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Speaker 1: It's time time to wake up teaching Intel and Charlott,

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Speaker 1: I mean the doctor to practice club bitching, the voice

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Speaker 1: of the culture. People watch The Breakfast Club for like

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Speaker 1: news to really be tuned in. It's one of my

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Speaker 1: favorite shows to dude, just because y'all all wish keeping

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Speaker 1: one hunting, y'all, keep it real. They might not watch

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Speaker 1: the news, but they're on Twitter, they're on Facebook, they're

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Speaker 1: you know, they're listening to the break of the Club.

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Speaker 1: Gets your ass, wake up, wake up, wake y'all, as

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Speaker 1: this is your time to get it off your chat

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Speaker 1: with your man of Blake. We want to hear from

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Speaker 1: you on the Breakfast Block. We got on the line. Oh,

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Speaker 1: good morning and good morning. I just want to know

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Speaker 1: what type of name is Endzo for a dog? What

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Speaker 1: is that? Actually ends up? And that was the name

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Speaker 1: of the dog when I purchased it. Different words. The

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Speaker 1: dog is a year old and that's the dog's name.

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Speaker 1: Why don't you like her name? I mean that's weird.

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Speaker 1: I'm actually mad at you too. Um antheline. You said

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Speaker 1: you said something about somebody running up on empty for autographs.

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Speaker 1: I mean, he isn't no celebrity. You keep bus humble,

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Speaker 1: baby us humble. There you go, my brother, keep us humble.

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Speaker 1: Damn it. You ain't no damn celebrity. I know I'm

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Speaker 1: trying to get there. Hello, who's this? Hey? What's up? Man?

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Speaker 1: Tell about you mad? The reason I'm mad? I'm not

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Speaker 1: at myself? It couldn't be this launch red line, the

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Speaker 1: same dude who played porn Stash oranges New blank with

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Speaker 1: the car, who played a leper crn in American Guy.

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Speaker 1: You out of your damn mind? How you just realizing that? Man?

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Speaker 1: I don't know how they him realize himself for it.

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Speaker 1: That's good acting, though, That's that's a little good acting. Yeah,

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Speaker 1: that's that's exactly what you and I ain't catch more

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Speaker 1: until it was mad late. Hey, I'm gonna tell you

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Speaker 1: what's even stranger when you see them out in public

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Speaker 1: and don't even realize they tell later, Hey, ain't that

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Speaker 1: boy Stash? My goodness? Chandler, good morning, And how you're doing.

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Speaker 1: I ain't called you chanting the lad this time? Man?

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Speaker 1: You got it right. I appreciate it. I appreciate Tell

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Speaker 1: them why you mad? B well? Mad well? One? I

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Speaker 1: wanted to tell you and Charlottagne that Tupac did perform

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Speaker 1: mcavelli before he died. He only performed at that House

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Speaker 1: of Blues. But that was okay, yeah right, and that's

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Speaker 1: the only place you know he performed that. He made

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Speaker 1: that song before, like one of his first songs. But anyway,

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Speaker 1: for the albums now, I'm gonna be honest. Now, I've

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Speaker 1: seen a lot of tupockets story and say that never happened,

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Speaker 1: but I'll take your word for it. But it was. Yeah,

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Speaker 1: it was only at the House of Blues. But I'm

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Speaker 1: mad because the NBA is trash, man. They only letting

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Speaker 1: two teams. Uh, Like they got two super teams and

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Speaker 1: then all the other teams just trash. What's the point

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Speaker 1: of watching the NBA until the NBA Finals and the

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Speaker 1: NBA Finals is even wax. I'm just mad that the

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Speaker 1: commissioners letting all these super teams come by. Yeah, man,

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Speaker 1: I was taking the same, like, they gotta start nicking

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Speaker 1: some of these moves. Can they decline tries the NBA

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Speaker 1: can Clintries? I mean I've seen him do it before.

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Speaker 1: They did it with Chris Paul. I don't know why

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Speaker 1: they did it, what they did it. And back to

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Speaker 1: the Tupac movie with they I spoke to them and

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Speaker 1: what they said took them over the top with the

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Speaker 1: finances was clearing on the Tupac music. They didn't get

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Speaker 1: the forty five million though I talked I talked NT yesterday.

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Speaker 1: They didn't get the forty one. Now he's saying that's

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Speaker 1: what took him over the top though, that's why it

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Speaker 1: was so expensive to clear the must It was about

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Speaker 1: thirty and then with the music being cleared, that's another

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Speaker 1: fifteen million. All right, get it off your chests. Eight

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Speaker 1: hundred five eight five one oh five one. If you're upset,

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Speaker 1: you need to vent, call us now or you feel blessed.

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Speaker 1: Phone lines are wide open. It's to breakfast club. Good morning,

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Speaker 1: the breakfast club, to pick up the mother mother phone

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Speaker 1: and down. This is your time to get it off

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Speaker 1: your chat nother. You're mad less. You want to hear

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Speaker 1: from you on the breakfast club, so you better have

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Speaker 1: the same energy. Well Jackson, good morning, yo, yo, I

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Speaker 1: made it. Oh my god, it's crazy I'm talking about

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Speaker 1: right now. You call it from Chicago, right well, yeah, yeah, yeah,

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Speaker 1: Chicago music saying nobody worked together. I'm a rapper here

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Speaker 1: for I'm a nice thing. But nobody else wants to

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Speaker 1: do anything. So you're not me but uh yo mad

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Speaker 1: because you can't get into the music industry. Uh, nobody

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Speaker 1: wants to do any thing goes besides rap, like uh

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Speaker 1: for example, that there's no engineers, no producers, no uh,

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Speaker 1: guys don't want to be their manses, you know, just

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Speaker 1: the person they're hype man. Nobody wants to run the

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Speaker 1: streets for tickets. Whatever. That's your lane. Brother. You always

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Speaker 1: got to remember where there's rappers and singers, then there's

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Speaker 1: gonna always be a need for engineers and all that

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Speaker 1: other good stuff. So figure it out. That's your lane. Well,

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Speaker 1: we'll let you spit gus for a quick sixteen. Oh

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Speaker 1: you want a rappers you want to be engineer? I

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Speaker 1: think he's a rapper. You're a rapper, right, yeah, I'm

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Speaker 1: a rapper. Hit myself, that's fit. Uh all right, listen.

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Speaker 1: I have a book out called Black Privilege Opportunity. They

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Speaker 1: didn't one of the chapters. No, one of the principles

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Speaker 1: in my book is after your dreams. Okay, go rap

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Speaker 1: gd man, look back on dirt, back on say still

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Speaker 1: tuck their chains, attack their wings and felt their dirt

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Speaker 1: and right It's too early for that. Man. If your

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Speaker 1: dreams bro go, figure out something else to do with

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Speaker 1: your life. Man, maybe you want to trust something else.

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Speaker 1: You want to be behind the scenes engineer. Ain't bad?

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Speaker 1: Learn to make some beach or something. Jesus Christ. Yes,

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Speaker 1: it's always hired. Chris. Hello, what's up? Yes? Hey, what's up? Man?

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Speaker 1: Was going on? You blessed? Why are you so blessed

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Speaker 1: this morning? Yo? I'm blessed because I got a job.

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Speaker 1: You feel me. I'm about to be a first time father.

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Speaker 1: You know what I'm saying. My girlfriends too much pregnant,

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Speaker 1: and we got a YouTube, so we're gonna show the

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Speaker 1: whole world that you know our YouTube pateam the Dream

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Speaker 1: Challenge to Perteam the Dream. Why why, no, no no, no?

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Speaker 1: Why do you need a YouTube? Man? You gotta have

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Speaker 1: four sorts of incoming on to make it right. It

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Speaker 1: looks are rich, so you're trying to get video hits

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Speaker 1: to make some money. Yes, do you exploit your wife

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Speaker 1: every twenty You're exploiting me, your wife, vagina and your

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Speaker 1: wife's birth. Yes, yeah, I get that. I got a

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Speaker 1: job on my laborhood at CC. And why you know

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Speaker 1: I got a girlfriend that loves me. I got a

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Speaker 1: baby that I love that that she's too much pregnant

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Speaker 1: right now. And we got a YouTube where we do

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Speaker 1: pranks and challenges and stuff like that. So we're hoping

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Speaker 1: to build our brain. We want more than just this.

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Speaker 1: You know, everybody want to be a freaking star boy.

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Speaker 1: Y'all gonna learn the hard way. Let him make his money,

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Speaker 1: all right, Hey, what money? He said, he's doing prink

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Speaker 1: you too, ain't even paying like that. No more pranks, yes, prank?

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Speaker 1: All right, Well, I hope your white pranks you in

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Speaker 1: the delivery room and said, guess what it's not yours.

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Speaker 1: Hope a little white boy comes out of her vagina

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Speaker 1: all right, and she said, gotcha? And he said, you

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Speaker 1: want to do a prank? All right, get it off

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Speaker 1: your chest eight hundred and five eight five one on

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Speaker 1: five one. If you're upset, you need to vent or

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Speaker 1: if you feel blessed, you can hit it up. It's

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Speaker 1: the Breakast Club the morning, the Breakfast Club turning. Everybody

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Speaker 1: is dj Enzy Angela Yee, Charlomagne, the guy. We are

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Speaker 1: the Breakfast Club. We got a special guest in the building.

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Speaker 1: What's happening? What's up? What's going on? Man? To sign high?

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Speaker 1: I always wanted to know what did you mean when

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Speaker 1: you said, really don't do breakfast club interviews? Oh no,

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Speaker 1: real gangsters don't do Yeah, because um, you know now,

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Speaker 1: I used to see a lot of artists come up

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Speaker 1: here man be like, don't want to answer the question

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Speaker 1: when you asking, you know what I mean? Like they'd

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Speaker 1: be like trying to act all tough about be like, man,

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Speaker 1: you're an artist, bro. Yeah, if you like, we don't

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Speaker 1: do no interviews, you should bring your attorney with you.

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Speaker 1: I'm just saying that's if that's how, if that's what

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Speaker 1: we're really doing. So it's just like I'd be wondering.

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Speaker 1: I'd be fans of the artists. I'd be like, they

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Speaker 1: ain't answer that one that was Yeah, you're not being interrogated,

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Speaker 1: it's an interview. Yeah. So it's like, if you really

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Speaker 1: a street dude, you really don't want to come and

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Speaker 1: talk about what's your life and what made you an

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Speaker 1: artist and what inspired you, then this ain't the interview.

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Speaker 1: This ain't the place for that. Yeah. Absolutely. Now let's

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Speaker 1: know you you're a writer as well as an artist.

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Speaker 1: A lot for Kanye, yes, sir, Now like balls of hooks, uh,

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Speaker 1: more of everything. It's more just brainstorming, like it ain't

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Speaker 1: more so like hey like bow wow, and I'm like okay,

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Speaker 1: I mean you know what I'm saying, Like right, wrapped

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Speaker 1: that like that. No, it's more so half of the

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Speaker 1: time were just being there talking about the record. The

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Speaker 1: record Man Pablo was done probably in like seven days.

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Speaker 1: The whole Life of Bablo. He wrapped all at the

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Speaker 1: Jungle Studio. He wrapped twelve verses before the Pablo thing

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Speaker 1: in the Madison Square Guard. Really he just rapped all

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Speaker 1: two over. Didn't go to sleep. It was just him

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Speaker 1: killed me a chance and were just sitting there and

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Speaker 1: made him wrap everything. But we've just been talking about

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Speaker 1: it for two years though we didn't even had a

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Speaker 1: lyrics laid. So it was just like he did twelve

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Speaker 1: records in one week. I mean, like you know, it

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Speaker 1: might not even then one week. He might have been

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Speaker 1: like three days. He stayed up like straight and went

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Speaker 1: straight to Madison Square. Gard was your favorite, Yeah yeah, yeah,

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Speaker 1: I love that record too. Yeah yeah. So when Cuttie

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Speaker 1: came in there, it was just like man, that's like

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Speaker 1: the Holy Trinity. I was just in the bag, like wow,

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Speaker 1: I've never seen him work together before, and so that

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Speaker 1: was the first for me. You um, well, he discovered

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Speaker 1: me on the ind ofnet I did a song guy

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Speaker 1: named Pelle and yellow Wolf Pills. Yeah, so I was

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Speaker 1: if I don't got nam against him, I don't rock

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Speaker 1: with you know what I'm saying. I didn't. I just

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Speaker 1: had to find some guys that was like in my

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Speaker 1: lane because in Atlanta was tough for me to like

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Speaker 1: do what type of music I wanted. So I just

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Speaker 1: kind of got fed up with my situation. It was like,

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Speaker 1: you know, I' much gonna gona rap with dudes who wrapped,

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Speaker 1: even if they ain't that poblo or whatever. So we

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Speaker 1: did this record and we did a little you know

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Speaker 1: fifteen on all the video and ya seen it on

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Speaker 1: the internet, and just kind of start putting on this

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Speaker 1: tumbler and then a week lady flew me to a

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Speaker 1: wire and it was just and we've been conversations. What Arrow?

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Speaker 1: Was just say, yeah, what Arrow? This my beautiful dart

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Speaker 1: twister fantas. Okay. Yeah, So that's when I first met him.

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Speaker 1: During that album, I always wondered where you frustrated, like

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Speaker 1: just trying to put out that solo album, I mean

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Speaker 1: that debut album or was it you being patient and saying, okay,

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Speaker 1: it's not time, it's not time. Well, one thing for me, man,

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Speaker 1: I'm like, I experienced the streets in on a sober level.

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Speaker 1: So I was just happy to not have to go

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Speaker 1: back to the trap I would have gave. I would

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Speaker 1: have delivered waters in turn saying Carrie quit me, I

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Speaker 1: wouldn't even tripping so a lot of time. That may

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Speaker 1: be my fault because I was just I'm just happy

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Speaker 1: not you know, they have to do what I used

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Speaker 1: to do so then, and I understand the fans was like,

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Speaker 1: you know, very adamant about it. So I definitely wanted

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Speaker 1: to do this for them too as well, not just

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Speaker 1: for myself. But I was never frustrated because I hadn't

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Speaker 1: worked on his last five albums. I'm pretty absolutely okay, Yeah,

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Speaker 1: I definitely gotta play. Oh no, he overly paid. That's

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Speaker 1: an issue for no issue like he had come like

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Speaker 1: he is overly paid me. Okay, all right, A dude

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Speaker 1: walked in the studio with some leather black jeans on,

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Speaker 1: and here's a thing song and jeans on. Get a

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Speaker 1: part of the song that I helped, you know what

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Speaker 1: I'm saying, putting together. Yes, bro, he if you're delivering waters,

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Speaker 1: if you the engineer, if you're the cameraman, if he

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Speaker 1: actually one thing about this song, your name is on

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Speaker 1: the record. That's why I'd be so many people. Really,

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Speaker 1: all you got to do is be in the brainstorming.

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Speaker 1: If you was in the brain store room, you get

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Speaker 1: part of the record. Ain't like everybody wrote on the record.

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Speaker 1: It's just everybody who was in there get pieces of

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Speaker 1: you the piano player. That's so interesting because you wonder,

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Speaker 1: like like sometimes Kanye seems so narsistic and it seems

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Speaker 1: like he had such a big ego and he seems

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Speaker 1: so self centered that you wouldn't think he would be

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Speaker 1: such a giving person like that. Yeah, man, because you

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Speaker 1: already you know, the samples already taken up. He got

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Speaker 1: three samples, so that's all. It's fifteen twenty people gotta

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Speaker 1: chop up. But that's just how he is. He just

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Speaker 1: you know what I mean. So I appreciate them, you

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Speaker 1: know what I'm saying, because a lot of times, you know,

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Speaker 1: people don't do that, people don't even recognize nobody, but

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Speaker 1: he overly recognized. I'm talking. If you answering the door,

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Speaker 1: you're asking what you're publishing. Wax, He first deal was

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Speaker 1: with Acon. Yeah, now how did you look up with

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Speaker 1: Acon or what happened with that situation? Well, my first

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Speaker 1: deal was actually with Nuni and Jazz Fay. I was

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Speaker 1: in a group, but damn they take me back with

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Speaker 1: that one. Yeah, I got my first dude like fifteen,

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Speaker 1: So you know what I mean. I was always like

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Speaker 1: one of the best rappers in my opinion, but um, yeah,

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Speaker 1: I knew Booth through my potting, you know what I'm saying.

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Speaker 1: So I knew Booth through Bach, you know what I mean.

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Speaker 1: So I was just a dude. I was just trying

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Speaker 1: to get out of my situation. I was signing some gangsters,

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Speaker 1: you know what I'm saying. They were just like, Okayn,

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Speaker 1: you want to get out of this, we need this.

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Speaker 1: So I'm like, okay. So I'm trying to figure out

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Speaker 1: somebody that it helped me, you know what I mean,

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Speaker 1: you know, give me a check on something. So Boots like,

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Speaker 1: no what, y'all loved it. So I always got a

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Speaker 1: place even though our situation that all the way work

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Speaker 1: out because you know, the deaf jam regime and you

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Speaker 1: know La Reads and all that. I just always appreciated

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Speaker 1: him for just taking a chance to like get me

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Speaker 1: out of my situation. I ain't need nothing else from Boot.

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Speaker 1: It didn't kind of go right because once I got

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Speaker 1: to death Jam, it was like Boot left booing La

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Speaker 1: Red left and like four months after that, so it

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Speaker 1: was like, damn stuck. I'm stuck. But then people know

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Speaker 1: Yay just started, so they're like, Okay, we don't want

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Speaker 1: to let them go. Yeah, and I'm like, nah, it ain't.

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Speaker 1: This ain't the people who signed me. So Yay was

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Speaker 1: just like, yo, man, come over and write from me.

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Speaker 1: You know what I'm saying, do this, do this, and

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Speaker 1: then we'll get you some cachet and then you we

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Speaker 1: can come back and you know, get you out of

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Speaker 1: that situation. And that's why I'm here today. No Dope

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Speaker 1: on Sundays. He was with def Jam before Good Music.

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Speaker 1: Yeah yeah, I was already on Death Jam. It just

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Speaker 1: you know, I wasn't making trap records, so me and

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Speaker 1: you know convit was kind of butting heads about that

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Speaker 1: you're from Atlantic, he should be making the bounce Yeah yeah, yeah,

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Speaker 1: but I didn't. I couldn't listen to rap growing up,

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Speaker 1: I didn't start listening to routs. How about fifteen, Yeah,

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Speaker 1: I heard your parents were scrick Was it a religious thing?

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Speaker 1: Oh yeah, yeah. Well, I mean I just grew up

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Speaker 1: in the church and I was like, probably bad, more

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Speaker 1: badder than I should have been at that age. So

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Speaker 1: they were just trying to keep it away from me.

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Speaker 1: But I always heard it, like when I went to

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Speaker 1: SKA ring or I went to like out to the

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Speaker 1: club or whatnot. But my first CD I purchase was

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Speaker 1: Reasonable Doubt And it was written because this dude for

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Speaker 1: Philly was teaching me how to wrap, and I just

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Speaker 1: thought this man was the most prolific well year old

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Speaker 1: thirty yard heard because you have to rap, Like, nah,

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Speaker 1: I was wrap. You know what I'm saying to me,

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Speaker 1: I'm trying to I don't wrap him. One time he

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Speaker 1: hit me with how you like me? Naw, I go

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Speaker 1: that move crowd, getting in the middle of a a cipher

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Speaker 1: and he's killing me. Always he's like telling me, how

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Speaker 1: I made you give you ain't gonna do me like

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Speaker 1: me on the und So about four or five years later,

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Speaker 1: I'm in the call my one of my other New

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Speaker 1: York dudes. I'm in high school now and then I

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Speaker 1: just here, come on, how you like me? Na. I'm like,

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Speaker 1: oh oh man, that's my Potner record. They're like, well,

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Speaker 1: you know, not like nas my potn We got more

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Speaker 1: with Side How the Prince, Where we come back, don't move.

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Speaker 1: It's to Breakfast Club, Good morning, the Breakfast Club. Everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the guy. We are

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Speaker 1: the Breakfast Club. Side How the Princess in the building.

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Speaker 1: Now you kid nap Kanye West and you shot up

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Speaker 1: to death gym office the song Elephant in the Room.

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Speaker 1: Let's talk about no man, Well, a lot of people

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Speaker 1: don't know. Ya gave me that beat and we came

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Speaker 1: up that topic together. Okay. So the thing we was

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Speaker 1: about to do like this eminem Doctor Dre album, and

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Speaker 1: he had some controversions that he was going through. People

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Speaker 1: would like keep asking me, like, you know, different things

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Speaker 1: they asking me. That was like the biggest thing, Like, man,

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Speaker 1: why ya you won't put your own up? Why anyone

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Speaker 1: never yave fault? It was just like depth jam on

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Speaker 1: a power struggle. So I just decided to write a

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Speaker 1: rapper about because I was just tired of going the

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Speaker 1: grocery store. Tired and going it when people keep asking me,

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Speaker 1: like bro, like ask me something else, you know what

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Speaker 1: I mean? So I made a song that I thought

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Speaker 1: actually would cut the air was like a parody almost

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Speaker 1: to me, because you know, Meek and Drake were going

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Speaker 1: through these things. I just threw it out there, just

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Speaker 1: like throw it off, and it just the disrecord from

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Speaker 1: something that was a disrecord, like oh okay. So I

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Speaker 1: had to really explain it. But Noah me and Ya

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Speaker 1: was good. He actually had a verse to it. And

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Speaker 1: if we never finished the actual album, so, I mean,

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Speaker 1: I sit on so many records i'd be mad. So

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Speaker 1: sometimew we'll just let something go that probably once for

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Speaker 1: to go. Y'all gonna do a whole project called Elephant

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Speaker 1: in the Room. No, I was gonna be like an eminem.

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Speaker 1: I don't know what the name of its gonna be,

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Speaker 1: but it was gonna be like, you know, like a

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Speaker 1: mutue conscious Yeah, who take advice with somebody who slapped

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Speaker 1: people like we're going back and forth. Let maybe ran

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Speaker 1: on stage with old girl. How are you gonna give me?

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Speaker 1: You know what I mean? So that's how we was

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Speaker 1: just kind of really starting to brew it. But it

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Speaker 1: just never came to fluish or something not because like

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Speaker 1: I mean, you know, man, one thing about bro Man

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Speaker 1: he's a free artist, so I can't you can't even

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Speaker 1: rush his greatness in so many senses. It's like, man,

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Speaker 1: I didn't seen him come up with the last minute

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Speaker 1: that we've been trying to get him a code with

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Speaker 1: for six months. And they'd be like, oh, like Famous,

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Speaker 1: the famous record. That's really yeah, like he just but

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Speaker 1: we've been talking to it, like, bro, we gotta have it. Bro,

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Speaker 1: they got all like other records on the album. Yeah,

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Speaker 1: he'll just like people just don't understand. People think when

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Speaker 1: they see him, they think that he got a bunch

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Speaker 1: of goals, right, none of that happens without him, Like

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Speaker 1: all of us could be there and he ain't there

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Speaker 1: and it it ain't gonna come out like that. Oh so

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Speaker 1: y'are not writing stuff beforehand and saying yea saying say

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Speaker 1: as as a thing like yeah, well say say you

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Speaker 1: know you're gonna jump on the jet this time and

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Speaker 1: take it out of that line. He's like, okay, ye

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Speaker 1: that dude kind of go better. Like it's just like

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Speaker 1: stuff like that. It ain't like just like I said,

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Speaker 1: and I'm like rights not. He doesn't care about people

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Speaker 1: knowing he got ghostwriters. I think it's been pretty open

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Speaker 1: about it. I don't think I don't think it's he

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Speaker 1: don't look at it a ghost right though. It's like,

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Speaker 1: because you got to think about tell people this is

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Speaker 1: once you already conquered rap or body wrap, you can

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Speaker 1: have ghostwriters. That's to me because I go to the Grammys.

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Speaker 1: I'm at the Grammys every year. They'll walk on stage.

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Speaker 1: It's fifteen people who helped up with this record. You're

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Speaker 1: gonna stay saying all these other pop or they got

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Speaker 1: twenty people on stage, but then rap, it just got

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Speaker 1: to be you and the engineer. It's like, how do

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Speaker 1: you compete with twenty great musical minds and it's just

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Speaker 1: you and the engineer. Also benefits the people that are,

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Speaker 1: you know, artists that work with you on your labor,

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Speaker 1: because they get to make some money. Is there in

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Speaker 1: the room helping you write. So now that he contributed

386
00:18:03,720 --> 00:18:06,359
Speaker 1: to the chack, he contributed, we were having a conversation

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00:18:06,480 --> 00:18:09,000
Speaker 1: and now everybody gets paid. But back in the day,

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Speaker 1: unless unless we don't know, those guys were creating immaculate records.

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Speaker 1: I guess by themselves. Yeah, yeah, nas what it was mad?

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Speaker 1: They called Jay early on Reasonable Dial, Biggie, you're ready

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Speaker 1: to die? Wu Tang Like I don't think they had ghostwriters, Yeah,

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Speaker 1: but I think. I mean, I'm pretty sure they had

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Speaker 1: some partners in their feeding, like I know Biggs through

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Speaker 1: j A few lines like yo say this, say that,

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Speaker 1: like it just even your partner in their smoking. Oh,

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Speaker 1: I like that one. Just if you don't even react

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Speaker 1: to a line that might be like count right that line.

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Speaker 1: I'm partner didn't react how I wanted to react. So

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Speaker 1: you know, a lot of times it's just more side

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00:18:44,440 --> 00:18:47,879
Speaker 1: about vibes. It ain't really more so about the actual lyrics.

401
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Speaker 1: They said that you exposed that you too was ready

402
00:18:50,640 --> 00:18:54,440
Speaker 1: and it was the playlist on Spotify. What happened with that? No,

403
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Speaker 1: I don't know what that is. I thought I thought

404
00:18:56,640 --> 00:18:59,199
Speaker 1: that was something that um first of all, First of all,

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Speaker 1: I thought somebody had my computer. So I'm over getting

406
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Speaker 1: all this, guys. I'm saying that's why I was nervous.

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00:19:07,720 --> 00:19:10,160
Speaker 1: But I think it's a playlist that I was about

408
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Speaker 1: to put up from my album that kind of is

409
00:19:12,119 --> 00:19:15,160
Speaker 1: gonna massage you, you know, get my album kind of gets.

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Speaker 1: You just happen to title stuff from Yes's too. I

411
00:19:17,960 --> 00:19:20,320
Speaker 1: ain't even that computer saying. He didn't say I'm just

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Speaker 1: gonna keep you all with them or with you, But

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Speaker 1: I still I'm still penciling ping, So I don't know

414
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Speaker 1: how I got up there. I was were trying to

415
00:19:26,359 --> 00:19:28,439
Speaker 1: figure that out. Now I'm just making sure my stuff then,

416
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Speaker 1: because I do have those type of records on my

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Speaker 1: computer if the story is correct. I remember that for

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Speaker 1: the first season's album, when YA bought Rick Rubin and

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00:19:35,920 --> 00:19:37,919
Speaker 1: they said it was like six records, he cut off

420
00:19:37,960 --> 00:19:39,679
Speaker 1: the album that he was gonna use for the sequel,

421
00:19:40,040 --> 00:19:43,119
Speaker 1: and you just happened to put up six records. I mean,

422
00:19:43,280 --> 00:19:46,560
Speaker 1: I might have about twenty of them, to be honest

423
00:19:46,920 --> 00:19:49,960
Speaker 1: in computer right now, I mean stashed away. You know

424
00:19:50,000 --> 00:19:51,640
Speaker 1: what I'm saying. But I'm just saying, like the six

425
00:19:52,400 --> 00:19:55,280
Speaker 1: is selling me short. So I don't I know the name.

426
00:19:55,359 --> 00:19:57,080
Speaker 1: Mean you know I inter rested in that Elephant in

427
00:19:57,119 --> 00:19:58,720
Speaker 1: the Room project man, because I want to know what

428
00:19:58,880 --> 00:20:02,399
Speaker 1: Kanye was hitting about. Don't yeah, I mean that man.

429
00:20:02,440 --> 00:20:04,080
Speaker 1: He was just talking about a lot, like you know me,

430
00:20:04,400 --> 00:20:06,160
Speaker 1: I don't really be knowing the folks you were talking

431
00:20:06,160 --> 00:20:11,600
Speaker 1: about Elon Musk and Phoebe f from Atlanta. Bro, I

432
00:20:11,720 --> 00:20:14,359
Speaker 1: know black people, really, I don't really know all of

433
00:20:14,520 --> 00:20:16,879
Speaker 1: you know what I mean England designers, no disrespect. But

434
00:20:17,440 --> 00:20:19,200
Speaker 1: he'd be going in on me a bottom like you

435
00:20:19,320 --> 00:20:21,760
Speaker 1: know this mother who who told me I can't have it?

436
00:20:21,840 --> 00:20:23,720
Speaker 1: He like? Who is that? I'm like, who a yeah,

437
00:20:23,800 --> 00:20:28,520
Speaker 1: but let's make I'm a god. We got these headphones

438
00:20:28,560 --> 00:20:30,639
Speaker 1: for you right here. Oh yeah, oh yeah, you are

439
00:20:30,640 --> 00:20:34,080
Speaker 1: a rapper. Everybody don't who don't know if Prince can

440
00:20:34,119 --> 00:20:35,840
Speaker 1: really rap it? Like and there talking about he wrote

441
00:20:35,880 --> 00:20:40,760
Speaker 1: for ya with this guy. We don't know when you're ready.

442
00:20:40,800 --> 00:20:43,639
Speaker 1: I wrapped. I wanted too many blunts. I'm apologized. Here

443
00:20:43,720 --> 00:20:49,399
Speaker 1: we go, let go. How so how the Prince no

444
00:20:49,520 --> 00:20:57,200
Speaker 1: dope on Sundays? Yes? Can you hear me? Okay, huh?

445
00:20:57,480 --> 00:21:00,320
Speaker 1: How about this rot? Because I could never force I

446
00:21:00,440 --> 00:21:02,840
Speaker 1: had dreams of me being on the Forbes list and

447
00:21:02,960 --> 00:21:05,960
Speaker 1: the fortress with so much shrugs in that bitch. You

448
00:21:06,040 --> 00:21:08,800
Speaker 1: gotta move it with a forkliff. I always say my

449
00:21:08,880 --> 00:21:11,640
Speaker 1: grace before my forkcliff. This four fifth for my waist.

450
00:21:11,680 --> 00:21:13,840
Speaker 1: I go to the war with or if I try

451
00:21:13,880 --> 00:21:16,840
Speaker 1: to take away the lords give the man talking world peace.

452
00:21:17,000 --> 00:21:19,399
Speaker 1: Don't hit the fan rappers out hit faked beats and

453
00:21:19,440 --> 00:21:22,280
Speaker 1: wears bisman man. I never threw a rock and den

454
00:21:22,400 --> 00:21:25,040
Speaker 1: hit my hand. Y'all should come castes because I'm in

455
00:21:25,119 --> 00:21:27,440
Speaker 1: the man. Every floor was unecut dope. I wrapped it

456
00:21:27,520 --> 00:21:33,000
Speaker 1: in san let's go u okay, Yeah, I say mine

457
00:21:33,040 --> 00:21:36,080
Speaker 1: up an outlaw. I'm a diamond without flaws. I doubt

458
00:21:36,200 --> 00:21:38,719
Speaker 1: y'all ever heard them with a south draw that can

459
00:21:38,760 --> 00:21:41,200
Speaker 1: out ball anybody in this town. Dog, I say that

460
00:21:41,280 --> 00:21:43,840
Speaker 1: comfort the balls out shopping in the town hall. Huh.

461
00:21:43,960 --> 00:21:46,960
Speaker 1: I run the underground. I'm the ground hall, neil all strong,

462
00:21:47,320 --> 00:21:50,320
Speaker 1: waiting on my downfall. They shooting shots, pootie tanking with

463
00:21:50,440 --> 00:21:53,040
Speaker 1: the bounce off, all out the window, oozy hanging shoot

464
00:21:53,040 --> 00:21:55,600
Speaker 1: the south path. Even your fans could catch it. That's

465
00:21:55,640 --> 00:21:57,600
Speaker 1: a foul ball. You don't want to see them. Guys

466
00:21:57,640 --> 00:21:59,920
Speaker 1: pull up with them golf clubs nine or the four

467
00:22:00,080 --> 00:22:03,199
Speaker 1: or ironess a toss up. Scared do drive bys, they

468
00:22:03,240 --> 00:22:05,399
Speaker 1: do walk ups. How you're tough? Tough? Two or two

469
00:22:05,440 --> 00:22:07,600
Speaker 1: dollars state ahead of my time. Y'all didn't know I

470
00:22:07,720 --> 00:22:09,920
Speaker 1: was two. I was late. Huh you suckers better move

471
00:22:09,960 --> 00:22:12,520
Speaker 1: out the way, because on my birthday I wish it would.

472
00:22:12,600 --> 00:22:16,119
Speaker 1: Then I blew out the cake celebration toast to the

473
00:22:16,240 --> 00:22:18,600
Speaker 1: good life, huh, because I can die the night knock

474
00:22:18,640 --> 00:22:21,080
Speaker 1: on wood twice as the kushlight. I walk around like

475
00:22:21,119 --> 00:22:23,400
Speaker 1: I'm bush white. I try to stay down the earth,

476
00:22:23,480 --> 00:22:26,080
Speaker 1: but out of took flight, just like an old school Sheville,

477
00:22:26,119 --> 00:22:28,200
Speaker 1: like got hood stripe. You could tell a lot about

478
00:22:28,240 --> 00:22:30,280
Speaker 1: the bitch by how she cooked rice, which I would

479
00:22:30,400 --> 00:22:32,480
Speaker 1: might tell the chart before this good pipe. What I

480
00:22:32,560 --> 00:22:35,199
Speaker 1: looked like. That bitch must have must stook my kindness

481
00:22:35,280 --> 00:22:38,680
Speaker 1: for weakness, silence for meekness, sleepless nights, trying not to

482
00:22:38,800 --> 00:22:41,440
Speaker 1: die in the street. Baby girl, I don't mean to

483
00:22:41,560 --> 00:22:43,639
Speaker 1: be facetious. I cut a bitch y'a off at the

484
00:22:43,720 --> 00:22:46,200
Speaker 1: gym if I see fit. But on some g I

485
00:22:46,320 --> 00:22:48,119
Speaker 1: still get your weed. Fis you want to be a

486
00:22:48,200 --> 00:22:50,000
Speaker 1: fund on my arm? But I'm trying to speech stick

487
00:22:50,200 --> 00:22:52,600
Speaker 1: enough about these chicken heads come like I'm three six

488
00:22:52,800 --> 00:22:54,880
Speaker 1: When the weed lit, the rappers is in some deep

489
00:22:55,520 --> 00:22:57,560
Speaker 1: just can't keep a secret, but I want to sneak this.

490
00:22:57,840 --> 00:22:59,760
Speaker 1: But the side of the jolly ranchers thinking I'm gonna

491
00:22:59,760 --> 00:23:03,879
Speaker 1: sweet upbraiding from my amg. Two more horses than the

492
00:23:03,920 --> 00:23:06,720
Speaker 1: finish line at the Preakness. I used to break them down,

493
00:23:06,880 --> 00:23:09,680
Speaker 1: make sure what was remixed, then then surfing up the

494
00:23:09,680 --> 00:23:12,120
Speaker 1: street from Eastwick. I was the lord of rap Way

495
00:23:12,160 --> 00:23:14,600
Speaker 1: before I toward the Math. I got too much to lose.

496
00:23:14,640 --> 00:23:17,080
Speaker 1: I can't afford to trap. The FBI got me bugged,

497
00:23:17,240 --> 00:23:23,280
Speaker 1: even my water tap. Now I'm done with you. Press

498
00:23:26,080 --> 00:23:28,440
Speaker 1: is out right now, Yes, go get it. No dope

499
00:23:28,520 --> 00:23:31,119
Speaker 1: on Sundays. Man, If I appreciate your breakfast club man,

500
00:23:31,359 --> 00:23:33,720
Speaker 1: but let me bring this message to your platform. Tell

501
00:23:33,880 --> 00:23:36,080
Speaker 1: Kanye if he don't post your album morning Instagram. He

502
00:23:36,119 --> 00:23:38,159
Speaker 1: don't got an Instagram Twitter. He ain't got that on

503
00:23:38,240 --> 00:23:40,159
Speaker 1: the morning, but I might. I might have him revigorate.

504
00:23:40,240 --> 00:23:46,520
Speaker 1: He got something. Absolutely you heard Charlemagne. All right, there

505
00:23:46,560 --> 00:23:48,440
Speaker 1: you have it. It's the breakfast cloak of morning. Hey,

506
00:23:52,560 --> 00:23:54,560
Speaker 1: it's time to shoot your shot. To shoot your shot

507
00:23:54,680 --> 00:23:57,919
Speaker 1: with the breakfast club. Just want chance, don't mess it up,

508
00:23:58,160 --> 00:24:00,600
Speaker 1: mess it up right now this morning. You have somebody

509
00:24:00,640 --> 00:24:03,200
Speaker 1: on the phone lines. His name is big Les. You there, sir,

510
00:24:03,560 --> 00:24:07,840
Speaker 1: yo yo, a little bit show man. I love you.

511
00:24:08,280 --> 00:24:10,200
Speaker 1: Oh my goodness, you sound like you're about forty five

512
00:24:10,320 --> 00:24:13,840
Speaker 1: fifty years old. Hey, man, I mean, ain't nothing gonna

513
00:24:14,000 --> 00:24:19,000
Speaker 1: number all right? Okay, less, now let's explain it to us. Now,

514
00:24:19,520 --> 00:24:22,600
Speaker 1: you have a crush on your daughter's best friend. You

515
00:24:22,760 --> 00:24:25,840
Speaker 1: got that right? How old are you, big lass? Forty six?

516
00:24:26,119 --> 00:24:29,560
Speaker 1: How old is your daughter's friend? She's about twenty two?

517
00:24:29,760 --> 00:24:32,960
Speaker 1: Twenty three? A right? You got relax, My goodness, you

518
00:24:33,040 --> 00:24:35,800
Speaker 1: gotta relax, all right. So you you have a crush

519
00:24:35,840 --> 00:24:37,520
Speaker 1: on you? How long have you known your daughter's friend?

520
00:24:38,280 --> 00:24:41,640
Speaker 1: Since long? How long? I have a normal? How long?

521
00:24:41,720 --> 00:24:48,359
Speaker 1: You marmal? Little kid? That's so you've been watching your

522
00:24:48,480 --> 00:24:50,480
Speaker 1: daughter's friend grow up since she was a little kid,

523
00:24:50,600 --> 00:24:53,119
Speaker 1: and you had a crush on her. Well you know

524
00:24:53,280 --> 00:24:55,879
Speaker 1: what she you know she? You know? You sound like,

525
00:24:57,200 --> 00:25:00,960
Speaker 1: oh wait a minute now, wa you don't go down.

526
00:25:01,440 --> 00:25:04,560
Speaker 1: Don't go there. I'll expect you a lot. I love you,

527
00:25:04,880 --> 00:25:07,960
Speaker 1: but you sound like a pedophile. You've been playing on

528
00:25:08,080 --> 00:25:10,600
Speaker 1: recruiting this girl since she was in elementary school. That's

529
00:25:10,600 --> 00:25:12,960
Speaker 1: the way. It's the way your voice is warbling. Also,

530
00:25:13,280 --> 00:25:19,639
Speaker 1: that's illegal that Charlotte. Man, No, no, let's fast forward this.

531
00:25:20,280 --> 00:25:24,440
Speaker 1: You know what I'm saying. Wow, whoa okay, twenty twenty two,

532
00:25:24,560 --> 00:25:27,240
Speaker 1: twenty three years old. If you see this girl, man,

533
00:25:28,000 --> 00:25:30,199
Speaker 1: you know she put Coca Cola out of business. By

534
00:25:30,280 --> 00:25:32,480
Speaker 1: the way, you've watched American Beauty one too many times.

535
00:25:32,560 --> 00:25:34,320
Speaker 1: And the reason you want to fast forward this conversation

536
00:25:34,359 --> 00:25:36,359
Speaker 1: because you're trying to fast forward this girl's life. Now

537
00:25:36,440 --> 00:25:38,760
Speaker 1: she's of age. You want her and that's disgusting. I don't.

538
00:25:38,760 --> 00:25:42,000
Speaker 1: I want to task that, that's what I want. I

539
00:25:42,000 --> 00:25:43,440
Speaker 1: can't talk to you no more. I'm not I'm not

540
00:25:43,480 --> 00:25:47,399
Speaker 1: talking about I want to tapad. I ain't feel right

541
00:25:47,480 --> 00:25:49,280
Speaker 1: trying to set this up. I will check it out.

542
00:25:49,320 --> 00:25:50,920
Speaker 1: I got an older uncle that I want to hook

543
00:25:50,960 --> 00:25:53,560
Speaker 1: up with your daughter. He's fifty seven, So you're gonna

544
00:25:53,600 --> 00:25:55,439
Speaker 1: go there. Yeah, it's an old as man out here

545
00:25:55,520 --> 00:25:57,480
Speaker 1: lusting for your daughter the same way you lusting for

546
00:25:57,560 --> 00:26:00,399
Speaker 1: this little young girl. Well, you know what, you know what,

547
00:26:00,800 --> 00:26:03,000
Speaker 1: she's a grown woman. I taught her, well she can

548
00:26:03,160 --> 00:26:08,520
Speaker 1: handle stop it. But how would you feel? How would

549
00:26:08,520 --> 00:26:12,280
Speaker 1: you feel if your daughter's friend, if her dad tried

550
00:26:12,320 --> 00:26:15,080
Speaker 1: to talk to your daughter that's a little awkward. Well,

551
00:26:15,200 --> 00:26:17,520
Speaker 1: you know what I mean, Like, you know, she's crown.

552
00:26:17,920 --> 00:26:21,960
Speaker 1: I gave her everything and all the ammunitions. She needs

553
00:26:22,200 --> 00:26:24,400
Speaker 1: to be a grown ass woman. Yeah, now I beat

554
00:26:24,440 --> 00:26:26,399
Speaker 1: your ass. But hold on, when we're gonna call on,

555
00:26:26,720 --> 00:26:27,840
Speaker 1: is he trying to tell us that he taught his

556
00:26:27,920 --> 00:26:29,920
Speaker 1: daughter how to pop that poom poom old boom. But

557
00:26:29,960 --> 00:26:32,640
Speaker 1: we're gonna call this young lady. Hold on, I don't

558
00:26:32,640 --> 00:26:34,119
Speaker 1: want no part of this. No, no, we're gonna tell

559
00:26:34,119 --> 00:26:36,119
Speaker 1: her young lady that she can't do this. But I

560
00:26:36,160 --> 00:26:39,520
Speaker 1: would whoop his ass absolutely well if my daughter brought

561
00:26:39,560 --> 00:26:43,320
Speaker 1: home a guy my age, I ain't even talking about wife.

562
00:26:43,760 --> 00:26:45,879
Speaker 1: Let me rephrase that, I'm knowing near that but older

563
00:26:45,920 --> 00:26:48,680
Speaker 1: than me. I'm whooping his ass. He ain't even talking

564
00:26:48,720 --> 00:26:51,200
Speaker 1: about wife and her. He just talking about wanting to smash.

565
00:26:51,240 --> 00:26:53,840
Speaker 1: That's what's discussing. And in fact, he knew her since

566
00:26:53,880 --> 00:26:56,040
Speaker 1: he was a kid, that she was a kid. That's

567
00:26:56,560 --> 00:26:58,719
Speaker 1: all right. Well, when we come back, we're gonna call

568
00:26:58,800 --> 00:27:04,200
Speaker 1: this young ladys Jasmine and keep it locked. This bad pointing.

569
00:27:04,280 --> 00:27:07,760
Speaker 1: Everybody is DJ Envy Angela Yea, Charlomagne the guy. We

570
00:27:07,880 --> 00:27:09,880
Speaker 1: are the Breakfast Club. If you just joined us, we're

571
00:27:09,920 --> 00:27:12,960
Speaker 1: doing shoot your shot now. That's when you can call.

572
00:27:13,080 --> 00:27:15,360
Speaker 1: You can email us the Breakfast Club am at gmail

573
00:27:15,400 --> 00:27:17,840
Speaker 1: dot com. If there's somebody that you know that you

574
00:27:17,960 --> 00:27:20,120
Speaker 1: are interested in and you want to try and see

575
00:27:20,160 --> 00:27:22,040
Speaker 1: if it could work out, we're gonna let you call

576
00:27:22,119 --> 00:27:24,920
Speaker 1: him live on air. Now we have Big Les on

577
00:27:25,000 --> 00:27:28,840
Speaker 1: the phone lines right now. He's actually calling his daughter's

578
00:27:29,000 --> 00:27:31,479
Speaker 1: best friend. Now Big Less is probably in his fifties.

579
00:27:31,760 --> 00:27:33,760
Speaker 1: His daughter's best friend. I'm guessing this is around twenty

580
00:27:34,359 --> 00:27:37,560
Speaker 1: early twenties. But we told big Les we're gonna let

581
00:27:37,600 --> 00:27:40,320
Speaker 1: him shoot his shot. So let's let's dial the number.

582
00:27:40,480 --> 00:27:53,640
Speaker 1: All right, Hello, Hey, hey, Jasmine, this is big Less.

583
00:27:53,720 --> 00:27:57,760
Speaker 1: What's up? Hey? What's up about you? Knowing? Oh? I'm

584
00:27:57,840 --> 00:28:01,080
Speaker 1: doing all right, baby girl? What's home that I'm good?

585
00:28:01,680 --> 00:28:06,520
Speaker 1: What's up? Oh? Man? You know like you know? Uh?

586
00:28:07,800 --> 00:28:13,760
Speaker 1: You know you you busy this weekend? Um? Just for

587
00:28:13,880 --> 00:28:17,680
Speaker 1: what hey, let's just cut to the chase. I'm gonna

588
00:28:17,720 --> 00:28:22,240
Speaker 1: take you out. You know, are you feeling it? What? Oh? Okay,

589
00:28:23,960 --> 00:28:26,680
Speaker 1: okay girl, this is the Bractice Club. Come on in jazz.

590
00:28:26,720 --> 00:28:28,480
Speaker 1: What the hell you mean? Okay? You're giving this old

591
00:28:28,520 --> 00:28:36,280
Speaker 1: man some play? Um? Yeah, Actually, you had your eye

592
00:28:36,320 --> 00:28:40,160
Speaker 1: on your friend's daddy all these years. I mean, maybe

593
00:28:40,280 --> 00:28:43,200
Speaker 1: not all Theasiers. But I mean I feel is he

594
00:28:43,280 --> 00:28:46,120
Speaker 1: an attractive old man? Yes? He is a good looking

595
00:28:46,200 --> 00:28:47,880
Speaker 1: on man. Okay, well what about your friend? How's she

596
00:28:47,920 --> 00:28:52,800
Speaker 1: gonna feel about you going out with her dad? I

597
00:28:52,920 --> 00:28:58,200
Speaker 1: don't think that she's gonna mind. Oh my goodness, who

598
00:28:58,280 --> 00:29:01,760
Speaker 1: doesn't like a nice silver fox? Okay? What about your daddy?

599
00:29:01,800 --> 00:29:05,400
Speaker 1: Is your daddy? Yes, your daddy should whoop his ass?

600
00:29:05,520 --> 00:29:08,400
Speaker 1: What what would your daddy think if you got down

601
00:29:08,520 --> 00:29:10,560
Speaker 1: here for a minute? Then, because we all getting up

602
00:29:10,560 --> 00:29:13,440
Speaker 1: in the NH, you never know what our futures may hold.

603
00:29:13,520 --> 00:29:15,479
Speaker 1: I'm not gonna sit here and knock this man if

604
00:29:15,520 --> 00:29:18,680
Speaker 1: he can. Bag of twenties, young twenties something yo, tender.

605
00:29:19,120 --> 00:29:21,360
Speaker 1: It may have sounded worse than it. It may have

606
00:29:21,440 --> 00:29:28,440
Speaker 1: sounded worse than Okay, it's been but but jasmine, technically jasmine, jasmine.

607
00:29:28,680 --> 00:29:31,800
Speaker 1: Do you feel had anything weird ever happened like when

608
00:29:31,840 --> 00:29:37,400
Speaker 1: you were growing up at your friend's house with the dads? No, no,

609
00:29:38,480 --> 00:29:42,640
Speaker 1: no way, nothing like that. I mean no, nothing like that.

610
00:29:42,960 --> 00:29:45,280
Speaker 1: This is Diddy and cass This is Diddy and Cassie. Man,

611
00:29:45,400 --> 00:29:48,240
Speaker 1: he didn't help raise Cassie, did he didn't? It wasn't

612
00:29:48,240 --> 00:29:50,200
Speaker 1: there with Cassie. He didn't know when she was underage.

613
00:29:50,440 --> 00:29:52,520
Speaker 1: It doesn't matter when she was twelve. She was twelve

614
00:29:52,560 --> 00:29:54,040
Speaker 1: at some point in her life. Are you a dirty

615
00:29:54,080 --> 00:29:55,960
Speaker 1: old man? This girl was twelve at some jabbing. You

616
00:29:56,040 --> 00:29:57,880
Speaker 1: was twelve at some point in your life. Cassie was

617
00:29:57,880 --> 00:29:59,760
Speaker 1: twelve at some point in her life. Did he was

618
00:29:59,800 --> 00:30:02,440
Speaker 1: with Jo when Cassy was too It don't matter, Okay.

619
00:30:02,520 --> 00:30:04,520
Speaker 1: So basically it's none of our business. Now if they

620
00:30:04,560 --> 00:30:08,200
Speaker 1: want to go out with each other, they're both of age. Yeah,

621
00:30:08,280 --> 00:30:10,440
Speaker 1: I mean, there's an age difference. But I mean just

622
00:30:10,560 --> 00:30:14,320
Speaker 1: think what if I didn't know him when I was younger? Right, Okay,

623
00:30:14,440 --> 00:30:17,680
Speaker 1: that's right. You probably wou end up getting worms from somebody,

624
00:30:17,920 --> 00:30:21,880
Speaker 1: why not somebody that you know, and my daddy. My

625
00:30:21,960 --> 00:30:25,880
Speaker 1: daddy would just be like, is he treating me right? Really? Yeah?

626
00:30:26,200 --> 00:30:28,920
Speaker 1: I mean that that's what most daddies donna live with

627
00:30:28,960 --> 00:30:30,600
Speaker 1: their kids say. You know what I'm saying. They check,

628
00:30:30,960 --> 00:30:33,400
Speaker 1: they checking every notthing. They're you good y'all boy, already

629
00:30:33,440 --> 00:30:35,480
Speaker 1: treating You're right? Okay, I'll see you on next Tuesday.

630
00:30:36,240 --> 00:30:39,640
Speaker 1: Damn you're talking about that daddy? Now, you guys are

631
00:30:39,680 --> 00:30:41,360
Speaker 1: gonna tell you guys are gonna go on a date.

632
00:30:41,440 --> 00:30:45,360
Speaker 1: What's the plan? Well, um, you know, I'm gonna go

633
00:30:45,520 --> 00:30:48,760
Speaker 1: with her flow. But if she doesn't have anything in mine,

634
00:30:48,840 --> 00:30:53,760
Speaker 1: I'm gonna wine and ye that little lady. Well, I

635
00:30:53,920 --> 00:30:56,520
Speaker 1: hop on Fridays is over sixty five you get free

636
00:30:56,600 --> 00:31:00,600
Speaker 1: pancakes and it's over you guys, you guys, you know

637
00:31:00,920 --> 00:31:03,240
Speaker 1: y'all need to chill out. Man, just let people literally

638
00:31:03,360 --> 00:31:07,040
Speaker 1: yeah five, ain't old, brothers. I get you. And listen, man,

639
00:31:07,080 --> 00:31:09,120
Speaker 1: you taking the apple beas you get that two for twenty.

640
00:31:09,560 --> 00:31:12,040
Speaker 1: You know what I'm saying, and you all enjoy? Okay?

641
00:31:12,760 --> 00:31:16,600
Speaker 1: All right, wow, all right, yeah, you gotta tt fun.

642
00:31:16,840 --> 00:31:18,240
Speaker 1: How are you? How are you gonna bake the news

643
00:31:18,280 --> 00:31:22,640
Speaker 1: to your daughter? Oh? Well, you know, I'm just gonna

644
00:31:22,720 --> 00:31:28,840
Speaker 1: tell her I'm taking taking Jasmine outlet find out on Instagram, Facebook. No, no,

645
00:31:29,120 --> 00:31:34,160
Speaker 1: I'm a grown ass man. I'll feel I'm taking. I'm taking.

646
00:31:34,600 --> 00:31:39,440
Speaker 1: Oh you're dying already. He died thinking about that young Jack,

647
00:31:39,880 --> 00:31:41,680
Speaker 1: that young v Johnny. Thinking about it got you about

648
00:31:41,720 --> 00:31:43,479
Speaker 1: to have a heart attack. All right, I can't wait

649
00:31:43,520 --> 00:31:45,680
Speaker 1: to hear how this goes. Good luck, guys, do you

650
00:31:45,720 --> 00:31:52,320
Speaker 1: eat the butt? Alright? What? Okay? All right? Man, that's

651
00:31:52,320 --> 00:31:54,960
Speaker 1: all you gotta say. Do you eat ass? All right?

652
00:31:55,400 --> 00:32:00,360
Speaker 1: All right? Now, all right, all right, all right, all right,

653
00:32:00,400 --> 00:32:04,200
Speaker 1: well thank you guys, thank you. I can't really hate

654
00:32:04,200 --> 00:32:06,000
Speaker 1: on that situation. Man, we're all getting up in the age.

655
00:32:06,000 --> 00:32:07,680
Speaker 1: You never know the future, manhole, all right, So let's

656
00:32:08,040 --> 00:32:09,680
Speaker 1: let's let's switch it a little bit. Your daughter turn

657
00:32:09,760 --> 00:32:12,480
Speaker 1: twenty two, she brings home a man that's forty six. Nah,

658
00:32:12,560 --> 00:32:15,480
Speaker 1: you're not having it. That's what I'm personally. I'm personally

659
00:32:15,560 --> 00:32:17,680
Speaker 1: not having it. I speaking about my daughter. I'm thinking

660
00:32:17,680 --> 00:32:19,880
Speaker 1: about me and my own selfish as when I'm fifty

661
00:32:19,920 --> 00:32:21,920
Speaker 1: something years old and just say me and my wife

662
00:32:22,000 --> 00:32:23,640
Speaker 1: don't work out, I'm going to get me something young

663
00:32:23,720 --> 00:32:25,800
Speaker 1: and tender. I'm telling you that right now, you're going

664
00:32:25,880 --> 00:32:28,600
Speaker 1: to get me a fresh twenty two, twenty three year old. Okay,

665
00:32:28,680 --> 00:32:32,000
Speaker 1: fresh attic college? What would your degree? You made it

666
00:32:32,080 --> 00:32:34,160
Speaker 1: in journalism? Will come talk to the radios. You're gonna

667
00:32:34,160 --> 00:32:38,440
Speaker 1: be a spot say, you're gonna be basically going to

668
00:32:38,480 --> 00:32:40,920
Speaker 1: be a sponsor. Keep it loft as a breakfast club.

669
00:32:40,960 --> 00:32:46,280
Speaker 1: In the morning, it's time to shoot your shot. To

670
00:32:46,320 --> 00:32:48,960
Speaker 1: shoot your shot with the breakfast club. Just one chance,

671
00:32:49,240 --> 00:32:52,800
Speaker 1: don't mess it up. Mess it up, mess it up? DeVante?

672
00:32:52,920 --> 00:32:55,840
Speaker 1: What's up? Guys? Who are you trying to shoot your

673
00:32:55,840 --> 00:33:00,560
Speaker 1: shot with? Davante? This girl? She works at the pharmacy.

674
00:33:00,640 --> 00:33:03,120
Speaker 1: I go too, all right, you got to go there

675
00:33:03,160 --> 00:33:04,760
Speaker 1: to pick up your vale Trecks every now and then. Oh,

676
00:33:04,840 --> 00:33:07,400
Speaker 1: maybe you know, fix a STD problem, because I'm letting

677
00:33:07,400 --> 00:33:08,560
Speaker 1: you know if you got to pick up your vale treks.

678
00:33:08,560 --> 00:33:09,880
Speaker 1: I don't think this is a good idea to shoot

679
00:33:09,880 --> 00:33:11,680
Speaker 1: your shot if she knows that she's given you. No,

680
00:33:11,960 --> 00:33:13,720
Speaker 1: she's just this dope man. I don't even have a

681
00:33:13,880 --> 00:33:15,800
Speaker 1: prescription there. I just go there once a week to

682
00:33:15,880 --> 00:33:18,040
Speaker 1: get like a pack or dumb or something. And then

683
00:33:18,040 --> 00:33:21,160
Speaker 1: you go in this pharmacy register just to go see her. Yeah,

684
00:33:21,600 --> 00:33:23,600
Speaker 1: she definitely did should have STD and too scared to

685
00:33:23,600 --> 00:33:25,960
Speaker 1: get the prescription. Bro, I don't know. I don't know.

686
00:33:26,000 --> 00:33:28,040
Speaker 1: I'm scared to shoot my shot. I was hoping y'all

687
00:33:28,080 --> 00:33:30,600
Speaker 1: can help me. Why have you ever had a Have

688
00:33:30,680 --> 00:33:32,800
Speaker 1: you ever had a conversation? Dude? You know, I get

689
00:33:32,840 --> 00:33:34,680
Speaker 1: the gum and ask her how her day is doing,

690
00:33:34,800 --> 00:33:37,440
Speaker 1: what's going on? And she's going at this for that concert?

691
00:33:37,920 --> 00:33:40,720
Speaker 1: Nothing to me? Now, question, do you put the gum

692
00:33:40,800 --> 00:33:43,960
Speaker 1: in your mouth before you talk to her. Oh you know,

693
00:33:44,040 --> 00:33:45,960
Speaker 1: I usually get a piece of the half of her one,

694
00:33:46,360 --> 00:33:48,080
Speaker 1: because if you're talking to her before you put the

695
00:33:48,120 --> 00:33:50,840
Speaker 1: gum in your mouth, that's probably why she's not interested,

696
00:33:50,840 --> 00:33:53,880
Speaker 1: because your breath is clearly funky. Now it's like half

697
00:33:53,960 --> 00:33:57,080
Speaker 1: a half, half with gumb half without gum. Okay, okay,

698
00:33:57,200 --> 00:33:58,760
Speaker 1: all right, well let's get that into it. I mean

699
00:33:58,840 --> 00:34:01,160
Speaker 1: they've only had some big conversations. Though. He doesn't see

700
00:34:01,200 --> 00:34:02,960
Speaker 1: her when he buys some gums, So I'll be interested

701
00:34:03,000 --> 00:34:05,120
Speaker 1: to see if she's noticed you. Does he say hi

702
00:34:05,240 --> 00:34:08,600
Speaker 1: when you walk in? Oh? Yeah, she's very friendly. Okay,

703
00:34:08,880 --> 00:34:11,120
Speaker 1: it's gotta be a reason that you haven't shot your

704
00:34:11,160 --> 00:34:13,680
Speaker 1: shot yet other than just nerves. Maybe he's scared. Maybe

705
00:34:13,680 --> 00:34:18,480
Speaker 1: he got a small wee week. I don't know, damn. Okay,

706
00:34:18,480 --> 00:34:20,279
Speaker 1: all right, well let's maybe maybe you need some some

707
00:34:20,480 --> 00:34:23,759
Speaker 1: zanies then for anxiety. I don't have a prescription for it.

708
00:34:23,840 --> 00:34:26,200
Speaker 1: You know why I could get something? Yeah, the girl,

709
00:34:26,320 --> 00:34:29,040
Speaker 1: once you shoot your shot, when we come back, we're

710
00:34:29,080 --> 00:34:31,799
Speaker 1: gonna call the TV. That's the name. Right, Let's let's

711
00:34:32,440 --> 00:34:35,160
Speaker 1: don't move, right, MC CALLAVA when we come back, So

712
00:34:35,200 --> 00:34:37,480
Speaker 1: don't move it's to Breakfast Club, Go Morning Turning. Everybody

713
00:34:37,640 --> 00:34:40,680
Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the gud. We are

714
00:34:40,719 --> 00:34:43,680
Speaker 1: the Breakfast Club. We're in the middle of shoot your shot.

715
00:34:44,000 --> 00:34:48,000
Speaker 1: We have DeVante on the line. Shoot your shot, man,

716
00:34:48,200 --> 00:35:04,359
Speaker 1: make that phone call? Hello, Hey, what's up with Tylier's

717
00:35:05,480 --> 00:35:11,000
Speaker 1: Devant from the pharmacy? DeVante from the pharmacy? How did

718
00:35:11,000 --> 00:35:14,719
Speaker 1: you get my number? You gave it to me? Remember No,

719
00:35:15,480 --> 00:35:18,640
Speaker 1: I don't remember. I never gave you one. Wait, please

720
00:35:18,680 --> 00:35:21,600
Speaker 1: don't say what do you want? Well, you didn't actually

721
00:35:21,600 --> 00:35:23,359
Speaker 1: give me a number. You actually gave me your name,

722
00:35:23,480 --> 00:35:26,160
Speaker 1: and then our church Facebook and your number came off.

723
00:35:26,560 --> 00:35:29,480
Speaker 1: Jesus Christ. Okay, you gotta stop. You did not tell

724
00:35:29,560 --> 00:35:31,799
Speaker 1: us this part. I'm sorry this. Let's have you from

725
00:35:31,800 --> 00:35:36,560
Speaker 1: the Hello. Yes, wait Djelagne from Breakfast Club. Mama, yeah,

726
00:35:36,560 --> 00:35:39,279
Speaker 1: we're doing is going? Oh we thought that you gave

727
00:35:39,400 --> 00:35:41,440
Speaker 1: him your number, and so he was calling to shoot

728
00:35:41,480 --> 00:35:43,120
Speaker 1: his shot because he has a crush on you. He said,

729
00:35:43,160 --> 00:35:44,799
Speaker 1: he comes in there all the time to buy gum.

730
00:35:45,960 --> 00:35:49,680
Speaker 1: Oh my god, oh my god. The dude that buys gum.

731
00:35:50,000 --> 00:35:52,800
Speaker 1: I don't even put his change in his hand like

732
00:35:52,920 --> 00:35:56,440
Speaker 1: I put it on the Oh my god, he's the creepiers.

733
00:35:57,200 --> 00:35:59,040
Speaker 1: Why is he calling me? I don't understand what he

734
00:35:59,360 --> 00:36:01,279
Speaker 1: still he's still on the phone. He can hear he

735
00:36:01,360 --> 00:36:04,640
Speaker 1: can hear you. He's here. I got this point. I

736
00:36:04,680 --> 00:36:07,279
Speaker 1: don't even care because you're talking about too looked up

737
00:36:07,320 --> 00:36:13,240
Speaker 1: my number on Facebook. It's kind of weird that, no, really,

738
00:36:13,440 --> 00:36:16,360
Speaker 1: because Facebook does provide this kind of information. But I

739
00:36:16,520 --> 00:36:18,640
Speaker 1: do think I wish we would have asked him, you know,

740
00:36:18,760 --> 00:36:22,000
Speaker 1: did he get your number before? And but yeah, but wait,

741
00:36:22,200 --> 00:36:24,719
Speaker 1: why is he calling me? I'm not understanding. Wants to

742
00:36:24,800 --> 00:36:26,480
Speaker 1: have sex with No, no, he wants to take you

743
00:36:26,520 --> 00:36:27,880
Speaker 1: out on a date. He wants to take you out

744
00:36:27,920 --> 00:36:30,960
Speaker 1: on a date. Why would I go out? Hives billion

745
00:36:31,000 --> 00:36:32,560
Speaker 1: people on the planet and you think I would go

746
00:36:32,640 --> 00:36:36,400
Speaker 1: out with this dude? Speak no, no, no, no, no, no,

747
00:36:36,680 --> 00:36:39,840
Speaker 1: Vante Sneak. You have the name of America. I just

748
00:36:39,920 --> 00:36:45,359
Speaker 1: want to have sex with Oh my goodness, he keeping

749
00:36:45,400 --> 00:36:48,920
Speaker 1: it on. No, well, let me keep it one hundred.

750
00:36:49,560 --> 00:36:52,719
Speaker 1: DeVante has adult acne. I can't even get past that

751
00:36:52,800 --> 00:36:55,680
Speaker 1: because we're not even doing it like that. No, are

752
00:36:55,760 --> 00:37:01,680
Speaker 1: you kidding me? He's trying to figure out and figure

753
00:37:01,760 --> 00:37:05,959
Speaker 1: me out. Please and let me tell you I'm giving

754
00:37:06,000 --> 00:37:10,160
Speaker 1: out medicine for diabetes, for HIV, for cancer, and this

755
00:37:10,280 --> 00:37:13,040
Speaker 1: is coming every day behind gum. Do you know how

756
00:37:13,120 --> 00:37:17,839
Speaker 1: creepy that she is? Listen, why don't you prescribe him

757
00:37:17,880 --> 00:37:19,640
Speaker 1: something for his adult acting? Should he go see a

758
00:37:19,680 --> 00:37:26,120
Speaker 1: dermat I have a great man. I can't believe. I believe.

759
00:37:26,120 --> 00:37:28,120
Speaker 1: I don't know why she's being like that. I always

760
00:37:28,160 --> 00:37:32,360
Speaker 1: offer a piece of gum when I come, and that's creepy.

761
00:37:32,640 --> 00:37:35,239
Speaker 1: I don't think. I don't think you should tell a

762
00:37:35,280 --> 00:37:40,560
Speaker 1: guy like this any last words. That creepy and it

763
00:37:40,719 --> 00:37:44,719
Speaker 1: really okay, all nice and slow flirt with me. You

764
00:37:44,800 --> 00:37:46,759
Speaker 1: know you love the girl? Yeah? Why are you taking

765
00:37:46,800 --> 00:37:48,320
Speaker 1: the gun from him? Why are you leading him on

766
00:37:48,440 --> 00:37:50,399
Speaker 1: by taking the gun from gun from him? If you've

767
00:37:50,480 --> 00:37:56,080
Speaker 1: never taking gun from him, I'm never taking fire. I

768
00:37:56,239 --> 00:38:00,680
Speaker 1: have a video, I snapshot it. What next time he

769
00:38:00,719 --> 00:38:02,760
Speaker 1: comes in there, I would call a policeman. He's creepy

770
00:38:02,800 --> 00:38:04,640
Speaker 1: as hell. Yeah, and the table you might you might

771
00:38:04,719 --> 00:38:09,000
Speaker 1: need to get a rest. Now, we didn't know. I'm

772
00:38:09,040 --> 00:38:13,440
Speaker 1: sorry we didn't know. Heyvante, your mother your father was

773
00:38:13,520 --> 00:38:16,280
Speaker 1: clearly a jodasy fan. Okay, because they named you DeVante?

774
00:38:16,360 --> 00:38:20,080
Speaker 1: Are you familiar with vantage swing from Jodice. Yeah, okay,

775
00:38:20,200 --> 00:38:22,560
Speaker 1: he did a Juicy fo commercial back in the day. Right,

776
00:38:22,560 --> 00:38:28,279
Speaker 1: Oh my god, I'm sorry. All right, we gotta go.

777
00:38:28,360 --> 00:38:32,400
Speaker 1: We got things to do. I'm sorry, Vante, have a

778
00:38:32,440 --> 00:38:35,160
Speaker 1: blessed day. Stops stalking women. Okay, all right, I'll see you.

779
00:38:35,680 --> 00:38:43,960
Speaker 1: To see you next week, girl, Sorry, sorry, geez, all right,

780
00:38:44,000 --> 00:38:54,120
Speaker 1: shoot your shot. The Breakfast Club I was born a donkey.

781
00:38:54,360 --> 00:39:10,280
Speaker 1: It's the Donkey of the Death that ne Devil Breakfast Club.

782
00:39:13,520 --> 00:39:15,840
Speaker 1: All right, listen, man, Charlomagne the God here. I'm on

783
00:39:15,960 --> 00:39:18,360
Speaker 1: vacation until twenty eighteen. I don't give a damn what

784
00:39:18,480 --> 00:39:20,800
Speaker 1: y'all think about that, because I deserve it. Now. The

785
00:39:20,880 --> 00:39:22,680
Speaker 1: Breakfast Club is in eighty plus markets in a one

786
00:39:22,719 --> 00:39:24,160
Speaker 1: hundred and fifty countries, so we have a lot of

787
00:39:24,200 --> 00:39:26,400
Speaker 1: new listeners who probably don't even know who Charlomagne the

788
00:39:26,440 --> 00:39:29,239
Speaker 1: God is. So use my time off to catch up

789
00:39:29,400 --> 00:39:32,120
Speaker 1: on some of my past work. Okay, okay, if you

790
00:39:32,200 --> 00:39:34,440
Speaker 1: knew here, I do a segment every day called Donkey

791
00:39:34,560 --> 00:39:36,680
Speaker 1: to Day Donkey as in jackass, and that's when I

792
00:39:36,719 --> 00:39:38,880
Speaker 1: give someone the credit they deserve for being stupid. So

793
00:39:39,160 --> 00:39:41,040
Speaker 1: if you've never heard of it. This is new to you.

794
00:39:41,160 --> 00:39:42,640
Speaker 1: But if you are a regular listener and this is

795
00:39:42,680 --> 00:39:45,239
Speaker 1: an oldiep but goody because it's the best of the

796
00:39:45,320 --> 00:39:47,640
Speaker 1: Donkey of the day, Donkey to day goes to can

797
00:39:47,760 --> 00:39:50,399
Speaker 1: do Isaacs? You know who can do it? Is right? Yeah?

798
00:39:50,480 --> 00:39:53,080
Speaker 1: Mary J. Blige just form a husband slash manager. Now,

799
00:39:53,120 --> 00:39:55,480
Speaker 1: as the story goes can do Isaacs and Mary J.

800
00:39:55,560 --> 00:39:58,760
Speaker 1: Blige y'are getting a divorce? Apparently they are. Are they divorced?

801
00:39:58,840 --> 00:40:02,400
Speaker 1: Getting divorce the project? Yeah, they're in the process apparently

802
00:40:02,440 --> 00:40:04,239
Speaker 1: because they can do the leged to fair with her

803
00:40:04,280 --> 00:40:07,839
Speaker 1: young artist named Starshell. She was signed to marriage label

804
00:40:07,960 --> 00:40:11,400
Speaker 1: Matriarch Entertainment. A Page six actually reported this back in April.

805
00:40:11,560 --> 00:40:13,719
Speaker 1: In fact, in courting the Page six, Mary claimed in

806
00:40:13,800 --> 00:40:16,640
Speaker 1: court documents that kend spent four and twenty grand on

807
00:40:16,719 --> 00:40:19,640
Speaker 1: his little girlfriend and to add insult to injury, Mary

808
00:40:19,680 --> 00:40:21,600
Speaker 1: would bring her the Red Carpete and other events to

809
00:40:21,680 --> 00:40:24,320
Speaker 1: increase her profile. Now, when the legend Mary J. Bligees

810
00:40:24,320 --> 00:40:26,799
Speaker 1: on the Breakfast Club, she spoke on it, but didn't

811
00:40:26,800 --> 00:40:29,080
Speaker 1: say the young lady's name. Let's hear it. But I

812
00:40:29,120 --> 00:40:31,959
Speaker 1: started recording the album like a year ago, started writing

813
00:40:32,040 --> 00:40:35,480
Speaker 1: it from a perspective of a woman fighting for her marriage.

814
00:40:35,920 --> 00:40:38,719
Speaker 1: I wanted it no matter what I wanted to keep it.

815
00:40:38,840 --> 00:40:41,040
Speaker 1: I loved him. I wanted to stay. But then, of

816
00:40:41,200 --> 00:40:44,840
Speaker 1: course it didn't turn out that way. So everything you know,

817
00:40:45,280 --> 00:40:47,320
Speaker 1: he don't wanted as much as you did. He didn't

818
00:40:47,520 --> 00:40:50,279
Speaker 1: when someone loved someone else, it's not you could do.

819
00:40:51,280 --> 00:40:53,640
Speaker 1: That's that's what I'm suffering through right right now. What

820
00:40:53,840 --> 00:40:55,879
Speaker 1: was the turning point where you knew it was going

821
00:40:55,960 --> 00:40:59,359
Speaker 1: down the wrong road? Um? When everything I said didn't

822
00:40:59,400 --> 00:41:02,400
Speaker 1: mean anything, and I was Nothing I ever did was

823
00:41:02,440 --> 00:41:05,600
Speaker 1: good enough and I was never smart enough. He knew

824
00:41:05,719 --> 00:41:08,160
Speaker 1: he loved someone else. He knew he wanted a hair

825
00:41:08,239 --> 00:41:10,080
Speaker 1: on man up. You know, he knew he wanted what

826
00:41:10,239 --> 00:41:11,840
Speaker 1: he what he wanted. Now, if he had kept it

827
00:41:11,920 --> 00:41:13,640
Speaker 1: honest with you, you think you'd been able to be

828
00:41:13,680 --> 00:41:15,360
Speaker 1: one of those women who can let that man have

829
00:41:15,440 --> 00:41:19,000
Speaker 1: another woman. No, I don't think so. I mean, not

830
00:41:19,280 --> 00:41:23,040
Speaker 1: this particular person, anybody but her. You do treat the

831
00:41:23,120 --> 00:41:24,719
Speaker 1: one that you love him with the same respect that

832
00:41:24,800 --> 00:41:27,080
Speaker 1: you treat the one that you jumping. That ain't about nothing.

833
00:41:27,360 --> 00:41:29,680
Speaker 1: Mary also spoke on the situation on her VAH one

834
00:41:29,760 --> 00:41:32,080
Speaker 1: documentary screenful of a woman when she went into a

835
00:41:32,120 --> 00:41:33,960
Speaker 1: little more detail when she was talking to Neil. Let's

836
00:41:33,960 --> 00:41:35,880
Speaker 1: hear it. And just when we clear, you have a

837
00:41:35,920 --> 00:41:39,080
Speaker 1: studio over in the other place, right, do not let

838
00:41:39,800 --> 00:41:43,360
Speaker 1: do you know, do not let her knowwhere near what

839
00:41:43,480 --> 00:41:46,719
Speaker 1: you're doing for me? Okay, because she's she's the reason

840
00:41:46,760 --> 00:41:49,120
Speaker 1: for all of it. That's my Becky with the good hair,

841
00:41:50,760 --> 00:41:54,080
Speaker 1: wow well kind, who was originally asking for one hundred

842
00:41:54,120 --> 00:41:56,920
Speaker 1: and twenty nine thousand and nineteen dollars a month and

843
00:41:57,760 --> 00:42:00,839
Speaker 1: spousal support, was granted by a judge already grand a month,

844
00:42:00,880 --> 00:42:02,560
Speaker 1: which I think is way too much for a grown

845
00:42:02,600 --> 00:42:04,640
Speaker 1: ass man to be getting from his ex wife. He's

846
00:42:04,680 --> 00:42:07,560
Speaker 1: now asking for sixty five grand a month, okay, can do?

847
00:42:07,640 --> 00:42:11,080
Speaker 1: Isaac's wants sixty five grand and spousal support because, according

848
00:42:11,120 --> 00:42:13,759
Speaker 1: to the blast who dug up the court documents, can

849
00:42:13,840 --> 00:42:17,960
Speaker 1: do needs his spousal support doubled because Mary's divorce songs

850
00:42:18,480 --> 00:42:21,359
Speaker 1: tarnished his reputation and he can no longer find work

851
00:42:21,400 --> 00:42:26,680
Speaker 1: with cheating turnish your reputation? Can do? Can do? Come on, brother, listen,

852
00:42:27,200 --> 00:42:30,040
Speaker 1: Yes you're right, Angelie. These songs didn't tarnish can do

853
00:42:30,160 --> 00:42:33,920
Speaker 1: his reputation? He tarnished his reputation because he broke Mary J.

854
00:42:34,000 --> 00:42:36,759
Speaker 1: Blige's heart by cheating on her. And now we see you,

855
00:42:36,880 --> 00:42:39,480
Speaker 1: Robin Mary with no gun in spousal support, and the

856
00:42:39,600 --> 00:42:42,359
Speaker 1: general public just doesn't respect that. If Mary never made

857
00:42:42,400 --> 00:42:44,919
Speaker 1: a record about what happened, we still would be looking

858
00:42:44,960 --> 00:42:47,799
Speaker 1: at you funny, because honestly, what you doing is lame.

859
00:42:48,600 --> 00:42:50,880
Speaker 1: Mary jy Blige is an icon, a legend. She's beloved

860
00:42:50,920 --> 00:42:52,839
Speaker 1: in these creeps, Okay, the coach who protects her at

861
00:42:52,840 --> 00:42:55,440
Speaker 1: all costs. Of course you can't find work because if

862
00:42:55,440 --> 00:42:57,920
Speaker 1: people have to choose between you and Mary J. Blige,

863
00:42:58,080 --> 00:42:59,920
Speaker 1: of course they're gonna choose Mary. That's just the way

864
00:43:00,040 --> 00:43:02,560
Speaker 1: the game goes. It's not like you've shown that you

865
00:43:02,640 --> 00:43:05,320
Speaker 1: can have success on your own. All your success is

866
00:43:05,360 --> 00:43:07,239
Speaker 1: tied with Mary. So if you're not working with Mary,

867
00:43:07,400 --> 00:43:09,920
Speaker 1: why would anyone work with you? A simple map to me, Now,

868
00:43:10,200 --> 00:43:13,760
Speaker 1: what are these divorce songs can do? Is speaking of whatever.

869
00:43:13,800 --> 00:43:17,080
Speaker 1: We're all featured on Very Scrimpable Woman album. One is

870
00:43:17,080 --> 00:43:19,239
Speaker 1: titled Love Yourself. That's the one with Kanye West. I

871
00:43:19,320 --> 00:43:21,640
Speaker 1: love that record, by the way, and set me Free.

872
00:43:21,680 --> 00:43:23,319
Speaker 1: And now we have a we have a clipper set

873
00:43:23,400 --> 00:43:25,439
Speaker 1: me free. Let's hear it. Tell man, how you fig

874
00:43:25,560 --> 00:43:28,000
Speaker 1: if that's your naming and your gaming? Well I have

875
00:43:28,160 --> 00:43:30,920
Speaker 1: before I'm met you and don't have it when you're gone?

876
00:43:31,120 --> 00:43:33,359
Speaker 1: And how you fix your enough to say I owe

877
00:43:33,440 --> 00:43:37,080
Speaker 1: you when you had another bit of taking trips and money?

878
00:43:37,400 --> 00:43:42,680
Speaker 1: So all right, Mary, by all you gonna get you bad.

879
00:43:42,760 --> 00:43:45,640
Speaker 1: I can't get back time. Man. That is clearly about

880
00:43:45,719 --> 00:43:48,279
Speaker 1: can do. But so what? Okay, this is Mary's life

881
00:43:48,280 --> 00:43:50,000
Speaker 1: as much as this can does, and if she wants

882
00:43:50,040 --> 00:43:51,919
Speaker 1: to sing about it, she can sing about it. Mary

883
00:43:52,000 --> 00:43:54,080
Speaker 1: always puts her life in her music. That's why we

884
00:43:54,200 --> 00:43:55,880
Speaker 1: love Mary J. Blige. Hell, when I heard she was

885
00:43:55,920 --> 00:43:58,200
Speaker 1: getting divorced, I was happy because I was like, oh Mary,

886
00:43:58,280 --> 00:44:00,520
Speaker 1: next album about to be fire. I just want to know,

887
00:44:00,760 --> 00:44:02,360
Speaker 1: can do? How are you trying to shake Mary J

888
00:44:02,520 --> 00:44:05,399
Speaker 1: Blige down? Because she sang about you, and you gave

889
00:44:05,480 --> 00:44:08,279
Speaker 1: her the content to sing about. If you hadn't allegedly

890
00:44:08,400 --> 00:44:11,240
Speaker 1: cheated with her artist Starshell, none of this would have happened.

891
00:44:11,280 --> 00:44:13,719
Speaker 1: Can do? You caused all of this on yourself? If

892
00:44:13,760 --> 00:44:16,560
Speaker 1: you was getting money you was old from management or

893
00:44:16,680 --> 00:44:19,600
Speaker 1: managerial things cool? But asking for all this spousal support

894
00:44:19,640 --> 00:44:22,400
Speaker 1: because you can't find work without Mary. That's all the

895
00:44:22,520 --> 00:44:26,239
Speaker 1: more reason you shouldn't have cheated Fellas. Here's a guy

896
00:44:26,360 --> 00:44:28,839
Speaker 1: cold pro tip from your uncle Schaula. If your wife

897
00:44:28,960 --> 00:44:31,919
Speaker 1: is your primary source and income, sit your dumbass down,

898
00:44:32,200 --> 00:44:34,360
Speaker 1: eat this slice of PhD and be quiet. Okay. A

899
00:44:34,440 --> 00:44:36,520
Speaker 1: man's job is to protect and provide. If you're not

900
00:44:36,640 --> 00:44:39,480
Speaker 1: the primary provider financially, then you have to provide in

901
00:44:39,560 --> 00:44:42,880
Speaker 1: other ways emotionally, mentally, spiritually, physically, and you have to

902
00:44:43,000 --> 00:44:46,920
Speaker 1: protect her emotional, mental and spiritual well being. Can do?

903
00:44:47,239 --> 00:44:49,759
Speaker 1: You didn't do that. You actually hurt her and broke

904
00:44:49,800 --> 00:44:51,800
Speaker 1: her heart. Now you're twisting the knife and asking for

905
00:44:51,880 --> 00:44:55,360
Speaker 1: sixty five grand and child support. Sorry, can do? Nobody

906
00:44:55,400 --> 00:44:57,960
Speaker 1: feels sorry for you, No empathy, no sympathy. You did

907
00:44:58,040 --> 00:44:59,600
Speaker 1: this to yourself. And if you want to fix your

908
00:44:59,640 --> 00:45:02,200
Speaker 1: repute and get people to possibly work with you again,

909
00:45:02,440 --> 00:45:05,080
Speaker 1: do what's right and stop trying to shake Mary J.

910
00:45:05,239 --> 00:45:08,880
Speaker 1: Blige down because you was wrong. Please give ken do

911
00:45:09,000 --> 00:45:10,960
Speaker 1: Hidas the sweet sounds of the ham On tones. Please.

912
00:45:11,239 --> 00:45:21,000
Speaker 1: Oh no, you are dogee. Oh the day, the dogee,

913
00:45:22,400 --> 00:45:28,800
Speaker 1: oh the day. Ye all right, thank you for that.

914
00:45:28,920 --> 00:45:35,720
Speaker 1: Donkey to day the Breakfast Club morning. Everybody is DJ

915
00:45:36,239 --> 00:45:39,319
Speaker 1: Envy Angela Yee, Charlomnea God. We are the Breakfast Club.

916
00:45:39,360 --> 00:45:41,520
Speaker 1: We got a special guest in the building. Yes, ma'am,

917
00:45:41,680 --> 00:45:46,200
Speaker 1: miss Angela Ry fifteen. Welcome back, violent, Thank you. I'm

918
00:45:46,200 --> 00:45:47,680
Speaker 1: happy to be here. You better learn how to give

919
00:45:47,719 --> 00:45:49,439
Speaker 1: violent because when i'm a Rosa, come for your face.

920
00:45:49,600 --> 00:45:51,680
Speaker 1: She ain't gonna come for me Rosa nor Marshal arch

921
00:45:51,920 --> 00:45:53,839
Speaker 1: I heard you laugh for me that it's a black

922
00:45:53,880 --> 00:45:56,919
Speaker 1: woman civil war. No. She she said that after Robbin,

923
00:45:57,760 --> 00:46:00,319
Speaker 1: so she she knows not to mention my name. I'm Rose,

924
00:46:00,440 --> 00:46:03,000
Speaker 1: No Karate, right, I don't give it. She said it

925
00:46:03,000 --> 00:46:04,440
Speaker 1: when she was up here. I forgot you was up there.

926
00:46:04,520 --> 00:46:10,440
Speaker 1: She wasn't bet Yeah, ago years ago. I was like,

927
00:46:10,560 --> 00:46:13,279
Speaker 1: I'm not taking credit. I forgot Rose. But it's like

928
00:46:13,680 --> 00:46:15,920
Speaker 1: six or seven years ago. And I wouldn't watch the

929
00:46:16,000 --> 00:46:17,839
Speaker 1: end of You Live Nation. That's when she was still

930
00:46:17,880 --> 00:46:21,080
Speaker 1: a Democrat. That's cute. I don't know what she was doing.

931
00:46:21,560 --> 00:46:23,200
Speaker 1: Claudia Jordan was beef and it was weird. But she

932
00:46:23,320 --> 00:46:25,120
Speaker 1: know Karate. That's all you need to know. I'm not

933
00:46:25,200 --> 00:46:26,840
Speaker 1: worried about it. She can run about me and she

934
00:46:26,880 --> 00:46:30,000
Speaker 1: wants and she gonna catch her case. I don't fight.

935
00:46:30,800 --> 00:46:34,680
Speaker 1: We know you, but I don't think we know you

936
00:46:34,760 --> 00:46:37,120
Speaker 1: have the inside school. So do you believe that she

937
00:46:37,239 --> 00:46:40,440
Speaker 1: really resigned or do you believe that she was let go? So,

938
00:46:40,800 --> 00:46:43,600
Speaker 1: just to clarify for the culture, what I do not

939
00:46:44,680 --> 00:46:48,080
Speaker 1: inside scoop on the White House. Yeah, I don't be

940
00:46:48,239 --> 00:46:50,560
Speaker 1: up in there, but um, but but I do know

941
00:46:50,680 --> 00:46:53,720
Speaker 1: a few things um to that point. What I believe,

942
00:46:54,080 --> 00:46:57,239
Speaker 1: based on what I saw um in her interview with

943
00:46:57,400 --> 00:47:00,520
Speaker 1: Michael Strahan is that she did not resign. Um you

944
00:47:00,600 --> 00:47:02,400
Speaker 1: will if I don't know if you all saw it.

945
00:47:02,440 --> 00:47:06,040
Speaker 1: But there are a number of conflicting points in her interview.

946
00:47:06,440 --> 00:47:08,400
Speaker 1: One of the funniest things to me was when she

947
00:47:08,520 --> 00:47:14,200
Speaker 1: talked about having certain access restrictions after you resign, which

948
00:47:14,440 --> 00:47:17,200
Speaker 1: is not true. You turn your badge in the day

949
00:47:17,280 --> 00:47:20,600
Speaker 1: that you quit, are fired or whatever at the White House,

950
00:47:20,680 --> 00:47:22,439
Speaker 1: just like you would in any other At the video,

951
00:47:22,560 --> 00:47:24,600
Speaker 1: if we go like they're not gonna give they're not

952
00:47:24,680 --> 00:47:27,360
Speaker 1: gonna take y'allad till January twentieth, and so we'll let

953
00:47:27,400 --> 00:47:29,280
Speaker 1: you in the building, but we're not gonna let you upstairs.

954
00:47:29,440 --> 00:47:31,920
Speaker 1: That doesn't happen anywhere, and it definitely doesn't happen on

955
00:47:32,000 --> 00:47:34,040
Speaker 1: the campus of the White House. So Secret Service tweeting

956
00:47:34,160 --> 00:47:37,160
Speaker 1: that they removed her credentials means she cannot get on

957
00:47:37,239 --> 00:47:41,160
Speaker 1: the campus of the White House, including the Eisenhower Executive

958
00:47:41,200 --> 00:47:43,359
Speaker 1: Office Building, which is across the street from the White House,

959
00:47:43,600 --> 00:47:45,400
Speaker 1: which is where she sat. She was she did not

960
00:47:45,480 --> 00:47:48,440
Speaker 1: have a desk in the White House. She can she

961
00:47:48,560 --> 00:47:50,560
Speaker 1: can request it to her from her member of Congress,

962
00:47:50,600 --> 00:47:53,680
Speaker 1: like every other American citizen. Camp. That means maybe she's

963
00:47:53,719 --> 00:47:57,879
Speaker 1: getting paid till January twenty. Absolutely, that's exactly what it means.

964
00:47:57,880 --> 00:47:59,759
Speaker 1: Do you know exactly what it is? So I'm like, may,

965
00:48:00,000 --> 00:48:01,879
Speaker 1: he's pulling the whool of our eyes at every turn.

966
00:48:01,960 --> 00:48:07,120
Speaker 1: Who Um, I'm not sure. Um. I think that she

967
00:48:08,040 --> 00:48:12,040
Speaker 1: is dramatic. Um. I think that she's caused a lot

968
00:48:12,120 --> 00:48:15,160
Speaker 1: of issues there. Um. But I also think that she

969
00:48:15,520 --> 00:48:17,400
Speaker 1: is you know, when they talk about birds of a

970
00:48:17,440 --> 00:48:20,400
Speaker 1: feather flock together. She acts just like Donald Trump. So

971
00:48:20,560 --> 00:48:25,360
Speaker 1: this is hyperboally dramatic mass there. There's always some distraction

972
00:48:25,480 --> 00:48:28,759
Speaker 1: being thrown out there. I have heard from some black

973
00:48:28,800 --> 00:48:31,320
Speaker 1: Republicans who I trust a little more than on Morosa

974
00:48:31,600 --> 00:48:33,880
Speaker 1: that she's made it very difficult for other people of

975
00:48:34,000 --> 00:48:36,440
Speaker 1: color who work not only in the White House but

976
00:48:36,520 --> 00:48:39,520
Speaker 1: also in the administration, because she's threatened by their real

977
00:48:39,840 --> 00:48:42,960
Speaker 1: political credential. So what is her job part of my exaction,

978
00:48:43,000 --> 00:48:49,160
Speaker 1: But I don't know. I don't, Yeah, I don't. No,

979
00:48:49,560 --> 00:48:51,960
Speaker 1: so so, and just for clarification on that too. So

980
00:48:52,239 --> 00:48:54,919
Speaker 1: when you work in the administration, in the White House,

981
00:48:55,320 --> 00:48:58,800
Speaker 1: there are titles that you have. So there's a special

982
00:48:58,880 --> 00:49:02,759
Speaker 1: assistant to the President, and most people in senior roles,

983
00:49:02,880 --> 00:49:05,960
Speaker 1: depending on what your pay range is, you're called a

984
00:49:06,040 --> 00:49:09,400
Speaker 1: special assistant to the President. Most assistants to the president

985
00:49:09,760 --> 00:49:14,160
Speaker 1: work in the actual White House. So I think I'm

986
00:49:14,200 --> 00:49:18,120
Speaker 1: just saying not any Eeobi, which again is Eisenhower Executive

987
00:49:18,160 --> 00:49:20,840
Speaker 1: Office building. I think that they gave her that title

988
00:49:20,920 --> 00:49:24,000
Speaker 1: because they knew from an optic standpoint, there were no

989
00:49:24,120 --> 00:49:27,040
Speaker 1: other black people there. There's no Asian people that roll them,

990
00:49:27,080 --> 00:49:29,680
Speaker 1: and especially and she said black people. The only black

991
00:49:29,719 --> 00:49:32,239
Speaker 1: other black person or other black people in the administration

992
00:49:32,360 --> 00:49:35,440
Speaker 1: senior level of the certain Surgeon General and Ben Carson,

993
00:49:35,760 --> 00:49:37,719
Speaker 1: the Secretary of Hood. Feel like she said she was

994
00:49:37,760 --> 00:49:41,160
Speaker 1: like the only black woman's in the senior role. So

995
00:49:41,160 --> 00:49:43,640
Speaker 1: I'm saying there are literally three senior black folks. She's

996
00:49:43,680 --> 00:49:45,560
Speaker 1: the only one in the White House, so it's black people.

997
00:49:46,800 --> 00:49:48,840
Speaker 1: It was something urban like head of Urban Music or

998
00:49:48,880 --> 00:49:53,400
Speaker 1: something that she was in the Office of the Public

999
00:49:53,440 --> 00:49:56,239
Speaker 1: Liaison under the Obama administration was called the Office of

1000
00:49:56,280 --> 00:50:00,120
Speaker 1: Public Engagement. They made her a senior communications advisor. There

1001
00:50:00,200 --> 00:50:03,799
Speaker 1: was no communication shop in OPE under Barack Obama because

1002
00:50:03,840 --> 00:50:06,719
Speaker 1: there's a communications department. It's this made up role of

1003
00:50:06,800 --> 00:50:08,879
Speaker 1: Hodge Hodge issue. How do you think she got paid?

1004
00:50:09,160 --> 00:50:10,799
Speaker 1: She was paid one hundred it's public knowledge is one

1005
00:50:10,880 --> 00:50:14,359
Speaker 1: hundred and one hundred and eighty thousand dollars a year. Yeah,

1006
00:50:15,200 --> 00:50:17,320
Speaker 1: that's high for that. I know that you you do

1007
00:50:17,520 --> 00:50:20,680
Speaker 1: get rid. You know, you're we know you cashing Trump

1008
00:50:20,760 --> 00:50:23,880
Speaker 1: checks like Nini. But I'm saying that's great, that's a

1009
00:50:23,920 --> 00:50:27,239
Speaker 1: great money. But no, but but it's it's very we

1010
00:50:27,239 --> 00:50:29,719
Speaker 1: don't know, we don't know, but that's what I'm telling you.

1011
00:50:29,840 --> 00:50:32,440
Speaker 1: She was paid because there's no other black people that senior.

1012
00:50:32,560 --> 00:50:34,479
Speaker 1: So she was paid at that rate, but she wasn't

1013
00:50:34,560 --> 00:50:37,920
Speaker 1: given a job description that matched that rate. So nobody

1014
00:50:37,960 --> 00:50:40,000
Speaker 1: everybody's like, what did she do it? Everybody's like, we

1015
00:50:40,120 --> 00:50:41,880
Speaker 1: fresh out our cable news on that we're like, we

1016
00:50:42,000 --> 00:50:43,840
Speaker 1: don't really know. What we do know is that she

1017
00:50:43,960 --> 00:50:47,440
Speaker 1: actively worked to oppose UM black folks in the administration,

1018
00:50:47,600 --> 00:50:49,320
Speaker 1: some folks who I think were more well meaning and

1019
00:50:49,440 --> 00:50:51,600
Speaker 1: honestly people that I had conversations like, why are you

1020
00:50:51,680 --> 00:50:53,840
Speaker 1: going into that role? Like why are you gonna go

1021
00:50:53,960 --> 00:50:57,840
Speaker 1: work for somebody who was who's not only um suggestively

1022
00:50:57,920 --> 00:50:59,640
Speaker 1: hated us, but I think done things that are just

1023
00:50:59,719 --> 00:51:02,279
Speaker 1: down right hateful. That's why I made a no, That's

1024
00:51:02,280 --> 00:51:03,600
Speaker 1: why I made a figure. I'm like, you sell your

1025
00:51:03,640 --> 00:51:06,520
Speaker 1: soul for that chap. That's right, that's that's exactly right.

1026
00:51:06,600 --> 00:51:08,960
Speaker 1: But we know that that's happened since we got here

1027
00:51:09,000 --> 00:51:11,279
Speaker 1: on slave ship. She's that type of black person. So

1028
00:51:11,360 --> 00:51:13,759
Speaker 1: you think she'll get a big paycheck for that first

1029
00:51:13,840 --> 00:51:17,400
Speaker 1: interview after January twentieth, I think that she absolutely was

1030
00:51:17,440 --> 00:51:20,120
Speaker 1: working to sell a book, or absolutely working and figure

1031
00:51:20,120 --> 00:51:22,680
Speaker 1: out what her news contributor deal would be. Maybe she's

1032
00:51:22,719 --> 00:51:25,440
Speaker 1: working on her next reality show. She's definitely gonna need

1033
00:51:25,920 --> 00:51:28,759
Speaker 1: a check. Um. She is as an active first lady

1034
00:51:28,800 --> 00:51:32,719
Speaker 1: of a church in Jacksonville, where her husband is a pastor. UM,

1035
00:51:32,960 --> 00:51:34,680
Speaker 1: I have heard. I don't know this for a fact,

1036
00:51:34,760 --> 00:51:37,920
Speaker 1: but I have heard that members have left the congregation

1037
00:51:37,960 --> 00:51:40,960
Speaker 1: because they're not checking for or what she represents. Yeah,

1038
00:51:40,960 --> 00:51:42,640
Speaker 1: it's amazing how she said that. She now all of

1039
00:51:42,680 --> 00:51:44,600
Speaker 1: a sudden, she's claiming to be the only African American

1040
00:51:44,640 --> 00:51:49,319
Speaker 1: in the White House. Like she's she's like, oh, she said,

1041
00:51:49,320 --> 00:51:51,439
Speaker 1: I know, she said my people, and I was like, oh, people,

1042
00:51:51,920 --> 00:51:53,640
Speaker 1: that's where your people at? Because you haven't been checking

1043
00:51:53,680 --> 00:51:55,000
Speaker 1: first of all times, you know, you don't know that.

1044
00:51:55,040 --> 00:51:58,399
Speaker 1: She went on air on Tucker Crossing showed defending Donald

1045
00:51:58,440 --> 00:52:02,080
Speaker 1: Trump's actions during Charlottesville, and now she's yeah, now she

1046
00:52:02,200 --> 00:52:05,440
Speaker 1: has Armstrong Williams caping for her, saying she had issues

1047
00:52:05,520 --> 00:52:09,520
Speaker 1: with what it. You not only did you defend it.

1048
00:52:09,600 --> 00:52:13,080
Speaker 1: You went on air talking about how Barack Obama handled

1049
00:52:13,320 --> 00:52:16,000
Speaker 1: the Black Lives Matter the person who said he was

1050
00:52:16,040 --> 00:52:18,600
Speaker 1: affiliated with Black Lives Matter or was influenced by Black

1051
00:52:18,640 --> 00:52:22,840
Speaker 1: Lives Matter in Dallas. Compare that nonsense to how Donald

1052
00:52:22,840 --> 00:52:25,920
Speaker 1: Trump handled Charlotte'sville. And she should have had issues with

1053
00:52:26,120 --> 00:52:28,240
Speaker 1: him from when he ran and that's why she shouldn't

1054
00:52:28,239 --> 00:52:30,920
Speaker 1: have supported his campaign. Right, So, I just I'm not

1055
00:52:31,080 --> 00:52:33,520
Speaker 1: checking for her, And the main thing is I have

1056
00:52:33,719 --> 00:52:38,879
Speaker 1: been this frustrated with her actions since the campaign. During

1057
00:52:38,880 --> 00:52:41,480
Speaker 1: the election, she was asking people who know me if

1058
00:52:41,520 --> 00:52:43,840
Speaker 1: we could have a sister girl talk because she was

1059
00:52:43,960 --> 00:52:46,440
Speaker 1: upset that I was dragging her. I'm like, he for

1060
00:52:46,560 --> 00:52:49,840
Speaker 1: you lost the sister girl opportunity when you started campaigning

1061
00:52:49,920 --> 00:52:52,040
Speaker 1: for this man. No, you just call her a hellful

1062
00:52:52,239 --> 00:53:00,719
Speaker 1: she is, But no, to me, it's personally frustrat because, y'all,

1063
00:53:00,760 --> 00:53:03,319
Speaker 1: I'm serious, there are black folks who have sold us

1064
00:53:03,360 --> 00:53:06,000
Speaker 1: out from the beginning of time who operate in that mode.

1065
00:53:06,080 --> 00:53:10,279
Speaker 1: You cannot put your culture, your people, your community under

1066
00:53:10,320 --> 00:53:13,320
Speaker 1: your opportunity. You will never make a good decision. And

1067
00:53:13,480 --> 00:53:15,960
Speaker 1: that is just it's frustrating. It's hurtful to me. So

1068
00:53:16,120 --> 00:53:18,080
Speaker 1: people have been like, why are you so amped about it?

1069
00:53:18,120 --> 00:53:20,000
Speaker 1: Why are you so mad? I'm like, because you're trying

1070
00:53:20,040 --> 00:53:22,319
Speaker 1: to tell me one thing and you're doing something else.

1071
00:53:22,560 --> 00:53:25,080
Speaker 1: I see your actions, I hear the words that you're speaking,

1072
00:53:25,360 --> 00:53:27,759
Speaker 1: and they don't align with someone who represents what I

1073
00:53:27,880 --> 00:53:29,960
Speaker 1: believe are our best interests. So yeah, I'm gonna drag

1074
00:53:30,040 --> 00:53:32,360
Speaker 1: you every time. That's when you say skinful, telling with

1075
00:53:32,440 --> 00:53:35,040
Speaker 1: you when you say skin folk. So Zornil Hurston has

1076
00:53:35,080 --> 00:53:38,399
Speaker 1: a famous quote that says, all all my skin folk

1077
00:53:38,440 --> 00:53:41,000
Speaker 1: ain't my kin folk. And what that means is that

1078
00:53:41,200 --> 00:53:44,600
Speaker 1: everyone who has black skin, regardless of the hue, don't

1079
00:53:44,680 --> 00:53:48,960
Speaker 1: start with the waffle colored nonsense. I five, you're not

1080
00:53:49,040 --> 00:53:53,239
Speaker 1: that dark either is. But the point is, you know,

1081
00:53:53,719 --> 00:53:55,680
Speaker 1: just because you're of a certain who doesn't mean that

1082
00:53:55,760 --> 00:53:57,640
Speaker 1: you're going to represent what's in the best interests of

1083
00:53:57,719 --> 00:53:59,880
Speaker 1: that And that doesn't mean that we're always gonna align.

1084
00:54:00,239 --> 00:54:03,239
Speaker 1: But my one rule is like cause no harm, Just

1085
00:54:03,440 --> 00:54:06,239
Speaker 1: cause no harm. And we can debate whether or not

1086
00:54:06,440 --> 00:54:10,160
Speaker 1: this policy is best for us, but don't deliberately cause harm.

1087
00:54:10,320 --> 00:54:12,399
Speaker 1: Right and she I feel like she's done that in life.

1088
00:54:13,040 --> 00:54:14,960
Speaker 1: We got more with Angela right when we come back,

1089
00:54:15,080 --> 00:54:18,520
Speaker 1: keep a lot This to breakfast club. Good morning, the morning.

1090
00:54:18,600 --> 00:54:22,520
Speaker 1: Everybody is DJ envy Angela, Ye, Charlomagne the guy. We

1091
00:54:22,600 --> 00:54:25,280
Speaker 1: all the breakfast club. We have Angela right in the building.

1092
00:54:25,560 --> 00:54:27,200
Speaker 1: That question, do I have to pay for internet now?

1093
00:54:30,160 --> 00:54:32,359
Speaker 1: Unless you hacking into something and you got free Wi

1094
00:54:32,440 --> 00:54:34,000
Speaker 1: Fi at your house, at which point we all need

1095
00:54:34,040 --> 00:54:36,200
Speaker 1: to edit your house like we pay for the internet now.

1096
00:54:36,719 --> 00:54:40,120
Speaker 1: What's frustrating about net neutrality is the conversation has been

1097
00:54:40,200 --> 00:54:43,080
Speaker 1: had in such a wonky way that people have disengaged,

1098
00:54:43,120 --> 00:54:44,719
Speaker 1: like I kind of just don't understand it, so I'm

1099
00:54:44,760 --> 00:54:49,319
Speaker 1: afraid to touch it. The bottom line is what eliminating

1100
00:54:49,360 --> 00:54:51,719
Speaker 1: those net neutrality rules does is it makes it more

1101
00:54:51,880 --> 00:54:55,040
Speaker 1: different or makes it easier for companies to slow down

1102
00:54:55,160 --> 00:54:59,560
Speaker 1: certain services to put some of their products at an advantage. Right, Um,

1103
00:54:59,719 --> 00:55:02,080
Speaker 1: so if you have Netflix and they slow down to Netflix,

1104
00:55:02,360 --> 00:55:05,600
Speaker 1: that might put another company at an advantage because you're

1105
00:55:05,600 --> 00:55:08,440
Speaker 1: trying to watch a Netflix but it's buffering. It's buffering,

1106
00:55:08,520 --> 00:55:10,719
Speaker 1: it's not working. We're trying to pay for it to

1107
00:55:10,760 --> 00:55:13,440
Speaker 1: go faster. Yes, and so you'll have to pay for

1108
00:55:13,560 --> 00:55:16,120
Speaker 1: certain services to go faster after you've already paid for

1109
00:55:16,160 --> 00:55:18,160
Speaker 1: your subscription to handle this's points. So there are all

1110
00:55:18,200 --> 00:55:22,120
Speaker 1: of these things that make the Internet more financially lucrative

1111
00:55:22,160 --> 00:55:23,799
Speaker 1: for them because they've been trying to figure out ways

1112
00:55:23,840 --> 00:55:26,120
Speaker 1: to bolster some of their revenue since the Internet is

1113
00:55:26,120 --> 00:55:28,239
Speaker 1: coming out. It's like, what do we do. We're losing money,

1114
00:55:28,360 --> 00:55:30,640
Speaker 1: you know, We've seen that with record labels and all

1115
00:55:30,680 --> 00:55:33,160
Speaker 1: of that. So I think the one thing that people

1116
00:55:33,239 --> 00:55:34,799
Speaker 1: need to know is it's going to be a more

1117
00:55:34,920 --> 00:55:39,400
Speaker 1: costly space. And it's frustrating because there are still folks

1118
00:55:39,440 --> 00:55:41,759
Speaker 1: who look like me and you who don't even have

1119
00:55:41,960 --> 00:55:45,160
Speaker 1: access just to baselining or just don't even have access.

1120
00:55:45,480 --> 00:55:47,680
Speaker 1: So it's this is really frustrating to watch, but you

1121
00:55:47,760 --> 00:55:49,959
Speaker 1: see it every turn, whether it's the tax reform build

1122
00:55:49,960 --> 00:55:52,880
Speaker 1: that they're pushing or the healthcare measure that they were pushing.

1123
00:55:53,280 --> 00:55:55,680
Speaker 1: Now this that at every turn they're looking out for

1124
00:55:55,760 --> 00:55:58,319
Speaker 1: people who are the haves and the have nots are

1125
00:55:58,360 --> 00:56:01,480
Speaker 1: continually being screwed. Under this illustration. Do you think I

1126
00:56:01,520 --> 00:56:04,040
Speaker 1: think people are concerned about social media? How's that gonna

1127
00:56:04,080 --> 00:56:06,640
Speaker 1: affect social media? Um? I don't know. I don't I

1128
00:56:06,719 --> 00:56:09,480
Speaker 1: don't know of a direct impact that I can think

1129
00:56:09,520 --> 00:56:12,560
Speaker 1: of right now. I know that it can impact search

1130
00:56:12,719 --> 00:56:15,760
Speaker 1: certain search engines like Google Chrome versus like a Yahoo

1131
00:56:16,400 --> 00:56:19,640
Speaker 1: you know, or Verizons search and page, that kind of thing,

1132
00:56:19,719 --> 00:56:21,680
Speaker 1: But I don't know what the direct impact would be

1133
00:56:21,800 --> 00:56:24,160
Speaker 1: on social media. I need to ask somebody that really

1134
00:56:24,200 --> 00:56:25,920
Speaker 1: knows the ins and outs and is it true that

1135
00:56:26,040 --> 00:56:28,680
Speaker 1: neutrality one that's how so much messaging gets out nowadays,

1136
00:56:28,800 --> 00:56:31,720
Speaker 1: especially for all communities. It's no question we over index

1137
00:56:31,840 --> 00:56:34,680
Speaker 1: on social media use on every single platform. Like black

1138
00:56:34,760 --> 00:56:36,759
Speaker 1: and brown folks are the ones that like have made

1139
00:56:36,800 --> 00:56:38,319
Speaker 1: all of it about and that's why there's a thing

1140
00:56:38,360 --> 00:56:40,640
Speaker 1: called black Twitter. So we definitely use it. It is

1141
00:56:40,640 --> 00:56:43,600
Speaker 1: a free platform. It's the one space, I think where

1142
00:56:44,239 --> 00:56:47,319
Speaker 1: communication has kind of been democratized and to the point

1143
00:56:47,360 --> 00:56:50,680
Speaker 1: where you know, we've seen all types of organizing happening online.

1144
00:56:50,719 --> 00:56:52,520
Speaker 1: So yeah, there's no question about it. Now, you know that.

1145
00:56:52,560 --> 00:56:53,840
Speaker 1: I would love to get you to weigh in on

1146
00:56:54,360 --> 00:56:56,400
Speaker 1: I see the rest of Simmons is now doing this

1147
00:56:56,480 --> 00:56:59,239
Speaker 1: whole campaign not me has tag not me, taking polygraph

1148
00:56:59,320 --> 00:57:02,760
Speaker 1: tests to prove that he didn't do anything with anything

1149
00:57:02,840 --> 00:57:06,720
Speaker 1: wrong in his vision with these women that are accusing

1150
00:57:06,840 --> 00:57:10,960
Speaker 1: him of sexual misconduct, sexual assault, even rape. And so

1151
00:57:11,120 --> 00:57:13,160
Speaker 1: we were having a discussion up here behind the scenes

1152
00:57:13,640 --> 00:57:17,920
Speaker 1: about what happens with these men that are being falsely

1153
00:57:18,000 --> 00:57:20,680
Speaker 1: accused and what happens with these women that are coming

1154
00:57:20,720 --> 00:57:24,520
Speaker 1: forward and saying things. But maybe, you know, you might say,

1155
00:57:24,800 --> 00:57:26,520
Speaker 1: because the guys were saying behind the scenes, like what

1156
00:57:26,600 --> 00:57:29,080
Speaker 1: if it was a situation where you know, afterward you

1157
00:57:29,240 --> 00:57:32,120
Speaker 1: didn't want to do it, or everybody was high drunk

1158
00:57:32,200 --> 00:57:34,240
Speaker 1: or whatever, and everything went down the way that it did,

1159
00:57:34,680 --> 00:57:37,480
Speaker 1: and then now there's this pushback like not me, and

1160
00:57:37,560 --> 00:57:39,880
Speaker 1: there's people like to have a smiley coming forward and

1161
00:57:40,000 --> 00:57:43,040
Speaker 1: saying that he feels like that investigation was wrong, they

1162
00:57:43,080 --> 00:57:45,760
Speaker 1: did him dirty. What do you think about watching everything

1163
00:57:45,800 --> 00:57:48,760
Speaker 1: that's happening just your point of view? So I actually

1164
00:57:49,440 --> 00:57:52,400
Speaker 1: and I think you know Christy Henderson pretty well. But

1165
00:57:52,600 --> 00:57:56,000
Speaker 1: Christy and I were going round on the phone, not fighting,

1166
00:57:56,080 --> 00:57:58,400
Speaker 1: but just like being tormented by the fact that you

1167
00:57:58,640 --> 00:58:02,240
Speaker 1: are fully black, fully women and the conflicts that exist

1168
00:58:02,320 --> 00:58:04,000
Speaker 1: just within that. And then we ended up taking it

1169
00:58:04,080 --> 00:58:06,440
Speaker 1: onto my podcast because You're like, we can't wrestle with

1170
00:58:06,560 --> 00:58:09,720
Speaker 1: this alone, like, let's be honest, And I think there

1171
00:58:09,720 --> 00:58:11,800
Speaker 1: are a lot of folks who disagreed, like with my

1172
00:58:12,000 --> 00:58:15,960
Speaker 1: interpretation and hers. What's really difficult for me Angela as

1173
00:58:16,000 --> 00:58:18,320
Speaker 1: a lawyer even and the reason why I wanted to

1174
00:58:18,600 --> 00:58:23,040
Speaker 1: become a lawyer. So often we've seen black folks period

1175
00:58:23,200 --> 00:58:27,200
Speaker 1: wrongfully accused of things, and the reason why there's supposed

1176
00:58:27,240 --> 00:58:29,360
Speaker 1: to be a justice system is so that you can

1177
00:58:29,480 --> 00:58:32,120
Speaker 1: litigate the facts and determine whether or not someone is

1178
00:58:32,160 --> 00:58:38,920
Speaker 1: innocent or guilty what has happened. And it feels like

1179
00:58:39,000 --> 00:58:41,000
Speaker 1: that in some ways until I'm really torn because I

1180
00:58:41,160 --> 00:58:43,640
Speaker 1: know for years, like I know women who have been

1181
00:58:43,960 --> 00:58:46,720
Speaker 1: sexually assaulted or have been sexually harassed. I know for me,

1182
00:58:46,920 --> 00:58:50,400
Speaker 1: even on Capitol Hill, we would tell young interns to

1183
00:58:50,440 --> 00:58:52,880
Speaker 1: stay away from such a sen which makes us all

1184
00:58:52,960 --> 00:58:56,000
Speaker 1: complicit too in some ways. But at some point you

1185
00:58:56,120 --> 00:58:58,520
Speaker 1: do want to give people the strength they need to

1186
00:58:58,640 --> 00:59:00,760
Speaker 1: be courageous enough to step up and say this happened

1187
00:59:00,800 --> 00:59:02,560
Speaker 1: to me. And I can't imagine what that feels like

1188
00:59:02,560 --> 00:59:06,840
Speaker 1: because I've never been assaulted, but I do think that

1189
00:59:08,240 --> 00:59:12,360
Speaker 1: I'm concerned about the precedent it sets for people to

1190
00:59:12,560 --> 00:59:15,120
Speaker 1: no longer have to go through a process to determine

1191
00:59:15,160 --> 00:59:18,760
Speaker 1: whether someone is guilty or innocent. That's said, if it

1192
00:59:19,000 --> 00:59:21,480
Speaker 1: was just one, I don't give a damn. If it

1193
00:59:21,680 --> 00:59:24,919
Speaker 1: was eleven and there was just one, but I was saying,

1194
00:59:25,320 --> 00:59:28,880
Speaker 1: you still are accountable for that one. I don't care

1195
00:59:29,000 --> 00:59:31,360
Speaker 1: like you can litigate the facts on if it would

1196
00:59:31,360 --> 00:59:33,920
Speaker 1: Bill Cosby, Let's say he said it wasn't six to

1197
00:59:34,040 --> 00:59:36,920
Speaker 1: three of him, it was ten. That's still ten to

1198
00:59:37,120 --> 00:59:38,640
Speaker 1: damn many, you know what I mean. And so we

1199
00:59:38,760 --> 00:59:42,080
Speaker 1: just have to figure out what the balance is. But

1200
00:59:42,240 --> 00:59:44,600
Speaker 1: it does feel like it's swaying all the way back

1201
00:59:44,680 --> 00:59:47,240
Speaker 1: over here, and it terrified I think about Emmett Till.

1202
00:59:47,280 --> 00:59:50,280
Speaker 1: I think about black men who've recently been exonerated because

1203
00:59:50,280 --> 00:59:52,480
Speaker 1: they did not rape that white woman who said that.

1204
00:59:52,680 --> 00:59:55,400
Speaker 1: You know what I mean. I'm inherently conflicted. I know

1205
00:59:55,480 --> 00:59:58,640
Speaker 1: there's a difficult situation. It's not difficult if you're being

1206
00:59:58,640 --> 01:00:00,760
Speaker 1: an objective about it because as a man, and it's simple,

1207
01:00:00,840 --> 01:00:04,840
Speaker 1: It's like, I just want to know the man. How

1208
01:00:04,920 --> 01:00:07,280
Speaker 1: do I prove I didn't do You can't prove Russell

1209
01:00:07,400 --> 01:00:09,360
Speaker 1: saying he didn't do it, and Tavis somebody saying he

1210
01:00:09,400 --> 01:00:11,080
Speaker 1: didn't do it. Why why do I we have to

1211
01:00:11,120 --> 01:00:14,320
Speaker 1: discredit them. We shouldn't discredit him, and we shouldn't discredit

1212
01:00:14,320 --> 01:00:16,400
Speaker 1: the people that are accusing him, because I think the

1213
01:00:17,520 --> 01:00:20,120
Speaker 1: challenge with Um with I'm not going to speak to

1214
01:00:20,160 --> 01:00:23,320
Speaker 1: Tavis because I have other issues with Tavis Um, like

1215
01:00:23,440 --> 01:00:25,880
Speaker 1: where the hell has he been through the whole Trump administration?

1216
01:00:26,000 --> 01:00:29,880
Speaker 1: Not saying anything but he was dragging, But I digress.

1217
01:00:29,920 --> 01:00:32,280
Speaker 1: I don't know what his personal life looks like. But

1218
01:00:32,440 --> 01:00:35,880
Speaker 1: with Russell Simmons, I can say what bothered me about

1219
01:00:35,920 --> 01:00:38,320
Speaker 1: some of his statements is I don't recall our night

1220
01:00:38,440 --> 01:00:42,240
Speaker 1: together like that, But that doesn't mean it didn't happen

1221
01:00:42,320 --> 01:00:44,800
Speaker 1: that way to that said it might have been consensual.

1222
01:00:45,640 --> 01:00:47,360
Speaker 1: Also also said that he used a lot of drugs,

1223
01:00:48,280 --> 01:00:52,520
Speaker 1: but that doesn't excuse but that doesn't excuse for sex,

1224
01:00:52,800 --> 01:00:55,320
Speaker 1: and it doesn't excuse you not taking no for no.

1225
01:00:55,720 --> 01:00:57,480
Speaker 1: I don't know if it happened or not, but I'm

1226
01:00:57,520 --> 01:01:00,640
Speaker 1: saying the narrative around it, like whoever is helping him

1227
01:01:00,680 --> 01:01:03,000
Speaker 1: with his pr and his messaging it's been off. And

1228
01:01:03,120 --> 01:01:05,040
Speaker 1: I also feel like women are coming forward and it's

1229
01:01:05,040 --> 01:01:07,320
Speaker 1: not like they're pressing charges, are getting anything out of it,

1230
01:01:07,440 --> 01:01:09,760
Speaker 1: Like what do Samahayak get out of telling her story

1231
01:01:09,800 --> 01:01:13,200
Speaker 1: about Harvey Weinstein and what happened? If anything, some people

1232
01:01:13,280 --> 01:01:15,560
Speaker 1: might feel more ostracize. It's a hard story to tell,

1233
01:01:16,080 --> 01:01:19,080
Speaker 1: so for them to come forward, it just makes you

1234
01:01:19,120 --> 01:01:21,080
Speaker 1: feel like, well, what do these women get out of it.

1235
01:01:21,200 --> 01:01:23,440
Speaker 1: It's not like they're getting the fame that they want

1236
01:01:23,440 --> 01:01:28,320
Speaker 1: to get revenge. But part of it could be we

1237
01:01:28,360 --> 01:01:30,000
Speaker 1: don't know if these folks been able to sleep at

1238
01:01:30,080 --> 01:01:33,000
Speaker 1: night since whatever happened. We also have to acknowledge y'all,

1239
01:01:33,080 --> 01:01:36,680
Speaker 1: like whether you're a man, woman or identify as you

1240
01:01:36,760 --> 01:01:41,000
Speaker 1: know neither. There are people who are attention seeking. One

1241
01:01:41,080 --> 01:01:44,280
Speaker 1: of them just left the White House. There are no Seriously,

1242
01:01:44,600 --> 01:01:46,880
Speaker 1: there are people who are attention seeking. There are people

1243
01:01:46,920 --> 01:01:49,960
Speaker 1: who will do anything for a check, and that is

1244
01:01:50,040 --> 01:01:52,880
Speaker 1: happening too. I know of a member of Congress who's

1245
01:01:52,880 --> 01:01:55,840
Speaker 1: being accused right now, and this same person accused someone

1246
01:01:55,920 --> 01:01:59,120
Speaker 1: in a prior job. Like that. Sometimes that stuff doesn't

1247
01:01:59,160 --> 01:02:00,920
Speaker 1: just happen, you know what I mean. So we have

1248
01:02:01,000 --> 01:02:02,760
Speaker 1: to take all of that into account. And that's why

1249
01:02:02,800 --> 01:02:04,880
Speaker 1: I feel so torn. I know, as a woman, I

1250
01:02:05,000 --> 01:02:06,960
Speaker 1: can't imagine what it's like. I know what it's like

1251
01:02:07,040 --> 01:02:08,960
Speaker 1: to be cut off, you know, on air. I know

1252
01:02:09,000 --> 01:02:11,240
Speaker 1: what it's like for you to say something inappropriate, for

1253
01:02:11,480 --> 01:02:13,520
Speaker 1: me to feel like you're dirty because you're addressing me

1254
01:02:13,560 --> 01:02:15,360
Speaker 1: with your eyes. I know all those feelings. So I

1255
01:02:15,440 --> 01:02:17,760
Speaker 1: can't imagine the strength that it takes to have to

1256
01:02:17,840 --> 01:02:20,520
Speaker 1: report something that's real. But I also know that there

1257
01:02:20,560 --> 01:02:23,800
Speaker 1: are some trifling people of all genders in this life

1258
01:02:24,040 --> 01:02:26,080
Speaker 1: who will accuse and jump on a bandwagon. And so

1259
01:02:26,120 --> 01:02:27,760
Speaker 1: I don't know what the balance is, but I know

1260
01:02:27,840 --> 01:02:29,400
Speaker 1: we have to find one quickly. I just want to

1261
01:02:29,440 --> 01:02:31,320
Speaker 1: do process, that's all I want. That's why when I

1262
01:02:31,400 --> 01:02:34,080
Speaker 1: hear these stories, I love to hear that an investigation happen.

1263
01:02:34,280 --> 01:02:36,640
Speaker 1: It can't happen as soon as as soon as you accuse,

1264
01:02:36,720 --> 01:02:43,040
Speaker 1: it goes to the paper, an automatic queue. But sometimes

1265
01:02:43,360 --> 01:02:45,200
Speaker 1: the very round for a woman when she goes and

1266
01:02:45,320 --> 01:02:47,760
Speaker 1: then people like she's a liar. She you know, you

1267
01:02:47,880 --> 01:02:53,160
Speaker 1: never get a job again. So it's hard for right now,

1268
01:02:53,440 --> 01:02:55,480
Speaker 1: but I do think that there's something to be said

1269
01:02:55,640 --> 01:02:59,080
Speaker 1: for both things can be true and the one the

1270
01:02:59,160 --> 01:03:01,840
Speaker 1: one thing that I that's really frustrating about this moment

1271
01:03:01,960 --> 01:03:04,080
Speaker 1: right now is that it's so black or white, but

1272
01:03:04,280 --> 01:03:06,400
Speaker 1: truly there is a gray. Truly there is a gray

1273
01:03:06,440 --> 01:03:08,440
Speaker 1: because there are many of us who have been complicit

1274
01:03:08,720 --> 01:03:12,360
Speaker 1: in allowing rate culture to be pervasive, and we need

1275
01:03:12,440 --> 01:03:14,520
Speaker 1: to look at the foundation of the thing to really

1276
01:03:14,560 --> 01:03:17,600
Speaker 1: figure out what our next steps will be that are constructive.

1277
01:03:17,800 --> 01:03:19,520
Speaker 1: Because this is a it's a tough space. It's a

1278
01:03:19,600 --> 01:03:22,000
Speaker 1: really uncomfortable space. A lot of us will be personally

1279
01:03:22,120 --> 01:03:23,920
Speaker 1: hurt because we know some of the people who have

1280
01:03:24,000 --> 01:03:26,919
Speaker 1: been accused and will be frustrated and want to fight

1281
01:03:27,000 --> 01:03:29,040
Speaker 1: for the people who we know who are the accusers.

1282
01:03:29,200 --> 01:03:31,560
Speaker 1: So it's a tough space. We got more with Angela

1283
01:03:31,640 --> 01:03:33,200
Speaker 1: right when we come back, keep a lock. This to

1284
01:03:33,240 --> 01:03:40,200
Speaker 1: Breakfast Club. Good morning, the Breakfast Club Morning. Everybody is

1285
01:03:40,320 --> 01:03:43,840
Speaker 1: DJ Envy Angela Ye, Charlomagne, the guy. We all the

1286
01:03:43,880 --> 01:03:47,080
Speaker 1: Breakfast Club. We have Angela right in the building, Charlemagne.

1287
01:03:47,360 --> 01:03:51,240
Speaker 1: We talk about voting in Alabama. Yes, okay, silver Lighting.

1288
01:03:51,320 --> 01:03:55,040
Speaker 1: Now I'm glad that Christmas gift. I'm glad Doug Jones one. Right,

1289
01:03:55,680 --> 01:03:58,040
Speaker 1: But you know everybody's saying that black women are the

1290
01:03:58,160 --> 01:04:02,560
Speaker 1: reason that he won that election. You agree with that.

1291
01:04:02,880 --> 01:04:05,160
Speaker 1: I think, Um, I want to shout out black people.

1292
01:04:05,560 --> 01:04:07,480
Speaker 1: That's what I'm saying. I want to shout out black people.

1293
01:04:07,520 --> 01:04:10,640
Speaker 1: And that's not to take away black women. Um at all,

1294
01:04:10,920 --> 01:04:13,640
Speaker 1: black women voted at higher margins than even black men.

1295
01:04:14,040 --> 01:04:17,240
Speaker 1: But but it was higher though, don't don't be trying

1296
01:04:17,240 --> 01:04:25,720
Speaker 1: to take yes, so that give me my sixth bl Okay,

1297
01:04:26,240 --> 01:04:28,560
Speaker 1: so I'm just saying, but no, it for real. But

1298
01:04:28,680 --> 01:04:31,040
Speaker 1: we are constantly setting the standard. We saw that with

1299
01:04:31,400 --> 01:04:34,080
Speaker 1: the twenty sixteen election with Hillary Clinton. We've seen it.

1300
01:04:34,160 --> 01:04:36,120
Speaker 1: We saw it with Barack Obama in twenty twelve and

1301
01:04:36,120 --> 01:04:38,480
Speaker 1: two thousand and eight. We always show up and show out,

1302
01:04:38,840 --> 01:04:41,880
Speaker 1: and too often we're treated as invisible. So this is

1303
01:04:41,960 --> 01:04:44,400
Speaker 1: my expectation for Doug Jones. Doug Jones will be sworn

1304
01:04:44,520 --> 01:04:48,440
Speaker 1: in because he won this special election. Doug Jones was

1305
01:04:48,520 --> 01:04:51,600
Speaker 1: doing his press conference talking about how um black people

1306
01:04:51,680 --> 01:04:54,720
Speaker 1: definitely showed up and it's because they know him. Also

1307
01:04:54,760 --> 01:04:57,600
Speaker 1: shout out to Congresswoman Terry Sewell from Alabama who worked

1308
01:04:57,640 --> 01:05:00,800
Speaker 1: her behind off for Doug Jones. Doug Jones, I'm gonna

1309
01:05:00,800 --> 01:05:03,200
Speaker 1: need thirty percent of your staff to be black like

1310
01:05:03,320 --> 01:05:06,440
Speaker 1: the electorate. Doug Jones, I'm gonna needs you to ensure

1311
01:05:06,840 --> 01:05:10,120
Speaker 1: that there are superpacks and packs created and stood up

1312
01:05:10,200 --> 01:05:13,360
Speaker 1: by black people. Ensure their funded packs, our political action

1313
01:05:13,400 --> 01:05:16,160
Speaker 1: committees to ensure that we can run other candidates support

1314
01:05:16,280 --> 01:05:18,680
Speaker 1: issues that we care about. I'm gonna need for the

1315
01:05:18,960 --> 01:05:23,480
Speaker 1: Democratic Party through the Democratic Governors Association, the Association, the DNC,

1316
01:05:23,720 --> 01:05:26,960
Speaker 1: the Democratic National Committee, the d tripleC. That's the Democratic

1317
01:05:27,080 --> 01:05:32,080
Speaker 1: Congressional Campaign Committee d SEC, that's the Democratic Senatorial Campaign Committee.

1318
01:05:32,320 --> 01:05:35,480
Speaker 1: All of those entities need to be hiring black vendors.

1319
01:05:35,680 --> 01:05:38,400
Speaker 1: They need to be hiring black staff in senior roles,

1320
01:05:38,520 --> 01:05:41,160
Speaker 1: not just in black outreach. Lastly, they need to make

1321
01:05:41,200 --> 01:05:43,920
Speaker 1: sure they're coming to our communities way before a week

1322
01:05:44,000 --> 01:05:46,840
Speaker 1: before or two weeks before election. Day. There's an entity

1323
01:05:46,880 --> 01:05:49,840
Speaker 1: now called Collective Pack that's doing great work in these spaces,

1324
01:05:49,920 --> 01:05:52,920
Speaker 1: bolstering candidates, supporting some of their work, ensuring that their

1325
01:05:53,000 --> 01:05:55,360
Speaker 1: names are getting out there. That needs to happen as well.

1326
01:05:55,720 --> 01:05:59,080
Speaker 1: So Doug Jones, we get the work is just beginning.

1327
01:05:59,560 --> 01:06:02,920
Speaker 1: It's time for accountability. And we're not gonna just celebrate

1328
01:06:03,000 --> 01:06:04,840
Speaker 1: the fact that black women showed up. You're gonna start

1329
01:06:04,880 --> 01:06:07,640
Speaker 1: rewarding just black women, black and black men. We need

1330
01:06:07,680 --> 01:06:09,640
Speaker 1: to be focused on the fact that we showed up

1331
01:06:09,680 --> 01:06:12,320
Speaker 1: as a community and we came out and tweet about that.

1332
01:06:12,840 --> 01:06:14,840
Speaker 1: But you let me have help swinging an election. But

1333
01:06:14,960 --> 01:06:16,960
Speaker 1: that's just silly, Like, we'll get more accomplished if we

1334
01:06:16,960 --> 01:06:18,560
Speaker 1: stop worrying about who get the credit for it. No,

1335
01:06:18,800 --> 01:06:21,320
Speaker 1: I think that because you can't you get credit, because

1336
01:06:21,360 --> 01:06:23,240
Speaker 1: all black men can't just win an election, and all

1337
01:06:23,280 --> 01:06:25,680
Speaker 1: black women can't just win an election. We did not

1338
01:06:25,800 --> 01:06:29,840
Speaker 1: win it alone, like, but we made up thirty Oh

1339
01:06:29,960 --> 01:06:33,800
Speaker 1: come on, I'm not be a victim today. I'm not

1340
01:06:33,920 --> 01:06:36,360
Speaker 1: trying to. I told in my tweet, I said, thank

1341
01:06:36,400 --> 01:06:39,600
Speaker 1: you black people. Yeah so, but I'm also thinking black

1342
01:06:39,640 --> 01:06:41,640
Speaker 1: women we set the standard if we if we're in

1343
01:06:41,680 --> 01:06:45,320
Speaker 1: the first place. Why can't we get our first places glorious.

1344
01:06:45,720 --> 01:06:47,720
Speaker 1: I'm telling you get way more accomplished if you stop

1345
01:06:47,760 --> 01:06:49,880
Speaker 1: worrying about who get the credit for it, I can

1346
01:06:50,000 --> 01:06:53,120
Speaker 1: have a global moment. Black chunk of people came out

1347
01:06:55,520 --> 01:07:00,360
Speaker 1: right later. Black a right, but you're black. Black, that

1348
01:07:00,560 --> 01:07:02,600
Speaker 1: was black. It's hell, that's exactly where it need. That's

1349
01:07:02,600 --> 01:07:04,760
Speaker 1: the Republican state though. No, but let's look at what

1350
01:07:04,880 --> 01:07:08,840
Speaker 1: happens when we use our collective power influence. And that's

1351
01:07:08,840 --> 01:07:10,800
Speaker 1: what I'm trying to see to calm down, because just

1352
01:07:10,960 --> 01:07:14,000
Speaker 1: me celebrating black women doesn't take away from black men.

1353
01:07:15,880 --> 01:07:19,040
Speaker 1: It's just devisive. No, it's just a black it's inaccurate.

1354
01:07:20,320 --> 01:07:24,439
Speaker 1: It is you know, it's it's not inaccurate to say

1355
01:07:24,720 --> 01:07:27,040
Speaker 1: this group was first place. Black men were second place.

1356
01:07:27,440 --> 01:07:29,120
Speaker 1: What they're saying, let me read it to you. Let

1357
01:07:29,160 --> 01:07:31,920
Speaker 1: me tell you that's not what I said. Thank you

1358
01:07:32,000 --> 01:07:33,880
Speaker 1: black women, that's what it says. There's nothing wrong with

1359
01:07:34,000 --> 01:07:37,600
Speaker 1: thank you black women were first place. Oh does that

1360
01:07:37,720 --> 01:07:39,480
Speaker 1: make you man? It doesn't make me matter. It's just

1361
01:07:39,600 --> 01:07:42,120
Speaker 1: it sends out the wrong message. We need, we need

1362
01:07:42,240 --> 01:07:45,480
Speaker 1: black people. We doing that doesn't take away from that

1363
01:07:45,600 --> 01:07:48,680
Speaker 1: that black women are black women, black people, very good.

1364
01:07:49,560 --> 01:07:52,200
Speaker 1: Watch watch. This is gonna come up later. It's gonna

1365
01:07:52,200 --> 01:07:55,440
Speaker 1: be divisive amongst people. It shouldn't be. Device it's already

1366
01:07:55,520 --> 01:07:57,360
Speaker 1: starting an argument that or not an argument, but it

1367
01:07:57,440 --> 01:07:59,439
Speaker 1: debate that it shouldn't be. It shouldn't be about black

1368
01:07:59,520 --> 01:08:02,120
Speaker 1: man black women. We came out together and got Doug

1369
01:08:02,200 --> 01:08:08,120
Speaker 1: Jones in that the black community came out and supported them.

1370
01:08:08,120 --> 01:08:10,880
Speaker 1: All right, black men, thank you black people. But he's

1371
01:08:11,040 --> 01:08:13,120
Speaker 1: riding on this thing like it's blue lives. Man. I'm

1372
01:08:13,160 --> 01:08:16,720
Speaker 1: trying to figure out why this. Black women. Listen, it's

1373
01:08:16,760 --> 01:08:18,640
Speaker 1: very tough in to state like Alabama get ninety two

1374
01:08:18,640 --> 01:08:19,960
Speaker 1: percent of black men to come out of the vote.

1375
01:08:20,000 --> 01:08:22,479
Speaker 1: It wasn't ninety two percent of black men that came

1376
01:08:22,520 --> 01:08:26,640
Speaker 1: out and vote. It was. But that's a lot of

1377
01:08:26,680 --> 01:08:29,400
Speaker 1: people black men. Yes, it was a lot of black women.

1378
01:08:29,960 --> 01:08:35,280
Speaker 1: It's both. This is silly once again. Get way more

1379
01:08:35,280 --> 01:08:37,439
Speaker 1: accomplish when we stop worrying about who get the credit for.

1380
01:08:37,640 --> 01:08:40,800
Speaker 1: So I don't think there's anything. Do you know what

1381
01:08:40,880 --> 01:08:43,360
Speaker 1: I'm saying, like, can you get black men credit? Did

1382
01:08:43,439 --> 01:08:47,599
Speaker 1: you not hear me say that? Okay, good Night can't

1383
01:08:47,640 --> 01:08:50,200
Speaker 1: help himself that question. I was we were listening to

1384
01:08:50,320 --> 01:08:53,120
Speaker 1: the Rumor Report and Angela reported that you have a

1385
01:08:53,160 --> 01:08:57,040
Speaker 1: bull What that's what you're doing today? How we talked

1386
01:08:57,080 --> 01:08:58,760
Speaker 1: about this last time? You don't even know why. I

1387
01:08:58,800 --> 01:09:01,320
Speaker 1: don't even know why we talk about this last time

1388
01:09:01,320 --> 01:09:04,400
Speaker 1: because when you left, I was like, I wonder okay,

1389
01:09:04,520 --> 01:09:07,160
Speaker 1: maybe not when you what do you wonder about? How?

1390
01:09:07,280 --> 01:09:16,040
Speaker 1: Oh is this woman report before that? That's congratulation to

1391
01:09:16,240 --> 01:09:20,960
Speaker 1: congratulation color you in the color complex of now. He is.

1392
01:09:21,120 --> 01:09:24,280
Speaker 1: He is a wonderful human being. Um. I have learned

1393
01:09:24,320 --> 01:09:26,600
Speaker 1: a lot from I learned a lot from him. I

1394
01:09:26,680 --> 01:09:30,640
Speaker 1: also heard Anela called him a starter boyfriend, UM, and

1395
01:09:30,760 --> 01:09:34,240
Speaker 1: he's he's not at all. And he's been supportive of y'all.

1396
01:09:35,000 --> 01:09:38,920
Speaker 1: Don't starting, no, mass it is a starter jacket. He's

1397
01:09:38,960 --> 01:09:41,400
Speaker 1: not a starter boyfriend. We love common up here, So

1398
01:09:41,479 --> 01:09:43,719
Speaker 1: you should apologize to him for that because that's hurtful.

1399
01:09:44,120 --> 01:09:46,800
Speaker 1: But UM, yeah, I think that it's important to know

1400
01:09:47,479 --> 01:09:50,519
Speaker 1: UM from just being around him, Like I am definitely

1401
01:09:50,600 --> 01:09:54,320
Speaker 1: a better human being, and I appreciate UM just all

1402
01:09:54,400 --> 01:09:57,880
Speaker 1: he does for the community, for the people, UM, for

1403
01:09:58,240 --> 01:10:00,760
Speaker 1: the example that he sets for challenge Jimmy. He's just

1404
01:10:00,840 --> 01:10:03,800
Speaker 1: a good, good guy. It's a great dude. Yeah, dance

1405
01:10:04,080 --> 01:10:13,439
Speaker 1: a breakdancere y'all, y'all have a breakdance. You got no

1406
01:10:13,920 --> 01:10:22,920
Speaker 1: dance about dance all the time when you're rolling up

1407
01:10:22,960 --> 01:10:25,400
Speaker 1: in twists. I don't know what. You don't even know.

1408
01:10:25,800 --> 01:10:28,000
Speaker 1: He got that from like an eighties white people show

1409
01:10:28,080 --> 01:10:33,080
Speaker 1: us where he got that? I don't know what. Don't

1410
01:10:33,120 --> 01:10:35,640
Speaker 1: becoming for his breakdancing either, Mike gonna let us to

1411
01:10:35,720 --> 01:10:37,479
Speaker 1: come and start a boyfriend gonna let you come for

1412
01:10:37,560 --> 01:10:40,880
Speaker 1: his breakdance. Now come me. This is my guy, that's

1413
01:10:40,960 --> 01:10:44,800
Speaker 1: my guy. Don't be talking about his breakdance anyway. I'm

1414
01:10:44,840 --> 01:10:53,599
Speaker 1: sure he still got it. He still dance video here today?

1415
01:10:54,360 --> 01:10:57,799
Speaker 1: How my phone at you? Thanks for joining us again exactly.

1416
01:10:58,160 --> 01:11:06,040
Speaker 1: Happy New Year and happy holiday fifteen? Happy quanza? Did

1417
01:11:06,080 --> 01:11:08,320
Speaker 1: you say happy on the road? Don't can be happy

1418
01:11:08,360 --> 01:11:10,519
Speaker 1: for the holiday? No? I always make fun of quants

1419
01:11:10,520 --> 01:11:13,360
Speaker 1: because it's not like it doesn't sound like I'm like, no,

1420
01:11:13,439 --> 01:11:16,680
Speaker 1: it doesn't. What are you talking about? This is why

1421
01:11:16,880 --> 01:11:19,840
Speaker 1: you begin dragged for saying sometimes like, what are you

1422
01:11:20,040 --> 01:11:23,200
Speaker 1: talking about? That doesn't sounds like that? That's why full

1423
01:11:23,880 --> 01:11:25,760
Speaker 1: I'm a rosa don't sound like Swahili. Good night, you

1424
01:11:25,840 --> 01:11:29,160
Speaker 1: know what the Breakfast Club