WEBVTT - Released To Die: Episode 1

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<v Speaker 1>Hey, party people, It's Rosie Perez. If you like sasa

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<v Speaker 1>as much as I do, I hope you'll join me

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<v Speaker 1>in person. At WNYC. We're celebrating a new podcast that

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<v Speaker 1>goes deep into the history of salsa in Nueva York.

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<v Speaker 1>We'll talk about the music and get a special live

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<v Speaker 1>performance from two time Latin Grammy winner Ella Brick. June thirtieth.

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<v Speaker 1>Tickets at WNYC dot org, slash events.

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<v Speaker 2>Hello Slave, Yes, I was in a meeting.

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<v Speaker 3>I just read here text.

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<v Speaker 4>It is January ninth, twenty twenty six, and producer Julita

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<v Speaker 4>Martinelli steps out of a meeting to answer a call.

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<v Speaker 5>He he is getting out today.

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<v Speaker 2>I'm heading right there to the nursing home right now.

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<v Speaker 4>It's a call that we we've been waiting for for

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<v Speaker 4>a long time.

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<v Speaker 2>As we speak, they turned for him out now.

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<v Speaker 6>Then the reason they didn't tell.

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<v Speaker 2>Is yesterday because the policies they can tell you when

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<v Speaker 2>they're coming on.

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<v Speaker 4>Marieta's on the phone with Swave, a former juvenile lifer

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<v Speaker 4>and the subject of our Pulitzer Prize winning podcast about

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<v Speaker 4>life after incarceration. I met Swave over thirty years ago

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<v Speaker 4>and stayed in touch with him for decades while he

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<v Speaker 4>was in prison. Then in our podcast Swave, we documented

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<v Speaker 4>his release in twenty seventeen and his reentry. Rita was

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<v Speaker 4>a producer and host of the second season of the podcast.

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<v Speaker 3>In our second season, we met Suave's mentor and father

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<v Speaker 3>figure in prison, a man in his nineties named Frank Ross.

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<v Speaker 3>Frank was awaiting a decision that could grant him his

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<v Speaker 3>release from prison, and today there was finally news.

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<v Speaker 7>He has been turned for as we.

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<v Speaker 3>Speak, Okay, I'm gonna I'm trying to find a flight

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<v Speaker 3>tonight as soon as possible. How do you feel and emotional?

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<v Speaker 8>I mean, here's that man been in prison.

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<v Speaker 4>Yeah, after nearly fifty years behind bars, Frank Ross was free.

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<v Speaker 4>There were no friends or family waiting outside the prison gates.

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<v Speaker 4>Frank was transferred alone in a gourney.

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<v Speaker 3>That's because Frank is being released under Pennsylvania's Compassionate Release Statute,

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<v Speaker 3>also known as a medical transfer. That's a law that

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<v Speaker 3>creates a pathway for seriously ill people in prison to

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<v Speaker 3>be released to seek out better healthcare on the outside.

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<v Speaker 3>Frank has been battling cancer for years. He is now terminal.

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<v Speaker 3>Do you remember when the only big weight you felt

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<v Speaker 3>on your back was that you couldn't do anything for him.

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<v Speaker 4>That for years, Suave told me about the guilt and

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<v Speaker 4>the regret that he felt at leaving Frank alone inside.

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<v Speaker 4>After he was released from prison, Frank taught Suave how

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<v Speaker 4>to read and write, he mentored, and he fathered him

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<v Speaker 4>along with hundreds of other young men in prison in exchange.

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<v Speaker 4>Suave always thought that he would help care for Frank

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<v Speaker 4>in his final days when they were both in prison.

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<v Speaker 3>Yeah, oh, I can't believe it. Okay, well this took

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<v Speaker 3>me totally my surprise, but I'm happy. I'm happy for you.

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<v Speaker 4>Now Suave could repay the man who had given him

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<v Speaker 4>so much, and Frank Ross would just maybe have an

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<v Speaker 4>opportunity for a dignified death on the outside, maybe because

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<v Speaker 4>nothing in the prison system is ever predictable or simple.

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<v Speaker 4>From Futuro Media, It's Latino USA. I'm Maria jo Josa

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<v Speaker 4>Today Released to Die Part one. In this three episode

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<v Speaker 4>mini series, we're going to follow the story of Frank Ross.

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<v Speaker 4>He's a ninety three year old man sentenced to die

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<v Speaker 4>in prison, and we're going to follow his journey to

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<v Speaker 4>the outside through something known as compassionate release. Frank's case

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<v Speaker 4>highlights one of the fastest growing trends in incarceration in

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<v Speaker 4>the United States. It's something experts called the grain of

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<v Speaker 4>American prisons. We will also take a deep dive into

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<v Speaker 4>Pennsylvania's Compassionate Release program, how healthcare inside prisons is failing

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<v Speaker 4>older people, and what it means to have a chance

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<v Speaker 4>to die free. Between two thousand and one and twenty eighteen,

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<v Speaker 4>more than thirty thousand people aged fifty five or older

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<v Speaker 4>died in prison. Experts say those numbers are on the rise.

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<v Speaker 4>Never have there been so many older people behind bars,

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<v Speaker 4>and the number is steadily rising. By twenty thirty, they

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<v Speaker 4>will be one third of the prison population.

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<v Speaker 3>The reason harsh sentencing practices that started in the seventies

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<v Speaker 3>and peaked through the eighties and nineties to today. Data

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<v Speaker 3>shows that this led to more people than ever serving

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<v Speaker 3>long sentences, including life without parole. And you've probably heard

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<v Speaker 3>the term mandatory minimums.

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<v Speaker 4>Coupled with three strike laws and other tough on crime

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<v Speaker 4>policies that meant more people going to prison and for

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<v Speaker 4>longer periods of time. Prison populations exploded, loaded with vast

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<v Speaker 4>racial discrepancies and sentencing, and with so many life sentences

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<v Speaker 4>or decades long sentences. It was only a matter of

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<v Speaker 4>time until those people became older and sicker, with prisons

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<v Speaker 4>unable to meet their healthcare needs.

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<v Speaker 3>That's part of the reason why almost every state and

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<v Speaker 3>the federal prison system have some kind of compassionate release policy.

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<v Speaker 3>It's a way to grant early release from prison to

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<v Speaker 3>sick or elderly incarcerated individuals who have no other real

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<v Speaker 3>avenue within the court system. In Pennsylvania prisons were Frank Ross's,

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<v Speaker 3>an incarcerated person may petition the court for a temporary

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<v Speaker 3>transfer to either a hospital, a long term facility, or hospice.

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<v Speaker 3>In order to be considered someone like Frank must meet

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<v Speaker 3>seven different parameters. Most importantly, they must be seriously ill

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<v Speaker 3>and expected to have less than a year to live,

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<v Speaker 3>and be able to prove that their healthcare needs are

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<v Speaker 3>better met on the outside. If they were to be

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<v Speaker 3>cured of their terminal illness on the outside, they could

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<v Speaker 3>be returned to prison.

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<v Speaker 4>Compassionate release is for people who know that they're going

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<v Speaker 4>to die. The question is will they get to die

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<v Speaker 4>on the outside, And that is all Frank Ross hopes for.

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<v Speaker 4>Were that's going to pick up the story from here.

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<v Speaker 3>The day of Frank's release, Suave rushes to the healthcare

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<v Speaker 3>facility for seniors where he's been transferred. Frank is already there,

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<v Speaker 3>in a shared room, separated by a flimsy curtain surrounded

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<v Speaker 3>by bare white walls. He texts me to FaceTime him. Yes, Hi, okay, Hi,

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<v Speaker 3>mister Ross. Congratulations.

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<v Speaker 6>You don't have to do that, just talk to the phone.

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<v Speaker 3>The first time he held a cell phone. Yeah, oh wow, woa.

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<v Speaker 3>Technology has really changed. Frank tries to put the video

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<v Speaker 3>call on his ear. He's never held a cell phone.

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<v Speaker 3>He was convicted in nineteen eighty and was always kind

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<v Speaker 3>of an old school guy in prison. He never even

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<v Speaker 3>got a tablet. Hi, mister Ross, how are you? Congratulations?

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<v Speaker 4>No good picture that I mean better?

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<v Speaker 1>Don't tell really.

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<v Speaker 6>With it.

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<v Speaker 3>On his first day out of prison, Frank seems primarily

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<v Speaker 3>occupied with swab his weight. I mean, he calls Swave

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<v Speaker 3>his son. After all, he looks good, right, How do

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<v Speaker 3>you feel.

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<v Speaker 6>Well? Right now?

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<v Speaker 2>Now?

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<v Speaker 3>Frank is hard to understand. He's ninety three, he's lost

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<v Speaker 3>his teeth, and he doesn't have dentures. Besides the ravages

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<v Speaker 3>of cancer, he's also struggling with cognitive decline due to

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<v Speaker 3>the mania. Over the last few years in prison, he

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<v Speaker 3>was mostly bedridden, sometimes in a wheelchair, and fully dependent

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<v Speaker 3>on other incarcerated men to care for him. I'm very

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<v Speaker 3>happy because of your news.

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<v Speaker 1>I am.

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<v Speaker 3>Yes, I'm getting on a plane tonight so I can

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<v Speaker 3>see you tomorrow morning. Before we hang up the phone,

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<v Speaker 3>Frank lays down his chief interest in letting us in

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<v Speaker 3>to make this series. He's hoping it will help him

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<v Speaker 3>bring some attention to his writing.

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<v Speaker 9>Get him an agent, because he's trying to get some

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<v Speaker 9>of his workout. You have your boxes and stuff, but

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<v Speaker 9>you're yes, of course, we're going to try.

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<v Speaker 7>To get to an agent.

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<v Speaker 3>Frank hopes to get more of his writing published before

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<v Speaker 3>he dies. The only item Frank insisted on bringing with

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<v Speaker 3>him from his prison cell was a box filled with

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<v Speaker 3>stories nearly five decades of writing. To understand who Frank

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<v Speaker 3>is as a person, you have to understand that, above all,

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<v Speaker 3>he is a writer, and writers dream of sharing their

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<v Speaker 3>love affords. That's how Suave and Frank crossed paths three

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<v Speaker 3>decades ago at a maximum security prison in Philadelphia. Suave

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<v Speaker 3>was in his early twenties and Frank was in his

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<v Speaker 3>late fifties. We actually told this story at length in

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<v Speaker 3>an episode of Suave season two, but I'll give you

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<v Speaker 3>a summary.

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<v Speaker 7>Hey, Frank, what's going on, buddy.

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<v Speaker 3>This is a phone call between Suave and Frank from

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<v Speaker 3>twenty twenty three, when Frank was still in prison.

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<v Speaker 8>I'm over here, man, I'm away there telling my people

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<v Speaker 8>how much you showed me when I was in prison?

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<v Speaker 6>Right?

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<v Speaker 5>And what did you do?

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<v Speaker 6>I learned how to do.

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<v Speaker 7>How many screenplayers have you written?

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<v Speaker 1>Oh?

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<v Speaker 6>I got forty five? Now and I got.

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<v Speaker 3>Forty five screenplays and ninety short stories. A portion of

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<v Speaker 3>it was published. Frank was profiled in newspapers decades ago.

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<v Speaker 3>Some of his books are still out there for purchase.

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<v Speaker 3>And more than a writer, Frank was a teacher.

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<v Speaker 7>There was hundreds, if not thousands of people in the

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<v Speaker 7>DC that he showed how to read and write, and I.

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<v Speaker 4>Was one of them.

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<v Speaker 3>Frank was an old head, an old timer, and someone

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<v Speaker 3>who commanded respect. Saba says. Frank didn't really get involved

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<v Speaker 3>in prison politics. He never got in trouble, and he

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<v Speaker 3>minded his own business. When he took a liking to someone, though,

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<v Speaker 3>he approached them with a curious proposition.

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<v Speaker 7>He was one of the dudes that he had enough

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<v Speaker 7>heart to step to me. I guess he's like, hey,

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<v Speaker 7>young boy, let me talk to you. And I used

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<v Speaker 7>to tell him, look, man, what can you get for me?

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<v Speaker 6>Right?

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<v Speaker 7>I got some pen and paper for you.

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<v Speaker 3>That's how he and Swave became close. Swavee was illiterate,

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<v Speaker 3>but over time and under a teacher like Frank, Swave

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<v Speaker 3>learned how to read and write. Frank then encouraged him

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<v Speaker 3>to pursue an education, and Suave eventually graduated with a

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<v Speaker 3>bachelor's within prison walls. Frank did the same for countless others.

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<v Speaker 3>Over time, Swavi learned that Frank had made a promise

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<v Speaker 3>to try and atone for his mistakes and to help others.

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<v Speaker 3>Here's another old phone call with Frank when he was

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<v Speaker 3>in prison.

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<v Speaker 6>I've been almost.

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<v Speaker 3>In his late forties. Frank was convicted of killing a man.

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<v Speaker 3>Until then, he had never been in trouble. He was

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<v Speaker 3>a war veteran. He had a business, a wife and kids.

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<v Speaker 7>I used to call him the late criminal family man,

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<v Speaker 7>ron kids. First time arrested in his life.

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<v Speaker 3>Frank doesn't claim to be innocent. He accepted his life

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<v Speaker 3>sentence and in prison put the old version of himself away.

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<v Speaker 3>He refused visits, he asked his family to move on,

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<v Speaker 3>and spent nearly his entire time in prison completely alone,

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<v Speaker 3>except for the young man that he took under his wing.

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<v Speaker 3>Now years later, as I prepare to go meet him

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<v Speaker 3>in person for the first time, I think about a

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<v Speaker 3>conversation I had with Frank over the phone as he

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<v Speaker 3>waited for his compassionate release application to be reviewed.

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<v Speaker 6>In my comment, but I didn't say I've learned to

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<v Speaker 6>like to come home. I don't think you ever do

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<v Speaker 6>if you check your right life. But I asked, I

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<v Speaker 6>can happen no more.

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<v Speaker 3>Frank said he would never earn the right to come home.

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<v Speaker 3>He took someone's life. All he was asking for was mercy.

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<v Speaker 4>When we come back, we learn more about what it

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<v Speaker 4>means to receive compassionate release, and we hear about Frank's

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<v Speaker 4>challenges of trying to start over even though he's terminally ill.

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<v Speaker 10>Stay with us was yeah, he was killing that cat.

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<v Speaker 11>Checking Canal and Spotify, the La Mesa Expertos an acilty

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<v Speaker 11>los Angos universo conicolos program as, the Toya Burrido and

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<v Speaker 11>No projected the Frank Cooliwood tambienus Monolos as he Scucios

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<v Speaker 11>la Is and Spotify.

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<v Speaker 4>Hey, we're back. Before the break, we learned about Frank

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<v Speaker 4>Ross's life, how he ended up in prison, and the

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<v Speaker 4>challenges of his release under Pennsylvania's Compassionate Release law. Senior

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<v Speaker 4>producer Julia Ta Martinelli is going to continue the story

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<v Speaker 4>from here.

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<v Speaker 3>The day after Frank is released, I meet Suave outside

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<v Speaker 3>Frank's store on the fourth floor of a senior living

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<v Speaker 3>facility in Philly. We make our way into the room.

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<v Speaker 3>Frank looks frail, much older than I'd imagined his were

0:16:00.000 --> 0:16:04.120
<v Speaker 3>bring an unfastened hospital gown that's fallen down to his stomach.

0:16:04.920 --> 0:16:09.760
<v Speaker 3>He's hooked to an oxygen tank and fast asleep. Swavey

0:16:09.840 --> 0:16:12.560
<v Speaker 3>wakes him gently, holding out the balloons.

0:16:13.640 --> 0:16:15.040
<v Speaker 6>I know it's not. I know it's not.

0:16:15.120 --> 0:16:17.800
<v Speaker 8>The next week I have to take care of your pop,

0:16:18.840 --> 0:16:19.480
<v Speaker 8>had to take.

0:16:19.400 --> 0:16:19.720
<v Speaker 6>Care of you.

0:16:20.400 --> 0:16:23.320
<v Speaker 3>Swavey lays out a pint of chocolate ice cream, a

0:16:23.440 --> 0:16:26.720
<v Speaker 3>slice of chocolate cake, cookies, and other goodies.

0:16:28.000 --> 0:16:29.200
<v Speaker 7>So what I'm going to do.

0:16:30.120 --> 0:16:34.280
<v Speaker 3>We're gonna say, Havy herb day to you?

0:16:35.000 --> 0:16:37.880
<v Speaker 5>Do you have herbday?

0:16:38.360 --> 0:16:39.720
<v Speaker 6>Do you new?

0:16:39.920 --> 0:16:42.280
<v Speaker 8>Happy Birthday, Dear Frank.

0:16:42.800 --> 0:16:45.840
<v Speaker 12>Two Freedom, Happy birthday to.

0:16:46.040 --> 0:16:51.960
<v Speaker 3>You, Happy birthday. Frank smiles through the celebration, but it

0:16:52.120 --> 0:16:57.440
<v Speaker 3>soon becomes clear that he's not doing well. It's at

0:16:57.560 --> 0:17:01.200
<v Speaker 3>that moment that I noticed how swollen and Frank's legs are.

0:17:02.080 --> 0:17:06.320
<v Speaker 3>It looks really painful, and as the sheet slide, I

0:17:06.440 --> 0:17:10.520
<v Speaker 3>see a palm sized ankle monitor snapped tightly around his ankle,

0:17:11.119 --> 0:17:15.040
<v Speaker 3>a mandatory condition for his release, you know, in case

0:17:15.080 --> 0:17:17.960
<v Speaker 3>he runs away. This man who can't walk on his

0:17:18.119 --> 0:17:24.480
<v Speaker 3>own or get out of bed. It's not long before

0:17:24.680 --> 0:17:26.240
<v Speaker 3>visitors start rolling in.

0:17:29.640 --> 0:17:30.040
<v Speaker 11>Bross.

0:17:30.640 --> 0:17:34.560
<v Speaker 3>Frank's face lights up, first his sister in law, and

0:17:34.720 --> 0:17:38.800
<v Speaker 3>then his friend Mohammed. They spent decades together in prison.

0:17:39.480 --> 0:17:42.480
<v Speaker 3>Mohammed is eighty four, out for a year now after

0:17:42.600 --> 0:17:46.160
<v Speaker 3>securing his own release under commutation from the governor.

0:17:49.160 --> 0:17:55.000
<v Speaker 1>Thank you, thank you, hey man, it's my pleasure time.

0:17:55.520 --> 0:17:56.320
<v Speaker 6>Hey you look good.

0:17:56.760 --> 0:18:02.240
<v Speaker 1>Listen manabe call I said, I sat up here.

0:18:02.359 --> 0:18:03.360
<v Speaker 4>I think you've kind of bath.

0:18:03.680 --> 0:18:04.960
<v Speaker 13>People are able to see you today.

0:18:06.320 --> 0:18:10.480
<v Speaker 3>He's right. Within a few minutes, Frank's bed is surrounded.

0:18:11.080 --> 0:18:14.760
<v Speaker 3>I count four former lifers in the room, men who

0:18:14.880 --> 0:18:17.880
<v Speaker 3>all were one sentence to life in prison and thought

0:18:17.920 --> 0:18:22.520
<v Speaker 3>that they would grow old and die inside together here free,

0:18:23.040 --> 0:18:29.080
<v Speaker 3>eating chocolate cake, sharing war stories, reminiscing silly things like

0:18:29.359 --> 0:18:32.440
<v Speaker 3>who still owes who money for commissary ice cream?

0:18:32.960 --> 0:18:36.880
<v Speaker 12>He always minded from the Iceland and mumble, I don't

0:18:36.920 --> 0:18:42.959
<v Speaker 12>know what ice s creaming behind. I don't know how

0:18:43.080 --> 0:18:45.240
<v Speaker 12>you feel about You're a friend when.

0:18:45.880 --> 0:18:46.920
<v Speaker 6>On the line.

0:18:47.880 --> 0:18:51.280
<v Speaker 3>At some point, Swaby walks off and stands by the door.

0:18:52.440 --> 0:18:55.280
<v Speaker 3>I see him discreetly wipe his eyes with his sleeve.

0:18:56.720 --> 0:19:03.760
<v Speaker 2>How do you feel at him, to see him smile

0:19:04.600 --> 0:19:08.000
<v Speaker 2>and not and not have to worry about counttown. I

0:19:08.119 --> 0:19:10.639
<v Speaker 2>just think that for us, this is what it is

0:19:10.680 --> 0:19:13.840
<v Speaker 2>all about, changing policies and prinking people.

0:19:17.440 --> 0:19:20.960
<v Speaker 3>Good to see you again, he might get out of

0:19:20.960 --> 0:19:23.560
<v Speaker 3>the way. I step out of the room to get

0:19:23.600 --> 0:19:27.920
<v Speaker 3>the family privacy as Frank meets nieces and nephews and

0:19:28.080 --> 0:19:29.960
<v Speaker 3>other family for the first time.

0:19:34.320 --> 0:19:35.480
<v Speaker 7>That's right, I.

0:19:39.400 --> 0:19:40.280
<v Speaker 6>Heard so much about.

0:19:46.320 --> 0:19:49.800
<v Speaker 3>On the way out, Swabe tells me that he feels overwhelmed.

0:19:50.400 --> 0:19:53.240
<v Speaker 3>He says he's worried about how frail Frank looks.

0:19:53.960 --> 0:19:58.600
<v Speaker 5>His compassionate relea stuff to me is bullshit, fully bullshit,

0:19:59.640 --> 0:20:03.560
<v Speaker 5>because can't remember where he's at, sitting in the bed

0:20:04.480 --> 0:20:08.400
<v Speaker 5>with an ankle minor of this bab you call that compassionate.

0:20:08.840 --> 0:20:11.760
<v Speaker 8>First of all, I want to say I am extremely

0:20:12.440 --> 0:20:18.200
<v Speaker 8>happy that somebody decided enough, it's enough, right, But now

0:20:18.840 --> 0:20:23.000
<v Speaker 8>I'm also extremely mad that this man should have been

0:20:23.080 --> 0:20:26.200
<v Speaker 8>released ten years ago when he first got cancered.

0:20:27.760 --> 0:20:32.399
<v Speaker 3>The thing is, legally, Frank couldn't be considered for compassionate

0:20:32.520 --> 0:20:37.040
<v Speaker 3>release any earlier, even though he's had a cancer diagnosis

0:20:37.280 --> 0:20:41.640
<v Speaker 3>for years. Frank is representative of an issue that many

0:20:41.760 --> 0:20:46.480
<v Speaker 3>others are also facing. There are currently more than ten

0:20:46.600 --> 0:20:52.119
<v Speaker 3>thousand people that are considered senior citizens in Pennsylvania prisons today.

0:20:52.920 --> 0:20:55.760
<v Speaker 3>While there aren't public numbers on how many of those

0:20:55.840 --> 0:20:59.760
<v Speaker 3>are ill and have also submitted petitions for compassionate release,

0:21:00.359 --> 0:21:03.199
<v Speaker 3>we do know that only fifty four people have been

0:21:03.280 --> 0:21:06.720
<v Speaker 3>granted compassionate release over the last fifteen years.

0:21:15.520 --> 0:21:18.760
<v Speaker 4>Advocates say the problem is in how the compassionate Release

0:21:18.800 --> 0:21:22.760
<v Speaker 4>Statute is written. While it's meant to remedy the crisis

0:21:23.240 --> 0:21:27.000
<v Speaker 4>of those ag behind bars, it falls short of actually

0:21:27.119 --> 0:21:30.439
<v Speaker 4>being able to assist many people because of the built

0:21:30.480 --> 0:21:36.000
<v Speaker 4>in requirement for their deaths to be imminent and in

0:21:36.080 --> 0:21:38.680
<v Speaker 4>the midst of their illness. They also have to be

0:21:38.760 --> 0:21:40.960
<v Speaker 4>able to find a lawyer to take on their case.

0:21:42.080 --> 0:21:44.720
<v Speaker 4>The reality is that by the time someone like Frank

0:21:44.840 --> 0:21:49.360
<v Speaker 4>reaches this age, their closest family members have often already

0:21:49.480 --> 0:21:53.520
<v Speaker 4>died or those connections to the outside world have faded

0:21:53.720 --> 0:21:54.560
<v Speaker 4>over the decades.

0:21:55.600 --> 0:21:59.200
<v Speaker 3>Not to mention that if, like Frank, they're lucky enough

0:21:59.320 --> 0:22:03.480
<v Speaker 3>to be granted release, they must remain under constant monitoring.

0:22:04.000 --> 0:22:08.320
<v Speaker 3>That means wearing a heavy and sometimes painful GPS tracker

0:22:08.680 --> 0:22:11.159
<v Speaker 3>on their body twenty four to seven.

0:22:12.160 --> 0:22:16.160
<v Speaker 4>And remember, they can't seek out healthcare to get better.

0:22:16.880 --> 0:22:19.800
<v Speaker 4>If they were to be cured of their illness, they

0:22:19.920 --> 0:22:23.959
<v Speaker 4>could be sent back to prison. So people like Swave,

0:22:24.359 --> 0:22:28.520
<v Speaker 4>lawyers and activists in Pennsylvania have long asked, where's the

0:22:28.560 --> 0:22:29.760
<v Speaker 4>compassion in that.

0:22:36.520 --> 0:23:05.000
<v Speaker 3>We'll be right back. Hey, we're back. Where are we going?

0:23:05.720 --> 0:23:08.760
<v Speaker 4>So we're in Philly now, I'm looking at I think

0:23:08.920 --> 0:23:13.000
<v Speaker 4>thirtieth Street station. We're in a car on our way

0:23:13.280 --> 0:23:15.880
<v Speaker 4>to Germantown, which is a little bit in the suburbs.

0:23:16.280 --> 0:23:19.600
<v Speaker 3>A few weeks later, we're in Philly again, this time

0:23:19.920 --> 0:23:24.480
<v Speaker 3>with Maria. She's known Suavet since ninety three, and while

0:23:24.520 --> 0:23:27.760
<v Speaker 3>he was in prison, she often heard Suavet talk about

0:23:27.840 --> 0:23:28.840
<v Speaker 3>Frank on the phone.

0:23:29.320 --> 0:23:33.200
<v Speaker 4>And yeah, the team is reunited. Suave, will you tell

0:23:33.240 --> 0:23:37.720
<v Speaker 4>me on our way to meet Frank Ross? It's I'm

0:23:37.920 --> 0:23:41.240
<v Speaker 4>just I'm so overwhelmed because it's real life.

0:23:42.560 --> 0:23:46.000
<v Speaker 3>Suave has been spending nearly all of his time outside

0:23:46.040 --> 0:23:47.200
<v Speaker 3>of work with Frank.

0:23:47.560 --> 0:23:49.920
<v Speaker 9>I just stay there all night, hang out because it's

0:23:49.920 --> 0:23:53.280
<v Speaker 9>twenty four hours a day visits. So how am I

0:23:53.480 --> 0:23:56.760
<v Speaker 9>just going at six o' five that night, leave at

0:23:56.840 --> 0:24:00.600
<v Speaker 9>four in the morning, come back at eight and he

0:24:00.680 --> 0:24:03.520
<v Speaker 9>probably wouldn't even know I'm gone because by the time

0:24:03.560 --> 0:24:04.560
<v Speaker 9>he wake up, he see me.

0:24:04.880 --> 0:24:07.000
<v Speaker 8>I always tell people what I'm doing for Frank Ross

0:24:07.119 --> 0:24:08.720
<v Speaker 8>is what I couldn't do for my mother when she

0:24:08.840 --> 0:24:11.439
<v Speaker 8>was on hot that bad, which is take care of her.

0:24:12.000 --> 0:24:15.080
<v Speaker 3>Swaba's mother died before he was released from prison.

0:24:15.280 --> 0:24:16.760
<v Speaker 8>I mean, I would want somebody to do that for

0:24:16.920 --> 0:24:19.240
<v Speaker 8>me if I was in my dying bed. So this

0:24:19.400 --> 0:24:21.280
<v Speaker 8>is what I should have been doing, you know. So

0:24:21.400 --> 0:24:23.440
<v Speaker 8>I'm just doing it for Frank.

0:24:26.880 --> 0:24:30.680
<v Speaker 3>When we arrive, Frank is wearing a sweater, sweatpants, and

0:24:30.800 --> 0:24:34.760
<v Speaker 3>tennis shoes. He's seated up in his chair, hair combed,

0:24:35.040 --> 0:24:36.280
<v Speaker 3>waiting for his visitors.

0:24:37.320 --> 0:24:38.000
<v Speaker 11>How are you.

0:24:40.040 --> 0:24:43.080
<v Speaker 3>To see you, mister n Look at you with your lunch.

0:24:46.600 --> 0:24:47.200
<v Speaker 6>How you doing?

0:24:51.480 --> 0:24:53.840
<v Speaker 3>You look good? I didn't even recognize you when you

0:24:53.920 --> 0:24:57.919
<v Speaker 3>want in. Swaby walks over to Frank and hands him

0:24:57.920 --> 0:25:02.680
<v Speaker 3>a folder. It's filled with hypewritten pages, short stories that

0:25:02.840 --> 0:25:05.679
<v Speaker 3>Frank once mailed to suave It while he was in prison.

0:25:07.600 --> 0:25:08.840
<v Speaker 4>We'll show you something.

0:25:12.480 --> 0:25:15.440
<v Speaker 3>I got it, they talked quietly as they look through

0:25:15.480 --> 0:25:16.000
<v Speaker 3>the pages.

0:25:16.560 --> 0:25:19.440
<v Speaker 4>There these little secret communication thing going on.

0:25:19.600 --> 0:25:20.560
<v Speaker 6>They just a lot.

0:25:20.720 --> 0:25:22.880
<v Speaker 1>If you got anything, there.

0:25:24.560 --> 0:25:25.479
<v Speaker 6>Was his stump.

0:25:27.520 --> 0:25:29.040
<v Speaker 7>Frank had a picture.

0:25:32.320 --> 0:25:38.560
<v Speaker 3>Following an afternoon eating Hogi's Frank's request, lasting and sharing stories.

0:25:39.080 --> 0:25:44.440
<v Speaker 3>Frank turns to me, they're like old man, like old man.

0:25:46.760 --> 0:25:48.000
<v Speaker 4>They'll tell you that I.

0:25:49.760 --> 0:25:55.320
<v Speaker 13>Have and uh, what would you mention.

0:25:59.080 --> 0:25:59.119
<v Speaker 11>This?

0:26:01.480 --> 0:26:04.399
<v Speaker 3>He asked me again if he's already told me he

0:26:04.560 --> 0:26:05.760
<v Speaker 3>has dementia.

0:26:10.040 --> 0:26:12.320
<v Speaker 13>And that is whoo who excremated?

0:26:12.400 --> 0:26:18.160
<v Speaker 3>Too bad. Frank says that dementia feels quote cuckoo crazy.

0:26:19.040 --> 0:26:21.240
<v Speaker 3>He says he first realized he had it a few

0:26:21.320 --> 0:26:24.280
<v Speaker 3>years ago when he had to be hospitalized and taken

0:26:24.359 --> 0:26:25.399
<v Speaker 3>outside the prison.

0:26:27.240 --> 0:26:29.920
<v Speaker 13>All kind of cuckoo stuffing bettering in your head.

0:26:30.600 --> 0:26:34.119
<v Speaker 3>So what does the mencha feel like? All kinds of

0:26:34.320 --> 0:26:36.560
<v Speaker 3>cuckoo stuff running in your head?

0:26:37.960 --> 0:26:43.480
<v Speaker 13>What you think my mother she was hit in the

0:26:43.560 --> 0:26:50.040
<v Speaker 13>house and she would dirty lad with maggot. He was

0:26:50.040 --> 0:26:55.600
<v Speaker 13>about your complex kids back, he's a horrible.

0:26:55.800 --> 0:26:58.639
<v Speaker 3>He describes a moment in the hospital where he was

0:26:58.680 --> 0:27:01.880
<v Speaker 3>suddenly transported back to the house where he was born

0:27:02.080 --> 0:27:06.000
<v Speaker 3>in nineteen thirty three. His mother was there, but she

0:27:06.240 --> 0:27:10.000
<v Speaker 3>was dirty and her hair was matted. She looked horrible,

0:27:10.160 --> 0:27:13.280
<v Speaker 3>he says. He started crying, and.

0:27:14.359 --> 0:27:18.920
<v Speaker 13>I remember when them prive I couldn't believe that my mother,

0:27:20.520 --> 0:27:22.520
<v Speaker 13>And then back.

0:27:22.160 --> 0:27:28.080
<v Speaker 3>To the Frank says, that's when he started asking questions

0:27:28.560 --> 0:27:31.600
<v Speaker 3>and he realized that he was seeing and hearing things

0:27:31.680 --> 0:27:35.840
<v Speaker 3>that weren't there, things that had already happened, or things

0:27:35.960 --> 0:27:40.040
<v Speaker 3>that he simply imagined, but all of it felt so real.

0:27:40.600 --> 0:27:43.639
<v Speaker 6>I was the only one knew I had. How did

0:27:43.680 --> 0:27:44.600
<v Speaker 6>you didn't even know that?

0:27:45.960 --> 0:27:47.160
<v Speaker 13>You talked to you about each other?

0:27:48.000 --> 0:27:49.120
<v Speaker 6>They walk didn't come back.

0:27:50.160 --> 0:27:53.080
<v Speaker 3>They got it now, He says. It was in that

0:27:53.320 --> 0:27:56.400
<v Speaker 3>hospital that he realized that he was surrounded by other

0:27:56.600 --> 0:28:00.440
<v Speaker 3>dementia patients. He would talk to them about something, and

0:28:00.600 --> 0:28:03.560
<v Speaker 3>then they would forget and have the same conversation all

0:28:03.640 --> 0:28:07.040
<v Speaker 3>over again. He realized then that he was the only

0:28:07.119 --> 0:28:08.800
<v Speaker 3>one that knew he had it.

0:28:09.320 --> 0:28:11.119
<v Speaker 13>I knew I had, but I didn't know how to

0:28:11.240 --> 0:28:11.800
<v Speaker 13>control it.

0:28:12.880 --> 0:28:13.879
<v Speaker 4>They control you.

0:28:14.880 --> 0:28:18.240
<v Speaker 3>But he couldn't control it. It was terrifying.

0:28:18.760 --> 0:28:21.680
<v Speaker 13>I don't know how whether you can tell you. I

0:28:21.720 --> 0:28:22.919
<v Speaker 13>don't know why he can tell you.

0:28:23.000 --> 0:28:25.320
<v Speaker 6>How to add I know.

0:28:26.280 --> 0:28:30.520
<v Speaker 3>Suddenly Frank gets really agitated. He's mad at Suave for

0:28:30.680 --> 0:28:33.520
<v Speaker 3>not telling us that he has dementia, just like the

0:28:33.600 --> 0:28:38.560
<v Speaker 3>men he met in the hospital. Suddenly he forgot. Dementia

0:28:38.760 --> 0:28:43.280
<v Speaker 3>is a progressive, irreversible syndrome. It leads to memory laws,

0:28:43.560 --> 0:28:48.840
<v Speaker 3>cognitive decline, and reduce functional ability. The disease, coupled with

0:28:48.960 --> 0:28:52.680
<v Speaker 3>his cancer, is starting to ravage his mind and body.

0:28:53.400 --> 0:28:58.720
<v Speaker 3>I stopped recording on the way out. I can see

0:28:58.840 --> 0:29:02.520
<v Speaker 3>the hurt in suavest and it's then that I realize

0:29:02.640 --> 0:29:06.719
<v Speaker 3>how limited our time with Frank really is. Frank has

0:29:06.800 --> 0:29:09.480
<v Speaker 3>made it clear to me over and over that he

0:29:09.800 --> 0:29:14.480
<v Speaker 3>wants his story told, but I fear we're fighting against time,

0:29:16.760 --> 0:29:20.000
<v Speaker 3>and soon Frank is going to have to take on

0:29:20.280 --> 0:29:24.400
<v Speaker 3>another fight against the prison system, who will attempt to

0:29:24.560 --> 0:29:33.360
<v Speaker 3>take him back. Over three episodes will explore Pennsylvania's compassionate

0:29:33.480 --> 0:29:37.640
<v Speaker 3>release program as it stands. As we continue following Frank's

0:29:37.680 --> 0:29:38.959
<v Speaker 3>life on the outside.

0:29:39.640 --> 0:29:40.720
<v Speaker 6>He didn't recognize him.

0:29:41.640 --> 0:29:42.840
<v Speaker 3>He didn't recognize ye at all.

0:29:43.040 --> 0:29:44.080
<v Speaker 6>He's got to get the fuck out.

0:29:44.440 --> 0:29:46.160
<v Speaker 8>I don't know who is you doing.

0:29:46.040 --> 0:29:51.200
<v Speaker 3>IMPOSSI the private healthcare system within the state's prisons, which

0:29:51.320 --> 0:29:56.360
<v Speaker 3>many incarcerated people say fails to provide adequate care. I

0:29:56.480 --> 0:29:58.920
<v Speaker 3>half an hour, lady, he came back and he said, Ms.

0:29:58.920 --> 0:30:02.520
<v Speaker 4>Scott' sorry to tell you you have breast cancer.

0:30:03.160 --> 0:30:06.640
<v Speaker 3>Well here from people attempting to change these laws so

0:30:06.800 --> 0:30:10.040
<v Speaker 3>that incarcerated men and women can be released to receive

0:30:10.160 --> 0:30:14.360
<v Speaker 3>the necessary care that the law demands before it's too late,

0:30:14.920 --> 0:30:17.520
<v Speaker 3>in the ways in which a system that he is

0:30:17.720 --> 0:30:22.840
<v Speaker 3>too sick to remember still holds Frank's faith in his hands.

0:30:23.760 --> 0:30:27.560
<v Speaker 9>He already put a petition to revoke his compassionate release,

0:30:28.720 --> 0:30:30.880
<v Speaker 9>took to the courts, and now we've got to vote

0:30:30.880 --> 0:30:31.520
<v Speaker 9>to court to.

0:30:58.240 --> 0:31:02.080
<v Speaker 4>This episode was produced Bylli. It was edited by Marlon Bishop.

0:31:02.480 --> 0:31:06.440
<v Speaker 4>It was mixed by Stephanie Lebau. Scoring and sound designed

0:31:06.440 --> 0:31:10.760
<v Speaker 4>by Jacob Rossari. Fact checking for this episode by Roxanna Aguire.

0:31:11.320 --> 0:31:15.080
<v Speaker 4>Fernanda Echavari is our managing editor. Nancy Trujillo is our

0:31:15.120 --> 0:31:20.520
<v Speaker 4>production manager. The Latino USA. Team also includes Renald Lanos Junior,

0:31:20.680 --> 0:31:25.080
<v Speaker 4>Luis Nuna, Dori mar Marquez, JJ Krubin, Ariana Rodriguez, and

0:31:25.160 --> 0:31:28.880
<v Speaker 4>Nicole Rothwell. Beni, Lei Amidas and I are executive producers.

0:31:29.280 --> 0:31:32.360
<v Speaker 4>I'm your host Bardiao Josa Latino USA is part of

0:31:32.440 --> 0:31:37.160
<v Speaker 4>Iheart's Michael Dura podcast network. Executive producers at iHeart ar

0:31:37.200 --> 0:31:40.719
<v Speaker 4>Leo Gomez and Arlene Santana join us again on our

0:31:40.760 --> 0:31:43.440
<v Speaker 4>next episode. Dear listener. In the meantime, look for us

0:31:43.480 --> 0:31:45.960
<v Speaker 4>on all of your social media and don't forget to

0:31:46.120 --> 0:31:49.320
<v Speaker 4>join Futuro Plus. You get to listen to everything ad

0:31:49.640 --> 0:31:55.680
<v Speaker 4>free and have special virtual events. So join futuro Plus now, Notteva,

0:31:55.760 --> 0:31:56.480
<v Speaker 4>Yes Joe.

0:31:58.360 --> 0:32:03.000
<v Speaker 3>Latino USA is made possible in part by Public Welfare Foundation,

0:32:03.680 --> 0:32:08.680
<v Speaker 3>catalyzing transformative approaches to justice that are community led, restorative,

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<v Speaker 3>and racially just. The Melon Foundation. MELON makes grants to

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<v Speaker 3>support the visionaries and communities that unlock the power of

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<v Speaker 3>the arts and humanities to help connect us all more

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<v Speaker 3>at Melon dot org. Funding for Latino USA's coverage of

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<v Speaker 3>a Culture of Health is made possible in part by

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<v Speaker 3>a grant from the Robert Wood Johnson Foundation.