Speaker 1>and nursery bogies. Uh, that's certainly the term that folkloris

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<v Speaker 1>Carol Rose uses in her her encyclopedias of various magical creatures,

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<v Speaker 1>including giants, monsters, and dragons. I think the nursery bogie

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<v Speaker 1>categorization was applied by the folkloris Catherine Briggs, who does

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<v Speaker 1>a lot on English fairies and the nursery bogie. Bogie

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<v Speaker 1>specifically were bogies that were invoked to frighten children, often

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<v Speaker 1>with an instructive angle, and it seems like they wouldn't

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<v Speaker 1>usually have much in the way of real mythic roots

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<v Speaker 1>beyond their role, as you know, an educational and instructional entity.

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<v Speaker 1>But on the other hand that they very much could

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<v Speaker 1>have roots, they could have inspirations because uh, water hags

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<v Speaker 1>like Jenny green Teeth, they're not unique to the British isles.

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<v Speaker 1>They're not unique to Jenny green Teeth especially, we will

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<v Speaker 1>discuss seems to be situated in like northern England, especially

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<v Speaker 1>Northwest England around Liverpool in Lancashire. Yeah, and we'll will

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<v Speaker 1>reference a few of her ken that live in the area,

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<v Speaker 1>as well as some of her more distant relatives that

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<v Speaker 1>live elsewhere. But it does make I kept wondering as

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<v Speaker 1>I was looking at these different examples, some of which

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<v Speaker 1>that were very much just a folklore nursery bogie and

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<v Speaker 1>others that had more of a mythic air about them.

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<v Speaker 1>You wonder, like, to what extent is a particular nursery

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<v Speaker 1>bogie a stripped down version of some older, deeper mythological creature.

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<v Speaker 1>Or is it something entirely new or mostly new? I

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<v Speaker 1>feel like it's probably a a little bit of both.

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<v Speaker 1>There's probably an ebb and flow uh that can be

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<v Speaker 1>found there. If the nursery bogie is a horrific schoolhouse

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<v Speaker 1>rock video, is it inspired by something horrific from the past,

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<v Speaker 1>that is having that is being somewhat tamed or bent

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<v Speaker 1>to the will of the warning instructive parent. Indeed, indeed,

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<v Speaker 1>so let's let's go back to Carol Rose. What what

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<v Speaker 1>does Rose have to say about old Jenny? Alright? So

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<v Speaker 1>Rose wrote that Jenny grin teeth is an evil quote

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<v Speaker 1>predator of humans and in particular awaits the unwary child

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<v Speaker 1>who may go too close to the water. So you

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<v Speaker 1>get too close and she'll come at you with her

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<v Speaker 1>long green things. Then she'll pull you into the depths,

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<v Speaker 1>and she can haunt virtually any pond that's covered in

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<v Speaker 1>green slime. And again, she's, of course a nursery bogi um,

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<v Speaker 1>a monster used to instruct children and enforce a wide

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<v Speaker 1>variety of rules. For example, another bogey that that exists

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<v Speaker 1>out there is the red legged scissor man. Uh. And

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<v Speaker 1>there's a delightful grotesque rhyme about the red legged says man.

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<v Speaker 1>And essentially, if you suck your thumb um, the red

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<v Speaker 1>legged scissor man will come and cut off your thumbs,

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<v Speaker 1>which is terrifying. But you see, it's very much just

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<v Speaker 1>a monster that's made up to scare children out of

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<v Speaker 1>doing something they're not supposed to do. But then with

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<v Speaker 1>Jenny Green teeth, the steaks are much higher. This isn't

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<v Speaker 1>about prevention preventing uh, you know, thumb sucking. This is

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<v Speaker 1>about preventing a child from wandering too close to the water,

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<v Speaker 1>falling in and drowning. Now, as we go through the episode,

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<v Speaker 1>I think we will steadily learn more and more about

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<v Speaker 1>exactly what that water threat is. Or sometimes Jenny is

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<v Speaker 1>deployed in ways that have nothing to do with water,

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<v Speaker 1>though clearly her home is in the water. She she

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<v Speaker 1>is a water faery, a water hag. Yeah. I can't

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<v Speaker 1>help but think of what is it Meg muckle Bones

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<v Speaker 1>from the Riddley Scott a filmed legend Exactly. I think

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<v Speaker 1>Meg muchacle Bones is directly inspired by Jenny. She she's

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<v Speaker 1>got to be Yeah, just the grotesque hag like monstrosity,

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<v Speaker 1>this troll like creature of this loathsome entity that rises

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<v Speaker 1>up out of the swampy muck. Now I want to

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<v Speaker 1>continue with what Higson wrote which was published in in

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<v Speaker 1>that Notes and Queries in eighteen seventy, where he's talking

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<v Speaker 1>about the role of Jenny Green Teeth in in English folklore.

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<v Speaker 1>Picking up where my first quote left off, he says

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<v Speaker 1>that some of the pits in the locality, and this

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<v Speaker 1>is generally gonna be talking about Northwest England, in the

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<v Speaker 1>locality were likely patronized by a Jenny Green Teeth. And

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<v Speaker 1>in my Gorton Historical Recorder, published in eighteen fifty two,

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<v Speaker 1>there are briefly noticed a dozen places in the township

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<v Speaker 1>once supposed to be haunted with Boggarts and fair and

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<v Speaker 1>in addition there were nut NaN's clap cans, Wills with

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<v Speaker 1>the whisp, oh yeah and Will of the whisps, Buddy

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<v Speaker 1>Jack with the lantern lantern or Lanthorne it seems to

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<v Speaker 1>be spelled and peg with the iron teeth. And lastly,

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<v Speaker 1>which is more to the point, he says quote, to

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<v Speaker 1>restrain their children from venturing too near the numerous pits

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<v Speaker 1>and pools which were to be found in every fold

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<v Speaker 1>and field. A demonus or guardian was stated to crouch

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<v Speaker 1>at the bottom. She was known as Jenny Green Teeth,

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<v Speaker 1>and was reported to prey upon children who ventured too

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<v Speaker 1>near her domain. Sometimes the water demonus was termed grind Low.

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<v Speaker 1>This incarnation, of course, might be more familiar to fans

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<v Speaker 1>of Harry Potter. Oh do they invoke Grendil or the

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<v Speaker 1>grindy Low as I've seen it written? Yeah, Rowling mentions

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<v Speaker 1>grindy Lows. I don't really remember exactly how I think

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<v Speaker 1>they are water dwelling monsters, but that's all I recall.

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<v Speaker 1>I like to maybe think that the grind Low is

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<v Speaker 1>the species and Jenny as the individual. Oh I like that. Yeah,

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<v Speaker 1>Jenny is one particular grindy Low. Though, as many authors

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<v Speaker 1>point out, if there's just one Jenny, she really gets around, right,

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<v Speaker 1>because she's in every stagnant pool and marl pit filled

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<v Speaker 1>in with water, and every dangerous pit of any kind

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<v Speaker 1>in Northwest England. Well, I mean, on one hand, it

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<v Speaker 1>makes sense that if you've just about any loathsome pool

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<v Speaker 1>in in England, if you've go back far enough in time,

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<v Speaker 1>you'll probably encounter some sort of horrific tragedy. One thing

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<v Speaker 1>I like about Jenny green Teeth is that, for some

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<v Speaker 1>reason her name actually sounds scary to me, whereas many

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<v Speaker 1>of these Boggers and fair End and stuff, they their

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<v Speaker 1>names are funny. Unfortunately something has been lost over time. Uh,

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<v Speaker 1>and so you get like Boum Rapid and the Grizzlehurst

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<v Speaker 1>Boggert and cleg Hoboggert and stuff. Well, it's it's it's interesting.

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<v Speaker 1>You have to wonder were they given fun names intentionally

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<v Speaker 1>or was the or was the the fun name terrifying

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<v Speaker 1>within contexts? For instance, take Pennywise the clown. It's a

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<v Speaker 1>pretty sinister sounding name if you have decades of familiarity

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<v Speaker 1>with Stephen King's it. But was the name initially sinister

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<v Speaker 1>or was it initially just a ridiculous sounding clown name.

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<v Speaker 1>That's a very good point. You know. This will actually

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<v Speaker 1>go with something that we're going to talk about in

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<v Speaker 1>a minute. There's a paper I read by a folklorist

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<v Speaker 1>and sort of like folk song researcher named Annie Gilchrist.

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<v Speaker 1>Two chronicles these horrific children's songs of like early twentieth

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<v Speaker 1>century England, and they're all about like murder and cannibalism

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<v Speaker 1>and infanticide and family members eating each other and all

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<v Speaker 1>that stuff. But they're set to these like happy little

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<v Speaker 1>nursery rhyme tunes. I guess that makes them more creepy,

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<v Speaker 1>more creepy, but also more memorable. I guess maybe it

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<v Speaker 1>helps in in relaying the content to young minds. To

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<v Speaker 1>explore Jenny a little bit more. Through Higson's letter, I

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<v Speaker 1>want to read another passage he writes quote. A clerical

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<v Speaker 1>friend whose juvenile years were spent in the vicinity of Stockport, Cheshire,

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<v Speaker 1>states that he remembers being threatened more than once with

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<v Speaker 1>Jenny Green Teeth, but in that case, probably as there

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<v Speaker 1>was no pond near the house, she was said to

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<v Speaker 1>perch in the tops of the trees at least after nightfall,

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<v Speaker 1>his young imagination having been wrought up to the proper pitch,

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<v Speaker 1>he was led into the garden and bade to listen

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<v Speaker 1>to the site of the night wind through the branches,

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<v Speaker 1>and then told it was the moaning of Jenny Green Teeth.

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<v Speaker 1>It may be just then disturbed with the nightmare. Another

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<v Speaker 1>clergyman born in Walton Ladale informs me that he remembers

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<v Speaker 1>an old pit, since filled up but then existing in

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<v Speaker 1>his native village and in which it was affirmed, lived

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<v Speaker 1>Jenny green Teeth, ever on the watch, and therefore woe

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<v Speaker 1>betided the urchin who ventured too near her domain. Jenny

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<v Speaker 1>was also known in Manchester. Some fifty years ago, says

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<v Speaker 1>an antiquarian friend, shooters Brook passes in a culvert under

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<v Speaker 1>the aqueduct which carries the Manchester and Ashton under Lynn

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<v Speaker 1>Canal over Shore Street near the London road Station. At

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<v Speaker 1>that period, there existed an opening or break left in

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<v Speaker 1>the culvert, forming a dangerous spot for children to play beside,

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<v Speaker 1>and yet they often selected it. Their mothers tried to

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<v Speaker 1>destroy the fascination by stating that Jenny Green Teeth laid

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<v Speaker 1>in wait at the bottom in order to nab children

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<v Speaker 1>playing there, and highlights something that I think will come

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<v Speaker 1>back to throughout the episode, which is that it's interesting

0:13:04.880 --> 0:13:09.200
<v Speaker 1>that children are drawn specifically, it is said, to these

0:13:09.280 --> 0:13:13.000
<v Speaker 1>dangerous locations, the break in the culvert, the dangerous pond

0:13:13.160 --> 0:13:15.920
<v Speaker 1>or pit. It's like the children specifically want to go

0:13:16.120 --> 0:13:19.160
<v Speaker 1>right to where the danger to their lives is the highest,

0:13:19.440 --> 0:13:21.840
<v Speaker 1>and they have to be warned with another kind of

0:13:21.920 --> 0:13:24.560
<v Speaker 1>danger to keep them away. Oh yeah, I I. I

0:13:24.600 --> 0:13:27.400
<v Speaker 1>see this this all the time with with my son

0:13:27.520 --> 0:13:30.080
<v Speaker 1>and his various friends, when we take them out for

0:13:30.120 --> 0:13:33.800
<v Speaker 1>walks and in the nature trails and whatnot. If there's

0:13:33.800 --> 0:13:36.240
<v Speaker 1>some sort of dangerous little area where it's like a

0:13:36.280 --> 0:13:39.160
<v Speaker 1>sheer drop off or something like, that's what they're drawn to,

0:13:39.320 --> 0:13:41.079
<v Speaker 1>and then you have to you have to urge them

0:13:41.080 --> 0:13:44.240
<v Speaker 1>away and say, like, look, there's a zero entry like, uh,

0:13:44.280 --> 0:13:47.520
<v Speaker 1>you know, creek area up ahead, Let's go playing that,

0:13:47.720 --> 0:13:51.000
<v Speaker 1>not this, uh, this scary little bog that you've picked

0:13:51.000 --> 0:13:53.320
<v Speaker 1>out here for yourself. Uh. And indeed, some of the

0:13:53.320 --> 0:13:56.240
<v Speaker 1>places that that I've seen them drawn to just in

0:13:56.280 --> 0:14:00.160
<v Speaker 1>the past few weeks are are very very much to

0:14:00.160 --> 0:14:02.319
<v Speaker 1>the sort of place that a Jenny Green Teeth might

0:14:02.400 --> 0:14:05.840
<v Speaker 1>be said to reside in. So, Robert, I have a question.

0:14:06.080 --> 0:14:10.760
<v Speaker 1>Have you ever invoked a fictional monster or supernatural threat

0:14:11.080 --> 0:14:14.560
<v Speaker 1>in order to scare your child away from a real threat? No?

0:14:14.760 --> 0:14:18.440
<v Speaker 1>I haven't um that. That being said, you know some

0:14:18.480 --> 0:14:22.640
<v Speaker 1>people are against utilizing, say Santa Claus of the Tooth Fairy.

0:14:22.640 --> 0:14:24.520
<v Speaker 1>We have Santa Claus, we have the Tooth Fairy, we

0:14:24.560 --> 0:14:31.080
<v Speaker 1>have the Switch which for Halloween. But beyond these beneficial entities,

0:14:31.160 --> 0:14:35.320
<v Speaker 1>we have not invoked any other supernatural entities, uh in

0:14:35.040 --> 0:14:38.520
<v Speaker 1>our daily practice. I guess we just try and be

0:14:39.600 --> 0:14:42.560
<v Speaker 1>honest about what dangers are. But you know, I can

0:14:42.640 --> 0:14:46.880
<v Speaker 1>understand the temptation here because with Jenny Green teeth, you

0:14:47.800 --> 0:14:52.720
<v Speaker 1>that the parent is invoking or creating an imagine a monster,

0:14:52.880 --> 0:14:58.040
<v Speaker 1>a fantastic lethal monster, instead of having like a frank

0:14:58.120 --> 0:15:03.120
<v Speaker 1>discussion about the more mundane but equally like traumatic dangers

0:15:03.160 --> 0:15:07.400
<v Speaker 1>that are involved. And sometimes you want to protect them

0:15:07.520 --> 0:15:11.880
<v Speaker 1>from the truth of of real danger, like setting down

0:15:11.880 --> 0:15:15.720
<v Speaker 1>and explaining the dangers of drowning to a child like

0:15:15.760 --> 0:15:18.520
<v Speaker 1>that can be intimidating. You want to shield them from drowning,

0:15:18.560 --> 0:15:21.400
<v Speaker 1>but you there's also this instinct to shield them from

0:15:21.680 --> 0:15:25.440
<v Speaker 1>knowledge of that world. And so I can understand the

0:15:25.480 --> 0:15:31.040
<v Speaker 1>temptation to utilize the fantastic to create something horrific but

0:15:31.160 --> 0:15:34.720
<v Speaker 1>fictional as a like almost a gentler way of teaching

0:15:34.720 --> 0:15:38.160
<v Speaker 1>them the same lesson, uh, which is weird because that

0:15:38.200 --> 0:15:41.680
<v Speaker 1>can be they can I guess be even more harmful

0:15:41.720 --> 0:15:45.760
<v Speaker 1>in some respects uh, because you're creating this nightmare creature

0:15:45.800 --> 0:15:48.240
<v Speaker 1>to live in their heads. But I can see where

0:15:48.920 --> 0:15:53.120
<v Speaker 1>you could reach that point, um with only the best intentions.

0:15:53.120 --> 0:15:55.400
<v Speaker 1>That's a really interesting point, and we will talk a

0:15:55.440 --> 0:15:57.720
<v Speaker 1>little bit more about the real dangers of water and

0:15:57.800 --> 0:16:00.600
<v Speaker 1>drowning later in the psychology of of how this works out.

0:16:00.680 --> 0:16:05.280
<v Speaker 1>But um, yeah, is it possible that the monster is

0:16:05.360 --> 0:16:10.240
<v Speaker 1>actually a defanged version of the threat in a way,

0:16:10.640 --> 0:16:14.240
<v Speaker 1>not a more threatening version of the threat, but putting

0:16:14.280 --> 0:16:18.800
<v Speaker 1>the threat into a form that feels more comfortable and

0:16:18.880 --> 0:16:21.600
<v Speaker 1>less depressing. Yes, I think so. I think there's a

0:16:21.920 --> 0:16:24.040
<v Speaker 1>strong case to be made for that. Now, Robert, if

0:16:24.080 --> 0:16:25.360
<v Speaker 1>you are right with it, I'd like to look at

0:16:25.360 --> 0:16:27.960
<v Speaker 1>a couple of older a couple more older books and

0:16:28.000 --> 0:16:32.720
<v Speaker 1>papers that mentioned Jenny Green Teeth. One is a book

0:16:32.760 --> 0:16:35.760
<v Speaker 1>by Percy B. Green called A History of Nursey Rhymes.

0:16:36.280 --> 0:16:39.040
<v Speaker 1>Oh really, Percy B. Green? Okay, Yeah, that guy didn't

0:16:39.040 --> 0:16:43.680
<v Speaker 1>need a pseudonym, or maybe that is the pseudonym anyway,

0:16:43.880 --> 0:16:46.160
<v Speaker 1>So I want to quote him later, also because he

0:16:46.160 --> 0:16:49.640
<v Speaker 1>mentions another fascinating story about a water monster. But Green

0:16:49.720 --> 0:16:51.920
<v Speaker 1>writes in a middle in the middle of a section

0:16:51.960 --> 0:16:55.760
<v Speaker 1>about water spirits, he writes, in England, to the North Country,

0:16:55.800 --> 0:16:58.720
<v Speaker 1>people speak of a river sprite as Jenny Green Teeth,

0:16:58.760 --> 0:17:02.400
<v Speaker 1>and the children dread to the Green slimy covered rocks

0:17:02.440 --> 0:17:04.720
<v Speaker 1>on the streams bank or on the brink of a

0:17:04.760 --> 0:17:07.439
<v Speaker 1>black pool. Wait, I should I want to throw in

0:17:07.520 --> 0:17:10.959
<v Speaker 1>this is key too, right, because we're talking about the

0:17:11.000 --> 0:17:14.399
<v Speaker 1>slime covered rocks themselves, like that's a key danger that

0:17:14.480 --> 0:17:17.760
<v Speaker 1>kid's gonna slip and fall. Um. Yeah, sorry, I had

0:17:17.800 --> 0:17:19.639
<v Speaker 1>I had to jump in on that. No, that's a

0:17:19.720 --> 0:17:23.399
<v Speaker 1>very good point. I mean, there's actually specific information about

0:17:23.440 --> 0:17:27.560
<v Speaker 1>real dangers being conveyed in the superstition though. So it's

0:17:27.600 --> 0:17:29.880
<v Speaker 1>like you see the green covered rocks, that that might

0:17:29.920 --> 0:17:31.600
<v Speaker 1>be a sign that the rock is going to be

0:17:31.680 --> 0:17:33.600
<v Speaker 1>something you could slip off of, and the child might

0:17:33.640 --> 0:17:37.320
<v Speaker 1>not know that naturally, but the child sees it and says, oh,

0:17:37.400 --> 0:17:40.879
<v Speaker 1>there's green on the rocks Jenny green Teeth is about huh. So,

0:17:40.960 --> 0:17:42.920
<v Speaker 1>you know that's that feels a lot more calibrated, where

0:17:42.920 --> 0:17:45.240
<v Speaker 1>the example we heard earlier about Jenny Green Teeth living

0:17:45.240 --> 0:17:51.520
<v Speaker 1>in the trees that felt like the tail had become unhinged,

0:17:51.640 --> 0:17:53.359
<v Speaker 1>you know. Yeah, Well, that's part of the problem with

0:17:53.440 --> 0:17:56.760
<v Speaker 1>creating superstitions and myths about monsters like this is that

0:17:57.680 --> 0:18:00.000
<v Speaker 1>if you're trying to do it for a specific purpose,

0:18:00.080 --> 0:18:02.720
<v Speaker 1>like to warn children, myths go wild, and it's always

0:18:02.720 --> 0:18:06.760
<v Speaker 1>become untamed. They roam loose, and they become their own thing. Yeah,

0:18:06.760 --> 0:18:09.440
<v Speaker 1>I mean, as does a logical fear itself. I mean,

0:18:09.480 --> 0:18:11.800
<v Speaker 1>even as adults, we can probably think of things in

0:18:11.800 --> 0:18:14.880
<v Speaker 1>our lives where they're not really you know, they're not monsters,

0:18:14.920 --> 0:18:17.320
<v Speaker 1>but they're at least a little illogical. And if you

0:18:17.359 --> 0:18:19.960
<v Speaker 1>don't watch them, if you don't curb them, then yeah,

0:18:20.000 --> 0:18:22.800
<v Speaker 1>they can start living in the trees. They go ferrell.

0:18:23.760 --> 0:18:26.720
<v Speaker 1>But Green writes that a warning of a Lancashire mother

0:18:26.840 --> 0:18:30.480
<v Speaker 1>to her child is quote Jenny Green, teeth will have

0:18:30.680 --> 0:18:35.080
<v Speaker 1>the goist onto river banks. Now, I think I already

0:18:35.080 --> 0:18:39.440
<v Speaker 1>mentioned the the author An E. G. Gilchrist, who has

0:18:39.840 --> 0:18:43.600
<v Speaker 1>done some work chronicling folk songs discovered in the wild,

0:18:44.040 --> 0:18:46.080
<v Speaker 1>and she wrote a paper for the Journal of the

0:18:46.119 --> 0:18:50.280
<v Speaker 1>Folk Song Society in nineteen nineteen that is called Note

0:18:50.400 --> 0:18:53.159
<v Speaker 1>on the Lady Dressed in Green and Other Fragments of

0:18:53.160 --> 0:18:56.840
<v Speaker 1>tragic ballads and folk Tales Preserved among Children. So this

0:18:56.920 --> 0:18:59.719
<v Speaker 1>is about folk songs sung by children in early twentie

0:18:59.760 --> 0:19:02.840
<v Speaker 1>cent England. And these songs are just messed up. They

0:19:02.840 --> 0:19:07.320
<v Speaker 1>are I think I mentioned earlier. They're they're all about murder, cannibalism,

0:19:07.400 --> 0:19:10.879
<v Speaker 1>hiding dead bodies in your house. It is fascinating that

0:19:10.960 --> 0:19:14.560
<v Speaker 1>we often think that children need to be protected from horror,

0:19:14.600 --> 0:19:17.119
<v Speaker 1>Like I can understand that impulse, but I don't know.

0:19:17.200 --> 0:19:19.560
<v Speaker 1>This just seems to me like an indication that children

0:19:19.880 --> 0:19:24.840
<v Speaker 1>naturally gravitate to themes of murder and death and gore. Yeah,

0:19:24.880 --> 0:19:28.520
<v Speaker 1>and they can be rather severe in their invocation of

0:19:28.680 --> 0:19:31.479
<v Speaker 1>these ideas. Now, the main song talks about in this

0:19:31.520 --> 0:19:35.400
<v Speaker 1>paper is uh is one called the Lady Dressed in Green,

0:19:35.400 --> 0:19:38.360
<v Speaker 1>which gil Christ heard sung by a girl named Margaret

0:19:38.359 --> 0:19:41.560
<v Speaker 1>in a Southport orphanage, and Margaret apparently brought it from

0:19:41.600 --> 0:19:45.359
<v Speaker 1>a Lancashire workhouse. And gil Chris goes on to discuss

0:19:45.400 --> 0:19:48.280
<v Speaker 1>how versus of the in verses of this song, the

0:19:48.359 --> 0:19:51.200
<v Speaker 1>Lady Dressed in Green is holding a baby and then

0:19:51.240 --> 0:19:53.640
<v Speaker 1>she murders her baby with a pen knife, and then

0:19:53.760 --> 0:19:56.879
<v Speaker 1>three bobbies come and haul her off to prison. And

0:19:56.920 --> 0:19:59.040
<v Speaker 1>so gil Christ is talking about the significance of the

0:19:59.080 --> 0:20:02.360
<v Speaker 1>song and it's parallel us to other similar children's rhymes, songs,

0:20:02.440 --> 0:20:05.360
<v Speaker 1>murder ballads and so forth. And one of the interesting

0:20:05.400 --> 0:20:08.360
<v Speaker 1>things is the significance of the color green, and this

0:20:08.440 --> 0:20:11.200
<v Speaker 1>leads her to talk about the color green in its

0:20:11.200 --> 0:20:15.080
<v Speaker 1>relation to curses and bogies and evil fairies and spirits.

0:20:15.119 --> 0:20:17.160
<v Speaker 1>We will talk more about the significance of the color

0:20:17.200 --> 0:20:20.600
<v Speaker 1>green later, but as for Jenny Green Teeth, Gilchrist writes

0:20:20.720 --> 0:20:23.760
<v Speaker 1>quote of still more sinister import is the color In

0:20:23.800 --> 0:20:26.760
<v Speaker 1>the case of Jenny Green Teeth, the evil water spirit

0:20:27.000 --> 0:20:31.080
<v Speaker 1>appearing is the green scum on stagnant water what claws

0:20:31.160 --> 0:20:34.080
<v Speaker 1>you in, as country children say, if you go too

0:20:34.119 --> 0:20:37.359
<v Speaker 1>near or in the obscure and horrible English folk tale

0:20:37.560 --> 0:20:40.000
<v Speaker 1>of the green Lady, who appears to be a sort

0:20:40.000 --> 0:20:43.440
<v Speaker 1>of lamia or vampire, living on or delighting in blood,

0:20:43.720 --> 0:20:46.640
<v Speaker 1>and perhaps deriving her name and Hugh from a classic

0:20:46.760 --> 0:20:51.040
<v Speaker 1>serpent ancestry. But Jenny Green Teeth and perhaps green Lady

0:20:51.119 --> 0:20:55.680
<v Speaker 1>also is allied with the German water nicks and green hats,

0:20:55.720 --> 0:20:58.840
<v Speaker 1>the hat appearing to be a tuft of beautiful vegetation

0:20:59.280 --> 0:21:02.119
<v Speaker 1>growing in the water, who dragged down the unwary to

0:21:02.160 --> 0:21:05.680
<v Speaker 1>the depths. They're horrible fate being visible in a fountain

0:21:05.720 --> 0:21:08.600
<v Speaker 1>of blood which spouts up through the surface of the water.

0:21:09.040 --> 0:21:12.359
<v Speaker 1>This is interesting the the the mention of of serpents,

0:21:12.880 --> 0:21:15.040
<v Speaker 1>because as I was looking through Carol Rose and looking

0:21:15.080 --> 0:21:20.840
<v Speaker 1>at various uh aquatic uh you know, fresh water, especially monsters.

0:21:21.040 --> 0:21:25.159
<v Speaker 1>There are a lot of serpents in various beliefs, weird

0:21:25.200 --> 0:21:30.560
<v Speaker 1>serpents in uh Native American beliefs as well. And this

0:21:30.640 --> 0:21:32.159
<v Speaker 1>makes a certain amount of sense, right, because you will

0:21:32.280 --> 0:21:35.960
<v Speaker 1>encounter snakes around the water sometimes. Yeah, and this would

0:21:36.000 --> 0:21:38.800
<v Speaker 1>be a very old fear and human culture, but also

0:21:38.960 --> 0:21:41.919
<v Speaker 1>even predating some of that, you know, just sort of

0:21:42.040 --> 0:21:45.200
<v Speaker 1>an ingrained thing to be afraid of. Yeah, we're all

0:21:45.280 --> 0:21:47.760
<v Speaker 1>the cat with the cucumber behind us. Yes, Now, I

0:21:47.800 --> 0:21:50.479
<v Speaker 1>can't move on without mentioning what Gilchrist writes about this

0:21:50.560 --> 0:21:53.080
<v Speaker 1>other story, the green Lady story, that may have its

0:21:53.119 --> 0:21:56.720
<v Speaker 1>origins in some kind of serpent ancestry. She writes that

0:21:56.760 --> 0:21:59.320
<v Speaker 1>she's never found a version of the green Lady folktale

0:21:59.320 --> 0:22:02.280
<v Speaker 1>in print, but there's there's a version she heard from

0:22:02.280 --> 0:22:05.320
<v Speaker 1>a person named Ethel Kidson, and this is how it goes.

0:22:06.359 --> 0:22:09.399
<v Speaker 1>A little girl took service with the Green Lady. The

0:22:09.440 --> 0:22:12.760
<v Speaker 1>next morning, after preparing breakfast for her, she called up

0:22:12.800 --> 0:22:17.000
<v Speaker 1>the stair, green Lady, Green Lady, come down to your breakfast.

0:22:17.240 --> 0:22:20.360
<v Speaker 1>But the Green Lady did not come down. The formula

0:22:20.440 --> 0:22:24.040
<v Speaker 1>was repeated for dinner and supper, but still she did

0:22:24.080 --> 0:22:26.960
<v Speaker 1>not appear. At last, the little girl went upstairs to

0:22:27.000 --> 0:22:30.159
<v Speaker 1>the chamber door, and, urged by curiosity, looked through the

0:22:30.240 --> 0:22:33.880
<v Speaker 1>keyhole and saw the green lady dancing in a basin

0:22:33.960 --> 0:22:37.560
<v Speaker 1>of blood. Now, this paper is actually worth a look

0:22:37.600 --> 0:22:39.800
<v Speaker 1>if you want to just go look it up to

0:22:40.119 --> 0:22:46.080
<v Speaker 1>see the absolutely depraved folk songs that children sing. Oh, yes,

0:22:46.160 --> 0:22:48.919
<v Speaker 1>one of these that you highlighted here, My mama did

0:22:49.080 --> 0:22:51.679
<v Speaker 1>kill me? Uh, And it has the sheet music with it.

0:22:51.760 --> 0:22:53.800
<v Speaker 1>I'm gonna attempt to sing just a little of it,

0:22:54.240 --> 0:22:57.520
<v Speaker 1>with fair warning I'm not very good at reading sheet music.

0:22:58.359 --> 0:23:02.800
<v Speaker 1>But it goes something like this, my mama did kill

0:23:03.040 --> 0:23:07.320
<v Speaker 1>me and put me in a pie. My dad da

0:23:07.640 --> 0:23:11.760
<v Speaker 1>did eat me and say it was I. And then

0:23:11.760 --> 0:23:14.360
<v Speaker 1>it goes on my brother and sister did pick my

0:23:14.440 --> 0:23:17.960
<v Speaker 1>bones and bury them under cold marble stones, and bury

0:23:18.040 --> 0:23:21.840
<v Speaker 1>them under cold marble stones. We we were emailing with

0:23:21.840 --> 0:23:24.439
<v Speaker 1>our producer Alex about this, and Alex was trying to

0:23:24.440 --> 0:23:26.760
<v Speaker 1>make sense of the line my Dada did eat me

0:23:26.800 --> 0:23:30.159
<v Speaker 1>and say it was I. Now, one way of reading

0:23:30.160 --> 0:23:33.000
<v Speaker 1>that could be like, I don't know the dada knows

0:23:33.040 --> 0:23:36.440
<v Speaker 1>what the child's flesh tastes like like, oh, that's that's him,

0:23:36.560 --> 0:23:39.080
<v Speaker 1>that's the one I'm eating, or maybe the dad da

0:23:39.240 --> 0:23:42.680
<v Speaker 1>is saying, no, you're eating yourself. It's you that's doing

0:23:42.680 --> 0:23:45.920
<v Speaker 1>the eating of you. I tend to favor the earlier interpretation,

0:23:46.119 --> 0:23:50.360
<v Speaker 1>but either way you slice it, it's pretty unsettling. One

0:23:50.359 --> 0:23:53.080
<v Speaker 1>more paper I came across that mentioned Jenny green Teeth

0:23:53.920 --> 0:23:56.880
<v Speaker 1>I thought had a really kind of sad but fascinating

0:23:56.920 --> 0:24:00.720
<v Speaker 1>story about something that happened in the sixteen century. So

0:24:00.760 --> 0:24:03.560
<v Speaker 1>this is a paper by Terence R. Murphy called Woeful

0:24:03.680 --> 0:24:07.199
<v Speaker 1>Child of Parents, Rage, Suicide of Children and Adolescence in

0:24:07.240 --> 0:24:11.040
<v Speaker 1>Early Modern England fifteen o seven to seventeen ten in

0:24:11.080 --> 0:24:15.680
<v Speaker 1>the sixteenth Century Journal. And so the author writes that

0:24:15.760 --> 0:24:19.640
<v Speaker 1>there was a case of an adolescent suicide in Cambridgeshire

0:24:19.680 --> 0:24:23.320
<v Speaker 1>in fifteen sixty five, where a quote twelve year old

0:24:23.520 --> 0:24:27.800
<v Speaker 1>Agnes Adam went horseback riding with her girlfriend and accidentally

0:24:27.800 --> 0:24:31.439
<v Speaker 1>got her clothes dirty. She came toward home, but fearing

0:24:31.440 --> 0:24:33.760
<v Speaker 1>that her father would punish her, she rushed to a

0:24:33.840 --> 0:24:37.879
<v Speaker 1>pond in her father's clothes and drowned herself. And then

0:24:37.920 --> 0:24:40.960
<v Speaker 1>there's a footnote saying, quote the coroner's jury swore that

0:24:41.000 --> 0:24:45.520
<v Speaker 1>Agnes adams motives were timur parentium correct shetionis and met

0:24:45.560 --> 0:24:49.480
<v Speaker 1>us castigatitionis. The jury could or would not recognize her

0:24:49.520 --> 0:24:52.760
<v Speaker 1>hostility toward her parents. How when and where she killed

0:24:52.760 --> 0:24:56.840
<v Speaker 1>herself suggested that she intended to become in death a

0:24:57.000 --> 0:25:01.080
<v Speaker 1>life demanding water spirit. The motive was childish and silly.

0:25:01.160 --> 0:25:04.919
<v Speaker 1>This spirit was a nursery bogey, which adults customarily and

0:25:05.000 --> 0:25:09.600
<v Speaker 1>cynically used to intimidate children into behaving themselves properly. Little

0:25:09.680 --> 0:25:13.400
<v Speaker 1>children like Agnes believed in nursery bogies, but wiser adults

0:25:13.400 --> 0:25:16.719
<v Speaker 1>did not. This is one instance where adult duplicity and

0:25:16.840 --> 0:25:20.920
<v Speaker 1>terrorization of children backfired when a child believed her elders

0:25:21.000 --> 0:25:24.719
<v Speaker 1>lies enough to act on them in order to get revenge. Well,

0:25:24.760 --> 0:25:28.119
<v Speaker 1>there we go. We've reached a like pique bleakness for

0:25:28.160 --> 0:25:31.280
<v Speaker 1>this episode. That's a sad story, but it does illustrate

0:25:31.320 --> 0:25:33.520
<v Speaker 1>something interesting about how, you know, we've been talking about

0:25:33.680 --> 0:25:37.240
<v Speaker 1>using the idea of a specter or a water hag

0:25:37.359 --> 0:25:40.200
<v Speaker 1>or a monster to warn children away from real danger.

0:25:40.280 --> 0:25:42.960
<v Speaker 1>But this tends to show that, if, if this is

0:25:43.000 --> 0:25:46.000
<v Speaker 1>really what happened in this case, a child's belief in

0:25:46.080 --> 0:25:49.840
<v Speaker 1>the existence of this kind of creature could actually cause

0:25:49.880 --> 0:25:52.240
<v Speaker 1>her to call it to kill herself, to cause harm

0:25:52.280 --> 0:25:55.880
<v Speaker 1>to herself. Yeah, it's it's it's powerful magic to start

0:25:55.920 --> 0:25:59.560
<v Speaker 1>messing with the magic of belief. All right, I think

0:25:59.560 --> 0:26:01.240
<v Speaker 1>we should a quick break and when we come back

0:26:01.280 --> 0:26:04.480
<v Speaker 1>we will talk about other specters of the water than

0:26:06.160 --> 0:26:09.480
<v Speaker 1>all right, we're back, Robert, tell me about Nelly Long Arms.

0:26:09.520 --> 0:26:11.680
<v Speaker 1>All right, Yeah, so these are We're gonna run through

0:26:11.720 --> 0:26:16.679
<v Speaker 1>a few different versions of of old Jenny Green Teeth

0:26:16.720 --> 0:26:19.479
<v Speaker 1>here and these are all from again, that that excellent

0:26:19.480 --> 0:26:22.320
<v Speaker 1>book by Carol Rose. Uh. If you look up Carol

0:26:22.400 --> 0:26:26.959
<v Speaker 1>Rose and Monsters or Fairies, you'll find her Encyclopedia's um

0:26:27.440 --> 0:26:30.520
<v Speaker 1>they're all still in print and I always highly recommend them.

0:26:30.960 --> 0:26:35.200
<v Speaker 1>Lots of wonderful illustrations. But yeah, we have Nelly Long Arms,

0:26:35.240 --> 0:26:38.840
<v Speaker 1>and she's essentially just Jenny Green Teeth with the fangs

0:26:38.880 --> 0:26:42.359
<v Speaker 1>and the green skin, but with added elongated arms and

0:26:42.440 --> 0:26:49.159
<v Speaker 1>spidery fingers. And you'll find her in the folklore of Derbyshire, Cheshire, Lancashire,

0:26:49.600 --> 0:26:54.479
<v Speaker 1>Shropshire and Yorkshire. And there's also a nearly identical long

0:26:54.680 --> 0:26:58.040
<v Speaker 1>armed monster named We've discussed this in already the Grindy

0:26:58.119 --> 0:27:01.479
<v Speaker 1>Low and it's tied more spec typically New Yorkshire. And

0:27:01.520 --> 0:27:05.000
<v Speaker 1>then there's peg Powler. This is another creature of the

0:27:05.080 --> 0:27:07.320
<v Speaker 1>same sword. And this one is just straight up identical

0:27:07.400 --> 0:27:11.160
<v Speaker 1>to Jenny green Teeth. But she said to live specifically

0:27:11.240 --> 0:27:14.480
<v Speaker 1>in the River Tys and belongs to the folklore of

0:27:14.520 --> 0:27:18.360
<v Speaker 1>the border region between Yorkshire and Durham. Now. Carol Rose

0:27:18.440 --> 0:27:22.919
<v Speaker 1>also mentions a male incarnation of the same entity named

0:27:23.119 --> 0:27:28.200
<v Speaker 1>Cutty Dyer. This is from the folklore of Ashburton in Somerset, England,

0:27:28.600 --> 0:27:31.440
<v Speaker 1>and he said to haunt the bridge over the river. Yo,

0:27:31.640 --> 0:27:33.520
<v Speaker 1>I believe it is hy Yo, yeah, I guess i'll

0:27:33.520 --> 0:27:35.800
<v Speaker 1>e o. And he was in a normal he described

0:27:35.840 --> 0:27:39.080
<v Speaker 1>as an enormous man with eyes like saucers, and he'd

0:27:39.080 --> 0:27:41.880
<v Speaker 1>emerge behind you and either pull you into the river

0:27:42.359 --> 0:27:45.399
<v Speaker 1>or slit your throat and drink your blood. And she

0:27:45.680 --> 0:27:48.960
<v Speaker 1>she shares the following little ditty that's attributed to an

0:27:48.960 --> 0:27:53.119
<v Speaker 1>old I believe blind Ashburton resident in nineteen seventy two,

0:27:53.160 --> 0:27:56.280
<v Speaker 1>remembering this is you know, from from his childhood. It goes,

0:27:57.040 --> 0:28:00.320
<v Speaker 1>don't he go down the river's eye? Cut he die?

0:28:00.400 --> 0:28:02.679
<v Speaker 1>Or do a bide, cut you die, or ain't no

0:28:02.880 --> 0:28:07.240
<v Speaker 1>good cuttie die, or drink your blood. This one didn't

0:28:07.280 --> 0:28:09.080
<v Speaker 1>come with sheet music, so I don't know if if

0:28:09.119 --> 0:28:11.679
<v Speaker 1>it had a tune to it, or is just like

0:28:11.720 --> 0:28:13.640
<v Speaker 1>something you might chant. I kind of like the idea

0:28:13.640 --> 0:28:17.480
<v Speaker 1>of it just being a dirge. Now. Water monsters have

0:28:17.600 --> 0:28:20.320
<v Speaker 1>just got to be one of the best kind of monsters, right,

0:28:20.359 --> 0:28:23.399
<v Speaker 1>because they can play on several different fears at once. Right,

0:28:23.440 --> 0:28:26.520
<v Speaker 1>they can be near you without you knowing it because

0:28:26.520 --> 0:28:29.200
<v Speaker 1>they're underneath the surface and maybe the water is dark

0:28:29.280 --> 0:28:31.640
<v Speaker 1>or murky and you can't see down there. But they

0:28:31.680 --> 0:28:34.040
<v Speaker 1>also play on fears of drowning. Once they get you

0:28:34.119 --> 0:28:36.480
<v Speaker 1>down into their world, they've got all the power. You're

0:28:36.520 --> 0:28:38.959
<v Speaker 1>not going to be able to defend yourself much underwater.

0:28:39.600 --> 0:28:42.800
<v Speaker 1>So there's a lot of great water monsters around the world,

0:28:43.040 --> 0:28:45.520
<v Speaker 1>far too many for us to talk about today. Right.

0:28:45.880 --> 0:28:49.880
<v Speaker 1>For example, we've talked about the Japanese monster, the Kappa before.

0:28:50.400 --> 0:28:52.960
<v Speaker 1>That's right, the Japanese spirit. It kind of looks like

0:28:53.000 --> 0:28:56.320
<v Speaker 1>a ninja turtle, but with a little pool of water

0:28:56.600 --> 0:28:58.560
<v Speaker 1>and its skull, and if you get it to bow

0:28:58.720 --> 0:29:01.240
<v Speaker 1>to you and the water or spills out and it

0:29:01.280 --> 0:29:04.400
<v Speaker 1>loses its vital essence. Yeah. So so they're all over

0:29:04.440 --> 0:29:06.960
<v Speaker 1>the world. But since we're talking about Jenny Green Teeth today,

0:29:06.960 --> 0:29:10.040
<v Speaker 1>I think we can specifically focus on like water monsters

0:29:10.040 --> 0:29:13.160
<v Speaker 1>of the British Isles. Right, So, another one I know

0:29:13.240 --> 0:29:15.880
<v Speaker 1>about that Katherine Briggs wrote about is the idea of

0:29:15.920 --> 0:29:19.360
<v Speaker 1>the kelpie. Katherine Briggs wrote that Scotland has a kelpie

0:29:19.400 --> 0:29:23.120
<v Speaker 1>in every lonely lock. Yeah, the kelpy is very interesting.

0:29:23.160 --> 0:29:25.120
<v Speaker 1>This is this is one um. I don't know if

0:29:25.120 --> 0:29:27.840
<v Speaker 1>I read about it before Dungeons and Dragons or if

0:29:27.880 --> 0:29:30.600
<v Speaker 1>I was initially introduced to it in Dungeons and Dragons,

0:29:30.600 --> 0:29:34.200
<v Speaker 1>but it's I think long been um, an inmate of

0:29:33.960 --> 0:29:38.880
<v Speaker 1>the monster manual. But it's a traditional Scottish monster said

0:29:38.880 --> 0:29:41.880
<v Speaker 1>to haunt the shores of locks forwards and fairy points.

0:29:42.400 --> 0:29:45.080
<v Speaker 1>And it seems to be more robust than a mirror

0:29:45.320 --> 0:29:48.760
<v Speaker 1>nursery bogeye, or or at least it evolved beyond that point.

0:29:48.840 --> 0:29:52.360
<v Speaker 1>Maybe it ended up influencing some of these other entities

0:29:52.360 --> 0:29:55.840
<v Speaker 1>we've been discussing, but it does have a far more

0:29:56.000 --> 0:29:58.760
<v Speaker 1>robust air of legend about it. It can appear as

0:29:58.760 --> 0:30:02.680
<v Speaker 1>a shaggy old man, a handsome young man, or, most famously,

0:30:02.760 --> 0:30:07.000
<v Speaker 1>a beautiful black or gray horse. WHOA, that's a departure. Yeah. Never,

0:30:07.000 --> 0:30:11.280
<v Speaker 1>it's a beautiful woman though, which it seems unnecessary for

0:30:11.400 --> 0:30:14.160
<v Speaker 1>to take that form, because the horse form was sufficient

0:30:14.200 --> 0:30:18.280
<v Speaker 1>to attract women, young men, and children alike. Everybody loves

0:30:18.320 --> 0:30:20.880
<v Speaker 1>a gorgeous horse. Do they do you when you just

0:30:20.920 --> 0:30:23.120
<v Speaker 1>see a horse? Do you walk up to it? Yeah?

0:30:23.160 --> 0:30:26.240
<v Speaker 1>I mean, especially back in the day, like a horse

0:30:26.560 --> 0:30:28.960
<v Speaker 1>like this, it was value. I love. Also the mythic

0:30:28.960 --> 0:30:31.680
<v Speaker 1>dimension of it. You know, there's this kind of idea

0:30:31.760 --> 0:30:35.240
<v Speaker 1>that maybe more tender individuals they want to go and

0:30:35.320 --> 0:30:38.840
<v Speaker 1>meet the animal, and maybe harsher individuals they just see

0:30:38.880 --> 0:30:41.720
<v Speaker 1>maybe the monetary value or the raw power of the thing,

0:30:42.200 --> 0:30:44.360
<v Speaker 1>I guess. So, oh yeah, the monetary value is I

0:30:44.440 --> 0:30:48.160
<v Speaker 1>guess like seeing a horse without an owner or a

0:30:48.240 --> 0:30:50.840
<v Speaker 1>parent would be what kind of seeing like a free

0:30:50.840 --> 0:30:54.240
<v Speaker 1>car somewhere? Yeah? Yeah, I mean horse thieves were everywhere, right,

0:30:54.640 --> 0:30:57.400
<v Speaker 1>So there's kind of this idea that an unattended horse

0:30:58.280 --> 0:31:00.959
<v Speaker 1>is also you know, it's something that maybe it belongs

0:31:01.000 --> 0:31:03.440
<v Speaker 1>to somebody and maybe you're just gonna try and steal it.

0:31:03.840 --> 0:31:06.320
<v Speaker 1>But the idea here is that the creature, the kelpie

0:31:06.360 --> 0:31:09.560
<v Speaker 1>was it was a portent of drowning, an aquatic doom.

0:31:09.600 --> 0:31:12.200
<v Speaker 1>But if you could force a bridle over it, you

0:31:12.200 --> 0:31:14.760
<v Speaker 1>could harness the power of the kelpie and ride it.

0:31:15.520 --> 0:31:18.720
<v Speaker 1>And there are various tales of like individuals who successfully

0:31:19.000 --> 0:31:21.880
<v Speaker 1>rode the kelpie and and what one might do with

0:31:21.920 --> 0:31:24.360
<v Speaker 1>the harness power of the kelpie that sort of thing, Well,

0:31:24.440 --> 0:31:27.560
<v Speaker 1>what would you do? Um, you would basically just just

0:31:27.800 --> 0:31:29.200
<v Speaker 1>run them up for a little bit. There are also

0:31:29.240 --> 0:31:32.960
<v Speaker 1>some tales of like the kelpie powering water wheels at mills.

0:31:33.520 --> 0:31:37.560
<v Speaker 1>So there's this interesting idea of like the kelpie being this, uh,

0:31:37.720 --> 0:31:43.640
<v Speaker 1>the embodiment of just the raw power and danger of water. Yeah,

0:31:43.840 --> 0:31:45.920
<v Speaker 1>that's really interesting. It's kind of like a horse, you know,

0:31:46.120 --> 0:31:51.080
<v Speaker 1>something that may be tamed and used if done so respectfully,

0:31:51.120 --> 0:31:53.880
<v Speaker 1>but that if if if you step out of line

0:31:54.000 --> 0:31:55.640
<v Speaker 1>or you don't know what you're doing, you can easily

0:31:55.680 --> 0:31:59.080
<v Speaker 1>be killed by it. Yeah. And of course a brook

0:31:59.240 --> 0:32:02.280
<v Speaker 1>can gallop the same way a horse can. Uh. Yeah.

0:32:02.320 --> 0:32:05.280
<v Speaker 1>So we see some more dualities like that in other

0:32:05.440 --> 0:32:08.280
<v Speaker 1>water creatures. Like one that comes to mind I think

0:32:08.360 --> 0:32:09.960
<v Speaker 1>is is it would it be the marrow or the

0:32:10.000 --> 0:32:13.920
<v Speaker 1>mirrow marrow of Ireland yes, there there's some versions of

0:32:13.920 --> 0:32:17.120
<v Speaker 1>this that are more purely monstrous, and other versions that

0:32:17.120 --> 0:32:21.200
<v Speaker 1>appear to be less less dangerous, less monstrous. Yeah, like

0:32:21.600 --> 0:32:24.200
<v Speaker 1>is described by Carol Rose. He gives a pretty friendly

0:32:24.200 --> 0:32:26.760
<v Speaker 1>account of them, that they're peaceful and they generally get

0:32:26.800 --> 0:32:28.640
<v Speaker 1>along with humans. They have a little red cap that

0:32:28.640 --> 0:32:31.880
<v Speaker 1>allows them to shape shift and walk on land and uh,

0:32:31.880 --> 0:32:36.040
<v Speaker 1>and they sometimes breed with humans as well. But from

0:32:36.080 --> 0:32:39.080
<v Speaker 1>that Percy B. Green book I mentioned earlier. Now, who

0:32:39.080 --> 0:32:41.480
<v Speaker 1>knows this is from the eighteen hundred, so maybe Green's

0:32:41.480 --> 0:32:44.520
<v Speaker 1>folklore work is is not super rigorous. But Green has

0:32:44.560 --> 0:32:47.520
<v Speaker 1>a much darker vision of the mirrow. He writes, quote

0:32:47.560 --> 0:32:51.239
<v Speaker 1>the Irish fisherman's belief in the soul's cages and the

0:32:51.280 --> 0:32:54.080
<v Speaker 1>mirror or man of the sea was once held in

0:32:54.120 --> 0:32:56.680
<v Speaker 1>general esteem by the men who earned a livelihood on

0:32:56.720 --> 0:32:59.720
<v Speaker 1>the shores of the Atlantic. This mirrow or spirit of

0:32:59.720 --> 0:33:03.480
<v Speaker 1>the utters, sometimes took upon himself a half human form,

0:33:03.840 --> 0:33:06.280
<v Speaker 1>and many a sailor on the rocky coast of Western

0:33:06.320 --> 0:33:08.680
<v Speaker 1>Ireland has told the tale of how he saw the

0:33:08.680 --> 0:33:12.240
<v Speaker 1>mirrow basking in the sun watching a storm driven ship.

0:33:12.720 --> 0:33:15.040
<v Speaker 1>His form is described as that of a half man,

0:33:15.160 --> 0:33:19.719
<v Speaker 1>half fish, a thing with green hair, long green teeth,

0:33:20.240 --> 0:33:24.120
<v Speaker 1>legs with scales on them, short arms like fins of

0:33:24.200 --> 0:33:27.960
<v Speaker 1>fish's tail, and a huge red nose. He wore no

0:33:28.080 --> 0:33:31.040
<v Speaker 1>clothes and had a cocked hat like a sugar loaf,

0:33:31.280 --> 0:33:33.960
<v Speaker 1>which was carried under the arm. Never did be put

0:33:34.000 --> 0:33:36.320
<v Speaker 1>on the head unless for the purpose of diving into

0:33:36.320 --> 0:33:39.320
<v Speaker 1>the sea. At such times, he caught all the souls

0:33:39.400 --> 0:33:42.360
<v Speaker 1>of those drowned at sea and put them in cages

0:33:42.600 --> 0:33:46.160
<v Speaker 1>made like lobster pots. Oh wow, I love how that

0:33:46.200 --> 0:33:49.440
<v Speaker 1>this invokes plenty of you know, much older ideas of

0:33:50.000 --> 0:33:52.800
<v Speaker 1>aquatic human ollids, and even like they an old man

0:33:52.920 --> 0:33:56.440
<v Speaker 1>of the sea, uh, you know, much like like Proteus himself,

0:33:56.840 --> 0:33:59.440
<v Speaker 1>but depresent is this weird twist of him essentially taking

0:33:59.440 --> 0:34:03.120
<v Speaker 1>a lobster pots to catch souls. Well, it strikes me

0:34:03.160 --> 0:34:07.160
<v Speaker 1>as a perhaps intentionally ironic or blasphemous in version of

0:34:07.160 --> 0:34:10.240
<v Speaker 1>the Christian idea of ben fisher of men the marrow

0:34:10.280 --> 0:34:13.279
<v Speaker 1>as a fisher of men. Interesting. Now, I also have

0:34:13.320 --> 0:34:16.719
<v Speaker 1>to mention one of one of my favorite depictions of

0:34:15.840 --> 0:34:21.320
<v Speaker 1>of of a fresh water monster, and that's the illustration

0:34:21.760 --> 0:34:26.560
<v Speaker 1>What Came of Picking Jessamine by Henry justice Ford, an

0:34:26.560 --> 0:34:30.719
<v Speaker 1>illustration in Andrew Lang's The Gray Fairy book. Okay, this

0:34:30.880 --> 0:34:33.640
<v Speaker 1>is a great illustration, right and I'm going to make

0:34:33.680 --> 0:34:36.040
<v Speaker 1>sure to include this on the landing page for this episode.

0:34:36.040 --> 0:34:37.960
<v Speaker 1>It's stuff to Goo your Mind dot com so everybody

0:34:37.960 --> 0:34:40.320
<v Speaker 1>can check it out. But it's but the book itself,

0:34:40.360 --> 0:34:44.440
<v Speaker 1>The Gray Fairy. This is available as well on the web.

0:34:44.520 --> 0:34:46.680
<v Speaker 1>I think Project Gutenberg has it and you can you

0:34:46.680 --> 0:34:49.160
<v Speaker 1>can get the PDF and scroll through it and read

0:34:49.200 --> 0:34:54.640
<v Speaker 1>these various uh fairy tales from throughout Europe and uh

0:34:54.800 --> 0:34:57.360
<v Speaker 1>and and even beyond I believe, but they all have

0:34:57.400 --> 0:35:01.719
<v Speaker 1>these wonderful illustrations as well. But um, I'm gonna kind

0:35:01.719 --> 0:35:04.200
<v Speaker 1>of just roll through the story really quickly. It's an

0:35:04.200 --> 0:35:08.719
<v Speaker 1>illustration though from the Portuguese fairytale what came of picking flowers?

0:35:09.080 --> 0:35:10.600
<v Speaker 1>And I'm gonna try and roll through it real quick

0:35:10.640 --> 0:35:14.279
<v Speaker 1>for everybody. Basically, a woman three daughters are lost in

0:35:14.320 --> 0:35:17.560
<v Speaker 1>the process of picking three different plants, a pink carnation

0:35:17.680 --> 0:35:22.600
<v Speaker 1>arose and then some Jessamine or Jasmine. Their brother, the

0:35:22.680 --> 0:35:26.560
<v Speaker 1>only survivor in the family, grows up, acquires some magical

0:35:26.640 --> 0:35:29.840
<v Speaker 1>items and decides to get his lost sisters back. But

0:35:29.960 --> 0:35:33.000
<v Speaker 1>as it turns out, the first sister was not dead,

0:35:33.040 --> 0:35:35.600
<v Speaker 1>but locked away in the magic castle, trapped in I

0:35:35.600 --> 0:35:38.520
<v Speaker 1>guess you can just say a magical marriage arrangement with

0:35:38.560 --> 0:35:41.520
<v Speaker 1>the King of the Birds. So he fixes that, and

0:35:41.520 --> 0:35:43.640
<v Speaker 1>then he becomes a friend of the King of the Birds. Wait,

0:35:43.680 --> 0:35:45.719
<v Speaker 1>so removes the King of the Bird's wife who is

0:35:45.719 --> 0:35:47.800
<v Speaker 1>his sister, but also becomes friends with the King of

0:35:47.840 --> 0:35:51.879
<v Speaker 1>the Birds. Well, I'm just gonna just just to simplify things,

0:35:51.920 --> 0:35:55.240
<v Speaker 1>I'm just gonna say he fixes their magical scenario because

0:35:55.239 --> 0:35:58.640
<v Speaker 1>the first two sisters here are are less important for

0:35:58.680 --> 0:36:01.920
<v Speaker 1>our purposes here. But then he goes off and heaches

0:36:02.120 --> 0:36:04.960
<v Speaker 1>searches for the second sister. He finds that she too

0:36:05.000 --> 0:36:07.080
<v Speaker 1>is trapped in a magical marriage to the King of

0:36:07.080 --> 0:36:09.400
<v Speaker 1>the Fish. And here it sounds like there's more of

0:36:09.400 --> 0:36:12.280
<v Speaker 1>a Lady Hawk scenario where husband's a fish half the time,

0:36:12.320 --> 0:36:15.520
<v Speaker 1>and it's it's a kind of annoying. So he manages

0:36:15.560 --> 0:36:18.760
<v Speaker 1>to fix this scenario as well and becomes a friend

0:36:19.000 --> 0:36:21.520
<v Speaker 1>of the King of the Fish. Is the brother Rutger

0:36:21.560 --> 0:36:24.400
<v Speaker 1>howerd I And when I was reading, I certainly pictured

0:36:24.440 --> 0:36:26.360
<v Speaker 1>him like that, like Rudgar Howard, but with more of

0:36:26.360 --> 0:36:29.360
<v Speaker 1>a fishy look to him. And then Finally, he sets

0:36:29.400 --> 0:36:32.600
<v Speaker 1>out for the third a sister, and find finds that

0:36:32.680 --> 0:36:35.720
<v Speaker 1>she was in fact captured by a monster. This monster

0:36:35.760 --> 0:36:38.759
<v Speaker 1>that we see in this illustration what came of picking Jessamine.

0:36:38.960 --> 0:36:42.799
<v Speaker 1>This troll like entity that grabbed her, came up out

0:36:42.800 --> 0:36:45.840
<v Speaker 1>of the water and pulled her in. But this monster

0:36:45.880 --> 0:36:48.960
<v Speaker 1>has been keeping her prisoner in his castle because she

0:36:49.040 --> 0:36:52.400
<v Speaker 1>refuses to marry him. So the brother sneaks in and

0:36:52.440 --> 0:36:54.359
<v Speaker 1>he talks to her about this, and he says, look,

0:36:54.520 --> 0:36:57.680
<v Speaker 1>here's what you need to do. Promise to marry the monster,

0:36:57.840 --> 0:37:01.719
<v Speaker 1>but only if he tells you how he can die.

0:37:02.200 --> 0:37:04.719
<v Speaker 1>Tell make sure that he tells you the secret of

0:37:04.800 --> 0:37:06.920
<v Speaker 1>his death, because like a lot of magical creatures, you know,

0:37:06.920 --> 0:37:10.120
<v Speaker 1>there's only one way, one specific way you can kill it.

0:37:10.440 --> 0:37:13.640
<v Speaker 1>That is a smart pre nup. Yeah, so I mean, yeah,

0:37:13.640 --> 0:37:17.279
<v Speaker 1>if you're a horrible monster. But anyway, this uh, the

0:37:17.320 --> 0:37:19.359
<v Speaker 1>monster here he just kind of laughs and says, oh, yeah,

0:37:19.400 --> 0:37:22.360
<v Speaker 1>I'll tell you because this information will be completely useless,

0:37:22.920 --> 0:37:25.239
<v Speaker 1>especially to you. And he tells her that there's an

0:37:25.239 --> 0:37:27.400
<v Speaker 1>iron casket at the bottom of the sea and it

0:37:27.400 --> 0:37:32.360
<v Speaker 1>contains a magical dove, and that dove's egg if dashed

0:37:32.400 --> 0:37:37.680
<v Speaker 1>against the monster's forehead will kill it. Okay, so um,

0:37:37.719 --> 0:37:39.359
<v Speaker 1>you know, he laugh has a good laugh at that.

0:37:39.640 --> 0:37:42.960
<v Speaker 1>And meanwhile the brother uh sneaks away and he goes

0:37:43.040 --> 0:37:45.600
<v Speaker 1>to the King of the fish and convinces the King

0:37:45.640 --> 0:37:47.719
<v Speaker 1>of the fish, who you know owes in one to

0:37:47.920 --> 0:37:50.680
<v Speaker 1>fetch the casket, which he does. Uh. They bring the

0:37:50.719 --> 0:37:53.040
<v Speaker 1>casket up, and then the bird flies out of the casket.

0:37:53.239 --> 0:37:55.160
<v Speaker 1>So he asked the King of the birds to grab

0:37:55.239 --> 0:37:57.400
<v Speaker 1>the dove and bring it back. So the King of

0:37:57.440 --> 0:37:59.680
<v Speaker 1>the Birds goes off, gets the dove, brings it back.

0:38:00.000 --> 0:38:01.879
<v Speaker 1>He ends up with that egg, and he rushes back

0:38:01.920 --> 0:38:05.160
<v Speaker 1>to where the monster is waiting impatiently for the go

0:38:05.200 --> 0:38:09.080
<v Speaker 1>ahead to marry the sister. And he's becoming, you know, impatient.

0:38:09.560 --> 0:38:11.279
<v Speaker 1>So I'm just gonna read the last little bit from

0:38:11.600 --> 0:38:16.240
<v Speaker 1>Andrew Lang's version of the story quote. At a sign

0:38:16.320 --> 0:38:19.160
<v Speaker 1>from her brother, she sat down and invited the old

0:38:19.239 --> 0:38:22.080
<v Speaker 1>monster to lay its head on her lap. He did

0:38:22.120 --> 0:38:24.959
<v Speaker 1>so with delight, and her brother, standing behind her back,

0:38:25.360 --> 0:38:29.720
<v Speaker 1>passed her the egg unseen. She took it and dashed

0:38:29.760 --> 0:38:32.680
<v Speaker 1>it straight at the horrible head, and the monster started

0:38:32.880 --> 0:38:35.880
<v Speaker 1>and with a groan that people took for the rumblings

0:38:35.920 --> 0:38:39.520
<v Speaker 1>of an earthquake, he turned over and died. That's a

0:38:39.560 --> 0:38:42.359
<v Speaker 1>boss fight for the ages. Yeah, I love it. It's

0:38:42.400 --> 0:38:44.520
<v Speaker 1>it's one of those fairy tales. It's maybe a little

0:38:44.520 --> 0:38:47.279
<v Speaker 1>shaky in the early goings, but it totally delivers the end.

0:38:48.160 --> 0:38:50.239
<v Speaker 1>I like how the the alliance with the King of

0:38:50.239 --> 0:38:53.879
<v Speaker 1>the Birds and the King of the Fish comes through. Yeah. Yeah,

0:38:53.920 --> 0:38:55.600
<v Speaker 1>this is one I would have loved to have seen

0:38:55.719 --> 0:38:59.440
<v Speaker 1>Jim Hinson's storyteller bring the life because it's it's it's

0:38:59.440 --> 0:39:01.280
<v Speaker 1>a little bit perfect, because it's a little bit weird,

0:39:01.320 --> 0:39:04.120
<v Speaker 1>and it has a really hideous monster in it and

0:39:04.200 --> 0:39:06.759
<v Speaker 1>a kind of whimsical way of defeating it. That is

0:39:06.800 --> 0:39:09.200
<v Speaker 1>a great story. But I want to go back to

0:39:09.280 --> 0:39:11.960
<v Speaker 1>Jenny Green Teeth and discuss a little bit more about

0:39:12.360 --> 0:39:15.680
<v Speaker 1>what the Jinny Green Teeth lore means, like what it

0:39:15.719 --> 0:39:19.279
<v Speaker 1>tells us about culture, about our values, our psychology, and

0:39:19.320 --> 0:39:22.080
<v Speaker 1>so one of the things that's explored is the the

0:39:22.120 --> 0:39:25.799
<v Speaker 1>importance of the color green in the Jenny Green Teeth lore.

0:39:26.120 --> 0:39:28.879
<v Speaker 1>Anny Gilchrist, in her paper on The Lady Dressed in Green,

0:39:29.000 --> 0:39:31.800
<v Speaker 1>talks about this a good bit. She says that in

0:39:31.800 --> 0:39:34.120
<v Speaker 1>in England at the time, the color green is widely

0:39:34.160 --> 0:39:36.960
<v Speaker 1>believed to be a quote ill omened hue for a

0:39:37.040 --> 0:39:40.680
<v Speaker 1>garment because it symbolizes the loss of maidenhood or the

0:39:40.719 --> 0:39:43.840
<v Speaker 1>loss of a lover. U. And there's this saying apparently

0:39:43.880 --> 0:39:48.880
<v Speaker 1>that green is forsaken and yellows forsworn or green can

0:39:48.920 --> 0:39:52.280
<v Speaker 1>also symbolize being passed over for a younger bride quote,

0:39:52.320 --> 0:39:55.160
<v Speaker 1>as in the case of the green stockings or garters,

0:39:55.440 --> 0:39:58.440
<v Speaker 1>in which the elder unmarried sisters had to dance at

0:39:58.440 --> 0:40:02.120
<v Speaker 1>a younger sister's wedding. But she also writes that quote

0:40:02.160 --> 0:40:04.959
<v Speaker 1>the unluckiness of green clothing must be a very old

0:40:05.000 --> 0:40:08.160
<v Speaker 1>belief and perhaps had reference originally to a fear of

0:40:08.200 --> 0:40:11.839
<v Speaker 1>incurring the hostility of the spirits of the woods by

0:40:11.920 --> 0:40:16.239
<v Speaker 1>borrowing their livery. So the idea there is that the fairies,

0:40:16.360 --> 0:40:18.719
<v Speaker 1>the fairies are not nice. I mean, this is a

0:40:18.800 --> 0:40:21.319
<v Speaker 1>sort of modern thing that we think fairies are. Oh,

0:40:21.560 --> 0:40:24.920
<v Speaker 1>fairies are sweet, they're fun. Traditionally, I think fairies are

0:40:25.000 --> 0:40:28.319
<v Speaker 1>much more nasty creatures. Oh yeah, the fairy folk are

0:40:28.440 --> 0:40:33.760
<v Speaker 1>are generally best thought of as uh, poorly understood magical

0:40:33.840 --> 0:40:36.239
<v Speaker 1>alien folk that kind of lived and live in the

0:40:36.280 --> 0:40:39.880
<v Speaker 1>folds of realities. Yeah, and and so if the fairies

0:40:39.960 --> 0:40:42.480
<v Speaker 1>dress in green, they can easily be made jealous to

0:40:42.520 --> 0:40:46.000
<v Speaker 1>see humans dressing in green. Apparently, uh, and so gil

0:40:46.080 --> 0:40:48.160
<v Speaker 1>Christ talks about how there's a book called Folklore of

0:40:48.239 --> 0:40:51.399
<v Speaker 1>the Northern Countries by a writer named Henderson, and Henderson writes,

0:40:51.480 --> 0:40:55.239
<v Speaker 1>quote green, ever an ominous color in the Lowlands of Scotland,

0:40:55.480 --> 0:40:57.800
<v Speaker 1>must on no account be worn there at a wedding.

0:40:58.040 --> 0:41:00.800
<v Speaker 1>The fairies whose chosen color it is is would resent

0:41:00.920 --> 0:41:04.680
<v Speaker 1>the insult and destroy the wearer. Henderson also claims that

0:41:04.719 --> 0:41:07.560
<v Speaker 1>mothers in the south of England sometimes forbid their daughters

0:41:07.600 --> 0:41:11.040
<v Speaker 1>from wearing green, and avoid even having green furniture in

0:41:11.080 --> 0:41:14.160
<v Speaker 1>their houses. And also there's a general belief in the

0:41:14.160 --> 0:41:16.840
<v Speaker 1>folk rhymes of the time that the color green is

0:41:16.880 --> 0:41:20.320
<v Speaker 1>a sign of hatred when given as a token from someone,

0:41:20.400 --> 0:41:22.640
<v Speaker 1>so like you would give someone a blue ribbon as

0:41:22.640 --> 0:41:24.759
<v Speaker 1>a sign of true love, but you'd give someone a

0:41:24.840 --> 0:41:28.640
<v Speaker 1>green ribbon as a sign of hatred. Gil Christ also

0:41:28.680 --> 0:41:31.239
<v Speaker 1>says that a tailor once told her that his workers

0:41:31.360 --> 0:41:34.359
<v Speaker 1>hated to see a green garment come into their come

0:41:34.400 --> 0:41:37.280
<v Speaker 1>into their shop for mending, since they believe that there's

0:41:37.320 --> 0:41:39.680
<v Speaker 1>this rotten curse of the color and it could fall

0:41:39.760 --> 0:41:42.960
<v Speaker 1>on them as well, for for for working on it.

0:41:43.040 --> 0:41:44.799
<v Speaker 1>And then she also says, of course that the color

0:41:44.800 --> 0:41:48.400
<v Speaker 1>green is associated with poison. So I think this is

0:41:48.440 --> 0:41:53.239
<v Speaker 1>interesting because I think of green as a very nice, RESTful,

0:41:53.360 --> 0:41:56.520
<v Speaker 1>pleasant color. In fact, I think green is my favorite color. Well,

0:41:56.520 --> 0:42:00.040
<v Speaker 1>I'm trying to think of of modern uh individual is

0:42:00.080 --> 0:42:03.720
<v Speaker 1>associated with green. Like, what's the greenest superhero? I guess

0:42:03.719 --> 0:42:07.200
<v Speaker 1>like green lantern, writer's green. There's another green Well, there's

0:42:07.239 --> 0:42:10.200
<v Speaker 1>green Goblin, but he's he's bad. What's the green hornet?

0:42:10.960 --> 0:42:13.360
<v Speaker 1>Green hornet? I don't know much about green hornet, and

0:42:13.440 --> 0:42:15.960
<v Speaker 1>I'm sure you where's all that much green? Confession, I

0:42:16.000 --> 0:42:18.759
<v Speaker 1>don't know that much about superheroes. There's Peter Pan, kind

0:42:18.760 --> 0:42:22.560
<v Speaker 1>of a superhero. Well he you know, Pan embodies sort

0:42:22.560 --> 0:42:25.799
<v Speaker 1>of the spirits of wildness in the forest. He's sort

0:42:25.800 --> 0:42:28.680
<v Speaker 1>of wearing green because he is a fairy in a way.

0:42:28.760 --> 0:42:33.000
<v Speaker 1>Peter Pan is like Pan. You know Robin Hood as well. Yeah,

0:42:33.040 --> 0:42:35.359
<v Speaker 1>these green garments, I think are associated with the fact

0:42:35.480 --> 0:42:38.520
<v Speaker 1>that a person is sort of is of nature, is

0:42:38.680 --> 0:42:43.400
<v Speaker 1>of the fairy world, is untamed and uncivilized and not

0:42:43.400 --> 0:42:47.279
<v Speaker 1>not necessarily subject to say the Christian authorities. You know,

0:42:47.600 --> 0:42:49.120
<v Speaker 1>this would I think this would be a topic for

0:42:49.160 --> 0:42:51.360
<v Speaker 1>another day. But then you could you could also explore

0:42:51.400 --> 0:42:55.160
<v Speaker 1>the whole realm of the green man the green night

0:42:55.320 --> 0:42:57.759
<v Speaker 1>from our Thoritian legend. Well, yeah, I think that that

0:42:58.040 --> 0:43:00.839
<v Speaker 1>would be a great thing to explore. Whatever is going

0:43:00.880 --> 0:43:04.440
<v Speaker 1>on with the color green in Gilchrist time is is definitely,

0:43:04.440 --> 0:43:06.440
<v Speaker 1>as far as I can tell, not reflected in the

0:43:06.440 --> 0:43:10.160
<v Speaker 1>color psychology of late twentie and nearly twenty first century

0:43:10.160 --> 0:43:12.520
<v Speaker 1>scientific journals, and as far as I can tell, most

0:43:12.560 --> 0:43:15.759
<v Speaker 1>of this research appears to be on Americans, And I

0:43:15.800 --> 0:43:20.200
<v Speaker 1>can see how color psychology could be hugely influenced by culture,

0:43:20.239 --> 0:43:23.319
<v Speaker 1>of course, like it would really depend on like the

0:43:23.360 --> 0:43:26.719
<v Speaker 1>culture of the people you're testing. Yeah, I mean one

0:43:26.760 --> 0:43:30.279
<v Speaker 1>modern example of this, if I'm remembering the antidote, the

0:43:30.320 --> 0:43:34.640
<v Speaker 1>anecdotea correctly. Um. We've touched on before the importance of

0:43:34.719 --> 0:43:38.360
<v Speaker 1>red uh in Chinese culture uh, and I believe it

0:43:38.360 --> 0:43:42.000
<v Speaker 1>has to do with phone uh smartphone design uh. The

0:43:42.080 --> 0:43:44.120
<v Speaker 1>idea of something going from red to green being a

0:43:44.160 --> 0:43:46.720
<v Speaker 1>positive movement and say checking off a tab or something.

0:43:47.320 --> 0:43:52.719
<v Speaker 1>But I've my understanding is correct. For Chinese markets, you'll

0:43:52.760 --> 0:43:55.640
<v Speaker 1>often see an inversion of that, like to go to

0:43:55.760 --> 0:43:59.160
<v Speaker 1>the positive movement, cannot be away from red. It must

0:43:59.160 --> 0:44:02.399
<v Speaker 1>be towards red, because red is the most auspicious color. Yeah,

0:44:02.440 --> 0:44:04.759
<v Speaker 1>that's interesting, and so I think it's pretty clear that

0:44:04.800 --> 0:44:07.520
<v Speaker 1>color psychology is going to be heavily influenced by culture.

0:44:07.560 --> 0:44:09.640
<v Speaker 1>I doubt that there is just like a you know,

0:44:09.680 --> 0:44:13.799
<v Speaker 1>a universal color association thing across human beings that's part

0:44:13.840 --> 0:44:17.320
<v Speaker 1>of our biological brains or something. Oh yeah, Like I've

0:44:17.360 --> 0:44:21.400
<v Speaker 1>read before about interpretations of the color pink and about

0:44:21.400 --> 0:44:23.719
<v Speaker 1>how we we fell into this kind of you know,

0:44:23.800 --> 0:44:27.239
<v Speaker 1>grotesque cohole of just assuming that like pink is a

0:44:27.280 --> 0:44:31.080
<v Speaker 1>feminine color, whereas you see older traditions where pink was

0:44:31.160 --> 0:44:33.960
<v Speaker 1>very much a masculine color, and ultimately like what is

0:44:34.239 --> 0:44:37.480
<v Speaker 1>what is the color of fresh wounds on the battlefield?

0:44:37.840 --> 0:44:40.120
<v Speaker 1>You know? But pink and red, you know, I think

0:44:40.120 --> 0:44:42.600
<v Speaker 1>of the I believe pink is the color and Game

0:44:42.640 --> 0:44:45.880
<v Speaker 1>of Thrones attributed to the Bolton's. It's like red and

0:44:45.920 --> 0:44:51.680
<v Speaker 1>pink or their colors because they don't like playing human flesh.

0:44:51.719 --> 0:44:55.440
<v Speaker 1>Those creeps. Yeah they're no good. Well anyway, just whatever

0:44:55.520 --> 0:44:58.520
<v Speaker 1>all the caveats are and how this is influenced by

0:44:58.560 --> 0:45:01.120
<v Speaker 1>culture and everything. I was poking around in a few

0:45:01.160 --> 0:45:04.440
<v Speaker 1>studies about color psychology, and generally what it seemed to be.

0:45:04.480 --> 0:45:05.880
<v Speaker 1>What seemed to be the case to me is that

0:45:06.000 --> 0:45:09.120
<v Speaker 1>green is not usually viewed by the subjects of these

0:45:09.120 --> 0:45:12.960
<v Speaker 1>studies as something that's cursed or scary or or an

0:45:12.960 --> 0:45:16.279
<v Speaker 1>ill omen Blue and green are generally seen as more

0:45:16.320 --> 0:45:20.120
<v Speaker 1>psychologically relaxing, whereas red and yellow or more arousing and

0:45:20.160 --> 0:45:24.920
<v Speaker 1>more associated with anxiety. States Um and the authors of

0:45:24.920 --> 0:45:29.759
<v Speaker 1>one study described how green was described. The word green

0:45:29.920 --> 0:45:32.880
<v Speaker 1>was associated with the quality of being good, whereas like

0:45:33.160 --> 0:45:36.200
<v Speaker 1>the word yellow was associated with the quality of being bad,

0:45:37.360 --> 0:45:40.960
<v Speaker 1>and that blue and blue, green and green were colors

0:45:41.000 --> 0:45:44.000
<v Speaker 1>that cause subjects to feel more pleasure than colors like

0:45:44.160 --> 0:45:47.360
<v Speaker 1>yellow and yellow. Green. Here's another significant thing in the

0:45:47.440 --> 0:45:50.680
<v Speaker 1>Jinny green teeth folklore, and it is the significance of

0:45:50.719 --> 0:45:54.680
<v Speaker 1>a particular green plant. So I want to talk about

0:45:54.719 --> 0:45:58.120
<v Speaker 1>a paper called Lemna Minor and Jinny Green Teeth by

0:45:58.320 --> 0:46:02.120
<v Speaker 1>a botanist in English, hotanist named Roy Vickery, who has

0:46:02.120 --> 0:46:05.320
<v Speaker 1>apparently written a good deal about the folklore of plants.

0:46:05.719 --> 0:46:08.640
<v Speaker 1>And this was published in the journal Folklore in nine three.

0:46:08.640 --> 0:46:11.439
<v Speaker 1>And this was a great paper about Jenny Green Teeth

0:46:11.480 --> 0:46:13.239
<v Speaker 1>because he's picking up on the work of people like

0:46:13.360 --> 0:46:16.600
<v Speaker 1>Catherine Briggs and Vickery wants to give a fuller account

0:46:16.600 --> 0:46:19.480
<v Speaker 1>of Jenny Green Teeth and explore the relationship between Jenny

0:46:19.520 --> 0:46:23.160
<v Speaker 1>and this water plant known as lesser duck weed or

0:46:23.280 --> 0:46:27.120
<v Speaker 1>Lemna minor. Now LiMnO minor you've probably seen before. I

0:46:27.160 --> 0:46:31.200
<v Speaker 1>added a picture to our our outline here, Robert, so

0:46:31.239 --> 0:46:33.440
<v Speaker 1>you can take a look at it. But Lemno minor.

0:46:33.560 --> 0:46:37.080
<v Speaker 1>The duckweed is a is a green plant that floats

0:46:37.120 --> 0:46:40.600
<v Speaker 1>on the top of stagnant water and ponds and pools,

0:46:41.080 --> 0:46:44.360
<v Speaker 1>and it has very small leaves and can end up

0:46:44.400 --> 0:46:47.040
<v Speaker 1>looking like a flat matte of green on top of

0:46:47.040 --> 0:46:49.520
<v Speaker 1>the water. If it collects enough, it can make a

0:46:49.600 --> 0:46:53.200
<v Speaker 1>watery surface look just sort of like a flat pudding

0:46:53.280 --> 0:46:56.440
<v Speaker 1>green or something. It's like the hard phone cap a

0:46:56.520 --> 0:47:01.080
<v Speaker 1>top and old school cappuccino, except green. It totally is

0:47:01.800 --> 0:47:04.960
<v Speaker 1>so uh so. Vickory writes the stories of Jinny Green

0:47:05.000 --> 0:47:08.640
<v Speaker 1>Teeth are still told around the Liverpool area, and Liverpool

0:47:08.719 --> 0:47:11.680
<v Speaker 1>is of course in northwest England, near Lancashire, and he

0:47:11.719 --> 0:47:14.319
<v Speaker 1>writes quote usually she's considered to be a bogey who

0:47:14.320 --> 0:47:18.880
<v Speaker 1>inhabits quiet pools and drags venturesome children down into the depths.

0:47:18.920 --> 0:47:22.760
<v Speaker 1>Sometimes she's considered to be the harmless water plant lesser duckweed,

0:47:23.000 --> 0:47:25.680
<v Speaker 1>and occasionally she can be found far away from any pool.

0:47:26.360 --> 0:47:29.799
<v Speaker 1>And in his eighteen thirty nine book of book The

0:47:29.880 --> 0:47:33.720
<v Speaker 1>Flora of Liverpool, author TV Hall notes that quote marl

0:47:33.840 --> 0:47:36.640
<v Speaker 1>pits abound on both sides of the Mercy, which is

0:47:36.640 --> 0:47:39.400
<v Speaker 1>a river going through that area, and are caused in

0:47:39.480 --> 0:47:43.720
<v Speaker 1>most instances by excavating clay for the purpose of making bricks.

0:47:44.239 --> 0:47:47.000
<v Speaker 1>Before these pits are a year old, they're filled with

0:47:47.040 --> 0:47:51.200
<v Speaker 1>aquatic plants, and specifically, of course, that plant is generally

0:47:51.360 --> 0:47:55.239
<v Speaker 1>lesser duckweed. This small green plant that floats on the

0:47:55.239 --> 0:47:57.720
<v Speaker 1>top of the water has these little root ten drils

0:47:57.719 --> 0:48:00.759
<v Speaker 1>that extend down into the water. It can look like

0:48:00.800 --> 0:48:05.200
<v Speaker 1>this matt from above, and Vickery writes quote. In summer,

0:48:05.239 --> 0:48:08.280
<v Speaker 1>such pools are frequently covered with a dense mat composed

0:48:08.320 --> 0:48:11.920
<v Speaker 1>of thousands of floating duckweed plants, so that their surfaces

0:48:11.960 --> 0:48:15.200
<v Speaker 1>appear solid. Lesser duckweed is one of the world's smallest

0:48:15.239 --> 0:48:18.640
<v Speaker 1>flowering plants, each plant measuring one point five to four

0:48:18.680 --> 0:48:22.759
<v Speaker 1>millimeters in diameter, with tiny and significant flowers and a

0:48:22.840 --> 0:48:26.960
<v Speaker 1>thread like root which may reach several centimeters in length. Obviously,

0:48:27.000 --> 0:48:29.800
<v Speaker 1>any child who attempted to walk across a pond covered

0:48:29.840 --> 0:48:34.279
<v Speaker 1>with duckweed would soon find himself in serious difficulty, and so,

0:48:34.320 --> 0:48:38.280
<v Speaker 1>of course this creates an interesting association that for some children. Apparently,

0:48:38.400 --> 0:48:42.080
<v Speaker 1>Jenny green Teeth was not a name for a magical monster,

0:48:42.200 --> 0:48:46.840
<v Speaker 1>but was literally the name for the duckweed itself, and

0:48:46.960 --> 0:48:49.799
<v Speaker 1>Vickery quotes the experience of a woman who recounted her

0:48:49.840 --> 0:48:53.680
<v Speaker 1>childhood memories about Jenny green Teeth to him in the

0:48:53.719 --> 0:48:56.360
<v Speaker 1>December of nineteen eighty. She starts by talking about the

0:48:56.360 --> 0:48:58.600
<v Speaker 1>area where she was brought up, and then she says, quote,

0:48:58.800 --> 0:49:01.799
<v Speaker 1>it was and still is largely a farming area, and

0:49:01.840 --> 0:49:04.840
<v Speaker 1>many of the fields contained pits, never ponds, which I

0:49:04.880 --> 0:49:08.160
<v Speaker 1>believe our old marl pits. Some of them have quite

0:49:08.200 --> 0:49:11.640
<v Speaker 1>steep sides. Jenny was well known to me and my contemporaries,

0:49:11.680 --> 0:49:14.520
<v Speaker 1>and was simply the green weed duck weed which covered

0:49:14.560 --> 0:49:17.960
<v Speaker 1>the surface of stagnant water. Children who strayed too close

0:49:18.000 --> 0:49:19.640
<v Speaker 1>to the edge of these pits would be warned to

0:49:19.680 --> 0:49:22.000
<v Speaker 1>watch out for Ginny green teeth. But it was the

0:49:22.040 --> 0:49:25.760
<v Speaker 1>weed itself which was believed to hold children under the water.

0:49:26.040 --> 0:49:28.520
<v Speaker 1>There was never any suggestion that there was a witch

0:49:28.600 --> 0:49:31.920
<v Speaker 1>of any kind there. And then another firstthand account of

0:49:31.920 --> 0:49:35.080
<v Speaker 1>the Vicary quotes quote, as a child in the countryside

0:49:35.080 --> 0:49:37.520
<v Speaker 1>of Cheshire, I heard the name Jinny green Teeth given

0:49:37.520 --> 0:49:39.719
<v Speaker 1>to the bright green water plant that lies on the

0:49:39.760 --> 0:49:43.400
<v Speaker 1>surface of stagnant ponds. The minute leaves are rather like

0:49:43.520 --> 0:49:46.840
<v Speaker 1>tiny teeth, and imagine that if one fell into the pond,

0:49:47.200 --> 0:49:50.719
<v Speaker 1>the green scum like plant would close over one's head.

0:49:51.080 --> 0:49:54.920
<v Speaker 1>Thus Jinny green Teeth had got you. Now that's an

0:49:54.920 --> 0:49:59.520
<v Speaker 1>interesting development there. There's still this predatory aspect being imputed

0:49:59.760 --> 0:50:01.799
<v Speaker 1>to Jenny Green Teeth. But she's not a hag, she's

0:50:01.800 --> 0:50:04.400
<v Speaker 1>not a witch. It's the plant that kills you. It

0:50:04.520 --> 0:50:06.600
<v Speaker 1>lures you into the water by making it look like

0:50:06.640 --> 0:50:08.920
<v Speaker 1>a solid surface, and then when you fall in, the

0:50:09.000 --> 0:50:12.000
<v Speaker 1>children imagined this plant would close over top of you

0:50:12.160 --> 0:50:15.680
<v Speaker 1>like a like a membrane, ceiling you under the water. Interesting,

0:50:15.680 --> 0:50:18.560
<v Speaker 1>so we kind of have a their meeting is halfway

0:50:18.640 --> 0:50:25.759
<v Speaker 1>between like actual realistic fear and an outlandish monstrous invention, right,

0:50:25.800 --> 0:50:29.200
<v Speaker 1>because there's no indication that duck weed will actually close

0:50:29.280 --> 0:50:31.440
<v Speaker 1>over you and prevent you from getting out of the water,

0:50:32.000 --> 0:50:34.480
<v Speaker 1>but it can be dangerous because it can make a

0:50:34.960 --> 0:50:37.880
<v Speaker 1>deep pit of water look like a solid surface that

0:50:37.920 --> 0:50:40.719
<v Speaker 1>you could just run straight into. So one question is

0:50:40.760 --> 0:50:44.759
<v Speaker 1>did this association between the Jenny green Teeth monster and

0:50:44.880 --> 0:50:48.239
<v Speaker 1>duck weed begin earlier late like, was Jenny a pre

0:50:48.360 --> 0:50:52.239
<v Speaker 1>existing bogey figure who later came to be identified with

0:50:52.320 --> 0:50:55.040
<v Speaker 1>duck weed or was she always a creature of the weed?

0:50:55.600 --> 0:50:58.040
<v Speaker 1>And I think the answer is not quite clear. Vicary

0:50:58.120 --> 0:51:00.960
<v Speaker 1>cites one scholar who wrote that the association had to

0:51:00.960 --> 0:51:04.160
<v Speaker 1>be recent, since he believed Jenny quote had descended from

0:51:04.160 --> 0:51:08.520
<v Speaker 1>the water spirits of Gothic mythology, whose great seductive beauty

0:51:08.640 --> 0:51:12.560
<v Speaker 1>was somewhat marred by their green teeth. And of course

0:51:12.600 --> 0:51:14.520
<v Speaker 1>this makes me think about a principle we've talked about

0:51:14.560 --> 0:51:18.600
<v Speaker 1>several times. From that book The Demon Lovers by Walter Stevens,

0:51:19.320 --> 0:51:22.880
<v Speaker 1>Yeah and Demon Lovers, Witchcraft, Sex, and Crisis of Belief,

0:51:23.440 --> 0:51:27.960
<v Speaker 1>he examines a number of different texts associated with which

0:51:28.040 --> 0:51:32.799
<v Speaker 1>with witchcraft, persecution, witchcraft, theory of the day, and one

0:51:32.800 --> 0:51:34.800
<v Speaker 1>of the texts that he looks at is The witch

0:51:35.040 --> 0:51:39.200
<v Speaker 1>or on the Illusions of Demons by Jeanne Francesco Pica

0:51:39.239 --> 0:51:43.680
<v Speaker 1>del Mirandola, who died in fifteen thirty three. Now Pico

0:51:43.840 --> 0:51:47.480
<v Speaker 1>was the nephew of the influential philosopher Giovanni Pico, and

0:51:47.480 --> 0:51:50.520
<v Speaker 1>Pico the younger here was wasn't was an influential thinker

0:51:50.560 --> 0:51:53.399
<v Speaker 1>of the day as well. He was an intellectual who

0:51:53.480 --> 0:51:57.680
<v Speaker 1>championed quote, the truths of Christianity against the crescendo of

0:51:57.719 --> 0:52:03.040
<v Speaker 1>skepticism that he felt era Statlian science fostered by encouraging

0:52:03.360 --> 0:52:07.759
<v Speaker 1>an empirical attitude towards the world. So Stevens wrote that

0:52:07.880 --> 0:52:11.960
<v Speaker 1>he quote brilliantly understood the way to fight skepticism was

0:52:12.000 --> 0:52:15.400
<v Speaker 1>with skepticism itself. So in other words, Pico was an

0:52:15.480 --> 0:52:18.400
<v Speaker 1>enemy of reason who used his intellectual gifts to champion

0:52:18.480 --> 0:52:24.040
<v Speaker 1>religious worldview over skepticism. His works enforced quite literally the

0:52:24.080 --> 0:52:28.239
<v Speaker 1>idea of a demon haunted world. But Pico in his work,

0:52:28.239 --> 0:52:33.200
<v Speaker 1>he describes a conversation between four individuals, including the inquisitor

0:52:33.320 --> 0:52:38.480
<v Speaker 1>Dicasti so which means judge who quote healthfully explains that

0:52:38.719 --> 0:52:41.719
<v Speaker 1>all the trial records of the inquisition revealed that the

0:52:41.760 --> 0:52:45.719
<v Speaker 1>devil can create a nearly perfect facsimile of the human body,

0:52:45.760 --> 0:52:47.839
<v Speaker 1>but never can get the feet to come out right.

0:52:48.280 --> 0:52:51.920
<v Speaker 1>Never the feet. God makes the feet come out in

0:52:52.120 --> 0:52:56.879
<v Speaker 1>verse those at preposteros, so that people will know that

0:52:56.920 --> 0:52:59.400
<v Speaker 1>they are in the presence of a devil and not

0:52:59.520 --> 0:53:02.759
<v Speaker 1>be fool into thinking that he is human. Thus they

0:53:02.760 --> 0:53:07.000
<v Speaker 1>have no excuse for sinning. The corollary, which Decosts does

0:53:07.040 --> 0:53:12.520
<v Speaker 1>not state, is equally important. Imperfect feet are an infallible

0:53:12.520 --> 0:53:15.520
<v Speaker 1>way of recognizing demons, So we should not fear that

0:53:15.600 --> 0:53:19.840
<v Speaker 1>which is mistake ordinary humans for demons. So perhaps you

0:53:19.840 --> 0:53:22.360
<v Speaker 1>know Jenny works along some more lines or or plays

0:53:22.440 --> 0:53:24.960
<v Speaker 1>upon these trends and storytelling, right, well, I think the

0:53:25.000 --> 0:53:28.040
<v Speaker 1>idea here would not necessarily be Jenny herself, but would

0:53:28.080 --> 0:53:30.400
<v Speaker 1>be the creatures that this scholar is saying that Jenny

0:53:30.440 --> 0:53:33.960
<v Speaker 1>descends from. The idea of the green teeth comes to

0:53:34.080 --> 0:53:36.719
<v Speaker 1>us from the fact that there would be the seductive

0:53:36.719 --> 0:53:39.759
<v Speaker 1>water spirits who might they might be beautiful to lure

0:53:39.840 --> 0:53:43.360
<v Speaker 1>men into the water and drown them. But like like

0:53:43.480 --> 0:53:46.680
<v Speaker 1>the witches that Dicostys is talking about, here, would have

0:53:46.800 --> 0:53:49.200
<v Speaker 1>one feature that would be a tell that would let

0:53:49.200 --> 0:53:51.840
<v Speaker 1>you know that God has not allowed this demon to

0:53:51.920 --> 0:53:54.919
<v Speaker 1>be a perfect mimicking of human beauty, and that tell

0:53:55.120 --> 0:53:57.799
<v Speaker 1>is that she's got disgusting green teeth well, and from

0:53:57.880 --> 0:54:00.520
<v Speaker 1>storytelling standpoint, it's always great to have that that little uh,

0:54:00.640 --> 0:54:03.440
<v Speaker 1>that that little detail at the last minute that clears

0:54:03.480 --> 0:54:07.839
<v Speaker 1>everyone in, Oh, it's not a woman, it's a demon, etcetera. Uh. Incidentally,

0:54:07.880 --> 0:54:10.319
<v Speaker 1>this also reminded me of a line from C. S.

0:54:10.400 --> 0:54:13.560
<v Speaker 1>Lewis is The Lion, the Witch and the Wardrobe, where

0:54:14.719 --> 0:54:17.200
<v Speaker 1>it's written, quote, when you meet anything that is going

0:54:17.239 --> 0:54:19.640
<v Speaker 1>to be human and isn't yet or it used to

0:54:19.680 --> 0:54:23.320
<v Speaker 1>be human once and isn't now or ought to be human,

0:54:23.400 --> 0:54:25.960
<v Speaker 1>and isn't you keep your eyes on it and feel

0:54:26.000 --> 0:54:33.680
<v Speaker 1>for your hatchet. Sound advice, sound violent advice, sound advice. Alright,

0:54:33.680 --> 0:54:35.520
<v Speaker 1>on that note, we're gonna take one more break and

0:54:35.520 --> 0:54:37.759
<v Speaker 1>we'll come back. We're gonna discuss duckweed a little bit more.

0:54:37.760 --> 0:54:39.960
<v Speaker 1>We're gonna discuss Jenny Green Teeth a little bit more,

0:54:39.960 --> 0:54:43.959
<v Speaker 1>and then we're going to close out. Alright, we're back.

0:54:44.400 --> 0:54:47.600
<v Speaker 1>So Vickery also in his paper sites other first hand

0:54:47.600 --> 0:54:50.920
<v Speaker 1>accounts that the association with duckweed also also goes the

0:54:50.920 --> 0:54:53.680
<v Speaker 1>other way. It's not just that Jinny green Teeth is

0:54:53.719 --> 0:54:57.680
<v Speaker 1>a nickname for the lesser duckweed. It's that lesser duckweed

0:54:57.760 --> 0:55:00.720
<v Speaker 1>could be a sign that Jinny green Teeth is lurking

0:55:00.800 --> 0:55:03.640
<v Speaker 1>underneath uh. In an interview with a thirty four year

0:55:03.680 --> 0:55:06.640
<v Speaker 1>old woman in nineteen eighty UH, the interview goes quote,

0:55:06.680 --> 0:55:09.000
<v Speaker 1>I remember, as a very small child being told by

0:55:09.040 --> 0:55:12.040
<v Speaker 1>my mother to stay away from ponds, as Jenny green

0:55:12.120 --> 0:55:15.439
<v Speaker 1>Teeth lived in them. However, I only recall Jenny living

0:55:15.440 --> 0:55:18.080
<v Speaker 1>in ponds which were covered in green weed, of a

0:55:18.160 --> 0:55:21.480
<v Speaker 1>type which has tiny leaves and covers the entire surface

0:55:21.520 --> 0:55:24.759
<v Speaker 1>of the pond. The theory was that Jinny enticed little

0:55:24.840 --> 0:55:28.279
<v Speaker 1>children into the ponds by making them look like grass

0:55:28.320 --> 0:55:31.120
<v Speaker 1>and safe to walk on. As soon as the child

0:55:31.160 --> 0:55:34.040
<v Speaker 1>stepped onto the green it of course parted, and the

0:55:34.120 --> 0:55:37.400
<v Speaker 1>child fell through into Jenny's clutches and was drowned. The

0:55:37.520 --> 0:55:40.759
<v Speaker 1>green weed then closed over, hiding all traces of the

0:55:40.840 --> 0:55:43.799
<v Speaker 1>child ever being there. This last point was the one

0:55:43.840 --> 0:55:46.799
<v Speaker 1>which really terrified me and kept me well away from

0:55:46.800 --> 0:55:49.839
<v Speaker 1>the ponds, and indeed my own children have also been

0:55:49.880 --> 0:55:53.200
<v Speaker 1>told about Jenny, although ponds aren't as numerous these days.

0:55:53.520 --> 0:55:55.760
<v Speaker 1>As far as I know, Jenny had no known form

0:55:56.120 --> 0:55:58.360
<v Speaker 1>due to the fact that she never appeared above the

0:55:58.360 --> 0:56:01.279
<v Speaker 1>surface of the pond. So here the mat on the

0:56:01.320 --> 0:56:03.440
<v Speaker 1>surface of the pond is it's like a trick that

0:56:03.560 --> 0:56:06.239
<v Speaker 1>Jenny green Teeth uses. She is a hag, she is

0:56:06.280 --> 0:56:09.160
<v Speaker 1>a witch, but she uses the duck weed to lure

0:56:09.239 --> 0:56:12.799
<v Speaker 1>people to her. But then, also interestingly, Vickery mentions that

0:56:12.880 --> 0:56:17.040
<v Speaker 1>Jenny would sometimes get dislocated from her home turf like

0:56:17.160 --> 0:56:20.800
<v Speaker 1>children who grew up in Liverpool recount how they believe

0:56:20.880 --> 0:56:23.319
<v Speaker 1>Jenny Green Teeth didn't live in ponds or pools, but

0:56:23.400 --> 0:56:26.960
<v Speaker 1>in churchyard cemeteries, and that she would reach out and

0:56:27.040 --> 0:56:30.320
<v Speaker 1>drag children into the graveyard and then into burial vaults.

0:56:30.719 --> 0:56:34.000
<v Speaker 1>And then here's a really interesting one. In the nineteen forties,

0:56:34.239 --> 0:56:37.439
<v Speaker 1>parents in South Cheshire told children that Jenny would get

0:56:37.480 --> 0:56:40.760
<v Speaker 1>them if they ventured too close to the railroad tracks.

0:56:41.320 --> 0:56:44.440
<v Speaker 1>So Jenny, Jenny green Teeth of the the industrial world.

0:56:44.719 --> 0:56:47.960
<v Speaker 1>Now that is interesting because it seems like the idea

0:56:48.000 --> 0:56:50.239
<v Speaker 1>that the train could run you over that seems far

0:56:50.280 --> 0:56:53.440
<v Speaker 1>more overt, Like do you really need to invoke mythology,

0:56:53.840 --> 0:56:58.480
<v Speaker 1>uh to make that that that threat reel. Yeah, that's

0:56:58.480 --> 0:57:00.160
<v Speaker 1>a good question. I think we we can come back

0:57:00.200 --> 0:57:01.920
<v Speaker 1>to that at the very end. But you know, one

0:57:01.920 --> 0:57:04.720
<v Speaker 1>of the things that we haven't really talked about yet,

0:57:05.440 --> 0:57:10.400
<v Speaker 1>is the idea that, uh, that water's edge attack strategies

0:57:10.440 --> 0:57:15.040
<v Speaker 1>are actually a pretty common ambush tactic of some predators. Right.

0:57:15.560 --> 0:57:18.080
<v Speaker 1>Oh yeah, Well, let's let's discuss a few of them here,

0:57:18.160 --> 0:57:21.320
<v Speaker 1>because some of them are are really impressive. I think

0:57:21.360 --> 0:57:24.640
<v Speaker 1>the most obvious one and maybe it's just most obvious

0:57:24.640 --> 0:57:27.920
<v Speaker 1>to us because who watch enough nature documentaries uh and

0:57:28.240 --> 0:57:35.360
<v Speaker 1>or terrible movies, but croco crocodilian species their attack strategies.

0:57:36.120 --> 0:57:40.520
<v Speaker 1>So crocodilians, you know, everything from alligators and crocodiles to

0:57:41.000 --> 0:57:45.160
<v Speaker 1>more you know, to lesser known creatures such as the cayman. Uh.

0:57:45.440 --> 0:57:48.880
<v Speaker 1>Crocodilians are specialized in hunting both in the water and

0:57:49.120 --> 0:57:53.120
<v Speaker 1>at the water's edge, so they're they're ambush predators. They

0:57:53.120 --> 0:57:55.400
<v Speaker 1>wait for prey to come close, such as near the

0:57:55.400 --> 0:57:59.320
<v Speaker 1>water to drink, and then they lash out with amazing speed. Uh.

0:57:59.360 --> 0:58:02.920
<v Speaker 1>And there's a some fabulous nature documentary documentary footage out

0:58:02.920 --> 0:58:06.360
<v Speaker 1>there of, for instance, nile crocodiles attacking wild the beast

0:58:06.680 --> 0:58:09.960
<v Speaker 1>that are either drinking or preparing to cross bodies of

0:58:10.040 --> 0:58:13.280
<v Speaker 1>water during migration. And much like the stories of Jenny

0:58:13.280 --> 0:58:15.040
<v Speaker 1>Green Teeth, one of the things about a lot of

0:58:15.040 --> 0:58:19.680
<v Speaker 1>crocodilian attack strategies is that they get you into their world,

0:58:19.760 --> 0:58:22.680
<v Speaker 1>into the water world that they control. So like, if

0:58:22.720 --> 0:58:25.240
<v Speaker 1>you're just out on land, you might easily be able

0:58:25.280 --> 0:58:28.760
<v Speaker 1>to get away from a crocodile, But if the crocodile

0:58:28.800 --> 0:58:30.760
<v Speaker 1>can get up close to you and can snatch you

0:58:30.800 --> 0:58:32.960
<v Speaker 1>and get you into the water and do this thing

0:58:33.000 --> 0:58:35.720
<v Speaker 1>that's often referred to as the death roll, this twisting

0:58:35.840 --> 0:58:40.000
<v Speaker 1>ocean in the water that breaks your bones, that disorients you,

0:58:40.440 --> 0:58:42.680
<v Speaker 1>and then you can allow it to drown you in

0:58:42.720 --> 0:58:45.960
<v Speaker 1>the water before it feasts on you. Um. Yeah, this

0:58:46.320 --> 0:58:48.480
<v Speaker 1>is a way that it gets you into its domain.

0:58:48.560 --> 0:58:51.240
<v Speaker 1>It's like Jenny Green teeth pulling you down underneath the

0:58:51.280 --> 0:58:53.080
<v Speaker 1>mat of the duck weed. I have to admit I

0:58:53.120 --> 0:58:57.640
<v Speaker 1>was nearly pulled in and overtaken by just research related

0:58:57.680 --> 0:59:01.800
<v Speaker 1>to crocodilians because I ran across um a paper titled

0:59:01.920 --> 0:59:06.400
<v Speaker 1>on terrestrial Hunting by Crocodilians by Vladimir Dennets uh and

0:59:06.560 --> 0:59:10.080
<v Speaker 1>and he points, uh, you know, out that purely terrestrial

0:59:10.120 --> 0:59:14.280
<v Speaker 1>attacks even on humans are documented. So we're talking about

0:59:14.400 --> 0:59:16.920
<v Speaker 1>attacks that take place not in the water, not at

0:59:16.960 --> 0:59:19.800
<v Speaker 1>the water's edge, but outside of the water. Now, I

0:59:19.840 --> 0:59:22.480
<v Speaker 1>don't mean like you know, you know, downtown New York

0:59:22.520 --> 0:59:25.240
<v Speaker 1>City or anything. I'm talking about area near the water.

0:59:25.360 --> 0:59:30.520
<v Speaker 1>Wouldn't rule anything out. But but but but they do occur. Uh.

0:59:30.720 --> 0:59:33.240
<v Speaker 1>For and this is a particularly interesting You have the

0:59:33.240 --> 0:59:39.080
<v Speaker 1>Cuban crocodile, which apparently is is the most terrestrial of

0:59:39.480 --> 0:59:43.680
<v Speaker 1>of today's crocodilian species, in that it is more adapt

0:59:43.840 --> 0:59:49.600
<v Speaker 1>at at moving about and uh and even hunting out

0:59:49.640 --> 0:59:53.240
<v Speaker 1>of the water. And uh it's thought that the Cuban

0:59:53.280 --> 0:59:57.520
<v Speaker 1>crocodiles ancestors may have used pack hunting behavior to take

0:59:57.560 --> 1:00:02.520
<v Speaker 1>down giant ground sloths in a past giant ground sloths. Yeah.

1:00:02.560 --> 1:00:06.080
<v Speaker 1>So it's just again just a tantalizing tidbit that maybe

1:00:06.080 --> 1:00:07.640
<v Speaker 1>we can come back to in a later episode, the

1:00:07.680 --> 1:00:12.680
<v Speaker 1>idea of pack hunting Cuban crocodile ancestors. So that would

1:00:12.720 --> 1:00:15.960
<v Speaker 1>be the what the megatherium? Yeah, those things look like

1:00:16.480 --> 1:00:19.320
<v Speaker 1>I wouldn't imagine anything would mess with them. Yeah, but

1:00:19.400 --> 1:00:23.160
<v Speaker 1>if you have enough enough land crocs then who knows. Now.

1:00:23.200 --> 1:00:25.640
<v Speaker 1>Another really impressive organism to talk about here is the

1:00:25.760 --> 1:00:28.680
<v Speaker 1>archer fish. And this one also is kind of superstar

1:00:28.840 --> 1:00:31.960
<v Speaker 1>of certain nature documentaries. So it's a family of fish

1:00:32.120 --> 1:00:37.080
<v Speaker 1>that's evolved an amazing means of hunting prey. Uh. They

1:00:37.080 --> 1:00:41.440
<v Speaker 1>shoot a highly specialized stream of water at insects on

1:00:41.600 --> 1:00:45.320
<v Speaker 1>branches that are overhanging the water, and they spit this

1:00:45.440 --> 1:00:48.960
<v Speaker 1>stream in such a way that high the higher velocity

1:00:49.080 --> 1:00:52.000
<v Speaker 1>rear portion of the stream catches up to the lower

1:00:52.080 --> 1:00:55.320
<v Speaker 1>velocity front portion of the stream right before it hits

1:00:55.400 --> 1:00:59.440
<v Speaker 1>the target, jamming everything into a glob, just one solid

1:00:59.440 --> 1:01:01.520
<v Speaker 1>glob of so it just really pops. It's like a

1:01:01.880 --> 1:01:04.280
<v Speaker 1>it's a water bomb. Yeah, it's just a water bomb

1:01:04.280 --> 1:01:06.520
<v Speaker 1>that hits them and then knocks the insect off into

1:01:06.520 --> 1:01:09.440
<v Speaker 1>the water where it can get them. It uses exceptional

1:01:09.480 --> 1:01:13.080
<v Speaker 1>eyesight to aim, as well as an ability to compensate

1:01:13.280 --> 1:01:16.120
<v Speaker 1>for the refraction of light as it passes through the

1:01:16.160 --> 1:01:20.360
<v Speaker 1>air water interface, which is impressive in and of itself right.

1:01:21.080 --> 1:01:24.040
<v Speaker 1>And then it's also interesting to know that they're they're

1:01:24.080 --> 1:01:26.840
<v Speaker 1>not born dead eyes. They actually have to practice and

1:01:27.000 --> 1:01:31.200
<v Speaker 1>learn by observing other fish in their school. Interesting, so

1:01:31.400 --> 1:01:34.160
<v Speaker 1>usually think of fish is learning very much. I know

1:01:34.280 --> 1:01:38.920
<v Speaker 1>that these are from several different angles. These are fascinating creatures.

1:01:39.360 --> 1:01:42.120
<v Speaker 1>They also use their water jet attack underwater and they've

1:01:42.120 --> 1:01:45.680
<v Speaker 1>been observed jumping out of the water to catch prey

1:01:45.760 --> 1:01:49.160
<v Speaker 1>as well. Now their their jet of water. It has

1:01:49.160 --> 1:01:52.600
<v Speaker 1>a functional range of something like one to two meters

1:01:52.720 --> 1:01:55.640
<v Speaker 1>or three ft three inches to six ft seven inches,

1:01:55.680 --> 1:01:57.560
<v Speaker 1>but they can shoot it further than that, but it

1:01:57.640 --> 1:02:00.760
<v Speaker 1>just doesn't have particularly good aim beyond that point. You know.

1:02:00.800 --> 1:02:04.120
<v Speaker 1>Another example I would like to mention is the fact

1:02:04.200 --> 1:02:07.240
<v Speaker 1>that we all know seals and sea lions can be

1:02:07.360 --> 1:02:10.840
<v Speaker 1>fearsome predators themselves, right, but sometimes, of course they have

1:02:10.880 --> 1:02:14.040
<v Speaker 1>to flee a more powerful flesh gobbler, which is the orca,

1:02:14.160 --> 1:02:17.440
<v Speaker 1>the killer whale. Goodness, and this is another superstar of

1:02:17.520 --> 1:02:21.360
<v Speaker 1>nature documaries. Yes, Now, normally, if you're a seal sea lion,

1:02:21.480 --> 1:02:23.640
<v Speaker 1>the best way to escape a killer whale is going

1:02:23.720 --> 1:02:26.160
<v Speaker 1>to be what swim full speed for sure, get onto

1:02:26.200 --> 1:02:28.200
<v Speaker 1>the beach or the rocks of the orca can't reach you.

1:02:28.400 --> 1:02:30.320
<v Speaker 1>Right then you can just lay around all day and

1:02:30.600 --> 1:02:32.480
<v Speaker 1>for the most part, nothing's gonna miss with you. Right,

1:02:32.480 --> 1:02:34.520
<v Speaker 1>I'm thinking of the you know, the swim Charlie swim

1:02:34.600 --> 1:02:37.360
<v Speaker 1>scene in Jaws. Right, the shark won't follow you onto

1:02:37.360 --> 1:02:41.120
<v Speaker 1>the beach. There are no land sharks, but one of

1:02:41.120 --> 1:02:44.280
<v Speaker 1>the strangest attack strategies I've ever seen in nature is

1:02:44.320 --> 1:02:47.760
<v Speaker 1>the way that the orca has learned to defy this logic.

1:02:48.400 --> 1:02:53.760
<v Speaker 1>Sometimes orcas will deliberately beach themselves to catch prey that

1:02:53.800 --> 1:02:57.160
<v Speaker 1>has escaped onto land. For example, the orcas of the

1:02:57.200 --> 1:03:00.760
<v Speaker 1>Valdes Peninsula on the Atlantic coast of Argentina are known

1:03:00.960 --> 1:03:03.480
<v Speaker 1>for doing this. They will chase a seal or sea

1:03:03.520 --> 1:03:05.880
<v Speaker 1>lion that's on the ground or in the in the

1:03:05.920 --> 1:03:08.440
<v Speaker 1>shallow water like the surf or just up on the rocks,

1:03:08.800 --> 1:03:11.120
<v Speaker 1>and the orca will rock it towards the water line,

1:03:11.600 --> 1:03:14.720
<v Speaker 1>crash over it onto land at snag a seal, and

1:03:14.760 --> 1:03:18.040
<v Speaker 1>then flop around and slide back into the water, dragging

1:03:18.080 --> 1:03:21.520
<v Speaker 1>the seal with them. It's an impressive and just awesome

1:03:21.560 --> 1:03:24.200
<v Speaker 1>sight and and it's like the ultimate nightmare. Right. There

1:03:24.240 --> 1:03:27.800
<v Speaker 1>are so many just unbelievably powerful predators in the water

1:03:28.160 --> 1:03:30.320
<v Speaker 1>that you always think like, well, at least I'm safe

1:03:30.360 --> 1:03:33.280
<v Speaker 1>on land, and to be clear of the target here

1:03:34.440 --> 1:03:38.600
<v Speaker 1>is the seal. So yes, humans are safe from beach

1:03:38.680 --> 1:03:42.240
<v Speaker 1>based oorca attacks, right at least generally, I wouldn't rule

1:03:42.280 --> 1:03:44.480
<v Speaker 1>out that it could never happen. Well, but I would

1:03:44.520 --> 1:03:48.800
<v Speaker 1>not lose any sleepover, right not Yeah, nothing to go

1:03:48.840 --> 1:03:52.040
<v Speaker 1>about your life worthy and about. But hey, let's go

1:03:52.080 --> 1:03:54.840
<v Speaker 1>to another similar example, Robert, I want you to put

1:03:54.840 --> 1:03:57.800
<v Speaker 1>yourself in a in a city in France. Imagine yourself

1:03:57.800 --> 1:04:01.160
<v Speaker 1>wandering along the river Tarn in southern France, in the

1:04:01.200 --> 1:04:05.120
<v Speaker 1>commune of Albi. Like a lot of urban areas, Albi

1:04:05.240 --> 1:04:08.160
<v Speaker 1>has its resident population of pigeons. We all know about

1:04:08.160 --> 1:04:11.040
<v Speaker 1>city pigeons, and they're probably out there getting fat off

1:04:11.160 --> 1:04:13.760
<v Speaker 1>the bread that falls off the edges of cafe tables

1:04:13.760 --> 1:04:18.120
<v Speaker 1>and stuff like that. The winged rats of civilization. Now

1:04:18.240 --> 1:04:23.200
<v Speaker 1>in the river dwells a mighty leviathan, the European catfish.

1:04:23.320 --> 1:04:27.640
<v Speaker 1>The European catfish Silarus glanis is not not native to

1:04:27.680 --> 1:04:30.720
<v Speaker 1>this river, but it is this invasive species that has

1:04:30.760 --> 1:04:34.360
<v Speaker 1>taken over rivers in in all throughout Europe, and it

1:04:34.480 --> 1:04:37.240
<v Speaker 1>is Europe's largest freshwater fish. I believe it's the third

1:04:37.320 --> 1:04:40.480
<v Speaker 1>largest freshwater fish in the world. And these things get big.

1:04:40.680 --> 1:04:42.760
<v Speaker 1>I've read like a meter to even a meter and

1:04:42.800 --> 1:04:45.880
<v Speaker 1>a half long, and they are thick. Now, I want

1:04:45.880 --> 1:04:49.040
<v Speaker 1>to remind everybody that the catfish is generally regarded as

1:04:49.080 --> 1:04:53.400
<v Speaker 1>a bottom feeder. Um I imagine you you haven't grown

1:04:53.480 --> 1:04:56.000
<v Speaker 1>up in Tennessee like I like I have. There were

1:04:56.040 --> 1:04:59.640
<v Speaker 1>a lot of stories of the catfish that grow gigantic

1:05:00.120 --> 1:05:04.640
<v Speaker 1>the like the depths near dams, for instance. Yeah, exactly.

1:05:04.920 --> 1:05:06.680
<v Speaker 1>And there weren't a lot of stories about them being

1:05:06.720 --> 1:05:08.920
<v Speaker 1>I mean, I guess they were occasionally stories about them,

1:05:09.200 --> 1:05:11.800
<v Speaker 1>you know, biting or whatnot. But for the most part, yeah,

1:05:11.840 --> 1:05:14.000
<v Speaker 1>they're down there in the deep. They're not really concerned

1:05:14.040 --> 1:05:16.400
<v Speaker 1>with the surface until you catch one on your reel

1:05:16.480 --> 1:05:19.320
<v Speaker 1>and you bring it up. Right. So you're in Albe,

1:05:19.400 --> 1:05:22.640
<v Speaker 1>You're going along the river and the river tarn, and

1:05:22.720 --> 1:05:24.920
<v Speaker 1>you notice the pigeons are hanging out on a little

1:05:24.960 --> 1:05:28.600
<v Speaker 1>gravel island to clean themselves by the water, and you,

1:05:28.640 --> 1:05:32.080
<v Speaker 1>of course also see these invasive catfish, the monstrous catfish,

1:05:32.160 --> 1:05:35.560
<v Speaker 1>floating around at the water's edge. And then suddenly what

1:05:35.640 --> 1:05:38.800
<v Speaker 1>you see is that one of these leviathans lashes out

1:05:38.800 --> 1:05:42.760
<v Speaker 1>of the shallows, partially beaches itself, clamps its jaws down

1:05:42.800 --> 1:05:45.520
<v Speaker 1>on a pigeon's head or leg or wing, and then

1:05:45.600 --> 1:05:47.880
<v Speaker 1>drags the bird down into the deeper part of the

1:05:47.880 --> 1:05:51.200
<v Speaker 1>water to feast. There was a study in two thousand

1:05:51.280 --> 1:05:55.360
<v Speaker 1>twelve and pl os one that that characterized this behavior

1:05:55.920 --> 1:06:00.800
<v Speaker 1>by Julian coukro Set, Stephanie Bullatrouw, fred drick as, Amar,

1:06:01.040 --> 1:06:05.360
<v Speaker 1>Arthur Compeen, Matthew Guillaume, and Frederick Santool, and the authors

1:06:05.560 --> 1:06:09.480
<v Speaker 1>characterized the catfish in this case as freshwater killer whales.

1:06:10.760 --> 1:06:15.320
<v Speaker 1>Now they noticed something interesting. Only moving pigeons were attacked,

1:06:15.560 --> 1:06:18.280
<v Speaker 1>and the catfish that hunted pigeons would tend to hold

1:06:18.320 --> 1:06:20.920
<v Speaker 1>their you know those whiskers catfish have on their faces,

1:06:20.960 --> 1:06:23.840
<v Speaker 1>the barbels, they would tend to hold those erect while

1:06:23.880 --> 1:06:26.000
<v Speaker 1>they were hunting. And this led the authors to conclude

1:06:26.040 --> 1:06:30.000
<v Speaker 1>that the catfish were probably hunting by sensing vibrations in

1:06:30.040 --> 1:06:34.400
<v Speaker 1>the water. But fascinating question, how did this hunting strategy

1:06:34.480 --> 1:06:38.120
<v Speaker 1>come about? How did the how did the catfish start

1:06:38.200 --> 1:06:42.880
<v Speaker 1>going from just you know, normal aquatic feeding behaviors to saying, yeah,

1:06:42.880 --> 1:06:45.600
<v Speaker 1>I'll jump out of the water into the air onto

1:06:45.600 --> 1:06:48.040
<v Speaker 1>the land that would probably kill me, grab a pigeon

1:06:48.120 --> 1:06:51.760
<v Speaker 1>and drag it in. How did it decide to become

1:06:51.880 --> 1:06:55.040
<v Speaker 1>Jenny Green teeth. I'm guessing it probably started off as

1:06:55.040 --> 1:06:57.800
<v Speaker 1>a like a crime of opportunity, right, yeah, But it's

1:06:57.800 --> 1:06:59.960
<v Speaker 1>always I mean, it's just hard to imagine, Like how

1:07:00.000 --> 1:07:04.720
<v Speaker 1>all behaviors like that originate? What how did it start happening? Well,

1:07:04.920 --> 1:07:07.520
<v Speaker 1>it makes me think of our old friends, the squirrels,

1:07:07.600 --> 1:07:12.240
<v Speaker 1>the scugs, and uh, their their their predatory side. And

1:07:12.360 --> 1:07:14.200
<v Speaker 1>what point does a creature that is not that is

1:07:14.200 --> 1:07:18.800
<v Speaker 1>clearly not evolved for such behavior begin, you know, dipping

1:07:18.840 --> 1:07:22.400
<v Speaker 1>its little toes into that, right. Yeah, but then again

1:07:22.440 --> 1:07:23.800
<v Speaker 1>when you think about it, I mean, it is a

1:07:23.800 --> 1:07:26.280
<v Speaker 1>great opportunity, right because the water's edge is sort of

1:07:26.280 --> 1:07:29.400
<v Speaker 1>a perfect ambush. Point is the crocodilians have caught onto

1:07:29.640 --> 1:07:32.640
<v Speaker 1>the attacker can get so close to the prey while

1:07:32.680 --> 1:07:35.840
<v Speaker 1>remaining hidden, just like Jenny lurking under the duck weed.

1:07:36.360 --> 1:07:39.760
<v Speaker 1>And and this emphasizes that there are actually multiple reasons

1:07:39.800 --> 1:07:45.000
<v Speaker 1>that water's edge fears are not just you know, psychologically salient,

1:07:45.040 --> 1:07:47.920
<v Speaker 1>but they're entirely justified in many ways, especially when you're

1:07:47.920 --> 1:07:50.680
<v Speaker 1>talking about children. Yeah, this this really brings us back

1:07:50.680 --> 1:07:52.760
<v Speaker 1>to what we talked about at the very beginning, the

1:07:52.760 --> 1:07:56.040
<v Speaker 1>the idea that there is this, this real and perhaps

1:07:56.080 --> 1:07:59.920
<v Speaker 1>you know, very honest reason for for crafting these men

1:08:00.040 --> 1:08:03.560
<v Speaker 1>so or at least embracing these these folkloric beliefs and

1:08:03.560 --> 1:08:06.760
<v Speaker 1>then passing them onto children. Uh, you know, and I

1:08:06.800 --> 1:08:09.840
<v Speaker 1>definitely want to be sensitive about this because accidental drowning

1:08:09.880 --> 1:08:13.040
<v Speaker 1>deaths are are a very serious matter and a traumatic matter,

1:08:13.320 --> 1:08:17.839
<v Speaker 1>especially when it concerns children. I've known people personally affected

1:08:17.880 --> 1:08:20.759
<v Speaker 1>by tragedies like this, and and it is it's difficult

1:08:20.800 --> 1:08:23.280
<v Speaker 1>to find words to even even talk about them. You know,

1:08:23.320 --> 1:08:26.880
<v Speaker 1>there's just such a such a you know, a bleak

1:08:26.920 --> 1:08:30.240
<v Speaker 1>traumatic experience to even contemplate. Uh. And I know that

1:08:30.360 --> 1:08:32.160
<v Speaker 1>some of you out there listening to this episode you

1:08:32.200 --> 1:08:33.920
<v Speaker 1>may have lost people in this matter. And I do

1:08:33.960 --> 1:08:36.680
<v Speaker 1>want to drive home that you do have our our

1:08:36.680 --> 1:08:38.880
<v Speaker 1>sympathies even as we discuss the you know, the human

1:08:38.920 --> 1:08:42.040
<v Speaker 1>myth making that builds up around the truth. But but

1:08:42.120 --> 1:08:44.719
<v Speaker 1>let's let's stop just to consider some of the modern

1:08:44.840 --> 1:08:49.080
<v Speaker 1>stats about accidental drowning. According to the CDC, from two

1:08:49.080 --> 1:08:51.920
<v Speaker 1>thousand five to two thousand and fourteen, there were an

1:08:51.920 --> 1:08:55.040
<v Speaker 1>average of three thousand, five hundred and thirty six fatal

1:08:55.280 --> 1:09:00.120
<v Speaker 1>unintentional drownings non voting related annually in the United States,

1:09:00.280 --> 1:09:03.720
<v Speaker 1>about ten deaths per day. An additional three d and

1:09:03.720 --> 1:09:06.719
<v Speaker 1>thirty two people died each year from drowning in boat

1:09:06.760 --> 1:09:11.320
<v Speaker 1>related incidents. About one in five people who die from

1:09:11.400 --> 1:09:14.960
<v Speaker 1>drowning our children fourteen and younger, and for every child

1:09:15.000 --> 1:09:19.320
<v Speaker 1>who dies from drowning, another five receive emergency department care

1:09:19.400 --> 1:09:24.479
<v Speaker 1>for non fatal submersion injuries. This is worth noting here

1:09:24.520 --> 1:09:26.080
<v Speaker 1>as well, because if you haven't if you don't have

1:09:26.080 --> 1:09:29.479
<v Speaker 1>any firsthand account with drowning, or you're not trained as

1:09:29.479 --> 1:09:31.840
<v Speaker 1>a lifeguard, you might not realize that it's it's not

1:09:31.880 --> 1:09:36.120
<v Speaker 1>just this definite line between drowning and almost drowning, between

1:09:36.640 --> 1:09:40.600
<v Speaker 1>you know, dying in the water and surviving. Um. The

1:09:40.840 --> 1:09:44.519
<v Speaker 1>CDC page points out that uh more than fifty percent

1:09:44.560 --> 1:09:48.639
<v Speaker 1>of drowning victims treated in emergency departments require hospital treatment,

1:09:48.800 --> 1:09:52.799
<v Speaker 1>and non fatal drowning injuries can still cause severe brain damage,

1:09:52.920 --> 1:09:56.640
<v Speaker 1>the result in long term disabilities. Yeah. I mean, this

1:09:56.720 --> 1:09:59.000
<v Speaker 1>kind of thing emphasizes and we should be clear that

1:09:59.040 --> 1:10:02.120
<v Speaker 1>these are modern statistics. These are based on a time

1:10:02.160 --> 1:10:04.519
<v Speaker 1>where I think it is more common for people to

1:10:04.680 --> 1:10:07.000
<v Speaker 1>know how to swim, like to have been taught how

1:10:07.000 --> 1:10:11.320
<v Speaker 1>to swim. Um that this is probably not referring as

1:10:11.400 --> 1:10:14.040
<v Speaker 1>often to people living in places where it's common for

1:10:14.080 --> 1:10:16.280
<v Speaker 1>there to be stagnant pools that are covered in a

1:10:16.320 --> 1:10:20.000
<v Speaker 1>map that make them look like grass. Um. I mean, so,

1:10:20.000 --> 1:10:23.440
<v Speaker 1>so yeah, this is different circumstances even but it highlights

1:10:23.560 --> 1:10:26.760
<v Speaker 1>how dangerous water can be. If you're an adult who

1:10:26.840 --> 1:10:29.360
<v Speaker 1>knows how to swim and you don't think about dangers

1:10:29.360 --> 1:10:33.320
<v Speaker 1>to children, you just really might not realize how real

1:10:33.479 --> 1:10:37.000
<v Speaker 1>of a threat a standing body of water is. So

1:10:37.080 --> 1:10:39.439
<v Speaker 1>the myth making of Jenny Green Teeth as a as

1:10:39.439 --> 1:10:42.320
<v Speaker 1>a warning to keep children away from the duckweed ponds

1:10:42.360 --> 1:10:45.080
<v Speaker 1>and the moral pits filled in it seems like a

1:10:45.240 --> 1:10:48.880
<v Speaker 1>very very reasonable thing to do in a way. I mean,

1:10:49.040 --> 1:10:53.080
<v Speaker 1>I'm not necessarily advocating making up fictional monsters to scare children,

1:10:53.120 --> 1:10:55.559
<v Speaker 1>but you can see why people did it, And so

1:10:55.800 --> 1:10:59.400
<v Speaker 1>Jenny is often used educationally as a safety warning. The

1:10:59.479 --> 1:11:02.719
<v Speaker 1>monster is invoked to keep children from playing near dangerous

1:11:02.760 --> 1:11:05.479
<v Speaker 1>bodies of water or in other contexts that are dangerous,

1:11:05.520 --> 1:11:09.759
<v Speaker 1>like around railroad tracks, like Vickery talked about. But here's

1:11:09.800 --> 1:11:12.000
<v Speaker 1>this interesting part we were talking about earlier that I

1:11:12.040 --> 1:11:15.360
<v Speaker 1>feel like we still haven't necessarily solved. The thing you're

1:11:15.360 --> 1:11:19.280
<v Speaker 1>warning children to stay away from is real, life threatening danger,

1:11:19.840 --> 1:11:21.920
<v Speaker 1>and in order to get the message across, you have

1:11:22.000 --> 1:11:26.559
<v Speaker 1>to create a fictional supernatural life threatening danger. Children are

1:11:26.560 --> 1:11:31.080
<v Speaker 1>obviously motivated by self preservation or the fictional supernatural life

1:11:31.080 --> 1:11:35.240
<v Speaker 1>threatening danger wouldn't work. But for some reason, some risks

1:11:35.360 --> 1:11:38.960
<v Speaker 1>to their body safety and their survival don't seem to

1:11:39.000 --> 1:11:42.280
<v Speaker 1>be as salient or as as effective as others. And

1:11:42.320 --> 1:11:45.439
<v Speaker 1>apparently mothers and fathers are wagering that children are just

1:11:45.600 --> 1:11:49.040
<v Speaker 1>not likely to obey warnings about the risks of deep

1:11:49.080 --> 1:11:51.880
<v Speaker 1>water that says you could fall in and drown. They

1:11:51.880 --> 1:11:54.400
<v Speaker 1>think children are more likely to obey a warning that

1:11:54.439 --> 1:11:57.640
<v Speaker 1>says the green Lady will get you. So why is

1:11:57.680 --> 1:12:01.600
<v Speaker 1>the fictional threat more compelling and more useful than the

1:12:01.680 --> 1:12:04.040
<v Speaker 1>actual threat? Now I come back again to what I

1:12:04.040 --> 1:12:07.559
<v Speaker 1>said earlier about how I feel like the monster is

1:12:07.600 --> 1:12:13.320
<v Speaker 1>actually still a sanitized version of the threat um And

1:12:13.320 --> 1:12:15.840
<v Speaker 1>and isn't it interesting too that we see these examples

1:12:15.920 --> 1:12:19.040
<v Speaker 1>where you're personifying the threat, you're turning the threat into

1:12:19.080 --> 1:12:22.639
<v Speaker 1>the human identity. But then you're making it an old woman,

1:12:23.280 --> 1:12:26.120
<v Speaker 1>which also feels like a sanity, like you're sanitizing it

1:12:26.479 --> 1:12:29.960
<v Speaker 1>because you're not making it into a man, which if

1:12:30.000 --> 1:12:34.120
<v Speaker 1>you look at the if you look at the chances

1:12:34.200 --> 1:12:39.640
<v Speaker 1>of a of an individual posing a significant bodily and

1:12:39.760 --> 1:12:44.000
<v Speaker 1>certainly a lethal threat to a child. That individual is

1:12:44.040 --> 1:12:47.280
<v Speaker 1>far more likely to be male. Um, you know, without

1:12:47.280 --> 1:12:51.439
<v Speaker 1>certainly getting into into stranger danger and the more, you know,

1:12:51.479 --> 1:12:56.360
<v Speaker 1>inflated aspects of this sphere. But but you've you've, You've chosen.

1:12:56.400 --> 1:12:58.880
<v Speaker 1>There seems to be there's an active choice here in

1:12:59.040 --> 1:13:02.920
<v Speaker 1>making Jenny been teeth, making it an older female entity

1:13:03.040 --> 1:13:06.519
<v Speaker 1>instead of a male entity, which would, again, I think,

1:13:06.560 --> 1:13:11.240
<v Speaker 1>bring it too close to horrific real life situations that

1:13:11.280 --> 1:13:14.000
<v Speaker 1>you're trying to avoid and crafting the myth. I think

1:13:14.080 --> 1:13:16.400
<v Speaker 1>I agree with that, though, then again, I wonder if

1:13:16.439 --> 1:13:19.920
<v Speaker 1>this is this is a sort of modern American cultural

1:13:20.040 --> 1:13:22.799
<v Speaker 1>bias on our part that makes us feel this way.

1:13:22.840 --> 1:13:26.040
<v Speaker 1>I mean, we might not feel like old women are

1:13:26.160 --> 1:13:30.160
<v Speaker 1>necessarily less dangerous. If we say we're in a context

1:13:30.160 --> 1:13:33.519
<v Speaker 1>in which we believed witchcraft was real, that's true, that's true.

1:13:33.880 --> 1:13:36.599
<v Speaker 1>If we have we're taking this and we're we're steeping

1:13:36.600 --> 1:13:39.880
<v Speaker 1>it in, uh, the age of witchcraft persecution and then

1:13:39.960 --> 1:13:43.680
<v Speaker 1>the an age in which which tales of hags and

1:13:43.720 --> 1:13:47.000
<v Speaker 1>witches are are are found everywhere. Then again a lot

1:13:47.000 --> 1:13:49.040
<v Speaker 1>of this is taking place, and say the early twentieth

1:13:49.120 --> 1:13:51.400
<v Speaker 1>century in which case, I don't know how many people

1:13:51.400 --> 1:13:54.439
<v Speaker 1>in north Northwest England in the early twentieth century thought

1:13:54.439 --> 1:13:57.280
<v Speaker 1>witchcraft was real. But then again, it wasn't that far

1:13:57.320 --> 1:14:00.679
<v Speaker 1>removed from from witchcraft persecution. Again, we have to remember

1:14:00.680 --> 1:14:05.400
<v Speaker 1>that witchcraft persecution was was what was not a medieval

1:14:05.760 --> 1:14:11.240
<v Speaker 1>um uh practice, it was post medieval so early modern. Yeah. Um.

1:14:12.240 --> 1:14:14.519
<v Speaker 1>Before we we closed out here, I do want to

1:14:14.720 --> 1:14:17.880
<v Speaker 1>quickly reference another green in today that I forgot to

1:14:17.920 --> 1:14:20.080
<v Speaker 1>mention that I should have mentioned, that I can only

1:14:20.120 --> 1:14:22.479
<v Speaker 1>imagine is based in part on some of these ideas,

1:14:22.680 --> 1:14:25.920
<v Speaker 1>and that is the Hitcher from the Mighty Bush, the

1:14:26.240 --> 1:14:31.520
<v Speaker 1>green skinned hag like male Cockney character. I'm not familiar.

1:14:31.600 --> 1:14:34.920
<v Speaker 1>Oh you haven't he sings the song about eels. No,

1:14:34.960 --> 1:14:37.120
<v Speaker 1>I don't know. Well, those of you out there who

1:14:37.160 --> 1:14:39.200
<v Speaker 1>have watched The Mighty Bush you know what I'm talking about.

1:14:39.240 --> 1:14:42.360
<v Speaker 1>If not, um, do a do a search for for

1:14:42.560 --> 1:14:45.640
<v Speaker 1>Bush and Hitcher, and I think you'll be delighted with

1:14:45.680 --> 1:14:47.360
<v Speaker 1>what you find. I thought you were going to say,

1:14:47.439 --> 1:14:51.400
<v Speaker 1>Cheddar Goblin, ch cheddar Goblin. It is a more recent phenomenon,

1:14:51.479 --> 1:14:56.120
<v Speaker 1>but but I think probably unrelated to this particular fairy tale. Well, Robert,

1:14:56.120 --> 1:14:59.200
<v Speaker 1>I have had massive fun with this epic exploration of

1:14:59.240 --> 1:15:01.840
<v Speaker 1>water hags Jenny Green teeth. Yeah, this has been a

1:15:01.880 --> 1:15:04.559
<v Speaker 1>good one. Uh, there was, there was. There's a lot

1:15:04.600 --> 1:15:07.280
<v Speaker 1>more beneath the depths than one might think. You know,

1:15:07.600 --> 1:15:11.000
<v Speaker 1>you don't know how deep that pond really is. All right.

1:15:11.040 --> 1:15:13.759
<v Speaker 1>If you want to check out more episodes of Stuff

1:15:13.800 --> 1:15:18.280
<v Speaker 1>to Blow Your Mind, our other October offerings, October offerings

1:15:18.320 --> 1:15:21.000
<v Speaker 1>from Halloween's past, you want to head out over to

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<v Speaker 1>Stuff to Blow your Mind dot com. That's the mothership.

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<v Speaker 1>That's where we'll find all of them. That's where you'll

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<v Speaker 1>find links out to our various social media accounts. That's

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<v Speaker 1>page for our store where you can pick up cool

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<v Speaker 1>merchandise with our logo on it. Uh, some stuff tying

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<v Speaker 1>into various episodes that we've done. It's a great way

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<v Speaker 1>to support the show by buying just a little bit

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<v Speaker 1>of that merchandise. Big thanks as always to our wonderful

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<v Speaker 1>audio producers Alex Williams and Tarry Harrison. If you would

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<v Speaker 1>about this episode or any other to let us know

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<v Speaker 1>You can email us at blow of the Mind at

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<v Speaker 1>how stuff works dot com for more on this and

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<v Speaker 1>thousands of other topics. Is it how stuff works dot com.

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<v Speaker 1>M