1 00:00:17,840 --> 00:00:22,080 Speaker 1: So last December or last what it was December, right 2 00:00:22,280 --> 00:00:28,639 Speaker 1: December last year, Will gave me the me and my 3 00:00:28,720 --> 00:00:32,680 Speaker 1: family the most generous gift and so long, Um you 4 00:00:32,880 --> 00:00:36,839 Speaker 1: somehow because you did something for Disney. I don't know 5 00:00:36,840 --> 00:00:38,280 Speaker 1: what you did, but you can six explain it. But 6 00:00:38,320 --> 00:00:40,400 Speaker 1: you did some amazing convention thing and they gave you 7 00:00:40,440 --> 00:00:43,160 Speaker 1: the opportunity. They said, what do you want, and you said, 8 00:00:43,479 --> 00:00:46,520 Speaker 1: I want a VIP tour Disneyland like the old school 9 00:00:46,560 --> 00:00:48,239 Speaker 1: way which we used to get when we are on 10 00:00:48,320 --> 00:00:51,720 Speaker 1: Boylan World, which is you get a person that is 11 00:00:51,760 --> 00:00:56,440 Speaker 1: a VIP guests relations and they take you around and 12 00:00:56,520 --> 00:00:57,800 Speaker 1: you get to go to the front of the line 13 00:00:57,840 --> 00:01:00,480 Speaker 1: of the rides and they will take you wherever you want. 14 00:01:00,520 --> 00:01:03,000 Speaker 1: And you said, I want to do that, and I 15 00:01:03,040 --> 00:01:06,760 Speaker 1: want to bring writer and his son Indie, and ended 16 00:01:06,800 --> 00:01:09,480 Speaker 1: up not only did the two of us get to go, Um, 17 00:01:09,840 --> 00:01:13,440 Speaker 1: obviously your wife came and then um, you were able 18 00:01:13,440 --> 00:01:16,000 Speaker 1: to get my wife to come and my wife's sister. 19 00:01:16,080 --> 00:01:20,080 Speaker 1: So we had like this amazing family and friends trip 20 00:01:20,319 --> 00:01:24,160 Speaker 1: to Disneyland, which was I mean, now it's ruined for Indie, 21 00:01:24,160 --> 00:01:26,400 Speaker 1: like he's never going to be able to experience we 22 00:01:26,400 --> 00:01:28,920 Speaker 1: had been once before where we waited in the lines 23 00:01:28,959 --> 00:01:31,160 Speaker 1: and did all this stuff. But but yeah, I mean 24 00:01:31,160 --> 00:01:33,520 Speaker 1: it was just so incredible. Um, and I know I've 25 00:01:33,520 --> 00:01:36,160 Speaker 1: thanked you a bunch, but like, thank you again. It 26 00:01:36,200 --> 00:01:39,240 Speaker 1: was great. Yeah, we were did we did so Christy 27 00:01:39,319 --> 00:01:42,399 Speaker 1: Carlson and I did. Um. It was the twenty something, 28 00:01:42,520 --> 00:01:45,680 Speaker 1: this the the anniversary of Kimpossible and we did d twenty three. 29 00:01:45,720 --> 00:01:47,440 Speaker 1: We did a penalty twenty three and they said, hey, 30 00:01:47,480 --> 00:01:49,080 Speaker 1: if you come down for the days or anything you want, 31 00:01:49,080 --> 00:01:51,040 Speaker 1: and I was like, yeap, I want to go to 32 00:01:51,080 --> 00:01:55,080 Speaker 1: Disneyland old school away right, um, and Danielle, I just 33 00:01:55,120 --> 00:01:57,200 Speaker 1: figured your little ones were just too young at this point. 34 00:01:57,200 --> 00:01:59,960 Speaker 1: They are, trust me, they're absolute nightmares to take to Disneyland. 35 00:02:00,440 --> 00:02:03,200 Speaker 1: I figured I'll let you know. They're also not yet 36 00:02:03,240 --> 00:02:05,960 Speaker 1: tall enough to ride any of the rides. So yeah, 37 00:02:06,200 --> 00:02:08,839 Speaker 1: we're we're are still an inch too short to ride 38 00:02:08,880 --> 00:02:11,720 Speaker 1: some of the greatest rides a ride. Adler can ride 39 00:02:11,720 --> 00:02:13,840 Speaker 1: all the fun little kid rides, but like, we're still 40 00:02:14,040 --> 00:02:16,120 Speaker 1: you think you need to be forty inches or forty 41 00:02:16,120 --> 00:02:19,160 Speaker 1: two inches, so maybe we're Yeah, he's he's thirty nine, 42 00:02:19,360 --> 00:02:21,480 Speaker 1: so we're still you know, three inches away from there, 43 00:02:21,560 --> 00:02:23,040 Speaker 1: so that's when you know you're an adult, when you 44 00:02:23,080 --> 00:02:26,519 Speaker 1: stop measuring yourself an inches. I know. Also, I'm just 45 00:02:26,680 --> 00:02:29,400 Speaker 1: barely above most of them, you know, I'm only sixty 46 00:02:29,400 --> 00:02:33,280 Speaker 1: one inches tall, and ad there's already thirty nine inches tall. 47 00:02:33,560 --> 00:02:39,079 Speaker 1: So yeah, yeah, no. So the strangely enough, the thing 48 00:02:39,120 --> 00:02:44,560 Speaker 1: I remember, the hardest, most jarring, most dangerous, scariest ride 49 00:02:44,560 --> 00:02:47,320 Speaker 1: we did was that little kids ride at the very end, 50 00:02:47,360 --> 00:02:50,480 Speaker 1: Goofy Sky School, Goofy Sky That is the worst ride 51 00:02:50,480 --> 00:02:52,000 Speaker 1: I've ever been on in my life. I've never been 52 00:02:52,000 --> 00:02:54,239 Speaker 1: more terrified. We looked at the indies, let's go on 53 00:02:54,320 --> 00:02:56,440 Speaker 1: that one. We're like, it's called Goofy Sky School. Yeah, 54 00:02:56,440 --> 00:03:01,280 Speaker 1: it's a litt kid's roller coaster, and it is terrifying. Whoa, 55 00:03:01,919 --> 00:03:05,280 Speaker 1: it's pretty California adventure Land. And it's like, for whatever reason, 56 00:03:05,320 --> 00:03:08,160 Speaker 1: the way it's designed, you're sitting on you're like above 57 00:03:08,240 --> 00:03:10,959 Speaker 1: the track in this weird way. You're in a little car, 58 00:03:11,280 --> 00:03:14,320 Speaker 1: and the turns are like super sharp, and that's kind 59 00:03:14,320 --> 00:03:16,560 Speaker 1: of the point. But man, if you're over the age 60 00:03:16,560 --> 00:03:20,880 Speaker 1: of like eight, it is painful and really terrifying. And 61 00:03:21,120 --> 00:03:23,480 Speaker 1: I for some reason, the way it's designed, I kept 62 00:03:23,520 --> 00:03:26,280 Speaker 1: thinking we were going to tip over, Like okay, so 63 00:03:26,520 --> 00:03:28,960 Speaker 1: producer tar I just wrote, you feel like you're going 64 00:03:29,000 --> 00:03:31,040 Speaker 1: to fall off the whole time. You're high up and 65 00:03:31,080 --> 00:03:32,720 Speaker 1: you feel like you're on you're going to fall And 66 00:03:32,760 --> 00:03:35,680 Speaker 1: I guess the story is that is originally called muleholand something, 67 00:03:35,960 --> 00:03:40,800 Speaker 1: which is it was originally Full Holland Drive, which is 68 00:03:40,800 --> 00:03:43,560 Speaker 1: the windy salls along the head the top of the 69 00:03:43,600 --> 00:03:46,880 Speaker 1: mountains here in La in between the Valley and Hollywood. 70 00:03:47,120 --> 00:03:48,800 Speaker 1: And so it's so I guess that was the original 71 00:03:48,840 --> 00:03:51,320 Speaker 1: title and it wasn't, you know, clever or Disney related enough, 72 00:03:51,360 --> 00:03:54,400 Speaker 1: so they changed it to Goofy Sky School. Oh my god, 73 00:03:54,400 --> 00:03:56,160 Speaker 1: it was I just don't I never want to do 74 00:03:56,200 --> 00:03:58,520 Speaker 1: it again. At the Indian was like, do it again? Well, 75 00:03:58,600 --> 00:04:01,600 Speaker 1: that's so apparently what it is. So the first of all, 76 00:04:01,640 --> 00:04:04,400 Speaker 1: when these wonderful guides come with you, they kind of 77 00:04:04,440 --> 00:04:06,560 Speaker 1: have to go on the rides with you. When they 78 00:04:06,640 --> 00:04:08,040 Speaker 1: bring you on the ride, then they have to go on. 79 00:04:08,400 --> 00:04:11,520 Speaker 1: So we had done Guardians, the Galaxy, the Tower Drop 80 00:04:11,560 --> 00:04:13,560 Speaker 1: where you're dropping one hundred times. We're doing all these 81 00:04:13,640 --> 00:04:15,840 Speaker 1: roller coasters and we go to Disney Sky School and 82 00:04:16,040 --> 00:04:18,880 Speaker 1: she loses all the color in her face, this poor woman, 83 00:04:19,400 --> 00:04:24,280 Speaker 1: and she and she didn't discourage us. I can't believe 84 00:04:24,320 --> 00:04:27,680 Speaker 1: she didn't say anything to you. What she said was essentially, 85 00:04:27,800 --> 00:04:33,360 Speaker 1: it's made for kids, so anybody over fifty inches it's terrifying. 86 00:04:33,720 --> 00:04:36,240 Speaker 1: Oh my gosh, so an adult going on it. I mean, 87 00:04:36,279 --> 00:04:38,040 Speaker 1: we looked at each other at the end. First of all, 88 00:04:38,080 --> 00:04:40,640 Speaker 1: you're pretty sure you're going to urinate blood the next day, 89 00:04:41,360 --> 00:04:44,680 Speaker 1: and and and you also felt like it was both 90 00:04:44,720 --> 00:04:48,680 Speaker 1: of us just essentially shaking as we had finished this ride. 91 00:04:48,720 --> 00:04:52,640 Speaker 1: It was horrid. It was It was no that Star 92 00:04:52,680 --> 00:04:57,919 Speaker 1: Wars ride where are all of a sudden taken hostage. 93 00:04:58,080 --> 00:05:01,880 Speaker 1: And then there's a whole group of actors that so 94 00:05:02,040 --> 00:05:04,880 Speaker 1: first of all, you go under full size, life size 95 00:05:05,000 --> 00:05:08,479 Speaker 1: the Resistance. The greatest part though, was so we get 96 00:05:08,520 --> 00:05:10,400 Speaker 1: there and we're we go on the ride and where 97 00:05:10,520 --> 00:05:12,640 Speaker 1: you start and there's all these actors that are, you know, 98 00:05:12,680 --> 00:05:14,320 Speaker 1: playing the part of who they're supposed to be. So 99 00:05:14,400 --> 00:05:17,560 Speaker 1: first you get stormtroopers. Stormtroopers that come in, like the 100 00:05:17,720 --> 00:05:20,520 Speaker 1: General walks onto your ship and goes, hey, rebel scum, 101 00:05:20,920 --> 00:05:23,120 Speaker 1: get out of here. We're gonna we're gonna interrogate you. 102 00:05:23,160 --> 00:05:24,760 Speaker 1: So they bring you into this room and then all 103 00:05:24,800 --> 00:05:27,240 Speaker 1: of a sudden, the wall, you know, tends to burn down, 104 00:05:27,240 --> 00:05:29,760 Speaker 1: and all these actors are so into it. And then 105 00:05:29,760 --> 00:05:33,080 Speaker 1: we got into the second level and there's just one woman. 106 00:05:33,160 --> 00:05:35,719 Speaker 1: He's like, Hi, I'm Karen. I'm here for the Resistance, 107 00:05:35,760 --> 00:05:38,600 Speaker 1: I'm here to save you. Follow me please, And it 108 00:05:38,680 --> 00:05:41,919 Speaker 1: was just she was so just phoning it in, that 109 00:05:42,040 --> 00:05:45,800 Speaker 1: Sue and I could not stop laughing. Yeah, we're here 110 00:05:45,800 --> 00:05:49,160 Speaker 1: to save you. Come on, let's go this way, Karen 111 00:05:49,240 --> 00:05:54,200 Speaker 1: fired from Disneyland, Karen. They have to give it. They're 112 00:05:54,279 --> 00:05:56,200 Speaker 1: there for the most part, they're all giving it. They're all, 113 00:05:56,279 --> 00:05:58,920 Speaker 1: let's give Disney. And that's why it was so jarring 114 00:05:58,960 --> 00:06:01,800 Speaker 1: that poor Karen just was phoning it in on the day. 115 00:06:02,000 --> 00:06:05,640 Speaker 1: I hope her name wasn't really Karen. I'm glad we 116 00:06:05,800 --> 00:06:08,240 Speaker 1: used everyone out there. It's probably not Karen, but oh 117 00:06:08,360 --> 00:06:11,080 Speaker 1: that ride was. And then you're un there with storm 118 00:06:11,200 --> 00:06:14,280 Speaker 1: troopers and at eighties and it was just I say, 119 00:06:14,800 --> 00:06:16,560 Speaker 1: I wanted to bring it up because I feel like 120 00:06:16,640 --> 00:06:19,720 Speaker 1: this is you know, this is one of the major 121 00:06:19,800 --> 00:06:21,800 Speaker 1: benefits of being on a show that was produced by 122 00:06:21,880 --> 00:06:24,760 Speaker 1: Disney is that we felt like we were sort of 123 00:06:24,800 --> 00:06:27,279 Speaker 1: always slightly behind the scenes at Disneyland, and then of 124 00:06:27,279 --> 00:06:29,400 Speaker 1: course we did the episode of Disney World. So it's 125 00:06:29,440 --> 00:06:33,120 Speaker 1: like an essential part of our childhood and our adolescence 126 00:06:33,320 --> 00:06:36,560 Speaker 1: that we, you know, we felt like we owned the place, 127 00:06:37,120 --> 00:06:40,080 Speaker 1: and like, I just think that that's like really special 128 00:06:40,120 --> 00:06:42,640 Speaker 1: and really cool and probably something that makes a lot 129 00:06:42,680 --> 00:06:44,640 Speaker 1: of people out there super jealous. And I just want 130 00:06:44,680 --> 00:06:48,279 Speaker 1: to say it was awesome, and it was always I 131 00:06:48,440 --> 00:06:51,360 Speaker 1: felt so relaxed at Disneyland. I remember me and Ben 132 00:06:52,000 --> 00:06:54,440 Speaker 1: running around from the park, like because what they would 133 00:06:54,440 --> 00:06:56,479 Speaker 1: do is they would shut it down for only employees 134 00:06:56,839 --> 00:06:59,920 Speaker 1: and the holidays every night, so the park would close early. 135 00:07:00,200 --> 00:07:01,800 Speaker 1: They don't do this anymore, but the park would close 136 00:07:01,839 --> 00:07:03,479 Speaker 1: early for like five days a week. And if you 137 00:07:03,520 --> 00:07:06,159 Speaker 1: work for Disney in any department, not just actors, you 138 00:07:06,160 --> 00:07:08,960 Speaker 1: could get you go for that for a night and 139 00:07:09,000 --> 00:07:11,760 Speaker 1: it would be like from six pm until midnight. We 140 00:07:11,760 --> 00:07:13,520 Speaker 1: would have the park too, and there would just be 141 00:07:13,840 --> 00:07:16,000 Speaker 1: barely anybody there, but all the rides would be running, 142 00:07:16,240 --> 00:07:18,240 Speaker 1: and it was it was the greatest, Like it was 143 00:07:18,280 --> 00:07:19,720 Speaker 1: just the good. And then like there was a time 144 00:07:19,720 --> 00:07:23,040 Speaker 1: that Ben and I wrote Splash Mountain twenty five times 145 00:07:23,120 --> 00:07:26,360 Speaker 1: because of filming on it like there was just a 146 00:07:26,400 --> 00:07:28,960 Speaker 1: sense that we were always like it was our place, 147 00:07:29,040 --> 00:07:30,600 Speaker 1: it was our park, and you know, and then of 148 00:07:30,640 --> 00:07:33,560 Speaker 1: course one point in world ended. We never got asked back. Yeah, 149 00:07:33,600 --> 00:07:37,040 Speaker 1: that's that became impossible when we had this opportunity. It 150 00:07:37,080 --> 00:07:39,720 Speaker 1: was like, thirty, not only is this bringing back my childhood, 151 00:07:39,760 --> 00:07:41,640 Speaker 1: but I can share this with Indie and he gets 152 00:07:41,640 --> 00:07:44,160 Speaker 1: to have a little bit of this magic like yeah, 153 00:07:44,240 --> 00:07:46,960 Speaker 1: he was, he was having glass. It was so much fun. 154 00:07:47,000 --> 00:07:48,640 Speaker 1: And that's the most time I've ever spent with Indie, 155 00:07:48,680 --> 00:07:50,480 Speaker 1: and I want said I wanted to spend more time 156 00:07:50,480 --> 00:07:53,160 Speaker 1: with them. Yeah, for children are important for some reason, 157 00:07:53,200 --> 00:07:55,800 Speaker 1: so it'll be fun to hang out with him more. 158 00:07:56,000 --> 00:07:57,640 Speaker 1: He's a good kid. He's a good kid. He definitely 159 00:07:57,680 --> 00:07:59,320 Speaker 1: I can't wait for my kids to be old enough 160 00:07:59,320 --> 00:08:02,600 Speaker 1: and then we could do a big old group trip. Yes, yeah, 161 00:08:02,680 --> 00:08:05,120 Speaker 1: maybe if you get our powers together, and that's what 162 00:08:05,160 --> 00:08:07,240 Speaker 1: I'm saying, I can also, you know, I guess the 163 00:08:07,320 --> 00:08:09,120 Speaker 1: argument be it'd be too hard for us to deal 164 00:08:09,120 --> 00:08:11,440 Speaker 1: with the fans. We're gonna get recognized too often, which 165 00:08:11,480 --> 00:08:14,160 Speaker 1: would not be the case. I think anybody recognize me anyway. 166 00:08:14,240 --> 00:08:16,480 Speaker 1: I think you can pay for the service. Actually, now 167 00:08:16,600 --> 00:08:20,320 Speaker 1: we make can't can no Writer? Don't you recall you 168 00:08:20,320 --> 00:08:22,720 Speaker 1: did get recognized? Did get recognized as somebody else? Who 169 00:08:22,720 --> 00:08:25,120 Speaker 1: was it wasn't for you? Nobody came up. They were 170 00:08:25,160 --> 00:08:28,120 Speaker 1: like are you and they threw out a random actor name. 171 00:08:28,320 --> 00:08:30,840 Speaker 1: I think it's because they saw us with the VIP guy, 172 00:08:30,920 --> 00:08:32,840 Speaker 1: so they assumed that we are somebody famous and they 173 00:08:32,840 --> 00:08:34,680 Speaker 1: walked right after him and they're like are you blah 174 00:08:34,720 --> 00:08:37,680 Speaker 1: blah blah blah, and I was like no, no, and 175 00:08:37,720 --> 00:08:39,360 Speaker 1: then she walked away and then I was like, well, 176 00:08:39,400 --> 00:08:41,120 Speaker 1: that's who is that. We looked it up. He's like 177 00:08:41,240 --> 00:08:46,520 Speaker 1: fifty five years old. I was. It was like, oh, yeah, believable. Writer, 178 00:08:46,600 --> 00:08:49,680 Speaker 1: did get recognized just as someone else? Yeah? Great, I 179 00:08:49,720 --> 00:08:53,240 Speaker 1: love it. That's that's my favorite. Welcome to pod Meet's world. 180 00:08:53,280 --> 00:08:56,800 Speaker 1: I'm Danielle Visual, I'm Writer Strong or I'm Wilford yeah, 181 00:08:56,960 --> 00:08:59,480 Speaker 1: or or are you? And I'm the guy who was 182 00:08:59,520 --> 00:09:04,000 Speaker 1: with whoever Ryder Strong was that day? Well, today we 183 00:09:04,080 --> 00:09:07,360 Speaker 1: are recapping season two, episode eight, Band on the Run. 184 00:09:07,640 --> 00:09:12,000 Speaker 1: It originally aired November eleventh, nineteen ninety four. The synopsis 185 00:09:12,000 --> 00:09:14,400 Speaker 1: is that Corey and Sean create a fake band to 186 00:09:14,440 --> 00:09:17,360 Speaker 1: impress the girls in school, but when mister Feeney books 187 00:09:17,400 --> 00:09:20,840 Speaker 1: their band for the upcoming school dance, things get complicated. 188 00:09:21,120 --> 00:09:24,160 Speaker 1: All of this while Alan gets his own childhood band 189 00:09:24,280 --> 00:09:27,720 Speaker 1: back together. It was directed by David Trayner, written by 190 00:09:27,720 --> 00:09:30,520 Speaker 1: Mark Blackman and Howard Buskang, and we have a long 191 00:09:30,640 --> 00:09:34,800 Speaker 1: list of guest stars. Mickey Dolan's as Norm, Rick Nielsen 192 00:09:34,960 --> 00:09:40,320 Speaker 1: as Gordy, Billy Vera as Larry, Joanna Trias as Sonia, 193 00:09:40,800 --> 00:09:45,200 Speaker 1: Julie Hull as Sherry, Rembrandt, Sabellis who's just credited as 194 00:09:45,320 --> 00:09:49,880 Speaker 1: Rembrandt who his name was scream in the episode, Adam 195 00:09:50,040 --> 00:09:56,320 Speaker 1: Scott's first appearance as Senior, and Maddie Lou as four 196 00:09:57,679 --> 00:10:01,760 Speaker 1: so Oh one More Sorry, and Andre Flentes as Flip 197 00:10:02,160 --> 00:10:05,760 Speaker 1: so all the band guys had really cool names name Thor, 198 00:10:05,800 --> 00:10:09,880 Speaker 1: Flip Senior. I'm I'm putting myself on a limb. I'm 199 00:10:09,880 --> 00:10:12,440 Speaker 1: gonna say it. I'm gonna say it again. I really 200 00:10:12,480 --> 00:10:16,240 Speaker 1: loved this episode. I did kill so much fun. It's awful. No, 201 00:10:16,320 --> 00:10:20,880 Speaker 1: I'm just kidding, No, I love it. You know, I 202 00:10:20,920 --> 00:10:23,080 Speaker 1: did really like this episode. I didn't like where it ended, 203 00:10:23,120 --> 00:10:24,679 Speaker 1: but I mean we can get there. I have for 204 00:10:24,720 --> 00:10:27,360 Speaker 1: something something about the ending philp dissatisfying to me and 205 00:10:27,400 --> 00:10:31,720 Speaker 1: I'm not Rusty Rusty amazing. No, this is probably Rusty's 206 00:10:31,760 --> 00:10:34,800 Speaker 1: best episode in the second season. He's so funny, so 207 00:10:35,480 --> 00:10:39,280 Speaker 1: funny this uh. Producer Jensen Carr, husband of this podcast, 208 00:10:39,360 --> 00:10:42,960 Speaker 1: says it's his favorite episode to date. Whoa, he really 209 00:10:43,000 --> 00:10:46,280 Speaker 1: really enjoyed it, loved the premise, so I mean we 210 00:10:46,440 --> 00:10:48,880 Speaker 1: I'm so glad we all love this episode. Really fun 211 00:10:49,160 --> 00:10:52,600 Speaker 1: I'm really excited about this recap. Um. So we start 212 00:10:52,760 --> 00:10:57,520 Speaker 1: in Chubbies. Yeah, back at Chubbies. Corey asks a girl 213 00:10:57,520 --> 00:10:59,680 Speaker 1: out to the school dance and she says she's sorry, 214 00:10:59,760 --> 00:11:02,920 Speaker 1: her grandmother is sick. Sean asks if Corey has had 215 00:11:02,960 --> 00:11:06,520 Speaker 1: any luck, and Corey says, apparently everyone's grandma is sick. 216 00:11:06,880 --> 00:11:10,680 Speaker 1: And then two guys, one of whom is senior Adam 217 00:11:10,840 --> 00:11:16,240 Speaker 1: Scott with that magnificent hair. Wow. Yeah, you know, I 218 00:11:16,360 --> 00:11:19,240 Speaker 1: did not. I almost didn't recognize him. Almost I didn't either, 219 00:11:19,600 --> 00:11:21,600 Speaker 1: And Sue was like, wait, where I thought Adam Scott 220 00:11:21,679 --> 00:11:23,640 Speaker 1: was in this scene? Him? Like that's him, that's wow, 221 00:11:23,679 --> 00:11:25,679 Speaker 1: Oh my god, he looks so different. Yeah, which is 222 00:11:25,720 --> 00:11:28,240 Speaker 1: totally why they could recast him as Griffin, Like you right, 223 00:11:28,240 --> 00:11:30,400 Speaker 1: and even right, I don't think most people put that 224 00:11:30,480 --> 00:11:33,199 Speaker 1: together everyone because he looked so different. Yeah, no, it's 225 00:11:33,200 --> 00:11:36,080 Speaker 1: probably why we didn't remember him playing another character either. 226 00:11:36,160 --> 00:11:39,640 Speaker 1: He didn't look anything like that. So they walked. Two 227 00:11:39,640 --> 00:11:41,320 Speaker 1: guys walk up to Corey and Sean and asked them 228 00:11:41,360 --> 00:11:44,200 Speaker 1: to hold their guitars. Sean says Corey should just ask 229 00:11:44,240 --> 00:11:46,360 Speaker 1: to Panga to the dance, and Corey says, oh, there's 230 00:11:46,400 --> 00:11:48,600 Speaker 1: no growth if you just keep asking the same girl 231 00:11:48,920 --> 00:11:52,200 Speaker 1: you've asked to every dance since you were five. So 232 00:11:52,360 --> 00:11:56,480 Speaker 1: there you go. It's up to five. But you know, 233 00:11:56,480 --> 00:11:58,320 Speaker 1: maybe you guys did meet at three, but then you 234 00:11:58,360 --> 00:12:00,520 Speaker 1: were right that the first dance was fun. The first 235 00:12:00,600 --> 00:12:02,679 Speaker 1: dance was fine. That's more where I bump is it 236 00:12:02,840 --> 00:12:06,800 Speaker 1: is there a kindergarten dance? Well, yeah, okay, the enchantment 237 00:12:06,880 --> 00:12:10,679 Speaker 1: under the naptime dance. Everyone of course will knows about 238 00:12:10,679 --> 00:12:14,480 Speaker 1: that brain work. I know, it's so fast. It's just 239 00:12:14,600 --> 00:12:19,240 Speaker 1: immediately back to the future reference perfectly nailed. Combines back 240 00:12:19,280 --> 00:12:22,400 Speaker 1: to the future so fast. By the way, speaking of callbacks, 241 00:12:22,520 --> 00:12:24,640 Speaker 1: all of this scene is taking place in front of 242 00:12:24,640 --> 00:12:30,000 Speaker 1: the giant drink piss sign. Oh it is behind all 243 00:12:30,000 --> 00:12:33,600 Speaker 1: of them in the chubby scene. Yes, okay, yes, didn't 244 00:12:33,720 --> 00:12:37,520 Speaker 1: notice it, but of course you did. Perception boy. So 245 00:12:37,800 --> 00:12:40,720 Speaker 1: two girls we've now revealed that there are. Sonja and 246 00:12:40,800 --> 00:12:43,440 Speaker 1: Sherry come up to Corey and Sean and are interested 247 00:12:43,480 --> 00:12:46,800 Speaker 1: in them, but it's because they're holding guitar cases. Sean 248 00:12:46,960 --> 00:12:50,839 Speaker 1: says it's because they are musicians, and Corey says, oh, well, 249 00:12:50,840 --> 00:12:53,280 Speaker 1: then watch me pull a rabbit out of this hat. 250 00:12:53,760 --> 00:12:58,920 Speaker 1: Great joke, great joke. As I lost it, I thought 251 00:12:58,920 --> 00:13:01,280 Speaker 1: that was a great It's so funny. It's just a 252 00:13:01,280 --> 00:13:04,640 Speaker 1: perfect Corey moment, right exactly. I love it. I love 253 00:13:04,679 --> 00:13:07,240 Speaker 1: it on so many levels. One, it's just clever too, 254 00:13:07,559 --> 00:13:10,240 Speaker 1: it's such it's such perfect that like Corey is such 255 00:13:10,280 --> 00:13:12,520 Speaker 1: I don't want to use the word nerd, but he's 256 00:13:12,559 --> 00:13:15,720 Speaker 1: so like little nerdy that he heard they like it 257 00:13:15,800 --> 00:13:20,560 Speaker 1: because we're magicians, and he's like, oh, of course, I'll 258 00:13:20,559 --> 00:13:24,840 Speaker 1: go ahead, right. I just have so many Michael jacobs 259 00:13:24,920 --> 00:13:28,120 Speaker 1: ism in this episode. I know so many direct Michael 260 00:13:28,200 --> 00:13:30,280 Speaker 1: Jacob's reads in this episode. I know I heard I 261 00:13:30,600 --> 00:13:37,520 Speaker 1: was catching him too. Hello there. We just wanted to 262 00:13:37,520 --> 00:13:40,240 Speaker 1: take a second to thank everyone who has sent positive emails. 263 00:13:40,280 --> 00:13:43,760 Speaker 1: Are posted loving Instagram comments about our episode with Danny McNulty, 264 00:13:43,800 --> 00:13:47,120 Speaker 1: everyone's favorite bully, Harley Kiner. His honesty and openness is 265 00:13:47,160 --> 00:13:50,360 Speaker 1: clearly affected and helped many people, including us, and many 266 00:13:50,400 --> 00:13:52,520 Speaker 1: of you have asked how you can help Danny with 267 00:13:52,640 --> 00:13:55,280 Speaker 1: his journey, and now we have an answer. We just 268 00:13:55,320 --> 00:13:57,600 Speaker 1: released a brand new shirt, a Harley shirt. It has 269 00:13:57,600 --> 00:13:59,920 Speaker 1: a stencil of his season two face and it says 270 00:14:00,080 --> 00:14:02,720 Speaker 1: Harley in strong letters right underneath. It is the perfect 271 00:14:02,760 --> 00:14:06,080 Speaker 1: way to honor an unforgettable character and more importantly, show 272 00:14:06,080 --> 00:14:08,320 Speaker 1: your support for a great guy. Seventy percent of our 273 00:14:08,320 --> 00:14:11,079 Speaker 1: profits will go directly to Danny himself, and twenty percent 274 00:14:11,080 --> 00:14:13,040 Speaker 1: of our profits will be donated to NAMEY, which is 275 00:14:13,040 --> 00:14:16,040 Speaker 1: the National Alliance of Mental Illness. It's available right now 276 00:14:16,040 --> 00:14:18,520 Speaker 1: at Podmeats Worldshow dot com. So go pick up the 277 00:14:18,559 --> 00:14:20,800 Speaker 1: Harley shirt and let the man know that you're a fan. 278 00:14:21,040 --> 00:14:24,120 Speaker 1: That's Podmeats Worldshow dot com right now, and get some 279 00:14:24,360 --> 00:14:33,280 Speaker 1: nude Danny merch. The girls walk away and are very 280 00:14:33,280 --> 00:14:35,200 Speaker 1: impressed that the guys are in a band, and Corey 281 00:14:35,200 --> 00:14:37,560 Speaker 1: and Sean contemplate, well, there's no way we could keep 282 00:14:37,560 --> 00:14:39,840 Speaker 1: this lie going. It's it just would be impossible, and 283 00:14:39,840 --> 00:14:42,120 Speaker 1: then Adam Scott and his friend return and they take 284 00:14:42,160 --> 00:14:44,840 Speaker 1: their guitars up the stairs and the girls are impressed 285 00:14:44,880 --> 00:14:49,920 Speaker 1: that they have roadies so cute. This was a part 286 00:14:49,920 --> 00:14:52,800 Speaker 1: of the episode for me that the girls, these two girls, 287 00:14:53,120 --> 00:14:55,040 Speaker 1: which is it's not their fault, it's not about their 288 00:14:55,120 --> 00:14:59,600 Speaker 1: perform it's just again, we flattened these characters to really 289 00:14:59,640 --> 00:15:03,440 Speaker 1: nothing and like, oh, you know, they're mean until they 290 00:15:03,800 --> 00:15:06,160 Speaker 1: like and then it's just the flirty like they're literally 291 00:15:06,200 --> 00:15:09,800 Speaker 1: like swaying their bodies towards us while they're talking. It's 292 00:15:09,800 --> 00:15:12,880 Speaker 1: just like, yeah, it just feels so fake and and 293 00:15:12,960 --> 00:15:15,160 Speaker 1: for the I don't know, it just flattens the girls, 294 00:15:15,360 --> 00:15:18,080 Speaker 1: the female characters to such a degree that I was like, Okay, yeah, 295 00:15:18,080 --> 00:15:19,960 Speaker 1: they just couldn't we have done the same point, Like, 296 00:15:19,960 --> 00:15:22,800 Speaker 1: couldn't we have had girls be interested in us without 297 00:15:22,800 --> 00:15:26,680 Speaker 1: it being complete they just complete cardboard cutouts of human beings, 298 00:15:26,680 --> 00:15:28,800 Speaker 1: like because I like, honestly, I'm looking at this episode, 299 00:15:28,800 --> 00:15:32,040 Speaker 1: I don't remember these actors at all. And and I 300 00:15:32,040 --> 00:15:33,520 Speaker 1: think part of the reason I don't remember them at 301 00:15:33,520 --> 00:15:35,920 Speaker 1: all is because they didn't have much to do, Like 302 00:15:35,960 --> 00:15:39,240 Speaker 1: they were just playing. It's like an Alicia's Silverstone lookalike 303 00:15:39,360 --> 00:15:41,040 Speaker 1: in a lot of ways, doing a sort of ballet 304 00:15:41,120 --> 00:15:43,520 Speaker 1: girl thing, and then the other girl, and they're just 305 00:15:43,600 --> 00:15:46,440 Speaker 1: there's nothing there for them. And it's not about them 306 00:15:46,440 --> 00:15:49,280 Speaker 1: being bad actors. It's just them having bad characters. And 307 00:15:49,360 --> 00:15:51,360 Speaker 1: like that was lazy writing to me. And it's like 308 00:15:51,440 --> 00:15:54,000 Speaker 1: We've done this in the show a million times already 309 00:15:54,000 --> 00:15:55,480 Speaker 1: and I'm just sick of it. So that was a 310 00:15:55,480 --> 00:15:57,560 Speaker 1: big bummer for me. Is that like they didn't get 311 00:15:57,600 --> 00:16:00,920 Speaker 1: any layers or anything, you know. Yeah, I think also 312 00:16:00,920 --> 00:16:03,480 Speaker 1: though we're never going to see them again, and they're 313 00:16:03,560 --> 00:16:07,360 Speaker 1: just suiting the purpose of the guys coming up with 314 00:16:07,400 --> 00:16:11,520 Speaker 1: a scheme and single service characters. It's like that's what 315 00:16:11,560 --> 00:16:13,360 Speaker 1: you do. You rip it open, you dump it out, 316 00:16:13,360 --> 00:16:15,760 Speaker 1: and then you throw it away. Yeah yeah, and I 317 00:16:15,880 --> 00:16:17,800 Speaker 1: you know, so, yeah, I can see how that's I 318 00:16:17,840 --> 00:16:19,680 Speaker 1: can see how that's a bummer. But I also think 319 00:16:19,880 --> 00:16:21,840 Speaker 1: we give we have to give so much credit to 320 00:16:21,880 --> 00:16:24,440 Speaker 1: how layered all of the Bully characters are. And then 321 00:16:24,480 --> 00:16:26,920 Speaker 1: there's the you know, we had so many new characters 322 00:16:26,920 --> 00:16:33,320 Speaker 1: in this season that did get layers and story that characters. Yea, yeah, no, 323 00:16:33,520 --> 00:16:36,120 Speaker 1: I see I see your point. I do see your point. 324 00:16:36,800 --> 00:16:39,280 Speaker 1: It didn't bother me too much in this because also 325 00:16:39,400 --> 00:16:42,400 Speaker 1: I love Topanga calls it out later, who yeah are you? 326 00:16:42,640 --> 00:16:47,840 Speaker 1: Are you? Which I love it. So, continuing the recap, 327 00:16:47,840 --> 00:16:49,760 Speaker 1: we are in the Matthews living room. Corey is trying 328 00:16:49,760 --> 00:16:51,800 Speaker 1: to play guitar and Alan walks in and says, oh, 329 00:16:51,840 --> 00:16:53,880 Speaker 1: my guitar. Alan says he used to be in a 330 00:16:53,920 --> 00:16:56,040 Speaker 1: band that's saying about freedom of speech and the war 331 00:16:56,160 --> 00:16:58,880 Speaker 1: in Vietnam. Corey says he and Sean are starting a 332 00:16:58,880 --> 00:17:01,920 Speaker 1: band to meet chicks. Amy walks in and exposes that 333 00:17:01,960 --> 00:17:06,040 Speaker 1: Alan's band was also about meeting chicks, and uh, It's 334 00:17:06,040 --> 00:17:11,760 Speaker 1: revealed that Alan's band was called The Tongues. Yeah, heck, yeah, 335 00:17:13,080 --> 00:17:16,560 Speaker 1: I'm on board? Are I? They had me? It sounds 336 00:17:16,680 --> 00:17:20,600 Speaker 1: it's so ridiculous, But I was so invested in this episode. 337 00:17:20,680 --> 00:17:22,880 Speaker 1: I don't know why, because you're such a huge part 338 00:17:22,920 --> 00:17:25,520 Speaker 1: in it. Yeah, exactly, Maybe because I because I'm not 339 00:17:26,160 --> 00:17:28,960 Speaker 1: a reading That's why I liked it. Is I just 340 00:17:28,960 --> 00:17:32,119 Speaker 1: just completely divorced from the entire episode and I was 341 00:17:32,160 --> 00:17:35,120 Speaker 1: just watching an episode of TV and it was just 342 00:17:35,680 --> 00:17:37,480 Speaker 1: like things didn't make a lot of sense. Why is 343 00:17:37,520 --> 00:17:40,439 Speaker 1: Alan home from work but Betsy's not? If she and 344 00:17:40,480 --> 00:17:42,119 Speaker 1: I was like, I'm not thinking about any of this. 345 00:17:42,240 --> 00:17:43,760 Speaker 1: I want to I want to see the tongues, Like 346 00:17:44,080 --> 00:17:45,679 Speaker 1: it's all that was going through my head. Was like, 347 00:17:45,880 --> 00:17:48,000 Speaker 1: I just want to see the tongues. It was great. Yeah, 348 00:17:48,000 --> 00:17:49,879 Speaker 1: it was so good in this. He's so good. He 349 00:17:50,720 --> 00:17:53,960 Speaker 1: like visibly is going through a midlife crisis and it's 350 00:17:54,119 --> 00:17:57,640 Speaker 1: great to watch. So he's forty. Oh I know, he's 351 00:17:57,680 --> 00:18:01,720 Speaker 1: only forty. So he he pines about his old music 352 00:18:01,800 --> 00:18:05,120 Speaker 1: days and says his bandmates were his soulmates, and then wonders, 353 00:18:05,320 --> 00:18:08,720 Speaker 1: I wonder if they're still alive. There's still alive at 354 00:18:08,760 --> 00:18:12,080 Speaker 1: forty And then we're back in the school hallway. The 355 00:18:12,080 --> 00:18:14,080 Speaker 1: girls tell Corey and Shop I have a quick question, 356 00:18:14,160 --> 00:18:19,080 Speaker 1: why why do he didn't Why is Betsy's character against him? 357 00:18:19,880 --> 00:18:22,439 Speaker 1: Thinking they're talking about the band like to begin with, 358 00:18:23,400 --> 00:18:25,840 Speaker 1: I have my theory, and then it's and she kind 359 00:18:25,840 --> 00:18:28,280 Speaker 1: of addresses it where it's he's not gone because he 360 00:18:28,359 --> 00:18:31,679 Speaker 1: was bad. He's yeah, I guess it does get there. 361 00:18:31,720 --> 00:18:33,439 Speaker 1: I just couldn't help but wondering, like why is this 362 00:18:33,480 --> 00:18:35,679 Speaker 1: a problem? Let him relive his glory days like this 363 00:18:35,720 --> 00:18:38,000 Speaker 1: is cool? And I was like, there's conflict here in 364 00:18:38,040 --> 00:18:40,320 Speaker 1: the scene, but I didn't understand what her motivation was. 365 00:18:40,520 --> 00:18:42,800 Speaker 1: But you're right, I guess it's that she knows he sucks. 366 00:18:42,840 --> 00:18:45,480 Speaker 1: He's just bad. Yeah, he's bad at it. Yeah, yeah, 367 00:18:45,520 --> 00:18:47,399 Speaker 1: I love you, but you're terrible at them. Right, you 368 00:18:47,400 --> 00:18:48,879 Speaker 1: were bad at this and you didn't know it at 369 00:18:48,880 --> 00:18:51,159 Speaker 1: the time, but you might know it. No, yeah, right, 370 00:18:51,440 --> 00:18:54,439 Speaker 1: that's that is great. That is great. But I'm watching 371 00:18:54,440 --> 00:18:56,200 Speaker 1: that first scene, I was like, why is she why 372 00:18:56,280 --> 00:18:58,679 Speaker 1: is she crushing his kids cool dream right now? Like 373 00:18:58,720 --> 00:19:00,920 Speaker 1: there's there should be nothing wrong with like a forty 374 00:19:01,000 --> 00:19:03,320 Speaker 1: year old wanted to get out the guitar and jam. Right. 375 00:19:03,400 --> 00:19:05,760 Speaker 1: I don't know, but yeah, I guess he's Yeah, I 376 00:19:05,760 --> 00:19:09,160 Speaker 1: think I think it's that he's stinky at it. Um. So, 377 00:19:09,200 --> 00:19:10,960 Speaker 1: the girls tell Corey and Sean, who are walking with 378 00:19:11,000 --> 00:19:13,680 Speaker 1: their guitar cases, that they really want to hear them play. 379 00:19:13,880 --> 00:19:16,000 Speaker 1: Corey pulled Sean off to the side and admits that 380 00:19:16,040 --> 00:19:18,280 Speaker 1: he has an egg salad sandwich in his guitar case. 381 00:19:18,359 --> 00:19:20,760 Speaker 1: Because I writer, I thought it was so funny that 382 00:19:20,840 --> 00:19:25,240 Speaker 1: you just keep saying, let's play, let's just play, let's play, 383 00:19:25,440 --> 00:19:31,800 Speaker 1: let's I gotta be honest. I loved dumb Sean. There's 384 00:19:31,800 --> 00:19:34,040 Speaker 1: a lot of dumb Sean in this episode. Dumb Sean 385 00:19:34,440 --> 00:19:37,520 Speaker 1: is like hello, He's like front and center in this episode. 386 00:19:37,600 --> 00:19:39,159 Speaker 1: Can we talk about I was going to bring this 387 00:19:39,240 --> 00:19:44,000 Speaker 1: up a little later, but dumb Sean is Eric. So 388 00:19:44,040 --> 00:19:47,639 Speaker 1: there are speeches, especially especially later, like the this is 389 00:19:47,680 --> 00:19:50,120 Speaker 1: so crazy, it's just my work. You could have just 390 00:19:50,320 --> 00:19:53,720 Speaker 1: erased Sean, yes and put Eric season four or five, 391 00:19:53,960 --> 00:19:55,960 Speaker 1: I think, and it would have been exactly the same, 392 00:19:56,280 --> 00:20:00,520 Speaker 1: exactly the same. Yeah, that's what it And then they 393 00:20:00,520 --> 00:20:04,520 Speaker 1: want to plug in character. You know what I mean. Character. Yeah, 394 00:20:04,560 --> 00:20:07,119 Speaker 1: there's funny riffs, and there's funny it's just it's just 395 00:20:07,200 --> 00:20:09,719 Speaker 1: gives Corey somebody to bounce off of or whomever in 396 00:20:09,760 --> 00:20:13,720 Speaker 1: your case, Matt Lawrence, you know, yeah, you need. It's 397 00:20:13,720 --> 00:20:17,680 Speaker 1: a great it's a great trope. And it started with Sean, 398 00:20:17,840 --> 00:20:19,879 Speaker 1: obviously it did. But there were times I was like, oh, 399 00:20:19,960 --> 00:20:21,920 Speaker 1: that could have been an Ericsby, Oh that's an Risby. 400 00:20:22,160 --> 00:20:24,800 Speaker 1: Like it just was. So they just went, this doesn't 401 00:20:24,840 --> 00:20:26,960 Speaker 1: working for Sean, Let's write the same stuff ericly and 402 00:20:27,000 --> 00:20:28,840 Speaker 1: it was how long this is gonna last? Because I 403 00:20:29,320 --> 00:20:31,679 Speaker 1: I when I saw like that riff in particularly when 404 00:20:31,720 --> 00:20:34,280 Speaker 1: you're talking about in Chubbies. You know, I was like, oh, 405 00:20:34,359 --> 00:20:37,600 Speaker 1: I remember doing this kind of stuff a lot, and 406 00:20:37,640 --> 00:20:38,879 Speaker 1: I feel like I might have done it all the 407 00:20:38,920 --> 00:20:40,800 Speaker 1: way up until like fifth season, Like I feel like 408 00:20:40,920 --> 00:20:43,399 Speaker 1: there was enough. Will has tried to tell you, I 409 00:20:43,480 --> 00:20:45,040 Speaker 1: think it's gonna last lot. I think it's going to 410 00:20:45,080 --> 00:20:47,199 Speaker 1: be shorter than you think. So Will thinks it's going 411 00:20:47,280 --> 00:20:50,400 Speaker 1: to be over like somewhere in this season, and you 412 00:20:50,520 --> 00:20:53,240 Speaker 1: think it may have gone even until fifth. So we'll 413 00:20:53,240 --> 00:20:56,280 Speaker 1: find out. We'll find out as well. We'll find out 414 00:20:56,280 --> 00:21:00,080 Speaker 1: as we go along. So since neither of the boy 415 00:21:00,160 --> 00:21:02,160 Speaker 1: know how to play guitar, this is quite a predicament. 416 00:21:02,440 --> 00:21:05,440 Speaker 1: They say their manager won't let them play because of 417 00:21:06,320 --> 00:21:09,240 Speaker 1: the death of their drummer. Oh I lost it. I'm sorry. 418 00:21:09,560 --> 00:21:12,320 Speaker 1: I thought that was just such a great We're just 419 00:21:12,320 --> 00:21:15,680 Speaker 1: trying to get over the death of our drummer. Oh God, 420 00:21:15,680 --> 00:21:18,560 Speaker 1: I love very funny. And then Tapanga comes over and 421 00:21:18,560 --> 00:21:21,240 Speaker 1: says everybody is talking about them because they're starting a band. 422 00:21:21,560 --> 00:21:24,120 Speaker 1: And then the two new groupies explain the band is awesome, 423 00:21:24,160 --> 00:21:26,240 Speaker 1: but they need a drummer. And then Tapeanga asks the 424 00:21:26,320 --> 00:21:31,119 Speaker 1: question everyone's wondering, who are you? Who are you. I 425 00:21:31,160 --> 00:21:35,760 Speaker 1: thought was hysterical because, like to writer's point, they are 426 00:21:35,800 --> 00:21:38,240 Speaker 1: really one note characters. We're never going to see them again, 427 00:21:38,280 --> 00:21:40,280 Speaker 1: We're never going to talk about them again. And so 428 00:21:40,400 --> 00:21:42,600 Speaker 1: I love just calling it out on its own. Where 429 00:21:42,640 --> 00:21:46,240 Speaker 1: did you come from? You? Yeah? Is a great way 430 00:21:46,240 --> 00:21:48,879 Speaker 1: of dealing with it. Did anyone in a kay? I 431 00:21:49,000 --> 00:21:50,919 Speaker 1: get he's the star of the show, and he should be, 432 00:21:51,000 --> 00:21:53,159 Speaker 1: But for somebody who's supposed to be flying under the 433 00:21:53,240 --> 00:21:58,200 Speaker 1: radar at school and trying to find his niche every 434 00:21:58,280 --> 00:22:02,920 Speaker 1: episode everyone in school talking about Corey Yeah, And so 435 00:22:03,040 --> 00:22:05,159 Speaker 1: I thought that was kind of I was like, Okay, 436 00:22:05,160 --> 00:22:06,760 Speaker 1: that's kind of interest, Like, you're just supposed to be 437 00:22:06,800 --> 00:22:09,720 Speaker 1: the regular guy. But every either it's Phenie Weenie or 438 00:22:09,880 --> 00:22:12,760 Speaker 1: it's in bed with you know, did he sleep with Topanga? 439 00:22:12,840 --> 00:22:14,960 Speaker 1: Now he's part of the band. He's like the most 440 00:22:15,760 --> 00:22:18,520 Speaker 1: in school. He's the most popular kid in school, is he? 441 00:22:18,920 --> 00:22:22,639 Speaker 1: Or again? Is it because it's just Corey's POV. What 442 00:22:23,920 --> 00:22:26,040 Speaker 1: I'm wondering is he supposed to be the center of 443 00:22:26,040 --> 00:22:29,159 Speaker 1: attention because he's constantly the center of everyone in the 444 00:22:29,200 --> 00:22:31,480 Speaker 1: school is always talking about this kid that no one's 445 00:22:31,480 --> 00:22:34,159 Speaker 1: ever talking about. Yeah, exact So it's it's I always 446 00:22:34,160 --> 00:22:37,280 Speaker 1: thought that was interesting, the magic of TV. Yeah, so 447 00:22:37,400 --> 00:22:40,440 Speaker 1: the girls respond, we're with the band. Topega then tells 448 00:22:40,480 --> 00:22:43,720 Speaker 1: Corey that Jeremy asks her to the school dance and 449 00:22:43,960 --> 00:22:45,720 Speaker 1: she's trying to feel it out if that's okay with 450 00:22:45,800 --> 00:22:48,640 Speaker 1: Corey and he says, yes, that's fine. Go I'm good, 451 00:22:48,720 --> 00:22:51,119 Speaker 1: do your thing, and Topanga walks away. I have a 452 00:22:51,440 --> 00:22:53,800 Speaker 1: have a question, Danielle. Can you call him me? Yes? 453 00:22:53,840 --> 00:22:58,639 Speaker 1: Will Um. From an acting standpoint for you, worry I 454 00:22:58,800 --> 00:23:00,959 Speaker 1: was because I was trying to see how you were 455 00:23:00,960 --> 00:23:05,280 Speaker 1: playing this. Were you playing it like you went to 456 00:23:05,359 --> 00:23:08,879 Speaker 1: Corey because you wanted him to say, no, don't go 457 00:23:08,920 --> 00:23:11,520 Speaker 1: out with him, ask me to the dance? And were 458 00:23:11,520 --> 00:23:14,040 Speaker 1: you a little hurt when you were walking away, or 459 00:23:14,160 --> 00:23:17,160 Speaker 1: were you playing it like Corey kind of said, Hey, 460 00:23:17,200 --> 00:23:19,200 Speaker 1: we've gone every dance together and maybe we need to 461 00:23:19,520 --> 00:23:22,040 Speaker 1: be with somebody else. I'm just curious. So I was 462 00:23:22,119 --> 00:23:27,800 Speaker 1: playing it like Corey asks me. Every year, someone else 463 00:23:27,840 --> 00:23:30,679 Speaker 1: has now asked me before Corey, And part of that 464 00:23:30,720 --> 00:23:33,240 Speaker 1: subtext is Corey should have asked me by now, this 465 00:23:33,359 --> 00:23:36,479 Speaker 1: is beyond the time of Corey asking me, So somebody 466 00:23:36,480 --> 00:23:38,720 Speaker 1: else asked me, but before I just say yes, I'm 467 00:23:38,720 --> 00:23:40,240 Speaker 1: gonna make sure he's not. I don't want to. I 468 00:23:40,280 --> 00:23:41,600 Speaker 1: don't want to have to say no to him if 469 00:23:41,600 --> 00:23:43,720 Speaker 1: he asks me, So I'm going to put my feelers 470 00:23:43,720 --> 00:23:46,760 Speaker 1: out there. But then also when he says I'm fine, 471 00:23:47,280 --> 00:23:50,919 Speaker 1: I wasn't upset by it or hurt by it. I'm like, 472 00:23:52,000 --> 00:23:54,440 Speaker 1: again with the confidence of Tapega, like, if we're meant 473 00:23:54,440 --> 00:23:57,040 Speaker 1: to be together, it's going to happen. It's totally cool. 474 00:23:57,280 --> 00:23:59,280 Speaker 1: So when I was walking away and I was like, 475 00:23:59,320 --> 00:24:01,600 Speaker 1: well then maybe i'll see you there, there wasn't any 476 00:24:01,600 --> 00:24:03,320 Speaker 1: sort of like bummer, why didn't he want to go 477 00:24:03,359 --> 00:24:05,959 Speaker 1: with me? It's more like, okay, we're just not going 478 00:24:06,000 --> 00:24:08,800 Speaker 1: to go together this year. Okay. I was curious. At 479 00:24:08,880 --> 00:24:11,880 Speaker 1: least that's how I felt I saw it when I 480 00:24:11,920 --> 00:24:15,640 Speaker 1: watched it, because I actually liked that when she walked away, 481 00:24:15,680 --> 00:24:19,240 Speaker 1: there wasn't a bit of like, yeah, why don't you 482 00:24:19,280 --> 00:24:20,880 Speaker 1: want to go with me? It was more like very 483 00:24:20,920 --> 00:24:24,199 Speaker 1: tupang of her. This is a really dumb question. Is 484 00:24:24,720 --> 00:24:27,760 Speaker 1: saying we're with the band? That's like a common thing, right? 485 00:24:28,000 --> 00:24:31,399 Speaker 1: That line predates this from something's particular or is it 486 00:24:31,440 --> 00:24:34,119 Speaker 1: just a cultural just the regular groupie we're with the 487 00:24:34,160 --> 00:24:37,440 Speaker 1: band kind of thing. Yeah, yeah, yeah, I think it's 488 00:24:37,440 --> 00:24:40,159 Speaker 1: what you said when people would ask to see your tag, 489 00:24:40,240 --> 00:24:41,240 Speaker 1: like do you have a ticket? Do you have a 490 00:24:41,240 --> 00:24:43,320 Speaker 1: think we're we're with the band, right. I just didn't know, 491 00:24:43,440 --> 00:24:45,560 Speaker 1: like I always know that line, but I didn't know 492 00:24:45,560 --> 00:24:48,840 Speaker 1: if it was from this moment or from like I 493 00:24:48,840 --> 00:24:50,600 Speaker 1: think it repeated this because we said it on Boy 494 00:24:50,640 --> 00:24:53,399 Speaker 1: Meets World, or if it was like a classic go 495 00:24:53,520 --> 00:24:57,480 Speaker 1: to sort of cliche. Yeah, I think so, I think so. Yeah. Yeah. So, 496 00:24:57,480 --> 00:24:59,240 Speaker 1: Sonja and Sherry say they want to meet the other 497 00:24:59,240 --> 00:25:01,160 Speaker 1: guys in the band the guy Sean told them about, 498 00:25:01,280 --> 00:25:04,080 Speaker 1: especially the guitarist who can play with his teeth. Corey 499 00:25:04,080 --> 00:25:06,359 Speaker 1: says he's at the dentist right now. I thought it 500 00:25:06,359 --> 00:25:08,159 Speaker 1: was hysterical. I thought it was really funny. Oh he 501 00:25:08,240 --> 00:25:10,040 Speaker 1: said the dentist right now. I thought it was really cute. 502 00:25:12,040 --> 00:25:14,840 Speaker 1: And then Sean, knowing that they're in trouble, says I've 503 00:25:14,880 --> 00:25:16,919 Speaker 1: never said this before. We're going to need some guys 504 00:25:17,359 --> 00:25:20,280 Speaker 1: and writer, you're wearing the ring. Did you notice the ring? 505 00:25:20,520 --> 00:25:21,720 Speaker 1: I noticed that I had a ring on, but I 506 00:25:21,760 --> 00:25:24,400 Speaker 1: didn't look at it close enough. And I do remember 507 00:25:24,600 --> 00:25:26,720 Speaker 1: I think if it's the ring that I remember from 508 00:25:26,840 --> 00:25:30,440 Speaker 1: my childhood or in my tween years. It's an eagle ring. 509 00:25:30,920 --> 00:25:33,520 Speaker 1: I think it's it's it's actually got an eagle on it, 510 00:25:33,920 --> 00:25:36,320 Speaker 1: and then on the back is like a black stone, 511 00:25:36,359 --> 00:25:38,480 Speaker 1: like an onyx or whatever a black stone is on 512 00:25:38,600 --> 00:25:44,240 Speaker 1: like the eagles back from Okay, I don't know. I 513 00:25:44,240 --> 00:25:46,280 Speaker 1: think I bought it at some store or when I 514 00:25:46,320 --> 00:25:49,080 Speaker 1: was a kid or whatever. It's my ring, but yeah, okay, 515 00:25:49,200 --> 00:25:50,800 Speaker 1: well I'm wearing. So that was the ring that was 516 00:25:50,800 --> 00:25:53,400 Speaker 1: in the previous episode that i'd noticed. So then we're 517 00:25:53,400 --> 00:25:55,320 Speaker 1: in the Matthews living room, Corey and Sean are holding 518 00:25:55,359 --> 00:26:00,159 Speaker 1: band auditions. There's a tuba player, an overenthusiastic drummer, and 519 00:26:00,240 --> 00:26:04,680 Speaker 1: then I wanted to mention Rembrandt comes in and he's 520 00:26:04,680 --> 00:26:07,400 Speaker 1: the one who plays guitar too well. And I don't 521 00:26:07,400 --> 00:26:09,040 Speaker 1: know if you guys remember him, but he was on 522 00:26:09,080 --> 00:26:14,439 Speaker 1: a show called Superhuman Samurai Cyber Squad. Yeah yeah, and uh, 523 00:26:14,760 --> 00:26:17,359 Speaker 1: he had fantastic hair. He used to do some of that. 524 00:26:17,720 --> 00:26:19,600 Speaker 1: He is some of those like autograph signings we would 525 00:26:19,640 --> 00:26:22,320 Speaker 1: do at different charity events. And he is one of 526 00:26:22,359 --> 00:26:24,959 Speaker 1: the many people I have a full photo shoot with 527 00:26:25,480 --> 00:26:28,240 Speaker 1: in my in in one of my many photo albums, 528 00:26:28,880 --> 00:26:31,280 Speaker 1: I have many a picture with Rembrandt, and it got 529 00:26:31,280 --> 00:26:32,520 Speaker 1: me on a bit of a deep dive and I 530 00:26:32,520 --> 00:26:34,560 Speaker 1: looked him up on the internet and I was so 531 00:26:34,600 --> 00:26:37,280 Speaker 1: sad to find out he passed away in twenty sixteen. 532 00:26:37,600 --> 00:26:43,679 Speaker 1: Whoa what he had cancer? Oh yeah, I know. I 533 00:26:43,720 --> 00:26:47,600 Speaker 1: was very sad to see that. Wow. Oh that's terrible. Yeah, 534 00:26:47,720 --> 00:26:50,920 Speaker 1: super Human Samurai Cyber Squad, which also starred a young 535 00:26:51,040 --> 00:26:56,520 Speaker 1: Matt Lawrence. Correct, I forgot that that cross over there. 536 00:26:57,119 --> 00:26:59,880 Speaker 1: That's terrible to hear. I know, I absolutely remember him. 537 00:26:59,880 --> 00:27:02,080 Speaker 1: I remember him for a mistake he was constantly making 538 00:27:02,359 --> 00:27:06,000 Speaker 1: during during the episode. Really later, yeah, but it was 539 00:27:06,080 --> 00:27:08,280 Speaker 1: it was just the thing he kept saying over and 540 00:27:08,320 --> 00:27:10,760 Speaker 1: over until I correct him. Yeah. We'll get into that later. 541 00:27:10,800 --> 00:27:14,160 Speaker 1: But now I've got to feel bad because he's passed away. Well, 542 00:27:14,200 --> 00:27:15,800 Speaker 1: don't feel bad, but I did want to. I did 543 00:27:15,800 --> 00:27:17,800 Speaker 1: just want to say, like, it's you know, it's funny 544 00:27:17,800 --> 00:27:20,520 Speaker 1: because there are all these people who who we cross 545 00:27:20,560 --> 00:27:22,400 Speaker 1: paths with over the years and who come into your 546 00:27:22,400 --> 00:27:24,600 Speaker 1: life and and then you don't think about him again. 547 00:27:24,680 --> 00:27:26,520 Speaker 1: And then I opened up my photo album and I 548 00:27:26,520 --> 00:27:28,160 Speaker 1: was like Oh, my gosh, rem Brand. I don't remember 549 00:27:28,160 --> 00:27:30,840 Speaker 1: rem Brand. I wonder what he's doing, and then I 550 00:27:30,880 --> 00:27:34,040 Speaker 1: look him up and I'm like, oh my gosh, it's gone. 551 00:27:34,160 --> 00:27:38,719 Speaker 1: So anyway, yeah, made me sad. Oh the extra with 552 00:27:38,760 --> 00:27:41,399 Speaker 1: the accordian is the one that you believe was my 553 00:27:41,520 --> 00:27:46,159 Speaker 1: stand in the screen. I do not believe that that 554 00:27:46,280 --> 00:27:48,720 Speaker 1: is the case. I believe it is a different person 555 00:27:48,760 --> 00:27:52,159 Speaker 1: with the very same hair like we with such similar looks. 556 00:27:52,400 --> 00:27:56,120 Speaker 1: But I believe it was a different extra that joined 557 00:27:56,200 --> 00:28:00,639 Speaker 1: us later. That was my standing. Okay, after seeing it again, 558 00:28:02,160 --> 00:28:04,639 Speaker 1: I think I agree with Rider. Really, I think it 559 00:28:04,840 --> 00:28:07,760 Speaker 1: is a different guy. That was the end. Then there 560 00:28:07,800 --> 00:28:09,840 Speaker 1: were sean one again. I'm not one hundred percent sure, 561 00:28:09,840 --> 00:28:11,480 Speaker 1: but after seeing it again, I was like, oh, I 562 00:28:11,480 --> 00:28:13,200 Speaker 1: think that's the guy we thought it was, and I 563 00:28:13,200 --> 00:28:15,800 Speaker 1: don't think it's him anymore. Yeah, so I think that 564 00:28:15,840 --> 00:28:19,920 Speaker 1: guy goes away. Yeah, the accordion guy isn't there by 565 00:28:19,920 --> 00:28:21,840 Speaker 1: the time. We see some later episodes and there's a 566 00:28:21,920 --> 00:28:23,560 Speaker 1: new dude in there that kind of has the same 567 00:28:23,640 --> 00:28:25,439 Speaker 1: kind of cut. Yeah, but I could be wrong, but 568 00:28:25,440 --> 00:28:28,719 Speaker 1: I think I feel too. But he does look so 569 00:28:28,800 --> 00:28:30,520 Speaker 1: much like me. It's interest, you know, why don't you 570 00:28:30,560 --> 00:28:34,160 Speaker 1: get that haircut. It's a popular haircut, guys, it really 571 00:28:34,240 --> 00:28:40,280 Speaker 1: was you. He had the Rachel so um uh, they're 572 00:28:40,440 --> 00:28:43,080 Speaker 1: chanting monks. I tried to see very closely. Are those 573 00:28:43,120 --> 00:28:48,280 Speaker 1: any of our writers did not? And then there's something 574 00:28:48,360 --> 00:28:52,000 Speaker 1: Thor who only performs a pose, and they pick Thor 575 00:28:52,120 --> 00:28:54,560 Speaker 1: and another guitarist who just shows his tongue because they 576 00:28:54,600 --> 00:28:57,520 Speaker 1: thought that was very cool. I remember the drummer vividly 577 00:28:57,640 --> 00:29:00,320 Speaker 1: because that guy's great. Yeah. I was just drumming where 578 00:29:00,680 --> 00:29:03,120 Speaker 1: my favorite part is his walk out where he's still 579 00:29:03,160 --> 00:29:08,160 Speaker 1: playing on the ground while walking somehow I know. I 580 00:29:08,240 --> 00:29:10,120 Speaker 1: was like, this is a skill like that. You go 581 00:29:10,200 --> 00:29:12,440 Speaker 1: to find a real drummer who could do that and 582 00:29:12,520 --> 00:29:15,080 Speaker 1: physically physical humor. It was great, and I thought they 583 00:29:15,120 --> 00:29:17,080 Speaker 1: missed a joke though. I thought they missed a joke, 584 00:29:17,920 --> 00:29:21,080 Speaker 1: which is it should have been as Corey leads him 585 00:29:21,080 --> 00:29:23,520 Speaker 1: out and slams the door, there should have been a 586 00:29:24,400 --> 00:29:27,000 Speaker 1: dunt dunt on the door with the drums walked out 587 00:29:27,040 --> 00:29:28,680 Speaker 1: like it should have finished on the on the shut 588 00:29:28,720 --> 00:29:32,160 Speaker 1: door part of his rhythm and something something like that. Yeah, 589 00:29:32,160 --> 00:29:34,440 Speaker 1: and there needed to be something, Yeah, but that was 590 00:29:34,520 --> 00:29:36,960 Speaker 1: other than that. That's the reshoot idea. You know that 591 00:29:37,040 --> 00:29:48,280 Speaker 1: is a good idea. So with these two new guys 592 00:29:48,280 --> 00:29:50,120 Speaker 1: in the band, Corey and Sean explained that no matter 593 00:29:50,160 --> 00:29:52,160 Speaker 1: how cute the girl is, they are never going to 594 00:29:52,280 --> 00:29:57,720 Speaker 1: play a note because they don't know how. And then 595 00:29:57,760 --> 00:29:59,640 Speaker 1: Alan comes in with an amp. He founded a girl, 596 00:30:00,040 --> 00:30:04,040 Speaker 1: can we Why is the couch turned conveniently? I was 597 00:30:04,080 --> 00:30:06,840 Speaker 1: wondering that same thing. Why not just have everybody in 598 00:30:06,880 --> 00:30:09,400 Speaker 1: front of them? I don't, well, it's I mean, I 599 00:30:09,440 --> 00:30:12,120 Speaker 1: needed the amp and we needed to so, and it 600 00:30:12,240 --> 00:30:14,680 Speaker 1: obviously is this way for the scene when the band 601 00:30:14,760 --> 00:30:18,160 Speaker 1: is playing. But this makes no sense because if it 602 00:30:18,160 --> 00:30:20,440 Speaker 1: had been turned like this for the auditions, I would 603 00:30:20,480 --> 00:30:23,880 Speaker 1: have gotten it. But it wasn't the auditions. It was 604 00:30:24,640 --> 00:30:27,360 Speaker 1: it was yes, it was yeah, it was turned already 605 00:30:27,360 --> 00:30:29,280 Speaker 1: at an angle for the auditions because that's how he's 606 00:30:29,280 --> 00:30:32,760 Speaker 1: playing the drums and then goes right, yes it is, yeah, 607 00:30:32,840 --> 00:30:35,840 Speaker 1: He's She's right, it is okay, Okay, Then then it 608 00:30:35,840 --> 00:30:38,080 Speaker 1: makes sense. So it was that way turned to face 609 00:30:38,120 --> 00:30:40,360 Speaker 1: the door so as people came in, we could Okay. 610 00:30:40,400 --> 00:30:42,040 Speaker 1: Then I just got confused because I saw it here. 611 00:30:42,040 --> 00:30:44,160 Speaker 1: I was like, well, that's convenient that the amp just 612 00:30:44,200 --> 00:30:47,680 Speaker 1: fits in that big open space is now here for 613 00:30:47,720 --> 00:30:50,920 Speaker 1: the first time. Yeah, yeah, no it was. It was 614 00:30:50,960 --> 00:30:53,440 Speaker 1: turned already, so you just missed it because it felt 615 00:30:53,440 --> 00:30:59,360 Speaker 1: so natural in that scene. Normal. So uh, Corey's band leaves, 616 00:30:59,400 --> 00:31:02,040 Speaker 1: Alan review his old band is coming over on Friday night. 617 00:31:02,360 --> 00:31:05,000 Speaker 1: Eric comes up behind him with more equipment and Alan's 618 00:31:05,040 --> 00:31:07,960 Speaker 1: old band outfit, which has now been dry cleaned. His jacket. 619 00:31:08,680 --> 00:31:15,400 Speaker 1: Alan shows jacket. The jacket's cool and fringe jackets cool. Now, yeah, 620 00:31:15,600 --> 00:31:18,120 Speaker 1: they're back in. I wonder when they were going to 621 00:31:18,120 --> 00:31:22,040 Speaker 1: come back, because they like ten years ago. It would 622 00:31:22,040 --> 00:31:23,920 Speaker 1: be like such a joke. But you know, leather jacketsypt 623 00:31:23,920 --> 00:31:26,320 Speaker 1: for a way of going through evolutions, and like, I 624 00:31:26,360 --> 00:31:28,320 Speaker 1: feel like the Fringe is bound to come back if 625 00:31:28,360 --> 00:31:31,080 Speaker 1: it's not already. I don't necessarily know how much fringe 626 00:31:31,120 --> 00:31:33,600 Speaker 1: I've seen for men, but fringe is definitely back. Oh 627 00:31:33,640 --> 00:31:35,840 Speaker 1: yeah for women. I'm asking I'm asking about okay. That's 628 00:31:35,840 --> 00:31:37,840 Speaker 1: what I was like, Yeah, okay, because I thought, yeah, 629 00:31:37,880 --> 00:31:39,800 Speaker 1: I'm not sure. I'm not up on my men's fashion. 630 00:31:40,040 --> 00:31:42,920 Speaker 1: This is also my favorite joke of the whole episode. 631 00:31:43,120 --> 00:31:46,040 Speaker 1: It is so funny. Which one are you thinking of 632 00:31:46,560 --> 00:31:49,120 Speaker 1: the names in the sleeve? Oh no, I always think 633 00:31:49,160 --> 00:31:51,160 Speaker 1: that's funny too. No, I was thinking of I loved 634 00:31:51,200 --> 00:31:54,280 Speaker 1: Amy's joke because Amy's joke if you are if you 635 00:31:54,320 --> 00:31:57,240 Speaker 1: are this type of person, which I am, is such 636 00:31:57,360 --> 00:32:00,320 Speaker 1: a perfect joke where he Alan walks in and says, 637 00:32:00,320 --> 00:32:02,360 Speaker 1: can you believe I bought this amp? This guy didn't 638 00:32:02,360 --> 00:32:04,440 Speaker 1: know what he had, and she just deadpant says I 639 00:32:04,480 --> 00:32:07,240 Speaker 1: bet his wife did. Like it was just it's such 640 00:32:07,240 --> 00:32:09,600 Speaker 1: a for somebody who collects crap or I like literally 641 00:32:09,640 --> 00:32:11,600 Speaker 1: would be like, can you believe somebody was throwing away 642 00:32:11,640 --> 00:32:16,000 Speaker 1: this table? I also just I love Betsy in that mode. 643 00:32:16,520 --> 00:32:22,680 Speaker 1: Her like deadpan and understated performance is yes, consistently the best, 644 00:32:22,720 --> 00:32:25,720 Speaker 1: And I love that that's Amy's character. I don't think 645 00:32:25,720 --> 00:32:28,200 Speaker 1: I ever was conscious of that now, but like you know, 646 00:32:28,240 --> 00:32:32,480 Speaker 1: there there's so many episodes now where she's not judging 647 00:32:32,600 --> 00:32:36,120 Speaker 1: or overreacting, she's just quietly dealing with the person and 648 00:32:36,640 --> 00:32:39,880 Speaker 1: throwing out that aside. That is brilliant. I love that mode. 649 00:32:40,560 --> 00:32:43,240 Speaker 1: Did I know? But you're right that the names in 650 00:32:43,280 --> 00:32:47,120 Speaker 1: the sleeve name actually do it. Yeah, I mean Alan 651 00:32:47,200 --> 00:32:48,960 Speaker 1: shows Eric that Amy was a big fan of the 652 00:32:49,000 --> 00:32:51,000 Speaker 1: band when they were younger. He even has her name 653 00:32:51,080 --> 00:32:53,320 Speaker 1: sewn in the sleeve, and then Eric noticed his other 654 00:32:53,400 --> 00:32:56,720 Speaker 1: names Paula, Bethany, Ashley, and Alan says, oh, no, those 655 00:32:56,720 --> 00:32:59,000 Speaker 1: are just other cities they played in Northern Pennsylvania, and 656 00:32:59,040 --> 00:33:01,520 Speaker 1: then of course admits that he's lying. You're lying so 657 00:33:02,400 --> 00:33:05,800 Speaker 1: smart and funny, it's so cute. It's just towns in 658 00:33:05,880 --> 00:33:08,880 Speaker 1: northern Pennsylvania. So we're in the school hallway. Sherry and 659 00:33:08,920 --> 00:33:10,840 Speaker 1: Sonya walk up and ask Corey what he's doing, and 660 00:33:10,840 --> 00:33:13,840 Speaker 1: he says he's just hearing music in his head, posing 661 00:33:13,840 --> 00:33:16,280 Speaker 1: with his guitar gaze. And I'd like to say, what 662 00:33:16,480 --> 00:33:21,200 Speaker 1: is Sherry wearing. She's got the hot pink beanie. I'm 663 00:33:21,240 --> 00:33:25,880 Speaker 1: not quite sure what the shirt is. It's like Neon planets. 664 00:33:25,880 --> 00:33:27,880 Speaker 1: But also I think I noticed a cup of coffee 665 00:33:28,240 --> 00:33:32,200 Speaker 1: in there, and then a hot pink miniskirt. I saw 666 00:33:32,240 --> 00:33:34,320 Speaker 1: the shirt or like the sweater, whatever you want to 667 00:33:34,320 --> 00:33:37,160 Speaker 1: call it, and I knew instantly that's like a Sarah 668 00:33:37,200 --> 00:33:40,960 Speaker 1: Markowitz fine from one of her many vintage halls. Like 669 00:33:41,000 --> 00:33:43,520 Speaker 1: I just know that is. I could not get over 670 00:33:43,560 --> 00:33:47,000 Speaker 1: my clothing in this episode. It is all over the place. 671 00:33:47,320 --> 00:33:50,960 Speaker 1: It's weird. Is weird, it's weird. I think they were 672 00:33:50,960 --> 00:33:53,240 Speaker 1: going through a thing like I think it was, let's 673 00:33:53,320 --> 00:33:56,680 Speaker 1: riff until we can find a look for Sean. And 674 00:33:56,760 --> 00:33:58,880 Speaker 1: of course I think they stumbled upon it in this 675 00:33:58,920 --> 00:34:03,160 Speaker 1: episode too when we get there. But that that one 676 00:34:03,240 --> 00:34:06,240 Speaker 1: shirt you're wearing is the white one with the white 677 00:34:06,400 --> 00:34:11,279 Speaker 1: white red mock turtleneck. Oh my god, I know every 678 00:34:11,320 --> 00:34:14,000 Speaker 1: outfit is crazy. To me, I was like, what is happening? 679 00:34:14,080 --> 00:34:16,600 Speaker 1: They were just they were just experimenting. Sarah was experimenting, 680 00:34:16,640 --> 00:34:19,719 Speaker 1: and obviously I didn't care or didn't notice, just I 681 00:34:19,840 --> 00:34:22,480 Speaker 1: just put on whatever they told me to. Yeah. Yeah, yeah, 682 00:34:22,600 --> 00:34:25,120 Speaker 1: the clothes were something else. So mister Turner walks up 683 00:34:25,160 --> 00:34:27,919 Speaker 1: and tells Corey he's pretty smooth. Corey explains to mister 684 00:34:28,000 --> 00:34:32,040 Speaker 1: Turner that he's cool too, because see how Turner's holding 685 00:34:32,120 --> 00:34:34,680 Speaker 1: his helmet and it makes him cool. He's holding a 686 00:34:34,760 --> 00:34:38,040 Speaker 1: guitar case and that makes Corey cool. And mister Feenie 687 00:34:38,080 --> 00:34:40,000 Speaker 1: walks out into the hallways to announce that the Demon 688 00:34:40,160 --> 00:34:42,680 Speaker 1: Seeds have dropped out of performing at the school dance 689 00:34:42,880 --> 00:34:45,160 Speaker 1: and he is going to replace them with the Cool 690 00:34:45,360 --> 00:34:49,439 Speaker 1: Caribbean Sounds of Joe Joe Man and Brother B, which 691 00:34:49,600 --> 00:34:55,680 Speaker 1: is a cassette tape cassette tape. Well this is kind 692 00:34:55,719 --> 00:34:58,520 Speaker 1: of dated even then, but I guess people still played 693 00:34:58,680 --> 00:35:04,799 Speaker 1: tapes then, right, Yeah for sure, Oh sure, early nineties absolutely, yeah, 694 00:35:04,840 --> 00:35:06,320 Speaker 1: but you remember all the I mean it was like 695 00:35:06,880 --> 00:35:09,280 Speaker 1: I had so remember we were driving around in my Celica. 696 00:35:09,400 --> 00:35:12,840 Speaker 1: I had the CD player, but it was also removable, 697 00:35:12,880 --> 00:35:14,480 Speaker 1: so I could pull it out and put in the 698 00:35:14,600 --> 00:35:17,360 Speaker 1: tape player. Oh man, So if you had anything on 699 00:35:17,480 --> 00:35:19,560 Speaker 1: tapes then bam you could go do that. So yeah, 700 00:35:19,640 --> 00:35:22,480 Speaker 1: so cool. The player was big. So the students say, 701 00:35:22,520 --> 00:35:24,239 Speaker 1: we get into that later. But by the way, we'll 702 00:35:24,280 --> 00:35:26,120 Speaker 1: get into the name to the band later because I 703 00:35:26,200 --> 00:35:30,239 Speaker 1: have a distinct memory of that tape and I want 704 00:35:30,239 --> 00:35:31,920 Speaker 1: to know if I'm right or not, because I think 705 00:35:31,960 --> 00:35:33,319 Speaker 1: I am, but I want to know if I'm right 706 00:35:33,400 --> 00:35:36,040 Speaker 1: or not. We'll see, Okay. So the students say they 707 00:35:36,080 --> 00:35:39,120 Speaker 1: want live music, and then Sherry and Sonia volunteer Corey 708 00:35:39,160 --> 00:35:41,640 Speaker 1: and Shawn's band. The girls even vouch for them and 709 00:35:41,719 --> 00:35:44,600 Speaker 1: say they sound great on the spot. Now, Corey says 710 00:35:44,640 --> 00:35:47,160 Speaker 1: they're called the Exits after he sees a sign that 711 00:35:47,200 --> 00:35:49,680 Speaker 1: says exit and mister Feini writes their name on the 712 00:35:49,719 --> 00:35:54,759 Speaker 1: school poster. They have a gig Oh, I'm sorry, but 713 00:35:54,960 --> 00:35:58,279 Speaker 1: how do you not call yourself blood Drive? I go, 714 00:35:58,840 --> 00:36:00,520 Speaker 1: I mean that is the first thing he said. That's 715 00:36:00,520 --> 00:36:03,320 Speaker 1: a great thin name. How do you not call yourself 716 00:36:03,400 --> 00:36:06,440 Speaker 1: blood drive? I know that is a better name than 717 00:36:06,480 --> 00:36:08,239 Speaker 1: the Exit. I think that's the point, isn't it. It's 718 00:36:08,280 --> 00:36:09,919 Speaker 1: like any one of these could be good, but they'd 719 00:36:09,920 --> 00:36:13,600 Speaker 1: be more controversial. So he goes for Exits because it's 720 00:36:13,640 --> 00:36:15,880 Speaker 1: also to set up the joke at the at the end. 721 00:36:16,400 --> 00:36:18,480 Speaker 1: But it was like, that's always thinking to myself, is like, 722 00:36:18,520 --> 00:36:20,200 Speaker 1: how are we not? How are you not the blood Drive? 723 00:36:20,640 --> 00:36:22,680 Speaker 1: Great name? It is pretty funny. I guess that is 724 00:36:22,719 --> 00:36:25,320 Speaker 1: your right. Of the options he thought of, it's the 725 00:36:25,400 --> 00:36:28,719 Speaker 1: most the exits is the most celery of them all. Yeah, 726 00:36:28,840 --> 00:36:33,920 Speaker 1: exactly perfect. So then we're in Chubby's Corey, Sean and 727 00:36:34,000 --> 00:36:35,879 Speaker 1: the other two band members are talking about what they're 728 00:36:35,920 --> 00:36:37,720 Speaker 1: going to do with the stance. They are not supposed 729 00:36:37,760 --> 00:36:40,000 Speaker 1: to play at all, even though Phenie booked them. The 730 00:36:40,080 --> 00:36:43,080 Speaker 1: two other band members leave, they are out. Sean says 731 00:36:43,200 --> 00:36:46,279 Speaker 1: they'll only play the hits, no new stuff. This run writer, 732 00:36:46,840 --> 00:36:49,160 Speaker 1: I know, it's really funny. I mean the writing is 733 00:36:49,200 --> 00:36:53,160 Speaker 1: just clever man and then Corey throws water in Sean's 734 00:36:53,239 --> 00:36:57,080 Speaker 1: face and Sean realizes, yep, weird shirt. Do you remember 735 00:36:57,120 --> 00:37:02,120 Speaker 1: getting the water in the face? No? Yeah, no, no 736 00:37:02,280 --> 00:37:06,320 Speaker 1: recollection of I mean when it started happening, really the 737 00:37:06,440 --> 00:37:09,520 Speaker 1: next phase in the riff, when I'm like, that's so crazy, 738 00:37:09,600 --> 00:37:12,200 Speaker 1: it just might work, Yeah, and Ben sort of giving 739 00:37:12,239 --> 00:37:15,080 Speaker 1: me that incredulous like but what are you talking about? 740 00:37:15,360 --> 00:37:17,360 Speaker 1: We did a lot of this, and I feel like 741 00:37:17,520 --> 00:37:20,959 Speaker 1: this sort of Corey Shawn dynamic of like Ben's face 742 00:37:21,200 --> 00:37:24,279 Speaker 1: looking at me being like you're being ridiculous right now, 743 00:37:24,360 --> 00:37:27,839 Speaker 1: and me just keep going and going. I mean, that's 744 00:37:27,880 --> 00:37:29,960 Speaker 1: why I feel like this must have lasted until fifth 745 00:37:30,040 --> 00:37:32,880 Speaker 1: or sixth season, because that felt so familiar and comfortable, 746 00:37:33,120 --> 00:37:34,680 Speaker 1: and seeing Ben's face, I was like, oh, I know, 747 00:37:35,000 --> 00:37:37,719 Speaker 1: I know this mode, and this is really a fun mode. 748 00:37:37,760 --> 00:37:39,160 Speaker 1: It's a fun mode for the two of us, you know, 749 00:37:39,200 --> 00:37:41,719 Speaker 1: where he's just like looking at me like you're so ridiculous, 750 00:37:41,960 --> 00:37:44,080 Speaker 1: and I just keep going. It was such an Eric 751 00:37:44,200 --> 00:37:45,919 Speaker 1: thing though, that whole speech. I was like, this could 752 00:37:45,920 --> 00:37:48,280 Speaker 1: be an Eric speech. This is Eric's season five speech 753 00:37:48,360 --> 00:37:50,360 Speaker 1: right here. Yeah, I know. It was so strange that 754 00:37:50,440 --> 00:37:52,560 Speaker 1: they just switched the characters but it is so fun, 755 00:37:52,840 --> 00:37:56,080 Speaker 1: you say. Sean realizes he's in it deep after he 756 00:37:56,120 --> 00:37:57,719 Speaker 1: gets water in the face, and Corey says, we have 757 00:37:57,840 --> 00:37:59,680 Speaker 1: to come up with a plan, and Sean says, ah, 758 00:37:59,760 --> 00:38:02,360 Speaker 1: that's just so crazy. It might work. Corey says, I 759 00:38:02,400 --> 00:38:04,520 Speaker 1: didn't tell you what the plan was, and Sean says, yeah, 760 00:38:04,880 --> 00:38:07,680 Speaker 1: so they can't get it out of me, and Corey says, 761 00:38:07,680 --> 00:38:10,680 Speaker 1: get what out of you? And Sean slyly says, nice, 762 00:38:10,920 --> 00:38:15,960 Speaker 1: try so you're funny. Yeah, really really a cute fun run. 763 00:38:16,880 --> 00:38:19,200 Speaker 1: And then we're in the Matthews living room. Alan's bandmates 764 00:38:19,239 --> 00:38:21,080 Speaker 1: are hanging out in the living room, and so you 765 00:38:21,160 --> 00:38:24,200 Speaker 1: guys know who these members are. There's Mickey Dolan's who 766 00:38:24,239 --> 00:38:27,359 Speaker 1: is the drummer from The Monkeys, Rick Nielsen, the lead 767 00:38:27,440 --> 00:38:31,320 Speaker 1: guitarist of Cheap Trick, and Billy Vera, the singer of 768 00:38:31,480 --> 00:38:35,359 Speaker 1: Billy Vera and the Beaters. Ye. Now, you may think 769 00:38:35,760 --> 00:38:37,800 Speaker 1: you don't know who billy Vera or billy Vera and 770 00:38:37,840 --> 00:38:41,279 Speaker 1: the Beaters is, but do you know he had a 771 00:38:41,440 --> 00:38:44,239 Speaker 1: number one song at this moment. If I were to 772 00:38:44,320 --> 00:38:46,520 Speaker 1: play at this moment for you right now, you would 773 00:38:46,520 --> 00:38:49,960 Speaker 1: be like, that's the greatest song of all time it is. Yes, 774 00:38:50,080 --> 00:38:52,520 Speaker 1: it's the Family Ties song. What do you mean the 775 00:38:52,560 --> 00:38:55,320 Speaker 1: theme song for the Family Time. So Family Ties is 776 00:38:55,880 --> 00:38:59,919 Speaker 1: the song that when he meets his Alex Keaton finally 777 00:39:00,040 --> 00:39:01,960 Speaker 1: meets the woman that he falls in love with, who 778 00:39:02,040 --> 00:39:04,360 Speaker 1: actually he ends up marrying in real life, Tracy Poland 779 00:39:04,400 --> 00:39:08,120 Speaker 1: I think her name is when when he leaves. It's 780 00:39:08,200 --> 00:39:11,400 Speaker 1: the song that plays when she goes back to Franklin Marshall, 781 00:39:11,440 --> 00:39:14,120 Speaker 1: she goes back to a school in massive in Pennsylvania, 782 00:39:14,400 --> 00:39:17,520 Speaker 1: and this is the song. So a single episode of 783 00:39:17,560 --> 00:39:25,040 Speaker 1: Family Ties right now. Yeah, absolutely, And so that song exploded. 784 00:39:25,280 --> 00:39:28,040 Speaker 1: It was everywhere. It was number one, and that was 785 00:39:28,120 --> 00:39:30,560 Speaker 1: one of the reasons is because of this and when 786 00:39:30,600 --> 00:39:32,520 Speaker 1: you play it, it is like it is one of 787 00:39:32,600 --> 00:39:35,280 Speaker 1: the best songs ever. The whole all of them sitting 788 00:39:35,320 --> 00:39:39,560 Speaker 1: there around the couch together was super cool. And the 789 00:39:39,680 --> 00:39:41,880 Speaker 1: thing I remember most about that night was I was 790 00:39:42,000 --> 00:39:44,279 Speaker 1: talking to it was like it was you Rider, it 791 00:39:44,440 --> 00:39:47,080 Speaker 1: was somebody. It might have even been you, Danielle, I 792 00:39:47,080 --> 00:39:50,120 Speaker 1: can't remember, but we were sitting there watching them film 793 00:39:50,200 --> 00:39:54,359 Speaker 1: this scene. Yeah, and one of you was like, wait, 794 00:39:54,480 --> 00:39:57,640 Speaker 1: so who's the guy with the beard right, And I 795 00:39:57,800 --> 00:39:59,719 Speaker 1: was like, it's a Cheap Trick and you're like, what, 796 00:40:00,040 --> 00:40:01,719 Speaker 1: what's cheap Chick. I'm like, dude, Cheap Chick is like 797 00:40:01,760 --> 00:40:03,359 Speaker 1: one of the best bands ever. You have no idea. 798 00:40:03,400 --> 00:40:06,319 Speaker 1: And I turned around and the lead singer from Cheap 799 00:40:06,400 --> 00:40:10,000 Speaker 1: Chick was standing right behind us. Oh that's what you said, 800 00:40:10,160 --> 00:40:13,600 Speaker 1: not like, yeah, the most overrated band in their worst Yeah, 801 00:40:13,640 --> 00:40:16,719 Speaker 1: that's such a joke. I can't believe this guy's here right. 802 00:40:16,760 --> 00:40:19,200 Speaker 1: Oh no, it was awesome. So they I mean we 803 00:40:19,280 --> 00:40:20,920 Speaker 1: turned around. I was like, oh, and there's the lead 804 00:40:20,920 --> 00:40:23,719 Speaker 1: singer right behind us Cheap Trick. It was so cool, 805 00:40:23,760 --> 00:40:26,960 Speaker 1: and I just remember him being a little inappropriate in 806 00:40:27,040 --> 00:40:32,920 Speaker 1: front of the audience, just kind of you know, swearing 807 00:40:33,040 --> 00:40:35,080 Speaker 1: and innuay. He's a rock star and he's kind of 808 00:40:35,320 --> 00:40:37,920 Speaker 1: you know, they're there and in front of this entire 809 00:40:39,040 --> 00:40:42,759 Speaker 1: thing of kids. But funny, it was very, very cool 810 00:40:42,800 --> 00:40:46,200 Speaker 1: to have them all there. Yeah, it's believe. Well, the 811 00:40:46,560 --> 00:40:49,320 Speaker 1: referenced one episode of Family Times. I'm You're amazed, but 812 00:40:49,520 --> 00:40:51,120 Speaker 1: I know we're not amazing. No, I'm not amazing that 813 00:40:51,160 --> 00:40:53,480 Speaker 1: you're making the reference. I was like trying to point 814 00:40:53,480 --> 00:40:56,239 Speaker 1: out that why would we like no one episode like 815 00:40:56,520 --> 00:40:58,800 Speaker 1: you were, And I guess it was a legendary episode. 816 00:40:58,920 --> 00:41:01,600 Speaker 1: Was still like, you know, that's like saying run and 817 00:41:01,680 --> 00:41:03,960 Speaker 1: run him, cowboy, you know, the the nineteen thirty six 818 00:41:04,360 --> 00:41:09,880 Speaker 1: one one I give the whole show. Maybe if it 819 00:41:09,960 --> 00:41:13,760 Speaker 1: was the theme song, but no. Yeah. So the guys 820 00:41:13,760 --> 00:41:16,440 Speaker 1: are all talking about cemetery plots and their cholesterol and 821 00:41:16,520 --> 00:41:18,640 Speaker 1: Alan Alan has freaked out that the tongues are talking 822 00:41:18,680 --> 00:41:22,560 Speaker 1: about such mundane old guy stuff. And then Mickey Dolan 823 00:41:22,680 --> 00:41:25,600 Speaker 1: shows some comedy chops with a story about cheating on 824 00:41:25,719 --> 00:41:29,360 Speaker 1: his wife, which is really that he changes out breads. 825 00:41:29,440 --> 00:41:32,399 Speaker 1: He brings home some pastry that he slapped a fat 826 00:41:32,480 --> 00:41:36,080 Speaker 1: freeze sticker on from the grocery store. It's actually really funny. 827 00:41:36,560 --> 00:41:39,600 Speaker 1: The Monkeys was amazing. Did you not watch the Monkeys? No? Will? 828 00:41:39,680 --> 00:41:41,919 Speaker 1: I didn't not? Oh go if you want to see 829 00:41:41,960 --> 00:41:46,360 Speaker 1: a genuinely funny sitcom that then they play music. The 830 00:41:46,480 --> 00:41:49,719 Speaker 1: Monkeys was hysterical. It was they were They had a 831 00:41:49,800 --> 00:41:55,200 Speaker 1: real acting experience, actual acting experience. Actually yea, yeah, he was. 832 00:41:55,360 --> 00:41:57,839 Speaker 1: They were phenomen They were great. It was part Benny Hill, 833 00:41:58,000 --> 00:42:02,160 Speaker 1: part old school sitcom. They were. They were great. Well, 834 00:42:02,239 --> 00:42:05,040 Speaker 1: Alan asks if the guys remember the triplets in Scranton. 835 00:42:05,520 --> 00:42:08,480 Speaker 1: They do not, and then Amy comes in asking what 836 00:42:08,600 --> 00:42:11,240 Speaker 1: they want to drink, Alan says Bruce Kis, but instead 837 00:42:11,320 --> 00:42:14,560 Speaker 1: they want mineral water, diet iced tea, and carrot juice. 838 00:42:16,200 --> 00:42:19,120 Speaker 1: Runs the carrots through the ju I mean, honestly, I thought. 839 00:42:19,200 --> 00:42:21,000 Speaker 1: The thing that made me laugh the most about it 840 00:42:21,200 --> 00:42:24,920 Speaker 1: is that I would absolutely murder somebody if I invited 841 00:42:24,960 --> 00:42:26,640 Speaker 1: them over to my house and I was like, can 842 00:42:26,719 --> 00:42:28,399 Speaker 1: I get a carrot juice? Can I get you something 843 00:42:28,440 --> 00:42:29,879 Speaker 1: to drink? And they were like, could you just run 844 00:42:29,960 --> 00:42:33,560 Speaker 1: some carrots through the juicer? I'd be like, no, I 845 00:42:33,680 --> 00:42:37,120 Speaker 1: have you know that I have a juicer. I don't 846 00:42:37,280 --> 00:42:39,960 Speaker 1: have one, and I don't have carrots, and so you're 847 00:42:39,960 --> 00:42:42,399 Speaker 1: out of luck. Oh I can broccoli and the air 848 00:42:42,480 --> 00:42:46,520 Speaker 1: fryer a little were all together at Danielle's house. I 849 00:42:46,640 --> 00:42:48,520 Speaker 1: know that's what you're going to do, all right? You 850 00:42:48,600 --> 00:42:51,360 Speaker 1: know what, I'm going to buy a juicer and joys 851 00:42:51,400 --> 00:42:57,279 Speaker 1: and carrots, just Ina. Oh I can't wait, I cannot wait. 852 00:42:57,440 --> 00:42:59,560 Speaker 1: Oh my god, who's going to bring this call back? First? 853 00:43:01,920 --> 00:43:04,880 Speaker 1: The races on YouTube, Guys, how many carrots am I 854 00:43:05,040 --> 00:43:08,040 Speaker 1: gonna How many carrots am I gonna have? Just twenty 855 00:43:08,040 --> 00:43:09,560 Speaker 1: four hours a day I'm gonna have carrots and they're 856 00:43:09,600 --> 00:43:11,600 Speaker 1: gonna keep dying and I'm just gonna keep throwing them away. 857 00:43:11,640 --> 00:43:13,040 Speaker 1: You can make it really easy, because it doesn't will 858 00:43:13,120 --> 00:43:14,520 Speaker 1: jog by your house every day. You could just go 859 00:43:14,600 --> 00:43:17,160 Speaker 1: outside one day with carrot carriages. I'm gonna do it. 860 00:43:17,280 --> 00:43:28,799 Speaker 1: I'm gonna do that. Corey and Sean walked to the door, 861 00:43:28,920 --> 00:43:32,719 Speaker 1: looking cool with theirs to the night. Yeah, this is 862 00:43:32,760 --> 00:43:35,520 Speaker 1: the moment. I'm wearing the leather jacket. It's your ja, 863 00:43:35,719 --> 00:43:38,279 Speaker 1: It's the first leather jacket. This is it. So that's 864 00:43:38,320 --> 00:43:40,960 Speaker 1: what I was saying. They were experimenting with my love 865 00:43:41,239 --> 00:43:43,520 Speaker 1: and they obviously they were like, well, let's try this 866 00:43:43,760 --> 00:43:46,920 Speaker 1: leather jacket which Eric wore last season, and this was 867 00:43:47,000 --> 00:43:49,440 Speaker 1: the moment. This is the first time Sean did it. 868 00:43:49,560 --> 00:43:52,920 Speaker 1: And I was like, and the hat, which was kind 869 00:43:52,960 --> 00:43:55,440 Speaker 1: of cool, like I'm not a real hat person. I 870 00:43:55,480 --> 00:43:58,440 Speaker 1: guess I was back then. Member, Yeah, he used to 871 00:43:58,480 --> 00:43:59,840 Speaker 1: wear for the door. I have pictures of you with 872 00:43:59,920 --> 00:44:02,280 Speaker 1: my sixteenth birthday or fifteenth, one of the two birthdays, 873 00:44:02,560 --> 00:44:04,560 Speaker 1: and you were just in a gray fedora. You loved 874 00:44:04,600 --> 00:44:07,440 Speaker 1: it so much, loved it. I still have it, um, 875 00:44:08,120 --> 00:44:10,400 Speaker 1: but you love it. I still kind of love it, 876 00:44:10,440 --> 00:44:13,359 Speaker 1: but now I can't can't do that, but um, but yeah, 877 00:44:13,400 --> 00:44:15,120 Speaker 1: this hat looked pretty good. But the jacket I was 878 00:44:15,160 --> 00:44:16,960 Speaker 1: just so happy to see. And it's definitely still kind 879 00:44:16,960 --> 00:44:19,359 Speaker 1: of big on me like it always was. It fit 880 00:44:19,480 --> 00:44:25,520 Speaker 1: will better. That's very true, very true. So they tell 881 00:44:25,560 --> 00:44:27,680 Speaker 1: Alan they're heading to their first gig and Alan doesn't 882 00:44:27,680 --> 00:44:29,959 Speaker 1: get it they're a new band. But then Alan pulls 883 00:44:29,960 --> 00:44:33,160 Speaker 1: out his old electric guitar and everyone says their guitars 884 00:44:33,200 --> 00:44:36,440 Speaker 1: are in their cars. The Tongues are going to jam again, 885 00:44:36,520 --> 00:44:41,200 Speaker 1: and Alan is thrilled. All the guitars a guitar, nobody's 886 00:44:41,200 --> 00:44:43,399 Speaker 1: got a basse, nobody played the drums. No, I feel 887 00:44:43,440 --> 00:44:45,560 Speaker 1: like the Tongues would have a drummer. I feel like 888 00:44:45,640 --> 00:44:49,360 Speaker 1: they would probably. But Amy hopes that this reunion is 889 00:44:49,400 --> 00:44:52,560 Speaker 1: not now to just meet chicks. And then we go 890 00:44:52,760 --> 00:44:55,960 Speaker 1: to the school dance. Mister Feeney comes out to talk 891 00:44:56,000 --> 00:44:58,480 Speaker 1: to the crowd and says, stay in school. Oh my god, 892 00:44:58,800 --> 00:45:01,560 Speaker 1: let's run on Bill. It is just the funniest Bill is. 893 00:45:01,680 --> 00:45:04,640 Speaker 1: So this is my favorite Mister Phoenie episode of second season. 894 00:45:05,000 --> 00:45:09,920 Speaker 1: I love this because it's like it's it's it's uh 895 00:45:10,600 --> 00:45:13,000 Speaker 1: you know he's no, he's it's all the obligatory Phoenie 896 00:45:13,040 --> 00:45:15,960 Speaker 1: boat Phoenie beats, but him making fun of them, like 897 00:45:16,080 --> 00:45:18,520 Speaker 1: it's you know, it's like, oh, you know, later he's 898 00:45:18,560 --> 00:45:20,840 Speaker 1: gonna do it. But even this, like it's just Phoenie 899 00:45:20,920 --> 00:45:23,880 Speaker 1: being Phoenie but somewhat self aware, and Bill is just 900 00:45:24,080 --> 00:45:27,719 Speaker 1: his spherical I just thought he was Yeah, he's amazing. Yeah, 901 00:45:27,719 --> 00:45:30,120 Speaker 1: he's also it sounds so strange because it's Bill Daniels, 902 00:45:30,160 --> 00:45:32,800 Speaker 1: but you can tell he's now fully comfortable. So the 903 00:45:33,000 --> 00:45:35,840 Speaker 1: format of the TV show, with what he's doing with 904 00:45:36,000 --> 00:45:39,040 Speaker 1: his character, with being with kids, it's now just like 905 00:45:39,280 --> 00:45:42,000 Speaker 1: it's it's full on. Yeah. We also missed in the hallway. 906 00:45:42,000 --> 00:45:43,239 Speaker 1: I don't mean to go back, but we missed, and 907 00:45:43,280 --> 00:45:44,960 Speaker 1: I'm glad. They talked about it a little bit. But 908 00:45:45,360 --> 00:45:47,919 Speaker 1: again Turner always with his helmet, I know, and again 909 00:45:47,960 --> 00:45:50,440 Speaker 1: they referenced it, but I was still like, is why 910 00:45:50,440 --> 00:45:52,600 Speaker 1: does he have his helmet? He's okay because they need 911 00:45:52,640 --> 00:45:56,359 Speaker 1: the helmet, but he just keeps the helmet, goldeness helmet. 912 00:45:56,440 --> 00:45:59,080 Speaker 1: You go with the helmet. Sorry. So Turner says, Phoenie 913 00:45:59,200 --> 00:46:01,880 Speaker 1: is killing the mood, and Pheny says, good Corey and 914 00:46:01,960 --> 00:46:03,960 Speaker 1: Sean see that the gym is packed and there are 915 00:46:04,000 --> 00:46:07,560 Speaker 1: pretty girls everywhere. Corey reveals they brought guys to actually 916 00:46:07,600 --> 00:46:10,560 Speaker 1: play guitar for them while they pretend to play, and 917 00:46:10,719 --> 00:46:13,560 Speaker 1: then Rembrandt comes back and he asks what this gig pays, 918 00:46:13,800 --> 00:46:16,120 Speaker 1: But Corey isn't going to pay them, so they quickly 919 00:46:16,200 --> 00:46:18,160 Speaker 1: leave because they've got a paid gig somewhere else. This 920 00:46:18,440 --> 00:46:21,000 Speaker 1: is where I was going to mention. He kept saying 921 00:46:21,600 --> 00:46:24,440 Speaker 1: over and over again and emphasizing it as he walked in. 922 00:46:24,560 --> 00:46:26,840 Speaker 1: He goes, well, then we're not staying. We gotta playing 923 00:46:26,920 --> 00:46:30,600 Speaker 1: gigs somewhere else. We gotta playing somewhere else. And then 924 00:46:30,719 --> 00:46:32,759 Speaker 1: and so it was after like the second or third time, 925 00:46:32,800 --> 00:46:35,160 Speaker 1: it was Michael kind of going, okay, it's it's paying, 926 00:46:35,280 --> 00:46:37,160 Speaker 1: it's paying. He's like, oh, okay, sorry, So he just 927 00:46:37,239 --> 00:46:39,440 Speaker 1: kept saying, we got a playing gig down the street. 928 00:46:41,440 --> 00:46:44,799 Speaker 1: Distinctly remember that. Yeah, that's funny. I'm surprised you think 929 00:46:44,880 --> 00:46:47,000 Speaker 1: Michael let him go two or three times of saying it, Yeah, 930 00:46:47,040 --> 00:46:49,040 Speaker 1: that's wrong. I remember a couple He said it a 931 00:46:49,080 --> 00:46:51,440 Speaker 1: couple times though, right, he was like, let's just give 932 00:46:51,520 --> 00:46:54,160 Speaker 1: him another take, And he was like emphasizing it too right, 933 00:46:54,320 --> 00:46:57,680 Speaker 1: playing down the street, it's like, okay, oh that's funny. Well, 934 00:46:57,719 --> 00:46:59,600 Speaker 1: mister Turner walks up and says he's about ready to 935 00:46:59,640 --> 00:47:02,520 Speaker 1: introduce Corey and Sean, and Corey complains that no, they're 936 00:47:02,560 --> 00:47:05,479 Speaker 1: not going on. They requested that they had fresh hand 937 00:47:05,560 --> 00:47:09,960 Speaker 1: carved turkey, and they can't use this great Spinal Tap reference. 938 00:47:11,040 --> 00:47:12,600 Speaker 1: I don't think I knew, because I don't think i'd 939 00:47:12,600 --> 00:47:15,719 Speaker 1: seen Spinal Tap yet. I know that I didn't watch 940 00:47:15,800 --> 00:47:18,759 Speaker 1: Waiting for Guffman until Ben took me to his house, 941 00:47:19,000 --> 00:47:20,400 Speaker 1: so we had to have been able to drive, so 942 00:47:20,480 --> 00:47:23,120 Speaker 1: we must have been sixteen when I finally saw Gouffman. 943 00:47:23,440 --> 00:47:25,520 Speaker 1: And I don't think because you grew up with Spinal 944 00:47:25,560 --> 00:47:27,560 Speaker 1: Tap right where like you always quoted it. But I 945 00:47:27,600 --> 00:47:29,920 Speaker 1: don't think I saw it until after I saw Gouffman, 946 00:47:30,239 --> 00:47:32,080 Speaker 1: so I don't think I would have gotten this reference. 947 00:47:32,120 --> 00:47:34,400 Speaker 1: But I seen both those movies and I didn't pick 948 00:47:34,440 --> 00:47:37,160 Speaker 1: it up. Pick up on it now? Is what's the reference? 949 00:47:37,320 --> 00:47:41,759 Speaker 1: The bit in Spinal Tap is where's he's complaining? You know? 950 00:47:41,840 --> 00:47:43,600 Speaker 1: I mean, because it's playing on the old trope of 951 00:47:43,680 --> 00:47:46,320 Speaker 1: like the rock stars who are super prissy and you know, 952 00:47:46,440 --> 00:47:49,560 Speaker 1: have all these weird little requests and requirements. And he 953 00:47:49,719 --> 00:47:53,239 Speaker 1: they obviously just put in front of um, what's his name, 954 00:47:53,719 --> 00:47:56,239 Speaker 1: Christopher guests. They just put a plate of food and said, 955 00:47:56,520 --> 00:47:58,600 Speaker 1: you know, have problems with this. So it's like, look 956 00:47:58,600 --> 00:48:01,120 Speaker 1: a look at this look of the turkey. If you 957 00:48:01,200 --> 00:48:03,839 Speaker 1: got folded and then you got fold to break because 958 00:48:04,280 --> 00:48:06,839 Speaker 1: it's the bread, well then if you just fold it over. 959 00:48:06,920 --> 00:48:08,480 Speaker 1: But then if I fold the bread, I'm gonna break 960 00:48:08,520 --> 00:48:09,880 Speaker 1: the bread. And he's like breaking the bread and he 961 00:48:10,000 --> 00:48:12,319 Speaker 1: picks up at lit olive. He's like, who's in here? Hello, 962 00:48:12,600 --> 00:48:15,080 Speaker 1: no one? No this one, there's a little guy in 963 00:48:15,160 --> 00:48:17,080 Speaker 1: this one. And then who's in here? No one. I 964 00:48:17,200 --> 00:48:20,400 Speaker 1: just it's brilliant. It's one of the it's just obvious 965 00:48:20,480 --> 00:48:23,799 Speaker 1: that have problems with the food. And so when Ben 966 00:48:23,960 --> 00:48:25,640 Speaker 1: started doing this, I was like, oh my god, that's 967 00:48:25,640 --> 00:48:28,040 Speaker 1: like a great reference that I did not get at all. 968 00:48:29,520 --> 00:48:31,640 Speaker 1: That's so funny. I didn't get it. Now and now 969 00:48:31,719 --> 00:48:33,080 Speaker 1: there's a whole new layer. I thought it was just 970 00:48:33,120 --> 00:48:35,360 Speaker 1: funny on its own. Now, great, it's a great spinal 971 00:48:35,400 --> 00:48:40,040 Speaker 1: tap reference. It was great, that's funny. Okay, So Turner says, okay, 972 00:48:40,160 --> 00:48:41,880 Speaker 1: I get it. You guys don't want to play, no problem. 973 00:48:41,960 --> 00:48:44,360 Speaker 1: He walks out to the mic. He ignores their frustration 974 00:48:44,440 --> 00:48:46,760 Speaker 1: and just announces the exits are coming to the stage. 975 00:48:47,000 --> 00:48:50,080 Speaker 1: The curtain is called back to show Koreans Sean eating 976 00:48:50,200 --> 00:48:52,760 Speaker 1: the turkey. They just like, I'm playing round. Just hilarious. 977 00:48:53,160 --> 00:48:54,920 Speaker 1: See okay, So going back to like when I got 978 00:48:54,960 --> 00:48:57,120 Speaker 1: caught with a candy bar. Yeah, I think this was 979 00:48:57,160 --> 00:49:00,279 Speaker 1: like a visual gag that you know, our show liked. 980 00:49:00,560 --> 00:49:02,960 Speaker 1: It's like, if you're going to catch somebody, catch them 981 00:49:03,000 --> 00:49:05,759 Speaker 1: eating and it's funny here it's like turkey in the mouth, 982 00:49:05,840 --> 00:49:07,800 Speaker 1: candy bar in the thing. It's just that beat of 983 00:49:07,960 --> 00:49:10,759 Speaker 1: like make it makes it clear, like, oh, these people 984 00:49:10,800 --> 00:49:14,080 Speaker 1: are unprepared for this, and it's exactly exactly and it is. 985 00:49:14,200 --> 00:49:17,799 Speaker 1: It's so it's such a great gag to see Ben 986 00:49:17,880 --> 00:49:19,880 Speaker 1: actually the turkey hanging out of his mouth. You're like 987 00:49:20,000 --> 00:49:23,080 Speaker 1: holding it to your mouth and h all right, They're 988 00:49:23,120 --> 00:49:24,719 Speaker 1: gonna go for it. Corey and Sean. They get on 989 00:49:24,800 --> 00:49:28,520 Speaker 1: stage with their guitars. Corey yells good evening John Adams high. 990 00:49:28,640 --> 00:49:32,840 Speaker 1: The crowd goes wild. The crowd with Dusty so prominent 991 00:49:33,000 --> 00:49:34,719 Speaker 1: right in the front. It was so cool to see 992 00:49:34,800 --> 00:49:36,520 Speaker 1: him again. I was like, where have you been, buddy, 993 00:49:37,320 --> 00:49:42,759 Speaker 1: It's been a long sign welcome back. The crowd goes wild. 994 00:49:42,840 --> 00:49:45,680 Speaker 1: Corey keeps yelling it's going pretty well actually, but they 995 00:49:45,760 --> 00:49:52,279 Speaker 1: aren't performing yet. Sean says good night everybody another time, 996 00:49:52,320 --> 00:49:55,040 Speaker 1: and then Corey grabs him back on stage, and then 997 00:49:55,320 --> 00:49:58,080 Speaker 1: we're back in the living room. Alan and his bandmates 998 00:49:58,160 --> 00:50:03,160 Speaker 1: are all playing good are yeah the tongues the tongues 999 00:50:03,160 --> 00:50:08,719 Speaker 1: are back that beautiful for guitar harmony. They're singing good 1000 00:50:08,800 --> 00:50:11,040 Speaker 1: loving by the young rascals. In the living room. Amy 1001 00:50:11,160 --> 00:50:13,120 Speaker 1: is jamming along, sitting on the back of the couch, 1002 00:50:13,200 --> 00:50:15,480 Speaker 1: falling in love with Alan all over again. I love. 1003 00:50:15,640 --> 00:50:18,560 Speaker 1: Rusty's just off with everything, keep like trying to get 1004 00:50:18,600 --> 00:50:22,560 Speaker 1: to the microphone. Good God, he's off key, and everyone 1005 00:50:22,640 --> 00:50:25,759 Speaker 1: else is like just falling right back into it. So naturally, 1006 00:50:25,960 --> 00:50:28,000 Speaker 1: you guys know, if Rusty could play guitar, could he 1007 00:50:28,120 --> 00:50:30,320 Speaker 1: in real life? I don't have no idea. I don't know. 1008 00:50:30,480 --> 00:50:33,320 Speaker 1: I don't think so. Could Rusty sing? I don't know. 1009 00:50:33,640 --> 00:50:36,920 Speaker 1: It wouldn't It wouldn't surprise me. But I mean, well, 1010 00:50:36,960 --> 00:50:40,759 Speaker 1: you know, most actors, especially like of older generations. You 1011 00:50:40,840 --> 00:50:43,440 Speaker 1: did sing right, you did you saying you maybe probably 1012 00:50:43,520 --> 00:50:46,080 Speaker 1: dance a little bit. He's a mime. Yeah, but I 1013 00:50:46,239 --> 00:50:49,120 Speaker 1: just also later years, so he probably dance. I mean 1014 00:50:49,120 --> 00:50:50,600 Speaker 1: because he was a sure leader for years, so I'm 1015 00:50:50,600 --> 00:50:52,920 Speaker 1: sure he could dance. Yeah, but I just I couldn't, 1016 00:50:53,040 --> 00:50:56,200 Speaker 1: you know, because just going in to try to love 1017 00:50:56,400 --> 00:50:58,960 Speaker 1: good love and love my god, it was so funny. 1018 00:50:59,280 --> 00:51:01,759 Speaker 1: Oh man, it was. Yeah, it's so funny. And I 1019 00:51:01,880 --> 00:51:04,400 Speaker 1: really truly cannot get over the side of four guitars. 1020 00:51:04,560 --> 00:51:07,440 Speaker 1: It's just I want a band with four guitars. I 1021 00:51:07,480 --> 00:51:09,759 Speaker 1: just I want it. I wonder how nobody said maybe 1022 00:51:09,800 --> 00:51:13,000 Speaker 1: when you could put the guitar down and just strumming 1023 00:51:13,239 --> 00:51:15,879 Speaker 1: the same, Yes, like chords. It's not like anybody's leads 1024 00:51:15,960 --> 00:51:19,000 Speaker 1: doing something different. No, no, get a banjo in there, 1025 00:51:19,040 --> 00:51:23,560 Speaker 1: get something. Guy could all play multiple instruments, like we 1026 00:51:23,680 --> 00:51:26,719 Speaker 1: know Mickey could at least drum. So it's you know, 1027 00:51:27,200 --> 00:51:28,920 Speaker 1: I'm sure they all did. I'm sure that in front 1028 00:51:28,920 --> 00:51:30,880 Speaker 1: of a piano or drum that they'll figure it out. 1029 00:51:31,040 --> 00:51:33,640 Speaker 1: Musicians will figure it out. Yeah. Yeah, Well Alan is 1030 00:51:33,680 --> 00:51:35,520 Speaker 1: way off key and he's not playing very well. And 1031 00:51:35,600 --> 00:51:37,680 Speaker 1: then we go back to the school dance, Corey and 1032 00:51:37,719 --> 00:51:40,440 Speaker 1: Sean are standing on stage while they get universally booed. 1033 00:51:40,960 --> 00:51:44,040 Speaker 1: Corey asks a girl in the audience what her name is. Yeah, 1034 00:51:45,480 --> 00:51:49,520 Speaker 1: this is the line. Okay, that's what I was the line. Well, 1035 00:51:49,560 --> 00:51:53,759 Speaker 1: do you remember how that came about? No, because up 1036 00:51:54,000 --> 00:51:59,040 Speaker 1: until show night it was you suck, and we thought 1037 00:51:59,120 --> 00:52:01,080 Speaker 1: that was the funniest thing in the world because it 1038 00:52:01,120 --> 00:52:04,279 Speaker 1: would be like how they been doing you suck and 1039 00:52:04,400 --> 00:52:06,520 Speaker 1: it was. We thought it was great. And ABC came 1040 00:52:06,560 --> 00:52:08,359 Speaker 1: in and went, you can't do that, and we were 1041 00:52:08,480 --> 00:52:11,399 Speaker 1: all like, you can't change that. We've been laughing all 1042 00:52:11,480 --> 00:52:13,160 Speaker 1: week and they're like, no, you can't do it. So 1043 00:52:13,239 --> 00:52:16,800 Speaker 1: it became you stink. Right as we were shooting it. 1044 00:52:16,880 --> 00:52:20,279 Speaker 1: It was you suck all week long, which was the 1045 00:52:20,360 --> 00:52:22,120 Speaker 1: funniest thing in the world. So then changing it to 1046 00:52:22,200 --> 00:52:25,880 Speaker 1: you stink, we were all bummed. You stink. It's such 1047 00:52:26,000 --> 00:52:28,840 Speaker 1: a great I mean, such a funny read. I love it. 1048 00:52:28,960 --> 00:52:33,520 Speaker 1: You stink so good. So Corey starts singing a song 1049 00:52:33,640 --> 00:52:36,520 Speaker 1: for Sonya and he sings her name as the name 1050 00:52:36,600 --> 00:52:41,840 Speaker 1: game Sonya, Sonya Bobonia. Everyone is just groans thinks it's horrible. 1051 00:52:42,080 --> 00:52:44,440 Speaker 1: Topanga kind of holds back for a minute, like, oh, 1052 00:52:44,560 --> 00:52:47,160 Speaker 1: what am I gonna do? And Sean tells him to 1053 00:52:47,280 --> 00:52:52,319 Speaker 1: drive home safely, and then we're in the Matthews living room. 1054 00:52:52,400 --> 00:52:54,919 Speaker 1: The band is happy about their performance as they leave, 1055 00:52:55,000 --> 00:52:57,000 Speaker 1: and they invite Alan to play with them again next 1056 00:52:57,040 --> 00:52:59,480 Speaker 1: week and Alan says, yeah, yeah, I might be there. 1057 00:53:01,080 --> 00:53:04,759 Speaker 1: Get out. I just get out. He closes the door, 1058 00:53:05,360 --> 00:53:08,040 Speaker 1: and after they're gone, Alan says they weren't they they 1059 00:53:08,120 --> 00:53:10,239 Speaker 1: were good, but he wasn't good at all. And he says, 1060 00:53:10,239 --> 00:53:13,400 Speaker 1: what happened? I used to be good? And Amy says, well, honey, 1061 00:53:13,440 --> 00:53:15,960 Speaker 1: with love and respect, you were never very good. And 1062 00:53:16,239 --> 00:53:18,320 Speaker 1: she loved him because he was the full package. It 1063 00:53:18,360 --> 00:53:21,879 Speaker 1: didn't really matter that he couldn't play, and that's news 1064 00:53:21,920 --> 00:53:25,879 Speaker 1: to him. He makes him feel a little cheap. I yeh, 1065 00:53:25,960 --> 00:53:30,040 Speaker 1: feel cheap like me now I find out you like 1066 00:53:30,160 --> 00:53:32,880 Speaker 1: me for me? I thought you liked me for my 1067 00:53:33,120 --> 00:53:36,319 Speaker 1: my musical talent. Now you like me. I love that line. 1068 00:53:36,360 --> 00:53:39,120 Speaker 1: I definitely that way. You know. I've had this moment 1069 00:53:39,160 --> 00:53:40,880 Speaker 1: with my wife on some version where I'm like, but 1070 00:53:41,000 --> 00:53:43,480 Speaker 1: you like me because of this outfit or this guay 1071 00:53:43,840 --> 00:53:46,719 Speaker 1: like no, you know, but some I just loved it. 1072 00:53:46,920 --> 00:53:50,480 Speaker 1: The complexity of that. Yeah, the idea that, like some 1073 00:53:50,719 --> 00:53:54,080 Speaker 1: you have some characteristic that everybody can't help but find attractive, 1074 00:53:54,120 --> 00:53:56,000 Speaker 1: only then to be like, I didn't care about that. Yeah. 1075 00:53:58,200 --> 00:54:00,560 Speaker 1: So we're back at the school dance and says at 1076 00:54:00,640 --> 00:54:04,360 Speaker 1: one point he heard the audience chanting the exits exits, 1077 00:54:04,640 --> 00:54:06,520 Speaker 1: and Corey says, that's what they were looking for, a 1078 00:54:06,680 --> 00:54:09,279 Speaker 1: way out. Well, that's why they were doing it now, 1079 00:54:09,600 --> 00:54:12,640 Speaker 1: but now you knew it was coming on. Yeah, So 1080 00:54:12,920 --> 00:54:15,280 Speaker 1: Corey mimics what Poene will sound like when he eventually 1081 00:54:15,320 --> 00:54:17,800 Speaker 1: gives them a speech of disappointment. And then mister Phoenie 1082 00:54:17,880 --> 00:54:21,040 Speaker 1: comes over and he actually just laughs at fast best 1083 00:54:21,600 --> 00:54:30,200 Speaker 1: such but such a Michael Jacob's reading straight up, Michael 1084 00:54:30,239 --> 00:54:33,920 Speaker 1: read Yep, absolutely what mister Turner says. If they don't 1085 00:54:33,920 --> 00:54:36,640 Speaker 1: show up for class on Monday, he'll understand, which he's 1086 00:54:36,640 --> 00:54:38,399 Speaker 1: got to get pretty good, so he'll be fine. He'll 1087 00:54:38,440 --> 00:54:43,680 Speaker 1: be fine. Tony's head is protected. Everybody. This was this 1088 00:54:43,920 --> 00:54:47,279 Speaker 1: was there's a this is the take that Tony gives 1089 00:54:47,320 --> 00:54:50,200 Speaker 1: where he just like gives that side. Yeah, I understand. 1090 00:54:50,600 --> 00:54:52,239 Speaker 1: It's a call back to what was the other line 1091 00:54:52,239 --> 00:54:54,400 Speaker 1: where he did almost the exact same move where he 1092 00:54:54,520 --> 00:54:57,080 Speaker 1: was like, um, oh my god, I commented on it 1093 00:54:57,160 --> 00:54:59,080 Speaker 1: at the time because we used to quote it. Oh no, 1094 00:54:59,160 --> 00:55:01,879 Speaker 1: it's gonna kill me. But I love that when he oh, 1095 00:55:02,040 --> 00:55:06,239 Speaker 1: you smell good, that's it, Yeah, you smell good. Yeah, 1096 00:55:06,280 --> 00:55:08,400 Speaker 1: he's got that kind of start. He's got that like dreaming, 1097 00:55:08,520 --> 00:55:10,600 Speaker 1: like I'm gonna say this thing, but I'm just gonna 1098 00:55:10,640 --> 00:55:15,440 Speaker 1: walk away. Such a great read. You smell good, Love 1099 00:55:15,480 --> 00:55:19,640 Speaker 1: you smell good? Yeah. Um. So, as Corey and Sean leave, 1100 00:55:19,719 --> 00:55:21,480 Speaker 1: Topanga didn't end up going with her date to the 1101 00:55:21,560 --> 00:55:24,319 Speaker 1: Oyster House because she wanted to watch Corey. She didn't 1102 00:55:24,360 --> 00:55:27,000 Speaker 1: think that their performance was so bad. She says exactly 1103 00:55:27,080 --> 00:55:30,319 Speaker 1: the same thing that Amy says that, Yeah, I didn't 1104 00:55:30,320 --> 00:55:34,520 Speaker 1: like the n word package did the word package. It's 1105 00:55:34,520 --> 00:55:36,480 Speaker 1: like it would have been fine if she just didn't 1106 00:55:36,520 --> 00:55:39,399 Speaker 1: repeat that. It's like so on the nose, like I'm 1107 00:55:39,440 --> 00:55:41,359 Speaker 1: going to have the scene that your parents just had. 1108 00:55:41,440 --> 00:55:43,560 Speaker 1: It's like, no, just don't say the word package and 1109 00:55:43,800 --> 00:55:45,719 Speaker 1: we would have gotten it, you know, but they really 1110 00:55:45,840 --> 00:55:48,400 Speaker 1: just pounded. I agree with you, you're right. I actually 1111 00:55:48,440 --> 00:55:50,160 Speaker 1: thought the whole thing shouldn't have been the same, that 1112 00:55:50,239 --> 00:55:52,759 Speaker 1: she could have had the same, the same idea that no, 1113 00:55:53,120 --> 00:55:55,239 Speaker 1: you know, you looked sweet or you know, it's so 1114 00:55:55,719 --> 00:55:57,880 Speaker 1: like I liked that. But you're right, even if they 1115 00:55:58,000 --> 00:56:00,239 Speaker 1: just didn't say the word package take away the the 1116 00:56:00,280 --> 00:56:02,040 Speaker 1: other thing. You were so cute up there with your 1117 00:56:02,120 --> 00:56:06,160 Speaker 1: little guitar. Yeah, everything else could have been verbatim, but packages. Yeah, 1118 00:56:06,200 --> 00:56:07,640 Speaker 1: it was like maybe one step too far. But I 1119 00:56:07,719 --> 00:56:12,719 Speaker 1: still like the feeling. I still like the yeah, and 1120 00:56:12,960 --> 00:56:16,040 Speaker 1: the idea that the way Amy fell for Alan is 1121 00:56:16,200 --> 00:56:17,960 Speaker 1: just a little bit of a similar feeling that to 1122 00:56:18,040 --> 00:56:22,359 Speaker 1: Panga's having for Corey Um. And since neither of neither 1123 00:56:22,400 --> 00:56:24,560 Speaker 1: of them got to actually dance tonight, Corey asks to 1124 00:56:24,640 --> 00:56:27,200 Speaker 1: Panga to dance and he pops in the Jojo Man 1125 00:56:27,320 --> 00:56:30,320 Speaker 1: and Brother B tape that sings the name game with 1126 00:56:30,719 --> 00:56:34,360 Speaker 1: Phoene's name. So here's what I remember about this, and 1127 00:56:34,400 --> 00:56:38,480 Speaker 1: I could be wrong. I think one of the guys 1128 00:56:38,560 --> 00:56:42,160 Speaker 1: that was actually in the band, in Corey's band, who 1129 00:56:42,239 --> 00:56:45,319 Speaker 1: doesn't sing that like you just poses it wasn't him. 1130 00:56:45,560 --> 00:56:47,799 Speaker 1: I can't remember which one it was, But we recorded 1131 00:56:47,880 --> 00:56:53,680 Speaker 1: this whole thing on stage, yes, and one of the 1132 00:56:53,920 --> 00:56:56,800 Speaker 1: actors who was on the show the whole week is 1133 00:56:56,920 --> 00:56:59,200 Speaker 1: the voice of the person it has to because they 1134 00:56:59,200 --> 00:57:01,360 Speaker 1: don't get an extra credit there's no credit, so it 1135 00:57:01,480 --> 00:57:03,319 Speaker 1: has to be one of our actors. One of them 1136 00:57:03,560 --> 00:57:06,080 Speaker 1: was singing that and they boomed it and they recorded 1137 00:57:06,120 --> 00:57:07,920 Speaker 1: the whole thing, and it's George Feeney. It was Bill 1138 00:57:08,000 --> 00:57:10,359 Speaker 1: going like George Feeney. Like we recorded all that there 1139 00:57:10,400 --> 00:57:14,040 Speaker 1: on stageybody or is it probably maybe remember it? It 1140 00:57:14,120 --> 00:57:15,600 Speaker 1: was one. I don't know who it was, but one 1141 00:57:15,640 --> 00:57:18,400 Speaker 1: of them, it was doing the whole thing, and we 1142 00:57:18,600 --> 00:57:21,480 Speaker 1: sat there and watched them record this entire thing after, 1143 00:57:21,640 --> 00:57:22,920 Speaker 1: you know, before the show was over. I think we 1144 00:57:22,960 --> 00:57:25,840 Speaker 1: did it on Wednesday. So they recorded the attack, so 1145 00:57:25,920 --> 00:57:27,560 Speaker 1: then they played it back with the audience. But we 1146 00:57:27,760 --> 00:57:30,200 Speaker 1: we recorded that on stage while we're doing one of 1147 00:57:30,200 --> 00:57:31,760 Speaker 1: the actors on the stage. That's what I remember. Well, 1148 00:57:31,760 --> 00:57:33,800 Speaker 1: I don't remember that at all. I remember doing it's 1149 00:57:33,840 --> 00:57:37,240 Speaker 1: setting the whole thing, yep. So then our tag is 1150 00:57:37,280 --> 00:57:38,920 Speaker 1: that we are in the Matthews living room. Alan and 1151 00:57:39,000 --> 00:57:42,000 Speaker 1: Corey both lie about how great their night and their 1152 00:57:42,080 --> 00:57:45,080 Speaker 1: night of rock stardom went. Alan pretends to be charitable 1153 00:57:45,200 --> 00:57:47,400 Speaker 1: to give the guitar to Corey, but neither of them 1154 00:57:47,480 --> 00:57:49,880 Speaker 1: really want it. Eric walks by and they decided to 1155 00:57:49,960 --> 00:57:52,360 Speaker 1: offer it to him. Eric says, sure, I've been thinking 1156 00:57:52,400 --> 00:57:56,000 Speaker 1: of starting a band. He plays an awesome, super complicated 1157 00:57:56,080 --> 00:57:58,800 Speaker 1: guitar riff and hands it back to the guys. Nah, 1158 00:57:59,160 --> 00:58:02,520 Speaker 1: he says, so great. How many people thought I played guitar? 1159 00:58:02,840 --> 00:58:06,320 Speaker 1: Because it did? Really, I believe you definitely played guitars, Like, no, 1160 00:58:06,760 --> 00:58:08,960 Speaker 1: just faking it. Yeah, it's It's funny though, that the 1161 00:58:09,000 --> 00:58:11,680 Speaker 1: audience applause applause for you, because it almost kills a joke, 1162 00:58:11,840 --> 00:58:13,600 Speaker 1: you know, It's like, yeah, I could tell that your 1163 00:58:13,640 --> 00:58:15,520 Speaker 1: rhythm is slightly thrown off, having a hold for that 1164 00:58:15,720 --> 00:58:20,480 Speaker 1: laugh or from the applause, it was like, yeah, it's 1165 00:58:20,480 --> 00:58:23,400 Speaker 1: a great beat. Is now I have a question, And 1166 00:58:23,560 --> 00:58:25,520 Speaker 1: I don't know if any of you know this by now? 1167 00:58:26,640 --> 00:58:30,320 Speaker 1: Is Lily gone? I think she must be. I think 1168 00:58:30,360 --> 00:58:33,680 Speaker 1: so so every opportunity for her to be in scenes 1169 00:58:33,880 --> 00:58:37,640 Speaker 1: and like basically, yeah, so what was her last one? 1170 00:58:37,640 --> 00:58:40,040 Speaker 1: That's what I'm wondering. What was the last time we 1171 00:58:40,120 --> 00:58:42,120 Speaker 1: saw her? Was when she was dressed as the devil? 1172 00:58:43,920 --> 00:58:47,680 Speaker 1: Can't be? Is that true? It might be It might 1173 00:58:47,760 --> 00:58:50,840 Speaker 1: be that she was wished him off the show. Yeah right, 1174 00:58:51,000 --> 00:58:53,280 Speaker 1: So I'm sure they didn't do it on purpose, but 1175 00:58:54,160 --> 00:58:57,120 Speaker 1: I think she's she's gone, right, I think so, I think, 1176 00:58:57,160 --> 00:58:58,640 Speaker 1: I don't. I don't know that we see her again, 1177 00:58:58,720 --> 00:59:01,320 Speaker 1: but I also don't know. We'll see, well, we'll find out. 1178 00:59:01,320 --> 00:59:03,280 Speaker 1: This is the journey we're on. Guys. Yeah, yeah, that's 1179 00:59:03,360 --> 00:59:07,400 Speaker 1: exactly right. So join us for our next episode recap, 1180 00:59:07,400 --> 00:59:11,760 Speaker 1: which is season two episode nine, Fear Strikes Out. It 1181 00:59:11,880 --> 00:59:16,320 Speaker 1: originally aired on November eighteenth, nineteen ninety four. Thank you 1182 00:59:16,400 --> 00:59:18,320 Speaker 1: guys for joining us. As always, you can follow us 1183 00:59:18,320 --> 00:59:21,000 Speaker 1: on Instagram Podmeats World Show. You can send us your 1184 00:59:21,000 --> 00:59:24,600 Speaker 1: emails Podmeats World Show at gmail dot com and we 1185 00:59:24,760 --> 00:59:27,040 Speaker 1: have got t shirts and items and things called merch 1186 00:59:27,760 --> 00:59:33,520 Speaker 1: March Podmeats Worldshow dot com. Uh well, send us out. 1187 00:59:34,120 --> 00:59:39,160 Speaker 1: We love you all. Pod dismissed. Podmeats World is an 1188 00:59:39,160 --> 00:59:42,440 Speaker 1: iHeart podcast produced and hosted by Danielle Fischel, Wilford l 1189 00:59:42,480 --> 00:59:46,400 Speaker 1: and Ryder Strong Executive producers, Jensencarp and Amy Sugarman Executive 1190 00:59:46,400 --> 00:59:50,360 Speaker 1: in Charger Production, Danielle Romo, producer and editor, Tara Supboch producer, 1191 00:59:50,480 --> 00:59:53,880 Speaker 1: Jackie Rodriguez, engineer and Boy Meets World superfan Easton Allen. 1192 00:59:53,960 --> 00:59:56,240 Speaker 1: Our theme song is by Kyle Morton of Typhoon, and 1193 00:59:56,320 --> 00:59:58,840 Speaker 1: you can follow us on Instagram at Podmeats world Show, 1194 00:59:59,120 --> 01:00:02,320 Speaker 1: or email us at Podmeats Worldshow at gmail dot com.