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Speaker 1: This Big Bank, DJ Scream and Baby J with the

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Speaker 1: number one podcast industry, Big.

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Speaker 2: Facts, Live from Revolt Studios. It's time for Big Facts,

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Speaker 2: Big Bank. What up? Baby J? What Up? DJ Scream?

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Speaker 2: I'm here. We are welcome in today finally Jermaine dupri

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Speaker 2: big what's up? What's up? What's up? What's up? What's up?

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Speaker 3: Man?

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Speaker 2: We'll tell you so long to pull up on this. Man,

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Speaker 2: you've been heavily requested by.

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Speaker 4: I ain't never know y'all wanted to come on watching, man,

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Speaker 4: I don't know what's up with you? Everything solid?

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Speaker 2: Yeah?

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Speaker 5: Yeah, you know?

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Speaker 4: Excited about this, uh this little Magic City documentary, I

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Speaker 4: say little City documentary.

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Speaker 2: Yeah, it's Magic City document Magic City documentary, Big Magic City.

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Speaker 2: Why was now at the time? Why was it so

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Speaker 2: important to document the history and add a soundtrack to

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Speaker 2: the legacy of Magic City? Why do you feel like

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Speaker 2: now is the time?

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Speaker 4: I mean, I think it's this is just the universe

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Speaker 4: because it's the fortieth the anniversary of Magic you know,

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Speaker 4: so I think it's just forty you know, he celebrated

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Speaker 4: forty years. I ain't know that when we start trying

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Speaker 4: to do the documentary and I ain't even know when

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Speaker 4: it was gonna catch as far as getting a deal

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Speaker 4: which stars. So I just think it's just the universe

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Speaker 4: just making it feel like this the time.

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Speaker 2: Is supposed to go and not the speed to this

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Speaker 2: too fast. But it's on my mind, so I might

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Speaker 2: as well bring it up. Now you is that accurate?

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Speaker 2: Did you say ten thousand a week at Magic City

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Speaker 2: every week for ten years or was your Caviain love it?

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Speaker 5: I mean, Jay's seen me in there every week.

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Speaker 2: I'm there.

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Speaker 4: I'm saying like, oh still now yeah this now I'm

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Speaker 4: now I'm there every week. What I'm saying, yeah, like

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Speaker 4: so that's like this was I mean, you know, if

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Speaker 4: you think like Gentleman, it was between Gentlemen's Club and

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Speaker 4: Magic City because Magic say had burnt down right, so

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Speaker 4: that everybody had went to the Jump's Club, then Gentlemen's Club,

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Speaker 4: then Magicity came back, so it was between both of

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Speaker 4: them clubs.

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Speaker 2: But yeah, every.

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Speaker 4: Monday was it was, you know, and probably went more.

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Speaker 4: I mean, I'm just that's just a guaranteed day that

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Speaker 4: you would see me. But I was in there at

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Speaker 4: least three times a week, and I'm saying you don't

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Speaker 4: even think about like I mean, I don't.

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Speaker 5: Drink like that no more, but I used to drink

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Speaker 5: like so.

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Speaker 4: You buy four five bottles of champagne, you probably in.

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Speaker 5: Two thousand right there. Yeah, you know what I'm saying, Like.

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Speaker 4: That's just that's that's what it is.

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Speaker 2: If you got like five.

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Speaker 4: Sixty people with you, you at you at two thousand

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Speaker 4: dollars worth alcohol off rip, right, you gotta spend five

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Speaker 4: thousand in Magic City at least?

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Speaker 2: I mean, I do you do?

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Speaker 5: Yeah, you know what I'm saying.

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Speaker 4: But it's just I mean, you gonna end up doing

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Speaker 4: it anyway if you try to, If you try to

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Speaker 4: slow roll it and go twenty five, you're still gonna

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Speaker 4: be in there for like three four hours. You gonna

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Speaker 4: you're gonna get tired of not having no money, seeing

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Speaker 4: everybody else throw money. You're gonna get you another twenty five.

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Speaker 4: Now you at five, You know what I mean, it'll go.

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Speaker 2: Bout for you.

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Speaker 1: You know you ain't number like three two three songs.

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Speaker 1: If you're feeling good and it's lit.

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Speaker 5: You know what I'm saying. This just Atlanta, Real Atlanta.

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Speaker 6: A former strip club veteran.

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Speaker 5: Yeah, I'm just saying it's just real Atlanta coach.

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Speaker 2: It ain't not like if.

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Speaker 5: You really do it, it just it ain't even.

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Speaker 4: I have my homeboys called me like why they acting

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Speaker 4: like that that ain't no money.

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Speaker 5: I'm like, oh, you know what I'm.

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Speaker 1: Saying, Like when you add it up in some money, yeah.

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Speaker 2: I mean yeah, if you add them anything.

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Speaker 4: Yeah, you know what I mean, if you add them

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Speaker 4: anything that we donet did our heads some month.

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Speaker 1: Right forty years Man, that's a long air term, bro. Yeah,

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Speaker 1: it's crazy how that line up you said. It wasn't

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Speaker 1: even it wasn't even planned out to be to do

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Speaker 1: the anniversary for the forty years and do it.

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Speaker 2: That's that's dope though, Yeah, because I mean we did.

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Speaker 2: We did. We took the doc to.

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Speaker 4: South By Southwest two years ago, right, So so when

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Speaker 4: I showed freaking it at south By Southwest last year

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Speaker 4: a year before last.

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Speaker 2: Or it might be last year.

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Speaker 4: We also got a little placement to put to show

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Speaker 4: like the first part of this Magic City.

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Speaker 2: But we ain't had no deal.

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Speaker 4: You just had an opportunity to show it at south

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Speaker 4: By Southwest.

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Speaker 2: So then it was like my phone the man picture

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Speaker 2: that you tell you everybody with the phone.

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Speaker 4: Oh yeah, so we got opportunity to show it, and

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Speaker 4: then from there I didn't know if we was gonna

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Speaker 4: get a deal or not, because I was trying to

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Speaker 4: figure out who was gonna show this. You know, it's

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Speaker 4: cities and ass and this it ain't no you know

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Speaker 4: what I mean, it ain't no faking. So to see,

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Speaker 4: you know, to even go downstairs in the locker room,

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Speaker 4: you gotta you gotta be you gotta be on something

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Speaker 4: that will provide that that space.

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Speaker 2: So what.

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Speaker 1: Is it one part or two parts?

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Speaker 5: It's five five five parts? Yeah, it's a five part series.

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Speaker 4: It's out to be like a three part and then

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Speaker 4: I guess when stars they wanted it, and they just

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Speaker 4: kept trying to like squeeze as many different little pieces

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Speaker 4: out of it to try to keep it going.

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Speaker 1: How long is the episode?

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Speaker 2: It was an hour.

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Speaker 1: I think it's probably thirty minutes now. It just was

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Speaker 1: just as five you know, so I series, I mean

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Speaker 1: five parts. I'm not really sure.

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Speaker 4: I saw it and I just saw like the first

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Speaker 4: episode in Miami at the Black Film Festival.

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Speaker 5: Idea.

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Speaker 4: I feel like it feels like it was forty like

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Speaker 4: thirty five to forty five minutes.

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Speaker 7: Okay, so let's take it like all the way, all

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Speaker 7: the way, all the way, all the way back to

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Speaker 7: the beginning when you first started as a kid, like

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Speaker 7: garnering your love for music, and you saw your dad

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Speaker 7: in the executive space and you know, doing his thing

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Speaker 7: with the music. Is that one of the things that

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Speaker 7: motivated you to want to like step up and be

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Speaker 7: the boss as opposed to actually being an artist.

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Speaker 4: Nah, Like when my dad, when my dad day I

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Speaker 4: was working in the music business here in Atlanta, is

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Speaker 4: like moving around and doing like being like a roadie

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Speaker 4: for like Cameo and Sosband and Brick when he was

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Speaker 4: doing that. I don't I don't think I wasn't even

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Speaker 4: old enough to even like understand for I want to

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Speaker 4: do nothing, you know what I mean. I just wanted

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Speaker 4: like I wasn't even paying no attention to what was

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Speaker 4: going on. I just was like I know I was there,

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Speaker 4: but I wasn't really paying no attention to it. I

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Speaker 4: didn't really get the bug until, like I think, like rap,

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Speaker 4: when hip hop started, like rap really started, so like

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Speaker 4: the late eighties, yeah, like the late well let me see, well,

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Speaker 4: no early eighties.

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Speaker 5: Yeah, well I'm saying I'm tripping.

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Speaker 4: Yeah, the early eighties so like like I think like

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Speaker 4: like eighty two and then like in eighty two, I

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Speaker 4: started like seeing people breaking on TV and dancing and

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Speaker 4: this type of stuff.

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Speaker 6: When did you start background dancing.

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Speaker 4: For yeah, like eighty three. But it wasn't like that

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Speaker 4: wasn't even like a real job either. That was just

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Speaker 4: like a coincidence that happened because the Fresh Fest, the

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Speaker 4: first hip hop tour that ever went out, came from Atlanta,

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Speaker 4: you know what I mean, Like people don't even be

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Speaker 4: saying that, but the first hip hop tour that ever launched,

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Speaker 4: it started.

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Speaker 5: Here in Atlanta.

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Speaker 6: I didn't even know that.

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Speaker 4: Yeah, yeah, like one DMC, who didnny, the Fat Boys,

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Speaker 4: the New York City Breakers, the Dynamic Crew, It was

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Speaker 4: a whole tour. And the promoter he named Ricky Walker,

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Speaker 4: he from College Park. He started the tour and the

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Speaker 4: tours started here in Atlanta, and that just happened to

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Speaker 4: be like away from me to like open up the show,

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Speaker 4: Like they used to have these little places where you

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Speaker 4: could open up show. You can always use on shows

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Speaker 4: back in the day, where you could open up as

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Speaker 4: long as you let the promoters meet their time. So

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Speaker 4: it was like let JD open up and I opened

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Speaker 4: up and I stayed perfect with the time, and it

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Speaker 4: just happened with it was like, we'll let you do

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Speaker 4: it the whole rest of the tour if you if

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Speaker 4: you available.

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Speaker 5: I don't know if I was.

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Speaker 4: I wasn't available. I was in school, you know what

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Speaker 4: I mean. But it just happened to be an opportunity

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Speaker 4: that couldn't pass up.

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Speaker 1: Hey, you started early, like the South movement, So how

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Speaker 1: hard was it like the breakthrough being from the South?

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Speaker 2: Oh?

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Speaker 4: Extremely hard, Like every every piece of it, you know

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Speaker 4: what I mean, every every every inch of everything that

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Speaker 4: I did was like always challenged, always questioned, always talked about,

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Speaker 4: you name.

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Speaker 2: It was like it wasn't never.

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Speaker 4: What was the biggest hurdle though, The biggest hurdle was

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Speaker 4: just trying to like I guess, actually break you know

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Speaker 4: what I mean, actually finally get a record that actually

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Speaker 4: made it out of Atlanta, out of you know, a

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Speaker 4: couple of you know, in the other other bigger cities. Basically,

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Speaker 4: I think that like the first rap group that I

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Speaker 4: had was Silk Tom's Leather was these two female artists

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Speaker 4: that I had met on the Fresh Vest and we

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Speaker 4: had video, they had video, they had you know, what

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Speaker 4: I mean, they got signed to one of brothers and

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Speaker 4: all of that, but it didn't and break you know

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Speaker 4: what I mean, It wasn't supported because I feel like

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Speaker 4: the South I wasn't that good either, you know what

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Speaker 4: I mean, So it won you know, the music wasn't

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Speaker 4: that great.

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Speaker 5: So it's just a bunch of things.

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Speaker 4: I had to get better and we had to just

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Speaker 4: like figure out a way for people to make people

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Speaker 4: pay attention to us through right as far as yeah

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Speaker 4: for me, yeah, So.

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Speaker 1: What type of respect that you gained when they broke through?

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Speaker 1: Like did you see it immediately?

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Speaker 2: Not a lot of respect.

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Speaker 4: Not the respect that I would have got if it

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Speaker 4: happened in this era, you know what I mean.

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Speaker 2: I was nineteen.

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Speaker 1: So the.

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Speaker 4: Situation I had to go through at nineteen was that,

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Speaker 4: you know, I'm a young boy trying to put out

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Speaker 4: music and compete with all of these adults, and niggas

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Speaker 4: weren't trying to hear that. They just won't like it

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Speaker 4: wasn't a thing for a young person to actually be

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Speaker 4: trying to compete with with adults and hip hop. So

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Speaker 4: I was, you know, I got was getting dissed. I was,

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Speaker 4: you know, it was every everything that could possibly happen

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Speaker 4: to a younger I was. I was getting treated like

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Speaker 4: a young boy. It was a young boying me to death,

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Speaker 4: you know what I mean. So it was a bunch

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Speaker 4: of like it was like even like the like I

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Speaker 4: was like the first teenager to ever have a number

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Speaker 4: one record on Billboard, you know what I mean, But

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Speaker 4: that it ain't even get celebrated because when nobody else

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Speaker 4: doing it.

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Speaker 1: So when you think you see me at your feet

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Speaker 1: like I'm.

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Speaker 4: Here, it's a strange because you know what I mean,

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Speaker 4: Like it's feel like it feels like it's been that

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Speaker 4: fight for me for a long time, like and I

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Speaker 4: just started not caring about it.

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Speaker 6: You don'd it for you?

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Speaker 1: Not? Hell?

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Speaker 4: No, Escape was definitely like a even more of a

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Speaker 4: challenge because it was the first time I ever wrote

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Speaker 4: and produced a female R and B group, So I

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Speaker 4: didn't really know what I was doing. I just was

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Speaker 4: going with what I wanted and what I felt. But yeah,

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Speaker 4: it was tough with Escape. It was like really really

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Speaker 4: tough because the same thing Escape was young, they were

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Speaker 4: still in tra cities when when I signed them, do

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Speaker 4: you feel like they.

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Speaker 7: My question is do you feel like their image was

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Speaker 7: part of the reason.

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Speaker 4: That no, I was all a young it was because

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Speaker 4: we were so young, like you know, like I said,

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Speaker 4: I'll be telling people.

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Speaker 2: All the time.

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Speaker 7: You know, they were like they came in like they

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Speaker 7: could sing like funk, but they were kind of like

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Speaker 7: on the Tomboys ship. They weren't on the like the

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Speaker 7: super sexy like you know vixen.

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Speaker 4: Yeah, that's what I'm saying. They was kids. They won't

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Speaker 4: and they weren't even trying to dress like.

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Speaker 2: That because they was kids.

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Speaker 4: So it wasn't even like I could be like, you know, man,

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Speaker 4: let's put on some heels, and they weren't even with

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Speaker 4: that type of shit they was on.

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Speaker 2: They was young, they was in school.

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Speaker 4: So it was just the fact that being young, Like

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Speaker 4: in the music industry in the nineties, in ninety two,

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Speaker 4: ninety three, ninety four, the whole music industry was the

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Speaker 4: old person spoiled, right, you know what I mean, it

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Speaker 4: one made for nobody young. So what I was trying

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Speaker 4: to do and what I was doing, niggas wasn't trying

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Speaker 4: to even they was trying to.

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Speaker 6: Look were like being met with resistance.

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Speaker 4: Yeah, every time, every time they was trying to look

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Speaker 4: the other direction, like y'all trying to change us, you

277
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Speaker 4: know what I mean, y'are trying to move y'all trying

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Speaker 4: to move us out of the way, and you know,

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Speaker 4: and like, like my biggest hurdle with Escape was that

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Speaker 4: they were so young and they was making R and

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Speaker 4: B music, and all of the radio stations even like

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Speaker 4: if you want a three v won three.

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Speaker 5: Used to be an older sounding station, right, it won't.

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Speaker 2: They didn't.

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Speaker 4: They didn't represent hip hop and on RB the way

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Speaker 4: they do now. Like it used to be just an

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Speaker 4: R and B station that played a little bit of

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Speaker 4: hip hop or a little bit of rap. And the

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Speaker 4: records that they played was in vogue, you know what

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Speaker 4: I mean. If you look at in Vogue and Escape,

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Speaker 4: that shit looked like night and day, right, Yeah, because

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Speaker 4: these is grown as women and he's just a little

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Speaker 4: bit the girls.

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Speaker 5: So that's basically what it was.

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Speaker 2: Okay, two part question about this man. First Off, how

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Speaker 2: much hate came with that billboard when you put it

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Speaker 2: up in the city, that social death billboard, love and hate,

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Speaker 2: and that that was the same billboard that was replaced

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Speaker 2: at one point in the b am F billboard.

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Speaker 1: W Right, Nah, Yeah, he's university the whole time, right, yeah,

301
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Speaker 1: yeah they were. They was up by the stadium of

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Speaker 1: the airport.

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Speaker 2: Gotcha. So how much love or hate with that billboard?

304
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Speaker 4: I mean, I really didn't know. I heard it one time.

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Speaker 4: I tell Ron Cameron. I tell the story the time

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Speaker 4: I was in the car ride and Ron Cameron was like, man,

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Speaker 4: when JD gonna change that uglass billboard color?

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Speaker 2: And I was listening to.

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Speaker 4: Him say this on the radio, and I'm like, damn, okay,

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Speaker 4: all right, So I didn't really get a lot of hate,

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Speaker 4: you know what I mean.

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Speaker 5: But then nobody tell me they wanted it up either.

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Speaker 4: Niggas want saying what they say now, Like now, niggas

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Speaker 4: be like, yo, you took this ship.

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Speaker 2: Yeah, I put it back up.

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Speaker 4: But before I put it back up, that's all people go.

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Speaker 4: Why you ain't why you take the sign down?

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Speaker 2: Man?

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Speaker 4: That represented Atlanta? Like you ain't say that ship when

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Speaker 4: that up? By the way, that billboard cost me ten

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Speaker 4: thousands a month. Question it was up for ten years.

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Speaker 2: Yeah yeah, yeah, same city money. You know what I'm saying.

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Speaker 2: That's the same thing. No different. It's in the airport too.

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Speaker 2: You got some ship in the airport too, right, Nah?

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Speaker 4: I think they had like a little they had something

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Speaker 4: that they had like a little.

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Speaker 2: Coming up the escalator.

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Speaker 4: Oh nah, I was the first person that they put

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Speaker 4: on the things to welcome people to the city.

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Speaker 1: That's like, this means I keep what I'm saying, find

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Speaker 1: them for you gotta put me in there one day. Hey,

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Speaker 1: let me ask you some j D. So, oh what

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Speaker 1: about Maria? Did Mariah stamp it?

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Speaker 2: Nah?

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Speaker 4: Still I'm not because you know what's crazy about the

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Speaker 4: Mariah situation is that the first time I worked with her,

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Speaker 4: I ain't get I got a third single. So back

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Speaker 4: in them days, you get like, you know, first two singles,

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Speaker 4: that's the songs that really is the hits. The next

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Speaker 4: records that come out, they just be like gravy, especially

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Speaker 4: for an artists like Maria because she already she's selling

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Speaker 4: a lot of records. So at least I ain't paying

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Speaker 4: no attention to it because it was the third single,

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Speaker 4: so I didn't even see it being like oh this

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Speaker 4: getting ready to do something for me, even though when

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Speaker 4: number one it popped off at the time, I looked

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Speaker 4: at it like, oh, well, I got the third single.

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Speaker 2: I I gotta do better.

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Speaker 7: So let me ask you this, Like speaking specifically on

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Speaker 7: like Mariah, the Mariahs and the Ushers and you know

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Speaker 7: all those types of people. How is it different working

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Speaker 7: with an artist of that caliber as just a producer

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Speaker 7: as opposed to actually being a real life friend to

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Speaker 7: those people.

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Speaker 4: Well, I mean Usher, Usher won Usher when he came

356
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Speaker 4: to me the first time. It was like Usher won

357
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Speaker 4: no Superstar. So I was actually bigger than Usher when

358
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Speaker 4: he came to work with me, because I mean it

359
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Speaker 4: was success. So that was a different relationship than Mariah.

360
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Speaker 4: Mariah's situation was crazy because it's like I didn't really

361
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Speaker 4: ever really feel like I could do anything for her.

362
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Speaker 4: I felt like, you know, I felt like she liked

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Speaker 4: me and she wanted to work with me, and then

364
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Speaker 4: we became friends, and I think that was like, so

365
00:16:16,920 --> 00:16:19,320
Speaker 4: I was more into that part of it. I never

366
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Speaker 4: really felt like I'm already put my hands on her

367
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Speaker 4: and make her bigger.

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Speaker 2: I never thought that I.

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Speaker 4: Could do anything like that for her because she was

370
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Speaker 4: already Mariah Carey.

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Speaker 2: Yeah, you know what I mean.

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Speaker 4: I don't know what I could. You know, I always

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Speaker 4: I always view myself as messing somebody shu up, Like

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Speaker 4: I don't want to be that person. I'm like, let's

375
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Speaker 4: just be friends. I ain't gotta go in the studio

376
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Speaker 4: with you. I ain't gonna fucking shit up. I don't

377
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Speaker 4: want to be that person. I don't want to even

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Speaker 4: be known for that person.

379
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Speaker 2: So right, one real big conversation though, like with breakthroughs,

380
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Speaker 2: like the Brat kind of broke through because it was

381
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Speaker 2: the first female rapper to be platinum or something like that.

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Speaker 4: Was that a big breakthrough? Did you kind of start

383
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Speaker 4: to feel some of it? I mean the female rap

384
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Speaker 4: you know what I mean? For her more or less

385
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Speaker 4: than anything. I mean that for me, I guess it

386
00:17:04,400 --> 00:17:08,320
Speaker 4: was like a Wusai moment because that project was tough

387
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Speaker 4: for me. It was hard for me to figure out

388
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Speaker 4: how to get my niggas to like a female artist

389
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Speaker 4: because because up until that point in time, I never

390
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Speaker 4: saw that in my neighborhood. I never saw none of

391
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Speaker 4: my niggas riding around listened to something people. I never

392
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Speaker 4: seen none of them listening to Queen Latifa. I never

393
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Speaker 4: seen none of them that one. My and I grew

394
00:17:28,359 --> 00:17:34,000
Speaker 4: up in car culture, Like with your cars, I rocked sidekicks,

395
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Speaker 4: Suki samurais all this shit. That's what if you had

396
00:17:38,680 --> 00:17:41,000
Speaker 4: that and you had a system. That's what niggas was saying.

397
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Speaker 4: So all myamies, they was righted. That's how they was riding.

398
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Speaker 4: They never had that ship playing in the car. So

399
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Speaker 4: I was always like, all right, here I go try this.

400
00:17:49,320 --> 00:17:52,400
Speaker 4: Garing'd be tough as fuck. So I tried, I play

401
00:17:52,440 --> 00:17:55,720
Speaker 4: a song. I just put the song in a CD

402
00:17:55,840 --> 00:17:58,879
Speaker 4: player whatever, not even like try to like tell them

403
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Speaker 4: what's going on. And I used to see the reaction.

404
00:18:01,880 --> 00:18:04,199
Speaker 4: They reaction were never there. So it took me like

405
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Speaker 4: two years to get to functified.

406
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Speaker 1: How you deal with like coming into some thinking that

407
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Speaker 1: is gonna win and it don't do nothing Like how

408
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Speaker 1: you deal with that.

409
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Speaker 4: I don't come in think it's gonna win. That's probably

410
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Speaker 4: why I said little Magic City thing. I don't be

411
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Speaker 4: I don't be thinking. I already prepared myself.

412
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Speaker 6: Prepare for the worst.

413
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Speaker 5: But I mean I don't do that as a defense mechanism.

414
00:18:27,960 --> 00:18:30,480
Speaker 4: That's just how I had to defend myself because I

415
00:18:30,560 --> 00:18:33,720
Speaker 4: was I was never treated like, oh yeah, this ship

416
00:18:33,840 --> 00:18:36,080
Speaker 4: gonna blow. It would never like that. It was always

417
00:18:36,160 --> 00:18:39,399
Speaker 4: like fuck you, what he can read to do with

418
00:18:39,440 --> 00:18:40,600
Speaker 4: this ship? Like you know what I'm saying?

419
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Speaker 5: Everything every time.

420
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Speaker 1: So so basically you just put the work in and

421
00:18:50,200 --> 00:18:51,560
Speaker 1: let it prove to you what it is.

422
00:18:51,880 --> 00:18:53,479
Speaker 2: Yeah. Yeah, I mean I don't know what I mean.

423
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Speaker 4: If I like it, that's usually what I'm always satisfied

424
00:18:57,760 --> 00:19:00,600
Speaker 4: with me liking it. If people don't like it, you

425
00:19:00,600 --> 00:19:02,879
Speaker 4: know what I mean, I can't I can't please everybody.

426
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Speaker 1: Who who do you think the goat artists out of

427
00:19:06,040 --> 00:19:09,760
Speaker 1: here today? Period of all time?

428
00:19:10,600 --> 00:19:12,080
Speaker 2: All time? I mean it's a munch.

429
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Speaker 5: We got a lot.

430
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Speaker 4: I mean, you know, Future three thousand and you know

431
00:19:16,240 --> 00:19:18,560
Speaker 4: it's a bunch of belly cush now, it's a bunch

432
00:19:18,640 --> 00:19:22,160
Speaker 4: of it's a it's a bunch of artists we got.

433
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Speaker 1: Who you think was the most influent say the words?

434
00:19:30,359 --> 00:19:32,920
Speaker 4: I think Future was the most influential as far as

435
00:19:34,440 --> 00:19:37,359
Speaker 4: people wanted to in other cities trying to steal the

436
00:19:37,440 --> 00:19:44,000
Speaker 4: sound I mean outcasts as well, but outcast you gotta

437
00:19:44,040 --> 00:19:46,399
Speaker 4: be more into rap to try to steal they sound.

438
00:19:46,960 --> 00:19:49,560
Speaker 4: So I feel like Future sound was easier for knicks

439
00:19:49,640 --> 00:19:53,360
Speaker 4: to like in other cities to copy iakdown.

440
00:19:53,600 --> 00:19:56,640
Speaker 7: I totally agree, and I am all the way with that.

441
00:19:56,800 --> 00:19:59,880
Speaker 7: But I also think that we have to include Gez

442
00:20:00,160 --> 00:20:01,040
Speaker 7: that almost.

443
00:20:03,400 --> 00:20:06,440
Speaker 4: I mean not copy though they couldn't copy Gez sound

444
00:20:06,840 --> 00:20:07,440
Speaker 4: I'm talking about.

445
00:20:07,440 --> 00:20:08,360
Speaker 5: I'm talking about people.

446
00:20:08,240 --> 00:20:13,320
Speaker 4: That verbatim sound just like like from New York that

447
00:20:13,440 --> 00:20:20,720
Speaker 4: came out that just like like you know what I'm saying,

448
00:20:20,760 --> 00:20:24,480
Speaker 4: like I ain't never heard nobody sound just like Jeez.

449
00:20:24,680 --> 00:20:27,320
Speaker 2: They copy his content, They copied his content.

450
00:20:28,760 --> 00:20:31,520
Speaker 4: They tried, but as far as like really sound, I

451
00:20:31,560 --> 00:20:37,080
Speaker 4: feel like niggas really ripped that future ship went crazy.

452
00:20:37,600 --> 00:20:39,280
Speaker 2: What about producers? Same thing.

453
00:20:39,320 --> 00:20:42,720
Speaker 4: I feel like all the producers, I mean a mafia,

454
00:20:43,359 --> 00:20:45,800
Speaker 4: you put all them together. I feel like people just

455
00:20:45,840 --> 00:20:49,600
Speaker 4: stole They just stole that sound, you know what I mean,

456
00:20:49,720 --> 00:20:53,639
Speaker 4: like just really really trying to like take it. And

457
00:20:53,880 --> 00:20:56,760
Speaker 4: you know what I mean. I mean, I think Lex.

458
00:20:56,600 --> 00:20:58,280
Speaker 2: Luga was like the first I was just getting ready

459
00:20:58,320 --> 00:20:58,639
Speaker 2: to say that.

460
00:20:58,960 --> 00:21:01,080
Speaker 4: I think Lex Luga was the first person seeing you

461
00:21:01,080 --> 00:21:04,160
Speaker 4: know what I mean. And after Lex, I don't even

462
00:21:04,160 --> 00:21:06,600
Speaker 4: know what the Lex that now, But after after Lex,

463
00:21:06,680 --> 00:21:08,760
Speaker 4: it just said like yeah, you know what I mean,

464
00:21:08,800 --> 00:21:10,840
Speaker 4: everybody just starts stealing that whole ship.

465
00:21:11,119 --> 00:21:11,639
Speaker 2: I remember that.

466
00:21:11,800 --> 00:21:13,760
Speaker 1: Man, I went to a concert at Wolf Creek and

467
00:21:13,760 --> 00:21:16,640
Speaker 1: the head DJ, you know, you know how you could

468
00:21:16,640 --> 00:21:17,920
Speaker 1: be sleep on niggas Bro.

469
00:21:19,320 --> 00:21:21,720
Speaker 2: Got bro really like you.

470
00:21:21,720 --> 00:21:23,359
Speaker 1: You wouldn't you know how you didn't give you a

471
00:21:23,440 --> 00:21:25,840
Speaker 1: DJ saiding you play your ship. Yeah, I'm like, damn

472
00:21:26,680 --> 00:21:29,000
Speaker 1: about the versus ship. That's who you think you'll do.

473
00:21:29,000 --> 00:21:29,440
Speaker 2: A versus with?

474
00:21:30,200 --> 00:21:33,119
Speaker 5: It be a good one, nobody that listen.

475
00:21:33,160 --> 00:21:35,760
Speaker 2: If if it would have I don't know that behind

476
00:21:35,760 --> 00:21:37,639
Speaker 2: the scenes politics, if you know.

477
00:21:37,640 --> 00:21:40,840
Speaker 4: What I mean, I would yeah, me and puff me

478
00:21:40,880 --> 00:21:44,520
Speaker 4: and puff versus was gonna be exciting, right, That's that's

479
00:21:44,520 --> 00:21:45,679
Speaker 4: that's probably the most exciting.

480
00:21:45,800 --> 00:21:47,640
Speaker 7: Yeah, like that would have been. That would have been

481
00:21:47,680 --> 00:21:51,280
Speaker 7: something that like I might have even would have paid

482
00:21:51,320 --> 00:21:55,080
Speaker 7: to come watch because it would have been balanced.

483
00:21:55,359 --> 00:21:57,800
Speaker 4: If all his artists were cooperated, it would have been

484
00:21:58,040 --> 00:21:58,800
Speaker 4: really perfect.

485
00:21:58,920 --> 00:22:01,919
Speaker 5: But that you know, I don't know that would have happened.

486
00:22:01,960 --> 00:22:04,679
Speaker 4: But yeah, if all of his artists would have cooperated, Uh,

487
00:22:04,840 --> 00:22:07,000
Speaker 4: it would have probably been the biggest show period in

488
00:22:07,119 --> 00:22:08,359
Speaker 4: hip hop history.

489
00:22:08,400 --> 00:22:10,480
Speaker 2: The artists, though, you don't think y'all could just y'all

490
00:22:10,520 --> 00:22:14,399
Speaker 2: without the artists right there tune for tune and still

491
00:22:14,400 --> 00:22:18,199
Speaker 2: be entertaining. Nah, you think you need artists? I mean

492
00:22:18,280 --> 00:22:18,600
Speaker 2: I don't.

493
00:22:20,440 --> 00:22:23,720
Speaker 4: I'm saying I'm just trying to say, like I just

494
00:22:23,760 --> 00:22:25,760
Speaker 4: don't know, you know what I mean, you can't. It's

495
00:22:25,800 --> 00:22:26,800
Speaker 4: hard to go toe for.

496
00:22:26,800 --> 00:22:29,520
Speaker 2: Told with me and i't. I ain't even trying to cap.

497
00:22:29,560 --> 00:22:32,720
Speaker 4: I'm saying, like I go into like that's what I'm saying,

498
00:22:32,720 --> 00:22:36,679
Speaker 4: I go, I got so many different areas where compative

499
00:22:36,680 --> 00:22:38,400
Speaker 4: compatibles it ain't.

500
00:22:38,440 --> 00:22:39,200
Speaker 2: It ain't the same.

501
00:22:39,359 --> 00:22:41,600
Speaker 4: Like if I get into the bow Wow era of life,

502
00:22:42,119 --> 00:22:44,000
Speaker 4: I don't know what bad Boy put out when bow

503
00:22:44,040 --> 00:22:48,360
Speaker 4: Wow was number one on one on six, apart some.

504
00:22:48,359 --> 00:22:50,880
Speaker 1: Of that Mason puff shit. Remember they were dropping around

505
00:22:50,920 --> 00:22:51,080
Speaker 1: in it.

506
00:22:51,280 --> 00:22:54,600
Speaker 2: Now listen, it's nah, not that time, not that time.

507
00:22:54,720 --> 00:22:57,679
Speaker 2: And then still that was right after Biggie pass.

508
00:22:57,480 --> 00:23:01,560
Speaker 4: Right, Nah, not not not the lineup I'm talking about it.

509
00:23:01,560 --> 00:23:03,240
Speaker 4: I ain't come out to two thousand, oh yeah, yeah,

510
00:23:03,240 --> 00:23:05,119
Speaker 4: two thousand and one. You know what I'm saying, Like

511
00:23:06,320 --> 00:23:09,760
Speaker 4: just back, you're talking about nineties. Now, I'm telling you,

512
00:23:09,800 --> 00:23:12,560
Speaker 4: as we get in the in the latter parts of

513
00:23:12,920 --> 00:23:15,320
Speaker 4: life where we are right now, I don't know, you

514
00:23:15,320 --> 00:23:16,200
Speaker 4: know what I mean, It ain't.

515
00:23:16,800 --> 00:23:20,640
Speaker 2: But it's only twenty records, so that when I think

516
00:23:20,680 --> 00:23:21,119
Speaker 2: about that, I.

517
00:23:21,440 --> 00:23:23,240
Speaker 5: Can't play ten Biggie records against me.

518
00:23:23,680 --> 00:23:29,280
Speaker 2: He got he got bigger, he got, he.

519
00:23:29,280 --> 00:23:31,960
Speaker 4: Got no, he got he got, he got, he got,

520
00:23:31,960 --> 00:23:33,399
Speaker 4: he got a bunch of records. But I'm saying that

521
00:23:33,480 --> 00:23:36,959
Speaker 4: the core of it, at the core of it, you know,

522
00:23:37,440 --> 00:23:38,840
Speaker 4: you ain't see that day with me and was on

523
00:23:38,920 --> 00:23:40,919
Speaker 4: the line I was. He tried to tell me he

524
00:23:40,960 --> 00:23:42,840
Speaker 4: was gonna play victory against me. You're not gonna play

525
00:23:42,920 --> 00:23:43,800
Speaker 4: victory against me.

526
00:23:44,520 --> 00:23:50,320
Speaker 1: He could, look, that's what. But I feel like that's

527
00:23:50,320 --> 00:23:52,320
Speaker 1: why you ain't gonna play victory against me, because he

528
00:23:52,520 --> 00:23:53,160
Speaker 1: just said that.

529
00:23:53,280 --> 00:23:55,639
Speaker 2: Y'all know ten RAT records and y'all could both go

530
00:23:55,720 --> 00:23:58,560
Speaker 2: ten R and B records. Yes, yeah, we're the only

531
00:23:58,640 --> 00:24:02,080
Speaker 2: producers that I know that can Maybe maybe doctor Drake

532
00:24:02,200 --> 00:24:06,280
Speaker 2: could maybe you know Drake records.

533
00:24:07,280 --> 00:24:11,760
Speaker 6: Listen, don't before y'all start with that.

534
00:24:13,080 --> 00:24:15,399
Speaker 7: I'm not you know what I'm saying in terms of

535
00:24:15,520 --> 00:24:20,280
Speaker 7: like total like you said, the total scope of like rap,

536
00:24:20,440 --> 00:24:25,960
Speaker 7: R and B, fucking kids, whatever, whatever, diversity. Not taking

537
00:24:26,000 --> 00:24:28,679
Speaker 7: anything away from doctor drayd Off because he's one of

538
00:24:28,720 --> 00:24:31,920
Speaker 7: the phenomenal goats of this ship whatever whatever before y'all

539
00:24:31,960 --> 00:24:36,320
Speaker 7: start that ship. But it's like, I don't I don't

540
00:24:36,880 --> 00:24:40,440
Speaker 7: place I wouldn't place him, like with with the JD

541
00:24:40,680 --> 00:24:44,199
Speaker 7: or Diddy when it comes to like the R and

542
00:24:44,240 --> 00:24:48,560
Speaker 7: B ship or the you know, the the formulation of

543
00:24:48,600 --> 00:24:51,280
Speaker 7: like the younger you know what I'm saying.

544
00:24:51,080 --> 00:24:55,600
Speaker 6: People, because he's so up there, like I don't, I don't.

545
00:24:55,640 --> 00:24:59,600
Speaker 2: I just if it was a versus I would it

546
00:24:59,600 --> 00:25:01,960
Speaker 2: would makes sense if it was J. D. Puff or

547
00:25:02,000 --> 00:25:03,959
Speaker 2: j D. Doctor Drake. That's what I'm saying. That's my opinion.

548
00:25:04,119 --> 00:25:05,040
Speaker 2: That's the only one know.

549
00:25:05,160 --> 00:25:06,959
Speaker 4: Me and Puff was like gonna be the best, But

550
00:25:07,000 --> 00:25:09,919
Speaker 4: that would I was gonna was gonna and.

551
00:25:10,000 --> 00:25:12,520
Speaker 7: Him and would be more comfortable than him and him

552
00:25:12,560 --> 00:25:14,200
Speaker 7: and doctors right and opinion.

553
00:25:14,000 --> 00:25:16,240
Speaker 4: I agree, Yeah, I was gonna have fun with the person,

554
00:25:16,560 --> 00:25:17,960
Speaker 4: you know what I mean? Like even though we joked

555
00:25:17,960 --> 00:25:18,840
Speaker 4: back and forth and both.

556
00:25:18,680 --> 00:25:21,360
Speaker 7: Of y'all are like both of y'all, y'all aren't like

557
00:25:21,920 --> 00:25:23,880
Speaker 7: it wasn't gonna be some ship where y'all like fake

558
00:25:23,920 --> 00:25:25,560
Speaker 7: get into it or no ship like that. Both of

559
00:25:25,640 --> 00:25:28,520
Speaker 7: y'all have that same camaraderie. So would have really been

560
00:25:28,600 --> 00:25:31,080
Speaker 7: like a big ass party. It would have been.

561
00:25:31,960 --> 00:25:33,400
Speaker 2: It was gonna be fun. It was gonna be fun.

562
00:25:33,440 --> 00:25:35,560
Speaker 4: And we got artists that could go, Like I said,

563
00:25:35,640 --> 00:25:40,000
Speaker 4: you know, one twelve against Jaggs, Escape against total exactly

564
00:25:40,040 --> 00:25:42,680
Speaker 4: Anthony Hamilton against Carl.

565
00:25:42,520 --> 00:25:44,840
Speaker 6: Thomas exactly exactly.

566
00:25:44,880 --> 00:25:47,679
Speaker 2: You know it was gonna go down. It's gonna be something.

567
00:25:48,040 --> 00:25:54,040
Speaker 1: Hey, what about should talking that ship about? What happened

568
00:25:54,080 --> 00:25:58,040
Speaker 1: with that ship? What suld what it's about about? Bow

569
00:25:58,040 --> 00:26:00,760
Speaker 1: wow bow wow? Like he had by while saying went

570
00:26:00,800 --> 00:26:02,840
Speaker 1: to jail and then came out. You had them blew

571
00:26:02,920 --> 00:26:05,280
Speaker 1: him up, acting like you're supposed to own some money.

572
00:26:05,280 --> 00:26:06,280
Speaker 1: He's just dropped the interview about that.

573
00:26:06,560 --> 00:26:08,920
Speaker 2: I saw pep.

574
00:26:10,920 --> 00:26:16,240
Speaker 4: Somebody assumed me if it's the truth, I'll be telling

575
00:26:16,280 --> 00:26:16,960
Speaker 4: people our time.

576
00:26:17,040 --> 00:26:19,520
Speaker 2: Somebody, if somebody owe you some money, I won't man

577
00:26:20,160 --> 00:26:20,880
Speaker 2: some type of way.

578
00:26:22,119 --> 00:26:23,040
Speaker 5: Somebody owe you some money.

579
00:26:25,440 --> 00:26:27,920
Speaker 4: You said nine times out of ten, if somebody, if

580
00:26:27,920 --> 00:26:30,600
Speaker 4: somebody really owe you some real money, and they got

581
00:26:30,600 --> 00:26:35,000
Speaker 4: somebody signed to you, right, Okay, they signed to you,

582
00:26:35,600 --> 00:26:37,800
Speaker 4: and you got proof that the artist is signed to you,

583
00:26:38,280 --> 00:26:39,600
Speaker 4: you're supposed to get your money, right.

584
00:26:39,720 --> 00:26:41,360
Speaker 1: Oh he thought he was just gonna debo you out

585
00:26:41,400 --> 00:26:43,240
Speaker 1: some money. That ain't going.

586
00:26:44,800 --> 00:26:45,280
Speaker 2: I'm saying that.

587
00:26:45,359 --> 00:26:48,040
Speaker 4: I'm saying I'm little so niggas always gonna try the

588
00:26:48,080 --> 00:26:51,240
Speaker 4: little boy me my whole life. That's all I'm telling you.

589
00:26:51,240 --> 00:26:53,359
Speaker 4: And the music shit just that I'm a little nigga.

590
00:26:53,440 --> 00:26:56,159
Speaker 4: Niggas be trying to little boy me, that's cool, But

591
00:26:56,280 --> 00:26:58,479
Speaker 4: I'm just saying I play by the real rules. Like

592
00:26:59,280 --> 00:27:02,240
Speaker 4: if he's I do you I would have paid them? Yeah,

593
00:27:02,680 --> 00:27:03,240
Speaker 4: you know what I mean.

594
00:27:04,240 --> 00:27:06,720
Speaker 5: He ain't signed. I ain't see no contract. Yeah, you

595
00:27:06,760 --> 00:27:07,200
Speaker 5: know what I mean.

596
00:27:07,240 --> 00:27:10,760
Speaker 4: And shure he be talking in a world where niggas

597
00:27:10,800 --> 00:27:13,960
Speaker 4: don't understand this. Niggas don't understand business. If they did it,

598
00:27:13,960 --> 00:27:16,560
Speaker 4: it'll be more millionaires than it is that we got

599
00:27:16,560 --> 00:27:19,639
Speaker 4: out here. Niggas don't understand business. So niggas just be

600
00:27:19,720 --> 00:27:22,400
Speaker 4: going off of yeah yeah, yeah, it ain't no yeah

601
00:27:22,480 --> 00:27:23,160
Speaker 4: yeah over here.

602
00:27:23,359 --> 00:27:27,440
Speaker 1: Yeah, I ain't got that nah nah. Hey, so how

603
00:27:27,440 --> 00:27:29,960
Speaker 1: did you know jay Z with jay Z early on?

604
00:27:30,680 --> 00:27:33,320
Speaker 1: Because you brought him to the South first, right, Yeah,

605
00:27:33,320 --> 00:27:35,280
Speaker 1: I ain't no, I ain't no. Like I said, I'm

606
00:27:35,320 --> 00:27:36,200
Speaker 1: going off my taste.

607
00:27:36,520 --> 00:27:39,880
Speaker 4: I don't know, Like, I don't know if people gonna

608
00:27:39,880 --> 00:27:41,639
Speaker 4: get into him, you know what I mean. What I

609
00:27:41,680 --> 00:27:45,200
Speaker 4: did know was that me being on the fresh Fast,

610
00:27:46,160 --> 00:27:48,399
Speaker 4: I got a chance to live in New York in

611
00:27:48,520 --> 00:27:52,760
Speaker 4: state in Brooklyn, and I seen like what hip hop

612
00:27:52,920 --> 00:27:56,000
Speaker 4: was to them and what hip hop was to us, Right,

613
00:27:56,000 --> 00:27:59,760
Speaker 4: in Atlanta and new rappers that came out of New

614
00:27:59,840 --> 00:28:03,440
Speaker 4: York people, they embraced them, really really, you know, they

615
00:28:03,480 --> 00:28:09,399
Speaker 4: really embraced them. They also, if you could rap with

616
00:28:09,440 --> 00:28:12,320
Speaker 4: these guys, they'll put you in the you know, they'll

617
00:28:12,320 --> 00:28:14,879
Speaker 4: put you in the space where Okay, he lyrical, he

618
00:28:14,960 --> 00:28:18,000
Speaker 4: got some minds. So here I am doing my album,

619
00:28:18,400 --> 00:28:20,960
Speaker 4: and you know, I'm writing all these songs for everybody else,

620
00:28:21,080 --> 00:28:22,760
Speaker 4: and people telling me I should do my album.

621
00:28:22,800 --> 00:28:24,040
Speaker 2: I write my own raps.

622
00:28:24,400 --> 00:28:25,880
Speaker 4: So I'm like, shit, I want to do a song

623
00:28:25,920 --> 00:28:29,160
Speaker 4: with a nigga who niggas think could really rap. I'm

624
00:28:29,200 --> 00:28:32,600
Speaker 4: still trying to prove myself to the world by doing

625
00:28:32,640 --> 00:28:34,240
Speaker 4: that more or less than anything. I'm like, let me

626
00:28:34,280 --> 00:28:36,359
Speaker 4: get on a song with jay Z, then y'all niggas

627
00:28:36,359 --> 00:28:39,280
Speaker 4: will stop saying JD don't do nothing right, kiddy raps

628
00:28:39,360 --> 00:28:40,280
Speaker 4: or whatever whatever like.

629
00:28:40,720 --> 00:28:42,880
Speaker 5: So That's what I'm thinking in my mind.

630
00:28:42,920 --> 00:28:45,760
Speaker 4: I'm just trying to put myself in the same blignement

631
00:28:45,840 --> 00:28:48,560
Speaker 4: with niggas who people think really could rap.

632
00:28:49,920 --> 00:28:50,640
Speaker 6: And what made you?

633
00:28:51,040 --> 00:28:54,840
Speaker 7: What made you pick money and the thing to be

634
00:28:54,960 --> 00:28:59,120
Speaker 7: that song to showcase your skills as well as his.

635
00:29:01,120 --> 00:29:03,040
Speaker 2: It just happened. I was I was picked.

636
00:29:03,080 --> 00:29:04,640
Speaker 4: I was going to pick him up at the airport,

637
00:29:05,040 --> 00:29:08,560
Speaker 4: and I'm listening to Can't Knock the Hustle And in

638
00:29:08,680 --> 00:29:11,200
Speaker 4: the song, that's what he says. In the song, he says,

639
00:29:12,640 --> 00:29:15,400
Speaker 4: I'm deep in the South, kicking up top game, screaming

640
00:29:15,440 --> 00:29:17,520
Speaker 4: through the some roof money and the thing. And when

641
00:29:17,520 --> 00:29:20,560
Speaker 4: he said that, I'm like, why did he say the South?

642
00:29:21,680 --> 00:29:21,840
Speaker 2: You know?

643
00:29:21,960 --> 00:29:23,760
Speaker 4: He talking about me, Like you know what I mean.

644
00:29:23,800 --> 00:29:26,880
Speaker 4: I started like visualizing this as like this is this

645
00:29:27,040 --> 00:29:29,960
Speaker 4: a message from somebody telling me JD.

646
00:29:30,080 --> 00:29:32,680
Speaker 5: This the part with this it right. So I'm and

647
00:29:32,760 --> 00:29:33,680
Speaker 5: I'm driving like that.

648
00:29:33,760 --> 00:29:36,040
Speaker 4: I'm I'm late to pick him up, so I'm driving

649
00:29:36,120 --> 00:29:38,320
Speaker 4: fast and I'm I'm down that.

650
00:29:39,080 --> 00:29:40,440
Speaker 2: Yeah, I'm down Old National.

651
00:29:40,480 --> 00:29:42,440
Speaker 4: So i ain't that far from the airport, but I'm saying,

652
00:29:42,480 --> 00:29:46,040
Speaker 4: I'm I'm swerving and I'm getting there fast, and I'm

653
00:29:46,080 --> 00:29:48,720
Speaker 4: listening to it and it's saying that like screaming through

654
00:29:48,720 --> 00:29:50,880
Speaker 4: the some roof money and anything. And I'm telling y'all,

655
00:29:50,880 --> 00:29:54,320
Speaker 4: I'm at Magic City every night spreending his money. That's

656
00:29:54,320 --> 00:29:57,160
Speaker 4: what I'm thinking. It's like just me, this this is

657
00:29:57,200 --> 00:29:57,720
Speaker 4: my life.

658
00:29:57,960 --> 00:30:01,480
Speaker 7: Yeah, yeah, yeah, that video that vision is crazy.

659
00:30:02,080 --> 00:30:02,400
Speaker 2: Yeah.

660
00:30:02,600 --> 00:30:04,760
Speaker 1: Hey, what do you think the good and the bad

661
00:30:04,880 --> 00:30:05,880
Speaker 1: is about Atlanta then?

662
00:30:05,880 --> 00:30:06,600
Speaker 2: And Atlanta now?

663
00:30:08,680 --> 00:30:10,800
Speaker 4: I don't feel like there's no hustlers in Atlanta no more,

664
00:30:12,360 --> 00:30:14,479
Speaker 4: you know what I mean. Then it was hustling. Niggas

665
00:30:14,520 --> 00:30:16,880
Speaker 4: was hustling. Everybody out here was trying to hustle first

666
00:30:16,920 --> 00:30:20,240
Speaker 4: to get a deal. And I feel like the independent

667
00:30:20,280 --> 00:30:24,120
Speaker 4: mindset hurt Atlanta because Atlanta was built on hustling to

668
00:30:24,160 --> 00:30:26,440
Speaker 4: get a deal. It was wasn't built on you do

669
00:30:26,560 --> 00:30:30,400
Speaker 4: it yourself. It wasn't built on niggas trying to put

670
00:30:30,440 --> 00:30:32,520
Speaker 4: records out theyself. If they would have did that, then

671
00:30:32,560 --> 00:30:35,560
Speaker 4: we would have blew up when Itchi Bud was here, right,

672
00:30:35,640 --> 00:30:37,920
Speaker 4: you know what I'm saying. But want niggas didn't blow

673
00:30:37,960 --> 00:30:41,720
Speaker 4: up when Itchi Bun was here. Niggas like Shade too

674
00:30:42,160 --> 00:30:45,800
Speaker 4: and them niggas was that Itchi Bund. My generation of me,

675
00:30:46,360 --> 00:30:48,760
Speaker 4: we came in. We went straight to Columbia, you know

676
00:30:48,800 --> 00:30:52,400
Speaker 4: what I mean. I went to Sony, Rico Wade and

677
00:30:52,560 --> 00:30:53,760
Speaker 4: went the end of scope.

678
00:30:54,920 --> 00:30:56,520
Speaker 2: Ship. Polo went to end the scope.

679
00:30:57,040 --> 00:30:59,320
Speaker 4: Every young nigga out here that was doing what they

680
00:30:59,360 --> 00:31:02,000
Speaker 4: was doing, they was want to get bags from these companies.

681
00:31:02,600 --> 00:31:04,360
Speaker 4: You don't see that no more, you know what I mean,

682
00:31:04,440 --> 00:31:06,760
Speaker 4: everybody trying to act like they're doing it independent. I

683
00:31:06,800 --> 00:31:09,040
Speaker 4: get it, I understand that, But that's still that's that

684
00:31:09,080 --> 00:31:11,520
Speaker 4: ain't the nature of this city or how the city

685
00:31:11,640 --> 00:31:14,080
Speaker 4: was built from the music standpoint.

686
00:31:15,240 --> 00:31:19,280
Speaker 2: You think that when they talk talk about producers names

687
00:31:19,320 --> 00:31:23,320
Speaker 2: such as yourself and and Rico Wade, like it's a

688
00:31:23,360 --> 00:31:25,640
Speaker 2: little bit of a handicap because of the South thing,

689
00:31:25,840 --> 00:31:28,000
Speaker 2: just because y'all from the South and representing Atlanta, like

690
00:31:28,120 --> 00:31:30,120
Speaker 2: y'all should be mentioned more than adult talk.

691
00:31:30,680 --> 00:31:33,840
Speaker 4: Of course, I mean, I mean, yeah, without it doubt

692
00:31:33,880 --> 00:31:36,520
Speaker 4: like I it's it's you know, the fact that I

693
00:31:36,520 --> 00:31:41,200
Speaker 4: got to spend time in New York and Atlanta back

694
00:31:41,200 --> 00:31:43,760
Speaker 4: and forth. It gave me a different perspective of just

695
00:31:43,800 --> 00:31:47,040
Speaker 4: like what needed to be happening with us as opposed

696
00:31:47,080 --> 00:31:49,920
Speaker 4: to what's actually happening right, And a lot of times

697
00:31:51,720 --> 00:31:53,640
Speaker 4: we be here in Atlanta and we be so caught

698
00:31:53,680 --> 00:31:55,520
Speaker 4: up in this bubble in Atlanta, we don't be paying

699
00:31:55,520 --> 00:31:57,040
Speaker 4: attention to what need to really be.

700
00:31:57,040 --> 00:31:57,960
Speaker 5: Happening, right.

701
00:31:58,000 --> 00:32:01,520
Speaker 4: So a lot of times we don't push ourselves, all

702
00:32:01,560 --> 00:32:04,040
Speaker 4: of us pushing each other to get to them, to

703
00:32:04,160 --> 00:32:06,560
Speaker 4: them conversations. You know what I'm saying, It be making

704
00:32:06,600 --> 00:32:08,960
Speaker 4: it feel like, well, sometimes we don't even care, Like

705
00:32:09,040 --> 00:32:11,400
Speaker 4: right now, it's all you know. I did a little

706
00:32:11,400 --> 00:32:15,520
Speaker 4: dinner for the DJs about two months ago, and niggas

707
00:32:15,520 --> 00:32:18,120
Speaker 4: went crazy on the in and everybody started beefing talking

708
00:32:18,160 --> 00:32:20,600
Speaker 4: all this ship about who ain't playing records And then

709
00:32:22,080 --> 00:32:24,880
Speaker 4: you know, out of space told me it won no

710
00:32:25,000 --> 00:32:28,560
Speaker 4: hot males in the city. Then that started this whole conversation,

711
00:32:28,720 --> 00:32:31,080
Speaker 4: right all the niggas.

712
00:32:31,360 --> 00:32:32,600
Speaker 2: Yeah, yeah, the niggas starts.

713
00:32:32,640 --> 00:32:35,520
Speaker 4: So so even with that, niggas want to argue about

714
00:32:35,520 --> 00:32:36,480
Speaker 4: who hot in Atlanta.

715
00:32:36,600 --> 00:32:36,960
Speaker 2: It ain't.

716
00:32:37,200 --> 00:32:40,640
Speaker 4: It ain't but one rapper on the radio in New

717
00:32:40,720 --> 00:32:44,120
Speaker 4: York that's from Atlanta. That's That's That's what I care about.

718
00:32:44,120 --> 00:32:48,520
Speaker 4: Who is Playbo Cardi. You're the only person that's got

719
00:32:48,520 --> 00:32:52,240
Speaker 4: a record on the radio in New York.

720
00:32:52,080 --> 00:32:58,240
Speaker 2: City, not New It don't matter.

721
00:32:58,520 --> 00:33:01,440
Speaker 4: The only nigga that got a song on the radio

722
00:33:01,920 --> 00:33:04,800
Speaker 4: in Atlanta. That's why I've been pushing this Magic City ship.

723
00:33:04,800 --> 00:33:07,720
Speaker 4: So I'm like, man, we we we fucking up about it.

724
00:33:08,480 --> 00:33:09,160
Speaker 2: The wrong ship.

725
00:33:10,520 --> 00:33:16,040
Speaker 1: We worried about the yes, right heard that, I'm telling

726
00:33:16,080 --> 00:33:20,680
Speaker 1: you straight. So it's New York still the way they like.

727
00:33:20,720 --> 00:33:23,560
Speaker 1: It's New York still the stamp for hip hop. As

728
00:33:23,560 --> 00:33:30,800
Speaker 1: far as culture awareness, I think niggas don't give a

729
00:33:30,840 --> 00:33:31,520
Speaker 1: funk about.

730
00:33:31,280 --> 00:33:32,400
Speaker 2: Being you can make.

731
00:33:33,760 --> 00:33:35,600
Speaker 7: But you know, it used to be like to where

732
00:33:35,640 --> 00:33:37,640
Speaker 7: like if you could get a record on the radio

733
00:33:37,720 --> 00:33:40,920
Speaker 7: in New York or l A, then that was like

734
00:33:41,600 --> 00:33:42,160
Speaker 7: the Grammy.

735
00:33:42,960 --> 00:33:45,520
Speaker 4: Sure, but now now you can make it without it. Nah,

736
00:33:45,800 --> 00:33:50,320
Speaker 4: you can't know why you say that. It's still culture awareness.

737
00:33:50,640 --> 00:33:51,360
Speaker 4: These cities are.

738
00:33:51,320 --> 00:33:54,840
Speaker 5: Still this place is still it's still the mecca of culture.

739
00:33:55,160 --> 00:33:58,600
Speaker 2: If you take someone you really popping into the world.

740
00:33:58,640 --> 00:34:00,480
Speaker 2: Let's take someone with a long tim in you're a

741
00:34:00,480 --> 00:34:04,800
Speaker 2: couple of some names like Boosy who just ran laps

742
00:34:04,840 --> 00:34:07,040
Speaker 2: around the South and get good. He been relevant a

743
00:34:07,040 --> 00:34:10,359
Speaker 2: long time. God, it's a lot of people. That's why

744
00:34:10,600 --> 00:34:11,000
Speaker 2: I feel like you.

745
00:34:11,080 --> 00:34:13,040
Speaker 4: But I'm saying you put butsy on what level of

746
00:34:13,080 --> 00:34:15,319
Speaker 4: who like Let's let's talk about Atlanta, right, Let's talk

747
00:34:15,360 --> 00:34:20,399
Speaker 4: about Gez Ludacris, outcast t I.

748
00:34:20,440 --> 00:34:24,000
Speaker 2: Gucci made a long time record. He made a long

749
00:34:24,040 --> 00:34:25,480
Speaker 2: time without a record in New York.

750
00:34:26,200 --> 00:34:29,480
Speaker 4: Okay, what I'm saying if you take them five artists

751
00:34:29,480 --> 00:34:31,240
Speaker 4: who who the biggest.

752
00:34:30,880 --> 00:34:31,440
Speaker 2: On that list.

753
00:34:32,200 --> 00:34:39,200
Speaker 4: Get a list again, t I jez outcast Gucci Manucci,

754
00:34:39,840 --> 00:34:42,600
Speaker 4: who I said, Ludacris.

755
00:34:43,880 --> 00:34:47,640
Speaker 7: But are you Are you speaking on just the biggest

756
00:34:47,719 --> 00:34:50,399
Speaker 7: from a musical standpoint or just the biggest from an

757
00:34:50,440 --> 00:34:51,480
Speaker 7: overall standpoints?

758
00:34:51,520 --> 00:34:53,680
Speaker 4: Were talking about music, were talking about who got who

759
00:34:53,760 --> 00:34:56,400
Speaker 4: really got ship going? When niggas say they popping, who

760
00:34:56,560 --> 00:34:57,840
Speaker 4: really popping on this list?

761
00:34:58,360 --> 00:35:02,080
Speaker 2: I'm talking about that they hight they hike, Yeah, they hike.

762
00:35:02,200 --> 00:35:05,640
Speaker 1: It wasn't.

763
00:35:05,600 --> 00:35:08,200
Speaker 2: Jesus to me Jesus.

764
00:35:08,440 --> 00:35:12,800
Speaker 4: Okay, take that's good. Take Jezy right, Jezy was getting

765
00:35:12,840 --> 00:35:15,640
Speaker 4: played in New York. Jesus was in New York doing

766
00:35:16,560 --> 00:35:18,239
Speaker 4: parties at the strip clubs.

767
00:35:17,880 --> 00:35:18,319
Speaker 2: In New York.

768
00:35:18,400 --> 00:35:21,480
Speaker 6: Jesus, Yeah, we show in New York.

769
00:35:21,520 --> 00:35:24,400
Speaker 4: This is what I'm saying. You cannot you can't be

770
00:35:24,600 --> 00:35:30,960
Speaker 4: popping just then now, you can't just you can't be popping.

771
00:35:31,040 --> 00:35:32,399
Speaker 1: Who going to New York doing something?

772
00:35:32,520 --> 00:35:35,440
Speaker 4: Honey on your They don't. But and they not popping.

773
00:35:35,760 --> 00:35:38,280
Speaker 4: That's what the problem is. We ain't Atlanta not popping

774
00:35:38,400 --> 00:35:40,719
Speaker 4: right now? You're right, The ain't no artists out here.

775
00:35:40,800 --> 00:35:42,360
Speaker 4: It's popping. That's what I'm trying to tell you. The

776
00:35:42,440 --> 00:35:45,640
Speaker 4: only ain't playing in New York. Nah, that ain't even

777
00:35:45,680 --> 00:35:49,439
Speaker 4: on already on New York. They popping around here. It's

778
00:35:49,440 --> 00:35:51,960
Speaker 4: not on already on New York. It's still you gotta

779
00:35:52,000 --> 00:35:52,719
Speaker 4: reach out man.

780
00:35:53,000 --> 00:35:55,480
Speaker 1: You say New York is the first first place to

781
00:35:55,520 --> 00:35:58,120
Speaker 1: cross you over to going overseasons. Nah, nah, it's just

782
00:35:58,360 --> 00:36:02,520
Speaker 1: it's just the first place that that basically to me,

783
00:36:02,880 --> 00:36:06,520
Speaker 1: that bridge is all hip hop hip hop levels. If

784
00:36:06,560 --> 00:36:09,279
Speaker 1: you love hip hop in the South, right, and you

785
00:36:09,320 --> 00:36:11,600
Speaker 1: love hip hop from the North, and you start getting

786
00:36:11,600 --> 00:36:14,439
Speaker 1: played like, it's just it's just the bridge of all.

787
00:36:14,880 --> 00:36:22,560
Speaker 1: I agree, I don't like it like that, but that's

788
00:36:22,600 --> 00:36:23,520
Speaker 1: what everything really.

789
00:36:23,719 --> 00:36:25,960
Speaker 7: But do y'all think that that goes back to the

790
00:36:26,000 --> 00:36:29,960
Speaker 7: whole ship about there always being some sort of like

791
00:36:30,719 --> 00:36:34,080
Speaker 7: slick New York nigga Atlanta nigga, Like.

792
00:36:36,880 --> 00:36:41,640
Speaker 2: No, I don't know what it's like.

793
00:36:41,719 --> 00:36:45,600
Speaker 7: It's all like not even like Atlanta nigga, but just

794
00:36:45,600 --> 00:36:48,759
Speaker 7: from the South, Like you know, it's always been kind

795
00:36:48,800 --> 00:36:52,360
Speaker 7: of like a thing like with Atlanta niggas and New

796
00:36:52,440 --> 00:36:55,440
Speaker 7: York niggas, like South niggas and New York niggas, like.

797
00:36:55,440 --> 00:36:58,560
Speaker 4: Yeah, because we always been cool enough to get to

798
00:36:58,680 --> 00:37:04,360
Speaker 4: that to advance and space, right, and if and niggas. No,

799
00:37:04,560 --> 00:37:07,440
Speaker 4: if you advance in that space, you basically have advanced.

800
00:37:07,800 --> 00:37:10,640
Speaker 4: You have advanced, and it ain't gonna be no, it

801
00:37:10,680 --> 00:37:15,080
Speaker 4: won't be no whole backs or nothing if that. If

802
00:37:15,080 --> 00:37:17,200
Speaker 4: you start popping in New York, I'm gonna tell you,

803
00:37:17,239 --> 00:37:22,160
Speaker 4: like I when I put out the franchise was the

804
00:37:22,280 --> 00:37:25,840
Speaker 4: Young Bloods and Bone Crushing, niggas in New York hated

805
00:37:25,880 --> 00:37:27,440
Speaker 4: me because I was staying in New York and I

806
00:37:27,480 --> 00:37:28,960
Speaker 4: was running the label right.

807
00:37:29,280 --> 00:37:31,560
Speaker 5: They hated me because all I was doing was centing

808
00:37:31,600 --> 00:37:32,560
Speaker 5: my promo.

809
00:37:32,200 --> 00:37:36,400
Speaker 4: Team out to their clubs promote Bone Crusher and young Blood,

810
00:37:36,719 --> 00:37:39,840
Speaker 4: Bone Crushing, young Blood, Bone Crushing, young Blood.

811
00:37:40,000 --> 00:37:42,240
Speaker 2: And Case Slay Rest in Peace.

812
00:37:42,280 --> 00:37:44,600
Speaker 4: I remember one of the people came back and was like,

813
00:37:45,000 --> 00:37:46,880
Speaker 4: Case Slay broke your record to night Man. When I

814
00:37:46,920 --> 00:37:48,759
Speaker 4: gave it to him, he broke it and said, man,

815
00:37:48,760 --> 00:37:50,359
Speaker 4: if you bring one of them, another one of them

816
00:37:50,360 --> 00:37:53,160
Speaker 4: Southern records over here, you got them kill y'all niggas.

817
00:37:53,440 --> 00:37:59,560
Speaker 4: Because the dominance, the dominance of what was happening is

818
00:38:00,080 --> 00:38:02,799
Speaker 4: it's it's it's it's dangerous, you know what I mean.

819
00:38:02,840 --> 00:38:05,600
Speaker 4: It's a dangerous space. And that's what happened. Once we

820
00:38:05,719 --> 00:38:08,280
Speaker 4: started taking over like that, we started getting on the radio.

821
00:38:08,719 --> 00:38:12,520
Speaker 4: Then New York started signing like Atlanta. Right then Atlanta

822
00:38:12,560 --> 00:38:14,960
Speaker 4: started I mean, then New York started looking like Atlanta,

823
00:38:15,080 --> 00:38:17,120
Speaker 4: you know what I mean. They got stripped clubs and this,

824
00:38:17,160 --> 00:38:19,160
Speaker 4: that and the third and it just started being a thing.

825
00:38:22,560 --> 00:38:25,560
Speaker 7: So do you feel like that the New York the

826
00:38:25,680 --> 00:38:30,560
Speaker 7: New York crew felt like the Atlanta or Southern influence

827
00:38:30,760 --> 00:38:33,000
Speaker 7: was a threat to their own personal culture.

828
00:38:33,160 --> 00:38:33,200
Speaker 2: No.

829
00:38:33,239 --> 00:38:35,400
Speaker 4: I don't think they knew it, but I think I

830
00:38:35,440 --> 00:38:38,320
Speaker 4: think once they started paying attention to it, they started

831
00:38:38,320 --> 00:38:42,000
Speaker 4: feeling it like oh shit, Okay. Then across the across

832
00:38:42,040 --> 00:38:44,800
Speaker 4: the bridge, they got some you know, New Jersey. The

833
00:38:44,880 --> 00:38:47,239
Speaker 4: niggas in nor they don't even really like really want

834
00:38:47,239 --> 00:38:49,839
Speaker 4: to represent. They want to act like they like not

835
00:38:49,920 --> 00:38:52,960
Speaker 4: really that connected. So was the nigga that had a

836
00:38:53,000 --> 00:38:56,240
Speaker 4: patch overs I Freddie wat.

837
00:39:03,480 --> 00:39:07,880
Speaker 5: Wop fed Wop went public and said, oh.

838
00:39:07,800 --> 00:39:11,759
Speaker 2: He listened to his whole Yeah, you know what I mean.

839
00:39:12,480 --> 00:39:14,440
Speaker 4: You know what I'm saying. You got all these niggas

840
00:39:14,440 --> 00:39:17,920
Speaker 4: saying all they listen to Wap. It's just like you

841
00:39:18,000 --> 00:39:21,400
Speaker 4: could start seeing like, oh this ship. Oh you know

842
00:39:21,440 --> 00:39:23,759
Speaker 4: what I mean, it's a different thing. But all of

843
00:39:23,840 --> 00:39:25,680
Speaker 4: them are like what I'm saying, all of them artists

844
00:39:26,840 --> 00:39:30,400
Speaker 4: that I named on that list, they was all respected

845
00:39:30,520 --> 00:39:31,200
Speaker 4: and accepted.

846
00:39:32,480 --> 00:39:34,160
Speaker 5: I think we make that list right now.

847
00:39:34,360 --> 00:39:37,239
Speaker 2: But ain't none of them. But but but but on

848
00:39:37,719 --> 00:39:40,600
Speaker 2: the flip side of New York one in validation from

849
00:39:40,719 --> 00:39:41,560
Speaker 2: down South, they.

850
00:39:41,520 --> 00:39:43,960
Speaker 5: Had to come always always got it.

851
00:39:44,160 --> 00:39:46,359
Speaker 4: We gave it without even we gave it without even

852
00:39:46,680 --> 00:39:47,000
Speaker 4: giving it.

853
00:39:48,239 --> 00:39:49,920
Speaker 2: We gave it way he had to come get it.

854
00:39:50,040 --> 00:39:50,320
Speaker 2: Guess what.

855
00:39:50,520 --> 00:39:52,520
Speaker 1: See, that's what I think, that's what we fucked up

856
00:39:52,520 --> 00:39:55,719
Speaker 1: at is when we got it, we take it all

857
00:39:55,760 --> 00:39:58,799
Speaker 1: the way when they started because you gotta think New

858
00:39:58,880 --> 00:40:01,359
Speaker 1: York ship went popping unless they came out on South

859
00:40:01,400 --> 00:40:02,239
Speaker 1: beats at one time.

860
00:40:03,160 --> 00:40:04,160
Speaker 2: Let's keep it real enough.

861
00:40:04,520 --> 00:40:06,279
Speaker 4: Well, I mean, you know, like I said, I don't,

862
00:40:06,320 --> 00:40:09,399
Speaker 4: I don't, I don't know. I feel like New York

863
00:40:09,840 --> 00:40:12,840
Speaker 4: always had a footprint in Atlanta.

864
00:40:13,440 --> 00:40:15,520
Speaker 2: That ship was dead around the time got them in that.

865
00:40:17,920 --> 00:40:21,080
Speaker 1: When all that future and that ship was dead.

866
00:40:21,160 --> 00:40:25,239
Speaker 4: Yeah, but when future came out, like you know what

867
00:40:25,239 --> 00:40:27,600
Speaker 4: I'm saying, you're talking about twenty ten, that ship right

868
00:40:28,000 --> 00:40:29,560
Speaker 4: like we had it prior to that.

869
00:40:29,719 --> 00:40:33,959
Speaker 2: That's a long time. Yeah, you're right, before up little

870
00:40:34,239 --> 00:40:37,120
Speaker 2: Little John start doing them hot.

871
00:40:41,320 --> 00:40:42,920
Speaker 6: From then the twenty.

872
00:40:43,840 --> 00:40:49,319
Speaker 2: Stretch the hot ain't know boy, listen.

873
00:40:51,760 --> 00:40:52,719
Speaker 6: To give me your hand man.

874
00:40:54,080 --> 00:40:55,839
Speaker 5: It was now they had a long they had.

875
00:40:55,719 --> 00:40:56,359
Speaker 2: A long run.

876
00:40:56,800 --> 00:40:58,680
Speaker 4: But they also, like I said, they always had a

877
00:40:58,719 --> 00:41:02,520
Speaker 4: footprint here. I feel like, you know, that's what I'm saying.

878
00:41:02,520 --> 00:41:04,480
Speaker 4: I went through every piece of this. This what niggas

879
00:41:04,480 --> 00:41:08,120
Speaker 4: don't be understanding about me. I went through every part

880
00:41:08,600 --> 00:41:11,040
Speaker 4: of trying to get that right and get it wrong,

881
00:41:11,480 --> 00:41:13,240
Speaker 4: you know what I mean. Like, so in the beginning,

882
00:41:13,600 --> 00:41:16,439
Speaker 4: when I started throwing parties here in Atlanta, the DJ

883
00:41:16,640 --> 00:41:18,839
Speaker 4: scene won cracking it won.

884
00:41:18,960 --> 00:41:21,920
Speaker 2: No DJs in Atlanta. They even had no name. How

885
00:41:22,000 --> 00:41:25,520
Speaker 2: old are you screamed, ye forty three?

886
00:41:26,080 --> 00:41:29,160
Speaker 4: Okay, you probably want you won djaying You wasn't even

887
00:41:29,280 --> 00:41:30,920
Speaker 4: DJing when I was throwing parties.

888
00:41:31,000 --> 00:41:32,400
Speaker 2: I'm sure of it, right.

889
00:41:32,920 --> 00:41:35,600
Speaker 4: So, so what I'm saying is it wasn't even know

890
00:41:35,719 --> 00:41:38,880
Speaker 4: DJ cruise out here. That was really like they won

891
00:41:39,000 --> 00:41:41,120
Speaker 4: on the radio. They definitely want to around.

892
00:41:41,320 --> 00:41:44,400
Speaker 2: Oh, this is after a J team around.

893
00:41:45,200 --> 00:41:48,040
Speaker 4: J Team been around, but J Team won. J tem

894
00:41:48,160 --> 00:41:51,319
Speaker 4: was mixtapes. They they want things about going to the radio.

895
00:41:51,440 --> 00:41:53,480
Speaker 4: You're talking about niggas who was on the radio. Let's

896
00:41:53,480 --> 00:41:57,280
Speaker 4: started with well, not damns, it started with it started

897
00:41:57,360 --> 00:42:02,160
Speaker 4: with It's started with Shabas and these these dudes that

898
00:42:02,320 --> 00:42:05,080
Speaker 4: was on they had it was a state, we had

899
00:42:05,680 --> 00:42:06,919
Speaker 4: five I'm talking about.

900
00:42:09,200 --> 00:42:11,759
Speaker 5: So it started with them. That's what started being on

901
00:42:11,800 --> 00:42:12,160
Speaker 5: the radio.

902
00:42:12,239 --> 00:42:16,000
Speaker 4: But what I'm saying is radio DJs using their mics

903
00:42:17,200 --> 00:42:18,239
Speaker 4: don't know what I'm talking about.

904
00:42:18,800 --> 00:42:20,200
Speaker 2: I ain't even a hip hop head.

905
00:42:20,320 --> 00:42:22,640
Speaker 1: Bro, Like the first New York nigga, I'm gonna keep

906
00:42:22,640 --> 00:42:25,720
Speaker 1: it real, the first New York nigga I ever listened

907
00:42:25,760 --> 00:42:28,160
Speaker 1: to a fifty cent Wow. I know that's fucked up,

908
00:42:28,160 --> 00:42:30,560
Speaker 1: but it is the truth. I couldn't understand all that fast.

909
00:42:31,160 --> 00:42:34,960
Speaker 2: So no, so no, no, like no rough riders.

910
00:42:35,040 --> 00:42:37,000
Speaker 5: They already mans were cool.

911
00:42:37,040 --> 00:42:39,240
Speaker 1: But I'm saying I just couldn't understand that ship fitted

912
00:42:39,760 --> 00:42:41,920
Speaker 1: seeing it seemed like, Okay, this is a nigga that

913
00:42:41,920 --> 00:42:43,880
Speaker 1: could have been in the South with a New York accent.

914
00:42:44,000 --> 00:42:46,840
Speaker 2: To me, yeah, I could just identify with.

915
00:42:46,920 --> 00:42:49,160
Speaker 1: This story, like the fuck with this nigga?

916
00:42:49,160 --> 00:42:49,840
Speaker 2: He going crazy?

917
00:42:49,960 --> 00:42:51,759
Speaker 4: By the way, now listen, you see how you are,

918
00:42:52,120 --> 00:42:54,400
Speaker 4: You see how exactly how you talking right? This is

919
00:42:54,480 --> 00:42:58,399
Speaker 4: exactly the same way that they feel about Southern rap

920
00:42:58,560 --> 00:43:00,920
Speaker 4: in New York. Right, So it's like, like, who gonna

921
00:43:00,920 --> 00:43:07,000
Speaker 4: break through? That's the same thing, you saying the same ship.

922
00:43:07,080 --> 00:43:10,680
Speaker 4: So they saying the same thing. Jay Z, I'm gonna

923
00:43:10,680 --> 00:43:14,680
Speaker 4: do a record, U GK record, I'm gonna.

924
00:43:14,520 --> 00:43:16,439
Speaker 2: Breakthrough, you know what I'm saying.

925
00:43:16,520 --> 00:43:18,480
Speaker 1: That's always been the goal to try to figure out

926
00:43:18,480 --> 00:43:20,520
Speaker 1: how to break through niggas that don't That's why I said,

927
00:43:20,560 --> 00:43:21,920
Speaker 1: that's a hustle mentality though.

928
00:43:22,600 --> 00:43:24,919
Speaker 5: You don't want to just be cool at home.

929
00:43:25,040 --> 00:43:27,120
Speaker 2: You want to be cool you Yeah, and it's.

930
00:43:27,080 --> 00:43:28,800
Speaker 7: Just like just like not to cut you off, but

931
00:43:28,960 --> 00:43:31,640
Speaker 7: just like it's the same way, like in comparison, like

932
00:43:32,320 --> 00:43:34,560
Speaker 7: when niggas are on some street ship, like when you

933
00:43:34,719 --> 00:43:38,400
Speaker 7: trapping or whatever, like you're trying to expand your empire,

934
00:43:38,480 --> 00:43:40,759
Speaker 7: so you're trying to take over another block. So for

935
00:43:41,960 --> 00:43:43,960
Speaker 7: the New York niggas, or even for the South niggas,

936
00:43:44,000 --> 00:43:46,280
Speaker 7: the other blocks were the North and the South.

937
00:43:46,320 --> 00:43:47,880
Speaker 6: You know what I'm saying. So it's like it's the

938
00:43:47,920 --> 00:43:49,680
Speaker 6: same ship. Don't you get control of that, then you

939
00:43:49,719 --> 00:43:50,879
Speaker 6: can take off of the world for real.

940
00:43:51,000 --> 00:43:51,879
Speaker 2: Yeah, And that's what I'm saying.

941
00:43:51,920 --> 00:43:54,400
Speaker 4: That's that's that's what I'm trying to say it hustle mentality,

942
00:43:54,400 --> 00:43:56,239
Speaker 4: because you sit in and say if you want to

943
00:43:56,280 --> 00:43:58,839
Speaker 4: say it don't matter no more than that's you ain't

944
00:43:58,880 --> 00:44:01,440
Speaker 4: hustling to me as fuck concerned because I did that.

945
00:44:01,560 --> 00:44:02,480
Speaker 2: You understand what I'm saying.

946
00:44:02,560 --> 00:44:06,560
Speaker 1: You always want the next space, right, You want niggas

947
00:44:06,600 --> 00:44:07,480
Speaker 1: fuck with you in this space.

948
00:44:07,520 --> 00:44:09,480
Speaker 2: You don't want to go there and be like, oh,

949
00:44:09,520 --> 00:44:09,960
Speaker 2: y'all don't know.

950
00:44:10,120 --> 00:44:11,960
Speaker 4: Y'all really don't know who the fuck I am that

951
00:44:12,080 --> 00:44:18,360
Speaker 4: need to be booing niggas in New York though, you

952
00:44:18,440 --> 00:44:19,719
Speaker 4: had to go to the tunnel and make it.

953
00:44:20,160 --> 00:44:22,920
Speaker 1: Yeah, I'm more on West Coast music though.

954
00:44:24,239 --> 00:44:25,239
Speaker 2: Listen from the West Coast.

955
00:44:25,640 --> 00:44:31,000
Speaker 1: H I me listening Spice one Back then Snoop fordy

956
00:44:31,120 --> 00:44:32,719
Speaker 1: Too Short, all that ship.

957
00:44:33,160 --> 00:44:33,759
Speaker 2: You know what I'm saying.

958
00:44:33,960 --> 00:44:35,680
Speaker 1: That sounds more Southern than me. You know what I mean,

959
00:44:35,719 --> 00:44:38,239
Speaker 1: I'm eight volum j g K Nigga man.

960
00:44:38,480 --> 00:44:42,080
Speaker 2: Yeah, you know what I'm saying. That's that's I mean. Nick.

961
00:44:42,120 --> 00:44:44,120
Speaker 4: Can you the type of person that I had to

962
00:44:44,239 --> 00:44:47,880
Speaker 4: use as my barameter in my neighborhood? I'm like, okay,

963
00:44:48,480 --> 00:44:52,319
Speaker 4: just ain't here. Listen to this here, listen to this here,

964
00:44:52,520 --> 00:44:54,560
Speaker 4: listen to this, you know what I mean. So I'm

965
00:44:54,680 --> 00:44:57,120
Speaker 4: using that when I'm making my music, and I'm also

966
00:44:57,280 --> 00:44:59,920
Speaker 4: using that when I'm trying to figure out my collaboration

967
00:45:00,120 --> 00:45:02,319
Speaker 4: was and all that right when I when I did

968
00:45:02,440 --> 00:45:04,560
Speaker 4: jay Z, all my own boys were saying the same

969
00:45:04,640 --> 00:45:06,880
Speaker 4: thing as you, jay Z.

970
00:45:07,360 --> 00:45:10,360
Speaker 1: It's just like when dropped to bring him out to me,

971
00:45:10,520 --> 00:45:12,640
Speaker 1: that ship with trash New York.

972
00:45:14,960 --> 00:45:16,040
Speaker 2: For game myself, and.

973
00:45:19,200 --> 00:45:20,200
Speaker 5: I liked them on them too.

974
00:45:20,320 --> 00:45:22,600
Speaker 1: Beats in there and to be easy, you know what

975
00:45:22,640 --> 00:45:24,640
Speaker 1: I'm saying, slow sound and ship that bring him out.

976
00:45:24,760 --> 00:45:28,000
Speaker 2: Even though that crossed them over, right, it ain't crossing

977
00:45:28,000 --> 00:45:29,839
Speaker 2: them over. It just took to New York.

978
00:45:29,960 --> 00:45:33,160
Speaker 7: Not yeah yeah, did you respect Memphis bleaks verse on

979
00:45:33,320 --> 00:45:33,799
Speaker 7: around here?

980
00:45:35,400 --> 00:45:43,359
Speaker 2: But that is down here round around here. Oh yeah,

981
00:45:43,400 --> 00:45:47,560
Speaker 2: that was cool. Was good. Now, I feel what you're saying.

982
00:45:47,680 --> 00:45:49,360
Speaker 2: I feel I got on jay Z, my bad. I

983
00:45:49,400 --> 00:45:51,360
Speaker 2: got on jay Z. I heard him on on on

984
00:45:51,560 --> 00:45:52,719
Speaker 2: on brush ship.

985
00:45:53,280 --> 00:45:55,120
Speaker 1: You know they were cool here. He got New York

986
00:45:55,239 --> 00:45:56,880
Speaker 1: nigga on the ship. But then when he got on

987
00:45:57,000 --> 00:46:01,320
Speaker 1: the ship with cash money, then when he started coming

988
00:46:01,440 --> 00:46:10,719
Speaker 1: into yeah, okay, what this ship was y'all? Yeah, it

989
00:46:10,800 --> 00:46:13,800
Speaker 1: was like, okay, he started started to get on not

990
00:46:14,040 --> 00:46:15,879
Speaker 1: not that my radar matter, but he started to get

991
00:46:15,920 --> 00:46:16,399
Speaker 1: on my radar.

992
00:46:17,000 --> 00:46:18,480
Speaker 2: You know what I'm saying. Other than that, I couldn't.

993
00:46:19,000 --> 00:46:21,239
Speaker 1: I can't go listen not and go back. After I

994
00:46:21,320 --> 00:46:23,200
Speaker 1: got hip to Jay, I went back and listening to

995
00:46:23,200 --> 00:46:24,280
Speaker 1: Ship like, oh, I was slipping.

996
00:46:24,360 --> 00:46:25,400
Speaker 6: So you didn't like feeling it?

997
00:46:26,360 --> 00:46:27,080
Speaker 2: What's that, Jake?

998
00:46:29,160 --> 00:46:31,320
Speaker 1: I went back and listened to me ship and I'm like,

999
00:46:31,360 --> 00:46:32,600
Speaker 1: oh nah, the niggas spin this ship.

1000
00:46:33,160 --> 00:46:36,000
Speaker 6: No, he like he overly was.

1001
00:46:36,880 --> 00:46:40,320
Speaker 5: First I had my road to the whole.

1002
00:46:40,239 --> 00:46:42,520
Speaker 2: Thing with the Black album. Hmm.

1003
00:46:42,880 --> 00:46:45,400
Speaker 1: Then I went back and started and been talking and

1004
00:46:45,440 --> 00:46:46,520
Speaker 1: ship slipping.

1005
00:46:47,000 --> 00:46:48,759
Speaker 6: You know what I'm saying, Yeah, you had to like

1006
00:46:48,960 --> 00:46:50,000
Speaker 6: regurgitate his ship.

1007
00:46:50,239 --> 00:46:52,560
Speaker 2: I just went old. My mind went old enough.

1008
00:46:52,400 --> 00:46:55,719
Speaker 6: To even that nigga man, that nigga was, that nigga was.

1009
00:46:57,040 --> 00:46:58,920
Speaker 4: But that's what I'm saying. What y'all talking about right

1010
00:46:58,960 --> 00:47:01,120
Speaker 4: now is hip hop just what I grew up in

1011
00:47:01,600 --> 00:47:05,720
Speaker 4: where I come from. It's always been we gotta figure

1012
00:47:05,719 --> 00:47:08,000
Speaker 4: out how to get them niggas to like us, and

1013
00:47:08,120 --> 00:47:09,760
Speaker 4: them niggas gotta figure out how to get.

1014
00:47:09,680 --> 00:47:10,279
Speaker 2: Us to like them.

1015
00:47:10,640 --> 00:47:13,400
Speaker 1: Use Use Use advanced on the Hustle part of it

1016
00:47:13,480 --> 00:47:15,480
Speaker 1: because nigga thought, you want to be from New York

1017
00:47:15,520 --> 00:47:18,040
Speaker 1: back Manna, I wanted to be accepted.

1018
00:47:19,640 --> 00:47:21,399
Speaker 2: In New York be like JD.

1019
00:47:21,560 --> 00:47:24,200
Speaker 1: Don't fuck with the New York niggas. But you knowing

1020
00:47:24,719 --> 00:47:26,239
Speaker 1: br this is why I gotta be it if I

1021
00:47:26,320 --> 00:47:26,880
Speaker 1: want to be this.

1022
00:47:26,960 --> 00:47:31,000
Speaker 4: Is that's It's just hip hop, you know what I'm saying.

1023
00:47:31,080 --> 00:47:33,960
Speaker 4: And one nothing in Atlanta hip hop when I grow

1024
00:47:34,080 --> 00:47:35,080
Speaker 4: up fact, you know.

1025
00:47:35,080 --> 00:47:35,400
Speaker 2: What I mean?

1026
00:47:35,560 --> 00:47:38,560
Speaker 5: Like, we ain't had this, We ain't had we had

1027
00:47:38,719 --> 00:47:41,000
Speaker 5: V one O three had one they had.

1028
00:47:41,280 --> 00:47:46,359
Speaker 4: They played rap for a hour. Wasn't even Friday night.

1029
00:47:46,640 --> 00:47:50,040
Speaker 4: They played rap for one hour, right, one hour.

1030
00:47:50,120 --> 00:47:50,319
Speaker 2: You know.

1031
00:47:53,680 --> 00:47:55,800
Speaker 4: You can't play with four songs in one hour with

1032
00:47:55,960 --> 00:47:58,480
Speaker 4: them commercials they got on the radio, right, So the

1033
00:47:58,600 --> 00:48:02,400
Speaker 4: fresh part, the fresh part, damn Field, just what I

1034
00:48:02,520 --> 00:48:04,440
Speaker 4: had to do then what I'm living with. Yeah, but

1035
00:48:04,520 --> 00:48:07,920
Speaker 4: I go to New York, the whole city, w b

1036
00:48:08,160 --> 00:48:11,480
Speaker 4: LS kiss they got hours of hip hop on the radio.

1037
00:48:12,360 --> 00:48:15,360
Speaker 4: This is where hip hop is living. And I'm growing

1038
00:48:15,440 --> 00:48:18,280
Speaker 4: up in this and I'm like, just where I want.

1039
00:48:18,120 --> 00:48:18,520
Speaker 2: To be at?

1040
00:48:18,600 --> 00:48:20,920
Speaker 4: Yeah, because I'm doing hip I dance, I rap. I

1041
00:48:20,960 --> 00:48:22,799
Speaker 4: want to I want to be where hip hop at.

1042
00:48:23,160 --> 00:48:26,160
Speaker 4: You could folp me, but I'm celebrated, then nobody give

1043
00:48:26,239 --> 00:48:28,839
Speaker 4: me ship in Atlanta. I had to bring ship here.

1044
00:48:29,239 --> 00:48:33,399
Speaker 4: The matter like when the first time I did. I'm

1045
00:48:33,600 --> 00:48:35,960
Speaker 4: tell you when I did. I think the Brat. I

1046
00:48:36,000 --> 00:48:38,880
Speaker 4: think the first time I had the Brat was successful.

1047
00:48:39,120 --> 00:48:42,480
Speaker 4: She done went platum and all that. I called Billboard like, yo,

1048
00:48:43,200 --> 00:48:46,560
Speaker 4: y'all should come to Atlanta do a story on the Brat, dude,

1049
00:48:46,600 --> 00:48:48,439
Speaker 4: And I see y'all doing that ship with everybody else.

1050
00:48:49,320 --> 00:48:51,480
Speaker 5: There's like, well, we don't got no crew in Atlanta.

1051
00:48:51,960 --> 00:48:53,080
Speaker 5: You could fly us out there.

1052
00:48:53,280 --> 00:48:56,680
Speaker 4: I had to fly Billboard Magazine to Atlanta to get

1053
00:48:56,760 --> 00:48:59,200
Speaker 4: them to interview my artists for the first time ever,

1054
00:48:59,280 --> 00:49:01,400
Speaker 4: the first time coming to They weren't even fucking with

1055
00:49:01,480 --> 00:49:04,080
Speaker 4: the city. This is what I'm saying, Like, niggas don't

1056
00:49:04,120 --> 00:49:05,920
Speaker 4: understand the shit I had to go through me. I

1057
00:49:06,000 --> 00:49:08,520
Speaker 4: had to go through some shit to get niggas to

1058
00:49:08,560 --> 00:49:13,160
Speaker 4: pay attention me. I'm out here doing cotwheels and backflips.

1059
00:49:12,520 --> 00:49:14,320
Speaker 2: And all kind of shit. It was.

1060
00:49:14,440 --> 00:49:16,480
Speaker 4: It's just because that's just how it is. When you

1061
00:49:16,520 --> 00:49:18,120
Speaker 4: were the first you know what I mean, first person

1062
00:49:18,239 --> 00:49:18,719
Speaker 4: doing something.

1063
00:49:19,000 --> 00:49:20,600
Speaker 6: I remember you had to open the door.

1064
00:49:21,040 --> 00:49:22,960
Speaker 4: I mean, I guess I wasn't even thinking about opening

1065
00:49:22,960 --> 00:49:24,439
Speaker 4: the door. I was just trying to get some shit

1066
00:49:24,560 --> 00:49:27,680
Speaker 4: done because I was watching everybody else. I'm seeing like

1067
00:49:28,080 --> 00:49:30,880
Speaker 4: niggas from the source magazines, they getting covers and this

1068
00:49:30,960 --> 00:49:32,680
Speaker 4: and and I'm like, damn, why they ain't fucking with us?

1069
00:49:33,360 --> 00:49:35,200
Speaker 4: And then they be like, well, we ain't got no

1070
00:49:35,320 --> 00:49:38,000
Speaker 4: crew to take no pictures in Atlanta. You wanta flies

1071
00:49:38,080 --> 00:49:40,799
Speaker 4: down there. I'm like, y'all want me to fly y'all

1072
00:49:41,360 --> 00:49:44,400
Speaker 4: so I can get on y'all magazine. I'm like this,

1073
00:49:44,680 --> 00:49:45,839
Speaker 4: that shit can't be right.

1074
00:49:46,360 --> 00:49:48,000
Speaker 2: But I'm I'm I'm young, I don't know.

1075
00:49:48,080 --> 00:49:50,680
Speaker 5: Ain't nobody telling me nothing. I'm just doing shit, you

1076
00:49:50,719 --> 00:49:51,200
Speaker 5: know what I'm saying.

1077
00:49:51,280 --> 00:49:52,520
Speaker 4: So, like I said, when I would go back to

1078
00:49:52,560 --> 00:49:54,960
Speaker 4: the DJ shit, I have parties out here, and I

1079
00:49:55,120 --> 00:49:57,880
Speaker 4: used to be thinking, like I want the parties to

1080
00:49:57,960 --> 00:50:01,080
Speaker 4: be the biggest parties in Atlanta, and ain't nobody. You know,

1081
00:50:01,320 --> 00:50:03,600
Speaker 4: the DJs in Atlanta they cool, but they ain't really

1082
00:50:04,160 --> 00:50:06,200
Speaker 4: they ain't really popping their name off. They ain't trying

1083
00:50:06,239 --> 00:50:07,800
Speaker 4: to be nobody. So I used to I used to

1084
00:50:07,840 --> 00:50:10,040
Speaker 4: bring I brought Kid Capri out here. A couple of

1085
00:50:10,120 --> 00:50:12,520
Speaker 4: times and I start, you know, I brought a couple

1086
00:50:12,560 --> 00:50:15,240
Speaker 4: of DJs from that had names, but Kick probably the biggest.

1087
00:50:16,320 --> 00:50:19,040
Speaker 2: That's probably the biggest. And then DJ Marsnham started this

1088
00:50:19,320 --> 00:50:19,759
Speaker 2: this this.

1089
00:50:19,960 --> 00:50:23,520
Speaker 4: Crew the super Friend and they was the first niggas

1090
00:50:23,560 --> 00:50:28,080
Speaker 4: to like be rebellious against me for doing ship with

1091
00:50:28,560 --> 00:50:31,200
Speaker 4: New York. And they was like, jad, you keep flying

1092
00:50:31,239 --> 00:50:33,360
Speaker 4: the New York DJ niggas down here, you know what

1093
00:50:33,400 --> 00:50:36,120
Speaker 4: I mean, let us do the parties and not aly

1094
00:50:36,200 --> 00:50:37,879
Speaker 4: I wanted them to give me that energy.

1095
00:50:38,800 --> 00:50:39,759
Speaker 2: I wanted that energy.

1096
00:50:39,760 --> 00:50:42,279
Speaker 5: I'm like, I ain't seeing this energy and never seeing

1097
00:50:42,360 --> 00:50:44,439
Speaker 5: this ship. Yeah, talk that ship.

1098
00:50:44,560 --> 00:50:47,879
Speaker 4: Tell me do the body, nigga, because right now I'm

1099
00:50:47,920 --> 00:50:49,200
Speaker 4: the person doing all the ship.

1100
00:50:49,280 --> 00:50:52,360
Speaker 5: I'm throwing the part of I'm fine do it talking.

1101
00:50:52,719 --> 00:50:54,560
Speaker 4: So it took a minute to get niggas, to get

1102
00:50:54,680 --> 00:50:57,719
Speaker 4: niggas wound up to even understand what my mindset was at.

1103
00:50:58,000 --> 00:50:59,959
Speaker 4: Niggas won't trying to play the game I've been playing.

1104
00:51:00,480 --> 00:51:02,359
Speaker 1: How important you think the DJ is in this day

1105
00:51:02,400 --> 00:51:02,680
Speaker 1: and time?

1106
00:51:03,440 --> 00:51:07,239
Speaker 4: Still important? The DJ just they they gotta be hustles though.

1107
00:51:07,960 --> 00:51:10,279
Speaker 4: The DJ A hustle though, what's the hustle for the DJ? D?

1108
00:51:10,480 --> 00:51:11,959
Speaker 4: I mean, if you got a radio show, you gotta

1109
00:51:12,000 --> 00:51:13,759
Speaker 4: hustle your show and let people know what time it is.

1110
00:51:13,840 --> 00:51:15,120
Speaker 2: It's just like this, you know what I mean.

1111
00:51:15,160 --> 00:51:17,879
Speaker 4: You gotta you gotta pop it off. You gotta show

1112
00:51:18,040 --> 00:51:20,399
Speaker 4: little content here and there. You gotta break niggas records.

1113
00:51:20,440 --> 00:51:21,479
Speaker 2: You got hustle.

1114
00:51:21,520 --> 00:51:22,600
Speaker 6: It is more digital right now.

1115
00:51:22,920 --> 00:51:24,640
Speaker 5: You got a job, You still got a job.

1116
00:51:24,880 --> 00:51:28,400
Speaker 2: But who's breaking records now? I don't know.

1117
00:51:28,440 --> 00:51:30,680
Speaker 4: I can't really say. I mean, because ain't no records

1118
00:51:30,719 --> 00:51:36,279
Speaker 4: breaking in the Limba fact, that's wrong. I mean, who

1119
00:51:36,320 --> 00:51:39,520
Speaker 4: got a bigger record than win Whammy? I think it's

1120
00:51:39,600 --> 00:51:42,160
Speaker 4: some records, but niggas just ain't breaking them. Wait wait, wait, wait,

1121
00:51:42,480 --> 00:51:44,880
Speaker 4: who got a bigger record than when Whammy in Atlanta?

1122
00:51:45,920 --> 00:51:48,160
Speaker 2: Is the record? Right now? There we go.

1123
00:51:48,680 --> 00:51:50,400
Speaker 4: That what I'm trying to tell you. And she signed

1124
00:51:50,840 --> 00:51:53,479
Speaker 4: just so everybody know she's not independent. But it broke

1125
00:51:53,600 --> 00:51:56,000
Speaker 4: here though it did break, it broke here. But I'm

1126
00:51:56,040 --> 00:51:57,880
Speaker 4: just I couldn't tell you.

1127
00:51:57,920 --> 00:52:03,760
Speaker 2: I don't want to. Now, somebody somebody is, some spot

1128
00:52:03,920 --> 00:52:06,600
Speaker 2: might have did still still be doing this thing.

1129
00:52:07,719 --> 00:52:08,720
Speaker 5: They gonna be breaking records.

1130
00:52:08,760 --> 00:52:10,920
Speaker 2: It be DJ know.

1131
00:52:11,040 --> 00:52:14,759
Speaker 7: I'm not saying that, but I mean overall like that's

1132
00:52:14,840 --> 00:52:17,200
Speaker 7: what did the trick and pushed it over the top

1133
00:52:17,400 --> 00:52:17,880
Speaker 7: in Atlanta.

1134
00:52:17,920 --> 00:52:22,839
Speaker 4: Though you think that, you think TikTok broke and yes, man,

1135
00:52:23,320 --> 00:52:27,800
Speaker 4: yes that's crazy. Yes, I think TikTok broke it globally.

1136
00:52:28,280 --> 00:52:31,160
Speaker 4: But I think in Atlanta, these little side, little hookah

1137
00:52:31,200 --> 00:52:31,959
Speaker 4: lounges and ship.

1138
00:52:33,160 --> 00:52:37,120
Speaker 7: What I'm saying, what made people want to request that

1139
00:52:37,200 --> 00:52:38,320
Speaker 7: ship to the DJs.

1140
00:52:39,239 --> 00:52:41,239
Speaker 4: I don't even think. I don't I don't think. I

1141
00:52:41,320 --> 00:52:43,520
Speaker 4: don't think it was being requested. I think the DJs

1142
00:52:43,600 --> 00:52:45,680
Speaker 4: was just playing off the top because it was it was.

1143
00:52:45,719 --> 00:52:48,840
Speaker 6: I was, I move around. It was definitely being requested.

1144
00:52:49,200 --> 00:52:53,080
Speaker 7: But it was being requested because these girls that smoked

1145
00:52:53,120 --> 00:52:56,560
Speaker 7: these hookahs in these lounges were on TikTok making videos

1146
00:52:56,600 --> 00:52:57,840
Speaker 7: to it, and they wanted to hear it in the

1147
00:52:57,880 --> 00:52:59,400
Speaker 7: club like loud.

1148
00:52:59,480 --> 00:53:04,239
Speaker 1: That record to breaking records. Though we can say, DJ

1149
00:53:04,360 --> 00:53:05,240
Speaker 1: who breaking records?

1150
00:53:05,880 --> 00:53:07,960
Speaker 2: I think we don't even will't we w don't even

1151
00:53:08,000 --> 00:53:10,000
Speaker 2: have it. We don't even have a venue big enough

1152
00:53:10,040 --> 00:53:10,880
Speaker 2: for that. In Atlanta.

1153
00:53:10,920 --> 00:53:13,239
Speaker 5: No more, they break, they still break, like I feel like,

1154
00:53:13,880 --> 00:53:14,200
Speaker 5: I mean.

1155
00:53:14,120 --> 00:53:15,440
Speaker 6: A lot of the club you gotta look at it.

1156
00:53:15,480 --> 00:53:19,040
Speaker 7: A lot of the clubs PA all the biggest are

1157
00:53:19,600 --> 00:53:22,960
Speaker 7: rested in peace, gonna like, ain't I still.

1158
00:53:22,840 --> 00:53:24,560
Speaker 4: Feel like it's still a little DJ's out here that

1159
00:53:24,719 --> 00:53:27,040
Speaker 4: that that's trying to break music, you know what I mean?

1160
00:53:27,160 --> 00:53:29,319
Speaker 2: Yeah, they little DJ because they ain't really they still

1161
00:53:29,360 --> 00:53:32,400
Speaker 2: ain't stepped into that light yet. But they get overlooked though, right.

1162
00:53:33,040 --> 00:53:35,120
Speaker 4: Nah, they're getting overlooked because they don't want to step

1163
00:53:35,200 --> 00:53:38,520
Speaker 4: into the light. You gotta step into You gotta step

1164
00:53:38,600 --> 00:53:40,640
Speaker 4: into the light. You gotta start making sure that people

1165
00:53:40,760 --> 00:53:43,160
Speaker 4: understand that you're the person, you know what I mean, Like,

1166
00:53:43,480 --> 00:53:45,400
Speaker 4: you can't be playing the back when niggas come. You

1167
00:53:45,480 --> 00:53:49,120
Speaker 4: gotta walk up to shake hands, say what's up. I'm

1168
00:53:49,200 --> 00:53:51,960
Speaker 4: just saying, it ain't that hard. By the way, it

1169
00:53:52,360 --> 00:53:52,680
Speaker 4: ain't that.

1170
00:54:00,640 --> 00:54:00,879
Speaker 2: Easy.

1171
00:54:00,960 --> 00:54:04,520
Speaker 1: Break the record. It is, bro, they gotta stand on it.

1172
00:54:04,600 --> 00:54:06,880
Speaker 1: Niggas ain't standing on them records if you if it's.

1173
00:54:06,760 --> 00:54:08,560
Speaker 2: A light like let me let me let me tell

1174
00:54:08,560 --> 00:54:11,080
Speaker 2: you somebody who made it a lifestyle that I learned

1175
00:54:11,080 --> 00:54:13,719
Speaker 2: from different DJs. So I salute them all. But like

1176
00:54:14,560 --> 00:54:16,720
Speaker 2: take for this is t rot at the Pool Palace.

1177
00:54:16,960 --> 00:54:19,560
Speaker 2: That's a record break. He's gonna break that record. You

1178
00:54:19,640 --> 00:54:20,560
Speaker 2: can hate that record.

1179
00:54:20,760 --> 00:54:23,240
Speaker 6: Yeah, his pole Palace, crucial days or legendary.

1180
00:54:23,360 --> 00:54:25,200
Speaker 2: You hate the record at eleven PM, you love it

1181
00:54:25,239 --> 00:54:28,480
Speaker 2: at eleven thirty, that's that's somebody stand Yes, he is

1182
00:54:31,480 --> 00:54:31,919
Speaker 2: that ship.

1183
00:54:32,080 --> 00:54:36,759
Speaker 7: But I feel like the another most important aspect of

1184
00:54:37,239 --> 00:54:39,239
Speaker 7: being a DJ and breaking the record and like doing

1185
00:54:39,280 --> 00:54:42,520
Speaker 7: all that shit is you have to understand the party

1186
00:54:42,719 --> 00:54:46,279
Speaker 7: and you have to understand for the flow, because in

1187
00:54:46,520 --> 00:54:49,440
Speaker 7: order for you to be able to effectively break a record,

1188
00:54:49,880 --> 00:54:52,360
Speaker 7: you have to get it in where it fits in

1189
00:54:52,560 --> 00:54:55,080
Speaker 7: so it'll make sense to your crowd. Because if you

1190
00:54:55,239 --> 00:55:02,239
Speaker 7: playing whim whammy right after fucking uh ship Uh, you're

1191
00:55:02,239 --> 00:55:06,640
Speaker 7: playing whimmy right after fucking Give me an example of

1192
00:55:06,800 --> 00:55:07,840
Speaker 7: some ship that don't make.

1193
00:55:07,719 --> 00:55:09,960
Speaker 2: Sense or some ship.

1194
00:55:10,040 --> 00:55:10,839
Speaker 5: Yeah you know what I'm saying.

1195
00:55:11,239 --> 00:55:12,759
Speaker 6: People be like, what the is this like?

1196
00:55:13,440 --> 00:55:18,239
Speaker 1: Especially Bro, you can stop the party silent and let

1197
00:55:18,320 --> 00:55:21,480
Speaker 1: these folks know I'm about to break this record. I

1198
00:55:21,480 --> 00:55:23,400
Speaker 1: don't give what came on before it will come on

1199
00:55:23,520 --> 00:55:26,560
Speaker 1: Ethic dish, the one I remember Nigga saying.

1200
00:55:26,600 --> 00:55:31,640
Speaker 2: Hold up, y'all, dish the record. It's different either when

1201
00:55:31,719 --> 00:55:35,000
Speaker 2: Jesus first came out, BRO was different. Then't funk with

1202
00:55:35,120 --> 00:55:39,600
Speaker 2: breaking the Nigga ship with another DJ talking that was

1203
00:55:39,640 --> 00:55:40,640
Speaker 2: a different but breaking.

1204
00:55:40,680 --> 00:55:42,200
Speaker 7: But they're doing this ship that they're doing the same

1205
00:55:42,239 --> 00:55:46,480
Speaker 7: ship now with Cardis ship with Swamp Swamp is talking

1206
00:55:46,560 --> 00:55:54,400
Speaker 7: all over the album and niggas are playing, yes they aren't.

1207
00:55:57,800 --> 00:56:03,719
Speaker 4: Whoever watching this that's not from this nigga is the

1208
00:56:03,800 --> 00:56:05,800
Speaker 4: pants in shoo. You see how he's talking.

1209
00:56:06,000 --> 00:56:06,880
Speaker 2: But you don't go out.

1210
00:56:06,960 --> 00:56:07,920
Speaker 6: That's what I'm trying to explain.

1211
00:56:08,320 --> 00:56:11,360
Speaker 7: Like playing this ship in the club with Swamp Swamp

1212
00:56:11,560 --> 00:56:13,040
Speaker 7: is all like, you know, that's unheard of.

1213
00:56:13,160 --> 00:56:13,960
Speaker 2: DJ don't do that.

1214
00:56:14,000 --> 00:56:16,920
Speaker 1: It's just a little dick rhyme bro about like breaking

1215
00:56:17,000 --> 00:56:20,239
Speaker 1: the records. Bro, you know what breaking records? Yeah, I'm

1216
00:56:20,440 --> 00:56:22,840
Speaker 1: keeping the rill when women don't go out, But.

1217
00:56:22,880 --> 00:56:23,640
Speaker 2: I know that ship.

1218
00:56:23,719 --> 00:56:27,800
Speaker 5: Oh my god, it's different. I don't go I know

1219
00:56:27,960 --> 00:56:28,960
Speaker 5: these JD.

1220
00:56:29,160 --> 00:56:33,560
Speaker 2: Remember when remember when records records riding? Bro, I'm telling

1221
00:56:33,560 --> 00:56:35,680
Speaker 2: you ship records.

1222
00:56:36,719 --> 00:56:40,960
Speaker 7: The hype is making another nigga play some ship.

1223
00:56:40,840 --> 00:56:41,879
Speaker 5: That he never would have played.

1224
00:56:43,360 --> 00:56:46,920
Speaker 2: Right. JD's right now because the Cardi dropping was already

1225
00:56:46,960 --> 00:56:49,040
Speaker 2: out of here. As soon as it dropped.

1226
00:56:49,719 --> 00:56:54,680
Speaker 3: Carty is so big as soon as lady, I don't,

1227
00:56:54,719 --> 00:56:55,319
Speaker 3: I don't listen.

1228
00:56:55,400 --> 00:56:57,040
Speaker 7: Listen what I'm trying to explain to you, I don't

1229
00:56:57,040 --> 00:56:59,960
Speaker 7: give a fuck if it was motherfucking Michael Jackson nigg

1230
00:57:01,120 --> 00:57:03,920
Speaker 7: certain DJs with another nigga's.

1231
00:57:03,880 --> 00:57:05,759
Speaker 5: Screaming his name the record.

1232
00:57:07,360 --> 00:57:07,440
Speaker 4: Car.

1233
00:57:10,000 --> 00:57:11,960
Speaker 2: I ain't saying they just dicked rhyme, but they just

1234
00:57:12,080 --> 00:57:12,520
Speaker 2: dick Ryan.

1235
00:57:12,880 --> 00:57:16,200
Speaker 1: What they doing is they playing the song because Cardi

1236
00:57:16,360 --> 00:57:18,000
Speaker 1: is big, That's what I'm saying.

1237
00:57:18,000 --> 00:57:20,400
Speaker 5: He already breaking no record, that's playing the song.

1238
00:57:20,480 --> 00:57:25,160
Speaker 2: He's already out of here, but he's.

1239
00:57:24,680 --> 00:57:27,520
Speaker 7: He's not typically an artist that you would necessarily hear

1240
00:57:27,600 --> 00:57:30,080
Speaker 7: in the club, So I don't consider that, Dicky.

1241
00:57:30,800 --> 00:57:33,040
Speaker 1: It's hyped he dropped the album, is hep It's supposed

1242
00:57:33,040 --> 00:57:34,840
Speaker 1: to be the biggest album of you. I'm an artist

1243
00:57:34,880 --> 00:57:37,280
Speaker 1: and he playing in New York, so it's hyped or not.

1244
00:57:39,720 --> 00:57:41,720
Speaker 1: You never heard before when women, we never heard of

1245
00:57:41,760 --> 00:57:44,160
Speaker 1: those girls. So when you're playing that for the first

1246
00:57:44,200 --> 00:57:45,160
Speaker 1: time down, a lot.

1247
00:57:45,080 --> 00:57:46,919
Speaker 6: Of people ain't ever playing Cardi in the club.

1248
00:57:46,960 --> 00:57:48,080
Speaker 5: What you've heard of him or not.

1249
00:57:49,160 --> 00:57:50,000
Speaker 2: But he's big.

1250
00:57:51,400 --> 00:57:53,040
Speaker 6: I don't give a fuck, nigga. If the nigga was

1251
00:57:53,080 --> 00:57:54,520
Speaker 6: an elephant nigga, try.

1252
00:57:56,120 --> 00:58:04,680
Speaker 5: Oh my god, he already already rejected. It's already projected to.

1253
00:58:04,720 --> 00:58:07,400
Speaker 7: Be going up but up until now, these certain records

1254
00:58:07,520 --> 00:58:10,280
Speaker 7: and all this certain ship, you weren't hearing Cardi.

1255
00:58:10,160 --> 00:58:11,919
Speaker 5: In the club. But no, but you just heard card

1256
00:58:12,000 --> 00:58:15,520
Speaker 5: on that and fe that big as they peep.

1257
00:58:16,760 --> 00:58:19,120
Speaker 1: But what I'm trying to tell him, he's already been

1258
00:58:19,200 --> 00:58:20,840
Speaker 1: accepted from the listen what I'm saying.

1259
00:58:21,280 --> 00:58:24,560
Speaker 2: Let me say this, he already just on Pluto ship.

1260
00:58:25,160 --> 00:58:28,120
Speaker 1: So all these niggas, who the niggas who say that

1261
00:58:28,240 --> 00:58:31,680
Speaker 1: niggas is it already having him on this ship before

1262
00:58:31,720 --> 00:58:33,920
Speaker 1: he dropped this boy ain't dropped it so long. But

1263
00:58:34,040 --> 00:58:36,760
Speaker 1: he made the right features. He was on Kanye, he

1264
00:58:36,880 --> 00:58:39,920
Speaker 1: was on goddamn Pluto, he was on Goddamn.

1265
00:58:40,000 --> 00:58:41,360
Speaker 2: All these niggas want this boy.

1266
00:58:41,480 --> 00:58:42,360
Speaker 5: He the only nigga on.

1267
00:58:42,560 --> 00:58:45,640
Speaker 2: YB new ship. So his hype is there. It shouts

1268
00:58:45,680 --> 00:58:48,840
Speaker 2: out to Cardi, I fuck with him. But what I'm

1269
00:58:48,880 --> 00:58:50,480
Speaker 2: saying is this hype and that he did it perfect.

1270
00:58:50,600 --> 00:58:53,960
Speaker 5: So when he dropped his alms like he already everybody

1271
00:58:54,000 --> 00:58:55,360
Speaker 5: who's somebody already had.

1272
00:58:55,320 --> 00:58:57,880
Speaker 2: Him on that ship. So when he dropped, hell yeah,

1273
00:58:57,880 --> 00:58:59,040
Speaker 2: we're gonna break this new Cardy.

1274
00:59:00,680 --> 00:59:03,400
Speaker 6: But what listen, listen, please tell you.

1275
00:59:04,880 --> 00:59:06,080
Speaker 5: Not been on none of that other ship.

1276
00:59:06,200 --> 00:59:07,960
Speaker 2: It will even still have been played over there.

1277
00:59:09,400 --> 00:59:11,400
Speaker 6: But what I'm saying to you is this is saying.

1278
00:59:13,040 --> 00:59:14,840
Speaker 7: What I'm saying to you is the records and ship

1279
00:59:14,920 --> 00:59:16,959
Speaker 7: that they're playing over and over again in the club

1280
00:59:17,280 --> 00:59:22,400
Speaker 7: aren't traditional hype records, like they're what would be technically

1281
00:59:22,440 --> 00:59:25,280
Speaker 7: considered like filler records off of his album, Like they're

1282
00:59:25,280 --> 00:59:27,960
Speaker 7: playing that kind of ship along with the hits like

1283
00:59:28,080 --> 00:59:31,000
Speaker 7: the Weekend Ship and the Fine Ships and the you

1284
00:59:31,080 --> 00:59:31,760
Speaker 7: know what I'm saying.

1285
00:59:31,600 --> 00:59:34,960
Speaker 1: The songs, and you know what I'm saying is, at

1286
00:59:34,960 --> 00:59:37,040
Speaker 1: the end of the day, if he didn't create the

1287
00:59:37,120 --> 00:59:40,160
Speaker 1: hype that he created through being on video with masks

1288
00:59:40,320 --> 00:59:45,360
Speaker 1: on them and god damn all that ship, they wouldn't

1289
00:59:45,360 --> 00:59:45,680
Speaker 1: have did that.

1290
00:59:45,840 --> 00:59:49,360
Speaker 7: The hype definitely helped. But to get you gotta understand,

1291
00:59:49,400 --> 00:59:52,280
Speaker 7: I'm speaking from a DJ standpoint. To get a DJ

1292
00:59:52,480 --> 00:59:55,840
Speaker 7: nigga to play a song with another DJ niggas screaming

1293
00:59:55,880 --> 00:59:57,600
Speaker 7: his name all through the records.

1294
00:59:59,760 --> 01:00:02,000
Speaker 2: I mean, I'm a center shot.

1295
01:00:02,440 --> 01:00:06,600
Speaker 4: I'm gonna say Esco started that, right, Le's go, let's

1296
01:00:06,640 --> 01:00:08,880
Speaker 4: go by putting his tags on the future records.

1297
01:00:08,920 --> 01:00:11,840
Speaker 5: You had to play, you had to play the future.

1298
01:00:11,880 --> 01:00:14,760
Speaker 7: You had all goes back to the artist enabling their

1299
01:00:14,880 --> 01:00:16,360
Speaker 7: DJ and allowing them.

1300
01:00:16,240 --> 01:00:19,160
Speaker 4: To because I think they had He had his tag

1301
01:00:19,400 --> 01:00:21,960
Speaker 4: on March Madness and you couldn't get it without the

1302
01:00:22,040 --> 01:00:24,840
Speaker 4: tag on it for the longest, right, and you con't

1303
01:00:24,840 --> 01:00:27,320
Speaker 4: play March Madness unless you had the tag on that.

1304
01:00:27,840 --> 01:00:35,000
Speaker 2: And I think on on they had the m l

1305
01:00:35,080 --> 01:00:38,320
Speaker 2: k H tag emil.

1306
01:00:38,160 --> 01:00:40,440
Speaker 5: K bitch on every every time.

1307
01:00:40,480 --> 01:00:42,880
Speaker 4: And I'm DJ DJ, so I'm telling you I'll be

1308
01:00:43,000 --> 01:00:45,400
Speaker 4: playing it and start off with the with they tag

1309
01:00:45,520 --> 01:00:47,280
Speaker 4: on it. I think they just started it, you know

1310
01:00:47,320 --> 01:00:49,280
Speaker 4: what I mean. I think they started that little. And

1311
01:00:49,440 --> 01:00:54,600
Speaker 4: I think I think these new DJs to what he's saying,

1312
01:00:54,960 --> 01:00:57,400
Speaker 4: you know, I think the new DJs don't even care

1313
01:00:57,440 --> 01:00:59,520
Speaker 4: about what you're talking about because.

1314
01:00:59,680 --> 01:01:02,480
Speaker 1: Theyk that swamp on this album as a feature, not

1315
01:01:02,600 --> 01:01:03,120
Speaker 1: as a DJ.

1316
01:01:05,040 --> 01:01:08,400
Speaker 5: They're not paying like like he he got a tag

1317
01:01:08,480 --> 01:01:10,080
Speaker 5: for his show on mix tape.

1318
01:01:10,320 --> 01:01:13,000
Speaker 3: Hes not goingad to be having JD screaming on the

1319
01:01:13,040 --> 01:01:14,520
Speaker 3: screen mixtape, you know what I mean.

1320
01:01:14,720 --> 01:01:16,320
Speaker 2: It ain't gready to be like that because it's his,

1321
01:01:16,840 --> 01:01:17,520
Speaker 2: it's his show.

1322
01:01:18,040 --> 01:01:21,040
Speaker 4: These young DJs, they don't have they're not they're not

1323
01:01:21,120 --> 01:01:23,320
Speaker 4: they don't have hip hop etiquette. It's a lot of

1324
01:01:23,400 --> 01:01:26,000
Speaker 4: motherfuckers ain't got no hip hop etiquette. I think they're

1325
01:01:26,040 --> 01:01:27,000
Speaker 4: in hip hop right now?

1326
01:01:28,480 --> 01:01:32,760
Speaker 5: You know so, I mean y'all both right, right, y'all

1327
01:01:32,760 --> 01:01:34,240
Speaker 5: about right? Because she she right?

1328
01:01:34,320 --> 01:01:36,560
Speaker 4: They in the club, they playing it. But like I said,

1329
01:01:36,600 --> 01:01:39,440
Speaker 4: the young DJs, they not tripping over the DJ. The

1330
01:01:39,560 --> 01:01:41,680
Speaker 4: DJ screaming over the thing back in the day that

1331
01:01:41,720 --> 01:01:43,080
Speaker 4: ship happened.

1332
01:01:43,200 --> 01:01:43,680
Speaker 2: That's still that.

1333
01:01:43,800 --> 01:01:44,960
Speaker 5: But that's hip hop etiquette.

1334
01:01:44,960 --> 01:01:45,880
Speaker 2: We don't have that no more.

1335
01:01:46,280 --> 01:01:49,920
Speaker 1: Yeah, and Swamp is featured on the album, like that's

1336
01:01:49,960 --> 01:01:51,800
Speaker 1: a joint album. They brought the man out.

1337
01:01:51,840 --> 01:01:52,479
Speaker 2: He on the show.

1338
01:01:53,040 --> 01:01:55,560
Speaker 1: It's a joint album, so it ain't he's a feature.

1339
01:01:56,320 --> 01:02:00,240
Speaker 1: It ain't like it's a DJ, like how Drama was

1340
01:02:00,360 --> 01:02:01,640
Speaker 1: nothing else, it was a sailor.

1341
01:02:02,200 --> 01:02:06,760
Speaker 2: It's sailor. If that record no dramma with him on turn.

1342
01:02:07,520 --> 01:02:11,840
Speaker 2: If that record get hot enough on you, you're gonna

1343
01:02:13,720 --> 01:02:17,960
Speaker 2: it don't matter ship if it gets hot enough.

1344
01:02:18,640 --> 01:02:20,680
Speaker 1: I just feel like me personally, you know what I'm saying,

1345
01:02:21,280 --> 01:02:24,720
Speaker 1: Most of most people are just following instead of Centrick.

1346
01:02:26,400 --> 01:02:27,960
Speaker 1: You know what I'm saying, Like you ain't finna hear

1347
01:02:27,960 --> 01:02:30,040
Speaker 1: a nigga listen to a record, and it could be

1348
01:02:30,120 --> 01:02:32,120
Speaker 1: hard nigga be like, Yeah, he's gonna want some money

1349
01:02:32,560 --> 01:02:33,800
Speaker 1: to play it, and he's gonna.

1350
01:02:33,600 --> 01:02:34,560
Speaker 2: Play it with altitude.

1351
01:02:35,480 --> 01:02:36,280
Speaker 6: But let me ask you this.

1352
01:02:36,720 --> 01:02:38,000
Speaker 2: He ain't finna break your ship.

1353
01:02:38,160 --> 01:02:41,280
Speaker 6: Let me ask you this. It's following the trend, really.

1354
01:02:41,120 --> 01:02:47,280
Speaker 1: Following, Yes, following the trend, because trend sellers like you

1355
01:02:47,520 --> 01:02:49,880
Speaker 1: back in the day you get trends are set to

1356
01:02:49,960 --> 01:02:51,880
Speaker 1: be followed. But I'm saying it, back in the day,

1357
01:02:52,040 --> 01:02:54,080
Speaker 1: we ain't got enough DJ to heal song be like

1358
01:02:54,200 --> 01:02:56,360
Speaker 1: just a hit or see a break and be like,

1359
01:02:56,440 --> 01:02:57,720
Speaker 1: I'm going to make my niggas play this.

1360
01:02:58,120 --> 01:03:00,520
Speaker 2: You ain't got enough of that no more. He niggas

1361
01:03:00,680 --> 01:03:02,120
Speaker 2: want what what? What can go?

1362
01:03:02,840 --> 01:03:04,680
Speaker 1: Instead of you know, even put some time in this

1363
01:03:04,760 --> 01:03:07,320
Speaker 1: little boy and make sure I turn any clothe back them,

1364
01:03:07,360 --> 01:03:08,120
Speaker 1: letting them jump around.

1365
01:03:08,160 --> 01:03:09,200
Speaker 2: They ain't doing that no more.

1366
01:03:09,240 --> 01:03:13,919
Speaker 1: Bro, niggas ain't doing Niggas waiting to see oh shit

1367
01:03:13,960 --> 01:03:15,000
Speaker 1: they fuck it on Instagram.

1368
01:03:15,080 --> 01:03:17,560
Speaker 2: They get it. Yeah, nah, I want to. I want

1369
01:03:17,640 --> 01:03:17,920
Speaker 2: to say that.

1370
01:03:17,960 --> 01:03:19,919
Speaker 4: So what I'm saying, I'm I'm I'm gonna talk about

1371
01:03:19,920 --> 01:03:23,280
Speaker 4: this when I say the hustling. The one thing about

1372
01:03:23,360 --> 01:03:26,240
Speaker 4: Magic City documentary that I feel like that I definitely

1373
01:03:26,280 --> 01:03:30,680
Speaker 4: don't see no more is you know, the rap niggas

1374
01:03:31,560 --> 01:03:34,000
Speaker 4: trying to get to the dancers, to get the dancers

1375
01:03:34,080 --> 01:03:36,160
Speaker 4: to get to rating and play their music.

1376
01:03:36,280 --> 01:03:38,360
Speaker 5: Like that's the that's the easiest.

1377
01:03:38,000 --> 01:03:43,120
Speaker 4: Hustle in promote music that you could ever do. But

1378
01:03:43,960 --> 01:03:46,360
Speaker 4: these niggas they too laying to talk to the dancers.

1379
01:03:46,360 --> 01:03:48,720
Speaker 4: They don't be trying to kick the dances a whole

1380
01:03:48,800 --> 01:03:50,440
Speaker 4: different way than what they suppose. So you can pull

1381
01:03:50,440 --> 01:03:52,440
Speaker 4: a dance to the side and talk to her. And

1382
01:03:52,800 --> 01:03:54,479
Speaker 4: you know what I mean, if you're gonna spend some money,

1383
01:03:54,800 --> 01:03:57,240
Speaker 4: spend your money with a dancer, she gonna play the song.

1384
01:03:57,480 --> 01:03:59,400
Speaker 5: She's gonna tell X rated when she going to stage.

1385
01:03:59,600 --> 01:04:00,760
Speaker 5: This is all I want to hear.

1386
01:04:01,040 --> 01:04:03,120
Speaker 4: X Rader ain't gonna even know nothing about what's going on.

1387
01:04:03,240 --> 01:04:05,880
Speaker 4: He gonna play the song because that's what his job is, right.

1388
01:04:06,240 --> 01:04:10,360
Speaker 4: That's a that's a hustle that's happening, that happened withinside

1389
01:04:10,400 --> 01:04:12,880
Speaker 4: these strip clubs that do None of these niggas be

1390
01:04:12,960 --> 01:04:13,520
Speaker 4: doing no more.

1391
01:04:13,680 --> 01:04:16,120
Speaker 7: But I feel like I feel like that's the formula

1392
01:04:16,640 --> 01:04:20,520
Speaker 7: for most Southern music that a lot of people from

1393
01:04:20,640 --> 01:04:24,040
Speaker 7: other places are kind of like not realizing it is

1394
01:04:24,080 --> 01:04:25,920
Speaker 7: the real cheat code for real because at the end

1395
01:04:26,000 --> 01:04:28,800
Speaker 7: of the day, you going in there, you spending your money,

1396
01:04:28,960 --> 01:04:32,919
Speaker 7: you're creating this look for content or you know, even

1397
01:04:32,960 --> 01:04:35,320
Speaker 7: if you just want to fucking spend your.

1398
01:04:35,280 --> 01:04:38,280
Speaker 6: Money on these ladies, girls or whatever. You know what

1399
01:04:38,320 --> 01:04:40,960
Speaker 6: I'm saying. And at the end of the day, they're

1400
01:04:41,040 --> 01:04:42,400
Speaker 6: not they're not understanding that.

1401
01:04:44,040 --> 01:04:46,600
Speaker 7: Like you said, it's the easiest way, like in order

1402
01:04:46,680 --> 01:04:48,200
Speaker 7: for you to like you go tell the girls in

1403
01:04:48,320 --> 01:04:50,560
Speaker 7: order for you to get this paper from me tonight

1404
01:04:51,000 --> 01:04:53,880
Speaker 7: or whenever. Every night, I need you to make sure

1405
01:04:54,000 --> 01:04:56,240
Speaker 7: that you tell this nigga in that booth that you

1406
01:04:56,360 --> 01:04:58,280
Speaker 7: want to hear this song when you go on stage

1407
01:04:58,480 --> 01:04:58,720
Speaker 7: and you.

1408
01:04:58,840 --> 01:05:00,720
Speaker 6: Turn up, I'm gonna turn up for you or whatever.

1409
01:05:01,560 --> 01:05:04,720
Speaker 7: They need their money, so they are gonna make sure

1410
01:05:04,840 --> 01:05:07,000
Speaker 7: that this nigga needs to understand that they need to

1411
01:05:07,040 --> 01:05:08,760
Speaker 7: hear that song every night.

1412
01:05:09,040 --> 01:05:09,959
Speaker 6: And that's how it goes.

1413
01:05:10,280 --> 01:05:12,520
Speaker 4: But you don't see that hustle happen. That ain't happening

1414
01:05:12,560 --> 01:05:15,600
Speaker 4: in Atlanta no more. Like niggas ain't doing that. I've

1415
01:05:15,640 --> 01:05:18,200
Speaker 4: been there every every week. I know they're not doing that.

1416
01:05:20,000 --> 01:05:20,440
Speaker 6: Nowadays.

1417
01:05:20,560 --> 01:05:22,920
Speaker 5: I got three of them spaces because they gonna figure

1418
01:05:22,920 --> 01:05:23,160
Speaker 5: it out.

1419
01:05:23,360 --> 01:05:26,360
Speaker 1: There's enough innovators. Man, it's my opinion, this is not

1420
01:05:26,600 --> 01:05:30,920
Speaker 1: enough leaders man, Like, motherfucker, you bring a Niggas song,

1421
01:05:31,000 --> 01:05:33,120
Speaker 1: they motherfucker be hard like it being hard like what's

1422
01:05:33,120 --> 01:05:34,800
Speaker 1: your ground? Oh damn sure, you gotta see it on

1423
01:05:34,880 --> 01:05:36,280
Speaker 1: the follow This ain't it no more?

1424
01:05:41,760 --> 01:05:45,400
Speaker 5: This shit could be a store, It could be whom women?

1425
01:05:45,720 --> 01:05:47,960
Speaker 2: Oh my god, but bro, who know you?

1426
01:05:48,040 --> 01:05:49,200
Speaker 5: Don't nobody know you yet?

1427
01:05:50,000 --> 01:05:53,280
Speaker 2: Nigga? You make them know me, y'all your own motion.

1428
01:05:54,000 --> 01:05:55,640
Speaker 1: It's the hustle, man, that That's what I'm saying. I

1429
01:05:55,680 --> 01:05:58,240
Speaker 1: think the hustle. We lost the hustle in the city.

1430
01:05:58,280 --> 01:05:59,240
Speaker 1: That's all fact.

1431
01:05:59,520 --> 01:06:01,520
Speaker 2: How we get it back? I don't know.

1432
01:06:02,200 --> 01:06:02,560
Speaker 1: I don't know.

1433
01:06:02,760 --> 01:06:05,200
Speaker 5: I mean people got to start paying attention to hustle.

1434
01:06:05,280 --> 01:06:05,440
Speaker 2: Huh.

1435
01:06:05,840 --> 01:06:08,000
Speaker 4: You gotta drop the next document, the all of the

1436
01:06:08,320 --> 01:06:10,440
Speaker 4: atl hustle. I mean, I hope you know what I mean.

1437
01:06:10,680 --> 01:06:12,880
Speaker 4: I mean, I hope niggas is paying attention to me.

1438
01:06:12,960 --> 01:06:15,360
Speaker 4: I'm running around kissing babies and shaking hands for this,

1439
01:06:15,520 --> 01:06:17,560
Speaker 4: you know what I mean? I'm doing what Trump did?

1440
01:06:18,240 --> 01:06:18,720
Speaker 2: You know what I mean?

1441
01:06:18,800 --> 01:06:20,560
Speaker 4: You gotta that's what you gotta do. You can't just

1442
01:06:20,640 --> 01:06:22,400
Speaker 4: be sitting out here on the Internet. That shit don't

1443
01:06:22,400 --> 01:06:26,280
Speaker 4: work like that. That's what niggas be believing. That's another thing.

1444
01:06:27,120 --> 01:06:29,560
Speaker 4: That's another thing I'm telling you. Every nigga in New

1445
01:06:29,640 --> 01:06:33,200
Speaker 4: York got a podcast, y'all. The only niggas in Atlanta

1446
01:06:33,280 --> 01:06:34,560
Speaker 4: with the Atlanta Podcast.

1447
01:06:35,680 --> 01:06:36,440
Speaker 2: You realize the.

1448
01:06:36,480 --> 01:06:38,120
Speaker 1: Only way I ship, We're gonna have to go to

1449
01:06:38,240 --> 01:06:38,640
Speaker 1: New York.

1450
01:06:38,760 --> 01:06:41,080
Speaker 4: They got no y'all, ain't you ain't gotta do that.

1451
01:06:41,160 --> 01:06:43,200
Speaker 4: But I'm just saying, just think about that in the

1452
01:06:43,320 --> 01:06:47,040
Speaker 4: city of Atlanta, what was got? We got all these artists?

1453
01:06:47,680 --> 01:06:49,479
Speaker 4: How many big facts is in in this city?

1454
01:06:51,960 --> 01:06:55,960
Speaker 3: I feel podcast podcasts eighty five that's fucking with y'all.

1455
01:06:56,200 --> 01:06:58,320
Speaker 2: Eighty five sounds. We salute them. They do their thing.

1456
01:06:58,640 --> 01:07:00,240
Speaker 4: I mean, I ain't saying it from a distance. What

1457
01:07:00,320 --> 01:07:03,680
Speaker 4: I'm saying. Okay, eighty five South, that's true, I feel, but.

1458
01:07:03,720 --> 01:07:07,080
Speaker 7: I feel like eighty five South has a different direction

1459
01:07:07,240 --> 01:07:07,840
Speaker 7: with their content.

1460
01:07:08,040 --> 01:07:09,400
Speaker 2: I'm just saying podcasting.

1461
01:07:10,360 --> 01:07:12,800
Speaker 5: What I'm saying podcast so so okay, so that's true.

1462
01:07:13,360 --> 01:07:15,000
Speaker 2: What's up? No, it's not a lot of pods.

1463
01:07:15,080 --> 01:07:16,960
Speaker 4: I was in New York last week. Every nigga in

1464
01:07:17,040 --> 01:07:20,200
Speaker 4: New York got a podcast. Every time I turned nigga,

1465
01:07:20,400 --> 01:07:23,120
Speaker 4: you're gonna do my podcast. I'm like, God Damn, these

1466
01:07:23,200 --> 01:07:26,520
Speaker 4: niggas really is on this ship. They don't know they hustling.

1467
01:07:26,920 --> 01:07:29,919
Speaker 4: Every nigga they got they ain't ain't got this ship.

1468
01:07:29,960 --> 01:07:32,640
Speaker 4: They got a little goddamn little bo daggers they setting

1469
01:07:32,720 --> 01:07:35,280
Speaker 4: up inside and goddamn they don't give a fun They

1470
01:07:35,360 --> 01:07:36,360
Speaker 4: got a podcast.

1471
01:07:36,640 --> 01:07:38,840
Speaker 5: And I'm just saying, you just just see it like you.

1472
01:07:41,920 --> 01:07:42,400
Speaker 2: Know what I'm saying.

1473
01:07:42,440 --> 01:07:45,080
Speaker 1: They just hustling. Yeah, they just they just move. They

1474
01:07:45,240 --> 01:07:48,640
Speaker 1: just get onto it faster. I think they gonna come South,

1475
01:07:48,720 --> 01:07:50,120
Speaker 1: gonna come and they by the time they come, it

1476
01:07:50,200 --> 01:07:51,480
Speaker 1: gonna look like they follow it.

1477
01:07:51,640 --> 01:07:53,400
Speaker 4: But know what I'm saying, y'all gonna be ten years,

1478
01:07:53,480 --> 01:07:55,440
Speaker 4: fifteen years in how long you say you've been doing

1479
01:07:55,520 --> 01:07:58,280
Speaker 4: it exactly what they gonna what they waiting on? This

1480
01:07:58,320 --> 01:08:01,760
Speaker 4: is what I'm saying. Yeah, y'all getting money up him.

1481
01:08:02,080 --> 01:08:05,000
Speaker 4: Y'all got a whole goddamn set. That's all nigga spposed

1482
01:08:05,000 --> 01:08:05,400
Speaker 4: to see you.

1483
01:08:05,520 --> 01:08:11,760
Speaker 3: Goddamn what y'all niggas need for encouragement, That's all I'm saying.

1484
01:08:12,240 --> 01:08:14,920
Speaker 4: That's all I Listen. I told my niggas listen, I

1485
01:08:15,640 --> 01:08:17,960
Speaker 4: sweat to god. I've seen all the niggas in New York.

1486
01:08:18,000 --> 01:08:20,000
Speaker 4: I said, I'm gonna give me a podcast in my spot.

1487
01:08:20,240 --> 01:08:24,000
Speaker 4: I got the space, I gotta face, I got the room.

1488
01:08:24,080 --> 01:08:26,320
Speaker 4: We can set this ship up just like this, all

1489
01:08:26,400 --> 01:08:28,479
Speaker 4: this ship, I got all this ship. If that's where,

1490
01:08:28,880 --> 01:08:31,760
Speaker 4: that's where it's going, that's where it's going. That's where

1491
01:08:31,760 --> 01:08:33,400
Speaker 4: you're gonna see one over that as so so that

1492
01:08:33,600 --> 01:08:36,800
Speaker 4: then you know what I'm saying. That's all I'm saying.

1493
01:08:36,920 --> 01:08:39,880
Speaker 1: You're right, niggas just waiting. What the fuck is niggas.

1494
01:08:39,600 --> 01:08:42,040
Speaker 2: Waiting on to see if it's safe. They want they

1495
01:08:42,080 --> 01:08:44,000
Speaker 2: want somebody else to go through the journey and make

1496
01:08:44,040 --> 01:08:45,720
Speaker 2: sure it's gonna do a certain thing.

1497
01:08:46,760 --> 01:08:50,160
Speaker 4: Nah nah man, listen, I'm telling okay, listen, Yes, what

1498
01:08:50,360 --> 01:08:51,040
Speaker 4: was it Saturday?

1499
01:08:51,200 --> 01:08:52,000
Speaker 5: What was Friday?

1500
01:08:52,920 --> 01:08:53,360
Speaker 2: Friday?

1501
01:08:53,479 --> 01:08:56,200
Speaker 4: I did million dollars worth of game A Magic City?

1502
01:08:57,000 --> 01:09:03,200
Speaker 4: Huh Saturday? Saddy, Me and I were the game magicit.

1503
01:09:03,840 --> 01:09:06,600
Speaker 4: Y'all got a whole y'all got way more cameras than

1504
01:09:06,640 --> 01:09:08,439
Speaker 4: them niggas had set up. They told me they gonna

1505
01:09:08,439 --> 01:09:10,800
Speaker 4: get They about to do a deal for one hundred

1506
01:09:10,800 --> 01:09:11,479
Speaker 4: and fifty million.

1507
01:09:12,120 --> 01:09:13,080
Speaker 1: That's a lot of money.

1508
01:09:13,880 --> 01:09:15,320
Speaker 2: You watching me. You heard me say this.

1509
01:09:15,400 --> 01:09:17,920
Speaker 4: You don't go get no goddamn cameras and do what

1510
01:09:18,000 --> 01:09:19,920
Speaker 4: you got you don't want. You ain't got no hustle

1511
01:09:19,920 --> 01:09:20,400
Speaker 4: on your body.

1512
01:09:20,439 --> 01:09:21,719
Speaker 6: Shout out the while on agathering.

1513
01:09:21,800 --> 01:09:22,400
Speaker 2: Man, what I'm saying.

1514
01:09:22,439 --> 01:09:24,719
Speaker 1: The nigga got damn catching flights with the bag waller

1515
01:09:24,920 --> 01:09:26,719
Speaker 1: doing the whole ship right behind.

1516
01:09:28,000 --> 01:09:28,719
Speaker 2: You know what I'm saying.

1517
01:09:29,920 --> 01:09:34,320
Speaker 4: That What I'm saying that them niggas hustling. That's all

1518
01:09:34,360 --> 01:09:37,439
Speaker 4: I was paying attention to as a little nigga. Niggas

1519
01:09:37,479 --> 01:09:39,920
Speaker 4: that was hustling. I ain't want to say a dope,

1520
01:09:40,320 --> 01:09:42,880
Speaker 4: but I was. I seen niggas hustling, like figuring out.

1521
01:09:43,200 --> 01:09:45,960
Speaker 4: I also knew I was too small to be trying

1522
01:09:45,960 --> 01:09:48,200
Speaker 4: to get into some gangster ship like you know what

1523
01:09:48,240 --> 01:09:52,960
Speaker 4: I mean, but just hustling. You can't stop me from hustling,

1524
01:09:53,040 --> 01:09:54,840
Speaker 4: Ain't it ain't gonna be. Ain't no way you could

1525
01:09:54,880 --> 01:09:55,000
Speaker 4: do it.

1526
01:09:55,800 --> 01:09:58,400
Speaker 1: What's niggs, man? What the next five years look like

1527
01:09:58,439 --> 01:09:58,840
Speaker 1: for Jad?

1528
01:10:00,000 --> 01:10:01,840
Speaker 4: I don't actually know, you know what I mean. I've

1529
01:10:01,920 --> 01:10:04,960
Speaker 4: just you know, I got a new deal with Hide

1530
01:10:05,720 --> 01:10:07,360
Speaker 4: and you know I'm gonna sign a whole bunch of

1531
01:10:07,479 --> 01:10:08,880
Speaker 4: artists and I'm trying to.

1532
01:10:08,880 --> 01:10:09,760
Speaker 2: I'm probably gonna try.

1533
01:10:09,680 --> 01:10:13,240
Speaker 4: To just like do what I feel like, what I

1534
01:10:13,320 --> 01:10:15,680
Speaker 4: feel like I didn't do, or whatever I feel like

1535
01:10:15,760 --> 01:10:18,800
Speaker 4: I made minor mistakes. I'm just trying to fix them

1536
01:10:18,840 --> 01:10:21,120
Speaker 4: and just just roll out, you know what I mean,

1537
01:10:21,479 --> 01:10:25,560
Speaker 4: a lot, a lot louder, and just keep doing what

1538
01:10:25,640 --> 01:10:25,800
Speaker 4: I do.

1539
01:10:26,760 --> 01:10:27,080
Speaker 1: That's it.

1540
01:10:28,160 --> 01:10:30,479
Speaker 2: You do pretty on big facts. We appreciate you. Make

1541
01:10:30,520 --> 01:10:33,360
Speaker 2: sure you check out the documentary, the soundtrack, everything. Any

1542
01:10:33,400 --> 01:10:35,280
Speaker 2: final words for Hollywood. See.

1543
01:10:35,320 --> 01:10:38,640
Speaker 4: I seen him on here and I called him the

1544
01:10:38,680 --> 01:10:41,040
Speaker 4: next day like, nigg you gotta be, you gotta be

1545
01:10:41,200 --> 01:10:41,880
Speaker 4: on this album.

1546
01:10:43,680 --> 01:10:49,160
Speaker 5: Yeah, I go, I go, I go, I go, I go. Yeah,

1547
01:10:49,680 --> 01:10:50,120
Speaker 5: don't give it.

1548
01:10:52,680 --> 01:10:55,880
Speaker 1: Man, you got loot on that too. Yeah, that's the

1549
01:10:55,920 --> 01:10:57,320
Speaker 1: list one of his list down one time.

1550
01:10:58,520 --> 01:10:59,200
Speaker 2: Who all you got on?

1551
01:10:59,720 --> 01:11:02,000
Speaker 4: Let me pull up because I don't forget nobody. I

1552
01:11:02,040 --> 01:11:07,360
Speaker 4: got a bunch of mockers on this album, uh, same day. Yeah,

1553
01:11:07,400 --> 01:11:10,160
Speaker 4: supposedly if I can finish, if I get get close

1554
01:11:10,200 --> 01:11:14,959
Speaker 4: to finishing, Uh, let me see.

1555
01:11:15,240 --> 01:11:16,400
Speaker 2: I got a bunch of people I got.

1556
01:11:17,720 --> 01:11:20,160
Speaker 4: I got Travis Porter, I got bow Wow cause I

1557
01:11:20,200 --> 01:11:24,080
Speaker 4: got Tip to change, Young drou Quevo, Lula, Chris k Camp,

1558
01:11:24,240 --> 01:11:34,599
Speaker 4: Luci big Boy Killer, Mike, I got uh Tip Drow

1559
01:11:34,720 --> 01:11:39,240
Speaker 4: and I came what's his name? Yeah, I came, I League,

1560
01:11:40,240 --> 01:11:44,639
Speaker 4: Jay Monty, Sean, Paul Wannabe, bank Roll nine, Belly Gang

1561
01:11:44,760 --> 01:11:53,040
Speaker 4: Cushve c Low, Hollywood, I see Schooley, a little scrappy rock.

1562
01:11:53,120 --> 01:11:58,240
Speaker 2: Oh, I mean, I got you got yeah, you know

1563
01:11:58,280 --> 01:11:58,599
Speaker 2: what I mean?

1564
01:11:58,640 --> 01:12:01,519
Speaker 4: And I want it to be at first of just

1565
01:12:01,640 --> 01:12:03,559
Speaker 4: gonna be a soundtrack, and I was gonna get songs

1566
01:12:03,600 --> 01:12:05,400
Speaker 4: for people. Then I was like, you know a lot

1567
01:12:05,479 --> 01:12:07,760
Speaker 4: of these people I ain't did records with right, right,

1568
01:12:07,840 --> 01:12:11,160
Speaker 4: and Atlanta used to be a place where you could

1569
01:12:11,200 --> 01:12:13,240
Speaker 4: be on this side organized noise doing what they doing.

1570
01:12:13,280 --> 01:12:16,080
Speaker 2: They don't need JD JD doing he doing I don't

1571
01:12:16,120 --> 01:12:16,760
Speaker 2: need you know what I mean.

1572
01:12:16,920 --> 01:12:20,400
Speaker 4: We always making records separate, but so I ain't have

1573
01:12:20,439 --> 01:12:22,360
Speaker 4: an opportunity to make music with a lot of these,

1574
01:12:22,520 --> 01:12:25,240
Speaker 4: none of these artists. So for me, this album feel

1575
01:12:25,320 --> 01:12:27,960
Speaker 4: like a very like the first of you know what

1576
01:12:28,000 --> 01:12:30,040
Speaker 4: I mean, the first time going in the studio because

1577
01:12:30,040 --> 01:12:31,599
Speaker 4: I'm making records with people I ain't.

1578
01:12:31,360 --> 01:12:32,120
Speaker 2: Never made music with.

1579
01:12:32,200 --> 01:12:33,720
Speaker 1: You ain't putting no R and V records on it,

1580
01:12:33,920 --> 01:12:34,280
Speaker 1: not yet.

1581
01:12:34,400 --> 01:12:37,519
Speaker 4: I mean, what the K camp record I say, K Camp, Yeah,

1582
01:12:37,640 --> 01:12:39,880
Speaker 4: K Camp. The K Camp record is kind of R

1583
01:12:39,920 --> 01:12:42,960
Speaker 4: and B. But that's that's, you know, And that's why

1584
01:12:43,560 --> 01:12:45,840
Speaker 4: I say I'm trying to make this stretch because these

1585
01:12:45,960 --> 01:12:48,679
Speaker 4: last couple of records that I do, you know, Little

1586
01:12:48,760 --> 01:12:51,880
Speaker 4: John Usher, you know, the usual suspect, they gotta be there,

1587
01:12:51,920 --> 01:12:54,200
Speaker 4: so I gotta go get it. So hopefully I'll get

1588
01:12:54,240 --> 01:12:55,080
Speaker 4: it done in the next.

1589
01:12:54,960 --> 01:12:55,439
Speaker 2: Couple of days.

1590
01:12:55,520 --> 01:12:57,360
Speaker 6: Can we get Lovers and Friends Part two?

1591
01:12:58,040 --> 01:13:00,320
Speaker 4: Nah, not Lovers some Friends Part two, but something some

1592
01:13:00,600 --> 01:13:06,000
Speaker 4: Part one on some part on some part one the show.

1593
01:13:06,560 --> 01:13:09,479
Speaker 2: Appreciate you. Big shout out to JD for pulling up

1594
01:13:09,479 --> 01:13:11,240
Speaker 2: the big fast. Check us out at Triple W dot

1595
01:13:11,320 --> 01:13:12,960
Speaker 2: big faxpod dot com so.

1596
01:13:14,840 --> 01:13:17,920
Speaker 7: Catch the Big Facts audio experience on Iheart's Black Effect

1597
01:13:18,000 --> 01:13:22,439
Speaker 7: on Tuesdays, revote on Wednesdays, and revote YouTube channel on Thursdays.

1598
01:13:22,520 --> 01:13:25,439
Speaker 2: Visit our website now, bigfaxpod dot com