WEBVTT - Irritating Posh Kid Hijinks: The Dreadnought Hoax

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<v Speaker 1>Ridiculous Crime is a production of My Heart Radio. What's up,

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<v Speaker 1>Elizabeth Done? You know it's ridiculous. Oh, I've been waiting

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<v Speaker 1>to tell you this. I was looking up some retro

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<v Speaker 1>board games, don't ask, and I had no idea how

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<v Speaker 1>wild old games were. Like, my sister and I were

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<v Speaker 1>talking about it, and then she was telling me once

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<v Speaker 1>she found, so I looked up some. Okay, these are

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<v Speaker 1>the favorites that I found. I just want to tell

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<v Speaker 1>you about them. Right. The board game called Capital Punishment. No, no, no, yeah,

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<v Speaker 1>the kid, it's worse than you think. The object of

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<v Speaker 1>the game is to get all of your criminals to

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<v Speaker 1>be scheduled for the electric chair, get them parked on

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<v Speaker 1>death row or at least be given a life imprisonment sentence.

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<v Speaker 1>And that's it. That's the game. That's how you win. Now.

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<v Speaker 1>The other thing is you do is you take your

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<v Speaker 1>opponents and you basically saddle them with criminals who are

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<v Speaker 1>able to get through to the path of justice. So

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<v Speaker 1>if they can get their criminals paroled and presumably back

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<v Speaker 1>on the street criming again, they lose. At least it's

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<v Speaker 1>not like a cranium style you have to participate game. Yeah, no,

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<v Speaker 1>it's not one of those, uh, the person to Death. No.

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<v Speaker 1>The other one that I liked was Bigfoot, the board

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<v Speaker 1>game Bigfoot. It was a game that allowed you as

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<v Speaker 1>the person just kind of like I don't know, like

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<v Speaker 1>Monopoly or life, where you're going around a board on

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<v Speaker 1>these spaces, right, and you have this plastic bigfoot and

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<v Speaker 1>there are ten discs, and you want to advance your

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<v Speaker 1>big foot around the board. Right. If you land on

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<v Speaker 1>an opponent space and they have a disk there and

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<v Speaker 1>they flip it over and it's a foot, you lose.

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<v Speaker 1>I do not get it. I think the Bigfoot thing

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<v Speaker 1>was just kind of throwing in on top like seventies

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<v Speaker 1>style that the game just doesn't exist because it's no

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<v Speaker 1>I see what you did. That that's the game. See

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<v Speaker 1>that picture the game. That's the paporite. Wait, let me

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<v Speaker 1>see it again. It's like Harry and the Henderson's abducted.

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<v Speaker 1>Play a game with me kids. Lastly, though, this is

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<v Speaker 1>the one I want to tell you most about. My

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<v Speaker 1>favorite of all three that I found was the Crazy

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<v Speaker 1>Cat Lady board game. Don't like an Archie McPhee game.

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<v Speaker 1>Oh yeah, you know it. I only know it's our

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<v Speaker 1>she McPhee from the front cover. Yeah, so you compete

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<v Speaker 1>to rescue cats. You move around the board and like

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<v Speaker 1>once again, you land on spaces that are marked things

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<v Speaker 1>like rescue grumpy old cat from pound or as I

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<v Speaker 1>like to call it, the zoo. And eventually you win

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<v Speaker 1>the game by saving so many cats that your house

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<v Speaker 1>is now overrun by cats and you go crazy from

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<v Speaker 1>all the cat poop everywhere. I think, I think that's

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<v Speaker 1>how you win. I don't know, crazy cat lady, that

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<v Speaker 1>you you win. I have a confession to make. You've

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<v Speaker 1>played the game, No, someone gave it to and never

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<v Speaker 1>I was like, I bet Elizabeth would love this game. Thanks,

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<v Speaker 1>and I'm not the only one. Thanks did Yeah? No,

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<v Speaker 1>someone was like they saw it and thought, Elizabeth, I

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<v Speaker 1>don't own a freaking cat. No, not right now? Right

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<v Speaker 1>I own a freaking cat? Is No, I don't know

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<v Speaker 1>a cat? And then I mean I did at the time.

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<v Speaker 1>You have in the past, right, the same you have

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<v Speaker 1>cat owner. I'm a crazy dog lady, though that thing

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<v Speaker 1>be both right. They don't make the don't limit yourself. No,

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<v Speaker 1>I'm never going to. So, yeah, that's super ridiculous. Waiting

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<v Speaker 1>to tell you. You know what else is ridiculous rich

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<v Speaker 1>people and then more specifically rich people thinking they're clever.

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<v Speaker 1>Oh no, this is Ridiculous Crime, a podcast about absurd

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<v Speaker 1>and outrageous capers, heists and cons. It's always murder free

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<v Speaker 1>and ridiculous. Damn right. Remember Zarin, when I told you

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<v Speaker 1>about that gold turlet that got stolen, Yes, the gold turlet. Yes,

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<v Speaker 1>you remember that toilet, the commode from Baltimore turlet. By

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<v Speaker 1>the end of the story, I was beyond irritated with

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<v Speaker 1>the wealthy folks. Yeah, I was. There's so much power

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<v Speaker 1>tied up in money. So when like a wealthy person

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<v Speaker 1>wants to do some sort of prank, it's always larger

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<v Speaker 1>than life. It doesn't fly under the radar. You know,

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<v Speaker 1>they can outsize it and why sometimes it's not always

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<v Speaker 1>at the expense of the rest of us. Right, But

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<v Speaker 1>there's this just like disregard for ordinary people that rubs

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<v Speaker 1>me the wrong way. And it's kind of like that

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<v Speaker 1>of the little people. You little people enjoy what I'm

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<v Speaker 1>because like maybe the prank bleeds over into like actual crime.

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<v Speaker 1>Laudi da, what does it matter to me? It's a lark.

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<v Speaker 1>Everyone just chill out. You know, most people, we don't

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<v Speaker 1>get to We don't get to have that outlook on it,

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<v Speaker 1>you know. And there there are ramifications when we do stuff. Yes,

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<v Speaker 1>the rest of us who do not have like big

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<v Speaker 1>white cho law forms. So the story I have for

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<v Speaker 1>you today is about fraud. It's a hoax. It's done

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<v Speaker 1>as sort of a prank. I originally thought to make

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<v Speaker 1>fun of excessive war spending. But it's not a political

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<v Speaker 1>prank direct it's not like with it intended to be directed. No, no,

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<v Speaker 1>I have no idea. It wasted time and effort, made

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<v Speaker 1>the perpetrators look like a holes in my point, if

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<v Speaker 1>I'm going to use strong language, I'm over here just blushing.

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<v Speaker 1>But go on. So I want you to get ready

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<v Speaker 1>to be way hazing. Um, I want you to be

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<v Speaker 1>irritated by rich people again, I can do that, right.

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<v Speaker 1>This is the Dreadnought hoax. So let me give you

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<v Speaker 1>some background. So the HMS Dreadnought was yeah, completed in

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<v Speaker 1>nineteen o six. So the New York Times called it

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<v Speaker 1>quote a fast, heavily armed behemoth that changed naval warfare.

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<v Speaker 1>It's awesome power was the focus of attention abroad, just

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<v Speaker 1>as its shocking expense was a point of debate. At

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<v Speaker 1>home now. I mean at the time things were going

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<v Speaker 1>swimmingly in the UK in England. Uh. I just like

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<v Speaker 1>the term going swimming, like the economy wise well for them,

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<v Speaker 1>So they and you know, maybe good planning. They're doing

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<v Speaker 1>some military spending the Victoriana era, right, like oh big

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<v Speaker 1>idea of like still the empires. So they're like, we

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<v Speaker 1>need ships to control the sea. Rule Britannia. The Dreadnought

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<v Speaker 1>was called the most powerful, complex and aggressive machine in

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<v Speaker 1>the world. Yeah. Uh. The ship was a quote potent

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<v Speaker 1>and expensive symbol of state power and authoritarianism. So there's

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<v Speaker 1>this historian Peter Stansky. I'm going to be doing so

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<v Speaker 1>many quotes today. I'm pulling his errand like it. The

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<v Speaker 1>Dreadnought was not only a particular ship, but also the

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<v Speaker 1>first of a new class of powerful battleship, the very

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<v Speaker 1>symbol of the British Navy's assertion of its continuing superiority

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<v Speaker 1>over the German Navy and its determination to maintain its

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<v Speaker 1>position as the most powerful navy in the world. So

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<v Speaker 1>the Royal Navy full of fun times, Oh from what

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<v Speaker 1>I've heard. Yes, if it's not just the buggery, it's

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<v Speaker 1>the scurvy barrel laughs. Um, the ships in the fleet,

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<v Speaker 1>they would play pranks on each other, okay, you know

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<v Speaker 1>while having trying to avoid scurvy, um and so at

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<v Speaker 1>around n the h MS Hawk and the HMS Dreadnought

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<v Speaker 1>were in a hoaxing feud. So they're pranking it up.

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<v Speaker 1>Enter English irishman Horace Dever Cole. Now English irishman. Does

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<v Speaker 1>this mean he's like North Irish, He's like he's not

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<v Speaker 1>from the county county. I mean he's like landowner, Yes,

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<v Speaker 1>a man of privilege. She was most likely probably beholding

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<v Speaker 1>to the craft. Well, I mean his Okay, so his

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<v Speaker 1>maternal great grandfather is the Irish poet Sir Aubrey de

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<v Speaker 1>Vere But you're not you know that's an English title, sir,

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<v Speaker 1>So you know where I'm going to that. His paternal

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<v Speaker 1>grandfather was William Henry Cole, and he was a British

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<v Speaker 1>businessman who made a fortune in the coinine mark it

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<v Speaker 1>and fighting. And you know, of course the other one

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<v Speaker 1>that probably the more prolific one for them. Horace's dad

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<v Speaker 1>died of cholera in India in Inja when Horace was

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<v Speaker 1>a little boy, and Horace almost died of diph theory

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<v Speaker 1>when he was ten and surgeries, Yeah, surgeries were required

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<v Speaker 1>to save his life, but that meant that he couldn't

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<v Speaker 1>really hear very well about like one ear um. He

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<v Speaker 1>couldn't join the army because of that, so instead he

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<v Speaker 1>enlisted in a volunteer cavalry and he went to South

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<v Speaker 1>Africa during the Boer War. He was shot in the

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<v Speaker 1>back by Boer snipers, narrowly avoiding death. So he was

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<v Speaker 1>running from I'm pretty much it's better being shot in

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<v Speaker 1>the back by your own men. Yeah. Well, he returns

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<v Speaker 1>to the UK in rolls in Cambridge and he was

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<v Speaker 1>like known for his pranking, his hoaxing, and then he

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<v Speaker 1>oftentimes did this with his best friend Adrian Stephen. So

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<v Speaker 1>Horace and Adrian they met at Cambridge when they're undergrads.

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<v Speaker 1>One time they dressed up as the Sultan of Zanzibar's uncle,

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<v Speaker 1>and then Adrian, well that was what Horrace dressed up as.

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<v Speaker 1>Adrian dressed up as the Grand Vizier part of the entourage,

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<v Speaker 1>and so the Sultan. At the time, the Sultan of

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<v Speaker 1>Zanzibar was touring England and was going to be at

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<v Speaker 1>Cambridge at the same time, so he's just like, no,

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<v Speaker 1>I'm the Sultan, and he and Adrian, Horace and Adrian,

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<v Speaker 1>they get escorted around Cambridge. They get a formal reception. Yeah,

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<v Speaker 1>they were able to con people because people knew that

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<v Speaker 1>this guy was coming the Sultan. Dad's of r be

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<v Speaker 1>here and then they said, oh, I've got a funny

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<v Speaker 1>hating some robes. Totally there you are, yeah, and so

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<v Speaker 1>like Horace then later tells the Daily Mail about what

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<v Speaker 1>he did, and there's all this publicity around this what

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<v Speaker 1>they're calling a joke, and he gets a book deal

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<v Speaker 1>off of it. He's like an offer for a book deal, like,

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<v Speaker 1>please tell us more. He's never he's never punished. He's

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<v Speaker 1>never I gave it thirty seconds. He's never punished for this,

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<v Speaker 1>but it builds this reputation that he has. He's like, oh, yeah,

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<v Speaker 1>what a clown. So someone on the h MS Hawk

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<v Speaker 1>reaches out to him like we need an expert. They're like,

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<v Speaker 1>Captain prank Er, Hi, this is the h MS Hawk, Um,

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<v Speaker 1>I need you to help us in our prank war

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<v Speaker 1>and it's against the h m MR and that He's like,

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<v Speaker 1>guess what, I'm on it? So he like the back

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<v Speaker 1>the background A team music starts playing, he's going to

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<v Speaker 1>assemble his group. Number one, Adrian Stephen his bestie. He said,

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<v Speaker 1>come on, dude, atrians sister Virginia. So she's like, she's

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<v Speaker 1>an unpublished author at the time. You'll know her later

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<v Speaker 1>as a Virginia Wolf. Yes, that that Virginia will so

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<v Speaker 1>a clever last clever one. By the way, Adrian and

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<v Speaker 1>Virginia's cousin was this guy named Leie Fisher, and he

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<v Speaker 1>was an officer on the dreadnought um so maybe that

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<v Speaker 1>kind of is why they wanted to do this either way. Now,

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<v Speaker 1>this like early Bloomsberry group. Yes, it is artist Duncan Grant,

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<v Speaker 1>who was a paramore of Adrian's and then two friends

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<v Speaker 1>of their's, Guy Ridley and Anthony Buxton, and so I

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<v Speaker 1>think it was Duncan Grant is the one who's in

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<v Speaker 1>the Bloomsberry. This is the very beginning of it. Interesting.

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<v Speaker 1>So you've got this group of people. They're wealthy, worldly educated,

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<v Speaker 1>and apparently they love pranking, and they about the world

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<v Speaker 1>at their feet and they could do whatever they want

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<v Speaker 1>and they choose to prank you. Well and yeah, so okay,

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<v Speaker 1>what kind of prank do we do? We want? To

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<v Speaker 1>prank the Dreadnought for pranking a whole ship. What we

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<v Speaker 1>could do anything, It's so cool. Oh, I know, another

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<v Speaker 1>fake African or African adjacent royal visit. There's not a

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<v Speaker 1>lot in the repertoire with these clowns. So I'm really

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<v Speaker 1>worried about this. This is like screaming great British bake

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<v Speaker 1>off Mexican Week totally. It's like, I know, I'm going

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<v Speaker 1>to be pushing buttons of some of our English listeners,

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<v Speaker 1>but I'm not pushing your buttons. None of the rich,

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<v Speaker 1>like you know, aristocracy or like high falutin types are

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<v Speaker 1>listening to us. My family called it the pink toes, right,

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<v Speaker 1>they got better stuff to do. They don't. They don't

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<v Speaker 1>know what we do down here the cool thing. So

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<v Speaker 1>you know whatever, but if you my feeling, if you

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<v Speaker 1>can't take it, don't dish it. And so Mexican Week

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<v Speaker 1>has laid it out like guess what here the target?

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<v Speaker 1>Now it sucks to be a caricature, doesn't it England?

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<v Speaker 1>Um So anyway, so this group they decided to pose

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<v Speaker 1>as an Abyssinian nobleman named ross Al Mala Ken Machelen

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<v Speaker 1>ross Al Maclen Ethiopians. Yeah, well, I mean that's the thing.

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<v Speaker 1>Absinia Empire located in what is now Ethiopia and Eritrea.

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<v Speaker 1>That empire lasted from twelve seventy into what seventy four.

0:12:56.480 --> 0:12:58.880
<v Speaker 1>It's one of the great African empires. Yeah, highly. Selassie

0:12:58.960 --> 0:13:02.680
<v Speaker 1>gets deposed by a Soviet backed military, a punta, and

0:13:02.720 --> 0:13:05.600
<v Speaker 1>that they've ruled until ninety one. So anyway, so they're

0:13:05.600 --> 0:13:09.840
<v Speaker 1>saying they're these Abyssinians, um like an uncle maybe a

0:13:09.840 --> 0:13:13.720
<v Speaker 1>cousin of the emperor and and then his whole entourage.

0:13:14.200 --> 0:13:19.200
<v Speaker 1>So Horace says that like they're Abyssinian royals. They're in England.

0:13:19.200 --> 0:13:22.240
<v Speaker 1>They're visiting Eaton. Oh that's where Horace went. So this

0:13:22.320 --> 0:13:24.240
<v Speaker 1>is basically like the equivalent of for now, like, oh,

0:13:24.280 --> 0:13:26.480
<v Speaker 1>I'm a Saudi prince like you everybody knows this means

0:13:26.520 --> 0:13:30.000
<v Speaker 1>you're well exactly. And they say, oh, we're coming to

0:13:30.040 --> 0:13:32.760
<v Speaker 1>look at Eaton's, like we may send our kids there.

0:13:33.000 --> 0:13:36.400
<v Speaker 1>So Horace gets in touch with a costumer named Willie

0:13:36.480 --> 0:13:39.640
<v Speaker 1>Clarkson and he talks to him a bunch of times.

0:13:39.679 --> 0:13:42.760
<v Speaker 1>They have all these meetings like let's talk wardrobe and

0:13:42.800 --> 0:13:44.560
<v Speaker 1>they go and they drink tea. How do you feel

0:13:44.600 --> 0:13:50.360
<v Speaker 1>about sequence? Bring me some swatches. Clarkson had done costumes

0:13:50.400 --> 0:13:53.840
<v Speaker 1>for all these like major theater productions in Paris and

0:13:53.880 --> 0:13:57.160
<v Speaker 1>in New York. Um in one of these books that

0:13:57.200 --> 0:14:00.000
<v Speaker 1>says he quote provided wigs to all the leading ladies

0:14:00.040 --> 0:14:03.679
<v Speaker 1>of the Aedwardian age, from Marie Lloyd to Sarah Bernhardt.

0:14:04.640 --> 0:14:07.240
<v Speaker 1>He's like, whig masters, I do know who Sarah Bernhard is.

0:14:07.280 --> 0:14:11.000
<v Speaker 1>That's a theater lady. Yeah, yeah, something like that. In

0:14:11.040 --> 0:14:15.400
<v Speaker 1>the eighties, he also quote assisted Scotland Yard in their

0:14:15.400 --> 0:14:19.760
<v Speaker 1>attempts to catch Jack the Ripper by disguising officers as prostitutes.

0:14:20.520 --> 0:14:26.480
<v Speaker 1>Oh that's so he's dressing him up as tarts. He's like,

0:14:26.520 --> 0:14:28.200
<v Speaker 1>all right, look, here's what we need. We need some

0:14:28.240 --> 0:14:30.360
<v Speaker 1>cops dressed as sex workers. I happened to be really

0:14:30.360 --> 0:14:32.480
<v Speaker 1>good at that. I've got all the best makeup. I

0:14:32.520 --> 0:14:35.760
<v Speaker 1>happened a game. Yeah, don't ask me about the questions.

0:14:35.760 --> 0:14:40.360
<v Speaker 1>You know how I got this stuff. Just it. Horace

0:14:40.400 --> 0:14:43.080
<v Speaker 1>and his whole group they meet at Adrian and Virginia's

0:14:43.120 --> 0:14:46.560
<v Speaker 1>house on early in the morning of Monday, February seven,

0:14:46.800 --> 0:14:53.160
<v Speaker 1>nineteen ten, and Clarkson and brings some assistance. They show up. Um,

0:14:53.200 --> 0:14:54.920
<v Speaker 1>he kind of had figured out what they were up

0:14:54.920 --> 0:14:58.480
<v Speaker 1>to by this point and keeps his mouth shut. He's like,

0:14:58.520 --> 0:14:59.760
<v Speaker 1>you know what I can do it, I can keep

0:14:59.760 --> 0:15:03.640
<v Speaker 1>you see grid. So Anthony Buckston, he dresses up as

0:15:03.680 --> 0:15:07.880
<v Speaker 1>a nobleman, like the one who's got leading this whole crew,

0:15:08.360 --> 0:15:11.160
<v Speaker 1>ros L Mackelin. Oh like yeah, like I like the

0:15:11.240 --> 0:15:13.920
<v Speaker 1>ross L because it's like the Rastafari you can actually hear,

0:15:13.960 --> 0:15:15.800
<v Speaker 1>you can hear it. So he's going to be this

0:15:15.880 --> 0:15:19.880
<v Speaker 1>nobleman ross El, Russell MacLean and then which kind of

0:15:19.920 --> 0:15:22.760
<v Speaker 1>sounds like McCallan, but we're gonna let that go. Virginia,

0:15:22.840 --> 0:15:26.040
<v Speaker 1>Duncan and Ridley. They dress up as princes in full

0:15:26.080 --> 0:15:30.120
<v Speaker 1>black face and robes. Yeah, they're calling themselves Ross I'll

0:15:30.320 --> 0:15:38.840
<v Speaker 1>sing Anya, ros L Mendax and Roz Michel Gallan. L.

0:15:39.680 --> 0:15:42.680
<v Speaker 1>Wait a minute, so they do black face, which I'm

0:15:42.680 --> 0:15:47.040
<v Speaker 1>assuming they only did the paint. They didn't do anything

0:15:47.040 --> 0:15:49.960
<v Speaker 1>to just change their look, like you know, no, no, See,

0:15:50.360 --> 0:15:53.200
<v Speaker 1>there's a book called The Sultan of Zanzibar, The Bizarre

0:15:53.240 --> 0:15:57.240
<v Speaker 1>World and Spectacular Hoaxes of Horace de air cole And

0:15:57.960 --> 0:16:03.280
<v Speaker 1>by a man named Martin Downer. He Marty details the

0:16:03.400 --> 0:16:06.800
<v Speaker 1>entire thing. It's a it's a slog um. He talks

0:16:06.840 --> 0:16:09.840
<v Speaker 1>about their makeup, and the names of the colors and

0:16:09.920 --> 0:16:12.440
<v Speaker 1>such that they use are so offensive that I will

0:16:12.480 --> 0:16:15.240
<v Speaker 1>not repeat them. Is it like and word name of

0:16:15.560 --> 0:16:19.840
<v Speaker 1>h Yeah, and so they just they're painting, they're painting

0:16:19.880 --> 0:16:23.640
<v Speaker 1>the faces. It's yeah. I just always love the idea.

0:16:23.680 --> 0:16:26.160
<v Speaker 1>As a black person, I find it really amusing that

0:16:26.360 --> 0:16:28.880
<v Speaker 1>people think, oh, you know what I can do blackness,

0:16:28.880 --> 0:16:31.880
<v Speaker 1>I'll just paint my skin. And I'm like, for so

0:16:31.920 --> 0:16:34.800
<v Speaker 1>many reasons, I will say you're wrong, but I just

0:16:34.880 --> 0:16:36.800
<v Speaker 1>like that you think that's all that there is, and

0:16:36.840 --> 0:16:39.840
<v Speaker 1>like anybody else is going to see that going there

0:16:39.880 --> 0:16:45.520
<v Speaker 1>it is it's not all the historical oppression or anything that. Yeah,

0:16:45.640 --> 0:16:49.120
<v Speaker 1>I love that for them anyway. So they're worried that

0:16:49.160 --> 0:16:52.320
<v Speaker 1>the makeup is going to run, and so Clark's in

0:16:52.400 --> 0:16:55.080
<v Speaker 1>the costume where he says, don't eat or drink anything

0:16:55.640 --> 0:16:58.280
<v Speaker 1>while you're there. But they had forgotten to eat breakfast.

0:16:58.400 --> 0:17:00.960
<v Speaker 1>So in all the accounts that I was reading, oh,

0:17:01.000 --> 0:17:04.119
<v Speaker 1>we were so hungry the whole time, I have at

0:17:04.119 --> 0:17:07.200
<v Speaker 1>no point did I feel sorry for them being hungry.

0:17:07.240 --> 0:17:09.639
<v Speaker 1>But okay, okay, so they're going to dress up as

0:17:10.240 --> 0:17:13.480
<v Speaker 1>Abyssinian Royalty and I'm gonna go hoax a ship. What

0:17:13.560 --> 0:17:15.960
<v Speaker 1>the Abyssinian Royalty has to do with hoaxing the ship?

0:17:16.040 --> 0:17:17.640
<v Speaker 1>Like what is it? What we fooled you by letting

0:17:17.680 --> 0:17:20.760
<v Speaker 1>these fake Abyssinians on, Like we got over on you

0:17:20.800 --> 0:17:23.480
<v Speaker 1>that we're not really black. Okay, who's to say I'm

0:17:23.480 --> 0:17:27.479
<v Speaker 1>trying to catch us to say? So? Adrian is his

0:17:27.600 --> 0:17:31.520
<v Speaker 1>job is to play the official translator. And then Horace

0:17:31.840 --> 0:17:37.199
<v Speaker 1>plays someone named Chamandalay from the Foreign Office, now like

0:17:37.240 --> 0:17:41.280
<v Speaker 1>an Indian. Well, remember Horace's maternal great grandfather the Irish poems,

0:17:41.680 --> 0:17:45.119
<v Speaker 1>Sir Aubrey de Vere Chamandalay was the name of the

0:17:45.160 --> 0:17:48.440
<v Speaker 1>family who replaced the Deviers as the Lord Great Chamberlain

0:17:48.480 --> 0:17:51.480
<v Speaker 1>in England, and so that was the title that the

0:17:51.560 --> 0:17:54.240
<v Speaker 1>Deviers believed they still laid claim to. So it's like

0:17:54.240 --> 0:17:57.600
<v Speaker 1>a rival family. He's just their name is really sticking

0:17:57.640 --> 0:18:01.080
<v Speaker 1>it to the man over wo get them guys, Horace

0:18:01.119 --> 0:18:04.320
<v Speaker 1>and Adrian, they're not in black face because they're playing

0:18:04.480 --> 0:18:08.879
<v Speaker 1>white folks. Umslat Yeah, Adrian did wear a fake beard

0:18:09.080 --> 0:18:11.639
<v Speaker 1>and a mustache. And then what's referred to in the

0:18:11.640 --> 0:18:15.439
<v Speaker 1>book as a little sunburn powder sunburned powder. You know

0:18:15.440 --> 0:18:18.760
<v Speaker 1>what that means? That like like a rust colored ready

0:18:18.880 --> 0:18:22.280
<v Speaker 1>ready thing I've never even heard so, But because of that,

0:18:22.320 --> 0:18:25.880
<v Speaker 1>they could eat whatever they wanted, you know. So they

0:18:25.880 --> 0:18:30.399
<v Speaker 1>took a couple of portraits for posterity sake. Yeah, And

0:18:30.440 --> 0:18:32.960
<v Speaker 1>then after the costume and the black face are done,

0:18:33.200 --> 0:18:39.919
<v Speaker 1>they go to Paddington Stations. Good question, so Horace. He

0:18:40.080 --> 0:18:43.080
<v Speaker 1>requests a special V I P rail coach take them

0:18:43.119 --> 0:18:46.440
<v Speaker 1>to Weymouth where the fleet is docked. About an hour

0:18:46.480 --> 0:18:48.879
<v Speaker 1>after they leave the station, they have this friend who's

0:18:48.960 --> 0:18:56.800
<v Speaker 1>named Tudor Castle Tu d o R. Castle. He sends

0:18:56.800 --> 0:18:59.920
<v Speaker 1>a having a friend named Glass Skyscraper basically or why

0:19:00.000 --> 0:19:03.520
<v Speaker 1>eight house. Uh. He sends a forged telegram to the

0:19:03.600 --> 0:19:07.320
<v Speaker 1>under from the Under Secretary of State Charles Hardinge to

0:19:07.480 --> 0:19:10.040
<v Speaker 1>the Commander in Chief of the Home Fleet, Admiral May,

0:19:10.080 --> 0:19:13.560
<v Speaker 1>saying that Prince Macalan will arrive around four twenty to

0:19:13.640 --> 0:19:15.359
<v Speaker 1>meet them on a ride PM and meet him on

0:19:15.480 --> 0:19:20.280
<v Speaker 1>arrival meet them there at So there's this tight timeline.

0:19:20.320 --> 0:19:23.760
<v Speaker 1>The Admiral doesn't send a telegram back for confirmation because

0:19:23.760 --> 0:19:27.359
<v Speaker 1>he's like, oh snap, like okay, we're doing Yeah. So

0:19:27.440 --> 0:19:30.520
<v Speaker 1>on the train ride, Horace and Adrian. They're like, they're

0:19:30.520 --> 0:19:33.000
<v Speaker 1>trying to learn Swahili on the train ride and they

0:19:33.040 --> 0:19:37.080
<v Speaker 1>get say, of this book, Adrian says, Swahili is I

0:19:37.119 --> 0:19:39.959
<v Speaker 1>believe spoken in some parts of East Africa. Whether it's

0:19:40.000 --> 0:19:43.080
<v Speaker 1>spoken in Abyssinia or not, I don't know. But we

0:19:43.119 --> 0:19:45.119
<v Speaker 1>thought it might be as well for me to know

0:19:45.200 --> 0:19:47.520
<v Speaker 1>a few phrases. And to that end, we had bought

0:19:47.560 --> 0:19:50.600
<v Speaker 1>a grammar from the Society for the Propagation of the Gospel.

0:19:51.200 --> 0:19:53.840
<v Speaker 1>Do you know what language is not spoken in Ethiopia,

0:19:54.080 --> 0:19:59.880
<v Speaker 1>Eritrea or the former Abyssinia. It's banned to so nice try.

0:20:00.600 --> 0:20:03.040
<v Speaker 1>It's like, you're like, I gotta teach myself some Greek

0:20:03.040 --> 0:20:05.240
<v Speaker 1>phrases because I'm going to France or I'm going to

0:20:05.280 --> 0:20:07.159
<v Speaker 1>North America, so I should probably learn some Spanish. And

0:20:07.160 --> 0:20:10.679
<v Speaker 1>you land in Canada. Yeah, pretty much. I need to

0:20:10.720 --> 0:20:14.320
<v Speaker 1>take a break. These people are irritating me. Um when

0:20:14.320 --> 0:20:16.640
<v Speaker 1>we get back, I'm gonna tell you about all these

0:20:16.680 --> 0:20:19.000
<v Speaker 1>softies and black face flouncing around on a warship. I

0:20:19.040 --> 0:20:20.439
<v Speaker 1>just want to know what they what they're gonna do

0:20:20.440 --> 0:20:43.320
<v Speaker 1>on this ship. Yeah, okay, Zaron. When we left off,

0:20:43.920 --> 0:20:46.800
<v Speaker 1>Horace and this gang of pranksters they're on their way

0:20:46.840 --> 0:20:49.040
<v Speaker 1>to pull off an epic prank on board of a

0:20:49.119 --> 0:20:52.720
<v Speaker 1>navy ship. They got on the train. They're making their

0:20:52.760 --> 0:20:58.439
<v Speaker 1>way all in what they think is Abyssinian garb zaren.

0:20:58.960 --> 0:21:02.600
<v Speaker 1>I want you to close your eyes. No, no, I'm

0:21:02.600 --> 0:21:05.200
<v Speaker 1>gonna leave my eyes open. Then open your eyes and

0:21:05.280 --> 0:21:12.439
<v Speaker 1>pictures eyes. It's February seventh, nineteen ten. You're a traveling doctor.

0:21:13.440 --> 0:21:16.200
<v Speaker 1>You're on your way from your clinic in Dorchester, headed

0:21:16.280 --> 0:21:19.240
<v Speaker 1>to see some patients in Weymouth on the southern coast

0:21:19.240 --> 0:21:23.560
<v Speaker 1>of England, and the train pulls into Dorchester. You see

0:21:23.600 --> 0:21:25.960
<v Speaker 1>through the windows a group of people dressed in weird

0:21:26.000 --> 0:21:29.400
<v Speaker 1>costumes and face paint, well, let's be specific, black face.

0:21:30.680 --> 0:21:32.879
<v Speaker 1>It's you know, some of them, it's pretty obvious that

0:21:32.960 --> 0:21:37.800
<v Speaker 1>it's face paint. I think all of them the right.

0:21:38.760 --> 0:21:40.560
<v Speaker 1>So you get in the carriage and you see that

0:21:40.600 --> 0:21:43.760
<v Speaker 1>they're wearing these like flowing silk robes and then calftands

0:21:43.800 --> 0:21:48.679
<v Speaker 1>over slacks they have on turbans. You know, they have

0:21:48.760 --> 0:21:52.120
<v Speaker 1>really suspicious facial hair, suspicious and that it looks fake

0:21:52.160 --> 0:21:55.320
<v Speaker 1>as hell. So you take a seat at the end

0:21:55.480 --> 0:21:57.399
<v Speaker 1>the other end of the carriage. You're like, just you

0:21:57.400 --> 0:21:59.879
<v Speaker 1>know what, I just want to think about trains. Just

0:22:00.040 --> 0:22:02.400
<v Speaker 1>love train. Have we talked about training? I've been here

0:22:02.400 --> 0:22:04.120
<v Speaker 1>and I just want to be with the trains. Is sar,

0:22:04.160 --> 0:22:05.760
<v Speaker 1>and I want to talk to you about trains, but

0:22:05.840 --> 0:22:08.760
<v Speaker 1>instead I want to keep telling you this story. So

0:22:09.080 --> 0:22:11.960
<v Speaker 1>the group, they're whispering and giggling to themselves, and you

0:22:12.000 --> 0:22:14.600
<v Speaker 1>think these are just some like well to do Oxbridge

0:22:14.640 --> 0:22:17.000
<v Speaker 1>types out on like a theater trip of some sort?

0:22:17.840 --> 0:22:20.760
<v Speaker 1>Is that like new avant garde data? Is M performance

0:22:20.800 --> 0:22:24.960
<v Speaker 1>stuff that I've been reading about doing. Train pulls up

0:22:24.960 --> 0:22:28.359
<v Speaker 1>at its terminus, Weymouth station. You get out of the

0:22:28.400 --> 0:22:31.040
<v Speaker 1>train before the troop of goofballs. You see a red

0:22:31.080 --> 0:22:35.800
<v Speaker 1>carpet and a naval officer in full dress uniform and

0:22:35.840 --> 0:22:39.320
<v Speaker 1>they're like, oh hey, hey, is there someone famous on

0:22:39.359 --> 0:22:42.320
<v Speaker 1>this train? Is it I don't know, H G. Wells,

0:22:42.840 --> 0:22:46.680
<v Speaker 1>I Forced or some other person that goes by two initials. Uh,

0:22:46.760 --> 0:22:52.200
<v Speaker 1>You're shocked j G bo J G Wentworth. You're shocked

0:22:52.240 --> 0:22:57.119
<v Speaker 1>when you see this. Sorry, please go on em C

0:22:57.280 --> 0:23:02.320
<v Speaker 1>wren light. Uh. The group gets off the train and

0:23:02.400 --> 0:23:06.199
<v Speaker 1>that's who the officers waiting for leads him down a

0:23:06.240 --> 0:23:10.239
<v Speaker 1>red carpet. You are shocked, shocked, I tell you. So

0:23:10.280 --> 0:23:13.240
<v Speaker 1>the group gets taken to the dock where Admiral May

0:23:13.320 --> 0:23:15.680
<v Speaker 1>and the rest of the ship's staff are all waiting

0:23:15.880 --> 0:23:19.960
<v Speaker 1>on the Dreadnought, all in full dress regalia. No one

0:23:20.119 --> 0:23:24.040
<v Speaker 1>is suspicious of the face paint in the costumes. Apparently really,

0:23:24.280 --> 0:23:26.959
<v Speaker 1>I just can't, I cannot get my head around this.

0:23:27.200 --> 0:23:32.399
<v Speaker 1>These are adults, these are grown folks, okay. So the

0:23:32.520 --> 0:23:36.560
<v Speaker 1>Royal Marines Band starts to play to greet them, and

0:23:36.600 --> 0:23:43.560
<v Speaker 1>they play the national anthem of Zanzibar No, and they

0:23:43.600 --> 0:23:45.760
<v Speaker 1>apologize to like, you know what, we don't have the

0:23:45.800 --> 0:23:51.880
<v Speaker 1>Abyssinian one any port and storm it's African. Hey close enough.

0:23:52.320 --> 0:23:56.240
<v Speaker 1>So Horace then introduces everyone. He like misspells his own name,

0:23:56.320 --> 0:24:00.520
<v Speaker 1>he gets the names wrong. He introduces Adrian as hair Hoffman,

0:24:01.200 --> 0:24:04.320
<v Speaker 1>a German translator, and they're both kind of like surprised

0:24:05.240 --> 0:24:07.800
<v Speaker 1>German accent on the and then and the thing is,

0:24:07.840 --> 0:24:10.919
<v Speaker 1>it's like Germans aren't really welcome on worships at nineteen

0:24:11.400 --> 0:24:16.639
<v Speaker 1>ten in England. So Adrian was like later explained, I

0:24:16.680 --> 0:24:19.199
<v Speaker 1>had picked an English name that sounded kind of like Coffin,

0:24:19.200 --> 0:24:20.679
<v Speaker 1>but I guess he didn't hear me, and he just

0:24:20.720 --> 0:24:26.240
<v Speaker 1>went with Harry Kaufman, so they also, he, like Horace,

0:24:26.480 --> 0:24:30.640
<v Speaker 1>switches up the names of the princess. Princess. He calls Buxton,

0:24:30.720 --> 0:24:33.399
<v Speaker 1>who was playing the character for whom the visit had

0:24:33.440 --> 0:24:39.199
<v Speaker 1>been arranged, Yeah, Rosal Macalen. He calls him russ L Mendex.

0:24:40.520 --> 0:24:43.840
<v Speaker 1>And then don't you feel like Horace is one of

0:24:43.880 --> 0:24:48.560
<v Speaker 1>those reckless people who just wants to get caught. And

0:24:48.600 --> 0:24:50.720
<v Speaker 1>it's like either because he knows because of who his

0:24:50.840 --> 0:24:53.240
<v Speaker 1>family is, in his station in life, that nothing's going

0:24:53.280 --> 0:24:55.359
<v Speaker 1>to happen to him, or then there's also like a

0:24:55.359 --> 0:24:56.840
<v Speaker 1>little bit of a high of like, you know what

0:24:56.880 --> 0:24:58.639
<v Speaker 1>I can get out of this, Like I can use

0:24:58.680 --> 0:25:00.480
<v Speaker 1>all out of this. I think it actually goes both ways.

0:25:00.520 --> 0:25:02.480
<v Speaker 1>I think he exactly what you say. He has the

0:25:02.520 --> 0:25:04.280
<v Speaker 1>hive knowing he can get out of it, but also

0:25:04.600 --> 0:25:07.719
<v Speaker 1>he kind of likes being caught and shamed because he

0:25:07.760 --> 0:25:10.440
<v Speaker 1>has never really had that, and he's a naughty boy.

0:25:10.520 --> 0:25:12.680
<v Speaker 1>He craves. Yes, He's like, tell me I'm a naughty boy,

0:25:13.160 --> 0:25:17.000
<v Speaker 1>thank you so much. Okay, So Adrian gets worried right

0:25:17.040 --> 0:25:19.439
<v Speaker 1>because don't forget cousin Willie's on the boat. Oh not

0:25:19.520 --> 0:25:22.920
<v Speaker 1>old cousin Willie, and there's also he recognizes a guy

0:25:22.920 --> 0:25:26.160
<v Speaker 1>who's part of his Sunday walking club and we all

0:25:26.200 --> 0:25:29.480
<v Speaker 1>have Sunday walking clubs. Yeah, I got a Monday. He

0:25:29.560 --> 0:25:34.479
<v Speaker 1>sees Willie, he sees Sunday Walker Man, and uh, he

0:25:34.520 --> 0:25:37.320
<v Speaker 1>doesn't know Sunday Walker Man is a captain on this

0:25:37.400 --> 0:25:40.200
<v Speaker 1>ship until that morning. That morning he's standing there, He's like,

0:25:40.200 --> 0:25:44.600
<v Speaker 1>they're going to recognize me. They don't. They don't recognize them.

0:25:45.280 --> 0:25:48.600
<v Speaker 1>They see what they want to see. And like Virginia,

0:25:48.880 --> 0:25:52.560
<v Speaker 1>she really loves cousin Willie, but Adrian and the Stephen

0:25:52.640 --> 0:25:55.760
<v Speaker 1>family kind of looked down on Willie because he was

0:25:55.840 --> 0:25:58.240
<v Speaker 1>very conformist and came from like a middle class part

0:25:58.280 --> 0:26:02.360
<v Speaker 1>of the family. Okay, so maybe they're just they're kind

0:26:02.359 --> 0:26:06.560
<v Speaker 1>of like getting the kick out of face. Yeah. So

0:26:06.800 --> 0:26:09.960
<v Speaker 1>the officers they get invited to a party and have

0:26:10.080 --> 0:26:14.600
<v Speaker 1>a drink. Adrian says, no, we don't consume alcohol, partly

0:26:14.640 --> 0:26:18.520
<v Speaker 1>because they are all in they'll have their face start running,

0:26:18.760 --> 0:26:20.720
<v Speaker 1>and so the officers are like, well, can we get

0:26:20.720 --> 0:26:27.200
<v Speaker 1>you food tea? And then Virginia she said that no

0:26:28.440 --> 0:26:31.000
<v Speaker 1>on behalf of this group. No, we must decline because

0:26:31.080 --> 0:26:33.520
<v Speaker 1>we have to have our food prepared in a special way. Now,

0:26:33.600 --> 0:26:37.480
<v Speaker 1>is Virginia wolf in black face? Yeah? I think so, right.

0:26:37.640 --> 0:26:39.280
<v Speaker 1>I was just assuming because you said the only people

0:26:39.280 --> 0:26:40.800
<v Speaker 1>who weren't were the two people who are the white

0:26:40.840 --> 0:26:43.040
<v Speaker 1>dudes translators. So everyone else I'm picturing in black face

0:26:43.640 --> 0:26:46.800
<v Speaker 1>black wolves, and they're going no, no, ill. And I'm

0:26:46.840 --> 0:26:49.280
<v Speaker 1>not sure how she expresses. She says that later she

0:26:49.400 --> 0:26:52.080
<v Speaker 1>did that, but like you'll, you'll find out, Okay. So

0:26:52.640 --> 0:26:55.240
<v Speaker 1>then they said, oh, you know, oh, I'm sorry. It

0:26:55.240 --> 0:26:58.080
<v Speaker 1>wasn't Virginia who declined. It was Adrian who said, no,

0:26:58.160 --> 0:26:59.680
<v Speaker 1>we can't eat because it has to be prepared to

0:26:59.720 --> 0:27:04.600
<v Speaker 1>especial away. Yeah, Virginia's and black faces, but they don't

0:27:04.640 --> 0:27:08.520
<v Speaker 1>know the word for it. So um, he said at sunset,

0:27:08.560 --> 0:27:11.960
<v Speaker 1>we have to pray towards Mecca, but he forgets that

0:27:12.320 --> 0:27:15.479
<v Speaker 1>they're all wearing crucifixes because they're pretending to be Coptic

0:27:15.560 --> 0:27:21.960
<v Speaker 1>Christians exactly exactly, but you know, hey, it's just somewhere

0:27:22.000 --> 0:27:25.560
<v Speaker 1>over there. Um. So then to accommodate the prayer, Admiral

0:27:25.600 --> 0:27:31.040
<v Speaker 1>may quote officially delayed sunset, meaning that the buglers across

0:27:31.200 --> 0:27:33.320
<v Speaker 1>all the boats in the fleet. They stood waiting for

0:27:33.359 --> 0:27:37.119
<v Speaker 1>the dreadnought to give the sign for sunset, and he

0:27:37.160 --> 0:27:40.320
<v Speaker 1>had to coordinate whether it was really sunset, what was

0:27:40.359 --> 0:27:43.679
<v Speaker 1>the sun doing. I don't know. The whole thing is

0:27:43.760 --> 0:27:47.160
<v Speaker 1>just this British military, like we ignore the reality. We're

0:27:47.160 --> 0:27:51.320
<v Speaker 1>waiting for the whistle exactly. So Horace though, he's like,

0:27:51.359 --> 0:27:54.199
<v Speaker 1>you know what, I'll have some of that tea. And

0:27:54.240 --> 0:27:56.880
<v Speaker 1>then Adrian and the princess they go on a tour.

0:27:56.960 --> 0:28:01.000
<v Speaker 1>They get shown around the ship for forty minutes. They're there,

0:28:01.040 --> 0:28:05.080
<v Speaker 1>marched all over the ship. Yeah, Adrian, he needs to

0:28:05.119 --> 0:28:09.600
<v Speaker 1>disguise his voice, so he spoken quote a most unnatural

0:28:09.720 --> 0:28:12.560
<v Speaker 1>deep base and an accent that was meant to be German.

0:28:13.200 --> 0:28:15.840
<v Speaker 1>And then he forgot all the Swahili that he learned

0:28:15.880 --> 0:28:19.359
<v Speaker 1>over He couldn't remember what to like translate, so to

0:28:19.480 --> 0:28:23.240
<v Speaker 1>compensate when he's translate when he's speaking to the group,

0:28:23.640 --> 0:28:26.800
<v Speaker 1>he's using like Latin and Greek that he remembered from

0:28:26.800 --> 0:28:30.320
<v Speaker 1>studying Homer. Oh God. And so this is a British navy.

0:28:30.320 --> 0:28:31.959
<v Speaker 1>A bunch of them speak Latin and Greek too. I

0:28:31.960 --> 0:28:33.800
<v Speaker 1>bet so they're catching some of them. Well. He's also

0:28:33.840 --> 0:28:37.480
<v Speaker 1>throwing in nonsense words, so it's just a mishmash. Here's

0:28:37.480 --> 0:28:41.000
<v Speaker 1>what Adrian Stephen said about it later, quote, I don't

0:28:41.040 --> 0:28:44.800
<v Speaker 1>find it easy to speak fluent Gibberish impromptu. I must

0:28:44.880 --> 0:28:48.240
<v Speaker 1>somehow produce something that would not be too jerky, too implausible.

0:28:48.520 --> 0:28:50.600
<v Speaker 1>I had to take care that neither the Latin nor

0:28:50.640 --> 0:28:53.240
<v Speaker 1>the Greek should be recognized, of course, but I felt

0:28:53.280 --> 0:28:56.920
<v Speaker 1>that probably few naval officers had suffered an education like mine.

0:28:57.280 --> 0:28:59.560
<v Speaker 1>And in any case I so broke up the words

0:28:59.600 --> 0:29:02.160
<v Speaker 1>and so mispronounced, and that probably they would have escaped

0:29:02.200 --> 0:29:06.560
<v Speaker 1>notice even of the best scholar naval officers not knowing Latin?

0:29:06.840 --> 0:29:09.959
<v Speaker 1>Does he not know anything about British naval officers, Like

0:29:10.000 --> 0:29:13.040
<v Speaker 1>he's like the poorest don't know these things? Like I'm

0:29:13.080 --> 0:29:16.040
<v Speaker 1>with him on Like maybe your average sailor doesn't know Latin.

0:29:16.120 --> 0:29:22.880
<v Speaker 1>But a British naval officer, so Buxton as the press,

0:29:22.920 --> 0:29:25.040
<v Speaker 1>he would repeat some of the words that he heard

0:29:25.080 --> 0:29:28.120
<v Speaker 1>Adrian use in his responses back to him, and like

0:29:28.160 --> 0:29:31.120
<v Speaker 1>a couple of the officers apparently remarked on the quote

0:29:31.120 --> 0:29:35.200
<v Speaker 1>oddness of their lingo. Um, but so and there was

0:29:35.520 --> 0:29:38.480
<v Speaker 1>there was an officer on the ship who spoke Abyssinian,

0:29:40.000 --> 0:29:45.000
<v Speaker 1>but he was away on leave damn. Oh, this is

0:29:45.040 --> 0:29:48.480
<v Speaker 1>all pre Vatican too, so every Catholic pretty much a

0:29:48.520 --> 0:29:52.400
<v Speaker 1>whole lot of Catholics on that good back. For Virginia,

0:29:52.880 --> 0:29:55.280
<v Speaker 1>she's worried that her voice is going to sound too feminine,

0:29:55.320 --> 0:29:58.200
<v Speaker 1>so she just grunts and tending to be a man. Yeah,

0:29:58.360 --> 0:30:00.560
<v Speaker 1>I forgot about that. Yeah, she's one of the p right,

0:30:00.920 --> 0:30:07.640
<v Speaker 1>So she's just grunting and laughing. Ho ho ho um.

0:30:07.720 --> 0:30:10.920
<v Speaker 1>Then she says later she admitted, quote, it is very difficult,

0:30:11.040 --> 0:30:14.400
<v Speaker 1>I found, to look perfectly blank when you hear English spoken,

0:30:14.680 --> 0:30:17.080
<v Speaker 1>and then to show great interest and intelligence when you

0:30:17.080 --> 0:30:21.680
<v Speaker 1>hear pure gibberish. I'm sorry, decided to keep saying, oh wow,

0:30:22.160 --> 0:30:25.480
<v Speaker 1>I really cannot say other without cussing. So this is me,

0:30:25.640 --> 0:30:29.160
<v Speaker 1>This is me researching this, reading that book and going oh,

0:30:29.400 --> 0:30:31.680
<v Speaker 1>closing the book and taking a deep breath and then

0:30:31.720 --> 0:30:33.480
<v Speaker 1>opening it back up and being like, do I really

0:30:33.520 --> 0:30:36.840
<v Speaker 1>want to get mad again? Um. So at one point

0:30:37.080 --> 0:30:39.880
<v Speaker 1>they're up on the mass like admiring what they're calling

0:30:39.920 --> 0:30:44.400
<v Speaker 1>the new wireless equipment like videos. Duncan's mustache starts to

0:30:44.520 --> 0:30:49.480
<v Speaker 1>lift in the wind. So Virginia sees this. She motions

0:30:49.520 --> 0:30:52.760
<v Speaker 1>to her brother Adrian, and she's and he says something

0:30:52.800 --> 0:30:56.600
<v Speaker 1>to Duncan in quote Abyssinian um, and then takes him

0:30:56.600 --> 0:30:58.479
<v Speaker 1>over to a dark corner to fix it. How does

0:30:58.480 --> 0:31:01.400
<v Speaker 1>one say in Abyssinian you're giving free mustache rides away.

0:31:03.160 --> 0:31:06.640
<v Speaker 1>I don't know. We're gonna have to have a good friend.

0:31:06.640 --> 0:31:11.560
<v Speaker 1>Is Ethiopian, I'll ask her, um so uh. Adrian later

0:31:11.640 --> 0:31:14.400
<v Speaker 1>wrote quote I did what I could with an umbrella,

0:31:14.760 --> 0:31:16.840
<v Speaker 1>but there were five people to cover. And then I

0:31:16.880 --> 0:31:19.960
<v Speaker 1>saw the obvious solution. I spoke to the captain of

0:31:20.280 --> 0:31:23.800
<v Speaker 1>the heat of the Abyssinian climate and the chill of England,

0:31:24.040 --> 0:31:26.280
<v Speaker 1>and he saw my point at once and took us below.

0:31:26.720 --> 0:31:28.880
<v Speaker 1>For a moment or two. I had to separate Duncan

0:31:28.960 --> 0:31:31.360
<v Speaker 1>from the rest and dab hastily at his upper lip.

0:31:31.680 --> 0:31:34.280
<v Speaker 1>But I was able to be quick enough to escape notice.

0:31:35.520 --> 0:31:39.000
<v Speaker 1>So they're just they think they're so clever, they're getting

0:31:39.000 --> 0:31:44.320
<v Speaker 1>one over on me. I'm a stinker, so Adrian like.

0:31:44.640 --> 0:31:48.320
<v Speaker 1>He then later goes on pedantically speaking, I must admit

0:31:48.360 --> 0:31:51.440
<v Speaker 1>myself capable of deception when I took part in the hoax.

0:31:51.840 --> 0:31:55.360
<v Speaker 1>But I but once the telegram had been sent off

0:31:55.400 --> 0:31:58.280
<v Speaker 1>and we arrived and had been received, it would not

0:31:58.360 --> 0:32:00.680
<v Speaker 1>have been an easy matter to tell the truth, and

0:32:00.720 --> 0:32:05.680
<v Speaker 1>we almost, i think, believed in the hoax ourselves. He's like, guys,

0:32:05.840 --> 0:32:10.080
<v Speaker 1>I'm Abyssinian. Now I got the black on me, and

0:32:10.120 --> 0:32:13.960
<v Speaker 1>now it's that's it. I mean, this just maybe my future.

0:32:14.080 --> 0:32:16.680
<v Speaker 1>Yeah it is. So the tour wraps up and then

0:32:16.720 --> 0:32:20.760
<v Speaker 1>they they you know, bid their farewells auslamacum, I guess

0:32:20.760 --> 0:32:24.040
<v Speaker 1>they said. And so they go back to the station,

0:32:24.920 --> 0:32:28.440
<v Speaker 1>Horace Uh. As they're going to the station, the guy

0:32:28.480 --> 0:32:31.880
<v Speaker 1>that's accompanying them, Horace, tries to give him, uh the

0:32:32.000 --> 0:32:35.040
<v Speaker 1>Order of the Star of Ethiopia, which is like a

0:32:35.160 --> 0:32:38.760
<v Speaker 1>brooch that had been hanging around Buxton's neck. Where did

0:32:38.760 --> 0:32:41.480
<v Speaker 1>they get it? Where did this train from? An army

0:32:41.560 --> 0:32:44.440
<v Speaker 1>Navy store? They got it off a guy Ridley's mother's hat,

0:32:46.160 --> 0:32:48.720
<v Speaker 1>and the officers like, no, you know what, I that's okay.

0:32:48.800 --> 0:32:50.800
<v Speaker 1>He didn't take it. He's like, that's good. I'm good.

0:32:51.080 --> 0:32:54.200
<v Speaker 1>I don't need that. And then I'm wondering, is he

0:32:54.320 --> 0:32:57.240
<v Speaker 1>onto them? He said he has to be. So then

0:32:57.280 --> 0:33:00.360
<v Speaker 1>on the train back, Anthony Buxton he sneezes and half

0:33:00.400 --> 0:33:03.280
<v Speaker 1>his mustache flies off. But luckily no one from the

0:33:03.360 --> 0:33:06.640
<v Speaker 1>navy's with them, so their hoaxes done. Their hoax is done.

0:33:06.680 --> 0:33:11.479
<v Speaker 1>They have fooled the navy. Yeah, and they look at me,

0:33:12.480 --> 0:33:17.520
<v Speaker 1>what away, what's the point. So they're all starving, right

0:33:17.520 --> 0:33:21.120
<v Speaker 1>because I haven't eaten all day. But Horace, he delays

0:33:21.160 --> 0:33:24.720
<v Speaker 1>the meal and the train because of sunset because he

0:33:24.880 --> 0:33:28.440
<v Speaker 1>demands that the waiters serve them wearing white gloves, and

0:33:28.480 --> 0:33:30.480
<v Speaker 1>they didn't have any, and they had to go out

0:33:30.520 --> 0:33:34.640
<v Speaker 1>and purchase white gloves before the train left so that

0:33:34.680 --> 0:33:40.640
<v Speaker 1>they could have proper service for these jerks. And there

0:33:40.680 --> 0:33:43.400
<v Speaker 1>you are trying to get back to your clinic on

0:33:43.440 --> 0:33:46.520
<v Speaker 1>the return trip, and you're delayed while they go out

0:33:46.560 --> 0:33:50.560
<v Speaker 1>and buy white gloves. My patients, my patients, and I

0:33:50.600 --> 0:33:54.440
<v Speaker 1>don't mean the ones in my hospital. They decided the

0:33:54.440 --> 0:33:55.920
<v Speaker 1>group was like, you know what, you guys, this went

0:33:56.040 --> 0:33:58.480
<v Speaker 1>so well and the officers were so nice to us.

0:33:58.600 --> 0:34:01.320
<v Speaker 1>We don't want to embarrass them, so let's not tell

0:34:01.360 --> 0:34:06.680
<v Speaker 1>the press. Don't tell anybody what your whole point? Oh

0:34:06.760 --> 0:34:10.120
<v Speaker 1>my god, okay, whatever, Yeah, you know what. Fine? Rich

0:34:10.239 --> 0:34:12.200
<v Speaker 1>kids just like, yeah, we had fine. It was a lark.

0:34:12.520 --> 0:34:15.040
<v Speaker 1>Wasn't that a great afternoon? Guy? It's like, I don't

0:34:15.560 --> 0:34:17.839
<v Speaker 1>you don't understand it. For this last week when I've

0:34:17.840 --> 0:34:20.040
<v Speaker 1>been reading up on these things, I've been clenching my

0:34:20.120 --> 0:34:27.680
<v Speaker 1>fists so tightly. When we come back, we need to

0:34:27.719 --> 0:34:31.960
<v Speaker 1>take a deep breath. Let's stretch, arms up, down, stretch,

0:34:32.080 --> 0:34:34.040
<v Speaker 1>Let's get some I think I pulled the buffle in

0:34:34.080 --> 0:34:36.080
<v Speaker 1>my head. When we come back, I'm going to tell

0:34:36.080 --> 0:34:37.799
<v Speaker 1>you how that all worked out. About keeping it a

0:34:37.800 --> 0:35:00.760
<v Speaker 1>big secret. Spoiler alert did not work out? All right, Saren?

0:35:01.000 --> 0:35:05.080
<v Speaker 1>Did you get good breathing in? No? No, okay? This

0:35:05.200 --> 0:35:07.799
<v Speaker 1>only the story reminds me of those kids recently who

0:35:07.880 --> 0:35:10.680
<v Speaker 1>threw paint on the van Go painting in the museum,

0:35:10.680 --> 0:35:13.000
<v Speaker 1>And it was to protest climate change and to say like,

0:35:13.040 --> 0:35:15.200
<v Speaker 1>look if you ruin these nice things and you care

0:35:15.239 --> 0:35:18.600
<v Speaker 1>more about that than the whole planet being ruined. And girl,

0:35:18.800 --> 0:35:21.239
<v Speaker 1>you know, I am a big I want us to

0:35:21.520 --> 0:35:23.719
<v Speaker 1>do something about what we've done with the climate and

0:35:23.800 --> 0:35:26.640
<v Speaker 1>to be smart about this. I'm supporting we are at

0:35:26.640 --> 0:35:29.640
<v Speaker 1>the point of emergence. Can I am totally on side

0:35:29.719 --> 0:35:32.800
<v Speaker 1>of their argument, But I do not see how throwing

0:35:32.840 --> 0:35:35.120
<v Speaker 1>paint on a van Go painting. Who I one of

0:35:35.120 --> 0:35:37.879
<v Speaker 1>the pores, one of the little people enjoys in the

0:35:37.920 --> 0:35:40.719
<v Speaker 1>common sphere that we share how that is making me

0:35:40.840 --> 0:35:42.400
<v Speaker 1>or anybody else go, you know what, you're right, we

0:35:42.400 --> 0:35:44.719
<v Speaker 1>should save the planet. I don't know, if you're a

0:35:44.800 --> 0:35:47.080
<v Speaker 1>rich kid and you want to be doing direct and

0:35:47.360 --> 0:35:50.600
<v Speaker 1>activism or get involved in some sending some message, I

0:35:50.600 --> 0:35:53.400
<v Speaker 1>don't know, maybe try doing it from a material standpoint,

0:35:53.560 --> 0:35:56.600
<v Speaker 1>since like use money or time as opposed to look

0:35:56.640 --> 0:35:59.640
<v Speaker 1>at my theatrics. But they didn't even these these guys

0:35:59.680 --> 0:36:01.840
<v Speaker 1>that not hoax. They didn't. They weren't even trying to

0:36:01.880 --> 0:36:05.120
<v Speaker 1>make a point. They weren't saying like they weren't saying

0:36:05.160 --> 0:36:07.680
<v Speaker 1>like all this money spent on this warship is it

0:36:07.719 --> 0:36:12.720
<v Speaker 1>should be spent on you know, education, feeding the babies?

0:36:12.840 --> 0:36:16.520
<v Speaker 1>I don't know, something, something that has life. It's the

0:36:16.680 --> 0:36:22.319
<v Speaker 1>Ain't I a stinker? Like the whole break? And maybe

0:36:22.360 --> 0:36:24.560
<v Speaker 1>I get a little bit irritated because I come from

0:36:24.560 --> 0:36:27.399
<v Speaker 1>a navy family, and it's just like this has taken

0:36:27.480 --> 0:36:30.319
<v Speaker 1>up a lot of time and resources, and don't clown them,

0:36:30.360 --> 0:36:34.160
<v Speaker 1>come on, I don't know, it's just a full unawareness

0:36:34.239 --> 0:36:35.920
<v Speaker 1>of what you're dealing with. And because it's like, look

0:36:35.960 --> 0:36:38.840
<v Speaker 1>if you're gonna okay whatever, how did they so we

0:36:39.000 --> 0:36:42.120
<v Speaker 1>left off? These fancy lads they'd like pulled off their hoax.

0:36:42.280 --> 0:36:45.719
<v Speaker 1>Prancing around the ship, rode home on the training black

0:36:46.200 --> 0:36:49.680
<v Speaker 1>black face, speaking the Gibberish, with their mustaches flapping around.

0:36:49.880 --> 0:36:54.640
<v Speaker 1>They made the promise don't breathe a word. That night,

0:36:54.719 --> 0:36:59.439
<v Speaker 1>Horace tells his friends he's my favorite party. He tells

0:36:59.480 --> 0:37:02.279
<v Speaker 1>some of his ends. Some of them turned around and

0:37:02.320 --> 0:37:05.520
<v Speaker 1>told the Foreign Office, and then Horace had to confess

0:37:06.719 --> 0:37:09.080
<v Speaker 1>for snitches. It is worth noting that at the time

0:37:09.080 --> 0:37:12.360
<v Speaker 1>of this hoax his sister, Horace's sister Anne Cole, was

0:37:12.400 --> 0:37:16.680
<v Speaker 1>engaged to her future husband, Tory leader and future British

0:37:16.719 --> 0:37:26.080
<v Speaker 1>Prime Minister Neville Chamberlain. What my God, ain't I a stinker? Um?

0:37:26.160 --> 0:37:30.960
<v Speaker 1>So February twelve, the story comes out on the first

0:37:30.960 --> 0:37:35.080
<v Speaker 1>page of the Express. The headline was amazing naval hoax

0:37:35.360 --> 0:37:39.640
<v Speaker 1>sham Abyssinian princes visit the Dreadnought. And then the Globe

0:37:39.680 --> 0:37:43.160
<v Speaker 1>came out with the same story the same day. So

0:37:43.560 --> 0:37:46.879
<v Speaker 1>either the Express of the Globe or both reported. It's

0:37:47.040 --> 0:37:50.000
<v Speaker 1>really hard to find these particular papers at that time.

0:37:50.320 --> 0:37:54.319
<v Speaker 1>I was all over newspapers dot com great resource for this,

0:37:54.800 --> 0:37:58.279
<v Speaker 1>not these specific ones. This is from that that book. Um.

0:37:58.400 --> 0:38:01.600
<v Speaker 1>They reported that the group would say bunga bunga as

0:38:01.640 --> 0:38:05.600
<v Speaker 1>they were admiring different parts of the ship. I'm getting there,

0:38:06.040 --> 0:38:10.520
<v Speaker 1>meaning apparently, isn't it lovely? Like oh, bunka bunka that

0:38:10.600 --> 0:38:12.800
<v Speaker 1>was there? Like made up turn when they'd see something

0:38:12.960 --> 0:38:17.799
<v Speaker 1>that they like. And so then the real Emperor of

0:38:17.880 --> 0:38:22.319
<v Speaker 1>Abyssinia comes to London a few weeks later, and it's

0:38:22.320 --> 0:38:28.279
<v Speaker 1>reported that street boys ran after him yelling bunga bunga. Okay.

0:38:28.400 --> 0:38:31.200
<v Speaker 1>Then the boys also, all these kids would go and

0:38:31.239 --> 0:38:33.799
<v Speaker 1>like yell this at the ship's officers when they were

0:38:33.840 --> 0:38:38.359
<v Speaker 1>in Weymouth. And then towards the end of World War One,

0:38:38.920 --> 0:38:42.520
<v Speaker 1>the Dreadnought, he looks so scared. The Dreadnought sunk a

0:38:42.600 --> 0:38:46.600
<v Speaker 1>German submarine really stuck it to the jerry Uh. The

0:38:46.719 --> 0:38:51.920
<v Speaker 1>ship got a congratulatory telegram that just read bunga bunga.

0:38:52.480 --> 0:38:54.480
<v Speaker 1>And then there was a song that came out of

0:38:54.480 --> 0:38:57.560
<v Speaker 1>it that was sung in a music hall nearby that

0:38:57.680 --> 0:39:00.879
<v Speaker 1>went when I went on board a dreadnot ship, though

0:39:00.880 --> 0:39:03.759
<v Speaker 1>I looked just like a costermonger, they said I was

0:39:03.800 --> 0:39:10.400
<v Speaker 1>an Abyssinian prince because I shouted bunga bunga. What a

0:39:10.400 --> 0:39:13.040
<v Speaker 1>produced dealer on the street with a car. Thank you.

0:39:13.320 --> 0:39:15.719
<v Speaker 1>I never heard that one. Yeah. So they're saying, like

0:39:16.120 --> 0:39:19.560
<v Speaker 1>the layers on this so many so they're like I

0:39:19.600 --> 0:39:21.840
<v Speaker 1>looked like a costermonger, but they said I said I

0:39:21.880 --> 0:39:25.200
<v Speaker 1>was an Abyssinian prince. So it's like, okay, so our

0:39:25.480 --> 0:39:28.319
<v Speaker 1>conception of what the Abyssinians look like is like a

0:39:28.360 --> 0:39:31.160
<v Speaker 1>street vendor. Like, okay, I gotta step back on that one.

0:39:31.239 --> 0:39:34.400
<v Speaker 1>I just keep thinking of and saying, saying bong bong

0:39:34.440 --> 0:39:39.120
<v Speaker 1>all the time, and I'm like, please, connections. Well, it's

0:39:39.280 --> 0:39:44.120
<v Speaker 1>you mentioned burl Asconi, right, former Italian prime minister. It's

0:39:44.160 --> 0:39:47.920
<v Speaker 1>probably because of this association with the quote exotic and

0:39:48.239 --> 0:39:52.960
<v Speaker 1>quote racist, and that later Ethiopia was a colony of Egypt,

0:39:53.000 --> 0:39:56.080
<v Speaker 1>so they could have likely heard the story from that.

0:39:56.080 --> 0:39:59.960
<v Speaker 1>That's why Burlasconi called his sex parties bunga bunga parties.

0:40:00.080 --> 0:40:06.080
<v Speaker 1>Oh my god. Not so we have Virginia Wolf to

0:40:06.120 --> 0:40:08.720
<v Speaker 1>thank for bunga bunga party. There's a direct line between

0:40:08.800 --> 0:40:12.240
<v Speaker 1>Virginia Wolf and black face and Sylvio Berlascon's naked bunga

0:40:12.320 --> 0:40:16.880
<v Speaker 1>bunga party. Put put the red pieces of string on

0:40:16.920 --> 0:40:20.600
<v Speaker 1>your on your bullet board. Charlie Date losing my head.

0:40:22.200 --> 0:40:25.319
<v Speaker 1>February sixteenth, The Daily Mirror puts a photo of the

0:40:25.360 --> 0:40:28.440
<v Speaker 1>group in its front page story called how the officers

0:40:28.480 --> 0:40:32.440
<v Speaker 1>of HMS Dreadnought were hoaxed photographs of the Abyssinian princes

0:40:32.480 --> 0:40:35.200
<v Speaker 1>who made all England laugh. You see, this is what

0:40:35.320 --> 0:40:37.920
<v Speaker 1>it was. I didn't understand the British culture enough because

0:40:37.920 --> 0:40:40.000
<v Speaker 1>they're like, oh, we all love this. I'm like, where's

0:40:40.040 --> 0:40:43.040
<v Speaker 1>the hoax? Like, well, they love it well. And the

0:40:43.080 --> 0:40:47.239
<v Speaker 1>thing is when they when the Daily Mirror ran the pictures,

0:40:47.280 --> 0:40:50.600
<v Speaker 1>they first ran it on February fourteen, and the photos

0:40:50.600 --> 0:40:54.080
<v Speaker 1>that they used were actually from Horace and Adrian's Zanzibar hoax.

0:40:54.160 --> 0:40:57.839
<v Speaker 1>They're just like black face whatever, we got some. So yeah,

0:40:57.880 --> 0:40:59.719
<v Speaker 1>two days later they had to rerun it with the

0:41:00.600 --> 0:41:06.160
<v Speaker 1>oopsies and they Horace gave the pictures to the paper.

0:41:06.640 --> 0:41:10.719
<v Speaker 1>They weren't there was that portrait. Horace wants to ride

0:41:10.760 --> 0:41:14.120
<v Speaker 1>any wave he can. I'm assuming who's the most mad

0:41:14.160 --> 0:41:20.439
<v Speaker 1>about this? Um, See who's besides me back then, who

0:41:20.480 --> 0:41:24.160
<v Speaker 1>was most mad about it? Jeez, I'm hoping some abbest

0:41:24.400 --> 0:41:26.640
<v Speaker 1>it's got a little Oh no, it doesn't mean no one.

0:41:26.680 --> 0:41:30.680
<v Speaker 1>No one consulted them Admiral May, Oh, yeah, there we go,

0:41:30.880 --> 0:41:35.239
<v Speaker 1>and like others in the Navy just wanted to let it. Golomsberry,

0:41:37.000 --> 0:41:40.840
<v Speaker 1>he he just would not let up. He wanted them punished.

0:41:41.120 --> 0:41:43.640
<v Speaker 1>But then it was determined that the only crime committed

0:41:43.640 --> 0:41:48.319
<v Speaker 1>was sending that forged telegraph. Technically, that's that is our

0:41:48.400 --> 0:41:52.440
<v Speaker 1>ridiculous crime here in terms of actual criminality from crimes

0:41:52.480 --> 0:41:55.399
<v Speaker 1>against culture and taste. We could make a whole other

0:41:55.480 --> 0:41:59.080
<v Speaker 1>podcast about various crimes against culture and taste, but in

0:41:59.120 --> 0:42:02.719
<v Speaker 1>this case it all winds up being just just a

0:42:02.800 --> 0:42:07.359
<v Speaker 1>forged telegram. So um it did though. This whole thing

0:42:07.400 --> 0:42:10.640
<v Speaker 1>makes its way to Parliament, of course, and it resulted

0:42:10.680 --> 0:42:14.239
<v Speaker 1>in quote a tightening of regulations for ceremonial parties. Did

0:42:14.239 --> 0:42:17.839
<v Speaker 1>it help get Neville Chamberlain elected him? Probably? And then

0:42:18.000 --> 0:42:20.680
<v Speaker 1>so like after a month of this, May is like

0:42:20.719 --> 0:42:25.120
<v Speaker 1>all right, Admiral May's like okay, fine, Um, it's not

0:42:25.120 --> 0:42:28.640
<v Speaker 1>going to help if we punish the forger Mr. Tudor Castle,

0:42:29.160 --> 0:42:31.440
<v Speaker 1>which again like come on, um, we're not going to

0:42:31.560 --> 0:42:34.040
<v Speaker 1>get anything out of that, and it's only gonna draw

0:42:34.080 --> 0:42:37.560
<v Speaker 1>attention to how we bungled this if we really keep up.

0:42:37.560 --> 0:42:40.680
<v Speaker 1>So Admiral May's like, fine, whatever, but there's one more

0:42:40.719 --> 0:42:46.520
<v Speaker 1>person who is still mad. Cousin Willie. Cousin Willie He.

0:42:46.800 --> 0:42:49.400
<v Speaker 1>A couple of weeks later, he shows up at Virginia

0:42:49.440 --> 0:42:53.960
<v Speaker 1>and Adrian's house and just just screaming at Adrian, laying

0:42:54.000 --> 0:43:00.759
<v Speaker 1>into him. But because of archaic British naval custom uh

0:43:00.920 --> 0:43:04.600
<v Speaker 1>he because they had an no, because Adrian's aunt was

0:43:04.680 --> 0:43:09.880
<v Speaker 1>Willie's mother, Willie himself could not physically punish Adrian, like

0:43:09.920 --> 0:43:13.239
<v Speaker 1>as a direct family line. So he can't physically punish him.

0:43:13.400 --> 0:43:15.960
<v Speaker 1>Why not? I don't know, and I find that very

0:43:15.960 --> 0:43:19.120
<v Speaker 1>hard to believe, based on the British Navy's love of punisunishment. Yeah,

0:43:19.120 --> 0:43:20.920
<v Speaker 1>they're be like, hey, spread this round now, so and

0:43:21.280 --> 0:43:24.640
<v Speaker 1>said he just yells, right, But then Adrian gives up

0:43:24.680 --> 0:43:26.920
<v Speaker 1>the addresses of the other hoaxers. That's kind of what

0:43:27.000 --> 0:43:28.920
<v Speaker 1>he really wants. He's like, if I can't beat you

0:43:29.800 --> 0:43:37.840
<v Speaker 1>and beat somebody anymore, so um Fisher, Like cousin Willie,

0:43:37.920 --> 0:43:40.120
<v Speaker 1>some of his navy friends, they go to Duncan's house.

0:43:40.520 --> 0:43:47.759
<v Speaker 1>He Duncans sitting there having breakfast with his parents. They

0:43:47.920 --> 0:43:50.319
<v Speaker 1>lure him out and they take him in a car

0:43:50.360 --> 0:43:52.000
<v Speaker 1>and they drive him off. They take him to a

0:43:52.000 --> 0:43:56.440
<v Speaker 1>remote area where they plan to beat him up good. However,

0:43:57.200 --> 0:44:00.799
<v Speaker 1>they saw that he was terrified and not fighting back.

0:44:00.880 --> 0:44:03.279
<v Speaker 1>He's basically just like whimpering and peeing a little bit.

0:44:03.760 --> 0:44:07.000
<v Speaker 1>And so they're like, you know what, instead of beating him,

0:44:07.040 --> 0:44:10.280
<v Speaker 1>we're going to give him two ceremonial taps with a cane.

0:44:11.440 --> 0:44:13.440
<v Speaker 1>They're going to wrap him on the knuckles. The just

0:44:13.520 --> 0:44:17.080
<v Speaker 1>tap tap that is enough to avenge the Royal Navy,

0:44:17.120 --> 0:44:21.719
<v Speaker 1>apparently the honor. Avenge the honor, it's more symbolism. Yeah,

0:44:21.800 --> 0:44:25.160
<v Speaker 1>So then Willie and then another naval officer they found Horace.

0:44:25.880 --> 0:44:28.640
<v Speaker 1>That's the gold mine right there. Horace is sick in bed,

0:44:28.920 --> 0:44:33.720
<v Speaker 1>they don't care. They go into his house. Boom, the makeup.

0:44:34.040 --> 0:44:37.480
<v Speaker 1>Horace was the Horis is the ring leader. So they

0:44:37.480 --> 0:44:39.480
<v Speaker 1>break in. They're like, guess what we need to avenge

0:44:39.520 --> 0:44:42.520
<v Speaker 1>the honor of Admiral May. Admiral May has no idea.

0:44:42.520 --> 0:44:47.080
<v Speaker 1>They're there. So Horace later tells the Daily Mirror quote,

0:44:48.120 --> 0:44:51.720
<v Speaker 1>I want you to take a deep breath first, you're ready. Finally,

0:44:51.920 --> 0:44:55.040
<v Speaker 1>I said jokingly that if the Principal officer would allow

0:44:55.080 --> 0:44:57.600
<v Speaker 1>me to inflict on him six strokes with a cane,

0:44:57.920 --> 0:45:01.719
<v Speaker 1>I would receive a corresponding number from him. To my astonishment,

0:45:01.960 --> 0:45:04.840
<v Speaker 1>he was so serious that he readily accepted the offer.

0:45:05.320 --> 0:45:08.360
<v Speaker 1>We then retired to a neighboring muse and there we

0:45:08.400 --> 0:45:11.480
<v Speaker 1>found a rubbish box which served as a sort of triangle.

0:45:11.840 --> 0:45:14.719
<v Speaker 1>And here I gave the naval officers six strokes with

0:45:14.760 --> 0:45:17.160
<v Speaker 1>the cane, not very hard ones, as I treated the

0:45:17.160 --> 0:45:19.279
<v Speaker 1>matter as a joke and did not want to hurt.

0:45:19.640 --> 0:45:22.839
<v Speaker 1>Then I in turn received six strokes from the officer, who,

0:45:22.880 --> 0:45:26.080
<v Speaker 1>with his colleague, was very serious the whole time. Then

0:45:26.120 --> 0:45:30.359
<v Speaker 1>we all shook hands, and the naval officers left, apparently satisfied,

0:45:30.520 --> 0:45:32.719
<v Speaker 1>for they said they did not intend to cane other

0:45:32.760 --> 0:45:37.520
<v Speaker 1>members of the hoaxing party. I don't even He's like,

0:45:37.560 --> 0:45:41.960
<v Speaker 1>look you want to be let me beat you. Even

0:45:42.000 --> 0:45:46.640
<v Speaker 1>Stevens He's like, that sounds totally fair to me. And

0:45:46.680 --> 0:45:49.359
<v Speaker 1>they go out in the woods together and bend them

0:45:49.360 --> 0:45:54.279
<v Speaker 1>over something. Then okay, now my turn, and then they

0:45:54.320 --> 0:45:58.560
<v Speaker 1>shake hands. I will never understand British called I'm sorry, uh.

0:45:58.840 --> 0:46:02.799
<v Speaker 1>And with that the whole thing concludes. I'm just so

0:46:02.880 --> 0:46:05.120
<v Speaker 1>glad that you did not dry. I was so worried

0:46:05.160 --> 0:46:06.720
<v Speaker 1>that there was going to be a direct line between

0:46:06.800 --> 0:46:09.680
<v Speaker 1>Virginia Wolf and black face and the election of Prime

0:46:09.719 --> 0:46:12.359
<v Speaker 1>Minister Nevill Chamberlain, which leads to the appeasement of Hitler.

0:46:12.440 --> 0:46:14.959
<v Speaker 1>So basically, Hitler could come to power because Virginia Wolf

0:46:15.040 --> 0:46:17.000
<v Speaker 1>was in black face. I was really worried that you're

0:46:17.000 --> 0:46:19.760
<v Speaker 1>gonna draw that line. May I still do all the events?

0:46:19.800 --> 0:46:22.360
<v Speaker 1>I just can't do, don't you know. Don't give me

0:46:22.400 --> 0:46:25.560
<v Speaker 1>too much time to ruminate. You can find the facts

0:46:25.560 --> 0:46:29.280
<v Speaker 1>in here. Yeah, so that. Yeah, what's your takeaway, dude?

0:46:30.040 --> 0:46:33.560
<v Speaker 1>I don't I keep it. That's my takeaways. I don't

0:46:33.560 --> 0:46:35.440
<v Speaker 1>want any you know, you can keep it all. I

0:46:35.520 --> 0:46:37.960
<v Speaker 1>just keep thinking about what would have happened if it

0:46:38.040 --> 0:46:42.319
<v Speaker 1>was just regular working class young people who did this.

0:46:43.239 --> 0:46:45.720
<v Speaker 1>They would have been destroying, Their lives have been ruined,

0:46:45.719 --> 0:46:48.799
<v Speaker 1>they would have had to pay severe consequences because people

0:46:48.800 --> 0:46:50.960
<v Speaker 1>would have wanted to punish her. They would have not

0:46:51.040 --> 0:46:53.680
<v Speaker 1>have had the money and therefore the social esteem to

0:46:54.000 --> 0:46:57.680
<v Speaker 1>ignore to have their crimes be ignored. And that's the thing,

0:46:58.560 --> 0:47:01.680
<v Speaker 1>among many other things, that is insane to me, is

0:47:01.760 --> 0:47:04.719
<v Speaker 1>that the damage that can be done just because you

0:47:04.760 --> 0:47:08.120
<v Speaker 1>were lucky that your parents were wealthy. It's like, can't

0:47:08.120 --> 0:47:10.040
<v Speaker 1>you have a little perspective on this one that like

0:47:10.239 --> 0:47:13.319
<v Speaker 1>you did nothing, this is you just got lucky, Like

0:47:13.600 --> 0:47:16.040
<v Speaker 1>that was it? Like there are a lot of people

0:47:16.080 --> 0:47:18.240
<v Speaker 1>who I've known who are wealthy and they would actually

0:47:18.640 --> 0:47:20.360
<v Speaker 1>say this to me. It's like, look, I get that,

0:47:20.440 --> 0:47:22.520
<v Speaker 1>I just got lucky. And I was like so cool

0:47:22.560 --> 0:47:25.240
<v Speaker 1>with that, because it's like you're acknowledging your human moment

0:47:25.400 --> 0:47:29.840
<v Speaker 1>maybe like no, no, yes, the British Royal, the British Navy,

0:47:29.920 --> 0:47:32.359
<v Speaker 1>like oh, we're gonna ignore this actual sunset and we're

0:47:32.360 --> 0:47:35.080
<v Speaker 1>gonna wait for the whistle. That level of ignoring reality

0:47:35.120 --> 0:47:38.560
<v Speaker 1>I find humorous. The rich kid's level of ignoring reality

0:47:38.640 --> 0:47:40.879
<v Speaker 1>is just patently offensive because the damage that they do.

0:47:40.960 --> 0:47:42.680
<v Speaker 1>I mean, look look at all this. I mean, this

0:47:42.800 --> 0:47:45.200
<v Speaker 1>is one little let's go down to the boat and

0:47:45.280 --> 0:47:49.279
<v Speaker 1>like literally British history and Sylvia burs are all affected

0:47:49.320 --> 0:48:00.680
<v Speaker 1>by this. I just exactly. I keep thinking about how, um,

0:48:00.719 --> 0:48:02.960
<v Speaker 1>there wasn't a point to what they do. I'm all

0:48:03.040 --> 0:48:05.680
<v Speaker 1>for fun and I'm all for being I mean, you know,

0:48:05.719 --> 0:48:08.680
<v Speaker 1>I take absolutely nothing seriously totally, and I like, I

0:48:08.719 --> 0:48:12.240
<v Speaker 1>like messing with people, my friends in particular especially British Navy.

0:48:12.400 --> 0:48:15.080
<v Speaker 1>But I just that's the whole thing is so self

0:48:15.120 --> 0:48:18.760
<v Speaker 1>congratulatory and not really funny. It's not a funny prank.

0:48:18.920 --> 0:48:22.520
<v Speaker 1>It's not funny stupid. If someone were to witness it,

0:48:22.520 --> 0:48:24.359
<v Speaker 1>it's not like, oh, look, you got over on them.

0:48:24.360 --> 0:48:26.239
<v Speaker 1>I mean maybe this is like that embarrassment humor. I

0:48:26.280 --> 0:48:28.239
<v Speaker 1>don't get, like I didn't watch The Office. I don't

0:48:28.239 --> 0:48:30.680
<v Speaker 1>know why this is funny. I look at it. Remember

0:48:30.719 --> 0:48:32.520
<v Speaker 1>how I told you once about how I want to

0:48:32.560 --> 0:48:36.560
<v Speaker 1>go to like a presentation and say boring in the crowd. Well,

0:48:36.600 --> 0:48:38.400
<v Speaker 1>like I would love to be there and just have

0:48:38.520 --> 0:48:40.840
<v Speaker 1>them like, oh we're so cool and just be alt lame.

0:48:42.360 --> 0:48:45.920
<v Speaker 1>It was lame there, it wasn't. Yeah, So anyway, that's

0:48:46.000 --> 0:48:50.240
<v Speaker 1>funny takeaway. I'm sorry I've done that to you and everybody. Um,

0:48:50.320 --> 0:48:53.000
<v Speaker 1>you can find us online at Ridiculous Crime on both

0:48:53.000 --> 0:48:55.920
<v Speaker 1>Twitter and Instagram. I'm going to put the photos up

0:48:56.840 --> 0:48:59.600
<v Speaker 1>mostly of the big Foot board game. It may just

0:48:59.680 --> 0:49:01.600
<v Speaker 1>be a make sure of the big pot Dad work

0:49:03.680 --> 0:49:05.400
<v Speaker 1>got that one for you? Okay, cool, I'll just go

0:49:05.480 --> 0:49:08.799
<v Speaker 1>take a picture of it in the pleasant. Um. You

0:49:08.880 --> 0:49:11.479
<v Speaker 1>can email us if you want to at ridiculous Crime

0:49:11.520 --> 0:49:20.680
<v Speaker 1>at gmail dot com. Otherwise, tune in next time. Ridiculous

0:49:20.680 --> 0:49:23.760
<v Speaker 1>Crime is hosted by Elizabeth Dutton and Zarin Burnett, produced

0:49:23.760 --> 0:49:27.319
<v Speaker 1>and edited by Dave Kusten. The Natty Dreadnought researches by

0:49:27.360 --> 0:49:30.600
<v Speaker 1>The Bloomsbury Group director Marissa Brown. The theme song is

0:49:30.640 --> 0:49:34.520
<v Speaker 1>by facial hair engineer Thomas Lee and wig technician Travis Dutton.

0:49:34.800 --> 0:49:43.400
<v Speaker 1>Executive producers are Admiral Ben Bollen and Cabinet member Noel Brown.

0:49:45.760 --> 0:49:50.880
<v Speaker 1>Say It One More Time. Ridiculous Crime is a production

0:49:50.880 --> 0:49:53.520
<v Speaker 1>of iHeart Radio. For more podcasts to my heart Radio,

0:49:53.680 --> 0:49:56.520
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you

0:49:56.560 --> 0:49:57.840
<v Speaker 1>listen to your favorite shows.