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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Everybody who loves honey glaze

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Speaker 1: carrots a great side dish for your springtime celebration and

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Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is

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Speaker 1: ready to give you a tour to find the right

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Speaker 1: one serving lamb this season. Try it with a bold

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Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting

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Speaker 1: or just bring the wine we love to share are

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Speaker 1: always low prices and ridiculous selection this spring at Total

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Speaker 1: Wine and More. Cheers y'all. He's a legendary queen's rapper,

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Speaker 1: Hang Segre is your boy in He's a Miami hip

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Speaker 1: hop pioneer. What Up is d J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in music and sport. You know, I mean the

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Speaker 1: most professional, unprofessional podcast and your number one source for

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Speaker 1: drunk facts. This is Drinks chap Radi wh every Day

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Speaker 1: is New Year's e Just Ron Hey, he said, agree,

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Speaker 1: It's your boy and all And this is dread Mother Podcast.

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Speaker 1: Maybe something right now, we have one of the best

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Speaker 1: actors on earth. Definitely want to definitely the number one

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Speaker 1: Puerto Rican actor in the world. We hate range from

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Speaker 1: l E. S by Way a quarter WEEKO. He's done

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Speaker 1: at least five million movies he's done with He's worked

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Speaker 1: with the works of Denzel Washington and a whole bunch

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Speaker 1: of other people on the Bone Collector. It was sucking

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Speaker 1: a phenomenon and he's here right now. Today we are

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Speaker 1: turning into this day into the Puerto Rican Day Parade

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Speaker 1: because I am half puarter weekend, but today I am

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Speaker 1: fully Puarter weekend. Right now, we got Louis Goose like

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Speaker 1: Chris Off. First off, you know called those way we

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Speaker 1: gotta stopcose ways. Okay, So now did you work with

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Speaker 1: OPPORTUNITYO before or no? No, no no. So you get

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Speaker 1: this call and what happened? I get this call? I

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Speaker 1: go in and uh I audition. My boy found that Okay,

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Speaker 1: Joe time. My boy showed up with this. That's a jacket.

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Speaker 1: He found the time for the queer punt. I put

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Speaker 1: that ship on. I go to the Solvation, I do

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Speaker 1: my ship. I got a phone call, yo, yo, guy, Okay, cool,

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Speaker 1: let's cool. Because it was easy for you to play

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Speaker 1: a guy from the neighborhood. It seems like you know

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Speaker 1: what it was, man, It's like how many protectives did

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Speaker 1: we grow up with back in the day. I may

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Speaker 1: do that with hustling, right, you know, I may do that,

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Speaker 1: Like what ship going wrong? They like flipped to the

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Speaker 1: other side, you know, and that that that loyalty ship

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Speaker 1: you know from the guys anyway, is that one of

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Speaker 1: the roles you related to the most out of all

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Speaker 1: the roles you did because you really did like three

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Speaker 1: million movies. Yeah, you know, every role is different, to

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Speaker 1: be honest with you, Um, you know, sometimes you do

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Speaker 1: this guy like I said, like, you know, you're representing

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Speaker 1: a certain kind of flaw from a neighborhood for the body,

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Speaker 1: and then on a sudden you're playing the dad, you

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Speaker 1: know what I mean. And then it's like now you

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Speaker 1: got like role model status, you know, and then you're

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Speaker 1: playing the nurves and ships, but you're caring about people

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Speaker 1: or you know, you're caring about who knows. But everything different,

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Speaker 1: you know. Um, when I did The Bone Collector, I

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Speaker 1: saw that I had, man, I had to learn like forendics,

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Speaker 1: I learned he walked in there like you was really police.

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Speaker 1: So you got you got something that I would like

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Speaker 1: to say that Denzel Washington has whatever role Denzel plays,

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Speaker 1: I believe them. Whatever role you play, I believe like

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Speaker 1: you studied for it for fifty million years. Like that's

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Speaker 1: how good you are. That's what I tracked, trying for

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Speaker 1: the honesty and what I do. You know, like the

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Speaker 1: same thing with your music, and you want you want

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Speaker 1: to you want to convey the honesty of your soul.

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Speaker 1: And by fact that for me as an actor, you know,

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Speaker 1: I want people to believe me, but I also want

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Speaker 1: them to feel like what's going on, you know with

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Speaker 1: this character? People relate to that not your new movie.

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Speaker 1: You got a new movie. Um it's about like singing

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Speaker 1: huh and our church is a church and then it's

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Speaker 1: it's a faith based movie. It's called hold on Uh

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Speaker 1: flavor flavors in the flavor flames and Let's make noisevor Flavors.

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Speaker 1: I was watching the trailer like, was that okay, okay,

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Speaker 1: my man, I'm sorry, I get to you know, Um

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Speaker 1: he didn't. It's a faith faith movie. Um. We started

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Speaker 1: shooting this movie two days ago last year, and um,

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Speaker 1: we just screened it here last night in Miami. But

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Speaker 1: it's an incredible movie, man, you know, a movie about inspiration.

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Speaker 1: You know. It's a well about people dealing with family

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Speaker 1: that had evictions. You know, it's about not giving up. Um.

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Speaker 1: It was a really well done movie. And and the

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Speaker 1: sisters that that's in it, it's based on her story.

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Speaker 1: She's an incredible singer. She wrote down the one that's

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Speaker 1: singing is that's about her. Yeah, and she was an

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Speaker 1: actor and she wrote that song. Wow. Let me tell

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Speaker 1: you something like like when you see the movie the

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Speaker 1: end of the movie when she singing the song, we

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Speaker 1: actually filmed the orchestra life singing it. You know. We

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Speaker 1: didn't want to sing in the studio that slip thing

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Speaker 1: kid on film. We did it live and so you know,

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Speaker 1: and it was this little movie man, that young man

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Speaker 1: to wreck. He wrote it, he directed, My son helped

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Speaker 1: produce it. You know. Yeah, my son to me wow,

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Speaker 1: he uh you know, And it was these young people

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Speaker 1: and put a movie together. They have me to do

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Speaker 1: a part. And that day you're gonna put the young

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Speaker 1: people all right, all the projects because I don't think

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Speaker 1: nobody can hear you bro oh the mike right there.

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Speaker 1: Okayna take a shot. Gonna take a shot. Shot. Man.

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Speaker 1: By the way, everybody this is being allowed. Excuse me.

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Speaker 1: Someone that's the best are covering it on the bed. Listen,

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Speaker 1: we heard you to kill a guy, so we got you.

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Speaker 1: We got you. The pup Daddy delhi On he personally

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Speaker 1: sent this for you. Pup Daddy told him he was

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Speaker 1: interview and tell me that that's that's the sweeter God,

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Speaker 1: sweeter God. He personally, I said, he said, head to it,

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Speaker 1: and I said, he asked for Don Julio. He said, well,

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Speaker 1: you know what, we gotta send him this. So we're

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Speaker 1: gonna have this shot that you pulled and then we're

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Speaker 1: gonna take a shot at that because pump Daddy's that's right.

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Speaker 1: It's a little god. Dammit, No baby, Who was who

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Speaker 1: was your what was your What was a movie role

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Speaker 1: that you wanted and you didn't get? Because I'm gonna

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Speaker 1: tell your minds you took it from me. Okay, wait,

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Speaker 1: huh the movie called The Saint of What Was at

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Speaker 1: Fort Washington or something like that, and uh it was

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Speaker 1: Danny Glover who was in it. And uh, this brother

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Speaker 1: named rick A Villez who was Willie from ghosts. Okay, okay, okay,

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Speaker 1: And that was that one part I didn't get and

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Speaker 1: I really doug the part. But you know what, man,

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Speaker 1: I took it with a great and soul. My my

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Speaker 1: philosophy has always been, you know, paper, you didn't get this,

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Speaker 1: that something else coming down the hide. You know, that

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Speaker 1: was always my added to you know what I mean,

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Speaker 1: that's yeah, man, you know so I didn't get that.

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Speaker 1: I got for Chunk so much time. I'm gonna tell

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Speaker 1: you a funny story. Okay, these people from HBO they

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Speaker 1: called me. They're like, yo, we want to do this

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Speaker 1: this thing. So I fly up once they're like, yo,

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Speaker 1: I think you got it. Then I fly over again,

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Speaker 1: and then I think I got it. And then I'm

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Speaker 1: like the third time and they're like, yo, you almost

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Speaker 1: got it. We just gotta have one more person read.

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Speaker 1: So I was like, all right, cool. I flew back

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Speaker 1: wherever I was at and I called Valley. I was

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Speaker 1: still on Valley at the time, so I was still

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Speaker 1: living in New York, but I was I was out

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Speaker 1: of town recording the album, so I was like, I

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Speaker 1: just wanted to know who's the guy that they read it. Um,

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Speaker 1: It's like Louis Goose Mine and that's that road is

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Speaker 1: made in America. As soon as I said your name,

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Speaker 1: I said, they don't have to call me back. I

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Speaker 1: already know. I already know. I didn't get it. You know,

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Speaker 1: I turned it down like three or four time. Oh

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Speaker 1: my god, that's why they only couldkeep turning it down.

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Speaker 1: I tried trying to give it to you. At the

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Speaker 1: end of the day, I needed to freaking travel a mile,

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Speaker 1: so come back and forth. I do, I do. I'm

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Speaker 1: the only I'm the only person that loved to connect

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Speaker 1: on flights. Okay, Like you know, people like to fly straight.

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Speaker 1: I mean men like talking to people. No, no, no,

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Speaker 1: I like to connect, Like instead of going straight to

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Speaker 1: l A, I like to stop in Houston, stopping the ball,

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Speaker 1: you know, speak to a couple of people, tell them

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Speaker 1: about rather connect. I don't. I don't know why. Just

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Speaker 1: tell you know. If we ever traveled, I just be

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Speaker 1: waiting for you right now. Another thing, I just seen

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Speaker 1: you the other day, um with Fat Joe. Not only

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Speaker 1: you guys had a cook off, but you guys was

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Speaker 1: also in the party. Correct. I hung out with Fat

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Speaker 1: Joe for like about a minute and they bailed on me.

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Speaker 1: He should know that. Take time be bailed on me.

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Speaker 1: We're gonna have an issue because because who can win handball?

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Speaker 1: You will fat Joe hu and handball? Who can win handball? Handball? Handball?

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Speaker 1: I spot him, fine, man, because I'm nice and handball, yes,

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Speaker 1: like handball, But go up to the handball covid in

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Speaker 1: the park, man. You know what I say, No, real

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Speaker 1: quarter weekend, a real quarter weekend takes pride in the

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Speaker 1: handball talk. So you have the handball talking his face

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Speaker 1: just now, he was like what he's something else? He

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Speaker 1: was like that ball a backhand, you know what I mean?

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Speaker 1: They only affect that one. That wasn't harder for you

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Speaker 1: being a quarter weeken, let alone a Latino to get

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Speaker 1: into acting. That's a blady the question because like you know,

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Speaker 1: look man, when when I I don't know if you're

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Speaker 1: doning about nee, but like I never intended to be

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Speaker 1: an actor. I was a social worker on the Lord

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Speaker 1: eas Side. I was working young people in the neighborhood.

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Speaker 1: You know That's like when put the Lower east Side

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Speaker 1: and the body Own and the South Polk the Women's Burg,

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Speaker 1: would it looked like a bomb hate the neighborhood identrification.

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Speaker 1: That's at everybody. Soot Rick and pay never say this episode.

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Speaker 1: M fucking good ship? Um what with the coin? It

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Speaker 1: wasn't hard to be right, okay? So um, you know,

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Speaker 1: like I said, my first job with Miami vice my

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Speaker 1: Yami Vicemi vice man, and I was freaking drug deader right.

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Speaker 1: And then the next ship I was a gypsy cab driver.

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Speaker 1: And then my next ship was like a fucking rapists

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Speaker 1: nowhere alleged you know that ship? I know that. But

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Speaker 1: you know, so those were the parts that I was

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Speaker 1: getting in the beginning. But one thing I understood. You know,

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Speaker 1: it's like you gotta in order to build your foundation

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Speaker 1: for what you do. It's like a blackout of time,

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Speaker 1: you know. So um, I just still with it. But

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Speaker 1: I was auspos still being a social worker for like

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Speaker 1: five six years after I got in, you know, after

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Speaker 1: you got in, because because my passion was like working

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Speaker 1: from my neighborhood, working with my people, and you know,

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Speaker 1: the acting thing for me was a hobby. It was

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Speaker 1: a way for me to subsidize my salary. Bro the

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Speaker 1: only reason that they Miami values was like I could

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Speaker 1: buy a youth car sucking draft to art your beach

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Speaker 1: on the weekend. I didn't think remember that, you know,

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Speaker 1: everybody know who the hell? Yeah, I've never been to

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Speaker 1: Art your beach there having to take the train of

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Speaker 1: the lot are gonna run. I've never called it your beach.

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Speaker 1: I also called beach right, Okay, I'm sorry, I could

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Speaker 1: I could understand that. Are you saying a different name

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Speaker 1: for it? But that's okay, okay, you know but anyway,

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Speaker 1: you know, so, so I used to get all these

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Speaker 1: roads and stuff like that, and basically I just said,

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Speaker 1: you know, I'm going to keep at this to one thing,

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Speaker 1: we'll lead to another, will lead another. You know. I

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Speaker 1: was still like doing the gang throw you know this

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Speaker 1: and all that. But uh, little by little things started

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Speaker 1: kind of flipping a little bit, you know, and did

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Speaker 1: a movie called Q and A with Nick No T

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Speaker 1: was sitting in the mad movie I got. I got

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Speaker 1: to play the detective. It was the first time I

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Speaker 1: did a movie from beginning to end, you know, and

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Speaker 1: that was like, I don't know, navvy Navvy was it?

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Speaker 1: I think? Okay, God bless you, you know, so, like

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Speaker 1: I said, you know, I did that role. And then

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Speaker 1: soon after that was when I landed for Changa and

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Speaker 1: then I kept going and going and stuff and then, um,

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Speaker 1: now would you say, I think house of bugging? Would

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Speaker 1: you say, because I don't want to get back to

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Speaker 1: the Latino part, but would you say Pachanga was your

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Speaker 1: breakout role? That was the role to break you out?

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Speaker 1: You know, I would have to say it was very

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Speaker 1: popular role for me. I don't think necessietly was my

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Speaker 1: breakout role because it just happened to have been a

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Speaker 1: big piece of my foundation. Definitely, Um, because you know,

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Speaker 1: it's a funny business. When I first thought out, I

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Speaker 1: used to see guys that were really coming out, but

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Speaker 1: as the whole ship, you know, and some of those

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Speaker 1: guys died and some of those those guys just fiddled out,

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Speaker 1: you know. But my whole thing, like I said, for me,

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Speaker 1: the importance of what I was already doing, showing up,

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Speaker 1: you know what, I wanted to always make my contribution,

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Speaker 1: you know. But the biggest uh lesson that I learned

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Speaker 1: was being humble, you know, being humble to everybody, Being

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Speaker 1: humble to everybody that I worked with, being humble to you,

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Speaker 1: to you, to you, to you, because I know that

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Speaker 1: that that's my true side. That's WoT. Yeah, you know,

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Speaker 1: and I used to see people and it's like, are

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Speaker 1: you fucking kidding me? She threw a fucking fit because

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Speaker 1: she didn't have sucking Avian and her friend and now

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Speaker 1: she can't her work and she wants to go home. Yo,

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Speaker 1: that's not being about the work, because you feel blessed.

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Speaker 1: You feel blessed to be every day. Every day, I

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Speaker 1: feel blessed that I'm to be here with you guys.

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Speaker 1: Let's make some noise so that I didn't want to

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Speaker 1: get back to the Latino actors, right, but for now?

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Speaker 1: So now you got you got you probably like the

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Speaker 1: most historic when I when I mentioned this because called

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Speaker 1: those way the original one you was in there, but

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Speaker 1: then a twist, game boy, you in part too you're

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Speaker 1: not but you're parted too, but people don't proceed part

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Speaker 1: two the same way. How did you feel? Like? How

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Speaker 1: did you feel about that? You know? Um, I found

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Speaker 1: it like really I understood what they were doing is

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Speaker 1: he was the only one from part one in part two? Correct? Okay? Cool?

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Speaker 1: So you time two is like before you know, that

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Speaker 1: was before I questioned that hold up, man, hold on,

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Speaker 1: hold up, I'm put your guy right and this work?

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Speaker 1: So who did do is that? Oh? Somebody related to

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Speaker 1: put your that almost looks like but you. So we

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Speaker 1: can definitely do it and get over and make it work,

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Speaker 1: because I mean, coming back, who doesn't have somebody in

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Speaker 1: that family that have the same that might be like

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Speaker 1: even like one of the two generations removed from you.

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Speaker 1: But it's like, yo, he got my fucking instinct to

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Speaker 1: have some of my characters. You got some of my

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Speaker 1: like habits and ship you know, So okay, I combiny that.

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Speaker 1: So what's the difference from working with opportune or them

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Speaker 1: pop Daddy? Okay? Um, not in day exactly, so you

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Speaker 1: know already day because because I mean, you know al Pacino,

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Speaker 1: you know he's an iconic actor? Is he a method actor?

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Speaker 1: I couldn't even tell you that, you know, I just

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Speaker 1: know that when he does his thing, he's focused. I mean,

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Speaker 1: I don't really concern myself whether your method or not.

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Speaker 1: You know, when I hear action, it's like the balls

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Speaker 1: in the court. Let's come, let's make this reel and

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Speaker 1: have a conversation, all right. You know. Um as far

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Speaker 1: as puff Daddy goes, you know, um, it's a hobby

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Speaker 1: for him, you know. For how it's it's like you know,

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Speaker 1: and not to say a hobby can't be at heart.

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Speaker 1: It's like a little big difference. Now you're not a

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Speaker 1: method actor. Huh you know what I meant that? You know,

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Speaker 1: I just show up, just show up, I just show up.

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Speaker 1: You just that talented. Well, I'll be honest with you.

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Speaker 1: I mean, look, I study, I study, I study, I study.

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Speaker 1: What is it that's before me? Like right now I'm

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Speaker 1: doing the show it's called Cold Black, and I play

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Speaker 1: a trauma nurse for trauma center. And I happened to

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Speaker 1: be the senior nerves on the floor. You know, So

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Speaker 1: I care about people. I trained people. I run the

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Speaker 1: trauma center. When you do ang like that, I mean

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Speaker 1: I get real medical training. Wow, you know I've gone

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Speaker 1: to actual trauma center. I've seen people get the life saying.

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Speaker 1: I've seen people die, you know, I've seen people get

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Speaker 1: stabilized to get them up to surgery. And so I

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Speaker 1: do the show, and so I see all these things,

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Speaker 1: and so I learned a lot. So in order because

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Speaker 1: it wanted to be a social work. God, I understand

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Speaker 1: you have to have um some type of education and correct. Yes,

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Speaker 1: what do you think you learned more? In life? You

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Speaker 1: learn more and studying roles and being an actor, or

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Speaker 1: you learn more in school, you think, Man, I learned

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Speaker 1: more in life, you know, you know, not not school,

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Speaker 1: not acting in life. Man, Because I grew up on

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Speaker 1: newis Side in New York City, was like this is

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Speaker 1: my brother, like a thank you. You know, I've seen

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Speaker 1: I've seen the good and the band and the ugly

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Speaker 1: of our neighborhood. You know, um when the academic hits,

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Speaker 1: it hit the lower side and then the other neighborhood

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Speaker 1: in New York City. I talked about age Hi b oh,

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Speaker 1: I mean it fine, as fine as cocaine and crack

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Speaker 1: and heroin. You know that's that. Everybody knew that, you know.

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Speaker 1: But but like I said, you know, you grow up

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Speaker 1: and you see all these things and you I use everything.

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Speaker 1: My life is my reference. You know what I'm saying.

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Speaker 1: We're doing this right now. Next week I'll get the

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Speaker 1: script to be doing that. Don't get mad at me,

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Speaker 1: you know what I'm saying. So from this experience, I go, okay,

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Speaker 1: I tow how you handle it? So okay? You know,

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Speaker 1: And because I want again it's always wanting to be honest,

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Speaker 1: always finding the truth from what you do. You know,

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00:20:27,720 --> 00:20:29,480
Speaker 1: damn have some deep words. Go there. We're gonna make

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00:20:29,520 --> 00:20:33,359
Speaker 1: some noise and it shot. Time's shot time. What do

337
00:20:33,480 --> 00:20:35,600
Speaker 1: we take? So you told me? You told me? Okay,

338
00:20:35,600 --> 00:20:38,320
Speaker 1: which one? Which one? They both pump daddies. You can

339
00:20:38,359 --> 00:20:40,160
Speaker 1: take whatever on one, but this, this is the killer.

340
00:20:40,200 --> 00:20:42,080
Speaker 1: We could put ice in there for you too, so

341
00:20:42,400 --> 00:20:45,160
Speaker 1: it could be like chill to killer. You know, I'm good.

342
00:20:45,320 --> 00:20:54,560
Speaker 1: You just meaning to eat Salado's send in for that.

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00:20:54,720 --> 00:20:56,520
Speaker 1: That's supposed to be the Yeah, that's supposed to be

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00:20:56,520 --> 00:20:58,879
Speaker 1: like the most little more expensive one. That's supposed to

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00:20:58,920 --> 00:21:00,760
Speaker 1: be like the recul one. You coulda both bottles though,

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00:21:00,800 --> 00:21:02,359
Speaker 1: by the way, Okay, so you just want to take

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00:21:02,400 --> 00:21:07,439
Speaker 1: a shot with you of this, Okay, okay bottles people here,

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00:21:07,520 --> 00:21:09,480
Speaker 1: give me give me another cup, brother, because I'm gonna

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Speaker 1: take a shot of this. This is something cool out

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Speaker 1: now that pay? I mean, all right here we go. Okay, look, look,

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Speaker 1: oh I gotta I got a big shot. Come on,

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00:21:22,640 --> 00:21:26,040
Speaker 1: this is your birthday, y'all. Lovell got your birthday? That

353
00:21:29,119 --> 00:21:34,560
Speaker 1: if that who you guys have some of this? I

354
00:21:34,560 --> 00:21:38,920
Speaker 1: gotta relax that this is exclusive. Listen, this is the

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Speaker 1: Louis Guel's mom for always being the best representatives tative

356
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Speaker 1: on for Porter Weekend. People, you are so many people

357
00:21:47,240 --> 00:21:49,919
Speaker 1: that sit back and just watch you and admire you,

358
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Speaker 1: admire your humbleness of my house. You in every movie

359
00:21:52,760 --> 00:21:55,480
Speaker 1: of Maya, I could tell that you're you're a guy

360
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Speaker 1: who's into the craft because you're into everything I could

361
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Speaker 1: tell and we just want to admire that. Who want

362
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Speaker 1: to respect you? I want to say that you make

363
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Speaker 1: us proud every day. Goddamn it. Okay, go down there.

364
00:22:16,000 --> 00:22:19,960
Speaker 1: That's not to smooth, dude. That's pretty cool, bro. And

365
00:22:21,560 --> 00:22:24,720
Speaker 1: this because we're alcoholics here, so we need to break

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Speaker 1: it down. If we take a shot, you hear the

367
00:22:26,560 --> 00:22:30,400
Speaker 1: orange pill? What is is that? Is that like a

368
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Speaker 1: cheek cold when no cheat code? And this is what

369
00:22:34,400 --> 00:22:37,800
Speaker 1: I learned. You know how we used to do shots

370
00:22:38,480 --> 00:22:41,439
Speaker 1: and put the and then the lemon and you do

371
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Speaker 1: that ship. You know why people did that? That was

372
00:22:43,280 --> 00:22:48,439
Speaker 1: the gringos. That ship. The ingles got us again because

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00:22:50,400 --> 00:22:56,000
Speaker 1: drink bad so they can't taste. So they was like,

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Speaker 1: do that ship and it's like, so everybody doing this.

375
00:23:00,200 --> 00:23:02,399
Speaker 1: So when I learned when you drink good tech healing

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00:23:03,160 --> 00:23:09,680
Speaker 1: you and you highlight the taste. R Okay, now, when

377
00:23:09,720 --> 00:23:11,760
Speaker 1: we went to the looking store to get your dog, Julio.

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00:23:11,840 --> 00:23:14,360
Speaker 1: It was a different dog, Julio. It was a seventy.

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00:23:14,560 --> 00:23:17,280
Speaker 1: But I made that mistake before and I bought somebody

380
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Speaker 1: like that more expensive version, and it was like, I

381
00:23:19,800 --> 00:23:22,080
Speaker 1: don't drink that. I drink the cheat one. So that's so,

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Speaker 1: is there a difference or no in the Don Julios,

383
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Speaker 1: you like the seventy one or you like this one.

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00:23:28,480 --> 00:23:31,240
Speaker 1: I like the fourteen ninety two because it's really nice

385
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Speaker 1: and smooth. That I mean, the nthing for you too,

386
00:23:35,000 --> 00:23:40,240
Speaker 1: that's the that's that's Don Julio's. We would have got you.

387
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Speaker 1: I mean, I just told me, pop down the budget.

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Speaker 1: That was a nice I said, seventy one. But you

389
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Speaker 1: know what happened One time I had a guess and

390
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Speaker 1: they asked for Hennessy and I brought to the expensive

391
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Speaker 1: Hennessy and it was like what I like the chief

392
00:24:01,040 --> 00:24:05,600
Speaker 1: Ship and I'm like, everybody three bottles? Yeah, yeah, yeah,

393
00:24:05,760 --> 00:24:12,679
Speaker 1: relax what now? Like we were saying earlier, um, do

394
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Speaker 1: you think that your first roles, like, you know, being

395
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Speaker 1: that you were playing latinos were it was it was

396
00:24:19,800 --> 00:24:21,800
Speaker 1: just that like you were just gonna play latinos. You

397
00:24:22,040 --> 00:24:25,840
Speaker 1: ever thought, Well, it wasn't really until I did The

398
00:24:25,920 --> 00:24:31,919
Speaker 1: Bone Collector, you know, because when that role was originally written,

399
00:24:32,760 --> 00:24:37,360
Speaker 1: it had it had it had a did last name,

400
00:24:38,400 --> 00:24:41,800
Speaker 1: you know, and you kind of play the gringo because

401
00:24:42,480 --> 00:24:45,080
Speaker 1: what was your name in that movie, Eddie Torres. Oh no,

402
00:24:45,080 --> 00:24:50,320
Speaker 1: no it was not grand It wasn't It wasn't Eddie s.

403
00:24:53,320 --> 00:24:55,760
Speaker 1: But you know, the producer just thought it would be

404
00:24:55,880 --> 00:24:57,880
Speaker 1: the good idea and they gave me a shot at it,

405
00:24:58,400 --> 00:25:01,360
Speaker 1: and I did it and would think pretty much, yeah,

406
00:25:01,400 --> 00:25:04,280
Speaker 1: thank you. And so from that point, do you know,

407
00:25:04,520 --> 00:25:06,800
Speaker 1: I think got a little more mixed up. I mean

408
00:25:07,359 --> 00:25:09,280
Speaker 1: I did. I did this movie called The Count de

409
00:25:09,359 --> 00:25:12,440
Speaker 1: Monte Gristo and like, who would I have a guest man?

410
00:25:12,680 --> 00:25:16,840
Speaker 1: You know, um, the only period piece movie that I've

411
00:25:16,840 --> 00:25:20,919
Speaker 1: ever done. It was beautiful. I shot it in Ireland

412
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Speaker 1: and Molten, the Mediterranean, and like it's like, you know, okay,

413
00:25:25,320 --> 00:25:30,560
Speaker 1: cool now, body quas in Paris, Puerto Rican, the Paris

414
00:25:30,520 --> 00:25:36,680
Speaker 1: Puertoricans in past the same that's too. I'm in there.

415
00:25:37,800 --> 00:25:39,560
Speaker 1: I'm in that just gave you far too. So how

416
00:25:39,560 --> 00:25:43,640
Speaker 1: did you guys come up with this idea? My my, my,

417
00:25:43,359 --> 00:25:47,479
Speaker 1: my good brother Eddie gard fear he had. He had

418
00:25:47,480 --> 00:25:51,480
Speaker 1: a friend and uh, you know, you come up with

419
00:25:51,480 --> 00:25:55,600
Speaker 1: a movie and I'll fund it, you know. So I

420
00:25:55,680 --> 00:25:58,560
Speaker 1: turned to my boy Ian and we turned to our

421
00:25:58,640 --> 00:26:02,359
Speaker 1: friend and man and uh we say, you know, we

422
00:26:02,480 --> 00:26:05,960
Speaker 1: got some money on the table. If you read this movie,

423
00:26:06,040 --> 00:26:08,359
Speaker 1: we can get it done. So Ian wrote the movie.

424
00:26:09,280 --> 00:26:12,240
Speaker 1: We gotta find as you know, we had the money

425
00:26:12,280 --> 00:26:16,040
Speaker 1: even before we had the squad. And my boy Ian,

426
00:26:16,119 --> 00:26:19,280
Speaker 1: who was the guy that created how to make it

427
00:26:19,320 --> 00:26:22,880
Speaker 1: in America, he wrote it, he directed it. We put

428
00:26:22,920 --> 00:26:26,760
Speaker 1: a producer, a producing team together and we shot the

429
00:26:26,800 --> 00:26:30,000
Speaker 1: movie in Prague, Paris, in New York, you know. And

430
00:26:31,080 --> 00:26:33,080
Speaker 1: you know it was a label love man. You know,

431
00:26:33,320 --> 00:26:36,280
Speaker 1: it was a beautiful movie. We have fun doing it.

432
00:26:36,280 --> 00:26:41,360
Speaker 1: It was cool. Now are you gonna have a direct yourself? Um?

433
00:26:41,400 --> 00:26:46,000
Speaker 1: You know I've been asked that many times and I

434
00:26:46,040 --> 00:26:50,639
Speaker 1: did direct this one little thing for friends. And you know,

435
00:26:50,760 --> 00:26:53,600
Speaker 1: direct thing is you really got to be ready for

436
00:26:53,680 --> 00:26:57,040
Speaker 1: it because you gotta understand it as a director. And

437
00:26:57,119 --> 00:26:59,359
Speaker 1: I've seen this man from the moment you get there

438
00:27:00,119 --> 00:27:02,919
Speaker 1: to the moment you leave. Your mind is like always thinking,

439
00:27:03,040 --> 00:27:06,520
Speaker 1: you know, especially when you're first starting out, because there's

440
00:27:06,560 --> 00:27:09,919
Speaker 1: so many things that you have to look at, you know,

441
00:27:10,000 --> 00:27:13,439
Speaker 1: and overlooking and check a number and triple check you know.

442
00:27:13,560 --> 00:27:16,359
Speaker 1: So it's a lot of freaking mental work. And I

443
00:27:16,440 --> 00:27:17,960
Speaker 1: did this thing, bro, and I can tell you I

444
00:27:18,040 --> 00:27:20,120
Speaker 1: used to get home and the angle stade them back. Man,

445
00:27:20,680 --> 00:27:23,520
Speaker 1: I'm like old man because I'm not I'm not ready

446
00:27:23,560 --> 00:27:27,639
Speaker 1: to do that yet direct you know, but I mean

447
00:27:28,080 --> 00:27:29,760
Speaker 1: pretty much what I would like to do with is

448
00:27:29,880 --> 00:27:35,040
Speaker 1: help produce, you know, and and uh, you know, I'll

449
00:27:35,119 --> 00:27:38,800
Speaker 1: keep doing my thing, have you I'll ever produced something before.

450
00:27:39,520 --> 00:27:44,000
Speaker 1: I'm not indirectly, I mean not indirectly at you, but

451
00:27:44,160 --> 00:27:46,880
Speaker 1: you know that's that's like me just helping my friends,

452
00:27:46,960 --> 00:27:50,280
Speaker 1: you know, giving them tips and advice, and it's, you know,

453
00:27:50,520 --> 00:27:53,400
Speaker 1: let's do it this way. Actually, I have produced one.

454
00:27:53,400 --> 00:27:55,600
Speaker 1: I'm a thing I could do Puerto Rican depart That's

455
00:27:55,640 --> 00:27:59,520
Speaker 1: what makes a North drug feature. Names the credits, I

456
00:27:59,560 --> 00:28:01,640
Speaker 1: knew that. The wait for your critics and say, yeah,

457
00:28:02,119 --> 00:28:05,239
Speaker 1: you enjoy it. Well, I don't try to text now

458
00:28:05,280 --> 00:28:09,760
Speaker 1: I'm getting this movie confused. Are your detectives in that moment? Though? Yeah?

459
00:28:10,040 --> 00:28:12,240
Speaker 1: You're all right? Cool, cool, glad. I didn't get the

460
00:28:12,280 --> 00:28:14,520
Speaker 1: finish watching the whole thing because I'm Puerto Rican. I

461
00:28:14,560 --> 00:28:17,120
Speaker 1: gotta give you a hundred percent. And I was doing

462
00:28:17,160 --> 00:28:19,600
Speaker 1: something bad at that time while I was watching it.

463
00:28:19,800 --> 00:28:23,440
Speaker 1: I'll tell you later. I'm not gonna have You'll tell

464
00:28:23,480 --> 00:28:27,800
Speaker 1: you later. Oh so you come from l e S.

465
00:28:28,480 --> 00:28:32,359
Speaker 1: You you you, you, you got this role. When is

466
00:28:32,400 --> 00:28:35,879
Speaker 1: the moment that you say, this is it? This is

467
00:28:35,920 --> 00:28:37,919
Speaker 1: me now? Because you said you was going back to

468
00:28:37,960 --> 00:28:42,320
Speaker 1: the social what was this social worker? He was going back?

469
00:28:42,360 --> 00:28:44,280
Speaker 1: So when was the moment you said I'm gonna quit

470
00:28:44,760 --> 00:28:47,880
Speaker 1: and this is it? I think it was. It was

471
00:28:48,000 --> 00:28:51,280
Speaker 1: it was like nineteen ninety one because I started in

472
00:28:51,280 --> 00:28:54,720
Speaker 1: in nineteen eighty five, eighty six, and I I just think

473
00:28:54,760 --> 00:28:56,720
Speaker 1: in nine ninety one because I got kind of burnt

474
00:28:56,760 --> 00:28:59,760
Speaker 1: out of being a social worker and ship was becoming

475
00:28:59,760 --> 00:29:03,280
Speaker 1: so freaking buter aucratic, and you know, I just kind

476
00:29:03,280 --> 00:29:05,280
Speaker 1: of feel that I didn't I didn't I did make

477
00:29:06,680 --> 00:29:10,520
Speaker 1: so I got to stop. I feel I did my

478
00:29:10,640 --> 00:29:13,160
Speaker 1: job and to move on. You know, it's a bird

479
00:29:13,200 --> 00:29:15,440
Speaker 1: cudegy me because I'm trying to use it in another sentence,

480
00:29:15,520 --> 00:29:23,120
Speaker 1: like like tomorrow with that bureaucraticuocratic What does that mean?

481
00:29:23,880 --> 00:29:26,640
Speaker 1: Why did I say? No? I'm trying to ask what

482
00:29:26,640 --> 00:29:29,560
Speaker 1: it means I want to use it. You want to

483
00:29:29,560 --> 00:29:35,400
Speaker 1: know what that means? Like people that freaking I want

484
00:29:35,440 --> 00:29:37,760
Speaker 1: to make it like miserable by asking you to make

485
00:29:37,760 --> 00:29:42,720
Speaker 1: out forms and paperwork that I'm not necessary. I definitely

486
00:29:42,720 --> 00:29:45,760
Speaker 1: can't use that word in the sentence. We'll try to

487
00:29:45,920 --> 00:29:50,240
Speaker 1: work on that. Let's take another show. We're gonna say

488
00:29:50,280 --> 00:29:53,040
Speaker 1: you to bureaucracy. You know what I'm forgot to tell

489
00:29:53,080 --> 00:29:57,040
Speaker 1: you what cap is a shot glass? Look this thing that.

490
00:29:57,600 --> 00:30:01,560
Speaker 1: Look at that you say, and it's a shot glass.

491
00:30:01,600 --> 00:30:03,480
Speaker 1: Look at that. And nobody you don't got to touch

492
00:30:03,480 --> 00:30:05,560
Speaker 1: your ship because that's your ship. So nobody else don't

493
00:30:05,560 --> 00:30:07,080
Speaker 1: got to touch your ship. You can be poor right

494
00:30:07,120 --> 00:30:11,240
Speaker 1: in there. That's good. To the web. I was thinking

495
00:30:11,240 --> 00:30:14,320
Speaker 1: that somebody doesn't touch you by ship, and they called, yeah,

496
00:30:14,200 --> 00:30:18,240
Speaker 1: should make a video. No, once you get once it

497
00:30:18,320 --> 00:30:20,840
Speaker 1: goes to the topic, goes web. Watch once it goes

498
00:30:20,880 --> 00:30:26,080
Speaker 1: to the top webpo watch the port bordering the ship

499
00:30:26,160 --> 00:30:30,120
Speaker 1: my fucking mike in there. Yeah, watch watch the web

500
00:30:35,560 --> 00:30:39,160
Speaker 1: because I'm taking to the show. I don't know, give me,

501
00:30:39,240 --> 00:30:42,080
Speaker 1: give me, I'm taking another one. I'm taking another one. Sorry,

502
00:30:42,080 --> 00:30:44,400
Speaker 1: that's right, that's right, that's right. Look at people looking

503
00:30:44,440 --> 00:30:46,800
Speaker 1: like these guys just Hollywood. They got sound Man. Now,

504
00:30:48,120 --> 00:30:51,520
Speaker 1: what's your name? What's your name? Man, Jake Campbell got

505
00:30:51,560 --> 00:30:54,680
Speaker 1: damn it, you got sound Man. And they're white. We're

506
00:30:54,680 --> 00:30:58,320
Speaker 1: blown up. Would have been hating, you know, we're in

507
00:30:58,320 --> 00:31:01,520
Speaker 1: the gun, you know, you know, up job, none of

508
00:31:01,520 --> 00:31:03,840
Speaker 1: again white people. But when they show up, it's like, Okay,

509
00:31:03,880 --> 00:31:09,600
Speaker 1: there's like some significance here, you know what I mean.

510
00:31:12,640 --> 00:31:20,720
Speaker 1: He's like somebody care. It's like it's like they wanted

511
00:31:20,800 --> 00:31:32,360
Speaker 1: to see before me, like this salttle saltle. Here we go. Now,

512
00:31:32,400 --> 00:31:37,200
Speaker 1: actors wise, we have my gaps. We have ice cube,

513
00:31:38,040 --> 00:31:48,000
Speaker 1: iced tea, iced tea, Snoop Dogg. But we DMX. All

514
00:31:48,040 --> 00:31:54,880
Speaker 1: of these guys are actor rappers, can actor rapper, actor comedians,

515
00:31:55,080 --> 00:31:58,840
Speaker 1: actor comedians. Uh, my gaps, my gaps because he's an

516
00:31:58,840 --> 00:32:03,400
Speaker 1: actor slash comedi. Yeah, you are first actor. And you

517
00:32:03,440 --> 00:32:05,760
Speaker 1: know I'm racist because he happens to be Puerto Recant

518
00:32:10,680 --> 00:32:12,520
Speaker 1: because you know I grew up. Oh, this is what

519
00:32:12,560 --> 00:32:15,200
Speaker 1: I wanted to show you since I was a kid.

520
00:32:15,960 --> 00:32:20,880
Speaker 1: Since I was a kid, I always started making uh

521
00:32:21,440 --> 00:32:25,880
Speaker 1: my own movie and that that's my father and I

522
00:32:25,960 --> 00:32:30,360
Speaker 1: always forever I always started that you can play my father.

523
00:32:30,360 --> 00:32:33,200
Speaker 1: I'm gonna show my father's picture around. That's on the

524
00:32:33,200 --> 00:32:35,600
Speaker 1: backup merven front. He got he got, he got gloves,

525
00:32:36,000 --> 00:32:37,880
Speaker 1: he got gloves here and listen. He's a Puerto weecand

526
00:32:37,880 --> 00:32:43,640
Speaker 1: with green eyes, tell tattoos, air rings, and he birthed me.

527
00:32:43,960 --> 00:32:46,440
Speaker 1: And I'm the only um like all my siblings, I'm

528
00:32:46,480 --> 00:32:49,280
Speaker 1: the only dog skinned one and everybody else's lights kiss.

529
00:32:49,320 --> 00:32:51,360
Speaker 1: So like, if you look at me, the super Bowls

530
00:32:51,400 --> 00:32:57,720
Speaker 1: you call them behind Oscar super Bowl you Oscar God

531
00:32:57,840 --> 00:33:00,200
Speaker 1: damn it. You know how much drugs that got used

532
00:33:00,200 --> 00:33:04,160
Speaker 1: to move back in the day fo Bow back in

533
00:33:04,200 --> 00:33:10,479
Speaker 1: the days. He's like, yeah, he's leg man, you got

534
00:33:10,600 --> 00:33:16,040
Speaker 1: passed the po to look ship. Motherfucker just hit me

535
00:33:16,120 --> 00:33:20,200
Speaker 1: with a fantastic message. Get out. So you're on grand

536
00:33:20,320 --> 00:33:25,200
Speaker 1: theft autod no ship. What did you know? Because did

537
00:33:25,280 --> 00:33:27,120
Speaker 1: you know, like like did your kids tell you how

538
00:33:27,200 --> 00:33:30,480
Speaker 1: big that game was or you knew? Well, I I

539
00:33:30,640 --> 00:33:34,080
Speaker 1: meant the owners and one of my boys knew the owner.

540
00:33:34,240 --> 00:33:36,239
Speaker 1: He got some work for you talking rich stalk right there.

541
00:33:36,280 --> 00:33:40,840
Speaker 1: I was like, I was really sk right there. He says, No, relaxed,

542
00:33:43,600 --> 00:33:48,200
Speaker 1: I ain't better me to the place that was Broadway

543
00:33:48,320 --> 00:33:51,560
Speaker 1: right off for Alfond Street. Like they had like two floors, man,

544
00:33:52,400 --> 00:33:55,080
Speaker 1: you know, and one floor was all the gamers, man,

545
00:33:55,480 --> 00:33:59,040
Speaker 1: little drunk kids just playing stuff. And you know, my

546
00:33:59,160 --> 00:34:01,240
Speaker 1: boy me and he welcome back to the to the

547
00:34:01,920 --> 00:34:04,320
Speaker 1: and he's telling me, you know this is you know,

548
00:34:04,720 --> 00:34:07,960
Speaker 1: they make more money than make Paltmount Studio. You know,

549
00:34:08,280 --> 00:34:11,360
Speaker 1: in the first week, they fell like half a billion

550
00:34:11,440 --> 00:34:15,279
Speaker 1: dollars in games, half a billion dollars. Yeah, your boy

551
00:34:15,400 --> 00:34:17,160
Speaker 1: telling you this is a part of the movie company,

552
00:34:17,280 --> 00:34:19,160
Speaker 1: was part of the game company. Your boy, you said,

553
00:34:19,160 --> 00:34:21,640
Speaker 1: he's telling you that he knows the owners. Okay, so

554
00:34:21,800 --> 00:34:24,880
Speaker 1: he's my boy. So he was explained to me how

555
00:34:24,960 --> 00:34:28,920
Speaker 1: it works. So hey, I went in and I did

556
00:34:29,000 --> 00:34:31,120
Speaker 1: this ship. And then so when the game came, I

557
00:34:31,200 --> 00:34:34,000
Speaker 1: don't they stand it to me? And my two boys

558
00:34:34,080 --> 00:34:38,920
Speaker 1: were playing, and uh, I don't play video games. So

559
00:34:39,320 --> 00:34:41,439
Speaker 1: I was just watching them and I was like, oh, Ship,

560
00:34:41,560 --> 00:34:45,080
Speaker 1: I did that. Oh my god, you had already did

561
00:34:45,120 --> 00:34:48,759
Speaker 1: the works by me because I don't do video games,

562
00:34:49,160 --> 00:34:53,319
Speaker 1: you know. So what happened one everybody was down from

563
00:34:53,360 --> 00:34:55,520
Speaker 1: the house and fell ship. You know, because my kids

564
00:34:55,520 --> 00:34:59,719
Speaker 1: would say, oh yeah, probably saw your character. Oh ship,

565
00:35:00,600 --> 00:35:03,319
Speaker 1: So you gotta get to another four or five before.

566
00:35:03,320 --> 00:35:06,440
Speaker 1: I don't know what that means. So I stopped playing

567
00:35:06,760 --> 00:35:10,120
Speaker 1: and like in the first five minutes and I tried

568
00:35:10,200 --> 00:35:18,160
Speaker 1: to carjack a nice Caddy convertible. Okay, these two old

569
00:35:18,280 --> 00:35:22,480
Speaker 1: eighties get out and they got guns and they got umbrella,

570
00:35:24,480 --> 00:35:27,759
Speaker 1: started like punching one out and then no one behind me.

571
00:35:28,600 --> 00:35:31,800
Speaker 1: Me in the fucking head with the umbrella, and like,

572
00:35:32,080 --> 00:35:41,960
Speaker 1: fuck me, I got taken out by two out. Bro.

573
00:35:42,640 --> 00:35:46,520
Speaker 1: That ship was like the most embarrass embarrassing ship. But

574
00:35:46,719 --> 00:35:48,640
Speaker 1: I just go to shot, don't I don't have the

575
00:35:49,719 --> 00:35:56,239
Speaker 1: game set skill? What up? Drink chance army? You all

576
00:35:56,239 --> 00:35:59,279
Speaker 1: ready to eat good? Not all ingredients are created equal. Fresh,

577
00:35:59,360 --> 00:36:02,000
Speaker 1: high quality ingredients make a real difference. So it's important

578
00:36:02,000 --> 00:36:03,560
Speaker 1: to know where your food comes from. And you know,

579
00:36:03,640 --> 00:36:05,560
Speaker 1: we think about me. Man. I love when I wake

580
00:36:05,640 --> 00:36:07,680
Speaker 1: up in the morning and I just look outside my

581
00:36:07,760 --> 00:36:09,799
Speaker 1: door and that blue apron is already there. I get

582
00:36:09,840 --> 00:36:12,600
Speaker 1: my yaktaming pink pine, go and get it hired, and

583
00:36:12,640 --> 00:36:14,400
Speaker 1: then I go get it fired, and then I just

584
00:36:14,480 --> 00:36:16,360
Speaker 1: cook it, cook it, and I snook it and I

585
00:36:16,480 --> 00:36:18,400
Speaker 1: cook it. You know what I mean? Blue apron is

586
00:36:18,480 --> 00:36:20,920
Speaker 1: the truth for less than ten dollars per person per meal.

587
00:36:21,200 --> 00:36:25,040
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588
00:36:25,080 --> 00:36:28,320
Speaker 1: make delicious home cook meal call that cost effective. Choose

589
00:36:28,320 --> 00:36:30,279
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590
00:36:30,320 --> 00:36:33,440
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591
00:36:33,480 --> 00:36:36,080
Speaker 1: within a year, so you'll never get bored. I always

592
00:36:36,120 --> 00:36:38,120
Speaker 1: picked my recipes because I don't want them to semipol

593
00:36:38,440 --> 00:36:41,239
Speaker 1: customize your recipes each week based on your preferences. Blue

594
00:36:41,239 --> 00:36:43,439
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595
00:36:43,480 --> 00:36:46,040
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596
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597
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598
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599
00:36:54,080 --> 00:36:56,680
Speaker 1: can be prepared in forty minutes or less. Even I

600
00:36:56,800 --> 00:36:59,600
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601
00:36:59,680 --> 00:37:04,319
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602
00:37:04,360 --> 00:37:06,879
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603
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604
00:37:10,200 --> 00:37:14,000
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605
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606
00:37:16,800 --> 00:37:19,360
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607
00:37:19,480 --> 00:37:22,239
Speaker 1: do it now, y'all, y'all, let's go drink Champs Army.

608
00:37:23,480 --> 00:37:27,000
Speaker 1: Welcome to Play, a new podcast network featuring radio and

609
00:37:27,080 --> 00:37:31,640
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

610
00:37:31,719 --> 00:37:36,120
Speaker 1: it at play dot It. We're back to Drink Champs

611
00:37:36,280 --> 00:37:43,480
Speaker 1: Radio with Rapper and R and d J. Then let's play.

612
00:37:43,880 --> 00:37:45,719
Speaker 1: He liked the best out of all the movies you

613
00:37:45,800 --> 00:37:57,200
Speaker 1: have played, because he said that wasn't English and was sorry.

614
00:37:57,760 --> 00:38:01,920
Speaker 1: We're about to get the official versions. So what was?

615
00:38:02,120 --> 00:38:07,520
Speaker 1: Who was your favorite? Your favorite? Where you was like, damn,

616
00:38:07,840 --> 00:38:14,920
Speaker 1: I fucking glad I did that. Um, I'm very fortunate brother. Heck,

617
00:38:15,040 --> 00:38:18,520
Speaker 1: I gotta talking about tons of flu bro. So let's

618
00:38:18,680 --> 00:38:21,280
Speaker 1: let's freak it that. Okay, let's go. We got tired.

619
00:38:22,160 --> 00:38:26,080
Speaker 1: I'll say my number one was definitely. Hold on, let's

620
00:38:26,080 --> 00:38:30,600
Speaker 1: make some look for a talk. I still feel like

621
00:38:30,600 --> 00:38:32,719
Speaker 1: you're gonna want me to the train station right now here.

622
00:38:32,800 --> 00:38:38,719
Speaker 1: Me go on and I'll get you that. Uh my

623
00:38:38,880 --> 00:38:48,200
Speaker 1: rolling Boogie Nights had that. Okay, my rolling traffic, rolling

624
00:38:48,280 --> 00:38:56,239
Speaker 1: out of sight? Okay. The Country, The biggest flap in

625
00:38:56,320 --> 00:39:02,040
Speaker 1: the world, Plute on that character that I did. What else? Magnolia,

626
00:39:02,960 --> 00:39:08,400
Speaker 1: The Limy Punch, Drunk Love, Journey to the Mysterious Highland,

627
00:39:09,400 --> 00:39:13,600
Speaker 1: Monday Morris, which is incredible Puerto Rican movie done in

628
00:39:13,640 --> 00:39:19,120
Speaker 1: Puerto Rico and Puerto Rican in Paris. The Bone Collector,

629
00:39:19,280 --> 00:39:23,160
Speaker 1: Oh my god, can I stop myself because you crack?

630
00:39:23,320 --> 00:39:26,319
Speaker 1: John doesn't really wanted much of a role. It wasn't

631
00:39:26,320 --> 00:39:29,239
Speaker 1: more of an experience. Now when you're hooding, if you're

632
00:39:29,280 --> 00:39:33,919
Speaker 1: in there, you're in there, You're in there. They took

633
00:39:35,480 --> 00:39:37,960
Speaker 1: to what he was in keeping New York. So sorry

634
00:39:38,120 --> 00:39:43,640
Speaker 1: my back. Now do you remember me from Ghosts? From

635
00:39:43,719 --> 00:39:48,800
Speaker 1: ghost with a Bitch there was they were doing? Remember

636
00:39:48,840 --> 00:39:52,800
Speaker 1: me from that use the robber? U was the robber?

637
00:39:53,000 --> 00:39:59,640
Speaker 1: Roused the robber? Y? Do you want to stick up time?

638
00:40:02,840 --> 00:40:05,880
Speaker 1: Do you remember that? Yes? I do remember, so let

639
00:40:05,920 --> 00:40:08,560
Speaker 1: me break it to you. Break it down. It wasn't

640
00:40:08,640 --> 00:40:13,880
Speaker 1: me what, No, sir, It was your ghost. No, it

641
00:40:14,040 --> 00:40:17,960
Speaker 1: was my boy Rick Avinez who used to hold showtime

642
00:40:18,000 --> 00:40:22,480
Speaker 1: of the Apollo you know. So the reason I bring

643
00:40:22,600 --> 00:40:25,640
Speaker 1: that up, everybody and the mother told that. They think

644
00:40:25,719 --> 00:40:28,480
Speaker 1: I'm that guy who goes so if I got a

645
00:40:28,600 --> 00:40:32,560
Speaker 1: nickel for that, I probably owned this studio and back

646
00:40:32,640 --> 00:40:37,440
Speaker 1: everybody in this from with Tesla. Okay, someone runs through

647
00:40:37,440 --> 00:40:40,160
Speaker 1: a couple of movies, Okay, and you tell me, okay,

648
00:40:40,200 --> 00:40:44,839
Speaker 1: Boogie Nights were already a statsa bom Pelham one two three, Yeah,

649
00:40:45,280 --> 00:40:49,320
Speaker 1: Denzel Volta, you got mad movies with Denzel. I have

650
00:40:49,400 --> 00:40:51,840
Speaker 1: to stop right there because a lot of people nobody

651
00:40:51,840 --> 00:40:54,640
Speaker 1: in this room. No Denzel. I met him one time

652
00:40:54,800 --> 00:41:01,400
Speaker 1: in my mind right place and was around on Malcolm

653
00:41:01,560 --> 00:41:05,240
Speaker 1: X time and he asked me to smoke, and I said, relax,

654
00:41:05,800 --> 00:41:07,920
Speaker 1: but this is all in my mind. Okay, okay, but

655
00:41:08,080 --> 00:41:10,920
Speaker 1: how did you two movies? How many movies you worked on?

656
00:41:11,640 --> 00:41:15,839
Speaker 1: Um with those two? Just those two? Yeah, but I've

657
00:41:15,880 --> 00:41:19,000
Speaker 1: worked more with him in the Boat Collector and I

658
00:41:19,160 --> 00:41:24,719
Speaker 1: didn't taking other fellows with Mr pretty relaxed on say

659
00:41:24,760 --> 00:41:27,600
Speaker 1: on this we never spoke about this Zel and this

660
00:41:27,719 --> 00:41:31,160
Speaker 1: podcast at all. So is he like he reminds you

661
00:41:31,239 --> 00:41:34,280
Speaker 1: of Opporcino sleeper style or he's he's you know, everybody

662
00:41:34,360 --> 00:41:38,120
Speaker 1: has a different style, you know, everybody everybody does that

663
00:41:38,280 --> 00:41:42,080
Speaker 1: craft differently. You know, I don't. I don't compare one

664
00:41:42,160 --> 00:41:46,440
Speaker 1: to the other. So Dog you know, it's like, how

665
00:41:46,600 --> 00:41:48,920
Speaker 1: was it working with him? And then working with was

666
00:41:49,280 --> 00:41:52,319
Speaker 1: was incredible? Bro. He did this one theme one time

667
00:41:53,120 --> 00:41:56,799
Speaker 1: and it was like, I'm I'm watching a guy who

668
00:41:57,480 --> 00:42:02,000
Speaker 1: can't get up and walk, you know, because my bone collector,

669
00:42:02,400 --> 00:42:05,440
Speaker 1: you can't get up and walk. And he did that.

670
00:42:05,680 --> 00:42:08,080
Speaker 1: He did just wanted seeing so incredible and I was like,

671
00:42:08,640 --> 00:42:11,680
Speaker 1: I was like frozen because we tooked about the scene

672
00:42:11,719 --> 00:42:13,640
Speaker 1: where you come and you pull the ship out and

673
00:42:13,719 --> 00:42:16,200
Speaker 1: you start going through the ship. He wants to try

674
00:42:16,239 --> 00:42:18,960
Speaker 1: to get out of bed and he stops crying, and

675
00:42:19,080 --> 00:42:23,120
Speaker 1: it's like I was frozen and all something like I said, oh, shift, lookok,

676
00:42:23,120 --> 00:42:25,840
Speaker 1: you gotta line. You gotta do a line because you

677
00:42:25,880 --> 00:42:30,400
Speaker 1: don't want to waste an incredible moment and someone's you know,

678
00:42:30,840 --> 00:42:36,279
Speaker 1: craft performance, you know, so um then that heard his

679
00:42:36,400 --> 00:42:38,759
Speaker 1: moments that to me at an act that he was

680
00:42:38,880 --> 00:42:42,759
Speaker 1: memorizing and and and far being able to work and

681
00:42:42,880 --> 00:42:45,680
Speaker 1: see that and feel that and experience that in the

682
00:42:45,840 --> 00:42:49,560
Speaker 1: same space were in the same mayor sucking incredible. But

683
00:42:49,680 --> 00:42:51,840
Speaker 1: did you knew he's supposed to be like this Oscar

684
00:42:52,080 --> 00:42:54,360
Speaker 1: when an actor then? Did you know that then? Or

685
00:42:54,440 --> 00:42:57,520
Speaker 1: you you figured he's okay? He might make it, but

686
00:42:58,200 --> 00:43:00,440
Speaker 1: you know, I never even think that way, man, Like

687
00:43:00,680 --> 00:43:02,960
Speaker 1: like I just think of everybody as you know, the artists,

688
00:43:03,760 --> 00:43:05,399
Speaker 1: you know what I mean. I know when I walk

689
00:43:05,440 --> 00:43:09,640
Speaker 1: into a room, like you know what everybody's status saying,

690
00:43:09,719 --> 00:43:14,080
Speaker 1: whether they won awards or not. You know, my whole

691
00:43:14,120 --> 00:43:17,200
Speaker 1: thing is that once a year action. Like I said,

692
00:43:17,200 --> 00:43:20,719
Speaker 1: everything is, it's on the level. Whatever you give me,

693
00:43:20,920 --> 00:43:23,879
Speaker 1: I'll give you back. Whatever give you, You're gonna get

694
00:43:23,920 --> 00:43:27,319
Speaker 1: me back. You know that's that to me, my heart.

695
00:43:27,960 --> 00:43:30,479
Speaker 1: You know that that I don't think that I'm working

696
00:43:30,520 --> 00:43:33,920
Speaker 1: with Oppucino and working with Oppucino right now. This guy

697
00:43:34,080 --> 00:43:36,680
Speaker 1: named Freddie and he got issues and that's what I

698
00:43:36,760 --> 00:43:41,480
Speaker 1: gotta deal with. God damn, everybody, we gotta it's the

699
00:43:41,560 --> 00:43:45,800
Speaker 1: Portugal Day Parade makes some goddamn damn. Someone throw some

700
00:43:45,880 --> 00:43:49,560
Speaker 1: bone movies out there to you real quick, comboy, No,

701
00:43:49,640 --> 00:43:53,279
Speaker 1: I'm gonna throw some more movies out there, Okay, anger management,

702
00:43:53,560 --> 00:43:59,480
Speaker 1: Yeah you didn't mention that earlier. Okay, anger man? What

703
00:43:59,600 --> 00:44:04,480
Speaker 1: about Tom to tell? Well, you know I work with

704
00:44:04,560 --> 00:44:08,240
Speaker 1: Adam Sander. I think I've done four movies. Haddam Saily.

705
00:44:08,239 --> 00:44:12,839
Speaker 1: He's a good friend, truly a good friend. And when

706
00:44:13,160 --> 00:44:15,560
Speaker 1: when he asked me to do Anger Management, we had

707
00:44:15,600 --> 00:44:19,480
Speaker 1: already worked on the movie called Punch Drunk Love and

708
00:44:19,600 --> 00:44:23,520
Speaker 1: Adam Sandler Paul Thomas Anderson wrote that, and Paul Thomas

709
00:44:23,560 --> 00:44:28,040
Speaker 1: Anderson wrote Bookie Knights and Magnolia and Punch Drunk Love.

710
00:44:28,160 --> 00:44:32,799
Speaker 1: And if people don't know, Adam sand was dominated from

711
00:44:32,800 --> 00:44:36,360
Speaker 1: Academy Award for his row Punch Trunk Love. So anyway,

712
00:44:36,680 --> 00:44:38,799
Speaker 1: he called me up right after that that he would

713
00:44:38,840 --> 00:44:42,600
Speaker 1: work in this movie call Hanging Management. And I read

714
00:44:42,640 --> 00:44:47,440
Speaker 1: this script and basically, um, I was given the liberty

715
00:44:47,560 --> 00:44:52,920
Speaker 1: to create this character. You know. So my role in

716
00:44:53,040 --> 00:44:57,239
Speaker 1: that movie was a very flat boyant dude. You know,

717
00:44:57,719 --> 00:45:01,120
Speaker 1: I had corn roll done. I kicked my ass every

718
00:45:01,960 --> 00:45:04,000
Speaker 1: day because I never had cold little and should be

719
00:45:04,120 --> 00:45:08,320
Speaker 1: sucking hurt. And and then there mustache that was like

720
00:45:08,400 --> 00:45:13,720
Speaker 1: a question mark. You know. Um, when you're artists, you create.

721
00:45:13,880 --> 00:45:17,160
Speaker 1: That's what I did, you know. And I based that

722
00:45:17,440 --> 00:45:20,759
Speaker 1: character and this dude that I knew from the neighborhood,

723
00:45:21,440 --> 00:45:22,880
Speaker 1: you know, and I grew up with us who was

724
00:45:23,000 --> 00:45:27,040
Speaker 1: very flamboyant, but I always dressed him sharp. But you know,

725
00:45:27,320 --> 00:45:30,320
Speaker 1: he he had a very feminine type of voice, but

726
00:45:31,160 --> 00:45:34,359
Speaker 1: he could any fucking do that any day of the week.

727
00:45:35,000 --> 00:45:38,600
Speaker 1: So that's how that role came about. But what was

728
00:45:38,640 --> 00:45:41,680
Speaker 1: your question about that? Row? No, that's what I wanted.

729
00:45:41,719 --> 00:45:45,480
Speaker 1: I wanted to I wanted to, uh to clarify that. Okay,

730
00:45:45,560 --> 00:45:52,000
Speaker 1: now why I wanted to relax? What's going on? You know?

731
00:45:52,120 --> 00:45:54,600
Speaker 1: I wanted to clarify that we had the right information. Yes,

732
00:45:54,680 --> 00:45:58,200
Speaker 1: you did that. So now, also, this is not on

733
00:45:58,320 --> 00:46:01,080
Speaker 1: my list. This is on my perse. So because a

734
00:46:01,160 --> 00:46:03,560
Speaker 1: lot of hood people they don't like this movie, but

735
00:46:03,719 --> 00:46:08,759
Speaker 1: I love this movie. Kan Kiano Kano, I don't. I'm

736
00:46:08,800 --> 00:46:13,759
Speaker 1: sorry people like you know, like real hooded people, they

737
00:46:13,800 --> 00:46:17,680
Speaker 1: feel like, you know, those guys, and I can't care less.

738
00:46:17,760 --> 00:46:20,520
Speaker 1: I'm in the comedy. I love comedy, and I thought

739
00:46:20,560 --> 00:46:22,920
Speaker 1: that movie was funny, and said, I think those some

740
00:46:23,040 --> 00:46:25,120
Speaker 1: of the kings of comedy. Those guys, I think in

741
00:46:25,239 --> 00:46:29,440
Speaker 1: their own way. It's just like it's just like if

742
00:46:29,480 --> 00:46:32,560
Speaker 1: you can pay a real hip hop to a new

743
00:46:32,719 --> 00:46:36,440
Speaker 1: hip hop or old hip hop, it's still all hip hop, right,

744
00:46:36,760 --> 00:46:39,560
Speaker 1: It's all hip hop. So like I could care less

745
00:46:39,640 --> 00:46:41,839
Speaker 1: if you think it's real or whatever you think is real,

746
00:46:41,920 --> 00:46:44,480
Speaker 1: as long as people respect it and love it and

747
00:46:44,600 --> 00:46:48,239
Speaker 1: That's what it was with Kiana, Like I remember ship

748
00:46:48,400 --> 00:46:53,080
Speaker 1: this is me after Dave Chappelle, after Dave Chappelle's show. Um,

749
00:46:53,440 --> 00:46:56,239
Speaker 1: you know, I'm good at the Dave Chappelle's show. Uh,

750
00:46:56,760 --> 00:46:59,400
Speaker 1: I was. I want to do watch comedy. And the

751
00:46:59,520 --> 00:47:01,759
Speaker 1: Key and O kinda came on after that, and that

752
00:47:01,960 --> 00:47:04,759
Speaker 1: wasn't kind of mad at their stuff. A lot of

753
00:47:04,800 --> 00:47:07,800
Speaker 1: people were. It was smart comedy that they got to

754
00:47:07,880 --> 00:47:11,000
Speaker 1: me that and they were making fatement to my society.

755
00:47:11,719 --> 00:47:14,120
Speaker 1: I mean, if you look at Jordan's movie get Out.

756
00:47:14,960 --> 00:47:17,000
Speaker 1: Have you seen that movie? Yeah, I haven't seen it yet,

757
00:47:17,080 --> 00:47:21,880
Speaker 1: but blessing Out. But what I mean was it was

758
00:47:22,000 --> 00:47:24,200
Speaker 1: kind of like the perfect people because at that time,

759
00:47:24,320 --> 00:47:27,759
Speaker 1: after Day Chappelle had quid or moved on whatever he did,

760
00:47:28,360 --> 00:47:31,439
Speaker 1: Um kimpell. He he didn't quite take Dave Chappelle's place,

761
00:47:31,680 --> 00:47:34,279
Speaker 1: but he did take a place in there where. And

762
00:47:34,360 --> 00:47:38,759
Speaker 1: now Barack Obama's president and it's like, you know, the

763
00:47:38,880 --> 00:47:40,800
Speaker 1: black and white type of side, like you know what

764
00:47:40,840 --> 00:47:43,000
Speaker 1: I'm saying, and they kind of they kind of focused

765
00:47:43,040 --> 00:47:46,120
Speaker 1: on that, and I kinda I kind of appreciated it,

766
00:47:46,280 --> 00:47:48,280
Speaker 1: like I was probably like the only like nigga Nigga

767
00:47:48,560 --> 00:47:51,680
Speaker 1: that appreciate. Sorry, I don't know us, you know what

768
00:47:51,680 --> 00:47:53,440
Speaker 1: I'm saying. I was like, yeah, I like it, Like

769
00:47:53,520 --> 00:47:57,279
Speaker 1: I don't. I don't see the big you know, ship

770
00:47:57,400 --> 00:47:59,560
Speaker 1: that people are saying like, oh, they're not really from there.

771
00:47:59,800 --> 00:48:04,960
Speaker 1: Like I just appreciate entertaining. I just want to There's

772
00:48:05,000 --> 00:48:08,560
Speaker 1: like a lot of people that that always have criticism

773
00:48:09,000 --> 00:48:12,759
Speaker 1: about Ship, and everybody's entitled to their opinion. But you know,

774
00:48:13,120 --> 00:48:18,439
Speaker 1: it's like, but they you can't criticize people when they're

775
00:48:18,480 --> 00:48:22,800
Speaker 1: doing something that's really progressive and creative and ship, you know,

776
00:48:23,000 --> 00:48:26,000
Speaker 1: because then then you just pretty much a hater. So

777
00:48:26,120 --> 00:48:28,839
Speaker 1: then what you got going on? You know what I mean?

778
00:48:29,400 --> 00:48:33,040
Speaker 1: These brothers came out and they found out concerned fucking

779
00:48:33,160 --> 00:48:36,360
Speaker 1: smart comedy. It was making statements, it was making statements

780
00:48:36,760 --> 00:48:40,640
Speaker 1: about society. We're just having fun, you know what I mean.

781
00:48:40,800 --> 00:48:43,600
Speaker 1: So let's go. I took my hat, took them and

782
00:48:43,640 --> 00:48:47,919
Speaker 1: by the way, that Keno, it's comedy, baby, it's fun.

783
00:48:48,400 --> 00:48:54,239
Speaker 1: You know, that's funny. That's what it is. Like. I

784
00:48:54,360 --> 00:48:56,480
Speaker 1: like this. Look now you know what starts coming out?

785
00:48:56,520 --> 00:49:01,080
Speaker 1: Look at you. It's we're trying to get all partner

786
00:49:01,560 --> 00:49:05,640
Speaker 1: you partner. Djend is in Columbia right now, speaking freaking

787
00:49:05,680 --> 00:49:10,200
Speaker 1: responsible for this ship. Listen, that's my partner DJ. He

788
00:49:10,239 --> 00:49:13,120
Speaker 1: supposed to be on Skype, said he's in Colombia and

789
00:49:13,200 --> 00:49:15,520
Speaker 1: you play ship. I just got back from Colombia. He

790
00:49:15,640 --> 00:49:18,600
Speaker 1: was shooting knockles again. No, no, give us the information.

791
00:49:18,719 --> 00:49:21,399
Speaker 1: Got damn it. We know when you're going to Columbia fall? Yeah?

792
00:49:22,200 --> 00:49:25,120
Speaker 1: Where is he? Where is it? Trying to trying to

793
00:49:25,160 --> 00:49:28,080
Speaker 1: be on Skype right now? Okay, come on all right?

794
00:49:28,160 --> 00:49:30,399
Speaker 1: If not, I'm for me another drink. This is my shot.

795
00:49:30,480 --> 00:49:33,160
Speaker 1: I'm ready to be your shot. Do it. Let's do it. No, no, no,

796
00:49:33,320 --> 00:49:35,880
Speaker 1: we gotta we gotta teach you drink Champs to stop.

797
00:49:41,080 --> 00:49:46,000
Speaker 1: He didn't even blink blink. He know it's ship man.

798
00:49:47,200 --> 00:49:53,240
Speaker 1: Can you hear? Yo? Yo? We can't see him? Yeah,

799
00:49:56,160 --> 00:50:01,200
Speaker 1: drink Chance? What yo yo? This this is Drake Chance.

800
00:50:04,480 --> 00:50:06,399
Speaker 1: Hold on, hold on? Do you see Do you see

801
00:50:06,440 --> 00:50:09,400
Speaker 1: Louis Goolwarter? You see him? All right? What did I

802
00:50:09,440 --> 00:50:14,600
Speaker 1: tell you? He was just doing? Tell what I just said?

803
00:50:14,600 --> 00:50:19,640
Speaker 1: You're just doing? You were medicating yourself because um me,

804
00:50:19,719 --> 00:50:22,160
Speaker 1: I told you I was slipping cooke. I'm sorry, Well

805
00:50:22,280 --> 00:50:27,000
Speaker 1: I'm not come out here. You at what Columbia. You

806
00:50:27,080 --> 00:50:34,839
Speaker 1: at here, you yesterday before that? So how much did

807
00:50:34,920 --> 00:50:43,920
Speaker 1: Paul sniff the most or hazards? How much about a

808
00:50:44,000 --> 00:50:48,600
Speaker 1: Graham Paul? How much you sniff drink? Chat sports? Huh?

809
00:50:50,080 --> 00:50:59,799
Speaker 1: How much you snipped for drink? Chance? Sports man? I'm

810
00:50:59,840 --> 00:51:02,120
Speaker 1: not gonna lie, Paul, to be honest, it looked like

811
00:51:02,200 --> 00:51:06,080
Speaker 1: you've been slipping for eight days. You look you look?

812
00:51:06,200 --> 00:51:10,240
Speaker 1: You look a cross fit ready right now? A cross fit? Ready?

813
00:51:10,600 --> 00:51:13,359
Speaker 1: You fit? You got some crushes from my man, Louis

814
00:51:13,400 --> 00:51:15,400
Speaker 1: gool Sall let's talk. Let's do it. Can you see him?

815
00:51:15,400 --> 00:51:19,399
Speaker 1: Sale can see him? I can see you, bro. Damn,

816
00:51:19,400 --> 00:51:22,759
Speaker 1: it's a little blurry. That's a little choppy here, all right,

817
00:51:23,200 --> 00:51:25,640
Speaker 1: that cous it's foggy in here. We got the vote

818
00:51:25,680 --> 00:51:29,600
Speaker 1: mic for you. Look we're blowing up. We got vote mic.

819
00:51:30,840 --> 00:51:32,840
Speaker 1: Right now, we gotta do a long distance intro. You

820
00:51:32,880 --> 00:51:35,000
Speaker 1: want to do it? But all right, cool, I'm in.

821
00:51:35,200 --> 00:51:39,200
Speaker 1: Are you ready even though you intro in the middle?

822
00:51:40,160 --> 00:51:44,440
Speaker 1: All right, let's do it. You ready? You're ready? You

823
00:51:44,560 --> 00:51:48,240
Speaker 1: don't feel like we like joint like ready like air pieces?

824
00:51:48,640 --> 00:51:54,600
Speaker 1: All ready? Her up, you're ready, You're not ready? You

825
00:51:54,719 --> 00:51:58,800
Speaker 1: gotta delay? All right? So here your south East and

826
00:52:00,520 --> 00:52:04,000
Speaker 1: what it was DJ and this drink chance? What Columbia

827
00:52:04,080 --> 00:52:13,880
Speaker 1: make something? Yo? So you got a question? Come down,

828
00:52:13,960 --> 00:52:15,840
Speaker 1: let me see you take a shot. Bro, before you're

829
00:52:15,840 --> 00:52:17,480
Speaker 1: gonna take a shot, take a shot. You gotta take

830
00:52:17,480 --> 00:52:19,919
Speaker 1: a shot. All right, I got to get another shot.

831
00:52:20,280 --> 00:52:26,080
Speaker 1: I already take the shower. I'm taking another show. Okay,

832
00:52:26,120 --> 00:52:27,960
Speaker 1: here we go. I took a shot. I got shot

833
00:52:29,960 --> 00:52:33,640
Speaker 1: for that shot for the people listening. If oh ship

834
00:52:36,000 --> 00:52:40,480
Speaker 1: is Colombian, that sho looks like water? What happened? That's

835
00:52:40,520 --> 00:52:54,520
Speaker 1: Columbian white? Okay? So right there right there? Yeah, all right?

836
00:52:54,600 --> 00:53:02,320
Speaker 1: What's the question? What he asked you? Young? Okay? All right? Cool? Okay?

837
00:53:02,960 --> 00:53:05,560
Speaker 1: Can you hear us? You got you got a question

838
00:53:05,600 --> 00:53:15,640
Speaker 1: for him? Moving it out? Man? Question for him? Here? Yeah?

839
00:53:15,840 --> 00:53:18,160
Speaker 1: I love I love this. I love this. Suld be

840
00:53:18,200 --> 00:53:23,080
Speaker 1: cool and all this were not having any people? You

841
00:53:23,120 --> 00:53:27,440
Speaker 1: got a question? Yeah? Yeah, yeah, you got a question.

842
00:53:28,560 --> 00:53:30,239
Speaker 1: I hear you. I hear you. Can you hear us?

843
00:53:30,920 --> 00:53:35,279
Speaker 1: When you got filming? Yeah? When we were? Did you

844
00:53:35,320 --> 00:53:38,080
Speaker 1: when you film? Not? Cos you was on concert and

845
00:53:38,120 --> 00:53:43,759
Speaker 1: Columbia right right? He said, right for hear me? Right?

846
00:53:44,040 --> 00:53:49,080
Speaker 1: Did you were you'all on the part where they where

847
00:53:49,080 --> 00:53:52,960
Speaker 1: they filmed the shooting in the house in that neighborhood.

848
00:53:52,960 --> 00:53:55,600
Speaker 1: We went to that neighborhood were up. They were telling

849
00:53:55,680 --> 00:53:58,200
Speaker 1: us that they had to use another crib, not not

850
00:53:58,320 --> 00:54:09,120
Speaker 1: the exact crip where you got shot. Right. Yes see

851
00:54:11,680 --> 00:54:16,719
Speaker 1: see there's like this's like, like what the funk man?

852
00:54:17,760 --> 00:54:25,800
Speaker 1: Are you learning a new language? Wrong? Okay? I know

853
00:54:25,960 --> 00:54:31,880
Speaker 1: I was to play said anyway that the question questions

854
00:54:32,080 --> 00:54:39,799
Speaker 1: wait wait gay gay, oh, asking what point a minute

855
00:54:39,800 --> 00:54:43,040
Speaker 1: you were you waiting when you were shooting. I had

856
00:54:43,320 --> 00:54:46,360
Speaker 1: to sign a waiver, so I could only tell you

857
00:54:46,520 --> 00:54:50,600
Speaker 1: that I was in maying we were in Santa Marta.

858
00:54:50,760 --> 00:54:56,200
Speaker 1: We want Bogata, we want Chia, we have Sensio Banias

859
00:54:56,480 --> 00:55:02,920
Speaker 1: and Casta Hannah, but we you know, the Intercontinental Hotel.

860
00:55:03,719 --> 00:55:08,920
Speaker 1: And okay, he froze because he hadn't blame he might

861
00:55:08,960 --> 00:55:21,520
Speaker 1: be look at that. The fucking truth came out ahead

862
00:55:21,560 --> 00:55:24,240
Speaker 1: I love what you love you saying we were filmed

863
00:55:24,280 --> 00:55:28,600
Speaker 1: the Intercontinental Hotel right on the rooftop and that's actually

864
00:55:28,800 --> 00:55:31,920
Speaker 1: what they used to meet up. So you know we

865
00:55:32,120 --> 00:55:34,759
Speaker 1: we filmed in some of the actual places. Bro right.

866
00:55:35,239 --> 00:55:41,799
Speaker 1: So I don't know if Oscar told you this, tell

867
00:55:41,840 --> 00:55:45,400
Speaker 1: me tell me that. My very first rhyme that the

868
00:55:45,560 --> 00:55:49,919
Speaker 1: hip hop world has ever heard me say is I say,

869
00:55:50,000 --> 00:55:57,719
Speaker 1: Jose Luise got you Golden guns and time. That's the

870
00:55:57,880 --> 00:56:01,719
Speaker 1: very first time. I mean, I love records prior to that,

871
00:56:01,840 --> 00:56:03,880
Speaker 1: but it never came out or maybe we tried to

872
00:56:03,920 --> 00:56:06,320
Speaker 1: make it come out there words. I mean, I'm just

873
00:56:06,400 --> 00:56:11,399
Speaker 1: throwing it out there. And so the first time hip

874
00:56:11,440 --> 00:56:14,680
Speaker 1: hop is a record called l A l A. We were.

875
00:56:15,040 --> 00:56:22,760
Speaker 1: We were from the New New York queens left Frack, Queensbridge,

876
00:56:23,680 --> 00:56:27,200
Speaker 1: particularly and we went at the West Coast. And the

877
00:56:27,360 --> 00:56:30,680
Speaker 1: very first time hip hop has ever heard me, I say,

878
00:56:30,920 --> 00:56:34,400
Speaker 1: Jose Luis got your golden guns and times in generals

879
00:56:35,840 --> 00:56:41,719
Speaker 1: and then again you take the role Luise. Don't tell

880
00:56:41,760 --> 00:56:46,320
Speaker 1: me for that too. No, I didn't know, but in

881
00:56:46,480 --> 00:56:49,160
Speaker 1: my mind I was like, that's the guy. Who's the guy. Well,

882
00:56:49,239 --> 00:56:53,200
Speaker 1: let me let me tell you man. Um, these guys

883
00:56:53,520 --> 00:56:59,480
Speaker 1: were unbelievable. I'm taking a shot on myself for everybody. Okay, okay,

884
00:56:59,640 --> 00:57:04,920
Speaker 1: come on, Porto Rican, you can't say that. Look and

885
00:57:05,000 --> 00:57:06,960
Speaker 1: this is two shots, just to say I know this

886
00:57:07,120 --> 00:57:08,920
Speaker 1: is one shot and this is another shot. Okay, I

887
00:57:08,960 --> 00:57:13,840
Speaker 1: got a shot, You got a shot. We need a

888
00:57:13,840 --> 00:57:15,879
Speaker 1: shot or you got a shot. Come on, he never

889
00:57:15,960 --> 00:57:18,280
Speaker 1: got shot. You gotta relax. Okay, all right, let me

890
00:57:18,680 --> 00:57:21,760
Speaker 1: let me get somebody ice. No, no, this is good.

891
00:57:21,800 --> 00:57:23,880
Speaker 1: Look this is my shot. I don't take ice, but

892
00:57:23,960 --> 00:57:27,640
Speaker 1: this is my drink. I drink the same thing. Okay, Yeah,

893
00:57:27,640 --> 00:57:29,680
Speaker 1: I drink a drink and then a shot, alright, like

894
00:57:29,800 --> 00:57:33,760
Speaker 1: some people do bear and then a shot. But I

895
00:57:33,920 --> 00:57:36,680
Speaker 1: drink and then the shots don't because I'm a real nigger.

896
00:57:38,000 --> 00:57:42,919
Speaker 1: Came out properly. And let's close that motherfucker. Yeah, they're

897
00:57:42,920 --> 00:57:45,840
Speaker 1: gonna close it to close that motherfucker's close it down.

898
00:57:45,960 --> 00:57:48,200
Speaker 1: But you know the funk up part about it. Now,

899
00:57:48,240 --> 00:57:52,439
Speaker 1: they're gonna have all these little private damn. I didn't

900
00:57:52,480 --> 00:57:54,720
Speaker 1: think of that part. Okay, they're gonna have private jails

901
00:57:55,440 --> 00:57:57,360
Speaker 1: in New York. They're gonna put it out of CEOs,

902
00:57:57,400 --> 00:58:02,160
Speaker 1: out of work, you know, private Jim. I don't know

903
00:58:02,280 --> 00:58:07,360
Speaker 1: what that was Skype private people older, but that don't

904
00:58:07,360 --> 00:58:09,400
Speaker 1: you get it? Yeah, that's right. Look at them. He's

905
00:58:09,480 --> 00:58:14,240
Speaker 1: so professional. Okay, I want you to direct my what

906
00:58:14,400 --> 00:58:22,280
Speaker 1: is it called I about? Say bio pick biopsy? My man,

907
00:58:22,400 --> 00:58:28,040
Speaker 1: you've been studying him. Find that back he's been back. Okay,

908
00:58:28,200 --> 00:58:31,720
Speaker 1: come back if did you take it off? Mute? We

909
00:58:31,840 --> 00:58:36,480
Speaker 1: got raided, all right, they got raided. Yes, we're taking

910
00:58:36,520 --> 00:58:39,360
Speaker 1: another shot. I got ready. You know, we're taking another shot.

911
00:58:43,720 --> 00:58:50,240
Speaker 1: He ain't got ship in that, but no you're not not. Yeah,

912
00:58:53,800 --> 00:59:01,040
Speaker 1: I can't sign that. Everybody everybody want So that's private jail,

913
00:59:02,120 --> 00:59:08,560
Speaker 1: private jail. Uh, well that's what they're doing now they

914
00:59:10,360 --> 00:59:15,600
Speaker 1: you know, now, being in the jail business is profitable.

915
00:59:16,160 --> 00:59:20,880
Speaker 1: But and it takes takes the responsibility out of the

916
00:59:21,040 --> 00:59:24,760
Speaker 1: state and the local government. But you gotta figure this

917
00:59:25,840 --> 00:59:29,440
Speaker 1: gets from paying for that. You know, every time you

918
00:59:29,480 --> 00:59:32,200
Speaker 1: put somebody in jail, that's sexually thousand dollars for person

919
00:59:32,320 --> 00:59:34,760
Speaker 1: for the whole year. You know what to take to

920
00:59:34,920 --> 00:59:37,960
Speaker 1: educate some money for years of college. You could do

921
00:59:38,000 --> 00:59:40,720
Speaker 1: it with a third of that money. You can send

922
00:59:40,760 --> 00:59:44,200
Speaker 1: all these man woman that you know have not committed

923
00:59:44,400 --> 00:59:48,480
Speaker 1: these atrocious crimes. Anyway, we're not educate them. Why I

924
00:59:48,600 --> 00:59:51,960
Speaker 1: keep them in the system that it's gonna cause shoot

925
00:59:52,080 --> 00:59:54,160
Speaker 1: you and you and everybody in this room. Honey out

926
00:59:54,200 --> 00:59:57,080
Speaker 1: of your pocket. You know, look at what it calls

927
00:59:57,120 --> 00:59:59,680
Speaker 1: to go to college. Twenty five dollars a year compared

928
00:59:59,680 --> 01:00:03,360
Speaker 1: to what keeping somebody behind bars, keeping them angry so

929
01:00:03,520 --> 01:00:06,040
Speaker 1: that when they come out, they come out angry and

930
01:00:06,120 --> 01:00:10,200
Speaker 1: they commit more ship you know. And so now you

931
01:00:10,320 --> 01:00:13,440
Speaker 1: closed Bracker's Island, and every bird gotta have the wrong

932
01:00:13,560 --> 01:00:18,320
Speaker 1: private jail. Somebody's making money off that, you know. But

933
01:00:18,480 --> 01:00:22,040
Speaker 1: we will be your answer to like Regers Island as

934
01:00:22,080 --> 01:00:25,720
Speaker 1: a new native, the native of New York City. No

935
01:00:25,800 --> 01:00:27,760
Speaker 1: matter what borrow you come from, you gotta come to

936
01:00:27,920 --> 01:00:31,959
Speaker 1: queens Uh to come to jail if you commit a crime.

937
01:00:32,360 --> 01:00:34,560
Speaker 1: So what would be an answer if they say, all right,

938
01:00:34,680 --> 01:00:37,640
Speaker 1: we're gonna close Reger's Island. So now, but I mean

939
01:00:37,800 --> 01:00:40,080
Speaker 1: there's still people that do crimes. I'm not saying they

940
01:00:40,120 --> 01:00:42,440
Speaker 1: should be locked up or maybe they shouldn't. But what

941
01:00:42,560 --> 01:00:44,320
Speaker 1: would be you I said if he was to say

942
01:00:45,440 --> 01:00:52,000
Speaker 1: ship man? Um, you know, I'm not saying we shouldn't

943
01:00:52,040 --> 01:00:55,280
Speaker 1: clothes or that we should clothes Righters Island. You know,

944
01:00:55,440 --> 01:00:57,640
Speaker 1: I think we need to create a better system for

945
01:00:57,760 --> 01:01:05,160
Speaker 1: people out there. Um. You know, it's it's too freaking

946
01:01:05,200 --> 01:01:07,640
Speaker 1: easy to commit a crime, man, you know. And and

947
01:01:07,760 --> 01:01:12,480
Speaker 1: it's you know, mats and conservation, black and Latin kids

948
01:01:12,600 --> 01:01:15,600
Speaker 1: and stuff like that. You know, I don't know. I've

949
01:01:15,640 --> 01:01:19,120
Speaker 1: been I've been down to Louisiana and I filmed in

950
01:01:19,240 --> 01:01:25,440
Speaker 1: Louisiana State Penitenttry. Louisiana State Penitenttry. The population of that

951
01:01:26,280 --> 01:01:30,600
Speaker 1: maximum security prison, I gotta say ninety percent young black

952
01:01:30,680 --> 01:01:35,600
Speaker 1: man serving thirty years plus, which is the app for sentons.

953
01:01:35,680 --> 01:01:37,120
Speaker 1: You know. But when you talk to some of these

954
01:01:37,160 --> 01:01:41,560
Speaker 1: young people, you could definitely here in they're speaking and

955
01:01:41,600 --> 01:01:45,560
Speaker 1: then I educated whatsoever? Uh, you know, they're talking to

956
01:01:45,680 --> 01:01:48,720
Speaker 1: you like a four or fifth sixth grader, you know,

957
01:01:49,040 --> 01:01:52,720
Speaker 1: and and and so you know, something is wrong with society.

958
01:01:53,680 --> 01:01:56,880
Speaker 1: You know, Um, people, it's important that we get to

959
01:01:56,920 --> 01:01:59,760
Speaker 1: go to education. And I say, ship cost the six

960
01:02:00,080 --> 01:02:03,040
Speaker 1: thousand dollars a year to like one person up and

961
01:02:03,200 --> 01:02:05,360
Speaker 1: you like that person up for ten years. That's six

962
01:02:05,480 --> 01:02:09,360
Speaker 1: hundred thousand dollars when you could have spend a hundred

963
01:02:09,440 --> 01:02:13,000
Speaker 1: fifty thousand dollars and educating this person and helping them

964
01:02:13,080 --> 01:02:16,360
Speaker 1: get a profession and ship like you know, but you know,

965
01:02:16,720 --> 01:02:19,720
Speaker 1: society doesn't see it that way. I eat the government

966
01:02:19,800 --> 01:02:23,080
Speaker 1: and ship, you know. So it's more profitable to have

967
01:02:23,240 --> 01:02:26,560
Speaker 1: people locked up than it is to educate them, you know,

968
01:02:26,800 --> 01:02:30,880
Speaker 1: because they're gonna make money or the un educated people

969
01:02:31,320 --> 01:02:33,920
Speaker 1: that commit all these fucking petty crimes and ship you know,

970
01:02:34,440 --> 01:02:36,880
Speaker 1: people are in jail because they commit petty crimes. You know,

971
01:02:37,040 --> 01:02:40,640
Speaker 1: steal a sucking sandwich's something to eat, and now you've

972
01:02:40,640 --> 01:02:42,920
Speaker 1: got three strakes against you, So a little I'm putting

973
01:02:42,960 --> 01:02:47,160
Speaker 1: your way fifteen years because you fucking stole something to eat.

974
01:02:47,240 --> 01:02:50,080
Speaker 1: But you know what, for the fifteen years, it's gonna

975
01:02:50,200 --> 01:02:53,760
Speaker 1: cost nine hundred thousand dollars to keep you locked up,

976
01:02:53,920 --> 01:02:57,200
Speaker 1: nine hundred thousand dollars. You know what kind of a

977
01:02:57,280 --> 01:02:59,480
Speaker 1: life that person could have with that kind of money.

978
01:03:00,800 --> 01:03:05,440
Speaker 1: But why And you know that's just one you know,

979
01:03:07,000 --> 01:03:09,720
Speaker 1: you look at the budget of these states, many of

980
01:03:09,800 --> 01:03:13,640
Speaker 1: the dollars to keep people out up. That's a misinvestment

981
01:03:13,800 --> 01:03:17,960
Speaker 1: of money, that's a misinvestment of community. That's a misinvestment

982
01:03:18,080 --> 01:03:28,760
Speaker 1: of humanity. Okay, I felt so terrible trying to hand

983
01:03:28,800 --> 01:03:32,480
Speaker 1: your blunt after that terrible. I just I just I

984
01:03:32,600 --> 01:03:38,840
Speaker 1: just got I just got to yeah, yeah, yeah, yeah, yeah,

985
01:03:38,920 --> 01:03:42,520
Speaker 1: you got something when you got cut off last time.

986
01:03:43,000 --> 01:03:47,040
Speaker 1: You know what? Why why? You know small? Because you

987
01:03:47,120 --> 01:03:49,080
Speaker 1: got you had a good question. But last time you

988
01:03:49,120 --> 01:03:51,000
Speaker 1: got cut off, E we need you to say that

989
01:03:51,160 --> 01:03:54,920
Speaker 1: question again, which one the one Wan was talking about

990
01:03:55,080 --> 01:03:57,000
Speaker 1: on the Cities. He answered that, but I really want

991
01:03:57,000 --> 01:03:59,400
Speaker 1: to know, Like he's done so many roles, with so

992
01:03:59,440 --> 01:04:01,720
Speaker 1: many different kinds of roles. What's his favorite role that

993
01:04:01,760 --> 01:04:08,840
Speaker 1: he played? Would be TV, film, whatever? Before you guys

994
01:04:08,920 --> 01:04:12,160
Speaker 1: really talked about that. Yeah, but if you want to

995
01:04:12,200 --> 01:04:14,480
Speaker 1: hear it, I'll tell you listen to it. Let's do it.

996
01:04:15,000 --> 01:04:18,200
Speaker 1: He's in Colombia. I mean, you know, I love my

997
01:04:18,800 --> 01:04:21,720
Speaker 1: I love my rolling boogie nights. I love my role

998
01:04:21,760 --> 01:04:26,160
Speaker 1: in the Liney out of Side, traffic, punch Trunk, love

999
01:04:27,160 --> 01:04:31,600
Speaker 1: the Count Monte Cristo, anger management, you know, taking up

1000
01:04:31,640 --> 01:04:34,320
Speaker 1: the problem one two three, Carlitos, Way Q and A

1001
01:04:35,600 --> 01:04:39,960
Speaker 1: my dad mordes Uh Colluckly you said the bone collector.

1002
01:04:40,520 --> 01:04:45,760
Speaker 1: Hold on my role now on my TVs show co Black.

1003
01:04:46,360 --> 01:04:48,720
Speaker 1: So I don't have one because I'm really fortunate and

1004
01:04:49,720 --> 01:04:51,320
Speaker 1: you know she had worked out for me that I

1005
01:04:51,360 --> 01:04:53,280
Speaker 1: gotta really good growth man, Like I said, I just

1006
01:04:54,080 --> 01:04:57,880
Speaker 1: I just um embrace him on, do the best I can,

1007
01:04:58,080 --> 01:05:01,600
Speaker 1: the hardest. And did would ever feel that you were

1008
01:05:01,640 --> 01:05:04,440
Speaker 1: ever at any point in your career typecaster? And then

1009
01:05:04,720 --> 01:05:09,200
Speaker 1: did if it were, did you care? Um? I definitely

1010
01:05:09,440 --> 01:05:13,680
Speaker 1: was typecaster earlier in my career. Um, I did care

1011
01:05:14,600 --> 01:05:18,000
Speaker 1: because I knew that there was more to Latino being

1012
01:05:18,120 --> 01:05:24,120
Speaker 1: this negative empathy you know, in in in in entertainment.

1013
01:05:24,720 --> 01:05:28,160
Speaker 1: But you know, um, I waited my time, man, I

1014
01:05:28,240 --> 01:05:32,120
Speaker 1: did my work, and like I was telling everyone here earlier,

1015
01:05:32,720 --> 01:05:37,160
Speaker 1: I put my building block together. You know, so one row. Okay,

1016
01:05:37,200 --> 01:05:42,440
Speaker 1: he feels again because nobody stands like that. But keep going.

1017
01:05:42,600 --> 01:05:46,440
Speaker 1: You could keep going, you know, so so I just um,

1018
01:05:47,560 --> 01:05:50,840
Speaker 1: I just feel that that, you know, I've been blessed man,

1019
01:05:50,960 --> 01:05:53,520
Speaker 1: because you know, I'm this guy that showed up. It

1020
01:05:53,680 --> 01:05:57,760
Speaker 1: wasn't about it wasn't about egos, you know. It wasn't

1021
01:05:57,800 --> 01:06:00,240
Speaker 1: about like me trying to be better than somebody. You know.

1022
01:06:00,760 --> 01:06:04,720
Speaker 1: It was always about me complimenting people. Because you know,

1023
01:06:05,640 --> 01:06:08,800
Speaker 1: when you compliment somebody in your craft and your arguble

1024
01:06:08,880 --> 01:06:12,200
Speaker 1: work together. That's why that's why super Bowl I call him,

1025
01:06:12,240 --> 01:06:14,440
Speaker 1: you call him Oscar, I call him super Bowl. That's

1026
01:06:14,440 --> 01:06:18,480
Speaker 1: why sup Bowl connect us together because we're so humble

1027
01:06:18,880 --> 01:06:21,000
Speaker 1: and that's where we are. We have so much great

1028
01:06:21,000 --> 01:06:24,080
Speaker 1: success and we're still just so down to earth. That's right,

1029
01:06:24,240 --> 01:06:26,280
Speaker 1: is that is that that's what brings us that's what

1030
01:06:26,400 --> 01:06:29,200
Speaker 1: that's that's the connected energy that brings us together because

1031
01:06:29,200 --> 01:06:31,800
Speaker 1: you know, you know, I hear too much that you know,

1032
01:06:32,080 --> 01:06:35,240
Speaker 1: people have beef with each other and ship like that,

1033
01:06:35,720 --> 01:06:40,120
Speaker 1: and it's like is it really necessary? I mean, um,

1034
01:06:40,960 --> 01:06:44,360
Speaker 1: you know, ship man, people fucking lose their life over

1035
01:06:44,480 --> 01:06:48,400
Speaker 1: ship and only beef. Our guys with my wife to

1036
01:06:48,720 --> 01:06:52,880
Speaker 1: my girl, all my kids to take a ship and

1037
01:06:52,920 --> 01:06:55,160
Speaker 1: then they moved the toilet people. I hate that. I

1038
01:06:55,200 --> 01:07:01,320
Speaker 1: got me right, biggest fucking beef I have. And when

1039
01:07:01,360 --> 01:07:04,520
Speaker 1: you go to the fucking refrigerator and you're looking like

1040
01:07:04,920 --> 01:07:08,440
Speaker 1: for that last cup of juice and like day and

1041
01:07:08,480 --> 01:07:13,120
Speaker 1: then like three fucking drops, like who the fund does

1042
01:07:13,240 --> 01:07:15,440
Speaker 1: that ship? You just throw the way you know that

1043
01:07:15,600 --> 01:07:20,840
Speaker 1: thing back? What am I supposed to do? Screen? No man, yeah,

1044
01:07:22,400 --> 01:07:26,000
Speaker 1: you know my nephew did it to me yesterday. I

1045
01:07:26,040 --> 01:07:29,240
Speaker 1: don't like going with you. Bro. Listen, listen person, I'm

1046
01:07:29,240 --> 01:07:31,480
Speaker 1: going to die right. I'm trying. I'm trying to get

1047
01:07:31,480 --> 01:07:33,960
Speaker 1: myself out because listen to some such things. I don't know,

1048
01:07:34,040 --> 01:07:38,760
Speaker 1: I don't scientifically proven that no such things that's working.

1049
01:07:39,040 --> 01:07:42,320
Speaker 1: I was working like I was like three hundred ten pounds.

1050
01:07:44,240 --> 01:07:49,400
Speaker 1: I'm almost another two we're gonna right. So look, so

1051
01:07:49,520 --> 01:07:53,200
Speaker 1: I'm sitting there. My nephew says, it's spurred day. I'm

1052
01:07:53,240 --> 01:07:56,560
Speaker 1: coming in at coming, all right, cool, no problem. This

1053
01:07:56,760 --> 01:07:59,280
Speaker 1: nigga sends my daughter. He doesn't even he sent me.

1054
01:07:59,400 --> 01:08:04,680
Speaker 1: He's a out, he doesn't. He sends my daughters in

1055
01:08:04,720 --> 01:08:16,599
Speaker 1: the store to Leader Pepsi, Crispy creams, fucking you know everything.

1056
01:08:16,720 --> 01:08:22,920
Speaker 1: We got Collie Flower, colliflowers, spaghetti. Listen. Atlast, they gotta

1057
01:08:23,000 --> 01:08:28,200
Speaker 1: relax in l A. The new ship is Collie Flower.

1058
01:08:28,320 --> 01:08:32,800
Speaker 1: You can make Collie Flower mash potatoes, collie flower rice,

1059
01:08:33,400 --> 01:08:46,840
Speaker 1: and you will never know. I hope I got zu zucchini,

1060
01:08:47,120 --> 01:08:55,120
Speaker 1: got Lougreini zucchini, and it's very nice. I didn't eat that,

1061
01:08:55,439 --> 01:08:59,559
Speaker 1: you know exactly. They're way too young to eat that ship. Anyway.

1062
01:08:59,800 --> 01:09:06,240
Speaker 1: You you got your dirty old right yourself, then I

1063
01:09:06,280 --> 01:09:09,080
Speaker 1: could get myself. I gotta relax and tell you know

1064
01:09:10,439 --> 01:09:15,200
Speaker 1: my quarter weekend Cuban wife that I love forever. This

1065
01:09:15,320 --> 01:09:17,000
Speaker 1: is what happened. This is what happened. Let me just say,

1066
01:09:17,240 --> 01:09:20,400
Speaker 1: I'm gonna tell you this is what happened. At one point,

1067
01:09:22,600 --> 01:09:27,120
Speaker 1: I've seen the commercial. Somebody killed the animal. I just

1068
01:09:27,240 --> 01:09:29,800
Speaker 1: can't be a part of that. No more, this is me.

1069
01:09:31,400 --> 01:09:34,560
Speaker 1: So they killed the animal like true, it was like

1070
01:09:34,640 --> 01:09:36,719
Speaker 1: going to travel challenge. So I was like, oh my god.

1071
01:09:36,960 --> 01:09:40,160
Speaker 1: It was like, oh my god, this is how we

1072
01:09:40,280 --> 01:09:44,840
Speaker 1: eat chicken like and it just through like, oh my god. Right,

1073
01:09:44,920 --> 01:09:46,560
Speaker 1: and I see this ship and I was like, I

1074
01:09:46,680 --> 01:09:50,120
Speaker 1: just can't really do this like this, no more, like

1075
01:09:50,280 --> 01:09:52,960
Speaker 1: if it this happens this way right, So you know,

1076
01:09:53,040 --> 01:09:59,040
Speaker 1: I researched not see that this is actually the true Okay, okay,

1077
01:09:59,360 --> 01:10:03,400
Speaker 1: And I was just God, damn it, God, yaminamam labam.

1078
01:10:04,240 --> 01:10:08,400
Speaker 1: And I said, wy guacamole, let me, let me, let

1079
01:10:08,439 --> 01:10:12,080
Speaker 1: me hold the post holely figures Monting And I sat

1080
01:10:12,160 --> 01:10:15,920
Speaker 1: back and I said, let me control my own faith.

1081
01:10:16,400 --> 01:10:18,360
Speaker 1: Because they see people that can control their faith and

1082
01:10:18,520 --> 01:10:21,920
Speaker 1: control their environment. That's to the that's there. You go,

1083
01:10:24,720 --> 01:10:26,840
Speaker 1: No good, I'm good. I was just gonna see if

1084
01:10:26,880 --> 01:10:33,160
Speaker 1: you're gonna take it, you gotta relax your you gotta relax.

1085
01:10:33,960 --> 01:10:39,599
Speaker 1: So what I'm trying to tell you is level spelled backwards.

1086
01:10:39,600 --> 01:10:43,559
Speaker 1: This level that means we gotta balance. That's right. As

1087
01:10:43,640 --> 01:10:47,040
Speaker 1: long as we have balance, we can do what we

1088
01:10:47,160 --> 01:10:50,120
Speaker 1: gotta do. You can't wake up in the morning and

1089
01:10:50,280 --> 01:10:55,640
Speaker 1: eat the shredded chicken? How you saying in Spanish? I

1090
01:10:55,720 --> 01:10:58,280
Speaker 1: have no idea, but you're bey? How you say I'm

1091
01:10:58,320 --> 01:11:05,320
Speaker 1: surety beef in Spanish? For your Yeah? You know, bro,

1092
01:11:06,200 --> 01:11:08,680
Speaker 1: say something. I've never heard that ship in my fun

1093
01:11:11,320 --> 01:11:13,800
Speaker 1: about thinking? Bro, that's not I'm looking for it. Okay,

1094
01:11:16,920 --> 01:11:26,200
Speaker 1: that's not yeah? Yeah? Yeah? What did you quit? What

1095
01:11:26,320 --> 01:11:31,960
Speaker 1: did you go? Ahead? Okay? Please? Yeah, we've never heard

1096
01:11:32,000 --> 01:11:50,280
Speaker 1: of what are you thinking? Yeah? So good. Welcome to

1097
01:11:50,400 --> 01:11:54,400
Speaker 1: play a new podcast network featuring radio and TV personalities

1098
01:11:54,479 --> 01:11:58,320
Speaker 1: talking business, sports, tech, entertainment, and more. Play it at

1099
01:11:58,400 --> 01:12:03,160
Speaker 1: play dot It. We're back to Drink Champ's Radio with

1100
01:12:03,439 --> 01:12:09,920
Speaker 1: rapper An R and d J. Then. Now, now I

1101
01:12:10,000 --> 01:12:14,519
Speaker 1: gotta ask you what you here? Your family, we love you,

1102
01:12:15,280 --> 01:12:17,240
Speaker 1: but what do you think of Donald Trump? What was

1103
01:12:17,320 --> 01:12:19,640
Speaker 1: your first response? First of all, before I actually what

1104
01:12:19,760 --> 01:12:21,960
Speaker 1: do you think of Donald Trump? What was your first

1105
01:12:22,040 --> 01:12:26,679
Speaker 1: response when you heard that this guy is pressent? Because

1106
01:12:26,680 --> 01:12:28,080
Speaker 1: I feel like you had to be like me and

1107
01:12:28,160 --> 01:12:31,400
Speaker 1: feel like Hilly We's renting for share. I felt like

1108
01:12:32,360 --> 01:12:35,599
Speaker 1: I felt like this. I felt like, oh shit, oh Ship,

1109
01:12:36,040 --> 01:12:41,160
Speaker 1: something is funked up here. This can't be He's back.

1110
01:12:42,600 --> 01:12:45,280
Speaker 1: He's late, so I took up more points. We took

1111
01:12:45,360 --> 01:12:49,120
Speaker 1: my he's just gonna have to listen. But the thing

1112
01:12:49,240 --> 01:12:54,800
Speaker 1: is that that uh, you know, man, the state of

1113
01:12:54,840 --> 01:12:57,720
Speaker 1: America is pretty funked up, you know, because it's like

1114
01:12:59,040 --> 01:13:03,200
Speaker 1: I don't understand. You know, it's House of representatives because

1115
01:13:03,560 --> 01:13:06,000
Speaker 1: it's supposed to represent the people that got you there,

1116
01:13:06,600 --> 01:13:08,720
Speaker 1: But when you get there, you don't represent the people there.

1117
01:13:08,760 --> 01:13:13,160
Speaker 1: Are you there? You white people just forgetting special interests

1118
01:13:13,200 --> 01:13:18,439
Speaker 1: and ship and and you know, like I say, the

1119
01:13:18,600 --> 01:13:24,120
Speaker 1: system needs some kind of balance, and it's far from that.

1120
01:13:25,080 --> 01:13:27,960
Speaker 1: You know, it's far from that, because what happens. You've

1121
01:13:28,000 --> 01:13:31,840
Speaker 1: got one fucking side that's fucking you know, trenched in.

1122
01:13:32,040 --> 01:13:36,080
Speaker 1: You got another fucking side trenches. Nobody really fucking works together,

1123
01:13:37,360 --> 01:13:41,280
Speaker 1: you understand. So it's like either my way or this way.

1124
01:13:41,840 --> 01:13:44,800
Speaker 1: And then this side tried to block that side, and

1125
01:13:44,920 --> 01:13:49,320
Speaker 1: it's like okay, so he's showing that something is wrong.

1126
01:13:50,400 --> 01:13:54,440
Speaker 1: And at this store, how the fund did this store operated?

1127
01:13:55,000 --> 01:13:58,320
Speaker 1: It doesn't operate right, you know. But I think, you know,

1128
01:13:58,400 --> 01:14:02,479
Speaker 1: outside of politics, I think really for me, the bigger

1129
01:14:02,560 --> 01:14:07,639
Speaker 1: picture is, you know, uh, Latinos Latinos in this country,

1130
01:14:08,240 --> 01:14:11,280
Speaker 1: because you know, the thing you have ship that verty

1131
01:14:11,360 --> 01:14:14,600
Speaker 1: six thirty eight million Latinos. Now we make up a

1132
01:14:14,680 --> 01:14:17,439
Speaker 1: third of this country, you know. But the problem that

1133
01:14:17,560 --> 01:14:21,560
Speaker 1: I find is really fucking fragmented, you know, because you

1134
01:14:21,680 --> 01:14:24,640
Speaker 1: got b Equals and Nomericanos in New York, you got

1135
01:14:24,800 --> 01:14:28,360
Speaker 1: one of the Miami you know, you have Maicos in

1136
01:14:28,400 --> 01:14:31,640
Speaker 1: the Midwest and the West Coast, you know, Chicago, you

1137
01:14:31,720 --> 01:14:34,479
Speaker 1: got bot Equals and Mexican mix. But the thing is

1138
01:14:34,600 --> 01:14:38,960
Speaker 1: that we cannot say right now who's our one Latino

1139
01:14:39,160 --> 01:14:41,439
Speaker 1: leader that we look up to as a whole. I

1140
01:14:41,560 --> 01:14:45,200
Speaker 1: want to tell you that you're not fucking that cruise

1141
01:14:45,240 --> 01:14:47,800
Speaker 1: and I'm I'm gonna tell you who it is like that.

1142
01:14:48,880 --> 01:14:50,240
Speaker 1: I want to tell you who it is right now.

1143
01:14:51,560 --> 01:14:55,120
Speaker 1: The one thing that we can respect about Donald Trump

1144
01:14:56,240 --> 01:15:02,360
Speaker 1: is that Donald Trump lead the leadership and unorthodoxed politics

1145
01:15:02,840 --> 01:15:11,040
Speaker 1: right on. Well basically you basically on orthodoc you need

1146
01:15:11,120 --> 01:15:15,599
Speaker 1: a good bullshit. But the bullshit now that that's happening,

1147
01:15:16,080 --> 01:15:19,240
Speaker 1: that makes it so thank you, that makes it so

1148
01:15:19,920 --> 01:15:27,120
Speaker 1: contake West actually won good for him. And that's but

1149
01:15:27,280 --> 01:15:30,200
Speaker 1: you know what I think should happen, because this is

1150
01:15:30,240 --> 01:15:32,920
Speaker 1: what we speak about on Drink Chance podcast all the

1151
01:15:33,040 --> 01:15:36,120
Speaker 1: time as we want our own community to take community

1152
01:15:36,520 --> 01:15:39,160
Speaker 1: control our community. You know, what's one of the best

1153
01:15:39,240 --> 01:15:42,960
Speaker 1: things that could happen right now is you're for mayor

1154
01:15:43,000 --> 01:15:54,760
Speaker 1: of New York City, who that you and everything. You know.

1155
01:15:55,600 --> 01:15:58,439
Speaker 1: I appreciate that and thank you for that, you know.

1156
01:15:58,760 --> 01:16:02,479
Speaker 1: But like, but if Trump come running America, you can't

1157
01:16:02,560 --> 01:16:08,880
Speaker 1: run New York come on exactly, but he's running it now.

1158
01:16:09,400 --> 01:16:12,080
Speaker 1: We got about seventy days we're gonna give you. We're

1159
01:16:12,080 --> 01:16:15,000
Speaker 1: gonna give you seventy five days. Just make cocaine illegal,

1160
01:16:18,000 --> 01:16:21,200
Speaker 1: make Moti guass. You can't arrest the parter weekend nigger

1161
01:16:21,880 --> 01:16:24,160
Speaker 1: and like just you just can't. They got immunity, Like

1162
01:16:24,360 --> 01:16:28,000
Speaker 1: like we just got this. Let's let's do a d

1163
01:16:29,240 --> 01:16:32,400
Speaker 1: okay a damn porter, because we're gonna do right, We're

1164
01:16:32,439 --> 01:16:35,240
Speaker 1: gonna elect you maya. This might be a movie or

1165
01:16:35,320 --> 01:16:38,400
Speaker 1: this might be the outity. Let's just figure it out.

1166
01:16:38,600 --> 01:16:40,799
Speaker 1: Let's figure it out because that's this nigga and President

1167
01:16:41,120 --> 01:16:44,599
Speaker 1: was a fake movie that became without So just pitch

1168
01:16:44,800 --> 01:16:48,320
Speaker 1: my image. I need another motherfucker drinking. Somebody help me out.

1169
01:16:48,720 --> 01:16:51,920
Speaker 1: You give me a shot, pole, help me out. What's

1170
01:16:51,920 --> 01:16:55,439
Speaker 1: gonna happen? We wouldn't do. We're gonna go to every

1171
01:16:55,520 --> 01:17:03,200
Speaker 1: hood and say he's running for council. Who's running for council? You? Right?

1172
01:17:04,120 --> 01:17:06,599
Speaker 1: But now listen, it could be a movie, so don't

1173
01:17:06,640 --> 01:17:09,120
Speaker 1: say no because it give me a movie. Or it

1174
01:17:09,200 --> 01:17:15,960
Speaker 1: could be reality. Still there, right, come on, Beal's who

1175
01:17:18,080 --> 01:17:22,880
Speaker 1: that would be? He's Dominican. So now we go to

1176
01:17:22,960 --> 01:17:25,040
Speaker 1: Eavy Hood in New York City. Now we elect you

1177
01:17:25,200 --> 01:17:29,040
Speaker 1: mail Now he's man. This could be a movie or

1178
01:17:29,080 --> 01:17:32,880
Speaker 1: this could be a reality. Okay, follow me right, So

1179
01:17:33,160 --> 01:17:36,559
Speaker 1: we're doing that bone or Latinos the blacks. Now it's

1180
01:17:36,600 --> 01:17:39,679
Speaker 1: bringing the Latinos and blacks together. This is now brack

1181
01:17:40,760 --> 01:17:56,160
Speaker 1: not black, proud, brown proud, this is proud. We put

1182
01:17:56,240 --> 01:18:02,000
Speaker 1: it together. You win New York City. Okay, Now we

1183
01:18:02,160 --> 01:18:04,840
Speaker 1: go on the East coast. Let me go to the

1184
01:18:04,920 --> 01:18:09,400
Speaker 1: west coast. Now it's actually because I see a lot

1185
01:18:09,439 --> 01:18:12,479
Speaker 1: of people say, bo, what's the name for back Obama?

1186
01:18:15,640 --> 01:18:21,360
Speaker 1: That he wasn't right? Now? We got you? Okay, all reality?

1187
01:18:21,960 --> 01:18:24,519
Speaker 1: Well reality, I said you could definitely run from New

1188
01:18:24,600 --> 01:18:28,760
Speaker 1: York City mayor. Listen, you gotta relax because I feel

1189
01:18:28,760 --> 01:18:31,800
Speaker 1: like you about tell me no, no, no, you do

1190
01:18:33,800 --> 01:18:43,120
Speaker 1: with Donald Trump, listen, listen with Donald Trump set up

1191
01:18:43,880 --> 01:18:46,599
Speaker 1: for you to run now like it's for real, because

1192
01:18:46,640 --> 01:18:54,080
Speaker 1: he's a reality show guy, right, so and he you

1193
01:18:54,240 --> 01:18:57,320
Speaker 1: can definitely run from mayor in New York City. Yes

1194
01:18:57,479 --> 01:19:00,479
Speaker 1: for sure, Yes you got that already, you had that

1195
01:19:00,560 --> 01:19:03,760
Speaker 1: seventeen years ago. But now he worked the social work

1196
01:19:04,160 --> 01:19:08,759
Speaker 1: and so now we gotta let us drink chaps quarter

1197
01:19:08,800 --> 01:19:15,320
Speaker 1: weekend people, Latinos, Colombians, Domniicans, Cubans. We got the connection

1198
01:19:15,640 --> 01:19:22,400
Speaker 1: for the connection, the complexion for the connection. What I mean, look,

1199
01:19:22,439 --> 01:19:26,759
Speaker 1: what I want to say again is never going to politics.

1200
01:19:27,360 --> 01:19:30,720
Speaker 1: The fun connotates. I mean, you know what I say

1201
01:19:30,800 --> 01:19:33,880
Speaker 1: my opinion, I speak my my opinion and speak my mind.

1202
01:19:34,640 --> 01:19:39,759
Speaker 1: You know, give people something that stimulate the thought process

1203
01:19:40,560 --> 01:19:43,000
Speaker 1: about something. You know, look, first of all, you know

1204
01:19:43,200 --> 01:19:45,640
Speaker 1: this whole ship with Puerto Rico, and then for the

1205
01:19:45,680 --> 01:19:49,280
Speaker 1: week old seventy two billion dollars and ship, I put

1206
01:19:49,360 --> 01:19:51,679
Speaker 1: that ship out to the questions like what the fund

1207
01:19:51,760 --> 01:19:56,559
Speaker 1: to seventy two billion dollars go where? You know, look

1208
01:19:56,600 --> 01:19:59,760
Speaker 1: at a small island, We're not a million people. You

1209
01:19:59,880 --> 01:20:02,519
Speaker 1: do of the math you divide selling two billion, three

1210
01:20:02,680 --> 01:20:09,280
Speaker 1: half fillion people half nineteen thousand dollars per person. Okay, alright, alright,

1211
01:20:09,439 --> 01:20:11,880
Speaker 1: quit thousand dollars per person. You do the math. I

1212
01:20:11,960 --> 01:20:17,519
Speaker 1: did the math right where the fund did that money? Though? Okay,

1213
01:20:17,640 --> 01:20:19,799
Speaker 1: now they want to tell off all the fucking beaches

1214
01:20:19,880 --> 01:20:22,880
Speaker 1: in Puerto Rico. You're selling the beaches and voter. That's

1215
01:20:22,880 --> 01:20:28,599
Speaker 1: what we're talking about. The close close school. Everybody's leaving

1216
01:20:29,320 --> 01:20:35,200
Speaker 1: big luckily, you know, you know, like like there's like

1217
01:20:35,280 --> 01:20:37,559
Speaker 1: a lot of ship that fun up white a lot.

1218
01:20:38,680 --> 01:20:43,080
Speaker 1: Next subject, what we want to talk about, Vega. I

1219
01:20:43,080 --> 01:20:45,200
Speaker 1: don't know, you want to change and stuff that. Yeah,

1220
01:20:45,240 --> 01:20:47,560
Speaker 1: well I feel like we should pop a champagne. I

1221
01:20:47,560 --> 01:20:52,160
Speaker 1: feel like you want to drink and doing yo that

1222
01:20:52,320 --> 01:20:56,880
Speaker 1: you really that gangster? You're just it's just tequila. Now

1223
01:20:56,960 --> 01:20:58,840
Speaker 1: when you get put on again killer, he was here

1224
01:20:58,880 --> 01:21:01,240
Speaker 1: in Mexico. Fucking horror. Come on, let's give us some

1225
01:21:01,360 --> 01:21:08,840
Speaker 1: horror story, okay, stror stories and horror horror story. I

1226
01:21:09,000 --> 01:21:14,920
Speaker 1: was on the plame one fright and horror stories more

1227
01:21:15,439 --> 01:21:20,120
Speaker 1: not horror horror horror not h O not h O

1228
01:21:20,479 --> 01:21:30,600
Speaker 1: r R E r h O E. Listen, you you

1229
01:21:30,680 --> 01:21:33,280
Speaker 1: got the whole stories, man, you know, tell us when

1230
01:21:33,280 --> 01:21:35,760
Speaker 1: you told them to leave away like when they came

1231
01:21:35,800 --> 01:21:38,400
Speaker 1: and said, I gotta suck your nick. You was in

1232
01:21:38,520 --> 01:21:42,160
Speaker 1: more connected, it's fantastic, and you was ina, let's to

1233
01:21:42,240 --> 01:21:44,960
Speaker 1: do them, Let's do it this way. Wanting to mess

1234
01:21:45,040 --> 01:21:51,360
Speaker 1: you something. You knowing this too, don't know what so

1235
01:21:51,479 --> 01:21:56,240
Speaker 1: you're knowing this English? Right? Okay, hold that thing against

1236
01:21:56,280 --> 01:21:59,600
Speaker 1: what's my name? Anyway? No, I mean I don't have

1237
01:21:59,720 --> 01:22:03,200
Speaker 1: the whole story from you. Don't come rappers got whole stories.

1238
01:22:03,600 --> 01:22:08,360
Speaker 1: Rappings are rappers. I'm a different breed, different person. You

1239
01:22:08,400 --> 01:22:15,519
Speaker 1: don't goa googlees nothing you have tell us about. I'm

1240
01:22:15,600 --> 01:22:19,160
Speaker 1: sorry I wondered it to you wrong. Give us your

1241
01:22:19,200 --> 01:22:30,240
Speaker 1: groupie story. Man, My goopies are like fucking awesome people. Broa, Yeah,

1242
01:22:31,000 --> 01:22:46,280
Speaker 1: you're hang out with time, Yeah, no's listen. I can't

1243
01:22:46,320 --> 01:22:48,120
Speaker 1: thank you enough to know. All I'm gonna do is

1244
01:22:48,160 --> 01:22:50,920
Speaker 1: take one more shot with you and then if hopefully

1245
01:22:51,000 --> 01:23:03,000
Speaker 1: invest there there because it be that way. Motherfucker yo

1246
01:23:03,439 --> 01:23:07,800
Speaker 1: baby taking a little shot. Yo. Let's dude, yo yo.

1247
01:23:07,960 --> 01:23:10,679
Speaker 1: I can't thank you enough for real. Thank you guys. Guys.

1248
01:23:12,040 --> 01:23:15,920
Speaker 1: All right, another cup, that's my other cup. That's my

1249
01:23:15,960 --> 01:23:19,360
Speaker 1: other cups, mother cup. Okay, we got more cups than

1250
01:23:19,360 --> 01:23:22,200
Speaker 1: another cup, but you know it's a great Yeah, I

1251
01:23:22,280 --> 01:23:28,600
Speaker 1: finish your cap. Okay the weekend, play handball when you

1252
01:23:28,680 --> 01:23:31,160
Speaker 1: when you pop the handball ship, I was sizing you up.

1253
01:23:31,439 --> 01:23:34,760
Speaker 1: I really feel like I don't handball. I'm just throwing

1254
01:23:34,800 --> 01:23:36,920
Speaker 1: it out there just to be trying to lose weight.

1255
01:23:39,080 --> 01:23:41,679
Speaker 1: That makes you feel good, you know. I'm just saying

1256
01:23:43,680 --> 01:23:47,240
Speaker 1: it's right if you fulfil fulfill your dream. In my mind,

1257
01:23:47,439 --> 01:23:50,600
Speaker 1: I want to beat you a handball. We go to

1258
01:23:50,680 --> 01:23:55,400
Speaker 1: the handball court. If you fulfill your dream, more power

1259
01:23:55,520 --> 01:23:57,479
Speaker 1: to you. I won't tell about it about it because

1260
01:23:57,479 --> 01:23:59,439
Speaker 1: you're my party. We can hear. Why why are you

1261
01:23:59,520 --> 01:24:02,240
Speaker 1: tilling that? Anybody boy? Because cilling yourself a stink. No,

1262
01:24:02,600 --> 01:24:06,439
Speaker 1: I can't do it. I just dood because Pun beat

1263
01:24:06,520 --> 01:24:10,160
Speaker 1: me one time and in inherit my feelings ever since. Then,

1264
01:24:10,439 --> 01:24:12,479
Speaker 1: to think about it, it's Puns like my best friend

1265
01:24:12,520 --> 01:24:14,840
Speaker 1: in hip hop see a big Pun. So when I

1266
01:24:14,880 --> 01:24:17,360
Speaker 1: see him in heaven. The first thing I'm gonna say too,

1267
01:24:17,400 --> 01:24:24,759
Speaker 1: mus like, how you doing rematch? Like immediately I'm that patty,

1268
01:24:25,040 --> 01:24:27,560
Speaker 1: like I love mon thing. I love you Pun, and

1269
01:24:27,640 --> 01:24:30,240
Speaker 1: then be match. I would do it. We would do

1270
01:24:30,280 --> 01:24:32,920
Speaker 1: it too, because you petty like me, are you Patty?

1271
01:24:33,200 --> 01:24:37,160
Speaker 1: Come on, keep it around? You're not Patty? Well, I can't.

1272
01:24:37,160 --> 01:24:39,680
Speaker 1: I can't spend the type of energy, bro, you know

1273
01:24:39,800 --> 01:24:42,760
Speaker 1: more partner, his girl went to jay Z video. He

1274
01:24:42,880 --> 01:24:51,120
Speaker 1: told me it's over. That's real changing the story. Just say,

1275
01:24:51,240 --> 01:24:55,439
Speaker 1: is he Patty? Holo? Holo? Is he Patty? Patty? After you?

1276
01:24:55,960 --> 01:24:58,760
Speaker 1: Is he Patty for going to jay? Just just just

1277
01:24:58,960 --> 01:25:04,240
Speaker 1: just just judge, hold on, hold on when because on

1278
01:25:04,400 --> 01:25:07,720
Speaker 1: what I'm telling you right now, right he found out

1279
01:25:07,840 --> 01:25:10,439
Speaker 1: his girl went to jay Z video and he said, bitch,

1280
01:25:10,479 --> 01:25:23,720
Speaker 1: it's over. It was a video, yo, you got it

1281
01:25:23,880 --> 01:25:26,439
Speaker 1: like that jay Z way after that, that's how you

1282
01:25:26,479 --> 01:25:31,760
Speaker 1: know it's changed, bad bad, But now now now, hold on,

1283
01:25:31,840 --> 01:25:34,840
Speaker 1: hold on, hold on. So now would you cut your

1284
01:25:34,880 --> 01:25:36,840
Speaker 1: girl off? And when she called you and saying want

1285
01:25:36,840 --> 01:25:41,880
Speaker 1: to the Thong song video? I would like maybe we

1286
01:25:41,920 --> 01:25:49,560
Speaker 1: should really just have a discussion. Also, if it was

1287
01:25:49,720 --> 01:25:54,439
Speaker 1: my girl and I knew what kind of relationship we

1288
01:25:54,560 --> 01:25:57,680
Speaker 1: were having, you know, and see that, I'm going to

1289
01:25:57,760 --> 01:26:00,360
Speaker 1: be cool with it. I'm not gonna be when they

1290
01:26:00,400 --> 01:26:02,840
Speaker 1: picked up that kind of cool as long as it's

1291
01:26:02,920 --> 01:26:07,320
Speaker 1: coming back to me, you know what I'm saying. I

1292
01:26:07,360 --> 01:26:09,080
Speaker 1: don't know if it came back to you, because I

1293
01:26:09,160 --> 01:26:11,920
Speaker 1: guess you know, nobody to give me again either way

1294
01:26:12,040 --> 01:26:14,000
Speaker 1: what happened, but you know you got to side what

1295
01:26:14,080 --> 01:26:18,720
Speaker 1: you gotta side, and based on your relationship, he forgave uh,

1296
01:26:19,600 --> 01:26:22,000
Speaker 1: you forgave U. And then she went to jay Z

1297
01:26:22,240 --> 01:26:31,160
Speaker 1: video story actually he's making act. He's going to make

1298
01:26:31,240 --> 01:26:34,640
Speaker 1: the screen. After after that, she go to jay Z

1299
01:26:34,880 --> 01:26:47,040
Speaker 1: video are you still forgiving? It's over? I listen. She

1300
01:26:47,280 --> 01:26:49,320
Speaker 1: go to the Thong song and then you hear this

1301
01:26:49,360 --> 01:26:54,200
Speaker 1: ship dogs. He's like a cool, You're like, my bitch

1302
01:26:54,320 --> 01:26:57,120
Speaker 1: is bad. But then she go to jay Z video.

1303
01:26:57,840 --> 01:26:59,519
Speaker 1: So let me ask you, broth, how do you feel

1304
01:26:59,520 --> 01:27:07,000
Speaker 1: about that ship? I don't know exact was the first video?

1305
01:27:07,160 --> 01:27:12,720
Speaker 1: The first video was what was the song? Okay? Look,

1306
01:27:13,680 --> 01:27:17,800
Speaker 1: how do you feel about it? About your girl? About

1307
01:27:17,800 --> 01:27:24,080
Speaker 1: the whole situation? How do you feel he's good? Like

1308
01:27:24,320 --> 01:27:30,760
Speaker 1: with what? What? Then? Are you good with? Wait? Wait?

1309
01:27:30,800 --> 01:27:32,920
Speaker 1: Wait wait wait wait do you say that again? What

1310
01:27:33,040 --> 01:27:39,880
Speaker 1: are you asking me? What theng? How do you feel

1311
01:27:40,320 --> 01:27:49,679
Speaker 1: about the situation with your girl? Where are you guys? Ago?

1312
01:27:49,720 --> 01:27:57,679
Speaker 1: I'm sorry I didn't over so you know what listen,

1313
01:27:58,040 --> 01:28:07,439
Speaker 1: this is obviously it's sucking still affecting you, Jeff, Yo,

1314
01:28:07,720 --> 01:28:11,960
Speaker 1: let me help you, Let me help you. That cold motherfucker.

1315
01:28:17,600 --> 01:28:21,160
Speaker 1: Wait wait wait, wait, hold up, say that again to

1316
01:28:21,280 --> 01:28:27,160
Speaker 1: your left and tell Nor to let it go. I'm sorry,

1317
01:28:28,720 --> 01:28:31,720
Speaker 1: I like, like, just let me give you because if

1318
01:28:31,760 --> 01:28:34,320
Speaker 1: it's been that long, I guess this has been brought

1319
01:28:34,400 --> 01:28:37,479
Speaker 1: up a few times on you, so you don't learn

1320
01:28:37,560 --> 01:28:40,760
Speaker 1: to use the fucking the vice and ship just like

1321
01:28:40,880 --> 01:28:43,200
Speaker 1: press the red button. I gotta, I gotta good one.

1322
01:28:43,600 --> 01:28:48,160
Speaker 1: It's just advice before you get about here the last year.

1323
01:28:48,920 --> 01:28:52,519
Speaker 1: It's the last question because we're family. Yeah, but he's

1324
01:28:52,560 --> 01:28:56,840
Speaker 1: also my friend and he also shared a condo at

1325
01:28:56,880 --> 01:29:12,880
Speaker 1: one point, I get your motherfucker's be tight. Motherfucking must

1326
01:29:12,920 --> 01:29:20,040
Speaker 1: be tight. HEMI the only one you shake hand with,

1327
01:29:21,520 --> 01:29:24,920
Speaker 1: and you don't have to wear your cleaning, do you know?

1328
01:29:25,000 --> 01:29:29,040
Speaker 1: I think? Man? Hello, listen, listen him and his friend Connor.

1329
01:29:29,120 --> 01:29:35,559
Speaker 1: He wanted to really, I do you should tell a story?

1330
01:29:35,960 --> 01:29:41,800
Speaker 1: Tell a story right here about to fucking bull hanging out.

1331
01:29:42,240 --> 01:29:44,599
Speaker 1: You never been to tell the story because we didn't

1332
01:29:44,600 --> 01:29:49,320
Speaker 1: get a clarifier story, bro, But that's sucking old bro,

1333
01:29:49,520 --> 01:29:55,680
Speaker 1: motherfucker shoving condoms. Wait wait, yo, he catching up, bro,

1334
01:30:01,240 --> 01:30:11,679
Speaker 1: fucking wrong with you? Ship. No, I'm not listening to him.

1335
01:30:12,439 --> 01:30:16,560
Speaker 1: I'm just complimenting what he says to you. Yeah, but

1336
01:30:17,479 --> 01:30:19,120
Speaker 1: you want to tell him the story? Can you tell

1337
01:30:19,200 --> 01:30:21,479
Speaker 1: the stormy? Are you really gonna tell me the story?

1338
01:30:21,920 --> 01:30:28,160
Speaker 1: Quick story? Cristal okay in five words. I was about

1339
01:30:28,200 --> 01:30:31,000
Speaker 1: to jump in so broad and the dude started walking

1340
01:30:31,040 --> 01:30:32,320
Speaker 1: into the room, and I was like, I'm hot to

1341
01:30:32,360 --> 01:30:35,559
Speaker 1: hear at the throt he went into the room. When

1342
01:30:35,600 --> 01:30:37,120
Speaker 1: he came out, he gave me a high five. I'm like,

1343
01:30:37,160 --> 01:30:39,000
Speaker 1: what's wrong with you? He goes, I used your joint

1344
01:30:39,040 --> 01:30:49,639
Speaker 1: off the floor? You know? So how did that make

1345
01:30:49,720 --> 01:31:10,880
Speaker 1: you feel? Wherever? Yo? Yo? Yo? Listen up? How did

1346
01:31:10,960 --> 01:31:16,719
Speaker 1: that make you feel that you fucking nephewl ship? Meaning

1347
01:31:17,400 --> 01:31:21,840
Speaker 1: you fucking panicked and somebody took a bastage of your

1348
01:31:21,880 --> 01:31:30,559
Speaker 1: panicking down about bo don't do that ship? You don't

1349
01:31:30,600 --> 01:31:43,320
Speaker 1: do that ship? Why? Why? What did like forty years ago? Boy? Seriously,

1350
01:31:43,479 --> 01:31:47,200
Speaker 1: you got let go ship? You got let go of ship?

1351
01:31:48,360 --> 01:31:57,920
Speaker 1: Let something like Columbia. Yeah there like snowflake f act,

1352
01:31:58,720 --> 01:32:07,160
Speaker 1: that bro, that is all over your fucking bear ship cleaning, yo, man,

1353
01:32:08,040 --> 01:32:14,400
Speaker 1: get a fucking dirt devil yo. Yeah, I can't think

1354
01:32:16,280 --> 01:32:23,320
Speaker 1: is coming on? Yo? Yo. One three times tears came

1355
01:32:23,400 --> 01:32:27,200
Speaker 1: in my eyes. It's only three times we did seventy

1356
01:32:27,280 --> 01:32:31,840
Speaker 1: three podcasts, seventy four podcast it's only three times tears

1357
01:32:31,960 --> 01:32:36,200
Speaker 1: Kate seventy four. I just said that, seventy four podcasts,

1358
01:32:36,200 --> 01:32:39,840
Speaker 1: only three times tears came on my did he did? He?

1359
01:32:40,040 --> 01:32:46,120
Speaker 1: For sure? You know it means that happened, you know,

1360
01:32:46,240 --> 01:32:51,360
Speaker 1: I mean happy, did get you free and right now

1361
01:32:51,600 --> 01:32:55,840
Speaker 1: and crap I think no, no, I'm crying tips and joy.

1362
01:32:56,040 --> 01:33:02,960
Speaker 1: You know. No, I just say that I appreciate it

1363
01:33:04,439 --> 01:33:06,000
Speaker 1: if I didn't see it, but I showed him to

1364
01:33:06,040 --> 01:33:08,320
Speaker 1: picture my father because I want to do it. What's

1365
01:33:08,360 --> 01:33:13,639
Speaker 1: the goal on Oscar Bio pick pick all my life?

1366
01:33:13,720 --> 01:33:15,840
Speaker 1: And I wanted I want you to play my father

1367
01:33:19,040 --> 01:33:22,120
Speaker 1: already looked like you already done because he's quarter weekend

1368
01:33:22,640 --> 01:33:25,560
Speaker 1: being I don't know that sounds racist to people, don't know,

1369
01:33:26,080 --> 01:33:28,479
Speaker 1: but no, we come said that you give him to

1370
01:33:28,520 --> 01:33:30,679
Speaker 1: give green contact. He got green, here's got blue eyes

1371
01:33:31,240 --> 01:33:43,760
Speaker 1: and you kind that in my back? Oh yeah, yo,

1372
01:33:44,040 --> 01:33:47,200
Speaker 1: super old. Thank you so much, Yo. I can't. I

1373
01:33:47,320 --> 01:33:49,200
Speaker 1: can't thank you. It's no way I can repay you

1374
01:33:49,360 --> 01:33:51,920
Speaker 1: unless you like the record movie, and I'll just start

1375
01:33:52,200 --> 01:33:57,200
Speaker 1: like in it for you, like you know, I'll do

1376
01:33:57,320 --> 01:34:01,120
Speaker 1: a role I shoot, but let's and but it's it's

1377
01:34:01,280 --> 01:34:03,760
Speaker 1: you know, it's so much of an honor to me

1378
01:34:03,920 --> 01:34:06,840
Speaker 1: the actor that I love. Like you know, there's so

1379
01:34:06,920 --> 01:34:09,360
Speaker 1: many actors that of our shots blew up. There's so

1380
01:34:09,400 --> 01:34:12,360
Speaker 1: many people that call us every we want to make

1381
01:34:12,920 --> 01:34:15,840
Speaker 1: we want to continue our authentic or people that we

1382
01:34:15,920 --> 01:34:20,599
Speaker 1: relate to. And um, we're not saying that we don't

1383
01:34:23,600 --> 01:34:28,840
Speaker 1: with you, but we're not put your own ship. We're

1384
01:34:28,880 --> 01:34:31,360
Speaker 1: not saying we're not saying that we didn't relate to

1385
01:34:31,479 --> 01:34:33,599
Speaker 1: other guys, but we relate to where we come from

1386
01:34:33,680 --> 01:34:36,960
Speaker 1: and what we're doing. And you are one. If we

1387
01:34:37,080 --> 01:34:40,320
Speaker 1: had to choose the first actor, we would love to

1388
01:34:40,439 --> 01:34:42,640
Speaker 1: choose you. And that's exactly what we did. We had

1389
01:34:42,880 --> 01:34:46,280
Speaker 1: like again, like I told you, we had actors, that's comedians, actors,

1390
01:34:46,360 --> 01:34:49,760
Speaker 1: that's raptors. We never had an actor actor. You are

1391
01:34:49,880 --> 01:34:53,400
Speaker 1: first actor actor and we have nothing but love and

1392
01:34:53,920 --> 01:34:57,600
Speaker 1: generosity and sincerity, and we just want to continue to

1393
01:34:58,200 --> 01:35:04,000
Speaker 1: take another shot with you and and continue to continue

1394
01:35:04,120 --> 01:35:08,120
Speaker 1: to celebrate your spirit, of your legacy, your everything that

1395
01:35:08,200 --> 01:35:13,880
Speaker 1: you represent because as a Latino, as a as as

1396
01:35:14,000 --> 01:35:18,040
Speaker 1: a as as ah, I would say in Puerto Rican

1397
01:35:18,120 --> 01:35:20,639
Speaker 1: as a pearto rigan and as a Latino and as

1398
01:35:20,680 --> 01:35:25,560
Speaker 1: it's just a man period. You are our version of

1399
01:35:25,680 --> 01:35:29,240
Speaker 1: Dan Jael. You are a hood version of Denzel. It's

1400
01:35:29,280 --> 01:35:31,479
Speaker 1: not a role that I ever seen you play that

1401
01:35:31,640 --> 01:35:34,840
Speaker 1: I gotta say, he's frying. That's why I never said

1402
01:35:34,880 --> 01:35:36,920
Speaker 1: what you notice all the questions I asked you, I

1403
01:35:37,040 --> 01:35:39,840
Speaker 1: never said what was your worst role? Because I can't

1404
01:35:40,080 --> 01:35:43,760
Speaker 1: I can't relate to that. Somebody else did probably say

1405
01:35:43,760 --> 01:35:45,360
Speaker 1: what is your worst role? By the fact, let me

1406
01:35:45,400 --> 01:35:48,720
Speaker 1: ask you what was the role that you took? And

1407
01:35:48,800 --> 01:35:52,840
Speaker 1: you said, I I ain't want that. I think every

1408
01:35:53,000 --> 01:35:55,960
Speaker 1: role I took, I took it because I we're taking

1409
01:35:56,000 --> 01:35:59,240
Speaker 1: it out to do it. You know. That's why every

1410
01:35:59,400 --> 01:36:01,320
Speaker 1: everything is different, you know what I mean. If you

1411
01:36:01,400 --> 01:36:03,320
Speaker 1: look at I look at it from the perspective of like,

1412
01:36:03,880 --> 01:36:05,920
Speaker 1: what did I learned from that moment? You know, and

1413
01:36:06,600 --> 01:36:08,720
Speaker 1: you look at your mistake or your flaws or what

1414
01:36:08,840 --> 01:36:11,280
Speaker 1: you can do better? And you know, and so you know,

1415
01:36:11,600 --> 01:36:13,960
Speaker 1: it's not been about being hard on yourself. You know,

1416
01:36:14,000 --> 01:36:17,240
Speaker 1: it's about learning from your process, you know, because that's

1417
01:36:17,400 --> 01:36:20,599
Speaker 1: that's where the teaching comes, you know. So I mean

1418
01:36:20,680 --> 01:36:23,120
Speaker 1: that's how I think. And you never had a role

1419
01:36:23,200 --> 01:36:25,240
Speaker 1: that you took that set. Damn, I wish I didn't

1420
01:36:25,240 --> 01:36:28,000
Speaker 1: do that well. I mean, there's roles that don't turn

1421
01:36:28,080 --> 01:36:30,240
Speaker 1: out the way you want them to, you know what

1422
01:36:30,280 --> 01:36:34,479
Speaker 1: I mean, because um, I can't tell you a movie,

1423
01:36:35,160 --> 01:36:37,880
Speaker 1: you know, because that's that's like my own thing. But

1424
01:36:38,840 --> 01:36:41,639
Speaker 1: sometimes they're just directors that take something in a different

1425
01:36:41,680 --> 01:36:46,439
Speaker 1: direction or something written differently in a different way to

1426
01:36:46,560 --> 01:36:50,880
Speaker 1: mean something different than like you know, you know from

1427
01:36:50,960 --> 01:36:53,640
Speaker 1: your life or whatever. Jet dothn't drive. I mean, but

1428
01:36:53,760 --> 01:36:57,320
Speaker 1: don't look really rare from me, because I mean I've

1429
01:36:57,320 --> 01:37:00,519
Speaker 1: been breast, Like I said, man, just about just about

1430
01:37:01,400 --> 01:37:04,760
Speaker 1: percent from what I've done, I've really enjoyed doing and

1431
01:37:04,920 --> 01:37:08,360
Speaker 1: have love working on and have learned from. And you know,

1432
01:37:09,120 --> 01:37:12,479
Speaker 1: I have worked for everybody man, you know, and you

1433
01:37:12,760 --> 01:37:17,000
Speaker 1: had that fucking unbelievable with shape what you know to

1434
01:37:17,200 --> 01:37:21,679
Speaker 1: Dixell Washington. I'm just saying, I mean everybody in between

1435
01:37:22,160 --> 01:37:28,280
Speaker 1: Sale you know, Nick No Team, you know Jennifer and

1436
01:37:29,960 --> 01:37:37,000
Speaker 1: you know you think, um ship, I'm sure I have

1437
01:37:37,840 --> 01:37:41,680
Speaker 1: you can tell him last I work. I mean, who

1438
01:37:41,800 --> 01:37:44,800
Speaker 1: have you know mouse tree. You know what I mean.

1439
01:37:46,600 --> 01:37:51,800
Speaker 1: I expect. I just wanted. He's never been to I

1440
01:37:51,840 --> 01:38:02,080
Speaker 1: don't understand that. But his face, ain't you hetty? He

1441
01:38:02,160 --> 01:38:06,320
Speaker 1: said sixty sixty sixty six people. He's going to be

1442
01:38:06,439 --> 01:38:08,719
Speaker 1: tight and not want to see. I can see. Listen

1443
01:38:08,800 --> 01:38:11,000
Speaker 1: if you look at me and my nephew cuts, my

1444
01:38:11,200 --> 01:38:14,439
Speaker 1: barber shape us up. He goes right, but my barber

1445
01:38:14,720 --> 01:38:17,479
Speaker 1: he shaped him up. But he said, fuck his side.

1446
01:38:19,560 --> 01:38:21,800
Speaker 1: So I told him, Man, we're all the time on

1447
01:38:21,920 --> 01:38:29,320
Speaker 1: the times you say it doesn't deserve to be another one.

1448
01:38:29,479 --> 01:38:32,640
Speaker 1: I mean, hold, I feel like this shot is not.

1449
01:38:34,680 --> 01:38:37,679
Speaker 1: I feel like this shot is not. He's been shot.

1450
01:38:38,920 --> 01:38:45,519
Speaker 1: He's not beating me. He's good. There's not being quarter

1451
01:38:45,600 --> 01:39:01,639
Speaker 1: weekend yea, And I can help four years nothing. Yeah,

1452
01:39:03,680 --> 01:39:07,320
Speaker 1: I'm actually you'll eat. I'm gonna be honest. I gotta

1453
01:39:07,360 --> 01:39:09,280
Speaker 1: take a pep's real quick because you hold it down

1454
01:39:09,360 --> 01:39:11,920
Speaker 1: to come back. And we only got only got five

1455
01:39:11,960 --> 01:39:13,920
Speaker 1: more minutes for a more minutes, that's it. But I

1456
01:39:13,960 --> 01:39:19,559
Speaker 1: gotta take a pep's Okay, okay, okay, I mean we're

1457
01:39:19,600 --> 01:39:25,040
Speaker 1: doing the waiting. I don't unhook myself, radmu chairman, look yo,

1458
01:39:25,560 --> 01:39:33,360
Speaker 1: bro stuff he wants to go back to the father

1459
01:39:33,479 --> 01:39:36,960
Speaker 1: to What do you gotta say, bro, Now, when you

1460
01:39:37,000 --> 01:39:39,080
Speaker 1: were saying the stuff about that, think he was being

1461
01:39:39,120 --> 01:39:42,720
Speaker 1: frag mentioned. That's the one thing that I think, the

1462
01:39:42,880 --> 01:39:45,240
Speaker 1: only thing if anybody can say there's anything positive about

1463
01:39:45,240 --> 01:39:48,439
Speaker 1: Trump is what he intacted Mexican. That was one of

1464
01:39:48,439 --> 01:39:50,360
Speaker 1: a few times I've ever seen all Latino's kind of

1465
01:39:50,400 --> 01:39:55,879
Speaker 1: come together and out here in Colombia. You know, everybody's

1466
01:39:55,880 --> 01:39:57,640
Speaker 1: been asking me about Trump and this and that and

1467
01:39:57,720 --> 01:40:01,920
Speaker 1: this and that. But you're kind of talking about like

1468
01:40:02,280 --> 01:40:04,240
Speaker 1: that we need or we don't have to the lack

1469
01:40:04,320 --> 01:40:06,960
Speaker 1: of someone like leading us as a whole. Like what

1470
01:40:07,120 --> 01:40:10,679
Speaker 1: do you think how can we fix that fragmentation? Because

1471
01:40:10,680 --> 01:40:13,120
Speaker 1: I think it's it's deeper than like it's go back

1472
01:40:13,160 --> 01:40:16,320
Speaker 1: to colonial times. Why we're so fragmented as as a people,

1473
01:40:16,520 --> 01:40:20,600
Speaker 1: as a final, as an ethnicity or whatever. Well, I

1474
01:40:20,720 --> 01:40:23,560
Speaker 1: think number one right now, you know, there's like a

1475
01:40:23,640 --> 01:40:27,240
Speaker 1: lot of fear within our community because there's sending these

1476
01:40:27,280 --> 01:40:32,000
Speaker 1: freaking ice squads. You know, I'm breaking and breaking families up.

1477
01:40:32,080 --> 01:40:35,320
Speaker 1: But I mean, look at that many Latinos that are

1478
01:40:35,360 --> 01:40:42,400
Speaker 1: born in this country, and and you know, we have

1479
01:40:42,640 --> 01:40:47,599
Speaker 1: to really strengthen the grassroots of Latino communities, because that's

1480
01:40:47,600 --> 01:40:49,920
Speaker 1: where it stocked. Man, the grassroots, you know what I mean,

1481
01:40:50,600 --> 01:40:55,120
Speaker 1: like Korean Latino politicians and not the fucking ante because

1482
01:40:55,160 --> 01:40:58,479
Speaker 1: they have an agenda and to meet that agenda not

1483
01:40:58,600 --> 01:41:03,760
Speaker 1: beneficial to the community. Team, but the community, you know,

1484
01:41:04,080 --> 01:41:06,719
Speaker 1: has an agenda and the agenda you know, they wanted

1485
01:41:06,760 --> 01:41:10,120
Speaker 1: better their lives and and and make sure that their

1486
01:41:10,200 --> 01:41:12,840
Speaker 1: kids can go to college and it's affordable and then

1487
01:41:12,920 --> 01:41:14,760
Speaker 1: they gotta go health Kare and ship like that. But

1488
01:41:15,600 --> 01:41:19,600
Speaker 1: you know, somehow some leader had to come up. Or

1489
01:41:20,920 --> 01:41:25,080
Speaker 1: you know, even if it's like four or five Latinos

1490
01:41:25,120 --> 01:41:28,920
Speaker 1: that come together at the front and they represent every

1491
01:41:29,080 --> 01:41:32,880
Speaker 1: cross of Latino in this country, then at least that's

1492
01:41:32,880 --> 01:41:40,120
Speaker 1: the beginning. Why because um, the vote, man, the voat

1493
01:41:40,200 --> 01:41:44,120
Speaker 1: when when Latino voting numbers and when they understand the

1494
01:41:44,240 --> 01:41:47,160
Speaker 1: issues and ships like that, you know, we're a very

1495
01:41:47,240 --> 01:41:52,040
Speaker 1: powerful force. You know. But like I said, man, this

1496
01:41:52,240 --> 01:41:56,559
Speaker 1: election that happened, this passion that this country ge happens

1497
01:41:57,160 --> 01:41:59,519
Speaker 1: the way it happened, I think people need to study it,

1498
01:42:00,320 --> 01:42:03,200
Speaker 1: you know, um, really take a look at it, because

1499
01:42:03,720 --> 01:42:07,120
Speaker 1: you know, to me, there's something wrong when somebody loses

1500
01:42:07,240 --> 01:42:11,560
Speaker 1: a election by four million votes and they're the president,

1501
01:42:12,160 --> 01:42:15,479
Speaker 1: and then the old fucking system called the electorial college.

1502
01:42:16,080 --> 01:42:20,680
Speaker 1: So did somebody vote? You know here, it's worth more

1503
01:42:20,720 --> 01:42:24,400
Speaker 1: than somebody's here. Who you know, it's it's you know,

1504
01:42:24,439 --> 01:42:27,280
Speaker 1: I should be one person would vote. Man. That's how

1505
01:42:27,360 --> 01:42:31,560
Speaker 1: every other democracy in this university does it. You know,

1506
01:42:31,720 --> 01:42:36,160
Speaker 1: we have another electorial college. Somebody loses by four million,

1507
01:42:36,240 --> 01:42:38,639
Speaker 1: and he fucking thinks that like, I want my lass,

1508
01:42:38,720 --> 01:42:43,479
Speaker 1: Like you know what, two seventy compared to fifty three

1509
01:42:43,680 --> 01:42:48,880
Speaker 1: million people? You know that there's no are you fucking

1510
01:42:48,960 --> 01:42:53,439
Speaker 1: kidding me? You know? So? Um, But then again I

1511
01:42:53,560 --> 01:43:00,200
Speaker 1: also feel that, um, the Democratic candidate wasn't the right

1512
01:43:00,280 --> 01:43:08,040
Speaker 1: candidate either. Yeah, I I was. I was promoting get

1513
01:43:08,080 --> 01:43:12,320
Speaker 1: out the vote. I was promoting altel Bernie Sanders, you know,

1514
01:43:12,640 --> 01:43:17,479
Speaker 1: because I dug his philosophy. I feel like I felt

1515
01:43:17,600 --> 01:43:22,840
Speaker 1: I felt that he woke up you know, the thing

1516
01:43:22,960 --> 01:43:26,920
Speaker 1: called millennials. So people finally say, oh ship, I had

1517
01:43:26,960 --> 01:43:29,720
Speaker 1: a fucking purpose to vote. But then again, I think

1518
01:43:29,760 --> 01:43:34,439
Speaker 1: that the Democratic national committees to advantage Bernie Sanders, you know,

1519
01:43:34,680 --> 01:43:38,120
Speaker 1: and know the again, all the old school kind of

1520
01:43:39,040 --> 01:43:42,760
Speaker 1: politicians that you know, guys gotta fucking progress, get up

1521
01:43:42,800 --> 01:43:45,679
Speaker 1: on your ay, so show up just every four years,

1522
01:43:45,800 --> 01:43:49,760
Speaker 1: you know, like they advantage Bernie, you know, and I'm

1523
01:43:49,800 --> 01:43:52,120
Speaker 1: not saying that. You know, Bernie would have been the

1524
01:43:52,160 --> 01:43:56,439
Speaker 1: perfect candidate, but we all had a choice, and you know,

1525
01:43:56,520 --> 01:43:59,280
Speaker 1: I think this country was willing to make that choice,

1526
01:44:00,160 --> 01:44:03,400
Speaker 1: and not all this ship has happened, whether like you know,

1527
01:44:04,680 --> 01:44:08,639
Speaker 1: the Russian involved in controlling you know, the key states

1528
01:44:08,720 --> 01:44:12,160
Speaker 1: and shape and behalf of what's his face, you know,

1529
01:44:12,479 --> 01:44:15,880
Speaker 1: but it is what it is, you know. I just

1530
01:44:16,040 --> 01:44:20,120
Speaker 1: think that people need to step up, and anybody that

1531
01:44:20,240 --> 01:44:23,680
Speaker 1: go to Washington, d C. To represent your constituents, you know,

1532
01:44:23,840 --> 01:44:26,800
Speaker 1: that really should be the primary job to do, and

1533
01:44:26,920 --> 01:44:30,040
Speaker 1: not that of special interest because then you know, um,

1534
01:44:30,360 --> 01:44:33,280
Speaker 1: it's people that vote for you to be where you are,

1535
01:44:33,520 --> 01:44:37,479
Speaker 1: and it's not you know, again the special interest people. Again,

1536
01:44:38,280 --> 01:44:41,120
Speaker 1: the people, you know what I think. But the people

1537
01:44:41,720 --> 01:44:45,760
Speaker 1: have to be willing to question their authority, you know,

1538
01:44:46,360 --> 01:44:48,200
Speaker 1: and what I mean by the authority, they have the

1539
01:44:48,240 --> 01:44:52,040
Speaker 1: authority to say, yo, do we voted you in your women,

1540
01:44:52,160 --> 01:44:54,519
Speaker 1: we voted you in? What are you doing for us?

1541
01:44:54,640 --> 01:44:58,080
Speaker 1: You know? So I mean, let me really look at it,

1542
01:44:58,439 --> 01:45:02,639
Speaker 1: you know, shout. I'm taking another shot and I'm out

1543
01:45:02,680 --> 01:45:05,200
Speaker 1: of here. That's it my shot. You gotta do it.

1544
01:45:05,320 --> 01:45:07,479
Speaker 1: I'm done. You gotta do one more stop, one more

1545
01:45:07,520 --> 01:45:09,360
Speaker 1: shot in part the week and party weeken can never

1546
01:45:09,439 --> 01:45:11,679
Speaker 1: say no. Huh, that's what I was saying. I don't

1547
01:45:11,680 --> 01:45:15,880
Speaker 1: say no, but no more falling by a moment. You

1548
01:45:15,920 --> 01:45:20,040
Speaker 1: could never say okay, okay, and you look, you can

1549
01:45:20,120 --> 01:45:23,880
Speaker 1: take all three bottles of the killer. Look you got you? Wait?

1550
01:45:23,960 --> 01:45:29,920
Speaker 1: What's this other one? Made it? I didn't take that.

1551
01:45:33,360 --> 01:45:35,599
Speaker 1: Thank you so much. I appreciate it. Be let mere

1552
01:45:35,600 --> 01:45:37,240
Speaker 1: taking a picture in the drop, and that's it and

1553
01:45:37,320 --> 01:45:44,160
Speaker 1: we're done. Come on, let's go laptop, we hold the phone,

1554
01:45:44,240 --> 01:45:48,639
Speaker 1: let's do it all right? Good? We didn't you mind?

1555
01:45:48,680 --> 01:45:50,960
Speaker 1: You be well? That's doing that. We're doing to take

1556
01:45:50,960 --> 01:45:54,000
Speaker 1: a picture in the drop, and then we're done. You're

1557
01:45:54,000 --> 01:46:00,800
Speaker 1: gonna be your love. They love you, bro ship. Come on,

1558
01:46:00,920 --> 01:46:06,160
Speaker 1: Come on, come move over the wall, Come on, come on,

1559
01:46:06,280 --> 01:46:14,680
Speaker 1: we're all doing. Raise it up. Get Mac out of

1560
01:46:14,680 --> 01:46:21,720
Speaker 1: the way. You got the league. Yeah, to the turn

1561
01:46:21,880 --> 01:46:33,040
Speaker 1: this way? Thank you? Now what we're doing? Get your

1562
01:46:33,160 --> 01:46:37,600
Speaker 1: verse drive on the drive, A little chat. Shut the

1563
01:46:37,680 --> 01:46:44,439
Speaker 1: funk up? Hold on right, you ready, hold on, I

1564
01:46:44,520 --> 01:46:47,720
Speaker 1: got to drive. Man. You look like he's holding your head.

1565
01:46:49,320 --> 01:46:53,439
Speaker 1: Got you ready? Hand said pulp your south benish your boy.

1566
01:46:53,520 --> 01:46:56,960
Speaker 1: And this is a drink chat, motherfucking podcast. Make so no.

1567
01:47:00,600 --> 01:47:05,320
Speaker 1: My brother fais in Colombia talked to me. What's going on? Man,

1568
01:47:08,400 --> 01:47:12,920
Speaker 1: we're doing that drink chess international huh? And who we were?

1569
01:47:13,120 --> 01:47:18,440
Speaker 1: Our brother Tom Tom Tom Tom? My name legal elis

1570
01:47:18,560 --> 01:47:21,360
Speaker 1: Lois side baby. You know even though he cut you

1571
01:47:21,720 --> 01:47:26,720
Speaker 1: once the way he said that he'll cut you, cut you,

1572
01:47:27,240 --> 01:47:31,720
Speaker 1: put the game on stop. This is how we're doing

1573
01:47:31,880 --> 01:47:37,960
Speaker 1: drink drink chess. E is skyping from a whole another Shanghai, Shanghai, Colombia,

1574
01:47:38,280 --> 01:47:41,360
Speaker 1: made up baby together and then now they slipping coke.

1575
01:47:41,840 --> 01:47:46,479
Speaker 1: They tipping Colombian Chinese coke. It's crazy, but it's going down.

1576
01:47:46,880 --> 01:47:50,600
Speaker 1: Drink taps and SUPERHWL. We love you brother, We know

1577
01:47:50,720 --> 01:48:01,479
Speaker 1: you don't cocaine no more. It's fantastic. We're going right now.

1578
01:48:01,600 --> 01:48:09,599
Speaker 1: Picture right here, we go, everybody, Yeah, okay, cocaine spun.

1579
01:48:12,720 --> 01:48:15,559
Speaker 1: Picture right here, picture right here? Come on, we got

1580
01:48:15,680 --> 01:48:18,080
Speaker 1: him up. Is a fan here, I don't name your fan.

1581
01:48:18,320 --> 01:48:25,920
Speaker 1: I got You're gonna get you gotta relae. Look you're

1582
01:48:25,960 --> 01:48:36,800
Speaker 1: in a good bus here quickly. I feel like you

1583
01:48:36,880 --> 01:48:43,960
Speaker 1: got okay, man, thank you guys. Come on for like

1584
01:48:44,040 --> 01:48:45,880
Speaker 1: one more shot me and you just me and you

1585
01:48:46,640 --> 01:48:52,639
Speaker 1: just me and you production goods for real? Brout there

1586
01:48:52,720 --> 01:48:56,639
Speaker 1: man see you they're listening. Yes, yes, sneak yes, still

1587
01:48:56,720 --> 01:48:59,519
Speaker 1: will say you got one more? Just one more? That's

1588
01:48:59,520 --> 01:49:04,599
Speaker 1: whatever you want, whatever you you. I'm going through your stuff.

1589
01:49:05,360 --> 01:49:07,640
Speaker 1: Do you have the two bottles to go? You have

1590
01:49:07,720 --> 01:49:13,479
Speaker 1: a bottle? Brother? There you go watch talk about the

1591
01:49:13,560 --> 01:49:24,560
Speaker 1: label giving at Rey will look at me. I'm responsible

1592
01:49:24,640 --> 01:49:29,240
Speaker 1: for this ship has not been a public service. And friend,

1593
01:49:30,280 --> 01:49:37,120
Speaker 1: you'll thank you so much making you're first actor acting

1594
01:49:37,160 --> 01:49:41,519
Speaker 1: with everybody else's actor, comedian, actor, rapper actor. Do you

1595
01:49:41,640 --> 01:49:44,960
Speaker 1: our first pole fledge actor? And I cannot thank you.

1596
01:49:45,400 --> 01:49:48,000
Speaker 1: I thank you with real And now I'm gonna start

1597
01:49:48,040 --> 01:49:51,880
Speaker 1: the oranges and my shit all right because right there

1598
01:49:52,160 --> 01:49:55,599
Speaker 1: for you, I was confused. Ww me down for life.

1599
01:49:56,400 --> 01:50:00,040
Speaker 1: I can feel I was confu for me, bro, I

1600
01:50:00,320 --> 01:50:06,880
Speaker 1: got words for take a pictures three yo, yo, rich, rich,

1601
01:50:07,040 --> 01:50:12,080
Speaker 1: and get us today. Yeah, I want to ask in

1602
01:50:12,160 --> 01:50:17,120
Speaker 1: the middle. Kayn't get hosking. I don't even know who

1603
01:50:17,160 --> 01:50:20,120
Speaker 1: asking is. The super How boys, I'm suing asking to that.

1604
01:50:20,479 --> 01:50:24,479
Speaker 1: You get that right over there? Yeah there we go

1605
01:50:24,640 --> 01:50:29,920
Speaker 1: right there. That's great. Took one time to you see

1606
01:50:30,240 --> 01:50:33,680
Speaker 1: my brother's man. You do right, Thank you, Thank you

1607
01:50:33,800 --> 01:50:39,479
Speaker 1: so at man Yanna for ya Minyana. Going to gonna

1608
01:50:39,479 --> 01:50:47,680
Speaker 1: miss lea take since since I was cant much like

1609
01:50:48,520 --> 01:51:01,800
Speaker 1: the little move, don't you gotta watch out? I said,

1610
01:51:02,200 --> 01:51:06,360
Speaker 1: I'm not coming out and good ye do. Please don't

1611
01:51:06,439 --> 01:51:09,880
Speaker 1: forget the word. I was afraid to a drop back.

1612
01:51:09,920 --> 01:51:14,120
Speaker 1: Then you gotta nobody told you to do that. Look

1613
01:51:14,160 --> 01:51:16,200
Speaker 1: at that all these other ships he took the one

1614
01:51:16,280 --> 01:51:22,519
Speaker 1: you only to Yeah. Yeah, can keep up the good work.

1615
01:51:24,520 --> 01:51:26,720
Speaker 1: Thank you, sure can? I say I appreciate everything. It's

1616
01:51:26,760 --> 01:51:28,559
Speaker 1: kind of late, so I don't know when I got

1617
01:51:28,720 --> 01:51:34,320
Speaker 1: this ship. I don't play friend anyway, ain't guys, Thank you,

1618
01:51:35,600 --> 01:52:11,800
Speaker 1: thank you. Look him, you gotta relax him. Find all

1619
01:52:11,800 --> 01:52:14,599
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Speaker 1: today to learn more. Restriction supplied