1 00:00:00,040 --> 00:00:04,320 Speaker 1: Who Do Who? Two brand new show announcements today, brand 2 00:00:04,400 --> 00:00:07,240 Speaker 1: new shows, I repeat, do not skip this. First of all, 3 00:00:07,320 --> 00:00:09,720 Speaker 1: if you could not get tickets in time to my 4 00:00:10,200 --> 00:00:13,240 Speaker 1: special taping on April first at the Slipper Room in 5 00:00:13,240 --> 00:00:16,760 Speaker 1: New York, I just added a late show and tickets 6 00:00:16,800 --> 00:00:19,360 Speaker 1: are available for that now and they are only ten dollars. 7 00:00:19,480 --> 00:00:23,440 Speaker 1: And second, we are doing our first ever Lesbio Lab 8 00:00:23,680 --> 00:00:26,880 Speaker 1: live at the Bell House on April sixteenth in New York. 9 00:00:27,240 --> 00:00:29,720 Speaker 1: All queer woman lineup and each of them is going 10 00:00:29,800 --> 00:00:31,840 Speaker 1: to bring us a lesbian topic instead of a straight 11 00:00:31,880 --> 00:00:34,760 Speaker 1: topic to teach us about. It's going to be groundbreaking, 12 00:00:34,840 --> 00:00:36,800 Speaker 1: it's going to sell out, So get those tickets at 13 00:00:36,840 --> 00:00:40,280 Speaker 1: the Bellhouse's website April sixteenth. And once again, if you 14 00:00:40,360 --> 00:00:43,040 Speaker 1: want to go to my special taping and weren't able 15 00:00:43,080 --> 00:00:45,160 Speaker 1: to get tickets for that first one that's sold out, 16 00:00:45,200 --> 00:00:49,199 Speaker 1: the late show is now on sale April first at 17 00:00:49,240 --> 00:00:51,920 Speaker 1: the Slipper Room. Tickets to everything are in my bio 18 00:00:52,040 --> 00:00:55,400 Speaker 1: and in Straighter Labs Instagram bio. And that is it. 19 00:00:55,520 --> 00:00:56,080 Speaker 2: We have ya. 20 00:00:56,280 --> 00:01:00,840 Speaker 1: Bye. 21 00:01:15,120 --> 00:01:19,360 Speaker 3: Podcast starts. Now, what were you saying, George that sweaters Yes, well, 22 00:01:19,360 --> 00:01:23,240 Speaker 3: it's my needless to say it's vintage, I would assume, well, 23 00:01:23,240 --> 00:01:27,880 Speaker 3: it's vintage, of course, but it's my boyfriend's dads from 24 00:01:27,920 --> 00:01:28,400 Speaker 3: the past. 25 00:01:29,040 --> 00:01:32,120 Speaker 1: Okay, I'm so glad you brought this up via an 26 00:01:32,160 --> 00:01:33,240 Speaker 1: answer to a question that I. 27 00:01:33,280 --> 00:01:36,160 Speaker 3: Posed, because here's my question. Stop trying to take credit. 28 00:01:37,720 --> 00:01:38,600 Speaker 3: It was my answering. 29 00:01:38,640 --> 00:01:40,600 Speaker 1: God, I asked that question. Otherwise we would be silent 30 00:01:40,640 --> 00:01:42,400 Speaker 1: and have nothing to talk about. And thank god, I'm 31 00:01:42,400 --> 00:01:45,480 Speaker 1: the one carrying this podcast on my back by asking questions. 32 00:01:45,520 --> 00:01:47,960 Speaker 3: If I didn't have the amazing and accurate answer of 33 00:01:48,000 --> 00:01:50,240 Speaker 3: who it belonged to, we would not have anything for 34 00:01:50,280 --> 00:01:50,840 Speaker 3: you to jump off. 35 00:01:50,960 --> 00:01:53,840 Speaker 1: If you don't think I did my own research and 36 00:01:53,960 --> 00:01:55,960 Speaker 1: you that that would be the answer so that I 37 00:01:56,000 --> 00:01:59,360 Speaker 1: could bring up my prescripted topic, you don't know anything 38 00:01:59,400 --> 00:02:02,640 Speaker 1: about all these years later. So here's my question for you. 39 00:02:02,760 --> 00:02:06,840 Speaker 1: I recently there was a shirt hanging in our bedroom. 40 00:02:07,440 --> 00:02:09,399 Speaker 1: I put it on to go get the takeout. First 41 00:02:09,400 --> 00:02:13,000 Speaker 1: of all, obviously so sexy, so far would you agree? 42 00:02:13,120 --> 00:02:15,200 Speaker 1: Of course, it's a shirt that does not belong to me. 43 00:02:15,200 --> 00:02:17,639 Speaker 4: I'm putting it on, I'm sort of buttoning, only only 44 00:02:17,680 --> 00:02:19,720 Speaker 4: buttoning one button, needless say bottomless. 45 00:02:19,720 --> 00:02:23,640 Speaker 1: My coccus fully out I go get the takeout and 46 00:02:23,639 --> 00:02:25,120 Speaker 1: I come back and I'm like, Matthew, I've never seen 47 00:02:25,160 --> 00:02:29,120 Speaker 1: you wear the shirp before, like is it new? And 48 00:02:29,160 --> 00:02:32,200 Speaker 1: he was like, yeah, it's actually my my dad's old shirt. 49 00:02:32,360 --> 00:02:34,560 Speaker 1: And I couldn't decide whether that was. 50 00:02:36,880 --> 00:02:37,000 Speaker 3: What? 51 00:02:37,040 --> 00:02:41,679 Speaker 1: Am I meant to feel about that? You mean like, yes, 52 00:02:41,720 --> 00:02:43,960 Speaker 1: it's like I'm like, well, I was in my mind, 53 00:02:44,000 --> 00:02:47,840 Speaker 1: I was being so Cameron Diaz sexy by wearing my 54 00:02:47,840 --> 00:02:51,600 Speaker 1: boyfriend shirt. Suddenly it belongs to my father in law. No, 55 00:02:51,919 --> 00:02:55,960 Speaker 1: it actually broke my brain because I'm like, oh, well, okay, then. 56 00:02:56,080 --> 00:02:59,800 Speaker 3: Like, well, well I think it's well shirt. 57 00:02:59,520 --> 00:03:01,839 Speaker 1: Well we should we should see your dad. I haven't 58 00:03:01,840 --> 00:03:02,560 Speaker 1: seen him in a while. 59 00:03:03,680 --> 00:03:06,040 Speaker 3: I think you're allowed to feel You're still out to 60 00:03:06,040 --> 00:03:09,960 Speaker 3: feel Cameron Diaz about it. Really, I'm actually like transient property, 61 00:03:10,280 --> 00:03:12,840 Speaker 3: like feeling like it's like when I put this on, 62 00:03:12,880 --> 00:03:14,840 Speaker 3: I'm like, like, and it fit like a glove. I 63 00:03:14,880 --> 00:03:17,600 Speaker 3: was like, God, it's meant to be. I was like, 64 00:03:19,120 --> 00:03:22,359 Speaker 3: I was like my boyfriend's dad sweater if it's so perfect. 65 00:03:22,400 --> 00:03:24,280 Speaker 4: Like yeah, see, even as you're saying that, I'm like 66 00:03:25,120 --> 00:03:29,960 Speaker 4: I feel uncomfortable. Yeah, but it does look really good 67 00:03:30,000 --> 00:03:30,640 Speaker 4: on you thank you. 68 00:03:30,680 --> 00:03:31,919 Speaker 2: And I've worn his shirts in the past. 69 00:03:31,960 --> 00:03:34,800 Speaker 3: I don't even remember I had the It was this 70 00:03:34,960 --> 00:03:39,080 Speaker 3: like sort of hawaiianish, like small green leaves and like 71 00:03:39,080 --> 00:03:41,720 Speaker 3: a blue shirt. Oh I know. It was a staple 72 00:03:41,760 --> 00:03:45,240 Speaker 3: of my wardrobe, my summer summer wardrobe, and that was 73 00:03:45,280 --> 00:03:47,120 Speaker 3: his shirt and I wore it till it was torn 74 00:03:47,160 --> 00:03:47,800 Speaker 3: and shredded. 75 00:03:49,840 --> 00:03:54,080 Speaker 1: So there's something about our state to be monetized. I 76 00:03:54,120 --> 00:03:56,920 Speaker 1: think one of those brands should release a father in 77 00:03:57,000 --> 00:04:00,400 Speaker 1: law shirt that is like specific you know, boyfriend jeans whatever. 78 00:04:00,720 --> 00:04:05,840 Speaker 1: This should be specifically like ever so slightly unfashionable and 79 00:04:06,520 --> 00:04:09,520 Speaker 1: you know, seventies targeting women. 80 00:04:11,240 --> 00:04:12,640 Speaker 3: George, this is so genius. 81 00:04:12,680 --> 00:04:14,800 Speaker 1: The father in law, the father in law sh Beverlaine, 82 00:04:15,000 --> 00:04:17,359 Speaker 1: the father in law shirt, the way that you're like 83 00:04:17,440 --> 00:04:20,440 Speaker 1: tapped into sort of you know, New York media fashion, 84 00:04:21,000 --> 00:04:23,479 Speaker 1: et cetera. Oh, I can make it happen tomorrow. Literally 85 00:04:23,520 --> 00:04:26,480 Speaker 1: give me two seconds, I'll send I'll send three texts. 86 00:04:26,920 --> 00:04:27,919 Speaker 4: Within a week, you. 87 00:04:27,920 --> 00:04:30,200 Speaker 1: Will see the father in law shirt I advertise you 88 00:04:30,240 --> 00:04:30,719 Speaker 1: on Instagram. 89 00:04:30,760 --> 00:04:32,839 Speaker 3: Well, I just find it scary because like there's something 90 00:04:32,880 --> 00:04:34,760 Speaker 3: about you know now you I don't live in New 91 00:04:34,839 --> 00:04:36,720 Speaker 3: York anymore, so I'm like, so you could never make 92 00:04:36,760 --> 00:04:39,479 Speaker 3: it happen and I couldn't even imagine it, Like yeah, 93 00:04:39,520 --> 00:04:41,120 Speaker 3: the way that you're like, oh my god, that's a 94 00:04:41,160 --> 00:04:43,760 Speaker 3: brand deal that is like and not even just like 95 00:04:43,800 --> 00:04:46,000 Speaker 3: any that's not like, oh, get twenty percent off. You're like, no, 96 00:04:46,040 --> 00:04:46,880 Speaker 3: I have a new line. 97 00:04:46,960 --> 00:04:49,320 Speaker 1: I'm you know, the way I'm full of good ideas 98 00:04:49,800 --> 00:04:53,080 Speaker 1: but not full of follow through potential is something that 99 00:04:53,120 --> 00:04:56,000 Speaker 1: should be studied in research labs across this great nation, 100 00:04:56,080 --> 00:04:59,480 Speaker 1: including at Johns Hopkins Columbia, various universities. But I do 101 00:04:59,560 --> 00:05:03,360 Speaker 1: think that if I think my ideal career for myself 102 00:05:03,400 --> 00:05:05,600 Speaker 1: would be like if I was the Oracle of Delphi, 103 00:05:05,760 --> 00:05:09,400 Speaker 1: but for branding opportunities, so people if they want it, 104 00:05:09,440 --> 00:05:11,760 Speaker 1: if they were like, you know, our brand is getting stuff. 105 00:05:11,760 --> 00:05:14,960 Speaker 1: Who we need new ideas, got to go. I'm smoking 106 00:05:15,040 --> 00:05:18,200 Speaker 1: some opiates. 107 00:05:17,240 --> 00:05:20,240 Speaker 4: Of course, and then I sort of I'm just like 108 00:05:21,560 --> 00:05:24,640 Speaker 4: father in law collection really on Valentine. 109 00:05:26,200 --> 00:05:27,839 Speaker 2: I feel the exact same way about music. 110 00:05:28,120 --> 00:05:31,680 Speaker 3: Oh yeah, like God, if only like music didn't take 111 00:05:31,760 --> 00:05:34,200 Speaker 3: like learning instruments and no one being able to sing, 112 00:05:34,600 --> 00:05:38,200 Speaker 3: because other than that, I like really get it, and 113 00:05:38,240 --> 00:05:38,680 Speaker 3: it's like. 114 00:05:40,760 --> 00:05:43,120 Speaker 1: Music is really interesting because you actually it takes so 115 00:05:43,240 --> 00:05:46,440 Speaker 1: much true effort and talent and like follow through to 116 00:05:46,520 --> 00:05:50,359 Speaker 1: make it, and it is the one art firm that 117 00:05:50,440 --> 00:05:53,279 Speaker 1: is never rewarded because the music industry is shockingly even 118 00:05:53,320 --> 00:05:55,720 Speaker 1: worse than the film and television industry, which is really 119 00:05:56,200 --> 00:05:58,840 Speaker 1: crazy about you have to work so so hard and 120 00:05:58,920 --> 00:05:59,719 Speaker 1: for nothing. 121 00:06:01,279 --> 00:06:04,719 Speaker 3: Which is why I think I could be so good 122 00:06:04,720 --> 00:06:07,000 Speaker 3: at it, because like because like I'm not going in 123 00:06:07,040 --> 00:06:08,200 Speaker 3: with being like I have the talent. 124 00:06:08,320 --> 00:06:10,280 Speaker 2: It's like I'm not I'm skipping that part. 125 00:06:10,400 --> 00:06:12,159 Speaker 1: So what is an exit? Not to put you on 126 00:06:12,160 --> 00:06:14,479 Speaker 1: the spot, but what level of abstraction are we talking about? 127 00:06:14,560 --> 00:06:19,240 Speaker 1: Would your idea just be like Shoe Gay's Revival, like 128 00:06:19,920 --> 00:06:21,240 Speaker 1: just that, like you're you're having a meeting. 129 00:06:21,360 --> 00:06:22,279 Speaker 2: Mine's even less specific. 130 00:06:22,560 --> 00:06:26,400 Speaker 3: I'm like, I'm literally I'm the gladiator thumb up, thumb down. 131 00:06:26,560 --> 00:06:29,240 Speaker 1: Oh, like I'm you think you can predict if something 132 00:06:29,279 --> 00:06:29,760 Speaker 1: will be a hit? 133 00:06:29,800 --> 00:06:35,120 Speaker 4: Basically Okay, yeah, am I allowed to talk? I don't know, 134 00:06:35,720 --> 00:06:37,400 Speaker 4: I know, I keep looking at you guys, look at me, 135 00:06:37,560 --> 00:06:38,640 Speaker 4: like what do you have to add? 136 00:06:38,640 --> 00:06:38,880 Speaker 3: Do you know? 137 00:06:38,920 --> 00:06:41,200 Speaker 4: We're trying to We're trying, like I don't want to 138 00:06:41,279 --> 00:06:42,560 Speaker 4: be rude, We're. 139 00:06:42,360 --> 00:06:44,440 Speaker 3: Trying to engauge whether or not what we're saying is 140 00:06:44,440 --> 00:06:45,040 Speaker 3: funny at all. 141 00:06:45,120 --> 00:06:45,599 Speaker 1: Yes, exactly. 142 00:06:45,600 --> 00:06:48,719 Speaker 3: And you're the only audience member we have express and 143 00:06:48,760 --> 00:06:50,479 Speaker 3: so both of us will like say something in the glance, 144 00:06:50,560 --> 00:06:51,839 Speaker 3: and say something in a glance. 145 00:06:51,560 --> 00:06:52,400 Speaker 1: Yeah, exact funny. 146 00:06:53,080 --> 00:06:54,320 Speaker 4: I find it very funny. 147 00:06:54,440 --> 00:06:56,800 Speaker 1: Okay, what do you think your secret talent would be? 148 00:06:57,120 --> 00:06:57,280 Speaker 3: That? 149 00:06:57,320 --> 00:07:01,280 Speaker 1: Like people can pay you to get a little I. 150 00:07:01,240 --> 00:07:05,560 Speaker 4: Can't share that on the air. Come on, now, well 151 00:07:05,600 --> 00:07:08,240 Speaker 4: we were just talking about your should we introduced our guests? 152 00:07:08,240 --> 00:07:11,120 Speaker 4: Oh yes, yeah, yeah, please welcome our dear friend ros 153 00:07:11,120 --> 00:07:17,000 Speaker 4: Hernandez Hi, Hi, and listener, listener of this pot for 154 00:07:17,040 --> 00:07:18,679 Speaker 4: a long time, A long time. 155 00:07:19,400 --> 00:07:22,200 Speaker 1: I we met in San Francisco. We're staying in the 156 00:07:22,200 --> 00:07:22,760 Speaker 1: same hotel. 157 00:07:23,000 --> 00:07:25,640 Speaker 4: My favorite thing in the entire world is seeing people 158 00:07:25,720 --> 00:07:26,400 Speaker 4: not at home. 159 00:07:27,160 --> 00:07:28,960 Speaker 2: Oh my god, in a different city. 160 00:07:29,240 --> 00:07:31,800 Speaker 4: If I see someone like at home, like in my 161 00:07:31,880 --> 00:07:37,360 Speaker 4: home city here, I'm like hiding. You know. Look, if 162 00:07:37,400 --> 00:07:40,720 Speaker 4: I'm in the grocery store, I'm like get this, you know, 163 00:07:42,400 --> 00:07:45,600 Speaker 4: Lacroix tower in front of me. I don't want to see. 164 00:07:45,640 --> 00:07:47,080 Speaker 4: I'm not here to talk. 165 00:07:47,320 --> 00:07:50,000 Speaker 1: Well, yeah, cause it's like seeing someone at home. You're like, 166 00:07:50,520 --> 00:07:52,760 Speaker 1: I'm at home. This is like you showing up to 167 00:07:52,840 --> 00:07:55,480 Speaker 1: my door. Yeah, yeah, and I'm trying. 168 00:07:55,680 --> 00:07:58,440 Speaker 4: It's considered considerate and it's invasive, and it's like you're 169 00:07:58,480 --> 00:08:00,520 Speaker 4: a you're going door to door or to. 170 00:08:00,560 --> 00:08:08,680 Speaker 1: Like do Jehovah's witness to me stop Mahovah's witness, Whereas like, 171 00:08:08,720 --> 00:08:11,400 Speaker 1: to me, our hour together that we had in that 172 00:08:11,440 --> 00:08:14,840 Speaker 1: hotel was like the platonic friendly equivalent of like having 173 00:08:14,880 --> 00:08:18,240 Speaker 1: an affair at a work conference. Like it's like it's 174 00:08:18,320 --> 00:08:23,600 Speaker 1: like two you know, kind of unhappily married people meeting 175 00:08:23,640 --> 00:08:27,640 Speaker 1: at a dental technologies conference. One of them is giving 176 00:08:27,680 --> 00:08:30,800 Speaker 1: the presentation. He's being kind of bumbly and like he 177 00:08:30,880 --> 00:08:32,560 Speaker 1: drops his pencil and then picks it back up. But 178 00:08:32,559 --> 00:08:35,040 Speaker 1: then the woman, whose name is Megan, is actually really 179 00:08:35,120 --> 00:08:37,800 Speaker 1: charmed by it, and she kind of makes eye contact 180 00:08:37,800 --> 00:08:40,040 Speaker 1: with him as he's giving the presentation. Later on, at 181 00:08:40,120 --> 00:08:45,080 Speaker 1: the official lanyard event where everyone's wearing a lanyard, she 182 00:08:45,559 --> 00:08:47,679 Speaker 1: goes up to him and is like, well, glad you 183 00:08:48,080 --> 00:08:49,959 Speaker 1: really get that pen from the floor. It was really 184 00:08:49,960 --> 00:08:51,640 Speaker 1: touch and go there for a second and he's like, 185 00:08:51,720 --> 00:08:53,920 Speaker 1: oh my god, like you saw that, like I thought 186 00:08:53,920 --> 00:08:55,600 Speaker 1: no one was looking. And she was like I was 187 00:08:55,600 --> 00:08:56,280 Speaker 1: looking and. 188 00:08:56,240 --> 00:08:59,120 Speaker 3: He feels attractive for the first time in ten years. 189 00:08:59,640 --> 00:09:04,719 Speaker 4: This is okay. I didn't pick up on it. So 190 00:09:04,920 --> 00:09:06,520 Speaker 4: for you, it was just like a random gig guy 191 00:09:06,559 --> 00:09:08,920 Speaker 4: that yeah, yeah, I was. 192 00:09:09,600 --> 00:09:12,600 Speaker 3: That meeting was amazing. There was a point when in 193 00:09:12,640 --> 00:09:14,880 Speaker 3: San Francisco because we were there for Sketch Fest and 194 00:09:14,920 --> 00:09:16,800 Speaker 3: so there were a lot of people we know where 195 00:09:16,800 --> 00:09:18,920 Speaker 3: it did start to feel like I was running out 196 00:09:18,960 --> 00:09:21,160 Speaker 3: of that lobby with like my hand over my eyes. 197 00:09:21,760 --> 00:09:23,920 Speaker 3: There was like enough enough running into people. 198 00:09:23,960 --> 00:09:26,920 Speaker 1: Well, you left, and Roz and I walked back to 199 00:09:26,960 --> 00:09:29,280 Speaker 1: the other hotel together, just the two of us, which 200 00:09:29,320 --> 00:09:30,160 Speaker 1: is what I'm referencing. 201 00:09:30,240 --> 00:09:32,280 Speaker 3: Oh, so when I met Roz, it didn't matter. 202 00:09:32,520 --> 00:09:34,040 Speaker 4: No, that definitely matters. 203 00:09:35,520 --> 00:09:36,240 Speaker 3: So that matters. 204 00:09:36,280 --> 00:09:40,880 Speaker 1: You're like, I had no connection with you, but that mattered. 205 00:09:40,920 --> 00:09:41,760 Speaker 2: That was when we met. 206 00:09:41,760 --> 00:09:42,400 Speaker 3: It was electric. 207 00:09:42,720 --> 00:09:44,880 Speaker 4: It mattered for sure, especially because we were all going 208 00:09:44,920 --> 00:09:47,920 Speaker 4: into an elevator and then but there was an act 209 00:09:47,960 --> 00:09:49,680 Speaker 4: too where you went to the Eagle. 210 00:09:50,160 --> 00:09:52,160 Speaker 1: Yeah, and Roz introduced me to Rachel Dratch. 211 00:09:53,040 --> 00:09:54,200 Speaker 4: Rachel Dratch was there. 212 00:09:54,679 --> 00:09:55,959 Speaker 1: Okay, we sort of replaced you. 213 00:09:56,040 --> 00:09:59,760 Speaker 4: We actually leary cast you with Rachel Dratch and she 214 00:09:59,800 --> 00:10:01,319 Speaker 4: did really she was great. 215 00:10:01,440 --> 00:10:03,720 Speaker 1: She was phenomenal. That's amazing. 216 00:10:04,200 --> 00:10:06,760 Speaker 4: I can't remember because it was like the same week 217 00:10:06,800 --> 00:10:11,200 Speaker 4: I was in Portland, and I can't remember if it 218 00:10:11,240 --> 00:10:14,079 Speaker 4: was it was after you opened for Joel of Portland. Yes, 219 00:10:14,200 --> 00:10:16,400 Speaker 4: so I did that before you were. 220 00:10:16,440 --> 00:10:17,680 Speaker 1: We were talking about Joel. 221 00:10:18,040 --> 00:10:21,320 Speaker 4: Because that was such a weird week because as I 222 00:10:21,360 --> 00:10:26,200 Speaker 4: got out of my uber at the hotel, famous iconic 223 00:10:26,280 --> 00:10:32,079 Speaker 4: drag Queen Monae Exchange was walking into the same hotel 224 00:10:32,120 --> 00:10:35,920 Speaker 4: as me, and then we hung out. And then a 225 00:10:35,960 --> 00:10:39,480 Speaker 4: couple like three or four other friends of mine happened 226 00:10:39,480 --> 00:10:41,760 Speaker 4: to be in Portland and we ran into each other 227 00:10:42,000 --> 00:10:47,800 Speaker 4: at the strip club. Oh yeah, and then we and 228 00:10:47,840 --> 00:10:51,680 Speaker 4: then and then I had a layover because like a 229 00:10:51,720 --> 00:10:55,440 Speaker 4: flight got camp. It was so weird whatever, and two 230 00:10:55,440 --> 00:10:57,800 Speaker 4: of my friends from LA were at the layover. It 231 00:10:57,880 --> 00:10:59,920 Speaker 4: was like so weird and so fun. 232 00:11:00,840 --> 00:11:04,360 Speaker 1: I was telling Sam, I had that exact experience this morning. 233 00:11:04,360 --> 00:11:07,320 Speaker 1: So I this is my first day in LA during 234 00:11:07,320 --> 00:11:11,559 Speaker 1: this trip, I ran into two of my closest friends 235 00:11:12,360 --> 00:11:15,880 Speaker 1: upon waking up today in two different locations, and I 236 00:11:15,920 --> 00:11:18,000 Speaker 1: was like, maybe this is a small village after all. 237 00:11:18,200 --> 00:11:20,960 Speaker 3: Well, there are the thing about Los Angeles, California, as 238 00:11:20,960 --> 00:11:23,400 Speaker 3: someone who was born and raised here starting one year ago, 239 00:11:24,559 --> 00:11:29,040 Speaker 3: is that there are around seven restaurants and maybe four 240 00:11:29,120 --> 00:11:32,400 Speaker 3: coffee shops, and so when you go to any of those, 241 00:11:32,480 --> 00:11:34,720 Speaker 3: you will run into at least four people you know totally. 242 00:11:34,800 --> 00:11:37,199 Speaker 1: And this is also why people are always seeing celebrities 243 00:11:37,200 --> 00:11:38,560 Speaker 1: out in the wild. And then you know, if you 244 00:11:38,720 --> 00:11:40,839 Speaker 1: when you first visit, you're like, wow, how lucky am 245 00:11:40,880 --> 00:11:42,760 Speaker 1: I that I saw Drew Barrymore And it's like, not 246 00:11:42,880 --> 00:11:43,360 Speaker 1: that lucky. 247 00:11:43,400 --> 00:11:44,840 Speaker 3: Actually, it's like, no, that's she has to go. 248 00:11:44,920 --> 00:11:45,640 Speaker 1: That has to go there. 249 00:11:45,880 --> 00:11:47,280 Speaker 2: She wants a coffee, that's where she has to go. 250 00:11:47,400 --> 00:11:50,120 Speaker 4: Yeah, totally. What part is? Do you say? 251 00:11:50,240 --> 00:11:51,679 Speaker 2: What part of the that I'm in? 252 00:11:51,840 --> 00:11:52,960 Speaker 3: Yeah, I'm in Silver Lake. 253 00:11:53,080 --> 00:11:58,960 Speaker 4: Silver Like, okay, I'm in the valley, but yeah, I'm like, 254 00:11:59,000 --> 00:12:03,000 Speaker 4: it's very spread out, but you there's certain central locations 255 00:12:03,120 --> 00:12:05,920 Speaker 4: where I see there. Used to be the arc Light 256 00:12:06,559 --> 00:12:07,800 Speaker 4: was the movie theater. 257 00:12:07,960 --> 00:12:09,880 Speaker 1: Which I would always run into people at the ark Lay. 258 00:12:09,920 --> 00:12:12,360 Speaker 4: The arc Light is where you see everything. To me, 259 00:12:12,440 --> 00:12:15,760 Speaker 4: that used to be center of l A but now 260 00:12:15,840 --> 00:12:22,600 Speaker 4: it's not. It's been out of isn't it. There's so 261 00:12:22,640 --> 00:12:26,840 Speaker 4: funny Okay, whatever, whatever, whatever, None of this is this 262 00:12:26,880 --> 00:12:30,559 Speaker 4: is not enough about me. Okay, and I'm here and 263 00:12:30,640 --> 00:12:35,280 Speaker 4: you're here in I love it here. We were just 264 00:12:35,320 --> 00:12:44,800 Speaker 4: talking about your proclive proclivity. Proclivity. You're fetish, you're fetish lenses. Okay, 265 00:12:45,040 --> 00:12:49,880 Speaker 4: I already told you these are not transition lenses. I 266 00:12:49,920 --> 00:12:55,080 Speaker 4: am that I am being inappropriate because I'm transgender. You're 267 00:12:55,120 --> 00:13:02,120 Speaker 4: assuming my glasses are then, by default, transition lenses. I 268 00:13:02,160 --> 00:13:06,439 Speaker 4: would never and now I don't feel comfortable looking at you. 269 00:13:06,800 --> 00:13:09,600 Speaker 4: And I want it to be clear that these lenses 270 00:13:09,640 --> 00:13:16,400 Speaker 4: are fully transitioned, but they stay transitioned. 271 00:13:16,520 --> 00:13:18,280 Speaker 3: So they're cisgendered glass. 272 00:13:19,000 --> 00:13:24,599 Speaker 4: They're trans but they're all there's no transitioning. 273 00:13:24,760 --> 00:13:26,960 Speaker 1: They're not in the process of transitioning, is what you're saying. 274 00:13:26,960 --> 00:13:30,520 Speaker 4: Correct, They have transitions and they are like this and 275 00:13:30,559 --> 00:13:32,600 Speaker 4: this is how they feel most comfortable. 276 00:13:32,800 --> 00:13:36,959 Speaker 1: I see, got it. Just to confirm if you were 277 00:13:37,000 --> 00:13:39,720 Speaker 1: to go outside, they would not transition any further. 278 00:13:41,040 --> 00:13:44,800 Speaker 3: George, I don't Did she make herself any clearer? 279 00:13:45,040 --> 00:13:47,160 Speaker 2: I don't want transitioning. 280 00:13:47,440 --> 00:13:51,679 Speaker 4: Yeah, that would be like yeah dead, naming my glass. Oh, 281 00:13:51,920 --> 00:13:55,920 Speaker 4: I'm so sorry, and making, you know, trying to force 282 00:13:56,080 --> 00:13:59,839 Speaker 4: them convert them. I see what you're saying to de transition. 283 00:14:00,480 --> 00:14:05,320 Speaker 4: They don't. They've transitioned. They've made their mind up and 284 00:14:05,360 --> 00:14:08,960 Speaker 4: they are happy this color and these ones are yellow. 285 00:14:09,000 --> 00:14:12,760 Speaker 4: I have purple ones. I have pink ones. I love them. 286 00:14:12,840 --> 00:14:15,400 Speaker 4: That's so inclusive that you have all of those three colors, 287 00:14:17,120 --> 00:14:22,960 Speaker 4: as they're all fully trans I don't have eddy transitioning 288 00:14:23,440 --> 00:14:27,040 Speaker 4: lenses and nosis ones either. No, I have a ton 289 00:14:27,160 --> 00:14:29,840 Speaker 4: You have a ton of on of course, And how 290 00:14:29,840 --> 00:14:33,200 Speaker 4: are they doing? They're fine, but they have been collecting 291 00:14:33,280 --> 00:14:40,160 Speaker 4: dusta I am in my transitioned lenses era. I can't 292 00:14:40,200 --> 00:14:42,960 Speaker 4: stop wearing them. I just love them because I feel 293 00:14:43,000 --> 00:14:45,960 Speaker 4: like I can kind of like it's like baring sunglasses, 294 00:14:45,960 --> 00:14:47,480 Speaker 4: Like I feel like I'm like hiding a little bit 295 00:14:47,520 --> 00:14:49,040 Speaker 4: from the w And it also it's kind of like 296 00:14:49,120 --> 00:14:51,280 Speaker 4: instant I makeup, like I don't have to do all that. 297 00:14:51,440 --> 00:14:54,520 Speaker 4: Oh yeah, especially when I wear like pink ones or 298 00:14:54,640 --> 00:14:58,560 Speaker 4: like whatever, I'm lazy. Okay, that's like it is a 299 00:14:58,600 --> 00:15:02,640 Speaker 4: real shortcut to glamour to wear transitioned lenses, to use 300 00:15:02,680 --> 00:15:05,440 Speaker 4: a correct terminology transition. And I apologize for what I 301 00:15:05,440 --> 00:15:08,200 Speaker 4: said before. That's okay, but it is. 302 00:15:08,880 --> 00:15:13,600 Speaker 1: Yeah, you you have just a nice like sheen of mystery, 303 00:15:13,680 --> 00:15:15,000 Speaker 1: but not all the way, not all. 304 00:15:14,880 --> 00:15:15,800 Speaker 3: The way, not all the way. 305 00:15:15,920 --> 00:15:18,880 Speaker 4: That's the thing because if people they are fully transitioned, 306 00:15:18,960 --> 00:15:22,000 Speaker 4: they're fully transitioned. But the eyes are the window to 307 00:15:22,040 --> 00:15:25,479 Speaker 4: the soul, yes, and so you want to see the soul. 308 00:15:25,480 --> 00:15:26,920 Speaker 3: Peeking through a little bit. 309 00:15:27,080 --> 00:15:32,240 Speaker 4: And I think that these transitioned lenses really bring my 310 00:15:32,440 --> 00:15:37,680 Speaker 4: soul out because it's my self actual. Yes, it's authentic. Yeah, 311 00:15:38,720 --> 00:15:39,840 Speaker 4: I am so much. 312 00:15:40,200 --> 00:15:45,119 Speaker 3: Do you guys remember like being a child and like Bono, 313 00:15:45,720 --> 00:15:50,640 Speaker 3: like Bono wearing glasses, transitioned glasses and being like what 314 00:15:50,840 --> 00:15:52,680 Speaker 3: is up with that guy? Like I remember me, like 315 00:15:53,200 --> 00:15:54,880 Speaker 3: when's he going to take those off? And now all 316 00:15:54,920 --> 00:15:56,040 Speaker 3: I want is to have them. 317 00:15:56,120 --> 00:15:58,560 Speaker 1: I feel the same. No, this is so the reason 318 00:15:58,600 --> 00:16:01,760 Speaker 1: I brought up initially your transitioned lenses when before we 319 00:16:01,760 --> 00:16:04,320 Speaker 1: were recording, is because I have been really wanting to 320 00:16:04,360 --> 00:16:06,600 Speaker 1: try that look like I want to be at the club. 321 00:16:07,360 --> 00:16:10,280 Speaker 1: Not quite as much of like statement frames as you 322 00:16:10,360 --> 00:16:13,400 Speaker 1: have now, but more like kind of Y two K 323 00:16:15,680 --> 00:16:24,040 Speaker 1: like rectangular or oval, Yes, very thin frames, just those 324 00:16:24,280 --> 00:16:27,120 Speaker 1: and we're talking like a tank and jeans. 325 00:16:26,760 --> 00:16:27,560 Speaker 4: That's hot. 326 00:16:28,240 --> 00:16:31,080 Speaker 3: I had Okay, over the summer, I was going to 327 00:16:31,120 --> 00:16:35,360 Speaker 3: a birthday party that there was like on the imitation 328 00:16:35,400 --> 00:16:39,000 Speaker 3: it was like dress chic or something, and I was like, okay, 329 00:16:39,200 --> 00:16:42,440 Speaker 3: well I don't really know what could elevate all my 330 00:16:42,520 --> 00:16:46,160 Speaker 3: normal clothes. And then I was like, I'll wear transitioned lenses. 331 00:16:46,640 --> 00:16:48,600 Speaker 3: But like they are on trend. 332 00:16:48,640 --> 00:16:49,680 Speaker 1: They are, yes, They're definitely. 333 00:16:49,840 --> 00:16:52,240 Speaker 4: Yeah, I didn't realize that, but I'm seeing them all 334 00:16:52,240 --> 00:16:52,760 Speaker 4: over the place. 335 00:16:52,760 --> 00:16:53,200 Speaker 3: I see them. 336 00:16:53,440 --> 00:16:55,920 Speaker 4: But that I had an original idea. I really did think. 337 00:16:56,080 --> 00:16:58,720 Speaker 4: Like I was literally looking on a website to my 338 00:16:58,760 --> 00:17:01,720 Speaker 4: glasses and I was like, that's a fun thought. And 339 00:17:01,760 --> 00:17:06,239 Speaker 4: then now everyone now I'm not saying I started it, yeah. 340 00:17:05,880 --> 00:17:06,800 Speaker 1: But maybe you did. 341 00:17:08,240 --> 00:17:08,840 Speaker 3: When you started. 342 00:17:08,840 --> 00:17:14,240 Speaker 4: It's sorry, how long have you been living this lifestyle transitions? 343 00:17:16,400 --> 00:17:20,040 Speaker 4: Just the past like maybe five six months? Oh, I'm 344 00:17:20,040 --> 00:17:20,400 Speaker 4: so sorry. 345 00:17:20,400 --> 00:17:23,560 Speaker 3: I no, no, no, But basically these are trending. And I 346 00:17:23,640 --> 00:17:25,879 Speaker 3: was like, so I'll just go to a store and 347 00:17:25,920 --> 00:17:26,440 Speaker 3: find them. 348 00:17:26,680 --> 00:17:28,640 Speaker 2: Yea, why is it? Why is there? 349 00:17:28,840 --> 00:17:32,320 Speaker 3: She goes, Why is it that when something's trending, you 350 00:17:32,359 --> 00:17:35,240 Speaker 3: can't just go to a store and find it, right? 351 00:17:35,359 --> 00:17:38,320 Speaker 4: So first of all, then it wouldn't be trending anymore, 352 00:17:38,320 --> 00:17:39,680 Speaker 4: because then everyone would happen. 353 00:17:39,840 --> 00:17:44,680 Speaker 1: Yeah, oh you want it before it's at everline, Like, sure, 354 00:17:44,680 --> 00:17:47,639 Speaker 1: Everlin is going to have father in law jeans and 355 00:17:47,720 --> 00:17:51,560 Speaker 1: father in law sweatshirts soon, but for now, you actually 356 00:17:51,560 --> 00:17:53,520 Speaker 1: have to go directly to your father in law to 357 00:17:53,520 --> 00:17:54,480 Speaker 1: get that sweater vest. 358 00:17:55,000 --> 00:17:57,080 Speaker 3: Okay, So this is a curse of being a little 359 00:17:57,080 --> 00:17:57,919 Speaker 3: too on trend. 360 00:17:58,000 --> 00:18:00,640 Speaker 1: You have to go to the correct videos to find 361 00:18:00,720 --> 00:18:05,800 Speaker 1: nineteen ninety nine like Prada sunglasses that are like purple tinted. 362 00:18:05,920 --> 00:18:07,919 Speaker 2: See, this is something I have, this thing. 363 00:18:08,000 --> 00:18:11,080 Speaker 3: Well, you know, I'm humble first and foremost, one of 364 00:18:11,119 --> 00:18:12,639 Speaker 3: the most humble, one of the most. 365 00:18:12,520 --> 00:18:13,480 Speaker 2: Humble people around. 366 00:18:13,600 --> 00:18:20,879 Speaker 3: Yeah, in Los Angeles, and so I am. But so 367 00:18:20,920 --> 00:18:23,400 Speaker 3: when I feel like, oh, I've noticeding this, it's time 368 00:18:23,440 --> 00:18:25,600 Speaker 3: to go get some myself, I'm like, the trend's probably 369 00:18:25,640 --> 00:18:29,240 Speaker 3: already in Everlas. But I guess I was just too 370 00:18:29,240 --> 00:18:30,360 Speaker 3: ahead of the curve on this one. 371 00:18:30,560 --> 00:18:34,440 Speaker 4: I do that all the time, Like I really wait 372 00:18:35,200 --> 00:18:39,840 Speaker 4: way too long, which like, oh, some record will come 373 00:18:39,840 --> 00:18:42,639 Speaker 4: out that everyone is listening to and I'm like I 374 00:18:42,640 --> 00:18:45,400 Speaker 4: don't want to, and then a year later I'll listen 375 00:18:45,400 --> 00:18:47,040 Speaker 4: to it and I'm like, you guys, or do it 376 00:18:47,080 --> 00:18:50,600 Speaker 4: with TV shows or something. Nobody even remembers it now, 377 00:18:50,800 --> 00:18:52,560 Speaker 4: so I'm like, who do I talk to about this? 378 00:18:52,720 --> 00:18:55,240 Speaker 1: I do the same thing, And I actually think it 379 00:18:55,280 --> 00:18:58,080 Speaker 1: is chic to do that with film and television, Like 380 00:18:58,320 --> 00:19:02,040 Speaker 1: I think in a year, if I'm watching Amelia Perez, 381 00:19:02,160 --> 00:19:04,320 Speaker 1: like that would be very chic. But I don't think 382 00:19:04,359 --> 00:19:06,439 Speaker 1: it's cheek to do it with clothing because with clothing 383 00:19:06,440 --> 00:19:08,720 Speaker 1: you actually have to be on the cutting edge, that's true, 384 00:19:08,840 --> 00:19:10,760 Speaker 1: or you have to have such a like uniform that 385 00:19:10,800 --> 00:19:14,560 Speaker 1: you're the guy that wears blazers and you know whatever. 386 00:19:14,720 --> 00:19:18,640 Speaker 4: Yeah, I mean just picking for me again, it's because 387 00:19:18,640 --> 00:19:22,760 Speaker 4: I'm lazy. I am just like I'm gonna wear what 388 00:19:22,840 --> 00:19:26,240 Speaker 4: I feel like wearing. Yeah, and then it'll just never 389 00:19:26,280 --> 00:19:28,960 Speaker 4: go to style to me, if you're picking, if you're 390 00:19:29,000 --> 00:19:32,520 Speaker 4: always trying to shop the trends, the current trend, then 391 00:19:32,560 --> 00:19:34,400 Speaker 4: you end up with so much shit and you gotta 392 00:19:34,440 --> 00:19:36,280 Speaker 4: figure out what to do with it, and you gotta 393 00:19:36,280 --> 00:19:39,520 Speaker 4: find so like, I don't know, I've got My closets 394 00:19:39,600 --> 00:19:42,720 Speaker 4: are packed to the brim with things that I wear 395 00:19:42,840 --> 00:19:46,240 Speaker 4: that are they're already out of style, so I'll never 396 00:19:46,280 --> 00:19:49,160 Speaker 4: have to worry about that. It's my advice. 397 00:19:49,400 --> 00:19:54,359 Speaker 3: Yeah, George, you are famous for recently not listening to 398 00:19:54,520 --> 00:19:57,639 Speaker 3: songs when they come out, right, not listening to albums 399 00:19:57,680 --> 00:19:59,960 Speaker 3: when they come out. Yes, and I guess I want 400 00:20:00,119 --> 00:20:04,520 Speaker 3: to gotcha journalism. You hear and ask if you have 401 00:20:04,600 --> 00:20:05,960 Speaker 3: listened to Abracadabra. 402 00:20:06,520 --> 00:20:09,480 Speaker 2: Yes, like okay, right, because you watched it. I watched 403 00:20:09,480 --> 00:20:10,080 Speaker 2: it premiere me. 404 00:20:10,359 --> 00:20:12,600 Speaker 1: I texted you that it existed. 405 00:20:13,400 --> 00:20:16,560 Speaker 4: I have also, and that's very me to not yet 406 00:20:16,600 --> 00:20:17,560 Speaker 4: I have this time. 407 00:20:18,119 --> 00:20:21,199 Speaker 1: I so in my not in my defense, but what 408 00:20:21,320 --> 00:20:24,000 Speaker 1: happened was I actually happened to be watching the Super 409 00:20:24,040 --> 00:20:29,680 Speaker 1: Bowl halftime show live and it premiered, literally, wasn't I'm 410 00:20:29,680 --> 00:20:32,040 Speaker 1: sorry sorry, Yes, I happened to be watching the Grammys 411 00:20:32,119 --> 00:20:34,280 Speaker 1: live and it premiered during the Grammys, which I didn't 412 00:20:34,280 --> 00:20:36,400 Speaker 1: know was going to happen, So it was actually forced off. 413 00:20:36,480 --> 00:20:40,160 Speaker 4: So you were duped. Yes, I was completely duped, and. 414 00:20:40,160 --> 00:20:41,359 Speaker 2: I if it hadn't been. 415 00:20:41,440 --> 00:20:43,840 Speaker 1: If it hadn't been, then it definitely would have taken 416 00:20:43,880 --> 00:20:47,400 Speaker 1: me like two weeks, because I I don't I don't 417 00:20:47,480 --> 00:20:50,840 Speaker 1: like having the cacophony of people's opinions in my head 418 00:20:50,880 --> 00:20:53,560 Speaker 1: as I'm trying to enjoy something for the first time, right, 419 00:20:54,640 --> 00:20:56,560 Speaker 1: and it's hard enough. I always want to be up 420 00:20:56,560 --> 00:20:58,320 Speaker 1: to do not the Oscar movies, and it's hard enough 421 00:20:58,320 --> 00:21:00,480 Speaker 1: to do it with the movies. I don't need that 422 00:21:00,480 --> 00:21:00,920 Speaker 1: for the new. 423 00:21:01,480 --> 00:21:04,960 Speaker 3: Movies are two hours plus the song is so short. 424 00:21:05,520 --> 00:21:08,040 Speaker 4: First of all, that needs to be in executive order. 425 00:21:08,600 --> 00:21:12,560 Speaker 4: Movies cannot be longer than an hour twenty five. Oh well, 426 00:21:12,560 --> 00:21:15,840 Speaker 4: people get very upset when you say that they want 427 00:21:15,920 --> 00:21:16,760 Speaker 4: long movies. 428 00:21:16,920 --> 00:21:19,280 Speaker 3: Oh yeah, film film people will. 429 00:21:19,160 --> 00:21:26,280 Speaker 4: Be like, leave them wanting more. Pt Barnum people literally 430 00:21:26,400 --> 00:21:28,200 Speaker 4: if you say that, they will be like, so you're 431 00:21:28,200 --> 00:21:30,160 Speaker 4: a complete dumb ass. 432 00:21:30,440 --> 00:21:33,119 Speaker 1: They're like, you just like cannot appreciate art ever and 433 00:21:33,160 --> 00:21:34,440 Speaker 1: you basically are illiterate. 434 00:21:34,720 --> 00:21:39,320 Speaker 4: Then I'm a dumb ass with transitioned Lenso. 435 00:21:40,600 --> 00:21:42,000 Speaker 3: Yeah, they'll literally be like, oh, so you want every 436 00:21:42,000 --> 00:21:43,040 Speaker 3: restaurant to McDonald's. 437 00:21:43,040 --> 00:21:47,400 Speaker 4: Then yes, I do, because you know what, it's consistent. 438 00:21:48,000 --> 00:21:49,480 Speaker 4: I can find it when I need it. 439 00:21:52,840 --> 00:21:53,399 Speaker 1: On Rezi? 440 00:21:55,040 --> 00:21:56,960 Speaker 4: Okay, wait, should we do it for a segment? 441 00:22:01,119 --> 00:22:02,720 Speaker 3: I want to know a first. But wait, did you 442 00:22:02,760 --> 00:22:04,200 Speaker 3: say people do bots on Rezi? 443 00:22:04,680 --> 00:22:05,840 Speaker 1: Oh yeah, that's like a big thing. 444 00:22:06,000 --> 00:22:06,720 Speaker 3: What does that mean? 445 00:22:08,119 --> 00:22:10,680 Speaker 1: There's like actual investigative journalism about this. So I don't 446 00:22:10,680 --> 00:22:13,000 Speaker 1: want to misspeak, but One of the reasons why getting 447 00:22:13,000 --> 00:22:15,320 Speaker 1: a reservation right now, especially in New York, is so 448 00:22:15,359 --> 00:22:20,480 Speaker 1: difficult is because people have automated. People will like automate 449 00:22:20,640 --> 00:22:23,960 Speaker 1: getting reservations that they then basically like give out in 450 00:22:24,040 --> 00:22:24,800 Speaker 1: the black market. 451 00:22:25,600 --> 00:22:29,640 Speaker 3: This town makes me sick. I'm disgusted by this town. 452 00:22:29,680 --> 00:22:34,720 Speaker 3: We mean sort of every every city, I'm disgusted. 453 00:22:34,119 --> 00:22:38,720 Speaker 4: By this Yeah, I mean, it's uh the thing with 454 00:22:38,880 --> 00:22:40,600 Speaker 4: like another reason I go to McDonald. 455 00:22:40,320 --> 00:22:44,360 Speaker 1: Yes, another reason I go to McDonald's, although give a time. No, 456 00:22:44,520 --> 00:22:48,760 Speaker 1: it's everything that should be simple is getting more difficult. 457 00:22:49,359 --> 00:22:52,240 Speaker 1: Everything that should be difficult, like let's say, committing large 458 00:22:52,240 --> 00:22:54,560 Speaker 1: scale financial crimes has never been easier. 459 00:22:54,760 --> 00:22:57,479 Speaker 3: Wow. And then you know what the worst part is, 460 00:22:57,520 --> 00:22:59,000 Speaker 3: It's like I know my ass is gonna be the 461 00:22:59,000 --> 00:23:01,760 Speaker 3: on think it's like audited. Yeah, like the moment I'm 462 00:23:01,880 --> 00:23:03,560 Speaker 3: like bad at taxes, it's over for me. 463 00:23:05,960 --> 00:23:09,879 Speaker 4: Let's just talk about taxes. I love them. 464 00:23:10,000 --> 00:23:11,919 Speaker 3: Do you what's your favorite part? 465 00:23:14,800 --> 00:23:18,080 Speaker 4: Just like like what do they call the forms where 466 00:23:18,840 --> 00:23:22,480 Speaker 4: they don't take any money out until later and like 467 00:23:22,520 --> 00:23:25,680 Speaker 4: a ten night a W nine so fun. 468 00:23:26,200 --> 00:23:26,880 Speaker 2: I love it. 469 00:23:26,960 --> 00:23:29,840 Speaker 3: I can't wait till like like ten years from now, 470 00:23:29,960 --> 00:23:31,719 Speaker 3: be like God, I really really do know. 471 00:23:32,119 --> 00:23:33,680 Speaker 1: Like I'll be like, we'll never learn. 472 00:23:33,800 --> 00:23:36,280 Speaker 2: I'll be like, I'll just have to know I'm ready. 473 00:23:36,320 --> 00:23:38,960 Speaker 4: But we're always like you make sure you you keep 474 00:23:39,000 --> 00:23:41,119 Speaker 4: a little bit of that for when they come calling 475 00:23:41,200 --> 00:23:45,760 Speaker 4: for bitch. Absolutely not you pay me money. I spend 476 00:23:45,800 --> 00:23:46,200 Speaker 4: the money. 477 00:23:46,240 --> 00:23:48,840 Speaker 1: I would like to not even be involved in looking 478 00:23:48,920 --> 00:23:51,240 Speaker 1: at how much money I have. I would like I 479 00:23:51,240 --> 00:23:52,840 Speaker 1: would like other people to be in charge of my 480 00:23:52,880 --> 00:23:56,560 Speaker 1: bank accounts, my paychecks, any kind of paperwork. I don't 481 00:23:56,640 --> 00:23:59,679 Speaker 1: want to even be able to log into Chase and 482 00:23:59,720 --> 00:24:00,760 Speaker 1: see what my balance is. 483 00:24:00,840 --> 00:24:04,920 Speaker 3: George, you're so speaking my language. I want essentially chastity play. 484 00:24:05,040 --> 00:24:06,399 Speaker 3: But for my own money. 485 00:24:06,440 --> 00:24:10,399 Speaker 4: I would like to maybe have a personalized little newsletter, 486 00:24:11,400 --> 00:24:13,399 Speaker 4: preferably and kind of a fun voice, to be honest, 487 00:24:13,560 --> 00:24:16,760 Speaker 4: that has sent to me once a quarter, let's say. 488 00:24:16,920 --> 00:24:21,040 Speaker 1: Because Spotify wrapped, Yes, Spotify wrapped. It's like, this is 489 00:24:21,080 --> 00:24:24,119 Speaker 1: what you've sort of done this month. You gagged on 490 00:24:24,119 --> 00:24:26,680 Speaker 1: some Chipolt exactly, and then maybe at the end even 491 00:24:26,760 --> 00:24:32,200 Speaker 1: like two or three very kindly worded suggestions like so 492 00:24:32,280 --> 00:24:35,240 Speaker 1: it looks like your uber spending is kind of through 493 00:24:35,280 --> 00:24:38,600 Speaker 1: the roof, Mama. 494 00:24:37,880 --> 00:24:39,120 Speaker 4: What is this, Mama? 495 00:24:39,280 --> 00:24:42,000 Speaker 1: What if you, uh, you know, keep this number in mind, 496 00:24:42,080 --> 00:24:45,160 Speaker 1: try not to go over it in one week. Yeah, 497 00:24:45,240 --> 00:24:46,080 Speaker 1: that I can handle. 498 00:24:46,160 --> 00:24:47,960 Speaker 4: That would be nice, but that's not how it is. 499 00:24:48,080 --> 00:24:50,560 Speaker 4: That is not hire someone. 500 00:24:51,240 --> 00:24:53,439 Speaker 1: And I actually think, you know, so many creatives are 501 00:24:53,440 --> 00:24:56,119 Speaker 1: out of work in this day and age, so many writers, 502 00:24:56,440 --> 00:25:00,320 Speaker 1: graphic designers, et cetera. Actually, graphic designers have ever been 503 00:25:00,359 --> 00:25:02,119 Speaker 1: doing better based on what I'm seeing on Instagram, but 504 00:25:02,320 --> 00:25:06,600 Speaker 1: writers certainly are unemployed. I think we need little personalized magazines. 505 00:25:06,680 --> 00:25:10,080 Speaker 1: It's like I I shouldn't have to do any research 506 00:25:10,119 --> 00:25:12,600 Speaker 1: into my own financial history, but I should get a 507 00:25:12,640 --> 00:25:14,920 Speaker 1: magazine that is as glossy as Vanity Fair that tells 508 00:25:14,960 --> 00:25:16,480 Speaker 1: me everything I need to know about what I've done. 509 00:25:16,640 --> 00:25:16,840 Speaker 3: Yeah. 510 00:25:16,880 --> 00:25:20,240 Speaker 4: Maybe that's what writers a little gig they exactly. 511 00:25:20,320 --> 00:25:21,600 Speaker 3: Yeah, it would be really nice. 512 00:25:21,760 --> 00:25:23,520 Speaker 4: Yeah, it's like how I think everyone should have a 513 00:25:23,520 --> 00:25:25,520 Speaker 4: personal assistant, even if you can't afford it. 514 00:25:25,560 --> 00:25:27,600 Speaker 1: God, it should be funded by the government. 515 00:25:27,720 --> 00:25:29,200 Speaker 2: I'd be so good at having one. 516 00:25:29,280 --> 00:25:30,920 Speaker 1: Oh my god, I treat them so well. I would 517 00:25:31,000 --> 00:25:33,359 Speaker 1: give them the biggest Christmas bonus you can imagine. 518 00:25:33,359 --> 00:25:35,480 Speaker 2: Oh my god. And I like to pay them money, like, 519 00:25:35,560 --> 00:25:36,760 Speaker 2: oh my god, go home early. 520 00:25:36,920 --> 00:25:38,880 Speaker 3: Seriously, could you imagine. 521 00:25:39,160 --> 00:25:41,400 Speaker 4: I bet you would be really good at having an assistant. 522 00:25:41,480 --> 00:25:46,000 Speaker 4: Oh my god, I'm so unmanageable. I'm not an adult. 523 00:25:46,280 --> 00:25:49,399 Speaker 3: What so adultings hard? Am I right? 524 00:25:49,720 --> 00:25:52,560 Speaker 1: We've talked about this. Adulting is hard as a concept. 525 00:25:52,680 --> 00:25:57,440 Speaker 1: Is so, you know, laying cliche millennial and yet damn 526 00:25:57,440 --> 00:25:58,240 Speaker 1: if it ain't true. 527 00:25:58,760 --> 00:26:02,080 Speaker 4: I'm sorry. She got popular for a reason. 528 00:26:03,280 --> 00:26:04,840 Speaker 1: She's been that girl from day one. 529 00:26:05,080 --> 00:26:09,560 Speaker 3: Yes, And it also like just simply used to be easier, 530 00:26:09,640 --> 00:26:11,280 Speaker 3: Like you used to just have your one job and 531 00:26:11,280 --> 00:26:13,399 Speaker 3: then you go home at five pm, and then like 532 00:26:13,480 --> 00:26:16,760 Speaker 3: now it's like you're always doing this random stuff and 533 00:26:16,800 --> 00:26:19,000 Speaker 3: it's like, yeah, I can't do all my random stuff 534 00:26:19,000 --> 00:26:19,920 Speaker 3: and my taxes. 535 00:26:20,160 --> 00:26:22,160 Speaker 1: I know, if I say one more sentence, I'm gonna 536 00:26:22,160 --> 00:26:23,359 Speaker 1: sound so stupid. 537 00:26:23,040 --> 00:26:24,960 Speaker 4: Like I know, I can actually know I'm getting to 538 00:26:25,000 --> 00:26:28,840 Speaker 4: that point where it becomes, you know, there's a way 539 00:26:28,840 --> 00:26:31,679 Speaker 4: to be charmingly dumb and charmingly incompetent, and then you 540 00:26:31,720 --> 00:26:34,199 Speaker 4: say one more thing and you actually seem like a 541 00:26:34,200 --> 00:26:34,760 Speaker 4: complete loser. 542 00:26:34,840 --> 00:26:35,880 Speaker 1: And I know I'm getting to that point. 543 00:26:36,000 --> 00:26:38,320 Speaker 3: I have a sentence that is the dumbest thing I've 544 00:26:38,320 --> 00:26:41,400 Speaker 3: ever thought. So whatever you say, Okay, I can one 545 00:26:41,480 --> 00:26:42,240 Speaker 3: up you Okay. 546 00:26:42,240 --> 00:26:44,280 Speaker 4: Well, apparently it's dumb to say you want movies to 547 00:26:44,320 --> 00:26:48,119 Speaker 4: be a reasonable time. So now you all. 548 00:26:48,080 --> 00:26:49,680 Speaker 2: Well, I want you to know first, because I really don't. 549 00:26:49,800 --> 00:26:51,919 Speaker 1: I didn't have anything in mind. I just it's like, 550 00:26:53,280 --> 00:26:55,640 Speaker 1: I'm aware of how I perceive people when they talk 551 00:26:55,680 --> 00:26:57,719 Speaker 1: about how difficult life is for them, and they have 552 00:26:57,760 --> 00:27:00,160 Speaker 1: all the privileges in the world, right, and so I'm 553 00:27:00,160 --> 00:27:02,159 Speaker 1: doubly aware when I am doing that because I know 554 00:27:02,800 --> 00:27:06,000 Speaker 1: how it comes across, and yet I can't help it, 555 00:27:06,080 --> 00:27:07,919 Speaker 1: Like it's just the state I'm in. 556 00:27:08,080 --> 00:27:10,920 Speaker 3: Yeah, well, okay, I can say mine. Okay, this is 557 00:27:10,960 --> 00:27:13,600 Speaker 3: my dumbest thought and sentence ever. When you said the 558 00:27:13,600 --> 00:27:15,960 Speaker 3: word magazine, I was like, Maga, and then I was 559 00:27:15,960 --> 00:27:22,240 Speaker 3: like Zene, like Magaz. I was like, I was like. 560 00:27:26,880 --> 00:27:29,040 Speaker 4: When he learned at the Eagle that night. 561 00:27:29,000 --> 00:27:29,879 Speaker 2: Mago, I'm scared. 562 00:27:30,040 --> 00:27:30,320 Speaker 3: Zine. 563 00:27:30,320 --> 00:27:34,560 Speaker 4: I'm saying, oh, wow, magazine is actually very interesting because 564 00:27:34,560 --> 00:27:36,800 Speaker 4: it shouldn't be a magazine. 565 00:27:37,440 --> 00:27:39,000 Speaker 1: Yeah, how have they not thought of that? Because they're 566 00:27:39,040 --> 00:27:44,840 Speaker 1: not very smart? Are they geniuses? No one knows, but 567 00:27:44,960 --> 00:27:49,800 Speaker 1: I think magazine. Okay, here's a great ready, all right, 568 00:27:50,359 --> 00:27:53,359 Speaker 1: Maga very right wing as a term. Zine is the 569 00:27:53,560 --> 00:27:55,960 Speaker 1: most left wing possible. You're like fairy, you know, you're 570 00:27:56,040 --> 00:28:00,640 Speaker 1: kind of like a non binary freelance guitarist in Seattle, 571 00:28:01,080 --> 00:28:04,560 Speaker 1: and you are self publishing gazine, right, right, So there's 572 00:28:04,560 --> 00:28:07,320 Speaker 1: something so beautiful about the word magazine because it combines 573 00:28:07,400 --> 00:28:09,960 Speaker 1: the two elements of American Society's our future. 574 00:28:10,160 --> 00:28:11,240 Speaker 3: It's the only way forward. 575 00:28:11,440 --> 00:28:14,520 Speaker 4: Yeah, and yet publishing is dead. So magazines are dead, 576 00:28:14,680 --> 00:28:16,640 Speaker 4: which means party worship is dead. 577 00:28:16,480 --> 00:28:18,320 Speaker 3: Which is why we're collapsing as a country. 578 00:28:18,400 --> 00:28:28,479 Speaker 5: That's right, thoughts our first segment Shooters and ras, you 579 00:28:28,520 --> 00:28:29,119 Speaker 5: know the drill. 580 00:28:30,840 --> 00:28:33,720 Speaker 1: Basically, we are gauging your familiarity with in complicity and 581 00:28:33,760 --> 00:28:36,000 Speaker 1: straight culture by asking a series of rapid fire questions 582 00:28:36,000 --> 00:28:37,479 Speaker 1: where we have to choose this thing or this other thing, 583 00:28:37,480 --> 00:28:37,880 Speaker 1: and the one. 584 00:28:37,880 --> 00:28:42,560 Speaker 4: I'm allowed to ask questions I allowed to ask RAS 585 00:28:43,120 --> 00:28:46,040 Speaker 4: stop right there bybe I was special. 586 00:28:46,280 --> 00:28:52,000 Speaker 3: Okay, let's go. Okay, upholding law and order, or. 587 00:28:52,320 --> 00:28:55,480 Speaker 4: People listening at home. They add the song later, just 588 00:28:55,520 --> 00:28:57,880 Speaker 4: so you know, because I'm like, where's the song? Yeah, 589 00:28:57,880 --> 00:29:02,320 Speaker 4: it comes later, So just picture this. I'm I'm doing 590 00:29:02,320 --> 00:29:04,120 Speaker 4: this right now in silence. 591 00:29:05,040 --> 00:29:08,680 Speaker 3: Okay, upholding law in order or seeming tall. 592 00:29:08,920 --> 00:29:14,240 Speaker 4: Oh then shorter that one and then shorter. I'm six 593 00:29:14,280 --> 00:29:14,760 Speaker 4: foot one. 594 00:29:15,600 --> 00:29:19,560 Speaker 1: The importance of being earnest, or the disturbance of your 595 00:29:19,640 --> 00:29:21,160 Speaker 1: home office being unfurnished. 596 00:29:21,400 --> 00:29:25,560 Speaker 4: Oh, of your home office being earnest. 597 00:29:26,120 --> 00:29:31,000 Speaker 3: Okay, healing your inner child or hunting a crocodile. 598 00:29:32,720 --> 00:29:40,120 Speaker 1: Crocodile, wow, Simon says or Simone Biles biles Okay. 599 00:29:40,160 --> 00:29:43,880 Speaker 3: Reheating your nachos or repeating your mantras. That's good. 600 00:29:44,360 --> 00:29:50,960 Speaker 4: Oh, that's cute. Reheating the natos, skims shapewear or Grim's 601 00:29:51,080 --> 00:29:54,400 Speaker 4: fairy tales. Oh, Grims fairy tales. 602 00:29:54,560 --> 00:29:58,000 Speaker 3: Okay. Going to the Philharmonic, or voting no on a 603 00:29:58,040 --> 00:29:58,960 Speaker 3: bill that's moronic. 604 00:29:59,240 --> 00:30:05,840 Speaker 4: Oh, bel well, fail me Va Las Vegas or Diva 605 00:30:05,920 --> 00:30:13,800 Speaker 4: that's major. Diva, that's major Las Vegas. I have a 606 00:30:14,080 --> 00:30:14,800 Speaker 4: love hate with. 607 00:30:15,840 --> 00:30:17,440 Speaker 3: I don't get it. I've never been and I don't 608 00:30:17,440 --> 00:30:17,800 Speaker 3: get it. 609 00:30:18,240 --> 00:30:22,200 Speaker 4: Well, you should go and then make up your mind. 610 00:30:22,320 --> 00:30:23,240 Speaker 1: Have you been a lot? 611 00:30:23,560 --> 00:30:26,600 Speaker 4: A ton that actually tracks? 612 00:30:26,640 --> 00:30:29,600 Speaker 3: Wait, white tons, because it's not far. What do you 613 00:30:29,640 --> 00:30:30,320 Speaker 3: do when you go there? 614 00:30:30,400 --> 00:30:33,720 Speaker 4: Go to the Burbank airport, you're flying, You're there with 615 00:30:33,840 --> 00:30:38,240 Speaker 4: them before you even realize that. Wow, they don't even 616 00:30:38,320 --> 00:30:39,640 Speaker 4: come by with a drink cart. 617 00:30:39,760 --> 00:30:42,120 Speaker 2: What do you like to do there or dislike to 618 00:30:42,120 --> 00:30:42,320 Speaker 2: do that? 619 00:30:42,880 --> 00:30:46,800 Speaker 4: Well? What I love is like there's areas off the 620 00:30:46,840 --> 00:30:50,240 Speaker 4: strip which are like where the locals are. I like 621 00:30:50,320 --> 00:30:51,320 Speaker 4: that because. 622 00:30:51,160 --> 00:30:53,800 Speaker 1: What kind of bars and restaurants and stuff or. 623 00:30:53,960 --> 00:30:58,200 Speaker 4: Yeah, okay, well and I'm a big antique store kind 624 00:30:58,240 --> 00:31:01,560 Speaker 4: of and there's good antiquing and they're really Yeah, they've 625 00:31:01,560 --> 00:31:05,920 Speaker 4: got antique malls that are more towards the downtown area, 626 00:31:06,080 --> 00:31:08,360 Speaker 4: and I have a lot of fun with them. 627 00:31:08,760 --> 00:31:09,400 Speaker 1: Do you gamble? 628 00:31:09,920 --> 00:31:10,080 Speaker 3: No? 629 00:31:11,080 --> 00:31:14,520 Speaker 4: I don't. But have you have you both seen The 630 00:31:14,600 --> 00:31:15,400 Speaker 4: Last Show Girl? 631 00:31:16,160 --> 00:31:16,360 Speaker 3: No? 632 00:31:16,720 --> 00:31:18,360 Speaker 1: Here's the thing with The Last Show Girl. No is 633 00:31:18,400 --> 00:31:21,760 Speaker 1: the answer. But I've been absolutely waterboarded with so much 634 00:31:21,760 --> 00:31:24,000 Speaker 1: footage from that film that it's like, I can't imagine 635 00:31:24,000 --> 00:31:25,880 Speaker 1: that there's something I would be surprised by if I 636 00:31:25,920 --> 00:31:26,400 Speaker 1: were to see it. 637 00:31:26,440 --> 00:31:29,160 Speaker 3: Would something about it is like sometimes I'm like, is 638 00:31:29,160 --> 00:31:32,400 Speaker 3: it actually a movie? Like sometimes it's oppressed. 639 00:31:33,120 --> 00:31:35,120 Speaker 4: Yeah, that was a big part of it. 640 00:31:34,880 --> 00:31:37,680 Speaker 1: Because it's like and by the way, I support that 641 00:31:37,800 --> 00:31:41,959 Speaker 1: narrative that Pamela Anderson deserves. I'm down for a second 642 00:31:42,120 --> 00:31:44,800 Speaker 1: or this like sort of third act if you will, 643 00:31:44,920 --> 00:31:46,600 Speaker 1: like I I'm down for it. I'm excited for her 644 00:31:46,640 --> 00:31:51,720 Speaker 1: to do more movies, but sorry, I know when a 645 00:31:51,800 --> 00:31:53,200 Speaker 1: movie looks like a flop. 646 00:31:54,120 --> 00:31:59,880 Speaker 4: I'm visually not happy about this. I love real well. 647 00:32:00,120 --> 00:32:02,480 Speaker 4: I did a thing in Los Angeles that was like this. 648 00:32:02,560 --> 00:32:05,320 Speaker 4: One theater in Century City was like showing it for 649 00:32:05,360 --> 00:32:07,760 Speaker 4: a month before it came out, and you better believe 650 00:32:07,880 --> 00:32:11,480 Speaker 4: I bought my tickets and I loved it. 651 00:32:12,040 --> 00:32:14,280 Speaker 1: Really, it's been this specter because we've actually had this 652 00:32:14,280 --> 00:32:17,200 Speaker 1: conversation many times and potentially even on air that it 653 00:32:17,400 --> 00:32:20,080 Speaker 1: like is a press tour in search of a coherent 654 00:32:20,160 --> 00:32:22,479 Speaker 1: movie even though we have not seen the movie. And 655 00:32:22,520 --> 00:32:24,360 Speaker 1: it would be funny, after all this time we watched 656 00:32:24,360 --> 00:32:25,280 Speaker 1: it and both loved it. 657 00:32:25,440 --> 00:32:26,720 Speaker 2: That would be kind of a fun twist. 658 00:32:27,400 --> 00:32:30,880 Speaker 4: There's fun to be had with it. I've heard Jamie 659 00:32:31,000 --> 00:32:35,360 Speaker 4: Lee is really something and there's like Bob Magee costume, 660 00:32:35,600 --> 00:32:39,640 Speaker 4: and it's an interesting story of like what do you 661 00:32:39,760 --> 00:32:41,840 Speaker 4: do when the gigs up? 662 00:32:42,040 --> 00:32:44,240 Speaker 1: Yeah? What do you do when the gigs up? 663 00:32:45,320 --> 00:32:47,280 Speaker 4: Well, I'm trying to find that out right now. 664 00:32:49,360 --> 00:32:50,960 Speaker 1: We do need to rate you on a scale of 665 00:32:51,040 --> 00:32:52,200 Speaker 1: zero to one thousand doves. 666 00:32:53,400 --> 00:32:55,240 Speaker 3: I'm going to say nine hundred and forty two doves. 667 00:32:55,240 --> 00:32:57,040 Speaker 1: And I have to agree wholeheartedly. 668 00:32:59,200 --> 00:33:00,680 Speaker 3: Should we get into the topic. 669 00:33:00,400 --> 00:33:03,400 Speaker 1: I would love to, because we gave you the option 670 00:33:03,480 --> 00:33:05,400 Speaker 1: of telling us ahead of time what the topic was, 671 00:33:05,440 --> 00:33:08,160 Speaker 1: and you opted for the second option, which is to 672 00:33:08,200 --> 00:33:09,680 Speaker 1: surprise us on air. 673 00:33:10,400 --> 00:33:13,160 Speaker 3: Which obviously comes with risks. What if we get upset and. 674 00:33:13,160 --> 00:33:15,080 Speaker 4: Rewards like a risk? 675 00:33:15,680 --> 00:33:18,440 Speaker 1: Okay? And that's why you love Vegas. 676 00:33:18,280 --> 00:33:19,640 Speaker 3: That's because of all the gambling. 677 00:33:20,200 --> 00:33:23,120 Speaker 1: Ro is your straight topic? And what is straight about it? 678 00:33:23,320 --> 00:33:24,120 Speaker 4: UFOs? 679 00:33:25,160 --> 00:33:25,760 Speaker 2: I love that. 680 00:33:26,080 --> 00:33:26,960 Speaker 4: Have you done it before? 681 00:33:27,320 --> 00:33:28,040 Speaker 2: We did space? 682 00:33:29,080 --> 00:33:30,080 Speaker 1: But very different? 683 00:33:30,200 --> 00:33:31,080 Speaker 4: UFOs is different? 684 00:33:31,160 --> 00:33:33,160 Speaker 1: Okay, go what is straight about it? 685 00:33:33,560 --> 00:33:37,440 Speaker 4: Okay? So I have this podcast, it's a comedy podcast, 686 00:33:37,600 --> 00:33:40,840 Speaker 4: but it's called Ghosted, and I talk about ghosts. And 687 00:33:40,880 --> 00:33:45,360 Speaker 4: then I've like, over the years incorporated more UFOs as 688 00:33:45,440 --> 00:33:49,560 Speaker 4: like part of a concept, and I've never been I've 689 00:33:49,600 --> 00:33:55,040 Speaker 4: never been as interested in UFOs because they feel straighter 690 00:33:55,080 --> 00:33:59,400 Speaker 4: to me, Like ghosts to me are gay. Okay, yeah, 691 00:33:59,600 --> 00:34:04,840 Speaker 4: you it's it's cars like it's they're they're. 692 00:34:05,040 --> 00:34:08,120 Speaker 3: It's power dynamics. It's like the destroy are we going 693 00:34:08,120 --> 00:34:08,680 Speaker 3: to destroy them? 694 00:34:08,960 --> 00:34:09,439 Speaker 1: It's war? 695 00:34:09,680 --> 00:34:15,680 Speaker 4: It's war possibly, but it's also like, first of all, 696 00:34:16,080 --> 00:34:18,239 Speaker 4: to know what things are in the sky, to me 697 00:34:18,360 --> 00:34:22,359 Speaker 4: is very straight. Okay, to me, everything up there is 698 00:34:22,680 --> 00:34:25,600 Speaker 4: an unidentified flying object. I don't know what the fuck 699 00:34:25,680 --> 00:34:27,279 Speaker 4: any of that ship is the only thing. 700 00:34:27,440 --> 00:34:28,520 Speaker 1: Sorry, go ahead, but. 701 00:34:28,719 --> 00:34:30,439 Speaker 4: You know a lot of people will be, oh, that's 702 00:34:30,520 --> 00:34:36,640 Speaker 4: uh AS fourteen flying. I don't know what the hell. Yeah, 703 00:34:36,719 --> 00:34:39,160 Speaker 4: I don't know what that is. But so to me, 704 00:34:39,280 --> 00:34:41,839 Speaker 4: I don't know, Oh that's a drone. I still don't 705 00:34:41,840 --> 00:34:44,480 Speaker 4: know what a drone is, Okay, and I'm not afraid 706 00:34:44,520 --> 00:34:48,440 Speaker 4: to admit it. So to me, knowing stuff in the 707 00:34:48,480 --> 00:34:54,800 Speaker 4: sky is straight. I think that UFOs. Also, I'm obsessed 708 00:34:54,800 --> 00:35:00,359 Speaker 4: with alien abductions, and especially like ones of it's weird 709 00:35:00,400 --> 00:35:02,640 Speaker 4: because they used to be in their butt era and 710 00:35:02,680 --> 00:35:05,080 Speaker 4: like they're not anymore. They used to be really into 711 00:35:05,080 --> 00:35:07,839 Speaker 4: sticking things in people's butts, and I think that that's 712 00:35:07,840 --> 00:35:11,239 Speaker 4: a very straight thing to like to think that that's 713 00:35:11,280 --> 00:35:12,480 Speaker 4: like a statement. 714 00:35:13,080 --> 00:35:14,000 Speaker 3: It's like fear of it. 715 00:35:14,000 --> 00:35:15,680 Speaker 2: It's like, that's the weirdest thing that could ever happen, 716 00:35:15,760 --> 00:35:16,320 Speaker 2: right exactly. 717 00:35:16,719 --> 00:35:18,600 Speaker 4: I can't tell you how, but I can't tell you 718 00:35:18,680 --> 00:35:23,600 Speaker 4: how many straight identifying people I've talked to you They're 719 00:35:23,640 --> 00:35:26,080 Speaker 4: like I'm kinky, and I'm like, well, what does that 720 00:35:26,120 --> 00:35:32,960 Speaker 4: mean the butt, girl, that's the kink, you know what 721 00:35:33,000 --> 00:35:35,840 Speaker 4: I'm saying. But so aliens are straight in that way 722 00:35:36,000 --> 00:35:37,759 Speaker 4: because they're like, ooh, this is really going to get 723 00:35:37,760 --> 00:35:41,080 Speaker 4: them talking something on the butt. You know, they really are. 724 00:35:41,440 --> 00:35:45,680 Speaker 4: They think they think they ate okay by going to 725 00:35:45,719 --> 00:35:50,640 Speaker 4: the butt, So that there's that, I mean, there's just 726 00:35:51,000 --> 00:35:53,560 Speaker 4: it's also kind of like are they if so words 727 00:35:53,560 --> 00:35:56,160 Speaker 4: to believe these aliens are like they're just kind of 728 00:35:56,200 --> 00:36:00,640 Speaker 4: flying around peeking like that's very like going for a 729 00:36:00,800 --> 00:36:04,640 Speaker 4: drive with my buddies. You know, it's very that and 730 00:36:05,239 --> 00:36:08,360 Speaker 4: I don't know, it's just to me. The culture around 731 00:36:08,400 --> 00:36:11,879 Speaker 4: it is also very straight. It's a lot of conspiracy culture. 732 00:36:12,480 --> 00:36:14,719 Speaker 4: It's yes, That's part of the reason I'm not like 733 00:36:14,880 --> 00:36:17,440 Speaker 4: obsessed with it is because like like ghosts aren't as 734 00:36:17,480 --> 00:36:22,200 Speaker 4: much conspiracy culture. But you start talking about UFOs, it 735 00:36:22,239 --> 00:36:25,120 Speaker 4: turns into the government, it turns into the military, it 736 00:36:25,160 --> 00:36:28,239 Speaker 4: turns into like all of this. Before you know it, 737 00:36:28,239 --> 00:36:31,920 Speaker 4: it's like full on, they want our resources and we 738 00:36:32,040 --> 00:36:33,440 Speaker 4: get like what girl. 739 00:36:33,360 --> 00:36:34,600 Speaker 1: And there's a barrier to entry. 740 00:36:34,640 --> 00:36:34,840 Speaker 3: You have. 741 00:36:35,000 --> 00:36:37,239 Speaker 1: It's like an entire mythology you have to know to 742 00:36:37,239 --> 00:36:39,640 Speaker 1: be part of the conversation. Whereas with ghosts, you can 743 00:36:39,719 --> 00:36:42,359 Speaker 1: kind of be like, did you feel that chill? That's 744 00:36:42,440 --> 00:36:43,080 Speaker 1: kind of all you need. 745 00:36:43,200 --> 00:36:45,040 Speaker 4: Did you feel that chill? Is like one of the 746 00:36:45,080 --> 00:36:47,919 Speaker 4: more gay things a person could say. Yeah, Like it's 747 00:36:47,960 --> 00:36:50,880 Speaker 4: fun to be like, ooh, I just like I just 748 00:36:50,920 --> 00:36:53,760 Speaker 4: felt something bigger than what you can see exactly. 749 00:36:53,840 --> 00:36:55,759 Speaker 1: Okay, so this is sort of what I wanted to 750 00:36:56,440 --> 00:36:58,520 Speaker 1: This is my way into this topic, which is I 751 00:36:58,560 --> 00:37:03,960 Speaker 1: think this goes for things up in the sky and 752 00:37:04,080 --> 00:37:11,479 Speaker 1: also supernatural supernatural paranormal, sure, both paranormal phenomena. I think 753 00:37:11,520 --> 00:37:14,160 Speaker 1: that the gay approach to the sky and to the 754 00:37:14,160 --> 00:37:19,840 Speaker 1: paranormal is to be almost like fascinated in a romantic 755 00:37:19,880 --> 00:37:22,640 Speaker 1: way with the mystery, whereas a straight approach is to 756 00:37:22,800 --> 00:37:26,600 Speaker 1: want answers deeply, scientifically and violently. So it's like you 757 00:37:26,680 --> 00:37:31,560 Speaker 1: were saying, like the sky is straight. I think, for example, 758 00:37:31,640 --> 00:37:34,680 Speaker 1: astrology is very like queer and that's like the sky 759 00:37:35,160 --> 00:37:39,799 Speaker 1: for or or like stargazing, like just being sort of 760 00:37:39,800 --> 00:37:45,799 Speaker 1: in wonderment of rainbow yes, exactly exactly, rainbows, going to 761 00:37:45,840 --> 00:37:48,400 Speaker 1: Iceland to see the northern lights, like all that stuff 762 00:37:48,440 --> 00:37:50,759 Speaker 1: is very like God, isn't the world just so beautiful? 763 00:37:51,160 --> 00:37:54,719 Speaker 1: But it stops there, it's just like how amazing, how 764 00:37:54,760 --> 00:37:58,359 Speaker 1: amazing to look to gaze at infinity, to gaze at 765 00:37:58,400 --> 00:38:02,040 Speaker 1: all the unknowable, and how great to sort of like 766 00:38:03,360 --> 00:38:07,399 Speaker 1: be liberated from my small, tiny problems on earth by 767 00:38:07,640 --> 00:38:10,520 Speaker 1: accepting that I am part of this larger context. So 768 00:38:10,560 --> 00:38:13,440 Speaker 1: that's like the sort of queer mentality. And then the 769 00:38:13,480 --> 00:38:18,440 Speaker 1: straight mentality is like what are they not telling us? 770 00:38:17,000 --> 00:38:17,120 Speaker 3: Us? 771 00:38:18,719 --> 00:38:21,960 Speaker 1: And and and then to make it so literal, as 772 00:38:22,200 --> 00:38:25,000 Speaker 1: there is a literal alien spaceship that is coming down 773 00:38:25,040 --> 00:38:27,200 Speaker 1: to Earth, it's like, can you be a little more 774 00:38:27,840 --> 00:38:30,560 Speaker 1: kind of like abstract with it. What if it's a 775 00:38:30,560 --> 00:38:33,400 Speaker 1: little what if it's some purple sparkle in the wind, 776 00:38:33,640 --> 00:38:36,799 Speaker 1: What if it's a smell, What if it's you know, 777 00:38:37,320 --> 00:38:38,319 Speaker 1: a flash of a light. 778 00:38:38,480 --> 00:38:39,439 Speaker 2: Well, this is what I do. 779 00:38:39,440 --> 00:38:43,040 Speaker 3: Like about UFOs is like I love a little sort 780 00:38:43,040 --> 00:38:45,520 Speaker 3: of writing prompt yes of course, like where it was like, 781 00:38:45,680 --> 00:38:47,440 Speaker 3: oh my god, it could be anything. What does it 782 00:38:47,480 --> 00:38:48,200 Speaker 3: look like? Well? 783 00:38:48,280 --> 00:38:51,200 Speaker 4: Yeah, that's fun. I always like, people are always coming 784 00:38:51,200 --> 00:38:53,640 Speaker 4: to me looking for answers, and I always tell them 785 00:38:53,680 --> 00:38:57,319 Speaker 4: it's called the unknown for a reason unknown, And that's fun. 786 00:38:57,680 --> 00:39:00,000 Speaker 4: If we knew these answers, I would be out a bit, 787 00:39:00,480 --> 00:39:03,399 Speaker 4: I got nothing to talk about on my podcast, and 788 00:39:04,000 --> 00:39:07,040 Speaker 4: so I have to start out RuPaul's drag Race podcasts 789 00:39:07,120 --> 00:39:10,120 Speaker 4: or something. Okay, someone needs to fun, someone needs to 790 00:39:10,160 --> 00:39:13,399 Speaker 4: do that. But I so I have this podcast where 791 00:39:13,400 --> 00:39:14,560 Speaker 4: we talk about things that none of us know the 792 00:39:14,560 --> 00:39:18,040 Speaker 4: answers to, which is fun. It's fun to ponder, of course, 793 00:39:18,080 --> 00:39:20,720 Speaker 4: and to just sort of think about what could be possible. 794 00:39:20,760 --> 00:39:22,839 Speaker 4: And then you hear these stories of things that kind 795 00:39:22,880 --> 00:39:25,319 Speaker 4: of imply that some things could be real. But I 796 00:39:25,360 --> 00:39:28,000 Speaker 4: do agree that there is a type of person that 797 00:39:28,120 --> 00:39:30,640 Speaker 4: is very much like I need the answers, and I'm like, 798 00:39:30,920 --> 00:39:33,200 Speaker 4: it's okay to not know everything. 799 00:39:33,200 --> 00:39:35,960 Speaker 1: And actually it can often be more productive to just 800 00:39:36,960 --> 00:39:42,080 Speaker 1: ask open ended questions and sit with the uncertainty rather 801 00:39:42,200 --> 00:39:47,320 Speaker 1: than like need something to end with a satisfactory answer. 802 00:39:47,920 --> 00:39:50,880 Speaker 1: And who knows, maybe maybe there will be answer down 803 00:39:50,920 --> 00:39:52,440 Speaker 1: the road, and maybe we're just part of this multi 804 00:39:52,440 --> 00:39:57,680 Speaker 1: generational interrogation. And it's like with each with each passing 805 00:39:57,760 --> 00:39:59,960 Speaker 1: day and with each passing generation, we learn a little more. 806 00:40:00,600 --> 00:40:03,120 Speaker 1: And then maybe, you know, I'm assuming a lot of 807 00:40:03,120 --> 00:40:05,680 Speaker 1: things change in those countries. We live long enough to 808 00:40:05,719 --> 00:40:10,239 Speaker 1: see another generation, and then you know, our grandkids learn some. 809 00:40:10,400 --> 00:40:12,239 Speaker 3: I do think it would make sense. You know, we're 810 00:40:12,280 --> 00:40:14,680 Speaker 3: at a point where there's got to be some sort 811 00:40:14,680 --> 00:40:17,480 Speaker 3: of discovery when it comes to. 812 00:40:19,040 --> 00:40:21,400 Speaker 2: Either ghosts or space. 813 00:40:21,440 --> 00:40:22,520 Speaker 1: Oh you're ready for answers. 814 00:40:22,600 --> 00:40:24,960 Speaker 4: I'm ready for Like we've been asking for generations and 815 00:40:25,160 --> 00:40:26,040 Speaker 4: time to get to the next one. 816 00:40:26,120 --> 00:40:27,440 Speaker 3: Well, I'm sort of like I'm ready to be the 817 00:40:27,760 --> 00:40:29,600 Speaker 3: generation where, like, you know how there's like the pre 818 00:40:29,640 --> 00:40:31,400 Speaker 3: Internet generation, You're like, oh my god, those guys are 819 00:40:31,480 --> 00:40:34,680 Speaker 3: so fucking stupid. Like I'm ready for the pre go 820 00:40:35,000 --> 00:40:37,960 Speaker 3: to be like the pre ghost generation, the pre UFOs generation, 821 00:40:38,280 --> 00:40:40,200 Speaker 3: where it's like, can you believe they literally just thought 822 00:40:40,200 --> 00:40:41,480 Speaker 3: they were like the only people. 823 00:40:41,600 --> 00:40:43,920 Speaker 1: It's like people that used to believe in phrenology and 824 00:40:44,080 --> 00:40:48,160 Speaker 1: people that used to you know whatever, before various advances 825 00:40:48,200 --> 00:40:50,040 Speaker 1: in science and medicine, people used to do things that 826 00:40:50,160 --> 00:40:52,799 Speaker 1: now seem so primitive, And so you want that but 827 00:40:52,920 --> 00:40:54,080 Speaker 1: for either ghosts or aliens. 828 00:40:54,200 --> 00:40:56,280 Speaker 3: Yeah, And I'm also feeling like right now our timeline 829 00:40:56,320 --> 00:41:00,160 Speaker 3: is like so linear and so like technology based. It's 830 00:41:00,200 --> 00:41:02,759 Speaker 3: like this game, then this came, then this came, and 831 00:41:02,760 --> 00:41:04,560 Speaker 3: that made society like this, and I made scided like 832 00:41:04,600 --> 00:41:06,640 Speaker 3: this where I'm like, we need like a third option, 833 00:41:06,800 --> 00:41:08,880 Speaker 3: like we need like something to come on on a 834 00:41:08,960 --> 00:41:11,200 Speaker 3: z axis and sort of spin us in a different direction. 835 00:41:11,360 --> 00:41:12,880 Speaker 3: What that's very interesting? 836 00:41:14,040 --> 00:41:20,040 Speaker 1: You think that discovering something about paranormal phenomena would like 837 00:41:20,600 --> 00:41:27,080 Speaker 1: shake up the almost like technological determinist Yeah, like path 838 00:41:27,200 --> 00:41:30,319 Speaker 1: we are on and then suddenly we could take down 839 00:41:30,360 --> 00:41:31,040 Speaker 1: Mark Stuckerberg. 840 00:41:31,239 --> 00:41:35,400 Speaker 3: Literally, I think it's the only way forward, to be honest. 841 00:41:35,880 --> 00:41:39,400 Speaker 1: That's fascinating and actually like honestly is very like in 842 00:41:39,480 --> 00:41:45,920 Speaker 1: conversation with sort of like mysticism and like alternative queer. 843 00:41:47,520 --> 00:41:51,640 Speaker 4: Histories and her stories. Of course, because I'm so used 844 00:41:51,680 --> 00:41:53,960 Speaker 4: to listening to the two of you, I'm like I'm 845 00:41:54,000 --> 00:41:56,759 Speaker 4: just sitting here listening and I'm like, whoa. But I'm 846 00:41:56,760 --> 00:41:59,680 Speaker 4: like looking at you as you're doing the podcast. It's 847 00:41:59,719 --> 00:42:03,880 Speaker 4: so we can sometimes bringing the guests into the conversation 848 00:42:03,920 --> 00:42:06,800 Speaker 4: that they themselves. No, no, no, I'm loving it. 849 00:42:07,960 --> 00:42:13,120 Speaker 1: So okay. In your you do sometimes discuss alien related 850 00:42:13,160 --> 00:42:14,399 Speaker 1: things in your work. 851 00:42:14,880 --> 00:42:18,120 Speaker 4: In my work, yes, and the research. 852 00:42:18,320 --> 00:42:19,759 Speaker 1: What have you like? 853 00:42:20,520 --> 00:42:22,960 Speaker 4: What narratives you found, like, what narratives about. 854 00:42:22,800 --> 00:42:26,239 Speaker 1: UFOs interest you and what and what is sort of 855 00:42:26,280 --> 00:42:26,920 Speaker 1: straight about them? 856 00:42:26,920 --> 00:42:30,160 Speaker 4: Would you say, well, to me, I'm never super interested 857 00:42:30,239 --> 00:42:36,480 Speaker 4: in like, here's the story. I saw something in the sky. 858 00:42:36,920 --> 00:42:39,719 Speaker 4: I want to hear the people that got taken up 859 00:42:39,760 --> 00:42:44,520 Speaker 4: there and some stuff happened to their butts and then 860 00:42:44,560 --> 00:42:45,680 Speaker 4: they came back down. 861 00:42:45,960 --> 00:42:47,439 Speaker 1: Do those stories exist. 862 00:42:47,400 --> 00:42:51,799 Speaker 4: Yes, they do documented cases. Now I'm not saying I'm 863 00:42:51,800 --> 00:42:54,600 Speaker 4: not saying that makes them real, but I'm saying documents. 864 00:42:54,680 --> 00:42:58,200 Speaker 4: But there are people that have gone to the press 865 00:42:58,520 --> 00:43:00,799 Speaker 4: and said I went up there. You know what I've 866 00:43:00,840 --> 00:43:05,120 Speaker 4: heard even more than that is like men that get 867 00:43:05,160 --> 00:43:09,239 Speaker 4: taken up there and they're like, and then the hottest 868 00:43:09,800 --> 00:43:14,400 Speaker 4: lady came out of the UFO and she started red 869 00:43:14,400 --> 00:43:18,160 Speaker 4: in me and she was she was like really hot. 870 00:43:18,680 --> 00:43:22,000 Speaker 4: They really like they really keep going with the story. 871 00:43:22,120 --> 00:43:24,960 Speaker 1: Yeah, and so these men get back to Earth, go 872 00:43:25,040 --> 00:43:27,240 Speaker 1: directly to the Precinct to tell their stories. 873 00:43:27,320 --> 00:43:31,680 Speaker 4: We tell everyone, yes, but it's you know, a lot 874 00:43:31,680 --> 00:43:36,919 Speaker 4: of theories are like that they're trying to like get human. 875 00:43:38,120 --> 00:43:42,720 Speaker 1: Sperm, oh, to make mutants that are half alien half human. 876 00:43:42,920 --> 00:43:44,920 Speaker 4: I guess I don't know. 877 00:43:45,800 --> 00:43:46,839 Speaker 1: See this to me is. 878 00:43:46,760 --> 00:43:51,080 Speaker 4: Like again almost like too literal, Like you think they 879 00:43:51,120 --> 00:43:54,920 Speaker 4: reproduce the same way we reproduce aliens. I don't, Well, 880 00:43:54,920 --> 00:43:56,040 Speaker 4: they're humanoids. 881 00:43:56,280 --> 00:43:58,200 Speaker 3: They're humanoids, George. 882 00:43:58,120 --> 00:44:02,239 Speaker 4: So who knows. But I mean, here's the thing with 883 00:44:02,440 --> 00:44:04,680 Speaker 4: me that I always need to make clear is like 884 00:44:05,600 --> 00:44:08,759 Speaker 4: I'm not saying I believe any of this stuff. I'm 885 00:44:08,960 --> 00:44:13,959 Speaker 4: so here for like anything as possible, let's let's explore it, 886 00:44:14,040 --> 00:44:17,480 Speaker 4: but especially things that are documented. I'm like, let's just 887 00:44:17,520 --> 00:44:19,080 Speaker 4: talk about it and see if it's. 888 00:44:18,920 --> 00:44:20,160 Speaker 1: Really what we think. 889 00:44:20,680 --> 00:44:22,799 Speaker 4: It's fun to me, I think it's fun to talk 890 00:44:22,840 --> 00:44:23,680 Speaker 4: about in. 891 00:44:23,560 --> 00:44:26,520 Speaker 3: The documented in cases that you've read, is the trope 892 00:44:26,680 --> 00:44:30,719 Speaker 3: true of it's like always in the country. 893 00:44:29,480 --> 00:44:32,080 Speaker 4: It seems to be. But I will say there's a 894 00:44:32,160 --> 00:44:36,040 Speaker 4: Netflix one that documentary like maybe it's a two or 895 00:44:36,040 --> 00:44:39,440 Speaker 4: three parter about a woman that got taken out of 896 00:44:39,440 --> 00:44:43,920 Speaker 4: her window in Manhattan. Oh, and multiple people claim that 897 00:44:44,000 --> 00:44:47,440 Speaker 4: they saw her floating in the air out of her window. 898 00:44:47,840 --> 00:44:49,600 Speaker 3: Well, can multiple people be wrong? I don't think so. 899 00:44:49,920 --> 00:44:52,400 Speaker 4: No, it's never happy. This is interesting. 900 00:44:52,560 --> 00:44:54,120 Speaker 3: I want a city girl who goes to sea. 901 00:44:54,280 --> 00:44:58,840 Speaker 1: Yeah, Like it's like Harry Bradshaw, Like it's so often 902 00:44:58,920 --> 00:45:02,759 Speaker 1: it's like in the country and it's someone who, like 903 00:45:03,520 --> 00:45:07,320 Speaker 1: you know, hasn't seen another living soul in five weeks 904 00:45:07,360 --> 00:45:11,319 Speaker 1: and hallucinating. But if it's Kerrie Rapshaw. I mean she 905 00:45:11,400 --> 00:45:13,200 Speaker 1: just went to an opening last night. 906 00:45:13,400 --> 00:45:15,239 Speaker 3: I mean the new magazine just drop. 907 00:45:15,400 --> 00:45:17,000 Speaker 1: The new magazine just dropped. She was in the middle 908 00:45:17,040 --> 00:45:19,560 Speaker 1: of texting this really cute cartoonist for the New York. 909 00:45:19,560 --> 00:45:20,840 Speaker 4: It's not going to make something up to you. 910 00:45:21,920 --> 00:45:23,480 Speaker 1: She has enough going on in her life. 911 00:45:23,760 --> 00:45:25,680 Speaker 3: I mean, I couldn't help, but wonder if the alien 912 00:45:25,719 --> 00:45:27,480 Speaker 3: could prove me? Could I probe BIG's heart? 913 00:45:28,080 --> 00:45:32,359 Speaker 4: There you go, that's we're at the precinct. She said that, 914 00:45:32,360 --> 00:45:34,920 Speaker 4: that's a documented statement she gave to the police officer. 915 00:45:36,120 --> 00:45:39,120 Speaker 1: God, and then she waltzed right out in her little 916 00:45:39,120 --> 00:45:39,480 Speaker 1: tou tou. 917 00:45:39,640 --> 00:45:43,040 Speaker 3: In a city where all the women have seemingly everything, 918 00:45:43,400 --> 00:45:45,080 Speaker 3: is the only thing that makes me unique that I've 919 00:45:45,120 --> 00:45:45,720 Speaker 3: been to space. 920 00:45:48,719 --> 00:45:49,320 Speaker 1: That's good. 921 00:45:50,000 --> 00:45:56,000 Speaker 4: That's good. So I'm just saying it happens all over 922 00:45:56,000 --> 00:45:56,480 Speaker 4: the place. 923 00:45:56,960 --> 00:45:57,600 Speaker 3: Well, that's cool. 924 00:45:57,960 --> 00:45:59,040 Speaker 4: It's a space. 925 00:45:59,160 --> 00:46:00,640 Speaker 1: Could I hold space for Big? 926 00:46:02,520 --> 00:46:07,400 Speaker 4: Holding space is I would not say straight no, no, 927 00:46:07,600 --> 00:46:11,160 Speaker 4: that's definitely not holding. The idea of holding space is 928 00:46:11,200 --> 00:46:14,080 Speaker 4: like a classic example of queer people just like fully hallucinating. 929 00:46:14,280 --> 00:46:17,799 Speaker 1: Yeah no, you're not, what the are you talking about? 930 00:46:17,840 --> 00:46:23,520 Speaker 4: But I will say holding someone in your long humanoid 931 00:46:23,600 --> 00:46:29,120 Speaker 4: fingers and taking them up to space is straight well kidnapping. 932 00:46:29,920 --> 00:46:31,600 Speaker 3: Well you know what, Okay, you know what it gets 933 00:46:31,600 --> 00:46:35,600 Speaker 3: me about UFO stuff. What I really like, it's just 934 00:46:35,680 --> 00:46:42,040 Speaker 3: like in like infinite everything's infinite, right, Okay, there's so 935 00:46:42,080 --> 00:46:42,560 Speaker 3: many things. 936 00:46:42,600 --> 00:46:44,600 Speaker 2: There's so much so it's like they're there. 937 00:46:46,080 --> 00:46:50,160 Speaker 4: Oh, it makes sense, but they're gonna be there. A 938 00:46:50,200 --> 00:46:51,400 Speaker 4: lot of people think it's the ocean. 939 00:46:51,520 --> 00:46:53,680 Speaker 1: How broad is your point of Yeah, like if you 940 00:46:53,800 --> 00:46:58,239 Speaker 1: broad on your the aperture of the camera enough then 941 00:46:58,239 --> 00:46:59,440 Speaker 1: it's like, yeah, everything. 942 00:46:59,520 --> 00:47:01,399 Speaker 3: They're there, and it's sort of like are they here? 943 00:47:01,680 --> 00:47:03,359 Speaker 3: But yes, but I don't know. 944 00:47:04,080 --> 00:47:06,239 Speaker 1: Also, what is the thing that Elon Musk believes in 945 00:47:06,360 --> 00:47:10,080 Speaker 1: where it's like where do we start? No, this is 946 00:47:10,120 --> 00:47:13,040 Speaker 1: a non uh, this is like more sort of sci fi. 947 00:47:13,640 --> 00:47:17,480 Speaker 1: It's like this theory that there are many different simulations 948 00:47:17,520 --> 00:47:19,680 Speaker 1: of the world and so statistically speaking, we are in 949 00:47:19,719 --> 00:47:20,240 Speaker 1: a simulation. 950 00:47:20,680 --> 00:47:21,239 Speaker 4: Yeah. 951 00:47:21,280 --> 00:47:22,479 Speaker 2: Yeah, I hate that one. 952 00:47:22,640 --> 00:47:24,960 Speaker 4: Yeah, there's a lot of people that think that kind 953 00:47:25,000 --> 00:47:28,400 Speaker 4: of stuff about ghosts, that there's like an alternate, different 954 00:47:28,400 --> 00:47:33,760 Speaker 4: dimension and sometimes they kind of get a little yeah 955 00:47:33,800 --> 00:47:38,280 Speaker 4: and so like like kind of the the others. Remember 956 00:47:38,320 --> 00:47:43,440 Speaker 4: that movie where it's like oh, we're the ghosts. But 957 00:47:43,680 --> 00:47:46,160 Speaker 4: you know, it's like that kind of idea that the 958 00:47:46,200 --> 00:47:50,480 Speaker 4: ghosts don't they think that we are ghosts in their house. 959 00:47:51,120 --> 00:47:52,960 Speaker 3: Well, I just want to say, there any ghost listening, 960 00:47:53,239 --> 00:47:55,080 Speaker 3: you're the ghost? Where are the people? 961 00:47:58,160 --> 00:48:01,880 Speaker 4: We're exclusive about a lot of things, and crystal clear, yes, 962 00:48:02,000 --> 00:48:03,040 Speaker 4: we're the people. 963 00:48:03,920 --> 00:48:04,759 Speaker 1: Are the ghosts? 964 00:48:05,120 --> 00:48:06,800 Speaker 4: Yes, I agree with that. 965 00:48:08,040 --> 00:48:11,120 Speaker 3: Because I will not have people in my comments saying, well, 966 00:48:11,120 --> 00:48:12,160 Speaker 3: maybe you're the ghost. I'm not. 967 00:48:12,680 --> 00:48:13,439 Speaker 4: Yeah, I don't. 968 00:48:13,440 --> 00:48:14,000 Speaker 3: We know it. 969 00:48:14,360 --> 00:48:18,120 Speaker 1: We can see ourselves in each other. We're sitting here, 970 00:48:18,560 --> 00:48:21,280 Speaker 1: where the hell are you? Probably in the other dimension, 971 00:48:21,440 --> 00:48:23,840 Speaker 1: literally in the other dimension. You're knock knock knocking. We're saying, 972 00:48:23,880 --> 00:48:27,520 Speaker 1: not right now, ghost, ghost scum, ghost scum? 973 00:48:27,960 --> 00:48:33,600 Speaker 4: Yeah, nerd, nerd, what. 974 00:48:33,520 --> 00:48:34,880 Speaker 1: If we did have a ghost lister or a noo. 975 00:48:34,880 --> 00:48:35,600 Speaker 1: They're like really. 976 00:48:35,400 --> 00:48:38,560 Speaker 3: Offended though, I mean, they're gonna be in the comments. 977 00:48:38,560 --> 00:48:41,960 Speaker 1: But even worse though, okay, you're in your real reputation 978 00:48:43,200 --> 00:48:45,839 Speaker 1: now I'm now I'm playing with it. No worse than 979 00:48:45,880 --> 00:48:47,960 Speaker 1: them being in the comments, which I can handle, is like, 980 00:48:48,000 --> 00:48:50,480 Speaker 1: what if we really offended a ghost and they're just 981 00:48:50,480 --> 00:48:52,520 Speaker 1: like really sad and crying and they're like, wow, I 982 00:48:52,520 --> 00:48:59,439 Speaker 1: thought I was part of this straight bitch grow some bones, yeah, 983 00:48:59,480 --> 00:49:02,160 Speaker 1: literally grows some bones and flash and. 984 00:49:02,120 --> 00:49:05,759 Speaker 3: Then you're not You're not pay rent like the rest 985 00:49:05,760 --> 00:49:06,160 Speaker 3: of us. 986 00:49:06,280 --> 00:49:09,400 Speaker 4: Are you, by any tant familiar with the most important 987 00:49:09,440 --> 00:49:11,239 Speaker 4: moment that's ever happened to me in my life, which 988 00:49:11,280 --> 00:49:13,440 Speaker 4: is the time a ghost called me the f slur? 989 00:49:13,960 --> 00:49:14,200 Speaker 3: What? 990 00:49:14,680 --> 00:49:19,560 Speaker 4: Okay, so you that hasn't reached your algorithm? Okay, because 991 00:49:19,600 --> 00:49:24,000 Speaker 4: it just recently went viral, like this past week. It's 992 00:49:24,040 --> 00:49:27,320 Speaker 4: been going viral again, like because multiple people have posted 993 00:49:27,360 --> 00:49:29,560 Speaker 4: it over the years, or like that it's only been 994 00:49:29,640 --> 00:49:33,480 Speaker 4: a year. Whatever, But yeah, ghost calls me that and 995 00:49:33,520 --> 00:49:35,040 Speaker 4: I get into a fight with the ghosts. 996 00:49:35,280 --> 00:49:35,919 Speaker 1: Where was this? 997 00:49:36,280 --> 00:49:37,760 Speaker 4: It was at a strip club in Vegas. 998 00:49:38,239 --> 00:49:42,560 Speaker 3: Real cl comes backtraight club. 999 00:49:42,719 --> 00:49:44,560 Speaker 4: Yeah, I do want to talk about strip club has 1000 00:49:44,600 --> 00:49:46,160 Speaker 4: gay people's strip clubs? No? 1001 00:49:46,239 --> 00:49:46,440 Speaker 3: I know. 1002 00:49:46,560 --> 00:49:51,000 Speaker 4: Yeah, Vegas on the other hand, but that's like a 1003 00:49:51,000 --> 00:49:51,720 Speaker 4: thing with Portland. 1004 00:49:52,040 --> 00:49:52,759 Speaker 3: I didn't know that. 1005 00:49:52,680 --> 00:49:57,800 Speaker 1: They everybody like Portland like famously. It's like, what is 1006 00:49:57,840 --> 00:49:59,759 Speaker 1: it about Portland that makes it as the strip club 1007 00:49:59,800 --> 00:50:02,439 Speaker 1: cap There's just like this rich history of strip clubs 1008 00:50:02,440 --> 00:50:04,840 Speaker 1: important to where they're like, well, we have to go 1009 00:50:04,840 --> 00:50:06,800 Speaker 1: to the strip club. It might be like most strip 1010 00:50:06,840 --> 00:50:11,040 Speaker 1: clubs per capath interesting, but there's at least two that 1011 00:50:11,120 --> 00:50:14,640 Speaker 1: I know of that are male strippers, but not in 1012 00:50:14,680 --> 00:50:18,960 Speaker 1: the magic mic way. No, they're like queer yeah yeah, 1013 00:50:19,040 --> 00:50:23,920 Speaker 1: yeah yeah, and they have like trans dancers and they're fun. Okay, 1014 00:50:23,960 --> 00:50:27,239 Speaker 1: so let's put a pin in that, okay. And so 1015 00:50:27,320 --> 00:50:30,600 Speaker 1: a ghost in Vegas called you the f slur. 1016 00:50:31,239 --> 00:50:35,320 Speaker 4: Which is funny because I, okay, listen to this and 1017 00:50:35,360 --> 00:50:37,720 Speaker 4: I know it sound like I think I'm famous or something. 1018 00:50:38,120 --> 00:50:41,200 Speaker 4: But so I was at the strip club in Portland. 1019 00:50:41,520 --> 00:50:44,960 Speaker 4: One of the strippers goes, oh my god, are you 1020 00:50:45,600 --> 00:50:51,160 Speaker 4: Ross from the clip from the show, and I'm like, yes, 1021 00:50:51,880 --> 00:50:55,799 Speaker 4: that's me, and could he was You couldn't believe that 1022 00:50:56,000 --> 00:50:58,040 Speaker 4: I was there. I felt very famous. 1023 00:50:58,080 --> 00:50:58,840 Speaker 2: Well that's amazing. 1024 00:50:58,880 --> 00:51:01,920 Speaker 1: First of all, congrats, thank you. And I think because 1025 00:51:02,040 --> 00:51:06,839 Speaker 1: obviously the story which you're absolutely edging us about wait wait, 1026 00:51:06,880 --> 00:51:10,600 Speaker 1: I mean about I'm sure it's like especially viral among. 1027 00:51:11,040 --> 00:51:12,959 Speaker 4: You don't even know and from if you just watched 1028 00:51:12,960 --> 00:51:14,640 Speaker 4: the clip alone, you don't know it's in a SKay 1029 00:51:15,800 --> 00:51:17,560 Speaker 4: because we were actually in the dressing room of the 1030 00:51:17,560 --> 00:51:22,000 Speaker 4: strip c is not really whatever. But then not two 1031 00:51:22,040 --> 00:51:26,880 Speaker 4: days ago So I went to the strip club twice 1032 00:51:26,920 --> 00:51:30,600 Speaker 4: on this last Portland night, two different nights. The second 1033 00:51:30,680 --> 00:51:35,239 Speaker 4: night with this other stripper. I'm at he and they 1034 00:51:35,239 --> 00:51:37,080 Speaker 4: called himself stripper. I don't know if you want to 1035 00:51:38,680 --> 00:51:44,799 Speaker 4: dancers whatever the term. But he messaged me he goes, hey, 1036 00:51:44,840 --> 00:51:46,680 Speaker 4: are you in a video where a ghost calls you 1037 00:51:46,719 --> 00:51:53,279 Speaker 4: a fing? And I was like, yeah, that's me and 1038 00:51:53,320 --> 00:51:55,520 Speaker 4: then he's like yeah, I just saw it and I'm 1039 00:51:55,520 --> 00:51:58,160 Speaker 4: like where like so then I got a link to 1040 00:51:58,640 --> 00:52:01,719 Speaker 4: somebody else had posted a because people just love to 1041 00:52:01,760 --> 00:52:02,120 Speaker 4: do that. 1042 00:52:02,320 --> 00:52:05,200 Speaker 3: Well, spill, Oh, what's the story. 1043 00:52:05,320 --> 00:52:07,640 Speaker 1: It's just that a ghost showed up called you the 1044 00:52:07,719 --> 00:52:08,680 Speaker 1: F slur and then left. 1045 00:52:09,440 --> 00:52:13,680 Speaker 4: Yes, so I thought that the well, we were like 1046 00:52:13,840 --> 00:52:18,400 Speaker 4: doing a machine where it like allegedly makes got speak 1047 00:52:18,440 --> 00:52:22,239 Speaker 4: to you. Oh I say, and I thought I heard 1048 00:52:22,280 --> 00:52:27,680 Speaker 4: it say fat and it clarified, It clarified, it clarified, 1049 00:52:27,719 --> 00:52:30,440 Speaker 4: Oh I see, I see yes, And then I ended 1050 00:52:30,520 --> 00:52:32,640 Speaker 4: up kind of going back and forth and getting in 1051 00:52:32,680 --> 00:52:35,320 Speaker 4: a fight with them. Go to Instagram dot com. 1052 00:52:36,600 --> 00:52:39,960 Speaker 1: Now, sorry to make you recount a story that has 1053 00:52:40,040 --> 00:52:41,080 Speaker 1: already gone viral. 1054 00:52:41,360 --> 00:52:46,080 Speaker 4: It's already been viral and back and now it's viral again. 1055 00:52:46,880 --> 00:52:49,439 Speaker 1: What would your ideal interaction with a ghost. 1056 00:52:49,120 --> 00:52:53,359 Speaker 4: Be, well, the cameras better be rolling, because I'm not 1057 00:52:53,400 --> 00:52:57,200 Speaker 4: doing that stuff if it's not for content purpose. 1058 00:52:58,440 --> 00:53:00,400 Speaker 1: You don't want to just have like a private moment 1059 00:53:00,480 --> 00:53:02,560 Speaker 1: where the house is like I. 1060 00:53:02,480 --> 00:53:04,759 Speaker 4: See you and you're like, Nope, don't care. 1061 00:53:05,080 --> 00:53:05,479 Speaker 1: You don't. 1062 00:53:06,040 --> 00:53:08,800 Speaker 4: It's not romantic for you. You just so I started this. 1063 00:53:08,920 --> 00:53:11,799 Speaker 1: Your brand is Ghosts, so you need to so you 1064 00:53:11,880 --> 00:53:13,040 Speaker 1: need one of my brands? 1065 00:53:13,080 --> 00:53:17,440 Speaker 4: Yes, But so I started a YouTube series where I 1066 00:53:17,480 --> 00:53:20,040 Speaker 4: go to haunted hotel rooms by myself, but I have 1067 00:53:20,040 --> 00:53:22,560 Speaker 4: no budget, so it's literally just me with camera going 1068 00:53:22,560 --> 00:53:25,359 Speaker 4: to haunted hotel rooms and I invite a guy from 1069 00:53:25,400 --> 00:53:29,319 Speaker 4: Grinder to join me to ghost hunting with me, and 1070 00:53:29,400 --> 00:53:30,560 Speaker 4: so that's been really fun. 1071 00:53:30,640 --> 00:53:32,799 Speaker 1: So you want a ghost to be on camera while 1072 00:53:32,800 --> 00:53:36,040 Speaker 1: you're doing your YouTube series? Yes, and then that's the 1073 00:53:36,160 --> 00:53:39,799 Speaker 1: you know, that's the TV deal right there. Roz she 1074 00:53:40,000 --> 00:53:41,719 Speaker 1: was called the f Sler by a ghost. Then she 1075 00:53:41,800 --> 00:53:46,600 Speaker 1: saw one with a grinder hooka. Yeah, now that's iconic. 1076 00:53:46,880 --> 00:53:48,279 Speaker 3: Do you hook up with the grinder hook? 1077 00:53:48,880 --> 00:53:50,360 Speaker 1: No? On camera? 1078 00:53:51,480 --> 00:53:57,600 Speaker 4: That's it could be brand that's behind a pay Well, okay, 1079 00:53:57,640 --> 00:54:03,799 Speaker 4: what is the creepiest hotel room you've done. Wow. I 1080 00:54:03,800 --> 00:54:06,879 Speaker 4: don't know there was a place. So that clip of 1081 00:54:06,920 --> 00:54:09,200 Speaker 4: me being called that word was from a short lived 1082 00:54:09,280 --> 00:54:12,479 Speaker 4: television show I was on called Living for the Dead, 1083 00:54:12,520 --> 00:54:15,000 Speaker 4: which was Kristen Stewart's ghost hunting show. 1084 00:54:15,120 --> 00:54:15,279 Speaker 1: Yes. 1085 00:54:15,400 --> 00:54:20,399 Speaker 4: Yes, and we stayed in multiple haunted hotels, but there 1086 00:54:20,440 --> 00:54:24,000 Speaker 4: was one that we stayed at in a tongue called Bisbee, Arizona, 1087 00:54:24,080 --> 00:54:25,720 Speaker 4: which is such a cute place. 1088 00:54:25,960 --> 00:54:26,239 Speaker 3: Love it. 1089 00:54:26,239 --> 00:54:28,839 Speaker 4: They have their own pride. It's very like, it's very 1090 00:54:28,880 --> 00:54:30,680 Speaker 4: like an artsy community. 1091 00:54:31,719 --> 00:54:33,640 Speaker 1: Flock to those communities. 1092 00:54:33,800 --> 00:54:37,000 Speaker 4: Well, it's an old mining town, so like the miner, 1093 00:54:37,880 --> 00:54:41,839 Speaker 4: not not that kind of minor. Different, you're bad, you're 1094 00:54:41,840 --> 00:54:42,880 Speaker 4: a kind of minor. 1095 00:54:44,360 --> 00:54:46,360 Speaker 3: I didn't know how that would come out. I was thinking, 1096 00:54:46,680 --> 00:54:50,839 Speaker 3: my favorite show is Chernobyl, and there's an episode where 1097 00:54:50,840 --> 00:54:53,719 Speaker 3: all the miners go into to fix Chernobyl and they 1098 00:54:53,719 --> 00:54:55,440 Speaker 3: all have to get naked because it's so hot and 1099 00:54:55,640 --> 00:54:59,040 Speaker 3: they're so hot. Wow. So that's what I was thinking 1100 00:54:59,040 --> 00:55:00,759 Speaker 3: when I said a minor, But it sounded like I 1101 00:55:00,800 --> 00:55:03,520 Speaker 3: was saying like, ooh, the person under eighteen. 1102 00:55:03,320 --> 00:55:08,480 Speaker 4: A minor and a minure. Yeah, isn't it an R 1103 00:55:08,600 --> 00:55:09,200 Speaker 4: and O R? 1104 00:55:09,400 --> 00:55:09,640 Speaker 1: Yeah? 1105 00:55:10,080 --> 00:55:12,560 Speaker 4: Okay, So that place. 1106 00:55:14,320 --> 00:55:18,920 Speaker 1: See Arizona to me, isn't what's the ghost place rosin 1107 00:55:19,400 --> 00:55:22,360 Speaker 1: the uf that is in Arizona, correct, New Mexico, New Mexico. 1108 00:55:22,920 --> 00:55:26,279 Speaker 1: Of course that's literally in the title of the show. Yeah, okay, 1109 00:55:26,360 --> 00:55:29,080 Speaker 1: so fine, Arizona and New Mexico are the two UFO 1110 00:55:29,200 --> 00:55:30,640 Speaker 1: places from like the two aliens. 1111 00:55:30,719 --> 00:55:33,960 Speaker 4: Yeah, they love the desert. I have a theory that 1112 00:55:34,000 --> 00:55:37,440 Speaker 4: the aliens might just be like middle aged white ladies 1113 00:55:37,440 --> 00:55:40,720 Speaker 4: that they want. Yes, that's what I think. 1114 00:55:41,080 --> 00:55:43,879 Speaker 3: You know what they yet or maybe they have sort 1115 00:55:43,880 --> 00:55:46,040 Speaker 3: of sort of the same thing where it's like we're 1116 00:55:46,160 --> 00:55:48,640 Speaker 3: actually the ghosts and they're the people. Have they done 1117 00:55:48,719 --> 00:55:53,160 Speaker 3: yet that, Like we're actually the aliens and they're the. 1118 00:55:51,960 --> 00:55:55,000 Speaker 1: The native native? Okay, that would be interesting because it 1119 00:55:55,000 --> 00:55:57,200 Speaker 1: would also be sort of a metaphor for colonialism. 1120 00:55:57,320 --> 00:55:57,920 Speaker 3: That's true. 1121 00:55:58,239 --> 00:56:03,560 Speaker 1: Like we're talking like cool you know all sci fi 1122 00:56:03,840 --> 00:56:08,000 Speaker 1: movie where it turns out this entire time we've been aliens. 1123 00:56:08,160 --> 00:56:14,680 Speaker 4: We don't spoil it an Yeah it's me again. 1124 00:56:14,880 --> 00:56:17,000 Speaker 1: Yeah, he made the village, but for aliens. Sorry to 1125 00:56:17,040 --> 00:56:17,720 Speaker 1: spoil the village. 1126 00:56:17,800 --> 00:56:21,400 Speaker 4: Oh god, oh my god, I still haven't seen either. 1127 00:56:22,239 --> 00:56:23,719 Speaker 3: I actually was so happy when it was spoiled for 1128 00:56:23,760 --> 00:56:24,840 Speaker 3: me because I was like, finally, I don't have to 1129 00:56:24,880 --> 00:56:25,359 Speaker 3: go see it. 1130 00:56:25,560 --> 00:56:28,760 Speaker 1: But by the way, sorry, but that's a genius twist. 1131 00:56:28,880 --> 00:56:30,440 Speaker 4: Wait what is the twist there? 1132 00:56:30,440 --> 00:56:31,320 Speaker 3: In like modern world? 1133 00:56:31,760 --> 00:56:34,479 Speaker 1: So you know it's a skip ahead a few minutes. 1134 00:56:34,480 --> 00:56:38,520 Speaker 1: If you don't know, it's a it's a they're living 1135 00:56:38,560 --> 00:56:42,640 Speaker 1: in it looks like they're living in the olden times. Okay, okay, 1136 00:56:42,680 --> 00:56:44,600 Speaker 1: but it is. And there's all the and there's weird 1137 00:56:44,719 --> 00:56:47,120 Speaker 1: sounds happening all the time. So you're like, is it aliens? 1138 00:56:47,239 --> 00:56:47,520 Speaker 1: Is that? 1139 00:56:47,520 --> 00:56:47,600 Speaker 3: That? 1140 00:56:47,800 --> 00:56:50,160 Speaker 1: Turns out it's just that it's like planes and trains 1141 00:56:50,200 --> 00:56:53,040 Speaker 1: and they're just like living in a secluded community where 1142 00:56:53,080 --> 00:56:55,719 Speaker 1: they don't have contact with the contemporary world. Well that 1143 00:56:55,760 --> 00:57:00,880 Speaker 1: sounds nice, right, well living in that community. Yeah, you know, 1144 00:57:00,920 --> 00:57:03,200 Speaker 1: it depends. I think I would imagine that people in 1145 00:57:03,320 --> 00:57:06,080 Speaker 1: power are not people that sort of value. 1146 00:57:06,600 --> 00:57:08,000 Speaker 2: That's social value. 1147 00:57:08,000 --> 00:57:08,440 Speaker 3: That's true. 1148 00:57:09,280 --> 00:57:11,880 Speaker 4: Let me be empower. Okay, be fun. 1149 00:57:12,080 --> 00:57:14,360 Speaker 1: No, this is always you wanted to be old fashioned? 1150 00:57:15,000 --> 00:57:22,080 Speaker 4: Yeah, okay, I'm plugging, put away the phones. Yeah, we're 1151 00:57:22,080 --> 00:57:22,920 Speaker 4: always on our phones. 1152 00:57:22,920 --> 00:57:24,560 Speaker 2: The seriously, let's go back. 1153 00:57:24,840 --> 00:57:27,760 Speaker 1: Yeah, do you think there will be a breaking point 1154 00:57:27,800 --> 00:57:31,560 Speaker 1: where there's a real genuine backlash and you see like 1155 00:57:32,120 --> 00:57:39,280 Speaker 1: a an actual significant group of people like abandon smartphones. 1156 00:57:40,320 --> 00:57:44,120 Speaker 1: I hope, because so far it's almost like it's just 1157 00:57:44,200 --> 00:57:47,640 Speaker 1: like the vinyl trend, like it. You know, it's like 1158 00:57:48,360 --> 00:57:50,520 Speaker 1: there's a few people that are doing the whole like 1159 00:57:51,280 --> 00:57:53,000 Speaker 1: using a dumb phone or like putting your phone in 1160 00:57:53,000 --> 00:57:55,280 Speaker 1: a different room or whatever, but it's not a real 1161 00:57:55,320 --> 00:57:56,000 Speaker 1: social movement. 1162 00:57:56,080 --> 00:58:00,640 Speaker 3: I think social media will like really change, Like I 1163 00:58:00,680 --> 00:58:03,280 Speaker 3: think it will be like you will use it if 1164 00:58:03,280 --> 00:58:05,760 Speaker 3: you're trying to make a career in social media, but 1165 00:58:05,800 --> 00:58:08,320 Speaker 3: you won't really use it as like a way to 1166 00:58:08,320 --> 00:58:09,880 Speaker 3: be funny to your friends ever. 1167 00:58:10,120 --> 00:58:13,480 Speaker 1: Like will we look back on this period of time 1168 00:58:13,560 --> 00:58:16,360 Speaker 1: the way that we look back on people smoking in restaurants? 1169 00:58:16,400 --> 00:58:19,280 Speaker 1: You know, it's like it reached this pinnacle and then 1170 00:58:20,040 --> 00:58:21,240 Speaker 1: now only a few people. 1171 00:58:20,960 --> 00:58:25,760 Speaker 5: Smoke, only cool people, only cool people, George, I I hope. 1172 00:58:25,520 --> 00:58:27,560 Speaker 3: So yeah, But I don't know. 1173 00:58:29,840 --> 00:58:34,680 Speaker 4: That I cannot predict. But oh my god. There's this 1174 00:58:34,760 --> 00:58:38,920 Speaker 4: woman I talk about NonStop, but I'm like basically her publicist. 1175 00:58:39,520 --> 00:58:39,720 Speaker 5: Her. 1176 00:58:39,920 --> 00:58:45,360 Speaker 4: She's in England and she's she makes predictions with asparagus. 1177 00:58:46,120 --> 00:58:48,640 Speaker 4: I'm always talking about her on my podcast because she's 1178 00:58:48,680 --> 00:58:50,480 Speaker 4: made like accurate predictions. 1179 00:58:50,560 --> 00:58:51,800 Speaker 1: How does she use the aspara? 1180 00:58:51,880 --> 00:58:55,120 Speaker 4: I don't really know. She like just like throws it down. Okay, 1181 00:58:55,160 --> 00:58:58,080 Speaker 4: I'm gonna tell you what's gonna happen on social media. 1182 00:58:58,200 --> 00:59:01,240 Speaker 4: But she's this British woman and they or the asparamouncer, 1183 00:59:01,760 --> 00:59:03,520 Speaker 4: and she does it raw, but then she cooks it 1184 00:59:03,600 --> 00:59:04,240 Speaker 4: later and eats. 1185 00:59:04,240 --> 00:59:08,800 Speaker 1: It's nice that she up cycles it. Yes, you can 1186 00:59:08,920 --> 00:59:10,840 Speaker 1: use it raw for predictions, but then you can make 1187 00:59:10,880 --> 00:59:11,920 Speaker 1: a delicious. 1188 00:59:11,440 --> 00:59:15,280 Speaker 4: Side and then your pee is a little pea smells 1189 00:59:15,320 --> 00:59:20,480 Speaker 4: to it. Yeah, but she she's great, the asparamancer. If 1190 00:59:20,480 --> 00:59:22,880 Speaker 4: we ask her, she'll tell us the future. We have 1191 00:59:23,000 --> 00:59:25,800 Speaker 4: to have her on Yeah, yes, girl, I've been trying. 1192 00:59:25,960 --> 00:59:26,160 Speaker 3: You know. 1193 00:59:26,160 --> 00:59:28,720 Speaker 1: By the way, it's a pretty expensive habit because asparagus 1194 00:59:28,760 --> 00:59:30,840 Speaker 1: one of the fancier vegetables. You know, it'd be one 1195 00:59:30,840 --> 00:59:32,600 Speaker 1: thing if she Oh I do too, of course, but 1196 00:59:32,640 --> 00:59:34,280 Speaker 1: it would be one thing if you were making predictions 1197 00:59:34,360 --> 00:59:38,440 Speaker 1: using you know, a prepackaged baby spinach, but to get 1198 00:59:38,520 --> 00:59:42,200 Speaker 1: asparagus each time, you know, I hate asparagus really. 1199 00:59:42,480 --> 00:59:46,440 Speaker 4: However, she did predict that Kamala was gonna. 1200 00:59:46,160 --> 00:59:49,720 Speaker 3: Win, so she was sort of a Kamala as Brat 1201 00:59:49,720 --> 00:59:51,320 Speaker 3: type person. She was. 1202 00:59:53,280 --> 00:59:59,560 Speaker 4: I just I think that that particular that was Yeah, 1203 01:00:00,080 --> 01:00:02,360 Speaker 4: need pest aside on that one. 1204 01:00:02,680 --> 01:00:04,440 Speaker 1: You know what, though, this is interesting. It's almost like 1205 01:00:04,480 --> 01:00:08,160 Speaker 1: a metaphor for the elite liberal establishment because it's like 1206 01:00:08,200 --> 01:00:13,360 Speaker 1: she's using asparagus. Asparagus is such a liberal, elite coded vegetable, 1207 01:00:13,920 --> 01:00:17,080 Speaker 1: and it's like we're looking back on the last the 1208 01:00:17,160 --> 01:00:19,280 Speaker 1: whole decades exactly, Like we're looking back at the last 1209 01:00:19,280 --> 01:00:21,520 Speaker 1: three decades, and it's like, oh god, the entire time 1210 01:00:21,520 --> 01:00:23,640 Speaker 1: we were using asparagus, and like. 1211 01:00:24,280 --> 01:00:27,720 Speaker 2: It's time to use like frozen, frozen. 1212 01:00:29,400 --> 01:00:35,240 Speaker 6: Something accessible to all you too, you too are smart, 1213 01:00:36,640 --> 01:00:39,640 Speaker 6: Like we have to write that down, like the entire 1214 01:00:39,680 --> 01:00:41,200 Speaker 6: time's using asparagus. 1215 01:00:41,520 --> 01:00:47,479 Speaker 4: Okay, our final segment, no, I don't know. I don't 1216 01:00:47,480 --> 01:00:50,240 Speaker 4: know what time there was a pause. There was a pause. 1217 01:00:50,280 --> 01:00:51,080 Speaker 4: I got scarred. 1218 01:00:51,240 --> 01:00:53,120 Speaker 2: I think, you know, it could be. 1219 01:00:53,080 --> 01:00:58,960 Speaker 4: There was dead air having fun final thoughts on UFOs. 1220 01:00:59,080 --> 01:01:01,840 Speaker 1: I actually sorry, I know I asked a question immediately 1221 01:01:01,840 --> 01:01:02,640 Speaker 1: didn't let you answer. 1222 01:01:04,360 --> 01:01:05,600 Speaker 4: I'm like, I'm struggling. 1223 01:01:05,640 --> 01:01:07,960 Speaker 1: I'm like, have we discussed the actual topic at hand 1224 01:01:08,040 --> 01:01:11,280 Speaker 1: UFOs enough or did we go to aliens to ghosts? 1225 01:01:11,360 --> 01:01:13,760 Speaker 1: You know, like UFOs a big part of it is 1226 01:01:13,760 --> 01:01:19,200 Speaker 1: also literally flying like a flying ccle. It is a vehicle. 1227 01:01:19,240 --> 01:01:23,040 Speaker 1: It's also kind of giving, giving, it's also like cruise 1228 01:01:23,040 --> 01:01:27,120 Speaker 1: ship like it's a large part of what makes it 1229 01:01:27,240 --> 01:01:31,080 Speaker 1: majestic and scary is how big it is. It's a 1230 01:01:31,080 --> 01:01:34,040 Speaker 1: different fear than the individual alien who looks weird, you 1231 01:01:34,080 --> 01:01:34,600 Speaker 1: know what I mean? 1232 01:01:34,920 --> 01:01:37,880 Speaker 2: Yeah, something that can But it's so disappointing to me. 1233 01:01:37,920 --> 01:01:39,680 Speaker 3: It's just a vehicle, Like I if I'm not thinking 1234 01:01:39,720 --> 01:01:41,000 Speaker 3: about an alien driving it. 1235 01:01:41,000 --> 01:01:42,720 Speaker 4: Now, there's definitely somebody driving. 1236 01:01:42,760 --> 01:01:44,280 Speaker 2: If there's somebody driving it, I like it. 1237 01:01:44,400 --> 01:01:44,560 Speaker 4: Yeah. 1238 01:01:44,680 --> 01:01:46,800 Speaker 3: If it's a self driving UFO like that just here 1239 01:01:46,840 --> 01:01:47,920 Speaker 3: to take pictures. 1240 01:01:47,760 --> 01:01:48,960 Speaker 2: Then I'm a little upset. 1241 01:01:49,600 --> 01:01:50,240 Speaker 4: That's boring. 1242 01:01:50,400 --> 01:01:53,320 Speaker 3: I don't like to know that the other life forms 1243 01:01:53,320 --> 01:01:56,080 Speaker 3: out there are playing it so safe. Yeah, you know, 1244 01:01:56,640 --> 01:02:00,240 Speaker 3: have some have some courage and come here take a 1245 01:02:00,240 --> 01:02:00,960 Speaker 3: picture of yourself. 1246 01:02:01,520 --> 01:02:03,520 Speaker 4: What about crop circles? 1247 01:02:04,120 --> 01:02:05,880 Speaker 1: Okay, well that's another m I trouble on. 1248 01:02:05,840 --> 01:02:08,000 Speaker 4: Class now a lot about I shovel on. 1249 01:02:09,200 --> 01:02:12,760 Speaker 1: I obviously think crop circles are kind of fab. 1250 01:02:13,560 --> 01:02:15,840 Speaker 3: I think they're fab. I'm still confused, like what's the 1251 01:02:15,840 --> 01:02:16,720 Speaker 3: theory on what they are? 1252 01:02:17,320 --> 01:02:19,160 Speaker 1: Just that aliens make them aliens? 1253 01:02:19,360 --> 01:02:22,480 Speaker 4: Yeah, come down, and it's like it's like Arrival but 1254 01:02:22,640 --> 01:02:26,640 Speaker 4: arts and crops. That feels crop circles to me feels 1255 01:02:26,680 --> 01:02:30,640 Speaker 4: a little bit more queer because it's artistic but and sustainable. 1256 01:02:30,640 --> 01:02:33,160 Speaker 1: They're using here's the thing language. 1257 01:02:32,840 --> 01:02:37,240 Speaker 4: Being obsessed with mel Gibson, nor. 1258 01:02:37,120 --> 01:02:39,320 Speaker 1: True being obsessed with Joaquin Phoenix. 1259 01:02:40,960 --> 01:02:41,600 Speaker 4: There we go. 1260 01:02:42,720 --> 01:02:43,000 Speaker 1: Bye. 1261 01:02:43,040 --> 01:02:44,920 Speaker 2: At least you know what can I another? 1262 01:02:45,760 --> 01:02:47,439 Speaker 3: I'm chalk full of stupid sentences today? 1263 01:02:47,480 --> 01:02:48,120 Speaker 2: Another thought. 1264 01:02:48,160 --> 01:02:51,640 Speaker 3: I've always thought of crop circles. I thought it was 1265 01:02:51,680 --> 01:02:53,240 Speaker 3: like a spaceship taking off and that was like the 1266 01:02:53,240 --> 01:02:53,840 Speaker 3: market left. 1267 01:02:54,480 --> 01:02:56,320 Speaker 4: Oh that could be a two, but I don't think 1268 01:02:56,400 --> 01:03:01,040 Speaker 4: that has Actually Yeah, it's also like there's no right answer. Yeah, 1269 01:03:01,120 --> 01:03:03,520 Speaker 4: that's the thing. 1270 01:03:04,640 --> 01:03:05,080 Speaker 3: Dumb ass? 1271 01:03:06,200 --> 01:03:06,840 Speaker 4: Is that dumb? 1272 01:03:08,320 --> 01:03:12,000 Speaker 3: Okay, Well, I think we should do a final second. 1273 01:03:12,000 --> 01:03:15,640 Speaker 3: That's a final sec because let's be honest, we really 1274 01:03:15,720 --> 01:03:16,240 Speaker 3: covered it. 1275 01:03:16,720 --> 01:03:16,959 Speaker 1: Yeah. 1276 01:03:17,080 --> 01:03:19,840 Speaker 3: I'm actually so hopeful for the I'm still like, the 1277 01:03:19,840 --> 01:03:21,640 Speaker 3: more I keep thinking about the more, I'm like, No, 1278 01:03:21,760 --> 01:03:23,760 Speaker 3: I do think UFOs A gonna kill them. They're gonna 1279 01:03:23,840 --> 01:03:24,920 Speaker 3: change everything for the better. 1280 01:03:25,520 --> 01:03:27,880 Speaker 1: And I know you think it'll be more alien rather 1281 01:03:27,880 --> 01:03:28,360 Speaker 1: than ghost. 1282 01:03:29,120 --> 01:03:30,080 Speaker 2: I think it really could be. 1283 01:03:30,200 --> 01:03:31,840 Speaker 3: I think I think it could be alien. 1284 01:03:31,680 --> 01:03:33,680 Speaker 4: Right, I'll tell you the closest thing I have to 1285 01:03:33,720 --> 01:03:37,200 Speaker 4: a belief on this stuff. Okay, I believe that they 1286 01:03:37,200 --> 01:03:43,280 Speaker 4: are good. I don't think that they are. I think 1287 01:03:43,280 --> 01:03:47,400 Speaker 4: they have They are so much smarter than us, They 1288 01:03:48,560 --> 01:03:53,000 Speaker 4: are above us. They have the capability to harm us. 1289 01:03:53,040 --> 01:03:55,520 Speaker 4: But I don't think they are. Sometimes I think they 1290 01:03:55,600 --> 01:03:55,920 Speaker 4: want to. 1291 01:03:56,080 --> 01:03:59,360 Speaker 3: Sometimes I do think they'll farm us and like eat us. 1292 01:03:59,440 --> 01:04:02,760 Speaker 3: And then I'm like, but like you know, everybody, I've 1293 01:04:02,760 --> 01:04:08,320 Speaker 3: eaten so much chicken. 1294 01:04:04,720 --> 01:04:10,160 Speaker 1: Friends in a giant pot. It's like the last day 1295 01:04:10,160 --> 01:04:10,760 Speaker 1: on earl. 1296 01:04:11,160 --> 01:04:13,760 Speaker 4: The last hot tub, absolutely you got. 1297 01:04:14,400 --> 01:04:16,120 Speaker 1: And then each time the aliens are like going in 1298 01:04:16,200 --> 01:04:17,720 Speaker 1: and taking one of them, and you're like, oh. 1299 01:04:17,600 --> 01:04:23,320 Speaker 4: My god bye, I'm telling you right now, dip me 1300 01:04:23,560 --> 01:04:27,960 Speaker 4: and some top of too, and you can have me. 1301 01:04:28,320 --> 01:04:32,640 Speaker 4: Yeah that's but I'm ready to go up there. If 1302 01:04:32,680 --> 01:04:36,760 Speaker 4: they're looking for if they if they started like we 1303 01:04:36,760 --> 01:04:40,760 Speaker 4: we're looking for people to teach us about people by yeah, 1304 01:04:40,800 --> 01:04:41,680 Speaker 4: it's nice meeting. 1305 01:04:41,960 --> 01:04:43,760 Speaker 1: Maybe the most radical position of all is to just 1306 01:04:44,600 --> 01:04:47,840 Speaker 1: be optimistic about aliens, to be like they are not 1307 01:04:47,920 --> 01:04:50,040 Speaker 1: a threat, they are a thing, and they can in 1308 01:04:50,080 --> 01:04:55,680 Speaker 1: fact help us, and like why is the unknown inherently 1309 01:04:55,760 --> 01:04:57,560 Speaker 1: scary why can't it be inherently excited. 1310 01:04:57,560 --> 01:04:59,600 Speaker 4: No, it's exciting for sure, because it can be anything 1311 01:04:59,800 --> 01:05:04,600 Speaker 4: but but okay. One of the most convincing documented cases 1312 01:05:04,640 --> 01:05:07,320 Speaker 4: of all time was from the nineties. 1313 01:05:07,200 --> 01:05:08,000 Speaker 3: Of the nineties. 1314 01:05:08,360 --> 01:05:12,040 Speaker 4: The aliens were very big in the nineties, but there 1315 01:05:12,120 --> 01:05:18,400 Speaker 4: was a case in Africa of this school of children 1316 01:05:18,720 --> 01:05:21,680 Speaker 4: that believe that a UFO came down and an alien 1317 01:05:21,760 --> 01:05:29,240 Speaker 4: came out and spoke to them telepathically. And they were 1318 01:05:29,240 --> 01:05:31,959 Speaker 4: interviewed by the BBC back then and they've been since 1319 01:05:32,040 --> 01:05:35,400 Speaker 4: reunited and interviewed about it as like millennial adult. 1320 01:05:35,440 --> 01:05:36,400 Speaker 1: All of them agree. 1321 01:05:36,800 --> 01:05:39,120 Speaker 4: They still are all on the same page. And what 1322 01:05:39,240 --> 01:05:42,640 Speaker 4: they say that the aliens, the message that they had 1323 01:05:42,880 --> 01:05:45,840 Speaker 4: was you need to take care of this planet because 1324 01:05:45,880 --> 01:05:48,800 Speaker 4: you guys are killing it. I truly believe that the 1325 01:05:48,880 --> 01:05:54,280 Speaker 4: aliens look down at like this earth crumbling and they're like, bitch, 1326 01:05:54,480 --> 01:05:56,120 Speaker 4: you are our neighbors, and we got to look at 1327 01:05:56,160 --> 01:05:59,680 Speaker 4: your ugly ass house, so fix it. 1328 01:06:01,240 --> 01:06:03,520 Speaker 1: Do you think they look. It's like when they look 1329 01:06:03,560 --> 01:06:05,840 Speaker 1: at the Earth, it's like us watching like a trashy 1330 01:06:05,880 --> 01:06:08,680 Speaker 1: reality show and we're like, if only someone could teach 1331 01:06:08,760 --> 01:06:13,840 Speaker 1: that woman that you know, she can't be constantly like 1332 01:06:14,080 --> 01:06:16,800 Speaker 1: ignoring the things that she's suppressing. She just has to 1333 01:06:16,840 --> 01:06:20,680 Speaker 1: like embrace her flaws and then she could finally reunite 1334 01:06:20,680 --> 01:06:23,520 Speaker 1: with her friend or whatever. Like they they they want 1335 01:06:23,520 --> 01:06:26,480 Speaker 1: what's best for us, and they see usself watch. 1336 01:06:26,920 --> 01:06:29,200 Speaker 3: Yeah. Yeah, maybe it were fun for them. 1337 01:06:30,040 --> 01:06:31,800 Speaker 4: Oh, I'm sure we're fun for them. 1338 01:06:32,440 --> 01:06:33,720 Speaker 3: Some of them's more than others. 1339 01:06:34,480 --> 01:06:36,680 Speaker 4: But yes, I definitely think that. 1340 01:06:37,360 --> 01:06:39,120 Speaker 1: Oh that's fun to be watched. 1341 01:06:39,200 --> 01:06:41,560 Speaker 3: Oh, to be watched, to be observed. Even so, they're good. 1342 01:06:41,760 --> 01:06:45,160 Speaker 4: I think they're straight, but they're good, which is the thing. 1343 01:06:45,560 --> 01:06:49,400 Speaker 1: Yeah, you could be straight and good. Yeah, there's many 1344 01:06:49,720 --> 01:06:50,920 Speaker 1: documented cases of that. 1345 01:06:50,960 --> 01:06:52,680 Speaker 4: Actually, there's a lot of document. 1346 01:06:52,320 --> 01:06:53,760 Speaker 3: Case like Tom Hanks. 1347 01:06:54,280 --> 01:06:56,120 Speaker 4: Yes, and Hanks is a great example. 1348 01:06:57,320 --> 01:07:01,680 Speaker 1: Yeah, Julia Roberts, Yes, well. 1349 01:07:01,880 --> 01:07:02,720 Speaker 3: Let's just do this. 1350 01:07:04,680 --> 01:07:10,000 Speaker 4: Wait, let me tell you what I like what Elon Musk. 1351 01:07:12,680 --> 01:07:16,720 Speaker 3: That was? As that was if you stand him? Yeah, 1352 01:07:16,800 --> 01:07:18,960 Speaker 3: that would be funny. No, I wouldn't. 1353 01:07:19,440 --> 01:07:22,280 Speaker 4: I'm sorry, I brought the room down. Wait let me 1354 01:07:22,320 --> 01:07:27,000 Speaker 4: say it's straight? I'm I Oh fuck, who's a straight? 1355 01:07:29,200 --> 01:07:29,439 Speaker 1: Oh? 1356 01:07:29,840 --> 01:07:30,520 Speaker 3: Oh? 1357 01:07:32,040 --> 01:07:35,600 Speaker 4: Stephen Colbert is a great he's yeah, I was so 1358 01:07:35,640 --> 01:07:38,880 Speaker 4: good and Strangers with Candy so good in that he's 1359 01:07:38,920 --> 01:07:44,240 Speaker 4: so nice and funny. Yeah, never matter. But he seems nice. 1360 01:07:44,360 --> 01:07:45,000 Speaker 2: You'd love him. 1361 01:07:45,040 --> 01:07:50,680 Speaker 3: I like get him and he is a laugh riot Catholic. 1362 01:07:50,720 --> 01:07:53,440 Speaker 1: But should we do our final segment? 1363 01:07:54,080 --> 01:07:56,480 Speaker 4: Let's do it a terrific final thing. 1364 01:08:00,480 --> 01:08:02,600 Speaker 3: So you may be scared because the music is also 1365 01:08:02,640 --> 01:08:03,720 Speaker 3: put in afterwards. 1366 01:08:04,240 --> 01:08:08,320 Speaker 4: That's not fair. I'm a listener to do acapella. 1367 01:08:08,600 --> 01:08:11,240 Speaker 3: Yeah, but our final segment is called shout outs. In 1368 01:08:11,240 --> 01:08:13,400 Speaker 3: the segment we pay homage to the grand straight tradition 1369 01:08:13,720 --> 01:08:15,720 Speaker 3: of the radio shout out and shout out to anything 1370 01:08:15,760 --> 01:08:21,360 Speaker 3: that we are enjoying. People place those things ideas, George. 1371 01:08:21,000 --> 01:08:27,800 Speaker 1: Yeah, I'll do it. Yeah, okay, okay, what's up, world travelers, 1372 01:08:28,000 --> 01:08:31,320 Speaker 1: travel bloggers, anyone who is boarded a Delta flight recently? 1373 01:08:31,360 --> 01:08:33,360 Speaker 1: I want to give a shout out to those biscoff 1374 01:08:33,479 --> 01:08:36,000 Speaker 1: that's what they're called, right, yep, those bisc off cookies 1375 01:08:36,040 --> 01:08:38,840 Speaker 1: that they give you, and especially when a gay little 1376 01:08:38,840 --> 01:08:41,760 Speaker 1: flight attendant gives you two and sort of does a 1377 01:08:41,760 --> 01:08:44,960 Speaker 1: little like, you know, wink, as though it's your little secret. 1378 01:08:45,400 --> 01:08:50,360 Speaker 1: Because let me tell you somethings, those cookies, unlike some 1379 01:08:50,520 --> 01:08:53,800 Speaker 1: other things you might be served in a travel experience, 1380 01:08:54,040 --> 01:08:56,559 Speaker 1: they have a real kick to them. There is flavor there. 1381 01:08:56,760 --> 01:08:59,439 Speaker 1: They have put they have put the ginger snap flavor. 1382 01:08:59,520 --> 01:09:03,040 Speaker 1: There's it's like the right level of sugar. They are crunchy, 1383 01:09:03,080 --> 01:09:04,560 Speaker 1: They're not like stale. 1384 01:09:04,200 --> 01:09:05,120 Speaker 3: Like you might expect. 1385 01:09:05,479 --> 01:09:08,400 Speaker 1: There is also actually enough of them. There are two 1386 01:09:08,479 --> 01:09:10,439 Speaker 1: per pack, and if they give you two PACs, that's four. 1387 01:09:10,680 --> 01:09:12,599 Speaker 1: That is way more than the sonships that you get 1388 01:09:12,600 --> 01:09:14,800 Speaker 1: if you order sonships in that same dumpt flight, which 1389 01:09:14,840 --> 01:09:18,280 Speaker 1: is approximately two and a half chips in one bag. 1390 01:09:19,160 --> 01:09:23,400 Speaker 1: And I actually had a really shocking experience the other day. 1391 01:09:23,479 --> 01:09:27,400 Speaker 1: I brought home one of those bisk Off cookies and 1392 01:09:28,120 --> 01:09:30,960 Speaker 1: as a kind of little surprise gift, gave it to 1393 01:09:31,000 --> 01:09:34,599 Speaker 1: my husband, and two days later I see it uneaten 1394 01:09:35,840 --> 01:09:36,599 Speaker 1: his bedside table. 1395 01:09:36,600 --> 01:09:38,320 Speaker 4: I say, I make some joke. Oh you still haven't 1396 01:09:38,320 --> 01:09:41,360 Speaker 4: eat and you'r a gift that I got you. He goes, yeah, 1397 01:09:41,479 --> 01:09:44,559 Speaker 4: I was sort of gonna throw that out and hope 1398 01:09:44,600 --> 01:09:46,920 Speaker 4: you wouldn't notice. I said, I'm sorry, does it not 1399 01:09:47,000 --> 01:09:51,200 Speaker 4: sound appealing to have these crunchy, delicious ginger snapish cookies 1400 01:09:51,240 --> 01:09:54,000 Speaker 4: that I got from my flight? He's like, no, actually 1401 01:09:54,040 --> 01:09:57,559 Speaker 4: sounds like really bad. I would never like willingly eat those. 1402 01:09:57,600 --> 01:09:59,439 Speaker 4: I only eat them because they're the only thing available 1403 01:09:59,439 --> 01:10:01,920 Speaker 4: in the air. I was like, oh, so we basically 1404 01:10:01,960 --> 01:10:04,680 Speaker 4: are completely different people and everything in comment so like, 1405 01:10:05,200 --> 01:10:06,800 Speaker 4: just am I allowed to talk at this part? 1406 01:10:07,040 --> 01:10:09,160 Speaker 1: I mean, this is you know, sort of the comedy 1407 01:10:09,200 --> 01:10:11,400 Speaker 1: is coming from the fact that I'm still talking. But anyway, 1408 01:10:11,439 --> 01:10:13,280 Speaker 1: so I want to give a shout out to biscop 1409 01:10:13,720 --> 01:10:17,519 Speaker 1: and uh and to everyone who enjoys them. But now 1410 01:10:17,520 --> 01:10:18,919 Speaker 1: I would love to hear your thoughts. 1411 01:10:19,160 --> 01:10:21,760 Speaker 4: Well, so you're saying that you enjoy them on. 1412 01:10:21,800 --> 01:10:26,000 Speaker 1: Land, Yeah, actually, And you know what else. I recently 1413 01:10:26,000 --> 01:10:28,479 Speaker 1: had a job where one of the office snacks was 1414 01:10:28,560 --> 01:10:30,559 Speaker 1: those little packets of busin companies, and I would eat 1415 01:10:30,560 --> 01:10:31,200 Speaker 1: them in the office. 1416 01:10:31,240 --> 01:10:33,120 Speaker 4: I didn't even know those existed, Yeah, I didn't. 1417 01:10:33,960 --> 01:10:36,639 Speaker 1: You would do you disagree with me and think they're 1418 01:10:36,640 --> 01:10:38,160 Speaker 1: just sort of like something you have on the air, 1419 01:10:38,160 --> 01:10:39,479 Speaker 1: but then you would never have them in real life. 1420 01:10:39,560 --> 01:10:39,720 Speaker 3: Yeah. 1421 01:10:39,760 --> 01:10:43,120 Speaker 4: To me, it's kind of like when you get fries 1422 01:10:43,680 --> 01:10:47,800 Speaker 4: and you like eat them without any sauce, like when 1423 01:10:47,800 --> 01:10:50,000 Speaker 4: you're I mean maybe as a New York or you 1424 01:10:50,000 --> 01:10:52,920 Speaker 4: can't relate, but like when you're driving home or something like, oh, 1425 01:10:52,960 --> 01:10:53,280 Speaker 4: I'll just. 1426 01:10:53,479 --> 01:10:55,759 Speaker 1: That's different than good fries you get at a restaurant 1427 01:10:55,840 --> 01:10:56,120 Speaker 1: or something. 1428 01:10:56,200 --> 01:10:58,919 Speaker 4: Yeah, but like I would never eat them without a sauce. 1429 01:10:59,600 --> 01:11:03,320 Speaker 4: I just like because the situation, it's like whatever. I 1430 01:11:03,360 --> 01:11:07,599 Speaker 4: don't know. But anyway, see now I have many times 1431 01:11:07,640 --> 01:11:09,320 Speaker 4: been like, I'm not really in the mood for that 1432 01:11:09,439 --> 01:11:11,760 Speaker 4: right now, So I put it in my purse and 1433 01:11:11,760 --> 01:11:13,960 Speaker 4: then I get to the hotel or home or whatever. 1434 01:11:15,120 --> 01:11:18,880 Speaker 4: I'm just not interested soilently, I know, but I love him. 1435 01:11:19,120 --> 01:11:21,800 Speaker 3: Where Matthew's coming from. 1436 01:11:22,320 --> 01:11:24,519 Speaker 4: Is right, it's right though when you're up in the air. 1437 01:11:24,640 --> 01:11:26,599 Speaker 3: Yeah, And I'm also sure the gesture was still fun, 1438 01:11:27,040 --> 01:11:28,639 Speaker 3: Like I bet he liked the gesture. But it's also 1439 01:11:28,680 --> 01:11:30,400 Speaker 3: one of those things it's like getting a gift from 1440 01:11:30,400 --> 01:11:32,040 Speaker 3: like a toddler, where you're. 1441 01:11:31,920 --> 01:11:35,040 Speaker 1: Like, I mean, I know it is I know it 1442 01:11:35,120 --> 01:11:38,559 Speaker 1: is like a not a good gift strictly speaking. But 1443 01:11:38,720 --> 01:11:40,240 Speaker 1: to me, if someone gave me one of those, they'd 1444 01:11:40,240 --> 01:11:41,320 Speaker 1: be like, ooh fun, and I would did it on 1445 01:11:41,360 --> 01:11:41,679 Speaker 1: the spot. 1446 01:11:42,040 --> 01:11:46,280 Speaker 4: Was this be honest? Was it his birthday you? 1447 01:11:46,600 --> 01:11:50,320 Speaker 1: Or is this an annivers like our anniversary? And that 1448 01:11:50,400 --> 01:11:51,240 Speaker 1: was my gift to him. 1449 01:11:51,080 --> 01:11:53,639 Speaker 3: Because so I do understand where he's coming. 1450 01:11:53,479 --> 01:11:56,840 Speaker 1: From and get it. But I actually recently was looking 1451 01:11:56,840 --> 01:11:58,960 Speaker 1: at a recipe where the pie for a pie where 1452 01:11:58,960 --> 01:12:01,040 Speaker 1: the pie crust was made of bisk Off cookies, and 1453 01:12:01,080 --> 01:12:05,480 Speaker 1: I have wow, damn, I guess I'm just a stand. 1454 01:12:06,120 --> 01:12:08,400 Speaker 4: I love them with a coffee and it just exactly 1455 01:12:08,439 --> 01:12:11,799 Speaker 4: ELTs in your mouth. Yeah, and I just like the ginger. 1456 01:12:11,920 --> 01:12:13,599 Speaker 1: I like the crunch and I like the ginger. 1457 01:12:14,200 --> 01:12:15,480 Speaker 4: Yeah, I love ginger. 1458 01:12:16,479 --> 01:12:21,000 Speaker 3: Okay, I will go now, Okay, this is complicated. What's 1459 01:12:21,120 --> 01:12:24,879 Speaker 3: up everyone around the globe, whether you are driving an 1460 01:12:24,960 --> 01:12:28,960 Speaker 3: unidentified flying object or simply a car. I want to 1461 01:12:29,000 --> 01:12:32,160 Speaker 3: give a shout out to knowing how to parallel park. 1462 01:12:32,720 --> 01:12:36,160 Speaker 3: I have learned how to be good at parallel parking 1463 01:12:36,240 --> 01:12:39,800 Speaker 3: in a way that feels against my character and it 1464 01:12:39,800 --> 01:12:42,800 Speaker 3: feels against type. And I used to take pride in 1465 01:12:42,800 --> 01:12:44,600 Speaker 3: the fact that I'm bad at driving and be like, 1466 01:12:44,760 --> 01:12:47,439 Speaker 3: look at me, bom, bom, bom. I'm flying around and 1467 01:12:47,479 --> 01:12:50,280 Speaker 3: I don't know what I'm doing. Now I'm whipping into 1468 01:12:50,280 --> 01:12:52,880 Speaker 3: parking spots like you wouldn't believe, and it looks like 1469 01:12:53,000 --> 01:12:55,479 Speaker 3: I do it with the hand, and I'm one hand, 1470 01:12:55,600 --> 01:12:58,320 Speaker 3: one hand, I'm flying straight in this parking spot, and 1471 01:12:58,360 --> 01:13:01,920 Speaker 3: I'm like, this makes me feel very straight. Honestly feel 1472 01:13:02,000 --> 01:13:04,240 Speaker 3: very masked when I do it. I feel very like 1473 01:13:04,840 --> 01:13:08,880 Speaker 3: high school jock even and in a way that is 1474 01:13:08,960 --> 01:13:12,599 Speaker 3: like it gives me a crisis of identity, but also 1475 01:13:12,880 --> 01:13:15,599 Speaker 3: is like makes I'm like, damn, I can really rest 1476 01:13:15,640 --> 01:13:19,080 Speaker 3: easy now because I can drive around and it's not scary. 1477 01:13:19,439 --> 01:13:20,960 Speaker 3: So I want to give a shot out to my 1478 01:13:21,000 --> 01:13:23,880 Speaker 3: driving ability. It's sort of like, you know, sorry to 1479 01:13:23,880 --> 01:13:26,439 Speaker 3: bring him up, Harry Potter finding out he's a wizard. 1480 01:13:27,120 --> 01:13:29,880 Speaker 3: You know, it's a it's a pressure, and it's also, 1481 01:13:30,479 --> 01:13:33,839 Speaker 3: you know, a gift. So I will not be spitting 1482 01:13:33,840 --> 01:13:36,160 Speaker 3: on my own gifts. I will be accepting them, and 1483 01:13:36,240 --> 01:13:37,439 Speaker 3: I accept that I'm a good driver. 1484 01:13:37,600 --> 01:13:38,479 Speaker 2: Xoxo Sam. 1485 01:13:38,720 --> 01:13:39,440 Speaker 3: That's beautiful. 1486 01:13:42,800 --> 01:13:46,200 Speaker 4: I mean, I have somebody to say that is it's 1487 01:13:46,240 --> 01:13:49,559 Speaker 4: gonna get me in trouble. Oh I've gotta get cancer. 1488 01:13:50,240 --> 01:13:54,040 Speaker 4: So I used to be so good at parallel parking 1489 01:13:54,120 --> 01:13:54,920 Speaker 4: pre transition. 1490 01:13:55,840 --> 01:13:58,360 Speaker 1: That so I'm saying, oh my god, that is so funny. 1491 01:13:58,479 --> 01:14:01,040 Speaker 4: I started taking a baby be I don't know if 1492 01:14:01,080 --> 01:14:03,840 Speaker 4: it's just a coincidence, but I can't you know how 1493 01:14:03,840 --> 01:14:08,280 Speaker 4: many I've hit I've hit cars, of course, I've hit cars. 1494 01:14:08,800 --> 01:14:09,080 Speaker 3: Wow. 1495 01:14:09,080 --> 01:14:10,719 Speaker 2: Wow, that's the clip. 1496 01:14:12,080 --> 01:14:15,160 Speaker 4: Wow. I'm sorry, but I don't know if they're related. 1497 01:14:15,520 --> 01:14:17,479 Speaker 4: Maybe it's because I usually have I don't today, but 1498 01:14:17,520 --> 01:14:19,400 Speaker 4: I usually have jumbone nails. 1499 01:14:19,600 --> 01:14:22,599 Speaker 1: And that also coincide. You feel like the jumbon nails 1500 01:14:22,640 --> 01:14:23,320 Speaker 1: maybe are. 1501 01:14:25,120 --> 01:14:28,920 Speaker 4: Be something. But I'm very bad at it. Wow, very bad. 1502 01:14:29,080 --> 01:14:33,439 Speaker 4: It's interesting and I was so good at it interesting. Yeah, well, 1503 01:14:33,600 --> 01:14:34,760 Speaker 4: well small price to pay. 1504 01:14:34,920 --> 01:14:39,160 Speaker 3: Yeah, the world is so mysterious. Okay, would you like 1505 01:14:39,200 --> 01:14:41,160 Speaker 3: to do a shout out whenever you are ready? 1506 01:14:41,880 --> 01:14:49,960 Speaker 4: Hey people, it's hard to think of a name for 1507 01:14:50,080 --> 01:14:56,360 Speaker 4: the people. Hello, people at home listening on the air waves. 1508 01:14:57,160 --> 01:15:00,640 Speaker 4: This is RAS and I want to tell you. I 1509 01:15:00,680 --> 01:15:03,599 Speaker 4: want to give a shout out to the to the 1510 01:15:03,640 --> 01:15:11,160 Speaker 4: Easter season. Specifically. We know Jesus is back, but another 1511 01:15:11,240 --> 01:15:17,479 Speaker 4: thing that's back this year tootsy roll eggs. Yeah, they 1512 01:15:17,520 --> 01:15:20,200 Speaker 4: burst onto the scene, at least in my knowledge last year. 1513 01:15:20,720 --> 01:15:25,040 Speaker 4: They're Tootsi rolls, shape like eggs with a candy coating, 1514 01:15:25,160 --> 01:15:29,840 Speaker 4: crunchy and chewy at the same time. They are so delicious. 1515 01:15:30,880 --> 01:15:34,360 Speaker 4: From what I hear, there is an egg shortage in 1516 01:15:34,560 --> 01:15:38,000 Speaker 4: this country right now. There is a tutsi roll egg 1517 01:15:38,320 --> 01:15:41,479 Speaker 4: shortage as well. Because I can't get them up my mouth. 1518 01:15:43,360 --> 01:15:46,639 Speaker 4: Tootsi roll eggs. Wow, I love that. 1519 01:15:46,760 --> 01:15:47,800 Speaker 3: Wow, I love that as well. 1520 01:15:47,920 --> 01:15:50,120 Speaker 1: I'm gonna be honest with you, that sounds absolutely disgusting. 1521 01:15:50,160 --> 01:15:51,040 Speaker 2: Yeah, it doesn't really sound. 1522 01:15:50,880 --> 01:15:55,520 Speaker 4: Like my style, but I really appreciate the like innovation 1523 01:15:55,720 --> 01:15:57,400 Speaker 4: in the food space that is taking and I. 1524 01:15:57,439 --> 01:16:00,559 Speaker 3: Just love a new thing. Yes, it's fun, it's fun. 1525 01:16:00,920 --> 01:16:01,639 Speaker 4: Egg shape. 1526 01:16:01,880 --> 01:16:03,800 Speaker 3: Oh, we deserve a new thing. 1527 01:16:03,880 --> 01:16:06,720 Speaker 4: But by the way, they're like little, they're not. It's 1528 01:16:06,720 --> 01:16:07,960 Speaker 4: not like a big egg. 1529 01:16:08,479 --> 01:16:11,000 Speaker 1: I mean, can you imagine a giant ass totsuroal egg. 1530 01:16:11,080 --> 01:16:13,200 Speaker 3: You're stretch all like. 1531 01:16:14,200 --> 01:16:15,960 Speaker 4: I would do it. 1532 01:16:16,120 --> 01:16:22,200 Speaker 1: You like the taste of a titsurol. Yes, having the 1533 01:16:22,200 --> 01:16:25,280 Speaker 1: exact same conversation as with the biscough thing, where both 1534 01:16:25,320 --> 01:16:29,759 Speaker 1: you and I came into it so like so ready 1535 01:16:29,800 --> 01:16:32,000 Speaker 1: to be right, and then the other two people are like. 1536 01:16:32,520 --> 01:16:35,240 Speaker 4: I don't know, now I'm right. I don't give a ship. 1537 01:16:35,320 --> 01:16:36,800 Speaker 4: They're fucking good. 1538 01:16:37,280 --> 01:16:40,920 Speaker 3: Wow, you're maybe the first person I've ever heard that loves. 1539 01:16:40,360 --> 01:16:44,519 Speaker 4: To meet tsuls are such a classic, flopping insane you 1540 01:16:44,640 --> 01:16:47,040 Speaker 4: people need to get the inner child. 1541 01:16:47,160 --> 01:16:49,080 Speaker 1: Here's what here's what titsu rolls are to me. It's 1542 01:16:49,120 --> 01:16:52,719 Speaker 1: like before science was advanced enough to make good candy. 1543 01:16:52,840 --> 01:16:54,200 Speaker 1: That's what they made. 1544 01:16:55,520 --> 01:16:59,960 Speaker 4: Lost your mind? Okay, I feel very attacked right now. 1545 01:17:00,000 --> 01:17:04,000 Speaker 4: We need We're doing a survey at stradio lab dot com. 1546 01:17:04,360 --> 01:17:10,600 Speaker 4: What do you think we'll do disgusting or delicious? 1547 01:17:10,640 --> 01:17:12,720 Speaker 1: Delicious? And we'll do a we'll do a pull and 1548 01:17:12,760 --> 01:17:16,200 Speaker 1: release this episode. Yeah, I'm curious. I have to say, rise. 1549 01:17:16,200 --> 01:17:17,519 Speaker 1: I don't think it's going to go your way. 1550 01:17:18,000 --> 01:17:19,000 Speaker 4: I believe it is. 1551 01:17:19,800 --> 01:17:20,840 Speaker 3: Okay. 1552 01:17:21,520 --> 01:17:24,479 Speaker 4: They came up in a conversation earlier today with a 1553 01:17:24,560 --> 01:17:27,960 Speaker 4: friend of mine and could name drop, but I'm gonna 1554 01:17:28,000 --> 01:17:28,600 Speaker 4: choose not to. 1555 01:17:28,920 --> 01:17:30,679 Speaker 2: Is it someone with a big public influence? 1556 01:17:33,800 --> 01:17:37,599 Speaker 4: And this friend of mine said, I'm ordering them right 1557 01:17:37,640 --> 01:17:39,800 Speaker 4: now on the internet because that sounds like the most 1558 01:17:39,800 --> 01:17:40,760 Speaker 4: delicious thing of a h. 1559 01:17:41,920 --> 01:17:45,360 Speaker 3: Sounds too famous to go into a store and buy them. 1560 01:17:45,479 --> 01:17:48,280 Speaker 4: So I'll have you know, I'm not the only person 1561 01:17:48,320 --> 01:17:51,960 Speaker 4: in this world that thinks tootsi roll eggs sound like 1562 01:17:52,000 --> 01:17:53,519 Speaker 4: a delicious thing to me. 1563 01:17:53,600 --> 01:17:55,160 Speaker 2: That's like a tax fight off to keep making it. 1564 01:17:57,000 --> 01:18:00,639 Speaker 3: Because they just need to say, like so much money 1565 01:18:00,640 --> 01:18:00,920 Speaker 3: this year. 1566 01:18:00,920 --> 01:18:04,320 Speaker 1: They're also like purely aesthetic season hard to find. 1567 01:18:04,360 --> 01:18:06,320 Speaker 4: I'm not kidding you. There is an egg shortage. They're 1568 01:18:06,360 --> 01:18:07,440 Speaker 4: hard to find. 1569 01:18:07,520 --> 01:18:10,000 Speaker 1: And like a in like a Halloween bowl, It's like 1570 01:18:10,000 --> 01:18:12,280 Speaker 1: you need a few TITSI rolls just for variety, but 1571 01:18:12,320 --> 01:18:13,640 Speaker 1: not because anyone actually wants them. 1572 01:18:13,680 --> 01:18:19,160 Speaker 3: They are I'm saying exactly No, that is necho wafers, 1573 01:18:19,840 --> 01:18:22,800 Speaker 3: candy corns like that kind of ship is actually. 1574 01:18:24,160 --> 01:18:25,160 Speaker 4: TOTSI rolls. 1575 01:18:25,720 --> 01:18:28,400 Speaker 3: No, well, candy corn if it's around Halloween. 1576 01:18:28,400 --> 01:18:30,920 Speaker 4: Can we can we ask the two of them? 1577 01:18:31,000 --> 01:18:42,280 Speaker 7: Okay, do you guys like yes, Olivia, Yeah, this podcast 1578 01:18:42,280 --> 01:18:43,040 Speaker 7: their allies. 1579 01:18:43,840 --> 01:18:47,519 Speaker 2: This podcast is officially over. Thank you for doing Wow. 1580 01:18:47,800 --> 01:18:49,559 Speaker 3: I'm like, wait, can we end on that note? 1581 01:18:50,640 --> 01:18:52,280 Speaker 4: Can I give a shout out about something I want 1582 01:18:52,320 --> 01:18:53,040 Speaker 4: to tell people about? 1583 01:18:53,560 --> 01:18:56,760 Speaker 1: No? No, where can people find you? 1584 01:18:56,800 --> 01:18:57,000 Speaker 3: Where? 1585 01:18:57,000 --> 01:18:59,840 Speaker 1: Can people listen to you? Or can people get more 1586 01:19:00,080 --> 01:19:02,000 Speaker 1: of your infectious energy? 1587 01:19:04,040 --> 01:19:06,720 Speaker 4: Well? Yeah, so I got that podcast. It's called Ghosted 1588 01:19:07,120 --> 01:19:09,479 Speaker 4: by ros Hernandez. I'd love for both of you to 1589 01:19:09,520 --> 01:19:11,439 Speaker 4: come on some would we love to I talked to 1590 01:19:11,520 --> 01:19:15,799 Speaker 4: you like funny people, cool people, famous people, whatever about 1591 01:19:16,320 --> 01:19:20,200 Speaker 4: just ghosts and we have all kinds of fun conversation ghosts, aliens, psychics, 1592 01:19:20,240 --> 01:19:23,760 Speaker 4: whatever that's up everywhere. Get podcast every Monday. But then 1593 01:19:24,520 --> 01:19:29,600 Speaker 4: this is very straight gay on topic. I had this 1594 01:19:30,439 --> 01:19:34,440 Speaker 4: genius idea about you know how like stand up comedians, 1595 01:19:34,479 --> 01:19:37,120 Speaker 4: like especially like straight stand up comedians can just like 1596 01:19:37,360 --> 01:19:42,080 Speaker 4: go to like the haha room hole in like the 1597 01:19:42,080 --> 01:19:46,640 Speaker 4: middle of like smaller cities. I can't do that, okay, 1598 01:19:46,880 --> 01:19:50,040 Speaker 4: but I want to. So I have this idea where 1599 01:19:50,080 --> 01:19:53,080 Speaker 4: I'm going to do that at gay clubs. So I'm 1600 01:19:53,120 --> 01:19:56,120 Speaker 4: doing like these eight o'clock shows at gay clubs like 1601 01:19:56,360 --> 01:19:59,599 Speaker 4: all over the country. And I'm literally driving and I'm 1602 01:19:59,680 --> 01:20:01,560 Speaker 4: hoping to do dozens. 1603 01:20:01,840 --> 01:20:02,479 Speaker 3: That's so fun. 1604 01:20:02,600 --> 01:20:03,880 Speaker 1: Are you planning them as you go? 1605 01:20:04,320 --> 01:20:05,280 Speaker 4: No, I'm planning them now. 1606 01:20:05,400 --> 01:20:06,760 Speaker 1: Okay, So it's like a full tour. 1607 01:20:07,160 --> 01:20:07,360 Speaker 3: Yeah. 1608 01:20:07,400 --> 01:20:09,920 Speaker 4: I haven't announced all the dates yet because I haven't 1609 01:20:09,920 --> 01:20:12,519 Speaker 4: confirmed all the dates yet, but there's definitely quite a 1610 01:20:12,600 --> 01:20:14,639 Speaker 4: few confirmed all over the country. 1611 01:20:14,880 --> 01:20:18,519 Speaker 1: And so and this is stand up stand up. 1612 01:20:18,800 --> 01:20:20,599 Speaker 4: Yeah, just like doing stand And. 1613 01:20:20,520 --> 01:20:22,120 Speaker 2: I'm like, where are you going in Chicago? 1614 01:20:22,240 --> 01:20:24,679 Speaker 4: But I'm like, maybe we need to all do this more, 1615 01:20:25,040 --> 01:20:27,280 Speaker 4: like I want it to become a thing. 1616 01:20:27,439 --> 01:20:28,479 Speaker 1: Here's what I'll say to you. 1617 01:20:28,680 --> 01:20:32,680 Speaker 4: Okay, performing at gay bards is easier for women than men, 1618 01:20:33,160 --> 01:20:36,920 Speaker 4: it is, but it's also very different when it's a 1619 01:20:37,000 --> 01:20:41,400 Speaker 4: special event that is ticketed, and that's true. 1620 01:20:41,400 --> 01:20:42,760 Speaker 2: If it's ticketed and you have to. 1621 01:20:42,720 --> 01:20:45,200 Speaker 4: That's what I'm doing. No, No, I'm not just like 1622 01:20:45,280 --> 01:20:48,160 Speaker 4: showing up. I'm like you, this is a ticketed event. 1623 01:20:49,240 --> 01:20:50,600 Speaker 3: Okay. Some of the worst shows of my life have 1624 01:20:50,640 --> 01:20:51,240 Speaker 3: been at gay boards. 1625 01:20:51,439 --> 01:20:55,600 Speaker 4: I know I have also experienced that as well, but 1626 01:20:56,920 --> 01:20:59,439 Speaker 4: so yeah, I'm just like doing this fun tour that's 1627 01:20:59,479 --> 01:21:01,200 Speaker 4: like going to be super gay and like, you know, 1628 01:21:01,280 --> 01:21:03,560 Speaker 4: give everyone, just like you know, a good hour and 1629 01:21:03,640 --> 01:21:06,200 Speaker 4: a half to just sort of be gay and take 1630 01:21:06,240 --> 01:21:07,760 Speaker 4: our minds off at more than. 1631 01:21:08,360 --> 01:21:11,519 Speaker 2: More than twenty five so longer than a movie should be. 1632 01:21:12,680 --> 01:21:14,919 Speaker 4: With free meet and great included. 1633 01:21:15,160 --> 01:21:18,120 Speaker 1: Oh wow, you can leave if you. 1634 01:21:18,200 --> 01:21:21,040 Speaker 2: Well, that's interesting your transition lenses. 1635 01:21:21,360 --> 01:21:24,000 Speaker 4: So go to Instagram dot com slash ros Hernandez for 1636 01:21:24,120 --> 01:21:24,920 Speaker 4: all of the info. 1637 01:21:25,320 --> 01:21:25,880 Speaker 3: Thank you for that. 1638 01:21:26,000 --> 01:21:29,400 Speaker 4: Shout out form and shout out to everyone who makes 1639 01:21:29,439 --> 01:21:31,280 Speaker 4: this podcast who loves tutsu rols. 1640 01:21:31,720 --> 01:21:32,599 Speaker 1: We are grateful. 1641 01:21:32,960 --> 01:21:34,920 Speaker 2: We love twittsy Rolls as well. We've never said anything 1642 01:21:34,960 --> 01:21:35,640 Speaker 2: about it about them. 1643 01:21:35,840 --> 01:21:37,799 Speaker 1: We are so happy to be part of this community, 1644 01:21:37,840 --> 01:21:39,320 Speaker 1: of the tit zierol community and family. 1645 01:21:39,680 --> 01:21:41,640 Speaker 4: When's the last time you both had a totsyer roll 1646 01:21:41,800 --> 01:21:44,360 Speaker 4: nineteen ninety four. There's your problem. 1647 01:21:45,240 --> 01:21:47,040 Speaker 1: Oh maybe it is an acquired taste and we didn't 1648 01:21:47,040 --> 01:21:48,879 Speaker 1: like it because we were kids, and kids can't appreciate 1649 01:21:48,960 --> 01:21:49,519 Speaker 1: something that's. 1650 01:21:49,400 --> 01:21:50,320 Speaker 2: Not what's going on here. 1651 01:21:51,080 --> 01:21:56,439 Speaker 3: Okay, let's end, Bye bye podcast and now want more. 1652 01:21:56,960 --> 01:21:59,760 Speaker 4: Subscribe to our Patreon for two extra episodes a. 1653 01:21:59,760 --> 01:22:03,840 Speaker 1: Month, discord access and more by heading to patreon dot com. 1654 01:22:04,080 --> 01:22:05,840 Speaker 1: Slash Stradio Lab and for. 1655 01:22:05,880 --> 01:22:08,720 Speaker 3: All our visual earners, free full length video episodes are 1656 01:22:08,720 --> 01:22:09,360 Speaker 3: available on. 1657 01:22:09,439 --> 01:22:11,280 Speaker 1: Our YouTube now Get back to Work. 1658 01:22:11,560 --> 01:22:13,960 Speaker 3: Stradia Lab is a production by Will Ferrell's Big Money 1659 01:22:13,960 --> 01:22:15,680 Speaker 3: Players Network and iHeart Podcasts. 1660 01:22:15,840 --> 01:22:18,679 Speaker 4: Created and hosted by George Severis and Sam Taggart. 1661 01:22:18,800 --> 01:22:22,320 Speaker 3: Executive produced by Will Ferrell, Han Soni and Olivia Aguilar, 1662 01:22:22,479 --> 01:22:25,920 Speaker 3: co produced by Bei Wang, Edited and engineered by Adam Avalos. 1663 01:22:26,280 --> 01:22:28,400 Speaker 3: Artwork by Michael Failes and Matt Grugg. 1664 01:22:28,520 --> 01:22:29,719 Speaker 2: Theme music by Ben Kling