1 00:00:00,080 --> 00:00:02,760 Speaker 1: Adam Levine right here one or two point seven. M 2 00:00:03,960 --> 00:00:06,400 Speaker 1: great to see a pal, Nice to see you too. 3 00:00:06,600 --> 00:00:08,760 Speaker 1: How everybody doing every great? Now? I wanted to just 4 00:00:08,840 --> 00:00:11,479 Speaker 1: get the platinum. Looks got the beard? No great in 5 00:00:11,520 --> 00:00:15,320 Speaker 1: the beard? Beard looks fantastic. That's a little it's great. Okay, 6 00:00:15,360 --> 00:00:16,960 Speaker 1: all right, well that makes me feel little better now. 7 00:00:17,000 --> 00:00:19,200 Speaker 1: The only reason I say is because I was telling 8 00:00:19,320 --> 00:00:21,959 Speaker 1: Cissy Antania. Thinking back, it was I think it was 9 00:00:21,960 --> 00:00:24,319 Speaker 1: oh five, two thousand and five. I just started here 10 00:00:24,360 --> 00:00:29,280 Speaker 1: at Kiss FM and Maroon five came in and it 11 00:00:29,440 --> 00:00:31,880 Speaker 1: was one of the first band interviews I ever did hear. 12 00:00:31,960 --> 00:00:34,720 Speaker 1: This Love was out? It was massive. It was April 13 00:00:34,760 --> 00:00:36,840 Speaker 1: twenty four, two thousand and five. Do you have any 14 00:00:36,840 --> 00:00:41,040 Speaker 1: recollection of that? No, well, I'm gonna at that point. 15 00:00:41,080 --> 00:00:43,680 Speaker 1: At that point, things were happening all the time, so 16 00:00:44,280 --> 00:00:46,919 Speaker 1: it was just constant. You know, when I think when 17 00:00:46,920 --> 00:00:50,080 Speaker 1: you're having a big success for the first time, it's 18 00:00:50,120 --> 00:00:53,199 Speaker 1: like the most overwhelming things everything, this one all right, 19 00:00:53,280 --> 00:00:55,080 Speaker 1: well listen to see tell me if you think you 20 00:00:55,120 --> 00:00:58,640 Speaker 1: sound different. This is Maroon five A twenty. Do you 21 00:00:58,680 --> 00:01:01,200 Speaker 1: actually remember the first time you heard this love on 22 00:01:01,240 --> 00:01:03,600 Speaker 1: the radio? You know? Actually this love I mean, it 23 00:01:03,640 --> 00:01:05,479 Speaker 1: really started to take off while we were in Europe. 24 00:01:05,560 --> 00:01:07,480 Speaker 1: We were coming off from the airport for the first 25 00:01:07,480 --> 00:01:09,480 Speaker 1: time after we got number one, and I think one 26 00:01:09,480 --> 00:01:10,680 Speaker 1: of us said, I'm like, hey man, I want to 27 00:01:10,680 --> 00:01:12,480 Speaker 1: listen to the Room five. It was like, yeah, you 28 00:01:12,480 --> 00:01:16,640 Speaker 1: wouldn't really turn on the radio, and that me got 29 00:01:16,680 --> 00:01:19,360 Speaker 1: you in the end, James. At the beginning, I think 30 00:01:19,520 --> 00:01:23,000 Speaker 1: it sound a bit I don't know. I was a kid. 31 00:01:23,040 --> 00:01:26,480 Speaker 1: I was hung over. Wait, let me see. I think 32 00:01:26,640 --> 00:01:27,959 Speaker 1: there was a point where it was on so much 33 00:01:27,959 --> 00:01:30,280 Speaker 1: it was actually nauseating. Every twenty minutes there was in 34 00:01:30,440 --> 00:01:36,120 Speaker 1: round five songs talked faster. I hate myself in that interview, 35 00:01:36,720 --> 00:01:40,480 Speaker 1: I talked I talk a lot faster. But I do 36 00:01:40,600 --> 00:01:44,080 Speaker 1: know that's interesting. It's funny to look back though, isn't it. Yeah, 37 00:01:44,080 --> 00:01:46,600 Speaker 1: it sounded a little bit like I had a helium. Yeah. 38 00:01:47,640 --> 00:01:49,520 Speaker 1: I was just so excited. We were so like it 39 00:01:49,560 --> 00:01:51,880 Speaker 1: was the beginning for me, it was big beginning for you. 40 00:01:51,920 --> 00:01:56,360 Speaker 1: We're like, so we were so green before before we 41 00:01:56,400 --> 00:02:02,040 Speaker 1: got jaded, as before before cynicism kicked in. Yeah, we 42 00:02:02,160 --> 00:02:04,040 Speaker 1: got so much going on here. We're gonna get to 43 00:02:04,080 --> 00:02:06,320 Speaker 1: Vegas in a second. But congratulations, I guess you now 44 00:02:06,360 --> 00:02:08,480 Speaker 1: have a trifecta. There, it's a family, it's a party 45 00:02:08,480 --> 00:02:12,480 Speaker 1: of five, right, man, it's it's a it's zone defense. 46 00:02:12,680 --> 00:02:14,919 Speaker 1: As they say, well they see it's triangulars from man 47 00:02:14,919 --> 00:02:16,840 Speaker 1: to man to zone. We got like it's like this 48 00:02:16,880 --> 00:02:18,720 Speaker 1: and that. Oh here we go boom boom, boom boom. 49 00:02:18,760 --> 00:02:21,919 Speaker 1: So it's awesome. I love the chaos. I embraced the chaos. 50 00:02:21,919 --> 00:02:26,000 Speaker 1: Cisany has three and so I'm thinking just like any 51 00:02:26,080 --> 00:02:29,560 Speaker 1: table that you find Siany that you recommend to Adam 52 00:02:29,560 --> 00:02:33,280 Speaker 1: and the family, any vehicle that you guys have recommend you, 53 00:02:33,320 --> 00:02:35,840 Speaker 1: guys are in the same sort of scenario. Right, Grandville 54 00:02:35,880 --> 00:02:38,880 Speaker 1: and Studio City is a great family restaurant. We go there, 55 00:02:38,919 --> 00:02:40,919 Speaker 1: We frequent there a lot. You know, you got to 56 00:02:40,919 --> 00:02:44,040 Speaker 1: find the restaurants that will allow a party of five 57 00:02:44,440 --> 00:02:48,080 Speaker 1: with all the little ones. True, that's true. Many people 58 00:02:48,160 --> 00:02:52,320 Speaker 1: take us anymore. What will I push harder for the minivan? 59 00:02:52,400 --> 00:02:55,079 Speaker 1: But at Scott Kai Bosh, I see a minivan as 60 00:02:55,120 --> 00:02:57,160 Speaker 1: like you just bought into like a whole new thing. 61 00:02:57,560 --> 00:02:59,920 Speaker 1: Make a minivan. Whatever you want doesn't happen to be 62 00:03:00,600 --> 00:03:02,800 Speaker 1: your mom's christ account of country. It could be you 63 00:03:02,800 --> 00:03:07,640 Speaker 1: can like spectacular, spaceship of fun, Aftermarket, I got they 64 00:03:07,680 --> 00:03:10,600 Speaker 1: happen Aftermarks all the other you go to go get 65 00:03:10,639 --> 00:03:13,760 Speaker 1: some dubs, all right, Adam Levine here Maroon five. So 66 00:03:13,840 --> 00:03:18,120 Speaker 1: I want to get into this. Last time we were 67 00:03:18,120 --> 00:03:20,320 Speaker 1: talking was a while back. Now you guys are going 68 00:03:20,360 --> 00:03:23,440 Speaker 1: to head to Vegas and kickoff this residency, and it 69 00:03:23,560 --> 00:03:27,120 Speaker 1: seems like these residencies are the hottest ticket in town. 70 00:03:27,160 --> 00:03:29,480 Speaker 1: I mean not only for for audiences but for artists. 71 00:03:29,480 --> 00:03:33,520 Speaker 1: Two people who are doing these residencies love it. Yeah, 72 00:03:33,560 --> 00:03:36,560 Speaker 1: I mean it's it's crazy because it used to be 73 00:03:36,640 --> 00:03:38,880 Speaker 1: kind of not a thing, and then overnight it kind 74 00:03:38,920 --> 00:03:43,120 Speaker 1: of became very cool and very common and popular, which 75 00:03:43,160 --> 00:03:44,960 Speaker 1: is really nice because I think that when you spent 76 00:03:45,120 --> 00:03:47,520 Speaker 1: you know, a better part of your life on the road, 77 00:03:47,720 --> 00:03:50,680 Speaker 1: kind of touring all over the world, which has been 78 00:03:50,920 --> 00:03:54,760 Speaker 1: absolutely amazing. Uh, you definitely get to the point, you know, 79 00:03:54,920 --> 00:03:56,520 Speaker 1: bringing you know, going back to the kids, thinking you 80 00:03:56,880 --> 00:03:58,680 Speaker 1: got a family, wife and kids in this this life 81 00:03:58,680 --> 00:03:59,880 Speaker 1: that you have at home. You don't want to leave 82 00:03:59,880 --> 00:04:02,760 Speaker 1: it too often as life goes on, and so it's 83 00:04:02,840 --> 00:04:04,320 Speaker 1: nice to be able to go to Vegas to come home, 84 00:04:04,400 --> 00:04:06,320 Speaker 1: Go to Vegas, come home. We live really close to 85 00:04:06,360 --> 00:04:09,000 Speaker 1: there too, so that's cool. But Vegas has become this 86 00:04:09,080 --> 00:04:11,680 Speaker 1: kind of mecca for like artists to come and play 87 00:04:11,720 --> 00:04:14,720 Speaker 1: and do their residencies, and it's very, very very popular. 88 00:04:14,760 --> 00:04:18,640 Speaker 1: Now we're a band, so it's it. We're just a band. 89 00:04:18,680 --> 00:04:21,640 Speaker 1: So the thing that's been kind of tricky to figure 90 00:04:21,680 --> 00:04:25,160 Speaker 1: out for me has been how to bring something different 91 00:04:25,440 --> 00:04:29,560 Speaker 1: and special and singular to Vegas without having I think 92 00:04:29,600 --> 00:04:31,839 Speaker 1: a lot of the things that people have when they 93 00:04:31,960 --> 00:04:34,799 Speaker 1: play Vegas and you associate Vegas with like serp disol 94 00:04:35,120 --> 00:04:39,240 Speaker 1: or like you know, crazy is like dancing, and there's 95 00:04:39,279 --> 00:04:41,279 Speaker 1: people and there's so many people doing so many things. 96 00:04:41,520 --> 00:04:44,200 Speaker 1: So I think that we had to like figure out 97 00:04:44,279 --> 00:04:46,600 Speaker 1: how to operate in a simple but really kind of 98 00:04:46,640 --> 00:04:49,799 Speaker 1: impactful way. And I think that what we're finally onto 99 00:04:49,839 --> 00:04:52,719 Speaker 1: after a lot of you know, sitting around brainstorm and 100 00:04:52,760 --> 00:04:54,560 Speaker 1: thinking of ideas and thinking of ways to do something 101 00:04:54,600 --> 00:04:58,000 Speaker 1: really lasting and impactful and special and classic, I think 102 00:04:58,000 --> 00:05:01,080 Speaker 1: we have something really good going. It's also interesting, Adam 103 00:05:01,800 --> 00:05:05,640 Speaker 1: to think about audiences in Las Vegas because it's people 104 00:05:05,680 --> 00:05:09,200 Speaker 1: from all over on a different from like traveling when 105 00:05:09,200 --> 00:05:11,240 Speaker 1: you're going to their city, like they're on vacation they're in, 106 00:05:11,480 --> 00:05:14,120 Speaker 1: they're this spirit of like having fun holiday mood. And 107 00:05:14,160 --> 00:05:17,599 Speaker 1: I'll bet you there are people coming to the show 108 00:05:17,720 --> 00:05:19,480 Speaker 1: that are die hard fans, and then people coming to 109 00:05:19,560 --> 00:05:21,760 Speaker 1: the show that like, are just coming to see a 110 00:05:21,760 --> 00:05:24,800 Speaker 1: great show, right, and then they become about yes, yes, 111 00:05:25,080 --> 00:05:27,880 Speaker 1: one hundred percent. That's that is the trickiest thing about 112 00:05:27,880 --> 00:05:29,800 Speaker 1: playing a concert in Vegas, even when you're not doing 113 00:05:29,800 --> 00:05:32,440 Speaker 1: your residency, even when you're just playing there. When you're 114 00:05:32,520 --> 00:05:37,240 Speaker 1: a person in Vegas, you are choosing your entertainment in 115 00:05:37,240 --> 00:05:40,880 Speaker 1: a pool of very specific options, right, So like I 116 00:05:41,000 --> 00:05:44,279 Speaker 1: chose were in five over something else for my Vegas 117 00:05:44,320 --> 00:05:47,160 Speaker 1: trip is very different than I've been waiting for them 118 00:05:47,200 --> 00:05:49,680 Speaker 1: to come to my city and here are five years 119 00:05:49,800 --> 00:05:53,159 Speaker 1: or how you know, and so it's a different type 120 00:05:53,200 --> 00:05:55,359 Speaker 1: of person. And so it's kind of cool because it 121 00:05:55,360 --> 00:05:57,040 Speaker 1: gives us a chance to like, yes, like you said, 122 00:05:57,080 --> 00:05:59,720 Speaker 1: play the people that are our biggest fans that will 123 00:05:59,720 --> 00:06:02,040 Speaker 1: come to those shows, but also like a new person 124 00:06:02,080 --> 00:06:04,760 Speaker 1: who may not know or be as involved in the 125 00:06:04,800 --> 00:06:07,040 Speaker 1: band and what we're about over the years. So it's 126 00:06:07,120 --> 00:06:08,880 Speaker 1: kind of like we're auditioning for some people and we're 127 00:06:09,120 --> 00:06:11,240 Speaker 1: playing preaching to the choir for other people, but it 128 00:06:11,360 --> 00:06:15,120 Speaker 1: also to me, it gives us. It's a challenge because 129 00:06:15,120 --> 00:06:16,560 Speaker 1: it's like, Okay, well we have to really blow people 130 00:06:16,560 --> 00:06:18,200 Speaker 1: away because people people will be seeing us in a 131 00:06:18,200 --> 00:06:22,159 Speaker 1: completely different light. And so it's it's it's been I'm 132 00:06:22,160 --> 00:06:24,880 Speaker 1: not gonna lie like it's definitely been challenging figuring it out, 133 00:06:24,920 --> 00:06:28,279 Speaker 1: but it's great. I love being pushed, I love a challenge. 134 00:06:28,320 --> 00:06:31,200 Speaker 1: I love to try new things. So it's it's gonna 135 00:06:31,200 --> 00:06:33,560 Speaker 1: be It's gonna be great. So Adam, we've been with 136 00:06:33,600 --> 00:06:36,080 Speaker 1: us talking about Maroon five in Vegas, the Dolbe Live 137 00:06:36,200 --> 00:06:39,320 Speaker 1: Theater Park MGM, tickets around sale at Maroon five dot com. 138 00:06:39,360 --> 00:06:41,400 Speaker 1: I have something to give away here in a second 139 00:06:42,000 --> 00:06:45,000 Speaker 1: twenty three, top forty twenty nine, thirty whatever it is, 140 00:06:45,040 --> 00:06:47,840 Speaker 1: top forty hits. How do you compile the set list 141 00:06:47,839 --> 00:06:50,960 Speaker 1: and do you change it? We're making it really specific 142 00:06:51,000 --> 00:06:52,880 Speaker 1: for this one. I like to kind of lock in 143 00:06:52,920 --> 00:06:54,800 Speaker 1: for a tour what we're gonna do tour by tour 144 00:06:54,839 --> 00:06:57,000 Speaker 1: and kind of stick to it more or less, um 145 00:06:57,400 --> 00:07:00,320 Speaker 1: a little less off the cuff. But for this it's 146 00:07:00,360 --> 00:07:04,440 Speaker 1: like we're really kind of bringing our biggest, biggest songs. 147 00:07:05,120 --> 00:07:08,280 Speaker 1: Imagine if you were watching bits and pieces of like 148 00:07:08,520 --> 00:07:11,560 Speaker 1: the most kind of exhilarating live concert you've ever seen, 149 00:07:11,600 --> 00:07:14,200 Speaker 1: but then there were other visual aspects that had tied 150 00:07:14,240 --> 00:07:16,240 Speaker 1: into it that weren't what you expected. I'll just say 151 00:07:16,240 --> 00:07:18,880 Speaker 1: that because that's bague. There's a lot of things happening 152 00:07:19,040 --> 00:07:21,640 Speaker 1: because throughout the show that aren't just us playing our songs. 153 00:07:21,760 --> 00:07:24,360 Speaker 1: Let's just put it that way. I'm stay into the bague, Okay, 154 00:07:25,280 --> 00:07:27,840 Speaker 1: I'm looking forward to this is It's gonna be fun. Vegas. 155 00:07:29,000 --> 00:07:31,920 Speaker 1: I got a hotel, state, I got tickets. If you 156 00:07:31,960 --> 00:07:33,720 Speaker 1: want to call us for those, you can be called 157 00:07:33,840 --> 00:07:35,400 Speaker 1: one or two here at eight hundred five two on 158 00:07:35,480 --> 00:07:38,880 Speaker 1: one or two seven Now before Adam Levine, before you 159 00:07:38,960 --> 00:07:45,400 Speaker 1: go the evolution of Maroon five, the journey that has 160 00:07:45,440 --> 00:07:48,520 Speaker 1: been Maroon five, the chapters that have been Maroon five. 161 00:07:48,600 --> 00:07:53,680 Speaker 1: It seems like there's another chapter on the horizon, right, Yeah, 162 00:07:53,680 --> 00:07:57,200 Speaker 1: there always there, always is. We are working on something 163 00:07:57,240 --> 00:08:02,960 Speaker 1: that is that is unbelievably cool, and I'm I always 164 00:08:03,000 --> 00:08:05,800 Speaker 1: say this. You could probably go find every interview we've 165 00:08:05,800 --> 00:08:07,800 Speaker 1: ever done over the last twenty years and find me 166 00:08:07,880 --> 00:08:09,720 Speaker 1: saying this. But that might not be a bad thing. 167 00:08:10,280 --> 00:08:15,040 Speaker 1: I'm most excited about this thing than than I've been 168 00:08:15,240 --> 00:08:17,200 Speaker 1: in a very is a thing in the format of 169 00:08:17,240 --> 00:08:23,239 Speaker 1: an album, Uh, it's maybe is it in the format 170 00:08:23,280 --> 00:08:27,360 Speaker 1: of a body of work, songs, singles? It's music. It's 171 00:08:27,480 --> 00:08:30,920 Speaker 1: music music, Okay, think it's definitely a music And and 172 00:08:31,000 --> 00:08:35,400 Speaker 1: at what stage are you in this project of music. 173 00:08:35,400 --> 00:08:36,800 Speaker 1: We're right in the middle of it. We're right in 174 00:08:36,800 --> 00:08:39,120 Speaker 1: the middle of it. But just know that I think 175 00:08:39,160 --> 00:08:43,120 Speaker 1: one of the coolest things we've done is coming and 176 00:08:43,440 --> 00:08:46,000 Speaker 1: very different. And I think the key at this point, 177 00:08:46,080 --> 00:08:49,120 Speaker 1: honestly is to do what you love, but also to 178 00:08:49,360 --> 00:08:53,400 Speaker 1: do something that that will surprise people. I love that. 179 00:08:53,679 --> 00:08:55,679 Speaker 1: That's the sound that's the sound bite that will travel 180 00:08:55,720 --> 00:08:59,000 Speaker 1: the world. Uh. Hey, it's good to see you, Adam, 181 00:08:59,040 --> 00:09:01,000 Speaker 1: Thanks for coming on. We look forward to Senior out 182 00:09:01,000 --> 00:09:02,600 Speaker 1: in Vegas and I hope to chat with you sooner. 183 00:09:02,679 --> 00:09:06,440 Speaker 1: Arbro literally like I call one O two, gets those tickets. 184 00:09:06,480 --> 00:09:08,280 Speaker 1: That is a show we need to see. Yeah, that 185 00:09:08,400 --> 00:09:10,640 Speaker 1: is the show we need to see. Come here next. 186 00:09:10,720 --> 00:09:13,439 Speaker 1: Taylor Swift. Tickets sold out Sofi Stadium