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Speaker 1: Hi, yes, Hi, come in short, but just hurry. I

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Speaker 1: can't find Bowen. What where is he? I don't know, Okay,

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Speaker 1: I thought, hurry. I I think I think I think

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Speaker 1: that there's rats. There's rats all around, okay, but there's

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Speaker 1: rats screwing around in the entire building. Specifically, there are guys.

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Speaker 1: I went by your house to pull up. I've been

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Speaker 1: shooting the rats in the building all day. Why you

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Speaker 1: left your apartment because no one was at your apartment.

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Speaker 1: I've been in the building all night, shooting these rats

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Speaker 1: to death. Firearm, always over a firearm. We both own guns.

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Speaker 1: You gotta get a gun. There are amazing shooting rangers

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Speaker 1: in Burbank. You have to go well, get a gun.

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Speaker 1: I will. This place is a fested with rats. Can

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Speaker 1: I get your welcome? That would be nice? Thank you? Yes,

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Speaker 1: I'm sorry, that's what I just my mom. I need

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Speaker 1: to start cleaning up the dead rat carcasses and the

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Speaker 1: blood on the walls. And can we just relax first,

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Speaker 1: have a red bull? Okay, sugar free. Just chill. It

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Speaker 1: seems counterintuitive to relax and have a red bill. I'm

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Speaker 1: just saying, you don't know what. I don't want to

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Speaker 1: be held in insubordination again, So I will drink my

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Speaker 1: red bill mildly put it mildly to call it insubordination. Guys,

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Speaker 1: I'm real, I'm gonna lightly sit my bread bull this time.

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Speaker 1: I'm not going to gulp it. Okay, that's fine, as

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Speaker 1: long as you drink it and relax. And there's just

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Speaker 1: been there's all sort of infesting creatures around. I can, can,

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Speaker 1: I can? I can? I be honest? Always were your

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Speaker 1: best friends. Don't ever order a hickory for arms cheese

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Speaker 1: basket again that you should order me? Who who? Who?

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Speaker 1: Does those pairs David something Harry and David Harry and

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Speaker 1: David instead that might have led to the rest infants stations.

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Speaker 1: And also that falafel that we we never we never

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Speaker 1: took We never took it out because we were so

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Speaker 1: excited about how successful the series was that we got

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Speaker 1: sidetracked and never took the I think our fault. But

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Speaker 1: this is what I want to say, in my honesty,

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Speaker 1: I don't know how much longer I could do this.

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Speaker 1: The office is falling apart, there's rats everywhere, there's blood

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Speaker 1: on the walls. Okay, Well, to further what you're saying,

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Speaker 1: I took. I took such a wild swing with this

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Speaker 1: next one. Yeah. We were actually given the note um

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Speaker 1: to keep it up by the trades. So I hope,

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Speaker 1: even if it's a big swing, I hope it's good. Better,

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Speaker 1: be better, be good, keep up in all caps caps

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Speaker 1: from the trades. Hollywood reporter said, all caps, keep it up,

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Speaker 1: and they never say that. Are we talking variety? We're

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Speaker 1: talking variety. We're talking all the trades. Angelino Magazine, the

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Speaker 1: stuff they put in hotels, We're talking Emmy magazine. Even

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Speaker 1: Emmy Magazine is weighing in. I saw I was on

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Speaker 1: a commuter flight from Buffalo two um, Syracuse. Why that's

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Speaker 1: a short flight. None of your business? Okay, how to

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Speaker 1: make a delivery for someone? All right? Whose name will

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Speaker 1: not be because anyway they're very close. Of course, we

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Speaker 1: got a great mention from the in flight American Airlines magazine,

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Speaker 1: commuter flight. That's what I'm trying to say. That's huge.

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Speaker 1: That's even bigger than trades. Will you do? So you've

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Speaker 1: earned this big swing? Now? What is it? All right?

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Speaker 1: I wouldn't feel as adventurous as I'm feeling if it

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Speaker 1: wasn't handled by this person. Okay, who tell Us Smallwood,

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Speaker 1: Sarah Smallwood Parsons like very James Bond Smallwood Sarah Sarah Parsons,

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Speaker 1: Sarah Smaller Parsons talent. She has created a wonderful little

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Speaker 1: show on the Surface with Bethelsda. Listen to this. Bethelsda

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Speaker 1: is a huge worm like creature that lives at the

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Speaker 1: bottom of a deep muddy hole. Tries to make sense

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Speaker 1: of the disgusting world above with the help from human

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Speaker 1: experts and her sidekick, a cool teen that fell down

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Speaker 1: her muddy hole. Join in as they just gus on

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Speaker 1: the surface with Bethel's This is a really big swing.

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Speaker 1: But I will say Sarah Smallwood Parsons who for those

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Speaker 1: of you who don't know in this room in my office,

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Speaker 1: She's a queer, redheaded cat mom who roller blades and

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Speaker 1: co host the show Characters Welcome in the City of

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Speaker 1: New York. She was a new face at the Juster

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Speaker 1: Lass Festival. Very prestigious, a resident at above average and

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Speaker 1: a soprano in college a cappella group. Unfortunately sopranos happy

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Speaker 1: the highest high sopranos happy. Yeah, what's the highest note

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Speaker 1: you can hit? The G flat? What is the G Flatly? Gee? Oh,

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Speaker 1: he went right to g flat. There is that flat?

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Speaker 1: He walked right up to flat. You have to sort

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Speaker 1: of you know the trick. He's amazing technique. Oh my god,

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Speaker 1: don't look at my eyes. Let's just still work. Is

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Speaker 1: it supposed to make you cry? I don't know how

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Speaker 1: to feel, but I guess that's music and art to comfort.

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Speaker 1: It's been a long day. It's been a long day.

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Speaker 1: There rats everywhere. You're covered, and you're covered in blood.

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Speaker 1: It's not just this this office that's infested. We got

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Speaker 1: this creature on the surface with that's now perfect. Behold.

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Speaker 1: I am Bethelzda, a giant worm like creature that lives

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Speaker 1: at the bottom of a muddy hole. And this is

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Speaker 1: my podcast on the Surface, where I try to make

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Speaker 1: sense of the world above with help from human experts

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Speaker 1: and my sidekick, a cool team that fell down my

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Speaker 1: whole cool teen say something I missed the sun. We'll

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Speaker 1: get used to a pal. Today's topic drag. What is it?

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Speaker 1: Where is it? Is it contagious? Hopefully we'll find out

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Speaker 1: from our guests. Up first, from his podcast, Secure the Gag,

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Speaker 1: Nathan Pierson. Nathan, thanks for being here, well, thank you

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Speaker 1: so much for having me. This is my first worm cast. Wow,

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Speaker 1: well this is my second human related cash so you're

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Speaker 1: in good company. And from the podcast Middle Children, please welcome.

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Speaker 1: Chris Burns a k a. Fat Carry Bradshaw. Chris, how

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Speaker 1: are you? I'm I'm so well. Bethezda, I want to say, um,

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Speaker 1: is that a Bethesda? It's Bethelzda and I am offended

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Speaker 1: Bethelsda with an hell, oh got it? Thank you. It

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Speaker 1: won't happen again. Bethesda's where I go for Thanksgiving with

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Speaker 1: my Yeah. I have some friends from the Potomac area

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Speaker 1: as well. Chris Nathan, this is uh. I know I

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Speaker 1: intrude them, but this is cool teen. They're a scene

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Speaker 1: that fell down into my hole. Who tells me that

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Speaker 1: they were very very cool on the surface. Oh yeah,

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Speaker 1: unbelievably cool. You wouldn't freaking believe how cool I freaking

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Speaker 1: was up there, man, Really, what part of the surface

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Speaker 1: were you from? I listen. I was from the suburbs

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Speaker 1: and I was freaking cool. Man. I ran that called

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Speaker 1: the sack up and down. Oh. If you wanted a

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Speaker 1: girl's number, I had it. If you wanted a video game,

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Speaker 1: I would get it out of the library. I was

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Speaker 1: so freaking cool man. Well suburbs called the sack words.

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Speaker 1: I don't understand. You're not missing much. You're not missing much. Yeah,

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Speaker 1: the coolest kids get video games from the library. Yeah, yeah, yeah,

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Speaker 1: that's certified true. You know what I'm learning already and

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Speaker 1: I can't wait till learn more. So today's topic is dragged. Now,

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Speaker 1: when I think of drag, I think of what I

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Speaker 1: do with my big, slimy body when I need to

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Speaker 1: get to the other side of the whole me too.

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Speaker 1: Oh perfect, So is that how you would define drag

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Speaker 1: as well? Not in so many words, I guess. I

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Speaker 1: mean sometimes, yes, that is how I would describe drag,

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Speaker 1: But I think the general term would be kind of

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Speaker 1: dressing or performing in a traditional woman style, traditional woman style. Now, Nathan,

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Speaker 1: would you agree with that, Yeah, I would, I would agree.

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Speaker 1: I would add to it that broadly, it's the performance

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Speaker 1: of gender. Yeah. Interesting. Yeah, the world up there obsessed

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Speaker 1: with gender famously. Um, you know, we don't have gender

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Speaker 1: down here. We all just identify as big old mud freaks.

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Speaker 1: So yeah, that's how I identify myself. Actually, oh my god, perfect, Well,

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Speaker 1: I'm kidding. I forget that. You don't get sarcasm as

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Speaker 1: a worm. Oh okay, yeah, no, famously, I am a worm.

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Speaker 1: My is the size of a sesame seed. Joe, you know,

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Speaker 1: dumb it down for me. Um, okay, well great, um

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Speaker 1: let's see. So, Chris, you sometimes are what's called a

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Speaker 1: drag queen. Now, is that like a queen insect where

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Speaker 1: the drag queen spends every day like relaxing while the

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Speaker 1: regular drags pleasure her and bring her gifts. Well that's

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Speaker 1: the hope, but um, not quite currently in my life,

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Speaker 1: I'm one of I guess, a worker queen, and then

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Speaker 1: the big drag queens just generally that would just be

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Speaker 1: like uh, I guess, like a royal person or like

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Speaker 1: a very famous person. So maybe someday, um, I'll be

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Speaker 1: at the level where other drag queens will mill about

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Speaker 1: for me like a Rue Paul level would be other

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Speaker 1: drag queens do all the work for her god a

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Speaker 1: god at Rue Paul. That's definitely someone I definitely know.

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Speaker 1: I don't know what that is. That's basically are you

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Speaker 1: familiar with like bees? Yes, so I guess it would

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Speaker 1: be like similar to a queen bee, and then the

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Speaker 1: other drag queens are like worker bees, Chris, have you

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Speaker 1: talked to a worm before? Because you're really explaining this stuff. Yeah.

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Speaker 1: The dating apps up here are riddled with them, absolutely

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Speaker 1: dating apps. I'm gonna have to I've heard slightly about daily.

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Speaker 1: I'm going to have to have some other experts in

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Speaker 1: on that. Now. Nathan, let's go over to you. You

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Speaker 1: work for a show called drag Race. Yeah. Yes, Unfortunately,

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Speaker 1: I'm very unfamiliar with human sports. All I know is

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Speaker 1: mud clout. I'm sure you've played mud clot Can you

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Speaker 1: explain drag Race? Yeah? Yeah, Chris mentioned RuPaul, who is

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Speaker 1: the most famous I would say drag queen of our

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Speaker 1: time right now. So, imagine a queen bee in a

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Speaker 1: hive had a reality competition show where other queen bees

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Speaker 1: competed to be the best queen bee in a variety

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Speaker 1: of challenges. That's not like a very chaotic hive. Chaotic hive,

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Speaker 1: but there's a prize at the end too, And I

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Speaker 1: feel like there's probably a prize in the hive. I'm

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Speaker 1: sure you're familiar. I mean, I do love a prize,

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Speaker 1: you know what. I gotta be honest, I'm still kind

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Speaker 1: of lost. So why don't we just hop into our

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Speaker 1: first segment that I call what in the mud? Is this? Alright?

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Speaker 1: So here's how it works. Okay, I'm gonna present you

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Speaker 1: with a series of words related to drag. I've been

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Speaker 1: told these are related to drag. I will take a

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Speaker 1: guess at what they mean, and then you'll correct me

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Speaker 1: if needed. Cool, cool, perfect, Okay, great? So first up, Okay,

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Speaker 1: we've got lips sink Um. Okay, I'm gonna say this

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Speaker 1: is when you pass out, face down after a long

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Speaker 1: game of mud clot and your lips sink into the mud?

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Speaker 1: Am I close? Um? Not that close, to be honest,

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Speaker 1: No mud clot is involved, unfortunately, Well depending if you

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Speaker 1: get creative enough, I guess maybe it could. So what

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Speaker 1: is the sinking of the lips? Uh? Do you have

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Speaker 1: music down there? Oh? Yeah, definitely, we got a band

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Speaker 1: down here. My favorite band a dung beetle that pushes

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Speaker 1: a little ball with a bell in it. It's pretty good.

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Speaker 1: It's very rhythmic. It's definitely very constant and incessant. That's

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Speaker 1: what I'll say about the dung beetle with the bell.

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Speaker 1: Cool teen, you'd rather listen to? Who's that artist your

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Speaker 1: obsessed with? Eminem? Eminem? What year did you fall down

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Speaker 1: the whole manch just a few months ago, and they're

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Speaker 1: allowed to leave as soon as they get me out

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Speaker 1: of this hole. Anyway, let's move on to this next

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Speaker 1: vocab word, death drop. Okay, great, we're on topic. This one,

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Speaker 1: I'm pretty sure is what happened to cool teen when

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Speaker 1: they were walking and texting in the woods, except unfortunately

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Speaker 1: they survived. Is that right, cool Teine. That's how you

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Speaker 1: fell down here. That's how I fell on here. I

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Speaker 1: don't know if I would say unfortunately I survived, but

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Speaker 1: I definitely, Uh, that's what I was doing. I was

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Speaker 1: looking at my phone. I wasn't paying attention, just like

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Speaker 1: my parents always said. And next thing I knew, Oh,

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Speaker 1: I was thunking hard into you at the bottom of

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Speaker 1: this whole parente. I wish I had those Let's kick

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Speaker 1: it to Nathan. Nathan, is that what a death drop

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Speaker 1: is or how would you define it? Yeah? Do you dance?

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Speaker 1: I've been known to, you know, flap my two ins

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Speaker 1: together from time to time, but human dancing I'm not

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Speaker 1: super familiar with. Yeah, so at death drop is a

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Speaker 1: is a move? Is a dance move? Okay? Popularized in

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Speaker 1: the ball scene. But we don't have to get into that,

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Speaker 1: but it's a very popular choreographed dance move that drag

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Speaker 1: queens do where they just kind of drop dead, like

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Speaker 1: they look like they kind of just like lose everything

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Speaker 1: in their body, just fall down into like a split.

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Speaker 1: You'd be great at this. Oh yeah, I would just

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Speaker 1: reenact what happened when I fell on here, But I

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Speaker 1: will say, um, I am good at what is famously

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Speaker 1: the coolest move to do it a school dance, and

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Speaker 1: you'd like this. It's called the worm. Okay, to sounds defensive,

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Speaker 1: but go ahead and describe it to me. Well, I

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Speaker 1: would just kind of, you know, undulate my body on

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Speaker 1: the grounds over and over, kind of like a worm,

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Speaker 1: and then all the ladies would flock to my sides

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Speaker 1: because it's famously very cool. Al Right, that does seem

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Speaker 1: exactly like what I do, so I guess I can't

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Speaker 1: be offected by that. No ladies down here, though, No,

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Speaker 1: some day one'll fall in, one can hope. All right,

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Speaker 1: let's move on to this next road. Gab word, this

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Speaker 1: is a mouthful or a butt full, because sometimes I

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Speaker 1: can't tell my mouth from my butt. Uh eleganza. Weirdly,

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Speaker 1: that's my sister's name. She's a regular sized worm, kind

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Speaker 1: of the favorite of the family. You know what I'm

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Speaker 1: talking about as a middle child there Christmas? Yeah, of

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Speaker 1: course Eleganza. Is this a name? It can be. I

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Speaker 1: guess anything can be a name. The interesting thing is

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Speaker 1: when you ask for a definition of something like Eleganza,

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Speaker 1: it's hard to um kind of define for me personally,

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Speaker 1: I agree, it's one of the you know, when you

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Speaker 1: see it, it's it's it's it's it's script or with

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Speaker 1: positive connotation. Okay, would you say my whole is Eleganza?

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Speaker 1: I have to see it first. Uh, you're here, dumb, dumb.

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Speaker 1: I'm just kidding. Oh, your whole, in the whole, I'm

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Speaker 1: in your asshole. I'm in your asshole. Thank you. Okay,

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Speaker 1: I guess I should be more specific about what whole

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Speaker 1: I'm talking about. Hold their end, But we gotta know

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Speaker 1: which one it is. Ohs are in good to know.

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Speaker 1: Let's let's get on over to this next volt cab

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Speaker 1: woord this one. Okay, So this is camp, which I

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Speaker 1: believe is where bless you. Wow. Let me explain. Sometimes

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Speaker 1: if I wiggle around too much, air gets trapped in

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Speaker 1: my body and it will sort of come out. I

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Speaker 1: don't know if humans do anything like that, but yeah,

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Speaker 1: I know the same thing happens to me. Oh my god.

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Speaker 1: Perfect well I planned that that wasn't an accident alright,

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Speaker 1: So camp okay, No, I believe this is where cool

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Speaker 1: teen ran away from right before they fell in my hole.

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Speaker 1: Why did you run away from camp again? Coutine? Oh yeah, well,

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Speaker 1: you know it's a complicated story because we were sitting

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Speaker 1: around the bonfire and telling scary stories and one of

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Speaker 1: the more loser kids at the camp got a little

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Speaker 1: scared and pete in their pants. So naturally, as one

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Speaker 1: of the cooler kids, I went off into the woods

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Speaker 1: looking for another pair of pants for this poor kid.

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Speaker 1: So I do have to interject, where were you buying pants?

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Speaker 1: We don't sell pants in the woods up here. I

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Speaker 1: don't know. Well, that's why I was looking at my phone.

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Speaker 1: I was looking at the Google maps trying to find

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Speaker 1: the TJ Max. Coutine. You said that you went to

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Speaker 1: the pants store in the woods. That's what you told me. Oh,

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Speaker 1: I must have hit my head when I fell. You

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Speaker 1: said it was called TJ Pants. T J Pants, Yeah,

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Speaker 1: I'm confused. Well, there is a TJ Max so so

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Speaker 1: maybe that is where he got them. Yeah, well let's

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Speaker 1: let's what is camp to humans? Or did I get

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Speaker 1: it right? Well, you actually did get the definition of

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Speaker 1: the word camp part right. There's different definitions. So I

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Speaker 1: can say yes and I'll let Nathan um give I

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00:18:06,000 --> 00:18:10,200
Speaker 1: was gonna say, I'll let Chris get this one. So like,

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Speaker 1: it's also something that you know when you see um.

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Speaker 1: For example, I might interpret camp as you being a

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Speaker 1: giant worm covered in mud. If you were to show

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Speaker 1: up to a red carpet, it would be very camp.

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Speaker 1: I'm camp. I am camp. Yeah, it's it's big, it's

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Speaker 1: out there, it's different, it's new. Yeah, that's that's it.

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Speaker 1: That's it's also like self referential, so like if you

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Speaker 1: were known for something and then you did it again

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Speaker 1: later and like added some pizzas to it, Like how

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Speaker 1: I'm known for trying to escape the whole, but I

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Speaker 1: try a different way each time. I always fail. Similar

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Speaker 1: yeah over time. Yeah, yeah, if you created that into

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Speaker 1: some sort of a design. Okay, we're a confession. Yeah. Interesting,

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Speaker 1: Well I famously don't wear clothes because I am a

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Speaker 1: big giant worm. Well that's camp. Oh, nudity is camp.

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Speaker 1: I'm writing this down nudity. Hold on, I have to

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Speaker 1: write it with my basically, yeah, I got it, oh yeah,

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00:19:14,960 --> 00:19:19,080
Speaker 1: but also has the right via mouse because the whole

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Speaker 1: no arms thing. So I tried butthole once do not

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00:19:22,160 --> 00:19:24,439
Speaker 1: go well. Let me tell you try again. You have

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00:19:24,480 --> 00:19:25,600
Speaker 1: to have to try again. There are a lot of

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Speaker 1: people who try it once. You have to try it again.

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Speaker 1: It feltastic, but it was allegible. It's like coffee. It's

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Speaker 1: an acquired taste coffee. I've never tried coffee, alright, got

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00:19:34,760 --> 00:19:37,760
Speaker 1: down as well. You'd love coffee. You would love coffee

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00:19:37,800 --> 00:19:39,639
Speaker 1: a little too much. I think that would not bode

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Speaker 1: well for me if we had a coffee maker down here.

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Speaker 1: You've had coffee. You're a coffee drinker. Cool teen, Oh boy,

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Speaker 1: I was always getting a cold brew at dunkin Donuts.

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00:19:51,760 --> 00:19:55,200
Speaker 1: That's the coolest restaurant. And you know, to be honest,

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Speaker 1: I would only drink a few SIPs because after that

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00:19:58,600 --> 00:20:02,480
Speaker 1: it would start interacting with my HD medication, which you

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00:20:02,520 --> 00:20:05,000
Speaker 1: know is pretty sick. Oh yeah, you're a d h

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00:20:05,119 --> 00:20:11,360
Speaker 1: D medication stands for annoying, down and the hole. Help me.

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00:20:11,640 --> 00:20:13,440
Speaker 1: I'm down in the hole. No, like you know, what

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Speaker 1: This isn't a vocab word about drag, So we're gonna

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Speaker 1: get back to the drag vocab. Okay, all right, so

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Speaker 1: we got this next one. Um okay, busted. Now this

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Speaker 1: is what I yell at cool teen when I catch

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00:20:24,359 --> 00:20:29,000
Speaker 1: them snooping around in my stick collection. Busted It means

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Speaker 1: no and drag. Busted is someone who is not put together,

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Speaker 1: looks a mess. Someone who's a little bit uh, isn't

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Speaker 1: as skilled at the craft of drag, looks like half fast.

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Speaker 1: So when cool teen fell down the hole, you probably

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00:20:44,760 --> 00:20:47,840
Speaker 1: thought that they looked busted. I mean, yeah, they were.

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Speaker 1: They had definitely pissent sh it themselves. Then they threw up.

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00:20:53,359 --> 00:20:56,080
Speaker 1: Then they ate a snack that they had in their pocket,

333
00:20:56,160 --> 00:20:58,360
Speaker 1: immediately threw up again. I said, like, why did don't

334
00:20:58,400 --> 00:20:59,920
Speaker 1: eat the snag? You're gonna throw up? And then I

335
00:21:00,200 --> 00:21:03,640
Speaker 1: threw up. Yeah, all dirt. It was a rough night,

336
00:21:03,880 --> 00:21:06,280
Speaker 1: but we went back and forth throwing up until we

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00:21:06,560 --> 00:21:09,920
Speaker 1: finally introduced ourselves. Yeah, well, it sounds like you pissed

338
00:21:09,920 --> 00:21:12,680
Speaker 1: your pants before you even got down the hall, so

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00:21:12,920 --> 00:21:15,640
Speaker 1: that doesn't surprise me. No, I think it was the impact.

340
00:21:15,720 --> 00:21:17,960
Speaker 1: I think it was the impact of the fall pushed

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00:21:18,000 --> 00:21:20,240
Speaker 1: the piss out pretty sure? Oh, I thought you would

342
00:21:20,240 --> 00:21:22,760
Speaker 1: said that you pissed yourself and you were looking for pants?

343
00:21:23,160 --> 00:21:25,240
Speaker 1: Was someone else pissed themselves and I was looking for

344
00:21:25,320 --> 00:21:28,240
Speaker 1: pants for them as a good samaritan? You know what, listeners,

345
00:21:28,720 --> 00:21:32,560
Speaker 1: do we think the fall pushed the piss out or

346
00:21:32,760 --> 00:21:36,120
Speaker 1: does cool team just pissed themselves all the time? Go ahead,

347
00:21:36,160 --> 00:21:38,120
Speaker 1: and I don't know if we're gonna have a common section.

348
00:21:38,320 --> 00:21:40,399
Speaker 1: To me, it sounds like a little of this, a

349
00:21:40,440 --> 00:21:44,440
Speaker 1: little of that that sounds like a song. We were

350
00:21:44,440 --> 00:21:48,120
Speaker 1: talking about music. Um okay, okay, okay, okay. We only

351
00:21:48,119 --> 00:21:50,680
Speaker 1: got a couple of more ties. Uh oh, This one

352
00:21:50,920 --> 00:21:54,719
Speaker 1: called kicky to me, this is the sound the bird's

353
00:21:54,760 --> 00:21:56,719
Speaker 1: make when they dive down and try to eat me

354
00:21:56,760 --> 00:22:00,359
Speaker 1: and then realized they've made a terrible mistake. They gokay kiki?

355
00:22:00,640 --> 00:22:03,520
Speaker 1: Is that the name that's what it's based off of. Actually,

356
00:22:03,760 --> 00:22:07,320
Speaker 1: kiki is the sound of two like chickens going kikikikikikiki,

357
00:22:07,720 --> 00:22:11,920
Speaker 1: And it's basically like a slang for when two queens

358
00:22:12,000 --> 00:22:14,240
Speaker 1: or gays get together just to like chat, and it

359
00:22:14,359 --> 00:22:17,000
Speaker 1: sounds like kikiing. So you do that one. We need

360
00:22:17,000 --> 00:22:20,520
Speaker 1: a soundboard with a celebratory sound. We'll put it in here.

361
00:22:23,640 --> 00:22:26,040
Speaker 1: This is kind of like a ki ki if you will.

362
00:22:26,160 --> 00:22:32,640
Speaker 1: This is a ki okay, kikiki. We're kicking absolutely. It's

363
00:22:32,640 --> 00:22:36,800
Speaker 1: also a name, so careful, yeah, a popular name on

364
00:22:36,840 --> 00:22:40,520
Speaker 1: the surface, Kiki interesting, all right, don't look out for

365
00:22:40,600 --> 00:22:44,160
Speaker 1: cake each let's see. Oh last one that I have.

366
00:22:44,480 --> 00:22:49,280
Speaker 1: It's just a no tea, no shade story of my

367
00:22:49,359 --> 00:22:52,040
Speaker 1: life and high noon. I got to bury myself from

368
00:22:52,080 --> 00:22:55,240
Speaker 1: the murderos I end up fried and flat and I'll

369
00:22:55,280 --> 00:22:58,320
Speaker 1: probably die. Is that a no tin no shade? I

370
00:22:58,359 --> 00:23:01,440
Speaker 1: don't think I would say no tino hade after explaining

371
00:23:01,480 --> 00:23:03,639
Speaker 1: what I was going to do to not die. No

372
00:23:03,760 --> 00:23:06,840
Speaker 1: tino shade is when you give like an unsolicited opinion.

373
00:23:07,520 --> 00:23:09,720
Speaker 1: I guess would be the best way to describe it.

374
00:23:09,960 --> 00:23:13,919
Speaker 1: If I was like, no tin, no shade, you go ahead.

375
00:23:14,520 --> 00:23:16,960
Speaker 1: Oh okay, Well, I don't want to be rude. No,

376
00:23:17,000 --> 00:23:18,800
Speaker 1: try to come on. I'm trying to I need human

377
00:23:18,840 --> 00:23:23,880
Speaker 1: experiences here, but like, okay, so um, no tin no shade.

378
00:23:24,600 --> 00:23:26,680
Speaker 1: The best thing about being a worm is being small

379
00:23:26,720 --> 00:23:29,359
Speaker 1: and going unnoticed. So like, you don't have any benefits

380
00:23:29,359 --> 00:23:37,359
Speaker 1: of being a worm out Okay, wait else, young teen,

381
00:23:37,600 --> 00:23:40,199
Speaker 1: I have one for you like no tin, no shade,

382
00:23:40,240 --> 00:23:42,520
Speaker 1: but you could probably bathe because you smell like piss

383
00:23:42,520 --> 00:23:46,840
Speaker 1: and ship. Yeah yeah, that's no tea and no shade

384
00:23:46,880 --> 00:23:49,439
Speaker 1: because I definitely need a bath. We we just have

385
00:23:49,520 --> 00:23:53,960
Speaker 1: to wait for the rain. It's it's an unfortunate situation. Oh,

386
00:23:54,000 --> 00:23:57,240
Speaker 1: no tin, no shade. I like all of you very much.

387
00:23:57,720 --> 00:24:01,200
Speaker 1: Did I do it right? No? No to bad cole Jeane.

388
00:24:01,200 --> 00:24:02,760
Speaker 1: Do you have any you want to throw out? Any

389
00:24:02,840 --> 00:24:06,160
Speaker 1: last woke have words before we move on? Yeah? Um,

390
00:24:06,200 --> 00:24:08,240
Speaker 1: you know this is something my uncle says when he

391
00:24:08,240 --> 00:24:10,320
Speaker 1: doesn't want to play with me anymore. But I'm sure

392
00:24:10,359 --> 00:24:14,359
Speaker 1: he got it from somewhere else, Sasha away, is your uncle?

393
00:24:14,560 --> 00:24:17,720
Speaker 1: Is your uncle homosexual? I don't know. To me, he's

394
00:24:17,760 --> 00:24:20,040
Speaker 1: just an uncle. I haven't really envisioned him as a

395
00:24:20,080 --> 00:24:23,160
Speaker 1: person outside of our relationship. What other kinds of things

396
00:24:23,200 --> 00:24:29,359
Speaker 1: does he say? He says, honey, what, honey? What? I

397
00:24:29,440 --> 00:24:31,600
Speaker 1: like that. I'm gonna write that down. Yeah. Yeah, you

398
00:24:31,600 --> 00:24:33,959
Speaker 1: have a gay uncle and he gives me money. He

399
00:24:34,000 --> 00:24:38,399
Speaker 1: gives me lots of money every holidays. Yeah. Maybe maybe

400
00:24:38,400 --> 00:24:40,399
Speaker 1: you are a cool teen, After all, you have a

401
00:24:40,400 --> 00:24:44,040
Speaker 1: gay uncle who's ritch Wow, I'm learning more about myself

402
00:24:44,080 --> 00:24:46,159
Speaker 1: every day. You know, this is making me think I

403
00:24:46,240 --> 00:24:50,199
Speaker 1: got to explore my sexualitymore. Famishly, worms are amaphroditic, so

404
00:24:50,320 --> 00:24:54,320
Speaker 1: we have both. We have all kinds of organs going on,

405
00:24:54,400 --> 00:24:57,760
Speaker 1: and they're just a mishmash of stuff. Yeah. I don't know.

406
00:24:57,560 --> 00:24:59,600
Speaker 1: I gotta figure out what I'm a trecked to do.

407
00:25:00,480 --> 00:25:04,040
Speaker 1: Is there any other Do you have friends? You know,

408
00:25:04,359 --> 00:25:07,280
Speaker 1: it's like, um, it's pretty much just me and coutine

409
00:25:07,400 --> 00:25:09,880
Speaker 1: down here. You know, I'm so big that I can't

410
00:25:09,880 --> 00:25:12,879
Speaker 1: really tunnel out anymore, So it's kind of kind of

411
00:25:12,920 --> 00:25:17,960
Speaker 1: hard to tunnel in. You know. You know someone's into that,

412
00:25:18,119 --> 00:25:21,840
Speaker 1: someone's into that. You know you'll find someone. Yeah, there's

413
00:25:21,880 --> 00:25:24,600
Speaker 1: a lid for every jar, you know, That's what they say.

414
00:25:24,640 --> 00:25:26,800
Speaker 1: It's a nice way to put it. I love that, Cootine.

415
00:25:26,800 --> 00:25:29,840
Speaker 1: Did you have any others before we move on? Uh? Yeah,

416
00:25:29,880 --> 00:25:31,439
Speaker 1: you know, at first I thought this was one of

417
00:25:31,440 --> 00:25:34,600
Speaker 1: Santa's reindeer, but then I don't think it is because

418
00:25:34,640 --> 00:25:36,960
Speaker 1: I listed them out. I do forget many things about

419
00:25:36,960 --> 00:25:42,760
Speaker 1: the service, but I do remember Santa's reindeer. But a bronzer. Um,

420
00:25:42,960 --> 00:25:46,200
Speaker 1: I don't think that is one of Santa's reindeer. Actually, yeah,

421
00:25:46,240 --> 00:25:48,760
Speaker 1: that's not one. It's not one, So what is it?

422
00:25:49,320 --> 00:25:54,960
Speaker 1: Bronze is a makeup used to contour? Yes, contour? What's contouring?

423
00:25:55,400 --> 00:25:58,880
Speaker 1: It's like to make your face look better than it does.

424
00:26:00,119 --> 00:26:05,840
Speaker 1: Ying makes it look like sharper, tighter, snatched, if you will?

425
00:26:06,720 --> 00:26:10,280
Speaker 1: How could I use brner on my long segmented body.

426
00:26:10,880 --> 00:26:15,440
Speaker 1: I'd go for a highlighter maybe instead. Okay. Yeah, contours

427
00:26:15,440 --> 00:26:18,440
Speaker 1: about making shadows. And it's already pretty dark in your hole,

428
00:26:18,640 --> 00:26:21,200
Speaker 1: so I agree. Yeah, we don't have any electricity going

429
00:26:21,240 --> 00:26:23,320
Speaker 1: down here, so you know it's kind of lights out

430
00:26:23,359 --> 00:26:28,720
Speaker 1: at six anyway, any more quoting, those are all mine,

431
00:26:28,760 --> 00:26:33,200
Speaker 1: Those are all my questions. I love that. Let's move

432
00:26:33,200 --> 00:26:40,399
Speaker 1: on to our next segment, okay, which I'm calling drug drug. Okay,

433
00:26:40,480 --> 00:26:43,080
Speaker 1: So here's how it works. Okay, I'm gonna give you

434
00:26:43,119 --> 00:26:46,760
Speaker 1: a few scenarios written by us and our listeners, okay,

435
00:26:46,800 --> 00:26:49,200
Speaker 1: and you two are gonna tell us whether it's drag

436
00:26:49,880 --> 00:26:52,240
Speaker 1: or not drag. Okay. I think this might help me

437
00:26:52,320 --> 00:26:55,760
Speaker 1: grasp drag a little more. Alright, So this first one

438
00:26:55,920 --> 00:27:00,600
Speaker 1: is putting on a share costume and lip sinking lips chicken,

439
00:27:00,920 --> 00:27:04,240
Speaker 1: do you believe in life after love? Drag or not drag?

440
00:27:05,200 --> 00:27:09,080
Speaker 1: Drag drag? Great, okay, great after a good stot. Okay,

441
00:27:09,080 --> 00:27:12,280
Speaker 1: when you cut all your Barbie's hair off and draw

442
00:27:12,320 --> 00:27:15,280
Speaker 1: a lipstick on her with a red magic marker, drag

443
00:27:15,920 --> 00:27:20,760
Speaker 1: or not drag? Is that something? Cool? Teen? You put

444
00:27:20,800 --> 00:27:22,760
Speaker 1: that in your right? I did. I slipped that one in.

445
00:27:22,840 --> 00:27:25,600
Speaker 1: I was just kind of wondering. No, that's not yeah,

446
00:27:25,680 --> 00:27:27,919
Speaker 1: I agree, not drag. What is it then? Is it

447
00:27:28,040 --> 00:27:32,320
Speaker 1: concerning behavior? Yes, that's precisely what it does. Okay, Oh,

448
00:27:32,359 --> 00:27:36,119
Speaker 1: it's like psycho stuff. All right? Yeah, well, you know

449
00:27:36,200 --> 00:27:38,200
Speaker 1: cool teen. If you can ever get me out of here,

450
00:27:38,240 --> 00:27:41,440
Speaker 1: maybe we can get you some professional help. There's a

451
00:27:41,560 --> 00:27:46,680
Speaker 1: third one, a cat in a hat drag not drag.

452
00:27:47,320 --> 00:27:51,000
Speaker 1: I'm gonna say that's drag, Chris, I'll agree with that.

453
00:27:51,560 --> 00:27:53,879
Speaker 1: I'm trying to think of different ways to see a

454
00:27:53,880 --> 00:27:56,080
Speaker 1: cat in a hat, and all of them seem like

455
00:27:56,160 --> 00:27:59,760
Speaker 1: dragged to me. And the cat in the hat that's drag.

456
00:28:00,040 --> 00:28:03,359
Speaker 1: That's drag. Okay. I'm not familiar with the cat in

457
00:28:03,400 --> 00:28:06,199
Speaker 1: the head, but he sounds very important. Yeah he is,

458
00:28:06,440 --> 00:28:09,639
Speaker 1: all right, Okay. Next one, this one, I don't know

459
00:28:09,640 --> 00:28:13,720
Speaker 1: who putition you put on a wig and pretend to

460
00:28:13,760 --> 00:28:17,359
Speaker 1: be human so you can be rescued and finally escaped

461
00:28:17,440 --> 00:28:20,000
Speaker 1: the whole to walk freely on the surface. Drag or

462
00:28:20,000 --> 00:28:24,680
Speaker 1: not drag? That's drag. Yeah, I heard a wig. That's dragan.

463
00:28:25,480 --> 00:28:29,719
Speaker 1: Putting on a wig to escape yourself. Yes, that is drag. Amen. Amen.

464
00:28:29,920 --> 00:28:32,280
Speaker 1: Maybe sometime you could come by and just like throw

465
00:28:32,320 --> 00:28:34,879
Speaker 1: a few wigs down here, you know, since since you

466
00:28:34,920 --> 00:28:38,160
Speaker 1: can get out and I can't, you'll stretch them out.

467
00:28:38,360 --> 00:28:42,080
Speaker 1: But maybe some old ones, which to me, well, it's

468
00:28:42,080 --> 00:28:44,320
Speaker 1: just your a large worm. And I'm I have a

469
00:28:44,360 --> 00:28:47,720
Speaker 1: petite head. Oh you got a little head. Yeah, famously,

470
00:28:47,720 --> 00:28:51,040
Speaker 1: I've got a small, small head. Well, good for you.

471
00:28:51,680 --> 00:28:53,720
Speaker 1: I'm kidding. I'm not mad at you. You do have

472
00:28:53,760 --> 00:28:56,560
Speaker 1: a beautiful small head. Thank you. I don't even know

473
00:28:56,600 --> 00:28:58,959
Speaker 1: where my head starts and begins, to be totally honest,

474
00:28:59,160 --> 00:29:03,400
Speaker 1: but you know there's a neck in there somewhere. Okay,

475
00:29:03,400 --> 00:29:06,920
Speaker 1: here we go putting your glasses on an inanimate object

476
00:29:07,000 --> 00:29:10,200
Speaker 1: so it looks like it's wearing glasses. Drag or not drag?

477
00:29:11,040 --> 00:29:14,240
Speaker 1: I would say, no, yeah, no, it's not living, it's

478
00:29:14,240 --> 00:29:18,760
Speaker 1: not Okay, that's crafts. That's crafts. That's something else that

479
00:29:18,880 --> 00:29:20,520
Speaker 1: might not be a part of drag, but it is

480
00:29:20,560 --> 00:29:24,160
Speaker 1: a crucial part of mud clot, can we agree, Absolutely,

481
00:29:24,200 --> 00:29:27,120
Speaker 1: a crucial crucial part of mud clock. It's the first

482
00:29:27,200 --> 00:29:29,880
Speaker 1: rule of mud clot. If there's an inanimate object, there

483
00:29:29,920 --> 00:29:32,560
Speaker 1: has to be glasses on it has to be Luckily,

484
00:29:32,600 --> 00:29:36,320
Speaker 1: people throw so many glasses down here, so many mostly

485
00:29:36,480 --> 00:29:39,320
Speaker 1: u Ukley. I don't know. They're kind of attack you

486
00:29:39,360 --> 00:29:41,800
Speaker 1: to me, but makes sense why they get tossed down there.

487
00:29:41,880 --> 00:29:44,480
Speaker 1: They must be the cool kids from the camp that

488
00:29:44,640 --> 00:29:47,360
Speaker 1: cool team came from. It might be. It might be.

489
00:29:47,600 --> 00:29:50,600
Speaker 1: You know, those kids unattended for months at a time,

490
00:29:50,680 --> 00:29:54,320
Speaker 1: they'll throw anything anywhere. They'll even get this, they'll even

491
00:29:54,360 --> 00:29:58,440
Speaker 1: throw rotten tomatoes at a cool kid like me. What

492
00:29:58,560 --> 00:30:04,160
Speaker 1: are you thinking? You know, that's just crazy. Yeah, that's all.

493
00:30:04,200 --> 00:30:06,880
Speaker 1: It's also sad. That's sad to hear that. Yeah, it's

494
00:30:06,880 --> 00:30:09,480
Speaker 1: sad for them. Sad for them for sure, that they'd

495
00:30:09,480 --> 00:30:14,280
Speaker 1: waste tomatoes like that. You know, I bet they're jealous, totally, Qualtine,

496
00:30:14,360 --> 00:30:18,320
Speaker 1: that's the kids just walk around with tomatoes. No, only

497
00:30:18,360 --> 00:30:23,480
Speaker 1: if they're attacking a loser. But oh okay, yeah, interesting,

498
00:30:23,680 --> 00:30:28,160
Speaker 1: I guess you just new some tomato lovers. Yeah, just

499
00:30:28,200 --> 00:30:30,480
Speaker 1: the kids who worked in the canteen or whatever it's

500
00:30:30,520 --> 00:30:33,160
Speaker 1: called making a mere and era. Anyway, anyway, we can

501
00:30:33,160 --> 00:30:34,520
Speaker 1: do the next one. We can do the next one.

502
00:30:34,560 --> 00:30:37,120
Speaker 1: All right, Well I just got one more. Okay. Uh,

503
00:30:37,520 --> 00:30:40,400
Speaker 1: his listeners submitted that voice you put on when you're

504
00:30:40,480 --> 00:30:45,000
Speaker 1: working in customer service drag or not drug. I don't

505
00:30:45,000 --> 00:30:48,040
Speaker 1: get this one. Show that's drag. That's drag. I'm gonna

506
00:30:48,040 --> 00:30:50,680
Speaker 1: stay Le's drag. Chris, Yeah, I guess under these circumstances

507
00:30:50,680 --> 00:30:54,000
Speaker 1: it's drag. We all do that voice, So I guess

508
00:30:54,000 --> 00:30:56,480
Speaker 1: at heart we all everyone has the ability to be

509
00:30:56,600 --> 00:30:59,200
Speaker 1: a drag queen in that sense of the word. This

510
00:30:59,360 --> 00:31:03,720
Speaker 1: is something everybody can do, even worms. Cool teen. Did

511
00:31:03,720 --> 00:31:07,800
Speaker 1: you have any scenarios? Yeah? Um, what about when you

512
00:31:07,840 --> 00:31:10,280
Speaker 1: put on your dad's shoes to go get the newspaper

513
00:31:10,320 --> 00:31:14,400
Speaker 1: out of the driveway? Is that drag? No? No, And

514
00:31:15,040 --> 00:31:17,160
Speaker 1: the flip version of that is putting on your your

515
00:31:17,200 --> 00:31:21,120
Speaker 1: mom's tiny shoes to go get the newspaper, which might

516
00:31:21,200 --> 00:31:23,920
Speaker 1: be dragged. Maybe that is drag, but actually I've talked

517
00:31:23,960 --> 00:31:28,240
Speaker 1: myself into agreeing with you. Okay, and uh, just one more,

518
00:31:28,400 --> 00:31:30,960
Speaker 1: what about when the football team dresses up as who

519
00:31:31,000 --> 00:31:36,880
Speaker 1: does waitresses for Halloween? Is that drag? Technically that's drag?

520
00:31:37,560 --> 00:31:40,360
Speaker 1: I guess yeah, because it doesn't feel like it's in

521
00:31:40,440 --> 00:31:43,640
Speaker 1: the spirit of the thing. You know. I think we

522
00:31:43,680 --> 00:31:46,440
Speaker 1: can say it's bad drag, bad drag. Is there? Yeah,

523
00:31:47,080 --> 00:31:50,960
Speaker 1: bad drag, bad drag, bad drag, And there's good bad drag,

524
00:31:51,080 --> 00:31:53,640
Speaker 1: but that's bad bad drag. Yeah? Yeah. Okay, So we

525
00:31:53,720 --> 00:31:57,120
Speaker 1: got drag, we got good drag, we got bad drag,

526
00:31:57,160 --> 00:31:59,400
Speaker 1: we got good bad drag. Do we have bad good drag?

527
00:32:00,080 --> 00:32:02,400
Speaker 1: Do have bad good drag? Can you give me an example?

528
00:32:02,920 --> 00:32:05,200
Speaker 1: I would say, like if someone's bad on drag race

529
00:32:05,280 --> 00:32:10,000
Speaker 1: it's bad good drag, or someone who's not unique yeah,

530
00:32:10,120 --> 00:32:14,560
Speaker 1: or copying someone else, like it's aesthetically good but it's

531
00:32:14,600 --> 00:32:17,720
Speaker 1: bad and it's core. Oh wow, I like this. Okay,

532
00:32:17,720 --> 00:32:19,520
Speaker 1: I think I think I might be getting it. I

533
00:32:19,560 --> 00:32:22,239
Speaker 1: think I honestly might be getting dragged. But let's go

534
00:32:22,280 --> 00:32:25,240
Speaker 1: into our last segment that I like to call with

535
00:32:25,480 --> 00:32:31,120
Speaker 1: those that dirty. Okay, So for this last segment, we

536
00:32:31,240 --> 00:32:36,360
Speaker 1: are going to and I quote read each other for filth. Okay. Now,

537
00:32:36,360 --> 00:32:39,800
Speaker 1: when I heard about reading fulfilled, it felt perfect for

538
00:32:39,880 --> 00:32:44,400
Speaker 1: me because obviously I'm filthy now reading as I understand

539
00:32:44,480 --> 00:32:50,280
Speaker 1: it is acceptable adult bullying. Yes, yes, exactly, how perfect? Okay,

540
00:32:50,640 --> 00:32:53,680
Speaker 1: let's let's get into it. Who wants to do the

541
00:32:53,720 --> 00:32:57,640
Speaker 1: first read? How about you? Chris? How many giant worms

542
00:32:57,640 --> 00:33:00,760
Speaker 1: does it take to screw in a light bulb? To

543
00:33:01,160 --> 00:33:03,080
Speaker 1: one to roll around in the mud with no arms

544
00:33:03,200 --> 00:33:05,440
Speaker 1: or legs and want to risk their life screw in

545
00:33:05,480 --> 00:33:12,520
Speaker 1: a light bulb with their mouth? I was good. It's funny,

546
00:33:12,560 --> 00:33:16,240
Speaker 1: but it's also mean. Yeah, well you don't have electricity.

547
00:33:16,360 --> 00:33:18,440
Speaker 1: I've been sitting in this hole for thirty three minutes.

548
00:33:18,480 --> 00:33:20,960
Speaker 1: I haven't seen even seeing you. I just hear the

549
00:33:21,040 --> 00:33:23,760
Speaker 1: voice playing a game I invented called Lamp, where I

550
00:33:23,800 --> 00:33:26,800
Speaker 1: pretend I'm a lamp. I stand up straight with a

551
00:33:27,000 --> 00:33:29,560
Speaker 1: light bulb in my mouth. It sounds like a fun game,

552
00:33:29,760 --> 00:33:32,640
Speaker 1: all right, Great, I gotta say it's not as fun

553
00:33:32,680 --> 00:33:36,920
Speaker 1: as mud clot lamp. Very boring game. I've got one, Nathan,

554
00:33:37,000 --> 00:33:40,560
Speaker 1: give me a read. Maybe the Felsa. I heard you

555
00:33:40,600 --> 00:33:43,160
Speaker 1: got a call back to play the sand worm in Dune.

556
00:33:43,840 --> 00:33:46,480
Speaker 1: You should be so proud, you know, parts for ugly,

557
00:33:46,520 --> 00:33:48,960
Speaker 1: disgusting giant worms are hard to come by these days.

558
00:33:50,840 --> 00:33:53,160
Speaker 1: I don't know what doing is with dead belt, mean

559
00:33:53,280 --> 00:33:57,880
Speaker 1: and fun and true? Oh what is? It's a movie

560
00:33:57,880 --> 00:34:00,320
Speaker 1: about giant worms. You might like it. Oh my, we're

561
00:34:00,320 --> 00:34:03,000
Speaker 1: gonna get cable down here we do? Do you want

562
00:34:03,040 --> 00:34:05,800
Speaker 1: one for cool teen? Yeah, let's do it? Hit me,

563
00:34:05,880 --> 00:34:08,200
Speaker 1: hit me? You know what? The only thing sadder than

564
00:34:08,239 --> 00:34:12,440
Speaker 1: a teenager falling down a hole is what a teenager

565
00:34:12,480 --> 00:34:20,440
Speaker 1: that nobody cares his missing falling down the hall? I

566
00:34:20,560 --> 00:34:23,040
Speaker 1: just I couldn't help, but notice that no one's I mean,

567
00:34:23,360 --> 00:34:27,239
Speaker 1: it's only like six ft down here, Coltine, are you

568
00:34:27,320 --> 00:34:33,000
Speaker 1: a book because you just got red? Baby Daddy? Can

569
00:34:33,040 --> 00:34:35,480
Speaker 1: I try one? I want to try one? Go go,

570
00:34:35,600 --> 00:34:37,200
Speaker 1: let me try. Okay. I don't think I know how

571
00:34:37,200 --> 00:34:39,520
Speaker 1: to work, but let me let me try. Okay. So up,

572
00:34:39,560 --> 00:34:40,920
Speaker 1: let's see which one do I want to start with?

573
00:34:41,040 --> 00:34:45,880
Speaker 1: Which one? Okay? Great? Uh? Rish? You know for someone

574
00:34:45,960 --> 00:34:51,680
Speaker 1: with so many appendages, it's surprising you can't hold a note. Well,

575
00:34:51,800 --> 00:34:55,000
Speaker 1: you've never heard me saying I know what was that? Good? Coltine?

576
00:34:55,040 --> 00:34:56,800
Speaker 1: Help me write it? It'd be good if I was

577
00:34:56,880 --> 00:34:59,640
Speaker 1: bad at singing. Are you good at singing? Well? I'm

578
00:34:59,680 --> 00:35:01,759
Speaker 1: not bad. You've never heard me saying can I have

579
00:35:01,800 --> 00:35:06,600
Speaker 1: a sample. Not today, not today, not the copyright infringement,

580
00:35:07,000 --> 00:35:09,319
Speaker 1: all right, of course I didn't mean that. I have

581
00:35:09,400 --> 00:35:10,960
Speaker 1: no idea what your singing voice is like, and I

582
00:35:11,000 --> 00:35:13,680
Speaker 1: do apologize if I've offended you. It's my first read. No,

583
00:35:13,800 --> 00:35:15,719
Speaker 1: it would be a good read. I'm just giving you

584
00:35:16,000 --> 00:35:19,960
Speaker 1: constructive criticism on the read itself. It's okay, we can't.

585
00:35:20,000 --> 00:35:22,319
Speaker 1: I'll be good at reading. You know. If you were

586
00:35:22,320 --> 00:35:23,920
Speaker 1: good at reading, we could call you a book worm.

587
00:35:24,960 --> 00:35:27,279
Speaker 1: That's a read. That was a good read, Chris, did

588
00:35:27,280 --> 00:35:31,160
Speaker 1: you have any more read? Let me see here? Knock knock,

589
00:35:31,520 --> 00:35:34,279
Speaker 1: who's there? Just kidding. I wouldn't knock on your whole

590
00:35:34,280 --> 00:35:37,879
Speaker 1: if you were the last creature in the universe. It's

591
00:35:37,880 --> 00:35:41,080
Speaker 1: actually probably a good thing that you don't live up

592
00:35:41,080 --> 00:35:44,200
Speaker 1: on the surface, because up there, kids like your little

593
00:35:44,239 --> 00:35:46,440
Speaker 1: side kick just cut you into pieces with a pocket

594
00:35:46,480 --> 00:35:49,560
Speaker 1: knife to see how long you'll squirm around. Oh my god,

595
00:35:50,800 --> 00:35:55,799
Speaker 1: see that's a read that got you both read. Oh

596
00:35:55,840 --> 00:35:58,239
Speaker 1: my god, I'm gagging. I'm gagging, which I'm actually told

597
00:35:58,400 --> 00:36:02,719
Speaker 1: gag is a thing too, is Yes, definitely, I think

598
00:36:02,800 --> 00:36:06,200
Speaker 1: you're gagging in both ways, the literal way and the

599
00:36:06,360 --> 00:36:11,759
Speaker 1: figurative way. Interesting. I love that, Nathan, you got another read? Do? Yeah?

600
00:36:11,800 --> 00:36:13,920
Speaker 1: You know they say the felista that you know, the

601
00:36:14,000 --> 00:36:16,640
Speaker 1: early bird catches the worm. Well that bird betty'd be

602
00:36:16,719 --> 00:36:19,600
Speaker 1: ready if it catches you to get hepatitis, syphilis and

603
00:36:19,719 --> 00:36:24,560
Speaker 1: gone area. Oh my god, what are those? I bet

604
00:36:24,600 --> 00:36:28,320
Speaker 1: they're good. What are they? I'm gonna say that they're

605
00:36:29,080 --> 00:36:33,040
Speaker 1: sexually transmitted infections? Do you know what? You're actually right?

606
00:36:33,120 --> 00:36:36,040
Speaker 1: I got I got cultures growing on me that I

607
00:36:36,120 --> 00:36:39,360
Speaker 1: got hepatitis agency if I'm being perfectly honest with you,

608
00:36:40,560 --> 00:36:43,680
Speaker 1: So yeah, you're actually you're spot on. That was great? Um,

609
00:36:43,760 --> 00:36:46,920
Speaker 1: cool team? Did you write reads? Oh? I got one?

610
00:36:47,200 --> 00:36:50,759
Speaker 1: I got one for our guests here. Oh you know what?

611
00:36:50,920 --> 00:36:53,880
Speaker 1: This feels like an episode a Queer Eye because a

612
00:36:53,880 --> 00:36:57,640
Speaker 1: bunch of gays came into this hole, insulted me, danced around,

613
00:36:57,719 --> 00:37:01,160
Speaker 1: and did nothing to fundamentally change my day, just life situation.

614
00:37:03,400 --> 00:37:06,640
Speaker 1: That is an incredible read. Yeah, thank you, that's how

615
00:37:06,719 --> 00:37:10,680
Speaker 1: reads are done. Oh man, It's just funny that one

616
00:37:10,760 --> 00:37:13,360
Speaker 1: of the teenagers from Euphoria came down the whole. But

617
00:37:13,400 --> 00:37:16,560
Speaker 1: instead of having intense I makeup or any friends, you

618
00:37:16,640 --> 00:37:18,759
Speaker 1: have mud in a worm and nobody looking for you

619
00:37:22,640 --> 00:37:25,920
Speaker 1: are broken. Man. I'm just thinking about the soundboard again.

620
00:37:26,200 --> 00:37:30,719
Speaker 1: You know, I'm gonna have a lot of fun with that. Look. See,

621
00:37:30,760 --> 00:37:32,759
Speaker 1: do I have any other reads? Okay, I got one

622
00:37:32,800 --> 00:37:35,239
Speaker 1: ready just for noticed, right, I do want for Chris.

623
00:37:35,280 --> 00:37:38,440
Speaker 1: I'm doing for Nathan. Hey, Nathan, you got a hot

624
00:37:38,480 --> 00:37:43,440
Speaker 1: dog's name? How was that? You got a name of

625
00:37:43,480 --> 00:37:47,080
Speaker 1: a hot dog? Were you named after a hot dog? Nathan?

626
00:37:47,120 --> 00:37:51,200
Speaker 1: Where are you going? Nathan? Where are you going? I

627
00:37:51,280 --> 00:37:54,040
Speaker 1: wasn't named after a hot dog. Um, so that's a

628
00:37:54,040 --> 00:37:57,000
Speaker 1: good one. That's a you got me, gal, you got me?

629
00:37:57,400 --> 00:38:02,920
Speaker 1: You look like a Nathan's hot dog. Ironically, boying, boying,

630
00:38:03,040 --> 00:38:07,000
Speaker 1: it rebounded back at you. Oh I needed some buns

631
00:38:07,040 --> 00:38:12,600
Speaker 1: to go between. You know, I've lived in a hole

632
00:38:12,640 --> 00:38:15,960
Speaker 1: in my entire life, and even I can tell that

633
00:38:16,000 --> 00:38:19,040
Speaker 1: I wouldn't want to date either one. Was that good? Yeah?

634
00:38:19,120 --> 00:38:23,080
Speaker 1: That was good. Yeah, that's good. That was good. Yeah

635
00:38:23,160 --> 00:38:25,120
Speaker 1: for living in such a deep hole. You really are

636
00:38:25,120 --> 00:38:31,080
Speaker 1: a shallow bitch, thank you. But that was the I

637
00:38:31,160 --> 00:38:33,160
Speaker 1: know that you know a lot of the things about

638
00:38:33,239 --> 00:38:35,920
Speaker 1: you being a bug grosses me out, but to be honest,

639
00:38:36,600 --> 00:38:39,239
Speaker 1: you being a giant worm has inspired me to want

640
00:38:39,239 --> 00:38:42,839
Speaker 1: to be a giant wasp, because then I could kill

641
00:38:42,920 --> 00:38:48,240
Speaker 1: you and myself with one. So that is the nicest

642
00:38:48,239 --> 00:38:51,239
Speaker 1: thing that's ever been said in this hole. I would

643
00:38:51,320 --> 00:38:54,200
Speaker 1: love to be killed by you. You know, I kind

644
00:38:54,200 --> 00:38:57,480
Speaker 1: of think of you as a child, you know, which

645
00:38:57,520 --> 00:39:00,200
Speaker 1: I think I've heard about on the surface, except know

646
00:39:00,600 --> 00:39:03,680
Speaker 1: the fact that you're like jerking off all the time

647
00:39:04,000 --> 00:39:07,680
Speaker 1: and like, you know, like being annoying and you know,

648
00:39:08,440 --> 00:39:11,839
Speaker 1: messing with my stuff and you know, trying to crawl

649
00:39:11,880 --> 00:39:13,919
Speaker 1: into my butt because you want to see what it's

650
00:39:14,000 --> 00:39:17,640
Speaker 1: like in there, and you know what's true, that's true. Well,

651
00:39:17,680 --> 00:39:20,520
Speaker 1: here's this. If I fell into a deeper hole inside

652
00:39:20,560 --> 00:39:23,680
Speaker 1: our hole, would you come looking for me a deeper

653
00:39:23,760 --> 00:39:27,080
Speaker 1: hole and shide our hole? This is this is really sad.

654
00:39:27,320 --> 00:39:30,520
Speaker 1: This is tough to be honest. I think I would

655
00:39:30,560 --> 00:39:33,360
Speaker 1: wait for another cool team to fall down the hole

656
00:39:34,040 --> 00:39:38,920
Speaker 1: and just replace you immediately, you know what I mean. Okay, Well,

657
00:39:38,960 --> 00:39:40,759
Speaker 1: good luck. Finding you on the tea is cool as me.

658
00:39:40,840 --> 00:39:43,279
Speaker 1: I guess, Oh, thank you that's nice for washing me luck.

659
00:39:43,400 --> 00:39:46,400
Speaker 1: Anybody else have a read that's important to them to say. No,

660
00:39:46,640 --> 00:39:48,960
Speaker 1: I just got really sad because I realized that you're

661
00:39:49,000 --> 00:39:51,440
Speaker 1: never going to turn into a butterfly. This whole time,

662
00:39:51,480 --> 00:39:54,080
Speaker 1: I was thinking you're a caterpillar, but you're just a

663
00:39:54,160 --> 00:39:58,080
Speaker 1: worm forever. I guess that makes you domes fuck? Was

664
00:39:58,080 --> 00:40:02,440
Speaker 1: that good? Was that to read? Well? Yeah, it's a

665
00:40:02,440 --> 00:40:04,759
Speaker 1: good read for someone that doesn't know what music is.

666
00:40:05,800 --> 00:40:12,160
Speaker 1: You know, I don't know what music is. Spot. Hey,

667
00:40:12,160 --> 00:40:20,520
Speaker 1: which long Invasion eats dirt? Chris's drag career? Zing zing zing?

668
00:40:20,600 --> 00:40:23,839
Speaker 1: I don't know what that means. It was, honestly, coote Yeah,

669
00:40:24,080 --> 00:40:26,480
Speaker 1: I thought you were describing your head and your ass.

670
00:40:26,480 --> 00:40:33,960
Speaker 1: Oh that's the joke, thank you. Hey, look at that

671
00:40:34,480 --> 00:40:37,200
Speaker 1: useless pilum out over there. Oh wait, that's just cootine.

672
00:40:38,200 --> 00:40:45,960
Speaker 1: Oh I'm so dirty? All right, anybody else got reads

673
00:40:46,200 --> 00:40:49,080
Speaker 1: or you know, it's almost getting dark here. It's you know,

674
00:40:49,840 --> 00:40:54,520
Speaker 1: just before sundown, so unless you want to sleep over, No,

675
00:40:54,760 --> 00:40:57,239
Speaker 1: I'm just gonna take the easy route up out of

676
00:40:57,280 --> 00:40:59,200
Speaker 1: this hole. Yeah, I'm gonna follow you, Chris. Do you

677
00:40:59,200 --> 00:41:01,040
Speaker 1: think me when you please? Please take me with you

678
00:41:01,120 --> 00:41:04,160
Speaker 1: to me? Okay, before you go, Before you go, do

679
00:41:04,200 --> 00:41:06,640
Speaker 1: you have anything to plug? Anything? To plug anything? You

680
00:41:06,680 --> 00:41:11,680
Speaker 1: want to plug this whole who's gonna say the same thing? Wow,

681
00:41:11,840 --> 00:41:17,319
Speaker 1: that's really really mean. Oh wow, christ names, and thank

682
00:41:17,360 --> 00:41:21,560
Speaker 1: you so much for being here. Uh cool team you

683
00:41:21,640 --> 00:41:24,719
Speaker 1: know here here and it is what it is. And

684
00:41:24,880 --> 00:41:28,200
Speaker 1: I love your sorta, love your sorta. I guess that's

685
00:41:28,239 --> 00:41:36,399
Speaker 1: our show. Still money, everybody. Your makeup is terrible. Your

686
00:41:36,480 --> 00:41:44,360
Speaker 1: makeup is salable. Your makeup is paler ball, your makeup

687
00:41:44,560 --> 00:41:51,359
Speaker 1: is salable. I love you anyway, salable s you want

688
00:41:51,440 --> 00:41:51,840
Speaker 1: makeup