1 00:00:00,080 --> 00:00:03,800 Speaker 1: It's never been more important to diversify your financial portfolio. Well, 2 00:00:03,840 --> 00:00:06,880 Speaker 1: that's right. The S ANDP is down twenty percent from 3 00:00:06,880 --> 00:00:09,240 Speaker 1: the last year, and this year looks even worse. Gold 4 00:00:09,240 --> 00:00:12,560 Speaker 1: and Precious metals offer a hedge against inflation and stock 5 00:00:12,640 --> 00:00:16,360 Speaker 1: market volatility, and Legacy Precious Metals is the company can 6 00:00:16,480 --> 00:00:19,159 Speaker 1: and I trust protect your retirement account by rolling it 7 00:00:19,200 --> 00:00:22,520 Speaker 1: into a goldback IRA, or have metal ship directly to 8 00:00:22,560 --> 00:00:25,680 Speaker 1: your door. Call our friends at Legacy Precious Medals today 9 00:00:26,079 --> 00:00:29,720 Speaker 1: at eight six six six nine, twenty one seventy three, 10 00:00:29,920 --> 00:00:34,239 Speaker 1: or a visit by Legacygold. Dot com technology lets you 11 00:00:34,280 --> 00:00:36,960 Speaker 1: monitor your dog over your phone as he destroys your couch. 12 00:00:38,120 --> 00:00:40,400 Speaker 1: But to monitor threats to your hybrid workforce, you need 13 00:00:40,400 --> 00:00:43,479 Speaker 1: more than technology. You need CDW to assess risks and 14 00:00:43,600 --> 00:00:46,680 Speaker 1: arm your team with preconfigured HP notebooks equipped with HP 15 00:00:46,760 --> 00:00:50,199 Speaker 1: Wolf Security AI enabled threat detection, built in security and 16 00:00:50,280 --> 00:00:53,000 Speaker 1: remote management keep your end points safe twenty four seven. 17 00:00:54,120 --> 00:00:58,040 Speaker 1: Unlike that antique vase, HP makes always on remote security possible. 18 00:00:58,160 --> 00:01:02,160 Speaker 1: CDW makes it powerful more at CW dot com slash HP. 19 00:01:02,440 --> 00:01:04,640 Speaker 1: I've enjoyed being able to sit here and talk with 20 00:01:04,680 --> 00:01:07,400 Speaker 1: your dialogue with you tweet with you. A lot of 21 00:01:07,400 --> 00:01:09,800 Speaker 1: people have been hitting me back on social media. You 22 00:01:09,800 --> 00:01:12,280 Speaker 1: can hit me at mister m'kelly m R m O 23 00:01:12,480 --> 00:01:15,319 Speaker 1: K E l L Y, or you can check me 24 00:01:15,319 --> 00:01:18,360 Speaker 1: out on Instagram at mister m'kelly. Or if you want 25 00:01:18,400 --> 00:01:21,600 Speaker 1: to write a longer message and get into a dialogue, 26 00:01:21,640 --> 00:01:24,080 Speaker 1: because it's very difficult to talk about some of these 27 00:01:24,080 --> 00:01:28,319 Speaker 1: complex subjects at one hundred and eighty characters at a time, 28 00:01:28,319 --> 00:01:31,000 Speaker 1: you can hit me at Facebook dot com forward slash 29 00:01:31,040 --> 00:01:34,039 Speaker 1: to mo kelly show. We can go from there. When 30 00:01:34,040 --> 00:01:38,000 Speaker 1: I started today's show, I started with the idea of 31 00:01:38,520 --> 00:01:43,240 Speaker 1: Howard Stern running for president and how celebrities more generally, 32 00:01:44,440 --> 00:01:47,680 Speaker 1: this idea of who is qualified to run for office, 33 00:01:47,840 --> 00:01:50,360 Speaker 1: who is qualified to speak out. I played the audio 34 00:01:50,640 --> 00:01:54,240 Speaker 1: of John Void and how he's said, basically, and I'm paraphrasing, 35 00:01:54,320 --> 00:01:57,080 Speaker 1: not quoting him, paraphrasing him that this country is going 36 00:01:57,120 --> 00:02:00,400 Speaker 1: to hell in the handbasket because of Joe Biden, and 37 00:02:00,480 --> 00:02:05,240 Speaker 1: I say, I think everyone should use or not use 38 00:02:05,560 --> 00:02:09,320 Speaker 1: their voice, their platform as they see fit. In other words, 39 00:02:09,440 --> 00:02:12,320 Speaker 1: John Voyd has developed his celebrity. He can use it 40 00:02:12,440 --> 00:02:15,840 Speaker 1: or not use it however he sees fit. But whatever 41 00:02:15,880 --> 00:02:19,960 Speaker 1: he puts forth, is then subject to be scrutinized, to 42 00:02:20,080 --> 00:02:25,079 Speaker 1: be vetted and analyzed and critiqued. Accordingly, speaking out does 43 00:02:25,120 --> 00:02:28,359 Speaker 1: not mean that I should say. Free speech doesn't mean 44 00:02:28,400 --> 00:02:30,800 Speaker 1: that there won't be a response. Free speech doesn't mean 45 00:02:30,840 --> 00:02:32,959 Speaker 1: that you get to speak out and no one gets 46 00:02:33,000 --> 00:02:34,960 Speaker 1: to respond to what you say, that there won't be 47 00:02:35,400 --> 00:02:40,679 Speaker 1: social consequences or criticism just because people say, well that's 48 00:02:40,720 --> 00:02:44,880 Speaker 1: my opinion. Well, yes, your opinion, and it's stupid, you know, 49 00:02:45,240 --> 00:02:47,919 Speaker 1: or it's smart, or I agree with it, or you're 50 00:02:47,960 --> 00:02:51,400 Speaker 1: an idiot, or whatever it may be. We started talking 51 00:02:51,400 --> 00:02:54,320 Speaker 1: about what Howard Stern had to say, We talked about 52 00:02:54,680 --> 00:02:57,839 Speaker 1: John Voyd what he had to say, and Dave Batista 53 00:02:57,919 --> 00:03:00,520 Speaker 1: has more recently weighed into it. If you know Dave 54 00:03:00,560 --> 00:03:05,240 Speaker 1: Batista from Guardians of the Galaxy, it plays drags. He 55 00:03:05,320 --> 00:03:09,440 Speaker 1: has weighed into the abortion discussion. Regardless of how you 56 00:03:09,480 --> 00:03:12,640 Speaker 1: may feel about abortion, I feel that all of us 57 00:03:13,000 --> 00:03:17,000 Speaker 1: have not necessarily a responsibility, the option and choice to 58 00:03:17,080 --> 00:03:20,960 Speaker 1: either weigh in or not weigh in. For me, I 59 00:03:21,200 --> 00:03:25,680 Speaker 1: generally stay out of the abortion debate, if only because 60 00:03:26,360 --> 00:03:28,320 Speaker 1: I'm a firm believer. I don't need to be The 61 00:03:28,400 --> 00:03:31,720 Speaker 1: quote unquote expert on everything. I don't personally believe I 62 00:03:31,760 --> 00:03:36,760 Speaker 1: need to have some sort of opinion or rigid stance 63 00:03:36,840 --> 00:03:39,800 Speaker 1: on every single thing. I know I'm not an expert 64 00:03:39,840 --> 00:03:43,240 Speaker 1: on every single thing, so that means that my opinion 65 00:03:43,480 --> 00:03:46,800 Speaker 1: is probably ill informed on certain subjects, and I think 66 00:03:46,840 --> 00:03:50,840 Speaker 1: I know my limitations and some of my capabilities. So 67 00:03:50,840 --> 00:03:54,040 Speaker 1: when it has to abortion, or has to do with abortion, 68 00:03:54,160 --> 00:03:57,360 Speaker 1: or maybe some transgender issues, I tend not to be 69 00:03:57,400 --> 00:04:00,360 Speaker 1: a lead voice. I think that there are other more 70 00:04:00,360 --> 00:04:05,640 Speaker 1: effective spokespeople to give voice to a movement or to 71 00:04:05,720 --> 00:04:10,880 Speaker 1: offer advocacy if that where is where a person's heart 72 00:04:11,120 --> 00:04:16,880 Speaker 1: should reside. So with that mind, here's Dave Bautista's remarks 73 00:04:16,880 --> 00:04:21,520 Speaker 1: regarding abortion and women's reproductive rights. Keep in mind what 74 00:04:21,640 --> 00:04:23,600 Speaker 1: I just said with what I'm getting ready to tell 75 00:04:23,640 --> 00:04:28,960 Speaker 1: you about Dave Bautista. Dave Bautista says, every effing man, 76 00:04:29,279 --> 00:04:33,359 Speaker 1: every single one, needs to be louder about the rights 77 00:04:33,360 --> 00:04:36,599 Speaker 1: of women. Let me say that again, every effing man 78 00:04:37,360 --> 00:04:41,279 Speaker 1: needs to be louder about the rights of women. Dave. 79 00:04:41,360 --> 00:04:43,760 Speaker 1: I respect him as an actor, and I appreciate his 80 00:04:43,880 --> 00:04:47,960 Speaker 1: talents on screen. I think he's very talented in a 81 00:04:48,080 --> 00:04:51,599 Speaker 1: variety of capacities. But I completely disagree with him here. 82 00:04:53,600 --> 00:04:56,799 Speaker 1: I disagree with them because I don't know if it's 83 00:04:57,040 --> 00:05:00,760 Speaker 1: incumbent upon men to have I have a say or 84 00:05:00,920 --> 00:05:04,800 Speaker 1: lead the way in this discussion. I don't. I think 85 00:05:05,560 --> 00:05:08,760 Speaker 1: men should take their cues from women, not other men, 86 00:05:09,040 --> 00:05:14,760 Speaker 1: about women's reproductive rights. Now, the way I read Dave 87 00:05:14,880 --> 00:05:19,760 Speaker 1: Batista's comments, he is talking to the U and i's 88 00:05:19,920 --> 00:05:24,320 Speaker 1: to those of us, those men who are not in 89 00:05:24,360 --> 00:05:29,000 Speaker 1: a political position. We are not a governor, a senator, 90 00:05:29,279 --> 00:05:34,880 Speaker 1: we are not a congress member. Many of the male 91 00:05:35,480 --> 00:05:40,280 Speaker 1: voices who voted on this, who supports the Supreme Court's decision, 92 00:05:40,680 --> 00:05:45,080 Speaker 1: all those who are out there who are governing the people. 93 00:05:45,160 --> 00:05:47,600 Speaker 1: I think he is speaking to us to say, hey, 94 00:05:47,839 --> 00:05:51,040 Speaker 1: we as guys need to tell those men in office 95 00:05:51,080 --> 00:05:55,279 Speaker 1: who should not even be casting a vote or anything 96 00:05:55,360 --> 00:05:58,200 Speaker 1: having to do with this. We don't agree with you. 97 00:05:58,440 --> 00:06:00,720 Speaker 1: But see, I think there's a contradiction what you said there. 98 00:06:00,760 --> 00:06:03,840 Speaker 1: If he says that every single man, every man, needs 99 00:06:03,880 --> 00:06:05,720 Speaker 1: to be louder about the rights of women, I would 100 00:06:05,720 --> 00:06:07,960 Speaker 1: say that's part of the reason how we got here, 101 00:06:08,200 --> 00:06:10,800 Speaker 1: because men were leading the discussion. You had the men 102 00:06:10,920 --> 00:06:13,799 Speaker 1: on Capitol Hill. If the men on the Supreme Court 103 00:06:14,040 --> 00:06:17,080 Speaker 1: men deciding what women do with their bodies, and regardless 104 00:06:17,120 --> 00:06:20,279 Speaker 1: of what you may think about abortion or women's reproductive rights, 105 00:06:20,480 --> 00:06:22,880 Speaker 1: I don't think men need to be the center or 106 00:06:22,920 --> 00:06:26,520 Speaker 1: focal point of certain discussions, this being one of them. 107 00:06:26,640 --> 00:06:29,400 Speaker 1: And this is where I disagree with him. I think 108 00:06:29,560 --> 00:06:31,880 Speaker 1: we need to not take our cues from other men 109 00:06:32,240 --> 00:06:35,880 Speaker 1: about what needs to be done for the benefit of women. 110 00:06:36,040 --> 00:06:39,279 Speaker 1: I would say to Dave Bautista, I understand what you're saying. 111 00:06:39,279 --> 00:06:41,520 Speaker 1: I respect what you're saying, but not only do I 112 00:06:41,640 --> 00:06:44,680 Speaker 1: not agree with it. I think it's wrongheaded, if only 113 00:06:44,720 --> 00:06:47,960 Speaker 1: because this is not about raising our voices. If we're 114 00:06:48,000 --> 00:06:50,600 Speaker 1: going to raise our voices, we should have voted differently 115 00:06:50,880 --> 00:06:54,839 Speaker 1: in anticipation of a presidency which was going to select 116 00:06:54,920 --> 00:07:00,160 Speaker 1: specific Scotus nominees which could lead to this decision. Just 117 00:07:00,279 --> 00:07:04,000 Speaker 1: raising our voices now as men, as women, as whoever, 118 00:07:04,320 --> 00:07:06,920 Speaker 1: is not going to change a g damn thing, not 119 00:07:07,040 --> 00:07:09,920 Speaker 1: a thing. And Dave Bautista, I think he should be 120 00:07:09,960 --> 00:07:12,960 Speaker 1: more concerned with don't tell me is just everyfing man 121 00:07:13,040 --> 00:07:14,640 Speaker 1: what I need to do? Why don't you tell some 122 00:07:14,720 --> 00:07:16,560 Speaker 1: of your friends like the Rock, Why don't you tell 123 00:07:16,600 --> 00:07:18,840 Speaker 1: some of your friends like John Cena, who have far 124 00:07:18,960 --> 00:07:23,720 Speaker 1: more control, I should say, of media and more impact 125 00:07:23,720 --> 00:07:26,320 Speaker 1: and more influence. If you actually want people to raise 126 00:07:26,360 --> 00:07:28,480 Speaker 1: their voices, then talk to some of the people in 127 00:07:28,520 --> 00:07:31,400 Speaker 1: your own circle. He is at your own front has 128 00:07:31,480 --> 00:07:34,760 Speaker 1: those are part of everyfing man right And he also 129 00:07:34,840 --> 00:07:38,440 Speaker 1: said when specifically asked about John Cena and Dwayne the 130 00:07:38,480 --> 00:07:40,600 Speaker 1: Rock Johnson, he said, well, I can't speak for them, 131 00:07:41,240 --> 00:07:46,440 Speaker 1: but they are he is asking them as part of 132 00:07:46,480 --> 00:07:51,120 Speaker 1: the every effing man to speak up and just shout 133 00:07:51,240 --> 00:07:54,400 Speaker 1: down maybe the guys who have no business, but but 134 00:07:54,760 --> 00:07:57,280 Speaker 1: but he's given them cover. He said, I can't speak 135 00:07:57,320 --> 00:08:00,040 Speaker 1: for them talking about John Cena and The Rock, but 136 00:08:00,080 --> 00:08:04,160 Speaker 1: obviously they're not super outspoken when it comes to things 137 00:08:04,160 --> 00:08:06,920 Speaker 1: that might make them look bad. Mother, who is he 138 00:08:07,000 --> 00:08:09,720 Speaker 1: talking to? Okay, they see That's my point. It's like, 139 00:08:10,000 --> 00:08:13,520 Speaker 1: if you can't get your friends and colleagues within your 140 00:08:13,520 --> 00:08:16,960 Speaker 1: own industry, within your own circle, if you can't be 141 00:08:17,640 --> 00:08:20,360 Speaker 1: dare I say mad enough to point and say, hey, 142 00:08:20,480 --> 00:08:25,040 Speaker 1: Dwayne Johnson, Hey John Cena. You know you specifically have 143 00:08:25,120 --> 00:08:28,360 Speaker 1: a responsibility to speak up and be louder about the 144 00:08:28,440 --> 00:08:31,240 Speaker 1: rights of women as opposed to talking about men in 145 00:08:31,400 --> 00:08:35,360 Speaker 1: general and say all men everywhere, you know, like all 146 00:08:35,440 --> 00:08:38,320 Speaker 1: men matter, All men got to speak up about the 147 00:08:38,400 --> 00:08:40,120 Speaker 1: rights of women. I'm not going to talk about the 148 00:08:40,360 --> 00:08:42,040 Speaker 1: men that I know personally who have a lot of 149 00:08:42,040 --> 00:08:45,880 Speaker 1: power and influence and can actually move the meter. Of course, 150 00:08:45,920 --> 00:08:48,800 Speaker 1: I Dwayne the Rock Johnson made a statement either way 151 00:08:48,840 --> 00:08:52,800 Speaker 1: on this issue, it could have a tremendous impact in 152 00:08:52,880 --> 00:08:56,480 Speaker 1: the discussion. It wouldn't change anything, but it would impact 153 00:08:56,520 --> 00:08:59,480 Speaker 1: a discussion. So in that regard, I agree with Dave 154 00:08:59,640 --> 00:09:02,720 Speaker 1: beat So that men have a role to play, but 155 00:09:02,800 --> 00:09:06,240 Speaker 1: I don't believe it's a leading role. I think it's 156 00:09:06,320 --> 00:09:13,360 Speaker 1: fundamentally counterintuitive to think that men, men specifically, should be 157 00:09:13,400 --> 00:09:18,680 Speaker 1: the loudest voice as opposed to a supportive voice in 158 00:09:18,840 --> 00:09:21,439 Speaker 1: this discussion. And that's why there are a lot of 159 00:09:21,480 --> 00:09:24,240 Speaker 1: subjects where I don't debate. I don't debate abortion or 160 00:09:24,320 --> 00:09:27,800 Speaker 1: women's reproductive rights. I'm the wrong mother father to do that. 161 00:09:28,120 --> 00:09:30,240 Speaker 1: I am the wrong guy to do that. I am 162 00:09:30,280 --> 00:09:32,520 Speaker 1: confident in my manhood to be able to say, you 163 00:09:32,600 --> 00:09:35,480 Speaker 1: know what, that's outside of my purview. Not that I 164 00:09:35,520 --> 00:09:37,600 Speaker 1: don't care because I care about my mother, I care 165 00:09:37,600 --> 00:09:39,320 Speaker 1: about my sister, I care about my wife, and I 166 00:09:39,360 --> 00:09:42,360 Speaker 1: care about all women in my life, near to me 167 00:09:42,480 --> 00:09:45,160 Speaker 1: and more distant. But it's not for me to be 168 00:09:45,240 --> 00:09:48,080 Speaker 1: the loudest voice and advocate. I would rather take my 169 00:09:48,240 --> 00:09:51,120 Speaker 1: marching orders, no pun intended, from women the people who 170 00:09:51,320 --> 00:09:55,760 Speaker 1: actually impacts, the people who are actually suffering or dealing 171 00:09:55,800 --> 00:09:58,160 Speaker 1: with this issue in a way that I could never 172 00:09:58,280 --> 00:10:02,800 Speaker 1: fundamentally understand. That I can never intellectually understand. I can 173 00:10:02,960 --> 00:10:05,120 Speaker 1: never understand what it's like to be pregnant and have 174 00:10:05,200 --> 00:10:07,640 Speaker 1: to make that decision, or the factors which go into 175 00:10:07,640 --> 00:10:12,079 Speaker 1: that decision, or how reproductive rights and also healthcare is 176 00:10:12,080 --> 00:10:15,280 Speaker 1: an issue that it is important to women in a 177 00:10:15,320 --> 00:10:19,240 Speaker 1: way that I can't understand. And if I can't understand it, 178 00:10:19,280 --> 00:10:20,960 Speaker 1: then I have to be able to acknowledge them that 179 00:10:21,120 --> 00:10:24,560 Speaker 1: I can't be the leading voice. And Dave Bautista saying 180 00:10:24,640 --> 00:10:26,720 Speaker 1: I need to speak up louder, I'm saying, wait a minute, 181 00:10:26,880 --> 00:10:29,360 Speaker 1: I'm not even informed enough to be a leading voice. 182 00:10:29,600 --> 00:10:32,120 Speaker 1: Who am I to say to tell anyone male or 183 00:10:32,200 --> 00:10:34,920 Speaker 1: female what a woman should do with her body, right, wrong, 184 00:10:34,920 --> 00:10:38,320 Speaker 1: and different, regardless of my personal religious beliefs Now, I 185 00:10:38,360 --> 00:10:42,360 Speaker 1: think he is just simply saying again that there are 186 00:10:42,520 --> 00:10:47,400 Speaker 1: way too many men who are quietly allowing women to 187 00:10:47,440 --> 00:10:52,160 Speaker 1: be trampled, And in a world where men should be 188 00:10:52,240 --> 00:10:55,440 Speaker 1: stepping up for their women, there are not enough that 189 00:10:55,600 --> 00:10:58,560 Speaker 1: are For all the women who are saying, guys, I 190 00:10:58,640 --> 00:11:01,160 Speaker 1: can't believe that you are allowing this. You go up 191 00:11:01,160 --> 00:11:03,640 Speaker 1: and down social media, and all the dudes who have 192 00:11:03,800 --> 00:11:07,440 Speaker 1: so much to say, there aren't enough guys saying, hey, you, 193 00:11:07,480 --> 00:11:09,600 Speaker 1: as a dude, need to shut up. I think that's 194 00:11:09,600 --> 00:11:11,800 Speaker 1: what he's saying. Well, as a dude should not have 195 00:11:12,000 --> 00:11:15,479 Speaker 1: any say in this. Not we need to be advocating 196 00:11:15,600 --> 00:11:18,800 Speaker 1: for women. He's saying, Guys, we need to be stepping 197 00:11:18,880 --> 00:11:23,200 Speaker 1: up louder to silence those male voices who shouldn't be 198 00:11:23,240 --> 00:11:25,320 Speaker 1: part of this conversation. Well, he's gonna have to lead 199 00:11:25,360 --> 00:11:28,320 Speaker 1: the way in his own way by doing it. Look 200 00:11:28,360 --> 00:11:31,200 Speaker 1: sweep around your old front porch. I mean, you know, 201 00:11:31,880 --> 00:11:34,880 Speaker 1: telling people to be louder about the rights to women 202 00:11:35,000 --> 00:11:37,920 Speaker 1: is different from saying, I Dave fatigues to recommend X, 203 00:11:38,040 --> 00:11:39,760 Speaker 1: Y and Z, this is what we need to do. 204 00:11:40,120 --> 00:11:45,480 Speaker 1: Come support this. Follow me just being louder, We'll shoot 205 00:11:45,520 --> 00:11:50,520 Speaker 1: I mean, John Void is louder. No, I'm being serious, 206 00:11:50,559 --> 00:11:53,600 Speaker 1: you know, everyone has a microphone, everyone has social media, 207 00:11:53,640 --> 00:11:55,920 Speaker 1: everyone has a voice, everyone has a platform, on some 208 00:11:56,040 --> 00:11:58,240 Speaker 1: levels something larger than others. But it doesn't mean that 209 00:11:58,320 --> 00:12:00,319 Speaker 1: being louder is being more effective. Does it mean that 210 00:12:00,360 --> 00:12:02,680 Speaker 1: you're being more intelligent. It doesn't mean that you're actually 211 00:12:02,720 --> 00:12:04,840 Speaker 1: being more impactful. It does not mean that what you 212 00:12:04,840 --> 00:12:07,720 Speaker 1: have to say, regardless of the decibel level, regardless of 213 00:12:07,720 --> 00:12:12,120 Speaker 1: the valume, it means that it is impactful, that it's meaningful, 214 00:12:12,400 --> 00:12:15,800 Speaker 1: that it's worth listening too. So if all the men 215 00:12:16,000 --> 00:12:18,480 Speaker 1: were simply louder about the rights of women, he said 216 00:12:18,559 --> 00:12:21,560 Speaker 1: about the rights of women, not the rights for women. 217 00:12:21,840 --> 00:12:25,880 Speaker 1: The prepositions matter, it does, Okay, it does because a 218 00:12:25,920 --> 00:12:28,560 Speaker 1: lot of men just speaking louder about the rights of 219 00:12:28,600 --> 00:12:30,880 Speaker 1: women doesn't mean that you're an advocate for women, that 220 00:12:30,920 --> 00:12:33,000 Speaker 1: you respect women, that you care about women. It just 221 00:12:33,040 --> 00:12:34,760 Speaker 1: means that you're loud. And there is such a thing 222 00:12:34,800 --> 00:12:39,520 Speaker 1: as being loud and dumb. This is the Johnny Ken Show. 223 00:12:39,520 --> 00:12:41,400 Speaker 1: Mo Kelly here KF I am six forty. We're live 224 00:12:41,480 --> 00:12:44,440 Speaker 1: everywhere on the iHeartRadio app. We got a chance for 225 00:12:44,480 --> 00:12:46,000 Speaker 1: you to win a thousand dollars when we come back, 226 00:12:46,080 --> 00:12:48,320 Speaker 1: usually in the last hour of our show when we 227 00:12:48,360 --> 00:12:51,280 Speaker 1: do The Mo Kelly Show on KFI Saturdays and Sundays 228 00:12:51,280 --> 00:12:55,840 Speaker 1: from sixty apm. It's usually entertainment fair, but also how 229 00:12:56,000 --> 00:12:59,320 Speaker 1: entertainment relates to you. And with that in mind, we 230 00:12:59,360 --> 00:13:03,040 Speaker 1: were talking about Batista last segment. People know that name, 231 00:13:03,080 --> 00:13:06,320 Speaker 1: but there's also an intersection with politics, but more generally, 232 00:13:07,040 --> 00:13:10,560 Speaker 1: there are other stories that we want to comment on 233 00:13:10,640 --> 00:13:14,200 Speaker 1: and connect back to you. I used to watch the 234 00:13:14,320 --> 00:13:19,440 Speaker 1: CW Network rather regularly. I liked it because it was 235 00:13:20,280 --> 00:13:23,079 Speaker 1: progressive thinking, small p in other words, the types of 236 00:13:23,200 --> 00:13:26,520 Speaker 1: shows was putting on. It was not afraid to have 237 00:13:26,960 --> 00:13:29,520 Speaker 1: this type of show, that type of cast. They were 238 00:13:29,800 --> 00:13:32,560 Speaker 1: throwing everything at the wall, trying to make it stick, 239 00:13:32,960 --> 00:13:37,400 Speaker 1: trying to offer something different from the other broadcast television networks. 240 00:13:37,559 --> 00:13:40,559 Speaker 1: And I think for a while it was working, and 241 00:13:40,600 --> 00:13:43,120 Speaker 1: all of a sudden it seemed to just fall apart. 242 00:13:43,240 --> 00:13:45,440 Speaker 1: None of the shows were sticking, and it wasn't like 243 00:13:45,480 --> 00:13:47,880 Speaker 1: the shows were coming with some sort of heavy message. 244 00:13:47,920 --> 00:13:50,720 Speaker 1: It's just it seemed like the quality of the writing 245 00:13:51,160 --> 00:13:54,280 Speaker 1: seemed to suffer somewhere along the way and people started 246 00:13:54,320 --> 00:13:58,240 Speaker 1: tuning out. I don't even know if it was the 247 00:13:58,320 --> 00:14:05,720 Speaker 1: quality of the right or the production quality as much 248 00:14:05,760 --> 00:14:10,920 Speaker 1: as they kind of just let the shows run amuck when, 249 00:14:11,040 --> 00:14:16,079 Speaker 1: like say, the Arrow Verse first started. That's the branch 250 00:14:16,200 --> 00:14:19,480 Speaker 1: of the CW that focused on all of the DC superheroes. 251 00:14:19,520 --> 00:14:24,320 Speaker 1: When that first launched, they put so much energy into it. 252 00:14:24,640 --> 00:14:28,520 Speaker 1: And then it was reported along the way that several 253 00:14:28,600 --> 00:14:32,040 Speaker 1: of the people who were key in launching that Arrow 254 00:14:32,160 --> 00:14:35,000 Speaker 1: Verse they had all kind of walked away and just 255 00:14:35,160 --> 00:14:38,680 Speaker 1: were letting, you know, whoever come in and take over, 256 00:14:39,040 --> 00:14:41,800 Speaker 1: which I think is a part of what happened ultimately 257 00:14:41,880 --> 00:14:45,400 Speaker 1: forced demise. The CW network is going to be purchased 258 00:14:45,480 --> 00:14:49,360 Speaker 1: or has been purchased by Next Star Media Group. I 259 00:14:49,400 --> 00:14:51,520 Speaker 1: don't know if that means that just about every show 260 00:14:51,520 --> 00:14:55,280 Speaker 1: which is on the CW is probably on the chopping block, 261 00:14:55,320 --> 00:14:58,520 Speaker 1: but they've canceled a lot of the shows already outright. 262 00:14:58,840 --> 00:15:01,200 Speaker 1: I think this is the last season of the Flash. 263 00:15:01,240 --> 00:15:04,520 Speaker 1: Did they announce that, I'm not one hundred percent sure, 264 00:15:04,560 --> 00:15:08,280 Speaker 1: but it seems like looking at the season finale of 265 00:15:08,440 --> 00:15:13,200 Speaker 1: Superman and Lois that they are bringing the entirety of 266 00:15:13,320 --> 00:15:16,680 Speaker 1: the Aero Verse and after that was gone, the Flash 267 00:15:16,800 --> 00:15:19,320 Speaker 1: Verse and whatever verse it is now, it seems that 268 00:15:19,360 --> 00:15:22,600 Speaker 1: they are bringing it to a close. The vibe of 269 00:15:22,640 --> 00:15:26,120 Speaker 1: it was pretty much like, Hey, this is it, guys. 270 00:15:26,480 --> 00:15:29,960 Speaker 1: And if you are if you are looking to sell 271 00:15:30,040 --> 00:15:33,280 Speaker 1: off a network, but you need to keep the intellectual 272 00:15:33,320 --> 00:15:38,040 Speaker 1: properties i e. DC Entertainment, they need to keep all 273 00:15:38,120 --> 00:15:43,280 Speaker 1: these superhero shows, then why not cancel them, Let this 274 00:15:43,480 --> 00:15:46,640 Speaker 1: next Star whatever, keep whatever you want with the CW, 275 00:15:46,800 --> 00:15:49,400 Speaker 1: and just wait and bring the shows back now. This 276 00:15:49,440 --> 00:15:52,080 Speaker 1: is according to the Wall Street Journal. Should this deal 277 00:15:52,680 --> 00:15:54,840 Speaker 1: go all the way through, next Star would have about 278 00:15:54,920 --> 00:15:58,200 Speaker 1: seventy five control of the CW, with the remaining twenty 279 00:15:58,200 --> 00:16:01,760 Speaker 1: five percent of the network split evenly between Paramount and 280 00:16:01,880 --> 00:16:05,920 Speaker 1: Warner Brothers Discovery at twelve point five percent each. Nexstar 281 00:16:06,200 --> 00:16:10,120 Speaker 1: is the biggest owner of local television stations in the country, 282 00:16:10,360 --> 00:16:12,800 Speaker 1: and the deal for the CW Steak will not be 283 00:16:12,880 --> 00:16:16,720 Speaker 1: one where cash changes hands. The deal will see Nexstar 284 00:16:16,840 --> 00:16:20,280 Speaker 1: cover the network's debts debts which had written to one 285 00:16:20,360 --> 00:16:23,000 Speaker 1: hundred million, which, as I was saying, there was a 286 00:16:23,040 --> 00:16:26,040 Speaker 1: fall off where the shows were not performing, they were 287 00:16:26,040 --> 00:16:29,360 Speaker 1: not selling the type of ads that they were at 288 00:16:29,400 --> 00:16:32,760 Speaker 1: a certain point, and there was just hemorrhaging money. And 289 00:16:32,840 --> 00:16:35,640 Speaker 1: that says to me, if the shows are not doing well, 290 00:16:36,160 --> 00:16:38,200 Speaker 1: then there's no reason to believe they're going to hang 291 00:16:38,280 --> 00:16:42,880 Speaker 1: around and not just go in a completely different direction. Well, also, 292 00:16:43,360 --> 00:16:46,840 Speaker 1: when you look at all of the properties that Warner 293 00:16:46,920 --> 00:16:50,760 Speaker 1: Brothers has taken over, has taken on, when you look 294 00:16:50,800 --> 00:16:55,000 Speaker 1: at the fact that what is it, Discovery now kind 295 00:16:55,040 --> 00:16:57,880 Speaker 1: of has control over them and they've been weeding out 296 00:16:57,920 --> 00:17:02,240 Speaker 1: a lot of dclms, a lot of really just films. 297 00:17:02,280 --> 00:17:05,159 Speaker 1: Period of just followed by the chopping block. Back in 298 00:17:05,200 --> 00:17:08,560 Speaker 1: the day in saying radio, when you if you had 299 00:17:08,560 --> 00:17:10,840 Speaker 1: too many stations and you wanted to spend one off 300 00:17:11,200 --> 00:17:14,359 Speaker 1: and maybe let another smaller network pick it up, you 301 00:17:14,359 --> 00:17:17,320 Speaker 1: wouldn't let that station go to pot You would drive 302 00:17:17,400 --> 00:17:20,800 Speaker 1: it down to the point where you weren't losing anything. 303 00:17:21,280 --> 00:17:23,280 Speaker 1: At the station I was on, we called an operations 304 00:17:23,320 --> 00:17:25,240 Speaker 1: slow down. We're a hip hop R and B station 305 00:17:25,320 --> 00:17:27,520 Speaker 1: where all of a stuff, we're playing Trinity V five seven. 306 00:17:27,720 --> 00:17:31,400 Speaker 1: It's by God's happening drive and you're like, what is happening? 307 00:17:31,440 --> 00:17:34,800 Speaker 1: And it's like the driving driving away the listeners. You 308 00:17:35,200 --> 00:17:37,600 Speaker 1: bring it down, you spin it off, and then you 309 00:17:37,640 --> 00:17:40,080 Speaker 1: know you come back better than ever with the same 310 00:17:40,160 --> 00:17:43,119 Speaker 1: properties on another station, like oh yeah, no, we're just 311 00:17:43,160 --> 00:17:46,720 Speaker 1: giving you that signal something else I've noticed the non 312 00:17:47,320 --> 00:17:51,840 Speaker 1: major networks, if it's not ABC, CBS, NBC, we see 313 00:17:51,880 --> 00:17:55,359 Speaker 1: the iterations of the WB, the paramount network to c W. 314 00:17:56,200 --> 00:18:00,159 Speaker 1: They have some short term success, they have maybe a 315 00:18:00,200 --> 00:18:03,320 Speaker 1: few hits for a few seasons, but they can't seem 316 00:18:03,400 --> 00:18:05,840 Speaker 1: to sustain it. I'm talking about the shows that you'll 317 00:18:05,880 --> 00:18:10,719 Speaker 1: see on Channel five or Channel nine, channel thirteen, and 318 00:18:10,760 --> 00:18:13,760 Speaker 1: they never you made like a show, but from a 319 00:18:13,840 --> 00:18:16,960 Speaker 1: network standpoint, they never seem to last for any length 320 00:18:16,960 --> 00:18:19,440 Speaker 1: of time, and then they end up getting sold off 321 00:18:19,440 --> 00:18:23,000 Speaker 1: to the next conglomerate. We'll also think about a network 322 00:18:23,080 --> 00:18:28,120 Speaker 1: like the CW that could never have developed Hell Titans, 323 00:18:28,560 --> 00:18:32,160 Speaker 1: they could never have developed Doing Patrol, They could never 324 00:18:32,200 --> 00:18:35,960 Speaker 1: have developed into those shows and a network capacity because 325 00:18:36,000 --> 00:18:40,600 Speaker 1: of the content content, the violence and the profanity that 326 00:18:40,680 --> 00:18:44,000 Speaker 1: and just even sometimes even the budgetary course race. And 327 00:18:44,400 --> 00:18:48,639 Speaker 1: you had mentioned previously that a lot of these network 328 00:18:48,680 --> 00:18:51,320 Speaker 1: shows they don't get the time to last because you 329 00:18:51,359 --> 00:18:53,840 Speaker 1: don't let people live with them. So these shows fall 330 00:18:53,920 --> 00:18:57,119 Speaker 1: by the wayside. And here's another thing to that end. 331 00:18:57,160 --> 00:19:02,000 Speaker 1: When you can have an outlet like HBO Max and 332 00:19:02,080 --> 00:19:06,120 Speaker 1: you get to have a show like Titans or doom patrol, 333 00:19:06,440 --> 00:19:09,640 Speaker 1: which can live in a streaming world in perpetuity. It's 334 00:19:09,680 --> 00:19:12,920 Speaker 1: not dependent upon week to week ratings. To your point, 335 00:19:13,359 --> 00:19:16,120 Speaker 1: it can bubble under and grow an audience, or even 336 00:19:16,160 --> 00:19:19,080 Speaker 1: if it doesn't grow an audience, you're not necessarily dependent 337 00:19:19,160 --> 00:19:25,480 Speaker 1: upon that broadcast advertiser revenue coming in selling those ad spots. 338 00:19:25,760 --> 00:19:29,879 Speaker 1: You know, it's more incumbent upon the app generating subscriptions. 339 00:19:30,320 --> 00:19:33,359 Speaker 1: It's okay if it's not an immediate hit or it 340 00:19:33,400 --> 00:19:35,800 Speaker 1: doesn't necessarily bring in the type of or level of 341 00:19:35,840 --> 00:19:38,760 Speaker 1: excitement that you need for a broadcast show. And I 342 00:19:38,800 --> 00:19:42,159 Speaker 1: honestly think big picture, and here's the main point, you 343 00:19:42,240 --> 00:19:45,639 Speaker 1: won't have these networks like CW anymore. You will just 344 00:19:45,800 --> 00:19:50,200 Speaker 1: have streaming platforms to provide this content. I could see 345 00:19:50,200 --> 00:19:53,200 Speaker 1: where you'd have all these shows which a much more 346 00:19:53,480 --> 00:19:57,920 Speaker 1: moderate budget, being placed on a streaming platform and can 347 00:19:57,960 --> 00:20:01,640 Speaker 1: live in perpetuity, as opposed to living and dine each 348 00:20:01,720 --> 00:20:06,680 Speaker 1: week with ratings on a losing network, which is never 349 00:20:06,760 --> 00:20:10,640 Speaker 1: going to generate the number of eyeballs necessary to justify 350 00:20:10,720 --> 00:20:13,560 Speaker 1: those shows existence. You don't need five or six shows 351 00:20:13,560 --> 00:20:15,240 Speaker 1: on a given network. You can have just two or 352 00:20:15,320 --> 00:20:18,240 Speaker 1: three which are good and then a network like this 353 00:20:18,400 --> 00:20:22,760 Speaker 1: next Star, they will be just providing probably the same 354 00:20:23,119 --> 00:20:26,359 Speaker 1: syndicated programming that's on all of their affiliates. So this 355 00:20:26,440 --> 00:20:29,040 Speaker 1: is the station that is big an affiliates. So they 356 00:20:29,080 --> 00:20:32,040 Speaker 1: may have, you know, some local shows, maybe you'll have 357 00:20:32,200 --> 00:20:35,199 Speaker 1: Steve Harvey's Family Feud, just you know something that you 358 00:20:35,240 --> 00:20:37,359 Speaker 1: can do like that, but you're not going to have 359 00:20:37,800 --> 00:20:40,800 Speaker 1: show shows. You may have more reality shows, but you're 360 00:20:40,840 --> 00:20:44,919 Speaker 1: not having serious the scripted entertainment that it's cost prohibitive 361 00:20:44,960 --> 00:20:48,000 Speaker 1: at this point to produce a show with special effects 362 00:20:48,040 --> 00:20:51,560 Speaker 1: and casts and escalating costs. In a post COVID world, 363 00:20:51,760 --> 00:20:55,320 Speaker 1: it is much easier to put on reality TV unscripted, 364 00:20:55,600 --> 00:20:57,560 Speaker 1: where you don't have to put as much into the 365 00:20:57,600 --> 00:21:00,240 Speaker 1: cost of the production itself. You don't have to pay 366 00:21:00,280 --> 00:21:03,840 Speaker 1: for the writers per se, you don't have to pay 367 00:21:03,840 --> 00:21:06,960 Speaker 1: for as much set design, right right, you know, the 368 00:21:07,040 --> 00:21:13,199 Speaker 1: cost of producing an episodic TV show is monumental in 369 00:21:13,240 --> 00:21:17,159 Speaker 1: comparison to unscripted entertainment, and that's where most of TV 370 00:21:17,359 --> 00:21:20,240 Speaker 1: is going. Unfortunately I don't like that, but that's where 371 00:21:20,280 --> 00:21:23,600 Speaker 1: most of TV is going. And the scripted episodic TV 372 00:21:23,760 --> 00:21:26,760 Speaker 1: shows are better served by just being on a streaming platform. 373 00:21:26,920 --> 00:21:30,040 Speaker 1: We talked about Miss Marvel and the Boys and everything. 374 00:21:30,160 --> 00:21:34,200 Speaker 1: Not only does that content have no place on broadcast television, 375 00:21:35,359 --> 00:21:37,960 Speaker 1: there would be it would not last long enough to 376 00:21:38,040 --> 00:21:42,199 Speaker 1: justify its existence on broadcast television. Yeah. Yeah, when we 377 00:21:42,240 --> 00:21:44,600 Speaker 1: come back, we have to talk about more in the 378 00:21:44,600 --> 00:21:47,879 Speaker 1: world of entertainment as we get into this holiday weekend 379 00:21:47,880 --> 00:21:50,120 Speaker 1: and what you might be watching. Send us what you're 380 00:21:50,119 --> 00:21:53,560 Speaker 1: looking at for this weekend on Twitter at mister m Kelly, 381 00:21:53,680 --> 00:21:55,800 Speaker 1: Mr m ok E L L Y. We'll talk about 382 00:21:55,800 --> 00:21:57,680 Speaker 1: it on air. This is the John A. Ken Show, 383 00:21:57,760 --> 00:21:59,800 Speaker 1: k IF I am six forty. We're live everywhere on 384 00:21:59,840 --> 00:22:02,600 Speaker 1: the iHeartRadio applem O Kelly and for Johnny Cannis. We 385 00:22:02,640 --> 00:22:08,879 Speaker 1: close out this week and Tuala Debor Mark, Eric Slar 386 00:22:10,560 --> 00:22:16,800 Speaker 1: pop quiz What movie? What movie? Is back at the 387 00:22:16,880 --> 00:22:21,160 Speaker 1: top of the charts number one and the nation gonna 388 00:22:21,200 --> 00:22:23,240 Speaker 1: be number one most likely at the end of the 389 00:22:23,520 --> 00:22:30,240 Speaker 1: fourth of July weekend. Think America, Think you know Patriotism? Hint, Hint, hint, 390 00:22:30,680 --> 00:22:35,960 Speaker 1: what mo is it? Elvis? No, Top Gun, Top Gun, 391 00:22:36,119 --> 00:22:42,040 Speaker 1: Maverick Baby, the best movie in the world. Wait, really 392 00:22:42,359 --> 00:22:48,920 Speaker 1: yeah it is, Eric, that's your cue. Thank you, my bad. 393 00:22:50,560 --> 00:23:00,200 Speaker 1: The best movie ever ever created. I have not seen it. Yes, 394 00:23:00,640 --> 00:23:02,800 Speaker 1: I know I want to. I just I haven't really 395 00:23:02,800 --> 00:23:05,800 Speaker 1: had a big desire to go into the theater. I 396 00:23:06,119 --> 00:23:09,240 Speaker 1: can dig that. And I know Tuala hasn't seen it, 397 00:23:09,320 --> 00:23:12,159 Speaker 1: and I know Eric hasn't seen it. How is that? 398 00:23:12,280 --> 00:23:15,400 Speaker 1: How is that possible? It's the greatest movie ever created. 399 00:23:15,600 --> 00:23:18,520 Speaker 1: I got hate on Twitter last time I talked about it. 400 00:23:18,600 --> 00:23:21,440 Speaker 1: The greatest movie ever created. Yeah, it's the greatest movie 401 00:23:21,440 --> 00:23:24,760 Speaker 1: ever created. Yeah, you're talking about this one or the original? No, 402 00:23:24,960 --> 00:23:27,600 Speaker 1: I'm talking about Top Gun Maverick the sequel. It's just 403 00:23:27,680 --> 00:23:30,520 Speaker 1: made a billion dollars and even though it's been out 404 00:23:30,560 --> 00:23:33,399 Speaker 1: like six weeks or whatever, it's going back to number 405 00:23:33,400 --> 00:23:36,359 Speaker 1: one again. It just barely missed out on number one 406 00:23:36,440 --> 00:23:39,400 Speaker 1: last week because Elvis dropped. It just barely missed out. 407 00:23:39,520 --> 00:23:44,239 Speaker 1: I can see that because there's only grew that. It's 408 00:23:44,280 --> 00:23:46,520 Speaker 1: probably going to be number one this weekend. But the 409 00:23:46,600 --> 00:23:52,000 Speaker 1: best movie ever did I didn't stutter? No, No, I 410 00:23:52,080 --> 00:23:55,200 Speaker 1: did not, all right, I just thought maybe my ears 411 00:23:55,200 --> 00:23:59,560 Speaker 1: were failing. Name one movie better than Top Gun, Maverick 412 00:24:00,119 --> 00:24:06,000 Speaker 1: Shank Redemption. I love that movie. The Notebook, The Notebook, Yeah, 413 00:24:06,080 --> 00:24:08,560 Speaker 1: I love the Notebook I'm sorry, but that's I know 414 00:24:08,600 --> 00:24:10,480 Speaker 1: this is gonna sound wrong, but that's a chick flick. 415 00:24:10,520 --> 00:24:12,719 Speaker 1: That doesn't count. Okay, I am a chick and I 416 00:24:12,760 --> 00:24:18,159 Speaker 1: like that flip. The note book is fine. It was 417 00:24:18,280 --> 00:24:21,480 Speaker 1: not a bad like Ryan Gosling was. Yeah, yeah, it was. 418 00:24:21,560 --> 00:24:24,000 Speaker 1: It was fine. You know, it might you know if 419 00:24:24,040 --> 00:24:27,680 Speaker 1: you're hopeless romantic. But but it's not better than Top 420 00:24:27,680 --> 00:24:30,800 Speaker 1: Gun Maverick. Well, I haven't seen the sequels. I'll have 421 00:24:30,800 --> 00:24:32,240 Speaker 1: to let you know when I when I do, but 422 00:24:32,320 --> 00:24:34,800 Speaker 1: I guarantee it's not gonna I will not say it's 423 00:24:34,840 --> 00:24:37,440 Speaker 1: the best movie moved me wrong. This is what I recommend, 424 00:24:37,480 --> 00:24:40,040 Speaker 1: and I keep saying, if you, if and when you 425 00:24:40,080 --> 00:24:43,639 Speaker 1: plan to watch the sequel, watch the original close to 426 00:24:43,640 --> 00:24:45,720 Speaker 1: the time you plan to watch the sequels, so you 427 00:24:45,720 --> 00:24:48,880 Speaker 1: can almost feel like it's one contiguous movie. See them 428 00:24:48,920 --> 00:24:50,960 Speaker 1: back to back. There are a lot of callbacks things 429 00:24:51,000 --> 00:24:54,320 Speaker 1: of that nature. All right, that's all, okay, that's all Eric. 430 00:24:54,359 --> 00:24:55,919 Speaker 1: When you have you seen the original, I know you 431 00:24:56,040 --> 00:24:59,400 Speaker 1: I have seen the original. No, Eric, I'm saying, Eric, 432 00:24:59,440 --> 00:25:03,440 Speaker 1: I don't know if seen MO and TWA. It's a 433 00:25:03,520 --> 00:25:05,720 Speaker 1: yes or no question. You guys have always been disappointed 434 00:25:05,720 --> 00:25:08,280 Speaker 1: in my answers, Oh, my gosh, No, I have not 435 00:25:08,320 --> 00:25:12,560 Speaker 1: seen the original. Hey, the original is really good, Eric, 436 00:25:12,600 --> 00:25:15,680 Speaker 1: And I will say this even if you've never seen it. 437 00:25:15,680 --> 00:25:19,000 Speaker 1: It's not like there are several eighties films I've tried 438 00:25:19,000 --> 00:25:21,840 Speaker 1: to show my kids that were just mind blowing to me. 439 00:25:22,000 --> 00:25:24,080 Speaker 1: And I show them and they're like, wait, what were 440 00:25:24,119 --> 00:25:26,720 Speaker 1: you guys on in the eighties? This is horrible? Is 441 00:25:27,040 --> 00:25:29,040 Speaker 1: this will do it? Though? This is? This is a 442 00:25:29,080 --> 00:25:32,280 Speaker 1: good movie. That's one thing I have heard from everybody 443 00:25:32,320 --> 00:25:36,000 Speaker 1: that since Top Gun Maverick has come out that it's like, oh, 444 00:25:36,119 --> 00:25:39,040 Speaker 1: we went back and rewatched the original just to see 445 00:25:39,920 --> 00:25:43,040 Speaker 1: and remember and all this stuff. And it's like everyone 446 00:25:43,119 --> 00:25:45,800 Speaker 1: was like, that's a movie that holds up to today. 447 00:25:46,000 --> 00:25:48,320 Speaker 1: It does. So it does, and part of the reason 448 00:25:48,359 --> 00:25:50,280 Speaker 1: it came out I think it was Memorial Day weekend 449 00:25:50,320 --> 00:25:53,640 Speaker 1: that it came out, and it fits and still holds up. 450 00:25:54,000 --> 00:25:57,240 Speaker 1: Of course, over Independence Day weekend you have the swell 451 00:25:57,720 --> 00:26:01,200 Speaker 1: of patriotism and to Twalla's point, there aren't any other 452 00:26:01,280 --> 00:26:03,919 Speaker 1: major movies coming out this weekend, so it will shoot 453 00:26:03,960 --> 00:26:06,240 Speaker 1: back up. It was number two last week. My only 454 00:26:06,640 --> 00:26:08,560 Speaker 1: it missed out number one by like maybe one point 455 00:26:08,560 --> 00:26:10,600 Speaker 1: four million dollars. So it's going to go back to 456 00:26:10,720 --> 00:26:14,680 Speaker 1: number one with no other real competition. And even though 457 00:26:14,760 --> 00:26:17,440 Speaker 1: Deborah Mark was mocking me for saying that it was 458 00:26:17,480 --> 00:26:19,760 Speaker 1: the greatest movie of all time, I don't take it personally. 459 00:26:19,840 --> 00:26:21,480 Speaker 1: I know her heart's in a good place, and I 460 00:26:21,560 --> 00:26:23,879 Speaker 1: know in her heart she believes that The Notebook is 461 00:26:23,880 --> 00:26:28,080 Speaker 1: a comparable movie. It's not a spoiler, it's not. But 462 00:26:28,240 --> 00:26:30,840 Speaker 1: at the same time, we need to give credit where 463 00:26:30,880 --> 00:26:32,760 Speaker 1: credit is due, and this movie is not going to 464 00:26:32,800 --> 00:26:35,360 Speaker 1: win Best Picture, not because it doesn't deserve it. It's 465 00:26:35,400 --> 00:26:39,040 Speaker 1: just that the Academy doesn't know how to award action 466 00:26:39,240 --> 00:26:42,680 Speaker 1: movies any type of credit at all. That is true, 467 00:26:43,119 --> 00:26:45,600 Speaker 1: at all. It's almost like if you're an action movie, 468 00:26:45,920 --> 00:26:50,239 Speaker 1: you're you're somehow disqualified from consideration. Now, let me be 469 00:26:50,280 --> 00:26:52,960 Speaker 1: absolutely serious. No, I don't believe it's the greatest movie 470 00:26:52,960 --> 00:26:56,000 Speaker 1: of all time. I don't believe it, Okay, But to 471 00:26:56,040 --> 00:26:57,880 Speaker 1: be serious, it's the greatest movie of the past two 472 00:26:57,960 --> 00:27:07,960 Speaker 1: hundred years. Reminded, O, God, you missed your que again. Eric, 473 00:27:08,760 --> 00:27:16,680 Speaker 1: he's fired. Work with me, Eric, work with me, I 474 00:27:16,800 --> 00:27:19,399 Speaker 1: mean Eric, there's this is the only song in the 475 00:27:19,640 --> 00:27:23,119 Speaker 1: entirety of the film. No, No, No, and take My Breath. 476 00:27:23,119 --> 00:27:27,080 Speaker 1: They both songs. Sorry, there are two songs throughout the 477 00:27:27,280 --> 00:27:32,320 Speaker 1: entirety of the film. This might be the greatest song 478 00:27:32,359 --> 00:27:35,040 Speaker 1: of all time. This is a really really good song. 479 00:27:35,280 --> 00:27:38,520 Speaker 1: Se Okay, can we at least meet there alright? Turn up, Eric. 480 00:27:48,920 --> 00:27:51,200 Speaker 1: This is the Johnny Kin Show, Kelly and for john 481 00:27:51,280 --> 00:27:54,800 Speaker 1: k f AM six forty Live everywhere on the i 482 00:27:54,920 --> 00:27:57,479 Speaker 1: Heeart Radio approm Mo Kelly in for Johnny kN as 483 00:27:57,520 --> 00:28:00,800 Speaker 1: we close out the week. Yesterday, at this time we 484 00:28:00,960 --> 00:28:07,199 Speaker 1: talked about James Bond with news anchor Mark Ronner, and 485 00:28:07,280 --> 00:28:09,320 Speaker 1: for the most part, I respect his opinions, with the 486 00:28:09,359 --> 00:28:12,639 Speaker 1: exception of James Bond. That's very generous of you. Well, 487 00:28:12,680 --> 00:28:14,919 Speaker 1: I'm gonna try and today I thought I would give 488 00:28:14,960 --> 00:28:18,520 Speaker 1: him the opportunity to redeem himself as we talk about Oh, actually, 489 00:28:18,560 --> 00:28:20,560 Speaker 1: let me back up. We were talking about the show 490 00:28:20,640 --> 00:28:24,480 Speaker 1: The Boys yesterday and we were recommending it to as 491 00:28:24,520 --> 00:28:28,800 Speaker 1: many people as possible. Where it's over the top, it's vulgar, 492 00:28:29,000 --> 00:28:32,280 Speaker 1: it's profane, it's all the things that you don't get 493 00:28:32,320 --> 00:28:36,240 Speaker 1: to really enjoy in media today because it's just you know, 494 00:28:36,280 --> 00:28:39,560 Speaker 1: we're so sensitive and we're so upset about so many things. 495 00:28:40,400 --> 00:28:45,320 Speaker 1: The Boys runs counter to that and probably will offend 496 00:28:45,360 --> 00:28:49,360 Speaker 1: you somehow, some way along the way. It's just great television. 497 00:28:49,600 --> 00:28:53,320 Speaker 1: Effective I call that effective. Tell oh yeah, oh yeah, 498 00:28:53,360 --> 00:28:57,480 Speaker 1: it's really good stuff, and it's gory. It's all of 499 00:28:57,520 --> 00:29:01,760 Speaker 1: these things and the most episod so most recent episode 500 00:29:01,840 --> 00:29:05,600 Speaker 1: dropped this morning, like midnight or something like that. I 501 00:29:05,640 --> 00:29:15,440 Speaker 1: will say, beyond the gore, beyond the profane, graphic language, newity, 502 00:29:15,560 --> 00:29:18,160 Speaker 1: all these different things that can be a turn off 503 00:29:18,160 --> 00:29:24,120 Speaker 1: for anyone. I was pleasantly shocked at how a deptly 504 00:29:24,240 --> 00:29:28,040 Speaker 1: they made a turn almost on a dime and brought 505 00:29:28,200 --> 00:29:32,280 Speaker 1: emotion out of every character that was really like wait, 506 00:29:32,600 --> 00:29:40,520 Speaker 1: whoa they flipped it on its ear? Are you recording this? Well? 507 00:29:40,560 --> 00:29:43,800 Speaker 1: People don't know. Tallah was originally not a fan of 508 00:29:43,800 --> 00:29:46,120 Speaker 1: the show. He had nothing good to say about it, 509 00:29:46,200 --> 00:29:48,960 Speaker 1: and now he's an acolyte. I don't know about all 510 00:29:48,960 --> 00:29:53,120 Speaker 1: that I'm saying. Like, last I sat and I watched 511 00:29:53,120 --> 00:29:57,160 Speaker 1: it kind of just like, Wow, this is some really 512 00:29:57,240 --> 00:30:03,160 Speaker 1: good acting. There was so many great moments, personal character 513 00:30:03,240 --> 00:30:07,160 Speaker 1: developed moments that humanized all the characters in a way 514 00:30:07,160 --> 00:30:10,160 Speaker 1: that I'd never seen in the show before. That made 515 00:30:10,160 --> 00:30:13,960 Speaker 1: it that made me care about the characters, characters I 516 00:30:13,960 --> 00:30:15,800 Speaker 1: had never cared about before. I was like, I can't 517 00:30:15,800 --> 00:30:17,560 Speaker 1: wait for every single person on the show to die. 518 00:30:17,920 --> 00:30:21,320 Speaker 1: But now I's like, oh wow, now I see all 519 00:30:21,360 --> 00:30:25,760 Speaker 1: of your motivations. I see it goes so much deeper 520 00:30:25,840 --> 00:30:30,120 Speaker 1: into the why behind the show that I was looking for. 521 00:30:30,360 --> 00:30:34,160 Speaker 1: You've unlocked it. It's not just shocking violence and sex 522 00:30:34,240 --> 00:30:37,680 Speaker 1: and profanity. It's got an emotional component that's very deep 523 00:30:37,680 --> 00:30:42,240 Speaker 1: and satisfying, and especially this last week, exceptionally well done. 524 00:30:42,280 --> 00:30:44,400 Speaker 1: That brings a lot of things together that have been 525 00:30:44,440 --> 00:30:47,960 Speaker 1: building for the last two plus seasons. It's just gotten. 526 00:30:48,560 --> 00:30:52,360 Speaker 1: It's exceeded my expectations every single time. And after last 527 00:30:52,360 --> 00:30:55,520 Speaker 1: week's hero Gasm episode and the less said about that, 528 00:30:55,600 --> 00:30:57,960 Speaker 1: the better on the air, I didn't think it was 529 00:30:58,000 --> 00:31:01,840 Speaker 1: possible that they could top them. So now, Mark, yesterday 530 00:31:01,880 --> 00:31:06,000 Speaker 1: I tried to describe the Boys to people who had 531 00:31:06,080 --> 00:31:09,200 Speaker 1: not seen the show, and I tried to describe it 532 00:31:09,240 --> 00:31:11,600 Speaker 1: in this way and tell me if you agree. I 533 00:31:11,760 --> 00:31:16,560 Speaker 1: described it as a social treatise, a critique on America 534 00:31:16,640 --> 00:31:22,480 Speaker 1: on media, on we as Americans, our sensitivities are proclivities, 535 00:31:22,800 --> 00:31:26,160 Speaker 1: and they used the trope of superheroes and hero and 536 00:31:26,280 --> 00:31:30,120 Speaker 1: idol worship as the entry point. I think you did 537 00:31:30,160 --> 00:31:31,920 Speaker 1: a great job. But it occurred to me last night 538 00:31:32,000 --> 00:31:35,120 Speaker 1: while I was up past midnight watching the new episode. 539 00:31:35,240 --> 00:31:38,760 Speaker 1: Ever since nineteen eighty six, when The Dark Knight Returns 540 00:31:38,800 --> 00:31:41,760 Speaker 1: came out and Watchman came out and changed all of 541 00:31:41,840 --> 00:31:45,800 Speaker 1: comics to be about grown up comic people wanting to 542 00:31:45,840 --> 00:31:47,840 Speaker 1: destroy and screw up all the stuff they grew up 543 00:31:47,920 --> 00:31:51,000 Speaker 1: with and just kind of get their heroes dirty. This 544 00:31:51,080 --> 00:31:53,840 Speaker 1: does a better job of that than any of them, 545 00:31:53,880 --> 00:31:56,760 Speaker 1: and it satirizes it better than any of them had, 546 00:31:56,840 --> 00:31:59,680 Speaker 1: and much better in fact than The Boys Comic Book, 547 00:31:59,720 --> 00:32:03,160 Speaker 1: by the way, And I would say, regardless of what 548 00:32:03,240 --> 00:32:05,960 Speaker 1: you think about superheroes, I think this is the most 549 00:32:06,120 --> 00:32:11,440 Speaker 1: realistic iteration of how not how superheroes would act, but 550 00:32:11,520 --> 00:32:16,520 Speaker 1: how we would react to superheroes in this country at 551 00:32:16,560 --> 00:32:21,240 Speaker 1: this particular time. They would be marketed, they would be exploited, 552 00:32:21,480 --> 00:32:25,440 Speaker 1: they would be corporatized, they would be instruments of the 553 00:32:25,480 --> 00:32:29,479 Speaker 1: military industrial complex. They would be all those things in 554 00:32:29,520 --> 00:32:32,720 Speaker 1: a way that would be bastardized to the point where 555 00:32:32,760 --> 00:32:35,400 Speaker 1: you would not even recognize the whole point of having 556 00:32:35,440 --> 00:32:37,440 Speaker 1: superheroes in the first place they're supposed to be the 557 00:32:37,440 --> 00:32:39,920 Speaker 1: best of us would in actuality, they would be the 558 00:32:39,920 --> 00:32:44,200 Speaker 1: worst of us because of these exterior forces having nothing 559 00:32:44,240 --> 00:32:46,480 Speaker 1: to do with them themselves. That's the way I would 560 00:32:46,520 --> 00:32:49,040 Speaker 1: look at it. As the United States of America, you 561 00:32:49,240 --> 00:32:54,280 Speaker 1: commoditize and sell and corporatize everything, and they've done a 562 00:32:54,400 --> 00:32:57,680 Speaker 1: terrific job of depicting that and satirizing stuff that is 563 00:32:57,800 --> 00:33:01,760 Speaker 1: so current and so of the moment. The actor who 564 00:33:01,840 --> 00:33:05,640 Speaker 1: plays Homelander, Anthony Starr, is just terrific. He was underrated 565 00:33:05,880 --> 00:33:08,840 Speaker 1: when he was on that Banshee show on Stars, and 566 00:33:08,960 --> 00:33:11,680 Speaker 1: now he is just showing everything he can do. And 567 00:33:11,800 --> 00:33:13,920 Speaker 1: I hope he gets what he deserves for this. I 568 00:33:13,960 --> 00:33:17,040 Speaker 1: wonder if this doesn't catapult him to superstartup. And I 569 00:33:17,120 --> 00:33:19,600 Speaker 1: know that I can be hyperbolic at times, but he 570 00:33:19,760 --> 00:33:24,320 Speaker 1: is so magnetic on screen. And you could see even 571 00:33:24,400 --> 00:33:27,040 Speaker 1: how they film him, the close up of his face 572 00:33:27,040 --> 00:33:30,720 Speaker 1: and his facial expressions, the wide range of emotions of 573 00:33:30,720 --> 00:33:33,520 Speaker 1: this almost like a schizophrenic personality, where he's talking to 574 00:33:33,600 --> 00:33:35,440 Speaker 1: himself in the mirror and he's going through these different 575 00:33:35,440 --> 00:33:39,880 Speaker 1: iterations of basically an emotional break. You can see the 576 00:33:40,000 --> 00:33:43,920 Speaker 1: talent in him as an actor, which belies the type 577 00:33:43,920 --> 00:33:46,360 Speaker 1: of subject matter that he's talking about. If you get 578 00:33:46,400 --> 00:33:48,640 Speaker 1: past the cape, if you get past the idea of 579 00:33:48,720 --> 00:33:51,800 Speaker 1: him being a superhero, you see a very talented actor 580 00:33:51,840 --> 00:33:56,800 Speaker 1: who's giving a wonderful performance of a troubled individual dealing 581 00:33:56,800 --> 00:34:00,239 Speaker 1: with mental health issues and just so happened to have 582 00:34:00,360 --> 00:34:02,160 Speaker 1: lasers coming out of his eyes. Will you go so 583 00:34:02,200 --> 00:34:04,000 Speaker 1: far as to say they could have used him in 584 00:34:04,040 --> 00:34:07,600 Speaker 1: the Top Gun movie? Is he that good? Well, it 585 00:34:07,640 --> 00:34:09,800 Speaker 1: depends if Eric is ready to play the music and 586 00:34:10,040 --> 00:34:13,520 Speaker 1: is on queue, because the joke doesn't work otherwise he 587 00:34:13,560 --> 00:34:15,759 Speaker 1: has to queue it up. So I'm not sure. Let 588 00:34:15,760 --> 00:34:19,880 Speaker 1: me think thousand and one thousand, two thousand and three thousand. 589 00:34:23,120 --> 00:34:24,600 Speaker 1: I don't know if you could have given me a 590 00:34:24,680 --> 00:34:27,200 Speaker 1: better set up fastball right down the center of the 591 00:34:27,239 --> 00:34:29,480 Speaker 1: plate to hit out of the park. But you know, 592 00:34:30,000 --> 00:34:32,080 Speaker 1: Eric had just sort of tuned out. He said, gosh, 593 00:34:32,200 --> 00:34:35,959 Speaker 1: my shift is almost over. If this post done, these 594 00:34:36,000 --> 00:34:39,880 Speaker 1: mother fathers will not stop talking about this. Damn the boys. 595 00:34:40,280 --> 00:34:42,480 Speaker 1: You guys have actually convinced me to watch this show, 596 00:34:43,080 --> 00:34:45,799 Speaker 1: excited for it all? Right? Then where's my damn Top 597 00:34:45,800 --> 00:34:54,799 Speaker 1: Gun music? Thousand and five six? See Anyhow, put it 598 00:34:54,880 --> 00:34:58,040 Speaker 1: this way, this show is probably going to be bigger 599 00:34:58,040 --> 00:35:01,000 Speaker 1: than ever before. In the way that Karate Cobra Kai 600 00:35:01,680 --> 00:35:05,200 Speaker 1: was popular on YouTube Red, but it went through the 601 00:35:05,239 --> 00:35:08,239 Speaker 1: stratosphere when it got to Netflix. I think this is 602 00:35:08,280 --> 00:35:12,080 Speaker 1: similar because not everyone has Amazon Prime in that way 603 00:35:12,200 --> 00:35:15,759 Speaker 1: or watches Amazon Prime on the level that people watch Netflix. 604 00:35:16,080 --> 00:35:18,360 Speaker 1: More and more people are finding out about The Boys, 605 00:35:18,719 --> 00:35:21,200 Speaker 1: and if we're on a different streaming platform, I think 606 00:35:21,200 --> 00:35:23,759 Speaker 1: it would be a worldwide sensation. Let me just let 607 00:35:23,800 --> 00:35:25,080 Speaker 1: me just add one point to it what I was 608 00:35:25,120 --> 00:35:27,600 Speaker 1: trying to say earlier, which is that when you guys 609 00:35:27,600 --> 00:35:29,759 Speaker 1: talk about the Marvel and the DC movies, and you 610 00:35:29,920 --> 00:35:31,960 Speaker 1: and I and Tuala have seen all of those because 611 00:35:32,000 --> 00:35:35,040 Speaker 1: we love them and what they have wrestled with. You know, 612 00:35:35,040 --> 00:35:37,120 Speaker 1: ever since the first Iron Man did it so well? 613 00:35:37,360 --> 00:35:39,960 Speaker 1: Is trying to make these fifty and eighty year old, 614 00:35:40,120 --> 00:35:44,880 Speaker 1: ridiculous superheroes be believable and palatable for adults in the 615 00:35:44,920 --> 00:35:48,480 Speaker 1: twenty first century? Right? The Boys does that. The Boys 616 00:35:48,520 --> 00:35:50,960 Speaker 1: does it better than any of them have. But they 617 00:35:51,000 --> 00:35:53,680 Speaker 1: make them actual people, and they make them actual adults 618 00:35:53,680 --> 00:35:59,279 Speaker 1: with foibles, yes, and predilections and issues and all these 619 00:35:59,320 --> 00:36:03,600 Speaker 1: things that we as people must endure, and we see 620 00:36:03,640 --> 00:36:05,920 Speaker 1: the frail. Even though they are super strong, they have 621 00:36:06,000 --> 00:36:10,360 Speaker 1: these emotional frailties and pitfalls which make them three dimensional. 622 00:36:10,440 --> 00:36:13,240 Speaker 1: Because we can't relate to Superman, but we can relate 623 00:36:13,280 --> 00:36:16,920 Speaker 1: to a person who's an alcoholic, or who has a 624 00:36:17,280 --> 00:36:22,640 Speaker 1: sexual addiction, or who is insecure. These superheroes are immensely insecure, 625 00:36:22,680 --> 00:36:25,080 Speaker 1: and I think that that makes them relatable in a 626 00:36:25,120 --> 00:36:30,080 Speaker 1: way that traditional superheroes have never been relatable one hundred percent. 627 00:36:30,160 --> 00:36:34,359 Speaker 1: And also it is laugh out loud, outrageous funny. And 628 00:36:34,600 --> 00:36:37,680 Speaker 1: there's a one particular word that Carl Urban uses in 629 00:36:37,760 --> 00:36:41,800 Speaker 1: his frequent rotation that we cannot that if that doesn't 630 00:36:41,840 --> 00:36:43,600 Speaker 1: wind up as some kind of meme or on T 631 00:36:43,719 --> 00:36:46,920 Speaker 1: shirts or something. I mean, it's I believe it will 632 00:36:47,000 --> 00:36:50,920 Speaker 1: change how Americans speak in a very bad Cotney accent, 633 00:36:51,040 --> 00:36:53,560 Speaker 1: let me put it that way. Yes, Mark, we're going 634 00:36:53,600 --> 00:36:55,480 Speaker 1: to have to continue this on Am Kelly Show, on 635 00:36:55,560 --> 00:36:58,640 Speaker 1: nerd Arama probably tomorrow. You think you do that for us? 636 00:36:58,760 --> 00:37:02,360 Speaker 1: Can't wait on us? Right now? Is the one and only, 637 00:37:02,400 --> 00:37:10,880 Speaker 1: the inimitable, the incomparable, the lovable. It's so dark in here, 638 00:37:10,920 --> 00:37:12,640 Speaker 1: what's going on in here? We just never turned on 639 00:37:12,680 --> 00:37:14,560 Speaker 1: the light seriously, because when we started to show at 640 00:37:14,560 --> 00:37:16,879 Speaker 1: two o'clock, the sun was beaming, and now it's moved 641 00:37:16,880 --> 00:37:19,200 Speaker 1: to a different part of the sky. So yeah, but man, 642 00:37:19,239 --> 00:37:22,360 Speaker 1: oh man, you know we we we have electricity. You know, 643 00:37:22,440 --> 00:37:24,040 Speaker 1: it's just one of those things where we like to 644 00:37:24,120 --> 00:37:27,400 Speaker 1: keep it out. Not your out. We're gonna start a 645 00:37:27,400 --> 00:37:30,759 Speaker 1: barn fire, you know. All right, We've got um La 646 00:37:30,800 --> 00:37:34,960 Speaker 1: City Council is just voted to allow homeless camp encampments, 647 00:37:34,960 --> 00:37:37,600 Speaker 1: but they have to be within fifty feet of a school. 648 00:37:38,000 --> 00:37:43,000 Speaker 1: It was sure not closer within fifty or closer. So 649 00:37:43,080 --> 00:37:44,799 Speaker 1: that's kind of we're moving in the right direction. Yeah, 650 00:37:44,840 --> 00:37:49,520 Speaker 1: no problem. We have the guy or I guess they 651 00:37:49,560 --> 00:37:56,440 Speaker 1: should know this. Careful, careful with names nowadays. Anyway, somebody 652 00:37:56,480 --> 00:38:02,040 Speaker 1: coming up from the Rose Bowl. You know, I don't 653 00:38:02,040 --> 00:38:05,799 Speaker 1: know j E n s. Was that a that's a guy. 654 00:38:05,840 --> 00:38:12,920 Speaker 1: I say careful, I say careful, look Jens, Jens. And 655 00:38:13,040 --> 00:38:15,200 Speaker 1: that could be either way. That could be a flip 656 00:38:15,239 --> 00:38:18,400 Speaker 1: of a coin, Ran, it could be guess goodn't cancel 657 00:38:18,560 --> 00:38:24,440 Speaker 1: coming on tonight. Don't get yourself fi. We got Alex Michaelson. 658 00:38:24,480 --> 00:38:27,960 Speaker 1: That's a dude. I know that Joe boost Guiana, that's 659 00:38:27,960 --> 00:38:30,520 Speaker 1: a guy and um, and then we got you know, 660 00:38:30,560 --> 00:38:32,239 Speaker 1: fourth in July. A lot of that crap, you know, 661 00:38:32,280 --> 00:38:36,480 Speaker 1: traffic and stuff like right, if people only knew how 662 00:38:36,520 --> 00:38:39,200 Speaker 1: we have to make up shite to talk about on 663 00:38:39,239 --> 00:38:42,960 Speaker 1: a holiday weekend, from traffic to travel to food, but 664 00:38:43,360 --> 00:38:46,640 Speaker 1: places you could watch the fireworks? And I wait, who 665 00:38:46,680 --> 00:38:49,000 Speaker 1: we talking like that? You told me yesterday after the shows? Oh, 666 00:38:49,080 --> 00:38:51,279 Speaker 1: your dad went to the Hollywood Park, Yes, he did. 667 00:38:51,320 --> 00:38:54,080 Speaker 1: And your grandfather, yes, when he was in town. Who 668 00:38:54,160 --> 00:38:56,120 Speaker 1: quit your their job to go to the track full time? 669 00:38:56,239 --> 00:38:58,680 Speaker 1: My dad? Man, I love that And I never told 670 00:38:58,680 --> 00:39:00,680 Speaker 1: that story on air, but I guess I can tell 671 00:39:00,680 --> 00:39:04,239 Speaker 1: it now. Sorry, no, no, I'm saying. It's one of 672 00:39:04,239 --> 00:39:06,040 Speaker 1: those things where no true story. There was a point 673 00:39:06,040 --> 00:39:09,000 Speaker 1: where he came home and told the family's like, you 674 00:39:09,000 --> 00:39:10,279 Speaker 1: know what, I think, this is what I want to 675 00:39:10,280 --> 00:39:13,279 Speaker 1: do full time, and that's so great. And my mother said, 676 00:39:13,719 --> 00:39:20,320 Speaker 1: you mother, father son of it? And for sure because 677 00:39:20,400 --> 00:39:22,600 Speaker 1: I was there. I was at Hollywood Park five six 678 00:39:22,640 --> 00:39:25,640 Speaker 1: seven times a month, easily. Yeah, he was there five 679 00:39:25,719 --> 00:39:28,160 Speaker 1: six seven times a week. Yeah. Get the other close 680 00:39:28,239 --> 00:39:30,880 Speaker 1: enough with but driving, yeah, we at that time we 681 00:39:30,960 --> 00:39:33,600 Speaker 1: lived in Harbor City. So I mean it was just 682 00:39:33,719 --> 00:39:36,000 Speaker 1: like right down the one ten freeway. Yeah, you know, 683 00:39:36,200 --> 00:39:38,399 Speaker 1: and you went with him right on occasion. Yeah yeah, 684 00:39:38,400 --> 00:39:40,319 Speaker 1: that's yeah. That's how I learned how to read a 685 00:39:40,400 --> 00:39:42,839 Speaker 1: racing form and what a furlong was, and you know, 686 00:39:42,920 --> 00:39:46,239 Speaker 1: and and just how to just bet and an exacta 687 00:39:46,360 --> 00:39:48,560 Speaker 1: and you know, win play show all those things. Yeah, 688 00:39:48,600 --> 00:39:50,719 Speaker 1: that's where I learned math because everything at the track, 689 00:39:50,800 --> 00:39:52,799 Speaker 1: that's true, Everything is math. That's not a joke, that's 690 00:39:52,800 --> 00:39:56,440 Speaker 1: for real, absolute. So that then we'll be out of here. 691 00:39:56,440 --> 00:39:58,560 Speaker 1: And now jo I joined the you know, the party 692 00:39:58,600 --> 00:40:02,200 Speaker 1: because this is the last ship shift. That's well, I guess, um, yeah, 693 00:40:02,200 --> 00:40:04,200 Speaker 1: there's a last shift on the station that's live until 694 00:40:04,360 --> 00:40:06,319 Speaker 1: you know Tuesday or so. Oh no, we're gonna be 695 00:40:06,320 --> 00:40:08,719 Speaker 1: live on Monday, Monday. We wink, we're gonna be live. 696 00:40:08,800 --> 00:40:12,080 Speaker 1: Oh we are, we are? Are you working Monday? Yeah? 697 00:40:12,120 --> 00:40:16,280 Speaker 1: What are you doing? We're doing the John Ken slot. Okay, 698 00:40:16,320 --> 00:40:18,040 Speaker 1: that's not bad. You have to wake up early for that. No, 699 00:40:18,160 --> 00:40:20,040 Speaker 1: thank goodness, Thank goodness. And I think I'm in for 700 00:40:20,080 --> 00:40:23,279 Speaker 1: you sometime next week. Nice. That's above two days next week. 701 00:40:23,320 --> 00:40:25,680 Speaker 1: I appreciate it. Man, Tim cow Ju show coming out 702 00:40:26,160 --> 00:40:28,560 Speaker 1: CAMF I am six forty. We're like, oh everywhere on 703 00:40:28,600 --> 00:40:31,120 Speaker 1: the iHeartRadio app. Hey Ken, did you know that gold 704 00:40:31,200 --> 00:40:33,719 Speaker 1: is the only currency that's held its value since the 705 00:40:33,920 --> 00:40:36,640 Speaker 1: dawn of money? Well? I did, thanks to our friends 706 00:40:36,640 --> 00:40:41,200 Speaker 1: at Legacy Precious Medals, the most trusted name in gold investing. 707 00:40:41,360 --> 00:40:45,239 Speaker 1: Investing in gold protects you against inflation and gives you 708 00:40:45,280 --> 00:40:48,680 Speaker 1: a hedge against stock market volatility. 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We've been a part of 717 00:41:22,440 --> 00:41:26,680 Speaker 1: that too, but not anymore at body or rejecting perfection 718 00:41:27,080 --> 00:41:30,959 Speaker 1: and embracing reality, not in a Pizza Monday kind of way, 719 00:41:31,360 --> 00:41:33,920 Speaker 1: in a loving your whole life kind of way, in 720 00:41:34,040 --> 00:41:36,600 Speaker 1: a this workout is fun and it's okay if I 721 00:41:36,640 --> 00:41:39,520 Speaker 1: take a week off kind of way, in an I'm 722 00:41:39,560 --> 00:41:42,880 Speaker 1: eating healthy and it's okay if I indulge kind of way, 723 00:41:43,320 --> 00:41:47,919 Speaker 1: in a I like myself. No matter what kind of way. Yeah, 724 00:41:48,000 --> 00:41:51,080 Speaker 1: you will fail, we all will. But we're not going 725 00:41:51,120 --> 00:41:53,520 Speaker 1: to let that be the end and see that we're 726 00:41:53,560 --> 00:41:57,240 Speaker 1: already making progress. So let's keep going. We are Body. 727 00:41:57,560 --> 00:42:01,040 Speaker 1: Start your free trial at body dot com. It's body 728 00:42:01,320 --> 00:42:01,839 Speaker 1: dot com.