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Speaker 1: Big bag nothing okay, so let me ask this bring

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Speaker 1: you big Big Facts. Visit the new website today Big Facts.

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Speaker 1: Paul dot com dot com live from the Trap Music

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Speaker 1: Museum is Big Bank, DJ Scream Baby Jay. Were a

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Speaker 1: team Big Facts and today we welcome to Big Facts.

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Speaker 1: Represent that Detroit the one the only pay rod G

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Speaker 1: of Money A Big Facts. What up though? What's what's

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Speaker 1: going on with you? Brother? Everything small? Oh yeah, I

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Speaker 1: can't complain. Every day's good, yes, networking man, so so

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Speaker 1: so tell us a little bit about the history of

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Speaker 1: pay role GI of Money. You started with being a

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Speaker 1: part of Dough Boys cash Out, yeah, right, grew from Detroit.

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Speaker 1: So where you were you solo before that? Were you

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Speaker 1: and GRUC before that? Or did it start right there

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Speaker 1: and then you eventually transitioned into your solo stuff do

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Speaker 1: Boys cash I was a crew at first and then

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Speaker 1: we started rappings from near like you know, its just

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Speaker 1: transitioned to my solo career, but we still it's still

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Speaker 1: a cruel. It's really your brotherhood, right right right? Got

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Speaker 1: you got you, got you, and then I saw somewhere

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Speaker 1: so you you thirty five? Yeah yeah, and you say

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Speaker 1: you was no, but you were saying you was embracing

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Speaker 1: being a rapper with a little bit of age. You

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Speaker 1: ain't tripping on that like you embraced it, right, Yeah,

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Speaker 1: I mean you can't. I think it's straight. But you know,

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Speaker 1: I've been at it since I was probably probably eighteen.

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Speaker 1: But but I'm saying, like now it's probably going better

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Speaker 1: than ever for you because you wiser, you sharper, you know. Yeah,

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Speaker 1: That's what I'm saying. So I don't think it's nothing

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Speaker 1: wrong with it now. I think that my own opinion,

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Speaker 1: I don't know what the age is that you know,

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Speaker 1: we don't want to see a nigga rapping at sixty

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Speaker 1: or seventy. I mean, is that it nigga rap? Yeah,

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Speaker 1: as long as it works, as long as it work.

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Speaker 1: Trying to see you trying at these ages. Yeah, what

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Speaker 1: I'm saying this shit working. You get your paper, whatever

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Speaker 1: you're getting. You you do what you do. Startup? How

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Speaker 1: you gonna start here? Like you can't start don't start

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Speaker 1: at see, don't start at what age. Don't start at

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Speaker 1: thirty five because I'm trying to transition to something else.

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Speaker 1: Ain't trying to be forty, you know, competing with some

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Speaker 1: with young dudes I just stay in my lane. I

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Speaker 1: feel like he's like, why niggas can't because you got

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Speaker 1: like them rock stars and country seeing they do that ship,

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Speaker 1: they keep going until they doe white Beard. White is

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Speaker 1: Why why jay Z couldn't do? What do you do

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Speaker 1: for him? He's still doing it. I'm just saying, like,

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Speaker 1: why Nick can't do that ship, Why he can't do

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Speaker 1: b side concerts and ship like shit Jez did with

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Speaker 1: the stenting it. Why niggas can't do that ship forever?

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Speaker 1: Because in our culture, being old ain't cool. Ain't that

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Speaker 1: cool in our culture? But I mean you got but

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Speaker 1: like another thing, like with the Jez ship too, It's

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Speaker 1: like you got to understand and I know you understand this,

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Speaker 1: but I'm saying like the world has to understand that

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Speaker 1: in order to be able to be in the position

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Speaker 1: and be in the place to be able to do that,

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Speaker 1: you have to have the same catalog that JZ had

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Speaker 1: and Jez started his catalog twenty years ago. I'm right right,

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Speaker 1: jay Z got the catalog too. I'm just saying, like

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Speaker 1: anybody that's like, you know how niggas would be like, man,

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Speaker 1: nigga too old? He still how? I don't if you have,

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Speaker 1: if you have quality products, you can go on however

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Speaker 1: long you want. It's also about what you're doing. Like

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Speaker 1: if you look at jay z Snoop Doll, they're having

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Speaker 1: a lot of motion with a lot of different things.

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Speaker 1: So nigga still respect what they're rapping about. L two

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Speaker 1: still got could drop some shit, you know what I'm saying.

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Speaker 1: People feel like they're telling they're saying different levels of

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Speaker 1: the game, you know, like jay Z saying his level yes,

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Speaker 1: like talking like he's still yes, you know, and you're

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Speaker 1: being a whole nother Fana, Well you're being the same

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Speaker 1: fan bas gonna rob you forever doing that ship. You

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Speaker 1: know what I'm saying. I think we're just getting our

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Speaker 1: own weight is who he is, and to be like, oh,

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Speaker 1: I'm too old for this ship. You know what I'm

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Speaker 1: saying telling them, I'm saying when the people not telling

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Speaker 1: you. You You know how niggas be like, shit, I'm gonna retire,

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Speaker 1: I'm getting old. I just said the ship I retired,

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Speaker 1: Like I feel like I'm old in the game. He

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Speaker 1: could be just trolling whatever, But I don't know, but

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Speaker 1: niggas started to feel like that at time, Like, Bro,

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Speaker 1: I've been doing this ship, but shit ain't slowing down

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Speaker 1: for you. He's just been feeling like it's time for me.

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Speaker 1: Day after you've been doing it for so long, it

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Speaker 1: kind of starts to feel like I've been doing this

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Speaker 1: for so long. I was feeling like that at like

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Speaker 1: thirty one. I was trying to trying to get my

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Speaker 1: exit out. Then with the game would let me go,

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Speaker 1: so I had to keep keep making music. But I

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Speaker 1: was already looking for my exit out for real. So

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Speaker 1: you do you feel like there are any cons too? Well,

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Speaker 1: it can't because because you're still enjoy it, right, You're

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Speaker 1: enjoying what you do, So there didn't really know cons.

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Speaker 1: I ain't going out. Like the enjoying part. I really

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Speaker 1: enjoyed when I was in a group, we were just

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Speaker 1: having fun, you know, and then it became big and

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Speaker 1: so it's just kind of just it's like clocking in

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Speaker 1: to work for me for real. And you also mentioned

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Speaker 1: that you have a addiction to jury. Oh, I don't know.

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Speaker 1: You want to talk a little bit about your jury

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Speaker 1: habit and habit. I wouldn't say addiction, but yeah, I've

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Speaker 1: been in the jury since I was born for real.

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Speaker 1: Like my baby pictures I got jury on my parents.

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Speaker 1: Hell of yams. They were putting jury on me and

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Speaker 1: suit me up. They had me looking like them, a

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Speaker 1: small version of them. So I just grew up just

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Speaker 1: into jury, know, little more money. I got to getting upgrade,

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Speaker 1: and yeah it should addicted you, Like damn, I could

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Speaker 1: get that chain and I just put twenty more with that.

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Speaker 1: Yeah you know you addicted? Yeah how about you said

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Speaker 1: you might have fucked up in your lifetime on jury?

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Speaker 1: Oh man, I don't know. I don't even want to

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Speaker 1: add up. It's probably pissed me off. Damn. All of

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Speaker 1: you are to like my accountant he telling me how

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Speaker 1: much I spend on Jerry. That shit hurt because I

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Speaker 1: don't look at it like that. Like I look at

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Speaker 1: it like I buy fifty thousand dollars watch and then

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Speaker 1: I might see a watch that's a hunt. I'm gonna

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Speaker 1: just put fifty with the with the fifty and I

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Speaker 1: got a hunt, and I might see something there's one fifty,

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Speaker 1: put another fifty. I look up to spend one fifty

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Speaker 1: on the watch. But it didn't feel like that to

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Speaker 1: be who you feel like the go Detroit, like the

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Speaker 1: go for me, Blade Ice Wood for showing that's Uh,

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Speaker 1: that's like our tupop. You know what I'm saying that

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Speaker 1: that was like our hero growing up. Blade ice Wood.

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Speaker 1: He he never made it like mainstream, but in Detroit

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Speaker 1: he was a big, big, big deal. So that's like

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Speaker 1: who you got your inspiration? Crow up? Yeah, you want

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Speaker 1: to do this? Yeah, like the street Lords, Um, that

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Speaker 1: was a crew from a Detroit Uh. Blade ice Wood

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Speaker 1: came from that crew, and we basically like we looked

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Speaker 1: up to them. The whole city looked up to him,

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Speaker 1: but we was like right by them when they was

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Speaker 1: in our neighborhoods our pop school with them, so we

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Speaker 1: saw it like firsthand. So you know that was just

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Speaker 1: real addictive, Like see them dudes and them cars, Platinum,

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Speaker 1: Jerry on Iceberg and all that, Like that's what we

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Speaker 1: wanted to be. Like. Yeah, So speaking of jewelry, Um,

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Speaker 1: I know another thing that's like really big in Detroit

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Speaker 1: is like the Cardier glasses or the Buffs. Yeah, and

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Speaker 1: I know that you had like an exclusive situation with

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Speaker 1: Cardia Cardier, So tell us a little bit more about that. Yeah,

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Speaker 1: I had did like a like an interview with them

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Speaker 1: for the Cartier glasses. I didn't even know what it

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Speaker 1: was gonna turn into for real, and they sending me

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Speaker 1: like some some exclusive buffs. Yeah, that was that was crazy,

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Speaker 1: Like like when we was young, the Cartier glasses thing,

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Speaker 1: it was a whole that's a whole culture, old culture,

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Speaker 1: like it was a whole underworld. Like you had crew

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Speaker 1: snatching glasses. They we got a movie named after the ship.

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Speaker 1: Yeah they don't even yeah up, that's kind of like

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Speaker 1: a friendly side of it. It was a real, man,

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Speaker 1: it was a real dark side to that. Man. You

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Speaker 1: know you had cruise that was just for snatching glasses.

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Speaker 1: You know that they take falling off that. Like how

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Speaker 1: these niggas down here used to snatch jeans and ship

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Speaker 1: like snatch what jeans shit dirty Dante jean bandits. They

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Speaker 1: used to like it was an arrow for them gena. Yeah,

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Speaker 1: like two thousand like angles snatching them and sell them

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Speaker 1: three m oh damn yeh know they're going to getting

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Speaker 1: the whole load going in the snatching them. You are, boy,

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Speaker 1: y'all bushing the nigga take them started jackets off your

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Speaker 1: head back in eyes. That was in Detroit too, nigga

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Speaker 1: taking them motherfucker's off your ass, Like I remember I

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Speaker 1: came in school. Andre Robinson, I mean not not Andre

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Speaker 1: Rosny Hardaways, the Tall Nigga man, David Robinson, David Robinson,

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Speaker 1: David Robinson, Jersey with the spurge Jack for this coop

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Speaker 1: But the surround did he put that ship that was

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Speaker 1: in the That was before my time? No, that was

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Speaker 1: like like late eighties, early nineties that was going on. Yeah,

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Speaker 1: that's shit crazy. What's what's the most populis club in Detruit?

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Speaker 1: Shrip Club, Strip Club, True Truth? But still we went

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Speaker 1: to you prot some on day jo boot Um in

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Speaker 1: Hindland Park and they renamed it something else though you're

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Speaker 1: going to gate ya big as Yeah, yeah, yeah, they

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Speaker 1: renamed it something I forgot what was called now but

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Speaker 1: still open though. That's like the after after our spot. Yeah,

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Speaker 1: but I would say as space and truth for sure,

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Speaker 1: you still be doing shows in your city here and there.

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Speaker 1: You know hearing there you don't like knowing shows at

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Speaker 1: home that that'd be straight, they'd be straight. But I didn't.

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Speaker 1: I didn't did it all for so long. You know

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Speaker 1: what I'm saying. It's like s re run, you know,

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Speaker 1: like I'd be wanting to touch touch places I ain't

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Speaker 1: never been before, like, I don't really excite me for real,

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Speaker 1: I'm mainly like in the Ohios and Milwaukee. Man, what

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Speaker 1: do you feel like? But they begin I get a

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Speaker 1: bad me. It's a lot of them. But what blew

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Speaker 1: my mind was Vancouver, Canada. Yeah, that blew my mind,

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Speaker 1: like really yeah, they they treated me like royalty out

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Speaker 1: there for real. I ain't never seen nothing like that.

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Speaker 1: Like it was crazy. It was people with tattoos, by

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Speaker 1: Lug tattoos. It was it was all up. So speaking

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Speaker 1: of speaking of that, also speaking of the by Lug,

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Speaker 1: the whole by Lug era and the whole by Luge situation,

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Speaker 1: tell us a little bit more about that. And you

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Speaker 1: know how you linked up with Geez and you know

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Speaker 1: what I'm saying, like what the status of that is

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Speaker 1: right now to this day? Uh jeez, my man's you

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Speaker 1: know what I'm saying, Like, so we first got our deal,

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Speaker 1: Uh he had reached out to us and uh flew

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Speaker 1: us out. Shit, we really ain't give a fuck what

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Speaker 1: the term signed? Ye like let's go. Yeah, We're like

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Speaker 1: let's go. We gonna go from there and uh yeah,

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Speaker 1: we was on Atlantic and CT end up not working

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Speaker 1: out something something of Atlantic I think it was some

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Speaker 1: of the Atlantic because something like that. We never even

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Speaker 1: put out the album. We just got like a bag

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Speaker 1: and I was like, all right, head, you know I

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Speaker 1: want to complain that, you know what I'm but you know,

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Speaker 1: we we just kept kept a good relationship, you know

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Speaker 1: what I'm saying. And you know the rest history for

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Speaker 1: you know, you don't mean, yeah, everybody's got like a

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Speaker 1: free free couple of dollars which they separate ways. Yeah, yeah,

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Speaker 1: X deal to flow apart two Ya knocked it out

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Speaker 1: and like I probably like fold A sent me the

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Speaker 1: first bat um then did the video. I shot that

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Speaker 1: light probably twenty minutes fast. Yeah. We was right across

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Speaker 1: the street from where this concert was at. We just

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Speaker 1: get out about to do right here. Knocked it out.

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Speaker 1: What I wasn't like growing up in the truck, like

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Speaker 1: you know your upbringing. For me, it was it was smooth.

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Speaker 1: Like I had both my parents, you know, my my

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Speaker 1: mom's my daddy. I had my grandparents. They was my

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Speaker 1: mom and my daddy they was they was in the streets.

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Speaker 1: My grandparents is in the streets. And I was the

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Speaker 1: only child. So I was highly spoiled, like I had

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Speaker 1: everything and you know, I just grew up you know,

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Speaker 1: of course around knuckleheads and all that type of ship

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Speaker 1: and your average typical hood story. You know, I'm just

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Speaker 1: a fly kid in the hood. It's a bunch of

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Speaker 1: fly kids, you know. It's niggas down the street. They fled,

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Speaker 1: these niggas on this side, they fled. We was all

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Speaker 1: like the kids of the of the hustlers. For real?

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Speaker 1: What made you stand out? Though? Like you feel like

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Speaker 1: they were saying that such a he's such a you

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Speaker 1: know how you know what I'm saying, mother's you'd be

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Speaker 1: known for something, right, you know, when you're a kid,

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Speaker 1: you know how, you'd be known for shit? Like I

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Speaker 1: don't know it was. There was a lot of fly

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Speaker 1: niggas on the block, but I used to I used

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Speaker 1: to do a lot of shit first, you know, like

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Speaker 1: platinum chain or something more, a certain leather jacket, I

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Speaker 1: have it on first or something. But I just always

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Speaker 1: carried by self different though, too, Like I feel like

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Speaker 1: I wasn't never a knucklehead like that, you know, like

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Speaker 1: price mind the outside looking at it and be like

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Speaker 1: hit that nigga was bad. But compared to the niggas

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Speaker 1: I was around, hell, I wasn't nothing like that. Nothing

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Speaker 1: like you think you get credit to that for the

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Speaker 1: fact that basically you're still around and having had the

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Speaker 1: goal sit down to him been harm you know what

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Speaker 1: I'm saying, there's not being an extreme knucklehead. I don't know, man,

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Speaker 1: I was like God, for real, like something I can't

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Speaker 1: even explain. You know, It's been a bunch of close

258
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Speaker 1: calls where I can't explain how I got out of

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Speaker 1: this un phased, untouched, you know. But I always just, uh,

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Speaker 1: he's had my own mind, you know, I ain't. I

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Speaker 1: ain't never really been no follower for real. When you

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Speaker 1: speak of Detroit, man, Obviously there's been a lot of

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Speaker 1: like just different like rap beach and all type of

264
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Speaker 1: crazy shit going in Detroit. But it seems like now

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Speaker 1: the climate is kind of like everybody kind of coming together.

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Speaker 1: I think you might have had some division with some

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Speaker 1: people or whatever, you but it's like everything is kind

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00:14:19,720 --> 00:14:23,560
Speaker 1: of just cooler right now. Yeah, everybody's kind of just

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00:14:23,640 --> 00:14:26,520
Speaker 1: letting the bullshit, every kind of getting to their money.

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Speaker 1: You know what I'm saying. It's still a little bullshit,

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Speaker 1: but you know, they keeping between them. But for the

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Speaker 1: most part, everybody's just getting to their money. White wound.

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Speaker 1: We was coming up. Um, we was beating with everybody

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Speaker 1: like we was beating with cruise, We'll beat from with

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Speaker 1: rappers all that shit. But you know that was some

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Speaker 1: young shit for real. You know, the older you get,

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Speaker 1: you just start being like, look, man, this ship is retarded.

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Speaker 1: You know, you're kind of making me ends and that

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00:14:53,000 --> 00:14:55,520
Speaker 1: shit was sucking a bag up for real. I was

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Speaker 1: getting flew out the labels. First thing they wanted to

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Speaker 1: know was who was I with asking me about it?

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Speaker 1: You're beating with such such such such like it was

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Speaker 1: always worried about that ship, so that that that sucks

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Speaker 1: the money and scared the money off. So anything you

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Speaker 1: was involved with, what was you the person that was like,

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00:15:10,320 --> 00:15:12,040
Speaker 1: fuck that, I'm gonna reach out, or were I running

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Speaker 1: to him like I think we heard something about I

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00:15:14,280 --> 00:15:16,360
Speaker 1: don't know you impeasy about had some division at one

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00:15:16,360 --> 00:15:18,000
Speaker 1: point where you the person that said fuck that, I'm

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Speaker 1: gonna be the bigger man, or you just ran into

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Speaker 1: the niggas or out of that. Was that kind of

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Speaker 1: just came't with time, you know, it can't with time,

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Speaker 1: y'all getting older? Yeah, yeah, yeah, you know it takes

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Speaker 1: like both crews to kind of be on one page.

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Speaker 1: I don't feel like if I stepped up and squashed it,

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Speaker 1: but my man's feeling a way about it, it wasn't

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Speaker 1: the best. Could it be the niggas in the background

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00:15:40,800 --> 00:15:45,280
Speaker 1: if everybody yeah and the ship yeah? Could they be

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00:15:45,280 --> 00:15:46,680
Speaker 1: looking at me like what the fuck are you doing?

300
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Speaker 1: Like going over there like hey man, squash this shit.

301
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Speaker 1: They're gonna look at me crazy. So you know, everybody

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00:15:52,120 --> 00:15:55,840
Speaker 1: gotta be on one page. You ever did any ghost

303
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Speaker 1: right now? Yeah? Yeah? Yeah? So now? No not no

304
00:16:00,640 --> 00:16:05,960
Speaker 1: platinum hits cooked up, you know, cooked up for a

305
00:16:05,960 --> 00:16:15,000
Speaker 1: few people. Well I got big fair, just a good, big,

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00:16:15,000 --> 00:16:17,880
Speaker 1: fast conversation. Do you think that that takes away from

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00:16:18,240 --> 00:16:24,200
Speaker 1: rapper's credibility when they let somebody write for him? Uh?

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00:16:24,240 --> 00:16:26,800
Speaker 1: I don't know, man, at the PMS, what type of

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00:16:26,800 --> 00:16:29,800
Speaker 1: song is it like? Gets it a club for the

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00:16:29,880 --> 00:16:36,000
Speaker 1: ladies type of song? Or is it like yeah, real niggas, No,

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00:16:36,160 --> 00:16:41,680
Speaker 1: you can't have wrapping your damn life. Listen up, yall,

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00:16:42,160 --> 00:16:47,360
Speaker 1: I feel let's get into it. Let's get into the

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Speaker 1: have a nigga around you that grew up around you

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Speaker 1: and done. Really that's really what do you call studded

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00:16:55,760 --> 00:16:58,800
Speaker 1: you as a person safe an instant. If I didn't

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00:16:58,840 --> 00:17:00,600
Speaker 1: know how to write a rap, my son know how

317
00:17:00,640 --> 00:17:04,440
Speaker 1: to wrap right, and he and he write my life.

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Speaker 1: That's family. That's not talking about that, but how most

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00:17:09,400 --> 00:17:12,840
Speaker 1: writers do most like a downloader nigga and right for them. Folks.

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Speaker 1: We're talking about like you're talking about like if a nigga,

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Speaker 1: if a nigga takes your real life and just teaches

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Speaker 1: you how to put it in words, we're talking about

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Speaker 1: a writer nigga come in and the whole fantasy. I'm

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Speaker 1: the realist nigga industry nigga doing. Do you wrap a

325
00:17:32,119 --> 00:17:34,680
Speaker 1: lot of these nigga getting assisted with these songs? Don't

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00:17:34,720 --> 00:17:41,280
Speaker 1: get it sucked up like creation is the effort. But

327
00:17:41,320 --> 00:17:44,800
Speaker 1: I'm talking about like creation effort some people. Some people

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00:17:44,840 --> 00:17:47,480
Speaker 1: like the creation is sorcery or two everything. That's what

329
00:17:47,520 --> 00:17:50,800
Speaker 1: I'm saying. Some people have producers that collab and shit

330
00:17:50,920 --> 00:17:52,840
Speaker 1: on beats and they make big ass hits. But you

331
00:17:52,880 --> 00:17:55,239
Speaker 1: got niggas pulling up with the whole thing ready too, bro,

332
00:17:55,400 --> 00:17:58,880
Speaker 1: This shit districadens wrapping like this. You got nigga pulling

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00:17:58,960 --> 00:18:02,959
Speaker 1: up with that whole thing ready m hm. But doesn't

334
00:18:03,000 --> 00:18:05,760
Speaker 1: take away, but does it take away from you saying

335
00:18:06,040 --> 00:18:07,960
Speaker 1: I'm the hardest rapper or the best rapper of the

336
00:18:08,000 --> 00:18:12,360
Speaker 1: best lyricist because I gotta perform this ship. Yeah, that's

337
00:18:12,400 --> 00:18:14,800
Speaker 1: the main part of can't you say what you're selling?

338
00:18:15,280 --> 00:18:21,720
Speaker 1: Can't you sell what? I can't argue with this lyrical hardest?

339
00:18:21,720 --> 00:18:24,480
Speaker 1: I'm a great How about saying this ship the hardest

340
00:18:24,680 --> 00:18:29,600
Speaker 1: or can't or saying this the hardest you ever see

341
00:18:30,160 --> 00:18:34,440
Speaker 1: in the total package you talk about to be able

342
00:18:34,480 --> 00:18:37,879
Speaker 1: to consider yourself a rapper beside that this ship that

343
00:18:37,920 --> 00:18:39,960
Speaker 1: don't get no nigga no money. I'm talking about the

344
00:18:39,960 --> 00:18:42,399
Speaker 1: ship to getting niggas paid. You can write me the

345
00:18:42,440 --> 00:18:44,360
Speaker 1: hardest ship of a brother. I can say this shit

346
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Speaker 1: if you believe it. I'm saying this ship that I'm saying,

347
00:18:47,160 --> 00:18:49,920
Speaker 1: you believe it. That's the money, it's this entertainment of

348
00:18:50,000 --> 00:18:54,040
Speaker 1: this No, you're right, it's not the art. Who the

349
00:18:54,080 --> 00:18:56,639
Speaker 1: fuck about talking in this ship for the paper? We

350
00:18:56,760 --> 00:19:00,280
Speaker 1: talked about that, we talk were talking about a bunch

351
00:19:00,280 --> 00:19:01,919
Speaker 1: of niggas who in it for the art? The niggas

352
00:19:01,920 --> 00:19:04,639
Speaker 1: are having no money. Yeah, yeah, I ain't gonna lie

353
00:19:04,680 --> 00:19:06,320
Speaker 1: you a damn forward nigga write you a head, You like,

354
00:19:06,320 --> 00:19:08,000
Speaker 1: I ain't rapping it because I write my own lyrics.

355
00:19:08,040 --> 00:19:11,840
Speaker 1: No no no, no, no, I'm not no no, But I'm

356
00:19:11,880 --> 00:19:15,560
Speaker 1: just saying, like, when it's all satting done and everybody's

357
00:19:15,640 --> 00:19:17,639
Speaker 1: dad and we're coming down to the history of the

358
00:19:17,680 --> 00:19:20,000
Speaker 1: statistics of the chick. Get that man hit credit? Who

359
00:19:20,040 --> 00:19:23,400
Speaker 1: kept by credit? What a doe at you gonna get

360
00:19:23,400 --> 00:19:28,800
Speaker 1: your pub the credit? What a doett about that? Because

361
00:19:29,160 --> 00:19:33,280
Speaker 1: hits are collective efforts. It comes with a producer, sometimes writer,

362
00:19:33,600 --> 00:19:39,760
Speaker 1: sometimes artists, engineers. Back from where he hits, we dancing

363
00:19:39,800 --> 00:19:41,960
Speaker 1: the Mamas and shit been popping the ad too. So

364
00:19:42,040 --> 00:19:44,640
Speaker 1: basically what you're telling me is, is it that fucking

365
00:19:44,680 --> 00:19:46,800
Speaker 1: hang Aaron had a pinch hitteror he deserves to still

366
00:19:46,840 --> 00:19:48,760
Speaker 1: be the greatest nigga from back? That ain't the same thing,

367
00:19:48,880 --> 00:19:53,240
Speaker 1: Jay at the same Aaron body wasn't physical enough to

368
00:19:53,440 --> 00:19:56,240
Speaker 1: goddamn pull his hit off. If if a nigga gave

369
00:19:56,280 --> 00:19:58,840
Speaker 1: me a hit and I pull it off, man, this

370
00:19:58,920 --> 00:20:03,760
Speaker 1: ship was destin. Man. If I gotta hit on my

371
00:20:03,840 --> 00:20:06,400
Speaker 1: hard dry right now, like bro, I've been studying my nigga.

372
00:20:06,400 --> 00:20:08,360
Speaker 1: I think I got your sweat now listen, it is

373
00:20:09,480 --> 00:20:15,359
Speaker 1: damn that. Yeah, turn it down and already yeah jaw

374
00:20:15,600 --> 00:20:17,080
Speaker 1: like Jad said, he gonna put a verse on it,

375
00:20:17,119 --> 00:20:18,920
Speaker 1: brought with it. He just wants you put your vos

376
00:20:18,960 --> 00:20:21,680
Speaker 1: on it. Puff gonna dance on it. Whatever the fuck

377
00:20:21,720 --> 00:20:24,520
Speaker 1: it is this, I'm sleeping the stamp just a hit.

378
00:20:24,800 --> 00:20:28,000
Speaker 1: Y'all are missing a point what I'm saying. I'm not

379
00:20:29,040 --> 00:20:35,399
Speaker 1: y'a already do turn the head down. But I'm saying.

380
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Speaker 1: What I'm saying is if it came down to it,

381
00:20:38,160 --> 00:20:41,159
Speaker 1: and I was to put you up against another nigga

382
00:20:41,480 --> 00:20:43,680
Speaker 1: that had just as big of a hit, but he did.

383
00:20:44,000 --> 00:20:45,800
Speaker 1: He went through all the steps and put in all

384
00:20:45,800 --> 00:20:48,600
Speaker 1: the work. You can think that, you can think that,

385
00:20:48,680 --> 00:20:51,240
Speaker 1: you can think that that you can't come. I'm screening

386
00:20:51,240 --> 00:20:53,359
Speaker 1: ready to gree you can steak that. But de same

387
00:20:53,480 --> 00:20:55,800
Speaker 1: niggas be having nobody to ask. Niggas in the student

388
00:20:56,880 --> 00:20:59,639
Speaker 1: I'm saying, really writing that ship the same niggas who

389
00:20:59,720 --> 00:21:02,119
Speaker 1: you think ain't doing it boy themselves. They engineered them.

390
00:21:02,200 --> 00:21:07,600
Speaker 1: They're writing it. Say it like that. It's not that.

391
00:21:07,640 --> 00:21:09,960
Speaker 1: But niggas just ain't telling this man man this credit.

392
00:21:10,000 --> 00:21:11,600
Speaker 1: I'm not speaking on them niggas. I'm speaking on the

393
00:21:11,680 --> 00:21:14,440
Speaker 1: niggas that really are going from point A to point

394
00:21:14,560 --> 00:21:17,200
Speaker 1: F by themselves like hood. But but but this is

395
00:21:17,200 --> 00:21:19,119
Speaker 1: what we're saying, j like, is that is that a?

396
00:21:19,880 --> 00:21:22,159
Speaker 1: Is that a like dinosaur way of thinking? Now, I

397
00:21:22,280 --> 00:21:27,200
Speaker 1: hear what you're saying, but thinking I'm saying, you're saying,

398
00:21:27,200 --> 00:21:29,960
Speaker 1: give these folks that credit. Give these niggas they credit

399
00:21:30,840 --> 00:21:36,200
Speaker 1: all the way from top to bottom by themselves. When

400
00:21:36,200 --> 00:21:38,160
Speaker 1: you don't calling niggas most of the time, if you're

401
00:21:38,160 --> 00:21:40,399
Speaker 1: in the studio, everybody's studio, we're really writing this song

402
00:21:40,440 --> 00:21:44,200
Speaker 1: again unless you just want the nigga soon zone out.

403
00:21:44,680 --> 00:21:46,359
Speaker 1: You know what I'm saying, Like, I ain't taking that

404
00:21:46,359 --> 00:21:48,720
Speaker 1: away from niggas, but I'm saying, this ship has turned

405
00:21:48,760 --> 00:21:51,720
Speaker 1: to a hustle. All that art shit, it's cool, but

406
00:21:51,800 --> 00:21:54,000
Speaker 1: it's a hustle. Now niggas is feeding their family about

407
00:21:54,000 --> 00:21:56,760
Speaker 1: this ship. Dude, when you're going there to them later,

408
00:21:56,840 --> 00:21:59,600
Speaker 1: the folks, what's the songs? The fuck? How real you is?

409
00:22:01,000 --> 00:22:04,200
Speaker 1: What songs are we going with? You can put twelve

410
00:22:04,600 --> 00:22:07,000
Speaker 1: other motherfucker real niggas on there and get you three

411
00:22:07,280 --> 00:22:09,600
Speaker 1: three songs from some writers, but it's not I'm three

412
00:22:09,680 --> 00:22:12,080
Speaker 1: hits because they's only three songs. They're gonna put you away.

413
00:22:12,440 --> 00:22:14,399
Speaker 1: Why the fuck do you care if y'all want to

414
00:22:14,440 --> 00:22:18,480
Speaker 1: hear me? These are me. These are somebody hits. Look

415
00:22:18,600 --> 00:22:21,280
Speaker 1: what fun? How you feel what them hit said? Hit

416
00:22:21,359 --> 00:22:24,639
Speaker 1: maker wrote these and I did exactly. It's not what

417
00:22:24,640 --> 00:22:28,920
Speaker 1: I said, y'all missing, We get you. It's a healthy conversation.

418
00:22:28,960 --> 00:22:31,600
Speaker 1: That's why you're saying. Man, if I'm in the studio

419
00:22:31,640 --> 00:22:33,359
Speaker 1: with Drake and he like looks, say that shit like

420
00:22:33,440 --> 00:22:35,680
Speaker 1: this instead of woo saying like I'm the meet wearing

421
00:22:35,720 --> 00:22:38,600
Speaker 1: nigga from Don said a lot of saying a lot

422
00:22:38,680 --> 00:22:41,040
Speaker 1: of shit for a lot of niggas too. Now like

423
00:22:41,160 --> 00:22:42,920
Speaker 1: done said it said like this, and a lot of

424
00:22:43,000 --> 00:22:45,600
Speaker 1: niggas did that for them. Now exactly that count is

425
00:22:45,640 --> 00:22:50,879
Speaker 1: like writing for nigga. Yes, it's nigga just wrote that

426
00:22:51,040 --> 00:22:53,360
Speaker 1: it is. But bless you. But we're in the studio

427
00:22:54,040 --> 00:22:56,199
Speaker 1: and there's some niggas in the studio. Ain't somebody win

428
00:22:56,200 --> 00:22:58,160
Speaker 1: in the studio. I'm saying, I send you a record

429
00:22:58,240 --> 00:23:00,520
Speaker 1: this hit, bro, do it like this, jump on this

430
00:23:00,560 --> 00:23:03,119
Speaker 1: and you drew it off that energy, bro, jer blessed

431
00:23:03,119 --> 00:23:06,200
Speaker 1: you and niggas do that for each other like, don't

432
00:23:06,200 --> 00:23:08,760
Speaker 1: get it fucked. The Lord's nigga to the biggest niggas,

433
00:23:08,760 --> 00:23:11,000
Speaker 1: do it like this? Sound like you, bro, That's what

434
00:23:11,040 --> 00:23:13,920
Speaker 1: I'm saying. Everybody does that. Yeah, I'm saying this sound

435
00:23:13,960 --> 00:23:15,800
Speaker 1: like you, Bro. Gonna kid say the hook like this?

436
00:23:16,119 --> 00:23:18,400
Speaker 1: I already wrote, Do I play the song that y'all here?

437
00:23:18,880 --> 00:23:21,199
Speaker 1: It was another nigga on the hook whose song it is?

438
00:23:21,680 --> 00:23:24,439
Speaker 1: But he told another nigga to saying this hook in

439
00:23:24,560 --> 00:23:27,600
Speaker 1: your voice because it gonna sound better than your voice.

440
00:23:27,640 --> 00:23:31,080
Speaker 1: Like when we musicians, we musicians, we here sounds. It

441
00:23:31,160 --> 00:23:33,040
Speaker 1: may not sound like this in my voice, so it

442
00:23:33,160 --> 00:23:35,240
Speaker 1: might sound like for bro. Now this is a final question.

443
00:23:35,359 --> 00:23:39,640
Speaker 1: If I'm just if I just throw it just throwing

444
00:23:39,640 --> 00:23:43,160
Speaker 1: it out from the Troy, you're from the Troy. If

445
00:23:43,200 --> 00:23:46,400
Speaker 1: it came out this is just hypothetically. If it came

446
00:23:46,400 --> 00:23:48,800
Speaker 1: out of the eminem and right two thirds of his ship,

447
00:23:49,119 --> 00:23:51,600
Speaker 1: which you think differently, we can't respect that. That's all

448
00:23:52,359 --> 00:23:54,080
Speaker 1: you gotta be, Bro, you're getting too much cloud. You're

449
00:23:54,080 --> 00:23:56,160
Speaker 1: a white boy. You better be under everything you say.

450
00:23:56,160 --> 00:24:00,720
Speaker 1: You did real shit because you damn number one. That's

451
00:24:00,720 --> 00:24:04,800
Speaker 1: all I'm saying. Eminem a super lyrical type so that's

452
00:24:04,880 --> 00:24:07,840
Speaker 1: kind of like his whole, his whole ship, his whole legacy,

453
00:24:08,080 --> 00:24:10,960
Speaker 1: his whole foundation is lyrics, so that gotta be all, yeah,

454
00:24:10,960 --> 00:24:13,040
Speaker 1: that gotta be take away his whole I'm trying to

455
00:24:13,119 --> 00:24:15,960
Speaker 1: niggle in there, you know what I'm saying. Don't give

456
00:24:16,000 --> 00:24:18,560
Speaker 1: me some really hustler. I'm really trying trying not to

457
00:24:18,600 --> 00:24:21,600
Speaker 1: go to chain games. So I'm doing the rape. Why

458
00:24:21,640 --> 00:24:23,919
Speaker 1: the fuck am I finished? Stay? Whatever the fuck I

459
00:24:23,920 --> 00:24:25,719
Speaker 1: can stay? When the man got this ship sounds gen

460
00:24:25,880 --> 00:24:27,600
Speaker 1: like me over with chrib Brown can get on it,

461
00:24:29,280 --> 00:24:31,879
Speaker 1: you know what I'm saying. Whoever, some big shit, I'm

462
00:24:31,920 --> 00:24:34,840
Speaker 1: gonna just stayed. Like to me, that don't even make sense.

463
00:24:35,000 --> 00:24:37,119
Speaker 1: But that's not what I said. I'm niggas feel like

464
00:24:37,160 --> 00:24:39,360
Speaker 1: that though. That's not what I'm gonna get this shot

465
00:24:39,359 --> 00:24:52,120
Speaker 1: out the mud? The mud? What mud is dirty? Here? Here?

466
00:24:52,840 --> 00:24:55,840
Speaker 1: That's all That's what that is. You can't look at

467
00:24:55,840 --> 00:24:57,800
Speaker 1: it like that. Then the end of the the day, I'm

468
00:24:57,800 --> 00:24:59,640
Speaker 1: gonna get your folks on my ship too, because I'm

469
00:24:59,760 --> 00:25:03,800
Speaker 1: happy come back and recover. But usually ago, like if

470
00:25:03,840 --> 00:25:05,960
Speaker 1: you feel a song it's for a different artist, you

471
00:25:06,000 --> 00:25:07,639
Speaker 1: give it to him with the hook to beat and

472
00:25:07,680 --> 00:25:09,480
Speaker 1: you just like you know, play your verses on that

473
00:25:09,840 --> 00:25:12,480
Speaker 1: I feel that's for you and ain't like I got,

474
00:25:12,840 --> 00:25:14,879
Speaker 1: I got the verse and you just feel in the words,

475
00:25:14,880 --> 00:25:18,320
Speaker 1: and ain't nigga give you the verse rapping sound of

476
00:25:18,400 --> 00:25:20,240
Speaker 1: jet like you like, really, I can't do no better

477
00:25:20,280 --> 00:25:30,119
Speaker 1: than this? This? Like what the fuck with this? Do

478
00:25:30,560 --> 00:25:35,399
Speaker 1: I feel what it sounds like? I know it depends

479
00:25:35,440 --> 00:25:37,720
Speaker 1: on what it. Standing the booth with me and show

480
00:25:37,800 --> 00:25:39,720
Speaker 1: me what you were thinking about when you broke this

481
00:25:39,880 --> 00:25:42,120
Speaker 1: ship so I can see it exactly how I need

482
00:25:42,160 --> 00:25:44,840
Speaker 1: to see it. Coach me all the way through it.

483
00:25:45,000 --> 00:25:47,239
Speaker 1: I don't give a fuck because I don't look at

484
00:25:47,320 --> 00:25:52,240
Speaker 1: this shit is. That's when it comes niggas like just

485
00:25:52,359 --> 00:25:54,959
Speaker 1: a bad real quick. Most niggas don't like hit my leg.

486
00:25:55,040 --> 00:25:57,879
Speaker 1: Get the fuck on name naming the biggest lyrics in

487
00:25:57,920 --> 00:26:04,359
Speaker 1: the game. Name him lyricism Jada Kiss Weren't Lett Nobody? Right? Okay?

488
00:26:04,440 --> 00:26:08,879
Speaker 1: I don't think Jada Jada my man? Right? Okay? Do

489
00:26:08,960 --> 00:26:12,840
Speaker 1: you think jay z Len nigga write this shit? No?

490
00:26:12,880 --> 00:26:15,240
Speaker 1: Do you think you ain't putting up with the verse?

491
00:26:15,680 --> 00:26:18,440
Speaker 1: He alread a verse niggam saying verse nigga, But you

492
00:26:18,520 --> 00:26:21,240
Speaker 1: think a nigga like, Bro, when the nigga brought you

493
00:26:21,320 --> 00:26:22,600
Speaker 1: this ship and sell it to you. I've seen on

494
00:26:22,600 --> 00:26:25,040
Speaker 1: this on this documentary. Can you tell the nigga like,

495
00:26:25,080 --> 00:26:26,560
Speaker 1: and then when you're gonna come back out, you're gonna

496
00:26:26,560 --> 00:26:29,760
Speaker 1: who whoo woo whoo. I just showed you you're hit.

497
00:26:29,920 --> 00:26:32,159
Speaker 1: I'm giving you the inspiration going in do what you do.

498
00:26:32,320 --> 00:26:34,720
Speaker 1: Just do ja on this. Yeah that come with again,

499
00:26:34,760 --> 00:26:39,680
Speaker 1: that's like, No, that's cool though, that's like producing. That's

500
00:26:40,040 --> 00:26:43,440
Speaker 1: creation full right, we're talking about but that's talking about

501
00:26:43,480 --> 00:26:46,359
Speaker 1: this here. That's the same shit. Read it from the notes.

502
00:26:46,480 --> 00:26:49,080
Speaker 1: I just sent you an iPhone note. Read that you're right,

503
00:26:49,280 --> 00:26:52,920
Speaker 1: you right going there and wrap it like I'm hoping,

504
00:26:53,680 --> 00:26:56,320
Speaker 1: yeah jay Z going there. Yeah Yeah, that's a bad

505
00:26:56,359 --> 00:26:58,679
Speaker 1: That was a bad That was a bad comparison, just

506
00:26:58,720 --> 00:27:01,680
Speaker 1: trying to make that shit sound, make it make sense

507
00:27:01,800 --> 00:27:03,560
Speaker 1: in my mind. But at the end of the day,

508
00:27:03,600 --> 00:27:06,119
Speaker 1: I know if this man got a song for me

509
00:27:06,160 --> 00:27:08,080
Speaker 1: that bank can pull off right another night, I'm gonna

510
00:27:08,119 --> 00:27:10,600
Speaker 1: be a rapper the mark. Like I said, everybody's saying,

511
00:27:10,600 --> 00:27:13,359
Speaker 1: but that's everybody. Like the radio people, we can't wait

512
00:27:13,400 --> 00:27:14,879
Speaker 1: to spend it. We just want your voice on it.

513
00:27:15,520 --> 00:27:20,439
Speaker 1: What y'all. Thing ain't that wrong. It's different stuff. That's hustling,

514
00:27:20,480 --> 00:27:23,399
Speaker 1: press proper hustling. You'll do this. We all would probably

515
00:27:23,440 --> 00:27:25,800
Speaker 1: do the same. You would do it if somebody wrote

516
00:27:25,800 --> 00:27:29,040
Speaker 1: you a rap, if he said I got one for you, Jake, Yeah,

517
00:27:29,200 --> 00:27:31,920
Speaker 1: you're gonna go because it's a hustle. Were not is

518
00:27:31,960 --> 00:27:33,919
Speaker 1: on what type of artist you is and what you

519
00:27:34,080 --> 00:27:37,640
Speaker 1: what's valuable to you? We all say what I think.

520
00:27:37,640 --> 00:27:39,200
Speaker 1: It depends on what type of artists you is and

521
00:27:39,240 --> 00:27:41,399
Speaker 1: what's valuable to you. Like if you like I'm speaking

522
00:27:41,400 --> 00:27:43,480
Speaker 1: this ship from the soul, maybe you know that shit

523
00:27:43,560 --> 00:27:48,360
Speaker 1: ain't bout shit? Manbody killing him about all that? Man

524
00:27:48,680 --> 00:27:51,040
Speaker 1: who want for that wouldn't just give them. But if

525
00:27:51,080 --> 00:27:52,760
Speaker 1: you are artists like that, I gotta I need some

526
00:27:52,960 --> 00:27:54,560
Speaker 1: ms im I wanted to hit. I want We're in

527
00:27:54,640 --> 00:27:57,720
Speaker 1: a different time, man, we're in a different time. Like

528
00:27:57,800 --> 00:28:01,040
Speaker 1: that ship went for then you didn't want some money

529
00:28:01,040 --> 00:28:03,679
Speaker 1: in them and he holds on some money. Everybody, your

530
00:28:03,760 --> 00:28:06,240
Speaker 1: kids won't money. I think I got the heat and

531
00:28:06,320 --> 00:28:09,320
Speaker 1: sit around and play. People won't money. Man. I think

532
00:28:09,359 --> 00:28:10,720
Speaker 1: I got a great I think I got a great

533
00:28:10,800 --> 00:28:13,160
Speaker 1: around trying to be the biggest rapper ever in life,

534
00:28:13,160 --> 00:28:17,000
Speaker 1: like that's your purpose. The mother bunny didn't do that, bro.

535
00:28:17,200 --> 00:28:19,480
Speaker 1: I think I got a great comparison, Like what if

536
00:28:19,480 --> 00:28:21,480
Speaker 1: you stand on being the freshest nigga in the game

537
00:28:21,480 --> 00:28:23,560
Speaker 1: and you capping like shit, I'm fresh up here. I

538
00:28:23,600 --> 00:28:26,439
Speaker 1: put the ship together on fresh. But then everybody finds

539
00:28:26,440 --> 00:28:29,040
Speaker 1: out you have this stylist that puts all of it together.

540
00:28:29,080 --> 00:28:36,520
Speaker 1: It's it's fresh, it's still fresh fish shit fresh, niggam

541
00:28:37,240 --> 00:28:40,400
Speaker 1: the freshious And don't take away from there. But the part,

542
00:28:40,560 --> 00:28:43,720
Speaker 1: but the part that's the part that's flaw is if

543
00:28:43,760 --> 00:28:46,120
Speaker 1: you say I put this ship together. I did because

544
00:28:46,120 --> 00:28:48,680
Speaker 1: I had to put it on in clamp the motherfucking

545
00:28:48,760 --> 00:28:52,920
Speaker 1: off my pants together. I put this ship together. You

546
00:28:53,200 --> 00:28:57,360
Speaker 1: got this shit on. I gotta style yourself. But who

547
00:28:57,400 --> 00:29:01,120
Speaker 1: cares about that? Though? No, because rappers an my own stylus.

548
00:29:01,960 --> 00:29:07,160
Speaker 1: I'm old, I'm signing to myself, dressed me. But if

549
00:29:07,240 --> 00:29:13,680
Speaker 1: you that deep into to me, who's the hater? Because

550
00:29:13,760 --> 00:29:15,440
Speaker 1: I said I put this shit on, I put this

551
00:29:15,480 --> 00:29:18,120
Speaker 1: shit together. I got it on. This shit looked nice.

552
00:29:18,640 --> 00:29:21,080
Speaker 1: You like it, But now you weard about the back

553
00:29:21,200 --> 00:29:23,760
Speaker 1: end of it. Who probably did because you lied to us?

554
00:29:24,120 --> 00:29:26,040
Speaker 1: Ain't I'm just talking as a fan. I know. I

555
00:29:26,360 --> 00:29:30,959
Speaker 1: just say people do that. People do that, but they

556
00:29:31,240 --> 00:29:33,920
Speaker 1: do that, like who you're accounting for everything, But you

557
00:29:34,480 --> 00:29:37,440
Speaker 1: about fans like we ain't never You gotta thinking about fans,

558
00:29:37,440 --> 00:29:41,680
Speaker 1: which is fanatic mother idolizers. This rapper every day they

559
00:29:41,760 --> 00:29:46,560
Speaker 1: wear everything, they say, every single little looking at a

560
00:29:46,680 --> 00:29:50,080
Speaker 1: person that's worshiping the person they are. They are fans,

561
00:29:50,080 --> 00:29:52,400
Speaker 1: that's worship. If you're looking at a person believing that

562
00:29:52,480 --> 00:29:55,120
Speaker 1: they don't they don't have flags because you like their music,

563
00:29:55,240 --> 00:29:59,280
Speaker 1: you're fucking idiot. It could be a whole character this

564
00:29:59,400 --> 00:30:01,840
Speaker 1: whole time, this camera on, every time, this mic on.

565
00:30:01,880 --> 00:30:04,040
Speaker 1: This could be a fake ass person just because it

566
00:30:04,080 --> 00:30:05,560
Speaker 1: makes you feel like what it makes you feel like

567
00:30:05,600 --> 00:30:08,880
Speaker 1: don't mean shit. True what I'm saying, it's all holding

568
00:30:08,880 --> 00:30:10,200
Speaker 1: people count. I look at all this ship and you

569
00:30:10,360 --> 00:30:14,360
Speaker 1: better get your motherfucking But it's all entertainment. Yes, entertainment.

570
00:30:14,840 --> 00:30:17,440
Speaker 1: We got that meant to be entertaining. You know it's

571
00:30:17,560 --> 00:30:20,680
Speaker 1: turned into now you just gotta be stand on this.

572
00:30:22,400 --> 00:30:24,600
Speaker 1: You gotta be Yeah, you gotta go out bad. Ye

573
00:30:25,200 --> 00:30:26,960
Speaker 1: what you gotta do. You gotta go out bad for

574
00:30:27,120 --> 00:30:28,720
Speaker 1: nigga to say you to really nigga this shit. You

575
00:30:28,760 --> 00:30:30,760
Speaker 1: gotta go out bad. Oh yeah, you got sacrificial Joe

576
00:30:31,560 --> 00:30:35,120
Speaker 1: to be the real niggah. You gotta go out bad,

577
00:30:35,480 --> 00:30:39,080
Speaker 1: sacrifice yourself anything. Yeah, he gets saw that's the only

578
00:30:39,080 --> 00:30:43,280
Speaker 1: way to win is to lose. Yes, bro, game, you

579
00:30:43,320 --> 00:30:46,640
Speaker 1: gotta read. You gotta read, motherfucking Rewind your ship and

580
00:30:46,720 --> 00:30:48,360
Speaker 1: play it back to yourself before you play it to

581
00:30:48,400 --> 00:30:50,240
Speaker 1: the world. You know what I'm saying, Like, you gotta

582
00:30:50,240 --> 00:30:53,000
Speaker 1: bad to get in the cone. Rewind yourself. See where

583
00:30:53,000 --> 00:30:54,440
Speaker 1: you're at, what's going on? Well, I'm at with this

584
00:30:54,480 --> 00:30:58,000
Speaker 1: ship before you play it out to the people. You

585
00:30:58,040 --> 00:31:00,200
Speaker 1: get what I'm saying. That may sense that, it may say.

586
00:31:01,320 --> 00:31:03,120
Speaker 1: That means you just got to think about every move, brother,

587
00:31:03,160 --> 00:31:04,240
Speaker 1: because at the end of the day, you could be

588
00:31:04,240 --> 00:31:11,120
Speaker 1: at sacrificing yourself, right, Yeah, trying to prove to some

589
00:31:11,160 --> 00:31:15,240
Speaker 1: motherfuckers who ain't nothing that you something, but you're doing nothing,

590
00:31:15,520 --> 00:31:17,880
Speaker 1: like you nothing. You gotta be nothing to be something.

591
00:31:18,040 --> 00:31:21,720
Speaker 1: They got Welcome to the cloud. Who going on for that? Though?

592
00:31:22,440 --> 00:31:24,000
Speaker 1: I wouldn't give a funk who wrote it if I

593
00:31:24,040 --> 00:31:25,680
Speaker 1: could got it off. You get what I'm saying. I

594
00:31:25,720 --> 00:31:29,320
Speaker 1: don't give a fuck nigga say difference. The difference with

595
00:31:29,400 --> 00:31:32,240
Speaker 1: you is you would say I'm gonna sucking hustling. I'm saying,

596
00:31:32,600 --> 00:31:35,360
Speaker 1: give me this grammy. No, I'm saying, whatever it is, bro,

597
00:31:35,440 --> 00:31:37,280
Speaker 1: whatever it is to feed my family, long as it

598
00:31:37,320 --> 00:31:39,840
Speaker 1: ain't nothing to go against my morals. No shit like that,

599
00:31:39,960 --> 00:31:42,040
Speaker 1: because that's what it is. Because you're a hustler. That's

600
00:31:42,040 --> 00:31:46,040
Speaker 1: what I'm talking about. The rapper who the fuck caret rapp?

601
00:31:46,080 --> 00:31:48,440
Speaker 1: It was a hustle. Now, nigga be a damn food.

602
00:31:48,440 --> 00:31:50,280
Speaker 1: They see what that ship getting you to be as

603
00:31:50,320 --> 00:31:54,160
Speaker 1: a hustle. But most rappers don't have morals anymore. All right,

604
00:31:54,200 --> 00:31:55,520
Speaker 1: So you ain't got no more? How the fuck are

605
00:31:55,520 --> 00:31:57,840
Speaker 1: you trying to sit around to my right? You know? Hit?

606
00:31:59,240 --> 00:32:01,280
Speaker 1: If you got the ain't everybody fuck with you? Your

607
00:32:01,280 --> 00:32:04,320
Speaker 1: swagging everything? All you missing it? That one? Nigga tell

608
00:32:04,360 --> 00:32:07,160
Speaker 1: you that shit for sixty years. Yeah, let me ask

609
00:32:07,200 --> 00:32:10,080
Speaker 1: another question. You will never get that one, nobody. So

610
00:32:10,120 --> 00:32:13,800
Speaker 1: what if somebody bring you a hit but it ain't you, Na, No,

611
00:32:13,840 --> 00:32:17,520
Speaker 1: I ain't no, No, he gotta connect. If it ain't you,

612
00:32:17,560 --> 00:32:21,600
Speaker 1: it ain't gonna work. Yeah, I can't. If it ain't you,

613
00:32:21,640 --> 00:32:24,000
Speaker 1: it ain'tnna work. You're gonna have that one song. That's it.

614
00:32:23,880 --> 00:32:27,480
Speaker 1: It ain't you and it ain't gonna work. Ain't gonna

615
00:32:28,080 --> 00:32:32,360
Speaker 1: a situation. And he said this like Gucci Man, Swiss Beach,

616
00:32:32,440 --> 00:32:35,800
Speaker 1: Gucci time. He like Gouci Man. That said like that,

617
00:32:35,800 --> 00:32:38,680
Speaker 1: I didn't. I shouldn't. Maybe I should have did that.

618
00:32:37,960 --> 00:32:41,240
Speaker 1: That's a different kind of need. We know you're trying something,

619
00:32:41,600 --> 00:32:45,480
Speaker 1: you gouch man. We know who you is, so like

620
00:32:45,560 --> 00:32:48,719
Speaker 1: we accept you, bro, We know you just trying. We

621
00:32:48,720 --> 00:32:53,720
Speaker 1: weren't didn't work, Bro that you hear it Timpson and

622
00:32:53,800 --> 00:32:59,320
Speaker 1: didn't bring him out at work. Yeah, but if he

623
00:32:59,440 --> 00:33:03,080
Speaker 1: not put it, we never wouldn't know. Switch me right,

624
00:33:03,720 --> 00:33:10,400
Speaker 1: You're like, da, that really ain't me. But even if

625
00:33:10,760 --> 00:33:12,360
Speaker 1: I got, you gonna give it a try. I gotta

626
00:33:12,360 --> 00:33:13,800
Speaker 1: give it a got. That's like if I get a

627
00:33:13,840 --> 00:33:16,080
Speaker 1: Timberland be and I'm like, just really ain't me. It's

628
00:33:16,080 --> 00:33:17,600
Speaker 1: the only beat he guy from me. I gotta make

629
00:33:17,640 --> 00:33:21,440
Speaker 1: that motherfucking work. Yeah, at least try I got. I

630
00:33:21,480 --> 00:33:23,760
Speaker 1: ain't about to wrap on. No, no techno sound and

631
00:33:24,800 --> 00:33:27,680
Speaker 1: no pop bulls ain't even the brain. You know shit

632
00:33:27,760 --> 00:33:31,600
Speaker 1: that ain't you say? Folks is creative they are an artist.

633
00:33:32,280 --> 00:33:35,320
Speaker 1: Might hear something that you seeing what you might not

634
00:33:35,320 --> 00:33:39,400
Speaker 1: set to all your music and bring you your one? Yeah, damn,

635
00:33:39,520 --> 00:33:42,480
Speaker 1: I couldn't think of this. What if I'm just paying

636
00:33:42,480 --> 00:33:45,280
Speaker 1: the picture. What if there was a writer and we

637
00:33:45,360 --> 00:33:48,280
Speaker 1: have to ask him that brought floor Rider the new

638
00:33:48,320 --> 00:33:52,479
Speaker 1: floor Rider, because you remember what flow rider, the bottom

639
00:33:52,520 --> 00:33:54,960
Speaker 1: boots flow Rider? But what if he heard that the

640
00:33:55,000 --> 00:33:58,840
Speaker 1: first time? What if he heard what? What not? The

641
00:33:59,000 --> 00:34:07,320
Speaker 1: verder blur God us that nigga flow rider is up?

642
00:34:07,800 --> 00:34:10,719
Speaker 1: But no, listen what I'm saying, Big Fax Pard can't

643
00:34:10,719 --> 00:34:12,880
Speaker 1: talking about a nigga rope with the boots with the

644
00:34:12,920 --> 00:34:20,000
Speaker 1: first No, what I'm saying? What what? What? What if

645
00:34:20,000 --> 00:34:22,600
Speaker 1: he would have said, I'm not doing it flow because

646
00:34:22,640 --> 00:34:24,799
Speaker 1: he used to rep on some other ship, so he

647
00:34:24,880 --> 00:34:27,480
Speaker 1: got real street nigga, That's what I'm saying. What if

648
00:34:27,480 --> 00:34:33,160
Speaker 1: he said I'm not doing try some shit. Yes he

649
00:34:33,239 --> 00:34:35,480
Speaker 1: went with this mood when it is, how the fuck

650
00:34:35,520 --> 00:34:37,399
Speaker 1: I'm not going my mood? So what do you have done?

651
00:34:37,440 --> 00:34:47,120
Speaker 1: Apple bottom? Jee got that? I got that the have

652
00:34:47,160 --> 00:34:56,280
Speaker 1: done the bus with the birds like Putt the first

653
00:34:58,120 --> 00:35:01,839
Speaker 1: I wouldn't have sewn that part. I would have been

654
00:35:01,880 --> 00:35:05,279
Speaker 1: on it. For show Street. I'm just saying, if you

655
00:35:05,280 --> 00:35:09,880
Speaker 1: were doing mix taste right, yes, if nigga knew how

656
00:35:09,920 --> 00:35:17,480
Speaker 1: to talk exactly how you knew how to talk, then

657
00:35:17,040 --> 00:35:24,799
Speaker 1: what my money getting? Nigga j just like you be

658
00:35:24,800 --> 00:35:27,560
Speaker 1: the same though you don't say if some niggas trying

659
00:35:27,600 --> 00:35:30,080
Speaker 1: to be like you know that better though, and then

660
00:35:30,120 --> 00:35:33,800
Speaker 1: the nigga want to sign to you, that's different. That's business.

661
00:35:33,880 --> 00:35:41,799
Speaker 1: I was nigga. If little Bank the lawyer has won,

662
00:35:42,360 --> 00:35:48,319
Speaker 1: thank you. But I'm on the fuck Boots with the

663
00:35:48,360 --> 00:35:52,520
Speaker 1: fuck fuck you talk about nigga because then flow right

664
00:35:52,560 --> 00:35:57,960
Speaker 1: of cars like he came out like applies Era didn't he? Yeah, Street,

665
00:35:58,680 --> 00:36:00,480
Speaker 1: he taught you to be jail. You know what I'm saying,

666
00:36:00,760 --> 00:36:10,880
Speaker 1: like a screet nigga boy. Everybody like they saw the

667
00:36:11,000 --> 00:36:15,760
Speaker 1: Vengeon win it got the bitches fu niggas. You nigga

668
00:36:15,800 --> 00:36:19,360
Speaker 1: go says anything gonna make you not real? Then't nigga

669
00:36:19,400 --> 00:36:26,439
Speaker 1: on the beach? He real? Not real with you, niggagaything

670
00:36:27,120 --> 00:36:32,279
Speaker 1: Nigga that hold been twenty eight years. Yes, I love

671
00:36:32,360 --> 00:36:37,120
Speaker 1: her right, they ain't really love the hole so I God, damn,

672
00:36:38,080 --> 00:36:46,960
Speaker 1: what I gotta do? What Boots dignat feel like the

673
00:36:47,120 --> 00:36:49,960
Speaker 1: boots so trying when you put trying out out of

674
00:36:50,000 --> 00:36:54,520
Speaker 1: they would have came with boots with they would have

675
00:36:54,520 --> 00:36:56,120
Speaker 1: came with boots with the fur and said this is

676
00:36:56,160 --> 00:36:59,920
Speaker 1: your next single, bait. Come on, I have a sick

677
00:37:00,040 --> 00:37:02,240
Speaker 1: got I just didn't do it, but I just wrap

678
00:37:02,320 --> 00:37:05,320
Speaker 1: give me anxiety. Tried out was everywhere. When I first

679
00:37:05,320 --> 00:37:08,919
Speaker 1: came down, I heard that ship everything. She was looking weird. Man,

680
00:37:09,080 --> 00:37:12,520
Speaker 1: no one could stop playing was it. I'm just stop

681
00:37:12,560 --> 00:37:15,160
Speaker 1: playing with it. Any time I do something, I believe

682
00:37:15,160 --> 00:37:17,040
Speaker 1: in what I'm doing. But I just didn't. I just

683
00:37:17,080 --> 00:37:20,399
Speaker 1: got anxiety shows and shit like I'm doing. I don't.

684
00:37:20,719 --> 00:37:22,879
Speaker 1: It ain't even I like before, but it's just being

685
00:37:22,960 --> 00:37:26,920
Speaker 1: in the club. I can't it shit do something. It

686
00:37:27,000 --> 00:37:29,439
Speaker 1: was active, so you like, yeah, it's like, don't where

687
00:37:29,440 --> 00:37:31,400
Speaker 1: the fun I'm gonna be at? What the fuck? I

688
00:37:31,400 --> 00:37:33,120
Speaker 1: didn't think that was gonna do, but it did. But

689
00:37:33,160 --> 00:37:36,200
Speaker 1: thank God for everything that ever happening. I'm saying is

690
00:37:36,600 --> 00:37:40,200
Speaker 1: you gotta know what's for you. For sure, you could

691
00:37:40,200 --> 00:37:41,759
Speaker 1: be doing some shit that worked that ain't for you,

692
00:37:43,440 --> 00:37:45,160
Speaker 1: scause this ship worked. The ship she did can take

693
00:37:45,160 --> 00:37:47,600
Speaker 1: you down the wrong road to some ship that that

694
00:37:47,719 --> 00:37:52,080
Speaker 1: the wrong way. That won't for me, bro. I respect

695
00:37:52,080 --> 00:37:54,239
Speaker 1: that the fuck got good. I felt like it was

696
00:37:54,280 --> 00:37:57,520
Speaker 1: and who that ship? Want ship when you feel right?

697
00:37:57,560 --> 00:37:59,839
Speaker 1: I feel right doing this shit talking shit, spoke my weed.

698
00:38:00,040 --> 00:38:02,359
Speaker 1: I got please in the building. You happy, That's what

699
00:38:02,360 --> 00:38:06,279
Speaker 1: it's all about. This shit feels great. Would make this

700
00:38:06,440 --> 00:38:09,960
Speaker 1: different type of crowds and I still not me, but

701
00:38:10,000 --> 00:38:16,200
Speaker 1: that's what I'm saying. You were like, would you make

702
00:38:16,280 --> 00:38:19,480
Speaker 1: that sacrifice to get to the next level? Would you

703
00:38:19,480 --> 00:38:23,440
Speaker 1: sacrifice yourself? And I don't think doing boots with the

704
00:38:23,440 --> 00:38:26,480
Speaker 1: first second. Know what I'm saying, Like, Okay, just like

705
00:38:26,560 --> 00:38:28,400
Speaker 1: a nigga like you, for instance, how you saying like

706
00:38:28,840 --> 00:38:33,359
Speaker 1: that wasn't for you? If you had no listen, did

707
00:38:33,400 --> 00:38:37,080
Speaker 1: the wrong boots? Did that? That's what I'm saying. We

708
00:38:37,200 --> 00:38:39,520
Speaker 1: get it wrong with try it out. We got understand,

709
00:38:39,560 --> 00:38:41,000
Speaker 1: but we had a boot with the fur. We're gonna

710
00:38:41,040 --> 00:38:43,560
Speaker 1: go oversee this. But what I'm saying is boots with

711
00:38:43,680 --> 00:38:46,879
Speaker 1: the fur would have involved a lot more than try

712
00:38:46,920 --> 00:38:49,279
Speaker 1: it out, dude, as far as performing crowds with all

713
00:38:49,320 --> 00:38:53,080
Speaker 1: that ship, compensation would have been different. Things would have

714
00:38:53,120 --> 00:39:01,240
Speaker 1: been different. Conversation, What is the compensation? The conversation Boots

715
00:39:01,280 --> 00:39:04,879
Speaker 1: went first, trying to ten different, like totally different, she said.

716
00:39:05,040 --> 00:39:07,040
Speaker 1: She said, you would have had if you would have

717
00:39:07,040 --> 00:39:08,560
Speaker 1: had the crowd start with Boots with the first, I

718
00:39:08,600 --> 00:39:11,480
Speaker 1: would have had been like Jo the crowd surfing because

719
00:39:11,520 --> 00:39:13,239
Speaker 1: I don't got Boots with the first money. If it's

720
00:39:13,239 --> 00:39:16,239
Speaker 1: a crowd of surfing, I mean, we don't got money.

721
00:39:16,640 --> 00:39:19,319
Speaker 1: They surfing the lever and shit. I got that shit

722
00:39:19,360 --> 00:39:24,640
Speaker 1: gave me excited. That just tells you that club Jay,

723
00:39:24,719 --> 00:39:27,120
Speaker 1: book it against ship. Soon you get into town. Nobody

724
00:39:27,160 --> 00:39:34,480
Speaker 1: for work Jay. They're good, They're good. We went on

725
00:39:34,880 --> 00:39:40,480
Speaker 1: you know rock and roll that bad. You don't want

726
00:39:40,480 --> 00:39:42,560
Speaker 1: to get drunk in the trappers because I was. I

727
00:39:42,640 --> 00:39:44,680
Speaker 1: was a kid when I came down to Atlanta. I

728
00:39:44,719 --> 00:39:48,000
Speaker 1: was hearing tried out everywhere I went to hear the

729
00:39:48,040 --> 00:39:52,600
Speaker 1: story behind that. That's dope out of a classic. Nobody

730
00:39:52,680 --> 00:39:54,560
Speaker 1: say at the end of the day, we're gonna We're

731
00:39:54,560 --> 00:39:56,440
Speaker 1: gonna win it whatever we do. If you gotta believe that,

732
00:39:56,520 --> 00:40:00,319
Speaker 1: anybody out there, I'm gonna wash my camera anyw If

733
00:40:00,360 --> 00:40:04,319
Speaker 1: you're at home, believe in yourself, you can do what

734
00:40:04,360 --> 00:40:06,560
Speaker 1: the fuck you want to do. You make a drive

735
00:40:06,640 --> 00:40:14,120
Speaker 1: out or whatever, or fir with the boots. Holla your

736
00:40:14,200 --> 00:40:16,359
Speaker 1: bed in, man, stop trying to hello. You'r bening through

737
00:40:16,360 --> 00:40:19,520
Speaker 1: another motherfucker eyes. Bro, don't give a fuck it gonna

738
00:40:19,520 --> 00:40:22,799
Speaker 1: be your friend, your family, your girl, your kids, whoever, man,

739
00:40:22,840 --> 00:40:24,640
Speaker 1: how are your bidding because don't nobody to know what's

740
00:40:24,680 --> 00:40:27,640
Speaker 1: going on inside of your ship with you, dog. And

741
00:40:27,680 --> 00:40:30,200
Speaker 1: if you can see that ship inside of your ship, nigga,

742
00:40:30,239 --> 00:40:33,560
Speaker 1: that means that's what's for you. Anything else you do

743
00:40:33,680 --> 00:40:36,680
Speaker 1: ain't gonna feel right. I don't trying to do what

744
00:40:36,719 --> 00:40:40,200
Speaker 1: you want me to do and ain't gonna feel right. Yeah,

745
00:40:40,239 --> 00:40:42,040
Speaker 1: if your heart is telling you the fur boots that

746
00:40:42,080 --> 00:40:45,040
Speaker 1: shit out, fur boots it out and get the money whatever,

747
00:40:45,239 --> 00:40:47,440
Speaker 1: even if you're in relationship. You know these niggas D

748
00:40:47,640 --> 00:40:51,399
Speaker 1: day DS is just a different type of niggas. It's new,

749
00:40:51,640 --> 00:40:54,000
Speaker 1: like I don't know even the old niggas started to

750
00:40:54,000 --> 00:40:57,279
Speaker 1: do this. Like you can lie to the police, to

751
00:40:57,400 --> 00:41:00,400
Speaker 1: your mama all your life on rebellious Mama. I'm doing

752
00:41:00,440 --> 00:41:02,120
Speaker 1: what I'm doing. I'm going in the streets. I gotta

753
00:41:02,160 --> 00:41:06,000
Speaker 1: eat your daddy. Fuck you, nigga, ain't doing that. Your kids,

754
00:41:06,000 --> 00:41:09,160
Speaker 1: whoever you get to this bitch, you want to do

755
00:41:09,200 --> 00:41:12,480
Speaker 1: what she wants you to do. What is wrong with

756
00:41:12,600 --> 00:41:18,680
Speaker 1: these niggas? Man? What's wrong with you? Bron? You will

757
00:41:18,760 --> 00:41:21,640
Speaker 1: go through all this ship yourbeys on the bounce though

758
00:41:23,320 --> 00:41:26,080
Speaker 1: you feel like for you, I was following, But when

759
00:41:26,080 --> 00:41:33,239
Speaker 1: you get to this bitch nigga, I you the one.

760
00:41:34,480 --> 00:41:36,239
Speaker 1: I'll tell you. I mean, I would have thought God

761
00:41:36,280 --> 00:41:41,320
Speaker 1: would have made a cut niggas is said rebels on

762
00:41:41,480 --> 00:41:44,719
Speaker 1: everybody to judge. Fuck the polies on't running red light

763
00:41:44,680 --> 00:41:47,920
Speaker 1: at night? Maniga be follinggat run red light puking the

764
00:41:48,000 --> 00:41:57,680
Speaker 1: toyways on you bucket down to this bitch bad do

765
00:41:57,719 --> 00:42:04,200
Speaker 1: what I'm supposed to be that obedience. We'll not got

766
00:42:04,239 --> 00:42:11,920
Speaker 1: big Who was the first nigga y'all think it is

767
00:42:13,080 --> 00:42:18,080
Speaker 1: to turn niggas to bitches? A lot of the niggas

768
00:42:18,120 --> 00:42:20,520
Speaker 1: it's bitches. D day, Bro, the shit I see you

769
00:42:20,600 --> 00:42:24,040
Speaker 1: needna do my granddadd and then one man don't give

770
00:42:24,040 --> 00:42:26,120
Speaker 1: a fuck. What don't need to say? Niggas ain't doing

771
00:42:26,200 --> 00:42:30,160
Speaker 1: that shit? Bro? How you a man doing this? Bro?

772
00:42:30,960 --> 00:42:33,480
Speaker 1: And you got social media too, though you got social

773
00:42:33,480 --> 00:42:35,160
Speaker 1: media had a lot to do with that too. You

774
00:42:35,239 --> 00:42:38,080
Speaker 1: know I'm saying at home, baby, I'm not the nigga

775
00:42:38,640 --> 00:42:42,839
Speaker 1: doing this shtill women do. I'm saying I will if

776
00:42:42,880 --> 00:42:45,120
Speaker 1: ain't nobody there. I'm not what I don't know. I'm

777
00:42:45,120 --> 00:42:49,040
Speaker 1: just different. I am. I wash my dish. I'm not

778
00:42:49,120 --> 00:42:53,400
Speaker 1: the fucking dish wash your howard. So you're gonna make

779
00:42:52,719 --> 00:42:56,759
Speaker 1: you Let me get this straight. So you're gonna make

780
00:42:56,800 --> 00:43:01,160
Speaker 1: a whole sink full of dish water and wash your dishes.

781
00:43:01,200 --> 00:43:03,680
Speaker 1: I'm saying I watched like if the dishes already clean,

782
00:43:04,800 --> 00:43:06,439
Speaker 1: I keep it clean. I ain't gonna be the nigga

783
00:43:06,440 --> 00:43:08,640
Speaker 1: to bit the first dish. And that's like, I'm that

784
00:43:08,719 --> 00:43:10,920
Speaker 1: county don't respectable? Now if I cook some ship, you are,

785
00:43:10,960 --> 00:43:13,600
Speaker 1: I see the house clean? Okay, baby, I respect that.

786
00:43:14,160 --> 00:43:15,799
Speaker 1: I'm gonna wash mine, so it won't you be my

787
00:43:15,840 --> 00:43:20,239
Speaker 1: ship though, to keep you going. You get what I'm saying.

788
00:43:20,280 --> 00:43:22,720
Speaker 1: It ain't no more dishes though. Now this shit already

789
00:43:22,840 --> 00:43:29,960
Speaker 1: poblem just talk my shit enough too. I like it.

790
00:43:31,760 --> 00:43:33,920
Speaker 1: You may sit. I ain't saying. I ain't saying. I

791
00:43:33,920 --> 00:43:39,000
Speaker 1: ain't saying shit. I ain't about to suck myself up.

792
00:43:39,480 --> 00:43:43,160
Speaker 1: But am I line? Am I flying hed nigga the

793
00:43:43,160 --> 00:43:49,799
Speaker 1: new ladies though, it's dudes more lady like. Yeah, yeah,

794
00:43:49,840 --> 00:43:52,640
Speaker 1: that's all I'm saying, Like bro do mean like Bro,

795
00:43:52,760 --> 00:43:55,040
Speaker 1: I don't know, I said. I guess even with niggas

796
00:43:55,040 --> 00:43:58,040
Speaker 1: being that nigga's business, that ain't the old men. That

797
00:43:58,160 --> 00:44:04,000
Speaker 1: was never mean d folks won friendly de folks with

798
00:44:04,200 --> 00:44:06,919
Speaker 1: men like some other account of shit. Cave man. Damn

799
00:44:06,920 --> 00:44:09,520
Speaker 1: the nigga like you know what I'm saying. You know

800
00:44:09,680 --> 00:44:11,960
Speaker 1: not to do no bitch ass shoot in front of

801
00:44:11,960 --> 00:44:14,520
Speaker 1: great dad like I that hurt type. Think you better

802
00:44:14,560 --> 00:44:17,320
Speaker 1: be a man, you know what I'm saying, Like about

803
00:44:17,360 --> 00:44:20,640
Speaker 1: tripping rugs, let my tripping screen creeper, you had to

804
00:44:20,680 --> 00:44:23,319
Speaker 1: be niggas. Ain't holding niggas accounting for telling niggas what

805
00:44:23,360 --> 00:44:26,920
Speaker 1: whole shit is. It's I know this ship the Schwade,

806
00:44:27,000 --> 00:44:29,440
Speaker 1: but it's like that's my whole ship. You say that

807
00:44:29,480 --> 00:44:33,640
Speaker 1: you hate them, so something niggas as shi ass ship.

808
00:44:33,719 --> 00:44:37,840
Speaker 1: No matter how you put something, nigga says I and

809
00:44:37,920 --> 00:44:43,920
Speaker 1: say what you said, you better don't let that shit

810
00:44:44,040 --> 00:44:47,800
Speaker 1: turn you to a bitch. Nigga like you just with

811
00:44:48,520 --> 00:44:51,279
Speaker 1: You're a whole rug no matter how you see it,

812
00:44:52,840 --> 00:45:00,120
Speaker 1: do see something you this ship made you back a sound, bro,

813
00:45:00,239 --> 00:45:06,760
Speaker 1: don't do that. They're always sitting up. If I trip,

814
00:45:06,920 --> 00:45:10,400
Speaker 1: keep I tripping, I probably am tripping in you guys.

815
00:45:11,000 --> 00:45:15,200
Speaker 1: But it's always it's always been nothing bringing that sound

816
00:45:15,200 --> 00:45:17,120
Speaker 1: out of you. So if you break your anchor, like

817
00:45:17,280 --> 00:45:21,480
Speaker 1: breaking into you, fin No, I'm gonna say, shit, shit,

818
00:45:22,440 --> 00:45:28,319
Speaker 1: how that don't come out of you? How that point?

819
00:45:27,719 --> 00:45:40,719
Speaker 1: They'll h you it's so wrong out good. So here's

820
00:45:40,760 --> 00:45:43,359
Speaker 1: my question, says, we're speaking on on love and we're

821
00:45:43,400 --> 00:45:47,280
Speaker 1: speaking on the family esthetic and all of that. So

822
00:45:47,680 --> 00:45:52,360
Speaker 1: we're not recently, but you married your longtime girlfriend Kendra,

823
00:45:52,960 --> 00:45:59,000
Speaker 1: had a beautiful service, We engaged whoa, whoa, y'all had

824
00:45:59,120 --> 00:46:02,040
Speaker 1: some some kind of something y'all had, and shit was

825
00:46:02,080 --> 00:46:06,120
Speaker 1: amazing y'all be having this and shit like y'all be

826
00:46:06,160 --> 00:46:09,200
Speaker 1: having like I love you parties and like all kind

827
00:46:09,200 --> 00:46:12,600
Speaker 1: of shit. It should be like beautiful. And you know

828
00:46:12,600 --> 00:46:16,200
Speaker 1: what I'm saying, Like it takes a lot. When both

829
00:46:16,200 --> 00:46:21,080
Speaker 1: of you guys are high powered, successful, you know, both

830
00:46:21,080 --> 00:46:22,840
Speaker 1: of you have a lot going on. So how do

831
00:46:22,880 --> 00:46:31,000
Speaker 1: you manage to turn off payroll and turn into engaged boyfriend,

832
00:46:31,520 --> 00:46:38,880
Speaker 1: almost husband, soon to be daddy? I mean, huh no, No,

833
00:46:38,960 --> 00:46:40,560
Speaker 1: I know That's what I'm saying. How do you turn

834
00:46:40,920 --> 00:46:43,480
Speaker 1: how do you turn this off? I'm not going to that.

835
00:46:43,600 --> 00:46:48,560
Speaker 1: I'm the same dude that home, same dude man, you know,

836
00:46:48,680 --> 00:46:52,319
Speaker 1: like I just I was a wild young nigga like ran,

837
00:46:52,560 --> 00:46:54,239
Speaker 1: That's what I'm saying. How do you take that shit

838
00:46:54,360 --> 00:46:59,480
Speaker 1: in the house? Like, uh shit, I don't know, it's

839
00:46:59,480 --> 00:47:01,360
Speaker 1: just one of you know what I'm saying, Like I

840
00:47:01,440 --> 00:47:05,839
Speaker 1: ain't never really been into just dumb shit like that

841
00:47:05,920 --> 00:47:09,480
Speaker 1: for real, always like a like a household wild but

842
00:47:09,600 --> 00:47:13,440
Speaker 1: not dumb. Like yeah, okay, I'm saying. We live, We

843
00:47:13,480 --> 00:47:15,240
Speaker 1: was we was, we was living like we was grown

844
00:47:15,239 --> 00:47:17,680
Speaker 1: when he was young. So by the time Nigga was

845
00:47:17,719 --> 00:47:20,799
Speaker 1: like twenty three, you know, Nigga was tired of that

846
00:47:20,800 --> 00:47:23,359
Speaker 1: ship for real. Like, man, nig ready to just move

847
00:47:23,400 --> 00:47:25,879
Speaker 1: to the burbs and just stay out the way get

848
00:47:25,920 --> 00:47:34,319
Speaker 1: money and Patty's fucking grandios fantais celebrations like that shit

849
00:47:34,440 --> 00:47:36,480
Speaker 1: is beautiful to see. I don't know like if y'all

850
00:47:36,520 --> 00:47:38,760
Speaker 1: like pay attention to like when they'd be like having

851
00:47:38,760 --> 00:47:43,200
Speaker 1: shit or whatever, but like for birthdays, fucking for our

852
00:47:43,239 --> 00:47:46,440
Speaker 1: Mitzpha's Easterns, all kinds of shit they do an event

853
00:47:46,560 --> 00:47:50,440
Speaker 1: for everything, and it's like it's like some incredibly beautiful,

854
00:47:50,800 --> 00:47:54,200
Speaker 1: lovely type shit. Like it's really like a lot of

855
00:47:54,239 --> 00:47:56,200
Speaker 1: that be Like we don't be wanting to just be

856
00:47:56,239 --> 00:47:59,760
Speaker 1: around dumb shit, so we just throw private events. Smoke

857
00:48:00,480 --> 00:48:03,200
Speaker 1: Detroit smoke. Oh yeah, yeah, smoke from the east side. Yeah,

858
00:48:03,200 --> 00:48:11,439
Speaker 1: that's my nigga. South west side? What Southwest? So what's

859
00:48:11,440 --> 00:48:15,680
Speaker 1: the difference in Southwest? Like? What the Mexicans? That real, real,

860
00:48:15,760 --> 00:48:18,480
Speaker 1: there's some niggas there too, but mainly it's known for

861
00:48:18,600 --> 00:48:23,239
Speaker 1: Mexican time. There's just there's some grimy ship though Southwest

862
00:48:23,239 --> 00:48:27,040
Speaker 1: e course and rude and all that shit. That's shit.

863
00:48:27,120 --> 00:48:30,520
Speaker 1: That's how they got to plug there. I don't know.

864
00:48:30,920 --> 00:48:34,840
Speaker 1: They do, got the Mexicans right back. They got the

865
00:48:34,960 --> 00:48:42,200
Speaker 1: Mexicans out there. Mexicans ain't nowhere else in Detroit. But

866
00:48:42,239 --> 00:48:45,520
Speaker 1: what's your favorite spot outside of Detroit? What you mean,

867
00:48:47,080 --> 00:48:53,840
Speaker 1: like favorite city? It's between Atlanta or Miami. Atlanta Miami.

868
00:48:55,160 --> 00:48:57,280
Speaker 1: I just like the view and the weather. I'm Miami

869
00:48:57,680 --> 00:48:59,719
Speaker 1: and out here, I like the people, I like the

870
00:49:00,400 --> 00:49:02,239
Speaker 1: it just feel different in the air out here. For me,

871
00:49:02,640 --> 00:49:05,080
Speaker 1: I lived out here for like two three years. Why

872
00:49:05,080 --> 00:49:07,239
Speaker 1: are you thinking Atlanta Detroit niggas get along so well.

873
00:49:08,640 --> 00:49:11,919
Speaker 1: I don't know, it seemed like it's always just seem

874
00:49:12,040 --> 00:49:16,239
Speaker 1: because yeah, because for one, Atlanta it's like real Southern hospitality.

875
00:49:16,280 --> 00:49:18,480
Speaker 1: They show love, you know what I'm saying, open opening

876
00:49:18,600 --> 00:49:20,799
Speaker 1: arms to you. The troite niggas ain't really used to that,

877
00:49:20,920 --> 00:49:23,800
Speaker 1: like we used to just kind of being on guard.

878
00:49:24,120 --> 00:49:25,960
Speaker 1: You know what I'm saying. I feel like I'm here.

879
00:49:27,239 --> 00:49:30,480
Speaker 1: It's it's it's like you go together, you know what

880
00:49:30,480 --> 00:49:32,360
Speaker 1: I'm saying, to come down here and get embraced instead

881
00:49:32,360 --> 00:49:34,719
Speaker 1: of nigga, Fuck, is you nigga? What you doing over here?

882
00:49:34,760 --> 00:49:39,080
Speaker 1: Like yeah, just kind of gravitate towards here. I think

883
00:49:39,080 --> 00:49:41,440
Speaker 1: that should go back to the nineties though, like right

884
00:49:41,480 --> 00:49:45,680
Speaker 1: before that, m yeah, was that a thing, yo? Yes,

885
00:49:45,760 --> 00:49:47,480
Speaker 1: saying Detroit like I don't wanna go to Atlanta was

886
00:49:47,800 --> 00:49:49,279
Speaker 1: like a thing like y'all were proud of, Like I'm

887
00:49:49,280 --> 00:49:52,000
Speaker 1: gonna go suck around in Atlanta. I think everybody say

888
00:49:52,000 --> 00:49:55,120
Speaker 1: I'm gonna go fuck around and the Nines for sure, everybody.

889
00:49:55,600 --> 00:49:59,160
Speaker 1: It's still like that, like nigga still come to Yeah, yeah,

890
00:49:59,320 --> 00:50:02,000
Speaker 1: we can get the here. That's why the traffic so

891
00:50:03,239 --> 00:50:05,880
Speaker 1: niggas now, Yeah, mom telling most of the out of

892
00:50:05,920 --> 00:50:09,799
Speaker 1: town niggas them alanna niggas. Now, ye rugs ain't from

893
00:50:09,800 --> 00:50:14,279
Speaker 1: New York no more, it's not from New York. I

894
00:50:14,400 --> 00:50:20,440
Speaker 1: know the nigga he is not from New York. Noig nigga. Man,

895
00:50:22,160 --> 00:50:24,279
Speaker 1: you put up a role, you can see it. Don't

896
00:50:24,280 --> 00:50:26,280
Speaker 1: New York do you can't see it? With the balls.

897
00:50:30,560 --> 00:50:32,440
Speaker 1: Ain't gonna lie like like we're seeing big meat and

898
00:50:32,440 --> 00:50:34,359
Speaker 1: all of them out here made a lot of like

899
00:50:34,400 --> 00:50:38,279
Speaker 1: our generation want to come out a lot of shit

900
00:50:38,840 --> 00:50:45,719
Speaker 1: to playing with the city for games. Yeah, you didn't

901
00:50:46,040 --> 00:50:49,520
Speaker 1: the players. You know what players plays the Lattle ship

902
00:50:49,960 --> 00:50:54,560
Speaker 1: with players that you play, you playing. You know what

903
00:50:54,600 --> 00:50:56,680
Speaker 1: I'm saying that how this ship go in any city,

904
00:50:56,880 --> 00:50:59,560
Speaker 1: any city city you go out of you out of bound?

905
00:50:59,560 --> 00:51:01,880
Speaker 1: How you like come around thinking you know what goes

906
00:51:01,920 --> 00:51:03,799
Speaker 1: on when you're not from around here with ship been

907
00:51:04,160 --> 00:51:06,960
Speaker 1: we've been thought of what goes on the round? You

908
00:51:07,000 --> 00:51:08,719
Speaker 1: know what I'm saying, Like, how you gonna come around

909
00:51:08,760 --> 00:51:11,560
Speaker 1: and make some new rules and somebody else shit? You

910
00:51:11,600 --> 00:51:15,080
Speaker 1: know what I'm saying? Yea, I even't go Detroit and

911
00:51:15,160 --> 00:51:17,560
Speaker 1: feel like I know what's going on there? You get

912
00:51:17,600 --> 00:51:22,040
Speaker 1: what the wrong motherfucker shit. You know, it depends on

913
00:51:22,120 --> 00:51:23,560
Speaker 1: who you linking with. When you when you come to

914
00:51:23,600 --> 00:51:26,360
Speaker 1: different cities, you know your experience is gonna be totally different. Facts.

915
00:51:26,520 --> 00:51:28,719
Speaker 1: You know, you link with some grammy motheruckers, probably gonna

916
00:51:28,719 --> 00:51:30,960
Speaker 1: get robbed, Like man, they robbed niggas in Detroit, But

917
00:51:31,000 --> 00:51:35,080
Speaker 1: you were just with some shady motherfuckers. Yeah. Nothing, niggas.

918
00:51:35,080 --> 00:51:43,280
Speaker 1: Show you a good time Detroit? Yeah yeah, smoking every

919
00:51:43,280 --> 00:51:49,160
Speaker 1: time I go out up there, beat the party man. Yeah, yeah,

920
00:51:51,160 --> 00:51:54,240
Speaker 1: what you got coming up this year? I just dropped

921
00:51:54,239 --> 00:51:59,000
Speaker 1: the project go Smoke, dropped that Friday. Um, I just

922
00:51:59,040 --> 00:52:05,839
Speaker 1: got a film company, but I started doing independent films.

923
00:52:04,400 --> 00:52:10,000
Speaker 1: I need I need a you know, yeah dream I'm

924
00:52:10,040 --> 00:52:13,000
Speaker 1: gonna play. Oh yeah my people that you know? Yeah,

925
00:52:13,000 --> 00:52:16,080
Speaker 1: I have something to do with that. We'll talk about that.

926
00:52:16,719 --> 00:52:18,319
Speaker 1: What you want to play? What type of wrong man?

927
00:52:18,360 --> 00:52:23,080
Speaker 1: I don't whatever it is, but a dope we go

928
00:52:23,719 --> 00:52:30,400
Speaker 1: whatever I'm saying. My little my little actor publishing. We

929
00:52:30,480 --> 00:52:34,120
Speaker 1: got a sex gonna nigga bounce on that ship. Matter fact, manager,

930
00:52:38,760 --> 00:52:41,279
Speaker 1: it's about powder that shit tho cd J. You're gonna

931
00:52:41,280 --> 00:52:44,800
Speaker 1: be an actor. You got it, you got you. I

932
00:52:44,800 --> 00:52:50,439
Speaker 1: don't want it that bad what this is acting? Get

933
00:52:50,560 --> 00:53:09,560
Speaker 1: the big show that I'm playing around it, man, let's go. Yeah,

934
00:53:09,920 --> 00:53:14,640
Speaker 1: it wasn't Detroit dream. Yeah my people shot that shout

935
00:53:14,719 --> 00:53:19,799
Speaker 1: of table that my brother for real show fun with him.

936
00:53:19,840 --> 00:53:23,759
Speaker 1: Niggas fly niggas, No, y'all nigga the invented flyo. Now

937
00:53:23,920 --> 00:53:25,719
Speaker 1: every Detruit and you ever know instance, I was a

938
00:53:25,760 --> 00:53:36,719
Speaker 1: little black from fly Nia. My nigga dark in the

939
00:53:36,760 --> 00:53:42,160
Speaker 1: bad my brother, my nigga hood classics. Man. Know, even

940
00:53:42,200 --> 00:53:43,920
Speaker 1: the older you see in the hood, like, oh he's

941
00:53:43,920 --> 00:53:46,640
Speaker 1: from Detruit, he's always a clean nigga. Yeah, you know

942
00:53:46,680 --> 00:53:48,279
Speaker 1: what I'm saying, Like, I ain't gonna lie to that.

943
00:53:48,400 --> 00:53:50,360
Speaker 1: That's like the culture of Detroit like that just be

944
00:53:50,440 --> 00:53:52,279
Speaker 1: on some fly, flex and ship. Ain't a lot of

945
00:53:52,320 --> 00:53:54,480
Speaker 1: dirty niggas in Detroit. It is. That's a lot of

946
00:53:54,520 --> 00:54:03,640
Speaker 1: dirty water. But when you go to the club, you're

947
00:54:03,680 --> 00:54:07,480
Speaker 1: going to see You're not gonna see that, but you're

948
00:54:07,480 --> 00:54:14,719
Speaker 1: going to Crevice like yeah, sh like turnaround like but

949
00:54:14,880 --> 00:54:17,480
Speaker 1: our our whole culture is the flex and ball and

950
00:54:17,600 --> 00:54:20,360
Speaker 1: get money. You know, like back in the nineties, niggas

951
00:54:20,400 --> 00:54:22,680
Speaker 1: was going to the concerts and shoulders the rapper. They

952
00:54:22,760 --> 00:54:25,319
Speaker 1: have more jurity than them all that type of shit.

953
00:54:26,560 --> 00:54:28,719
Speaker 1: That's that's always been a culture out there, just heavy

954
00:54:28,760 --> 00:54:31,279
Speaker 1: flex and getting money. Who somebody is your dream of

955
00:54:31,320 --> 00:54:32,960
Speaker 1: luck in with? Do some music, but she ain't got

956
00:54:33,040 --> 00:54:36,719
Speaker 1: the fuck with yet. Jay z Man, jay z Man,

957
00:54:37,200 --> 00:54:39,200
Speaker 1: jay Z Ross. I ain't gonna lie Rick Ross. I

958
00:54:39,239 --> 00:54:41,120
Speaker 1: think we can make some dope shit. Yeah, you know

959
00:54:41,160 --> 00:54:44,640
Speaker 1: what I'm saying. But Hold, I think hold everybodyless? Yeah

960
00:54:45,000 --> 00:54:49,200
Speaker 1: trait of course, you know, yeah, yeah, you know when

961
00:54:49,239 --> 00:54:51,120
Speaker 1: you get on the record, like, let's say you do

962
00:54:51,200 --> 00:54:58,200
Speaker 1: some shit like that. Are you gonna boots man, You're

963
00:54:58,239 --> 00:55:00,480
Speaker 1: gonna make them come to your world? Are you okay

964
00:55:00,560 --> 00:55:02,560
Speaker 1: going to the world? Or you want like a balance?

965
00:55:03,960 --> 00:55:06,080
Speaker 1: If it was Ross, I would do a balance. I

966
00:55:06,120 --> 00:55:08,680
Speaker 1: would do a balance because I kind of go his

967
00:55:09,000 --> 00:55:12,520
Speaker 1: his way too, so it would just be balanced out. Hold.

968
00:55:13,520 --> 00:55:15,279
Speaker 1: I think that would be harder. Holds on one of

969
00:55:15,280 --> 00:55:20,560
Speaker 1: them Detroit beats crazy. That should be hard. That's never

970
00:55:20,640 --> 00:55:24,359
Speaker 1: been done, never been done like that. That shouldn't be hard.

971
00:55:24,520 --> 00:55:26,360
Speaker 1: So I probably put him on some ghetto shit. He

972
00:55:26,360 --> 00:55:33,719
Speaker 1: ain't got no business song. He did everything. Yeah, you

973
00:55:33,840 --> 00:55:36,279
Speaker 1: don't get off fast shit. What you do if you

974
00:55:36,320 --> 00:55:38,400
Speaker 1: get a feature back and you feel like you're listening

975
00:55:38,440 --> 00:55:41,120
Speaker 1: to it, you're fucking with it, but you just like, boy,

976
00:55:41,160 --> 00:55:43,400
Speaker 1: this nigga showed me how you go back and do

977
00:55:43,440 --> 00:55:46,360
Speaker 1: your shy I'm going back. I'm gonna go back. I

978
00:55:46,360 --> 00:55:47,520
Speaker 1: didn't did that. I didn't did that. A couple of

979
00:55:47,640 --> 00:55:49,439
Speaker 1: jesunt made me do that a few times for real.

980
00:55:52,680 --> 00:55:54,520
Speaker 1: I did a song with Push Your Tea back in

981
00:55:54,600 --> 00:55:57,000
Speaker 1: the day I want he was with Jesus, and I

982
00:55:57,080 --> 00:56:00,040
Speaker 1: did the verse in Jesus like you show this to

983
00:56:00,080 --> 00:56:05,960
Speaker 1: be diversion saying I went back in. I still wasn't.

984
00:56:07,640 --> 00:56:14,560
Speaker 1: I went back in just because you're asking me, I'm

985
00:56:14,560 --> 00:56:19,040
Speaker 1: gonna do it over. So look, this is what I

986
00:56:19,120 --> 00:56:20,759
Speaker 1: wanted to ask you to, like I meant to ask

987
00:56:20,800 --> 00:56:23,239
Speaker 1: you when we're talking about the family ship. So you

988
00:56:23,400 --> 00:56:26,880
Speaker 1: also have a son that's growing up, you know, becoming

989
00:56:26,920 --> 00:56:29,200
Speaker 1: a man, he's getting older. What are some of the

990
00:56:29,320 --> 00:56:33,760
Speaker 1: things that you instill in your son to make sure

991
00:56:34,000 --> 00:56:37,000
Speaker 1: that he doesn't make any of the same mistakes that

992
00:56:37,080 --> 00:56:40,479
Speaker 1: you made while he was coming up? Why I'm sorry

993
00:56:40,520 --> 00:56:43,680
Speaker 1: why you were coming up? Like Like with my son,

994
00:56:43,719 --> 00:56:47,200
Speaker 1: I teach him about money. I teach him like financial literacy,

995
00:56:47,400 --> 00:56:49,840
Speaker 1: teach him how to make money. How to invest money?

996
00:56:50,880 --> 00:56:53,400
Speaker 1: Just what to do with money? Okay. I was never

997
00:56:53,480 --> 00:56:55,239
Speaker 1: taught that growing up, right, you know what I'm saying.

998
00:56:55,280 --> 00:56:58,440
Speaker 1: Nobody told me how to invest money. And it was

999
00:56:58,480 --> 00:57:01,520
Speaker 1: like the niggas and hood was like first buy eight

1000
00:57:01,560 --> 00:57:02,680
Speaker 1: ball and you get a quarter and you get a

1001
00:57:02,719 --> 00:57:04,680
Speaker 1: brick and they walk away. You didn't know what to

1002
00:57:04,760 --> 00:57:07,080
Speaker 1: do after that. You're just like what the fuck next?

1003
00:57:07,560 --> 00:57:14,200
Speaker 1: So I teach him by twelve pair of cards. But no,

1004
00:57:14,320 --> 00:57:17,120
Speaker 1: I just teach my son, like just what to do

1005
00:57:17,280 --> 00:57:20,360
Speaker 1: with money. You know, I still a lot of principles

1006
00:57:20,440 --> 00:57:22,520
Speaker 1: in them, you know, because he got a crew and

1007
00:57:23,760 --> 00:57:26,960
Speaker 1: all of that, so you know, I'm still a lot

1008
00:57:27,040 --> 00:57:30,120
Speaker 1: of principles in them. I talked to him like grown man,

1009
00:57:30,240 --> 00:57:32,120
Speaker 1: like like I'll be kicking it. That's how me and

1010
00:57:32,200 --> 00:57:36,280
Speaker 1: my son talk, like, I mean twelve, but he got

1011
00:57:36,320 --> 00:57:39,280
Speaker 1: like he'd been here before. Man, nothing, nothing impresses him.

1012
00:57:39,440 --> 00:57:41,720
Speaker 1: He don't give a fuck about none of that. Like

1013
00:57:42,560 --> 00:57:46,040
Speaker 1: he told me. I showed him some some cars. I'm like, man,

1014
00:57:46,080 --> 00:57:48,280
Speaker 1: which one should I get? And he like, get the

1015
00:57:48,360 --> 00:57:51,520
Speaker 1: may Back And I got the may Back and I like, yeah,

1016
00:57:51,520 --> 00:57:53,640
Speaker 1: I like he got the may Back. Yeah, Oh yeah,

1017
00:57:53,640 --> 00:57:59,120
Speaker 1: that's that's that's straight nice just didn't do it. He

1018
00:57:59,240 --> 00:58:02,240
Speaker 1: listened to them music he did when he was young.

1019
00:58:02,400 --> 00:58:06,040
Speaker 1: Now he owned like the young wave baby trying, and

1020
00:58:07,080 --> 00:58:09,320
Speaker 1: it's a lot of them he listened to. But I

1021
00:58:09,520 --> 00:58:11,960
Speaker 1: ain't gonna lie like I peeped. Even with that, he

1022
00:58:12,120 --> 00:58:14,480
Speaker 1: got a good ear for talent because the people he

1023
00:58:14,600 --> 00:58:18,800
Speaker 1: listened to they'd be underground. And then the thing, so

1024
00:58:18,920 --> 00:58:21,600
Speaker 1: I'm like, damn, you might got a CEO ear or

1025
00:58:21,680 --> 00:58:25,560
Speaker 1: something telling you, yeah, I'll be I'll be paying attention

1026
00:58:25,600 --> 00:58:27,880
Speaker 1: to that. Yeah, you got to cultivate that and mold it.

1027
00:58:28,800 --> 00:58:30,560
Speaker 1: He got to wrap video out right now, ju Ju

1028
00:58:30,680 --> 00:58:33,760
Speaker 1: the Boss. Yeah, I kind of pushed him to do

1029
00:58:33,880 --> 00:58:38,520
Speaker 1: that though, well he don't really care about that YouTube. Man,

1030
00:58:38,960 --> 00:58:40,560
Speaker 1: you feel like I ain't got time for that. But

1031
00:58:40,720 --> 00:58:42,600
Speaker 1: what shit you feel like you had to change just

1032
00:58:42,840 --> 00:58:45,160
Speaker 1: in order to be an artist, Like I can't keep

1033
00:58:45,200 --> 00:58:50,840
Speaker 1: doing it. I gotta do this regular shit, you know

1034
00:58:50,880 --> 00:58:54,040
Speaker 1: what I'm saying, Like I cut my head with whatever

1035
00:58:54,280 --> 00:58:56,840
Speaker 1: just in the room. I ain't gonna lie. Having a

1036
00:58:56,920 --> 00:59:01,320
Speaker 1: street mentality like that. That kind of fuck up about

1037
00:59:01,360 --> 00:59:05,440
Speaker 1: this ship really, like because you know, in the streets,

1038
00:59:05,440 --> 00:59:07,520
Speaker 1: you're like, man, I can't do shit with this nigga

1039
00:59:07,840 --> 00:59:09,640
Speaker 1: or that nigga because of the x y Z or

1040
00:59:09,680 --> 00:59:11,440
Speaker 1: this nigga, this nigga. Don't suck with that nigga, that

1041
00:59:11,480 --> 00:59:14,040
Speaker 1: NIGGANA focus this nicks. I can't us this nigga. You

1042
00:59:14,360 --> 00:59:16,040
Speaker 1: you dare are gonna be doing a song with the

1043
00:59:16,160 --> 00:59:18,120
Speaker 1: fucking corner of the wall. You're just gonna be into

1044
00:59:18,520 --> 00:59:21,640
Speaker 1: You're gonna be about yourself. You got everybody got a

1045
00:59:21,680 --> 00:59:24,320
Speaker 1: little secret situation. Yeah, so you gotta damn there do

1046
00:59:24,440 --> 00:59:27,040
Speaker 1: what makes sense. Still stand on what you stand on.

1047
00:59:27,280 --> 00:59:30,120
Speaker 1: But you know what I'm saying, don't don't trick yourself

1048
00:59:30,200 --> 00:59:33,000
Speaker 1: out of some dumb shit, out of some money because

1049
00:59:33,040 --> 00:59:35,520
Speaker 1: of this nigga. Don't he won't like my man's because

1050
00:59:35,560 --> 00:59:38,120
Speaker 1: of x y Z. Nine times out of ten, What

1051
00:59:38,200 --> 00:59:48,400
Speaker 1: does it be about girl? A bit? Well, you lie

1052
00:59:48,480 --> 00:59:54,360
Speaker 1: to you out of everybody man, y'all got y'all got

1053
00:59:54,480 --> 01:00:04,520
Speaker 1: drunk around with you. He can be and I think

1054
01:00:04,520 --> 01:00:07,960
Speaker 1: it's graz still got a full cup. That's why ain't

1055
01:00:09,800 --> 01:00:16,880
Speaker 1: like this, because you ain't respect the nigga. That's just

1056
01:00:17,000 --> 01:00:19,520
Speaker 1: what women do. Like. If you turn into this, I'm

1057
01:00:19,520 --> 01:00:22,200
Speaker 1: gonna lead alone. That's a whole another time. This man's

1058
01:00:22,240 --> 01:00:23,920
Speaker 1: married man and so on. I'm just speaking for the

1059
01:00:23,960 --> 01:00:26,520
Speaker 1: guys that I see go through things. I am a faithful,

1060
01:00:26,600 --> 01:00:28,840
Speaker 1: loving man. The thing, the guy the ship that I

1061
01:00:28,920 --> 01:00:32,040
Speaker 1: see these guys go through for women that it's not

1062
01:00:32,960 --> 01:00:35,919
Speaker 1: not the women that because they are some that's worth

1063
01:00:36,000 --> 01:00:38,560
Speaker 1: he have one. Pretty sure I have one that's worth it.

1064
01:00:39,040 --> 01:00:40,840
Speaker 1: What I'm saying the guys that I see go for

1065
01:00:40,920 --> 01:00:43,040
Speaker 1: the things that they're going for that it's hindering their

1066
01:00:43,120 --> 01:00:45,439
Speaker 1: life behind this bitch that ain't gonna never be nothing.

1067
01:00:45,840 --> 01:00:47,320
Speaker 1: If you be all you can be the bitch you

1068
01:00:47,360 --> 01:00:49,200
Speaker 1: can be for this bitch, you still ain't gonna get nothing.

1069
01:00:49,560 --> 01:00:52,920
Speaker 1: You think it's that's right, you're talking about like the

1070
01:00:53,000 --> 01:00:55,880
Speaker 1: bitch that's fucking lips crew, that crew, this crew, just

1071
01:00:56,160 --> 01:00:58,240
Speaker 1: that man she at home with you like this ain't

1072
01:00:58,280 --> 01:01:01,560
Speaker 1: your You ain't shit that go get me a birking nigga.

1073
01:01:02,960 --> 01:01:06,840
Speaker 1: I'm talking about a woman. I ain't like women. It's

1074
01:01:06,920 --> 01:01:10,840
Speaker 1: some women that are the ones that have a right

1075
01:01:10,960 --> 01:01:14,160
Speaker 1: to go outside like the understand JA totally different. We're

1076
01:01:14,200 --> 01:01:16,880
Speaker 1: not talking about that, so I get it. You try.

1077
01:01:17,440 --> 01:01:19,200
Speaker 1: We ain't talking about that. That didn't work. Let her

1078
01:01:19,240 --> 01:01:21,560
Speaker 1: elaborate what she wanted to say, she's been to try

1079
01:01:21,600 --> 01:01:23,360
Speaker 1: to vout for the women that we're not talking about.

1080
01:01:23,640 --> 01:01:25,640
Speaker 1: When not talking about women, we're talking about the whole.

1081
01:01:28,720 --> 01:01:30,880
Speaker 1: That's what I said. I've been saying, he do for

1082
01:01:31,040 --> 01:01:35,080
Speaker 1: a bitch for I ain't say for a woman. Okay,

1083
01:01:36,720 --> 01:01:40,280
Speaker 1: the girl's face they look, nah, it ain't got anything

1084
01:01:40,280 --> 01:01:41,720
Speaker 1: to do it. And then look, it's just the one

1085
01:01:41,800 --> 01:01:44,600
Speaker 1: that nigga be knowing it. That's what I was just

1086
01:01:44,680 --> 01:01:49,560
Speaker 1: about to say. You know, but the wholes are the ones.

1087
01:01:50,120 --> 01:01:52,560
Speaker 1: The wholes are the ones that know how to do

1088
01:01:52,680 --> 01:01:54,240
Speaker 1: what they do, when they do what they do, when

1089
01:01:54,240 --> 01:01:56,720
Speaker 1: they're trying to do what they do, made that nigga

1090
01:01:56,760 --> 01:02:01,160
Speaker 1: feel which crap? That basically which crap. Some most niggas

1091
01:02:01,200 --> 01:02:03,920
Speaker 1: still like, because you gotta be a strong see what

1092
01:02:04,000 --> 01:02:05,800
Speaker 1: she does when she does what she doing, and then

1093
01:02:06,040 --> 01:02:08,560
Speaker 1: you gotta leave it like you gotta leave it at that.

1094
01:02:08,680 --> 01:02:10,400
Speaker 1: You can't bring her home and wife her and all

1095
01:02:10,600 --> 01:02:13,840
Speaker 1: about to live a life of misery. Feel like because

1096
01:02:13,840 --> 01:02:22,080
Speaker 1: she's doing it like that, she loved me. Most niggas

1097
01:02:22,120 --> 01:02:25,320
Speaker 1: another to be wrong. Can you do what you do

1098
01:02:25,600 --> 01:02:28,040
Speaker 1: when you know what you do what you does just

1099
01:02:29,520 --> 01:02:32,280
Speaker 1: the nigga can't focus on nothing else. But what is

1100
01:02:32,320 --> 01:02:34,200
Speaker 1: this bench doing when she's not with me? And that's

1101
01:02:34,240 --> 01:02:38,480
Speaker 1: what fucks everything up. That's how she do that stuff. No,

1102
01:02:38,600 --> 01:02:41,080
Speaker 1: I ain't gonna lie. I ain't. I heard some real

1103
01:02:41,160 --> 01:02:43,360
Speaker 1: niggas getting their feelings about some holes or they like

1104
01:02:44,040 --> 01:02:46,600
Speaker 1: and I love that bitch, like like, man, she fucking

1105
01:02:46,640 --> 01:02:48,680
Speaker 1: her boyfriend like he didn't. Nigga on the side. Yeah,

1106
01:02:48,720 --> 01:02:50,800
Speaker 1: I'm getting sick at bitch fucking her whole ass. Nigga

1107
01:02:51,120 --> 01:02:55,440
Speaker 1: I'm you're speaking to. We're trying to trying to heal

1108
01:02:55,560 --> 01:02:58,200
Speaker 1: them people, bro, not the niggas who gotta gotta We're

1109
01:02:58,240 --> 01:03:00,640
Speaker 1: trying to heal her whole of her, trying to heal them.

1110
01:03:01,520 --> 01:03:03,560
Speaker 1: Every episode. We need to heal some guys, but some

1111
01:03:03,680 --> 01:03:07,720
Speaker 1: niggas out here really running on transmits mental health is important.

1112
01:03:07,800 --> 01:03:15,200
Speaker 1: Fore it's pussy the most influential. Yes, yeah, yeah, all

1113
01:03:15,320 --> 01:03:20,760
Speaker 1: this shit. We don't see niggas squash everything wards everything

1114
01:03:21,120 --> 01:03:24,840
Speaker 1: about if a bitch one involved a bitching it, we

1115
01:03:24,920 --> 01:03:29,400
Speaker 1: gotta go to the deff. You got to go nigas

1116
01:03:29,440 --> 01:03:32,280
Speaker 1: a dude, it'll be about a bitch. But if a

1117
01:03:32,360 --> 01:03:33,920
Speaker 1: nigga don't want to say it's about a bitch here

1118
01:03:34,000 --> 01:03:42,840
Speaker 1: makes something else up. Facts really a moment, the moment

1119
01:03:43,000 --> 01:03:44,920
Speaker 1: I know it's about a bitch, I'm gonna make it.

1120
01:03:45,000 --> 01:03:47,320
Speaker 1: I'm gonna make something up. I'm gonna put you in

1121
01:03:47,360 --> 01:03:49,680
Speaker 1: a trap them near the way and be like I tell,

1122
01:03:50,960 --> 01:03:53,760
Speaker 1: I've been face fighting you for six years. Now I'm

1123
01:03:53,760 --> 01:03:56,160
Speaker 1: gonna tell a stream so scream to recognized the damn

1124
01:03:56,160 --> 01:03:59,800
Speaker 1: screen nigga mugging U been doing, nig I've been got

1125
01:04:00,200 --> 01:04:04,200
Speaker 1: dumb niggle spitting on this nigga for six months. That's

1126
01:04:04,200 --> 01:04:06,160
Speaker 1: how I go. And then you know what I'm saying,

1127
01:04:06,160 --> 01:04:08,400
Speaker 1: I don't start a whole some whole bullshit behind a bitch.

1128
01:04:08,480 --> 01:04:11,840
Speaker 1: That's just war. That's behind the nature of this ship.

1129
01:04:12,200 --> 01:04:16,040
Speaker 1: And I think reality, I don't think it's ever gonna change.

1130
01:04:16,240 --> 01:04:20,000
Speaker 1: And it ain't just niggas and black people's since the

1131
01:04:20,160 --> 01:04:25,960
Speaker 1: cave man man, That's what I'm saying, Bitches, bro Bible

1132
01:04:26,160 --> 01:04:28,960
Speaker 1: had niggas in caves d The cave man was a nigga.

1133
01:04:29,360 --> 01:04:31,960
Speaker 1: What you mean, who else wanna be in the cave

1134
01:04:32,000 --> 01:04:37,200
Speaker 1: When whenever bro horses fight other horses about their bitch man,

1135
01:04:37,280 --> 01:04:40,520
Speaker 1: it's just the nature of what it is. I don't

1136
01:04:40,600 --> 01:04:45,400
Speaker 1: understand like that's just something you gotta have you ever

1137
01:04:45,480 --> 01:04:48,840
Speaker 1: seen a Spurel family, a Spurel families standing my backyard

1138
01:04:51,760 --> 01:04:57,880
Speaker 1: kind of carres semi. Man, you can't tell me I

1139
01:04:58,000 --> 01:05:00,800
Speaker 1: watched the niggers that god ma, I wouldn't shooting for

1140
01:05:00,880 --> 01:05:06,840
Speaker 1: the motherfucking tell her a real story about the squirrel.

1141
01:05:09,440 --> 01:05:11,760
Speaker 1: The squirrel didn't the squirl didn't shoot nobody. No, no,

1142
01:05:13,920 --> 01:05:15,800
Speaker 1: the scrub building this I was, I gotta be be

1143
01:05:15,920 --> 01:05:21,400
Speaker 1: gone squirrel yeah behind to go ride up. I first

1144
01:05:21,400 --> 01:05:23,800
Speaker 1: seen I seen them. I could have scoked his ass

1145
01:05:23,840 --> 01:05:28,240
Speaker 1: out with It was just him and the bitch. Shit

1146
01:05:28,600 --> 01:05:34,280
Speaker 1: they don't care. Yeah, kids and kids and females are

1147
01:05:34,520 --> 01:05:37,440
Speaker 1: limits to gangsters. Yeah no, no, no, no, he was

1148
01:05:37,480 --> 01:05:38,960
Speaker 1: just him in the bitch. So I've just seen like

1149
01:05:39,040 --> 01:05:41,040
Speaker 1: two squirrels. At first, I didn't know. I just thought

1150
01:05:41,160 --> 01:05:43,000
Speaker 1: two squirrels. I ain't think about like this is a family.

1151
01:05:43,040 --> 01:05:50,280
Speaker 1: They fin started family. That bullshit. Well listening, go ahead,

1152
01:05:50,440 --> 01:05:53,000
Speaker 1: run telling the story right that man got the other

1153
01:05:53,080 --> 01:05:57,000
Speaker 1: three squirrels and that he was already got none. Run

1154
01:05:57,160 --> 01:06:00,600
Speaker 1: ride short. But they see over hill, you know how

1155
01:06:02,280 --> 01:06:06,080
Speaker 1: the tree you're just making No, that's the nigga, said

1156
01:06:06,360 --> 01:06:09,320
Speaker 1: Cora Hill playing to the other scirre day lang. Yeah,

1157
01:06:09,520 --> 01:06:11,920
Speaker 1: you get what I'm saying. He was standing at the

1158
01:06:11,960 --> 01:06:14,160
Speaker 1: bottom of the of the street while Latest sleep and

1159
01:06:14,240 --> 01:06:24,800
Speaker 1: kish leep. It's because there's no species playing about their bitch.

1160
01:06:26,240 --> 01:06:30,919
Speaker 1: That's true. That's not definitely not the bears the most

1161
01:06:31,280 --> 01:06:38,040
Speaker 1: see that's real shit. Buggers just have elevated it. Nigga

1162
01:06:38,120 --> 01:06:40,919
Speaker 1: using hate like and confusing that this ain't your bitch,

1163
01:06:41,280 --> 01:06:45,320
Speaker 1: This our bitch. Niggas have to get that understood. If

1164
01:06:45,400 --> 01:06:48,720
Speaker 1: this yours, this didn't mean that you're woman. You got

1165
01:06:48,840 --> 01:06:50,560
Speaker 1: a bitch, This our bitch. Brother, How you gonna be

1166
01:06:50,640 --> 01:06:52,440
Speaker 1: mad or another nigga for doing this bitch like to

1167
01:06:52,520 --> 01:06:55,320
Speaker 1: do with him? And you you got to remove yourself

1168
01:06:55,400 --> 01:06:57,720
Speaker 1: for how you catch it? Now? You mad at butter

1169
01:06:57,800 --> 01:06:59,920
Speaker 1: for no Rheine met this nigga might be a player.

1170
01:07:02,360 --> 01:07:05,880
Speaker 1: You think about a player. I could probably get some

1171
01:07:06,000 --> 01:07:09,120
Speaker 1: money together. So you mad at this dude just for

1172
01:07:09,240 --> 01:07:11,320
Speaker 1: ship because you see in your in your in the phone.

1173
01:07:11,960 --> 01:07:13,919
Speaker 1: That's the lame of Shitn't like you gotta be playing

1174
01:07:13,920 --> 01:07:16,040
Speaker 1: about your ship. That's the lame of shine in life.

1175
01:07:16,080 --> 01:07:18,480
Speaker 1: How you gonna preach judge that man? It could be

1176
01:07:18,520 --> 01:07:20,560
Speaker 1: your destiny and partner. Y'all need probably make a hand

1177
01:07:20,560 --> 01:07:25,480
Speaker 1: a million together, m due to the fact this bitch

1178
01:07:25,760 --> 01:07:29,480
Speaker 1: right nah, but for real though all bullshit side, that

1179
01:07:29,520 --> 01:07:32,960
Speaker 1: shit happened so much. It is just like h and

1180
01:07:33,160 --> 01:07:41,800
Speaker 1: in every species, you're right, you're right right. You out

1181
01:07:41,800 --> 01:07:43,760
Speaker 1: to tell me, you know the biggest quota is don't

1182
01:07:43,800 --> 01:07:47,440
Speaker 1: know species. You see how the niggas attack you when

1183
01:07:47,440 --> 01:07:50,280
Speaker 1: you try to fucking do anything to the be the

1184
01:07:50,400 --> 01:07:53,919
Speaker 1: queen bee. Yeah that when that ship come out, even

1185
01:07:53,960 --> 01:08:04,520
Speaker 1: the queen running by the queen and did he eat

1186
01:08:05,440 --> 01:08:07,440
Speaker 1: you bite your ass up? You tap this ship to

1187
01:08:07,560 --> 01:08:11,400
Speaker 1: be steaded up like nah, But I was really shit.

1188
01:08:12,280 --> 01:08:14,560
Speaker 1: I ain't ever looked at like that. I just thought

1189
01:08:14,560 --> 01:08:25,479
Speaker 1: about that. But squirrel, you need family. I would have

1190
01:08:25,520 --> 01:08:32,160
Speaker 1: knocked that down. Squirrel about I'm not talking about that.

1191
01:08:32,200 --> 01:08:35,400
Speaker 1: I'm just saying I never I'm not looking at you.

1192
01:08:35,640 --> 01:08:37,720
Speaker 1: Always talk with y'all, so we all pleass. He's a

1193
01:08:37,800 --> 01:08:42,400
Speaker 1: married man. You're married. I'm okay, cool, nigga, be chill.

1194
01:08:42,400 --> 01:08:44,439
Speaker 1: When anybody still you want to say, nigga might next

1195
01:08:44,439 --> 01:08:47,600
Speaker 1: her ship, go tell me you're going for anything in

1196
01:08:47,720 --> 01:08:50,080
Speaker 1: front of your bitch. Keep my wife's name. I'm just

1197
01:08:50,120 --> 01:08:57,200
Speaker 1: saying from nigga just anybody like you have to initially

1198
01:08:57,240 --> 01:09:00,640
Speaker 1: turn into super nigga, super super nigga. What you look like?

1199
01:09:00,960 --> 01:09:03,400
Speaker 1: Say so we out and about nigga? God damn here,

1200
01:09:04,479 --> 01:09:07,240
Speaker 1: Oh you just come on back. Can't do that nigga

1201
01:09:07,320 --> 01:09:12,240
Speaker 1: like that? Do that nigga like that, don't look bad,

1202
01:09:12,320 --> 01:09:17,920
Speaker 1: don't look us a hope from now you nigga knock

1203
01:09:17,960 --> 01:09:22,760
Speaker 1: your ass out of even on the ground, like you're

1204
01:09:22,760 --> 01:09:28,920
Speaker 1: gonna fight. You just keeping it real because it's just

1205
01:09:29,120 --> 01:09:35,320
Speaker 1: really we're living in ship. It's full of bullshit situation.

1206
01:09:35,680 --> 01:09:39,760
Speaker 1: But that's a that's a bad situation. I don't see

1207
01:09:39,920 --> 01:09:44,320
Speaker 1: niggas turned into popee about the hope you better though

1208
01:09:47,720 --> 01:09:54,160
Speaker 1: relationship especial, especially if she's worth exactly you let some

1209
01:09:54,280 --> 01:09:57,280
Speaker 1: nigga disrespect your girl like you ain't defend her honor.

1210
01:09:58,840 --> 01:10:04,080
Speaker 1: When that nigga like that, let's worth it. I'm talking

1211
01:10:04,080 --> 01:10:07,160
Speaker 1: about somebody somebody just random hole. Yeah, if you smashing it,

1212
01:10:07,280 --> 01:10:09,760
Speaker 1: she just with I don't know because it's like with

1213
01:10:09,840 --> 01:10:13,600
Speaker 1: me right now. Still can't let nobody disrespect her, no,

1214
01:10:13,760 --> 01:10:19,720
Speaker 1: notspect her. Hold on immediately me write this shit down

1215
01:10:19,760 --> 01:10:21,920
Speaker 1: to a difference, come on, get depend on it. But

1216
01:10:22,040 --> 01:10:24,240
Speaker 1: the notice help because I don't know what lies she's

1217
01:10:24,280 --> 01:10:26,519
Speaker 1: telling that. He's saying, that's what, bit, What the fuck?

1218
01:10:26,960 --> 01:10:28,560
Speaker 1: I don't got a't got nothing to do with it,

1219
01:10:28,680 --> 01:10:30,400
Speaker 1: right what I din't doing that because of the end

1220
01:10:30,400 --> 01:10:32,040
Speaker 1: of the day, brother, it might be your whole too.

1221
01:10:32,080 --> 01:10:34,840
Speaker 1: I don't know what going on, right, That's why I said,

1222
01:10:34,880 --> 01:10:37,240
Speaker 1: if she's worth it, if it's if you blocked in,

1223
01:10:37,439 --> 01:10:40,200
Speaker 1: for sure, But if it's just a i'll dude, gonna

1224
01:10:40,240 --> 01:10:41,880
Speaker 1: be running up on your girl like they know it to,

1225
01:10:42,000 --> 01:10:44,840
Speaker 1: like something's going on. Some niggas be crazy for real.

1226
01:10:45,080 --> 01:10:51,200
Speaker 1: If you know her name, you're not crazy. You're not crazy. Hey, bitch,

1227
01:10:51,240 --> 01:10:56,920
Speaker 1: don't sound like her name though, you bitch, you gotta

1228
01:10:56,960 --> 01:11:04,400
Speaker 1: you gotta answer to that. Oh God, they roll what

1229
01:11:04,479 --> 01:11:06,400
Speaker 1: you want to say to the people? Man, the big facts.

1230
01:11:06,640 --> 01:11:10,960
Speaker 1: I pray to nobody getting that situation. Yeah, I pray

1231
01:11:11,040 --> 01:11:14,439
Speaker 1: the viewers don't never get in that situation. Yeah, we're

1232
01:11:14,439 --> 01:11:20,320
Speaker 1: gonna do a real interview next kind. We're gonna come

1233
01:11:20,360 --> 01:11:23,519
Speaker 1: up to the Detroit. Man, I'm about to move move

1234
01:11:23,600 --> 01:11:30,320
Speaker 1: back out here, anybody know anytime now, y'alln't got me drunk. Yeah,

1235
01:11:30,360 --> 01:11:34,000
Speaker 1: that's how I'm supposed to be. Yeah, bro, we appreciate you.

1236
01:11:34,080 --> 01:11:37,120
Speaker 1: Pull it up, you know, saying, must continue. Success to you,

1237
01:11:37,520 --> 01:11:39,280
Speaker 1: big shouts out to the whole Detroit. You know what

1238
01:11:39,320 --> 01:11:46,560
Speaker 1: it is. TRIPLEW dot Big factspot dot com, Stitch