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Speaker 1: The first call of the day is John. Hi, John,

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Speaker 1: welcome to the show. You're the first caller of the day.

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Speaker 1: Good morning. Oh I love the quality of your phone.

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Speaker 1: It sounds terrific. So thank you for sounding so good. Hey,

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Speaker 1: So what's your day going to be all about today?

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Speaker 1: I am heading to work. I'm working a little bit

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Speaker 1: of overtime today, trying to make some more money. Yeah,

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Speaker 1: working for the man? Yeah, good for you make that cast? Yeah?

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Speaker 1: Are you saving it for something special or you just

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Speaker 1: feel like you need a windfall? So get you a head.

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Speaker 1: I am just wanting all that money that I can

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Speaker 1: get right now. Yeah, I'm with you, scraping up, scraping

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Speaker 1: up fast as you can. Yeah. I love his accent. Well, no,

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Speaker 1: you have the accent? No, no, I have no act. Okay,

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Speaker 1: So John's calling from I believe you're calling from Huntsville, Alabama. Right,

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Speaker 1: that's correct. Yeah, and so so Danielle thinks you have

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Speaker 1: the accent. But she's from the Bronx and you and

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Speaker 1: I think she has the accent. Do you agree with it? Yeah? Yeah,

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Speaker 1: your accents though, it's so Yeah, yours is brutal. Oh,

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Speaker 1: thank you, so, John? Really, so your day is about

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Speaker 1: doing some extra work, and so what's going on in life?

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Speaker 1: How are you feeling about the world and how challenging

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Speaker 1: it can be. I feel excellent today. I woke up

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Speaker 1: early and got my breakfast in early, and I feel great.

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Speaker 1: I feel like it's gonna be a great day, even

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Speaker 1: though it's rained and grossier, but it's gonna be a

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Speaker 1: great day. Oh I like that. Okay, so let's go

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Speaker 1: ahead and emulate John and let's go have a great day.

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Speaker 1: It's not raining here, but it's just gross because well

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Speaker 1: it's New York. So you know what, We're going to

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Speaker 1: send you an Elvis Duran Morning Show shirt. You're the

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Speaker 1: first caller of the day. Thank you for setting the

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Speaker 1: pace for what's going to be a great show. I

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Speaker 1: appreciate that very much. Thank you, guys. I love you

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Speaker 1: guys so much. Thank you, buddy. Hold on one second,

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Speaker 1: hold on, see we're on five more people that like us.

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Speaker 1: You know what they say, only surround yourself with people

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Speaker 1: you want to be like. So let's surround ourselves with

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Speaker 1: people like John. Hey, so what's on your mind today, Danielle?

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Speaker 1: Before the show gets started? All right, you think I

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Speaker 1: was annoying with my mini rubber chicken last week. Yes,

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Speaker 1: you were well, our friend, doctor Kathy Riley, send me

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Speaker 1: this one. What is that? It's the biggest rubber chicken

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Speaker 1: I've ever seen in my life. It sounds like a

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Speaker 1: vacuum cleaner. I think it has a stomach ache. Okay, no,

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Speaker 1: that chicken. So when you squeeze it, yeah, it'll cluck

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Speaker 1: for like twenty seconds. Dudian. Uh no, yes, that's a

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Speaker 1: that's a note for me. Dogs. I couldn't wait to

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Speaker 1: bring him in and drive you crazy. You're driving me

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Speaker 1: crazy on many levels. And that that's going to be

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Speaker 1: the first to go. And doctor Kathy Riley is no

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Speaker 1: longer allowed to send rubber chickens. Can you do something?

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Speaker 1: We gotta get rid? Okay, Danielle, if you my friend,

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Speaker 1: if you squeeze it one more time, it won't stop.

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Speaker 1: Oh my gods, it really won't stop. Hold on, Danielle,

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Speaker 1: I'm going to melt it. Hold on, I gotta I

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Speaker 1: gotta stifle it. Okay, shut up, chicken. I put my

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Speaker 1: hand over its mouth. Yeah, we were off to a

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Speaker 1: good start till the rubbert chicken back here. We're foggy.

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Speaker 1: What's up with you today? Yeah? I really think about

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Speaker 1: stupid things on the way into work. And this is

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Speaker 1: my thought today. Why is it that noses run and

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Speaker 1: feet smell. Shouldn't it be the other way around? Oh? Wow,

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Speaker 1: you have too much to say. Drive on the parkway

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Speaker 1: and park on the driveway. Yeah? Why, I mean, why

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Speaker 1: do you? Why does you know I'm the on the

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Speaker 1: way in to work. My nose is running like crazy,

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Speaker 1: Like my nose should be smelling and my feet should

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Speaker 1: be running, but instead of the other way around. Today

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Speaker 1: I don't get it. Yeah, you know these are they

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Speaker 1: they call these shower conversations, the things you talk about

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Speaker 1: and think about in the shower. Ye if they have

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Speaker 1: to realize though, when you take a shower, you seeing better,

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Speaker 1: you come up with more original thoughts. But as soon

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Speaker 1: as the shower water turns off, you become you know

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Speaker 1: you again. Yeah, yep, I win every argument in the shower.

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Speaker 1: We're all superstars in the shower, you know what I'm saying. Anyway,

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Speaker 1: we gotta get into your horoscopes. Who are you doing

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Speaker 1: them with? Danielle? You know this is gonna be fun,

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Speaker 1: because it's gonna be almost as fun as that rubberts Well,

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Speaker 1: the rubber chicken said they didn't want to do the

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Speaker 1: horoscope than God. Chelsea Handlers of Hill writing a birthday today,

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Speaker 1: Carrot Top is he's like the rubber chicken of Comedian Capricorn.

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Speaker 1: Take time for yourself, Be gentle to your body, take

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Speaker 1: it easy, don't push yourself too much. Your day is

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Speaker 1: a seven Aquarius. Manifest success and focus on what it

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Speaker 1: is you want to achieve. You can do what you

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Speaker 1: set your mind to. Your days and nine Hey Pisces.

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Speaker 1: Pay attention to what ideas come to you at this time.

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Speaker 1: Your feelings, your dreams. They carry importance. Your day is

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Speaker 1: a seven Aries. You may be feeling feeling dream but

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Speaker 1: resist your negative urges. Be active and let go of

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Speaker 1: your bad habits. Your days and eight Taurus, you have

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Speaker 1: a natural drive to get things done. Channel this ambition

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Speaker 1: and achieve your goals. Your days in eight Gemini. Rest

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Speaker 1: and recovery is crucial. Give yourself space to dream without restriction.

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Speaker 1: Your days and nine Cancer a focus on the matters

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Speaker 1: at hand. You have a great opportunity ahead of you.

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Speaker 1: Put yourself out there. Your days and eight Leo. Reflect

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Speaker 1: on your thoughts and be sure to journal. Jot down

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Speaker 1: any dreams as they hold the key to moving forward

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Speaker 1: your days of seven Virgo, acknowledge the symbols around you.

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Speaker 1: Refrain from making any rash decisions. Think before you act.

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Speaker 1: Your days of six Libra, take some time to love yourself,

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Speaker 1: reflect on what you do for others and where you

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Speaker 1: can draw a healthy line your day attends Virpio. Inspiration

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Speaker 1: will come to you in dreams and images. Be aware,

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Speaker 1: be perceptive to your surroundings, your days and Sagittarius. Evaluate

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Speaker 1: your relationships and pay attention to the ones around you.

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Speaker 1: Show your loved ones that you care. Your days at

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Speaker 1: super seven and those are your Tuesday morning horoscope. You guys,

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Speaker 1: ready for your Marty grage. Nate here and if you're

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Speaker 1: tired of tossing and turning at night, try Zequil pure

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Speaker 1: Ze's liquid melatonin. Same taste as peers E's gummies, but

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Speaker 1: in liquid form, so give yourself arrest and buy it.

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Speaker 1: Zequil Puress Liquid Melatonin fining in retailers everywhere. Yesterday was

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Speaker 1: one of those days. I was sort of glued to TV.

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Speaker 1: Of course with the Kobe memorial. Yes from Los Angeles,

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Speaker 1: that was some powerful stuff. I don't know if my

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Speaker 1: eyes were not dry the entire time. I was just

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Speaker 1: bawling the entire time, just an amazing, amazing showing of

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Speaker 1: support and love for the family. And yeah, and you

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Speaker 1: know what, it made me stop and think, Okay, what

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Speaker 1: lessons are we learning from this? So what are we

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Speaker 1: doing in our lives that would make people want to

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Speaker 1: rent Staple Center for us? If something God forbid happened

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Speaker 1: to us? You know nothing, Kobe left quite a legacy,

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Speaker 1: you know, and his daughter, you know, and and all

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Speaker 1: those people who passed away, and I'm so happy that

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Speaker 1: they recognized all of them. Yeah, and I gotta tell you,

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Speaker 1: Vanessa Bryant, I don't know how she did it. I

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Speaker 1: don't know how she got up there and talked for

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Speaker 1: that long and and got through it. And I'm amazed

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Speaker 1: at her. She is just such a strong person. I

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Speaker 1: remember getting up there for my dad. You know, your

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Speaker 1: your dad's supposed to pass away before you. Your daughter

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Speaker 1: and your husband are really not you know, you were

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Speaker 1: so so great when you did that, But that was

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Speaker 1: hard enough for me. I can't even imagine. I can't

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Speaker 1: even imagine what this woman is going powerful stuff. And

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Speaker 1: then the I gotta tell you, so when the Harvey

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Speaker 1: Weinstein story broke yesterday when the verdict came. Verdict came down. Right,

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Speaker 1: the courthouse here in New York City is a block

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Speaker 1: from where I live. Oh wow. So it was just

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Speaker 1: an ocean of vans with satellite dishes on top and

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Speaker 1: people standing in front of cameras with lights. So I

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Speaker 1: tried to take bags for a walk, and that just

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Speaker 1: wasn't happening. I mean, it was just an explosion of

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Speaker 1: activity downtown last night or yesterday afternoon when that verdict

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Speaker 1: came down. Interesting story, and there's more to it. It's

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Speaker 1: not over now. No, there will be more. Oh there's

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Speaker 1: more charges coming. Oh my gosh, where come here? Diamond.

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Speaker 1: Diamond reminds us what today is and she left one

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Speaker 1: off the list, which is I'm glad she did because

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Speaker 1: I'm actually going in from a yearly physical today. So

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Speaker 1: I'm so I can't participate in National Pancake Day. So

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Speaker 1: National Pancakes it is, as you know, every year on

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Speaker 1: this day, I friends at Eyehop get free pancakes away,

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Speaker 1: but they're taking donations for the Children's Miracle Networks. So

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Speaker 1: trip on into your Eyehop hop on over yeah iehop Okay.

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Speaker 1: So that's okay. So National pancake Day. What are the

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Speaker 1: top five pancakes in America? Okay, there's banana, chocolate chip,

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Speaker 1: when are they? Okay? Number five, banana, number four original, Okay,

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Speaker 1: all right, okay, number three, chocolate chip, number two blueberry,

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Speaker 1: and number one what choc I don't know what. Buttermilk pancakes.

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Speaker 1: Buttermilk regular a little bit of a different buttermilk has

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Speaker 1: a little bit of a tying too. Okay, you want

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Speaker 1: to know that. Um. Then it's fat Tuesday. Yes, it is,

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Speaker 1: so Marti gras ya for everyone in New Orleans right now,

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Speaker 1: right um. And also, if you're a Christian, today is

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Speaker 1: your last day to figure out what you're giving up

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Speaker 1: for lent. That's in Today's my last day to eat chocolate. Yeah,

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Speaker 1: good thing. I'm so sad. That's her favorite thing. You're

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Speaker 1: giving it, Diamond, you're giving up Chipotle for n Yes,

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Speaker 1: I eat it every day. That means you have to

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Speaker 1: eat it today. So this is why we have fat Tuesday.

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Speaker 1: That's why you know what Fat Tuesday is for us

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Speaker 1: to go out and stalk up and eat as much

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Speaker 1: of whatever you're giving up for Lynn. What I don't

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Speaker 1: understand is you should be exempt because you can't eat

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Speaker 1: much because you're allergic to everything. So you should be

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Speaker 1: allowed to have your typical Catholic up making up the

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Speaker 1: rules as they go. Hey, hey, hey, let's say good

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Speaker 1: morning to Ellen. Hi Ellen, how's it going? Hi? Good?

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Speaker 1: How are you doing? Okay? Now? Ellen has an extra

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Speaker 1: little little pepper or step today. And there's a reason

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Speaker 1: why I tell everyone what you're doing today. I'm interviewing

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Speaker 1: for my dream job today. Oh my gosh, good for you. Yeah,

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Speaker 1: can you tell us what your dream job is. I'm

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Speaker 1: a neurology resident right now in Kansas City and I

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Speaker 1: want to come home and do a stroke fellowship. You're

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Speaker 1: in the city now, when you see him? Stroke fellowship?

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Speaker 1: Is that? Uh? As in people who have strokes? Yeah?

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Speaker 1: Oh my god, I'm sorry. What's that? We could give

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Speaker 1: her name and she could take care of him? Will you?

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Speaker 1: Will you? Well? I've had two. I mean the odds

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Speaker 1: of a third one hopefully not very high. You know,

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Speaker 1: a lot of people don't know what a fellowship is.

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Speaker 1: When I hear stroke fellowship, I think of people at

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Speaker 1: church like having strokes. But there's nothing, you know what

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Speaker 1: I'm saying. Never mind? Uh So I hope you uh

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Speaker 1: I hope you take our good luck in with you

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Speaker 1: with your interview. I will, I will, this gives the

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Speaker 1: extra good luck. All right, well listen, will you let

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Speaker 1: us know how it goes? I absolutely well, thank you

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Speaker 1: so much. All right, Allan, go in there and knock

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Speaker 1: knock him. I was trying to say, knock him dead,

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Speaker 1: knock him alive. And thanks for listening to us. We

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Speaker 1: appreciate it. Thank you, thank you. Yeah. Can you imagine

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Speaker 1: today's today? I'm going in from my dream job interview? Yeah,

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Speaker 1: so you know it's yeah, that's gonna be a little

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Speaker 1: nerve racking, of course, because if you don't get it,

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Speaker 1: then you're gonna be upset. Good morning to Nicholas who

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Speaker 1: works at IHOP. Happy National Pancake Day. A Happy National

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Speaker 1: Pancake Day. Now, how long have you worked for IHOP?

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Speaker 1: I've been working for ten years now, Okay, so you've

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Speaker 1: had your This is your tenth year of a National

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Speaker 1: Pancake Day, your ninth or tenth? Is it really a

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Speaker 1: madhouse on a pancake day at Eyehop? Yeah, it's it's

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Speaker 1: pretty crazy. Can you can you estimate how many pancakes

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Speaker 1: you think that you will serve today? Oh? Um? I

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Speaker 1: think last year we sold so it goes by short stacks,

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Speaker 1: so you get three free pancakes per person. So I

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Speaker 1: think we sold a little under a thousand short stacks

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Speaker 1: last year. Wow. What's that number again? Thousand? That's a

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Speaker 1: lot of pancakes. Wow, some pancakes. God? I want one

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Speaker 1: right now? Can we order from the diner? Well? Why

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Speaker 1: do we have National Pancake Day when I'm fasting? That's

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Speaker 1: my problem, all right, Nicholas. Happy National Pancake Day. Keep

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Speaker 1: in mind participating eyehops going today. It's all for Children's

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Speaker 1: Miracle Network. And thank you and everyone at ihop for

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Speaker 1: doing what you're doing today. We appreciate it. Nicholas, Thank

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Speaker 1: you very much. Guys, have a great day you too,

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Speaker 1: National Pancake Day? What could go wrong? I'm changing the

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Speaker 1: name from iHeartRadio to IHOP Radio. Are you okay with that? Show?

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Speaker 1: The US Postal Services issued a warning about email scams

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Speaker 1: that claim to be the Postmaster General. One email notifies

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Speaker 1: the recipient about a failed attempt to deliver a package

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Speaker 1: worth one hundred thousand dollars and ask for personal information

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Speaker 1: in order to deliver the package. Another scam email ask

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Speaker 1: for payment on unpaid online postage changes and charges. Remember,

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Speaker 1: the USPS does not email customers directly to demand money. Now,

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Speaker 1: it's exhausting. Every time you shop or brows online, you're

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Speaker 1: vulnerable to these A holes. Can I tell you how

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Speaker 1: many times my LifeLock went off while we were on vacation.

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Speaker 1: Probably the A hole was probably you, because you're under

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Speaker 1: bias if it monitors everything you're doing. Norton and LifeLock

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Speaker 1: are now part of one company. It's called Norton three

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Speaker 1: sixty with LifeLock and all in one membership for your

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Speaker 1: cyber safety that gives you device security, identity, theft protection

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Speaker 1: and also a VPN for online privacy. No one can

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Speaker 1: prevent all cyber crime and identify all theft and I'll

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Speaker 1: watch over all your transactions. But Norton three sixty with

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Speaker 1: LifeLock is a powerful ally to your cyber safety. We're

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Speaker 1: all members. You should do it too. Until March eighth,

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00:13:42,360 --> 00:13:44,880
Speaker 1: safe up to forty percent off your first year. That's

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Speaker 1: a lot. Go to Norton dot com slash elvis for

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Speaker 1: forty percent off. That's Norton dot com slash Elvis. Okay,

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Speaker 1: I'm sorry, wedding and I'll now Dave Brodie's going through

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Speaker 1: something today. What happened? He left his cell phone at home.

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Speaker 1: We'll get into that in just a second. He's making

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Speaker 1: a list of all the things that's making him nuts

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Speaker 1: because he doesn't have his cell phone. We say good

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Speaker 1: morning to Aaron. Hi, Aaron, Hey, Alis, Hey, So you

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Speaker 1: and your wife tomorrow big day. Do you want to

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Speaker 1: talk about it? Yeah, this is our second daughter. We're

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Speaker 1: going to be induced tomorrow morning around eight o'clock. Wow. So,

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Speaker 1: but there's an issue at work. The people at work

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Speaker 1: giving a hard time because you want to take off

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Speaker 1: and be there. Yeah. For the most part, they want

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Speaker 1: me to use all my personal time, which is fine,

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Speaker 1: but I don't have enough for as long as I

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Speaker 1: would need to make sure she, you know, is fully

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Speaker 1: recovered and whatnot. So we're just gonna take time off

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Speaker 1: that the businesses nowadays don't have something like There are

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Speaker 1: a lot of companies that they don't have anything but anybody. Yeah, Aaron,

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Speaker 1: I hope that all works out for you. I mean,

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Speaker 1: you know, this is supposed to be a fun occasion.

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Speaker 1: Your second daughter's on the way. I mean, first of all, yeah, absolutely,

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Speaker 1: keep in mind, you know, they're all cute now, but

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Speaker 1: when your daughters are older, you're gonna be a mess man.

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Speaker 1: Oh yeah, for having daughters, it'll be the best and

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Speaker 1: worst thing ever. You're gonna be the happiest, most frustrated

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Speaker 1: father in the world. But congratulations, no, well, no matter

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Speaker 1: what was happening with work, it's all gonna work out eventually.

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Speaker 1: Your wife's gonna be fine, your family's gonna be good.

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Speaker 1: Just you know, look at the positives and congratulations. Don't

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Speaker 1: don't forget to celebrate. Okay, oh we will, thank you

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Speaker 1: very much. Have a great day. Don't forget your cell phone.

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Speaker 1: It sounds like you remembered it, so you're good, all right?

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Speaker 1: Oh yeah, yeah, I got money. Yeah he got all right?

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Speaker 1: Thank you, Aaron so Brodie. So when did you realize

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Speaker 1: on your way to work that you were cell phone lists? Well,

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Speaker 1: when I get out of the car, I poked the

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Speaker 1: car in the garage a couple of blocks. I'm here

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Speaker 1: if I'm a couple of minutes late for the show.

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Speaker 1: I put on iHeart Radio and I listen as I walk.

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Speaker 1: So I got out of my car and I went

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Speaker 1: to grab my phone, and I went, oh, crap, I

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Speaker 1: don't have my phone. And I realized earlier I would

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Speaker 1: have turned around and gone home, right, And so this

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Speaker 1: was at less than an hour less than an hour ago. Boy,

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Speaker 1: so so far, so far, Five times I've gone from

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Speaker 1: my phone. I needed to check email, I needed to

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Speaker 1: look up fat Tuesday. When you were talking about the

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Speaker 1: real meeting of fat tusday went into verifying and usually

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Speaker 1: hand you my phone right to give you the exact definition.

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Speaker 1: I had to text Froggy something. It was funny. I

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Speaker 1: didn't get to do that. And I had to text

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Speaker 1: Josh about robbing on last night. Someone had a question

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Speaker 1: for Josh. Yeah, I couldn't do that. You can do

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Speaker 1: any of it. Isn't it funny how we become so

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Speaker 1: connected to our phones. Yea, Without them, you feel lost.

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Speaker 1: It's brodie, you know what. Think of it this way,

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Speaker 1: You're gonna have a great day to day. Let it go.

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Speaker 1: Not because one of the department heads needs me to

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Speaker 1: call him right after the show on his personally we

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Speaker 1: all have phones. I don't have his number, we have

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Speaker 1: his number, we have all the heads. We can just

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Speaker 1: tell him over the air. He doesn't have his phone.

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Speaker 1: It's gonna have the reschedule. Yeah, come on, you know

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Speaker 1: what I tell you. When I went on my honey

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Speaker 1: moon and I was phoneless for three days, it was

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Speaker 1: the It was the best three days in my life.

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Speaker 1: It takes about it, you know, a couple of hours

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Speaker 1: to get used to it, but eventually it's all good. Yeah,

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Speaker 1: come on, a froggy couldn't handle it. Oh I think

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Speaker 1: I'd rather you cut my arm off and take my phone. Well,

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Speaker 1: that's just sad. My favorite part about cruising like years

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Speaker 1: ago was that there was no cell phone reception. Now

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Speaker 1: you can buy the package. And this is another thing.

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Speaker 1: Sometimes I go, no, no, they didn't know for the

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Speaker 1: package for this week. I'm sorry, I don't have the package.

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Speaker 1: You don't have So just think of yourself on a cruise, Brody,

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Speaker 1: you just don't have the package. Yeah, you don't have

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Speaker 1: the package. You at least get me a peanut colado

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00:17:35,560 --> 00:17:39,639
Speaker 1: or anyway. Today several things going on. It is National

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Speaker 1: Pancake Day, so if you're near an eyehop, going in

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00:17:42,240 --> 00:17:45,400
Speaker 1: or participating eyehop anyway, and uh, of course you get

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Speaker 1: free short stacks, but they they encourage you to donate

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Speaker 1: to Children's Miracle Network. Also, it's Fat Tuesday, so today's

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Speaker 1: the last day before daniel gives up chocolate for lent.

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Speaker 1: I know, I'm trying to think, what is my last

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Speaker 1: piece going to be later on today? That's a big

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Speaker 1: get in there. Yeah, but what kind? Yeah? Uh? And

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Speaker 1: Gandhi is out until tomorrow. She's still dealing with the

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Speaker 1: loss in her family of her uncle. But you said

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Speaker 1: something yesterday, Danielle, which got me to thinking what you

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Speaker 1: said you miss Gandhi? And I said, oh, I said,

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Speaker 1: well will you miss what do you miss about her?

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Speaker 1: You said you missed effect? Did you guys kick each

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Speaker 1: other under the table all the time during the show?

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Speaker 1: What are you guys kicking each other under the table about? Like?

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Speaker 1: What what kind of communication is going on that we

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Speaker 1: don't know about it? Because we have this connection where

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Speaker 1: we give each other looks and we know what each

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Speaker 1: other is thinking. And I kind of know, like you

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Speaker 1: know you okay, Yeah, everything's good. Yeah, like we just

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Speaker 1: we just know and like, so sometimes I'll give you

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Speaker 1: an effort today. What would you have kicked her about? Okay? Oh,

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Speaker 1: so far nothing. But if I say there's a guest here, okay,

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Speaker 1: and that we're doing an interview and they're like saying

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Speaker 1: something so stupid and so boring. We'll just give each

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Speaker 1: other look and kick each other and be like, oh

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Speaker 1: my gosh. You know what I'm gonna do. I'm going

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Speaker 1: to installed the kick cam so I can see you

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Speaker 1: guys kicking each other. Times. My foot doesn't go so far,

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Speaker 1: but depends on what shoes ie. Gandhi's legs are only

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Speaker 1: like a foot long, so she has to crawl under

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Speaker 1: the table to kick you. So you guys, you have

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Speaker 1: the secret conversation going on. Yes, we have this eye

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Speaker 1: contact thing and yeah, oh yeah, yeah, we're all good.

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Speaker 1: I'm gonna keep an eye on you. Oh great, Why

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Speaker 1: did I give it away? Straight? We need you call

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Speaker 1: engineering and have the kick cam. And I think that's

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Speaker 1: a good idea. And now I'm wondering what they kick

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Speaker 1: each other about when I'm talking or when Scary's talking.

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Speaker 1: Scary we do. I don't think you're not too bad,

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Speaker 1: but Scary we do it a lot. I suspect that

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Speaker 1: there's more kicking going on than than you're letting on.

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Speaker 1: Well know, we get the kick Camrata, the kick cam.

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Speaker 1: Wait till I tell Gandhi the kickcams on the way.

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Speaker 1: This is the same as people turn that off for

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00:19:48,600 --> 00:19:50,919
Speaker 1: this is the same as people who text each other

385
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Speaker 1: when they're in the same room with each other too.

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Speaker 1: We do that, do you do? Oh? Yeah? Sometimes she'll

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Speaker 1: go you good and I go, yeah, you good? Yeah?

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Speaker 1: Why why would you have to ask that? Sometimes crap

389
00:20:00,840 --> 00:20:04,720
Speaker 1: goes down in this room, like sometimes this like combusted,

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Speaker 1: Like I don't know, Brody's yelling it's scary, or you're

391
00:20:08,119 --> 00:20:10,440
Speaker 1: mad at us, or Nate's pissed off and his hair's

392
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Speaker 1: all over the place. So we just kind of check

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Speaker 1: in with each other, make sure we're good. You have

394
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Speaker 1: to remember, unless Sam's in the room or Diamonds in

395
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Speaker 1: the room, we're really the two females in the room,

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Speaker 1: so we have to really look out for you. I

397
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Speaker 1: don't have a problem with that, it's just, you know,

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Speaker 1: I'm wondering why there's so much combustion there in the room.

399
00:20:26,680 --> 00:20:29,639
Speaker 1: Sometimes it gets crazy. Okay, last time it was Brody

400
00:20:29,640 --> 00:20:31,840
Speaker 1: and Scary yelling, and both of us walked into the

401
00:20:31,840 --> 00:20:33,679
Speaker 1: other room and just kind of sat down. Yeah, well

402
00:20:33,680 --> 00:20:36,920
Speaker 1: that this is not their place to do that. You

403
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Speaker 1: don't get Here's turn here's my thing. See, I'm the

404
00:20:40,280 --> 00:20:43,880
Speaker 1: only one in this room that's tethered to this this room. Yeah,

405
00:20:43,920 --> 00:20:47,359
Speaker 1: I can't leave for any reason. I can't even go

406
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Speaker 1: poo or a pee. I can't go pop pimples pop,

407
00:20:51,080 --> 00:20:53,560
Speaker 1: can't do anything. No, no pimple popping, peep or poopoo

408
00:20:55,160 --> 00:20:59,600
Speaker 1: the four peas. Yeah, you know you guys can leave. Yeah,

409
00:20:59,720 --> 00:21:02,800
Speaker 1: you can leave anytime. Sometimes it's not as easy though,

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00:21:02,920 --> 00:21:05,399
Speaker 1: But sometimes, like when the mics are off, like you

411
00:21:05,440 --> 00:21:07,440
Speaker 1: need like a like you'll say it, you need five

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00:21:07,480 --> 00:21:09,199
Speaker 1: minutes to just kind of gather your thoughts. And like

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Speaker 1: we're working on my reporter. She's working on her report,

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00:21:11,920 --> 00:21:14,639
Speaker 1: and then like a conversation breaks out and it doesn't stop.

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Speaker 1: So we just in the other room. And Danielle's usually

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Speaker 1: the first one as soon as the breaks breaks, not

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Speaker 1: even over, and she's got her headphones up walking out

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00:21:22,560 --> 00:21:24,160
Speaker 1: the room. Yeah, you just leave the room. I gotta

419
00:21:24,160 --> 00:21:26,680
Speaker 1: pee a lot too. Yeah. I'm drinking a lot of water. Yeah,

420
00:21:26,720 --> 00:21:28,560
Speaker 1: I need to turn it off. I need to drink

421
00:21:28,600 --> 00:21:31,240
Speaker 1: more water because I'm going in for my my physical

422
00:21:31,320 --> 00:21:33,040
Speaker 1: today and we're gonna take blood and so I don't

423
00:21:33,040 --> 00:21:39,639
Speaker 1: want my veins to crash. Are you supposed to fast today?

424
00:21:40,280 --> 00:21:44,879
Speaker 1: Water's okay? Water? Coffee tea fine? Yeah, just Kenny on

425
00:21:45,000 --> 00:21:50,600
Speaker 1: National Pancake Days making me mad. Thank you scaring O.

426
00:21:50,760 --> 00:21:54,760
Speaker 1: My god, I think I'm gonna order eyehopses DoorDash have

427
00:21:54,760 --> 00:21:56,840
Speaker 1: have to check for later. I would not do that

428
00:21:56,880 --> 00:21:59,640
Speaker 1: to you. No, I'll do it tonight at all anyway. Yeah,

429
00:21:59,640 --> 00:22:02,520
Speaker 1: so today is the physical my favorite doctor, doctor Kurtz.

430
00:22:02,560 --> 00:22:04,840
Speaker 1: She's the best. Yes, and I will you know, I

431
00:22:04,880 --> 00:22:07,679
Speaker 1: will be getting the promstate poke. I can't wait. You're

432
00:22:07,720 --> 00:22:10,000
Speaker 1: not going to be text me what it's about to happen. No,

433
00:22:10,920 --> 00:22:14,000
Speaker 1: it's so fast and there's really no romance offerston. How

434
00:22:14,000 --> 00:22:15,720
Speaker 1: it can be that fast? How Because when you get

435
00:22:15,760 --> 00:22:19,439
Speaker 1: a gynecological exam, you know they have to check and

436
00:22:19,480 --> 00:22:21,280
Speaker 1: make sure things are where they're supposed to be and

437
00:22:21,320 --> 00:22:24,400
Speaker 1: everything's good. This is different, Okay. They're looking for some

438
00:22:24,440 --> 00:22:27,640
Speaker 1: sort of enzyme or something. I can't explain it. Good

439
00:22:27,640 --> 00:22:29,240
Speaker 1: to do it, Google on it. I'm not getting into

440
00:22:29,280 --> 00:22:33,080
Speaker 1: it anyway, so I don't know. So yeah, so it's

441
00:22:33,080 --> 00:22:35,479
Speaker 1: just a real it's like a poop and it's done. Okay.

442
00:22:35,560 --> 00:22:37,040
Speaker 1: Now does she know what she felt or does she

443
00:22:37,080 --> 00:22:41,240
Speaker 1: have to test it? No, she's no, it's I don't

444
00:22:41,280 --> 00:22:43,040
Speaker 1: want to explain it on the air. It's cross. Okay,

445
00:22:43,160 --> 00:22:46,040
Speaker 1: it's part of I'm asking you nicely, Okay, Okay. What

446
00:22:46,080 --> 00:22:47,840
Speaker 1: they do is they have to like it's like getting

447
00:22:47,880 --> 00:22:50,560
Speaker 1: a swab and they put it on a piece of paper. Okay,

448
00:22:50,640 --> 00:22:53,240
Speaker 1: it's like a pep schmir. Yeah, so it's the same thing. Okay,

449
00:22:53,280 --> 00:22:55,399
Speaker 1: that's why I wanted it. I wasn't sure if you're Jewish,

450
00:22:55,400 --> 00:22:59,320
Speaker 1: it's a pep schmir. Did they give you locks? Yes,

451
00:22:59,480 --> 00:23:02,040
Speaker 1: it's a bag all alright. See, I told you I

452
00:23:02,040 --> 00:23:04,560
Speaker 1: didn't want to go down this road. You kept going.

453
00:23:04,680 --> 00:23:06,600
Speaker 1: I'm telling you way too much. Gus Gondy, come back.

454
00:23:07,440 --> 00:23:08,800
Speaker 1: You have to talk to you about it. All these

455
00:23:08,840 --> 00:23:11,120
Speaker 1: pencils on my face. I think you have an allergic

456
00:23:11,119 --> 00:23:14,919
Speaker 1: reaction to us. I think I'm just I'm distressed. You

457
00:23:15,000 --> 00:23:17,200
Speaker 1: might be living in the city a block away from

458
00:23:17,200 --> 00:23:20,600
Speaker 1: the Harvey Weinstein verdict. Oh, let's start with that. Okay,

459
00:23:20,640 --> 00:23:22,680
Speaker 1: let's get into it. The Danielle report. What's up, daniel

460
00:23:22,720 --> 00:23:25,960
Speaker 1: All right? Well, yep. Harvey Weinstein yesterday headed to prison

461
00:23:26,000 --> 00:23:28,679
Speaker 1: after being convicted of third degree rape and committing a

462
00:23:29,000 --> 00:23:31,160
Speaker 1: criminal sexual act. He will spend at least five years

463
00:23:31,200 --> 00:23:34,960
Speaker 1: behind bars. He's still facing four charges in Los Angeles,

464
00:23:35,000 --> 00:23:38,080
Speaker 1: so we will see what happens with that. I'm sure

465
00:23:38,240 --> 00:23:40,879
Speaker 1: you've either heard or you were watching or listening yesterday

466
00:23:40,920 --> 00:23:44,360
Speaker 1: the public memorial for Kobe and Gianna Bryant. It included

467
00:23:44,680 --> 00:23:47,200
Speaker 1: so many powerful eulogies. I know we have a little

468
00:23:47,200 --> 00:23:51,959
Speaker 1: piece of what Vanessa Bryant said, Babe, you take care

469
00:23:52,000 --> 00:23:55,320
Speaker 1: of our Gichie and I got Nanni, bb and Coco.

470
00:23:56,400 --> 00:23:59,639
Speaker 1: We're still the best team. We love in Missu Bubu

471
00:23:59,760 --> 00:24:03,919
Speaker 1: and me. Both rest in peace and have fun in

472
00:24:04,000 --> 00:24:08,159
Speaker 1: heaven until we meet again one day. We love you

473
00:24:08,200 --> 00:24:13,560
Speaker 1: both and miss you forever and always. Mommy. So wow,

474
00:24:15,920 --> 00:24:19,719
Speaker 1: Christina Aguilera, I'm gonna cry now, so hold on, sorry

475
00:24:19,920 --> 00:24:21,520
Speaker 1: all right now. I don't know if you knew that.

476
00:24:21,520 --> 00:24:23,560
Speaker 1: The whole thing was filled with symbolism. The date was

477
00:24:23,600 --> 00:24:26,400
Speaker 1: two twenty four. Gianna wore number two and Kobe wore

478
00:24:26,480 --> 00:24:28,359
Speaker 1: number twenty four for the second half of his career.

479
00:24:28,760 --> 00:24:32,520
Speaker 1: Tickets were priced at three tiers two, twenty four, twenty

480
00:24:32,520 --> 00:24:33,960
Speaker 1: four h two if you were like up in the

481
00:24:34,000 --> 00:24:36,520
Speaker 1: nose gleed section and stuff like that. But you know,

482
00:24:36,640 --> 00:24:39,119
Speaker 1: everybody wanted to be there. There were so many celebrities

483
00:24:39,160 --> 00:24:41,880
Speaker 1: there yesterday. It was incredible. And if you haven't heard,

484
00:24:41,960 --> 00:24:45,359
Speaker 1: Vanessa is suing the company that operated the helicopter for

485
00:24:45,480 --> 00:24:49,159
Speaker 1: wrongful death. So that came out yesterday as well. Um,

486
00:24:49,480 --> 00:24:53,280
Speaker 1: and this is pretty cool. There's a yearbook that's for sale.

487
00:24:53,280 --> 00:24:55,639
Speaker 1: They're saying it's gonna go for over twenty thousand dollars.

488
00:24:55,640 --> 00:24:58,840
Speaker 1: It's Kobe's eighth grade yearbook. It's up for auction, and

489
00:24:59,000 --> 00:25:02,200
Speaker 1: he talks about how about them lakers in the year fall.

490
00:25:02,800 --> 00:25:05,440
Speaker 1: Isn't that cool? It's so it's so cool. Did you

491
00:25:05,480 --> 00:25:08,680
Speaker 1: see Demi Lavado yesterday her makeup free selfie? She looked great,

492
00:25:08,800 --> 00:25:11,520
Speaker 1: she looks incredible, and she said that she hasn't posted

493
00:25:11,520 --> 00:25:14,200
Speaker 1: one in years, but she figured that she's been posting

494
00:25:14,240 --> 00:25:16,880
Speaker 1: a lot of glamorous shots, so she really wanted everybody

495
00:25:16,880 --> 00:25:19,000
Speaker 1: to see what was underneath it all. And she just

496
00:25:19,240 --> 00:25:24,119
Speaker 1: is so beautiful, so beautiful. The studio is saying that

497
00:25:24,200 --> 00:25:28,200
Speaker 1: Mission Impossible SEVENS production has been halted in Italy because

498
00:25:28,240 --> 00:25:31,560
Speaker 1: of the coronavirus. Nobody on the set has it, but

499
00:25:31,600 --> 00:25:35,199
Speaker 1: the government is being extra cautious and they're halting a

500
00:25:35,200 --> 00:25:38,000
Speaker 1: lot of public gatherings there and so they're saying, we

501
00:25:38,040 --> 00:25:41,080
Speaker 1: are going to give it a three week production halts,

502
00:25:41,280 --> 00:25:43,760
Speaker 1: see what happens and then go from there. So Frozen

503
00:25:43,800 --> 00:25:46,399
Speaker 1: two is out today on DVD and all that good stuff,

504
00:25:46,600 --> 00:25:49,200
Speaker 1: so you may want to pick that up. Also, it's

505
00:25:49,240 --> 00:25:52,040
Speaker 1: got extra footage because I know Nate you loved Frozen two,

506
00:25:52,440 --> 00:25:55,080
Speaker 1: so it's got extra footage, deleted scenes, so you may

507
00:25:55,080 --> 00:25:57,720
Speaker 1: want to pick that up today. The voice You've got

508
00:25:57,960 --> 00:26:00,919
Speaker 1: Pete Davidson stand up special. If you're not watching My

509
00:26:00,960 --> 00:26:03,280
Speaker 1: Big Fat Greek Wedding from England on Amazon Prime, I

510
00:26:03,320 --> 00:26:05,560
Speaker 1: don't know what you're doing because you are missing out.

511
00:26:05,680 --> 00:26:08,120
Speaker 1: It is so fantastic. Hey, did you see the interview

512
00:26:08,240 --> 00:26:12,200
Speaker 1: that Charlemagne did with Pete Davidson? No, find it online.

513
00:26:12,320 --> 00:26:14,840
Speaker 1: It's incredible good. He got Pete to open up about

514
00:26:14,880 --> 00:26:18,880
Speaker 1: his relationships with Arianna and everything else. He wants a yeah,

515
00:26:18,880 --> 00:26:21,159
Speaker 1: he wants a baby anyway Charlemagne did. It's such a

516
00:26:21,200 --> 00:26:23,879
Speaker 1: fantastic job. So do a google on that. Hey, we

517
00:26:23,920 --> 00:26:25,320
Speaker 1: got a phone tap on the way. It's not a

518
00:26:25,320 --> 00:26:27,200
Speaker 1: free money phone tap. I think we have free money

519
00:26:27,200 --> 00:26:30,879
Speaker 1: phone tap at the beginning next week. Fabulous tones and

520
00:26:31,000 --> 00:26:32,919
Speaker 1: I is on the way and she's performing for us

521
00:26:32,960 --> 00:26:36,119
Speaker 1: live right here on our show. What's okay? This is

522
00:26:36,119 --> 00:26:40,560
Speaker 1: Alicia Keys, It's Camila Caba, Elvis Duran in the morning show.

523
00:26:41,880 --> 00:26:45,080
Speaker 1: Colder Flu make you feel like a zombie? What a nightmare?

524
00:26:45,480 --> 00:26:48,119
Speaker 1: Music Next night Shift is ready to help show us

525
00:26:48,160 --> 00:26:50,159
Speaker 1: how you beat the Zombie Funk. For your shot to

526
00:26:50,200 --> 00:26:53,280
Speaker 1: win one thousand dollars or a VIP experience, go to

527
00:26:53,400 --> 00:26:56,600
Speaker 1: beat the Zombie Funk dot com for official rules and details.

528
00:27:06,119 --> 00:27:09,399
Speaker 1: So Tones and I on the way. She's performing with

529
00:27:09,480 --> 00:27:15,359
Speaker 1: a choir. No, no, no, no no, we had downsize. I said,

530
00:27:15,560 --> 00:27:19,120
Speaker 1: I wanted a choir. I'm sorry, I'm so sorry. Jeff

531
00:27:19,240 --> 00:27:24,040
Speaker 1: isn't here today, and our technological ability is slightly less

532
00:27:24,080 --> 00:27:26,640
Speaker 1: than Jeff, and we wanted the mix to sound good.

533
00:27:26,680 --> 00:27:28,120
Speaker 1: We don't, you know, I don't know what I'm doing

534
00:27:28,880 --> 00:27:33,560
Speaker 1: to choir. You don't need to choir. I'm really mad. Well,

535
00:27:33,800 --> 00:27:35,800
Speaker 1: you should call her and tell her call the choir.

536
00:27:36,000 --> 00:27:38,280
Speaker 1: Why don't we be the choir? Then? I meant not,

537
00:27:39,480 --> 00:27:41,359
Speaker 1: So Tones and I on the way. Without the choir,

538
00:27:43,480 --> 00:27:47,159
Speaker 1: is anyone going to back her up? She's got a keyboard, okay,

539
00:27:47,240 --> 00:27:49,879
Speaker 1: all right, Oh that'll be good. Yeah, I'm here hearing her.

540
00:27:49,920 --> 00:27:53,640
Speaker 1: Next song is terrific. It's amazing. All right, well, what's

541
00:27:53,680 --> 00:27:55,800
Speaker 1: so funny? Maybe we'll hear that today. I'm looking at

542
00:27:55,840 --> 00:27:58,159
Speaker 1: the black the jankeety black box that she has to

543
00:27:58,200 --> 00:28:01,280
Speaker 1: plug into, and it's like got like masking taple over. Yeah,

544
00:28:01,320 --> 00:28:06,440
Speaker 1: I know this place. We are not really like what yeah,

545
00:28:07,119 --> 00:28:09,920
Speaker 1: we are not really ready for that anyway, So tones

546
00:28:10,200 --> 00:28:12,200
Speaker 1: and I on the way without the choir. But she's

547
00:28:12,240 --> 00:28:18,320
Speaker 1: a keyboard. Isn't this cool? Hey? Um? Look, can we

548
00:28:18,440 --> 00:28:24,240
Speaker 1: talk about people who send unwanted photos? You know what

549
00:28:24,280 --> 00:28:28,119
Speaker 1: I'm saying? Yeah, guys who send photos of their private

550
00:28:28,200 --> 00:28:32,800
Speaker 1: part I hate that word that sometimes that's what it is, yea,

551
00:28:34,520 --> 00:28:36,480
Speaker 1: Or remind me to talk about Harvey Weinstein. Okay, let's

552
00:28:36,520 --> 00:28:38,920
Speaker 1: move on. No, no, no, no, there's a story. And

553
00:28:39,280 --> 00:28:41,280
Speaker 1: can you pull up the story about the closing arguments

554
00:28:41,280 --> 00:28:43,120
Speaker 1: about the way he looks. I want to talk about that.

555
00:28:43,280 --> 00:28:47,040
Speaker 1: It's very interesting to me anyway. There's a someone who

556
00:28:47,080 --> 00:28:50,680
Speaker 1: lives in Seattle. She received photos from a guy she

557
00:28:51,000 --> 00:28:53,800
Speaker 1: never met before after accepting his friend request on social media.

558
00:28:53,800 --> 00:28:56,040
Speaker 1: It's a couple of hours before. Instead of calling him

559
00:28:56,040 --> 00:28:59,120
Speaker 1: out about his perverted pictures, she told him that she

560
00:28:59,240 --> 00:29:02,520
Speaker 1: had a pornocker on her phone that immediately sends nude

561
00:29:02,560 --> 00:29:06,880
Speaker 1: images to the police. Oh wow. So the reason she

562
00:29:07,280 --> 00:29:10,640
Speaker 1: accepted his friend requests because they had mutual friends. And

563
00:29:12,840 --> 00:29:14,560
Speaker 1: he started telling her she was really cute and her

564
00:29:14,560 --> 00:29:17,080
Speaker 1: blue eyes and freckles made him weak and he or whatever. Yeah,

565
00:29:17,760 --> 00:29:19,840
Speaker 1: she told him she has a boyfriend, and twelve hours

566
00:29:19,920 --> 00:29:23,120
Speaker 1: later he sent photos of his wiener and asked if

567
00:29:23,160 --> 00:29:26,000
Speaker 1: she liked it, and that's when she started pranking him,

568
00:29:26,000 --> 00:29:28,880
Speaker 1: telling him she couldn't see the image. It went automatically

569
00:29:28,880 --> 00:29:32,600
Speaker 1: to the police department. He must have freaked out. Yeah,

570
00:29:32,880 --> 00:29:35,840
Speaker 1: and she said, yeah, I know, what's silly, he wrote

571
00:29:35,840 --> 00:29:37,959
Speaker 1: her in the message She wrote him. In the message,

572
00:29:38,120 --> 00:29:40,760
Speaker 1: he admitted what he sent, blaming it on drinking way

573
00:29:40,760 --> 00:29:42,400
Speaker 1: too much, and then scared the hell out of him,

574
00:29:42,840 --> 00:29:45,400
Speaker 1: telling him that the sex crimes unit was probably looking

575
00:29:45,440 --> 00:29:49,560
Speaker 1: at the images. Right then, She says she hopes this

576
00:29:49,640 --> 00:29:52,040
Speaker 1: helps other women not feel like they're a damsel in

577
00:29:52,160 --> 00:29:54,800
Speaker 1: distress if this happens to them, let them know, even

578
00:29:54,840 --> 00:29:57,080
Speaker 1: though it may not go to the police, that this

579
00:29:57,320 --> 00:30:00,080
Speaker 1: is not acceptable. I mean, what do I don't No,

580
00:30:00,440 --> 00:30:02,360
Speaker 1: I don't get it. No one has an answer, because

581
00:30:02,840 --> 00:30:05,120
Speaker 1: you think we're gonna go Yeah, that's it. That's the one.

582
00:30:05,200 --> 00:30:07,880
Speaker 1: I want that right now, I'll tell you. In the

583
00:30:08,000 --> 00:30:10,600
Speaker 1: old days, the equivalent was walking down down the street

584
00:30:10,640 --> 00:30:13,520
Speaker 1: and a bunch of construction guys go, yeah, right, look

585
00:30:13,600 --> 00:30:16,080
Speaker 1: at that walking down the street. Oh yeah, I really

586
00:30:16,160 --> 00:30:18,400
Speaker 1: want you now, buddy. And I really think that if

587
00:30:18,440 --> 00:30:21,440
Speaker 1: you turned around and said something like something back to them,

588
00:30:21,480 --> 00:30:23,240
Speaker 1: they wouldn't even know what the hell to do. They'd

589
00:30:23,240 --> 00:30:26,080
Speaker 1: be like, whoa du You know, here's my question. Have

590
00:30:26,320 --> 00:30:32,960
Speaker 1: you ever considered how much of a jackass you look

591
00:30:33,120 --> 00:30:37,000
Speaker 1: like when you do things like sending out penis pictures?

592
00:30:37,160 --> 00:30:39,240
Speaker 1: No penis pictures, no way, because they wouldn't do it

593
00:30:39,240 --> 00:30:40,920
Speaker 1: if they knew they look at it. If you, if

594
00:30:40,920 --> 00:30:43,520
Speaker 1: you thought about it before you sent it, maybe you'd go, oh,

595
00:30:44,360 --> 00:30:47,360
Speaker 1: I'm gonna look really stupid. Right yeah, you know, never

596
00:30:47,440 --> 00:30:49,680
Speaker 1: a good idea unless it's you know, asked for and

597
00:30:49,720 --> 00:30:52,840
Speaker 1: you're in a relationship, and right right, right right, if

598
00:30:52,840 --> 00:30:55,720
Speaker 1: you're if you're in a steady, long lasting relationship and

599
00:30:55,840 --> 00:30:58,760
Speaker 1: somebody asks for it, then it's different. But if you're dating,

600
00:30:58,840 --> 00:31:00,800
Speaker 1: early on in dating and you think, oh, it's time

601
00:31:00,840 --> 00:31:04,720
Speaker 1: to send it, it's never time to send it, never, ever, ever,

602
00:31:04,920 --> 00:31:07,520
Speaker 1: Even if you're not dating as you're just not a

603
00:31:07,560 --> 00:31:10,000
Speaker 1: good time. You're trying to get the girl whatever to

604
00:31:10,040 --> 00:31:13,560
Speaker 1: go out with you. I will give you the only

605
00:31:13,600 --> 00:31:15,040
Speaker 1: exception to the rule, and I hope this is not

606
00:31:15,120 --> 00:31:19,480
Speaker 1: an unpopular position I send. I sent mine to myself.

607
00:31:21,160 --> 00:31:24,520
Speaker 1: Why do see a different angle? Okay? What does it

608
00:31:24,600 --> 00:31:27,800
Speaker 1: look like? I don't know. My dad taught me a

609
00:31:27,920 --> 00:31:29,560
Speaker 1: long time ago. If you take a picture of something,

610
00:31:29,680 --> 00:31:31,480
Speaker 1: someone else will see it. If you write something down,

611
00:31:31,600 --> 00:31:33,920
Speaker 1: someone else will read it. I'll always remember I told you,

612
00:31:34,040 --> 00:31:36,520
Speaker 1: David Swimmer from Friends. That's the one thing he taught

613
00:31:36,560 --> 00:31:38,680
Speaker 1: me is that don't take nudies of yourself because they

614
00:31:38,680 --> 00:31:41,160
Speaker 1: are going to be there forever. There you go, good morning.

615
00:31:41,720 --> 00:31:44,480
Speaker 1: I cannot say this person's name, but they're giving their

616
00:31:44,560 --> 00:31:48,320
Speaker 1: notice today. Hi, look at what you're doing today is

617
00:31:48,360 --> 00:31:52,680
Speaker 1: extremely brave. Tell everyone what you're doing, anonymous. Um, I

618
00:31:52,960 --> 00:31:56,040
Speaker 1: am giving my notice to the worst boss of all

619
00:31:56,160 --> 00:31:59,520
Speaker 1: of the worst bosses are ever? Wash? Hold on? Is

620
00:31:59,560 --> 00:32:01,560
Speaker 1: this god? Dan? I'm gonna say the same thing, but

621
00:32:02,520 --> 00:32:09,520
Speaker 1: a mere Daniella? So how long have you worked for

622
00:32:09,600 --> 00:32:15,080
Speaker 1: this awful, awful boss? Um? Just about two years? Yeah,

623
00:32:15,240 --> 00:32:17,160
Speaker 1: and you've you've put up with a lot. I mean

624
00:32:17,360 --> 00:32:20,320
Speaker 1: was it like just abuse or just he's just an idiot?

625
00:32:22,360 --> 00:32:25,000
Speaker 1: I mean idiot would be mild. I mean, do you

626
00:32:25,080 --> 00:32:27,400
Speaker 1: ever have a boss that just like throws her title

627
00:32:27,440 --> 00:32:32,120
Speaker 1: out there every second they can. He's one of those. Yeah,

628
00:32:32,200 --> 00:32:34,960
Speaker 1: I mean I do my line as well. We're gonna

629
00:32:35,000 --> 00:32:36,320
Speaker 1: do it that way because my name is on the

630
00:32:36,360 --> 00:32:38,360
Speaker 1: T shirt. Yeah, but you don't do it like you

631
00:32:39,560 --> 00:32:41,200
Speaker 1: probably don't do it the way this guy doesn't know?

632
00:32:41,440 --> 00:32:46,320
Speaker 1: So what he so he I'm assuming it's a he. Yeah. Yeah,

633
00:32:46,480 --> 00:32:48,640
Speaker 1: Now do you do you have another job lined up

634
00:32:48,760 --> 00:32:51,760
Speaker 1: or you just you're just done? Yes? I do. Of course.

635
00:32:51,840 --> 00:32:54,320
Speaker 1: Why would I quit a chat without having something lined up?

636
00:32:54,400 --> 00:32:57,320
Speaker 1: So yeah, I'm close to start him and nine, I'm

637
00:32:57,320 --> 00:33:02,440
Speaker 1: super excited umanial pate increase. So that's a bus. But

638
00:33:02,680 --> 00:33:05,080
Speaker 1: this is ready to like give this guy my notice

639
00:33:05,120 --> 00:33:07,560
Speaker 1: and tell them to kick rock. This is all working

640
00:33:07,600 --> 00:33:09,400
Speaker 1: out for the best. Yeah, you know, and I love

641
00:33:09,480 --> 00:33:12,120
Speaker 1: that your your motivation is more than just some guy

642
00:33:12,240 --> 00:33:15,000
Speaker 1: being a jerk. It's really you about moving forward in

643
00:33:15,080 --> 00:33:20,520
Speaker 1: your life and doing great, new, exciting, adventurous things. Yes. Absolutely.

644
00:33:21,120 --> 00:33:23,360
Speaker 1: Now do you have like an exit strategy? Like you know?

645
00:33:23,440 --> 00:33:25,840
Speaker 1: Some people say what I call I'm pooping on the

646
00:33:26,000 --> 00:33:32,360
Speaker 1: bus's death. I mean, um, wow, are you going to

647
00:33:32,400 --> 00:33:34,280
Speaker 1: say anything, say hey, you know what, it's been a

648
00:33:34,360 --> 00:33:36,040
Speaker 1: challenge working for you, or are you just going to

649
00:33:36,080 --> 00:33:40,960
Speaker 1: be I really want to, but I'm I'm told to

650
00:33:41,040 --> 00:33:44,720
Speaker 1: remain professional. Who's telling you that? As much as I

651
00:33:44,800 --> 00:33:49,120
Speaker 1: don't want to, right, I mean, you know, I'm as

652
00:33:49,120 --> 00:33:51,760
Speaker 1: a co worker, it's telling me I need to remain professional.

653
00:33:52,360 --> 00:33:53,880
Speaker 1: I'm kind of torn on this. I'll tell you why.

654
00:33:55,320 --> 00:33:58,120
Speaker 1: I I think I do agree. It's sometimes it's it's

655
00:33:58,160 --> 00:34:01,080
Speaker 1: classier to say, hey, you know what, thank you for opportunities,

656
00:34:01,120 --> 00:34:03,960
Speaker 1: but I'm new, I'm moving on. I'm here's my notice goodbye. Yeah,

657
00:34:04,280 --> 00:34:07,440
Speaker 1: it's another thing to say, hey, you know, you don't

658
00:34:07,480 --> 00:34:10,880
Speaker 1: really treat people very well. And I and I like you,

659
00:34:10,960 --> 00:34:12,759
Speaker 1: and I think you're a nice person, even though la

660
00:34:12,840 --> 00:34:15,319
Speaker 1: la lie la la lie. But I think you need

661
00:34:15,400 --> 00:34:18,600
Speaker 1: to know that, you know. I don't know. Maybe they

662
00:34:18,640 --> 00:34:20,680
Speaker 1: don't know. Maybe they don't realize because no one's ever

663
00:34:20,800 --> 00:34:22,600
Speaker 1: told them. Yeah, does he know? He's a journey And

664
00:34:22,680 --> 00:34:25,560
Speaker 1: I don't think he realizes. I don't think he realizes.

665
00:34:25,600 --> 00:34:28,719
Speaker 1: I mean I've kind of told him every once in

666
00:34:28,760 --> 00:34:31,719
Speaker 1: a while, but he's not really. He's one of those

667
00:34:31,880 --> 00:34:35,960
Speaker 1: you can't really tell him about himself. It's I don't

668
00:34:36,080 --> 00:34:39,719
Speaker 1: it's it's awful. I can't even begin to describe it

669
00:34:39,760 --> 00:34:43,680
Speaker 1: without giving it away already on the radio. No no, no, no, no,

670
00:34:43,800 --> 00:34:46,120
Speaker 1: let it go, Let it go. All I'm saying is focus.

671
00:34:46,400 --> 00:34:49,120
Speaker 1: Focus solely. Not that you've asked, but I'll tell you anyway.

672
00:34:49,160 --> 00:34:51,600
Speaker 1: Focus solely on the fact that you are moving to

673
00:34:51,880 --> 00:34:54,800
Speaker 1: a new a new lot in life. You have a

674
00:34:54,880 --> 00:34:57,680
Speaker 1: new position with new people and a fresh start. And

675
00:34:58,440 --> 00:35:00,279
Speaker 1: the reasons why you're leaving. You know, I'm sure there

676
00:35:00,320 --> 00:35:03,439
Speaker 1: are many, including the fact that your boss is a jackass. Yeah,

677
00:35:03,800 --> 00:35:10,280
Speaker 1: you're good. Congratulations, I'm so excited, and I'm it's awesome

678
00:35:10,280 --> 00:35:12,320
Speaker 1: to talk to you guy. She does sound happy. I

679
00:35:12,400 --> 00:35:15,080
Speaker 1: love hearing that you're so happy. Yeah, you know, focus

680
00:35:15,200 --> 00:35:16,759
Speaker 1: on that and thank you for sharing that with us.

681
00:35:16,760 --> 00:35:17,959
Speaker 1: And I bet there are a lot of people listening

682
00:35:18,000 --> 00:35:20,520
Speaker 1: to our show right now who are contemplating doing the

683
00:35:20,560 --> 00:35:25,360
Speaker 1: same thing because of your your motivation. Yeah, yes, I

684
00:35:25,719 --> 00:35:28,800
Speaker 1: hope they do it, because who wants to stick around

685
00:35:28,920 --> 00:35:31,400
Speaker 1: with a crappy boss? I know, n Nate, you can

686
00:35:31,480 --> 00:35:35,000
Speaker 1: leave right now, all right? Thank you for calling. Thanks

687
00:35:35,000 --> 00:35:37,879
Speaker 1: for sharing it, and a great day, a good guy

688
00:35:38,280 --> 00:35:42,480
Speaker 1: bye bye. Yeah, there you go, she's so excited. Yeah. Well,

689
00:35:42,920 --> 00:35:44,440
Speaker 1: that's the thing, you know, if you get stuck in

690
00:35:44,480 --> 00:35:48,080
Speaker 1: a situation, there's nothing worse than feeling like you're stuck. Yeah,

691
00:35:48,360 --> 00:35:51,320
Speaker 1: in any situation, in a relationship and a job and whatever.

692
00:35:52,200 --> 00:35:54,200
Speaker 1: In a restaurant you don't like, did get a bit

693
00:35:54,280 --> 00:35:58,239
Speaker 1: walk out? Yeah? No, that's the one thing. I would

694
00:35:58,320 --> 00:36:00,919
Speaker 1: rather sit there and eat bad food than to get

695
00:36:01,000 --> 00:36:03,080
Speaker 1: up all right in front of everybody and be like,

696
00:36:03,160 --> 00:36:05,320
Speaker 1: I'm out. Do you really think people are looking at you? No,

697
00:36:05,920 --> 00:36:07,799
Speaker 1: it's just embarrassing. It's just like, you know, all right,

698
00:36:07,840 --> 00:36:10,319
Speaker 1: grin embarrassed. Then you let them win on that. Hey, okay,

699
00:36:10,400 --> 00:36:12,239
Speaker 1: so here's my story, and we don't have much time

700
00:36:12,560 --> 00:36:17,040
Speaker 1: from the Harvey Weinstein verdict yesterday. Well, actually, Harvey's defense

701
00:36:17,080 --> 00:36:22,160
Speaker 1: attorney was giving her I believe, final her final arguments.

702
00:36:23,840 --> 00:36:26,560
Speaker 1: She used her closing argument to urge the jurors to

703
00:36:26,680 --> 00:36:29,719
Speaker 1: set aside any prejudice they may have against Weinstein and

704
00:36:29,840 --> 00:36:32,359
Speaker 1: to rely instead on their New York City common sense,

705
00:36:32,440 --> 00:36:35,759
Speaker 1: which what are you doing? Okay, I'm going to the

706
00:36:35,840 --> 00:36:42,480
Speaker 1: next part anyway, She says, this powerful man is the villain,

707
00:36:42,600 --> 00:36:46,000
Speaker 1: and he is so unattractive and large that no woman

708
00:36:46,080 --> 00:36:51,360
Speaker 1: would want to sleep with him. Wow, she said that,

709
00:36:51,920 --> 00:36:57,560
Speaker 1: Wow about the guy who's paying her right. Wow. In

710
00:36:57,760 --> 00:37:00,640
Speaker 1: their universe, women are not responsible for the part they attend,

711
00:37:00,719 --> 00:37:02,840
Speaker 1: the men they flirt with, the hotel room invitations, the

712
00:37:02,880 --> 00:37:05,240
Speaker 1: plane tickets they expect, the jobs they hope to obtain.

713
00:37:06,120 --> 00:37:08,040
Speaker 1: She goes on to say, in this universe, they aren't

714
00:37:08,080 --> 00:37:10,919
Speaker 1: even responsible for sitting at their computers and emailing someone

715
00:37:10,960 --> 00:37:14,000
Speaker 1: across the country. In this script, the powerful man is

716
00:37:14,040 --> 00:37:16,239
Speaker 1: the villain, and he is so unattractive and large that

717
00:37:16,320 --> 00:37:18,319
Speaker 1: no woman would want to sleep with him. She said

718
00:37:18,360 --> 00:37:23,640
Speaker 1: that about him, And he's sitting right there, and I mean, look,

719
00:37:23,719 --> 00:37:25,880
Speaker 1: you know, there are so many more stories in this

720
00:37:26,239 --> 00:37:29,920
Speaker 1: major story other than the way he looks. I mean,

721
00:37:29,960 --> 00:37:32,160
Speaker 1: it's the way he behaved and the way he treated them,

722
00:37:32,360 --> 00:37:34,400
Speaker 1: and the way he used his power to coerce them

723
00:37:34,920 --> 00:37:37,640
Speaker 1: into doing things that you know they didn't want to do. Right.

724
00:37:37,760 --> 00:37:40,279
Speaker 1: He probably would be more attractive to people if he

725
00:37:40,400 --> 00:37:43,680
Speaker 1: was a nice person, exactly. I mean that's what happens exactly.

726
00:37:43,800 --> 00:37:46,880
Speaker 1: So anyway, interesting story breaking from one block from my

727
00:37:46,960 --> 00:37:51,440
Speaker 1: apartment yesterday that's crazy. Yeah. Never never take your dog

728
00:37:51,480 --> 00:37:53,640
Speaker 1: for a walk in your neighborhood that has a court system.

729
00:37:54,920 --> 00:37:56,640
Speaker 1: You know what I'm saying. All right, who does the

730
00:37:56,840 --> 00:38:01,000
Speaker 1: phone tap today? Day? Oh? All right, David Brodie's phone

731
00:38:01,000 --> 00:38:07,359
Speaker 1: tap coming up? God, what is it with these people? Show?

732
00:38:08,080 --> 00:38:10,000
Speaker 1: Everyone wants to be better at everything in life. You

733
00:38:10,040 --> 00:38:13,160
Speaker 1: want to be more fit, more calm, more confident. It's

734
00:38:13,200 --> 00:38:15,680
Speaker 1: hard work. Sometimes you need an extra push. That's why Audible,

735
00:38:15,719 --> 00:38:18,399
Speaker 1: our favorite people at Audible are giving that extra push

736
00:38:18,480 --> 00:38:21,720
Speaker 1: for free. Become a member like we did. Audible's guided

737
00:38:21,760 --> 00:38:24,480
Speaker 1: wellness programs. It's like carrying your own personal trainer in

738
00:38:24,560 --> 00:38:26,839
Speaker 1: your back pocket. They're there to help you reach whatever

739
00:38:26,920 --> 00:38:30,239
Speaker 1: goals you have. Feel better, find a sense of daily peace,

740
00:38:30,400 --> 00:38:33,640
Speaker 1: God knows we need it. Build your strength anytime anywhere.

741
00:38:34,000 --> 00:38:36,520
Speaker 1: They have programs with Audible for all levels, so you

742
00:38:36,680 --> 00:38:40,000
Speaker 1: choose where to start and what your goals are. They

743
00:38:40,080 --> 00:38:43,040
Speaker 1: have the ad Blaster, which helps you build your core

744
00:38:43,120 --> 00:38:45,440
Speaker 1: strength in just a five or ten days or five

745
00:38:45,560 --> 00:38:47,319
Speaker 1: or ten minutes per day like that. They have half

746
00:38:47,400 --> 00:38:50,359
Speaker 1: marathon training to two part twelve week program. If every

747
00:38:50,400 --> 00:38:53,240
Speaker 1: wanted to run a marathon, now you can with Audible.

748
00:38:53,480 --> 00:38:57,200
Speaker 1: They have bedtime yoga. It's a thing. Maybe I should.

749
00:38:57,320 --> 00:38:59,279
Speaker 1: I should do this tonight because if you calm down,

750
00:38:59,360 --> 00:39:01,719
Speaker 1: yeah I'm not keeping well. You don't need milk and

751
00:39:01,760 --> 00:39:05,440
Speaker 1: cookies at night. Turn on your Audible and do bedtime yoga. Hey,

752
00:39:05,640 --> 00:39:08,160
Speaker 1: try it for yourself. Audible all your favorite stories from

753
00:39:08,200 --> 00:39:11,200
Speaker 1: your favorite authors and now ways to feel better better

754
00:39:11,239 --> 00:39:14,080
Speaker 1: about yourself. Try it for yourself at thirty day trial.

755
00:39:14,440 --> 00:39:17,520
Speaker 1: Get your first one free at audible dot com slash elvis.

756
00:39:17,760 --> 00:39:25,600
Speaker 1: That's audible dot com slash elvis. So I hear it

757
00:39:25,719 --> 00:39:31,560
Speaker 1: is National Pancake Day. Yeah, God, I love pancakes. Pancakes

758
00:39:31,640 --> 00:39:34,359
Speaker 1: make people happy, you know what I'm saying. I don't

759
00:39:34,360 --> 00:39:35,960
Speaker 1: know if I've ever met anyone who doesn't. I don't

760
00:39:35,960 --> 00:39:38,040
Speaker 1: know if I would trust someone who doesn't like a pancake. Well,

761
00:39:38,160 --> 00:39:39,920
Speaker 1: don't go that far. There are some people who just

762
00:39:39,920 --> 00:39:42,160
Speaker 1: start into the you know, the gluten. I get well

763
00:39:42,200 --> 00:39:44,920
Speaker 1: for your allergic I get it. Okay. Anyway, So today's

764
00:39:45,000 --> 00:39:48,080
Speaker 1: National Pancake Day participating Eye Hoops. You can hop in

765
00:39:48,320 --> 00:39:52,120
Speaker 1: and they'll give you a free short stack, and they

766
00:39:52,239 --> 00:39:54,440
Speaker 1: encourage you to donate money, as they do every year

767
00:39:54,480 --> 00:40:00,239
Speaker 1: on Pancake Day. Uh supporting Children's Miracle Network. I hate

768
00:40:00,280 --> 00:40:02,600
Speaker 1: the fact I'm fasting. I can't have a pancake? Well can't?

769
00:40:02,640 --> 00:40:04,920
Speaker 1: Do you have it later today? Yes, I'm gonna get

770
00:40:04,960 --> 00:40:07,480
Speaker 1: a stack. Yeah, I'm gonna get me a stack of flaps.

771
00:40:07,560 --> 00:40:09,080
Speaker 1: I think that's what dinner is going to have to

772
00:40:09,160 --> 00:40:11,359
Speaker 1: be at my house too. And what's wrong with having

773
00:40:11,640 --> 00:40:14,200
Speaker 1: breakfast for dinner? Nothing at all? You know the French

774
00:40:14,280 --> 00:40:16,279
Speaker 1: eat omelet twenty four hours a day. I do it

775
00:40:16,360 --> 00:40:20,359
Speaker 1: all the time. Also, today is Fat Tuesday, of course. Yeah.

776
00:40:20,600 --> 00:40:23,960
Speaker 1: And uh, if you're celebrating Mardi Gras in New Orleans

777
00:40:24,080 --> 00:40:26,880
Speaker 1: listening to our show, you're probably not listening to us,

778
00:40:26,920 --> 00:40:31,040
Speaker 1: So you're you're still drunk from last night. Fat Tuesday,

779
00:40:31,080 --> 00:40:34,080
Speaker 1: of course, it's the day you stock up on everything

780
00:40:34,120 --> 00:40:36,400
Speaker 1: you're about to give up for lent. And so Danielle's

781
00:40:36,400 --> 00:40:39,800
Speaker 1: giving up chocolate tomorrow Ash Wednesday, every bit of chocolate.

782
00:40:39,880 --> 00:40:41,239
Speaker 1: So it's not even like it can't even have like

783
00:40:41,280 --> 00:40:43,759
Speaker 1: a chocolate chip in it or choco chocolate. You can't

784
00:40:43,760 --> 00:40:46,080
Speaker 1: even have the word chocolate. Okay, So we have this

785
00:40:46,239 --> 00:40:50,240
Speaker 1: argument every year about white chocolate. White chocolate is not chocolate,

786
00:40:50,280 --> 00:40:52,920
Speaker 1: but it has the word chocolate. In it's so technically

787
00:40:53,000 --> 00:40:55,920
Speaker 1: in my head it's chocolate, so I can't have it. Okay, Well,

788
00:40:55,920 --> 00:40:58,560
Speaker 1: I'm not gonna argue, but you're you're off. But why

789
00:40:58,680 --> 00:41:00,760
Speaker 1: is it called up? Why would it be white chocolate

790
00:41:00,840 --> 00:41:02,800
Speaker 1: if it's not chocolate. Why won't they just call it

791
00:41:02,920 --> 00:41:04,799
Speaker 1: white whatever? Why did they call it a Hamburger when

792
00:41:04,840 --> 00:41:07,160
Speaker 1: it's got no ham in it? Exactly? Why they call

793
00:41:07,200 --> 00:41:09,399
Speaker 1: it sweetbreads? There's it's not sweet and there's no bread

794
00:41:09,480 --> 00:41:11,920
Speaker 1: in it. Okay, you know what I guess, sweetbread sweetbreads

795
00:41:12,000 --> 00:41:14,520
Speaker 1: is a stretch. You gave up ham, you get filly

796
00:41:14,640 --> 00:41:19,080
Speaker 1: to Hamburger, and our own diamond is giving she's giving

797
00:41:19,200 --> 00:41:23,879
Speaker 1: up Chipotle. Yes, and she's allergic to everything known to man,

798
00:41:24,320 --> 00:41:26,799
Speaker 1: so this is big for her because what's she gonna eat?

799
00:41:26,840 --> 00:41:29,839
Speaker 1: That's all she eats, this Chipotle. It's also clam chowder Day,

800
00:41:29,840 --> 00:41:32,440
Speaker 1: and clam chowder is getting no love whatsoever. I love

801
00:41:32,520 --> 00:41:35,920
Speaker 1: clam chowders. I know they're like little tough buggers, but

802
00:41:36,120 --> 00:41:38,040
Speaker 1: I love clams. I like fried clams, but that's not

803
00:41:38,120 --> 00:41:40,440
Speaker 1: it isn't fried clam day, it's clam chowder y. Do

804
00:41:40,480 --> 00:41:42,880
Speaker 1: you have two prince between the white clam chowder and

805
00:41:42,920 --> 00:41:45,200
Speaker 1: the red clams. Okay, the creamy white clam chowder is

806
00:41:45,280 --> 00:41:47,840
Speaker 1: New England clam chowder in New England style, and the

807
00:41:48,280 --> 00:41:51,480
Speaker 1: tomato broth based is Manhattan clam chowder. And I like

808
00:41:51,600 --> 00:41:54,480
Speaker 1: them both. I love Manhattan clamshotd and go scary. You

809
00:41:54,600 --> 00:41:57,160
Speaker 1: tell for a cup right now too? Thinks so bad?

810
00:41:57,880 --> 00:42:00,560
Speaker 1: So you know so I love clams, I love oysters.

811
00:42:00,880 --> 00:42:03,759
Speaker 1: A lot of people don't like those chewy stuff I'm in.

812
00:42:06,239 --> 00:42:08,560
Speaker 1: There was we went to a restaurant once and my

813
00:42:08,719 --> 00:42:12,960
Speaker 1: husband's like, just try this piece of squid and I said, okay, oh,

814
00:42:13,200 --> 00:42:18,360
Speaker 1: my shot across the table out of my mouth. It

815
00:42:18,600 --> 00:42:23,600
Speaker 1: was so disgusting. The consistency is rubbery. Here's my thing

816
00:42:23,719 --> 00:42:29,520
Speaker 1: about stuff that comes from the sea, especially crustaceans and lobster, shrimp, crab.

817
00:42:30,000 --> 00:42:33,160
Speaker 1: If you take a good close look at them, they

818
00:42:33,239 --> 00:42:36,480
Speaker 1: look like creatures from outer space. Yeah, because I remember

819
00:42:36,520 --> 00:42:38,880
Speaker 1: one night we were sitting around, we're passing and puffing

820
00:42:38,920 --> 00:42:42,400
Speaker 1: and getting high and someone someone brought out a like

821
00:42:42,680 --> 00:42:45,799
Speaker 1: we had a crab, like a soft shell crab, right,

822
00:42:46,520 --> 00:42:49,520
Speaker 1: and we just started looking at it and analyzing it,

823
00:42:49,680 --> 00:42:52,359
Speaker 1: as you know one does when you're stoned and we're

824
00:42:52,520 --> 00:42:55,520
Speaker 1: I'm sitting there thinking, this is the most frigging scary creature.

825
00:42:56,200 --> 00:42:58,600
Speaker 1: If this thing just started walking to you or towards

826
00:42:58,600 --> 00:43:01,000
Speaker 1: you on the street, yeah, you would run for your life, screaming,

827
00:43:01,040 --> 00:43:03,319
Speaker 1: bloody murder. Yeah. But did we eat them? I don't.

828
00:43:03,320 --> 00:43:05,879
Speaker 1: I don't get it. They're just nasty, I say, see things,

829
00:43:06,000 --> 00:43:09,400
Speaker 1: leave them in the sea. No, see, I love seafood.

830
00:43:09,520 --> 00:43:15,200
Speaker 1: Oh yeah, yeah, I don't like uney. What is uni?

831
00:43:15,560 --> 00:43:18,440
Speaker 1: You know? Look it up, all right, you and I.

832
00:43:20,080 --> 00:43:22,400
Speaker 1: They're actually beautiful to look at. Oh no, it is

833
00:43:22,400 --> 00:43:26,480
Speaker 1: a nice game. I like. No, no, no, uh, they're gorgeous.

834
00:43:26,520 --> 00:43:31,399
Speaker 1: And many chefs swear by really by it's a fish fish. Look,

835
00:43:31,480 --> 00:43:33,640
Speaker 1: there's another name for it. You've heard of it, say

836
00:43:33,680 --> 00:43:36,279
Speaker 1: it out loud. Hold on, I freaking I love the

837
00:43:36,360 --> 00:43:41,839
Speaker 1: Internet in this place. Hold on, Bony, let me say,

838
00:43:42,520 --> 00:43:48,600
Speaker 1: put on your glasses. Grandma sushi, Well, no, you can

839
00:43:48,800 --> 00:43:52,560
Speaker 1: order it's sea urchin. They're those spiky looking there. Those

840
00:43:52,560 --> 00:43:54,760
Speaker 1: are so beautiful. You can actually take a sea urchin

841
00:43:55,239 --> 00:43:56,920
Speaker 1: and open it up and eat it right out of

842
00:43:56,960 --> 00:43:58,520
Speaker 1: the ocean. And they say it's one of the most

843
00:43:58,560 --> 00:44:02,080
Speaker 1: incredible ocean taste. And I hate when people use that.

844
00:44:02,520 --> 00:44:06,640
Speaker 1: That doesn't taste fishy. It tastes like the sea. No,

845
00:44:07,080 --> 00:44:09,200
Speaker 1: it tasted like it's been rotting in a trash can

846
00:44:09,320 --> 00:44:11,200
Speaker 1: for fifteen years. Wait a minute, if you just open

847
00:44:11,239 --> 00:44:13,200
Speaker 1: it up and eat it right out like that, isn't

848
00:44:13,239 --> 00:44:16,799
Speaker 1: it still alive? Yeah? Pretty much? Oh that's terrible. Oh

849
00:44:16,880 --> 00:44:23,319
Speaker 1: we found one. Hello Nancy, Hi, Hi? Do you eat seafood? Yes?

850
00:44:24,520 --> 00:44:28,839
Speaker 1: I love not stir you love it all just like now.

851
00:44:29,040 --> 00:44:33,120
Speaker 1: But listen started yeah, but listen to this. Nancy hates pancakes.

852
00:44:33,640 --> 00:44:37,480
Speaker 1: What's Nancy? I hate pancakes? Oh my gosh, d yeah,

853
00:44:37,480 --> 00:44:41,960
Speaker 1: I love you. I love you. Okay, you three. You're

854
00:44:41,960 --> 00:44:44,880
Speaker 1: allowed to hate and love whatever you want. Pancakes. Why

855
00:44:44,880 --> 00:44:48,120
Speaker 1: do you hate pancakes? I when I was like in

856
00:44:48,280 --> 00:44:50,239
Speaker 1: third grade, we went on a school trip to like

857
00:44:50,320 --> 00:44:54,200
Speaker 1: a maple tree, and I don't know when I clearly

858
00:44:54,480 --> 00:44:57,680
Speaker 1: pancakes and maples syrup. But just grow okay and try

859
00:44:57,719 --> 00:45:00,440
Speaker 1: all these different maples sam things. They would just disgusted.

860
00:45:00,640 --> 00:45:02,839
Speaker 1: So it's the it's the maple syrup that you don't

861
00:45:02,840 --> 00:45:06,000
Speaker 1: care for, and therefore therefore you're throwing out the baby

862
00:45:06,080 --> 00:45:09,040
Speaker 1: with the bath water. Therefore, pancakes don't win exactly that

863
00:45:09,200 --> 00:45:14,719
Speaker 1: and wawful. Oh my god, yeah, but I my kids. Yes.

864
00:45:16,520 --> 00:45:19,840
Speaker 1: So what do you eat for breakfast? Cereal? I'm an

865
00:45:19,840 --> 00:45:22,480
Speaker 1: avocado with host kind of girl. Okay, that's all right,

866
00:45:22,680 --> 00:45:25,520
Speaker 1: all right, I could do eggs. You're so bogie. Okay,

867
00:45:25,600 --> 00:45:28,520
Speaker 1: here's the thing. So you don't like anything that's griddled

868
00:45:31,280 --> 00:45:35,840
Speaker 1: French toast, make great ones. I make great pacas. But

869
00:45:35,880 --> 00:45:38,920
Speaker 1: you know what, it's really funny how we have ten

870
00:45:39,000 --> 00:45:41,919
Speaker 1: million people listening. You know that there's a large number

871
00:45:41,960 --> 00:45:44,400
Speaker 1: of people who listen who just don't like pancakes, and

872
00:45:44,520 --> 00:45:47,040
Speaker 1: we need to accept that fact. I guess it's okay, Nancy,

873
00:45:47,120 --> 00:45:48,840
Speaker 1: we still love you. I guess if you can accept that,

874
00:45:49,000 --> 00:45:52,040
Speaker 1: I love you, gayo, and I don't like fish. I

875
00:45:52,160 --> 00:45:56,000
Speaker 1: love mails and email with almost everything. Case. Now, do

876
00:45:56,160 --> 00:45:59,399
Speaker 1: you like oysters? Do you like oysters and clams? Oh

877
00:45:59,480 --> 00:46:03,040
Speaker 1: my god, yeah, me too. Yeah. Yeah, they're so slimy. Yeah,

878
00:46:03,040 --> 00:46:06,279
Speaker 1: they're like you know, I didn't like shrimp because it's

879
00:46:06,280 --> 00:46:09,120
Speaker 1: like very rubbery. But I saw someone that cooks them right,

880
00:46:09,160 --> 00:46:10,840
Speaker 1: and they like cut off like steak, and it's like

881
00:46:11,000 --> 00:46:14,719
Speaker 1: so like just sauce. That's there. You go. But when

882
00:46:14,760 --> 00:46:17,600
Speaker 1: it's rubbery. I can't the ubbery. But when you're eating oysters,

883
00:46:17,719 --> 00:46:21,840
Speaker 1: I think typically you're eating live oysters right there, and

884
00:46:22,320 --> 00:46:24,680
Speaker 1: I love them. They put some lead and big Daddy's pencil,

885
00:46:24,760 --> 00:46:27,400
Speaker 1: you know what I'm saying. So aren't you supposed to

886
00:46:27,400 --> 00:46:29,640
Speaker 1: swallow them that quickly? You don't chill them? Well, there

887
00:46:30,080 --> 00:46:32,400
Speaker 1: there's more to it than that. I mean, there's the

888
00:46:32,520 --> 00:46:35,480
Speaker 1: brine to taste the ocean right there. There's more to

889
00:46:35,600 --> 00:46:38,200
Speaker 1: it than just a little tough buger. Okay, when you're

890
00:46:38,239 --> 00:46:41,280
Speaker 1: in the ocean and you're swimming and you accidentally swallow

891
00:46:41,360 --> 00:46:44,600
Speaker 1: some water, it tastes disgusting. So why would you want

892
00:46:44,640 --> 00:46:47,120
Speaker 1: to taste the ocean? Let me ask? I don't know,

893
00:46:47,360 --> 00:46:55,200
Speaker 1: you know, I don't you add like lemons too? And really,

894
00:46:57,840 --> 00:47:00,720
Speaker 1: when it goes down in your stomach and it still alive,

895
00:47:01,000 --> 00:47:03,480
Speaker 1: do you feel it like moving around? No? No, I

896
00:47:03,600 --> 00:47:05,480
Speaker 1: have questions. I don't eat this stuff. I needs another

897
00:47:05,520 --> 00:47:08,400
Speaker 1: because your baby, you know, the first cup kind of

898
00:47:08,440 --> 00:47:13,799
Speaker 1: like eels. Yeah, people are disgusting me, all right. Listen

899
00:47:13,880 --> 00:47:17,920
Speaker 1: Nancy who hates pancakes on National Pancake Day, Thanks for yeah,

900
00:47:18,000 --> 00:47:22,440
Speaker 1: thanks for yuking our yum guy. We love you too,

901
00:47:22,520 --> 00:47:25,399
Speaker 1: have a great have a great day. Okay, guy too, Okay,

902
00:47:25,480 --> 00:47:27,839
Speaker 1: bye bye? What's that scary? My question is, since when

903
00:47:27,920 --> 00:47:31,279
Speaker 1: did avocado toast become bougie? Because avocado has always been

904
00:47:31,320 --> 00:47:33,719
Speaker 1: a great side and toast is always business. I tell

905
00:47:33,719 --> 00:47:35,759
Speaker 1: you why I think avocado. I could be wrong on this.

906
00:47:35,840 --> 00:47:39,160
Speaker 1: I'm assuming avocado toast was born as a brunch thing,

907
00:47:39,560 --> 00:47:43,560
Speaker 1: and brunch everything brunches is bougie, yeah, because avocado was

908
00:47:43,600 --> 00:47:45,640
Speaker 1: served with everything. When I just went to Columbia, was

909
00:47:45,640 --> 00:47:47,920
Speaker 1: avocado Forkay, Well, that's not what we're talking about. We're

910
00:47:47,920 --> 00:47:50,080
Speaker 1: talking about avocado toast at brunch. So if I put

911
00:47:50,120 --> 00:47:54,160
Speaker 1: avocado on toast, it becomes bougie because I'm eating them together.

912
00:47:54,520 --> 00:47:56,480
Speaker 1: You can eat whatever you want. I was just wondering

913
00:47:56,560 --> 00:47:59,800
Speaker 1: because I feel like avocado was so plentiful but scary.

914
00:47:59,840 --> 00:48:02,200
Speaker 1: You like being bougie? Yeah, anything that you would do

915
00:48:02,400 --> 00:48:04,840
Speaker 1: is bougie. So you know what did I read? I

916
00:48:04,880 --> 00:48:06,520
Speaker 1: had a read. I read a meme the other day.

917
00:48:06,640 --> 00:48:12,080
Speaker 1: Oh god, it was Uh. It's it's better to be

918
00:48:12,200 --> 00:48:17,480
Speaker 1: impressive than try to impress others. And I think sometimes

919
00:48:17,560 --> 00:48:23,279
Speaker 1: scary is like the name dropper. When I was in Colombia,

920
00:48:23,400 --> 00:48:26,040
Speaker 1: we were all were everywhere. They were just falling out

921
00:48:26,080 --> 00:48:28,719
Speaker 1: of the sky like rain dropping my head. I've never

922
00:48:28,760 --> 00:48:31,600
Speaker 1: seen that. Sounds disgusting because you got a big head.

923
00:48:33,200 --> 00:48:35,279
Speaker 1: I know. I love you, scary. You can eat whatever

924
00:48:35,280 --> 00:48:37,279
Speaker 1: you want. Just because someone says it's bougie doesn't mean

925
00:48:37,280 --> 00:48:40,759
Speaker 1: you can't experience it. I mean you're talking about uney, yeah,

926
00:48:41,280 --> 00:48:44,560
Speaker 1: which is disgusting. Well, no, not for all the urchin

927
00:48:44,840 --> 00:48:49,840
Speaker 1: you know one man's whatever. I'm moving on. Is it

928
00:48:49,920 --> 00:48:58,120
Speaker 1: time for the phone tap? Ye? What's it all about today? Listener?

929
00:48:58,200 --> 00:49:00,920
Speaker 1: Kate wanted us to phone tap her husband, Brian, just

930
00:49:01,000 --> 00:49:03,919
Speaker 1: got a new supercomputer, so he erased the hard drive

931
00:49:03,960 --> 00:49:06,840
Speaker 1: on his old computer allegedly had a lot of videos

932
00:49:06,880 --> 00:49:09,920
Speaker 1: and nude pictures of he and his wife together, and

933
00:49:10,239 --> 00:49:12,160
Speaker 1: so he erased it to make sure nobody ever saw that.

934
00:49:12,840 --> 00:49:14,719
Speaker 1: And uh, he told his wife, put it out on

935
00:49:14,800 --> 00:49:17,160
Speaker 1: bulk garbage day when I'm at work. Bring it out

936
00:49:17,200 --> 00:49:19,080
Speaker 1: to the curb. Get rid of it. It'll be destroyed

937
00:49:19,080 --> 00:49:22,080
Speaker 1: in the garbage truck. End of story. So before I

938
00:49:22,239 --> 00:49:25,759
Speaker 1: called him, she told him that she sold it online.

939
00:49:26,120 --> 00:49:27,759
Speaker 1: And now I call as the guy who bought it.

940
00:49:28,239 --> 00:49:31,759
Speaker 1: Oh good, Okay, let's see what happens here. Hello, Yeah,

941
00:49:31,800 --> 00:49:37,120
Speaker 1: I'm looking for Brian. Please. Yes, my name's Phil. Yeah,

942
00:49:37,560 --> 00:49:41,520
Speaker 1: I have your old computer and uh well my old computer.

943
00:49:41,960 --> 00:49:45,040
Speaker 1: I bought it from your wife on Craigslist. Anyway, I'm

944
00:49:45,160 --> 00:49:49,600
Speaker 1: calling me. Well, it's on your resume. How'd you get

945
00:49:49,719 --> 00:49:52,760
Speaker 1: my resume? Well, it's on the hard drive. I erased

946
00:49:52,800 --> 00:49:54,800
Speaker 1: every tim my hard drive. I think you got the

947
00:49:54,880 --> 00:49:57,800
Speaker 1: wrong guy. Yeah. See, I'm I'm an it guy, and

948
00:49:57,880 --> 00:50:00,920
Speaker 1: I have programs that recapture in nation of hard drives.

949
00:50:01,360 --> 00:50:03,680
Speaker 1: What kind of are we talking about? I got a

950
00:50:03,760 --> 00:50:08,200
Speaker 1: lot of pictures of your wife, blonde woman, right, yeah,

951
00:50:08,239 --> 00:50:10,480
Speaker 1: well I already bought it, so right now I'm looking

952
00:50:10,520 --> 00:50:12,440
Speaker 1: at pictures of your wife. She has some interesting piercings.

953
00:50:12,920 --> 00:50:15,839
Speaker 1: I gotta say wife. Man. Oh, she has a very

954
00:50:15,920 --> 00:50:19,680
Speaker 1: nice pink rose tattoo. I think it's probably gonna be

955
00:50:19,680 --> 00:50:21,320
Speaker 1: worth about a grand if I don't post these online.

956
00:50:21,320 --> 00:50:24,240
Speaker 1: What do you think? What? Yeah, I'm thinking a thousand dollars?

957
00:50:24,360 --> 00:50:27,520
Speaker 1: Are you kidding me? A thousand dollars? Well? Kidding me? Right,

958
00:50:27,719 --> 00:50:30,080
Speaker 1: and I'll give you Okay, i'll give you. You think

959
00:50:30,120 --> 00:50:32,359
Speaker 1: you're getting a thousand off for me? Okay, Speaking of which,

960
00:50:32,680 --> 00:50:34,400
Speaker 1: there's a great picture of your wife topless on the

961
00:50:34,440 --> 00:50:36,759
Speaker 1: toilet bowl. Um, but that's probably you know what I'm

962
00:50:36,760 --> 00:50:43,680
Speaker 1: gonna say, eleven hundred I forgot listen, I am yeah,

963
00:50:43,760 --> 00:50:45,480
Speaker 1: I know who you are. You're the guy with the

964
00:50:45,560 --> 00:50:50,520
Speaker 1: feather bow or tickling your wife on the bed. I

965
00:50:50,600 --> 00:50:52,279
Speaker 1: understand why you turned around in a peanut butt a

966
00:50:52,360 --> 00:51:00,399
Speaker 1: video that totally makes sense to me. Kate. All right, listen,

967
00:51:00,400 --> 00:51:02,799
Speaker 1: he's gonna call you in a second. Don't answer the phone. Okay, okay,

968
00:51:03,040 --> 00:51:05,279
Speaker 1: is he is he calling? Yes? All right, let it

969
00:51:05,320 --> 00:51:07,640
Speaker 1: go to voicemail. Here you go, let's call him back.

970
00:51:08,120 --> 00:51:14,000
Speaker 1: All right, Hey, hey, what pitch you with the computer?

971
00:51:14,760 --> 00:51:17,480
Speaker 1: When you when you're talking about I got a call

972
00:51:17,520 --> 00:51:21,000
Speaker 1: from a nut job that's talking about he has our computer. Well,

973
00:51:21,239 --> 00:51:24,200
Speaker 1: I told you to still this way, quick list. It's

974
00:51:24,200 --> 00:51:26,760
Speaker 1: perfectly that you erase the hard drive. There's no problem

975
00:51:26,960 --> 00:51:31,640
Speaker 1: right hard drive talking my hands all off pictures and

976
00:51:31,760 --> 00:51:35,279
Speaker 1: the videos. He's telling me what a thousand dollars for

977
00:51:35,440 --> 00:51:37,879
Speaker 1: what I thought I raised the hard clrive. I could

978
00:51:37,880 --> 00:51:40,959
Speaker 1: have swore down hard drive. And now he's talking about

979
00:51:41,000 --> 00:51:45,239
Speaker 1: the pictures of us you on the poiland. What the

980
00:51:45,320 --> 00:51:49,920
Speaker 1: horrible When we just give him listen, calm down, just

981
00:51:50,120 --> 00:51:54,600
Speaker 1: give him whatever, here with it anymore? Okay? Can you

982
00:51:55,280 --> 00:51:57,640
Speaker 1: do you deal with it? You sold it all, Craigs.

983
00:51:57,960 --> 00:52:00,239
Speaker 1: You wanted to make extra books. You made extra book.

984
00:52:01,120 --> 00:52:02,480
Speaker 1: I don't know how to get a hold of this guy.

985
00:52:02,560 --> 00:52:05,719
Speaker 1: I knew Peanut Butter was withstakee you to enjoy it

986
00:52:05,800 --> 00:52:08,239
Speaker 1: at the time. We shouldn't even record it. You wanted

987
00:52:08,239 --> 00:52:11,239
Speaker 1: to get off freaking don't turn this around on me.

988
00:52:11,560 --> 00:52:13,640
Speaker 1: I did it. It wasn't my idea to take those pictures.

989
00:52:13,760 --> 00:52:15,960
Speaker 1: That wasn't my idea. Peanut Butter, you want to get

990
00:52:16,000 --> 00:52:19,200
Speaker 1: all in the frigerator, take it all. It wasn't my

991
00:52:19,320 --> 00:52:21,600
Speaker 1: idea to put him on the computer. Okay, Peter Pan,

992
00:52:23,160 --> 00:52:27,080
Speaker 1: what do you want me to do? All right? Skippy? Brian,

993
00:52:27,120 --> 00:52:28,839
Speaker 1: this is Dave Brody from Elvis End the Morning Show,

994
00:52:29,360 --> 00:52:32,960
Speaker 1: and this is we've been phone tapping you. Sorry your

995
00:52:33,000 --> 00:52:38,880
Speaker 1: computer stall in the garage. Brian, Holy work, I almost

996
00:52:39,160 --> 00:52:51,399
Speaker 1: had a heart attack. Damn, Peanut Butter, sound so good

997
00:52:51,440 --> 00:52:53,239
Speaker 1: right now? Give an I pad if you give an

998
00:52:53,239 --> 00:52:54,560
Speaker 1: idea for a phone tap, let us know. Go to

999
00:52:54,600 --> 00:52:56,480
Speaker 1: Elvis Duran dot com and click on the phone tap.

1000
00:52:56,960 --> 00:53:00,239
Speaker 1: Let's get into the Danielle report, daniel you know and

1001
00:53:00,320 --> 00:53:02,960
Speaker 1: I all the way she's performing for us live here

1002
00:53:03,000 --> 00:53:05,960
Speaker 1: in the studio. They werena make it sounds so professional? Yes,

1003
00:53:07,160 --> 00:53:09,400
Speaker 1: sure we are, all right? What's going on? All right?

1004
00:53:09,440 --> 00:53:13,280
Speaker 1: So pioneering mathematician Katherine Johnson, she's one of the women

1005
00:53:13,360 --> 00:53:16,080
Speaker 1: portrayed in the hit film Hidden Figures. Yes, she died.

1006
00:53:16,480 --> 00:53:18,560
Speaker 1: She was one hundred and one years old. She passed

1007
00:53:18,560 --> 00:53:21,320
Speaker 1: away on Monday. This is according to NASA, and you

1008
00:53:21,360 --> 00:53:23,479
Speaker 1: can read about her. You actually should google her because

1009
00:53:23,480 --> 00:53:26,040
Speaker 1: it's an interesting story. What a fascinating lady. And if

1010
00:53:26,040 --> 00:53:28,239
Speaker 1: you didn't see the movie Hidden Figures, you definitely need

1011
00:53:28,280 --> 00:53:30,279
Speaker 1: to see that because of a lot of people love

1012
00:53:30,360 --> 00:53:34,840
Speaker 1: that that movie. Mission Impossible seven has production halted in

1013
00:53:35,080 --> 00:53:39,840
Speaker 1: Italy because of the coronavirus. Paramount announced this yesterday, Tom Cruise.

1014
00:53:39,880 --> 00:53:42,960
Speaker 1: They're all being sent home from Italy. They want to

1015
00:53:43,040 --> 00:53:46,880
Speaker 1: monitor the outbreak until production starts again. Nobody on the

1016
00:53:47,160 --> 00:53:49,600
Speaker 1: set has it. It's just that the government is warning

1017
00:53:49,640 --> 00:53:51,440
Speaker 1: against them, so you know, they have to do what

1018
00:53:51,520 --> 00:53:53,120
Speaker 1: they have to do. You know, while I was waiting

1019
00:53:53,200 --> 00:53:55,680
Speaker 1: for my appointment yesterday, I was reading more and more

1020
00:53:55,719 --> 00:53:59,000
Speaker 1: about the latest news on the coronavirus. He said, it's scary.

1021
00:53:59,160 --> 00:54:01,880
Speaker 1: It really is frightening. It is. It's so scary, and

1022
00:54:02,880 --> 00:54:04,759
Speaker 1: it feels I thought it was getting better. Now it

1023
00:54:04,800 --> 00:54:08,920
Speaker 1: seems like it's getting worse. So Pete Davidson thinks that

1024
00:54:09,120 --> 00:54:12,759
Speaker 1: he has become a joke. Our guy, Charlemagne the God

1025
00:54:13,200 --> 00:54:16,880
Speaker 1: he actually was talking to Pete Davidson an interview. They

1026
00:54:16,920 --> 00:54:19,279
Speaker 1: got to sit down together and he said that he

1027
00:54:19,480 --> 00:54:22,480
Speaker 1: thinks that he should have been done with SNL already

1028
00:54:22,600 --> 00:54:24,520
Speaker 1: because he thinks he's like the butt of the joke.

1029
00:54:24,800 --> 00:54:27,560
Speaker 1: You know tenighty As a Netflix special, he did sit

1030
00:54:27,640 --> 00:54:29,520
Speaker 1: down with Charlemagne and he talks about how he wants

1031
00:54:29,600 --> 00:54:31,839
Speaker 1: kids and he really got in deep with him. Here's

1032
00:54:31,840 --> 00:54:34,520
Speaker 1: a little clip. Here's the thing. It's like, I personally

1033
00:54:34,719 --> 00:54:36,480
Speaker 1: think I should be done with that show because they

1034
00:54:36,600 --> 00:54:38,520
Speaker 1: make fun of me on it, like the point it's

1035
00:54:38,560 --> 00:54:41,440
Speaker 1: a comedy schedule. No, but like I get it, but

1036
00:54:41,600 --> 00:54:46,280
Speaker 1: like I'm cold open political punchlines. I'm like weekend update

1037
00:54:46,400 --> 00:54:49,239
Speaker 1: jokes when I'm not there, like they'll be like huh huh,

1038
00:54:49,400 --> 00:54:52,760
Speaker 1: but pizza of jerk face and you're like, whose side

1039
00:54:52,800 --> 00:54:54,960
Speaker 1: are you on? I really want to last year to

1040
00:54:55,040 --> 00:54:57,080
Speaker 1: be my last year, you kind of have no choice

1041
00:54:57,080 --> 00:54:59,360
Speaker 1: but to be self deprecating, right, Well, that's just my

1042
00:54:59,480 --> 00:55:02,120
Speaker 1: type of like humor, but also like, yeah, you gotta

1043
00:55:02,160 --> 00:55:05,560
Speaker 1: be because they think I'm dumb, Like I'm literally painted

1044
00:55:05,600 --> 00:55:08,040
Speaker 1: out to be like this big dumb idiot, Like even

1045
00:55:08,080 --> 00:55:10,880
Speaker 1: all my sketches would just be being like okay, sure

1046
00:55:11,120 --> 00:55:13,759
Speaker 1: you know. So it's just like I have to now,

1047
00:55:14,520 --> 00:55:17,040
Speaker 1: can I be honest? No? I want of those people that,

1048
00:55:17,320 --> 00:55:19,719
Speaker 1: until I heard the interview, thought he was a big

1049
00:55:19,840 --> 00:55:22,640
Speaker 1: dumb idiot, and now listening to the interview, I realized

1050
00:55:22,680 --> 00:55:24,840
Speaker 1: that he's not tell you what. Charlemagne did such a

1051
00:55:24,840 --> 00:55:26,960
Speaker 1: great job interviewing Pete Davidson. If you google it and

1052
00:55:27,160 --> 00:55:29,439
Speaker 1: find it, watch it. It's interesting. And if you haven't

1053
00:55:29,440 --> 00:55:31,680
Speaker 1: seen the highlights from the public memorial for Kobe and

1054
00:55:31,719 --> 00:55:33,960
Speaker 1: Gianna Bryant yesterday, you have to. You have to see

1055
00:55:34,040 --> 00:55:37,759
Speaker 1: Vanessa Brian. I still that woman is incredible. I don't

1056
00:55:37,800 --> 00:55:40,680
Speaker 1: know how she did it. Tonight on television it is

1057
00:55:40,760 --> 00:55:43,320
Speaker 1: the primary debate. You also have the Pete Davidson special

1058
00:55:43,719 --> 00:55:46,480
Speaker 1: and this is US is honest. Well, thank you, Danielle.

1059
00:55:49,840 --> 00:55:53,360
Speaker 1: Stay ahead of the game with Audible's unbeatable selection of

1060
00:55:53,400 --> 00:55:57,400
Speaker 1: audio titles, guided fitness, exclusive originals, and more. Listen on

1061
00:55:57,480 --> 00:56:00,359
Speaker 1: the go anytime, anywhere with the Audible app. Your first

1062
00:56:00,360 --> 00:56:07,080
Speaker 1: audiobook is free at audible dot com. Slash Elvis. You

1063
00:56:07,200 --> 00:56:09,920
Speaker 1: guys are up food favorite and I love you all.

1064
00:56:10,040 --> 00:56:12,359
Speaker 1: I gotta listen to you every day. You guys are

1065
00:56:12,440 --> 00:56:15,000
Speaker 1: so funny and it's such an enjoyment to listen to

1066
00:56:15,040 --> 00:56:16,719
Speaker 1: you every morning on my lay to work. And I'm

1067
00:56:16,760 --> 00:56:24,160
Speaker 1: just saying hello, I just got a text from her. Yeah,

1068
00:56:24,200 --> 00:56:28,239
Speaker 1: did she says she misses me? No? She you know

1069
00:56:28,400 --> 00:56:32,040
Speaker 1: she misses you. She says, love you so much. Very

1070
00:56:32,080 --> 00:56:34,360
Speaker 1: excited to see you tomorrow. So all right, Gandhi is

1071
00:56:34,400 --> 00:56:39,160
Speaker 1: a lock for tomorrow, Thank gosh, absolutely, uh gosh. The guests,

1072
00:56:39,320 --> 00:56:42,040
Speaker 1: what a week. Tones and I performing for us live

1073
00:56:42,160 --> 00:56:45,360
Speaker 1: in this studio. Coming up in less than thirty minutes tomorrow,

1074
00:56:45,520 --> 00:56:47,600
Speaker 1: our super chef Guy Fieri's going to be here, the

1075
00:56:47,760 --> 00:56:51,680
Speaker 1: mayor of Flavortown. I remember when he came and nobody

1076
00:56:51,760 --> 00:56:53,759
Speaker 1: knew who he was. He was going for that the

1077
00:56:53,880 --> 00:56:56,919
Speaker 1: show on Food Network. Yeah, pick a chef for whatever

1078
00:56:57,000 --> 00:57:00,280
Speaker 1: was going. We chose his chicken palm as the winning

1079
00:57:00,360 --> 00:57:02,880
Speaker 1: chicken parm and that's where it all started. I take

1080
00:57:02,960 --> 00:57:07,200
Speaker 1: full credit for his career. Welcome, Welcome to Flavor Tone anyway.

1081
00:57:07,239 --> 00:57:12,359
Speaker 1: He's here tomorrow. Uh, doctor Bradley Shaffer from The Foot

1082
00:57:12,360 --> 00:57:16,440
Speaker 1: Show shave my foot? Oh yeah, my fair killing me

1083
00:57:17,240 --> 00:57:20,080
Speaker 1: and use that We're not allowed to show the shave

1084
00:57:20,200 --> 00:57:23,720
Speaker 1: show man. He's a footman, dude. Just because the foot

1085
00:57:23,760 --> 00:57:26,080
Speaker 1: doctors here doesn't mean everyone here is gonna like rip

1086
00:57:26,160 --> 00:57:27,920
Speaker 1: their shoes off and go, I've got this funny thing.

1087
00:57:28,040 --> 00:57:30,480
Speaker 1: But where is here? We do it, We line up

1088
00:57:30,480 --> 00:57:33,040
Speaker 1: and show him all our elements. Let's stop using our doctors.

1089
00:57:33,120 --> 00:57:35,560
Speaker 1: What's that frog? Last night, Lisa's like, Hey, when's that

1090
00:57:35,640 --> 00:57:37,920
Speaker 1: foot doctor? I'm gonna call in. I'm like why. She's like,

1091
00:57:37,960 --> 00:57:39,760
Speaker 1: I gotta call in and ask a question. I'm like, no,

1092
00:57:39,920 --> 00:57:41,920
Speaker 1: that's not what he's calling in taking an idea for you?

1093
00:57:42,000 --> 00:57:43,800
Speaker 1: Why don't you use your poe, your your copay and

1094
00:57:43,880 --> 00:57:47,360
Speaker 1: go make an appointments? Right? Thank you. Let's stop using

1095
00:57:47,440 --> 00:57:56,200
Speaker 1: our guests. He's here Thursday, anyway. Let's go round the room. Danielle,

1096
00:57:56,200 --> 00:57:58,440
Speaker 1: what's on your mind today? I don't even know if

1097
00:57:58,440 --> 00:58:01,600
Speaker 1: because I'm laughing. Sorry, I've been binge watching so much

1098
00:58:01,680 --> 00:58:07,480
Speaker 1: television lately. It is ridiculous, and so I am scheduling

1099
00:58:07,560 --> 00:58:10,840
Speaker 1: things around television so much to the point that okay, ready,

1100
00:58:10,960 --> 00:58:12,600
Speaker 1: you know you can dvrre these things. I know, but

1101
00:58:13,000 --> 00:58:15,959
Speaker 1: we are flying out for Ihear Radio Music Festival. It's

1102
00:58:16,040 --> 00:58:18,320
Speaker 1: going down on March twenty night. So we were supposed

1103
00:58:18,360 --> 00:58:21,600
Speaker 1: to fly out on the on the Friday. I decided

1104
00:58:21,640 --> 00:58:23,600
Speaker 1: to fly out on the Saturday morning. Do you want

1105
00:58:23,640 --> 00:58:27,160
Speaker 1: to know why? Because Ozark goes out on the Friday

1106
00:58:27,400 --> 00:58:30,680
Speaker 1: and I want to be my husband. So I'm like,

1107
00:58:30,800 --> 00:58:32,800
Speaker 1: I can't leave until Saturday morning because I have to

1108
00:58:32,840 --> 00:58:36,160
Speaker 1: watch Ozark. So this happening. There are some shows that

1109
00:58:36,280 --> 00:58:39,360
Speaker 1: are worthy of a live watch, and I think Ozark

1110
00:58:39,480 --> 00:58:41,520
Speaker 1: watching that just bending the hell out of the kid. See,

1111
00:58:41,520 --> 00:58:42,800
Speaker 1: I'll save it for the weekend and just watch the

1112
00:58:42,880 --> 00:58:45,320
Speaker 1: whole thing waiting is the whole thing comes out? But

1113
00:58:45,400 --> 00:58:48,680
Speaker 1: thank yeah, usually adults, so I can't scary what's on

1114
00:58:48,760 --> 00:58:52,160
Speaker 1: your mind. Too many people are guilty of asking questions

1115
00:58:52,280 --> 00:58:54,840
Speaker 1: and then meanwhile they have a computer in their pocket

1116
00:58:55,000 --> 00:58:56,880
Speaker 1: and they could look it up. I am one of

1117
00:58:56,920 --> 00:58:59,000
Speaker 1: those people. But I'm turning over a new leaf. So

1118
00:58:59,200 --> 00:59:03,200
Speaker 1: three people told me that today is fast snatched Day.

1119
00:59:04,240 --> 00:59:07,840
Speaker 1: What what did you just say a fast knot F

1120
00:59:07,960 --> 00:59:10,760
Speaker 1: A N A c H. I can't put those are

1121
00:59:10,800 --> 00:59:15,120
Speaker 1: the donuts right? So I fast? I went to the googler,

1122
00:59:15,280 --> 00:59:17,360
Speaker 1: I picked a phone out of my pocket. I wasn't lazy.

1123
00:59:17,560 --> 00:59:21,240
Speaker 1: And it's a Pennsylvania Dutch tradition that today people will

1124
00:59:21,320 --> 00:59:23,200
Speaker 1: get you know, you know, eat all the stuff before

1125
00:59:23,240 --> 00:59:26,520
Speaker 1: asked Wednesday tomorrow, So happy fast natch day. I don't

1126
00:59:26,520 --> 00:59:28,800
Speaker 1: think it's how you say it, and eat your donuts, okay,

1127
00:59:28,840 --> 00:59:30,320
Speaker 1: to find out how you say it before you say it.

1128
00:59:31,000 --> 00:59:34,000
Speaker 1: It's a fried donut of German origin. Yes, yes, I

1129
00:59:34,040 --> 00:59:35,600
Speaker 1: just want to make sure we're saying it correctly because

1130
00:59:35,640 --> 00:59:41,920
Speaker 1: it sounds really suspect the way he's saying it. We'll

1131
00:59:41,960 --> 00:59:47,080
Speaker 1: come up with the name delicious. I'm sure, all right.

1132
00:59:49,880 --> 00:59:53,280
Speaker 1: Thank you scary um. Oh you know we have the

1133
00:59:53,320 --> 00:59:56,200
Speaker 1: world's best interns here at our show. Yes, thank god

1134
00:59:56,720 --> 01:00:01,600
Speaker 1: for interns like Nala. Nala come in, pain is here? Uh,

1135
01:00:02,240 --> 01:00:05,640
Speaker 1: come on in? Thanks for showing up. Nala is so adorable.

1136
01:00:06,200 --> 01:00:08,920
Speaker 1: Love her. Thank you. You can't help it though, I

1137
01:00:09,000 --> 01:00:11,480
Speaker 1: don't hear myself. Am I supposed to say that you

1138
01:00:11,720 --> 01:00:16,680
Speaker 1: turn your knob? Yeah, I'm so unprofessionals. Okay, we call

1139
01:00:16,760 --> 01:00:20,000
Speaker 1: that raw. So I heard a story that you were

1140
01:00:20,040 --> 01:00:21,600
Speaker 1: telling to someone else. I just want to I don't

1141
01:00:21,600 --> 01:00:23,520
Speaker 1: want to embarrass you by bringing it personal stuff on

1142
01:00:23,560 --> 01:00:25,520
Speaker 1: the air. It's cool, let's do it embarrass me. But

1143
01:00:26,120 --> 01:00:28,800
Speaker 1: here he goes, you've been talking to this guy for

1144
01:00:28,840 --> 01:00:33,480
Speaker 1: a while and you clearly like each other, right, but

1145
01:00:34,240 --> 01:00:36,760
Speaker 1: you've sort of stalled. You haven't really moved to that

1146
01:00:36,960 --> 01:00:40,720
Speaker 1: next step. So he proposed something to you that didn't

1147
01:00:40,760 --> 01:00:42,960
Speaker 1: sit right. What was it? So he asked me to

1148
01:00:43,040 --> 01:00:45,840
Speaker 1: come over his house, and I was like, uh, no,

1149
01:00:46,320 --> 01:00:48,240
Speaker 1: you need to take me out first. He kind of

1150
01:00:48,360 --> 01:00:50,200
Speaker 1: was just like, huh to take you out? I was like, yeah,

1151
01:00:50,240 --> 01:00:52,040
Speaker 1: I'm not going over to your house. I have standards,

1152
01:00:52,320 --> 01:00:54,000
Speaker 1: I have a system. This is how I work things.

1153
01:00:54,400 --> 01:00:56,720
Speaker 1: So I don't even think it's really that we've stalled.

1154
01:00:56,760 --> 01:00:59,280
Speaker 1: It is more like, I put this demand down, you

1155
01:00:59,360 --> 01:01:01,600
Speaker 1: need to take me. I'm not going to your house

1156
01:01:02,000 --> 01:01:04,960
Speaker 1: until you take me out, right. So yeah, kind of

1157
01:01:05,000 --> 01:01:07,520
Speaker 1: just figuring it out. I like that. Do you think

1158
01:01:07,560 --> 01:01:09,360
Speaker 1: that when he takes you to his house things are

1159
01:01:09,360 --> 01:01:11,960
Speaker 1: going to happen and that's what he's expected? Yes, yeah, yeah,

1160
01:01:12,720 --> 01:01:15,120
Speaker 1: you know, I'm with you. It doesn't matter. You know what,

1161
01:01:15,240 --> 01:01:19,040
Speaker 1: Here's what matters. Nala wants this to move during this

1162
01:01:19,800 --> 01:01:23,080
Speaker 1: this way to you, the natural progression of things is,

1163
01:01:23,360 --> 01:01:25,840
Speaker 1: let's go out. Let's spend some time with each other

1164
01:01:26,160 --> 01:01:28,919
Speaker 1: before we get into a situation that could go left

1165
01:01:29,000 --> 01:01:31,480
Speaker 1: or right whatever I choose. However, I choose for it

1166
01:01:31,560 --> 01:01:34,960
Speaker 1: to go at your house. But so how did he

1167
01:01:35,040 --> 01:01:37,840
Speaker 1: respond to that? So he kind of was just like

1168
01:01:37,960 --> 01:01:40,680
Speaker 1: really in shock. I was like, yeah, you we text

1169
01:01:40,800 --> 01:01:42,920
Speaker 1: every single day and you made it a point to

1170
01:01:43,040 --> 01:01:45,440
Speaker 1: not text me on Valencine's Day. Like, I don't know

1171
01:01:45,520 --> 01:01:48,280
Speaker 1: what you're scared about, but we're obviously vibing. You need

1172
01:01:48,360 --> 01:01:50,440
Speaker 1: to take me out. That is the only way I'm

1173
01:01:50,480 --> 01:01:52,520
Speaker 1: going to your house. You're taking me out like that.

1174
01:01:52,720 --> 01:01:55,080
Speaker 1: He was just like, okay, fine, you let me know

1175
01:01:55,120 --> 01:01:56,600
Speaker 1: when you're free and let me know where you want

1176
01:01:56,600 --> 01:01:59,120
Speaker 1: to go. I was like, okay, should plan the date

1177
01:01:59,240 --> 01:02:01,240
Speaker 1: like he should plan in a nice night reason, it's like,

1178
01:02:01,440 --> 01:02:03,479
Speaker 1: where do you want to go? I like that idea.

1179
01:02:03,480 --> 01:02:05,600
Speaker 1: I didn't think about that. I'm so demanding and I

1180
01:02:05,640 --> 01:02:07,200
Speaker 1: didn't think, like, you know what, I'm going to demand

1181
01:02:07,280 --> 01:02:10,800
Speaker 1: exactly what I want. I don't know what I want Okay, okay, here, Well,

1182
01:02:10,920 --> 01:02:12,800
Speaker 1: you don't have to know exactly what you want, but

1183
01:02:12,920 --> 01:02:14,760
Speaker 1: you do know that there's a way to get to

1184
01:02:14,880 --> 01:02:17,200
Speaker 1: whatever that is. Yeah. So here's the thing, and this

1185
01:02:17,400 --> 01:02:19,000
Speaker 1: is the life lesson that we all learned from what

1186
01:02:19,120 --> 01:02:23,920
Speaker 1: Nala is doing. Is the word demanding is kind of

1187
01:02:23,960 --> 01:02:26,880
Speaker 1: a negative for people. Yeah, and if you hear a

1188
01:02:26,960 --> 01:02:30,280
Speaker 1: girl or a woman demand, then they're oh, she's difficult. No,

1189
01:02:30,480 --> 01:02:33,200
Speaker 1: she's not right. She's doing what all men and women

1190
01:02:33,240 --> 01:02:35,480
Speaker 1: should do. You go out there and you say this

1191
01:02:35,680 --> 01:02:38,400
Speaker 1: is how I want this to be. The way you

1192
01:02:38,480 --> 01:02:40,720
Speaker 1: want to do it doesn't work for me, doesn't mean

1193
01:02:40,760 --> 01:02:43,040
Speaker 1: I don't like you. Oh yeah, but go ahead show

1194
01:02:43,080 --> 01:02:45,840
Speaker 1: me the respect I deserve. It's funny because he was like, Okay,

1195
01:02:45,920 --> 01:02:48,440
Speaker 1: you do things that way, but I do it this way.

1196
01:02:48,520 --> 01:02:50,640
Speaker 1: I was like, good for you. That doesn't work for me,

1197
01:02:50,880 --> 01:02:53,400
Speaker 1: and you can move forward your way. I'm gonna go

1198
01:02:53,720 --> 01:02:56,439
Speaker 1: my way. So like that, it's it's weird to say

1199
01:02:56,480 --> 01:02:58,360
Speaker 1: my way or no way, but my way or no way,

1200
01:02:58,400 --> 01:03:00,240
Speaker 1: but it's good to know what you know, what you want.

1201
01:03:00,240 --> 01:03:02,680
Speaker 1: You have standards and you should definitely stick to them.

1202
01:03:02,880 --> 01:03:04,720
Speaker 1: And here's another way of looking at it. And you,

1203
01:03:04,960 --> 01:03:07,160
Speaker 1: by the way, you don't owe him an explanation why

1204
01:03:07,240 --> 01:03:09,520
Speaker 1: you want it this way, but you could say, hey,

1205
01:03:10,160 --> 01:03:11,640
Speaker 1: you may not believe it now, but this would be

1206
01:03:11,720 --> 01:03:14,160
Speaker 1: good for you too. I mean, because I know me.

1207
01:03:14,520 --> 01:03:16,240
Speaker 1: I am Nala, and this is if you want to

1208
01:03:16,280 --> 01:03:17,760
Speaker 1: get to know me, this is the best way to

1209
01:03:17,840 --> 01:03:20,440
Speaker 1: do it. Let's go out, let's get to know each other.

1210
01:03:20,960 --> 01:03:23,880
Speaker 1: You're in no hurry, That's what I'm saying. I love it.

1211
01:03:24,200 --> 01:03:27,160
Speaker 1: And you know what, Look, my dad always my dad

1212
01:03:27,320 --> 01:03:29,520
Speaker 1: was the father of three boys, right, they're my two

1213
01:03:29,560 --> 01:03:31,520
Speaker 1: brothers and me. My dad always said if I had

1214
01:03:31,560 --> 01:03:33,160
Speaker 1: a daughter, I would have had a heart attack a

1215
01:03:33,200 --> 01:03:35,560
Speaker 1: long time ago, because I don't want them out there

1216
01:03:35,560 --> 01:03:38,400
Speaker 1: in this world. Yeah, but that's old school thinking. This

1217
01:03:38,600 --> 01:03:40,400
Speaker 1: is this is a new way of thinking in this

1218
01:03:40,520 --> 01:03:42,160
Speaker 1: day and age, especially with all the news it's been

1219
01:03:42,200 --> 01:03:44,400
Speaker 1: coming out in the past five years about women and

1220
01:03:44,760 --> 01:03:48,200
Speaker 1: and what they've had to endure in life with some

1221
01:03:48,360 --> 01:03:51,400
Speaker 1: people who are very unfair to them. You know, you

1222
01:03:51,640 --> 01:03:53,280
Speaker 1: think you need to go out there and say this

1223
01:03:53,360 --> 01:03:55,600
Speaker 1: is the way it is for me, and it's okay. Yeah,

1224
01:03:55,640 --> 01:03:57,760
Speaker 1: it's a perfect time to be vocal in my opinion,

1225
01:03:57,920 --> 01:04:01,200
Speaker 1: like this is what I want, I'm young, I want

1226
01:04:01,240 --> 01:04:03,520
Speaker 1: to get it, and I have to vocalize that. That's

1227
01:04:03,560 --> 01:04:04,800
Speaker 1: the only way that I'm going to get it right.

1228
01:04:05,040 --> 01:04:07,080
Speaker 1: I gotta work for things too, you know, but it

1229
01:04:07,160 --> 01:04:09,840
Speaker 1: starts with being vocal about it. And so I agree women.

1230
01:04:10,440 --> 01:04:13,800
Speaker 1: Women are going through it in society and if you

1231
01:04:13,840 --> 01:04:15,800
Speaker 1: don't speak up about the things you want, you probably

1232
01:04:15,840 --> 01:04:18,600
Speaker 1: won't get them. Well, this is this, the example you

1233
01:04:18,680 --> 01:04:20,919
Speaker 1: gave us is something you're going through. But you're also

1234
01:04:21,000 --> 01:04:24,640
Speaker 1: winning at this. That's it. I'm ready to have a daughter.

1235
01:04:24,720 --> 01:04:26,200
Speaker 1: I want. I want to have a daughter. I'm ready.

1236
01:04:26,280 --> 01:04:28,880
Speaker 1: I got me, I'm in. I think it's also the

1237
01:04:28,920 --> 01:04:31,960
Speaker 1: way she presents herself and she's not She's not nasty

1238
01:04:32,000 --> 01:04:34,120
Speaker 1: about it, she's not bitchy about it. She's like, look,

1239
01:04:34,560 --> 01:04:36,760
Speaker 1: you have to understand, this is my principles, this is

1240
01:04:36,960 --> 01:04:40,240
Speaker 1: what I feel. And she's very you know, she makes

1241
01:04:40,280 --> 01:04:43,160
Speaker 1: a great point. Thank you, and it's it's something we

1242
01:04:43,200 --> 01:04:45,360
Speaker 1: can all learn from. And even as an older guy,

1243
01:04:46,000 --> 01:04:48,120
Speaker 1: I'm still learning about life. I will until the day

1244
01:04:48,120 --> 01:04:51,880
Speaker 1: I croak. You know, if you want something and you

1245
01:04:51,960 --> 01:04:54,520
Speaker 1: want it to get there a certain way, it's okay

1246
01:04:54,600 --> 01:04:56,480
Speaker 1: to say this is the way I want it. I've

1247
01:04:56,520 --> 01:05:00,560
Speaker 1: got Kaylee on the phone. Hi, Kaylee, how you doing? Hi? Great,

1248
01:05:00,640 --> 01:05:02,480
Speaker 1: how are you? We're doing well. Say good morning to

1249
01:05:02,960 --> 01:05:07,400
Speaker 1: my new daughter, Nala. Good morning, Good morning daughter, Nala.

1250
01:05:08,240 --> 01:05:11,320
Speaker 1: What do you think about what she just shared with us? No,

1251
01:05:11,560 --> 01:05:14,800
Speaker 1: I think that's great. I don't think it's demanding at all. Um.

1252
01:05:15,000 --> 01:05:17,920
Speaker 1: I think you have your expectations set and you have

1253
01:05:18,080 --> 01:05:23,480
Speaker 1: to have those standards set. Um. How like in today's

1254
01:05:23,640 --> 01:05:26,800
Speaker 1: day and age, you know, it's hook up culture, and um,

1255
01:05:27,240 --> 01:05:29,600
Speaker 1: I think it's really easy to get lost in situation.

1256
01:05:29,680 --> 01:05:33,840
Speaker 1: Ships and setting those expectations and boundaries are a really

1257
01:05:34,240 --> 01:05:38,040
Speaker 1: good way to like move forward without having to, um

1258
01:05:38,400 --> 01:05:41,600
Speaker 1: get stuck in that kind of situation before you know it.

1259
01:05:42,160 --> 01:05:44,240
Speaker 1: I love it. I like how you said it's the

1260
01:05:44,360 --> 01:05:47,000
Speaker 1: hookup culture. But let me okay, let me throw this

1261
01:05:47,080 --> 01:05:50,240
Speaker 1: one in there. Ready. If that's what Nala wants, then

1262
01:05:50,360 --> 01:05:53,600
Speaker 1: that's that's okay too, as long as she's right. Absolutely,

1263
01:05:53,720 --> 01:05:56,240
Speaker 1: as long as you're vocalizing that, yeah, it's what you want,

1264
01:05:56,560 --> 01:06:00,960
Speaker 1: boundaries that you're not playing games? Yeah nah, No, what

1265
01:06:01,000 --> 01:06:03,240
Speaker 1: I mean, you're just like, this is what I want

1266
01:06:03,360 --> 01:06:04,800
Speaker 1: and if I don't get it, well, you're not going

1267
01:06:04,840 --> 01:06:06,720
Speaker 1: to get what you want. There are guys though, There

1268
01:06:06,800 --> 01:06:10,120
Speaker 1: are guys that will consider this. They will say, she's

1269
01:06:10,160 --> 01:06:12,960
Speaker 1: playing games with me. I mean, I've had I've gotten

1270
01:06:13,080 --> 01:06:14,680
Speaker 1: this is the first time I did something like this,

1271
01:06:14,840 --> 01:06:17,280
Speaker 1: and I've gotten that type of feedback like, nah, you're

1272
01:06:17,320 --> 01:06:19,440
Speaker 1: just playing games, like you know what I want? Cool,

1273
01:06:19,520 --> 01:06:21,680
Speaker 1: you know what I want. So I don't think, well,

1274
01:06:22,000 --> 01:06:24,080
Speaker 1: we see, we know you're not playing games, and you

1275
01:06:24,160 --> 01:06:25,720
Speaker 1: need to be with If you want to be with

1276
01:06:25,760 --> 01:06:26,840
Speaker 1: a guy, you need to be with a guy that

1277
01:06:27,000 --> 01:06:29,800
Speaker 1: understands this is not a game. Kaylee. I love that

1278
01:06:29,840 --> 01:06:31,680
Speaker 1: you called in. Thanks for listening to us on Q

1279
01:06:31,880 --> 01:06:33,680
Speaker 1: ninety four. Did you come up to the Barnes and

1280
01:06:33,720 --> 01:06:34,960
Speaker 1: Noble the other night when I was there with the

1281
01:06:35,200 --> 01:06:38,440
Speaker 1: book signing? I did not get to make it. Um.

1282
01:06:38,520 --> 01:06:42,200
Speaker 1: I actually work in Chesterfield for Chesterfield County Public Schools,

1283
01:06:42,400 --> 01:06:45,120
Speaker 1: but once I'm back in Richmond City for the evening,

1284
01:06:45,480 --> 01:06:47,440
Speaker 1: I have a hard time getting back out. We wait, wait, wait,

1285
01:06:47,560 --> 01:06:50,040
Speaker 1: you're a teacher. Are you a teacher? I'm a school

1286
01:06:50,040 --> 01:06:53,160
Speaker 1: counselor oh god, you're doing God's work. Yes, Hey, thanks

1287
01:06:53,200 --> 01:06:54,960
Speaker 1: for listening. I love that. I love that you're listening

1288
01:06:55,000 --> 01:06:57,959
Speaker 1: to us. Thanks so much. Have a great day. Okay,

1289
01:06:58,000 --> 01:06:59,800
Speaker 1: there you go, Nalla, you got some fans. People are

1290
01:06:59,840 --> 01:07:02,720
Speaker 1: texting in. I mean, I hope they're vocalizing what they

1291
01:07:02,800 --> 01:07:06,640
Speaker 1: want to There's nothing wrong. There's so many people like

1292
01:07:06,760 --> 01:07:09,240
Speaker 1: you know, it could be any Like Scary earlier was

1293
01:07:09,320 --> 01:07:11,880
Speaker 1: talking about going to a restaurant and they bring food

1294
01:07:11,880 --> 01:07:14,240
Speaker 1: out that he doesn't like. He's not gonna say anything

1295
01:07:14,240 --> 01:07:17,120
Speaker 1: because he doesn't want to rock the boat. I'm this, this,

1296
01:07:17,360 --> 01:07:19,520
Speaker 1: this covers. This is an overarching theme here. This is

1297
01:07:19,600 --> 01:07:23,160
Speaker 1: more than just dating. This is whatever you you're served

1298
01:07:23,240 --> 01:07:26,000
Speaker 1: in life. If you don't like how I taste, send

1299
01:07:26,040 --> 01:07:28,479
Speaker 1: it back, send it back. I love that. It's also

1300
01:07:28,600 --> 01:07:30,520
Speaker 1: a way to do it. There's there's a way to

1301
01:07:30,560 --> 01:07:32,200
Speaker 1: do it, Like Scary, there's a way to send your

1302
01:07:32,240 --> 01:07:35,960
Speaker 1: food back without being nasty. I just letting them understand

1303
01:07:36,000 --> 01:07:37,920
Speaker 1: that this is not what I wanted. And this is

1304
01:07:38,000 --> 01:07:40,360
Speaker 1: always afraid they're going to spit in always well in

1305
01:07:40,440 --> 01:07:43,400
Speaker 1: this case here, I think the issue is that rewarded behavior,

1306
01:07:43,880 --> 01:07:46,680
Speaker 1: behavior usually goes you know, you know, they repeat it,

1307
01:07:46,920 --> 01:07:49,240
Speaker 1: so he's probably gotten away with it before. But the

1308
01:07:49,280 --> 01:07:51,240
Speaker 1: fact that you're setting these boundaries is great. I think

1309
01:07:51,320 --> 01:07:53,400
Speaker 1: more people should use your approach. You know, it just

1310
01:07:53,440 --> 01:07:55,520
Speaker 1: sounds like it sounds like training. It sounds like training

1311
01:07:55,560 --> 01:07:58,720
Speaker 1: a dog. Yes, bad bad How dare you want me

1312
01:07:58,760 --> 01:08:03,080
Speaker 1: at your house? Bad? Bad boy? You're right, Elvis, Well,

1313
01:08:03,200 --> 01:08:05,920
Speaker 1: I think Nala's approach is a little a little mark,

1314
01:08:06,080 --> 01:08:08,600
Speaker 1: a little nicer. I try to be kind about it. Hey,

1315
01:08:08,640 --> 01:08:10,240
Speaker 1: I don't want to break your heart. But before you

1316
01:08:10,320 --> 01:08:13,600
Speaker 1: break mind, these are my boundaries. So I got Steve. Hi, Steve,

1317
01:08:13,760 --> 01:08:17,880
Speaker 1: how's it going? Hi? Guys, we'll say good morning to Nala,

1318
01:08:17,960 --> 01:08:19,560
Speaker 1: and what do you want to add to the conversation?

1319
01:08:20,640 --> 01:08:25,519
Speaker 1: Good morning, Nala, good morning, and maybe offer a guy's

1320
01:08:25,560 --> 01:08:31,280
Speaker 1: prospective on the whole dating and going out and oftentimes

1321
01:08:31,320 --> 01:08:35,040
Speaker 1: as a guy, we don't necessarily always know what it

1322
01:08:35,200 --> 01:08:37,679
Speaker 1: is that you want. And maybe he was just presenting

1323
01:08:38,000 --> 01:08:41,080
Speaker 1: a solution to get you guys out together. And if

1324
01:08:41,439 --> 01:08:43,920
Speaker 1: if you wanted to go out, maybe you should have

1325
01:08:44,040 --> 01:08:46,200
Speaker 1: offered that to him, to take to him. I say, hey,

1326
01:08:46,280 --> 01:08:49,120
Speaker 1: why don't we go out and do something? And then

1327
01:08:49,160 --> 01:08:52,120
Speaker 1: maybe that would have gotten you what you wanted. I

1328
01:08:52,240 --> 01:08:55,639
Speaker 1: think I agree it's an extent only because in my situation,

1329
01:08:55,720 --> 01:08:58,680
Speaker 1: he knows what I want like you. I feel like

1330
01:08:58,760 --> 01:09:01,479
Speaker 1: before you said boundaries. You need to present why you're

1331
01:09:01,479 --> 01:09:04,240
Speaker 1: setting the boundaries. So you know what I want, and

1332
01:09:04,880 --> 01:09:07,600
Speaker 1: there's there's only so many ways I'm willing to compromise that,

1333
01:09:07,760 --> 01:09:10,599
Speaker 1: And so I agree, Like maybe I could have asked

1334
01:09:10,680 --> 01:09:13,040
Speaker 1: him out, but that's not what I want, Like I

1335
01:09:13,080 --> 01:09:16,080
Speaker 1: don't you know, there's nothing wrong with that, nothing wrong,

1336
01:09:16,160 --> 01:09:18,080
Speaker 1: But I agree the tables could be turned and they

1337
01:09:18,120 --> 01:09:21,680
Speaker 1: could go that way too. Yeah, it's confusing. You know,

1338
01:09:21,800 --> 01:09:24,400
Speaker 1: he might even be actipated by you a little bit, maybe,

1339
01:09:24,520 --> 01:09:25,960
Speaker 1: But you know what, and this is the thing. You

1340
01:09:26,000 --> 01:09:28,559
Speaker 1: know what I think of relationships, even from the beginning

1341
01:09:28,600 --> 01:09:31,120
Speaker 1: to the very end. It's like driving down the highway.

1342
01:09:31,120 --> 01:09:32,960
Speaker 1: You have two lanes. Either you're in the same lane,

1343
01:09:33,080 --> 01:09:35,240
Speaker 1: or you're next to each other, or you're not anywhere

1344
01:09:35,320 --> 01:09:39,640
Speaker 1: near each other. Sometimes you merge exactly anyway. So it's

1345
01:09:40,000 --> 01:09:43,880
Speaker 1: it is, it's it's a challenge for both members of

1346
01:09:44,000 --> 01:09:48,280
Speaker 1: any relationship. That's that's a relationship. That's why communication is

1347
01:09:48,360 --> 01:09:52,639
Speaker 1: so important, Like open honest communication. Games are just so stupid.

1348
01:09:52,960 --> 01:09:57,280
Speaker 1: They just put them down on the head. That's like

1349
01:09:57,439 --> 01:10:00,320
Speaker 1: you said, the main point, all right, Steve, thanks for

1350
01:10:00,360 --> 01:10:02,719
Speaker 1: listening to us. That's the thing, you know, just because

1351
01:10:02,800 --> 01:10:04,640
Speaker 1: you're setting boundaries doesn't mean you're doing it to be

1352
01:10:05,080 --> 01:10:07,640
Speaker 1: in control. Yeah. I think that's why he was so

1353
01:10:08,040 --> 01:10:10,519
Speaker 1: fine with daily Yeah, fine, where you want to go? Like,

1354
01:10:11,280 --> 01:10:14,479
Speaker 1: because he he communicated what he wanted as well, and

1355
01:10:14,640 --> 01:10:17,600
Speaker 1: so you can't get mad at me for setting my boundaries.

1356
01:10:17,720 --> 01:10:22,719
Speaker 1: I found a okay compromise. So well, communication is keyn.

1357
01:10:23,000 --> 01:10:24,679
Speaker 1: You threw him the ball. Let's see how he runs

1358
01:10:24,720 --> 01:10:27,360
Speaker 1: with it. Okay, because you updated, Because when you told

1359
01:10:27,439 --> 01:10:30,040
Speaker 1: him what you wanted, he actually got to know you

1360
01:10:30,320 --> 01:10:31,880
Speaker 1: a little bit there, and so I hope he doesn't

1361
01:10:31,920 --> 01:10:36,240
Speaker 1: throw that away. Nala the intern, she is fabulous. Title

1362
01:10:36,720 --> 01:10:42,880
Speaker 1: you guys. I love that, And there you go. Ye, sorry, Max,

1363
01:10:42,920 --> 01:10:45,400
Speaker 1: get out of her way. We have Nallowed the intern

1364
01:10:45,479 --> 01:10:48,000
Speaker 1: and Max the Schnauzer. Our interns smells they all have

1365
01:10:48,080 --> 01:10:50,559
Speaker 1: the nicest perfection. She could be sniffing our intern. Yeah

1366
01:10:50,920 --> 01:10:53,439
Speaker 1: it smells good. Okay. So I'm watching the flurry of

1367
01:10:53,479 --> 01:10:56,000
Speaker 1: activity going on out there, tones and I is coming

1368
01:10:56,040 --> 01:10:58,000
Speaker 1: in and I gotta say, waking up in the middle

1369
01:10:58,000 --> 01:11:00,640
Speaker 1: of the night and rolling into a radio station to

1370
01:11:00,760 --> 01:11:03,439
Speaker 1: perform that's got to be quite a challenge. Yes, I

1371
01:11:03,479 --> 01:11:04,960
Speaker 1: mean we can do it, but we're not singing. No,

1372
01:11:05,240 --> 01:11:08,639
Speaker 1: you know what I'm saying. I get supposedly when performers

1373
01:11:08,680 --> 01:11:10,720
Speaker 1: always tell us that this time of morning is the

1374
01:11:10,800 --> 01:11:13,559
Speaker 1: hardest to sing. Right, And we have a keyboard in here.

1375
01:11:13,560 --> 01:11:18,200
Speaker 1: It is it working? We haven't sound checked yet. Oh no,

1376
01:11:18,439 --> 01:11:27,200
Speaker 1: he's gonna it's gonna tickle the ivory. Oh gosh, do

1377
01:11:27,280 --> 01:11:29,160
Speaker 1: you know how to play? Let me give you the

1378
01:11:29,240 --> 01:11:40,960
Speaker 1: headphones aren't working? You to play the keyboard? It works,

1379
01:11:41,040 --> 01:11:44,519
Speaker 1: it works, it works. We're good. Well. El wow, I've

1380
01:11:44,640 --> 01:11:47,160
Speaker 1: never ever ever heard you play the piano before. Why

1381
01:11:47,200 --> 01:11:51,760
Speaker 1: do you yell? Uh? It's just it's a piano. Can

1382
01:11:51,840 --> 01:11:54,000
Speaker 1: I say? You actually look really good behind it with

1383
01:11:54,080 --> 01:11:56,559
Speaker 1: your leather jacket on. You're very comfortable. It looks good.

1384
01:11:58,360 --> 01:12:01,000
Speaker 1: I feel like I'm I'm I'm so ing her keyboards

1385
01:12:02,040 --> 01:12:04,200
Speaker 1: like something else. Go ahead, I will tell you, okay,

1386
01:12:04,360 --> 01:12:05,680
Speaker 1: I will tell you. When I was a kid, I

1387
01:12:05,800 --> 01:12:08,200
Speaker 1: used to play by ear right. I could play any song.

1388
01:12:08,280 --> 01:12:11,240
Speaker 1: I could hear any song and play it. And then

1389
01:12:11,320 --> 01:12:14,320
Speaker 1: when I took piano lessons, I couldn't do it anymore.

1390
01:12:14,840 --> 01:12:16,760
Speaker 1: I should have just just give me a song and

1391
01:12:16,760 --> 01:12:19,519
Speaker 1: I'll try to play it. I have a heart and soul. Oh,

1392
01:12:19,640 --> 01:12:58,400
Speaker 1: please give me a song. Oh, work a song anyway.

1393
01:12:59,000 --> 01:13:01,439
Speaker 1: I just get that funny how you grow up learning

1394
01:13:02,240 --> 01:13:04,519
Speaker 1: through your own intuition and how your brain is wired

1395
01:13:04,560 --> 01:13:06,920
Speaker 1: how to do something, and then when someone else tells

1396
01:13:06,920 --> 01:13:09,839
Speaker 1: you how to do it, it totally goes away. That's crazy.

1397
01:13:10,120 --> 01:13:12,760
Speaker 1: I've known you almost fifteen years. I had no idea

1398
01:13:12,840 --> 01:13:15,720
Speaker 1: you could play piano. Well, you just basically heard the

1399
01:13:15,760 --> 01:13:19,000
Speaker 1: best of the best. I'm not great at it. I

1400
01:13:19,040 --> 01:13:21,840
Speaker 1: can I can read music in uh you know a

1401
01:13:21,920 --> 01:13:24,519
Speaker 1: little bit. But I'll tell you Tones and I coming

1402
01:13:24,560 --> 01:13:29,200
Speaker 1: in with a real, a real keyboard perfectionist. Yeah, we

1403
01:13:29,320 --> 01:13:32,639
Speaker 1: were just so much of rank amateurs, more rank than anything.

1404
01:13:33,280 --> 01:13:36,760
Speaker 1: So excited. Tones all right, Well today this sounds like

1405
01:13:36,840 --> 01:13:41,720
Speaker 1: a Friday by the Bright. Daniel. Hey, this is Dan

1406
01:13:41,800 --> 01:13:51,200
Speaker 1: and Shay sponsored by State Farm. Talk to an agent

1407
01:13:51,320 --> 01:13:54,160
Speaker 1: today about combining your home and auto insurance at one

1408
01:13:54,240 --> 01:13:57,280
Speaker 1: eight hundred State Farm or by visiting state Farm dot com.

1409
01:14:07,160 --> 01:14:10,200
Speaker 1: So Tones and I coming in not a story? Yeah,

1410
01:14:10,520 --> 01:14:12,200
Speaker 1: she has an amazing story. And you know this is

1411
01:14:12,280 --> 01:14:14,559
Speaker 1: why we love when the artists come to visit us,

1412
01:14:14,600 --> 01:14:16,360
Speaker 1: because you can hear their music and love it like

1413
01:14:16,520 --> 01:14:19,080
Speaker 1: dance monkey please, I mean, what a huge song that

1414
01:14:19,360 --> 01:14:21,720
Speaker 1: was everywhere. But when you hear her story behind where

1415
01:14:21,760 --> 01:14:23,880
Speaker 1: it came from, yeah, it changes the sound of the song.

1416
01:14:24,040 --> 01:14:25,920
Speaker 1: It really does. I remember my son coming to me

1417
01:14:26,000 --> 01:14:28,160
Speaker 1: and saying, Mom, you got to hear this song dance Monkey,

1418
01:14:28,160 --> 01:14:30,120
Speaker 1: and I actually brought it into Nate like months and

1419
01:14:30,200 --> 01:14:33,439
Speaker 1: months ago, and all the kids were doing it on TikTok. Right,

1420
01:14:33,479 --> 01:14:36,120
Speaker 1: it's like the biggest thing. And he was. He said

1421
01:14:36,120 --> 01:14:37,680
Speaker 1: to me to day, I'll cut school to come and

1422
01:14:37,760 --> 01:14:42,080
Speaker 1: meet her. I'm like, no, your tone a school today? Sorry? Sorry? Anyway,

1423
01:14:42,120 --> 01:14:44,600
Speaker 1: Tones and I were working on some technical stuff on

1424
01:14:44,760 --> 01:14:49,720
Speaker 1: the way in. Let's just bring your in. Well, I

1425
01:14:49,840 --> 01:14:51,760
Speaker 1: can't hear what you're saying on the other side of

1426
01:14:51,800 --> 01:14:55,559
Speaker 1: the sound. Bring her in. I'm want to talk to her,

1427
01:14:55,600 --> 01:14:58,200
Speaker 1: Tones and I yeah, yeah, you're here. She just went

1428
01:14:58,280 --> 01:15:03,559
Speaker 1: to a Nation Basketball Association game last night? Were the nets?

1429
01:15:04,000 --> 01:15:06,000
Speaker 1: Yeah it was my first NBA game. What do you

1430
01:15:06,080 --> 01:15:09,640
Speaker 1: think did you play? Or yeah? I did that? But

1431
01:15:09,720 --> 01:15:13,000
Speaker 1: they subbed me straight away, So how was it? It

1432
01:15:13,120 --> 01:15:15,559
Speaker 1: was really fun. Um, it's probably the coolest thing I've

1433
01:15:15,560 --> 01:15:18,320
Speaker 1: ever been through. I grew up playing basketball, so um

1434
01:15:18,560 --> 01:15:20,160
Speaker 1: that was for me was like you only see that

1435
01:15:20,280 --> 01:15:22,600
Speaker 1: on TV. See that's the thing. When you see a

1436
01:15:22,680 --> 01:15:25,519
Speaker 1: basketball game with the professional players on TV, it's great,

1437
01:15:25,600 --> 01:15:28,840
Speaker 1: but when you're there and you see how monstrous they

1438
01:15:28,880 --> 01:15:30,559
Speaker 1: are and how they look at each other in their eyes,

1439
01:15:30,600 --> 01:15:34,320
Speaker 1: and yeah, it's intense. Yeah it is. It's Um, it's

1440
01:15:34,360 --> 01:15:36,600
Speaker 1: definitely experiencing something I want to do heaps more now

1441
01:15:36,680 --> 01:15:38,880
Speaker 1: that I'm over here for a while. So do you

1442
01:15:38,960 --> 01:15:40,640
Speaker 1: have a list of things? Hey, I'm in America. I

1443
01:15:40,680 --> 01:15:43,200
Speaker 1: have a list of things I want to do. So okay, done, done?

1444
01:15:43,280 --> 01:15:46,240
Speaker 1: Basketball game out? Yeah, what's next? Um? I want to

1445
01:15:46,280 --> 01:15:48,400
Speaker 1: go to a baseball game because we don't really even

1446
01:15:48,520 --> 01:15:51,160
Speaker 1: have baseball in Australia, so like that's going to be huge,

1447
01:15:51,280 --> 01:15:55,000
Speaker 1: like something that I've never experienced before. I'll recommend a

1448
01:15:55,040 --> 01:15:57,519
Speaker 1: good team for you, the New York Yankees, a good

1449
01:15:57,560 --> 01:15:59,519
Speaker 1: game to go to. You see, we have the Yankees

1450
01:15:59,560 --> 01:16:01,760
Speaker 1: in the mat. She's a Yankees fan. These guys are

1451
01:16:01,840 --> 01:16:06,880
Speaker 1: Mets fans, so they hate they really do. Hey, so

1452
01:16:07,000 --> 01:16:09,960
Speaker 1: let's talk about We'll start with Dance Monkey. I'm sure

1453
01:16:10,200 --> 01:16:12,760
Speaker 1: you've played this song more than you probably want to

1454
01:16:12,800 --> 01:16:18,439
Speaker 1: play it. I don't know, but it exploded online. Everyone

1455
01:16:18,560 --> 01:16:22,120
Speaker 1: just fell in love with it. I mean, what do

1456
01:16:22,200 --> 01:16:26,320
Speaker 1: you still can you grasp how huge that song has

1457
01:16:26,360 --> 01:16:30,679
Speaker 1: become yet? No, I actually haven't. It's hard to really

1458
01:16:31,000 --> 01:16:34,880
Speaker 1: understand yet. Sometimes I really think a little bit and

1459
01:16:34,960 --> 01:16:37,759
Speaker 1: I can kind of start too. But if I'm honest

1460
01:16:37,800 --> 01:16:41,439
Speaker 1: with myself, like no, I actually haven't realized yet, what's

1461
01:16:41,479 --> 01:16:45,280
Speaker 1: even happened, it's happening. Yeah, yeah, I mean, here you

1462
01:16:45,360 --> 01:16:49,240
Speaker 1: are in New York going to National Basketball Associates NBA

1463
01:16:49,400 --> 01:16:54,280
Speaker 1: games and arguably the biggest show in radio. We begged

1464
01:16:54,280 --> 01:16:56,920
Speaker 1: you to come up today and you said, okay, I

1465
01:16:57,040 --> 01:17:01,080
Speaker 1: love it. So with the success of Dance, now you're like,

1466
01:17:01,400 --> 01:17:04,400
Speaker 1: what's next? I mean, how does an artist like you,

1467
01:17:04,600 --> 01:17:06,600
Speaker 1: how do you plan on moving forward? Do you have

1468
01:17:06,640 --> 01:17:08,920
Speaker 1: another album ready to put out? I mean, are you

1469
01:17:09,040 --> 01:17:12,240
Speaker 1: already writing songs? Yeah? So, I've I've almost finished my

1470
01:17:12,320 --> 01:17:16,519
Speaker 1: debut album, and I'd probably say there's like a few

1471
01:17:16,560 --> 01:17:18,360
Speaker 1: songs that need to be fully finished, but I'm going

1472
01:17:18,400 --> 01:17:21,760
Speaker 1: to drop a few songs early, so really soon, just

1473
01:17:22,160 --> 01:17:23,960
Speaker 1: because I didn't want to wait till the whole album

1474
01:17:24,120 --> 01:17:26,479
Speaker 1: was done to drop some music, right, because you don't

1475
01:17:26,520 --> 01:17:28,120
Speaker 1: have to do it that way anymore. They used to

1476
01:17:28,160 --> 01:17:30,439
Speaker 1: do that back in the order, and now you just

1477
01:17:30,560 --> 01:17:32,640
Speaker 1: drop the songs as you want to drop them. Yeah, like,

1478
01:17:33,000 --> 01:17:35,439
Speaker 1: for instance, never Seen the Rain the lyrics by the

1479
01:17:35,520 --> 01:17:38,800
Speaker 1: way to never See the Rain. What a fantastic story?

1480
01:17:38,920 --> 01:17:40,920
Speaker 1: Is that really sort of a story of one of

1481
01:17:41,000 --> 01:17:44,840
Speaker 1: your life perspectives? Yeah, definitely. I lived like that. I

1482
01:17:44,960 --> 01:17:47,639
Speaker 1: lived in a way whereas like it was just comfortable

1483
01:17:47,720 --> 01:17:49,400
Speaker 1: what I was doing. I worked in retail, I was

1484
01:17:49,520 --> 01:17:52,680
Speaker 1: getting by, I could pay rent and stuff, but I

1485
01:17:52,840 --> 01:17:55,960
Speaker 1: wasn't really doing anything I wanted to do so. But

1486
01:17:56,040 --> 01:17:58,400
Speaker 1: you were out on the streets. You're out in public

1487
01:17:58,479 --> 01:18:00,920
Speaker 1: just performing for people, just walk, can buy. But that

1488
01:18:01,080 --> 01:18:03,479
Speaker 1: was like me when I decided to move out of

1489
01:18:03,520 --> 01:18:06,880
Speaker 1: that comfortable space and live in my van and move

1490
01:18:06,960 --> 01:18:09,519
Speaker 1: to buy and bait and be a street performer, that

1491
01:18:09,600 --> 01:18:13,760
Speaker 1: was me like after the fact and like actually doing

1492
01:18:13,840 --> 01:18:16,360
Speaker 1: something about about it. You know, did you find that,

1493
01:18:16,360 --> 01:18:21,120
Speaker 1: I mean, being frightened was actually a great thing sometimes? Yeah. Absolutely.

1494
01:18:21,560 --> 01:18:24,880
Speaker 1: People are nervous to be uncomfortable. I think like I

1495
01:18:24,960 --> 01:18:28,439
Speaker 1: had my biggest like feelings of happiness after I did

1496
01:18:28,520 --> 01:18:31,360
Speaker 1: things that really scared me. Um, what's that saying? Like

1497
01:18:31,520 --> 01:18:34,840
Speaker 1: the biggest sense of happiness is on the other side

1498
01:18:34,840 --> 01:18:38,240
Speaker 1: of fear. I see that, you know, and I always

1499
01:18:38,240 --> 01:18:42,439
Speaker 1: say there's a thin line between being afraid and being excited. Yeah,

1500
01:18:42,479 --> 01:18:44,400
Speaker 1: I mean, are you afraid to be this? Is this

1501
01:18:44,479 --> 01:18:46,400
Speaker 1: fearful for you? Sitting in front of a microphone? I mean,

1502
01:18:46,439 --> 01:18:48,360
Speaker 1: are you used to this? It's not like it's not

1503
01:18:48,520 --> 01:18:51,360
Speaker 1: the most comfortable thing. Um, but I do enjoy it.

1504
01:18:51,479 --> 01:18:55,120
Speaker 1: And like I don't like freak out or anything, but

1505
01:18:55,200 --> 01:18:57,680
Speaker 1: I used to, Yeah, just to have interviews. Oh, come on,

1506
01:18:57,760 --> 01:19:01,680
Speaker 1: freak out. Let's you know. If you melt down, I'll

1507
01:19:01,760 --> 01:19:04,599
Speaker 1: melt down. Held down. We've actually made a living out

1508
01:19:04,640 --> 01:19:06,400
Speaker 1: of melting down. And here every time, I want to

1509
01:19:06,439 --> 01:19:08,960
Speaker 1: know how one goes from busking from like street performing

1510
01:19:09,280 --> 01:19:13,479
Speaker 1: to recording a single, like how like where did the

1511
01:19:13,960 --> 01:19:17,680
Speaker 1: two meet? Um? So I was playing dance monkey on

1512
01:19:17,760 --> 01:19:21,640
Speaker 1: the street for like four months and uh, and I

1513
01:19:21,840 --> 01:19:24,519
Speaker 1: didn't want to release the song. I was like saving

1514
01:19:24,600 --> 01:19:27,479
Speaker 1: up money to record, but I was like adamant that

1515
01:19:27,520 --> 01:19:29,360
Speaker 1: I would not release a song until I had like

1516
01:19:29,479 --> 01:19:32,960
Speaker 1: ten thousand followers from busking. So from those genuine experience

1517
01:19:33,439 --> 01:19:36,640
Speaker 1: face to face with other people to them release my

1518
01:19:36,680 --> 01:19:39,200
Speaker 1: first song because then I had enough followers for something

1519
01:19:39,280 --> 01:19:41,679
Speaker 1: to actually come of it. Maybe instead of just being

1520
01:19:42,120 --> 01:19:44,360
Speaker 1: a person that released something they wrote in their room

1521
01:19:44,400 --> 01:19:46,760
Speaker 1: one night and released it the next morning. Wow. How

1522
01:19:46,880 --> 01:19:49,200
Speaker 1: much money do you have to save to record a song?

1523
01:19:49,280 --> 01:19:51,880
Speaker 1: I mean, we have no clue how that works. It's

1524
01:19:52,160 --> 01:19:54,519
Speaker 1: is it really costly? Well? I wrote dance Monkey on

1525
01:19:54,600 --> 01:20:00,240
Speaker 1: my own and cost me eight hundred dollars to record it. Wow. Wow, Wow,

1526
01:20:01,240 --> 01:20:04,240
Speaker 1: it sounds like a bargain. There was a lot of

1527
01:20:04,320 --> 01:20:06,200
Speaker 1: money at the time, you know what I mean? Okay,

1528
01:20:06,240 --> 01:20:08,519
Speaker 1: So in a day you would you would be standing

1529
01:20:09,000 --> 01:20:11,800
Speaker 1: on the street or on the sidewalk people walking by,

1530
01:20:11,960 --> 01:20:15,840
Speaker 1: enjoying life. How like, what was it like a good

1531
01:20:16,040 --> 01:20:20,679
Speaker 1: daily intake of cash? Um? Well news eve. One time

1532
01:20:21,280 --> 01:20:24,479
Speaker 1: I made like a thousand dollars um. But that's only

1533
01:20:24,520 --> 01:20:27,599
Speaker 1: because I was selling demo CDs. But then just busking

1534
01:20:27,800 --> 01:20:30,880
Speaker 1: like for tips. I don't know. I guess if you

1535
01:20:31,000 --> 01:20:33,720
Speaker 1: bust every single day for six hours, you could you know,

1536
01:20:34,080 --> 01:20:36,200
Speaker 1: I could earn sometimes more than I was in retail,

1537
01:20:36,200 --> 01:20:37,960
Speaker 1: and sometimes I could earn way less and just have

1538
01:20:38,120 --> 01:20:39,840
Speaker 1: enough for food and put a bit of petrol in

1539
01:20:39,920 --> 01:20:42,400
Speaker 1: my van. Wow. Did anybody ever come and give you

1540
01:20:42,479 --> 01:20:45,479
Speaker 1: like a like a big tip? Yeah? One time one

1541
01:20:45,720 --> 01:20:48,000
Speaker 1: a guy like waved one hundred dollars in front of

1542
01:20:48,080 --> 01:20:52,599
Speaker 1: my bucket, and everyone was like, do it really? Drunk?

1543
01:20:52,720 --> 01:20:54,600
Speaker 1: So like the crowd egged him on to do it,

1544
01:20:54,800 --> 01:20:56,360
Speaker 1: and I was like, as soon as he did it,

1545
01:20:56,400 --> 01:20:57,920
Speaker 1: I looked at one of my friends, like, take that

1546
01:20:57,960 --> 01:21:00,519
Speaker 1: out now and put it in your pocket. Exactly. I

1547
01:21:00,520 --> 01:21:04,880
Speaker 1: don't trust these people, Exactly. I must assume that. You know,

1548
01:21:05,439 --> 01:21:08,080
Speaker 1: having someone give you money for your performance is one thing,

1549
01:21:08,320 --> 01:21:10,400
Speaker 1: but having someone look you in the eye and say, hey,

1550
01:21:10,479 --> 01:21:15,479
Speaker 1: you know what, you really have something here. Do you

1551
01:21:15,560 --> 01:21:21,679
Speaker 1: remember ever ever being totally totally shocked at someone looking

1552
01:21:21,720 --> 01:21:25,439
Speaker 1: at you saying, hey, you really, you really have something here.

1553
01:21:25,760 --> 01:21:28,040
Speaker 1: You've got a future in this. You got to keep

1554
01:21:28,160 --> 01:21:32,080
Speaker 1: doing this. Was there ever a person you wish you

1555
01:21:32,160 --> 01:21:33,760
Speaker 1: could call right now and say, hey, thank you, you

1556
01:21:33,840 --> 01:21:36,839
Speaker 1: actually pushed me over the edge. Um, well, my manager

1557
01:21:36,920 --> 01:21:38,799
Speaker 1: that I have right now found me on the street,

1558
01:21:39,000 --> 01:21:43,240
Speaker 1: so him. But he's still my manager, so I'll call

1559
01:21:43,360 --> 01:21:46,800
Speaker 1: him and tell him this after the interview. But yeah,

1560
01:21:47,000 --> 01:21:49,599
Speaker 1: I would say him for sure. A lot of other

1561
01:21:49,640 --> 01:21:52,920
Speaker 1: people were just mainly just drunk people that were like, oh,

1562
01:21:53,160 --> 01:21:57,880
Speaker 1: you are one of the best buskers I've ever seen.

1563
01:21:58,920 --> 01:22:03,360
Speaker 1: Good on your mate, it is yea And by the

1564
01:22:03,439 --> 01:22:05,519
Speaker 1: way For the record, I'm I'm as drunk as hell

1565
01:22:05,640 --> 01:22:09,200
Speaker 1: right now. I think you're fabulous. I live. I don't

1566
01:22:09,240 --> 01:22:11,800
Speaker 1: know what it's like to be sober, but I just

1567
01:22:12,160 --> 01:22:14,320
Speaker 1: you know what, you know, We've had so many artists

1568
01:22:14,400 --> 01:22:17,519
Speaker 1: sit in this chair and to hear their story. And

1569
01:22:17,560 --> 01:22:20,600
Speaker 1: I was saying this earlier. It changes the music. You know,

1570
01:22:20,640 --> 01:22:22,800
Speaker 1: we used to live in a world where Uh, an

1571
01:22:22,880 --> 01:22:25,080
Speaker 1: artist would put out a song and say, you know what,

1572
01:22:26,840 --> 01:22:29,799
Speaker 1: however you want to interpret this song, it's your story.

1573
01:22:30,320 --> 01:22:32,400
Speaker 1: Just you know, you apply your life to my my

1574
01:22:33,120 --> 01:22:35,680
Speaker 1: my story that I wrote. No, I would rather hear

1575
01:22:35,800 --> 01:22:38,200
Speaker 1: your story. But why you wrote a song where it

1576
01:22:38,280 --> 01:22:40,719
Speaker 1: comes from? Because that makes it unique, It makes it special.

1577
01:22:41,040 --> 01:22:44,920
Speaker 1: For instance, uh, never Seen the Rain. If you look

1578
01:22:44,960 --> 01:22:46,640
Speaker 1: at the lyrics of this song, it's like, you know,

1579
01:22:46,960 --> 01:22:50,559
Speaker 1: there's a I'm assuming you grow up in this world

1580
01:22:51,120 --> 01:22:55,880
Speaker 1: where you know you're you're, you're, you're you're not living fully,

1581
01:22:55,920 --> 01:22:59,160
Speaker 1: you're not seeing everything, You're not seeing the full picture

1582
01:22:59,240 --> 01:23:01,720
Speaker 1: because you're holding yourself back a little, or others are

1583
01:23:01,760 --> 01:23:05,720
Speaker 1: holding These lyrics are about yeah, and how is it

1584
01:23:05,760 --> 01:23:07,720
Speaker 1: ap play to you? Well? I mean I think that

1585
01:23:08,120 --> 01:23:10,160
Speaker 1: the song I wrote was like, you know, you're just

1586
01:23:10,320 --> 01:23:13,400
Speaker 1: coasting by. It's not a story about a really, really

1587
01:23:13,520 --> 01:23:18,559
Speaker 1: hard life. It's a story about not pushing yourself because

1588
01:23:19,320 --> 01:23:22,519
Speaker 1: enough is okay for you and being one of those people.

1589
01:23:22,880 --> 01:23:27,800
Speaker 1: So you haven't experienced true pain and true loss, but

1590
01:23:27,920 --> 01:23:30,760
Speaker 1: you haven't experienced anything great either, so you kind of

1591
01:23:30,840 --> 01:23:33,719
Speaker 1: just stayed on that line of being comfortable, never really

1592
01:23:33,800 --> 01:23:39,040
Speaker 1: really happy and never horribly sad. And then, um, and

1593
01:23:39,200 --> 01:23:41,479
Speaker 1: I guess the rain, sometimes we dance in it, and

1594
01:23:41,600 --> 01:23:44,320
Speaker 1: sometimes we hate it, and I feel like, you know

1595
01:23:44,520 --> 01:23:46,760
Speaker 1: it kind of in this sense is a good and

1596
01:23:46,880 --> 01:23:50,080
Speaker 1: a bad thing. And Um, the way I see it

1597
01:23:50,280 --> 01:23:53,800
Speaker 1: is like I took that chance to live in my

1598
01:23:53,920 --> 01:23:56,080
Speaker 1: car and be a street before mine, and I'd made

1599
01:23:56,120 --> 01:23:59,479
Speaker 1: that decision. That's not something that just happened by by fault.

1600
01:24:00,200 --> 01:24:03,719
Speaker 1: And by that I was uncomfortable. I wasn't living comfortably,

1601
01:24:03,880 --> 01:24:05,560
Speaker 1: but it was the best time in my life. And

1602
01:24:05,640 --> 01:24:08,479
Speaker 1: then I've lived three separate, very separate lives in the

1603
01:24:08,560 --> 01:24:10,920
Speaker 1: last two years. I've worked nine to five in retail,

1604
01:24:11,040 --> 01:24:13,720
Speaker 1: paid rent, lived with my friends in Melbourne. Then I've

1605
01:24:13,760 --> 01:24:15,400
Speaker 1: lived out of my car in Byron Bay in a

1606
01:24:15,479 --> 01:24:18,679
Speaker 1: small coastal town and bus for money. And now I'm here,

1607
01:24:19,320 --> 01:24:21,360
Speaker 1: so you know, it's just like if I never took

1608
01:24:21,439 --> 01:24:24,479
Speaker 1: that chance, then you know those last two things would

1609
01:24:24,479 --> 01:24:26,120
Speaker 1: have never have happened and I'd just be living that

1610
01:24:26,240 --> 01:24:28,760
Speaker 1: safe life. I'm gonna play it for you. You want

1611
01:24:28,760 --> 01:24:30,960
Speaker 1: to hear it. Never seen the rain tones and I

1612
01:24:41,680 --> 01:24:47,400
Speaker 1: oh your life now, you couldn't been mad about it.

1613
01:24:51,360 --> 01:24:58,320
Speaker 1: You've been sitting sitting, Oh, you couldn't mean said about it,

1614
01:25:01,680 --> 01:25:07,000
Speaker 1: and there's been no all the time. And you haven't

1615
01:25:07,040 --> 01:25:14,640
Speaker 1: lived with eye either either. You a shining and shining

1616
01:25:15,479 --> 01:25:22,320
Speaker 1: seems so that your life you'll find it. No, own,

1617
01:25:22,560 --> 01:25:32,800
Speaker 1: but you'll never No, you'll never see the rain, mom, own,

1618
01:25:33,000 --> 01:25:41,320
Speaker 1: but you'll never no, you'll never see you down. So

1619
01:25:41,680 --> 01:25:47,120
Speaker 1: gay you've been forth find how you feel the pain,

1620
01:25:48,439 --> 01:25:54,000
Speaker 1: and when you're gone, just be no mabey because you're

1621
01:25:54,040 --> 01:26:10,759
Speaker 1: never alone, sing listening, ring, never may by the cold

1622
01:26:12,320 --> 01:26:21,360
Speaker 1: dark nighting. No one's trying to find. Just you're just coasting,

1623
01:26:21,760 --> 01:26:30,400
Speaker 1: coasting by because nothing seems some by. No. Oh, but

1624
01:26:30,840 --> 01:26:40,880
Speaker 1: you'll never No, you'll never see rain mom, mom, but

1625
01:26:41,320 --> 01:26:49,759
Speaker 1: you'll never know. You'll never see you down. For game

1626
01:26:51,080 --> 01:26:56,320
Speaker 1: you've been most buy how you feel the pain, and

1627
01:26:56,560 --> 01:27:01,599
Speaker 1: when you're bone just lean on me, baby, baby, because

1628
01:27:01,680 --> 01:27:18,439
Speaker 1: you're not right. Another ring ring and it gets you down.

1629
01:27:20,120 --> 01:27:25,559
Speaker 1: That's so gay. You've been push well, oh you'll feel

1630
01:27:25,640 --> 01:27:32,920
Speaker 1: the pain. And when you'll phone, just lean normaby because

1631
01:27:32,960 --> 01:27:37,679
Speaker 1: you've never knowne ne versing the verse, well, no verse,

1632
01:27:38,240 --> 01:27:50,439
Speaker 1: the raining raining another raining ruin homes an eye there

1633
01:27:50,479 --> 01:27:52,120
Speaker 1: you go, never seen the rain. And as soon as

1634
01:27:52,160 --> 01:27:53,880
Speaker 1: I hit the button, she looked up and said, oh

1635
01:27:53,920 --> 01:27:56,519
Speaker 1: my god, that's my favorite song. She said, thank you

1636
01:27:56,560 --> 01:27:59,280
Speaker 1: so much for playing this good. I'm glad we had

1637
01:27:59,320 --> 01:28:01,800
Speaker 1: we We hit the right we hit the right nerve

1638
01:28:01,840 --> 01:28:08,479
Speaker 1: to that. That's good. Yeah, why is your favorite song? Um? Well,

1639
01:28:09,560 --> 01:28:11,160
Speaker 1: all my best friends are on the track when it

1640
01:28:11,240 --> 01:28:12,920
Speaker 1: sounds like there's a choir at the end, they're just

1641
01:28:13,000 --> 01:28:14,920
Speaker 1: all my best friends and not even singers. They were

1642
01:28:15,000 --> 01:28:16,799
Speaker 1: my friends from Barron then I met at the hostel.

1643
01:28:17,640 --> 01:28:21,080
Speaker 1: Um also, I just um, I just feel like it's

1644
01:28:21,120 --> 01:28:24,000
Speaker 1: got a little bit more emotion and dance monkey I

1645
01:28:24,080 --> 01:28:26,800
Speaker 1: wrote in such a high tone for my voice that

1646
01:28:26,960 --> 01:28:28,960
Speaker 1: I don't really get to play around with it vocally.

1647
01:28:29,000 --> 01:28:31,360
Speaker 1: It just has to be sung there every time. But

1648
01:28:31,479 --> 01:28:33,720
Speaker 1: that one just gives me more freedom and it's more

1649
01:28:33,800 --> 01:28:36,400
Speaker 1: like about my life as a whole. Ways, like some

1650
01:28:36,560 --> 01:28:38,639
Speaker 1: other songs are about either a story about someone else

1651
01:28:38,840 --> 01:28:43,560
Speaker 1: or a specific moment, right, And we're saying also that

1652
01:28:43,920 --> 01:28:45,639
Speaker 1: you know, if you're listening to the to the lyrics

1653
01:28:45,680 --> 01:28:48,800
Speaker 1: of that song, maybe you're living that life where you're

1654
01:28:48,840 --> 01:28:50,599
Speaker 1: the highs and the lows are kind of chopped off

1655
01:28:50,600 --> 01:28:54,720
Speaker 1: and you're just living this middle ground safe. Yeah. I

1656
01:28:54,840 --> 01:28:57,840
Speaker 1: have just no emotion, either good or bad kind of life.

1657
01:28:58,320 --> 01:28:59,840
Speaker 1: Just said he saw the video and it made him

1658
01:29:00,080 --> 01:29:03,439
Speaker 1: Hi good. I like you when you cry emotion. This

1659
01:29:03,520 --> 01:29:05,680
Speaker 1: guy he's only forty years old and he's had two

1660
01:29:05,760 --> 01:29:08,760
Speaker 1: strokes already. It's it's just so okay. So I know,

1661
01:29:08,880 --> 01:29:11,040
Speaker 1: but the things you learn from having strokes, but it's

1662
01:29:11,080 --> 01:29:16,000
Speaker 1: another story anyway, It's like, okay, okay, great, it's about

1663
01:29:16,040 --> 01:29:19,280
Speaker 1: myself now. I know. This is a very dangerous room.

1664
01:29:19,320 --> 01:29:22,880
Speaker 1: People are dropping like flies in this place. Anyway, Tones

1665
01:29:22,920 --> 01:29:24,840
Speaker 1: and I is here and we're gonna take a break

1666
01:29:24,880 --> 01:29:30,439
Speaker 1: and be right back every single morning. I absolutely I

1667
01:29:30,800 --> 01:29:39,439
Speaker 1: love you guys. Elvis Durand in the Morning Show text

1668
01:29:39,560 --> 01:29:45,560
Speaker 1: us and messaging rates may apply. It's Elvis Durand in

1669
01:29:45,600 --> 01:29:49,280
Speaker 1: the Morning Show. So Tones and I right here about

1670
01:29:49,320 --> 01:29:52,960
Speaker 1: to perform live. Can't be Happy is the name of

1671
01:29:53,000 --> 01:29:57,439
Speaker 1: the song. Sounds very uplifting. Well, exactually can't be happy

1672
01:29:57,520 --> 01:30:00,880
Speaker 1: all the time, and that's totally fine. Ye. You know what,

1673
01:30:01,439 --> 01:30:03,880
Speaker 1: your songs have great messages, and we assume they're very

1674
01:30:03,920 --> 01:30:08,400
Speaker 1: personal messages. Yeah, it's not especially Yeah, and you know,

1675
01:30:08,560 --> 01:30:10,320
Speaker 1: we were going to life all the time, people going on,

1676
01:30:10,439 --> 01:30:13,880
Speaker 1: I'm so unhappy today. It's okay, yeah, be unhappy, embrace it.

1677
01:30:14,600 --> 01:30:17,760
Speaker 1: But I'm looking at your tour dates. Look at this

1678
01:30:17,880 --> 01:30:28,519
Speaker 1: list you're resting. She's Austin, Dallas, London, United Kingdom, Dublin, Wow, Germany,

1679
01:30:28,680 --> 01:30:31,439
Speaker 1: the Netherlands, Germany blah blah blah blahlah. And then down

1680
01:30:31,560 --> 01:30:33,880
Speaker 1: here to New York in April Bowery Ballroom and in

1681
01:30:33,960 --> 01:30:37,800
Speaker 1: Theater of Living Arts in Philadelphia Music Hall. I don't

1682
01:30:37,800 --> 01:30:39,599
Speaker 1: know why I'm reading all these because I've heard these

1683
01:30:39,600 --> 01:30:43,720
Speaker 1: are all sold out. Yeah wow, So when did you

1684
01:30:43,760 --> 01:30:46,000
Speaker 1: get that phone call? How did the hell last night? Actually,

1685
01:30:46,040 --> 01:30:50,440
Speaker 1: when I got back from the NBA game, Yeah, congratulations,

1686
01:30:51,160 --> 01:30:53,040
Speaker 1: I was like sick. That's awesome. This is my first

1687
01:30:53,120 --> 01:30:56,680
Speaker 1: proper to us. So wow, sorry about that back, I

1688
01:30:56,760 --> 01:30:58,800
Speaker 1: got bad news. Ye can't fit any more people in

1689
01:30:59,640 --> 01:31:02,320
Speaker 1: those shut you down. But you're going all over the world.

1690
01:31:02,720 --> 01:31:04,880
Speaker 1: I can't imagine what it's like growing up a little

1691
01:31:04,920 --> 01:31:09,320
Speaker 1: girl in Australia. Now Here you are traveling around the

1692
01:31:09,360 --> 01:31:11,240
Speaker 1: world with your music in your message, and you met

1693
01:31:11,280 --> 01:31:13,920
Speaker 1: your Macklemore, your favorite person in the whole world. Talk

1694
01:31:13,920 --> 01:31:16,080
Speaker 1: about that. You're in Seattle doing a show, right, Yeah,

1695
01:31:16,120 --> 01:31:18,920
Speaker 1: I was in Seattle doing a show, and obviously, like

1696
01:31:19,200 --> 01:31:21,240
Speaker 1: I always talked about how much I love McLemore and

1697
01:31:21,280 --> 01:31:25,000
Speaker 1: his music. And then he just rocked up to the

1698
01:31:25,360 --> 01:31:29,880
Speaker 1: into my dressing room, into my green room, and yeah,

1699
01:31:30,000 --> 01:31:31,760
Speaker 1: when he chatted and then he watched the show, and

1700
01:31:31,840 --> 01:31:34,720
Speaker 1: then he called me back again and said, don't I

1701
01:31:35,040 --> 01:31:39,519
Speaker 1: work together? So I didn't know this part. He asked

1702
01:31:39,520 --> 01:31:41,000
Speaker 1: if you wanted to work together? Yeah, it was like,

1703
01:31:41,080 --> 01:31:45,519
Speaker 1: could you say no, I hope you say I don't

1704
01:31:45,520 --> 01:31:48,439
Speaker 1: feel like it. No. I mean it's like for me,

1705
01:31:48,640 --> 01:31:51,200
Speaker 1: that's like, you know, something huge that I've always wanted

1706
01:31:51,240 --> 01:31:54,240
Speaker 1: to do. And I would say to myself, five year goals,

1707
01:31:54,479 --> 01:31:57,760
Speaker 1: you know. I said that probably like a few weeks ago,

1708
01:31:57,880 --> 01:32:00,920
Speaker 1: maybe maybe at the start of the year. So, um,

1709
01:32:01,160 --> 01:32:02,880
Speaker 1: now I just don't know what to do from here.

1710
01:32:03,960 --> 01:32:06,400
Speaker 1: It'll all come and naturally, and you know, you'll start

1711
01:32:06,439 --> 01:32:08,439
Speaker 1: meeting more and more of these these artists, and you're

1712
01:32:08,439 --> 01:32:10,800
Speaker 1: going to impress yourself more and more about what they

1713
01:32:10,840 --> 01:32:14,160
Speaker 1: want to work with me. Yeah, her ego is going

1714
01:32:14,200 --> 01:32:16,240
Speaker 1: to get out of control. No, she already said she

1715
01:32:16,479 --> 01:32:18,639
Speaker 1: was planning on staying this nice. That's what she said,

1716
01:32:19,520 --> 01:32:21,240
Speaker 1: I hope. So, so do you want to give it

1717
01:32:21,320 --> 01:32:23,200
Speaker 1: a go? Do you want to do can't be happy? Yeah,

1718
01:32:23,280 --> 01:32:24,880
Speaker 1: let's give it a goy. Do some of it? Okay,

1719
01:32:24,920 --> 01:32:27,880
Speaker 1: you don't have the whole thing, Okay, okay, So I

1720
01:32:27,960 --> 01:32:30,719
Speaker 1: will tell you as Tones and I approaches the keyboard

1721
01:32:30,840 --> 01:32:32,400
Speaker 1: and the microphone on the other side of the room.

1722
01:32:33,439 --> 01:32:36,720
Speaker 1: Waking up and coming to sing in the morning. I

1723
01:32:37,000 --> 01:32:41,640
Speaker 1: don't know how anyone doesn't. I'm not saying this is

1724
01:32:41,680 --> 01:32:45,040
Speaker 1: gonna be a complete failure. She sounded good when she

1725
01:32:45,160 --> 01:32:46,840
Speaker 1: was warming up. I will tell you, no matter what

1726
01:32:46,920 --> 01:32:49,439
Speaker 1: happens now, we heard it great. It was great. But anyway,

1727
01:32:49,479 --> 01:32:51,759
Speaker 1: we're very, very very happy to have you here. Tones,

1728
01:32:51,800 --> 01:32:54,559
Speaker 1: and I can't be happy. Let's see what Let's see

1729
01:32:54,560 --> 01:32:56,400
Speaker 1: what the words are all about. You're gonna love this?

1730
01:33:00,200 --> 01:33:13,880
Speaker 1: M m hm m Is I ful asleep? No? A

1731
01:33:14,080 --> 01:33:21,559
Speaker 1: thinkle all the bits have taken believe me back day

1732
01:33:24,640 --> 01:33:30,640
Speaker 1: and I wonder is life by it? It's pignal? Is

1733
01:33:30,680 --> 01:33:39,960
Speaker 1: it stuck in first game when we little disappe and

1734
01:33:40,720 --> 01:33:56,000
Speaker 1: time games passing by mightn't besy a play? And days

1735
01:33:56,479 --> 01:34:03,560
Speaker 1: I closed my yar eyes. I saved it. I go

1736
01:34:04,640 --> 01:34:16,200
Speaker 1: oh to night, I'm looking for my haid. My only

1737
01:34:16,800 --> 01:34:28,320
Speaker 1: friends have been online, and days I close my eyes.

1738
01:34:29,960 --> 01:34:38,719
Speaker 1: I tell my loaf I'm fine, and I don't watch

1739
01:34:39,400 --> 01:34:45,160
Speaker 1: no cribing. Now it's hard, the breathing out. Everybody's standing here,

1740
01:34:45,280 --> 01:34:50,000
Speaker 1: but no one seems to know me. B R. All right, tomorrow,

1741
01:34:50,200 --> 01:34:55,280
Speaker 1: all be fine, because you can't be happy. You can't

1742
01:34:55,560 --> 01:35:06,320
Speaker 1: be happy all the time happen. It can't be happy.

1743
01:35:31,960 --> 01:35:36,400
Speaker 1: See it turned up so perfect? That was so good.

1744
01:35:36,800 --> 01:35:41,040
Speaker 1: Sometimes you gotta be a little nervous. Yea. I came

1745
01:35:41,080 --> 01:35:45,320
Speaker 1: in here and sit to use our jankety equipment. Everything

1746
01:35:45,320 --> 01:35:47,840
Speaker 1: you did was perfect. I mean, we're the ones through

1747
01:35:47,880 --> 01:35:51,160
Speaker 1: the curveball tone tonight. I cannot tell you how fantastic

1748
01:35:51,240 --> 01:35:53,599
Speaker 1: it was to meet you today and you share your

1749
01:35:53,600 --> 01:35:55,920
Speaker 1: story with us, and please come back anytime next time.

1750
01:35:55,920 --> 01:35:59,320
Speaker 1: We'll have the proper equipment for your great Thank you

1751
01:35:59,360 --> 01:36:01,600
Speaker 1: so much for having me. Guys, it's gonna have you.

1752
01:36:01,760 --> 01:36:04,240
Speaker 1: And are you hopping on a plane for Australia Now no,

1753
01:36:04,360 --> 01:36:08,720
Speaker 1: I'm gonna go to London. Okay, okay, I'm going to

1754
01:36:08,800 --> 01:36:22,479
Speaker 1: the another day at the office, a day say, oh

1755
01:36:22,640 --> 01:36:26,840
Speaker 1: my god, I see the way you shine. Do you

1756
01:36:27,040 --> 01:36:31,280
Speaker 1: hand my dear and bless them both in line? Who

1757
01:36:31,479 --> 01:36:36,240
Speaker 1: know to stop me death? I was passing by, and

1758
01:36:36,400 --> 01:36:39,280
Speaker 1: now I beg to see your dance is one both

1759
01:36:39,400 --> 01:36:48,559
Speaker 1: dame segnu signal signal every day and no, hi, yeah,

1760
01:36:48,880 --> 01:36:54,360
Speaker 1: do make me, make me, make me want to try,

1761
01:36:55,880 --> 01:36:59,400
Speaker 1: And now I'm beg to see your dances. One more dame,

1762
01:37:00,200 --> 01:37:03,720
Speaker 1: say say dance for me, days for me, days for me. Oh,

1763
01:37:05,680 --> 01:37:09,320
Speaker 1: I never see anybody do that? Think you do? Be boy?

1764
01:37:10,120 --> 01:37:13,360
Speaker 1: They say, move Forami, mole forami, move for me, and

1765
01:37:15,479 --> 01:37:18,960
Speaker 1: and when you're done, I'll make you do the dial again.

1766
01:37:20,600 --> 01:37:23,960
Speaker 1: I said, oh my god, I see you walking by me.

1767
01:37:25,400 --> 01:37:28,160
Speaker 1: Take my hands, my teeth and look me in my

1768
01:37:28,400 --> 01:37:33,679
Speaker 1: eyes just like I'm bunky. I've been dancing my whole eyes,

1769
01:37:35,040 --> 01:37:41,799
Speaker 1: but you just baith to see me dance. Just one boydime, sinful, sinful,

1770
01:37:41,960 --> 01:37:48,000
Speaker 1: sinful every nime and though my eye eye like dos

1771
01:37:48,080 --> 01:37:52,519
Speaker 1: dial do. You'll make me, make me, make me all

1772
01:37:52,640 --> 01:37:56,920
Speaker 1: to try, and now I'm baid to see your dance.

1773
01:37:57,040 --> 01:38:00,920
Speaker 1: Just one boy die. So they say dance for me,

1774
01:38:01,040 --> 01:38:06,080
Speaker 1: dance for me, dance from me. I've never seen anybody

1775
01:38:06,160 --> 01:38:10,759
Speaker 1: do nothing to b be boy. They say move, Fummi

1776
01:38:10,800 --> 01:38:15,160
Speaker 1: will find me, move from me, and when you're done,

1777
01:38:15,320 --> 01:38:20,160
Speaker 1: I'm gad to doy die. I can't. They say dance

1778
01:38:20,240 --> 01:38:23,719
Speaker 1: for me, dance for me, days for me, oh lo logle.

1779
01:38:24,040 --> 01:38:27,679
Speaker 1: I've never seen anybody do nothing to do be blood.

1780
01:38:28,520 --> 01:38:31,519
Speaker 1: They would say more fummi will funny move fum me.

1781
01:38:34,040 --> 01:38:37,479
Speaker 1: When you're done, I'm mad to buy die, I get it.

1782
01:38:46,560 --> 01:39:04,080
Speaker 1: O oh oh for funny day funny. I've never seen

1783
01:39:04,320 --> 01:39:10,759
Speaker 1: Anyboddy do that into they baby say funny funny, funny

1784
01:39:17,439 --> 01:39:25,519
Speaker 1: bay funny day. I never seen anybody that into the

1785
01:39:25,560 --> 01:39:41,439
Speaker 1: looby boy baby say funny, funny funny. This is Elvis

1786
01:39:41,560 --> 01:39:50,560
Speaker 1: Durran in the Morning Show. I walked in here and

1787
01:39:50,640 --> 01:39:53,519
Speaker 1: I've caught Scary doing something which I don't like hearing.

1788
01:39:53,600 --> 01:39:56,320
Speaker 1: We're seeing. If you're saying something and Scary doesn't like it,

1789
01:39:56,560 --> 01:39:59,880
Speaker 1: he'll interrupt you by going blah blah blah right like

1790
01:40:00,320 --> 01:40:03,080
Speaker 1: like hand in the face, like blaa. It's the most insulting.

1791
01:40:03,760 --> 01:40:05,519
Speaker 1: Greg T was trying to make a point. He was

1792
01:40:05,600 --> 01:40:08,000
Speaker 1: doing something in the studio, and he wouldn't listen to reason.

1793
01:40:08,040 --> 01:40:09,960
Speaker 1: You know how. Tea is like that. So I'm like,

1794
01:40:10,080 --> 01:40:12,519
Speaker 1: I'm like, Elvis, do you want to hear his story

1795
01:40:12,680 --> 01:40:15,240
Speaker 1: or the real story? Tea. That's like about the story.

1796
01:40:15,320 --> 01:40:17,519
Speaker 1: It's about the fact that you're You're like, you just

1797
01:40:17,640 --> 01:40:19,760
Speaker 1: keep going, Greg I still can't give my word about this.

1798
01:40:19,840 --> 01:40:23,639
Speaker 1: But also what you don't understand. It's scary. You don't

1799
01:40:23,720 --> 01:40:26,560
Speaker 1: know how to talk. You scream it at people. And

1800
01:40:26,720 --> 01:40:29,599
Speaker 1: he thought you were screaming at him. And because you were,

1801
01:40:29,760 --> 01:40:32,240
Speaker 1: because I know you, I go, no, that's just scary talking.

1802
01:40:32,520 --> 01:40:34,479
Speaker 1: But he felt like you were screaming at it. There

1803
01:40:34,520 --> 01:40:36,439
Speaker 1: are two people that I raised my voice with people. Okay,

1804
01:40:36,479 --> 01:40:38,720
Speaker 1: first of all, you're raising your voice now, Okay, I

1805
01:40:38,800 --> 01:40:41,200
Speaker 1: don't normally do that to Danielle or Elvis or anyone else.

1806
01:40:41,720 --> 01:40:45,519
Speaker 1: Greg T and Brody. It's because Brody talks a lot

1807
01:40:45,640 --> 01:40:48,320
Speaker 1: and loud, and he fills the room NonStop, so I

1808
01:40:48,439 --> 01:40:50,320
Speaker 1: have to interrupt. I'm a little interruptive, and I go

1809
01:40:51,400 --> 01:40:54,439
Speaker 1: because it's better than saying okay, at which point, might

1810
01:40:54,479 --> 01:40:56,920
Speaker 1: you want to ask me what happened? And I'm about no, no, no,

1811
01:40:57,360 --> 01:40:58,880
Speaker 1: I really don't want to get into the topic of

1812
01:40:58,960 --> 01:41:00,920
Speaker 1: what happen. I'm just I'm talking about the fact that

1813
01:41:02,840 --> 01:41:05,640
Speaker 1: all that T said, all I heard was by by

1814
01:41:05,840 --> 01:41:07,880
Speaker 1: by by by and then great Tea went no. But

1815
01:41:08,040 --> 01:41:13,320
Speaker 1: what I want to say was, that's so disrespectful. And

1816
01:41:13,479 --> 01:41:15,519
Speaker 1: you said he doesn't listen to reason. What you're saying

1817
01:41:15,560 --> 01:41:18,320
Speaker 1: actually is he doesn't listen to your reason, right, which,

1818
01:41:18,439 --> 01:41:22,760
Speaker 1: but Elvis, what scary? Doesn't do this to anybody else? Really,

1819
01:41:22,840 --> 01:41:25,080
Speaker 1: he really doesn't. And he also realizes the rest of

1820
01:41:25,160 --> 01:41:26,880
Speaker 1: us will punch him in the head. So that's what

1821
01:41:27,040 --> 01:41:30,519
Speaker 1: he doesn't do. Will I please tell you know what happened? Okay, No,

1822
01:41:31,360 --> 01:41:35,960
Speaker 1: okay again, Gregory, Greg, I don't want to talk about

1823
01:41:35,960 --> 01:41:37,560
Speaker 1: what you were talking about. I'm just talking about the

1824
01:41:37,640 --> 01:41:40,240
Speaker 1: fact that he disrupts what you want to say. Okay, fine,

1825
01:41:40,320 --> 01:41:42,720
Speaker 1: So um if you don't mind, because it's business, no

1826
01:41:42,760 --> 01:41:44,679
Speaker 1: one needs to hear. Sure I have a question, Well,

1827
01:41:45,040 --> 01:41:48,160
Speaker 1: well wait a minute, let's let's let's reverse it to Elvis.

1828
01:41:48,280 --> 01:41:50,960
Speaker 1: What if it's only Greg T and Brodie? Maybe they

1829
01:41:51,040 --> 01:41:54,880
Speaker 1: are at fault. No, no, just maybe hear me out.

1830
01:41:55,120 --> 01:41:57,639
Speaker 1: Maybe they don't listen to reason, Maybe they are too

1831
01:41:57,720 --> 01:42:00,439
Speaker 1: hard headed to hear someone else's opinion. There's no other

1832
01:42:00,479 --> 01:42:02,479
Speaker 1: way to get my word and edgewatch Elvis. Is there

1833
01:42:02,479 --> 01:42:07,200
Speaker 1: a more pleasant way of interrupting aggressive? Uh? I think

1834
01:42:07,240 --> 01:42:08,840
Speaker 1: if if what you have to say to someone this

1835
01:42:08,960 --> 01:42:10,360
Speaker 1: is for everyone, I don't want I want to take

1836
01:42:10,400 --> 01:42:12,320
Speaker 1: this out of the room, make it effective for everyone. Hopefully,

1837
01:42:12,920 --> 01:42:15,960
Speaker 1: If what you're saying is not getting through to them,

1838
01:42:16,400 --> 01:42:17,960
Speaker 1: you need to find a better way to get your

1839
01:42:17,960 --> 01:42:23,320
Speaker 1: message across other than but Elvis, I didn't even get

1840
01:42:23,320 --> 01:42:25,240
Speaker 1: a chance even say a word. I just stood there

1841
01:42:25,280 --> 01:42:27,560
Speaker 1: with my hands in my pockets, looking at scary. I

1842
01:42:27,680 --> 01:42:29,639
Speaker 1: was about to say something at every time I want

1843
01:42:29,680 --> 01:42:33,120
Speaker 1: like this. Well he would go and then at one

1844
01:42:33,160 --> 01:42:35,840
Speaker 1: point he put his hands over my ears. I was like,

1845
01:42:36,160 --> 01:42:41,880
Speaker 1: focus on me. That's not very healthy. And I'm standing there.

1846
01:42:43,080 --> 01:42:45,200
Speaker 1: Danielle were like was watching, and I go, I haven't

1847
01:42:45,280 --> 01:42:48,280
Speaker 1: said a word. I couldn't even say like nothing. You

1848
01:42:48,280 --> 01:42:51,000
Speaker 1: wouldn't let me say like that. I don't know, but

1849
01:42:51,080 --> 01:42:52,760
Speaker 1: I walked in it and I heard what I heard

1850
01:42:52,960 --> 01:42:55,880
Speaker 1: great teased saying this, but you don't, but you don't

1851
01:42:55,880 --> 01:43:00,760
Speaker 1: get it up. But it's scary. And then here's great

1852
01:43:00,840 --> 01:43:04,519
Speaker 1: and here's brodyo here going let me hit him. He

1853
01:43:04,560 --> 01:43:06,320
Speaker 1: wanted to hit scary. I'm like, what are you guys?

1854
01:43:07,479 --> 01:43:10,839
Speaker 1: So what's going on? What are you guys talking about? Okay,

1855
01:43:10,840 --> 01:43:12,960
Speaker 1: so did you too figure it out? Yes? But somebody

1856
01:43:13,000 --> 01:43:15,439
Speaker 1: on the text message just said that maybe I respect

1857
01:43:15,520 --> 01:43:19,320
Speaker 1: certain people and I don't respect others. That's why I do. Well,

1858
01:43:19,360 --> 01:43:22,400
Speaker 1: it's obviously what that is. What time should I be

1859
01:43:22,479 --> 01:43:24,880
Speaker 1: in the parking lot to watch Oh, no, no one.

1860
01:43:25,560 --> 01:43:30,040
Speaker 1: You should try to Elvis one time and just it

1861
01:43:30,080 --> 01:43:33,320
Speaker 1: would be one It would be one time. That's why

1862
01:43:33,360 --> 01:43:36,320
Speaker 1: I said one time. He should do this with his hands.

1863
01:43:36,479 --> 01:43:38,040
Speaker 1: He should go to look at you and go, Elvis,

1864
01:43:38,120 --> 01:43:43,320
Speaker 1: focus on me. Now I look at see that happened anyway.

1865
01:43:43,400 --> 01:43:45,280
Speaker 1: I guess the takeaway from this is this, if you

1866
01:43:45,320 --> 01:43:49,479
Speaker 1: have a relationship with someone where that resembles that, where

1867
01:43:49,560 --> 01:43:53,519
Speaker 1: someone is like just when you're trying to make a point,

1868
01:43:53,600 --> 01:43:55,680
Speaker 1: then you know what, you guys should talk it out

1869
01:43:55,720 --> 01:43:58,200
Speaker 1: and say, hey, this is disrespectful. There's got to be

1870
01:43:58,240 --> 01:44:01,840
Speaker 1: another way. It isn't working for me. The official Twitter

1871
01:44:01,920 --> 01:44:04,679
Speaker 1: account of the Morning Show. Search for Elvis Duran show

1872
01:44:04,800 --> 01:44:07,120
Speaker 1: on Twitter and follow us out. Elvis Duran in the

1873
01:44:07,200 --> 01:44:23,640
Speaker 1: Morning Show. About to get into sound with Garrett the

1874
01:44:23,720 --> 01:44:27,880
Speaker 1: Good American because Gandhi is coming back tomorrow. She's been

1875
01:44:27,920 --> 01:44:31,000
Speaker 1: out taking care of death and her family. We miss

1876
01:44:31,040 --> 01:44:33,080
Speaker 1: her so much. Yes, I can't wait for tomorrow. She

1877
01:44:33,160 --> 01:44:35,639
Speaker 1: would have loved tone tonight. She really would have. Yes,

1878
01:44:35,800 --> 01:44:37,639
Speaker 1: I mean we did too. She would have really loved

1879
01:44:39,120 --> 01:44:41,040
Speaker 1: And there you have it, sound Garrett, what do you have?

1880
01:44:41,120 --> 01:44:44,559
Speaker 1: All right, let's start with the memorial for Kobe Bryant

1881
01:44:44,600 --> 01:44:46,880
Speaker 1: and his daughter Gigi and the victims that died in

1882
01:44:46,920 --> 01:44:50,200
Speaker 1: the helicopter crash. Yesterday, Beyonce kicked things off and she

1883
01:44:50,360 --> 01:44:53,200
Speaker 1: did an amazing performance of her song Halo. Here's a

1884
01:44:53,200 --> 01:45:09,320
Speaker 1: little clu all right now, Shack gave a speech where

1885
01:45:09,439 --> 01:45:12,360
Speaker 1: he made everyone laugh. Now, some people are saying that

1886
01:45:12,800 --> 01:45:14,800
Speaker 1: this was the speech he was going to talk about

1887
01:45:15,200 --> 01:45:17,960
Speaker 1: Kobe at his Hall of Fame speech, and this is

1888
01:45:18,000 --> 01:45:21,400
Speaker 1: what he said as Kobe being a teammate today, Kobe

1889
01:45:21,520 --> 01:45:25,719
Speaker 1: game my respectless. The guys were complaining, said Shaq, Kobe's

1890
01:45:25,720 --> 01:45:27,599
Speaker 1: not passing the ball. I said, I'll talk to him.

1891
01:45:28,800 --> 01:45:33,200
Speaker 1: I said, Kobe, there's no im and Kobe said, I know,

1892
01:45:33,280 --> 01:45:39,439
Speaker 1: but there's in me and that mother. And then of

1893
01:45:39,600 --> 01:45:42,000
Speaker 1: course Michael Jordan got up and spoke said some great

1894
01:45:42,040 --> 01:45:44,599
Speaker 1: things about him and how Kobe would get to people.

1895
01:45:44,840 --> 01:45:48,040
Speaker 1: Kobe used to be the competitor where if you spoke Chinese,

1896
01:45:48,080 --> 01:45:50,120
Speaker 1: he would learn Chinese just to trash talk to you.

1897
01:45:50,320 --> 01:45:52,280
Speaker 1: So we would get in your head. And Kobe got

1898
01:45:52,400 --> 01:45:54,840
Speaker 1: in Michael's head, and this is what happened. We talked

1899
01:45:54,840 --> 01:45:58,320
Speaker 1: about everything. He was just trying to be a better person.

1900
01:45:59,479 --> 01:46:02,240
Speaker 1: Now he's got me. I'll have to look at another

1901
01:46:02,320 --> 01:46:08,880
Speaker 1: crime meme for the nixt I told my wife I

1902
01:46:09,040 --> 01:46:10,800
Speaker 1: weren't gonna do this because I didn't want to see

1903
01:46:10,840 --> 01:46:14,200
Speaker 1: that for the next three or four years. So everyone

1904
01:46:14,280 --> 01:46:16,880
Speaker 1: uses that Michael Jordan's meme when went online. And now

1905
01:46:17,479 --> 01:46:20,080
Speaker 1: he was crying again. And so the star power that

1906
01:46:20,120 --> 01:46:22,480
Speaker 1: showed up at that yesterday, oh my gosh, it was incredible.

1907
01:46:22,560 --> 01:46:25,559
Speaker 1: And as I asked earlier, if you pass away, God

1908
01:46:25,600 --> 01:46:28,600
Speaker 1: forbid today, who's gonna show up at Staples Center to

1909
01:46:28,800 --> 01:46:31,479
Speaker 1: say goodbye to you? This guy, Kobe, I mean, loved

1910
01:46:31,520 --> 01:46:33,760
Speaker 1: by so many people many All right, now let's switch

1911
01:46:33,880 --> 01:46:37,360
Speaker 1: gears over to the Bachelor. Okay, Madison is on a

1912
01:46:37,479 --> 01:46:40,519
Speaker 1: date with Pete, but she wants Pete to stop sleeping

1913
01:46:40,560 --> 01:46:45,200
Speaker 1: with the other two women on the show. If next

1914
01:46:45,240 --> 01:46:47,360
Speaker 1: week you were to sleep with somebody else, like, it

1915
01:46:47,400 --> 01:46:49,920
Speaker 1: would be really hard for me to like move forward

1916
01:46:49,960 --> 01:46:52,439
Speaker 1: and think I'll just be very honest and I won't

1917
01:46:53,160 --> 01:46:58,360
Speaker 1: give any details. But I have been in and I

1918
01:46:58,520 --> 01:47:01,559
Speaker 1: can't lie to you about that. God. And then Pete

1919
01:47:01,600 --> 01:47:06,360
Speaker 1: doesn't understand why Madison is upset. Why oh, right, next house?

1920
01:47:06,479 --> 01:47:09,679
Speaker 1: Not that right? I like this much better that wanted

1921
01:47:09,760 --> 01:47:12,920
Speaker 1: to talk about this, click right here. Bachelor Peter doesn't

1922
01:47:13,000 --> 01:47:15,880
Speaker 1: understand why Madison is upset that he can't say. It's

1923
01:47:15,960 --> 01:47:19,240
Speaker 1: tough being like in this position because I don't just

1924
01:47:19,320 --> 01:47:21,479
Speaker 1: have one relationship right now. I'm not just dating Maddie.

1925
01:47:21,840 --> 01:47:26,280
Speaker 1: I'm dating Hannah Ann and Victoria as well. And I've

1926
01:47:26,400 --> 01:47:29,160
Speaker 1: heard from an Anne that she is in love with me.

1927
01:47:29,200 --> 01:47:31,880
Speaker 1: I've heard from Victoria that she's falling in love with me,

1928
01:47:32,439 --> 01:47:37,839
Speaker 1: But with Madison, I haven't heard that. That's definitely frustrating.

1929
01:47:38,000 --> 01:47:40,160
Speaker 1: I mean, the majority of the listeners right now don't

1930
01:47:40,200 --> 01:47:43,000
Speaker 1: watch The Bachelor. They're so confused, and I'm so you know,

1931
01:47:43,080 --> 01:47:44,920
Speaker 1: when I hear you play the sound, I'm so happy

1932
01:47:44,960 --> 01:47:48,120
Speaker 1: I don't watch the Batch. I can't get that hour back.

1933
01:47:48,520 --> 01:47:51,360
Speaker 1: But scary. You love the Bachelor, right, and obviously Garrett's

1934
01:47:51,400 --> 01:47:53,080
Speaker 1: a fan. Well you need you need a hearing aid

1935
01:47:53,120 --> 01:47:55,640
Speaker 1: to listen to the show. I suspect something's going to

1936
01:47:55,720 --> 01:47:57,280
Speaker 1: go down at the very end, though I don't know

1937
01:47:57,400 --> 01:47:59,880
Speaker 1: for a fact, but there's other there's something is twist House.

1938
01:48:00,040 --> 01:48:04,479
Speaker 1: I suspect it's my feeling that something's going to happen

1939
01:48:04,560 --> 01:48:06,479
Speaker 1: at the Bachelor. All right, So, Elvis, you just played

1940
01:48:06,520 --> 01:48:09,000
Speaker 1: this clip. It's from a group, Yes Sayer. They're claiming

1941
01:48:09,200 --> 01:48:11,240
Speaker 1: that they have a song called Sunrise that they made

1942
01:48:11,280 --> 01:48:13,560
Speaker 1: in two thousand and seven. Sounds an awful lot like

1943
01:48:13,640 --> 01:48:16,519
Speaker 1: the Kendrick Lamar the Weekend song from Black Panther Pray

1944
01:48:16,600 --> 01:48:19,799
Speaker 1: for Me. So here's their song, Yes Sayer than Kendrick

1945
01:48:20,000 --> 01:48:40,800
Speaker 1: and the Weekends. Okay, you're a little bit not much,

1946
01:48:41,960 --> 01:48:47,280
Speaker 1: I'm sorry. Are two different songs. I mean they both

1947
01:48:47,360 --> 01:48:50,439
Speaker 1: go la and can I say something? Yeah? How many

1948
01:48:50,520 --> 01:48:52,680
Speaker 1: years ago did the Black Panther come out? Now? I

1949
01:48:52,800 --> 01:48:56,479
Speaker 1: don't understand why people wait this long to say it

1950
01:48:56,600 --> 01:49:01,080
Speaker 1: was their songs. Last year wasn't it. Yeah, I think

1951
01:49:01,120 --> 01:49:03,280
Speaker 1: it was. Sometimes it takes a while for the court

1952
01:49:03,360 --> 01:49:05,800
Speaker 1: system to catch up. Really all right, So all right,

1953
01:49:06,120 --> 01:49:08,320
Speaker 1: last two clips and column three. So this guy can

1954
01:49:08,400 --> 01:49:12,200
Speaker 1: do an impression of a motorcycle horn. Oh god, this

1955
01:49:12,360 --> 01:49:14,720
Speaker 1: is now this is the sound I like? Yes, So

1956
01:49:14,880 --> 01:49:17,320
Speaker 1: this is the man doing an imitation of a motorcycle horn.

1957
01:49:17,360 --> 01:49:28,800
Speaker 1: You ready, Danielle, Yeah, here we go. That's person. What

1958
01:49:28,920 --> 01:49:31,240
Speaker 1: language are they speaking? It's Italian? I guess I know.

1959
01:49:35,120 --> 01:49:37,640
Speaker 1: All right, a fire engine, I mean, don't do it?

1960
01:49:38,760 --> 01:49:40,920
Speaker 1: Not as good as we're not doing that, all right?

1961
01:49:40,920 --> 01:49:42,960
Speaker 1: And then finally, so News eleven they were doing a

1962
01:49:43,000 --> 01:49:45,479
Speaker 1: story about parking meters, and this is going to frustrate

1963
01:49:45,520 --> 01:49:49,679
Speaker 1: you because this guy doesn't understand math. Okay, the sign

1964
01:49:49,800 --> 01:49:52,920
Speaker 1: says that it's four quarters for an hour, but a

1965
01:49:53,040 --> 01:49:56,080
Speaker 1: quarter only gets you fifteen minutes, So if my math

1966
01:49:56,280 --> 01:50:04,400
Speaker 1: is correct, that's not an hour. H Okay. All the

1967
01:50:04,560 --> 01:50:07,519
Speaker 1: sign says that it's four quarters for an hour, but

1968
01:50:07,960 --> 01:50:10,840
Speaker 1: a quarter only gets you fifteen minutes. So if my

1969
01:50:11,000 --> 01:50:17,160
Speaker 1: math is correct, that's not an hour's And there you go.

1970
01:50:17,240 --> 01:50:22,839
Speaker 1: There's your sound. Thank you American. You know you have it, Danielle.

1971
01:50:23,000 --> 01:50:26,360
Speaker 1: All right, our girl Baby Rexa put out a bunch

1972
01:50:26,400 --> 01:50:30,559
Speaker 1: of tweets yesterday and she revealed that she has bipolar disorder. Um.

1973
01:50:30,640 --> 01:50:32,800
Speaker 1: She says that for a while now, you know, she's

1974
01:50:32,800 --> 01:50:37,120
Speaker 1: been suffering different kinds of U symptoms and she didn't

1975
01:50:37,160 --> 01:50:39,000
Speaker 1: understand what it was all about, like she would have

1976
01:50:39,120 --> 01:50:41,040
Speaker 1: highs and she would have lows. And she said she

1977
01:50:41,160 --> 01:50:43,720
Speaker 1: has finally been diagnosed, and she's very happy about that

1978
01:50:43,840 --> 01:50:45,800
Speaker 1: because now she can take care of it and she

1979
01:50:45,880 --> 01:50:48,680
Speaker 1: knows what's going on. Love her, yes, we love her so.

1980
01:50:49,080 --> 01:50:50,960
Speaker 1: Catherine Johnson. If you don't know who she is, she

1981
01:50:51,120 --> 01:50:54,719
Speaker 1: is the pioneering mathematician who was portrayed in the movie

1982
01:50:54,800 --> 01:50:57,920
Speaker 1: Hidden Figures. She just passed away at one hundred and

1983
01:50:58,120 --> 01:51:01,679
Speaker 1: one years old. That is so any if you don't

1984
01:51:01,720 --> 01:51:03,360
Speaker 1: know her story, if you've never seen the movie, you

1985
01:51:03,439 --> 01:51:05,439
Speaker 1: definitely should check it out because it is so worth

1986
01:51:05,600 --> 01:51:07,720
Speaker 1: check it out. So do that when you get a chance.

1987
01:51:08,080 --> 01:51:10,680
Speaker 1: The public memorial for Kobe and Gianna Bryant, we just

1988
01:51:10,800 --> 01:51:14,160
Speaker 1: talked about this. It was yesterday, so many powerful speeches,

1989
01:51:14,200 --> 01:51:17,320
Speaker 1: including Vanessa Bryant getting up there and speaking for so long,

1990
01:51:17,760 --> 01:51:21,040
Speaker 1: and I as a mom, can't even imagine what this

1991
01:51:21,120 --> 01:51:24,000
Speaker 1: woman is going through and the strength that she has

1992
01:51:24,080 --> 01:51:26,439
Speaker 1: to get up there. I mean I was, I'm sure

1993
01:51:26,479 --> 01:51:28,400
Speaker 1: like everyone else, I was in tears the entire time.

1994
01:51:28,600 --> 01:51:31,400
Speaker 1: I've seen this to Froggy earlier, and and I've never

1995
01:51:31,560 --> 01:51:34,960
Speaker 1: been in as painful a situation in my life as

1996
01:51:35,240 --> 01:51:38,320
Speaker 1: what she is obviously going through the loss of her

1997
01:51:38,600 --> 01:51:42,599
Speaker 1: husband and her daughter. I wonder, if you're grieving that hard,

1998
01:51:42,680 --> 01:51:45,280
Speaker 1: if at some point you just run out of tears.

1999
01:51:45,600 --> 01:51:48,000
Speaker 1: I don't know. I don't ever want to feel that

2000
01:51:48,280 --> 01:51:51,320
Speaker 1: that wretching feeling, But I don't know. I'm just wondering.

2001
01:51:51,920 --> 01:51:54,360
Speaker 1: She held it together so great? Yes, because it's so strong,

2002
01:51:54,600 --> 01:51:56,880
Speaker 1: she really is. Netflix is now going to let you

2003
01:51:56,960 --> 01:51:59,519
Speaker 1: know what it's most popular content is. They're going to

2004
01:51:59,560 --> 01:52:02,840
Speaker 1: have the top ten lists. One will be for overall content,

2005
01:52:02,920 --> 01:52:04,960
Speaker 1: one for movies, and one for television, and they're gonna

2006
01:52:04,960 --> 01:52:08,680
Speaker 1: be updated daily. Yesterday and that's actually good. I did

2007
01:52:08,720 --> 01:52:11,120
Speaker 1: it come out yesterday, No, they did the announcement. They're

2008
01:52:11,120 --> 01:52:13,519
Speaker 1: gonna come up with the daily top Yeah. I love

2009
01:52:13,600 --> 01:52:15,599
Speaker 1: this because I think that's going to actually help us

2010
01:52:15,680 --> 01:52:18,640
Speaker 1: because we're always recommending shows and just more stuff to

2011
01:52:18,680 --> 01:52:22,160
Speaker 1: add to my list because I don't have enough Harvey

2012
01:52:22,200 --> 01:52:24,880
Speaker 1: Weinstein is headed to prison. He was convicted of a

2013
01:52:25,000 --> 01:52:27,800
Speaker 1: third degree rape and committing a criminal sexual act. He's

2014
01:52:27,840 --> 01:52:29,760
Speaker 1: going to spend at least five years behind bars, and

2015
01:52:29,840 --> 01:52:32,600
Speaker 1: he's still facing four charges in Los Angeles. And I

2016
01:52:32,640 --> 01:52:35,080
Speaker 1: don't know if you said me Lavados Instagram yesterday, but

2017
01:52:35,160 --> 01:52:37,519
Speaker 1: she did the hashtag no makeup Monday. She said she

2018
01:52:37,640 --> 01:52:40,720
Speaker 1: hasn't posted one of those in a while. She looks beautiful,

2019
01:52:40,800 --> 01:52:42,800
Speaker 1: she said, she's been posting a lot with like Herrick

2020
01:52:42,840 --> 01:52:45,040
Speaker 1: stensions and a lot of makeup, and she just wanted

2021
01:52:45,040 --> 01:52:46,800
Speaker 1: to get back to what was doing beautiful. So, by

2022
01:52:46,840 --> 01:52:49,240
Speaker 1: the way, the guy who sounds like a motorcycle horn

2023
01:52:49,400 --> 01:52:52,240
Speaker 1: is from Brazil. He's speaking Portuguese always, that's what he's

2024
01:52:52,240 --> 01:52:55,519
Speaker 1: speaking of. And Michigan poking all five thousand people for

2025
01:52:57,360 --> 01:53:01,000
Speaker 1: Mission Impossible seven has halted production in Italy because of

2026
01:53:01,080 --> 01:53:03,680
Speaker 1: the coronavirus. They don't have it on the set, but

2027
01:53:03,720 --> 01:53:07,000
Speaker 1: they're taking precautions. Paramount announced this yesterday. They're going to

2028
01:53:07,040 --> 01:53:11,080
Speaker 1: continue to monitor the outbreak until production can restarts. Thank you, Danielle.

2029
01:53:13,240 --> 01:53:16,559
Speaker 1: This is justin Timberlake here and you're listening to Elvis

2030
01:53:16,640 --> 01:53:22,360
Speaker 1: Durand hiring is a challenge. That's why I'm in a

2031
01:53:22,400 --> 01:53:25,400
Speaker 1: position here at iHeartRadio where I'm not allowed to hire

2032
01:53:25,439 --> 01:53:29,479
Speaker 1: people because it's too much work. That's why we suggest

2033
01:53:29,600 --> 01:53:33,200
Speaker 1: you use zip recruiter for free at zip recruiter dot com,

2034
01:53:33,360 --> 01:53:36,880
Speaker 1: slash elvis. Look, it's a challenge, there's one place you

2035
01:53:36,960 --> 01:53:39,280
Speaker 1: can go. We're hiring a simple, fast, smart. It's a

2036
01:53:39,280 --> 01:53:42,479
Speaker 1: place where growing businesses connect to qualified candidates without going

2037
01:53:42,920 --> 01:53:47,040
Speaker 1: through a mountain of applications. Zip recruiter sends your job

2038
01:53:47,080 --> 01:53:49,040
Speaker 1: to over one hundred of the web's leading job sites

2039
01:53:49,439 --> 01:53:53,519
Speaker 1: and then with their powerful matching technology, Zip recruiters scans

2040
01:53:53,600 --> 01:53:55,400
Speaker 1: thousands of resumes to find the people that have the

2041
01:53:55,479 --> 01:53:57,720
Speaker 1: right experience and then they invite them to apply. So

2042
01:53:57,840 --> 01:54:01,760
Speaker 1: we only have experienced people applying. Genius so as applications

2043
01:54:01,840 --> 01:54:04,000
Speaker 1: come in, they analyze each one they spot light the

2044
01:54:04,080 --> 01:54:07,120
Speaker 1: top candidates in boom. This is why zip recruiter is

2045
01:54:07,200 --> 01:54:09,360
Speaker 1: known for being so effective. Four out of five employers

2046
01:54:09,400 --> 01:54:13,040
Speaker 1: who post on zip recruiter dot com slash elvis get

2047
01:54:13,080 --> 01:54:16,080
Speaker 1: a quality candidate within the first day. So right now,

2048
01:54:16,960 --> 01:54:19,840
Speaker 1: since you know us and you're hiring, no matter what

2049
01:54:19,960 --> 01:54:22,760
Speaker 1: size your business, you can use zip recruiter for free

2050
01:54:22,920 --> 01:54:24,840
Speaker 1: at this web address we set up for you zip

2051
01:54:24,960 --> 01:54:28,760
Speaker 1: recruiter dot com slash Elvis That zip recruiterer dot com

2052
01:54:29,000 --> 01:54:36,720
Speaker 1: slash Elvis. Zip recruiter is the smartest way to hire Elvis.

2053
01:54:36,800 --> 01:54:40,360
Speaker 1: Elvis Duran the Elvis durand phone tap. David Brody has

2054
01:54:40,400 --> 01:54:43,400
Speaker 1: the phone tap Hi Da Hi Elvis, Hi Brody, Hello Duran.

2055
01:54:43,440 --> 01:54:46,320
Speaker 1: Do you preferred Brody or Dave? I preferred David off

2056
01:54:46,360 --> 01:54:47,920
Speaker 1: the air, but I think Brody sounds better on the

2057
01:54:49,040 --> 01:54:51,240
Speaker 1: he has two different lives. I'm all right, what's going

2058
01:54:51,240 --> 01:54:52,640
Speaker 1: on with your phone tap? Well, we got an email

2059
01:54:52,640 --> 01:54:54,680
Speaker 1: from our listener Kade. Her husband Brian, just brought a

2060
01:54:54,720 --> 01:54:57,920
Speaker 1: new supercomputer and he was very paranoid about his old computer.

2061
01:54:58,000 --> 01:54:59,520
Speaker 1: So he made sure to erase the hard drive and

2062
01:54:59,560 --> 01:55:01,480
Speaker 1: he told hey, while he was at work, to throw

2063
01:55:01,560 --> 01:55:03,640
Speaker 1: it out. Just get rid of the thing, right. Apparently

2064
01:55:03,640 --> 01:55:05,320
Speaker 1: they have a lot of dirty movies and pictures and

2065
01:55:05,400 --> 01:55:07,000
Speaker 1: things that he wanted to make sure nobody saw it.

2066
01:55:07,120 --> 01:55:09,600
Speaker 1: He erased the hard drive before they got rid of it.

2067
01:55:10,400 --> 01:55:12,120
Speaker 1: Kate wants us to tell him that she didn't get

2068
01:55:12,160 --> 01:55:14,080
Speaker 1: rid of it. She sold it on craigslist. Oh great,

2069
01:55:14,120 --> 01:55:17,040
Speaker 1: so someone out there bought the computer filled with their porn,

2070
01:55:17,240 --> 01:55:20,240
Speaker 1: well supposedly erased. But I call Brian up with some

2071
01:55:20,400 --> 01:55:24,600
Speaker 1: information for let's listen in to today's phone. Yeah, I'm

2072
01:55:24,600 --> 01:55:30,240
Speaker 1: looking for Brian. Please. Yes, my name's Phil. Yeah, I

2073
01:55:30,400 --> 01:55:34,160
Speaker 1: have your old computer and uh, well my old computer.

2074
01:55:34,600 --> 01:55:37,680
Speaker 1: I bought it from your wife on craigslist. Anyway, I'm

2075
01:55:37,800 --> 01:55:42,040
Speaker 1: calling me call Well, it's on your resume. How did

2076
01:55:42,040 --> 01:55:44,000
Speaker 1: you get my resume? Well, it's on the hard drive.

2077
01:55:44,640 --> 01:55:47,200
Speaker 1: I erased every time my hard drive. I think you

2078
01:55:47,240 --> 01:55:50,320
Speaker 1: got the wrong guy. Yeah, see, I'm I'm an it guy,

2079
01:55:50,400 --> 01:55:53,600
Speaker 1: and I have programs that recapture information of hard drives.

2080
01:55:54,000 --> 01:55:56,200
Speaker 1: What kind of elia are we talking about? I got

2081
01:55:56,280 --> 01:55:59,240
Speaker 1: a lot of pictures of your wife, blonde woman, right

2082
01:55:59,320 --> 01:56:02,480
Speaker 1: I want? Yeah, well, I already bought it, so well,

2083
01:56:02,560 --> 01:56:04,000
Speaker 1: right now I'm looking at pictures of your wife. She

2084
01:56:04,080 --> 01:56:08,040
Speaker 1: has some interesting piercings. I gotta say, man, oh, she

2085
01:56:08,120 --> 01:56:11,720
Speaker 1: has a very nice pink rose tattoo. I think it's

2086
01:56:11,760 --> 01:56:13,280
Speaker 1: probably gonna be worth about a grand if I don't

2087
01:56:13,280 --> 01:56:15,840
Speaker 1: post these online. What do you think? What? Yeah, I'm

2088
01:56:15,880 --> 01:56:19,160
Speaker 1: thinking a thousand dollars? Are you kidding me? A thousand dollars? Well?

2089
01:56:19,520 --> 01:56:24,280
Speaker 1: Kidding me? Right? Okay, I'll give you you think you're okay?

2090
01:56:24,320 --> 01:56:26,240
Speaker 1: Speaking of which, um, there's a great picture of your

2091
01:56:26,280 --> 01:56:29,000
Speaker 1: wife topless on the toilet bowl. Um, but that's probably

2092
01:56:29,040 --> 01:56:31,440
Speaker 1: you know what I'm gonna say. Eleven hundred I forgot Listen,

2093
01:56:35,360 --> 01:56:37,600
Speaker 1: I am yeah. I know who you are. You're the

2094
01:56:37,680 --> 01:56:40,000
Speaker 1: guy with the feather bow or tickling your wife on

2095
01:56:40,160 --> 01:56:44,400
Speaker 1: the bed. All right, I understand why you turned around

2096
01:56:44,400 --> 01:56:45,960
Speaker 1: on a peanut butt a video that totally makes sense

2097
01:56:46,000 --> 01:56:53,640
Speaker 1: to me. Kate. All right, listen, he's gonna call you

2098
01:56:53,680 --> 01:56:55,800
Speaker 1: in a second. Don't answer the phone. Okay, Is he

2099
01:56:55,960 --> 01:56:58,640
Speaker 1: is he calling? Yes? All right, let it go to voicemail.

2100
01:56:59,680 --> 01:57:06,000
Speaker 1: Let's call back. All right, Hey, hey, what ditch you

2101
01:57:06,080 --> 01:57:09,320
Speaker 1: with the computer? When you when you're talking about I

2102
01:57:09,720 --> 01:57:11,880
Speaker 1: got a call from a nut job that's talking about

2103
01:57:11,880 --> 01:57:15,480
Speaker 1: he has our computer. Well, I told you to still away,

2104
01:57:15,600 --> 01:57:18,920
Speaker 1: quick list. It's perfectly you erased the hard drive. There's

2105
01:57:18,920 --> 01:57:24,000
Speaker 1: no problem had drive. Talking my hands all off pictures

2106
01:57:24,240 --> 01:57:27,440
Speaker 1: and the videos. He's telling me with a thousand dollars

2107
01:57:27,880 --> 01:57:30,320
Speaker 1: for what I thought. I raised the hard drive. I

2108
01:57:30,360 --> 01:57:33,160
Speaker 1: could have swore go home hard drive. And now he's

2109
01:57:33,200 --> 01:57:36,560
Speaker 1: talking about his pictures of us you on the Foiland

2110
01:57:37,640 --> 01:57:42,320
Speaker 1: what the horrible when when just give him? Listen, calm down,

2111
01:57:42,520 --> 01:57:45,920
Speaker 1: just give him whatever. He are here with it anymore? Okay?

2112
01:57:46,640 --> 01:57:50,480
Speaker 1: You do you deal with it? You you sold it all, craigist.

2113
01:57:50,640 --> 01:57:52,920
Speaker 1: You wanted to make extra books? You made extra books?

2114
01:57:52,960 --> 01:57:54,280
Speaker 1: Do you deal with it? I don't know how to

2115
01:57:54,320 --> 01:57:57,000
Speaker 1: get a hold of this guy. Peanut Butter was mistake.

2116
01:57:57,560 --> 01:57:59,320
Speaker 1: He seemed to enjoy it at the time. We shouldn't

2117
01:57:59,400 --> 01:58:03,200
Speaker 1: even record. You wanted to get off freaking don't turn

2118
01:58:03,280 --> 01:58:05,160
Speaker 1: this around on me. I did it. It wasn't my

2119
01:58:05,280 --> 01:58:08,200
Speaker 1: idea to take those pictures. That wasn't my idea. You

2120
01:58:08,240 --> 01:58:09,920
Speaker 1: want to get on in the frigerator, take on it.

2121
01:58:11,280 --> 01:58:13,800
Speaker 1: It wasn't my idea to put him on the computer. Okay,

2122
01:58:13,840 --> 01:58:17,560
Speaker 1: Peter Pan, do you want to do all right? Skippy?

2123
01:58:19,000 --> 01:58:21,520
Speaker 1: Brian is a day Brody from Elvis end the Morning Show,

2124
01:58:22,000 --> 01:58:25,600
Speaker 1: and this is we've been phone tapping you. Sorry your

2125
01:58:25,640 --> 01:58:31,520
Speaker 1: computer stall in the garage, Brian, Holy work, I almost

2126
01:58:31,800 --> 01:58:39,160
Speaker 1: had a heart attack. This phone table was prerecorded permission

2127
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Speaker 1: granted by All Party Space Elvis Duran phone tabn Elvis

2128
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Speaker 1: Duran in the Morning Show. Colder flu make you feel

2129
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Speaker 1: like a zombie? What a Nightmare Music. Next night Shift

2130
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Speaker 1: the Shack Sports are we're talking predictions for MVP this year.

2145
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Speaker 1: Go ahead, call us, Hey, Shack. My money's on the

2146
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Speaker 1: Epps and Eco Tank color printer. Excuse me, Oh dude,

2147
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Speaker 1: it doesn't use cartridges and comes with a ridiculous amount

2148
01:59:45,680 --> 01:59:47,440
Speaker 1: of ink, sir, Oh it sees me a ton of

2149
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Speaker 1: trips to the store. Sir. You know MVP sad for

2150
01:59:50,080 --> 01:59:57,000
Speaker 1: most Valuable player, not most Valuable printer. Right, yeah, I

2151
01:59:57,120 --> 02:00:01,440
Speaker 1: know sports spots by Ego take just Feeling Chill, available

2152
02:00:01,480 --> 02:00:06,960
Speaker 1: at Best Buy, Office Depot, and Staples. This is Elvis

2153
02:00:07,240 --> 02:00:11,520
Speaker 1: ran in the Morning Show Scary. Is there such a

2154
02:00:11,560 --> 02:00:14,360
Speaker 1: thing as sushi etiquette? Because yes, it's one thing for

2155
02:00:14,440 --> 02:00:16,480
Speaker 1: people to eat it with forks and and that's out,

2156
02:00:16,560 --> 02:00:18,520
Speaker 1: you know, out ruled. But I was with a friend

2157
02:00:18,560 --> 02:00:21,640
Speaker 1: of mine and she decided to bite into the sushi.

2158
02:00:22,720 --> 02:00:24,480
Speaker 1: We all bite into sushi. No, no, no, aren't you

2159
02:00:24,480 --> 02:00:26,480
Speaker 1: supposed to take the whole thing like in your mouth

2160
02:00:26,520 --> 02:00:28,480
Speaker 1: at once? She's like, I can't fit it all. There

2161
02:00:28,520 --> 02:00:31,400
Speaker 1: are two rules of sushi eating, I know. And if

2162
02:00:31,960 --> 02:00:33,680
Speaker 1: what did she say again, I can't fit the whole

2163
02:00:33,720 --> 02:00:38,600
Speaker 1: thing in my head? Yeah you have you heard that before?

2164
02:00:38,720 --> 02:00:42,320
Speaker 1: One piece at a time? No, no, you. What I've

2165
02:00:42,440 --> 02:00:45,360
Speaker 1: learned is if if it's a large piece of sushi, sushi,

2166
02:00:45,480 --> 02:00:48,120
Speaker 1: you you may bite it and have really but typically

2167
02:00:48,160 --> 02:00:50,400
Speaker 1: it's not supposed to be that big of a piece. Secondly,

2168
02:00:50,560 --> 02:00:54,240
Speaker 1: it's it's totally fine and very accepted to eat it

2169
02:00:54,280 --> 02:00:56,480
Speaker 1: with your fingers. And not use chopsticks or anything. No

2170
02:00:56,600 --> 02:00:59,200
Speaker 1: chopsticks thing. No, I I eat sushi with my fingers.

2171
02:01:00,280 --> 02:01:02,440
Speaker 1: I was always told it's the whole thing all at once.

2172
02:01:02,560 --> 02:01:04,000
Speaker 1: All right, Well I may be wrong, but I've been

2173
02:01:04,040 --> 02:01:08,280
Speaker 1: told by pity people it's okay, but scary. You have

2174
02:01:08,360 --> 02:01:10,560
Speaker 1: the same rule with like a meatball hero, you'll eat

2175
02:01:10,560 --> 02:01:15,600
Speaker 1: the whole thing, like the whole long thing. Up your

2176
02:01:15,640 --> 02:01:18,840
Speaker 1: mouth wid I'm sorry, sushi in there. Just open up

2177
02:01:18,880 --> 02:01:20,640
Speaker 1: your mouth wider. You could take the whole thing. Oh

2178
02:01:23,040 --> 02:01:30,640
Speaker 1: it's all right, holy, all right, Well moving on. This

2179
02:01:30,800 --> 02:01:32,200
Speaker 1: is where when you're the host of a show you

2180
02:01:32,280 --> 02:01:34,920
Speaker 1: get nervous. You don't know where to go at this point. Uh,

2181
02:01:35,360 --> 02:01:50,240
Speaker 1: let's see. Hello are you Japanese? Ye? There a halog.

2182
02:01:50,840 --> 02:01:53,800
Speaker 1: Now we're talking about the proper way to eat sushi.

2183
02:01:53,880 --> 02:01:55,760
Speaker 1: And you know, I think everyone has their own rule,

2184
02:01:55,880 --> 02:01:58,280
Speaker 1: and you know ruler two. So what coming from you,

2185
02:01:58,480 --> 02:02:01,640
Speaker 1: our official Japanese friend of the day, How should we

2186
02:02:01,800 --> 02:02:04,000
Speaker 1: or should we not eat our sushi? You know what,

2187
02:02:04,200 --> 02:02:07,520
Speaker 1: I give you special permission to eat it however you want,

2188
02:02:07,560 --> 02:02:11,360
Speaker 1: as long and you enjoy our food. Okay, thank you?

2189
02:02:11,600 --> 02:02:13,440
Speaker 1: All right? All right, So if you want to eat

2190
02:02:13,520 --> 02:02:15,600
Speaker 1: a half a piece of sushi and bite it off.

2191
02:02:15,720 --> 02:02:18,720
Speaker 1: Even though it bothers scary, it's okay with you. Yeah,

2192
02:02:18,760 --> 02:02:20,480
Speaker 1: oh yeah, no problem. You could eat it all. You

2193
02:02:20,520 --> 02:02:23,240
Speaker 1: could eat it with your hands. Yeah, however you want it. Yeah,

2194
02:02:23,240 --> 02:02:25,320
Speaker 1: I've been eating sushi more and more with my fingers.

2195
02:02:25,360 --> 02:02:28,400
Speaker 1: I just I don't even use chopsticks anymore. It's actually

2196
02:02:28,440 --> 02:02:31,000
Speaker 1: a sign of about its death. When you honor somebody

2197
02:02:31,240 --> 02:02:34,080
Speaker 1: that's passed away, that's how you're supposed to honor them

2198
02:02:34,160 --> 02:02:37,040
Speaker 1: by putting a pair of topsticks in a bowl of

2199
02:02:37,120 --> 02:02:38,880
Speaker 1: right and the rice. It's all about death, So you

2200
02:02:38,920 --> 02:02:40,520
Speaker 1: don't want to be you don't messing with death while

2201
02:02:40,560 --> 02:02:43,760
Speaker 1: you're eating your dinner. No, no, no, no, no, all right,

2202
02:02:44,520 --> 02:02:48,120
Speaker 1: Sage is that your name? Thank you so much. That's

2203
02:02:48,160 --> 02:02:51,040
Speaker 1: all about raw bowing. And you know what, I'm giving

2204
02:02:51,080 --> 02:02:52,360
Speaker 1: you a deep bow because I have a lot of

2205
02:02:52,400 --> 02:02:56,720
Speaker 1: respect for you, Sagie. Thank you very nice. Miss Dan.

2206
02:02:57,120 --> 02:03:02,600
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