1 00:00:00,200 --> 00:00:03,080 Speaker 1: Hello the Internet, and welcome to this episode of Jaws 2 00:00:03,120 --> 00:00:08,280 Speaker 1: for Jaws the trend real title Jaws the Revenge. I'm Jack. 3 00:00:08,600 --> 00:00:12,399 Speaker 1: That's Miles. We're talking Jaws the Revenge. We're talking the 4 00:00:12,520 --> 00:00:17,560 Speaker 1: Staircase again, Staircase again, because Miles has an interesting theory. 5 00:00:17,840 --> 00:00:20,600 Speaker 1: I think it was okay, So whatever this is, if 6 00:00:20,600 --> 00:00:22,560 Speaker 1: you don't know them, fine, I'm sorry, we're gonna leave 7 00:00:22,560 --> 00:00:25,239 Speaker 1: you behind. But in the Staircase I was watching with 8 00:00:25,280 --> 00:00:28,400 Speaker 1: her majesty. What we came to the conclusion was the 9 00:00:28,520 --> 00:00:34,440 Speaker 1: Owl did that ship in what state? With Carolina? North Carolina? 10 00:00:35,159 --> 00:00:37,640 Speaker 1: And then but what happened was he definitely killed the 11 00:00:37,720 --> 00:00:40,159 Speaker 1: lady in Germany. And it's more of like this comedy 12 00:00:40,159 --> 00:00:42,280 Speaker 1: of errors where he got away with that murder in 13 00:00:42,320 --> 00:00:45,239 Speaker 1: Germany and then the Owl killed his wife that was 14 00:00:45,880 --> 00:00:54,080 Speaker 1: in Carolina, where the fates framed him for another murder 15 00:00:54,120 --> 00:00:56,440 Speaker 1: base the one that he got away with. You could 16 00:00:56,480 --> 00:00:58,800 Speaker 1: see him being like in his mind, he's like damn, 17 00:00:59,240 --> 00:01:03,360 Speaker 1: He's like, the I I didn't kill her. Fucking I 18 00:01:03,680 --> 00:01:05,320 Speaker 1: don't have no fucking way to explain that. I mean, 19 00:01:05,400 --> 00:01:09,840 Speaker 1: but I did kill that. I didn't think the evidence 20 00:01:09,959 --> 00:01:12,240 Speaker 1: was strong in Germany. It seemed to me like they 21 00:01:12,360 --> 00:01:17,319 Speaker 1: just found a coincidence and really exploited it, Like when 22 00:01:17,360 --> 00:01:19,720 Speaker 1: they dug up the body, it was, you know, many 23 00:01:19,840 --> 00:01:24,080 Speaker 1: years decomposed. But Um, once you suggested that there's actually 24 00:01:24,120 --> 00:01:28,320 Speaker 1: strong evidence that an attack took place in Germany, I 25 00:01:28,520 --> 00:01:32,200 Speaker 1: updated my previous theory. My previous theory be and how 26 00:01:32,319 --> 00:01:35,400 Speaker 1: did it to a Jaws four jaws the revenge theory 27 00:01:35,680 --> 00:01:38,800 Speaker 1: where an out did both the murders and it followed 28 00:01:38,880 --> 00:01:42,360 Speaker 1: him across the ocean. For people who aren't familiar, Jaws 29 00:01:42,520 --> 00:01:46,280 Speaker 1: for eats, uh jaws for which I That's how I 30 00:01:46,400 --> 00:01:48,920 Speaker 1: referred to each of the sharks. I kind of refer 31 00:01:48,960 --> 00:01:52,680 Speaker 1: to them as Joels, Joels two, Jols free and Joels 32 00:01:52,720 --> 00:01:56,720 Speaker 1: four h Joels four eats one of the kids from 33 00:01:56,880 --> 00:02:00,520 Speaker 1: the first movie. At the beginning in Amity makes sense. 34 00:02:00,640 --> 00:02:04,600 Speaker 1: Amity is just hopping with great home greed, great white sharks, 35 00:02:05,000 --> 00:02:10,040 Speaker 1: and then his family moves to the Caribbean, and then 36 00:02:10,160 --> 00:02:14,960 Speaker 1: the shark follows them down there and attacks them down there. Um, 37 00:02:15,120 --> 00:02:18,679 Speaker 1: so it can be done, is all I'm saying. And 38 00:02:19,440 --> 00:02:27,520 Speaker 1: owls can fly, so thank you, thank you. Um. Anyway, 39 00:02:28,000 --> 00:02:31,720 Speaker 1: I've got they. I think my real theory is that 40 00:02:31,840 --> 00:02:33,880 Speaker 1: he didn't do either of them, and that an owl 41 00:02:34,040 --> 00:02:38,239 Speaker 1: did the second one. But I think that's brave. Thank you. 42 00:02:39,000 --> 00:02:43,440 Speaker 1: UM leave this elderly white man alone. All right, I've 43 00:02:43,480 --> 00:02:50,119 Speaker 1: been through enough. All Right, Miles, it's Thursday. It's time 44 00:02:50,200 --> 00:02:53,639 Speaker 1: to tell the people what's trending. And first on the 45 00:02:53,760 --> 00:02:57,880 Speaker 1: dock and Build Back Better b B B B Better 46 00:02:58,240 --> 00:03:01,920 Speaker 1: is dead, according to Joe Manon, who voted for another 47 00:03:02,080 --> 00:03:04,519 Speaker 1: bill that has parts of Build Back Better in it, 48 00:03:04,600 --> 00:03:08,680 Speaker 1: called the Inflation Reduction Act. We'll talk about that more 49 00:03:08,760 --> 00:03:13,040 Speaker 1: in tomorrow's action packed episode with a fantastic guest that 50 00:03:13,120 --> 00:03:18,440 Speaker 1: you all love. Just deep trenchant news analysis. Yes, like, 51 00:03:18,760 --> 00:03:22,480 Speaker 1: we spend the entire episode building to the analysis of 52 00:03:22,680 --> 00:03:27,359 Speaker 1: this monument. Look yeah, cats out of the back, okay, 53 00:03:27,400 --> 00:03:32,520 Speaker 1: croffings On tomorrow, we barely get to this, do get 54 00:03:32,560 --> 00:03:35,200 Speaker 1: to it, But I will say this, it is there 55 00:03:35,320 --> 00:03:39,760 Speaker 1: is some significant spending, because we've never spent really anything significant. 56 00:03:40,480 --> 00:03:43,360 Speaker 1: So in that sense, it it looks like a historical 57 00:03:43,480 --> 00:03:46,640 Speaker 1: bill still, you know, like look like everything nothing is 58 00:03:46,680 --> 00:03:50,280 Speaker 1: perfect that comes out of d c uh so a 59 00:03:50,400 --> 00:03:54,320 Speaker 1: micro step forward at least it's forward. Take one step forward, 60 00:03:54,520 --> 00:03:59,360 Speaker 1: I take two thirds back. As you wrote in your analysis. Yeah, 61 00:03:59,400 --> 00:04:01,680 Speaker 1: I just wanted to quote my favorite love song of 62 00:04:01,760 --> 00:04:07,120 Speaker 1: all time opposite the tract, So my wedding song, um 63 00:04:07,840 --> 00:04:14,480 Speaker 1: not apola mm hmm. Uh Callie is trending? Yeah Callise? Okay, 64 00:04:14,520 --> 00:04:17,400 Speaker 1: you know, like what millennial doesn't know? Kalis? I hate 65 00:04:17,520 --> 00:04:22,200 Speaker 1: you so much right now? Uh? She so she's she 66 00:04:22,600 --> 00:04:25,840 Speaker 1: was kind of, you know, getting angry at Beyonce because 67 00:04:25,920 --> 00:04:28,680 Speaker 1: apparently there is a track on Beyonce's new album that 68 00:04:29,279 --> 00:04:31,960 Speaker 1: samples Akalise song and she's like, I wasn't even told. 69 00:04:32,960 --> 00:04:34,480 Speaker 1: And a lot of people are quick to point out 70 00:04:34,640 --> 00:04:37,520 Speaker 1: rightly that maybe the reason you didn't hear Kalie is 71 00:04:37,560 --> 00:04:40,560 Speaker 1: because Farrell owns all of your music. He owns all 72 00:04:40,600 --> 00:04:43,200 Speaker 1: the masters, so in that in a shitty way, you 73 00:04:43,279 --> 00:04:47,200 Speaker 1: actually don't have any say because this man owns all 74 00:04:47,440 --> 00:04:51,080 Speaker 1: the fucking I p of the art that you made together. 75 00:04:51,560 --> 00:04:55,200 Speaker 1: And that kicked up about being like, yeah, actually, Pharrell, 76 00:04:55,240 --> 00:04:58,400 Speaker 1: what the fun is up with that? Uh? And Pharrell, 77 00:04:58,400 --> 00:05:01,280 Speaker 1: why didn't you? Yeah, Like that's to bad management by 78 00:05:01,640 --> 00:05:05,080 Speaker 1: her management, and but that's not I mean, that's happens 79 00:05:05,160 --> 00:05:09,360 Speaker 1: to so many artists because everything's everything is so fucking 80 00:05:09,400 --> 00:05:12,360 Speaker 1: predatory and entertainment like as it relates to your rights 81 00:05:12,400 --> 00:05:14,960 Speaker 1: as a creator, that you have to almost have like 82 00:05:15,080 --> 00:05:18,120 Speaker 1: your your head on straight before getting into it to 83 00:05:18,279 --> 00:05:20,800 Speaker 1: know when they offer you a shiny bag of money 84 00:05:21,040 --> 00:05:23,880 Speaker 1: for you know, not having your rights down the road, 85 00:05:23,960 --> 00:05:27,960 Speaker 1: that that's a terrible fucking deal for you. Um. And yeah, 86 00:05:28,000 --> 00:05:30,120 Speaker 1: I think a lot of people it's interesting how like 87 00:05:30,200 --> 00:05:33,279 Speaker 1: many people on Twitter like shift the focus to Farrell 88 00:05:33,400 --> 00:05:36,760 Speaker 1: actually because that's who is exploiting your work and not 89 00:05:36,920 --> 00:05:39,800 Speaker 1: telling you about it. And someone ironically was like, yeah, 90 00:05:39,839 --> 00:05:42,120 Speaker 1: the funny thing is he'll take the money that he 91 00:05:42,240 --> 00:05:45,240 Speaker 1: made from Kalise's creativity and then go and make a 92 00:05:45,320 --> 00:05:49,560 Speaker 1: shoe that says humanity or something that the proceeds it 93 00:05:49,640 --> 00:05:55,440 Speaker 1: says it vertically and so therefore, yeah, but I mean 94 00:05:55,520 --> 00:06:00,680 Speaker 1: that again, we're just summarizing capitalism. Yeah exactly. I mean 95 00:06:01,080 --> 00:06:04,200 Speaker 1: what full would sign a way the rights to their podcasts. 96 00:06:04,680 --> 00:06:13,520 Speaker 1: It's not like recession is trendent um. We got two 97 00:06:13,880 --> 00:06:19,680 Speaker 1: straight quarters of economic contraction. Uh, And many are yelling 98 00:06:19,800 --> 00:06:24,160 Speaker 1: recession because I believe the textbook definition were two consecutive 99 00:06:24,279 --> 00:06:29,080 Speaker 1: quarters of contraction. But there are also many people, especially 100 00:06:29,080 --> 00:06:32,160 Speaker 1: in the White House, we're like, you know, or people 101 00:06:32,200 --> 00:06:35,440 Speaker 1: around the admissiange like, well, what is a recession really 102 00:06:35,760 --> 00:06:39,520 Speaker 1: if you think about it, because we're adding jobs to 103 00:06:39,640 --> 00:06:44,240 Speaker 1: the economy. Meanwhile, I'm hearing about entire departments vanishing in 104 00:06:44,400 --> 00:06:49,640 Speaker 1: media companies, layoffs happening, And I think, what, however, you 105 00:06:49,720 --> 00:06:52,520 Speaker 1: want to describe it. I think it's clear that there 106 00:06:52,640 --> 00:06:57,839 Speaker 1: is uh good times are slowing down. M I guess 107 00:06:57,880 --> 00:06:59,560 Speaker 1: if you want to even give it the most charitable 108 00:07:00,240 --> 00:07:04,160 Speaker 1: uh description at the moment. But the Great Recession, Um, 109 00:07:04,600 --> 00:07:07,559 Speaker 1: it's a great one though, one of my favorite about 110 00:07:07,600 --> 00:07:12,160 Speaker 1: five recession. Yeah, it's not good. By the way. A 111 00:07:12,280 --> 00:07:15,400 Speaker 1: clip of of Joe Biden where like they cut in 112 00:07:15,480 --> 00:07:18,360 Speaker 1: the middle of it and I think they shot him 113 00:07:18,440 --> 00:07:20,960 Speaker 1: up with some pet pills in between the cut because 114 00:07:21,040 --> 00:07:24,280 Speaker 1: his face is like totally different from right before the 115 00:07:24,360 --> 00:07:28,640 Speaker 1: cut to right after that. Yeah. Yeah, not not that 116 00:07:28,840 --> 00:07:33,000 Speaker 1: like he seems particularly awake or aware after the cut. 117 00:07:33,440 --> 00:07:35,240 Speaker 1: But it's just maybe he had a nap. I don't know, 118 00:07:35,480 --> 00:07:41,960 Speaker 1: you know, Like this is my part, Well, yeah, I 119 00:07:42,000 --> 00:07:46,480 Speaker 1: don't think he's doing pills. I think, yeah, um, but 120 00:07:46,760 --> 00:07:50,080 Speaker 1: my my concern is that this is him heavily like 121 00:07:50,240 --> 00:07:54,840 Speaker 1: medicated on the pet pills and like he's just he's all, 122 00:07:55,440 --> 00:07:58,240 Speaker 1: they're all used up. He doesn't he doesn't have another 123 00:07:58,360 --> 00:08:01,480 Speaker 1: gear to go. Oh yeah, he kind of the second video, 124 00:08:01,560 --> 00:08:03,960 Speaker 1: he kind of looks like when Mr Burns was like 125 00:08:04,040 --> 00:08:07,120 Speaker 1: glowing in the forest and they're like, what the fund 126 00:08:07,240 --> 00:08:09,320 Speaker 1: is out there? And it's like it's Mr Burns like 127 00:08:09,480 --> 00:08:13,480 Speaker 1: blowing from radioactivity. That's and like his big eyes are like, hello, 128 00:08:15,680 --> 00:08:19,400 Speaker 1: we really need an age limit on the presidency, dude, 129 00:08:19,480 --> 00:08:27,320 Speaker 1: on decisions like this. Absolutely, he looks great grandparents are 130 00:08:27,560 --> 00:08:30,680 Speaker 1: kicking our future in the face. M hm alright, let's 131 00:08:30,680 --> 00:08:42,960 Speaker 1: take a quick break. We'll be right back. And we're back, 132 00:08:43,480 --> 00:08:47,000 Speaker 1: And Nathan Fielder has been trending people I think I've 133 00:08:47,440 --> 00:08:50,000 Speaker 1: found out about him, found out about Nathan Fielder for 134 00:08:50,080 --> 00:08:53,240 Speaker 1: the first time. Um and they're like this is kind 135 00:08:53,280 --> 00:08:58,520 Speaker 1: of exploitative, which it is very much so. Um So 136 00:08:58,720 --> 00:09:00,959 Speaker 1: there there's a character in this sad an episode. I 137 00:09:01,000 --> 00:09:03,959 Speaker 1: think people are responding to this who does not come 138 00:09:04,040 --> 00:09:06,880 Speaker 1: off well. Yeah, and we're we're saving most of our 139 00:09:06,880 --> 00:09:12,360 Speaker 1: analysis of the rehearsal for a full on rehearsal streaming 140 00:09:12,440 --> 00:09:14,960 Speaker 1: corner with super producer on a hose and it will 141 00:09:15,000 --> 00:09:18,280 Speaker 1: be rehearsed dozens of times before you, Yes, just to 142 00:09:18,320 --> 00:09:23,880 Speaker 1: see that in a replica building to our studio. When 143 00:09:23,960 --> 00:09:26,000 Speaker 1: even go to the studio, we've been a replica and 144 00:09:26,040 --> 00:09:30,559 Speaker 1: bird anch or some ship. But it's interesting. The first 145 00:09:30,640 --> 00:09:35,600 Speaker 1: episode of the show, the main like textual not even 146 00:09:35,720 --> 00:09:39,960 Speaker 1: subtextual point of the first episode of of this same 147 00:09:40,040 --> 00:09:44,240 Speaker 1: show is Nayan Field is pretty creepy, right, Like that's 148 00:09:44,440 --> 00:09:46,920 Speaker 1: that's the whole that's the whole point. It's like it 149 00:09:47,120 --> 00:09:50,960 Speaker 1: ends with being like he's a weird, willy wanka person 150 00:09:51,120 --> 00:09:55,640 Speaker 1: who manipulates the lives of the people who he's like 151 00:09:56,240 --> 00:10:00,439 Speaker 1: claiming to try to help, but in fact he's not 152 00:10:01,080 --> 00:10:03,920 Speaker 1: helping them. He's manipulating them and it's weird and he's 153 00:10:03,960 --> 00:10:07,120 Speaker 1: just a weird, lonely person. So it's just interesting for 154 00:10:07,200 --> 00:10:10,199 Speaker 1: people to be like saying the same point that the 155 00:10:10,240 --> 00:10:13,040 Speaker 1: show is making. Right there's I mean, it's interesting because 156 00:10:13,040 --> 00:10:14,679 Speaker 1: I think a lot of people who have watched Nathan 157 00:10:14,800 --> 00:10:16,920 Speaker 1: for you were sort of like he has a knack 158 00:10:17,200 --> 00:10:21,360 Speaker 1: for finding these people who you know, are willing to 159 00:10:21,400 --> 00:10:24,240 Speaker 1: be themselves on camera and that's like very interesting, like 160 00:10:24,320 --> 00:10:26,160 Speaker 1: these unique people and other people are like, oh, well, 161 00:10:26,280 --> 00:10:28,880 Speaker 1: you know, he's just leading them down this path too. 162 00:10:28,920 --> 00:10:31,559 Speaker 1: Then like just sort of like showcase themselves and like, well, 163 00:10:31,600 --> 00:10:33,960 Speaker 1: then who's laughing at who? And where is the humor? 164 00:10:34,760 --> 00:10:36,959 Speaker 1: And you know, I sound like an interesting like threat 165 00:10:36,960 --> 00:10:38,920 Speaker 1: about that, where someone was merely saying, like, I'm not 166 00:10:39,000 --> 00:10:40,559 Speaker 1: saying the show needs to be off the air, but 167 00:10:40,679 --> 00:10:43,280 Speaker 1: it's an interesting thing to think about and consider. Like 168 00:10:43,400 --> 00:10:45,599 Speaker 1: just like any art, if we're talking about art, you 169 00:10:45,679 --> 00:10:47,800 Speaker 1: can you can talk about it, you can critique it. 170 00:10:48,480 --> 00:10:51,960 Speaker 1: And there was someone who chimed in, like anonymously who 171 00:10:52,000 --> 00:10:54,319 Speaker 1: said that they had worked at Absolutely which is the 172 00:10:54,480 --> 00:10:56,800 Speaker 1: production company that does Nathan for You and like all 173 00:10:56,840 --> 00:10:59,080 Speaker 1: the Tim and Eric stuff and saying like a lot 174 00:10:59,120 --> 00:11:01,120 Speaker 1: of the times people felt like, oh, we're not sure 175 00:11:01,160 --> 00:11:03,760 Speaker 1: if like this is like really the you know, the 176 00:11:04,040 --> 00:11:06,760 Speaker 1: best way, or like feeling conflicted about the content they make. 177 00:11:07,080 --> 00:11:09,400 Speaker 1: I think on when you look at like the Tim 178 00:11:09,480 --> 00:11:12,000 Speaker 1: and Eric stuff like they were, I feel like the 179 00:11:12,160 --> 00:11:14,079 Speaker 1: vibe was a lot different than what Nathan for You 180 00:11:14,240 --> 00:11:16,320 Speaker 1: was going after and the kinds of people that they 181 00:11:16,360 --> 00:11:18,920 Speaker 1: were putting like on camera. But yeah, I mean, at 182 00:11:18,920 --> 00:11:20,439 Speaker 1: the end of the day, like it is, it is 183 00:11:20,480 --> 00:11:22,240 Speaker 1: an interesting thing to think about. You're like, what is 184 00:11:22,280 --> 00:11:25,839 Speaker 1: the responsibility of someone who the whole premise is that 185 00:11:26,000 --> 00:11:29,520 Speaker 1: they can build an entire reality around someone and what 186 00:11:29,720 --> 00:11:33,360 Speaker 1: that does to them. But yeah, that's that's sort of 187 00:11:33,440 --> 00:11:35,760 Speaker 1: the limits of where my thinking goes about it at 188 00:11:35,800 --> 00:11:39,959 Speaker 1: the moment. Yeah, I think the ultimate where Nathan for 189 00:11:40,040 --> 00:11:46,480 Speaker 1: You lands is a long episode about a older man 190 00:11:46,679 --> 00:11:50,000 Speaker 1: who seems creepy. It ends up in a kind of 191 00:11:50,120 --> 00:11:52,120 Speaker 1: heart with like still pretty creepy, but ends up in 192 00:11:52,240 --> 00:11:55,720 Speaker 1: sort of a heartwarming place for that character. But Nathan 193 00:11:56,040 --> 00:12:01,199 Speaker 1: is a lonely creep. Like that's the undenied, doable, unavoidable, 194 00:12:01,920 --> 00:12:04,760 Speaker 1: uh story that you're getting. And that's like the first 195 00:12:04,760 --> 00:12:06,199 Speaker 1: time I was like, oh, so this is like a 196 00:12:06,360 --> 00:12:10,440 Speaker 1: character he's playing and it is very unflattering. That seems 197 00:12:10,480 --> 00:12:14,120 Speaker 1: to be the whole point of both shows is like 198 00:12:14,559 --> 00:12:18,440 Speaker 1: based around this character of Nathan Fielder, who is a creep. 199 00:12:18,960 --> 00:12:22,559 Speaker 1: I will say, before you judge anything, go go back 200 00:12:22,600 --> 00:12:25,120 Speaker 1: and watch some of his early ship when he was 201 00:12:25,240 --> 00:12:29,120 Speaker 1: like working for the CBC, c d C CBC, uh, 202 00:12:29,840 --> 00:12:33,000 Speaker 1: you know whichever, because there there's a good interview where 203 00:12:33,080 --> 00:12:36,240 Speaker 1: he interviews like the CEO of the company that's making 204 00:12:36,280 --> 00:12:40,240 Speaker 1: a thing, and like the CEO is like clearly hasn't 205 00:12:40,280 --> 00:12:42,280 Speaker 1: seen any of his ship and he just like won't 206 00:12:42,400 --> 00:12:47,040 Speaker 1: drop it, just like but just say what your favorite 207 00:12:47,400 --> 00:12:50,000 Speaker 1: one is? Yeah. I mean he's the master of making 208 00:12:50,200 --> 00:12:53,280 Speaker 1: everyone uncomfortable, including the viewer, and I think that that's 209 00:12:54,200 --> 00:12:58,520 Speaker 1: inherently gonna spur a lot of conversation. But long made 210 00:12:58,520 --> 00:13:02,280 Speaker 1: the show lasts, long, nail last, all right. The trailer 211 00:13:02,440 --> 00:13:06,240 Speaker 1: for the new Christopher Nolan film Oppenheimer coming out in 212 00:13:06,600 --> 00:13:11,880 Speaker 1: I think a year uh is is out and I 213 00:13:12,200 --> 00:13:17,120 Speaker 1: was underwhelmed by the trailer. Uh, it's a teaser. You know, 214 00:13:17,600 --> 00:13:22,240 Speaker 1: it's a teaser, so it's hard to they're not because 215 00:13:22,280 --> 00:13:25,360 Speaker 1: I honestly I think they just barely wrapped production. So 216 00:13:25,440 --> 00:13:28,120 Speaker 1: who I mean, it's very you get to see Cillian 217 00:13:28,240 --> 00:13:32,800 Speaker 1: Murphy for like a moment as Jay Robert Oppenheimer. Uh. 218 00:13:33,160 --> 00:13:36,600 Speaker 1: And I don't know, like it had a weird effect 219 00:13:36,679 --> 00:13:39,439 Speaker 1: on me just because like all the time, I'm just 220 00:13:39,559 --> 00:13:41,760 Speaker 1: thinking of like the Adam bombs in Japan, and I'm like, 221 00:13:43,000 --> 00:13:46,280 Speaker 1: this is this is gonna be fucking interesting, and like 222 00:13:46,360 --> 00:13:49,000 Speaker 1: the way they're being like very ominous right Like in 223 00:13:49,040 --> 00:13:51,280 Speaker 1: the trailer they're talking like harnessing like the power of 224 00:13:51,520 --> 00:13:55,120 Speaker 1: the sun or and ship like that. So it just 225 00:13:55,200 --> 00:13:58,079 Speaker 1: sets a very ominous tone for what we know is 226 00:13:58,280 --> 00:14:00,640 Speaker 1: the you know, the development of the attack mcbomb and 227 00:14:00,880 --> 00:14:04,240 Speaker 1: like what the Chris Nolan treatment of that is going 228 00:14:04,280 --> 00:14:06,439 Speaker 1: to be like. And it's gonna be in black and white. 229 00:14:07,280 --> 00:14:09,199 Speaker 1: And an article when I googled is it in black 230 00:14:09,240 --> 00:14:12,400 Speaker 1: and white? An article that I found, promised that the 231 00:14:12,559 --> 00:14:16,080 Speaker 1: reason that it's in black and white will surprise me. Um. 232 00:14:16,160 --> 00:14:19,000 Speaker 1: I did not read further to find out why, but 233 00:14:19,800 --> 00:14:21,440 Speaker 1: I think it's probably because it's a movie that is 234 00:14:21,480 --> 00:14:25,640 Speaker 1: set in olden times and it looks classy as I 235 00:14:25,760 --> 00:14:30,000 Speaker 1: like olden times. We never say that in adulthood. And finally, 236 00:14:30,160 --> 00:14:34,320 Speaker 1: Clarence Thomas, this trend ding not well, I mean not 237 00:14:34,520 --> 00:14:38,520 Speaker 1: well anyway. It's because he's he's been teaching at George 238 00:14:38,520 --> 00:14:42,480 Speaker 1: Washington University. Students were petitioning the funk out of the 239 00:14:42,520 --> 00:14:44,760 Speaker 1: school to be like, get rid of this guy. He's 240 00:14:44,880 --> 00:14:47,920 Speaker 1: Darth fucking Vader. We don't need him teaching in the 241 00:14:48,000 --> 00:14:51,080 Speaker 1: law school. And they got their wish, not because the 242 00:14:51,960 --> 00:14:55,160 Speaker 1: petition went well, but Clarence Thomas informed this school that 243 00:14:55,280 --> 00:14:57,040 Speaker 1: he was just not going to be able to make 244 00:14:57,080 --> 00:15:03,160 Speaker 1: it work this fall. So please forgive me, um, I mean, 245 00:15:03,480 --> 00:15:06,040 Speaker 1: the writing was on the wall Behind the Bastard's episode 246 00:15:06,680 --> 00:15:08,680 Speaker 1: that I was guessing on about Clarence Thomas. I mean, 247 00:15:08,720 --> 00:15:13,080 Speaker 1: we it was presaged then, you know, once you're on bTB. Yeah, 248 00:15:13,120 --> 00:15:15,280 Speaker 1: once you make it, once you're the subject of behind 249 00:15:15,320 --> 00:15:18,680 Speaker 1: the Bathroom, Yeah, once Robert Evans gets his gaze on you. 250 00:15:20,240 --> 00:15:23,280 Speaker 1: But yeah, it's a you know, I think, a small 251 00:15:23,360 --> 00:15:26,120 Speaker 1: victory for people who absolutely don't who are aspiring to 252 00:15:26,240 --> 00:15:28,520 Speaker 1: learn about the law and not be taught by a 253 00:15:29,360 --> 00:15:32,800 Speaker 1: partisan goon, and a large victory for Clarence Thomas, who 254 00:15:32,840 --> 00:15:36,280 Speaker 1: gets to go to cocktail parties in d C with 255 00:15:36,440 --> 00:15:39,960 Speaker 1: other conservatism and be like, I was canceled. Yeah exactly, 256 00:15:40,280 --> 00:15:42,160 Speaker 1: And he's like, now, let me regale you with a 257 00:15:42,320 --> 00:15:50,160 Speaker 1: forty minute description of a porn I saw ten minutes ago, allegedly. Allegedly, Yeah, 258 00:15:50,520 --> 00:15:53,760 Speaker 1: I mean it's in the books. All right. Well, those 259 00:15:53,800 --> 00:15:56,240 Speaker 1: are some of the things that are trending on this 260 00:15:56,600 --> 00:16:00,880 Speaker 1: Thursday afternoon. We are back tomorrow with the whole last 261 00:16:00,920 --> 00:16:04,120 Speaker 1: episode with the show. Until then, be kind to each other, 262 00:16:04,240 --> 00:16:08,200 Speaker 1: be kind to yourselves, get the vaccine, don't do nothing 263 00:16:08,240 --> 00:16:11,600 Speaker 1: about white supremacy, and we will talk to y'all tomorrow. 264 00:16:11,880 --> 00:16:14,760 Speaker 1: Bike bikes, m